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EXISTS `wp_comments`; /*!40101 SET @saved_cs_client = @@character_set_client */; /*!40101 SET character_set_client = utf8 */; CREATE TABLE `wp_comments` ( `comment_ID` bigint(20) unsigned NOT NULL AUTO_INCREMENT, `comment_post_ID` bigint(20) unsigned NOT NULL DEFAULT '0', `comment_author` tinytext COLLATE utf8mb4_unicode_ci NOT NULL, `comment_author_email` varchar(100) COLLATE utf8mb4_unicode_ci NOT NULL DEFAULT '', `comment_author_url` varchar(200) COLLATE utf8mb4_unicode_ci NOT NULL DEFAULT '', `comment_author_IP` varchar(100) COLLATE utf8mb4_unicode_ci NOT NULL DEFAULT '', `comment_date` datetime NOT NULL DEFAULT '0000-00-00 00:00:00', `comment_date_gmt` datetime NOT NULL DEFAULT '0000-00-00 00:00:00', `comment_content` text COLLATE utf8mb4_unicode_ci NOT NULL, `comment_karma` int(11) NOT NULL DEFAULT '0', `comment_approved` varchar(20) COLLATE utf8mb4_unicode_ci NOT NULL DEFAULT '1', `comment_agent` varchar(255) COLLATE utf8mb4_unicode_ci NOT NULL DEFAULT '', `comment_type` 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I have just forwarded this onto a \r\nfriend who was conducting a little research on this. And he in fact bought me lunch \r\nsimply because I found it for him... lol. So allow me \r\nto reword this.... Thank YOU for the meal!! But yeah, thanks for spending time to discuss this topic here on your site.',0,'1','Mozilla/5.0 (Windows NT 6.1; rv:2.0b7pre) Gecko/20100921 Firefox/4.0b7pre','',0,0),(4,85,'tori','jatori@yyahoo.com','','24.181.86.7','2012-08-25 08:39:46','2012-08-25 15:39:46','i like the video better',0,'1','Mozilla/5.0 (PLAYSTATION 3 4.20) AppleWebKit/531.22.8 (KHTML, like Gecko)','',0,0),(5,129,'Barb','barbbunnell@bigstring.com','http://www.Firefighterinstitute.com/firefighter-education-cost-emergency-services-academy/','176.9.236.3','2012-09-08 11:21:13','2012-09-08 18:21:13','I will immediately grab your rss feed as I can not to find \r\nyour email subscription link or newsletter service. Do you\'ve any? Please let me realize in order that I may subscribe. Thanks.',0,'1','Opera/9.80 (Windows NT 5.1; U; en) Presto/2.10.289 Version/12.01','',0,0),(7,66,'Ash','silver_witch07@yahoo.com','http://433aeyv159o6syeamzaxjx8k70.hop.clickbank.net/','98.26.217.12','2012-10-28 20:44:30','2012-10-29 03:44:30','I wish I could draw people.',0,'1','Mozilla/5.0 (compatible; MSIE 9.0; Windows NT 6.1; WOW64; Trident/5.0)','',0,0),(8,129,'Jack','jack@letsdrawpeople.com','http://letsdrawpeople.com','70.173.224.40','2012-12-13 22:54:05','2012-12-14 06:54:05','Thanks for grabbing the RSS feed. A subscription link will be in the works as I increase content on the site, so stay tuned!',0,'1','Mozilla/5.0 (compatible; MSIE 9.0; Windows NT 6.1; WOW64; Trident/5.0)','',5,1),(9,66,'Jack','jack@letsdrawpeople.com','http://letsdrawpeople.com','70.173.224.40','2012-12-13 22:59:36','2012-12-14 06:59:36','Keep practicing! I will keep posting new tutorials for you to try.',0,'1','Mozilla/5.0 (compatible; MSIE 9.0; Windows NT 6.1; WOW64; Trident/5.0)','',7,1),(10,129,'Jack','jack@letsdrawpeople.com','http://letsdrawpeople.com','70.173.224.40','2012-12-13 23:03:34','2012-12-14 07:03:34','You are welcome. There will be more to come!',0,'1','Mozilla/5.0 (compatible; MSIE 9.0; Windows NT 6.1; WOW64; Trident/5.0)','',6,1),(2165,1543,'Jack Pearce','editor@letsdrawpeople.com','http://www.letsdrawpeople.com','72.193.225.10','2015-02-01 19:54:02','2015-02-02 03:54:02','There aren\'t any books that I know of that are specifically on hyperrealistic pencil portraits, but I will keep looking. From what I can tell, you would use the same principles that apply to \"non-hyperrealistic\" (if that\'s a word) - but still realistic - pencil portraits. The only difference is the level of detail and time commitment would be magnified tremendously.',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/40.0.2214.94 Safari/537.36','',2155,2),(1452,909,'Tristan','mrtjaet@gmail.com','','82.35.67.22','2014-09-08 13:16:45','2014-09-08 20:16:45','I find your site useful to refer students to.\r\n\r\nThis is similar to how I teach the figure, but more anatomically accurate is the 8 1/2 head rule. The head points don\'t exactly correspond so perfectly/coincidentally with the real figure, but it is much more natural looking outcome. for eg. the spine is the same length as the femur (the longest bone in the body). The neck is about 1/3 of a head, with the arm-pit being about 4/5ths of a head below the chin. The extra 1/2 head balances the 3-head width of the shoulders to look less neanderthal. Out of interest I also teach a 9 1/2 head rule for fashion students.',0,'1','Mozilla/5.0 (Macintosh; Intel Mac OS X 10_9_4) AppleWebKit/537.78.2 (KHTML, like Gecko) Version/7.0.6 Safari/537.78.2','',0,0),(1458,909,'Jack Pearce','editor@letsdrawpeople.com','http://www.letsdrawpeople.com','72.193.17.90','2014-09-09 20:59:20','2014-09-10 03:59:20','Hi Tristan! I am happy you find the site useful. The guidelines in this post were meant only as very basic, general points to keep things simple for those just beginning. You are right, though. In reality, people don\'t perfectly conform to the 8-head rule used to simplify things for artists. Thanks for sharing your measurements for those who want to get it even more exact!',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/37.0.2062.103 Safari/537.36','',1452,2),(2487,909,'Jack Pearce','editor@letsdrawpeople.com','http://www.letsdrawpeople.com','72.193.225.10','2015-07-19 21:47:26','2015-07-20 04:47:26','Awesome! Thanks for the feedback Margie. Keep practicing! I am certain you will improve tremendously over time.',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/43.0.2357.134 Safari/537.36','',2486,2),(2296,878,'Rodney Duiderstadt','rdudersr@wcc.net','http://wcc.net','63.172.42.76','2015-04-12 16:21:24','2015-04-12 23:21:24','I am a painter of 40 years, have done well with it. Even after this long I am still willing to learn new things. I have taught over 30 years and i always tell my students when you quit learning you are through as a n artist I enjoy your site and look forward to learning more things, Thank you for sharing. I don\'t pencil draw much but draw with oil paint. I block my subjects in with a gray color that vanishes when I paint, so your site will help me in some ways. I am now retired from 60 years of doing business in 5 fields, Also now a kidney patient on dialysis, Not being able to do much work now i have turned back to p[ainting. I have over 300 paintings sold in several states and overseas.\r\n The oil bust in the 80s stopped a lot of paintings sell and the drouth also husrts artish here in the Hill Country of Texas. It was picking up but now the oil glut has slowed again. But this does not stop me from paining. \r\nThank you for your site\r\nRodney Duderstadt',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/41.0.2272.118 Safari/537.36','',0,0),(1513,837,'Gretta Aranha','grettara@rediffmail.com','','2.50.80.103','2014-09-21 23:01:03','2014-09-22 06:01:03','Thank you very Much Jack Pearce, I just went through your tips for drawing a portrait and will try drawing according to them. I do sketching but not that good, I just wanted to improve my skills. A friend of mine requested to try drawing her portrait. .but couldn\'t ..do it cause I have to still more to improve and practice. Hope your points can help to achieve drawing more better have a nice day tc.',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64; Trident/7.0; rv:11.0) like Gecko','',0,0),(1523,837,'Jack Pearce','editor@letsdrawpeople.com','http://www.letsdrawpeople.com','72.193.17.90','2014-09-22 18:56:48','2014-09-23 01:56:48','You are welcome Gretta! Best of luck to you in developing your portrait-drawing skills!',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/37.0.2062.120 Safari/537.36','',1513,2),(2249,1591,'Paul Prentice','Prentpasrcj@aol.com','','2.98.210.103','2015-03-23 03:21:45','2015-03-23 10:21:45','Hi love your drawing are lovely, wonder if you could give me a few pointers on how to do portraits as I\'m a bit hit or missed',0,'1','Mozilla/5.0 (iPhone; CPU iPhone OS 8_2 like Mac OS X) AppleWebKit/600.1.4 (KHTML, like Gecko) Version/8.0 Mobile/12D508 Safari/600.1.4','',0,0),(1300,1189,'drawing realistic clouds in Photoshop','ginger.leahy@t-online.de','http://v.gd/mike_theuer_pencil_portraits_2','23.244.164.222','2014-08-09 06:41:09','2014-08-09 13:41:09','Everything is very open with a really clear explanation of the challenges.\r\nIt was really informative. Your site is very helpful.\r\n\r\nThanks for sharing!\r\n\r\nFeel free to visit my web-site: drawing realistic clouds in Photoshop',0,'1','Mozilla/5.0 (Windows NT 6.1; rv:5.0) Gecko/20100101 Firefox/5.02','',0,0),(2453,878,'Jack Pearce','editor@letsdrawpeople.com','http://www.letsdrawpeople.com','72.193.225.10','2015-06-30 01:39:33','2015-06-30 08:39:33','Thank you so much, Eddie!',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/43.0.2357.130 Safari/537.36','',2374,2),(2784,2415,'Margo','margoadias@yahoo.com','','216.67.75.110','2016-01-16 23:46:12','2016-01-17 07:46:12','I\'m a landscape and animal artist.. I have tried portrait drawings but because of a lack of interest in painting portraits, I don\'t try..',0,'1','Mozilla/5.0 (iPad; CPU OS 9_2 like Mac OS X) AppleWebKit/601.1.46 (KHTML, like Gecko) Version/9.0 Mobile/13C75 Safari/601.1','',0,0),(2785,2415,'Scott McCruden','Scottmccruden_4@msn.com','http://dragonwarriorstm.deviantart.com/','71.179.96.181','2016-01-17 13:53:18','2016-01-17 21:53:18','Inspiration is half the battle. What you find interesting is the base of creativity and from there genius is born. \r\n\r\nI would like to thank you for taking the time to read my post.\r\nBest wishes.',0,'1','Mozilla/5.0 (Windows NT 6.1; Win64; x64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/47.0.2526.111 Safari/537.36','',2784,8),(2374,878,'eddie maemela','eddie.maemela@gmail.com','','165.145.160.113','2015-05-22 02:56:57','2015-05-22 09:56:57','Hi Jack....like wht u doing...u r such an inspiration...especially to up coming artists...u really makes drawing much more easier....eddie from Republic of South Africa-Northwest Province...>>>Keep up the good work<<<.......ur's in creative arts......',0,'1','Mozilla/5.0 (Windows NT 6.1; Trident/7.0; rv:11.0) like Gecko','',0,0),(2261,1703,'Jack Pearce','editor@letsdrawpeople.com','http://www.letsdrawpeople.com','72.193.225.10','2015-03-27 04:12:23','2015-03-27 11:12:23','You are very welcome, Bonnie. So kind of you!',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/41.0.2272.101 Safari/537.36','',2259,2),(2489,909,'Jack Pearce','editor@letsdrawpeople.com','http://www.letsdrawpeople.com','72.193.225.10','2015-07-20 23:01:24','2015-07-21 06:01:24','Thank you Jenny! Glad it helps!',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/43.0.2357.134 Safari/537.36','',2488,2),(2090,1543,'Jessica-Lynn','daydreammom@yahoo.com','http://moonmanifest.com','24.107.191.227','2015-01-10 14:32:37','2015-01-10 22:32:37','WOW!!!! over 200 hours per portrait??! that\'s really amazing. he has a gift from God <3',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64; rv:34.0) Gecko/20100101 Firefox/34.0','',0,0),(2282,956,'Jack Pearce','editor@letsdrawpeople.com','http://www.letsdrawpeople.com','72.193.225.10','2015-04-05 19:04:11','2015-04-06 02:04:11','You are very welcome, Lucie! I am so happy that you find value here. Best of luck to you and your students!',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/41.0.2272.118 Safari/537.36','',2280,2),(2762,2443,'Carlos Reid','losatron@yahoo.com','http://www.carlosreid.com','104.139.32.191','2016-01-07 02:06:57','2016-01-07 10:06:57','I will be doing a downloadable instructional video on how to oil paint on my website in a month or two. We\'re in the middle of doing a how to draw video right now. There will be 3 or 4 instructional videos in all. We\'re looking at a 3 or 4 month project in all.',0,'1','Mozilla/5.0 (Windows NT 6.3; WOW64; Trident/7.0; rv:11.0) like Gecko','',2761,15),(2272,1785,'Kathy','wintterose@msn.com','','71.166.7.231','2015-03-30 17:52:21','2015-03-31 00:52:21','What if you can\'t shake a memory of what you have seen and you can\'t get original thinking going?\r\nIt\'s like I am anal retentive and I see something and I don\'t want to copy, I want something original?',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/41.0.2272.101 Safari/537.36','',0,0),(2273,1785,'Jack Pearce','editor@letsdrawpeople.com','http://www.letsdrawpeople.com','72.193.225.10','2015-03-30 22:41:20','2015-03-31 05:41:20','No problem Becca! Glad you find them useful.',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/41.0.2272.101 Safari/537.36','',2270,2),(2247,1687,'Charles Snyder','snyderarts11@yahoo.com','http://nonepresently','24.0.133.77','2015-03-22 21:15:49','2015-03-23 04:15:49','Dear Jack,\r\n\r\nPerhaps to was not fair to checkout your drawing site.\r\nI am a professional illustrator, thinking of doing a drawing & design \r\nInstruction site, and wanted to see your presentation.\r\n(Which I think is well done)\r\n\r\nBut since I am not a potential student of your course,\r\nit would be unproductive to continue sending me emails.\r\nI hope I have not offended you.\r\nIf so, I apologize.\r\n\r\nSincerely, Charles Snyder',0,'1','Mozilla/5.0 (Macintosh; Intel Mac OS X 10_7_5) AppleWebKit/537.78.2 (KHTML, like Gecko) Version/6.1.6 Safari/537.78.2','',0,0),(2495,935,'Jack Pearce','editor@letsdrawpeople.com','http://www.letsdrawpeople.com','72.193.225.10','2015-07-22 21:46:36','2015-07-23 04:46:36','You are very welcome!',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/44.0.2403.89 Safari/537.36','',2493,2),(2259,1703,'Bonnie','dabonci@sbcglobal.net','','108.89.148.120','2015-03-25 17:45:29','2015-03-26 00:45:29','Thank you. \r\nYou are wonderful. God bless always.',0,'1','Mozilla/5.0 (iPad; CPU OS 8_2 like Mac OS X) AppleWebKit/600.1.4 (KHTML, like Gecko) Version/8.0 Mobile/12D508 Safari/600.1.4','',0,0),(2188,1536,'Nannette','nannettedarvell@sbcglobal.net','','162.202.122.124','2015-02-08 20:57:34','2015-02-09 04:57:34','Just starting in earnest to practice drawing',0,'1','Mozilla/5.0 (Linux; U; Android 4.1.1; en-us; GT-P3113 Build/JRO03C) AppleWebKit/534.30 (KHTML, like Gecko) Version/4.0 Safari/534.30','',0,0),(2375,1648,'eddie maemela','eddie.maemela@gmail.com','','165.145.160.113','2015-05-22 03:14:26','2015-05-22 10:14:26','Jack.....ur techniques are so helpful even to my art students...Big -up.....\r\nu\'rs in Creative - arts.....',0,'1','Mozilla/5.0 (Windows NT 6.1; Trident/7.0; rv:11.0) like Gecko','',0,0),(2407,837,'katwaza andrew','katwazaandrew@gmail.com','','41.84.196.234','2015-06-05 23:15:14','2015-06-06 06:15:14','i like it..............',0,'1','Mozilla/5.0 (Windows NT 6.1) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/43.0.2357.81 Safari/537.36','',0,0),(2242,1648,'Jack Pearce','editor@letsdrawpeople.com','http://www.letsdrawpeople.com','72.193.225.10','2015-03-19 06:01:46','2015-03-19 13:01:46','You are very welcome, Irene. I\'m happy it helps you!',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/41.0.2272.89 Safari/537.36','',2241,2),(2241,1648,'Irene Langdon','ila15720@bigpond.net.au','','101.161.128.34','2015-03-19 02:56:22','2015-03-19 09:56:22','Hi Jack Pearce\r\nYou\'re so helpful. Thank you so much\r\nIrene',0,'1','Mozilla/5.0 (iPad; CPU OS 8_2 like Mac OS X) AppleWebKit/600.1.4 (KHTML, like Gecko) Version/8.0 Mobile/12D508 Safari/600.1.4','',0,0),(2280,956,'Lucie Menard','lmenardaltea@hotmail.fr','','85.56.158.168','2015-04-05 05:50:28','2015-04-05 12:50:28','Thank you, thank you, thank you for publishing this wonderful site which is extremely helpful to one of my young students not only technically but also becasue you speak clearly. I am his English tutor. Lucie Menard Fine Art America',0,'1','Mozilla/5.0 (Windows NT 5.1; rv:36.0) Gecko/20100101 Firefox/36.0','',0,0),(2155,1543,'greg','gbankston64@gmail.com','','172.2.198.12','2015-01-31 11:35:56','2015-01-31 19:35:56','What does he use,is there a book to show you how to do that',0,'1','Mozilla/5.0 (Linux; Android 4.4.2; C6730 Build/KVT49L) AppleWebKit/537.36 (KHTML, like Gecko) Version/4.0 Chrome/30.0.0.0 Mobile Safari/537.36 [FBAN/FB4A;FBAV/21.0.0.23.12;]','',0,0),(2270,1785,'Becca','becca_hayes@hotmail.com','','73.55.202.236','2015-03-29 07:49:23','2015-03-29 14:49:23','these tips are extremely helpful! thanks so much for posting them.',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64; Trident/7.0; rv:11.0) like Gecko','',0,0),(2274,1785,'Jack Pearce','editor@letsdrawpeople.com','http://www.letsdrawpeople.com','72.193.225.10','2015-03-30 22:53:49','2015-03-31 05:53:49','Hi Kathy. What if you take the concept of what you have seen and use it as a stimulus for something creative and original? Since you can\'t stop thinking about it, use it to your advantage. Literally take a sheet of paper and brainstorm some interesting ways you can incorporate this image into a new piece of artwork that you can call your own. If for example, the image you have in your mind is of a particular face, take that face (or a similar face) and draw it with a new body, with new clothes, in a new environment that tells an intriguing story.',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/41.0.2272.101 Safari/537.36','',2272,2),(2365,935,'umständen','april.fenbury@gmx.net','http://www.pothersonyxinerodete.com','94.59.174.76','2015-05-19 06:54:58','2015-05-19 13:54:58','What\'s Happening i am new to this, I stumbled upon this I have discovered It absolutely useful and it has helped me out loads.\r\nI am hoping to give a contribution & assist other users like its helped me.\r\nGood job.',0,'1','Mozilla/5.0 (iPhone; CPU iPhone OS 8_1_2 like Mac OS X) AppleWebKit/600.1.4 (KHTML, like Gecko) CriOS/39.0.2171.50 Mobile/12B440 Safari/600.1.4','',0,0),(2174,1536,'Kirk Howland','howlandkirk9@gmail.com','','50.49.131.19','2015-02-03 10:27:00','2015-02-03 18:27:00','As soon as I can I\'ll practice some line drawings.\r\nThank you for this article.',0,'1','Mozilla/5.0 (Windows NT 6.1) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/40.0.2214.94 Safari/537.36','',0,0),(2248,1687,'Jack Pearce','editor@letsdrawpeople.com','http://www.letsdrawpeople.com','72.193.225.10','2015-03-22 21:49:28','2015-03-23 04:49:28','Hi Charles! No offense taken at all. I just unsubscribed you. Best of luck to you in the development of your new site!',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/41.0.2272.101 Safari/537.36','',2247,2),(2225,165,'Deangelo','palmamcquade@gmail.com','https://stephenzajacneq.wordpress.com/','192.255.79.84','2015-03-08 08:47:14','2015-03-08 15:47:14','Great post. I\'m facing many of hese issues as \r\nwell..',0,'1','Mozilla/5.0 (X11; Linux x86_64; rv:22.0) Gecko/20100101 Firefox/22.0','',0,0),(2254,1591,'Jack Pearce','editor@letsdrawpeople.com','http://www.letsdrawpeople.com','72.193.225.10','2015-03-23 23:18:00','2015-03-24 06:18:00','Hi Paul. Thanks for the compliment! Which aspect of portrait drawing do you struggle with the most?',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/41.0.2272.101 Safari/537.36','',2249,2),(2379,1703,'eddie maemela','eddie.maemela@gmail.com','','165.145.63.6','2015-05-25 05:20:50','2015-05-25 12:20:50','Thanx for the tutorial...Jack..U the best...',0,'1','Mozilla/5.0 (Windows NT 6.1; Trident/7.0; rv:11.0) like Gecko','',0,0),(2342,878,'Jack Pearce','editor@letsdrawpeople.com','http://www.letsdrawpeople.com','72.193.225.10','2015-04-27 19:49:26','2015-04-28 02:49:26','Hi Rodney. Thanks so much for the kind words. I am happy to hear that even an experienced oil painter such as yourself can find value here. Best of luck to you with all that you do!',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/42.0.2311.90 Safari/537.36','',2296,2),(2609,2258,'Yvonne','ygeorge.art@gmail.com','','98.17.87.149','2015-09-13 13:53:06','2015-09-13 20:53:06','So glad to see a soldier honored. So little of that today. Thank you for your service too!',0,'1','Mozilla/5.0 (Windows NT 6.3; WOW64; Trident/7.0; rv:11.0) like Gecko','',0,0),(2493,935,'Darnette Taylor','darnette501@yahoo.com','','166.137.126.92','2015-07-22 19:12:14','2015-07-23 02:12:14','Thank you for all the information. It is very helpful',0,'1','Mozilla/5.0 (Windows NT 6.3; Win64; x64; Trident/7.0; rv:11.0) like Gecko','',0,0),(2488,909,'Jenny','jmuriel.vanas@gmail.com','','41.135.185.114','2015-07-20 01:09:39','2015-07-20 08:09:39','Wow this was truly helpful. You make everything look so easy',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64; Trident/7.0; rv:11.0) like Gecko','',0,0),(2426,935,'Website','nniqoemkpdq@gmail.com','http://kmmfmyuyfrkkg.com','85.253.82.31','2015-06-16 12:48:45','2015-06-16 19:48:45','Remarkable things here. I am very satisfied to see your post. Thank you so much and I\'m taking a look forward to touch you. Will you kindly drop me a mail?|',0,'1','Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1)','',0,0),(2367,935,'Jack Pearce','editor@letsdrawpeople.com','http://www.letsdrawpeople.com','72.193.225.10','2015-05-19 21:15:52','2015-05-20 04:15:52','Thank you! I\'m glad you find it useful!',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/42.0.2311.152 Safari/537.36','',2365,2),(2550,1253,'Barry Morgan','bvmorgan@telkomsa.net','','105.225.150.212','2015-08-12 11:33:34','2015-08-12 18:33:34','I really enjoy your lessons. They have really helped a lot.\r\n\r\nThank you!!',0,'1','Mozilla/5.0 (Windows NT 5.1; rv:39.0) Gecko/20100101 Firefox/39.0','',0,0),(2551,1253,'Jack Pearce','editor@letsdrawpeople.com','http://www.letsdrawpeople.com','72.193.225.10','2015-08-12 18:49:51','2015-08-13 01:49:51','You are welcome Barry! I\'m glad they are helping you.',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/44.0.2403.130 Safari/537.36','',2550,2),(2761,2443,'Rodney Duderstadt','rdudersr@wcc.net','','209.55.127.174','2016-01-06 14:57:03','2016-01-06 22:57:03','I like the set up to draw Whitney, would be easy to oil paint her tht way',0,'1','Mozilla/5.0 (Windows NT 10.0; Win64; x64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/42.0.2311.135 Safari/537.36 Edge/12.10240','',0,0),(2486,909,'margie','mvanblydenstein@gmail.com','','105.224.122.97','2015-07-18 09:28:26','2015-07-18 16:28:26','Jack, I think you hit me right on target. I\'ve just tried your figure drawing and its fantastic. I am untrained and your site speaks to me in a clear, uncomplicated, do-able way! Many thanks, I shall try this over and over. It was fun and satisfying.',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/43.0.2357.134 Safari/537.36','',0,0),(2769,2458,'Sandy','artistinmd@ail.com','','98.231.148.53','2016-01-10 18:50:54','2016-01-11 02:50:54','Thank you. I found your instructions very helpful.',0,'1','Mozilla/5.0 (iPhone; CPU iPhone OS 9_2 like Mac OS X) AppleWebKit/601.1.46 (KHTML, like Gecko) Version/9.0 Mobile/13C75 Safari/601.1','',0,0),(2770,2458,'Carlos Reid','losatron@yahoo.com','http://www.carlosreid.com','104.139.32.191','2016-01-10 19:22:23','2016-01-11 03:22:23','No problem Sandy! I\'ll have some video instructions on doing a whole figures in pencil, color pencil and oil painting on my website hopefully in about 2 weeks',0,'1','Mozilla/5.0 (Windows NT 6.3; WOW64; Trident/7.0; rv:11.0) like Gecko','',2769,15),(2554,2193,'eddie maemela','eddie.maemela@gmail.com','','165.145.160.88','2015-08-14 05:52:41','2015-08-14 12:52:41','Thanx....Jack...for the tutorial...keep a good work....',0,'1','Mozilla/5.0 (Windows NT 6.1; Trident/7.0; rv:11.0) like Gecko','',0,0),(2523,956,'Dave','furiousR6@yahoo.com','','98.235.87.83','2015-07-29 13:26:01','2015-07-29 20:26:01','These \" lessons \" are improving my abilities pretty well. You explain things clearly and concisely which makes it all the more understandable. Thanks.',0,'1','Mozilla/5.0 (iPad; CPU OS 8_4 like Mac OS X) AppleWebKit/600.1.4 (KHTML, like Gecko) Version/8.0 Mobile/12H143 Safari/600.1.4','',0,0),(2524,956,'Jack Pearce','editor@letsdrawpeople.com','http://www.letsdrawpeople.com','72.193.225.10','2015-07-29 21:24:37','2015-07-30 04:24:37','You are welcome Dave! Glad you are improving. Keep up the good work!',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/44.0.2403.125 Safari/537.36','',2523,2),(2593,837,'Christine Moore','moorec@cofc.edu','','108.201.2.115','2015-09-05 20:04:47','2015-09-06 03:04:47','Thank you. I am inspired by you as a self-taught artist. This article is helpful, and I am practicing the techniques you referred to.',0,'1','Mozilla/5.0 (Windows NT 6.3; WOW64; rv:40.0) Gecko/20100101 Firefox/40.0','',0,0),(3006,1406,'Jack Pearce','editor@letsdrawpeople.com','http://www.letsdrawpeople.com','70.173.67.15','2016-09-06 20:35:53','2016-09-07 03:35:53','Awesome...glad it helped! Unfortunately, drawing kids that appear much older than they should is a common problem.',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/52.0.2743.116 Safari/537.36','',3004,2),(2892,990,'Stephane','g78xa8ifr@outlook.com','http://www.facebook.com/profile.php?id=100003469725909','221.178.182.96','2016-02-21 12:30:48','2016-02-21 20:30:48','Was totally stuck until I read this, now back up and running.',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/40.0.2214.111 Safari/537.36','',0,0),(3004,1406,'Amanda','almscarlett13@gmail.com','http://amandamccoyart.com','50.203.165.214','2016-09-05 13:53:04','2016-09-05 20:53:04','Thanks! This was really helpful! Drew the same toddler 4 times without knowing why they looked too old, and this article cleared it up.',0,'1','Mozilla/5.0 (Macintosh; Intel Mac OS X 10_11_5) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/51.0.2704.103 Safari/537.36','',0,0),(3013,837,'Vicky','keerthivignesh92@gmail.com','','101.222.254.175','2016-10-11 11:28:12','2016-10-11 18:28:12','Thanks for your portrait tips. It\'s very useful for the beginners. Do these kind of articles regularly because it\'s very useful for many people. Thank you very much Mr. Jack Pearce.',0,'1','Mozilla/5.0 (Linux; Android 6.0.1; MI 4W Build/MMB29M) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/51.0.2704.81 Mobile Safari/537.36','',0,0),(3014,837,'Jack Pearce','editor@letsdrawpeople.com','http://www.letsdrawpeople.com','70.173.67.15','2016-10-13 06:08:15','2016-10-13 13:08:15','You are very welcome Vicky!',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/53.0.2785.143 Safari/537.36','',3013,2),(3029,837,'kimberley','kimberleysartin@outlook.com','','82.36.217.130','2016-11-23 18:36:00','2016-11-24 02:36:00','I\'ve only been drawing a few months, sketching mainly. I used to write a lot. I didn\'t believe I could draw, but one day out of words to describe how I felt I drew. I\'ve since in the past ten months realized and so have many others that I have a great talent for portraits; however, wanting to seek advice to improve, I stumbled across this page. To my astonishment I learned about grid sketching, what a brilliant idea, especially for practicing different and more difficult poses. The one thing I do struggle with is teeth and mouths...any tips??',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/54.0.2840.99 Safari/537.36','',0,0),(3031,837,'Jack Pearce','editor@letsdrawpeople.com','http://www.letsdrawpeople.com','70.173.67.15','2016-11-28 20:41:19','2016-11-29 04:41:19','Hi Kimberley, and congratulations to you on your newly discovered talent! Grid drawing was a huge \"a-ha\" for me. Even after years of drawing experience, it took the quality of my portraits to a whole new level. When you struggle to draw teeth and mouths, even with a grid, I recommend you keep using a grid...just use a grid with more boxes!',0,'1','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/54.0.2840.99 Safari/537.36','',3029,2),(3066,129,'Google','','http://www.google.com/ghsabysr','178.238.38.187','2017-07-27 21:00:46','2017-07-28 04:00:46','Google\n\nThe details mentioned in the article are several of the very best offered.',0,'spam','Mozilla/5.0 (Windows; U; MSIE 9.0; Windows NT 9.0; en-US)','trackback',0,0); /*!40000 ALTER TABLE `wp_comments` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `wp_fluid_forms_builder` -- DROP TABLE IF EXISTS `wp_fluid_forms_builder`; /*!40101 SET @saved_cs_client = @@character_set_client */; /*!40101 SET character_set_client = utf8 */; CREATE TABLE `wp_fluid_forms_builder` ( `id` mediumint(9) NOT NULL AUTO_INCREMENT, `name` tinytext CHARACTER SET utf8 COLLATE utf8_unicode_ci NOT NULL, `description` tinytext CHARACTER SET utf8 COLLATE utf8_unicode_ci, `html` mediumtext, `build` mediumtext, `options` mediumtext, `con` mediumtext, `recepients` text CHARACTER SET utf8 COLLATE utf8_unicode_ci, `added` text CHARACTER SET utf8 COLLATE utf8_unicode_ci, `views` int(11) NOT NULL DEFAULT '0', `submits` int(11) NOT NULL DEFAULT '0', UNIQUE KEY `id` (`id`) ) ENGINE=MyISAM AUTO_INCREMENT=6 DEFAULT CHARSET=utf8; /*!40101 SET character_set_client = @saved_cs_client */; -- -- Dumping data for table `wp_fluid_forms_builder` -- LOCK TABLES `wp_fluid_forms_builder` WRITE; /*!40000 ALTER TABLE `wp_fluid_forms_builder` DISABLE KEYS */; INSERT INTO `wp_fluid_forms_builder` VALUES (1,'Contact Us','','\n
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\n ','[{\\\"el_f\\\":\\\"{{el.cap1}}*enter your full name{{el.inst}}\\\",\\\"el_b\\\":\\\"{{$index}}One-line Text Input {{el.cap1}}\\\",\\\"el_b2\\\":\\\"
1. General
2. Validation
\\\",\\\"captcha\\\":0,\\\"upload\\\":0,\\\"cap1\\\":\\\"Your Name\\\",\\\"cap2\\\":\\\"\\\",\\\"pcap1\\\":\\\"Comments\\\",\\\"pcap2\\\":\\\"further details\\\",\\\"dcap1\\\":\\\"Country\\\",\\\"dcap2\\\":\\\"select your country\\\",\\\"ccap1\\\":\\\"Hobbies\\\",\\\"ccap2\\\":\\\"select one or more\\\",\\\"cs\\\":\\\"fixed\\\",\\\"rcap1\\\":\\\"Profession\\\",\\\"rcap2\\\":\\\"select just one\\\",\\\"dtcap1\\\":\\\"Meet Us\\\",\\\"dtcap2\\\":\\\"when are you free?\\\",\\\"ecap1\\\":\\\"Email\\\",\\\"ecap2\\\":\\\"can\\\'t leave this empty\\\",\\\"ucap1\\\":\\\"Files\\\",\\\"ucap2\\\":\\\"upload stuff\\\",\\\"lines\\\":\\\"\\\",\\\"wid\\\":\\\"80%\\\",\\\"widcr\\\":\\\"\\\",\\\"wid2\\\":\\\"74%\\\",\\\"widt\\\":\\\"74%\\\",\\\"widdr\\\":\\\"83.8%\\\",\\\"date\\\":\\\"mdy\\\",\\\"divwid\\\":\\\"1px\\\",\\\"divcap1\\\":\\\"Group Name\\\",\\\"divtop\\\":\\\"-10px\\\",\\\"divlef\\\":\\\"50px\\\",\\\"divcol\\\":\\\"#CCC\\\",\\\"divfs\\\":\\\"14px\\\",\\\"divfc\\\":\\\"#666\\\",\\\"divspa\\\":\\\"20px\\\",\\\"divcap2\\\":\\\"You can use this to write comments in the form.
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1. General

2. Validation
\\\",\\\"captcha\\\":0,\\\"upload\\\":0,\\\"cap1\\\":\\\"Name\\\",\\\"cap2\\\":\\\"full name here\\\",\\\"pcap1\\\":\\\"Comments\\\",\\\"pcap2\\\":\\\"further details\\\",\\\"dcap1\\\":\\\"Country\\\",\\\"dcap2\\\":\\\"select your country\\\",\\\"ccap1\\\":\\\"Hobbies\\\",\\\"ccap2\\\":\\\"select one or more\\\",\\\"cs\\\":\\\"fixed\\\",\\\"rcap1\\\":\\\"Profession\\\",\\\"rcap2\\\":\\\"select just one\\\",\\\"dtcap1\\\":\\\"Meet Us\\\",\\\"dtcap2\\\":\\\"when are you free?\\\",\\\"ecap1\\\":\\\"Your Email\\\",\\\"ecap2\\\":\\\"\\\",\\\"ucap1\\\":\\\"Files\\\",\\\"ucap2\\\":\\\"upload stuff\\\",\\\"lines\\\":\\\"\\\",\\\"wid\\\":\\\"80%\\\",\\\"widcr\\\":\\\"\\\",\\\"wid2\\\":\\\"74%\\\",\\\"widt\\\":\\\"74%\\\",\\\"widdr\\\":\\\"83.8%\\\",\\\"date\\\":\\\"mdy\\\",\\\"divwid\\\":\\\"1px\\\",\\\"divcap1\\\":\\\"Group Name\\\",\\\"divtop\\\":\\\"-10px\\\",\\\"divlef\\\":\\\"50px\\\",\\\"divcol\\\":\\\"#CCC\\\",\\\"divfs\\\":\\\"14px\\\",\\\"divfc\\\":\\\"#666\\\",\\\"divspa\\\":\\\"20px\\\",\\\"divcap2\\\":\\\"You can use this to write comments in the form.
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1. General
2. Validation
\\\",\\\"captcha\\\":0,\\\"upload\\\":0,\\\"cap1\\\":\\\"Subject\\\",\\\"cap2\\\":\\\"\\\",\\\"pcap1\\\":\\\"Comments\\\",\\\"pcap2\\\":\\\"further details\\\",\\\"dcap1\\\":\\\"Country\\\",\\\"dcap2\\\":\\\"select your country\\\",\\\"ccap1\\\":\\\"Hobbies\\\",\\\"ccap2\\\":\\\"select one or more\\\",\\\"cs\\\":\\\"fixed\\\",\\\"rcap1\\\":\\\"Profession\\\",\\\"rcap2\\\":\\\"select just one\\\",\\\"dtcap1\\\":\\\"Meet Us\\\",\\\"dtcap2\\\":\\\"when are you free?\\\",\\\"ecap1\\\":\\\"Email\\\",\\\"ecap2\\\":\\\"can\\\'t leave this empty\\\",\\\"ucap1\\\":\\\"Files\\\",\\\"ucap2\\\":\\\"upload stuff\\\",\\\"lines\\\":\\\"\\\",\\\"wid\\\":\\\"80%\\\",\\\"widcr\\\":\\\"\\\",\\\"wid2\\\":\\\"74%\\\",\\\"widt\\\":\\\"74%\\\",\\\"widdr\\\":\\\"83.8%\\\",\\\"date\\\":\\\"mdy\\\",\\\"divwid\\\":\\\"1px\\\",\\\"divcap1\\\":\\\"Group Name\\\",\\\"divtop\\\":\\\"-10px\\\",\\\"divlef\\\":\\\"50px\\\",\\\"divcol\\\":\\\"#CCC\\\",\\\"divfs\\\":\\\"14px\\\",\\\"divfc\\\":\\\"#666\\\",\\\"divspa\\\":\\\"20px\\\",\\\"divcap2\\\":\\\"You can use this to write comments in the form.
You can even use HTML!\\\",\\\"divlef2\\\":\\\"5px\\\",\\\"req\\\":\\\"0\\\",\\\"min\\\":\\\"0\\\",\\\"max\\\":\\\"60\\\",\\\"ctcap1\\\":\\\"Captcha\\\",\\\"ctcap2\\\":\\\"type the characters\\\",\\\"passcap1\\\":\\\"Password\\\",\\\"passcap2\\\":\\\"shhhh\\\",\\\"slcap1\\\":\\\"Price\\\",\\\"slcap2\\\":\\\"your budget\\\",\\\"urcap1\\\":\\\"Website\\\",\\\"urcap2\\\":\\\"your den\\\",\\\"tcap1\\\":\\\"Appointment\\\",\\\"tcap2\\\":\\\"subject to availability\\\",\\\"cap_st\\\":\\\"one\\\",\\\"cap_stf\\\":\\\"font\\\",\\\"uploadtext\\\":\\\"Upload File\\\",\\\"dmy\\\":\\\"mm-dd-yyyy\\\",\\\"lang\\\":\\\"en\\\",\\\"inline\\\":\\\"\\\",\\\"$$hashKey\\\":\\\"04B\\\"},{\\\"el_f\\\":\\\"{{el.pcap1}}*enter your full name{{el.inst}}\\\",\\\"el_b\\\":\\\"{{$index}}Paragraph Text Input {{el.pcap1}}\\\",\\\"el_b2\\\":\\\"
1. General
2. Validation
\\\",\\\"captcha\\\":0,\\\"upload\\\":0,\\\"cap1\\\":\\\"Name\\\",\\\"cap2\\\":\\\"full name here\\\",\\\"pcap1\\\":\\\"Your Message\\\",\\\"pcap2\\\":\\\"\\\",\\\"dcap1\\\":\\\"Country\\\",\\\"dcap2\\\":\\\"select your country\\\",\\\"ccap1\\\":\\\"Hobbies\\\",\\\"ccap2\\\":\\\"select one or more\\\",\\\"cs\\\":\\\"fixed\\\",\\\"rcap1\\\":\\\"Profession\\\",\\\"rcap2\\\":\\\"select just one\\\",\\\"dtcap1\\\":\\\"Meet Us\\\",\\\"dtcap2\\\":\\\"when are you free?\\\",\\\"ecap1\\\":\\\"Email\\\",\\\"ecap2\\\":\\\"can\\\'t leave this empty\\\",\\\"ucap1\\\":\\\"Files\\\",\\\"ucap2\\\":\\\"upload stuff\\\",\\\"lines\\\":\\\"\\\",\\\"wid\\\":\\\"80%\\\",\\\"widcr\\\":\\\"\\\",\\\"wid2\\\":\\\"74%\\\",\\\"widt\\\":\\\"74%\\\",\\\"widdr\\\":\\\"83.8%\\\",\\\"date\\\":\\\"mdy\\\",\\\"divwid\\\":\\\"1px\\\",\\\"divcap1\\\":\\\"Group Name\\\",\\\"divtop\\\":\\\"-10px\\\",\\\"divlef\\\":\\\"50px\\\",\\\"divcol\\\":\\\"#CCC\\\",\\\"divfs\\\":\\\"14px\\\",\\\"divfc\\\":\\\"#666\\\",\\\"divspa\\\":\\\"20px\\\",\\\"divcap2\\\":\\\"You can use this to write comments in the form.
You can even use HTML!\\\",\\\"divlef2\\\":\\\"5px\\\",\\\"req\\\":\\\"0\\\",\\\"min\\\":\\\"0\\\",\\\"max\\\":\\\"60000\\\",\\\"ctcap1\\\":\\\"Captcha\\\",\\\"ctcap2\\\":\\\"type the characters\\\",\\\"passcap1\\\":\\\"Password\\\",\\\"passcap2\\\":\\\"shhhh\\\",\\\"slcap1\\\":\\\"Price\\\",\\\"slcap2\\\":\\\"your budget\\\",\\\"urcap1\\\":\\\"Website\\\",\\\"urcap2\\\":\\\"your den\\\",\\\"tcap1\\\":\\\"Appointment\\\",\\\"tcap2\\\":\\\"subject to availability\\\",\\\"cap_st\\\":\\\"one\\\",\\\"cap_stf\\\":\\\"font\\\",\\\"uploadtext\\\":\\\"Upload File\\\",\\\"dmy\\\":\\\"mm-dd-yyyy\\\",\\\"lang\\\":\\\"en\\\",\\\"inline\\\":\\\"\\\",\\\"$$hashKey\\\":\\\"00U\\\"}]','[{\\\"Drop\\\":[{\\\"val\\\":\\\"Option One\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\"},{\\\"val\\\":\\\"Option Two\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\"}]},{\\\"Drop\\\":[{\\\"val\\\":\\\"Option One\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\"},{\\\"val\\\":\\\"Option 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One\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\"},{\\\"val\\\":\\\"Option Two\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\"}]},{\\\"Drop\\\":[{\\\"val\\\":\\\"Option One\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\"},{\\\"val\\\":\\\"Option Two\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\"}]},{\\\"Drop\\\":[{\\\"val\\\":\\\"Option One\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\"},{\\\"val\\\":\\\"Option Two\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\"}]},{\\\"Drop\\\":[{\\\"val\\\":\\\"Option One\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\"},{\\\"val\\\":\\\"Option Two\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\"}]}]','[{\\\"stext\\\":\\\"Send\\\",\\\"form_title\\\":\\\"\\\",\\\"ft_px\\\":32,\\\"sfs\\\":14,\\\"lp\\\":0,\\\"bp\\\":20,\\\"tp\\\":20,\\\"spad1\\\":\\\"8px\\\",\\\"spad2\\\":\\\"14px\\\",\\\"themev\\\":\\\"one\\\",\\\"lfs\\\":14,\\\"sbold\\\":\\\"normal\\\",\\\"tbold\\\":\\\"normal\\\",\\\"space\\\":8,\\\"sub_th\\\":\\\"embossed-link\\\",\\\"error_email\\\":\\\"Incorrect email format\\\",\\\"error_url\\\":\\\"Incorrect URL format\\\",\\\"error_captcha\\\":\\\"Incorrect captcha\\\",\\\"error_only_integers\\\":\\\"Only integers\\\",\\\"error_required\\\":\\\"This field is required\\\",\\\"error_min\\\":\\\"At least {{min_chars}} characters required\\\",\\\"error_max\\\":\\\"Maximum {{max_chars}} characters allowed\\\",\\\"ruser\\\":\\\"padder1016\\\",\\\"fw\\\":\\\"510px\\\",\\\"mail_type\\\":\\\"mail\\\",\\\"autoreply\\\":\\\"Thank you for using our contact form! We welcome and appreciate your questions and suggestions. We are looking forward to giving you a reply very soon. Thanks again for your interest in our site!\\\\n
\\\\n
Let\\\'s Draw People Support\\\",\\\"autoreply_s\\\":\\\"Thank You for Contacting Us!\\\",\\\"mobile_align\\\":\\\"mobile_left\\\",\\\"theme\\\":\\\"none\\\",\\\"sbfco\\\":\\\"\\\",\\\"sco\\\":\\\"#dd4800\\\",\\\"success_msg\\\":\\\"Your message was sent successfully. Thank you for contacting us!\\\",\\\"from_name\\\":\\\"Let\\\'s Draw People\\\",\\\"from_email\\\":\\\"support@letsdrawpeople.com\\\",\\\"failed_msg\\\":\\\"Failed to send your message. Please make changes and try again.\\\",\\\"label_line\\\":\\\"label_line\\\",\\\"themef\\\":\\\"\\\",\\\"rlink\\\":\\\"\\\"}]','[{\\\"val\\\":\\\"support@letsdrawpeople.com\\\",\\\"$$hashKey\\\":\\\"012\\\"}]','14 Jul 2013 (04:17)',3362,28),(2,'Draw for Us','','\n
\n \n\n
\n\n\n \n
\n\n \n
\n \n \n \n\n
\n
\n ','[{\\\"el_f\\\":\\\"{{el.cap1}}*enter your full name{{el.inst}}\\\",\\\"el_b\\\":\\\"{{$index}}One-line Text Input {{el.cap1}}\\\",\\\"el_b2\\\":\\\"
1. General
2. Validation
\\\",\\\"captcha\\\":0,\\\"upload\\\":0,\\\"cap1\\\":\\\"First Name\\\",\\\"cap2\\\":\\\"\\\",\\\"pcap1\\\":\\\"Comments\\\",\\\"pcap2\\\":\\\"further details\\\",\\\"dcap1\\\":\\\"Country\\\",\\\"dcap2\\\":\\\"select your country\\\",\\\"ccap1\\\":\\\"Hobbies\\\",\\\"ccap2\\\":\\\"select one or more\\\",\\\"cs\\\":\\\"fixed\\\",\\\"rcap1\\\":\\\"Profession\\\",\\\"rcap2\\\":\\\"select just one\\\",\\\"dtcap1\\\":\\\"Meet Us\\\",\\\"dtcap2\\\":\\\"when are you free?\\\",\\\"ecap1\\\":\\\"Email\\\",\\\"ecap2\\\":\\\"can\\\'t leave this empty\\\",\\\"ucap1\\\":\\\"Files\\\",\\\"ucap2\\\":\\\"upload stuff\\\",\\\"lines\\\":\\\"\\\",\\\"wid\\\":\\\"80%\\\",\\\"widcr\\\":\\\"\\\",\\\"wid2\\\":\\\"74%\\\",\\\"widt\\\":\\\"74%\\\",\\\"widdr\\\":\\\"83.8%\\\",\\\"date\\\":\\\"mdy\\\",\\\"divwid\\\":\\\"1px\\\",\\\"divcap1\\\":\\\"Group Name\\\",\\\"divtop\\\":\\\"-10px\\\",\\\"divlef\\\":\\\"50px\\\",\\\"divcol\\\":\\\"#CCC\\\",\\\"divfs\\\":\\\"14px\\\",\\\"divfc\\\":\\\"#666\\\",\\\"divspa\\\":\\\"20px\\\",\\\"divcap2\\\":\\\"You can use this to write comments in the form.
You can even use HTML!\\\",\\\"divlef2\\\":\\\"5px\\\",\\\"req\\\":\\\"1\\\",\\\"min\\\":\\\"0\\\",\\\"max\\\":\\\"60\\\",\\\"ctcap1\\\":\\\"Captcha\\\",\\\"ctcap2\\\":\\\"type the characters\\\",\\\"passcap1\\\":\\\"Password\\\",\\\"passcap2\\\":\\\"shhhh\\\",\\\"slcap1\\\":\\\"Price\\\",\\\"slcap2\\\":\\\"your budget\\\",\\\"urcap1\\\":\\\"Website\\\",\\\"urcap2\\\":\\\"your den\\\",\\\"tcap1\\\":\\\"Appointment\\\",\\\"tcap2\\\":\\\"subject to availability\\\",\\\"cap_st\\\":\\\"one\\\",\\\"cap_stf\\\":\\\"font\\\",\\\"uploadtext\\\":\\\"Upload File\\\",\\\"dmy\\\":\\\"mm-dd-yyyy\\\",\\\"lang\\\":\\\"en\\\",\\\"inline\\\":\\\"\\\",\\\"$$hashKey\\\":\\\"01A\\\"},{\\\"el_f\\\":\\\"{{el.cap1}}*enter your full name{{el.inst}}\\\",\\\"el_b\\\":\\\"{{$index}}One-line Text Input {{el.cap1}}\\\",\\\"el_b2\\\":\\\"
1. General
2. Validation
\\\",\\\"captcha\\\":0,\\\"upload\\\":0,\\\"cap1\\\":\\\"Last Name\\\",\\\"cap2\\\":\\\"\\\",\\\"pcap1\\\":\\\"Comments\\\",\\\"pcap2\\\":\\\"further details\\\",\\\"dcap1\\\":\\\"Country\\\",\\\"dcap2\\\":\\\"select your country\\\",\\\"ccap1\\\":\\\"Hobbies\\\",\\\"ccap2\\\":\\\"select one or more\\\",\\\"cs\\\":\\\"fixed\\\",\\\"rcap1\\\":\\\"Profession\\\",\\\"rcap2\\\":\\\"select just one\\\",\\\"dtcap1\\\":\\\"Meet Us\\\",\\\"dtcap2\\\":\\\"when are you free?\\\",\\\"ecap1\\\":\\\"Email\\\",\\\"ecap2\\\":\\\"can\\\'t leave this empty\\\",\\\"ucap1\\\":\\\"Files\\\",\\\"ucap2\\\":\\\"upload stuff\\\",\\\"lines\\\":\\\"\\\",\\\"wid\\\":\\\"80%\\\",\\\"widcr\\\":\\\"\\\",\\\"wid2\\\":\\\"74%\\\",\\\"widt\\\":\\\"74%\\\",\\\"widdr\\\":\\\"83.8%\\\",\\\"date\\\":\\\"mdy\\\",\\\"divwid\\\":\\\"1px\\\",\\\"divcap1\\\":\\\"Group Name\\\",\\\"divtop\\\":\\\"-10px\\\",\\\"divlef\\\":\\\"50px\\\",\\\"divcol\\\":\\\"#CCC\\\",\\\"divfs\\\":\\\"14px\\\",\\\"divfc\\\":\\\"#666\\\",\\\"divspa\\\":\\\"20px\\\",\\\"divcap2\\\":\\\"You can use this to write comments in the form.
You can even use HTML!\\\",\\\"divlef2\\\":\\\"5px\\\",\\\"req\\\":\\\"1\\\",\\\"min\\\":\\\"0\\\",\\\"max\\\":\\\"60\\\",\\\"ctcap1\\\":\\\"Captcha\\\",\\\"ctcap2\\\":\\\"type the characters\\\",\\\"passcap1\\\":\\\"Password\\\",\\\"passcap2\\\":\\\"shhhh\\\",\\\"slcap1\\\":\\\"Price\\\",\\\"slcap2\\\":\\\"your budget\\\",\\\"urcap1\\\":\\\"Website\\\",\\\"urcap2\\\":\\\"your den\\\",\\\"tcap1\\\":\\\"Appointment\\\",\\\"tcap2\\\":\\\"subject to availability\\\",\\\"cap_st\\\":\\\"one\\\",\\\"cap_stf\\\":\\\"font\\\",\\\"uploadtext\\\":\\\"Upload File\\\",\\\"dmy\\\":\\\"mm-dd-yyyy\\\",\\\"lang\\\":\\\"en\\\",\\\"inline\\\":\\\"\\\",\\\"$$hashKey\\\":\\\"00O\\\"},{\\\"el_f\\\":\\\"{{el.ecap1}}*{{el.inst}}\\\",\\\"el_b\\\":\\\"{{$index}}Email Input {{el.ecap1}}\\\",\\\"el_b2\\\":\\\"
1. General

2. Validation
\\\",\\\"captcha\\\":0,\\\"upload\\\":0,\\\"cap1\\\":\\\"Name\\\",\\\"cap2\\\":\\\"full name here\\\",\\\"pcap1\\\":\\\"Comments\\\",\\\"pcap2\\\":\\\"further details\\\",\\\"dcap1\\\":\\\"Country\\\",\\\"dcap2\\\":\\\"select your country\\\",\\\"ccap1\\\":\\\"Hobbies\\\",\\\"ccap2\\\":\\\"select one or more\\\",\\\"cs\\\":\\\"fixed\\\",\\\"rcap1\\\":\\\"Profession\\\",\\\"rcap2\\\":\\\"select just one\\\",\\\"dtcap1\\\":\\\"Meet Us\\\",\\\"dtcap2\\\":\\\"when are you free?\\\",\\\"ecap1\\\":\\\"Email\\\",\\\"ecap2\\\":\\\"\\\",\\\"ucap1\\\":\\\"Files\\\",\\\"ucap2\\\":\\\"upload stuff\\\",\\\"lines\\\":\\\"\\\",\\\"wid\\\":\\\"80%\\\",\\\"widcr\\\":\\\"\\\",\\\"wid2\\\":\\\"74%\\\",\\\"widt\\\":\\\"74%\\\",\\\"widdr\\\":\\\"83.8%\\\",\\\"date\\\":\\\"mdy\\\",\\\"divwid\\\":\\\"1px\\\",\\\"divcap1\\\":\\\"Group Name\\\",\\\"divtop\\\":\\\"-10px\\\",\\\"divlef\\\":\\\"50px\\\",\\\"divcol\\\":\\\"#CCC\\\",\\\"divfs\\\":\\\"14px\\\",\\\"divfc\\\":\\\"#666\\\",\\\"divspa\\\":\\\"20px\\\",\\\"divcap2\\\":\\\"You can use this to write comments in the form.
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1. General
2. Items
3. Validation
\\\",\\\"captcha\\\":0,\\\"upload\\\":0,\\\"cap1\\\":\\\"Name\\\",\\\"cap2\\\":\\\"full name here\\\",\\\"pcap1\\\":\\\"Comments\\\",\\\"pcap2\\\":\\\"further details\\\",\\\"dcap1\\\":\\\"Country\\\",\\\"dcap2\\\":\\\"select your country\\\",\\\"ccap1\\\":\\\"Hobbies\\\",\\\"ccap2\\\":\\\"select one or more\\\",\\\"cs\\\":\\\"fixed\\\",\\\"rcap1\\\":\\\"How familiar are you with WordPress?\\\",\\\"rcap2\\\":\\\"\\\",\\\"dtcap1\\\":\\\"Meet Us\\\",\\\"dtcap2\\\":\\\"when are you free?\\\",\\\"ecap1\\\":\\\"Email\\\",\\\"ecap2\\\":\\\"can\\\'t leave this empty\\\",\\\"ucap1\\\":\\\"Files\\\",\\\"ucap2\\\":\\\"upload stuff\\\",\\\"lines\\\":\\\"lines\\\",\\\"wid\\\":\\\"80%\\\",\\\"widcr\\\":\\\"\\\",\\\"wid2\\\":\\\"74%\\\",\\\"widt\\\":\\\"74%\\\",\\\"widdr\\\":\\\"83.8%\\\",\\\"date\\\":\\\"mdy\\\",\\\"divwid\\\":\\\"1px\\\",\\\"divcap1\\\":\\\"Group Name\\\",\\\"divtop\\\":\\\"-10px\\\",\\\"divlef\\\":\\\"50px\\\",\\\"divcol\\\":\\\"#CCC\\\",\\\"divfs\\\":\\\"14px\\\",\\\"divfc\\\":\\\"#666\\\",\\\"divspa\\\":\\\"20px\\\",\\\"divcap2\\\":\\\"You can use this to write comments in the form.
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1. General
2. Validation
\\\",\\\"captcha\\\":0,\\\"upload\\\":0,\\\"cap1\\\":\\\"URL #1\\\",\\\"cap2\\\":\\\"\\\",\\\"pcap1\\\":\\\"Comments\\\",\\\"pcap2\\\":\\\"further details\\\",\\\"dcap1\\\":\\\"Country\\\",\\\"dcap2\\\":\\\"select your country\\\",\\\"ccap1\\\":\\\"Hobbies\\\",\\\"ccap2\\\":\\\"select one or more\\\",\\\"cs\\\":\\\"fixed\\\",\\\"rcap1\\\":\\\"Profession\\\",\\\"rcap2\\\":\\\"select just one\\\",\\\"dtcap1\\\":\\\"Meet Us\\\",\\\"dtcap2\\\":\\\"when are you free?\\\",\\\"ecap1\\\":\\\"Email\\\",\\\"ecap2\\\":\\\"can\\\'t leave this empty\\\",\\\"ucap1\\\":\\\"Files\\\",\\\"ucap2\\\":\\\"upload stuff\\\",\\\"lines\\\":\\\"\\\",\\\"wid\\\":\\\"80%\\\",\\\"widcr\\\":\\\"\\\",\\\"wid2\\\":\\\"74%\\\",\\\"widt\\\":\\\"74%\\\",\\\"widdr\\\":\\\"83.8%\\\",\\\"date\\\":\\\"mdy\\\",\\\"divwid\\\":\\\"1px\\\",\\\"divcap1\\\":\\\"Group Name\\\",\\\"divtop\\\":\\\"-10px\\\",\\\"divlef\\\":\\\"50px\\\",\\\"divcol\\\":\\\"#CCC\\\",\\\"divfs\\\":\\\"14px\\\",\\\"divfc\\\":\\\"#666\\\",\\\"divspa\\\":\\\"20px\\\",\\\"divcap2\\\":\\\"You can use this to write comments in the form.
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1. General
2. Validation
\\\",\\\"captcha\\\":0,\\\"upload\\\":0,\\\"cap1\\\":\\\"URL #2\\\",\\\"cap2\\\":\\\"\\\",\\\"pcap1\\\":\\\"Comments\\\",\\\"pcap2\\\":\\\"further details\\\",\\\"dcap1\\\":\\\"Country\\\",\\\"dcap2\\\":\\\"select your country\\\",\\\"ccap1\\\":\\\"Hobbies\\\",\\\"ccap2\\\":\\\"select one or more\\\",\\\"cs\\\":\\\"fixed\\\",\\\"rcap1\\\":\\\"Profession\\\",\\\"rcap2\\\":\\\"select just one\\\",\\\"dtcap1\\\":\\\"Meet Us\\\",\\\"dtcap2\\\":\\\"when are you free?\\\",\\\"ecap1\\\":\\\"Email\\\",\\\"ecap2\\\":\\\"can\\\'t leave this empty\\\",\\\"ucap1\\\":\\\"Files\\\",\\\"ucap2\\\":\\\"upload stuff\\\",\\\"lines\\\":\\\"\\\",\\\"wid\\\":\\\"80%\\\",\\\"widcr\\\":\\\"\\\",\\\"wid2\\\":\\\"74%\\\",\\\"widt\\\":\\\"74%\\\",\\\"widdr\\\":\\\"83.8%\\\",\\\"date\\\":\\\"mdy\\\",\\\"divwid\\\":\\\"1px\\\",\\\"divcap1\\\":\\\"Group Name\\\",\\\"divtop\\\":\\\"-10px\\\",\\\"divlef\\\":\\\"50px\\\",\\\"divcol\\\":\\\"#CCC\\\",\\\"divfs\\\":\\\"14px\\\",\\\"divfc\\\":\\\"#666\\\",\\\"divspa\\\":\\\"20px\\\",\\\"divcap2\\\":\\\"You can use this to write comments in the form.
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1. General
2. Validation
\\\",\\\"captcha\\\":0,\\\"upload\\\":0,\\\"cap1\\\":\\\"URL #3\\\",\\\"cap2\\\":\\\"\\\",\\\"pcap1\\\":\\\"Comments\\\",\\\"pcap2\\\":\\\"further details\\\",\\\"dcap1\\\":\\\"Country\\\",\\\"dcap2\\\":\\\"select your country\\\",\\\"ccap1\\\":\\\"Hobbies\\\",\\\"ccap2\\\":\\\"select one or more\\\",\\\"cs\\\":\\\"fixed\\\",\\\"rcap1\\\":\\\"Profession\\\",\\\"rcap2\\\":\\\"select just one\\\",\\\"dtcap1\\\":\\\"Meet Us\\\",\\\"dtcap2\\\":\\\"when are you free?\\\",\\\"ecap1\\\":\\\"Email\\\",\\\"ecap2\\\":\\\"can\\\'t leave this empty\\\",\\\"ucap1\\\":\\\"Files\\\",\\\"ucap2\\\":\\\"upload stuff\\\",\\\"lines\\\":\\\"\\\",\\\"wid\\\":\\\"80%\\\",\\\"widcr\\\":\\\"\\\",\\\"wid2\\\":\\\"74%\\\",\\\"widt\\\":\\\"74%\\\",\\\"widdr\\\":\\\"83.8%\\\",\\\"date\\\":\\\"mdy\\\",\\\"divwid\\\":\\\"1px\\\",\\\"divcap1\\\":\\\"Group Name\\\",\\\"divtop\\\":\\\"-10px\\\",\\\"divlef\\\":\\\"50px\\\",\\\"divcol\\\":\\\"#CCC\\\",\\\"divfs\\\":\\\"14px\\\",\\\"divfc\\\":\\\"#666\\\",\\\"divspa\\\":\\\"20px\\\",\\\"divcap2\\\":\\\"You can use this to write comments in the form.
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1. General
2. Validation
\\\",\\\"captcha\\\":0,\\\"upload\\\":1,\\\"cap1\\\":\\\"Name\\\",\\\"cap2\\\":\\\"full name here\\\",\\\"pcap1\\\":\\\"Comments\\\",\\\"pcap2\\\":\\\"further details\\\",\\\"dcap1\\\":\\\"Country\\\",\\\"dcap2\\\":\\\"select your country\\\",\\\"ccap1\\\":\\\"Hobbies\\\",\\\"ccap2\\\":\\\"select one or more\\\",\\\"cs\\\":\\\"fixed\\\",\\\"rcap1\\\":\\\"Profession\\\",\\\"rcap2\\\":\\\"select just one\\\",\\\"dtcap1\\\":\\\"Meet Us\\\",\\\"dtcap2\\\":\\\"when are you free?\\\",\\\"ecap1\\\":\\\"Email\\\",\\\"ecap2\\\":\\\"can\\\'t leave this empty\\\",\\\"ucap1\\\":\\\"3 Artwork / Writing Samples\\\",\\\"ucap2\\\":\\\"\\\",\\\"lines\\\":\\\"\\\",\\\"wid\\\":\\\"80%\\\",\\\"widcr\\\":\\\"\\\",\\\"wid2\\\":\\\"74%\\\",\\\"widt\\\":\\\"74%\\\",\\\"widdr\\\":\\\"83.8%\\\",\\\"date\\\":\\\"mdy\\\",\\\"divwid\\\":\\\"1px\\\",\\\"divcap1\\\":\\\"Group Name\\\",\\\"divtop\\\":\\\"-10px\\\",\\\"divlef\\\":\\\"50px\\\",\\\"divcol\\\":\\\"#CCC\\\",\\\"divfs\\\":\\\"14px\\\",\\\"divfc\\\":\\\"#666\\\",\\\"divspa\\\":\\\"20px\\\",\\\"divcap2\\\":\\\"You can use this to write comments in the form.
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1. General
2. Validation
\\\",\\\"captcha\\\":0,\\\"upload\\\":0,\\\"cap1\\\":\\\"Name\\\",\\\"cap2\\\":\\\"full name here\\\",\\\"pcap1\\\":\\\"Additional comments?\\\",\\\"pcap2\\\":\\\"\\\",\\\"dcap1\\\":\\\"Country\\\",\\\"dcap2\\\":\\\"select your country\\\",\\\"ccap1\\\":\\\"Hobbies\\\",\\\"ccap2\\\":\\\"select one or more\\\",\\\"cs\\\":\\\"fixed\\\",\\\"rcap1\\\":\\\"Profession\\\",\\\"rcap2\\\":\\\"select just one\\\",\\\"dtcap1\\\":\\\"Meet Us\\\",\\\"dtcap2\\\":\\\"when are you free?\\\",\\\"ecap1\\\":\\\"Email\\\",\\\"ecap2\\\":\\\"can\\\'t leave this empty\\\",\\\"ucap1\\\":\\\"Files\\\",\\\"ucap2\\\":\\\"upload stuff\\\",\\\"lines\\\":\\\"\\\",\\\"wid\\\":\\\"80%\\\",\\\"widcr\\\":\\\"\\\",\\\"wid2\\\":\\\"74%\\\",\\\"widt\\\":\\\"74%\\\",\\\"widdr\\\":\\\"83.8%\\\",\\\"date\\\":\\\"mdy\\\",\\\"divwid\\\":\\\"1px\\\",\\\"divcap1\\\":\\\"Group Name\\\",\\\"divtop\\\":\\\"-10px\\\",\\\"divlef\\\":\\\"50px\\\",\\\"divcol\\\":\\\"#CCC\\\",\\\"divfs\\\":\\\"14px\\\",\\\"divfc\\\":\\\"#666\\\",\\\"divspa\\\":\\\"20px\\\",\\\"divcap2\\\":\\\"You can use this to write comments in the form.
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allowed\\\",\\\"ruser\\\":\\\"\\\",\\\"fw\\\":\\\"510px\\\",\\\"mail_type\\\":\\\"mail\\\",\\\"autoreply\\\":\\\"I have received your submission. If you are accepted as a Let\\\'s Draw People contributor, you will get an email letting you know. You will also get access to the editorial calendar so you can begin to choose articles you wish to write.

Regards,
Jack Pearce
Let\\\'s Draw People\\\",\\\"autoreply_s\\\":\\\"Thanks for wanting to contribute to Let\\\'s Draw People!\\\",\\\"mobile_align\\\":\\\"mobile_left\\\",\\\"theme\\\":\\\"none\\\",\\\"from_name\\\":\\\"Let\\\'s Draw People\\\",\\\"from_email\\\":\\\"editor@letsdrawpeople.com\\\",\\\"success_msg\\\":\\\"Your form was sent successfully. Thank you for your submission!\\\",\\\"failed_msg\\\":\\\"Failed to send your form. Please make changes and try again.\\\",\\\"ft_co\\\":\\\"white\\\",\\\"ft_bg\\\":\\\"\\\",\\\"sco\\\":\\\"#dd4800\\\",\\\"rlink\\\":\\\"\\\"}]','[{\\\"val\\\":\\\"editor@letsdrawpeople.com\\\",\\\"$$hashKey\\\":\\\"00G\\\"}]','17 Jul 2013 (02:31)',1756,29),(4,'Share Your Work','','\n
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\n ','[{\\\"el_f\\\":\\\"{{el.cap1}}*enter your full name{{el.inst}}\\\",\\\"el_b\\\":\\\"{{$index}}One-line Text Input {{el.cap1}}\\\",\\\"el_b2\\\":\\\"
1. General
2. Validation
\\\",\\\"captcha\\\":0,\\\"upload\\\":0,\\\"cap1\\\":\\\"Name\\\",\\\"cap2\\\":\\\"\\\",\\\"pcap1\\\":\\\"Comments\\\",\\\"pcap2\\\":\\\"further details\\\",\\\"dcap1\\\":\\\"Country\\\",\\\"dcap2\\\":\\\"select your country\\\",\\\"ccap1\\\":\\\"Hobbies\\\",\\\"ccap2\\\":\\\"select one or more\\\",\\\"cs\\\":\\\"fixed\\\",\\\"rcap1\\\":\\\"Profession\\\",\\\"rcap2\\\":\\\"select just one\\\",\\\"dtcap1\\\":\\\"Meet Us\\\",\\\"dtcap2\\\":\\\"when are you free?\\\",\\\"ecap1\\\":\\\"Email\\\",\\\"ecap2\\\":\\\"can\\\'t leave this empty\\\",\\\"ucap1\\\":\\\"Files\\\",\\\"ucap2\\\":\\\"upload stuff\\\",\\\"lines\\\":\\\"\\\",\\\"wid\\\":\\\"80%\\\",\\\"widcr\\\":\\\"\\\",\\\"wid2\\\":\\\"74%\\\",\\\"widt\\\":\\\"74%\\\",\\\"widdr\\\":\\\"83.8%\\\",\\\"date\\\":\\\"mdy\\\",\\\"divwid\\\":\\\"1px\\\",\\\"divcap1\\\":\\\"Group Name\\\",\\\"divtop\\\":\\\"-10px\\\",\\\"divlef\\\":\\\"50px\\\",\\\"divcol\\\":\\\"#CCC\\\",\\\"divfs\\\":\\\"14px\\\",\\\"divfc\\\":\\\"#666\\\",\\\"divspa\\\":\\\"20px\\\",\\\"divcap2\\\":\\\"You can use this to write comments in the form.
You can even use HTML!\\\",\\\"divlef2\\\":\\\"5px\\\",\\\"req\\\":\\\"0\\\",\\\"min\\\":\\\"0\\\",\\\"max\\\":\\\"60\\\",\\\"ctcap1\\\":\\\"Captcha\\\",\\\"ctcap2\\\":\\\"type the characters\\\",\\\"passcap1\\\":\\\"Password\\\",\\\"passcap2\\\":\\\"shhhh\\\",\\\"slcap1\\\":\\\"Price\\\",\\\"slcap2\\\":\\\"your budget\\\",\\\"urcap1\\\":\\\"Website\\\",\\\"urcap2\\\":\\\"your den\\\",\\\"tcap1\\\":\\\"Appointment\\\",\\\"tcap2\\\":\\\"subject to availability\\\",\\\"cap_st\\\":\\\"one\\\",\\\"cap_stf\\\":\\\"font\\\",\\\"uploadtext\\\":\\\"Upload File\\\",\\\"dmy\\\":\\\"mm-dd-yyyy\\\",\\\"lang\\\":\\\"en\\\",\\\"inline\\\":\\\"\\\",\\\"$$hashKey\\\":\\\"017\\\",\\\"valid\\\":\\\"\\\",\\\"inst\\\":\\\"Type your name here. Leave it blank to be called Anonymous.\\\"},{\\\"el_f\\\":\\\"{{el.cap1}}*enter your full name{{el.inst}}\\\",\\\"el_b\\\":\\\"{{$index}}One-line Text Input {{el.cap1}}\\\",\\\"el_b2\\\":\\\"
1. General
2. Validation
\\\",\\\"captcha\\\":0,\\\"upload\\\":0,\\\"cap1\\\":\\\"Title\\\",\\\"cap2\\\":\\\"\\\",\\\"pcap1\\\":\\\"Comments\\\",\\\"pcap2\\\":\\\"further details\\\",\\\"dcap1\\\":\\\"Country\\\",\\\"dcap2\\\":\\\"select your country\\\",\\\"ccap1\\\":\\\"Hobbies\\\",\\\"ccap2\\\":\\\"select one or more\\\",\\\"cs\\\":\\\"fixed\\\",\\\"rcap1\\\":\\\"Profession\\\",\\\"rcap2\\\":\\\"select just one\\\",\\\"dtcap1\\\":\\\"Meet Us\\\",\\\"dtcap2\\\":\\\"when are you free?\\\",\\\"ecap1\\\":\\\"Email\\\",\\\"ecap2\\\":\\\"can\\\'t leave this empty\\\",\\\"ucap1\\\":\\\"Files\\\",\\\"ucap2\\\":\\\"upload stuff\\\",\\\"lines\\\":\\\"\\\",\\\"wid\\\":\\\"80%\\\",\\\"widcr\\\":\\\"\\\",\\\"wid2\\\":\\\"74%\\\",\\\"widt\\\":\\\"74%\\\",\\\"widdr\\\":\\\"83.8%\\\",\\\"date\\\":\\\"mdy\\\",\\\"divwid\\\":\\\"1px\\\",\\\"divcap1\\\":\\\"Group Name\\\",\\\"divtop\\\":\\\"-10px\\\",\\\"divlef\\\":\\\"50px\\\",\\\"divcol\\\":\\\"#CCC\\\",\\\"divfs\\\":\\\"14px\\\",\\\"divfc\\\":\\\"#666\\\",\\\"divspa\\\":\\\"20px\\\",\\\"divcap2\\\":\\\"You can use this to write comments in the form.
You can even use HTML!\\\",\\\"divlef2\\\":\\\"5px\\\",\\\"req\\\":\\\"0\\\",\\\"min\\\":\\\"0\\\",\\\"max\\\":\\\"60\\\",\\\"ctcap1\\\":\\\"Captcha\\\",\\\"ctcap2\\\":\\\"type the characters\\\",\\\"passcap1\\\":\\\"Password\\\",\\\"passcap2\\\":\\\"shhhh\\\",\\\"slcap1\\\":\\\"Price\\\",\\\"slcap2\\\":\\\"your budget\\\",\\\"urcap1\\\":\\\"Website\\\",\\\"urcap2\\\":\\\"your den\\\",\\\"tcap1\\\":\\\"Appointment\\\",\\\"tcap2\\\":\\\"subject to availability\\\",\\\"cap_st\\\":\\\"one\\\",\\\"cap_stf\\\":\\\"font\\\",\\\"uploadtext\\\":\\\"Upload File\\\",\\\"dmy\\\":\\\"mm-dd-yyyy\\\",\\\"lang\\\":\\\"en\\\",\\\"inline\\\":\\\"\\\",\\\"$$hashKey\\\":\\\"01F\\\",\\\"valid\\\":\\\"\\\",\\\"inst\\\":\\\"Give your portrait a title, such as the name of the person or people in your drawing. If left blank, it will be called Portrait.\\\"},{\\\"el_f\\\":\\\"{{el.ucap1}}*enter your full name {{el.uploadtext}}{{el.inst}}\\\",\\\"el_b\\\":\\\"{{$index}}File Upload {{el.ucap1}}\\\",\\\"el_b2\\\":\\\"
1. General
2. Validation
\\\",\\\"captcha\\\":0,\\\"upload\\\":1,\\\"cap1\\\":\\\"Name\\\",\\\"cap2\\\":\\\"full name here\\\",\\\"pcap1\\\":\\\"Comments\\\",\\\"pcap2\\\":\\\"further details\\\",\\\"dcap1\\\":\\\"Country\\\",\\\"dcap2\\\":\\\"select your country\\\",\\\"ccap1\\\":\\\"Hobbies\\\",\\\"ccap2\\\":\\\"select one or more\\\",\\\"cs\\\":\\\"fixed\\\",\\\"rcap1\\\":\\\"Profession\\\",\\\"rcap2\\\":\\\"select just one\\\",\\\"dtcap1\\\":\\\"Meet Us\\\",\\\"dtcap2\\\":\\\"when are you free?\\\",\\\"ecap1\\\":\\\"Email\\\",\\\"ecap2\\\":\\\"can\\\'t leave this empty\\\",\\\"ucap1\\\":\\\"Files\\\",\\\"ucap2\\\":\\\"\\\",\\\"lines\\\":\\\"\\\",\\\"wid\\\":\\\"80%\\\",\\\"widcr\\\":\\\"\\\",\\\"wid2\\\":\\\"74%\\\",\\\"widt\\\":\\\"74%\\\",\\\"widdr\\\":\\\"83.8%\\\",\\\"date\\\":\\\"mdy\\\",\\\"divwid\\\":\\\"1px\\\",\\\"divcap1\\\":\\\"Group Name\\\",\\\"divtop\\\":\\\"-10px\\\",\\\"divlef\\\":\\\"50px\\\",\\\"divcol\\\":\\\"#CCC\\\",\\\"divfs\\\":\\\"14px\\\",\\\"divfc\\\":\\\"#666\\\",\\\"divspa\\\":\\\"20px\\\",\\\"divcap2\\\":\\\"You can use this to write comments in the form.
You can even use HTML!\\\",\\\"divlef2\\\":\\\"5px\\\",\\\"req\\\":\\\"1\\\",\\\"min\\\":\\\"0\\\",\\\"max\\\":\\\"60\\\",\\\"ctcap1\\\":\\\"Captcha\\\",\\\"ctcap2\\\":\\\"type the characters\\\",\\\"passcap1\\\":\\\"Password\\\",\\\"passcap2\\\":\\\"shhhh\\\",\\\"slcap1\\\":\\\"Price\\\",\\\"slcap2\\\":\\\"your budget\\\",\\\"urcap1\\\":\\\"Website\\\",\\\"urcap2\\\":\\\"your den\\\",\\\"tcap1\\\":\\\"Appointment\\\",\\\"tcap2\\\":\\\"subject to availability\\\",\\\"cap_st\\\":\\\"one\\\",\\\"cap_stf\\\":\\\"font\\\",\\\"uploadtext\\\":\\\"Upload File\\\",\\\"dmy\\\":\\\"mm-dd-yyyy\\\",\\\"lang\\\":\\\"en\\\",\\\"inline\\\":\\\"\\\",\\\"$$hashKey\\\":\\\"009\\\",\\\"inst\\\":\\\"Select a .jpg file under 100 KB of a portrait you drew.\\\"},{\\\"el_f\\\":\\\"{{el.dcap1}}*select your country{{el.inst}}\\\",\\\"el_b\\\":\\\"{{$index}}Dropdown Box {{el.dcap1}}\\\",\\\"el_b2\\\":\\\"
1. General
2. Items
3. Validation
\\\",\\\"captcha\\\":0,\\\"upload\\\":0,\\\"cap1\\\":\\\"Name\\\",\\\"cap2\\\":\\\"full name here\\\",\\\"pcap1\\\":\\\"Comments\\\",\\\"pcap2\\\":\\\"further details\\\",\\\"dcap1\\\":\\\"Gallery\\\",\\\"dcap2\\\":\\\"\\\",\\\"ccap1\\\":\\\"Hobbies\\\",\\\"ccap2\\\":\\\"select one or more\\\",\\\"cs\\\":\\\"fixed\\\",\\\"rcap1\\\":\\\"Profession\\\",\\\"rcap2\\\":\\\"select just one\\\",\\\"dtcap1\\\":\\\"Meet Us\\\",\\\"dtcap2\\\":\\\"when are you free?\\\",\\\"ecap1\\\":\\\"Email\\\",\\\"ecap2\\\":\\\"can\\\'t leave this empty\\\",\\\"ucap1\\\":\\\"Files\\\",\\\"ucap2\\\":\\\"upload stuff\\\",\\\"lines\\\":\\\"\\\",\\\"wid\\\":\\\"80%\\\",\\\"widcr\\\":\\\"\\\",\\\"wid2\\\":\\\"74%\\\",\\\"widt\\\":\\\"74%\\\",\\\"widdr\\\":\\\"83.8%\\\",\\\"date\\\":\\\"mdy\\\",\\\"divwid\\\":\\\"1px\\\",\\\"divcap1\\\":\\\"Group Name\\\",\\\"divtop\\\":\\\"-10px\\\",\\\"divlef\\\":\\\"50px\\\",\\\"divcol\\\":\\\"#CCC\\\",\\\"divfs\\\":\\\"14px\\\",\\\"divfc\\\":\\\"#666\\\",\\\"divspa\\\":\\\"20px\\\",\\\"divcap2\\\":\\\"You can use this to write comments in the form.
You can even use HTML!\\\",\\\"divlef2\\\":\\\"5px\\\",\\\"req\\\":\\\"1\\\",\\\"min\\\":\\\"0\\\",\\\"max\\\":\\\"60\\\",\\\"ctcap1\\\":\\\"Captcha\\\",\\\"ctcap2\\\":\\\"type the characters\\\",\\\"passcap1\\\":\\\"Password\\\",\\\"passcap2\\\":\\\"shhhh\\\",\\\"slcap1\\\":\\\"Price\\\",\\\"slcap2\\\":\\\"your budget\\\",\\\"urcap1\\\":\\\"Website\\\",\\\"urcap2\\\":\\\"your den\\\",\\\"tcap1\\\":\\\"Appointment\\\",\\\"tcap2\\\":\\\"subject to availability\\\",\\\"cap_st\\\":\\\"one\\\",\\\"cap_stf\\\":\\\"font\\\",\\\"uploadtext\\\":\\\"Upload File\\\",\\\"dmy\\\":\\\"mm-dd-yyyy\\\",\\\"lang\\\":\\\"en\\\",\\\"inline\\\":\\\"\\\",\\\"$$hashKey\\\":\\\"00H\\\",\\\"inst\\\":\\\"Select the proper gallery for your portrait.\\\"},{\\\"el_f\\\":\\\"{{el.ecap1}}*{{el.inst}}\\\",\\\"el_b\\\":\\\"{{$index}}Email Input {{el.ecap1}}\\\",\\\"el_b2\\\":\\\"
1. General

2. Validation
\\\",\\\"captcha\\\":0,\\\"upload\\\":0,\\\"cap1\\\":\\\"Name\\\",\\\"cap2\\\":\\\"full name here\\\",\\\"pcap1\\\":\\\"Comments\\\",\\\"pcap2\\\":\\\"further details\\\",\\\"dcap1\\\":\\\"Country\\\",\\\"dcap2\\\":\\\"select your country\\\",\\\"ccap1\\\":\\\"Hobbies\\\",\\\"ccap2\\\":\\\"select one or more\\\",\\\"cs\\\":\\\"fixed\\\",\\\"rcap1\\\":\\\"Profession\\\",\\\"rcap2\\\":\\\"select just one\\\",\\\"dtcap1\\\":\\\"Meet Us\\\",\\\"dtcap2\\\":\\\"when are you free?\\\",\\\"ecap1\\\":\\\"Email\\\",\\\"ecap2\\\":\\\"\\\",\\\"ucap1\\\":\\\"Files\\\",\\\"ucap2\\\":\\\"upload stuff\\\",\\\"lines\\\":\\\"\\\",\\\"wid\\\":\\\"80%\\\",\\\"widcr\\\":\\\"\\\",\\\"wid2\\\":\\\"74%\\\",\\\"widt\\\":\\\"74%\\\",\\\"widdr\\\":\\\"83.8%\\\",\\\"date\\\":\\\"mdy\\\",\\\"divwid\\\":\\\"1px\\\",\\\"divcap1\\\":\\\"Group Name\\\",\\\"divtop\\\":\\\"-10px\\\",\\\"divlef\\\":\\\"50px\\\",\\\"divcol\\\":\\\"#CCC\\\",\\\"divfs\\\":\\\"14px\\\",\\\"divfc\\\":\\\"#666\\\",\\\"divspa\\\":\\\"20px\\\",\\\"divcap2\\\":\\\"You can use this to write comments in the form.
You can even use HTML!\\\",\\\"divlef2\\\":\\\"5px\\\",\\\"req\\\":\\\"1\\\",\\\"min\\\":\\\"0\\\",\\\"max\\\":\\\"60\\\",\\\"ctcap1\\\":\\\"Captcha\\\",\\\"ctcap2\\\":\\\"type the characters\\\",\\\"passcap1\\\":\\\"Password\\\",\\\"passcap2\\\":\\\"shhhh\\\",\\\"slcap1\\\":\\\"Price\\\",\\\"slcap2\\\":\\\"your budget\\\",\\\"urcap1\\\":\\\"Website\\\",\\\"urcap2\\\":\\\"your den\\\",\\\"tcap1\\\":\\\"Appointment\\\",\\\"tcap2\\\":\\\"subject to availability\\\",\\\"cap_st\\\":\\\"one\\\",\\\"cap_stf\\\":\\\"font\\\",\\\"uploadtext\\\":\\\"Upload File\\\",\\\"dmy\\\":\\\"mm-dd-yyyy\\\",\\\"lang\\\":\\\"en\\\",\\\"inline\\\":\\\"\\\",\\\"$$hashKey\\\":\\\"01L\\\",\\\"inst\\\":\\\"You will be contacted if your portrait is selected.\\\",\\\"autoreply\\\":\\\"autoreply\\\",\\\"replyto\\\":\\\"replyto\\\"}]','[{\\\"Drop\\\":[{\\\"val\\\":\\\"Option One\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\"},{\\\"val\\\":\\\"Option Two\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\"}]},{\\\"Drop\\\":[{\\\"val\\\":\\\"Select a gallery...\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\",\\\"$$hashKey\\\":\\\"00P\\\"},{\\\"val\\\":\\\"Portrait Drawings of Children\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\",\\\"$$hashKey\\\":\\\"00R\\\"},{\\\"val\\\":\\\"Drawings of Well-Known Faces\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"100\\\",\\\"$$hashKey\\\":\\\"00R\\\"},{\\\"val\\\":\\\"Realistic Portraits\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"100\\\",\\\"$$hashKey\\\":\\\"00U\\\"},{\\\"val\\\":\\\"Self-Portrait Drawings of Aspiring Artists\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"100\\\",\\\"$$hashKey\\\":\\\"00X\\\"},{\\\"val\\\":\\\"People Living in a Fantasy World\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"100\\\",\\\"$$hashKey\\\":\\\"013\\\"},{\\\"val\\\":\\\"Drawings of Models\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"100\\\",\\\"$$hashKey\\\":\\\"01S\\\"},{\\\"val\\\":\\\"Facial Features\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"100\\\",\\\"$$hashKey\\\":\\\"01V\\\"},{\\\"val\\\":\\\"Family Drawings\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"100\\\",\\\"$$hashKey\\\":\\\"01W\\\"}]},{\\\"Drop\\\":[{\\\"val\\\":\\\"Option One\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\"},{\\\"val\\\":\\\"Option Two\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\"}]},{\\\"Drop\\\":[{\\\"val\\\":\\\"Option One\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\"},{\\\"val\\\":\\\"Option Two\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\"}]},{\\\"Drop\\\":[{\\\"val\\\":\\\"Option One\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\"},{\\\"val\\\":\\\"Option Two\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\"}]},{\\\"Drop\\\":[{\\\"val\\\":\\\"Option One\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\"},{\\\"val\\\":\\\"Option Two\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\"}]},{\\\"Drop\\\":[{\\\"val\\\":\\\"Option One\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\"},{\\\"val\\\":\\\"Option Two\\\",\\\"smin\\\":\\\"10\\\",\\\"smax\\\":\\\"80\\\"}]}]','[{\\\"stext\\\":\\\"Submit\\\",\\\"form_title\\\":\\\"\\\",\\\"ft_px\\\":32,\\\"sfs\\\":14,\\\"lp\\\":0,\\\"bp\\\":20,\\\"tp\\\":20,\\\"spad1\\\":\\\"8px\\\",\\\"spad2\\\":\\\"14px\\\",\\\"themev\\\":\\\"one\\\",\\\"lfs\\\":14,\\\"sbold\\\":\\\"normal\\\",\\\"tbold\\\":\\\"normal\\\",\\\"space\\\":8,\\\"sub_th\\\":\\\"embossed-link\\\",\\\"error_email\\\":\\\"Incorrect email format\\\",\\\"error_url\\\":\\\"Incorrect URL format\\\",\\\"error_captcha\\\":\\\"Incorrect captcha\\\",\\\"error_only_integers\\\":\\\"Only integers\\\",\\\"error_required\\\":\\\"This field is required\\\",\\\"error_min\\\":\\\"At least {{min_chars}} characters required\\\",\\\"error_max\\\":\\\"Maximum {{max_chars}} characters allowed\\\",\\\"ruser\\\":\\\"nCrafts\\\",\\\"fw\\\":\\\"510px\\\",\\\"mail_type\\\":\\\"mail\\\",\\\"autoreply\\\":\\\"Thank you for uploading one of your drawings! Please remember that one random drawing will be chosen each day to be added to a gallery. Drawings are added daily based on availability. We choose from artwork submitted to our site within the last 30 days. Drawings and files must meet our specifications in order to be considered. We will notify you if your drawing is selected. Thanks again for your interest in our portrait galleries!\\\\n
\\\\n
Let\\\'s Draw People Galleries\\\",\\\"autoreply_s\\\":\\\"Thank You for Sharing Your Drawing!\\\",\\\"mobile_align\\\":\\\"mobile_left\\\",\\\"theme\\\":\\\"none\\\",\\\"sco\\\":\\\"#dd4800\\\",\\\"from_name\\\":\\\"Let\\\'s Draw People\\\",\\\"from_email\\\":\\\"galleries@letsdrawpeople.com\\\",\\\"failed_msg\\\":\\\"Failed to upload your file. Please make changes and try again.\\\",\\\"success_msg\\\":\\\"Your file was uploaded successfully. Thank you for your submission!\\\"}]','[{\\\"val\\\":\\\"galleries@letsdrawpeople.com\\\",\\\"$$hashKey\\\":\\\"01K\\\"}]','29 May 2014 (04:40)',1884,35),(5,'Contributor Article Selection','','\n
\n \n\n
Article Selection
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\n ','[{\\\"el_f\\\":\\\"{{el.cap1}}*enter your full name{{el.inst}}\\\",\\\"el_b\\\":\\\"{{$index}}One-line Text Input {{el.cap1}}\\\",\\\"el_b2\\\":\\\"
1. General
2. Validation
\\\",\\\"captcha\\\":0,\\\"upload\\\":0,\\\"cap1\\\":\\\"WordPress Username\\\",\\\"cap2\\\":\\\"The one you received in your WordPress email\\\",\\\"pcap1\\\":\\\"Comments\\\",\\\"pcap2\\\":\\\"further details\\\",\\\"dcap1\\\":\\\"Country\\\",\\\"dcap2\\\":\\\"select your country\\\",\\\"ccap1\\\":\\\"Hobbies\\\",\\\"ccap2\\\":\\\"select one or more\\\",\\\"cs\\\":\\\"fixed\\\",\\\"rcap1\\\":\\\"Profession\\\",\\\"rcap2\\\":\\\"select just one\\\",\\\"dtcap1\\\":\\\"Meet Us\\\",\\\"dtcap2\\\":\\\"when are you free?\\\",\\\"ecap1\\\":\\\"Email\\\",\\\"ecap2\\\":\\\"can\\\'t leave this empty\\\",\\\"ucap1\\\":\\\"Files\\\",\\\"ucap2\\\":\\\"upload stuff\\\",\\\"lines\\\":\\\"\\\",\\\"wid\\\":\\\"80%\\\",\\\"widcr\\\":\\\"\\\",\\\"wid2\\\":\\\"74%\\\",\\\"widt\\\":\\\"74%\\\",\\\"widdr\\\":\\\"83.8%\\\",\\\"date\\\":\\\"mdy\\\",\\\"divwid\\\":\\\"1px\\\",\\\"divcap1\\\":\\\"Group Name\\\",\\\"divtop\\\":\\\"-10px\\\",\\\"divlef\\\":\\\"50px\\\",\\\"divcol\\\":\\\"#CCC\\\",\\\"divfs\\\":\\\"14px\\\",\\\"divfc\\\":\\\"#666\\\",\\\"divspa\\\":\\\"20px\\\",\\\"divcap2\\\":\\\"You can use this to write comments in the form.
You can even use HTML!\\\",\\\"divlef2\\\":\\\"5px\\\",\\\"req\\\":\\\"1\\\",\\\"min\\\":\\\"0\\\",\\\"max\\\":\\\"60\\\",\\\"ctcap1\\\":\\\"Captcha\\\",\\\"ctcap2\\\":\\\"type the characters\\\",\\\"passcap1\\\":\\\"Password\\\",\\\"passcap2\\\":\\\"shhhh\\\",\\\"slcap1\\\":\\\"Price\\\",\\\"slcap2\\\":\\\"your budget\\\",\\\"urcap1\\\":\\\"Website\\\",\\\"urcap2\\\":\\\"your den\\\",\\\"tcap1\\\":\\\"Appointment\\\",\\\"tcap2\\\":\\\"subject to availability\\\",\\\"cap_st\\\":\\\"one\\\",\\\"cap_stf\\\":\\\"font\\\",\\\"uploadtext\\\":\\\"Upload File\\\",\\\"dmy\\\":\\\"mm-dd-yyyy\\\",\\\"lang\\\":\\\"en\\\",\\\"inline\\\":\\\"\\\",\\\"$$hashKey\\\":\\\"013\\\",\\\"valid\\\":\\\"\\\"},{\\\"el_f\\\":\\\"\\\",\\\"el_b\\\":\\\"{{$index}}Custom Text\\\",\\\"el_b2\\\":\\\"
1. General
\\\",\\\"captcha\\\":0,\\\"upload\\\":0,\\\"cap1\\\":\\\"Name\\\",\\\"cap2\\\":\\\"full name here\\\",\\\"pcap1\\\":\\\"Comments\\\",\\\"pcap2\\\":\\\"further details\\\",\\\"dcap1\\\":\\\"Country\\\",\\\"dcap2\\\":\\\"select your country\\\",\\\"ccap1\\\":\\\"Hobbies\\\",\\\"ccap2\\\":\\\"select one or more\\\",\\\"cs\\\":\\\"fixed\\\",\\\"rcap1\\\":\\\"Profession\\\",\\\"rcap2\\\":\\\"select just one\\\",\\\"dtcap1\\\":\\\"Meet Us\\\",\\\"dtcap2\\\":\\\"when are you free?\\\",\\\"ecap1\\\":\\\"Email\\\",\\\"ecap2\\\":\\\"can\\\'t leave this empty\\\",\\\"ucap1\\\":\\\"Files\\\",\\\"ucap2\\\":\\\"upload stuff\\\",\\\"lines\\\":\\\"\\\",\\\"wid\\\":\\\"80%\\\",\\\"widcr\\\":\\\"\\\",\\\"wid2\\\":\\\"74%\\\",\\\"widt\\\":\\\"74%\\\",\\\"widdr\\\":\\\"83.8%\\\",\\\"date\\\":\\\"mdy\\\",\\\"divwid\\\":\\\"1px\\\",\\\"divcap1\\\":\\\"Group Name\\\",\\\"divtop\\\":\\\"-10px\\\",\\\"divlef\\\":\\\"50px\\\",\\\"divcol\\\":\\\"#CCC\\\",\\\"divfs\\\":\\\"14px\\\",\\\"divfc\\\":\\\"#666\\\",\\\"divspa\\\":\\\"20px\\\",\\\"divcap2\\\":\\\"Available Articles: There are no more articles available for now. You can suggest one or more below, or you can wait for the new editorial calendar to come out at the beginning of next month. Check back soon!\\\",\\\"divlef2\\\":\\\"5px\\\",\\\"req\\\":\\\"0\\\",\\\"min\\\":\\\"0\\\",\\\"max\\\":\\\"60\\\",\\\"ctcap1\\\":\\\"Captcha\\\",\\\"ctcap2\\\":\\\"type the characters\\\",\\\"passcap1\\\":\\\"Password\\\",\\\"passcap2\\\":\\\"shhhh\\\",\\\"slcap1\\\":\\\"Price\\\",\\\"slcap2\\\":\\\"your budget\\\",\\\"urcap1\\\":\\\"Website\\\",\\\"urcap2\\\":\\\"your den\\\",\\\"tcap1\\\":\\\"Appointment\\\",\\\"tcap2\\\":\\\"subject to availability\\\",\\\"cap_st\\\":\\\"one\\\",\\\"cap_stf\\\":\\\"font\\\",\\\"uploadtext\\\":\\\"Upload File\\\",\\\"dmy\\\":\\\"mm-dd-yyyy\\\",\\\"lang\\\":\\\"en\\\",\\\"inline\\\":\\\"\\\",\\\"$$hashKey\\\":\\\"01E\\\"},{\\\"el_f\\\":\\\"{{el.dcap1}}*select your country{{el.inst}}\\\",\\\"el_b\\\":\\\"{{$index}}Dropdown Box {{el.dcap1}}\\\",\\\"el_b2\\\":\\\"
1. General
2. Items
3. Validation
\\\",\\\"captcha\\\":0,\\\"upload\\\":0,\\\"cap1\\\":\\\"Name\\\",\\\"cap2\\\":\\\"full name here\\\",\\\"pcap1\\\":\\\"Comments\\\",\\\"pcap2\\\":\\\"further details\\\",\\\"dcap1\\\":\\\"Pick One\\\",\\\"dcap2\\\":\\\"\\\",\\\"ccap1\\\":\\\"Hobbies\\\",\\\"ccap2\\\":\\\"select one or more\\\",\\\"cs\\\":\\\"fixed\\\",\\\"rcap1\\\":\\\"Profession\\\",\\\"rcap2\\\":\\\"select just one\\\",\\\"dtcap1\\\":\\\"Meet Us\\\",\\\"dtcap2\\\":\\\"when are you free?\\\",\\\"ecap1\\\":\\\"Email\\\",\\\"ecap2\\\":\\\"can\\\'t leave this empty\\\",\\\"ucap1\\\":\\\"Files\\\",\\\"ucap2\\\":\\\"upload stuff\\\",\\\"lines\\\":\\\"\\\",\\\"wid\\\":\\\"80%\\\",\\\"widcr\\\":\\\"\\\",\\\"wid2\\\":\\\"74%\\\",\\\"widt\\\":\\\"74%\\\",\\\"widdr\\\":\\\"83%\\\",\\\"date\\\":\\\"mdy\\\",\\\"divwid\\\":\\\"1px\\\",\\\"divcap1\\\":\\\"Group Name\\\",\\\"divtop\\\":\\\"-10px\\\",\\\"divlef\\\":\\\"50px\\\",\\\"divcol\\\":\\\"#CCC\\\",\\\"divfs\\\":\\\"14px\\\",\\\"divfc\\\":\\\"#666\\\",\\\"divspa\\\":\\\"20px\\\",\\\"divcap2\\\":\\\"You can use this to write comments in the form.
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This email is to alert you of the following changes to the file system of your website at http://letsdrawpeople.com\nTimestamp: Sun, 10 Jun 2012 20:17:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://letsdrawpeople.com\nTimestamp: Sun, 10 Jun 2012 20:56:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_009f535feea9494f1aadfc128f189cc7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_35b8571e427c92e902b3fdf9d7a4f70a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://letsdrawpeople.com\nTimestamp: Mon, 11 Jun 2012 01:10:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://letsdrawpeople.com\nTimestamp: Mon, 11 Jun 2012 02:12:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://letsdrawpeople.com\nTimestamp: Mon, 11 Jun 2012 03:21:22 +0000\n\nAdded:\nwp-content/uploads/2012/06/letsdrawpeoplelogo.png\nwp-content/uploads/2012/06/arthanddrawingportraitgirl.jpg\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://letsdrawpeople.com\nTimestamp: Mon, 11 Jun 2012 03:51:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://letsdrawpeople.com\nTimestamp: Mon, 11 Jun 2012 04:28:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://letsdrawpeople.com\nTimestamp: Mon, 11 Jun 2012 05:16:27 +0000\n\nAdded:\nwp-content/uploads/2012/06/arthanddrawingportraitgirl1.jpg\nwp-content/uploads/2012/06/letsdrawpeoplelogo1.png\nwp-content/uploads/2012/06/letsdrawpeoplelogobg.png\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://letsdrawpeople.com\nTimestamp: Mon, 11 Jun 2012 06:14:12 +0000\n\nAdded:\nwp-content/uploads/2012/06/letsdrawpeopleheader.jpg\nwp-content/uploads/2012/06/letsdrawpeopleheaderlink.png\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://letsdrawpeople.com\nTimestamp: Mon, 11 Jun 2012 18:04:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://letsdrawpeople.com\nTimestamp: Mon, 11 Jun 2012 19:49:12 +0000\n\nAdded:\nwp-content/uploads/2012/06/ldpfavicon.ico\n\n\nChanged:\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://letsdrawpeople.com\nTimestamp: Tue, 12 Jun 2012 02:57:54 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_32e9e6855b25624645f655c5721b1c96.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_009f535feea9494f1aadfc128f189cc7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_35b8571e427c92e902b3fdf9d7a4f70a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 12 Jun 2012 03:28:08 +0000\n\nChanged:\n.htaccess\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 13 Jun 2012 01:15:57 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_32e9e6855b25624645f655c5721b1c96.timthumb.txt\n\n\nChanged:\nwp-admin/error_log\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 13 Jun 2012 02:33:18 +0000\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-admin/error_log\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 13 Jun 2012 03:58:17 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_009f535feea9494f1aadfc128f189cc7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_35b8571e427c92e902b3fdf9d7a4f70a.timthumb.txt\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-admin/error_log\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 13 Jun 2012 12:39:43 +0000\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-admin/error_log\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 16 Jun 2012 05:20:27 +0000\n\nAdded:\nwp-includes/class-wp-customize-manager.php\nwp-includes/class-wp-customize-section.php\nwp-includes/option.php\nwp-includes/class-wp-customize-setting.php\nwp-includes/template.php\nwp-includes/class-wp-customize-control.php\nwp-includes/class-wp-theme.php\nwp-includes/class-wp-atom-server.php\nwp-includes/images/admin-bar-sprite-2x.png\nwp-includes/css/editor.dev.css\nwp-includes/css/editor.css\nwp-includes/js/customize-base.js\nwp-includes/js/customize-loader.js\nwp-includes/js/customize-base.dev.js\nwp-includes/js/customize-preview.dev.js\nwp-includes/js/customize-loader.dev.js\nwp-includes/js/customize-preview.js\nwp-includes/js/jquery/jquery.ui.touch-punch.js\nwp-includes/js/plupload/wp-plupload.dev.js\nwp-includes/js/plupload/wp-plupload.js\nwp-includes/js/tinymce/mark_loaded_src.js\nwp-includes/js/tinymce/themes/advanced/editor_template_src.js\nwp-includes/js/tinymce/themes/advanced/skins/wp_theme/img/gallery.png\nwp-includes/js/tinymce/themes/advanced/skins/wp_theme/img/embedded.png\nwp-includes/js/tinymce/themes/advanced/skins/wp_theme/img/more_bug.gif\nwp-includes/js/tinymce/themes/advanced/skins/wp_theme/img/page_bug.gif\nwp-includes/js/tinymce/plugins/wplink/editor_plugin_src.js\nwp-includes/js/tinymce/plugins/wpdialogs/editor_plugin_src.js\nwp-includes/js/tinymce/plugins/tabfocus/editor_plugin_src.js\nwp-includes/js/tinymce/plugins/inlinepopups/editor_plugin_src.js\nwp-includes/js/tinymce/plugins/wpgallery/editor_plugin_src.js\nwp-includes/js/tinymce/plugins/wpfullscreen/editor_plugin_src.js\nwp-includes/js/tinymce/plugins/spellchecker/editor_plugin_src.js\nwp-includes/js/tinymce/plugins/fullscreen/editor_plugin_src.js\nwp-includes/js/tinymce/plugins/wordpress/editor_plugin_src.js\nwp-includes/js/tinymce/plugins/directionality/editor_plugin_src.js\nwp-includes/js/tinymce/plugins/wpeditimage/editor_plugin_src.js\nwp-includes/js/tinymce/plugins/paste/editor_plugin_src.js\nwp-includes/js/tinymce/plugins/media/editor_plugin_src.js\nwp-admin/customize.php\nwp-admin/user/about.php\nwp-admin/user/freedoms.php\nwp-admin/user/credits.php\nwp-admin/images/menu-2x.png\nwp-admin/images/stars.png\nwp-admin/images/icons32-vs-2x.png\nwp-admin/images/icons32-2x.png\nwp-admin/images/stars-rtl.png\nwp-admin/images/wp-badge-2x.png\nwp-admin/images/wordpress-logo-2x.png\nwp-admin/images/screenshots/flex-header-1.png\nwp-admin/images/screenshots/captions-2.png\nwp-admin/images/screenshots/flex-header-2.png\nwp-admin/images/screenshots/flex-header-media-library.png\nwp-admin/images/screenshots/twitter-embed-1.png\nwp-admin/images/screenshots/twitter-embed-2.png\nwp-admin/images/screenshots/captions-1.png\nwp-admin/images/screenshots/flex-header-3.png\nwp-admin/images/screenshots/theme-customizer.png\nwp-admin/includes/ajax-actions.php\nwp-admin/css/customize-controls.css\nwp-admin/css/customize-controls-rtl.dev.css\nwp-admin/css/customize-controls.dev.css\nwp-admin/css/customize-controls-rtl.css\nwp-admin/network/about.php\nwp-admin/network/freedoms.php\nwp-admin/network/credits.php\nwp-admin/js/media-gallery.js\nwp-admin/js/customize-controls.js\nwp-admin/js/user-suggest.dev.js\nwp-admin/js/media-gallery.dev.js\nwp-admin/js/user-suggest.js\nwp-admin/js/customize-controls.dev.js\n\n\nRemoved:\nwp-includes/css/editor-buttons.dev.css\nwp-includes/css/editor-buttons.css\nwp-includes/js/tinymce/plugins/wplink/editor_plugin.dev.js\nwp-includes/js/tinymce/plugins/wpdialogs/editor_plugin.dev.js\nwp-includes/js/tinymce/plugins/wpgallery/editor_plugin.dev.js\nwp-includes/js/tinymce/plugins/wpgallery/img/gallery.png\nwp-includes/js/tinymce/plugins/wpfullscreen/editor_plugin.dev.js\nwp-includes/js/tinymce/plugins/wordpress/editor_plugin.dev.js\nwp-includes/js/tinymce/plugins/wordpress/img/embedded.png\nwp-includes/js/tinymce/plugins/wordpress/img/more_bug.gif\nwp-includes/js/tinymce/plugins/wordpress/img/page_bug.gif\nwp-includes/js/tinymce/plugins/wordpress/css/content.css\nwp-includes/js/tinymce/plugins/wpeditimage/editor_plugin.dev.js\nwp-includes/js/tinymce/plugins/wpeditimage/css/editimage-rtl.css\nwp-includes/js/tinymce/plugins/paste/blank.htm\nwp-admin/index-extra.php\nwp-admin/user/index-extra.php\nwp-admin/images/star.png\nwp-admin/images/logo-login.png\nwp-admin/images/gray-star.png\nwp-admin/images/screenshots/new-feature-pointer.png\nwp-admin/images/screenshots/media-icon.png\nwp-admin/images/screenshots/coediting.png\nwp-admin/images/screenshots/admin-flyouts.png\nwp-admin/images/screenshots/drag-and-drop.png\nwp-admin/images/screenshots/help-screen.png\nwp-admin/images/screenshots/welcome-screen.png\nwp-admin/network/index-extra.php\n\n\nChanged:\nwp-settings.php\nxmlrpc.php\nwp-signup.php\nwp-activate.php\nwp-trackback.php\nindex.php\nwp-mail.php\nwp-cron.php\nreadme.html\nwp-blog-header.php\nwp-app.php\nwp-comments-post.php\nlicense.txt\nwp-load.php\nwp-login.php\nwp-links-opml.php\nwp-config-sample.php\nwp-includes/bookmark-template.php\nwp-includes/wlwmanifest.xml\nwp-includes/class-wp.php\nw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This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 16 Jun 2012 07:12:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 16 Jun 2012 07:48:07 +0000\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 16 Jun 2012 08:18:29 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ac718f455e90fc445205107e60260a5c.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b3677f1059af27e61e9c4e7cadd0ccf0.timthumb.txt\n\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_32e9e6855b25624645f655c5721b1c96.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 18 Jun 2012 01:01:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ac718f455e90fc445205107e60260a5c.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b3677f1059af27e61e9c4e7cadd0ccf0.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 18 Jun 2012 03:47:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 18 Jun 2012 05:04:52 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_32e9e6855b25624645f655c5721b1c96.timthumb.txt\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-admin/error_log\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 18 Jun 2012 23:51:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 19 Jun 2012 04:07:26 +0000\n\nChanged:\nwp-admin/error_log\nwp-content/themes/profitstheme_11/cache/timthumb_int_ac718f455e90fc445205107e60260a5c.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b3677f1059af27e61e9c4e7cadd0ccf0.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 19 Jun 2012 04:57:18 +0000\n\nAdded:\nwp-content/plugins/gocodes/screenshot-1.jpg\nwp-content/plugins/gocodes/installer.php\nwp-content/plugins/gocodes/gocodes.php\nwp-content/plugins/gocodes/readme.txt\nwp-content/plugins/gocodes/GPL.txt\nwp-content/plugins/gocodes/menus.php\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 19 Jun 2012 15:22:27 +0000\n\nChanged:\nwp-admin/error_log\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 20 Jun 2012 01:21:21 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ac718f455e90fc445205107e60260a5c.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b3677f1059af27e61e9c4e7cadd0ccf0.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_32e9e6855b25624645f655c5721b1c96.timthumb.txt\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-admin/error_log\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 20 Jun 2012 16:48:13 +0000\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 25 Jun 2012 22:07:43 +0000\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 26 Jun 2012 05:28:56 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_32e9e6855b25624645f655c5721b1c96.timthumb.txt\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-admin/error_log\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 27 Jun 2012 08:15:47 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_32e9e6855b25624645f655c5721b1c96.timthumb.txt\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-admin/error_log\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 27 Jun 2012 18:19:58 +0000\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-admin/error_log\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 28 Jun 2012 16:17:24 +0000\n\nChanged:\n.ftpquota\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 03 Jul 2012 05:30:10 +0000\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 09 Jul 2012 21:10:36 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This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 11 Jul 2012 19:12:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 11 Jul 2012 19:44:39 +0000\n\nAdded:\nwp-content/themes/mantra/content-gallery.php\nwp-content/themes/mantra/404.php\nwp-content/themes/mantra/page-test.php\nwp-content/themes/mantra/content-aside.php\nwp-content/themes/mantra/editor-style.css\nwp-content/themes/mantra/comments.php\nwp-content/themes/mantra/screenshot.png\nwp-content/themes/mantra/page-blog.php\nwp-content/themes/mantra/sidebar.php\nwp-content/themes/mantra/content-link.php\nwp-content/themes/mantra/content.php\nwp-content/themes/mantra/style.css\nwp-content/themes/mantra/content-image.php\nwp-content/themes/mantra/functions.php\nwp-content/themes/mantra/category.php\nwp-content/themes/mantra/page-with-intro.php\nwp-content/themes/mantra/search.php\nwp-content/themes/mantra/index.php\nwp-content/themes/mantra/content-quote.php\nwp-content/themes/mantra/archive.php\nwp-content/themes/mantra/single.php\nwp-content/themes/mantra/content-status.php\nwp-content/themes/mantra/attachment.php\nwp-content/themes/mantra/style-mobile.css\nwp-content/themes/mantra/onecolumn-page.php\nwp-content/themes/mantra/readme.txt\nwp-content/themes/mantra/tag.php\nwp-content/themes/mantra/sidebar-footer.php\nwp-content/themes/mantra/license.txt\nwp-content/themes/mantra/author.php\nwp-content/themes/mantra/footer.php\nwp-content/themes/mantra/searchform.php\nwp-content/themes/mantra/header.php\nwp-content/themes/mantra/editor-style-rtl.css\nwp-content/themes/mantra/rtl.css\nwp-content/themes/mantra/content-chat.php\nwp-content/themes/mantra/page.php\nwp-content/themes/mantra/admin/main.php\nwp-content/themes/mantra/admin/custom-styles.php\nwp-content/themes/mantra/admin/admin-functions.php\nwp-content/themes/mantra/admin/defaults.php\nwp-content/themes/mantra/admin/sanitize.php\nwp-content/themes/mantra/admin/settings.php\nwp-content/themes/mantra/admin/images/3cSr.png\nwp-content/themes/mantra/admin/images/coffee.png\nwp-content/themes/mantra/admin/images/2cSr.png\nwp-content/themes/mantra/admin/images/3cSs.png\nwp-content/themes/mantra/admin/images/2cSl.png\nwp-content/themes/mantra/admin/images/3cSl.png\nwp-content/themes/mantra/admin/images/mantra-logo.png\nwp-content/themes/mantra/admin/images/1c.png\nwp-content/themes/mantra/admin/images/testimg.png\nwp-content/themes/mantra/admin/css/admin.css\nwp-content/themes/mantra/admin/js/admin.js\nwp-content/themes/mantra/admin/js/accordion-slider.js\nwp-content/themes/mantra/images/mantra_menu.png\nwp-content/themes/mantra/images/bullets.png\nwp-content/themes/mantra/images/mantra_menu_current.png\nwp-content/themes/mantra/images/back2top.png\nwp-content/themes/mantra/images/icon-featured.png\nwp-content/themes/mantra/images/mantra_menu_over.png\nwp-content/themes/mantra/images/mantra_sidebar_bullet.png\nwp-content/themes/mantra/images/mantra_menu_down.png\nwp-content/themes/mantra/images/arrows.png\nwp-content/themes/mantra/images/mantra_right_arrow.png\nwp-content/themes/mantra/images/columnarrow.png\nwp-content/themes/mantra/images/icon-back.png\nwp-content/themes/mantra/images/mantra_menu_right.png\nwp-content/themes/mantra/images/mantra_left_arrow.png\nwp-content/themes/mantra/images/mantra_bullet.png\nwp-content/themes/mantra/images/loading.gif\nwp-content/themes/mantra/images/slider/mantra-slide2.jpg\nwp-content/themes/mantra/images/slider/mantra-slide1.jpg\nwp-content/themes/mantra/images/slider/mantra-column.jpg\nwp-content/themes/mantra/images/socials/Pinterest.png\nwp-content/themes/mantra/images/socials/Flickr.png\nwp-content/themes/mantra/images/socials/Tumblr.png\nwp-content/themes/mantra/images/socials/YouTube.png\nwp-content/themes/mantra/images/socials/GoodReads.png\nwp-content/themes/mantra/images/socials/StumbleUpon.png\nwp-content/themes/mantra/images/socials/Etsy.png\nwp-content/themes/mantra/images/socials/Twitter.png\nwp-content/themes/mantra/images/socials/Skype.png\nwp-content/themes/mantra/images/socials/Picasa.png\nwp-content/themes/mantra/images/socials/WordPress.png\nwp-content/themes/mantra/images/socials/RSS.png\nwp-content/themes/mantra/images/socials/Google.png\nwp-content/themes/mantra/images/socials/Delicious.png\nwp-content/themes/mantra/images/socials/SoundCloud.png\nwp-content/themes/mantra/images/socials/LinkedIn.png\nwp-content/themes/mantra/images/socials/Mail.png\nwp-content/themes/mantra/images/socials/Vimeo.png\nwp-content/themes/mantra/images/socials/Technorati.png\nwp-content/themes/mantra/images/socials/Digg.png\nwp-content/themes/mantra/images/socials/MySpace.png\nwp-content/themes/mantra/images/socials/Reddit.png\nwp-content/themes/mantra/images/socials/DeviantArt.png\nwp-content/themes/mantra/images/socials/GooglePlus.png\nwp-content/themes/mantra/images/socials/LastFM.png\nwp-content/themes/mantra/images/socials/Facebook.png\nwp-content/themes/mantra/images/socials/Yahoo.png\nwp-content/themes/mantra/images/pins/Pin5.png\nwp-content/themes/mantra/images/pins/Pin3.png\nwp-content/themes/mantra/images/pins/Pin4.png\nwp-content/themes/mantra/images/pins/mantra_dot.png\nwp-content/themes/m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This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 11 Jul 2012 20:27:21 +0000\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 11 Jul 2012 21:01:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 11 Jul 2012 22:48:08 +0000\n\nAdded:\nwp-content/uploads/2012/07/letsdrawpeopleheaderplaster.jpg\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 12 Jul 2012 00:52:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 12 Jul 2012 03:10:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 12 Jul 2012 18:39:17 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_62bcb542d33818d0a432f14ea5e14e80.timthumb.txt\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 12 Jul 2012 22:08:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 12 Jul 2012 22:38:20 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\nwp-content/uploads/2012/07/nose-tips-300x275.jpg\nwp-content/uploads/2012/07/nose-tips-150x150.jpg\nwp-content/uploads/2012/07/nose-tips.jpg\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 12 Jul 2012 23:10:36 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_8d1ed3c29a29931c696539771627f8ac.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_7e3f6d361680b42bd6f9e4753ac1e187.timthumb.txt\nwp-content/uploads/2012/07/nose03-150x150.jpg\nwp-content/uploads/2012/07/nose04-260x300.jpg\nwp-content/uploads/2012/07/nose01-150x150.jpg\nwp-content/uploads/2012/07/nose01.jpg\nwp-content/uploads/2012/07/nose041.jpg\nwp-content/uploads/2012/07/nose02-914x1024.jpg\nwp-content/uploads/2012/07/nose01-888x1024.jpg\nwp-content/uploads/2012/07/nose03-846x1024.jpg\nwp-content/uploads/2012/07/nose01-260x300.jpg\nwp-content/uploads/2012/07/nose03-248x300.jpg\nwp-content/uploads/2012/07/nose02-267x300.jpg\nwp-content/uploads/2012/07/nose041-150x150.jpg\nwp-content/uploads/2012/07/nose03.jpg\nwp-content/uploads/2012/07/nose02-150x150.jpg\nwp-content/uploads/2012/07/nose04-887x1024.jpg\nwp-content/uploads/2012/07/nose04-150x150.jpg\nwp-content/uploads/2012/07/nose041-260x300.jpg\nwp-content/uploads/2012/07/nose02.jpg\nwp-content/uploads/2012/07/nose04.jpg\nwp-content/uploads/2012/07/nose041-887x1024.jpg\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 12 Jul 2012 23:46:46 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_bdffaacbcc635cb9ce64be99fc415496.timthumb.txt\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 13 Jul 2012 00:34:18 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This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 13 Jul 2012 01:08:30 +0000\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 13 Jul 2012 01:46:46 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 13 Jul 2012 03:40:22 +0000\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 13 Jul 2012 07:43:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 13 Jul 2012 08:27:27 +0000\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 13 Jul 2012 09:15:12 +0000\n\nAdded:\nwp-content/plugins/social-media-icons/screenshot-2.png\nwp-content/plugins/social-media-icons/readme.txt\nwp-content/plugins/social-media-icons/smc_widget.php\nwp-content/plugins/social-media-icons/screenshot-1.png\nwp-content/plugins/social-media-icons/images/unknown.png\nwp-content/plugins/social-media-icons/images/info_small.png\nwp-content/plugins/social-media-icons/images/drop.png\nwp-content/plugins/social-media-icons/images/add.png\nwp-content/plugins/social-media-icons/images/drop-disabled.png\nwp-content/plugins/social-media-icons/images/reset.png\nwp-content/plugins/social-media-icons/images/iconset/icon-disabled.png\nwp-content/plugins/social-media-icons/images/iconset/icon-disabled-add.png\nwp-content/plugins/social-media-icons/images/iconset/Sleek 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This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 15 Jul 2012 00:21:48 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_a89ab76706e0323efb4cc2dd88a8b2fe.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_71a4f0da665f0d49a96607c449406314.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8d1ed3c29a29931c696539771627f8ac.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_109e9180a01de3ef57af7e6cd0ed70c7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_43f495742d9967a72d20b106cab59aef.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_4229dfc699019ba38a3ec2bd95739517.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_612d40bd1fa3595fd8822ebc455c9182.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f26ba7fecd5f9f7bed5a2e8009f6e08a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_2c4a011be3ce5ce8522eedb161d6af59.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cec9dff461410679c9b92043398f648a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b92c7c2755727b57e91c730454be5bc6.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_bdffaacbcc635cb9ce64be99fc415496.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_7e3f6d361680b42bd6f9e4753ac1e187.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 15 Jul 2012 07:01:00 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 16 Jul 2012 02:10:31 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ac718f455e90fc445205107e60260a5c.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b3677f1059af27e61e9c4e7cadd0ccf0.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 16 Jul 2012 14:19:50 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 17 Jul 2012 02:09:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 17 Jul 2012 03:33:43 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 18 Jul 2012 02:09:06 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 19 Jul 2012 02:00:36 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 19 Jul 2012 15:49:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 19 Jul 2012 23:54:35 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 20 Jul 2012 01:09:57 +0000\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 20 Jul 2012 01:52:14 +0000\n\nAdded:\nwp-content/uploads/2012/07/S1050002autolevels.jpg\nwp-content/uploads/2012/07/S1050002autolevels-224x300.jpg\nwp-content/uploads/2012/07/S1050002autolevels-150x150.jpg\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 20 Jul 2012 04:41:20 +0000\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 20 Jul 2012 06:39:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 20 Jul 2012 15:40:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 20 Jul 2012 16:51:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 21 Jul 2012 01:38:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 21 Jul 2012 06:03:27 +0000\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 21 Jul 2012 12:37:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 22 Jul 2012 05:39:56 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 22 Jul 2012 15:56:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 22 Jul 2012 19:52:02 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 23 Jul 2012 00:16:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 23 Jul 2012 01:33:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 23 Jul 2012 04:47:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 23 Jul 2012 05:48:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 23 Jul 2012 06:24:02 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_0b9710cc17d582c854499dfc85b42db3.timthumb.txt\nwp-content/uploads/2012/07/drawing-wedge-high-heels-shade-lines-1024x576.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-legs-1024x576.jpg\nwp-content/uploads/2012/07/wedge-high-heels-finished-300x168.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-shoes-176x300.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-shapes-150x150.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-straps-300x168.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-shapes.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-grid.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-shade-lines-300x168.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-details.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-legs-300x168.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-shoes.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-shapes-189x300.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-shoe-details-1024x576.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-straps.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-shade-lines.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-details-150x150.jpg\nwp-content/uploads/2012/07/wedge-high-heels-finished.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-straps-1024x576.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-shoe-details-300x168.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-shoes-150x150.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-grid-150x150.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-straps-150x150.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-shade-lines-150x150.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-shoe-details-150x150.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-details-300x168.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-grid-300x216.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-details-1024x576.jpg\nwp-content/uploads/2012/07/wedge-high-heels-finished-150x150.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-legs.jpg\nwp-content/uploads/2012/07/wedge-high-heels-finished-1024x576.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-shoe-details.jpg\nwp-content/uploads/2012/07/drawing-wedge-high-heels-legs-150x150.jpg\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 23 Jul 2012 06:56:22 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 23 Jul 2012 07:30:16 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 23 Jul 2012 14:38:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 24 Jul 2012 15:45:24 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 24 Jul 2012 16:42:03 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\nwp-content/uploads/2012/07/dreamstime_xs_25047892-200x300.jpg\nwp-content/uploads/2012/07/dreamstime_xs_25047892.jpg\nwp-content/uploads/2012/07/dreamstime_xs_25047892-150x150.jpg\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 24 Jul 2012 17:27:47 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_0b9710cc17d582c854499dfc85b42db3.timthumb.txt\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 25 Jul 2012 21:52:29 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 26 Jul 2012 03:50:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 26 Jul 2012 05:33:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 26 Jul 2012 21:45:09 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 27 Jul 2012 21:54:35 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\n\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 28 Jul 2012 03:17:45 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 28 Jul 2012 04:33:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 29 Jul 2012 00:13:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 29 Jul 2012 05:52:24 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_3c1b8f385314e99196a75d2c9c766786.timthumb.txt\nwp-content/uploads/2012/07/02-bieber-eyes-227x300.jpg\nwp-content/uploads/2012/07/02-bieber-eyes-777x1024.jpg\nwp-content/uploads/2012/07/dreamstime_xs_25283976.jpg\nwp-content/uploads/2012/07/01-bieber-grid-150x150.jpg\nwp-content/uploads/2012/07/dreamstime_xs_25283976-200x300.jpg\nwp-content/uploads/2012/07/02-bieber-eyes.jpg\nwp-content/uploads/2012/07/01-bieber-grid-226x300.jpg\nwp-content/uploads/2012/07/dreamstime_xs_25283976-150x150.jpg\nwp-content/uploads/2012/07/01-bieber-grid-773x1024.jpg\nwp-content/uploads/2012/07/02-bieber-eyes-150x150.jpg\nwp-content/uploads/2012/07/01-bieber-grid.jpg\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 29 Jul 2012 06:24:35 +0000\n\nAdded:\nwp-content/uploads/2012/07/05-bieber-ears.jpg\nwp-content/uploads/2012/07/05-bieber-ears-229x300.jpg\nwp-content/uploads/2012/07/04-bieber-mouth.jpg\nwp-content/uploads/2012/07/03-bieber-nose-227x300.jpg\nwp-content/uploads/2012/07/04-bieber-mouth-775x1024.jpg\nwp-content/uploads/2012/07/03-bieber-nose-775x1024.jpg\nwp-content/uploads/2012/07/04-bieber-mouth-227x300.jpg\nwp-content/uploads/2012/07/03-bieber-nose-150x150.jpg\nwp-content/uploads/2012/07/03-bieber-nose.jpg\nwp-content/uploads/2012/07/05-bieber-ears-781x1024.jpg\nwp-content/uploads/2012/07/04-bieber-mouth-150x150.jpg\nwp-content/uploads/2012/07/05-bieber-ears-150x150.jpg\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 29 Jul 2012 06:56:24 +0000\n\nAdded:\nwp-content/uploads/2012/07/08-bieber-775x1024.jpg\nwp-content/uploads/2012/07/07-bieber-neck-150x150.jpg\nwp-content/uploads/2012/07/06-bieber-hair-150x150.jpg\nwp-content/uploads/2012/07/02-bieber-eyes1.jpg\nwp-content/uploads/2012/07/08-bieber-227x300.jpg\nwp-content/uploads/2012/07/07-bieber-neck.jpg\nwp-content/uploads/2012/07/06-bieber-hair-229x300.jpg\nwp-content/uploads/2012/07/02-bieber-eyes1-777x1024.jpg\nwp-content/uploads/2012/07/08-bieber.jpg\nwp-content/uploads/2012/07/08-bieber-150x150.jpg\nwp-content/uploads/2012/07/06-bieber-hair.jpg\nwp-content/uploads/2012/07/07-bieber-neck-227x300.jpg\nwp-content/uploads/2012/07/02-bieber-eyes1-227x300.jpg\nwp-content/uploads/2012/07/02-bieber-eyes1-150x150.jpg\nwp-content/uploads/2012/07/06-bieber-hair-782x1024.jpg\nwp-content/uploads/2012/07/07-bieber-neck-776x1024.jpg\n\n\nRemoved:\nwp-content/uploads/2012/07/02-bieber-eyes-227x300.jpg\nwp-content/uploads/2012/07/02-bieber-eyes-777x1024.jpg\nwp-content/uploads/2012/07/02-bieber-eyes.jpg\nwp-content/uploads/2012/07/02-bieber-eyes-150x150.jpg\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 29 Jul 2012 07:29:42 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_5ffd5bcbc2d867928cf5a54cc62e0876.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a89ab76706e0323efb4cc2dd88a8b2fe.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b2825f7532cd3ae4ec885170b40d5b7b.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_71a4f0da665f0d49a96607c449406314.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_109e9180a01de3ef57af7e6cd0ed70c7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_43f495742d9967a72d20b106cab59aef.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_4229dfc699019ba38a3ec2bd95739517.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_612d40bd1fa3595fd8822ebc455c9182.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f26ba7fecd5f9f7bed5a2e8009f6e08a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ac718f455e90fc445205107e60260a5c.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b3677f1059af27e61e9c4e7cadd0ccf0.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_2c4a011be3ce5ce8522eedb161d6af59.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cec9dff461410679c9b92043398f648a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_09f349a9b33c7307655fb33dc3750ec8.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b92c7c2755727b57e91c730454be5bc6.timthumb.txt\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\n.ftpquota\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 29 Jul 2012 13:23:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 29 Jul 2012 13:56:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 29 Jul 2012 15:53:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 29 Jul 2012 16:35:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 29 Jul 2012 17:23:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 29 Jul 2012 20:26:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 29 Jul 2012 21:45:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 29 Jul 2012 22:16:53 +0000\n\nAdded:\nwp-content/uploads/2012/07/bieber-150x150.jpg\nwp-content/uploads/2012/07/bieber.jpg\nwp-content/uploads/2012/07/bieber-775x1024.jpg\nwp-content/uploads/2012/07/bieber-227x300.jpg\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 29 Jul 2012 22:57:01 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_1b09f775d1e0034c9d8c3dd75300a000.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_2ae4c7ce440e85f04d64b912046771b3.timthumb.txt\nwp-content/uploads/2012/07/bieber-white-bg-test-227x300.jpg\nwp-content/uploads/2012/07/bieber-white-bg-test-775x1024.jpg\nwp-content/uploads/2012/07/bieber-white-bg-test-150x150.jpg\nwp-content/uploads/2012/07/bieber-white-bg-test.jpg\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 29 Jul 2012 23:31:26 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_458bda99e9be4a6866354b695d978cd7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b8d452eeb67b53c7cc0a34a2f97fb0fd.timthumb.txt\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 30 Jul 2012 00:08:01 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_9fe7a591a6e37700566008b1f49143f0.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b6076357b72b07d419b61c2dd5576cd3.timthumb.txt\nwp-content/uploads/2012/07/bieber-size-contrast-only-227x300.jpg\nwp-content/uploads/2012/07/bieber-size-contrast-only-775x1024.jpg\nwp-content/uploads/2012/07/bieber-size-contrast-only-150x150.jpg\nwp-content/uploads/2012/07/bieber-size-contrast-only.jpg\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 30 Jul 2012 01:19:25 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/uploads/2012/07/01-bieber-grid1-773x1024.jpg\nwp-content/uploads/2012/07/02-bieber-eyes-227x300.jpg\nwp-content/uploads/2012/07/02-bieber-eyes-777x1024.jpg\nwp-content/uploads/2012/07/01-bieber-grid1.jpg\nwp-content/uploads/2012/07/06-bieber-hair1-782x1024.jpg\nwp-content/uploads/2012/07/04-bieber-mouth1-150x150.jpg\nwp-content/uploads/2012/07/05-bieber-ears1.jpg\nwp-content/uploads/2012/07/01-bieber-grid1-150x150.jpg\nwp-content/uploads/2012/07/08-bieber1-775x1024.jpg\nwp-content/uploads/2012/07/08-bieber1-227x300.jpg\nwp-content/uploads/2012/07/07-bieber-neck1-776x1024.jpg\nwp-content/uploads/2012/07/03-bieber-nose1-227x300.jpg\nwp-content/uploads/2012/07/03-bieber-nose1-775x1024.jpg\nwp-content/uploads/2012/07/08-bieber1.jpg\nwp-content/uploads/2012/07/05-bieber-ears1-229x300.jpg\nwp-content/uploads/2012/07/07-bieber-neck1-150x150.jpg\nwp-content/uploads/2012/07/01-bieber-grid1-226x300.jpg\nwp-content/uploads/2012/07/05-bieber-ears1-150x150.jpg\nwp-content/uploads/2012/07/05-bieber-ears1-781x1024.jpg\nwp-content/uploads/2012/07/06-bieber-hair1.jpg\nwp-content/uploads/2012/07/06-bieber-hair1-229x300.jpg\nwp-content/uploads/2012/07/03-bieber-nose1.jpg\nwp-content/uploads/2012/07/02-bieber-eyes.jpg\nwp-content/uploads/2012/07/04-bieber-mouth1.jpg\nwp-content/uploads/2012/07/04-bieber-mouth1-775x1024.jpg\nwp-content/uploads/2012/07/03-bieber-nose1-150x150.jpg\nwp-content/uploads/2012/07/07-bieber-neck1-227x300.jpg\nwp-content/uploads/2012/07/06-bieber-hair1-150x150.jpg\nwp-content/uploads/2012/07/04-bieber-mouth1-227x300.jpg\nwp-content/uploads/2012/07/02-bieber-eyes-150x150.jpg\nwp-content/uploads/2012/07/07-bieber-neck1.jpg\nwp-content/uploads/2012/07/08-bieber1-150x150.jpg\n\n\nRemoved:\nwp-content/uploads/2012/07/bieber-size-contrast-only-227x300.jpg\nwp-content/uploads/2012/07/bieber-150x150.jpg\nwp-content/uploads/2012/07/S1050002autolevels.jpg\nwp-content/uploads/2012/07/02-bieber-eyes1.jpg\nwp-content/uploads/2012/07/bieber-size-contrast-only-775x1024.jpg\nwp-content/uploads/2012/07/bieber.jpg\nwp-content/uploads/2012/07/bieber-size-contrast-only-150x150.jpg\nwp-content/uploads/2012/07/bieber-size-contrast-only.jpg\nwp-content/uploads/2012/07/bieber-775x1024.jpg\nwp-content/uploads/2012/07/bieber-white-bg-test-227x300.jpg\nwp-content/uploads/2012/07/bieber-white-bg-test-775x1024.jpg\nwp-content/uploads/2012/07/02-bieber-eyes1-777x1024.jpg\nwp-content/uploads/2012/07/bieber-227x300.jpg\nwp-content/uploads/2012/07/bieber-white-bg-test-150x150.jpg\nwp-content/uploads/2012/07/S1050002autolevels-224x300.jpg\nwp-content/uploads/2012/07/02-bieber-eyes1-227x300.jpg\nwp-content/uploads/2012/07/bieber-white-bg-test.jpg\nwp-content/uploads/2012/07/02-bieber-eyes1-150x150.jpg\nwp-content/uploads/2012/07/S1050002autolevels-150x150.jpg\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/uploads/2012/07/05-bieber-ears.jpg\nwp-content/uploads/2012/07/08-bieber-775x1024.jpg\nwp-content/uploads/2012/07/05-bieber-ears-229x300.jpg\nwp-content/uploads/2012/07/07-bieber-neck-150x150.jpg\nwp-content/uploads/2012/07/04-bieber-mouth.jpg\nwp-content/uploads/2012/07/03-bieber-nose-227x300.jpg\nwp-content/uploads/2012/07/06-bieber-hair-150x150.jpg\nwp-content/uploads/2012/07/04-bieber-mouth-775x1024.jpg\nwp-content/uploads/2012/07/01-bieber-grid-150x150.jpg\nwp-content/uploads/2012/07/03-bieber-nose-775x1024.jpg\nwp-content/uploads/2012/07/08-bieber-227x300.jpg\nwp-content/uploads/2012/07/07-bieber-neck.jpg\nwp-content/uploads/2012/07/04-bieber-mouth-227x300.jpg\nwp-content/uploads/2012/07/06-bieber-hair-229x300.jpg\nwp-content/uploads/2012/07/03-bieber-nose-150x150.jpg\nwp-content/uploads/2012/07/03-bieber-nose.jpg\nwp-content/uploads/2012/07/05-bieber-ears-781x1024.jpg\nwp-content/uploads/2012/07/08-bieber.jpg\nwp-content/uploads/2012/07/08-bieber-150x150.jpg\nwp-content/uploads/2012/07/04-bieber-mouth-150x150.jpg\nwp-content/uploads/2012/07/06-bieber-hair.jpg\nwp-content/uploads/2012/07/07-bieber-neck-227x300.jpg\nwp-content/uploads/2012/07/01-bieber-grid-226x300.jpg\nwp-content/uploads/2012/07/05-bieber-ears-150x150.jpg\nwp-content/uploads/2012/07/01-bieber-grid-773x1024.jpg\nwp-content/uploads/2012/07/01-bieber-grid.jpg\nwp-content/uploads/2012/07/06-bieber-hair-782x1024.jpg\nwp-content/uploads/2012/07/07-bieber-neck-776x1024.jpg\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 30 Jul 2012 02:11:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 30 Jul 2012 04:05:04 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/lib/css/custom.css\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 30 Jul 2012 05:51:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 30 Jul 2012 13:42:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 30 Jul 2012 16:19:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 30 Jul 2012 16:57:59 +0000\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 30 Jul 2012 17:35:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 30 Jul 2012 21:37:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 31 Jul 2012 05:47:43 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_5ffd5bcbc2d867928cf5a54cc62e0876.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a89ab76706e0323efb4cc2dd88a8b2fe.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b2825f7532cd3ae4ec885170b40d5b7b.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_71a4f0da665f0d49a96607c449406314.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_1b09f775d1e0034c9d8c3dd75300a000.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_109e9180a01de3ef57af7e6cd0ed70c7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_43f495742d9967a72d20b106cab59aef.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_4229dfc699019ba38a3ec2bd95739517.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_612d40bd1fa3595fd8822ebc455c9182.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_2ae4c7ce440e85f04d64b912046771b3.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_458bda99e9be4a6866354b695d978cd7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f26ba7fecd5f9f7bed5a2e8009f6e08a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ac718f455e90fc445205107e60260a5c.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b3677f1059af27e61e9c4e7cadd0ccf0.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_2c4a011be3ce5ce8522eedb161d6af59.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cec9dff461410679c9b92043398f648a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b8d452eeb67b53c7cc0a34a2f97fb0fd.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_9fe7a591a6e37700566008b1f49143f0.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_09f349a9b33c7307655fb33dc3750ec8.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b92c7c2755727b57e91c730454be5bc6.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3c1b8f385314e99196a75d2c9c766786.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b6076357b72b07d419b61c2dd5576cd3.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 31 Jul 2012 11:46:34 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 31 Jul 2012 12:53:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 31 Jul 2012 21:10:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 01 Aug 2012 01:03:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 02 Aug 2012 01:02:58 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 02 Aug 2012 02:53:48 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 02 Aug 2012 06:28:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 02 Aug 2012 12:47:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 02 Aug 2012 14:26:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 02 Aug 2012 18:40:06 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 03 Aug 2012 10:49:12 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 03 Aug 2012 13:08:23 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 03 Aug 2012 13:44:46 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_75b96b2c0f5107e9c7ec0c5b90257ad1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/uploads/2012/08/06-fireman-legs-225x300.jpg\nwp-content/uploads/2012/08/02-fireman-hat-150x150.jpg\nwp-content/uploads/2012/08/07-fireman-225x300.jpg\nwp-content/uploads/2012/08/04-fireman-hose.jpg\nwp-content/uploads/2012/08/03-fireman-face-150x150.jpg\nwp-content/uploads/2012/08/02-fireman-hat.jpg\nwp-content/uploads/2012/08/06-fireman-legs-150x150.jpg\nwp-content/uploads/2012/08/02-fireman-hat-770x1024.jpg\nwp-content/uploads/2012/08/07-fireman-768x1024.jpg\nwp-content/uploads/2012/08/05-fireman-arms-778x1024.jpg\nwp-content/uploads/2012/08/06-fireman-legs-769x1024.jpg\nwp-content/uploads/2012/08/01-fireman-shapes-227x300.jpg\nwp-content/uploads/2012/08/05-fireman-arms-150x150.jpg\nwp-content/uploads/2012/08/02-fireman-hat-225x300.jpg\nwp-content/uploads/2012/08/05-fireman-arms-227x300.jpg\nwp-content/uploads/2012/08/06-fireman-legs.jpg\nwp-content/uploads/2012/08/03-fireman-face-780x1024.jpg\nwp-content/uploads/2012/08/07-fireman-150x150.jpg\nwp-content/uploads/2012/08/05-fireman-arms.jpg\nwp-content/uploads/2012/08/04-fireman-hose-150x150.jpg\nwp-content/uploads/2012/08/04-fireman-hose-780x1024.jpg\nwp-content/uploads/2012/08/01-fireman-shapes-777x1024.jpg\nwp-content/uploads/2012/08/03-fireman-face-228x300.jpg\nwp-content/uploads/2012/08/07-fireman.jpg\nwp-content/uploads/2012/08/04-fireman-hose-228x300.jpg\nwp-content/uploads/2012/08/03-fireman-face.jpg\nwp-content/uploads/2012/08/01-fireman-shapes-150x150.jpg\nwp-content/uploads/2012/08/01-fireman-shapes.jpg\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 04 Aug 2012 04:56:12 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_98b95ebfdd32ed378590322aeb15ffcd.timthumb.txt\n\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 04 Aug 2012 06:43:40 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 05 Aug 2012 18:19:49 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_75b96b2c0f5107e9c7ec0c5b90257ad1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_98b95ebfdd32ed378590322aeb15ffcd.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 06 Aug 2012 01:37:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 06 Aug 2012 02:15:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 06 Aug 2012 04:23:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 06 Aug 2012 05:01:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 07 Aug 2012 02:39:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 07 Aug 2012 04:35:14 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 07 Aug 2012 05:16:15 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 07 Aug 2012 18:19:03 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 07 Aug 2012 21:41:48 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 07 Aug 2012 22:14:55 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 07 Aug 2012 23:27:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 08 Aug 2012 02:18:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 08 Aug 2012 02:57:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 08 Aug 2012 03:34:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 08 Aug 2012 07:01:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 08 Aug 2012 08:52:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 08 Aug 2012 11:19:22 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 08 Aug 2012 13:24:37 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 08 Aug 2012 19:39:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 08 Aug 2012 20:47:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 08 Aug 2012 21:32:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 09 Aug 2012 00:27:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 09 Aug 2012 01:52:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 09 Aug 2012 03:17:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 09 Aug 2012 04:36:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 09 Aug 2012 05:07:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 09 Aug 2012 05:58:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 09 Aug 2012 06:49:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 09 Aug 2012 10:55:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 09 Aug 2012 11:27:40 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 09 Aug 2012 13:31:54 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 09 Aug 2012 15:16:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 09 Aug 2012 15:46:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 09 Aug 2012 18:58:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 09 Aug 2012 21:18:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 09 Aug 2012 22:10:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 10 Aug 2012 00:09:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 10 Aug 2012 02:23:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 10 Aug 2012 11:00:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 10 Aug 2012 13:10:18 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 10 Aug 2012 14:05:15 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 10 Aug 2012 14:41:11 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 10 Aug 2012 15:26:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 10 Aug 2012 16:08:54 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 10 Aug 2012 17:00:06 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 10 Aug 2012 17:34:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 10 Aug 2012 18:05:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 10 Aug 2012 20:07:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 10 Aug 2012 21:01:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 10 Aug 2012 23:37:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 11 Aug 2012 01:09:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 11 Aug 2012 01:59:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 11 Aug 2012 03:17:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 11 Aug 2012 11:46:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 11 Aug 2012 18:40:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 11 Aug 2012 20:17:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 11 Aug 2012 20:54:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 11 Aug 2012 22:05:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 11 Aug 2012 23:05:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 12 Aug 2012 00:04:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 12 Aug 2012 01:43:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 12 Aug 2012 02:51:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 12 Aug 2012 03:35:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 12 Aug 2012 04:36:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 12 Aug 2012 05:08:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 12 Aug 2012 06:02:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 12 Aug 2012 06:34:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 12 Aug 2012 08:41:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 12 Aug 2012 12:15:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 12 Aug 2012 14:13:04 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 12 Aug 2012 18:09:40 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 12 Aug 2012 21:26:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 12 Aug 2012 23:28:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 13 Aug 2012 02:11:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 13 Aug 2012 02:45:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 13 Aug 2012 04:21:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 13 Aug 2012 04:54:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 13 Aug 2012 12:03:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 13 Aug 2012 12:42:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 13 Aug 2012 14:01:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 13 Aug 2012 18:27:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 13 Aug 2012 19:38:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 13 Aug 2012 20:42:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 13 Aug 2012 21:40:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 13 Aug 2012 22:23:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 13 Aug 2012 23:00:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 14 Aug 2012 01:39:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 14 Aug 2012 04:16:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 14 Aug 2012 05:10:06 +0000\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 14 Aug 2012 07:21:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 14 Aug 2012 12:05:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 14 Aug 2012 13:19:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 14 Aug 2012 15:24:35 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 14 Aug 2012 16:34:47 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 14 Aug 2012 17:53:42 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 14 Aug 2012 18:28:53 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 14 Aug 2012 21:10:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 14 Aug 2012 21:42:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 14 Aug 2012 22:49:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 14 Aug 2012 23:53:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 15 Aug 2012 00:59:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 15 Aug 2012 01:34:55 +0000\n\nAdded:\nwp-content/backup-98227/index.php\nwp-content/themes/profitstheme_11/cache/timthumb_int_a89ab76706e0323efb4cc2dd88a8b2fe.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_71a4f0da665f0d49a96607c449406314.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_109e9180a01de3ef57af7e6cd0ed70c7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_43f495742d9967a72d20b106cab59aef.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_4229dfc699019ba38a3ec2bd95739517.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_612d40bd1fa3595fd8822ebc455c9182.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f26ba7fecd5f9f7bed5a2e8009f6e08a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ac718f455e90fc445205107e60260a5c.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b3677f1059af27e61e9c4e7cadd0ccf0.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_2c4a011be3ce5ce8522eedb161d6af59.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_32e9e6855b25624645f655c5721b1c96.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cec9dff461410679c9b92043398f648a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b92c7c2755727b57e91c730454be5bc6.timthumb.txt\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-admin/error_log\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 15 Aug 2012 02:13:16 +0000\n\nChanged:\n.htaccess\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 15 Aug 2012 05:00:53 +0000\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-admin/error_log\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 15 Aug 2012 13:58:15 +0000\n\nAdded:\ngoogle429bc35ad2aed2ca.html\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 15 Aug 2012 15:17:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 15 Aug 2012 16:20:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 15 Aug 2012 16:52:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 15 Aug 2012 17:27:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 15 Aug 2012 18:03:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 15 Aug 2012 18:56:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 15 Aug 2012 22:29:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 15 Aug 2012 23:24:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 16 Aug 2012 01:05:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 16 Aug 2012 04:10:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 16 Aug 2012 06:04:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 16 Aug 2012 11:42:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 16 Aug 2012 13:37:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 16 Aug 2012 14:14:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 16 Aug 2012 17:09:34 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a89ab76706e0323efb4cc2dd88a8b2fe.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_71a4f0da665f0d49a96607c449406314.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_109e9180a01de3ef57af7e6cd0ed70c7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_43f495742d9967a72d20b106cab59aef.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_4229dfc699019ba38a3ec2bd95739517.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_612d40bd1fa3595fd8822ebc455c9182.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f26ba7fecd5f9f7bed5a2e8009f6e08a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ac718f455e90fc445205107e60260a5c.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b3677f1059af27e61e9c4e7cadd0ccf0.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_2c4a011be3ce5ce8522eedb161d6af59.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_32e9e6855b25624645f655c5721b1c96.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cec9dff461410679c9b92043398f648a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b92c7c2755727b57e91c730454be5bc6.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 16 Aug 2012 19:01:50 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 16 Aug 2012 20:54:11 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 16 Aug 2012 21:31:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 16 Aug 2012 22:32:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 17 Aug 2012 00:08:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 17 Aug 2012 02:12:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 17 Aug 2012 04:23:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 17 Aug 2012 12:13:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 17 Aug 2012 12:51:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 17 Aug 2012 13:38:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 17 Aug 2012 14:14:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 17 Aug 2012 14:53:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 17 Aug 2012 15:29:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 17 Aug 2012 16:22:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 17 Aug 2012 17:04:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 17 Aug 2012 17:44:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 17 Aug 2012 19:07:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 17 Aug 2012 19:52:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 17 Aug 2012 20:27:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 17 Aug 2012 21:18:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 17 Aug 2012 22:18:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 17 Aug 2012 23:18:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 18 Aug 2012 00:23:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 18 Aug 2012 02:11:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 18 Aug 2012 02:42:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 18 Aug 2012 03:39:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 18 Aug 2012 05:17:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 18 Aug 2012 06:41:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 18 Aug 2012 11:06:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 18 Aug 2012 11:39:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 18 Aug 2012 12:37:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 18 Aug 2012 13:40:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 18 Aug 2012 14:46:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 18 Aug 2012 15:22:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 18 Aug 2012 16:45:14 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 18 Aug 2012 17:23:44 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 18 Aug 2012 17:54:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 18 Aug 2012 19:35:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 18 Aug 2012 20:15:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 18 Aug 2012 21:12:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 18 Aug 2012 21:51:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 18 Aug 2012 22:25:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 18 Aug 2012 23:20:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 19 Aug 2012 00:49:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 19 Aug 2012 02:08:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 19 Aug 2012 02:44:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 19 Aug 2012 03:47:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 19 Aug 2012 04:40:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 19 Aug 2012 07:14:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 19 Aug 2012 09:52:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 19 Aug 2012 13:41:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 19 Aug 2012 14:43:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 19 Aug 2012 15:44:45 +0000\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 19 Aug 2012 17:01:10 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 19 Aug 2012 17:32:54 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 19 Aug 2012 18:13:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 19 Aug 2012 19:19:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 19 Aug 2012 21:36:12 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 20 Aug 2012 00:41:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 20 Aug 2012 01:29:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 20 Aug 2012 02:35:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 20 Aug 2012 03:32:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 20 Aug 2012 05:44:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 20 Aug 2012 10:40:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 20 Aug 2012 12:29:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 20 Aug 2012 13:42:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 20 Aug 2012 14:30:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 20 Aug 2012 15:29:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 20 Aug 2012 16:18:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 20 Aug 2012 16:49:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 20 Aug 2012 17:58:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 20 Aug 2012 18:41:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 20 Aug 2012 19:26:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 20 Aug 2012 20:06:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 20 Aug 2012 20:43:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 20 Aug 2012 22:06:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 20 Aug 2012 22:56:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 20 Aug 2012 23:35:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 21 Aug 2012 00:38:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 21 Aug 2012 02:34:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 21 Aug 2012 03:51:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 21 Aug 2012 04:22:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 21 Aug 2012 04:57:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 21 Aug 2012 05:35:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 21 Aug 2012 08:33:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 21 Aug 2012 10:39:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 21 Aug 2012 11:21:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 21 Aug 2012 12:12:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 21 Aug 2012 14:26:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 21 Aug 2012 15:26:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 21 Aug 2012 17:04:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 21 Aug 2012 17:40:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 21 Aug 2012 18:41:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 21 Aug 2012 20:52:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 21 Aug 2012 22:48:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 22 Aug 2012 00:01:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 22 Aug 2012 00:33:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 22 Aug 2012 01:49:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 22 Aug 2012 02:45:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 22 Aug 2012 05:03:04 +0000\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 22 Aug 2012 05:37:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 22 Aug 2012 11:45:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 22 Aug 2012 12:42:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 22 Aug 2012 14:10:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 22 Aug 2012 14:55:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 22 Aug 2012 17:29:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 22 Aug 2012 18:29:24 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 22 Aug 2012 19:30:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 22 Aug 2012 21:29:17 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 22 Aug 2012 23:06:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 23 Aug 2012 00:42:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 23 Aug 2012 01:16:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 23 Aug 2012 01:47:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 23 Aug 2012 02:26:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 23 Aug 2012 03:35:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 23 Aug 2012 05:48:50 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 23 Aug 2012 06:36:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 23 Aug 2012 07:16:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 23 Aug 2012 08:26:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 23 Aug 2012 09:24:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 23 Aug 2012 11:28:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 23 Aug 2012 14:32:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 23 Aug 2012 15:54:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 23 Aug 2012 16:35:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 23 Aug 2012 17:19:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 23 Aug 2012 18:07:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 23 Aug 2012 19:59:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 23 Aug 2012 21:36:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 23 Aug 2012 23:27:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 24 Aug 2012 01:47:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 24 Aug 2012 02:26:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 24 Aug 2012 04:13:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 24 Aug 2012 05:44:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 24 Aug 2012 06:18:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 24 Aug 2012 12:53:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 24 Aug 2012 13:47:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 24 Aug 2012 14:46:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 24 Aug 2012 15:20:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 24 Aug 2012 16:08:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 24 Aug 2012 17:20:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 24 Aug 2012 18:47:03 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 24 Aug 2012 20:45:26 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 24 Aug 2012 22:06:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 24 Aug 2012 22:45:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 25 Aug 2012 00:45:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 25 Aug 2012 01:34:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 25 Aug 2012 02:43:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 25 Aug 2012 03:27:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 25 Aug 2012 04:27:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 25 Aug 2012 05:11:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 25 Aug 2012 08:51:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 25 Aug 2012 15:03:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 25 Aug 2012 15:39:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 25 Aug 2012 17:19:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 25 Aug 2012 22:01:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 25 Aug 2012 22:36:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 25 Aug 2012 23:10:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 26 Aug 2012 02:24:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 26 Aug 2012 05:29:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 26 Aug 2012 06:45:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 26 Aug 2012 10:34:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 26 Aug 2012 15:18:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 26 Aug 2012 16:00:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 26 Aug 2012 16:51:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 26 Aug 2012 18:40:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 26 Aug 2012 20:20:35 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 26 Aug 2012 21:06:26 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 26 Aug 2012 23:18:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 27 Aug 2012 00:12:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 27 Aug 2012 03:03:57 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 27 Aug 2012 03:52:07 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 27 Aug 2012 05:01:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 27 Aug 2012 08:05:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 27 Aug 2012 09:04:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 27 Aug 2012 09:45:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 27 Aug 2012 11:38:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 27 Aug 2012 12:27:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 27 Aug 2012 14:17:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 27 Aug 2012 14:52:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 27 Aug 2012 15:41:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 27 Aug 2012 16:21:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 27 Aug 2012 18:05:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 27 Aug 2012 19:07:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 27 Aug 2012 20:05:19 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 27 Aug 2012 23:23:43 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 28 Aug 2012 01:09:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 28 Aug 2012 01:42:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 28 Aug 2012 03:52:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 28 Aug 2012 04:46:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 28 Aug 2012 05:18:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 28 Aug 2012 06:07:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 28 Aug 2012 08:02:37 +0000\n\nChanged:\n.ftpquota\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 28 Aug 2012 08:42:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 28 Aug 2012 12:17:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 28 Aug 2012 15:03:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 28 Aug 2012 16:10:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 28 Aug 2012 17:20:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 28 Aug 2012 18:00:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 28 Aug 2012 18:40:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 28 Aug 2012 19:19:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 28 Aug 2012 20:16:05 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 28 Aug 2012 20:48:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 28 Aug 2012 21:18:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 28 Aug 2012 22:04:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 28 Aug 2012 22:40:22 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 28 Aug 2012 23:37:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 29 Aug 2012 00:31:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 29 Aug 2012 01:22:31 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 29 Aug 2012 02:48:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 29 Aug 2012 03:42:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 29 Aug 2012 04:46:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 29 Aug 2012 05:49:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 29 Aug 2012 07:05:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 29 Aug 2012 09:30:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 29 Aug 2012 13:29:45 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 29 Aug 2012 14:44:56 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 29 Aug 2012 15:16:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 29 Aug 2012 16:27:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 29 Aug 2012 17:04:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 29 Aug 2012 17:48:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 29 Aug 2012 18:37:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 29 Aug 2012 19:11:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 29 Aug 2012 19:52:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 29 Aug 2012 20:44:15 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 29 Aug 2012 21:30:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 29 Aug 2012 22:17:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 29 Aug 2012 23:37:24 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 30 Aug 2012 00:18:27 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 30 Aug 2012 01:02:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 30 Aug 2012 02:22:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 30 Aug 2012 02:59:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 30 Aug 2012 03:56:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 30 Aug 2012 06:58:27 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 30 Aug 2012 08:30:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 30 Aug 2012 11:23:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 30 Aug 2012 12:15:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 30 Aug 2012 14:01:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 30 Aug 2012 15:11:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 30 Aug 2012 15:56:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 30 Aug 2012 17:23:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 30 Aug 2012 18:15:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 30 Aug 2012 19:14:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 30 Aug 2012 20:21:32 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 30 Aug 2012 20:59:36 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 30 Aug 2012 21:29:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 30 Aug 2012 22:07:58 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 30 Aug 2012 22:47:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 30 Aug 2012 23:49:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 31 Aug 2012 00:30:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 31 Aug 2012 01:09:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 31 Aug 2012 01:44:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 31 Aug 2012 02:19:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 31 Aug 2012 03:02:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 31 Aug 2012 03:38:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 31 Aug 2012 04:26:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 31 Aug 2012 05:09:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 31 Aug 2012 06:16:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 31 Aug 2012 07:41:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 31 Aug 2012 12:51:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 31 Aug 2012 14:48:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 31 Aug 2012 15:28:47 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 31 Aug 2012 16:45:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 31 Aug 2012 17:18:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 31 Aug 2012 17:58:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 31 Aug 2012 19:29:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 31 Aug 2012 20:45:05 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 31 Aug 2012 21:56:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Sep 2012 01:09:33 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Sep 2012 02:23:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Sep 2012 02:54:55 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Sep 2012 03:43:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Sep 2012 08:27:50 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Sep 2012 09:32:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Sep 2012 10:05:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Sep 2012 12:55:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Sep 2012 13:47:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Sep 2012 19:08:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Sep 2012 20:33:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Sep 2012 21:37:57 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Sep 2012 22:21:48 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Sep 2012 22:57:19 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Sep 2012 23:39:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Sep 2012 00:54:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Sep 2012 03:11:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Sep 2012 03:50:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Sep 2012 04:38:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Sep 2012 05:16:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Sep 2012 06:22:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Sep 2012 08:32:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Sep 2012 10:29:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Sep 2012 11:48:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Sep 2012 14:00:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Sep 2012 14:48:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Sep 2012 16:19:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Sep 2012 16:59:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Sep 2012 17:53:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Sep 2012 18:37:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Sep 2012 19:28:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Sep 2012 20:00:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Sep 2012 20:37:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Sep 2012 21:55:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Sep 2012 22:53:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Sep 2012 00:21:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Sep 2012 00:53:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Sep 2012 01:35:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Sep 2012 02:05:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Sep 2012 02:40:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Sep 2012 03:40:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Sep 2012 04:15:11 +0000\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Sep 2012 05:09:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Sep 2012 06:16:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Sep 2012 07:01:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Sep 2012 07:52:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Sep 2012 08:29:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Sep 2012 12:29:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Sep 2012 13:40:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Sep 2012 14:12:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Sep 2012 14:53:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Sep 2012 15:27:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Sep 2012 17:29:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Sep 2012 18:34:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Sep 2012 19:22:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Sep 2012 22:18:46 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 00:37:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 01:57:48 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 03:26:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 04:23:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 06:34:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 07:31:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 08:20:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 10:04:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 11:33:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 12:55:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 13:27:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 13:58:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 14:29:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 15:00:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 16:01:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 16:41:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 17:26:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 18:04:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 18:36:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 19:13:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 19:50:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 20:21:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 21:30:57 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 22:03:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 22:39:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Sep 2012 23:45:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 01:09:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 01:43:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 02:27:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 02:58:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 03:46:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 04:33:39 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 05:04:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 05:53:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 06:25:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 07:08:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 07:45:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 11:57:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 12:58:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 14:28:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 15:00:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 15:36:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 16:26:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 17:01:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 17:55:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 18:29:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 19:08:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 20:43:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 21:43:35 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 22:24:07 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Sep 2012 23:05:34 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Sep 2012 00:17:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Sep 2012 00:51:19 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Sep 2012 01:35:15 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Sep 2012 02:07:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Sep 2012 02:44:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Sep 2012 04:18:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Sep 2012 06:24:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Sep 2012 06:59:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Sep 2012 11:47:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Sep 2012 13:44:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Sep 2012 14:14:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Sep 2012 14:56:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Sep 2012 16:29:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Sep 2012 17:07:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Sep 2012 18:13:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Sep 2012 21:11:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Sep 2012 22:35:06 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Sep 2012 23:49:18 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Sep 2012 00:46:56 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Sep 2012 01:22:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Sep 2012 02:04:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Sep 2012 02:48:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Sep 2012 04:42:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Sep 2012 05:56:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Sep 2012 06:29:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Sep 2012 10:45:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Sep 2012 12:30:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Sep 2012 14:15:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Sep 2012 15:16:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Sep 2012 16:29:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Sep 2012 17:15:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Sep 2012 18:08:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Sep 2012 19:03:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Sep 2012 19:43:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Sep 2012 20:26:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Sep 2012 21:26:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Sep 2012 22:52:03 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Sep 2012 23:32:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Sep 2012 00:06:00 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Sep 2012 00:53:05 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Sep 2012 01:43:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Sep 2012 02:21:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Sep 2012 02:53:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Sep 2012 04:27:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Sep 2012 08:43:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Sep 2012 10:36:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Sep 2012 11:07:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Sep 2012 12:51:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Sep 2012 13:22:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Sep 2012 14:45:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Sep 2012 15:19:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Sep 2012 18:03:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Sep 2012 18:41:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Sep 2012 19:46:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Sep 2012 21:13:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Sep 2012 21:56:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Sep 2012 00:13:29 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Sep 2012 01:19:48 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Sep 2012 01:55:13 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Sep 2012 02:35:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Sep 2012 03:12:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Sep 2012 04:48:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Sep 2012 07:00:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Sep 2012 08:23:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Sep 2012 09:30:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Sep 2012 10:17:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Sep 2012 13:00:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Sep 2012 14:20:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Sep 2012 15:03:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Sep 2012 15:40:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Sep 2012 16:10:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Sep 2012 17:43:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Sep 2012 19:25:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Sep 2012 22:34:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Sep 2012 00:35:58 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Sep 2012 02:36:25 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Sep 2012 03:13:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Sep 2012 04:19:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Sep 2012 04:56:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Sep 2012 05:46:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Sep 2012 07:06:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Sep 2012 07:46:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Sep 2012 09:22:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Sep 2012 10:00:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Sep 2012 10:44:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Sep 2012 11:47:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Sep 2012 16:00:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Sep 2012 17:15:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Sep 2012 17:57:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Sep 2012 18:52:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Sep 2012 20:06:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Sep 2012 22:05:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Sep 2012 23:12:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Sep 2012 00:52:24 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Sep 2012 01:42:46 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Sep 2012 03:07:09 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Sep 2012 03:43:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Sep 2012 04:18:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Sep 2012 11:15:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Sep 2012 13:53:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Sep 2012 14:38:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Sep 2012 15:35:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Sep 2012 18:24:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Sep 2012 19:48:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Sep 2012 21:08:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Sep 2012 21:49:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Sep 2012 22:55:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Sep 2012 23:43:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Sep 2012 00:32:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Sep 2012 01:49:52 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Sep 2012 03:04:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Sep 2012 03:57:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Sep 2012 05:14:14 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Sep 2012 05:59:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Sep 2012 06:31:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Sep 2012 10:29:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Sep 2012 11:20:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Sep 2012 12:09:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Sep 2012 13:07:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Sep 2012 13:48:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Sep 2012 14:46:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Sep 2012 15:21:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Sep 2012 16:17:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Sep 2012 16:51:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Sep 2012 18:34:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Sep 2012 19:33:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Sep 2012 20:12:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Sep 2012 21:04:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Sep 2012 22:18:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Sep 2012 23:15:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Sep 2012 23:50:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Sep 2012 01:00:32 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Sep 2012 01:35:13 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Sep 2012 03:26:30 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Sep 2012 04:19:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Sep 2012 04:56:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Sep 2012 06:23:35 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Sep 2012 08:09:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Sep 2012 10:01:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Sep 2012 10:39:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Sep 2012 11:28:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Sep 2012 15:16:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Sep 2012 15:52:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Sep 2012 16:28:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Sep 2012 16:59:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Sep 2012 17:31:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Sep 2012 18:06:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Sep 2012 18:52:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Sep 2012 19:43:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Sep 2012 20:18:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Sep 2012 20:55:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Sep 2012 21:33:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Sep 2012 22:18:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Sep 2012 23:04:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Sep 2012 00:07:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Sep 2012 00:55:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Sep 2012 02:54:53 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Sep 2012 03:25:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Sep 2012 03:57:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Sep 2012 04:36:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Sep 2012 06:17:48 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Sep 2012 07:59:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Sep 2012 09:07:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Sep 2012 10:24:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Sep 2012 12:35:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Sep 2012 13:35:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Sep 2012 14:11:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Sep 2012 15:44:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Sep 2012 16:47:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Sep 2012 17:51:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Sep 2012 18:30:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Sep 2012 19:05:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Sep 2012 20:25:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Sep 2012 22:36:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Sep 2012 00:03:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Sep 2012 00:54:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Sep 2012 04:14:30 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Sep 2012 04:50:18 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Sep 2012 06:13:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Sep 2012 08:17:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Sep 2012 11:52:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Sep 2012 14:23:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Sep 2012 14:53:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Sep 2012 15:59:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Sep 2012 16:31:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Sep 2012 17:22:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Sep 2012 18:18:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Sep 2012 20:48:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Sep 2012 21:54:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Sep 2012 22:52:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Sep 2012 01:45:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Sep 2012 03:56:14 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Sep 2012 05:43:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Sep 2012 06:41:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Sep 2012 07:46:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Sep 2012 08:22:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Sep 2012 10:56:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Sep 2012 11:26:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Sep 2012 13:13:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Sep 2012 14:59:07 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Sep 2012 16:14:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Sep 2012 17:02:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Sep 2012 18:01:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Sep 2012 18:38:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Sep 2012 19:45:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Sep 2012 20:44:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Sep 2012 21:18:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Sep 2012 22:27:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Sep 2012 23:09:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Sep 2012 00:03:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Sep 2012 00:34:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Sep 2012 01:35:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Sep 2012 02:40:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Sep 2012 04:23:46 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Sep 2012 06:39:20 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Sep 2012 08:23:02 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Sep 2012 12:41:49 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Sep 2012 14:45:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Sep 2012 15:48:19 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Sep 2012 16:26:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Sep 2012 17:44:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Sep 2012 18:53:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Sep 2012 20:36:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Sep 2012 21:18:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Sep 2012 22:47:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Sep 2012 23:29:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Sep 2012 00:29:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Sep 2012 01:40:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Sep 2012 02:20:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Sep 2012 03:02:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Sep 2012 04:41:09 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Sep 2012 06:18:35 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Sep 2012 09:41:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Sep 2012 10:30:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Sep 2012 11:32:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Sep 2012 12:28:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Sep 2012 14:35:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Sep 2012 15:20:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Sep 2012 16:06:01 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Sep 2012 16:37:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Sep 2012 17:59:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Sep 2012 18:41:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Sep 2012 19:37:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Sep 2012 20:12:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Sep 2012 21:02:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Sep 2012 21:36:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Sep 2012 22:57:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Sep 2012 23:30:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 19 Sep 2012 00:30:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 19 Sep 2012 01:25:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 19 Sep 2012 04:58:24 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 19 Sep 2012 10:35:13 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This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 19 Sep 2012 13:07:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 19 Sep 2012 14:03:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 19 Sep 2012 14:38:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 19 Sep 2012 16:08:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 19 Sep 2012 16:48:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 19 Sep 2012 17:37:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 19 Sep 2012 19:24:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 19 Sep 2012 20:09:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 19 Sep 2012 21:09:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 20 Sep 2012 00:01:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 20 Sep 2012 01:22:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 20 Sep 2012 02:06:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 20 Sep 2012 03:11:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 20 Sep 2012 04:03:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 20 Sep 2012 05:42:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 20 Sep 2012 10:17:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 20 Sep 2012 10:53:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 20 Sep 2012 11:42:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 20 Sep 2012 12:16:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 20 Sep 2012 13:08:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 20 Sep 2012 14:01:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 20 Sep 2012 15:11:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 20 Sep 2012 16:12:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 20 Sep 2012 16:52:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 20 Sep 2012 18:14:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 20 Sep 2012 19:57:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 20 Sep 2012 20:31:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 20 Sep 2012 22:00:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 20 Sep 2012 23:01:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 20 Sep 2012 23:37:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 21 Sep 2012 00:46:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 21 Sep 2012 02:02:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 21 Sep 2012 03:19:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 21 Sep 2012 04:12:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 21 Sep 2012 05:15:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 21 Sep 2012 07:07:02 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 21 Sep 2012 07:55:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 21 Sep 2012 09:17:36 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 21 Sep 2012 11:25:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 21 Sep 2012 11:58:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 21 Sep 2012 12:31:43 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 21 Sep 2012 13:47:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 21 Sep 2012 14:44:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 21 Sep 2012 16:27:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 21 Sep 2012 17:00:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 21 Sep 2012 18:31:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 21 Sep 2012 19:18:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 21 Sep 2012 19:52:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 21 Sep 2012 20:34:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 21 Sep 2012 21:05:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 21 Sep 2012 21:40:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 21 Sep 2012 22:24:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 21 Sep 2012 23:17:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 22 Sep 2012 00:40:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 22 Sep 2012 03:11:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 22 Sep 2012 04:19:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 22 Sep 2012 05:34:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 22 Sep 2012 06:29:55 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 22 Sep 2012 07:08:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 22 Sep 2012 10:18:30 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 22 Sep 2012 14:52:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 22 Sep 2012 15:28:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 22 Sep 2012 16:49:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 22 Sep 2012 18:31:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 22 Sep 2012 19:30:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 22 Sep 2012 20:17:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 22 Sep 2012 20:47:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 22 Sep 2012 21:54:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 22 Sep 2012 22:45:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 22 Sep 2012 23:15:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 23 Sep 2012 00:14:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 23 Sep 2012 00:45:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 23 Sep 2012 01:19:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 23 Sep 2012 03:15:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 23 Sep 2012 04:15:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 23 Sep 2012 04:57:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 23 Sep 2012 13:55:29 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 23 Sep 2012 14:55:32 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 23 Sep 2012 15:37:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 23 Sep 2012 16:21:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 23 Sep 2012 17:21:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 23 Sep 2012 18:52:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 23 Sep 2012 20:07:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 23 Sep 2012 20:41:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 23 Sep 2012 21:28:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 23 Sep 2012 23:19:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 24 Sep 2012 00:06:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 24 Sep 2012 01:23:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 24 Sep 2012 02:00:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 24 Sep 2012 03:48:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 24 Sep 2012 04:47:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 24 Sep 2012 08:28:18 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 24 Sep 2012 14:47:36 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 24 Sep 2012 15:18:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 24 Sep 2012 15:50:49 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 24 Sep 2012 16:21:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 24 Sep 2012 18:03:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 24 Sep 2012 21:16:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 24 Sep 2012 21:56:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 24 Sep 2012 22:41:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 25 Sep 2012 00:58:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 25 Sep 2012 02:03:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 25 Sep 2012 02:54:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 25 Sep 2012 03:39:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 25 Sep 2012 04:47:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 25 Sep 2012 05:32:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 25 Sep 2012 06:19:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 25 Sep 2012 09:19:37 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 25 Sep 2012 11:18:25 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 25 Sep 2012 12:04:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 25 Sep 2012 14:27:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 25 Sep 2012 15:01:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 25 Sep 2012 15:33:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 25 Sep 2012 16:07:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 25 Sep 2012 16:38:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 25 Sep 2012 17:23:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 25 Sep 2012 18:57:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 26 Sep 2012 00:23:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 26 Sep 2012 01:11:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 26 Sep 2012 02:38:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 26 Sep 2012 03:53:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 26 Sep 2012 04:39:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 26 Sep 2012 05:12:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 26 Sep 2012 06:25:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 26 Sep 2012 07:04:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 26 Sep 2012 09:58:51 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 26 Sep 2012 10:54:58 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 26 Sep 2012 14:35:31 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 26 Sep 2012 16:29:30 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 26 Sep 2012 18:21:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 26 Sep 2012 18:54:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 26 Sep 2012 22:21:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 26 Sep 2012 23:40:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 27 Sep 2012 00:18:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 27 Sep 2012 00:55:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 27 Sep 2012 02:35:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 27 Sep 2012 03:17:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 27 Sep 2012 03:48:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 27 Sep 2012 06:02:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 27 Sep 2012 09:29:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 27 Sep 2012 11:11:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 27 Sep 2012 11:49:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 27 Sep 2012 14:32:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 27 Sep 2012 16:08:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 27 Sep 2012 16:51:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 27 Sep 2012 18:13:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 27 Sep 2012 18:48:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 27 Sep 2012 20:41:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 27 Sep 2012 21:54:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 27 Sep 2012 22:25:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 27 Sep 2012 22:59:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 28 Sep 2012 00:55:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 28 Sep 2012 01:27:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 28 Sep 2012 03:23:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 28 Sep 2012 04:50:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 28 Sep 2012 05:33:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 28 Sep 2012 12:52:10 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\n.ftpquota\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 28 Sep 2012 14:29:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 28 Sep 2012 16:09:39 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 28 Sep 2012 19:00:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 28 Sep 2012 19:52:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 28 Sep 2012 20:49:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 28 Sep 2012 22:18:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 28 Sep 2012 22:52:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 28 Sep 2012 23:30:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 29 Sep 2012 00:20:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 29 Sep 2012 01:33:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 29 Sep 2012 04:42:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 29 Sep 2012 05:32:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 29 Sep 2012 06:37:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 29 Sep 2012 07:16:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 29 Sep 2012 09:22:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 29 Sep 2012 14:54:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 29 Sep 2012 15:39:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 29 Sep 2012 16:49:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 29 Sep 2012 18:05:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 29 Sep 2012 18:38:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 29 Sep 2012 20:23:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 29 Sep 2012 21:36:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 29 Sep 2012 23:01:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 30 Sep 2012 00:16:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 30 Sep 2012 00:46:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 30 Sep 2012 02:42:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 30 Sep 2012 03:19:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 30 Sep 2012 04:12:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 30 Sep 2012 04:59:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 30 Sep 2012 09:07:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 30 Sep 2012 12:39:48 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 30 Sep 2012 14:53:49 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 30 Sep 2012 16:32:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 30 Sep 2012 17:04:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 30 Sep 2012 19:03:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 30 Sep 2012 20:07:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 30 Sep 2012 21:17:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 30 Sep 2012 22:14:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 30 Sep 2012 22:55:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 30 Sep 2012 23:46:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 00:28:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 01:00:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 01:37:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 02:49:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 03:20:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 04:36:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 05:25:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 07:37:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 08:11:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 10:41:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 11:22:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 12:14:36 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 13:26:06 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 14:58:10 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 15:42:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 16:13:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 17:41:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 19:16:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 19:57:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 20:40:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 21:24:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 22:20:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 23:14:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 01 Oct 2012 23:45:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 02 Oct 2012 03:14:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 02 Oct 2012 04:41:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 02 Oct 2012 05:18:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 02 Oct 2012 10:33:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 02 Oct 2012 11:55:52 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 02 Oct 2012 12:49:37 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 02 Oct 2012 15:23:38 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 02 Oct 2012 16:46:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 02 Oct 2012 17:46:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 02 Oct 2012 18:31:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 02 Oct 2012 21:07:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 02 Oct 2012 22:04:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 03 Oct 2012 00:55:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 03 Oct 2012 02:10:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 03 Oct 2012 12:12:21 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 03 Oct 2012 13:27:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 03 Oct 2012 13:57:47 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 03 Oct 2012 15:13:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 03 Oct 2012 16:25:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 03 Oct 2012 17:41:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 03 Oct 2012 18:46:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 03 Oct 2012 19:24:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 03 Oct 2012 21:59:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 03 Oct 2012 23:11:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 03 Oct 2012 23:54:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 04 Oct 2012 00:36:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 04 Oct 2012 01:21:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 04 Oct 2012 02:27:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 04 Oct 2012 03:53:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 04 Oct 2012 04:46:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 04 Oct 2012 06:44:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 04 Oct 2012 07:46:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 04 Oct 2012 09:25:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 04 Oct 2012 10:10:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 04 Oct 2012 12:41:42 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 04 Oct 2012 13:29:54 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_125f5da5d27ff7d7c7ed91ada88b3607.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_d11be7253c16ee55da1b4539c8aae95e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_4417aa4b78b6c462e527930e5c889cf2.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_335e24da7a365155705cee917bd32c68.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ba09e2a5a8a4338c6e0df9ad239c66c5.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e2f5d8820bb00b82e092e00b9bcbe6ef.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 04 Oct 2012 16:02:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 04 Oct 2012 16:37:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 04 Oct 2012 18:02:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 04 Oct 2012 19:35:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 04 Oct 2012 21:21:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 04 Oct 2012 22:13:14 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 04 Oct 2012 23:11:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 04 Oct 2012 23:46:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 05 Oct 2012 01:48:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 05 Oct 2012 02:54:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 05 Oct 2012 03:58:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 05 Oct 2012 04:52:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 05 Oct 2012 06:50:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 05 Oct 2012 08:54:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 05 Oct 2012 09:28:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 05 Oct 2012 11:01:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 05 Oct 2012 11:43:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 05 Oct 2012 12:33:57 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 05 Oct 2012 15:02:37 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 05 Oct 2012 16:10:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 05 Oct 2012 17:36:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 05 Oct 2012 18:56:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 05 Oct 2012 19:56:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 05 Oct 2012 20:27:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 05 Oct 2012 21:00:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 05 Oct 2012 21:53:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 05 Oct 2012 22:40:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 05 Oct 2012 23:36:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 06 Oct 2012 00:16:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 06 Oct 2012 02:03:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 06 Oct 2012 02:44:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 06 Oct 2012 06:17:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 06 Oct 2012 07:54:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 06 Oct 2012 08:31:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 06 Oct 2012 09:40:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 06 Oct 2012 12:35:42 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_125f5da5d27ff7d7c7ed91ada88b3607.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_d11be7253c16ee55da1b4539c8aae95e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_4417aa4b78b6c462e527930e5c889cf2.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_335e24da7a365155705cee917bd32c68.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ba09e2a5a8a4338c6e0df9ad239c66c5.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e2f5d8820bb00b82e092e00b9bcbe6ef.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 06 Oct 2012 13:21:50 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 06 Oct 2012 14:04:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 06 Oct 2012 15:23:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 06 Oct 2012 15:54:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 06 Oct 2012 16:35:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 06 Oct 2012 17:54:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 06 Oct 2012 18:55:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 06 Oct 2012 20:11:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 06 Oct 2012 22:09:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 07 Oct 2012 01:06:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 07 Oct 2012 01:40:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 07 Oct 2012 03:13:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 07 Oct 2012 03:46:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 07 Oct 2012 06:00:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 07 Oct 2012 07:27:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 07 Oct 2012 11:27:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 07 Oct 2012 12:22:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 07 Oct 2012 13:47:16 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 07 Oct 2012 14:52:41 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 07 Oct 2012 15:44:43 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 07 Oct 2012 16:39:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 07 Oct 2012 19:06:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 07 Oct 2012 21:24:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 07 Oct 2012 22:01:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 07 Oct 2012 23:36:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 08 Oct 2012 00:09:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 08 Oct 2012 00:50:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 08 Oct 2012 01:36:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 08 Oct 2012 02:36:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 08 Oct 2012 04:10:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 08 Oct 2012 04:42:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 08 Oct 2012 06:59:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 08 Oct 2012 09:46:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 08 Oct 2012 12:54:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 08 Oct 2012 13:33:31 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 08 Oct 2012 15:03:25 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 08 Oct 2012 15:52:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 08 Oct 2012 16:48:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 08 Oct 2012 18:07:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 08 Oct 2012 19:07:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 08 Oct 2012 19:50:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 08 Oct 2012 20:33:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 08 Oct 2012 22:03:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 08 Oct 2012 22:33:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 08 Oct 2012 23:23:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 09 Oct 2012 00:29:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 09 Oct 2012 01:07:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 09 Oct 2012 02:14:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 09 Oct 2012 04:07:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 09 Oct 2012 05:00:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 09 Oct 2012 05:39:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 09 Oct 2012 08:21:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 09 Oct 2012 09:13:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 09 Oct 2012 09:51:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 09 Oct 2012 10:58:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 09 Oct 2012 12:11:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 09 Oct 2012 13:36:41 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 09 Oct 2012 14:11:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 09 Oct 2012 15:03:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 09 Oct 2012 16:10:03 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 09 Oct 2012 17:06:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 09 Oct 2012 17:52:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 09 Oct 2012 18:31:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 09 Oct 2012 21:13:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 09 Oct 2012 22:16:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 09 Oct 2012 22:57:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 09 Oct 2012 23:33:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 10 Oct 2012 00:28:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 10 Oct 2012 01:57:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 10 Oct 2012 02:49:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 10 Oct 2012 09:46:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 10 Oct 2012 10:29:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 10 Oct 2012 11:16:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 10 Oct 2012 12:06:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 10 Oct 2012 12:36:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 10 Oct 2012 13:30:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 10 Oct 2012 14:11:59 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 10 Oct 2012 15:07:00 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 10 Oct 2012 16:43:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 10 Oct 2012 17:15:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 10 Oct 2012 18:45:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 10 Oct 2012 19:24:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 10 Oct 2012 20:27:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 10 Oct 2012 21:41:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 10 Oct 2012 22:12:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 10 Oct 2012 22:43:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 11 Oct 2012 00:17:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 11 Oct 2012 00:52:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 11 Oct 2012 01:32:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 11 Oct 2012 02:37:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 11 Oct 2012 07:14:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 11 Oct 2012 07:53:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 11 Oct 2012 12:02:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 11 Oct 2012 12:58:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 11 Oct 2012 13:59:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 11 Oct 2012 14:35:08 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 11 Oct 2012 15:31:06 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 11 Oct 2012 16:31:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 11 Oct 2012 17:05:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 11 Oct 2012 18:02:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 11 Oct 2012 18:36:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 11 Oct 2012 19:32:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 11 Oct 2012 20:16:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 11 Oct 2012 21:11:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 11 Oct 2012 23:22:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 12 Oct 2012 00:33:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 12 Oct 2012 01:23:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 12 Oct 2012 02:59:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 12 Oct 2012 04:02:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 12 Oct 2012 05:26:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 12 Oct 2012 06:21:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 12 Oct 2012 10:33:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 12 Oct 2012 13:42:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 12 Oct 2012 14:52:14 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 12 Oct 2012 16:23:21 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 12 Oct 2012 16:53:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 12 Oct 2012 20:29:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 12 Oct 2012 22:54:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 12 Oct 2012 23:26:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 13 Oct 2012 00:08:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 13 Oct 2012 02:33:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 13 Oct 2012 03:26:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 13 Oct 2012 04:21:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 13 Oct 2012 07:15:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 13 Oct 2012 09:22:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 13 Oct 2012 10:44:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 13 Oct 2012 12:02:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 13 Oct 2012 12:41:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 13 Oct 2012 13:26:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 13 Oct 2012 13:59:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 13 Oct 2012 14:57:31 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 13 Oct 2012 15:49:15 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 13 Oct 2012 16:20:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 13 Oct 2012 17:32:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 13 Oct 2012 19:05:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 13 Oct 2012 19:46:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 13 Oct 2012 20:21:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 13 Oct 2012 21:08:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 13 Oct 2012 21:45:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 13 Oct 2012 22:28:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 14 Oct 2012 00:12:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 14 Oct 2012 01:34:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 14 Oct 2012 03:47:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 14 Oct 2012 04:38:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 14 Oct 2012 05:28:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 14 Oct 2012 06:24:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 14 Oct 2012 07:17:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 14 Oct 2012 08:59:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 14 Oct 2012 10:22:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 14 Oct 2012 11:51:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 14 Oct 2012 13:32:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 14 Oct 2012 14:42:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 14 Oct 2012 15:24:41 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 14 Oct 2012 16:03:13 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 14 Oct 2012 17:21:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 14 Oct 2012 17:58:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 14 Oct 2012 19:15:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 14 Oct 2012 20:50:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 14 Oct 2012 22:21:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 15 Oct 2012 00:01:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 15 Oct 2012 00:38:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 15 Oct 2012 01:28:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 15 Oct 2012 02:54:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 15 Oct 2012 04:31:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 15 Oct 2012 06:11:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 15 Oct 2012 07:45:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 15 Oct 2012 08:22:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 15 Oct 2012 09:57:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 15 Oct 2012 12:26:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 15 Oct 2012 13:52:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 15 Oct 2012 14:28:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 15 Oct 2012 15:09:16 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/error_log\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 15 Oct 2012 15:42:40 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 15 Oct 2012 16:23:58 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 15 Oct 2012 17:38:23 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 15 Oct 2012 18:32:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 15 Oct 2012 19:37:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 15 Oct 2012 21:27:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 15 Oct 2012 22:03:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 15 Oct 2012 23:17:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 16 Oct 2012 00:42:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 16 Oct 2012 01:14:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 16 Oct 2012 02:04:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 16 Oct 2012 04:17:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 16 Oct 2012 06:19:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 16 Oct 2012 07:51:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 16 Oct 2012 08:34:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 16 Oct 2012 09:11:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 16 Oct 2012 09:59:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 16 Oct 2012 10:45:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 16 Oct 2012 12:16:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 16 Oct 2012 13:44:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 16 Oct 2012 14:19:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 16 Oct 2012 15:49:38 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 16 Oct 2012 16:44:42 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 16 Oct 2012 17:16:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 16 Oct 2012 18:02:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 16 Oct 2012 18:40:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 16 Oct 2012 19:14:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 16 Oct 2012 20:36:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 16 Oct 2012 21:13:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 16 Oct 2012 21:55:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 17 Oct 2012 00:15:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 17 Oct 2012 02:18:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 17 Oct 2012 03:00:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 17 Oct 2012 04:09:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 17 Oct 2012 06:17:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 17 Oct 2012 08:10:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 17 Oct 2012 11:13:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 17 Oct 2012 12:07:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 17 Oct 2012 14:16:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 17 Oct 2012 15:22:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 17 Oct 2012 15:54:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 17 Oct 2012 17:59:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 17 Oct 2012 18:35:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 17 Oct 2012 19:24:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 17 Oct 2012 21:14:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 17 Oct 2012 22:50:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 17 Oct 2012 23:40:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 18 Oct 2012 00:31:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 18 Oct 2012 01:10:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 18 Oct 2012 01:59:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 18 Oct 2012 02:32:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 18 Oct 2012 03:20:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 18 Oct 2012 03:54:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 18 Oct 2012 04:27:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 18 Oct 2012 06:43:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 18 Oct 2012 08:32:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 18 Oct 2012 09:07:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 18 Oct 2012 10:31:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 18 Oct 2012 12:23:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 18 Oct 2012 14:44:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 18 Oct 2012 15:38:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 18 Oct 2012 16:25:30 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 18 Oct 2012 17:12:54 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 18 Oct 2012 17:54:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 18 Oct 2012 18:27:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 18 Oct 2012 19:25:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 18 Oct 2012 20:35:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 18 Oct 2012 22:16:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 19 Oct 2012 01:23:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 19 Oct 2012 02:07:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 19 Oct 2012 02:53:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 19 Oct 2012 04:50:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 19 Oct 2012 05:20:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 19 Oct 2012 06:26:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 19 Oct 2012 07:28:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 19 Oct 2012 08:27:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 19 Oct 2012 09:00:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 19 Oct 2012 11:12:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 19 Oct 2012 11:51:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 19 Oct 2012 13:23:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 19 Oct 2012 13:56:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 19 Oct 2012 16:03:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 19 Oct 2012 16:38:21 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 19 Oct 2012 19:11:42 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 19 Oct 2012 20:29:16 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 19 Oct 2012 22:03:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 19 Oct 2012 23:07:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 20 Oct 2012 01:50:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 20 Oct 2012 02:46:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 20 Oct 2012 04:03:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 20 Oct 2012 05:24:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 20 Oct 2012 09:38:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 20 Oct 2012 11:22:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 20 Oct 2012 11:55:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 20 Oct 2012 13:12:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 20 Oct 2012 14:15:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 20 Oct 2012 15:48:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 20 Oct 2012 17:25:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 20 Oct 2012 18:08:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 20 Oct 2012 19:46:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 20 Oct 2012 20:46:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 20 Oct 2012 21:17:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 21 Oct 2012 00:16:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 21 Oct 2012 00:46:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 21 Oct 2012 02:44:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 21 Oct 2012 03:53:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 21 Oct 2012 06:23:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 21 Oct 2012 07:39:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 21 Oct 2012 09:25:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 21 Oct 2012 12:41:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 21 Oct 2012 13:15:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 21 Oct 2012 14:07:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 21 Oct 2012 14:45:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 21 Oct 2012 15:17:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 21 Oct 2012 16:02:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 21 Oct 2012 16:44:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 21 Oct 2012 17:41:30 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 21 Oct 2012 18:20:09 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 21 Oct 2012 18:52:21 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 21 Oct 2012 19:54:53 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 21 Oct 2012 21:12:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 22 Oct 2012 01:50:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 22 Oct 2012 02:43:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 22 Oct 2012 03:40:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 22 Oct 2012 04:42:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 22 Oct 2012 05:26:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 22 Oct 2012 08:10:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 22 Oct 2012 09:01:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 22 Oct 2012 09:34:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 22 Oct 2012 11:02:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 22 Oct 2012 11:49:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 22 Oct 2012 12:22:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 22 Oct 2012 13:33:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 22 Oct 2012 14:12:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 22 Oct 2012 16:11:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 22 Oct 2012 17:30:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 22 Oct 2012 18:43:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 22 Oct 2012 19:50:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 22 Oct 2012 20:23:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 22 Oct 2012 21:52:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 23 Oct 2012 00:20:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 23 Oct 2012 01:57:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 23 Oct 2012 03:10:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 23 Oct 2012 04:10:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 23 Oct 2012 07:02:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 23 Oct 2012 09:04:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 23 Oct 2012 09:41:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 23 Oct 2012 10:20:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 23 Oct 2012 11:00:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 23 Oct 2012 12:07:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 23 Oct 2012 13:42:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 23 Oct 2012 15:14:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 23 Oct 2012 16:10:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 23 Oct 2012 16:48:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 23 Oct 2012 17:34:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 23 Oct 2012 18:26:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 23 Oct 2012 19:01:43 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 23 Oct 2012 19:54:38 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 23 Oct 2012 20:37:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 23 Oct 2012 22:17:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 24 Oct 2012 01:12:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 24 Oct 2012 01:51:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 24 Oct 2012 03:03:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 24 Oct 2012 05:58:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 24 Oct 2012 06:32:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 24 Oct 2012 08:23:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 24 Oct 2012 11:50:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 24 Oct 2012 13:22:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 24 Oct 2012 14:34:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 24 Oct 2012 15:22:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 24 Oct 2012 16:53:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 24 Oct 2012 17:55:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 24 Oct 2012 19:49:29 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 24 Oct 2012 21:05:39 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 24 Oct 2012 22:49:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 24 Oct 2012 23:27:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 25 Oct 2012 00:00:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 25 Oct 2012 00:37:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 25 Oct 2012 03:43:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 25 Oct 2012 05:23:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 25 Oct 2012 09:07:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 25 Oct 2012 11:36:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 25 Oct 2012 12:15:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 25 Oct 2012 12:49:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 25 Oct 2012 13:23:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 25 Oct 2012 14:04:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 25 Oct 2012 14:48:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 25 Oct 2012 15:33:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 25 Oct 2012 17:17:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 25 Oct 2012 18:03:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 25 Oct 2012 19:17:10 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 25 Oct 2012 19:49:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 25 Oct 2012 21:49:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 25 Oct 2012 22:42:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 25 Oct 2012 23:32:30 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 26 Oct 2012 01:22:06 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 26 Oct 2012 01:55:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 26 Oct 2012 02:50:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 26 Oct 2012 04:17:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 26 Oct 2012 07:00:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 26 Oct 2012 08:00:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 26 Oct 2012 08:38:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 26 Oct 2012 09:22:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 26 Oct 2012 10:07:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 26 Oct 2012 11:46:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 26 Oct 2012 14:17:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 26 Oct 2012 14:49:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 26 Oct 2012 15:37:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 26 Oct 2012 17:17:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 26 Oct 2012 18:11:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 26 Oct 2012 19:47:44 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 26 Oct 2012 22:43:46 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 26 Oct 2012 23:39:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 27 Oct 2012 00:39:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 27 Oct 2012 02:21:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 27 Oct 2012 03:53:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 27 Oct 2012 05:02:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 27 Oct 2012 06:14:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 27 Oct 2012 08:53:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 27 Oct 2012 10:55:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 27 Oct 2012 12:37:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 27 Oct 2012 13:34:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 27 Oct 2012 14:04:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 27 Oct 2012 14:41:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 27 Oct 2012 15:30:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 27 Oct 2012 16:02:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 27 Oct 2012 17:33:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 27 Oct 2012 18:12:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 27 Oct 2012 19:12:15 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 27 Oct 2012 19:53:10 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 27 Oct 2012 20:50:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 27 Oct 2012 22:13:46 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 28 Oct 2012 01:00:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 28 Oct 2012 02:39:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 28 Oct 2012 04:59:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 28 Oct 2012 06:01:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 28 Oct 2012 07:00:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 28 Oct 2012 08:33:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 28 Oct 2012 10:26:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 28 Oct 2012 11:04:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 28 Oct 2012 12:46:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 28 Oct 2012 13:35:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 28 Oct 2012 14:38:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 28 Oct 2012 15:24:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 28 Oct 2012 15:55:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 28 Oct 2012 17:20:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 28 Oct 2012 18:05:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 28 Oct 2012 18:52:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 28 Oct 2012 19:36:32 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 28 Oct 2012 20:09:55 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 28 Oct 2012 20:45:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 28 Oct 2012 21:56:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 28 Oct 2012 22:43:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 28 Oct 2012 23:14:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 28 Oct 2012 23:52:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 29 Oct 2012 00:33:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 29 Oct 2012 02:58:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 29 Oct 2012 03:41:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 29 Oct 2012 06:33:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 29 Oct 2012 07:08:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 29 Oct 2012 07:53:48 +0000\n\nChanged:\n.ftpquota\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 29 Oct 2012 09:45:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 29 Oct 2012 10:25:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 29 Oct 2012 11:06:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 29 Oct 2012 11:42:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 29 Oct 2012 14:34:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 29 Oct 2012 16:05:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 29 Oct 2012 16:40:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 29 Oct 2012 17:18:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 29 Oct 2012 18:01:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 29 Oct 2012 19:57:01 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 29 Oct 2012 20:34:51 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 29 Oct 2012 21:42:48 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 29 Oct 2012 23:11:25 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 29 Oct 2012 23:45:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 30 Oct 2012 00:43:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 30 Oct 2012 02:28:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 30 Oct 2012 04:11:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 30 Oct 2012 05:23:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 30 Oct 2012 06:34:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 30 Oct 2012 07:19:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 30 Oct 2012 08:10:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 30 Oct 2012 10:22:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 30 Oct 2012 12:24:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 30 Oct 2012 14:33:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 30 Oct 2012 16:25:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 30 Oct 2012 17:46:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 30 Oct 2012 18:33:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 30 Oct 2012 19:11:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 30 Oct 2012 19:47:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 30 Oct 2012 21:39:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 30 Oct 2012 22:36:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 30 Oct 2012 23:23:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 31 Oct 2012 00:35:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 31 Oct 2012 01:09:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 31 Oct 2012 01:53:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 31 Oct 2012 03:16:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 31 Oct 2012 03:54:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 31 Oct 2012 04:37:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 31 Oct 2012 08:16:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 31 Oct 2012 08:50:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 31 Oct 2012 09:33:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 31 Oct 2012 10:21:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 31 Oct 2012 13:01:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 31 Oct 2012 13:47:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 31 Oct 2012 15:18:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 31 Oct 2012 16:12:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 31 Oct 2012 17:13:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 31 Oct 2012 19:07:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 31 Oct 2012 19:37:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 31 Oct 2012 22:03:22 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 31 Oct 2012 23:01:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 31 Oct 2012 23:41:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 01 Nov 2012 00:56:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 01 Nov 2012 02:53:21 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 01 Nov 2012 04:10:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 01 Nov 2012 06:42:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 01 Nov 2012 07:56:22 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 01 Nov 2012 08:37:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 01 Nov 2012 11:04:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 01 Nov 2012 13:07:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 01 Nov 2012 13:47:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 01 Nov 2012 15:04:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 01 Nov 2012 15:34:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 01 Nov 2012 16:05:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 01 Nov 2012 17:00:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 01 Nov 2012 17:31:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 01 Nov 2012 18:23:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 01 Nov 2012 19:37:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 01 Nov 2012 20:09:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 01 Nov 2012 21:40:03 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 01 Nov 2012 22:20:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 01 Nov 2012 23:17:48 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 00:16:37 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 01:14:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 03:05:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 03:57:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 04:28:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 05:12:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 06:12:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 06:47:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 08:19:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 09:12:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 10:44:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 12:18:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 13:27:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 14:08:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 14:53:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 15:33:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 16:39:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 17:25:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 18:34:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 19:11:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 19:52:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 20:44:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 21:46:19 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 22:37:07 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 23:23:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 02 Nov 2012 23:56:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 03 Nov 2012 00:53:39 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 03 Nov 2012 02:34:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 03 Nov 2012 04:16:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 03 Nov 2012 04:57:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 03 Nov 2012 06:01:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 03 Nov 2012 09:20:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 03 Nov 2012 10:34:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 03 Nov 2012 11:29:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 03 Nov 2012 12:18:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 03 Nov 2012 12:52:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 03 Nov 2012 13:52:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 03 Nov 2012 14:57:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 03 Nov 2012 15:43:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 03 Nov 2012 17:13:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 03 Nov 2012 18:55:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 03 Nov 2012 19:35:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 03 Nov 2012 20:52:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 03 Nov 2012 22:06:39 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 03 Nov 2012 22:47:46 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 03 Nov 2012 23:27:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 04 Nov 2012 00:04:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 04 Nov 2012 00:39:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 04 Nov 2012 02:26:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 04 Nov 2012 03:20:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 04 Nov 2012 05:01:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 04 Nov 2012 06:44:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 04 Nov 2012 07:38:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 04 Nov 2012 10:46:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 04 Nov 2012 12:48:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 04 Nov 2012 13:33:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 04 Nov 2012 15:11:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 04 Nov 2012 15:44:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 04 Nov 2012 16:29:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 04 Nov 2012 17:16:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 04 Nov 2012 18:14:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 04 Nov 2012 19:06:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 04 Nov 2012 20:13:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 04 Nov 2012 21:48:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 04 Nov 2012 22:41:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 04 Nov 2012 23:18:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 05 Nov 2012 00:01:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 05 Nov 2012 00:49:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 05 Nov 2012 01:20:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 05 Nov 2012 03:06:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 05 Nov 2012 05:00:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 05 Nov 2012 06:31:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 05 Nov 2012 07:52:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 05 Nov 2012 09:51:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 05 Nov 2012 10:42:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 05 Nov 2012 11:28:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 05 Nov 2012 13:31:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 05 Nov 2012 14:04:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 05 Nov 2012 14:53:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 05 Nov 2012 15:40:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 05 Nov 2012 17:30:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 05 Nov 2012 18:13:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 05 Nov 2012 19:39:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 05 Nov 2012 21:22:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 05 Nov 2012 22:08:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 05 Nov 2012 23:22:10 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 00:03:20 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 00:33:33 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 01:10:25 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 01:53:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 03:13:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 04:14:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 05:09:28 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 05:56:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 06:26:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 07:38:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 08:35:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 10:09:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 11:07:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 13:19:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 14:43:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 15:26:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 16:05:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 16:40:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 18:06:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 18:46:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 19:18:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 20:10:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 21:07:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 22:00:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 22:37:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 06 Nov 2012 23:20:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 07 Nov 2012 00:41:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 07 Nov 2012 01:44:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 07 Nov 2012 02:16:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 07 Nov 2012 03:04:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 07 Nov 2012 08:02:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 07 Nov 2012 09:12:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 07 Nov 2012 11:12:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 07 Nov 2012 11:45:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 07 Nov 2012 12:50:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 07 Nov 2012 13:23:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 07 Nov 2012 13:57:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 07 Nov 2012 17:14:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 07 Nov 2012 18:11:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 07 Nov 2012 19:31:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 07 Nov 2012 20:03:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 07 Nov 2012 21:04:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 07 Nov 2012 22:13:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 07 Nov 2012 23:04:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 08 Nov 2012 00:24:38 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 08 Nov 2012 01:18:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 08 Nov 2012 01:49:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 08 Nov 2012 02:21:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 08 Nov 2012 04:48:35 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 08 Nov 2012 05:19:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 08 Nov 2012 09:11:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 08 Nov 2012 11:51:46 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 08 Nov 2012 12:40:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 08 Nov 2012 13:38:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 08 Nov 2012 14:18:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 08 Nov 2012 14:48:59 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 08 Nov 2012 15:21:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 08 Nov 2012 16:22:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 08 Nov 2012 16:53:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 08 Nov 2012 17:57:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 08 Nov 2012 19:31:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 08 Nov 2012 20:05:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 08 Nov 2012 20:46:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 08 Nov 2012 21:33:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 08 Nov 2012 22:06:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 08 Nov 2012 22:48:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 08 Nov 2012 23:29:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 09 Nov 2012 00:09:49 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 09 Nov 2012 01:34:29 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 09 Nov 2012 02:05:01 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 09 Nov 2012 02:42:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 09 Nov 2012 03:39:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 09 Nov 2012 04:52:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 09 Nov 2012 07:57:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 09 Nov 2012 10:09:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 09 Nov 2012 12:11:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 09 Nov 2012 13:26:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 09 Nov 2012 14:00:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 09 Nov 2012 14:50:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 09 Nov 2012 15:45:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 09 Nov 2012 16:44:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 09 Nov 2012 18:35:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 09 Nov 2012 19:35:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 09 Nov 2012 21:53:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 09 Nov 2012 22:27:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 09 Nov 2012 22:58:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 09 Nov 2012 23:45:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 10 Nov 2012 00:27:12 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 10 Nov 2012 01:01:45 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 10 Nov 2012 02:47:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 10 Nov 2012 03:19:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 10 Nov 2012 03:57:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 10 Nov 2012 08:09:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 10 Nov 2012 09:00:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 10 Nov 2012 10:15:53 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 10 Nov 2012 10:47:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 10 Nov 2012 11:27:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 10 Nov 2012 13:10:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 10 Nov 2012 14:06:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 10 Nov 2012 14:58:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 10 Nov 2012 15:42:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 10 Nov 2012 16:21:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 10 Nov 2012 17:12:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 10 Nov 2012 17:43:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 10 Nov 2012 18:14:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 10 Nov 2012 18:50:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 10 Nov 2012 19:52:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 10 Nov 2012 20:35:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 10 Nov 2012 22:56:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 10 Nov 2012 23:30:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 11 Nov 2012 01:53:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 11 Nov 2012 04:06:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 11 Nov 2012 04:57:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 11 Nov 2012 05:31:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 11 Nov 2012 09:24:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 11 Nov 2012 10:28:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 11 Nov 2012 14:11:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 11 Nov 2012 14:50:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 11 Nov 2012 16:10:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 11 Nov 2012 16:41:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 11 Nov 2012 17:21:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 11 Nov 2012 19:20:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 11 Nov 2012 20:28:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 11 Nov 2012 21:20:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 11 Nov 2012 21:53:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 11 Nov 2012 22:30:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 11 Nov 2012 23:14:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 12 Nov 2012 00:00:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 12 Nov 2012 02:27:12 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 12 Nov 2012 03:31:54 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 12 Nov 2012 04:02:49 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 12 Nov 2012 04:44:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 12 Nov 2012 05:48:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 12 Nov 2012 06:41:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 12 Nov 2012 10:02:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 12 Nov 2012 10:43:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 12 Nov 2012 12:34:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 12 Nov 2012 14:22:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 12 Nov 2012 14:55:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 12 Nov 2012 15:48:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 12 Nov 2012 16:18:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 12 Nov 2012 17:04:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 12 Nov 2012 18:00:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 12 Nov 2012 19:36:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 12 Nov 2012 20:27:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 12 Nov 2012 21:20:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 12 Nov 2012 21:55:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 12 Nov 2012 22:45:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 12 Nov 2012 23:22:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 12 Nov 2012 23:53:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 13 Nov 2012 00:27:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 13 Nov 2012 01:51:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 13 Nov 2012 03:12:40 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 13 Nov 2012 04:03:47 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 13 Nov 2012 05:55:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 13 Nov 2012 07:14:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 13 Nov 2012 09:12:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 13 Nov 2012 10:08:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 13 Nov 2012 10:47:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 13 Nov 2012 11:38:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 13 Nov 2012 13:18:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 13 Nov 2012 14:06:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 13 Nov 2012 14:57:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 13 Nov 2012 15:33:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 13 Nov 2012 16:10:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 13 Nov 2012 17:23:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 13 Nov 2012 18:02:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 13 Nov 2012 19:54:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 13 Nov 2012 20:34:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 13 Nov 2012 21:14:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 13 Nov 2012 21:58:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 13 Nov 2012 22:45:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 13 Nov 2012 23:21:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 14 Nov 2012 00:02:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 14 Nov 2012 00:47:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 14 Nov 2012 01:35:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 14 Nov 2012 02:29:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 14 Nov 2012 03:19:18 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 14 Nov 2012 04:20:10 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 14 Nov 2012 06:56:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 14 Nov 2012 08:24:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 14 Nov 2012 09:54:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 14 Nov 2012 11:40:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 14 Nov 2012 12:18:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 14 Nov 2012 12:50:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 14 Nov 2012 15:15:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 14 Nov 2012 16:05:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 14 Nov 2012 17:42:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 14 Nov 2012 18:18:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 14 Nov 2012 18:54:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 14 Nov 2012 19:37:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 14 Nov 2012 20:08:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 14 Nov 2012 20:59:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 14 Nov 2012 22:41:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 14 Nov 2012 23:13:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 15 Nov 2012 00:21:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 15 Nov 2012 01:48:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 15 Nov 2012 02:25:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 15 Nov 2012 03:09:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 15 Nov 2012 06:56:22 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 15 Nov 2012 09:38:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 15 Nov 2012 12:30:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 15 Nov 2012 13:03:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 15 Nov 2012 13:36:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 15 Nov 2012 14:33:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 15 Nov 2012 15:13:07 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 15 Nov 2012 15:49:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 15 Nov 2012 16:37:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 15 Nov 2012 17:22:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 15 Nov 2012 18:12:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 15 Nov 2012 19:52:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 15 Nov 2012 20:38:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 15 Nov 2012 21:08:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 15 Nov 2012 23:43:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 16 Nov 2012 00:44:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 16 Nov 2012 03:02:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 16 Nov 2012 04:44:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 16 Nov 2012 06:49:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 16 Nov 2012 10:03:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 16 Nov 2012 11:27:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 16 Nov 2012 13:55:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 16 Nov 2012 14:26:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 16 Nov 2012 14:59:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 16 Nov 2012 15:35:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 16 Nov 2012 16:31:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 16 Nov 2012 17:10:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 16 Nov 2012 18:09:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 16 Nov 2012 18:56:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 16 Nov 2012 20:14:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 17 Nov 2012 00:19:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 17 Nov 2012 01:03:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 17 Nov 2012 01:47:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 17 Nov 2012 03:12:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 17 Nov 2012 04:48:55 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 17 Nov 2012 05:28:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 17 Nov 2012 07:22:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 17 Nov 2012 07:52:56 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 17 Nov 2012 11:20:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 17 Nov 2012 13:36:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 17 Nov 2012 14:57:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 17 Nov 2012 15:44:56 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 17 Nov 2012 16:22:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 17 Nov 2012 17:20:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 17 Nov 2012 17:53:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 17 Nov 2012 18:42:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 17 Nov 2012 19:21:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 17 Nov 2012 20:40:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 17 Nov 2012 21:10:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 17 Nov 2012 21:40:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 17 Nov 2012 22:30:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 17 Nov 2012 23:28:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 18 Nov 2012 00:23:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 18 Nov 2012 01:47:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 18 Nov 2012 02:44:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 18 Nov 2012 03:14:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 18 Nov 2012 04:12:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 18 Nov 2012 06:18:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 18 Nov 2012 06:55:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 18 Nov 2012 08:07:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 18 Nov 2012 11:33:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 18 Nov 2012 13:36:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 18 Nov 2012 14:20:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 18 Nov 2012 15:18:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 18 Nov 2012 15:55:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 18 Nov 2012 16:31:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 18 Nov 2012 17:27:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 18 Nov 2012 18:31:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 18 Nov 2012 20:51:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 18 Nov 2012 22:27:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 18 Nov 2012 23:24:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 18 Nov 2012 23:54:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 19 Nov 2012 00:44:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 19 Nov 2012 01:20:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 19 Nov 2012 02:36:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 19 Nov 2012 03:27:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 19 Nov 2012 04:06:03 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 19 Nov 2012 04:38:01 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 19 Nov 2012 05:50:36 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 19 Nov 2012 07:13:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 19 Nov 2012 08:07:58 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 19 Nov 2012 08:44:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 19 Nov 2012 11:00:55 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 19 Nov 2012 13:32:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 19 Nov 2012 16:28:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 19 Nov 2012 17:13:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 19 Nov 2012 17:56:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 19 Nov 2012 18:31:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 19 Nov 2012 19:06:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 19 Nov 2012 20:34:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 19 Nov 2012 21:09:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 19 Nov 2012 22:18:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 19 Nov 2012 23:12:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 19 Nov 2012 23:54:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 20 Nov 2012 00:37:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 20 Nov 2012 01:13:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 20 Nov 2012 02:34:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 20 Nov 2012 03:23:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 20 Nov 2012 04:48:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 20 Nov 2012 06:31:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 20 Nov 2012 10:27:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 20 Nov 2012 13:35:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 20 Nov 2012 14:27:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 20 Nov 2012 15:18:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 20 Nov 2012 16:20:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 20 Nov 2012 17:04:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 20 Nov 2012 18:34:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 20 Nov 2012 19:35:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 20 Nov 2012 20:14:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 20 Nov 2012 21:08:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 20 Nov 2012 22:03:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 20 Nov 2012 22:37:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 20 Nov 2012 23:31:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 21 Nov 2012 01:26:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 21 Nov 2012 02:09:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 21 Nov 2012 03:22:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 21 Nov 2012 03:54:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 21 Nov 2012 04:59:55 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 21 Nov 2012 05:38:06 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 21 Nov 2012 08:26:06 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 21 Nov 2012 11:45:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 21 Nov 2012 14:29:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 21 Nov 2012 15:15:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 21 Nov 2012 15:59:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 21 Nov 2012 16:43:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 21 Nov 2012 18:03:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 21 Nov 2012 19:16:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 21 Nov 2012 19:52:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 21 Nov 2012 20:28:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 21 Nov 2012 21:09:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 21 Nov 2012 22:09:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 21 Nov 2012 23:09:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 21 Nov 2012 23:58:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 22 Nov 2012 00:31:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 22 Nov 2012 03:05:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 22 Nov 2012 03:41:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 22 Nov 2012 05:11:21 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 22 Nov 2012 06:17:44 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 22 Nov 2012 07:43:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 22 Nov 2012 09:28:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 22 Nov 2012 10:02:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 22 Nov 2012 10:49:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 22 Nov 2012 11:23:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 22 Nov 2012 13:01:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 22 Nov 2012 13:34:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 22 Nov 2012 14:06:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 22 Nov 2012 15:27:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 22 Nov 2012 16:30:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 22 Nov 2012 17:01:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 22 Nov 2012 18:09:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 22 Nov 2012 19:14:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 22 Nov 2012 20:36:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 22 Nov 2012 22:11:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 23 Nov 2012 01:07:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 23 Nov 2012 02:25:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 23 Nov 2012 03:08:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 23 Nov 2012 04:32:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 23 Nov 2012 06:16:05 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 23 Nov 2012 07:23:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 23 Nov 2012 09:05:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 23 Nov 2012 11:09:30 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 23 Nov 2012 13:11:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 23 Nov 2012 14:08:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 23 Nov 2012 14:52:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 23 Nov 2012 16:33:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 23 Nov 2012 17:10:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 23 Nov 2012 17:46:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 23 Nov 2012 18:25:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 23 Nov 2012 19:36:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 23 Nov 2012 21:17:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 23 Nov 2012 22:12:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 23 Nov 2012 23:00:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 00:05:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 00:40:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 01:23:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 01:56:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 03:25:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 04:07:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 04:38:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 05:12:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 05:54:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 08:18:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 09:17:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 11:32:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 12:20:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 13:03:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 13:39:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 14:19:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 14:58:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 16:16:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 17:05:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 18:18:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 19:17:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 20:21:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 20:51:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 22:23:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 24 Nov 2012 23:05:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 25 Nov 2012 00:05:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 25 Nov 2012 00:36:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 25 Nov 2012 01:26:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 25 Nov 2012 02:00:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 25 Nov 2012 03:12:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 25 Nov 2012 04:18:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 25 Nov 2012 05:33:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 25 Nov 2012 07:27:17 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 25 Nov 2012 08:25:55 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 25 Nov 2012 10:05:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 25 Nov 2012 11:14:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 25 Nov 2012 14:55:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 25 Nov 2012 15:28:48 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 25 Nov 2012 16:04:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 25 Nov 2012 16:40:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 25 Nov 2012 18:44:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 25 Nov 2012 19:25:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 25 Nov 2012 20:17:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 25 Nov 2012 21:19:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 25 Nov 2012 21:53:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 25 Nov 2012 22:24:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 26 Nov 2012 00:36:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 26 Nov 2012 01:16:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 26 Nov 2012 02:46:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 26 Nov 2012 04:59:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 26 Nov 2012 06:55:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 26 Nov 2012 07:39:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 26 Nov 2012 10:01:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 26 Nov 2012 10:40:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 26 Nov 2012 12:30:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 26 Nov 2012 13:08:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 26 Nov 2012 13:48:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 26 Nov 2012 14:23:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 26 Nov 2012 15:04:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 26 Nov 2012 16:08:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 26 Nov 2012 17:11:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 26 Nov 2012 19:25:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 26 Nov 2012 20:00:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 26 Nov 2012 20:31:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 26 Nov 2012 21:04:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 26 Nov 2012 22:17:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 26 Nov 2012 23:09:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 26 Nov 2012 23:41:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 27 Nov 2012 00:12:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 27 Nov 2012 00:52:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 27 Nov 2012 01:26:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 27 Nov 2012 02:35:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 27 Nov 2012 04:04:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 27 Nov 2012 04:35:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 27 Nov 2012 08:27:44 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 27 Nov 2012 09:05:52 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 27 Nov 2012 10:11:17 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 27 Nov 2012 11:03:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 27 Nov 2012 11:41:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 27 Nov 2012 12:42:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 27 Nov 2012 13:42:34 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 27 Nov 2012 14:13:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 27 Nov 2012 14:44:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 27 Nov 2012 17:47:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 27 Nov 2012 18:25:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 27 Nov 2012 19:10:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 27 Nov 2012 20:17:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 27 Nov 2012 21:04:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 27 Nov 2012 21:34:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 27 Nov 2012 22:47:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 27 Nov 2012 23:34:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 28 Nov 2012 00:06:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 28 Nov 2012 00:37:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 28 Nov 2012 01:19:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 28 Nov 2012 02:20:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 28 Nov 2012 02:52:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 28 Nov 2012 06:01:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 28 Nov 2012 06:45:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 28 Nov 2012 10:30:28 +0000\n\nChanged:\n.ftpquota\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 28 Nov 2012 11:12:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 28 Nov 2012 12:37:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 28 Nov 2012 13:40:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 28 Nov 2012 14:11:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 28 Nov 2012 15:15:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 28 Nov 2012 16:17:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 28 Nov 2012 17:23:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 28 Nov 2012 18:07:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 28 Nov 2012 18:38:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 28 Nov 2012 19:15:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 28 Nov 2012 21:33:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 28 Nov 2012 22:11:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 28 Nov 2012 23:11:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 28 Nov 2012 23:48:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 00:19:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 01:33:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 02:09:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 02:39:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 03:11:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 03:42:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 04:13:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 05:55:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 08:23:15 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 08:56:27 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 10:37:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 11:13:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 12:18:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 13:33:38 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 14:27:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 15:38:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 16:34:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 17:45:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 18:20:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 18:53:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 19:32:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 20:03:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 21:50:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 23:17:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 29 Nov 2012 23:55:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 00:46:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 01:35:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 02:11:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 02:45:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 03:54:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 04:38:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 05:19:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 06:32:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 08:40:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 09:16:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 10:12:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 11:07:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 12:00:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 13:54:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 14:44:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 15:53:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 16:25:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 16:59:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 17:39:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 18:41:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 21:02:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 21:39:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 22:29:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 23:10:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 30 Nov 2012 23:51:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Dec 2012 00:23:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Dec 2012 03:15:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Dec 2012 04:12:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Dec 2012 05:38:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Dec 2012 06:19:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Dec 2012 10:31:55 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Dec 2012 12:27:09 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Dec 2012 13:22:15 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Dec 2012 13:53:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Dec 2012 15:04:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Dec 2012 16:05:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Dec 2012 16:39:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Dec 2012 17:54:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Dec 2012 18:25:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Dec 2012 19:05:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Dec 2012 19:46:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Dec 2012 20:25:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Dec 2012 21:24:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Dec 2012 22:05:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Dec 2012 22:52:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 01 Dec 2012 23:58:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 00:51:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 01:33:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 02:59:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 03:33:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 04:08:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 04:45:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 06:10:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 07:08:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 08:00:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 09:06:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 10:18:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 11:31:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 12:26:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 13:00:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 15:20:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 15:51:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 16:29:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 17:04:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 17:56:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 18:31:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 19:01:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 19:49:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 20:22:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 21:52:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 22:25:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 23:04:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 02 Dec 2012 23:41:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Dec 2012 00:38:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Dec 2012 01:32:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Dec 2012 02:07:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Dec 2012 02:58:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Dec 2012 03:42:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Dec 2012 04:13:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Dec 2012 05:24:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Dec 2012 09:24:34 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Dec 2012 11:33:45 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Dec 2012 12:17:55 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Dec 2012 13:25:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Dec 2012 14:45:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Dec 2012 15:20:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Dec 2012 16:16:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Dec 2012 16:54:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Dec 2012 17:50:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Dec 2012 18:25:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Dec 2012 19:00:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Dec 2012 19:53:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Dec 2012 20:27:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Dec 2012 21:00:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Dec 2012 22:45:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 03 Dec 2012 23:20:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 00:05:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 00:55:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 01:57:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 03:13:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 03:52:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 04:31:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 05:36:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 06:31:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 07:01:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 09:25:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 10:43:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 12:21:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 13:32:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 14:34:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 15:21:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 15:55:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 16:25:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 16:58:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 17:46:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 18:35:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 19:48:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 20:41:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 21:24:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 21:56:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 22:38:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 04 Dec 2012 23:28:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Dec 2012 00:01:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Dec 2012 00:48:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Dec 2012 01:24:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Dec 2012 01:56:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Dec 2012 03:21:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Dec 2012 04:07:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Dec 2012 04:40:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Dec 2012 05:22:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Dec 2012 05:58:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Dec 2012 07:15:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Dec 2012 08:50:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Dec 2012 11:26:27 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Dec 2012 12:26:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Dec 2012 13:06:22 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Dec 2012 15:06:09 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Dec 2012 17:04:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Dec 2012 18:28:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Dec 2012 19:09:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Dec 2012 19:41:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Dec 2012 20:13:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Dec 2012 21:15:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 05 Dec 2012 23:26:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 00:27:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 01:50:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 02:25:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 03:06:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 03:43:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 05:00:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 06:02:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 08:46:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 09:21:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 10:06:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 10:53:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 11:38:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 13:24:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 14:37:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 15:07:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 16:04:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 16:35:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 17:09:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 17:45:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 18:24:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 19:01:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 19:43:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 20:50:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 21:32:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 22:06:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 06 Dec 2012 23:02:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 00:00:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 02:01:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 02:36:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 03:07:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 04:15:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 04:49:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 05:52:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 06:41:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 08:49:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 10:15:11 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 10:48:58 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 12:48:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 13:18:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 14:04:57 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 14:44:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 15:14:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 15:45:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 16:35:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 17:15:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 17:57:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 18:41:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 20:05:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 20:54:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 22:57:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 07 Dec 2012 23:30:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Dec 2012 00:32:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Dec 2012 01:29:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Dec 2012 03:49:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Dec 2012 04:19:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Dec 2012 05:11:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Dec 2012 06:12:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Dec 2012 09:09:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Dec 2012 09:40:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Dec 2012 11:03:50 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Dec 2012 13:23:31 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Dec 2012 13:58:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Dec 2012 14:37:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Dec 2012 15:10:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Dec 2012 16:04:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Dec 2012 16:59:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Dec 2012 18:39:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Dec 2012 19:13:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Dec 2012 19:52:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 08 Dec 2012 22:17:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 00:14:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 00:47:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 01:31:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 02:16:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 03:00:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 03:46:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 04:34:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 05:12:38 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 06:37:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 07:58:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 08:30:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 09:31:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 12:57:00 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 15:36:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 16:30:43 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 17:00:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 18:13:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 18:56:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 19:27:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 20:10:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 21:06:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 21:50:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 22:35:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 09 Dec 2012 23:18:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Dec 2012 00:43:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Dec 2012 01:43:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Dec 2012 03:42:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Dec 2012 04:34:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Dec 2012 06:22:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Dec 2012 06:54:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Dec 2012 08:25:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Dec 2012 08:56:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Dec 2012 10:12:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Dec 2012 11:48:12 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Dec 2012 14:52:20 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Dec 2012 15:29:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Dec 2012 16:03:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Dec 2012 17:14:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Dec 2012 17:53:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Dec 2012 18:44:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Dec 2012 19:39:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Dec 2012 20:28:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Dec 2012 21:01:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Dec 2012 21:45:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Dec 2012 22:54:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 10 Dec 2012 23:29:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 01:22:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 02:05:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 03:13:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 03:58:29 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 04:29:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 05:18:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 05:53:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 06:27:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 07:13:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 07:49:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 10:03:15 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 11:06:24 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 13:22:35 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 13:56:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 14:39:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 15:22:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 16:28:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 17:03:50 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 18:11:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 18:41:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 19:14:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 20:05:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 20:37:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 22:00:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 11 Dec 2012 23:35:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 00:20:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 00:53:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 01:33:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 02:12:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 02:52:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 03:24:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 04:08:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 06:33:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 07:46:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 09:12:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 09:45:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 11:35:22 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 12:21:54 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 13:28:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 14:05:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 14:54:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 15:31:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 16:14:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 17:48:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 18:49:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 19:19:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 20:09:14 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 20:40:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 21:51:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Wed, 12 Dec 2012 23:24:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 00:01:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 00:52:36 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 02:11:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 05:03:43 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 05:39:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 07:57:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 09:13:02 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 11:04:25 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 11:37:37 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 12:21:42 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 13:21:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 14:00:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 14:38:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 15:12:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 15:44:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 16:14:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 17:17:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 18:21:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 18:53:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 20:03:34 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 20:38:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 21:23:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 21:53:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Thu, 13 Dec 2012 22:36:42 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 00:06:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 00:40:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 01:12:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 02:07:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 02:38:11 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 04:42:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 05:48:47 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 06:40:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 07:11:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 07:56:50 +0000\n\nAdded:\nwp-content/plugins/user-photo/screenshot-1.jpg\nwp-content/plugins/user-photo/readme.txt\nwp-content/plugins/user-photo/user-photo.php\nwp-content/plugins/user-photo/admin.css\nwp-content/plugins/user-photo/localization/user-photo-de_DE.po\nwp-content/plugins/user-photo/localization/user-photo-it_IT.po\nwp-content/plugins/user-photo/localization/user-photo-ru_RU.po\nwp-content/plugins/user-photo/localization/user-photo-nl_NL.mo\nwp-content/plugins/user-photo/localization/user-photo-es_ES.po\nwp-content/plugins/user-photo/localization/user-photo-fr_FR.po\nwp-content/plugins/user-photo/localization/user-photo-ca.po\nwp-content/plugins/user-photo/localization/user-photo-hu_HU.mo\nwp-content/plugins/user-photo/localization/user-photo-es_ES.mo\nwp-content/plugins/user-photo/localization/user-photo-de_DE.mo\nwp-content/plugins/user-photo/localization/user-photo-tr_TR.mo\nwp-content/plugins/user-photo/localization/user-photo-pl_PL.po\nwp-content/plugins/user-photo/localization/user-photo-fr_FR.mo\nwp-content/plugins/user-photo/localization/template.po\nwp-content/plugins/user-photo/localization/user-photo-it_IT.mo\nwp-content/plugins/user-photo/localization/user-photo-hu_HU.po\nwp-content/plugins/user-photo/localization/user-photo-pt_BR.po\nwp-content/plugins/user-photo/localization/user-photo-tr_TR.po\nwp-content/plugins/user-photo/localization/user-photo-pt_BR.mo\nwp-content/plugins/user-photo/localization/user-photo-nl_NL.po\nwp-content/plugins/user-photo/localization/user-photo-ru_RU.mo\nwp-content/plugins/user-photo/localization/user-photo-ca.mo\nwp-content/plugins/user-photo/localization/user-photo-pl_PL.mo\nwp-content/uploads/userphoto/1.thumbnail.jpg\nwp-content/uploads/userphoto/1.jpg\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 09:17:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 11:43:17 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 12:26:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 13:16:35 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 13:52:44 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 14:24:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 14:58:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 15:44:18 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_a89ab76706e0323efb4cc2dd88a8b2fe.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_71a4f0da665f0d49a96607c449406314.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_109e9180a01de3ef57af7e6cd0ed70c7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_43f495742d9967a72d20b106cab59aef.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_4229dfc699019ba38a3ec2bd95739517.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_612d40bd1fa3595fd8822ebc455c9182.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f26ba7fecd5f9f7bed5a2e8009f6e08a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ac718f455e90fc445205107e60260a5c.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b3677f1059af27e61e9c4e7cadd0ccf0.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_2c4a011be3ce5ce8522eedb161d6af59.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cec9dff461410679c9b92043398f648a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b92c7c2755727b57e91c730454be5bc6.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 16:19:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 16:50:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 17:22:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 18:27:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 19:11:57 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 19:42:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 20:18:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 21:38:49 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 22:28:00 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 14 Dec 2012 23:20:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Dec 2012 00:54:31 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Dec 2012 01:31:22 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Dec 2012 02:07:28 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Dec 2012 02:43:48 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Dec 2012 03:15:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Dec 2012 04:06:39 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Dec 2012 04:45:08 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Dec 2012 06:02:37 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Dec 2012 06:56:51 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Dec 2012 07:27:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Dec 2012 10:20:46 +0000\n\nAdded:\nwp-includes/media-template.php\nwp-includes/class-wp-image-editor-gd.php\nwp-includes/class-wp-image-editor-imagick.php\nwp-includes/class-wp-image-editor.php\nwp-includes/class-wp-embed.php\nwp-includes/images/icon-pointer-flag-2x.png\nwp-includes/images/toggle-arrow-2x.png\nwp-includes/images/uploader-icons.png\nwp-includes/images/uploader-icons-2x.png\nwp-includes/images/wpspin.gif\nwp-includes/images/wpicons-2x.png\nwp-includes/images/rss-2x.png\nwp-includes/images/arrow-pointer-blue-2x.png\nwp-includes/images/wpmini-blue-2x.png\nwp-includes/images/down_arrow-2x.gif\nwp-includes/images/wpspin-2x.gif\nwp-includes/images/xit-2x.gif\nwp-includes/SimplePie/Item.php\nwp-includes/SimplePie/gzdecode.php\nwp-includes/SimplePie/File.php\nwp-includes/SimplePie/Credit.php\nwp-includes/SimplePie/Sanitize.php\nwp-includes/SimplePie/Caption.php\nwp-includes/SimplePie/Author.php\nwp-includes/SimplePie/Enclosure.php\nwp-includes/SimplePie/Rating.php\nwp-includes/SimplePie/Misc.php\nwp-includes/SimplePie/Parser.php\nwp-includes/SimplePie/Core.php\nwp-includes/SimplePie/IRI.php\nwp-includes/SimplePie/Source.php\nwp-includes/SimplePie/Copyright.php\nwp-includes/SimplePie/Exception.php\nwp-includes/SimplePie/Registry.php\nwp-includes/SimplePie/Cache.php\nwp-includes/SimplePie/Category.php\nwp-includes/SimplePie/Restriction.php\nwp-includes/SimplePie/Locator.php\nwp-includes/SimplePie/Decode/HTML/Entities.php\nwp-includes/SimplePie/Parse/Date.php\nwp-includes/SimplePie/Net/IPv6.php\nwp-includes/SimplePie/HTTP/Parser.php\nwp-includes/SimplePie/Content/Type/Sniffer.php\nwp-includes/SimplePie/Cache/Base.php\nwp-includes/SimplePie/Cache/Memcache.php\nwp-includes/SimplePie/Cache/File.php\nwp-includes/SimplePie/Cache/DB.php\nwp-includes/SimplePie/Cache/MySQL.php\nwp-includes/SimplePie/XML/Declaration/Parser.php\nwp-includes/css/media-views.min.css\nwp-includes/css/media-views-rtl.min.css\nwp-includes/css/wp-pointer.min.css\nwp-includes/css/buttons.min.css\nwp-includes/css/media-views-rtl.css\nwp-includes/css/media-views.css\nwp-includes/css/editor.min.css\nwp-includes/css/jquery-ui-dialog.min.css\nwp-includes/css/buttons.css\nwp-includes/css/admin-bar.min.css\nwp-includes/css/admin-bar-rtl.min.css\nwp-includes/js/comment-reply.min.js\nwp-includes/js/mce-view.min.js\nwp-includes/js/customize-loader.min.js\nwp-includes/js/wplink.min.js\nwp-includes/js/wp-list-revisions.min.js\nwp-includes/js/utils.js\nwp-includes/js/autosave.min.js\nwp-includes/js/backbone.min.js\nwp-includes/js/wp-lists.min.js\nwp-includes/js/underscore.min.js\nwp-includes/js/media-models.js\nwp-includes/js/shortcode.min.js\nwp-includes/js/colorpicker.min.js\nwp-includes/js/media-views.js\nwp-includes/js/media-views.min.js\nwp-includes/js/mce-view.js\nwp-includes/js/customize-base.min.js\nwp-includes/js/json2.min.js\nwp-includes/js/customize-preview.min.js\nwp-includes/js/media-editor.js\nwp-includes/js/media-models.min.js\nwp-includes/js/admin-bar.min.js\nwp-includes/js/wp-pointer.min.js\nwp-includes/js/quicktags.min.js\nwp-includes/js/hoverIntent.min.js\nwp-includes/js/utils.min.js\nwp-includes/js/shortcode.js\nwp-includes/js/wp-ajax-response.min.js\nwp-includes/js/tw-sack.min.js\nwp-includes/js/media-editor.min.js\nwp-includes/js/jquery/jquery.table-hotkeys.min.js\nwp-includes/js/jquery/suggest.min.js\nwp-includes/js/jquery/jquery.masonry.min.js\nwp-includes/js/jquery/jquery.hotkeys.min.js\nwp-includes/js/jquery/jquery.form.min.js\nwp-includes/js/jquery/jquery.color.min.js\nwp-includes/js/jquery/ui/jquery.ui.effect-pulsate.min.js\nwp-includes/js/jquery/ui/jquery.ui.spinner.min.js\nwp-includes/js/jquery/ui/jquery.ui.effect.min.js\nwp-includes/js/jquery/ui/jquery.ui.effect-transfer.min.js\nwp-includes/js/jquery/ui/jquery.ui.effect-clip.min.js\nwp-includes/js/jquery/ui/jquery.ui.effect-bounce.min.js\nwp-includes/js/jquery/ui/jquery.ui.effect-drop.min.js\nwp-includes/js/jquery/ui/jquery.ui.menu.min.js\nwp-includes/js/jquery/ui/jquery.ui.effect-highlight.min.js\nwp-includes/js/jquery/ui/jquery.ui.effect-blind.min.js\nwp-includes/js/jquery/ui/jquery.ui.effect-explode.min.js\nwp-includes/js/jquery/ui/jquery.ui.tooltip.min.js\nwp-includes/js/jquery/ui/jquery.ui.effect-scale.min.js\nwp-includes/js/jquery/ui/jquery.ui.effect-fold.min.js\nwp-includes/js/jquery/ui/jquery.ui.effect-slide.min.js\nwp-includes/js/jquery/ui/jquery.ui.effect-shake.min.js\nwp-includes/js/jquery/ui/jquery.ui.effect-fade.min.js\nwp-includes/js/plupload/handlers.min.js\nwp-includes/js/plupload/wp-plupload.min.js\nwp-includes/js/swfupload/handlers.min.js\nwp-includes/js/imgareaselect/jquery.imgareaselect.min.js\nwp-includes/js/jcrop/jquery.Jcrop.min.js\nwp-includes/js/jcrop/jquery.Jcrop.min.css\nwp-includes/js/tinymce/wp-tinymce-schema.js\nwp-includes/js/tinymce/plugins/wpdialogs/js/popup.min.js\nwp-includes/js/tinymce/plugins/wpdialogs/js/wpdialog.min.js\nwp-includes/js/tinymce/plugins/wpgallery/img/edit-2x.png\nwp-includes/js/tinymce/plugins/wpgallery/img/delete-2x.png\nwp-includes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This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Dec 2012 19:33:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/comments.php\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Dec 2012 20:14:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/comments.php\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Dec 2012 20:45:14 +0000\n\nAdded:\nwp-content/plugins/author-avatars/uninstall.php\nwp-content/plugins/author-avatars/screenshot-1.jpg\nwp-content/plugins/author-avatars/screenshot-4.jpg\nwp-content/plugins/author-avatars/readme.txt\nwp-content/plugins/author-avatars/author-avatars.php\nwp-content/plugins/author-avatars/screenshot-2.jpg\nwp-content/plugins/author-avatars/screenshot-5.jpg\nwp-content/plugins/author-avatars/screenshot-3.jpg\nwp-content/plugins/author-avatars/translations/author-avatars-de_DE.mo\nwp-content/plugins/author-avatars/translations/author-avatars-it_IT.mo\nwp-content/plugins/author-avatars/translations/author-avatars-nl_NL.po\nwp-content/plugins/author-avatars/translations/author-avatars-de_DE.po\nwp-content/plugins/author-avatars/translations/author-avatars.pot\nwp-content/plugins/author-avatars/translations/author-avatars-be_BY.mo\nwp-content/plugins/author-avatars/translations/author-avatars-lt_LT.mo\nwp-content/plugins/author-avatars/translations/author-avatars-hi_IN_HI.mo\nwp-content/plugins/author-avatars/translations/author-avatars-nl_NL.mo\nwp-content/plugins/author-avatars/translations/author-avatars-lt_LT.po\nwp-content/plugins/author-avatars/translations/author-avatars-it_IT.po\nwp-content/plugins/author-avatars/translations/author-avatars.1.1-ro_RO.po\nwp-content/plugins/author-avatars/translations/author-avatars-be_BY.po\nwp-content/plugins/author-avatars/translations/author-avatars-hi_IN_HI.po\nwp-content/plugins/author-avatars/translations/author-avatars.1.1-ro_RO.mo\nwp-content/plugins/author-avatars/css/shortcode.css\nwp-content/plugins/author-avatars/css/widget.css\nwp-content/plugins/author-avatars/css/admin-form.css\nwp-content/plugins/author-avatars/lib/MultiWidget.class.php\nwp-content/plugins/author-avatars/lib/UserList.class.php\nwp-content/plugins/author-avatars/lib/FormHelper.class.php\nwp-content/plugins/author-avatars/lib/AuthorAvatarsShortcode.class.php\nwp-content/plugins/author-avatars/lib/AuthorAvatarsForm.class.php\nwp-content/plugins/author-avatars/lib/helper.functions.php\nwp-content/plugins/author-avatars/lib/AuthorAvatarsSitewideAdminPanel.class.php\nwp-content/plugins/author-avatars/lib/AuthorAvatarsWidget.class.php\nwp-content/plugins/author-avatars/lib/ShowAvatarShortcode.class.php\nwp-content/plugins/author-avatars/lib/AuthorAvatarsEditorButton.class.php\nwp-content/plugins/author-avatars/lib/AuthorAvatarsSettings.class.php\nwp-content/plugins/author-avatars/lib/AuthorAvatars.class.php\nwp-content/plugins/author-avatars/tinymce/editor_plugin.js\nwp-content/plugins/author-avatars/tinymce/img/authoravatars.gif\nwp-content/plugins/author-avatars/tinymce/langs/en.js\nwp-content/plugins/author-avatars/js/tinymce.popup.js\nwp-content/plugins/author-avatars/js/AuthorAvatarsShortcode.paging.ajax.js\nwp-content/plugins/author-avatars/js/form.js\nwp-content/plugins/author-avatars/js/widget.admin.js\nwp-content/plugins/author-avatars/js/jquery-ui.resizable.js\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Dec 2012 21:28:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/comments.php\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Dec 2012 22:07:03 +0000\n\nAdded:\nwp-content/plugins/post-avatar/liesmich.txt\nwp-content/plugins/post-avatar/gkl-postavatar.php\nwp-content/plugins/post-avatar/readme.txt\nwp-content/plugins/post-avatar/images/this_directory.txt\nwp-content/plugins/post-avatar/images/missing_avatar.png\nwp-content/plugins/post-avatar/images/next.png\nwp-content/plugins/post-avatar/images/no_avatar.png\nwp-content/plugins/post-avatar/images/prev.png\nwp-content/plugins/post-avatar/head/this_directory.txt\nwp-content/plugins/post-avatar/head/gkl-postavatar.js\nwp-content/plugins/post-avatar/head/gkl-postavatar.css\nwp-content/plugins/post-avatar/languages/pAva.pot\nwp-content/plugins/post-avatar/languages/gklpa-es_ES.mo\nwp-content/plugins/post-avatar/languages/gklpa-de_DE.mo\nwp-content/plugins/post-avatar/languages/gklpa-de_DE.po\nwp-content/plugins/post-avatar/languages/gklpa-pl_PL.po\nwp-content/plugins/post-avatar/languages/gklpa-ga_IR.po\nwp-content/plugins/post-avatar/languages/gklpa-ru_RU.po\nwp-content/plugins/post-avatar/languages/this_directory.txt\nwp-content/plugins/post-avatar/languages/gklpa-pl_PL.mo\nwp-content/plugins/post-avatar/languages/gklpa-nl_NL.mo\nwp-content/plugins/post-avatar/languages/gklpa-ga_IR.mo\nwp-content/plugins/post-avatar/languages/gklpa-ru_RU.mo\nwp-content/plugins/post-avatar/languages/gklpa-fr_FR.po\nwp-content/plugins/post-avatar/languages/gklpa-fr_FR.mo\nwp-content/plugins/post-avatar/languages/gklpa-cs_CZ.mo\nwp-content/plugins/post-avatar/languages/gklpa-it_IT.po\nwp-content/plugins/post-avatar/languages/gklpa-cs_CZ.po\nwp-content/plugins/post-avatar/languages/gklpa-es_ES.po\nwp-content/plugins/post-avatar/languages/gklpa-nl_NL.po\nwp-content/plugins/post-avatar/languages/gklpa-it_IT.mo\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Dec 2012 22:39:38 +0000\n\nAdded:\nwp-content/plugins/akismet/.htaccess\n\n\nRemoved:\nwp-content/plugins/post-avatar/liesmich.txt\nwp-content/plugins/post-avatar/gkl-postavatar.php\nwp-content/plugins/post-avatar/readme.txt\nwp-content/plugins/post-avatar/images/this_directory.txt\nwp-content/plugins/post-avatar/images/missing_avatar.png\nwp-content/plugins/post-avatar/images/next.png\nwp-content/plugins/post-avatar/images/no_avatar.png\nwp-content/plugins/post-avatar/images/prev.png\nwp-content/plugins/post-avatar/head/this_directory.txt\nwp-content/plugins/post-avatar/head/gkl-postavatar.js\nwp-content/plugins/post-avatar/head/gkl-postavatar.css\nwp-content/plugins/post-avatar/languages/pAva.pot\nwp-content/plugins/post-avatar/languages/gklpa-es_ES.mo\nwp-content/plugins/post-avatar/languages/gklpa-de_DE.mo\nwp-content/plugins/post-avatar/languages/gklpa-de_DE.po\nwp-content/plugins/post-avatar/languages/gklpa-pl_PL.po\nwp-content/plugins/post-avatar/languages/gklpa-ga_IR.po\nwp-content/plugins/post-avatar/languages/gklpa-ru_RU.po\nwp-content/plugins/post-avatar/languages/this_directory.txt\nwp-content/plugins/post-avatar/languages/gklpa-pl_PL.mo\nwp-content/plugins/post-avatar/languages/gklpa-nl_NL.mo\nwp-content/plugins/post-avatar/languages/gklpa-ga_IR.mo\nwp-content/plugins/post-avatar/languages/gklpa-ru_RU.mo\nwp-content/plugins/post-avatar/languages/gklpa-fr_FR.po\nwp-content/plugins/post-avatar/languages/gklpa-fr_FR.mo\nwp-content/plugins/post-avatar/languages/gklpa-cs_CZ.mo\nwp-content/plugins/post-avatar/languages/gklpa-it_IT.po\nwp-content/plugins/post-avatar/languages/gklpa-cs_CZ.po\nwp-content/plugins/post-avatar/languages/gklpa-es_ES.po\nwp-content/plugins/post-avatar/languages/gklpa-nl_NL.po\nwp-content/plugins/post-avatar/languages/gklpa-it_IT.mo\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/plugins/akismet/akismet.css\nwp-content/plugins/akismet/akismet.js\nwp-content/plugins/akismet/index.php\nwp-content/plugins/akismet/readme.txt\nwp-content/plugins/akismet/akismet.gif\nwp-content/plugins/akismet/widget.php\nwp-content/plugins/akismet/legacy.php\nwp-content/plugins/akismet/admin.php\nwp-content/plugins/akismet/akismet.php\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sat, 15 Dec 2012 23:09:41 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This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 02:16:00 +0000\n\nAdded:\nwp-content/plugins/disqus-comment-system/disqus.php\nwp-content/plugins/disqus-comment-system/comments.php\nwp-content/plugins/disqus-comment-system/upgrade.php\nwp-content/plugins/disqus-comment-system/LICENSE\nwp-content/plugins/disqus-comment-system/screenshot-2.png\nwp-content/plugins/disqus-comment-system/readme.txt\nwp-content/plugins/disqus-comment-system/xd_receiver.htm\nwp-content/plugins/disqus-comment-system/screenshot-3.png\nwp-content/plugins/disqus-comment-system/manage.php\nwp-content/plugins/disqus-comment-system/export.php\nwp-content/plugins/disqus-comment-system/screenshot-1.png\nwp-content/plugins/disqus-comment-system/locales/default.po\nwp-content/plugins/disqus-comment-system/locales/index.html\nwp-content/plugins/disqus-comment-system/locales/default.mo\nwp-content/plugins/disqus-comment-system/scripts/export-comments.php\nwp-content/plugins/disqus-comment-system/scripts/import-comments.php\nwp-content/plugins/disqus-comment-system/lib/wp-api.php\nwp-content/plugins/disqus-comment-system/lib/wp-cli.php\nwp-content/plugins/disqus-comment-system/lib/api/LICENSE\nwp-content/plugins/disqus-comment-system/lib/api/README.rst\nwp-content/plugins/disqus-comment-system/lib/api/disqus/disqus.php\nwp-content/plugins/disqus-comment-system/lib/api/disqus/url.php\nwp-content/plugins/disqus-comment-system/lib/api/disqus/json.php\nwp-content/plugins/disqus-comment-system/media/images/logo.png\nwp-content/plugins/disqus-comment-system/media/styles/manage.css\nwp-content/plugins/disqus-comment-system/media/styles/manage-pre25.css\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 02:55:14 +0000\n\nAdded:\nwp-content/plugins/about-the-author-advanced/about-the-author-advanced.php\nwp-content/plugins/about-the-author-advanced/screenshot-1.jpg\nwp-content/plugins/about-the-author-advanced/screenshot-4.jpg\nwp-content/plugins/about-the-author-advanced/readme.txt\nwp-content/plugins/about-the-author-advanced/screenshot-2.jpg\nwp-content/plugins/about-the-author-advanced/screenshot-5.jpg\nwp-content/plugins/about-the-author-advanced/screenshot-3.jpg\nwp-content/plugins/about-the-author-advanced/classes/edit-options.php\nwp-content/plugins/about-the-author-advanced/classes/ataa-widget.php\nwp-content/plugins/about-the-author-advanced/images/author-bg.jpg\nwp-content/plugins/about-the-author-advanced/images/icons/64/facebook.png\nwp-content/plugins/about-the-author-advanced/images/icons/64/twitter.png\nwp-content/plugins/about-the-author-advanced/images/icons/64/gplus.png\nwp-content/plugins/about-the-author-advanced/images/icons/64/linkedin.png\nwp-content/plugins/about-the-author-advanced/images/icons/64/tumblr.png\nwp-content/plugins/about-the-author-advanced/images/icons/16/facebook.png\nwp-content/plugins/about-the-author-advanced/images/icons/16/twitter.png\nwp-content/plugins/about-the-author-advanced/images/icons/16/gplus.png\nwp-content/plugins/about-the-author-advanced/images/icons/16/linkedin.png\nwp-content/plugins/about-the-author-advanced/images/icons/16/tumblr.png\nwp-content/plugins/about-the-author-advanced/images/icons/48/facebook.png\nwp-content/plugins/about-the-author-advanced/images/icons/48/twitter.png\nwp-content/plugins/about-the-author-advanced/images/icons/48/gplus.png\nwp-content/plugins/about-the-author-advanced/images/icons/48/linkedin.png\nwp-content/plugins/about-the-author-advanced/images/icons/48/tumblr.png\nwp-content/plugins/about-the-author-advanced/images/icons/32/facebook.png\nwp-content/plugins/about-the-author-advanced/images/icons/32/twitter.png\nwp-content/plugins/about-the-author-advanced/images/icons/32/gplus.png\nwp-content/plugins/about-the-author-advanced/images/icons/32/linkedin.png\nwp-content/plugins/about-the-author-advanced/images/icons/32/tumblr.png\nwp-content/plugins/about-the-author-advanced/css/ataa.css\n\n\nRemoved:\nwp-content/plugins/author-avatars/uninstall.php\nwp-content/plugins/author-avatars/screenshot-1.jpg\nwp-content/plugins/author-avatars/screenshot-4.jpg\nwp-content/plugins/author-avatars/readme.txt\nwp-content/plugins/author-avatars/author-avatars.php\nwp-content/plugins/author-avatars/screenshot-2.jpg\nwp-content/plugins/author-avatars/screenshot-5.jpg\nwp-content/plugins/author-avatars/screenshot-3.jpg\nwp-content/plugins/author-avatars/translations/author-avatars-de_DE.mo\nwp-content/plugins/author-avatars/translations/author-avatars-it_IT.mo\nwp-content/plugins/author-avatars/translations/author-avatars-nl_NL.po\nwp-content/plugins/author-avatars/translations/author-avatars-de_DE.po\nwp-content/plugins/author-avatars/translations/author-avatars.pot\nwp-content/plugins/author-avatars/translations/author-avatars-be_BY.mo\nwp-content/plugins/author-avatars/translations/author-avatars-lt_LT.mo\nwp-content/plugins/author-avatars/translations/author-avatars-hi_IN_HI.mo\nwp-content/plugins/author-avatars/translations/author-avatars-nl_NL.mo\nwp-content/plugins/author-avatars/translations/author-avatars-lt_LT.po\nwp-content/plugins/author-avatars/translations/author-avatars-it_IT.po\nwp-content/plugins/author-avatars/translations/author-avatars.1.1-ro_RO.po\nwp-content/plugins/author-avatars/translations/author-avatars-be_BY.po\nwp-content/plugins/author-avatars/translations/author-avatars-hi_IN_HI.po\nwp-content/plugins/author-avatars/translations/author-avatars.1.1-ro_RO.mo\nwp-content/plugins/author-avatars/css/shortcode.css\nwp-content/plugins/author-avatars/css/widget.css\nwp-content/plugins/author-avatars/css/admin-form.css\nwp-content/plugins/author-avatars/lib/MultiWidget.class.php\nwp-content/plugins/author-avatars/lib/UserList.class.php\nwp-content/plugins/author-avatars/lib/FormHelper.class.php\nwp-content/plugins/author-avatars/lib/AuthorAvatarsShortcode.class.php\nwp-content/plugins/author-avatars/lib/AuthorAvatarsForm.class.php\nwp-content/plugins/author-avatars/lib/helper.functions.php\nwp-content/plugins/author-avatars/lib/AuthorAvatarsSitewideAdminPanel.class.php\nwp-content/plugins/author-avatars/lib/AuthorAvatarsWidget.class.php\nwp-content/plugins/author-avatars/lib/ShowAvatarShortcode.class.php\nwp-content/plugins/author-avatars/lib/AuthorAvatarsEditorButton.class.php\nwp-content/plugins/author-avatars/lib/AuthorAvatarsSettings.class.php\nwp-content/plugins/author-avatars/lib/AuthorAvatars.class.php\nwp-content/plugins/author-avatars/tinymce/editor_plugin.js\nwp-content/plugins/author-avatars/tinymce/img/authoravatars.gif\nwp-content/plugins/author-avatars/tinymce/langs/en.js\nwp-content/plugins/author-avatars/js/tinymce.popup.js\nwp-content/plugins/author-avatars/js/AuthorAvatarsShortcode.paging.ajax.js\nwp-content/plugins/author-avatars/js/form.js\nwp-content/plugins/author-avatars/js/widget.admin.js\nwp-content/plugins/author-avatars/js/jquery-ui.resizable.js\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 03:26:08 +0000\n\nRemoved:\nwp-content/plugins/user-photo/screenshot-1.jpg\nwp-content/plugins/user-photo/readme.txt\nwp-content/plugins/user-photo/user-photo.php\nwp-content/plugins/user-photo/admin.css\nwp-content/plugins/user-photo/localization/user-photo-de_DE.po\nwp-content/plugins/user-photo/localization/user-photo-it_IT.po\nwp-content/plugins/user-photo/localization/user-photo-ru_RU.po\nwp-content/plugins/user-photo/localization/user-photo-nl_NL.mo\nwp-content/plugins/user-photo/localization/user-photo-es_ES.po\nwp-content/plugins/user-photo/localization/user-photo-fr_FR.po\nwp-content/plugins/user-photo/localization/user-photo-ca.po\nwp-content/plugins/user-photo/localization/user-photo-hu_HU.mo\nwp-content/plugins/user-photo/localization/user-photo-es_ES.mo\nwp-content/plugins/user-photo/localization/user-photo-de_DE.mo\nwp-content/plugins/user-photo/localization/user-photo-tr_TR.mo\nwp-content/plugins/user-photo/localization/user-photo-pl_PL.po\nwp-content/plugins/user-photo/localization/user-photo-fr_FR.mo\nwp-content/plugins/user-photo/localization/template.po\nwp-content/plugins/user-photo/localization/user-photo-it_IT.mo\nwp-content/plugins/user-photo/localization/user-photo-hu_HU.po\nwp-content/plugins/user-photo/localization/user-photo-pt_BR.po\nwp-content/plugins/user-photo/localization/user-photo-tr_TR.po\nwp-content/plugins/user-photo/localization/user-photo-pt_BR.mo\nwp-content/plugins/user-photo/localization/user-photo-nl_NL.po\nwp-content/plugins/user-photo/localization/user-photo-ru_RU.mo\nwp-content/plugins/user-photo/localization/user-photo-ca.mo\nwp-content/plugins/user-photo/localization/user-photo-pl_PL.mo\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 05:31:02 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_32e9e6855b25624645f655c5721b1c96.timthumb.txt\n\n\nChanged:\nsitemap.xml.gz\nsitemap.xml\nwp-admin/error_log\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 06:28:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 07:35:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 08:51:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 09:41:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 11:39:06 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a89ab76706e0323efb4cc2dd88a8b2fe.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_71a4f0da665f0d49a96607c449406314.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_109e9180a01de3ef57af7e6cd0ed70c7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_43f495742d9967a72d20b106cab59aef.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_4229dfc699019ba38a3ec2bd95739517.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_612d40bd1fa3595fd8822ebc455c9182.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f26ba7fecd5f9f7bed5a2e8009f6e08a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_ac718f455e90fc445205107e60260a5c.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b3677f1059af27e61e9c4e7cadd0ccf0.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_2c4a011be3ce5ce8522eedb161d6af59.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cec9dff461410679c9b92043398f648a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_b92c7c2755727b57e91c730454be5bc6.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 12:24:41 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 12:55:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 13:59:30 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 14:34:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 15:36:38 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 16:16:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 16:47:09 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 17:52:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 18:33:45 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 19:04:40 +0000\n\nChanged:\n.htaccess\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 19:35:21 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 20:11:18 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 20:53:03 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 21:23:10 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 21:57:33 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 22:32:17 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Sun, 16 Dec 2012 23:28:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Dec 2012 00:06:12 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Dec 2012 00:52:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Dec 2012 01:33:24 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Dec 2012 02:07:54 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Dec 2012 03:05:32 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Dec 2012 03:44:30 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Dec 2012 04:36:26 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Dec 2012 05:07:19 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Dec 2012 05:59:40 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Dec 2012 10:35:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Dec 2012 11:52:53 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_32e9e6855b25624645f655c5721b1c96.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_10cfeaaec414b428c19e6413b40e6b1e.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Dec 2012 12:25:10 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_b374ebac309b1cc13231e76a8d49bf45.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f5e49371c92f73d6c3c1d33b3a5c5a9a.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_f140e560face5365dfd9a3368c4a26db.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_e1838bdb1cb9c4f069bee2d6688c6832.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Dec 2012 13:01:05 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Dec 2012 13:51:04 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Dec 2012 14:40:58 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Dec 2012 15:27:27 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Dec 2012 16:03:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Dec 2012 16:38:59 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Dec 2012 17:20:53 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
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This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Dec 2012 19:26:20 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
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This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Dec 2012 21:49:56 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Mon, 17 Dec 2012 22:24:16 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Dec 2012 00:44:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Dec 2012 01:39:13 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Dec 2012 03:08:01 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Dec 2012 04:40:55 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Dec 2012 06:03:41 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Dec 2012 07:18:46 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Dec 2012 08:05:06 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Dec 2012 09:18:35 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Dec 2012 10:30:23 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Dec 2012 11:13:52 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Dec 2012 11:52:11 +0000\n\nRemoved:\nwp-content/themes/profitstheme_11/cache/timthumb_int_e95af63cd983dc18f70f686bfa393468.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_3fa01e4a05eccc7e5fa3b85855052d15.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_a75befd6ba709330fb394401799c45a7.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_8fe2a0d636e58fba378a6eb397a2b5fc.timthumb.txt\nwp-content/themes/profitstheme_11/cache/timthumb_int_cc7c233fc9a70dc10c7c73a0a7c4b9c2.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/timthumb_int_ed03e195691385f0f8a2a88abbfcf127.timthumb.txt\nwp-content/themes/profitstheme_11/cache/index.html\nwp-content/themes/profitstheme_11/cache/timthumb_cacheLastCleanTime.touch\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Dec 2012 12:47:07 +0000\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Dec 2012 13:21:15 +0000\n\nAdded:\nwp-content/themes/profitstheme_11/cache/timthumb_int_edb5f90de829ffc313a61616a92f72b1.timthumb.txt\n\n\nChanged:\nwp-content/themes/profitstheme_11/cache/index.html\n
This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Tue, 18 Dec 2012 14:10:45 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This email is to alert you of the following changes to the file system of your website at http://www.letsdrawpeople.com\nTimestamp: Fri, 15 Feb 2013 11:23:00 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The following video courses and resources were created by other fellow artists. I have reviewed these and implemented many of the taught skills in my own work. I think you will find plenty of value in them, too!

\r\n

\r\nNote: The links below are affiliate links. At no additional cost to you, I will earn a commission if you purchase through these links.\r\n

\r\n\r\n

\r\n\r\n

\r\n\r\n

\r\n\r\n

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http://planet.wordpress.org/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"item\";a:50:{i:0;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:107:\"WPTavern: Trademark Trial and Appeal Board Dismisses Automattic’s Trademark Dispute Against Chris Pearson\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73899\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:115:\"https://wptavern.com/trademark-trial-and-appeal-board-dismisses-automattics-trademark-dispute-against-chris-pearson\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:4102:\"

In July 2015, Automattic won its Uniform Domain-Name Dispute-Resolution Policy (UDRP) case against Chris Pearson regarding Thesis.com after the panel determined that he failed to establish all three elements required under the ICANN Policy.

\n

A party must satisfy all three of the burdens imposed under the Policy in order for the Panel to order transfer of a domain name from the entity registering it. Here, Complainant failed to establish that Respondent registered and used the disputed domain name in bad faith.

\n

See Starwood Hotels & Resorts Worldwide, Inc. v. Samjo CellTech.Ltd, FA 406512 (Nat. Arb. Forum Mar. 9, 2005) (finding that the complainant failed to establish that respondent registered and used the disputed domain name in bad faith because mere assertions of bad faith are insufficient for a complainant to establish Policy ¶ 4(a)(iii)). Therefore, the Panel finds that Complainant failed to support its allegations under Policy ¶ 4(a)(iii) and finds for Respondent.

\n

This allowed Automattic to maintain ownership of Thesis.com. Automattic retaliated by filing a petition for cancellation with the United States Patent and Trademark Office. In the petition, Automattic argued that the three trademarks owned by Pearson, DIYTHEMES, THESIS THEME, and THESIS, should be cancelled.

\n

For the past two years, legal teams for both parties have gone back and forth filing briefs, requests for extensions, and other documents. Earlier this year on April 20th, the Trademark Trial and Appeal Board dismissed the case citing a lack of evidence and testimony from Automattic that establishes real interest and a reasonable belief in damages.

\n

The record is devoid of any evidence concerning the nature of Petitioner’s (Automattic) commercial activities and its interest in Respondent’s (Chris Pearson) registered marks. Proof of standing in a Board proceeding is a low threshold.

\n

For example, Petitioner could have submitted testimony or competent documentary evidence as to its asserted need to use the terms comprising the marks and nature of its business activities to establish its standing.

\n

Petitioner neglected to do so. Thus, on the record before us, Petitioner has failed to establish a ‘real interest’ and ‘reasonable belief in damage.’ Accordingly, the cancellation proceeding is dismissed for Petitioner’s lack of standing.

\n

On May 22nd, Automattic filed a motion for the board to reconsider its decision. On June 1st, the board denied the request making its decision final.

\n

Petitioner has failed to establish any error in the Final Decision. Rather, Petitioner expresses disagreement with the result reached and argues, for the first time on reconsideration, positions it should have alleged in its petition to cancel, supported with testimony and/or competent evidence, and raised in its trial brief.

\n

We will not infer from Petitioner’s scant allegations and evidence, and silence in its brief, proof of its standing to bring this cancellation proceeding. Petitioner’s motion for reconsideration is denied.

\n

The decision allows Pearson to retain ownership of the DIYTHEMES, THESIS THEME, and THESIS trademarks. It’s unclear if this outcome will lead to more legal actions from either party. At the time of publishing, Pearson did not return a request for comment regarding the outcome and what his plans are for the Trademarks.

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 05 Aug 2017 00:56:12 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:1;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:44:\"WPTavern: In Case You Missed It – Issue 22\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"https://wptavern.com?p=73917&preview=true&preview_id=73917\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:51:\"https://wptavern.com/in-case-you-missed-it-issue-22\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:6881:\"photo credit: Night Moves – (license)\n

There’s a lot of great WordPress content published in the community but not all of it is featured on the Tavern. This post is an assortment of items related to WordPress that caught my eye but didn’t make it into a full post.

\n

WordPress Foundation is Taking Submissions for The Kim Parsell Memorial Scholarship

\n

For the third year in a row, the WordPress Foundation will award a woman contributor with financial need who has never attended WordCamp US the Kim Parsell Memorial Scholarship. The scholarship was created in memory of Kim Parsell who passed away in 2015.

\n

The scholarship covers the cost of the following:

\n
    \n
  • Travel to and from Nashville from the recipient’s home city,
    • \n
  • Hotel stay for the duration of the event,
    • \n
  • A ticket to WordCamp US 2017.
    • \n
\n

The deadline to apply for the scholarship is Tuesday, August 15th at 12a.m. Pacific.

\n

Kim Parsell Memorial Scholarship 2017

\n

\n

The WordPress Economy is Fine

\n

In a guest post for Post Status, Joshua Strebel, founder of Pagely, explains why he’s not worried about the WordPress economy.

\n

In all channels, new market entrants or existing small shops are being out-gunned by the established players, or the buyers needs are being met upon install.

\n

So is the WordPress ecosystem shrinking? Yes, segments of it are and will continue to do so. It’s like in any industry: the car replaced the horse and the robot replaced the factory worker. What was successful in the New Market phase may not work in the more mature, ‘Existing Market’ phase we are in.

\n

It’s a good read and it’s interesting to think about what new segments will be created that don’t exist.

\n

WPCampus 2017 Videos Are Now Available

\n

WPCampus has published all of the videos from its 2017 conference. They’re available to watch for free either on the site or the organization’s YouTube channel. If you attended WPCampus 2017 or watched the livestream, please consider taking the following survey that will help organizers plan for future events.

\n

WordPress Case Studies Needed

\n

The WordPress marketing team has published a survey seeking case studies from agencies, enterprises, and clients who use WordPress. The team has provided a sample Case Study that can be used as a template. The case studies will help determine how WordPress is being used and help focus future marketing efforts.

\n

Calling all WordPress Agencies

\n

\n

New Preferred Languages Prototype

\n

Pascal Birchler unveiled an updated prototype of the preferred languages project. The project adds UI to the WordPress backend that allows users to select multiple preferred languages. WordPress will try to load the translations for the first language that’s available. If it’s not available, it will fall back to the next language in the list.

\n

Birchler is seeking feedback on the newest version of the plugin and is working towards it being a merge candidate for WordPress 4.9.

\n

Preferred Languages: The Prototype

\n

\n

WordPress’ Emerging Dominance as a CMS of Choice for Law Firms

\n

Kevin O’ Keefe explains why WordPress is likely to become the dominant CMS of choice for law firms.

\n

Just as Word has replaced WordPerfect as the word processing solution of choice for law firms, WordPress is likely to replace other content management systems for law firms, both large and small.

\n

WordPress 4.9 Expected This November

\n

In the last developer’s chat, WordPress 4.9 development kicked off and is expected to be released in November. This release will focus on editing code, managing plugins and themes, a user-centric way to customize a site, and improvements to features recently added. Mel Choyce and Weston Ruter are co-release leads.

\n

Dev Chat Summary: August 2nd (4.9 week 1)

\n

\n

Volunteers Needed for WordCamp US

\n

WCUS Needs You: Volunteer Applications Are Now Open

\n

\n

A Visit From St. Gutenberg

\n

Perhaps the greatest one-star review on the WordPress plugin directory.

\n

Minniepuu and Wapauul!

\n

In what is a traditional part of this series, I end each issue by featuring a Wapuu design. For those who don’t know, Wapuu is the unofficial mascot of the WordPress project. Minniepuu and Wapauul, designed by Michelle Schulp, are the mascots of WordCamp Minneapolis 2017 that’s taking place this weekend.

\n

Minneapolis and St. Paul, MN are commonly referred to as the Twin Cities and the city’s Major League Baseball team is the Minnesota Twins.

\nWordCamp Minneapolis 2017 Wapuus\n

That’s it for issue twenty-two. If you recently discovered a cool resource or post related to WordPress, please share it with us in the comments.

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 05 Aug 2017 00:18:44 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:2;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:85:\"WPTavern: Publishers Are Moving Back to WordPress After Short Experiments with Medium\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73902\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:96:\"https://wptavern.com/publishers-are-moving-back-to-wordpress-after-short-experiments-with-medium\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:8358:\"photo credit: hyku – cc\n

The Awl, ThinkProgress, Film School Rejects, and several other publishers have moved back to WordPress after short experiments on Medium. In early 2016, Medium convinced a collection of small, independent publications to move to its platform but shortly thereafter discontinued its unsuccessful ad-driven publishing model without notifying publishers.

\n

In March 2017, Medium CEO Ev Williams announced that his solution to fix the broken, ad-driven media industry was to fire up a new $5 subscription program that would put articles behind a paywall inside of the Medium network.

\n

Today The Awl, The Hairpin, and The Billfold announced the publications have moved back to WordPress after switching to Medium in April 2016.

\n

“The move to Medium was a cool experiment, in my opinion, but the year is up and personally I missed the ads,” The Awl Editor Silvia Killingsworth said. The Billfold’s announcement cited Mediums’ recent changes as the reason for the move back to WordPress:

\n

Our move to Medium was an experiment to explore a different kind of business model, and that experiment is over now that the platform has moved in a different direction (you can read more in-depth about those changes here).

\n

Adapting to change is all part of the many joys of being a small, independent publisher.

\n

Film School Rejects Returns to WordPress After 1-Year Experiment with Medium

\n

Film School Rejects (FSR) also returned to WordPress in May after a year-long, rocky experiment with Medium. The publication was one of Medium’s first 12 premium publishers.

\n

“To be honest, I can’t afford, nor would my heart hold up for, a move back to a private server and WordPress,” FSR founder Neil Miller told Poynter in January after Medium announced it was pivoting away from ad-driven media. “So, barring a miracle, my site will live and die on Medium. I’m optimistic that I’ll find some sort of solution and be able to remain on Medium.”

\n

Ultimately, Medium’s goals as a publisher of subscription content were at odds with FSR’s ability to sustain the publication. Miller said they had ported 10 years of content over to the platform after being promised a beautiful user experience and a way forward that would allow FSR to grown the business, continue to pay its writers, and keep the publication on the cutting edge.

\n

“What we were sold when we joined their platform is very different from what they’re offering as a way forward,” Miller told Poynter. “It’s almost as if Ev Williams wasn’t concerned that he was pulling out the rug from underneath publishers who had placed their trust in his vision for the future of journalism.”

\n

After moving FSR back to WordPress, Miller said the partnership with Medium was great until the company changed course to become a different type of platform.

\n

“As time went on, it became clear that Medium’s priorities had shifted from being a platform for independent publishers to being itself a publisher of premium, subscription-based content,” he said. “As we learned more about their future plans for the now-existent Medium ‘Members Only’ program, it became clear that our site wouldn’t be able to continue to operate the way we always had.”

\n

Miller said the process of trying a new platform and returning to WordPress made him realize that he “missed some of the customizable features of WordPress,” which led his team to work on some new features they will be launching in the future. The site has reinstated its banner advertising on pages.

\n

“We’d love to be able to do this all without any ads, but there’s no money in that,” Miller said. “And guess who doesn’t get paid if the site can’t make any money? The people who write articles, edit the site, make video essays, curate One Perfect Shot, and host podcasts.”

\n

ThinkProgress Exits Medium, Founder Says Platform is No Longer Developed with Publishers in Mind

\n

ThinkProgress was one of the largest publications to make the move to Medium last August. After less than a year, the site has moved back to WordPress, its previous publishing platform. ThinkProgress founder Judd Legum told Poynter that the lack of advertising capabilities was not the reason his publication left the platform but rather because Medium no longer serves the best interests of publishers.

\n

“I’m certainly not eager to have a bunch of ads on the site — and we’re not going to,” Legum said. “I’d love to have none. And if it were possible, I’d be interested in figuring out a model where we don’t have to have any. But if it’s connected to a platform that’s not going to be developed with publishers in mind, it doesn’t really make sense to think through that as a platform. That sealed it for me.”

\n

ThinkProgress is taking its 8 to 10 million unique pageviews per month back into the independent publishing space. It is the latest of several other publishers leaving Medium after having been persuaded in 2016 to jump into Ev Williams’ experiment with initial promises of free hosting, more traffic, and advertising money. Not all of the sites are moving back to WordPress, but most are looking to free themselves from Medium’s experiment on publishers and regain the ability to sell advertising and/or subscriptions.

\n

The Ringer moved to Vox Media at the end of May after Medium discontinued its advertising model. The Pacific Standard left Medium to focus on building custom features to drive subscription growth.

\n

Backchannel also moved its site off of the platform and is now publishing on Wired.com. “In the time since Backchannel launched, Medium has shifted its business strategy, and it’s no longer as focused on helping publications like ours profit,” BackChannel Editor Jessi Hempel said.

\n

Medium’s new subscription revenue model and partner program are still in beta but the returns have not been enough to convince publishers to stay, even with costly migrations back to tried and proven platforms like WordPress. Ad-driven publishing may not be the most ideal way to keep a publication afloat, but publishers moving away from Medium are not willing to stay on for the the startup’s experiment at the expense of their writers and staff.

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 04 Aug 2017 23:09:07 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:3;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:59:\"WPTavern: WordPress 4.8.1 Released, Adds Custom HTML Widget\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73825\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:69:\"https://wptavern.com/wordpress-4-8-1-released-adds-custom-html-widget\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:901:\"

WordPress 4.8.1 is available for download or as an update from the WordPress Dashboard. This release contains 29 bug fixes and improvements. The most notable addition is a dedicated Custom HTML widget.

\nCustom HTML Widget in WordPress 4.8.1\n

The Custom HTML widget works similar to the Text widget in WordPress 4.7 and below. To see a full list of changes in WordPress 4.8.1, check out the release notes. If you think you’ve discovered a bug, please report it in as much detail as possible on the WordPress support forums. Twenty-two people contributed to this release.

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 03 Aug 2017 20:26:27 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:4;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:23:\"Matt: Website as Resume\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"https://ma.tt/?p=47486\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:40:\"https://ma.tt/2017/08/website-as-resume/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:1422:\"

The illustrious Chance the Rapper was looking for a new intern.

\n
\n

I\'m looking for an intern, someone with experience in putting together decks and writing proposals

\n

— Lil Chano From 79th (@chancetherapper) March 27, 2017

\n

\n

Some people responded with regular resumes, replying as images, but Negele “Hopsey” Hospedales decided to make a website on WordPress.com:

\n
\n

maybe I\'m extra, but I think resumes are old fashion. I built a website instead. #ChanceHireHospeyhttps://t.co/DmYvxAQu61

\n

— madebyhosp. (@Hospey) March 28, 2017

\n

\n

The happy ending is written up in Billboard: he got the gig and went on tour with Chance. Hospey wrote a great article on it himself: How To Work For Your Favourite Rapper.

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 03 Aug 2017 10:23:48 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"Matt\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:5;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:53:\"Akismet: Akismet WordPress Plugin 3.3.4 Now Available\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"http://blog.akismet.com/?p=1955\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:67:\"https://blog.akismet.com/2017/08/03/akismet-wordpress-plugin-3-3-4/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:1571:\"

Version 3.3.4 of the Akismet plugin for WordPress is now available.

\n

3.3.4 has a few fixes and enhancements that should make everyone’s lives better:

\n
    \n
  • URL previews in the WordPress admin will now begin preloading when the cursor moves near the link so they appear faster once you move your mouse over the link.
    • \n
  • When a comment is caught by both the Comment Blacklist and Akismet, Akismet will now leave it in Trash instead of moving it out of Trash and into Spam.
    • \n
  • A bug has been fixed that was preventing a notice from being shown when a site’s firewall was preventing it from connecting to Akismet’s servers.
    • \n
  • Akismet will no longer log all of its debug information unless a new constant (AKISMET_DEBUG) is also enabled, even if WP_DEBUG and WP_DEBUG_LOG are both enabled.
    • \n
\n

To upgrade, visit the Updates page of your WordPress dashboard and follow the instructions. If you need to download the plugin zip file directly, links to all versions are available in the WordPress plugins directory.


\"\" \"\"\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 03 Aug 2017 04:25:22 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:17:\"Christopher Finke\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:6;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:61:\"WPTavern: WPWeekly Episode 283 – A Visit From St. Gutenberg\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"https://wptavern.com?p=73870&preview=true&preview_id=73870\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:67:\"https://wptavern.com/wpweekly-episode-283-a-visit-from-st-gutenberg\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2823:\"

In this episode, John James Jacoby and I start off the show with an adaptation of ‘A Visit from St. Nicholas‘ created by Clement Clarke Moore. Since we didn’t have a guest, Jacoby and I opened up about our personal lives which turned into a conversation about remote working from home. We also discussed the news of the week, including SiteLock’s acquisition of Patchman, WordPress 4.8.1, and Adobe discontinuing Flash.

\n

Stories Discussed:

\n

A Fix for WordPress Weekly Subscribers Using Pocket Casts
\nWordPress 4.8.1 Adds a Dedicated Custom HTML Widget
\nSiteLock Acquires Patchman’s Malware and Vulnerability Detection Technology, Expands WordPress Customer Base to 4 Million
\nAdobe to Discontinue Flash Support and Updates in 2020
\n.blog Passes 100,000 Registrations, 66.5% of Purchased Domains are in Use
\nBuddyPress 2.9 Adds Ability to Safely Edit A Group’s Permalink
\nNew Dobby Plugin Captures and Hides Unwanted WordPress Admin Notices

\n

Picks of the Week:

\n

An entertaining one-star review of Gutenberg based on ‘A Visit from St. Nicholas’ poem by Clement Clarke Moore.

\n

WPWeekly Meta:

\n

Next Episode: Wednesday, August 9th 3:00 P.M. Eastern

\n

Subscribe To WPWeekly Via Itunes: Click here to subscribe

\n

Subscribe To WPWeekly Via RSS: Click here to subscribe

\n

Subscribe To WPWeekly Via Stitcher Radio: Click here to subscribe

\n

Listen To Episode #283:
\n

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 03 Aug 2017 01:25:51 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:7;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:103:\"WPTavern: WordPress Polyglots Team Fuels International Community Growth with 3rd Global Translation Day\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73789\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:114:\"https://wptavern.com/wordpress-polyglots-team-fuels-international-community-growth-with-3rd-global-translation-day\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:6613:\"

\n

The 3rd Global WordPress Translation Day has been set for September 30, 2017. The success of previous events has generated momentum to continue the 24-hour global translation sprints and has also increased the visibility of the Polyglots team’s contributions. These sprints have provided a catalyst for the team’s growth from 5,000 contributors in April 2015 to 17,000 in November 2016. The greater WordPress community has also grown in tandem, as reliable translations are the lifeblood of international WordPress usage.

\n

One way of measuring the growth of the global community is the checking the status of local meetups. After the addition of the dashboard events widget in WordPress 4.8, the community has seen a sharp rise in meetup group growth, according to recent stats from the community team. The widget displays local WordPress events for logged-in users.

\n

“It’s safe to say that the widget has achieved its goals admirably — since WordPress 4.8 was released a little over a month ago, 31 new meetup groups have been formed with 15,647 new members across the whole program,” Hugh Lashbrooke said. “This is compared to 19 new groups and only 7,071 new members in the same time period last year.”

\n

\n

Much of that growth can be attributed to the growth of the international WordPress community, which has continued to advance the concept of regional WordCamps for countries and continents. These include events such as WordCamp Netherlands, WordCamp Europe, and the planned WordCamp Asia, that bring larger groups of WordPress enthusiasts together around a common region.

\n

In 2014, the WordPress community hosted 80 WordCamps in 29 countries. At the conclusion of 2016, there were 115 total WordCamps hosted in 41 different countries.

\n

WordPress’ usage continues to grow every year, and the percentage of non-English-speaking users is also expanding. In 2014, non-English WordPress downloads surpassed English downloads for the first time.

\n

Last July, 53.9% of WordPress sites used the English (US) locale. That number has dropped to 50% as of today, as international usage continues to rise.

\nStats from WordPress.org July 2017\n

Rahul Bansal’s lightning talk at WordCamp Europe identified one example of how the translation sprints are bringing in new contributors in India. In the past, meetup groups have had a problem with retaining new users, who often come to their first meetup lacking both a sense of belonging and confidence in contributing. Bansal and other Polyglots members had an idea to remove this block to contributing by getting new users involved in translating WordPress.

\n

During the last global translation day event, Bansal helped organize a local group to translate WordPress core into Hindi, Marathi, and Gujarati. They also translated the subtitles for the WordPress 4.6 release video. The key was that the leaders did not participate in translating strings but rather focused on guiding new translators – 90% ended up being first-time contributors.

\n

WordPress 4.6 shipped with support for 50 languages and the complete Gujarati translation was added to core just a few days before the release. Its inclusion in the release made WordPress more accessible to approximately 65.5 million Gujarati speakers worldwide.

\n
\n

The 3rd Global WordPress Translation Day falls on the same day that the United Nations has designated as International Translation Day, a new initiative to recognize “the role of professional translation in connection with nations and fostering peace, understanding, and development.”

\n

WordPress has only just begun to explore its potential to democratize publishing and hasn’t even cracked the ice in terms of usage across the world’s most popular languages. Sites using the various Chinese and Arabic locales make up less than 2% of international usage, despite these languages having more than a billion native speakers combined. If WordPress adoption takes off in these parts of the world, it will create a whole new wave of contribution and vastly expand the world market for commercial plugins and themes. The Polyglots team are on the forefront of making this possible.

\n

The first two WPTranslationDay events were held in April and November of 2016. The second event had a 74% increase in participation over the first with a total of 780 translators participating. This year organizers are aiming to host more local translation sprints to surpass the 67 held in November. If you want to join the Polyglots team to help serve WordPress’ growing international community, you can attend or organize one of the local events, watch sessions live on CrowdCast, organize a remote event, become a speaker, or start translating at translate.wordpress.org.

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 03 Aug 2017 00:36:19 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:8;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:45:\"Dev Blog: WordPress 4.8.1 Maintenance Release\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"https://wordpress.org/news/?p=4875\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:71:\"https://wordpress.org/news/2017/08/wordpress-4-8-1-maintenance-release/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2547:\"

After over 13 million downloads of WordPress 4.8, we are pleased to announce the immediate availability of WordPress 4.8.1, a maintenance release.

\n

This release contains 29 maintenance fixes and enhancements, chief among them are fixes to the rich Text widget and the introduction of the Custom HTML widget. For a full list of changes, consult the release notes, the tickets closed, and the list of changes.

\n

Download WordPress 4.8.1 or visit Dashboard → Updates and simply click “Update Now.” Sites that support automatic background updates are already beginning to update to WordPress 4.8.1.

\n

Thanks to everyone who contributed to 4.8.1:
\nAdam Silverstein, Andrea Fercia, Andrew Ozz, Atanas Angelov, bonger, Boone Gorges, Boro Sitnikovski, David Herrera, James Nylen, Jeffrey Paul, Jennifer M. Dodd, K. Adam White, Konstantin Obenland, Mel Choyce, r-a-y, Reuben Gunday, Rinku Y, Said El Bakkali, Sergey Biryukov, Siddharth Thevaril, Timmy Crawford, and Weston Ruter.

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 02 Aug 2017 21:26:25 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:12:\"Weston Ruter\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:9;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:52:\"HeroPress: Your Skills Speak Louder Than Your Gender\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"https://heropress.com/?post_type=heropress-essays&p=2006\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:126:\"https://heropress.com/essays/skills-speak-louder-gender/?utm_source=rss&utm_medium=rss&utm_campaign=skills-speak-louder-gender\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:6336:\"\"Pull

I don’t usually talk or even think about gender in relation to my career. I’m a female developer but I’ve never really felt like that is anything too special and more importantly I have rarely felt like my gender mattered.

\n

As a kid I thought I would become an artist or a dancer. It wasn’t until I had to choose the university to apply to that I decided to go with something more practical so I went with Computer Science. I hadn’t really done much with code before that, except for having a Lord of the Rings discussion board with my friends and making doing some HTML & CSS related to that. After the first year of school I was already making my first WordPress sites to paying customers.

\n

After graduating I have been a full-time employee in a developer position as well as a freelancer. I’ve worked both in Finland and in the USA. During my career I have actually been surprised how easy it has been for me, a woman in the male-dominated industry, to find work, to get promoted and to get recognition. I have not faced much discrimination or prejudice related to my gender, and the great professionals I have got to work with have always been interested in my skills beyond anything else.

\n

So how come there is such a huge gender gap in the industry? I’ve witnessed it myself many times – being the only woman in a WordPress meetup of thirty people, or not having to queue at all to women’s bathroom in a tech conference with over 1000 attendees. There is no doubt that women are as capable as men, so whatever the reason is I really hope the future women would see the fun, problem-solving profession of a programmer as a great career option.

\n

A few tips for an aspiring developer

\n

I want to encourage everyone considering a developer career to take action and go for it. The tech industry is full of very clever and inspiring people and I promise you will not be bored. More importantly it is a safe career choice: the job market is great and the companies and the different tech communities are generally very open and welcoming. If you want to be a woman person in tech, remember:

\n
    \n
  1. Do not accept gender any discrimination
    \nOne great thing about being a developer is the current status of the job market. There is a lot more demand than there is supply, so you can choose who you work with. Do not put up with discrimination, talk about it openly and stand against it. I’ve been lucky enough not to face much judgement based on my gender. I’ve worked both in Finland and in the US and the biggest challenges I’ve faced have been clients that have been surprised that a woman is the tech lead in their project. Usually after a few hours of working together the prejudice disappears – it has always been enough to just be professional and stay true to myself.
    2. \n
  2. Be active and give back
    \nIt is important to be active in your community and help other people out in their careers. Everyone benefits from a striving local community and also it is a great opportunity to make new connections and open new doors in your career.Being an organiser of WordCamp Finland & WordPress Helsinki meetup group for the last few years has really given me more than it has taken. I’ve learnt a lot and met many inspiring people, and it has opened up new career options for me too. The best thing tho has been just seeing the Finnish community grow so much and get more active by the day.
    3. \n
  3. It’s skills that matter
    \nThis is really what it comes down to. Are you developing your skills constantly? Are you willing to keep up with the industry? You do not have to be the best developer, but you should be confident in your skills and be willing to always learn new ones. I believe that this is the only thing that matters in the end – not your gender.
    4. \n
\n

The post Your Skills Speak Louder Than Your Gender appeared first on HeroPress.

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 02 Aug 2017 11:00:33 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Sonja Jaakkola\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:10;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:43:\"Dev Blog: The Month in WordPress: July 2017\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"https://wordpress.org/news/?p=4885\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"https://wordpress.org/news/2017/08/the-month-in-wordpress-july-2017/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:5643:\"

After a particularly busy month in June, things settled down a bit in the WordPress world — WordPress 4.8’s release went very smoothly, allowing the Core team to build up some of the community infrastructure around development. Read on for more interesting news from around the WordPress world in July.

\n
\n

Weekly meeting for new core contributors

\n

Onboarding new contributors is a persistent issue for most WordPress contribution teams. While every team welcomes any new contributors, the path to getting deeply involved can be tricky to find at times.

\n

This month, the Core team implemented a fantastic new initiative: weekly meetings for new core contributors as a way to encourage involvement and foster fresh contributions. The meetings not only focus on bugs suited to first-time contributors, they also make space for experienced contributors to help out individuals who may be new to developing WordPress core.

\n

The meetings are held every Wednesday at 19:00 UTC in the #core channel in the Making WordPress Slack group.

\n

Increased focus on PHP practices in WordPress core

\n

In bringing people together to improve WordPress core, a new channel in the Making WordPress Slack group named #core-php is designed to focus on PHP development in the project.

\n

Along with this increased concentration on PHP, a new weekly meeting is now taking place every Monday at 18:00 UTC in #core-php to improve WordPress core’s PHP practices.

\n

Sharp rise in meetup group growth

\n

The dashboard events widget in WordPress 4.8 displays local, upcoming WordPress events for the logged in user. The events listed in this widget are pulled from the meetup chapter program, as well as the WordCamp schedule.

\n

This widget provides greater visibility of official WordPress events, and encourages community involvement in these events. It’s safe to say that the widget has achieved its goals admirably — since WordPress 4.8 was released a little over a month ago, 31 new meetup groups have been formed with 15,647 new members across the whole program. This is compared to 19 new groups and only 7,071 new members in the same time period last year.

\n

You can find a local meetup group to join on meetup.com, and if you would like to get involved in organizing events for your community, you can find out more about the inner workings of the program on the Community Team site or by joining the #community-events channel in the Making WordPress Slack group.

\n

WordPress 4.8.1 due for imminent release

\n

WordPress 4.8 cycle’s first maintenance release will be published in the coming week, more than a month after 4.8 was released. This release fix some important issues in WordPress core and the majority of users will find that their sites will update to this new version automatically.

\n

If you would like to help out by testing this release before it goes live, you can follow the beta testing guide for WordPress core. To get further involved in building WordPress core, jump into the #core channel in the Making WordPress Slack group, and follow the Core team blog.

\n
\n

Further reading:

\n\n

If you have a story we should consider including in the next “Month in WordPress” post, please submit it here.

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 02 Aug 2017 07:50:14 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:15:\"Hugh Lashbrooke\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:11;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:74:\"WPTavern: Jetpack 5.2 Brings Major Improvements to the Contact Form Module\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73816\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:85:\"https://wptavern.com/jetpack-5-2-brings-major-improvements-to-the-contact-form-module\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2280:\"

Jetpack’s Contact Form module hasn’t seen too many changes since its first release (version 1.3) in 2012. It is easily one of the most compelling features included in the plugin and has long been overdue for a refresh.

\n

Today’s 5.2 release brings major improvements to the Contact Form module. Previously, Jetpack launched the form builder as a small popup in the post editor. The refreshed design brings form editing and previewing into the main content area where users can customize fields and labels and re-order them using drag-and-drop. At the bottom of the form users can click a button to add new fields. These interface updates bring the module more in line with other leading contact form plugins.

\n

\n

Jetpack 5.2 also improves the recommended features list for new users with better explanations of the features and benefits of each. The release also reduces the plugin’s zip file by 500kb and reduces the code required to run the Comment Likes module.

\n

Comment Likes were introduced in version 5.1, offering users a new way of interacting within the comments. Hovering over the number of likes will display the Gravatars of the users who liked the comment. The feature does not require Jetpack Comments to be enabled. The two work independently of each other.

\n

\n

In attempting to add Comment Likes to the Tavern, we found the module has a conflict with the Epoch commenting plugin plugin. We have temporarily disabled the plugin until compatibility for Comment Likes is added. We are testing the module to see how it affects interaction in the comments of our posts.

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 02 Aug 2017 03:28:56 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:12;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:74:\"WPTavern: BuddyPress 2.9 Adds Ability to Safely Edit A Group’s Permalink\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73769\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:82:\"https://wptavern.com/buddypress-2-9-adds-ability-to-safely-edit-a-groups-permalink\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2024:\"

BuddyPress 2.9 ‘La Lombarda’ named after a restaurant established in 1922 in the UK, is available for download. This release contains a handful of small improvements.

\n

BuddyPress legacy templates now have Aria labels that improves accessibility to layouts. Group invites are no longer sent to users that have already received one. Uploading profile images on mobile devices is easier and has better support for files with non ASCII characters.

\n

Earlier this year, I highlighted how BuddyPress didn’t create a redirect when a Group’s slug was changed. According to John James Jacoby, BuddyPress lead developer, groups did not have a canonical redirection, or keep track of their slug history.

\n

Perhaps the most noteworthy improvement in this release is the ability to safely edit a Group’s Slug from the Dashboard and have it automatically redirect.

\n

\n

This improvement was eight years in the making and allows users to change a Group’s slug without breaking existing links.

\n

Other changes in 2.9 include:

\n
    \n
  • Email links to private message threads now re-direct logged out users to the login screen, logged in users are directed to the message thread.
    • \n
  • A new template tag named bp_group_link()
    • \n
  • An order_by parameter for activity queries.
    • \n
\n

For a full list of changes in this release, check out BuddyPress 2.9’s Codex page. If you encounter any issues, you’re encouraged to report them in the BuddyPress support forum. Forty-five people contributed to BuddyPress 2.9.

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 01 Aug 2017 21:00:06 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:13;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:67:\"WPTavern: A Fix for WordPress Weekly Subscribers Using Pocket Casts\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73803\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:78:\"https://wptavern.com/a-fix-for-wordpress-weekly-subscribers-using-pocket-casts\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2140:\"

Last week, you may have noticed that the Tavern was intermittently offline and generating errors. We’ve been experiencing technical issues for the past several months but they peaked last week. After working with Bluehost, they migrated the site from a VPS, to a Dedicated Server that has more powerful hardware.

\n

Since the migration, we’ve noticed the site is more responsive, loads quicker, and doesn’t generate any errors. If you see an error or experience problems accessing the site, please report them to us on Twitter.

\n

Last month, a number of WordPress Weekly listeners reported that they were unable to access recent episodes through Apple’s Podcasting app, Stitcher, and other applications. After reconverting the MP3s and getting them to work on Apple’s Podcasting app, I continued to receive reports from Pocket Casts subscribers that the files were not available.

\n

After confirming the issue, I reconverted the MP3s three times with different conversion software. I also used tools to diagnose and confirm that the files were not corrupted. Despite my efforts, Pocket Casts continued to encounter problems accessing the files.

\n

I was running out of options until Josh Eby reported that, deleting the app from his device, reinstalling it, and re-syncing his library fixed the problem.

\n
\n

So I decided to delete all of my app data for pocket casts and re-sync my library. I downloaded them again and it worked for 280…

\n

— Josh Eby (@josheby) July 31, 2017

\n

\n

I followed his advice and indeed, recent episodes of WordPress Weekly are available again in Pocket Casts. If you’re subscribed to the show using Pocket Casts and can not access episodes 280-282, please consider going through the steps listed above.

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 01 Aug 2017 19:09:46 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:14;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:78:\"WPTavern: New Dobby Plugin Captures and Hides Unwanted WordPress Admin Notices\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73783\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:89:\"https://wptavern.com/new-dobby-plugin-captures-and-hides-unwanted-wordpress-admin-notices\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3482:\"

With the right combination of plugins and events, the WordPress admin area can quickly become a confusing mess of notices. WordPress’ notification system is often abused and overused by plugin authors who want to inject upsells and announcements into the admin. These can stack up like a pile of junk mail vying for users’ attention when they are trying to manage their sites. Ultimately, notice overload decreases users’ enjoyment of the software and may contribute to making it a chore to log into WordPress.

\n

The new Dobby plugin from Thorsten Frommen attempts to solve this problem by capturing and hiding unwanted admin notices. Frommen, a WordPress engineer at Inpsyde, was inspired to create the plugin after he saw a recent tweet from Torsten Landsiedel showing “Everyday life in the WordPress dashboard.”

\n
\n

Alltag im WordPress Dashboard. pic.twitter.com/lofO7544uL

\n

— Torsten Landsiedel (@zodiac1978) July 16, 2017

\n

\n

Dobby rolls up WordPress admin notices and keeps them hidden behind a “Reveal” button that toggles a color-coded list of notices into view. It captures all the notices that are printed via the admin notice hooks, such as network_admin_notices, user_admin_notices, admin_notices and all_admin_notices. Dobby will post an admin notice if any notices have been captured.

\n

\n

Frommen said the target audience for his plugin is “all the people sick and tired of too many admin notifications, which are oftentimes of no real value at all.” Dobby has a filter available for users to define what “too many” means for themselves. The plugin’s GitHub repository has examples of how to use the Dobby filter threshold, which lets users customize the minimum number of admin notices required to trigger Dobby to start hiding them.

\n

“It certainly is possible that people may miss (critical) messages with Dobby being active,” Frommen said. “However, Dobby is smart enough to style his admin notice according to the most critical one captured. This means that Dobby’s notice will have error styling if there was an error notice captured. If the most critical one was a warning, that’s what Dobby’s notice will be as well. Otherwise, it’s an info notice.”

\n

Within the first 10 minutes of requesting translations after announcing that Dobby was on WordPress.org, Frommen received German and Dutch translations for the plugin. The plugin UI has only two strings, which makes it a simple, 5-minute translation job.

\n

Frommen is considering adding a filter for people to define what kind of notices they would like Dobby to capture. He welcomes suggestions, contributions on GitHub, and more translations from the WordPress community.

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 01 Aug 2017 18:30:50 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:15;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:105:\"WPTavern: Gutenberg 0.6.0 Changes Text/Paragraph Block Behavior, Adds New Cover Text and Read More Blocks\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73735\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:114:\"https://wptavern.com/gutenberg-0-6-0-changes-textparagraph-block-behavior-adds-new-cover-text-and-read-more-blocks\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:8165:\"photo credit: A Tiny Break From The Rain \"?\"Adventures In Wonderland & Through The Looking Glass\"?\" – (license)\n

Gutenberg 0.6.0 was released over the weekend with significant changes to the way paragraphs are created within text blocks. In previous versions of the plugin, pressing enter would create a line break inside a paragraph. This release modifies the behavior of the text/paragraph block to split the block when a user presses enter. (Line breaks can still be created by pressing SHIFT+ENTER.)

\n

\n

This update is a small improvement in that it hides the text formatting bar when you continue on with a new paragraph, but the slightest scroll or move of the mouse brings it back into view. Contributors are considering adding a buffer at some point that would only trigger the UI after the mouse moves a certain number of pixels.

\n

Unfortunately, the “New Paragraph” placeholder text is intrusive and distracting. It is a constant, unwanted reminder of the structure of your document, which is not helpful if you are trying to stay in the flow of writing.

\n

Gutenberg may improve the experience of vertically stacking differently formatted content, but the writing experience still needs a great deal of work before it can be comparable to what WordPress currently provides. The new editor still gets in the way of writing, instead of silently enabling it.

\n
\n

I love Gutenberg so far, but this is too many dongles to display at the moment of focusing on writing. pic.twitter.com/Xpb19KgG01

\n

— Daniel Bachhuber (@danielbachhuber) July 25, 2017

\n

\n

After browsing the Gutenberg repository’s 400+ issues queue, it’s clear that contributors are aware of the jarring experience for writers and are working to improve it in every release. However, the beta software is not anywhere near ready for long-form writing, as the intrusive UI places too many cognitive demands on the writer.

\n

New Blocks in 0.6.0: “Cover Text” and “Read More”

\n

This release introduces a new “Cover Text” block that includes background, text color, and full-width options. Color swatches are available in the sidebar block options and contributors are planning to add filters to allow plugin and theme authors to supply a custom palette.

\n

\n

Version 0.6.0 also includes a new “Read More” block that inserts a read more link with instant visual feedback within the content.

\n

\n

This release also brings several improvements to existing blocks, autosaving for drafts, and initial support for undo/redo keyboard functions.

\n

Gutenberg’s Negative Reviews are Piling Up on WordPress.org

\n

Gutenberg contributors are regularly shipping weekly releases, with many features added as bare bones placeholders that will be iterated on in future releases. New blocks are being developed simultaneously with core editing features. Some testers have bemoaned the proliferation of blocks that may seldom be used while the basic writing experience continues to lag behind.

\n

Gutenberg plugin reviews are currently averaging 2.3 out of 5 stars on WordPress.org, with 46 1-star reviews, 21 5-star reviews, and a handful in between. While the reviews are not a full representation of all who are testing Gutenberg, they provide a small window into users’ current expectations, delights, and frustrations with the editor. Gutenberg contributors are monitoring these forums and using the feedback to create bug reports.

\n

Many reviewers have left 1-star ratings, begging WordPress to keep it as a plugin instead of adding it to core. One reviewer even took to verse to further elaborate on his one-star review titled “A Visit from St. Gutenberg” with an adaptation of the classic poem “The Night Before Christmas:”

\n

\nA bundle of blocks he had flung on his back,
\nAnd he looked like a coder just opening his pack.

\n

His eyes—how they twinkled! his dimples, how merry!
\n“Who needs MCE, when we have blocks and so many?”

\n

Many reviewers find Gutenberg to be “unnecessarily complex” for actions that were previously easy to perform in the editor.

\n

“I have several websites – two are for business and include blogs (technical posts, how-tos, etc),” @quantaweb said. “I’m also the editor of a literary magazine. This doesn’t work for any of these sites. It’s not easier to write blogs with it, and it does nothing to ease the work of importing critical essays and poetry into the literary magazine — and formatting them — either…Gutenberg is unnecessarily complex.”

\n

Some of the 1-star reviews come laced with threats to move to another CMS and splinter the WordPress community if Gutenberg is included in core.

\n

“By removing all the traditional editor buttons and trying to make a minimalist design the usefulness and ease of use has been drastically reduced,” @ovann86 said. “I found myself either not being able to do very basic content management or having to click, hover and look for the buttons – instead of them being visible and available immediately…If this was made core I would likely be forced to move to another CMS.”

\n

Early testing of beta software is not for everyone, as many are unable to look past the initial bugs and clunky implementations to see the potential of the editor to improve WordPress’ severely fragmented content creation experience. Matt Mullenweg jumped onto the forums as recently as two weeks ago to respond to testers’ feedback.

\n

“We definitely agree it’s not ready for prime time yet, that’s why we’re doing extensive public testing and iteration while it’s in the plugin phase,” Mullenweg said. “Thank you for your feedback and I hope you try it again in a few months with an open mind.”

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 31 Jul 2017 23:26:18 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:16;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"BuddyPress: BuddyPress 2.9.0 – ‘La Lombarda’\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://buddypress.org/?p=267251\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:60:\"https://buddypress.org/2017/07/buddypress-2-9-0-la-lombarda/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:6217:\"

BuddyPress is happy to announce the immediate availability of it’s latest release 2.9 ‘La Lombarda’ available for download or updatable from your WordPress install plugin directory.

\n

This release features a range of improvements and updates for both core functionality and templates.

\n

Amongst a range of improvements and enhancements:

\n
    \n
  • BP legacy templates are updated for aria labels to bring a vastly improved level of accessibility to layouts.
    • \n
  • In line with current practises anchor title attributes are replaced with an enhanced version usable for all devices, BP Tooltips now provides pop up title requirements on mouse hover or keyboard focus.
    • \n
  • Provide the capability to edit the Group slug: now site admins may edit the group name and the permalink in the dashboard.
    • \n
  • Prevent group invites being sent to users that have already received one.
    • \n
  • Uploading of profile images in mobile devices improved as well as better handling of files with non ASCII characters.
    • \n
  • Email links to private message threads now re-direct logged out users to the login screen, logged in users are directed to message thread.
    • \n
  • New template tag bp_group_link()
    • \n
  • Add an order_by parameter for activity queries.
    • \n
\n

You can see the full set of changes on our codex page Version 2.9.0

\n

Comments & feedback
\nPlease report any issues to the Buddypress Support Forum or open a ticket on our Trac development home.

\n

Contributors
\nBuddypress is a volunteer project and the core team acknowledges the contributions from everyone listed below that helped to bring 2.9 to the community.

\n\n

La Lombada
\nThis release is named after what is thought to the oldest and thus first Italian restaurant in the UK established circa 1922 in Aberdeen.

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 31 Jul 2017 21:39:40 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:12:\"Hugo Ashmore\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:17;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:114:\"WPTavern: Dmitry Mayorov Discusses the Challenges of Organizing WordCamp Moscow and the Future of WordPress Themes\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=69311\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:125:\"https://wptavern.com/dmitry-mayorov-discusses-the-challenges-of-organizing-wordcamp-moscow-and-the-future-of-wordpress-themes\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2956:\"

While at WordCamp Europe I had the opportunity to meet Russian designer and developer Dmitry Mayorov, whose themes I had noticed earlier in the year in the WordPress Theme Directory. Mayorov’s design style is reminiscent of other niche theme developers like Anders Norén and Mike McAlister. He launched his own commercial themes business on ThemePatio.com two years ago and his free Counter and Maker themes collectively have more than 3,000 active installs on WordPress.org.

\n

\n

 

\n

Mayorov started taking part in meetups in Russia in 2013. Following WordCamp Moscow 2015, Konstantin Kovshenin asked him if he would take on the role of lead organizer. Mayorov is organizing WordCamp Moscow 2017, which is scheduled for August 12. In our interview below, he describes a few of the challenges organizers face in uniting the Russian WordPress community that is spread out over such a large land mass.

\n

Mayorov also discusses how he began creating WordPress themes and how clients’ needs influenced his theme development philosophy. He aspires to create themes that are fast, content-focused, and minimalistic, without the bloat of hundreds of font options and pre-built site layouts. Mayorov also gave us his predictions for the future of the theme industry.

\n

“I think it’s going to go two directions at the same time,” Mayorov said. “I think that page builders and multi-purpose themes wont go anywhere but I also think that niche themes are here to stay as well. Not everybody is looking for a page builder.

\n

“I see the tendency that at first when people get introduced to WordPress they discover theme marketplaces. They think, ‘Ok this is the top seller, I’m going to go with this theme.’ For some people it works, and there’s nothing wrong with that, because sometimes you have challenges where you need to create a website like yesterday…Once they see that there is another way, they start to research other theme developers and shops, realizing that there are simple themes that work faster and are easier to use, and that you don’t need to spend two hours trying to create the homepage. They will use those themes as well. These are the themes I’m trying to build.”

\n

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 28 Jul 2017 19:57:36 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:18;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:81:\"WPTavern: Customize Snapshots 0.6.0 Adds the Ability to Name and Merge Changesets\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73700\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:92:\"https://wptavern.com/customize-snapshots-0-6-0-adds-the-ability-to-name-and-merge-changesets\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:5032:\"photo credit: Freestocks.org\n

Contributors to the Customize Snapshots feature plugin are steadily building a UI for managing Customizer changesets using the changesets infrastructure added in WordPress 4.7. Version 0.6.0 of the plugin was released this month with an expanded interface for managing the complexities of multi-user editing in the Customizer.

\n

The previous version of Customize Snapshots already supported scheduling but this release introduces a new multi-select save button that allows users to publish, save draft, save as pending, or schedule changes.

\n

\n

Version 0.6.0 adds the ability to name changesets, which is especially helpful for site owners who are sorting and previewing changes submitted by multiple editors. The list of changesets has links for previewing on the frontend, editing in the Customizer, or inspecting the changeset’s content on the edit post screen.

\n

\n

This release introduces the ability to merge multiple changesets into a single changeset, which users can then preview and publish all at once.

\n

\n

Contributors have not yet worked out how this feature will handle conflicting changes submitted by multiple users. It currently accepts whatever change was made more recently, but this isn’t ideal in certain situations. Conflict resolution is on the team’s radar to address in future iterations of the plugin and they are discussing several different approaches.

\n

“Merging changesets would definitely lie in the realm of a power user feature,” Customize component co-maintainer Weston Ruter said. “It would probably not be proposed for core. Nevertheless, the existence of the feature is a demonstration of the kinds of things that can be possible when working with changesets.”

\n

In addition to co-leading WordPress’ Customizer team, Ruter is also the CTO at XWP, where several of the agency’s clients are actively using the Customize Snapshots plugin. News Corp Australia and Beachbody are two companies that have invested in the plugin’s development and are successfully using it at scale on their network of sites.

\n

“When paired with the Customize Posts plugin, it gets really powerful because you can edit multiple posts and pages, along with any of their postmeta, while also editing widgets, nav menus, and any other settings, and all of these changes are all bundled together in a single changeset,” Ruter said. “This changeset can then be previewed on the frontend, including by sharing the URL with an unauthenticated user (like a 3rd party who can’t even access the Customizer), and they can click around the site with all of the customizations applied as if they had been published.”

\n

Ruter said the Customizer team isn’t currently targeting a WordPress release for getting these new UI additions added to core but rather view the progress as “prototypes for what could be merged into core, bit by bit.” He identified several tickets that the plugin provides prototype interfaces for:

\n
    \n
  • #28721: Scheduled changes for the customizer
    • \n
  • #31089: Add revisions and statuses for changesets
    • \n
  • #21666: Customizer reset/undo/revert
    • \n
  • #39896: Customizer: Allow users to Draft changes before Publishing
    • \n
\n

“Core development is still very much focused on the editor — Gutenberg — so the far-reaching Customizer changes are not being emphasized yet,” Ruter said. Meanwhile progress continues on the Customize Snapshots plugin, which was completely rewritten for the 0.6.0 release after most of its infrastructure was merged into WordPress 4.7. Ruter’s team is not sure which features will eventually land in core, but the various Customizer feature plugins give users an idea of the power of the changesets infrastructure that is already included in WordPress.

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 27 Jul 2017 22:58:04 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:19;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:83:\"WPTavern: .blog Passes 100,000 Registrations, 66.5% of Purchased Domains are in Use\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73673\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:90:\"https://wptavern.com/blog-passes-100000-registrations-66-5-of-purchased-domains-are-in-use\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:5297:\"

\n

The .blog domain extension, managed by Automattic subsidiary Knock Knock WHOIS There (KKWT), opened registration to the public in November 2016 and has just passed the 100,000 registration milestone. The extension is averaging 300 new .blog domains registered per day and is quickly gaining popularity among new generic TLDs. According to the most recent stats available at nTLDStats, .blog registrations have climbed steadily and predictably every month since its public launch.

\n.blog registrations according to ntldstats.com\n

Automattic, which operates independently from KKWT as a registrar, currently has the largest market share of .blog domain registrars at 62.8%. Other smaller pieces of the pie continue to see increasing numbers of registrations.

\n

\n

“When a .blog domain is sold through any .blog registrar, it operates like all other top-level domains (TLDs),” .blog representative Erica Varlese said. “This means that the registry, in this case Knock Knock WHOIS There, receives the wholesale cost, ICANN receives their fees, and the registrar retains the rest.”

\n

The .blog team has started experimenting with different marketing programs to promote the extension among registrars and launched its first campaigns last month.

\n

“These programs are available to any .blog accredited registrar and, through participation, allows them to provide .blog domains to their customers at a discounted rate,” Varlese said. “It is designed to test price elasticity and various end-user marketing techniques that best fit each registrars’ unique customer-base.”

\n

Registration for .blog domains is fully integrated into WordPress.com’s domain offerings, but Varlese said that Knock Knock WHOIS There, as a separate company, is not informed of the specific details of their domain roadmap. The subsidiary also does not track how many of the .blog domains are running WordPress, as the extension is platform agnostic and in use across many different blogging services.

\n

So far .blog domain customers include both individuals and businesses, including some e-commerce and community sites. Varlese said the main benefit to acquiring a .blog domain is that customers are more likely to get and use a name they always wanted (example.blog), versus settling for a more complicated variation, such as blog.example.com.

\n

“Using a blog domain is also a great way to embrace engagement with your community,” Varlese said. “In addition to individual and personal bloggers, we also see larger brands using blogs to engage with their customers. Visiting stackoverflow.blog, for example, is intuitive. The domain lets me know right away what type of content and interaction to expect versus what my expectations would be when prompted to visit stackoverflow.com. Both are equally important and both add value to the customer’s online experience.”

\n

Many people purchase a domain just to sit on it for the right time to use it or sell. Greater usage of .blog domains promotes visibility on the web, which is why registrars place value on how many have launched websites using the extension.

\n

“Our goal is steady, long-term growth while continuing to increase our usage rates,” Varlese said. “We want every .blog domain to resolve to a unique content site or blog. Usage is an important metric for us. It positively contributes to help the new TLD marketplace thrive and grow organically. It is at the forefront of every decision we make, including marketing and rebate programs for our registrars, as well as our dotblogger program, which gives online influencers easy access to all .blog domains, including premium and reserved domains.”

\n

The .blog team’s 100,000 registrations milestone post cites usage stats from Pandalytics, a domains data service, that are not publicly available.

\n

“66.5% of .blog domains have a unique website associated with them, compared to an average of 39.3% for both new and legacy TLDs, according to recent research by Daniel Ruzzini-Mejia (co-founder and CSO of DomainsBot Srl, the company behind big-data analysis platform Pandalytics),” Varlese said. “Ruzzini-Mejia also found more than 250 .blog domains that use an eCommerce platform.”

\n

This is an interesting find in an era where many have claimed that blogs are dead. If the indie web proponents have their way, blogs may have another renaissance yet, and could become the anchors of commerce and identity online. The healthy usage numbers the .blog extension has posted in its first year are a strong indicator that the concept of blogging still holds an important place on the web.

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 27 Jul 2017 18:09:04 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:20;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:64:\"WPTavern: Adobe to Discontinue Flash Support and Updates in 2020\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73654\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:75:\"https://wptavern.com/adobe-to-discontinue-flash-support-and-updates-in-2020\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3530:\"

\n

Adobe announced today that it will discontinue Flash support and updates at the end of 2020. Flash played an important part in the history of the web, inspiring many of the open standards and formats that the web has moved on to embrace.

\n

Given this progress, and in collaboration with several of our technology partners – including Apple, Facebook, Google, Microsoft and Mozilla – Adobe is planning to end-of-life Flash. Specifically, we will stop updating and distributing the Flash Player at the end of 2020 and encourage content creators to migrate any existing Flash content to these new open formats.

\n

Last year most major browsers moved to block Flash, requiring users to enable it manually for sites where they wish to view Flash content. Microsoft, Google, and Mozilla were on deck today with announcements of their own regarding future Flash support. Firefox is the most aggressive with its plan to disable Flash for most users in 2019. Only those running an Extended Support Release will be able to continue using it through the end of 2020 and no version of Firefox will load the plugin after Adobe discontinues security patches.

\n

Chrome is also phasing out support for Flash and plans to remove it completely from the browser toward the end of 2020.

\n

“Three years ago, 80 percent of desktop Chrome users visited a site with Flash each day,” Google Chrome Product Manager Anthony Laforge said. “Today usage is only 17 percent and continues to decline.

\n

“This trend reveals that sites are migrating to open web technologies, which are faster and more power-efficient than Flash. They’re also more secure, so you can be safer while shopping, banking, or reading sensitive documents.”

\n

The Microsoft Edge team also announced its plans to phase out Flash from both Microsoft Edge and Internet Explorer with complete removal from all supported versions of Microsoft Windows by the end of 2020.

\n

Although HTML5 adoption is growing among game developers, Adobe’s announcement means major changes for segments of the the gaming, education, and video industries that have not yet migrated to newer, open formats. This news will also make obsolete dozens of WordPress plugins that were created to upload and display Flash content.

\n

Adobe’s announcement was met with thanks and “good riddance,” with many calling for an even speedier timeline. Many are also concerned about all the orphaned content and .swf games on the web that Flash’s disappearance will create. Adobe has received many requests on Twitter for the company to consider open sourcing the old Flash Player codebase for the sake of compatibility and archiving content. Adobe has not officially replied to any of these requests.

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 26 Jul 2017 04:01:41 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:21;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"HeroPress: Random Diary Chapters\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"https://heropress.com/?post_type=heropress-essays&p=1992\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:116:\"https://heropress.com/essays/random-diary-chapters/?utm_source=rss&utm_medium=rss&utm_campaign=random-diary-chapters\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:7545:\"\"Pull

There goes my hero
\nWatch him as he goes
\nThere goes my hero
\nHe’s ordinary

\n
\n

I have no idea what I’m going to write about. How about people? Ordinary people are heroes to me. People who are willing to help one another. People just like you and me.

\n

Well, at least like you \"?\" – if you’re for some reason reading my diary.

\n

Who’s teaching who

\n

I still remember when I build my first website with table layouts while studying math in the University of Jyväskylä. Those were the days! But it doesn’t feel like yesterday anymore. More like day before.

\n

Nevertheless being a math teacher has been the perfect choice for me. It’s been fun, challenging, and rewarding. I’ve probably learnt lot more from students than they have from me.

\n

Heck, they even got me into WordPress when I was taking my ex-students short film course. Was it 2008? Something like that. We needed a website for our short film and had only 1-2 days. Students gave me link to WordPress.com and I was sold. Getting site up and running was easy and fast.

\n

“Well come here and do it yourself!!” – drama class student shouted.

\n

That’s another good lesson I’ve learnt.

\n

It’s so easy to give negative feedback (don’t do it like that) without doing anything yourself or giving constructive feedback.

\n

Oh boy I still feel ashamed when I judged a book by it’s cover. This time the book cover was a blonde girl asking weird questions with high voice. I was a prison of my prejudice and instantly assumed she must be bad at math. How wrong was I. She was brilliant.

\n

At least the prison gate is now open if I just understand to walk out.

\n

Who am I

\n

Sometimes I wonder what other people think of me? Do they think I’m open minded teacher, or front-developer who cares about accessibility. But does any of that matter? Job title really doesn’t tell anything who I am. Or anybody else.

\n

But who am I? I’m not sure how to define me. I’m no dad or husband. I do have several good traits but there are also demons inside me. Lack of empathy is one of them. And that comes down to this:

\n

In the end I’m a selfish asshole.

\n

It’s okay to be selfish from time to time but it’s not okay to let people down big time when they need me most. Being an ordinary human being is not one of my strengths but I’ll promise to work on it.

\n

Friends will be friends

\n

I consider myself lucky. I have lovely parents and two crazy big brothers. And over the years I have made friendships that last forever.

\n

I hope everybody have a friend who is like a bridge between other friends. Someone who is always organizing something fun: bowling, music gigs, dinners, sports. Someone who is always nice to others and would never hurt a fly.

\n

I had a friend like that.

\n

But as a return I couldn’t help him enough. Shadows of life had taken over him. He could not see the light anymore. He died by suicide before christmas 2015.

\n

Now he can’t fall anymore. He will always be our beloved one and we’ll miss him more than words can express. So many songs reflects to memories we have. For example this Finnish song that I heard exactly one year after his death. (Lyrics in english).

\n
\n

Why is it so much easier to talk about other problems but not your own. Why is it so hard to ask help when you really need it.

\n

Life goes on

\n

Do I need to say anything. No I don’t.

\n\"ViewSummer 2017. Peaceful state of mind after a sauna.\n

 

\n\"SamiMy dear friends rock!\n

 

\n\"SamiFriends will be friends forever.\n

WordPress is not important

\n

WordPress is not important. People behind it are, they have feelings. I wish more people would remember that when commenting on blog posts, Slack, or other online tools with shitty attitudes.

\n

Being nice and constructive goes a long way.

\n

At the same time it’s amazing to notice how WordPress combines people together from all over the world. In WordCamps and meetups I have found new friends that really matter. That feels good.

\n

Maybe WordPress is important after all.

\n

The post Random Diary Chapters appeared first on HeroPress.

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 26 Jul 2017 00:00:34 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sami Keijonen\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:22;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:133:\"WPTavern: SiteLock Acquires Patchman’s Malware and Vulnerability Detection Technology, Expands WordPress Customer Base to 4 Million\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73626\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:140:\"https://wptavern.com/sitelock-acquires-patchmans-malware-and-vulnerability-detection-technology-expands-wordpress-customer-base-to-4-million\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:4480:\"

\n

SiteLock, a website security company, has acquired Patchman, a Dutch security startup that offers automated vulnerability patching and malware removal for hosting providers. Prior to the acquisition SiteLock protected 6 million sites, with 2.2 million of them running on WordPress. The addition of Patchman extends SiteLock’s customer base to 12 million sites and more than 4 million of those are powered by WordPress.

\n

Patchman detects vulnerabilities in a wide range of popular applications and quarantines and patches threats automatically. The quarantine feature neutralizes malicious files by removing them from public access. Patchman supports detection and patching for WordPress 3.x and later.

\n

Historically, the service has not included patches for plugins but it has applied them on a case-by-case basis for high impact vulnerabilities, including a few found in WP Super Cache, MailPoet, and the open source Genericons font project. The Patchman dashboard allows users to easily track files where vulnerabilities have been detected, view status, and revert patches if necessary.

\n

\n

Patchman’s single focus on hosting providers gives SiteLock the opportunity to offer more options to its hosting partners. With the acquisition, the company is now partering with more than 500 hosting providers, including BlueHost, 1&1, Web.com, InMotion, Melbourne IT, GMO (NTT), and many others.

\n

“During our early talks, Patchman was not looking to be acquired and SiteLock wasn’t looking to acquire,” SiteLock President Neill Feather said. After meeting at the WorldHostingDays show in Rust, Germany in late March this year and at another show in Los Angeles, the companies found they shared similar goals and would be in a better position working together.

\n

“It truly was a matter of 1+1=3,” Feather said. “Traditionally, SiteLock is very strong in detecting and removing malware for end users. Patchman offers a service tailored specifically to hosting providers and aimed at fixing the security vulnerabilities that hackers exploit to infect websites with malware. By working together we are able to address a wider market and offer a broader solution to the problems that we solve for our customers. We can now attack the problem from multiple angles.”

\n

Patchman’s technology will compliment SiteLock’s existing security features but the company has not yet decided how it will be incorporated into its security plans for customers. Feather said the team is still jointly building out its future roadmap to give hosts and end customers access to a wider range of products. They are also considering making Patchman’s detection technology compatible with more products in the WordPress ecosystem.

\n

Feather could not disclose any specifics on revenue generated by SiteLock’s WordPress security products but approximately 30% of its newly expanded customer base is running on WordPress.

\n

“What we can say is that we’re heavily invested in the WordPress community and plan on continuing to do so,” Feather said.

\n

“I’m excited that the increased number of sites we now protect across multiple platforms means we’ll be able to identify malware and malicious trends more efficiently than we’ve been able to already, and that’s good for every end user,” SiteLock’s WordPress Evangelist Adam Warner said. “Secondly, although we already have solutions for our partners, Patchman allows web hosts to offer increased security options for advanced users of their platforms. Being a WordPress guy, I’m excited about the possibility we now have to extend the capabilities of Patchman to plugins and other WordPress-specific software.”

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 25 Jul 2017 18:46:32 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:23;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:63:\"WPTavern: Watch WordCamp Varna Wapuus Get Designed in Real Time\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73617\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:74:\"https://wptavern.com/watch-wordcamp-varna-wapuus-get-designed-in-real-time\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:1390:\"

\n

The very first WordCamp Varna will be held September 2-3 at the University of Economics. Varna is a beautiful city in Bulgaria on the Black Sea and a popular spot for summer holidays. It is the first Bulgarian WordCamp to be held outside of Sofia.

\n

Tickets are on sale for EUR 10 (BGN 20) and include all the sessions, lunch, a #WCVAR 2017 T-shirt, and a few drinks at the after party. There are 102 remaining for the conference and 14 remaining tickets for the kids’ workshop (ages 7-14).

\n

The location naturally inspired a maritime sticker pack collection for attendees, featuring four new wapuu designs. The collection was designed by the vector graphic illustrators at GraphicMama, a design partner for the WordCamp. Ever wonder how much effort goes into designing all the individualized creations in the world of wapuus? Check out the video below to see how WordCamp Varna’s wapuu designs were brought to life.

\n

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 25 Jul 2017 04:14:13 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:24;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:64:\"WPTavern: New Aztec Editor for WordPress Mobile Apps Now in Beta\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73587\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:75:\"https://wptavern.com/new-aztec-editor-for-wordpress-mobile-apps-now-in-beta\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3353:\"

WordPress’ iOS and Android apps will soon be getting a new editor. The appearance of the new editor, codenamed “Aztec,” is very similar to the old one but is light years ahead of its predecessor in both speed and reliability. Aaron Douglas, iOS engineer at Automattic, announced the open beta for Aztec today with a side-by-side comparison video of the old and new editors. A copy and paste test with 500 paragraphs on iPhone 6s demonstrates Aztec’s instantaneous response while the old editor takes two-minutes to render the text.

\n

\n

In addition to better speed and performance, Aztec’s use of OS-provided text controls makes it possible to offer full support for accessibility technologies like iOS’ VoiceOver and Android’s TalkBack. It also adds the ability to draft using dictation.

\n

Aztec introduces a new undo/redo tool at the top of the screen as a quick option for fixing mistakes. It also provides a simpler, more reliable experience using spell check.

\n

\n

The Aztec beta is available to all users in the latest updates of the app (8.0 for iOS, 7.8 for Android). After opening the app you will see a popup for enabling the new editor. It can also be toggled on/off by going to Me > App Settings and selecting “Set the Editor Type.”

\n

The mobile team has made it easy to test and give feedback without leaving the app. Tapping the “beta” button at the top of the editor will open a “What’s New in the Beta” page with a bug button at the top that you can use to report bugs and send feedback. At the moment, the beta does not support shortcodes or video and WordPress gallery features. Keep in mind that it’s not 100% ready for use and heavy users of the mobile apps are likely to discover glitches.

\n

Aztec is open source (GPL 2.0) and packaged as a rich-text editor component in its own GitHub repository (iOS | Android) so that developers can use it in their own applications and contribute code back to the project.

\n

“Quite literally, there is nothing like this out there – every editor we could find uses a web view or has very limited support for any HTML,” Douglas said. “Our hope is the Aztec editor is seen as a component that can be used by many iOS and Android apps to provide a rich HTML editing experience. We feel that we could garner a bigger contributor base to the mobile apps simply because this component exists, is free and open, and is super awesome.”

\n

The project is a few months behind the schedule published in April, which had open beta targeted for May and the full release for the end of this month. Depending on how well the beta testing period goes, users could see the new Aztec editor included in the mobile apps within the next few months.

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 24 Jul 2017 22:59:36 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:25;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:99:\"WPTavern: Hamilton: A Free WordPress Portfolio Theme for Photographers, Illustrators, and Designers\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=72881\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:107:\"https://wptavern.com/hamilton-a-free-wordpress-portfolio-theme-for-photographers-illustrators-and-designers\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3779:\"

Hamilton is a new portfolio theme released by Swedish designer and developer Anders Norén during his summer vacation. It was created for photographers, illustrators, designers, and image-heavy blogs. The theme displays portfolio items in a minimal, masonry-style grid with an optional tagline on the front page.

\n

\n

“Hamilton has a pretty simple design at its core, so when it was more or less finished, I decided to add a couple of fun theme options to make it more customizable,” Norén said. “The main one is the Dark Mode. With a click of the mouse in the WordPress Customizer, you can change Hamilton from dark text on a white background to white text on a dark background.”

\n

The Customizer also includes a few other helpful options for portfolio sites:

\n
    \n
  • Set a custom background image or color
    • \n
  • Replace the navigation toggle in the header with the Primary Menu on desktop
    • \n
  • Change two-column default post grid display to three columns on desktop
    • \n
  • Display titles in the post previews
    • \n
  • Add a title to front page when it’s set to display latest posts
    • \n
\n

The theme is beautifully responsive to various devices and screen sizes. Norén’s typography choices are clean and readable on mobile.

\n

\n

Hamilton includes styles for the default WordPress image gallery with more interesting options available to create complex galleries stacked with different numbers of columns. It also supports Jetpack’s Infinite Scroll module and has styles for blockquotes, pullquotes, and left/right/center aligned media.

\n

\n

One of the most unique features of the theme is the Resume template. It gives users the option to add a simple resume to their portfolios, without having to add a plugin. The template uses basic HTML for formatting with h1 header tags, horizontal rules, and unordered lists. The template could use a bit more documentation, since not all users are familiar with HTML, but it’s a useful addition for simple portfolio sites.

\n

\n

Check out a live demo along with the style guide to see the theme in action.

\n

Hamilton is Anders Norén’s 15th theme approved for the WordPress Theme Directory. When he submitted it to the Theme Review Team, he anticipated that it would take a month or two for it to get through the review process. His previously submitted theme, Davis, took approximately nine months to make it through the queue. He was surprised to find that Hamilton went through the process in under a month. After less than a week on WordPress.org, the theme has already been downloaded more than 200 times.

\n
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 24 Jul 2017 19:27:03 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:26;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:101:\"WPTavern: Members 2.0 Adds Capability Registration System, Introduces New Settings Screen for Add-Ons\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73446\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:111:\"https://wptavern.com/members-2-0-adds-capability-registration-system-introduces-new-settings-screen-for-add-ons\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:6254:\"

\n

Eight years ago, Justin Tadlock moved back home to Alabama and was living in the spare bedroom of his grandparents’ house with nothing more than a laptop and a suitcase. Over the course of a few months he started going deeper into learning about writing WordPress plugins and produced Members, a role management plugin for WordPress. The first major overhaul of the plugin came in 2015 with version 1.0’s expansion of features and a new UI for editing roles.

\n

Members has built up a user base of more than 100,000 active installs since it first launched in 2009. Tadlock estimates that over the last couple years, 40% of Theme Hybrid customers are primarily there for support and small tweaks to the Members plugin. He decided it was time to begin investing more in the plugin and its community.

\n

Tadlock released Members 2.0 this week. The plugin manages core WordPress capabilities but 2.0 adds the ability for plugins to register custom capabilities. The labels for the capabilities can be internationalized so users can manage the plugin in their own languages in human-readable form.

\n

\n

This release also adds the ability to use the WordPress editor for writing custom post error messages, making it easy to direct visitors to registration or other important information regarding access to the content.

\n

Members 2.0 lets users add multiple roles when creating a new user from the Add User screen. It also introduces the ability to bulk add or remove roles from users, even when multiple roles have been enabled.

\n

\n

This version of the plugin serves some of its data using the WP REST API and a new setting was added to authenticate users who are accessing the REST API endpoints. This protects content from being exposed on sites that have the “private site” setting enabled. Tadlock plans to write a tutorial about what he has learned in integrating the REST API with the plugin.

\n

Tadlock Aims to Monetize Members with Add-Ons, Renews Efforts to Develop a Community of Add-On Developers

\n

Members 2.0 introduces a new Settings screen that ties in with Tadlock’s future plans to monetize the plugin. The new screen includes a view for add-ons. Tadlock has two add-ons available currently and has written an API for third-party developers to register their own add-ons to be visible on this screen.

\n

\n

“The plan is to create some small add-on plugins,” Tadlock said. “There’s already two: Members – Role Levels, which is paid, and Members – Role Hierarchy, which I was hired to build and was allowed to release to the community for free. I’ve got a few small plugins like those in mind that’ll be in a lower price range.”

\n

Tadlock also plans to release a more robust version of the “Content Permissions” feature as another add-on. He has received numerous feature requests from users over the years about what they would like to see in this plugin. The add-on will offer a variety of different ways to show/hide content.

\n

I asked Tadlock if he has considered building payment gateway add-ons so users can charge for memberships. He said the idea is on the table.

\n

“I’m not sure if I’m going to build those or someone else,” Tadlock said. “I’ve mentioned it to some other developers. It would be a good place to start building add-ons.” His current setup uses Easy Digital Downloads with a couple of plugins to bridge it with Members and ThemeHybrid.com.

\n

A plugin like Members has the potential to have a large, third-party ecosystem of plugins for payments and additional features, but Tadlock was focused on other projects during the first few years after it launched.

\n

“I haven’t actively pursued the add-on angle,” Tadlock said. “Instead, I focused more on themes during most of that time. Now, I’m focusing more on plugin development. It’s my fault for not nurturing a community of add-on developers, which is something I’m trying to do more of now.”

\n

Tadlock said many of the developers he knows are working with Members because they like that it gives them a solid foundation to build on for client work. He hopes to persuade some of them to release some of that code back as commercial add-ons or free plugins in the WordPress plugin directory.

\n

Since launching the plugin eight years ago, Tadlock has aimed to make it behave as if it were a natural part of WordPress. At its core, Members is a role and capability management plugin and not a one-size-fits all membership plugin.

\n

“It’s more or less a UI over what you could do with code already,” Tadlock said. “Most of all, it tries not to get in your way. Every membership site has its own unique needs. It’s tough building something that suits everyone. That’s why I’d rather have that foundation of Members just exposing the roles/caps system with third-party add-ons that suit various users’ needs.

\n

“Other membership plugins often try to please everyone or pigeon-hole everything into their custom system. I like more to have a bit more flexibility without the bloat.”

\n
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 21 Jul 2017 21:37:54 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:27;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:61:\"WPTavern: WordPress 4.8.1 Adds a Dedicated Custom HTML Widget\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73470\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:72:\"https://wptavern.com/wordpress-4-8-1-adds-a-dedicated-custom-html-widget\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2681:\"

When WordPress 4.8 was released last month, it introduced TinyMCE functionality to the Text widget. Unfortunately, this caused issues for those who use Custom HTML as the Visual editor often strips out portions of the code.

\n

WordPress 4.8.1 Beta 1 is available for testing and addresses this problem by including a dedicated Custom HTML widget.

\n

“For advanced users or any user who needs to paste in HTML snippets, there is now a dedicated ‘Custom HTML’ widget that is specifically for adding arbitrary HTML to your sidebar,” Weston Ruter, said.

\n

“This widget will retain the application of the widget_text filters, in addition to having a new dedicated widget_custom_html_content filter.

\n

“For use cases that involve adding content to your sidebar, the Text widget will continue to feature the same Visual editing interface that the post editor has (TinyMCE).”

\n

Users who access Text widgets that have Custom HTML in WordPress 4.8.1, will see a note at the top of the widget that suggests using the Custom HTML widget.

\n

\n

If a user pastes or types HTML into a text widget with the Visual editor active, WordPress displays an Admin Pointer suggesting that they use the Text tab instead or use the Custom HTML widget.

\nText Widget Admin Pointer\n

The Custom HTML widget works similar to the Text widget in WordPress 4.7 and below.

\nCustom HTML Widget\n

Sites that have existing Text widgets containing custom HTML that may be modified by the Visual editor, are opened in a legacy mode.

\n

Legacy mode retains the old Text widget interface, including the checkbox on whether or not to automatically add paragraphs. This change prevents the Visual editor from altering code.

\n

Ruter says the ideal way to test these improvements is to install it on a staging site that has Text widgets containing HTML and are known to be problematic in WordPress 4.8. After upgrading, check to see if the widgets open in legacy mode.

\n

WordPress 4.8.1 is scheduled to be released on August 1st. Please report any bugs or errors you encounter in as much detail as possible to the WordPress Alpha/Beta section of the support forums.

\n
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 21 Jul 2017 18:31:28 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:28;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:95:\"WPTavern: Petition to Re-License React has been Escalated to Facebook’s Engineering Directors\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73454\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:103:\"https://wptavern.com/petition-to-re-license-react-has-been-escalated-to-facebooks-engineering-directors\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:7983:\"photo credit: manu schwendener\n

React users are petitioning Facebook to re-license React.js after the Apache Software Foundation announced its decision to ban Apache PMC members from using any technology licensed with Facebook’s BSD+Patents License. So far the GitHub issue has received 627 “thumbs up” emoji and 66 comments from concerned React users who are hoping for a change in licensing.

\n

Many respondents on the thread said that ASF’s decision affects their organizations’ ability to continue using React in projects.

\n

“Apache CouchDB and others will switch away from React if we have to,” CouchDB committer Robert Newson said. “We’d rather not, it’s a lot of work for no real gain, but we don’t have a choice. Changing license can be simple (RocksDB completed that change in a day).”

\n

“My team, at LinkedIn, is also having legal troubles using React for our internal projects,” LinkedIn software Denis Ivanov said. “We would love to see a change on this front.”

\n

Software developer Clark Evans commented on how React’s current licensing might affect medical research institutes, and suggested that Facebook consider an Apache 2.0 license because it includes equitable patent grants.

\n

Since U.S. based universities rely upon patent licensing as part of their legislatively mandated technology transfer initiatives, they are growing far more cautious in their due diligence. For this reason, at some universities, software written with React may be shunned. Existing projects using React software may be asked to remove the React software software dependency. Please strongly consider this proposal, since our RexDB work is used at major universities, we do not wish to rework to use a React alternative.

\n

Several participants in the discussion commented that they would like to use React but the licensing makes it impossible for their companies.

\n

“Other large companies such as mine (Adobe) can’t use React, Pop, etc. for the very same reason,” Corey Lucier said. “We’d love to participate in the project, contribute to each, etc. but Facebook’s heavy-handed PATENTS clause is a showstopper.”

\n

“Even mid-size companies like mine (ViaSat) are starting to disallow the use of Facebook’s ‘open-source’ projects for this reason,” software developer Aaron Yoshitake said. “We’d like to build React web and native apps, but it seems that any sensible legal department will recommend against agreeing to Facebook’s asymmetric patent grant.”

\n

Internal Discussions Continue at Facebook, Re-Licensing Issue has been Escalated to Engineering Directors

\n

Dan Abramov, co-author of Redux, Create React App, and React Hot Loader, shared with participants that Facebook is having internal discussions about the re-licensing issue but cautioned them to temper their optimism. He returned to throw some ice on the conversation, which has grown more heated over the past few days, when he said it could only remain an open discussion if everyone involved remains civil. Many participants are concerned about the future of the React-based software that they have already invested thousands of hours of work into.

\n

“I understand that everyone is frustrated about this issue,” Abramov said. “Personally I am just as frustrated to spend time, energy, and emotional wellbeing on legal mumbo jumbo that is preventing people from using React. I would much prefer to spend this time on working together to make it better.

\n

“But the reality of this situation is that the maintainers of React (people like me that you’re interacting on the issue tracker) are not the ones making these decisions. Each of us is doing what we can to show different perspectives on this issue to the people who can make those decisions, and we appreciate your feedback too. But we can only keep discussion open if everyone stays civil and respectful.”

\n

Abramov also pointed out in a follow-up update that a bug tracker isn’t the best avenue for a legal discussion, especially since most participants are software developers and not lawyers. Many have mistaken the thread as a way to communicate with Facebook but there are just a handful of software developers who are representing the React community’s concerns.

\n

“We have heard you very well, and we have passed on your concerns,” Abramov said. “But repeating the same points over and over in different threads does not help move this forward, and creates a lot of noise and stress for the maintainers who are already empathetic to your cause.”

\n

Several participants expressed frustration that the React community cannot participate in the discussions more directly. However, as React is both an open source project and a product of Facebook, the company’s leadership has the last word on licensing issues.

\n

“I understand that software developers like us are not the best people to discuss legal details,” software consultant Erik Doernenburg said. “However, wouldn’t the logical consequence be that the Facebook Legal team, who make such decisions, become active in this forum? Shouldn’t it be possible that all relevant details pertaining to a piece of open source software are discussed in the open? It is incredibly frustrating to have such an important aspect of open software discussed behind closed doors.”

\n

It’s not known whether Facebook is considering another change to its Patents grant or a complete re-licensing. Participants in the discussion are also concerned about other Facebook open source projects like GraphQL, Relay, React Native, and Flow, which share the same BSD+Patents License and are widely used by the open source community.

\n

Dan Abramov left an update today to let the community know that no resolution is available this week. However, the update seemed more positive than the first one, which discouraged participants from being optimistic about a change.

\n

“I want to point out that there is a real momentum behind this discussion internally,” Abramov said. “There are going to be more meetings next week escalating this up to the engineering directors. As you imagine they are quite busy, so this is taking more time than we thought.

\n

“Again, I can’t promise you any specific conclusion, and there is no clarity on where this will land. But please know there are people working on getting your voice heard.”

\n
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 20 Jul 2017 22:37:24 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:29;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:74:\"WPTavern: WPWeekly Episode 282 – Talking WooCommerce with Cody Landefeld\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"https://wptavern.com?p=73448&preview=true&preview_id=73448\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:82:\"https://wptavern.com/wpweekly-episode-282-talking-woocommerce-with-cody-landefield\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3381:\"

In this episode, John James Jacoby and I are joined by Cody Landefeld, Senior web strategist and founder of Mode Effect. Landefeld describes some of the challenges that shop owners face and provides insight into a couple of WooCommerce projects Mode Effect has recently built.

\n

We discussed the future of WooCommerce and the odds of it turning into a SaaS product. Landefeld shares his thoughts on WooCommerce dropping its 50% renewal discount on subscriptions. Even though the discount is gone, he believes it’s still an affordable option for most users. To close out the show, Jacoby and I discuss the news of the week.

\n

Stories Discussed:

\n

AJ Morris Acquires iThemes Exchange
\nJetpack Professional Plan Introduces Unlimited Access to 200+ Commercial Themes
\nbbPress 2.5.13 Readds Sanitization to Anonymous User Data
\nWP Rollback Adds Multisite Compatibility and Changelog Preview
\nGutenberg 0.5.0 Adds New Verse Block for Poetry and a New Display for Recent Blocks

\n

Picks of the Week:

\n

Gutenberg Boilerplate For Third-Party Custom Blocks by Ahmad Awais. The boilerplate is a great way to learn the basics on creating custom blocks for Gutenberg. It comes with four example blocks.

\n
    \n
  • A block with custom CSS for editor and front end
    • \n
  • A block with ES6 or ESNext and a Webpack build process
    • \n
  • A block with editable content
    • \n
  • A block to click Tweet the contents of that block
    • \n
\n

Awais also shared his thoughts on the Gutenberg project.

\n

Add Admin CSS – Using this plugin you’ll easily be able to define additional CSS (inline and/or files by URL) to be added to all administration pages. You can define CSS to appear inline in the admin head (within style tags), or reference CSS files to be linked.

\n

WPWeekly Meta:

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Next Episode: Wednesday, August 2nd 3:00 P.M. Eastern

\n

Subscribe To WPWeekly Via Itunes: Click here to subscribe

\n

Subscribe To WPWeekly Via RSS: Click here to subscribe

\n

Subscribe To WPWeekly Via Stitcher Radio: Click here to subscribe

\n

Listen To Episode #282:
\n

\n
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 20 Jul 2017 01:19:04 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:30;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:57:\"WPTavern: The State of JavaScript 2017 Survey is Now Open\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73377\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"https://wptavern.com/the-state-of-javascript-2017-survey-is-now-open\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2708:\"

\n

The State of JavaScript 2017 Survey is now open to web professionals of all backgrounds. The intent of the survey is to provide an overview of the rapidly changing landscape of JavaScript frameworks and tools by gauging which technologies are growing in popularity and which ones people are liking and using less.

\n

The survey, created by Sacha Greif and Michael Rambeau, should take approximately 10 minutes to complete. Topics include JavaScript frontend and backend tools and frameworks, state management solutions, testing tools, CSS, build tools, mobile and desktop technologies, package managers, text editors, salaries, and more.

\n

Last year’s 89-question survey received more than 9,300 responses. Results showed that React ranked higher than other front-end frameworks in terms of developer satisfaction at 92%, followed closely by Vue.js at 89%.

\n

It will be interesting to see if and how these results change with many open source project and companies growing wary of using React after the Apache Software Foundation’s recent decision to ban Apache PMC members from using any technology licensed with Facebook’s BSD+Patents License. A licensing issue that jeopardizes more companies’ ability to use Facebook’s popular open source technologies could precipitate a decline in React’s preeminence among frontend frameworks.

\n

Sacha Greif reports that the survey has received more than 3,500 responses in less than 24 hours, a remarkable number compared to 9,300 over the course of three weeks last year. This response affirms the value that last year’s results provided to web professionals who are attempting to navigate the ever-expanding JavaScript ecosystem.

\n
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 19 Jul 2017 20:16:30 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:31;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:67:\"WPTavern: bbPress 2.5.13 Readds Sanitization to Anonymous User Data\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73397\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:78:\"https://wptavern.com/bbpress-2-5-13-readds-sanitization-to-anonymous-user-data\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:1328:\"

The bbPress development team has released bbPress 2.5.13. This release fixes a few bugs, most notably, it readds sanitization to anonymous user data that was accidentally removed in previous versions.

\n

Those who allow anonymous users to create topics and replies on their forums are encouraged to update immediately.

\n

“This feature is not widely used on public forums because spammers aggressively target these kinds of sites, but for communities that rely on this feature, please know you can safely upgrade to 2.5.13 without any issues,” John James Jacoby, lead developer of bbPress and BuddyPress, said.

\n

As a reminder, beginning with bbPress 2.5.12, the minimum version of WordPress supported is 4.7. If you’re using an older version of WordPress, Jacoby recommends using or staying with bbPress 2.5.11.

\n

bbPress 2.6 is still in the release candidate phase as developers iron out a few issues discovered on WordPress.org.

\n

Users can download the latest version of bbPress from WordPress.org or browse to Dashboard > Updates, and upgrade from within WordPress.

\n
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 19 Jul 2017 18:22:29 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:32;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:63:\"WPTavern: Zagreb to Host 3rd WordCamp in Croatia, September 1-3\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=72737\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:73:\"https://wptavern.com/zagreb-to-host-3rd-wordcamp-in-croatia-september-1-3\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:4747:\"photo credit: Archives of Zagreb Tourist Board – Author: Marko Vrdoljak\n

WordCamp Zagreb will be held September 1-3 and organizers are anticipating 300 attendees. This is the third WordCamp to be held in Croatia, following WordCamp Rijeka (2015) and WordCamp Split (2016). Although it changes cities every year, the camp is known as Croatia’s annual WordCamp.

\n

“Having WordCamp change cities each year is quite normal for us,” WordCamp Croatia co-organizer and Zagreb meetup organizer Emanuel Blagonic said. “A lot of people from other cities travel to meetups too. Our largest meetup in Zagreb, which usually has 80+ people present and 100+ live stream viewers, usually has people attending from a 300km circle around Zagreb. People also travel to Split when there are meetups there.”

\n

A renewed discussion on regional WordCamps is firing up on the WordPress Community team P2 blog, as the topic was discussed at the Community Summit and with recent developments in WordCamp Netherlands being reinstated and WordCamp Asia a possibility for 2019. Croatia is another example of a country where a national WordCamp might benefit the community.

\n

“When we started with organizing a WordCamp in Croatia, as a community we hoped that WordCamp will help us boost local communities, thus not having everything centralized in Zagreb (where most other meetups happen, i.e. PHP, Design, UX, JavaScript, Python, etc.),” Blagonic said. “As a community we strongly believe that every region is different and it should be viewed like that. So far we are organizing WordCamps ‘no matter what,’ but having a ‘national WordCamp would mean more Croatian sponsors and better coverage from national media.”

\n

WordCamp Zagreb will be a three-day event, beginning with workshops on the first day as the event has done in previous years. Organizers are planning for 12 workshops in four tracks that will be open to public registration. The main conference will be held Saturday with two tracks. Contributor Day will close out the event on Sunday, followed by a walking tour of the city.

\n

Friday’s workshops will be held mostly in Croatian, except a few, such as WordPress Basics and Public Speaking, which will be conducted in English. All of the conference talks this year will be in English.

\n

“Croatia is a tourist country and most of the people here speak good English, which is often used at large tech events,” Blagonic said. “With that in mind, every WordCamp so far was (mostly) in English, which means it’s quite welcoming for people outside Croatia, too (Slovenia, Austria, Italy, Germany) – and our community likes to meet new people. Unlike WordCamps, we see Meetups as strong local events so we usually have talks in Croatian there.”

\n

Blagonic said every year so far the WordCamp has had approximately 20% of its attendees traveling from outside Croatia, as the country is relatively small with a population of 4 million. Most attendees travel to the WordCamp from other parts of Croatia.

\n

Croatia currently has five local meetups, but only the two in Zagreb and Split have enough members to meet regularly. Blagonic said he sees the meetups as a way to help local communities grow and views the WordCamp as “a celebration of the country community.” However, he believes centralizing the larger events too much would be detrimental to growing the fledgling WordPress communities in the smaller cities.

\n

“I’d say that in Croatia (and in the region) we have a young democracy and we still haven’t found the best way to connect with people,” Blagonic said. “For example, there are four big cities in Croatia where most of the things happen, and the tech scene is quite strong in them. If you go outside of these four hubs, a lot fewer things happen, which is a problem for people living outside. We believe that having a centralized country is bad for growing local communities (outside these areas) so with changing cities each year and with traveling to other Meetups/WordCamps we hope that we will change how people feel about it. “

\n
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 19 Jul 2017 18:11:09 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:33;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"Donncha: WP Super Cache 1.5.0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"https://odd.blog/?p=89500337\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:49:\"https://odd.blog/2017/07/19/wp-super-cache-1-5-0/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:5935:\"

WP Super Cache is a fast full-page caching plugin for WordPress. Download it from your dashboard or get it here.

\n

Version 1.5.0 has been in development for some time. It has a ton of bug fixes and new features.

\n

REST API

\n

The headline new feature is REST API access to the settings. This will allow developers to create their own interface to the settings of the plugin. Unfortunately it isn’t yet documented but you can see the code in the rest directory. Start with load.php where you’ll find the code that registers all the endpoints. Users who access the API must be logged in as admin users. If you want to test the API, see the end of this post.

\n

Settings Page

\n

We have also simplified the settings page to make it easier to choose which caching method is used.

\n

\n

Instead of maybe confusing the user with technical words like PHP, mod_rewrite and WP-Cache we have split them up into “Simple” and “Expert” delivery methods, and done away with mentioning WP-Cache completely. Simple delivery uses PHP, expert uses mod_rewrite and well, WP-Cache got the boot because it’s always active anyway.

\n

WP-Cache caching is always active, but it can be disabled in different ways.

\n
    \n
  • Disable caching for known users.
    • \n
  • Don’t cache pages with GET parameters
    • \n
  • Disable caching of feeds
    • \n
\n

Headers

\n

We expanded the number of headers cached by the plugin. The list of headers was borrowed from Comet Cache. However, anonymous users will still only see the bare minimum like content-length or content-type. If you need to use security headers like “X-Frame-Options” or “Content-Security-Policy” you should enable caching of HTTP headers. This unfortunately disables super caching so only WP-Caching is used but it’s still very fast (and faster in this release than before which I will get to below). You can also use the “wpsc_known_headers” filter to modify the list of recognised headers.

\n

WP-Cache Reorganisation

\n

WP-Cache cache files are split into two files – one holds the page content, the other (meta file) holds information about the page such as cookies, headers and url. In the past these files were stored in two directories which could become a problem if there were many thousands of those files. Even with only a few hundred files, maintenance could be an issue as deleting related files (like page archives, or copies of the front page) needed every meta file to be inspected.
\nNow the files are stored in the supercache directory structure that mirrors your permalink structure. Deleting related files is is simpler and serving files will be faster as the operating system won’t need to open a directory of thousands of files.
\nIf you currently rely on WP-Cache files, the plugin will still look for them where they are, but new WP-Cache files will be created in cache/supercache/example.com/ (where example.com is your hostname).

\n

Sitemaps

\n

We added support for caching sitemaps, but your sitemap plugin will need to cooperate to get it to work. The sitemap plugin needs to identify the sitemap request as a feed. Jetpack 5.1 now supports this since #7397. You can disable the caching by excluding feeds from caching.

\n

Debugging Improved

\n

The debug log is now protected by a username/password. For convenience, the username and password are the same but they are a long md5 string:

\n

\n

Deleting the log file clears it and resets it ready for more logging. Before, toggling debugging would create a new debug log and the old one would be kept around, but not linked, until deleted by garbage collection, and of course they were text files anyone could access.

\n

This release includes lots of other small bug fixes and changes. Take a look at the number of closed PRs for an exhaustive list of those changes!

\n

Testing the REST API

\n

There are a number of ways to send POST requests to a web server but one I like is using curl in a shell script. You’ll need two bits of information from the website:

\n
    \n
  1. The “wordpress_logged_in” cookie from your browser.
    2. \n
  2. The wp_rest nonce which you can get by adding `echo wp_create_nonce( ‘wp_rest’ );` somewhere on your site where you’re logged in. It’s good for 24 hours.
    3. \n
\n

My test script looks something like this:
\nexport NONCE=\'1234567890\'
\nexport COOKIE=\'wordpress_logged_in_xxxxxxxxxxxxxxxxxxxx=1234567890\'
\ncurl -v -X \"GET\" -H \"Content-Type: application/json\" -H \"X-WP-Nonce: $NONCE\" -H \"Cache-Control: no-cache\" -H \"Cookie: wordpress_test_cookie=WP+Cookie+check; $COOKIE\" \\
\n-d \'{}\' \"https://example.com/wp-json/wp-super-cache/v1/settings/\"

\n\n

Related Posts

\n

Source

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 19 Jul 2017 12:25:44 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:7:\"Donncha\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:34;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"HeroPress: Becoming Myself Again\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"https://heropress.com/?post_type=heropress-essays&p=1978\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:116:\"https://heropress.com/essays/becoming-myself-again/?utm_source=rss&utm_medium=rss&utm_campaign=becoming-myself-again\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:5996:\"\"Pull

It’s so easy to become secluded and sit at home, in your own bubble, but it wasn’t until a group of people literally pulled me in with their welcoming atmosphere and demeanor, that I realised that I could function amongst other people as well (even if it was somewhat limited).

\n

In The Beginning

\n

To understand my bubble, you need to also know a little about me, or rather, about my childhood. I had a less than ideal childhood. I have a great family, lived in a great house, even in the “best country in the world” as they say. And despite this, I say I wasn’t happy with my childhood. My school years were the reason, they were rough. At times I think back and feel like events that unfolded were parts of ridiculous scenes from an over the top movie.

\n

All in all, the days seemed generic enough, except my school days were a thing of dread. I would suffer physical and verbal abuse throughout my schooldays, even going to and from school, I had no real friends (victim by association is understandably not something a child would want to intentionally walk into. I understand this as an adult, but as a child it’s not that easy).

\n

Because of my treatment over the years, I developed trust issues, I got a fear for everyone around me, and it was growing stronger and stronger over the years.

\n

I suppressed it, I lied about it, and I got terrifyingly good at the lying part.

\n

This is why I was drawn to the internet: I didn’t have to interact with people, I didn’t need to go outside where the others were, I could just do my thing and move on. I could live in my own bubble.

\n

Finding WordPress

\n

But then the darndest thing happened. I’d been stuck on a project, I needed help, and I turned to a support room for an open source project, for WordPress. If you’ve ever tried to get help in a chat before, you’ll know what kind of an experience it can be, the snarky reactions to your code, the nitpicking of using the wrong terminology, it’s not fun. This place though, they didn’t care that I was not only using the wrong terms, but my entire code was a horrible mess.

\n

Where I would usually get the help I needed and move on, popping back in my bubble of solitude, I instead wanted to be like these people, I wanted to use what I learnt to let others get helped.

\n

Over the years, I all but devote myself to that place. Nobody knew me, I liked staying under the radar, but eventually I got pushed into a team meeting. I was intrigued, so I would watch, I’d say hi, and progressively make my opinions heard. Yet, I would stick to my bubble, once the meeting was over I was back on my own.

\n

And Then I Went To WordCamp

\n

Until I got to attend my first big WordCamp, the last one held in San Francisco, I was ecstatic! I’d never been to a big conference before, as I didn’t like crowds, but I knew some of the people who would be there. They were people who had been friendly and inviting in the most genuine way imaginable. It’s not easy being worried whenever you’re out amongst people, but this group of people, this community, I didn’t have that fear around them.

\n

I somehow made WordCamps my safe space.

\n

They are where I can, if only for a short while, leave that bubble, leave the need to be alone, and be a part of something great! I use them as fuel to get through the hard times, I can look forward to meeting people, people who value my opinions and my experience. People who genuinely want to listen and most of all, care about you! The WordPress community is, slowly but surely, helping me get rid of my ingrown fear of the unknown, of others.

\n

The community is helping me become myself again.

\n

The post Becoming Myself Again appeared first on HeroPress.

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 19 Jul 2017 12:00:39 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Marius Jensen\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:35;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:104:\"WPTavern: New WordPress Contributors Meeting Provides Opportunities to Ask Questions and Learn the Ropes\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73007\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:115:\"https://wptavern.com/new-wordpress-contributors-meeting-provides-opportunities-to-ask-questions-and-learn-the-ropes\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2270:\"

Contributing to WordPress or other open source projects can be intimidating for first-time contributors. Sometimes, all you need is a helping hand to overcome fear, intimidation, or other barriers.

\n

In 2013, with the help of Konstantin Obenland, a WordPress core developer, I overcame my fear and contributed my first patch to WordPress.

\n

This is one of the principles behind a new weekly meeting that is geared towards new contributors.

\n

“The new contributors meeting is the perfect place to come if you are new to contributing to WordPress core and have questions,” Adam Silverstein, WordPress core contributor, said.

\n

Every Wednesday at 3PM Eastern Daylight Time, users can visit the #core WordPress Slack channel and ask questions related to patches, tickets, and review the good-first-bugs report on Trac.

\n

The first meeting was held on July 5th where participants asked questions about working with Git in WordPress core, applying patches, and unit testing. In the second meeting, participants discussed whether or not new contributors are allowed to make changes to tickets.

\n

Other topics mentioned include, which repositories to use, clarification on contributing to core versus updating the WordPress Developer’s site, and which tickets to select for review.

\n

The next meeting is on Wednesday, July 19th at 3PM Eastern. If you have any questions on how to contribute to WordPress, be sure to join the WordPress #core Slack channel at that time and ask away.

\n

Meeting notes with links to discussions, tickets mentioned, and other resources are published on the Make WordPress Core blog under the #new-contributors tag

\n
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 19 Jul 2017 05:09:09 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:36;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:72:\"WPTavern: WP Rollback Adds Multisite Compatibility and Changelog Preview\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73315\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:83:\"https://wptavern.com/wp-rollback-adds-multisite-compatibility-and-changelog-preview\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:4021:\"

\n

In the two years since WP Rollback launched on WordPress.org, the plugin has racked up more than 30,000 active installations with nearly all 5-star reviews. It allows users to roll back any WordPress.org plugin or theme to a previous version with just a few clicks and also supports beta versions of plugins.

\n

It’s easy to see why the plugin is so popular. Navigating buggy updates is a natural part of life when maintaining a self-hosted website and not all users have a separate testing environment for their websites. This tool gives them a basic diagnostic tool and the confidence to apply updates knowing they can easily roll it back in case of a problem. Many reviewers cite the plugin as having been “a lifesaver” when applying WooCommerce or Yoast SEO updates that had unexpected results.

\n

The lone one-star review of WP Rollback was given because the user anticipated multisite compatibility and was unable to get it to work. That issue has been solved in the latest update.

\n

WP Rollback 1.5 is fully compatible with multisite networks, giving super admins the ability to roll back extensions from the network plugin/themes screen or from the the plugins/themes screen of the primary site in the network. Sub-sites do not have the ability to roll back plugins and themes for the entire network. The UI for rolling back themes on the network admin screen is identical to the plugin screens, as multisite doesn’t have the fancy theme preview screen that single site installs have.

\n

Version 1.5 also adds the ability for users to preview the changelog for previous versions of a plugin. This makes it convenient for users to quickly view the changes for each version without leaving the admin.

\n

\n

WordImpress, the folks behind WP Rollback, have considered adding core rollbacks and database savepoints, but both features have serious potential drawbacks that could turn it into a high support-demanding plugin. In its current state, the plugin is virtually support-free.

\n

Matt Cromwell, Head of Support and Community Outreach at WordImpress, said the team thought about monetizing the plugin in the beginning, but is not pursing any plans to do so at this time.

\n

“We think of it as just one of the many ways we are giving back to the WP community,” Cromwell said. “Our preference would be for the core team to consider it as a potential feature plugin for eventual core inclusion.”

\n

Cromwell said WordImpress hasn’t made any intentional steps to see if core folks are interested in WP Rollback becoming a feature plugin, but the team has purposely built it to be as close to core standards as possible. He believes it would be relatively easy to implement in WordPress.

\n

Suggestions for new features, general feedback, and bug reports are welcome on WP Rollback’s GitHub repository. The plugin’s authors recommend backing up your site before using it to rollback plugins and themes or testing rollbacks on a staging site first. WP Rollback is not capable of rolling back changes a plugin update has made to the database, so a backup can come in handy if the database changes are incompatible with previous versions.

\n
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 18 Jul 2017 22:24:01 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:37;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:136:\"WPTavern: React Users Petition Facebook to Re-license React.js after Apache Software Foundation Bans BSD+Patents License in Dependencies\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73216\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:146:\"https://wptavern.com/react-users-petition-facebook-to-re-license-react-js-after-apache-software-foundation-bans-bsdpatents-license-in-dependencies\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:9983:\"

\n

The Apache Software Foundation issued a notice over the weekend, indicating that it has added Facebook’s BSD+Patents license to its Category X list of disallowed licenses for Apache PMC members. This is the license that Facebook uses for most of its open source projects.

\n

A representative from Facebook’s RocksDB team commented on the Apache Foundation’s post to advise that the project will meet the August 31st deadline for relicensing in order to be in compliance with Apache PMC member requirements, and that change has been committed today:

\n

The RocksDB team is adjusting the licensing such that it will be dual-licensed under the Apache 2 and GPL 2 (for MySQL compatibility) licenses. This should happen shortly and well ahead of August 31st. I’ll leave the history and philosophy around licensing alone since it’s generally a complex discussion to have and I’m not sure that it has actually been fully captured in this thread especially vis a vis Facebook’s intent.

\n

Hopefully this morning’s guidance to PMCs can be adjusted since I don’t think any of us see a bunch of extra engineering effort as a desirable thing across the ASF projects which are already making use of RocksDB

\n

In light of the ASF Legal Affairs Committee’s decision to disallow the BSD+Patents License in Apache projects, ASF member Joan Touzet opened an issue on the React repository urging Facebook to consider re-licensing React.js under Apache License v2.0 and GPL 2:

\n

\nThis has led to a lot of upset and frustration in the Apache community, especially from projects requiring similarly-licensed code as direct dependencies – the chief of these being RocksDB.

\n

We (the Apache Software Foundation) have just received word that RocksDB will be re-licensing their code under the dual Apache License v2.0 and GPL 2 licenses.

\n

As a user of React.JS in an ASF top-level project (Apache CouchDB), please consider re-licensing React.JS under similar terms. Otherwise, many ASF projects such as our own will have to stop relying on and building with React.

\n

Although the re-licensing of RocksDB solves that particular project’s problem, ASF’s ban of Facebook’s BSD+Patents license means other widely used technologies from Facebook, including React.js, are still banned. This is likely to cause problems for many open source projects.

\n

Harshavardhana, from the Minio team, commented in support of the petition to Facebook for re-licensing React.

\n

“Our object storage browser UI is based on React and we are Apache 2.0 licensed,” he said. “It would be unfortunate and time consuming to migrate but we will have to do that in lieu of new information regarding Apache incompatibility. Please consider re-licensing React.”

\n

Contributors to Om, a ClojureScript interface for React, are also discussing whether or not the ASF’s new requirements will affect their project. Greg Stein, commenting on behalf of ASF, clarified the reasons behind the organization’s decision to ban Facebook’s BSD+Patents license:

\n

Please note that the ASF chose this path for policy reasons, rather than “license incompatibility”. We don’t want downstream users of Apache code to be surprised by the PATENTS grant that (was) in RocksDB and (is) in React. Users should only need to follow the ALv2, with no further constraints.

\n

These license can work together (IMO) and simply provide two sets of restrictions upon users.

\n

Stein said it was not ASF’s lawyers who made the decision but rather the organization’s policy decision to “disallow FB/BSD+Patent license to be mixed into the software the Foundation releases to users.”

\n

Facebook is Internally Discussing the Re-Licensing Matter

\n

Dan Abramov, co-author of Redux, Create React App, and React Hot Loader, joined the discussion on GitHub regarding re-licensing with a brief and ambiguous summary about how Facebook is handling the petition to re-license.

\n

“To give you a small update, there are going to be more internal discussions about this for about a week,” Abramov said. “This is about as much as I can say. I wouldn’t be too optimistic about this changing for React but we’ll see. @daveman692 has kindly agreed to provide an update when these discussions are over.”

\n

Dropping the patent grant entirely, which would be the most convenient way of solving this issue for open source projects, isn’t likely to happen. React has already gone through re-licensing twice during its short history. It was originally licensed under Apache 2.0 but this was changed in October 2014 to the BSD License plus the patent grant, which included a highly controversial termination provision. In April 2015, the patent grant was changed slightly to allow licensees to continue to use the software in the event that a patent lawsuit did not include a counterclaim against Facebook or its affiliates in a matter unrelated to React.js.

\n

The termination provision in Facebook’s BSD+Patents License continues to be unpopular and is regarded suspiciously by many open source project maintainers. When the Drupal project began considering a client-side framework to supersede Backbone.js, Dries Buytaert passed on React based on what he said was “a potentially unacceptable patent clause,” citing pushback from WordPress.com’s Calypso and React contributors.

\n

The WordPress open source project has not formally announced its decision on which JavaScript framework will be included in core, but all signs point to React. WordPress’ upcoming Gutenberg editor is built on React and its chief contributors are Automattic employees who work on React-based products for WordPress.com. Gutenberg continues to plough forward at a breakneck pace with no indication of a rewrite, and WordPress co-creator Matt Mullenweg has been outspoken about his preference for using React.

\n

Although Automattic’s legal counsel has said the company is comfortable using React for its product under the project’s current license , others in the WordPress community are not as amenable to including the framework in core.

\n

The Open Source Initiative (OSI) includes a generic BSD+Patent license listed among its approved licenses, but Facebook’s particular BSD+Patent license has not been submitted. Robert Pierce, a partner at El Camino Legal, contends that the license termination provision ought to be impermissible in an open source license because it exists to protect Facebook from patent litigation that is completely unrelated to React code:

\n

Facebook touts React.js as open source software. But in my mind the license termination provision of the Additional Grant of Patent Rights takes the offering outside the realm of open source software.

\n

The patent license offered in the Additional Grant of Patent Rights (v.2) is conditioned upon the licensee not bringing a patent infringement lawsuit against Facebook or its affiliates. Thus, the licensee pays a price to use the library. It is not a price paid with money. The price demanded by Facebook for use of the library is that the licensee refrain from exercising any of its patent rights against Facebook or its affiliates.

\n

Pierce views Facebook’s publication of React source code as leverage to win some protection against patent lawsuits, which he deems to be “too greedy an approach for Facebook to claim open source status.”

\n

The open source community has widely speculated about the implications of including Facebook’s BSD+Patent license as a dependency, but the license has not yet been tested in court. The Apache Software Foundation is the first major organization to take a hard line stance on the controversial license and this has caught Facebook’s attention. Facebook representatives have promised an update on the petition for re-licensing after its internal discussions have concluded.

\n
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 18 Jul 2017 03:25:06 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:38;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:76:\"WPTavern: Stylishly Display Weather Conditions with the Weather Atlas Widget\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73229\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:87:\"https://wptavern.com/stylishly-display-weather-conditions-with-the-weather-atlas-widget\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2207:\"

If you’re looking for an easy way to display weather conditions on your site, check out the new Weather Atlas Widget by Yu Media Group d.o.o. Once activated, browse to Appearance > Widgets, and add the Weather Atlas widget to a sidebar. 

\nWeather Atlas Settings\n

As you begin typing, a drop-down list of cities is displayed. This helps choose the correct city. From here, users can configure the following settings:

\n
    \n
  • Display temperatures in Fahrenheit or Celsius
    • \n
  • Use English or Spanish language
    • \n
  • Horizontal or Vertical Layout – Horizontal displays more information such as five-day forecasts
    • \n
  • Font size. By default, the widget uses the font size specified in the theme
    • \n
  • Background color
    • \n
  • Text Color
    • \n
  • Headings
    • \n
\n

Users can display sunrise and sunset times, heat index, wind chills, UV index, wind speeds, humidity, and pressure. You can also hide or display hourly forecasts.

\nForecast for Cleveland, Ohio\n

It’s recommended that for three-hour forecasts, you use the vertical layout and for five-hour forecasts, the horizontal layout. The same recommendations apply for daily forecasts.

\n

The widget not only looks nice but it also changes color based on temperature. Shades of blue represent cooler temperatures while shades of red represent warmer temperatures.

\nTemperatures Represented by Colors\n

By default, the bottom of the widget displays the text, “Weather from Weather Atlas”. However, if you choose to display the detailed forecast, the text is replaced with a Detailed Forecast link. This link takes visitors to a page on Weather-Atlas.com that displays detailed weather conditions for the selected city.

\n

I tested the Weather Atlas Widget on WordPress 4.8 and didn’t encounter any issues. It’s available for free on the WordPress plugin directory.

\n
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 18 Jul 2017 01:55:22 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:39;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:71:\"WPTavern: Gutenberg Boilerplate Demonstrates How to Build Custom Blocks\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73202\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:82:\"https://wptavern.com/gutenberg-boilerplate-demonstrates-how-to-build-custom-blocks\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:4716:\"

\n

Gutenberg is still in beta but developers are already getting ready for creating their own custom blocks. Over the weekend Ahmad Awais released a new project called Gutenberg Boilerplate For Third-Party Custom Blocks. Awais’ introductory post includes a rundown of his thoughts on the current pros and cons of developing for the Gutenberg project. Although he appreciates the technology behind Gutenberg and the improvements over shortcodes, he is not fully sold on the concept of putting everything into blocks. To learn more, he decided to jump into the code.

\n

“I am still making up my mind with how Gutenberg will fit in the WordPress core,” Awais said. “There are so many things which are both good and bad about it. So, instead of ranting about it, I wanted to do something more productive. I went ahead, studied the source code and received a lot of help from Gutenberg contributors (Matias Ventura, James Nylen, Riad Benguella, Andrew Duthie, Joen, etc.) to finally build a Gutenberg Boilerplate project.”

\n

Awais’ Gutenberg Boilerplate is a good starting place for learning more of the basics about developing for the editor. It comes in the form of a plugin that offers four examples of how to build different kinds of custom Gutenberg blocks, with and without a build process:

\n
    \n
  • A block with custom CSS for editor and front end
    • \n
  • A block with ES6 or ESNext and a Webpack build process
    • \n
  • A block with editable content
    • \n
  • A block to click Tweet the contents of that block
    • \n
\n

For example, the tweet block, which is something that might previously been handled with a shortcode, is an example that includes four files: block.js to register the custom Gutenberg block, editor.css, style.css, and index.php.

\n

\n

Awais noticed that many developers were wanting to try building third-party blocks, but Gutenberg’s documentation for this was outdated and/or non-existent. He got involved in contributing to the project’s documentation after discovering the docs describing how to enqueue block and block editor assets were not available. This gave him the inspiration to create a boilerplate.

\n

“Both as a theme/plugin developer, I think there’s going to be a steep learning curve here for just about everyone – users as well as developers,” Awais said. “WordPress development just became very complicated with the Gutenberg project. I’m also not sure how devs will start writing extensions. Some users might expect them to keep the shortcodes for the old editor. Some might ask for blocks in the new one. Is there an API or back-compat? In short everything is changing and this change has both pros and cons.”

\n

These concerns also tie into the larger discussion around how Gutenberg can support legacy metaboxes that use the old PHP framework, instead of updating to the new JS.

\n

“New metaboxes should be written in JS, and will appear in the Post Settings sidebar alongside the stock ones,” Gutenberg contributor Joen Asmussen said. “Metaboxes written in PHP should ideally be upgraded to be JS, but should continue to work in their PHP form also.” Asmussen has proposed an “Extended Settings” panel to house legacy metaboxes in a section below the editor. It would appear only when legacy plugins and metaboxes are enabled, as shown in the mockup below.

\n

\n

Discussion regarding how to support metaboxes is still ongoing. With so many important issues like this up in the air, it’s too early to know what the future of extending Gutenberg will look like. At the moment, the project is undergoing rapid development and changes, so extending Gutenberg may evolve drastically over a short period of time. If the editor is to preserve the same flexibility and customization opportunities of its predecessor, the project will need to ensure that it is easy to create custom blocks and extensions while continuing to support older PHP metabox infrastructure that is currently widely used.

\n
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 17 Jul 2017 20:28:09 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:40;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:93:\"WPTavern: Gutenberg 0.5.0 Adds New Verse Block for Poetry and a New Display for Recent Blocks\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=72830\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:104:\"https://wptavern.com/gutenberg-0-5-0-adds-new-verse-block-for-poetry-and-a-new-display-for-recent-blocks\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:5718:\"

Another round of Gutenberg updates was released today. Last weekend brought version 0.4.0, which didn’t have too many noteworthy visible changes on the frontend but introduced an API for handling pasted content. Gutenberg developers are aiming to have specific handling for converting pasted content from applications like Word, Markdown, and Google Docs to native WordPress blocks. Version 0.4.0 also added navigation between blocks using arrow keys and included a new approach for rendering embed frames.

\n

Gutenberg 0.5.0 hit dashboards today. One major improvement to the writing flow is that the editor will now avoid showing block UI while the user is typing and/or starting a new paragraph in a text block. You can test this by typing and pressing enter twice to begin a new text block. No UI should be visible during this process. Small improvements like this one are gradually bringing a bit more zen to the editor, which is still full of confusing and surprising experiences.

\n

Version 0.5.0 adds the ability to upload images via drag-and-drop onto image block placeholders. The example below shows one of my tests. While the image is uploading, it fades in and out. This experience is a bit disconcerting, especially if the upload never resolves. I’m not certain this UI provides the best communication for the status of the image upload.

\n

\n

This version also introduces a new Verse block, which is intended for poetry. It has a slight indent, as compared to a plain text block, but it doesn’t yet work well with copy and paste. Unless you are a poet composing in WordPress, it’s far more likely that you will be pasting in poetry content from somewhere else on the web. Other than the initial bugs, it’s a useful block for those who often post verse.

\n

\n

With the growing number of block types, it can be cumbersome to sort through all of them when adding a new block. Gutenberg 0.5.0 implements a new display for recent blocks. A maximum of eight are shown and the most recently used ones are displayed at the top. It does not yet persist between editor sessions, but Gutenberg contributors plan to add that in the future.

\n

\n

Other notable improvements in this release include the following:

\n\n

Writing Long-Form Content with Gutenberg is Still a Frustrating Experience

\n

Gutenberg in its current state is a long way away from being an editor that users would embrace for long-form writing. It still contains many unnerving bugs that steal user confidence. For example, when pasting in multiple paragraphs from a lorem ipsum generator, the editor gave me a white screen and I lost all of the content in my post. After a bit of testing I found that pasting in paragraphs one at a time worked.

\n

This kind of frustrating and unexpected behavior has caused many testers to wonder why it isn’t being referred to as alpha software instead of beta. WordPress contributor Jon Brown summed up this common sentiment in a comment on the 0.4.0 release post.

\n

“It’s getting better, but it honestly still feels more like a 0.0.4 alpha than a 0.4.0 beta,” Brown said. “I’ve tried writing long form content several times with each version since 0.1.0 and each time I’m quickly frustrated by the lack of flow between blocks. It’s more frustrating than TinyMCE.”

\n

Gutenberg needs to make significant progress before it can be suitable for writing anything more than a few short paragraphs. It’s nearly impossible to get into the flow of creating long-form content with the prominence of the block UI. Right now, the editor just gets in the way. The current UI is skewed heavily towards frequent block creation. It is clutter-some and distracting for pure writing tasks. Following the evolution of the editor, with its fast-paced development cycle, is exhilarating after years of stagnation. But the project is sorely in need of a breakthrough where the Gutenberg UI finally gets out of the way of writing.

\n
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 15 Jul 2017 05:14:44 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:41;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:89:\"WPTavern: Jetpack Professional Plan Introduces Unlimited Access to 200+ Commercial Themes\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73055\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:99:\"https://wptavern.com/jetpack-professional-plan-introduces-unlimited-access-to-200-commercial-themes\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3407:\"

Automattic has been teasing its plan to add commercial themes to Jetpack for several months after introducing theme installation for self-hosted users from WordPress.com. In March, the plugin opened up access to all of WordPress.com’s free themes via the Jetpack Manage interface. All signs pointed to Automattic developing the infrastructure to offer commercial themes via Jetpack upgrades. At that time, however, Jetpack team member Richard Muscat said that Automattic had “no immediate plans to sell themes at this time.”

\n

\n

Yesterday those subscribed to the Jetpack Announcements email were notified that commercial themes have landed in the Jetpack Professional plan, which is regularly priced at $24.92/month or $299/year. Customers will have unlimited access to more than 200 commercial themes that are already available on WordPress.com. Jetpack users on the free plan will see all the themes available in the WordPress.com theme browser with a prompt to upgrade for the ones that are commercial.

\n

\n

The announcement also noted that any themes users elect to use will be automatically backed up and regularly scanned for malware as part of the security services included in the package. For those who are running a multisite network, each site will need its own Jetpack Professional subscription to have access to the commercial themes.

\n

For years the WordPress community has speculated about what Automattic’s long game was for Jetpack, and many believed it was only a matter of time before the plugin started offering commercial upgrades. It was introduced to the WordPress world in 2011 as a way to provide feature parity between WordPress.com and self-hosted sites. The first version included just eight modules, but fellow plugin developer and entrepreneurs in the community were immediately aware of its commercial potential.

\n

In 2016, Automattic CEO Matt Mullenweg identified both Jetpack and WooCommerce as “multi-billion dollar opportunities” that could each individually be larger than WordPress.com. The plugin is now active on more than 3 million WordPress sites. Automattic’s aggressive commercialization of Jetpack in the past two years is the fulfillment of initial predictions about where the plugin was headed.

\n

The new commercial themes offering significantly raises the value of the Jetpack Professional plan, which was previously targeted at business users who require unlimited storage, Google Analytics, and additional SEO features. With the addition of unlimited use of 200+ themes, Automattic has expanded the Professional plan to be more compelling for non-business users who are simply interested in gaining access to a collection of professionally-supported themes.

\n
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 14 Jul 2017 21:46:13 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:42;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:48:\"BuddyPress: BuddyPress 2.9.0 Release Candidate 1\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"https://buddypress.org/?p=267012\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"https://buddypress.org/2017/07/buddypress-2-9-0-release-candidate-1/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2980:\"

Today sees BP 2.9.0 move to The final testing phase Release Candidate 1.

\n

This is the last chance to test out this release and report back any issues found before final release in approximately two weeks time.

\n

Any issues found can be reported to our trac ticket home , or raised on the support forum.

\n

Amongst other improvements and fixes to look out for are:

\n
    \n
  • Fixing display of older activity comments.
    • \n
  • Correction of message when removing friends that are not friends.
    • \n
  • Group invites – omit sending to previously invited members.
    • \n
  • Profile image upload fix for IE Edge breaksIOS fix.
    • \n
  • Correct issue with hidden group & CSS specificity.
    • \n
  • URL compatibility for LightSpeed.
    • \n
  • Fix inability resizing of member avatar for cyrillic character filenames.
    • \n
\n

For a full list of commits see 2.9 tickets A full changelog will be available when we release the final version.

\n

You can download the plugin to test from the WP repo BP 2.9.0-RC1 or grab a copy from our SVN repo.

\n

A reminder to all theme developers that there are changes to template markup that could effect layouts and ask that they check their themes carefully, the changes are listed below along with changelog links; again any issues or problems please report as soon as possible to the BP trac or slack channel.

\n

Template changes

\n

In this release there are a number of improvements to templates that add a level of improved a11y performance and markup changes for better semantics & Standards.

\n

Theme authors may want to pay particular attention to changes to profile field visibility links and the profile field descriptions where significant markup changes are made that effect positioning of these elements – changesets for these are r11617 & r11618

\n

Nouveau – new template pack

\n

If you’re looking for Nouveau as we mentioned in the beta2 announcement we have delayed the release of this new template pack to ensure it receives as much code checking & refinement as possible and we’ll be looking to probably package this as it’s own release shortly after 2.9 is released.

\n

We thank you in advance for all testing and reports and it need not be mentioned but please don’t run Beta or RC releases in a production environment only on test installs.

\n

Regards,
\nThe BuddyPress team.

\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 14 Jul 2017 12:57:09 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:12:\"Hugo Ashmore\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:43;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:102:\"WPTavern: CoKinetic Systems Pursues $100 Million GPL License Violation Case Against Panasonic Avionics\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=72923\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:112:\"https://wptavern.com/cokinetic-systems-pursues-100-million-gpl-license-violation-case-against-panasonic-avionics\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:7082:\"photo credit: Paper Plane – (license)\n

Open source software has made its way into nearly every industry, but a recent open source security and risk analysis shows widespread license compliance risks, with 75% of the audited applications including GPL license conflicts. Although most violations are unintentional, there are some cases where companies do not comply with the license in order to block competitors from developing similar software.

\n

GPL enforcement doesn’t often lead to litigation. When it does, most other avenues of resolving the complaint have already been exhausted. A lawsuit in the air transport industry is currently bringing more attention to the gravity of not complying with open source software licensing requirements.

\n

CoKinetic Systems, a developer and manufacturer of in-flight entertainment (IFE) software, has filed a case against Panasonic Avionics that includes allegations of a fairly egregious breach of the GPL. The complaint alleges that Panasonic Avionics has monopolized the Panasonic IFE Software and Media Services Market by deliberately refusing to distribute the source code for its open-source Linux-based operating system:

\n

More specifically, Panasonic has built the Linux-Based Panasonic Core Software using the open-source Linux kernel, which is clearly governed by the GPL, together with Panasonic’s own modified Linux modules, which are likewise governed by the GPL.

\n

Indeed, Panasonic has itself affirmatively identified its own modified modules as being subject to the GPL, because the original Linux modules were specifically designed to generate warning messages if other code is linked with or otherwise combined with the Linux modules that are not licensed under the GPL. To suppress these warnings, Panasonic willfully acted to insert code into its own modules to indicate that they were licensed under the GPL.

\n

Panasonic has incorporated a massive amount of open source modules, programs, and libraries into the Linux-Based Panasonic Core Software, without distributing notices or source code to the Linux-Based Panasonic Core Software, or even to any part of it…By deliberately refusing to distribute the source code to the Linux-Based Panasonic Core Software in accordance with its GPL obligations, Panasonic intentionally deprives competitors in the market from having the ability to develop software that can access the basic features and capabilities of Panasonic IFE Hardware.

\n

CoKinetic Systems contends that Panasonic’s refusal to distribute its source code voids its GPL license and “potentially exposes Panasonic to billions of dollars in statutory damages for hundreds of thousands of hardware installations that willfully infringe copyrights belonging to hundreds or even thousands of software developers that freely contributed source code to Linux.”

\n

Furthermore, the complaint details how competitors have to rely on Panasonic’s APIs in order to offer software services to airlines using Panasonic’s IFE hardware, because they do not have access to the source code for the Linux-based core software. CoKinetic claims that Panasonic also deliberately blocks competitor products by its selective distribution of its APIs, resulting in stifled industry innovation and monopoly control over the Panasonic IFE Software and Media Services Market.

\n

Perhaps the worst and most grave allegation in the complaint is that, in addition to locking up the source code and doling out access to the APIs, Panasonic also maliciously sabotaged its own APIs in order to give the appearance that it is the only reliable software service provider for its hardware, which CoKinetic claims is inferior and sold at monopolistic prices.

\n

Panasonic also is able to use its control over the Linux-Based Panasonic Core Software in order to make ongoing, undisclosed, and often malicious modifications to its source code, deliberately “breaking” Panasonic’s own APIs in order to purposely and maliciously sabotage the performance of third-party software products that Panasonic deems a competitive threat — particularly CoKinetic software.

\n

In the introduction to the case, CoKinetic cites a litany of anti-competitive conduct the company has engaged in over the past decade before detailing the current allegations. The case is not purely an open source license dispute, as the plaintiff also alleges that Panasonic abused regulatory processes, engaged in acts of corporate espionage, defamed CoKinetic, paid commercial bribes, and employed unlawful means to monopolize the Panasonic IFE Software and Media Services Market.

\n

CoKinetic is seeking compensatory damages for Panasonic’s GPL ongoing GPL breaches. The specific amount would be determined at the trial but the company believes it to be in excess of $100 million. The company also wants the court to compel Panasonic to publicly disclose and distribute the source code.

\n

This isn’t a case where distributing the source code is just a small sticking point or just a matter of principle. It has the potential to open up the IFE industry for faster progress and greater innovation. Many reading this article have undoubtedly used Panasonic’s IFE products when flying with the company’s customers, which include Emirates Airlines, Delta Air Lines, Virgin America, and United Airlines. With the source code available, airline customers could remove Panasonic’s software from their IFE hardware and replace it with their own software solutions.

\n

The complaint, which was filed in the Southern District of New York in March, demands a jury trial. An initial pre-trial conference was held in May, but the case has been slow moving. The Court gave a deadline for the Defendant to file its motion to dismiss, but deadlines have since been extended. The Court also strongly recommended that the two parties retain a private mediator but it’s not clear how outside mediation could solve such a far-reaching matter that impacts so many vendors. Additional documents are due over the next few months, so it will be some time before there are updates on the progress of the case.

\n
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 14 Jul 2017 04:39:03 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:44;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:45:\"WPTavern: AJ Morris Acquires iThemes Exchange\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73071\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"https://wptavern.com/aj-morris-acquires-ithemes-exchange\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3545:\"

In 2013, iThemes released Exchange, an e-commerce platform that aimed to make selling online as simple as possible. Today, the company announced that AJ Morris, Product Manager at Liquid Web, has taken over the project.

\n

“When approached about taking over iThemes Exchange early this year, we wanted to be sure the project and our customers went into very competent hands, someone who will love and care for them as much as we do,” Cory Miller, founder of iThemes, said.

\n

“Having spent four and a half years investing in the project and in you and your success, we did not take this lightly.

\n

“After numerous conversations over the past several months, we believe the best home for Exchange is with ExchangeWP LLC led by AJ Morris.”

\n

Everything iThemes Exchange related will transition to ExchangeWP.com. Toolkit, Plugin Suite, Exchange Pro Pack, and iThemes Exchange Add-on customers will be given accounts for free support and upgrades through August 2018 at ExchangeWP.com.

\n

Beginning today, customers will no longer be able to purchase Exchange or its add-ons through iThemes as the company transfers licenses and products to ExchangeWP. However, iThemes will continue to provide customer support until the transition is completed, expected to happen in early August.

\n

Morris says he’ll continue to focus on making e-commerce simple and will provide regular updates to customers to provide insight into what goes into transition a product from one company to another and where the product is heading.

\n

“These days, it’s very easy to get WordPress up and running so you can start blogging,” Morris said. “But when you want to add e-commerce to the mix, it’s a bit different.”

\n

“With big players like WooCommerce out there, it becomes too much too quickly for the average content producer to get their store up and running.

\n

“Exchange is going to continue focusing on the independent publishers that want to keep the revenue they can, while providing a simplistic experience in an easy-to-use e-commerce plugin that will help get their stores online quickly.”

\n

Allowing Morris to take over the project frees up resources for iThemes to focus on three of its flagship products; BackupBuddy, iThemes Security, and iThemes Sync. In addition to their core products, the company says it will soon release a new project.

\n

“My job as CEO is to be a steward of the time and resources we have at iThemes in order to serve you best,” Miller said.

\n

“We’ve realized for a while that it was past time for us to refocus our finite resources on the projects that have the most growth and potential for our company and you.

\n

“That meant we either needed to find a new home for Exchange or sunset the project. I’m thankful we didn’t have to do the latter.”

\n

Morris is a long-time member of the WordPress community and has spoken at several WordCamps. With Morris taking over the reigns, existing customers won’t have to worry about finding a replacement.

\n
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 14 Jul 2017 01:00:37 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:45;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:53:\"Akismet: Akismet WordPress Plugin 3.3.3 Now Available\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"http://blog.akismet.com/?p=1953\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:67:\"https://blog.akismet.com/2017/07/13/akismet-wordpress-plugin-3-3-3/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:1413:\"

Version 3.3.3 of the Akismet plugin for WordPress is now available.

\n

For a full list of the changes in this release, see the revision log, but here are some notable fixes:

\n
    \n
  • The number of spam blocked that is displayed on the WordPress dashboard will now be more accurate and updated more frequently.
    • \n
  • We fixed a bug in the Akismet widget that could cause PHP warnings.
    • \n
  • We’ve improved Akismet’s compatibility with other plugins by removing a workaround that only targeted very old versions of WordPress.
    • \n
\n

To upgrade, visit the Updates page of your WordPress dashboard and follow the instructions. If you need to download the plugin zip file directly, links to all versions are available in the WordPress plugins directory.


\"\" \"\"\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 13 Jul 2017 22:00:27 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:17:\"Christopher Finke\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:46;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"WPTavern: WordPress.com Introduces Scheduling for Social Media Posts\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73026\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:79:\"https://wptavern.com/wordpress-com-introduces-scheduling-for-social-media-posts\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2916:\"

WordPress.com is venturing into the realm of social media management applications with its latest feature that allows users to schedule Facebook, Twitter, and LinkedIn updates for individual posts. This goes beyond the basic Publicize functionality that automatically shares posts to connected accounts as soon as they are published, giving users the ability to automate their content marketing to social networks for the most optimal time for sharing.

\n

\n

It’s difficult to know how a post will appear on social networks once it has automatically been shared, which is one reason why many people choose to manually share a post for the best presentation. You want to ensure that the right thumbnail will show up with a message customized for each network’s particular audience. The new social scheduling feature on WordPress.com includes a built-in preview screen so users can see what the post will look like once it is shared to the network and then make any necessary tweaks.

\n

\n

Scheduling social media posts is available on WordPress.com for Premium and Business plan users and for Jetpack Professional and Premium users. On the Premium plan level, which comes in at ~$9/month, users pay less than they would for scheduling apps like Buffer, Hootsuite, or Sprout Social while also getting access to more commercial WordPress features.

\n

To truly become a realistic replacement for these types of social media marketing apps, WordPress.com would need to offer better analytics tied into the new sharing feature to show how posts are performing at different times and networks. Although WordPress.com allows for unlimited scheduling and users, it would also need to allow sharing to more networks to be more competitive against these apps. For users who don’t need all of that data but just want the scheduling feature, a paid Jetpack or WordPress.com plan is a more affordable option.

\n

Several other self-hosted WordPress plugins already offer scheduling social media posts for free and some even integrate the social accounts with Google Analytics. The addition of this feature to Jetpack commercial plans may not be as compelling for self-hosted users who can already find this for free, but it adds value for existing Jetpack customers who may now be able to replace a plugin or third-party service.

\n
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 13 Jul 2017 19:59:47 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:47;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:62:\"WPTavern: WPWeekly Episode 281 – In Memory of Jesse Petersen\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"https://wptavern.com?p=73045&preview=true&preview_id=73045\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:69:\"https://wptavern.com/wpweekly-episode-281-in-memory-of-jesse-petersen\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2501:\"

In this episode, John James Jacoby and I are joined by Ben Meredith. Over the past few years, Ben has established a friendly and professional relationship with Jesse Petersen, who passed away due to complications from Cystic Fibrosis.

\n

Ben shares his unique perspective on who Petersen was as a person and describes the challenges of taking over his business. We emphasized how important it is to create a file with passwords and other login information to help appointed people access a person’s digital presence. We also discuss if saying a person lost their battle with an illness is a negative thing to say.

\n

To close out the show, we talk about net neutrality, 10up acquiring Lift UX, and Let’s Encrypt offering wildcard certificates in 2018.

\n

Stories Discussed:

\n

Automattic Releases Net Neutrality WordPress Plugin Ahead of July 12 Protest
\n10up Acquires Lift UX
\nLet’s Encrypt Passes 100 Million Certificates Issued, Will Offer Wildcard Certificates in January 2018

\n

Picks of the Week:

\n

Newlungsfor.me is a place to read about Jesse’s battle with Cystic Fibrosis along with CFfatboy.com.

\n

WPWeekly Meta:

\n

Next Episode: Wednesday, July 19th 3:00 P.M. Eastern

\n

Subscribe To WPWeekly Via Itunes: Click here to subscribe

\n

Subscribe To WPWeekly Via RSS: Click here to subscribe

\n

Subscribe To WPWeekly Via Stitcher Radio: Click here to subscribe

\n

Listen To Episode #281:
\n

\n
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 12 Jul 2017 22:00:22 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:48;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:97:\"WPTavern: Sustain Event Draws 100 Attendees to Discuss the Sustainability of Open Source Software\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"https://wptavern.com/?p=73014\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:108:\"https://wptavern.com/sustain-event-draws-100-attendees-to-discuss-the-sustainability-of-open-source-software\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:5136:\"

\n

More than 100 open source project maintainers and industry leaders gathered at the GitHub headquarters in San Francisco last month to discuss the long-term sustainability of open source software. The Sustain event, put on by a relatively new organization called SustainOSS, did not follow a traditional conference format with talks and keynotes but was intentionally left unstructured to foster open discussion.

\n

Organizers expected 50 attendees but ended up with double their estimates. The $50 ticket price covered day care, travel assistance, food, and other miscellaneous event costs. Attendees shared insights from their diverse backgrounds and participated in collaborative working sessions and various discussions facilitated by organizers.

\n
\n

Defining a common unified theory of open source sustainability is super hard! #sustainoss pic.twitter.com/2PznN2oZGM

\n

— Lou Huang (@saikofish) June 19, 2017

\n

\n

Co-organizer Alanna Irving shared in her wrap-up post how the team used Open Collective to make the event’s finances transparent and offer payment options for participants and sponsors. The service has recently added a new feature that allows collectives to communicate event info and sell tickets.

\n

Representatives from large tech companies attended the event, as well as contributors from various open source projects and foundations, including Google, Amazon, Paypal, Airbnb, Red Hat, JS Foundation, Linux Foundation, Apache Foundation, npm, FontAwesome, GulpJS, and more. Irving published a few insights from the discucssions that she and her colleagues are applying to their work at Open Collective:

\n
    \n
  • Introducing money in open source is less controversial than we thought. The main issues are related to how.
    • \n
  • The coder role is only one among many equally important roles: community builder (for onboarding and creating a healthy ecosystem), documentation writer, fundraiser, and public advocate.
    • \n
  • Companies want to support open source communities. This is now more clear than ever.
    • \n
  • It’s easier for some companies to make in-kind donations rather than cash. We’re working on making this easier, and will share more about it soon.
    • \n
  • Projects that companies publicly support need to have accountability and respect codes of conduct, in order to avoid PR nightmares.
    • \n
\n

On the day following the event, SustainOSS organizers tweeted out a link to a new forum on GitHub for discussing open source sustainability. Proposed topics include fundraising, governance, contributor retention, productivity, and managing corporate relationships. It was created to offer a safe place for open source sustainers to collaborate with each other in the open and contributors have already submitted some practical ideas for discussion, such as adding a standardized FUNDING or SUSTAINABILITY file to repositories.

\n
\n

Busy day, got a lot done. Stay tuned. #sustainoss #sustain17 pic.twitter.com/CtWs82FXAn

\n

— SustainOSS (@SustainOSS) June 20, 2017

\n

\n

Sustain was inspired by inspired by the Maintainerati event held in London in May 2017. The similarly unstructured event brought together open source maintainers who share similar challenges. GitHub also hosted the Wontfix Cabal event at its San Francisco headquarters in February, which highlighted some of the difficulties related to maintaining OSS projects. Events focused on maintaining and funding OSS have been popping up in the past two years, as more people become aware that open source infrastructure has a critical sustainability problem.

\n

The SustainOSS organizers will be releasing a more detailed article on the event soon. They are also open to considering hosting other Sustain events in different locations. Follow @SustainOSS on Twitter for the latest updates.

\n
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 12 Jul 2017 20:38:14 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:49;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:89:\"HeroPress: How I found myself in WordPress – Как я нашел себя в WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"https://heropress.com/?post_type=heropress-essays&p=1962\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:128:\"https://heropress.com/essays/i-found-myself-in-wordpress/?utm_source=rss&utm_medium=rss&utm_campaign=i-found-myself-in-wordpress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:22255:\"\"Pull

Это эссе также доступно на русском языке.

\n

About Russia and familiarity with technologies

\n

Russia is a very large and very different country. The basic population, as well as technological development, is concentrated in the central part of the country, in “city-states”: Moscow and St. Petersburg. Other regions are much less developed: lower wages, worse and more expensive infrastructure, fewer IT-vacancies and activities.

\n

I was born and grew up in a remote part of Russia – in the Far East, in one of the industrial cities, which is located in 7 time zones and 9000 kilometers from Moscow. The Internet, like other technologies, reached there with a significant delay and for a lot of money (unlimited Internet at a speed of 64 kb/s appeared only in 2007), Therefore, at first, the basics of site building had to be learned in snatches with the help of dial-up.

\n

The first site I did in school. It was built using simple HTML and CSS. But even in this form, it was very impressive and exciting. Then such sites were popular and periodically on the Internet I met guys of my age who like me comprehended the science of site building.
\nI was lucky to find a like-minded person, with whom we were able to develop together for some time and even launch a joint website.
\n\"\"

\n

University and start of work

\n

Admission to the computer faculty of the university allowed to more specifically address the issues of web development: to learn PHP and MySQL, to get acquainted with a couple of CMS and to make my first blog on WordPress :). As far as I remember, the blog worked on some WordPress assembly using version 2.9. If you count from that moment, it turns out that I somehow have been working with WordPress for almost 8 years.

\n

In those days, ru.wordpress.org was just born and there was no main site on the Russian-language Internet. It was a time of amateur assemblies, amateur translations and even alternatives of WordPress, aimed to the Russian segment of the Internet.

\n

By the will of fate, my first place of work related to website development was the web studio that used Joomla and Drupal. Then there were a few more places of work, during which time WordPress then turned into the main working tool, then returned to the category of extra work and hobbies.

\n

The turning point was the decision to move to Moscow and a full transition to WordPress in freelance format.

\n

Moving to Moscow

\n

The scenario of moving to Moscow or St. Petersburg is quite popular among IT specialists of my native region. This is a great chance to find interesting and highly paid job, get acquainted with a lot of IT specialists, including narrow ones, and develop in the area of interest.

\n

In Moscow, I moved with remote work and I do not have personal experience of employment in this city, but my wife and most of the acquaintances were satisfied with the options found.

\n

After about six months of living in Moscow, I was even more thirsty for adventure — to become a freelancer and completely concentrate on WordPress. The ability to plan time independently gives additional space for maneuvers and time for reflection. In my case, this led to an increase in activity in the WordPress community.

\n

Participate in the WordPress community

\n

Actively participate in the life of the community, I started about 1.5 years ago. Initially, these were the replies at the support forum, then the development of my plugins, after which I decided to try myself in translating the extensions into Russian and recording training videos for Russian-speaking users.

\n

Over time, it turned into a kind of hobby or even a way of life. Every day I read a lot of posts from users on the support forums and try to help resolve their issues, check and correct the added translation lines, periodically record and post training videos.

\n

Communication with users is very helpful. You are one of the first to learn about the problems and ways to solve them, you can quickly correct some incorrect or incorrect translation. Also, over time, a list of popular questions accumulates, which can be turned into training articles and videos. In turn, the creation of articles and videos helps to structure knowledge and understand the details.

\n

On ru.wordpress.org a great team of moderators and translation editors has gathered. We regularly communicate in Slack, some I meet on WordCamp.

\n

\"Denis

\n

In November 2016 I took part in the Global Day of Translation 2. It was an unusual experience: broadcasting from around the world, feeling the scale of what was happening and the excitement of the translation. At that time we took 6th place as the most active locale and attracted 7 new translators.

\n

Meetups and WordCamp

\n

In Russia there are not so many cities where WordPress-meetups are held, and WordCamp is held only in Moscow. But despite all this, these events are a great opportunity to be among WordPress lovers, to see live people with whom I have only spoken on the network before, and just feel the spirit of WordPress :).

\n

\"Three

\n

This year I plan to visit WordCamp Moscow for the third time. I visit WordCamp as a participant, but I hope someday I will find a topic close to me and I will decide to apply for a presentation :). I think it will be interesting.

\n

Conclusion

\n

At the moment I’m a full-time freelancer. This allows me to quite well combine work and activities in the community. I like to share knowledge and make WordPress more accessible for Russian users.

\n

Many resources of WordPress are dominated by English, and some, for example, as developer.wordpress.org or “Handbook” are not available for localization. I hope, in the future this will change and we will be able to expand our activities.

\n

In any case, WordPress remains the place where you can find yourself and help make life a little better for yourself and the rest of the participants.

\n
\n

Как я нашел себя в WordPress

\n

Про Россию и знакомство с технологиями

\n

Россия очень большая и очень разная страна. Основное население, как и технологическое развитие, сосредоточено в центральной части страны, в “городах-государствах”: Москве и Санкт-Петербурге. Остальные регионы развиты значительно слабее: ниже зарплаты, хуже и дороже инфраструктура, меньшее количество IT-вакансий и мероприятий.

\n

Я родился и вырос в отдаленной части России — на Дальнем Востоке, в одном из промышленных городов, который расположен в 7 часовых поясах и 9000 километров от Москвы. Интернет, как и другие технологии, доходили туда с существенным опозданием и за большие деньги (безлимитный интернет на скорости 64 кб/сек появился только в 2007 году), поэтому, по началу, азы сайтостроения приходилось познавать урывками с помощью dial-up.

\n

Первый сайт я сделал ещё в школе. Он был построен на простейшем HTML и CSS. Но даже в таком виде, это было очень впечатляюще и захватывающе. Тогда такие сайты были популярны и, периодически на просторах интернета, я встречал ребят моего возраста, которые, как и я, постигали науку сайтостроения.

\n

Мне повезло найти единомышленника, с которым мы смогли некоторое время вместе развиваться и даже запустить совместный сайт.

\n

\"Very

\n

Университет и начало работы

\n

Поступление на компьютерный факультет университета позволило более предметно заняться вопросами веб-разработки: изучить PHP и MySQL, познакомиться с парой CMS и завести свой первый блог на WordPress :). Насколько я помню, блог работал на какой-то сборке WordPress, использующей версию 2.9. Если вести отсчет с того момента, то получается, что я так или иначе работаю с WordPress уже почти 8 лет.

\n

В те времена ru.wordpress.org только зарождался и в русскоязычном интернете не было какой-то основной площадки. Это было время любительских сборок, любительских переводов и даже альтернатив WordPress, ориентированных на русский сегмент интернета.

\n

Волею судеб, моим первым местом работы, связанным с разработкой сайтов, стала веб-студия, использовавшая Joomla и Drupal. Затем было ещё несколько мест работы, в течение которых WordPress то превращалась в основной рабочий инструмент, то возвращалась в разряд дополнительной работы и хобби.

\n

Переломным моментом стало решение о переезде в Москву и полный переход на WordPress в фриланс-формате.

\n

Переезд в Москву

\n

Сценарий переезда в Москву или Санкт-Петербург достаточно популярен среди IT-специалистов моего родного региона. Это отличный шанс найти интересную и высокооплачиваемую работу, познакомится со множеством IT-специалистов, в том числе узких, и развиться в интересующей области.

\n

В Москву я переезжал вместе с удаленной работой и у меня нет личного опыта трудоустройства в этом городе, но моя жена и большинство знакомых остались довольны найденными вариантами.

\n

Примерно через полгода проживания в Москве, меня обуздала ещё большая жажда приключений — стать фрилансером и полностью сосредоточиться на WordPress. Возможность самостоятельно планировать время дает дополнительное пространство для маневров и время на размышления. В моем случае, это привело к увеличению активности в сообществе WordPress.

\n

Участие в сообществе WordPress

\n

Активно участвовать в жизни сообщества я начал примерно 1.5 года назад. Вначале это были ответы на форуме поддержки, затем разработка своих плагинов, после чего я решил попробовать себя в переводе расширений на русский язык и записи обучающих видео для русскоязычных пользователей.

\n

Со временем это превратилось в некое хобби или даже образ жизни. Каждый день я читаю множество сообщений от пользователей на форумах поддержки и пытаюсь помочь решить их вопросы, проверяю и корректирую добавленные строки перевода, периодически записываю и выкладываю обучающие ролики.

\n

Общение с пользователями очень помогает. Ты одним из первых узнаешь о проблемах и способах их решения, можешь оперативно исправить какой-то неверный или некорректный перевод. Также, со временем накапливается список популярных вопросов, которые можно превращать в обучающие статьи и ролики. В свою очередь, создание статей и видео помогает структурировать знания и разобраться в деталях.

\n

На ru.wordpress.org собралась отличная команда модераторов и редакторов переводов. Мы регулярно общаемся в Slack, некоторых я встречаю на WordCamp.

\n

\"Denis

\n

В ноябре 2016 я принимал участвовали в Глобальном дне перевода 2. Это был необычный опыт: трансляции со всего света, ощущение масштабности происходящего и азарта перевода. В тот раз мы заняли 6 место как самый активный язык и привлекли 7 новых переводчиков.

\n

Митапы и WordCamp

\n

В России не так много городов, где проводятся WordPress-митапы, а WordCamp проводится только в Москве. Но не смотря на всё это, данные мероприятия — отличная возможность побыть среди любителей WordPress, увидеть в живую людей, с которыми до этого общался только по сети, и просто почувствовать дух WordPress :).

\n

\"\"

\n

В этом году я планирую посетить WordCamp Moscow в третий раз. Я посещаю WordCamp как участник, но надеюсь когда-нибудь найду близкую мне тему и решусь подать заявку на выступление :). Я думаю, это будет интересно.

\n

Заключение

\n

На данный момент я — фул-тайм фрилансер. Это позволяет мне достаточно неплохо совмещать работу и деятельность в сообществе. Мне нравится делиться знаниями и делать WordPress доступнее для русскоязычных пользователей

\n

На многих ресурсах WordPress преобладает английский язык, а некоторые, например, как developer.wordpress.org/ или “Handbook” вовсе недоступны для локализации. Надеюсь, в будущем это изменится и мы сможем расширить свою деятельность.

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В любом случае, WordPress остается тем местом, где можно найти себя и помочь сделать его чуточку лучше для себя и остальных участников.

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участник

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\"Denis

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Денис Янчевский

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The post How I found myself in WordPress – Как я нашел себя в WordPress appeared first on HeroPress.

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Member\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:65:\"http://feedproxy.google.com/~r/wishlistmembernews/~3/jMfHaWAvOUQ/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 25 Aug 2015 18:10:14 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:8:{i:0;a:5:{s:4:\"data\";s:4:\"Blog\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:4:\"News\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:11:\"Plugin 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We recently posted some information about how WishList Member is affected by WordPress version 4.3. As it turns out, there are more changes in WordPress 4.3 that affect WishList Member than we originally expected. One […]

\n

The post WordPress 4.3 is here along with an update to WishList Member appeared first on WishList Products.

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We recently posted some information about how WishList Member is affected by WordPress version 4.3.

\n

As it turns out, there are more changes in WordPress 4.3 that affect WishList Member than we originally expected. One of these WordPress 4.3 changes is quite significant to anyone running WishList Member and it has to do with adding new users to a WordPress site.

\n

Without getting too technical, WordPress 4.3 returns a different response when adding a new user than previous versions of WordPress. This means that WishList Member will no longer allow new users to be added to a site that is running WordPress 4.3, which results in registrations not being successful.

\n

But do not worry because we have already created a fix for the problem for all WishList Member users. How you apply this fix will depend on when you purchased a WishList Member license or renewal, as that will determine which version of WishList Member you can use. Our customers fall into two primary categories.

\n

Category 1: Customers with access to WishList Member 2.9.

\n

This category includes customers who purchased WishList Member after version 2.9 was released. It also includes customers that had active support and updates when version 2.9 was released.

\n

Customers who have recently purchased an optional renewal fall into this category as well.

\n

WishList Member 2.9 includes all of our latest features and now includes the bug fixes for WordPress 4.3.

\n

If you fall into this category you can click here to skip down to the instructions on how to update to the latest release of WishList Member 2.9.

\n

Category 2: Customers with access to WishList Member version 2.8 or lower.

\n

This category includes customers who purchased WishList Member in the past and did not purchase an optional renewal plan after their included support and software updates expired.

\n

Customers in this category may be running a variety of previously released versions of WishList Member (2.8, 2.7, 2.6, etc.).

\n

How you apply the fix to your site will depend on if you have access to WishList Member 2.9 or 2.8.

\n

If you are unclear of which version you have access to, it’s very simple to find out.

\n

The dashboard of your installation of WishList Member will indicate what version you are running.

\n

\"WP43-01-WLM-Version-Dashboard\"

\n

Login to your WordPress site. Click on the WishList Member installation. On the dashboard you’ll find the version of WishList Member.
\n
\nInstructions for updating WishList Member version 2.9:

\n

If you’re currently running WishList Member 2.9 the update can be applied with a simple one-click upgrade from the WishList Member dashboard.

\n

Once a new version is released it should show up automatically in the WishList Member dashboard. However, it can take up to 24 hours to be displayed on some sites.

\n

You should see an option for a one-click upgrade.

\n

\"WP43-02-WLM-Dashboard-One-Click\"

\n

If you do not see the option for an upgrade, you can manually click on the link labeled “Check for Updates”.

\n

\"WP43-03-WLM-Version-Dashboard-Check\"

\n

* It is important to note, there are multiple ways to configure a server that runs WordPress. In many cases, the install will happen automatically. However, you may be asked to provide the FTP password for your website in order for this to complete. It will depend on how your hosting company has configured your server.

\n

(As always, we recommend doing a full backup of your site before installing any updates).

\n

Once you have updated your site, you should be running WishList Member 2.90.2860

\n

\"WP43-04-WLM-Latest-Version\"

\n

In some cases the plugin may not be automatically reactivated after the update. In this case, you simply need to go to the plugins section of WordPress. Scroll through the list of plugins and find WishList Member. Click on the button to activate the plugin.

\n

\"WP43-05-Activate-Plugin\"

\n

Instructions for updating WishList Member version 2.8 or lower:

\n

The latest version of WishList Member 2.8 has been updated and now includes the necessary bug fixes for WordPress 4.3.

\n

All versions of WishList Member prior to 2.8 are more than four years old and have reached end of life for updates. Consequently, they will not be updated with the fix. However, we recognize this problem with WordPress 4.3 is significant. So, we’ve given all customers with earlier versions of WishList Member access to version 2.8.

\n

Please note that this update does not include an additional year of support or software updates. It simply provides access to WishList Member 2.8

\n

If you would like to upgrade to the latest version of WishList Member 2.9 and get an additional year of support and updates, you can click on the Upgrade button in the WishList Member dashboard. This will bring you to the page that lists the features of version 2.9 and give an option to purchase the renewal for support and updates.

\n

We recognize that many customers will not want to purchase a renewal to get additional support and all the latest features of WishList Member 2.9. In this case, it is simple to update your site to the version of 2.8 that includes the latest bug fixes.

\n

Before starting this process we highly recommend making a backup of your site. This is standard practice before installing any update in WordPress.

\n

Login to your install of WordPress and navigate to the WishList Member dashboard.

\n

You should see an indication that you are running version 2.80 or earlier.

\n

\"WP43-06-Update-Plugin-WLM28-Dashboard\"

\n

After clicking the link for “Plugins” you should see the Plugins section of WordPress.

\n

\"WP43-07-Update-Plugin-WLM28\"

\n

This screen will indicate that a newer version of 2.9 is available. However, if you click on the “update now” option it will update your site to the latest version of 2.8 that includes the bug fixes for WordPress 4.3.

\n

After updating you should see the screen change with a message that says “Updated!” with a green check in front of it.

\n

\"WP43-08-Update-Plugin-WLM28-Success\"

\n

* As mentioned earlier, it is important to note there are multiple ways to configure a server that runs WordPress. In many cases, the install will happen automatically. However, you may be asked to provide the FTP password for your website in order for this to complete. It will depend on how your hosting company has configured your server.

\n

Once you have applied the update, you will still see that there is a newer version of 2.9 available in the WishList Member dashboard. This is OK. You simply need to verify that you are running version 2.80.2850.

\n

\"WP43-09-Update-WLM-28-Dashboard-OK\"

\n

Please note that WordPress 4.3 is currently not an automatic update at the time of this blog post being published. This means that you may not be running WordPress 4.3 yet. If you’re not running version 4.3 of WordPress this update may not be an immediate priority.

\n

If you’re running an older version of WishList Member and do not want to apply an update then it is important that you do not upgrade your site to WordPress 4.3. If your site is upgraded to WordPress 4.3 then the update of WishList Member is necessary in order for the site to function properly.

\n

The post WordPress 4.3 is here along with an update to WishList Member appeared first on WishList Products.

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There are currently over 60 million people powering their websites with WordPress. You can be certain of one thing if you happen to be one of those people. There will be WordPress updates and there […]

\n

The post WordPress 4.3 Is Coming Soon. How Does This Affect Your Membership Site? appeared first on WishList Products.

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There are currently over 60 million people powering their websites with WordPress.

\n

You can be certain of one thing if you happen to be one of those people. There will be WordPress updates and there will be a lot of them.

\n

Any system that grows to the size of WordPress will be subject to security updates and feature enhancements on a regular basis. This is a contributing factor to how WordPress has achieved their high level of success.

\n

An automatic update feature was included back when WordPress 3.7 was released. This means when a stable release of WordPress is ready, it gets automatically pushed out to all sites running WordPress 3.7 or higher and updates the site to the new version.

\n

This is a good thing in most cases. However, in some situations the automatic upgrade can create potential incompatibilities with other plugins or themes that may be running on the same site. It is up to the plugin or theme developers to fix the issue in order to correct the incompatibility.

\n

The latest version of WordPress 4.3 is scheduled to be released on Tuesday, August 18, 2015.

\n

There is one significant change in the upcoming version that will affect the majority of membership site owners. This change has to do with the way that WordPress deals with lost passwords and resetting a password.

\n

Prior to this upcoming update, a user could use the Lost Password feature and the WordPress system would send an email that contained a link that could be used to reset the password. In the upcoming new version, the link to update the password will have an expiration.

\n

This means the Lost Password link can only be used for a set amount of time. This is definitely a good idea and will add an additional layer of security.

\n

However, this new feature will cause the Lost Password feature to not function with the majority of membership plugins until the plugin developers provide a fix for the incompatibility.

\n

WishList Member has already fixed this issue in our current version (2.9) and we have also gone back and created an update for the last major numbered version (2.8) as well.

\n

Anyone running the latest version of WishList Member 2.9 or 2.8 should not experience any issues with the Lost Password feature. You can check to see if you are running the latest version of WishList Member on your site’s WishList Member dashboard.

\n

Note that if you are using WishList Member 2.7 or earlier there will be a problem with the Lost Password feature when your site is updated to WordPress 4.3

\n

These older versions of WishList Member are over four years old and have reached their end of life for updates. If you are running WishList Member 2.7 or older and the Lost Password feature is important to you, then you will want to look into purchasing a WishList Member renewal in order to upgrade to WishList Member 2.9

\n

http://wishlistproducts.com/renewal/

\n

If you choose not to upgrade WishList Member from 2.7 or older, you can consider disabling the WordPress automatic update feature. But please note that this is not recommended.

\n

WordPress has provided information on how to turn off automatic updates in their “Definitive guide to disabling auto updates in WordPress 3.7”

\n

https://make.wordpress.org/core/2013/10/25/the-definitive-guide-to-disabling-auto-updates-in-wordpress-3-7/

\n

We hope this helps to explain the upcoming WordPress 4.3 update and how it will affect the Lost Password functionality of your membership site.

\n

The post WordPress 4.3 Is Coming Soon. How Does This Affect Your Membership Site? appeared first on WishList Products.

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WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:64:\"https://semperplugins.com/how-to-build-a-wordpress-landing-page/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:73:\"https://semperplugins.com/how-to-build-a-wordpress-landing-page/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 07 Jul 2017 13:00:33 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:4:{i:0;a:5:{s:4:\"data\";s:4:\"Blog\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:13:\"landing pages\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:17:\"WordPress plugins\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:16:\"WordPress themes\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"https://semperplugins.com/?p=3441/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:419:\"What a lot of people don’t know is that you can build great landing pages for your WordPress site without having to break the bank by hiring services from lead generation and marketing companies. You can even create a landing…
Read more ›
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\"You

\n

What a lot of people don’t know is that you can build great landing pages for your WordPress site without having to break the bank by hiring services from lead generation and marketing companies.

\n

You can even create a landing page yourself in less than 10 minutes. We’ll show you how.

\n

First things first, let’s cover the basics of landing pages.

\n

Why Should I Build a Landing Page?

\n

Because they convert. A landing page is essentially the entry point to your site. A great landing page will grab a visitor’s attention and persuade them to take a desired action: perhaps you want them to sign up for your email list, download a brochure, buy a product, etc. Whatever the goal, a good landing page is always focused towards that goal.

\n

Just to make sure that you understand, let’s look at the difference between a landing page and the homepage of a site: a landing page is focused on a specific goal or objective while your main homepage has a broad objective. The aim of a landing page is to take your visitors through a specific marketing journey while the main homepage allows visitors to decide on their own journey through your site.

\n

Anyone can tell you that you don’t really need a landing page to get a visitor to take a specific action. You can actually make them take the desired action on your homepage.

\n

BUT, with a good landing page you will achieve a higher conversion rate because it is very specific in its goal. A homepage has a lot of information and elements that may distract a user from taking the desired action.

\n

So, are you ready to build one? Here are several ways to build landing pages in WordPress.

\n

Building a Custom Page

\n

Building a custom page within WordPress is the old-fashioned approach. You would simply just build a custom page template on any theme you have; and do whatever you need to in the template.

\n

The easiest way to build a custom page template in WordPress is to copy the default page PHP template and edit CSS and HTML components to get the desired design or structure.

\n

Using Plugins to Build Landing Pages

\n

Plugins are the best way to go if you do not want to worry about dealing with code.

\n

Unfortunately, there aren’t many free landing page builder plugins out there. And the few free ones often have in-plugin purchases or limited features. There is, however, one free plugin that has all the features you need to build a functional landing page in WordPress. It’s among the top landing page plugins (see below).

\n

WordPress Landing Pages

\n

WordPress Landing Pages is an easy-to-use plugin that has all the basic features you need to build a functional landing page. It has a fair selection of templates, allows you to split test (a/b testing) your landing pages, as well as to track and measure conversions.

\n
\"The

The WordPress Landing Pages plugin is fully integrated in the Theme Builder and allows you to quickly customize any elements you like.

\n

All in all, it is a good option if you are on a budget and don’t want to invest in a more functional landing page plugin at the moment.

\n

Thrive Landing Pages

\n

Thrive Landing Pages has a drag & drop editor that makes it extremely easy to create and edit landing pages. It comes with over 140 templates (some themed) for you to choose from. The great thing about the plugin is that the landing pages are combined in sets to provide a consistent user experience. That means that the opt-in page, “thank you” page and confirmation pages in a particular set have the same feel and don’t provide random experiences.

\n

Leadpages

\n

Leadpages is actually an online landing page builder – we’ll be addressing it more thoroughly down below – with a plugin for WordPress. It has a centralized editor and your landing pages are hosted on Leadpages servers. The best thing about Leadpages is that you can easily and quickly create or publish a landing page. All you need to do is choose a template, customize it (through the drag & drop page builder) and add it to your site.

\n

Beaver Builder

\n

Beaver Builder is simply a drag & drop page theme builder (another option covered below) that also comes as a plugin. You can easily and quickly create custom layouts and designs – you have around 30 landing pages to choose from.

\n
\"You

You can try out the Beaver Builder plugin for yourself at demo.wpbeaverbuilder.com.

\n

The great thing about Beaver Builder is that you can use your WordPress widgets to add more functionality and bring elements in from your site to your landing pages.

\n

OptimizePress

\n

You’ve probably heard of OptimizePress before – it has been one of the most popular plugins to build landing pages for quite some time. That’s because it offers a wide range of templates and a powerful drag & drop editor to quickly create the landing page you need. Note: the size of the plugin is quite large (29MB).

\n

Theme Builders

\n

As we mentioned earlier, most WordPress themes are quite restrictive when it comes to design and structure. For example, you can customize the primary content block of a page in most themes but you cannot amend the design of anything outside the block. So, if you aim to create a landing page from a theme page template, you would just end up with a new page with the same design as your website – the opposite of a landing page. Unless you build a custom page template (mentioned earlier) or use advanced theme builders.

\n

What advanced theme builders offer are drag and drop builders. They essentially enable you to customize every and any design aspect of any page. The interface is also very easy to use.
\nThere are plenty of great drag & drop theme builders available. A few off the top of my head: Divi, Total, Beaver Builder (its plugin version is recommended above) and Strata.

\n

If you need a variety of landing page templates, it is highly recommended you use this method instead of creating custom theme templates. It will save you time and make your work much easier.

\n

Leadpages

\n

Leadpages is known for creating stunning and functional landing pages. It offers dozens of integrations to help make your WordPress landing page user friendly and attractive. The downside is that it isn’t free: plans start at $36.99 per month.

\n
\"Leadpages

Leadpages has more than a hundred of templates to choose from that can be added to your site within minutes.

\n

What you get is 144+ well-designed templates, a simple editor that enables you to create and publish a stunning landing page in 10 minutes or less and the ability to split test your landing pages.

\n

It’s not a stretch to say that Leadpages is the most popular landing page option. It is actually hard to find a popular blog online that doesn’t use it. Two of the many reasons for it’s popularity is that you do not need to be a designer to use it and all their templates have been tested as effective and high converting templates.

\n

The price may be worth it to you if you want to save time, as the platform is incredibly easy to use.

\n

Wrapping Up

\n

Although WordPress may not be designed to handle landing pages, you can easily create one using either the old-fashioned method of building a custom page template or by using a plugin. Above we mentioned some of the best plugins you can use to build highly functional and attractive landing pages, developer or not.

\n

Choose the method that works best for your business and start collecting, cultivating and converting leads!

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Read more ›
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:12:\"Arnaud Broes\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:13112:\"

\"\"

\n

WordPress founder, Matt Mullenweg, recently announced that the software will require all hosts to have HTTPS for certain WordPress features to function.

\n

Don’t panic just yet. If you already have HTTPS, this shouldn’t affect you. But if you’re still using HTTP, you’ll need to upgrade soon. The good news is that the transition is not as difficult as you think it is and the benefits outweigh the assumed disadvantages.

\n

This article will go over what the WordPress HTTPS mandate means for you as a site owner; the advantages; as well as how to upgrade to HTTPS if you haven’t already done so.

\n

What is HTTPS?

\n

HTTPS adds a security layer to HTTP (Hypertext Transfer Protocol). HTTPS essentially encrypts data (using SSL or TSL) that is communicated between servers and clients until it reaches the intended recipient.

\n

This prevents cybercriminals from accessing sensitive user information and also reduces the risk of tapping and modification of sensitive data. Although HTTPS is not completely foolproof, it undoubtedly has major security advantages.

\n

HTTPS sites can be easily identified, as they have a locked padlock icon located on the link bar in most common browsers.

\n

Why is WordPress Pushing HTTPS?

\n

There’s mainly two reasons for this, so let’s quickly dive into them.

\n

Google Prefers It

\n

It is no secret that greater encryption and cyber security has made the Internet a safer place for users. As usual, a Google update signaled the necessity of HTTPS for user experience, SEO and internet security.

\n

In 2014, Google suggested that enabling HTTPS on your site could result in higher search rankings. Although it still isn’t the only important factor in raising your site rankings, you shouldn’t underestimate its value. For example, if two sites are equal in all ways, but one site has HTTPS, that site would get a boost in rankings.

\n
\"Chrome

Chrome will display a green padlock in the link bar when a site is using HTTPS, assuring users it’s using the latest security protocol.

\n

In January of this year, Google released version 56 of Google Chrome. This new release brought about some changes, notably with how Google Chrome treats HTTPS vs. HTTP sites. The browser now clearly identifies sites that are not operating HTTPS on their systems. For example, a “Not Secure” message now appears on pages without HTTPS that try to collect passwords or sensitive information. You can expect that, eventually, all pages not using HTTPS will clearly be labeled as having insecure connections.

\n

We can reasonably assume that Google’s preference for HTTPS has been a contributing factor for the changes implemented by WordPress.

\n

Users Prefer HTTPS Too

\n

A secure connection can make all the difference from a user’s perspective. Users see HTTPS as a positive signal that you are taking your site security seriously, for their benefit. So, having HTTPS could mean more traffic and longer usage times on your site.

\n

HTTPS is particularly important if you are operating an e-commerce site. Simply seeing the padlock icon could make users more comfortable in entering their payment details and other personal information. Particularly with the new Chrome update (mentioned earlier) which shows a “Not Secure” label on e-commerce sites or sites that require a user login or credit card information, but don’t have HTTPS.

\n

Both Google and user preference should be enough reason for you to upgrade your site to HTTPS. It is simply necessary to ensure watertight security for your users and to protect your online business reputation.

\n
\"Sites

Sites that require users to login or enter credit card information are now displayed as “Not secure” in Chrome when they haven’t switched to HTTPS yet.

\n

Remember when JavaScript was first introduced and quickly embraced by users and webmasters? Looking back, we can see now that JavaScript was essential for smoother and better user experience. HTTPS similarly, presents a number of unique advantages for user experience and security that we should all quickly embrace.

\n

We know that you may be overwhelmed switching from HTTP to HTTPS. After all, change does takes time to get used to, but in this instance, you may need to quickly get on board. At this point, the advantages of HTTPS have greatly outnumbered the disadvantages. Plus, upgrading to HTTPS is no longer the costly, time consuming, and difficult process that it once was. In fact, getting an SSL certificate in 2017 is fast, sometimes free, and quite easy to implement.

\n

How to Get HTTPS

\n

WordPress hosting partners should now provide an SSL certificate for all accounts. (It is required that they all do so as early as the first quarter of this year.)

\n

Your hosting provider may already provide a free SSL certificate, so check with them first before you make any third-party purchase. If they do not offer a free one, you could ask them if they sell third party SSL certificates. Once purchased, you can ask your provider to install the certificate for you on your server.

\n
\"Dozens

Dozens of major companies are already backing Lets Encrypt, including Automattic (known for WooCommerce, Akismet and WordPress.com)

\n

Another option is to explore the free alternatives, independent of your hosting provider. There are projects such as “Let’s Encrypt” which have now made it easy and quick to secure a free HTTPS certificate for your website.

\n

Let’s Encrypt is an authorized open Certificate Authority with millions of active certificates in place. There are other comparable projects out there that can help by guiding you step-by-step through the installation process or who have been authorized to deliver certificates.

\n

Remember that SSL certificates upgrade the website, but not the content itself. That means that the content on your page will also need to be updated so as to avoid 404 errors. Google may interpret the error as a mismatch in the security level of your site. The only way to avoid this is by encrypting the content of your website to match your SSL certificate.

\n

To track and resolve any 404 errors on your site, you may want to use a specialised plugin such as Redirection to do so.

\n

What if You Just Don’t Want to Upgrade to HTTPS?

\n

You could see a number of things happening to your site over time if you do not upgrade to HTTPS. The first may be facing the consequences set out by Google, i.e: lower rankings and having your users staring at a “Not Secure” warning when they try to access your site via Google Chrome.

\n

The second is that you could struggle with WordPress updates and lose some or all functionality on specific WordPress plugins.

\n

Third, your site may be an easier target for hacking.

\n

Those are three consequences that require you to seriously reconsider if you really want to take the risk of not upgrading to HTTPS.

\n

Wrapping Up

\n

Let’s put it this way: you will simply have nothing to lose by adopting HTTPS. Yet, if you do not use HTTPS, you could risk leaving your site in the “dark ages” of the Internet.

\n

But then again, if you’re a WordPress site owner, you have no choice. Take the plunge and let us know how it worked out for you!

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Read more ›
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Last month, the team from All in One SEO Pack were in attendance at WordCamp Raleigh 2017.  We were not only there are organizers of the event but also as sponsors and speakers.

\n

If you didn’t get a chance to attend WordCamp Raleigh then here’s a recap of the event.

\n

WordCamp Raleigh is a conference all about WordPress.  The event has been held each year since 2010.  This year was the best attended yet, with over 300 attendees.  This year we had four tracks – Beginner, Business, Power User and Developer. We also added workshops in addition to the tracks.  There were three workshops – Beginners Guide to WordPress, WordPress REST API and Beginners Guide to WordPress SEO.  All three were extremely popular.

\n

Local SEO presentation by Steve Mortiboy

\n

I spoke on the topic of Local SEO – How to get your business listed on Google’s local search results.  Here are my slides from this presentation:

\n

\n
Local SEO – Getting your local business on google from Steve Mortiboy
\n

Here is the video from my presentation on WordPress.tv:

\n

\n

Social Meta Optimization by Tony Zeoli

\n

In addition to my session, Tony Zeoli also gave a presentation on Social Meta Optimization where he used All in One SEO Pack to demonstrate how you can improve you social media presence.  You can find more about Tony’s presentation on his website.  The video from his presentation is also on WordPress.tv here:

\n

\n

Beginners Guide to SEO by Tony Zeoli

\n

Finally, Tony Zeoli also presented the Beginners Guide to WordPress SEO workshop which was held on the Sunday at WordCamp Raleigh.  This workshop was not recorded on video but you can find a write by Tony and links to his slides on his website.

\n

If you didn’t get a chance to attend WordCamp Raleigh this year, keep a watch on the website for announcements regarding WordCamp Raleigh 2018.  Or you can find a WordCamp in your city or country by checking out the central WordCamp schedule.

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Read more ›
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\"\"

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Google Analytics (GA) is one of the most powerful, effective and comprehensive platforms to track and analyze your site traffic and marketing efforts. But a lot of businesses find it intimidating and challenging to use. If you’re one of those businesses, this article is for you.

\n

Although GA can be quite overwhelming, getting useful data to work with is not as difficult as you think it is. Understanding how to get some basic information from the platform can give you pretty good insight into how your website is working for your business.

\n

This article will give you a basic understanding of the four key sections that contain actionable data:

\n

1. Audience
\n2. Behavior
\n3. Acquisition
\n4. Conversions

\n

Let’s get started.

\n

An Introduction to Google Analytics

\n

You probably have a Google Analytics account and most likely have it connected to your website. If you don’t, and you’re thinking of signing up, use this guide on how to get started. Once you’re up and running, you’ll have to wait a few days to get data to analyze.

\n

The first thing you’ll notice when you open the platform is GA’s (somewhat confusing) layout and menu system. It uses a top navigation for account level features and information; and a side navigation for combing through your analytics data.

\n

The Reporting section’s side navigation (which is where you can view your web analytics) is broken down into the following sections:

\n
    \n
  • Real-Time: Shows what is happening on your site right now. So you’ll see the current visitor count on your website, what pages they’re browsing and for how long
    • \n
  • Audience: Gives detailed information about your website visitors
    • \n
  • Acquisition: Shows how your visitors are arriving to your site. It gives you a breakdown (by channel) of how visitors are getting to your site
    • \n
  • Behavior: Shows you how visitors are interacting with your site
    • \n
  • Conversions: Provides conversion data for your various business goals and activities
    • \n
\n

As you can see, Audience, Acquisition, Behavior and Conversions tabs contain the actionable data you can use to optimize your site and grow your business.

\n

So let’s help you get a basic understanding of those tabs.

\n

Audience

\n

To view your audience insights, click on Audience > Overview on the left hand menu of the analytics dashboard.

\n

As you will see from the Audience Overview data, Google Analytics gives you detailed insights into your audience: from location, to page views to device type to language and more.

\n

This information is invaluable in allowing you to tailor your site to better suit the needs of your visitors and effectively grant them an easier viewing experience.

\n

\"\"

\n

There is however some terminology you first need to understand in order to accurately analyze your Audience data:

\n
    \n
  • A Session refers to a single fixed period of time that a visitor takes action(s) on your site. So if a visitor views 3 pages on your site over a 3-minute period and then exits your site, it’ll be recorded as a single session and three pageviews
    • \n
  • As you may have gleaned from above, a Pageview is recorded whenever a visitor views a page on your site
    • \n
  • A New Visitor is any user that is visiting your site for the first time. They will be classified as a Returning Visitor on their second and subsequent visits
    • \n
  • A User is any computer or device that Google classifies as a unique visitor in accessing your site. So let’s say a user views your site on both their computer and tablet. Google will record that as two users. Even if a user accesses your site from two different browsers on the same computer, Google will record it as two users
    • \n
  • Pages/Session is the average number of pageviews per session
    • \n
\n

It is recommended that you spend some time understanding these definitions before you begin analyzing the comprehensive audience data.

\n

Behavior

\n

\"\"

\n

The Behavior section gives you invaluable data on how your users are interacting with your site. You can track how long an average user stays on a specific page, the hours and days you receive the most traffic, bounce rates (the percentage of visitors who exit your site after viewing only one page), your site speed, and much more detailed and useful metrics.

\n

Spend some time exploring and familiarizing yourself with this section. It contains everything you need to know to optimize your site and user experience, and also to manage your blog or content pages.

\n

Acquisition

\n

\"\"

\n

The Acquisition section is pretty straightforward: it contains data on how your site acquires traffic. It records the following traffic channels: organic (search and direct), paid, referral, email and social. It also gives you important insights into the performance of your marketing campaigns.

\n

What you should really be looking at within the Acquisition section is Goals. Goals are what you hope visitors accomplish when or after using your site. They are summarized in the Overview of this section but aren’t presented or broken down in detail. That’s where the Conversions section comes in.

\n

Conversions

\n

Conversion tracking is arguably the most important functionality in Google Analytics. After all, the ultimate goal of any web analytics software/tool is to help you determine and increase the success of your website and business.

\n

To make the most out of Google Analytics, you need to understand and identify your key performance indicators (KPIs) and set them up as Goals. Goals could range from video views, newsletter signups, purchases and more.

\n

Carefully think about how you measure the success of your business before setting up your Goals in GA. An accurate setup will enable you to more effectively analyze your website traffic data.

\n

Using All in One SEO Pack with Google Analytics

\n

By now you should have already discovered that Google Analytics is a great tool to track your visitors behaviour. If you are using WordPress for your site and have decided to venture into the statistics, we recommend you use our All in One SEO Pack plugin.

\n

It offers a simple way to integrate Google Analytics on your site without having to risk breaking your site or messing with code. The whole process is very simple and is described here.

\n

But that’s not all it has to offer: there are also various other advanced settings such as tracking multiple domains, adding additional domains, enhanced e-commerce, tracking outbound links, excluding WordPress user roles from tracking and many more.

\n

Wrapping Up

\n

A basic overview of those four actionable sections should ease the challenge of collecting relevant data for your business. However, getting invaluable data from Google Analytics requires work, time and patience. Stay tuned for an article that delves deeper into extracting and accurately analyzing data in Google Analytics.

\n

For now, you can take a look at some of the tutorials in the Google Analytics Academy.

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Read more ›
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\"\"

\n

Social media has evolved quite rapidly in the years it has been around. From BBS (Bulletin Board) to Friendster, Diaspora, Myspace and onto Facebook. But when we think of social media today, we arguably only have 3 or 4 large networks in mind: Facebook, Twitter, Instagram and LinkedIn.

\n

Nowadays, those four platforms have become essential to every marketer’s strategy and are used to effectively get your brand in front of your target audience; but do they directly impact your SEO and search ranking? No, they currently do not.

\n

However, that doesn’t mean that social media marketing and SEO do not affect each other in a variety of different ways. They are both inbound strategies that aim to attract your audience or customers to your brand. They are also both organic ways to attract your audience with unique quality content.

\n

Perhaps the best way to describe the relationship between SEO and social media is to say that they are co-dependent. Effective social media campaigns will help improve your site ranking, and good SEO will inevitably boost your social clout. This is what we refer to as social SEO: the use of social media to boost your search engine rankings.

\n

This post will demystify the relationship between social media and SEO; and show you how you can make social SEO work for your WordPress site.

\n

How Important is Social SEO?

\n

You can certainly rank your website well without focusing much on social SEO. You can’t, however, rank your website by focusing solely on social SEO. But that shouldn’t make you dismiss the whole idea too soon.

\n

An active and strong social media presence makes it easier and faster to rank your site as search engines attribute authority based on tweets, shares, likes and Google +1s. Your social media presence also puts your content in front of a larger audience, some of whom will link your content on their own sites, creating valuable organic backlinks which contribute to your PageRank.

\n
\"According

According to a recent study, Social Media Marketing even surpassed the impact of regular SEO in 2016, considering that market is already rather saturated. Time to hop on the bandwagon! Source: smartinsights.com/managing-digital-marketing/marketing-innovation/marketing-trends-2016/

\n

That is not to say that social SEO will eventually replace regular SEO, but we cannot ignore the fact that social signals are slowly becoming an integral part of search engine algorithms. Even though they have nothing on backlinks – and probably won’t, at least not in the near future – social links are still quite important. But how much effect or weight do they have on your rankings, particularly your ranking for target keywords?

\n

Well, search engines have not yet made that information public. We just have to work with the definitive information that social signals do (indirectly) impact your site rankings and will continue to do so.

\n

When Should I Focus on Social SEO?

\n

If you are in an industry where your competitors are heavily focusing on both SEO and social SEO, and you want to rank well for your industry keywords, you have no other option but to do the same. Backlinks coupled with social signals will boost your rankings much more than backlinks alone, so you will lag behind your competition if you are only focused on building the latter. And if they aren’t focused on social SEO, you should jump on the opportunity to get one step ahead of your competitors.

\n

Although social media does not directly impact your site rankings on Google, social networks are dominating the internet and will arguably dictate the future of the internet. You should invest properly in social media as it could soon directly impact your site’s rankings on search engines.

\n

How to Effectively Implement Social SEO

\n

How can you increase your site rankings with good social SEO? Here are a few summarized tips:

\n
    \n
  • Create a business page on the “main” social networks: Facebook, Twitter, LinkedIn, Google+, Pinterest, Instagram, etc.
    • \n
  • Be active on those channels and engage your followers and subscribers
    • \n
  • Create shareable, engaging and unique content
    • \n
  • Make it as easy as possible for people to share your content
    • \n
  • Share your content, and that of other influencers in your field on your social channels
    • \n
\n

The more active you are on social media, the more awareness you are bringing to your brand, the more your social following grows, and the higher the chance that your content is being shared across a broader network. It’s a snowball effect: the more followers you have, the more engagement you’ll get and the easier it will become to grow your community.

\n

A bigger community means that more people are viewing your content and the higher the chance that the content will be shared. This increases the number of backlinks to your site which will impact your search rankings for the better.

\n

Also, the more engagement you have on your social channels, the higher the chance that people will look for your brand on Google or other search engines via branded searches – which help your site rank for non-branded keywords that are relevant to your brand.

\n

You do have to consider that the above scenarios are based on the assumption that you are producing quality and unique content. If you are creating bad content, you won’t get anywhere. Users will not interact with your brand if you’re not offering them value or good entertainment. If you want your content shared and widely distributed, you need to put in the time to create quality and valuable content your audience will enjoy.

\n

In summary, the following social signals will increase your search engine rankings for the keywords you’re targeting:

\n
    \n
  • Your social network followers
    • \n
  • The likes, shares, retweets, Google +1s your website gets
    • \n
  • Mentions by other authority or influencers in your field
    • \n
  • Positive reviews on your business’ Google+ page
    • \n
\n

Using All in One SEO Pack for Social Meta

\n

Our All in One SEO Pack plugin comes with a Social Meta module to help you get going with social marketing. This feature allows you to add Open Graph meta tags to enrich your posts by creating a rich snippet. Let’s briefly go over how Open Graph meta tags work and how they specifically help you with social SEO.

\n

Basically, every web page on any site can be shared on social media channels. However, the way that shared page is displayed on social media may be very different. Websites that aren’t optimized with Open Graph meta tags won’t be as easily interpreted by Facebook, Twitter and the like and will, most of the time, show up as a blank link with a small description underneath.

\n
\"Would

Would you be more inclined to click on a blank link or on a rich snippet such as this?

\n

However, adding Open Graph meta tags to a page on your site enriches the snippet and enables Facebook and other social media networks to display your content in the way you want to present it when it is shared. This is where All in One SEO Pack comes into action. For a full overview of all Open Graph and social meta features, please visit our documentation section.

\n

There is no concrete evidence that Open Graph meta tags are important for search engines, but they do enable you to create presentable good looking posts on social media (instead of a bland-looking post). This significantly increases your organic traffic from social media to your WordPress site. Studies have shown that traffic increases 100%-200% if a post looks great vs. a blank link that doesn’t really mean much to social media users.

\n

Wrapping It Up

\n

Overall, a solid social media strategy, in conjunction with good SEO practices, will increase organic traffic to your site. Solely focusing on SEO may not cut it any longer if you want to be a step ahead of your competition. Revising your strategy to incorporate social SEO will inevitably boost your organic traffic and could very well increase your search engine rankings in the near future.

\n

Do you currently have a social SEO strategy that’s working for you? Have you been using the social SEO module of our All in One SEO Pack plugin? Let us know in the comments below!

\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:60:\"https://semperplugins.com/how-social-media-impacts-seo/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"8\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:5;a:6:{s:4:\"data\";s:48:\"\n \n \n \n \n \n \n \n \n\n \n \n \n \n \n \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:39:\"How to Build an Email List in WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:66:\"https://semperplugins.com/how-to-build-an-email-list-in-wordpress/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:75:\"https://semperplugins.com/how-to-build-an-email-list-in-wordpress/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 01 May 2017 14:00:18 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:3:{i:0;a:5:{s:4:\"data\";s:4:\"Blog\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:15:\"email marketing\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:14:\"subscribe2html\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"http://semperplugins.com/?p=2904\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:423:\"How many of you have prioritized pageviews over email marketing? We all have at some point. After all, pageviews equals more ad revenue…right? Well, having a good email list is more valuable and can bring in more pageviews than you…
Read more ›
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:12:\"Arnaud Broes\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:9578:\"

\"\"

\n

How many of you have prioritized pageviews over email marketing? We all have at some point. After all, pageviews equals more ad revenue…right? Well, having a good email list is more valuable and can bring in more pageviews than you get using traditional methods.

\n

So how do you build an email list in WordPress?

\n

You always hear the same advice: create great content and people will subscribe, or have an opt-in form on your blog. Those methods are tried and tested but there are other more creative and effective ways to implement them and speed up the growth of your email list.

\n

We’re talking content upgrades, high-value opt-in forms and social proof.

\n

Let’s first start off with the basics before we dive into those three methods and how to effectively employ them.

\n

The Basics

\n

What is an Email List?

\n

An email list is a list of email addresses of your existing and prospective customers who have signed up or subscribed via your WordPress site to get updates, newsletters, special offers or announcements.

\n

Why You Should Build an Email List

\n

Email consistently outperforms social media across the board. It gets a higher view rate than Facebook or Twitter; 50-100 times the click rates of Facebook or Twitter; and is more cost-effective than any other marketing and social channel. Why? Because email is more intimate and private.

\n

If those stats haven’t convinced you yet, here are three other really good reasons:

\n

#1. Your emails are guaranteed to reach the inboxes of each and every one of the active contacts on your email list. The email stays in their inbox until they take an action. Compare that to Facebook or Twitter, where your statuses and posts may not be seen by your followers because of algorithms and the inherent nature of those social networks. Bottom line: people check their emails more thoroughly than they do their social timelines

\n

#2. Email is more secure and more flexible. You own your email list. You however, have very limited control and no ownership of your Twitter and Facebook account data. Furthermore, your social accounts could get hacked or suspended for whatever reason; or the platform could cease to exist or become less popular (think Myspace) etc. Whereas you own your email list and can communicate with your customers and prospects on your own terms.

\n

#3. Email has more specific targeting. You can send information or announcements on product specific or geo-specific services to specific contacts that match some particular criteria.

\n

That’s not to say that you should neglect your social networks. Social is great for user engagement so don’t give up on social just yet. Email will just bring you more visitors and conversions.

\n

So how can you get started today?

\n

Well, there are quite a few WordPress email marketing plugins at your disposal. Most of them require you to use them in conjunction with email marketing service providers and only help you to create signup forms on your site. They don’t go much further than that. A few however do. One of those is Subscribe2 HTML.

\n

Subscribe2 HTML

\n

Subscribe2HTML plugin is arguably one of the most comprehensive and reliable email marketing plugins for WordPress. It gives you the option of sending emails on a per-post basis or periodically in a newsletter format.

\n

It manages your email lists in a straightforward way. For example, you don’t need to log in to compose an email every time before sending one. This comes in handy when you need to send out timely post updates – a great feature for high traffic blogs.

\n

There are two subscription options for Subscribe2 HTML: Registered Subscribers and Public Subscribers. Registered Subscribers are users who have subscribed to your blog and are consequently required to log-in to your site to manage their subscriptions. They can opt to receive either plain text or HTML emails. You can send them post notifications by category; and they can choose whether they want just the excerpt or the full post. (If they don’t make a choice, they will get the full post when they select the plain text option).

\n
\"Suscribe2HTML

Suscribe2HTML is full of features and can be configured in any way you like.

\n

Public Subscribers can sign up through an online form. However, their subscription only starts when they confirm the subscription request via email. They do not get to choose between an excerpt or plain text version of an email.

\n

As an admin, you can subscribe or unsubscribe users and send emails to all verified subscribers. You also have a selection of email templates to choose from.

\n

There are additional options and settings available, like choosing the frequency of your emails and the time of day to send them. The plugin is all about automation to save you valuable time.

\n

3 Effective strategies to Grow Your Email List

\n

Content

\n

Consistently creating great content is the advice you always hear and read about when looking for ways to increase traffic to your blog and to grow your email list. That’s all good and true, but have you heard of a content upgrade? It’s a simple and highly effective strategy to grow your email list.

\n

How it works:

\n
    \n
  1. Write an engaging blog post.
    2. \n
  2. Create a more in-depth version of the post.
    3. \n
  3. Give readers the option to read the upgraded content in return for their email address.
    4. \n
\n

This strategy works on the basis that your readers are already interested in the blog post since they clicked on it. So, a content upgrade plays on that interest by offering more. It’s simple, straightforward and highly effective.

\n

Opt-In Forms

\n

Like you’ve heard over and over again (and seen on many high-traffic sites), opt-in forms are the way to go when growing your email list. It’s worth mentioning again in this post. Whether you’re offering an eBook, white paper or free software, opt-in forms will increase your email subscriptions.

\n

The key is not to offer as many incentives as you can. The most efficient strategy is to pick a high-value incentive and place it in appropriate areas of your site (the sidebar, pop-ups, blog post, footer, etc.). This strategy is especially great for small businesses that don’t have the time or the manpower to produce upgraded content for every blog post.

\n

Social Proof

\n

A majority of online users rely on ratings, popularity and reviews in making purchasing decisions. Social proof is very important and shouldn’t be underestimated.

\n

That being said, you should focus on your numbers. Add up all your followers and subscribers on all channels and put the total out there. The bigger the number, the more impressive.

\n

In fact, various research studies have shown that social proof has more impact on behavior than financial, environmental and personal incentives.

\n

Would you also like to be included in our email list? Go to our homepage and enter your email address to subscribe!

\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:71:\"https://semperplugins.com/how-to-build-an-email-list-in-wordpress/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:2:\"14\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:6;a:6:{s:4:\"data\";s:45:\"\n \n \n \n \n \n \n \n\n \n \n \n \n \n \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:40:\"9 Steps to Clean Your WordPress Database\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:63:\"https://semperplugins.com/how-to-clean-your-wordpress-database/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:72:\"https://semperplugins.com/how-to-clean-your-wordpress-database/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 06 Apr 2017 13:00:25 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:2:{i:0;a:5:{s:4:\"data\";s:4:\"Blog\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:18:\"WordPress database\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"https://semperplugins.com/?p=3225/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:422:\"Is your WordPress database a mess? Have you been complaining about it since time immemorial? Well, then your WordPress site might be as bloated as you were after that marvelous Thanksgiving dinner at your mom’s. If your site has been…
Read more ›
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Derek Iwasiuk\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:9209:\"

\"\"

\n

Is your WordPress database a mess? Have you been complaining about it since time immemorial? Well, then your WordPress site might be as bloated as you were after that marvelous Thanksgiving dinner at your mom’s. If your site has been live for a while now, chances are that its database has acquired quite a bit of garbage and is demanding a spring clean.

\n

The trick to maintaining a database is to clean it regularly to prevent the accumulation of unnecessary data. However, we are guessing that you have been skimping on the cleaning bit, which is why you are here today. Therefore, without wasting time, we will tell you how to clean up that database in a few easy steps.

\n

#1. Basic Ground Rules

\n

Before you take on the massive task of spring-cleaning, you must ensure that your valuables are safe and sound. Losing a single system file can mess up your website entirely and can cause you to lose thousands of dollars in revenue.

\n

So start by creating copies of important files and create a backup of your entire website. You should definitely check out Backupbuddy from our friends at iThemes. It’s a great plugin that allows you to schedule automatic full or database-only backups, and we highly recommend it.

\n

#2. Screen Through the Clutter

\n

Do you remember how yard sales used to work before Craigslist and eBay came along? Just like separating the valuables from trash, you need to pick out the plugins you use and the ones you don’t.

\n

You can easily get started by going through your complete list of plugins in your WordPress dashboard. Go to your admin panel and click on Plugins. Next, go to Installed Plugins and click on Inactive at the top of the screen.

\n

Eliminating unused plugins should easily free up a couple of bytes and is the first step towards cleaning up your WordPress database.

\n

#3. Time For a Purge

\n

This might sound very ominous (esp. to the ones familiar with the popular movie franchise), but it is the best way to free up space. After deleting all unused plugins you should start cleaning out post data.

\n

If you have been using WordPress from a while, you might not be as surprised to know that all your post data is being stored in your website database. You can find it all in the wp_postmeta table, and you can run this query to get rid of all superfluous data:

\n

DELETE FROM wp_postmeta WHERE meta_key = ‘your-meta-key

\n

Always remember to replace the last part with the value that has to be cleared out.

\n

#4. Take Care of Spam

\n

Spam is no longer restricted to your inbox. If you look through your database carefully, you will find tons of spam comments as well. These include promotional features and unscrupulous backlinks that other sites use to eat their way into your SEO. Monitoring comments is an essential practice that is currently underrated.

\n

The easiest way to manage spam comments on your site is to execute this query:

\n

DELETE FROM wp_comments WHERE comment_approved = ‘spam’;

\n

If you are currently using a multi-site installation of WordPress, you may like to try the following query:

\n

DELETE FROM wp_#_comments WHERE comment_approved = ‘spam’;

\n

#5. What About Comments Waiting on Moderation?

\n

As a WordPress website/blog admin, you have the power to delete all comments that are awaiting moderation. This eliminates the need of unnecessarily going through each and every spam comment that you haven’t yet moderated.

\n

Just a word of advice: go through the list once to approve all genuine comments before running this query:

\n

DELETE FROM wp_comments WHERE comment_approved = ‘0’;

\n

#6. Taking Care of Unused Tags

\n

This has happened to almost all of us. When we were new at blogging, we created a few hundred tags thinking we would use them from time to time. And now that we post regularly, we hardly ever change tags. We use the most common ones and stick to those.

\n

Don’t be surprised if you have completely forgotten about a score of tags that you exist on your website database (thanks to your wild imaginative powers). Fortunately, we have a query that will take care of all unused tags, but be sure to check the ones that you do use before running this query:

\n

DELETE FROM wp_terms wt
\nINNER JOIN wp_term taxonomy wtt ON wt.term_id = wtt.term_id WHERE wtt.taxonomy = ‘post_tag’ and wtt.count = 0;

\n

Check out some of our earlier posts if you are unsure about the differences between categories & tags and how to use them.

\n

#7. Bid Farewell to Pingbacks

\n

If you are currently using a setting that has turned off the option of accepting pingbacks, then you may want to use the following code. This will remove every pingback ever made to your website from your database.

\n

DELETE FROM wp_comments WHERE comment_type = ‘pingback’;

\n

Again, if you are currently using a multisite installation, you may try using the next one. just remember to replace # with your current site id.

\n

DELETE FROM wp_#_comments WHERE comment_type = ‘pingback’;

\n

#8. No more Post Revisions

\n

Post revisions are indeed necessary for blogs, but once you see the space they take up on your database, you won’t think twice about bidding them farewell. They grow fast and exponentially. You can clear them out at one go using the next query:

\n

DELETE a, b, c FROM wp_posts a LEFT JOIN wp_term_relationships b ON (a.ID = b.object_id)
\nLEFT JOIN wp_postmeta c ON (a.ID = c.post_id) WHERE a.post_type = ‘revision’

\n

You can even chose to disable all post revisions for your website using the following SQL code:

\n

define(‘WP_POST_REVISIONS’), false);

\n

#9. Getting Rid of Trackbacks

\n

Your final step should be getting rid of all old trackbacks. To make sure that nothing goes wrong, double check so that all your pingbacks and trackbacks have been disabled before trying the next SQL code:

\n

DELETE FROM wp_comments WHERE comment_type = ‘trackback’;

\n

For multisite users, the next query should be more profitable. You can use this one to clean out all your trackbacks at one go. Like previous ones, replace # with your current site ID to remove all of your site’s trackbacks.

\n

DELETE FROM wp_#_comments WHERE comment_type = ‘trackback’;

\n

Besides these, you can also scrap your old posts once your audience has fallen out of love with them. This might be difficult at first, but many old posts are nothing but unwarranted burden for WordPress databases.

\n

If you are new and quite lost with the new set of codes, queries and rules we were talking about right here, leave your maintenance to seasoned plugins like Optimize. They work great with multisite installations as well, and include extensive options for managing and removing unused tables.

\n

This article has been written by Derek Iwasiuk from www.engagethecrowd.com.

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Read more ›
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\"\"

\n

While getting started on a brand new SEO campaign, often the first thing you would be doing is keyword research. It is supposed to provide the much-needed skeletal framework for your campaign and has proven to be a vital technique for a long time now. However, during the last few years, keyword research has changed dramatically, it has experienced fascinating evolutions and has somewhat become less relevant in more ways than one.

\n

Why Is Keyword Research Important?

\n

Keyword research is essential to ensure that your content satisfies inbound visitors and that all incoming queries are directly related to your business.

\n

You can find out which queries offer low competition, allowing you to selectively target vital keywords and phrases to include in your site’s content. Identifying keywords and keeping track of them serves as an important metric that you can utilize to gauge your campaign’s effectiveness, by keeping track of rankings over a period of time.

\n

Back In Time

\n

In the past, SEO seemed to be really simple. You stuffed your keywords all over your page’s content, into each and every meta tag, and prayed for the best.

\n

With the help of Google Analytics, Google offered lots of data about how individuals were searching, and exactly how they came across your site through keywords. Moreover, once you had access to a list of keywords which ensured low competition but high traffic, you could at once start optimizing your content to target those queries.

\n

Most Google searches would feature one-to-one relationships. During those days, Google would take your words and find near exact matches on the web.

\n

What’s that, Hummingbird?

\n

In 2013, Google launched its Hummingbird algorithm update.

\n

This update presented a whole new concept called ‘semantic search’ that revolutionized the way Google handles queries. Instead of taking the user’s words and looking for appropriate matches online, Google evaluates the intention that is behind a user’s query and then determines which content is relevant.

\n

Even though it looks like an insignificant difference, in reality, it has a great impact on the way we should perceive keywords. The faster that semantic search evolved, the more power that individual keywords lost, giving way to long-tail keywords and topical themes.

\n

Forecasting the Future

\n

In our recent post on keyword research trends, we discussed how new technologies drastically impact the manner in which searches are conducted. Digital assistants such as Cortana and Siri are motivating users to perform searches through speech and are fundamentally changing the way queries are entered.

\n

Other innovations such as augmented reality, wearables, and virtual reality could be having the same and complementary effect, by compelling users to alter the manner in which they search. New kinds of interfaces and (even) smaller screens will soon be changing the way we interact with search engines.

\n

Conclusion

\n

Keyword research is bound to change and will not remain in its present form forever. We will be witnessing an iterative and gradual transition to a whole new search research system that is based specifically on the latest technologies and current search trends. You better prepare yourself mentally for a few drastic changes during the next decade.

\n

This article has been written by Walter Moore from gingerdomain.com.

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Read more ›
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\"\"

\n

Despite what you’ve been hearing, keyword research isn’t dead. Without keywords, there is no SEO… right? Let’s look at the facts.

\n

93% of online experiences in 2016 started with a search, and search starts with words. Keywords will remain relevant as long as people use words to interact with search engines. The only thing that has changed are the additional factors that have influenced how we use keywords for SEO.

\n

The truth is that search engines are no longer looking only at keywords, but also value many other factors. Keywords are now just a miniscule part of the pie. That is not to say that keyword discovery isn’t important. In fact, it is important in the way you go about it: we need to go levels deeper – to the precise level that users are searching for; and search engines are indexing for.

\n

This post will focus on the three main focuses of valuable keyword research in 2017:

\n

(1) user intent
\n(2) long-tail keywords
\n(3) Google voice search

\n

User Intent

\n

User intent is critical to keyword research and discovery in 2017. Marketers need to understand how to work together with search engines to provide the content users really want. After all, it’s not about attracting visitors to your site, but the right kind of visitors.

\n

So what exactly is user intent? User intent refers to “a user’s ultimate objective or goal” in making a search query. Every single search query has an intent, a goal, perhaps a problem the user wants to solve.

\n

For example, a search query of “Chicago to New York” gives me flight schedules. Adding “travel” to make it “Chicago to New York travel” does not only provide me with flight results, but bus and car information as well.

\n

Adding one word to a search query greatly impacts the results of the search as Google automatically recognizes the change in intent. In fact, Google refines its algorithms 500-600 times a year to get user intent right. And if Google is focusing on it, so should you.

\n

You need to make user intent central to your keyword research. It is critical that you understand your user’s goals when they make search queries. This understanding or lack of it could make or break your organic traffic.

\n

The great thing is that user intent is pretty easy to figure out the longer the search query is. Long queries give us a lot of information on what a user exactly wants so we can give it to them. They also enable us to get targeted organic traffic for long-tail keywords. Speaking of which…

\n

Long-Tail Keywords

\n

I’m sure you’ve heard long-tail keywords uttered over and over again by marketers in 2016 (and even before). It looks like it’s set to dominate 2017 as well. I’m sure you’re already familiar with long-tail keywords, being that you’ve been focusing on them, but let’s cover the basics first before we delve into how to successfully incorporate it in your SEO strategy.

\n

What are long-tail keywords? Long-tail keywords are search terms with four or more words. In fact, 51% of all search queries in 2016 contained four or more words (source).

\n

So where should you start off on finding relevant long-tail keywords for your business? Well, you need to first find actual terms that are being used in your specific industry or field.

\n

You don’t need to use the expensive keyword research tools to get a good list of long-tail keywords. There are some free keyword research tools that will give you a good list to start with. Keyword Finder (suggests long-tail queries and search volumes but only allows a few daily searches) and Keyword.io (suggest long-tail queries but does not provide search volumes) are free (but limited) tools you can start off with if you’re on a budget. And of course there’s always Google’s very own Keyword Planner that’s integrated into Adwords.

\n

By far the best premium keyword research tool is Moz Pro’s Keyword Explorer. You start by searching your main keyword and it will return a comprehensive list of keywords that you can rank for relevancy and search volume. From there, you can go down the list and pick out the long-tail keyword phrases or search queries. The great thing about the Keyword Explorer is that you can click on any long-tail keyword to generate a new list of queries related to that keyword. The new list features more long-tail queries than the initial list.

\n

Google’s Voice Search

\n

Perhaps the most interesting development in keyword strategy is Google’s voice search and natural language capabilities. According to Google, 20% of mobile searches are now voice searches! This trend is quickly taking and has prompted Google to create answer boxes and Knowledge Graph panels. Here you can also find a fun infograph regarding the matter.

\n

Let’s take a look at how natural language, both spoken and typed, has changed search. For example, users, like you, used to search for “keyword research”, but now ask, “what is keyword research?” or “what is the most effective keyword research strategy?” You can see the change from keywords to long-tail keywords or queries. Voice search capability is quickening this development in SEO content marketing.

\n
\"Google

Google voice queries are quickly rising in popularity and will only continue to do so in 2017.

\n

So how can you keep up with this development to plan an effective SEO content marketing strategy?

\n

(1) Look at the Frequently Asked Questions (FAQ) for your industry or brand and match this to your existing content. Do you have pages or posts that address those questions? If so, make sure that the questions are put forward in a very natural way and are highlighted on the page.

\n

(2) Create an FAQ page for questions that you can answer in a couple of paragraphs. Answer the questions in clear, concise and natural language.

\n

(3) Try and come up with long-form content for the questions by breaking them up into “What, when, why, how, who and where?” components. Create subheadings for each so that search engines can index them and users can easily find the content.

\n

Wrapping Up

\n

A good understanding and grasp of user intent, long-tail keywords and Google voice search will help you better refine your keyword, and overall SEO, strategy for 2017. Start to figure out what your audience really wants so you can begin communicating with them in the best way as soon as possible.

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Read more ›
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Happy 9th Plugin developer Day! Looking back, it’s been a wild ride. 9 years ago yesterday All in One SEO Pack hit 1 million downloads.

\n

Since then we’ve blown that away with over 30 million downloads, and the launch of All in One SEO Pack Pro here at semperplugins.com, and so much more.

\n

It’s amazing to think that when Matt Mullenweg first made the declaration in 2009, we only had 4000 plugins in the directory, and an average of five per install.

\n

In order to celebrate Thank a Plugin Developer Day, please send a donation to or leave a 5 star rating for your favorite plugin. (You can click here to rate All in One SEO Pack 5 stars. [wink])

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Sign up for immediate access, plus you’ll receive new tutorials and tips every Wednesday and Saturday about how to draw people.

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use this one simple trick WHEN SketchING from life...

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...and Your Sketches Will Have Better Proportions Than Ever Before!

 Yours for free when you sign up for the Let\'s Draw People Newsletter.

  • Learn how inanimate objects sketched alongside human figures can help with proportion.
  • Learn the crucial role your pencil plays in keeping your sketch in proportion.
  • Learn how to build consistency with keeping your sketches in proper proportion all the time.
  • Learn the way a small piece of scratch paper can help you make a better sketch.
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100% Secure.

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Terms of Service | Privacy Policy | Contact | Copyright © 2015 Let\'s Draw People

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Sign up for immediate access to the checklist. Get new tutorials and tips every Wednesday and Saturday about how to draw people.

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\n
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 free beginners\' face-drawing checklist

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22 Simple Details to Draw with Your Facial Features That Will Give Your Line Drawings a More Realistic, Professional Look

Yours for free as a subscriber to the Let\'s Draw People Newsletter.

  • 6 important steps to drawing eyes, including 2 tips to forming eyelashes that look just right
  • 4 easy points for drawing a realistic, properly-placed nose
  • 5 easily-overlooked details for drawing a mouth that will capture the likeness of your subject
  • 4 things to look for when drawing the parts of the ear
  • 3 ways to draw strands and sections of natural-flowing hair
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100% Secure.

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Terms of Service | Privacy Policy | Contact | Copyright © 2016 Let\'s Draw People

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After over 13 million downloads of WordPress 4.8, we are pleased to announce the immediate availability of WordPress 4.8.1, a maintenance release.

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This release contains 29 maintenance fixes and enhancements, chief among them are fixes to the rich Text widget and the introduction of the Custom HTML widget. For a full list of changes, consult the release notes, the tickets closed, and the list of changes.

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Download WordPress 4.8.1 or visit Dashboard → Updates and simply click “Update Now.” Sites that support automatic background updates are already beginning to update to WordPress 4.8.1.

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Thanks to everyone who contributed to 4.8.1:
\nAdam Silverstein, Andrea Fercia, Andrew Ozz, Atanas Angelov, bonger, Boone Gorges, Boro Sitnikovski, David Herrera, James Nylen, Jeffrey Paul, Jennifer M. Dodd, K. Adam White, Konstantin Obenland, Mel Choyce, r-a-y, Reuben Gunday, Rinku Y, Said El Bakkali, Sergey Biryukov, Siddharth Thevaril, Timmy Crawford, and Weston Ruter.

\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"4875\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:1;a:6:{s:4:\"data\";s:33:\"\n \n \n \n \n \n\n \n \n \n \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:6:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:33:\"The Month in WordPress: July 2017\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"https://wordpress.org/news/2017/08/the-month-in-wordpress-july-2017/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 02 Aug 2017 07:50:14 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:18:\"Month in WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"https://wordpress.org/news/?p=4885\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:344:\"After a particularly busy month in June, things settled down a bit in the WordPress world — WordPress 4.8’s release went very smoothly, allowing the Core team to build up some of the community infrastructure around development. Read on for more interesting news from around the WordPress world in July. Weekly meeting for new core […]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:15:\"Hugh Lashbrooke\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:5644:\"

After a particularly busy month in June, things settled down a bit in the WordPress world — WordPress 4.8’s release went very smoothly, allowing the Core team to build up some of the community infrastructure around development. Read on for more interesting news from around the WordPress world in July.

\n
\n

Weekly meeting for new core contributors

\n

Onboarding new contributors is a persistent issue for most WordPress contribution teams. While every team welcomes any new contributors, the path to getting deeply involved can be tricky to find at times.

\n

This month, the Core team implemented a fantastic new initiative: weekly meetings for new core contributors as a way to encourage involvement and foster fresh contributions. The meetings not only focus on bugs suited to first-time contributors, they also make space for experienced contributors to help out individuals who may be new to developing WordPress core.

\n

The meetings are held every Wednesday at 19:00 UTC in the #core channel in the Making WordPress Slack group.

\n

Increased focus on PHP practices in WordPress core

\n

In bringing people together to improve WordPress core, a new channel in the Making WordPress Slack group named #core-php is designed to focus on PHP development in the project.

\n

Along with this increased concentration on PHP, a new weekly meeting is now taking place every Monday at 18:00 UTC in #core-php to improve WordPress core’s PHP practices.

\n

Sharp rise in meetup group growth

\n

The dashboard events widget in WordPress 4.8 displays local, upcoming WordPress events for the logged in user. The events listed in this widget are pulled from the meetup chapter program, as well as the WordCamp schedule.

\n

This widget provides greater visibility of official WordPress events, and encourages community involvement in these events. It’s safe to say that the widget has achieved its goals admirably — since WordPress 4.8 was released a little over a month ago, 31 new meetup groups have been formed with 15,647 new members across the whole program. This is compared to 19 new groups and only 7,071 new members in the same time period last year.

\n

You can find a local meetup group to join on meetup.com, and if you would like to get involved in organizing events for your community, you can find out more about the inner workings of the program on the Community Team site or by joining the #community-events channel in the Making WordPress Slack group.

\n

WordPress 4.8.1 due for imminent release

\n

WordPress 4.8 cycle’s first maintenance release will be published in the coming week, more than a month after 4.8 was released. This release fix some important issues in WordPress core and the majority of users will find that their sites will update to this new version automatically.

\n

If you would like to help out by testing this release before it goes live, you can follow the beta testing guide for WordPress core. To get further involved in building WordPress core, jump into the #core channel in the Making WordPress Slack group, and follow the Core team blog.

\n
\n

Further reading:

\n\n

If you have a story we should consider including in the next “Month in WordPress” post, please submit it here.

\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"4885\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:2;a:6:{s:4:\"data\";s:33:\"\n \n \n \n \n \n\n \n \n \n \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:6:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:33:\"The Month in WordPress: June 2017\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"https://wordpress.org/news/2017/07/the-month-in-wordpress-june-2017/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 03 Jul 2017 11:42:11 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:18:\"Month in WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"https://wordpress.org/news/?p=4865\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:342:\"We’re starting a new regular feature on this blog today. We’d like to keep everyone up-to-date about the happenings all across the WordPress open source project and highlight how you can get involved, so we’ll be posting a roundup of all the major WordPress news at the end of every month. Aside from other general […]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:15:\"Hugh Lashbrooke\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:9225:\"

We’re starting a new regular feature on this blog today. We’d like to keep everyone up-to-date about the happenings all across the WordPress open source project and highlight how you can get involved, so we’ll be posting a roundup of all the major WordPress news at the end of every month.

\n

Aside from other general news, the three big events in June were the release of WordPress 4.8, WordCamp Europe 2017, and the WordPress Community Summit. Read on to hear more about these as well as other interesting stories from around the WordPress world.

\n
\n

WordPress 4.8

\n

On June 8, a week before the Community Summit and WordCamp Europe, WordPress 4.8 was released.You can read the Field Guide for a comprehensive overview of all the features of this release (the News and Events widget in the dashboard is one of the major highlights).

\n

Most people would either have their version auto-updated, or their hosts would have updated it for them. For the rest, the updates have gone smoothly with no major issues reported so far.

\n

This WordPress release saw contributions from 346 individuals; you can find their names in the announcement post. To get involved in building WordPress core, jump into the #core channel in the Making WordPress Slack group, and follow the Core team blog.

\n

WordCamp Europe 2017

\n

WordCamp Europe 2017 was held in Paris between June 15-17. The event began with a Contributor Day, followed by two days of talks and community goodness. The talks were live-streamed, but you can still catch all the recordings on WordPress.tv. The organisers also published a handy wrap-up of the event.

\n

WordCamp Europe exists to bring together the WordPress community from all over the continent, as well as to inspire local communities everywhere to get their own events going — to that end, the event was a great success, as a host of new meetup groups have popped up in the weeks following WordCamp Europe.

\n

The work that Contributor Day participants accomplished was both varied and valuable, covering all aspects of the WordPress project — have a look through the Make blogs for updates from each team.

\n

Finally, we also learned during the event that WordCamp Europe 2018 will be held in Belgrade, Serbia, continuing the tradition of exploring locations and communities across the continent.

\n

WordPress Community Summit

\n

The fourth WordPress Community Summit took place during the two days leading up to WordCamp Europe 2017. This event is an invite-only unconference where people from all over the WordPress community come together to discuss some of the more difficult issues in the community, as well as to make plans for the year ahead in each of the contribution teams.

\n

As the Summit is designed to be a safe space for all attendees, the notes from each discussion are in the process of being anonymized before we publish them on the Summit blog (so stay tuned – they’ll show up there over the next few weeks).

\n

You can already see the final list of topics that were proposed for the event here (although a few more were added during the course of the two day Summit).

\n

WordPress marketing push continues apace

\n

As part of the push to be more intentional in marketing WordPress (as per Matt Mullenweg’s 2016 State of the Word), the Marketing team has launched two significant drives to obtain more information about who uses WordPress and how that information can shape their outreach and messaging efforts.

\n

The team is looking for WordPress case studies and is asking users, agencies, and freelancers to take a WordPress usage survey. This will go a long way towards establishing a marketing base for WordPress as a platform and as a community — and many people in the community are looking forward to seeing this area develop further.

\n

To get involved in the WordPress Marketing team, you can visit their team blog.

\n

New Gutenberg editor available for testing

\n

For some time now, the Core team has been hard at work on a brand-new text editor for WordPress — this project has been dubbed “Gutenberg.” The project’s ultimate goal is to replace the existing TinyMCE editor, but for now it is in beta and available for public testing — you can download it here as a plugin and install it on any WordPress site.

\n

This feature is still in beta, so we don’t recommend using it on a production site. If you test it out, though, you’ll find that it is a wholly different experience to what you are used to in WordPress. It’s a more streamlined, altogether cleaner approach to the text-editing experience than we’ve had before, and something that many people are understandably excited about. Matt Mullenweg discussed the purpose of Gutenberg in more detail during his Q&A at WordCamp Europe.

\n

There are already a few reviews out from Brian Jackson at Kinsta, Aaron Jorbin, and Matt Cromwell (among many others). Keep in mind that the project is in constant evolution at this stage; when it eventually lands in WordPress core (probably in v5.0), it could look very different from its current iteration — that’s what makes this beta stage and user testing so important.

\n

To get involved with shaping the future of Gutenberg, please test it out, and join the #core-editor channel in the Making WordPress Slack group. You can also visit the project’s GitHub repository to report issues and contribute to the codebase.

\n
\n

Further reading:

\n\n

If you have a story we should consider including in the next “Month in WordPress” post, please submit it here.

\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"4865\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:3;a:6:{s:4:\"data\";s:33:\"\n \n \n \n \n \n\n \n \n \n \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:6:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"WordPress 4.8 “Evans”\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:41:\"https://wordpress.org/news/2017/06/evans/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 08 Jun 2017 14:49:30 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:8:\"Releases\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"https://wordpress.org/news/?p=4770\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:373:\"An Update with You in Mind Gear up for a more intuitive WordPress! Version 4.8 of WordPress, named “Evans” in honor of jazz pianist and composer William John “Bill” Evans, is available for download or update in your WordPress dashboard. New features in 4.8 add more ways for you to express yourself and represent your brand. Though some […]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Matt Mullenweg\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:43007:\"

An Update with You in Mind

\n

\"\"

\n

Gear up for a more intuitive WordPress!

\n

Version 4.8 of WordPress, named “Evans” in honor of jazz pianist and composer William John “Bill” Evans, is available for download or update in your WordPress dashboard. New features in 4.8 add more ways for you to express yourself and represent your brand.

\n

Though some updates seem minor, they’ve been built by hundreds of contributors with you in mind. Get ready for new features you’ll welcome like an old friend: link improvements, three new media widgets covering images, audio, and video, an updated text widget that supports visual editing, and an upgraded news section in your dashboard which brings in nearby and upcoming WordPress events.

\n
\n

Exciting Widget Updates

\n

\"\"

\n

Image Widget

\n

Adding an image to a widget is now a simple task that is achievable for any WordPress user without needing to know code. Simply insert your image right within the widget settings. Try adding something like a headshot or a photo of your latest weekend adventure — and see it appear automatically.

\n

Video Widget

\n

A welcome video is a great way to humanize the branding of your website. You can now add any video from the Media Library to a sidebar on your site with the new Video widget. Use this to showcase a welcome video to introduce visitors to your site or promote your latest and greatest content.

\n

Audio Widget

\n

Are you a podcaster, musician, or avid blogger? Adding a widget with your audio file has never been easier. Upload your audio file to the Media Library, go to the widget settings, select your file, and you’re ready for listeners. This would be a easy way to add a more personal welcome message, too!

\n

Rich Text Widget

\n

This feature deserves a parade down the center of town! Rich-text editing capabilities are now native for Text widgets. Add a widget anywhere and format away. Create lists, add emphasis, and quickly and easily insert links. Have fun with your newfound formatting powers, and watch what you can accomplish in a short amount of time.

\n
\n

Link Boundaries

\n
\n

Have you ever tried updating a link, or the text around a link, and found you can’t seem to edit it correctly? When you edit the text after the link, your new text also ends up linked. Or you edit the text in the link, but your text ends up outside of it. This can be frustrating! With link boundaries, a great new feature, the process is streamlined and your links will work well. You’ll be happier. We promise.

\n
\n

Nearby WordPress Events

\n

\"\"

\n

Did you know that WordPress has a thriving offline community with groups meeting regularly in more than 400 cities around the world? WordPress now draws your attention to the events that help you continue improving your WordPress skills, meet friends, and, of course, publish!

\n

This is quickly becoming one of our favorite features. While you are in the dashboard (because you’re running updates and writing posts, right?) all upcoming WordCamps and official WordPress Meetups — local to you — will be displayed.

\n

Being part of the community can help you improve your WordPress skills and network with people you wouldn’t otherwise meet. Now you can easily find your local events just by logging in to your dashboard and looking at the new Events and News dashboard widget.

\n
\n

Even More Developer Happiness \"?\"

\n

More Accessible Admin Panel Headings

\n

New CSS rules mean extraneous content (like “Add New” links) no longer need to be included in admin-area headings. These panel headings improve the experience for people using assistive technologies.

\n

Removal of Core Support for WMV and WMA Files

\n

As fewer and fewer browsers support Silverlight, file formats which require the presence of the Silverlight plugin are being removed from core support. Files will still display as a download link, but will no longer be embedded automatically.

\n

Multisite Updates

\n

New capabilities have been introduced to 4.8 with an eye towards removing calls to
\nis_super_admin(). Additionally, new hooks and tweaks to more granularly control site and user counts per network have been added.

\n

Text-Editor JavaScript API

\n

With the addition of TinyMCE to the text widget in 4.8 comes a new JavaScript API for instantiating the editor after page load. This can be used to add an editor instance to any text area, and customize it with buttons and functions. Great for plugin authors!

\n

Media Widgets API

\n

The introduction of a new base media widget REST API schema to 4.8 opens up possibilities for even more media widgets (like galleries or playlists) in the future. The three new media widgets are powered by a shared base class that covers most of the interactions with the media modal. That class also makes it easier to create new media widgets and paves the way for more to come.

\n

Customizer Width Variable

\n

Rejoice! New responsive breakpoints have been added to the customizer sidebar to make it wider on high-resolution screens. Customizer controls should use percentage-based widths instead of pixels.

\n
\n

The Squad

\n

This release was led by Matt and Jeff Paul, with the help of the following fabulous folks. There are 346 contributors with props in this release, with 106 of them contributing for the first time. Pull up some Bill Evans on your music service of choice, and check out some of their profiles:

\nAaron D. Campbell, Aaron Jorbin, abrightclearweb, Achal Jain, achbed, Acme Themes, Adam Silverstein, adammacias, Ahmad Awais, ahmadawais, airesvsg, ajoah, Aki Björklund, akshayvinchurkar, Alain Schlesser, Alex Concha, Alex Dimitrov, Alex Hon, alex27, allancole, Amanda Rush, Andrea Fercia, Andreas Panag, Andrew Nacin, Andrew Ozz, Andrey \"Rarst\" Savchenko, Andy Meerwaldt, Andy Mercer, Andy Skelton, Aniket Pant, Anil Basnet, Ankit K Gupta, Anthony Hortin, antisilent, Anton Timmermans, apokalyptik, artoliukkonen, Arunas Liuiza, attitude, backermann, Bappi, Ben Cole, Bernhard Gronau, Bernhard Kau, binarymoon, Birgir Erlendsson (birgire), BjornW, bobbingwide, boblinthorst, boboudreau, bonger, Boone B. Gorges, Brady Vercher, Brainstorm Force, Brandon Kraft, Brian Hogg, Brian Krogsgard, Bronson Quick, Caroline Moore, Casey Driscoll, Caspie, Chandra Patel, Chaos Engine, cheeserolls, chesio, chetansatasiya, choong, Chouby, chredd, Chris Jean, Chris Marslender, Chris Smith, Chris Van Patten, Chris Wiegman, chriscct7, chriseverson, Christian Chung, Christian Nolen, Christian Wach, Christoph Herr, Clarion Technologies, Claudio Sanches, Claudio Sanches, ClaudioLaBarbera, codemovement.pk, coderkevin, codfish, coreymcollins, Curdin Krummenacher, Curtiss Grymala, Cătălin Dogaru, danhgilmore, Daniel Bachhuber , Daniel Kanchev, Daniel Pietrasik, Daniele Scasciafratte, Daryl L. L. Houston (dllh), Dave Pullig, Dave Romsey (goto10), David A. Kennedy, David Chandra Purnama, David Herrera, David Lingren, David Mosterd, David Shanske, davidbhayes, Davide \'Folletto\' Casali, deeptiboddapati, delphinus, deltafactory, Denis de Bernardy, Derek Herman, Derrick Hammer, Derrick Koo, dimchik, Dinesh Chouhan, Dion Hulse, Dipesh Kakadiya, dmsnell, Dominik Schilling, Dotan Cohen, Doug Wollison, doughamlin, DreamOn11, Drew Jaynes, duncanjbrown, dungengronovius, DylanAuty, Eddie Hurtig, Eduardo Reveles, Edwin Cromley, ElectricFeet, Elio Rivero, Ella Iseulde Van Dorpe, elyobo, enodekciw, enshrined, Eric Andrew Lewis, Eric Lanehart, Evan Herman, Felix Arntz, Fencer04, Florian Brinkmann, Florian TIAR, FolioVision, fomenkoandrey, Francesco Taurino, Frank Klein, Frankie Jarrett, Fred, Fredrik Forsmo, fuscata, Gabriel Maldonado, Garth Mortensen, Gary Jones, Gary Pendergast, Geeky Software, George Stephanis, Goran Šerić, Graham Armfield, Grant Derepas, Gregory Karpinsky (@tivnet), Hardeep Asrani, Helen Hou-Sandí, Henry Wright, hiddenpearls, Hinaloe, Hristo Pandjarov, Hugo Baeta, Iain Poulson, Ian Dunn, Ian Edington, idealien, Ignacio Cruz Moreno, imath, implenton, Ionut Stanciu, Ipstenu (Mika Epstein), ivdimova, J.D. Grimes, Jacob Peattie, Jake Spurlock, James Nylen, jamesacero, Japh, Jared Cobb, jayarjo, jdolan, jdoubleu, Jeff Bowen, Jeff Paul, Jeffrey de Wit, Jeremy Felt, Jeremy Pry, jimt, Jip Moors, jmusal, Joe Dolson, Joe Hoyle, Joe McGill, Joel James, johanmynhardt, John Blackbourn, John Dittmar, John James Jacoby, John P. Bloch, John Regan, johnpgreen, Jon (Kenshino), Jonathan Bardo, Jonathan Brinley, Jonathan Daggerhart, Jonathan Desrosiers, Jonny Harris, jonnyauk, jordesign, JorritSchippers, Joseph Fusco, Josh Eaton, Josh Pollock, joshcummingsdesign, joshkadis, Joy, jrf, JRGould, Juanfra Aldasoro, Juhi Saxena, Junko Nukaga, Justin Busa, Justin Sainton, Justin Shreve, Justin Sternberg, K.Adam White, kacperszurek, Kailey (trepmal), KalenJohnson, Kat Hagan, Keanan Koppenhaver, keesiemeijer, kellbot, Kelly Dwan, Kevin Hagerty, Kirk Wight, kitchin, Kite, kjbenk, Knut Sparhell, koenschipper, kokarn, Konstantin Kovshenin, Konstantin Obenland, Konstantinos Kouratoras, kuchenundkakao, kuldipem, Laurel Fulford, Lee Willis, Leo Baiano, LittleBigThings (Csaba), Lucas Stark, Luke Cavanagh, Luke Gedeon, Luke Pettway, lyubomir_popov, mageshp, Mahesh Waghmare, Mangesh Parte, Manish Songirkar, mantismamita, Marcel Bootsman, Marin Atanasov, Mario Valney, Marius L. J., Mariyan Belchev, Mark Jaquith, Mark Root-Wiley, Mark Uraine, Marko Heijnen, markshep, matrixik, Matt Banks, Matt Jaworski, Matt King, Matt van Andel, Matt Wiebe, Matthew Haines-Young, mattyrob, Max Cutler, Maxime Culea, Mayo Moriyama, mckernanin, Mel Choyce, mhowell, Michael Arestad, Michael Arestad, michalzuber, Miina Sikk, Mike Auteri, Mike Crantea, Mike Glendinning, Mike Hansen, Mike Little, Mike Schroder, Mike Viele, Milan Dinić, modemlooper, Mohammad Jangda, Mohan Dere, monikarao, morettigeorgiev, Morgan Estes, Morten Rand-Hendriksen, moto hachi ( mt8.biz ), mrbobbybryant, Naim Naimov, Nate Reist, NateWr, nathanrice, Nazgul, Ned Zimmerman, net, Nick Halsey , Nicolas GUILLAUME, Nikhil Chavan, Nikhil Vimal, Nikolay Bachiyski, Nilambar Sharma, noplanman, nullvariable, odie2, odyssey, Okamoto Hidetaka, orvils, oskosk, Otto Kekäläinen, ovann86, Pantip Treerattanapitak (Nok), Pascal Birchler, patilvikasj, Paul Bearne, Paul Wilde, Payton Swick, pdufour, Perdaan, Peter Wilson, phh, php, Piotr Delawski, pippinsplugins, pjgalbraith, pkevan, Pratik, Pressionate, Presskopp, procodewp, Rachel Baker, Rahul Prajapati, Ramanan, Rami Yushuvaev, ramiabraham, ranh, Red Sand Media Group, Riad Benguella, Rian Rietveld, Richard Tape, Robert D Payne, Robert Jolly, Robert Noakes, Rocco Aliberti, Rodrigo Primo, Rommel Castro, Ronald Araújo, Ross Wintle, Roy Sivan, Ryan Kienstra, Ryan McCue, Ryan Plas, Ryan Welcher, Sal Ferrarello, Sami Keijonen, Samir Shah, Samuel Sidler, Sandesh, Sang-Min Yoon, Sanket Parmar, Sarah Gooding, Sayed Taqui, schrapel, Scott Reilly, Scott Taylor, scrappy@hub.org, scribu, seancjones, Sebastian Pisula, Sergey Biryukov, Sergio De Falco, sfpt, shayanys, shazahm1, shprink, simonlampen, skippy, smerriman, snacking, solal, Soren Wrede, Stanimir Stoyanov, Stanko Metodiev, Steph, Steph Wells, Stephanie Leary, Stephen Edgar, Stephen Harris, Steven Word, stevenlinx, Sudar Muthu, Swapnil V. Patil, swapnild, szaqal21, Takahashi Fumiki, Takayuki Miyauchi, Tammie Lister, tapsboy, Taylor Lovett, team, tg29359, tharsheblows, the, themeshaper, thenbrent, thomaswm, Thorsten Frommen, tierra, Tim Nash, Timmy Crawford, Timothy Jacobs, timph, Tkama, tnegri, Tom Auger, Tom J Nowell, tomdxw, Toro_Unit (Hiroshi Urabe), Torsten Landsiedel, transl8or, traversal, Travis Smith, Triet Minh, Trisha Salas, tristangemus, truongwp, tsl143, Ty Carlson, Ulrich, Utkarsh, Valeriu Tihai, Viljami Kuosmanen, Vishal Kakadiya, vortfu, Vrunda Kansara, webbgaraget, WebMan Design | Oliver Juhas, websupporter, Weston Ruter, William Earnhardt, williampatton, Wolly aka Paolo Valenti, WraithKenny, yale01, Yoav Farhi, Yoga Sukma, Zach Wills, Zack Tollman, Ze Fontainhas, zhildzik, and zsusag.\n

 

\n

Finally, thanks to all the community translators who worked on WordPress 4.8. Their efforts bring WordPress 4.8 fully translated to 38 languages at release time with more on the way.

\n

Do you want to report on WordPress 4.8? We’ve compiled a press kit featuring information about the release features, and some media assets to help you along.

\n

If you want to follow along or help out, check out Make WordPress and our core development blog. Thanks for choosing WordPress — we hope you enjoy!

\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"4770\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:4;a:6:{s:4:\"data\";s:33:\"\n \n \n \n \n \n\n \n \n \n \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:6:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:33:\"WordPress 4.8 Release Candidate 2\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:69:\"https://wordpress.org/news/2017/06/wordpress-4-8-release-candidate-2/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 01 Jun 2017 22:13:35 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:8:\"Releases\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"https://wordpress.org/news/?p=4765\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:336:\"The second release candidate for WordPress 4.8 is now available. To test WordPress 4.8, you can use the WordPress Beta Tester plugin or you can download the release candidate here (zip). We’ve made a handful of changes since releasing RC 1 last week. For more details about what’s new in version 4.8, check out the […]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:10:\"Mel Choyce\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:1173:\"

The second release candidate for WordPress 4.8 is now available.

\n

To test WordPress 4.8, you can use the WordPress Beta Tester plugin or you can download the release candidate here (zip).

\n

We’ve made a handful of changes since releasing RC 1 last week. For more details about what’s new in version 4.8, check out the Beta 1, Beta 2, and RC1 blog posts.

\n

Think you’ve found a bug? Please post to the Alpha/Beta support forum. If any known issues come up, you’ll be able to find them here.

\n

Happy testing!

\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"4765\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:5;a:6:{s:4:\"data\";s:33:\"\n \n \n \n \n \n\n \n \n \n \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:6:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"WordPress 4.8 Release Candidate\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:67:\"https://wordpress.org/news/2017/05/wordpress-4-8-release-candidate/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 25 May 2017 23:04:37 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:8:\"Releases\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"https://wordpress.org/news/?p=4758\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:325:\"The release candidate for WordPress 4.8 is now available. RC means we think we’re done, but with millions of users and thousands of plugins and themes, it’s possible we’ve missed something. We hope to ship WordPress 4.8 on Thursday, June 8, but we need your help to get there. If you haven’t tested 4.8 yet, […]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:10:\"Mel Choyce\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:2365:\"

The release candidate for WordPress 4.8 is now available.

\n

RC means we think we’re done, but with millions of users and thousands of plugins and themes, it’s possible we’ve missed something. We hope to ship WordPress 4.8 on Thursday, June 8, but we need your help to get there. If you haven’t tested 4.8 yet, now is the time!

\n

To test WordPress 4.8, you can use the WordPress Beta Tester plugin or you can download the release candidate here (zip).

\n

We’ve made a handful of changes since releasing Beta 2 earlier this week. For more details about what’s new in version 4.8, check out the Beta 1 and Beta 2 blog posts.

\n

Think you’ve found a bug? Please post to the Alpha/Beta support forum. If any known issues come up, you’ll be able to find them here.

\n

Developers, please test your plugins and themes against WordPress 4.8 and update your plugin’s Tested up to version in the readme to 4.8. If you find compatibility problems please be sure to post to the support forums so we can figure those out before the final release – we work hard to avoid breaking things. An in-depth field guide to developer-focused changes is coming soon on the core development blog.

\n

Do you speak a language other than English? Help us translate WordPress into more than 100 languages!

\n

This release’s haiku is courtesy of @matveb:

\n

Érrese uno
\nCien veces y más
\nErre ce dos

\n

Thanks for your continued help testing out the latest versions of WordPress.

\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"4758\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:6;a:6:{s:4:\"data\";s:33:\"\n \n \n \n \n \n\n \n \n \n \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:6:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:20:\"WordPress 4.8 Beta 2\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"https://wordpress.org/news/2017/05/wordpress-4-8-beta-2/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 23 May 2017 00:02:03 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:8:\"Releases\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"https://wordpress.org/news/?p=4749\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:329:\"WordPress 4.8 Beta 2 is now available! This software is still in development, so we don’t recommend you run it on a production site. Consider setting up a test site just to play with the new version. To test WordPress 4.8, try the WordPress Beta Tester plugin (you’ll want “bleeding edge nightlies”). Or you can […]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:10:\"Mel Choyce\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:1621:\"

WordPress 4.8 Beta 2 is now available!

\n

This software is still in development, so we don’t recommend you run it on a production site. Consider setting up a test site just to play with the new version. To test WordPress 4.8, try the WordPress Beta Tester plugin (you’ll want “bleeding edge nightlies”). Or you can download the beta here (zip).

\n

For more information on what’s new in 4.8, check out the Beta 1 blog post. Since then, we’ve made over 50 changes in Beta 2.

\n

Do you speak a language other than English? Help us translate WordPress into more than 100 languages!

\n

If you think you’ve found a bug, you can post to the Alpha/Beta area in the support forums. We’d love to hear from you! If you’re comfortable writing a reproducible bug report, file one on WordPress Trac, where you can also find a list of known bugs.

\n

WordPress four point eight
\nOne step closer to release
\nPlease test Beta 2!

\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:30:\"com-wordpress:feed-additions:1\";a:1:{s:7:\"post-id\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"4749\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:7;a:6:{s:4:\"data\";s:39:\"\n \n \n \n \n \n \n \n\n \n \n \n \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:6:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:48:\"WordPress 4.7.5 Security and Maintenance Release\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:51:\"https://wordpress.org/news/2017/05/wordpress-4-7-5/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 16 May 2017 22:39:31 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:3:{i:0;a:5:{s:4:\"data\";s:8:\"Releases\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:8:\"Security\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:3:\"4.7\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"https://wordpress.org/news/?p=4734\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:373:\"WordPress 4.7.5 is now available. This is a security release for all previous versions and we strongly encourage you to update your sites immediately. WordPress versions 4.7.4 and earlier are affected by six security issues: Insufficient redirect validation in the HTTP class. Reported by Ronni Skansing. Improper handling of post meta data values in the XML-RPC […]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:15:\"Pascal Birchler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:2349:\"

WordPress 4.7.5 is now available. This is a security release for all previous versions and we strongly encourage you to update your sites immediately.

\n

WordPress versions 4.7.4 and earlier are affected by six security issues:

\n
    \n
  1. Insufficient redirect validation in the HTTP class. Reported by Ronni Skansing.
    2. \n
  2. Improper handling of post meta data values in the XML-RPC API. Reported by Sam Thomas.
    3. \n
  3. Lack of capability checks for post meta data in the XML-RPC API. Reported by Ben Bidner of the WordPress Security Team.
    4. \n
  4. A Cross Site Request Forgery (CSRF)  vulnerability was discovered in the filesystem credentials dialog. Reported by Yorick Koster.
    5. \n
  5. A cross-site scripting (XSS) vulnerability was discovered when attempting to upload very large files. Reported by Ronni Skansing.
    6. \n
  6. A cross-site scripting (XSS) vulnerability was discovered related to the Customizer. Reported by Weston Ruter of the WordPress Security Team.
    7. \n
\n

Thank you to the reporters of these issues for practicing responsible disclosure.

\n

In addition to the security issues above, WordPress 4.7.5 contains 3 maintenance fixes to the 4.7 release series. For more information, see the release notes or consult the list of changes.

\n

Download WordPress 4.7.5 or venture over to Dashboard → Updates and simply click “Update Now.” Sites that support automatic background updates are already beginning to update to WordPress 4.7.5.

\n

Thanks to everyone who contributed to 4.7.5.

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WordPress has grown a lot over the last thirteen years – it now powers more than 28% of the top ten million sites on the web. During this growth, each team has worked hard to continually improve their tools and processes. Today, the WordPress Security Team is happy to announce that WordPress is now officially on HackerOne!

\n

HackerOne is a platform for security researchers to securely and responsibly report vulnerabilities to our team. It provides tools that improve the quality and consistency of communication with reporters, and will reduce the time spent on responding to commonly reported issues. This frees our team to spend more time working on improving the security of WordPress.

\n

The security team has been working on this project for quite some time. Nikolay Bachiyski started the team working on it just over a year ago. We ran it as a private program while we worked out our procedures and processes, and are excited to finally make it public.

\n

With the announcement of the WordPress HackerOne program we are also introducing bug bounties. Bug bounties let us reward reporters for disclosing issues to us and helping us secure our products and infrastructure. We’ve already awarded more than $3,700 in bounties to seven different reporters! We are thankful to Automattic for paying the bounties on behalf of the WordPress project.

\n

The program and bounties cover all our projects including WordPress, BuddyPress, bbPress, GlotPress, and WP-CLI as well as all of our sites including WordPress.org, bbPress.org, WordCamp.org, BuddyPress.org, and GlotPress.org.

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We’re planning a smaller WP release early next month, bringing in three major enhancements:

\n
    \n
  • An improved visual editor experience, with a new TinyMCE that allows you to navigate more intuitively in and out of inline elements like links. (Try it out to see, it’s hard to describe.)
    • \n
  • A revamp of the dashboard news widget to bring in nearby and upcoming events including meetups and WordCamps.
    • \n
  • Several new media widgets covering images, audio, and video, and an enhancement to the text widget to support visual editing.
    • \n
\n

The first beta of 4.8 is now available for testing. You can use the beta tester plugin (or just run trunk) to try the latest and greatest, and each of these areas could use a ton of testing. Our goals are to make editing posts with links more intuitive, make widgets easier for new users and more convenient for existing ones, and get many more people aware of and attending our community events.

\n

Four point eight is here
\nSmall changes with a big punch
\nBig ones come later

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Sign up for immediate access, plus you’ll receive new tutorials and tips every Wednesday and Saturday about how to draw people.

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...and Your Sketches Will Have Better Proportions Than Ever Before!

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  • Learn how inanimate objects sketched alongside human figures can help with proportion.
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Thank you for requesting my \"Face-Drawing Checklist\" (please allow 5-10 minutes for delivery)
Important: Read This Page BEFORE you begin drawing with the checklist!

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Beginning artists are drawing realistic pencil portraits in only A MATTER OF DAYS...
...and I\'m about to show you the 8 easy steps they are using.

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The face-drawing checklist is a terrific start for drawing the facial features, but there\'s more that goes into making those features look realistic. Combine your checklist with these 8 simple steps, and you will have a complete, realistic portrait within a week!

\n Click to continue » \n Click HERE to continue\n
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Click the Download button for immediate access to the tutorial.

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 How to draw an eye with colored pencils

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Yours for free as a subscriber to the Let\'s Draw People Newsletter.

This special tutorial gives you in-depth, step-by-step instructions for drawing an eye with realistic features and the versatile medium of colored pencils.

 
Here are just a few things you will find in this lesson:

 

  • A list of the 9 Prismacolor Premier colored pencils used for this tutorial, along with the specific Prismacolor PC# for each
  • 18 illustrated, step-by-step instructions from initial line drawing to the finished result
  • Tips for drawing multiple highlights that maintain their brightness
  • Tips for building a rich mixture of colors in the iris and surrounding skin
  • Tips for drawing natural-looking eyelashes and a full eyebrow
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\n\n\n\n','no'),(594383,'_site_transient_timeout_leadpages_page_html_cache_146304646639c5','1497853593','no'),(594384,'_site_transient_leadpages_page_html_cache_146304646639c5','\n\n\n\n\n\n\n\n\n\n \n \n \n \n \n \n \nFace-Drawing Checklist\n\n
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Sign up for immediate access to the checklist. Get new tutorials and tips every Wednesday and Saturday about how to draw people.

\n
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 free beginners\' face-drawing checklist

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22 Simple Details to Draw with Your Facial Features That Will Give Your Line Drawings a More Realistic, Professional Look

Yours for free as a subscriber to the Let\'s Draw People Newsletter.

  • 6 important steps to drawing eyes, including 2 tips to forming eyelashes that look just right
  • 4 easy points for drawing a realistic, properly-placed nose
  • 5 easily-overlooked details for drawing a mouth that will capture the likeness of your subject
  • 4 things to look for when drawing the parts of the ear
  • 3 ways to draw strands and sections of natural-flowing hair
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\n\n\n\n','no'),(562540,'post_by_email_address28','NULL','yes'),(614318,'_site_transient_timeout_leadpages_page_html_cache_14165fe46639c5','1500790287','no'),(614319,'_site_transient_leadpages_page_html_cache_14165fe46639c5','\n\n\n\n\n\n\n\n\n\n \n \n \n \n \n \n \nHow to Make Realistic Line Drawings of Any Face\n\n
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Sign up for immediate access to the guide, plus you’ll receive new tutorials and tips every Wednesday and Saturday about how to draw people.

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how to make realistic line drawings of any face

\n

Turn a photograph of any face into a simple line drawing with accurate facial features! Yours for free when you sign up for the Let\'s Draw People Newsletter.

  • Draw perfectly-round irises and pupils that are the exact size they need to be for the eyes.
  • Give the nostrils of the nose the natural appearance that many beginning artists struggle to achieve.
  • Better capture the likeness of your subject’s smile with 4 tips for correctly drawing teeth the way you see them in your reference photograph.
  • Take the task of drawing ears from a complicated puzzle to a simple process that breaks the overall ear down into three manageable parts.
  • Use pencil strokes that replicate the natural flow and placement of hair as it exists in real life.
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\n\n\n\n','no'),(610410,'_site_transient_timeout_leadpages_page_html_cache_146863c46639c5','1500187801','no'),(610411,'_site_transient_leadpages_page_html_cache_146863c46639c5','\n\n\n\n\n\n\n\n\n\n \n \n \n \n \n \n \n \n \n \n\n\n
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FREE! Do you struggle when it comes to shading a drawing of a face? Here are 5 ways to shade a face.

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Sign up for newsletter updates and learn five different shading techniques you can use to add some depth and shape to your line drawings of faces.

\n
\n
\n\n \n\n\n\n','no'),(573087,'duplicate_post_types_enabled','a:2:{i:0;s:4:\"post\";i:1;s:4:\"page\";}','yes'),(573088,'duplicate_post_show_row','1','yes'),(573089,'duplicate_post_show_adminbar','1','yes'),(573090,'duplicate_post_show_submitbox','1','yes'),(573091,'duplicate_post_show_bulkactions','1','yes'),(573092,'duplicate_post_version','3.2','no'),(573093,'duplicate_post_show_notice','0','no'),(573082,'duplicate_post_copychildren','0','yes'),(573083,'duplicate_post_copycomments','0','yes'),(573084,'duplicate_post_copymenuorder','1','yes'),(573085,'duplicate_post_taxonomies_blacklist','a:0:{}','yes'),(573086,'duplicate_post_blacklist','','yes'),(623688,'_transient_timeout_jetpack_jitm_3a702fff05a56451a0d6e1a4d74698c','1501674724','no'),(623689,'_transient_jetpack_jitm_3a702fff05a56451a0d6e1a4d74698c','a:1:{s:18:\"last_response_time\";i:1501674424;}','no'),(623691,'_transient_timeout_jetpack_jitm_cdf9084fe8319da9092cb092973799d','1501674852','no'),(623692,'_transient_jetpack_jitm_cdf9084fe8319da9092cb092973799d','a:1:{s:18:\"last_response_time\";i:1501674552;}','no'),(628570,'_transient_timeout_wlm_is_doing_sequential_for_28','1502091951','no'),(628571,'_transient_wlm_is_doing_sequential_for_28','1502088351','no'),(629560,'_transient_timeout_jetpack_sync_constants_await','1502216208','no'),(629561,'_transient_jetpack_sync_constants_await','1502212608.16','no'),(629131,'_transient_timeout_jetpack_sync_callables_await','1502134699','no'),(629132,'_transient_jetpack_sync_callables_await','1502134639.78','no'),(628759,'_transient_timeout_jetpack_is_single_user','1502169913','no'),(628760,'_transient_jetpack_is_single_user','2','no'),(628789,'_site_transient_timeout_aioseop_update_check_time','1502148323','no'),(628790,'_site_transient_aioseop_update_check_time','1502126723','no'),(629168,'_site_transient_timeout_leadpages_page_html_cache_144b72746639c5','1502142424','no'),(629169,'_site_transient_leadpages_page_html_cache_144b72746639c5','\n\n\n\n\n\n\n\n\n\n \n \n \n \n \n \n \nHow to Make Realistic Line Drawings of Any Face\n\n
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Sign up for immediate access to the guide, plus you’ll receive new tutorials and tips every Wednesday and Saturday about how to draw people.

\n
\n
\n

how to make realistic line drawings of any face

\n

Turn a photograph of any face into a simple line drawing with accurate facial features! Yours for free when you sign up for the Let\'s Draw People Newsletter.

  • Draw perfectly-round irises and pupils that are the exact size they need to be for the eyes.
  • Give the nostrils of the nose the natural appearance that many beginning artists struggle to achieve.
  • Better capture the likeness of your subject’s smile with 4 tips for correctly drawing teeth the way you see them in your reference photograph.
  • Take the task of drawing ears from a complicated puzzle to a simple process that breaks the overall ear down into three manageable parts.
  • Use pencil strokes that replicate the natural flow and placement of hair as it exists in real life.
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Terms of Service | Privacy Policy | Contact | Copyright © 2015 Let\'s Draw People

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\n\n\n\n','no'),(615367,'_transient_timeout_jetpack_jitm_f7a9740217ebe3c8f411f077002b182','1500918511','no'),(615368,'_transient_jetpack_jitm_f7a9740217ebe3c8f411f077002b182','a:1:{s:18:\"last_response_time\";i:1500918211;}','no'),(591385,'_transient_timeout_jetpack_jitm_bc9e1a5f252bd6892ff535d49705c75','1497570480','no'),(591386,'_transient_jetpack_jitm_bc9e1a5f252bd6892ff535d49705c75','a:1:{s:18:\"last_response_time\";i:1497570180;}','no'),(627629,'_transient_timeout_jetpack_jitm_37b74bafc5f33f8cd09fc12271708a0','1501997676','no'),(627630,'_transient_jetpack_jitm_37b74bafc5f33f8cd09fc12271708a0','a:1:{s:18:\"last_response_time\";i:1501997376;}','no'),(627631,'_transient_timeout_jetpack_jitm_4ceb9718821fedce0df55b4270887db','1501997679','no'),(627632,'_transient_jetpack_jitm_4ceb9718821fedce0df55b4270887db','a:1:{s:18:\"last_response_time\";i:1501997379;}','no'),(591907,'_transient_timeout_jetpack_jitm_1c12a831e17ab58c3597f27540fe580','1497579303','no'),(591852,'_transient_timeout_jetpack_jitm_594445892e1e6bbc88570e946964977','1497579026','no'),(591853,'_transient_jetpack_jitm_594445892e1e6bbc88570e946964977','a:2:{i:0;O:8:\"stdClass\":6:{s:7:\"content\";O:8:\"stdClass\":5:{s:7:\"message\";s:101:\"Great job! Now let's make sure your hard work is never lost, back up everything with VaultPress.\";s:6:\"emblem\";N;s:11:\"description\";s:0:\"\";s:7:\"classes\";s:0:\"\";s:4:\"icon\";s:7:\"jetpack\";}s:3:\"CTA\";O:8:\"stdClass\":3:{s:7:\"message\";s:14:\"Enable Backups\";s:4:\"hook\";s:0:\"\";s:7:\"primary\";b:1;}s:8:\"template\";s:7:\"default\";s:3:\"ttl\";i:300;s:2:\"id\";s:14:\"backup-publish\";s:13:\"feature_class\";s:10:\"vaultpress\";}s:18:\"last_response_time\";i:1497578726;}','no'),(591854,'_transient_timeout_jetpack_jitm_ea79a76e08f89d4a4dd03950f70bd24','1497579027','no'),(591855,'_transient_jetpack_jitm_ea79a76e08f89d4a4dd03950f70bd24','a:1:{s:18:\"last_response_time\";i:1497578727;}','no'),(622638,'_transient_timeout_jetpack_jitm_0669c07aa240a94d194ab5ecaf93a09','1501593880','no'),(622639,'_transient_jetpack_jitm_0669c07aa240a94d194ab5ecaf93a09','a:1:{s:18:\"last_response_time\";i:1501593580;}','no'),(591860,'_transient_timeout_jetpack_jitm_bc006b589eef7916625f8285d995192','1497579057','no'),(591861,'_transient_jetpack_jitm_bc006b589eef7916625f8285d995192','a:1:{s:18:\"last_response_time\";i:1497578757;}','no'),(591862,'_transient_timeout_jetpack_jitm_c8fe84bc411efa23bbb1ebda4f72ba3','1497579058','no'),(591863,'_transient_jetpack_jitm_c8fe84bc411efa23bbb1ebda4f72ba3','a:1:{s:18:\"last_response_time\";i:1497578758;}','no'),(591870,'_transient_timeout_jetpack_jitm_6f4c2c1a08d69ea8436c2785ac875fd','1497579157','no'),(591871,'_transient_jetpack_jitm_6f4c2c1a08d69ea8436c2785ac875fd','a:1:{s:18:\"last_response_time\";i:1497578857;}','no'),(591878,'_transient_timeout_jetpack_jitm_066a818f451ef240572c3fc56743af8','1497579160','no'),(591879,'_transient_jetpack_jitm_066a818f451ef240572c3fc56743af8','a:1:{s:18:\"last_response_time\";i:1497578860;}','no'),(627589,'_transient_timeout_jetpack_jitm_772a7197b233f9bc4aa84d8ffbe9070','1501996817','no'),(627590,'_transient_jetpack_jitm_772a7197b233f9bc4aa84d8ffbe9070','a:1:{s:18:\"last_response_time\";i:1501996517;}','no'),(627587,'_transient_timeout_jetpack_jitm_c7eec4e6eff20c2a8ee746b2de3d355','1501996816','no'),(627588,'_transient_jetpack_jitm_c7eec4e6eff20c2a8ee746b2de3d355','a:1:{s:18:\"last_response_time\";i:1501996516;}','no'),(629557,'_transient_timeout_jetpack_idc_allowed','1502216206','no'),(629558,'_transient_jetpack_idc_allowed','1','no'),(629543,'_transient_timeout_wlm_tables','1502295084','no'),(629544,'_transient_wlm_tables','O:8:\"stdClass\":9:{s:9:\"api_queue\";s:16:\"wp_wlm_api_queue\";s:20:\"contentlevel_options\";s:27:\"wp_wlm_contentlevel_options\";s:13:\"contentlevels\";s:20:\"wp_wlm_contentlevels\";s:11:\"email_queue\";s:18:\"wp_wlm_email_queue\";s:14:\"emailbroadcast\";s:21:\"wp_wlm_emailbroadcast\";s:7:\"options\";s:14:\"wp_wlm_options\";s:12:\"user_options\";s:19:\"wp_wlm_user_options\";s:17:\"userlevel_options\";s:24:\"wp_wlm_userlevel_options\";s:10:\"userlevels\";s:17:\"wp_wlm_userlevels\";}','no'),(629494,'_site_transient_timeout_leadpages_page_html_cache_141827f46639c5','1502200481','no'),(629495,'_site_transient_leadpages_page_html_cache_141827f46639c5','\n\n\n\n\n\n\n\n\n\n \n \n \n \n \n \n \nFace-Drawing Checklist\n\n
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Click the Download button for immediate access to the checklist.

\n
\n
\n

 free beginners\' face-drawing checklist

\n

22 Simple Details to Draw with Your Facial Features That Will Give Your Line Drawings a More Realistic, Professional Look

Yours for free as a subscriber to the Let\'s Draw People Newsletter.

  • 6 important steps to drawing eyes, including 2 tips to forming eyelashes that look just right
  • 4 easy points for drawing a realistic, properly-placed nose
  • 5 easily-overlooked details for drawing a mouth that will capture the likeness of your subject
  • 4 things to look for when drawing the parts of the ear
  • 3 ways to draw strands and sections of natural-flowing hair
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Terms of Service | Privacy Policy | Contact | Copyright © 2016 Let\'s Draw People

\n
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\n\n\n\n','no'),(629295,'_site_transient_timeout_leadpages_page_html_cache_143402746639c5','1502159228','no'),(629296,'_site_transient_leadpages_page_html_cache_143402746639c5','\n\n\n\n\n\n\n\n\n\n \n \n \n \n \n \n \n \n \n \n\n\n
\n
\n

FREE! Do you struggle when it comes to shading a drawing of a face? Here are 5 ways to shade a face.

\n
\n\n \n\n
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\n\n \n\n
\n
\n \n
\n

Sign up for newsletter updates and learn five different shading techniques you can use to add some depth and shape to your line drawings of faces.

\n
\n
\n\n \n\n\n\n','no'),(460032,'jpsq_sync_checkout','0:0','no'),(460041,'jetpack_sync_full__functions_config','1','no'),(460042,'jetpack_sync_full__options_total','1','no'),(460043,'jetpack_sync_full__options_config','1','no'),(460045,'jetpack_sync_full__constants_queued','1','no'),(460047,'jetpack_sync_full__functions_queued','1','no'),(615332,'_site_transient_timeout_available_translations','1500928785','no'),(615333,'_site_transient_available_translations','a:108:{s:2:\"af\";a:8:{s:8:\"language\";s:2:\"af\";s:7:\"version\";s:3:\"4.8\";s:7:\"updated\";s:19:\"2017-06-23 21:35:47\";s:12:\"english_name\";s:9:\"Afrikaans\";s:11:\"native_name\";s:9:\"Afrikaans\";s:7:\"package\";s:59:\"https://downloads.wordpress.org/translation/core/4.8/af.zip\";s:3:\"iso\";a:2:{i:1;s:2:\"af\";i:2;s:3:\"afr\";}s:7:\"strings\";a:1:{s:8:\"continue\";s:10:\"Gaan voort\";}}s:2:\"ar\";a:8:{s:8:\"language\";s:2:\"ar\";s:7:\"version\";s:3:\"4.8\";s:7:\"updated\";s:19:\"2017-07-09 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\n
\n

Welcome to Let\'s Draw People!

\n

Thank you so much for subscribing! Before going any further, please make certain that you have carefully read your welcome email in its entirety.

Also, keep an eye on your inbox every Wednesday and Saturday (Pacific Time). Those are the days when you can expect the newsletter.

Just for You...
To show you my gratitude for becoming a subscriber, I want to present you with a welcoming gift... this free ebook! Click the yellow button below to download.

As an added bonus, the video below shows you how to simplify the drawing technique covered in the ebook by using your computer to make the process easier than ever!

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  • \n
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\n\n
\n
\n

Good Luck and Happy Drawing!

\n

  • Thank you again for making the decision to join the Let\'s Draw People community!

  • I look forward to bringing you practical and helpful tutorials and techniques that will improve your people-drawing skills. 

  • I also look forward to hearing from you and seeing samples of your progress.

  • Let\'s get started!

  • -Jack Pearce

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\n Click Here to Download\n Click Here to Download\n
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\n \n \n \n \n \n \nHow to Make Realistic Line Drawings of Any Face\n\n
\n
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Sign up for immediate access to the guide, plus you’ll receive new tutorials and tips every Wednesday and Saturday about how to draw people.

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how to make realistic line drawings of any face

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Turn a photograph of any face into a simple line drawing with accurate facial features! Yours for free when you sign up for the Let\'s Draw People Newsletter.

  • Draw perfectly-round irises and pupils that are the exact size they need to be for the eyes.
  • Give the nostrils of the nose the natural appearance that many beginning artists struggle to achieve.
  • Better capture the likeness of your subject’s smile with 4 tips for correctly drawing teeth the way you see them in your reference photograph.
  • Take the task of drawing ears from a complicated puzzle to a simple process that breaks the overall ear down into three manageable parts.
  • Use pencil strokes that replicate the natural flow and placement of hair as it exists in real life.
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100% Secure.

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Terms of Service | Privacy Policy | Contact | Copyright © 2015 Let\'s Draw People

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\n\n\n\n','no'),(593628,'_site_transient_timeout_leadpages_page_html_cache_146f24246639c5','1497741832','no'),(593629,'_site_transient_leadpages_page_html_cache_146f24246639c5','\n\n\n\n\n\n\n\n\n\n \n \n \n \n \n \n \nFace-Drawing Checklist\n\n
\n
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\n
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\n
\n
\n \n
\n \n

Sign up for immediate access to the checklist. Get new tutorials and tips every Wednesday and Saturday about how to draw people.

\n
\n
\n

 free beginners\' face-drawing checklist

\n

22 Simple Details to Draw with Your Facial Features That Will Give Your Line Drawings a More Realistic, Professional Look

Yours for free as a subscriber to the Let\'s Draw People Newsletter.

  • 6 important steps to drawing eyes, including 2 tips to forming eyelashes that look just right
  • 4 easy points for drawing a realistic, properly-placed nose
  • 5 easily-overlooked details for drawing a mouth that will capture the likeness of your subject
  • 4 things to look for when drawing the parts of the ear
  • 3 ways to draw strands and sections of natural-flowing hair
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100% Secure.

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Terms of Service | Privacy Policy | Contact | Copyright © 2016 Let\'s Draw People

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\n \n \n \n \n \n \nFace-Drawing Checklist\n\n
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Sign up for immediate access to the checklist. Get new tutorials and tips every Wednesday and Saturday about how to draw people.

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 free beginners\' face-drawing checklist

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22 Simple Details to Draw with Your Facial Features That Will Give Your Line Drawings a More Realistic, Professional Look

Yours for free as a subscriber to the Let\'s Draw People Newsletter.

  • 6 important steps to drawing eyes, including 2 tips to forming eyelashes that look just right
  • 4 easy points for drawing a realistic, properly-placed nose
  • 5 easily-overlooked details for drawing a mouth that will capture the likeness of your subject
  • 4 things to look for when drawing the parts of the ear
  • 3 ways to draw strands and sections of natural-flowing hair
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is an Impact Convertible Boom Arm/Light Stand. As a light stand, it can support a small or medium light head to a height of 13\' (4 m). Raise the second section completely, click, and it is a boom stand.
As a boom, it can hold a small light head to an extension of almost 3\' from the center of the stand.
It is a reflector holder by means of its two clips, which can support an Impact, Flexfill, or Photoflex light disc as large as 60\".
A hole at the end of the arm allows an optional counterweight to be hung, for greater stability.

Instructions for Using This Stand as a Boom
1. Loosen the large long handle in the middle of the stand.
2. Loosen the top-most section of the stand. Pull that section all the way up.
3. Pull! - swing it horizontally for the boom feature, and lock it for the desired setup.


Minimum Height: 40\" (102 cm)

Maximum Height: 13\' (4 m) as light stand 9\'(2.7 m) as boom stand, with boom @ 90 degree angle 10.5\'(3.2 m) as boom stand, with boom @ 135 degree angle

Closed Length: 40\" (102 cm)

Footprint Diameter: 36\" (91 cm)

Leg Tip 20mm

Weight: 4.6 lbs (2.1 kg)

Maximum Load: 5 lbs (2.3 kg) as light stand 3 lbs (1.4 kg) as boom stand

Attachment Size: 5/8\" stud with 1/4\"-20 threaded top

Accepts Wheels: Yes

Air Cushioned: 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\"Derwent

Derwent Graphic Pencils Soft, 12-Ct., Metal Tin

\"Pinecone
Soft, powdery texture provides a smooth, velvety finish.
Sturdy, Even Graphite

Whatever your drawing style or media preference, you’ll need some traditional, high quality graphite pencils - and you won’t find a better range than Derwent’s Graphic Pencils. They’re made from the finest quality graphite and purest clays for a smooth line and are ideal for crisp, detailed illustrations or tone drawings. They’re also great for developing illustrations, general sketches for paintings and high detail, realistic wildlife renderings. This high-quality pencil is produced in a choice of 20 degrees, from a crisp, non-scratchy 9H to a soft, smudgy 9B. They erase clean, stay sharp and work smooth. The hexagonal barrel is easy to hold and the pencil sharpens to a good point.

  • Range of 20 degrees, from 9H to 9B
  • Hexagonal 6.9 mm barrel
  • 2.2 mm core for hard edges
  • 3.5 mm core for soft edges
  • Set of 24 includes 1 each: 9H, 3H, H, F, B, 3B, 5B thru 9B and 2 each, 2H, HB
  • Also available in a metal tin of 12 in medium and hard ranges and 24
\"Graphic
Full Color Selection
\"Shade
View Larger
Ten Top Tips for Using Graphic Pencils
\"Tips\"
View Larger
\"Made
Derwent Heritage

Since 1832, Derwent has been inspiring amateur and professional artists with an exceptional range of innovative fine art materials.

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Derwent Pencil Extender Set, Silver and Black, For Pencils up to 8 mm, 2 Pack
Extend the life of your favorite pencils.
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\"Derwent

Derwent Graphic Pencils Soft, 12-Ct., Metal Tin

\"Pinecone
Soft, powdery texture provides a smooth, velvety finish.
Sturdy, Even Graphite

Whatever your drawing style or media preference, you’ll need some traditional, high quality graphite pencils - and you won’t find a better range than Derwent’s Graphic Pencils. They’re made from the finest quality graphite and purest clays for a smooth line and are ideal for crisp, detailed illustrations or tone drawings. They’re also great for developing illustrations, general sketches for paintings and high detail, realistic wildlife renderings. This high-quality pencil is produced in a choice of 20 degrees, from a crisp, non-scratchy 9H to a soft, smudgy 9B. They erase clean, stay sharp and work smooth. The hexagonal barrel is easy to hold and the pencil sharpens to a good point.

  • Range of 20 degrees, from 9H to 9B
  • Hexagonal 6.9 mm barrel
  • 2.2 mm core for hard edges
  • 3.5 mm core for soft edges
  • Set of 24 includes 1 each: 9H, 3H, H, F, B, 3B, 5B thru 9B and 2 each, 2H, HB
  • Also available in a metal tin of 12 in medium and hard ranges and 24
\"Graphic
Full Color Selection
\"Shade
View Larger
Ten Top Tips for Using Graphic Pencils
\"Tips\"
View Larger
\"Made
Derwent Heritage

Since 1832, Derwent has been inspiring amateur and professional artists with an exceptional range of innovative fine art materials.

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Derwent Graphic Pencils, Hard, 12-Ct., Metal Tin
\"Graphic
Derwent Graphic Pencils, Medium, 12-Ct., Metal Tin
\"Graphic
Derwent Graphic Pencils, 24-Ct., Metal Tin
\"Canvas
Derwent Khaki Canvas Pocket Wrap
Stores up to 12 pencils and accessories.
\"Blender
Derwent Blender and Burnisher Set, Pack, 6 Count
Add points of interest to your work.
\"Pencil
Derwent Pencil Extender Set, Silver and Black, For Pencils up to 8 mm, 2 Pack
Extend the life of your favorite pencils.
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As a light stand, it can support a small or medium light head to a height of 13\' (4 m). Raise the second section completely, click, and it is a boom stand.
As a boom, it can hold a small light head to an extension of almost 3\' from the center of the stand.
It is a reflector holder by means of its two clips, which can support an Impact, Flexfill, or Photoflex light disc as large as 60\".
A hole at the end of the arm allows an optional counterweight to be hung, for greater stability.

Instructions for Using This Stand as a Boom
1. Loosen the large long handle in the middle of the stand.
2. Loosen the top-most section of the stand. Pull that section all the way up.
3. Pull! - swing it horizontally for the boom feature, and lock it for the desired setup.


Minimum Height: 40\" (102 cm)

Maximum Height: 13\' (4 m) as light stand 9\'(2.7 m) as boom stand, with boom @ 90 degree angle 10.5\'(3.2 m) as boom stand, with boom @ 135 degree angle

Closed Length: 40\" (102 cm)

Footprint Diameter: 36\" (91 cm)

Leg Tip 20mm

Weight: 4.6 lbs (2.1 kg)

Maximum Load: 5 lbs (2.3 kg) as light stand 3 lbs (1.4 kg) as boom stand

Attachment Size: 5/8\" stud with 1/4\"-20 threaded top

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\"Derwent

Derwent Graphic Pencils Medium, 12-Ct., Metal Tin

\"Pinecone
Soft, powdery texture provides a smooth, velvety finish.
Sturdy, Even Graphite

Whatever your drawing style or media preference, you’ll need some traditional, high quality graphite pencils - and you won’t find a better range than Derwent’s Graphic Pencils. They’re made from the finest quality graphite and purest clays for a smooth line and are ideal for crisp, detailed illustrations or tone drawings. They’re also great for developing illustrations, general sketches for paintings and high detail, realistic wildlife renderings. This high-quality pencil is produced in a choice of 20 degrees, from a crisp, non-scratchy 9H to a soft, smudgy 9B. They erase clean, stay sharp and work smooth. The hexagonal barrel is easy to hold and the pencil sharpens to a good point.

  • Range of 20 degrees, from 9H to 9B
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  • 3.5 mm core for soft edges
  • Set of 24 includes 1 each: 9H, 3H, H, F, B, 3B, 5B thru 9B and 2 each, 2H, HB
  • Also available in a metal tin of 12 in soft and hard ranges and 24
\"Graphic
Full Color Selection
\"Shade
View Larger
Ten Top Tips for Using Graphic Pencils
\"Tips\"
View Larger
\"Made
Derwent Heritage

Since 1832, Derwent has been inspiring amateur and professional artists with an exceptional range of innovative fine art materials.

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Derwent Graphic Pencils, Hard, 12-Ct., Metal Tin
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\"Canvas
Derwent Khaki Canvas Pocket Wrap
Stores up to 12 pencils and accessories.
\"Blender
Derwent Blender and Burnisher Set, Pack, 6 Count
Add points of interest to your work.
\"Pencil
Derwent Pencil Extender Set, Silver and Black, For Pencils up to 8 mm, 2 Pack
Extend the life of your favorite pencils.
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\"Derwent

Derwent Graphic Pencils Medium, 12-Ct., Metal Tin

\"Pinecone
Soft, powdery texture provides a smooth, velvety finish.
Sturdy, Even Graphite

Whatever your drawing style or media preference, you’ll need some traditional, high quality graphite pencils - and you won’t find a better range than Derwent’s Graphic Pencils. They’re made from the finest quality graphite and purest clays for a smooth line and are ideal for crisp, detailed illustrations or tone drawings. They’re also great for developing illustrations, general sketches for paintings and high detail, realistic wildlife renderings. This high-quality pencil is produced in a choice of 20 degrees, from a crisp, non-scratchy 9H to a soft, smudgy 9B. They erase clean, stay sharp and work smooth. The hexagonal barrel is easy to hold and the pencil sharpens to a good point.

  • Range of 20 degrees, from 9H to 9B
  • Hexagonal 6.9 mm barrel
  • 2.2 mm core for hard edges
  • 3.5 mm core for soft edges
  • Set of 24 includes 1 each: 9H, 3H, H, F, B, 3B, 5B thru 9B and 2 each, 2H, HB
  • Also available in a metal tin of 12 in soft and hard ranges and 24
\"Graphic
Full Color Selection
\"Shade
View Larger
Ten Top Tips for Using Graphic Pencils
\"Tips\"
View Larger
\"Made
Derwent Heritage

Since 1832, Derwent has been inspiring amateur and professional artists with an exceptional range of innovative fine art materials.

Related Products

\"Graphic
Derwent Graphic Pencils, Hard, 12-Ct., Metal Tin
\"Graphic
Derwent Graphic Pencils, Soft, 12-Ct., Metal Tin
\"Graphic
Derwent Graphic Pencils, 24-Ct., Metal Tin
\"Canvas
Derwent Khaki Canvas Pocket Wrap
Stores up to 12 pencils and accessories.
\"Blender
Derwent Blender and Burnisher Set, Pack, 6 Count
Add points of interest to your work.
\"Pencil
Derwent Pencil Extender Set, Silver and Black, For Pencils up to 8 mm, 2 Pack
Extend the life of your favorite pencils.
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Many people feel anxious if they are asked to draw people because they fear that their facial drawing will bear no likeness to the person. Portraiture is the art of creating portraits. A portrait can be defined as a drawing, painting, or photograph of a particular person. In short, portraits are two-dimensional artistic representations of the three dimensional human face.  Drawing a person is not as hard as it looks, but many find capturing the likeness is the most difficult part of facial drawing.  A good pencil sketch of the human face should capture the likeness using perspective, proportion, accurate shading, and contours. So, let\'s find out how to draw people and explore various ways of bringing portraiture to life.\r\n\r\nBut first things first…don\'t be a bad workman who blames his tools. Invest in some good art materials and learn to use them in the right way.  Listed below are some of the main art materials used to create good pencil drawings.\r\n

Tools Used to Draw Realistically

\r\n
    \r\n
  • Good quality acid-free drawing paper
    • \r\n
  • A high-quality mechanical pencil
    • \r\n
  • A boxed set of pencils (offers a selection of different pencils that will help you to achieve a variety of results)
    • \r\n
  • A pencil sharpening tool
    • \r\n
  • Kneaded erasers
    • \r\n
  • A blending stump or a tortillion
    • \r\n
  • A can of fixative spray
    • \r\n
\r\nYou will use these and other tools as you delve more and more into drawing in pencil. For now, let\'s take a brief moment to chat about just the drawing implements mentioned above.\r\n\r\nWhen you begin to sketch your first portrait, you will make mistakes but errors can be rubbed out time and time again if you use quality paper. Cheap erasers work but they are not as effective as a kneaded eraser. Sharp pencils are easier to work with, so buy a good quality pencil sharpener or use a high-quality mechanical pencil with graphite lead. Pencil is a great medium and pencil art can be rubbed with blending stumps to create light and shade. The finished artwork should be sprayed with a fixative to protect it and to prevent it from yellowing and smudging.\r\n

Helpful Drawing Techniques for Drawing People

\r\nNow we can move on to discuss some common drawing techniques. Some of the most popular techniques used in drawing include:\r\n
    \r\n
  • Contour lines
    • \r\n
  • Hatching and crosshatching
    • \r\n
  • Smooth shading
    • \r\n
  • Circles and scribbles
    • \r\n
\r\nWhy use these techniques when learning how to draw? Contour lines give drawings shape and volume, and these lines can be used to create the outline when you draw a body or a face. Hatching and crosshatching are ways of creating different tones, and meticulous hatching helps to make a portrait look realistic. Smooth shading can create a subtle or deep tonal change, and this is one of the main drawing techniques used to introduce depth into artwork. Circles and scribbles will make your sketch look looser, and this simple drawing technique creates contrast.\r\n\r\nSo, you want to draw a face, but you know nothing about the techniques mentioned above?\r\n\r\nBudding artists should watch some of the many pencil drawing tutorials that can be found online. Useful online tutorials include realistic pencil drawing techniques, such as learning how to blend and basic pencil shading. When you have grasped the basics of pencil drawing, move on and watch artists draw portraits in step-by-step tutorials. Top online drawing tutorials include tips and tricks for general portraiture and how to create realistic pencil portraits.\r\n\r\nIt can be equally as helpful to watch videos of artists drawing people that are NOT tutorials with everything spelled out in steps. Often times, there is much to be learned from just watching an artist in action and closely observing which techniques are used.\r\n\r\nThink you HAVE to see step-by-step directions or videos of artists in action to learn techniques? Think again! Although tutorials and videos are extremely helpful, you might also be surprised to find out how much you can learn by just examining already completed work. Study drawings of people completed by other artists. Look for styles you like and try to duplicate the techniques you think they used. Some of the most famous artists became famous by studying the works of masters that came before them. Just remember, you can just as well learn from an artist who is not yet a master. All artists have something valuable to share.\r\n

Draw a Face Step-By-Step

\r\n\"030596\"Following are a few basic guidelines to keep in mind when it comes to drawing faces. Try these out by referring to a photograph, or just draw a random person from your imagination!\r\n
    \r\n
  • Human heads are not circular. Always remember that humans have egg-shaped faces. Begin your sketch by creating an oval outline that tapers towards the bottom.
    • \r\n
  • Map out the facial proportions by drawing a faint line down the center of the oval and a fine horizontal line through the center of the face.
    • \r\n
  • Position the nose on the face by penciling a dividing line in the center of the lower half of the face. The lines that have been drawn on the bottom half of the face should form a cross. The base of the nose should be penciled in at the top of the center of the cross and one nostril will be sketched at either side.
    • \r\n
  • Draw the mouth onto the face using a fine pencil line in between the base of the nose and the bottom of the chin. The bottom lip should sit on the dividing line just drawn. Create a line where the two lips meet (for a closed mouth), then move on to draw in the bottom and top lip lines.
    • \r\n
  • Add the eyes to your facial drawing. The center of the eye sockets will be in line with the middle of the central horizontal line. Think of the eyeballs as two large circular balls, partially concealed behind the top and bottom eyelids. The eyebrow will sit on top and the cheekbone should rest on the bottom of the shape. Look closely at the eyes of the person you are drawing before drawing in the shapes. Some people have large round eyes and others have almond-shaped eyes, so draw your eyes accordingly. In general, the central space left between the eyes should be equivalent to the width of one eye. Remember, the iris of the eye is made up of many different shades.
    • \r\n
  • Draw in the eyelids. The eyelid should be drawn in over the top of the eye and the base of the lid will come down to cover the very top of the iris. Use some of the shading techniques mentioned earlier to define the shape of the eye socket.
    • \r\n
  • When you are satisfied with the facial shape and features you can add the neck, ears, and hair to the face.
    • \r\n
\r\nAlthough there is more to learn, these tips will hopefully give you a helpful start with how to draw faces. But humans have more than just a head and a face. People have bodies and wear clothes. If you want to learn more about methods of sketching bodies and people in clothes, please read on.\r\n

Drawing the Human Form

\r\n\"\"Sketching the human body in all positions is commonly referred to as \"figure drawing\" and there are many different ways of drawing the human body. Different types of figure drawing include:\r\n
    \r\n
  • Sketching
    • \r\n
  • Life drawing
    • \r\n
  • Emotive drawing
    • \r\n
  • Perspective drawing
    • \r\n
  • Illustration drawing
    • \r\n
  • Diagrammatic drawing
    • \r\n
  • Analytic drawing
    • \r\n
  • Geometric drawing
    • \r\n
\r\nA sketch is an informal drawing and figure sketching helps us to learn how to draw a realistic human figure. Lots of amateur artists enjoy drawing the human figure by studying a live model and life drawing is an essential part of art. People have personalities and characters and emotive drawing is used to express the subject\'s personality. Perspective drawing represents scale, eye-level, surface, planes, light, space and volume. An illustrative drawing is a piece of artwork that comes from a photograph, painting or sketch whereas a diagrammatic drawing is a well-planned piece of art. An analytic drawing of a person will be realistic. The person will be drawn in proportion. Those who find it hard to draw realistic figures may get on well with geometric figure drawing.\r\n\r\nAdditionally, when you are drawing people you should obviously keep in mind the differences between men and women. For example, when drawing a woman, you will draw smoother, more graceful features. You will draw a proportionately larger pelvis and slender shoulders. When drawing a man, you will draw features with a more rugged, muscular appearance. You will draw broader shoulders and a proportionately larger rib cage.\r\n

Drawing Clothing

\r\n\"howLook at some of the online images of people who are wearing clothes and you will see that every person wears their clothes differently. Artists who want to learn how to sketch people wearing clothing will have to examine the clothing closely. Take a close look, and you will see a recurrence of seven different kinds of folds:\r\n
    \r\n
  • Pipe
    • \r\n
  • Zigzag
    • \r\n
  • Half-lock
    • \r\n
  • Spiral
    • \r\n
  • Diaper
    • \r\n
  • Drop
    • \r\n
  • Inert
    • \r\n
\r\nLearn how to apply design, details, and these folds, and you can draw practically any type of clothing on a person!\r\n

Draw Children Step-By Step

\r\n[caption id=\"attachment_643\" align=\"alignleft\" width=\"221\"]\""Ashley" \"Ashley\" by Jack Pearce[/caption]\r\n\r\nMany of us try to sketch our children because that drawing will act as a personal reminder of how much we love and cherish them. However, there are major differences between an adult’s face and a child\'s face. It is all too easy to make a young child look much older when drawn, so it pays to keep a drawing of a child simple. Let\'s look at an easy way to draw a child.\r\n
    \r\n
  • Sketch a small oval-shaped (but almost circular) head. The younger the child, the more circular the head will be.
    • \r\n
  • Divide the small face into four using a vertical and a horizontal line.
    • \r\n
  • Make large round eyes that rest on the horizontal guideline. The eyebrows sit above this line.
    • \r\n
  • Create a small triangle to form the nose.
    • \r\n
  • Draw a curved line to create the young mouth.
    • \r\n
  • Add some thick bobbed hair (or thin hair, depending on the subject and age).
    • \r\n
\r\nThis is a simple way to draw a child. The basic sketch is straightforward and the drawing is not detailed, but this easy way of drawing children works well for many. Now the more you draw boys and girls of different ages, the more you will realize other differences between babies, toddlers, school-age kids, and teenagers.\r\n

Mastering the Art of Pencil Portraits

\r\nItalian portrait artist Franco Clun and Russian portrait artist Olga Larionova create incredibly realistic pencil drawings, yet they never took a formal art class. They are just two examples of how anyone from any background, with enough determination to consistently practice and learn, can eventually become a master portrait artist. Talented artists know how to bring their work to life, but you must never forget that every successful artist started out as an amateur.\r\n\r\nIt will take time to teach yourself how to draw people. In fact, it could take months or even years to master the craft at a level that you are satisfied with. But practice will improve your drawing, and the people that you draw will start to look more and more realistic. If at first you don\'t succeed, try, try and try again! You will see that if you practice on a regular basis, you will not need to wait months. You will realize small successes and make gradual progress with each drawing that will keep you motivated enough to keep at it!\r\n\r\nAmateur artists can learn how to draw people with confidence, and beginners shouldn\'t be afraid to make mistakes. The information found throughout this site will help you to learn how to draw people, and more importantly, how to eventually become a skilled pencil portrait artist. Make use of our articles, tutorials, and videos, and then start enjoying and employing your artistic talents today!','Let\'s See How to Draw People','','publish','open','closed','','lets-see-how-to-draw-people','','http://www.letsdrawpeople.com/simple-drawing-techniques-for-realistic-pencil-portraits/\nhttp://www.letsdrawpeople.com/how-to-draw-faces-tips-techniques-and-short-tutorials/\nhttp://www.letsdrawpeople.com/keeping-it-simple-the-straight-forward-step-by-step-guide-to-drawing-the-body/\nhttp://www.letsdrawpeople.com/dont-sketch-another-person-before-looking-at-people-drawings-by-other-artists/\nhttp://www.letsdrawpeople.com/how-to-draw-women-that-really-look-like-women/','2015-07-12 16:46:36','2015-07-12 23:46:36','',0,'http://www.letsdrawpeople.com/?p=66',0,'post','',2),(15,2,'2012-06-09 15:49:43','2012-06-09 22:49:43','You can contact me by email at support@letsdrawpeople.com or at the address below.\r\n\r\n
Let\'s Draw People
3053 West Craig Road
Suite E # 202
North Las Vegas, NV 89032
 \r\n\r\nI would love to hear from you! For the quickest reply, please use the form below to contact anytime. I look forward to responding to your questions and comments.\r\n\r\nQuestions: Ask any questions you have about any part of the website or what we do.\r\n\r\nWebsite Feedback: Let me know what you love about the site and what could make it better.\r\n\r\nTutorial Suggestions: Which kind of people-drawing tutorials would you like to see more of on this site?\r\n\r\n[nform id=\'1\']','Contact Page','','publish','closed','closed','','contact','','','2015-12-31 17:32:04','2016-01-01 01:32:04','',0,'http://letsdrawpeople.com/?page_id=15',0,'page','',0),(1028,2,'2014-05-11 05:19:11','2014-05-11 12:19:11','

OUR MISSION

\r\nWelcome! At Let\'s Draw People, it is our mission to awaken the inner artist in everyday people (including you!)...by drawing people. We believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason we do what we do is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

OUR GOAL

\r\nOur goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! Our aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating realistic pencil portraits that will amaze themselves and those they know and love.\r\n

HOW WE DO IT

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn, but life, jobs, and family got in the way and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or you have some experience, Let\'s Draw People lets you take your skills as an aspiring portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. We have informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop, you may be able to eventually share your work in a gallery on this site to have your artwork recognized and appreciated by our followers. Better yet, you may be able to become a contributing artist and author for us!\r\n

HOW WE GOT STARTED

\r\nLet\'s Draw People was founded by Jack Pearce, a guy who had a love for drawing ever since he was 3 years old and never really grew out of it. Although he loved drawing everything under the sun, Jack always had a special fascination with drawing people. The more Jack\'s skills developed, the more he wanted to focus on drawing people, especially realistic portraits in pencil (his favorite medium). Although Jack\'s chosen career path led him to become a teacher rather than a professional artist, he has drawn many commissioned portraits for people wanting custom portrait artwork, and he still draws and sketches people in his spare time for fun.\r\n\r\nWhenever Jack does draw people, it triggers that childhood passion and desire to draw all the time. He formed Let\'s Draw People as a way to bring together others who have similar experiences, who have that wish of having the freedom to draw all day long as they so innocently did as kids. He formed Let\'s Draw People as a way to bring together portrait artists who want to share their knowledge and artwork, to help others learn, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people! Also, we invite you to subscribe to our mailing list and join our growing social community on Facebook, Pinterest, and YouTube to stay up-to-date on the latest articles, tutorials, and artwork!','About Us','','inherit','open','open','','45-revision-v1','','','2014-05-11 05:19:11','2014-05-11 12:19:11','',45,'http://www.letsdrawpeople.com/45-revision-v1/',0,'revision','',0),(16,1,'2012-06-09 15:47:29','2012-06-09 22:47:29','[contact-form-7 id=\"6\" title=\"Contact form 1\"]','Contact Page','','inherit','closed','closed','','15-revision-v1','','','2012-06-09 15:47:29','2012-06-09 22:47:29','',15,'http://letsdrawpeople.com/15-revision/',0,'revision','',0),(14,2,'2012-06-09 11:22:10','2012-06-09 18:22:10','Last Updated: May 5, 2017\r\n\r\nLet\'s Draw People (\"Let\'s Draw People\") operates LetsDrawPeople.com. It is Let\'s Draw People\'s policy to respect your privacy regarding any information we may collect while operating this website.\r\n

Website Visitors

\r\nLike most website operators, Let\'s Draw People collects non-personally-identifying information of the sort that web browsers and servers typically make available, such as the browser type, language preference, referring site, and the date and time of each visitor request. Let\'s Draw People\'s purpose in collecting non-personally identifying information is to better understand how Let\'s Draw People\'s visitors use its website. From time to time, Let\'s Draw People may release non-personally-identifying information in the aggregate, e.g., by publishing a report on trends in the usage of its website.\r\n\r\nLet\'s Draw People also collects potentially personally-identifying information like Internet Protocol (IP) addresses for logged in users and for users leaving comments on LetsDrawPeople.com. Let\'s Draw People only discloses logged in user and commenter IP addresses under the same circumstances that it uses and discloses personally-identifying information as described below, except that commenter IP addresses are visible and disclosed to the administrators of the blog/site where the comment was left.\r\n

Gathering of Personally-Identifying Information

\r\nCertain visitors to LetsDrawPeople.com choose to interact with Let\'s Draw People in ways that require Let\'s Draw People to gather personally-identifying information. The amount and type of information that Let\'s Draw People gathers depends on the nature of the interaction. For example, we ask visitors who sign up to receive informational products from LetsDrawPeople.com to provide an email address. Those who engage in transactions with Let\'s Draw People are asked to provide additional information, including as necessary the personal and financial information required to process those transactions. In each case, Let\'s Draw People collects such information only insofar as is necessary or appropriate to fulfill the purpose of the visitor\'s interaction with Let\'s Draw People. Let\'s Draw People does not disclose personally-identifying information other than as described below. And visitors can always refuse to supply personally-identifying information, with the caveat that it may prevent them from engaging in certain website-related activities.\r\n

Aggregated Statistics

\r\nLet\'s Draw People may collect statistics about the behavior of visitors to LetsDrawPeople.com. Let\'s Draw People may display this information publicly or provide it to others. However, Let\'s Draw People does not disclose personally-identifying information other than as described below.\r\n

Protection of Certain Personally-Identifying Information

\r\nLet\'s Draw People discloses potentially personally-identifying and personally-identifying information only to those of its employees, contractors, and affiliated organizations that (i) need to know that information in order to process it on Let\'s Draw People\'s behalf or to provide services available at LetsDrawPeople.com, and (ii) that have agreed not to disclose it to others. Some of those employees, contractors, and affiliated organizations may be located outside of your home country; by using LetsDrawPeople.com, you consent to the transfer of such information to them. Let\'s Draw People will not rent or sell potentially personally-identifying and personally-identifying information to anyone. Other than to its employees, contractors, and affiliated organizations, as described above, Let\'s Draw People discloses potentially personally-identifying and personally-identifying information only in response to a subpoena, court order, or other governmental request, or when Let\'s Draw People believes in good faith that disclosure is reasonably necessary to protect the property or rights of Let\'s Draw People, third parties, or the public at large. If you are a registered user of LetsDrawPeople.com and have supplied your email address, Let\'s Draw People may occasionally send you an email to tell you about new features, solicit your feedback, or just keep you up to date with what\'s going on with Let\'s Draw People and our products. If you send us a request (for example via email or via one of our feedback mechanisms), we reserve the right to publish it in order to help us clarify or respond to your request or to help us support other users. Let\'s Draw People takes all measures reasonably necessary to protect against the unauthorized access, use, alteration or destruction of potentially personally-identifying and personally-identifying information.\r\n

Children\'s Online Privacy Protection Act Compliance

\r\nWe are in compliance with the requirements of COPPA (Children\'s Online Privacy Protection Act). We do not collect any information from anyone under 13 years of age. Our website, products and services are all directed to people who are at least 13 years old or older.\r\n

Cookies

\r\nA cookie is a string of information that a website stores on a visitor\'s computer, and that the visitor\'s browser provides to the website each time the visitor returns. Let\'s Draw People uses cookies to help Let\'s Draw People identify and track visitors, their usage of LetsDrawPeople.com, and their website access preferences. Let\'s Draw People visitors who do not wish to have cookies placed on their computers should set their browsers to refuse cookies before using LetsDrawPeople.com, with the drawback that certain features of the site may not function properly without the aid of cookies.\r\n

Business Transfers

\r\nIf Let\'s Draw People, or substantially all of its assets, were acquired, or in the unlikely event that Let\'s Draw People goes out of business or enters bankruptcy, user information would be one of the assets that is transferred or acquired by a third party. You acknowledge that such transfers may occur, and that any acquirer of Let\'s Draw People may continue to use your personal information as set forth in this policy.\r\n

Ads

\r\nAds appearing on this website may be delivered to users by advertising partners, who may set cookies. These cookies allow the ad server to recognize your computer each time they send you an online advertisement to compile information about you or others who use your computer. This information allows ad networks to, among other things, deliver targeted advertisements that they believe will be of most interest to you. This Privacy Policy covers the use of cookies by Let\'s Draw People and does not cover the use of cookies by any advertisers.\r\n

Your Opt-Out Rights

\r\nYou may opt-out of receiving communications from us and/or our partners by not submitting your information. We also allow you to remove your information from our marketing lists. If you remove your information from our lists, it will no longer be used by us to send promotional correspondence to you. You can remove your information from our marketing lists by clicking on the “Unsubscribe” link at the bottom of every email we send you.\r\n

Changes

\r\nAlthough most changes are likely to be minor, Let\'s Draw People may change its Privacy Policy from time to time, and in Let\'s Draw People\'s sole discretion. Let\'s Draw People encourages visitors to frequently check this page for any changes to its Privacy Policy. Your continued use of this site after any change in this will constitute your acceptance of such change.','Privacy Policy','','publish','closed','closed','','privacy-policy','','','2017-05-05 06:04:41','2017-05-05 13:04:41','',0,'http://letsdrawpeople.com/?page_id=14',0,'page','',0),(515,2,'2013-06-27 17:08:53','2013-06-28 00:08:53','[my_privacy_policy]','Privacy Policy','','inherit','open','open','','14-revision-v1','','','2013-06-27 17:08:53','2013-06-28 00:08:53','',14,'http://www.letsdrawpeople.com/14-revision-4/',0,'revision','',0),(517,2,'2013-06-28 23:29:05','2013-06-29 06:29:05','From time to time, LetsDrawPeople.com will endorse, promote, or suggest (via posted articles, tutorials, communications, etc.) affiliate products and/or services for sale. LetsDrawPeople.com may also regularly display banners or other links to affiliate offers along the top or bottom of its posts or pages or along the website\'s sidebar. The recommendations are based on our belief that the products and/or services will provide valuable information and/or be useful and beneficial for visitors to our website. This belief is based on LetsDrawPeople.com’s review of that product or service, its relationship with the creator or supplier, and/or previous positive experiences.\r\n\r\nLetsDrawPeople.com is an affiliate of ClickBank, a company that distributes digital informational products found on this site and through communications to our email subscribers and social media platforms.\r\n\r\nLetsDrawPeople.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.\r\n\r\nLetsDrawPeople.com is an affiliate of Art.com, PictureFrames.com, and Michaels Stores, Inc.\r\n\r\nAt no additional cost to you, commissions that are credited to LetsDrawPeople.com can result from purchases you make from recommended affiliate links. We will only recommend products and services that we have researched and believe to be beneficial for our users. Users should still do their own research and make their own informed opinions before buying an affiliate product or service from a recommendation or link found on LetsDrawPeople.com.','Affiliate Disclaimer','','publish','closed','closed','','affiliate-disclaimer','','','2016-01-02 13:06:45','2016-01-02 21:06:45','',0,'http://www.letsdrawpeople.com/?page_id=517',0,'page','',0),(518,1,'2013-06-28 23:28:47','2013-06-29 06:28:47','From time to time, LetsDrawPeople.com will endorse, promote, or suggest products and/or services for sale. The recommendations are based on our belief that the products and their creators will provide valuable information and sufficient service. This belief is based on LetsDrawPeople.com’s review of that product, its relationship with the creator, and/or previous positive experiences. Commissions that are credited to LetsDrawPeople.com can result from purchases you make from recommended links. We will only recommend products and services that we have researched and believe to be beneficial for our users. Users should still do their own research and make their own informed opinions before buying a product or service from a recommendation or link found on LetsDrawPeople.com.','Affiliate Disclaimer','','inherit','open','open','','517-revision-v1','','','2013-06-28 23:28:47','2013-06-29 06:28:47','',517,'http://www.letsdrawpeople.com/517-revision/',0,'revision','',0),(46,1,'2012-06-17 20:55:12','2012-06-18 03:55:12','Welcome to LetsDrawPeople.com!  Here you will find tips and techniques to help you draw the human face and form in a variety of styles.\n\nMy name is Jack Pearce.  All my life, for as far back as I can possibly remember, I have been drawing.  Although I loved drawing everything under the sun, I have always had a special fascination with drawing people. \n\nThe more my skills developed, the more I wanted to focus on drawing people, especially realistic portraits.  The challenge and satisfaction of capturing the unique likeness of a person becomes very gratifying.  Even more rewarding for an artist is to have his or her artwork recognized and appreciated by others.\n\nMy reason for putting this site together is to help other aspiring artists who wish to improve their skills when it comes to drawing people.  You will find tips that will be helpful for a range of ability levels.  Not only will you learn how to draw people realistically, but you will also see how to draw caricatures and cartoons of people.  As your skills develop, find out how you can share your work in a gallery on this site and even draw commissioned portraits and get paid for your talents!\n\nCheck back often to find new articles and tutorials that will help you to better understand how to draw people!','About','','inherit','closed','closed','','45-revision-v1','','','2012-06-17 20:55:12','2012-06-18 03:55:12','',45,'http://www.letsdrawpeople.com/45-revision/',0,'revision','',0),(307,1,'2012-12-27 23:13:47','2012-12-28 07:13:47',' ','','','publish','open','closed','','307','','','2017-06-06 05:25:20','2017-06-06 12:25:20','',14,'http://www.letsdrawpeople.com/?p=307',4,'nav_menu_item','',0),(23,1,'2012-06-10 22:12:55','2012-06-11 05:12:55',' ','','','publish','closed','closed','','23','','','2017-06-06 05:25:20','2017-06-06 12:25:20','',0,'http://letsdrawpeople.com/?p=23',17,'nav_menu_item','',0),(24,1,'2012-06-10 22:12:55','2012-06-11 05:12:55',' ','','','publish','closed','closed','','24','','','2017-06-06 05:25:20','2017-06-06 12:25:20','',0,'http://letsdrawpeople.com/?p=24',8,'nav_menu_item','',0),(42,1,'2012-06-12 22:25:00','2012-06-13 05:25:00',' ','','','publish','closed','closed','','42','','','2017-06-06 05:25:20','2017-06-06 12:25:20','',0,'http://www.letsdrawpeople.com/?p=42',2,'nav_menu_item','',0),(57,1,'2012-06-19 18:20:36','2012-06-20 01:20:36','Welcome to LetsDrawPeople.com!  Here you will find tips and techniques to help you draw the human face and form in a variety of styles.\r\n\r\nMy name is Jack Pearce.  All my life, for as far back as I can possibly remember, I have been drawing.  Although I loved drawing everything under the sun, I have always had a special fascination with drawing people. \r\n\r\nThe more my skills developed, the more I wanted to focus on drawing people, especially realistic portraits.  The challenge and satisfaction of capturing the unique likeness of a person becomes very gratifying.  Even more rewarding for an artist is to have his or her artwork recognized and appreciated by others.\r\n\r\nMy reason for putting this site together is to help other aspiring artists who wish to improve their skills when it comes to drawing people.  You will find tips that will be helpful for a range of ability levels.  Not only will you learn how to draw people realistically, but you will also see how to draw caricatures and cartoons of people.  As your skills develop, find out how you can share your work in a gallery on this site!\r\n\r\nCheck back often to find new articles and tutorials that will help you to better understand how to draw people!','About Page','','inherit','closed','closed','','45-revision-v1','','','2012-06-19 18:20:36','2012-06-20 01:20:36','',45,'http://www.letsdrawpeople.com/45-revision-6/',0,'revision','',0),(628,2,'2013-07-19 16:57:29','2013-07-19 23:57:29',' ','','','publish','open','closed','','628','','','2017-06-06 05:25:20','2017-06-06 12:25:20','',9,'http://www.letsdrawpeople.com/?p=628',12,'nav_menu_item','',0),(265,1,'2012-12-16 08:16:45','2012-12-16 16:16:45',' ','','','publish','open','closed','','265','','','2017-06-06 05:25:20','2017-06-06 12:25:20','',0,'http://www.letsdrawpeople.com/?p=265',1,'nav_menu_item','',0),(36,1,'2012-06-09 11:22:10','2012-06-09 18:22:10','Your Privacy
Your privacy is important to us. To better protect your privacy we provide this notice explaining our online information practices and the choices you can make about the way your information is collected and used. To make this notice easy to find, we make it available on our homepage and at every point where personally identifiable information may be requested.

Collection of Personal Information
When visiting Let\'s Draw People, the IP address used to access the site will be logged along with the dates and times of access. This information is purely used to analyze trends, administer the site, track users movement and gather broad demographic information for internal use. Most importantly, any recorded IP addresses are not linked to personally identifiable information.\r\n

Links to third party Websites
We have included links on this site for your use and reference. We are not responsible for the privacy policies on these websites. You should be aware that the privacy policies of these sites may differ from our own. \r\n

Changes to this Privacy Statement
The contents of this statement may be altered at any time, at our discretion. \r\n\r\nIf you have any questions regarding the privacy policy of Let\'s Draw People then you may contact us at admin@letsdrawpeople.com

This policy was generated by Easy Privacy Policy Plugin kwik fit car insurance for WordPress.

Last updated Sat, 09 Jun 2012 18:22
','Privacy Policy','','inherit','closed','closed','','14-revision-v1','','','2012-06-09 11:22:10','2012-06-09 18:22:10','',14,'http://www.letsdrawpeople.com/14-revision/',0,'revision','',0),(37,1,'2012-06-09 15:49:43','2012-06-09 22:49:43','[contact-form-7 id=\"6\" title=\"Contact form 1\"]\r\n','Contact Us','','inherit','closed','closed','','15-revision-v1','','','2012-06-09 15:49:43','2012-06-09 22:49:43','',15,'http://www.letsdrawpeople.com/15-revision-2/',0,'revision','',0),(38,2,'2015-11-15 20:06:24','2015-11-16 04:06:24','You can contact me by email at support@letsdrawpeople.com or at the address below.\r\n\r\n
Let\'s Draw People
3053 West Craig Road
Suite E # 202
North Las Vegas, NV 89032
 \r\n\r\nI would love to hear from you! For the quickest reply, please use the form below to contact anytime. I look forward to responding to your questions and comments.\r\n\r\nQuestions: Ask any questions you have about any part of the website or what we do.\r\n\r\nWebsite Feedback: Let me know what you love about the site and what could make it better.\r\n\r\nTutorial Suggestions: Which kind of people-drawing tutorials would you like to see more of on this site?\r\n\r\n[nform id=\'1\']','Contact Page','','inherit','closed','closed','','15-autosave-v1','','','2015-11-15 20:06:24','2015-11-16 04:06:24','',15,'http://www.letsdrawpeople.com/15-autosave/',0,'revision','',0),(310,1,'2012-12-27 16:52:13','2012-12-28 00:52:13','
\"\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in learning how to draw people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','What Is Involved in Learning How to Draw People?','','inherit','open','open','','66-revision-v1','','','2012-12-27 16:52:13','2012-12-28 00:52:13','',66,'http://www.letsdrawpeople.com/66-revision-18/',0,'revision','',0),(264,1,'2012-06-25 22:28:13','2012-06-26 05:28:13','Welcome to LetsDrawPeople.com!  Here you will find tips and techniques to help you draw the human face and form in a variety of styles.\r\n\r\nMy name is Jack Pearce.  All my life, for as far back as I can possibly remember, I have been drawing.  Although I loved drawing everything under the sun, I have always had a special fascination with drawing people. \r\n\r\nThe more my skills developed, the more I wanted to focus on drawing people, especially realistic portraits.  The challenge and satisfaction of capturing the unique likeness of a person becomes very gratifying.  Even more rewarding for an artist is to have his or her artwork recognized and appreciated by others.\r\n\r\nMy reason for putting this site together is to help other aspiring artists who wish to improve their skills when it comes to drawing people.  You will find tips that will be helpful for a range of ability levels.  Not only will you learn how to draw people realistically, but you will also see how to draw caricatures and cartoons of people.  As your skills develop, find out how you can share your work in a gallery on this site!\r\n\r\nCheck back often to find new articles and tutorials that will help you to better understand how to draw people!','About Page','','inherit','open','open','','45-revision-v1','','','2012-06-25 22:28:13','2012-06-26 05:28:13','',45,'http://www.letsdrawpeople.com/45-revision-7/',0,'revision','',0),(123,1,'2012-07-13 02:28:38','2012-07-13 09:28:38','
\r\n\r\n\"\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in learning how to draw people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','What Is Involved in Learning How to Draw People?','','inherit','open','open','','66-revision-v1','','','2012-07-13 02:28:38','2012-07-13 09:28:38','',66,'http://www.letsdrawpeople.com/66-revision-14/',0,'revision','',0),(306,1,'2012-12-27 23:13:47','2012-12-28 07:13:47',' ','','','publish','open','closed','','306','','','2017-06-06 05:25:20','2017-06-06 12:25:20','',14,'http://www.letsdrawpeople.com/?p=306',3,'nav_menu_item','',0),(45,2,'2012-06-17 20:57:15','2012-06-18 03:57:15','

Mission Statement

\r\n\"ldpWelcome! My name is Jack Pearce, and I am the founder of Let\'s Draw People! It is the mission of this website to awaken the inner artist in everyday people (including YOU)...by drawing people! I believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason I put this site together is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

The Goal

\r\nMy goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! My aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating portraits that will amaze themselves and those they know and love.\r\n

How It\'s All Done

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn but life got in the way, and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or you have some experience, Let\'s Draw People lets you take your skills as a beginning or intermediate portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. You will find informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop and your confidence builds, you may be willing to share your work on this site to have your artwork recognized and appreciated by others. Better yet, you may eventually be able to become a contributing artist and author!\r\n

How It All Got Started

\r\n\"selfI have had a love for drawing ever since I was 3 years old and never really grew out of it. Although I loved drawing everything under the sun, I always had a special fascination with drawing people. The more my skills developed, the more I wanted to focus on drawing people, especially realistic portraits in pencil (my favorite medium). Like many other artists, I also have a day job in another field. Still, my love for drawing has given me the opportunity to draw many commissioned portraits for people wanting custom portrait artwork, and I still draw and sketch people in my spare time for fun.\r\n\r\nWhenever I do draw people, it triggers that childhood passion and desire to draw all the time. I formed Let\'s Draw People as a way to bring together others who have similar experiences, who would love nothing more than to have the freedom to draw all day long as they so innocently did as kids. My hope is for this website to bring together aspiring portrait artists of all ability levels who want to share their knowledge and artwork, to help others enhance their skills, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

Now, YOU Get Started!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people. Also, I invite you to sign up for the Let\'s Draw People Newsletter to stay up-to-date on the latest articles, tutorials, and artwork...\r\n\r\n[magicactionbox id=\"2032\"]\r\n\r\n...and join our growing social community on Facebook, Pinterest, and YouTube!','About Page','','publish','closed','closed','','about','','','2015-12-31 17:33:20','2016-01-01 01:33:20','',0,'http://www.letsdrawpeople.com/?page_id=45',0,'page','',0),(2041,2,'2015-07-08 08:28:20','2015-07-08 15:28:20','

MISSION STATEMENT

\r\nWelcome! My name is Jack Pearce, and I am the founder of Let\'s Draw People! It is the mission of this website to awaken the inner artist in everyday people (including YOU)...by drawing people! I believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason I put this site together is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

THE GOAL

\r\nMy goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! My aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating portraits that will amaze themselves and those they know and love.\r\n

HOW IT\'S ALL DONE

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn but life got in the way, and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or you have some experience, Let\'s Draw People lets you take your skills as a beginning or intermediate portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. You will find informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop and your confidence builds, you may be willing to share your work on this site to have your artwork recognized and appreciated by others. Better yet, you may eventually be able to become a contributing artist and author!\r\n

HOW IT ALL GOT STARTED

\r\n\"selfI have had a love for drawing ever since I was 3 years old and never really grew out of it. Although I loved drawing everything under the sun, I always had a special fascination with drawing people. The more my skills developed, the more I wanted to focus on drawing people, especially realistic portraits in pencil (my favorite medium). Like many other artists, I also have a day job in another field. Still, my love for drawing has given me the opportunity to draw many commissioned portraits for people wanting custom portrait artwork, and I still draw and sketch people in my spare time for fun.\r\n\r\nWhenever I do draw people, it triggers that childhood passion and desire to draw all the time. I formed Let\'s Draw People as a way to bring together others who have similar experiences, who would love nothing more than to have the freedom to draw all day long as they so innocently did as kids. My hope is for this website to bring together aspiring portrait artists of all ability levels who want to share their knowledge and artwork, to help others enhance their skills, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people. Also, I invite you to sign up for the Let\'s Draw People Newsletter to stay up-to-date on the latest articles, tutorials, and artwork...\r\n\r\n[magicactionbox id=\"ACTIONBOX ID\"]\r\n\r\n...and join our growing social community on Facebook, Pinterest, and YouTube!','About Page','','inherit','open','open','','45-revision-v1','','','2015-07-08 08:28:20','2015-07-08 15:28:20','',45,'http://www.letsdrawpeople.com/45-revision-v1/',0,'revision','',0),(431,1,'2013-05-19 20:23:30','2013-05-20 03:23:30','','letsdrawpeople header','','inherit','open','open','','letsdrawpeople-header','','','2013-05-19 20:23:30','2013-05-20 03:23:30','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/05/letsdrawpeople-header.jpg',0,'attachment','image/jpeg',0),(48,1,'2012-06-17 20:57:15','2012-06-18 03:57:15','Welcome to LetsDrawPeople.com!  Here you will find tips and techniques to help you draw the human face and form in a variety of styles.\r\n\r\nMy name is Jack Pearce.  All my life, for as far back as I can possibly remember, I have been drawing.  Although I loved drawing everything under the sun, I have always had a special fascination with drawing people. \r\n\r\nThe more my skills developed, the more I wanted to focus on drawing people, especially realistic portraits.  The challenge and satisfaction of capturing the unique likeness of a person becomes very gratifying.  Even more rewarding for an artist is to have his or her artwork recognized and appreciated by others.\r\n\r\nMy reason for putting this site together is to help other aspiring artists who wish to improve their skills when it comes to drawing people.  You will find tips that will be helpful for a range of ability levels.  Not only will you learn how to draw people realistically, but you will also see how to draw caricatures and cartoons of people.  As your skills develop, find out how you can share your work in a gallery on this site and even draw commissioned portraits and get paid for your talents!\r\n\r\nCheck back often to find new articles and tutorials that will help you to better understand how to draw people!','About','','inherit','closed','closed','','45-revision-v1','','','2012-06-17 20:57:15','2012-06-18 03:57:15','',45,'http://www.letsdrawpeople.com/45-revision-2/',0,'revision','',0),(49,1,'2012-06-17 21:01:22','2012-06-18 04:01:22','Welcome to LetsDrawPeople.com!  Here you will find tips and techniques to help you draw the human face and form in a variety of styles.\r\n\r\nMy name is Jack Pearce.  All my life, for as far back as I can possibly remember, I have been drawing.  Although I loved drawing everything under the sun, I have always had a special fascination with drawing people. \r\n\r\nThe more my skills developed, the more I wanted to focus on drawing people, especially realistic portraits.  The challenge and satisfaction of capturing the unique likeness of a person becomes very gratifying.  Even more rewarding for an artist is to have his or her artwork recognized and appreciated by others.\r\n\r\nMy reason for putting this site together is to help other aspiring artists who wish to improve their skills when it comes to drawing people.  You will find tips that will be helpful for a range of ability levels.  Not only will you learn how to draw people realistically, but you will also see how to draw caricatures and cartoons of people.  As your skills develop, find out how you can share your work in a gallery on this site and even draw commissioned portraits and get paid for your talents!\r\n\r\nCheck back often to find new articles and tutorials that will help you to better understand how to draw people!','About Page','','inherit','closed','closed','','45-revision-v1','','','2012-06-17 21:01:22','2012-06-18 04:01:22','',45,'http://www.letsdrawpeople.com/45-revision-3/',0,'revision','',0),(50,1,'2012-06-12 19:35:07','2012-06-13 02:35:07','Your Privacy\r\nYour privacy is important to us. To better protect your privacy we provide this notice explaining our online information practices and the choices you can make about the way your information is collected and used. To make this notice easy to find, we make it available on our homepage and at every point where personally identifiable information may be requested.\r\n\r\n \r\n\r\nCollection of Personal Information\r\nWhen visiting Let\'s Draw People, the IP address used to access the site will be logged along with the dates and times of access. This information is purely used to analyze trends, administer the site, track users movement and gather broad demographic information for internal use. Most importantly, any recorded IP addresses are not linked to personally identifiable information.\r\n\r\n \r\n\r\nLinks to third party Websites\r\nWe have included links on this site for your use and reference. We are not responsible for the privacy policies on these websites. You should be aware that the privacy policies of these sites may differ from our own.\r\n\r\n \r\n\r\nChanges to this Privacy Statement\r\nThe contents of this statement may be altered at any time, at our discretion.\r\n\r\nIf you have any questions regarding the privacy policy of Let\'s Draw People then you may contact us at admin@letsdrawpeople.com\r\n\r\n \r\n\r\nThis policy was generated by Easy Privacy Policy Plugin kwik fit car insurance for WordPress.\r\n
Last updated Sat, 09 Jun 2012 18:22
','Privacy Policy','','inherit','closed','closed','','14-revision-v1','','','2012-06-12 19:35:07','2012-06-13 02:35:07','',14,'http://www.letsdrawpeople.com/14-revision-2/',0,'revision','',0),(316,1,'2012-12-15 19:28:37','2012-12-16 03:28:37','Welcome to LetsDrawPeople.com!  Here you will find tips and techniques to help you draw the human face and form in a variety of styles.\r\n\r\nMy name is Jack Pearce.  All my life, for as far back as I can possibly remember, I have been drawing.  Although I loved drawing everything under the sun, I have always had a special fascination with drawing people.\r\n\r\nThe more my skills developed, the more I wanted to focus on drawing people, especially realistic portraits.  The challenge and satisfaction of capturing the unique likeness of a person becomes very gratifying.  Even more rewarding for an artist is to have his or her artwork recognized and appreciated by others.\r\n\r\nMy reason for putting this site together is to help other aspiring artists who wish to improve their skills when it comes to drawing people.  You will find tips that will be helpful for a range of ability levels.  Not only will you learn how to draw people realistically, but you will also see how to draw caricatures and cartoons of people.  As your skills develop, find out how you can share your work in a gallery on this site!\r\n\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people!','About Page','','inherit','open','open','','45-revision-v1','','','2012-12-15 19:28:37','2012-12-16 03:28:37','',45,'http://www.letsdrawpeople.com/45-revision-8/',0,'revision','',0),(52,1,'2012-06-17 21:01:52','2012-06-18 04:01:52','Welcome to LetsDrawPeople.com!  Here you will find tips and techniques to help you draw the human face and form in a variety of styles.\r\n\r\nMy name is Jack Pearce.  All my life, for as far back as I can possibly remember, I have been drawing.  Although I loved drawing everything under the sun, I have always had a special fascination with drawing people. \r\n\r\nThe more my skills developed, the more I wanted to focus on drawing people, especially realistic portraits.  The challenge and satisfaction of capturing the unique likeness of a person becomes very gratifying.  Even more rewarding for an artist is to have his or her artwork recognized and appreciated by others.\r\n\r\nMy reason for putting this site together is to help other aspiring artists who wish to improve their skills when it comes to drawing people.  You will find tips that will be helpful for a range of ability levels.  Not only will you learn how to draw people realistically, but you will also see how to draw caricatures and cartoons of people.  As your skills develop, find out how you can share your work in a gallery on this site and even draw commissioned portraits and get paid for your talents!\r\n\r\nCheck back often to find new articles and tutorials that will help you to better understand how to draw people!','About Page','','inherit','closed','closed','','45-revision-v1','','','2012-06-17 21:01:52','2012-06-18 04:01:52','',45,'http://www.letsdrawpeople.com/45-revision-4/',0,'revision','',0),(55,1,'2012-06-17 21:12:45','2012-06-18 04:12:45','Welcome to LetsDrawPeople.com!  Here you will find tips and techniques to help you draw the human face and form in a variety of styles.\r\n\r\nMy name is Jack Pearce.  All my life, for as far back as I can possibly remember, I have been drawing.  Although I loved drawing everything under the sun, I have always had a special fascination with drawing people. \r\n\r\nThe more my skills developed, the more I wanted to focus on drawing people, especially realistic portraits.  The challenge and satisfaction of capturing the unique likeness of a person becomes very gratifying.  Even more rewarding for an artist is to have his or her artwork recognized and appreciated by others.\r\n\r\nMy reason for putting this site together is to help other aspiring artists who wish to improve their skills when it comes to drawing people.  You will find tips that will be helpful for a range of ability levels.  Not only will you learn how to draw people realistically, but you will also see how to draw caricatures and cartoons of people.  As your skills develop, find out how you can share your work in a gallery on this site and even draw commissioned portraits and get paid for your talents!\r\n\r\nCheck back often to find new articles and tutorials that will help you to better understand how to draw people!','About Page','','inherit','closed','closed','','45-revision-v1','','','2012-06-17 21:12:45','2012-06-18 04:12:45','',45,'http://www.letsdrawpeople.com/45-revision-5/',0,'revision','',0),(58,2,'2012-06-27 00:19:48','2012-06-27 07:19:48','','Pencil Portrait Mastery','','draft','closed','closed','','pencil-portrait-mastery','','','2013-07-28 12:27:04','2013-07-28 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Mastery','','inherit','closed','closed','','58-revision-2','','','2012-06-27 00:19:48','2012-06-27 07:19:48','',58,'http://www.letsdrawpeople.com/58-revision-2/',0,'revision','',0),(667,2,'2013-07-25 21:27:25','2013-07-26 04:27:25','Drawings of family. Some of these were made from multiple reference photos.\n\n[gallery ids=\"649,644,663,664,665,666\"]','Family Drawings','','inherit','open','open','','662-revision-v1','','','2013-07-25 21:27:25','2013-07-26 04:27:25','',662,'http://www.letsdrawpeople.com/662-revision/',0,'revision','',0),(63,1,'2012-06-27 00:27:33','2012-06-27 07:27:33','','Pencil Portrait Mastery','','inherit','closed','closed','','58-revision-4','','','2012-06-27 00:27:33','2012-06-27 07:27:33','',58,'http://www.letsdrawpeople.com/58-revision-4/',0,'revision','',0),(67,1,'2012-07-11 00:59:51','2012-07-11 07:59:51','

Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\n\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\n\n \n\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\n\n \n\nTypes of People Drawing\n\n \n\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\n\n \n\nCartoon People\n\n \n\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\n\n \n\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\n\n \n\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\n\n \n\nCaricatures\n\n \n\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\n\n \n\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\n\n \n\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\n\n \n\nRealistic People\n\n \n\nSome artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\n\n \n\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\n\n \n\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, often doing an activity or just minding their own business. They are not necessarily looking back at you.\n\n \n\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\n\n \n\nDrawing Styles\n\n \n\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\n\n \n\nLine drawing: This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.\n\n \n\nSketch drawing: This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.\n\n \n\nDetailed drawing: This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.\n\n \n\nRealistic drawing: A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.\n\n \n\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\n\n \n\nWhat You Need to Learn\n\n \n\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\n\n \n\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\n\n \n\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\n\n \n\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\n\n \n\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\n\n \n\nWhat’s the First Step?\n\n \n\nThis just touches the surface of what is involved in learning how to draw people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\n\n \n\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\n\n \n\nPRACTICE! PRACTICE!! PRACTICE!!!\n\n \n\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\n\n \n\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\n\n \n\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\n\n \n\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\n\n \n\nGood luck and happy drawing!

','What Is Involved in Learning How to Draw People?','','inherit','closed','closed','','66-revision-v1','','','2012-07-11 00:59:51','2012-07-11 07:59:51','',66,'http://www.letsdrawpeople.com/66-revision/',0,'revision','',0),(70,1,'2012-07-11 01:17:56','2012-07-11 08:17:56','

Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\nSome artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, often doing an activity or just minding their own business. They are not necessarily looking back at you.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n\r\nLine drawing: This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.\r\n\r\nSketch drawing: This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.\r\n\r\nDetailed drawing: This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.\r\n\r\nRealistic drawing: A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.\r\n\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in learning how to draw people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!','What Is Involved in Learning How to Draw People?','','inherit','closed','closed','','66-revision-v1','','','2012-07-11 01:17:56','2012-07-11 08:17:56','',66,'http://www.letsdrawpeople.com/66-revision-3/',0,'revision','',0),(68,1,'2013-06-24 19:09:17','2013-06-25 02:09:17','\"030596\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\n\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\n\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\n

Types of People Drawing

\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\n

Cartoon People

\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\n\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\n\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\n

Caricatures

\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\n\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\n\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\n

Realistic People

\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\n\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\n\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\n\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\n

Drawing Styles

\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \n
\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\n

What You Need to Learn

\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\n\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\n\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\n\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\n\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\n

What’s the First Step?

\nThis just touches the surface of what is involved in drawing people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\n\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\n\nPRACTICE!! PRACTICE!! PRACTICE!!\n\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\n\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\n\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\n\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\n\nGood luck and happy drawing!\n\n ','Let\'s See How to Draw People','','inherit','closed','closed','','66-autosave-v1','','','2013-06-24 19:09:17','2013-06-25 02:09:17','',66,'http://www.letsdrawpeople.com/66-autosave/',0,'revision','',0),(69,1,'2012-07-11 01:00:14','2012-07-11 08:00:14','

Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\n \r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n\r\n \r\n\r\nTypes of People Drawing\r\n\r\n \r\n\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n\r\n \r\n\r\nCartoon People\r\n\r\n \r\n\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\n \r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\n \r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n\r\n \r\n\r\nCaricatures\r\n\r\n \r\n\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\n \r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\n \r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n\r\n \r\n\r\nRealistic People\r\n\r\n \r\n\r\nSome artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\n \r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\n \r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, often doing an activity or just minding their own business. They are not necessarily looking back at you.\r\n\r\n \r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n\r\n \r\n\r\nDrawing Styles\r\n\r\n \r\n\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n\r\n \r\n\r\nLine drawing: This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.\r\n\r\n \r\n\r\nSketch drawing: This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.\r\n\r\n \r\n\r\nDetailed drawing: This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.\r\n\r\n \r\n\r\nRealistic drawing: A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.\r\n\r\n \r\n\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n\r\n \r\n\r\nWhat You Need to Learn\r\n\r\n \r\n\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\n \r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\n \r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\n \r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\n \r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n\r\n \r\n\r\nWhat’s the First Step?\r\n\r\n \r\n\r\nThis just touches the surface of what is involved in learning how to draw people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\n \r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\n \r\n\r\nPRACTICE! PRACTICE!! PRACTICE!!!\r\n\r\n \r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\n \r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\n \r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\n \r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\n \r\n\r\nGood luck and happy drawing!

','What Is Involved in Learning How to Draw People?','','inherit','closed','closed','','66-revision-v1','','','2012-07-11 01:00:14','2012-07-11 08:00:14','',66,'http://www.letsdrawpeople.com/66-revision-2/',0,'revision','',0),(71,1,'2012-07-11 01:19:31','2012-07-11 08:19:31','

Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\nSome artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, often doing an activity or just minding their own business. They are not necessarily looking back at you.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n\r\nLine drawing: This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.\r\n\r\nSketch drawing: This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.\r\n\r\nDetailed drawing: This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.\r\n\r\nRealistic drawing: A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.\r\n\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in learning how to draw people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!','What Is Involved in Learning How to Draw People?','','inherit','closed','closed','','66-revision-v1','','','2012-07-11 01:19:31','2012-07-11 08:19:31','',66,'http://www.letsdrawpeople.com/66-revision-4/',0,'revision','',0),(72,1,'2012-07-11 01:25:44','2012-07-11 08:25:44','

Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\nSome artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, often doing an activity or just minding their own business. They are not necessarily looking back at you.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in learning how to draw people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!','What Is Involved in Learning How to Draw People?','','inherit','closed','closed','','66-revision-v1','','','2012-07-11 01:25:44','2012-07-11 08:25:44','',66,'http://www.letsdrawpeople.com/66-revision-5/',0,'revision','',0),(73,1,'2012-07-11 01:34:25','2012-07-11 08:34:25','','','','inherit','closed','closed','','nirma','','','2012-07-11 01:34:25','2012-07-11 08:34:25','',66,'http://www.letsdrawpeople.com/wp-content/uploads/2012/07/nirma.jpg',0,'attachment','image/jpeg',0),(750,2,'2013-08-05 20:43:04','2013-08-06 03:43:04','','030496','','inherit','open','open','','030496','','','2013-08-05 20:43:04','2013-08-06 03:43:04','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/030496.jpg',0,'attachment','image/jpeg',0),(75,1,'2012-07-11 01:27:47','2012-07-11 08:27:47','

Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\nSome artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, often doing an activity or just minding their own business. They are not necessarily looking back at you.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in learning how to draw people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!','What Is Involved in Learning How to Draw People?','','inherit','closed','closed','','66-revision-v1','','','2012-07-11 01:27:47','2012-07-11 08:27:47','',66,'http://www.letsdrawpeople.com/66-revision-6/',0,'revision','',0),(76,1,'2012-07-11 02:15:53','2012-07-11 09:15:53','\"\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, often doing an activity or just minding their own business. They are not necessarily looking back at you.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in learning how to draw people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!','What Is Involved in Learning How to Draw People?','','inherit','closed','closed','','66-revision-v1','','','2012-07-11 02:15:53','2012-07-11 09:15:53','',66,'http://www.letsdrawpeople.com/66-revision-7/',0,'revision','',0),(402,1,'2013-01-05 22:39:24','2013-01-06 06:39:24','

Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in drawing people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','Let\'s See How to Draw People','','inherit','open','open','','66-revision-v1','','','2013-01-05 22:39:24','2013-01-06 06:39:24','',66,'http://www.letsdrawpeople.com/66-revision-29/',0,'revision','',0),(388,1,'2012-12-29 22:01:30','2012-12-30 06:01:30','
\"\"\r\n\r\nMaybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in drawing people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','What Is Involved in Learning How to Draw People?','','inherit','open','open','','66-revision-v1','','','2012-12-29 22:01:30','2012-12-30 06:01:30','',66,'http://www.letsdrawpeople.com/66-revision-26/',0,'revision','',0),(387,1,'2012-12-29 21:59:42','2012-12-30 05:59:42','
\"\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in drawing people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','What Is Involved in Learning How to Draw People?','','inherit','open','open','','66-revision-v1','','','2012-12-29 21:59:42','2012-12-30 05:59:42','',66,'http://www.letsdrawpeople.com/66-revision-25/',0,'revision','',0),(82,1,'2012-07-11 12:50:42','2012-07-11 19:50:42','\"\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, often doing an activity or just minding their own business. They are not necessarily looking back at you.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in learning how to draw people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!','What Is Involved in Learning How to Draw People?','','inherit','closed','closed','','66-revision-v1','','','2012-07-11 12:50:42','2012-07-11 19:50:42','',66,'http://www.letsdrawpeople.com/66-revision-8/',0,'revision','',0),(77,2,'2012-07-11 21:35:20','2012-07-12 04:35:20','\r\n\r\n\"\"If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\r\n

Placement

\r\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\r\n

Projection

\r\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\r\n

Bridge

\r\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, slanted zig-zag lines works.\r\n

Tip

\r\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\r\n

Nostrils

\r\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\r\n\r\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!\r\n\r\n ','Tips for How to Draw Noses','','publish','open','closed','','tips-for-how-to-draw-noses','','','2014-06-05 05:06:38','2014-06-05 12:06:38','',0,'http://www.letsdrawpeople.com/?p=77',0,'post','',0),(78,1,'2012-07-11 21:35:04','2012-07-12 04:35:04','If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\n

Placement

\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\n

Projection

\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\n

Bridge

\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, horizontal zig-zag lines works.\n

Tip

\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\n

Nostrils

\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\n\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!','Tips for How to Draw Noses','','inherit','closed','closed','','77-revision-v1','','','2012-07-11 21:35:04','2012-07-12 04:35:04','',77,'http://www.letsdrawpeople.com/77-revision/',0,'revision','',0),(80,1,'2012-07-12 15:09:54','2012-07-12 22:09:54','','nose tips','','inherit','closed','closed','','nose-tips','','','2012-07-12 15:09:54','2012-07-12 22:09:54','',77,'http://www.letsdrawpeople.com/wp-content/uploads/2012/07/nose-tips.jpg',0,'attachment','image/jpeg',0),(81,1,'2012-07-11 21:35:20','2012-07-12 04:35:20','If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\r\n

Placement

\r\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\r\n

Projection

\r\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\r\n

Bridge

\r\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, horizontal zig-zag lines works.\r\n

Tip

\r\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\r\n

Nostrils

\r\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\r\n\r\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!','Tips for How to Draw Noses','','inherit','closed','closed','','77-revision-v1','','','2012-07-11 21:35:20','2012-07-12 04:35:20','',77,'http://www.letsdrawpeople.com/77-revision-2/',0,'revision','',0),(83,1,'2012-07-12 15:34:04','2012-07-12 22:34:04','\"\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, often doing an activity or just minding their own business. They are not necessarily looking back at you.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in learning how to draw people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!','What Is Involved in Learning How to Draw People?','','inherit','closed','closed','','66-revision-v1','','','2012-07-12 15:34:04','2012-07-12 22:34:04','',66,'http://www.letsdrawpeople.com/66-revision-9/',0,'revision','',0),(84,1,'2012-07-12 15:13:23','2012-07-12 22:13:23','\"\"If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\r\n

Placement

\r\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\r\n

Projection

\r\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\r\n

Bridge

\r\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, horizontal zig-zag lines works.\r\n

Tip

\r\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\r\n

Nostrils

\r\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\r\n\r\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!','Tips for How to Draw Noses','','inherit','closed','closed','','77-revision-v1','','','2012-07-12 15:13:23','2012-07-12 22:13:23','',77,'http://www.letsdrawpeople.com/77-revision-3/',0,'revision','',0),(85,2,'2012-07-12 16:20:20','2012-07-12 23:20:20','\r\n\r\nOkay Everybody, if you want to know how to draw noses, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n

\"\"

\r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right (our right). Sketch some heavier shading on the left side and some very light shading on the right.\r\n

\"nose02\"

\r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n

\"nose03\"

\r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add style to your artwork.\r\n

\"\"

\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','publish','open','closed','','tutorial-for-drawing-a-nose','','','2014-06-05 04:53:06','2014-06-05 11:53:06','',0,'http://www.letsdrawpeople.com/?p=85',0,'post','',1),(747,2,'2013-08-05 20:28:34','2013-08-06 03:28:34','','nose03','','inherit','open','open','','nose03','','','2013-08-05 20:28:34','2013-08-06 03:28:34','',85,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/nose03.jpg',0,'attachment','image/jpeg',0),(87,1,'2012-07-12 15:54:24','2012-07-12 22:54:24','Okay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\n\nStep 1: Sketch the Basic Shapes\n\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\n\n\"\"Step 2: Define the Bridge\n\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\n\nStep 3: Form the Nostrils\n\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\n\nStep 4: Finish the Tip and Touch Up\n\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\n\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','closed','closed','','85-revision-v1','','','2012-07-12 15:54:24','2012-07-12 22:54:24','',85,'http://www.letsdrawpeople.com/85-revision/',0,'revision','',0),(748,2,'2013-08-05 20:28:35','2013-08-06 03:28:35','','','','inherit','open','open','','nose04','','','2013-08-05 20:28:35','2013-08-06 03:28:35','',85,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/nose04.jpg',0,'attachment','image/jpeg',0),(91,1,'2012-07-12 15:55:27','2012-07-12 22:55:27','Okay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\n\nStep 1: Sketch the Basic Shapes\n\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\"\"\n\nStep 2: Define the Bridge\n\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\n\nStep 3: Form the Nostrils\n\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\n\nStep 4: Finish the Tip and Touch Up\n\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\n\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','closed','closed','','85-revision-v1','','','2012-07-12 15:55:27','2012-07-12 22:55:27','',85,'http://www.letsdrawpeople.com/85-revision-2/',0,'revision','',0),(92,1,'2012-07-12 16:02:01','2012-07-12 23:02:01','Okay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n\r\n \r\n\r\n\"\"Step 1: Sketch the Basic Shapes\r\n\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n\r\n \r\n\r\n \r\n\r\n\"\"Step 2: Define the Bridge\r\n\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n\r\n \r\n\r\n\"\"Step 3: Form the Nostrils\r\n\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n\r\n \r\n\r\n\"\"Step 4: Finish the Tip and Touch Up\r\n\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','closed','closed','','85-revision-v1','','','2012-07-12 16:02:01','2012-07-12 23:02:01','',85,'http://www.letsdrawpeople.com/85-revision-3/',0,'revision','',0),(94,1,'2012-07-12 16:04:12','2012-07-12 23:04:12','Okay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n\r\n\"\"Step 1: Sketch the Basic Shapes\r\n\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n\"\"Step 2: Define the Bridge\r\n\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n\"\"Step 3: Form the Nostrils\r\n\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n\r\n \r\n\r\n \r\n\r\n\"\"Step 4: Finish the Tip and Touch Up\r\n\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','closed','closed','','85-revision-v1','','','2012-07-12 16:04:12','2012-07-12 23:04:12','',85,'http://www.letsdrawpeople.com/85-revision-4/',0,'revision','',0),(95,1,'2012-07-12 16:10:32','2012-07-12 23:10:32','Okay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n\r\n\"\"Step 1: Sketch the Basic Shapes\r\n\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n\"\"Step 2: Define the Bridge\r\n\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n\"\"Step 3: Form the Nostrils\r\n\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n\r\n \r\n\r\n \r\n\r\n\"\"Step 4: Finish the Tip and Touch Up\r\n\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','closed','closed','','85-revision-v1','','','2012-07-12 16:10:32','2012-07-12 23:10:32','',85,'http://www.letsdrawpeople.com/85-revision-5/',0,'revision','',0),(96,1,'2012-07-12 16:14:41','2012-07-12 23:14:41','Okay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n\r\nStep 1: Sketch the Basic Shapes\r\n\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n\r\nStep 2: Define the Bridge\r\n\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n\r\nStep 3: Form the Nostrils\r\n\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n\r\nStep 4: Finish the Tip and Touch Up\r\n\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','closed','closed','','85-revision-v1','','','2012-07-12 16:14:41','2012-07-12 23:14:41','',85,'http://www.letsdrawpeople.com/85-revision-6/',0,'revision','',0),(97,1,'2012-07-12 16:17:36','2012-07-12 23:17:36','Okay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n\r\n\"\"\r\n\r\n \r\n\r\nStep 1: Sketch the Basic Shapes\r\n\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n\r\nStep 2: Define the Bridge\r\n\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n\r\nStep 3: Form the Nostrils\r\n\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n\r\nStep 4: Finish the Tip and Touch Up\r\n\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','closed','closed','','85-revision-v1','','','2012-07-12 16:17:36','2012-07-12 23:17:36','',85,'http://www.letsdrawpeople.com/85-revision-7/',0,'revision','',0),(99,1,'2012-07-12 16:20:20','2012-07-12 23:20:20','Okay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n\r\n\"\"\r\n\r\n \r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!\r\n\r\n ','Tutorial for Drawing a Nose','','inherit','closed','closed','','85-revision-v1','','','2012-07-12 16:20:20','2012-07-12 23:20:20','',85,'http://www.letsdrawpeople.com/85-revision-8/',0,'revision','',0),(100,1,'2012-07-12 15:37:59','2012-07-12 22:37:59','\"\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, often doing an activity or just minding their own business. They are not necessarily looking back at you.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in learning how to draw people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!','What Is Involved in Learning How to Draw People?','','inherit','closed','closed','','66-revision-v1','','','2012-07-12 15:37:59','2012-07-12 22:37:59','',66,'http://www.letsdrawpeople.com/66-revision-10/',0,'revision','',0),(112,1,'2012-07-12 17:01:29','2012-07-13 00:01:29','\"\"If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\r\n

Placement

\r\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\r\n

Projection

\r\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\r\n

Bridge

\r\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, horizontal zig-zag lines works.\r\n

Tip

\r\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\r\n

Nostrils

\r\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\r\n\r\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!\r\n\r\n ','Tips for How to Draw Noses','','inherit','open','open','','77-revision-v1','','','2012-07-12 17:01:29','2012-07-13 00:01:29','',77,'http://www.letsdrawpeople.com/77-revision-6/',0,'revision','',0),(101,1,'2012-07-12 15:40:42','2012-07-12 22:40:42','\"\"If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\r\n

Placement

\r\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\r\n

Projection

\r\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\r\n

Bridge

\r\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, horizontal zig-zag lines works.\r\n

Tip

\r\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\r\n

Nostrils

\r\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\r\n\r\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!','Tips for How to Draw Noses','','inherit','closed','closed','','77-revision-v1','','','2012-07-12 15:40:42','2012-07-12 22:40:42','',77,'http://www.letsdrawpeople.com/77-revision-4/',0,'revision','',0),(102,1,'2012-07-12 16:28:53','2012-07-12 23:28:53','\"\"If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\r\n

Placement

\r\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\r\n

Projection

\r\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\r\n

Bridge

\r\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, horizontal zig-zag lines works.\r\n

Tip

\r\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\r\n

Nostrils

\r\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\r\n\r\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!\r\n\r\n ','Tips for How to Draw Noses','','inherit','open','open','','77-revision-v1','','','2012-07-12 16:28:53','2012-07-12 23:28:53','',77,'http://www.letsdrawpeople.com/77-revision-5/',0,'revision','',0),(103,1,'2012-07-12 16:22:28','2012-07-12 23:22:28','Okay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n\r\n\"\"\r\n\r\n \r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!\r\n\r\n ','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2012-07-12 16:22:28','2012-07-12 23:22:28','',85,'http://www.letsdrawpeople.com/85-revision-9/',0,'revision','',0),(104,1,'2012-07-12 17:01:42','2012-07-13 00:01:42','Okay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n\r\n\"\"\r\n\r\n \r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!\r\n\r\n ','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2012-07-12 17:01:42','2012-07-13 00:01:42','',85,'http://www.letsdrawpeople.com/85-revision-10/',0,'revision','',0),(105,1,'2012-07-12 17:06:32','2012-07-13 00:06:32','Okay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n\r\n\"\"\r\n\r\n \r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!\r\n\r\n ','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2012-07-12 17:06:32','2012-07-13 00:06:32','',85,'http://www.letsdrawpeople.com/85-revision-11/',0,'revision','',0),(321,1,'2012-12-27 23:31:12','2012-12-28 07:31:12','
\r\n\r\nOkay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n

\"\"

\r\n\r\n

 Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n

\"\"

\r\n\r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n

\"\"

\r\n\r\n

 Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n

\"\"

\r\n So there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2012-12-27 23:31:12','2012-12-28 07:31:12','',85,'http://www.letsdrawpeople.com/85-revision-23/',0,'revision','',0),(235,1,'2012-07-29 19:16:57','2012-07-30 02:16:57','
Okay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n\r\n\"\"\r\n\r\n \r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n\r\n \r\n\r\n \"\"\r\n\r\n \r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2012-07-29 19:16:57','2012-07-30 02:16:57','',85,'http://www.letsdrawpeople.com/85-revision-21/',0,'revision','',0),(114,1,'2012-07-12 18:46:06','2012-07-13 01:46:06','Okay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n\r\n\"\"\r\n\r\n \r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n\r\n \r\n\r\n \"\"\r\n\r\n \r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!\r\n\r\n ','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2012-07-12 18:46:06','2012-07-13 01:46:06','',85,'http://www.letsdrawpeople.com/85-revision-16/',0,'revision','',0),(111,1,'2012-07-12 16:26:58','2012-07-12 23:26:58','\"\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, often doing an activity or just minding their own business. They are not necessarily looking back at you.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in learning how to draw people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','What Is Involved in Learning How to Draw People?','','inherit','open','open','','66-revision-v1','','','2012-07-12 16:26:58','2012-07-12 23:26:58','',66,'http://www.letsdrawpeople.com/66-revision-11/',0,'revision','',0),(107,1,'2012-07-12 17:06:58','2012-07-13 00:06:58','Okay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n\r\n\"\"\r\n\r\n \r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!\r\n\r\n ','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2012-07-12 17:06:58','2012-07-13 00:06:58','',85,'http://www.letsdrawpeople.com/85-revision-12/',0,'revision','',0),(108,1,'2012-07-12 18:01:07','2012-07-13 01:01:07','Okay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n\r\n\"\"\r\n\r\n \r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!\r\n\r\n ','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2012-07-12 18:01:07','2012-07-13 01:01:07','',85,'http://www.letsdrawpeople.com/85-revision-13/',0,'revision','',0),(109,1,'2012-07-12 18:08:05','2012-07-13 01:08:05','Okay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n\r\n\"\"\r\n\r\n \r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!\r\n\r\n ','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2012-07-12 18:08:05','2012-07-13 01:08:05','',85,'http://www.letsdrawpeople.com/85-revision-14/',0,'revision','',0),(110,1,'2012-07-12 18:15:05','2012-07-13 01:15:05','Okay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n\r\n\"\"\r\n\r\n \r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!\r\n\r\n ','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2012-07-12 18:15:05','2012-07-13 01:15:05','',85,'http://www.letsdrawpeople.com/85-revision-15/',0,'revision','',0),(1124,2,'2014-06-05 05:06:17','2014-06-05 12:06:17','\n\n\"\"If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\n

Placement

\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\n

Projection

\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\n

Bridge

\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, slanted zig-zag lines works.\n

Tip

\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\n

Nostrils

\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\n\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!\n\n ','Tips for How to Draw Noses','','inherit','open','open','','77-autosave-v1','','','2014-06-05 05:06:17','2014-06-05 12:06:17','',77,'http://www.letsdrawpeople.com/77-autosave-v1/',0,'revision','',0),(113,1,'2012-07-13 01:00:00','2012-07-13 08:00:00','\"\"If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\r\n

Placement

\r\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\r\n

Projection

\r\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\r\n

Bridge

\r\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, slanted zig-zag lines works.\r\n

Tip

\r\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\r\n

Nostrils

\r\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\r\n\r\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!\r\n\r\n ','Tips for How to Draw Noses','','inherit','open','open','','77-revision-v1','','','2012-07-13 01:00:00','2012-07-13 08:00:00','',77,'http://www.letsdrawpeople.com/77-revision-7/',0,'revision','',0),(115,1,'2012-07-13 00:57:59','2012-07-13 07:57:59','\"\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in learning how to draw people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','What Is Involved in Learning How to Draw People?','','inherit','open','open','','66-revision-v1','','','2012-07-13 00:57:59','2012-07-13 07:57:59','',66,'http://www.letsdrawpeople.com/66-revision-12/',0,'revision','',0),(116,1,'2012-07-13 01:38:03','2012-07-13 08:38:03','
\r\n\r\n\"\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in learning how to draw people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','What Is Involved in Learning How to Draw People?','','inherit','open','open','','66-revision-v1','','','2012-07-13 01:38:03','2012-07-13 08:38:03','',66,'http://www.letsdrawpeople.com/66-revision-13/',0,'revision','',0),(117,1,'2012-07-13 01:29:18','2012-07-13 08:29:18','
\r\n\r\n\"\"If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\r\n

Placement

\r\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\r\n

Projection

\r\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\r\n

Bridge

\r\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, slanted zig-zag lines works.\r\n

Tip

\r\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\r\n

Nostrils

\r\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\r\n\r\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!\r\n\r\n ','Tips for How to Draw Noses','','inherit','open','open','','77-revision-v1','','','2012-07-13 01:29:18','2012-07-13 08:29:18','',77,'http://www.letsdrawpeople.com/77-revision-8/',0,'revision','',0),(124,1,'2012-07-13 02:29:46','2012-07-13 09:29:46','
\r\n\r\n\"\"If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\r\n

Placement

\r\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\r\n

Projection

\r\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\r\n

Bridge

\r\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, slanted zig-zag lines works.\r\n

Tip

\r\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\r\n

Nostrils

\r\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\r\n\r\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!\r\n\r\n ','Tips for How to Draw Noses','','inherit','open','open','','77-revision-v1','','','2012-07-13 02:29:46','2012-07-13 09:29:46','',77,'http://www.letsdrawpeople.com/77-revision-9/',0,'revision','',0),(125,1,'2012-07-13 01:32:52','2012-07-13 08:32:52','
\r\n\r\nOkay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n\r\n\"\"\r\n\r\n \r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n\r\n \r\n\r\n \"\"\r\n\r\n \r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!\r\n\r\n ','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2012-07-13 01:32:52','2012-07-13 08:32:52','',85,'http://www.letsdrawpeople.com/85-revision-17/',0,'revision','',0),(852,2,'2013-08-20 06:59:58','2013-08-20 13:59:58','','Justin Bieber arrives','','inherit','open','open','','justin-bieber-arrives','','','2013-08-20 06:59:58','2013-08-20 13:59:58','',165,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/Justin-Bieber-arrives.jpg',0,'attachment','image/jpeg',0),(130,1,'2012-07-20 18:41:32','2012-07-21 01:41:32','Here is how to draw wedge high heel shoes.','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-20 18:41:32','2012-07-21 01:41:32','',129,'http://www.letsdrawpeople.com/129-revision/',0,'revision','',0),(127,1,'2012-07-19 18:14:23','2012-07-20 01:14:23','
\r\n\r\nOkay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n\r\n\"\"\r\n\r\n \r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n\r\n \r\n\r\n \"\"\r\n\r\n \r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!\r\n\r\n ','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2012-07-19 18:14:23','2012-07-20 01:14:23','',85,'http://www.letsdrawpeople.com/85-revision-18/',0,'revision','',0),(129,2,'2012-07-20 18:41:39','2012-07-21 01:41:39','\r\n\r\nShoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n\r\n[caption id=\"attachment_856\" align=\"aligncenter\" width=\"320\"]\"\" © Branislav Ostojic | Dreamstime.com[/caption]\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"01p

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n

\"02

\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

\"03

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"04

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"05

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"06

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"07

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"08

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n

\"\"

\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','publish','open','open','','how-to-draw-feet-wearing-wedge-high-heels','','','2014-06-05 05:23:44','2014-06-05 12:23:44','',0,'http://www.letsdrawpeople.com/?p=129',0,'post','',4),(128,1,'2012-07-19 18:51:43','2012-07-20 01:51:43','
Okay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n\r\n\"\"\r\n\r\n \r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n\r\n \r\n\r\n \"\"\r\n\r\n \r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!\r\n\r\n \"\"\r\n\r\n \r\n

Step 5: Blah Blah

\r\nIf you ever thought about ...','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2012-07-19 18:51:43','2012-07-20 01:51:43','',85,'http://www.letsdrawpeople.com/85-revision-19/',0,'revision','',0),(132,1,'2012-07-20 18:41:39','2012-07-21 01:41:39','Here is how to draw wedge high heel shoes.','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-20 18:41:39','2012-07-21 01:41:39','',129,'http://www.letsdrawpeople.com/129-revision-2/',0,'revision','',0),(133,1,'2012-07-20 19:05:53','2012-07-21 02:05:53','
\r\n\r\nHere is how to draw wedge high heel shoes.','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-20 19:05:53','2012-07-21 02:05:53','',129,'http://www.letsdrawpeople.com/129-revision-3/',0,'revision','',0),(134,1,'2012-07-22 22:51:36','2012-07-23 05:51:36','
Shoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. In case you are up for more of a challenge, the feet do come included!\r\n\r\n \r\n\r\nStep 1: Make a Grid\r\n\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n\r\n \r\n\r\nStep 2: Draw the Basic Shapes\r\n\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n\r\n \r\n\r\nStep 3: Shape the Shoes\r\n\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n\r\n \r\n\r\nStep 4: Define the Legs and Feet\r\n\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n\r\n \r\n\r\nStep 5: Draw the Base of the Shoes\r\n\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n\r\n \r\n\r\nStep 6: Add the Straps\r\n\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n\r\n \r\n\r\nStep 7: Plan Your Shading\r\n\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n\r\n \r\n\r\nStep 8: Add Final Details\r\n\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n\r\nStep 9: Erase the Guidelines\r\n\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n\r\n \r\n\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-22 22:51:36','2012-07-23 05:51:36','',129,'http://www.letsdrawpeople.com/129-revision-4/',0,'revision','',0),(135,1,'2012-07-22 22:51:41','2012-07-23 05:51:41','
Shoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. In case you are up for more of a challenge, the feet do come included!\r\n\r\n \r\n\r\nStep 1: Make a Grid\r\n\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n\r\n \r\n\r\nStep 2: Draw the Basic Shapes\r\n\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n\r\n \r\n\r\nStep 3: Shape the Shoes\r\n\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n\r\n \r\n\r\nStep 4: Define the Legs and Feet\r\n\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n\r\n \r\n\r\nStep 5: Draw the Base of the Shoes\r\n\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n\r\n \r\n\r\nStep 6: Add the Straps\r\n\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n\r\n \r\n\r\nStep 7: Plan Your Shading\r\n\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n\r\n \r\n\r\nStep 8: Add Final Details\r\n\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n\r\nStep 9: Erase the Guidelines\r\n\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n\r\n \r\n\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-22 22:51:41','2012-07-23 05:51:41','',129,'http://www.letsdrawpeople.com/129-revision-5/',0,'revision','',0),(136,1,'2012-07-22 22:51:46','2012-07-23 05:51:46','
Shoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. In case you are up for more of a challenge, the feet do come included!\r\n\r\n \r\n\r\nStep 1: Make a Grid\r\n\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n\r\n \r\n\r\nStep 2: Draw the Basic Shapes\r\n\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n\r\n \r\n\r\nStep 3: Shape the Shoes\r\n\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n\r\n \r\n\r\nStep 4: Define the Legs and Feet\r\n\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n\r\n \r\n\r\nStep 5: Draw the Base of the Shoes\r\n\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n\r\n \r\n\r\nStep 6: Add the Straps\r\n\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n\r\n \r\n\r\nStep 7: Plan Your Shading\r\n\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n\r\n \r\n\r\nStep 8: Add Final Details\r\n\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n\r\nStep 9: Erase the Guidelines\r\n\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n\r\n \r\n\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-22 22:51:46','2012-07-23 05:51:46','',129,'http://www.letsdrawpeople.com/129-revision-6/',0,'revision','',0),(137,1,'2012-07-22 22:56:40','2012-07-23 05:56:40','
Shoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. In case you are up for more of a challenge, the feet do come included! \r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-22 22:56:40','2012-07-23 05:56:40','',129,'http://www.letsdrawpeople.com/129-revision-7/',0,'revision','',0),(138,1,'2012-07-22 22:58:57','2012-07-23 05:58:57','
Shoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. In case you are up for more of a challenge, the feet do come included! \r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-22 22:58:57','2012-07-23 05:58:57','',129,'http://www.letsdrawpeople.com/129-revision-8/',0,'revision','',0),(718,2,'2013-07-28 20:47:38','2013-07-29 03:47:38','','07 drawing wedge high heels shade lines','','inherit','open','open','','07-drawing-wedge-high-heels-shade-lines','','','2013-07-28 20:47:38','2013-07-29 03:47:38','',129,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/07-drawing-wedge-high-heels-shade-lines.jpg',0,'attachment','image/jpeg',0),(719,2,'2013-07-28 20:47:41','2013-07-29 03:47:41','','08 drawing wedge high heels details','','inherit','open','open','','08-drawing-wedge-high-heels-details','','','2013-07-28 20:47:41','2013-07-29 03:47:41','',129,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/08-drawing-wedge-high-heels-details.jpg',0,'attachment','image/jpeg',0),(720,2,'2013-07-28 20:47:42','2013-07-29 03:47:42','','','','inherit','open','open','','09-wedge-high-heels-finished','','','2013-07-28 20:47:42','2013-07-29 03:47:42','',129,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/09-wedge-high-heels-finished.jpg',0,'attachment','image/jpeg',0),(712,2,'2013-07-28 20:47:29','2013-07-29 03:47:29','','01p drawing wedge high heels grid','','inherit','open','open','','01p-drawing-wedge-high-heels-grid','','','2013-07-28 20:47:29','2013-07-29 03:47:29','',129,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/01p-drawing-wedge-high-heels-grid.jpg',0,'attachment','image/jpeg',0),(713,2,'2013-07-28 20:47:30','2013-07-29 03:47:30','','02 drawing wedge high heels shapes','','inherit','open','open','','02-drawing-wedge-high-heels-shapes','','','2013-07-28 20:47:30','2013-07-29 03:47:30','',129,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/02-drawing-wedge-high-heels-shapes.jpg',0,'attachment','image/jpeg',0),(714,2,'2013-07-28 20:47:32','2013-07-29 03:47:32','','03 drawing wedge high heels shoes','','inherit','open','open','','03-drawing-wedge-high-heels-shoes','','','2013-07-28 20:47:32','2013-07-29 03:47:32','',129,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/03-drawing-wedge-high-heels-shoes.jpg',0,'attachment','image/jpeg',0),(715,2,'2013-07-28 20:47:33','2013-07-29 03:47:33','','04 drawing wedge high heels legs','','inherit','open','open','','04-drawing-wedge-high-heels-legs','','','2013-07-28 20:47:33','2013-07-29 03:47:33','',129,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/04-drawing-wedge-high-heels-legs.jpg',0,'attachment','image/jpeg',0),(716,2,'2013-07-28 20:47:35','2013-07-29 03:47:35','','05 drawing wedge high heels shoe details','','inherit','open','open','','05-drawing-wedge-high-heels-shoe-details','','','2013-07-28 20:47:35','2013-07-29 03:47:35','',129,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/05-drawing-wedge-high-heels-shoe-details.jpg',0,'attachment','image/jpeg',0),(148,1,'2012-07-22 23:00:13','2012-07-23 06:00:13','
\r\n\r\nShoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. In case you are up for more of a challenge, the feet do come included! \r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-22 23:00:13','2012-07-23 06:00:13','',129,'http://www.letsdrawpeople.com/129-revision-9/',0,'revision','',0),(151,1,'2012-07-22 23:23:28','2012-07-23 06:23:28','Shoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. In case you are up for more of a challenge, the feet do come included! \r\n

 

\r\n

 

\r\n

 

\r\n

\"\"

\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

 

\r\n

 

\r\n

\"\"

\r\n

 

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n

 

\r\n

 

\r\n

 

\r\n

 \"\"

\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

 

\r\n

 

\r\n

 

\r\n

 

\r\n

 

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-22 23:23:28','2012-07-23 06:23:28','',129,'http://www.letsdrawpeople.com/129-revision-12/',0,'revision','',0),(149,1,'2012-07-22 23:15:09','2012-07-23 06:15:09','Shoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. In case you are up for more of a challenge, the feet do come included! \n

\"\"

\n

 

\n

Step 1: Make a Grid

\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\n

Step 2: Draw the Basic Shapes

\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\n

Step 3: Shape the Shoes

\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\n

Step 4: Define the Legs and Feet

\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\n

Step 5: Draw the Base of the Shoes

\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\n

Step 6: Add the Straps

\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\n

Step 7: Plan Your Shading

\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\n

Step 8: Add Final Details

\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\n

Step 9: Erase the Guidelines

\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\n\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-22 23:15:09','2012-07-23 06:15:09','',129,'http://www.letsdrawpeople.com/129-revision-10/',0,'revision','',0),(150,1,'2012-07-22 23:21:15','2012-07-23 06:21:15','\"\"Shoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. In case you are up for more of a challenge, the feet do come included! \n

\"\"

\n

 

\n

Step 1: Make a Grid

\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\n

 

\n

 

\n

\"\"

\n

 

\n

Step 2: Draw the Basic Shapes

\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\n

 

\n

 

\n

 

\n

 

\n

Step 3: Shape the Shoes

\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\n

Step 4: Define the Legs and Feet

\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\n

Step 5: Draw the Base of the Shoes

\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\n

Step 6: Add the Straps

\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\n

Step 7: Plan Your Shading

\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\n

Step 8: Add Final Details

\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\n

Step 9: Erase the Guidelines

\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\n\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-22 23:21:15','2012-07-23 06:21:15','',129,'http://www.letsdrawpeople.com/129-revision-11/',0,'revision','',0),(152,1,'2012-07-22 23:32:29','2012-07-23 06:32:29','Shoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. In case you are up for more of a challenge, the feet do come included!  \r\n\r\n\"\"\r\n\r\n \r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"\"

\r\n

 

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n\r\n \r\n\r\n \"\"\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

 

\r\n

 

\r\n

 

\r\n

 

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-22 23:32:29','2012-07-23 06:32:29','',129,'http://www.letsdrawpeople.com/129-revision-13/',0,'revision','',0),(153,1,'2012-07-22 23:34:33','2012-07-23 06:34:33','Shoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. In case you are up for more of a challenge, the feet do come included!  \r\n\r\n\"\"\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"\"

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n\r\n \r\n\r\n \"\"\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

 

\r\n

 

\r\n

 

\r\n

 

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-22 23:34:33','2012-07-23 06:34:33','',129,'http://www.letsdrawpeople.com/129-revision-14/',0,'revision','',0),(154,1,'2012-07-22 23:40:06','2012-07-23 06:40:06','Shoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. In case you are up for more of a challenge, the feet do come included!  \r\n\r\n\"\"\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"\"

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n\r\n \r\n\r\n \"\"\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

 

\r\n

 

\r\n

 

\r\n

 

\r\n

\"\"

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"\"

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"\"

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"\"

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-22 23:40:06','2012-07-23 06:40:06','',129,'http://www.letsdrawpeople.com/129-revision-15/',0,'revision','',0),(155,1,'2012-07-22 23:50:09','2012-07-23 06:50:09','
Shoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. In case you are up for more of a challenge, the feet do come included!  \r\n\r\n\"\"\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"\"

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n\r\n \r\n\r\n \"\"\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

 

\r\n

 

\r\n

 

\r\n

 

\r\n

\"\"

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"\"

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"\"

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"\"

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"\"

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"\"

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-22 23:50:09','2012-07-23 06:50:09','',129,'http://www.letsdrawpeople.com/129-revision-16/',0,'revision','',0),(156,1,'2012-07-22 23:55:59','2012-07-23 06:55:59','
Shoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. In case you are up for more of a challenge, the feet do come included!  \r\n\r\n\"\"\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"\"

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n\r\n \r\n\r\n \"\"\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

 

\r\n

 

\r\n

 

\r\n

 

\r\n

\"\"

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"\"

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"\"

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"\"

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"\"

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"\"

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-22 23:55:59','2012-07-23 06:55:59','',129,'http://www.letsdrawpeople.com/129-revision-17/',0,'revision','',0),(157,1,'2012-07-22 23:57:07','2012-07-23 06:57:07','
\r\n\r\nShoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. In case you are up for more of a challenge, the feet do come included!  \r\n\r\n\"\"\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"\"

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n\r\n \r\n\r\n \"\"\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

 

\r\n

 

\r\n

 

\r\n

 

\r\n

\"\"

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"\"

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"\"

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"\"

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"\"

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"\"

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-22 23:57:07','2012-07-23 06:57:07','',129,'http://www.letsdrawpeople.com/129-revision-18/',0,'revision','',0),(717,2,'2013-07-28 20:47:36','2013-07-29 03:47:36','','06 drawing wedge high heels straps','','inherit','open','open','','06-drawing-wedge-high-heels-straps','','','2013-07-28 20:47:36','2013-07-29 03:47:36','',129,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/06-drawing-wedge-high-heels-straps.jpg',0,'attachment','image/jpeg',0),(158,1,'2012-07-24 08:54:47','2012-07-24 15:54:47','
\r\n\r\nShoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. In case you are up for more of a challenge, the feet do come included!  \r\n\r\n\"\"\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"\"

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n\r\n \r\n\r\n \"\"\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

 

\r\n

 

\r\n

 

\r\n

 

\r\n

\"\"

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"\"

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"\"

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"\"

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"\"

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"\"

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-24 08:54:47','2012-07-24 15:54:47','',129,'http://www.letsdrawpeople.com/129-revision-19/',0,'revision','',0),(159,1,'2012-07-24 09:00:02','2012-07-24 16:00:02','
Shoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. In case you are up for more of a challenge, the feet do come included!  \r\n\r\n\"\"\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"\"

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n\r\n \r\n\r\n \"\"\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

 

\r\n

 

\r\n

 

\r\n

 

\r\n

\"\"

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"\"

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"\"

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"\"

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"\"

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"\"

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-24 09:00:02','2012-07-24 16:00:02','',129,'http://www.letsdrawpeople.com/129-revision-20/',0,'revision','',0),(324,1,'2012-12-27 23:32:38','2012-12-28 07:32:38','
\r\n\r\nShoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n\r\n\"\"\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n\r\n\"\"\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n\r\n\"\"\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n\r\n\"\"\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"\"

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"\"

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"\"

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"\"

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"\"

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n

\"\"

\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-12-27 23:32:38','2012-12-28 07:32:38','',129,'http://www.letsdrawpeople.com/129-revision-26/',0,'revision','',0),(857,2,'2014-06-05 05:23:23','2014-06-05 12:23:23','\n\nShoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\n\n[caption id=\"attachment_856\" align=\"aligncenter\" width=\"320\"]\"\" © Branislav Ostojic | Dreamstime.com[/caption]\n

Step 1: Make a Grid

\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\n

\"01p

\n

Step 2: Draw the Basic Shapes

\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\n

\"02

\n

Step 3: Shape the Shoes

\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\n

\"03

\n

Step 4: Define the Legs and Feet

\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\n

\"04

\n

Step 5: Draw the Base of the Shoes

\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\n

\"05

\n

Step 6: Add the Straps

\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\n

\"06

\n

Step 7: Plan Your Shading

\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\n

\"07

\n

Step 8: Add Final Details

\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\n

\"08

\n

Step 9: Erase the Guidelines

\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\n

\"\"

\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-autosave-v1','','','2014-06-05 05:23:23','2014-06-05 12:23:23','',129,'http://www.letsdrawpeople.com/129-autosave-v1/',0,'revision','',0),(722,2,'2013-07-21 11:43:52','2013-07-21 18:43:52','
\r\nShoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n

\"\"

\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"drawing

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n

\"drawing

\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

\"drawing

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"drawing

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"drawing

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"drawing

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"drawing

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"drawing

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n

\"wedge

\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2013-07-21 11:43:52','2013-07-21 18:43:52','',129,'http://www.letsdrawpeople.com/129-revision-36/',0,'revision','',0),(230,1,'2012-07-24 09:59:07','2012-07-24 16:59:07','
\r\n\r\n\"\"Shoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n

 

\r\n

 

\r\n

 

\r\n\r\n

\"\"Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"\"

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n\r\n \r\n\r\n \"\"\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

 

\r\n

 

\r\n

 

\r\n

 

\r\n

\"\"

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"\"

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"\"

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"\"

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"\"

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"\"

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-24 09:59:07','2012-07-24 16:59:07','',129,'http://www.letsdrawpeople.com/129-revision-23/',0,'revision','',0),(165,2,'2012-07-29 00:02:11','2012-07-29 07:02:11','\r\n\r\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n[caption id=\"attachment_852\" align=\"aligncenter\" width=\"320\"]\"\" © Carrienelson1 | Dreamstime.com[/caption]\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"\"

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"\"

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"\"

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"\"

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"\"

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"\"

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"\"

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"\"

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\r\n','How to Draw Justin Bieber','','publish','open','open','','how-to-draw-justin-bieber','','','2014-06-05 05:27:33','2014-06-05 12:27:33','',0,'http://www.letsdrawpeople.com/?p=165',0,'post','',1),(163,1,'2012-07-24 09:55:39','2012-07-24 16:55:39','
\r\n\r\n\"\"Shoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n

 

\r\n

 

\r\n

 

\r\n\r\n

\"\"Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"\"

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n\r\n \r\n\r\n \"\"\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

 

\r\n

 

\r\n

 

\r\n

 

\r\n

\"\"

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"\"

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"\"

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"\"

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"\"

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"\"

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-24 09:55:39','2012-07-24 16:55:39','',129,'http://www.letsdrawpeople.com/129-revision-22/',0,'revision','',0),(162,1,'2012-07-24 09:01:00','2012-07-24 16:01:00','
\r\n\r\nShoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. In case you are up for more of a challenge, the feet do come included!  \r\n\r\n\"\"\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"\"

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n\r\n \r\n\r\n \"\"\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

 

\r\n

 

\r\n

 

\r\n

 

\r\n

\"\"

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"\"

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"\"

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"\"

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"\"

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"\"

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-24 09:01:00','2012-07-24 16:01:00','',129,'http://www.letsdrawpeople.com/129-revision-21/',0,'revision','',0),(231,1,'2012-07-29 19:11:01','2012-07-30 02:11:01','
Shoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n\r\n\"\"\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n\r\n\"\"\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n\r\n\"\"\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n\r\n\"\"\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"\"

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"\"

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"\"

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"\"

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"\"

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n

\"\"

\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-29 19:11:01','2012-07-30 02:11:01','',129,'http://www.letsdrawpeople.com/129-revision-24/',0,'revision','',0),(734,2,'2013-08-05 19:44:23','2013-08-06 02:44:23','','','\"Justin Bieber\" by Jack Pearce','inherit','open','open','','08-bieber','','','2013-08-05 19:44:23','2013-08-06 02:44:23','',165,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/08-bieber.jpg',0,'attachment','image/jpeg',0),(858,2,'2013-08-20 07:56:19','2013-08-20 14:56:19','
\r\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n[caption id=\"attachment_852\" align=\"aligncenter\" width=\"320\"]\"\" © Carrienelson1 | Dreamstime.com[/caption]\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"\"

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"\"

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"\"

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"\"

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"\"

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"\"

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"\"

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"\"

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\r\n','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2013-08-20 07:56:19','2013-08-20 14:56:19','',165,'http://www.letsdrawpeople.com/165-revision-v1/',0,'revision','',0),(169,1,'2012-07-28 22:52:08','2012-07-29 05:52:08','\"\"When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\n\n\"\"Step 1: Make a Grid and Guidelines\n\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\n\n\"\"\n\nStep 2: Draw the Eyes\n\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\n\nStep 3: Make Justin’s Nose\n\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\n\nStep 4: Draw His Mouth\n\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\n\nStep 5: Form the Ears and the Outline of the Face\n\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\n\nStep 6: Draw Justin’s Hair\n\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\n\nStep 7: Draw the Neck and Jacket\n\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\n\nStep 8: Erase and Add Final Details\n\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\n\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-28 22:52:08','2012-07-29 05:52:08','',165,'http://www.letsdrawpeople.com/165-revision/',0,'revision','',0),(298,1,'2012-12-27 13:58:38','2012-12-27 21:58:38','\r\n\r\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n\"\"\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"01

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"02

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\n\"\"\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\n\"\"\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\n\"\"\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\n\"\"\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\n\"\"\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\n\"\"\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-12-27 13:58:38','2012-12-27 21:58:38','',165,'http://www.letsdrawpeople.com/165-revision-37/',0,'revision','',0),(170,1,'2012-07-28 22:52:21','2012-07-29 05:52:21','\"\"When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n\"\"Step 1: Make a Grid and Guidelines\r\n\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n\"\"Step 2: Draw the Eyes\r\n\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\nStep 3: Make Justin’s Nose\r\n\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\nStep 4: Draw His Mouth\r\n\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\nStep 5: Form the Ears and the Outline of the Face\r\n\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\nStep 6: Draw Justin’s Hair\r\n\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\nStep 7: Draw the Neck and Jacket\r\n\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\nStep 8: Erase and Add Final Details\r\n\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-28 22:52:21','2012-07-29 05:52:21','',165,'http://www.letsdrawpeople.com/165-revision-2/',0,'revision','',0),(171,1,'2012-07-28 22:53:09','2012-07-29 05:53:09','\"\"When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n\"\"Step 1: Make a Grid and Guidelines\r\n\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n\"\"Step 2: Draw the Eyes\r\n\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\nStep 3: Make Justin’s Nose\r\n\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\nStep 4: Draw His Mouth\r\n\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\nStep 5: Form the Ears and the Outline of the Face\r\n\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\nStep 6: Draw Justin’s Hair\r\n\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\nStep 7: Draw the Neck and Jacket\r\n\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\nStep 8: Erase and Add Final Details\r\n\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-28 22:53:09','2012-07-29 05:53:09','',165,'http://www.letsdrawpeople.com/165-revision-3/',0,'revision','',0),(173,1,'2012-07-28 23:02:27','2012-07-29 06:02:27','\"\"When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n

\"\"Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n\"\"Step 2: Draw the Eyes\r\n\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nStep 3: Make Justin’s Nose\r\n\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\nStep 4: Draw His Mouth\r\n\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\nStep 5: Form the Ears and the Outline of the Face\r\n\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\nStep 6: Draw Justin’s Hair\r\n\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\nStep 7: Draw the Neck and Jacket\r\n\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\nStep 8: Erase and Add Final Details\r\n\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-28 23:02:27','2012-07-29 06:02:27','',165,'http://www.letsdrawpeople.com/165-revision-5/',0,'revision','',0),(172,1,'2012-07-28 22:59:58','2012-07-29 05:59:58','\"\"When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n

\"\"Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n\"\"Step 2: Draw the Eyes\r\n\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nStep 3: Make Justin’s Nose\r\n\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\nStep 4: Draw His Mouth\r\n\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\nStep 5: Form the Ears and the Outline of the Face\r\n\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\nStep 6: Draw Justin’s Hair\r\n\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\nStep 7: Draw the Neck and Jacket\r\n\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\nStep 8: Erase and Add Final Details\r\n\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-28 22:59:58','2012-07-29 05:59:58','',165,'http://www.letsdrawpeople.com/165-revision-4/',0,'revision','',0),(174,1,'2012-07-28 23:04:40','2012-07-29 06:04:40','\"\"When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n
\r\n
\r\n

\"\"Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n\"\"Step 2: Draw the Eyes\r\n\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nStep 3: Make Justin’s Nose\r\n\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\nStep 4: Draw His Mouth\r\n\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\nStep 5: Form the Ears and the Outline of the Face\r\n\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\nStep 6: Draw Justin’s Hair\r\n\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\nStep 7: Draw the Neck and Jacket\r\n\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\nStep 8: Erase and Add Final Details\r\n\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-28 23:04:40','2012-07-29 06:04:40','',165,'http://www.letsdrawpeople.com/165-revision-6/',0,'revision','',0),(732,2,'2013-08-05 19:44:19','2013-08-06 02:44:19','','06 bieber hair','','inherit','open','open','','06-bieber-hair','','','2013-08-05 19:44:19','2013-08-06 02:44:19','',165,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/06-bieber-hair.jpg',0,'attachment','image/jpeg',0),(176,1,'2012-07-28 23:05:02','2012-07-29 06:05:02','\"\"When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n
\r\n
\r\n
\r\n

\"\"Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n\"\"Step 2: Draw the Eyes\r\n\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nStep 3: Make Justin’s Nose\r\n\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\nStep 4: Draw His Mouth\r\n\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\nStep 5: Form the Ears and the Outline of the Face\r\n\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\nStep 6: Draw Justin’s Hair\r\n\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\nStep 7: Draw the Neck and Jacket\r\n\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\nStep 8: Erase and Add Final Details\r\n\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-28 23:05:02','2012-07-29 06:05:02','',165,'http://www.letsdrawpeople.com/165-revision-7/',0,'revision','',0),(733,2,'2013-08-05 19:44:21','2013-08-06 02:44:21','','07 bieber neck','','inherit','open','open','','07-bieber-neck','','','2013-08-05 19:44:21','2013-08-06 02:44:21','',165,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/07-bieber-neck.jpg',0,'attachment','image/jpeg',0),(178,1,'2012-07-28 23:10:54','2012-07-29 06:10:54','\"\"When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n \r\n

Step 1: Make a Grid and Guidelines

\r\n\"\"Make a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nStep 2: Draw the Eyes\r\n\r\n\"\"Notice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nStep 3: Make Justin’s Nose\r\n\r\n\"\"Our reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\nStep 4: Draw His Mouth\r\n\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\nStep 5: Form the Ears and the Outline of the Face\r\n\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\nStep 6: Draw Justin’s Hair\r\n\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\nStep 7: Draw the Neck and Jacket\r\n\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\nStep 8: Erase and Add Final Details\r\n\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-28 23:10:54','2012-07-29 06:10:54','',165,'http://www.letsdrawpeople.com/165-revision-8/',0,'revision','',0),(181,1,'2012-07-28 23:23:41','2012-07-29 06:23:41','\"\"When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\n\nStep 1: Make a Grid and Guidelines\n\n\"\"Make a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\n\nStep 2: Draw the Eyes\n\n\"\"Notice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\n\nStep 3: Make Justin’s Nose\n\n\"\"Our reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\n\nStep 4: Draw His Mouth\n\n\"\"Use a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\n\nStep 5: Form the Ears and the Outline of the Face\n\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\n\nStep 6: Draw Justin’s Hair\n\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\n\nStep 7: Draw the Neck and Jacket\n\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\n\nStep 8: Erase and Add Final Details\n\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\n\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-28 23:23:41','2012-07-29 06:23:41','',165,'http://www.letsdrawpeople.com/165-revision-9/',0,'revision','',0),(730,2,'2013-08-05 19:44:16','2013-08-06 02:44:16','','04 bieber mouth','','inherit','open','open','','04-bieber-mouth','','','2013-08-05 19:44:16','2013-08-06 02:44:16','',165,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/04-bieber-mouth.jpg',0,'attachment','image/jpeg',0),(731,2,'2013-08-05 19:44:18','2013-08-06 02:44:18','','05 bieber ears','','inherit','open','open','','05-bieber-ears','','','2013-08-05 19:44:18','2013-08-06 02:44:18','',165,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/05-bieber-ears.jpg',0,'attachment','image/jpeg',0),(182,1,'2012-07-28 23:24:41','2012-07-29 06:24:41','\"\"When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\n\nStep 1: Make a Grid and Guidelines\n\n\"\"Make a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\n\nStep 2: Draw the Eyes\n\n\"\"Notice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\n\nStep 3: Make Justin’s Nose\n\n\"\"Our reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\n\nStep 4: Draw His Mouth\n\n\"\"Use a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\n\nStep 5: Form the Ears and the Outline of the Face\n\n\"\"Once again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\n\nStep 6: Draw Justin’s Hair\n\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\n\nStep 7: Draw the Neck and Jacket\n\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\n\nStep 8: Erase and Add Final Details\n\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\n\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-28 23:24:41','2012-07-29 06:24:41','',165,'http://www.letsdrawpeople.com/165-revision-10/',0,'revision','',0),(183,1,'2012-07-28 23:26:29','2012-07-29 06:26:29','\"\"When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nStep 1: Make a Grid and Guidelines\r\n\r\n\"\"Make a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\nStep 2: Draw the Eyes\r\n\r\n\"\"Notice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\nStep 3: Make Justin’s Nose\r\n\r\n\"\"Our reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\nStep 4: Draw His Mouth\r\n\r\n\"\"Use a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\nStep 5: Form the Ears and the Outline of the Face\r\n\r\n\"\"Once again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\nStep 6: Draw Justin’s Hair\r\n\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\nStep 7: Draw the Neck and Jacket\r\n\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\nStep 8: Erase and Add Final Details\r\n\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-28 23:26:29','2012-07-29 06:26:29','',165,'http://www.letsdrawpeople.com/165-revision-11/',0,'revision','',0),(184,1,'2012-07-28 23:27:19','2012-07-29 06:27:19','\"\"When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n \r\n\r\n \r\n\r\nStep 1: Make a Grid and Guidelines\r\n\r\n\"\"Make a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\nStep 2: Draw the Eyes\r\n\r\n\"\"Notice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\nStep 3: Make Justin’s Nose\r\n\r\n\"\"Our reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\nStep 4: Draw His Mouth\r\n\r\n\"\"Use a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\nStep 5: Form the Ears and the Outline of the Face\r\n\r\n\"\"Once again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\nStep 6: Draw Justin’s Hair\r\n\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\nStep 7: Draw the Neck and Jacket\r\n\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\nStep 8: Erase and Add Final Details\r\n\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-28 23:27:19','2012-07-29 06:27:19','',165,'http://www.letsdrawpeople.com/165-revision-12/',0,'revision','',0),(185,1,'2012-07-28 23:27:59','2012-07-29 06:27:59','\"\"When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n \r\n\r\nStep 1: Make a Grid and Guidelines\r\n\r\n\"\"Make a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\nStep 2: Draw the Eyes\r\n\r\n\"\"Notice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\nStep 3: Make Justin’s Nose\r\n\r\n\"\"Our reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\nStep 4: Draw His Mouth\r\n\r\n\"\"Use a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\nStep 5: Form the Ears and the Outline of the Face\r\n\r\n\"\"Once again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\nStep 6: Draw Justin’s Hair\r\n\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\nStep 7: Draw the Neck and Jacket\r\n\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\nStep 8: Erase and Add Final Details\r\n\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-28 23:27:59','2012-07-29 06:27:59','',165,'http://www.letsdrawpeople.com/165-revision-13/',0,'revision','',0),(186,1,'2012-07-28 23:28:35','2012-07-29 06:28:35','\"\"When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n \r\n\r\nS\"\"tep 1: Make a Grid and Guidelines\r\n\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\nStep 2: Draw the Eyes\r\n\r\n\"\"Notice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\nStep 3: Make Justin’s Nose\r\n\r\n\"\"Our reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\nStep 4: Draw His Mouth\r\n\r\n\"\"Use a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\nStep 5: Form the Ears and the Outline of the Face\r\n\r\n\"\"Once again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\nStep 6: Draw Justin’s Hair\r\n\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\nStep 7: Draw the Neck and Jacket\r\n\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\nStep 8: Erase and Add Final Details\r\n\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-28 23:28:35','2012-07-29 06:28:35','',165,'http://www.letsdrawpeople.com/165-revision-14/',0,'revision','',0),(187,1,'2012-07-28 23:29:37','2012-07-29 06:29:37','\"\"When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n \r\n\r\n \r\n\r\nS\"\"tep 1: Make a Grid and Guidelines\r\n\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\nStep 2: Draw the Eyes\r\n\r\n\"\"Notice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\nStep 3: Make Justin’s Nose\r\n\r\n\"\"Our reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\nStep 4: Draw His Mouth\r\n\r\n\"\"Use a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\nStep 5: Form the Ears and the Outline of the Face\r\n\r\n\"\"Once again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\nStep 6: Draw Justin’s Hair\r\n\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\nStep 7: Draw the Neck and Jacket\r\n\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\nStep 8: Erase and Add Final Details\r\n\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-28 23:29:37','2012-07-29 06:29:37','',165,'http://www.letsdrawpeople.com/165-revision-15/',0,'revision','',0),(188,1,'2012-07-28 23:30:43','2012-07-29 06:30:43','\"\"When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n \r\n\r\n \r\n\r\nS\"\"tep 1: Make a Grid and Guidelines\r\n\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n \r\n\r\n \r\n\r\nStep 2: Draw the Eyes\r\n\r\n\"\"Notice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\nStep 3: Make Justin’s Nose\r\n\r\n\"\"Our reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\nStep 4: Draw His Mouth\r\n\r\n\"\"Use a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\nStep 5: Form the Ears and the Outline of the Face\r\n\r\n\"\"Once again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\nStep 6: Draw Justin’s Hair\r\n\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\nStep 7: Draw the Neck and Jacket\r\n\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\nStep 8: Erase and Add Final Details\r\n\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-28 23:30:43','2012-07-29 06:30:43','',165,'http://www.letsdrawpeople.com/165-revision-16/',0,'revision','',0),(191,1,'2012-07-28 23:33:54','2012-07-29 06:33:54','\"\"When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n \r\n\r\n \r\n\r\nS\"\"tep 1: Make a Grid and Guidelines\r\n\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n \r\n\r\n\"\"Step 2: Draw the Eyes\r\n\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n \r\n\r\n\"\"Step 3: Make Justin’s Nose\r\n\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\nStep 4: Draw His Mouth\r\n\r\n\"\"Use a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\nStep 5: Form the Ears and the Outline of the Face\r\n\r\n\"\"Once again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\nStep 6: Draw Justin’s Hair\r\n\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\nStep 7: Draw the Neck and Jacket\r\n\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\nStep 8: Erase and Add Final Details\r\n\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-28 23:33:54','2012-07-29 06:33:54','',165,'http://www.letsdrawpeople.com/165-revision-19/',0,'revision','',0),(189,1,'2012-07-28 23:32:29','2012-07-29 06:32:29','\"\"When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n \r\n\r\n \r\n\r\nS\"\"tep 1: Make a Grid and Guidelines\r\n\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n \r\n\r\n \r\n\r\n\"\"Step 2: Draw the Eyes\r\n\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n \r\n\r\n \r\n\r\n\"\"Step 3: Make Justin’s Nose\r\n\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\nStep 4: Draw His Mouth\r\n\r\n\"\"Use a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\nStep 5: Form the Ears and the Outline of the Face\r\n\r\n\"\"Once again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\nStep 6: Draw Justin’s Hair\r\n\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\nStep 7: Draw the Neck and Jacket\r\n\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\nStep 8: Erase and Add Final Details\r\n\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-28 23:32:29','2012-07-29 06:32:29','',165,'http://www.letsdrawpeople.com/165-revision-17/',0,'revision','',0),(190,1,'2012-07-28 23:33:06','2012-07-29 06:33:06','\"\"When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n \r\n\r\n \r\n\r\nS\"\"tep 1: Make a Grid and Guidelines\r\n\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n \r\n\r\n \r\n\r\n\"\"Step 2: Draw the Eyes\r\n\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n \r\n\r\n\"\"Step 3: Make Justin’s Nose\r\n\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\nStep 4: Draw His Mouth\r\n\r\n\"\"Use a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\nStep 5: Form the Ears and the Outline of the Face\r\n\r\n\"\"Once again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\nStep 6: Draw Justin’s Hair\r\n\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\nStep 7: Draw the Neck and Jacket\r\n\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\nStep 8: Erase and Add Final Details\r\n\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-28 23:33:06','2012-07-29 06:33:06','',165,'http://www.letsdrawpeople.com/165-revision-18/',0,'revision','',0),(194,1,'2012-07-28 23:34:42','2012-07-29 06:34:42','\"\"When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n \r\n\r\n \r\n\r\nS\"\"tep 1: Make a Grid and Guidelines\r\n\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n \r\n\r\n \r\n\r\n\"\"Step 2: Draw the Eyes\r\n\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n \r\n\r\n\"\"Step 3: Make Justin’s Nose\r\n\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\nStep 4: Draw His Mouth\r\n\r\n\"\"Use a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\nStep 5: Form the Ears and the Outline of the Face\r\n\r\n\"\"Once again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\nStep 6: Draw Justin’s Hair\r\n\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\nStep 7: Draw the Neck and Jacket\r\n\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\nStep 8: Erase and Add Final Details\r\n\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-28 23:34:42','2012-07-29 06:34:42','',165,'http://www.letsdrawpeople.com/165-revision-20/',0,'revision','',0),(195,1,'2012-07-28 23:46:56','2012-07-29 06:46:56','When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n\"\"\r\n\r\nStep 1: Make a Grid and Guidelines\r\n\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n\"\"\r\n\r\nStep 2: Draw the Eyes\r\n\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n\"\"\r\n\r\nStep 3: Make Justin’s Nose\r\n\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\n\"\"\r\n\r\nStep 4: Draw His Mouth\r\n\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\n\"\"\r\n\r\nStep 5: Form the Ears and the Outline of the Face\r\n\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\n\"\"\r\n\r\nStep 6: Draw Justin’s Hair\r\n\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\n\"\"\r\n\r\nStep 7: Draw the Neck and Jacket\r\n\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\nStep 8: Erase and Add Final Details\r\n\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-28 23:46:56','2012-07-29 06:46:56','',165,'http://www.letsdrawpeople.com/165-revision-21/',0,'revision','',0),(727,2,'2013-08-05 19:44:11','2013-08-06 02:44:11','','01 bieber grid','','inherit','open','open','','01-bieber-grid','','','2013-08-05 19:44:11','2013-08-06 02:44:11','',165,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/01-bieber-grid.jpg',0,'attachment','image/jpeg',0),(728,2,'2013-08-05 19:44:13','2013-08-06 02:44:13','','02 bieber eyes','','inherit','open','open','','02-bieber-eyes','','','2013-08-05 19:44:13','2013-08-06 02:44:13','',165,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/02-bieber-eyes.jpg',0,'attachment','image/jpeg',0),(198,1,'2012-07-28 23:50:28','2012-07-29 06:50:28','When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n\"\"\r\n\r\nStep 1: Make a Grid and Guidelines\r\n\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n\"\"\r\n\r\nStep 2: Draw the Eyes\r\n\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n\"\"\r\n\r\nStep 3: Make Justin’s Nose\r\n\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\n\"\"\r\n\r\nStep 4: Draw His Mouth\r\n\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\n\"\"\r\n\r\nStep 5: Form the Ears and the Outline of the Face\r\n\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\n\"\"\r\n\r\nStep 6: Draw Justin’s Hair\r\n\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\n\"\"\r\n\r\nStep 7: Draw the Neck and Jacket\r\n\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\nStep 8: Erase and Add Final Details\r\n\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-28 23:50:28','2012-07-29 06:50:28','',165,'http://www.letsdrawpeople.com/165-revision-22/',0,'revision','',0),(199,1,'2012-07-28 23:56:20','2012-07-29 06:56:20','When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n\"\"\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n\"\"\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n\"\"\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\n\"\"\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\n\"\"\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\n\"\"\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\n\"\"\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\n\"\"\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\n\"\"\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-28 23:56:20','2012-07-29 06:56:20','',165,'http://www.letsdrawpeople.com/165-revision-23/',0,'revision','',0),(213,1,'2012-07-29 16:52:11','2012-07-29 23:52:11','When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n\"\"\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n\"\"\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n\"\"\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\n\"\"\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\n\"\"\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\n\"\"\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\n\"\"\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\n\"\"\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\n\"\"\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-29 16:52:11','2012-07-29 23:52:11','',165,'http://www.letsdrawpeople.com/165-revision-33/',0,'revision','',0),(201,1,'2012-07-29 00:02:11','2012-07-29 07:02:11','When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n\"\"\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n\"\"\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n\"\"\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\n\"\"\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\n\"\"\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\n\"\"\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\n\"\"\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\n\"\"\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\n\"\"\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-29 00:02:11','2012-07-29 07:02:11','',165,'http://www.letsdrawpeople.com/165-revision-24/',0,'revision','',0),(202,1,'2012-07-29 00:07:35','2012-07-29 07:07:35','When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n\"\"\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n\"\"\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n\"\"\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\n\"\"\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\n\"\"\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\n\"\"\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\n\"\"\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\n\"\"\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\n\"\"\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-29 00:07:35','2012-07-29 07:07:35','',165,'http://www.letsdrawpeople.com/165-revision-25/',0,'revision','',0),(204,1,'2012-07-29 15:13:08','2012-07-29 22:13:08','When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n\"\"\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n\"\"\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n\"\"\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\n\"\"\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\n\"\"\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\n\"\"\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\n\"\"\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\n\"\"\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\n\"\"\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-29 15:13:08','2012-07-29 22:13:08','',165,'http://www.letsdrawpeople.com/165-revision-26/',0,'revision','',0),(205,1,'2012-07-29 15:17:53','2012-07-29 22:17:53','When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n\"\"\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n\"\"\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n\"\"\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\n\"\"\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\n\"\"\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\n\"\"\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\n\"\"\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\n\"\"\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\n\"\"\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-29 15:17:53','2012-07-29 22:17:53','',165,'http://www.letsdrawpeople.com/165-revision-27/',0,'revision','',0),(729,2,'2013-08-05 19:44:15','2013-08-06 02:44:15','','03 bieber nose','','inherit','open','open','','03-bieber-nose','','','2013-08-05 19:44:15','2013-08-06 02:44:15','',165,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/03-bieber-nose.jpg',0,'attachment','image/jpeg',0),(207,1,'2012-07-29 15:43:23','2012-07-29 22:43:23','When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n\"\"\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n\"\"\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n\"\"\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\n\"\"\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\n\"\"\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\n\"\"\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\n\"\"\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\n\"\"\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"\"

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-29 15:43:23','2012-07-29 22:43:23','',165,'http://www.letsdrawpeople.com/165-revision-28/',0,'revision','',0),(208,1,'2012-07-29 15:56:45','2012-07-29 22:56:45','When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n\"\"\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n\"\"\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n\"\"\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\n\"\"\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\n\"\"\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\n\"\"\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\n\"\"\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\n\"\"\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"\"

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-29 15:56:45','2012-07-29 22:56:45','',165,'http://www.letsdrawpeople.com/165-revision-29/',0,'revision','',0),(210,1,'2012-07-29 16:07:10','2012-07-29 23:07:10','When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n\"\"\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n\"\"\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n\"\"\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\n\"\"\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\n\"\"\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\n\"\"\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\n\"\"\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\n\"\"\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"\"

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-29 16:07:10','2012-07-29 23:07:10','',165,'http://www.letsdrawpeople.com/165-revision-31/',0,'revision','',0),(209,1,'2012-07-29 15:58:22','2012-07-29 22:58:22','When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n\"\"\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n\"\"\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n\"\"\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\n\"\"\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\n\"\"\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\n\"\"\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\n\"\"\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\n\"\"\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"\"

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-29 15:58:22','2012-07-29 22:58:22','',165,'http://www.letsdrawpeople.com/165-revision-30/',0,'revision','',0),(212,1,'2012-07-29 16:39:25','2012-07-29 23:39:25','When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n\"\"\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n\"\"\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n\"\"\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\n\"\"\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\n\"\"\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\n\"\"\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\n\"\"\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\n\"\"\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-29 16:39:25','2012-07-29 23:39:25','',165,'http://www.letsdrawpeople.com/165-revision-32/',0,'revision','',0),(229,1,'2012-07-29 17:52:44','2012-07-30 00:52:44','When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n\"\"\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n \r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n \r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\n \r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\n \r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\n \r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\n \r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\n \r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\n \r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-29 17:52:44','2012-07-30 00:52:44','',165,'http://www.letsdrawpeople.com/165-revision-34/',0,'revision','',0),(318,1,'2012-12-27 23:53:17','2012-12-28 07:53:17','
\"\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in learning how to draw people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','What Is Involved in Learning How to Draw People?','','inherit','open','open','','66-revision-v1','','','2012-12-27 23:53:17','2012-12-28 07:53:17','',66,'http://www.letsdrawpeople.com/66-revision-20/',0,'revision','',0),(232,1,'2012-07-19 18:09:43','2012-07-20 01:09:43','
\r\n\r\n\"\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in learning how to draw people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','What Is Involved in Learning How to Draw People?','','inherit','open','open','','66-revision-v1','','','2012-07-19 18:09:43','2012-07-20 01:09:43','',66,'http://www.letsdrawpeople.com/66-revision-15/',0,'revision','',0),(233,1,'2012-07-19 18:12:57','2012-07-20 01:12:57','
\r\n\r\n\"\"If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\r\n

Placement

\r\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\r\n

Projection

\r\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\r\n

Bridge

\r\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, slanted zig-zag lines works.\r\n

Tip

\r\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\r\n

Nostrils

\r\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\r\n\r\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!\r\n\r\n ','Tips for How to Draw Noses','','inherit','open','open','','77-revision-v1','','','2012-07-19 18:12:57','2012-07-20 01:12:57','',77,'http://www.letsdrawpeople.com/77-revision-10/',0,'revision','',0),(234,1,'2012-07-19 18:55:43','2012-07-20 01:55:43','
Okay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n\r\n\"\"\r\n\r\n \r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n\r\n \r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n\r\n \r\n\r\n\"\"\r\n\r\n \r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n\r\n \r\n\r\n \"\"\r\n\r\n \r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2012-07-19 18:55:43','2012-07-20 01:55:43','',85,'http://www.letsdrawpeople.com/85-revision-20/',0,'revision','',0),(236,1,'2012-07-29 18:19:08','2012-07-30 01:19:08','When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n\"\"\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n\"\"\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n\"\"\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\n\"\"\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\n\"\"\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\n\"\"\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\n\"\"\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\n\"\"\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\n\"\"\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-29 18:19:08','2012-07-30 01:19:08','',165,'http://www.letsdrawpeople.com/165-revision-35/',0,'revision','',0),(851,2,'2013-08-20 06:57:26','2013-08-20 13:57:26','
\r\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n

\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"\"

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"\"

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"\"

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"\"

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"\"

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"\"

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"\"

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"\"

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\r\n','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2013-08-20 06:57:26','2013-08-20 13:57:26','',165,'http://www.letsdrawpeople.com/165-revision-v1/',0,'revision','',0),(740,2,'2013-08-05 20:01:25','2013-08-06 03:01:25','
\r\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n

\"\"

\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"\"

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"\"

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"\"

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"\"

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"\"

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"\"

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"\"

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"\"

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\r\n','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2013-08-05 20:01:25','2013-08-06 03:01:25','',165,'http://www.letsdrawpeople.com/165-revision-v1/',0,'revision','',0),(467,1,'2013-05-19 22:05:06','2013-05-20 05:05:06','
Shoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n

\"©

\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"drawing

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n

\"drawing

\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

\"drawing

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"drawing

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"drawing

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"drawing

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"drawing

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"drawing

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n

\"wedge

\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2013-05-19 22:05:06','2013-05-20 05:05:06','',129,'http://www.letsdrawpeople.com/129-revision-32/',0,'revision','',0),(468,1,'2013-05-19 22:06:17','2013-05-20 05:06:17','
\"\"If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\r\n

Placement

\r\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\r\n

Projection

\r\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\r\n

Bridge

\r\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, slanted zig-zag lines works.\r\n

Tip

\r\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\r\n

Nostrils

\r\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\r\n\r\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!\r\n\r\n ','Tips for How to Draw Noses','','inherit','open','open','','77-revision-v1','','','2013-05-19 22:06:17','2013-05-20 05:06:17','',77,'http://www.letsdrawpeople.com/77-revision-18/',0,'revision','',0),(478,1,'2013-06-27 13:24:19','2013-06-27 20:24:19','

Our Mission

\r\nWelcome! At Let\'s Draw People, it is our mission to awaken the inner artist in everyday people (including you!)...by drawing people. We believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason we do what we do is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

OUR GOAL

\r\nOur goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! Our aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating realistic pencil portraits that will amaze themselves and those they know and love.\r\n

HOW WE DO IT

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn, but life, jobs, and family got in the way and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or if you have some experience, Let\'s Draw People lets you take your skills as an aspiring portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. We have informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop, you may be able to eventually share your work in a gallery on this site to have your artwork recognized and appreciated by our followers. Better yet, you may be able to become a contributing artist and author for us!\r\n

HOW WE GOT STARTED

\r\nLet\'s Draw People was founded by Jack Pearce, a guy who had a love for drawing ever since he was 3 years old and never really grew out of it. Although he loved drawing everything under the sun, Jack always had a special fascination with drawing people. The more Jack\'s skills developed, the more he wanted to focus on drawing people, especially realistic portraits in pencil (his favorite medium). Growing up, Jack always believed he would make a living as an artist. However, as the realities of adulthood and other interests sat in, the term \"starving artist\" began to have more meaning, and Jack eventually took other jobs and degree programs that lead to a career as a teacher in Nevada.\r\n\r\nJack still occasionally drew portraits for people, and whenever he did, it triggered that childhood passion and desire to draw all the time. He formed Let\'s Draw People as a way to bring together others who have similar experiences, who have that wish of having the freedom to draw all day long as they so innocently did as kids. He formed Let\'s Draw People as a way to bring together portrait artists who want to share their knowledge and artwork, to help others learn, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people! Also, we invite you to join our growing social community (Facebook, Pinterest, YouTube) to stay up-to-date on the latest articles, tutorials, and artwork!','About Us','','inherit','open','open','','45-revision-v1','','','2013-06-27 13:24:19','2013-06-27 20:24:19','',45,'http://www.letsdrawpeople.com/45-revision-18/',0,'revision','',0),(465,1,'2013-05-24 05:55:43','2013-05-24 12:55:43','
When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n

\"©

\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"01

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"02

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"03

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"04

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"05

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"06

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"07

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"08

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\r\n','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2013-05-24 05:55:43','2013-05-24 12:55:43','',165,'http://www.letsdrawpeople.com/165-revision-52/',0,'revision','',0),(1188,2,'2014-06-13 10:54:22','2014-06-13 17:54:22','','letsdrawpeople jp logo','','inherit','open','open','','letsdrawpeople-jp-logo','','','2014-06-13 10:54:22','2014-06-13 17:54:22','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/letsdrawpeople-jp-logo.png',0,'attachment','image/png',0),(271,2,'2012-12-25 21:46:27','2012-12-26 05:46:27','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\r\n\r\n[caption id=\"attachment_863\" align=\"aligncenter\" width=\"480\"]\" © Pzaxe | Dreamstime.com[/caption]\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\r\n

 \"01p

\r\n\r\n

Step 2: Outline of the Eyes

\r\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\r\n

 \"02p

\r\n\r\n

Step 3: Upper Eyelids

\r\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\r\n

 \"03p

\r\n\r\n

Step 4: Irises and Pupils

\r\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\r\n

 \"04p

\r\n\r\n

Step 5: Lower Eyelids

\r\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\r\n

 \"05p

\r\n\r\n

Step 6: Surrounding Features

\r\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\r\n

 \"06p

\r\n\r\n

Step 7: Guidelines for Shading

\r\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\r\n

 \"07p

\r\n\r\n

Step 8: Erase Grid Lines

\r\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\r\n

 \"08p

\r\n\r\n

Step 9: Shading and Details

\r\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading.\r\n\r\nFor the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together.\r\n\r\nFor the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs.\r\n\r\nMake the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\r\n

 \"09p

\r\n\r\n

Step 10: Eyelashes

\r\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance.\r\n\r\nCarefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\r\n

\"\"

\r\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness.\r\n\r\nApply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','How to Draw Eyes of a Bride','','publish','open','open','','how-to-draw-eyes-of-the-bride','','\nhttp://www.letsdrawpeople.com/chartpak-pickett-template-1204i-circle-master-116-to-3-inches-diameters-116-to-3-in-2/','2014-06-18 17:20:51','2014-06-19 00:20:51','',0,'http://www.letsdrawpeople.com/?p=271',0,'post','',0),(273,1,'2012-12-25 21:38:48','2012-12-26 05:38:48',' \n\n ','Video Test','','inherit','open','open','','271-revision-v1','','','2012-12-25 21:38:48','2012-12-26 05:38:48','',271,'http://www.letsdrawpeople.com/271-revision/',0,'revision','',0),(274,1,'2012-12-25 21:39:08','2012-12-26 05:39:08',' \r\n\r\n ','Video Test','','inherit','open','open','','271-revision-v1','','','2012-12-25 21:39:08','2012-12-26 05:39:08','',271,'http://www.letsdrawpeople.com/271-revision-2/',0,'revision','',0),(276,1,'2012-12-25 21:40:46','2012-12-26 05:40:46',' \r\n\r\n ','Video Test','','inherit','open','open','','271-revision-v1','','','2012-12-25 21:40:46','2012-12-26 05:40:46','',271,'http://www.letsdrawpeople.com/271-revision-4/',0,'revision','',0),(275,1,'2012-12-25 21:40:09','2012-12-26 05:40:09',' \r\n\r\n \r\n\r\n \r\n\r\n ','Video Test','','inherit','open','open','','271-revision-v1','','','2012-12-25 21:40:09','2012-12-26 05:40:09','',271,'http://www.letsdrawpeople.com/271-revision-3/',0,'revision','',0),(277,1,'2012-12-25 21:46:27','2012-12-26 05:46:27',' \r\n\r\n ','Video Test','','inherit','open','open','','271-revision-v1','','','2012-12-25 21:46:27','2012-12-26 05:46:27','',271,'http://www.letsdrawpeople.com/271-revision-5/',0,'revision','',0),(281,1,'2012-12-25 21:47:28','2012-12-26 05:47:28','Here is the test.\r\n\r\n ','Video Test','','inherit','open','open','','271-revision-v1','','','2012-12-25 21:47:28','2012-12-26 05:47:28','',271,'http://www.letsdrawpeople.com/271-revision-6/',0,'revision','',0),(280,1,'2012-12-26 05:53:34','2012-12-26 13:53:34','','picasion.com_eb0158e8f970a015b6e5416909e2abc6','','inherit','open','open','','picasion-com_eb0158e8f970a015b6e5416909e2abc6','','','2012-12-26 05:53:34','2012-12-26 13:53:34','',271,'http://www.letsdrawpeople.com/wp-content/uploads/2012/12/picasion.com_eb0158e8f970a015b6e5416909e2abc6.gif',0,'attachment','image/gif',0),(284,1,'2012-12-26 05:56:51','2012-12-26 13:56:51','\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"\r\n\r\nHere is the test.\r\n\r\n ','Video Test','','inherit','open','open','','271-revision-v1','','','2012-12-26 05:56:51','2012-12-26 13:56:51','',271,'http://www.letsdrawpeople.com/271-revision-7/',0,'revision','',0),(291,1,'2012-12-26 20:58:02','2012-12-27 04:58:02','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere is the test.\r\n

\r\n

Step 2: Eye outlines

\r\n

\"02p

','Video Test','','inherit','open','open','','271-revision-v1','','','2012-12-26 20:58:02','2012-12-27 04:58:02','',271,'http://www.letsdrawpeople.com/271-revision-11/',0,'revision','',0),(285,1,'2012-12-26 20:29:51','2012-12-27 04:29:51','\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"\r\n\r\nHere is the test.\r\n

 \"01p

\r\n

Step 2: Eye outlines

\r\n

\"02p

','Video Test','','inherit','open','open','','271-revision-v1','','','2012-12-26 20:29:51','2012-12-27 04:29:51','',271,'http://www.letsdrawpeople.com/271-revision-8/',0,'revision','',0),(286,1,'2012-12-26 20:42:57','2012-12-27 04:42:57','\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"\r\n\r\nHere is the test.\r\n

 \"01p

\r\n

Step 2: Eye outlines

\r\n

\"02p

','Video Test','','inherit','open','open','','271-revision-v1','','','2012-12-26 20:42:57','2012-12-27 04:42:57','',271,'http://www.letsdrawpeople.com/271-revision-9/',0,'revision','',0),(287,1,'2012-12-26 20:51:16','2012-12-27 04:51:16','\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"\r\n\r\nHere is the test.\r\n

 \"01p

\r\n

Step 2: Eye outlines

\r\n

\"02p

','Video Test','','inherit','open','open','','271-revision-v1','','','2012-12-26 20:51:16','2012-12-27 04:51:16','',271,'http://www.letsdrawpeople.com/271-revision-10/',0,'revision','',0),(292,1,'2012-12-26 21:14:25','2012-12-27 05:14:25','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere is the test.\r\n

\"01p

\r\n

Step 2: Eye outlines

\r\n

\"02p

','Video Test','','inherit','open','open','','271-revision-v1','','','2012-12-26 21:14:25','2012-12-27 05:14:25','',271,'http://www.letsdrawpeople.com/271-revision-12/',0,'revision','',0),(293,1,'2012-12-27 13:05:20','2012-12-27 21:05:20','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere is the test.\r\n

\"\"

\r\n

Step 2: Eye outlines

\r\n

\"Click

','Video Test','','inherit','open','open','','271-revision-v1','','','2012-12-27 13:05:20','2012-12-27 21:05:20','',271,'http://www.letsdrawpeople.com/271-revision-13/',0,'revision','',0),(708,2,'2013-07-28 16:37:57','2013-07-28 23:37:57','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\r\n

\"http://www.dreamstime.com/-image16063419\"

\r\n\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\r\n

 \"01p

\r\n\r\n

Step 2: Outline of the Eyes

\r\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\r\n

 \"02p

\r\n\r\n

Step 3: Upper Eyelids

\r\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\r\n

 \"03p

\r\n\r\n

Step 4: Irises and Pupils

\r\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\r\n

 \"04p

\r\n\r\n

Step 5: Lower Eyelids

\r\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\r\n

 \"05p

\r\n\r\n

Step 6: Surrounding Features

\r\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\r\n

 \"06p

\r\n\r\n

Step 7: Guidelines for Shading

\r\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\r\n

 \"07p

\r\n\r\n

Step 8: Erase Grid Lines

\r\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\r\n

 \"08p

\r\n\r\n

Step 9: Shading and Details

\r\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading. For the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together. For the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs. Make the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\r\n

 \"09p

\r\n\r\n

Step 10: Eyelashes

\r\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance. Carefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\r\n

\"\"

\r\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness. Apply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','How to Draw Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2013-07-28 16:37:57','2013-07-28 23:37:57','',271,'http://www.letsdrawpeople.com/271-revision-38/',0,'revision','',0),(296,1,'2012-12-27 13:20:19','2012-12-27 21:20:19','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere is the test.\r\n

\"\"

\r\n

Step 2: Eye outlines

\r\n

\"\"

\r\n

\"03p

\r\n

','Video Test','','inherit','open','open','','271-revision-v1','','','2012-12-27 13:20:19','2012-12-27 21:20:19','',271,'http://www.letsdrawpeople.com/271-revision-15/',0,'revision','',0),(295,1,'2012-12-27 13:12:59','2012-12-27 21:12:59','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere is the test.\r\n

\"\"

\r\n

Step 2: Eye outlines

\r\n

\"\"

','Video Test','','inherit','open','open','','271-revision-v1','','','2012-12-27 13:12:59','2012-12-27 21:12:59','',271,'http://www.letsdrawpeople.com/271-revision-14/',0,'revision','',0),(297,1,'2012-07-30 09:46:17','2012-07-30 16:46:17','\r\n\r\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n\"\"\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n\r\n\"\"\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n\r\n\"\"\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n\r\n\"\"\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n\r\n\"\"\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n\r\n\"\"\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n\r\n\"\"\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n\r\n\"\"\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n\r\n\"\"\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-07-30 09:46:17','2012-07-30 16:46:17','',165,'http://www.letsdrawpeople.com/165-revision-36/',0,'revision','',0),(736,2,'2013-07-21 11:40:55','2013-07-21 18:40:55','
\r\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n

\"\"

\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"01

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"02

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"03

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"04

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"05

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"06

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"07

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"08

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\r\n','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2013-07-21 11:40:55','2013-07-21 18:40:55','',165,'http://www.letsdrawpeople.com/165-revision-v1/',0,'revision','',0),(299,1,'2012-12-27 16:35:25','2012-12-28 00:35:25','\r\n\r\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n\"\"\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"01

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"02

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"03

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"04

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"05

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"06

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"07

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"08

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-12-27 16:35:25','2012-12-28 00:35:25','',165,'http://www.letsdrawpeople.com/165-revision-38/',0,'revision','',0),(300,1,'2012-12-27 16:36:16','2012-12-28 00:36:16','\r\n\r\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n\"\"\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"01

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"02

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"03

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"04

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"05

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"06

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"07

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"08

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-12-27 16:36:16','2012-12-28 00:36:16','',165,'http://www.letsdrawpeople.com/165-revision-39/',0,'revision','',0),(301,1,'2012-07-29 19:16:00','2012-07-30 02:16:00','
\r\n\r\n\"\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in learning how to draw people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','What Is Involved in Learning How to Draw People?','','inherit','open','open','','66-revision-v1','','','2012-07-29 19:16:00','2012-07-30 02:16:00','',66,'http://www.letsdrawpeople.com/66-revision-16/',0,'revision','',0),(317,1,'2012-12-27 23:30:02','2012-12-28 07:30:02','
\"\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in learning how to draw people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','What Is Involved in Learning How to Draw People?','','inherit','open','open','','66-revision-v1','','','2012-12-27 23:30:02','2012-12-28 07:30:02','',66,'http://www.letsdrawpeople.com/66-revision-19/',0,'revision','',0),(302,1,'2012-12-27 16:50:12','2012-12-28 00:50:12','
\"\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in learning how to draw people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','What Is Involved in Learning How to Draw People?','','inherit','open','open','','66-revision-v1','','','2012-12-27 16:50:12','2012-12-28 00:50:12','',66,'http://www.letsdrawpeople.com/66-revision-17/',0,'revision','',0),(303,1,'2012-12-27 13:49:13','2012-12-27 21:49:13','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere is the test.\r\n\r\nPhoto\r\n\r\nStep 1: Grid\r\n

\"01p

\r\n

Step 2: Eye outlines

\r\n

\"02p

\r\n

Step 3: Upper lids

\r\n

\"03p

','Video Test','','inherit','open','open','','271-revision-v1','','','2012-12-27 13:49:13','2012-12-27 21:49:13','',271,'http://www.letsdrawpeople.com/271-revision-16/',0,'revision','',0),(311,1,'2012-07-29 19:16:29','2012-07-30 02:16:29','
\r\n\r\n\"\"If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\r\n

Placement

\r\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\r\n

Projection

\r\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\r\n

Bridge

\r\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, slanted zig-zag lines works.\r\n

Tip

\r\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\r\n

Nostrils

\r\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\r\n\r\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!\r\n\r\n ','Tips for How to Draw Noses','','inherit','open','open','','77-revision-v1','','','2012-07-29 19:16:29','2012-07-30 02:16:29','',77,'http://www.letsdrawpeople.com/77-revision-11/',0,'revision','',0),(312,1,'2012-07-29 19:28:19','2012-07-30 02:28:19','
\r\n\r\nOkay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n

\"\"

\r\n\r\n

 Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n

\"\"

\r\n\r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n

\"\"

\r\n\r\n

 Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n

\"\"

\r\n So there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2012-07-29 19:28:19','2012-07-30 02:28:19','',85,'http://www.letsdrawpeople.com/85-revision-22/',0,'revision','',0),(313,1,'2012-12-27 17:22:39','2012-12-28 01:22:39','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere is the test.\r\n\r\nPhoto\r\n\r\nStep 1: Grid\r\n

\"01p

\r\n

Step 2: Eye outlines

\r\n

\"02p

\r\n

Step 3: Upper lids

\r\n

\"03p

','Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2012-12-27 17:22:39','2012-12-28 01:22:39','',271,'http://www.letsdrawpeople.com/271-revision-17/',0,'revision','',0),(314,1,'2012-07-29 19:13:13','2012-07-30 02:13:13','
\r\n\r\nShoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n\r\n\"\"\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n\r\n\"\"\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n\r\n\"\"\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n\r\n\"\"\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"\"

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"\"

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"\"

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"\"

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"\"

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n

\"\"

\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-07-29 19:13:13','2012-07-30 02:13:13','',129,'http://www.letsdrawpeople.com/129-revision-25/',0,'revision','',0),(476,1,'2013-06-27 13:22:55','2013-06-27 20:22:55','

Our Mission

\r\nWelcome! At Let\'s Draw People, it is our mission to awaken the inner artist in everyday people (including you!)...by drawing people. We believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason we do what we do is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

OUR GOAL

\r\nOur goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! Our aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating realistic pencil portraits that will amaze themselves and those they know and love.\r\n

HOW WE DO IT

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn, but life, jobs, and family got in the way and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or if you have some experience, Let\'s Draw People lets you take your skills as an aspiring portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. We have informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop, you may be able to eventually share your work in a gallery on this site to have your artwork recognized and appreciated by our followers. Better yet, you may be able to become a contributing artist and author for us!\r\n

HOW WE GOT STARTED

\r\nLet\'s Draw People was founded by Jack Pearce, a guy who had a love for drawing ever since he was 3 years old and never really grew out of it. Although he loved drawing everything under the sun, Jack always had a special fascination with drawing people. The more Jack\'s skills developed, the more he wanted to focus on drawing people, especially realistic portraits in pencil (his favorite medium). Growing up, Jack always believed he would make a living as an artist. However, as the realities of adulthood and other interests sat in, the term \"starving artist\" began to have more meaning, and Jack eventually took other jobs and degree programs that lead to a career as a teacher in Nevada.\r\n\r\nJack still occasionally drew portraits for people, and whenever he did, it triggered that childhood passion and desire to draw all the time. He formed Let\'s Draw People as a way to bring together others who have similar experiences, who have that wish of having the freedom to draw all day long as they so innocently did as kids. He formed Let\'s Draw People as a way to bring together portrait artists who want to share their knowledge and artwork, to help others learn, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people! Also, we invite you to join our growing social community (Facebook, Pinterest, YouTube) to stay up-to-date on the latest articles, tutorials, and artwork!','About Us','','inherit','open','open','','45-revision-v1','','','2013-06-27 13:22:55','2013-06-27 20:22:55','',45,'http://www.letsdrawpeople.com/45-revision-16/',0,'revision','',0),(477,1,'2013-06-27 13:23:46','2013-06-27 20:23:46','

Our Mission

\r\nWelcome! At Let\'s Draw People, it is our mission to awaken the inner artist in everyday people (including you!)...by drawing people. We believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason we do what we do is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

OUR GOAL

\r\nOur goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! Our aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating realistic pencil portraits that will amaze themselves and those they know and love.\r\n

HOW WE DO IT

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn, but life, jobs, and family got in the way and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or if you have some experience, Let\'s Draw People lets you take your skills as an aspiring portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. We have informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop, you may be able to eventually share your work in a gallery on this site to have your artwork recognized and appreciated by our followers. Better yet, you may be able to become a contributing artist and author for us!\r\n

HOW WE GOT STARTED

\r\nLet\'s Draw People was founded by Jack Pearce, a guy who had a love for drawing ever since he was 3 years old and never really grew out of it. Although he loved drawing everything under the sun, Jack always had a special fascination with drawing people. The more Jack\'s skills developed, the more he wanted to focus on drawing people, especially realistic portraits in pencil (his favorite medium). Growing up, Jack always believed he would make a living as an artist. However, as the realities of adulthood and other interests sat in, the term \"starving artist\" began to have more meaning, and Jack eventually took other jobs and degree programs that lead to a career as a teacher in Nevada.\r\n\r\nJack still occasionally drew portraits for people, and whenever he did, it triggered that childhood passion and desire to draw all the time. He formed Let\'s Draw People as a way to bring together others who have similar experiences, who have that wish of having the freedom to draw all day long as they so innocently did as kids. He formed Let\'s Draw People as a way to bring together portrait artists who want to share their knowledge and artwork, to help others learn, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people! Also, we invite you to join our growing social community (Facebook, Pinterest, YouTube) to stay up-to-date on the latest articles, tutorials, and artwork!','About Us','','inherit','open','open','','45-revision-v1','','','2013-06-27 13:23:46','2013-06-27 20:23:46','',45,'http://www.letsdrawpeople.com/45-revision-17/',0,'revision','',0),(386,1,'2012-12-29 21:58:39','2012-12-30 05:58:39','
\"\"\r\n\r\nMaybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in drawing people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','What Is Involved in Learning How to Draw People?','','inherit','open','open','','66-revision-v1','','','2012-12-29 21:58:39','2012-12-30 05:58:39','',66,'http://www.letsdrawpeople.com/66-revision-24/',0,'revision','',0),(319,1,'2012-12-27 23:54:47','2012-12-28 07:54:47','
\"\"\r\n\r\nMaybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in learning how to draw people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','What Is Involved in Learning How to Draw People?','','inherit','open','open','','66-revision-v1','','','2012-12-27 23:54:47','2012-12-28 07:54:47','',66,'http://www.letsdrawpeople.com/66-revision-21/',0,'revision','',0),(320,1,'2012-12-27 23:55:21','2012-12-28 07:55:21','
\"\"\r\nMaybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in learning how to draw people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','What Is Involved in Learning How to Draw People?','','inherit','open','open','','66-revision-v1','','','2012-12-27 23:55:21','2012-12-28 07:55:21','',66,'http://www.letsdrawpeople.com/66-revision-22/',0,'revision','',0),(322,1,'2012-12-28 00:06:41','2012-12-28 08:06:41','
Okay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n

\"nose01\"

\r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n

\"nose02\"

\r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n

\"nose04\"

\r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n

\"nose03\"

\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2012-12-28 00:06:41','2012-12-28 08:06:41','',85,'http://www.letsdrawpeople.com/85-revision-24/',0,'revision','',0),(323,1,'2012-12-28 00:08:10','2012-12-28 08:08:10','
\r\nOkay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n

\"nose01\"

\r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n

\"nose02\"

\r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n

\"nose04\"

\r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n

\"nose03\"

\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2012-12-28 00:08:10','2012-12-28 08:08:10','',85,'http://www.letsdrawpeople.com/85-revision-25/',0,'revision','',0),(856,2,'2013-08-20 07:50:59','2013-08-20 14:50:59','','wedge high heel shoes',' © Branislav Ostojic | Dreamstime.com','inherit','open','open','','wedge-high-heel-shoes','','','2013-08-20 07:50:59','2013-08-20 14:50:59','',129,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/wedge-high-heel-shoes.jpg',0,'attachment','image/jpeg',0),(325,1,'2012-12-28 13:13:18','2012-12-28 21:13:18','
Shoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n\r\n\"\"\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"drawing

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n

\"drawing

\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

\"drawing

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"drawing

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"drawing

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"drawing

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"drawing

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"drawing

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n

\"wedge

\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-12-28 13:13:18','2012-12-28 21:13:18','',129,'http://www.letsdrawpeople.com/129-revision-27/',0,'revision','',0),(326,1,'2012-12-28 13:14:54','2012-12-28 21:14:54','
\r\n\r\nShoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n\r\n\"\"\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"drawing

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n

\"drawing

\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

\"drawing

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"drawing

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"drawing

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"drawing

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"drawing

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"drawing

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n

\"wedge

\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-12-28 13:14:54','2012-12-28 21:14:54','',129,'http://www.letsdrawpeople.com/129-revision-28/',0,'revision','',0),(327,1,'2012-12-27 16:43:50','2012-12-28 00:43:50','\r\n\r\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n\"\"\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"01

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"02

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"03

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"04

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"05

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"06

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"07

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"08

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-12-27 16:43:50','2012-12-28 00:43:50','',165,'http://www.letsdrawpeople.com/165-revision-40/',0,'revision','',0); INSERT INTO `wp_posts` VALUES (328,1,'2012-12-28 13:24:55','2012-12-28 21:24:55','
\r\n\r\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n\"\"\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"01

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"02

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"03

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"04

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"05

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"06

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"07

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"08

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-12-28 13:24:55','2012-12-28 21:24:55','',165,'http://www.letsdrawpeople.com/165-revision-41/',0,'revision','',0),(329,1,'2012-12-28 13:30:24','2012-12-28 21:30:24','
When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n

\"©

\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"01

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"02

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"03

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"04

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"05

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"06

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"07

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"08

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-12-28 13:30:24','2012-12-28 21:30:24','',165,'http://www.letsdrawpeople.com/165-revision-42/',0,'revision','',0),(330,1,'2012-12-28 13:15:31','2012-12-28 21:15:31','
\r\n\r\nShoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n\r\n\"\"\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"drawing

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n

\"drawing

\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

\"drawing

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"drawing

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"drawing

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"drawing

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"drawing

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"drawing

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n

\"wedge

\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-12-28 13:15:31','2012-12-28 21:15:31','',129,'http://www.letsdrawpeople.com/129-revision-29/',0,'revision','',0),(761,2,'2013-08-05 22:02:28','2013-08-06 05:02:28','','jayanna','\"Letter to Jayanna\" by Jack Pearce','inherit','open','open','','jayanna','','','2013-08-05 22:02:28','2013-08-06 05:02:28','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/jayanna.jpg',0,'attachment','image/jpeg',0),(666,2,'2013-07-25 21:26:12','2013-07-26 04:26:12','','','\"Father-Son Hunting Trip\" by Jack Pearce','inherit','open','open','','wendy2','','','2013-07-25 21:26:12','2013-07-26 04:26:12','',662,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/wendy2.jpg',0,'attachment','image/jpeg',0),(659,2,'2013-07-25 21:17:12','2013-07-26 04:17:12','Use these drawings of celebrities and prominent people as examples of how to capture the likenesses of well-known people. Remember that when you are trying to draw people well enough and detailed enough for them to be recognizable as the intended person, it is often helpful to practice by drawing famous faces. I mean, what better test of your drawing skills than to show your work to people who immediately know who you were trying to draw, right?\r\n\r\nYou will see familiar drawings of different skill levels and different levels of detail in this gallery. Some drawings you may recognize, while others you may not. No matter how much or how little a drawing here captures a resemblance, take the opportunity to learn something from each piece. Some questions you may ask yourself as you view this gallery are:\r\n
    \r\n
  • Which obvious features did the artist include to help make the famous face easily recognizable?
    • \r\n
  • Which details or subtle facial characteristics did the artist include to obtain such an accurate likeness of the subject?
    • \r\n
  •  What could the artist have done differently to make a better representation of the celebrity?
    • \r\n
\r\nThank you in advance to all artists who contribute their drawings of well-known faces to this gallery! Remember, too, that it\'s okay if your drawing doesn\'t come out perfectly or to your satisfaction. I am still hard on myself with some of my work, and I always see something I could have done differently for better results (even with my own drawings in this gallery!). The important thing to remember is, you should always feel good about sharing your artwork, celebrate your strengths, and learn from your mistakes.\r\n\r\nIf you have your own celebrity portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"759,753,734,799,798,797,796,790,791,792,793,794,789,788,787,786,785,784,783,795,1171,1633,1721,2483,2489,2569,2642,3222\" orderby=\"rand\"]','Drawings of Well-Known Faces','','publish','open','open','','drawings-of-well-known-faces','','','2016-07-28 10:35:28','2016-07-28 17:35:28','',0,'http://www.letsdrawpeople.com/?p=659',0,'post','',0),(759,2,'2013-08-05 21:54:04','2013-08-06 04:54:04','','sweeney-todd','\"Johnny Depp as Sweeney Todd\" by Jack Pearce','inherit','open','open','','sweeney-todd','','','2013-08-05 21:54:04','2013-08-06 04:54:04','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/sweeney-todd.jpg',0,'attachment','image/jpeg',0),(661,2,'2013-07-25 20:26:59','2013-07-26 03:26:59','Use these drawings of celebrities as examples of how to capture the likenesses of well-known people.\n\n[gallery ids=\"227,660\"]','Drawings of Famous Faces','','inherit','open','open','','659-revision-v1','','','2013-07-25 20:26:59','2013-07-26 03:26:59','',659,'http://www.letsdrawpeople.com/659-revision/',0,'revision','',0),(662,2,'2013-07-25 21:28:00','2013-07-26 04:28:00','Welcome to our gallery of family drawings! Here you can view drawings of family members by our contributors and visitors.\r\n\r\nAs someone who is becoming more skilled at drawing people, you will find family and friends taking an increased interest in your talent. As a professional portrait artist, people who love your artwork will undoubtedly want to become your clients. When family, friends, or other people ask you (or pay you) to draw for them, who do they most often want you to draw?\r\n\r\nThey usually want you to draw a portrait from their personal collection of family photos. They may even ask you to take people from two or more photographs and combine them into one drawing. Your artistic creativity may sometimes be at play too, as when people ask you to include elements not in the original photographs.\r\n\r\nYou will see examples of all of these scenarios within this gallery. Notice the different arrangements of the subjects, features, and how the various elements of the family drawings create pleasing compositions. Happy viewing!\r\n\r\nIf you have your own family portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"649,644,761,762,763,666,1418,1422,1435,1654,1665,3028,3156,3157\" orderby=\"rand\"]','Family Drawings','','publish','open','open','','family-drawings','','','2016-07-15 16:58:25','2016-07-15 23:58:25','',0,'http://www.letsdrawpeople.com/?p=662',0,'post','',0),(762,2,'2013-08-05 22:02:30','2013-08-06 05:02:30','','jean-and-danielle','\"Jean and Danielle\" by Jack Pearce','inherit','open','open','','jean-and-danielle','','','2013-08-05 22:02:30','2013-08-06 05:02:30','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/jean-and-danielle.jpg',0,'attachment','image/jpeg',0),(763,2,'2013-08-05 22:02:31','2013-08-06 05:02:31','','pcl','\"Angel Daughter\" by Jack Pearce','inherit','open','open','','pcl','','','2013-08-05 22:02:31','2013-08-06 05:02:31','',1067,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/pcl.jpg',0,'attachment','image/jpeg',0),(764,2,'2013-08-05 22:03:51','2013-08-06 05:03:51','Drawings of family. Some of these were made from multiple reference photos.\r\n\r\n[gallery link=\"file\" ids=\"649,644,761,762,763,666\"]','Family Drawings','','inherit','open','open','','662-revision-v1','','','2013-08-05 22:03:51','2013-08-06 05:03:51','',662,'http://www.letsdrawpeople.com/662-revision-v1/',0,'revision','',0),(461,1,'2013-06-24 22:03:41','2013-06-25 05:03:41','','marble background','','inherit','open','open','','marble-background','','','2013-06-24 22:03:41','2013-06-25 05:03:41','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/marble-background.jpg',0,'attachment','image/jpeg',0),(462,1,'2012-12-27 23:48:02','2012-12-28 07:48:02','Welcome to LetsDrawPeople.com!  Here you will find tips and techniques to help you draw the human face and form in a variety of styles.\r\n\r\nMy name is Jack Pearce.  All my life, for as far back as I can possibly remember, I have been drawing.  Although I loved drawing everything under the sun, I have always had a special fascination with drawing people.\r\n\r\nThe more my skills developed, the more I wanted to focus on drawing people, especially realistic portraits.  The challenge and satisfaction of capturing the unique likeness of a person becomes very gratifying.  Even more rewarding for an artist is to have his or her artwork recognized and appreciated by others.\r\n\r\nMy reason for putting this site together is to help other aspiring artists who wish to improve their skills when it comes to drawing people.  You will find tips that will be helpful for a range of ability levels.  Not only will you learn how to draw people realistically, but you will also see how to draw caricatures and cartoons of people.  As your skills develop, find out how you can share your work in a gallery on this site!\r\n\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people!','About Page','','inherit','open','open','','45-revision-v1','','','2012-12-27 23:48:02','2012-12-28 07:48:02','',45,'http://www.letsdrawpeople.com/45-revision-9/',0,'revision','',0),(464,1,'2013-05-24 05:54:57','2013-05-24 12:54:57','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\r\n

\"http://www.dreamstime.com/-image16063419\"

\r\n\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\r\n

 \"01p

\r\n\r\n

Step 2: Outline of the Eyes

\r\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\r\n

 \"02p

\r\n\r\n

Step 3: Upper Eyelids

\r\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\r\n

 \"03p

\r\n\r\n

Step 4: Irises and Pupils

\r\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\r\n

 \"04p

\r\n\r\n

Step 5: Lower Eyelids

\r\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\r\n

 \"05p

\r\n\r\n

Step 6: Surrounding Features

\r\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\r\n

 \"06p

\r\n\r\n

Step 7: Guidelines for Shading

\r\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\r\n

 \"07p

\r\n\r\n

Step 8: Erase Grid Lines

\r\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\r\n

 \"08p

\r\n\r\n

Step 9: Shading and Details

\r\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading. For the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together. For the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs. Make the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\r\n

 \"09p

\r\n\r\n

Step 10: Eyelashes

\r\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance. Carefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\r\n

 \"10p

\r\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness. Apply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','How to Draw Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2013-05-24 05:54:57','2013-05-24 12:54:57','',271,'http://www.letsdrawpeople.com/271-revision-28/',0,'revision','',0),(3583,2,'2017-06-15 13:54:24','2017-06-15 20:54:24','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2*

\r\n

Part 3

\r\n

Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this second video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 4','','inherit','closed','closed','','3579-revision-v1','','','2017-06-15 13:54:24','2017-06-15 20:54:24','',3579,'http://www.letsdrawpeople.com/3579-revision-v1/',0,'revision','',0),(472,1,'2013-06-26 23:06:39','2013-06-27 06:06:39','

OUR MISSION

\r\nWelcome! At Let\'s Draw People, it is our mission to awaken the inner artist in everyday people (including you!)...by drawing people. We believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason we do what we do is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

OUR GOAL

\r\nOur goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! Our aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating realistic pencil portraits that will amaze themselves and those they know and love.\r\n

HOW WE DO IT

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn, but life, jobs, and family got in the way and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or if you have some experience, Let\'s Draw People lets you take your skills as an aspiring portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. We have informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop, you may be able to eventually share your work in a gallery on this site to have your artwork recognized and appreciated by our followers. Better yet, you may be able to become a contributing artist and author for us!\r\n

HOW WE GOT STARTED

\r\nLet\'s Draw People was founded by Jack Pearce, a guy who had a love for drawing ever since he was 3 years old and never really grew out of it. Although he loved drawing everything under the sun, Jack always had a special fascination with drawing people. The more Jack\'s skills developed, the more he wanted to focus on drawing people, especially realistic portraits in pencil (his favorite medium). Growing up, Jack always believed he would make a living as an artist. However, as the realities of adulthood and other interests sat in, the term \"starving artist\" began to have more meaning, and Jack eventually took other jobs and degree programs that lead to a career as a teacher in Nevada.\r\n\r\nJack still occasionally drew portraits for people, and whenever he did, it triggered that childhood passion and desire to draw all the time. He formed Let\'s Draw People as a way to bring together others who have similar experiences, who have that wish of having the freedom to draw all day long as they so innocently did as kids. He formed Let\'s Draw People as a way to bring together portrait artists who want to share their knowledge and artwork, to help others learn, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people! Also, we invite you to join our growing social community (Facebook, Pinterest, YouTube) to stay up-to-date on the latest articles, tutorials, and artwork!','About Us','','inherit','open','open','','45-revision-v1','','','2013-06-26 23:06:39','2013-06-27 06:06:39','',45,'http://www.letsdrawpeople.com/45-revision-12/',0,'revision','',0),(475,1,'2013-06-27 13:18:33','2013-06-27 20:18:33','

OUR MISSION

\r\nWelcome! At Let\'s Draw People, it is our mission to awaken the inner artist in everyday people (including you!)...by drawing people. We believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason we do what we do is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

OUR GOAL

\r\nOur goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! Our aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating realistic pencil portraits that will amaze themselves and those they know and love.\r\n

HOW WE DO IT

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn, but life, jobs, and family got in the way and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or if you have some experience, Let\'s Draw People lets you take your skills as an aspiring portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. We have informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop, you may be able to eventually share your work in a gallery on this site to have your artwork recognized and appreciated by our followers. Better yet, you may be able to become a contributing artist and author for us!\r\n

HOW WE GOT STARTED

\r\nLet\'s Draw People was founded by Jack Pearce, a guy who had a love for drawing ever since he was 3 years old and never really grew out of it. Although he loved drawing everything under the sun, Jack always had a special fascination with drawing people. The more Jack\'s skills developed, the more he wanted to focus on drawing people, especially realistic portraits in pencil (his favorite medium). Growing up, Jack always believed he would make a living as an artist. However, as the realities of adulthood and other interests sat in, the term \"starving artist\" began to have more meaning, and Jack eventually took other jobs and degree programs that lead to a career as a teacher in Nevada.\r\n\r\nJack still occasionally drew portraits for people, and whenever he did, it triggered that childhood passion and desire to draw all the time. He formed Let\'s Draw People as a way to bring together others who have similar experiences, who have that wish of having the freedom to draw all day long as they so innocently did as kids. He formed Let\'s Draw People as a way to bring together portrait artists who want to share their knowledge and artwork, to help others learn, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people! Also, we invite you to join our growing social community (Facebook, Pinterest, YouTube) to stay up-to-date on the latest articles, tutorials, and artwork!','About Us','','inherit','open','open','','45-revision-v1','','','2013-06-27 13:18:33','2013-06-27 20:18:33','',45,'http://www.letsdrawpeople.com/45-revision-15/',0,'revision','',0),(471,1,'2013-06-26 23:00:41','2013-06-27 06:00:41','OUR MISSION\r\n\r\nWelcome! At Let\'s Draw People, it is our mission to awaken the inner artist in everyday people (including you!)...by drawing people. We believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason we do what we do is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n\r\nOUR GOAL\r\n\r\nOur goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! Our aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating realistic pencil portraits that will amaze themselves and those they know and love.\r\n\r\nHOW WE DO IT\r\n\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn, but life, jobs, and family got in the way and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or if you have some experience, Let\'s Draw People lets you take your skills as an aspiring portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. We have informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop, you may be able to eventually share your work in a gallery on this site to have your artwork recognized and appreciated by our followers. Better yet, you may be able to become a contributing artist and author for us!\r\n\r\nHOW WE GOT STARTED\r\n\r\nLet\'s Draw People was founded by Jack Pearce, a guy who had a love for drawing ever since he was 3 years old and never really grew out of it. Although he loved drawing everything under the sun, Jack always had a special fascination with drawing people. The more Jack\'s skills developed, the more he wanted to focus on drawing people, especially realistic portraits in pencil (his favorite medium). Growing up, Jack always believed he would make a living as an artist. However, as the realities of adulthood and other interests sat in, the term \"starving artist\" began to have more meaning, and Jack eventually took other jobs and degree programs that lead to a career as a teacher in Nevada.\r\n\r\nJack still occasionally drew portraits for people, and whenever he did, it triggered that childhood passion and desire to draw all the time. He formed Let\'s Draw People as a way to bring together others who have similar experiences, who have that wish of having the freedom to draw all day long as they so innocently did as kids. He formed Let\'s Draw People as a way to bring together portrait artists who want to share their knowledge and artwork, to help others learn, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n\r\nNOW, YOU GET STARTED!\r\n\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people! Also, we invite you to join our growing social community to stay up-to-date on the latest articles, tutorials, and artwork.','About Us','','inherit','open','open','','45-revision-v1','','','2013-06-26 23:00:41','2013-06-27 06:00:41','',45,'http://www.letsdrawpeople.com/45-revision-11/',0,'revision','',0),(470,1,'2013-06-25 18:54:35','2013-06-26 01:54:35','Welcome to LetsDrawPeople.com!  Here you will find tips and techniques to help you draw the human face and form in a variety of styles.\r\n\r\nMy name is Jack Pearce.  All my life, for as far back as I can possibly remember, I have been drawing.  Although I loved drawing everything under the sun, I have always had a special fascination with drawing people.\r\n\r\nThe more my skills developed, the more I wanted to focus on drawing people, especially realistic portraits.  The challenge and satisfaction of capturing the unique likeness of a person becomes very gratifying.  Even more rewarding for an artist is to have his or her artwork recognized and appreciated by others.\r\n\r\nMy reason for putting this site together is to help other aspiring artists who wish to improve their skills when it comes to drawing people.  You will find tips that will be helpful for a range of ability levels.  Not only will you learn how to draw people realistically, but you will also see how to draw caricatures and cartoons of people.  As your skills develop, find out how you can share your work in a gallery on this site!\r\n\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people!','About Us','','inherit','open','open','','45-revision-v1','','','2013-06-25 18:54:35','2013-06-26 01:54:35','',45,'http://www.letsdrawpeople.com/45-revision-10/',0,'revision','',0),(704,2,'2013-07-28 16:47:09','2013-07-28 23:47:09','','06p bride eyes surrounding','','inherit','open','open','','06p-bride-eyes-surrounding','','','2013-07-28 16:47:09','2013-07-28 23:47:09','',271,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/06p-bride-eyes-surrounding.jpg',0,'attachment','image/jpeg',0),(705,2,'2013-07-28 16:47:10','2013-07-28 23:47:10','','07p bride eyes shading','','inherit','open','open','','07p-bride-eyes-shading','','','2013-07-28 16:47:10','2013-07-28 23:47:10','',271,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/07p-bride-eyes-shading.jpg',0,'attachment','image/jpeg',0),(706,2,'2013-07-28 16:47:12','2013-07-28 23:47:12','','08p bride eyes erase','','inherit','open','open','','08p-bride-eyes-erase','','','2013-07-28 16:47:12','2013-07-28 23:47:12','',271,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/08p-bride-eyes-erase.jpg',0,'attachment','image/jpeg',0),(707,2,'2013-07-28 16:47:14','2013-07-28 23:47:14','','09p bride eyes details','\"Eyes of the Bride\" by Jack Pearce','inherit','open','open','','09p-bride-eyes-details','','','2013-07-28 16:47:14','2013-07-28 23:47:14','',271,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/09p-bride-eyes-details.jpg',0,'attachment','image/jpeg',0),(702,2,'2013-07-28 16:47:06','2013-07-28 23:47:06','','04p bride eyes irises and pupils','','inherit','open','open','','04p-bride-eyes-irises-and-pupils','','','2013-07-28 16:47:06','2013-07-28 23:47:06','',271,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/04p-bride-eyes-irises-and-pupils.jpg',0,'attachment','image/jpeg',0),(703,2,'2013-07-28 16:47:08','2013-07-28 23:47:08','','05p bride eyes lower lids','','inherit','open','open','','05p-bride-eyes-lower-lids','','','2013-07-28 16:47:08','2013-07-28 23:47:08','',271,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/05p-bride-eyes-lower-lids.jpg',0,'attachment','image/jpeg',0),(863,2,'2013-08-20 08:03:51','2013-08-20 15:03:51','','eyes of bride and bridal bouquet',' © Pzaxe | Dreamstime.com','inherit','open','open','','eyes-of-bride-and-bridal-bouquet','','','2013-08-20 08:03:51','2013-08-20 15:03:51','',271,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/eyes-of-bride-and-bridal-bouquet.jpg',0,'attachment','image/jpeg',0),(344,1,'2012-12-27 23:31:39','2012-12-28 07:31:39','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere is the test.\r\n\r\nPhoto\r\n\r\nStep 1: Grid\r\n

\"01p

\r\n

Step 2: Eye outlines

\r\n

\"02p

\r\n

Step 3: Upper lids

\r\n

\"03p

','Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2012-12-27 23:31:39','2012-12-28 07:31:39','',271,'http://www.letsdrawpeople.com/271-revision-18/',0,'revision','',0),(1534,2,'2015-04-12 08:59:00','2015-04-12 15:59:00','','Welcome to the Let\'s Draw People Store!','','inherit','open','open','','1529-autosave-v1','','','2015-04-12 08:59:00','2015-04-12 15:59:00','',1529,'http://www.letsdrawpeople.com/1529-autosave-v1/',0,'revision','',0),(497,2,'2013-06-27 15:01:40','2013-06-27 22:01:40','','417cX04jkiL','','inherit','open','open','','497','','','2013-06-27 15:01:40','2013-06-27 22:01:40','',496,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/417cX04jkiL.jpg',0,'attachment','image/jpeg',0),(498,2,'2013-06-27 22:01:39','2013-06-28 05:01:39','[amzn_product_post]','Pickett Template 1204-i Circle Master','','inherit','open','open','','496-revision','','','2013-06-27 22:01:39','2013-06-28 05:01:39','',496,'http://www.letsdrawpeople.com/496-revision/',0,'revision','',0),(347,1,'2012-12-28 17:26:56','2012-12-29 01:26:56','','41yGexjAqzL','','inherit','open','open','','347','','','2012-12-28 17:26:56','2012-12-29 01:26:56','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2012/12/41yGexjAqzL.jpg',0,'attachment','image/jpeg',0),(485,1,'2013-06-27 14:00:20','2013-06-27 21:00:20',' ','','','publish','open','closed','','485','','','2017-06-06 05:25:20','2017-06-06 12:25:20','',0,'http://www.letsdrawpeople.com/?p=485',13,'nav_menu_item','',0),(489,2,'2013-06-27 14:15:21','2013-06-27 21:15:21','As you develop your people-drawing skills and draw people of all shapes, sizes, and ages, you are certain to notice some differences between drawing adults and drawing children. If you are trying to learn how to draw kids and are experiencing some challenges, maybe these portrait drawings of children can help you.\r\n\r\nWhile browsing through the gallery, take time to closely examine the details in the pictures. Take note of the pencil strokes and how the lines and tones help form the larger eyes, rounder faces, or any other trouble spots you may be encountering while trying to draw kids. Check back often for more wonderful drawings of children by our website contributors and visitors, and use them as your inspiration!\r\n\r\nIf you have your own child portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"640,642,645,646,647,648,650,651,652,643,641,1431,1432,1433,1651,1667,1887,2286,2485,2850\" orderby=\"rand\"]\r\n\r\n ','Portrait Drawings of Children','','publish','open','open','','portrait-drawings-of-children','','','2016-01-24 00:05:24','2016-01-24 08:05:24','',0,'http://www.letsdrawpeople.com/?p=489',0,'post','',0),(490,1,'2013-06-27 14:14:34','2013-06-27 21:14:34','[gallery link=\"file\" ids=\"73,74,342\"]','Portrait Gallery','','inherit','open','open','','489-revision-v1','','','2013-06-27 14:14:34','2013-06-27 21:14:34','',489,'http://www.letsdrawpeople.com/489-revision/',0,'revision','',0),(611,2,'2013-07-03 13:40:15','2013-07-03 20:40:15','

OUR MISSION

\r\nWelcome! At Let\'s Draw People, it is our mission to awaken the inner artist in everyday people (including you!)...by drawing people. We believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason we do what we do is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

OUR GOAL

\r\nOur goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! Our aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating realistic pencil portraits that will amaze themselves and those they know and love.\r\n

HOW WE DO IT

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn, but life, jobs, and family got in the way and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or if you have some experience, Let\'s Draw People lets you take your skills as an aspiring portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. We have informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop, you may be able to eventually share your work in a gallery on this site to have your artwork recognized and appreciated by our followers. Better yet, you may be able to become a contributing artist and author for us!\r\n

HOW WE GOT STARTED

\r\nLet\'s Draw People was founded by Jack Pearce, a guy who had a love for drawing ever since he was 3 years old and never really grew out of it. Although he loved drawing everything under the sun, Jack always had a special fascination with drawing people. The more Jack\'s skills developed, the more he wanted to focus on drawing people, especially realistic portraits in pencil (his favorite medium). Growing up, Jack always believed he would make a living as an artist. However, as the realities of adulthood and other interests sat in, the term \"starving artist\" began to have more meaning, and Jack eventually took other jobs and degree programs that lead to a career as a teacher in Nevada.\r\n\r\nJack still occasionally drew portraits for people, and whenever he did, it triggered that childhood passion and desire to draw all the time. He formed Let\'s Draw People as a way to bring together others who have similar experiences, who have that wish of having the freedom to draw all day long as they so innocently did as kids. He formed Let\'s Draw People as a way to bring together portrait artists who want to share their knowledge and artwork, to help others learn, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people! Also, we invite you to subscribe to our mailing list and join our growing social community on Facebook, Pinterest, and YouTube to stay up-to-date on the latest articles, tutorials, and artwork!','About Us','','inherit','open','open','','45-revision-v1','','','2013-07-03 13:40:15','2013-07-03 20:40:15','',45,'http://www.letsdrawpeople.com/45-revision-22/',0,'revision','',0),(496,2,'2013-06-26 22:01:39','2013-06-27 05:01:39','[amzn_product_post]','Pickett Template 1204-i Circle Master','The Pickett 1204-I Circle Master Inking Template has 44 circles from 1/16 to 3 inches.','publish','closed','closed','','pickett-template-1204-i-circle-master','','','2013-07-22 20:42:24','2013-07-23 03:42:24','',0,'http://www.letsdrawpeople.com/pickett-template-1204-i-circle-master/',0,'post','',0),(359,1,'2012-12-28 18:38:48','2012-12-29 02:38:48','','21ddD4aUPeL','','inherit','open','open','','359','','','2012-12-28 18:38:48','2012-12-29 02:38:48','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2012/12/21ddD4aUPeL.jpg',0,'attachment','image/jpeg',0),(502,2,'2013-06-27 15:12:29','2013-06-27 22:12:29','','417cX04jkiL','','inherit','open','open','','417cx04jkil','','','2013-06-27 15:12:29','2013-06-27 22:12:29','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/417cX04jkiL1.jpg',0,'attachment','image/jpeg',0),(499,2,'2013-06-27 15:01:41','2013-06-27 22:01:41','[amzn_product_post]','Pickett Template 1204-i Circle Master','','inherit','open','open','','496-revision-2','','','2013-06-27 15:01:41','2013-06-27 22:01:41','',496,'http://www.letsdrawpeople.com/496-revision-2/',0,'revision','',0),(500,2,'2013-06-27 15:22:47','2013-06-27 22:22:47','[amzn_product_post]','Pickett Template 1204-i Circle Master','The Pickett 1204-I Circle Master Inking Template has 44 circles from 1/16 to 3 inches.','inherit','open','open','','496-autosave','','','2013-06-27 15:22:47','2013-06-27 22:22:47','',496,'http://www.letsdrawpeople.com/496-autosave/',0,'revision','',0),(501,2,'2013-06-27 15:01:41','2013-06-27 22:01:41','[amzn_product_post]','Pickett Template 1204-i Circle Master','The Pickett 1204-I Circle Master Inking Template has 44 circles from 1/16 to 3 inches.','inherit','open','open','','496-revision-3','','','2013-06-27 15:01:41','2013-06-27 22:01:41','',496,'http://www.letsdrawpeople.com/496-revision-3/',0,'revision','',0),(503,2,'2013-06-27 15:06:30','2013-06-27 22:06:30','[amzn_product_post]','Pickett Template 1204-i Circle Master','The Pickett 1204-I Circle Master Inking Template has 44 circles from 1/16 to 3 inches.','inherit','open','open','','496-revision-4','','','2013-06-27 15:06:30','2013-06-27 22:06:30','',496,'http://www.letsdrawpeople.com/496-revision-4/',0,'revision','',0),(504,2,'2013-06-27 15:14:42','2013-06-27 22:14:42','[amzn_product_post]','Pickett Template 1204-i Circle Master','The Pickett 1204-I Circle Master Inking Template has 44 circles from 1/16 to 3 inches.','inherit','open','open','','496-revision-5','','','2013-06-27 15:14:42','2013-06-27 22:14:42','',496,'http://www.letsdrawpeople.com/496-revision-5/',0,'revision','',0),(2565,2,'2016-01-01 05:29:46','2016-01-01 13:29:46','\"whitney-houston-reference\"\r\n\r\nWhitney Houston is still considered an icon even to this day. Despite her problems with drugs, who she married, or how she died, she is and will always be a great influence to future generations to come. As you can see, she is an influence to some of us artists; she makes a great subject to study and practice our drawing skills. With that being said, let’s jump into drawing her and honing our skills!\r\n

Draw the Facial Features

\r\n\"Scan0000\"\r\n\r\nWhen working from a photo, I think it’s best that you have 2 of them. One would be for making lines on the photo and the 2nd one would be the photo that you will be working with after the outlines of the figure have been drawn. Start out by first drawing lines (with a ruler or a straight object, of course) onto the 1st picture. Usually I would draw lines that would be under the eyes, the nose, top and bottom of the mouth, and the chin. I would then draw vertical lines on both sides to where the sides of the face will be. I would then repeat this action on my sheet of paper where I would make my future drawing.It’s safe to say that you may want to measure out the space in between the lines so that you can get as close as you can on the eyes, nose, and mouth being near their exact proximity. In this stage, many artists will use different tools to achieve a perfect anatomy or proximity of the focused object such as grids, light boxes, projectors, or free hand.\r\n\r\n \r\n\r\n\"Scan0001\"\r\n\r\nIn this stage I’m placing the facial features in their designated areas. I’m making sure both the bottom of the eyes and nose are touching the line and the top and bottom of the mouth are touching the line. One of the rules I remembered is that when you draw the eyes, remember that they are one eye length apart and from the bottom of the nose to the bottom of the mouth, that is also one eye length.\r\n\r\n \r\n\r\n\"Scan0002\"\r\n\r\nIn this stage, I’m focusing on the placement of her hair and chin and making a logical placement of her shoulders.\r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\nNow it’s time for the nitty gritty of things – time to start doing the real drawing. Here, as you can see, I started with the eyes first. I have always started with the eyes. I would recommend that you do that too. In my opinion, it feels more complete once you have both of them done. When doing the eye, you need to first draw in a small highlight/glare to illustrate the reflection of light. This can be achieved by drawing a small circle or square. You then want to use a dark pencil (6B or darker) to fill in the pupil. After that is done, you want to take a tortillion and add the color of the iris. At this point, you may want to outline the eye and the iris to differentiate it from the rest. Another action that is overlooked so often is greying the upper area of the eye; this can also be achieved with a tortillion. You must show that the eyelid casts a small shadow. The last two things that you have to do is add an eye lid crease and some eye lashes. The eye lid crease can be added with any pencil and then with a tortillion, smudge it some to show that the line was blending into the atmosphere instead of it looking like a hard line and standing out. I believe that’s what differentiates many artists. How well do your lines and colors blend in with a concept?\r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\nMoving along to the next body part, the first thing I do is redefine the parting of the lips. I do this like I did drawing the eye lid – I’ll draw exactly where the lips part and then smudge it with a tortillion. Once that’s complete, I work on the bottom lip by first drawing lines in an upward motion. I’ll try and fade the sweeping as I get close to the middle of the lip to illustrate a “lip glare/highlight.” Soon as I got it drawn, I’ll, you guessed it, use a tortillion again to smudge. With that same tortillion, I’ll smudge or add a darker tone to the upper lip. Depending on the angle and if the person is facing light, I may have to add a highlight to the upper lip.\r\n

Draw the Hair

\r\n\"Scan0005\"\r\n\r\nAlright, time for my favorite part……HAIR! I absolutely love drawing hair. With that being said, let’s dive right into it! Okay so the first thing you want to do is “color” the hair completely with a light pencil. I used a 3H.\r\n\r\n \r\n\r\n\"Scan0006\"\r\n\r\nOnce that’s done, use tissue paper or a non-lotion Kleenex to smudge or blend.\r\n\r\n \r\n\r\n\"Scan0007\"\r\n\r\nYou want to take a dark pencil now and add in darker strands or highlights in SOME areas. Blend this with your tissue paper. You will want to leave some areas illustrated as highlights and light reflection.\r\n\r\n \r\n\r\n\"Scan0008\"\r\n\r\nOnce everything is blended, go back with either a dark pencil (6B or darker) or a mid-way pencil (H, F, HB) to add hair strands throughout the head of the figure. Do not blend or use a tortillion/tissue – you want to show some hair strands.\r\n

Draw the Clothing

\r\n\"Scan0009\"\r\n\r\nNow to the body part I don’t care to work on. It’s necessary but I’m never motivated to do it. Keep in mind that 2 noses are not the same. Even if it’s the same person, different lighting of the subject will have the nose casting or using different shadows. Now you understand why I don’t care too much for it. Anywho, the first thing I work on are the nostrils with a tortillion. I then smooth the nose edges and try to make it appear as if they are soft shadows instead of hard lines. I also try to bring some of the dark tone out toward the cheek area to show more blending that way.\r\n\r\n \r\n\r\n\"Scan0011\"\r\n\r\nHere I’m working on some shading and tone on the face as well as certain details on the face like the cleft under the nose. I’ve also add the color to her shirt. It looks 2D and boring right now, but maybe I can spice it up.\r\n\r\n \r\n\r\n\"Scan0012\"\r\n\r\nOkay, here is the finish drawing. I smudged the black that was on her shirt and used a kneaded eraser to mimic the shimmer she had on her shirt. I also did some detail to her earrings. I also used a pencil eraser to add some small detail near the bottom of her shirt. Overall I think the skin tone could have been a lot darker, but I’ve always been precautious about darkening people in my drawings – fear of making a mistake that would be hard to get out. Oh well, none of us are perfect but we still aim for it.','See How to Draw Whitney Houston','','inherit','closed','closed','','2443-revision-v1','','','2016-01-01 05:29:46','2016-01-01 13:29:46','',2443,'http://www.letsdrawpeople.com/2443-revision-v1/',0,'revision','',0),(505,2,'2013-06-27 15:27:42','2013-06-27 22:27:42','[amzn_product_post]','Pickett Template 1204-i Circle Master','The Pickett 1204-I Circle Master Inking Template has 44 circles from 1/16 to 3 inches.','inherit','open','open','','496-revision-6','','','2013-06-27 15:27:42','2013-06-27 22:27:42','',496,'http://www.letsdrawpeople.com/496-revision-6/',0,'revision','',0),(506,1,'2013-06-25 21:00:04','2013-06-26 04:00:04','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\r\n

\"http://www.dreamstime.com/-image16063419\"

\r\n\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\r\n

 \"01p

\r\n\r\n

Step 2: Outline of the Eyes

\r\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\r\n

 \"02p

\r\n\r\n

Step 3: Upper Eyelids

\r\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\r\n

 \"03p

\r\n\r\n

Step 4: Irises and Pupils

\r\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\r\n

 \"04p

\r\n\r\n

Step 5: Lower Eyelids

\r\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\r\n

 \"05p

\r\n\r\n

Step 6: Surrounding Features

\r\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\r\n

 \"06p

\r\n\r\n

Step 7: Guidelines for Shading

\r\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\r\n

 \"07p

\r\n\r\n

Step 8: Erase Grid Lines

\r\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\r\n

 \"08p

\r\n\r\n

Step 9: Shading and Details

\r\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading. For the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together. For the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs. Make the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\r\n

 \"09p

\r\n\r\n

Step 10: Eyelashes

\r\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance. Carefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\r\n

 \"10p

\r\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness. Apply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','How to Draw Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2013-06-25 21:00:04','2013-06-26 04:00:04','',271,'http://www.letsdrawpeople.com/271-revision-29/',0,'revision','',0),(742,2,'2013-08-05 20:24:01','2013-08-06 03:24:01','','nose02','','inherit','open','open','','nose02','','','2013-08-05 20:24:01','2013-08-06 03:24:01','',85,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/nose02.jpg',0,'attachment','image/jpeg',0),(1108,2,'2014-05-30 23:19:03','2014-05-31 06:19:03','As you develop your people-drawing skills and draw people of all shapes, sizes, and ages, you are certain to notice some differences between drawing adults and drawing children. If you are trying to learn how to draw kids and are experiencing some challenges, maybe these portrait drawings of children can help you.\r\n\r\nWhile browsing through the gallery, take time to closely examine the details in the pictures. Take note of the pencil strokes and how the lines and tones help form the larger eyes, rounder faces, or any other trouble spots you may be encountering while trying to draw kids. Check back often for more wonderful drawings of children by our website contributors and visitors, and use them as your inspiration!\r\n\r\n[gallery link=\"file\" ids=\"640,642,645,646,647,648,650,651,652,643,641\" orderby=\"rand\"]\r\n\r\n ','Portrait Drawings of Children','','inherit','open','open','','489-revision-v1','','','2014-05-30 23:19:03','2014-05-31 06:19:03','',489,'http://www.letsdrawpeople.com/489-revision-v1/',0,'revision','',0),(871,2,'2013-11-13 06:02:05','2013-11-13 14:02:05','As you develop your people-drawing skills and draw people of all shapes, sizes, and ages, you are certain to notice some differences between drawing adults and drawing children. If you are trying to learn how to draw kids and are experiencing some challenges, maybe these portrait drawings of children can help you.\r\n\r\nWhile browsing through the gallery, take time to closely examine the details in the pictures. Take note of the pencil strokes and how the lines and tones help form the larger eyes, rounder faces, or any other trouble spots you may be encountering while trying to draw kids. Check back often for more wonderful drawings of children by our website contributors and visitors, and use them as your inspiration!\r\n\r\n[gallery link=\"file\" ids=\"640,642,644,645,646,647,648,649,650,651,652,643,641\" orderby=\"rand\"]\r\n\r\n ','Portrait Drawings of Children','','inherit','open','open','','489-revision-v1','','','2013-11-13 06:02:05','2013-11-13 14:02:05','',489,'http://www.letsdrawpeople.com/489-revision-v1/',0,'revision','',0),(686,2,'2013-07-28 15:35:29','2013-07-28 22:35:29','For whatever reason, the link you clicked on or the web address you are trying to reach has led you here...to our 404 Page Not Found notice.\r\n\r\nBut that\'s okay! We have some suggestions to help you find what you are looking for.\r\n\r\nFirst of all, you can try our home page. It gives you a glimpse of some of the many informative people-drawing tips and tutorials throughout our site.\r\n\r\nAlternatively, use our navigation menu up top or one or the links at the right to browse recent posts on how to draw people.\r\n\r\nIf all else fails, just contact us and let us know how to help. We will do whatever we can to fix the problem or steer you in the right direction!','Sorry...The Page You Are Looking For Isn\'t Here','','publish','open','open','','sorry-the-page-you-are-looking-for-isnt-here','','','2015-12-31 17:59:21','2016-01-01 01:59:21','',0,'http://www.letsdrawpeople.com/?page_id=686',0,'page','',0),(676,2,'2013-07-19 16:45:21','2013-07-19 23:45:21','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\r\n

\"http://www.dreamstime.com/-image16063419\"

\r\n\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\r\n

 \"01p

\r\n\r\n

Step 2: Outline of the Eyes

\r\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\r\n

 \"02p

\r\n\r\n

Step 3: Upper Eyelids

\r\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\r\n

 \"03p

\r\n\r\n

Step 4: Irises and Pupils

\r\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\r\n

 \"04p

\r\n\r\n

Step 5: Lower Eyelids

\r\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\r\n

 \"05p

\r\n\r\n

Step 6: Surrounding Features

\r\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\r\n

 \"06p

\r\n\r\n

Step 7: Guidelines for Shading

\r\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\r\n

 \"07p

\r\n\r\n

Step 8: Erase Grid Lines

\r\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\r\n

 \"08p

\r\n\r\n

Step 9: Shading and Details

\r\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading. For the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together. For the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs. Make the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\r\n

 \"09p

\r\n\r\n

Step 10: Eyelashes

\r\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance. Carefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\r\n

 \"10p

\r\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness. Apply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','How to Draw Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2013-07-19 16:45:21','2013-07-19 23:45:21','',271,'http://www.letsdrawpeople.com/271-revision-33/',0,'revision','',0),(379,1,'2012-12-28 15:48:58','2012-12-28 23:48:58','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life.\r\n

\"http://www.dreamstime.com/-image16063419\"

\r\nStep 1: Grid\r\n

\"01p

\r\n

Step 2: Eye outlines

\r\n

\"02p

\r\n

Step 3: Upper lids

\r\n

\"03p

','Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2012-12-28 15:48:58','2012-12-28 23:48:58','',271,'http://www.letsdrawpeople.com/271-revision-19/',0,'revision','',0),(709,2,'2013-07-28 16:54:45','2013-07-28 23:54:45','','02p bride eyes outline','','inherit','open','open','','02p-bride-eyes-outline','','','2013-07-28 16:54:45','2013-07-28 23:54:45','',271,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/02p-bride-eyes-outline.jpg',0,'attachment','image/jpeg',0),(380,1,'2012-12-28 20:24:41','2012-12-29 04:24:41','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\r\n\r\n\"http://www.dreamstime.com/-image16063419\"\r\n\r\nStep 1: Make a Grid\r\n\r\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\r\n

 \"01p

\r\nStep 2: Outline of the Eyes\r\n\r\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\r\n\r\n \r\n\r\nStep 3: Upper Eyelids\r\n\r\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\r\n\r\n \r\n\r\nStep 4: Irises and Pupils\r\n\r\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\r\n\r\n \r\n\r\nStep 5: Lower Eyelids\r\n\r\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\r\n\r\n \r\n\r\nStep 6: Surrounding Features\r\n\r\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\r\n\r\n \r\n\r\nStep 7: Guidelines for Shading\r\n\r\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\r\n\r\n \r\n\r\nStep 8: Erase Grid Lines\r\n\r\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\r\n\r\n \r\n\r\nStep 9: Shading and Details\r\n\r\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading. For the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together. For the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs. Make the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\r\n\r\n \r\n\r\nStep 10: Eyelashes\r\n\r\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance. Carefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\r\n\r\n \r\n\r\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness. Apply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2012-12-28 20:24:41','2012-12-29 04:24:41','',271,'http://www.letsdrawpeople.com/271-revision-20/',0,'revision','',0),(694,2,'2013-07-28 16:19:03','2013-07-28 23:19:03','','','','inherit','open','open','','10p-bride-eyes-lashes-2','','','2013-07-28 16:19:03','2013-07-28 23:19:03','',271,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/10p-bride-eyes-lashes.jpg',0,'attachment','image/jpeg',0),(381,1,'2012-12-28 20:43:25','2012-12-29 04:43:25','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\r\n

\"http://www.dreamstime.com/-image16063419\"

\r\n\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\r\n

 \"01p

\r\n\r\n

Step 2: Outline of the Eyes

\r\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\r\n

 \"02p

\r\n\r\n

Step 3: Upper Eyelids

\r\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\r\n

 \"03p

\r\n\r\n

Step 4: Irises and Pupils

\r\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\r\n

 \"04p

\r\n\r\n

Step 5: Lower Eyelids

\r\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\r\n

 \"05p

\r\n\r\n

Step 6: Surrounding Features

\r\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\r\n

 \"06p

\r\n\r\n

Step 7: Guidelines for Shading

\r\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\r\n

 \"07p

\r\n\r\n

Step 8: Erase Grid Lines

\r\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\r\n

 \"08p

\r\n\r\n

Step 9: Shading and Details

\r\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading. For the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together. For the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs. Make the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\r\n

 \"09p

\r\n\r\n

Step 10: Eyelashes

\r\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance. Carefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\r\n

 \"10p

\r\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness. Apply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2012-12-28 20:43:25','2012-12-29 04:43:25','',271,'http://www.letsdrawpeople.com/271-revision-21/',0,'revision','',0),(382,1,'2012-12-28 00:08:42','2012-12-28 08:08:42','
\r\n\r\nOkay Everybody, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n

\"nose01\"

\r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n

\"nose02\"

\r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n

\"nose04\"

\r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n

\"nose03\"

\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2012-12-28 00:08:42','2012-12-28 08:08:42','',85,'http://www.letsdrawpeople.com/85-revision-26/',0,'revision','',0),(746,2,'2013-08-05 20:26:59','2013-08-06 03:26:59','
\r\nOkay Everybody, if you want to know how to draw noses, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n

\"nose01\"

\r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n

\"nose02\"

\r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n

\r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n

\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2013-08-05 20:26:59','2013-08-06 03:26:59','',85,'http://www.letsdrawpeople.com/85-revision-v1/',0,'revision','',0),(383,1,'2012-12-29 18:23:51','2012-12-30 02:23:51','
Okay Everybody, if you want to know how to draw noses, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n

\"nose01\"

\r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n

\"nose02\"

\r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n

\"nose04\"

\r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n

\"nose03\"

\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2012-12-29 18:23:51','2012-12-30 02:23:51','',85,'http://www.letsdrawpeople.com/85-revision-27/',0,'revision','',0),(384,1,'2012-12-29 18:26:50','2012-12-30 02:26:50','
Okay Everybody, if you want to know how to draw noses, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n

\"nose01\"

\r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n

\"nose02\"

\r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n

\"nose04\"

\r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n

\"nose03\"

\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2012-12-29 18:26:50','2012-12-30 02:26:50','',85,'http://www.letsdrawpeople.com/85-revision-28/',0,'revision','',0),(385,1,'2012-12-27 23:55:44','2012-12-28 07:55:44','
\"\"\r\n\r\nMaybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in learning how to draw people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','What Is Involved in Learning How to Draw People?','','inherit','open','open','','66-revision-v1','','','2012-12-27 23:55:44','2012-12-28 07:55:44','',66,'http://www.letsdrawpeople.com/66-revision-23/',0,'revision','',0),(389,1,'2012-12-27 23:30:46','2012-12-28 07:30:46','
\r\n\r\n\"\"If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\r\n

Placement

\r\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\r\n

Projection

\r\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\r\n

Bridge

\r\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, slanted zig-zag lines works.\r\n

Tip

\r\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\r\n

Nostrils

\r\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\r\n\r\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!\r\n\r\n ','Tips for How to Draw Noses','','inherit','open','open','','77-revision-v1','','','2012-12-27 23:30:46','2012-12-28 07:30:46','',77,'http://www.letsdrawpeople.com/77-revision-12/',0,'revision','',0),(390,1,'2012-12-29 22:22:34','2012-12-30 06:22:34','
\"\"If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\r\n

Placement

\r\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\r\n

Projection

\r\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\r\n

Bridge

\r\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, slanted zig-zag lines works.\r\n

Tip

\r\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\r\n

Nostrils

\r\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\r\n\r\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!\r\n\r\n ','Tips for How to Draw Noses','','inherit','open','open','','77-revision-v1','','','2012-12-29 22:22:34','2012-12-30 06:22:34','',77,'http://www.letsdrawpeople.com/77-revision-13/',0,'revision','',0),(391,1,'2012-12-29 22:28:12','2012-12-30 06:28:12','
\"\"If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\r\n

Placement

\r\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\r\n

Projection

\r\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\r\n

Bridge

\r\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, slanted zig-zag lines works.\r\n

Tip

\r\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\r\n

Nostrils

\r\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\r\n\r\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!\r\n\r\n ','Tips for How to Draw Noses','','inherit','open','open','','77-revision-v1','','','2012-12-29 22:28:12','2012-12-30 06:28:12','',77,'http://www.letsdrawpeople.com/77-revision-14/',0,'revision','',0),(392,1,'2012-12-29 22:29:09','2012-12-30 06:29:09','
\"\"If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\r\n

Placement

\r\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\r\n

Projection

\r\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\r\n

Bridge

\r\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, slanted zig-zag lines works.\r\n

Tip

\r\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\r\n

Nostrils

\r\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\r\n\r\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!\r\n\r\n ','Tips for How to Draw Noses','','inherit','open','open','','77-revision-v1','','','2012-12-29 22:29:09','2012-12-30 06:29:09','',77,'http://www.letsdrawpeople.com/77-revision-15/',0,'revision','',0),(439,1,'2013-04-28 16:33:18','2013-04-28 23:33:18','\"030596\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in drawing people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','Let\'s See How to Draw People','','inherit','open','open','','66-revision-v1','','','2013-04-28 16:33:18','2013-04-28 23:33:18','',66,'http://www.letsdrawpeople.com/66-revision-31/',0,'revision','',0),(473,1,'2013-06-26 23:09:49','2013-06-27 06:09:49','

OUR MISSION

\r\nWelcome! At Let\'s Draw People, it is our mission to awaken the inner artist in everyday people (including you!)...by drawing people. We believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason we do what we do is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

OUR GOAL

\r\nOur goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! Our aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating realistic pencil portraits that will amaze themselves and those they know and love.\r\n

HOW WE DO IT

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn, but life, jobs, and family got in the way and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or if you have some experience, Let\'s Draw People lets you take your skills as an aspiring portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. We have informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop, you may be able to eventually share your work in a gallery on this site to have your artwork recognized and appreciated by our followers. Better yet, you may be able to become a contributing artist and author for us!\r\n

HOW WE GOT STARTED

\r\nLet\'s Draw People was founded by Jack Pearce, a guy who had a love for drawing ever since he was 3 years old and never really grew out of it. Although he loved drawing everything under the sun, Jack always had a special fascination with drawing people. The more Jack\'s skills developed, the more he wanted to focus on drawing people, especially realistic portraits in pencil (his favorite medium). Growing up, Jack always believed he would make a living as an artist. However, as the realities of adulthood and other interests sat in, the term \"starving artist\" began to have more meaning, and Jack eventually took other jobs and degree programs that lead to a career as a teacher in Nevada.\r\n\r\nJack still occasionally drew portraits for people, and whenever he did, it triggered that childhood passion and desire to draw all the time. He formed Let\'s Draw People as a way to bring together others who have similar experiences, who have that wish of having the freedom to draw all day long as they so innocently did as kids. He formed Let\'s Draw People as a way to bring together portrait artists who want to share their knowledge and artwork, to help others learn, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people! Also, we invite you to join our growing social community (Facebook, Pinterest, YouTube) to stay up-to-date on the latest articles, tutorials, and artwork!','About Us','','inherit','open','open','','45-revision-v1','','','2013-06-26 23:09:49','2013-06-27 06:09:49','',45,'http://www.letsdrawpeople.com/45-revision-13/',0,'revision','',0),(474,1,'2013-06-26 23:12:22','2013-06-27 06:12:22','

OUR MISSION

\r\nWelcome! At Let\'s Draw People, it is our mission to awaken the inner artist in everyday people (including you!)...by drawing people. We believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason we do what we do is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

OUR GOAL

\r\nOur goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! Our aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating realistic pencil portraits that will amaze themselves and those they know and love.\r\n

HOW WE DO IT

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn, but life, jobs, and family got in the way and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or if you have some experience, Let\'s Draw People lets you take your skills as an aspiring portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. We have informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop, you may be able to eventually share your work in a gallery on this site to have your artwork recognized and appreciated by our followers. Better yet, you may be able to become a contributing artist and author for us!\r\n

HOW WE GOT STARTED

\r\nLet\'s Draw People was founded by Jack Pearce, a guy who had a love for drawing ever since he was 3 years old and never really grew out of it. Although he loved drawing everything under the sun, Jack always had a special fascination with drawing people. The more Jack\'s skills developed, the more he wanted to focus on drawing people, especially realistic portraits in pencil (his favorite medium). Growing up, Jack always believed he would make a living as an artist. However, as the realities of adulthood and other interests sat in, the term \"starving artist\" began to have more meaning, and Jack eventually took other jobs and degree programs that lead to a career as a teacher in Nevada.\r\n\r\nJack still occasionally drew portraits for people, and whenever he did, it triggered that childhood passion and desire to draw all the time. He formed Let\'s Draw People as a way to bring together others who have similar experiences, who have that wish of having the freedom to draw all day long as they so innocently did as kids. He formed Let\'s Draw People as a way to bring together portrait artists who want to share their knowledge and artwork, to help others learn, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people! Also, we invite you to join our growing social community (Facebook, Pinterest, YouTube) to stay up-to-date on the latest articles, tutorials, and artwork!','About Us','','inherit','open','open','','45-revision-v1','','','2013-06-26 23:12:22','2013-06-27 06:12:22','',45,'http://www.letsdrawpeople.com/45-revision-14/',0,'revision','',0),(394,1,'2012-12-28 20:53:18','2012-12-29 04:53:18','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\r\n

\"http://www.dreamstime.com/-image16063419\"

\r\n\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\r\n

 \"01p

\r\n\r\n

Step 2: Outline of the Eyes

\r\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\r\n

 \"02p

\r\n\r\n

Step 3: Upper Eyelids

\r\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\r\n

 \"03p

\r\n\r\n

Step 4: Irises and Pupils

\r\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\r\n

 \"04p

\r\n\r\n

Step 5: Lower Eyelids

\r\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\r\n

 \"05p

\r\n\r\n

Step 6: Surrounding Features

\r\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\r\n

 \"06p

\r\n\r\n

Step 7: Guidelines for Shading

\r\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\r\n

 \"07p

\r\n\r\n

Step 8: Erase Grid Lines

\r\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\r\n

 \"08p

\r\n\r\n

Step 9: Shading and Details

\r\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading. For the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together. For the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs. Make the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\r\n

 \"09p

\r\n\r\n

Step 10: Eyelashes

\r\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance. Carefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\r\n

 \"10p

\r\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness. Apply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2012-12-28 20:53:18','2012-12-29 04:53:18','',271,'http://www.letsdrawpeople.com/271-revision-22/',0,'revision','',0),(395,1,'2012-12-30 08:47:11','2012-12-30 16:47:11','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\r\n

\"http://www.dreamstime.com/-image16063419\"

\r\n\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\r\n

 \"01p

\r\n\r\n

Step 2: Outline of the Eyes

\r\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\r\n

 \"02p

\r\n\r\n

Step 3: Upper Eyelids

\r\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\r\n

 \"03p

\r\n\r\n

Step 4: Irises and Pupils

\r\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\r\n

 \"04p

\r\n\r\n

Step 5: Lower Eyelids

\r\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\r\n

 \"05p

\r\n\r\n

Step 6: Surrounding Features

\r\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\r\n

 \"06p

\r\n\r\n

Step 7: Guidelines for Shading

\r\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\r\n

 \"07p

\r\n\r\n

Step 8: Erase Grid Lines

\r\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\r\n

 \"08p

\r\n\r\n

Step 9: Shading and Details

\r\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading. For the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together. For the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs. Make the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\r\n

 \"09p

\r\n\r\n

Step 10: Eyelashes

\r\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance. Carefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\r\n

 \"10p

\r\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness. Apply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','How to Draw Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2012-12-30 08:47:11','2012-12-30 16:47:11','',271,'http://www.letsdrawpeople.com/271-revision-23/',0,'revision','',0),(396,1,'2012-12-29 22:07:16','2012-12-30 06:07:16','
\"\"\r\n\r\nMaybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in drawing people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','What Is Involved in Learning How to Draw People?','','inherit','open','open','','66-revision-v1','','','2012-12-29 22:07:16','2012-12-30 06:07:16','',66,'http://www.letsdrawpeople.com/66-revision-27/',0,'revision','',0),(403,1,'2013-01-05 20:53:12','2013-01-06 04:53:12','
\r\n\r\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n

\"©

\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"01

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"02

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"03

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"04

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"05

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"06

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"07

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"08\r\n

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\r\n','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2013-01-05 20:53:12','2013-01-06 04:53:12','',165,'http://www.letsdrawpeople.com/165-revision-46/',0,'revision','',0),(398,1,'2012-12-28 13:31:31','2012-12-28 21:31:31','
\r\n\r\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n

\"©

\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"01

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"02

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"03

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"04

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"05

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"06

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"07

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"08

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2012-12-28 13:31:31','2012-12-28 21:31:31','',165,'http://www.letsdrawpeople.com/165-revision-43/',0,'revision','',0),(466,1,'2013-05-19 22:05:43','2013-05-20 05:05:43','
Okay Everybody, if you want to know how to draw noses, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n

\"nose01\"

\r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n

\"nose02\"

\r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n

\"nose04\"

\r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n

\"nose03\"

\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2013-05-19 22:05:43','2013-05-20 05:05:43','',85,'http://www.letsdrawpeople.com/85-revision-31/',0,'revision','',0),(399,1,'2013-01-05 20:48:50','2013-01-06 04:48:50','
\r\n\r\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n

\"©

\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"01

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"02

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"03

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"04

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"05

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"06

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"07

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"08

\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\r\n','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2013-01-05 20:48:50','2013-01-06 04:48:50','',165,'http://www.letsdrawpeople.com/165-revision-44/',0,'revision','',0),(404,1,'2013-01-06 20:44:33','2013-01-07 04:44:33','
When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n

\"©

\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"01

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"02

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"03

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"04

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"05

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"06

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"07

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"08

\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\r\n','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2013-01-06 20:44:33','2013-01-07 04:44:33','',165,'http://www.letsdrawpeople.com/165-revision-47/',0,'revision','',0),(400,1,'2013-01-05 20:51:12','2013-01-06 04:51:12','
\r\n\r\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n

\"©

\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"01

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"02

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"03

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"04

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"05

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"06

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"07

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"08

\r\n
\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\r\n','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2013-01-05 20:51:12','2013-01-06 04:51:12','',165,'http://www.letsdrawpeople.com/165-revision-45/',0,'revision','',0),(401,1,'2013-01-01 13:10:20','2013-01-01 21:10:20','
\"\"\r\n\r\nMaybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in drawing people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','Let\'s See How to Draw People','','inherit','open','open','','66-revision-v1','','','2013-01-01 13:10:20','2013-01-01 21:10:20','',66,'http://www.letsdrawpeople.com/66-revision-28/',0,'revision','',0),(406,1,'2012-12-30 09:44:32','2012-12-30 17:44:32','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\r\n

\"http://www.dreamstime.com/-image16063419\"

\r\n\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\r\n

 \"01p

\r\n\r\n

Step 2: Outline of the Eyes

\r\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\r\n

 \"02p

\r\n\r\n

Step 3: Upper Eyelids

\r\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\r\n

 \"03p

\r\n\r\n

Step 4: Irises and Pupils

\r\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\r\n

 \"04p

\r\n\r\n

Step 5: Lower Eyelids

\r\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\r\n

 \"05p

\r\n\r\n

Step 6: Surrounding Features

\r\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\r\n

 \"06p

\r\n\r\n

Step 7: Guidelines for Shading

\r\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\r\n

 \"07p

\r\n\r\n

Step 8: Erase Grid Lines

\r\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\r\n

 \"08p

\r\n\r\n

Step 9: Shading and Details

\r\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading. For the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together. For the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs. Make the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\r\n

 \"09p

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Step 10: Eyelashes

\r\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance. Carefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\r\n

 \"10p

\r\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness. Apply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','How to Draw Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2012-12-30 09:44:32','2012-12-30 17:44:32','',271,'http://www.letsdrawpeople.com/271-revision-24/',0,'revision','',0),(469,1,'2013-05-19 22:07:04','2013-05-20 05:07:04','\"030596\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in drawing people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','Let\'s See How to Draw People','','inherit','open','open','','66-revision-v1','','','2013-05-19 22:07:04','2013-05-20 05:07:04','',66,'http://www.letsdrawpeople.com/66-revision-32/',0,'revision','',0),(408,1,'2013-01-06 20:44:56','2013-01-07 04:44:56','
\r\n\r\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n

\"©

\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"01

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Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"02

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Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"03

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Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"04

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Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"05

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Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"06

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Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"07

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Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"08

\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\r\n','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2013-01-06 20:44:56','2013-01-07 04:44:56','',165,'http://www.letsdrawpeople.com/165-revision-48/',0,'revision','',0),(409,1,'2012-12-28 14:15:23','2012-12-28 22:15:23','
\r\n\r\nShoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n

\"©

\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"drawing

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n

\"drawing

\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

\"drawing

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"drawing

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"drawing

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"drawing

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"drawing

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"drawing

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n

\"wedge

\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2012-12-28 14:15:23','2012-12-28 22:15:23','',129,'http://www.letsdrawpeople.com/129-revision-30/',0,'revision','',0),(410,1,'2012-12-29 18:27:56','2012-12-30 02:27:56','
\r\n\r\nOkay Everybody, if you want to know how to draw noses, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n

\"nose01\"

\r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n

\"nose02\"

\r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n

\"nose04\"

\r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n

\"nose03\"

\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2012-12-29 18:27:56','2012-12-30 02:27:56','',85,'http://www.letsdrawpeople.com/85-revision-29/',0,'revision','',0),(411,1,'2012-12-29 22:29:37','2012-12-30 06:29:37','
\r\n\r\n\"\"If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\r\n

Placement

\r\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\r\n

Projection

\r\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\r\n

Bridge

\r\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, slanted zig-zag lines works.\r\n

Tip

\r\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\r\n

Nostrils

\r\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\r\n\r\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!\r\n\r\n ','Tips for How to Draw Noses','','inherit','open','open','','77-revision-v1','','','2012-12-29 22:29:37','2012-12-30 06:29:37','',77,'http://www.letsdrawpeople.com/77-revision-16/',0,'revision','',0),(493,1,'2013-06-27 14:15:21','2013-06-27 21:15:21','[gallery link=\"file\" ids=\"73,74,342\"]','Portrait Gallery','','inherit','open','open','','489-revision-v1','','','2013-06-27 14:15:21','2013-06-27 21:15:21','',489,'http://www.letsdrawpeople.com/489-revision-2/',0,'revision','',0),(419,1,'2013-01-05 22:40:52','2013-01-06 06:40:52','\"030596\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in drawing people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','Let\'s See How to Draw People','','inherit','open','open','','66-revision-v1','','','2013-01-05 22:40:52','2013-01-06 06:40:52','',66,'http://www.letsdrawpeople.com/66-revision-30/',0,'revision','',0),(423,1,'2013-05-19 18:47:06','2013-05-20 01:47:06','','ldp favicon','','inherit','open','open','','ldp-favicon','','','2013-05-19 18:47:06','2013-05-20 01:47:06','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/05/ldp-favicon.ico',0,'attachment','image/x-icon',0),(425,1,'2013-05-19 19:01:22','2013-05-20 02:01:22','','http://www.dreamstime.com/-image25026627','','inherit','open','open','','httpwww-dreamstime-com-image25026627','','','2013-05-19 19:01:22','2013-05-20 02:01:22','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/05/people-drawing.jpg',0,'attachment','image/jpeg',0),(741,2,'2013-08-05 20:23:59','2013-08-06 03:23:59','','nose01','','inherit','open','open','','nose01','','','2013-08-05 20:23:59','2013-08-06 03:23:59','',85,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/nose01.jpg',0,'attachment','image/jpeg',0),(434,1,'2013-01-13 21:55:01','2013-01-14 05:55:01','
\r\n\r\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n

\"©

\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"01

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"02

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"03

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"04

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"05

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"06

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"07

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"08

\r\n\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\r\n','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2013-01-13 21:55:01','2013-01-14 05:55:01','',165,'http://www.letsdrawpeople.com/165-revision-49/',0,'revision','',0),(3693,2,'2017-08-02 04:57:36','2017-08-02 11:57:36','','Welcome to the Let\'s Draw People Club','','inherit','closed','closed','','3518-revision-v1','','','2017-08-02 04:57:36','2017-08-02 11:57:36','',3518,'http://www.letsdrawpeople.com/3518-revision-v1/',0,'revision','',0),(458,1,'2013-06-23 22:38:29','2013-06-24 05:38:29','','letsdrawpeople logo','','inherit','open','open','','letsdrawpeople-logo','','','2013-06-23 22:38:29','2013-06-24 05:38:29','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/letsdrawpeople-logo.png',0,'attachment','image/png',0),(433,1,'2013-05-19 20:56:54','2013-05-20 03:56:54','','ldp-fb-header','','inherit','open','open','','ldp-fb-header','','','2013-05-19 20:56:54','2013-05-20 03:56:54','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/05/ldp-fb-header.jpg',0,'attachment','image/jpeg',0),(435,1,'2013-01-13 21:54:41','2013-01-14 05:54:41','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\r\n

\"http://www.dreamstime.com/-image16063419\"

\r\n\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\r\n

 \"01p

\r\n\r\n

Step 2: Outline of the Eyes

\r\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\r\n

 \"02p

\r\n\r\n

Step 3: Upper Eyelids

\r\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\r\n

 \"03p

\r\n\r\n

Step 4: Irises and Pupils

\r\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\r\n

 \"04p

\r\n\r\n

Step 5: Lower Eyelids

\r\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\r\n

 \"05p

\r\n\r\n

Step 6: Surrounding Features

\r\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\r\n

 \"06p

\r\n\r\n

Step 7: Guidelines for Shading

\r\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\r\n

 \"07p

\r\n\r\n

Step 8: Erase Grid Lines

\r\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\r\n

 \"08p

\r\n\r\n

Step 9: Shading and Details

\r\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading. For the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together. For the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs. Make the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\r\n

 \"09p

\r\n\r\n

Step 10: Eyelashes

\r\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance. Carefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\r\n

 \"10p

\r\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness. Apply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','How to Draw Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2013-01-13 21:54:41','2013-01-14 05:54:41','',271,'http://www.letsdrawpeople.com/271-revision-25/',0,'revision','',0),(436,1,'2013-01-13 21:55:21','2013-01-14 05:55:21','
\r\n\r\nShoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n

\"©

\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"drawing

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n

\"drawing

\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

\"drawing

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"drawing

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"drawing

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"drawing

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"drawing

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"drawing

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n

\"wedge

\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2013-01-13 21:55:21','2013-01-14 05:55:21','',129,'http://www.letsdrawpeople.com/129-revision-31/',0,'revision','',0),(437,1,'2013-01-13 21:55:33','2013-01-14 05:55:33','
\r\n\r\nOkay Everybody, if you want to know how to draw noses, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n

\"nose01\"

\r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n

\"nose02\"

\r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n

\"nose04\"

\r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n

\"nose03\"

\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2013-01-13 21:55:33','2013-01-14 05:55:33','',85,'http://www.letsdrawpeople.com/85-revision-30/',0,'revision','',0),(438,1,'2013-01-13 21:55:44','2013-01-14 05:55:44','
\r\n\r\n\"\"If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\r\n

Placement

\r\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\r\n

Projection

\r\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\r\n

Bridge

\r\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, slanted zig-zag lines works.\r\n

Tip

\r\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\r\n

Nostrils

\r\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\r\n\r\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!\r\n\r\n ','Tips for How to Draw Noses','','inherit','open','open','','77-revision-v1','','','2013-01-13 21:55:44','2013-01-14 05:55:44','',77,'http://www.letsdrawpeople.com/77-revision-17/',0,'revision','',0),(443,1,'2013-05-19 22:04:23','2013-05-20 05:04:23','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\r\n

\"http://www.dreamstime.com/-image16063419\"

\r\n\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\r\n

 \"01p

\r\n\r\n

Step 2: Outline of the Eyes

\r\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\r\n

 \"02p

\r\n\r\n

Step 3: Upper Eyelids

\r\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\r\n

 \"03p

\r\n\r\n

Step 4: Irises and Pupils

\r\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\r\n

 \"04p

\r\n\r\n

Step 5: Lower Eyelids

\r\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\r\n

 \"05p

\r\n\r\n

Step 6: Surrounding Features

\r\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\r\n

 \"06p

\r\n\r\n

Step 7: Guidelines for Shading

\r\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\r\n

 \"07p

\r\n\r\n

Step 8: Erase Grid Lines

\r\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\r\n

 \"08p

\r\n\r\n

Step 9: Shading and Details

\r\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading. For the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together. For the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs. Make the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\r\n

 \"09p

\r\n\r\n

Step 10: Eyelashes

\r\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance. Carefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\r\n

 \"10p

\r\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness. Apply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','How to Draw Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2013-05-19 22:04:23','2013-05-20 05:04:23','',271,'http://www.letsdrawpeople.com/271-revision-26/',0,'revision','',0),(444,1,'2013-05-19 21:27:28','2013-05-20 04:27:28','
When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n

\"©

\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"01

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"02

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"03

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"04

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"05

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"06

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"07

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"08

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\r\n','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2013-05-19 21:27:28','2013-05-20 04:27:28','',165,'http://www.letsdrawpeople.com/165-revision-50/',0,'revision','',0),(445,1,'2013-05-24 05:52:34','2013-05-24 12:52:34','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\r\n

\"http://www.dreamstime.com/-image16063419\"

\r\n\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\r\n

 \"01p

\r\n\r\n

Step 2: Outline of the Eyes

\r\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\r\n

 \"02p

\r\n\r\n

Step 3: Upper Eyelids

\r\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\r\n

 \"03p

\r\n\r\n

Step 4: Irises and Pupils

\r\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\r\n

 \"04p

\r\n\r\n

Step 5: Lower Eyelids

\r\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\r\n

 \"05p

\r\n\r\n

Step 6: Surrounding Features

\r\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\r\n

 \"06p

\r\n\r\n

Step 7: Guidelines for Shading

\r\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\r\n

 \"07p

\r\n\r\n

Step 8: Erase Grid Lines

\r\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\r\n

 \"08p

\r\n\r\n

Step 9: Shading and Details

\r\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading. For the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together. For the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs. Make the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\r\n

 \"09p

\r\n\r\n

Step 10: Eyelashes

\r\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance. Carefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\r\n

 \"10p

\r\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness. Apply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','How to Draw Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2013-05-24 05:52:34','2013-05-24 12:52:34','',271,'http://www.letsdrawpeople.com/271-revision-27/',0,'revision','',0),(446,1,'2013-05-24 05:53:15','2013-05-24 12:53:15','
When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n

\"©

\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"01

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"02

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"03

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"04

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"05

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"06

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"07

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"08

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\r\n','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2013-05-24 05:53:15','2013-05-24 12:53:15','',165,'http://www.letsdrawpeople.com/165-revision-51/',0,'revision','',0),(508,2,'2013-06-27 16:34:15','2013-06-27 23:34:15','my_terms_of_service','Terms of Service','','inherit','open','open','','507-revision-v1','','','2013-06-27 16:34:15','2013-06-27 23:34:15','',507,'http://www.letsdrawpeople.com/507-revision/',0,'revision','',0),(3581,2,'2017-06-15 13:47:49','2017-06-15 20:47:49','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2*

\r\n

Part 3

\r\n

Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this second video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 4','','inherit','closed','closed','','3579-revision-v1','','','2017-06-15 13:47:49','2017-06-15 20:47:49','',3579,'http://www.letsdrawpeople.com/3579-revision-v1/',0,'revision','',0),(3588,2,'2017-06-15 17:45:28','2017-06-16 00:45:28','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n

Part 5

\r\n

Part 6

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this third video session of the series, we will:\r\n
    \r\n
  • Continue adding tones to the eyes.  01:03
    • \r\n
  • Add tones to the nose.  25:38
    • \r\n
  • Add tones to the mouth.  36:10
    • \r\n
  • Add tones to other areas of the face.  1:07:00
    • \r\n
  • Add tones to the neck.  1:27:05
    • \r\n
  • Add tones to the hair.  1:36:00
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 3','','inherit','closed','closed','','3578-revision-v1','','','2017-06-15 17:45:28','2017-06-16 00:45:28','',3578,'http://www.letsdrawpeople.com/3578-revision-v1/',0,'revision','',0),(3582,2,'2017-06-15 13:52:18','2017-06-15 20:52:18','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2*

\r\n

Part 3

\r\n

Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this second video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 3','','inherit','closed','closed','','3578-revision-v1','','','2017-06-15 13:52:18','2017-06-15 20:52:18','',3578,'http://www.letsdrawpeople.com/3578-revision-v1/',0,'revision','',0),(510,2,'2013-06-27 16:34:41','2013-06-27 23:34:41','[my_terms_of_service]','Terms of Service','','inherit','open','open','','507-revision-v1','','','2013-06-27 16:34:41','2013-06-27 23:34:41','',507,'http://www.letsdrawpeople.com/507-revision-2/',0,'revision','',0),(512,2,'2013-06-27 16:36:48','2013-06-27 23:36:48','[my_terms_of_service]','Terms of Service','','inherit','open','open','','507-revision-v1','','','2013-06-27 16:36:48','2013-06-27 23:36:48','',507,'http://www.letsdrawpeople.com/507-revision-3/',0,'revision','',0),(513,2,'2013-06-27 17:04:37','2013-06-28 00:04:37','[my_terms_of_service]','Terms of Service','','inherit','open','open','','507-revision-v1','','','2013-06-27 17:04:37','2013-06-28 00:04:37','',507,'http://www.letsdrawpeople.com/507-revision-4/',0,'revision','',0),(514,1,'2012-06-17 21:03:38','2012-06-18 04:03:38','Your Privacy\r\nYour privacy is important to us. To better protect your privacy we provide this notice explaining our online information practices and the choices you can make about the way your information is collected and used. To make this notice easy to find, we make it available on our homepage and at every point where personally identifiable information may be requested.\r\n\r\nCollection of Personal Information\r\nWhen visiting Let\'s Draw People, the IP address used to access the site will be logged along with the dates and times of access. This information is purely used to analyze trends, administer the site, track users movement and gather broad demographic information for internal use. Most importantly, any recorded IP addresses are not linked to personally identifiable information.\r\n\r\nLinks to third party Websites\r\nWe have included links on this site for your use and reference. We are not responsible for the privacy policies on these websites. You should be aware that the privacy policies of these sites may differ from our own.\r\n\r\nChanges to this Privacy Statement\r\nThe contents of this statement may be altered at any time, at our discretion.\r\n\r\nIf you have any questions regarding the privacy policy of Let\'s Draw People then you may contact us at admin@letsdrawpeople.com\r\n\r\nThis policy was generated by Easy Privacy Policy Plugin kwik fit car insurance for WordPress.\r\n
Last updated Sat, 09 Jun 2012 18:22
','Privacy Policy','','inherit','open','open','','14-revision-v1','','','2012-06-17 21:03:38','2012-06-18 04:03:38','',14,'http://www.letsdrawpeople.com/14-revision-3/',0,'revision','',0),(519,1,'2013-06-28 23:29:05','2013-06-29 06:29:05','From time to time, LetsDrawPeople.com will endorse, promote, or suggest products and/or services for sale. The recommendations are based on our belief that the products and their creators will provide valuable information and sufficient service. This belief is based on LetsDrawPeople.com’s review of that product, its relationship with the creator, and/or previous positive experiences. Commissions that are credited to LetsDrawPeople.com can result from purchases you make from recommended links. We will only recommend products and services that we have researched and believe to be beneficial for our users. Users should still do their own research and make their own informed opinions before buying a product or service from a recommendation or link found on LetsDrawPeople.com.','Affiliate Disclaimer','','inherit','open','open','','517-revision-v1','','','2013-06-28 23:29:05','2013-06-29 06:29:05','',517,'http://www.letsdrawpeople.com/517-revision-2/',0,'revision','',0),(521,1,'2013-06-28 23:29:23','2013-06-29 06:29:23','From time to time, LetsDrawPeople.com will endorse, promote, or suggest products and/or services for sale. The recommendations are based on our belief that the products and their creators will provide valuable information and sufficient service. This belief is based on LetsDrawPeople.com’s review of that product, its relationship with the creator, and/or previous positive experiences. Commissions that are credited to LetsDrawPeople.com can result from purchases you make from recommended links. We will only recommend products and services that we have researched and believe to be beneficial for our users. Users should still do their own research and make their own informed opinions before buying a product or service from a recommendation or link found on LetsDrawPeople.com.','Affiliate Disclaimer','','inherit','open','open','','517-revision-v1','','','2013-06-28 23:29:23','2013-06-29 06:29:23','',517,'http://www.letsdrawpeople.com/517-revision-3/',0,'revision','',0),(552,2,'2013-06-30 13:50:34','2013-06-30 20:50:34','

OUR MISSION

\r\nWelcome! At Let\'s Draw People, it is our mission to awaken the inner artist in everyday people (including you!)...by drawing people. We believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason we do what we do is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

OUR GOAL

\r\nOur goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! Our aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating realistic pencil portraits that will amaze themselves and those they know and love.\r\n

HOW WE DO IT

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn, but life, jobs, and family got in the way and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or if you have some experience, Let\'s Draw People lets you take your skills as an aspiring portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. We have informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop, you may be able to eventually share your work in a gallery on this site to have your artwork recognized and appreciated by our followers. Better yet, you may be able to become a contributing artist and author for us!\r\n

HOW WE GOT STARTED

\r\nLet\'s Draw People was founded by Jack Pearce, a guy who had a love for drawing ever since he was 3 years old and never really grew out of it. Although he loved drawing everything under the sun, Jack always had a special fascination with drawing people. The more Jack\'s skills developed, the more he wanted to focus on drawing people, especially realistic portraits in pencil (his favorite medium). Growing up, Jack always believed he would make a living as an artist. However, as the realities of adulthood and other interests sat in, the term \"starving artist\" began to have more meaning, and Jack eventually took other jobs and degree programs that lead to a career as a teacher in Nevada.\r\n\r\nJack still occasionally drew portraits for people, and whenever he did, it triggered that childhood passion and desire to draw all the time. He formed Let\'s Draw People as a way to bring together others who have similar experiences, who have that wish of having the freedom to draw all day long as they so innocently did as kids. He formed Let\'s Draw People as a way to bring together portrait artists who want to share their knowledge and artwork, to help others learn, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people! Also, we invite you to join our growing social community (Facebook, Pinterest, YouTube) to stay up-to-date on the latest articles, tutorials, and artwork!','About Us','','inherit','open','open','','45-revision-v1','','','2013-06-30 13:50:34','2013-06-30 20:50:34','',45,'http://www.letsdrawpeople.com/45-revision-20/',0,'revision','',0),(756,2,'2013-07-26 18:58:45','2013-07-27 01:58:45','Drawings of family. Some of these were made from multiple reference photos.\r\n\r\n[gallery link=\"file\" ids=\"649,644,663,664,665,666\"]','Family Drawings','','inherit','open','open','','662-revision-v1','','','2013-07-26 18:58:45','2013-07-27 01:58:45','',662,'http://www.letsdrawpeople.com/662-revision-v1/',0,'revision','',0),(530,2,'2013-06-29 13:00:54','2013-06-29 20:00:54','[contact-form-7 id=\"6\" title=\"Contact form 1\"]','Contact Us','','inherit','open','open','','15-revision-v1','','','2013-06-29 13:00:54','2013-06-29 20:00:54','',15,'http://www.letsdrawpeople.com/15-revision-4/',0,'revision','',0),(527,1,'2012-06-12 19:36:58','2012-06-13 02:36:58','[contact-form-7 id=\"6\" title=\"Contact form 1\"]','Contact Us','','inherit','open','open','','15-revision-v1','','','2012-06-12 19:36:58','2012-06-13 02:36:58','',15,'http://www.letsdrawpeople.com/15-revision-3/',0,'revision','',0),(758,2,'2013-08-05 21:46:26','2013-08-06 04:46:26','Use these drawings of celebrities as examples of how to capture the likenesses of well-known people.\r\n\r\n[gallery link=\"file\" ids=\"227,660\"]','Drawings of Famous Faces','','inherit','open','open','','659-revision-v1','','','2013-08-05 21:46:26','2013-08-06 04:46:26','',659,'http://www.letsdrawpeople.com/659-revision-v1/',0,'revision','',0),(531,1,'2013-06-27 13:31:11','2013-06-27 20:31:11','

OUR MISSION

\r\nWelcome! At Let\'s Draw People, it is our mission to awaken the inner artist in everyday people (including you!)...by drawing people. We believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason we do what we do is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

OUR GOAL

\r\nOur goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! Our aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating realistic pencil portraits that will amaze themselves and those they know and love.\r\n

HOW WE DO IT

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn, but life, jobs, and family got in the way and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or if you have some experience, Let\'s Draw People lets you take your skills as an aspiring portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. We have informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop, you may be able to eventually share your work in a gallery on this site to have your artwork recognized and appreciated by our followers. Better yet, you may be able to become a contributing artist and author for us!\r\n

HOW WE GOT STARTED

\r\nLet\'s Draw People was founded by Jack Pearce, a guy who had a love for drawing ever since he was 3 years old and never really grew out of it. Although he loved drawing everything under the sun, Jack always had a special fascination with drawing people. The more Jack\'s skills developed, the more he wanted to focus on drawing people, especially realistic portraits in pencil (his favorite medium). Growing up, Jack always believed he would make a living as an artist. However, as the realities of adulthood and other interests sat in, the term \"starving artist\" began to have more meaning, and Jack eventually took other jobs and degree programs that lead to a career as a teacher in Nevada.\r\n\r\nJack still occasionally drew portraits for people, and whenever he did, it triggered that childhood passion and desire to draw all the time. He formed Let\'s Draw People as a way to bring together others who have similar experiences, who have that wish of having the freedom to draw all day long as they so innocently did as kids. He formed Let\'s Draw People as a way to bring together portrait artists who want to share their knowledge and artwork, to help others learn, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people! Also, we invite you to join our growing social community (Facebook, Pinterest, YouTube) to stay up-to-date on the latest articles, tutorials, and artwork!','About Us','','inherit','open','open','','45-revision-v1','','','2013-06-27 13:31:11','2013-06-27 20:31:11','',45,'http://www.letsdrawpeople.com/45-revision-19/',0,'revision','',0),(532,1,'2013-06-28 23:33:26','2013-06-29 06:33:26','From time to time, LetsDrawPeople.com will endorse, promote, or suggest products and/or services for sale. The recommendations are based on our belief that the products and their creators will provide valuable information and sufficient service. This belief is based on LetsDrawPeople.com’s review of that product, its relationship with the creator, and/or previous positive experiences.\r\n\r\nCommissions that are credited to LetsDrawPeople.com can result from purchases you make from recommended links. We will only recommend products and services that we have researched and believe to be beneficial for our users. Users should still do their own research and make their own informed opinions before buying a product or service from a recommendation or link found on LetsDrawPeople.com.','Affiliate Disclaimer','','inherit','open','open','','517-revision-v1','','','2013-06-28 23:33:26','2013-06-29 06:33:26','',517,'http://www.letsdrawpeople.com/517-revision-4/',0,'revision','',0),(533,2,'2013-06-30 13:47:05','2013-06-30 20:47:05','We would love to hear from you! Please use the form below to contact us anytime.\r\n

Tutorial Suggestions

\r\nWhat kind of people-drawing tutorials would you like to see on our site?\r\n

Website Feedback

\r\nLet us know what you love about our site and what could make it better.\r\n\r\n \r\n\r\n[contact-form-7 id=\"6\" title=\"Contact form 1\"]','Contact Us','','inherit','open','open','','15-revision-v1','','','2013-06-30 13:47:05','2013-06-30 20:47:05','',15,'http://www.letsdrawpeople.com/15-revision-5/',0,'revision','',0),(535,2,'2012-06-27 01:16:29','2012-06-27 08:16:29','\r\n \r\n \r\n \r\n\r\n','Pencil Portrait Mastery','','inherit','open','open','','58-revision-5','','','2012-06-27 01:16:29','2012-06-27 08:16:29','',58,'http://www.letsdrawpeople.com/58-revision-5/',0,'revision','',0),(536,2,'2013-06-27 17:28:42','2013-06-28 00:28:42','[my_privacy_policy]','Privacy Policy','','inherit','open','open','','14-revision-v1','','','2013-06-27 17:28:42','2013-06-28 00:28:42','',14,'http://www.letsdrawpeople.com/14-revision-5/',0,'revision','',0),(537,2,'2013-06-27 17:05:12','2013-06-28 00:05:12','[my_terms_of_service]','Terms of Service','','inherit','open','open','','507-revision-v1','','','2013-06-27 17:05:12','2013-06-28 00:05:12','',507,'http://www.letsdrawpeople.com/507-revision-5/',0,'revision','',0),(543,2,'2013-06-30 15:21:15','2013-06-30 22:21:15','Here\'s how.','Advertise with Us','','draft','closed','closed','','advertise-with-us','','','2013-07-28 12:26:14','2013-07-28 19:26:14','',0,'http://www.letsdrawpeople.com/?page_id=543',0,'page','',0),(544,2,'2013-06-30 15:21:08','2013-06-30 22:21:08','','Advertise with Us','','inherit','open','open','','543-revision','','','2013-06-30 15:21:08','2013-06-30 22:21:08','',543,'http://www.letsdrawpeople.com/543-revision/',0,'revision','',0),(701,2,'2013-07-28 16:21:40','2013-07-28 23:21:40','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\r\n

\"http://www.dreamstime.com/-image16063419\"

\r\n\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\r\n

 \"01p

\r\n\r\n

Step 2: Outline of the Eyes

\r\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\r\n

 \"02p

\r\n\r\n

Step 3: Upper Eyelids

\r\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\r\n

 \"03p

\r\n\r\n

Step 4: Irises and Pupils

\r\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\r\n

 \"04p

\r\n\r\n

Step 5: Lower Eyelids

\r\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\r\n

 \"05p

\r\n\r\n

Step 6: Surrounding Features

\r\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\r\n

 \"06p

\r\n\r\n

Step 7: Guidelines for Shading

\r\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\r\n

 \"07p

\r\n\r\n

Step 8: Erase Grid Lines

\r\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\r\n

 \"08p

\r\n\r\n

Step 9: Shading and Details

\r\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading. For the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together. For the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs. Make the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\r\n

 \"09p

\r\n\r\n

Step 10: Eyelashes

\r\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance. Carefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\r\n

\"\"

\r\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness. Apply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','How to Draw Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2013-07-28 16:21:40','2013-07-28 23:21:40','',271,'http://www.letsdrawpeople.com/271-revision-37/',0,'revision','',0),(710,2,'2013-07-28 16:54:47','2013-07-28 23:54:47','','03p bride eyes upper lids','','inherit','open','open','','03p-bride-eyes-upper-lids','','','2013-07-28 16:54:47','2013-07-28 23:54:47','',271,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/03p-bride-eyes-upper-lids.jpg',0,'attachment','image/jpeg',0),(1039,2,'2014-05-03 05:47:29','2014-05-03 12:47:29','[amzn_product_post]','Impact Multiboom Light Stand and Reflector Holder - 13\' (4m)','This is an Impact Convertible Boom Arm/Light Stand. As a light stand, it can support a small or medium light head to a height of 13\' (4 m). Raise the second section completely, click, and it is a boom stand.
As a boom, it can hold a small light head to an extension of almost 3\' from the center of the stand.
It is a reflector holder by means of its two clips, which can support an Impact, Flexfill, or Photoflex light disc as large as 60\".
A hole at the end of the arm allows an optional counterweight to be hung, for greater stability.Instructions for Using This Stand as a Boom
1. Loosen the large long handle in the middle of the stand.
2. Loosen the top-most section of the stand. Pull that section all the way up.
3. Pull! - swing it horizontally for the boom feature, and lock it for the desired setup.


Minimum Height: 40\" (102 cm)

Maximum Height: 13\' (4 m) as light stand , 9 ft (2.7 M) as boom stand

Closed Length: 40\" (102 cm)

Footprint Diameter: 36\" (91 cm)

Weight: 6 lbs (2.7 kg)

Maximum Load: 5 lbs (2.3 kg) as light stand , 3 lbs (1.4 kg) as boom stand

Attachment Size: 5/8\" stud

Accepts Wheels: Yes

Air Cushioned: No

Warranty: One Year Manufacturer\'s Warranty','private','closed','closed','','impact-multiboom-light-stand-and-reflector-holder-13-4m','','','2015-07-07 17:06:34','2015-07-08 00:06:34','',0,'http://www.letsdrawpeople.com/impact-multiboom-light-stand-and-reflector-holder-13-4m/',0,'page','',0),(546,2,'2013-06-30 13:52:07','2013-06-30 20:52:07','We would love to hear from you! Please use the form below to contact us anytime.\r\n

Tutorial Suggestions

\r\nWhat kind of people-drawing tutorials would you like to see on our site?\r\n

Website Feedback

\r\nLet us know what you love about our site and what could make it better.\r\n\r\n \r\n\r\n[contact-form-7 id=\"6\" title=\"Contact form 1\"]','Contact Us','','inherit','open','open','','15-revision-v1','','','2013-06-30 13:52:07','2013-06-30 20:52:07','',15,'http://www.letsdrawpeople.com/15-revision-6/',0,'revision','',0),(1038,2,'2014-05-12 20:10:04','2014-05-13 03:10:04','You can contact us by email at support@letsdrawpeople.com or by phone at 702-708-1357.\r\n\r\n
Let\'s Draw People
3053 West Craig Road
Suite E # 202
North Las Vegas, NV 89032
We would love to hear from you! For the quickest reply, please use the form below to contact us anytime. We look forward to responding to your questions or comments!\r\n\r\nWebsite Feedback: Let us know what you love about our site and what could make it better.\r\n\r\nTutorial Suggestions: Which kind of people-drawing tutorials would you like to see on our site?\r\n\r\n[nform id=\'1\']','Contact Us','','inherit','open','open','','15-revision-v1','','','2014-05-12 20:10:04','2014-05-13 03:10:04','',15,'http://www.letsdrawpeople.com/15-revision-v1/',0,'revision','',0),(550,2,'2013-06-30 16:11:32','2013-06-30 23:11:32','LetsDrawPeople.com is owned and operated by Keen Milestones.\r\n\r\n
Keen Milestones
3053 West Craig Road
Suite E # 202
North Las Vegas, NV 89032
(702)448-4078
editor@letsdrawpeople.com
We would love to hear from you! For the quickest reply, please use the form below to contact us anytime. We look forward to responding to your questions or comments!\r\n\r\nWebsite Feedback: Let us know what you love about our site and what could make it better.\r\n\r\nTutorial Suggestions: Which kind of people-drawing tutorials would you like to see on our site?\r\n\r\n[contact-form-7 id=\"6\" title=\"Contact form 1\"]\r\n\r\nDraw for Us: Are you a talented portrait artist? If you want to contact us about how you caailin contribute your own tutorials to our website, click here.\r\n\r\nAdvertise with Us: For more information about how to advertise on our website, click here.\r\n\r\nHave you joined our mailing list yet? This is the best way to stay in constant contact with us and keep up-to-date on the latest drawing tutorials. Sign up and also get an e-course on the four steps needed to easily and realistically draw ANY troublesome facial feature!','Contact Us','','inherit','open','open','','15-revision-v1','','','2013-06-30 16:11:32','2013-06-30 23:11:32','',15,'http://www.letsdrawpeople.com/15-revision-7/',0,'revision','',0),(551,2,'2013-06-30 16:20:14','2013-06-30 23:20:14','LetsDrawPeople.com is owned and operated by Keen Milestones.\r\n\r\n
Keen Milestones
3053 West Craig Road
Suite E # 202
North Las Vegas, NV 89032
(702)448-4078
editor@letsdrawpeople.com
We would love to hear from you! For the quickest reply, please use the form below to contact us anytime. We look forward to responding to your questions or comments!\r\n\r\nWebsite Feedback: Let us know what you love about our site and what could make it better.\r\n\r\nTutorial Suggestions: Which kind of people-drawing tutorials would you like to see on our site?\r\n\r\n[contact-form-7 id=\"547\" title=\"Contact Us\"]\r\n\r\nDraw for Us: Are you a talented portrait artist? If you want to contact us about how you caailin contribute your own tutorials to our website, click here.\r\n\r\nAdvertise with Us: For more information about how to advertise on our website, click here.\r\n\r\nHave you joined our mailing list yet? This is the best way to stay in constant contact with us and keep up-to-date on the latest drawing tutorials. Sign up and also get an e-course on the four steps needed to easily and realistically draw ANY troublesome facial feature!','Contact Us','','inherit','open','open','','15-revision-v1','','','2013-06-30 16:20:14','2013-06-30 23:20:14','',15,'http://www.letsdrawpeople.com/15-revision-8/',0,'revision','',0),(553,1,'2013-06-27 14:19:23','2013-06-27 21:19:23','[gallery link=\"file\" ids=\"73,74,342\"]','Portrait Gallery','','inherit','open','open','','489-revision-v1','','','2013-06-27 14:19:23','2013-06-27 21:19:23','',489,'http://www.letsdrawpeople.com/489-revision-3/',0,'revision','',0),(555,2,'2013-07-01 16:47:35','2013-07-01 23:47:35','','468x60-pencils','','inherit','open','open','','468x60-pencils','','','2013-07-01 16:47:35','2013-07-01 23:47:35','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/468x60-pencils.jpg',0,'attachment','image/jpeg',0),(605,2,'2013-07-06 21:49:14','2013-07-07 04:49:14','','letsdrawpeople','','inherit','open','open','','letsdrawpeople-2','','','2013-07-06 21:49:14','2013-07-07 04:49:14','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/letsdrawpeople1.png',0,'attachment','image/png',0),(557,2,'2013-06-30 16:22:24','2013-06-30 23:22:24','LetsDrawPeople.com is owned and operated by Keen Milestones.\r\n\r\n
Keen Milestones
3053 West Craig Road
Suite E # 202
North Las Vegas, NV 89032
(702)448-4078
editor@letsdrawpeople.com
We would love to hear from you! For the quickest reply, please use the form below to contact us anytime. We look forward to responding to your questions or comments!\r\n\r\nWebsite Feedback: Let us know what you love about our site and what could make it better.\r\n\r\nTutorial Suggestions: Which kind of people-drawing tutorials would you like to see on our site?\r\n\r\n[contact-form-7 id=\"547\" title=\"Contact Us\"]\r\n\r\nDraw for Us: Are you a talented portrait artist? If you want to contact us about how you can contribute your own tutorials to our website, click here.\r\n\r\nAdvertise with Us: For more information about how to advertise on our website, click here.\r\n\r\nHave you joined our mailing list yet? This is the best way to stay in constant contact with us and keep up-to-date on the latest drawing tutorials. Sign up and also get an e-course on the four steps needed to easily and realistically draw ANY troublesome facial feature!','Contact Us','','inherit','open','open','','15-revision-v1','','','2013-06-30 16:22:24','2013-06-30 23:22:24','',15,'http://www.letsdrawpeople.com/15-revision-9/',0,'revision','',0),(558,2,'2013-06-30 15:21:15','2013-06-30 22:21:15','Here\'s how.','Advertise with Us','','inherit','open','open','','543-revision-2','','','2013-06-30 15:21:15','2013-06-30 22:21:15','',543,'http://www.letsdrawpeople.com/543-revision-2/',0,'revision','',0),(681,2,'2013-07-23 21:24:24','2013-07-24 04:24:24','','Pencil Portrait Mastery','','inherit','open','open','','58-revision-7','','','2013-07-23 21:24:24','2013-07-24 04:24:24','',58,'http://www.letsdrawpeople.com/58-revision-7/',0,'revision','',0),(560,2,'2013-07-02 20:00:25','2013-07-03 03:00:25','LetsDrawPeople.com is owned and operated by Keen Milestones.\r\n\r\n
Keen Milestones
3053 West Craig Road
Suite E # 202
North Las Vegas, NV 89032
editor@letsdrawpeople.com
We would love to hear from you! For the quickest reply, please use the form below to contact us anytime. We look forward to responding to your questions or comments!\r\n\r\nWebsite Feedback: Let us know what you love about our site and what could make it better.\r\n\r\nTutorial Suggestions: Which kind of people-drawing tutorials would you like to see on our site?\r\n\r\n[contact-form-7 id=\"547\" title=\"Contact Us\"]\r\n\r\nDraw for Us: Are you a talented portrait artist? If you want to contact us about how you can contribute your own tutorials to our website, click here.\r\n\r\nAdvertise with Us: For more information about how to advertise on our website, click here.\r\n\r\nHave you joined our mailing list yet? This is the best way to stay in constant contact with us and keep up-to-date on the latest drawing tutorials. Sign up and also get an e-course on the four steps needed to easily and realistically draw ANY troublesome facial feature!','Contact Us','','inherit','open','open','','15-revision-v1','','','2013-07-02 20:00:25','2013-07-03 03:00:25','',15,'http://www.letsdrawpeople.com/15-revision-10/',0,'revision','',0),(803,2,'2013-07-10 20:12:37','2013-07-11 03:12:37','

OUR MISSION

\r\nWelcome! At Let\'s Draw People, it is our mission to awaken the inner artist in everyday people (including you!)...by drawing people. We believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason we do what we do is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

OUR GOAL

\r\nOur goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! Our aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating realistic pencil portraits that will amaze themselves and those they know and love.\r\n

HOW WE DO IT

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn, but life, jobs, and family got in the way and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or if you have some experience, Let\'s Draw People lets you take your skills as an aspiring portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. We have informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop, you may be able to eventually share your work in a gallery on this site to have your artwork recognized and appreciated by our followers. Better yet, you may be able to become a contributing artist and author for us!\r\n

HOW WE GOT STARTED

\r\nLet\'s Draw People was founded by Jack Pearce, a guy who had a love for drawing ever since he was 3 years old and never really grew out of it. Although he loved drawing everything under the sun, Jack always had a special fascination with drawing people. The more Jack\'s skills developed, the more he wanted to focus on drawing people, especially realistic portraits in pencil (his favorite medium). Growing up, Jack always believed he would make a living as an artist. However, as the realities of adulthood and other interests sat in, the term \"starving artist\" began to have more meaning, and Jack eventually took other jobs and degree programs that lead to a career as a teacher in Nevada.\r\n\r\nJack still occasionally drew portraits for people, and whenever he did, it triggered that childhood passion and desire to draw all the time. He formed Let\'s Draw People as a way to bring together others who have similar experiences, who have that wish of having the freedom to draw all day long as they so innocently did as kids. He formed Let\'s Draw People as a way to bring together portrait artists who want to share their knowledge and artwork, to help others learn, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people! Also, we invite you to subscribe to our mailing list and join our growing social community on Facebook, Pinterest, and YouTube to stay up-to-date on the latest articles, tutorials, and artwork!','About Us','','inherit','open','open','','45-revision-v1','','','2013-07-10 20:12:37','2013-07-11 03:12:37','',45,'http://www.letsdrawpeople.com/45-revision-v1/',0,'revision','',0),(561,2,'2013-07-01 14:39:24','2013-07-01 21:39:24','

OUR MISSION

\r\nWelcome! At Let\'s Draw People, it is our mission to awaken the inner artist in everyday people (including you!)...by drawing people. We believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason we do what we do is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

OUR GOAL

\r\nOur goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! Our aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating realistic pencil portraits that will amaze themselves and those they know and love.\r\n

HOW WE DO IT

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn, but life, jobs, and family got in the way and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or if you have some experience, Let\'s Draw People lets you take your skills as an aspiring portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. We have informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop, you may be able to eventually share your work in a gallery on this site to have your artwork recognized and appreciated by our followers. Better yet, you may be able to become a contributing artist and author for us!\r\n

HOW WE GOT STARTED

\r\nLet\'s Draw People was founded by Jack Pearce, a guy who had a love for drawing ever since he was 3 years old and never really grew out of it. Although he loved drawing everything under the sun, Jack always had a special fascination with drawing people. The more Jack\'s skills developed, the more he wanted to focus on drawing people, especially realistic portraits in pencil (his favorite medium). Growing up, Jack always believed he would make a living as an artist. However, as the realities of adulthood and other interests sat in, the term \"starving artist\" began to have more meaning, and Jack eventually took other jobs and degree programs that lead to a career as a teacher in Nevada.\r\n\r\nJack still occasionally drew portraits for people, and whenever he did, it triggered that childhood passion and desire to draw all the time. He formed Let\'s Draw People as a way to bring together others who have similar experiences, who have that wish of having the freedom to draw all day long as they so innocently did as kids. He formed Let\'s Draw People as a way to bring together portrait artists who want to share their knowledge and artwork, to help others learn, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people! Also, we invite you to join our growing social community (Facebook, Pinterest, YouTube) to stay up-to-date on the latest articles, tutorials, and artwork!','About Us','','inherit','open','open','','45-revision-v1','','','2013-07-01 14:39:24','2013-07-01 21:39:24','',45,'http://www.letsdrawpeople.com/45-revision-21/',0,'revision','',0),(3579,2,'2017-06-30 13:46:54','2017-06-30 20:46:54','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                   Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this fourth video session of the series, we will:\r\n
    \r\n
  • Add tones to the clothing.  01:00
    • \r\n
  • Blend the tones of Ann\'s face on her right side.  33:45
    • \r\n
  • Blend the tones of Ann\'s face on her left side and her nose.  49:10
    • \r\n
  • Blend the tones in the mouth area.  1:01:00
    • \r\n
  • Blend the tones of the neck.  1:14:15
    • \r\n
  • Blend the tones of the clothing.  1:23:30
    • \r\n
  • Blend the tones of the hair.  1:38:10
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 4','','publish','open','closed','','ann-part-4','','','2017-08-01 05:39:28','2017-08-01 12:39:28','',0,'http://www.letsdrawpeople.com/?p=3579',0,'post','',0),(3580,2,'2017-06-15 13:47:36','2017-06-15 20:47:36','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2*

\r\n

Part 3

\r\n

Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this second video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 3','','inherit','closed','closed','','3578-revision-v1','','','2017-06-15 13:47:36','2017-06-15 20:47:36','',3578,'http://www.letsdrawpeople.com/3578-revision-v1/',0,'revision','',0),(3578,2,'2017-06-23 13:46:35','2017-06-23 20:46:35','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                   Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                   Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this third video session of the series, we will:\r\n
    \r\n
  • Continue adding tones to the eyes.  01:03
    • \r\n
  • Add tones to the nose.  25:38
    • \r\n
  • Add tones to the mouth.  36:10
    • \r\n
  • Add tones to other areas of the face.  1:07:00
    • \r\n
  • Add tones to the neck.  1:27:05
    • \r\n
  • Add tones to the hair.  1:36:00
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 3','','publish','open','closed','','ann-part-3','','','2017-08-01 05:38:18','2017-08-01 12:38:18','',0,'http://www.letsdrawpeople.com/?p=3578',0,'post','',0),(3570,2,'2017-06-06 05:21:20','2017-06-06 12:21:20',' ','','','publish','closed','closed','','3570','','','2017-06-06 05:25:20','2017-06-06 12:25:20','',0,'http://www.letsdrawpeople.com/?p=3570',21,'nav_menu_item','',0),(3571,2,'2017-06-06 05:25:20','2017-06-06 12:25:20',' ','','','publish','closed','closed','','3571','','','2017-06-06 05:25:20','2017-06-06 12:25:20','',49,'http://www.letsdrawpeople.com/?p=3571',14,'nav_menu_item','',0),(3572,2,'2017-06-06 05:25:20','2017-06-06 12:25:20',' ','','','publish','closed','closed','','3572','','','2017-06-06 05:25:20','2017-06-06 12:25:20','',49,'http://www.letsdrawpeople.com/?p=3572',15,'nav_menu_item','',0),(3630,2,'2017-07-30 12:38:26','2017-07-30 19:38:26','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                   Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \r\n
  • Apply a grid to the reference photograph.  4:47
    • \r\n
  • Prepare a grid for our drawing paper.  14:26
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.  21:00
    • \r\n
  • Make a line drawing of the eyes.  30:13
    • \r\n
  • Make a line drawing of the nose.  1:11:50
    • \r\n
  • Make a line drawing of the mouth.  1:24:45
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-07-30 12:38:26','2017-07-30 19:38:26','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3566,2,'2017-06-03 17:26:03','2017-06-04 00:26:03','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2*

\r\n

Part 3

\r\n

Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this second video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 2','','inherit','closed','closed','','3559-revision-v1','','','2017-06-03 17:26:03','2017-06-04 00:26:03','',3559,'http://www.letsdrawpeople.com/3559-revision-v1/',0,'revision','',0),(562,2,'2013-06-30 13:52:42','2013-06-30 20:52:42','[my_terms_of_service]','Terms of Service','','inherit','open','open','','507-revision-v1','','','2013-06-30 13:52:42','2013-06-30 20:52:42','',507,'http://www.letsdrawpeople.com/507-revision-6/',0,'revision','',0),(3564,2,'2017-08-01 05:37:17','2017-08-01 12:37:17','
\n

Download Video

\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\n\n\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\n\n \n\n[one_half]\n

\"Ann\" Video Series

\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\n

Part 1                   Part 5

\n

Part 2                   Part 6

\n

Part 3                    Part 7

\n

Part 4                    Part 8

\n \n\n[/one_half][one_half_last]\n\nIn this second video session of the series, we will:\n
    \n
  • Discuss copyright and proper use of the reference photograph.  00:45
    • \n
  • Use a reference photo with grid lines already in place, switching between the photo and the video.  01:50
    • \n
  • Make the outline of the face.  09:10
    • \n
  • Make the outline of the hair.  21:00
    • \n
  • Draw the shoulders and the neckline.  48:40
    • \n
  • Finish the line drawing of the hair.  1:07:00
    • \n
  • Finish the line drawing of the clothing.  1:26:30
    • \n
  • Complete the entire line drawing with value changes on the skin.  1:35:30
    • \n
  • Begin adding tones to the eyes.  1:45:50
    • \n
\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\n\n[/one_half_last]\n

Materials and Resources

\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\n\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\n\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\n\n[one_half]Materials:\n\n[/one_half]\n\n[one_half_last]Resources:\n\n[/one_half_last]\n\n[/box]','\"Ann\" - Part 2','','inherit','closed','closed','','3559-autosave-v1','','','2017-08-01 05:37:17','2017-08-01 12:37:17','',3559,'http://www.letsdrawpeople.com/3559-autosave-v1/',0,'revision','',0),(3562,2,'2017-06-02 05:03:06','2017-06-02 12:03:06','\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2*

\r\n

Part 3

\r\n

Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this second video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 2','','inherit','closed','closed','','3559-revision-v1','','','2017-06-02 05:03:06','2017-06-02 12:03:06','',3559,'http://www.letsdrawpeople.com/3559-revision-v1/',0,'revision','',0),(3563,2,'2017-06-02 20:58:23','2017-06-03 03:58:23','\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2*

\r\n

Part 3

\r\n

Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this second video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 2','','inherit','closed','closed','','3559-revision-v1','','','2017-06-02 20:58:23','2017-06-03 03:58:23','',3559,'http://www.letsdrawpeople.com/3559-revision-v1/',0,'revision','',0),(3552,2,'2017-05-27 19:47:08','2017-05-28 02:47:08','','howtoeditanaudiofile','
How to Edit an Audio File
','inherit','open','closed','','howtoeditanaudiofile','','','2017-05-27 20:15:21','2017-05-28 03:15:21','',3455,'http://www.letsdrawpeople.com/wp-content/uploads/2017/03/howtoeditanaudiofile.jpg',0,'attachment','image/jpeg',0),(3553,2,'2017-05-27 19:47:26','2017-05-28 02:47:26','','how_to_silence_segments_of_audio','
How to Silence Mouth Noises and Other Segments of Audio
','inherit','open','closed','','how_to_silence_segments_of_audio','','','2017-05-27 20:14:25','2017-05-28 03:14:25','',3455,'http://www.letsdrawpeople.com/wp-content/uploads/2017/03/how_to_silence_segments_of_audio.jpg',0,'attachment','image/jpeg',0),(3560,2,'2017-06-02 01:34:03','2017-06-02 08:34:03','','Ann-02','\"Ann\" - Part 2','inherit','open','closed','','ann-02','','','2017-06-15 19:10:16','2017-06-16 02:10:16','',3559,'http://www.letsdrawpeople.com/wp-content/uploads/2017/06/Ann-02.jpg',0,'attachment','image/jpeg',0),(3565,2,'2017-06-03 16:43:41','2017-06-03 23:43:41','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2*

\r\n

Part 3

\r\n

Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this second video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 2','','inherit','closed','closed','','3559-revision-v1','','','2017-06-03 16:43:41','2017-06-03 23:43:41','',3559,'http://www.letsdrawpeople.com/3559-revision-v1/',0,'revision','',0),(3561,2,'2017-06-02 01:34:17','2017-06-02 08:34:17','\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2*

\r\n

Part 3

\r\n

Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this second video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 2','','inherit','closed','closed','','3559-revision-v1','','','2017-06-02 01:34:17','2017-06-02 08:34:17','',3559,'http://www.letsdrawpeople.com/3559-revision-v1/',0,'revision','',0),(737,2,'2014-06-05 05:27:26','2014-06-05 12:27:26','\n\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\n\n[caption id=\"attachment_852\" align=\"aligncenter\" width=\"320\"]\"\" © Carrienelson1 | Dreamstime.com[/caption]\n

Step 1: Make a Grid and Guidelines

\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\n

\"\"

\n\n

Step 2: Draw the Eyes

\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\n

\"\"

\n

Step 3: Make Justin’s Nose

\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\n

\"\"

\n\n

Step 4: Draw His Mouth

\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\n

\"\"

\n

Step 5: Form the Ears and the Outline of the Face

\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\n

\"\"

\n

Step 6: Draw Justin’s Hair

\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\n

\"\"

\n

Step 7: Draw the Neck and Jacket

\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\n

\"\"

\n

Step 8: Erase and Add Final Details

\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\n

\"\"

\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\n','How to Draw Justin Bieber','','inherit','open','open','','165-autosave-v1','','','2014-06-05 05:27:26','2014-06-05 12:27:26','',165,'http://www.letsdrawpeople.com/165-autosave-v1/',0,'revision','',0),(726,2,'2013-08-05 19:15:30','2013-08-06 02:15:30','
\r\nShoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n

\"©

\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"01p

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n

\"02

\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

\"03

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"04

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"05

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"06

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"07

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"08

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n

\"\"

\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2013-08-05 19:15:30','2013-08-06 02:15:30','',129,'http://www.letsdrawpeople.com/129-revision-v1/',0,'revision','',0),(3600,2,'2017-07-13 08:36:34','2017-07-13 15:36:34','Lesson 8: Blending Tones\r\n\r\nThe Role of Blending in Realistic Drawing\r\n\r\nBlending, sometimes called smudging, means smoothing out the graphite tones in order to soften the edges of a transition between tone values and add significant realism to a drawing. Look at the two drawings of the bowling ball below; one is before blending and one is after. What differences do you notice? How does it affect the feeling and dimensionality of the final drawing?\r\n\r\n \r\n\r\nvPic: still life bowling ball tone drawing*\r\n\r\nvPic: still life bowling ball completed blend drawing*\r\n\r\n \r\n\r\nUsing Tortillions and Blending Stumps\r\n\r\nTortillions and blending stumps are the two main tools for shading. Tortillions are thin, rolled strips of paper shaped like a cone near the tip and are shorter and smaller around than stumps. The paper used to make tortillions is not as soft as the paper blending stumps are made from. Blending stumps often contain felt in the paper they are made from. You’ll primarily use tortillions to blend most of the fine details of your drawing. There are different methods for sharpening and cleaning them, but many people use an emery board or fine grit sandpaper.\r\n\r\nVpic: tortillions*\r\n\r\nThe other major tool used in blending is called a stump. Blending stumps are used less often, but for larger areas of a drawing than tortillions. A stump has the same shape as a tortillion, but is longer and much thicker, hence the name, stump. It is made from a softer paper and it can’t reach into the same small areas of a drawing as a tortillion. Stumps are usually pointed on both ends. As with tortillions, you can sharpen a stump with sandpaper, but you will want them to remain much blunter than a tortillion.\r\n\r\nVpic: blending stumps*\r\n\r\nBlending Direction\r\n\r\nVpics: one image for each point below*\r\n\r\nArtists traditionally blend in dark areas first, working toward the lighter areas of a drawing. This allows the artist to gather unwanted graphite from the dark areas that can be used to work the lighter areas. You can even use it to add value and details. You can choose to blend lighter areas first if you are afraid of darkening a particular area with excess graphite on the tortillion.\r\n\r\nOver time, you’ll become more comfortable with your blending tools. Some artists clean their tools as needed while other keep a collection of them organized by the amount of graphite on them. You’ll eventually develop methods and habits best suited to your style.\r\n\r\nFollowing Contours\r\n\r\nVpics: one image for each point below*\r\n\r\nIt’s important to follow the shape and contours of the object you are blending with a tortillion. Go along with the outline you’ve drawn. Going against the grain will detract from the realism of your finished work. Smooth over the outline of the object so it looks less harsh.\r\n\r\nThink back to the basic shapes you created in Lesson 7. The prism and the pyramid both have straight lines, while the cylinder and bowling ball are curved. When you are blending, go in the same direction as the edge you are closest to or the surface of the object you’re shading on.\r\n\r\nThink of shading a series of rolling hills verses a row of skyscrapers. You wouldn’t shade or blend in vertical strokes for the hills. And buildings should be blended in the direction they are built, usually in straight vertical or horizontal strokes.\r\n\r\nA good way to get started is to experiment with your blending tools. Make some patches of graphite of various values and then use your tortillions and stumps to blend out from the patches. Use the tortillion first to see how fine of a line you can pull from one of the patches. Try putting two patches close together and blending them. Don’t use the very tip of the tortillion or it will collapse back into itself. If that happens, use a pin to push it back out from the other end. Use the side of tip, instead. When you finish blending some of the patches, play around with the graphite on the tortillion, seeing how you can use it to add graphite to the paper. This is how you add some very light color to areas that need to be just a touch darker than white. Next try drawing a line, curved or straight, and adding shading that meet up with the line, but doesn’t cross it. Use your tortillion to soften the line against the shading, pulling some of the line and shading together. You can use this technique to give objects a softer edge.\r\n\r\nNext, try the blending stump. Use your pencil to shade a larger area of the paper – about 4” square – then use the stump to play around with blending it both inside and out of its boundaries. Shade another patch close to the first one, either lighter or darker, and try blending those together. Then use it to add graphite back to a white portion of the paper. Next, do the same experiment as you did with the tortillion. Draw another line and put some shading with it, then use the blending stump to soften the transition between the two. Sometimes you will use both the tortillion and the stump in very close proximity to one another in a drawing, depending on the size of the area you are blending.\r\n\r\nNow that you’ve had a chance to try out your blending tools, take a couple of minutes to clean them. Use an emery board or fine grit sand paper and gently file with the grain. Remove as much of the graphite as you can and use the sander to gently restore the original shape.\r\n\r\nAs you progress, you may find there are other tools you like to use for blending, cleaning and shaping, but these are excellent ones for starting out. Now you’re ready to move on to the next assignment!\r\n\r\nAssignment #8: Blend Tones to Form an Egg Shape','copy test','','inherit','closed','closed','','3599-revision-v1','','','2017-07-13 08:36:34','2017-07-13 15:36:34','',3599,'http://www.letsdrawpeople.com/3599-revision-v1/',0,'revision','',0),(3547,2,'2017-05-27 18:30:27','0000-00-00 00:00:00','\n','','','draft','closed','closed','','','','','2017-05-27 18:30:27','2017-05-28 01:30:27','',0,'http://www.letsdrawpeople.com/?page_id=3547',0,'page','',0),(3548,2,'2017-05-27 18:52:38','2017-05-28 01:52:38','','How to Edit an Audio File','','private','open','open','','how-to-edit-an-audio-file','','','2017-05-27 18:53:01','2017-05-28 01:53:01','',0,'http://www.letsdrawpeople.com/?p=3548',0,'post','',0),(3549,2,'2017-05-27 18:51:47','2017-05-28 01:51:47','','How to Edit an Audio File','','inherit','closed','closed','','3548-revision-v1','','','2017-05-27 18:51:47','2017-05-28 01:51:47','',3548,'http://www.letsdrawpeople.com/3548-revision-v1/',0,'revision','',0),(3550,2,'2017-05-27 18:59:02','2017-05-28 01:59:02','IMPORTANT: When using the method below to edit audio that will later be synced with an accompanying camera recording, DO NOT delete segments of audio with the delete button. Delete by SILENCING the audio as shown in this video. When you are finished editing, the length of the audio should be the same as it was in the beginning.\r\n\r\n','How to Silence Mouth Noises and Other Segments of Audio','','private','open','open','','how-to-silence-audio-segments','','','2017-05-27 19:00:05','2017-05-28 02:00:05','',0,'http://www.letsdrawpeople.com/?p=3550',0,'post','',0),(3551,2,'2017-05-27 18:59:02','2017-05-28 01:59:02','IMPORTANT: When using the method below to edit audio that will later be synced with an accompanying camera recording, DO NOT delete segments of audio with the delete button. Delete by SILENCING the audio as shown in this video. When you are finished editing, the length of the audio should be the same as it was in the beginning.\r\n\r\n','How to Silence Mouth Noises and Other Segments of Audio','','inherit','closed','closed','','3550-revision-v1','','','2017-05-27 18:59:02','2017-05-28 01:59:02','',3550,'http://www.letsdrawpeople.com/3550-revision-v1/',0,'revision','',0),(3519,2,'2017-05-21 18:29:17','2017-05-22 01:29:17','','Let\'s Draw People Club','','inherit','closed','closed','','3518-revision-v1','','','2017-05-21 18:29:17','2017-05-22 01:29:17','',3518,'http://www.letsdrawpeople.com/3518-revision-v1/',0,'revision','',0),(3520,2,'2017-05-21 18:34:52','2017-05-22 01:34:52','','Let\'s Draw People Club','','publish','closed','closed','','lets-draw-people-club','','','2017-08-02 04:49:08','2017-08-02 11:49:08','',0,'http://www.letsdrawpeople.com/?p=3520',1,'nav_menu_item','',0),(3521,2,'2017-05-21 18:34:52','2017-05-22 01:34:52','','Log In','','publish','closed','closed','','log-in','','','2017-08-02 04:49:08','2017-08-02 11:49:08','',0,'http://www.letsdrawpeople.com/?p=3521',2,'nav_menu_item','',0),(3554,2,'2017-05-27 20:00:27','2017-05-28 03:00:27','Hello Karthik and Nandini!\r\n\r\nAs I put together recurring tasks that I would like you to do for me that may require specific instructions and/or visual demonstrations, I will post them here. This is a private page on my main website. Please keep the link to this webpage handy, and refer to the content below as often as needed.\r\n\r\nThank you for all of your help!\r\n\r\n-Jack\r\n\r\n[gallery size=\"medium\" link=\"none\" ids=\"3552,3553\"]\r\n

','Virtual Assistant Task Training Videos','','inherit','closed','closed','','3455-revision-v1','','','2017-05-27 20:00:27','2017-05-28 03:00:27','',3455,'http://www.letsdrawpeople.com/3455-revision-v1/',0,'revision','',0),(3531,2,'2017-05-27 07:03:44','2017-05-27 14:03:44','Hello Karthik and Nandini!\r\n\r\nAs I put together recurring tasks that I would like you to do for me that may require specific instructions and/or visual demonstrations, I will post them here. This is a private page on my main website. Please keep the link to this webpage handy, and refer to the content below as often as needed.\r\n\r\nThank you for all of your help!\r\n\r\n-Jack\r\n

How to Edit an Audio File

\r\n\r\n

How to Silence Mouth Noises and Other Segments of Audio

\r\nIMPORTANT: When using the method below to edit audio that will later be synced with an accompanying camera recording, DO NOT delete segments of audio with the delete button. Delete by SILENCING the audio as shown in this video. When you are finished editing, the length of the audio should be the same as it was in the beginning.\r\n\r\n','Virtual Assistant Task Training Videos','','inherit','closed','closed','','3455-revision-v1','','','2017-05-27 07:03:44','2017-05-27 14:03:44','',3455,'http://www.letsdrawpeople.com/3455-revision-v1/',0,'revision','',0),(3532,2,'2017-07-27 18:30:24','2017-07-28 01:30:24','Hello Karthik and Nandini!\n\nAs I put together recurring tasks that I would like you to do for me that may require specific instructions and/or visual demonstrations, I will post them here. This is a private page on my main website. Please keep the link to this webpage handy, and refer to the content below as often as needed.\n\nThank you for all of your help!\n\n-Jack\n\n[gallery size=\"medium\" ids=\"3552,3553\"]\n

 How to Save Image Files for the Web

\n','Virtual Assistant Task Training Videos','','inherit','closed','closed','','3455-autosave-v1','','','2017-07-27 18:30:24','2017-07-28 01:30:24','',3455,'http://www.letsdrawpeople.com/3455-autosave-v1/',0,'revision','',0),(3599,2,'2017-07-13 08:36:34','2017-07-13 15:36:34','','copy test','','trash','open','open','','copy-test__trashed','','','2017-07-17 06:27:17','2017-07-17 13:27:17','',0,'http://www.letsdrawpeople.com/?p=3599',0,'post','',0),(3559,2,'2017-06-16 01:35:54','2017-06-16 08:35:54','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

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Part 1                   Part 5

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Part 2                   Part 6

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Part 3                    Part 7

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Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this second video session of the series, we will:\r\n
    \r\n
  • Discuss copyright and proper use of the reference photograph.  00:45
    • \r\n
  • Use a reference photo with grid lines already in place, switching between the photo and the video.  01:50
    • \r\n
  • Make the outline of the face.  09:10
    • \r\n
  • Make the outline of the hair.  21:00
    • \r\n
  • Draw the shoulders and the neckline.  48:40
    • \r\n
  • Finish the line drawing of the hair.  1:07:00
    • \r\n
  • Finish the line drawing of the clothing.  1:26:30
    • \r\n
  • Complete the entire line drawing with value changes on the skin.  1:35:30
    • \r\n
  • Begin adding tones to the eyes.  1:45:50
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 2','','publish','open','closed','','ann-part-2','','','2017-08-01 05:37:22','2017-08-01 12:37:22','',0,'http://www.letsdrawpeople.com/?p=3559',0,'post','',0),(3517,2,'2017-05-21 17:05:29','2017-05-22 00:05:29','Hey [wlm_firstname]!\r\n\r\nWelcome back! Below, you\'ll find links to all the important areas of your membership site. Please feel free peruse the site and definitely let us know if you have any questions.\r\n\r\n[Site admin, place links here]','Dashboard','','inherit','closed','closed','','3478-revision-v1','','','2017-05-21 17:05:29','2017-05-22 00:05:29','',3478,'http://www.letsdrawpeople.com/3478-revision-v1/',0,'revision','',0),(3518,2,'2017-05-21 18:29:17','2017-05-22 01:29:17','Let\'s Draw People Club\r\n\r\nIf you\'ve been exploring how to draw people in a realistic way, on your own and feel ready to tackle those big challenges that have been keeping you stuck, joining Let\'s Draw People Club will give you 100 smart, conscious, aligned friends who will support, encourage, and hold you accountable for an entire year. The catch is that you\'ll have to do the same for them.\r\n\r\nOverview\r\n\r\nConscious Growth Club (CGC) is a one-year online group coaching program and social support system for conscious, growth-oriented people. It includes online video courses on a variety of personal growth topics, live video coaching calls with Q&A, and a private discussion group where members can connect online.\r\n\r\nThe purpose of CGC is to help you make faster progress on your path of personal growth. The core focus is to work together to transform members\' lives for the better – and to do this across a wide spectrum of areas, including work, relationships, income generation, health, productivity, skill building, and more.\r\n\r\nSince we\'ll have a whole year together, there isn\'t one singular transformation this program will target. Rather we\'ll focus on creating the conditions that stimulate and support many types of transformation – with structured content, direct coaching, and strong community interaction.\r\n\r\nImagine having a growth-oriented community helping you achieve your goals and implement your ideas, checking in to see how you\'re doing, offering help, and giving you compassionate and encouraging feedback at each step along the way.\r\n\r\nCore Transformations\r\n\r\nHere are the most requested core transformations that we\'ll work on together throughout the year:\r\n
    \r\n
  • Replacing distraction with focus
    • \r\n
  • Turning confusion into clarity
    • \r\n
  • Adopting the habitsof your best self
    • \r\n
  • Shifting from scarcity to abundance
    • \r\n
  • Enjoying fulfilling work
    • \r\n
  • Building a strong character
    • \r\n
  • Finding a tribe of smart, conscious friends
    • \r\n
  • Moving from stressed/numb to centered
    • \r\n
  • Replacing doubt with trust
    • \r\n
  • Building and honing valuable skills
    • \r\n
  • Waking up your spirit
    • \r\n
\r\nWho Is Let\'s Draw People Club for?\r\n\r\nYou\'re a good match for Let\'s Draw People Club if the following is true for you:\r\n
    \r\n
  • You want to grow and improve holistically, not just in a single area of your life but in multiple areas, although it\'s totally fine if there\'s one big area you want to work on more than the others.
    • \r\n
  • You want to enjoy good health and energy and take good care of your body.
    • \r\n
  • You want to cultivate a sharper, stronger, smarter mind.
    • \r\n
  • You\'re willing to help support, nurture, and share feedback with the other members as they work on their goals, challenges, explorations, etc.
    • \r\n
  • You see the value in having strong social support from a group of like-minded friends that you can bond with.
    • \r\n
  • You want to enjoy positive and supportive relationships with people who genuinely care about you (not just in CGC but in the rest of your life too).
    • \r\n
  • You\'re willing to give and receive honest feedback, while you maintain the freedom and autonomy to decide how to use the feedback you receive.
    • \r\n
  • You\'re willing to share some of your successes and your mistakes during the year, so others can learn from you, celebrate with you, and help you learn and improve.
    • \r\n
  • You seek or have already found a sense of purpose in your life.
    • \r\n
  • You want to create positive ripples in the world.
    • \r\n
  • You want to be happy and enjoy your life.
    • \r\n
  • You\'d appreciate a whole-brain program that values logic and intuition, planning and spontaneity, and left- and right-brain thinking.
    • \r\n
  • You feel ready – perhaps even eager – to invite new perspectives, skills, experiences, and results.
    • \r\n
  • You want to become stronger in your character and more capable as a human being.
    • \r\n
  • You want your social life to be filled with conscious, growth-oriented, abundance-minded friends – friends who will keep you from settling.
    • \r\n
  • You want to see this group succeed, and you believe that it has the potential to do a lot of good for its members and for those whose lives they touch.
    • \r\n
  • You want to interact with me more closely, including getting my personal feedback and advice from time to time.
    • \r\n
\r\nIf you can see yourself in most, if not all, of the items above, CGC is a match for you.\r\n\r\nI\'d say that most current CGC members fit at least one of these categories:\r\n
    \r\n
  • People who have issues with procrastination, drifting, or lack of focus and want more action and accountabilityto get out of complacency and stretch themselves – They want the program to have a good backbone of structure and an emphasis on disciplined action.
    • \r\n
  • People who want more growth-oriented friendsand a stronger social circle – They crave a more empowering social life with people they like and respect, often seeing that as the key ingredient that will uplift and inspire them.
    • \r\n
  • People who want to make a difference in the world and create positive ripples– These people are especially purpose-driven and want to be inspired by other purpose-driven people, so we can all change the world for the better.
    • \r\n
  • People who are already very growth-oriented and ambitious and want to achieve bigger goals– They want to feel stimulated by equally ambitious people and are eager to assimilate new ideas, overcome challenges, and make faster progress.
    • \r\n
  • People who want direct advicefrom me personally – Some have been reading my blog for years and feel a strong personal connection to me because of that relationship, so for them it\'s important to be able to talk to me directly on the coaching calls and/or interact with me in the discussion group.
    • \r\n
\r\nIf you\'ve been reading my blog for a while, you\'re not a normal person. I mean that as a compliment. What you may not realize is that there are a lot of other people out there who think the way you do. The people who read my blog tend to have a lot in common with each other, much more than you\'d expect. If you\'ve never connected with a group of people who are a lot like you, you\'re in for a real treat in CGC.\r\n\r\nProgram Elements\r\n\r\nVideo Courses\r\n\r\nWe\'ll have training modules in a membership area on a variety of personal growth topics, developed and released throughout the year. Each module will include video, audio, and text transcripts with the same material, so you can digest the lessons in whichever format you prefer. You can stream the video and audio directly to your favorite device, or you can download and save the content for later.\r\n\r\nWhat\'s special about CGC is that the course materials are specifically designed for the benefit of our members. So this gets pretty close to having courses that are designed just for you.\r\n\r\nHere are some course ideas that Early Access members have suggested thus far:\r\n
    \r\n
  • Passive income
    • \r\n
  • Creating value online
    • \r\n
  • Self-discipline
    • \r\n
  • Personal growth accelerators (Truth, Love, Power)
    • \r\n
  • Intelligent goal setting and prioritization
    • \r\n
  • Achieving multiple goals across different areas of life
    • \r\n
  • Achieving stretch goals
    • \r\n
  • Taking action consistently (especially in the face of adversity)
    • \r\n
  • Building and applying courage
    • \r\n
  • Overcoming limiting beliefs and negative mental scripts
    • \r\n
  • Being more playful with life and personal growth
    • \r\n
  • Health detox / mental health
    • \r\n
  • Going vegan
    • \r\n
  • Raw foods
    • \r\n
  • Overcoming perfectionism
    • \r\n
  • Creating and living your story
    • \r\n
  • Subjective reality
    • \r\n
  • Passionately applying your talents
    • \r\n
  • Lifestyle design
    • \r\n
  • Changing your attitude / perspective (gratitude, abundance, etc)
    • \r\n
  • Habit change
    • \r\n
  • Life balance (especially learning vs. applying knowledge and skills)
    • \r\n
  • Uncovering your blind spots
    • \r\n
  • Manifesting and abundance
    • \r\n
  • Attracting compatible relationship partners
    • \r\n
  • Creating and enjoying deep relationships
    • \r\n
  • Productivity, energy, and focus
    • \r\n
  • Aligning income streams with your purpose, character, and lifestyle desires
    • \r\n
  • Building mental toughness / strength
    • \r\n
\r\nassignments\r\n\r\nFull-Length Video Tutorials\r\n\r\nWe\'ll have live 90-minute group coaching calls where you can ask questions, get feedback on ideas, and get help solving problems. These calls will be held multiple times per month (about 40-45 calls during the year).\r\n\r\nThese calls will be in streaming video format, just like a webinar. You can access the calls on whichever device you like. You\'ll be able to see me via my webcam, and I can also do screen sharing as needed for demonstrations.\r\n\r\nOn these calls you can talk about solving problems, figuring out decisions, or dealing with challenges in your life.You can also ask for extra emotional support when you need it. Any area of life you want help with is fair game.\r\n\r\nWe can also bring in guest experts for extra coaching, interviews, and live Q&A. I have many friends who are authors, trainers, speakers, coaches, and entrepreneurs, and I\'m sure many of them would be happy to contribute. Some of them also owe me favors. ?\r\n\r\nRecordings\r\n\r\nAll coaching calls will be recorded and available for streaming or download in video and audio formats. So it\'s okay if you miss some or all of the live calls because you\'ll be able to access the recordings whenever you want.\r\n\r\nEach recorded video will be available for streaming or download. access the recordings whenever you want\r\n\r\nAs a member of the Let\'s Draw People Club, you will have access to a growing collection of full-length video tutorials. Videos are organized by series, and each series focuses on one reference photograph as it\'s subject. Once per week, I will release a new recording of\r\n\r\nstep-by-step every pencil stroke thorough explanations of what i\'m doing and why i\'m doing it\r\n\r\naverage duration of each video is approximately 2 hours\r\n\r\ndesigned for you to draw right along with me or to use as a resource when you need specific help drawing a particular feature or using a certain technique\r\n\r\ndraw along with me at your own pace. pause, back up, or skip ahead when you need to. if you watch and draw a completed 6-week series, you get to decide if you want to complete the drawing in 6 weeks, 12 weeks, or 1 week.\r\n\r\nfull access to downloadable, high-resolution reference photographs, grids I use for each series, and even reference photos with grids already in place. for each drawing series that uses the grid method, I also teach you my step-by-step method for setting up the grid for that drawing, so you will gain the knowledge to apply the same techniques to any future reference photograph and drawing you may choose to do on your own\r\n\r\neach video is accompanied with a sequenced list of what is discussed or demonstrated, along with what time the topic starts in the video. furthermore, you can click on the time and go straight to that part of the video to find precisely the help you need\r\n\r\nonce one series is complete, the next video begins a new series with a new reference photograph\r\n\r\ncurrently in the Full-Length Video Tutorials area of the membership, there are 3 complete series and 16 high-definition videos totaling over 32 hours of instruction and demonstration!\r\n\r\nMembers-only Discussion Forums\r\n\r\nYou\'ll have access to our private discussion forums where you can communicate freely with the other CGC members as much as you desire.\r\n\r\nThe forums are where CGC members connect, collaborate, share ideas, give feedback, help hold each other accountable, and encourage the heck out of each other. You\'ll find it to be an immensely positive and supportive environment with lots of people you can turn to for help navigating your personal growth challenges.\r\n\r\nhelp hold each other accountable with course assignments, drawings from course Draw-with-Me lessons, drawings from Full-Length Video Tutorial video series\r\n\r\nOur forums run Discourse, which is very modern forum software that\'s fast to learn, uncluttered, and easy to use. Our forums are ad-free as well.\r\n\r\nThe CGC forums are already active with dozens of Early Access members who\'ve posted thousands of messages so far, so there\'s a vibrant community for you to connect with right away.\r\n\r\nNewsletter\r\n\r\nCGC includes a weekly email newsletter to share updates, highlights, and reminders. You\'ll also be notified when new course modules are added.\r\n\r\nnotification of new full-length videos, new drawing courses, winners for the Gallery Giveaways\r\n\r\nDeep Dives and Challenges\r\n\r\nThroughout the year we\'ll do some deep dives together such as 30-day challenges to build new habits, gain skills, or complete creative projects.\r\n\r\nEach deep dive is an invitation for members who want to work on a certain type of challenge together, supporting each other as we go along. You can do them with the group, you can do them on your own later by using the recordings, or you can decline them if they don\'t fit your schedule or interests.\r\n\r\nGallery Giveaways\r\n\r\nIncentives to help motivate and create engagement.\r\n\r\nAction and Accountability\r\n\r\nIn the CGC forums we have a Progress & Accountability category where members share progress logs for their goals and invite more accountability for taking action on their goals and projects. I maintain a progress log there as well, sharing updates on CGC\'s continued development.\r\n\r\nYou can also use this category to find accountability partners for your goals, so you don\'t have to go it alone.\r\n\r\nSelf Pacing\r\n\r\nFor all aspects of CGC, you go at your own pacing. Nothing is mandatory.\r\n\r\nYou can work through the training modules in whichever order you like, at any pace you desire. You can attend the coaching calls live, or you can listen to the recordings later. You can use the discussion group as much or as little as you like. All of the challenges are optional. You can do them with us, on your own later, or not at all.\r\n\r\nCGC is your personal growth playground. It will fit your schedule because it\'s designed to be flexible. You can access it whenever you want, as much as you want. You can work according to your own cycles and rhythms. If you like going at a steady pace throughout the year, great. If you prefer bursting into activity like a maniac for a few weeks and then going at a slower pace while you recharge, also great. You can take breaks whenever you want. This is a key advantage of a one-year program. There is no forced pacing.\r\n\r\nYou\'re free to choose which specific transformations you want to focus on at any given time. Do you want to work towards leaving your job and starting an online business? Would you like to add new income streams? Do you want to improve your health? Would you like to enrich your social life? Are you facing a potential separation or divorce that needs to be resolved? We\'ll help you set priorities for what you want to improve during our year together.\r\n\r\nIf you want to be pushed, held accountable, and nudged out of your complacency, we\'ll help you get your ass in gear. If you need to be nurtured, accepted, and understood, we\'ll shower you with unconditional love. If you need to heal, we\'ll help you heal.\r\n\r\nA major goal of CGC is to help you get good at holistic transformation, so you can continue creating the life you desire, regardless of the future challenges you may face.\r\n\r\nPricing\r\n\r\nYour investment for a full year of membership in Conscious Growth Club is $1997.\r\n\r\nYou can pay for your membership up front with a single payment, or you can choose a payment plan. The payment plan is 8 payments of $297, spaced a month apart. So that\'s 1 payment of $297 when you sign up and then 7 more monthly payments of $297 after that. Whether you opt for the one-pay or the payment plan, it\'s still a one-year membership.\r\n\r\nIt\'s important for us to create a strong feeling of investment from the members, so everyone in the group has some real skin in the game. As with any type of coaching or club, active participation means results.\r\n\r\nYour CGC membership will last for a whole year, so you\'ll have many opportunities and lots of time to extract good value for your investment.\r\n\r\nI can tell you from experience that when you join this group, you\'re going to grow in many ways that you would not have predicted in advance. Some of your expected improvements will surely happen too, but be prepared for surprises. When we expose ourselves to such intense transformational energy, it changes us in ways we wouldn\'t even have thought to ask for. I get changed by this energy too.\r\n\r\nMoney-Back Guarantee\r\n\r\nIf you join CGC and decide for whatever reason that the group isn\'t a match for you, just request a refund within the first 30 days of your membership, and we\'ll refund your money.\r\n\r\nEarly Access – Now Open\r\n\r\nI expect to do the official launch of CGC in Summer 2017. However, enthusiasm about CGC has been so high that many people have inquired about the possibility of joining sooner, even while the program is still in development, so I\'ve added an Early Access option that has already proven very popular, with dozens of people joining in just the first week and more still signing up each day.\r\n\r\nHere\'s how CGC Early Access works:\r\n
    \r\n
  • No extra cost- If you want Early Access to CGC, you still pay the same price when you join, but your one-year membership doesn\'t start counting down until we do the official launch in the summer. So the whole Early Access period is bonus time added to the front of your membership for no extra cost. Hence the sooner you join, the more free bonus time you get.
    • \r\n
  • Access to the forums- Our discussion forums are already up and running with dozens of active Early Access members, so you\'ll get access to the forums when you sign up.
    • \r\n
  • Earliest possible access to CGC courses- As we develop the CGC courses, you\'ll be able to access each piece as soon as it\'s available.
    • \r\n
  • Extra coaching calls- As an Early Access member, you\'ll be able to participate in extra coaching calls that we host during the Early Access period.
    • \r\n
  • Extended money-back guarantee- For Early Access members, I\'m extending the money-back guarantee from the time of sign-up until the end of the official launch window, plus another 30 days. That way you\'re still getting the same 30-day guarantee as anyone else who enrolls during the official launch, and your guarantee spans the entire Early Access period too.
    • \r\n
\r\nJoin Conscious Growth Club – Early Access\r\n\r\nIf you wish to join Conscious Growth Club during the Early Access period and get started right away, you can sign up right here:\r\n\r\nPay in Full\r\n\r\n$1997\r\n
    \r\n
  • One payment of $1997 – Pay in full today, and save $379 compared to the payment plan
    • \r\n
  • Membership:One full year of CGC membership
    • \r\n
  • Early Access Bonus:Early Access period added to the beginning for free
    • \r\n
  • Courses:Members-only video training courses on a variety of personal growth topics (with audio and text formats available too)
    • \r\n
  • Coaching:90-minute video coaching calls 3-4 times per month (with recordings posted after the calls)
    • \r\n
  • Forums:Private discussion group to connect with Steve and other CGC members for support, accountability, and friendship
    • \r\n
  • Deep Dives:Opportunities to participate in frequent deep dives such as 30-day trials to build new habits, gain skills, and complete creative projects
    • \r\n
  • Newsletter:Weekly members-only newsletter to share updates, highlights, and reminders
    • \r\n
  • Guarantee:100% money-back guarantee during the entire early access period + 30 more days
    • \r\n
\r\nJoin now – Pay in Full\r\n\r\n \r\n\r\nPayment Plan\r\n\r\n8 payments of $297\r\n
    \r\n
  • One payment of $297 today, and then 7 more monthly payments of $297
    • \r\n
  • Membership:One full year of CGC membership
    • \r\n
  • Early Access Bonus:Early Access period added to the beginning for free
    • \r\n
  • Courses:Members-only video training courses on a variety of personal growth topics (with audio and text formats available too)
    • \r\n
  • Coaching:90-minute video coaching calls 3-4 times per month (with recordings posted after the calls)
    • \r\n
  • Forums:Private discussion group to connect with Steve and other CGC members for support, accountability, and friendship
    • \r\n
  • Deep Dives:Opportunities to participate in frequent deep dives such as 30-day trials to build new habits, gain skills, and complete creative projects
    • \r\n
  • Newsletter:Weekly members-only newsletter to share updates, highlights, and reminders
    • \r\n
  • Guarantee:100% money-back guarantee during the entire early access period + 30 more days
    • \r\n
\r\nJoin now – Payment Plan\r\n\r\n \r\n

Need Help?

\r\nIf you have any questions about Conscious Growth Club or if you need help joining, please send a message through the contact form.','Let\'s Draw People Club','','private','closed','closed','','club','','','2017-08-07 11:17:56','2017-08-07 18:17:56','',0,'http://www.letsdrawpeople.com/?page_id=3518',0,'page','',0),(3512,2,'2017-05-19 05:50:46','2017-05-19 12:50:46','\r\n

Download Video

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n

\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-19 05:50:46','2017-05-19 12:50:46','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3514,2,'2017-05-20 15:10:01','2017-05-20 22:10:01','\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-20 15:10:01','2017-05-20 22:10:01','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3513,2,'2017-05-19 05:59:06','2017-05-19 12:59:06','\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-19 05:59:06','2017-05-19 12:59:06','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3575,2,'2017-06-14 21:03:43','2017-06-15 04:03:43','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-06-14 21:03:43','2017-06-15 04:03:43','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3511,2,'2017-05-19 05:45:51','2017-05-19 12:45:51','\r\n

Download Video

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n\r\n[one_half]\r\n

\r\n\r\n

\"Ann\" Video Series

\r\n

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n

\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-19 05:45:51','2017-05-19 12:45:51','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3576,2,'2017-06-15 13:41:01','2017-06-15 20:41:01','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-06-15 13:41:01','2017-06-15 20:41:01','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3509,2,'2017-05-19 05:38:43','2017-05-19 12:38:43','\r\n

Download Video

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n

\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-19 05:38:43','2017-05-19 12:38:43','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3510,2,'2017-05-19 05:42:47','2017-05-19 12:42:47','\r\n

Download Video

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n

\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-19 05:42:47','2017-05-19 12:42:47','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(658,2,'2013-06-30 13:52:24','2013-06-30 20:52:24','\r\n \r\n \r\n \r\n\r\n','Pencil Portrait Mastery','','inherit','open','open','','58-revision-6','','','2013-06-30 13:52:24','2013-06-30 20:52:24','',58,'http://www.letsdrawpeople.com/58-revision-6/',0,'revision','',0),(3508,2,'2017-05-18 21:45:22','2017-05-19 04:45:22','\r\n

Download Video

\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n\"\"\r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n

\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-18 21:45:22','2017-05-19 04:45:22','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3507,2,'2017-05-18 21:33:25','2017-05-19 04:33:25','\r\n

Download Video

\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n\"\"\r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n

\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials or paid resources, feel free to purchase through the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-18 21:33:25','2017-05-19 04:33:25','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(599,2,'2013-06-30 13:51:45','2013-06-30 20:51:45','From time to time, LetsDrawPeople.com will endorse, promote, or suggest products and/or services for sale. The recommendations are based on our belief that the products and their creators will provide valuable information and sufficient service. This belief is based on LetsDrawPeople.com’s review of that product, its relationship with the creator, and/or previous positive experiences.\r\n\r\nCommissions that are credited to LetsDrawPeople.com can result from purchases you make from recommended links. We will only recommend products and services that we have researched and believe to be beneficial for our users. Users should still do their own research and make their own informed opinions before buying a product or service from a recommendation or link found on LetsDrawPeople.com.','Affiliate Disclaimer','','inherit','open','open','','517-revision-v1','','','2013-06-30 13:51:45','2013-06-30 20:51:45','',517,'http://www.letsdrawpeople.com/517-revision-5/',0,'revision','',0),(1045,2,'2016-01-02 13:06:38','2016-01-02 21:06:38','From time to time, LetsDrawPeople.com will endorse, promote, or suggest (via posted articles, tutorials, communications, etc.) affiliate products and/or services for sale. LetsDrawPeople.com may also regularly display banners or other links to affiliate offers along the top or bottom of its posts or pages or along the website\'s sidebar. The recommendations are based on our belief that the products and/or services will provide valuable information and/or be useful and beneficial for visitors to our website. This belief is based on LetsDrawPeople.com’s review of that product or service, its relationship with the creator or supplier, and/or previous positive experiences.\n\nLetsDrawPeople.com is an affiliate of ClickBank, a company that distributes digital informational products found on this site and through communications to our email subscribers and social media platforms.\n\nLetsDrawPeople.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.\n\nLetsDrawPeople.com is an affiliate of Art.com, PictureFrames.com, and Michaels Stores, Inc.\n\nAt no additional cost to you, commissions that are credited to LetsDrawPeople.com can result from purchases you make from recommended affiliate links. We will only recommend products and services that we have researched and believe to be beneficial for our users. Users should still do their own research and make their own informed opinions before buying an affiliate product or service from a recommendation or link found on LetsDrawPeople.com.','Affiliate Disclaimer','','inherit','open','open','','517-autosave-v1','','','2016-01-02 13:06:38','2016-01-02 21:06:38','',517,'http://www.letsdrawpeople.com/517-autosave-v1/',0,'revision','',0),(600,2,'2013-06-30 13:52:33','2013-06-30 20:52:33','[my_privacy_policy]','Privacy Policy','','inherit','open','open','','14-revision-v1','','','2013-06-30 13:52:33','2013-06-30 20:52:33','',14,'http://www.letsdrawpeople.com/14-revision-6/',0,'revision','',0),(1033,2,'2016-01-02 13:01:19','2016-01-02 21:01:19','Last Updated: January 2, 2016\n\nLet\'s Draw People (\"Let\'s Draw People\") operates LetsDrawPeople.com. It is Let\'s Draw People\'s policy to respect your privacy regarding any information we may collect while operating this website.\n

Website Visitors

\nLike most website operators, Let\'s Draw People collects non-personally-identifying information of the sort that web browsers and servers typically make available, such as the browser type, language preference, referring site, and the date and time of each visitor request. Let\'s Draw People\'s purpose in collecting non-personally identifying information is to better understand how Let\'s Draw People\'s visitors use its website. From time to time, Let\'s Draw People may release non-personally-identifying information in the aggregate, e.g., by publishing a report on trends in the usage of its website.\n\nLet\'s Draw People also collects potentially personally-identifying information like Internet Protocol (IP) addresses for logged in users and for users leaving comments on LetsDrawPeople.com. Let\'s Draw People only discloses logged in user and commenter IP addresses under the same circumstances that it uses and discloses personally-identifying information as described below, except that commenter IP addresses are visible and disclosed to the administrators of the blog/site where the comment was left.\n

Gathering of Personally-Identifying Information

\nCertain visitors to LetsDrawPeople.com choose to interact with Let\'s Draw People in ways that require Let\'s Draw People to gather personally-identifying information. The amount and type of information that Let\'s Draw People gathers depends on the nature of the interaction. For example, we ask visitors who sign up to receive informational products from LetsDrawPeople.com to provide an email address. Those who engage in transactions with Let\'s Draw People are asked to provide additional information, including as necessary the personal and financial information required to process those transactions. In each case, Let\'s Draw People collects such information only insofar as is necessary or appropriate to fulfill the purpose of the visitor\'s interaction with Let\'s Draw People. Let\'s Draw People does not disclose personally-identifying information other than as described below. And visitors can always refuse to supply personally-identifying information, with the caveat that it may prevent them from engaging in certain website-related activities.\n

Aggregated Statistics

\nLet\'s Draw People may collect statistics about the behavior of visitors to LetsDrawPeople.com. Let\'s Draw People may display this information publicly or provide it to others. However, Let\'s Draw People does not disclose personally-identifying information other than as described below.\n

Protection of Certain Personally-Identifying Information

\nLet\'s Draw People discloses potentially personally-identifying and personally-identifying information only to those of its employees, contractors, and affiliated organizations that (i) need to know that information in order to process it on Let\'s Draw People\'s behalf or to provide services available at LetsDrawPeople.com, and (ii) that have agreed not to disclose it to others. Some of those employees, contractors, and affiliated organizations may be located outside of your home country; by using LetsDrawPeople.com, you consent to the transfer of such information to them. Let\'s Draw People will not rent or sell potentially personally-identifying and personally-identifying information to anyone. Other than to its employees, contractors, and affiliated organizations, as described above, Let\'s Draw People discloses potentially personally-identifying and personally-identifying information only in response to a subpoena, court order, or other governmental request, or when Let\'s Draw People believes in good faith that disclosure is reasonably necessary to protect the property or rights of Let\'s Draw People, third parties, or the public at large. If you are a registered user of LetsDrawPeople.com and have supplied your email address, Let\'s Draw People may occasionally send you an email to tell you about new features, solicit your feedback, or just keep you up to date with what\'s going on with Let\'s Draw People and our products. If you send us a request (for example via email or via one of our feedback mechanisms), we reserve the right to publish it in order to help us clarify or respond to your request or to help us support other users. Let\'s Draw People takes all measures reasonably necessary to protect against the unauthorized access, use, alteration or destruction of potentially personally-identifying and personally-identifying information.\n

Childrens Online Privacy Protection Act Compliance

\nWe are in compliance with the requirements of COPPA (Childrens Online Privacy Protection Act). We do not collect any information from anyone under 13 years of age. Our website, products and services are all directed to people who are at least 13 years old or older.\n

Cookies

\nA cookie is a string of information that a website stores on a visitor\'s computer, and that the visitor\'s browser provides to the website each time the visitor returns. Let\'s Draw People uses cookies to help Let\'s Draw People identify and track visitors, their usage of LetsDrawPeople.com, and their website access preferences. Let\'s Draw People visitors who do not wish to have cookies placed on their computers should set their browsers to refuse cookies before using LetsDrawPeople.com, with the drawback that certain features of the site may not function properly without the aid of cookies.\n

Business Transfers

\nIf Let\'s Draw People, or substantially all of its assets, were acquired, or in the unlikely event that Let\'s Draw People goes out of business or enters bankruptcy, user information would be one of the assets that is transferred or acquired by a third party. You acknowledge that such transfers may occur, and that any acquirer of Let\'s Draw People may continue to use your personal information as set forth in this policy.\n

Ads

\nAds appearing on this website may be delivered to users by advertising partners, who may set cookies. These cookies allow the ad server to recognize your computer each time they send you an online advertisement to compile information about you or others who use your computer. This information allows ad networks to, among other things, deliver targeted advertisements that they believe will be of most interest to you. This Privacy Policy covers the use of cookies by Let\'s Draw People and does not cover the use of cookies by any advertisers.\n

Your Opt-Out Rights

\nYou may opt-out of receiving communications from us and/or our partners by not submitting your information. We also allow you to remove your information from our marketing lists. If you remove your information from our lists, it will no longer be used by us to send promotional correspondence to you. You can remove your information from our marketing lists by clicking on the “Unsubscribe” link at the bottom of every email we send you.\n

Changes

\nAlthough most changes are likely to be minor, Let\'s Draw People may change its Privacy Policy from time to time, and in Let\'s Draw People\'s sole discretion. Let\'s Draw People encourages visitors to frequently check this page for any changes to its Privacy Policy. Your continued use of this site after any change in this will constitute your acceptance of such change.','Privacy Policy','','inherit','open','open','','14-autosave-v1','','','2016-01-02 13:01:19','2016-01-02 21:01:19','',14,'http://www.letsdrawpeople.com/14-autosave-v1/',0,'revision','',0),(3505,2,'2017-05-18 21:30:55','2017-05-19 04:30:55','\r\n

Download Video

\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n\"\"\r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n

\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials or paid resources, feel free to purchase through the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-18 21:30:55','2017-05-19 04:30:55','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3504,2,'2017-05-18 21:28:12','2017-05-19 04:28:12','\r\n

Download Video

\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n\"\"\r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

\r\n

\"Ann\" Part 1

\r\n

\"Ann\" Part 2

\r\n

\"Ann\" Part 3

\r\n

\"Ann\" Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n

\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials or paid resources, feel free to purchase through the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-18 21:28:12','2017-05-19 04:28:12','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3503,2,'2017-05-18 21:26:36','2017-05-19 04:26:36','\r\n

Download Video

\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n\"\"\r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

\"Ann\" Part 1

\r\n

\"Ann\" Part 2

\r\n

\"Ann\" Part 3

\r\n

\"Ann\" Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n

\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials or paid resources, feel free to purchase through the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-18 21:26:36','2017-05-19 04:26:36','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(609,2,'2013-07-08 16:54:55','2013-07-08 23:54:55',' ','','','publish','open','closed','','609','','','2017-06-06 05:25:20','2017-06-06 12:25:20','',49,'http://www.letsdrawpeople.com/?p=609',16,'nav_menu_item','',0),(612,2,'2013-07-10 20:11:38','2013-07-11 03:11:38','

OUR MISSION

\r\nWelcome! At Let\'s Draw People, it is our mission to awaken the inner artist in everyday people (including you!)...by drawing people. We believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason we do what we do is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

OUR GOAL

\r\nOur goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! Our aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating realistic pencil portraits that will amaze themselves and those they know and love.\r\n

HOW WE DO IT

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn, but life, jobs, and family got in the way and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or if you have some experience, Let\'s Draw People lets you take your skills as an aspiring portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. We have informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop, you may be able to eventually share your work in a gallery on this site to have your artwork recognized and appreciated by our followers. Better yet, you may be able to become a contributing artist and author for us!\r\n

HOW WE GOT STARTED

\r\nLet\'s Draw People was founded by Jack Pearce, a guy who had a love for drawing ever since he was 3 years old and never really grew out of it. Although he loved drawing everything under the sun, Jack always had a special fascination with drawing people. The more Jack\'s skills developed, the more he wanted to focus on drawing people, especially realistic portraits in pencil (his favorite medium). Growing up, Jack always believed he would make a living as an artist. However, as the realities of adulthood and other interests sat in, the term \"starving artist\" began to have more meaning, and Jack eventually took other jobs and degree programs that lead to a career as a teacher in Nevada.\r\n\r\nJack still occasionally drew portraits for people, and whenever he did, it triggered that childhood passion and desire to draw all the time. He formed Let\'s Draw People as a way to bring together others who have similar experiences, who have that wish of having the freedom to draw all day long as they so innocently did as kids. He formed Let\'s Draw People as a way to bring together portrait artists who want to share their knowledge and artwork, to help others learn, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people! Also, we invite you to subscribe to our mailing list and join our growing social community on Facebook, Pinterest, and YouTube to stay up-to-date on the latest articles, tutorials, and artwork!','About Us','','inherit','open','open','','45-revision-v1','','','2013-07-10 20:11:38','2013-07-11 03:11:38','',45,'http://www.letsdrawpeople.com/45-revision-23/',0,'revision','',0),(805,2,'2013-08-11 08:39:03','2013-08-11 15:39:03','

OUR MISSION

\r\nWelcome! At Let\'s Draw People, it is our mission to awaken the inner artist in everyday people (including you!)...by drawing people. We believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason we do what we do is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

OUR GOAL

\r\nOur goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! Our aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating realistic pencil portraits that will amaze themselves and those they know and love.\r\n

HOW WE DO IT

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn, but life, jobs, and family got in the way and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or if you have some experience, Let\'s Draw People lets you take your skills as an aspiring portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. We have informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop, you may be able to eventually share your work in a gallery on this site to have your artwork recognized and appreciated by our followers. Better yet, you may be able to become a contributing artist and author for us!\r\n

HOW WE GOT STARTED

\r\nLet\'s Draw People was founded by Jack Pearce, a guy who had a love for drawing ever since he was 3 years old and never really grew out of it. Although he loved drawing everything under the sun, Jack always had a special fascination with drawing people. The more Jack\'s skills developed, the more he wanted to focus on drawing people, especially realistic portraits in pencil (his favorite medium). Although Jack\'s chosen career path led him to become a teacher rather than a professional artist, he has drawn many commissioned portraits for people wanting custom portrait artwork, and he still draws people in his spare time for fun.\r\n\r\nWhenever Jack does draw people, it triggers that childhood passion and desire to draw all the time. He formed Let\'s Draw People as a way to bring together others who have similar experiences, who have that wish of having the freedom to draw all day long as they so innocently did as kids. He formed Let\'s Draw People as a way to bring together portrait artists who want to share their knowledge and artwork, to help others learn, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people! Also, we invite you to subscribe to our mailing list and join our growing social community on Facebook, Pinterest, and YouTube to stay up-to-date on the latest articles, tutorials, and artwork!','About Us','','inherit','open','open','','45-revision-v1','','','2013-08-11 08:39:03','2013-08-11 15:39:03','',45,'http://www.letsdrawpeople.com/45-revision-v1/',0,'revision','',0),(613,1,'2013-06-25 21:02:47','2013-06-26 04:02:47','\"030596\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in drawing people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','Let\'s See How to Draw People','','inherit','open','open','','66-revision-v1','','','2013-06-25 21:02:47','2013-06-26 04:02:47','',66,'http://www.letsdrawpeople.com/66-revision-33/',0,'revision','',0),(614,2,'2013-07-01 14:46:22','2013-07-01 21:46:22','[gallery link=\"file\" ids=\"73,74,342\"]','Portrait Gallery','','inherit','open','open','','489-revision-v1','','','2013-07-01 14:46:22','2013-07-01 21:46:22','',489,'http://www.letsdrawpeople.com/489-revision-4/',0,'revision','',0),(615,2,'2013-07-10 21:22:28','2013-07-11 04:22:28','\"030596\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in drawing people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','Let\'s See How to Draw People','','inherit','open','open','','66-revision-v1','','','2013-07-10 21:22:28','2013-07-11 04:22:28','',66,'http://www.letsdrawpeople.com/66-revision-34/',0,'revision','',0),(616,2,'2013-07-10 21:34:04','2013-07-11 04:34:04','\"030596\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in drawing people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','Let\'s See How to Draw People','','inherit','open','open','','66-revision-v1','','','2013-07-10 21:34:04','2013-07-11 04:34:04','',66,'http://www.letsdrawpeople.com/66-revision-35/',0,'revision','',0),(618,2,'2013-07-03 13:37:24','2013-07-03 20:37:24','LetsDrawPeople.com is owned and operated by Keen Milestones.\r\n\r\n
Keen Milestones
3053 West Craig Road
Suite E # 202
North Las Vegas, NV 89032
editor@letsdrawpeople.com
We would love to hear from you! For the quickest reply, please use the form below to contact us anytime. We look forward to responding to your questions or comments!\r\n\r\nWebsite Feedback: Let us know what you love about our site and what could make it better.\r\n\r\nTutorial Suggestions: Which kind of people-drawing tutorials would you like to see on our site?\r\n\r\n[contact-form-7 id=\"547\" title=\"Contact Us\"]\r\n\r\nDraw for Us: Are you a talented portrait artist? If you want to contact us about how you can contribute your own tutorials to our website, click here.\r\n\r\nAdvertise with Us: For more information about how to advertise on our website, click here.\r\n\r\nHave you subscribed to our mailing list yet? This is the best way to stay in constant contact with us and keep up-to-date on the latest drawing tutorials. Sign up for free and get an e-course on the four steps needed to easily and realistically draw ANY troublesome facial feature!','Contact Us','','inherit','open','open','','15-revision-v1','','','2013-07-03 13:37:24','2013-07-03 20:37:24','',15,'http://www.letsdrawpeople.com/15-revision-11/',0,'revision','',0),(2047,2,'2015-07-08 08:43:50','2015-07-08 15:43:50','You can contact me by email at support@letsdrawpeople.com or at the address below.\r\n\r\n
Let\'s Draw People
3053 West Craig Road
Suite E # 202
North Las Vegas, NV 89032
I would love to hear from you! For the quickest reply, please use the form below to contact anytime. I look forward to responding to your questions and comments.\r\n\r\nQuestions: Ask any questions you have about any part of the website or what we do.\r\n\r\nWebsite Feedback: Let me know what you love about the site and what could make it better.\r\n\r\nTutorial Suggestions: Which kind of people-drawing tutorials would you like to see more of on this site?\r\n\r\n[nform id=\'1\']','Contact Page','','inherit','open','open','','15-revision-v1','','','2015-07-08 08:43:50','2015-07-08 15:43:50','',15,'http://www.letsdrawpeople.com/15-revision-v1/',0,'revision','',0),(623,2,'2013-06-27 15:33:58','2013-06-27 22:33:58','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\r\n

\"http://www.dreamstime.com/-image16063419\"

\r\n\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\r\n

 \"01p

\r\n\r\n

Step 2: Outline of the Eyes

\r\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\r\n

 \"02p

\r\n\r\n

Step 3: Upper Eyelids

\r\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\r\n

 \"03p

\r\n\r\n

Step 4: Irises and Pupils

\r\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\r\n

 \"04p

\r\n\r\n

Step 5: Lower Eyelids

\r\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\r\n

 \"05p

\r\n\r\n

Step 6: Surrounding Features

\r\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\r\n

 \"06p

\r\n\r\n

Step 7: Guidelines for Shading

\r\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\r\n

 \"07p

\r\n\r\n

Step 8: Erase Grid Lines

\r\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\r\n

 \"08p

\r\n\r\n

Step 9: Shading and Details

\r\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading. For the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together. For the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs. Make the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\r\n

 \"09p

\r\n\r\n

Step 10: Eyelashes

\r\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance. Carefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\r\n

 \"10p

\r\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness. Apply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','How to Draw Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2013-06-27 15:33:58','2013-06-27 22:33:58','',271,'http://www.letsdrawpeople.com/271-revision-30/',0,'revision','',0),(624,2,'2013-07-19 16:32:19','2013-07-19 23:32:19','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\r\n

\"http://www.dreamstime.com/-image16063419\"

\r\n\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\r\n

 \"01p

\r\n\r\n

Step 2: Outline of the Eyes

\r\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\r\n

 \"02p

\r\n\r\n

Step 3: Upper Eyelids

\r\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\r\n

 \"03p

\r\n\r\n

Step 4: Irises and Pupils

\r\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\r\n

 \"04p

\r\n\r\n

Step 5: Lower Eyelids

\r\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\r\n

 \"05p

\r\n\r\n

Step 6: Surrounding Features

\r\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\r\n

 \"06p

\r\n\r\n

Step 7: Guidelines for Shading

\r\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\r\n

 \"07p

\r\n\r\n

Step 8: Erase Grid Lines

\r\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\r\n

 \"08p

\r\n\r\n

Step 9: Shading and Details

\r\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading. For the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together. For the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs. Make the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\r\n

 \"09p

\r\n\r\n

Step 10: Eyelashes

\r\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance. Carefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\r\n

 \"10p

\r\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness. Apply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','How to Draw Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2013-07-19 16:32:19','2013-07-19 23:32:19','',271,'http://www.letsdrawpeople.com/271-revision-31/',0,'revision','',0),(625,2,'2013-07-19 16:37:43','2013-07-19 23:37:43','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\r\n

\"http://www.dreamstime.com/-image16063419\"

\r\n\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\r\n

 \"01p

\r\n\r\n

Step 2: Outline of the Eyes

\r\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\r\n

 \"02p

\r\n\r\n

Step 3: Upper Eyelids

\r\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\r\n

 \"03p

\r\n\r\n

Step 4: Irises and Pupils

\r\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\r\n

 \"04p

\r\n\r\n

Step 5: Lower Eyelids

\r\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\r\n

 \"05p

\r\n\r\n

Step 6: Surrounding Features

\r\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\r\n

 \"06p

\r\n\r\n

Step 7: Guidelines for Shading

\r\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\r\n

 \"07p

\r\n\r\n

Step 8: Erase Grid Lines

\r\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\r\n

 \"08p

\r\n\r\n

Step 9: Shading and Details

\r\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading. For the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together. For the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs. Make the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\r\n

 \"09p

\r\n\r\n

Step 10: Eyelashes

\r\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance. Carefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\r\n

 \"10p

\r\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness. Apply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','How to Draw Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2013-07-19 16:37:43','2013-07-19 23:37:43','',271,'http://www.letsdrawpeople.com/271-revision-32/',0,'revision','',0),(626,1,'2013-06-25 21:02:11','2013-06-26 04:02:11','
Shoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n

\"©

\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"drawing

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n

\"drawing

\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

\"drawing

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"drawing

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"drawing

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"drawing

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"drawing

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"drawing

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n

\"wedge

\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2013-06-25 21:02:11','2013-06-26 04:02:11','',129,'http://www.letsdrawpeople.com/129-revision-33/',0,'revision','',0),(627,2,'2013-07-19 16:49:50','2013-07-19 23:49:50','
Shoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n

\"©

\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"drawing

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n

\"drawing

\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

\"drawing

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"drawing

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"drawing

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"drawing

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"drawing

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"drawing

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n

\"wedge

\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2013-07-19 16:49:50','2013-07-19 23:49:50','',129,'http://www.letsdrawpeople.com/129-revision-34/',0,'revision','',0),(629,2,'2013-07-19 16:57:29','2013-07-19 23:57:29',' ','','','publish','open','closed','','629','','','2017-06-06 05:25:20','2017-06-06 12:25:20','',9,'http://www.letsdrawpeople.com/?p=629',11,'nav_menu_item','',0),(630,1,'2013-06-25 21:01:41','2013-06-26 04:01:41','
When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n

\"©

\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"01

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"02

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"03

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"04

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"05

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"06

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"07

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"08

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\r\n','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2013-06-25 21:01:41','2013-06-26 04:01:41','',165,'http://www.letsdrawpeople.com/165-revision-53/',0,'revision','',0),(631,2,'2013-07-19 18:42:57','2013-07-20 01:42:57','
When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n

\"©

\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"01

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"02

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"03

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"04

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"05

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"06

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"07

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"08

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\r\n','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2013-07-19 18:42:57','2013-07-20 01:42:57','',165,'http://www.letsdrawpeople.com/165-revision-54/',0,'revision','',0),(632,2,'2013-07-19 16:53:31','2013-07-19 23:53:31','
Shoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n

\"©

\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"drawing

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n

\"drawing

\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

\"drawing

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"drawing

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"drawing

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"drawing

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"drawing

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"drawing

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n

\"wedge

\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2013-07-19 16:53:31','2013-07-19 23:53:31','',129,'http://www.letsdrawpeople.com/129-revision-35/',0,'revision','',0),(633,1,'2013-06-25 21:02:02','2013-06-26 04:02:02','
Okay Everybody, if you want to know how to draw noses, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n

\"nose01\"

\r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n

\"nose02\"

\r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n

\"nose04\"

\r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n

\"nose03\"

\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2013-06-25 21:02:02','2013-06-26 04:02:02','',85,'http://www.letsdrawpeople.com/85-revision-32/',0,'revision','',0),(634,2,'2013-07-21 16:52:36','2013-07-21 23:52:36','
Okay Everybody, if you want to know how to draw noses, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n

\"nose01\"

\r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n

\"nose02\"

\r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n

\"nose04\"

\r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n

\"nose03\"

\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2013-07-21 16:52:36','2013-07-21 23:52:36','',85,'http://www.letsdrawpeople.com/85-revision-33/',0,'revision','',0),(635,1,'2013-06-25 21:02:37','2013-06-26 04:02:37','
\"\"If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\r\n

Placement

\r\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\r\n

Projection

\r\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\r\n

Bridge

\r\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, slanted zig-zag lines works.\r\n

Tip

\r\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\r\n

Nostrils

\r\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\r\n\r\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!\r\n\r\n ','Tips for How to Draw Noses','','inherit','open','open','','77-revision-v1','','','2013-06-25 21:02:37','2013-06-26 04:02:37','',77,'http://www.letsdrawpeople.com/77-revision-19/',0,'revision','',0),(636,2,'2013-07-21 17:27:27','2013-07-22 00:27:27','
\r\n\"\"If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\r\n

Placement

\r\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\r\n

Projection

\r\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\r\n

Bridge

\r\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, slanted zig-zag lines works.\r\n

Tip

\r\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\r\n

Nostrils

\r\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\r\n\r\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!\r\n\r\n ','Tips for How to Draw Noses','','inherit','open','open','','77-revision-v1','','','2013-07-21 17:27:27','2013-07-22 00:27:27','',77,'http://www.letsdrawpeople.com/77-revision-20/',0,'revision','',0),(637,2,'2013-07-21 16:53:48','2013-07-21 23:53:48','
\r\nOkay Everybody, if you want to know how to draw noses, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n

\"nose01\"

\r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n

\"nose02\"

\r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n

\"nose04\"

\r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n

\"nose03\"

\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2013-07-21 16:53:48','2013-07-21 23:53:48','',85,'http://www.letsdrawpeople.com/85-revision-34/',0,'revision','',0),(639,2,'2013-07-10 21:24:48','2013-07-11 04:24:48','[gallery link=\"file\" ids=\"73,74,342\"]','Portrait Gallery','','inherit','open','open','','489-revision-v1','','','2013-07-10 21:24:48','2013-07-11 04:24:48','',489,'http://www.letsdrawpeople.com/489-revision-5/',0,'revision','',0),(640,2,'2013-07-22 19:33:16','2013-07-23 02:33:16','','alexis','\"Alexis\" by Jack Pearce','inherit','open','open','','alexis','','','2013-07-22 19:33:16','2013-07-23 02:33:16','',489,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/alexis.jpg',0,'attachment','image/jpeg',0),(641,2,'2013-07-22 19:33:19','2013-07-23 02:33:19','','amaya','\"Amaya\" by Jack Pearce','inherit','open','open','','amaya','','','2013-07-22 19:33:19','2013-07-23 02:33:19','',489,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/amaya.jpg',0,'attachment','image/jpeg',0),(642,2,'2013-07-22 19:33:21','2013-07-23 02:33:21','','amber','\"Amber\" by Jack Pearce','inherit','open','open','','amber','','','2013-07-22 19:33:21','2013-07-23 02:33:21','',489,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/amber.jpg',0,'attachment','image/jpeg',0),(643,2,'2013-07-22 19:33:22','2013-07-23 02:33:22','','ashley','\"Ashley\" by Jack Pearce','inherit','open','open','','ashley','','','2013-07-22 19:33:22','2013-07-23 02:33:22','',489,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/ashley.jpg',0,'attachment','image/jpeg',0),(644,2,'2013-07-22 19:33:23','2013-07-23 02:33:23','','ashleydanny','\"Ashley and Danny\" by Jack Pearce','inherit','open','open','','ashleydanny','','','2013-07-22 19:33:23','2013-07-23 02:33:23','',489,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/ashleydanny.jpg',0,'attachment','image/jpeg',0),(645,2,'2013-07-22 19:33:24','2013-07-23 02:33:24','','danny','\"Danny\" by Jack Pearce','inherit','open','open','','danny','','','2013-07-22 19:33:24','2013-07-23 02:33:24','',489,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/danny.jpg',0,'attachment','image/jpeg',0),(646,2,'2013-07-22 19:33:24','2013-07-23 02:33:24','','dennisjr2','\"Dennis Jr.\" by Jack Pearce','inherit','open','open','','dennisjr2','','','2013-07-22 19:33:24','2013-07-23 02:33:24','',489,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/dennisjr2.jpg',0,'attachment','image/jpeg',0),(647,2,'2013-07-22 19:33:25','2013-07-23 02:33:25','','dianegirl','\"Diane\" by Jack Pearce','inherit','open','open','','dianegirl','','','2013-07-22 19:33:25','2013-07-23 02:33:25','',489,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/dianegirl.jpg',0,'attachment','image/jpeg',0),(648,2,'2013-07-22 19:33:26','2013-07-23 02:33:26','','gertbab2','Portrait by Jack Pearce','inherit','open','open','','gertbab2','','','2013-07-22 19:33:26','2013-07-23 02:33:26','',489,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/gertbab2.jpg',0,'attachment','image/jpeg',0),(649,2,'2013-07-22 19:33:27','2013-07-23 02:33:27','','girls-in-hats','\"Sisters in Hats\" by Jack Pearce','inherit','open','open','','girls-in-hats','','','2013-07-22 19:33:27','2013-07-23 02:33:27','',489,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/girls-in-hats.jpg',0,'attachment','image/jpeg',0),(650,2,'2013-07-22 19:33:28','2013-07-23 02:33:28','','priscilla','\"Priscilla\" by Jack Pearce','inherit','open','open','','priscilla','','','2013-07-22 19:33:28','2013-07-23 02:33:28','',489,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/priscilla.jpg',0,'attachment','image/jpeg',0),(651,2,'2013-07-22 19:33:28','2013-07-23 02:33:28','','susan1','Portrait by Jack Pearce','inherit','open','open','','susan1','','','2013-07-22 19:33:28','2013-07-23 02:33:28','',489,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/susan1.jpg',0,'attachment','image/jpeg',0),(652,2,'2013-07-22 19:33:29','2013-07-23 02:33:29','','susan2','Portrait by Jack Pearce','inherit','open','open','','susan2','','','2013-07-22 19:33:29','2013-07-23 02:33:29','',489,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/susan2.jpg',0,'attachment','image/jpeg',0),(757,2,'2013-07-22 20:25:15','2013-07-23 03:25:15','As you develop your people-drawing skills and draw people of all shapes, sizes, and ages, you are certain to notice some differences between drawing adults and drawing children. If you are trying to learn how to draw kids and are experiencing some challenges, maybe these portrait drawings of children can help you. While browsing through the gallery, take time to closely examine the details in the pictures. Take note of the pencil strokes and how the lines and tones help form the larger eyes, rounder faces, or any other trouble spots you may be encountering while trying to draw kids. Check back often for more wonderful drawings of children by our website contributors and visitors, and use them as your inspiration!\r\n\r\n[gallery link=\"file\" ids=\"640,642,644,645,646,647,648,649,650,651,652,643\"]\r\n\r\n ','Portrait Drawings of Children','','inherit','open','open','','489-revision-v1','','','2013-07-22 20:25:15','2013-07-23 03:25:15','',489,'http://www.letsdrawpeople.com/489-revision-v1/',0,'revision','',0),(653,2,'2013-07-22 19:27:28','2013-07-23 02:27:28','As you develop your people-drawing skills and draw people of all shapes, sizes, and ages, you are certain to notice some differences between drawing adults and drawing children. If you are trying to learn how to draw kids and are experiencing some challenges, maybe these portrait drawings of children can help you. While browsing through the gallery, take time to closely examine the details in the pictures. Take note of the pencil strokes and how the lines and tones help form the larger eyes, rounder faces, or any other trouble spots you may be encountering while trying to draw kids. Check back often for more wonderful drawings of children by our website contributors and visitors, and use them as your inspiration!\r\n\r\n[gallery link=\"file\" ids=\"73,74,342\"]\r\n\r\n ','Portrait Drawings of Children','','inherit','open','open','','489-revision-v1','','','2013-07-22 19:27:28','2013-07-23 02:27:28','',489,'http://www.letsdrawpeople.com/489-revision-6/',0,'revision','',0),(654,2,'2013-07-22 19:52:55','2013-07-23 02:52:55','As you develop your people-drawing skills and draw people of all shapes, sizes, and ages, you are certain to notice some differences between drawing adults and drawing children. If you are trying to learn how to draw kids and are experiencing some challenges, maybe these portrait drawings of children can help you. While browsing through the gallery, take time to closely examine the details in the pictures. Take note of the pencil strokes and how the lines and tones help form the larger eyes, rounder faces, or any other trouble spots you may be encountering while trying to draw kids. Check back often for more wonderful drawings of children by our website contributors and visitors, and use them as your inspiration!\r\n\r\n[gallery link=\"file\" ids=\"640,641,642,644,645,646,647,648,649,650,651,652,643\"]\r\n\r\n ','Portrait Drawings of Children','','inherit','open','open','','489-revision-v1','','','2013-07-22 19:52:55','2013-07-23 02:52:55','',489,'http://www.letsdrawpeople.com/489-revision-7/',0,'revision','',0),(655,2,'2013-07-22 19:58:24','2013-07-23 02:58:24','As you develop your people-drawing skills and draw people of all shapes, sizes, and ages, you are certain to notice some differences between drawing adults and drawing children. If you are trying to learn how to draw kids and are experiencing some challenges, maybe these portrait drawings of children can help you. While browsing through the gallery, take time to closely examine the details in the pictures. Take note of the pencil strokes and how the lines and tones help form the larger eyes, rounder faces, or any other trouble spots you may be encountering while trying to draw kids. Check back often for more wonderful drawings of children by our website contributors and visitors, and use them as your inspiration!\r\n\r\n[gallery link=\"file\" ids=\"640,641,642,644,645,646,647,648,649,650,651,652,643\"]\r\n\r\n ','Portrait Drawings of Children','','inherit','open','open','','489-revision-v1','','','2013-07-22 19:58:24','2013-07-23 02:58:24','',489,'http://www.letsdrawpeople.com/489-revision-8/',0,'revision','',0),(656,2,'2013-06-27 15:30:44','2013-06-27 22:30:44','[amzn_product_post]','Pickett Template 1204-i Circle Master','The Pickett 1204-I Circle Master Inking Template has 44 circles from 1/16 to 3 inches.','inherit','open','open','','496-revision-7','','','2013-06-27 15:30:44','2013-06-27 22:30:44','',496,'http://www.letsdrawpeople.com/496-revision-7/',0,'revision','',0),(657,2,'2013-07-10 21:40:19','2013-07-11 04:40:19','\"030596\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in drawing people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','Let\'s See How to Draw People','','inherit','open','open','','66-revision-v1','','','2013-07-10 21:40:19','2013-07-11 04:40:19','',66,'http://www.letsdrawpeople.com/66-revision-36/',0,'revision','',0),(668,2,'2016-06-28 13:18:29','2016-06-28 20:18:29','Welcome to our gallery of family drawings! Here you can view drawings of family members by our contributors and visitors.\n\nAs someone who is becoming more skilled at drawing people, you will find family and friends taking an increased interest in your talent. As a professional portrait artist, people who love your artwork will undoubtedly want to become your clients. When family, friends, or other people ask you (or pay you) to draw for them, who do they most often want you to draw?\n\nThey usually want you to draw a portrait from their personal collection of family photos. They may even ask you to take people from two or more photographs and combine them into one drawing. Your artistic creativity may sometimes be at play too, as when people ask you to include elements not in the original photographs.\n\nYou will see examples of all of these scenarios within this gallery. Notice the different arrangements of the subjects, features, and how the various elements of the family drawings create pleasing compositions. Happy viewing!\n\nIf you have your own family portrait drawing that you want others to view in this gallery, see how to share it with us.\n\n[gallery link=\"file\" ids=\"649,644,761,762,763,666,1418,1422,1435,1654,1665,3028,3156,3157\" orderby=\"rand\"]','Family Drawings','','inherit','open','open','','662-autosave-v1','','','2016-06-28 13:18:29','2016-06-28 20:18:29','',662,'http://www.letsdrawpeople.com/662-autosave/',0,'revision','',0),(669,2,'2013-07-25 21:17:12','2013-07-26 04:17:12','Use these drawings of celebrities as examples of how to capture the likenesses of well-known people.\r\n\r\n[gallery ids=\"227,660\"]','Drawings of Famous Faces','','inherit','open','open','','659-revision-v1','','','2013-07-25 21:17:12','2013-07-26 04:17:12','',659,'http://www.letsdrawpeople.com/659-revision-2/',0,'revision','',0),(670,2,'2015-02-09 19:00:10','2015-02-10 03:00:10','Use these drawings of celebrities and prominent people as examples of how to capture the likenesses of well-known people. Remember that when you are trying to draw people well enough and detailed enough for them to be recognizable as the intended person, it is often helpful to practice by drawing famous faces. I mean, what better test of your drawing skills than to show your work to people who immediately know who you were trying to draw, right?\n\nYou will see familiar drawings of different skill levels and different levels of detail in this gallery. Some drawings you may recognize, while others you may not. No matter how much or how little a drawing here captures a resemblance, take the opportunity to learn something from each piece. Some questions you may ask yourself as you view this gallery are:\n
    \n
  • Which obvious features did the artist include to help make the famous face easily recognizable?
    • \n
  • Which details or subtle facial characteristics did the artist include to obtain such an accurate likeness of the subject?
    • \n
  •  What could the artist have done differently to make a better representation of the celebrity?
    • \n
\nThank you in advance to all artists who contribute their drawings of well-known faces to this gallery! Remember, too, that it\'s okay if your drawing doesn\'t come out perfectly or to your satisfaction. I am still hard on myself with some of my work, and I always see something I could have done differently for better results (even with my own drawings in this gallery!). The important thing to remember is, you should always feel good about sharing your artwork, celebrate your strengths, and learn from your mistakes.\n\nIf you have your own celebrity portrait drawing that you want others to view in this gallery, see how to share it with us.\n\n[gallery link=\"file\" ids=\"759,753,734,799,798,797,796,790,791,792,793,794,789,788,787,786,785,784,783,795,1171,1633\" orderby=\"rand\"]','Drawings of Well-Known Faces','','inherit','open','open','','659-autosave-v1','','','2015-02-09 19:00:10','2015-02-10 03:00:10','',659,'http://www.letsdrawpeople.com/659-autosave/',0,'revision','',0),(671,2,'2013-07-22 21:47:36','2013-07-23 04:47:36','\"030596\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in drawing people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','Let\'s See How to Draw People','','inherit','open','open','','66-revision-v1','','','2013-07-22 21:47:36','2013-07-23 04:47:36','',66,'http://www.letsdrawpeople.com/66-revision-37/',0,'revision','',0),(672,2,'2013-07-25 21:28:00','2013-07-26 04:28:00','Drawings of family. Some of these were made from multiple reference photos.\r\n\r\n[gallery ids=\"649,644,663,664,665,666\"]','Family Drawings','','inherit','open','open','','662-revision-v1','','','2013-07-25 21:28:00','2013-07-26 04:28:00','',662,'http://www.letsdrawpeople.com/662-revision-2/',0,'revision','',0),(673,2,'2013-07-25 21:29:39','2013-07-26 04:29:39','Use these drawings of celebrities as examples of how to capture the likenesses of well-known people.\r\n\r\n[gallery ids=\"227,660\"]','Drawings of Famous Faces','','inherit','open','open','','659-revision-v1','','','2013-07-25 21:29:39','2013-07-26 04:29:39','',659,'http://www.letsdrawpeople.com/659-revision-3/',0,'revision','',0),(674,2,'2013-07-26 18:44:22','2013-07-27 01:44:22','Drawings of family. Some of these were made from multiple reference photos.\r\n\r\n[gallery ids=\"649,644,663,664,665,666\"]','Family Drawings','','inherit','open','open','','662-revision-v1','','','2013-07-26 18:44:22','2013-07-27 01:44:22','',662,'http://www.letsdrawpeople.com/662-revision-3/',0,'revision','',0),(739,2,'2013-07-28 16:57:01','2013-07-28 23:57:01','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\r\n

\"http://www.dreamstime.com/-image16063419\"

\r\n\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\r\n

 \"01p

\r\n\r\n

Step 2: Outline of the Eyes

\r\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\r\n

 \"02p

\r\n\r\n

Step 3: Upper Eyelids

\r\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\r\n

 \"03p

\r\n\r\n

Step 4: Irises and Pupils

\r\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\r\n

 \"04p

\r\n\r\n

Step 5: Lower Eyelids

\r\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\r\n

 \"05p

\r\n\r\n

Step 6: Surrounding Features

\r\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\r\n

 \"06p

\r\n\r\n

Step 7: Guidelines for Shading

\r\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\r\n

 \"07p

\r\n\r\n

Step 8: Erase Grid Lines

\r\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\r\n

 \"08p

\r\n\r\n

Step 9: Shading and Details

\r\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading. For the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together. For the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs. Make the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\r\n

 \"09p

\r\n\r\n

Step 10: Eyelashes

\r\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance. Carefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\r\n

\"\"

\r\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness. Apply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','How to Draw Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2013-07-28 16:57:01','2013-07-28 23:57:01','',271,'http://www.letsdrawpeople.com/271-revision-v1/',0,'revision','',0),(677,2,'2013-07-28 09:57:37','2013-07-28 16:57:37','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\r\n

\"http://www.dreamstime.com/-image16063419\"

\r\n\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\r\n

 \"01p

\r\n\r\n

Step 2: Outline of the Eyes

\r\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\r\n

 \"02p

\r\n\r\n

Step 3: Upper Eyelids

\r\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\r\n

 \"03p

\r\n\r\n

Step 4: Irises and Pupils

\r\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\r\n

 \"04p

\r\n\r\n

Step 5: Lower Eyelids

\r\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\r\n

 \"05p

\r\n\r\n

Step 6: Surrounding Features

\r\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\r\n

 \"06p

\r\n\r\n

Step 7: Guidelines for Shading

\r\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\r\n

 \"07p

\r\n\r\n

Step 8: Erase Grid Lines

\r\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\r\n

 \"08p

\r\n\r\n

Step 9: Shading and Details

\r\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading. For the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together. For the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs. Make the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\r\n

 \"09p

\r\n\r\n

Step 10: Eyelashes

\r\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance. Carefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\r\n

 \"10p

\r\n

\"10p

\r\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness. Apply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','How to Draw Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2013-07-28 09:57:37','2013-07-28 16:57:37','',271,'http://www.letsdrawpeople.com/271-revision-34/',0,'revision','',0),(680,2,'2013-07-03 07:02:50','2013-07-03 14:02:50','Here\'s how.','Advertise with Us','','inherit','open','open','','543-revision-3','','','2013-07-03 07:02:50','2013-07-03 14:02:50','',543,'http://www.letsdrawpeople.com/543-revision-3/',0,'revision','',0),(682,2,'2013-07-28 12:26:50','2013-07-28 19:26:50','','Pencil Portrait Mastery','','inherit','open','open','','58-revision-8','','','2013-07-28 12:26:50','2013-07-28 19:26:50','',58,'http://www.letsdrawpeople.com/58-revision-8/',0,'revision','',0),(687,2,'2013-07-28 15:34:58','2013-07-28 22:34:58','For whatever reason, the link you clicked on or the web address you are trying to reach has led you here...to our 404 Page Not Found notice.\n\nBut that\'s okay! We have some suggestions to help you find what you are looking for.\n\nFirst of all, you can try our home page. It gives you a glimpse of some of the many informative people-drawing tips and tutorials throughout our site.\n\nAlternatively, use our navigation menu up top or one or the links at the right to browse tags and recent posts on how to draw people.\n\nIf all else fails, just contact us and let us know how to help. We will do whatever we can to fix the problem or steer you in the right direction!','Sorry...The Page You Are Looking For Isn\'t Here','','inherit','open','open','','686-revision-v1','','','2013-07-28 15:34:58','2013-07-28 22:34:58','',686,'http://www.letsdrawpeople.com/686-revision/',0,'revision','',0),(688,2,'2014-06-15 00:32:37','2014-06-15 07:32:37','For whatever reason, the link you clicked on or the web address you are trying to reach has led you here...to our 404 Page Not Found notice.\n\nBut that\'s okay! We have some suggestions to help you find what you are looking for.\n\nFirst of all, you can try our home page. It gives you a glimpse of some of the many informative people-drawing tips and tutorials throughout our site.\n\nAlternatively, use our navigation menu up top or one or the links at the right to browse recent posts on how to draw people.\n\nIf all else fails, just contact us and let us know how to help. We will do whatever we can to fix the problem or steer you in the right direction!','Sorry...The Page You Are Looking For Isn\'t Here','','inherit','open','open','','686-autosave-v1','','','2014-06-15 00:32:37','2014-06-15 07:32:37','',686,'http://www.letsdrawpeople.com/686-autosave/',0,'revision','',0),(689,2,'2013-07-28 15:35:29','2013-07-28 22:35:29','For whatever reason, the link you clicked on or the web address you are trying to reach has led you here...to our 404 Page Not Found notice.\r\n\r\nBut that\'s okay! We have some suggestions to help you find what you are looking for.\r\n\r\nFirst of all, you can try our home page. It gives you a glimpse of some of the many informative people-drawing tips and tutorials throughout our site.\r\n\r\nAlternatively, use our navigation menu up top or one or the links at the right to browse tags and recent posts on how to draw people.\r\n\r\nIf all else fails, just contact us and let us know how to help. We will do whatever we can to fix the problem or steer you in the right direction!','Sorry...The Page You Are Looking For Isn\'t Here','','inherit','open','open','','686-revision-v1','','','2013-07-28 15:35:29','2013-07-28 22:35:29','',686,'http://www.letsdrawpeople.com/686-revision-2/',0,'revision','',0),(1199,2,'2014-06-15 00:32:43','2014-06-15 07:32:43','For whatever reason, the link you clicked on or the web address you are trying to reach has led you here...to our 404 Page Not Found notice.\r\n\r\nBut that\'s okay! We have some suggestions to help you find what you are looking for.\r\n\r\nFirst of all, you can try our home page. It gives you a glimpse of some of the many informative people-drawing tips and tutorials throughout our site.\r\n\r\nAlternatively, use our navigation menu up top or one or the links at the right to browse recent posts on how to draw people.\r\n\r\nIf all else fails, just contact us and let us know how to help. We will do whatever we can to fix the problem or steer you in the right direction!','Sorry...The Page You Are Looking For Isn\'t Here','','inherit','open','open','','686-revision-v1','','','2014-06-15 00:32:43','2014-06-15 07:32:43','',686,'http://www.letsdrawpeople.com/686-revision-v1/',0,'revision','',0),(693,2,'2013-07-28 11:31:41','2013-07-28 18:31:41','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\r\n

\"http://www.dreamstime.com/-image16063419\"

\r\n\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\r\n

 \"01p

\r\n\r\n

Step 2: Outline of the Eyes

\r\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\r\n

 \"02p

\r\n\r\n

Step 3: Upper Eyelids

\r\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\r\n

 \"03p

\r\n\r\n

Step 4: Irises and Pupils

\r\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\r\n

 \"04p

\r\n\r\n

Step 5: Lower Eyelids

\r\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\r\n

 \"05p

\r\n\r\n

Step 6: Surrounding Features

\r\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\r\n

 \"06p

\r\n\r\n

Step 7: Guidelines for Shading

\r\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\r\n

 \"07p

\r\n\r\n

Step 8: Erase Grid Lines

\r\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\r\n

 \"08p

\r\n\r\n

Step 9: Shading and Details

\r\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading. For the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together. For the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs. Make the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\r\n

 \"09p

\r\n\r\n

Step 10: Eyelashes

\r\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance. Carefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\r\n

 \"10p

\r\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness. Apply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','How to Draw Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2013-07-28 11:31:41','2013-07-28 18:31:41','',271,'http://www.letsdrawpeople.com/271-revision-35/',0,'revision','',0),(695,2,'2013-07-28 16:18:14','2013-07-28 23:18:14','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\n

\"http://www.dreamstime.com/-image16063419\"

\n\n

Step 1: Make a Grid

\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\n

 \"01p

\n\n

Step 2: Outline of the Eyes

\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\n

 \"02p

\n\n

Step 3: Upper Eyelids

\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\n

 \"03p

\n\n

Step 4: Irises and Pupils

\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\n

 \"04p

\n\n

Step 5: Lower Eyelids

\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\n

 \"05p

\n\n

Step 6: Surrounding Features

\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\n

 \"06p

\n\n

Step 7: Guidelines for Shading

\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\n

 \"07p

\n\n

Step 8: Erase Grid Lines

\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\n

 \"08p

\n\n

Step 9: Shading and Details

\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading. For the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together. For the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs. Make the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\n

 \"09p

\n\n

Step 10: Eyelashes

\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance. Carefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\n

\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness. Apply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','How to Draw Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2013-07-28 16:18:14','2013-07-28 23:18:14','',271,'http://www.letsdrawpeople.com/271-revision-36/',0,'revision','',0),(711,2,'2013-07-28 16:51:22','2013-07-28 23:51:22','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\r\n

\"http://www.dreamstime.com/-image16063419\"

\r\n\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\r\n

 \"01p

\r\n\r\n

Step 2: Outline of the Eyes

\r\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\r\n

 \"02p

\r\n\r\n

Step 3: Upper Eyelids

\r\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\r\n

 \"03p

\r\n\r\n

Step 4: Irises and Pupils

\r\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\r\n

 \"04p

\r\n\r\n

Step 5: Lower Eyelids

\r\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\r\n

 \"05p

\r\n\r\n

Step 6: Surrounding Features

\r\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\r\n

 \"06p

\r\n\r\n

Step 7: Guidelines for Shading

\r\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\r\n

 \"07p

\r\n\r\n

Step 8: Erase Grid Lines

\r\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\r\n

 \"08p

\r\n\r\n

Step 9: Shading and Details

\r\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading. For the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together. For the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs. Make the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\r\n

 \"09p

\r\n\r\n

Step 10: Eyelashes

\r\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance. Carefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\r\n

\"\"

\r\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness. Apply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','How to Draw Eyes of the Bride','','inherit','open','open','','271-revision-v1','','','2013-07-28 16:51:22','2013-07-28 23:51:22','',271,'http://www.letsdrawpeople.com/271-revision-39/',0,'revision','',0),(698,2,'2013-07-28 16:32:45','2013-07-28 23:32:45','','01p bride eyes grid','','inherit','open','open','','01p-bride-eyes-grid','','','2013-07-28 16:32:45','2013-07-28 23:32:45','',271,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/01p-bride-eyes-grid.jpg',0,'attachment','image/jpeg',0),(725,2,'2013-07-28 21:13:09','2013-07-29 04:13:09','
\r\nShoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n

\"©

\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"01p

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n

\"02

\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

\"03

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"04

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"05

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"06

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"07

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"08

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n

\"\"

\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2013-07-28 21:13:09','2013-07-29 04:13:09','',129,'http://www.letsdrawpeople.com/129-revision-v1/',0,'revision','',0),(723,2,'2013-07-28 20:58:42','2013-07-29 03:58:42','
\nShoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\n

\n

Step 1: Make a Grid

\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\n

\"drawing

\n

Step 2: Draw the Basic Shapes

\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\n

\"drawing

\n

Step 3: Shape the Shoes

\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\n

\"drawing

\n

Step 4: Define the Legs and Feet

\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\n

\"drawing

\n

Step 5: Draw the Base of the Shoes

\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\n

\"drawing

\n

Step 6: Add the Straps

\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\n

\"drawing

\n

Step 7: Plan Your Shading

\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\n

\"drawing

\n

Step 8: Add Final Details

\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\n

\"drawing

\n

Step 9: Erase the Guidelines

\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\n

\"wedge

\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2013-07-28 20:58:42','2013-07-29 03:58:42','',129,'http://www.letsdrawpeople.com/129-revision-37/',0,'revision','',0),(855,2,'2013-08-20 07:49:55','2013-08-20 14:49:55','
\r\nShoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n

\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"01p

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n

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Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

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Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

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Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

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Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

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Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

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Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

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Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n

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\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2013-08-20 07:49:55','2013-08-20 14:49:55','',129,'http://www.letsdrawpeople.com/129-revision-v1/',0,'revision','',0),(738,2,'2013-08-05 19:48:48','2013-08-06 02:48:48','
\r\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n

\"©

\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"\"

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

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Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

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Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

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Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

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Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

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Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

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Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

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\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\r\n','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2013-08-05 19:48:48','2013-08-06 02:48:48','',165,'http://www.letsdrawpeople.com/165-revision-v1/',0,'revision','',0),(1018,2,'2014-05-09 22:39:56','2014-05-10 05:39:56','Okay Everybody, if you want to know how to draw noses, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n

\"nose01\"

\r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n

\"nose02\"

\r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n

\"nose03\"

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Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n

\"\"

\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2014-05-09 22:39:56','2014-05-10 05:39:56','',85,'http://www.letsdrawpeople.com/85-revision-v1/',0,'revision','',0),(749,2,'2013-08-05 20:31:08','2013-08-06 03:31:08','
\r\nOkay Everybody, if you want to know how to draw noses, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n

\"nose01\"

\r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n

\"nose02\"

\r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n

\"nose03\"

\r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n

\"\"

\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2013-08-05 20:31:08','2013-08-06 03:31:08','',85,'http://www.letsdrawpeople.com/85-revision-v1/',0,'revision','',0),(751,2,'2013-08-05 20:43:06','2013-08-06 03:43:06','','030596','','inherit','open','open','','030596','','','2013-08-05 20:43:06','2013-08-06 03:43:06','',66,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/030596.jpg',0,'attachment','image/jpeg',0),(752,2,'2013-08-05 20:43:08','2013-08-06 03:43:08','','071112sk','','inherit','open','open','','071112sk','','','2013-08-05 20:43:08','2013-08-06 03:43:08','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/071112sk.jpg',0,'attachment','image/jpeg',0),(753,2,'2013-08-05 20:43:10','2013-08-06 03:43:10','','f-lee-bailey','\"F. Lee Bailey\" by Jack Pearce','inherit','open','open','','f-lee-bailey','','','2013-08-05 20:43:10','2013-08-06 03:43:10','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/f-lee-bailey.jpg',0,'attachment','image/jpeg',0),(754,2,'2015-07-12 16:40:29','2015-07-12 23:40:29','\"\"Have you always wanted to draw a realistic human face? Many people feel anxious if they are asked to draw people because they fear that their facial drawing will bear no likeness to the person. Portraiture is the art of creating portraits. A portrait can be defined as a drawing, painting, or photograph of a particular person. In short, portraits are two-dimensional artistic representations of the three dimensional human face.  Drawing a person is not as hard as it looks, but many find capturing the likeness is the most difficult part of facial drawing.  A good pencil sketch of the human face should capture the likeness using perspective, proportion, accurate shading, and contours. So, let\'s find out how to draw people and explore various ways of bringing portraiture to life.\n\nBut first things first…don\'t be a bad workman who blames his tools. Invest in some good art materials and learn to use them in the right way.  Listed below are some of the main art materials used to create good pencil drawings.\n

Tools Used to Draw Realistically

\n
    \n
  • Good quality acid-free drawing paper
    • \n
  • A high-quality mechanical pencil
    • \n
  • A boxed set of pencils (offers a selection of different pencils that will help you to achieve a variety of results)
    • \n
  • A pencil sharpening tool
    • \n
  • Kneaded erasers
    • \n
  • A blending stump or a tortillion
    • \n
  • A can of fixative spray
    • \n
\nYou will use these and other tools as you delve more and more into drawing in pencil. For now, let\'s take a brief moment to chat about just the drawing implements mentioned above.\n\nWhen you begin to sketch your first portrait, you will make mistakes but errors can be rubbed out time and time again if you use quality paper. Cheap erasers work but they are not as effective as a kneaded eraser. Sharp pencils are easier to work with, so buy a good quality pencil sharpener or use a high-quality mechanical pencil with graphite lead. Pencil is a great medium and pencil art can be rubbed with blending stumps to create light and shade. The finished artwork should be sprayed with a fixative to protect it and to prevent it from yellowing and smudging.\n

Helpful Drawing Techniques for Drawing People

\nNow we can move on to discuss some common drawing techniques. Some of the most popular techniques used in drawing include:\n
    \n
  • Contour lines
    • \n
  • Hatching and crosshatching
    • \n
  • Smooth shading
    • \n
  • Circles and scribbles
    • \n
\nWhy use these techniques when learning how to draw? Contour lines give drawings shape and volume, and these lines can be used to create the outline when you draw a body or a face. Hatching and crosshatching are ways of creating different tones, and meticulous hatching helps to make a portrait look realistic. Smooth shading can create a subtle or deep tonal change, and this is one of the main drawing techniques used to introduce depth into artwork. Circles and scribbles will make your sketch look looser, and this simple drawing technique creates contrast.\n\nSo, you want to draw a face, but you know nothing about the techniques mentioned above?\n\nBudding artists should watch some of the many pencil drawing tutorials that can be found online. Useful online tutorials include realistic pencil drawing techniques, such as learning how to blend and basic pencil shading. When you have grasped the basics of pencil drawing, move on and watch artists draw portraits in step-by-step tutorials. Top online drawing tutorials include tips and tricks for general portraiture and how to create realistic pencil portraits.\n\nIt can be equally as helpful to watch videos of artists drawing people that are NOT tutorials with everything spelled out in steps. Often times, there is much to be learned from just watching an artist in action and closely observing which techniques are used.\n\nThink you HAVE to see step-by-step directions or videos of artists in action to learn techniques? Think again! Although tutorials and videos are extremely helpful, you might also be surprised to find out how much you can learn by just examining already completed work. Study drawings of people completed by other artists. Look for styles you like and try to duplicate the techniques you think they used. Some of the most famous artists became famous by studying the works of masters that came before them. Just remember, you can just as well learn from an artist who is not yet a master. All artists have something valuable to share.\n

Draw a Face Step-By-Step

\n\"030596\"Following are a few basic guidelines to keep in mind when it comes to drawing faces. Try these out by referring to a photograph, or just draw a random person from your imagination!\n
    \n
  • Human heads are not circular. Always remember that humans have egg-shaped faces. Begin your sketch by creating an oval outline that tapers towards the bottom.
    • \n
  • Map out the facial proportions by drawing a faint line down the center of the oval and a fine horizontal line through the center of the face.
    • \n
  • Position the nose on the face by penciling a dividing line in the center of the lower half of the face. The lines that have been drawn on the bottom half of the face should form a cross. The base of the nose should be penciled in at the top of the center of the cross and one nostril will be sketched at either side.
    • \n
  • Draw the mouth onto the face using a fine pencil line in between the base of the nose and the bottom of the chin. The bottom lip should sit on the dividing line just drawn. Create a line where the two lips meet (for a closed mouth), then move on to draw in the bottom and top lip lines.
    • \n
  • Add the eyes to your facial drawing. The center of the eye sockets will be in line with the middle of the central horizontal line. Think of the eyeballs as two large circular balls, partially concealed behind the top and bottom eyelids. The eyebrow will sit on top and the cheekbone should rest on the bottom of the shape. Look closely at the eyes of the person you are drawing before drawing in the shapes. Some people have large round eyes and others have almond-shaped eyes, so draw your eyes accordingly. In general, the central space left between the eyes should be equivalent to the width of one eye. Remember, the iris of the eye is made up of many different shades.
    • \n
  • Draw in the eyelids. The eyelid should be drawn in over the top of the eye and the base of the lid will come down to cover the very top of the iris. Use some of the shading techniques mentioned earlier to define the shape of the eye socket.
    • \n
  • When you are satisfied with the facial shape and features you can add the neck, ears, and hair to the face.
    • \n
\nAlthough there is more to learn, these tips will hopefully give you a helpful start with how to draw faces. But humans have more than just a head and a face. People have bodies and wear clothes. If you want to learn more about methods of sketching bodies and people in clothes, please read on.\n

Drawing the Human Form

\n\"\"Sketching the human body in all positions is commonly referred to as \"figure drawing\" and there are many different ways of drawing the human body. Different types of figure drawing include:\n
    \n
  • Sketching
    • \n
  • Life drawing
    • \n
  • Emotive drawing
    • \n
  • Perspective drawing
    • \n
  • Illustration drawing
    • \n
  • Diagrammatic drawing
    • \n
  • Analytic drawing
    • \n
  • Geometric drawing
    • \n
\nA sketch is an informal drawing and figure sketching helps us to learn how to draw a realistic human figure. Lots of amateur artists enjoy drawing the human figure by studying a live model and life drawing is an essential part of art. People have personalities and characters and emotive drawing is used to express the subject\'s personality. Perspective drawing represents scale, eye-level, surface, planes, light, space and volume. An illustrative drawing is a piece of artwork that comes from a photograph, painting or sketch whereas a diagrammatic drawing is a well-planned piece of art. An analytic drawing of a person will be realistic. The person will be drawn in proportion. Those who find it hard to draw realistic figures may get on well with geometric figure drawing.\n\nAdditionally, when you are drawing people you should obviously keep in mind the differences between men and women. For example, when drawing a woman, you will draw smoother, more graceful features. You will draw a proportionately larger pelvis and slender shoulders. When drawing a man, you will draw features with a more rugged, muscular appearance. You will draw broader shoulders and a proportionately larger rib cage.\n

Drawing Clothing

\n\"howLook at some of the online images of people who are wearing clothes and you will see that every person wears their clothes differently. Artists who want to learn how to sketch people wearing clothing will have to examine the clothing closely. Take a close look, and you will see a recurrence of seven different kinds of folds:\n
    \n
  • Pipe
    • \n
  • Zigzag
    • \n
  • Half-lock
    • \n
  • Spiral
    • \n
  • Diaper
    • \n
  • Drop
    • \n
  • Inert
    • \n
\nLearn how to apply design, details, and these folds, and you can draw practically any type of clothing on a person!\n

Draw Children Step-By Step

\n[caption id=\"attachment_643\" align=\"alignleft\" width=\"221\"]\""Ashley" \"Ashley\" by Jack Pearce[/caption]\n\nMany of us try to sketch our children because that drawing will act as a personal reminder of how much we love and cherish them. However, there are major differences between an adult’s face and a child\'s face. It is all too easy to make a young child look much older when drawn, so it pays to keep a drawing of a child simple. Let\'s look at an easy way to draw a child.\n
    \n
  • Sketch a small oval-shaped (but almost circular) head. The younger the child, the more circular the head will be.
    • \n
  • Divide the small face into four using a vertical and a horizontal line.
    • \n
  • Make large round eyes that rest on the horizontal guideline. The eyebrows sit above this line.
    • \n
  • Create a small triangle to form the nose.
    • \n
  • Draw a curved line to create the young mouth.
    • \n
  • Add some thick bobbed hair (or thin hair, depending on the subject and age).
    • \n
\nThis is a simple way to draw a child. The basic sketch is straightforward and the drawing is not detailed, but this easy way of drawing children works well for many. Now the more you draw boys and girls of different ages, the more you will realize other differences between babies, toddlers, school-age kids, and teenagers.\n

Mastering the Art of Pencil Portraits

\nItalian portrait artist Franco Clun and Russian portrait artist Olga Larionova create incredibly realistic pencil drawings, yet they never took a formal art class. They are just two examples of how anyone from any background, with enough determination to consistently practice and learn, can eventually become a master portrait artist. Talented artists know how to bring their work to life, but you must never forget that every successful artist started out as an amateur.\n\nIt will take time to teach yourself how to draw people. In fact, it could take months or even years to master the craft at a level that you are satisfied with. But practice will improve your drawing, and the people that you draw will start to look more and more realistic. If at first you don\'t succeed, try, try and try again! You will see that if you practice on a regular basis, you will not need to wait months. You will realize small successes and make gradual progress with each drawing that will keep you motivated enough to keep at it!\n\nAmateur artists can learn how to draw people with confidence, and beginners shouldn\'t be afraid to make mistakes. The information found throughout this site will help you to learn how to draw people, and more importantly, how to eventually become a skilled pencil portrait artist. Make use of our articles, tutorials, and videos, and then start enjoying and employing your artistic talents today!','Let\'s See How to Draw People','','inherit','open','open','','66-autosave-v1','','','2015-07-12 16:40:29','2015-07-12 23:40:29','',66,'http://www.letsdrawpeople.com/66-autosave-v1/',0,'revision','',0),(755,2,'2013-08-05 20:45:19','2013-08-06 03:45:19','\"030596\"Maybe you can already draw people okay, but you want to improve your skills. Maybe you just draw stick people. Maybe you think that you “can’t” draw at all.\r\n\r\nBy the way, if the last statement applies to you, stop thinking that way right now and start thinking you “CAN”!\r\n\r\nAnyway, regardless of what you can already do, there are some things to consider when learning how to draw people. Thinking about these things and learning them will be sure to help you.\r\n

Types of People Drawing

\r\nFirst of all, people are rendered in different types of drawings. You should put some thought into which one of these you prefer and put the effort into learning that particular type of drawing.\r\n

Cartoon People

\r\nYou may want to learn how to draw cartoon people. This is a great way to start out and practice if you are a beginner. More importantly, it’s a great way to have fun with drawing people!\r\n\r\nYou can really let yourself loose and not stress about something not “looking” right. You can get creative and make up your own characters.\r\n\r\nI had a wild imagination as a child and I did this all the time, creating comic book characters and fictional cartoon TV shows. On that note, as you practice and build your confidence, you may find yourself wanting to draw people from popular cartoons on TV.\r\n

Caricatures

\r\nHave you ever seen that artist on the sidewalk, drawing a happy couple who is posing for him, undisturbed at the onlookers walking by? If you were one of those onlookers and saw the drawing, you may have seen a “cartoon” with an unmistakable resemblance to the couple.\r\n\r\nYou were looking at a caricature drawing. This may be enough to motivate you to learn how to draw caricatures. These can be a lot of fun but at the same time a little challenging. Even though you are drawing what appears to be a cartoon with exaggerated features, you have to take great care to still capture an accurate likeness.\r\n\r\nYou have probably seen caricatures of famous celebrities and politicians on TV and in the newspaper. If you want to learn how to draw caricatures, trying to do so with public figures can be excellent practice.\r\n

Realistic People

\r\n\"\"Some artists like to make detailed, realistic drawings of people. They want their drawings to look as close as possible to someone who is believable and real. These are my personal favorite!\r\n\r\nThere are two main ways that I like to classify realistic drawings of people: portrait drawings and character studies.\r\n\r\nA portrait drawing is a drawing of a person or people who are posing and looking directly back at you. A character study is a drawing of a person or people who are going about their daily lives, each exhibiting a particular mood or personality for us to assess.\r\n\r\nOne great way to learn how to draw people realistically is to practice on family members, friends, and celebrities. The important thing about realistic drawing is attention to detail and capturing enough realism to make the person you are drawing easy for others to recognize.\r\n

Drawing Styles

\r\nWhether it be ability level or personal preference, artists create their work using different styles. You may want to experiment with these and pick one as your primary style, or you may wish to openly practice and explore multiple styles as you see fit, not limiting yourself to just one.\r\n
  • Line drawing - This is a very basic drawing with just a simple outline of the major shapes of the person. There is usually little detail in a line drawing.
    • \r\n
  • Sketch drawing - This can be simple or a little more complex. I really enjoy sketching people! It involves having a very loose wrist and not being constrained with the pressure of making mistakes, often keeping beginning guidelines in the final product. Sketches sometimes include tones as well as lines.
    • \r\n
  • Detailed drawing - This can be (what started out as) a simple line drawing with a lot more detail added. It can also be a combination of a line and sketch drawing. The bottom line is lots of details.
    • \r\n
  • Realistic drawing - A detailed drawing of a person (as described above) can still look realistic. But for the purposes of this description, I’m talking about taking things to the next level. This usually means blended shading and the tiniest of details that you’d never find on a basic drawing.
    • \r\n
\r\nRemember, you are the artist! There is no “wrong way” to express yourself, so have fun experimenting with these styles!\r\n

What You Need to Learn

\r\nRegardless of the type of “people drawing” you most want to pursue or your personal drawing style, there are some basic fundamentals you will have to learn.\r\n\r\nOne thing you will need to grasp a basic understanding of is proportion. There are certain ways we size different body parts and different facial features, and there are methods we use to determine how much they should be spaced apart. This is most important in realistic drawing, but having knowledge of proportions is not totally useless with cartoons and caricatures.\r\n\r\nThere is so much to learn about drawing faces. The human face has so many unique and distinguishing features: eyes, nose, mouth, ears, hair. Each of these features has its own characteristics that we need to consider. For example, the eye consists of the pupil, iris, eyelids, and eyebrow, just to name a few.\r\n\r\nThese facial features work together in interesting ways to form a variety of expressions. So in order to draw people, you have to form the facial features in a way that conveys emotions such as happiness, sadness, anger, excitement, and so on.\r\n\r\nBut drawing people is not limited to just drawing the face. You also need to learn how to draw hands, which are always doing and helping people express themselves. Clothes, of course, are important as well. Maybe you want to draw someone in a recognizable uniform, such as a nurse or a police officer.\r\n

What’s the First Step?

\r\nThis just touches the surface of what is involved in drawing people. I recommend reading through this article again and deciding which aspects of drawing people you wish to improve.\r\n\r\nLearn all you can by reading other related articles, studying artwork, and watching how other artists draw the parts that are tricky for you. Then…\r\n\r\nPRACTICE!! PRACTICE!! PRACTICE!!\r\n\r\nDraw along with them. Do as they do. Then apply the skills you have learned to independently draw another person, using your own style and creativity.\r\n\r\nPractice drawing people you know. Draw from photos, pictures from magazines or the Internet. Draw from other drawings. Draw from your head, using the prior knowledge you have learned about how to draw a person.\r\n\r\nThe main thing is to keep practicing and don’t get discouraged! If you are not happy with your results, go back and learn from another artist again before practicing some more.\r\n\r\nIt is my hope that I can be one of those artists you can learn from. I hope you find the information, art, and videos throughout this website useful, and I hope you will keep me in mind as a resource to return to whenever you need additional help with drawing people!\r\n\r\nGood luck and happy drawing!\r\n\r\n ','Let\'s See How to Draw People','','inherit','open','open','','66-revision-v1','','','2013-08-05 20:45:19','2013-08-06 03:45:19','',66,'http://www.letsdrawpeople.com/66-revision-v1/',0,'revision','',0),(760,2,'2013-08-05 21:57:18','2013-08-06 04:57:18','Use these drawings of celebrities as examples of how to capture the likenesses of well-known people.\r\n\r\n[gallery link=\"file\" ids=\"759,753,734\"]','Drawings of Famous Faces','','inherit','open','open','','659-revision-v1','','','2013-08-05 21:57:18','2013-08-06 04:57:18','',659,'http://www.letsdrawpeople.com/659-revision-v1/',0,'revision','',0),(765,2,'2013-08-06 18:33:15','2013-08-07 01:33:15','Use these drawings of celebrities as examples of how to capture the likenesses of well-known people. Remember that when you are trying to draw people well enough and detailed enough for them to be recognizable as the intended person, it is often helpful to practice by drawing famous faces. I mean, how\r\n\r\n[gallery link=\"file\" ids=\"759,753,734\"]','Drawings of Famous Faces','','inherit','open','open','','659-revision-v1','','','2013-08-06 18:33:15','2013-08-07 01:33:15','',659,'http://www.letsdrawpeople.com/659-revision-v1/',0,'revision','',0),(766,2,'2013-08-06 19:32:29','2013-08-07 02:32:29','Use these drawings of celebrities as examples of how to capture the likenesses of well-known people. Remember that when you are trying to draw people well enough and detailed enough for them to be recognizable as the intended person, it is often helpful to practice by drawing famous faces. I mean, what better test of your drawing skills than to show your work to people who immediately know who you were trying to draw, right?\r\n\r\nYou will see celebrity drawings of different skill levels and different levels of detail in this gallery. Some drawings you may recognize, while others you may not. No matter how much or how little a drawing here captures a resemblance, take the opportunity to learn something from each piece. Some questions you may ask yourself as you view this gallery are:\r\n
    \r\n
  • Which obvious features did the artist include to help make the famous face easily recognizable?
    • \r\n
  • Which details or subtle facial characteristics did the artist include to obtain such an accurate likeness of the subject?
    • \r\n
  •  What could the artist have done differently to make a better representation of the celebrity?
    • \r\n
\r\nThank you in advance to all artists who contribute their celebrity drawings to this gallery! Remember, too, that it\'s okay if your celebrity drawing doesn\'t come out perfectly or to your satisfaction. I am still hard on myself with some of my work, and I always see something I could have done differently for better results (even with my own drawings in this gallery!). The important thing to remember is, you should always feel good about sharing your celebrity artwork, celebrate your strengths, and learn from your mistakes.\r\n\r\n[gallery link=\"file\" ids=\"759,753,734\"]','Drawings of Famous Faces','','inherit','open','open','','659-revision-v1','','','2013-08-06 19:32:29','2013-08-07 02:32:29','',659,'http://www.letsdrawpeople.com/659-revision-v1/',0,'revision','',0),(767,2,'2016-01-24 00:05:02','2016-01-24 08:05:02','As you develop your people-drawing skills and draw people of all shapes, sizes, and ages, you are certain to notice some differences between drawing adults and drawing children. If you are trying to learn how to draw kids and are experiencing some challenges, maybe these portrait drawings of children can help you.\n\nWhile browsing through the gallery, take time to closely examine the details in the pictures. Take note of the pencil strokes and how the lines and tones help form the larger eyes, rounder faces, or any other trouble spots you may be encountering while trying to draw kids. Check back often for more wonderful drawings of children by our website contributors and visitors, and use them as your inspiration!\n\nIf you have your own child portrait drawing that you want others to view in this gallery, see how to share it with us.\n\n[gallery link=\"file\" ids=\"640,642,645,646,647,648,650,651,652,643,641,1431,1432,1433,1651,1667,1887,2286,2485,2850\" orderby=\"rand\"]\n\n ','Portrait Drawings of Children','','inherit','open','open','','489-autosave-v1','','','2016-01-24 00:05:02','2016-01-24 08:05:02','',489,'http://www.letsdrawpeople.com/489-autosave-v1/',0,'revision','',0),(768,2,'2013-08-06 20:03:38','2013-08-07 03:03:38','As you develop your people-drawing skills and draw people of all shapes, sizes, and ages, you are certain to notice some differences between drawing adults and drawing children. If you are trying to learn how to draw kids and are experiencing some challenges, maybe these portrait drawings of children can help you.\r\n\r\nWhile browsing through the gallery, take time to closely examine the details in the pictures. Take note of the pencil strokes and how the lines and tones help form the larger eyes, rounder faces, or any other trouble spots you may be encountering while trying to draw kids. Check back often for more wonderful drawings of children by our website contributors and visitors, and use them as your inspiration!\r\n\r\n[gallery link=\"file\" ids=\"640,642,644,645,646,647,648,649,650,651,652,643\"]\r\n\r\n ','Portrait Drawings of Children','','inherit','open','open','','489-revision-v1','','','2013-08-06 20:03:38','2013-08-07 03:03:38','',489,'http://www.letsdrawpeople.com/489-revision-v1/',0,'revision','',0),(769,2,'2013-08-06 21:02:19','2013-08-07 04:02:19','Welcome to our gallery of family drawings! Here you can view drawings of family members by our contributors and visitors.\r\n\r\nAs someone who is becoming more skilled at drawing people, you will find family and friends taking an increased interest in your talent. As a professional portrait artist, people who love your artwork will undoubtedly want to become your clients. When family, friends, or other people ask you (or pay you) to draw for them, who do they most often want you to draw?\r\n\r\nThey usually want you to draw a portrait from their personal collection of family photos. They may even ask you to take people from two or more photographs and combine them into one drawing. Your artistic creativity may sometimes be at play too, as when people ask you to include elements not in the original photographs.\r\n\r\nYou will see examples of all of these scenarios within this gallery. Notice the different arrangements of the subjects, features, and how the various elements of the family drawings create pleasing compositions. Happy viewing!\r\n\r\n[gallery link=\"file\" ids=\"649,644,761,762,763,666\"]','Family Drawings','','inherit','open','open','','662-revision-v1','','','2013-08-06 21:02:19','2013-08-07 04:02:19','',662,'http://www.letsdrawpeople.com/662-revision-v1/',0,'revision','',0),(770,2,'2013-08-06 21:34:08','2013-08-07 04:34:08','Use these drawings of celebrities and prominent people as examples of how to capture the likenesses of well-known people. Remember that when you are trying to draw people well enough and detailed enough for them to be recognizable as the intended person, it is often helpful to practice by drawing famous faces. I mean, what better test of your drawing skills than to show your work to people who immediately know who you were trying to draw, right?\r\n\r\nYou will see familiar drawings of different skill levels and different levels of detail in this gallery. Some drawings you may recognize, while others you may not. No matter how much or how little a drawing here captures a resemblance, take the opportunity to learn something from each piece. Some questions you may ask yourself as you view this gallery are:\r\n
    \r\n
  • Which obvious features did the artist include to help make the famous face easily recognizable?
    • \r\n
  • Which details or subtle facial characteristics did the artist include to obtain such an accurate likeness of the subject?
    • \r\n
  •  What could the artist have done differently to make a better representation of the celebrity?
    • \r\n
\r\nThank you in advance to all artists who contribute their drawings of well-known faces to this gallery! Remember, too, that it\'s okay if your drawing doesn\'t come out perfectly or to your satisfaction. I am still hard on myself with some of my work, and I always see something I could have done differently for better results (even with my own drawings in this gallery!). The important thing to remember is, you should always feel good about sharing your artwork, celebrate your strengths, and learn from your mistakes.\r\n\r\n[gallery link=\"file\" ids=\"759,753,734\"]','Drawings of Well-Known Faces','','inherit','open','open','','659-revision-v1','','','2013-08-06 21:34:08','2013-08-07 04:34:08','',659,'http://www.letsdrawpeople.com/659-revision-v1/',0,'revision','',0),(783,2,'2013-08-07 21:26:38','2013-08-08 04:26:38','','abe-lincoln','\"Abe Lincoln\" by Jack Pearce','inherit','open','open','','abe-lincoln','','','2013-08-07 21:26:38','2013-08-08 04:26:38','',1067,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/abe-lincoln.jpg',0,'attachment','image/jpeg',0),(784,2,'2013-08-07 21:26:40','2013-08-08 04:26:40','','alyssa-milano','\"Alyssa Milano\" by Jack Pearce','inherit','open','open','','alyssa-milano','','','2013-08-07 21:26:40','2013-08-08 04:26:40','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/alyssa-milano.jpg',0,'attachment','image/jpeg',0),(785,2,'2013-08-07 21:26:41','2013-08-08 04:26:41','','colin-powell','\"Colin Powell\" by Jack Pearce','inherit','open','open','','colin-powell','','','2013-08-07 21:26:41','2013-08-08 04:26:41','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/colin-powell.jpg',0,'attachment','image/jpeg',0),(786,2,'2013-08-07 21:26:43','2013-08-08 04:26:43','','connie-chung','\"Connie Chung\" by Jack Pearce','inherit','open','open','','connie-chung','','','2013-08-07 21:26:43','2013-08-08 04:26:43','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/connie-chung.jpg',0,'attachment','image/jpeg',0),(787,2,'2013-08-07 21:26:44','2013-08-08 04:26:44','','donahue','\"Donahue\" by Jack Pearce','inherit','open','open','','donahue','','','2013-08-07 21:26:44','2013-08-08 04:26:44','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/donahue.jpg',0,'attachment','image/jpeg',0),(788,2,'2013-08-07 21:26:46','2013-08-08 04:26:46','','ed-mcmahon','\"Ed McMahon\" by Jack Pearce','inherit','open','open','','ed-mcmahon','','','2013-08-07 21:26:46','2013-08-08 04:26:46','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/ed-mcmahon.jpg',0,'attachment','image/jpeg',0),(781,2,'2013-08-07 19:53:16','2013-08-08 02:53:16','Use these drawings of celebrities and prominent people as examples of how to capture the likenesses of well-known people. Remember that when you are trying to draw people well enough and detailed enough for them to be recognizable as the intended person, it is often helpful to practice by drawing famous faces. I mean, what better test of your drawing skills than to show your work to people who immediately know who you were trying to draw, right?\r\n\r\nYou will see familiar drawings of different skill levels and different levels of detail in this gallery. Some drawings you may recognize, while others you may not. No matter how much or how little a drawing here captures a resemblance, take the opportunity to learn something from each piece. Some questions you may ask yourself as you view this gallery are:\r\n
    \r\n
  • Which obvious features did the artist include to help make the famous face easily recognizable?
    • \r\n
  • Which details or subtle facial characteristics did the artist include to obtain such an accurate likeness of the subject?
    • \r\n
  •  What could the artist have done differently to make a better representation of the celebrity?
    • \r\n
\r\nThank you in advance to all artists who contribute their drawings of well-known faces to this gallery! Remember, too, that it\'s okay if your drawing doesn\'t come out perfectly or to your satisfaction. I am still hard on myself with some of my work, and I always see something I could have done differently for better results (even with my own drawings in this gallery!). The important thing to remember is, you should always feel good about sharing your artwork, celebrate your strengths, and learn from your mistakes.\r\n\r\n[gallery link=\"file\" ids=\"759,753,734,780,779,778,777,776\"]','Drawings of Well-Known Faces','','inherit','open','open','','659-revision-v1','','','2013-08-07 19:53:16','2013-08-08 02:53:16','',659,'http://www.letsdrawpeople.com/659-revision-v1/',0,'revision','',0),(1076,2,'2014-05-27 21:11:49','2014-05-28 04:11:49','What gives you the inspiration to try something new?\r\n\r\nIs it watching someone do something incredible or fascinating?\r\n\r\nOr, maybe it\'s looking at something already created that you find interesting or amazing. You see it and think, \"Wow, I\'d love to be able to do that!\"\r\n\r\nWhether it is learning how to do something new or trying to make something new, most people get the desire to learn a new skill after seeing it done, or modeled, by someone else.\r\n\r\nWhen it comes to drawing people, many people who do not draw that often get inspired to take up the habit after seeing works of art by other artists.\r\n

Drawing Under the Influence

\r\nI can tell you from a personal standpoint that, long before I started watching people in the process of drawing, I saw completed images of drawn people everywhere. As a kid I saw them in sketch books my friends had, in books, magazines, posters, comic books, on television in the form of cartoons...you name it. I wanted to replicate those simple images of people. I remember even creating characters to my own fictitious comic book and cartoon series, writing out the story lines and drawing the characters in action poses on the pages. The artwork from these media sources influenced my own art.\r\n\r\nIt wasn\'t until I got much older that I discovered the possibilities of realistic people drawings completed in pencil. Once again, this came from stumbling across the works of other artists. Those works that I saw in books and galleries modeled the possibilities and inspired me to want to do the same. Once again, this work influenced me to create work like it...realistic pencil portraits.\r\n\r\nThe more I sketched or drew people and shared my work with family, friends, and others, the more I heard them respond that THEY would love to be able to do the same. Now my artwork was influencing theirs!\r\n\r\nJust like a recording artist grows up listening to music that influences the music s/he eventually records, a portrait artist has experience viewing artwork that influences the artwork s/he creates.\r\n

But What If I Am Already Inspired?

\r\nI assume that if you are on this website and reading this post, then you are already inspired to draw people. So, should you still look at people drawings done by other artists? Absolutely! There is much to learn by studying the works of other artists. Regardless of the ability level of the artist whose artwork you are viewing, you can still discover something regarding technique, method, subject matter, style, etc. that can cause you to reflect on your own work. You may even get reinspired to try a new approach with your artwork!\r\n\r\nI still like to take a look at sketches and drawings of people by other artists before I make a portrait drawing of my own. I am not saying it is necessary before every drawing you make. It is a good habit to at least take some time on a regular basis to sit down and study the works of other artists.\r\n

What Should I Look For?

\r\nWhile it is nice sometimes to just sit (or stand) back and admire artwork, it is best to view portraits with a purpose in mind. This is especially true if our goal is to learn from what we see and enhance our own people drawings. The following is an assembly of just a few things to look for while looking at drawings by other artists.\r\n

Make Careful Observations

\r\nHone your powers of observation. This means real-life people watching and looking at photographs of people, as well as portrait drawings and sketches of people.\r\n\r\nWatch how people look when they are moving and when they are still. Be aware of the nuances of their movements, the changes in their faces and bodies, how they hold their hands, how they cross their legs, how their feet and arms appear when they are walking, reading, gesturing or eating, etc.\r\n\r\nMake mental notes of all the obvious and subtle differences between like facial features. How does one nose differ from another? What does an artist include in the drawing of eyes to relay character and personality? How do two different artists make unique representations of  similar hair styles? Be very mindful of the details.\r\n

Identify Techniques the Artists Used

\r\nSee if you can identify the techniques an artist used to create a particular effect. Did the artist use graphite pencil, charcoal, or mixed media? Did the artist obtain a desired effect with a simple line drawing, or were several tones used? Did the artist leave behind any signs of basic shapes, guidelines, or grid lines to help get started? Was shading accomplished with pointillism, hatching, crosshatching, or circulism? Also look for things like positioning of subjects, use of perspective, and the use of light and color. Identifying an artist\'s technique and trying to replicate it to get the same effect can do wonders for building and sharpening your own skills.\r\n

Note What You Want to Replicate - and What You Want to Avoid

\r\nAs mentioned earlier, you should view people drawings by artists with a range of abilities. Look at simple sketches and detailed portraits that cover the spectrum.\r\n\r\nOn one end of the spectrum, look at drawings done at a skill level lower than yours. It does not matter if you look at a drawing and think \"I can draw better than that.\" Don\'t approach it with that attitude. It is okay to see things done in a drawing that you want to leave out of yours. Just remember, not everything that looks like a mistake to you is actually a mistake. Sometimes artists make parts of a drawing look a certain way for a reason. Better yet, look for the positives in a drawing. Quite often I see parts of a drawing that I\'d still like to replicate, even though the artist has been drawing for far fewer years than I have.\r\n\r\nOn the other end of the spectrum, look at drawings done at a skill level above yours. Look at what you already do in a similar fashion. Then look at what you struggle with and analyze that area in the drawing. If you struggle with drawing lips that are smirking, look at a well-done drawing of a person with a smirk. How did the artist form the pencil lines and tones in an effective way? Then try to emulate at least part of the drawing for learning purposes. Your finished drawing may not match the original, but at least you are improving. Just remember this Confucius quote: \"If you shoot for the stars and hit the moon, it\'s okay.\"\r\n

Compare What You See to Your Drawing Style

\r\nIs it a clean and crisp drawing with all stray pencil marks erased, or is it a loose sketch with guidelines and stray marks still visible? Either method can be used on purpose by an artist to fit a certain style of work.\r\n\r\nLook at people drawings that match your current style AND drawings that are in a style very different from yours. Your own style may stay the same or you may find it evolving in a positive way over the years, becoming influenced by the inspiring works of fellow portrait artists.\r\n

Where to Begin Looking at People Drawings

\r\nSo as you can see, people drawings made by both beginner and experienced artists can be especially useful and informative, so use them whenever you can. Analyze them, admire them, and learn from them. You will notice your own talents improve over time as a result.\r\n\r\nThe places where you can view portrait work by other artists are too many to even begin to list. Why not begin with our own portrait gallery right here on LetsDrawPeople.com? It is a great starting place to view drawings of people by artists with varying levels of experience. The galleries will be updated regularly, so there will always be something new to look at.\r\n\r\nIf you are interested in submitting your own drawings to a portrait gallery, click here to see how.','Don\'t Sketch Another Person...Before Looking at People Drawings by Other Artists','','inherit','open','open','','1067-revision-v1','','','2014-05-27 21:11:49','2014-05-28 04:11:49','',1067,'http://www.letsdrawpeople.com/1067-revision-v1/',0,'revision','',0),(789,2,'2013-08-07 21:26:48','2013-08-08 04:26:48','','fdr','\"FDR\" by Jack Pearce','inherit','open','open','','fdr','','','2013-08-07 21:26:48','2013-08-08 04:26:48','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/fdr.jpg',0,'attachment','image/jpeg',0),(790,2,'2013-08-07 21:26:49','2013-08-08 04:26:49','','george-h-w-bush','\"George H. W. Bush\" by Jack Pearce','inherit','open','open','','george-h-w-bush','','','2013-08-07 21:26:49','2013-08-08 04:26:49','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/george-h-w-bush.jpg',0,'attachment','image/jpeg',0),(791,2,'2013-08-07 21:26:51','2013-08-08 04:26:51','','george-strait','\"George Strait\" by Jack Pearce','inherit','open','open','','george-strait','','','2013-08-07 21:26:51','2013-08-08 04:26:51','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/george-strait.jpg',0,'attachment','image/jpeg',0),(792,2,'2013-08-07 21:26:53','2013-08-08 04:26:53','','jimmy-carter','\"Jimmy Carter\" by Jack Pearce','inherit','open','open','','jimmy-carter','','','2013-08-07 21:26:53','2013-08-08 04:26:53','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/jimmy-carter.jpg',0,'attachment','image/jpeg',0),(793,2,'2013-08-07 21:26:55','2013-08-08 04:26:55','','mike-wallace','\"Mike Wallace\" by Jack Pearce','inherit','open','open','','mike-wallace','','','2013-08-07 21:26:55','2013-08-08 04:26:55','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/mike-wallace.jpg',0,'attachment','image/jpeg',0),(794,2,'2013-08-07 21:26:56','2013-08-08 04:26:56','','montel-williams','\"Montel Williams\" by Jack Pearce','inherit','open','open','','montel-williams','','','2013-08-07 21:26:56','2013-08-08 04:26:56','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/montel-williams.jpg',0,'attachment','image/jpeg',0),(795,2,'2013-08-07 21:26:57','2013-08-08 04:26:57','','oprah','\"Oprah\" by Jack Pearce','inherit','open','open','','oprah','','','2013-08-07 21:26:57','2013-08-08 04:26:57','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/oprah.jpg',0,'attachment','image/jpeg',0),(796,2,'2013-08-07 21:26:59','2013-08-08 04:26:59','','Pam-Tillis','\"Pam Tillis\" by Jack Pearce','inherit','open','open','','pam-tillis','','','2013-08-07 21:26:59','2013-08-08 04:26:59','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/Pam-Tillis.jpg',0,'attachment','image/jpeg',0),(797,2,'2013-08-07 21:27:00','2013-08-08 04:27:00','','','\"Reba\" by Jack Pearce','inherit','open','open','','reba','','','2013-08-07 21:27:00','2013-08-08 04:27:00','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/reba.jpg',0,'attachment','image/jpeg',0),(798,2,'2013-08-07 21:27:02','2013-08-08 04:27:02','','','\"Ronald Reagan\" by Jack Pearce','inherit','open','open','','ronald-reagan','','','2013-08-07 21:27:02','2013-08-08 04:27:02','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/ronald-reagan.jpg',0,'attachment','image/jpeg',0),(799,2,'2013-08-07 21:27:03','2013-08-08 04:27:03','','','\"Sherman Hemsley\" by Jack Pearce','inherit','open','open','','sherman-hemsley','','','2015-07-31 09:16:52','2015-07-31 16:16:52','',2184,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/sherman-hemsley.jpg',0,'attachment','image/jpeg',0),(800,2,'2013-08-07 21:35:41','2013-08-08 04:35:41','Use these drawings of celebrities and prominent people as examples of how to capture the likenesses of well-known people. Remember that when you are trying to draw people well enough and detailed enough for them to be recognizable as the intended person, it is often helpful to practice by drawing famous faces. I mean, what better test of your drawing skills than to show your work to people who immediately know who you were trying to draw, right?\r\n\r\nYou will see familiar drawings of different skill levels and different levels of detail in this gallery. Some drawings you may recognize, while others you may not. No matter how much or how little a drawing here captures a resemblance, take the opportunity to learn something from each piece. Some questions you may ask yourself as you view this gallery are:\r\n
    \r\n
  • Which obvious features did the artist include to help make the famous face easily recognizable?
    • \r\n
  • Which details or subtle facial characteristics did the artist include to obtain such an accurate likeness of the subject?
    • \r\n
  •  What could the artist have done differently to make a better representation of the celebrity?
    • \r\n
\r\nThank you in advance to all artists who contribute their drawings of well-known faces to this gallery! Remember, too, that it\'s okay if your drawing doesn\'t come out perfectly or to your satisfaction. I am still hard on myself with some of my work, and I always see something I could have done differently for better results (even with my own drawings in this gallery!). The important thing to remember is, you should always feel good about sharing your artwork, celebrate your strengths, and learn from your mistakes.\r\n\r\n[gallery link=\"file\" ids=\"759,753,734,799,798,797,796,790,791,792,793,794,789,788,787,786,785,784,783,795\" orderby=\"rand\"]','Drawings of Well-Known Faces','','inherit','open','open','','659-revision-v1','','','2013-08-07 21:35:41','2013-08-08 04:35:41','',659,'http://www.letsdrawpeople.com/659-revision-v1/',0,'revision','',0),(801,2,'2013-08-07 21:39:12','2013-08-08 04:39:12','Welcome to our gallery of family drawings! Here you can view drawings of family members by our contributors and visitors.\r\n\r\nAs someone who is becoming more skilled at drawing people, you will find family and friends taking an increased interest in your talent. As a professional portrait artist, people who love your artwork will undoubtedly want to become your clients. When family, friends, or other people ask you (or pay you) to draw for them, who do they most often want you to draw?\r\n\r\nThey usually want you to draw a portrait from their personal collection of family photos. They may even ask you to take people from two or more photographs and combine them into one drawing. Your artistic creativity may sometimes be at play too, as when people ask you to include elements not in the original photographs.\r\n\r\nYou will see examples of all of these scenarios within this gallery. Notice the different arrangements of the subjects, features, and how the various elements of the family drawings create pleasing compositions. Happy viewing!\r\n\r\n[gallery link=\"file\" ids=\"649,644,761,762,763,666\" orderby=\"rand\"]','Family Drawings','','inherit','open','open','','662-revision-v1','','','2013-08-07 21:39:12','2013-08-08 04:39:12','',662,'http://www.letsdrawpeople.com/662-revision-v1/',0,'revision','',0),(802,2,'2013-08-07 21:40:01','2013-08-08 04:40:01','As you develop your people-drawing skills and draw people of all shapes, sizes, and ages, you are certain to notice some differences between drawing adults and drawing children. If you are trying to learn how to draw kids and are experiencing some challenges, maybe these portrait drawings of children can help you.\r\n\r\nWhile browsing through the gallery, take time to closely examine the details in the pictures. Take note of the pencil strokes and how the lines and tones help form the larger eyes, rounder faces, or any other trouble spots you may be encountering while trying to draw kids. Check back often for more wonderful drawings of children by our website contributors and visitors, and use them as your inspiration!\r\n\r\n[gallery link=\"file\" ids=\"640,642,644,645,646,647,648,649,650,651,652,643\" orderby=\"rand\"]\r\n\r\n ','Portrait Drawings of Children','','inherit','open','open','','489-revision-v1','','','2013-08-07 21:40:01','2013-08-08 04:40:01','',489,'http://www.letsdrawpeople.com/489-revision-v1/',0,'revision','',0),(804,2,'2015-11-28 11:08:17','2015-11-28 19:08:17','

Mission Statement

\n\"ldpWelcome! My name is Jack Pearce, and I am the founder of Let\'s Draw People! It is the mission of this website to awaken the inner artist in everyday people (including YOU)...by drawing people! I believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason I put this site together is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\n

The Goal

\nMy goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! My aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating portraits that will amaze themselves and those they know and love.\n

How It\'s All Done

\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn but life got in the way, and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\n\nWhether you are just starting to draw all over again or you have some experience, Let\'s Draw People lets you take your skills as a beginning or intermediate portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. You will find informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop and your confidence builds, you may be willing to share your work on this site to have your artwork recognized and appreciated by others. Better yet, you may eventually be able to become a contributing artist and author!\n

How It All Got Started

\n\"selfI have had a love for drawing ever since I was 3 years old and never really grew out of it. Although I loved drawing everything under the sun, I always had a special fascination with drawing people. The more my skills developed, the more I wanted to focus on drawing people, especially realistic portraits in pencil (my favorite medium). Like many other artists, I also have a day job in another field. Still, my love for drawing has given me the opportunity to draw many commissioned portraits for people wanting custom portrait artwork, and I still draw and sketch people in my spare time for fun.\n\nWhenever I do draw people, it triggers that childhood passion and desire to draw all the time. I formed Let\'s Draw People as a way to bring together others who have similar experiences, who would love nothing more than to have the freedom to draw all day long as they so innocently did as kids. My hope is for this website to bring together aspiring portrait artists of all ability levels who want to share their knowledge and artwork, to help others enhance their skills, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\n

Now, YOU Get Started!

\nCheck back often to find new articles and videos that will help you to better understand how to draw people. Also, I invite you to sign up for the Let\'s Draw People Newsletter to stay up-to-date on the latest articles, tutorials, and artwork...\n\n[magicactionbox id=\"2032\"]\n\n...and join our growing social community on Facebook, Pinterest, and YouTube!','About Page','','inherit','open','open','','45-autosave-v1','','','2015-11-28 11:08:17','2015-11-28 19:08:17','',45,'http://www.letsdrawpeople.com/45-autosave-v1/',0,'revision','',0),(806,2,'2013-08-11 08:40:36','2013-08-11 15:40:36','

OUR MISSION

\r\nWelcome! At Let\'s Draw People, it is our mission to awaken the inner artist in everyday people (including you!)...by drawing people. We believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason we do what we do is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

OUR GOAL

\r\nOur goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! Our aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating realistic pencil portraits that will amaze themselves and those they know and love.\r\n

HOW WE DO IT

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn, but life, jobs, and family got in the way and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or if you have some experience, Let\'s Draw People lets you take your skills as an aspiring portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. We have informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop, you may be able to eventually share your work in a gallery on this site to have your artwork recognized and appreciated by our followers. Better yet, you may be able to become a contributing artist and author for us!\r\n

HOW WE GOT STARTED

\r\nLet\'s Draw People was founded by Jack Pearce, a guy who had a love for drawing ever since he was 3 years old and never really grew out of it. Although he loved drawing everything under the sun, Jack always had a special fascination with drawing people. The more Jack\'s skills developed, the more he wanted to focus on drawing people, especially realistic portraits in pencil (his favorite medium). Although Jack\'s chosen career path led him to become a teacher rather than a professional artist, he has drawn many commissioned portraits for people wanting custom portrait artwork, and he still draws and sketches people in his spare time for fun.\r\n\r\nWhenever Jack does draw people, it triggers that childhood passion and desire to draw all the time. He formed Let\'s Draw People as a way to bring together others who have similar experiences, who have that wish of having the freedom to draw all day long as they so innocently did as kids. He formed Let\'s Draw People as a way to bring together portrait artists who want to share their knowledge and artwork, to help others learn, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people! Also, we invite you to subscribe to our mailing list and join our growing social community on Facebook, Pinterest, and YouTube to stay up-to-date on the latest articles, tutorials, and artwork!','About Us','','inherit','open','open','','45-revision-v1','','','2013-08-11 08:40:36','2013-08-11 15:40:36','',45,'http://www.letsdrawpeople.com/45-revision-v1/',0,'revision','',0),(808,2,'2013-08-06 22:05:36','2013-08-07 05:05:36','[amzn_product_post]','Pentel Super Hi-Polymer Lead Refill 0.5mm Fine, 2B, 36 Pieces of Lead (C505BP32B-K6)','The lead that is a \'Triple Threat\": #1 selling lead in the U.S.A., the industry \"standard\", and stronger than the competition. 0.5 mm lead creates crisp, fine lines. Proprietary lead formula resists breaking. Pentel Super Hi-Polymer HB lead is break resistant.','publish','closed','closed','','pentel-super-hi-polymer-lead-refill-0-5mm-fine-2b-36-pieces-of-lead-c505bp32b-k6','','','2013-08-18 23:38:49','2013-08-19 06:38:49','',0,'http://www.letsdrawpeople.com/pentel-super-hi-polymer-lead-refill-0-5mm-fine-2b-36-pieces-of-lead-c505bp32b-k6/',0,'post','',0),(810,2,'2013-08-18 23:11:47','2013-08-19 06:11:47','[amzn_product_post]','Pentel Super Hi-Polymer Lead Refill 0.5mm Fine, 2B, 36 Pieces of Lead (C505BP32B-K6)','The lead that is a \'Triple Threat\": #1 selling lead in the U.S.A., the industry \"standard\", and stronger than the competition. 0.5 mm lead creates crisp, fine lines. Proprietary lead formula resists breaking. Pentel Super Hi-Polymer HB lead is break resistant.','inherit','open','open','','808-revision-v1','','','2013-08-18 23:11:47','2013-08-19 06:11:47','',808,'http://www.letsdrawpeople.com/808-revision-v1/',0,'revision','',0),(811,2,'2013-08-06 23:41:19','2013-08-07 06:41:19','[amzn_product_post]','Pentel GraphGear 500 Automatic Drafting Pencil Black (PG525A)','Superior drafting pencil for professionals and enthusiasts. 0.5mm lead produces fine lines of consistent density. Metallic mesh grip on a slim, beveled barrel. 4mm fixed sleeve helps prevent lead from breaking and is ideal for template work. Pentel Super Hi-Polymer Lead never needs sharpening and is equivalent to a #2 pencil. Refillable with Pentel Super Hi-Polymer Lead and Z2-1 eraser.','publish','closed','closed','','pentel-graphgear-500-automatic-drafting-pencil-black-pg525a','','','2013-08-18 23:39:04','2013-08-19 06:39:04','',0,'http://www.letsdrawpeople.com/pentel-graphgear-500-automatic-drafting-pencil-black-pg525a/',0,'post','',0),(816,2,'2013-08-18 23:16:31','2013-08-19 06:16:31','[amzn_product_post]','Pentel Super Hi-Polymer Lead Refill 0.5mm Fine, 2B, 36 Pieces of Lead (C505BP32B-K6)','The lead that is a \'Triple Threat\": #1 selling lead in the U.S.A., the industry \"standard\", and stronger than the competition. 0.5 mm lead creates crisp, fine lines. Proprietary lead formula resists breaking. Pentel Super Hi-Polymer HB lead is break resistant.','inherit','open','open','','808-autosave-v1','','','2013-08-18 23:16:31','2013-08-19 06:16:31','',808,'http://www.letsdrawpeople.com/808-autosave-v1/',0,'revision','',0),(813,2,'2013-08-18 23:11:49','2013-08-19 06:11:49','[amzn_product_post]','Pentel GraphGear 500 Automatic Drafting Pencil Black (PG525A)','Superior drafting pencil for professionals and enthusiasts. 0.5mm lead produces fine lines of consistent density. Metallic mesh grip on a slim, beveled barrel. 4mm fixed sleeve helps prevent lead from breaking and is ideal for template work. Pentel Super Hi-Polymer Lead never needs sharpening and is equivalent to a #2 pencil. Refillable with Pentel Super Hi-Polymer Lead and Z2-1 eraser.','inherit','open','open','','811-revision-v1','','','2013-08-18 23:11:49','2013-08-19 06:11:49','',811,'http://www.letsdrawpeople.com/811-revision-v1/',0,'revision','',0),(814,2,'2013-08-18 23:14:58','2013-08-19 06:14:58','','mechanical pencil','','inherit','open','open','','mechanical-pencil','','','2013-08-18 23:14:58','2013-08-19 06:14:58','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/mechanical-pencil.jpg',0,'attachment','image/jpeg',0),(815,2,'2013-08-18 23:15:17','2013-08-19 06:15:17','','2B lead refills','','inherit','open','open','','2b-lead-refills','','','2013-08-18 23:15:17','2013-08-19 06:15:17','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/2B-lead-refills.jpg',0,'attachment','image/jpeg',0),(817,2,'2013-08-05 19:57:44','2013-08-06 02:57:44','[amzn_product_post]','Derwent Graphic Pencils, Soft, Metal Tin, 12 Count (34215)','Whatever your drawing style or media preference, you’ll need some traditional, high quality graphite pencils—and you won’t find a better range than Derwent Graphic Medium Pencils. They\'re made from the finest quality graphite and purest clays for a smooth line—ideal for crisp, detailed illustrations or tone drawings. Also great for developing illustrations, general sketches for paintings and high detail realistic wildlife renderings. This high-quality pencil is produced in a wide choice of 20 degrees, from a crisp, non-scratchy 9H to a soft, smudgy 9B. The hexagonal barrel is easy to hold and the pencil sharpens to a good point making it the ideal choice. Set of 12 includes: 6B, 5B, 4B, 3B, 2B, B, HB, F, H, 9B, 8B and 7B.','publish','closed','closed','','derwent-graphic-pencils-soft-metal-tin-12-count-34215','','','2015-01-01 11:55:51','2015-01-01 19:55:51','',0,'http://www.letsdrawpeople.com/derwent-graphic-pencils-soft-metal-tin-12-count-34215/',0,'post','',0),(819,2,'2013-08-18 23:31:55','2013-08-19 06:31:55','[amzn_product_post]','Derwent Graphic Pencils, Soft, Metal Tin, 12 Count (34215)','Whatever your drawing style or media preference, you’ll need some traditional, high quality graphite pencils—and you won’t find a better range than Derwent Graphic Medium Pencils. They\'re made from the finest quality graphite and purest clays for a smooth line—ideal for crisp, detailed illustrations or tone drawings. Also great for developing illustrations, general sketches for paintings and high detail realistic wildlife renderings. This high-quality pencil is produced in a wide choice of 20 degrees, from a crisp, non-scratchy 9H to a soft, smudgy 9B. The hexagonal barrel is easy to hold and the pencil sharpens to a good point making it the ideal choice. Set of 12 includes: 6B, 5B, 4B, 3B, 2B, B, HB, F, H, 9B, 8B and 7B.','inherit','open','open','','817-revision-v1','','','2013-08-18 23:31:55','2013-08-19 06:31:55','',817,'http://www.letsdrawpeople.com/817-revision-v1/',0,'revision','',0),(820,2,'2013-08-05 18:24:37','2013-08-06 01:24:37','[amzn_product_post]','SAKURA ELECTRIC ERASER Drafting, Engineering, Art -General Catalog','SAKURA ELECTRIC ERASER. SAKURA®, Electric Eraser Kit
This lightweight, portable, compact batteryoperated electric eraser has an impressive 12,000 rpm strong torque motor that is built to last. Use for drafting, architectural plans, arts and crafts, etc. Comfortable hand contour with sleek design, it weights only 2.6 oz. and can fit in a back pocket. Remove marks and lines instantly with a gentle touch. The kit comes with two alkaline AAA batteries and Twenty additional erasers: White vinyl for pencil. Sakura offers consumers a 90-day limited warranty. Black color.','publish','closed','closed','','sakura-electric-eraser-drafting-engineering-art-general-catalog','','','2013-08-18 23:37:56','2013-08-19 06:37:56','',0,'http://www.letsdrawpeople.com/sakura-electric-eraser-drafting-engineering-art-general-catalog/',0,'post','',0),(824,2,'2013-08-18 23:35:16','2013-08-19 06:35:16','','graphite pencils','Graphite pencils are available in a range of leads from hard and light to soft and black.','inherit','open','open','','graphite-pencils','','','2013-08-18 23:35:16','2013-08-19 06:35:16','',1228,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/graphite-pencils.jpg',0,'attachment','image/jpeg',0),(822,2,'2013-08-18 23:31:57','2013-08-19 06:31:57','[amzn_product_post]','SAKURA ELECTRIC ERASER Drafting, Engineering, Art -General Catalog','SAKURA ELECTRIC ERASER. SAKURA®, Electric Eraser Kit
This lightweight, portable, compact batteryoperated electric eraser has an impressive 12,000 rpm strong torque motor that is built to last. Use for drafting, architectural plans, arts and crafts, etc. Comfortable hand contour with sleek design, it weights only 2.6 oz. and can fit in a back pocket. Remove marks and lines instantly with a gentle touch. The kit comes with two alkaline AAA batteries and Twenty additional erasers: White vinyl for pencil. Sakura offers consumers a 90-day limited warranty. Black color.','inherit','open','open','','820-revision-v1','','','2013-08-18 23:31:57','2013-08-19 06:31:57','',820,'http://www.letsdrawpeople.com/820-revision-v1/',0,'revision','',0),(823,2,'2013-08-18 23:35:14','2013-08-19 06:35:14','','electric eraser','','inherit','open','open','','electric-eraser','','','2013-08-18 23:35:14','2013-08-19 06:35:14','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/electric-eraser.jpg',0,'attachment','image/jpeg',0),(825,2,'2013-08-09 11:10:40','2013-08-09 18:10:40','[amzn_product_post]','Alvin & Co. FC88 FRENCH CURVE SET, 8 piece set','A variety of the most popular full-size curves, conveniently packaged in a corrugated box for individual or classroom use. These plastic curves are great for detail work. They are heavy enough not to warp but flexible enough not to chip or crack if dropped from a tabletop. Each curve is molded of smoke grey-tinted 0.10\" thick styrene plastic with double-beveled inking edges.','publish','closed','closed','','alvin-co-fc88-french-curve-set-8-piece-set','','','2013-08-18 23:56:19','2013-08-19 06:56:19','',0,'http://www.letsdrawpeople.com/alvin-co-fc88-french-curve-set-8-piece-set/',0,'post','',0),(834,2,'2013-08-18 23:54:09','2013-08-19 06:54:09','','bristol board','Bristol board paper is sturdy enough to withstand the smudging and erasing needed for detailed, realistic pencil portraits.','inherit','open','open','','bristol-board','','','2013-08-18 23:54:09','2013-08-19 06:54:09','',1228,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/bristol-board.jpg',0,'attachment','image/jpeg',0),(827,2,'2013-08-18 23:53:22','2013-08-19 06:53:22','[amzn_product_post]','Alvin & Co. FC88 FRENCH CURVE SET, 8 piece set','A variety of the most popular full-size curves, conveniently packaged in a corrugated box for individual or classroom use. These plastic curves are great for detail work. They are heavy enough not to warp but flexible enough not to chip or crack if dropped from a tabletop. Each curve is molded of smoke grey-tinted 0.10\" thick styrene plastic with double-beveled inking edges.','inherit','open','open','','825-revision-v1','','','2013-08-18 23:53:22','2013-08-19 06:53:22','',825,'http://www.letsdrawpeople.com/825-revision-v1/',0,'revision','',0),(828,2,'2013-08-06 11:53:29','2013-08-06 18:53:29','[amzn_product_post]','Artograph ART-O-GRAPH Lightracer Light Tracer Elite II','Constructed of lightweight aluminum, this light box offer an unobstructed flat 12\" x 18\" work surface for viewing and tracing. Accurate 90 degree edges indicates precise reference for measuring and attaching T-squares. The result is a bright viewing window that is free of hot spots or shadows. Replacement lamp is an 8 watt, 12\" fluorescent.','publish','closed','closed','','artograph-art-o-graph-lightracer-light-tracer-elite-ii','','','2013-08-18 23:55:48','2013-08-19 06:55:48','',0,'http://www.letsdrawpeople.com/artograph-art-o-graph-lightracer-light-tracer-elite-ii/',0,'post','',0),(835,2,'2013-08-18 23:54:10','2013-08-19 06:54:10','','french curve set','','inherit','open','open','','french-curve-set','','','2013-08-18 23:54:10','2013-08-19 06:54:10','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/french-curve-set.jpg',0,'attachment','image/jpeg',0),(830,2,'2013-08-18 23:53:23','2013-08-19 06:53:23','[amzn_product_post]','Artograph ART-O-GRAPH Lightracer Light Tracer Elite II','Constructed of lightweight aluminum, this light box offer an unobstructed flat 12\" x 18\" work surface for viewing and tracing. Accurate 90 degree edges indicates precise reference for measuring and attaching T-squares. The result is a bright viewing window that is free of hot spots or shadows. Replacement lamp is an 8 watt, 12\" fluorescent.','inherit','open','open','','828-revision-v1','','','2013-08-18 23:53:23','2013-08-19 06:53:23','',828,'http://www.letsdrawpeople.com/828-revision-v1/',0,'revision','',0),(831,2,'2013-08-07 08:31:54','2013-08-07 15:31:54','[amzn_product_post]','Strathmore 300 Series Bristol smooth 19 in. x 24 in.','An affordable drawing surface, great for student work. The smooth surface is ideal for pen and ink.','publish','closed','closed','','strathmore-300-series-bristol-smooth-19-in-x-24-in','','','2013-08-18 23:56:48','2013-08-19 06:56:48','',0,'http://www.letsdrawpeople.com/strathmore-300-series-bristol-smooth-19-in-x-24-in/',0,'post','',0),(836,2,'2013-08-18 23:54:11','2013-08-19 06:54:11','','light box','If you like to draw with a grid, a light box can eliminate the need for erasing grid lines.','inherit','open','open','','light-box','','','2013-08-18 23:54:11','2013-08-19 06:54:11','',1228,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/light-box.jpg',0,'attachment','image/jpeg',0),(833,2,'2013-08-18 23:53:24','2013-08-19 06:53:24','[amzn_product_post]','Strathmore 300 Series Bristol smooth 19 in. x 24 in.','An affordable drawing surface, great for student work. The smooth surface is ideal for pen and ink.','inherit','open','open','','831-revision-v1','','','2013-08-18 23:53:24','2013-08-19 06:53:24','',831,'http://www.letsdrawpeople.com/831-revision-v1/',0,'revision','',0),(837,2,'2013-08-19 21:09:30','2013-08-20 04:09:30','\"drawingThe desire of man to keep for himself a record of his everyday activities is so powerful that simple drawings were developed just to provide a solution to such a necessity. Cave paintings, hieroglyphics, and all artistic attempts to capture any moment quickly became a popular method of communication and thus enhancing human development. The art of drawing has been a part of human history ever since.\r\n\r\nToday the skill of drawing people, etching onto paper or canvas a recognizable likeness, is not only a hobby for many, but its impressive aura is still present. In fact, people still stand in awe whenever they see someone drawing realistic images with ease. How do they do it? How do they make it look so easy? Are there complicated techniques involved? As I taught myself how to draw over the years, I learned and implemented techniques from other portrait artists that enhanced the realism in my own work. The more I learned, the more I realized that those techniques and concepts were not complicated at all, but rather simplistic. Today, we too will stand in awe as we peer into how these images are made and how some artists so easily capture reality onto paper. Let’s look at several simple drawing techniques used by professional artists everywhere.\r\n

Drawing Instrument Basics

\r\nIt is very important that you know of the drawing instruments needed and how to use them in order to create a realistic portrait. There are several key drawing tools that professional artists use for pencil portraits. Here is a look at two of the most basic instruments: the pencil and the eraser.\r\n

The Pencil

\r\n\"artistFor the most part, people doing realistic portraits are fond of using graphite pencil (also called lead pencil), as it gives them the ability to focus on detail. Graphite pencils come in a range of grades (from 9H to 9B), but there are generally two types: hard and soft. Hard pencils, or H pencils, are used to create light, fine lines. Soft pencils, or B pencils, are generally used to create darker shades and texture.\r\n\r\nSome artists find the need to have at least two types of pencils, one for drawing fine lines and one for drawing coarser lines and for shading. In most cases, the HB pencil (or something close to it) is preferred because of its versatility and ability to draw fine and coarse lines easily. Your traditional No. 2 pencil is an HB lead. I personally like to use a mechanical 2B lead pencil for realistic portraits. It allows for fine details, light tones, and deep shading all in one!\r\n\r\nWhen using standard wooden pencils, the way you grasp them can affect the overall look of the portrait. A light hold on the pencil, with the use of the thumb and the pointer finger, is often used to ensure the lines are light, soft, and almost invisible. A full grasp can ensure heavier, darker lines for creating shades. A slanting grip makes use of the side of the pencil\'s graphite to provide a soft thick shade and a good texture. Ultimately though, grasp is determined by an artist’s personal style and preference. Experiment with different ways of holding your pencil to find the best results for you.\r\n

The Eraser

\r\n\"eraserThe eraser is an important tool to use when doing portraits using pencil. Erasers are good for more than just getting rid of your mistakes. You use an eraser to complement your drawings. It can produce a wonderful effect, especially if you know how to use it properly. For example, you can use a kneaded eraser or an electric eraser to lift graphite off the paper and produce streaks that resemble wonderful highlights in hair, as seen in this example.\r\n

Choosing or Combining Drawing Styles

\r\nThere are a number of drawing styles you can choose for drawing your portraits. Your choice depends on the level of detail you are going for, as well as the “look” or “feel” you hope to capture. You can use these styles in isolation, or you can combine them for more realistic results.\r\n
    \r\n
  • Line drawing -- the use of definite lines of various widths to create shapes and boundaries. This is the style most commonly used by everyday people and some professional artists. It is often used to outline the basic shape of the figure. Line drawings are usually not as detailed as other styles, although some line drawings are very detailed.
    • \r\n
  • Tone drawing -- the use of the contrasting properties of light and dark to create visual boundaries. The resulting image is softer than a line drawing and is better suited to create realistic images.
    • \r\n
  • Blending -- the deliberate \"smudging\" of lines and tones, sometimes with the use of tissue, tortillions, or blending stumps to create \"soft\" shades. When attempting to create realistic portraits, you should focus heavily on perfecting proper blending to create realistic shadows to provide detailed texture and depth.
    • \r\n
\r\n

Getting Your Line Drawing Started

\r\nSo before you actually put pencil to paper, you need to have in mind who you are going to draw (your subject) and what you are going to use to help you capture your subject’s likeness. If you are just practicing for fun without much concern for accuracy, your own memory or imagination is good enough. For a better representation, I would suggest using a reference photo. You can try drawing the reference photo exactly as you see it, or just use it as a “reference” and implement your artistic creativity to draw the same subject in a different pose, from a different angle, etc. Or for a real challenge, you can draw a live model who is willing to pose for you. Just remember, if you are going for the closest possible likeness of your subject and a very realistic portrait, then it is crucial that you take the time needed to get your line drawing right. Do not rush this step!\r\n\r\nMost artists begin their line drawing by sketching basic shapes. Shapes such as circles, ovals, and rectangles are the most popular types of shapes in sketching people. Drawing these shapes can help you visualize the proportions of the body.\r\n\r\nTraditional drawing uses these shapes as guides to better create the features of the body. For example, when you draw a face you can start with an oval or a slightly egg-shaped circle to represent the general contour of the head. Within this shape, you can draw additional guidelines to help you properly place the nose, eyes, ears and mouth. So, it is important to know how to use these basic shapes, as it is one of the most important portrait drawing techniques.\r\n\r\n\r\n\"drawing\r\n\r\nAn alternate method for creating a realistic line drawing is called grid drawing. Of all the portrait drawing techniques available, drawing with the use of a grid has got to be my personal favorite! Grid drawing is not “cheating”. In fact, it has been around for centuries. Basically, this technique consists of dividing a reference photo into a grid of equally-sized squares and drawing the same number of squares on your paper. Then it is only a matter of drawing what you see in each square. When I first began using this technique, it took the quality of my work to another level! Not only is this method perfect for beginners, but many professional artists still swear by it.\r\n\r\n\"eyes\r\n

\"eyes

\r\n\r\n

Shading Techniques for Adding Tones

\r\nAfter you get your line drawing down, you may want to add tones for an extra layer of realism. Here are some tried and true methods to add shading to the people you draw and bring them to life.\r\n\r\n• Stippling -- using \"dots or points\" to recreate shade and texture. Though rarely used in sketches, it has a vibrant effect, especially when viewed from afar.\r\n\r\n• Hatching -- the use of diagonal lines to create the illusion of shade and shadow. Many caricatures and cartoon sketches have this kind of style to add depth. When done properly, hatching also contributes much detail and realism to pencil portraits.\r\n\r\n• Crosshatching – similar to ordinary hatching, but instead of using diagonal lines, you use overlapping lines \"crossing\" one another. This will add more volume to the shade in sketches and drawings.\r\n\r\n• Circulism (also called Scumbling) -- the use of tiny little circles drawn or “scribbled” closely together and built up in layers. Artists who have mastered this technique achieve some excellent results with very realistic skin textures.\r\n

\"\"

\r\nTry these different shading techniques out and find what you like best, or use a combination of them. I use a mix of the last three, but I probably do more hatching than anything else. Hatching allows me to draw lines at angles that complement the contour of the face, thus getting a more natural look when blending my tones together.\r\n

Applying Techniques in Your Portraits

\r\nCelebrity chef Tom Colicchio one said “Recipes tell you nothing. Learning techniques is the key.” While I do think recipes are important, I also see where Tom is coming from. You may try to follow a recipe step-by-step, but if you don’t understand the techniques within each step, you may not be happy with what comes out of the oven.\r\n\r\nSo, it’s time for you to apply these simple drawing techniques and create a realistic portrait of your own. Consider the steps you need to take to finish your portrait. You can even use a tutorial from this website that lays out the steps for you. Just think of your steps or your tutorial as your “recipe”. As you work to complete each step from your portrait recipe, keep in mind the techniques you have learned: the best pencil choices and uses of erasers, choice of drawing style, creating the basic shapes for your line drawing, and how you will add tones to later blend. The more you practice the steps and apply the techniques to your portraits, the happier you will be with your results!','Simple Drawing Techniques for Realistic Pencil Portraits','','publish','open','open','','simple-drawing-techniques-for-realistic-pencil-portraits','','\nhttp://www.letsdrawpeople.com/the-drawing-tools-of-the-artists-trade/','2015-07-15 14:54:08','2015-07-15 21:54:08','',0,'http://www.letsdrawpeople.com/?p=837',0,'post','',8),(866,2,'2013-08-20 08:08:21','2013-08-20 15:08:21','','artist pencils','','inherit','open','open','','artist-pencils','','','2013-08-20 08:08:21','2013-08-20 15:08:21','',837,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/artist-pencils.jpg',0,'attachment','image/jpeg',0),(867,2,'2013-08-20 08:08:23','2013-08-20 15:08:23','','drawing of girl by graphite pencil','','inherit','open','open','','drawing-of-girl-by-graphite-pencil','','','2013-08-20 08:08:23','2013-08-20 15:08:23','',837,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/drawing-of-girl-by-graphite-pencil.jpg',0,'attachment','image/jpeg',0),(840,2,'2013-08-19 21:43:25','2013-08-20 04:43:25','','drawing techniques guideline sketch','','inherit','open','open','','drawing-techniques-guideline-sketch','','','2013-08-19 21:43:25','2013-08-20 04:43:25','',837,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/drawing-techniques-guideline-sketch.jpg',0,'attachment','image/jpeg',0),(841,2,'2013-08-19 21:43:26','2013-08-20 04:43:26','','drawing techniques shading','','inherit','open','open','','drawing-techniques-shading','','','2013-08-19 21:43:26','2013-08-20 04:43:26','',837,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/drawing-techniques-shading.jpg',0,'attachment','image/jpeg',0),(842,2,'2013-08-19 21:43:27','2013-08-20 04:43:27','','eraser hair highlights','','inherit','open','open','','eraser-hair-highlights','','','2013-08-19 21:43:27','2013-08-20 04:43:27','',837,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/eraser-hair-highlights.jpg',0,'attachment','image/jpeg',0),(843,2,'2013-08-19 21:43:28','2013-08-20 04:43:28','','eyes of the bride grid drawing example','','inherit','open','open','','eyes-of-the-bride-grid-drawing-example','','','2013-08-19 21:43:28','2013-08-20 04:43:28','',837,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/eyes-of-the-bride-grid-drawing-example.jpg',0,'attachment','image/jpeg',0),(844,2,'2013-08-19 21:43:30','2013-08-20 04:43:30','','eyes of the bride grid example','','inherit','open','open','','eyes-of-the-bride-grid-example','','','2013-08-19 21:43:30','2013-08-20 04:43:30','',837,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/eyes-of-the-bride-grid-example.jpg',0,'attachment','image/jpeg',0),(845,2,'2013-08-19 21:47:25','2013-08-20 04:47:25','','Simple Drawing Techniques for Realistic Pencil Portraits','','inherit','open','open','','837-revision-v1','','','2013-08-19 21:47:25','2013-08-20 04:47:25','',837,'http://www.letsdrawpeople.com/837-revision-v1/',0,'revision','',0),(846,2,'2013-08-19 21:58:40','2013-08-20 04:58:40','\"drawing-girl-graphite-pencil-10354842\"The desire of man to keep for himself a record of his everyday activities is so powerful that simple drawings were developed just to provide a solution to such a necessity. Cave paintings, hieroglyphics, and all artistic attempts to capture any moment quickly became a popular method of communication and thus enhancing human development. The art of drawing has been a part of human history ever since.\r\n\r\nToday the skill of drawing people, etching onto paper or canvas a recognizable likeness, is not only a hobby for many, but its impressive aura is still present. In fact, people still stand in awe whenever they see someone drawing realistic images with ease. How do they do it? As I taught myself how to draw over the years, I learned and implemented techniques from other portrait artists that enhanced the realism in my own work. Today, we too will stand in awe as we peer into how these images are made and how some artists so easily capture reality onto paper. Let’s look at several simple drawing techniques used by professional artists everywhere.\r\n

Drawing Instrument Basics

\r\nIt is very important that you know of the drawing instruments needed and how to use them in order to create a realistic portrait. There are several key drawing tools that professional artists use for pencil portraits. Here is a look at two of the most basic instruments: the pencil and the eraser.\r\n

The Pencil

\r\n\"http://www.dreamstime.com/-image67169\"For the most part, people doing realistic portraits are fond of using graphite pencil (also called lead pencil), as it gives them the ability to focus on detail. Graphite pencils come in a range of grades (from 9H to 9B), but there are generally two types: hard and soft. Hard pencils, or H pencils, are used to create light, fine lines. Soft pencils, or B pencils, are generally used to create darker shades and texture.\r\n\r\nSome artists find the need to have at least two types of pencils, one for drawing fine lines and one for drawing coarser lines and for shading. In most cases, the HB pencil (or something close to it) is preferred because of its versatility and ability to draw fine and coarse lines easily. Your traditional No. 2 pencil is an HB lead. I personally like to use a mechanical 2B lead pencil for realistic portraits. It allows for fine details, light tones, and deep shading all in one!\r\n\r\nWhen using standard wooden pencils, the way you grasp them can affect the overall look of the portrait. A light hold on the pencil, with the use of the thumb and the pointer finger, is often used to ensure the lines are light, soft, and almost invisible. A full grasp can ensure heavier, darker lines for creating shades. A slanting grip makes use of the side of the pencil\'s graphite to provide a soft thick shade and a good texture. Ultimately though, grasp is determined by an artist’s personal style and preference. Experiment with different ways of holding your pencil to find the best results for you.\r\n

The Eraser

\r\n\"eraserThe eraser is an important tool to use when doing portraits using pencil. Erasers are good for more than just getting rid of your mistakes. You use an eraser to complement your drawings. It can produce a wonderful effect, especially if you know how to use it properly. For example, you can use a kneaded eraser or an electric eraser to lift graphite off the paper and produce streaks that resemble wonderful highlights in hair.\r\n

Choosing or Combining Drawing Styles

\r\nThere are a number of drawing styles you can choose for drawing your portraits. Your choice depends on the level of detail you are going for, as well as the “look” or “feel” you hope to capture. You can use these styles in isolation, or you can combine them for more realistic results.\r\n
    \r\n
  • Line drawing -- the use of definite lines of various widths to create shapes and boundaries. This is the style most commonly used by everyday people and some professional artists. It is often used to outline the basic shape of the figure. Line drawings are usually not as detailed as other styles, although some line drawings are very detailed.
    • \r\n
  • Tone drawing -- the use of the contrasting properties of light and dark to create visual boundaries. The resulting image is softer than a line drawing and is better suited to create realistic images.
    • \r\n
  • Blending -- the deliberate \"smudging\" of lines and tones, sometimes with the use of tissue, tortillons, or blending stumps to create \"soft\" shades. When attempting to create realistic portraits, you should focus heavily on perfecting proper blending to create realistic shadows to provide detailed texture and depth.
    • \r\n
\r\n

Getting Your Line Drawing Started

\r\nSo before you actually put pencil to paper, you need to have in mind who you are going to draw (your subject) and what you are going to use to help you capture your subject’s likeness. If you are just practicing for fun without much concern for accuracy, your own memory or imagination is good enough. For a better representation, I would suggest using a reference photo. You can try drawing the reference photo exactly as you see it, or just use it as a “reference” and implement your artistic creativity to draw the same subject in a different pose, from a different angle, etc. Or for a real challenge, you can draw a live model who is willing to pose for you. Just remember, if you are going for the closest possible likeness of your subject and a very realistic portrait, then it is crucial that you take the time needed to get your line drawing right. Do not rush this step!\r\n\r\nMost artists begin their line drawing by sketching basic shapes. Shapes such as circles, ovals, and rectangles are the most popular types of shapes in sketching people. Drawing these shapes can help you visualize the proportions of the body.\r\n\r\nTraditional drawing uses these shapes as guides to better create the features of the body. For example, when you draw a face you can start with an oval or a slightly egg-shaped circle to represent the general contour of the head. Within this shape, you can draw additional guidelines to help you properly place the nose, eyes, ears and mouth. So, it is important to know how to use these basic shapes, as it is one of the most important portrait drawing techniques.\r\n\r\n\r\n\"drawingAn alternate method for creating a realistic line drawing is called grid drawing. Of all the portrait drawing techniques available, drawing with the use of a grid has got to be my personal favorite! Grid drawing is not “cheating”. In fact, it has been around for centuries. Basically, this technique consists of dividing a reference photo into a grid of equally-sized squares and drawing the same number of squares on your paper. Then it is only a matter of drawing what you see in each square. When I first began using this technique, it took the quality of my work to another level! Not only is this method perfect for beginners, but many professional artists still swear by it.\r\n\r\n\"eyes\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n\"eyes\r\n

Shading Techniques for Adding Tones

\r\nAfter you get your line drawing down, you may want to add tones for an extra layer of realism. Here are some tried and true methods to add shading to the people you draw and bring them to life.\r\n\r\n• Pointillism -- using \"dots or points\" to recreate shade and texture. Though rarely used in sketches, it has a vibrant effect, especially when viewed from afar.\r\n\r\n• Hatching -- the use of diagonal lines to create the illusion of shade and shadow. Many caricatures and cartoon sketches have this kind of style to add depth. When done properly, hatching also contributes much detail and realism to pencil portraits.\r\n\r\n• Crosshatching – similar to ordinary hatching, but instead of using diagonal lines, you use overlapping lines \"crossing\" one another. This will add more volume to the shade in sketches and drawings.\r\n\r\n• Circulism (also called Scumbling) -- the use of tiny little circles drawn or “scribbled” closely together and built up in layers. Artists who have mastered this technique achieve some excellent results with very realistic skin textures.\"drawingTry these different shading techniques out and find what you like best, or use a combination of them. I use a mix of the last three, but I probably do more hatching than anything else. Hatching allows me to draw lines at an angle that compliments the contour of the face, thus getting a more natural look when blending my tones together.\r\n

Applying Techniques in Your Portraits

\r\nCelebrity chef Tom Colicchio one said “Recipes tell you nothing. Learning techniques is the key.” While I do think recipes are important, I also see where Tom is coming from. You may try to follow a recipe step-by-step, but if you don’t understand the techniques within each step, you may not be happy with what comes out of the oven.\r\n\r\nSo, it’s time for you to apply these drawing techniques and create a realistic portrait of your own. Consider the steps you need to take to finish your portrait. You can even use a tutorial from this website that lays out the steps for you. Just think of your steps or your tutorial as your “recipe”. As you work to complete each step from your portrait recipe, keep in mind the techniques you have learned: the best pencil choices and uses of erasers, choice of drawing style, creating the basic shapes for your line drawing, and how you will add tones to later blend. The more you practice the steps and apply the techniques to your portraits, the happier you will be with your results!','Simple Drawing Techniques for Realistic Pencil Portraits','','inherit','open','open','','837-revision-v1','','','2013-08-19 21:58:40','2013-08-20 04:58:40','',837,'http://www.letsdrawpeople.com/837-revision-v1/',0,'revision','',0); INSERT INTO `wp_posts` VALUES (847,2,'2013-08-19 22:09:56','2013-08-20 05:09:56','\"drawing-girl-graphite-pencil-10354842\"The desire of man to keep for himself a record of his everyday activities is so powerful that simple drawings were developed just to provide a solution to such a necessity. Cave paintings, hieroglyphics, and all artistic attempts to capture any moment quickly became a popular method of communication and thus enhancing human development. The art of drawing has been a part of human history ever since.\r\n\r\nToday the skill of drawing people, etching onto paper or canvas a recognizable likeness, is not only a hobby for many, but its impressive aura is still present. In fact, people still stand in awe whenever they see someone drawing realistic images with ease. How do they do it? As I taught myself how to draw over the years, I learned and implemented techniques from other portrait artists that enhanced the realism in my own work. Today, we too will stand in awe as we peer into how these images are made and how some artists so easily capture reality onto paper. Let’s look at several simple drawing techniques used by professional artists everywhere.\r\n

Drawing Instrument Basics

\r\nIt is very important that you know of the drawing instruments needed and how to use them in order to create a realistic portrait. There are several key drawing tools that professional artists use for pencil portraits. Here is a look at two of the most basic instruments: the pencil and the eraser.\r\n

The Pencil

\r\n\"http://www.dreamstime.com/-image67169\"For the most part, people doing realistic portraits are fond of using graphite pencil (also called lead pencil), as it gives them the ability to focus on detail. Graphite pencils come in a range of grades (from 9H to 9B), but there are generally two types: hard and soft. Hard pencils, or H pencils, are used to create light, fine lines. Soft pencils, or B pencils, are generally used to create darker shades and texture.\r\n\r\nSome artists find the need to have at least two types of pencils, one for drawing fine lines and one for drawing coarser lines and for shading. In most cases, the HB pencil (or something close to it) is preferred because of its versatility and ability to draw fine and coarse lines easily. Your traditional No. 2 pencil is an HB lead. I personally like to use a mechanical 2B lead pencil for realistic portraits. It allows for fine details, light tones, and deep shading all in one!\r\n\r\nWhen using standard wooden pencils, the way you grasp them can affect the overall look of the portrait. A light hold on the pencil, with the use of the thumb and the pointer finger, is often used to ensure the lines are light, soft, and almost invisible. A full grasp can ensure heavier, darker lines for creating shades. A slanting grip makes use of the side of the pencil\'s graphite to provide a soft thick shade and a good texture. Ultimately though, grasp is determined by an artist’s personal style and preference. Experiment with different ways of holding your pencil to find the best results for you.\r\n

The Eraser

\r\n\"eraserThe eraser is an important tool to use when doing portraits using pencil. Erasers are good for more than just getting rid of your mistakes. You use an eraser to complement your drawings. It can produce a wonderful effect, especially if you know how to use it properly. For example, you can use a kneaded eraser or an electric eraser to lift graphite off the paper and produce streaks that resemble wonderful highlights in hair.\r\n

Choosing or Combining Drawing Styles

\r\nThere are a number of drawing styles you can choose for drawing your portraits. Your choice depends on the level of detail you are going for, as well as the “look” or “feel” you hope to capture. You can use these styles in isolation, or you can combine them for more realistic results.\r\n
    \r\n
  • Line drawing -- the use of definite lines of various widths to create shapes and boundaries. This is the style most commonly used by everyday people and some professional artists. It is often used to outline the basic shape of the figure. Line drawings are usually not as detailed as other styles, although some line drawings are very detailed.
    • \r\n
  • Tone drawing -- the use of the contrasting properties of light and dark to create visual boundaries. The resulting image is softer than a line drawing and is better suited to create realistic images.
    • \r\n
  • Blending -- the deliberate \"smudging\" of lines and tones, sometimes with the use of tissue, tortillons, or blending stumps to create \"soft\" shades. When attempting to create realistic portraits, you should focus heavily on perfecting proper blending to create realistic shadows to provide detailed texture and depth.
    • \r\n
\r\n

Getting Your Line Drawing Started

\r\nSo before you actually put pencil to paper, you need to have in mind who you are going to draw (your subject) and what you are going to use to help you capture your subject’s likeness. If you are just practicing for fun without much concern for accuracy, your own memory or imagination is good enough. For a better representation, I would suggest using a reference photo. You can try drawing the reference photo exactly as you see it, or just use it as a “reference” and implement your artistic creativity to draw the same subject in a different pose, from a different angle, etc. Or for a real challenge, you can draw a live model who is willing to pose for you. Just remember, if you are going for the closest possible likeness of your subject and a very realistic portrait, then it is crucial that you take the time needed to get your line drawing right. Do not rush this step!\r\n\r\nMost artists begin their line drawing by sketching basic shapes. Shapes such as circles, ovals, and rectangles are the most popular types of shapes in sketching people. Drawing these shapes can help you visualize the proportions of the body.\r\n\r\nTraditional drawing uses these shapes as guides to better create the features of the body. For example, when you draw a face you can start with an oval or a slightly egg-shaped circle to represent the general contour of the head. Within this shape, you can draw additional guidelines to help you properly place the nose, eyes, ears and mouth. So, it is important to know how to use these basic shapes, as it is one of the most important portrait drawing techniques.\r\n\r\n\r\n\"drawing\r\n\r\nAn alternate method for creating a realistic line drawing is called grid drawing. Of all the portrait drawing techniques available, drawing with the use of a grid has got to be my personal favorite! Grid drawing is not “cheating”. In fact, it has been around for centuries. Basically, this technique consists of dividing a reference photo into a grid of equally-sized squares and drawing the same number of squares on your paper. Then it is only a matter of drawing what you see in each square. When I first began using this technique, it took the quality of my work to another level! Not only is this method perfect for beginners, but many professional artists still swear by it.\r\n\r\n\"eyes\r\n\r\n\"eyes\r\n

Shading Techniques for Adding Tones

\r\nAfter you get your line drawing down, you may want to add tones for an extra layer of realism. Here are some tried and true methods to add shading to the people you draw and bring them to life.\r\n\r\n• Pointillism -- using \"dots or points\" to recreate shade and texture. Though rarely used in sketches, it has a vibrant effect, especially when viewed from afar.\r\n\r\n• Hatching -- the use of diagonal lines to create the illusion of shade and shadow. Many caricatures and cartoon sketches have this kind of style to add depth. When done properly, hatching also contributes much detail and realism to pencil portraits.\r\n\r\n• Crosshatching – similar to ordinary hatching, but instead of using diagonal lines, you use overlapping lines \"crossing\" one another. This will add more volume to the shade in sketches and drawings.\r\n\r\n• Circulism (also called Scumbling) -- the use of tiny little circles drawn or “scribbled” closely together and built up in layers. Artists who have mastered this technique achieve some excellent results with very realistic skin textures.\r\n\r\n\"drawing\r\n\r\nTry these different shading techniques out and find what you like best, or use a combination of them. I use a mix of the last three, but I probably do more hatching than anything else. Hatching allows me to draw lines at an angle that compliments the contour of the face, thus getting a more natural look when blending my tones together.\r\n

Applying Techniques in Your Portraits

\r\nCelebrity chef Tom Colicchio one said “Recipes tell you nothing. Learning techniques is the key.” While I do think recipes are important, I also see where Tom is coming from. You may try to follow a recipe step-by-step, but if you don’t understand the techniques within each step, you may not be happy with what comes out of the oven.\r\n\r\nSo, it’s time for you to apply these drawing techniques and create a realistic portrait of your own. Consider the steps you need to take to finish your portrait. You can even use a tutorial from this website that lays out the steps for you. Just think of your steps or your tutorial as your “recipe”. As you work to complete each step from your portrait recipe, keep in mind the techniques you have learned: the best pencil choices and uses of erasers, choice of drawing style, creating the basic shapes for your line drawing, and how you will add tones to later blend. The more you practice the steps and apply the techniques to your portraits, the happier you will be with your results!','Simple Drawing Techniques for Realistic Pencil Portraits','','inherit','open','open','','837-revision-v1','','','2013-08-19 22:09:56','2013-08-20 05:09:56','',837,'http://www.letsdrawpeople.com/837-revision-v1/',0,'revision','',0),(868,2,'2013-08-20 08:09:58','2013-08-20 15:09:58','\"drawingThe desire of man to keep for himself a record of his everyday activities is so powerful that simple drawings were developed just to provide a solution to such a necessity. Cave paintings, hieroglyphics, and all artistic attempts to capture any moment quickly became a popular method of communication and thus enhancing human development. The art of drawing has been a part of human history ever since.\r\n\r\nToday the skill of drawing people, etching onto paper or canvas a recognizable likeness, is not only a hobby for many, but its impressive aura is still present. In fact, people still stand in awe whenever they see someone drawing realistic images with ease. How do they do it? As I taught myself how to draw over the years, I learned and implemented techniques from other portrait artists that enhanced the realism in my own work. Today, we too will stand in awe as we peer into how these images are made and how some artists so easily capture reality onto paper. Let’s look at several simple drawing techniques used by professional artists everywhere.\r\n

Drawing Instrument Basics

\r\nIt is very important that you know of the drawing instruments needed and how to use them in order to create a realistic portrait. There are several key drawing tools that professional artists use for pencil portraits. Here is a look at two of the most basic instruments: the pencil and the eraser.\r\n

The Pencil

\r\n\"artistFor the most part, people doing realistic portraits are fond of using graphite pencil (also called lead pencil), as it gives them the ability to focus on detail. Graphite pencils come in a range of grades (from 9H to 9B), but there are generally two types: hard and soft. Hard pencils, or H pencils, are used to create light, fine lines. Soft pencils, or B pencils, are generally used to create darker shades and texture.\r\n\r\nSome artists find the need to have at least two types of pencils, one for drawing fine lines and one for drawing coarser lines and for shading. In most cases, the HB pencil (or something close to it) is preferred because of its versatility and ability to draw fine and coarse lines easily. Your traditional No. 2 pencil is an HB lead. I personally like to use a mechanical 2B lead pencil for realistic portraits. It allows for fine details, light tones, and deep shading all in one!\r\n\r\nWhen using standard wooden pencils, the way you grasp them can affect the overall look of the portrait. A light hold on the pencil, with the use of the thumb and the pointer finger, is often used to ensure the lines are light, soft, and almost invisible. A full grasp can ensure heavier, darker lines for creating shades. A slanting grip makes use of the side of the pencil\'s graphite to provide a soft thick shade and a good texture. Ultimately though, grasp is determined by an artist’s personal style and preference. Experiment with different ways of holding your pencil to find the best results for you.\r\n

The Eraser

\r\n\"eraserThe eraser is an important tool to use when doing portraits using pencil. Erasers are good for more than just getting rid of your mistakes. You use an eraser to complement your drawings. It can produce a wonderful effect, especially if you know how to use it properly. For example, you can use a kneaded eraser or an electric eraser to lift graphite off the paper and produce streaks that resemble wonderful highlights in hair, as seen in this example.\r\n

Choosing or Combining Drawing Styles

\r\nThere are a number of drawing styles you can choose for drawing your portraits. Your choice depends on the level of detail you are going for, as well as the “look” or “feel” you hope to capture. You can use these styles in isolation, or you can combine them for more realistic results.\r\n
    \r\n
  • Line drawing -- the use of definite lines of various widths to create shapes and boundaries. This is the style most commonly used by everyday people and some professional artists. It is often used to outline the basic shape of the figure. Line drawings are usually not as detailed as other styles, although some line drawings are very detailed.
    • \r\n
  • Tone drawing -- the use of the contrasting properties of light and dark to create visual boundaries. The resulting image is softer than a line drawing and is better suited to create realistic images.
    • \r\n
  • Blending -- the deliberate \"smudging\" of lines and tones, sometimes with the use of tissue, tortillons, or blending stumps to create \"soft\" shades. When attempting to create realistic portraits, you should focus heavily on perfecting proper blending to create realistic shadows to provide detailed texture and depth.
    • \r\n
\r\n

Getting Your Line Drawing Started

\r\nSo before you actually put pencil to paper, you need to have in mind who you are going to draw (your subject) and what you are going to use to help you capture your subject’s likeness. If you are just practicing for fun without much concern for accuracy, your own memory or imagination is good enough. For a better representation, I would suggest using a reference photo. You can try drawing the reference photo exactly as you see it, or just use it as a “reference” and implement your artistic creativity to draw the same subject in a different pose, from a different angle, etc. Or for a real challenge, you can draw a live model who is willing to pose for you. Just remember, if you are going for the closest possible likeness of your subject and a very realistic portrait, then it is crucial that you take the time needed to get your line drawing right. Do not rush this step!\r\n\r\nMost artists begin their line drawing by sketching basic shapes. Shapes such as circles, ovals, and rectangles are the most popular types of shapes in sketching people. Drawing these shapes can help you visualize the proportions of the body.\r\n\r\nTraditional drawing uses these shapes as guides to better create the features of the body. For example, when you draw a face you can start with an oval or a slightly egg-shaped circle to represent the general contour of the head. Within this shape, you can draw additional guidelines to help you properly place the nose, eyes, ears and mouth. So, it is important to know how to use these basic shapes, as it is one of the most important portrait drawing techniques.\r\n\r\n\r\n\"drawing\r\n\r\nAn alternate method for creating a realistic line drawing is called grid drawing. Of all the portrait drawing techniques available, drawing with the use of a grid has got to be my personal favorite! Grid drawing is not “cheating”. In fact, it has been around for centuries. Basically, this technique consists of dividing a reference photo into a grid of equally-sized squares and drawing the same number of squares on your paper. Then it is only a matter of drawing what you see in each square. When I first began using this technique, it took the quality of my work to another level! Not only is this method perfect for beginners, but many professional artists still swear by it.\r\n\r\n\"eyes\r\n\r\n\"eyes\r\n

Shading Techniques for Adding Tones

\r\nAfter you get your line drawing down, you may want to add tones for an extra layer of realism. Here are some tried and true methods to add shading to the people you draw and bring them to life.\r\n\r\n• Pointillism -- using \"dots or points\" to recreate shade and texture. Though rarely used in sketches, it has a vibrant effect, especially when viewed from afar.\r\n\r\n• Hatching -- the use of diagonal lines to create the illusion of shade and shadow. Many caricatures and cartoon sketches have this kind of style to add depth. When done properly, hatching also contributes much detail and realism to pencil portraits.\r\n\r\n• Crosshatching – similar to ordinary hatching, but instead of using diagonal lines, you use overlapping lines \"crossing\" one another. This will add more volume to the shade in sketches and drawings.\r\n\r\n• Circulism (also called Scumbling) -- the use of tiny little circles drawn or “scribbled” closely together and built up in layers. Artists who have mastered this technique achieve some excellent results with very realistic skin textures.\r\n\r\n\"drawing\r\n\r\nTry these different shading techniques out and find what you like best, or use a combination of them. I use a mix of the last three, but I probably do more hatching than anything else. Hatching allows me to draw lines at an angle that compliments the contour of the face, thus getting a more natural look when blending my tones together.\r\n

Applying Techniques in Your Portraits

\r\nCelebrity chef Tom Colicchio one said “Recipes tell you nothing. Learning techniques is the key.” While I do think recipes are important, I also see where Tom is coming from. You may try to follow a recipe step-by-step, but if you don’t understand the techniques within each step, you may not be happy with what comes out of the oven.\r\n\r\nSo, it’s time for you to apply these drawing techniques and create a realistic portrait of your own. Consider the steps you need to take to finish your portrait. You can even use a tutorial from this website that lays out the steps for you. Just think of your steps or your tutorial as your “recipe”. As you work to complete each step from your portrait recipe, keep in mind the techniques you have learned: the best pencil choices and uses of erasers, choice of drawing style, creating the basic shapes for your line drawing, and how you will add tones to later blend. The more you practice the steps and apply the techniques to your portraits, the happier you will be with your results!','Simple Drawing Techniques for Realistic Pencil Portraits','','inherit','open','open','','837-revision-v1','','','2013-08-20 08:09:58','2013-08-20 15:09:58','',837,'http://www.letsdrawpeople.com/837-revision-v1/',0,'revision','',0),(848,2,'2013-08-19 22:18:25','2013-08-20 05:18:25','\"drawing-girl-graphite-pencil-10354842\"The desire of man to keep for himself a record of his everyday activities is so powerful that simple drawings were developed just to provide a solution to such a necessity. Cave paintings, hieroglyphics, and all artistic attempts to capture any moment quickly became a popular method of communication and thus enhancing human development. The art of drawing has been a part of human history ever since.\r\n\r\nToday the skill of drawing people, etching onto paper or canvas a recognizable likeness, is not only a hobby for many, but its impressive aura is still present. In fact, people still stand in awe whenever they see someone drawing realistic images with ease. How do they do it? As I taught myself how to draw over the years, I learned and implemented techniques from other portrait artists that enhanced the realism in my own work. Today, we too will stand in awe as we peer into how these images are made and how some artists so easily capture reality onto paper. Let’s look at several simple drawing techniques used by professional artists everywhere.\r\n

Drawing Instrument Basics

\r\nIt is very important that you know of the drawing instruments needed and how to use them in order to create a realistic portrait. There are several key drawing tools that professional artists use for pencil portraits. Here is a look at two of the most basic instruments: the pencil and the eraser.\r\n

The Pencil

\r\n\"http://www.dreamstime.com/-image67169\"For the most part, people doing realistic portraits are fond of using graphite pencil (also called lead pencil), as it gives them the ability to focus on detail. Graphite pencils come in a range of grades (from 9H to 9B), but there are generally two types: hard and soft. Hard pencils, or H pencils, are used to create light, fine lines. Soft pencils, or B pencils, are generally used to create darker shades and texture.\r\n\r\nSome artists find the need to have at least two types of pencils, one for drawing fine lines and one for drawing coarser lines and for shading. In most cases, the HB pencil (or something close to it) is preferred because of its versatility and ability to draw fine and coarse lines easily. Your traditional No. 2 pencil is an HB lead. I personally like to use a mechanical 2B lead pencil for realistic portraits. It allows for fine details, light tones, and deep shading all in one!\r\n\r\nWhen using standard wooden pencils, the way you grasp them can affect the overall look of the portrait. A light hold on the pencil, with the use of the thumb and the pointer finger, is often used to ensure the lines are light, soft, and almost invisible. A full grasp can ensure heavier, darker lines for creating shades. A slanting grip makes use of the side of the pencil\'s graphite to provide a soft thick shade and a good texture. Ultimately though, grasp is determined by an artist’s personal style and preference. Experiment with different ways of holding your pencil to find the best results for you.\r\n

The Eraser

\r\n\"eraserThe eraser is an important tool to use when doing portraits using pencil. Erasers are good for more than just getting rid of your mistakes. You use an eraser to complement your drawings. It can produce a wonderful effect, especially if you know how to use it properly. For example, you can use a kneaded eraser or an electric eraser to lift graphite off the paper and produce streaks that resemble wonderful highlights in hair, as seen in this example.\r\n

Choosing or Combining Drawing Styles

\r\nThere are a number of drawing styles you can choose for drawing your portraits. Your choice depends on the level of detail you are going for, as well as the “look” or “feel” you hope to capture. You can use these styles in isolation, or you can combine them for more realistic results.\r\n
    \r\n
  • Line drawing -- the use of definite lines of various widths to create shapes and boundaries. This is the style most commonly used by everyday people and some professional artists. It is often used to outline the basic shape of the figure. Line drawings are usually not as detailed as other styles, although some line drawings are very detailed.
    • \r\n
  • Tone drawing -- the use of the contrasting properties of light and dark to create visual boundaries. The resulting image is softer than a line drawing and is better suited to create realistic images.
    • \r\n
  • Blending -- the deliberate \"smudging\" of lines and tones, sometimes with the use of tissue, tortillons, or blending stumps to create \"soft\" shades. When attempting to create realistic portraits, you should focus heavily on perfecting proper blending to create realistic shadows to provide detailed texture and depth.
    • \r\n
\r\n

Getting Your Line Drawing Started

\r\nSo before you actually put pencil to paper, you need to have in mind who you are going to draw (your subject) and what you are going to use to help you capture your subject’s likeness. If you are just practicing for fun without much concern for accuracy, your own memory or imagination is good enough. For a better representation, I would suggest using a reference photo. You can try drawing the reference photo exactly as you see it, or just use it as a “reference” and implement your artistic creativity to draw the same subject in a different pose, from a different angle, etc. Or for a real challenge, you can draw a live model who is willing to pose for you. Just remember, if you are going for the closest possible likeness of your subject and a very realistic portrait, then it is crucial that you take the time needed to get your line drawing right. Do not rush this step!\r\n\r\nMost artists begin their line drawing by sketching basic shapes. Shapes such as circles, ovals, and rectangles are the most popular types of shapes in sketching people. Drawing these shapes can help you visualize the proportions of the body.\r\n\r\nTraditional drawing uses these shapes as guides to better create the features of the body. For example, when you draw a face you can start with an oval or a slightly egg-shaped circle to represent the general contour of the head. Within this shape, you can draw additional guidelines to help you properly place the nose, eyes, ears and mouth. So, it is important to know how to use these basic shapes, as it is one of the most important portrait drawing techniques.\r\n\r\n\r\n\"drawing\r\n\r\nAn alternate method for creating a realistic line drawing is called grid drawing. Of all the portrait drawing techniques available, drawing with the use of a grid has got to be my personal favorite! Grid drawing is not “cheating”. In fact, it has been around for centuries. Basically, this technique consists of dividing a reference photo into a grid of equally-sized squares and drawing the same number of squares on your paper. Then it is only a matter of drawing what you see in each square. When I first began using this technique, it took the quality of my work to another level! Not only is this method perfect for beginners, but many professional artists still swear by it.\r\n\r\n\"eyes\r\n\r\n\"eyes\r\n

Shading Techniques for Adding Tones

\r\nAfter you get your line drawing down, you may want to add tones for an extra layer of realism. Here are some tried and true methods to add shading to the people you draw and bring them to life.\r\n\r\n• Pointillism -- using \"dots or points\" to recreate shade and texture. Though rarely used in sketches, it has a vibrant effect, especially when viewed from afar.\r\n\r\n• Hatching -- the use of diagonal lines to create the illusion of shade and shadow. Many caricatures and cartoon sketches have this kind of style to add depth. When done properly, hatching also contributes much detail and realism to pencil portraits.\r\n\r\n• Crosshatching – similar to ordinary hatching, but instead of using diagonal lines, you use overlapping lines \"crossing\" one another. This will add more volume to the shade in sketches and drawings.\r\n\r\n• Circulism (also called Scumbling) -- the use of tiny little circles drawn or “scribbled” closely together and built up in layers. Artists who have mastered this technique achieve some excellent results with very realistic skin textures.\r\n\r\n\"drawing\r\n\r\nTry these different shading techniques out and find what you like best, or use a combination of them. I use a mix of the last three, but I probably do more hatching than anything else. Hatching allows me to draw lines at an angle that compliments the contour of the face, thus getting a more natural look when blending my tones together.\r\n

Applying Techniques in Your Portraits

\r\nCelebrity chef Tom Colicchio one said “Recipes tell you nothing. Learning techniques is the key.” While I do think recipes are important, I also see where Tom is coming from. You may try to follow a recipe step-by-step, but if you don’t understand the techniques within each step, you may not be happy with what comes out of the oven.\r\n\r\nSo, it’s time for you to apply these drawing techniques and create a realistic portrait of your own. Consider the steps you need to take to finish your portrait. You can even use a tutorial from this website that lays out the steps for you. Just think of your steps or your tutorial as your “recipe”. As you work to complete each step from your portrait recipe, keep in mind the techniques you have learned: the best pencil choices and uses of erasers, choice of drawing style, creating the basic shapes for your line drawing, and how you will add tones to later blend. The more you practice the steps and apply the techniques to your portraits, the happier you will be with your results!','Simple Drawing Techniques for Realistic Pencil Portraits','','inherit','open','open','','837-revision-v1','','','2013-08-19 22:18:25','2013-08-20 05:18:25','',837,'http://www.letsdrawpeople.com/837-revision-v1/',0,'revision','',0),(853,2,'2013-08-20 07:27:46','2013-08-20 14:27:46','
\r\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n[caption id=\"attachment_852\" align=\"aligncenter\" width=\"320\"]\"\" © Carrienelson1 | Dreamstime.com[/caption]\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"\"

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"\"

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"\"

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"\"

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"\"

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"\"

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"\"

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"\"

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\r\n','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2013-08-20 07:27:46','2013-08-20 14:27:46','',165,'http://www.letsdrawpeople.com/165-revision-v1/',0,'revision','',0),(1020,2,'2014-05-09 22:43:21','2014-05-10 05:43:21','

When making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n[caption id=\"attachment_852\" align=\"aligncenter\" width=\"320\"]\"\" © Carrienelson1 | Dreamstime.com[/caption]\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"\"

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"\"

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"\"

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"\"

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"\"

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"\"

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"\"

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"\"

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\r\n','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2014-05-09 22:43:21','2014-05-10 05:43:21','',165,'http://www.letsdrawpeople.com/165-revision-v1/',0,'revision','',0),(854,2,'2013-08-20 07:47:46','2013-08-20 14:47:46','
\r\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n[caption id=\"attachment_852\" align=\"aligncenter\" width=\"320\"]\"\" © Carrienelson1 | Dreamstime.com[/caption]\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"\"

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"\"

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"\"

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"\"

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"\"

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"\"

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"\"

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"\"

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\r\n','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2013-08-20 07:47:46','2013-08-20 14:47:46','',165,'http://www.letsdrawpeople.com/165-revision-v1/',0,'revision','',0),(1022,2,'2014-05-10 06:32:31','2014-05-10 13:32:31','Shoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n\r\n[caption id=\"attachment_856\" align=\"aligncenter\" width=\"320\"]\"\" © Branislav Ostojic | Dreamstime.com[/caption]\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"01p

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n

\"02

\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

\"03

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"04

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"05

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"06

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"07

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"08

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n

\"\"

\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2014-05-10 06:32:31','2014-05-10 13:32:31','',129,'http://www.letsdrawpeople.com/129-revision-v1/',0,'revision','',0),(859,2,'2013-08-20 07:58:29','2013-08-20 14:58:29','
\r\nShoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n\r\n[caption id=\"attachment_856\" align=\"aligncenter\" width=\"320\"]\" © Branislav Ostojic | Dreamstime.com[/caption]\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"01p

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n

\"02

\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

\"03

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"04

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"05

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"06

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"07

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"08

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n

\"\"

\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2013-08-20 07:58:29','2013-08-20 14:58:29','',129,'http://www.letsdrawpeople.com/129-revision-v1/',0,'revision','',0),(860,2,'2013-08-20 07:59:27','2013-08-20 14:59:27','
\r\nShoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n\r\n[caption id=\"attachment_856\" align=\"aligncenter\" width=\"320\"]\"\" © Branislav Ostojic | Dreamstime.com[/caption]\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"01p

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n

\"02

\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

\"03

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"04

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"05

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"06

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"07

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"08

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n

\"\"

\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2013-08-20 07:59:27','2013-08-20 14:59:27','',129,'http://www.letsdrawpeople.com/129-revision-v1/',0,'revision','',0),(861,2,'2013-08-20 08:01:00','2013-08-20 15:01:00','
\r\nShoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n\r\n[caption id=\"attachment_856\" align=\"aligncenter\" width=\"320\"]\"\" © Branislav Ostojic | Dreamstime.com[/caption]\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"01p

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n

\"02

\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

\"03

\r\n

Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"04

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"05

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"06

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"07

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"08

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n

\"\"

\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2013-08-20 08:01:00','2013-08-20 15:01:00','',129,'http://www.letsdrawpeople.com/129-revision-v1/',0,'revision','',0),(862,2,'2013-08-20 08:01:29','2013-08-20 15:01:29','
\r\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n[caption id=\"attachment_852\" align=\"aligncenter\" width=\"320\"]\"\" © Carrienelson1 | Dreamstime.com[/caption]\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"\"

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"\"

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"\"

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"\"

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"\"

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"\"

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"\"

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"\"

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\r\n','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2013-08-20 08:01:29','2013-08-20 15:01:29','',165,'http://www.letsdrawpeople.com/165-revision-v1/',0,'revision','',0),(864,2,'2016-07-31 11:14:46','2016-07-31 18:14:46','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\n\n[caption id=\"attachment_863\" align=\"aligncenter\" width=\"480\"]\" © Pzaxe | Dreamstime.com[/caption]\n

Step 1: Make a Grid

\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\n

 \"01p

\n\n

Step 2: Outline of the Eyes

\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\n

 \"02p

\n\n

Step 3: Upper Eyelids

\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\n

 \"03p

\n\n

Step 4: Irises and Pupils

\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\n

 \"04p

\n\n

Step 5: Lower Eyelids

\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\n

 \"05p

\n\n

Step 6: Surrounding Features

\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\n

 \"06p

\n\n

Step 7: Guidelines for Shading

\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\n

 \"07p

\n\n

Step 8: Erase Grid Lines

\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\n

 \"08p

\n\n

Step 9: Shading and Details

\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading.\n\nFor the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together.\n\nFor the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs.\n\nMake the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\n

 \"09p

\n\n

Step 10: Eyelashes

\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance.\n\nCarefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\n

\"\"

\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness.\n\nApply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!\n\n[magicactionbox id=\"2032\"]','How to Draw Eyes of a Bride','','inherit','open','open','','271-autosave-v1','','','2016-07-31 11:14:46','2016-07-31 18:14:46','',271,'http://www.letsdrawpeople.com/271-autosave-v1/',0,'revision','',0),(865,2,'2013-08-20 08:05:54','2013-08-20 15:05:54','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\r\n\r\n[caption id=\"attachment_863\" align=\"aligncenter\" width=\"480\"]\" © Pzaxe | Dreamstime.com[/caption]\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\r\n

 \"01p

\r\n\r\n

Step 2: Outline of the Eyes

\r\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\r\n

 \"02p

\r\n\r\n

Step 3: Upper Eyelids

\r\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\r\n

 \"03p

\r\n\r\n

Step 4: Irises and Pupils

\r\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\r\n

 \"04p

\r\n\r\n

Step 5: Lower Eyelids

\r\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\r\n

 \"05p

\r\n\r\n

Step 6: Surrounding Features

\r\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\r\n

 \"06p

\r\n\r\n

Step 7: Guidelines for Shading

\r\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\r\n

 \"07p

\r\n\r\n

Step 8: Erase Grid Lines

\r\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\r\n

 \"08p

\r\n\r\n

Step 9: Shading and Details

\r\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading. For the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together. For the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs. Make the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\r\n

 \"09p

\r\n\r\n

Step 10: Eyelashes

\r\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance. Carefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\r\n

\"\"

\r\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness. Apply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','How to Draw Eyes of a Bride','','inherit','open','open','','271-revision-v1','','','2013-08-20 08:05:54','2013-08-20 15:05:54','',271,'http://www.letsdrawpeople.com/271-revision-v1/',0,'revision','',0),(874,2,'2015-07-15 14:52:49','2015-07-15 21:52:49','\"drawingThe desire of man to keep for himself a record of his everyday activities is so powerful that simple drawings were developed just to provide a solution to such a necessity. Cave paintings, hieroglyphics, and all artistic attempts to capture any moment quickly became a popular method of communication and thus enhancing human development. The art of drawing has been a part of human history ever since.\n\nToday the skill of drawing people, etching onto paper or canvas a recognizable likeness, is not only a hobby for many, but its impressive aura is still present. In fact, people still stand in awe whenever they see someone drawing realistic images with ease. How do they do it? How do they make it look so easy? Are there complicated techniques involved? As I taught myself how to draw over the years, I learned and implemented techniques from other portrait artists that enhanced the realism in my own work. The more I learned, the more I realized that those techniques and concepts were not complicated at all, but rather simplistic. Today, we too will stand in awe as we peer into how these images are made and how some artists so easily capture reality onto paper. Let’s look at several simple drawing techniques used by professional artists everywhere.\n

Drawing Instrument Basics

\nIt is very important that you know of the drawing instruments needed and how to use them in order to create a realistic portrait. There are several key drawing tools that professional artists use for pencil portraits. Here is a look at two of the most basic instruments: the pencil and the eraser.\n

The Pencil

\n\"artistFor the most part, people doing realistic portraits are fond of using graphite pencil (also called lead pencil), as it gives them the ability to focus on detail. Graphite pencils come in a range of grades (from 9H to 9B), but there are generally two types: hard and soft. Hard pencils, or H pencils, are used to create light, fine lines. Soft pencils, or B pencils, are generally used to create darker shades and texture.\n\nSome artists find the need to have at least two types of pencils, one for drawing fine lines and one for drawing coarser lines and for shading. In most cases, the HB pencil (or something close to it) is preferred because of its versatility and ability to draw fine and coarse lines easily. Your traditional No. 2 pencil is an HB lead. I personally like to use a mechanical 2B lead pencil for realistic portraits. It allows for fine details, light tones, and deep shading all in one!\n\nWhen using standard wooden pencils, the way you grasp them can affect the overall look of the portrait. A light hold on the pencil, with the use of the thumb and the pointer finger, is often used to ensure the lines are light, soft, and almost invisible. A full grasp can ensure heavier, darker lines for creating shades. A slanting grip makes use of the side of the pencil\'s graphite to provide a soft thick shade and a good texture. Ultimately though, grasp is determined by an artist’s personal style and preference. Experiment with different ways of holding your pencil to find the best results for you.\n

The Eraser

\n\"eraserThe eraser is an important tool to use when doing portraits using pencil. Erasers are good for more than just getting rid of your mistakes. You use an eraser to complement your drawings. It can produce a wonderful effect, especially if you know how to use it properly. For example, you can use a kneaded eraser or an electric eraser to lift graphite off the paper and produce streaks that resemble wonderful highlights in hair, as seen in this example.\n

Choosing or Combining Drawing Styles

\nThere are a number of drawing styles you can choose for drawing your portraits. Your choice depends on the level of detail you are going for, as well as the “look” or “feel” you hope to capture. You can use these styles in isolation, or you can combine them for more realistic results.\n
    \n
  • Line drawing -- the use of definite lines of various widths to create shapes and boundaries. This is the style most commonly used by everyday people and some professional artists. It is often used to outline the basic shape of the figure. Line drawings are usually not as detailed as other styles, although some line drawings are very detailed.
    • \n
  • Tone drawing -- the use of the contrasting properties of light and dark to create visual boundaries. The resulting image is softer than a line drawing and is better suited to create realistic images.
    • \n
  • Blending -- the deliberate \"smudging\" of lines and tones, sometimes with the use of tissue, tortillions, or blending stumps to create \"soft\" shades. When attempting to create realistic portraits, you should focus heavily on perfecting proper blending to create realistic shadows to provide detailed texture and depth.
    • \n
\n

Getting Your Line Drawing Started

\nSo before you actually put pencil to paper, you need to have in mind who you are going to draw (your subject) and what you are going to use to help you capture your subject’s likeness. If you are just practicing for fun without much concern for accuracy, your own memory or imagination is good enough. For a better representation, I would suggest using a reference photo. You can try drawing the reference photo exactly as you see it, or just use it as a “reference” and implement your artistic creativity to draw the same subject in a different pose, from a different angle, etc. Or for a real challenge, you can draw a live model who is willing to pose for you. Just remember, if you are going for the closest possible likeness of your subject and a very realistic portrait, then it is crucial that you take the time needed to get your line drawing right. Do not rush this step!\n\nMost artists begin their line drawing by sketching basic shapes. Shapes such as circles, ovals, and rectangles are the most popular types of shapes in sketching people. Drawing these shapes can help you visualize the proportions of the body.\n\nTraditional drawing uses these shapes as guides to better create the features of the body. For example, when you draw a face you can start with an oval or a slightly egg-shaped circle to represent the general contour of the head. Within this shape, you can draw additional guidelines to help you properly place the nose, eyes, ears and mouth. So, it is important to know how to use these basic shapes, as it is one of the most important portrait drawing techniques.\n\n\n\"drawing\n\nAn alternate method for creating a realistic line drawing is called grid drawing. Of all the portrait drawing techniques available, drawing with the use of a grid has got to be my personal favorite! Grid drawing is not “cheating”. In fact, it has been around for centuries. Basically, this technique consists of dividing a reference photo into a grid of equally-sized squares and drawing the same number of squares on your paper. Then it is only a matter of drawing what you see in each square. When I first began using this technique, it took the quality of my work to another level! Not only is this method perfect for beginners, but many professional artists still swear by it.\n\n\"eyes\n

\"eyes

\n\n

Shading Techniques for Adding Tones

\nAfter you get your line drawing down, you may want to add tones for an extra layer of realism. Here are some tried and true methods to add shading to the people you draw and bring them to life.\n\n• Stippling -- using \"dots or points\" to recreate shade and texture. Though rarely used in sketches, it has a vibrant effect, especially when viewed from afar.\n\n• Hatching -- the use of diagonal lines to create the illusion of shade and shadow. Many caricatures and cartoon sketches have this kind of style to add depth. When done properly, hatching also contributes much detail and realism to pencil portraits.\n\n• Crosshatching – similar to ordinary hatching, but instead of using diagonal lines, you use overlapping lines \"crossing\" one another. This will add more volume to the shade in sketches and drawings.\n\n• Circulism (also called Scumbling) -- the use of tiny little circles drawn or “scribbled” closely together and built up in layers. Artists who have mastered this technique achieve some excellent results with very realistic skin textures.\n

\"\"

\nTry these different shading techniques out and find what you like best, or use a combination of them. I use a mix of the last three, but I probably do more hatching than anything else. Hatching allows me to draw lines at angles that complement the contour of the face, thus getting a more natural look when blending my tones together.\n

Applying Techniques in Your Portraits

\nCelebrity chef Tom Colicchio one said “Recipes tell you nothing. Learning techniques is the key.” While I do think recipes are important, I also see where Tom is coming from. You may try to follow a recipe step-by-step, but if you don’t understand the techniques within each step, you may not be happy with what comes out of the oven.\n\nSo, it’s time for you to apply these simple drawing techniques and create a realistic portrait of your own. Consider the steps you need to take to finish your portrait. You can even use a tutorial from this website that lays out the steps for you. Just think of your steps or your tutorial as your “recipe”. As you work to complete each step from your portrait recipe, keep in mind the techniques you have learned: the best pencil choices and uses of erasers, choice of drawing style, creating the basic shapes for your line drawing, and how you will add tones to later blend. The more you practice the steps and apply the techniques to your portraits, the happier you will be with your results!','Simple Drawing Techniques for Realistic Pencil Portraits','','inherit','open','open','','837-autosave-v1','','','2015-07-15 14:52:49','2015-07-15 21:52:49','',837,'http://www.letsdrawpeople.com/837-autosave-v1/',0,'revision','',0),(875,2,'2013-12-30 17:09:45','2013-12-31 01:09:45','\"drawingThe desire of man to keep for himself a record of his everyday activities is so powerful that simple drawings were developed just to provide a solution to such a necessity. Cave paintings, hieroglyphics, and all artistic attempts to capture any moment quickly became a popular method of communication and thus enhancing human development. The art of drawing has been a part of human history ever since.\r\n\r\nToday the skill of drawing people, etching onto paper or canvas a recognizable likeness, is not only a hobby for many, but its impressive aura is still present. In fact, people still stand in awe whenever they see someone drawing realistic images with ease. How do they do it? As I taught myself how to draw over the years, I learned and implemented techniques from other portrait artists that enhanced the realism in my own work. Today, we too will stand in awe as we peer into how these images are made and how some artists so easily capture reality onto paper. Let’s look at several simple drawing techniques used by professional artists everywhere.\r\n

Drawing Instrument Basics

\r\nIt is very important that you know of the drawing instruments needed and how to use them in order to create a realistic portrait. There are several key drawing tools that professional artists use for pencil portraits. Here is a look at two of the most basic instruments: the pencil and the eraser.\r\n

The Pencil

\r\n\"artistFor the most part, people doing realistic portraits are fond of using graphite pencil (also called lead pencil), as it gives them the ability to focus on detail. Graphite pencils come in a range of grades (from 9H to 9B), but there are generally two types: hard and soft. Hard pencils, or H pencils, are used to create light, fine lines. Soft pencils, or B pencils, are generally used to create darker shades and texture.\r\n\r\nSome artists find the need to have at least two types of pencils, one for drawing fine lines and one for drawing coarser lines and for shading. In most cases, the HB pencil (or something close to it) is preferred because of its versatility and ability to draw fine and coarse lines easily. Your traditional No. 2 pencil is an HB lead. I personally like to use a mechanical 2B lead pencil for realistic portraits. It allows for fine details, light tones, and deep shading all in one!\r\n\r\nWhen using standard wooden pencils, the way you grasp them can affect the overall look of the portrait. A light hold on the pencil, with the use of the thumb and the pointer finger, is often used to ensure the lines are light, soft, and almost invisible. A full grasp can ensure heavier, darker lines for creating shades. A slanting grip makes use of the side of the pencil\'s graphite to provide a soft thick shade and a good texture. Ultimately though, grasp is determined by an artist’s personal style and preference. Experiment with different ways of holding your pencil to find the best results for you.\r\n

The Eraser

\r\n\"eraserThe eraser is an important tool to use when doing portraits using pencil. Erasers are good for more than just getting rid of your mistakes. You use an eraser to complement your drawings. It can produce a wonderful effect, especially if you know how to use it properly. For example, you can use a kneaded eraser or an electric eraser to lift graphite off the paper and produce streaks that resemble wonderful highlights in hair, as seen in this example.\r\n

Choosing or Combining Drawing Styles

\r\nThere are a number of drawing styles you can choose for drawing your portraits. Your choice depends on the level of detail you are going for, as well as the “look” or “feel” you hope to capture. You can use these styles in isolation, or you can combine them for more realistic results.\r\n
    \r\n
  • Line drawing -- the use of definite lines of various widths to create shapes and boundaries. This is the style most commonly used by everyday people and some professional artists. It is often used to outline the basic shape of the figure. Line drawings are usually not as detailed as other styles, although some line drawings are very detailed.
    • \r\n
  • Tone drawing -- the use of the contrasting properties of light and dark to create visual boundaries. The resulting image is softer than a line drawing and is better suited to create realistic images.
    • \r\n
  • Blending -- the deliberate \"smudging\" of lines and tones, sometimes with the use of tissue, tortillons, or blending stumps to create \"soft\" shades. When attempting to create realistic portraits, you should focus heavily on perfecting proper blending to create realistic shadows to provide detailed texture and depth.
    • \r\n
\r\n

Getting Your Line Drawing Started

\r\nSo before you actually put pencil to paper, you need to have in mind who you are going to draw (your subject) and what you are going to use to help you capture your subject’s likeness. If you are just practicing for fun without much concern for accuracy, your own memory or imagination is good enough. For a better representation, I would suggest using a reference photo. You can try drawing the reference photo exactly as you see it, or just use it as a “reference” and implement your artistic creativity to draw the same subject in a different pose, from a different angle, etc. Or for a real challenge, you can draw a live model who is willing to pose for you. Just remember, if you are going for the closest possible likeness of your subject and a very realistic portrait, then it is crucial that you take the time needed to get your line drawing right. Do not rush this step!\r\n\r\nMost artists begin their line drawing by sketching basic shapes. Shapes such as circles, ovals, and rectangles are the most popular types of shapes in sketching people. Drawing these shapes can help you visualize the proportions of the body.\r\n\r\nTraditional drawing uses these shapes as guides to better create the features of the body. For example, when you draw a face you can start with an oval or a slightly egg-shaped circle to represent the general contour of the head. Within this shape, you can draw additional guidelines to help you properly place the nose, eyes, ears and mouth. So, it is important to know how to use these basic shapes, as it is one of the most important portrait drawing techniques.\r\n\r\n\r\n\"drawing\r\n\r\nAn alternate method for creating a realistic line drawing is called grid drawing. Of all the portrait drawing techniques available, drawing with the use of a grid has got to be my personal favorite! Grid drawing is not “cheating”. In fact, it has been around for centuries. Basically, this technique consists of dividing a reference photo into a grid of equally-sized squares and drawing the same number of squares on your paper. Then it is only a matter of drawing what you see in each square. When I first began using this technique, it took the quality of my work to another level! Not only is this method perfect for beginners, but many professional artists still swear by it.\r\n\r\n\"eyes\r\n

\"eyes

\r\n\r\n

Shading Techniques for Adding Tones

\r\nAfter you get your line drawing down, you may want to add tones for an extra layer of realism. Here are some tried and true methods to add shading to the people you draw and bring them to life.\r\n\r\n• Pointillism -- using \"dots or points\" to recreate shade and texture. Though rarely used in sketches, it has a vibrant effect, especially when viewed from afar.\r\n\r\n• Hatching -- the use of diagonal lines to create the illusion of shade and shadow. Many caricatures and cartoon sketches have this kind of style to add depth. When done properly, hatching also contributes much detail and realism to pencil portraits.\r\n\r\n• Crosshatching – similar to ordinary hatching, but instead of using diagonal lines, you use overlapping lines \"crossing\" one another. This will add more volume to the shade in sketches and drawings.\r\n\r\n• Circulism (also called Scumbling) -- the use of tiny little circles drawn or “scribbled” closely together and built up in layers. Artists who have mastered this technique achieve some excellent results with very realistic skin textures.\r\n\r\n\"drawing\r\n\r\nTry these different shading techniques out and find what you like best, or use a combination of them. I use a mix of the last three, but I probably do more hatching than anything else. Hatching allows me to draw lines at an angle that compliments the contour of the face, thus getting a more natural look when blending my tones together.\r\n

Applying Techniques in Your Portraits

\r\nCelebrity chef Tom Colicchio one said “Recipes tell you nothing. Learning techniques is the key.” While I do think recipes are important, I also see where Tom is coming from. You may try to follow a recipe step-by-step, but if you don’t understand the techniques within each step, you may not be happy with what comes out of the oven.\r\n\r\nSo, it’s time for you to apply these drawing techniques and create a realistic portrait of your own. Consider the steps you need to take to finish your portrait. You can even use a tutorial from this website that lays out the steps for you. Just think of your steps or your tutorial as your “recipe”. As you work to complete each step from your portrait recipe, keep in mind the techniques you have learned: the best pencil choices and uses of erasers, choice of drawing style, creating the basic shapes for your line drawing, and how you will add tones to later blend. The more you practice the steps and apply the techniques to your portraits, the happier you will be with your results!','Simple Drawing Techniques for Realistic Pencil Portraits','','inherit','open','open','','837-revision-v1','','','2013-12-30 17:09:45','2013-12-31 01:09:45','',837,'http://www.letsdrawpeople.com/837-revision-v1/',0,'revision','',0),(1249,2,'2014-06-24 09:28:01','2014-06-24 16:28:01','\"drawingThe desire of man to keep for himself a record of his everyday activities is so powerful that simple drawings were developed just to provide a solution to such a necessity. Cave paintings, hieroglyphics, and all artistic attempts to capture any moment quickly became a popular method of communication and thus enhancing human development. The art of drawing has been a part of human history ever since.\r\n\r\nToday the skill of drawing people, etching onto paper or canvas a recognizable likeness, is not only a hobby for many, but its impressive aura is still present. In fact, people still stand in awe whenever they see someone drawing realistic images with ease. How do they do it? As I taught myself how to draw over the years, I learned and implemented techniques from other portrait artists that enhanced the realism in my own work. Today, we too will stand in awe as we peer into how these images are made and how some artists so easily capture reality onto paper. Let’s look at several simple drawing techniques used by professional artists everywhere.\r\n

Drawing Instrument Basics

\r\nIt is very important that you know of the drawing instruments needed and how to use them in order to create a realistic portrait. There are several key drawing tools that professional artists use for pencil portraits. Here is a look at two of the most basic instruments: the pencil and the eraser.\r\n

The Pencil

\r\n\"artistFor the most part, people doing realistic portraits are fond of using graphite pencil (also called lead pencil), as it gives them the ability to focus on detail. Graphite pencils come in a range of grades (from 9H to 9B), but there are generally two types: hard and soft. Hard pencils, or H pencils, are used to create light, fine lines. Soft pencils, or B pencils, are generally used to create darker shades and texture.\r\n\r\nSome artists find the need to have at least two types of pencils, one for drawing fine lines and one for drawing coarser lines and for shading. In most cases, the HB pencil (or something close to it) is preferred because of its versatility and ability to draw fine and coarse lines easily. Your traditional No. 2 pencil is an HB lead. I personally like to use a mechanical 2B lead pencil for realistic portraits. It allows for fine details, light tones, and deep shading all in one!\r\n\r\nWhen using standard wooden pencils, the way you grasp them can affect the overall look of the portrait. A light hold on the pencil, with the use of the thumb and the pointer finger, is often used to ensure the lines are light, soft, and almost invisible. A full grasp can ensure heavier, darker lines for creating shades. A slanting grip makes use of the side of the pencil\'s graphite to provide a soft thick shade and a good texture. Ultimately though, grasp is determined by an artist’s personal style and preference. Experiment with different ways of holding your pencil to find the best results for you.\r\n

The Eraser

\r\n\"eraserThe eraser is an important tool to use when doing portraits using pencil. Erasers are good for more than just getting rid of your mistakes. You use an eraser to complement your drawings. It can produce a wonderful effect, especially if you know how to use it properly. For example, you can use a kneaded eraser or an electric eraser to lift graphite off the paper and produce streaks that resemble wonderful highlights in hair, as seen in this example.\r\n

Choosing or Combining Drawing Styles

\r\nThere are a number of drawing styles you can choose for drawing your portraits. Your choice depends on the level of detail you are going for, as well as the “look” or “feel” you hope to capture. You can use these styles in isolation, or you can combine them for more realistic results.\r\n
    \r\n
  • Line drawing -- the use of definite lines of various widths to create shapes and boundaries. This is the style most commonly used by everyday people and some professional artists. It is often used to outline the basic shape of the figure. Line drawings are usually not as detailed as other styles, although some line drawings are very detailed.
    • \r\n
  • Tone drawing -- the use of the contrasting properties of light and dark to create visual boundaries. The resulting image is softer than a line drawing and is better suited to create realistic images.
    • \r\n
  • Blending -- the deliberate \"smudging\" of lines and tones, sometimes with the use of tissue, tortillons, or blending stumps to create \"soft\" shades. When attempting to create realistic portraits, you should focus heavily on perfecting proper blending to create realistic shadows to provide detailed texture and depth.
    • \r\n
\r\n

Getting Your Line Drawing Started

\r\nSo before you actually put pencil to paper, you need to have in mind who you are going to draw (your subject) and what you are going to use to help you capture your subject’s likeness. If you are just practicing for fun without much concern for accuracy, your own memory or imagination is good enough. For a better representation, I would suggest using a reference photo. You can try drawing the reference photo exactly as you see it, or just use it as a “reference” and implement your artistic creativity to draw the same subject in a different pose, from a different angle, etc. Or for a real challenge, you can draw a live model who is willing to pose for you. Just remember, if you are going for the closest possible likeness of your subject and a very realistic portrait, then it is crucial that you take the time needed to get your line drawing right. Do not rush this step!\r\n\r\nMost artists begin their line drawing by sketching basic shapes. Shapes such as circles, ovals, and rectangles are the most popular types of shapes in sketching people. Drawing these shapes can help you visualize the proportions of the body.\r\n\r\nTraditional drawing uses these shapes as guides to better create the features of the body. For example, when you draw a face you can start with an oval or a slightly egg-shaped circle to represent the general contour of the head. Within this shape, you can draw additional guidelines to help you properly place the nose, eyes, ears and mouth. So, it is important to know how to use these basic shapes, as it is one of the most important portrait drawing techniques.\r\n\r\n\r\n\"drawing\r\n\r\nAn alternate method for creating a realistic line drawing is called grid drawing. Of all the portrait drawing techniques available, drawing with the use of a grid has got to be my personal favorite! Grid drawing is not “cheating”. In fact, it has been around for centuries. Basically, this technique consists of dividing a reference photo into a grid of equally-sized squares and drawing the same number of squares on your paper. Then it is only a matter of drawing what you see in each square. When I first began using this technique, it took the quality of my work to another level! Not only is this method perfect for beginners, but many professional artists still swear by it.\r\n\r\n\"eyes\r\n

\"eyes

\r\n\r\n

Shading Techniques for Adding Tones

\r\nAfter you get your line drawing down, you may want to add tones for an extra layer of realism. Here are some tried and true methods to add shading to the people you draw and bring them to life.\r\n\r\n• Stippling -- using \"dots or points\" to recreate shade and texture. Though rarely used in sketches, it has a vibrant effect, especially when viewed from afar.\r\n\r\n• Hatching -- the use of diagonal lines to create the illusion of shade and shadow. Many caricatures and cartoon sketches have this kind of style to add depth. When done properly, hatching also contributes much detail and realism to pencil portraits.\r\n\r\n• Crosshatching – similar to ordinary hatching, but instead of using diagonal lines, you use overlapping lines \"crossing\" one another. This will add more volume to the shade in sketches and drawings.\r\n\r\n• Circulism (also called Scumbling) -- the use of tiny little circles drawn or “scribbled” closely together and built up in layers. Artists who have mastered this technique achieve some excellent results with very realistic skin textures.\r\n

\"\"

\r\nTry these different shading techniques out and find what you like best, or use a combination of them. I use a mix of the last three, but I probably do more hatching than anything else. Hatching allows me to draw lines at an angle that compliments the contour of the face, thus getting a more natural look when blending my tones together.\r\n

Applying Techniques in Your Portraits

\r\nCelebrity chef Tom Colicchio one said “Recipes tell you nothing. Learning techniques is the key.” While I do think recipes are important, I also see where Tom is coming from. You may try to follow a recipe step-by-step, but if you don’t understand the techniques within each step, you may not be happy with what comes out of the oven.\r\n\r\nSo, it’s time for you to apply these drawing techniques and create a realistic portrait of your own. Consider the steps you need to take to finish your portrait. You can even use a tutorial from this website that lays out the steps for you. Just think of your steps or your tutorial as your “recipe”. As you work to complete each step from your portrait recipe, keep in mind the techniques you have learned: the best pencil choices and uses of erasers, choice of drawing style, creating the basic shapes for your line drawing, and how you will add tones to later blend. The more you practice the steps and apply the techniques to your portraits, the happier you will be with your results!','Simple Drawing Techniques for Realistic Pencil Portraits','','inherit','open','open','','837-revision-v1','','','2014-06-24 09:28:01','2014-06-24 16:28:01','',837,'http://www.letsdrawpeople.com/837-revision-v1/',0,'revision','',0),(877,2,'2013-12-30 18:05:07','2013-12-31 02:05:07','\"drawingThe desire of man to keep for himself a record of his everyday activities is so powerful that simple drawings were developed just to provide a solution to such a necessity. Cave paintings, hieroglyphics, and all artistic attempts to capture any moment quickly became a popular method of communication and thus enhancing human development. The art of drawing has been a part of human history ever since.\r\n\r\nToday the skill of drawing people, etching onto paper or canvas a recognizable likeness, is not only a hobby for many, but its impressive aura is still present. In fact, people still stand in awe whenever they see someone drawing realistic images with ease. How do they do it? As I taught myself how to draw over the years, I learned and implemented techniques from other portrait artists that enhanced the realism in my own work. Today, we too will stand in awe as we peer into how these images are made and how some artists so easily capture reality onto paper. Let’s look at several simple drawing techniques used by professional artists everywhere.\r\n

Drawing Instrument Basics

\r\nIt is very important that you know of the drawing instruments needed and how to use them in order to create a realistic portrait. There are several key drawing tools that professional artists use for pencil portraits. Here is a look at two of the most basic instruments: the pencil and the eraser.\r\n

The Pencil

\r\n\"artistFor the most part, people doing realistic portraits are fond of using graphite pencil (also called lead pencil), as it gives them the ability to focus on detail. Graphite pencils come in a range of grades (from 9H to 9B), but there are generally two types: hard and soft. Hard pencils, or H pencils, are used to create light, fine lines. Soft pencils, or B pencils, are generally used to create darker shades and texture.\r\n\r\nSome artists find the need to have at least two types of pencils, one for drawing fine lines and one for drawing coarser lines and for shading. In most cases, the HB pencil (or something close to it) is preferred because of its versatility and ability to draw fine and coarse lines easily. Your traditional No. 2 pencil is an HB lead. I personally like to use a mechanical 2B lead pencil for realistic portraits. It allows for fine details, light tones, and deep shading all in one!\r\n\r\nWhen using standard wooden pencils, the way you grasp them can affect the overall look of the portrait. A light hold on the pencil, with the use of the thumb and the pointer finger, is often used to ensure the lines are light, soft, and almost invisible. A full grasp can ensure heavier, darker lines for creating shades. A slanting grip makes use of the side of the pencil\'s graphite to provide a soft thick shade and a good texture. Ultimately though, grasp is determined by an artist’s personal style and preference. Experiment with different ways of holding your pencil to find the best results for you.\r\n

The Eraser

\r\n\"eraserThe eraser is an important tool to use when doing portraits using pencil. Erasers are good for more than just getting rid of your mistakes. You use an eraser to complement your drawings. It can produce a wonderful effect, especially if you know how to use it properly. For example, you can use a kneaded eraser or an electric eraser to lift graphite off the paper and produce streaks that resemble wonderful highlights in hair, as seen in this example.\r\n

Choosing or Combining Drawing Styles

\r\nThere are a number of drawing styles you can choose for drawing your portraits. Your choice depends on the level of detail you are going for, as well as the “look” or “feel” you hope to capture. You can use these styles in isolation, or you can combine them for more realistic results.\r\n
    \r\n
  • Line drawing -- the use of definite lines of various widths to create shapes and boundaries. This is the style most commonly used by everyday people and some professional artists. It is often used to outline the basic shape of the figure. Line drawings are usually not as detailed as other styles, although some line drawings are very detailed.
    • \r\n
  • Tone drawing -- the use of the contrasting properties of light and dark to create visual boundaries. The resulting image is softer than a line drawing and is better suited to create realistic images.
    • \r\n
  • Blending -- the deliberate \"smudging\" of lines and tones, sometimes with the use of tissue, tortillons, or blending stumps to create \"soft\" shades. When attempting to create realistic portraits, you should focus heavily on perfecting proper blending to create realistic shadows to provide detailed texture and depth.
    • \r\n
\r\n

Getting Your Line Drawing Started

\r\nSo before you actually put pencil to paper, you need to have in mind who you are going to draw (your subject) and what you are going to use to help you capture your subject’s likeness. If you are just practicing for fun without much concern for accuracy, your own memory or imagination is good enough. For a better representation, I would suggest using a reference photo. You can try drawing the reference photo exactly as you see it, or just use it as a “reference” and implement your artistic creativity to draw the same subject in a different pose, from a different angle, etc. Or for a real challenge, you can draw a live model who is willing to pose for you. Just remember, if you are going for the closest possible likeness of your subject and a very realistic portrait, then it is crucial that you take the time needed to get your line drawing right. Do not rush this step!\r\n\r\nMost artists begin their line drawing by sketching basic shapes. Shapes such as circles, ovals, and rectangles are the most popular types of shapes in sketching people. Drawing these shapes can help you visualize the proportions of the body.\r\n\r\nTraditional drawing uses these shapes as guides to better create the features of the body. For example, when you draw a face you can start with an oval or a slightly egg-shaped circle to represent the general contour of the head. Within this shape, you can draw additional guidelines to help you properly place the nose, eyes, ears and mouth. So, it is important to know how to use these basic shapes, as it is one of the most important portrait drawing techniques.\r\n\r\n\r\n\"drawing\r\n\r\nAn alternate method for creating a realistic line drawing is called grid drawing. Of all the portrait drawing techniques available, drawing with the use of a grid has got to be my personal favorite! Grid drawing is not “cheating”. In fact, it has been around for centuries. Basically, this technique consists of dividing a reference photo into a grid of equally-sized squares and drawing the same number of squares on your paper. Then it is only a matter of drawing what you see in each square. When I first began using this technique, it took the quality of my work to another level! Not only is this method perfect for beginners, but many professional artists still swear by it.\r\n\r\n\"eyes\r\n

\"eyes

\r\n\r\n

Shading Techniques for Adding Tones

\r\nAfter you get your line drawing down, you may want to add tones for an extra layer of realism. Here are some tried and true methods to add shading to the people you draw and bring them to life.\r\n\r\n• Pointillism -- using \"dots or points\" to recreate shade and texture. Though rarely used in sketches, it has a vibrant effect, especially when viewed from afar.\r\n\r\n• Hatching -- the use of diagonal lines to create the illusion of shade and shadow. Many caricatures and cartoon sketches have this kind of style to add depth. When done properly, hatching also contributes much detail and realism to pencil portraits.\r\n\r\n• Crosshatching – similar to ordinary hatching, but instead of using diagonal lines, you use overlapping lines \"crossing\" one another. This will add more volume to the shade in sketches and drawings.\r\n\r\n• Circulism (also called Scumbling) -- the use of tiny little circles drawn or “scribbled” closely together and built up in layers. Artists who have mastered this technique achieve some excellent results with very realistic skin textures.\r\n

\"drawing

\r\nTry these different shading techniques out and find what you like best, or use a combination of them. I use a mix of the last three, but I probably do more hatching than anything else. Hatching allows me to draw lines at an angle that compliments the contour of the face, thus getting a more natural look when blending my tones together.\r\n

Applying Techniques in Your Portraits

\r\nCelebrity chef Tom Colicchio one said “Recipes tell you nothing. Learning techniques is the key.” While I do think recipes are important, I also see where Tom is coming from. You may try to follow a recipe step-by-step, but if you don’t understand the techniques within each step, you may not be happy with what comes out of the oven.\r\n\r\nSo, it’s time for you to apply these drawing techniques and create a realistic portrait of your own. Consider the steps you need to take to finish your portrait. You can even use a tutorial from this website that lays out the steps for you. Just think of your steps or your tutorial as your “recipe”. As you work to complete each step from your portrait recipe, keep in mind the techniques you have learned: the best pencil choices and uses of erasers, choice of drawing style, creating the basic shapes for your line drawing, and how you will add tones to later blend. The more you practice the steps and apply the techniques to your portraits, the happier you will be with your results!','Simple Drawing Techniques for Realistic Pencil Portraits','','inherit','open','open','','837-revision-v1','','','2013-12-30 18:05:07','2013-12-31 02:05:07','',837,'http://www.letsdrawpeople.com/837-revision-v1/',0,'revision','',0),(878,2,'2014-09-02 07:24:44','2014-09-02 14:24:44','\"how\r\n\r\nThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a \"bad\" picture.\r\n\r\nWhen it comes to illustrating human facial features, beginning artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique, and skill in order to produce a realistic image.\r\n\r\nAs a beginning artist, what you may not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve your drawing skills. Learn how to draw faces using some simple tips from this post, and you can begin to build the right skills in order to approach this art form with confidence!\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness.\r\n\r\nA generic image is quite simply something you imagine, something that you come up with and sketch onto paper. A likeness, on the other hand, is a drawing that resembles a real person.\r\n\r\nA portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model.\r\n\r\nRegardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common reason beginning artists find it tricky to draw faces is because they draw an image with the wrong proportions.\r\n\r\nEyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears.\r\n\r\nWith good proportion, a multi-featured object such as a face will appear more aesthetically pleasing. But how do you achieve proportion?\r\n\r\nOne simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc.\r\n\r\nBy taking measurements, you will be able to see the relationship between features of the face and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n

\"how

\r\n A tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. The above guidelines are broad and general. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. If your goal is to capture an accurate likeness of a particular person, you may want to try an even more reliable technique. What matters, though, is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On View (face is forward), the Profile View (face is turned to the side) and the Three Quarters View (face is turned slightly or halfway to the side).\r\n\r\nOf these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view.\r\n\r\n\"three\r\n\r\nHere is where things can get a little tricky again. Each view has its own set of challenges. For example, the Straight On View calls for an appearance of symmetry, and if you don\'t deliver this symmetry, it is usually easy to spot. You don\'t have to worry about symmetry for the Three Quarters View, but drawing, for example, one eye smaller and a different shape and angle than the other can be tricky and problematic for many beginners trying to get it just right.\r\n\r\nOne suggestion I can give you that has been very helpful for me is to look at how the facial features align with other reference points around it. You can use an imaginary line for this or even a ruler.\r\n\r\nLet\'s say you wanted to draw a portrait using the reference photo below. Not only is it a Three Quarter View, but the subject\'s head is tilted down for an extra element of challenge!\r\n\r\nImmediately, you should look at how different parts of the face are positioned in relation to other parts of the photograph. The white lines represent examples where you can use a ruler or even \"eyeball it\" and trace the path with your finger.\r\n\r\n\"\"\r\n\r\nNotice how the man\'s right eye at the far corner lines up with the middle of his hairline at this angle? You can also see that the lower left edge of his nose is directly below his left pupil. Also, the top of the right eye is in perfect alignment with the bottom of the left eye and the attached lobe of the left ear.\r\n\r\nSimply keep looking for positional relationships like this, and you can draw a face angled in any view, any position!\r\n\r\nAlthough this technique has worked well for me over the years, it can be a little time-consuming to discover all of these interesting alignments. Also, if you get lazy and don\'t line up some features properly because you are rushing (like I have done in the past!), your results might not be what you had hoped for.\r\n\r\nThere is a much faster method of drawing a face in any position, and it removes the likelihood of you not placing your facial features properly. You can read more about it here.\r\n\r\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions.\r\n\r\nTo start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline.\r\n\r\nThe arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger.\r\n\r\nTo make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n

\"how

\r\n\r\n

 How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the wings (or alars), which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle.\r\n\r\nAt the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n

\"how

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on.\r\n\r\nAdd the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape (the helix) and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n

\"how

\r\n Note: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips. A woman\'s lips usually appears thicker and fuller, with more curves.\r\n\r\nTo start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look.\r\n\r\nStarting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n

 \"how

\r\n Tip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

But My Drawing Still Looks Nothing Like the Face I Wanted It to Look Like!

\r\nIn this post, I shared just a few simple tips to help you with some of the beginning basics of drawing a face and the facial features properly. That said, there is a lot more to drawing the face than I can cover in this one post, especially if you are striving to draw a face from a reference photo and you want the likeness to match that of the photo!\r\n\r\nIf you like the suggestions in this post but still want a faster and easier way to draw faces...that is also certain to have you end up with a better drawing in the end...\r\n\r\n...then I\'d like to share with you a special guide that I wrote titled \"How to Make Realistic Line Drawings of Any Face\". (You can download this guide for free when you sign up for my newsletter). It provides information on a very effective technique with thorough details and examples that will have you drawing any face from any reference photo, perfectly proportioned and having a true likeness to your subject.\r\n\r\nYou will also see how to get more detailed, realistic-looking facial features with your initial line drawing. Here is an example of a reference photo of a woman\'s eyes, followed by my rendering.\r\n\r\n\"drawing\r\n\r\n\"drawing\r\n\r\nA line drawing is typically the first (and most important) step before adding shading to a portrait to make it as realistic as possible. If your initial line drawing is already detailed and accurate, that makes your final portrait that much more convincing.\r\n\r\nA line drawing can also stand alone as artwork of its own!\r\n\r\nAfter drawing for 15 years, I learned this incredibly simple method that had me immediately drawing better, literally overnight! I will teach you to do the same.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on paper to appear as you want them to appear.\r\n\r\nHowever, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of faces are put together and determine the relationship of each feature with the others.\r\n\r\nBe an observer of life. Implement the simple tips on this page while you keep practicing. Seek more effective techniques when you are ready. The more you are aware of your environment, the better you will be at translating what you see on paper, and you will see that drawing faces is no longer all that tricky!','How to Draw Those Tricky Faces with Some Simple Tips','','publish','open','open','','how-to-draw-faces-tips-techniques-and-short-tutorials','','','2015-07-08 00:06:22','2015-07-08 07:06:22','',0,'http://www.letsdrawpeople.com/?p=878',0,'post','',4),(881,2,'2014-01-04 06:58:02','2014-01-04 14:58:02','','how to draw faces female face','','inherit','open','open','','how-to-draw-faces-female-face','','','2014-01-04 06:58:02','2014-01-04 14:58:02','',878,'http://www.letsdrawpeople.com/wp-content/uploads/2014/01/how-to-draw-faces-female-face.jpg',0,'attachment','image/jpeg',0),(879,2,'2014-01-01 22:23:45','2014-01-02 06:23:45','[*****DT male face*****]The human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a bad picture. When it comes to illustrating human features, beginner artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique and skill in order to produce a realistic image. What many beginner artists do not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve one\'s drawing skills. Learn how to draw faces using this post and build the right skills in order to approach this art form with confidence.\r\n\r\n \r\n\r\nDrawing a Face... Any Face\r\n\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness. A generic image is quite simply something you imagined, something that you come up with using a pencil and paper. A likeness, on the other hand, is a drawing that resembles a real person. A portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model. Regardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n\r\n \r\n\r\nUnderstanding Proportion\r\n\r\n[*****DT ruler on face*****]The most common mistake artists make when drawing faces is producing an image where the proportions are all wrong. Eyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears. With good proportion, a multi-featured object such as a face will appear more aesthetically pleasing.\r\n\r\n \r\n\r\nBut how do you achieve proportion? One simple way is to measure. When first trying to draw the features that make up a face, use a ruler and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc. By taking measurements, you will be able to see the relationship between objects and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\n \r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n\r\n \r\n

[*****features guidelines*****]

\r\n \r\n\r\nA tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\n \r\n\r\nNote: Proportion is relative. What works for one face may not work for another. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. What matters is that you understand basic proportions of each face and use them to build your image.\r\n\r\n \r\n\r\nHow to Draw Faces Using Profiles\r\n\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On (face is forward), the Profile (face is turned to the side) and the Three Quarters (face is turned slightly or halfway to the side). Of these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view. While it can be more challenging, the Straight On is actually a very dynamic profile to work on because it can be used to convey a number of expressions, looks and emotions.\r\n\r\n \r\n

[*****straight on, profile, three quarters*****]

\r\n \r\n\r\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n\r\n \r\n\r\nHow to Draw Eyes\r\n\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions. To start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline. The arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger. To make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\n \r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n\r\n \r\n

[*****outlines, circles, lids and eyelashes*****]

\r\n \r\n\r\nHow to Draw Noses\r\n\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the alars, which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\n \r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle. At the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n\r\n \r\n

[*****verticle and triangle; nostrils, ball, and alars; strokes and shading*****]

\r\n

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n\r\n \r\n\r\nHow to Draw Ears\r\n\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\n \r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on. Add the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n\r\n \r\n

[*****box w/ ear shape; no box w/ parallel and y; shading*****]

\r\n \r\n\r\nNote: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n\r\n \r\n\r\nHow to Draw Lips\r\n\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips first. A woman\'s lips usually appears thicker and fuller, with more curves. To start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look. Starting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n\r\n \r\n

[*****upper lip, lower lip, shading*****]

\r\n \r\n\r\nTip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n\r\n \r\n\r\nPerfecting the Human Face\r\n\r\n[*****DT female face*****]The human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on canvas or paper to appear as you want them to appear. However, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of their faces are put together and determine the relationship of each feature with the others. Observe how the faces appear in different lighting conditions, especially where light and shadows fall. Be an observer of life. The more you are aware of your environment, the better you will be at translating what you see on paper or canvas using a pencil or a brush.','How to Draw Faces: Tips, Techniques and Short Tutorials','','inherit','open','open','','878-revision-v1','','','2014-01-01 22:23:45','2014-01-02 06:23:45','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(880,2,'2014-01-01 22:24:01','2014-01-02 06:24:01','[*****DT male face*****]The human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a bad picture. When it comes to illustrating human features, beginner artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique and skill in order to produce a realistic image. What many beginner artists do not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve one\'s drawing skills. Learn how to draw faces using this post and build the right skills in order to approach this art form with confidence.\r\n\r\n \r\n\r\nDrawing a Face... Any Face\r\n\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness. A generic image is quite simply something you imagined, something that you come up with using a pencil and paper. A likeness, on the other hand, is a drawing that resembles a real person. A portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model. Regardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n\r\n \r\n\r\nUnderstanding Proportion\r\n\r\n[*****DT ruler on face*****]The most common mistake artists make when drawing faces is producing an image where the proportions are all wrong. Eyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears. With good proportion, a multi-featured object such as a face will appear more aesthetically pleasing.\r\n\r\n \r\n\r\nBut how do you achieve proportion? One simple way is to measure. When first trying to draw the features that make up a face, use a ruler and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc. By taking measurements, you will be able to see the relationship between objects and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\n \r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n\r\n \r\n

[*****features guidelines*****]

\r\n \r\n\r\nA tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\n \r\n\r\nNote: Proportion is relative. What works for one face may not work for another. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. What matters is that you understand basic proportions of each face and use them to build your image.\r\n\r\n \r\n\r\nHow to Draw Faces Using Profiles\r\n\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On (face is forward), the Profile (face is turned to the side) and the Three Quarters (face is turned slightly or halfway to the side). Of these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view. While it can be more challenging, the Straight On is actually a very dynamic profile to work on because it can be used to convey a number of expressions, looks and emotions.\r\n\r\n \r\n

[*****straight on, profile, three quarters*****]

\r\n \r\n\r\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n\r\n \r\n\r\nHow to Draw Eyes\r\n\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions. To start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline. The arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger. To make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\n \r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n\r\n \r\n

[*****outlines, circles, lids and eyelashes*****]

\r\n \r\n\r\nHow to Draw Noses\r\n\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the alars, which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\n \r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle. At the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n\r\n \r\n

[*****verticle and triangle; nostrils, ball, and alars; strokes and shading*****]

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n\r\n \r\n\r\nHow to Draw Ears\r\n\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\n \r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on. Add the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n\r\n \r\n

[*****box w/ ear shape; no box w/ parallel and y; shading*****]

\r\n \r\n\r\nNote: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n\r\n \r\n\r\nHow to Draw Lips\r\n\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips first. A woman\'s lips usually appears thicker and fuller, with more curves. To start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look. Starting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n\r\n \r\n

[*****upper lip, lower lip, shading*****]

\r\n \r\n\r\nTip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n\r\n \r\n\r\nPerfecting the Human Face\r\n\r\n[*****DT female face*****]The human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on canvas or paper to appear as you want them to appear. However, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of their faces are put together and determine the relationship of each feature with the others. Observe how the faces appear in different lighting conditions, especially where light and shadows fall. Be an observer of life. The more you are aware of your environment, the better you will be at translating what you see on paper or canvas using a pencil or a brush.','How to Draw Faces: Tips, Techniques and Short Tutorials','','inherit','open','open','','878-revision-v1','','','2014-01-01 22:24:01','2014-01-02 06:24:01','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(882,2,'2014-01-04 06:58:04','2014-01-04 14:58:04','','how to draw faces male face','','inherit','open','open','','how-to-draw-faces-male-face','','','2014-01-04 06:58:04','2014-01-04 14:58:04','',878,'http://www.letsdrawpeople.com/wp-content/uploads/2014/01/how-to-draw-faces-male-face.jpg',0,'attachment','image/jpeg',0),(883,2,'2014-01-04 06:58:05','2014-01-04 14:58:05','','how to draw faces measure','','inherit','open','open','','how-to-draw-faces-measure','','','2014-01-04 06:58:05','2014-01-04 14:58:05','',878,'http://www.letsdrawpeople.com/wp-content/uploads/2014/01/how-to-draw-faces-measure.jpg',0,'attachment','image/jpeg',0),(884,2,'2014-01-04 06:58:07','2014-01-04 14:58:07','','how to draw faces three profiles','','inherit','open','open','','how-to-draw-faces-three-profiles','','','2014-01-04 06:58:07','2014-01-04 14:58:07','',878,'http://www.letsdrawpeople.com/wp-content/uploads/2014/01/how-to-draw-faces-three-profiles.jpg',0,'attachment','image/jpeg',0),(885,2,'2014-01-04 07:03:47','2014-01-04 15:03:47','\"howThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a bad picture. When it comes to illustrating human features, beginner artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique and skill in order to produce a realistic image. What many beginner artists do not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve one\'s drawing skills. Learn how to draw faces using this post and build the right skills in order to approach this art form with confidence.\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness. A generic image is quite simply something you imagined, something that you come up with using a pencil and paper. A likeness, on the other hand, is a drawing that resembles a real person. A portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model. Regardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common mistake artists make when drawing faces is producing an image where the proportions are all wrong. Eyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears. With good proportion, a multi-featured object such as a face will appear more aesthetically pleasing.\r\n\r\nBut how do you achieve proportion? One simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc. By taking measurements, you will be able to see the relationship between objects and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n\r\n \r\n

[*****features guidelines*****]

\r\n \r\n\r\nA tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. What matters is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On (face is forward), the Profile (face is turned to the side) and the Three Quarters (face is turned slightly or halfway to the side). Of these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view. While it can be more challenging, the Straight On is actually a very dynamic profile to work on because it can be used to convey a number of expressions, looks and emotions.\r\n\r\n \r\n

[*****straight on, profile, three quarters*****]

\r\n \r\n\r\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions. To start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline. The arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger. To make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n\r\n \r\n

[*****outlines, circles, lids and eyelashes*****]

\r\n \r\n

How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the alars, which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle. At the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n\r\n \r\n

[*****verticle and triangle; nostrils, ball, and alars; strokes and shading*****]

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on. Add the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n\r\n \r\n

[*****box w/ ear shape; no box w/ parallel and y; shading*****]

\r\n \r\n\r\nNote: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips first. A woman\'s lips usually appears thicker and fuller, with more curves. To start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look. Starting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n\r\n \r\n

[*****upper lip, lower lip, shading*****]

\r\n \r\n\r\nTip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on canvas or paper to appear as you want them to appear. However, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of their faces are put together and determine the relationship of each feature with the others. Observe how the faces appear in different lighting conditions, especially where light and shadows fall. Be an observer of life. The more you are aware of your environment, the better you will be at translating what you see on paper or canvas using a pencil or a brush.','How to Draw Faces: Tips, Techniques and Short Tutorials','','inherit','open','open','','878-revision-v1','','','2014-01-04 07:03:47','2014-01-04 15:03:47','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(886,2,'2014-01-04 08:07:11','2014-01-04 16:07:11','','three views of faces','','inherit','open','open','','three-views-of-faces','','','2014-01-04 08:07:11','2014-01-04 16:07:11','',878,'http://www.letsdrawpeople.com/wp-content/uploads/2014/01/three-views-of-faces.jpg',0,'attachment','image/jpeg',0),(887,2,'2014-01-04 08:09:19','2014-01-04 16:09:19','\"howThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a bad picture. When it comes to illustrating human features, beginner artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique and skill in order to produce a realistic image. What many beginner artists do not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve one\'s drawing skills. Learn how to draw faces using this post and build the right skills in order to approach this art form with confidence.\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness. A generic image is quite simply something you imagined, something that you come up with using a pencil and paper. A likeness, on the other hand, is a drawing that resembles a real person. A portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model. Regardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common mistake artists make when drawing faces is producing an image where the proportions are all wrong. Eyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears. With good proportion, a multi-featured object such as a face will appear more aesthetically pleasing.\r\n\r\nBut how do you achieve proportion? One simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc. By taking measurements, you will be able to see the relationship between objects and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n\r\n \r\n

[*****features guidelines*****]

\r\n \r\n\r\nA tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. What matters is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On (face is forward), the Profile (face is turned to the side) and the Three Quarters (face is turned slightly or halfway to the side). Of these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view. While it can be more challenging, the Straight On is actually a very dynamic profile to work on because it can be used to convey a number of expressions, looks and emotions.\"threeNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions. To start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline. The arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger. To make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n\r\n \r\n

[*****outlines, circles, lids and eyelashes*****]

\r\n \r\n

How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the alars, which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle. At the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n\r\n \r\n

[*****verticle and triangle; nostrils, ball, and alars; strokes and shading*****]

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on. Add the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n\r\n \r\n

[*****box w/ ear shape; no box w/ parallel and y; shading*****]

\r\n \r\n\r\nNote: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips first. A woman\'s lips usually appears thicker and fuller, with more curves. To start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look. Starting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n\r\n \r\n

[*****upper lip, lower lip, shading*****]

\r\n \r\n\r\nTip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on canvas or paper to appear as you want them to appear. However, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of their faces are put together and determine the relationship of each feature with the others. Observe how the faces appear in different lighting conditions, especially where light and shadows fall. Be an observer of life. The more you are aware of your environment, the better you will be at translating what you see on paper or canvas using a pencil or a brush.','How to Draw Faces: Tips, Techniques and Short Tutorials','','inherit','open','open','','878-revision-v1','','','2014-01-04 08:09:19','2014-01-04 16:09:19','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(892,2,'2014-01-12 21:04:36','2014-01-13 05:04:36','','how to draw faces eyes','','inherit','open','open','','how-to-draw-faces-eyes','','','2014-01-12 21:04:36','2014-01-13 05:04:36','',878,'http://www.letsdrawpeople.com/wp-content/uploads/2014/01/how-to-draw-faces-eyes.jpg',0,'attachment','image/jpeg',0),(891,2,'2014-01-12 21:03:19','2014-01-13 05:03:19','','how to draw faces guidelines','','inherit','open','open','','how-to-draw-faces-guidelines','','','2014-01-12 21:03:19','2014-01-13 05:03:19','',878,'http://www.letsdrawpeople.com/wp-content/uploads/2014/01/how-to-draw-faces-guidelines.jpg',0,'attachment','image/jpeg',0),(890,2,'2014-01-12 17:17:34','2014-01-13 01:17:34','\"howThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a bad picture. When it comes to illustrating human features, beginner artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique and skill in order to produce a realistic image. What many beginner artists do not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve one\'s drawing skills. Learn how to draw faces using this post and build the right skills in order to approach this art form with confidence.\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness. A generic image is quite simply something you imagined, something that you come up with using a pencil and paper. A likeness, on the other hand, is a drawing that resembles a real person. A portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model. Regardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common mistake artists make when drawing faces is producing an image where the proportions are all wrong. Eyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears. With good proportion, a multi-featured object such as a face will appear more aesthetically pleasing.\r\n\r\nBut how do you achieve proportion? One simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc. By taking measurements, you will be able to see the relationship between objects and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n

\"how

\r\n A tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. What matters is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On (face is forward), the Profile (face is turned to the side) and the Three Quarters (face is turned slightly or halfway to the side). Of these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view. While it can be more challenging, the Straight On is actually a very dynamic profile to work on because it can be used to convey a number of expressions, looks and emotions.\"threeNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions. To start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline. The arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger. To make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n\r\n \r\n

[*****outlines, circles, lids and eyelashes*****]

\r\n \r\n

How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the alars, which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle. At the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n\r\n \r\n

[*****verticle and triangle; nostrils, ball, and alars; strokes and shading*****]

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on. Add the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n\r\n \r\n

[*****box w/ ear shape; no box w/ parallel and y; shading*****]

\r\n \r\n\r\nNote: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips first. A woman\'s lips usually appears thicker and fuller, with more curves. To start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look. Starting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n\r\n \r\n

[*****upper lip, lower lip, shading*****]

\r\n \r\n\r\nTip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on canvas or paper to appear as you want them to appear. However, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of their faces are put together and determine the relationship of each feature with the others. Observe how the faces appear in different lighting conditions, especially where light and shadows fall. Be an observer of life. The more you are aware of your environment, the better you will be at translating what you see on paper or canvas using a pencil or a brush.','How to Draw Faces: Tips, Techniques and Short Tutorials','','inherit','open','open','','878-revision-v1','','','2014-01-12 17:17:34','2014-01-13 01:17:34','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(893,2,'2014-01-12 21:07:16','2014-01-13 05:07:16','','how to draw faces nose','','inherit','open','open','','how-to-draw-faces-nose','','','2014-01-12 21:07:16','2014-01-13 05:07:16','',878,'http://www.letsdrawpeople.com/wp-content/uploads/2014/01/how-to-draw-faces-nose.jpg',0,'attachment','image/jpeg',0),(894,2,'2014-01-12 21:08:55','2014-01-13 05:08:55','','how to draw faces ear','','inherit','open','open','','how-to-draw-faces-ear','','','2014-01-12 21:08:55','2014-01-13 05:08:55','',878,'http://www.letsdrawpeople.com/wp-content/uploads/2014/01/how-to-draw-faces-ear.jpg',0,'attachment','image/jpeg',0),(895,2,'2014-01-12 21:09:44','2014-01-13 05:09:44','','how to draw faces lips','','inherit','open','open','','how-to-draw-faces-lips','','','2014-01-12 21:09:44','2014-01-13 05:09:44','',878,'http://www.letsdrawpeople.com/wp-content/uploads/2014/01/how-to-draw-faces-lips.jpg',0,'attachment','image/jpeg',0),(896,2,'2014-01-12 21:11:16','2014-01-13 05:11:16','\"howThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a bad picture. When it comes to illustrating human features, beginner artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique and skill in order to produce a realistic image. What many beginner artists do not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve one\'s drawing skills. Learn how to draw faces using this post and build the right skills in order to approach this art form with confidence.\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness. A generic image is quite simply something you imagined, something that you come up with using a pencil and paper. A likeness, on the other hand, is a drawing that resembles a real person. A portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model. Regardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common mistake artists make when drawing faces is producing an image where the proportions are all wrong. Eyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears. With good proportion, a multi-featured object such as a face will appear more aesthetically pleasing.\r\n\r\nBut how do you achieve proportion? One simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc. By taking measurements, you will be able to see the relationship between objects and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n

\"how

\r\n A tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. What matters is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On (face is forward), the Profile (face is turned to the side) and the Three Quarters (face is turned slightly or halfway to the side). Of these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view. While it can be more challenging, the Straight On is actually a very dynamic profile to work on because it can be used to convey a number of expressions, looks and emotions.\"threeNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions. To start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline. The arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger. To make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n

 \"how

\r\n \r\n

How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the alars, which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle. At the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n\r\n \r\n

\"how

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on. Add the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n\r\n \r\n

\"how

\r\n Note: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips. A woman\'s lips usually appears thicker and fuller, with more curves. To start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look. Starting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n\r\n \r\n

\"how

\r\n Tip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on canvas or paper to appear as you want them to appear. However, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of their faces are put together and determine the relationship of each feature with the others. Observe how the faces appear in different lighting conditions, especially where light and shadows fall. Be an observer of life. The more you are aware of your environment, the better you will be at translating what you see on paper or canvas using a pencil or a brush.','How to Draw Faces: Tips, Techniques and Short Tutorials','','inherit','open','open','','878-revision-v1','','','2014-01-12 21:11:16','2014-01-13 05:11:16','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(897,2,'2014-01-12 21:18:30','2014-01-13 05:18:30','\"howThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a bad picture. When it comes to illustrating human features, beginner artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique and skill in order to produce a realistic image. What many beginner artists do not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve one\'s drawing skills. Learn how to draw faces using this post and build the right skills in order to approach this art form with confidence.\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness. A generic image is quite simply something you imagined, something that you come up with using a pencil and paper. A likeness, on the other hand, is a drawing that resembles a real person. A portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model. Regardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common mistake artists make when drawing faces is producing an image where the proportions are all wrong. Eyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears. With good proportion, a multi-featured object such as a face will appear more aesthetically pleasing.\r\n\r\nBut how do you achieve proportion? One simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc. By taking measurements, you will be able to see the relationship between objects and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n

\"how

\r\n A tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. What matters is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On (face is forward), the Profile (face is turned to the side) and the Three Quarters (face is turned slightly or halfway to the side). Of these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view. While it can be more challenging, the Straight On is actually a very dynamic profile to work on because it can be used to convey a number of expressions, looks and emotions.\r\n\r\n \r\n\r\n\"three\r\n\r\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions. To start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline. The arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger. To make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n

\"how

\r\n\r\n

 How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the alars, which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle. At the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n

\"how

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on. Add the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n

\"how

\r\n Note: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips. A woman\'s lips usually appears thicker and fuller, with more curves. To start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look. Starting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n

 \"how

\r\n Tip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on canvas or paper to appear as you want them to appear. However, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of their faces are put together and determine the relationship of each feature with the others. Observe how the faces appear in different lighting conditions, especially where light and shadows fall. Be an observer of life. The more you are aware of your environment, the better you will be at translating what you see on paper or canvas using a pencil or a brush.','How to Draw Faces: Tips, Techniques and Short Tutorials','','inherit','open','open','','878-revision-v1','','','2014-01-12 21:18:30','2014-01-13 05:18:30','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(898,2,'2014-01-12 21:24:44','2014-01-13 05:24:44','\"howThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a bad picture. When it comes to illustrating human features, beginner artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique and skill in order to produce a realistic image. What many beginner artists do not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve one\'s drawing skills. Learn how to draw faces using this post and build the right skills in order to approach this art form with confidence.\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness. A generic image is quite simply something you imagined, something that you come up with using a pencil and paper. A likeness, on the other hand, is a drawing that resembles a real person. A portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model. Regardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common mistake artists make when drawing faces is producing an image where the proportions are all wrong. Eyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears. With good proportion, a multi-featured object such as a face will appear more aesthetically pleasing.\r\n\r\nBut how do you achieve proportion? One simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc. By taking measurements, you will be able to see the relationship between objects and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n

\"how

\r\n A tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. What matters is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On (face is forward), the Profile (face is turned to the side) and the Three Quarters (face is turned slightly or halfway to the side). Of these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view. While it can be more challenging, the Straight On is actually a very dynamic profile to work on because it can be used to convey a number of expressions, looks and emotions.\r\n\r\n\"three\r\n\r\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions. To start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline. The arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger. To make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n

\"how

\r\n\r\n

 How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the alars, which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle. At the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n

\"how

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on. Add the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n

\"how

\r\n Note: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips. A woman\'s lips usually appears thicker and fuller, with more curves. To start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look. Starting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n

 \"how

\r\n Tip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on canvas or paper to appear as you want them to appear. However, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of their faces are put together and determine the relationship of each feature with the others. Observe how the faces appear in different lighting conditions, especially where light and shadows fall. Be an observer of life. The more you are aware of your environment, the better you will be at translating what you see on paper or canvas using a pencil or a brush.','How to Draw Faces: Tips, Techniques and Short Tutorials','','inherit','open','open','','878-revision-v1','','','2014-01-12 21:24:44','2014-01-13 05:24:44','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(900,2,'2014-01-19 00:21:31','2014-01-19 08:21:31','
Here is a speed drawing video I did of an elderly man in a hat, the brim shielding the bright sun from his eyes. I used a light box and grid to sketch the initial line drawing on Bristol board paper. Then I added the light and dark tones. Finally I blended in layers of detail. This drawing took me around 10 hours to complete. Depending on the amount of detail I chose to add, it could have easily taken fewer or many more hours! This video condenses the process into 5 minutes. Enjoy!\r\n\r\n[caption id=\"attachment_1135\" align=\"aligncenter\" width=\"456\"]\"© © Kelpfish | Dreamstime.com[/caption]\r\n

\"elderly

','Detailed Speed Drawing of Elderly Man in a Hat','','publish','open','open','','detailed-speed-drawing-of-elderly-man-in-a-hat','','','2015-07-26 18:52:51','2015-07-27 01:52:51','',0,'http://www.letsdrawpeople.com/?p=900',0,'post','',0),(1135,2,'2014-06-08 20:43:12','2014-06-09 03:43:12','','elderly man in hat reference',' © Kelpfish | Dreamstime.com','inherit','open','open','','1135','','','2014-06-08 20:43:12','2014-06-09 03:43:12','',900,'http://www.letsdrawpeople.com/wp-content/uploads/2014/01/elderly-man-in-hat-reference.jpg',0,'attachment','image/jpeg',0),(902,2,'2014-01-18 23:52:12','2014-01-19 07:52:12','','elderly man in hat','\"Elderly Man in a Hat\" by Jack Pearce','inherit','open','open','','elderly-man-in-hat','','','2015-01-08 20:21:30','2015-01-09 04:21:30','',900,'http://www.letsdrawpeople.com/wp-content/uploads/2014/01/elderly-man-in-hat.jpg',0,'attachment','image/jpeg',0),(1122,2,'2014-06-08 20:48:15','2014-06-09 03:48:15','\n\nHere is a speed drawing video I did of an elderly man in a hat, the brim shielding the bright sun from his eyes. I used a light box and grid to sketch the initial line drawing on Bristol board paper. Then I added the light and dark tones. Finally I blended in layers of detail. This drawing took me around 10 hours to complete. Depending on the amount of detail I chose to add, it could have easily taken fewer or many more hours! This video condenses the process into 5 minutes. Enjoy!\n\n[caption id=\"attachment_1135\" align=\"aligncenter\" width=\"378\"]\"© © Kelpfish | Dreamstime.com[/caption]\n

\"elderly

','Detailed Speed Drawing of Elderly Man in a Hat','','inherit','open','open','','900-autosave-v1','','','2014-06-08 20:48:15','2014-06-09 03:48:15','',900,'http://www.letsdrawpeople.com/900-autosave-v1/',0,'revision','',0),(905,2,'2014-01-19 00:04:11','2014-01-19 08:04:11','Here is a speed drawing video I did of an elderly man in a hat, the brim shielding the bright sun from his eyes. I used a light box and grid to sketch the initial line drawing on Bristol board paper. Then I added the light and dark tones. Finally I blended in layers of detail. This drawing took me around 10 hours to complete. Depending on the amount of detail I chose to add, it could have easily taken fewer or many more hours! This video condenses the process into 5 minutes. Enjoy!\r\n\r\n[caption id=\"attachment_901\" align=\"aligncenter\" width=\"372\"]\" © Kelpfish | Dreamstime.com[/caption]\r\n

\"elderly

','Elderly Man in a Hat','','inherit','open','open','','900-revision-v1','','','2014-01-19 00:04:11','2014-01-19 08:04:11','',900,'http://www.letsdrawpeople.com/900-revision-v1/',0,'revision','',0),(904,2,'2014-01-19 00:02:42','2014-01-19 08:02:42','Here is a speed drawing video I did of an elderly man in a hat, the brim shielding the bright sun from his eyes. I used a light box and grid to sketch the initial line drawing on Bristol board paper. Then I added the light and dark tones. Finally I blended in layers of detail. This drawing took me around 10 hours to complete. Depending on the amount of detail I chose to add, it could have easily taken fewer or many more hours! This video condenses the process into 5 minutes. Enjoy!\r\n\r\n[caption id=\"attachment_901\" align=\"alignleft\" width=\"372\"]\" © Kelpfish | Dreamstime.com[/caption]\r\n\r\n \r\n

\"elderly

\r\n

[video width=\"1280\" height=\"720\" mp4=\"http://www.letsdrawpeople.com/wp-content/uploads/2014/01/elderly-man-in-hat.mp4\"][/video]

','Elderly Man in a Hat','','inherit','open','open','','900-revision-v1','','','2014-01-19 00:02:42','2014-01-19 08:02:42','',900,'http://www.letsdrawpeople.com/900-revision-v1/',0,'revision','',0),(907,2,'2014-01-19 01:03:41','2014-01-19 09:03:41','','elderly man in hat','','inherit','open','open','','elderly-man-in-hat-2','','','2014-01-19 01:03:41','2014-01-19 09:03:41','',900,'http://www.letsdrawpeople.com/wp-content/uploads/2014/01/elderly-man-in-hat.mp4',0,'attachment','video/mp4',0),(1126,2,'2014-06-05 04:05:24','2014-06-05 11:05:24','If you can watch an artist at work, even better. How an artist starts and fleshes out his work can be especially informative since you learn specific techniques to create particular results. Learn to observe carefully.','Learn to Draw People Using Drawing Videos','','inherit','open','open','','1072-revision-v1','','','2014-06-05 04:05:24','2014-06-05 11:05:24','',1072,'http://www.letsdrawpeople.com/1072-revision-v1/',0,'revision','',0),(1125,2,'2014-06-05 04:04:21','2014-06-05 11:04:21','If you can watch an artist at work, even better. How an artist starts and fleshes out his work can be especially informative since you learn specific techniques to create particular results. Learn to observe carefully.\r\n\r\n','Learn to Draw People Using Drawing Videos','','inherit','open','open','','1072-revision-v1','','','2014-06-05 04:04:21','2014-06-05 11:04:21','',1072,'http://www.letsdrawpeople.com/1072-revision-v1/',0,'revision','',0),(908,2,'2014-01-19 01:12:43','2014-01-19 09:12:43','
Here is a speed drawing video I did of an elderly man in a hat, the brim shielding the bright sun from his eyes. I used a light box and grid to sketch the initial line drawing on Bristol board paper. Then I added the light and dark tones. Finally I blended in layers of detail. This drawing took me around 10 hours to complete. Depending on the amount of detail I chose to add, it could have easily taken fewer or many more hours! This video condenses the process into 5 minutes. Enjoy!\r\n\r\n[caption id=\"attachment_901\" align=\"aligncenter\" width=\"372\"]\" © Kelpfish | Dreamstime.com[/caption]\r\n

\"elderly

','Elderly Man in a Hat','','inherit','open','open','','900-revision-v1','','','2014-01-19 01:12:43','2014-01-19 09:12:43','',900,'http://www.letsdrawpeople.com/900-revision-v1/',0,'revision','',0),(909,2,'2014-02-12 20:00:19','2014-02-13 04:00:19','Known for his animated and lively artwork from Looney Tunes and Merrie Melodies, Charles Martin Jones perfectly explained the process of drawing. In a famous interview of his, he once stated, \"The whole essence of good drawing -- and of good thinking, perhaps, is to work on a subject down to the simplest form possible and still have it believable for what it is meant to be.\" Essentially, what Charles Martin Jones meant is that art, and in this case the human body, does not need to be elaborate or perfect to be regarded as good work. A simple drawing that is identifiable as the human form is sufficient. Therefore, as this tutorial on how to draw the body progresses, don\'t fret if it isn\'t perfect, and don\'t quit if it isn\'t just right. Eventually, by practicing the following simple steps, you\'ll have the concept down perfectly.\r\n

Figure Drawing -- The Basics

\r\nBefore beginning, there are a few basics that I\'m going to cover. When drawing, proportions are important. They serve as the bones, per say, of the body. In drawing, there is something known as \"The Standard Unit of Measurement,\" or \"SUM.\" Generally, the length of the head, which is the distance from the top of the head to the chin, serves as your SUM. Typically, you\'ll find that the average height of a male or female figure drawing is 8 heads. SUMs of different length can result in variations in height. To ensure your figure is proportional, a tip you may find helpful is to draw 9 horizontal lines on the paper before beginning to draw. This will leave you with 8 SUMs. While there are many different poses that are possible, to keep things simple and at a basic, we are going to assume that the subject is standing straight.\r\n

Proportions to Keep in Mind

\r\nAlthough proportions are an important part of drawing the human body, you should remember that they are only very general, basic guidelines. Each individual person is unique and has his or her own proportions that can vary slightly from these guidelines. So as you draw, you don’t have to measure each shape to ensure it is drawn to the exact centimeter. With that said, here are some approximate general proportions to guide your drawing:\r\n\r\n•The entire body is 8 heads tall.\r\n\r\n•The head and torso are as long as the legs.\r\n\r\n•Hands should go no farther than halfway down the length of the thighs.\r\n\r\n•Thigh and calf are equal length, and so are the lower and upper arms.\r\n\r\n•Even at rest, the arms and legs should not be perfectly straight.\r\n\r\n•A female subject will have a smoother, more \"feminine\" form than the male.\r\n\r\n•A male figure has a proportionately larger rib cage, while a female figure has a proportionately larger pelvis.\r\n\r\n•The shoulder width is about 3 head widths.\r\n\r\n•If the arms are at the figure\'s sides, the wrist aligns with the groin.\r\n\r\n•An open hand is proportional to the head width.\r\n\r\nAlthough it may not seem so, the basic sketch of the human figure is comprised of a melody of basic shapes such as ovals, triangles, and circles. So, let\'s begin with the first steps and create our figure drawing together. I\'ll be creative here and name him Billy. Throughout this tutorial, you\'ll draw Billy with me and see him evolve from what looks like a child-like drawing, to something a bit more professional.\r\n

The Basic Sketch

\r\nAfter drawing the nine marker lines using Billy\'s head as the SUM, I begin drawing my figure as follows.\r\n\r\n•First, begin with the oval-shaped head. Using lined paper works great, as you can keep better track of proportions. According to my sketch, two lines are equal to the length of Billy\'s head. Next, give him a simple neck, which should equal one fourth the length of his head.\r\n

\"01

\r\n•Continuing from the bottom of the neck, sketch an upside down triangle. At the top of this upside down triangle are the shoulders, which remember, are as wide as three of Billy\'s heads. The pointy end of the triangle is where Billy\'s belly button is to be. This triangle is approximately two of Billy\'s heads, or four lines. The bottom of the first of these two heads is the nipple area, and the bottom of the second of the two heads is the belly button.\r\n

\"02

\r\n•After sketching up to the belly button, Billy also needs a groin area. Thus far, the groin area is a simple oval, which is also equal to the length of one head. Also, I\'m going to keep this little tutorial rated G - there will be no guidance on how to draw genitalia.\r\n

\"03

\r\n•Next are the upper thighs.  Beginning from the bottom of the groin area, I\'ve added two nicely shaped ovals, which are each the length of Billy’s head. This section is the fifth head length.\r\n

\"04

\r\n•Continuing with the legs, the next long oval for each leg is going to end up right above the knee.  Because the knee is a joint, mark it as a small circle. This is the sixth head length.\r\n

\"05

\r\n•Moving on, the next oval is the lower leg, and it is an oval that stops just above Billy’s ankle.\r\n

\"06

\r\n•Let us next add ovals for the feet. One regular oval whose bottom is the bottom of Billy\'s foot, and a second, horizontal oval for Billy’s foot.\r\n

\"07

\r\n•Lastly, the final additions are the arms and hands. Make an oval for each upper arm that begins at the shoulder and ends just above the belly button area. From this joint, make another oval that extends to the groin area. Draw an oval to represent each hand, going no farther down than mid-thigh.\r\n

\"08

\r\nIn all, if your figure is 8 heads tall, you should have a rough sketch of Billy comprised of ovals, triangles, and small circles as seen above. Have you been able to follow along so far? Up until now, this tutorial has shown us how to draw the body using shapes as a “skeleton”.\r\n

More than Just Bones

\r\nThe famous author Walt Whitman once said, \"I sing the body electric.\" I suppose you can do as I do, and imagine Billy all of a sudden bust some moves on the page, but such a quote also resonates quite well with the next steps. Essentially, Walt Whitman is pointing to a notion that expresses love and admiration for the human body. It means to enjoy the movements, and the shape, and the image of the body itself. Therefore, as we continue to draw Billy, you don’t have to draw him as what the \"ideal\" human is expected to look like. Draw him as you want him to be (just keep him proportional). Apart from the arms and legs, which essentially leave just the torso and neck, I accentuated them on Billy by giving them shape. In this case, I drew the torso wider and slightly muscular and the neck a bit stumpy. Once you\'ve given your subject\'s torso and neck some shape, it\'s time to continue to the arms and legs.\r\n

\"09

\r\n\r\n

How to Draw Arms

\r\nBoth arms and legs are probably two of the simplest parts of the body to draw. Once your torso is fully drawn, you can take the next step and add detail to the appendages. The shoulders, elbows, and wrists should each be marked by a circle that connects the ovals that you drew for arms and forearms. Rather than leave it in such a vague state, turn the ovals into straight lines that match the outer edges of the circles marked for shoulders, elbows, and wrists. Next, erase away the circles, and you should be left with a full arm. To make things more defined, the forearm should break down into three parts, with each part thinner than the last, with the wrist being the thinnest part.\r\n

\"10

\r\n\r\n

How to Draw Hands

\r\nWhile hands may seem intimidating, they really aren\'t. It\'s all about sketching and practice. There are several methods. One way to draw hands is to begin with a square, attaching sticks for fingers and a small triangle attaching the thumb. If you need guidance, look at your own hand. Your own body is a great tool for learning to draw. Next, sketch the joints along the fingers. Each finger, except for the thumb, has two joints. Add a joint for the wrist, leaving a slightly raised bump for the bone. Give Billy’s hand some skin, and outline the shape of the fingers along the circles. Erase the inner circles and sketches, and you\'re left with a hand that just needs shading, nails, and the appearance of skin. To do this, just look at your own hand and draw what you see.\r\n

\"11

\r\n\r\n

How to Draw Legs

\r\nLike most of the body\'s shape, the shape of legs can also vary. You should already have a circle for the knees. Start with the outside of each leg and sketch the upper thigh and lower leg. The upper thigh should be wide, and as the line reaches the knee, it should become narrower. Then, do the same for the inner legs. Depending on your preferences, you can keep the legs thin or add thickness. Lastly, simply erase the circle and sketch a knee.\r\n

\"12

\r\n\r\n

How to Draw Feet

\r\nUnless you don\'t want our subject to walk, then you\'re going to need to add some feet. As simplicity is the key to this entire tutorial, begin with the ovals attached to the bottom of the leg. The front of the foot and toes should be sketched out. Next, soften the rough lines and give the foot a proper shape. If you drew your character\'s hands, this process should be fairly simple. Upon completing the feet and giving your subject a shape and human appearance, you should have a fully-formed body before you.\r\n

\"13

\r\n\r\n

Practice Makes Perfect

\r\nAs Jackson Brown Jr. once said, \"You can\'t hire someone to practice for you.\" Truer words were never spoken. You really can\'t hire someone to perfect your skill or to turn you into an expert, which is why you need to practice. Through dedication, hard work, and following through with this figure drawing tutorial, you\'ll be able to master how to draw the body in no time. Just adhere to the proportion rules, add joints where necessary, and practice, practice, practice!','Keeping it Simple: The Straight Forward Step-By-Step Guide to Drawing the Body','','publish','open','open','','keeping-it-simple-the-straight-forward-step-by-step-guide-to-drawing-the-body','','','2015-07-19 20:20:20','2015-07-20 03:20:20','',0,'http://www.letsdrawpeople.com/?p=909',0,'post','',6),(910,2,'2014-01-21 06:29:08','2014-01-21 14:29:08','
Here is a speed drawing video I did of an elderly man in a hat, the brim shielding the bright sun from his eyes. I used a light box and grid to sketch the initial line drawing on Bristol board paper. Then I added the light and dark tones. Finally I blended in layers of detail. This drawing took me around 10 hours to complete. Depending on the amount of detail I chose to add, it could have easily taken fewer or many more hours! This video condenses the process into 5 minutes. Enjoy!\r\n\r\n[caption id=\"attachment_901\" align=\"aligncenter\" width=\"372\"]\" © Kelpfish | Dreamstime.com[/caption]\r\n

\"elderly

','Elderly Man in a Hat','','inherit','open','open','','900-revision-v1','','','2014-01-21 06:29:08','2014-01-21 14:29:08','',900,'http://www.letsdrawpeople.com/900-revision-v1/',0,'revision','',0),(912,2,'2014-02-04 22:04:10','2014-02-05 06:04:10','
\r\nHere is a speed drawing video I did of an elderly man in a hat, the brim shielding the bright sun from his eyes. I used a light box and grid to sketch the initial line drawing on Bristol board paper. Then I added the light and dark tones. Finally I blended in layers of detail. This drawing took me around 10 hours to complete. Depending on the amount of detail I chose to add, it could have easily taken fewer or many more hours! This video condenses the process into 5 minutes. Enjoy!\r\n\r\n[caption id=\"attachment_901\" align=\"aligncenter\" width=\"372\"]\" © Kelpfish | Dreamstime.com[/caption]\r\n

\"elderly

','Elderly Man in a Hat','','inherit','open','open','','900-revision-v1','','','2014-02-04 22:04:10','2014-02-05 06:04:10','',900,'http://www.letsdrawpeople.com/900-revision-v1/',0,'revision','',0),(914,2,'2014-02-06 07:23:56','2014-02-06 15:23:56','
\r\n\r\nHere is a speed drawing video I did of an elderly man in a hat, the brim shielding the bright sun from his eyes. I used a light box and grid to sketch the initial line drawing on Bristol board paper. Then I added the light and dark tones. Finally I blended in layers of detail. This drawing took me around 10 hours to complete. Depending on the amount of detail I chose to add, it could have easily taken fewer or many more hours! This video condenses the process into 5 minutes. Enjoy!\r\n\r\n[caption id=\"attachment_901\" align=\"aligncenter\" width=\"372\"]\" © Kelpfish | Dreamstime.com[/caption]\r\n

\"elderly

','Elderly Man in a Hat','','inherit','open','open','','900-revision-v1','','','2014-02-06 07:23:56','2014-02-06 15:23:56','',900,'http://www.letsdrawpeople.com/900-revision-v1/',0,'revision','',0),(917,2,'2014-02-12 19:44:27','2014-02-13 03:44:27','','01 how to draw the body head and neck','','inherit','open','open','','01-how-to-draw-the-body-head-and-neck','','','2014-02-12 19:44:27','2014-02-13 03:44:27','',909,'http://www.letsdrawpeople.com/wp-content/uploads/2014/02/01-how-to-draw-the-body-head-and-neck.jpg',0,'attachment','image/jpeg',0),(916,2,'2014-02-12 05:13:13','2014-02-12 13:13:13','Keeping it Simple: The Straight Forward Step-By-Step Guide to Drawing the Body\r\n\r\nKnown for his animated and lively artwork from Looney Tunes and Merrie Melodies, Charles Martin Jones perfectly explained the process of drawing. In a famous interview of his, he once stated, \"The whole essence of good drawing -- and of good thinking, perhaps, is to work on a subject down to the simplest form possible and still have it believable for what it is meant to be.\" Essentially, what Charles Martin Jones meant is that art, and in this case the human body, does not need to be elaborate or perfect to be regarded as good work. A simple drawing that is identifiable as the human form is sufficient. Therefore, as this tutorial on how to draw the body progresses, don\'t fret if it isn\'t perfect, and don\'t quit if it isn\'t just right. Eventually, by practicing the following simple steps, you\'ll have the concept down perfectly.\r\n\r\nFigure Drawing -- The Basics\r\n\r\nBefore beginning, there are a few basics that I\'m going to cover. When drawing, proportions are important. They serve as the bones, per say, of the body. In drawing, there is something known as \"The Standard Unit of Measurement,\" or \"SUM.\" Generally, the length of the head, which is the distance from the top of the head to the chin, serves as your SUM. Typically, you\'ll find that the average height of a male or female figure drawing is 8 heads. SUMs of different length can result in variations in height. To ensure your figure is proportional, a tip you may find helpful is to draw 9 horizontal lines on the paper before beginning to draw. This will leave you with 8 SUMs. While there are many different poses that are possible, to keep things simple and at a basic, we are going to assume that the subject is standing straight.\r\n\r\nProportions to Keep in Mind\r\n\r\nAlthough proportions are an important part of drawing the human body, you should remember that they are only very general, basic guidelines. Each individual person is unique and has his or her own proportions that can vary slightly from these guidelines. So as you draw, you don’t have to measure each shape to ensure it is drawn to the exact centimeter. With that said, here are some approximate general proportions to guide your drawing:\r\n\r\n•The entire body is 8 heads tall.\r\n\r\n•The head and torso are as long as the legs.\r\n\r\n•Hands should go no farther than halfway down the length of the thighs.\r\n\r\n•Thigh and calf are equal length, and so are the lower and upper arms.\r\n\r\n•Even at rest, the arms and legs should not be perfectly straight.\r\n\r\n•A female subject will have a smoother, more \"feminine\" form than the male.\r\n\r\n•A male figure has a proportionately larger rib cage, while a female figure has a proportionately larger pelvis.\r\n\r\n•The shoulder width is about 3 head widths.\r\n\r\n•If the arms are at the figure\'s sides, the wrist aligns with the groin.\r\n\r\n•An open hand is proportional to the head width.\r\n\r\nAlthough it may not seem so, the basic sketch of the human figure is comprised of a melody of basic shapes such as ovals, triangles, and circles. So, let\'s begin with the first steps and create our figure drawing together. I\'ll be creative here and name him Billy. Throughout this tutorial, you\'ll draw Billy with me and see him evolve from what looks like a child-like drawing, to something a bit more professional.\r\n\r\nThe Basic Sketch\r\n\r\nAfter drawing the nine marker lines using Billy\'s head as the SUM, I begin drawing my figure as follows.\r\n\r\n•First, begin with the oval-shaped head. Using lined paper works great, as you can keep better track of proportions. According to my sketch, two lines are equal to the length of Billy\'s head. Next, give him a simple neck, which should equal one fourth the length of his head.\r\n

[*****head and neck on wide ruled lined paper*****]

\r\n•Continuing from the bottom of the neck, sketch an upside down triangle. At the top of this upside down triangle are the shoulders, which remember, are as wide as three of Billy\'s heads. The pointy end of the triangle is where Billy\'s belly button is to be. This triangle is approximately two of Billy\'s heads, or four lines. The bottom of the first of these two heads is the nipple area, and the bottom of the second of the two heads is the belly button.\r\n

[*****upside down triangle*****]

\r\n•After sketching up to the belly button, Billy also needs a groin area. Thus far, the groin area is a simple oval, which is also equal to the length of one head. Also, I\'m going to keep this little tutorial rated G - there will be no guidance on how to draw genitalia.\r\n

[*****groin*****]

\r\n•Next are the upper thighs.  Beginning from the bottom of the groin area, I\'ve added two nicely shaped ovals, which are each the length of Billy’s head. This section is the fifth head length.\r\n

[*****upper thighs*****]

\r\n•Continuing with the legs, the next long oval for each leg is going to end up right above the knee.  Because the knee is a joint, mark it as a small circle. This is the sixth head length.\r\n

[*****lower thighs*****]

\r\n•Moving on, the next oval is the lower leg, and it is an oval that stops just above Billy’s ankle.\r\n

[*****lower legs*****]

\r\n•Let us next add ovals for the feet. One regular oval whose bottom is the bottom of Billy\'s foot, and a second, horizontal oval for Billy’s foot.\r\n

[*****feet*****]

\r\n•Lastly, the final additions are the arms and hands. Make an oval for each upper arm that begins at the shoulder and ends just above the belly button area. From this joint, make another oval that extends to the groin area. Draw an oval to represent each hand, going no farther down than mid-thigh.\r\n

[*****Billy in ovals, triangles, and circles*****]

\r\nIn all, if your figure is 8 heads tall, you should have a rough sketch of Billy comprised of ovals, triangles, and small circles as seen above. Have you been able to follow along so far? Up until now, this tutorial has shown us how to draw the body using shapes as a “skeleton”.\r\n\r\nMore than Just Bones\r\n\r\nThe famous author Walt Whitman once said, \"I sing the body electric.\" I suppose you can do as I do, and imagine Billy all of a sudden bust some moves on the page, but such a quote also resonates quite well with the next steps. Essentially, Walt Whitman is pointing to a notion that expresses love and admiration for the human body. It means to enjoy the movements, and the shape, and the image of the body itself. Therefore, as we continue to draw Billy, you don’t have to draw him as what the \"ideal\" human is expected to look like. Draw him as you want him to be (just keep him proportional). Apart from the arms and legs, which essentially leave just the torso and neck, I accentuated them on Billy by giving them shape. In this case, I drew the torso wider and slightly muscular and the neck a bit stumpy. Once you\'ve given your subject\'s torso and neck some shape, it\'s time to continue to the arms and legs.\r\n

[*****shaped torso and neck*****]

\r\nHow to Draw Arms\r\n\r\nBoth arms and legs are probably two of the simplest parts of the body to draw. Once your torso is fully drawn, you can take the next step and add detail to the appendages. The shoulders, elbows, and wrists should each be marked by a circle that connects the ovals that you drew for arms and forearms. Rather than leave it in such a vague state, turn the ovals into straight lines that match the outer edges of the circles marked for shoulders, elbows, and wrists. Next, erase away the circles, and you should be left with a full arm. To make things more defined, the forearm should break down into three parts, with each part thinner than the last, with the wrist being the thinnest part.\r\n

[*****right arm with circles, left arm w/ erased guidelines*****]

\r\nHow to Draw Hands\r\n\r\nWhile hands may seem intimidating, they really aren\'t. It\'s all about sketching and practice. There are several methods. One way to draw hands is to begin with a square, attaching sticks for fingers and a small triangle attaching the thumb. If you need guidance, look at your own hand. Your own body is a great tool for learning to draw. Next, sketch the joints along the fingers. Each finger, except for the thumb, has two joints. Add a joint for the wrist, leaving a slightly raised bump for the bone. Give Billy’s hand some skin, and outline the shape of the fingers along the circles. Erase the inner circles and sketches, and you\'re left with a hand that just needs shading, nails, and the appearance of skin. To do this, just look at your own hand and draw what you see.\r\n

[*****right hand with circles, left hand w/ erased guidelines*****]

\r\nHow to Draw Legs\r\n\r\nLike most of the body\'s shape, the shape of legs can also vary. You should already have a circle for the knees. Start with the outside of each leg and sketch the upper thigh and lower leg. The upper thigh should be wide, and as the line reaches the knee, it should become narrower. Then, do the same for the inner legs. Depending on your preferences, you can keep the legs thin or add thickness. Lastly, simply erase the circle and sketch a knee.\r\n

[*****right leg with circles, left leg w/ erased guidelines*****]

\r\nHow to Draw Feet\r\n\r\nUnless you don\'t want our subject to walk, then you\'re going to need to add some feet. As simplicity is the key to this entire tutorial, begin with the ovals attached to the bottom of the leg. The front of the foot and toes should be sketched out. Next, soften the rough lines and give the foot a proper shape. If you drew your character\'s hands, this process should be fairly simple. Upon completing the feet and giving your subject a shape and human appearance, you should have a fully-formed body before you.\r\n

[*****Billy*****]

\r\nPractice Makes Perfect\r\n\r\nAs Jackson Brown Jr. once said, \"You can\'t hire someone to practice for you.\" Truer words were never spoken. You really can\'t hire someone to perfect your skill or to turn you into an expert, which is why you need to practice. Through dedication, hard work, and following through with this figure drawing tutorial, you\'ll be able to master how to draw the body in no time. Just adhere to the proportion rules, add joints where necessary, and practice, practice, practice!','Keeping it Simple: The Straight Forward Step-By-Step Guide to Drawing the Body','','inherit','open','open','','909-revision-v1','','','2014-02-12 05:13:13','2014-02-12 13:13:13','',909,'http://www.letsdrawpeople.com/909-revision-v1/',0,'revision','',0),(918,2,'2014-02-12 19:44:29','2014-02-13 03:44:29','','02 how to draw the body triangle','','inherit','open','open','','02-how-to-draw-the-body-triangle','','','2014-02-12 19:44:29','2014-02-13 03:44:29','',909,'http://www.letsdrawpeople.com/wp-content/uploads/2014/02/02-how-to-draw-the-body-triangle.jpg',0,'attachment','image/jpeg',0),(919,2,'2014-02-12 19:44:30','2014-02-13 03:44:30','','03 how to draw the body pelvis','','inherit','open','open','','03-how-to-draw-the-body-pelvis','','','2014-02-12 19:44:30','2014-02-13 03:44:30','',909,'http://www.letsdrawpeople.com/wp-content/uploads/2014/02/03-how-to-draw-the-body-pelvis.jpg',0,'attachment','image/jpeg',0),(920,2,'2014-02-12 19:44:31','2014-02-13 03:44:31','','04 how to draw the body upper thighs','','inherit','open','open','','04-how-to-draw-the-body-upper-thighs','','','2014-02-12 19:44:31','2014-02-13 03:44:31','',909,'http://www.letsdrawpeople.com/wp-content/uploads/2014/02/04-how-to-draw-the-body-upper-thighs.jpg',0,'attachment','image/jpeg',0),(921,2,'2014-02-12 19:44:33','2014-02-13 03:44:33','','05 how to draw the body lower thighs','','inherit','open','open','','05-how-to-draw-the-body-lower-thighs','','','2014-02-12 19:44:33','2014-02-13 03:44:33','',909,'http://www.letsdrawpeople.com/wp-content/uploads/2014/02/05-how-to-draw-the-body-lower-thighs.jpg',0,'attachment','image/jpeg',0),(922,2,'2014-02-12 19:44:35','2014-02-13 03:44:35','','06 how to draw the body lower legs','','inherit','open','open','','06-how-to-draw-the-body-lower-legs','','','2014-02-12 19:44:35','2014-02-13 03:44:35','',909,'http://www.letsdrawpeople.com/wp-content/uploads/2014/02/06-how-to-draw-the-body-lower-legs.jpg',0,'attachment','image/jpeg',0),(923,2,'2014-02-12 19:44:36','2014-02-13 03:44:36','','07 how to draw the body feet','','inherit','open','open','','07-how-to-draw-the-body-feet','','','2014-02-12 19:44:36','2014-02-13 03:44:36','',909,'http://www.letsdrawpeople.com/wp-content/uploads/2014/02/07-how-to-draw-the-body-feet.jpg',0,'attachment','image/jpeg',0),(924,2,'2014-02-12 19:44:37','2014-02-13 03:44:37','','08 how to draw the body arms','','inherit','open','open','','08-how-to-draw-the-body-arms','','','2014-02-12 19:44:37','2014-02-13 03:44:37','',909,'http://www.letsdrawpeople.com/wp-content/uploads/2014/02/08-how-to-draw-the-body-arms.jpg',0,'attachment','image/jpeg',0),(925,2,'2014-02-12 19:44:39','2014-02-13 03:44:39','','09 how to draw the body torso','','inherit','open','open','','09-how-to-draw-the-body-torso','','','2014-02-12 19:44:39','2014-02-13 03:44:39','',909,'http://www.letsdrawpeople.com/wp-content/uploads/2014/02/09-how-to-draw-the-body-torso.jpg',0,'attachment','image/jpeg',0),(926,2,'2014-02-12 19:44:40','2014-02-13 03:44:40','','10 how to draw the body arms','','inherit','open','open','','10-how-to-draw-the-body-arms','','','2014-02-12 19:44:40','2014-02-13 03:44:40','',909,'http://www.letsdrawpeople.com/wp-content/uploads/2014/02/10-how-to-draw-the-body-arms.jpg',0,'attachment','image/jpeg',0),(927,2,'2014-02-12 19:44:41','2014-02-13 03:44:41','','11 how to draw the body hands','','inherit','open','open','','11-how-to-draw-the-body-hands','','','2014-02-12 19:44:41','2014-02-13 03:44:41','',909,'http://www.letsdrawpeople.com/wp-content/uploads/2014/02/11-how-to-draw-the-body-hands.jpg',0,'attachment','image/jpeg',0),(928,2,'2014-02-12 19:44:43','2014-02-13 03:44:43','','12 how to draw the body legs','','inherit','open','open','','12-how-to-draw-the-body-legs','','','2014-02-12 19:44:43','2014-02-13 03:44:43','',909,'http://www.letsdrawpeople.com/wp-content/uploads/2014/02/12-how-to-draw-the-body-legs.jpg',0,'attachment','image/jpeg',0),(929,2,'2014-02-12 19:44:44','2014-02-13 03:44:44','','13 how to draw the body billy','','inherit','open','open','','13-how-to-draw-the-body-billy','','','2014-02-12 19:44:44','2014-02-13 03:44:44','',909,'http://www.letsdrawpeople.com/wp-content/uploads/2014/02/13-how-to-draw-the-body-billy.jpg',0,'attachment','image/jpeg',0),(930,2,'2014-02-12 19:49:43','2014-02-13 03:49:43','Known for his animated and lively artwork from Looney Tunes and Merrie Melodies, Charles Martin Jones perfectly explained the process of drawing. In a famous interview of his, he once stated, \"The whole essence of good drawing -- and of good thinking, perhaps, is to work on a subject down to the simplest form possible and still have it believable for what it is meant to be.\" Essentially, what Charles Martin Jones meant is that art, and in this case the human body, does not need to be elaborate or perfect to be regarded as good work. A simple drawing that is identifiable as the human form is sufficient. Therefore, as this tutorial on how to draw the body progresses, don\'t fret if it isn\'t perfect, and don\'t quit if it isn\'t just right. Eventually, by practicing the following simple steps, you\'ll have the concept down perfectly.\r\n\r\nFigure Drawing -- The Basics\r\n\r\nBefore beginning, there are a few basics that I\'m going to cover. When drawing, proportions are important. They serve as the bones, per say, of the body. In drawing, there is something known as \"The Standard Unit of Measurement,\" or \"SUM.\" Generally, the length of the head, which is the distance from the top of the head to the chin, serves as your SUM. Typically, you\'ll find that the average height of a male or female figure drawing is 8 heads. SUMs of different length can result in variations in height. To ensure your figure is proportional, a tip you may find helpful is to draw 9 horizontal lines on the paper before beginning to draw. This will leave you with 8 SUMs. While there are many different poses that are possible, to keep things simple and at a basic, we are going to assume that the subject is standing straight.\r\n\r\nProportions to Keep in Mind\r\n\r\nAlthough proportions are an important part of drawing the human body, you should remember that they are only very general, basic guidelines. Each individual person is unique and has his or her own proportions that can vary slightly from these guidelines. So as you draw, you don’t have to measure each shape to ensure it is drawn to the exact centimeter. With that said, here are some approximate general proportions to guide your drawing:\r\n\r\n•The entire body is 8 heads tall.\r\n\r\n•The head and torso are as long as the legs.\r\n\r\n•Hands should go no farther than halfway down the length of the thighs.\r\n\r\n•Thigh and calf are equal length, and so are the lower and upper arms.\r\n\r\n•Even at rest, the arms and legs should not be perfectly straight.\r\n\r\n•A female subject will have a smoother, more \"feminine\" form than the male.\r\n\r\n•A male figure has a proportionately larger rib cage, while a female figure has a proportionately larger pelvis.\r\n\r\n•The shoulder width is about 3 head widths.\r\n\r\n•If the arms are at the figure\'s sides, the wrist aligns with the groin.\r\n\r\n•An open hand is proportional to the head width.\r\n\r\nAlthough it may not seem so, the basic sketch of the human figure is comprised of a melody of basic shapes such as ovals, triangles, and circles. So, let\'s begin with the first steps and create our figure drawing together. I\'ll be creative here and name him Billy. Throughout this tutorial, you\'ll draw Billy with me and see him evolve from what looks like a child-like drawing, to something a bit more professional.\r\n\r\nThe Basic Sketch\r\n\r\nAfter drawing the nine marker lines using Billy\'s head as the SUM, I begin drawing my figure as follows.\r\n\r\n•First, begin with the oval-shaped head. Using lined paper works great, as you can keep better track of proportions. According to my sketch, two lines are equal to the length of Billy\'s head. Next, give him a simple neck, which should equal one fourth the length of his head.\r\n

\"01

\r\n•Continuing from the bottom of the neck, sketch an upside down triangle. At the top of this upside down triangle are the shoulders, which remember, are as wide as three of Billy\'s heads. The pointy end of the triangle is where Billy\'s belly button is to be. This triangle is approximately two of Billy\'s heads, or four lines. The bottom of the first of these two heads is the nipple area, and the bottom of the second of the two heads is the belly button.\r\n

\"02

\r\n•After sketching up to the belly button, Billy also needs a groin area. Thus far, the groin area is a simple oval, which is also equal to the length of one head. Also, I\'m going to keep this little tutorial rated G - there will be no guidance on how to draw genitalia.\r\n

\"03

\r\n•Next are the upper thighs.  Beginning from the bottom of the groin area, I\'ve added two nicely shaped ovals, which are each the length of Billy’s head. This section is the fifth head length.\r\n

\"04

\r\n•Continuing with the legs, the next long oval for each leg is going to end up right above the knee.  Because the knee is a joint, mark it as a small circle. This is the sixth head length.\r\n

\"05

\r\n•Moving on, the next oval is the lower leg, and it is an oval that stops just above Billy’s ankle.\r\n

\"06

\r\n•Let us next add ovals for the feet. One regular oval whose bottom is the bottom of Billy\'s foot, and a second, horizontal oval for Billy’s foot.\r\n

\"07

\r\n•Lastly, the final additions are the arms and hands. Make an oval for each upper arm that begins at the shoulder and ends just above the belly button area. From this joint, make another oval that extends to the groin area. Draw an oval to represent each hand, going no farther down than mid-thigh.\r\n

\"08

\r\nIn all, if your figure is 8 heads tall, you should have a rough sketch of Billy comprised of ovals, triangles, and small circles as seen above. Have you been able to follow along so far? Up until now, this tutorial has shown us how to draw the body using shapes as a “skeleton”.\r\n\r\nMore than Just Bones\r\n\r\nThe famous author Walt Whitman once said, \"I sing the body electric.\" I suppose you can do as I do, and imagine Billy all of a sudden bust some moves on the page, but such a quote also resonates quite well with the next steps. Essentially, Walt Whitman is pointing to a notion that expresses love and admiration for the human body. It means to enjoy the movements, and the shape, and the image of the body itself. Therefore, as we continue to draw Billy, you don’t have to draw him as what the \"ideal\" human is expected to look like. Draw him as you want him to be (just keep him proportional). Apart from the arms and legs, which essentially leave just the torso and neck, I accentuated them on Billy by giving them shape. In this case, I drew the torso wider and slightly muscular and the neck a bit stumpy. Once you\'ve given your subject\'s torso and neck some shape, it\'s time to continue to the arms and legs.\r\n

\"09

\r\nHow to Draw Arms\r\n\r\nBoth arms and legs are probably two of the simplest parts of the body to draw. Once your torso is fully drawn, you can take the next step and add detail to the appendages. The shoulders, elbows, and wrists should each be marked by a circle that connects the ovals that you drew for arms and forearms. Rather than leave it in such a vague state, turn the ovals into straight lines that match the outer edges of the circles marked for shoulders, elbows, and wrists. Next, erase away the circles, and you should be left with a full arm. To make things more defined, the forearm should break down into three parts, with each part thinner than the last, with the wrist being the thinnest part.\r\n

\"10

\r\nHow to Draw Hands\r\n\r\nWhile hands may seem intimidating, they really aren\'t. It\'s all about sketching and practice. There are several methods. One way to draw hands is to begin with a square, attaching sticks for fingers and a small triangle attaching the thumb. If you need guidance, look at your own hand. Your own body is a great tool for learning to draw. Next, sketch the joints along the fingers. Each finger, except for the thumb, has two joints. Add a joint for the wrist, leaving a slightly raised bump for the bone. Give Billy’s hand some skin, and outline the shape of the fingers along the circles. Erase the inner circles and sketches, and you\'re left with a hand that just needs shading, nails, and the appearance of skin. To do this, just look at your own hand and draw what you see.\r\n

\"11

\r\nHow to Draw Legs\r\n\r\nLike most of the body\'s shape, the shape of legs can also vary. You should already have a circle for the knees. Start with the outside of each leg and sketch the upper thigh and lower leg. The upper thigh should be wide, and as the line reaches the knee, it should become narrower. Then, do the same for the inner legs. Depending on your preferences, you can keep the legs thin or add thickness. Lastly, simply erase the circle and sketch a knee.\r\n

\"12

\r\nHow to Draw Feet\r\n\r\nUnless you don\'t want our subject to walk, then you\'re going to need to add some feet. As simplicity is the key to this entire tutorial, begin with the ovals attached to the bottom of the leg. The front of the foot and toes should be sketched out. Next, soften the rough lines and give the foot a proper shape. If you drew your character\'s hands, this process should be fairly simple. Upon completing the feet and giving your subject a shape and human appearance, you should have a fully-formed body before you.\r\n

\"13

\r\nPractice Makes Perfect\r\n\r\nAs Jackson Brown Jr. once said, \"You can\'t hire someone to practice for you.\" Truer words were never spoken. You really can\'t hire someone to perfect your skill or to turn you into an expert, which is why you need to practice. Through dedication, hard work, and following through with this figure drawing tutorial, you\'ll be able to master how to draw the body in no time. Just adhere to the proportion rules, add joints where necessary, and practice, practice, practice!','Keeping it Simple: The Straight Forward Step-By-Step Guide to Drawing the Body','','inherit','open','open','','909-revision-v1','','','2014-02-12 19:49:43','2014-02-13 03:49:43','',909,'http://www.letsdrawpeople.com/909-revision-v1/',0,'revision','',0),(931,2,'2014-02-12 19:51:44','2014-02-13 03:51:44','Known for his animated and lively artwork from Looney Tunes and Merrie Melodies, Charles Martin Jones perfectly explained the process of drawing. In a famous interview of his, he once stated, \"The whole essence of good drawing -- and of good thinking, perhaps, is to work on a subject down to the simplest form possible and still have it believable for what it is meant to be.\" Essentially, what Charles Martin Jones meant is that art, and in this case the human body, does not need to be elaborate or perfect to be regarded as good work. A simple drawing that is identifiable as the human form is sufficient. Therefore, as this tutorial on how to draw the body progresses, don\'t fret if it isn\'t perfect, and don\'t quit if it isn\'t just right. Eventually, by practicing the following simple steps, you\'ll have the concept down perfectly.\r\n

Figure Drawing -- The Basics

\r\nBefore beginning, there are a few basics that I\'m going to cover. When drawing, proportions are important. They serve as the bones, per say, of the body. In drawing, there is something known as \"The Standard Unit of Measurement,\" or \"SUM.\" Generally, the length of the head, which is the distance from the top of the head to the chin, serves as your SUM. Typically, you\'ll find that the average height of a male or female figure drawing is 8 heads. SUMs of different length can result in variations in height. To ensure your figure is proportional, a tip you may find helpful is to draw 9 horizontal lines on the paper before beginning to draw. This will leave you with 8 SUMs. While there are many different poses that are possible, to keep things simple and at a basic, we are going to assume that the subject is standing straight.\r\n

Proportions to Keep in Mind

\r\nAlthough proportions are an important part of drawing the human body, you should remember that they are only very general, basic guidelines. Each individual person is unique and has his or her own proportions that can vary slightly from these guidelines. So as you draw, you don’t have to measure each shape to ensure it is drawn to the exact centimeter. With that said, here are some approximate general proportions to guide your drawing:\r\n\r\n•The entire body is 8 heads tall.\r\n\r\n•The head and torso are as long as the legs.\r\n\r\n•Hands should go no farther than halfway down the length of the thighs.\r\n\r\n•Thigh and calf are equal length, and so are the lower and upper arms.\r\n\r\n•Even at rest, the arms and legs should not be perfectly straight.\r\n\r\n•A female subject will have a smoother, more \"feminine\" form than the male.\r\n\r\n•A male figure has a proportionately larger rib cage, while a female figure has a proportionately larger pelvis.\r\n\r\n•The shoulder width is about 3 head widths.\r\n\r\n•If the arms are at the figure\'s sides, the wrist aligns with the groin.\r\n\r\n•An open hand is proportional to the head width.\r\n\r\nAlthough it may not seem so, the basic sketch of the human figure is comprised of a melody of basic shapes such as ovals, triangles, and circles. So, let\'s begin with the first steps and create our figure drawing together. I\'ll be creative here and name him Billy. Throughout this tutorial, you\'ll draw Billy with me and see him evolve from what looks like a child-like drawing, to something a bit more professional.\r\n\r\nThe Basic Sketch\r\n\r\nAfter drawing the nine marker lines using Billy\'s head as the SUM, I begin drawing my figure as follows.\r\n\r\n•First, begin with the oval-shaped head. Using lined paper works great, as you can keep better track of proportions. According to my sketch, two lines are equal to the length of Billy\'s head. Next, give him a simple neck, which should equal one fourth the length of his head.\r\n

\"01

\r\n•Continuing from the bottom of the neck, sketch an upside down triangle. At the top of this upside down triangle are the shoulders, which remember, are as wide as three of Billy\'s heads. The pointy end of the triangle is where Billy\'s belly button is to be. This triangle is approximately two of Billy\'s heads, or four lines. The bottom of the first of these two heads is the nipple area, and the bottom of the second of the two heads is the belly button.\r\n

\"02

\r\n•After sketching up to the belly button, Billy also needs a groin area. Thus far, the groin area is a simple oval, which is also equal to the length of one head. Also, I\'m going to keep this little tutorial rated G - there will be no guidance on how to draw genitalia.\r\n

\"03

\r\n•Next are the upper thighs.  Beginning from the bottom of the groin area, I\'ve added two nicely shaped ovals, which are each the length of Billy’s head. This section is the fifth head length.\r\n

\"04

\r\n•Continuing with the legs, the next long oval for each leg is going to end up right above the knee.  Because the knee is a joint, mark it as a small circle. This is the sixth head length.\r\n

\"05

\r\n•Moving on, the next oval is the lower leg, and it is an oval that stops just above Billy’s ankle.\r\n

\"06

\r\n•Let us next add ovals for the feet. One regular oval whose bottom is the bottom of Billy\'s foot, and a second, horizontal oval for Billy’s foot.\r\n

\"07

\r\n•Lastly, the final additions are the arms and hands. Make an oval for each upper arm that begins at the shoulder and ends just above the belly button area. From this joint, make another oval that extends to the groin area. Draw an oval to represent each hand, going no farther down than mid-thigh.\r\n

\"08

\r\nIn all, if your figure is 8 heads tall, you should have a rough sketch of Billy comprised of ovals, triangles, and small circles as seen above. Have you been able to follow along so far? Up until now, this tutorial has shown us how to draw the body using shapes as a “skeleton”.\r\n\r\nMore than Just Bones\r\n\r\nThe famous author Walt Whitman once said, \"I sing the body electric.\" I suppose you can do as I do, and imagine Billy all of a sudden bust some moves on the page, but such a quote also resonates quite well with the next steps. Essentially, Walt Whitman is pointing to a notion that expresses love and admiration for the human body. It means to enjoy the movements, and the shape, and the image of the body itself. Therefore, as we continue to draw Billy, you don’t have to draw him as what the \"ideal\" human is expected to look like. Draw him as you want him to be (just keep him proportional). Apart from the arms and legs, which essentially leave just the torso and neck, I accentuated them on Billy by giving them shape. In this case, I drew the torso wider and slightly muscular and the neck a bit stumpy. Once you\'ve given your subject\'s torso and neck some shape, it\'s time to continue to the arms and legs.\r\n

\"09

\r\nHow to Draw Arms\r\n\r\nBoth arms and legs are probably two of the simplest parts of the body to draw. Once your torso is fully drawn, you can take the next step and add detail to the appendages. The shoulders, elbows, and wrists should each be marked by a circle that connects the ovals that you drew for arms and forearms. Rather than leave it in such a vague state, turn the ovals into straight lines that match the outer edges of the circles marked for shoulders, elbows, and wrists. Next, erase away the circles, and you should be left with a full arm. To make things more defined, the forearm should break down into three parts, with each part thinner than the last, with the wrist being the thinnest part.\r\n

\"10

\r\nHow to Draw Hands\r\n\r\nWhile hands may seem intimidating, they really aren\'t. It\'s all about sketching and practice. There are several methods. One way to draw hands is to begin with a square, attaching sticks for fingers and a small triangle attaching the thumb. If you need guidance, look at your own hand. Your own body is a great tool for learning to draw. Next, sketch the joints along the fingers. Each finger, except for the thumb, has two joints. Add a joint for the wrist, leaving a slightly raised bump for the bone. Give Billy’s hand some skin, and outline the shape of the fingers along the circles. Erase the inner circles and sketches, and you\'re left with a hand that just needs shading, nails, and the appearance of skin. To do this, just look at your own hand and draw what you see.\r\n

\"11

\r\nHow to Draw Legs\r\n\r\nLike most of the body\'s shape, the shape of legs can also vary. You should already have a circle for the knees. Start with the outside of each leg and sketch the upper thigh and lower leg. The upper thigh should be wide, and as the line reaches the knee, it should become narrower. Then, do the same for the inner legs. Depending on your preferences, you can keep the legs thin or add thickness. Lastly, simply erase the circle and sketch a knee.\r\n

\"12

\r\nHow to Draw Feet\r\n\r\nUnless you don\'t want our subject to walk, then you\'re going to need to add some feet. As simplicity is the key to this entire tutorial, begin with the ovals attached to the bottom of the leg. The front of the foot and toes should be sketched out. Next, soften the rough lines and give the foot a proper shape. If you drew your character\'s hands, this process should be fairly simple. Upon completing the feet and giving your subject a shape and human appearance, you should have a fully-formed body before you.\r\n

\"13

\r\nPractice Makes Perfect\r\n\r\nAs Jackson Brown Jr. once said, \"You can\'t hire someone to practice for you.\" Truer words were never spoken. You really can\'t hire someone to perfect your skill or to turn you into an expert, which is why you need to practice. Through dedication, hard work, and following through with this figure drawing tutorial, you\'ll be able to master how to draw the body in no time. Just adhere to the proportion rules, add joints where necessary, and practice, practice, practice!','Keeping it Simple: The Straight Forward Step-By-Step Guide to Drawing the Body','','inherit','open','open','','909-revision-v1','','','2014-02-12 19:51:44','2014-02-13 03:51:44','',909,'http://www.letsdrawpeople.com/909-revision-v1/',0,'revision','',0),(932,2,'2014-02-12 19:52:26','2014-02-13 03:52:26','Known for his animated and lively artwork from Looney Tunes and Merrie Melodies, Charles Martin Jones perfectly explained the process of drawing. In a famous interview of his, he once stated, \"The whole essence of good drawing -- and of good thinking, perhaps, is to work on a subject down to the simplest form possible and still have it believable for what it is meant to be.\" Essentially, what Charles Martin Jones meant is that art, and in this case the human body, does not need to be elaborate or perfect to be regarded as good work. A simple drawing that is identifiable as the human form is sufficient. Therefore, as this tutorial on how to draw the body progresses, don\'t fret if it isn\'t perfect, and don\'t quit if it isn\'t just right. Eventually, by practicing the following simple steps, you\'ll have the concept down perfectly.\r\n

Figure Drawing -- The Basics

\r\nBefore beginning, there are a few basics that I\'m going to cover. When drawing, proportions are important. They serve as the bones, per say, of the body. In drawing, there is something known as \"The Standard Unit of Measurement,\" or \"SUM.\" Generally, the length of the head, which is the distance from the top of the head to the chin, serves as your SUM. Typically, you\'ll find that the average height of a male or female figure drawing is 8 heads. SUMs of different length can result in variations in height. To ensure your figure is proportional, a tip you may find helpful is to draw 9 horizontal lines on the paper before beginning to draw. This will leave you with 8 SUMs. While there are many different poses that are possible, to keep things simple and at a basic, we are going to assume that the subject is standing straight.\r\n

Proportions to Keep in Mind

\r\nAlthough proportions are an important part of drawing the human body, you should remember that they are only very general, basic guidelines. Each individual person is unique and has his or her own proportions that can vary slightly from these guidelines. So as you draw, you don’t have to measure each shape to ensure it is drawn to the exact centimeter. With that said, here are some approximate general proportions to guide your drawing:\r\n\r\n•The entire body is 8 heads tall.\r\n\r\n•The head and torso are as long as the legs.\r\n\r\n•Hands should go no farther than halfway down the length of the thighs.\r\n\r\n•Thigh and calf are equal length, and so are the lower and upper arms.\r\n\r\n•Even at rest, the arms and legs should not be perfectly straight.\r\n\r\n•A female subject will have a smoother, more \"feminine\" form than the male.\r\n\r\n•A male figure has a proportionately larger rib cage, while a female figure has a proportionately larger pelvis.\r\n\r\n•The shoulder width is about 3 head widths.\r\n\r\n•If the arms are at the figure\'s sides, the wrist aligns with the groin.\r\n\r\n•An open hand is proportional to the head width.\r\n\r\nAlthough it may not seem so, the basic sketch of the human figure is comprised of a melody of basic shapes such as ovals, triangles, and circles. So, let\'s begin with the first steps and create our figure drawing together. I\'ll be creative here and name him Billy. Throughout this tutorial, you\'ll draw Billy with me and see him evolve from what looks like a child-like drawing, to something a bit more professional.\r\n\r\nThe Basic Sketch\r\n\r\nAfter drawing the nine marker lines using Billy\'s head as the SUM, I begin drawing my figure as follows.\r\n\r\n•First, begin with the oval-shaped head. Using lined paper works great, as you can keep better track of proportions. According to my sketch, two lines are equal to the length of Billy\'s head. Next, give him a simple neck, which should equal one fourth the length of his head.\r\n

\"01

\r\n•Continuing from the bottom of the neck, sketch an upside down triangle. At the top of this upside down triangle are the shoulders, which remember, are as wide as three of Billy\'s heads. The pointy end of the triangle is where Billy\'s belly button is to be. This triangle is approximately two of Billy\'s heads, or four lines. The bottom of the first of these two heads is the nipple area, and the bottom of the second of the two heads is the belly button.\r\n

\"02

\r\n•After sketching up to the belly button, Billy also needs a groin area. Thus far, the groin area is a simple oval, which is also equal to the length of one head. Also, I\'m going to keep this little tutorial rated G - there will be no guidance on how to draw genitalia.\r\n

\"03

\r\n•Next are the upper thighs.  Beginning from the bottom of the groin area, I\'ve added two nicely shaped ovals, which are each the length of Billy’s head. This section is the fifth head length.\r\n

\"04

\r\n•Continuing with the legs, the next long oval for each leg is going to end up right above the knee.  Because the knee is a joint, mark it as a small circle. This is the sixth head length.\r\n

\"05

\r\n•Moving on, the next oval is the lower leg, and it is an oval that stops just above Billy’s ankle.\r\n

\"06

\r\n•Let us next add ovals for the feet. One regular oval whose bottom is the bottom of Billy\'s foot, and a second, horizontal oval for Billy’s foot.\r\n

\"07

\r\n•Lastly, the final additions are the arms and hands. Make an oval for each upper arm that begins at the shoulder and ends just above the belly button area. From this joint, make another oval that extends to the groin area. Draw an oval to represent each hand, going no farther down than mid-thigh.\r\n

\"08

\r\nIn all, if your figure is 8 heads tall, you should have a rough sketch of Billy comprised of ovals, triangles, and small circles as seen above. Have you been able to follow along so far? Up until now, this tutorial has shown us how to draw the body using shapes as a “skeleton”.\r\n\r\nMore than Just Bones\r\n\r\nThe famous author Walt Whitman once said, \"I sing the body electric.\" I suppose you can do as I do, and imagine Billy all of a sudden bust some moves on the page, but such a quote also resonates quite well with the next steps. Essentially, Walt Whitman is pointing to a notion that expresses love and admiration for the human body. It means to enjoy the movements, and the shape, and the image of the body itself. Therefore, as we continue to draw Billy, you don’t have to draw him as what the \"ideal\" human is expected to look like. Draw him as you want him to be (just keep him proportional). Apart from the arms and legs, which essentially leave just the torso and neck, I accentuated them on Billy by giving them shape. In this case, I drew the torso wider and slightly muscular and the neck a bit stumpy. Once you\'ve given your subject\'s torso and neck some shape, it\'s time to continue to the arms and legs.\r\n

\"09

\r\nHow to Draw Arms\r\n\r\nBoth arms and legs are probably two of the simplest parts of the body to draw. Once your torso is fully drawn, you can take the next step and add detail to the appendages. The shoulders, elbows, and wrists should each be marked by a circle that connects the ovals that you drew for arms and forearms. Rather than leave it in such a vague state, turn the ovals into straight lines that match the outer edges of the circles marked for shoulders, elbows, and wrists. Next, erase away the circles, and you should be left with a full arm. To make things more defined, the forearm should break down into three parts, with each part thinner than the last, with the wrist being the thinnest part.\r\n

\"10

\r\nHow to Draw Hands\r\n\r\nWhile hands may seem intimidating, they really aren\'t. It\'s all about sketching and practice. There are several methods. One way to draw hands is to begin with a square, attaching sticks for fingers and a small triangle attaching the thumb. If you need guidance, look at your own hand. Your own body is a great tool for learning to draw. Next, sketch the joints along the fingers. Each finger, except for the thumb, has two joints. Add a joint for the wrist, leaving a slightly raised bump for the bone. Give Billy’s hand some skin, and outline the shape of the fingers along the circles. Erase the inner circles and sketches, and you\'re left with a hand that just needs shading, nails, and the appearance of skin. To do this, just look at your own hand and draw what you see.\r\n

\"11

\r\nHow to Draw Legs\r\n\r\nLike most of the body\'s shape, the shape of legs can also vary. You should already have a circle for the knees. Start with the outside of each leg and sketch the upper thigh and lower leg. The upper thigh should be wide, and as the line reaches the knee, it should become narrower. Then, do the same for the inner legs. Depending on your preferences, you can keep the legs thin or add thickness. Lastly, simply erase the circle and sketch a knee.\r\n

\"12

\r\nHow to Draw Feet\r\n\r\nUnless you don\'t want our subject to walk, then you\'re going to need to add some feet. As simplicity is the key to this entire tutorial, begin with the ovals attached to the bottom of the leg. The front of the foot and toes should be sketched out. Next, soften the rough lines and give the foot a proper shape. If you drew your character\'s hands, this process should be fairly simple. Upon completing the feet and giving your subject a shape and human appearance, you should have a fully-formed body before you.\r\n

\"13

\r\nPractice Makes Perfect\r\n\r\nAs Jackson Brown Jr. once said, \"You can\'t hire someone to practice for you.\" Truer words were never spoken. You really can\'t hire someone to perfect your skill or to turn you into an expert, which is why you need to practice. Through dedication, hard work, and following through with this figure drawing tutorial, you\'ll be able to master how to draw the body in no time. Just adhere to the proportion rules, add joints where necessary, and practice, practice, practice!','Keeping it Simple: The Straight Forward Step-By-Step Guide to Drawing the Body','','inherit','open','open','','909-revision-v1','','','2014-02-12 19:52:26','2014-02-13 03:52:26','',909,'http://www.letsdrawpeople.com/909-revision-v1/',0,'revision','',0),(933,2,'2014-02-12 20:00:19','2014-02-13 04:00:19','Known for his animated and lively artwork from Looney Tunes and Merrie Melodies, Charles Martin Jones perfectly explained the process of drawing. In a famous interview of his, he once stated, \"The whole essence of good drawing -- and of good thinking, perhaps, is to work on a subject down to the simplest form possible and still have it believable for what it is meant to be.\" Essentially, what Charles Martin Jones meant is that art, and in this case the human body, does not need to be elaborate or perfect to be regarded as good work. A simple drawing that is identifiable as the human form is sufficient. Therefore, as this tutorial on how to draw the body progresses, don\'t fret if it isn\'t perfect, and don\'t quit if it isn\'t just right. Eventually, by practicing the following simple steps, you\'ll have the concept down perfectly.\r\n

Figure Drawing -- The Basics

\r\nBefore beginning, there are a few basics that I\'m going to cover. When drawing, proportions are important. They serve as the bones, per say, of the body. In drawing, there is something known as \"The Standard Unit of Measurement,\" or \"SUM.\" Generally, the length of the head, which is the distance from the top of the head to the chin, serves as your SUM. Typically, you\'ll find that the average height of a male or female figure drawing is 8 heads. SUMs of different length can result in variations in height. To ensure your figure is proportional, a tip you may find helpful is to draw 9 horizontal lines on the paper before beginning to draw. This will leave you with 8 SUMs. While there are many different poses that are possible, to keep things simple and at a basic, we are going to assume that the subject is standing straight.\r\n

Proportions to Keep in Mind

\r\nAlthough proportions are an important part of drawing the human body, you should remember that they are only very general, basic guidelines. Each individual person is unique and has his or her own proportions that can vary slightly from these guidelines. So as you draw, you don’t have to measure each shape to ensure it is drawn to the exact centimeter. With that said, here are some approximate general proportions to guide your drawing:\r\n\r\n•The entire body is 8 heads tall.\r\n\r\n•The head and torso are as long as the legs.\r\n\r\n•Hands should go no farther than halfway down the length of the thighs.\r\n\r\n•Thigh and calf are equal length, and so are the lower and upper arms.\r\n\r\n•Even at rest, the arms and legs should not be perfectly straight.\r\n\r\n•A female subject will have a smoother, more \"feminine\" form than the male.\r\n\r\n•A male figure has a proportionately larger rib cage, while a female figure has a proportionately larger pelvis.\r\n\r\n•The shoulder width is about 3 head widths.\r\n\r\n•If the arms are at the figure\'s sides, the wrist aligns with the groin.\r\n\r\n•An open hand is proportional to the head width.\r\n\r\nAlthough it may not seem so, the basic sketch of the human figure is comprised of a melody of basic shapes such as ovals, triangles, and circles. So, let\'s begin with the first steps and create our figure drawing together. I\'ll be creative here and name him Billy. Throughout this tutorial, you\'ll draw Billy with me and see him evolve from what looks like a child-like drawing, to something a bit more professional.\r\n

The Basic Sketch

\r\nAfter drawing the nine marker lines using Billy\'s head as the SUM, I begin drawing my figure as follows.\r\n\r\n•First, begin with the oval-shaped head. Using lined paper works great, as you can keep better track of proportions. According to my sketch, two lines are equal to the length of Billy\'s head. Next, give him a simple neck, which should equal one fourth the length of his head.\r\n

\"01

\r\n•Continuing from the bottom of the neck, sketch an upside down triangle. At the top of this upside down triangle are the shoulders, which remember, are as wide as three of Billy\'s heads. The pointy end of the triangle is where Billy\'s belly button is to be. This triangle is approximately two of Billy\'s heads, or four lines. The bottom of the first of these two heads is the nipple area, and the bottom of the second of the two heads is the belly button.\r\n

\"02

\r\n•After sketching up to the belly button, Billy also needs a groin area. Thus far, the groin area is a simple oval, which is also equal to the length of one head. Also, I\'m going to keep this little tutorial rated G - there will be no guidance on how to draw genitalia.\r\n

\"03

\r\n•Next are the upper thighs.  Beginning from the bottom of the groin area, I\'ve added two nicely shaped ovals, which are each the length of Billy’s head. This section is the fifth head length.\r\n

\"04

\r\n•Continuing with the legs, the next long oval for each leg is going to end up right above the knee.  Because the knee is a joint, mark it as a small circle. This is the sixth head length.\r\n

\"05

\r\n•Moving on, the next oval is the lower leg, and it is an oval that stops just above Billy’s ankle.\r\n

\"06

\r\n•Let us next add ovals for the feet. One regular oval whose bottom is the bottom of Billy\'s foot, and a second, horizontal oval for Billy’s foot.\r\n

\"07

\r\n•Lastly, the final additions are the arms and hands. Make an oval for each upper arm that begins at the shoulder and ends just above the belly button area. From this joint, make another oval that extends to the groin area. Draw an oval to represent each hand, going no farther down than mid-thigh.\r\n

\"08

\r\nIn all, if your figure is 8 heads tall, you should have a rough sketch of Billy comprised of ovals, triangles, and small circles as seen above. Have you been able to follow along so far? Up until now, this tutorial has shown us how to draw the body using shapes as a “skeleton”.\r\n

More than Just Bones

\r\nThe famous author Walt Whitman once said, \"I sing the body electric.\" I suppose you can do as I do, and imagine Billy all of a sudden bust some moves on the page, but such a quote also resonates quite well with the next steps. Essentially, Walt Whitman is pointing to a notion that expresses love and admiration for the human body. It means to enjoy the movements, and the shape, and the image of the body itself. Therefore, as we continue to draw Billy, you don’t have to draw him as what the \"ideal\" human is expected to look like. Draw him as you want him to be (just keep him proportional). Apart from the arms and legs, which essentially leave just the torso and neck, I accentuated them on Billy by giving them shape. In this case, I drew the torso wider and slightly muscular and the neck a bit stumpy. Once you\'ve given your subject\'s torso and neck some shape, it\'s time to continue to the arms and legs.\r\n

\"09

\r\n\r\n

How to Draw Arms

\r\nBoth arms and legs are probably two of the simplest parts of the body to draw. Once your torso is fully drawn, you can take the next step and add detail to the appendages. The shoulders, elbows, and wrists should each be marked by a circle that connects the ovals that you drew for arms and forearms. Rather than leave it in such a vague state, turn the ovals into straight lines that match the outer edges of the circles marked for shoulders, elbows, and wrists. Next, erase away the circles, and you should be left with a full arm. To make things more defined, the forearm should break down into three parts, with each part thinner than the last, with the wrist being the thinnest part.\r\n

\"10

\r\n\r\n

How to Draw Hands

\r\nWhile hands may seem intimidating, they really aren\'t. It\'s all about sketching and practice. There are several methods. One way to draw hands is to begin with a square, attaching sticks for fingers and a small triangle attaching the thumb. If you need guidance, look at your own hand. Your own body is a great tool for learning to draw. Next, sketch the joints along the fingers. Each finger, except for the thumb, has two joints. Add a joint for the wrist, leaving a slightly raised bump for the bone. Give Billy’s hand some skin, and outline the shape of the fingers along the circles. Erase the inner circles and sketches, and you\'re left with a hand that just needs shading, nails, and the appearance of skin. To do this, just look at your own hand and draw what you see.\r\n

\"11

\r\n\r\n

How to Draw Legs

\r\nLike most of the body\'s shape, the shape of legs can also vary. You should already have a circle for the knees. Start with the outside of each leg and sketch the upper thigh and lower leg. The upper thigh should be wide, and as the line reaches the knee, it should become narrower. Then, do the same for the inner legs. Depending on your preferences, you can keep the legs thin or add thickness. Lastly, simply erase the circle and sketch a knee.\r\n

\"12

\r\n\r\n

How to Draw Feet

\r\nUnless you don\'t want our subject to walk, then you\'re going to need to add some feet. As simplicity is the key to this entire tutorial, begin with the ovals attached to the bottom of the leg. The front of the foot and toes should be sketched out. Next, soften the rough lines and give the foot a proper shape. If you drew your character\'s hands, this process should be fairly simple. Upon completing the feet and giving your subject a shape and human appearance, you should have a fully-formed body before you.\r\n

\"13

\r\n\r\n

Practice Makes Perfect

\r\nAs Jackson Brown Jr. once said, \"You can\'t hire someone to practice for you.\" Truer words were never spoken. You really can\'t hire someone to perfect your skill or to turn you into an expert, which is why you need to practice. Through dedication, hard work, and following through with this figure drawing tutorial, you\'ll be able to master how to draw the body in no time. Just adhere to the proportion rules, add joints where necessary, and practice, practice, practice!','Keeping it Simple: The Straight Forward Step-By-Step Guide to Drawing the Body','','inherit','open','open','','909-revision-v1','','','2014-02-12 20:00:19','2014-02-13 04:00:19','',909,'http://www.letsdrawpeople.com/909-revision-v1/',0,'revision','',0),(935,2,'2014-03-04 00:35:16','2014-03-04 08:35:16','\"howWhile sketching portraits is all about capturing the facial structure and its emotions in a realistic manner, drawing people requires you to not only focus on the human frame and posture, but also learn how to draw clothes, as well as how to draw shoes and other accessories to render a complete image. Drawing picture-perfect clothing is about the design, fabric and its texture, and the multitude of creases, wrinkles or folds that reflect the true state of a real-life or fictitious character.\r\n\r\n\"Clothes maketh the man,\" said Shakespeare. Extending the same quote to the art of sketching, clothes add life to an image. Learning how to draw a shirt, for instance, will come in handy to quickly differentiate between a formal shirt on a working executive, a creased uniform on a service provider, or a casual shirt on a teenager - just to mention a few of the possible variations.\r\n\r\nHere are a few things to decide upfront before you attempt this exercise:\r\n\r\n• Is your character fictional or a real-life person?\r\n\r\n• Are you sketching a male, female, or a child?\r\n\r\n• Are you trying to design new clothing or simply attempting to clothe your characters using available designs?\r\n\r\n• What is the purpose of the clothing, occasion, or situation?\r\n\r\nThese help finalize how exactly you can proceed to clothe your character. That said, let\'s move on to learn how to draw clothes that go well with a chosen character or image.\r\n

Start with the Frame and Posture

\r\nOne effective way to start practicing is with the outline of a form and its posture. To begin this lesson, sketch a rough outline of a person or people. You can sketch poses from your imagination and use reference photos for the clothes, or use a reference photo for the whole thing.\r\n\r\nIf you are looking to draw from a photograph, place the photograph against a natural light source and trace out the outline. In the example below, I used the following photo to trace outlines of the two people.\r\n

\"how

\r\n

 \"how

\r\nThese are your basic body shapes which you will be looking to drape or clothe. What we will do is start very basic and then gradually add layers of detail.\r\n

Decide on the Design

\r\nBeginners can safely opt to mimic tried and tested clothing designs on their characters before attempting to get creative. Draw out your design on the body shapes to fit the apparel on the forms. Take care to stick to a line diagram to keep the design simple. You can, of course, get creative once the basics are in place.\r\n

\"how

\r\n\r\n

Move on to Details

\r\nThe posture of the characters - to a great extent - decides on the direction of detailing on the clothes. Begin adding noticeable folds to the fabric. Minor details such as the positioning of the accessories, buttons, seams, hemlines, etc. help add some relief and movement to the fabric. The more detail you add to the clothes, the more realistic the appearance becomes.\r\n\r\nThe key here is to simply ignore any overlaps of lines until the final detail is ready. Once you\'ve finalized your fabric and direction of movement, other lines can be erased or covered eventually.\r\n

\"how

\r\n\r\n

Understanding Fabric and Folds

\r\nIt is definitely easy to clothe your character in a simple sleeveless/sleeved top and a pencil skirt or trouser. If you are looking for some realistic effects, then you will realize that folds and creases are an integral part of clothing.\r\n\r\nPleats, folds and frills are an important aspect of dress design. On the other hand, the drape, the wrinkles and the fall relate to the use of clothing. Capturing all these aspects in a drawing requires an understanding of the different fabric types and fold patterns.\r\n\r\nThere are, in fact, seven different basic types of folds:\r\n\r\n• Pipe\r\n\r\n• Zigzag\r\n\r\n• Half-Lock\r\n\r\n• Spiral\r\n\r\n• Diaper\r\n\r\n• Drop\r\n\r\n• Inert\r\n

Pipe

\r\n

The most regular of folds, these are seen in both clothing and curtains, in the form of either stretched or relaxed variants. These are pleated fabrics - either held neatly or gathered at the top - forming piped folds. Pleated skirts, or garments gathered at the waist feature this type of folds. Stretched-piped folds are created when the fabric is gathered at two ends, somewhat similar to a wrap around the neck. Simply mimic a pleated curtain or a pegged towel to feature this effect on your clothing.

\r\n

 \"how

\r\n\r\n

Zigzag

\r\nCommonly found in bent tubular clothes, zigzag folds occur on the bends on the sleeves of shirts and coats, as well as behind the knees of pants. Heavy fabric tends to result in distinctly sharp folds, over time. A couple of well-positioned zigzag lines with appropriate shading will help you achieve this effect.\r\n

 \"how

\r\n\r\n

Half-Lock

\r\nHalf-lock folds are found in the very same places as the zigzags, bent sleeves or knees, just that the fabric tends to fold over itself rather than stand out sharply. A slightly rolling curve is all that is needed to render a half-lock fold on the clothing. They are, in fact, more visible from the side or even the front, as the folds slip beyond the outer edge of the garment.\r\n

 \"how

\r\n\r\n

Spiral

\r\nSpiral folds, true to their name, occur when tubular objects are fitted with long and round fabric. Common examples are curtains that are put up on rods, as well as long sleeves and pants on the human form, or even waistbands with elastic bands or drawcords within them. You can observe this effect by simply pushing up the sleeves of your sweaters or full-arm shirts. The softer the material, the more pronounced is the spiral formation. This effect again is quite easy to mimic.\r\n

 \"how

\r\n\r\n

Diaper

\r\nDiaper folds are the result of a fabric being supported from two points or areas, very similar to a towel pegged to the clothesline using two clips on either end. The fabric between these support points tends to sag towards the center, with folds originating from either side. A distinct classic medieval look, Grecian necklines are still very much in vogue. The effect can be more pronounced when more fabric is gathered at either ends, or with triangular-shaped fabric. Mimic the folds of a military scarf for a diaper fold.\r\n

 \"how

\r\n\r\n

Drop

\r\nDrop folds are those that originate when a fabric hangs from a single support point, resulting in either a simple single conical fold, or multiple folds that make for elaborate patterns. A typical example of a conical fold that comes to mind is the impeccably folded table napkins at posh restaurants. Simply holding up a kitchen towel or a handkerchief is also a good way to mimic a drop fold.\r\n

 \"how

\r\n\r\n

Inert

\r\nInert folds are characteristics of large masses of fabric; the more heavy and bulky, the more folds there are. These help create a story or a situation from a pile of otherwise static fabric on the floor or bed. Every time, the same piece of fabric can sport a unique fold pattern, suggestive of a different situation that has already occurred. Folds can also be used to depict any underlying structures, as the fabric tends to take up the shape of these structures.\r\n

\"how

\r\n\r\n

Adding Details to Clothing

\r\nWith this basic understanding on the types of folds, you will definitely find it easier to achieve the required effect based on your character\'s posture and the chosen outfit. Depending on the type of fabric you choose for the clothing, the folds and wrinkles can either be more pronounced or subtle. Take care to enhance the sharpness of the folds and creases for bulk, heavy fabrics. Make them crisp in lighter fabrics and tone them down in case of fragile, soft material, for a true-to-life effect.\r\n

Accessorize Clothing

\r\nShoes, belts, ties, scarves, bling and handbags are just but a few accessories that compliment clothing to create a great appearance. Your images, too, may be a tad incomplete without these accessories, if and only if the situation warrants it, or you are planning on some satirical or comic renderings.\r\n\r\nEither way, learning how to draw shoes is an equally interesting and relatively easier experience, as you concentrate only on the structure of the feet, at least during the learning phase. Here again, the stance and the type of the shoe are two basic factors that need focus. The learning process again remains the same. Trace a basic outline of the feet, make alterations as needed, add a few details, and fit in the shoe of your choice.\r\n\r\nPractice is the key to mastering how to draw clothes. Simply use a reference grid to sketch out the body shape of a model from your favorite magazine or snap, and follow these guidelines to reproduce the image to the T.','Picture Perfect Clothing - A Beginner\'s Guide to Sketching Clothes','','publish','open','open','','picture-perfect-clothing-a-beginners-guide-to-sketching-clothes','','','2014-03-04 00:35:16','2014-03-04 08:35:16','',0,'http://www.letsdrawpeople.com/?p=935',0,'post','',5),(936,2,'2014-03-03 20:50:17','2014-03-04 04:50:17','[*****DT portrait of a senior man*****]While sketching portraits is all about capturing the facial structure and its emotions in a realistic manner, drawing people requires you to not only focus on the human frame and posture, but also learn how to draw clothes, as well as how to draw shoes and other accessories to render a complete image. Drawing picture-perfect clothing is about the design, fabric and its texture, and the multitude of creases, wrinkles or folds that reflect the true state of a real-life or fictitious character.\r\n\r\n\"Clothes maketh the man,\" said Shakespeare. Extending the same quote to the art of sketching, clothes add life to an image. Learning how to draw a shirt, for instance, will come in handy to quickly differentiate between a formal shirt on a working executive, a creased uniform on a service provider, or a casual shirt on a teenager - just to mention a few of the possible variations.\r\n\r\nHere are a few things to decide upfront before you attempt this exercise:\r\n\r\n• Is your character fictional or a real-life person?\r\n\r\n• Are you sketching a male, female, or a child?\r\n\r\n• Are you trying to design new clothing or simply attempting to clothe your characters using available designs?\r\n\r\n• What is the purpose of the clothing, occasion, or situation?\r\n\r\nThese help finalize how exactly you can proceed to clothe your character. That said, let\'s move on to learn how to draw clothes that go well with a chosen character or image.\r\n\r\nStart with the Frame and Posture\r\n\r\nOne first step is to start with the outline of a form and its posture. If you have already sketched out the frame and posture, simply make a copy of it to try out this lesson.\r\n\r\nIf you are looking to draw from a photograph, place the photograph against a natural light source and trace out the outline. In this example we have the outlines of two forms.\r\n

 [*****DT business woman and man team*****]

\r\n

 [*****outline of figures*****]

\r\nThis is your basic body shape which you will be looking to drape or clothe.\r\n\r\nDecide on the Design\r\n\r\nBeginners can safely opt to mimic tried and tested clothing designs on their characters, before attempting to get creative. Draw out your design on the body shape, to fit the apparel on the form. Take care to stick to a line diagram to keep the design simple. You can, of course, get creative once the basics are in place.\r\n

 [*****figures w/line diagram of clothes design*****]

\r\n Move on to Minor Details\r\n\r\nThe posture of the character - to a great extent - decides on the direction of detailing on the clothes. Minor details such as the positioning of the accessories, buttons, seams, hemlines, etc. help add some relief and movement to the fabric. A light breeze can, in fact, be depicted in a slight movement of a flimsy fabric! You can achieve this effect by adding some detail beyond the basic outline of the dress traced earlier.\r\n\r\nThe key here is to simply ignore any overlaps of lines until the final detail is ready. Once you\'ve finalized your fabric and direction of movement, other lines can be erased or covered eventually.\r\n

 [*****figures w/details and accessories, buttons, seams, hemlines, etc*****]

\r\n Understanding Fabric and Folds\r\n\r\nIt is definitely easy to clothe your character in a simple sleeveless/sleeved top and a pencil skirt or trouser. If you are looking for some realistic effects, then you will realize that folds and creases are an integral part of clothing.\r\n\r\nPleats, folds and frills are an important aspect of dress design. On the other hand, the drape, the wrinkles and the fall relate to the use of clothing. Capturing all these aspects in a drawing requires an understanding of the different fabric types and fold patterns.\r\n\r\nThere are, in fact, seven different basic types of folds:\r\n\r\n• Pipe\r\n\r\n• Zigzag\r\n\r\n• Half-Lock\r\n\r\n• Spiral\r\n\r\n• Diaper\r\n\r\n• Drop\r\n\r\n• Inert\r\n\r\nPipe\r\n\r\nThe most regular of folds, these are seen in both clothing and curtains, in the form of either stretched or relaxed variants. These are pleated fabrics - either held neatly or gathered at the top - forming piped folds. Pleated skirts, or garments gathered at the waist feature this type of folds. Stretched-piped folds are created when the fabric is gathered at two ends, somewhat similar to a wrap around the neck. Simply mimic a pleated curtain or a pegged towel to feature this effect on your clothing.\r\n

 Try “clothing sketch” search: DT?? OR [*****pipe fold sketch on skirt vilppustore.com*****]

\r\nZigzag\r\n\r\nCommonly found in bent tubular clothes, zigzag folds occur on the bends on the sleeves of shirts and coats, as well as behind the knees of pants. Heavy fabric tends to result in distinctly sharp folds, over time. A couple of well-positioned zigzag lines with appropriate shading will help you achieve this effect.\r\n

 DT?? OR [*****zigzag fold sketch on inner elbow/knee artmideast top right pic*****]

\r\nHalf-Lock\r\n\r\nHalf-lock folds are found in the very same places as the zigzags, bent sleeves or knees, just that the fabric tends to fold over itself rather than stand out sharply. A slightly rolling curve is all that is needed to render a half-lock fold on the clothing. They are, in fact, more visible from the side or even the front, as the folds slip beyond the outer edge of the garment.\r\n

 DT?? OR [*****half-lock fold sketch on inner elbow from side p55 center pic*****]

\r\nSpiral\r\n\r\nSpiral folds, true to their name, occur when tubular objects are fitted with long and round fabric. Common examples are curtains that are put up on rods, as well as long sleeves and pants on the human form, or even waistbands with elastic bands or drawcords within them. You can observe this effect by simply pushing up the sleeves of your sweaters or full-arm shirts. The softer the material, the more pronounced is the spiral formation. This effect again is quite easy to mimic.\r\n

 DT?? OR [*****spiral fold sketch on bended arm  p55 top left pic*****]

\r\nDiaper\r\n\r\nDiaper folds are the result of a fabric being supported from two points or areas, very similar to a towel pegged to the clothesline using two clips on either end. The fabric between these support points tends to sag towards the center, with folds originating from either side. A distinct classic medieval look, Grecian necklines are still very much in vogue. The effect can be more pronounced when more fabric is gathered at either ends, or with triangular-shaped fabric. Mimic the folds of a military scarf for a diaper fold.\r\n

 DT?? OR [*****diaper fold sketch on military scarf tacticsupplies.com colin farrell*****]

\r\nDrop\r\n\r\nDrop folds are those that originate when a fabric hangs from a single support point, resulting in either a simple single conical fold, or multiple folds that make for elaborate patterns. A typical example of a conical fold that comes to mind is the impeccably folded table napkins at posh restaurants. Simply holding up a kitchen towel or a handkerchief is also a good way to mimic a drop fold.\r\n

 DT?? OR [*****drop fold sketch on blazer p55 top right pic*****]

\r\nInert\r\n\r\nInert folds are characteristics of large masses of fabric; the more heavy and bulky, the more folds there are. These help create a story or a situation from a pile of otherwise static fabric on the floor or bed. Every time, the same piece of fabric can sport a unique fold pattern, suggestive of a different situation that has already occurred. Folds can also be used to depict any underlying structures, as the fabric tends to take up the shape of these structures. Inert folds on clothing may not be relevant in this context, though.\r\n

DT?? OR [*****inert fold sketch on handkerchief still life*****]

\r\nAdding Details to Clothing\r\n\r\nWith this basic understanding on the types of folds, you will definitely find it easier to achieve the required effect based on your character\'s posture and the chosen outfit. Depending on the type of fabric you choose for the clothing, the folds and wrinkles can either be more pronounced or subtle. Take care to enhance the sharpness of the folds and creases for bulk, heavy fabrics. Make them crisp in lighter fabrics and tone them down in case of fragile, soft material, for a true-to-life effect.\r\n\r\nAccessorize Clothing\r\n\r\nShoes, belts, ties, scarves, bling and handbags are just but a few accessories that compliment clothing to create a great appearance. Your images, too, may be a tad incomplete without these accessories, if and only if the situation warrants it, or you are planning on some satirical or comic renderings.\r\n\r\nEither way, learning how to draw shoes is an equally interesting and relatively easier experience, as you concentrate only on the structure of the feet, at least during the learning phase. Here again, the stance and the type of the shoe are two basic factors that need focus. The learning process again remains the same. Trace a basic outline of the feet, make alterations as needed, add a few details, and fit in the shoe of your choice.\r\n\r\nPractice is the key to mastering how to draw clothes. Simply use a reference grid to sketch out the body shape of a model from your favorite magazine or snap, and follow these guidelines to reproduce the image to the T.','Picture Perfect Clothing - A Beginner\'s Guide to Sketching Clothes','','inherit','open','open','','935-revision-v1','','','2014-03-03 20:50:17','2014-03-04 04:50:17','',935,'http://www.letsdrawpeople.com/935-revision-v1/',0,'revision','',0),(937,2,'2014-03-03 21:23:41','2014-03-04 05:23:41','[*****DT portrait of a senior man*****]While sketching portraits is all about capturing the facial structure and its emotions in a realistic manner, drawing people requires you to not only focus on the human frame and posture, but also learn how to draw clothes, as well as how to draw shoes and other accessories to render a complete image. Drawing picture-perfect clothing is about the design, fabric and its texture, and the multitude of creases, wrinkles or folds that reflect the true state of a real-life or fictitious character.\r\n\r\n\"Clothes maketh the man,\" said Shakespeare. Extending the same quote to the art of sketching, clothes add life to an image. Learning how to draw a shirt, for instance, will come in handy to quickly differentiate between a formal shirt on a working executive, a creased uniform on a service provider, or a casual shirt on a teenager - just to mention a few of the possible variations.\r\n\r\nHere are a few things to decide upfront before you attempt this exercise:\r\n\r\n• Is your character fictional or a real-life person?\r\n\r\n• Are you sketching a male, female, or a child?\r\n\r\n• Are you trying to design new clothing or simply attempting to clothe your characters using available designs?\r\n\r\n• What is the purpose of the clothing, occasion, or situation?\r\n\r\nThese help finalize how exactly you can proceed to clothe your character. That said, let\'s move on to learn how to draw clothes that go well with a chosen character or image.\r\n

Start with the Frame and Posture

\r\nOne first step is to start with the outline of a form and its posture. If you have already sketched out the frame and posture, simply make a copy of it to try out this lesson.\r\n\r\nIf you are looking to draw from a photograph, place the photograph against a natural light source and trace out the outline. In this example we have the outlines of two forms.\r\n

 [*****DT business woman and man team*****]

\r\n

 [*****outline of figures*****]

\r\nThis is your basic body shape which you will be looking to drape or clothe.\r\n

Decide on the Design

\r\nBeginners can safely opt to mimic tried and tested clothing designs on their characters, before attempting to get creative. Draw out your design on the body shape, to fit the apparel on the form. Take care to stick to a line diagram to keep the design simple. You can, of course, get creative once the basics are in place.\r\n

 [*****figures w/line diagram of clothes design*****]

\r\n\r\n

 Move on to Minor Details

\r\nThe posture of the character - to a great extent - decides on the direction of detailing on the clothes. Minor details such as the positioning of the accessories, buttons, seams, hemlines, etc. help add some relief and movement to the fabric. A light breeze can, in fact, be depicted in a slight movement of a flimsy fabric! You can achieve this effect by adding some detail beyond the basic outline of the dress traced earlier.\r\n\r\nThe key here is to simply ignore any overlaps of lines until the final detail is ready. Once you\'ve finalized your fabric and direction of movement, other lines can be erased or covered eventually.\r\n

 [*****figures w/details and accessories, buttons, seams, hemlines, etc*****]

\r\n\r\n

 Understanding Fabric and Folds

\r\nIt is definitely easy to clothe your character in a simple sleeveless/sleeved top and a pencil skirt or trouser. If you are looking for some realistic effects, then you will realize that folds and creases are an integral part of clothing.\r\n\r\nPleats, folds and frills are an important aspect of dress design. On the other hand, the drape, the wrinkles and the fall relate to the use of clothing. Capturing all these aspects in a drawing requires an understanding of the different fabric types and fold patterns.\r\n\r\nThere are, in fact, seven different basic types of folds:\r\n\r\n• Pipe\r\n\r\n• Zigzag\r\n\r\n• Half-Lock\r\n\r\n• Spiral\r\n\r\n• Diaper\r\n\r\n• Drop\r\n\r\n• Inert\r\n

Pipe

\r\nThe most regular of folds, these are seen in both clothing and curtains, in the form of either stretched or relaxed variants. These are pleated fabrics - either held neatly or gathered at the top - forming piped folds. Pleated skirts, or garments gathered at the waist feature this type of folds. Stretched-piped folds are created when the fabric is gathered at two ends, somewhat similar to a wrap around the neck. Simply mimic a pleated curtain or a pegged towel to feature this effect on your clothing.\r\n

 Try “clothing sketch” search: DT?? OR [*****pipe fold sketch on skirt vilppustore.com*****]

\r\n\r\n

Zigzag

\r\nCommonly found in bent tubular clothes, zigzag folds occur on the bends on the sleeves of shirts and coats, as well as behind the knees of pants. Heavy fabric tends to result in distinctly sharp folds, over time. A couple of well-positioned zigzag lines with appropriate shading will help you achieve this effect.\r\n

 DT?? OR [*****zigzag fold sketch on inner elbow/knee artmideast top right pic*****]

\r\n\r\n

Half-Lock

\r\nHalf-lock folds are found in the very same places as the zigzags, bent sleeves or knees, just that the fabric tends to fold over itself rather than stand out sharply. A slightly rolling curve is all that is needed to render a half-lock fold on the clothing. They are, in fact, more visible from the side or even the front, as the folds slip beyond the outer edge of the garment.\r\n

 DT?? OR [*****half-lock fold sketch on inner elbow from side p55 center pic*****]

\r\n\r\n

Spiral

\r\nSpiral folds, true to their name, occur when tubular objects are fitted with long and round fabric. Common examples are curtains that are put up on rods, as well as long sleeves and pants on the human form, or even waistbands with elastic bands or drawcords within them. You can observe this effect by simply pushing up the sleeves of your sweaters or full-arm shirts. The softer the material, the more pronounced is the spiral formation. This effect again is quite easy to mimic.\r\n

 DT?? OR [*****spiral fold sketch on bended arm  p55 top left pic*****]

\r\n\r\n

Diaper

\r\nDiaper folds are the result of a fabric being supported from two points or areas, very similar to a towel pegged to the clothesline using two clips on either end. The fabric between these support points tends to sag towards the center, with folds originating from either side. A distinct classic medieval look, Grecian necklines are still very much in vogue. The effect can be more pronounced when more fabric is gathered at either ends, or with triangular-shaped fabric. Mimic the folds of a military scarf for a diaper fold.\r\n

 DT?? OR [*****diaper fold sketch on military scarf tacticsupplies.com colin farrell*****]

\r\n\r\n

Drop

\r\nDrop folds are those that originate when a fabric hangs from a single support point, resulting in either a simple single conical fold, or multiple folds that make for elaborate patterns. A typical example of a conical fold that comes to mind is the impeccably folded table napkins at posh restaurants. Simply holding up a kitchen towel or a handkerchief is also a good way to mimic a drop fold.\r\n

 DT?? OR [*****drop fold sketch on blazer p55 top right pic*****]

\r\n\r\n

Inert

\r\nInert folds are characteristics of large masses of fabric; the more heavy and bulky, the more folds there are. These help create a story or a situation from a pile of otherwise static fabric on the floor or bed. Every time, the same piece of fabric can sport a unique fold pattern, suggestive of a different situation that has already occurred. Folds can also be used to depict any underlying structures, as the fabric tends to take up the shape of these structures. Inert folds on clothing may not be relevant in this context, though.\r\n

DT?? OR [*****inert fold sketch on handkerchief still life*****]

\r\n\r\n

Adding Details to Clothing

\r\nWith this basic understanding on the types of folds, you will definitely find it easier to achieve the required effect based on your character\'s posture and the chosen outfit. Depending on the type of fabric you choose for the clothing, the folds and wrinkles can either be more pronounced or subtle. Take care to enhance the sharpness of the folds and creases for bulk, heavy fabrics. Make them crisp in lighter fabrics and tone them down in case of fragile, soft material, for a true-to-life effect.\r\n

Accessorize Clothing

\r\nShoes, belts, ties, scarves, bling and handbags are just but a few accessories that compliment clothing to create a great appearance. Your images, too, may be a tad incomplete without these accessories, if and only if the situation warrants it, or you are planning on some satirical or comic renderings.\r\n\r\nEither way, learning how to draw shoes is an equally interesting and relatively easier experience, as you concentrate only on the structure of the feet, at least during the learning phase. Here again, the stance and the type of the shoe are two basic factors that need focus. The learning process again remains the same. Trace a basic outline of the feet, make alterations as needed, add a few details, and fit in the shoe of your choice.\r\n\r\nPractice is the key to mastering how to draw clothes. Simply use a reference grid to sketch out the body shape of a model from your favorite magazine or snap, and follow these guidelines to reproduce the image to the T.','Picture Perfect Clothing - A Beginner\'s Guide to Sketching Clothes','','inherit','open','open','','935-revision-v1','','','2014-03-03 21:23:41','2014-03-04 05:23:41','',935,'http://www.letsdrawpeople.com/935-revision-v1/',0,'revision','',0),(938,2,'2014-03-03 21:40:01','2014-03-04 05:40:01','','how to draw clothes clothed figure','','inherit','open','open','','httpwww-dreamstime-comroyalty-free-stock-photo-portrait-senior-man-image27787395','','','2014-03-03 21:40:01','2014-03-04 05:40:01','',935,'http://www.letsdrawpeople.com/wp-content/uploads/2014/03/how-to-draw-clothes-clothed-figure.jpg',0,'attachment','image/jpeg',0),(939,2,'2014-03-03 21:40:03','2014-03-04 05:40:03','','how to draw clothes from photograph','','inherit','open','open','','httpwww-dreamstime-comroyalty-free-stock-image-business-woman-man-team-image18905796','','','2014-03-03 21:40:03','2014-03-04 05:40:03','',935,'http://www.letsdrawpeople.com/wp-content/uploads/2014/03/how-to-draw-clothes-from-photograph.jpg',0,'attachment','image/jpeg',0),(940,2,'2014-03-03 21:43:13','2014-03-04 05:43:13','\"howWhile sketching portraits is all about capturing the facial structure and its emotions in a realistic manner, drawing people requires you to not only focus on the human frame and posture, but also learn how to draw clothes, as well as how to draw shoes and other accessories to render a complete image. Drawing picture-perfect clothing is about the design, fabric and its texture, and the multitude of creases, wrinkles or folds that reflect the true state of a real-life or fictitious character.\r\n\r\n\"Clothes maketh the man,\" said Shakespeare. Extending the same quote to the art of sketching, clothes add life to an image. Learning how to draw a shirt, for instance, will come in handy to quickly differentiate between a formal shirt on a working executive, a creased uniform on a service provider, or a casual shirt on a teenager - just to mention a few of the possible variations.\r\n\r\nHere are a few things to decide upfront before you attempt this exercise:\r\n\r\n• Is your character fictional or a real-life person?\r\n\r\n• Are you sketching a male, female, or a child?\r\n\r\n• Are you trying to design new clothing or simply attempting to clothe your characters using available designs?\r\n\r\n• What is the purpose of the clothing, occasion, or situation?\r\n\r\nThese help finalize how exactly you can proceed to clothe your character. That said, let\'s move on to learn how to draw clothes that go well with a chosen character or image.\r\n

Start with the Frame and Posture

\r\nOne first step is to start with the outline of a form and its posture. If you have already sketched out the frame and posture, simply make a copy of it to try out this lesson.\r\n\r\nIf you are looking to draw from a photograph, place the photograph against a natural light source and trace out the outline. In this example we have the outlines of two forms.\r\n

\"how

\r\n

 [*****outline of figures*****]

\r\nThis is your basic body shape which you will be looking to drape or clothe.\r\n

Decide on the Design

\r\nBeginners can safely opt to mimic tried and tested clothing designs on their characters, before attempting to get creative. Draw out your design on the body shape, to fit the apparel on the form. Take care to stick to a line diagram to keep the design simple. You can, of course, get creative once the basics are in place.\r\n

 [*****figures w/line diagram of clothes design*****]

\r\n\r\n

 Move on to Minor Details

\r\nThe posture of the character - to a great extent - decides on the direction of detailing on the clothes. Minor details such as the positioning of the accessories, buttons, seams, hemlines, etc. help add some relief and movement to the fabric. A light breeze can, in fact, be depicted in a slight movement of a flimsy fabric! You can achieve this effect by adding some detail beyond the basic outline of the dress traced earlier.\r\n\r\nThe key here is to simply ignore any overlaps of lines until the final detail is ready. Once you\'ve finalized your fabric and direction of movement, other lines can be erased or covered eventually.\r\n

 [*****figures w/details and accessories, buttons, seams, hemlines, etc*****]

\r\n\r\n

 Understanding Fabric and Folds

\r\nIt is definitely easy to clothe your character in a simple sleeveless/sleeved top and a pencil skirt or trouser. If you are looking for some realistic effects, then you will realize that folds and creases are an integral part of clothing.\r\n\r\nPleats, folds and frills are an important aspect of dress design. On the other hand, the drape, the wrinkles and the fall relate to the use of clothing. Capturing all these aspects in a drawing requires an understanding of the different fabric types and fold patterns.\r\n\r\nThere are, in fact, seven different basic types of folds:\r\n\r\n• Pipe\r\n\r\n• Zigzag\r\n\r\n• Half-Lock\r\n\r\n• Spiral\r\n\r\n• Diaper\r\n\r\n• Drop\r\n\r\n• Inert\r\n

Pipe

\r\nThe most regular of folds, these are seen in both clothing and curtains, in the form of either stretched or relaxed variants. These are pleated fabrics - either held neatly or gathered at the top - forming piped folds. Pleated skirts, or garments gathered at the waist feature this type of folds. Stretched-piped folds are created when the fabric is gathered at two ends, somewhat similar to a wrap around the neck. Simply mimic a pleated curtain or a pegged towel to feature this effect on your clothing.\r\n

 Try “clothing sketch” search: DT?? OR [*****pipe fold sketch on skirt vilppustore.com*****]

\r\n\r\n

Zigzag

\r\nCommonly found in bent tubular clothes, zigzag folds occur on the bends on the sleeves of shirts and coats, as well as behind the knees of pants. Heavy fabric tends to result in distinctly sharp folds, over time. A couple of well-positioned zigzag lines with appropriate shading will help you achieve this effect.\r\n

 DT?? OR [*****zigzag fold sketch on inner elbow/knee artmideast top right pic*****]

\r\n\r\n

Half-Lock

\r\nHalf-lock folds are found in the very same places as the zigzags, bent sleeves or knees, just that the fabric tends to fold over itself rather than stand out sharply. A slightly rolling curve is all that is needed to render a half-lock fold on the clothing. They are, in fact, more visible from the side or even the front, as the folds slip beyond the outer edge of the garment.\r\n

 DT?? OR [*****half-lock fold sketch on inner elbow from side p55 center pic*****]

\r\n\r\n

Spiral

\r\nSpiral folds, true to their name, occur when tubular objects are fitted with long and round fabric. Common examples are curtains that are put up on rods, as well as long sleeves and pants on the human form, or even waistbands with elastic bands or drawcords within them. You can observe this effect by simply pushing up the sleeves of your sweaters or full-arm shirts. The softer the material, the more pronounced is the spiral formation. This effect again is quite easy to mimic.\r\n

 DT?? OR [*****spiral fold sketch on bended arm  p55 top left pic*****]

\r\n\r\n

Diaper

\r\nDiaper folds are the result of a fabric being supported from two points or areas, very similar to a towel pegged to the clothesline using two clips on either end. The fabric between these support points tends to sag towards the center, with folds originating from either side. A distinct classic medieval look, Grecian necklines are still very much in vogue. The effect can be more pronounced when more fabric is gathered at either ends, or with triangular-shaped fabric. Mimic the folds of a military scarf for a diaper fold.\r\n

 DT?? OR [*****diaper fold sketch on military scarf tacticsupplies.com colin farrell*****]

\r\n\r\n

Drop

\r\nDrop folds are those that originate when a fabric hangs from a single support point, resulting in either a simple single conical fold, or multiple folds that make for elaborate patterns. A typical example of a conical fold that comes to mind is the impeccably folded table napkins at posh restaurants. Simply holding up a kitchen towel or a handkerchief is also a good way to mimic a drop fold.\r\n

 DT?? OR [*****drop fold sketch on blazer p55 top right pic*****]

\r\n\r\n

Inert

\r\nInert folds are characteristics of large masses of fabric; the more heavy and bulky, the more folds there are. These help create a story or a situation from a pile of otherwise static fabric on the floor or bed. Every time, the same piece of fabric can sport a unique fold pattern, suggestive of a different situation that has already occurred. Folds can also be used to depict any underlying structures, as the fabric tends to take up the shape of these structures. Inert folds on clothing may not be relevant in this context, though.\r\n

DT?? OR [*****inert fold sketch on handkerchief still life*****]

\r\n\r\n

Adding Details to Clothing

\r\nWith this basic understanding on the types of folds, you will definitely find it easier to achieve the required effect based on your character\'s posture and the chosen outfit. Depending on the type of fabric you choose for the clothing, the folds and wrinkles can either be more pronounced or subtle. Take care to enhance the sharpness of the folds and creases for bulk, heavy fabrics. Make them crisp in lighter fabrics and tone them down in case of fragile, soft material, for a true-to-life effect.\r\n

Accessorize Clothing

\r\nShoes, belts, ties, scarves, bling and handbags are just but a few accessories that compliment clothing to create a great appearance. Your images, too, may be a tad incomplete without these accessories, if and only if the situation warrants it, or you are planning on some satirical or comic renderings.\r\n\r\nEither way, learning how to draw shoes is an equally interesting and relatively easier experience, as you concentrate only on the structure of the feet, at least during the learning phase. Here again, the stance and the type of the shoe are two basic factors that need focus. The learning process again remains the same. Trace a basic outline of the feet, make alterations as needed, add a few details, and fit in the shoe of your choice.\r\n\r\nPractice is the key to mastering how to draw clothes. Simply use a reference grid to sketch out the body shape of a model from your favorite magazine or snap, and follow these guidelines to reproduce the image to the T.','Picture Perfect Clothing - A Beginner\'s Guide to Sketching Clothes','','inherit','open','open','','935-revision-v1','','','2014-03-03 21:43:13','2014-03-04 05:43:13','',935,'http://www.letsdrawpeople.com/935-revision-v1/',0,'revision','',0),(941,2,'2014-03-03 21:45:04','2014-03-04 05:45:04','\"howWhile sketching portraits is all about capturing the facial structure and its emotions in a realistic manner, drawing people requires you to not only focus on the human frame and posture, but also learn how to draw clothes, as well as how to draw shoes and other accessories to render a complete image. Drawing picture-perfect clothing is about the design, fabric and its texture, and the multitude of creases, wrinkles or folds that reflect the true state of a real-life or fictitious character.\r\n\r\n\"Clothes maketh the man,\" said Shakespeare. Extending the same quote to the art of sketching, clothes add life to an image. Learning how to draw a shirt, for instance, will come in handy to quickly differentiate between a formal shirt on a working executive, a creased uniform on a service provider, or a casual shirt on a teenager - just to mention a few of the possible variations.\r\n\r\nHere are a few things to decide upfront before you attempt this exercise:\r\n\r\n• Is your character fictional or a real-life person?\r\n\r\n• Are you sketching a male, female, or a child?\r\n\r\n• Are you trying to design new clothing or simply attempting to clothe your characters using available designs?\r\n\r\n• What is the purpose of the clothing, occasion, or situation?\r\n\r\nThese help finalize how exactly you can proceed to clothe your character. That said, let\'s move on to learn how to draw clothes that go well with a chosen character or image.\r\n

Start with the Frame and Posture

\r\nOne first step is to start with the outline of a form and its posture. If you have already sketched out the frame and posture, simply make a copy of it to try out this lesson.\r\n\r\nIf you are looking to draw from a photograph, place the photograph against a natural light source and trace out the outline. In this example we have the outlines of two forms.\r\n

\"how

\r\n

 [*****outline of figures*****]

\r\nThis is your basic body shape which you will be looking to drape or clothe.\r\n

Decide on the Design

\r\nBeginners can safely opt to mimic tried and tested clothing designs on their characters, before attempting to get creative. Draw out your design on the body shape, to fit the apparel on the form. Take care to stick to a line diagram to keep the design simple. You can, of course, get creative once the basics are in place.\r\n

 [*****figures w/line diagram of clothes design*****]

\r\n\r\n

Move on to Minor Details

\r\nThe posture of the character - to a great extent - decides on the direction of detailing on the clothes. Minor details such as the positioning of the accessories, buttons, seams, hemlines, etc. help add some relief and movement to the fabric. A light breeze can, in fact, be depicted in a slight movement of a flimsy fabric! You can achieve this effect by adding some detail beyond the basic outline of the dress traced earlier.\r\n\r\nThe key here is to simply ignore any overlaps of lines until the final detail is ready. Once you\'ve finalized your fabric and direction of movement, other lines can be erased or covered eventually.\r\n

 [*****figures w/details and accessories, buttons, seams, hemlines, etc*****]

\r\n\r\n

 Understanding Fabric and Folds

\r\nIt is definitely easy to clothe your character in a simple sleeveless/sleeved top and a pencil skirt or trouser. If you are looking for some realistic effects, then you will realize that folds and creases are an integral part of clothing.\r\n\r\nPleats, folds and frills are an important aspect of dress design. On the other hand, the drape, the wrinkles and the fall relate to the use of clothing. Capturing all these aspects in a drawing requires an understanding of the different fabric types and fold patterns.\r\n\r\nThere are, in fact, seven different basic types of folds:\r\n\r\n• Pipe\r\n\r\n• Zigzag\r\n\r\n• Half-Lock\r\n\r\n• Spiral\r\n\r\n• Diaper\r\n\r\n• Drop\r\n\r\n• Inert\r\n

Pipe

\r\nThe most regular of folds, these are seen in both clothing and curtains, in the form of either stretched or relaxed variants. These are pleated fabrics - either held neatly or gathered at the top - forming piped folds. Pleated skirts, or garments gathered at the waist feature this type of folds. Stretched-piped folds are created when the fabric is gathered at two ends, somewhat similar to a wrap around the neck. Simply mimic a pleated curtain or a pegged towel to feature this effect on your clothing.\r\n

 Try “clothing sketch” search: DT?? OR [*****pipe fold sketch on skirt vilppustore.com*****]

\r\n\r\n

Zigzag

\r\nCommonly found in bent tubular clothes, zigzag folds occur on the bends on the sleeves of shirts and coats, as well as behind the knees of pants. Heavy fabric tends to result in distinctly sharp folds, over time. A couple of well-positioned zigzag lines with appropriate shading will help you achieve this effect.\r\n

 DT?? OR [*****zigzag fold sketch on inner elbow/knee artmideast top right pic*****]

\r\n\r\n

Half-Lock

\r\nHalf-lock folds are found in the very same places as the zigzags, bent sleeves or knees, just that the fabric tends to fold over itself rather than stand out sharply. A slightly rolling curve is all that is needed to render a half-lock fold on the clothing. They are, in fact, more visible from the side or even the front, as the folds slip beyond the outer edge of the garment.\r\n

 DT?? OR [*****half-lock fold sketch on inner elbow from side p55 center pic*****]

\r\n\r\n

Spiral

\r\nSpiral folds, true to their name, occur when tubular objects are fitted with long and round fabric. Common examples are curtains that are put up on rods, as well as long sleeves and pants on the human form, or even waistbands with elastic bands or drawcords within them. You can observe this effect by simply pushing up the sleeves of your sweaters or full-arm shirts. The softer the material, the more pronounced is the spiral formation. This effect again is quite easy to mimic.\r\n

 DT?? OR [*****spiral fold sketch on bended arm  p55 top left pic*****]

\r\n\r\n

Diaper

\r\nDiaper folds are the result of a fabric being supported from two points or areas, very similar to a towel pegged to the clothesline using two clips on either end. The fabric between these support points tends to sag towards the center, with folds originating from either side. A distinct classic medieval look, Grecian necklines are still very much in vogue. The effect can be more pronounced when more fabric is gathered at either ends, or with triangular-shaped fabric. Mimic the folds of a military scarf for a diaper fold.\r\n

 DT?? OR [*****diaper fold sketch on military scarf tacticsupplies.com colin farrell*****]

\r\n\r\n

Drop

\r\nDrop folds are those that originate when a fabric hangs from a single support point, resulting in either a simple single conical fold, or multiple folds that make for elaborate patterns. A typical example of a conical fold that comes to mind is the impeccably folded table napkins at posh restaurants. Simply holding up a kitchen towel or a handkerchief is also a good way to mimic a drop fold.\r\n

 DT?? OR [*****drop fold sketch on blazer p55 top right pic*****]

\r\n\r\n

Inert

\r\nInert folds are characteristics of large masses of fabric; the more heavy and bulky, the more folds there are. These help create a story or a situation from a pile of otherwise static fabric on the floor or bed. Every time, the same piece of fabric can sport a unique fold pattern, suggestive of a different situation that has already occurred. Folds can also be used to depict any underlying structures, as the fabric tends to take up the shape of these structures. Inert folds on clothing may not be relevant in this context, though.\r\n

DT?? OR [*****inert fold sketch on handkerchief still life*****]

\r\n\r\n

Adding Details to Clothing

\r\nWith this basic understanding on the types of folds, you will definitely find it easier to achieve the required effect based on your character\'s posture and the chosen outfit. Depending on the type of fabric you choose for the clothing, the folds and wrinkles can either be more pronounced or subtle. Take care to enhance the sharpness of the folds and creases for bulk, heavy fabrics. Make them crisp in lighter fabrics and tone them down in case of fragile, soft material, for a true-to-life effect.\r\n

Accessorize Clothing

\r\nShoes, belts, ties, scarves, bling and handbags are just but a few accessories that compliment clothing to create a great appearance. Your images, too, may be a tad incomplete without these accessories, if and only if the situation warrants it, or you are planning on some satirical or comic renderings.\r\n\r\nEither way, learning how to draw shoes is an equally interesting and relatively easier experience, as you concentrate only on the structure of the feet, at least during the learning phase. Here again, the stance and the type of the shoe are two basic factors that need focus. The learning process again remains the same. Trace a basic outline of the feet, make alterations as needed, add a few details, and fit in the shoe of your choice.\r\n\r\nPractice is the key to mastering how to draw clothes. Simply use a reference grid to sketch out the body shape of a model from your favorite magazine or snap, and follow these guidelines to reproduce the image to the T.','Picture Perfect Clothing - A Beginner\'s Guide to Sketching Clothes','','inherit','open','open','','935-revision-v1','','','2014-03-03 21:45:04','2014-03-04 05:45:04','',935,'http://www.letsdrawpeople.com/935-revision-v1/',0,'revision','',0),(942,2,'2014-03-03 22:46:39','2014-03-04 06:46:39','','how to draw clothes design','','inherit','open','open','','how-to-draw-clothes-design','','','2014-03-03 22:46:39','2014-03-04 06:46:39','',935,'http://www.letsdrawpeople.com/wp-content/uploads/2014/03/how-to-draw-clothes-design.jpg',0,'attachment','image/jpeg',0),(943,2,'2014-03-03 22:46:41','2014-03-04 06:46:41','','how to draw clothes detail','','inherit','open','open','','how-to-draw-clothes-detail','','','2014-03-03 22:46:41','2014-03-04 06:46:41','',935,'http://www.letsdrawpeople.com/wp-content/uploads/2014/03/how-to-draw-clothes-detail.jpg',0,'attachment','image/jpeg',0),(944,2,'2014-03-03 22:46:42','2014-03-04 06:46:42','','how to draw clothes outline','','inherit','open','open','','how-to-draw-clothes-outline','','','2014-03-03 22:46:42','2014-03-04 06:46:42','',935,'http://www.letsdrawpeople.com/wp-content/uploads/2014/03/how-to-draw-clothes-outline.jpg',0,'attachment','image/jpeg',0),(945,2,'2014-03-03 22:48:45','2014-03-04 06:48:45','\"howWhile sketching portraits is all about capturing the facial structure and its emotions in a realistic manner, drawing people requires you to not only focus on the human frame and posture, but also learn how to draw clothes, as well as how to draw shoes and other accessories to render a complete image. Drawing picture-perfect clothing is about the design, fabric and its texture, and the multitude of creases, wrinkles or folds that reflect the true state of a real-life or fictitious character.\r\n\r\n\"Clothes maketh the man,\" said Shakespeare. Extending the same quote to the art of sketching, clothes add life to an image. Learning how to draw a shirt, for instance, will come in handy to quickly differentiate between a formal shirt on a working executive, a creased uniform on a service provider, or a casual shirt on a teenager - just to mention a few of the possible variations.\r\n\r\nHere are a few things to decide upfront before you attempt this exercise:\r\n\r\n• Is your character fictional or a real-life person?\r\n\r\n• Are you sketching a male, female, or a child?\r\n\r\n• Are you trying to design new clothing or simply attempting to clothe your characters using available designs?\r\n\r\n• What is the purpose of the clothing, occasion, or situation?\r\n\r\nThese help finalize how exactly you can proceed to clothe your character. That said, let\'s move on to learn how to draw clothes that go well with a chosen character or image.\r\n

Start with the Frame and Posture

\r\nOne effective way to start practicing is with the outline of a form and its posture. To begin this lesson, sketch a rough outline of a person or people. You can sketch poses from your imagination and use reference photos for the clothes, or use a reference photo for the whole thing.\r\n\r\nIf you are looking to draw from a photograph, place the photograph against a natural light source and trace out the outline. In the example below, I used the following photo to trace outlines of the two people.\r\n

\"how

\r\n

 \"how

\r\nThese are your basic body shapes which you will be looking to drape or clothe. What we will do is start very basic and then gradually add layers of detail.\r\n

Decide on the Design

\r\nBeginners can safely opt to mimic tried and tested clothing designs on their characters before attempting to get creative. Draw out your design on the body shapes to fit the apparel on the forms. Take care to stick to a line diagram to keep the design simple. You can, of course, get creative once the basics are in place.\r\n

\"how

\r\n\r\n

Move on to Details

\r\nThe posture of the characters - to a great extent - decides on the direction of detailing on the clothes. Begin adding noticeable folds to the fabric. Minor details such as the positioning of the accessories, buttons, seams, hemlines, etc. help add some relief and movement to the fabric. The more detail you add to the clothes, the more realistic the appearance becomes.\r\n\r\nThe key here is to simply ignore any overlaps of lines until the final detail is ready. Once you\'ve finalized your fabric and direction of movement, other lines can be erased or covered eventually.\r\n

\"how

\r\n\r\n

Understanding Fabric and Folds

\r\nIt is definitely easy to clothe your character in a simple sleeveless/sleeved top and a pencil skirt or trouser. If you are looking for some realistic effects, then you will realize that folds and creases are an integral part of clothing.\r\n\r\nPleats, folds and frills are an important aspect of dress design. On the other hand, the drape, the wrinkles and the fall relate to the use of clothing. Capturing all these aspects in a drawing requires an understanding of the different fabric types and fold patterns.\r\n\r\nThere are, in fact, seven different basic types of folds:\r\n\r\n• Pipe\r\n\r\n• Zigzag\r\n\r\n• Half-Lock\r\n\r\n• Spiral\r\n\r\n• Diaper\r\n\r\n• Drop\r\n\r\n• Inert\r\n

Pipe

\r\nThe most regular of folds, these are seen in both clothing and curtains, in the form of either stretched or relaxed variants. These are pleated fabrics - either held neatly or gathered at the top - forming piped folds. Pleated skirts, or garments gathered at the waist feature this type of folds. Stretched-piped folds are created when the fabric is gathered at two ends, somewhat similar to a wrap around the neck. Simply mimic a pleated curtain or a pegged towel to feature this effect on your clothing.\r\n

 Try “clothing sketch” search: DT?? OR [*****pipe fold sketch on skirt vilppustore.com*****]

\r\n\r\n

Zigzag

\r\nCommonly found in bent tubular clothes, zigzag folds occur on the bends on the sleeves of shirts and coats, as well as behind the knees of pants. Heavy fabric tends to result in distinctly sharp folds, over time. A couple of well-positioned zigzag lines with appropriate shading will help you achieve this effect.\r\n

 DT?? OR [*****zigzag fold sketch on inner elbow/knee artmideast top right pic*****]

\r\n\r\n

Half-Lock

\r\nHalf-lock folds are found in the very same places as the zigzags, bent sleeves or knees, just that the fabric tends to fold over itself rather than stand out sharply. A slightly rolling curve is all that is needed to render a half-lock fold on the clothing. They are, in fact, more visible from the side or even the front, as the folds slip beyond the outer edge of the garment.\r\n

 DT?? OR [*****half-lock fold sketch on inner elbow from side p55 center pic*****]

\r\n\r\n

Spiral

\r\nSpiral folds, true to their name, occur when tubular objects are fitted with long and round fabric. Common examples are curtains that are put up on rods, as well as long sleeves and pants on the human form, or even waistbands with elastic bands or drawcords within them. You can observe this effect by simply pushing up the sleeves of your sweaters or full-arm shirts. The softer the material, the more pronounced is the spiral formation. This effect again is quite easy to mimic.\r\n

 DT?? OR [*****spiral fold sketch on bended arm  p55 top left pic*****]

\r\n\r\n

Diaper

\r\nDiaper folds are the result of a fabric being supported from two points or areas, very similar to a towel pegged to the clothesline using two clips on either end. The fabric between these support points tends to sag towards the center, with folds originating from either side. A distinct classic medieval look, Grecian necklines are still very much in vogue. The effect can be more pronounced when more fabric is gathered at either ends, or with triangular-shaped fabric. Mimic the folds of a military scarf for a diaper fold.\r\n

 DT?? OR [*****diaper fold sketch on military scarf tacticsupplies.com colin farrell*****]

\r\n\r\n

Drop

\r\nDrop folds are those that originate when a fabric hangs from a single support point, resulting in either a simple single conical fold, or multiple folds that make for elaborate patterns. A typical example of a conical fold that comes to mind is the impeccably folded table napkins at posh restaurants. Simply holding up a kitchen towel or a handkerchief is also a good way to mimic a drop fold.\r\n

 DT?? OR [*****drop fold sketch on blazer p55 top right pic*****]

\r\n\r\n

Inert

\r\nInert folds are characteristics of large masses of fabric; the more heavy and bulky, the more folds there are. These help create a story or a situation from a pile of otherwise static fabric on the floor or bed. Every time, the same piece of fabric can sport a unique fold pattern, suggestive of a different situation that has already occurred. Folds can also be used to depict any underlying structures, as the fabric tends to take up the shape of these structures. Inert folds on clothing may not be relevant in this context, though.\r\n

DT?? OR [*****inert fold sketch on handkerchief still life*****]

\r\n\r\n

Adding Details to Clothing

\r\nWith this basic understanding on the types of folds, you will definitely find it easier to achieve the required effect based on your character\'s posture and the chosen outfit. Depending on the type of fabric you choose for the clothing, the folds and wrinkles can either be more pronounced or subtle. Take care to enhance the sharpness of the folds and creases for bulk, heavy fabrics. Make them crisp in lighter fabrics and tone them down in case of fragile, soft material, for a true-to-life effect.\r\n

Accessorize Clothing

\r\nShoes, belts, ties, scarves, bling and handbags are just but a few accessories that compliment clothing to create a great appearance. Your images, too, may be a tad incomplete without these accessories, if and only if the situation warrants it, or you are planning on some satirical or comic renderings.\r\n\r\nEither way, learning how to draw shoes is an equally interesting and relatively easier experience, as you concentrate only on the structure of the feet, at least during the learning phase. Here again, the stance and the type of the shoe are two basic factors that need focus. The learning process again remains the same. Trace a basic outline of the feet, make alterations as needed, add a few details, and fit in the shoe of your choice.\r\n\r\nPractice is the key to mastering how to draw clothes. Simply use a reference grid to sketch out the body shape of a model from your favorite magazine or snap, and follow these guidelines to reproduce the image to the T.','Picture Perfect Clothing - A Beginner\'s Guide to Sketching Clothes','','inherit','open','open','','935-revision-v1','','','2014-03-03 22:48:45','2014-03-04 06:48:45','',935,'http://www.letsdrawpeople.com/935-revision-v1/',0,'revision','',0),(946,2,'2014-03-04 00:28:50','2014-03-04 08:28:50','','how to draw clothes diaper folds','','inherit','open','open','','how-to-draw-clothes-diaper-folds','','','2014-03-04 00:28:50','2014-03-04 08:28:50','',935,'http://www.letsdrawpeople.com/wp-content/uploads/2014/03/how-to-draw-clothes-diaper-folds.jpg',0,'attachment','image/jpeg',0),(947,2,'2014-03-04 00:28:51','2014-03-04 08:28:51','','how to draw clothes drop folds','','inherit','open','open','','how-to-draw-clothes-drop-folds','','','2014-03-04 00:28:51','2014-03-04 08:28:51','',935,'http://www.letsdrawpeople.com/wp-content/uploads/2014/03/how-to-draw-clothes-drop-folds.jpg',0,'attachment','image/jpeg',0),(948,2,'2014-03-04 00:28:53','2014-03-04 08:28:53','','how to draw clothes half lock folds','','inherit','open','open','','how-to-draw-clothes-half-lock-folds','','','2014-03-04 00:28:53','2014-03-04 08:28:53','',935,'http://www.letsdrawpeople.com/wp-content/uploads/2014/03/how-to-draw-clothes-half-lock-folds.jpg',0,'attachment','image/jpeg',0),(949,2,'2014-03-04 00:28:54','2014-03-04 08:28:54','','how to draw clothes inert fold','','inherit','open','open','','how-to-draw-clothes-inert-fold','','','2014-03-04 00:28:54','2014-03-04 08:28:54','',935,'http://www.letsdrawpeople.com/wp-content/uploads/2014/03/how-to-draw-clothes-inert-fold.jpg',0,'attachment','image/jpeg',0),(950,2,'2014-03-04 00:28:55','2014-03-04 08:28:55','','how to draw clothes pipe folds','','inherit','open','open','','how-to-draw-clothes-pipe-folds','','','2014-03-04 00:28:55','2014-03-04 08:28:55','',935,'http://www.letsdrawpeople.com/wp-content/uploads/2014/03/how-to-draw-clothes-pipe-folds.jpg',0,'attachment','image/jpeg',0),(951,2,'2014-03-04 00:28:56','2014-03-04 08:28:56','','how to draw clothes spiral folds','','inherit','open','open','','how-to-draw-clothes-spiral-folds','','','2014-03-04 00:28:56','2014-03-04 08:28:56','',935,'http://www.letsdrawpeople.com/wp-content/uploads/2014/03/how-to-draw-clothes-spiral-folds.jpg',0,'attachment','image/jpeg',0),(952,2,'2014-03-04 00:28:57','2014-03-04 08:28:57','','how to draw clothes zigzag folds','','inherit','open','open','','how-to-draw-clothes-zigzag-folds','','','2014-03-04 00:28:57','2014-03-04 08:28:57','',935,'http://www.letsdrawpeople.com/wp-content/uploads/2014/03/how-to-draw-clothes-zigzag-folds.jpg',0,'attachment','image/jpeg',0),(953,2,'2014-03-04 00:30:39','2014-03-04 08:30:39','\"howWhile sketching portraits is all about capturing the facial structure and its emotions in a realistic manner, drawing people requires you to not only focus on the human frame and posture, but also learn how to draw clothes, as well as how to draw shoes and other accessories to render a complete image. Drawing picture-perfect clothing is about the design, fabric and its texture, and the multitude of creases, wrinkles or folds that reflect the true state of a real-life or fictitious character.\r\n\r\n\"Clothes maketh the man,\" said Shakespeare. Extending the same quote to the art of sketching, clothes add life to an image. Learning how to draw a shirt, for instance, will come in handy to quickly differentiate between a formal shirt on a working executive, a creased uniform on a service provider, or a casual shirt on a teenager - just to mention a few of the possible variations.\r\n\r\nHere are a few things to decide upfront before you attempt this exercise:\r\n\r\n• Is your character fictional or a real-life person?\r\n\r\n• Are you sketching a male, female, or a child?\r\n\r\n• Are you trying to design new clothing or simply attempting to clothe your characters using available designs?\r\n\r\n• What is the purpose of the clothing, occasion, or situation?\r\n\r\nThese help finalize how exactly you can proceed to clothe your character. That said, let\'s move on to learn how to draw clothes that go well with a chosen character or image.\r\n

Start with the Frame and Posture

\r\nOne effective way to start practicing is with the outline of a form and its posture. To begin this lesson, sketch a rough outline of a person or people. You can sketch poses from your imagination and use reference photos for the clothes, or use a reference photo for the whole thing.\r\n\r\nIf you are looking to draw from a photograph, place the photograph against a natural light source and trace out the outline. In the example below, I used the following photo to trace outlines of the two people.\r\n

\"how

\r\n

 \"how

\r\nThese are your basic body shapes which you will be looking to drape or clothe. What we will do is start very basic and then gradually add layers of detail.\r\n

Decide on the Design

\r\nBeginners can safely opt to mimic tried and tested clothing designs on their characters before attempting to get creative. Draw out your design on the body shapes to fit the apparel on the forms. Take care to stick to a line diagram to keep the design simple. You can, of course, get creative once the basics are in place.\r\n

\"how

\r\n\r\n

Move on to Details

\r\nThe posture of the characters - to a great extent - decides on the direction of detailing on the clothes. Begin adding noticeable folds to the fabric. Minor details such as the positioning of the accessories, buttons, seams, hemlines, etc. help add some relief and movement to the fabric. The more detail you add to the clothes, the more realistic the appearance becomes.\r\n\r\nThe key here is to simply ignore any overlaps of lines until the final detail is ready. Once you\'ve finalized your fabric and direction of movement, other lines can be erased or covered eventually.\r\n

\"how

\r\n\r\n

Understanding Fabric and Folds

\r\nIt is definitely easy to clothe your character in a simple sleeveless/sleeved top and a pencil skirt or trouser. If you are looking for some realistic effects, then you will realize that folds and creases are an integral part of clothing.\r\n\r\nPleats, folds and frills are an important aspect of dress design. On the other hand, the drape, the wrinkles and the fall relate to the use of clothing. Capturing all these aspects in a drawing requires an understanding of the different fabric types and fold patterns.\r\n\r\nThere are, in fact, seven different basic types of folds:\r\n\r\n• Pipe\r\n\r\n• Zigzag\r\n\r\n• Half-Lock\r\n\r\n• Spiral\r\n\r\n• Diaper\r\n\r\n• Drop\r\n\r\n• Inert\r\n

Pipe

\r\n\"howThe most regular of folds, these are seen in both clothing and curtains, in the form of either stretched or relaxed variants. These are pleated fabrics - either held neatly or gathered at the top - forming piped folds. Pleated skirts, or garments gathered at the waist feature this type of folds. Stretched-piped folds are created when the fabric is gathered at two ends, somewhat similar to a wrap around the neck. Simply mimic a pleated curtain or a pegged towel to feature this effect on your clothing.\r\n

\r\n\r\n

Zigzag

\r\nCommonly found in bent tubular clothes, zigzag folds occur on the bends on the sleeves of shirts and coats, as well as behind the knees of pants. Heavy fabric tends to result in distinctly sharp folds, over time. A couple of well-positioned zigzag lines with appropriate shading will help you achieve this effect.\r\n

 DT?? OR [*****zigzag fold sketch on inner elbow/knee artmideast top right pic*****]

\r\n\r\n

Half-Lock

\r\nHalf-lock folds are found in the very same places as the zigzags, bent sleeves or knees, just that the fabric tends to fold over itself rather than stand out sharply. A slightly rolling curve is all that is needed to render a half-lock fold on the clothing. They are, in fact, more visible from the side or even the front, as the folds slip beyond the outer edge of the garment.\r\n

 DT?? OR [*****half-lock fold sketch on inner elbow from side p55 center pic*****]

\r\n\r\n

Spiral

\r\nSpiral folds, true to their name, occur when tubular objects are fitted with long and round fabric. Common examples are curtains that are put up on rods, as well as long sleeves and pants on the human form, or even waistbands with elastic bands or drawcords within them. You can observe this effect by simply pushing up the sleeves of your sweaters or full-arm shirts. The softer the material, the more pronounced is the spiral formation. This effect again is quite easy to mimic.\r\n

 DT?? OR [*****spiral fold sketch on bended arm  p55 top left pic*****]

\r\n\r\n

Diaper

\r\nDiaper folds are the result of a fabric being supported from two points or areas, very similar to a towel pegged to the clothesline using two clips on either end. The fabric between these support points tends to sag towards the center, with folds originating from either side. A distinct classic medieval look, Grecian necklines are still very much in vogue. The effect can be more pronounced when more fabric is gathered at either ends, or with triangular-shaped fabric. Mimic the folds of a military scarf for a diaper fold.\r\n

 DT?? OR [*****diaper fold sketch on military scarf tacticsupplies.com colin farrell*****]

\r\n\r\n

Drop

\r\nDrop folds are those that originate when a fabric hangs from a single support point, resulting in either a simple single conical fold, or multiple folds that make for elaborate patterns. A typical example of a conical fold that comes to mind is the impeccably folded table napkins at posh restaurants. Simply holding up a kitchen towel or a handkerchief is also a good way to mimic a drop fold.\r\n

 DT?? OR [*****drop fold sketch on blazer p55 top right pic*****]

\r\n\r\n

Inert

\r\nInert folds are characteristics of large masses of fabric; the more heavy and bulky, the more folds there are. These help create a story or a situation from a pile of otherwise static fabric on the floor or bed. Every time, the same piece of fabric can sport a unique fold pattern, suggestive of a different situation that has already occurred. Folds can also be used to depict any underlying structures, as the fabric tends to take up the shape of these structures.\r\n

DT?? OR [*****inert fold sketch on handkerchief still life*****]

\r\n\r\n

Adding Details to Clothing

\r\nWith this basic understanding on the types of folds, you will definitely find it easier to achieve the required effect based on your character\'s posture and the chosen outfit. Depending on the type of fabric you choose for the clothing, the folds and wrinkles can either be more pronounced or subtle. Take care to enhance the sharpness of the folds and creases for bulk, heavy fabrics. Make them crisp in lighter fabrics and tone them down in case of fragile, soft material, for a true-to-life effect.\r\n

Accessorize Clothing

\r\nShoes, belts, ties, scarves, bling and handbags are just but a few accessories that compliment clothing to create a great appearance. Your images, too, may be a tad incomplete without these accessories, if and only if the situation warrants it, or you are planning on some satirical or comic renderings.\r\n\r\nEither way, learning how to draw shoes is an equally interesting and relatively easier experience, as you concentrate only on the structure of the feet, at least during the learning phase. Here again, the stance and the type of the shoe are two basic factors that need focus. The learning process again remains the same. Trace a basic outline of the feet, make alterations as needed, add a few details, and fit in the shoe of your choice.\r\n\r\nPractice is the key to mastering how to draw clothes. Simply use a reference grid to sketch out the body shape of a model from your favorite magazine or snap, and follow these guidelines to reproduce the image to the T.','Picture Perfect Clothing - A Beginner\'s Guide to Sketching Clothes','','inherit','open','open','','935-revision-v1','','','2014-03-04 00:30:39','2014-03-04 08:30:39','',935,'http://www.letsdrawpeople.com/935-revision-v1/',0,'revision','',0),(954,2,'2014-03-04 00:35:16','2014-03-04 08:35:16','\"howWhile sketching portraits is all about capturing the facial structure and its emotions in a realistic manner, drawing people requires you to not only focus on the human frame and posture, but also learn how to draw clothes, as well as how to draw shoes and other accessories to render a complete image. Drawing picture-perfect clothing is about the design, fabric and its texture, and the multitude of creases, wrinkles or folds that reflect the true state of a real-life or fictitious character.\r\n\r\n\"Clothes maketh the man,\" said Shakespeare. Extending the same quote to the art of sketching, clothes add life to an image. Learning how to draw a shirt, for instance, will come in handy to quickly differentiate between a formal shirt on a working executive, a creased uniform on a service provider, or a casual shirt on a teenager - just to mention a few of the possible variations.\r\n\r\nHere are a few things to decide upfront before you attempt this exercise:\r\n\r\n• Is your character fictional or a real-life person?\r\n\r\n• Are you sketching a male, female, or a child?\r\n\r\n• Are you trying to design new clothing or simply attempting to clothe your characters using available designs?\r\n\r\n• What is the purpose of the clothing, occasion, or situation?\r\n\r\nThese help finalize how exactly you can proceed to clothe your character. That said, let\'s move on to learn how to draw clothes that go well with a chosen character or image.\r\n

Start with the Frame and Posture

\r\nOne effective way to start practicing is with the outline of a form and its posture. To begin this lesson, sketch a rough outline of a person or people. You can sketch poses from your imagination and use reference photos for the clothes, or use a reference photo for the whole thing.\r\n\r\nIf you are looking to draw from a photograph, place the photograph against a natural light source and trace out the outline. In the example below, I used the following photo to trace outlines of the two people.\r\n

\"how

\r\n

 \"how

\r\nThese are your basic body shapes which you will be looking to drape or clothe. What we will do is start very basic and then gradually add layers of detail.\r\n

Decide on the Design

\r\nBeginners can safely opt to mimic tried and tested clothing designs on their characters before attempting to get creative. Draw out your design on the body shapes to fit the apparel on the forms. Take care to stick to a line diagram to keep the design simple. You can, of course, get creative once the basics are in place.\r\n

\"how

\r\n\r\n

Move on to Details

\r\nThe posture of the characters - to a great extent - decides on the direction of detailing on the clothes. Begin adding noticeable folds to the fabric. Minor details such as the positioning of the accessories, buttons, seams, hemlines, etc. help add some relief and movement to the fabric. The more detail you add to the clothes, the more realistic the appearance becomes.\r\n\r\nThe key here is to simply ignore any overlaps of lines until the final detail is ready. Once you\'ve finalized your fabric and direction of movement, other lines can be erased or covered eventually.\r\n

\"how

\r\n\r\n

Understanding Fabric and Folds

\r\nIt is definitely easy to clothe your character in a simple sleeveless/sleeved top and a pencil skirt or trouser. If you are looking for some realistic effects, then you will realize that folds and creases are an integral part of clothing.\r\n\r\nPleats, folds and frills are an important aspect of dress design. On the other hand, the drape, the wrinkles and the fall relate to the use of clothing. Capturing all these aspects in a drawing requires an understanding of the different fabric types and fold patterns.\r\n\r\nThere are, in fact, seven different basic types of folds:\r\n\r\n• Pipe\r\n\r\n• Zigzag\r\n\r\n• Half-Lock\r\n\r\n• Spiral\r\n\r\n• Diaper\r\n\r\n• Drop\r\n\r\n• Inert\r\n

Pipe

\r\n

The most regular of folds, these are seen in both clothing and curtains, in the form of either stretched or relaxed variants. These are pleated fabrics - either held neatly or gathered at the top - forming piped folds. Pleated skirts, or garments gathered at the waist feature this type of folds. Stretched-piped folds are created when the fabric is gathered at two ends, somewhat similar to a wrap around the neck. Simply mimic a pleated curtain or a pegged towel to feature this effect on your clothing.

\r\n

 \"how

\r\n\r\n

Zigzag

\r\nCommonly found in bent tubular clothes, zigzag folds occur on the bends on the sleeves of shirts and coats, as well as behind the knees of pants. Heavy fabric tends to result in distinctly sharp folds, over time. A couple of well-positioned zigzag lines with appropriate shading will help you achieve this effect.\r\n

 \"how

\r\n\r\n

Half-Lock

\r\nHalf-lock folds are found in the very same places as the zigzags, bent sleeves or knees, just that the fabric tends to fold over itself rather than stand out sharply. A slightly rolling curve is all that is needed to render a half-lock fold on the clothing. They are, in fact, more visible from the side or even the front, as the folds slip beyond the outer edge of the garment.\r\n

 \"how

\r\n\r\n

Spiral

\r\nSpiral folds, true to their name, occur when tubular objects are fitted with long and round fabric. Common examples are curtains that are put up on rods, as well as long sleeves and pants on the human form, or even waistbands with elastic bands or drawcords within them. You can observe this effect by simply pushing up the sleeves of your sweaters or full-arm shirts. The softer the material, the more pronounced is the spiral formation. This effect again is quite easy to mimic.\r\n

 \"how

\r\n\r\n

Diaper

\r\nDiaper folds are the result of a fabric being supported from two points or areas, very similar to a towel pegged to the clothesline using two clips on either end. The fabric between these support points tends to sag towards the center, with folds originating from either side. A distinct classic medieval look, Grecian necklines are still very much in vogue. The effect can be more pronounced when more fabric is gathered at either ends, or with triangular-shaped fabric. Mimic the folds of a military scarf for a diaper fold.\r\n

 \"how

\r\n\r\n

Drop

\r\nDrop folds are those that originate when a fabric hangs from a single support point, resulting in either a simple single conical fold, or multiple folds that make for elaborate patterns. A typical example of a conical fold that comes to mind is the impeccably folded table napkins at posh restaurants. Simply holding up a kitchen towel or a handkerchief is also a good way to mimic a drop fold.\r\n

 \"how

\r\n\r\n

Inert

\r\nInert folds are characteristics of large masses of fabric; the more heavy and bulky, the more folds there are. These help create a story or a situation from a pile of otherwise static fabric on the floor or bed. Every time, the same piece of fabric can sport a unique fold pattern, suggestive of a different situation that has already occurred. Folds can also be used to depict any underlying structures, as the fabric tends to take up the shape of these structures.\r\n

\"how

\r\n\r\n

Adding Details to Clothing

\r\nWith this basic understanding on the types of folds, you will definitely find it easier to achieve the required effect based on your character\'s posture and the chosen outfit. Depending on the type of fabric you choose for the clothing, the folds and wrinkles can either be more pronounced or subtle. Take care to enhance the sharpness of the folds and creases for bulk, heavy fabrics. Make them crisp in lighter fabrics and tone them down in case of fragile, soft material, for a true-to-life effect.\r\n

Accessorize Clothing

\r\nShoes, belts, ties, scarves, bling and handbags are just but a few accessories that compliment clothing to create a great appearance. Your images, too, may be a tad incomplete without these accessories, if and only if the situation warrants it, or you are planning on some satirical or comic renderings.\r\n\r\nEither way, learning how to draw shoes is an equally interesting and relatively easier experience, as you concentrate only on the structure of the feet, at least during the learning phase. Here again, the stance and the type of the shoe are two basic factors that need focus. The learning process again remains the same. Trace a basic outline of the feet, make alterations as needed, add a few details, and fit in the shoe of your choice.\r\n\r\nPractice is the key to mastering how to draw clothes. Simply use a reference grid to sketch out the body shape of a model from your favorite magazine or snap, and follow these guidelines to reproduce the image to the T.','Picture Perfect Clothing - A Beginner\'s Guide to Sketching Clothes','','inherit','open','open','','935-revision-v1','','','2014-03-04 00:35:16','2014-03-04 08:35:16','',935,'http://www.letsdrawpeople.com/935-revision-v1/',0,'revision','',0),(956,2,'2014-03-24 21:36:34','2014-03-25 04:36:34','\"http://www.dreamstime.com/stock-photos-pencil-drawing-little-artist-girl-image12712993\"So, you\'ve decided to take up a bit of art as a good way to spend some of your free time and share your new found talent with those that can appreciate your work.  You may think you\'ve gotten pretty good at it too since you\'ve managed to draw some good portraits of yourself and adult family members and friends.  What you may discover however, if you haven\'t already, is that things may not be quite as simple when you decide to try to draw children.\r\n\r\nA lot of new artists find themselves facing a rather difficult and sometimes even frustrating task when they decide to begin drawing children.  A lot of times what you will end up with in your early attempts at drawing babies, little kids or even teenagers, is a feeling that you have drawn a picture of some strangely proportioned little gnome.  Don\'t worry, it happens to the best of us until we learn the tricks involved in drawing what you would otherwise think might be an easy move from drawing adult people.\r\n\r\nLet\'s take a quick look at some of the important things that you need to keep in mind while you\'re learning how to draw children, things that you may not think about without some practice or a little guidance.\r\n\r\n- Children are not nearly as complicated in real life as adults are.  Drawing children doesn\'t necessarily have to be as complicated either.  In fact, you should try to make it a point to keep things fairly simple.\r\n\r\n- Children are not yet fully developed and still carry some baby fat, sometimes on into their teenage years.\r\n\r\n- Facial features in children are very, very different from those most adults have.  Trying to draw a child’s face the same way you would go about drawing an adult’s face will end up with some very...interesting results.\r\n\r\n- The very attitude a child carries themselves with is completely different from that of an adult.  This can play into facial expressions as well as the way your subject sits or stands.\r\n\r\nKeeping these four major things in mind can be pretty helpful while you are in the process of learning how to draw children.  Let\'s break things down a little bit more and look at how to draw a few things that are a little more specific.\r\n

What to Remember When Drawing Babies

\r\nFirst, let\'s take a look at how to draw a baby and some of the major differences involved, compared to drawing an adult:\r\n\r\n\"http://www.dreamstime.com/royalty-free-stock-images-child-s-portrait-image11802799\"Babies are the least developed among the human race.  In fact, everything about them is simple from their understanding of the world, to the way they move and communicate.  The most important word to keep in your head here is \"simple.\"\r\n\r\nIn fact, drawing a baby should be so simple that we often make it the most complicated of all the projects we can undertake because as adults, we have the natural tendency to think in complicated adult terms.  So, I\'ll say it again:  \"Keep it simple!\"\r\n\r\nBabies also carry the most body fat out of all of the subjects you will ever attempt to draw.  Lots of rounding and curves should be put into play when drawing the torso and limbs.  Angles and straight lines should be avoided altogether.  Most babies are rather plump, so don\'t be afraid to display this as you draw your torso, limbs, and appendages.  Overlapping lines and curves can also help to portray a sense of healthy baby fat.\r\n\r\nWhen it comes to drawing the baby\'s face, think more of circles than ovals.  Most babies have very round heads and their facial features are somewhat disproportioned because they\'re still growing and developing.  Draw the eyes large and round and place them a little lower on the face than you might think you should.  Noses should be somewhat round and on the large side as well.  Again, the key word here is to keep it \"simple.\"\r\n\r\nYou should also keep posture in mind here.  Remember that babies don\'t stand.  The most common posture you will find a baby in is lying on its back, waving his arms and legs around, and looking at the world in awe and wonder from his little vantage point while he takes in everything that he can see and hear.  Thinking about what the baby might be thinking while you\'re drawing him can be very helpful when deciding on his posture, arm and leg positions, and facial expressions.\r\n

Tips for Drawing Boys

\r\nOK, enough of the baby-talk.  Let\'s move on to how to draw a boy that has already learned to walk, talk, and feed himself.  Here\'s what to keep in mind:\r\n\r\n\""Dennis- Still keep it simple, but not quite as much.  Little boys are a tad more complicated than babies are in terms of understanding and activity.  Give your boy a bit more detail to portray his more complicated nature, but not quite as much as you would give to an adult.\r\n\r\n- He\'s probably still carrying some baby fat, although his arms and legs will be longer and stronger now.  Reflect this by continuing to use curved lines and avoiding angles at the joints.  Be careful not to use too much rounding though because boys at this age are more active and that baby fat is starting to drop off a little.\r\n\r\n- The head should still be fairly round but since he\'s a little more developed, it doesn\'t hurt to elongate the circle just a smidgen.  Facial features will be a bit more developed so you can make them a little more proportional here.  Move the eyes up closer to the top of the head, but not too much, and make them just a bit smaller than you would on a baby.  They should still be at about the middle point between the size you would use on a baby and the size you might use on an adult.\r\n\r\n- Add some hair!  Again, remember to keep it simple.  Little boys tend not to care about their hairdo, so unless a parent got to it beforehand, it\'s okay to draw it a little messy.  Just add the details with care or he\'ll begin looking like a strange little man before you know what happened to him.\r\n

How to Draw Little Girls

\r\nNow, at this point you\'re probably thinking that I\'m going to give you a different list of do\'s and don\'ts when it comes to learning how to draw a girl.  You\'re in for a pleasant surprise because drawing girls shouldn\'t be all that different from drawing a boy of the same age.\r\n\r\n\"http://www.dreamstime.com/royalty-free-stock-photos-little-girl-pencil-drawing-image23260278\"They will have about the same level of development and simplicity as boys will so you\'ve practically already learned all that you need to here.  There are just a few differences to keep in mind though:\r\n\r\n- A girl\'s posture will be somewhat different.  Little boys tend to carry themselves \"out.\"  This basically means that a boy will carry his shoulders a little bit higher and wider and his stance (the way he positions his feet) will also be a bit wider.  Girls of the same age tend to carry themselves \"in\" meaning that their shoulder posture will be less opened and their stance will normally involve feet that are closer together.\r\n\r\n- A girl\'s facial features will typically be softer and even simpler than a boy\'s will.  This can be achieved by using slightly larger and rounder eyes and nose and smaller ears.\r\n\r\n- This one should go without saying but I\'m going to say it anyway, just to be on the safe side.  Because your goal when drawing children is to avoid too much detail, the most important thing you can do to make your girls stand out from your boys is to draw them with longer hair.\r\n

Simple Tips for Simple Children Drawings

\r\nAnd there you have it!  It may seem like a lot to take in but you may have also noticed that our little journey together has involved one major repeating theme.  Would you like me to say it for you again?  I\'m going to go ahead and say it again with just one more bullet list to help you remember the rules when drawing children.\r\n\r\n- Keep it simple.\r\n\r\n- Use curved lines and avoid angles.\r\n\r\n- Draw rounder heads and bigger facial features.\r\n\r\n- Think about the posture that a subject of your intended age might use.\r\n\r\n- Think about what your intended subject may be thinking or feeling and try to reflect that in your very simple facial features.\r\n\r\nLearning how to draw children can be a complicated and sometimes frustrating process.  The biggest reason for that though is that as adults we have a tendency to make things as complicated as we are.  Children are infinitely less complicated than adults are so it should stand to reason that drawing a picture of them should also be less complicated.\r\n\r\nArmed with these simple tips and tricks in mind, it\'s time to put them into action.  So get out there and use that artistic streak to the best of your ability.  Just keep these simple suggestions in mind and you should find yourself drawing children rather than little gnomes in no time.  Just remember that if something doesn\'t turn out quite right, you may just need to think about simplifying your thought process!','Tips and Tricks for How to Draw Children','','publish','open','open','','tips-and-tricks-for-how-to-draw-children','','','2015-07-29 09:55:38','2015-07-29 16:55:38','',0,'http://www.letsdrawpeople.com/?p=956',0,'post','',4),(2165,2,'2015-07-29 09:55:38','2015-07-29 16:55:38','\"http://www.dreamstime.com/stock-photos-pencil-drawing-little-artist-girl-image12712993\"So, you\'ve decided to take up a bit of art as a good way to spend some of your free time and share your new found talent with those that can appreciate your work.  You may think you\'ve gotten pretty good at it too since you\'ve managed to draw some good portraits of yourself and adult family members and friends.  What you may discover however, if you haven\'t already, is that things may not be quite as simple when you decide to try to draw children.\r\n\r\nA lot of new artists find themselves facing a rather difficult and sometimes even frustrating task when they decide to begin drawing children.  A lot of times what you will end up with in your early attempts at drawing babies, little kids or even teenagers, is a feeling that you have drawn a picture of some strangely proportioned little gnome.  Don\'t worry, it happens to the best of us until we learn the tricks involved in drawing what you would otherwise think might be an easy move from drawing adult people.\r\n\r\nLet\'s take a quick look at some of the important things that you need to keep in mind while you\'re learning how to draw children, things that you may not think about without some practice or a little guidance.\r\n\r\n- Children are not nearly as complicated in real life as adults are.  Drawing children doesn\'t necessarily have to be as complicated either.  In fact, you should try to make it a point to keep things fairly simple.\r\n\r\n- Children are not yet fully developed and still carry some baby fat, sometimes on into their teenage years.\r\n\r\n- Facial features in children are very, very different from those most adults have.  Trying to draw a child’s face the same way you would go about drawing an adult’s face will end up with some very...interesting results.\r\n\r\n- The very attitude a child carries themselves with is completely different from that of an adult.  This can play into facial expressions as well as the way your subject sits or stands.\r\n\r\nKeeping these four major things in mind can be pretty helpful while you are in the process of learning how to draw children.  Let\'s break things down a little bit more and look at how to draw a few things that are a little more specific.\r\n

What to Remember When Drawing Babies

\r\nFirst, let\'s take a look at how to draw a baby and some of the major differences involved, compared to drawing an adult:\r\n\r\n\"http://www.dreamstime.com/royalty-free-stock-images-child-s-portrait-image11802799\"Babies are the least developed among the human race.  In fact, everything about them is simple from their understanding of the world, to the way they move and communicate.  The most important word to keep in your head here is \"simple.\"\r\n\r\nIn fact, drawing a baby should be so simple that we often make it the most complicated of all the projects we can undertake because as adults, we have the natural tendency to think in complicated adult terms.  So, I\'ll say it again:  \"Keep it simple!\"\r\n\r\nBabies also carry the most body fat out of all of the subjects you will ever attempt to draw.  Lots of rounding and curves should be put into play when drawing the torso and limbs.  Angles and straight lines should be avoided altogether.  Most babies are rather plump, so don\'t be afraid to display this as you draw your torso, limbs, and appendages.  Overlapping lines and curves can also help to portray a sense of healthy baby fat.\r\n\r\nWhen it comes to drawing the baby\'s face, think more of circles than ovals.  Most babies have very round heads and their facial features are somewhat disproportioned because they\'re still growing and developing.  Draw the eyes large and round and place them a little lower on the face than you might think you should.  Noses should be somewhat round and on the large side as well.  Again, the key word here is to keep it \"simple.\"\r\n\r\nYou should also keep posture in mind here.  Remember that babies don\'t stand.  The most common posture you will find a baby in is lying on its back, waving his arms and legs around, and looking at the world in awe and wonder from his little vantage point while he takes in everything that he can see and hear.  Thinking about what the baby might be thinking while you\'re drawing him can be very helpful when deciding on his posture, arm and leg positions, and facial expressions.\r\n

Tips for Drawing Boys

\r\nOK, enough of the baby-talk.  Let\'s move on to how to draw a boy that has already learned to walk, talk, and feed himself.  Here\'s what to keep in mind:\r\n\r\n\""Dennis- Still keep it simple, but not quite as much.  Little boys are a tad more complicated than babies are in terms of understanding and activity.  Give your boy a bit more detail to portray his more complicated nature, but not quite as much as you would give to an adult.\r\n\r\n- He\'s probably still carrying some baby fat, although his arms and legs will be longer and stronger now.  Reflect this by continuing to use curved lines and avoiding angles at the joints.  Be careful not to use too much rounding though because boys at this age are more active and that baby fat is starting to drop off a little.\r\n\r\n- The head should still be fairly round but since he\'s a little more developed, it doesn\'t hurt to elongate the circle just a smidgen.  Facial features will be a bit more developed so you can make them a little more proportional here.  Move the eyes up closer to the top of the head, but not too much, and make them just a bit smaller than you would on a baby.  They should still be at about the middle point between the size you would use on a baby and the size you might use on an adult.\r\n\r\n- Add some hair!  Again, remember to keep it simple.  Little boys tend not to care about their hairdo, so unless a parent got to it beforehand, it\'s okay to draw it a little messy.  Just add the details with care or he\'ll begin looking like a strange little man before you know what happened to him.\r\n

How to Draw Little Girls

\r\nNow, at this point you\'re probably thinking that I\'m going to give you a different list of do\'s and don\'ts when it comes to learning how to draw a girl.  You\'re in for a pleasant surprise because drawing girls shouldn\'t be all that different from drawing a boy of the same age.\r\n\r\n\"http://www.dreamstime.com/royalty-free-stock-photos-little-girl-pencil-drawing-image23260278\"They will have about the same level of development and simplicity as boys will so you\'ve practically already learned all that you need to here.  There are just a few differences to keep in mind though:\r\n\r\n- A girl\'s posture will be somewhat different.  Little boys tend to carry themselves \"out.\"  This basically means that a boy will carry his shoulders a little bit higher and wider and his stance (the way he positions his feet) will also be a bit wider.  Girls of the same age tend to carry themselves \"in\" meaning that their shoulder posture will be less opened and their stance will normally involve feet that are closer together.\r\n\r\n- A girl\'s facial features will typically be softer and even simpler than a boy\'s will.  This can be achieved by using slightly larger and rounder eyes and nose and smaller ears.\r\n\r\n- This one should go without saying but I\'m going to say it anyway, just to be on the safe side.  Because your goal when drawing children is to avoid too much detail, the most important thing you can do to make your girls stand out from your boys is to draw them with longer hair.\r\n

Simple Tips for Simple Children Drawings

\r\nAnd there you have it!  It may seem like a lot to take in but you may have also noticed that our little journey together has involved one major repeating theme.  Would you like me to say it for you again?  I\'m going to go ahead and say it again with just one more bullet list to help you remember the rules when drawing children.\r\n\r\n- Keep it simple.\r\n\r\n- Use curved lines and avoid angles.\r\n\r\n- Draw rounder heads and bigger facial features.\r\n\r\n- Think about the posture that a subject of your intended age might use.\r\n\r\n- Think about what your intended subject may be thinking or feeling and try to reflect that in your very simple facial features.\r\n\r\nLearning how to draw children can be a complicated and sometimes frustrating process.  The biggest reason for that though is that as adults we have a tendency to make things as complicated as we are.  Children are infinitely less complicated than adults are so it should stand to reason that drawing a picture of them should also be less complicated.\r\n\r\nArmed with these simple tips and tricks in mind, it\'s time to put them into action.  So get out there and use that artistic streak to the best of your ability.  Just keep these simple suggestions in mind and you should find yourself drawing children rather than little gnomes in no time.  Just remember that if something doesn\'t turn out quite right, you may just need to think about simplifying your thought process!','Tips and Tricks for How to Draw Children','','inherit','open','open','','956-revision-v1','','','2015-07-29 09:55:38','2015-07-29 16:55:38','',956,'http://www.letsdrawpeople.com/956-revision-v1/',0,'revision','',0),(959,2,'2014-03-24 21:18:50','2014-03-25 04:18:50','','http://www.dreamstime.com/royalty-free-stock-images-child-s-portrait-image11802799','','inherit','open','open','','httpwww-dreamstime-comroyalty-free-stock-images-child-s-portrait-image11802799','','','2014-03-24 21:18:50','2014-03-25 04:18:50','',956,'http://www.letsdrawpeople.com/wp-content/uploads/2014/03/how-to-draw-children-baby.jpg',0,'attachment','image/jpeg',0),(960,2,'2014-03-24 21:18:51','2014-03-25 04:18:51','','http://www.dreamstime.com/stock-photos-pencil-drawing-little-artist-girl-image12712993','','inherit','open','open','','httpwww-dreamstime-comstock-photos-pencil-drawing-little-artist-girl-image12712993','','','2014-03-24 21:18:51','2014-03-25 04:18:51','',956,'http://www.letsdrawpeople.com/wp-content/uploads/2014/03/how-to-draw-children-girl-picture.jpg',0,'attachment','image/jpeg',0),(961,2,'2014-03-24 21:18:53','2014-03-25 04:18:53','','http://www.dreamstime.com/royalty-free-stock-photos-little-girl-pencil-drawing-image23260278','','inherit','open','open','','httpwww-dreamstime-comroyalty-free-stock-photos-little-girl-pencil-drawing-image23260278','','','2014-03-24 21:18:53','2014-03-25 04:18:53','',956,'http://www.letsdrawpeople.com/wp-content/uploads/2014/03/how-to-draw-children-little-girl.jpg',0,'attachment','image/jpeg',0),(957,2,'2014-03-12 00:16:54','2014-03-12 07:16:54','So, you\'ve decided to take up a bit of art as a good way to spend some of your free time and share your newfound talent with those that can appreciate your work.  You may think you\'ve gotten pretty good at it too since you\'ve managed to draw some good self portraits, some caricatures of other people, and maybe even a few drawings of completely fictional characters.  What you may discover however, if you haven\'t already, is that things may not be quite as simple when you decide to move on to something new and learn how to draw children.\r\n\r\nA lot of new artists in fact, find themselves facing a rather difficult and sometimes even frustrating task when they decide to begin drawing children.  A lot of times what you will end up with in your early attempts at drawing babies, little kids or even teenagers, is that your efforts usually just end up with you having drawn a picture of some strangely proportioned little gnome.  Don\'t worry, it happens to the best of us until we learn the tricks involved in drawing what you would otherwise think might be an easy move from drawing adult people.\r\n\r\nLet\'s take a quick look at some of the important things that you need to keep in mind while you\'re learning how to draw children, things that you may not think about without some practice or a little good guidance.\r\n\r\n- Children are not nearly as complicated in real life as adults are.  Drawing children doesn\'t necessarily have to be as complicated either.  In fact, you should try to make it a point to keep things fairly simple.\r\n\r\n- Children are not yet fully developed and still carry some baby fat, sometimes on into their teenage years.\r\n\r\n- Facial features in children are very, very different from those most adults have.  Trying to draw a child\'s face the same way you would go about drawing an adults face will end up with some very...interesting results.\r\n\r\n- The very attitude a child carries themselves with is completely different from that of an adult.  This can play into facial expressions as well as the way your subject sits or stands.\r\n\r\nKeeping these four major things in mind can be pretty helpful while you are in the process of learning how to draw children.  Let\'s break things down a little bit more and look at how to draw a few things that are a little more specific.\r\n\r\nFirst, let\'s take a look at how to draw a baby and some of the major differences involved, compared to drawing an adult:\r\n\r\nBabies are the least developed among the human race.  In fact, everything about them is simple from their understanding of the world, to the way they move and communicate.  The most important word to keep in your head here is \"simple.\"\r\n\r\nIn fact, drawing a baby should be so simple that we often make it the most complicated of all the projects we can undertake because as adults, we have the natural tendency to think in complicated adult terms.  So, I\'ll say it again:  \"Keep it simple!\"\r\n\r\nBabies also carry the most body fat out of all of the subjects you will ever attempt to draw.  Lots of rounding and curves should be put into play when drawing the torso and limbs.  Angles and straight lines should be avoided altogether.  Most babies are rather plump so don\'t be afraid to draw your torso, limbs, and appendages a little on the thick side.  Overlapping lines and curves can also help to portray a sense of healthy baby fat.\r\n\r\nWhen it comes to drawing the baby\'s face, think more of circles that ovals.  Most babies have very round heads and their facial features are somewhat dis-proportioned because they\'re still growing and developing.  Draw the eyes large and round and place them a little lower on the face than you might think you should.  Noses should be somewhat round and on the large side as well.  Again, the key word here is keep it \"simple.\"\r\n\r\nYou should also keep posture in mind here.  Remember that babies don\'t stand.  I know, it seems like something that should go without saying but you have no idea how many people have tried to draw a baby and ended up with a caricature of Gimli from The Lord of the Rings.  So, one more time just for good measure: \"babies don\'t stand.\"\r\n\r\nThe most common posture you will find a baby in is laying on its back, waving his arms and legs around, and looking at the world in awe and wonder from his little vantage point while he takes in everything that he can see and hear.  Thinking about what the baby might be thinking while you\'re drawing him can be very helpful when deciding on his posture, arm and leg positions, and facial expressions.\r\n\r\nOK, enough of the baby talk.  Let\'s move on to how to draw a boy that has already learned to walk, talk, and feed himself.  Here\'s what to keep in mind:\r\n\r\n- Still keep it simple, but not quite as much.  Little boys are a tad more complicated than babies are in terms of understanding and activity.  Give your boy a bit more detail to portray his more complicated nature, but not quite as much as you would give to an adult.\r\n\r\n- He\'s probably still carrying some baby fat, although his arms and legs will be longer and stronger now.  Reflect this by continuing to use curved lines and avoiding angles at the joints.  Be careful not to use too much rounding though because boys at this age are more active and that baby fat is starting to drop off a little.\r\n\r\n- The head should still be fairly round but since he\'s a little more developed, it doesn\'t hurt to elongate the circle just a smidgen.  Facial features will be a bit more developed so you can make them a little more proportional here.  Move the eyes up closer to the top of the head, but not too much, and make them just a bit smaller than you would on a baby.  They should still be at about the middle point between the size you would use on a baby and the size you might use on an adult.\r\n\r\n- Add some hair!  Again, remember to keep it simple and somewhat untidy all at the same time.  Little boys tend not to care about their hairdo so draw it a little messy.  Just remember not to use too much detail or he\'ll begin looking like a strange little man before you know what happened to him.\r\n\r\nNow, at this point you\'re probably thinking that I\'m going to give you another long list of do\'s and don\'ts when it comes to learning how to draw a girl.  You\'re in for a pleasant surprise because drawing girls shouldn\'t be all that different from drawing a boy of the same age.\r\n\r\nThey will have about the same level of development and simplicity as boys will so you\'ve practically already learned all that you need to here.  There are just a few differences to keep in mind though:\r\n\r\n- A girl\'s posture will be somewhat different.  Little boys tend to carry themselves \"out.\"  This basically means that a boy will  carry his shoulders a little bit higher and wider and his stance (the way he positions his feet) will also be a bit wider.  Girls of the same age tend to carry themselves \"in\" meaning that their shoulder posture will be less opened and their stance will normally involve feet that are closer together.\r\n\r\n- A girl\'s facial features will typically be softer and even simpler than a boy\'s will.  This can be achieved by using slightly larger and rounder eyes and nose and smaller ears.\r\n\r\n- This one should go without saying but I\'m going to say it anyway, just to be on the safe side.  Because your goal when drawing children is to avoid too much detail, the most important thing you can do to make your girls stand out from your boys is to draw them with longer and better kept hair.\r\n\r\nAnd there you have it!  It may seem like a lot to take in but you may have also noticed that our little journey together has involved one major repeating theme.  Would you like me to say it for you again?  I\'m going to go ahead and say it again with just one more bullet list to help you remember the rules when drawing children.\r\n\r\n- Keep it simple.\r\n\r\n- Use curved lines and avoid angles.\r\n\r\n- Draw rounder heads and bigger facial features.\r\n\r\n- Think about the posture that a subject of your intended age might use.\r\n\r\n- Think about what your intended subject may be thinking or feeling and try to reflect that in your very simple facial features.\r\n\r\nLearning how to draw children can be a complicated and sometimes frustrating process.  The biggest reason for that though, is that as adults we have a tendency to make things as complicated as we are.  Children are infinitely less complicated than adults are so it should stand to reason that drawing a picture of them should also be less complicated.\r\n\r\nArmed with these simple tips and tricks in mind, it\'s time to put them into action.  So get out there and use that artistic streak to the best of your ability.  Just keep these simple suggestions in mind and you should find yourself drawing children rather than little gnomes in no time.  Just remember that if something doesn\'t turn out quite right, you may just need to think about simplifying your thought process.','Tips And Tricks For How To Draw Children','','inherit','open','open','','956-revision-v1','','','2014-03-12 00:16:54','2014-03-12 07:16:54','',956,'http://www.letsdrawpeople.com/956-revision-v1/',0,'revision','',0),(962,2,'2014-03-24 21:35:39','2014-03-25 04:35:39','\"http://www.dreamstime.com/stock-photos-pencil-drawing-little-artist-girl-image12712993\"So, you\'ve decided to take up a bit of art as a good way to spend some of your free time and share your new found talent with those that can appreciate your work.  You may think you\'ve gotten pretty good at it too since you\'ve managed to draw some good self-portraits, some caricatures of other people, and maybe even a few drawings of completely fictional characters.  What you may discover however, if you haven\'t already, is that things may not be quite as simple when you decide to move on to something new and learn how to draw children.\r\n\r\nA lot of new artists in fact, find themselves facing a rather difficult and sometimes even frustrating task when they decide to begin drawing children.  A lot of times what you will end up with in your early attempts at drawing babies, little kids or even teenagers, is a feeling that you have drawn a picture of some strangely proportioned little gnome.  Don\'t worry, it happens to the best of us until we learn the tricks involved in drawing what you would otherwise think might be an easy move from drawing adult people.\r\n\r\nLet\'s take a quick look at some of the important things that you need to keep in mind while you\'re learning how to draw children, things that you may not think about without some practice or a little guidance.\r\n\r\n- Children are not nearly as complicated in real life as adults are.  Drawing children doesn\'t necessarily have to be as complicated either.  In fact, you should try to make it a point to keep things fairly simple.\r\n\r\n- Children are not yet fully developed and still carry some baby fat, sometimes on into their teenage years.\r\n\r\n- Facial features in children are very, very different from those most adults have.  Trying to draw a child’s face the same way you would go about drawing an adult’s face will end up with some very...interesting results.\r\n\r\n- The very attitude a child carries themselves with is completely different from that of an adult.  This can play into facial expressions as well as the way your subject sits or stands.\r\n\r\nKeeping these four major things in mind can be pretty helpful while you are in the process of learning how to draw children.  Let\'s break things down a little bit more and look at how to draw a few things that are a little more specific.\r\n

What to Remember When Drawing Babies

\r\nFirst, let\'s take a look at how to draw a baby and some of the major differences involved, compared to drawing an adult:\r\n\r\n\"http://www.dreamstime.com/royalty-free-stock-images-child-s-portrait-image11802799\"Babies are the least developed among the human race.  In fact, everything about them is simple from their understanding of the world, to the way they move and communicate.  The most important word to keep in your head here is \"simple.\"\r\n\r\nIn fact, drawing a baby should be so simple that we often make it the most complicated of all the projects we can undertake because as adults, we have the natural tendency to think in complicated adult terms.  So, I\'ll say it again:  \"Keep it simple!\"\r\n\r\nBabies also carry the most body fat out of all of the subjects you will ever attempt to draw.  Lots of rounding and curves should be put into play when drawing the torso and limbs.  Angles and straight lines should be avoided altogether.  Most babies are rather plump so don\'t be afraid to draw your torso, limbs, and appendages a little on the thick side.  Overlapping lines and curves can also help to portray a sense of healthy baby fat.\r\n\r\nWhen it comes to drawing the baby\'s face, think more of circles than ovals.  Most babies have very round heads and their facial features are somewhat disproportioned because they\'re still growing and developing.  Draw the eyes large and round and place them a little lower on the face than you might think you should.  Noses should be somewhat round and on the large side as well.  Again, the key word here is to keep it \"simple.\"\r\n\r\nYou should also keep posture in mind here.  Remember that babies don\'t stand.  The most common posture you will find a baby in is lying on its back, waving his arms and legs around, and looking at the world in awe and wonder from his little vantage point while he takes in everything that he can see and hear.  Thinking about what the baby might be thinking while you\'re drawing him can be very helpful when deciding on his posture, arm and leg positions, and facial expressions.\r\n

Tips for Drawing Boys

\r\nOK, enough of the baby-talk.  Let\'s move on to how to draw a boy that has already learned to walk, talk, and feed himself.  Here\'s what to keep in mind:\r\n\r\n\""Dennis- Still keep it simple, but not quite as much.  Little boys are a tad more complicated than babies are in terms of understanding and activity.  Give your boy a bit more detail to portray his more complicated nature, but not quite as much as you would give to an adult.\r\n\r\n- He\'s probably still carrying some baby fat, although his arms and legs will be longer and stronger now.  Reflect this by continuing to use curved lines and avoiding angles at the joints.  Be careful not to use too much rounding though because boys at this age are more active and that baby fat is starting to drop off a little.\r\n\r\n- The head should still be fairly round but since he\'s a little more developed, it doesn\'t hurt to elongate the circle just a smidgen.  Facial features will be a bit more developed so you can make them a little more proportional here.  Move the eyes up closer to the top of the head, but not too much, and make them just a bit smaller than you would on a baby.  They should still be at about the middle point between the size you would use on a baby and the size you might use on an adult.\r\n\r\n- Add some hair!  Again, remember to keep it simple.  Little boys tend not to care about their hairdo, so draw it a little messy if necessary.  Just add the details with care or he\'ll begin looking like a strange little man before you know what happened to him.\r\n

How to Draw Little Girls

\r\nNow, at this point you\'re probably thinking that I\'m going to give you another long list of do\'s and don\'ts when it comes to learning how to draw a girl.  You\'re in for a pleasant surprise because drawing girls shouldn\'t be all that different from drawing a boy of the same age.\r\n\r\n\"http://www.dreamstime.com/royalty-free-stock-photos-little-girl-pencil-drawing-image23260278\"They will have about the same level of development and simplicity as boys will so you\'ve practically already learned all that you need to here.  There are just a few differences to keep in mind though:\r\n\r\n- A girl\'s posture will be somewhat different.  Little boys tend to carry themselves \"out.\"  This basically means that a boy will carry his shoulders a little bit higher and wider and his stance (the way he positions his feet) will also be a bit wider.  Girls of the same age tend to carry themselves \"in\" meaning that their shoulder posture will be less opened and their stance will normally involve feet that are closer together.\r\n\r\n- A girl\'s facial features will typically be softer and even simpler than a boy\'s will.  This can be achieved by using slightly larger and rounder eyes and nose and smaller ears.\r\n\r\n- This one should go without saying but I\'m going to say it anyway, just to be on the safe side.  Because your goal when drawing children is to avoid too much detail, the most important thing you can do to make your girls stand out from your boys is to draw them with longer hair.\r\n

Simple Tips for Simple Children Drawings

\r\nAnd there you have it!  It may seem like a lot to take in but you may have also noticed that our little journey together has involved one major repeating theme.  Would you like me to say it for you again?  I\'m going to go ahead and say it again with just one more bullet list to help you remember the rules when drawing children.\r\n\r\n- Keep it simple.\r\n\r\n- Use curved lines and avoid angles.\r\n\r\n- Draw rounder heads and bigger facial features.\r\n\r\n- Think about the posture that a subject of your intended age might use.\r\n\r\n- Think about what your intended subject may be thinking or feeling and try to reflect that in your very simple facial features.\r\n\r\nLearning how to draw children can be a complicated and sometimes frustrating process.  The biggest reason for that though is that as adults we have a tendency to make things as complicated as we are.  Children are infinitely less complicated than adults are so it should stand to reason that drawing a picture of them should also be less complicated.\r\n\r\nArmed with these simple tips and tricks in mind, it\'s time to put them into action.  So get out there and use that artistic streak to the best of your ability.  Just keep these simple suggestions in mind and you should find yourself drawing children rather than little gnomes in no time.  Just remember that if something doesn\'t turn out quite right, you may just need to think about simplifying your thought process!','Tips and Tricks for How to Draw Children','','inherit','open','open','','956-revision-v1','','','2014-03-24 21:35:39','2014-03-25 04:35:39','',956,'http://www.letsdrawpeople.com/956-revision-v1/',0,'revision','',0),(964,2,'2014-04-17 21:45:41','2014-04-18 04:45:41','','how-to-draw-people-figure','','inherit','open','open','','httpwww-dreamstime-comroyalty-free-stock-photography-drawing-black-charcoal-image20022727','','','2014-04-17 21:45:41','2014-04-18 04:45:41','',66,'http://www.letsdrawpeople.com/wp-content/uploads/2012/07/how-to-draw-people-figure.jpg',0,'attachment','image/jpeg',0),(966,2,'2014-04-17 22:13:18','2014-04-18 05:13:18','\"\"Have you always wanted to draw a realistic human face? Many people feel anxious if they are asked to draw people because they fear that their facial drawing will bear no likeness to the person. Portraiture is the art of creating portraits. A portrait can be defined as a drawing, sculpture, painting or photograph of a particular person. In short, portraits are two-dimensional artistic representations of the three dimensional human face.  Drawing a person is not as hard as it looks but many find capturing the likeness is the most difficult part of facial drawing.  A good sketch of the human face should capture the likeness using perspective, proportion, accurate shading and contours. So, let\'s find out how to draw people and explore various ways of bringing portraiture to life. But first things first…don\'t be a bad workman who blames his tools. Invest in some good art materials and learn to use them in the right way.  Listed below are some of the main art materials used to create good drawings.\r\n

Tools Used to Draw Realistically

\r\n
    \r\n
  • Good quality acid-free drawing paper
    • \r\n
  • A high-quality mechanical pencil
    • \r\n
  • A boxed set of pencils (offers a selection of different pencils that will help you to achieve a variety of results)
    • \r\n
  • A pencil sharpening tool
    • \r\n
  • Kneaded erasers
    • \r\n
  • A blending stump or a tortillion
    • \r\n
  • A can of fixative spray
    • \r\n
\r\nLet\'s take a brief moment to chat about the drawing implements mentioned above.\r\n\r\nWhen you begin to sketch your first portrait, you will make mistakes but errors can be rubbed out time and time again if you use quality paper. Cheap erasers work but they are not as effective as a kneaded eraser. Sharp pencils are easier to work with, so buy a good quality pencil sharpener or use a high-quality mechanical pencil with graphite lead. Pencil is a great medium and pencil art can be rubbed with blending stumps to create light and shade. The finished artwork should be sprayed with a fixative to protect it and to prevent it from yellowing and smudging.\r\n

Helpful Drawing Techniques for Drawing People

\r\nNow we can move on to discuss some common drawing techniques. Some of the most popular techniques used in drawing include:\r\n
    \r\n
  • Contour lines
    • \r\n
  • Hatching and crosshatching
    • \r\n
  • Smooth shading
    • \r\n
  • Circles and scribbles
    • \r\n
\r\nWhy use these techniques when learning how to draw? Contour lines give drawings shape and volume, and these lines can be used to create the outline when you draw a body or a face. Hatching and crosshatching are ways of creating different tones, and meticulous hatching helps to make a portrait look realistic. Smooth shading can create a subtle or deep tonal change, and this is one of the main drawing techniques used to introduce depth into artwork. Circles and scribbles will make your sketch look looser, and this simple drawing technique creates contrast.\r\n\r\nSo, you want to draw a face, but you know nothing about the techniques mentioned above?\r\n\r\nBudding artists should watch some of the many pencil drawing tutorials that can be found online. Useful online tutorials include learning how to blend and shade, realistic pencil drawing techniques, and basic pencil shading. When you have grasped the basics of pencil drawing, move on and watch step-by-step tutorials about how to draw portraits. Top online drawing tutorials include tips and tricks for general portraiture and how to create realistic pencil portraits.\r\n\r\nIt can be equally as helpful to watch videos of artists drawing people that are NOT tutorials with everything spelled out in steps. Often times, there is much to be learned from just watching an artist in action and closely observing which techniques are used.\r\n\r\nThink you HAVE to see step-by-step directions or videos of artists in action to learn techniques? Think again! Although tutorials and videos are extremely helpful, you might also be surprised to find out how much you can learn by just examining already completed work. Study drawings of people completed by other artists. Look for styles you like and try to duplicate the techniques you think they used. Some of the most famous artists became famous by studying the works of masters that came before them. Just remember, you can just as well learn from an artist who is not yet a master. All artists have something valuable to share.\r\n

Draw a Face Step-By-Step

\r\n\"030596\"Following are a few basic guidelines to keep in mind when it comes to drawing faces. Try these out by referring to a photograph, or just draw a random person from your imagination!\r\n
    \r\n
  • Human heads are not circular. Always remember that humans have egg-shaped faces. Begin your sketch by creating an oval outline that tapers towards the bottom.
    • \r\n
  • Map out the facial proportions by drawing a faint line down the center of the oval and a fine horizontal line through the center of the face.
    • \r\n
  • Position the nose on the face by penciling a dividing line in the center of the lower half of the face. The lines that have been drawn on the bottom half of the face should form a cross. The base of the nose should be penciled in at the top of the center of the cross and one nostril will be sketched at either side.
    • \r\n
  • Draw the mouth onto the face using a fine pencil line in between the base of the nose and the bottom of the chin. The bottom lip should sit on the dividing line just drawn. Create a line where the two lips meet, then move on to draw in the bottom and top lip lines.
    • \r\n
  • Add the eyes to your facial drawing. The center of the eye sockets will be in line with the middle of the central horizontal line. Think of the eyeballs as two large circular balls, partially concealed behind the top and bottom eyelids. The eyebrow will sit on top and the cheekbone should rest on the bottom of the shape. Look closely at the eyes of the person you are drawing before drawing in the shapes. Some people have large round eyes and others have almond-shaped eyes, so draw your eyes accordingly. In general, the central space left between the eyes should be equivalent to the width of one eye. Remember, the iris of the eye is made up of many different shades.
    • \r\n
  • Draw in the eyelids. The eyelid should be drawn in over the top of the eye and the base of the lid will come down to cover the very top of the iris. Use some of the shading techniques mentioned earlier to define the shape of the eye socket.
    • \r\n
  • When you are satisfied with the facial shape and features you can add the neck, ears, and hair to the face.
    • \r\n
\r\nAlthough there is more to learn, these tips will hopefully give you a helpful start with how to draw faces. But humans have more than just a head and a face. People have bodies and wear clothes. If you want to learn more about methods of sketching bodies and people in clothes, please read on.\r\n

Drawing the Human Form

\r\n\"\"Sketching the human body in all positions is commonly referred to as \"figure drawing\" and there are many different ways of drawing the human body. Different types of figure drawing include:\r\n
    \r\n
  • Sketching
    • \r\n
  • Life drawing
    • \r\n
  • Emotive drawing
    • \r\n
  • Perspective drawing
    • \r\n
  • Illustration drawing
    • \r\n
  • Diagrammatic drawing
    • \r\n
  • Analytic drawing
    • \r\n
  • Geometric drawing
    • \r\n
\r\nA sketch is an informal drawing and figure sketching helps us to learn how to draw a realistic human figure. Lots of amateur artists enjoy drawing the human figure by studying a live model and life drawing is an essential part of art. People have personalities and characters and emotive drawing is used to express the subject\'s personality. Perspective drawing represents scale, eye-level, surface, planes, light, space and volume. An illustrative drawing is a piece of artwork that comes from a photograph, painting or sketch whereas a diagrammatic drawing is a well-planned piece of art. An analytic drawing of a person will be realistic; the person will be drawn in proportion and those who find it hard to draw people may get on well with geometric figure drawing.\r\n\r\nAdditionally, when you are drawing people you should obviously keep in mind the differences between men and women. For example, when drawing a woman, you will draw smoother, more graceful features. You will draw a proportionately larger pelvis and slender shoulders. When drawing a man, you will draw features with a more rugged, muscular appearance. You will draw broader shoulders and a proportionately larger rib cage.\r\n

Drawing Clothing

\r\n\"howLook at some of the online images of people who are wearing clothes and you will see that every person wears their clothes differently. Artists who want to learn how to sketch people wearing clothing will have to examine the clothing closely. Take a close look, and you will see a recurrence of seven different kinds of folds:\r\n
    \r\n
  • Pipe
    • \r\n
  • Zigzag
    • \r\n
  • Half-lock
    • \r\n
  • Spiral
    • \r\n
  • Diaper
    • \r\n
  • Drop
    • \r\n
  • Inert
    • \r\n
\r\nLearn how to apply design, details, and these folds, and you can draw practically any type of clothing on a person!\r\n

Draw Children Step-By Step

\r\n[caption id=\"attachment_643\" align=\"alignleft\" width=\"221\"]\""Ashley" \"Ashley\" by Jack Pearce[/caption]\r\n\r\nMany of us try to sketch our children because that drawing will act as a personal reminder of how much we love and cherish them. However, there are major differences between an adult’s face and a child\'s face. It is all too easy to make a young child look much older when drawn, so it pays to keep a drawing of a child simple. Let\'s look at an easy way to draw a child.\r\n
    \r\n
  • Sketch a small oval-shaped (but almost circular) head. The younger the child, the more circular the head will be.
    • \r\n
  • Divide the small face into four using a vertical and a horizontal line.
    • \r\n
  • Make large round eyes that rest on the horizontal guideline. The eyebrows sit above this line.
    • \r\n
  • Create a small triangle to form the nose.
    • \r\n
  • Draw a curved line to create the young mouth.
    • \r\n
  • Add some thick bobbed hair (or thin hair, depending on the subject and age).
    • \r\n
\r\nThis is a simple way to draw a child. The basic sketch is straightforward and the drawing is not detailed, but this easy way of drawing children works well for many. Now the more you draw boys and girls of different ages, the more you will realize other differences between babies, toddlers, school-age kids, and teenagers.\r\n

Mastering the Art of Pencil Portraits

\r\nItalian portrait artist Franco Clun and Russian portrait artist Olga Larionova create incredibly realistic pencil drawings, yet they never took a formal art class. They are just two examples of how anyone from any background, with enough determination to consistently practice and learn, can eventually become a master portrait artist. Talented artists know how to bring their work to life, but you must never forget that every successful artist started out as an amateur.\r\n\r\nIt will take time to teach yourself how to draw people. In fact, it could take months or even years to master the craft at a level that you are satisfied with. But practice will improve your drawing, and the people that you draw will start to look more and more realistic. If at first you don\'t succeed, try, try and try again! You will see that if you practice on a regular basis, you will not need to wait months. You will realize small successes and make gradual progress with each drawing that will keep you motivated enough to keep at it!\r\n\r\nAmateur artists can learn how to draw people with confidence, and beginners shouldn\'t be afraid to make mistakes. The information found throughout this site will help you to learn how to draw people, and more importantly, how to eventually become a skilled pencil portrait artist. Make use of our articles, tutorials, and videos, and then start enjoying and employing your artistic talents today!','Let\'s See How to Draw People','','inherit','open','open','','66-revision-v1','','','2014-04-17 22:13:18','2014-04-18 05:13:18','',66,'http://www.letsdrawpeople.com/66-revision-v1/',0,'revision','',0),(965,2,'2014-04-17 22:10:24','2014-04-18 05:10:24','\"\"Have you always wanted to draw a realistic human face? Many people feel anxious if they are asked to draw people because they fear that their facial drawing will bear no likeness to the person. Portraiture is the art of creating portraits. A portrait can be defined as a drawing, sculpture, painting or photograph of a particular person. In short, portraits are two-dimensional artistic representations of the three dimensional human face.  Drawing a person is not as hard as it looks but many find capturing the likeness is the most difficult part of facial drawing.  A good sketch of the human face should capture the likeness using perspective, proportion, accurate shading and contours. So, let\'s find out how to draw people and explore various ways of bringing portraiture to life. But first things first…don\'t be a bad workman who blames his tools. Invest in some good art materials and learn to use them in the right way.  Listed below are some of the main art materials used to create good drawings.\r\n

Tools Used to Draw Realistically

\r\n
    \r\n
  • Good quality acid-free drawing paper
    • \r\n
  • A high-quality mechanical pencil
    • \r\n
  • A boxed set of pencils (offers a selection of different pencils that will help you to achieve a variety of results)
    • \r\n
  • A pencil sharpening tool
    • \r\n
  • Kneaded erasers
    • \r\n
  • A blending stump or a tortillion
    • \r\n
  • A can of fixative spray
    • \r\n
\r\nLet\'s take a brief moment to chat about the drawing implements mentioned above.\r\n\r\nWhen you begin to sketch your first portrait, you will make mistakes but errors can be rubbed out time and time again if you use quality paper. Cheap erasers work but they are not as effective as a kneaded eraser. Sharp pencils are easier to work with, so buy a good quality pencil sharpener or use a high-quality mechanical pencil with graphite lead. Pencil is a great medium and pencil art can be rubbed with blending stumps to create light and shade. The finished artwork should be sprayed with a fixative to protect it and to prevent it from yellowing and smudging.\r\n

Helpful Drawing Techniques for Drawing People

\r\nNow we can move on to discuss some common drawing techniques. Some of the most popular techniques used in drawing include:\r\n
    \r\n
  • Contour lines
    • \r\n
  • Hatching and crosshatching
    • \r\n
  • Smooth shading
    • \r\n
  • Circles and scribbles
    • \r\n
\r\nWhy use these techniques when learning how to draw? Contour lines give drawings shape and volume, and these lines can be used to create the outline when you draw a body or a face. Hatching and crosshatching are ways of creating different tones, and meticulous hatching helps to make a portrait look realistic. Smooth shading can create a subtle or deep tonal change, and this is one of the main drawing techniques used to introduce depth into artwork. Circles and scribbles will make your sketch look looser, and this simple drawing technique creates contrast.\r\n\r\nSo, you want to draw a face, but you know nothing about the techniques mentioned above?\r\n\r\nBudding artists should watch some of the many pencil drawing tutorials that can be found online. Useful online tutorials include learning how to blend and shade, realistic pencil drawing techniques, and basic pencil shading. When you have grasped the basics of pencil drawing, move on and watch step-by-step tutorials about how to draw portraits. Top online drawing tutorials include tips and tricks for general portraiture and how to create realistic pencil portraits.\r\n\r\nIt can be equally as helpful to watch videos of artists drawing people that are NOT tutorials with everything spelled out in steps. Often times, there is much to be learned from just watching an artist in action and closely observing which techniques are used.\r\n\r\nThink you HAVE to see step-by-step directions or videos of artists in action to learn techniques? Think again! Although tutorials and videos are extremely helpful, you might also be surprised to find out how much you can learn by just examining already completed work. Study drawings of people completed by other artists. Look for styles you like and try to duplicate the techniques you think they used. Some of the most famous artists became famous by studying the works of masters that came before them. Just remember, you can just as well learn from an artist who is not yet a master. All artists have something valuable to share.\r\n

Draw a Face Step-By-Step

\r\n\"030596\"Following are a few basic guidelines to keep in mind when it comes to drawing faces. Try these out by referring to a photograph, or just draw a random person from your imagination!\r\n
    \r\n
  • Human heads are not circular. Always remember that humans have egg-shaped faces. Begin your sketch by creating an oval outline that tapers towards the bottom.
    • \r\n
  • Map out the facial proportions by drawing a faint line down the center of the oval and a fine horizontal line through the center of the face.
    • \r\n
  • Position the nose on the face by penciling a dividing line in the center of the lower half of the face. The lines that have been drawn on the bottom half of the face should form a cross. The base of the nose should be penciled in at the top of the center of the cross and one nostril will be sketched at either side.
    • \r\n
  • Draw the mouth onto the face using a fine pencil line in between the base of the nose and the bottom of the chin. The bottom lip should sit on the dividing line just drawn. Create a line where the two lips meet, then move on to draw in the bottom and top lip lines.
    • \r\n
  • Add the eyes to your facial drawing. The center of the eye sockets will be in line with the middle of the central horizontal line. Think of the eyeballs as two large circular balls, partially concealed behind the top and bottom eyelids. The eyebrow will sit on top and the cheekbone should rest on the bottom of the shape. Look closely at the eyes of the person you are drawing before drawing in the shapes. Some people have large round eyes and others have almond-shaped eyes, so draw your eyes accordingly. In general, the central space left between the eyes should be equivalent to the width of one eye. Remember, the iris of the eye is made up of many different shades.
    • \r\n
  • Draw in the eyelids. The eyelid should be drawn in over the top of the eye and the base of the lid will come down to cover the very top of the iris. Use some of the shading techniques mentioned earlier to define the shape of the eye socket.
    • \r\n
  • When you are satisfied with the facial shape and features you can add the neck, ears, and hair to the face.
    • \r\n
\r\nAlthough there is more to learn, these tips will hopefully give you a helpful start with how to draw faces. But humans have more than just a head and a face. People have bodies and wear clothes. If you want to learn more about methods of sketching bodies and people in clothes, please read on.\r\n

Drawing the Human Form

\r\n\"\"Sketching the human body in all positions is commonly referred to as \"figure drawing\" and there are many different ways of drawing the human body. Different types of figure drawing include:\r\n
    \r\n
  • Sketching
    • \r\n
  • Life drawing
    • \r\n
  • Emotive drawing
    • \r\n
  • Perspective drawing
    • \r\n
  • Illustration drawing
    • \r\n
  • Diagrammatic drawing
    • \r\n
  • Analytic drawing
    • \r\n
  • Geometric drawing
    • \r\n
\r\nA sketch is an informal drawing and figure sketching helps us to learn how to draw a realistic human figure. Lots of amateur artists enjoy drawing the human figure by studying a live model and life drawing is an essential part of art. People have personalities and characters and emotive drawing is used to express the subject\'s personality. Perspective drawing represents scale, eye-level, surface, planes, light, space and volume. An illustrative drawing is a piece of artwork that comes from a photograph, painting or sketch whereas a diagrammatic drawing is a well-planned piece of art. An analytic drawing of a person will be realistic; the person will be drawn in proportion and those who find it hard to draw people may get on well with geometric figure drawing.\r\n\r\nAdditionally, when you are drawing people you should obviously keep in mind the differences between men and women. For example, when drawing a woman, you will draw smoother, more graceful features. You will draw a proportionately larger pelvis and slender shoulders. When drawing a man, you will draw features with a more rugged, muscular appearance. You will draw broader shoulders and a proportionately larger rib cage.\r\n

Drawing Clothing

\r\n\"howLook at some of the online images of people who are wearing clothes and you will see that every person wears their clothes differently. Artists who want to learn how to sketch people wearing clothing will have to examine the clothing closely. Take a close look, and you will see a recurrence of seven different kinds of folds:\r\n
    \r\n
  • Pipe
    • \r\n
  • Zigzag
    • \r\n
  • Half-lock
    • \r\n
  • Spiral
    • \r\n
  • Diaper
    • \r\n
  • Drop
    • \r\n
  • Inert
    • \r\n
\r\nLearn how to apply design, details, and these folds, and you can draw practically any type of clothing on a person!\r\n

Draw Children Step-By Step

\r\n[caption id=\"attachment_643\" align=\"alignleft\" width=\"221\"]\""Ashley" \"Ashley\" by Jack Pearce[/caption]\r\n\r\nMany of us try to sketch our children because that drawing will act as a personal reminder of how much we love and cherish them. However, there are major differences between an adult’s face and a child\'s face. It is all too easy to make a young child look much older when drawn, so it pays to keep a drawing of a child simple. Let\'s look at an easy way to draw a child.\r\n
    \r\n
  • Sketch a small oval-shaped (but almost circular) head. The younger the child, the more circular the head will be.
    • \r\n
  • Divide the small face into four using a vertical and a horizontal line.
    • \r\n
  • Make large round eyes that rest on the horizontal guideline. The eyebrows sit above this line.
    • \r\n
  • Create a small triangle to form the nose.
    • \r\n
  • Draw a curved line to create the young mouth.
    • \r\n
  • Add some thick bobbed hair (or thin hair, depending on the subject and age).
    • \r\n
\r\nThis is a simple way to draw a child. The basic sketch is straightforward and the drawing is not detailed, but this easy way of drawing children works well for many. Now the more you draw boys and girls of different ages, the more you will realize other differences between babies, toddlers, school-age kids, and teenagers.\r\n

Mastering the Art of Pencil Portraits

\r\nItalian portrait artist Franco Clun and Russian portrait artist Olga Larionova create incredibly realistic pencil drawings, yet they never took a formal art class. They are just two examples of how anyone from any background, with enough determination to consistently practice and learn, can eventually become a master portrait artist. Talented artists know how to bring their work to life, but you must never forget that every successful artist started out as an amateur.\r\n\r\nIt will take time to teach yourself how to draw people. In fact, it could take months or even years to master the craft at a level that you are satisfied with. But practice will improve your drawing, and the people that you draw will start to look more and more realistic. If at first you don\'t succeed, try, try and try again! You will see that if you practice on a regular basis, you will not need to wait months. You will realize small successes and make gradual progress with each drawing that will keep you motivated enough to keep at it!\r\n\r\nAmateur artists can learn how to draw people with confidence, and beginners shouldn\'t be afraid to make mistakes. The information found throughout this site will help you to learn how to draw people, and more importantly, how to eventually become a skilled pencil portrait artist. Make use of our articles, tutorials, and videos, and then start enjoying and employing your artistic talents today!','Let\'s See How to Draw People','','inherit','open','open','','66-revision-v1','','','2014-04-17 22:10:24','2014-04-18 05:10:24','',66,'http://www.letsdrawpeople.com/66-revision-v1/',0,'revision','',0),(968,2,'2014-05-02 21:17:14','2014-05-03 04:17:14','\"howLearning how to draw a woman is a challenge. Drawing the human figure after just learning the basics of drawing anything at all is tricky enough. A woman, though, has a distinct figure in comparison to a man. Furthermore, if you want your work to be clear and understandable to an audience, it is vital that they can immediately see that a figure is female rather than male.\r\n\r\nThe good news is that there are some easy ways to make your female characters and subjects obvious even if you are just beginning to learn how to draw people. By using curves and making yourself aware of some distinct female traits, such as hairstyles and physical gestures, you can make your female figures jump right off the page.\r\n

Human Figure Basics

\r\nAs wonderfully distinct from men as women are, they also share a great deal of anatomical similarity. Therefore, do not be afraid to rely on whatever you have learned about drawing people in general.\r\n\r\nBefore you begin, consider some of the basics of human anatomy as represented in drawings. The body has several parts, including the torso, head, limbs and extremities. Each has a certain proportion to each other. Recalling these proportions makes it easy to draw a man or a woman of any size because the proportions generally remain the same.\r\n\r\nFor your materials, you should start with a graphite pencil. A soft No.2B pencil or a 4B is a great choice. Get a separate eraser as well. The size of the sketch pad is up to you. However, you should make sure that the paper is sturdy so that you can erase if necessary. Paper that will not stand some erasures will require you to start over if it rips.\r\n

Starting from the Top

\r\nBegin by drawing the head. This is a critical part of your work because the head contains the face and the face is responsible for a lot of the body language that you will use in your drawing. Furthermore, the size of the head will help you determine the length and shape of the body that you draw later.\r\n\r\n\"how• There is no need to let the shape of the head stump you before you even begin. Simply draw the basic oval shape for a head that you have already learned. You can do a lot with this basic oval.\r\n• If you have advanced a little more than this, feel free to play with this shape a little. The chin and jaw are major features that vary between men and women. Some people have square jaws, other have more triangular jaws with pointed chins.\r\n• A younger woman\'s head will be a little more rounded than an adult woman\'s head.\r\n• Lightly divide the shape you have used for the head with your pencil.\r\n• Mark points on each side where the eyes and ears will be. As different as one face may be from another, each face tends to be symmetrical. Therefore, the distance of the eyes and ears from this center line should be even.\r\n• Put the bottom of the nose halfway between the eyes and the bottom of the chin.\r\n• Part the lips of the mouth between the bottom of the nose and the bottom of the chin, about a third of the way below the bottom of the nose.\r\n\r\nUntil you acquire some more experience, try to adhere to these guidelines when first learning how to draw women. As you become an expert, you will be able to stray from these tips and create even more stylized faces and heads.\r\n

Working Your Way Down the Body

\r\nNow we continue to the body. If you want, you can skip to this stage after creating the mere shape of the head without adding any details. You may not want to decide how the face looks until you have the body figured out. With the length of the head determined, you can create body proportions that are realistic.\r\n\r\n\"how• Measure the head that you drew. The length of the entire female form should be roughly seven to eight times this length in total.\r\n• The torso should be somewhere between 2 ½ and 3 heads in length.\r\n• The legs should be somewhere between 3 ½ and 4 heads in length. Make sure that the numbers, however you configure them, add up to between seven and eight.\r\n• The width of the shoulders should be about 2 ½ to 3 heads. You will still have to decide how much slope there will be to the shoulders. Women are not as frequently broad-shouldered as men are.\r\n• Place the waist line about 4 heads from the bottom of the feet. This feature is essential for depicting a woman because she is more likely to have a distinct curve in this area than a man. You can decide how much of a curve will go into this area.\r\n• The distance from the lower breast area to the shoulder-line should be one head length.\r\n• When drawing details on the legs, make the thighs about 1 ½ to 2 full heads in length. The end point of this feature would be the kneecap.\r\n• Use the same length to determine the length of the lower legs, including the feet.\r\n\r\nAs you gain expertise, you will come up with your own exact measurements for these segments of the body. You will see, though, that your own guidelines will not stray far from these if you are trying to draw realistic forms of women.\r\n

Poses and Gestures

\r\n\"\"If you want to do more than simply depict mannequins after you learn how to draw a woman, you should pay attention to the way that people present themselves. For example, most people do not stand exactly erect and look at you face to face. Artists typically depict their subjects in poses of some sort. They may be in profile, sitting down or even in movement, as the artist of this drawing shows us.\r\n\r\nAs a beginner, this is too much to deal with right away. However, you can elaborate on your work by making small changes to the way that the person stands. Change the angle of one foot, put a slight slump in the posture or just bend the knees a little.\r\n\r\nPay attention to the arms and hands as well. Real people do not just let their arms hang straight down. A woman may put her hand on one hip, cross her arms, raise a hand to say hello or reach out to grab something. You can quickly move from drawing simple, lifeless figures to creating more lifelike women with just a few alterations in poses and gestures.\r\n

Women\'s Faces

\r\n\"\"Let\'s go back to the face. Both men and women are distinguished primarily by their faces and their expressions.\r\n\r\n• The most fundamental feature of any face is usually the eyes. Eyes can take on many shapes. This is particularly due to ethnic background but women can also use makeup to alter the appearance of their eyes. They may be round or take on a more slanted or even almond appearance. Furthermore, eyelashes may be more or less prominent. Finally, choose a color for the eyes and let your shading reflect that color.\r\n• Think of how the nose looks when you view it on another person\'s face. The bridge is not prominent when viewed from a frontal perspective. Sketch in the angles of the nose at first. Darken with additional strokes as you gain a better idea of how it appears.\r\n• The base of the nose can vary. The nostrils may be wide and flared or they may run more continuously from the bridge of the nose.\r\n• If viewing in profile, the nose becomes even more important. Is the bridge straight? Does the person have a rounded nose? Noses vary a great deal and there is no real scale that you can use to create proportional noses because they can be anywhere from large to small in comparison to the face. You will have to feel your own way with this feature.\r\n

The Many Hairstyles of Women

\r\n\"howIn general, women have a greater variety of hairstyles than men. Like men, their hair may be of all lengths but women tend to do more with what they have. This can be a challenge to draw, but it becomes easier as you learn what to look for.\r\n\r\n• Even if the woman\'s hair comes down and covers where the hairline meets the forehead, you need to know where the hairline is.\r\n• You are not going to draw every single hair on her head but you may want to go beyond just outlining a mass of hair. Use light strokes to indicate fine threads of hair and darker pencil lines to indicate thicker locks of hair.\r\n• You need to determine how long the hair is and if it hangs over her shoulders or not.\r\n• Decide if the hair will cover her ears. If not, you will have to draw the ears as well.\r\n• Do not forget that the eyelashes and eyebrows are made from hair as well. You can simply draw these in as lines or make the bristles more prominent.\r\n

Ages and Ethnicities

\r\n\"???????????????????????????????????????????????????????????????????????????\"There is a tendency on the part of beginning artists to depict young people with standard features of the people that surround them. As you become more proficient, try to add some variation to your drawings.  The women in your drawings may be older or younger. Older women may have a few more wrinkles and possibly carry a little more weight. Indicate these traits with subtle details that enhance the beauty and character of your subject. Also, drawing women of varying ethnicities will require you to adapt the shapes of faces and features in your portraits.\r\n\r\nIn order to learn how to draw a woman, you simply need a lot of practice. You should get started right away. The great thing about drawing is that no one has to see your mistakes. You can do it again and again until you get it right.','How To Draw Women That Really Look Like Women','','publish','open','open','','how-to-draw-women-that-really-look-like-women','','\nhttp://www.letsdrawpeople.com/keeping-it-simple-the-straight-forward-step-by-step-guide-to-drawing-the-body/','2014-07-19 16:18:55','2014-07-19 23:18:55','',0,'http://www.letsdrawpeople.com/?p=968',0,'post','',0),(969,2,'2014-04-28 21:02:54','2014-04-29 04:02:54','Learning how to draw a woman is a challenge. Drawing the human figure after just learning the basics of drawing anything at all is tricky enough. A woman, though, has a distinct figure in comparison to a man. Furthermore, if you want your work to be clear and understandable to an audience, it is vital that they can immediately see that a figure is female rather than male.\r\n\r\nThe good news is that there are some easy ways to make your female characters and subjects obvious even if you are just beginning to learn how to draw. By using curves and making yourself aware of some distinct female traits, such as hairstyles and physical gestures, you can make your female figures jump right off the page.\r\n

Human Figure Basics

\r\nAs wonderfully distinct from men as women are, they also share a great deal of anatomical similarity. Therefore, do not be afraid to rely on whatever you have learned about drawing people in general.\r\n\r\nBefore you begin, consider some of the basics of human anatomy as represented in drawings. The body has several parts, including the torso, head, limbs and extremities. Each has a certain proportion to each other. Recalling these proportions makes it easy to draw a man or a woman of any size because the proportions generally remain the same.\r\n\r\nFor your materials, you should acquire a soft No.2B pencil or a 4B. Get a separate eraser as well. The size of the sketch pad is up to you. However, you should make sure that the paper is sturdy so that you can erase if necessary. Paper that will not stand some erasures will require you to start over if it rips.\r\n\r\nStarting from the Top\r\n\r\nBegin by drawing the head. This is a critical part of your work because the head contains the face and the face is responsible for a lot of the body language that you will use in your drawing. Furthermore, the size of the head will help you determine the length and shape of the body that you draw later.\r\n\r\n• There is no need to let the shape of the head stymie you before you even begin. Simply draw the basic oval shape for a head that you have already learned. You can do a lot with this basic oval.\r\n• If you have advanced a little more than this, feel free to play with this shape a little. The chin and jaw are major features that vary between men and women. Some people have square jaws, other have more triangular jaws with pointed chins.\r\n• A younger woman\'s head will be a little more rounded than an adult woman\'s head.\r\n• Lightly divide the oval or whatever shape you have used for the head with your pencil. Use a ruler to make this vertical line exactly straight.\r\n• Use this same ruler to mark points on each side where the eyes and ears will be. As different as one face may be from another, each face tends to be symmetrical. Therefore, the distance of the eyes and ears from this center line should be even.\r\n• Put the bottom of the nose halfway between the eyes and the bottom of the chin.\r\n• Part the lips of the mouth halfway between the bottom of the nose and the bottom of the chin.\r\n\r\nUntil you acquire some more experience, try to adhere to these guidelines when first learning how to draw women. As you become an expert, you will be able to stray from these tips and create even more stylized faces and heads.\r\n\r\nWorking Your Way Down the Body\r\n\r\nYou can skip to this stage after creating the mere shape of the head without adding any details. You may not want to decide how the face looks until you have the body figured out. With the length of the head determined, you can create body proportions that are realistic.\r\n\r\n• Measure the head that you drew. The length of the entire female form should be roughly seven times this length in total.\r\n• The torso should be somewhere between 2 ½ and 3 heads in length.\r\n• The legs should be somewhere between 3 and 3 ½ heads in length. Make sure that the numbers, however you configure them, add up to seven.\r\n• The width of the shoulders should be about 2 ½ heads. You will still have to decide how much slope there will be to the shoulders. Women are not as frequently broad-shouldered as men are.\r\n• Place the waist line about 4 heads from the bottom of the feet. This feature is essential for depicting a woman because she is more likely to have a distinct curve in this area than a man. You can decide how much of a curve will go into this area.\r\n• The distance from the nipples to the shoulder-line should be one head length.\r\n• When drawing details on the legs, make the distance thighs about 1 ½ to 2 full heads in length. The end point of this feature would be the kneecap.\r\n• Use the same length to determine the length of the lower legs, including the feet.\r\n\r\nAs you gain expertise, you will come up with your own exact measurements for these segments of the body. You will see, though, that your own guidelines will not stray far from these if you are trying to draw realistic forms of women.\r\n\r\nPoses and Gestures\r\n\r\nIf you want to do more than simply depict mannequins after you learn how to draw a woman, you should pay attention to the way that people present themselves. For example, most people do not stand exactly erect and look at you face to face. Artists typically depict their subjects in poses of some sort. They may be in profile, sitting down or even in movement.\r\n\r\nAs a beginner, this is too much to deal with right away. However, you can elaborate on your work by making small changes to the way that the person stands. Change the angle of one foot, put a slight slump in the posture or just bend the knees a little.\r\n\r\nPay attention to the arms and hands as well. Real people do not just let their arms hang straight down. A woman may put her hand on one hip, cross her arms, raise a hand to say hello or reach out to grab something. You can quickly move from drawing simple, lifeless figures to creating more lifelike women with just a few alterations in poses and gestures.\r\n\r\nWomen\'s Faces\r\n\r\nLet\'s go back to the face. Both men and women are distinguished primarily by their faces and their expressions.\r\n\r\n• The most fundamental feature of any face is usually the eyes. Eyes can take on many shapes. This is particularly due to ethnic background but women can also use makeup to alter the appearance of their eyes. They may be round or take on a more slanted or even almond appearance. Furthermore, eyelashes may be more or less prominent. Finally, choose a color for the eyes.\r\n• Think of how the nose looks when you view it on another person\'s face. The bridge is not prominent when viewed from a frontal perspective. Sketch in the angles of the nose at first. Darken with additional strokes as you gain a better idea of how it appears.\r\n• The base of the nose can vary. The nostrils may be wide and flared or they may run more continuously from the bridge of the nose.\r\n• If viewing in profile, the nose becomes even more important. Is the bridge straight? Does the person have a rounded nose? Noses vary a great deal and there is no real scale that you can use to create proportional noses because they can be so large in comparison to the face. You will have to feel your own way with this feature.\r\n\r\nThe Many Hairstyles of Women\r\n\r\nIn general, women have a greater variety of hairstyles than men. Like men, their hair may be of all lengths but women tend to do more with what they have. This can be a challenge to draw.\r\n\r\n• Sketch the perimeter of the hairline lightly where it meets the forehead. The location of this feature is critical. Even if the woman\'s hair comes down and obscures this point, you need to know where it is.\r\n• You are not going to draw every single hair on her head but you may want to go beyond just outlining a mass of hair. Use light strokes to indicate fine threads of hair and darker pencil lines to indicate thicker locks of hair.\r\n• You need to determine how long the hair is and if it hangs over her shoulders or not.\r\n• Decide if the hair will cover her ears. If not, you will have to draw these appendages as well.\r\n• Do not forget that the eyelashes and eyebrows are made from hair as well. You can simply draw these in as lines or make the bristles more prominent.\r\n\r\nAges and Ethnicities\r\n\r\nThere is a tendency on the part of beginning drawers and artists to depict young people with standard features of the people that surround them. As you become more proficient, try to add some variation to your drawings.  The women in your drawings may be older or younger. Older women will have wrinkles and possibly carry more weight. Also, drawing women of other ethnicities will require you to adapt the shapes of their faces and features.\r\n\r\nIn order to learn how to draw a woman, you simply need a lot of practice. You should get started right away. The great thing about drawing is that no one has to see your mistakes. You can do it again and again until you get it right.','How To Draw Women That Really Look Like Women','','inherit','open','open','','968-revision-v1','','','2014-04-28 21:02:54','2014-04-29 04:02:54','',968,'http://www.letsdrawpeople.com/968-revision-v1/',0,'revision','',0),(970,2,'2014-04-29 21:33:16','2014-04-30 04:33:16','[*****woman figure sketch*****]Learning how to draw a woman is a challenge. Drawing the human figure after just learning the basics of drawing anything at all is tricky enough. A woman, though, has a distinct figure in comparison to a man. Furthermore, if you want your work to be clear and understandable to an audience, it is vital that they can immediately see that a figure is female rather than male.\r\n\r\nThe good news is that there are some easy ways to make your female characters and subjects obvious even if you are just beginning to learn how to draw. By using curves and making yourself aware of some distinct female traits, such as hairstyles and physical gestures, you can make your female figures jump right off the page.\r\n

Human Figure Basics

\r\nAs wonderfully distinct from men as women are, they also share a great deal of anatomical similarity. Therefore, do not be afraid to rely on whatever you have learned about drawing people in general.\r\n\r\nBefore you begin, consider some of the basics of human anatomy as represented in drawings. The body has several parts, including the torso, head, limbs and extremities. Each has a certain proportion to each other. Recalling these proportions makes it easy to draw a man or a woman of any size because the proportions generally remain the same.\r\n\r\nFor your materials, you should acquire a soft No.2B pencil or a 4B. Get a separate eraser as well. The size of the sketch pad is up to you. However, you should make sure that the paper is sturdy so that you can erase if necessary. Paper that will not stand some erasures will require you to start over if it rips.\r\n

Starting from the Top

\r\nBegin by drawing the head. This is a critical part of your work because the head contains the face and the face is responsible for a lot of the body language that you will use in your drawing. Furthermore, the size of the head will help you determine the length and shape of the body that you draw later.\r\n\r\n• There is no need to let the shape of the head stump you before you even begin. Simply draw the basic oval shape for a head that you have already learned. You can do a lot with this basic oval.\r\n• If you have advanced a little more than this, feel free to play with this shape a little. The chin and jaw are major features that vary between men and women. Some people have square jaws, other have more triangular jaws with pointed chins.\r\n• A younger woman\'s head will be a little more rounded than an adult woman\'s head.\r\n• Lightly divide the shape you have used for the head with your pencil. Use a ruler to make this vertical line exactly straight.\r\n• Use this same ruler to mark points on each side where the eyes and ears will be. As different as one face may be from another, each face tends to be symmetrical. Therefore, the distance of the eyes and ears from this center line should be even.\r\n• Put the bottom of the nose halfway between the eyes and the bottom of the chin.\r\n• Part the lips of the mouth halfway between the bottom of the nose and the bottom of the chin.\r\n\r\nUntil you acquire some more experience, try to adhere to these guidelines when first learning how to draw women. As you become an expert, you will be able to stray from these tips and create even more stylized faces and heads.\r\n

Working Your Way Down the Body

\r\nYou can skip to this stage after creating the mere shape of the head without adding any details. You may not want to decide how the face looks until you have the body figured out. With the length of the head determined, you can create body proportions that are realistic.\r\n\r\n• Measure the head that you drew. The length of the entire female form should be roughly seven times this length in total.\r\n• The torso should be somewhere between 2 ½ and 3 heads in length.\r\n• The legs should be somewhere between 3 and 3 ½ heads in length. Make sure that the numbers, however you configure them, add up to seven.\r\n• The width of the shoulders should be about 2 ½ heads. You will still have to decide how much slope there will be to the shoulders. Women are not as frequently broad-shouldered as men are.\r\n• Place the waist line about 4 heads from the bottom of the feet. This feature is essential for depicting a woman because she is more likely to have a distinct curve in this area than a man. You can decide how much of a curve will go into this area.\r\n• The distance from the nipples to the shoulder-line should be one head length.\r\n• When drawing details on the legs, make the distance thighs about 1 ½ to 2 full heads in length. The end point of this feature would be the kneecap.\r\n• Use the same length to determine the length of the lower legs, including the feet.\r\n\r\nAs you gain expertise, you will come up with your own exact measurements for these segments of the body. You will see, though, that your own guidelines will not stray far from these if you are trying to draw realistic forms of women.\r\n

Poses and Gestures

\r\nIf you want to do more than simply depict mannequins after you learn how to draw a woman, you should pay attention to the way that people present themselves. For example, most people do not stand exactly erect and look at you face to face. Artists typically depict their subjects in poses of some sort. They may be in profile, sitting down or even in movement.\r\n\r\nAs a beginner, this is too much to deal with right away. However, you can elaborate on your work by making small changes to the way that the person stands. Change the angle of one foot, put a slight slump in the posture or just bend the knees a little.\r\n\r\nPay attention to the arms and hands as well. Real people do not just let their arms hang straight down. A woman may put her hand on one hip, cross her arms, raise a hand to say hello or reach out to grab something. You can quickly move from drawing simple, lifeless figures to creating more lifelike women with just a few alterations in poses and gestures.\r\n

Women\'s Faces

\r\nLet\'s go back to the face. Both men and women are distinguished primarily by their faces and their expressions.\r\n\r\n• The most fundamental feature of any face is usually the eyes. Eyes can take on many shapes. This is particularly due to ethnic background but women can also use makeup to alter the appearance of their eyes. They may be round or take on a more slanted or even almond appearance. Furthermore, eyelashes may be more or less prominent. Finally, choose a color for the eyes.\r\n• Think of how the nose looks when you view it on another person\'s face. The bridge is not prominent when viewed from a frontal perspective. Sketch in the angles of the nose at first. Darken with additional strokes as you gain a better idea of how it appears.\r\n• The base of the nose can vary. The nostrils may be wide and flared or they may run more continuously from the bridge of the nose.\r\n• If viewing in profile, the nose becomes even more important. Is the bridge straight? Does the person have a rounded nose? Noses vary a great deal and there is no real scale that you can use to create proportional noses because they can be so large in comparison to the face. You will have to feel your own way with this feature.\r\n

The Many Hairstyles of Women

\r\nIn general, women have a greater variety of hairstyles than men. Like men, their hair may be of all lengths but women tend to do more with what they have. This can be a challenge to draw.\r\n\r\n• Sketch the perimeter of the hairline lightly where it meets the forehead. The location of this feature is critical. Even if the woman\'s hair comes down and obscures this point, you need to know where it is.\r\n• You are not going to draw every single hair on her head but you may want to go beyond just outlining a mass of hair. Use light strokes to indicate fine threads of hair and darker pencil lines to indicate thicker locks of hair.\r\n• You need to determine how long the hair is and if it hangs over her shoulders or not.\r\n• Decide if the hair will cover her ears. If not, you will have to draw these appendages as well.\r\n• Do not forget that the eyelashes and eyebrows are made from hair as well. You can simply draw these in as lines or make the bristles more prominent.\r\n

Ages and Ethnicities

\r\nThere is a tendency on the part of beginning drawers and artists to depict young people with standard features of the people that surround them. As you become more proficient, try to add some variation to your drawings.  The women in your drawings may be older or younger. Older women will have wrinkles and possibly carry more weight. Also, drawing women of other ethnicities will require you to adapt the shapes of their faces and features.\r\n\r\nIn order to learn how to draw a woman, you simply need a lot of practice. You should get started right away. The great thing about drawing is that no one has to see your mistakes. You can do it again and again until you get it right.','How To Draw Women That Really Look Like Women','','inherit','open','open','','968-revision-v1','','','2014-04-29 21:33:16','2014-04-30 04:33:16','',968,'http://www.letsdrawpeople.com/968-revision-v1/',0,'revision','',0),(971,2,'2014-04-30 19:47:06','2014-05-01 02:47:06','[*****sketch of DT 28738600*****]Learning how to draw a woman is a challenge. Drawing the human figure after just learning the basics of drawing anything at all is tricky enough. A woman, though, has a distinct figure in comparison to a man. Furthermore, if you want your work to be clear and understandable to an audience, it is vital that they can immediately see that a figure is female rather than male.\r\n\r\nThe good news is that there are some easy ways to make your female characters and subjects obvious even if you are just beginning to learn how to draw. By using curves and making yourself aware of some distinct female traits, such as hairstyles and physical gestures, you can make your female figures jump right off the page.\r\n

Human Figure Basics

\r\nAs wonderfully distinct from men as women are, they also share a great deal of anatomical similarity. Therefore, do not be afraid to rely on whatever you have learned about drawing people in general.\r\n\r\nBefore you begin, consider some of the basics of human anatomy as represented in drawings. The body has several parts, including the torso, head, limbs and extremities. Each has a certain proportion to each other. Recalling these proportions makes it easy to draw a man or a woman of any size because the proportions generally remain the same.\r\n\r\nFor your materials, you should start with a graphite pencil. A soft No.2B pencil or a 4B is a great choice. Get a separate eraser as well. The size of the sketch pad is up to you. However, you should make sure that the paper is sturdy so that you can erase if necessary. Paper that will not stand some erasures will require you to start over if it rips.\r\n

Starting from the Top

\r\nBegin by drawing the head. This is a critical part of your work because the head contains the face and the face is responsible for a lot of the body language that you will use in your drawing. Furthermore, the size of the head will help you determine the length and shape of the body that you draw later.\r\n\r\n• There is no need to let the shape of the head stump you before you even begin. Simply draw the basic oval shape for a head that you have already learned. You can do a lot with this basic oval.\r\n• If you have advanced a little more than this, feel free to play with this shape a little. The chin and jaw are major features that vary between men and women. Some people have square jaws, other have more triangular jaws with pointed chins.\r\n• A younger woman\'s head will be a little more rounded than an adult woman\'s head.\r\n• Lightly divide the shape you have used for the head with your pencil. [highlight]Use a ruler to make this vertical line exactly straight.[/highlight]\r\n• Use this same ruler to mark points on each side where the eyes and ears will be. As different as one face may be from another, each face tends to be symmetrical. Therefore, the distance of the eyes and ears from this center line should be even.\r\n• Put the bottom of the nose halfway between the eyes and the bottom of the chin.\r\n• Part the lips of the mouth halfway between the bottom of the nose and the bottom of the chin.\r\n\r\nUntil you acquire some more experience, try to adhere to these guidelines when first learning how to draw women. As you become an expert, you will be able to stray from these tips and create even more stylized faces and heads.\r\n

Working Your Way Down the Body

\r\nYou can skip to this stage after creating the mere shape of the head without adding any details. You may not want to decide how the face looks until you have the body figured out. With the length of the head determined, you can create body proportions that are realistic.\r\n\r\n• Measure the head that you drew. The length of the entire female form should be roughly seven times this length in total.\r\n• The torso should be somewhere between 2 ½ and 3 heads in length.\r\n• The legs should be somewhere between 3 and 3 ½ heads in length. Make sure that the numbers, however you configure them, add up to seven.\r\n• The width of the shoulders should be about 2 ½ heads. You will still have to decide how much slope there will be to the shoulders. Women are not as frequently broad-shouldered as men are.\r\n• Place the waist line about 4 heads from the bottom of the feet. This feature is essential for depicting a woman because she is more likely to have a distinct curve in this area than a man. You can decide how much of a curve will go into this area.\r\n• The distance from the nipples to the shoulder-line should be one head length.\r\n• When drawing details on the legs, make the distance thighs about 1 ½ to 2 full heads in length. The end point of this feature would be the kneecap.\r\n• Use the same length to determine the length of the lower legs, including the feet.\r\n\r\nAs you gain expertise, you will come up with your own exact measurements for these segments of the body. You will see, though, that your own guidelines will not stray far from these if you are trying to draw realistic forms of women.\r\n

Poses and Gestures

\r\nIf you want to do more than simply depict mannequins after you learn how to draw a woman, you should pay attention to the way that people present themselves. For example, most people do not stand exactly erect and look at you face to face. Artists typically depict their subjects in poses of some sort. They may be in profile, sitting down or even in movement.\r\n\r\nAs a beginner, this is too much to deal with right away. However, you can elaborate on your work by making small changes to the way that the person stands. Change the angle of one foot, put a slight slump in the posture or just bend the knees a little.\r\n\r\nPay attention to the arms and hands as well. Real people do not just let their arms hang straight down. A woman may put her hand on one hip, cross her arms, raise a hand to say hello or reach out to grab something. You can quickly move from drawing simple, lifeless figures to creating more lifelike women with just a few alterations in poses and gestures.\r\n

Women\'s Faces

\r\nLet\'s go back to the face. Both men and women are distinguished primarily by their faces and their expressions.\r\n\r\n• The most fundamental feature of any face is usually the eyes. Eyes can take on many shapes. This is particularly due to ethnic background but women can also use makeup to alter the appearance of their eyes. They may be round or take on a more slanted or even almond appearance. Furthermore, eyelashes may be more or less prominent. Finally, choose a color for the eyes and let your shading reflect that color.\r\n• Think of how the nose looks when you view it on another person\'s face. The bridge is not prominent when viewed from a frontal perspective. Sketch in the angles of the nose at first. Darken with additional strokes as you gain a better idea of how it appears.\r\n• The base of the nose can vary. The nostrils may be wide and flared or they may run more continuously from the bridge of the nose.\r\n• If viewing in profile, the nose becomes even more important. Is the bridge straight? Does the person have a rounded nose? Noses vary a great deal and there is no real scale that you can use to create proportional noses because they can be so large in comparison to the face. You will have to feel your own way with this feature.\r\n

The Many Hairstyles of Women

\r\nIn general, women have a greater variety of hairstyles than men. Like men, their hair may be of all lengths but women tend to do more with what they have. This can be a challenge to draw.\r\n\r\n• Sketch the perimeter of the hairline lightly where it meets the forehead. The location of this feature is critical. Even if the woman\'s hair comes down and obscures this point, you need to know where it is.\r\n• You are not going to draw every single hair on her head but you may want to go beyond just outlining a mass of hair. Use light strokes to indicate fine threads of hair and darker pencil lines to indicate thicker locks of hair.\r\n• You need to determine how long the hair is and if it hangs over her shoulders or not.\r\n• Decide if the hair will cover her ears. If not, you will have to draw these appendages as well.\r\n• Do not forget that the eyelashes and eyebrows are made from hair as well. You can simply draw these in as lines or make the bristles more prominent.\r\n

Ages and Ethnicities

\r\nThere is a tendency on the part of beginning drawers and artists to depict young people with standard features of the people that surround them. As you become more proficient, try to add some variation to your drawings.  The women in your drawings may be older or younger. Older women will have wrinkles and possibly carry more weight. Also, drawing women of other ethnicities will require you to adapt the shapes of their faces and features.\r\n\r\nIn order to learn how to draw a woman, you simply need a lot of practice. You should get started right away. The great thing about drawing is that no one has to see your mistakes. You can do it again and again until you get it right.','How To Draw Women That Really Look Like Women','','inherit','open','open','','968-revision-v1','','','2014-04-30 19:47:06','2014-05-01 02:47:06','',968,'http://www.letsdrawpeople.com/968-revision-v1/',0,'revision','',0),(972,2,'2014-04-30 19:48:42','2014-05-01 02:48:42','[*****sketch of DT 28738600*****]Learning how to draw a woman is a challenge. Drawing the human figure after just learning the basics of drawing anything at all is tricky enough. A woman, though, has a distinct figure in comparison to a man. Furthermore, if you want your work to be clear and understandable to an audience, it is vital that they can immediately see that a figure is female rather than male.\r\n\r\nThe good news is that there are some easy ways to make your female characters and subjects obvious even if you are just beginning to learn how to draw. By using curves and making yourself aware of some distinct female traits, such as hairstyles and physical gestures, you can make your female figures jump right off the page.\r\n

Human Figure Basics

\r\nAs wonderfully distinct from men as women are, they also share a great deal of anatomical similarity. Therefore, do not be afraid to rely on whatever you have learned about drawing people in general.\r\n\r\nBefore you begin, consider some of the basics of human anatomy as represented in drawings. The body has several parts, including the torso, head, limbs and extremities. Each has a certain proportion to each other. Recalling these proportions makes it easy to draw a man or a woman of any size because the proportions generally remain the same.\r\n\r\nFor your materials, you should start with a graphite pencil. A soft No.2B pencil or a 4B is a great choice. Get a separate eraser as well. The size of the sketch pad is up to you. However, you should make sure that the paper is sturdy so that you can erase if necessary. Paper that will not stand some erasures will require you to start over if it rips.\r\n

Starting from the Top

\r\nBegin by drawing the head. This is a critical part of your work because the head contains the face and the face is responsible for a lot of the body language that you will use in your drawing. Furthermore, the size of the head will help you determine the length and shape of the body that you draw later.\r\n\r\n• There is no need to let the shape of the head stump you before you even begin. Simply draw the basic oval shape for a head that you have already learned. You can do a lot with this basic oval.\r\n• If you have advanced a little more than this, feel free to play with this shape a little. The chin and jaw are major features that vary between men and women. Some people have square jaws, other have more triangular jaws with pointed chins.\r\n• A younger woman\'s head will be a little more rounded than an adult woman\'s head.\r\n• Lightly divide the shape you have used for the head with your pencil. Use a ruler to make this vertical line exactly straight.\r\n• Use this same ruler to mark points on each side where the eyes and ears will be. As different as one face may be from another, each face tends to be symmetrical. Therefore, the distance of the eyes and ears from this center line should be even.\r\n• Put the bottom of the nose halfway between the eyes and the bottom of the chin.\r\n• Part the lips of the mouth halfway between the bottom of the nose and the bottom of the chin.\r\n\r\nUntil you acquire some more experience, try to adhere to these guidelines when first learning how to draw women. As you become an expert, you will be able to stray from these tips and create even more stylized faces and heads.\r\n

Working Your Way Down the Body

\r\nYou can skip to this stage after creating the mere shape of the head without adding any details. You may not want to decide how the face looks until you have the body figured out. With the length of the head determined, you can create body proportions that are realistic.\r\n\r\n• Measure the head that you drew. The length of the entire female form should be roughly seven times this length in total.\r\n• The torso should be somewhere between 2 ½ and 3 heads in length.\r\n• The legs should be somewhere between 3 and 3 ½ heads in length. Make sure that the numbers, however you configure them, add up to seven.\r\n• The width of the shoulders should be about 2 ½ heads. You will still have to decide how much slope there will be to the shoulders. Women are not as frequently broad-shouldered as men are.\r\n• Place the waist line about 4 heads from the bottom of the feet. This feature is essential for depicting a woman because she is more likely to have a distinct curve in this area than a man. You can decide how much of a curve will go into this area.\r\n• The distance from the nipples to the shoulder-line should be one head length.\r\n• When drawing details on the legs, make the distance thighs about 1 ½ to 2 full heads in length. The end point of this feature would be the kneecap.\r\n• Use the same length to determine the length of the lower legs, including the feet.\r\n\r\nAs you gain expertise, you will come up with your own exact measurements for these segments of the body. You will see, though, that your own guidelines will not stray far from these if you are trying to draw realistic forms of women.\r\n

Poses and Gestures

\r\nIf you want to do more than simply depict mannequins after you learn how to draw a woman, you should pay attention to the way that people present themselves. For example, most people do not stand exactly erect and look at you face to face. Artists typically depict their subjects in poses of some sort. They may be in profile, sitting down or even in movement.\r\n\r\nAs a beginner, this is too much to deal with right away. However, you can elaborate on your work by making small changes to the way that the person stands. Change the angle of one foot, put a slight slump in the posture or just bend the knees a little.\r\n\r\nPay attention to the arms and hands as well. Real people do not just let their arms hang straight down. A woman may put her hand on one hip, cross her arms, raise a hand to say hello or reach out to grab something. You can quickly move from drawing simple, lifeless figures to creating more lifelike women with just a few alterations in poses and gestures.\r\n

Women\'s Faces

\r\nLet\'s go back to the face. Both men and women are distinguished primarily by their faces and their expressions.\r\n\r\n• The most fundamental feature of any face is usually the eyes. Eyes can take on many shapes. This is particularly due to ethnic background but women can also use makeup to alter the appearance of their eyes. They may be round or take on a more slanted or even almond appearance. Furthermore, eyelashes may be more or less prominent. Finally, choose a color for the eyes and let your shading reflect that color.\r\n• Think of how the nose looks when you view it on another person\'s face. The bridge is not prominent when viewed from a frontal perspective. Sketch in the angles of the nose at first. Darken with additional strokes as you gain a better idea of how it appears.\r\n• The base of the nose can vary. The nostrils may be wide and flared or they may run more continuously from the bridge of the nose.\r\n• If viewing in profile, the nose becomes even more important. Is the bridge straight? Does the person have a rounded nose? Noses vary a great deal and there is no real scale that you can use to create proportional noses because they can be so large in comparison to the face. You will have to feel your own way with this feature.\r\n

The Many Hairstyles of Women

\r\nIn general, women have a greater variety of hairstyles than men. Like men, their hair may be of all lengths but women tend to do more with what they have. This can be a challenge to draw.\r\n\r\n• Sketch the perimeter of the hairline lightly where it meets the forehead. The location of this feature is critical. Even if the woman\'s hair comes down and obscures this point, you need to know where it is.\r\n• You are not going to draw every single hair on her head but you may want to go beyond just outlining a mass of hair. Use light strokes to indicate fine threads of hair and darker pencil lines to indicate thicker locks of hair.\r\n• You need to determine how long the hair is and if it hangs over her shoulders or not.\r\n• Decide if the hair will cover her ears. If not, you will have to draw these appendages as well.\r\n• Do not forget that the eyelashes and eyebrows are made from hair as well. You can simply draw these in as lines or make the bristles more prominent.\r\n

Ages and Ethnicities

\r\nThere is a tendency on the part of beginning drawers and artists to depict young people with standard features of the people that surround them. As you become more proficient, try to add some variation to your drawings.  The women in your drawings may be older or younger. Older women will have wrinkles and possibly carry more weight. Also, drawing women of other ethnicities will require you to adapt the shapes of their faces and features.\r\n\r\nIn order to learn how to draw a woman, you simply need a lot of practice. You should get started right away. The great thing about drawing is that no one has to see your mistakes. You can do it again and again until you get it right.','How To Draw Women That Really Look Like Women','','inherit','open','open','','968-revision-v1','','','2014-04-30 19:48:42','2014-05-01 02:48:42','',968,'http://www.letsdrawpeople.com/968-revision-v1/',0,'revision','',0),(973,2,'2014-04-30 21:05:05','2014-05-01 04:05:05','[*****sketch of DT 28738600*****]Learning how to draw a woman is a challenge. Drawing the human figure after just learning the basics of drawing anything at all is tricky enough. A woman, though, has a distinct figure in comparison to a man. Furthermore, if you want your work to be clear and understandable to an audience, it is vital that they can immediately see that a figure is female rather than male.\r\n\r\nThe good news is that there are some easy ways to make your female characters and subjects obvious even if you are just beginning to learn how to draw. By using curves and making yourself aware of some distinct female traits, such as hairstyles and physical gestures, you can make your female figures jump right off the page.\r\n

Human Figure Basics

\r\nAs wonderfully distinct from men as women are, they also share a great deal of anatomical similarity. Therefore, do not be afraid to rely on whatever you have learned about drawing people in general.\r\n\r\nBefore you begin, consider some of the basics of human anatomy as represented in drawings. The body has several parts, including the torso, head, limbs and extremities. Each has a certain proportion to each other. Recalling these proportions makes it easy to draw a man or a woman of any size because the proportions generally remain the same.\r\n\r\nFor your materials, you should start with a graphite pencil. A soft No.2B pencil or a 4B is a great choice. Get a separate eraser as well. The size of the sketch pad is up to you. However, you should make sure that the paper is sturdy so that you can erase if necessary. Paper that will not stand some erasures will require you to start over if it rips.\r\n

Starting from the Top

\r\nBegin by drawing the head. This is a critical part of your work because the head contains the face and the face is responsible for a lot of the body language that you will use in your drawing. Furthermore, the size of the head will help you determine the length and shape of the body that you draw later.\r\n\r\n[*****simple sketch of woman\'s face DT 22765868*****]• There is no need to let the shape of the head stump you before you even begin. Simply draw the basic oval shape for a head that you have already learned. You can do a lot with this basic oval.\r\n• If you have advanced a little more than this, feel free to play with this shape a little. The chin and jaw are major features that vary between men and women. Some people have square jaws, other have more triangular jaws with pointed chins.\r\n• A younger woman\'s head will be a little more rounded than an adult woman\'s head.\r\n• Lightly divide the shape you have used for the head with your pencil. Use a ruler to make this vertical line exactly straight.\r\n• Use this same ruler to Mark points on each side where the eyes and ears will be. As different as one face may be from another, each face tends to be symmetrical. Therefore, the distance of the eyes and ears from this center line should be even.\r\n• Put the bottom of the nose halfway between the eyes and the bottom of the chin.\r\n• Part the lips of the mouth between the bottom of the nose and the bottom of the chin, about a third of the way below the bottom of the nose.\r\n\r\nUntil you acquire some more experience, try to adhere to these guidelines when first learning how to draw women. As you become an expert, you will be able to stray from these tips and create even more stylized faces and heads.\r\n

Working Your Way Down the Body

\r\nNow, we continue to the body. If you want, you can skip to this stage after creating the mere shape of the head without adding any details. You may not want to decide how the face looks until you have the body figured out. With the length of the head determined, you can create body proportions that are realistic.\r\n\r\n[*****simple sketch of woman\'s figure DT 22765868*****]• Measure the head that you drew. The length of the entire female form should be roughly seven to eight times this length in total.\r\n• The torso should be somewhere between 2 ½ and 3 heads in length.\r\n• The legs should be somewhere between 3 ½ and 4 heads in length. Make sure that the numbers, however you configure them, add up to between seven and eight.\r\n• The width of the shoulders should be about 2 ½ to 3 heads. You will still have to decide how much slope there will be to the shoulders. Women are not as frequently broad-shouldered as men are.\r\n• Place the waist line about 4 heads from the bottom of the feet. This feature is essential for depicting a woman because she is more likely to have a distinct curve in this area than a man. You can decide how much of a curve will go into this area.\r\n• The distance from the lower breast area to the shoulder-line should be one head length.\r\n• When drawing details on the legs, make the distance thighs about 1 ½ to 2 full heads in length. The end point of this feature would be the kneecap.\r\n• Use the same length to determine the length of the lower legs, including the feet.\r\n\r\nAs you gain expertise, you will come up with your own exact measurements for these segments of the body. You will see, though, that your own guidelines will not stray far from these if you are trying to draw realistic forms of women.\r\n

Poses and Gestures

\r\n[*****simple sketch of woman pose DT 22088992*****]If you want to do more than simply depict mannequins after you learn how to draw a woman, you should pay attention to the way that people present themselves. For example, most people do not stand exactly erect and look at you face to face. Artists typically depict their subjects in poses of some sort. They may be in profile, sitting down or even in movement.\r\n\r\nAs a beginner, this is too much to deal with right away. However, you can elaborate on your work by making small changes to the way that the person stands. Change the angle of one foot, put a slight slump in the posture or just bend the knees a little.\r\n\r\nPay attention to the arms and hands as well. Real people do not just let their arms hang straight down. A woman may put her hand on one hip, cross her arms, raise a hand to say hello or reach out to grab something. You can quickly move from drawing simple, lifeless figures to creating more lifelike women with just a few alterations in poses and gestures.\r\n

Women\'s Faces

\r\nLet\'s go back to the face. Both men and women are distinguished primarily by their faces and their expressions.\r\n\r\n• The most fundamental feature of any face is usually the eyes. Eyes can take on many shapes. This is particularly due to ethnic background but women can also use makeup to alter the appearance of their eyes. They may be round or take on a more slanted or even almond appearance. Furthermore, eyelashes may be more or less prominent. Finally, choose a color for the eyes and let your shading reflect that color.\r\n• Think of how the nose looks when you view it on another person\'s face. The bridge is not prominent when viewed from a frontal perspective. Sketch in the angles of the nose at first. Darken with additional strokes as you gain a better idea of how it appears.\r\n• The base of the nose can vary. The nostrils may be wide and flared or they may run more continuously from the bridge of the nose.\r\n• If viewing in profile, the nose becomes even more important. Is the bridge straight? Does the person have a rounded nose? Noses vary a great deal and there is no real scale that you can use to create proportional noses because they can be so large in comparison to the face. You will have to feel your own way with this feature.\r\n

The Many Hairstyles of Women

\r\nIn general, women have a greater variety of hairstyles than men. Like men, their hair may be of all lengths but women tend to do more with what they have. This can be a challenge to draw.\r\n\r\n• Sketch the perimeter of the hairline lightly where it meets the forehead. The location of this feature is critical. Even if the woman\'s hair comes down and obscures this point, you need to know where it is.\r\n• You are not going to draw every single hair on her head but you may want to go beyond just outlining a mass of hair. Use light strokes to indicate fine threads of hair and darker pencil lines to indicate thicker locks of hair.\r\n• You need to determine how long the hair is and if it hangs over her shoulders or not.\r\n• Decide if the hair will cover her ears. If not, you will have to draw these appendages as well.\r\n• Do not forget that the eyelashes and eyebrows are made from hair as well. You can simply draw these in as lines or make the bristles more prominent.\r\n

Ages and Ethnicities

\r\nThere is a tendency on the part of beginning drawers and artists to depict young people with standard features of the people that surround them. As you become more proficient, try to add some variation to your drawings.  The women in your drawings may be older or younger. Older women will have wrinkles and possibly carry more weight. Also, drawing women of other ethnicities will require you to adapt the shapes of their faces and features.\r\n\r\nIn order to learn how to draw a woman, you simply need a lot of practice. You should get started right away. The great thing about drawing is that no one has to see your mistakes. You can do it again and again until you get it right.','How To Draw Women That Really Look Like Women','','inherit','open','open','','968-revision-v1','','','2014-04-30 21:05:05','2014-05-01 04:05:05','',968,'http://www.letsdrawpeople.com/968-revision-v1/',0,'revision','',0),(974,2,'2014-05-01 06:42:07','2014-05-01 13:42:07','[*****sketch of DT 28738600*****]Learning how to draw a woman is a challenge. Drawing the human figure after just learning the basics of drawing anything at all is tricky enough. A woman, though, has a distinct figure in comparison to a man. Furthermore, if you want your work to be clear and understandable to an audience, it is vital that they can immediately see that a figure is female rather than male.\r\n\r\nThe good news is that there are some easy ways to make your female characters and subjects obvious even if you are just beginning to learn how to draw. By using curves and making yourself aware of some distinct female traits, such as hairstyles and physical gestures, you can make your female figures jump right off the page.\r\n

Human Figure Basics

\r\nAs wonderfully distinct from men as women are, they also share a great deal of anatomical similarity. Therefore, do not be afraid to rely on whatever you have learned about drawing people in general.\r\n\r\nBefore you begin, consider some of the basics of human anatomy as represented in drawings. The body has several parts, including the torso, head, limbs and extremities. Each has a certain proportion to each other. Recalling these proportions makes it easy to draw a man or a woman of any size because the proportions generally remain the same.\r\n\r\nFor your materials, you should start with a graphite pencil. A soft No.2B pencil or a 4B is a great choice. Get a separate eraser as well. The size of the sketch pad is up to you. However, you should make sure that the paper is sturdy so that you can erase if necessary. Paper that will not stand some erasures will require you to start over if it rips.\r\n

Starting from the Top

\r\nBegin by drawing the head. This is a critical part of your work because the head contains the face and the face is responsible for a lot of the body language that you will use in your drawing. Furthermore, the size of the head will help you determine the length and shape of the body that you draw later.\r\n\r\n[*****simple sketch of woman\'s face DT 22765868*****]• There is no need to let the shape of the head stump you before you even begin. Simply draw the basic oval shape for a head that you have already learned. You can do a lot with this basic oval.\r\n• If you have advanced a little more than this, feel free to play with this shape a little. The chin and jaw are major features that vary between men and women. Some people have square jaws, other have more triangular jaws with pointed chins.\r\n• A younger woman\'s head will be a little more rounded than an adult woman\'s head.\r\n• Lightly divide the shape you have used for the head with your pencil.\r\n• Mark points on each side where the eyes and ears will be. As different as one face may be from another, each face tends to be symmetrical. Therefore, the distance of the eyes and ears from this center line should be even.\r\n• Put the bottom of the nose halfway between the eyes and the bottom of the chin.\r\n• Part the lips of the mouth between the bottom of the nose and the bottom of the chin, about a third of the way below the bottom of the nose.\r\n\r\nUntil you acquire some more experience, try to adhere to these guidelines when first learning how to draw women. As you become an expert, you will be able to stray from these tips and create even more stylized faces and heads.\r\n

Working Your Way Down the Body

\r\nNow we continue to the body. If you want, you can skip to this stage after creating the mere shape of the head without adding any details. You may not want to decide how the face looks until you have the body figured out. With the length of the head determined, you can create body proportions that are realistic.\r\n\r\n[*****simple sketch of woman\'s figure DT 22765868*****]• Measure the head that you drew. The length of the entire female form should be roughly seven to eight times this length in total.\r\n• The torso should be somewhere between 2 ½ and 3 heads in length.\r\n• The legs should be somewhere between 3 ½ and 4 heads in length. Make sure that the numbers, however you configure them, add up to between seven and eight.\r\n• The width of the shoulders should be about 2 ½ to 3 heads. You will still have to decide how much slope there will be to the shoulders. Women are not as frequently broad-shouldered as men are.\r\n• Place the waist line about 4 heads from the bottom of the feet. This feature is essential for depicting a woman because she is more likely to have a distinct curve in this area than a man. You can decide how much of a curve will go into this area.\r\n• The distance from the lower breast area to the shoulder-line should be one head length.\r\n• When drawing details on the legs, make the distance thighs about 1 ½ to 2 full heads in length. The end point of this feature would be the kneecap.\r\n• Use the same length to determine the length of the lower legs, including the feet.\r\n\r\nAs you gain expertise, you will come up with your own exact measurements for these segments of the body. You will see, though, that your own guidelines will not stray far from these if you are trying to draw realistic forms of women.\r\n

Poses and Gestures

\r\n[*****simple sketch of woman pose DT 22088992*****]If you want to do more than simply depict mannequins after you learn how to draw a woman, you should pay attention to the way that people present themselves. For example, most people do not stand exactly erect and look at you face to face. Artists typically depict their subjects in poses of some sort. They may be in profile, sitting down or even in movement.\r\n\r\nAs a beginner, this is too much to deal with right away. However, you can elaborate on your work by making small changes to the way that the person stands. Change the angle of one foot, put a slight slump in the posture or just bend the knees a little.\r\n\r\nPay attention to the arms and hands as well. Real people do not just let their arms hang straight down. A woman may put her hand on one hip, cross her arms, raise a hand to say hello or reach out to grab something. You can quickly move from drawing simple, lifeless figures to creating more lifelike women with just a few alterations in poses and gestures.\r\n

Women\'s Faces

\r\n[*****simple sketch of woman thinking DT 37723498*****]Let\'s go back to the face. Both men and women are distinguished primarily by their faces and their expressions.\r\n\r\n• The most fundamental feature of any face is usually the eyes. Eyes can take on many shapes. This is particularly due to ethnic background but women can also use makeup to alter the appearance of their eyes. They may be round or take on a more slanted or even almond appearance. Furthermore, eyelashes may be more or less prominent. Finally, choose a color for the eyes and let your shading reflect that color.\r\n• Think of how the nose looks when you view it on another person\'s face. The bridge is not prominent when viewed from a frontal perspective. Sketch in the angles of the nose at first. Darken with additional strokes as you gain a better idea of how it appears.\r\n• The base of the nose can vary. The nostrils may be wide and flared or they may run more continuously from the bridge of the nose.\r\n• If viewing in profile, the nose becomes even more important. Is the bridge straight? Does the person have a rounded nose? Noses vary a great deal and there is no real scale that you can use to create proportional noses because they can be anywhere from large to small in comparison to the face. You will have to feel your own way with this feature.\r\n

The Many Hairstyles of Women

\r\n[*****DT 36495905*****]In general, women have a greater variety of hairstyles than men. Like men, their hair may be of all lengths but women tend to do more with what they have. This can be a challenge to draw, but it becomes easier as you learn what to look for.\r\n\r\n• Even if the woman\'s hair comes down and covers where the hairline meets the forehead, you need to know where the hairline is.\r\n• You are not going to draw every single hair on her head but you may want to go beyond just outlining a mass of hair. Use light strokes to indicate fine threads of hair and darker pencil lines to indicate thicker locks of hair.\r\n• You need to determine how long the hair is and if it hangs over her shoulders or not.\r\n• Decide if the hair will cover her ears. If not, you will have to draw the ears as well.\r\n• Do not forget that the eyelashes and eyebrows are made from hair as well. You can simply draw these in as lines or make the bristles more prominent.\r\n

Ages and Ethnicities

\r\n[*****DT 20860322*****]There is a tendency on the part of beginning artists to depict young people with standard features of the people that surround them. As you become more proficient, try to add some variation to your drawings.  The women in your drawings may be older or younger. Older women may have wrinkles and possibly carry more weight. Indicate these traits with subtle details that enhance the beauty and character of your subject. Also, drawing women of varying ethnicities will require you to adapt the shapes of faces and features in your portraits.\r\n\r\nIn order to learn how to draw a woman, you simply need a lot of practice. You should get started right away. The great thing about drawing is that no one has to see your mistakes. You can do it again and again until you get it right.','How To Draw Women That Really Look Like Women','','inherit','open','open','','968-revision-v1','','','2014-05-01 06:42:07','2014-05-01 13:42:07','',968,'http://www.letsdrawpeople.com/968-revision-v1/',0,'revision','',0),(980,2,'2014-05-02 06:25:38','2014-05-02 13:25:38','','how to draw a woman body guidelines','','inherit','open','open','','how-to-draw-a-woman-body-guidelines','','','2014-05-02 06:25:38','2014-05-02 13:25:38','',968,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/how-to-draw-a-woman-body-guidelines.jpg',0,'attachment','image/jpeg',0),(976,2,'2014-05-01 21:56:12','2014-05-02 04:56:12','','how to draw a woman facial guidelines','','inherit','open','open','','how-to-draw-a-woman-facial-guidelines','','','2014-05-01 21:56:12','2014-05-02 04:56:12','',968,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/how-to-draw-a-woman-facial-guidelines.jpg',0,'attachment','image/jpeg',0),(977,2,'2014-05-01 21:56:13','2014-05-02 04:56:13','','how to draw a woman hair','','inherit','open','open','','977','','','2014-05-01 21:56:13','2014-05-02 04:56:13','',968,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/how-to-draw-a-woman-hair.jpg',0,'attachment','image/jpeg',0),(979,2,'2014-05-01 22:01:32','2014-05-02 05:01:32','\"howLearning how to draw a woman is a challenge. Drawing the human figure after just learning the basics of drawing anything at all is tricky enough. A woman, though, has a distinct figure in comparison to a man. Furthermore, if you want your work to be clear and understandable to an audience, it is vital that they can immediately see that a figure is female rather than male.\r\n\r\nThe good news is that there are some easy ways to make your female characters and subjects obvious even if you are just beginning to learn how to draw. By using curves and making yourself aware of some distinct female traits, such as hairstyles and physical gestures, you can make your female figures jump right off the page.\r\n

Human Figure Basics

\r\nAs wonderfully distinct from men as women are, they also share a great deal of anatomical similarity. Therefore, do not be afraid to rely on whatever you have learned about drawing people in general.\r\n\r\nBefore you begin, consider some of the basics of human anatomy as represented in drawings. The body has several parts, including the torso, head, limbs and extremities. Each has a certain proportion to each other. Recalling these proportions makes it easy to draw a man or a woman of any size because the proportions generally remain the same.\r\n\r\nFor your materials, you should start with a graphite pencil. A soft No.2B pencil or a 4B is a great choice. Get a separate eraser as well. The size of the sketch pad is up to you. However, you should make sure that the paper is sturdy so that you can erase if necessary. Paper that will not stand some erasures will require you to start over if it rips.\r\n

Starting from the Top

\r\nBegin by drawing the head. This is a critical part of your work because the head contains the face and the face is responsible for a lot of the body language that you will use in your drawing. Furthermore, the size of the head will help you determine the length and shape of the body that you draw later.\r\n\r\n\"how• There is no need to let the shape of the head stump you before you even begin. Simply draw the basic oval shape for a head that you have already learned. You can do a lot with this basic oval.\r\n• If you have advanced a little more than this, feel free to play with this shape a little. The chin and jaw are major features that vary between men and women. Some people have square jaws, other have more triangular jaws with pointed chins.\r\n• A younger woman\'s head will be a little more rounded than an adult woman\'s head.\r\n• Lightly divide the shape you have used for the head with your pencil.\r\n• Mark points on each side where the eyes and ears will be. As different as one face may be from another, each face tends to be symmetrical. Therefore, the distance of the eyes and ears from this center line should be even.\r\n• Put the bottom of the nose halfway between the eyes and the bottom of the chin.\r\n• Part the lips of the mouth between the bottom of the nose and the bottom of the chin, about a third of the way below the bottom of the nose.\r\n\r\nUntil you acquire some more experience, try to adhere to these guidelines when first learning how to draw women. As you become an expert, you will be able to stray from these tips and create even more stylized faces and heads.\r\n

Working Your Way Down the Body

\r\nNow we continue to the body. If you want, you can skip to this stage after creating the mere shape of the head without adding any details. You may not want to decide how the face looks until you have the body figured out. With the length of the head determined, you can create body proportions that are realistic.\r\n\r\n[*****simple sketch of woman\'s figure DT 22765868*****]• Measure the head that you drew. The length of the entire female form should be roughly seven to eight times this length in total.\r\n• The torso should be somewhere between 2 ½ and 3 heads in length.\r\n• The legs should be somewhere between 3 ½ and 4 heads in length. Make sure that the numbers, however you configure them, add up to between seven and eight.\r\n• The width of the shoulders should be about 2 ½ to 3 heads. You will still have to decide how much slope there will be to the shoulders. Women are not as frequently broad-shouldered as men are.\r\n• Place the waist line about 4 heads from the bottom of the feet. This feature is essential for depicting a woman because she is more likely to have a distinct curve in this area than a man. You can decide how much of a curve will go into this area.\r\n• The distance from the lower breast area to the shoulder-line should be one head length.\r\n• When drawing details on the legs, make the thighs about 1 ½ to 2 full heads in length. The end point of this feature would be the kneecap.\r\n• Use the same length to determine the length of the lower legs, including the feet.\r\n\r\nAs you gain expertise, you will come up with your own exact measurements for these segments of the body. You will see, though, that your own guidelines will not stray far from these if you are trying to draw realistic forms of women.\r\n

Poses and Gestures

\r\n[*****simple sketch of woman pose DT 22088992*****]If you want to do more than simply depict mannequins after you learn how to draw a woman, you should pay attention to the way that people present themselves. For example, most people do not stand exactly erect and look at you face to face. Artists typically depict their subjects in poses of some sort. They may be in profile, sitting down or even in movement.\r\n\r\nAs a beginner, this is too much to deal with right away. However, you can elaborate on your work by making small changes to the way that the person stands. Change the angle of one foot, put a slight slump in the posture or just bend the knees a little.\r\n\r\nPay attention to the arms and hands as well. Real people do not just let their arms hang straight down. A woman may put her hand on one hip, cross her arms, raise a hand to say hello or reach out to grab something. You can quickly move from drawing simple, lifeless figures to creating more lifelike women with just a few alterations in poses and gestures.\r\n

Women\'s Faces

\r\n[*****simple sketch of woman thinking DT 37723498*****]Let\'s go back to the face. Both men and women are distinguished primarily by their faces and their expressions.\r\n\r\n• The most fundamental feature of any face is usually the eyes. Eyes can take on many shapes. This is particularly due to ethnic background but women can also use makeup to alter the appearance of their eyes. They may be round or take on a more slanted or even almond appearance. Furthermore, eyelashes may be more or less prominent. Finally, choose a color for the eyes and let your shading reflect that color.\r\n• Think of how the nose looks when you view it on another person\'s face. The bridge is not prominent when viewed from a frontal perspective. Sketch in the angles of the nose at first. Darken with additional strokes as you gain a better idea of how it appears.\r\n• The base of the nose can vary. The nostrils may be wide and flared or they may run more continuously from the bridge of the nose.\r\n• If viewing in profile, the nose becomes even more important. Is the bridge straight? Does the person have a rounded nose? Noses vary a great deal and there is no real scale that you can use to create proportional noses because they can be anywhere from large to small in comparison to the face. You will have to feel your own way with this feature.\r\n

The Many Hairstyles of Women

\r\n\"howIn general, women have a greater variety of hairstyles than men. Like men, their hair may be of all lengths but women tend to do more with what they have. This can be a challenge to draw, but it becomes easier as you learn what to look for.\r\n\r\n• Even if the woman\'s hair comes down and covers where the hairline meets the forehead, you need to know where the hairline is.\r\n• You are not going to draw every single hair on her head but you may want to go beyond just outlining a mass of hair. Use light strokes to indicate fine threads of hair and darker pencil lines to indicate thicker locks of hair.\r\n• You need to determine how long the hair is and if it hangs over her shoulders or not.\r\n• Decide if the hair will cover her ears. If not, you will have to draw the ears as well.\r\n• Do not forget that the eyelashes and eyebrows are made from hair as well. You can simply draw these in as lines or make the bristles more prominent.\r\n

Ages and Ethnicities

\r\n\"???????????????????????????????????????????????????????????????????????????\"There is a tendency on the part of beginning artists to depict young people with standard features of the people that surround them. As you become more proficient, try to add some variation to your drawings.  The women in your drawings may be older or younger. Older women may have wrinkles and possibly carry more weight. Indicate these traits with subtle details that enhance the beauty and character of your subject. Also, drawing women of varying ethnicities will require you to adapt the shapes of faces and features in your portraits.\r\n\r\nIn order to learn how to draw a woman, you simply need a lot of practice. You should get started right away. The great thing about drawing is that no one has to see your mistakes. You can do it again and again until you get it right.','How To Draw Women That Really Look Like Women','','inherit','open','open','','968-revision-v1','','','2014-05-01 22:01:32','2014-05-02 05:01:32','',968,'http://www.letsdrawpeople.com/968-revision-v1/',0,'revision','',0),(981,2,'2014-05-02 06:25:39','2014-05-02 13:25:39','','how to draw a woman ethnicites','','inherit','open','open','','981','','','2014-05-02 06:25:39','2014-05-02 13:25:39','',968,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/how-to-draw-a-woman-ethnicities.jpg',0,'attachment','image/jpeg',0),(982,2,'2014-05-02 06:25:41','2014-05-02 13:25:41','','how to draw a woman traits','','inherit','open','open','','how-to-draw-a-woman-traits','','','2014-05-02 06:25:41','2014-05-02 13:25:41','',968,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/how-to-draw-a-woman-traits.jpg',0,'attachment','image/jpeg',0),(983,2,'2014-05-02 06:49:36','2014-05-02 13:49:36','','how-to-draw-a-woman-womens-faces','','inherit','open','open','','983','','','2014-05-02 06:49:36','2014-05-02 13:49:36','',968,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/how-to-draw-a-woman-womens-faces.jpg',0,'attachment','image/jpeg',0),(984,2,'2014-05-02 06:51:42','2014-05-02 13:51:42','\"howLearning how to draw a woman is a challenge. Drawing the human figure after just learning the basics of drawing anything at all is tricky enough. A woman, though, has a distinct figure in comparison to a man. Furthermore, if you want your work to be clear and understandable to an audience, it is vital that they can immediately see that a figure is female rather than male.\r\n\r\nThe good news is that there are some easy ways to make your female characters and subjects obvious even if you are just beginning to learn how to draw. By using curves and making yourself aware of some distinct female traits, such as hairstyles and physical gestures, you can make your female figures jump right off the page.\r\n

Human Figure Basics

\r\nAs wonderfully distinct from men as women are, they also share a great deal of anatomical similarity. Therefore, do not be afraid to rely on whatever you have learned about drawing people in general.\r\n\r\nBefore you begin, consider some of the basics of human anatomy as represented in drawings. The body has several parts, including the torso, head, limbs and extremities. Each has a certain proportion to each other. Recalling these proportions makes it easy to draw a man or a woman of any size because the proportions generally remain the same.\r\n\r\nFor your materials, you should start with a graphite pencil. A soft No.2B pencil or a 4B is a great choice. Get a separate eraser as well. The size of the sketch pad is up to you. However, you should make sure that the paper is sturdy so that you can erase if necessary. Paper that will not stand some erasures will require you to start over if it rips.\r\n

Starting from the Top

\r\nBegin by drawing the head. This is a critical part of your work because the head contains the face and the face is responsible for a lot of the body language that you will use in your drawing. Furthermore, the size of the head will help you determine the length and shape of the body that you draw later.\r\n\r\n\"how• There is no need to let the shape of the head stump you before you even begin. Simply draw the basic oval shape for a head that you have already learned. You can do a lot with this basic oval.\r\n• If you have advanced a little more than this, feel free to play with this shape a little. The chin and jaw are major features that vary between men and women. Some people have square jaws, other have more triangular jaws with pointed chins.\r\n• A younger woman\'s head will be a little more rounded than an adult woman\'s head.\r\n• Lightly divide the shape you have used for the head with your pencil.\r\n• Mark points on each side where the eyes and ears will be. As different as one face may be from another, each face tends to be symmetrical. Therefore, the distance of the eyes and ears from this center line should be even.\r\n• Put the bottom of the nose halfway between the eyes and the bottom of the chin.\r\n• Part the lips of the mouth between the bottom of the nose and the bottom of the chin, about a third of the way below the bottom of the nose.\r\n\r\nUntil you acquire some more experience, try to adhere to these guidelines when first learning how to draw women. As you become an expert, you will be able to stray from these tips and create even more stylized faces and heads.\r\n

Working Your Way Down the Body

\r\nNow we continue to the body. If you want, you can skip to this stage after creating the mere shape of the head without adding any details. You may not want to decide how the face looks until you have the body figured out. With the length of the head determined, you can create body proportions that are realistic.\r\n\r\n\"how• Measure the head that you drew. The length of the entire female form should be roughly seven to eight times this length in total.\r\n• The torso should be somewhere between 2 ½ and 3 heads in length.\r\n• The legs should be somewhere between 3 ½ and 4 heads in length. Make sure that the numbers, however you configure them, add up to between seven and eight.\r\n• The width of the shoulders should be about 2 ½ to 3 heads. You will still have to decide how much slope there will be to the shoulders. Women are not as frequently broad-shouldered as men are.\r\n• Place the waist line about 4 heads from the bottom of the feet. This feature is essential for depicting a woman because she is more likely to have a distinct curve in this area than a man. You can decide how much of a curve will go into this area.\r\n• The distance from the lower breast area to the shoulder-line should be one head length.\r\n• When drawing details on the legs, make the thighs about 1 ½ to 2 full heads in length. The end point of this feature would be the kneecap.\r\n• Use the same length to determine the length of the lower legs, including the feet.\r\n\r\nAs you gain expertise, you will come up with your own exact measurements for these segments of the body. You will see, though, that your own guidelines will not stray far from these if you are trying to draw realistic forms of women.\r\n

Poses and Gestures

\r\n[*****simple sketch of woman pose DT 22088992*****]If you want to do more than simply depict mannequins after you learn how to draw a woman, you should pay attention to the way that people present themselves. For example, most people do not stand exactly erect and look at you face to face. Artists typically depict their subjects in poses of some sort. They may be in profile, sitting down or even in movement.\r\n\r\nAs a beginner, this is too much to deal with right away. However, you can elaborate on your work by making small changes to the way that the person stands. Change the angle of one foot, put a slight slump in the posture or just bend the knees a little.\r\n\r\nPay attention to the arms and hands as well. Real people do not just let their arms hang straight down. A woman may put her hand on one hip, cross her arms, raise a hand to say hello or reach out to grab something. You can quickly move from drawing simple, lifeless figures to creating more lifelike women with just a few alterations in poses and gestures.\r\n

Women\'s Faces

\r\n\"\"Let\'s go back to the face. Both men and women are distinguished primarily by their faces and their expressions.\r\n\r\n• The most fundamental feature of any face is usually the eyes. Eyes can take on many shapes. This is particularly due to ethnic background but women can also use makeup to alter the appearance of their eyes. They may be round or take on a more slanted or even almond appearance. Furthermore, eyelashes may be more or less prominent. Finally, choose a color for the eyes and let your shading reflect that color.\r\n• Think of how the nose looks when you view it on another person\'s face. The bridge is not prominent when viewed from a frontal perspective. Sketch in the angles of the nose at first. Darken with additional strokes as you gain a better idea of how it appears.\r\n• The base of the nose can vary. The nostrils may be wide and flared or they may run more continuously from the bridge of the nose.\r\n• If viewing in profile, the nose becomes even more important. Is the bridge straight? Does the person have a rounded nose? Noses vary a great deal and there is no real scale that you can use to create proportional noses because they can be anywhere from large to small in comparison to the face. You will have to feel your own way with this feature.\r\n

The Many Hairstyles of Women

\r\n\"howIn general, women have a greater variety of hairstyles than men. Like men, their hair may be of all lengths but women tend to do more with what they have. This can be a challenge to draw, but it becomes easier as you learn what to look for.\r\n\r\n• Even if the woman\'s hair comes down and covers where the hairline meets the forehead, you need to know where the hairline is.\r\n• You are not going to draw every single hair on her head but you may want to go beyond just outlining a mass of hair. Use light strokes to indicate fine threads of hair and darker pencil lines to indicate thicker locks of hair.\r\n• You need to determine how long the hair is and if it hangs over her shoulders or not.\r\n• Decide if the hair will cover her ears. If not, you will have to draw the ears as well.\r\n• Do not forget that the eyelashes and eyebrows are made from hair as well. You can simply draw these in as lines or make the bristles more prominent.\r\n

Ages and Ethnicities

\r\n\"???????????????????????????????????????????????????????????????????????????\"There is a tendency on the part of beginning artists to depict young people with standard features of the people that surround them. As you become more proficient, try to add some variation to your drawings.  The women in your drawings may be older or younger. Older women may have wrinkles and possibly carry more weight. Indicate these traits with subtle details that enhance the beauty and character of your subject. Also, drawing women of varying ethnicities will require you to adapt the shapes of faces and features in your portraits.\r\n\r\nIn order to learn how to draw a woman, you simply need a lot of practice. You should get started right away. The great thing about drawing is that no one has to see your mistakes. You can do it again and again until you get it right.','How To Draw Women That Really Look Like Women','','inherit','open','open','','968-revision-v1','','','2014-05-02 06:51:42','2014-05-02 13:51:42','',968,'http://www.letsdrawpeople.com/968-revision-v1/',0,'revision','',0),(985,2,'2014-05-02 21:04:45','2014-05-03 04:04:45','','how-to-draw-a-woman-pose','','inherit','open','open','','985','','','2014-05-02 21:04:45','2014-05-03 04:04:45','',968,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/how-to-draw-a-woman-pose.jpg',0,'attachment','image/jpeg',0),(986,2,'2014-05-02 21:08:08','2014-05-03 04:08:08','\"howLearning how to draw a woman is a challenge. Drawing the human figure after just learning the basics of drawing anything at all is tricky enough. A woman, though, has a distinct figure in comparison to a man. Furthermore, if you want your work to be clear and understandable to an audience, it is vital that they can immediately see that a figure is female rather than male.\r\n\r\nThe good news is that there are some easy ways to make your female characters and subjects obvious even if you are just beginning to learn how to draw. By using curves and making yourself aware of some distinct female traits, such as hairstyles and physical gestures, you can make your female figures jump right off the page.\r\n

Human Figure Basics

\r\nAs wonderfully distinct from men as women are, they also share a great deal of anatomical similarity. Therefore, do not be afraid to rely on whatever you have learned about drawing people in general.\r\n\r\nBefore you begin, consider some of the basics of human anatomy as represented in drawings. The body has several parts, including the torso, head, limbs and extremities. Each has a certain proportion to each other. Recalling these proportions makes it easy to draw a man or a woman of any size because the proportions generally remain the same.\r\n\r\nFor your materials, you should start with a graphite pencil. A soft No.2B pencil or a 4B is a great choice. Get a separate eraser as well. The size of the sketch pad is up to you. However, you should make sure that the paper is sturdy so that you can erase if necessary. Paper that will not stand some erasures will require you to start over if it rips.\r\n

Starting from the Top

\r\nBegin by drawing the head. This is a critical part of your work because the head contains the face and the face is responsible for a lot of the body language that you will use in your drawing. Furthermore, the size of the head will help you determine the length and shape of the body that you draw later.\r\n\r\n\"how• There is no need to let the shape of the head stump you before you even begin. Simply draw the basic oval shape for a head that you have already learned. You can do a lot with this basic oval.\r\n• If you have advanced a little more than this, feel free to play with this shape a little. The chin and jaw are major features that vary between men and women. Some people have square jaws, other have more triangular jaws with pointed chins.\r\n• A younger woman\'s head will be a little more rounded than an adult woman\'s head.\r\n• Lightly divide the shape you have used for the head with your pencil.\r\n• Mark points on each side where the eyes and ears will be. As different as one face may be from another, each face tends to be symmetrical. Therefore, the distance of the eyes and ears from this center line should be even.\r\n• Put the bottom of the nose halfway between the eyes and the bottom of the chin.\r\n• Part the lips of the mouth between the bottom of the nose and the bottom of the chin, about a third of the way below the bottom of the nose.\r\n\r\nUntil you acquire some more experience, try to adhere to these guidelines when first learning how to draw women. As you become an expert, you will be able to stray from these tips and create even more stylized faces and heads.\r\n

Working Your Way Down the Body

\r\nNow we continue to the body. If you want, you can skip to this stage after creating the mere shape of the head without adding any details. You may not want to decide how the face looks until you have the body figured out. With the length of the head determined, you can create body proportions that are realistic.\r\n\r\n\"how• Measure the head that you drew. The length of the entire female form should be roughly seven to eight times this length in total.\r\n• The torso should be somewhere between 2 ½ and 3 heads in length.\r\n• The legs should be somewhere between 3 ½ and 4 heads in length. Make sure that the numbers, however you configure them, add up to between seven and eight.\r\n• The width of the shoulders should be about 2 ½ to 3 heads. You will still have to decide how much slope there will be to the shoulders. Women are not as frequently broad-shouldered as men are.\r\n• Place the waist line about 4 heads from the bottom of the feet. This feature is essential for depicting a woman because she is more likely to have a distinct curve in this area than a man. You can decide how much of a curve will go into this area.\r\n• The distance from the lower breast area to the shoulder-line should be one head length.\r\n• When drawing details on the legs, make the thighs about 1 ½ to 2 full heads in length. The end point of this feature would be the kneecap.\r\n• Use the same length to determine the length of the lower legs, including the feet.\r\n\r\nAs you gain expertise, you will come up with your own exact measurements for these segments of the body. You will see, though, that your own guidelines will not stray far from these if you are trying to draw realistic forms of women.\r\n

Poses and Gestures

\r\n\"\"If you want to do more than simply depict mannequins after you learn how to draw a woman, you should pay attention to the way that people present themselves. For example, most people do not stand exactly erect and look at you face to face. Artists typically depict their subjects in poses of some sort. They may be in profile, sitting down or even in movement.\r\n\r\nAs a beginner, this is too much to deal with right away. However, you can elaborate on your work by making small changes to the way that the person stands. Change the angle of one foot, put a slight slump in the posture or just bend the knees a little.\r\n\r\nPay attention to the arms and hands as well. Real people do not just let their arms hang straight down. A woman may put her hand on one hip, cross her arms, raise a hand to say hello or reach out to grab something. You can quickly move from drawing simple, lifeless figures to creating more lifelike women with just a few alterations in poses and gestures.\r\n

Women\'s Faces

\r\n\"\"Let\'s go back to the face. Both men and women are distinguished primarily by their faces and their expressions.\r\n\r\n• The most fundamental feature of any face is usually the eyes. Eyes can take on many shapes. This is particularly due to ethnic background but women can also use makeup to alter the appearance of their eyes. They may be round or take on a more slanted or even almond appearance. Furthermore, eyelashes may be more or less prominent. Finally, choose a color for the eyes and let your shading reflect that color.\r\n• Think of how the nose looks when you view it on another person\'s face. The bridge is not prominent when viewed from a frontal perspective. Sketch in the angles of the nose at first. Darken with additional strokes as you gain a better idea of how it appears.\r\n• The base of the nose can vary. The nostrils may be wide and flared or they may run more continuously from the bridge of the nose.\r\n• If viewing in profile, the nose becomes even more important. Is the bridge straight? Does the person have a rounded nose? Noses vary a great deal and there is no real scale that you can use to create proportional noses because they can be anywhere from large to small in comparison to the face. You will have to feel your own way with this feature.\r\n

The Many Hairstyles of Women

\r\n\"howIn general, women have a greater variety of hairstyles than men. Like men, their hair may be of all lengths but women tend to do more with what they have. This can be a challenge to draw, but it becomes easier as you learn what to look for.\r\n\r\n• Even if the woman\'s hair comes down and covers where the hairline meets the forehead, you need to know where the hairline is.\r\n• You are not going to draw every single hair on her head but you may want to go beyond just outlining a mass of hair. Use light strokes to indicate fine threads of hair and darker pencil lines to indicate thicker locks of hair.\r\n• You need to determine how long the hair is and if it hangs over her shoulders or not.\r\n• Decide if the hair will cover her ears. If not, you will have to draw the ears as well.\r\n• Do not forget that the eyelashes and eyebrows are made from hair as well. You can simply draw these in as lines or make the bristles more prominent.\r\n

Ages and Ethnicities

\r\n\"???????????????????????????????????????????????????????????????????????????\"There is a tendency on the part of beginning artists to depict young people with standard features of the people that surround them. As you become more proficient, try to add some variation to your drawings.  The women in your drawings may be older or younger. Older women may have wrinkles and possibly carry more weight. Indicate these traits with subtle details that enhance the beauty and character of your subject. Also, drawing women of varying ethnicities will require you to adapt the shapes of faces and features in your portraits.\r\n\r\nIn order to learn how to draw a woman, you simply need a lot of practice. You should get started right away. The great thing about drawing is that no one has to see your mistakes. You can do it again and again until you get it right.','How To Draw Women That Really Look Like Women','','inherit','open','open','','968-revision-v1','','','2014-05-02 21:08:08','2014-05-03 04:08:08','',968,'http://www.letsdrawpeople.com/968-revision-v1/',0,'revision','',0),(987,2,'2014-05-02 21:17:14','2014-05-03 04:17:14','\"howLearning how to draw a woman is a challenge. Drawing the human figure after just learning the basics of drawing anything at all is tricky enough. A woman, though, has a distinct figure in comparison to a man. Furthermore, if you want your work to be clear and understandable to an audience, it is vital that they can immediately see that a figure is female rather than male.\r\n\r\nThe good news is that there are some easy ways to make your female characters and subjects obvious even if you are just beginning to learn how to draw people. By using curves and making yourself aware of some distinct female traits, such as hairstyles and physical gestures, you can make your female figures jump right off the page.\r\n

Human Figure Basics

\r\nAs wonderfully distinct from men as women are, they also share a great deal of anatomical similarity. Therefore, do not be afraid to rely on whatever you have learned about drawing people in general.\r\n\r\nBefore you begin, consider some of the basics of human anatomy as represented in drawings. The body has several parts, including the torso, head, limbs and extremities. Each has a certain proportion to each other. Recalling these proportions makes it easy to draw a man or a woman of any size because the proportions generally remain the same.\r\n\r\nFor your materials, you should start with a graphite pencil. A soft No.2B pencil or a 4B is a great choice. Get a separate eraser as well. The size of the sketch pad is up to you. However, you should make sure that the paper is sturdy so that you can erase if necessary. Paper that will not stand some erasures will require you to start over if it rips.\r\n

Starting from the Top

\r\nBegin by drawing the head. This is a critical part of your work because the head contains the face and the face is responsible for a lot of the body language that you will use in your drawing. Furthermore, the size of the head will help you determine the length and shape of the body that you draw later.\r\n\r\n\"how• There is no need to let the shape of the head stump you before you even begin. Simply draw the basic oval shape for a head that you have already learned. You can do a lot with this basic oval.\r\n• If you have advanced a little more than this, feel free to play with this shape a little. The chin and jaw are major features that vary between men and women. Some people have square jaws, other have more triangular jaws with pointed chins.\r\n• A younger woman\'s head will be a little more rounded than an adult woman\'s head.\r\n• Lightly divide the shape you have used for the head with your pencil.\r\n• Mark points on each side where the eyes and ears will be. As different as one face may be from another, each face tends to be symmetrical. Therefore, the distance of the eyes and ears from this center line should be even.\r\n• Put the bottom of the nose halfway between the eyes and the bottom of the chin.\r\n• Part the lips of the mouth between the bottom of the nose and the bottom of the chin, about a third of the way below the bottom of the nose.\r\n\r\nUntil you acquire some more experience, try to adhere to these guidelines when first learning how to draw women. As you become an expert, you will be able to stray from these tips and create even more stylized faces and heads.\r\n

Working Your Way Down the Body

\r\nNow we continue to the body. If you want, you can skip to this stage after creating the mere shape of the head without adding any details. You may not want to decide how the face looks until you have the body figured out. With the length of the head determined, you can create body proportions that are realistic.\r\n\r\n\"how• Measure the head that you drew. The length of the entire female form should be roughly seven to eight times this length in total.\r\n• The torso should be somewhere between 2 ½ and 3 heads in length.\r\n• The legs should be somewhere between 3 ½ and 4 heads in length. Make sure that the numbers, however you configure them, add up to between seven and eight.\r\n• The width of the shoulders should be about 2 ½ to 3 heads. You will still have to decide how much slope there will be to the shoulders. Women are not as frequently broad-shouldered as men are.\r\n• Place the waist line about 4 heads from the bottom of the feet. This feature is essential for depicting a woman because she is more likely to have a distinct curve in this area than a man. You can decide how much of a curve will go into this area.\r\n• The distance from the lower breast area to the shoulder-line should be one head length.\r\n• When drawing details on the legs, make the thighs about 1 ½ to 2 full heads in length. The end point of this feature would be the kneecap.\r\n• Use the same length to determine the length of the lower legs, including the feet.\r\n\r\nAs you gain expertise, you will come up with your own exact measurements for these segments of the body. You will see, though, that your own guidelines will not stray far from these if you are trying to draw realistic forms of women.\r\n

Poses and Gestures

\r\n\"\"If you want to do more than simply depict mannequins after you learn how to draw a woman, you should pay attention to the way that people present themselves. For example, most people do not stand exactly erect and look at you face to face. Artists typically depict their subjects in poses of some sort. They may be in profile, sitting down or even in movement.\r\n\r\nAs a beginner, this is too much to deal with right away. However, you can elaborate on your work by making small changes to the way that the person stands. Change the angle of one foot, put a slight slump in the posture or just bend the knees a little.\r\n\r\nPay attention to the arms and hands as well. Real people do not just let their arms hang straight down. A woman may put her hand on one hip, cross her arms, raise a hand to say hello or reach out to grab something. You can quickly move from drawing simple, lifeless figures to creating more lifelike women with just a few alterations in poses and gestures.\r\n

Women\'s Faces

\r\n\"\"Let\'s go back to the face. Both men and women are distinguished primarily by their faces and their expressions.\r\n\r\n• The most fundamental feature of any face is usually the eyes. Eyes can take on many shapes. This is particularly due to ethnic background but women can also use makeup to alter the appearance of their eyes. They may be round or take on a more slanted or even almond appearance. Furthermore, eyelashes may be more or less prominent. Finally, choose a color for the eyes and let your shading reflect that color.\r\n• Think of how the nose looks when you view it on another person\'s face. The bridge is not prominent when viewed from a frontal perspective. Sketch in the angles of the nose at first. Darken with additional strokes as you gain a better idea of how it appears.\r\n• The base of the nose can vary. The nostrils may be wide and flared or they may run more continuously from the bridge of the nose.\r\n• If viewing in profile, the nose becomes even more important. Is the bridge straight? Does the person have a rounded nose? Noses vary a great deal and there is no real scale that you can use to create proportional noses because they can be anywhere from large to small in comparison to the face. You will have to feel your own way with this feature.\r\n

The Many Hairstyles of Women

\r\n\"howIn general, women have a greater variety of hairstyles than men. Like men, their hair may be of all lengths but women tend to do more with what they have. This can be a challenge to draw, but it becomes easier as you learn what to look for.\r\n\r\n• Even if the woman\'s hair comes down and covers where the hairline meets the forehead, you need to know where the hairline is.\r\n• You are not going to draw every single hair on her head but you may want to go beyond just outlining a mass of hair. Use light strokes to indicate fine threads of hair and darker pencil lines to indicate thicker locks of hair.\r\n• You need to determine how long the hair is and if it hangs over her shoulders or not.\r\n• Decide if the hair will cover her ears. If not, you will have to draw the ears as well.\r\n• Do not forget that the eyelashes and eyebrows are made from hair as well. You can simply draw these in as lines or make the bristles more prominent.\r\n

Ages and Ethnicities

\r\n\"???????????????????????????????????????????????????????????????????????????\"There is a tendency on the part of beginning artists to depict young people with standard features of the people that surround them. As you become more proficient, try to add some variation to your drawings.  The women in your drawings may be older or younger. Older women may have wrinkles and possibly carry more weight. Indicate these traits with subtle details that enhance the beauty and character of your subject. Also, drawing women of varying ethnicities will require you to adapt the shapes of faces and features in your portraits.\r\n\r\nIn order to learn how to draw a woman, you simply need a lot of practice. You should get started right away. The great thing about drawing is that no one has to see your mistakes. You can do it again and again until you get it right.','How To Draw Women That Really Look Like Women','','inherit','open','open','','968-revision-v1','','','2014-05-02 21:17:14','2014-05-03 04:17:14','',968,'http://www.letsdrawpeople.com/968-revision-v1/',0,'revision','',0),(988,2,'2014-05-02 21:28:20','2014-05-03 04:28:20','\"\"Have you always wanted to draw a realistic human face? Many people feel anxious if they are asked to draw people because they fear that their facial drawing will bear no likeness to the person. Portraiture is the art of creating portraits. A portrait can be defined as a drawing, sculpture, painting or photograph of a particular person. In short, portraits are two-dimensional artistic representations of the three dimensional human face.  Drawing a person is not as hard as it looks but many find capturing the likeness is the most difficult part of facial drawing.  A good sketch of the human face should capture the likeness using perspective, proportion, accurate shading and contours. So, let\'s find out how to draw people and explore various ways of bringing portraiture to life. But first things first…don\'t be a bad workman who blames his tools. Invest in some good art materials and learn to use them in the right way.  Listed below are some of the main art materials used to create good drawings.\r\n

Tools Used to Draw Realistically

\r\n
    \r\n
  • Good quality acid-free drawing paper
    • \r\n
  • A high-quality mechanical pencil
    • \r\n
  • A boxed set of pencils (offers a selection of different pencils that will help you to achieve a variety of results)
    • \r\n
  • A pencil sharpening tool
    • \r\n
  • Kneaded erasers
    • \r\n
  • A blending stump or a tortillion
    • \r\n
  • A can of fixative spray
    • \r\n
\r\nLet\'s take a brief moment to chat about the drawing implements mentioned above.\r\n\r\nWhen you begin to sketch your first portrait, you will make mistakes but errors can be rubbed out time and time again if you use quality paper. Cheap erasers work but they are not as effective as a kneaded eraser. Sharp pencils are easier to work with, so buy a good quality pencil sharpener or use a high-quality mechanical pencil with graphite lead. Pencil is a great medium and pencil art can be rubbed with blending stumps to create light and shade. The finished artwork should be sprayed with a fixative to protect it and to prevent it from yellowing and smudging.\r\n

Helpful Drawing Techniques for Drawing People

\r\nNow we can move on to discuss some common drawing techniques. Some of the most popular techniques used in drawing include:\r\n
    \r\n
  • Contour lines
    • \r\n
  • Hatching and crosshatching
    • \r\n
  • Smooth shading
    • \r\n
  • Circles and scribbles
    • \r\n
\r\nWhy use these techniques when learning how to draw? Contour lines give drawings shape and volume, and these lines can be used to create the outline when you draw a body or a face. Hatching and crosshatching are ways of creating different tones, and meticulous hatching helps to make a portrait look realistic. Smooth shading can create a subtle or deep tonal change, and this is one of the main drawing techniques used to introduce depth into artwork. Circles and scribbles will make your sketch look looser, and this simple drawing technique creates contrast.\r\n\r\nSo, you want to draw a face, but you know nothing about the techniques mentioned above?\r\n\r\nBudding artists should watch some of the many pencil drawing tutorials that can be found online. Useful online tutorials include learning how to blend and shade, realistic pencil drawing techniques, and basic pencil shading. When you have grasped the basics of pencil drawing, move on and watch step-by-step tutorials about how to draw portraits. Top online drawing tutorials include tips and tricks for general portraiture and how to create realistic pencil portraits.\r\n\r\nIt can be equally as helpful to watch videos of artists drawing people that are NOT tutorials with everything spelled out in steps. Often times, there is much to be learned from just watching an artist in action and closely observing which techniques are used.\r\n\r\nThink you HAVE to see step-by-step directions or videos of artists in action to learn techniques? Think again! Although tutorials and videos are extremely helpful, you might also be surprised to find out how much you can learn by just examining already completed work. Study drawings of people completed by other artists. Look for styles you like and try to duplicate the techniques you think they used. Some of the most famous artists became famous by studying the works of masters that came before them. Just remember, you can just as well learn from an artist who is not yet a master. All artists have something valuable to share.\r\n

Draw a Face Step-By-Step

\r\n\"030596\"Following are a few basic guidelines to keep in mind when it comes to drawing faces. Try these out by referring to a photograph, or just draw a random person from your imagination!\r\n
    \r\n
  • Human heads are not circular. Always remember that humans have egg-shaped faces. Begin your sketch by creating an oval outline that tapers towards the bottom.
    • \r\n
  • Map out the facial proportions by drawing a faint line down the center of the oval and a fine horizontal line through the center of the face.
    • \r\n
  • Position the nose on the face by penciling a dividing line in the center of the lower half of the face. The lines that have been drawn on the bottom half of the face should form a cross. The base of the nose should be penciled in at the top of the center of the cross and one nostril will be sketched at either side.
    • \r\n
  • Draw the mouth onto the face using a fine pencil line in between the base of the nose and the bottom of the chin. The bottom lip should sit on the dividing line just drawn. Create a line where the two lips meet, then move on to draw in the bottom and top lip lines.
    • \r\n
  • Add the eyes to your facial drawing. The center of the eye sockets will be in line with the middle of the central horizontal line. Think of the eyeballs as two large circular balls, partially concealed behind the top and bottom eyelids. The eyebrow will sit on top and the cheekbone should rest on the bottom of the shape. Look closely at the eyes of the person you are drawing before drawing in the shapes. Some people have large round eyes and others have almond-shaped eyes, so draw your eyes accordingly. In general, the central space left between the eyes should be equivalent to the width of one eye. Remember, the iris of the eye is made up of many different shades.
    • \r\n
  • Draw in the eyelids. The eyelid should be drawn in over the top of the eye and the base of the lid will come down to cover the very top of the iris. Use some of the shading techniques mentioned earlier to define the shape of the eye socket.
    • \r\n
  • When you are satisfied with the facial shape and features you can add the neck, ears, and hair to the face.
    • \r\n
\r\nAlthough there is more to learn, these tips will hopefully give you a helpful start with how to draw faces. But humans have more than just a head and a face. People have bodies and wear clothes. If you want to learn more about methods of sketching bodies and people in clothes, please read on.\r\n

Drawing the Human Form

\r\n\"\"Sketching the human body in all positions is commonly referred to as \"figure drawing\" and there are many different ways of drawing the human body. Different types of figure drawing include:\r\n
    \r\n
  • Sketching
    • \r\n
  • Life drawing
    • \r\n
  • Emotive drawing
    • \r\n
  • Perspective drawing
    • \r\n
  • Illustration drawing
    • \r\n
  • Diagrammatic drawing
    • \r\n
  • Analytic drawing
    • \r\n
  • Geometric drawing
    • \r\n
\r\nA sketch is an informal drawing and figure sketching helps us to learn how to draw a realistic human figure. Lots of amateur artists enjoy drawing the human figure by studying a live model and life drawing is an essential part of art. People have personalities and characters and emotive drawing is used to express the subject\'s personality. Perspective drawing represents scale, eye-level, surface, planes, light, space and volume. An illustrative drawing is a piece of artwork that comes from a photograph, painting or sketch whereas a diagrammatic drawing is a well-planned piece of art. An analytic drawing of a person will be realistic; the person will be drawn in proportion and those who find it hard to draw people may get on well with geometric figure drawing.\r\n\r\nAdditionally, when you are drawing people you should obviously keep in mind the differences between men and women. For example, when drawing a woman, you will draw smoother, more graceful features. You will draw a proportionately larger pelvis and slender shoulders. When drawing a man, you will draw features with a more rugged, muscular appearance. You will draw broader shoulders and a proportionately larger rib cage.\r\n

Drawing Clothing

\r\n\"howLook at some of the online images of people who are wearing clothes and you will see that every person wears their clothes differently. Artists who want to learn how to sketch people wearing clothing will have to examine the clothing closely. Take a close look, and you will see a recurrence of seven different kinds of folds:\r\n
    \r\n
  • Pipe
    • \r\n
  • Zigzag
    • \r\n
  • Half-lock
    • \r\n
  • Spiral
    • \r\n
  • Diaper
    • \r\n
  • Drop
    • \r\n
  • Inert
    • \r\n
\r\nLearn how to apply design, details, and these folds, and you can draw practically any type of clothing on a person!\r\n

Draw Children Step-By Step

\r\n[caption id=\"attachment_643\" align=\"alignleft\" width=\"221\"]\""Ashley" \"Ashley\" by Jack Pearce[/caption]\r\n\r\nMany of us try to sketch our children because that drawing will act as a personal reminder of how much we love and cherish them. However, there are major differences between an adult’s face and a child\'s face. It is all too easy to make a young child look much older when drawn, so it pays to keep a drawing of a child simple. Let\'s look at an easy way to draw a child.\r\n
    \r\n
  • Sketch a small oval-shaped (but almost circular) head. The younger the child, the more circular the head will be.
    • \r\n
  • Divide the small face into four using a vertical and a horizontal line.
    • \r\n
  • Make large round eyes that rest on the horizontal guideline. The eyebrows sit above this line.
    • \r\n
  • Create a small triangle to form the nose.
    • \r\n
  • Draw a curved line to create the young mouth.
    • \r\n
  • Add some thick bobbed hair (or thin hair, depending on the subject and age).
    • \r\n
\r\nThis is a simple way to draw a child. The basic sketch is straightforward and the drawing is not detailed, but this easy way of drawing children works well for many. Now the more you draw boys and girls of different ages, the more you will realize other differences between babies, toddlers, school-age kids, and teenagers.\r\n

Mastering the Art of Pencil Portraits

\r\nItalian portrait artist Franco Clun and Russian portrait artist Olga Larionova create incredibly realistic pencil drawings, yet they never took a formal art class. They are just two examples of how anyone from any background, with enough determination to consistently practice and learn, can eventually become a master portrait artist. Talented artists know how to bring their work to life, but you must never forget that every successful artist started out as an amateur.\r\n\r\nIt will take time to teach yourself how to draw people. In fact, it could take months or even years to master the craft at a level that you are satisfied with. But practice will improve your drawing, and the people that you draw will start to look more and more realistic. If at first you don\'t succeed, try, try and try again! You will see that if you practice on a regular basis, you will not need to wait months. You will realize small successes and make gradual progress with each drawing that will keep you motivated enough to keep at it!\r\n\r\nAmateur artists can learn how to draw people with confidence, and beginners shouldn\'t be afraid to make mistakes. The information found throughout this site will help you to learn how to draw people, and more importantly, how to eventually become a skilled pencil portrait artist. Make use of our articles, tutorials, and videos, and then start enjoying and employing your artistic talents today!','Let\'s See How to Draw People','','inherit','open','open','','66-revision-v1','','','2014-05-02 21:28:20','2014-05-03 04:28:20','',66,'http://www.letsdrawpeople.com/66-revision-v1/',0,'revision','',0),(990,2,'2014-05-06 20:28:45','2014-05-07 03:28:45','\"\"Drawing humans can be difficult for many. We\'re complex creatures, and we can easily tell when something is not right. One of the hardest issues for many is figuring out how to draw a particular gender. There are many great artists out there who can draw a beautiful woman but who cannot quite seem to capture the male figure. If you want to learn how to draw a man, you can follow the tips listed here. Drawing a male figure requires learning how to think about the way men are built -- and it requires realizing that there are many more differences between men and women than you might realize.\r\n

General Guidelines

\r\nIt is always a good idea to go back to the basics when you are choosing something to draw. Figuring out how to effectively draw the male figure is no different from figuring out how to draw the female figure -- or even how to draw a tree, for that matter. You start with the basic information that you need, take a look at the proportions, and then move on to the details. You can always take your art down to its component parts when something goes wrong to figure out your next move.\r\n\r\nWhen you draw a male figure, you need to think about your basic unit of size as the head. You can draw a tiny head or a large head if you like, but everything else is going to be in proportion to that basic unit. One standard rule of thumb is that the male drawing is about eight heads tall. If you can maintain something close to those proportions, you have a great chance of getting the basic human part of the figure down.\r\n\r\nWidth should not give you quite as much trouble as height, but you do still need to think about proportions. When you consider your proportions, it can help to divide the body up like so:\r\n\r\n- The head\r\n- The neck\r\n- The torso\r\n- The arms and hands\r\n- The legs and feet\r\n

More than Stubble: The Male Face

\r\n\"\"When I start with a male face, I start with an oval but often plan to overlay more angular features rather than curves. The male face is a more angular beast. Unlike a woman\'s soft curves, a good male face will usually seem to have a bit of a squared jaw to it. Every part of the male face is going to benefit from having a bit more of an angle to it -- the eyes, the nose, even the cheekbones often avoid soft curves. Try to think of the male face as the female face with its curves removed. It might be a terribly basic way to think about the drawing, but it does help.\r\n\r\nAnother good way to deal with issues drawing a male is to go big. When I draw a female face, I always try to be restrained -- smaller eyes, more delicate noses, wispy eyebrows. When I draw a man, though, I don\'t mind letting a bit of the animal out. Going with something as simple as a pair of dark, bushy eyebrows gives a face a very male appearance. After all, more than half of all men have eyebrows that require a little bit of extra control. When you go big, you can also think about adding bigger ears, more pronounced nostrils and a more apparent jaw line. All of these features that look out of place on a female face help to give a male face its definition.\r\n

Presenting Power: The Male Body

\r\n\"\"Not to be stereotypical, but I do think that the real key to drawing a male body is in the muscles. Women only have about sixty percent of the muscle mass of men, and this means that drawing the male figure is going to mean applying a lot more power. The hard part about this is not making things look ridiculous. Bulky muscles are for comic books from the 1990\'s, not for every subject you draw. Instead, your focus should be on creating figures that are a little more angular than they are round. Curves are a non-starter for men, so leave them out whenever you can.\r\n\r\nThis brings us back to proportions again. We want to make sure that our man has a proportional torso, legs, and arms. Our torso, stretching from chin to groin, is going to be about three heads long and about as wide. Our legs are going to be about 4 heads long, with our arms about 3/4 that length. If you keep these proportions, you can draw a man that is about the right size.\r\n

Male Patterns: Drawing Hair and Facial Hair

\r\nBack when I was a much younger artist, I will admit that the biggest difference between my male and female figures was the hair. As an adult though, I know that simply giving a male figure short hair is not going to be enough to make it look realistic. As such, I need to remember what a man\'s hair looks like -- and as with many of the examples above, angles are going to play a key role again.\r\n\r\nA man\'s hairline starts farther back than a female hairline -- you will be giving the face the appearance of a longer forehead, again helping to highlight a gender difference. When you draw a man\'s hair, you should be seeking (in most cases) to eliminate the waves and curls that help to define female hair. Short hair might be a crutch for some artists, but it is a crutch that is well worth using. Shading in a crew or buzz cut is a good way to create a \"male\" shorthand for a figure.\r\n

\"\"

\r\nAs an aside, try not to be lazy with facial hair. Yes, it is a primary male signifier. It is not, however, something that has to be done on every male figure. If you are going to go with stubble, something that will appear on the face of any male character above puberty from time to time, be subtle -- you are mostly shading. You are only drawing individual hairs if you are aiming for an incredibly close up and detailed rendering. If you draw a moustache or beard, though, be aware that you are dealing with something that requires as much attention to volume and depth as the hair on the head.\r\n\r\n[caption id=\"attachment_997\" align=\"aligncenter\" width=\"399\"]\"\" Drawing of Ahmed Shah Massoud
© Elena Duvernay | Dreamstime.com[/caption]\r\n

Modifications, Changes, and Your Style

\r\nNow, all of the information above is certainly able to be modified. I enjoy following these very standard guidelines because they provide a great visual shorthand, but you always need to experiment. The best way for you to draw a male subject with which you are comfortable is to keep practicing. You might find that you want to change the proportions a bit or that you feel like a less angular style works -- and that\'s fine. But mastering these basics will help you to learn how to experiment in the future.\r\n\r\nDrawing a male figure is not too hard once you get the hang of it. I know that it can be frustrating to feel locked out of drawing half the population, but the tips above will help. Take some time to apply these tips to your next drawing session and see what they do. Add a bit of angularity, play up the features and add some muscle -- doing so will give you the groundwork for drawing a great male figure.','So, You Want To Draw Guys? Here Is How To Draw A Man','','publish','open','open','','so-you-want-to-draw-guys-here-is-how-to-draw-a-man','','\nhttp://www.letsdrawpeople.com/keeping-it-simple-the-straight-forward-step-by-step-guide-to-drawing-the-body/','2014-05-06 20:37:06','2014-05-07 03:37:06','',0,'http://www.letsdrawpeople.com/?p=990',0,'post','',1),(993,2,'2014-05-05 21:48:38','2014-05-06 04:48:38','[*****DT*****]Drawing human figures can be difficult for many. We\'re complex creatures, and we can easily tell when something is not right. One of the hardest issues for many is figuring out how to draw a particular gender. There are many great artists out there who can draw a beautiful woman but who cannot quite seem to capture the male figure. If you want to learn how to draw a man, you can follow the tips listed here. Drawing a male figure requires learning how to think about the way men are built -- and it requires realizing that there are many more differences between men and women than you might realize.\r\n

General Guidelines

\r\nIt is always a good idea to go back to the basics when you are choosing something to draw. Figuring out how to effectively draw the male figure is no different from figuring out how to draw the female figure -- or even how to draw a tree, for that matter. You start with the basic information that you need, take a look at the proportions, and then move on to the details. You can always take your art down to its component parts when something goes wrong to figure out your next move.\r\n\r\nWhen you draw a male figure, you need to think about your basic unit of size as the head. You can draw a tiny head or a large head if you like, but everything else is going to be in proportion to that basic unit. One standard rule of thumb is that the male drawing is about eight heads tall. If you can maintain something close to those proportions, you have a great chance of getting the basic human part of the figure down.\r\n\r\nWidth should not give you quite as much trouble as height, but you do still need to think about proportions. When you consider your proportions, it can help to divide the body up like so:\r\n\r\n- The head\r\n- The neck\r\n- The torso\r\n- The arms and hands\r\n- The legs and feet\r\n

More than Stubble: The Male Face

\r\n[*****DT angular male face 6584738*****]When I start with a male face, I start with an oval but often plan to overlay more angular features rather than curves. The male face is a more angular beast. Unlike a woman\'s soft curves, a good male face will usually seem to have a bit of a squared jaw to it. Every part of the male face is going to benefit from having a bit more of an angle to it -- the eyes, the nose, even the cheekbones often avoid soft curves. Try to think of the male face as the female face with its curves removed. It might be a terribly basic way to think about the drawing, but it does help.\r\n\r\nAnother good way to deal with issues drawing a male is to go big. When I draw a female face, I always try to be restrained -- smaller eyes, more delicate noses, wispy eyebrows. When I draw a man, though, I don\'t mind letting a bit of the animal out. Going with something as simple as a pair of dark, bushy eyebrows gives a face a very male appearance. After all, more than half of all men have eyebrows that require a little bit of extra control. When you go big, you can also think about adding bigger ears, more pronounced nostrils and a more apparent jaw line. All of these features that look out of place on a female face help to give a male face its definition.\r\n

Presenting Power: The Male Body

\r\nNot to be stereotypical, but I do think that the real key to drawing a male body is in the muscles. Women only have about sixty percent of the muscle mass of men, and this means that drawing the male figure is going to mean applying a lot more power. The hard part about this is not making things look ridiculous. Bulky muscles are for comic books from the 1990\'s, not for every subject you draw. Instead, your focus should be on creating figures that are a little more angular than they are round. Curves are a non-starter for men, so leave them out whenever you can.\r\n\r\nThis brings us back to proportions again. We want to make sure that our man has a proportional torso, legs, and arms. Our torso, stretching from chin to groin, is going to be about three heads long and about as wide. Our legs are going to be about 4 heads long, with our arms about 3/4 that length. If you keep these proportions, you can draw a man that is about the right size.\r\n

Male Patterns: Drawing Hair and Facial Hair

\r\nBack when I was a much younger artist, I will admit that the biggest difference between my male and female figures was the hair. As an adult though, I know that simply giving a male figure short hair is not going to be enough to make it look realistic. As such, I need to remember what a man\'s hair looks like -- and as with many of the examples above, angles are going to play a key role again.\r\n\r\nA man\'s hairline starts farther back than a female hairline -- you will be giving the face the appearance of a longer forehead, again helping to highlight a gender difference. When you draw a man\'s hair, you should be seeking (in most cases) to eliminate the waves and curls that help to define female hair. Short hair might be a crutch for some artists, but it is a crutch that is well worth using. Shading in a crew or buzz cut is a good way to create a \"male\" shorthand for a figure.\r\n\r\nAs an aside, try not to be lazy with facial hair. Yes, it is a primary male signifier. It is not, however, something that has to be done on every male figure. If you are going to go with stubble, something that will appear on the face of any male character above puberty from time to time, be subtle -- you are mostly shading. You are only drawing individual hairs if you are aiming for an incredibly close up and detailed rendering. If you draw a moustache or beard, though, be aware that you are dealing with something that requires as much attention to volume and depth as the hair on the head.\r\n

Modifications, Changes, and Your Style

\r\nNow, all of the information above is certainly able to be modified. I enjoy following these very standard guidelines because they provide a great visual shorthand, but you always need to experiment. The best way for you to draw a male subject with which you are comfortable is to keep practicing. You might find that you want to change the proportions a bit or that you feel like a less angular style works -- and that\'s fine. But mastering these basics will help you to learn how to experiment in the future.\r\n\r\nDrawing a male figure is not too hard once you get the hang of it. I know that it can be frustrating to feel locked out of drawing half the population, but the tips above will help. Take some time to apply these tips to your next drawing session and see what they do. Add a bit of angularity, play up the features and add some muscle -- doing so will give you the groundwork for drawing a great male figure.','So, You Want To Draw Guys? Here Is How To Draw A Man','','inherit','open','open','','990-revision-v1','','','2014-05-05 21:48:38','2014-05-06 04:48:38','',990,'http://www.letsdrawpeople.com/990-revision-v1/',0,'revision','',0),(992,2,'2014-05-05 20:19:05','2014-05-06 03:19:05','Drawing human figures can be difficult for many. We\'re complex creatures, and we can easily tell when something is not right. One of the hardest issues for many is figuring out how to draw a particular gender. There are many great artists out there who can draw a beautiful woman but who cannot quite seem to capture the male figure. If you want to learn how to draw a man, you can follow the tips listed here. Drawing a male figure requires learning how to think about the way men are built -- and it requires realizing that there are many more differences between men and women than you might realize.\r\n

General Guidelines

\r\nIt is always a good idea to go back to the basics when you are choosing something to draw. Figuring out how to effectively draw the male figure is no different from figuring out how to draw the female figure -- or even how to draw a tree, for that matter. You start with the basic information that you need, take a look at the proportions, and then move on to the details. You can always take your art down to its component parts when something goes wrong to figure out your next move.\r\n\r\nWhen you draw a male figure, you need to think about your basic unit of size as the head. You can draw a tiny head or a large head if you like, but everything else is going to be in proportion to that basic unit. One standard rule of thumb is that the male drawing is about eight heads tall. If you can maintain something close to those proportions, you have a great chance of getting the basic human part of the figure down.\r\n\r\nWidth should not give you quite as much trouble as height, but you do still need to think about proportions. When you consider your proportions, it can help to divide the body up like so:\r\n\r\n- The head\r\n- The neck\r\n- The torso\r\n- The arms and hands\r\n- The legs and feet\r\n

More than Stubble: The Male Face

\r\nWhen I start with a male face, I start with an oval but often plan to overlay more angular features rather than curves. The male face is a more angular beast. Unlike a woman\'s soft curves, a good male face will usually seem to have a bit of a squared jaw to it. Every part of the male face is going to benefit from having a bit more of an angle to it -- the eyes, the nose, even the cheekbones often avoid soft curves. Try to think of the male face as the female face with its curves removed. It might be a terribly basic way to think about the drawing, but it does help.\r\n\r\nAnother good way to deal with issues drawing a male is to go big. When I draw a female face, I always try to be restrained -- smaller eyes, more delicate noses, wispy eyebrows. When I draw a man, though, I don\'t mind letting a bit of the animal out. Going with something as simple as a pair of dark, bushy eyebrows gives a face a very male appearance. After all, more than half of all men have eyebrows that require a little bit of extra control. When you go big, you can also think about adding bigger ears, more pronounced nostrils and a more apparent jaw line. All of these features that look out of place on a female face help to give a male face its definition.\r\n

Presenting Power: The Male Body

\r\nNot to be stereotypical, but I do think that the real key to drawing a male body is in the muscles. Women only have about sixty percent of the muscle mass of men, and this means that drawing the male figure is going to mean applying a lot more power. The hard part about this is not making things look ridiculous. Bulky muscles are for comic books from the 1990\'s, not for every subject you draw. Instead, your focus should be on creating figures that are a little more angular than they are round. Curves are a non-starter for men, so leave them out whenever you can.\r\n\r\nThis brings us back to proportions again. We want to make sure that our man has a proportional torso, legs, and arms. Our torso, stretching from chin to groin, is going to be about three heads long and about as wide. Our legs are going to be about 4 heads long, with our arms about 3/4 that length. If you keep these proportions, you can draw a man that is about the right size.\r\n

Male Patterns: Drawing Hair and Facial Hair

\r\nBack when I was a little artist, I will admit that the biggest difference between my male and female figures was the hair. As an adult, though, I know that simply giving a male figure short hair is not going to be enough to make it look realistic. As such, I need to remember what a man\'s hair looks like -- and as with many of the examples above, angles are going to play a key role again.\r\n\r\nA man\'s hairline starts farther back than a female hairline -- you will be giving the face the appearance of a longer forehead, again helping to highlight a gender difference. When you draw a man\'s hair, you should be seeking (in most cases) to eliminate the waves and curls that help to define female hair. Short hair might be a crutch for some artists, but it is a crutch that is well worth using. Shading in a crew or buzz cut is a good way to create a \"male\" shorthand for a figure.\r\n\r\nAs an aside, try not to be lazy with facial hair. Yes, it is a primary male signifier. It is not, however, something that has to be done on every male figure. If you are going to go with stubble, something that will appear on the face of any male character above puberty from time to time, be subtle -- you are shading, not drawing hairs. If you draw a moustache or beard, though, be aware that you are dealing with something that requires as much attention to volume and depth as the hair on the head.\r\n\r\nBoy to Man: Aging a Male Figure\r\n\r\nI also think it\'s appropriate to talk about the different types of male bodies that you are going to be drawing, as this might help you to grab on to a few of the real keys unlock a good male figure. Boys and men are incredibly different, and drawing a pre-pubescent character can really give you a chance to work on your ability to define the transition from a female character to a male character.\r\n\r\nBoys and teenage males tend to have a bit more of a curve to them -- muscles are not going to be as well defined, and the face can be a bit more circular than the square male face that we have talked about above. You will not be able to rely on facial hair in such a situation, so you will really be looking into the essence of what makes a figure look masculine. Proportions are going to matter, especially in terms of width, and you will need to pay special consideration to areas like the hips to make sure that the audience knows that you are drawing a male.\r\n\r\nWhen it comes to older characters, things are a bit easier. You can age up a male character quickly by doing the following:\r\n\r\n- Move the hairline farther up the head\r\n- Add a bit of roundness to the belly\r\n- Remove some of the muscle definition\r\n- Add a slouch to the posture -- drop the shoulders a bit, and splay out the knees slightly.\r\n\r\nModifications, Changes, and Your Style\r\n\r\nNow, all of the information above is certainly able to be modified. I enjoy following this very standard pattern because it provides a great visual shorthand, but you always need to experiment. The best way for you to draw a male figure with which you are comfortable is to keep practicing. You might find that you want to change the proportions a bit or that you feel like a less angular style works -- and that\'s fine. But mastering these basics will help you to learn how to experiment in the future.\r\n\r\nDrawing a male figure is not too hard once you get the hang of it. I know that it can be frustrating to feel locked out of drawing half the population, but the tips above will help. Take some time to apply these tips to your next drawing session and see what they do. Add a bit of angularity, play up the features and add some muscle -- doing so will give you the groundwork for drawing a great male figure.','So, You Want To Draw Guys? Here Is How To Draw A Man','','inherit','open','open','','990-revision-v1','','','2014-05-05 20:19:05','2014-05-06 03:19:05','',990,'http://www.letsdrawpeople.com/990-revision-v1/',0,'revision','',0),(991,2,'2014-05-05 06:01:49','2014-05-05 13:01:49','Drawing human figures can be difficult for many. We\'re complex creatures, and we can easily tell when something is not right. One of the hardest issues for many is figuring out how to draw a particular gender. There are many great artists out there who can draw a beautiful woman but who cannot quite seem to capture the male figure. If you want to learn how to draw a man, you can follow the tips listed here. Drawing a male figure requires learning how to think about the way men are built -- and it requires realizing that there are many more differences between men and women than you might realize.\r\n

General Guidelines

\r\nIt is always a good idea to go back to the basics when you are choosing something to draw. Figuring out how to effectively draw the male figure is no different from figuring out how to draw the female figure -- or even how to draw a tree, for that matter. You start with the basic information that you need, take a look at the proportions, and then move on to the details. You can always take your art down to its component parts when something goes wrong to figure out your next move.\r\n\r\nWhen you draw a male figure, you need to think about your basic unit of size as the head. You can draw a tiny head or a large head if you like, but everything else is going to be in proportion to that basic unit. One standard rule of thumb is that the male drawing is about eight heads tall. If you can maintain something close to those proportions, you have a great chance of getting the basic human part of the figure down.\r\n\r\nWidth should not give you quite as much trouble as height, but you do still need to think about proportions. When you consider your proportions, it can help to divide the body up like so:\r\n\r\n- The head\r\n- The neck\r\n- The torso\r\n- The arms and hands\r\n- The legs and feet\r\n

More than Stubble: The Male Face

\r\nWhen I start with a male face, I start with an oval but often plan to overlay more angular features rather than curves. The male face is a more angular beast. Unlike a woman\'s soft curves, a good male face will usually seem to have a bit of a squared jaw to it. Every part of the male face is going to benefit from having a bit more of an angle to it -- the eyes, the nose, even the cheekbones often avoid soft curves. Try to think of the male face as the female face with its curves removed. It might be a terribly basic way to think about the drawing, but it does help.\r\n\r\nAnother good way to deal with issues drawing a male is to go big. When I draw a female face, I always try to be restrained -- smaller eyes, more delicate noses, wispy eyebrows. When I draw a man, though, I don\'t mind letting a bit of the animal out. Going with something as simple as a pair of dark, bushy eyebrows gives a face a very male appearance. After all, more than half of all men have eyebrows that require a little bit of extra control. When you go big, you can also think about adding bigger ears, more pronounced nostrils and a more apparent jaw line. All of these features that look out of place on a female face help to give a male face its definition.\r\n

Presenting Power: The Male Body

\r\nNot to be stereotypical, but I do think that the real key to drawing a male body is in the muscles. Women only have about sixty percent of the muscle mass of men, and this means that drawing the male figure is going to mean applying a lot more power. The hard part about this is not making things look ridiculous. Bulky muscles are for comic books from the 1990\'s, not for every subject you draw. Instead, your focus should be on creating figures that are a little more angular than they are round. Curves are a non-starter for men, so leave them out whenever you can.\r\n\r\nThis brings us back to proportions again. We want to make sure that our man has a proportional torso, legs, and arms. Our torso, stretching from chin to groin, is going to be about three heads long and about as wide. Our legs are going to be about 4 heads long, with our arms about 3/4 that length. If you keep these proportions, you can draw a man that is about the right size.\r\n\r\n*****EDIT HERE ON DOWN*****Once you have that figure roughed out, it\'s time to add in some undeniably male details. We\'re talking muscle here, especially on the chest for a shirtless subject. You can have muscular arms and legs on a female, at least to a degree, but adding in some defined pectoral muscles will help you to better define the gender of your subject. And yes, it is important to add that \"other\" subtle bulgy bit to the male anatomy -- understated in the name of the game here, boys and girls, but make sure that it is present. It is incredibly easy to make a male figure look a bit androgynous with the requisite parts in place.\r\n\r\nMale Patterns: Drawing Hair and Facial Hair\r\n\r\nBack when I was a little artist, I will admit that the biggest difference between my male and female figures was the hair. As an adult, though, I know that simply giving a male figure short hair is not going to be enough to make it look realistic. As such, I need to remember what a man\'s hair looks like -- and as with many of the examples above, angles are going to play a key role again.\r\n\r\nA man\'s hairline starts farther back than a female hairline -- you will be giving the face the appearance of a longer forehead, again helping to highlight a gender difference. When you draw a man\'s hair, you should be seeking (in most cases) to eliminate the waves and curls that help to define female hair. Short hair might be a crutch for some artists, but it is a crutch that is well worth using. Shading in a crew or buzz cut is a good way to create a \"male\" shorthand for a figure.\r\n\r\nAs an aside, try not to be lazy with facial hair. Yes, it is a primary male signifier. It is not, however, something that has to be done on every male figure. If you are going to go with stubble, something that will appear on the face of any male character above puberty from time to time, be subtle -- you are shading, not drawing hairs. If you draw a moustache or beard, though, be aware that you are dealing with something that requires as much attention to volume and depth as the hair on the head.\r\n\r\nBoy to Man: Aging a Male Figure\r\n\r\nI also think it\'s appropriate to talk about the different types of male bodies that you are going to be drawing, as this might help you to grab on to a few of the real keys unlock a good male figure. Boys and men are incredibly different, and drawing a pre-pubescent character can really give you a chance to work on your ability to define the transition from a female character to a male character.\r\n\r\nBoys and teenage males tend to have a bit more of a curve to them -- muscles are not going to be as well defined, and the face can be a bit more circular than the square male face that we have talked about above. You will not be able to rely on facial hair in such a situation, so you will really be looking into the essence of what makes a figure look masculine. Proportions are going to matter, especially in terms of width, and you will need to pay special consideration to areas like the hips to make sure that the audience knows that you are drawing a male.\r\n\r\nWhen it comes to older characters, things are a bit easier. You can age up a male character quickly by doing the following:\r\n\r\n- Move the hairline farther up the head\r\n- Add a bit of roundness to the belly\r\n- Remove some of the muscle definition\r\n- Add a slouch to the posture -- drop the shoulders a bit, and splay out the knees slightly.\r\n\r\nModifications, Changes, and Your Style\r\n\r\nNow, all of the information above is certainly able to be modified. I enjoy following this very standard pattern because it provides a great visual shorthand, but you always need to experiment. The best way for you to draw a male figure with which you are comfortable is to keep practicing. You might find that you want to change the proportions a bit or that you feel like a less angular style works -- and that\'s fine. But mastering these basics will help you to learn how to experiment in the future.\r\n\r\nDrawing a male figure is not too hard once you get the hang of it. I know that it can be frustrating to feel locked out of drawing half the population, but the tips above will help. Take some time to apply these tips to your next drawing session and see what they do. Add a bit of angularity, play up the features and add some muscle -- doing so will give you the groundwork for drawing a great male figure.','So, You Want To Draw Guys? Here Is How To Draw A Man','','inherit','open','open','','990-revision-v1','','','2014-05-05 06:01:49','2014-05-05 13:01:49','',990,'http://www.letsdrawpeople.com/990-revision-v1/',0,'revision','',0),(996,2,'2014-05-06 20:01:40','2014-05-07 03:01:40','','how-to-draw-a-man-angled-facial-features','','inherit','open','open','','996','','','2014-05-06 20:01:40','2014-05-07 03:01:40','',990,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/how-to-draw-a-man-angled-facial-features.jpg',0,'attachment','image/jpeg',0),(994,2,'2014-05-06 06:05:26','2014-05-06 13:05:26','[*****DT 39775894*****]Drawing human figures can be difficult for many. We\'re complex creatures, and we can easily tell when something is not right. One of the hardest issues for many is figuring out how to draw a particular gender. There are many great artists out there who can draw a beautiful woman but who cannot quite seem to capture the male figure. If you want to learn how to draw a man, you can follow the tips listed here. Drawing a male figure requires learning how to think about the way men are built -- and it requires realizing that there are many more differences between men and women than you might realize.\r\n

General Guidelines

\r\nIt is always a good idea to go back to the basics when you are choosing something to draw. Figuring out how to effectively draw the male figure is no different from figuring out how to draw the female figure -- or even how to draw a tree, for that matter. You start with the basic information that you need, take a look at the proportions, and then move on to the details. You can always take your art down to its component parts when something goes wrong to figure out your next move.\r\n\r\nWhen you draw a male figure, you need to think about your basic unit of size as the head. You can draw a tiny head or a large head if you like, but everything else is going to be in proportion to that basic unit. One standard rule of thumb is that the male drawing is about eight heads tall. If you can maintain something close to those proportions, you have a great chance of getting the basic human part of the figure down.\r\n\r\nWidth should not give you quite as much trouble as height, but you do still need to think about proportions. When you consider your proportions, it can help to divide the body up like so:\r\n\r\n- The head\r\n- The neck\r\n- The torso\r\n- The arms and hands\r\n- The legs and feet\r\n

More than Stubble: The Male Face

\r\n[*****DT angular male face 6584738*****]When I start with a male face, I start with an oval but often plan to overlay more angular features rather than curves. The male face is a more angular beast. Unlike a woman\'s soft curves, a good male face will usually seem to have a bit of a squared jaw to it. Every part of the male face is going to benefit from having a bit more of an angle to it -- the eyes, the nose, even the cheekbones often avoid soft curves. Try to think of the male face as the female face with its curves removed. It might be a terribly basic way to think about the drawing, but it does help.\r\n\r\nAnother good way to deal with issues drawing a male is to go big. When I draw a female face, I always try to be restrained -- smaller eyes, more delicate noses, wispy eyebrows. When I draw a man, though, I don\'t mind letting a bit of the animal out. Going with something as simple as a pair of dark, bushy eyebrows gives a face a very male appearance. After all, more than half of all men have eyebrows that require a little bit of extra control. When you go big, you can also think about adding bigger ears, more pronounced nostrils and a more apparent jaw line. All of these features that look out of place on a female face help to give a male face its definition.\r\n

Presenting Power: The Male Body

\r\n[*****DT 17064897*****]Not to be stereotypical, but I do think that the real key to drawing a male body is in the muscles. Women only have about sixty percent of the muscle mass of men, and this means that drawing the male figure is going to mean applying a lot more power. The hard part about this is not making things look ridiculous. Bulky muscles are for comic books from the 1990\'s, not for every subject you draw. Instead, your focus should be on creating figures that are a little more angular than they are round. Curves are a non-starter for men, so leave them out whenever you can.\r\n\r\nThis brings us back to proportions again. We want to make sure that our man has a proportional torso, legs, and arms. Our torso, stretching from chin to groin, is going to be about three heads long and about as wide. Our legs are going to be about 4 heads long, with our arms about 3/4 that length. If you keep these proportions, you can draw a man that is about the right size.\r\n

Male Patterns: Drawing Hair and Facial Hair

\r\n[*****DT 2918388*****]Back when I was a much younger artist, I will admit that the biggest difference between my male and female figures was the hair. As an adult though, I know that simply giving a male figure short hair is not going to be enough to make it look realistic. As such, I need to remember what a man\'s hair looks like -- and as with many of the examples above, angles are going to play a key role again.\r\n\r\nA man\'s hairline starts farther back than a female hairline -- you will be giving the face the appearance of a longer forehead, again helping to highlight a gender difference. When you draw a man\'s hair, you should be seeking (in most cases) to eliminate the waves and curls that help to define female hair. Short hair might be a crutch for some artists, but it is a crutch that is well worth using. Shading in a crew or buzz cut is a good way to create a \"male\" shorthand for a figure.\r\n\r\nAs an aside, try not to be lazy with facial hair. Yes, it is a primary male signifier. It is not, however, something that has to be done on every male figure. If you are going to go with stubble, something that will appear on the face of any male character above puberty from time to time, be subtle -- you are mostly shading. You are only drawing individual hairs if you are aiming for an incredibly close up and detailed rendering. If you draw a moustache or beard, though, be aware that you are dealing with something that requires as much attention to volume and depth as the hair on the head. [*****DT 26266113*****]\r\n

Modifications, Changes, and Your Style

\r\nNow, all of the information above is certainly able to be modified. I enjoy following these very standard guidelines because they provide a great visual shorthand, but you always need to experiment. The best way for you to draw a male subject with which you are comfortable is to keep practicing. You might find that you want to change the proportions a bit or that you feel like a less angular style works -- and that\'s fine. But mastering these basics will help you to learn how to experiment in the future.\r\n\r\nDrawing a male figure is not too hard once you get the hang of it. I know that it can be frustrating to feel locked out of drawing half the population, but the tips above will help. Take some time to apply these tips to your next drawing session and see what they do. Add a bit of angularity, play up the features and add some muscle -- doing so will give you the groundwork for drawing a great male figure.','So, You Want To Draw Guys? Here Is How To Draw A Man','','inherit','open','open','','990-revision-v1','','','2014-05-06 06:05:26','2014-05-06 13:05:26','',990,'http://www.letsdrawpeople.com/990-revision-v1/',0,'revision','',0),(995,2,'2014-05-06 06:07:46','2014-05-06 13:07:46','
\r\nHere is a speed drawing video I did of an elderly man in a hat, the brim shielding the bright sun from his eyes. I used a light box and grid to sketch the initial line drawing on Bristol board paper. Then I added the light and dark tones. Finally I blended in layers of detail. This drawing took me around 10 hours to complete. Depending on the amount of detail I chose to add, it could have easily taken fewer or many more hours! This video condenses the process into 5 minutes. Enjoy!\r\n\r\n[caption id=\"attachment_901\" align=\"aligncenter\" width=\"372\"]\" © Kelpfish | Dreamstime.com[/caption]\r\n

\"elderly

','Detailed Speed Drawing of Elderly Man in a Hat','','inherit','open','open','','900-revision-v1','','','2014-05-06 06:07:46','2014-05-06 13:07:46','',900,'http://www.letsdrawpeople.com/900-revision-v1/',0,'revision','',0),(997,2,'2014-05-06 20:01:43','2014-05-07 03:01:43','','how-to-draw-a-man-bearded-ahmed-shah-massoud','Drawing of Ahmed Shah Massoud © Elena Duvernay | Dreamstime.com','inherit','open','open','','997','','','2014-05-06 20:01:43','2014-05-07 03:01:43','',990,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/how-to-draw-a-man-bearded-ahmed-shah-massoud.jpg',0,'attachment','image/jpeg',0),(998,2,'2014-05-06 20:01:44','2014-05-07 03:01:44','','how-to-draw-a-man-buzz-cut','','inherit','open','open','','998','','','2014-05-06 20:01:44','2014-05-07 03:01:44','',990,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/how-to-draw-a-man-buzz-cut.jpg',0,'attachment','image/jpeg',0),(999,2,'2014-05-06 20:01:45','2014-05-07 03:01:45','','how-to-draw-a-man-indonesian-music-player','','inherit','open','open','','999','','','2014-05-06 20:01:45','2014-05-07 03:01:45','',990,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/how-to-draw-a-man-indonesian-music-player.jpg',0,'attachment','image/jpeg',0),(1000,2,'2014-05-06 20:01:46','2014-05-07 03:01:46','','how-to-draw-a-man-muscle-figure','','inherit','open','open','','1000','','','2014-05-06 20:01:46','2014-05-07 03:01:46','',990,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/how-to-draw-a-man-muscle-figure.jpg',0,'attachment','image/jpeg',0),(1001,2,'2014-05-06 20:08:49','2014-05-07 03:08:49','\"\"Drawing human figures can be difficult for many. We\'re complex creatures, and we can easily tell when something is not right. One of the hardest issues for many is figuring out how to draw a particular gender. There are many great artists out there who can draw a beautiful woman but who cannot quite seem to capture the male figure. If you want to learn how to draw a man, you can follow the tips listed here. Drawing a male figure requires learning how to think about the way men are built -- and it requires realizing that there are many more differences between men and women than you might realize.\r\n

General Guidelines

\r\nIt is always a good idea to go back to the basics when you are choosing something to draw. Figuring out how to effectively draw the male figure is no different from figuring out how to draw the female figure -- or even how to draw a tree, for that matter. You start with the basic information that you need, take a look at the proportions, and then move on to the details. You can always take your art down to its component parts when something goes wrong to figure out your next move.\r\n\r\nWhen you draw a male figure, you need to think about your basic unit of size as the head. You can draw a tiny head or a large head if you like, but everything else is going to be in proportion to that basic unit. One standard rule of thumb is that the male drawing is about eight heads tall. If you can maintain something close to those proportions, you have a great chance of getting the basic human part of the figure down.\r\n\r\nWidth should not give you quite as much trouble as height, but you do still need to think about proportions. When you consider your proportions, it can help to divide the body up like so:\r\n\r\n- The head\r\n- The neck\r\n- The torso\r\n- The arms and hands\r\n- The legs and feet\r\n

More than Stubble: The Male Face

\r\n\"\"When I start with a male face, I start with an oval but often plan to overlay more angular features rather than curves. The male face is a more angular beast. Unlike a woman\'s soft curves, a good male face will usually seem to have a bit of a squared jaw to it. Every part of the male face is going to benefit from having a bit more of an angle to it -- the eyes, the nose, even the cheekbones often avoid soft curves. Try to think of the male face as the female face with its curves removed. It might be a terribly basic way to think about the drawing, but it does help.\r\n\r\nAnother good way to deal with issues drawing a male is to go big. When I draw a female face, I always try to be restrained -- smaller eyes, more delicate noses, wispy eyebrows. When I draw a man, though, I don\'t mind letting a bit of the animal out. Going with something as simple as a pair of dark, bushy eyebrows gives a face a very male appearance. After all, more than half of all men have eyebrows that require a little bit of extra control. When you go big, you can also think about adding bigger ears, more pronounced nostrils and a more apparent jaw line. All of these features that look out of place on a female face help to give a male face its definition.\r\n

Presenting Power: The Male Body

\r\n\"\"Not to be stereotypical, but I do think that the real key to drawing a male body is in the muscles. Women only have about sixty percent of the muscle mass of men, and this means that drawing the male figure is going to mean applying a lot more power. The hard part about this is not making things look ridiculous. Bulky muscles are for comic books from the 1990\'s, not for every subject you draw. Instead, your focus should be on creating figures that are a little more angular than they are round. Curves are a non-starter for men, so leave them out whenever you can.\r\n\r\nThis brings us back to proportions again. We want to make sure that our man has a proportional torso, legs, and arms. Our torso, stretching from chin to groin, is going to be about three heads long and about as wide. Our legs are going to be about 4 heads long, with our arms about 3/4 that length. If you keep these proportions, you can draw a man that is about the right size.\r\n

Male Patterns: Drawing Hair and Facial Hair

\r\n\"\"Back when I was a much younger artist, I will admit that the biggest difference between my male and female figures was the hair. As an adult though, I know that simply giving a male figure short hair is not going to be enough to make it look realistic. As such, I need to remember what a man\'s hair looks like -- and as with many of the examples above, angles are going to play a key role again.\r\n\r\nA man\'s hairline starts farther back than a female hairline -- you will be giving the face the appearance of a longer forehead, again helping to highlight a gender difference. When you draw a man\'s hair, you should be seeking (in most cases) to eliminate the waves and curls that help to define female hair. Short hair might be a crutch for some artists, but it is a crutch that is well worth using. Shading in a crew or buzz cut is a good way to create a \"male\" shorthand for a figure.\r\n\r\nAs an aside, try not to be lazy with facial hair. Yes, it is a primary male signifier. It is not, however, something that has to be done on every male figure. If you are going to go with stubble, something that will appear on the face of any male character above puberty from time to time, be subtle -- you are mostly shading. You are only drawing individual hairs if you are aiming for an incredibly close up and detailed rendering. If you draw a moustache or beard, though, be aware that you are dealing with something that requires as much attention to volume and depth as the hair on the head.\r\n\r\n[caption id=\"attachment_997\" align=\"alignright\" width=\"399\"]\"© © Elena Duvernay | Dreamstime.com[/caption]\r\n

Modifications, Changes, and Your Style

\r\nNow, all of the information above is certainly able to be modified. I enjoy following these very standard guidelines because they provide a great visual shorthand, but you always need to experiment. The best way for you to draw a male subject with which you are comfortable is to keep practicing. You might find that you want to change the proportions a bit or that you feel like a less angular style works -- and that\'s fine. But mastering these basics will help you to learn how to experiment in the future.\r\n\r\nDrawing a male figure is not too hard once you get the hang of it. I know that it can be frustrating to feel locked out of drawing half the population, but the tips above will help. Take some time to apply these tips to your next drawing session and see what they do. Add a bit of angularity, play up the features and add some muscle -- doing so will give you the groundwork for drawing a great male figure.','So, You Want To Draw Guys? Here Is How To Draw A Man','','inherit','open','open','','990-revision-v1','','','2014-05-06 20:08:49','2014-05-07 03:08:49','',990,'http://www.letsdrawpeople.com/990-revision-v1/',0,'revision','',0),(1002,2,'2014-05-06 20:13:17','2014-05-07 03:13:17','\"\"Drawing human figures can be difficult for many. We\'re complex creatures, and we can easily tell when something is not right. One of the hardest issues for many is figuring out how to draw a particular gender. There are many great artists out there who can draw a beautiful woman but who cannot quite seem to capture the male figure. If you want to learn how to draw a man, you can follow the tips listed here. Drawing a male figure requires learning how to think about the way men are built -- and it requires realizing that there are many more differences between men and women than you might realize.\r\n

General Guidelines

\r\nIt is always a good idea to go back to the basics when you are choosing something to draw. Figuring out how to effectively draw the male figure is no different from figuring out how to draw the female figure -- or even how to draw a tree, for that matter. You start with the basic information that you need, take a look at the proportions, and then move on to the details. You can always take your art down to its component parts when something goes wrong to figure out your next move.\r\n\r\nWhen you draw a male figure, you need to think about your basic unit of size as the head. You can draw a tiny head or a large head if you like, but everything else is going to be in proportion to that basic unit. One standard rule of thumb is that the male drawing is about eight heads tall. If you can maintain something close to those proportions, you have a great chance of getting the basic human part of the figure down.\r\n\r\nWidth should not give you quite as much trouble as height, but you do still need to think about proportions. When you consider your proportions, it can help to divide the body up like so:\r\n\r\n- The head\r\n- The neck\r\n- The torso\r\n- The arms and hands\r\n- The legs and feet\r\n

More than Stubble: The Male Face

\r\n\"\"When I start with a male face, I start with an oval but often plan to overlay more angular features rather than curves. The male face is a more angular beast. Unlike a woman\'s soft curves, a good male face will usually seem to have a bit of a squared jaw to it. Every part of the male face is going to benefit from having a bit more of an angle to it -- the eyes, the nose, even the cheekbones often avoid soft curves. Try to think of the male face as the female face with its curves removed. It might be a terribly basic way to think about the drawing, but it does help.\r\n\r\nAnother good way to deal with issues drawing a male is to go big. When I draw a female face, I always try to be restrained -- smaller eyes, more delicate noses, wispy eyebrows. When I draw a man, though, I don\'t mind letting a bit of the animal out. Going with something as simple as a pair of dark, bushy eyebrows gives a face a very male appearance. After all, more than half of all men have eyebrows that require a little bit of extra control. When you go big, you can also think about adding bigger ears, more pronounced nostrils and a more apparent jaw line. All of these features that look out of place on a female face help to give a male face its definition.\r\n

Presenting Power: The Male Body

\r\n\"\"Not to be stereotypical, but I do think that the real key to drawing a male body is in the muscles. Women only have about sixty percent of the muscle mass of men, and this means that drawing the male figure is going to mean applying a lot more power. The hard part about this is not making things look ridiculous. Bulky muscles are for comic books from the 1990\'s, not for every subject you draw. Instead, your focus should be on creating figures that are a little more angular than they are round. Curves are a non-starter for men, so leave them out whenever you can.\r\n\r\nThis brings us back to proportions again. We want to make sure that our man has a proportional torso, legs, and arms. Our torso, stretching from chin to groin, is going to be about three heads long and about as wide. Our legs are going to be about 4 heads long, with our arms about 3/4 that length. If you keep these proportions, you can draw a man that is about the right size.\r\n

Male Patterns: Drawing Hair and Facial Hair

\r\n\"\"Back when I was a much younger artist, I will admit that the biggest difference between my male and female figures was the hair. As an adult though, I know that simply giving a male figure short hair is not going to be enough to make it look realistic. As such, I need to remember what a man\'s hair looks like -- and as with many of the examples above, angles are going to play a key role again.\r\n\r\nA man\'s hairline starts farther back than a female hairline -- you will be giving the face the appearance of a longer forehead, again helping to highlight a gender difference. When you draw a man\'s hair, you should be seeking (in most cases) to eliminate the waves and curls that help to define female hair. Short hair might be a crutch for some artists, but it is a crutch that is well worth using. Shading in a crew or buzz cut is a good way to create a \"male\" shorthand for a figure.\r\n\r\nAs an aside, try not to be lazy with facial hair. Yes, it is a primary male signifier. It is not, however, something that has to be done on every male figure. If you are going to go with stubble, something that will appear on the face of any male character above puberty from time to time, be subtle -- you are mostly shading. You are only drawing individual hairs if you are aiming for an incredibly close up and detailed rendering. If you draw a moustache or beard, though, be aware that you are dealing with something that requires as much attention to volume and depth as the hair on the head.\r\n\r\n[caption id=\"attachment_997\" align=\"aligncenter\" width=\"399\"]\"\" Drawing of Ahmed Shah Massoud
© Elena Duvernay | Dreamstime.com[/caption]\r\n

Modifications, Changes, and Your Style

\r\nNow, all of the information above is certainly able to be modified. I enjoy following these very standard guidelines because they provide a great visual shorthand, but you always need to experiment. The best way for you to draw a male subject with which you are comfortable is to keep practicing. You might find that you want to change the proportions a bit or that you feel like a less angular style works -- and that\'s fine. But mastering these basics will help you to learn how to experiment in the future.\r\n\r\nDrawing a male figure is not too hard once you get the hang of it. I know that it can be frustrating to feel locked out of drawing half the population, but the tips above will help. Take some time to apply these tips to your next drawing session and see what they do. Add a bit of angularity, play up the features and add some muscle -- doing so will give you the groundwork for drawing a great male figure.','So, You Want To Draw Guys? Here Is How To Draw A Man','','inherit','open','open','','990-revision-v1','','','2014-05-06 20:13:17','2014-05-07 03:13:17','',990,'http://www.letsdrawpeople.com/990-revision-v1/',0,'revision','',0),(1004,2,'2014-05-06 20:20:43','2014-05-07 03:20:43','\"\"Drawing human figures can be difficult for many. We\'re complex creatures, and we can easily tell when something is not right. One of the hardest issues for many is figuring out how to draw a particular gender. There are many great artists out there who can draw a beautiful woman but who cannot quite seem to capture the male figure. If you want to learn how to draw a man, you can follow the tips listed here. Drawing a male figure requires learning how to think about the way men are built -- and it requires realizing that there are many more differences between men and women than you might realize.\r\n

General Guidelines

\r\nIt is always a good idea to go back to the basics when you are choosing something to draw. Figuring out how to effectively draw the male figure is no different from figuring out how to draw the female figure -- or even how to draw a tree, for that matter. You start with the basic information that you need, take a look at the proportions, and then move on to the details. You can always take your art down to its component parts when something goes wrong to figure out your next move.\r\n\r\nWhen you draw a male figure, you need to think about your basic unit of size as the head. You can draw a tiny head or a large head if you like, but everything else is going to be in proportion to that basic unit. One standard rule of thumb is that the male drawing is about eight heads tall. If you can maintain something close to those proportions, you have a great chance of getting the basic human part of the figure down.\r\n\r\nWidth should not give you quite as much trouble as height, but you do still need to think about proportions. When you consider your proportions, it can help to divide the body up like so:\r\n\r\n- The head\r\n- The neck\r\n- The torso\r\n- The arms and hands\r\n- The legs and feet\r\n

More than Stubble: The Male Face

\r\n\"\"When I start with a male face, I start with an oval but often plan to overlay more angular features rather than curves. The male face is a more angular beast. Unlike a woman\'s soft curves, a good male face will usually seem to have a bit of a squared jaw to it. Every part of the male face is going to benefit from having a bit more of an angle to it -- the eyes, the nose, even the cheekbones often avoid soft curves. Try to think of the male face as the female face with its curves removed. It might be a terribly basic way to think about the drawing, but it does help.\r\n\r\nAnother good way to deal with issues drawing a male is to go big. When I draw a female face, I always try to be restrained -- smaller eyes, more delicate noses, wispy eyebrows. When I draw a man, though, I don\'t mind letting a bit of the animal out. Going with something as simple as a pair of dark, bushy eyebrows gives a face a very male appearance. After all, more than half of all men have eyebrows that require a little bit of extra control. When you go big, you can also think about adding bigger ears, more pronounced nostrils and a more apparent jaw line. All of these features that look out of place on a female face help to give a male face its definition.\r\n

Presenting Power: The Male Body

\r\n\"\"Not to be stereotypical, but I do think that the real key to drawing a male body is in the muscles. Women only have about sixty percent of the muscle mass of men, and this means that drawing the male figure is going to mean applying a lot more power. The hard part about this is not making things look ridiculous. Bulky muscles are for comic books from the 1990\'s, not for every subject you draw. Instead, your focus should be on creating figures that are a little more angular than they are round. Curves are a non-starter for men, so leave them out whenever you can.\r\n\r\nThis brings us back to proportions again. We want to make sure that our man has a proportional torso, legs, and arms. Our torso, stretching from chin to groin, is going to be about three heads long and about as wide. Our legs are going to be about 4 heads long, with our arms about 3/4 that length. If you keep these proportions, you can draw a man that is about the right size.\r\n

Male Patterns: Drawing Hair and Facial Hair

\r\nBack when I was a much younger artist, I will admit that the biggest difference between my male and female figures was the hair. As an adult though, I know that simply giving a male figure short hair is not going to be enough to make it look realistic. As such, I need to remember what a man\'s hair looks like -- and as with many of the examples above, angles are going to play a key role again.\r\n\r\nA man\'s hairline starts farther back than a female hairline -- you will be giving the face the appearance of a longer forehead, again helping to highlight a gender difference. When you draw a man\'s hair, you should be seeking (in most cases) to eliminate the waves and curls that help to define female hair. Short hair might be a crutch for some artists, but it is a crutch that is well worth using. Shading in a crew or buzz cut is a good way to create a \"male\" shorthand for a figure.\r\n\r\nAs an aside, try not to be lazy with facial hair. Yes, it is a primary male signifier. It is not, however, something that has to be done on every male figure. If you are going to go with stubble, something that will appear on the face of any male character above puberty from time to time, be subtle -- you are mostly shading. You are only drawing individual hairs if you are aiming for an incredibly close up and detailed rendering. If you draw a moustache or beard, though, be aware that you are dealing with something that requires as much attention to volume and depth as the hair on the head.\r\n\r\n[caption id=\"attachment_997\" align=\"aligncenter\" width=\"399\"]\"\" Drawing of Ahmed Shah Massoud
© Elena Duvernay | Dreamstime.com[/caption]\r\n

Modifications, Changes, and Your Style

\r\nNow, all of the information above is certainly able to be modified. I enjoy following these very standard guidelines because they provide a great visual shorthand, but you always need to experiment. The best way for you to draw a male subject with which you are comfortable is to keep practicing. You might find that you want to change the proportions a bit or that you feel like a less angular style works -- and that\'s fine. But mastering these basics will help you to learn how to experiment in the future.\r\n\r\nDrawing a male figure is not too hard once you get the hang of it. I know that it can be frustrating to feel locked out of drawing half the population, but the tips above will help. Take some time to apply these tips to your next drawing session and see what they do. Add a bit of angularity, play up the features and add some muscle -- doing so will give you the groundwork for drawing a great male figure.','So, You Want To Draw Guys? Here Is How To Draw A Man','','inherit','open','open','','990-revision-v1','','','2014-05-06 20:20:43','2014-05-07 03:20:43','',990,'http://www.letsdrawpeople.com/990-revision-v1/',0,'revision','',0),(1003,2,'2014-05-06 20:18:16','2014-05-07 03:18:16','\"\"Drawing human figures can be difficult for many. We\'re complex creatures, and we can easily tell when something is not right. One of the hardest issues for many is figuring out how to draw a particular gender. There are many great artists out there who can draw a beautiful woman but who cannot quite seem to capture the male figure. If you want to learn how to draw a man, you can follow the tips listed here. Drawing a male figure requires learning how to think about the way men are built -- and it requires realizing that there are many more differences between men and women than you might realize.\r\n

General Guidelines

\r\nIt is always a good idea to go back to the basics when you are choosing something to draw. Figuring out how to effectively draw the male figure is no different from figuring out how to draw the female figure -- or even how to draw a tree, for that matter. You start with the basic information that you need, take a look at the proportions, and then move on to the details. You can always take your art down to its component parts when something goes wrong to figure out your next move.\r\n\r\nWhen you draw a male figure, you need to think about your basic unit of size as the head. You can draw a tiny head or a large head if you like, but everything else is going to be in proportion to that basic unit. One standard rule of thumb is that the male drawing is about eight heads tall. If you can maintain something close to those proportions, you have a great chance of getting the basic human part of the figure down.\r\n\r\nWidth should not give you quite as much trouble as height, but you do still need to think about proportions. When you consider your proportions, it can help to divide the body up like so:\r\n\r\n- The head\r\n- The neck\r\n- The torso\r\n- The arms and hands\r\n- The legs and feet\r\n

More than Stubble: The Male Face

\r\n\"\"When I start with a male face, I start with an oval but often plan to overlay more angular features rather than curves. The male face is a more angular beast. Unlike a woman\'s soft curves, a good male face will usually seem to have a bit of a squared jaw to it. Every part of the male face is going to benefit from having a bit more of an angle to it -- the eyes, the nose, even the cheekbones often avoid soft curves. Try to think of the male face as the female face with its curves removed. It might be a terribly basic way to think about the drawing, but it does help.\r\n\r\nAnother good way to deal with issues drawing a male is to go big. When I draw a female face, I always try to be restrained -- smaller eyes, more delicate noses, wispy eyebrows. When I draw a man, though, I don\'t mind letting a bit of the animal out. Going with something as simple as a pair of dark, bushy eyebrows gives a face a very male appearance. After all, more than half of all men have eyebrows that require a little bit of extra control. When you go big, you can also think about adding bigger ears, more pronounced nostrils and a more apparent jaw line. All of these features that look out of place on a female face help to give a male face its definition.\r\n

Presenting Power: The Male Body

\r\n\"\"Not to be stereotypical, but I do think that the real key to drawing a male body is in the muscles. Women only have about sixty percent of the muscle mass of men, and this means that drawing the male figure is going to mean applying a lot more power. The hard part about this is not making things look ridiculous. Bulky muscles are for comic books from the 1990\'s, not for every subject you draw. Instead, your focus should be on creating figures that are a little more angular than they are round. Curves are a non-starter for men, so leave them out whenever you can.\r\n\r\nThis brings us back to proportions again. We want to make sure that our man has a proportional torso, legs, and arms. Our torso, stretching from chin to groin, is going to be about three heads long and about as wide. Our legs are going to be about 4 heads long, with our arms about 3/4 that length. If you keep these proportions, you can draw a man that is about the right size.\r\n

\r\n

Male Patterns: Drawing Hair and Facial Hair

\r\n\"\"Back when I was a much younger artist, I will admit that the biggest difference between my male and female figures was the hair. As an adult though, I know that simply giving a male figure short hair is not going to be enough to make it look realistic. As such, I need to remember what a man\'s hair looks like -- and as with many of the examples above, angles are going to play a key role again.\r\n\r\nA man\'s hairline starts farther back than a female hairline -- you will be giving the face the appearance of a longer forehead, again helping to highlight a gender difference. When you draw a man\'s hair, you should be seeking (in most cases) to eliminate the waves and curls that help to define female hair. Short hair might be a crutch for some artists, but it is a crutch that is well worth using. Shading in a crew or buzz cut is a good way to create a \"male\" shorthand for a figure.\r\n\r\nAs an aside, try not to be lazy with facial hair. Yes, it is a primary male signifier. It is not, however, something that has to be done on every male figure. If you are going to go with stubble, something that will appear on the face of any male character above puberty from time to time, be subtle -- you are mostly shading. You are only drawing individual hairs if you are aiming for an incredibly close up and detailed rendering. If you draw a moustache or beard, though, be aware that you are dealing with something that requires as much attention to volume and depth as the hair on the head.\r\n\r\n[caption id=\"attachment_997\" align=\"aligncenter\" width=\"399\"]\"\" Drawing of Ahmed Shah Massoud
© Elena Duvernay | Dreamstime.com[/caption]\r\n

Modifications, Changes, and Your Style

\r\nNow, all of the information above is certainly able to be modified. I enjoy following these very standard guidelines because they provide a great visual shorthand, but you always need to experiment. The best way for you to draw a male subject with which you are comfortable is to keep practicing. You might find that you want to change the proportions a bit or that you feel like a less angular style works -- and that\'s fine. But mastering these basics will help you to learn how to experiment in the future.\r\n\r\nDrawing a male figure is not too hard once you get the hang of it. I know that it can be frustrating to feel locked out of drawing half the population, but the tips above will help. Take some time to apply these tips to your next drawing session and see what they do. Add a bit of angularity, play up the features and add some muscle -- doing so will give you the groundwork for drawing a great male figure.','So, You Want To Draw Guys? Here Is How To Draw A Man','','inherit','open','open','','990-revision-v1','','','2014-05-06 20:18:16','2014-05-07 03:18:16','',990,'http://www.letsdrawpeople.com/990-revision-v1/',0,'revision','',0),(1005,2,'2014-05-06 20:22:40','2014-05-07 03:22:40','\"\"Drawing human figures can be difficult for many. We\'re complex creatures, and we can easily tell when something is not right. One of the hardest issues for many is figuring out how to draw a particular gender. There are many great artists out there who can draw a beautiful woman but who cannot quite seem to capture the male figure. If you want to learn how to draw a man, you can follow the tips listed here. Drawing a male figure requires learning how to think about the way men are built -- and it requires realizing that there are many more differences between men and women than you might realize.\r\n

General Guidelines

\r\nIt is always a good idea to go back to the basics when you are choosing something to draw. Figuring out how to effectively draw the male figure is no different from figuring out how to draw the female figure -- or even how to draw a tree, for that matter. You start with the basic information that you need, take a look at the proportions, and then move on to the details. You can always take your art down to its component parts when something goes wrong to figure out your next move.\r\n\r\nWhen you draw a male figure, you need to think about your basic unit of size as the head. You can draw a tiny head or a large head if you like, but everything else is going to be in proportion to that basic unit. One standard rule of thumb is that the male drawing is about eight heads tall. If you can maintain something close to those proportions, you have a great chance of getting the basic human part of the figure down.\r\n\r\nWidth should not give you quite as much trouble as height, but you do still need to think about proportions. When you consider your proportions, it can help to divide the body up like so:\r\n\r\n- The head\r\n- The neck\r\n- The torso\r\n- The arms and hands\r\n- The legs and feet\r\n

More than Stubble: The Male Face

\r\n\"\"When I start with a male face, I start with an oval but often plan to overlay more angular features rather than curves. The male face is a more angular beast. Unlike a woman\'s soft curves, a good male face will usually seem to have a bit of a squared jaw to it. Every part of the male face is going to benefit from having a bit more of an angle to it -- the eyes, the nose, even the cheekbones often avoid soft curves. Try to think of the male face as the female face with its curves removed. It might be a terribly basic way to think about the drawing, but it does help.\r\n\r\nAnother good way to deal with issues drawing a male is to go big. When I draw a female face, I always try to be restrained -- smaller eyes, more delicate noses, wispy eyebrows. When I draw a man, though, I don\'t mind letting a bit of the animal out. Going with something as simple as a pair of dark, bushy eyebrows gives a face a very male appearance. After all, more than half of all men have eyebrows that require a little bit of extra control. When you go big, you can also think about adding bigger ears, more pronounced nostrils and a more apparent jaw line. All of these features that look out of place on a female face help to give a male face its definition.\r\n

Presenting Power: The Male Body

\r\n\"\"Not to be stereotypical, but I do think that the real key to drawing a male body is in the muscles. Women only have about sixty percent of the muscle mass of men, and this means that drawing the male figure is going to mean applying a lot more power. The hard part about this is not making things look ridiculous. Bulky muscles are for comic books from the 1990\'s, not for every subject you draw. Instead, your focus should be on creating figures that are a little more angular than they are round. Curves are a non-starter for men, so leave them out whenever you can.\r\n\r\nThis brings us back to proportions again. We want to make sure that our man has a proportional torso, legs, and arms. Our torso, stretching from chin to groin, is going to be about three heads long and about as wide. Our legs are going to be about 4 heads long, with our arms about 3/4 that length. If you keep these proportions, you can draw a man that is about the right size.\r\n\r\n \r\n\r\n \r\n

Male Patterns: Drawing Hair and Facial Hair

\r\nBack when I was a much younger artist, I will admit that the biggest difference between my male and female figures was the hair. As an adult though, I know that simply giving a male figure short hair is not going to be enough to make it look realistic. As such, I need to remember what a man\'s hair looks like -- and as with many of the examples above, angles are going to play a key role again.\r\n\r\nA man\'s hairline starts farther back than a female hairline -- you will be giving the face the appearance of a longer forehead, again helping to highlight a gender difference. When you draw a man\'s hair, you should be seeking (in most cases) to eliminate the waves and curls that help to define female hair. Short hair might be a crutch for some artists, but it is a crutch that is well worth using. Shading in a crew or buzz cut is a good way to create a \"male\" shorthand for a figure.\r\n\r\nAs an aside, try not to be lazy with facial hair. Yes, it is a primary male signifier. It is not, however, something that has to be done on every male figure. If you are going to go with stubble, something that will appear on the face of any male character above puberty from time to time, be subtle -- you are mostly shading. You are only drawing individual hairs if you are aiming for an incredibly close up and detailed rendering. If you draw a moustache or beard, though, be aware that you are dealing with something that requires as much attention to volume and depth as the hair on the head.\r\n\r\n[caption id=\"attachment_997\" align=\"aligncenter\" width=\"399\"]\"\" Drawing of Ahmed Shah Massoud
© Elena Duvernay | Dreamstime.com[/caption]\r\n

Modifications, Changes, and Your Style

\r\nNow, all of the information above is certainly able to be modified. I enjoy following these very standard guidelines because they provide a great visual shorthand, but you always need to experiment. The best way for you to draw a male subject with which you are comfortable is to keep practicing. You might find that you want to change the proportions a bit or that you feel like a less angular style works -- and that\'s fine. But mastering these basics will help you to learn how to experiment in the future.\r\n\r\nDrawing a male figure is not too hard once you get the hang of it. I know that it can be frustrating to feel locked out of drawing half the population, but the tips above will help. Take some time to apply these tips to your next drawing session and see what they do. Add a bit of angularity, play up the features and add some muscle -- doing so will give you the groundwork for drawing a great male figure.','So, You Want To Draw Guys? Here Is How To Draw A Man','','inherit','open','open','','990-revision-v1','','','2014-05-06 20:22:40','2014-05-07 03:22:40','',990,'http://www.letsdrawpeople.com/990-revision-v1/',0,'revision','',0),(1006,2,'2014-05-06 20:24:55','2014-05-07 03:24:55','\"\"Drawing human figures can be difficult for many. We\'re complex creatures, and we can easily tell when something is not right. One of the hardest issues for many is figuring out how to draw a particular gender. There are many great artists out there who can draw a beautiful woman but who cannot quite seem to capture the male figure. If you want to learn how to draw a man, you can follow the tips listed here. Drawing a male figure requires learning how to think about the way men are built -- and it requires realizing that there are many more differences between men and women than you might realize.\r\n

General Guidelines

\r\nIt is always a good idea to go back to the basics when you are choosing something to draw. Figuring out how to effectively draw the male figure is no different from figuring out how to draw the female figure -- or even how to draw a tree, for that matter. You start with the basic information that you need, take a look at the proportions, and then move on to the details. You can always take your art down to its component parts when something goes wrong to figure out your next move.\r\n\r\nWhen you draw a male figure, you need to think about your basic unit of size as the head. You can draw a tiny head or a large head if you like, but everything else is going to be in proportion to that basic unit. One standard rule of thumb is that the male drawing is about eight heads tall. If you can maintain something close to those proportions, you have a great chance of getting the basic human part of the figure down.\r\n\r\nWidth should not give you quite as much trouble as height, but you do still need to think about proportions. When you consider your proportions, it can help to divide the body up like so:\r\n\r\n- The head\r\n- The neck\r\n- The torso\r\n- The arms and hands\r\n- The legs and feet\r\n

More than Stubble: The Male Face

\r\n\"\"When I start with a male face, I start with an oval but often plan to overlay more angular features rather than curves. The male face is a more angular beast. Unlike a woman\'s soft curves, a good male face will usually seem to have a bit of a squared jaw to it. Every part of the male face is going to benefit from having a bit more of an angle to it -- the eyes, the nose, even the cheekbones often avoid soft curves. Try to think of the male face as the female face with its curves removed. It might be a terribly basic way to think about the drawing, but it does help.\r\n\r\nAnother good way to deal with issues drawing a male is to go big. When I draw a female face, I always try to be restrained -- smaller eyes, more delicate noses, wispy eyebrows. When I draw a man, though, I don\'t mind letting a bit of the animal out. Going with something as simple as a pair of dark, bushy eyebrows gives a face a very male appearance. After all, more than half of all men have eyebrows that require a little bit of extra control. When you go big, you can also think about adding bigger ears, more pronounced nostrils and a more apparent jaw line. All of these features that look out of place on a female face help to give a male face its definition.\r\n

Presenting Power: The Male Body

\r\n\"\"Not to be stereotypical, but I do think that the real key to drawing a male body is in the muscles. Women only have about sixty percent of the muscle mass of men, and this means that drawing the male figure is going to mean applying a lot more power. The hard part about this is not making things look ridiculous. Bulky muscles are for comic books from the 1990\'s, not for every subject you draw. Instead, your focus should be on creating figures that are a little more angular than they are round. Curves are a non-starter for men, so leave them out whenever you can.\r\n\r\nThis brings us back to proportions again. We want to make sure that our man has a proportional torso, legs, and arms. Our torso, stretching from chin to groin, is going to be about three heads long and about as wide. Our legs are going to be about 4 heads long, with our arms about 3/4 that length. If you keep these proportions, you can draw a man that is about the right size.\r\n\r\n \r\n\r\n \r\n

Male Patterns: Drawing Hair and Facial Hair

\r\n\"\"Back when I was a much younger artist, I will admit that the biggest difference between my male and female figures was the hair. As an adult though, I know that simply giving a male figure short hair is not going to be enough to make it look realistic. As such, I need to remember what a man\'s hair looks like -- and as with many of the examples above, angles are going to play a key role again.\r\n\r\nA man\'s hairline starts farther back than a female hairline -- you will be giving the face the appearance of a longer forehead, again helping to highlight a gender difference. When you draw a man\'s hair, you should be seeking (in most cases) to eliminate the waves and curls that help to define female hair. Short hair might be a crutch for some artists, but it is a crutch that is well worth using. Shading in a crew or buzz cut is a good way to create a \"male\" shorthand for a figure.\r\n\r\nAs an aside, try not to be lazy with facial hair. Yes, it is a primary male signifier. It is not, however, something that has to be done on every male figure. If you are going to go with stubble, something that will appear on the face of any male character above puberty from time to time, be subtle -- you are mostly shading. You are only drawing individual hairs if you are aiming for an incredibly close up and detailed rendering. If you draw a moustache or beard, though, be aware that you are dealing with something that requires as much attention to volume and depth as the hair on the head.\r\n\r\n[caption id=\"attachment_997\" align=\"aligncenter\" width=\"399\"]\"\" Drawing of Ahmed Shah Massoud
© Elena Duvernay | Dreamstime.com[/caption]\r\n

Modifications, Changes, and Your Style

\r\nNow, all of the information above is certainly able to be modified. I enjoy following these very standard guidelines because they provide a great visual shorthand, but you always need to experiment. The best way for you to draw a male subject with which you are comfortable is to keep practicing. You might find that you want to change the proportions a bit or that you feel like a less angular style works -- and that\'s fine. But mastering these basics will help you to learn how to experiment in the future.\r\n\r\nDrawing a male figure is not too hard once you get the hang of it. I know that it can be frustrating to feel locked out of drawing half the population, but the tips above will help. Take some time to apply these tips to your next drawing session and see what they do. Add a bit of angularity, play up the features and add some muscle -- doing so will give you the groundwork for drawing a great male figure.','So, You Want To Draw Guys? Here Is How To Draw A Man','','inherit','open','open','','990-revision-v1','','','2014-05-06 20:24:55','2014-05-07 03:24:55','',990,'http://www.letsdrawpeople.com/990-revision-v1/',0,'revision','',0),(1007,2,'2014-05-06 20:27:46','2014-05-07 03:27:46','\"\"Drawing human figures can be difficult for many. We\'re complex creatures, and we can easily tell when something is not right. One of the hardest issues for many is figuring out how to draw a particular gender. There are many great artists out there who can draw a beautiful woman but who cannot quite seem to capture the male figure. If you want to learn how to draw a man, you can follow the tips listed here. Drawing a male figure requires learning how to think about the way men are built -- and it requires realizing that there are many more differences between men and women than you might realize.\r\n

General Guidelines

\r\nIt is always a good idea to go back to the basics when you are choosing something to draw. Figuring out how to effectively draw the male figure is no different from figuring out how to draw the female figure -- or even how to draw a tree, for that matter. You start with the basic information that you need, take a look at the proportions, and then move on to the details. You can always take your art down to its component parts when something goes wrong to figure out your next move.\r\n\r\nWhen you draw a male figure, you need to think about your basic unit of size as the head. You can draw a tiny head or a large head if you like, but everything else is going to be in proportion to that basic unit. One standard rule of thumb is that the male drawing is about eight heads tall. If you can maintain something close to those proportions, you have a great chance of getting the basic human part of the figure down.\r\n\r\nWidth should not give you quite as much trouble as height, but you do still need to think about proportions. When you consider your proportions, it can help to divide the body up like so:\r\n\r\n- The head\r\n- The neck\r\n- The torso\r\n- The arms and hands\r\n- The legs and feet\r\n

More than Stubble: The Male Face

\r\n\"\"When I start with a male face, I start with an oval but often plan to overlay more angular features rather than curves. The male face is a more angular beast. Unlike a woman\'s soft curves, a good male face will usually seem to have a bit of a squared jaw to it. Every part of the male face is going to benefit from having a bit more of an angle to it -- the eyes, the nose, even the cheekbones often avoid soft curves. Try to think of the male face as the female face with its curves removed. It might be a terribly basic way to think about the drawing, but it does help.\r\n\r\nAnother good way to deal with issues drawing a male is to go big. When I draw a female face, I always try to be restrained -- smaller eyes, more delicate noses, wispy eyebrows. When I draw a man, though, I don\'t mind letting a bit of the animal out. Going with something as simple as a pair of dark, bushy eyebrows gives a face a very male appearance. After all, more than half of all men have eyebrows that require a little bit of extra control. When you go big, you can also think about adding bigger ears, more pronounced nostrils and a more apparent jaw line. All of these features that look out of place on a female face help to give a male face its definition.\r\n

Presenting Power: The Male Body

\r\n\"\"Not to be stereotypical, but I do think that the real key to drawing a male body is in the muscles. Women only have about sixty percent of the muscle mass of men, and this means that drawing the male figure is going to mean applying a lot more power. The hard part about this is not making things look ridiculous. Bulky muscles are for comic books from the 1990\'s, not for every subject you draw. Instead, your focus should be on creating figures that are a little more angular than they are round. Curves are a non-starter for men, so leave them out whenever you can.\r\n\r\nThis brings us back to proportions again. We want to make sure that our man has a proportional torso, legs, and arms. Our torso, stretching from chin to groin, is going to be about three heads long and about as wide. Our legs are going to be about 4 heads long, with our arms about 3/4 that length. If you keep these proportions, you can draw a man that is about the right size.\r\n

Male Patterns: Drawing Hair and Facial Hair

\r\nBack when I was a much younger artist, I will admit that the biggest difference between my male and female figures was the hair. As an adult though, I know that simply giving a male figure short hair is not going to be enough to make it look realistic. As such, I need to remember what a man\'s hair looks like -- and as with many of the examples above, angles are going to play a key role again.\r\n\r\nA man\'s hairline starts farther back than a female hairline -- you will be giving the face the appearance of a longer forehead, again helping to highlight a gender difference. When you draw a man\'s hair, you should be seeking (in most cases) to eliminate the waves and curls that help to define female hair. Short hair might be a crutch for some artists, but it is a crutch that is well worth using. Shading in a crew or buzz cut is a good way to create a \"male\" shorthand for a figure.\r\n

\"\"

\r\nAs an aside, try not to be lazy with facial hair. Yes, it is a primary male signifier. It is not, however, something that has to be done on every male figure. If you are going to go with stubble, something that will appear on the face of any male character above puberty from time to time, be subtle -- you are mostly shading. You are only drawing individual hairs if you are aiming for an incredibly close up and detailed rendering. If you draw a moustache or beard, though, be aware that you are dealing with something that requires as much attention to volume and depth as the hair on the head.\r\n\r\n[caption id=\"attachment_997\" align=\"aligncenter\" width=\"399\"]\"\" Drawing of Ahmed Shah Massoud
© Elena Duvernay | Dreamstime.com[/caption]\r\n

Modifications, Changes, and Your Style

\r\nNow, all of the information above is certainly able to be modified. I enjoy following these very standard guidelines because they provide a great visual shorthand, but you always need to experiment. The best way for you to draw a male subject with which you are comfortable is to keep practicing. You might find that you want to change the proportions a bit or that you feel like a less angular style works -- and that\'s fine. But mastering these basics will help you to learn how to experiment in the future.\r\n\r\nDrawing a male figure is not too hard once you get the hang of it. I know that it can be frustrating to feel locked out of drawing half the population, but the tips above will help. Take some time to apply these tips to your next drawing session and see what they do. Add a bit of angularity, play up the features and add some muscle -- doing so will give you the groundwork for drawing a great male figure.','So, You Want To Draw Guys? Here Is How To Draw A Man','','inherit','open','open','','990-revision-v1','','','2014-05-06 20:27:46','2014-05-07 03:27:46','',990,'http://www.letsdrawpeople.com/990-revision-v1/',0,'revision','',0),(1008,2,'2014-05-06 20:35:52','2014-05-07 03:35:52','\"\"Drawing humans can be difficult for many. We\'re complex creatures, and we can easily tell when something is not right. One of the hardest issues for many is figuring out how to draw a particular gender. There are many great artists out there who can draw a beautiful woman but who cannot quite seem to capture the male figure. If you want to learn how to draw a man, you can follow the tips listed here. Drawing a male figure requires learning how to think about the way men are built -- and it requires realizing that there are many more differences between men and women than you might realize.\n

General Guidelines

\nIt is always a good idea to go back to the basics when you are choosing something to draw. Figuring out how to effectively draw the male figure is no different from figuring out how to draw the female figure -- or even how to draw a tree, for that matter. You start with the basic information that you need, take a look at the proportions, and then move on to the details. You can always take your art down to its component parts when something goes wrong to figure out your next move.\n\nWhen you draw a male figure, you need to think about your basic unit of size as the head. You can draw a tiny head or a large head if you like, but everything else is going to be in proportion to that basic unit. One standard rule of thumb is that the male drawing is about eight heads tall. If you can maintain something close to those proportions, you have a great chance of getting the basic human part of the figure down.\n\nWidth should not give you quite as much trouble as height, but you do still need to think about proportions. When you consider your proportions, it can help to divide the body up like so:\n\n- The head\n- The neck\n- The torso\n- The arms and hands\n- The legs and feet\n

More than Stubble: The Male Face

\n\"\"When I start with a male face, I start with an oval but often plan to overlay more angular features rather than curves. The male face is a more angular beast. Unlike a woman\'s soft curves, a good male face will usually seem to have a bit of a squared jaw to it. Every part of the male face is going to benefit from having a bit more of an angle to it -- the eyes, the nose, even the cheekbones often avoid soft curves. Try to think of the male face as the female face with its curves removed. It might be a terribly basic way to think about the drawing, but it does help.\n\nAnother good way to deal with issues drawing a male is to go big. When I draw a female face, I always try to be restrained -- smaller eyes, more delicate noses, wispy eyebrows. When I draw a man, though, I don\'t mind letting a bit of the animal out. Going with something as simple as a pair of dark, bushy eyebrows gives a face a very male appearance. After all, more than half of all men have eyebrows that require a little bit of extra control. When you go big, you can also think about adding bigger ears, more pronounced nostrils and a more apparent jaw line. All of these features that look out of place on a female face help to give a male face its definition.\n

Presenting Power: The Male Body

\n\"\"Not to be stereotypical, but I do think that the real key to drawing a male body is in the muscles. Women only have about sixty percent of the muscle mass of men, and this means that drawing the male figure is going to mean applying a lot more power. The hard part about this is not making things look ridiculous. Bulky muscles are for comic books from the 1990\'s, not for every subject you draw. Instead, your focus should be on creating figures that are a little more angular than they are round. Curves are a non-starter for men, so leave them out whenever you can.\n\nThis brings us back to proportions again. We want to make sure that our man has a proportional torso, legs, and arms. Our torso, stretching from chin to groin, is going to be about three heads long and about as wide. Our legs are going to be about 4 heads long, with our arms about 3/4 that length. If you keep these proportions, you can draw a man that is about the right size.\n

Male Patterns: Drawing Hair and Facial Hair

\nBack when I was a much younger artist, I will admit that the biggest difference between my male and female figures was the hair. As an adult though, I know that simply giving a male figure short hair is not going to be enough to make it look realistic. As such, I need to remember what a man\'s hair looks like -- and as with many of the examples above, angles are going to play a key role again.\n\nA man\'s hairline starts farther back than a female hairline -- you will be giving the face the appearance of a longer forehead, again helping to highlight a gender difference. When you draw a man\'s hair, you should be seeking (in most cases) to eliminate the waves and curls that help to define female hair. Short hair might be a crutch for some artists, but it is a crutch that is well worth using. Shading in a crew or buzz cut is a good way to create a \"male\" shorthand for a figure.\n

\"\"

\nAs an aside, try not to be lazy with facial hair. Yes, it is a primary male signifier. It is not, however, something that has to be done on every male figure. If you are going to go with stubble, something that will appear on the face of any male character above puberty from time to time, be subtle -- you are mostly shading. You are only drawing individual hairs if you are aiming for an incredibly close up and detailed rendering. If you draw a moustache or beard, though, be aware that you are dealing with something that requires as much attention to volume and depth as the hair on the head.\n\n[caption id=\"attachment_997\" align=\"aligncenter\" width=\"399\"]\"\" Drawing of Ahmed Shah Massoud
© Elena Duvernay | Dreamstime.com[/caption]\n

Modifications, Changes, and Your Style

\nNow, all of the information above is certainly able to be modified. I enjoy following these very standard guidelines because they provide a great visual shorthand, but you always need to experiment. The best way for you to draw a male subject with which you are comfortable is to keep practicing. You might find that you want to change the proportions a bit or that you feel like a less angular style works -- and that\'s fine. But mastering these basics will help you to learn how to experiment in the future.\n\nDrawing a male figure is not too hard once you get the hang of it. I know that it can be frustrating to feel locked out of drawing half the population, but the tips above will help. Take some time to apply these tips to your next drawing session and see what they do. Add a bit of angularity, play up the features and add some muscle -- doing so will give you the groundwork for drawing a great male figure.','So, You Want To Draw Guys? Here Is How To Draw A Man','','inherit','open','open','','990-autosave-v1','','','2014-05-06 20:35:52','2014-05-07 03:35:52','',990,'http://www.letsdrawpeople.com/990-autosave-v1/',0,'revision','',0),(1009,2,'2014-05-06 20:37:06','2014-05-07 03:37:06','\"\"Drawing humans can be difficult for many. We\'re complex creatures, and we can easily tell when something is not right. One of the hardest issues for many is figuring out how to draw a particular gender. There are many great artists out there who can draw a beautiful woman but who cannot quite seem to capture the male figure. If you want to learn how to draw a man, you can follow the tips listed here. Drawing a male figure requires learning how to think about the way men are built -- and it requires realizing that there are many more differences between men and women than you might realize.\r\n

General Guidelines

\r\nIt is always a good idea to go back to the basics when you are choosing something to draw. Figuring out how to effectively draw the male figure is no different from figuring out how to draw the female figure -- or even how to draw a tree, for that matter. You start with the basic information that you need, take a look at the proportions, and then move on to the details. You can always take your art down to its component parts when something goes wrong to figure out your next move.\r\n\r\nWhen you draw a male figure, you need to think about your basic unit of size as the head. You can draw a tiny head or a large head if you like, but everything else is going to be in proportion to that basic unit. One standard rule of thumb is that the male drawing is about eight heads tall. If you can maintain something close to those proportions, you have a great chance of getting the basic human part of the figure down.\r\n\r\nWidth should not give you quite as much trouble as height, but you do still need to think about proportions. When you consider your proportions, it can help to divide the body up like so:\r\n\r\n- The head\r\n- The neck\r\n- The torso\r\n- The arms and hands\r\n- The legs and feet\r\n

More than Stubble: The Male Face

\r\n\"\"When I start with a male face, I start with an oval but often plan to overlay more angular features rather than curves. The male face is a more angular beast. Unlike a woman\'s soft curves, a good male face will usually seem to have a bit of a squared jaw to it. Every part of the male face is going to benefit from having a bit more of an angle to it -- the eyes, the nose, even the cheekbones often avoid soft curves. Try to think of the male face as the female face with its curves removed. It might be a terribly basic way to think about the drawing, but it does help.\r\n\r\nAnother good way to deal with issues drawing a male is to go big. When I draw a female face, I always try to be restrained -- smaller eyes, more delicate noses, wispy eyebrows. When I draw a man, though, I don\'t mind letting a bit of the animal out. Going with something as simple as a pair of dark, bushy eyebrows gives a face a very male appearance. After all, more than half of all men have eyebrows that require a little bit of extra control. When you go big, you can also think about adding bigger ears, more pronounced nostrils and a more apparent jaw line. All of these features that look out of place on a female face help to give a male face its definition.\r\n

Presenting Power: The Male Body

\r\n\"\"Not to be stereotypical, but I do think that the real key to drawing a male body is in the muscles. Women only have about sixty percent of the muscle mass of men, and this means that drawing the male figure is going to mean applying a lot more power. The hard part about this is not making things look ridiculous. Bulky muscles are for comic books from the 1990\'s, not for every subject you draw. Instead, your focus should be on creating figures that are a little more angular than they are round. Curves are a non-starter for men, so leave them out whenever you can.\r\n\r\nThis brings us back to proportions again. We want to make sure that our man has a proportional torso, legs, and arms. Our torso, stretching from chin to groin, is going to be about three heads long and about as wide. Our legs are going to be about 4 heads long, with our arms about 3/4 that length. If you keep these proportions, you can draw a man that is about the right size.\r\n

Male Patterns: Drawing Hair and Facial Hair

\r\nBack when I was a much younger artist, I will admit that the biggest difference between my male and female figures was the hair. As an adult though, I know that simply giving a male figure short hair is not going to be enough to make it look realistic. As such, I need to remember what a man\'s hair looks like -- and as with many of the examples above, angles are going to play a key role again.\r\n\r\nA man\'s hairline starts farther back than a female hairline -- you will be giving the face the appearance of a longer forehead, again helping to highlight a gender difference. When you draw a man\'s hair, you should be seeking (in most cases) to eliminate the waves and curls that help to define female hair. Short hair might be a crutch for some artists, but it is a crutch that is well worth using. Shading in a crew or buzz cut is a good way to create a \"male\" shorthand for a figure.\r\n

\"\"

\r\nAs an aside, try not to be lazy with facial hair. Yes, it is a primary male signifier. It is not, however, something that has to be done on every male figure. If you are going to go with stubble, something that will appear on the face of any male character above puberty from time to time, be subtle -- you are mostly shading. You are only drawing individual hairs if you are aiming for an incredibly close up and detailed rendering. If you draw a moustache or beard, though, be aware that you are dealing with something that requires as much attention to volume and depth as the hair on the head.\r\n\r\n[caption id=\"attachment_997\" align=\"aligncenter\" width=\"399\"]\"\" Drawing of Ahmed Shah Massoud
© Elena Duvernay | Dreamstime.com[/caption]\r\n

Modifications, Changes, and Your Style

\r\nNow, all of the information above is certainly able to be modified. I enjoy following these very standard guidelines because they provide a great visual shorthand, but you always need to experiment. The best way for you to draw a male subject with which you are comfortable is to keep practicing. You might find that you want to change the proportions a bit or that you feel like a less angular style works -- and that\'s fine. But mastering these basics will help you to learn how to experiment in the future.\r\n\r\nDrawing a male figure is not too hard once you get the hang of it. I know that it can be frustrating to feel locked out of drawing half the population, but the tips above will help. Take some time to apply these tips to your next drawing session and see what they do. Add a bit of angularity, play up the features and add some muscle -- doing so will give you the groundwork for drawing a great male figure.','So, You Want To Draw Guys? Here Is How To Draw A Man','','inherit','open','open','','990-revision-v1','','','2014-05-06 20:37:06','2014-05-07 03:37:06','',990,'http://www.letsdrawpeople.com/990-revision-v1/',0,'revision','',0),(1010,2,'2014-05-06 20:38:26','2014-05-07 03:38:26','\"\"Have you always wanted to draw a realistic human face? Many people feel anxious if they are asked to draw people because they fear that their facial drawing will bear no likeness to the person. Portraiture is the art of creating portraits. A portrait can be defined as a drawing, sculpture, painting or photograph of a particular person. In short, portraits are two-dimensional artistic representations of the three dimensional human face.  Drawing a person is not as hard as it looks but many find capturing the likeness is the most difficult part of facial drawing.  A good sketch of the human face should capture the likeness using perspective, proportion, accurate shading and contours. So, let\'s find out how to draw people and explore various ways of bringing portraiture to life. But first things first…don\'t be a bad workman who blames his tools. Invest in some good art materials and learn to use them in the right way.  Listed below are some of the main art materials used to create good drawings.\r\n

Tools Used to Draw Realistically

\r\n
    \r\n
  • Good quality acid-free drawing paper
    • \r\n
  • A high-quality mechanical pencil
    • \r\n
  • A boxed set of pencils (offers a selection of different pencils that will help you to achieve a variety of results)
    • \r\n
  • A pencil sharpening tool
    • \r\n
  • Kneaded erasers
    • \r\n
  • A blending stump or a tortillion
    • \r\n
  • A can of fixative spray
    • \r\n
\r\nLet\'s take a brief moment to chat about the drawing implements mentioned above.\r\n\r\nWhen you begin to sketch your first portrait, you will make mistakes but errors can be rubbed out time and time again if you use quality paper. Cheap erasers work but they are not as effective as a kneaded eraser. Sharp pencils are easier to work with, so buy a good quality pencil sharpener or use a high-quality mechanical pencil with graphite lead. Pencil is a great medium and pencil art can be rubbed with blending stumps to create light and shade. The finished artwork should be sprayed with a fixative to protect it and to prevent it from yellowing and smudging.\r\n

Helpful Drawing Techniques for Drawing People

\r\nNow we can move on to discuss some common drawing techniques. Some of the most popular techniques used in drawing include:\r\n
    \r\n
  • Contour lines
    • \r\n
  • Hatching and crosshatching
    • \r\n
  • Smooth shading
    • \r\n
  • Circles and scribbles
    • \r\n
\r\nWhy use these techniques when learning how to draw? Contour lines give drawings shape and volume, and these lines can be used to create the outline when you draw a body or a face. Hatching and crosshatching are ways of creating different tones, and meticulous hatching helps to make a portrait look realistic. Smooth shading can create a subtle or deep tonal change, and this is one of the main drawing techniques used to introduce depth into artwork. Circles and scribbles will make your sketch look looser, and this simple drawing technique creates contrast.\r\n\r\nSo, you want to draw a face, but you know nothing about the techniques mentioned above?\r\n\r\nBudding artists should watch some of the many pencil drawing tutorials that can be found online. Useful online tutorials include learning how to blend and shade, realistic pencil drawing techniques, and basic pencil shading. When you have grasped the basics of pencil drawing, move on and watch step-by-step tutorials about how to draw portraits. Top online drawing tutorials include tips and tricks for general portraiture and how to create realistic pencil portraits.\r\n\r\nIt can be equally as helpful to watch videos of artists drawing people that are NOT tutorials with everything spelled out in steps. Often times, there is much to be learned from just watching an artist in action and closely observing which techniques are used.\r\n\r\nThink you HAVE to see step-by-step directions or videos of artists in action to learn techniques? Think again! Although tutorials and videos are extremely helpful, you might also be surprised to find out how much you can learn by just examining already completed work. Study drawings of people completed by other artists. Look for styles you like and try to duplicate the techniques you think they used. Some of the most famous artists became famous by studying the works of masters that came before them. Just remember, you can just as well learn from an artist who is not yet a master. All artists have something valuable to share.\r\n

Draw a Face Step-By-Step

\r\n\"030596\"Following are a few basic guidelines to keep in mind when it comes to drawing faces. Try these out by referring to a photograph, or just draw a random person from your imagination!\r\n
    \r\n
  • Human heads are not circular. Always remember that humans have egg-shaped faces. Begin your sketch by creating an oval outline that tapers towards the bottom.
    • \r\n
  • Map out the facial proportions by drawing a faint line down the center of the oval and a fine horizontal line through the center of the face.
    • \r\n
  • Position the nose on the face by penciling a dividing line in the center of the lower half of the face. The lines that have been drawn on the bottom half of the face should form a cross. The base of the nose should be penciled in at the top of the center of the cross and one nostril will be sketched at either side.
    • \r\n
  • Draw the mouth onto the face using a fine pencil line in between the base of the nose and the bottom of the chin. The bottom lip should sit on the dividing line just drawn. Create a line where the two lips meet, then move on to draw in the bottom and top lip lines.
    • \r\n
  • Add the eyes to your facial drawing. The center of the eye sockets will be in line with the middle of the central horizontal line. Think of the eyeballs as two large circular balls, partially concealed behind the top and bottom eyelids. The eyebrow will sit on top and the cheekbone should rest on the bottom of the shape. Look closely at the eyes of the person you are drawing before drawing in the shapes. Some people have large round eyes and others have almond-shaped eyes, so draw your eyes accordingly. In general, the central space left between the eyes should be equivalent to the width of one eye. Remember, the iris of the eye is made up of many different shades.
    • \r\n
  • Draw in the eyelids. The eyelid should be drawn in over the top of the eye and the base of the lid will come down to cover the very top of the iris. Use some of the shading techniques mentioned earlier to define the shape of the eye socket.
    • \r\n
  • When you are satisfied with the facial shape and features you can add the neck, ears, and hair to the face.
    • \r\n
\r\nAlthough there is more to learn, these tips will hopefully give you a helpful start with how to draw faces. But humans have more than just a head and a face. People have bodies and wear clothes. If you want to learn more about methods of sketching bodies and people in clothes, please read on.\r\n

Drawing the Human Form

\r\n\"\"Sketching the human body in all positions is commonly referred to as \"figure drawing\" and there are many different ways of drawing the human body. Different types of figure drawing include:\r\n
    \r\n
  • Sketching
    • \r\n
  • Life drawing
    • \r\n
  • Emotive drawing
    • \r\n
  • Perspective drawing
    • \r\n
  • Illustration drawing
    • \r\n
  • Diagrammatic drawing
    • \r\n
  • Analytic drawing
    • \r\n
  • Geometric drawing
    • \r\n
\r\nA sketch is an informal drawing and figure sketching helps us to learn how to draw a realistic human figure. Lots of amateur artists enjoy drawing the human figure by studying a live model and life drawing is an essential part of art. People have personalities and characters and emotive drawing is used to express the subject\'s personality. Perspective drawing represents scale, eye-level, surface, planes, light, space and volume. An illustrative drawing is a piece of artwork that comes from a photograph, painting or sketch whereas a diagrammatic drawing is a well-planned piece of art. An analytic drawing of a person will be realistic; the person will be drawn in proportion and those who find it hard to draw people may get on well with geometric figure drawing.\r\n\r\nAdditionally, when you are drawing people you should obviously keep in mind the differences between men and women. For example, when drawing a woman, you will draw smoother, more graceful features. You will draw a proportionately larger pelvis and slender shoulders. When drawing a man, you will draw features with a more rugged, muscular appearance. You will draw broader shoulders and a proportionately larger rib cage.\r\n

Drawing Clothing

\r\n\"howLook at some of the online images of people who are wearing clothes and you will see that every person wears their clothes differently. Artists who want to learn how to sketch people wearing clothing will have to examine the clothing closely. Take a close look, and you will see a recurrence of seven different kinds of folds:\r\n
    \r\n
  • Pipe
    • \r\n
  • Zigzag
    • \r\n
  • Half-lock
    • \r\n
  • Spiral
    • \r\n
  • Diaper
    • \r\n
  • Drop
    • \r\n
  • Inert
    • \r\n
\r\nLearn how to apply design, details, and these folds, and you can draw practically any type of clothing on a person!\r\n

Draw Children Step-By Step

\r\n[caption id=\"attachment_643\" align=\"alignleft\" width=\"221\"]\""Ashley" \"Ashley\" by Jack Pearce[/caption]\r\n\r\nMany of us try to sketch our children because that drawing will act as a personal reminder of how much we love and cherish them. However, there are major differences between an adult’s face and a child\'s face. It is all too easy to make a young child look much older when drawn, so it pays to keep a drawing of a child simple. Let\'s look at an easy way to draw a child.\r\n
    \r\n
  • Sketch a small oval-shaped (but almost circular) head. The younger the child, the more circular the head will be.
    • \r\n
  • Divide the small face into four using a vertical and a horizontal line.
    • \r\n
  • Make large round eyes that rest on the horizontal guideline. The eyebrows sit above this line.
    • \r\n
  • Create a small triangle to form the nose.
    • \r\n
  • Draw a curved line to create the young mouth.
    • \r\n
  • Add some thick bobbed hair (or thin hair, depending on the subject and age).
    • \r\n
\r\nThis is a simple way to draw a child. The basic sketch is straightforward and the drawing is not detailed, but this easy way of drawing children works well for many. Now the more you draw boys and girls of different ages, the more you will realize other differences between babies, toddlers, school-age kids, and teenagers.\r\n

Mastering the Art of Pencil Portraits

\r\nItalian portrait artist Franco Clun and Russian portrait artist Olga Larionova create incredibly realistic pencil drawings, yet they never took a formal art class. They are just two examples of how anyone from any background, with enough determination to consistently practice and learn, can eventually become a master portrait artist. Talented artists know how to bring their work to life, but you must never forget that every successful artist started out as an amateur.\r\n\r\nIt will take time to teach yourself how to draw people. In fact, it could take months or even years to master the craft at a level that you are satisfied with. But practice will improve your drawing, and the people that you draw will start to look more and more realistic. If at first you don\'t succeed, try, try and try again! You will see that if you practice on a regular basis, you will not need to wait months. You will realize small successes and make gradual progress with each drawing that will keep you motivated enough to keep at it!\r\n\r\nAmateur artists can learn how to draw people with confidence, and beginners shouldn\'t be afraid to make mistakes. The information found throughout this site will help you to learn how to draw people, and more importantly, how to eventually become a skilled pencil portrait artist. Make use of our articles, tutorials, and videos, and then start enjoying and employing your artistic talents today!','Let\'s See How to Draw People','','inherit','open','open','','66-revision-v1','','','2014-05-06 20:38:26','2014-05-07 03:38:26','',66,'http://www.letsdrawpeople.com/66-revision-v1/',0,'revision','',0),(1148,2,'2014-06-09 08:22:46','2014-06-09 15:22:46','Here\'s how to draw Lucy Liu.\r\n\r\n[caption id=\"attachment_1137\" align=\"aligncenter\" width=\"333\"]\" © Carrienelson1 | Dreamstime.com[/caption]\r\n

Draw an Outline of the Head

\r\nThe head is 3 inches tall on the reference photo. Scaled my drawing twice the size of my reference photo.\r\n\r\n\"drawing\r\n

 Correctly Place the Eyes

\r\nThree inches from the top\r\n\r\n\"drawing\r\n\r\n ','Take the Mystery Out of Drawing Lucy Liu','','inherit','open','open','','1132-revision-v1','','','2014-06-09 08:22:46','2014-06-09 15:22:46','',1132,'http://www.letsdrawpeople.com/1132-revision-v1/',0,'revision','',0),(1151,2,'2014-06-09 12:57:01','2014-06-09 19:57:01','','drawing lucy liu eye placement 2','','inherit','open','open','','drawing-lucy-liu-eye-placement-2','','','2014-06-09 12:57:01','2014-06-09 19:57:01','',1132,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/drawing-lucy-liu-eye-placement-2.jpg',0,'attachment','image/jpeg',0),(1154,2,'2014-06-09 16:12:47','2014-06-09 23:12:47','','drawing lucy liu eye placement','','inherit','open','open','','drawing-lucy-liu-eye-placement','','','2014-06-09 16:12:47','2014-06-09 23:12:47','',1132,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/drawing-lucy-liu-eye-placement.jpg',0,'attachment','image/jpeg',0),(1021,2,'2014-05-09 22:44:51','2014-05-10 05:44:51','Here is a speed drawing video I did of an elderly man in a hat, the brim shielding the bright sun from his eyes. I used a light box and grid to sketch the initial line drawing on Bristol board paper. Then I added the light and dark tones. Finally I blended in layers of detail. This drawing took me around 10 hours to complete. Depending on the amount of detail I chose to add, it could have easily taken fewer or many more hours! This video condenses the process into 5 minutes. Enjoy!\r\n\r\n[caption id=\"attachment_901\" align=\"aligncenter\" width=\"372\"]\" © Kelpfish | Dreamstime.com[/caption]\r\n

\"elderly

','Detailed Speed Drawing of Elderly Man in a Hat','','inherit','open','open','','900-revision-v1','','','2014-05-09 22:44:51','2014-05-10 05:44:51','',900,'http://www.letsdrawpeople.com/900-revision-v1/',0,'revision','',0),(1014,2,'2014-05-09 22:28:17','2014-05-10 05:28:17','
\r\nHere is a speed drawing video I did of an elderly man in a hat, the brim shielding the bright sun from his eyes. I used a light box and grid to sketch the initial line drawing on Bristol board paper. Then I added the light and dark tones. Finally I blended in layers of detail. This drawing took me around 10 hours to complete. Depending on the amount of detail I chose to add, it could have easily taken fewer or many more hours! This video condenses the process into 5 minutes. Enjoy!\r\n\r\n[caption id=\"attachment_901\" align=\"aligncenter\" width=\"372\"]\" © Kelpfish | Dreamstime.com[/caption]\r\n

\"elderly

','Detailed Speed Drawing of Elderly Man in a Hat','','inherit','open','open','','900-revision-v1','','','2014-05-09 22:28:17','2014-05-10 05:28:17','',900,'http://www.letsdrawpeople.com/900-revision-v1/',0,'revision','',0),(1015,2,'2014-05-09 22:31:22','2014-05-10 05:31:22','
\r\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n[caption id=\"attachment_852\" align=\"aligncenter\" width=\"320\"]\"\" © Carrienelson1 | Dreamstime.com[/caption]\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"\"

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"\"

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"\"

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"\"

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"\"

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"\"

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"\"

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"\"

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\r\n','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2014-05-09 22:31:22','2014-05-10 05:31:22','',165,'http://www.letsdrawpeople.com/165-revision-v1/',0,'revision','',0),(1019,2,'2014-05-09 22:42:10','2014-05-10 05:42:10','\"\"If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\r\n

Placement

\r\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\r\n

Projection

\r\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\r\n

Bridge

\r\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, slanted zig-zag lines works.\r\n

Tip

\r\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\r\n

Nostrils

\r\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\r\n\r\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!\r\n\r\n ','Tips for How to Draw Noses','','inherit','open','open','','77-revision-v1','','','2014-05-09 22:42:10','2014-05-10 05:42:10','',77,'http://www.letsdrawpeople.com/77-revision-v1/',0,'revision','',0),(1016,2,'2014-05-09 22:32:58','2014-05-10 05:32:58','
\r\n\"\"If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\r\n

Placement

\r\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\r\n

Projection

\r\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\r\n

Bridge

\r\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, slanted zig-zag lines works.\r\n

Tip

\r\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\r\n

Nostrils

\r\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\r\n\r\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!\r\n\r\n ','Tips for How to Draw Noses','','inherit','open','open','','77-revision-v1','','','2014-05-09 22:32:58','2014-05-10 05:32:58','',77,'http://www.letsdrawpeople.com/77-revision-v1/',0,'revision','',0),(1017,2,'2014-05-09 22:34:23','2014-05-10 05:34:23','
\r\nOkay Everybody, if you want to know how to draw noses, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n

\"nose01\"

\r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right. Sketch some heavier shading on the left side and some very light shading on the right.\r\n

\"nose02\"

\r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n

\"nose03\"

\r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add to your artwork.\r\n

\"\"

\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2014-05-09 22:34:23','2014-05-10 05:34:23','',85,'http://www.letsdrawpeople.com/85-revision-v1/',0,'revision','',0),(1024,2,'2014-05-10 13:54:15','2014-05-10 20:54:15','','ldp favicon','','inherit','open','open','','ldp-favicon-2','','','2014-05-10 13:54:15','2014-05-10 20:54:15','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/ldp-favicon.ico',0,'attachment','image/x-icon',0),(1025,2,'2014-05-10 13:56:23','2014-05-10 20:56:23','','self portrait sketch for logo','','inherit','open','open','','self-portrait-sketch-for-logo','','','2014-05-10 13:56:23','2014-05-10 20:56:23','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/self-portrait-sketch-for-logo.jpg',0,'attachment','image/jpeg',0),(1026,2,'2014-05-10 13:56:27','2014-05-10 20:56:27','','self portrait sketch','\"Self-Portrait\" by Jack Pearce','inherit','open','open','','self-portrait-sketch','','','2014-05-10 13:56:27','2014-05-10 20:56:27','',45,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/self-portrait-sketch.jpg',0,'attachment','image/jpeg',0),(1029,2,'2014-05-11 06:32:11','2014-05-11 13:32:11','

OUR MISSION

\r\nWelcome! At Let\'s Draw People, it is our mission to awaken the inner artist in everyday people (including you!)...by drawing people. We believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason we do what we do is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

OUR GOAL

\r\nOur goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! Our aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating realistic pencil portraits that will amaze themselves and those they know and love.\r\n

HOW WE DO IT

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn, but life, jobs, and family got in the way and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or you have some experience, Let\'s Draw People lets you take your skills as an aspiring portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. We have informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop, you may be able to eventually share your work on this site to have your artwork recognized and appreciated by our followers. Better yet, you may be able to become a contributing artist and author for us!\r\n

HOW WE GOT STARTED

\r\n\"selfLet\'s Draw People was founded by Jack Pearce, a guy who had a love for drawing ever since he was 3 years old and never really grew out of it. Although he loved drawing everything under the sun, Jack always had a special fascination with drawing people. The more Jack\'s skills developed, the more he wanted to focus on drawing people, especially realistic portraits in pencil (his favorite medium). Although Jack chose a career path different from that of a professional artist, he has drawn many commissioned portraits for people wanting custom portrait artwork, and he still draws and sketches people in his spare time for fun.\r\n\r\nWhenever Jack does draw people, it triggers that childhood passion and desire to draw all the time. He formed Let\'s Draw People as a way to bring together others who have similar experiences, who have that wish of having the freedom to draw all day long as they so innocently did as kids. He formed Let\'s Draw People as a way to bring together aspiring portrait artists of all ability levels who want to share their knowledge and artwork, to help others learn, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people! Also, we invite you to subscribe to our mailing list and join our growing social community on Facebook, Pinterest, and YouTube to stay up-to-date on the latest articles, tutorials, and artwork!','About Us','','inherit','open','open','','45-revision-v1','','','2014-05-11 06:32:11','2014-05-11 13:32:11','',45,'http://www.letsdrawpeople.com/45-revision-v1/',0,'revision','',0),(1030,2,'2014-05-11 06:39:10','2014-05-11 13:39:10','

OUR MISSION

\r\nWelcome! At Let\'s Draw People, it is our mission to awaken the inner artist in everyday people (including you!)...by drawing people. We believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason we do what we do is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

OUR GOAL

\r\nOur goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! Our aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating realistic pencil portraits that will amaze themselves and those they know and love.\r\n

HOW WE DO IT

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn, but life, jobs, and family got in the way and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or you have some experience, Let\'s Draw People lets you take your skills as an aspiring portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. We have informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop, you may be able to eventually share your work on this site to have your artwork recognized and appreciated by our followers. Better yet, you may be able to become a contributing artist and author for us!\r\n

HOW WE GOT STARTED

\r\n\"selfLet\'s Draw People was founded by Jack Pearce, a guy who had a love for drawing ever since he was 3 years old and never really grew out of it. Although he loved drawing everything under the sun, Jack always had a special fascination with drawing people. The more Jack\'s skills developed, the more he wanted to focus on drawing people, especially realistic portraits in pencil (his favorite medium). Although Jack chose a career path different from that of a professional artist, he has drawn many commissioned portraits for people wanting custom portrait artwork, and he still draws and sketches people in his spare time for fun.\r\n\r\nWhenever Jack does draw people, it triggers that childhood passion and desire to draw all the time. He formed Let\'s Draw People as a way to bring together others who have similar experiences, who have that wish of having the freedom to draw all day long as they so innocently did as kids. He formed Let\'s Draw People as a way to bring together aspiring portrait artists of all ability levels who want to share their knowledge and artwork, to help others learn, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people! Also, we invite you to join our growing social community on Facebook, Pinterest, and YouTube to stay up-to-date on the latest articles, tutorials, and artwork!','About Us','','inherit','open','open','','45-revision-v1','','','2014-05-11 06:39:10','2014-05-11 13:39:10','',45,'http://www.letsdrawpeople.com/45-revision-v1/',0,'revision','',0),(3501,2,'2017-05-18 20:56:52','2017-05-19 03:56:52','\r\n

Download Video

\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n

\"\"

\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials or paid resources, feel free to purchase through the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-18 20:56:52','2017-05-19 03:56:52','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3506,2,'2017-05-18 21:32:42','2017-05-19 04:32:42','\r\n

Download Video

\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n\"\"\r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n \r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n

\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials or paid resources, feel free to purchase through the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-18 21:32:42','2017-05-19 04:32:42','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3502,2,'2017-05-18 21:25:39','2017-05-19 04:25:39','\r\n

Download Video

\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n\"\"\r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

\r\n\r\n

\"Ann\" Part 1

\r\n

\"Ann\" Part 2

\r\n

\"Ann\" Part 3

\r\n

\"Ann\" Part 4

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n

\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials or paid resources, feel free to purchase through the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-18 21:25:39','2017-05-19 04:25:39','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(1034,2,'2014-05-11 11:44:06','2014-05-11 18:44:06','Keen Milestones (\"Keen Milestones\") operates LetsDrawPeople.com and may operate other websites. It is Keen Milestones\' policy to respect your privacy regarding any information we may collect while operating our websites.\r\n

Website Visitors

\r\nLike most website operators, Keen Milestones collects non-personally-identifying information of the sort that web browsers and servers typically make available, such as the browser type, language preference, referring site, and the date and time of each visitor request. Keen Milestones\' purpose in collecting non-personally identifying information is to better understand how Keen Milestones\' visitors use its website. From time to time, Keen Milestones may release non-personally-identifying information in the aggregate, e.g., by publishing a report on trends in the usage of its website.\r\n\r\nKeen Milestones also collects potentially personally-identifying information like Internet Protocol (IP) addresses for logged in users and for users leaving comments on LetsDrawPeople.com. Keen Milestones only discloses logged in user and commenter IP addresses under the same circumstances that it uses and discloses personally-identifying information as described below, except that commenter IP addresses are visible and disclosed to the administrators of the blog/site where the comment was left.\r\n

Gathering of Personally-Identifying Information

\r\nCertain visitors to Keen Milestones\' websites choose to interact with Keen Milestones in ways that require Keen Milestones to gather personally-identifying information. The amount and type of information that Keen Milestones gathers depends on the nature of the interaction. For example, we ask visitors who sign up at LetsDrawPeople.com to provide an email address. Those who engage in transactions with Keen Milestones are asked to provide additional information, including as necessary the personal and financial information required to process those transactions. In each case, Keen Milestones collects such information only insofar as is necessary or appropriate to fulfill the purpose of the visitor\'s interaction with Keen Milestones. Keen Milestones does not disclose personally-identifying information other than as described below. And visitors can always refuse to supply personally-identifying information, with the caveat that it may prevent them from engaging in certain website-related activities.\r\n

Aggregated Statistics

\r\nKeen Milestones may collect statistics about the behavior of visitors to its websites. Keen Milestones may display this information publicly or provide it to others. However, Keen Milestones does not disclose personally-identifying information other than as described below.\r\n

Protection of Certain Personally-Identifying Information

\r\nKeen Milestones discloses potentially personally-identifying and personally-identifying information only to those of its employees, contractors, and affiliated organizations that (i) need to know that information in order to process it on Keen Milestones\' behalf or to provide services available at Keen Milestones\' websites, and (ii) that have agreed not to disclose it to others. Some of those employees, contractors, and affiliated organizations may be located outside of your home country; by using Keen Milestones\' websites, you consent to the transfer of such information to them. Keen Milestones will not rent or sell potentially personally-identifying and personally-identifying information to anyone. Other than to its employees, contractors, and affiliated organizations, as described above, Keen Milestones discloses potentially personally-identifying and personally-identifying information only in response to a subpoena, court order, or other governmental request, or when Keen Milestones believes in good faith that disclosure is reasonably necessary to protect the property or rights of Keen Milestones, third parties, or the public at large. If you are a registered user of a Keen Milestones website and have supplied your email address, Keen Milestones may occasionally send you an email to tell you about new features, solicit your feedback, or just keep you up to date with what\'s going on with Keen Milestones and our products. If you send us a request (for example via email or via one of our feedback mechanisms), we reserve the right to publish it in order to help us clarify or respond to your request or to help us support other users. Keen Milestones takes all measures reasonably necessary to protect against the unauthorized access, use, alteration or destruction of potentially personally-identifying and personally-identifying information.\r\n

Childrens Online Privacy Protection Act Compliance

\r\nWe are in compliance with the requirements of COPPA (Childrens Online Privacy Protection Act), we do not collect any information from anyone under 13 years of age. Our website, products and services are all directed to people who are at least 13 years old or older.\r\n

Cookies

\r\nA cookie is a string of information that a website stores on a visitor\'s computer, and that the visitor\'s browser provides to the website each time the visitor returns. Keen Milestones uses cookies to help Keen Milestones identify and track visitors, their usage of Keen Milestones website, and their website access preferences. Keen Milestones visitors who do not wish to have cookies placed on their computers should set their browsers to refuse cookies before using Keen Milestones\' websites, with the drawback that certain features of Keen Milestones\' websites may not function properly without the aid of cookies.\r\n

Business Transfers

\r\nIf Keen Milestones, or substantially all of its assets, were acquired, or in the unlikely event that Keen Milestones goes out of business or enters bankruptcy, user information would be one of the assets that is transferred or acquired by a third party. You acknowledge that such transfers may occur, and that any acquirer of Keen Milestones may continue to use your personal information as set forth in this policy.\r\n

Ads

\r\nAds appearing on any of our websites may be delivered to users by advertising partners, who may set cookies. These cookies allow the ad server to recognize your computer each time they send you an online advertisement to compile information about you or others who use your computer. This information allows ad networks to, among other things, deliver targeted advertisements that they believe will be of most interest to you. This Privacy Policy covers the use of cookies by Keen Milestones and does not cover the use of cookies by any advertisers.\r\n

Your Opt-Out Rights

\r\nYou may opt-out of receiving communications from us and/or our partners by not submitting your information. We also allow you to remove your information from our marketing lists. If you remove your information from our lists, it will no longer be used by us to send promotional correspondence to you. You can remove your information from our marketing lists by clicking on the “Unsubscribe” link at the bottom of every email we send you.\r\n

Changes

\r\nAlthough most changes are likely to be minor, Keen Milestones may change its Privacy Policy from time to time, and in Keen Milestones\' sole discretion. Keen Milestones encourages visitors to frequently check this page for any changes to its Privacy Policy. Your continued use of this site after any change in this will constitute your acceptance of such change.\r\n\r\nThis policy was last modified on 5/11/2014.','Privacy Policy','','inherit','open','open','','14-revision-v1','','','2014-05-11 11:44:06','2014-05-11 18:44:06','',14,'http://www.letsdrawpeople.com/14-revision-v1/',0,'revision','',0),(1035,2,'2014-05-11 11:47:19','2014-05-11 18:47:19','Last Updated: May 11, 2014\r\n\r\nKeen Milestones (\"Keen Milestones\") operates LetsDrawPeople.com and may operate other websites. It is Keen Milestones\' policy to respect your privacy regarding any information we may collect while operating our websites.\r\n

Website Visitors

\r\nLike most website operators, Keen Milestones collects non-personally-identifying information of the sort that web browsers and servers typically make available, such as the browser type, language preference, referring site, and the date and time of each visitor request. Keen Milestones\' purpose in collecting non-personally identifying information is to better understand how Keen Milestones\' visitors use its website. From time to time, Keen Milestones may release non-personally-identifying information in the aggregate, e.g., by publishing a report on trends in the usage of its website.\r\n\r\nKeen Milestones also collects potentially personally-identifying information like Internet Protocol (IP) addresses for logged in users and for users leaving comments on LetsDrawPeople.com. Keen Milestones only discloses logged in user and commenter IP addresses under the same circumstances that it uses and discloses personally-identifying information as described below, except that commenter IP addresses are visible and disclosed to the administrators of the blog/site where the comment was left.\r\n

Gathering of Personally-Identifying Information

\r\nCertain visitors to Keen Milestones\' websites choose to interact with Keen Milestones in ways that require Keen Milestones to gather personally-identifying information. The amount and type of information that Keen Milestones gathers depends on the nature of the interaction. For example, we ask visitors who sign up at LetsDrawPeople.com to provide an email address. Those who engage in transactions with Keen Milestones are asked to provide additional information, including as necessary the personal and financial information required to process those transactions. In each case, Keen Milestones collects such information only insofar as is necessary or appropriate to fulfill the purpose of the visitor\'s interaction with Keen Milestones. Keen Milestones does not disclose personally-identifying information other than as described below. And visitors can always refuse to supply personally-identifying information, with the caveat that it may prevent them from engaging in certain website-related activities.\r\n

Aggregated Statistics

\r\nKeen Milestones may collect statistics about the behavior of visitors to its websites. Keen Milestones may display this information publicly or provide it to others. However, Keen Milestones does not disclose personally-identifying information other than as described below.\r\n

Protection of Certain Personally-Identifying Information

\r\nKeen Milestones discloses potentially personally-identifying and personally-identifying information only to those of its employees, contractors, and affiliated organizations that (i) need to know that information in order to process it on Keen Milestones\' behalf or to provide services available at Keen Milestones\' websites, and (ii) that have agreed not to disclose it to others. Some of those employees, contractors, and affiliated organizations may be located outside of your home country; by using Keen Milestones\' websites, you consent to the transfer of such information to them. Keen Milestones will not rent or sell potentially personally-identifying and personally-identifying information to anyone. Other than to its employees, contractors, and affiliated organizations, as described above, Keen Milestones discloses potentially personally-identifying and personally-identifying information only in response to a subpoena, court order, or other governmental request, or when Keen Milestones believes in good faith that disclosure is reasonably necessary to protect the property or rights of Keen Milestones, third parties, or the public at large. If you are a registered user of a Keen Milestones website and have supplied your email address, Keen Milestones may occasionally send you an email to tell you about new features, solicit your feedback, or just keep you up to date with what\'s going on with Keen Milestones and our products. If you send us a request (for example via email or via one of our feedback mechanisms), we reserve the right to publish it in order to help us clarify or respond to your request or to help us support other users. Keen Milestones takes all measures reasonably necessary to protect against the unauthorized access, use, alteration or destruction of potentially personally-identifying and personally-identifying information.\r\n

Childrens Online Privacy Protection Act Compliance

\r\nWe are in compliance with the requirements of COPPA (Childrens Online Privacy Protection Act), we do not collect any information from anyone under 13 years of age. Our website, products and services are all directed to people who are at least 13 years old or older.\r\n

Cookies

\r\nA cookie is a string of information that a website stores on a visitor\'s computer, and that the visitor\'s browser provides to the website each time the visitor returns. Keen Milestones uses cookies to help Keen Milestones identify and track visitors, their usage of Keen Milestones website, and their website access preferences. Keen Milestones visitors who do not wish to have cookies placed on their computers should set their browsers to refuse cookies before using Keen Milestones\' websites, with the drawback that certain features of Keen Milestones\' websites may not function properly without the aid of cookies.\r\n

Business Transfers

\r\nIf Keen Milestones, or substantially all of its assets, were acquired, or in the unlikely event that Keen Milestones goes out of business or enters bankruptcy, user information would be one of the assets that is transferred or acquired by a third party. You acknowledge that such transfers may occur, and that any acquirer of Keen Milestones may continue to use your personal information as set forth in this policy.\r\n

Ads

\r\nAds appearing on any of our websites may be delivered to users by advertising partners, who may set cookies. These cookies allow the ad server to recognize your computer each time they send you an online advertisement to compile information about you or others who use your computer. This information allows ad networks to, among other things, deliver targeted advertisements that they believe will be of most interest to you. This Privacy Policy covers the use of cookies by Keen Milestones and does not cover the use of cookies by any advertisers.\r\n

Your Opt-Out Rights

\r\nYou may opt-out of receiving communications from us and/or our partners by not submitting your information. We also allow you to remove your information from our marketing lists. If you remove your information from our lists, it will no longer be used by us to send promotional correspondence to you. You can remove your information from our marketing lists by clicking on the “Unsubscribe” link at the bottom of every email we send you.\r\n

Changes

\r\nAlthough most changes are likely to be minor, Keen Milestones may change its Privacy Policy from time to time, and in Keen Milestones\' sole discretion. Keen Milestones encourages visitors to frequently check this page for any changes to its Privacy Policy. Your continued use of this site after any change in this will constitute your acceptance of such change.','Privacy Policy','','inherit','open','open','','14-revision-v1','','','2014-05-11 11:47:19','2014-05-11 18:47:19','',14,'http://www.letsdrawpeople.com/14-revision-v1/',0,'revision','',0),(3496,2,'2017-05-18 20:31:06','2017-05-19 03:31:06','\r\n\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n

\"\"

\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials or paid resources, feel free to purchase through the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-18 20:31:06','2017-05-19 03:31:06','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3497,2,'2017-05-18 20:32:09','2017-05-19 03:32:09','','Ann','','inherit','open','closed','','ann','','','2017-05-18 20:32:09','2017-05-19 03:32:09','',3480,'http://www.letsdrawpeople.com/wp-content/uploads/2017/05/Ann.jpg',0,'attachment','image/jpeg',0),(3498,2,'2017-05-18 20:32:34','2017-05-19 03:32:34','','Ann-grid','','inherit','open','closed','','ann-grid','','','2017-05-18 20:32:34','2017-05-19 03:32:34','',3480,'http://www.letsdrawpeople.com/wp-content/uploads/2017/05/Ann-grid.jpg',0,'attachment','image/jpeg',0),(3499,2,'2017-05-18 20:33:09','2017-05-19 03:33:09','','Ann grid','','inherit','open','closed','','ann-grid-2','','','2017-05-18 20:33:09','2017-05-19 03:33:09','',3480,'http://www.letsdrawpeople.com/wp-content/uploads/2017/05/Ann-grid.pdf',0,'attachment','application/pdf',0),(3500,2,'2017-05-18 20:39:27','2017-05-19 03:39:27','\r\n\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n

\"\"

\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials or paid resources, feel free to purchase through the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-18 20:39:27','2017-05-19 03:39:27','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(1043,2,'2014-05-13 18:13:53','2014-05-14 01:13:53','You can contact us by email at support@letsdrawpeople.com or by phone at 702-708-1357.\r\n\r\n
Let\'s Draw People
3053 West Craig Road
Suite E # 202
North Las Vegas, NV 89032
We would love to hear from you! For the quickest reply, please use the form below to contact us anytime. We look forward to responding to your questions or comments!\r\n\r\nWebsite Feedback: Let us know what you love about our site and what could make it better.\r\n\r\nTutorial Suggestions: Which kind of people-drawing tutorials would you like to see on our site?\r\n\r\n[nform id=\'3\']','Contact Us','','inherit','open','open','','15-revision-v1','','','2014-05-13 18:13:53','2014-05-14 01:13:53','',15,'http://www.letsdrawpeople.com/15-revision-v1/',0,'revision','',0),(1041,2,'2014-05-12 22:47:31','2014-05-13 05:47:31','[amzn_product_post]','Impact Multiboom Light Stand and Reflector Holder - 13\' (4m)','This is an Impact Convertible Boom Arm/Light Stand. As a light stand, it can support a small or medium light head to a height of 13\' (4 m). Raise the second section completely, click, and it is a boom stand.
As a boom, it can hold a small light head to an extension of almost 3\' from the center of the stand.
It is a reflector holder by means of its two clips, which can support an Impact, Flexfill, or Photoflex light disc as large as 60\".
A hole at the end of the arm allows an optional counterweight to be hung, for greater stability.Instructions for Using This Stand as a Boom
1. Loosen the large long handle in the middle of the stand.
2. Loosen the top-most section of the stand. Pull that section all the way up.
3. Pull! - swing it horizontally for the boom feature, and lock it for the desired setup.


Minimum Height: 40\" (102 cm)

Maximum Height: 13\' (4 m) as light stand , 9 ft (2.7 M) as boom stand

Closed Length: 40\" (102 cm)

Footprint Diameter: 36\" (91 cm)

Weight: 6 lbs (2.7 kg)

Maximum Load: 5 lbs (2.3 kg) as light stand , 3 lbs (1.4 kg) as boom stand

Attachment Size: 5/8\" stud

Accepts Wheels: Yes

Air Cushioned: No

Warranty: One Year Manufacturer\'s Warranty','inherit','open','open','','1039-revision-v1','','','2014-05-12 22:47:31','2014-05-13 05:47:31','',1039,'http://www.letsdrawpeople.com/1039-revision-v1/',0,'revision','',0),(1042,2,'2014-05-12 22:51:26','2014-05-13 05:51:26','','multiboom light stand and reflector holder','','inherit','open','open','','multiboom-light-stand-and-reflector-holder','','','2014-05-12 22:51:26','2014-05-13 05:51:26','',1039,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/multiboom-light-stand-and-reflector-holder.jpg',0,'attachment','image/jpeg',0),(1044,2,'2014-05-13 18:19:29','2014-05-14 01:19:29','You can contact us by email at support@letsdrawpeople.com or by phone at 702-708-1357.\r\n\r\n
Let\'s Draw People
3053 West Craig Road
Suite E # 202
North Las Vegas, NV 89032
We would love to hear from you! For the quickest reply, please use the form below to contact us anytime. We look forward to responding to your questions or comments!\r\n\r\nWebsite Feedback: Let us know what you love about our site and what could make it better.\r\n\r\nTutorial Suggestions: Which kind of people-drawing tutorials would you like to see on our site?\r\n\r\n[nform id=\'1\']','Contact Us','','inherit','open','open','','15-revision-v1','','','2014-05-13 18:19:29','2014-05-14 01:19:29','',15,'http://www.letsdrawpeople.com/15-revision-v1/',0,'revision','',0),(1046,2,'2014-05-14 05:09:37','2014-05-14 12:09:37','From time to time, LetsDrawPeople.com will endorse, promote, or suggest (via posted articles, tutorials, communications, etc.) affiliate products and/or services for sale. LetsDrawPeople.com may also regularly display banners or other links to affiliate offers along the top or bottom of its posts or pages or along the website\'s sidebar. The recommendations are based on our belief that the products and/or services will provide valuable information and/or be useful and beneficial for visitors to our website. This belief is based on LetsDrawPeople.com’s review of that product or service, its relationship with the creator or supplier, and/or previous positive experiences.\r\n\r\nLetsDrawPeople.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.\r\n\r\nCommissions that are credited to LetsDrawPeople.com can result from purchases you make from recommended affiliate links. We will only recommend products and services that we have researched and believe to be beneficial for our users. Users should still do their own research and make their own informed opinions before buying an affiliate product or service from a recommendation or link found on LetsDrawPeople.com.','Affiliate Disclaimer','','inherit','open','open','','517-revision-v1','','','2014-05-14 05:09:37','2014-05-14 12:09:37','',517,'http://www.letsdrawpeople.com/517-revision-v1/',0,'revision','',0),(1047,2,'2014-05-14 06:16:00','2014-05-14 13:16:00','From time to time, LetsDrawPeople.com will endorse, promote, or suggest (via posted articles, tutorials, communications, etc.) affiliate products and/or services for sale. LetsDrawPeople.com may also regularly display banners or other links to affiliate offers along the top or bottom of its posts or pages or along the website\'s sidebar. The recommendations are based on our belief that the products and/or services will provide valuable information and/or be useful and beneficial for visitors to our website. This belief is based on LetsDrawPeople.com’s review of that product or service, its relationship with the creator or supplier, and/or previous positive experiences.\r\n\r\nLetsDrawPeople.com is an affiliate of ClickBank, a company that distributes digital informational products found on this site and through communications to our email subscribers and social media platforms.\r\n\r\nLetsDrawPeople.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.\r\n\r\nLetsDrawPeople.com is an affiliate of Blick Art Materials.\r\n\r\nCommissions that are credited to LetsDrawPeople.com can result from purchases you make from recommended affiliate links. We will only recommend products and services that we have researched and believe to be beneficial for our users. Users should still do their own research and make their own informed opinions before buying an affiliate product or service from a recommendation or link found on LetsDrawPeople.com.','Affiliate Disclaimer','','inherit','open','open','','517-revision-v1','','','2014-05-14 06:16:00','2014-05-14 13:16:00','',517,'http://www.letsdrawpeople.com/517-revision-v1/',0,'revision','',0),(1048,2,'2014-05-14 17:55:23','2014-05-15 00:55:23','Last Updated: May 11, 2014\r\n\r\nKeen Milestones (\"Keen Milestones\") operates LetsDrawPeople.com and may operate other websites. It is Keen Milestones\' policy to respect your privacy regarding any information we may collect while operating our websites.\r\n

Website Visitors

\r\nLike most website operators, Keen Milestones collects non-personally-identifying information of the sort that web browsers and servers typically make available, such as the browser type, language preference, referring site, and the date and time of each visitor request. Keen Milestones\' purpose in collecting non-personally identifying information is to better understand how Keen Milestones\' visitors use its website. From time to time, Keen Milestones may release non-personally-identifying information in the aggregate, e.g., by publishing a report on trends in the usage of its website.\r\n\r\nKeen Milestones also collects potentially personally-identifying information like Internet Protocol (IP) addresses for logged in users and for users leaving comments on LetsDrawPeople.com. Keen Milestones only discloses logged in user and commenter IP addresses under the same circumstances that it uses and discloses personally-identifying information as described below, except that commenter IP addresses are visible and disclosed to the administrators of the blog/site where the comment was left.\r\n

Gathering of Personally-Identifying Information

\r\nCertain visitors to Keen Milestones\' websites choose to interact with Keen Milestones in ways that require Keen Milestones to gather personally-identifying information. The amount and type of information that Keen Milestones gathers depends on the nature of the interaction. For example, we ask visitors who sign up at LetsDrawPeople.com to provide an email address. Those who engage in transactions with Keen Milestones are asked to provide additional information, including as necessary the personal and financial information required to process those transactions. In each case, Keen Milestones collects such information only insofar as is necessary or appropriate to fulfill the purpose of the visitor\'s interaction with Keen Milestones. Keen Milestones does not disclose personally-identifying information other than as described below. And visitors can always refuse to supply personally-identifying information, with the caveat that it may prevent them from engaging in certain website-related activities.\r\n

Aggregated Statistics

\r\nKeen Milestones may collect statistics about the behavior of visitors to its websites. Keen Milestones may display this information publicly or provide it to others. However, Keen Milestones does not disclose personally-identifying information other than as described below.\r\n

Protection of Certain Personally-Identifying Information

\r\nKeen Milestones discloses potentially personally-identifying and personally-identifying information only to those of its employees, contractors, and affiliated organizations that (i) need to know that information in order to process it on Keen Milestones\' behalf or to provide services available at Keen Milestones\' websites, and (ii) that have agreed not to disclose it to others. Some of those employees, contractors, and affiliated organizations may be located outside of your home country; by using Keen Milestones\' websites, you consent to the transfer of such information to them. Keen Milestones will not rent or sell potentially personally-identifying and personally-identifying information to anyone. Other than to its employees, contractors, and affiliated organizations, as described above, Keen Milestones discloses potentially personally-identifying and personally-identifying information only in response to a subpoena, court order, or other governmental request, or when Keen Milestones believes in good faith that disclosure is reasonably necessary to protect the property or rights of Keen Milestones, third parties, or the public at large. If you are a registered user of a Keen Milestones website and have supplied your email address, Keen Milestones may occasionally send you an email to tell you about new features, solicit your feedback, or just keep you up to date with what\'s going on with Keen Milestones and our products. If you send us a request (for example via email or via one of our feedback mechanisms), we reserve the right to publish it in order to help us clarify or respond to your request or to help us support other users. Keen Milestones takes all measures reasonably necessary to protect against the unauthorized access, use, alteration or destruction of potentially personally-identifying and personally-identifying information.\r\n

Childrens Online Privacy Protection Act Compliance

\r\nWe are in compliance with the requirements of COPPA (Childrens Online Privacy Protection Act). We do not collect any information from anyone under 13 years of age. Our website, products and services are all directed to people who are at least 13 years old or older.\r\n

Cookies

\r\nA cookie is a string of information that a website stores on a visitor\'s computer, and that the visitor\'s browser provides to the website each time the visitor returns. Keen Milestones uses cookies to help Keen Milestones identify and track visitors, their usage of Keen Milestones website, and their website access preferences. Keen Milestones visitors who do not wish to have cookies placed on their computers should set their browsers to refuse cookies before using Keen Milestones\' websites, with the drawback that certain features of Keen Milestones\' websites may not function properly without the aid of cookies.\r\n

Business Transfers

\r\nIf Keen Milestones, or substantially all of its assets, were acquired, or in the unlikely event that Keen Milestones goes out of business or enters bankruptcy, user information would be one of the assets that is transferred or acquired by a third party. You acknowledge that such transfers may occur, and that any acquirer of Keen Milestones may continue to use your personal information as set forth in this policy.\r\n

Ads

\r\nAds appearing on any of our websites may be delivered to users by advertising partners, who may set cookies. These cookies allow the ad server to recognize your computer each time they send you an online advertisement to compile information about you or others who use your computer. This information allows ad networks to, among other things, deliver targeted advertisements that they believe will be of most interest to you. This Privacy Policy covers the use of cookies by Keen Milestones and does not cover the use of cookies by any advertisers.\r\n

Your Opt-Out Rights

\r\nYou may opt-out of receiving communications from us and/or our partners by not submitting your information. We also allow you to remove your information from our marketing lists. If you remove your information from our lists, it will no longer be used by us to send promotional correspondence to you. You can remove your information from our marketing lists by clicking on the “Unsubscribe” link at the bottom of every email we send you.\r\n

Changes

\r\nAlthough most changes are likely to be minor, Keen Milestones may change its Privacy Policy from time to time, and in Keen Milestones\' sole discretion. Keen Milestones encourages visitors to frequently check this page for any changes to its Privacy Policy. Your continued use of this site after any change in this will constitute your acceptance of such change.','Privacy Policy','','inherit','open','open','','14-revision-v1','','','2014-05-14 17:55:23','2014-05-15 00:55:23','',14,'http://www.letsdrawpeople.com/14-revision-v1/',0,'revision','',0),(3494,2,'2017-05-18 04:44:04','2017-05-18 11:44:04','\r\n\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n

\"\"

\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials or paid resources, feel free to purchase through the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n
    \r\n
  • Dreamstime.com
    • \r\n
  • Adobe Photoshop Elements
    • \r\n
  • Microsoft Word (from Microsoft Office)
    • \r\n
  • \"Ann\" reference photograph
    • \r\n
\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-18 04:44:04','2017-05-18 11:44:04','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3495,2,'2017-05-18 05:21:20','2017-05-18 12:21:20','\r\n\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n

\"\"

\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials or paid resources, feel free to purchase through the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n
    \r\n
  • Dreamstime.com
    • \r\n
  • Adobe Photoshop Elements
    • \r\n
  • Microsoft Word (from Microsoft Office)
    • \r\n
  • \"Ann\" reference photograph
    • \r\n
\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-18 05:21:20','2017-05-18 12:21:20','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3491,2,'2017-05-17 06:13:34','2017-05-17 13:13:34','\r\n\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n

\"\"

\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. Some of the links below are affiliate links.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n
    \r\n
  • Light box
    • \r\n
  • 8\" x 10\" Bristol board paper
    • \r\n
  • Mechanical pencil
    • \r\n
  • 0.5mm 2B graphite lead
    • \r\n
  • White plastic eraser
    • \r\n
  • Kneaded eraser
    • \r\n
  • Tortillions
    • \r\n
  • Art brush
    • \r\n
  • Ruler
    • \r\n
  • Circle template
    • \r\n
\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n
    \r\n
  • Dreamstime
    • \r\n
  • Adobe Photoshop Elements
    • \r\n
  • Microsoft Word (from Microsoft Office)
    • \r\n
  • \"Ann\" reference photograph
    • \r\n
\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-17 06:13:34','2017-05-17 13:13:34','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3492,2,'2017-05-17 06:31:34','2017-05-17 13:31:34','\r\n\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n

\"\"

\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. Some of the links below are affiliate links.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n
    \r\n
  • Light box
    • \r\n
  • 8\" x 10\" Bristol board paper
    • \r\n
  • Mechanical pencil
    • \r\n
  • 0.5mm 2B graphite lead
    • \r\n
  • White plastic eraser
    • \r\n
  • Kneaded eraser
    • \r\n
  • Tortillions
    • \r\n
  • Art brush
    • \r\n
  • Ruler
    • \r\n
  • Circle template
    • \r\n
\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n
    \r\n
  • Dreamstime
    • \r\n
  • Adobe Photoshop Elements
    • \r\n
  • Microsoft Word (from Microsoft Office)
    • \r\n
  • \"Ann\" reference photograph
    • \r\n
\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-17 06:31:34','2017-05-17 13:31:34','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3493,2,'2017-05-17 20:33:56','2017-05-18 03:33:56','\r\n\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n

\"\"

\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials or paid resources, feel free to purchase through the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n
    \r\n
  • Dreamstime
    • \r\n
  • Adobe Photoshop Elements
    • \r\n
  • Microsoft Word (from Microsoft Office)
    • \r\n
  • \"Ann\" reference photograph
    • \r\n
\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-17 20:33:56','2017-05-18 03:33:56','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(1051,2,'2014-05-14 20:54:06','2014-05-15 03:54:06','From time to time, LetsDrawPeople.com will endorse, promote, or suggest (via posted articles, tutorials, communications, etc.) affiliate products and/or services for sale. LetsDrawPeople.com may also regularly display banners or other links to affiliate offers along the top or bottom of its posts or pages or along the website\'s sidebar. The recommendations are based on our belief that the products and/or services will provide valuable information and/or be useful and beneficial for visitors to our website. This belief is based on LetsDrawPeople.com’s review of that product or service, its relationship with the creator or supplier, and/or previous positive experiences.\r\n\r\nLetsDrawPeople.com is an affiliate of ClickBank, a company that distributes digital informational products found on this site and through communications to our email subscribers and social media platforms.\r\n\r\nLetsDrawPeople.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.\r\n\r\nLetsDrawPeople.com is an affiliate of Blick Art Materials and Art.com.\r\n\r\nCommissions that are credited to LetsDrawPeople.com can result from purchases you make from recommended affiliate links. We will only recommend products and services that we have researched and believe to be beneficial for our users. Users should still do their own research and make their own informed opinions before buying an affiliate product or service from a recommendation or link found on LetsDrawPeople.com.','Affiliate Disclaimer','','inherit','open','open','','517-revision-v1','','','2014-05-14 20:54:06','2014-05-15 03:54:06','',517,'http://www.letsdrawpeople.com/517-revision-v1/',0,'revision','',0),(1054,2,'2014-05-15 18:34:15','2014-05-16 01:34:15','From time to time, LetsDrawPeople.com will endorse, promote, or suggest (via posted articles, tutorials, communications, etc.) affiliate products and/or services for sale. LetsDrawPeople.com may also regularly display banners or other links to affiliate offers along the top or bottom of its posts or pages or along the website\'s sidebar. The recommendations are based on our belief that the products and/or services will provide valuable information and/or be useful and beneficial for visitors to our website. This belief is based on LetsDrawPeople.com’s review of that product or service, its relationship with the creator or supplier, and/or previous positive experiences.\r\n\r\nLetsDrawPeople.com is an affiliate of ClickBank, a company that distributes digital informational products found on this site and through communications to our email subscribers and social media platforms.\r\n\r\nLetsDrawPeople.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.\r\n\r\nLetsDrawPeople.com is an affiliate of Michaels Stores, Inc.\r\n\r\nCommissions that are credited to LetsDrawPeople.com can result from purchases you make from recommended affiliate links. We will only recommend products and services that we have researched and believe to be beneficial for our users. Users should still do their own research and make their own informed opinions before buying an affiliate product or service from a recommendation or link found on LetsDrawPeople.com.','Affiliate Disclaimer','','inherit','open','open','','517-revision-v1','','','2014-05-15 18:34:15','2014-05-16 01:34:15','',517,'http://www.letsdrawpeople.com/517-revision-v1/',0,'revision','',0),(1052,2,'2014-05-14 21:24:09','2014-05-15 04:24:09','From time to time, LetsDrawPeople.com will endorse, promote, or suggest (via posted articles, tutorials, communications, etc.) affiliate products and/or services for sale. LetsDrawPeople.com may also regularly display banners or other links to affiliate offers along the top or bottom of its posts or pages or along the website\'s sidebar. The recommendations are based on our belief that the products and/or services will provide valuable information and/or be useful and beneficial for visitors to our website. This belief is based on LetsDrawPeople.com’s review of that product or service, its relationship with the creator or supplier, and/or previous positive experiences.\r\n\r\nLetsDrawPeople.com is an affiliate of ClickBank, a company that distributes digital informational products found on this site and through communications to our email subscribers and social media platforms.\r\n\r\nLetsDrawPeople.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.\r\n\r\nLetsDrawPeople.com is an affiliate of Blick Art Materials, Utrecht Art Supplies, and Art.com.\r\n\r\nCommissions that are credited to LetsDrawPeople.com can result from purchases you make from recommended affiliate links. We will only recommend products and services that we have researched and believe to be beneficial for our users. Users should still do their own research and make their own informed opinions before buying an affiliate product or service from a recommendation or link found on LetsDrawPeople.com.','Affiliate Disclaimer','','inherit','open','open','','517-revision-v1','','','2014-05-14 21:24:09','2014-05-15 04:24:09','',517,'http://www.letsdrawpeople.com/517-revision-v1/',0,'revision','',0),(1053,2,'2014-05-15 18:20:57','2014-05-16 01:20:57','','artcom banner ad','','inherit','open','open','','artcom-banner-ad','','','2014-05-15 18:20:57','2014-05-16 01:20:57','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/artcom-banner-ad.gif',0,'attachment','image/gif',0),(1056,2,'2014-05-19 16:45:40','2014-05-19 23:45:40','\"howLearning how to draw a woman is a challenge. Drawing the human figure after just learning the basics of drawing anything at all is tricky enough. A woman, though, has a distinct figure in comparison to a man. Furthermore, if you want your work to be clear and understandable to an audience, it is vital that they can immediately see that a figure is female rather than male.\r\n\r\nThe good news is that there are some easy ways to make your female characters and subjects obvious even if you are just beginning to learn how to draw people. By using curves and making yourself aware of some distinct female traits, such as hairstyles and physical gestures, you can make your female figures jump right off the page.\r\n

Human Figure Basics

\r\nAs wonderfully distinct from men as women are, they also share a great deal of anatomical similarity. Therefore, do not be afraid to rely on whatever you have learned about drawing people in general.\r\n\r\nBefore you begin, consider some of the basics of human anatomy as represented in drawings. The body has several parts, including the torso, head, limbs and extremities. Each has a certain proportion to each other. Recalling these proportions makes it easy to draw a man or a woman of any size because the proportions generally remain the same.\r\n\r\nFor your materials, you should start with a graphite pencil. A soft No.2B pencil or a 4B is a great choice. Get a separate eraser as well. The size of the sketch pad is up to you. However, you should make sure that the paper is sturdy so that you can erase if necessary. Paper that will not stand some erasures will require you to start over if it rips.\r\n

Starting from the Top

\r\nBegin by drawing the head. This is a critical part of your work because the head contains the face and the face is responsible for a lot of the body language that you will use in your drawing. Furthermore, the size of the head will help you determine the length and shape of the body that you draw later.\r\n\r\n\"how• There is no need to let the shape of the head stump you before you even begin. Simply draw the basic oval shape for a head that you have already learned. You can do a lot with this basic oval.\r\n• If you have advanced a little more than this, feel free to play with this shape a little. The chin and jaw are major features that vary between men and women. Some people have square jaws, other have more triangular jaws with pointed chins.\r\n• A younger woman\'s head will be a little more rounded than an adult woman\'s head.\r\n• Lightly divide the shape you have used for the head with your pencil.\r\n• Mark points on each side where the eyes and ears will be. As different as one face may be from another, each face tends to be symmetrical. Therefore, the distance of the eyes and ears from this center line should be even.\r\n• Put the bottom of the nose halfway between the eyes and the bottom of the chin.\r\n• Part the lips of the mouth between the bottom of the nose and the bottom of the chin, about a third of the way below the bottom of the nose.\r\n\r\nUntil you acquire some more experience, try to adhere to these guidelines when first learning how to draw women. As you become an expert, you will be able to stray from these tips and create even more stylized faces and heads.\r\n

Working Your Way Down the Body

\r\nNow we continue to the body. If you want, you can skip to this stage after creating the mere shape of the head without adding any details. You may not want to decide how the face looks until you have the body figured out. With the length of the head determined, you can create body proportions that are realistic.\r\n\r\n\"how• Measure the head that you drew. The length of the entire female form should be roughly seven to eight times this length in total.\r\n• The torso should be somewhere between 2 ½ and 3 heads in length.\r\n• The legs should be somewhere between 3 ½ and 4 heads in length. Make sure that the numbers, however you configure them, add up to between seven and eight.\r\n• The width of the shoulders should be about 2 ½ to 3 heads. You will still have to decide how much slope there will be to the shoulders. Women are not as frequently broad-shouldered as men are.\r\n• Place the waist line about 4 heads from the bottom of the feet. This feature is essential for depicting a woman because she is more likely to have a distinct curve in this area than a man. You can decide how much of a curve will go into this area.\r\n• The distance from the lower breast area to the shoulder-line should be one head length.\r\n• When drawing details on the legs, make the thighs about 1 ½ to 2 full heads in length. The end point of this feature would be the kneecap.\r\n• Use the same length to determine the length of the lower legs, including the feet.\r\n\r\nAs you gain expertise, you will come up with your own exact measurements for these segments of the body. You will see, though, that your own guidelines will not stray far from these if you are trying to draw realistic forms of women.\r\n

Poses and Gestures

\r\n\"\"If you want to do more than simply depict mannequins after you learn how to draw a woman, you should pay attention to the way that people present themselves. For example, most people do not stand exactly erect and look at you face to face. Artists typically depict their subjects in poses of some sort. They may be in profile, sitting down or even in movement.\r\n\r\nAs a beginner, this is too much to deal with right away. However, you can elaborate on your work by making small changes to the way that the person stands. Change the angle of one foot, put a slight slump in the posture or just bend the knees a little.\r\n\r\nPay attention to the arms and hands as well. Real people do not just let their arms hang straight down. A woman may put her hand on one hip, cross her arms, raise a hand to say hello or reach out to grab something. You can quickly move from drawing simple, lifeless figures to creating more lifelike women with just a few alterations in poses and gestures.\r\n

Women\'s Faces

\r\n\"\"Let\'s go back to the face. Both men and women are distinguished primarily by their faces and their expressions.\r\n\r\n• The most fundamental feature of any face is usually the eyes. Eyes can take on many shapes. This is particularly due to ethnic background but women can also use makeup to alter the appearance of their eyes. They may be round or take on a more slanted or even almond appearance. Furthermore, eyelashes may be more or less prominent. Finally, choose a color for the eyes and let your shading reflect that color.\r\n• Think of how the nose looks when you view it on another person\'s face. The bridge is not prominent when viewed from a frontal perspective. Sketch in the angles of the nose at first. Darken with additional strokes as you gain a better idea of how it appears.\r\n• The base of the nose can vary. The nostrils may be wide and flared or they may run more continuously from the bridge of the nose.\r\n• If viewing in profile, the nose becomes even more important. Is the bridge straight? Does the person have a rounded nose? Noses vary a great deal and there is no real scale that you can use to create proportional noses because they can be anywhere from large to small in comparison to the face. You will have to feel your own way with this feature.\r\n

The Many Hairstyles of Women

\r\n\"howIn general, women have a greater variety of hairstyles than men. Like men, their hair may be of all lengths but women tend to do more with what they have. This can be a challenge to draw, but it becomes easier as you learn what to look for.\r\n\r\n• Even if the woman\'s hair comes down and covers where the hairline meets the forehead, you need to know where the hairline is.\r\n• You are not going to draw every single hair on her head but you may want to go beyond just outlining a mass of hair. Use light strokes to indicate fine threads of hair and darker pencil lines to indicate thicker locks of hair.\r\n• You need to determine how long the hair is and if it hangs over her shoulders or not.\r\n• Decide if the hair will cover her ears. If not, you will have to draw the ears as well.\r\n• Do not forget that the eyelashes and eyebrows are made from hair as well. You can simply draw these in as lines or make the bristles more prominent.\r\n

Ages and Ethnicities

\r\n\"???????????????????????????????????????????????????????????????????????????\"There is a tendency on the part of beginning artists to depict young people with standard features of the people that surround them. As you become more proficient, try to add some variation to your drawings.  The women in your drawings may be older or younger. Older women may have a few more wrinkles and possibly carry a little more weight. Indicate these traits with subtle details that enhance the beauty and character of your subject. Also, drawing women of varying ethnicities will require you to adapt the shapes of faces and features in your portraits.\r\n\r\nIn order to learn how to draw a woman, you simply need a lot of practice. You should get started right away. The great thing about drawing is that no one has to see your mistakes. You can do it again and again until you get it right.','How To Draw Women That Really Look Like Women','','inherit','open','open','','968-revision-v1','','','2014-05-19 16:45:40','2014-05-19 23:45:40','',968,'http://www.letsdrawpeople.com/968-revision-v1/',0,'revision','',0),(1058,2,'2014-05-21 21:54:48','2014-05-22 04:54:48','

OUR MISSION

\r\nWelcome! At Let\'s Draw People, it is our mission to awaken the inner artist in everyday people (including YOU)...by drawing people! We believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason we do what we do is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

OUR GOAL

\r\nOur goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! Our aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating realistic pencil portraits that will amaze themselves and those they know and love.\r\n

HOW WE DO IT

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn, but life, jobs, and family got in the way, and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or you have some experience, Let\'s Draw People lets you take your skills as an aspiring portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. We have informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop, you may be able to eventually share your work on this site to have your artwork recognized and appreciated by our followers. Better yet, you may be able to become a contributing artist and author for us!\r\n

HOW WE GOT STARTED

\r\n\"selfLet\'s Draw People was founded by Jack Pearce, a guy who had a love for drawing ever since he was 3 years old and never really grew out of it. Although he loved drawing everything under the sun, Jack always had a special fascination with drawing people. The more Jack\'s skills developed, the more he wanted to focus on drawing people, especially realistic portraits in pencil (his favorite medium). Jack is NOT a professional artist. He chose to make his living in a very different career path. Even so, he has drawn many commissioned portraits for people wanting custom portrait artwork, and he still draws and sketches people in his spare time for fun.\r\n\r\nWhenever Jack does draw people, it triggers that childhood passion and desire to draw all the time. He formed Let\'s Draw People as a way to bring together others who have similar experiences, who have that wish of having the freedom to draw all day long as they so innocently did as kids. He formed Let\'s Draw People as a way to bring together aspiring portrait artists of all ability levels who want to share their knowledge and artwork, to help others enhance their skills, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people! Also, we invite you to join our growing social community on Facebook, Pinterest, and YouTube to stay up-to-date on the latest articles, tutorials, and artwork!','About Us','','inherit','open','open','','45-revision-v1','','','2014-05-21 21:54:48','2014-05-22 04:54:48','',45,'http://www.letsdrawpeople.com/45-revision-v1/',0,'revision','',0),(1059,2,'2014-05-22 20:05:03','2014-05-23 03:05:03','From time to time, LetsDrawPeople.com will endorse, promote, or suggest (via posted articles, tutorials, communications, etc.) affiliate products and/or services for sale. LetsDrawPeople.com may also regularly display banners or other links to affiliate offers along the top or bottom of its posts or pages or along the website\'s sidebar. The recommendations are based on our belief that the products and/or services will provide valuable information and/or be useful and beneficial for visitors to our website. This belief is based on LetsDrawPeople.com’s review of that product or service, its relationship with the creator or supplier, and/or previous positive experiences.\r\n\r\nLetsDrawPeople.com is an affiliate of ClickBank, a company that distributes digital informational products found on this site and through communications to our email subscribers and social media platforms.\r\n\r\nLetsDrawPeople.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.\r\n\r\nLetsDrawPeople.com is an affiliate of Art.com, PictureFrames.com, and Michaels Stores, Inc.\r\n\r\nCommissions that are credited to LetsDrawPeople.com can result from purchases you make from recommended affiliate links. We will only recommend products and services that we have researched and believe to be beneficial for our users. Users should still do their own research and make their own informed opinions before buying an affiliate product or service from a recommendation or link found on LetsDrawPeople.com.','Affiliate Disclaimer','','inherit','open','open','','517-revision-v1','','','2014-05-22 20:05:03','2014-05-23 03:05:03','',517,'http://www.letsdrawpeople.com/517-revision-v1/',0,'revision','',0),(1060,2,'2014-05-25 02:00:02','2014-05-25 09:00:02','Welcome to our gallery of self-portrait drawings! Here you can view drawings by our contributors and visitors...of themselves!\r\n\r\nSelf-portraits are some of the most intriguing types of artwork around. Often times, we as humans see ourselves or think of ourselves differently from how others perceive us. A self-portrait is exactly what the name implies. It is simply a drawing of one\'s own self.\r\n\r\nA self-portrait drawing forces an artist to create an interpretation of oneself. The artist must take a critical look in the mirror and create an image of what the rest of the world sees. At the same time, the artist finds balance and includes those unique elements and features that define who he or she is as a person.\r\n\r\nCome back to this gallery often to see the faces behind those who create our articles and tutorials, as well as the faces that make up our growing audience!\r\n\r\nIf you have your own self-portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"1026,1456,1628,1646,1663,2480\"]','Self-Portrait Drawings of Aspiring Artists','','publish','open','open','','self-portrait-drawings-of-aspiring-artists','','','2016-01-23 23:56:36','2016-01-24 07:56:36','',0,'http://www.letsdrawpeople.com/?p=1060',0,'post','',0),(1061,2,'2014-05-24 11:32:51','2014-05-24 18:32:51','Welcome to our gallery of self-portrait drawings! Here you can view drawings by our contributors and visitors...of themselves!\r\n\r\nSelf-portraits are some of the most intriguing types of artwork around. Often times, we as humans see ourselves or think of ourselves differently from how others perceive us. A self-portrait is exactly what the name implies. It is simply a drawing of one\'s own self.\r\n\r\nA self-portrait drawing forces an artist to create an interpretation of oneself. The artist must take a critical look in the mirror and create an image of what the rest of the world sees. At the same time, the artist finds balance and includes those unique elements and features that define who he or she is as a person.\r\n\r\nCome back to this gallery often to see the faces behind those who create our articles and tutorials, as well as the faces that make up our growing audience!\r\n\r\n[facebook][tweet][Google][pinterest]','Self-Portrait Drawings of Aspiring Artists','','inherit','open','open','','1060-revision-v1','','','2014-05-24 11:32:51','2014-05-24 18:32:51','',1060,'http://www.letsdrawpeople.com/1060-revision-v1/',0,'revision','',0),(1062,2,'2014-05-24 11:38:35','2014-05-24 18:38:35','Welcome to our gallery of self-portrait drawings! Here you can view drawings by our contributors and visitors...of themselves!\r\n\r\nSelf-portraits are some of the most intriguing types of artwork around. Often times, we as humans see ourselves or think of ourselves differently from how others perceive us. A self-portrait is exactly what the name implies. It is simply a drawing of one\'s own self.\r\n\r\nA self-portrait drawing forces an artist to create an interpretation of oneself. The artist must take a critical look in the mirror and create an image of what the rest of the world sees. At the same time, the artist finds balance and includes those unique elements and features that define who he or she is as a person.\r\n\r\nCome back to this gallery often to see the faces behind those who create our articles and tutorials, as well as the faces that make up our growing audience!\r\n\r\n[gallery ids=\"1026\"]','Self-Portrait Drawings of Aspiring Artists','','inherit','open','open','','1060-revision-v1','','','2014-05-24 11:38:35','2014-05-24 18:38:35','',1060,'http://www.letsdrawpeople.com/1060-revision-v1/',0,'revision','',0),(3490,2,'2017-05-17 05:19:20','2017-05-17 12:19:20','\r\n\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n

\"\"

\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. Some of the links below are affiliate links.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n
    \r\n
  • Light box
    • \r\n
  • 8\" x 10\" Bristol board paper
    • \r\n
  • Mechanical pencil
    • \r\n
  • 0.5mm 2B graphite lead
    • \r\n
  • White plastic eraser
    • \r\n
  • Kneaded eraser
    • \r\n
  • Tortillions
    • \r\n
  • Art brush
    • \r\n
  • Ruler
    • \r\n
  • Circle template
    • \r\n
\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n
    \r\n
  • Dreamstime
    • \r\n
  • Adobe Photoshop Elements
    • \r\n
  • Microsoft Word (from Microsoft Office)
    • \r\n
  • \"Ann\" reference photograph
    • \r\n
\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-17 05:19:20','2017-05-17 12:19:20','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3489,2,'2017-05-17 05:17:48','2017-05-17 12:17:48','\r\n\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n

\"\"

\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n

Materials and Resources

\r\nThe following materials and resources were introduced or used during this video session. Some of the links below are affiliate links.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n
    \r\n
  • Light box
    • \r\n
  • 8\" x 10\" Bristol board paper
    • \r\n
  • Mechanical pencil
    • \r\n
  • 0.5mm 2B graphite lead
    • \r\n
  • White plastic eraser
    • \r\n
  • Kneaded eraser
    • \r\n
  • Tortillions
    • \r\n
  • Art brush
    • \r\n
  • Ruler
    • \r\n
  • Circle template
    • \r\n
\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n
    \r\n
  • Dreamstime
    • \r\n
  • Adobe Photoshop Elements
    • \r\n
  • Microsoft Word (from Microsoft Office)
    • \r\n
  • \"Ann\" reference photograph
    • \r\n
\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-17 05:17:48','2017-05-17 12:17:48','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(1065,2,'2014-05-24 11:45:50','2014-05-24 18:45:50','Welcome to our gallery of self-portrait drawings! Here you can view drawings by our contributors and visitors...of themselves!\r\n\r\nSelf-portraits are some of the most intriguing types of artwork around. Often times, we as humans see ourselves or think of ourselves differently from how others perceive us. A self-portrait is exactly what the name implies. It is simply a drawing of one\'s own self.\r\n\r\nA self-portrait drawing forces an artist to create an interpretation of oneself. The artist must take a critical look in the mirror and create an image of what the rest of the world sees. At the same time, the artist finds balance and includes those unique elements and features that define who he or she is as a person.\r\n\r\nCome back to this gallery often to see the faces behind those who create our articles and tutorials, as well as the faces that make up our growing audience!\r\n\r\n[gallery link=\"file\" ids=\"1026\"]','Self-Portrait Drawings of Aspiring Artists','','inherit','open','open','','1060-revision-v1','','','2014-05-24 11:45:50','2014-05-24 18:45:50','',1060,'http://www.letsdrawpeople.com/1060-revision-v1/',0,'revision','',0),(3488,2,'2017-05-17 05:16:54','2017-05-17 12:16:54','\r\n\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n

\"\"

\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n

Materials and Resources

\r\nThe following materials and resources were introduced or used during this video session. Some of the links below are affiliate links.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n
    \r\n
  • Light box
    • \r\n
  • 8\" x 10\" Bristol board paper
    • \r\n
  • Mechanical pencil
    • \r\n
  • 0.5mm 2B graphite lead
    • \r\n
  • White plastic eraser
    • \r\n
  • Kneaded eraser
    • \r\n
  • Tortillions
    • \r\n
  • Art brush
    • \r\n
  • Ruler
    • \r\n
  • Circle template
    • \r\n
\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n
    \r\n
  • Dreamstime
    • \r\n
  • Adobe Photoshop Elements
    • \r\n
  • Microsoft Word (from Microsoft Office)
    • \r\n
  • \"Ann\" reference photograph
    • \r\n
\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-17 05:16:54','2017-05-17 12:16:54','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(1067,2,'2013-06-25 21:13:38','2013-06-26 04:13:38','What gives you the inspiration to try something new?\r\n\r\nIs it watching someone do something incredible or fascinating?\r\n\r\nOr, maybe it\'s looking at something already created that you find interesting or amazing. You see it and think, \"Wow, I\'d love to be able to do that!\"\r\n\r\nWhether it is learning how to do something new or trying to make something new, most people get the desire to learn a new skill after seeing it done, or modeled, by someone else.\r\n\r\nWhen it comes to drawing people, many people who do not draw that often get inspired to take up the habit after seeing works of art by other artists.\r\n\r\n\"people\r\n

Drawing Under the Influence

\r\nI can tell you from a personal standpoint that, long before I started watching people in the process of drawing, I saw completed images of drawn people everywhere. As a kid I saw them in sketch books my friends had, in books, magazines, posters, comic books, on television in the form of cartoons...you name it. I wanted to replicate those simple images of people. I remember even creating characters to my own fictitious comic book and cartoon series, writing out the story lines and drawing the characters in action poses on the pages. The artwork from these media sources influenced my own art.\r\n\r\nIt wasn\'t until I got much older that I discovered the possibilities of realistic people drawings completed in pencil. Once again, this came from stumbling across the works of other artists. Those works that I saw in books and galleries modeled the possibilities and inspired me to want to do the same. Once again, this work influenced me to create work like it...realistic pencil portraits.\r\n\r\nThe more I sketched or drew people and shared my work with family, friends, and others, the more I heard them respond that THEY would love to be able to do the same. Now my artwork was influencing theirs!\r\n\r\nJust like recording artists grow up listening to music that influence the music they eventually record, portrait artists have experience viewing artwork that influence the artwork they create.\r\n

But What If I Am Already Inspired?

\r\nI assume that if you are on this website and reading this post, then you are already inspired to draw people. So, should you still look at people drawings done by other artists? Absolutely! There is much to learn by studying the works of other artists. Regardless of the ability level of the artist whose artwork you are viewing, you can still discover something regarding technique, method, subject matter, style, etc. that can cause you to reflect on your own work. You may even get reinspired to try a new approach with your artwork!\r\n\r\nI still like to take a look at sketches and drawings of people by other artists before I make a portrait drawing of my own. I am not saying it is necessary before every drawing you make. It is a good habit to at least take some time on a regular basis to sit down and study the works of other artists.\r\n

What Should I Look For?

\r\nWhile it is nice sometimes to just sit (or stand) back and admire artwork, it is best to view portraits with a purpose in mind. This is especially true if our goal is to learn from what we see and enhance our own people drawings. The following is an assembly of just a few things to look for while looking at drawings by other artists.\r\n

Make Careful Observations

\r\nHone your powers of observation. This means real-life people watching and looking at photographs of people, as well as portrait drawings and sketches of people.\r\n\r\nWatch how people look when they are moving and when they are still. Be aware of the nuances of their movements, the changes in their faces and bodies, how they hold their hands, how they cross their legs, how their feet and arms appear when they are walking, reading, gesturing or eating, etc.\r\n\r\nMake mental notes of all the obvious and subtle differences between like facial features. How does one nose differ from another? What does an artist include in the drawing of eyes to relay character and personality? How do two different artists make unique representations of  similar hair styles? Be very mindful of the details.\r\n

Identify Techniques the Artists Used

\r\nSee if you can identify the techniques an artist used to create a particular effect. Did the artist use graphite pencil, charcoal, or mixed media? Did the artist obtain a desired effect with a simple line drawing, or were several tones used? Did the artist leave behind any signs of basic shapes, guidelines, or grid lines to help get started? Was shading accomplished with pointillism, hatching, crosshatching, or circulism? Also look for things like positioning of subjects, use of perspective, and the use of light and color. Identifying an artist\'s technique and trying to replicate it to get the same effect can do wonders for building and sharpening your own skills.\r\n

Note What You Want to Replicate - and What You Want to Avoid

\r\nAs mentioned earlier, you should view people drawings by artists with a range of abilities. Look at simple sketches and detailed portraits that cover the spectrum.\r\n\r\nOn one end of the spectrum, look at drawings done at a skill level lower than yours. It does not matter if you look at a drawing and think \"I can draw better than that.\" Don\'t approach it with that attitude. It is okay to see things done in a drawing that you want to leave out of yours. Just remember, not everything that looks like a mistake to you is actually a mistake. Sometimes artists make parts of a drawing look a certain way for a reason. Better yet, look for the positives in a drawing. Quite often I see parts of a drawing that I\'d still like to replicate, even though the artist has been drawing for far fewer years than I have.\r\n\r\nOn the other end of the spectrum, look at drawings done at a skill level above yours. Look at what you already do in a similar fashion. Then look at what you struggle with and analyze that area in the drawing. If you struggle with drawing lips that are smirking, look at a well-done drawing of a person with a smirk. How did the artist form the pencil lines and tones in an effective way? Then try to emulate at least part of the drawing for learning purposes. Your finished drawing may not match the original, but at least you are improving. Just remember this Confucius quote: \"If you shoot for the stars and hit the moon, it\'s okay.\"\r\n

Compare What You See to Your Drawing Style

\r\nIs it a clean and crisp drawing with all stray pencil marks erased, or is it a loose sketch with guidelines and stray marks still visible? Either method can be used on purpose by an artist to fit a certain style of work.\r\n\r\nLook at people drawings that match your current style AND drawings that are in a style very different from yours. Your own style may stay the same or you may find it evolving in a positive way over the years, becoming influenced by the inspiring works of fellow portrait artists.\r\n

Where to Begin Looking at People Drawings

\r\nSo as you can see, people drawings made by both beginner and experienced artists can be especially useful and informative, so use them whenever you can. Analyze them, admire them, and learn from them. You will notice your own talents improve over time as a result.\r\n\r\nThe places where you can view portrait work by other artists are too many to even begin to list. Why not begin with our own portrait galleries? It is a great starting place to view drawings of people by artists with varying levels of experience. The galleries will be updated regularly, so there will always be something new to view.\r\n\r\nIf you are interested in submitting your own drawings to an online portrait gallery of ours, click here to see how.\r\n

[table id=1 /]

','Don\'t Sketch Another Person...Before Looking at People Drawings by Other Artists','','publish','open','open','','dont-sketch-another-person-before-looking-at-people-drawings-by-other-artists','','http://www.letsdrawpeople.com/how-to-draw-faces-tips-techniques-and-short-tutorials/\nhttp://www.letsdrawpeople.com/simple-drawing-techniques-for-realistic-pencil-portraits/','2014-05-28 21:22:05','2014-05-29 04:22:05','',0,'http://www.letsdrawpeople.com/?p=1067',0,'post','',0),(1068,2,'2014-05-25 07:55:18','2014-05-25 14:55:18','The human face and figure can be a most intimidating subject. People drawings, especially portraiture, are so easy to mess up that a pretty face could appear lopsided or a portrait may look like an amateur\'s attempt at bad cartooning if the illustration is executed poorly. When it comes to human likeness, there are no shortcuts. There are only proper techniques. After all, you will not be drawing a symbol but a reproduction of an actual person, whether real or imagined.\r\n\r\nMAKE CAREFUL OBSERVATIONS\r\n\r\nIDENTIFY TECHNIQUES THE ARTISTS USED\r\n\r\nNOTE WHAT YOU WANT TO REPLICATE AND WHAT YOU WANT TO AVOID\r\n\r\nCOMPARE TO WHAT YOU ALREADY DO - YOUR CURRENT STYLE AND ABILITIES\r\n\r\nLIST OF CURRENT GALLERIES WITH LINKS TO POSTS\r\n\r\nWatch and Learn\r\n\r\nAt the beginning stages of learning how to draw, hone your powers of observation. Watch how people look when they are moving and when they are still. Be aware of the nuances of their movements, the changes in their faces and bodies, how they hold their hands, how they cross their legs, how their feet and arms appear when they are walking, reading, gesturing or eating, etc. Be mindful of the details.\r\n\r\nTo help guide you on how to illustrate people, drawings made by both beginner and experienced artists can be especially useful and informative, so use them whenever you can. Read books on portraiture and figure illustration, study paintings and sketches by other artists and apply what you have learned to your own drawing. Look for technique, positioning, perspective, shading, and the use of light and color. If you can watch an artist at work, even better. How an artist starts and fleshes out his work can be especially informative since you learn specific techniques to create particular results. Learn to observe carefully. After all, everything you need to learn as an artist is in the details.\r\n\r\n ','Don\'t Sketch Another Person Before Looking at People Drawings by Other Artists','','inherit','open','open','','1067-revision-v1','','','2014-05-25 07:55:18','2014-05-25 14:55:18','',1067,'http://www.letsdrawpeople.com/1067-revision-v1/',0,'revision','',0),(1069,2,'2014-05-26 18:04:21','2014-05-27 01:04:21','What gives you the inspiration to try something new?\r\n\r\nIs it watching someone do something incredible or fascinating?\r\n\r\nOr, maybe it\'s looking at something already created that you find interesting or amazing. You see it and think, \"Wow, I\'d love to be able to do that!\"\r\n\r\nWhether it is learning how to do something new or trying to make something new, most people get the desire to learn a new skill after seeing it done, or modeled, by someone else.\r\n\r\nWhen it comes to drawing people, most people who do not draw that often get inspired to take up the habit after seeing the works of other people.\r\n\r\nMAKE CAREFUL OBSERVATIONS\r\n\r\nIDENTIFY TECHNIQUES THE ARTISTS USED\r\n\r\nNOTE WHAT YOU WANT TO REPLICATE AND WHAT YOU WANT TO AVOID\r\n\r\nCOMPARE TO WHAT YOU ALREADY DO - YOUR CURRENT STYLE AND ABILITIES\r\n\r\nLIST OF CURRENT GALLERIES WITH LINKS TO POSTS\r\n\r\nWatch and Learn\r\n\r\nAt the beginning stages of learning how to draw, hone your powers of observation. Watch how people look when they are moving and when they are still. Be aware of the nuances of their movements, the changes in their faces and bodies, how they hold their hands, how they cross their legs, how their feet and arms appear when they are walking, reading, gesturing or eating, etc. Be mindful of the details.\r\n\r\nTo help guide you on how to illustrate people, drawings made by both beginner and experienced artists can be especially useful and informative, so use them whenever you can. Read books on portraiture and figure illustration, study paintings and sketches by other artists and apply what you have learned to your own drawing. Look for technique, positioning, perspective, shading, and the use of light and color. If you can watch an artist at work, even better. How an artist starts and fleshes out his work can be especially informative since you learn specific techniques to create particular results. Learn to observe carefully. After all, everything you need to learn as an artist is in the details.\r\n\r\n ','Don\'t Sketch Another Person...Before Looking at People Drawings by Other Artists','','inherit','open','open','','1067-revision-v1','','','2014-05-26 18:04:21','2014-05-27 01:04:21','',1067,'http://www.letsdrawpeople.com/1067-revision-v1/',0,'revision','',0),(1070,2,'2014-05-26 22:43:57','2014-05-27 05:43:57','What gives you the inspiration to try something new?\r\n\r\nIs it watching someone do something incredible or fascinating?\r\n\r\nOr, maybe it\'s looking at something already created that you find interesting or amazing. You see it and think, \"Wow, I\'d love to be able to do that!\"\r\n\r\nWhether it is learning how to do something new or trying to make something new, most people get the desire to learn a new skill after seeing it done, or modeled, by someone else.\r\n\r\nWhen it comes to drawing people, many people who do not draw that often get inspired to take up the habit after seeing works of art by other artists.\r\n

Drawing Under the Influence

\r\nI can tell you from a personal standpoint that, long before I started watching people in the process of drawing, I saw completed images of drawn people everywhere. As a kid I saw them in sketch books my friends had, in books, magazines, posters, comic books, on television in the form of cartoons...you name it. I wanted to replicate those simple images of people. I remember even creating characters to my own fictitious comic book and cartoon series, writing out the story lines and drawing the characters in action poses on the pages. The artwork from these media sources influenced my own art.\r\n\r\nIt wasn\'t until I got much older that I discovered the possibilities of realistic people drawings completed in pencil. Once again, this came from stumbling across the works of other artists. Those works that I saw in books and galleries modeled the possibilities and inspired me to want to do the same. Once again, this work influenced me to create work like it...realistic pencil portraits.\r\n\r\nThe more I sketched or drew people and shared my work with family, friends, and others, the more I heard them respond that THEY would love to be able to do the same. Now my artwork was influencing theirs!\r\n\r\nJust like a recording artist grows up listening to music that influences the music s/he eventually records, a portrait artist has experience viewing artwork that influences the artwork s/he creates.\r\n

But What If I Am Already Inspired?

\r\nI assume that if you are on this website and reading this post, then you are already inspired to draw people. So, should you still look at people drawings done by other artists? Absolutely! There is much to learn by studying the works of other artists. Regardless of the ability level of the artist whose artwork you are viewing, you can still discover something regarding technique, method, subject matter, style, etc. that can cause you to reflect on your own work. You may even get reinspired to try a new approach with your own work!\r\n\r\nI still like to take a look at sketches and drawings of people by other artists before I make a portrait drawing of my own. I am not saying it is necessary before every drawing you make. It is a good habit to at least take some time on a regular basis to sit down and study the works of other artists.\r\n\r\nMAKE CAREFUL OBSERVATIONS\r\n\r\nIDENTIFY TECHNIQUES THE ARTISTS USED\r\n\r\nNOTE WHAT YOU WANT TO REPLICATE AND WHAT YOU WANT TO AVOID\r\n\r\nCOMPARE TO WHAT YOU ALREADY DO - YOUR CURRENT STYLE AND ABILITIES\r\n\r\nLIST OF CURRENT GALLERIES WITH LINKS TO POSTS\r\n\r\nWatch and Learn\r\n\r\nAt the beginning stages of learning how to draw, hone your powers of observation. Watch how people look when they are moving and when they are still. Be aware of the nuances of their movements, the changes in their faces and bodies, how they hold their hands, how they cross their legs, how their feet and arms appear when they are walking, reading, gesturing or eating, etc. Be mindful of the details.\r\n\r\nTo help guide you on how to illustrate people, drawings made by both beginner and experienced artists can be especially useful and informative, so use them whenever you can. Read books on portraiture and figure illustration, study paintings and sketches by other artists and apply what you have learned to your own drawing. Look for technique, positioning, perspective, shading, and the use of light and color. If you can watch an artist at work, even better. How an artist starts and fleshes out his work can be especially informative since you learn specific techniques to create particular results. Learn to observe carefully. After all, everything you need to learn as an artist is in the details.\r\n\r\n ','Don\'t Sketch Another Person...Before Looking at People Drawings by Other Artists','','inherit','open','open','','1067-revision-v1','','','2014-05-26 22:43:57','2014-05-27 05:43:57','',1067,'http://www.letsdrawpeople.com/1067-revision-v1/',0,'revision','',0),(1071,2,'2014-05-27 04:43:13','2014-05-27 11:43:13','What gives you the inspiration to try something new?\r\n\r\nIs it watching someone do something incredible or fascinating?\r\n\r\nOr, maybe it\'s looking at something already created that you find interesting or amazing. You see it and think, \"Wow, I\'d love to be able to do that!\"\r\n\r\nWhether it is learning how to do something new or trying to make something new, most people get the desire to learn a new skill after seeing it done, or modeled, by someone else.\r\n\r\nWhen it comes to drawing people, many people who do not draw that often get inspired to take up the habit after seeing works of art by other artists.\r\n

Drawing Under the Influence

\r\nI can tell you from a personal standpoint that, long before I started watching people in the process of drawing, I saw completed images of drawn people everywhere. As a kid I saw them in sketch books my friends had, in books, magazines, posters, comic books, on television in the form of cartoons...you name it. I wanted to replicate those simple images of people. I remember even creating characters to my own fictitious comic book and cartoon series, writing out the story lines and drawing the characters in action poses on the pages. The artwork from these media sources influenced my own art.\r\n\r\nIt wasn\'t until I got much older that I discovered the possibilities of realistic people drawings completed in pencil. Once again, this came from stumbling across the works of other artists. Those works that I saw in books and galleries modeled the possibilities and inspired me to want to do the same. Once again, this work influenced me to create work like it...realistic pencil portraits.\r\n\r\nThe more I sketched or drew people and shared my work with family, friends, and others, the more I heard them respond that THEY would love to be able to do the same. Now my artwork was influencing theirs!\r\n\r\nJust like a recording artist grows up listening to music that influences the music s/he eventually records, a portrait artist has experience viewing artwork that influences the artwork s/he creates.\r\n

But What If I Am Already Inspired?

\r\nI assume that if you are on this website and reading this post, then you are already inspired to draw people. So, should you still look at people drawings done by other artists? Absolutely! There is much to learn by studying the works of other artists. Regardless of the ability level of the artist whose artwork you are viewing, you can still discover something regarding technique, method, subject matter, style, etc. that can cause you to reflect on your own work. You may even get reinspired to try a new approach with your artwork!\r\n\r\nI still like to take a look at sketches and drawings of people by other artists before I make a portrait drawing of my own. I am not saying it is necessary before every drawing you make. It is a good habit to at least take some time on a regular basis to sit down and study the works of other artists.\r\n

What Should I Look For?

\r\nWhile it is nice sometimes to just sit (or stand) back and admire artwork, it is best to view portraits with a purpose in mind. This is especially true if our goal is to learn from what we see and enhance our own people drawings. The following is an assembly of just a few things to look for while looking at drawings by other artists.\r\n

Make Careful Observations

\r\nHone your powers of observation. This means real-life people watching and looking at photographs of people, as well as portrait drawings and sketches of people. Watch how people look when they are moving and when they are still. Be aware of the nuances of their movements, the changes in their faces and bodies, how they hold their hands, how they cross their legs, how their feet and arms appear when they are walking, reading, gesturing or eating, etc. Make mental notes of all the obvious and subtle differences between like facial features. How does one nose differ from another? What does an artist include in the drawing of eyes to relay character and personality? How do two different artists make unique representations of  similar hair styles? Be very mindful of the details.\r\n\r\nIDENTIFY TECHNIQUES THE ARTISTS USED\r\n\r\nNOTE WHAT YOU WANT TO REPLICATE AND WHAT YOU WANT TO AVOID\r\n\r\nCOMPARE TO WHAT YOU ALREADY DO - YOUR CURRENT STYLE AND ABILITIES\r\n\r\nLIST OF CURRENT GALLERIES WITH LINKS TO POSTS\r\n\r\n \r\n\r\nTo help guide you on how to better illustrate people, drawings made by both beginner and experienced artists can be especially useful and informative, so use them whenever you can. Read books on portraiture and figure illustration, study paintings and sketches by other artists and apply what you have learned to your own drawing. Look for technique, positioning, perspective, shading, and the use of light and color. After all, everything you need to learn as an artist is in the details.\r\n\r\n ','Don\'t Sketch Another Person...Before Looking at People Drawings by Other Artists','','inherit','open','open','','1067-revision-v1','','','2014-05-27 04:43:13','2014-05-27 11:43:13','',1067,'http://www.letsdrawpeople.com/1067-revision-v1/',0,'revision','',0),(1072,2,'2014-06-05 04:05:24','0000-00-00 00:00:00','If you can watch an artist at work, even better. How an artist starts and fleshes out his work can be especially informative since you learn specific techniques to create particular results. Learn to observe carefully.','Learn to Draw People Using Drawing Videos','','draft','open','open','','','','','2014-06-05 04:05:24','2014-06-05 11:05:24','',0,'http://www.letsdrawpeople.com/?p=1072',0,'post','',0),(1073,2,'2014-05-27 04:44:28','2014-05-27 11:44:28','If you can watch an artist at work, even better. How an artist starts and fleshes out his work can be especially informative since you learn specific techniques to create particular results. Learn to observe carefully.','Learn to Draw People Using Drawing Videos','','inherit','open','open','','1072-revision-v1','','','2014-05-27 04:44:28','2014-05-27 11:44:28','',1072,'http://www.letsdrawpeople.com/1072-revision-v1/',0,'revision','',0),(1074,2,'2014-05-27 05:11:05','2014-05-27 12:11:05','What gives you the inspiration to try something new?\r\n\r\nIs it watching someone do something incredible or fascinating?\r\n\r\nOr, maybe it\'s looking at something already created that you find interesting or amazing. You see it and think, \"Wow, I\'d love to be able to do that!\"\r\n\r\nWhether it is learning how to do something new or trying to make something new, most people get the desire to learn a new skill after seeing it done, or modeled, by someone else.\r\n\r\nWhen it comes to drawing people, many people who do not draw that often get inspired to take up the habit after seeing works of art by other artists.\r\n

Drawing Under the Influence

\r\nI can tell you from a personal standpoint that, long before I started watching people in the process of drawing, I saw completed images of drawn people everywhere. As a kid I saw them in sketch books my friends had, in books, magazines, posters, comic books, on television in the form of cartoons...you name it. I wanted to replicate those simple images of people. I remember even creating characters to my own fictitious comic book and cartoon series, writing out the story lines and drawing the characters in action poses on the pages. The artwork from these media sources influenced my own art.\r\n\r\nIt wasn\'t until I got much older that I discovered the possibilities of realistic people drawings completed in pencil. Once again, this came from stumbling across the works of other artists. Those works that I saw in books and galleries modeled the possibilities and inspired me to want to do the same. Once again, this work influenced me to create work like it...realistic pencil portraits.\r\n\r\nThe more I sketched or drew people and shared my work with family, friends, and others, the more I heard them respond that THEY would love to be able to do the same. Now my artwork was influencing theirs!\r\n\r\nJust like a recording artist grows up listening to music that influences the music s/he eventually records, a portrait artist has experience viewing artwork that influences the artwork s/he creates.\r\n

But What If I Am Already Inspired?

\r\nI assume that if you are on this website and reading this post, then you are already inspired to draw people. So, should you still look at people drawings done by other artists? Absolutely! There is much to learn by studying the works of other artists. Regardless of the ability level of the artist whose artwork you are viewing, you can still discover something regarding technique, method, subject matter, style, etc. that can cause you to reflect on your own work. You may even get reinspired to try a new approach with your artwork!\r\n\r\nI still like to take a look at sketches and drawings of people by other artists before I make a portrait drawing of my own. I am not saying it is necessary before every drawing you make. It is a good habit to at least take some time on a regular basis to sit down and study the works of other artists.\r\n

What Should I Look For?

\r\nWhile it is nice sometimes to just sit (or stand) back and admire artwork, it is best to view portraits with a purpose in mind. This is especially true if our goal is to learn from what we see and enhance our own people drawings. The following is an assembly of just a few things to look for while looking at drawings by other artists.\r\n

Make Careful Observations

\r\nHone your powers of observation. This means real-life people watching and looking at photographs of people, as well as portrait drawings and sketches of people. Watch how people look when they are moving and when they are still. Be aware of the nuances of their movements, the changes in their faces and bodies, how they hold their hands, how they cross their legs, how their feet and arms appear when they are walking, reading, gesturing or eating, etc. Make mental notes of all the obvious and subtle differences between like facial features. How does one nose differ from another? What does an artist include in the drawing of eyes to relay character and personality? How do two different artists make unique representations of  similar hair styles? Be very mindful of the details.\r\n

Identify Techniques the Artists Used

\r\nSee if you can identify the techniques an artist used to create a particular effect. Did the artist use graphite pencil, charcoal, or mixed media? Did the artist obtain a desired effect with a simple line drawing, or were several tones used? Did the artist leave behind any signs of basic shapes, guidelines, or grid lines to help get started? Was shading accomplished with pointillism, hatching, crosshatching, or circulism? Also look for things like positioning of subjects, use of perspective, and the use of light and color. Identifying an artist\'s technique and trying to replicate it to get the same effect can do wonders for building and sharpening your own skills.\r\n

Note What You Want to Replicate - and What You Want to Avoid

\r\n \r\n\r\nCOMPARE TO WHAT YOU ALREADY DO - YOUR CURRENT STYLE AND ABILITIES\r\n\r\nIs it a clean and crisp drawing with all stray pencil marks erased, or is it a loose sketch with guidelines and stray marks still visible? Either method can be used on purpose by an artist to fit a certain style of work.\r\n\r\nLIST OF CURRENT GALLERIES WITH LINKS TO POSTS\r\n\r\n \r\n\r\nTo help guide you on how to better illustrate people, drawings made by both beginner and experienced artists can be especially useful and informative, so use them whenever you can. Read books on portraiture and figure illustration, study paintings and sketches by other artists and apply what you have learned to your own drawing. After all, everything you need to learn as an artist is in the details.\r\n\r\n ','Don\'t Sketch Another Person...Before Looking at People Drawings by Other Artists','','inherit','open','open','','1067-revision-v1','','','2014-05-27 05:11:05','2014-05-27 12:11:05','',1067,'http://www.letsdrawpeople.com/1067-revision-v1/',0,'revision','',0),(1075,2,'2014-05-27 06:09:06','2014-05-27 13:09:06','What gives you the inspiration to try something new?\r\n\r\nIs it watching someone do something incredible or fascinating?\r\n\r\nOr, maybe it\'s looking at something already created that you find interesting or amazing. You see it and think, \"Wow, I\'d love to be able to do that!\"\r\n\r\nWhether it is learning how to do something new or trying to make something new, most people get the desire to learn a new skill after seeing it done, or modeled, by someone else.\r\n\r\nWhen it comes to drawing people, many people who do not draw that often get inspired to take up the habit after seeing works of art by other artists.\r\n

Drawing Under the Influence

\r\nI can tell you from a personal standpoint that, long before I started watching people in the process of drawing, I saw completed images of drawn people everywhere. As a kid I saw them in sketch books my friends had, in books, magazines, posters, comic books, on television in the form of cartoons...you name it. I wanted to replicate those simple images of people. I remember even creating characters to my own fictitious comic book and cartoon series, writing out the story lines and drawing the characters in action poses on the pages. The artwork from these media sources influenced my own art.\r\n\r\nIt wasn\'t until I got much older that I discovered the possibilities of realistic people drawings completed in pencil. Once again, this came from stumbling across the works of other artists. Those works that I saw in books and galleries modeled the possibilities and inspired me to want to do the same. Once again, this work influenced me to create work like it...realistic pencil portraits.\r\n\r\nThe more I sketched or drew people and shared my work with family, friends, and others, the more I heard them respond that THEY would love to be able to do the same. Now my artwork was influencing theirs!\r\n\r\nJust like a recording artist grows up listening to music that influences the music s/he eventually records, a portrait artist has experience viewing artwork that influences the artwork s/he creates.\r\n

But What If I Am Already Inspired?

\r\nI assume that if you are on this website and reading this post, then you are already inspired to draw people. So, should you still look at people drawings done by other artists? Absolutely! There is much to learn by studying the works of other artists. Regardless of the ability level of the artist whose artwork you are viewing, you can still discover something regarding technique, method, subject matter, style, etc. that can cause you to reflect on your own work. You may even get reinspired to try a new approach with your artwork!\r\n\r\nI still like to take a look at sketches and drawings of people by other artists before I make a portrait drawing of my own. I am not saying it is necessary before every drawing you make. It is a good habit to at least take some time on a regular basis to sit down and study the works of other artists.\r\n

What Should I Look For?

\r\nWhile it is nice sometimes to just sit (or stand) back and admire artwork, it is best to view portraits with a purpose in mind. This is especially true if our goal is to learn from what we see and enhance our own people drawings. The following is an assembly of just a few things to look for while looking at drawings by other artists.\r\n

Make Careful Observations

\r\nHone your powers of observation. This means real-life people watching and looking at photographs of people, as well as portrait drawings and sketches of people.\r\n\r\nWatch how people look when they are moving and when they are still. Be aware of the nuances of their movements, the changes in their faces and bodies, how they hold their hands, how they cross their legs, how their feet and arms appear when they are walking, reading, gesturing or eating, etc.\r\n\r\nMake mental notes of all the obvious and subtle differences between like facial features. How does one nose differ from another? What does an artist include in the drawing of eyes to relay character and personality? How do two different artists make unique representations of  similar hair styles? Be very mindful of the details.\r\n

Identify Techniques the Artists Used

\r\nSee if you can identify the techniques an artist used to create a particular effect. Did the artist use graphite pencil, charcoal, or mixed media? Did the artist obtain a desired effect with a simple line drawing, or were several tones used? Did the artist leave behind any signs of basic shapes, guidelines, or grid lines to help get started? Was shading accomplished with pointillism, hatching, crosshatching, or circulism? Also look for things like positioning of subjects, use of perspective, and the use of light and color. Identifying an artist\'s technique and trying to replicate it to get the same effect can do wonders for building and sharpening your own skills.\r\n

Note What You Want to Replicate - and What You Want to Avoid

\r\nAs mentioned earlier, you should view people drawings by artists with a range of abilities. Look at simple sketches and detailed portraits that cover the spectrum.\r\n\r\nOn one end of the spectrum, look at drawings done at a skill level lower than yours. It does not matter if you look at a drawing and think \"I can draw better than that.\" Don\'t approach it with that attitude. It is okay to see things done in a drawing that you want to leave out of yours. Just remember, not everything that looks like a mistake to you is actually a mistake. Sometimes artists make parts of a drawing look a certain way for a reason. Better yet, look for the positives in a drawing. Quite often I see parts of a drawing that I\'d still like to replicate, even though the artist has been drawing for far fewer years than I have.\r\n\r\nOn the other end of the spectrum, look at drawings done at a skill level above yours. Look at what you already do in a similar fashion. Then look at what you struggle with and analyze that area in the drawing. If you struggle with drawing lips that are smirking, look at a well-done drawing of a person with a smirk. How did the artist form the pencil lines and tones in an effective way? Then try to emulate at least part of the drawing for learning purposes. Your finished drawing may not match the original, but at least you are improving. Just remember this Confucius quote: \"If you shoot for the stars and hit the moon, it\'s okay.\"\r\n

Compare What You See to Your Drawing Style

\r\nIs it a clean and crisp drawing with all stray pencil marks erased, or is it a loose sketch with guidelines and stray marks still visible? Either method can be used on purpose by an artist to fit a certain style of work.\r\n\r\nLook at people drawings that match your current style AND drawings that are in a style very different from yours. Your own style may stay the same or you may find it evolving in a positive way over the years, becoming influenced by the inspiring works of fellow portrait artists.\r\n\r\nLIST OF CURRENT GALLERIES WITH LINKS TO POSTS (RENAME)\r\n\r\nSo as you can see, drawings made by both beginner and experienced artists can be especially useful and informative, so use them whenever you can. Read books on portraiture and figure illustration, study paintings and sketches by other artists and apply what you have learned to your own drawing. After all, everything you need to learn as an artist is in the details. EDIT\r\n\r\nHOW TO SUBMIT ARTWORK TO A GALLERY\r\n\r\n ','Don\'t Sketch Another Person...Before Looking at People Drawings by Other Artists','','inherit','open','open','','1067-revision-v1','','','2014-05-27 06:09:06','2014-05-27 13:09:06','',1067,'http://www.letsdrawpeople.com/1067-revision-v1/',0,'revision','',0),(1077,2,'2014-05-27 21:26:11','2014-05-28 04:26:11','What gives you the inspiration to try something new?\r\n\r\nIs it watching someone do something incredible or fascinating?\r\n\r\nOr, maybe it\'s looking at something already created that you find interesting or amazing. You see it and think, \"Wow, I\'d love to be able to do that!\"\r\n\r\nWhether it is learning how to do something new or trying to make something new, most people get the desire to learn a new skill after seeing it done, or modeled, by someone else.\r\n\r\nWhen it comes to drawing people, many people who do not draw that often get inspired to take up the habit after seeing works of art by other artists.\r\n

Drawing Under the Influence

\r\nI can tell you from a personal standpoint that, long before I started watching people in the process of drawing, I saw completed images of drawn people everywhere. As a kid I saw them in sketch books my friends had, in books, magazines, posters, comic books, on television in the form of cartoons...you name it. I wanted to replicate those simple images of people. I remember even creating characters to my own fictitious comic book and cartoon series, writing out the story lines and drawing the characters in action poses on the pages. The artwork from these media sources influenced my own art.\r\n\r\nIt wasn\'t until I got much older that I discovered the possibilities of realistic people drawings completed in pencil. Once again, this came from stumbling across the works of other artists. Those works that I saw in books and galleries modeled the possibilities and inspired me to want to do the same. Once again, this work influenced me to create work like it...realistic pencil portraits.\r\n\r\nThe more I sketched or drew people and shared my work with family, friends, and others, the more I heard them respond that THEY would love to be able to do the same. Now my artwork was influencing theirs!\r\n\r\nJust like a recording artist grows up listening to music that influences the music s/he eventually records, a portrait artist has experience viewing artwork that influences the artwork s/he creates.\r\n

But What If I Am Already Inspired?

\r\nI assume that if you are on this website and reading this post, then you are already inspired to draw people. So, should you still look at people drawings done by other artists? Absolutely! There is much to learn by studying the works of other artists. Regardless of the ability level of the artist whose artwork you are viewing, you can still discover something regarding technique, method, subject matter, style, etc. that can cause you to reflect on your own work. You may even get reinspired to try a new approach with your artwork!\r\n\r\nI still like to take a look at sketches and drawings of people by other artists before I make a portrait drawing of my own. I am not saying it is necessary before every drawing you make. It is a good habit to at least take some time on a regular basis to sit down and study the works of other artists.\r\n

What Should I Look For?

\r\nWhile it is nice sometimes to just sit (or stand) back and admire artwork, it is best to view portraits with a purpose in mind. This is especially true if our goal is to learn from what we see and enhance our own people drawings. The following is an assembly of just a few things to look for while looking at drawings by other artists.\r\n

Make Careful Observations

\r\nHone your powers of observation. This means real-life people watching and looking at photographs of people, as well as portrait drawings and sketches of people.\r\n\r\nWatch how people look when they are moving and when they are still. Be aware of the nuances of their movements, the changes in their faces and bodies, how they hold their hands, how they cross their legs, how their feet and arms appear when they are walking, reading, gesturing or eating, etc.\r\n\r\nMake mental notes of all the obvious and subtle differences between like facial features. How does one nose differ from another? What does an artist include in the drawing of eyes to relay character and personality? How do two different artists make unique representations of  similar hair styles? Be very mindful of the details.\r\n

Identify Techniques the Artists Used

\r\nSee if you can identify the techniques an artist used to create a particular effect. Did the artist use graphite pencil, charcoal, or mixed media? Did the artist obtain a desired effect with a simple line drawing, or were several tones used? Did the artist leave behind any signs of basic shapes, guidelines, or grid lines to help get started? Was shading accomplished with pointillism, hatching, crosshatching, or circulism? Also look for things like positioning of subjects, use of perspective, and the use of light and color. Identifying an artist\'s technique and trying to replicate it to get the same effect can do wonders for building and sharpening your own skills.\r\n

Note What You Want to Replicate - and What You Want to Avoid

\r\nAs mentioned earlier, you should view people drawings by artists with a range of abilities. Look at simple sketches and detailed portraits that cover the spectrum.\r\n\r\nOn one end of the spectrum, look at drawings done at a skill level lower than yours. It does not matter if you look at a drawing and think \"I can draw better than that.\" Don\'t approach it with that attitude. It is okay to see things done in a drawing that you want to leave out of yours. Just remember, not everything that looks like a mistake to you is actually a mistake. Sometimes artists make parts of a drawing look a certain way for a reason. Better yet, look for the positives in a drawing. Quite often I see parts of a drawing that I\'d still like to replicate, even though the artist has been drawing for far fewer years than I have.\r\n\r\nOn the other end of the spectrum, look at drawings done at a skill level above yours. Look at what you already do in a similar fashion. Then look at what you struggle with and analyze that area in the drawing. If you struggle with drawing lips that are smirking, look at a well-done drawing of a person with a smirk. How did the artist form the pencil lines and tones in an effective way? Then try to emulate at least part of the drawing for learning purposes. Your finished drawing may not match the original, but at least you are improving. Just remember this Confucius quote: \"If you shoot for the stars and hit the moon, it\'s okay.\"\r\n

Compare What You See to Your Drawing Style

\r\nIs it a clean and crisp drawing with all stray pencil marks erased, or is it a loose sketch with guidelines and stray marks still visible? Either method can be used on purpose by an artist to fit a certain style of work.\r\n\r\nLook at people drawings that match your current style AND drawings that are in a style very different from yours. Your own style may stay the same or you may find it evolving in a positive way over the years, becoming influenced by the inspiring works of fellow portrait artists.\r\n

Where to Begin Looking at People Drawings

\r\nSo as you can see, people drawings made by both beginner and experienced artists can be especially useful and informative, so use them whenever you can. Analyze them, admire them, and learn from them. You will notice your own talents improve over time as a result.\r\n\r\nThe places where you can view portrait work by other artists are too many to even begin to list. Why not begin with our own portrait gallery right here on LetsDrawPeople.com? It is a great starting place to view drawings of people by artists with varying levels of experience. The galleries will be updated regularly, so there will always be something new to view.\r\n\r\nIf you are interested in submitting your own drawings to an online portrait gallery of ours, click here to see how.\r\n\r\n[gallery ids=\"652,783,763,1026\"]','Don\'t Sketch Another Person...Before Looking at People Drawings by Other Artists','','inherit','open','open','','1067-revision-v1','','','2014-05-27 21:26:11','2014-05-28 04:26:11','',1067,'http://www.letsdrawpeople.com/1067-revision-v1/',0,'revision','',0),(1244,2,'2014-07-01 08:41:00','2014-07-01 15:41:00','Drawing babies presents a unique set of challenges. There are several important distinctions between a baby\'s face and an adult\'s face.\r\n\r\nDrawing the face of a baby from a photograph may be challenging enough, but can you imagine drawing a baby from life? In the following videos from Lon Haverly and his TV series \"You Can Draw!\", he does just that.\r\n\r\n
 \r\n\r\n
While holding a puppet of Ernie from Sesame Street to keep the 8-month-old\'s attention, Lon explains that drawing a baby is all about having the fundamentals down and using simple lines.\r\n\r\nAlong with that he reminds us of some key differences between drawing babies and older people. Lon tells us the \"lines of the width of the face are really crucial\" and the eyes should be \"slightly over an eye length apart\" with very large irises.\r\n\r\nWhen I draw a person, whether it be a simple sketch or a more realistic portrait, I almost always begin with a line drawing to get the basic shapes of the facial features in place. Lon has a different approach that works out very well for him. He does begin with an outline of the face and hair. Then, rather than drawing in the features, he lightly indicates a mark to place where the eyebrows, nose, and mouth will be and uses a hatching technique to shade around these features before actually drawing them. It just goes to show you that you can use different techniques as an artist and still get good results.\r\n\r\nSo have you ever drawn a subject from real life? Have you ever drawn a squirmy subject? I suggest you watch first and then give it a try. Recruit a baby or child in your home or other relatives or friends willing to help you out with their babies.\r\n\r\nShare your experiences in the comments below!','How to Draw a Baby from Life','','publish','open','open','','how-to-draw-a-baby-from-life','','','2014-06-24 06:46:37','2014-06-24 13:46:37','',0,'http://www.letsdrawpeople.com/?p=1244',0,'post','',0); INSERT INTO `wp_posts` VALUES (1079,2,'2014-05-28 04:47:04','2014-05-28 11:47:04','What gives you the inspiration to try something new?\r\n\r\nIs it watching someone do something incredible or fascinating?\r\n\r\nOr, maybe it\'s looking at something already created that you find interesting or amazing. You see it and think, \"Wow, I\'d love to be able to do that!\"\r\n\r\nWhether it is learning how to do something new or trying to make something new, most people get the desire to learn a new skill after seeing it done, or modeled, by someone else.\r\n\r\nWhen it comes to drawing people, many people who do not draw that often get inspired to take up the habit after seeing works of art by other artists.\r\n

Drawing Under the Influence

\r\nI can tell you from a personal standpoint that, long before I started watching people in the process of drawing, I saw completed images of drawn people everywhere. As a kid I saw them in sketch books my friends had, in books, magazines, posters, comic books, on television in the form of cartoons...you name it. I wanted to replicate those simple images of people. I remember even creating characters to my own fictitious comic book and cartoon series, writing out the story lines and drawing the characters in action poses on the pages. The artwork from these media sources influenced my own art.\r\n\r\nIt wasn\'t until I got much older that I discovered the possibilities of realistic people drawings completed in pencil. Once again, this came from stumbling across the works of other artists. Those works that I saw in books and galleries modeled the possibilities and inspired me to want to do the same. Once again, this work influenced me to create work like it...realistic pencil portraits.\r\n\r\nThe more I sketched or drew people and shared my work with family, friends, and others, the more I heard them respond that THEY would love to be able to do the same. Now my artwork was influencing theirs!\r\n\r\nJust like a recording artist grows up listening to music that influences the music s/he eventually records, a portrait artist has experience viewing artwork that influences the artwork s/he creates.\r\n

But What If I Am Already Inspired?

\r\nI assume that if you are on this website and reading this post, then you are already inspired to draw people. So, should you still look at people drawings done by other artists? Absolutely! There is much to learn by studying the works of other artists. Regardless of the ability level of the artist whose artwork you are viewing, you can still discover something regarding technique, method, subject matter, style, etc. that can cause you to reflect on your own work. You may even get reinspired to try a new approach with your artwork!\r\n\r\nI still like to take a look at sketches and drawings of people by other artists before I make a portrait drawing of my own. I am not saying it is necessary before every drawing you make. It is a good habit to at least take some time on a regular basis to sit down and study the works of other artists.\r\n

What Should I Look For?

\r\nWhile it is nice sometimes to just sit (or stand) back and admire artwork, it is best to view portraits with a purpose in mind. This is especially true if our goal is to learn from what we see and enhance our own people drawings. The following is an assembly of just a few things to look for while looking at drawings by other artists.\r\n

Make Careful Observations

\r\nHone your powers of observation. This means real-life people watching and looking at photographs of people, as well as portrait drawings and sketches of people.\r\n\r\nWatch how people look when they are moving and when they are still. Be aware of the nuances of their movements, the changes in their faces and bodies, how they hold their hands, how they cross their legs, how their feet and arms appear when they are walking, reading, gesturing or eating, etc.\r\n\r\nMake mental notes of all the obvious and subtle differences between like facial features. How does one nose differ from another? What does an artist include in the drawing of eyes to relay character and personality? How do two different artists make unique representations of  similar hair styles? Be very mindful of the details.\r\n

Identify Techniques the Artists Used

\r\nSee if you can identify the techniques an artist used to create a particular effect. Did the artist use graphite pencil, charcoal, or mixed media? Did the artist obtain a desired effect with a simple line drawing, or were several tones used? Did the artist leave behind any signs of basic shapes, guidelines, or grid lines to help get started? Was shading accomplished with pointillism, hatching, crosshatching, or circulism? Also look for things like positioning of subjects, use of perspective, and the use of light and color. Identifying an artist\'s technique and trying to replicate it to get the same effect can do wonders for building and sharpening your own skills.\r\n

Note What You Want to Replicate - and What You Want to Avoid

\r\nAs mentioned earlier, you should view people drawings by artists with a range of abilities. Look at simple sketches and detailed portraits that cover the spectrum.\r\n\r\nOn one end of the spectrum, look at drawings done at a skill level lower than yours. It does not matter if you look at a drawing and think \"I can draw better than that.\" Don\'t approach it with that attitude. It is okay to see things done in a drawing that you want to leave out of yours. Just remember, not everything that looks like a mistake to you is actually a mistake. Sometimes artists make parts of a drawing look a certain way for a reason. Better yet, look for the positives in a drawing. Quite often I see parts of a drawing that I\'d still like to replicate, even though the artist has been drawing for far fewer years than I have.\r\n\r\nOn the other end of the spectrum, look at drawings done at a skill level above yours. Look at what you already do in a similar fashion. Then look at what you struggle with and analyze that area in the drawing. If you struggle with drawing lips that are smirking, look at a well-done drawing of a person with a smirk. How did the artist form the pencil lines and tones in an effective way? Then try to emulate at least part of the drawing for learning purposes. Your finished drawing may not match the original, but at least you are improving. Just remember this Confucius quote: \"If you shoot for the stars and hit the moon, it\'s okay.\"\r\n

Compare What You See to Your Drawing Style

\r\nIs it a clean and crisp drawing with all stray pencil marks erased, or is it a loose sketch with guidelines and stray marks still visible? Either method can be used on purpose by an artist to fit a certain style of work.\r\n\r\nLook at people drawings that match your current style AND drawings that are in a style very different from yours. Your own style may stay the same or you may find it evolving in a positive way over the years, becoming influenced by the inspiring works of fellow portrait artists.\r\n

Where to Begin Looking at People Drawings

\r\nSo as you can see, people drawings made by both beginner and experienced artists can be especially useful and informative, so use them whenever you can. Analyze them, admire them, and learn from them. You will notice your own talents improve over time as a result.\r\n\r\nThe places where you can view portrait work by other artists are too many to even begin to list. Why not begin with our own portrait galleries right here on LetsDrawPeople.com? It is a great starting place to view drawings of people by artists with varying levels of experience. The galleries will be updated regularly, so there will always be something new to view.\r\n\r\nIf you are interested in submitting your own drawings to an online portrait gallery of ours, click here to see how.\r\n\r\n\"Portrait','Don\'t Sketch Another Person...Before Looking at People Drawings by Other Artists','','inherit','open','open','','1067-revision-v1','','','2014-05-28 04:47:04','2014-05-28 11:47:04','',1067,'http://www.letsdrawpeople.com/1067-revision-v1/',0,'revision','',0),(1080,2,'2014-05-28 04:57:15','2014-05-28 11:57:15','What gives you the inspiration to try something new?\r\n\r\nIs it watching someone do something incredible or fascinating?\r\n\r\nOr, maybe it\'s looking at something already created that you find interesting or amazing. You see it and think, \"Wow, I\'d love to be able to do that!\"\r\n\r\nWhether it is learning how to do something new or trying to make something new, most people get the desire to learn a new skill after seeing it done, or modeled, by someone else.\r\n\r\nWhen it comes to drawing people, many people who do not draw that often get inspired to take up the habit after seeing works of art by other artists.\r\n

Drawing Under the Influence

\r\nI can tell you from a personal standpoint that, long before I started watching people in the process of drawing, I saw completed images of drawn people everywhere. As a kid I saw them in sketch books my friends had, in books, magazines, posters, comic books, on television in the form of cartoons...you name it. I wanted to replicate those simple images of people. I remember even creating characters to my own fictitious comic book and cartoon series, writing out the story lines and drawing the characters in action poses on the pages. The artwork from these media sources influenced my own art.\r\n\r\nIt wasn\'t until I got much older that I discovered the possibilities of realistic people drawings completed in pencil. Once again, this came from stumbling across the works of other artists. Those works that I saw in books and galleries modeled the possibilities and inspired me to want to do the same. Once again, this work influenced me to create work like it...realistic pencil portraits.\r\n\r\nThe more I sketched or drew people and shared my work with family, friends, and others, the more I heard them respond that THEY would love to be able to do the same. Now my artwork was influencing theirs!\r\n\r\nJust like a recording artist grows up listening to music that influences the music s/he eventually records, a portrait artist has experience viewing artwork that influences the artwork s/he creates.\r\n

But What If I Am Already Inspired?

\r\nI assume that if you are on this website and reading this post, then you are already inspired to draw people. So, should you still look at people drawings done by other artists? Absolutely! There is much to learn by studying the works of other artists. Regardless of the ability level of the artist whose artwork you are viewing, you can still discover something regarding technique, method, subject matter, style, etc. that can cause you to reflect on your own work. You may even get reinspired to try a new approach with your artwork!\r\n\r\nI still like to take a look at sketches and drawings of people by other artists before I make a portrait drawing of my own. I am not saying it is necessary before every drawing you make. It is a good habit to at least take some time on a regular basis to sit down and study the works of other artists.\r\n

What Should I Look For?

\r\nWhile it is nice sometimes to just sit (or stand) back and admire artwork, it is best to view portraits with a purpose in mind. This is especially true if our goal is to learn from what we see and enhance our own people drawings. The following is an assembly of just a few things to look for while looking at drawings by other artists.\r\n

Make Careful Observations

\r\nHone your powers of observation. This means real-life people watching and looking at photographs of people, as well as portrait drawings and sketches of people.\r\n\r\nWatch how people look when they are moving and when they are still. Be aware of the nuances of their movements, the changes in their faces and bodies, how they hold their hands, how they cross their legs, how their feet and arms appear when they are walking, reading, gesturing or eating, etc.\r\n\r\nMake mental notes of all the obvious and subtle differences between like facial features. How does one nose differ from another? What does an artist include in the drawing of eyes to relay character and personality? How do two different artists make unique representations of  similar hair styles? Be very mindful of the details.\r\n

Identify Techniques the Artists Used

\r\nSee if you can identify the techniques an artist used to create a particular effect. Did the artist use graphite pencil, charcoal, or mixed media? Did the artist obtain a desired effect with a simple line drawing, or were several tones used? Did the artist leave behind any signs of basic shapes, guidelines, or grid lines to help get started? Was shading accomplished with pointillism, hatching, crosshatching, or circulism? Also look for things like positioning of subjects, use of perspective, and the use of light and color. Identifying an artist\'s technique and trying to replicate it to get the same effect can do wonders for building and sharpening your own skills.\r\n

Note What You Want to Replicate - and What You Want to Avoid

\r\nAs mentioned earlier, you should view people drawings by artists with a range of abilities. Look at simple sketches and detailed portraits that cover the spectrum.\r\n\r\nOn one end of the spectrum, look at drawings done at a skill level lower than yours. It does not matter if you look at a drawing and think \"I can draw better than that.\" Don\'t approach it with that attitude. It is okay to see things done in a drawing that you want to leave out of yours. Just remember, not everything that looks like a mistake to you is actually a mistake. Sometimes artists make parts of a drawing look a certain way for a reason. Better yet, look for the positives in a drawing. Quite often I see parts of a drawing that I\'d still like to replicate, even though the artist has been drawing for far fewer years than I have.\r\n\r\nOn the other end of the spectrum, look at drawings done at a skill level above yours. Look at what you already do in a similar fashion. Then look at what you struggle with and analyze that area in the drawing. If you struggle with drawing lips that are smirking, look at a well-done drawing of a person with a smirk. How did the artist form the pencil lines and tones in an effective way? Then try to emulate at least part of the drawing for learning purposes. Your finished drawing may not match the original, but at least you are improving. Just remember this Confucius quote: \"If you shoot for the stars and hit the moon, it\'s okay.\"\r\n

Compare What You See to Your Drawing Style

\r\nIs it a clean and crisp drawing with all stray pencil marks erased, or is it a loose sketch with guidelines and stray marks still visible? Either method can be used on purpose by an artist to fit a certain style of work.\r\n\r\nLook at people drawings that match your current style AND drawings that are in a style very different from yours. Your own style may stay the same or you may find it evolving in a positive way over the years, becoming influenced by the inspiring works of fellow portrait artists.\r\n

Where to Begin Looking at People Drawings

\r\nSo as you can see, people drawings made by both beginner and experienced artists can be especially useful and informative, so use them whenever you can. Analyze them, admire them, and learn from them. You will notice your own talents improve over time as a result.\r\n\r\nThe places where you can view portrait work by other artists are too many to even begin to list. Why not begin with our own portrait galleries right here on LetsDrawPeople.com? It is a great starting place to view drawings of people by artists with varying levels of experience. The galleries will be updated regularly, so there will always be something new to view.\r\n\r\nIf you are interested in submitting your own drawings to an online portrait gallery of ours, click here to see how.\r\n\r\n\"Portrait\r\n\r\n\""Abe\r\n\r\n \r\n\r\n \r\n\r\n ','Don\'t Sketch Another Person...Before Looking at People Drawings by Other Artists','','inherit','open','open','','1067-revision-v1','','','2014-05-28 04:57:15','2014-05-28 11:57:15','',1067,'http://www.letsdrawpeople.com/1067-revision-v1/',0,'revision','',0),(1082,2,'2014-05-28 05:18:43','2014-05-28 12:18:43','What gives you the inspiration to try something new?\r\n\r\nIs it watching someone do something incredible or fascinating?\r\n\r\nOr, maybe it\'s looking at something already created that you find interesting or amazing. You see it and think, \"Wow, I\'d love to be able to do that!\"\r\n\r\nWhether it is learning how to do something new or trying to make something new, most people get the desire to learn a new skill after seeing it done, or modeled, by someone else.\r\n\r\nWhen it comes to drawing people, many people who do not draw that often get inspired to take up the habit after seeing works of art by other artists.\r\n

Drawing Under the Influence

\r\nI can tell you from a personal standpoint that, long before I started watching people in the process of drawing, I saw completed images of drawn people everywhere. As a kid I saw them in sketch books my friends had, in books, magazines, posters, comic books, on television in the form of cartoons...you name it. I wanted to replicate those simple images of people. I remember even creating characters to my own fictitious comic book and cartoon series, writing out the story lines and drawing the characters in action poses on the pages. The artwork from these media sources influenced my own art.\r\n\r\nIt wasn\'t until I got much older that I discovered the possibilities of realistic people drawings completed in pencil. Once again, this came from stumbling across the works of other artists. Those works that I saw in books and galleries modeled the possibilities and inspired me to want to do the same. Once again, this work influenced me to create work like it...realistic pencil portraits.\r\n\r\nThe more I sketched or drew people and shared my work with family, friends, and others, the more I heard them respond that THEY would love to be able to do the same. Now my artwork was influencing theirs!\r\n\r\nJust like a recording artist grows up listening to music that influences the music s/he eventually records, a portrait artist has experience viewing artwork that influences the artwork s/he creates.\r\n

But What If I Am Already Inspired?

\r\nI assume that if you are on this website and reading this post, then you are already inspired to draw people. So, should you still look at people drawings done by other artists? Absolutely! There is much to learn by studying the works of other artists. Regardless of the ability level of the artist whose artwork you are viewing, you can still discover something regarding technique, method, subject matter, style, etc. that can cause you to reflect on your own work. You may even get reinspired to try a new approach with your artwork!\r\n\r\nI still like to take a look at sketches and drawings of people by other artists before I make a portrait drawing of my own. I am not saying it is necessary before every drawing you make. It is a good habit to at least take some time on a regular basis to sit down and study the works of other artists.\r\n

What Should I Look For?

\r\nWhile it is nice sometimes to just sit (or stand) back and admire artwork, it is best to view portraits with a purpose in mind. This is especially true if our goal is to learn from what we see and enhance our own people drawings. The following is an assembly of just a few things to look for while looking at drawings by other artists.\r\n

Make Careful Observations

\r\nHone your powers of observation. This means real-life people watching and looking at photographs of people, as well as portrait drawings and sketches of people.\r\n\r\nWatch how people look when they are moving and when they are still. Be aware of the nuances of their movements, the changes in their faces and bodies, how they hold their hands, how they cross their legs, how their feet and arms appear when they are walking, reading, gesturing or eating, etc.\r\n\r\nMake mental notes of all the obvious and subtle differences between like facial features. How does one nose differ from another? What does an artist include in the drawing of eyes to relay character and personality? How do two different artists make unique representations of  similar hair styles? Be very mindful of the details.\r\n

Identify Techniques the Artists Used

\r\nSee if you can identify the techniques an artist used to create a particular effect. Did the artist use graphite pencil, charcoal, or mixed media? Did the artist obtain a desired effect with a simple line drawing, or were several tones used? Did the artist leave behind any signs of basic shapes, guidelines, or grid lines to help get started? Was shading accomplished with pointillism, hatching, crosshatching, or circulism? Also look for things like positioning of subjects, use of perspective, and the use of light and color. Identifying an artist\'s technique and trying to replicate it to get the same effect can do wonders for building and sharpening your own skills.\r\n

Note What You Want to Replicate - and What You Want to Avoid

\r\nAs mentioned earlier, you should view people drawings by artists with a range of abilities. Look at simple sketches and detailed portraits that cover the spectrum.\r\n\r\nOn one end of the spectrum, look at drawings done at a skill level lower than yours. It does not matter if you look at a drawing and think \"I can draw better than that.\" Don\'t approach it with that attitude. It is okay to see things done in a drawing that you want to leave out of yours. Just remember, not everything that looks like a mistake to you is actually a mistake. Sometimes artists make parts of a drawing look a certain way for a reason. Better yet, look for the positives in a drawing. Quite often I see parts of a drawing that I\'d still like to replicate, even though the artist has been drawing for far fewer years than I have.\r\n\r\nOn the other end of the spectrum, look at drawings done at a skill level above yours. Look at what you already do in a similar fashion. Then look at what you struggle with and analyze that area in the drawing. If you struggle with drawing lips that are smirking, look at a well-done drawing of a person with a smirk. How did the artist form the pencil lines and tones in an effective way? Then try to emulate at least part of the drawing for learning purposes. Your finished drawing may not match the original, but at least you are improving. Just remember this Confucius quote: \"If you shoot for the stars and hit the moon, it\'s okay.\"\r\n

Compare What You See to Your Drawing Style

\r\nIs it a clean and crisp drawing with all stray pencil marks erased, or is it a loose sketch with guidelines and stray marks still visible? Either method can be used on purpose by an artist to fit a certain style of work.\r\n\r\nLook at people drawings that match your current style AND drawings that are in a style very different from yours. Your own style may stay the same or you may find it evolving in a positive way over the years, becoming influenced by the inspiring works of fellow portrait artists.\r\n

Where to Begin Looking at People Drawings

\r\nSo as you can see, people drawings made by both beginner and experienced artists can be especially useful and informative, so use them whenever you can. Analyze them, admire them, and learn from them. You will notice your own talents improve over time as a result.\r\n\r\nThe places where you can view portrait work by other artists are too many to even begin to list. Why not begin with our own portrait galleries right here on LetsDrawPeople.com? It is a great starting place to view drawings of people by artists with varying levels of experience. The galleries will be updated regularly, so there will always be something new to view.\r\n\r\nIf you are interested in submitting your own drawings to an online portrait gallery of ours, click here to see how.\r\n\r\n \r\n\r\n ','Don\'t Sketch Another Person...Before Looking at People Drawings by Other Artists','','inherit','open','open','','1067-revision-v1','','','2014-05-28 05:18:43','2014-05-28 12:18:43','',1067,'http://www.letsdrawpeople.com/1067-revision-v1/',0,'revision','',0),(1081,2,'2014-05-28 05:15:44','2014-05-28 12:15:44','What gives you the inspiration to try something new?\r\n\r\nIs it watching someone do something incredible or fascinating?\r\n\r\nOr, maybe it\'s looking at something already created that you find interesting or amazing. You see it and think, \"Wow, I\'d love to be able to do that!\"\r\n\r\nWhether it is learning how to do something new or trying to make something new, most people get the desire to learn a new skill after seeing it done, or modeled, by someone else.\r\n\r\nWhen it comes to drawing people, many people who do not draw that often get inspired to take up the habit after seeing works of art by other artists.\r\n

Drawing Under the Influence

\r\nI can tell you from a personal standpoint that, long before I started watching people in the process of drawing, I saw completed images of drawn people everywhere. As a kid I saw them in sketch books my friends had, in books, magazines, posters, comic books, on television in the form of cartoons...you name it. I wanted to replicate those simple images of people. I remember even creating characters to my own fictitious comic book and cartoon series, writing out the story lines and drawing the characters in action poses on the pages. The artwork from these media sources influenced my own art.\r\n\r\nIt wasn\'t until I got much older that I discovered the possibilities of realistic people drawings completed in pencil. Once again, this came from stumbling across the works of other artists. Those works that I saw in books and galleries modeled the possibilities and inspired me to want to do the same. Once again, this work influenced me to create work like it...realistic pencil portraits.\r\n\r\nThe more I sketched or drew people and shared my work with family, friends, and others, the more I heard them respond that THEY would love to be able to do the same. Now my artwork was influencing theirs!\r\n\r\nJust like a recording artist grows up listening to music that influences the music s/he eventually records, a portrait artist has experience viewing artwork that influences the artwork s/he creates.\r\n

But What If I Am Already Inspired?

\r\nI assume that if you are on this website and reading this post, then you are already inspired to draw people. So, should you still look at people drawings done by other artists? Absolutely! There is much to learn by studying the works of other artists. Regardless of the ability level of the artist whose artwork you are viewing, you can still discover something regarding technique, method, subject matter, style, etc. that can cause you to reflect on your own work. You may even get reinspired to try a new approach with your artwork!\r\n\r\nI still like to take a look at sketches and drawings of people by other artists before I make a portrait drawing of my own. I am not saying it is necessary before every drawing you make. It is a good habit to at least take some time on a regular basis to sit down and study the works of other artists.\r\n

What Should I Look For?

\r\nWhile it is nice sometimes to just sit (or stand) back and admire artwork, it is best to view portraits with a purpose in mind. This is especially true if our goal is to learn from what we see and enhance our own people drawings. The following is an assembly of just a few things to look for while looking at drawings by other artists.\r\n

Make Careful Observations

\r\nHone your powers of observation. This means real-life people watching and looking at photographs of people, as well as portrait drawings and sketches of people.\r\n\r\nWatch how people look when they are moving and when they are still. Be aware of the nuances of their movements, the changes in their faces and bodies, how they hold their hands, how they cross their legs, how their feet and arms appear when they are walking, reading, gesturing or eating, etc.\r\n\r\nMake mental notes of all the obvious and subtle differences between like facial features. How does one nose differ from another? What does an artist include in the drawing of eyes to relay character and personality? How do two different artists make unique representations of  similar hair styles? Be very mindful of the details.\r\n

Identify Techniques the Artists Used

\r\nSee if you can identify the techniques an artist used to create a particular effect. Did the artist use graphite pencil, charcoal, or mixed media? Did the artist obtain a desired effect with a simple line drawing, or were several tones used? Did the artist leave behind any signs of basic shapes, guidelines, or grid lines to help get started? Was shading accomplished with pointillism, hatching, crosshatching, or circulism? Also look for things like positioning of subjects, use of perspective, and the use of light and color. Identifying an artist\'s technique and trying to replicate it to get the same effect can do wonders for building and sharpening your own skills.\r\n

Note What You Want to Replicate - and What You Want to Avoid

\r\nAs mentioned earlier, you should view people drawings by artists with a range of abilities. Look at simple sketches and detailed portraits that cover the spectrum.\r\n\r\nOn one end of the spectrum, look at drawings done at a skill level lower than yours. It does not matter if you look at a drawing and think \"I can draw better than that.\" Don\'t approach it with that attitude. It is okay to see things done in a drawing that you want to leave out of yours. Just remember, not everything that looks like a mistake to you is actually a mistake. Sometimes artists make parts of a drawing look a certain way for a reason. Better yet, look for the positives in a drawing. Quite often I see parts of a drawing that I\'d still like to replicate, even though the artist has been drawing for far fewer years than I have.\r\n\r\nOn the other end of the spectrum, look at drawings done at a skill level above yours. Look at what you already do in a similar fashion. Then look at what you struggle with and analyze that area in the drawing. If you struggle with drawing lips that are smirking, look at a well-done drawing of a person with a smirk. How did the artist form the pencil lines and tones in an effective way? Then try to emulate at least part of the drawing for learning purposes. Your finished drawing may not match the original, but at least you are improving. Just remember this Confucius quote: \"If you shoot for the stars and hit the moon, it\'s okay.\"\r\n

Compare What You See to Your Drawing Style

\r\nIs it a clean and crisp drawing with all stray pencil marks erased, or is it a loose sketch with guidelines and stray marks still visible? Either method can be used on purpose by an artist to fit a certain style of work.\r\n\r\nLook at people drawings that match your current style AND drawings that are in a style very different from yours. Your own style may stay the same or you may find it evolving in a positive way over the years, becoming influenced by the inspiring works of fellow portrait artists.\r\n

Where to Begin Looking at People Drawings

\r\nSo as you can see, people drawings made by both beginner and experienced artists can be especially useful and informative, so use them whenever you can. Analyze them, admire them, and learn from them. You will notice your own talents improve over time as a result.\r\n\r\nThe places where you can view portrait work by other artists are too many to even begin to list. Why not begin with our own portrait galleries right here on LetsDrawPeople.com? It is a great starting place to view drawings of people by artists with varying levels of experience. The galleries will be updated regularly, so there will always be something new to view.\r\n\r\nIf you are interested in submitting your own drawings to an online portrait gallery of ours, click here to see how.\r\n\r\n\"Portrait\r\n\r\n\""Abe\r\n\r\n\""Angel\r\n\r\n ','Don\'t Sketch Another Person...Before Looking at People Drawings by Other Artists','','inherit','open','open','','1067-revision-v1','','','2014-05-28 05:15:44','2014-05-28 12:15:44','',1067,'http://www.letsdrawpeople.com/1067-revision-v1/',0,'revision','',0),(1084,2,'2014-05-28 05:21:34','2014-05-28 12:21:34','[[\"[caption id=\\\"attachment_652\\\" align=\\\"aligncenter\\\" width=\\\"221\\\"]\\\"\\\"
PORTRAIT DRAWINGS OF CHILDREN<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_783\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
DRAWINGS OF WELL-KNOWN FACES<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1572\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
REALISTIC PORTRAITS<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1456\\\" align=\\\"aligncenter\\\" width=\\\"208\\\"]\\\"\\\"
SELF-PORTRAIT DRAWINGS OF ASPIRING ARTISTS<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1424\\\" align=\\\"aligncenter\\\" width=\\\"278\\\"]\\\"\\\"
PEOPLE LIVING IN A FANTASY WORLD<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1610\\\" align=\\\"aligncenter\\\" width=\\\"228\\\"]\\\"\\\"
DRAWINGS OF MODELS<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1623\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
FACIAL FEATURES<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1418\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
FAMILY DRAWINGS<\\/b><\\/center><\\/a>[\\/caption]\"]]','Portrait Galleries','','publish','closed','closed','','portrait-galleries','','','2015-12-31 17:55:58','2016-01-01 01:55:58','',0,'http://www.letsdrawpeople.com/?post_type=tablepress_table&p=1084',0,'tablepress_table','application/json',0),(1089,2,'2014-05-28 06:02:28','2014-05-28 13:02:28','What gives you the inspiration to try something new?\r\n\r\nIs it watching someone do something incredible or fascinating?\r\n\r\nOr, maybe it\'s looking at something already created that you find interesting or amazing. You see it and think, \"Wow, I\'d love to be able to do that!\"\r\n\r\nWhether it is learning how to do something new or trying to make something new, most people get the desire to learn a new skill after seeing it done, or modeled, by someone else.\r\n\r\nWhen it comes to drawing people, many people who do not draw that often get inspired to take up the habit after seeing works of art by other artists.\r\n

Drawing Under the Influence

\r\nI can tell you from a personal standpoint that, long before I started watching people in the process of drawing, I saw completed images of drawn people everywhere. As a kid I saw them in sketch books my friends had, in books, magazines, posters, comic books, on television in the form of cartoons...you name it. I wanted to replicate those simple images of people. I remember even creating characters to my own fictitious comic book and cartoon series, writing out the story lines and drawing the characters in action poses on the pages. The artwork from these media sources influenced my own art.\r\n\r\nIt wasn\'t until I got much older that I discovered the possibilities of realistic people drawings completed in pencil. Once again, this came from stumbling across the works of other artists. Those works that I saw in books and galleries modeled the possibilities and inspired me to want to do the same. Once again, this work influenced me to create work like it...realistic pencil portraits.\r\n\r\nThe more I sketched or drew people and shared my work with family, friends, and others, the more I heard them respond that THEY would love to be able to do the same. Now my artwork was influencing theirs!\r\n\r\nJust like a recording artist grows up listening to music that influences the music s/he eventually records, a portrait artist has experience viewing artwork that influences the artwork s/he creates.\r\n

But What If I Am Already Inspired?

\r\nI assume that if you are on this website and reading this post, then you are already inspired to draw people. So, should you still look at people drawings done by other artists? Absolutely! There is much to learn by studying the works of other artists. Regardless of the ability level of the artist whose artwork you are viewing, you can still discover something regarding technique, method, subject matter, style, etc. that can cause you to reflect on your own work. You may even get reinspired to try a new approach with your artwork!\r\n\r\nI still like to take a look at sketches and drawings of people by other artists before I make a portrait drawing of my own. I am not saying it is necessary before every drawing you make. It is a good habit to at least take some time on a regular basis to sit down and study the works of other artists.\r\n

What Should I Look For?

\r\nWhile it is nice sometimes to just sit (or stand) back and admire artwork, it is best to view portraits with a purpose in mind. This is especially true if our goal is to learn from what we see and enhance our own people drawings. The following is an assembly of just a few things to look for while looking at drawings by other artists.\r\n

Make Careful Observations

\r\nHone your powers of observation. This means real-life people watching and looking at photographs of people, as well as portrait drawings and sketches of people.\r\n\r\nWatch how people look when they are moving and when they are still. Be aware of the nuances of their movements, the changes in their faces and bodies, how they hold their hands, how they cross their legs, how their feet and arms appear when they are walking, reading, gesturing or eating, etc.\r\n\r\nMake mental notes of all the obvious and subtle differences between like facial features. How does one nose differ from another? What does an artist include in the drawing of eyes to relay character and personality? How do two different artists make unique representations of  similar hair styles? Be very mindful of the details.\r\n

Identify Techniques the Artists Used

\r\nSee if you can identify the techniques an artist used to create a particular effect. Did the artist use graphite pencil, charcoal, or mixed media? Did the artist obtain a desired effect with a simple line drawing, or were several tones used? Did the artist leave behind any signs of basic shapes, guidelines, or grid lines to help get started? Was shading accomplished with pointillism, hatching, crosshatching, or circulism? Also look for things like positioning of subjects, use of perspective, and the use of light and color. Identifying an artist\'s technique and trying to replicate it to get the same effect can do wonders for building and sharpening your own skills.\r\n

Note What You Want to Replicate - and What You Want to Avoid

\r\nAs mentioned earlier, you should view people drawings by artists with a range of abilities. Look at simple sketches and detailed portraits that cover the spectrum.\r\n\r\nOn one end of the spectrum, look at drawings done at a skill level lower than yours. It does not matter if you look at a drawing and think \"I can draw better than that.\" Don\'t approach it with that attitude. It is okay to see things done in a drawing that you want to leave out of yours. Just remember, not everything that looks like a mistake to you is actually a mistake. Sometimes artists make parts of a drawing look a certain way for a reason. Better yet, look for the positives in a drawing. Quite often I see parts of a drawing that I\'d still like to replicate, even though the artist has been drawing for far fewer years than I have.\r\n\r\nOn the other end of the spectrum, look at drawings done at a skill level above yours. Look at what you already do in a similar fashion. Then look at what you struggle with and analyze that area in the drawing. If you struggle with drawing lips that are smirking, look at a well-done drawing of a person with a smirk. How did the artist form the pencil lines and tones in an effective way? Then try to emulate at least part of the drawing for learning purposes. Your finished drawing may not match the original, but at least you are improving. Just remember this Confucius quote: \"If you shoot for the stars and hit the moon, it\'s okay.\"\r\n

Compare What You See to Your Drawing Style

\r\nIs it a clean and crisp drawing with all stray pencil marks erased, or is it a loose sketch with guidelines and stray marks still visible? Either method can be used on purpose by an artist to fit a certain style of work.\r\n\r\nLook at people drawings that match your current style AND drawings that are in a style very different from yours. Your own style may stay the same or you may find it evolving in a positive way over the years, becoming influenced by the inspiring works of fellow portrait artists.\r\n

Where to Begin Looking at People Drawings

\r\nSo as you can see, people drawings made by both beginner and experienced artists can be especially useful and informative, so use them whenever you can. Analyze them, admire them, and learn from them. You will notice your own talents improve over time as a result.\r\n\r\nThe places where you can view portrait work by other artists are too many to even begin to list. Why not begin with our own portrait galleries right here on LetsDrawPeople.com? It is a great starting place to view drawings of people by artists with varying levels of experience. The galleries will be updated regularly, so there will always be something new to view.\r\n\r\nIf you are interested in submitting your own drawings to an online portrait gallery of ours, click here to see how.\r\n\r\n[table id=1 /]','Don\'t Sketch Another Person...Before Looking at People Drawings by Other Artists','','inherit','open','open','','1067-revision-v1','','','2014-05-28 06:02:28','2014-05-28 13:02:28','',1067,'http://www.letsdrawpeople.com/1067-revision-v1/',0,'revision','',0),(1088,2,'2014-05-28 06:00:47','2014-05-28 13:00:47','What gives you the inspiration to try something new?\r\n\r\nIs it watching someone do something incredible or fascinating?\r\n\r\nOr, maybe it\'s looking at something already created that you find interesting or amazing. You see it and think, \"Wow, I\'d love to be able to do that!\"\r\n\r\nWhether it is learning how to do something new or trying to make something new, most people get the desire to learn a new skill after seeing it done, or modeled, by someone else.\r\n\r\nWhen it comes to drawing people, many people who do not draw that often get inspired to take up the habit after seeing works of art by other artists.\r\n

Drawing Under the Influence

\r\nI can tell you from a personal standpoint that, long before I started watching people in the process of drawing, I saw completed images of drawn people everywhere. As a kid I saw them in sketch books my friends had, in books, magazines, posters, comic books, on television in the form of cartoons...you name it. I wanted to replicate those simple images of people. I remember even creating characters to my own fictitious comic book and cartoon series, writing out the story lines and drawing the characters in action poses on the pages. The artwork from these media sources influenced my own art.\r\n\r\nIt wasn\'t until I got much older that I discovered the possibilities of realistic people drawings completed in pencil. Once again, this came from stumbling across the works of other artists. Those works that I saw in books and galleries modeled the possibilities and inspired me to want to do the same. Once again, this work influenced me to create work like it...realistic pencil portraits.\r\n\r\nThe more I sketched or drew people and shared my work with family, friends, and others, the more I heard them respond that THEY would love to be able to do the same. Now my artwork was influencing theirs!\r\n\r\nJust like a recording artist grows up listening to music that influences the music s/he eventually records, a portrait artist has experience viewing artwork that influences the artwork s/he creates.\r\n

But What If I Am Already Inspired?

\r\nI assume that if you are on this website and reading this post, then you are already inspired to draw people. So, should you still look at people drawings done by other artists? Absolutely! There is much to learn by studying the works of other artists. Regardless of the ability level of the artist whose artwork you are viewing, you can still discover something regarding technique, method, subject matter, style, etc. that can cause you to reflect on your own work. You may even get reinspired to try a new approach with your artwork!\r\n\r\nI still like to take a look at sketches and drawings of people by other artists before I make a portrait drawing of my own. I am not saying it is necessary before every drawing you make. It is a good habit to at least take some time on a regular basis to sit down and study the works of other artists.\r\n

What Should I Look For?

\r\nWhile it is nice sometimes to just sit (or stand) back and admire artwork, it is best to view portraits with a purpose in mind. This is especially true if our goal is to learn from what we see and enhance our own people drawings. The following is an assembly of just a few things to look for while looking at drawings by other artists.\r\n

Make Careful Observations

\r\nHone your powers of observation. This means real-life people watching and looking at photographs of people, as well as portrait drawings and sketches of people.\r\n\r\nWatch how people look when they are moving and when they are still. Be aware of the nuances of their movements, the changes in their faces and bodies, how they hold their hands, how they cross their legs, how their feet and arms appear when they are walking, reading, gesturing or eating, etc.\r\n\r\nMake mental notes of all the obvious and subtle differences between like facial features. How does one nose differ from another? What does an artist include in the drawing of eyes to relay character and personality? How do two different artists make unique representations of  similar hair styles? Be very mindful of the details.\r\n

Identify Techniques the Artists Used

\r\nSee if you can identify the techniques an artist used to create a particular effect. Did the artist use graphite pencil, charcoal, or mixed media? Did the artist obtain a desired effect with a simple line drawing, or were several tones used? Did the artist leave behind any signs of basic shapes, guidelines, or grid lines to help get started? Was shading accomplished with pointillism, hatching, crosshatching, or circulism? Also look for things like positioning of subjects, use of perspective, and the use of light and color. Identifying an artist\'s technique and trying to replicate it to get the same effect can do wonders for building and sharpening your own skills.\r\n

Note What You Want to Replicate - and What You Want to Avoid

\r\nAs mentioned earlier, you should view people drawings by artists with a range of abilities. Look at simple sketches and detailed portraits that cover the spectrum.\r\n\r\nOn one end of the spectrum, look at drawings done at a skill level lower than yours. It does not matter if you look at a drawing and think \"I can draw better than that.\" Don\'t approach it with that attitude. It is okay to see things done in a drawing that you want to leave out of yours. Just remember, not everything that looks like a mistake to you is actually a mistake. Sometimes artists make parts of a drawing look a certain way for a reason. Better yet, look for the positives in a drawing. Quite often I see parts of a drawing that I\'d still like to replicate, even though the artist has been drawing for far fewer years than I have.\r\n\r\nOn the other end of the spectrum, look at drawings done at a skill level above yours. Look at what you already do in a similar fashion. Then look at what you struggle with and analyze that area in the drawing. If you struggle with drawing lips that are smirking, look at a well-done drawing of a person with a smirk. How did the artist form the pencil lines and tones in an effective way? Then try to emulate at least part of the drawing for learning purposes. Your finished drawing may not match the original, but at least you are improving. Just remember this Confucius quote: \"If you shoot for the stars and hit the moon, it\'s okay.\"\r\n

Compare What You See to Your Drawing Style

\r\nIs it a clean and crisp drawing with all stray pencil marks erased, or is it a loose sketch with guidelines and stray marks still visible? Either method can be used on purpose by an artist to fit a certain style of work.\r\n\r\nLook at people drawings that match your current style AND drawings that are in a style very different from yours. Your own style may stay the same or you may find it evolving in a positive way over the years, becoming influenced by the inspiring works of fellow portrait artists.\r\n

Where to Begin Looking at People Drawings

\r\nSo as you can see, people drawings made by both beginner and experienced artists can be especially useful and informative, so use them whenever you can. Analyze them, admire them, and learn from them. You will notice your own talents improve over time as a result.\r\n\r\nThe places where you can view portrait work by other artists are too many to even begin to list. Why not begin with our own portrait galleries right here on LetsDrawPeople.com? It is a great starting place to view drawings of people by artists with varying levels of experience. The galleries will be updated regularly, so there will always be something new to view.\r\n\r\nIf you are interested in submitting your own drawings to an online portrait gallery of ours, click here to see how.\r\n\r\n<center>[table id=1 /]</center>','Don\'t Sketch Another Person...Before Looking at People Drawings by Other Artists','','inherit','open','open','','1067-revision-v1','','','2014-05-28 06:00:47','2014-05-28 13:00:47','',1067,'http://www.letsdrawpeople.com/1067-revision-v1/',0,'revision','',0),(1085,2,'2014-05-28 05:41:35','2014-05-28 12:41:35','[[\"[caption id=\\\"attachment_652\\\" align=\\\"aligncenter\\\" width=\\\"221\\\"]\\\"\\\"<\\/a> Portrait Drawings of Children[\\/caption]\",\"\",\"\",\"\"]]','Portrait Galleries','','inherit','open','open','','1084-revision-v1','','','2014-05-28 05:41:35','2014-05-28 12:41:35','',1084,'http://www.letsdrawpeople.com/1084-revision-v1/',0,'revision','',0),(1086,2,'2014-05-28 05:56:55','2014-05-28 12:56:55','[[\"[caption id=\\\"attachment_652\\\" align=\\\"aligncenter\\\" width=\\\"221\\\"]\\\"\\\"Portrait Drawings of Children<\\/a>[\\/caption]\",\"[caption id=\\\"attachment_783\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"Drawings of Well-Known Faces<\\/a>[\\/caption]\",\"[caption id=\\\"attachment_763\\\" align=\\\"aligncenter\\\" width=\\\"216\\\"]\\\"\\\"Family Drawings<\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1026\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"Self-Portrait Drawings of Aspiring Artists<\\/a>[\\/caption]\"]]','Portrait Galleries','','inherit','open','open','','1084-revision-v1','','','2014-05-28 05:56:55','2014-05-28 12:56:55','',1084,'http://www.letsdrawpeople.com/1084-revision-v1/',0,'revision','',0),(1087,2,'2014-05-28 05:59:34','2014-05-28 12:59:34','[[\"[caption id=\\\"attachment_652\\\" align=\\\"aligncenter\\\" width=\\\"221\\\"]\\\"\\\"
Portrait Drawings of Children<\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_783\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
Drawings of Well-Known Faces<\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_763\\\" align=\\\"aligncenter\\\" width=\\\"216\\\"]\\\"\\\"
Family Drawings<\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1026\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
Self-Portrait Drawings of Aspiring Artists<\\/center><\\/a>[\\/caption]\"]]','Portrait Galleries','','inherit','open','open','','1084-revision-v1','','','2014-05-28 05:59:34','2014-05-28 12:59:34','',1084,'http://www.letsdrawpeople.com/1084-revision-v1/',0,'revision','',0),(1090,2,'2014-05-28 06:08:15','2014-05-28 13:08:15','[[\"[caption id=\\\"attachment_652\\\" align=\\\"aligncenter\\\" width=\\\"221\\\"]\\\"\\\"
PORTRAIT DRAWINGS OF CHILDREN<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_783\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
DRAWINGS OF WELL-KNOWN FACES<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_763\\\" align=\\\"aligncenter\\\" width=\\\"216\\\"]\\\"\\\"
FAMILY DRAWINGS<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1026\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
SELF-PORTRAIT DRAWINGS OF ASPIRING ARTISTS<\\/b><\\/center><\\/a>[\\/caption]\"]]','Portrait Galleries','','inherit','open','open','','1084-revision-v1','','','2014-05-28 06:08:15','2014-05-28 13:08:15','',1084,'http://www.letsdrawpeople.com/1084-revision-v1/',0,'revision','',0),(1091,2,'2014-05-28 06:13:45','2014-05-28 13:13:45','What gives you the inspiration to try something new?\r\n\r\nIs it watching someone do something incredible or fascinating?\r\n\r\nOr, maybe it\'s looking at something already created that you find interesting or amazing. You see it and think, \"Wow, I\'d love to be able to do that!\"\r\n\r\nWhether it is learning how to do something new or trying to make something new, most people get the desire to learn a new skill after seeing it done, or modeled, by someone else.\r\n\r\nWhen it comes to drawing people, many people who do not draw that often get inspired to take up the habit after seeing works of art by other artists.\r\n

Drawing Under the Influence

\r\nI can tell you from a personal standpoint that, long before I started watching people in the process of drawing, I saw completed images of drawn people everywhere. As a kid I saw them in sketch books my friends had, in books, magazines, posters, comic books, on television in the form of cartoons...you name it. I wanted to replicate those simple images of people. I remember even creating characters to my own fictitious comic book and cartoon series, writing out the story lines and drawing the characters in action poses on the pages. The artwork from these media sources influenced my own art.\r\n\r\nIt wasn\'t until I got much older that I discovered the possibilities of realistic people drawings completed in pencil. Once again, this came from stumbling across the works of other artists. Those works that I saw in books and galleries modeled the possibilities and inspired me to want to do the same. Once again, this work influenced me to create work like it...realistic pencil portraits.\r\n\r\nThe more I sketched or drew people and shared my work with family, friends, and others, the more I heard them respond that THEY would love to be able to do the same. Now my artwork was influencing theirs!\r\n\r\nJust like a recording artist grows up listening to music that influences the music s/he eventually records, a portrait artist has experience viewing artwork that influences the artwork s/he creates.\r\n

But What If I Am Already Inspired?

\r\nI assume that if you are on this website and reading this post, then you are already inspired to draw people. So, should you still look at people drawings done by other artists? Absolutely! There is much to learn by studying the works of other artists. Regardless of the ability level of the artist whose artwork you are viewing, you can still discover something regarding technique, method, subject matter, style, etc. that can cause you to reflect on your own work. You may even get reinspired to try a new approach with your artwork!\r\n\r\nI still like to take a look at sketches and drawings of people by other artists before I make a portrait drawing of my own. I am not saying it is necessary before every drawing you make. It is a good habit to at least take some time on a regular basis to sit down and study the works of other artists.\r\n

What Should I Look For?

\r\nWhile it is nice sometimes to just sit (or stand) back and admire artwork, it is best to view portraits with a purpose in mind. This is especially true if our goal is to learn from what we see and enhance our own people drawings. The following is an assembly of just a few things to look for while looking at drawings by other artists.\r\n

Make Careful Observations

\r\nHone your powers of observation. This means real-life people watching and looking at photographs of people, as well as portrait drawings and sketches of people.\r\n\r\nWatch how people look when they are moving and when they are still. Be aware of the nuances of their movements, the changes in their faces and bodies, how they hold their hands, how they cross their legs, how their feet and arms appear when they are walking, reading, gesturing or eating, etc.\r\n\r\nMake mental notes of all the obvious and subtle differences between like facial features. How does one nose differ from another? What does an artist include in the drawing of eyes to relay character and personality? How do two different artists make unique representations of  similar hair styles? Be very mindful of the details.\r\n

Identify Techniques the Artists Used

\r\nSee if you can identify the techniques an artist used to create a particular effect. Did the artist use graphite pencil, charcoal, or mixed media? Did the artist obtain a desired effect with a simple line drawing, or were several tones used? Did the artist leave behind any signs of basic shapes, guidelines, or grid lines to help get started? Was shading accomplished with pointillism, hatching, crosshatching, or circulism? Also look for things like positioning of subjects, use of perspective, and the use of light and color. Identifying an artist\'s technique and trying to replicate it to get the same effect can do wonders for building and sharpening your own skills.\r\n

Note What You Want to Replicate - and What You Want to Avoid

\r\nAs mentioned earlier, you should view people drawings by artists with a range of abilities. Look at simple sketches and detailed portraits that cover the spectrum.\r\n\r\nOn one end of the spectrum, look at drawings done at a skill level lower than yours. It does not matter if you look at a drawing and think \"I can draw better than that.\" Don\'t approach it with that attitude. It is okay to see things done in a drawing that you want to leave out of yours. Just remember, not everything that looks like a mistake to you is actually a mistake. Sometimes artists make parts of a drawing look a certain way for a reason. Better yet, look for the positives in a drawing. Quite often I see parts of a drawing that I\'d still like to replicate, even though the artist has been drawing for far fewer years than I have.\r\n\r\nOn the other end of the spectrum, look at drawings done at a skill level above yours. Look at what you already do in a similar fashion. Then look at what you struggle with and analyze that area in the drawing. If you struggle with drawing lips that are smirking, look at a well-done drawing of a person with a smirk. How did the artist form the pencil lines and tones in an effective way? Then try to emulate at least part of the drawing for learning purposes. Your finished drawing may not match the original, but at least you are improving. Just remember this Confucius quote: \"If you shoot for the stars and hit the moon, it\'s okay.\"\r\n

Compare What You See to Your Drawing Style

\r\nIs it a clean and crisp drawing with all stray pencil marks erased, or is it a loose sketch with guidelines and stray marks still visible? Either method can be used on purpose by an artist to fit a certain style of work.\r\n\r\nLook at people drawings that match your current style AND drawings that are in a style very different from yours. Your own style may stay the same or you may find it evolving in a positive way over the years, becoming influenced by the inspiring works of fellow portrait artists.\r\n

Where to Begin Looking at People Drawings

\r\nSo as you can see, people drawings made by both beginner and experienced artists can be especially useful and informative, so use them whenever you can. Analyze them, admire them, and learn from them. You will notice your own talents improve over time as a result.\r\n\r\nThe places where you can view portrait work by other artists are too many to even begin to list. Why not begin with our own portrait galleries right here on LetsDrawPeople.com? It is a great starting place to view drawings of people by artists with varying levels of experience. The galleries will be updated regularly, so there will always be something new to view.\r\n\r\nIf you are interested in submitting your own drawings to an online portrait gallery of ours, click here to see how.\r\n

[table id=1 /]

','Don\'t Sketch Another Person...Before Looking at People Drawings by Other Artists','','inherit','open','open','','1067-revision-v1','','','2014-05-28 06:13:45','2014-05-28 13:13:45','',1067,'http://www.letsdrawpeople.com/1067-revision-v1/',0,'revision','',0),(1092,2,'2014-05-28 06:17:52','2014-05-28 13:17:52','What gives you the inspiration to try something new?\r\n\r\nIs it watching someone do something incredible or fascinating?\r\n\r\nOr, maybe it\'s looking at something already created that you find interesting or amazing. You see it and think, \"Wow, I\'d love to be able to do that!\"\r\n\r\nWhether it is learning how to do something new or trying to make something new, most people get the desire to learn a new skill after seeing it done, or modeled, by someone else.\r\n\r\nWhen it comes to drawing people, many people who do not draw that often get inspired to take up the habit after seeing works of art by other artists.\r\n

Drawing Under the Influence

\r\nI can tell you from a personal standpoint that, long before I started watching people in the process of drawing, I saw completed images of drawn people everywhere. As a kid I saw them in sketch books my friends had, in books, magazines, posters, comic books, on television in the form of cartoons...you name it. I wanted to replicate those simple images of people. I remember even creating characters to my own fictitious comic book and cartoon series, writing out the story lines and drawing the characters in action poses on the pages. The artwork from these media sources influenced my own art.\r\n\r\nIt wasn\'t until I got much older that I discovered the possibilities of realistic people drawings completed in pencil. Once again, this came from stumbling across the works of other artists. Those works that I saw in books and galleries modeled the possibilities and inspired me to want to do the same. Once again, this work influenced me to create work like it...realistic pencil portraits.\r\n\r\nThe more I sketched or drew people and shared my work with family, friends, and others, the more I heard them respond that THEY would love to be able to do the same. Now my artwork was influencing theirs!\r\n\r\nJust like a recording artist grows up listening to music that influences the music s/he eventually records, a portrait artist has experience viewing artwork that influences the artwork s/he creates.\r\n

But What If I Am Already Inspired?

\r\nI assume that if you are on this website and reading this post, then you are already inspired to draw people. So, should you still look at people drawings done by other artists? Absolutely! There is much to learn by studying the works of other artists. Regardless of the ability level of the artist whose artwork you are viewing, you can still discover something regarding technique, method, subject matter, style, etc. that can cause you to reflect on your own work. You may even get reinspired to try a new approach with your artwork!\r\n\r\nI still like to take a look at sketches and drawings of people by other artists before I make a portrait drawing of my own. I am not saying it is necessary before every drawing you make. It is a good habit to at least take some time on a regular basis to sit down and study the works of other artists.\r\n

What Should I Look For?

\r\nWhile it is nice sometimes to just sit (or stand) back and admire artwork, it is best to view portraits with a purpose in mind. This is especially true if our goal is to learn from what we see and enhance our own people drawings. The following is an assembly of just a few things to look for while looking at drawings by other artists.\r\n

Make Careful Observations

\r\nHone your powers of observation. This means real-life people watching and looking at photographs of people, as well as portrait drawings and sketches of people.\r\n\r\nWatch how people look when they are moving and when they are still. Be aware of the nuances of their movements, the changes in their faces and bodies, how they hold their hands, how they cross their legs, how their feet and arms appear when they are walking, reading, gesturing or eating, etc.\r\n\r\nMake mental notes of all the obvious and subtle differences between like facial features. How does one nose differ from another? What does an artist include in the drawing of eyes to relay character and personality? How do two different artists make unique representations of  similar hair styles? Be very mindful of the details.\r\n

Identify Techniques the Artists Used

\r\nSee if you can identify the techniques an artist used to create a particular effect. Did the artist use graphite pencil, charcoal, or mixed media? Did the artist obtain a desired effect with a simple line drawing, or were several tones used? Did the artist leave behind any signs of basic shapes, guidelines, or grid lines to help get started? Was shading accomplished with pointillism, hatching, crosshatching, or circulism? Also look for things like positioning of subjects, use of perspective, and the use of light and color. Identifying an artist\'s technique and trying to replicate it to get the same effect can do wonders for building and sharpening your own skills.\r\n

Note What You Want to Replicate - and What You Want to Avoid

\r\nAs mentioned earlier, you should view people drawings by artists with a range of abilities. Look at simple sketches and detailed portraits that cover the spectrum.\r\n\r\nOn one end of the spectrum, look at drawings done at a skill level lower than yours. It does not matter if you look at a drawing and think \"I can draw better than that.\" Don\'t approach it with that attitude. It is okay to see things done in a drawing that you want to leave out of yours. Just remember, not everything that looks like a mistake to you is actually a mistake. Sometimes artists make parts of a drawing look a certain way for a reason. Better yet, look for the positives in a drawing. Quite often I see parts of a drawing that I\'d still like to replicate, even though the artist has been drawing for far fewer years than I have.\r\n\r\nOn the other end of the spectrum, look at drawings done at a skill level above yours. Look at what you already do in a similar fashion. Then look at what you struggle with and analyze that area in the drawing. If you struggle with drawing lips that are smirking, look at a well-done drawing of a person with a smirk. How did the artist form the pencil lines and tones in an effective way? Then try to emulate at least part of the drawing for learning purposes. Your finished drawing may not match the original, but at least you are improving. Just remember this Confucius quote: \"If you shoot for the stars and hit the moon, it\'s okay.\"\r\n

Compare What You See to Your Drawing Style

\r\nIs it a clean and crisp drawing with all stray pencil marks erased, or is it a loose sketch with guidelines and stray marks still visible? Either method can be used on purpose by an artist to fit a certain style of work.\r\n\r\nLook at people drawings that match your current style AND drawings that are in a style very different from yours. Your own style may stay the same or you may find it evolving in a positive way over the years, becoming influenced by the inspiring works of fellow portrait artists.\r\n

Where to Begin Looking at People Drawings

\r\nSo as you can see, people drawings made by both beginner and experienced artists can be especially useful and informative, so use them whenever you can. Analyze them, admire them, and learn from them. You will notice your own talents improve over time as a result.\r\n\r\nThe places where you can view portrait work by other artists are too many to even begin to list. Why not begin with our own portrait galleries? It is a great starting place to view drawings of people by artists with varying levels of experience. The galleries will be updated regularly, so there will always be something new to view.\r\n\r\nIf you are interested in submitting your own drawings to an online portrait gallery of ours, click here to see how.\r\n

[table id=1 /]

','Don\'t Sketch Another Person...Before Looking at People Drawings by Other Artists','','inherit','open','open','','1067-revision-v1','','','2014-05-28 06:17:52','2014-05-28 13:17:52','',1067,'http://www.letsdrawpeople.com/1067-revision-v1/',0,'revision','',0),(1094,2,'2014-05-28 20:39:58','2014-05-29 03:39:58','HOW TO SHARE YOUR WORK','Share Your Work','','inherit','open','open','','1093-revision-v1','','','2014-05-28 20:39:58','2014-05-29 03:39:58','',1093,'http://www.letsdrawpeople.com/1093-revision-v1/',0,'revision','',0),(1095,2,'2013-07-28 15:38:46','2013-07-28 22:38:46','For whatever reason, the link you clicked on or the web address you are trying to reach has led you here...to our 404 Page Not Found notice.\r\n\r\nBut that\'s okay! We have some suggestions to help you find what you are looking for.\r\n\r\nFirst of all, you can try our home page. It gives you a glimpse of some of the many informative people-drawing tips and tutorials throughout our site.\r\n\r\nAlternatively, use our navigation menu up top or one or the links at the right to browse tags and recent posts on how to draw people. We also have a search box in the upper-right corner of the website that might come in handy.\r\n\r\nIf all else fails, just contact us and let us know how to help. We will do whatever we can to fix the problem or steer you in the right direction!','Sorry...The Page You Are Looking For Isn\'t Here','','inherit','open','open','','686-revision-v1','','','2013-07-28 15:38:46','2013-07-28 22:38:46','',686,'http://www.letsdrawpeople.com/686-revision-v1/',0,'revision','',0),(1096,2,'2014-05-28 20:42:08','2014-05-29 03:42:08','For whatever reason, the link you clicked on or the web address you are trying to reach has led you here...to our 404 Page Not Found notice.\r\n\r\nBut that\'s okay! We have some suggestions to help you find what you are looking for.\r\n\r\nFirst of all, you can try our home page. It gives you a glimpse of some of the many informative people-drawing tips and tutorials throughout our site.\r\n\r\nAlternatively, use our navigation menu up top or one or the links at the right to browse recent posts on how to draw people. We also have a search box in the upper-right corner of the website that might come in handy.\r\n\r\nIf all else fails, just contact us and let us know how to help. We will do whatever we can to fix the problem or steer you in the right direction!','Sorry...The Page You Are Looking For Isn\'t Here','','inherit','open','open','','686-revision-v1','','','2014-05-28 20:42:08','2014-05-29 03:42:08','',686,'http://www.letsdrawpeople.com/686-revision-v1/',0,'revision','',0),(3523,2,'2017-05-21 18:51:56','2017-05-22 01:51:56',' ','','','publish','closed','closed','','3523','','','2017-08-02 04:49:08','2017-08-02 11:49:08','',286,'http://www.letsdrawpeople.com/?p=3523',3,'nav_menu_item','',0),(1098,2,'2014-05-28 21:10:08','2014-05-29 04:10:08','','people drawing','','inherit','open','open','','portrait-gallery-with-pic','','','2014-05-28 21:10:08','2014-05-29 04:10:08','',1067,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/portrait-gallery-with-pic.jpg',0,'attachment','image/jpeg',0),(1099,2,'2014-05-28 21:11:09','2014-05-29 04:11:09','What gives you the inspiration to try something new?\r\n\r\nIs it watching someone do something incredible or fascinating?\r\n\r\nOr, maybe it\'s looking at something already created that you find interesting or amazing. You see it and think, \"Wow, I\'d love to be able to do that!\"\r\n\r\nWhether it is learning how to do something new or trying to make something new, most people get the desire to learn a new skill after seeing it done, or modeled, by someone else.\r\n\r\nWhen it comes to drawing people, many people who do not draw that often get inspired to take up the habit after seeing works of art by other artists.\r\n\r\n\"people\r\n

Drawing Under the Influence

\r\nI can tell you from a personal standpoint that, long before I started watching people in the process of drawing, I saw completed images of drawn people everywhere. As a kid I saw them in sketch books my friends had, in books, magazines, posters, comic books, on television in the form of cartoons...you name it. I wanted to replicate those simple images of people. I remember even creating characters to my own fictitious comic book and cartoon series, writing out the story lines and drawing the characters in action poses on the pages. The artwork from these media sources influenced my own art.\r\n\r\nIt wasn\'t until I got much older that I discovered the possibilities of realistic people drawings completed in pencil. Once again, this came from stumbling across the works of other artists. Those works that I saw in books and galleries modeled the possibilities and inspired me to want to do the same. Once again, this work influenced me to create work like it...realistic pencil portraits.\r\n\r\nThe more I sketched or drew people and shared my work with family, friends, and others, the more I heard them respond that THEY would love to be able to do the same. Now my artwork was influencing theirs!\r\n\r\nJust like recording artists grow up listening to music that influence the music they eventually record, portrait artists have experience viewing artwork that influence the artwork they create.\r\n

But What If I Am Already Inspired?

\r\nI assume that if you are on this website and reading this post, then you are already inspired to draw people. So, should you still look at people drawings done by other artists? Absolutely! There is much to learn by studying the works of other artists. Regardless of the ability level of the artist whose artwork you are viewing, you can still discover something regarding technique, method, subject matter, style, etc. that can cause you to reflect on your own work. You may even get reinspired to try a new approach with your artwork!\r\n\r\nI still like to take a look at sketches and drawings of people by other artists before I make a portrait drawing of my own. I am not saying it is necessary before every drawing you make. It is a good habit to at least take some time on a regular basis to sit down and study the works of other artists.\r\n

What Should I Look For?

\r\nWhile it is nice sometimes to just sit (or stand) back and admire artwork, it is best to view portraits with a purpose in mind. This is especially true if our goal is to learn from what we see and enhance our own people drawings. The following is an assembly of just a few things to look for while looking at drawings by other artists.\r\n

Make Careful Observations

\r\nHone your powers of observation. This means real-life people watching and looking at photographs of people, as well as portrait drawings and sketches of people.\r\n\r\nWatch how people look when they are moving and when they are still. Be aware of the nuances of their movements, the changes in their faces and bodies, how they hold their hands, how they cross their legs, how their feet and arms appear when they are walking, reading, gesturing or eating, etc.\r\n\r\nMake mental notes of all the obvious and subtle differences between like facial features. How does one nose differ from another? What does an artist include in the drawing of eyes to relay character and personality? How do two different artists make unique representations of  similar hair styles? Be very mindful of the details.\r\n

Identify Techniques the Artists Used

\r\nSee if you can identify the techniques an artist used to create a particular effect. Did the artist use graphite pencil, charcoal, or mixed media? Did the artist obtain a desired effect with a simple line drawing, or were several tones used? Did the artist leave behind any signs of basic shapes, guidelines, or grid lines to help get started? Was shading accomplished with pointillism, hatching, crosshatching, or circulism? Also look for things like positioning of subjects, use of perspective, and the use of light and color. Identifying an artist\'s technique and trying to replicate it to get the same effect can do wonders for building and sharpening your own skills.\r\n

Note What You Want to Replicate - and What You Want to Avoid

\r\nAs mentioned earlier, you should view people drawings by artists with a range of abilities. Look at simple sketches and detailed portraits that cover the spectrum.\r\n\r\nOn one end of the spectrum, look at drawings done at a skill level lower than yours. It does not matter if you look at a drawing and think \"I can draw better than that.\" Don\'t approach it with that attitude. It is okay to see things done in a drawing that you want to leave out of yours. Just remember, not everything that looks like a mistake to you is actually a mistake. Sometimes artists make parts of a drawing look a certain way for a reason. Better yet, look for the positives in a drawing. Quite often I see parts of a drawing that I\'d still like to replicate, even though the artist has been drawing for far fewer years than I have.\r\n\r\nOn the other end of the spectrum, look at drawings done at a skill level above yours. Look at what you already do in a similar fashion. Then look at what you struggle with and analyze that area in the drawing. If you struggle with drawing lips that are smirking, look at a well-done drawing of a person with a smirk. How did the artist form the pencil lines and tones in an effective way? Then try to emulate at least part of the drawing for learning purposes. Your finished drawing may not match the original, but at least you are improving. Just remember this Confucius quote: \"If you shoot for the stars and hit the moon, it\'s okay.\"\r\n

Compare What You See to Your Drawing Style

\r\nIs it a clean and crisp drawing with all stray pencil marks erased, or is it a loose sketch with guidelines and stray marks still visible? Either method can be used on purpose by an artist to fit a certain style of work.\r\n\r\nLook at people drawings that match your current style AND drawings that are in a style very different from yours. Your own style may stay the same or you may find it evolving in a positive way over the years, becoming influenced by the inspiring works of fellow portrait artists.\r\n

Where to Begin Looking at People Drawings

\r\nSo as you can see, people drawings made by both beginner and experienced artists can be especially useful and informative, so use them whenever you can. Analyze them, admire them, and learn from them. You will notice your own talents improve over time as a result.\r\n\r\nThe places where you can view portrait work by other artists are too many to even begin to list. Why not begin with our own portrait galleries? It is a great starting place to view drawings of people by artists with varying levels of experience. The galleries will be updated regularly, so there will always be something new to view.\r\n\r\nIf you are interested in submitting your own drawings to an online portrait gallery of ours, click here to see how.\r\n

[table id=1 /]

','Don\'t Sketch Another Person...Before Looking at People Drawings by Other Artists','','inherit','open','open','','1067-revision-v1','','','2014-05-28 21:11:09','2014-05-29 04:11:09','',1067,'http://www.letsdrawpeople.com/1067-revision-v1/',0,'revision','',0),(1100,2,'2014-05-28 21:30:41','2014-05-29 04:30:41','

OUR MISSION

\r\nWelcome! At Let\'s Draw People, it is our mission to awaken the inner artist in everyday people (including YOU)...by drawing people! We believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason we do what we do is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

OUR GOAL

\r\nOur goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! Our aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating realistic pencil portraits that will amaze themselves and those they know and love.\r\n

HOW WE DO IT

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn, but life, jobs, and family got in the way, and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or you have some experience, Let\'s Draw People lets you take your skills as an aspiring portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. We have informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop, you may be able to eventually share your work on this site to have your artwork recognized and appreciated by our followers. Better yet, you may be able to become a contributing artist and author for us!\r\n

HOW WE GOT STARTED

\r\n\"selfLet\'s Draw People was founded by Jack Pearce, a guy who had a love for drawing ever since he was 3 years old and never really grew out of it. Although he loved drawing everything under the sun, Jack always had a special fascination with drawing people. The more Jack\'s skills developed, the more he wanted to focus on drawing people, especially realistic portraits in pencil (his favorite medium). Jack is NOT a professional artist. He chose to make his living in a very different career path. Even so, he has drawn many commissioned portraits for people wanting custom portrait artwork, and he still draws and sketches people in his spare time for fun.\r\n\r\nWhenever Jack does draw people, it triggers that childhood passion and desire to draw all the time. He formed Let\'s Draw People as a way to bring together others who have similar experiences, who have that wish of having the freedom to draw all day long as they so innocently did as kids. He formed Let\'s Draw People as a way to bring together aspiring portrait artists of all ability levels who want to share their knowledge and artwork, to help others enhance their skills, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people! Also, we invite you to join our growing social community on Facebook, Pinterest, and YouTube to stay up-to-date on the latest articles, tutorials, and artwork!','About Us','','inherit','open','open','','45-revision-v1','','','2014-05-28 21:30:41','2014-05-29 04:30:41','',45,'http://www.letsdrawpeople.com/45-revision-v1/',0,'revision','',0),(1101,2,'2014-05-29 05:08:48','2014-05-29 12:08:48','HOW TO SHARE YOUR WORK\r\n\r\n[nform id=\'4\']','Share Your Work','','inherit','open','open','','1093-revision-v1','','','2014-05-29 05:08:48','2014-05-29 12:08:48','',1093,'http://www.letsdrawpeople.com/1093-revision-v1/',0,'revision','',0),(1102,2,'2014-05-30 05:48:40','2014-05-30 12:48:40','

OUR MISSION

\r\nWelcome! At Let\'s Draw People, it is our mission to awaken the inner artist in everyday people (including YOU)...by drawing people! We believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason we do what we do is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

OUR GOAL

\r\nOur goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! Our aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating realistic pencil portraits that will amaze themselves and those they know and love.\r\n

HOW WE DO IT

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn, but life, jobs, and family got in the way, and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or you have some experience, Let\'s Draw People lets you take your skills as an aspiring portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. We have informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop and your confidence builds, you may be able to share your work on this site to have your artwork recognized and appreciated by our followers. Better yet, you may be able to become a contributing artist and author for us!\r\n

HOW WE GOT STARTED

\r\n\"selfLet\'s Draw People was founded by Jack Pearce, a guy who had a love for drawing ever since he was 3 years old and never really grew out of it. Although he loved drawing everything under the sun, Jack always had a special fascination with drawing people. The more Jack\'s skills developed, the more he wanted to focus on drawing people, especially realistic portraits in pencil (his favorite medium). Jack is NOT a professional artist. He chose to make his living in a very different career path. Even so, he has drawn many commissioned portraits for people wanting custom portrait artwork, and he still draws and sketches people in his spare time for fun.\r\n\r\nWhenever Jack does draw people, it triggers that childhood passion and desire to draw all the time. He formed Let\'s Draw People as a way to bring together others who have similar experiences, who have that wish of having the freedom to draw all day long as they so innocently did as kids. He formed Let\'s Draw People as a way to bring together aspiring portrait artists of all ability levels who want to share their knowledge and artwork, to help others enhance their skills, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people! Also, we invite you to join our growing social community on Facebook, Pinterest, and YouTube to stay up-to-date on the latest articles, tutorials, and artwork!','About Us','','inherit','open','open','','45-revision-v1','','','2014-05-30 05:48:40','2014-05-30 12:48:40','',45,'http://www.letsdrawpeople.com/45-revision-v1/',0,'revision','',0),(1104,2,'2014-05-30 06:06:23','2014-05-30 13:06:23','

Did you create a portrait drawing that you are very proud of? Would it be a perfect fit for one of the portrait galleries below?

\r\n

[table id=1 /]

\r\nOr, would it fit well in a new portrait gallery that you could suggest?\r\n\r\nIf you made an awesome drawing of a person or people, then you should submit your drawing to us for placement in a portrait gallery!\r\n\r\nyou must be the artist that personally created the work. you cannot submit something drawn by someone else\r\n\r\noriginal work or work created by you with the help of a tutorial\r\n\r\n \r\n\r\nother requirements are listed on the submission form below\r\n\r\n \r\n

[nform id=\'4\']

','Share Your Work in a Portrait Gallery!','','inherit','open','open','','1093-revision-v1','','','2014-05-30 06:06:23','2014-05-30 13:06:23','',1093,'http://www.letsdrawpeople.com/1093-revision-v1/',0,'revision','',0),(1105,2,'2014-05-30 06:40:41','2014-05-30 13:40:41','

Did you create a portrait drawing that you are very proud of? Would it be a perfect fit for one of the portrait galleries below?

\r\n

[table id=1 /]

\r\nOr, would it fit well in a new portrait gallery that you could suggest?\r\n\r\nIf you made an awesome drawing of a person or people, then you should submit your drawing to us for placement in a portrait gallery!\r\n\r\nwe choose one daily drawing at random to be added to a gallery. We choose from artwork submitted to our site within the last 30 days. \r\n\r\nWe will notify you by email if your drawing is selected. We will also post your drawing on our Facebook page.\r\n\r\nDrawings and files must meet our specifications in order to be considered. \r\n
    \r\n
  • you must be the artist that personally created the work. you cannot submit something drawn by someone else
    • \r\n
  • original work or work created by you with the help of a tutorial
    • \r\n
  • other requirements are listed on the submission form below
    • \r\n
\r\n

 [nform id=\'4\']

','Share Your Work in a Portrait Gallery!','','inherit','open','open','','1093-revision-v1','','','2014-05-30 06:40:41','2014-05-30 13:40:41','',1093,'http://www.letsdrawpeople.com/1093-revision-v1/',0,'revision','',0),(1106,2,'2014-05-30 22:40:18','2014-05-31 05:40:18','

Did you create a portrait drawing that you are very proud of? Would it be a perfect fit for one of the portrait galleries below?

\r\n

[table id=1 /]

\r\nOr, would it fit well in a new portrait gallery that you could suggest?\r\n\r\nIf you made an awesome drawing of a person or people, then you should submit your drawing to us for placement in a portrait gallery!\r\n\r\nAs long as we have a selection of drawings, we choose one daily drawing at random to be added to a gallery. We choose from artwork submitted to our site within the last 30 days. \r\n\r\nWe will notify you by email if your drawing is selected. We will also post your drawing on our Facebook page.\r\n\r\nDrawings and files must meet our specifications in order to be considered:\r\n
    \r\n
  1. You must be the artist that personally created the work. You cannot submit something drawn by someone else.
    2. \r\n
  2. Only submit original work or work created by you with the help of a tutorial.
    3. \r\n
  3. Submit work that was hand-drawn with pencil or a similar medium, not painted or done primarily with computer software.
    4. \r\n
  4. The length (longest part) of an image should be between 400 (minimum) and 800 (maximum) pixels.
    5. \r\n
\r\nOther requirements are listed on the submission form below.\r\n

 [nform id=\'4\']

','Share Your Work in a Portrait Gallery!','','inherit','open','open','','1093-revision-v1','','','2014-05-30 22:40:18','2014-05-31 05:40:18','',1093,'http://www.letsdrawpeople.com/1093-revision-v1/',0,'revision','',0),(1107,2,'2014-05-30 22:47:34','2014-05-31 05:47:34','

Did you create a portrait drawing that you are very proud of? Would it be a perfect fit for one of the portrait galleries below?

\r\n

[table id=1 /]

\r\nOr, would it fit well in a new portrait gallery that you could suggest?\r\n\r\nIf you made an awesome drawing of a person or people, then you should submit your drawing to us for placement in a portrait gallery!\r\n\r\nAs long as we have a selection of drawings, we choose one daily drawing at random to be added to a gallery. We choose from artwork submitted to our site within the last 30 days. \r\n\r\nWe will notify you by email if your drawing is selected. We will also post your drawing on our Facebook page.\r\n\r\nDrawings and files must meet our specifications in order to be considered:\r\n
    \r\n
  1. You must be the artist that personally created the work. You cannot submit something drawn by someone else.
    2. \r\n
  2. Only submit original work or work created by you with the help of a tutorial.
    3. \r\n
  3. Submit work that was drawn by hand with pencil or a similar medium, not painted or done primarily with computer software.
    4. \r\n
  4. The length (longest part) of an image should be between 400 (minimum) and 800 (maximum) pixels.
    5. \r\n
\r\nOther requirements are listed on the submission form below.\r\n

 [nform id=\'4\']

','Share Your Work in a Portrait Gallery!','','inherit','open','open','','1093-revision-v1','','','2014-05-30 22:47:34','2014-05-31 05:47:34','',1093,'http://www.letsdrawpeople.com/1093-revision-v1/',0,'revision','',0),(1109,2,'2014-05-30 23:26:30','2014-05-31 06:26:30','

Did you create a portrait drawing that you are very proud of? Would it be a perfect fit for one of the portrait galleries below?

\r\n

[table id=1 /]

\r\nOr, would it fit well in a new portrait gallery that you could suggest?\r\n\r\nIf you made an awesome drawing of a person or people, then you should submit your drawing to us for placement in a portrait gallery!\r\n\r\nAs long as we have a selection of drawings, we choose one daily drawing at random to be added to a gallery. We choose from artwork submitted to our site within the last 30 days. \r\n\r\nWe will notify you by email if your drawing is selected. We will also post your drawing on our Facebook page.\r\n\r\nDrawings and files must meet our specifications in order to be considered:\r\n
    \r\n
  1. You must be the artist that personally created the work. You cannot submit something drawn by someone else.
    2. \r\n
  2. Only submit original work or work created by you with the help of a tutorial.
    3. \r\n
  3. Submit work that was drawn by hand with pencil or a similar medium, not painted or done primarily with computer software.
    4. \r\n
  4. The length (longest part) of an image should be between 300 (minimum) and 800 (maximum) pixels.
    5. \r\n
\r\nOther requirements are listed on the submission form below.\r\n

 [nform id=\'4\']

','Share Your Work in a Portrait Gallery!','','inherit','open','open','','1093-revision-v1','','','2014-05-30 23:26:30','2014-05-31 06:26:30','',1093,'http://www.letsdrawpeople.com/1093-revision-v1/',0,'revision','',0),(1110,2,'2014-05-31 09:34:52','2014-05-31 16:34:52','

Did you create a portrait drawing that you are very proud of? Would it be a perfect fit for one of the portrait galleries below?

\r\n

[table id=1 /]

\r\nOr, would it fit well in a new portrait gallery that you could suggest?\r\n\r\nIf you made an awesome drawing of a person or people, then you should submit your drawing to us for placement in a portrait gallery!\r\n\r\nAs long as we have a selection of drawings, we choose one daily drawing at random to be added to a gallery. We choose from artwork submitted to our site within the last 30 days. \r\n\r\nWe will notify you by email if your drawing is selected. We will also post your drawing on our Facebook page!\r\n\r\nDrawings and files must meet our specifications in order to be considered:\r\n
    \r\n
  1. You must be the artist that personally created the work. You cannot submit something drawn by someone else.
    2. \r\n
  2. Only submit original work or work created by you with the help of a tutorial.
    3. \r\n
  3. Submit work that was drawn by hand with pencil or a similar medium, not painted or done primarily with computer software.
    4. \r\n
  4. The length (longest part) of an image should be between 300 (minimum) and 800 (maximum) pixels.
    5. \r\n
\r\nOther requirements are listed on the submission form below.\r\n

 [nform id=\'4\']

','Share Your Work in a Portrait Gallery!','','inherit','open','open','','1093-revision-v1','','','2014-05-31 09:34:52','2014-05-31 16:34:52','',1093,'http://www.letsdrawpeople.com/1093-revision-v1/',0,'revision','',0),(1111,2,'2014-05-31 09:36:16','2014-05-31 16:36:16','

Did you create a portrait drawing that you are very proud of? Would it be a perfect fit for one of the portrait galleries below?

\r\n

[table id=1 /]

\r\nOr, would it fit well in a new portrait gallery that you could suggest?\r\n\r\nIf you made an awesome drawing of a person or people, then you should submit your drawing to us for placement in a portrait gallery!\r\n\r\nAs long as we have a selection of drawings, we choose one daily drawing at random to be added to a gallery. We choose from artwork submitted to our site within the last 30 days. \r\n\r\nWe will notify you by email if your drawing is selected. We will also post your drawing on our Facebook page!\r\n\r\nDrawings and files must meet our specifications in order to be considered:\r\n
    \r\n
  1. You must be the artist that personally created the work. You cannot submit something drawn by someone else.
    2. \r\n
  2. Only submit original work or work created by you with the help of a tutorial.
    3. \r\n
  3. Submit work that was drawn by hand with pencil or a similar medium, not painted or done primarily with computer software.
    4. \r\n
  4. The length (long side) of an image should be between 300 (minimum) and 800 (maximum) pixels.
    5. \r\n
\r\nOther requirements are listed on the submission form below.\r\n

 [nform id=\'4\']

','Share Your Work in a Portrait Gallery!','','inherit','open','open','','1093-revision-v1','','','2014-05-31 09:36:16','2014-05-31 16:36:16','',1093,'http://www.letsdrawpeople.com/1093-revision-v1/',0,'revision','',0),(1112,2,'2014-05-31 09:39:45','2014-05-31 16:39:45','

Did you create a portrait drawing that you are very proud of? Would it be a perfect fit for one of the portrait galleries below?

\r\n

[table id=1 /]

\r\nOr, would it fit well in a new portrait gallery that you could suggest?\r\n\r\nIf you made an awesome drawing of a person or people, then you should submit your drawing to us for placement in a portrait gallery!\r\n\r\nAs long as we have a selection of drawings, we choose one daily drawing at random to be added to a gallery. We choose from artwork submitted to our site within the last 30 days. \r\n\r\nWe will notify you by email if your drawing is selected. We will also post your drawing on our Facebook page!\r\n\r\nDrawings and files must meet our specifications in order to be considered:\r\n
    \r\n
  1. You must be the artist that personally created the work. You cannot submit something drawn by someone else.
    2. \r\n
  2. Only submit original work or work created by you with the help of a tutorial.
    3. \r\n
  3. Submit work that was drawn by hand with pencil or a similar medium, not painted or done primarily with computer software.
    4. \r\n
  4. The height or width (whichever is longer) of an image should be between 300 and 800 pixels.
    5. \r\n
\r\nOther requirements are listed on the submission form below.\r\n

 [nform id=\'4\']

','Share Your Work in a Portrait Gallery!','','inherit','open','open','','1093-revision-v1','','','2014-05-31 09:39:45','2014-05-31 16:39:45','',1093,'http://www.letsdrawpeople.com/1093-revision-v1/',0,'revision','',0),(1113,2,'2014-05-31 10:01:01','2014-05-31 17:01:01','You can contact us by email at support@letsdrawpeople.com or by phone at 702-708-1357.\r\n\r\n
Let\'s Draw People
3053 West Craig Road
Suite E # 202
North Las Vegas, NV 89032
We would love to hear from you! For the quickest reply, please use the form below to contact us anytime. We look forward to responding to your questions or comments!\r\n\r\nQuestions: Ask us any questions you have about any part of the website or what we do.\r\n\r\nWebsite Feedback: Let us know what you love about our site and what could make it better.\r\n\r\nTutorial Suggestions: Which kind of people-drawing tutorials would you like to see more of on our site?\r\n\r\n[nform id=\'1\']','Contact Us','','inherit','open','open','','15-revision-v1','','','2014-05-31 10:01:01','2014-05-31 17:01:01','',15,'http://www.letsdrawpeople.com/15-revision-v1/',0,'revision','',0),(1114,2,'2014-06-19 09:39:40','2014-06-19 16:39:40','

\"\"Do you have trouble drawing glasses? For most beginning artists (and even some more experienced ones), drawing glasses on a person is a constant sticking point that holds up completion of the drawing.

\r\n

In this article by Rio, the task of drawing glasses is simplified for beginners. Some common misconceptions about drawing glasses are addressed and corrected. We also see easily applicable techniques for how to draw glasses on a person in frontal view, quarter view, and side view.

\r\n

One common misconception Rio tells us is \"When it comes to drawing glasses, perspective does not apply.\" He goes on to explain the reason for this, as well as the exception to the rule.

\r\n

Even though this article is directed at people who draw manga, I find the concepts very useful and applicable to those who draw people in more realistic styles. The article also makes several references to giving the glasses a realistic look.

\r\n

Still, do not expect to see methods for ultra-realism or how to create detailed effects on the lenses or frames. Again, the tips are very basic and geared toward simple sketches and beginning artists.

\r\n

Read the full article here for more on how to draw glasses.

\r\n

What is the hardest part about drawing glasses for you? Leave a comment below and let us know your thoughts!

','See How Easily You Can Draw Glasses on a Person','','publish','open','open','','see-how-easily-you-can-draw-glasses-on-a-person','','','2014-06-19 20:44:35','2014-06-20 03:44:35','',0,'http://www.letsdrawpeople.com/?p=1114',0,'post','',0),(1115,2,'2014-05-31 21:30:59','2014-06-01 04:30:59','

Do you have trouble drawing glasses? For most beginning artists (and even some more experienced ones), drawing glasses on a person is a constant sticking point that holds up completion of the drawing. In this article by Rio, the task of drawing glasses is simplified for beginners. Some common misconceptions about drawing glasses are addressed and corrected. We also see easily applicable techniques for how to draw glasses on a person in frontal view, quarter view, and side view.

\r\n

One common misconception Rio tells us is \"When it comes to drawing glasses, perspective does not apply.\" He goes on to explain the reason for this, as well as the exception to the rule.

\r\n

Even though this article is directed at people who draw manga, I find the concepts very useful and applicable to those who draw people in more realistic styles. The article also makes several references to giving the glasses a realistic look. Still, do not expect to see methods for ultra-realism or how to create detailed effects on the lenses or frames. Again, the tips are very basic and geared toward simple sketches and beginning artists.

\r\n

Read the full article here for more on how to draw glasses.

\r\n

What is the hardest part about drawing glasses for you? Leave a comment below and let us know your thoughts!

','See How Easily You Can Draw Glasses on a Person','','inherit','open','open','','1114-revision-v1','','','2014-05-31 21:30:59','2014-06-01 04:30:59','',1114,'http://www.letsdrawpeople.com/1114-revision-v1/',0,'revision','',0),(1117,2,'2014-05-31 21:41:09','2014-06-01 04:41:09','

\"\"Do you have trouble drawing glasses? For most beginning artists (and even some more experienced ones), drawing glasses on a person is a constant sticking point that holds up completion of the drawing. In this article by Rio, the task of drawing glasses is simplified for beginners. Some common misconceptions about drawing glasses are addressed and corrected. We also see easily applicable techniques for how to draw glasses on a person in frontal view, quarter view, and side view.

\r\n

One common misconception Rio tells us is \"When it comes to drawing glasses, perspective does not apply.\" He goes on to explain the reason for this, as well as the exception to the rule.

\r\n

Even though this article is directed at people who draw manga, I find the concepts very useful and applicable to those who draw people in more realistic styles. The article also makes several references to giving the glasses a realistic look. Still, do not expect to see methods for ultra-realism or how to create detailed effects on the lenses or frames. Again, the tips are very basic and geared toward simple sketches and beginning artists.

\r\n

Read the full article here for more on how to draw glasses.

\r\n

What is the hardest part about drawing glasses for you? Leave a comment below and let us know your thoughts!

','See How Easily You Can Draw Glasses on a Person','','inherit','open','open','','1114-revision-v1','','','2014-05-31 21:41:09','2014-06-01 04:41:09','',1114,'http://www.letsdrawpeople.com/1114-revision-v1/',0,'revision','',0),(1118,2,'2014-05-31 21:43:08','2014-06-01 04:43:08','

\"\"Do you have trouble drawing glasses? For most beginning artists (and even some more experienced ones), drawing glasses on a person is a constant sticking point that holds up completion of the drawing. In this article by Rio, the task of drawing glasses is simplified for beginners. Some common misconceptions about drawing glasses are addressed and corrected. We also see easily applicable techniques for how to draw glasses on a person in frontal view, quarter view, and side view.

\r\n

One common misconception Rio tells us is \"When it comes to drawing glasses, perspective does not apply.\" He goes on to explain the reason for this, as well as the exception to the rule.

\r\n

Even though this article is directed at people who draw manga, I find the concepts very useful and applicable to those who draw people in more realistic styles. The article also makes several references to giving the glasses a realistic look. Still, do not expect to see methods for ultra-realism or how to create detailed effects on the lenses or frames. Again, the tips are very basic and geared toward simple sketches and beginning artists.

\r\n

Read the full article here for more on how to draw glasses.

\r\n

What is the hardest part about drawing glasses for you? Leave a comment below and let us know your thoughts!

','See How Easily You Can Draw Glasses on a Person','','inherit','open','open','','1114-revision-v1','','','2014-05-31 21:43:08','2014-06-01 04:43:08','',1114,'http://www.letsdrawpeople.com/1114-revision-v1/',0,'revision','',0),(1119,2,'2014-06-01 19:26:08','2014-06-02 02:26:08','\"\"Have you always wanted to draw a realistic human face? Many people feel anxious if they are asked to draw people because they fear that their facial drawing will bear no likeness to the person. Portraiture is the art of creating portraits. A portrait can be defined as a drawing, painting, or photograph of a particular person. In short, portraits are two-dimensional artistic representations of the three dimensional human face.  Drawing a person is not as hard as it looks, but many find capturing the likeness is the most difficult part of facial drawing.  A good pencil sketch of the human face should capture the likeness using perspective, proportion, accurate shading, and contours. So, let\'s find out how to draw people and explore various ways of bringing portraiture to life.\r\n\r\nBut first things first…don\'t be a bad workman who blames his tools. Invest in some good art materials and learn to use them in the right way.  Listed below are some of the main art materials used to create good pencil drawings.\r\n

Tools Used to Draw Realistically

\r\n
    \r\n
  • Good quality acid-free drawing paper
    • \r\n
  • A high-quality mechanical pencil
    • \r\n
  • A boxed set of pencils (offers a selection of different pencils that will help you to achieve a variety of results)
    • \r\n
  • A pencil sharpening tool
    • \r\n
  • Kneaded erasers
    • \r\n
  • A blending stump or a tortillion
    • \r\n
  • A can of fixative spray
    • \r\n
\r\nYou will use these and other tools as you delve more and more into drawing in pencil. For now, let\'s take a brief moment to chat about just the drawing implements mentioned above.\r\n\r\nWhen you begin to sketch your first portrait, you will make mistakes but errors can be rubbed out time and time again if you use quality paper. Cheap erasers work but they are not as effective as a kneaded eraser. Sharp pencils are easier to work with, so buy a good quality pencil sharpener or use a high-quality mechanical pencil with graphite lead. Pencil is a great medium and pencil art can be rubbed with blending stumps to create light and shade. The finished artwork should be sprayed with a fixative to protect it and to prevent it from yellowing and smudging.\r\n

Helpful Drawing Techniques for Drawing People

\r\nNow we can move on to discuss some common drawing techniques. Some of the most popular techniques used in drawing include:\r\n
    \r\n
  • Contour lines
    • \r\n
  • Hatching and crosshatching
    • \r\n
  • Smooth shading
    • \r\n
  • Circles and scribbles
    • \r\n
\r\nWhy use these techniques when learning how to draw? Contour lines give drawings shape and volume, and these lines can be used to create the outline when you draw a body or a face. Hatching and crosshatching are ways of creating different tones, and meticulous hatching helps to make a portrait look realistic. Smooth shading can create a subtle or deep tonal change, and this is one of the main drawing techniques used to introduce depth into artwork. Circles and scribbles will make your sketch look looser, and this simple drawing technique creates contrast.\r\n\r\nSo, you want to draw a face, but you know nothing about the techniques mentioned above?\r\n\r\nBudding artists should watch some of the many pencil drawing tutorials that can be found online. Useful online tutorials include realistic pencil drawing techniques, such as learning how to blend and basic pencil shading. When you have grasped the basics of pencil drawing, move on and watch artists draw portraits in step-by-step tutorials. Top online drawing tutorials include tips and tricks for general portraiture and how to create realistic pencil portraits.\r\n\r\nIt can be equally as helpful to watch videos of artists drawing people that are NOT tutorials with everything spelled out in steps. Often times, there is much to be learned from just watching an artist in action and closely observing which techniques are used.\r\n\r\nThink you HAVE to see step-by-step directions or videos of artists in action to learn techniques? Think again! Although tutorials and videos are extremely helpful, you might also be surprised to find out how much you can learn by just examining already completed work. Study drawings of people completed by other artists. Look for styles you like and try to duplicate the techniques you think they used. Some of the most famous artists became famous by studying the works of masters that came before them. Just remember, you can just as well learn from an artist who is not yet a master. All artists have something valuable to share.\r\n

Draw a Face Step-By-Step

\r\n\"030596\"Following are a few basic guidelines to keep in mind when it comes to drawing faces. Try these out by referring to a photograph, or just draw a random person from your imagination!\r\n
    \r\n
  • Human heads are not circular. Always remember that humans have egg-shaped faces. Begin your sketch by creating an oval outline that tapers towards the bottom.
    • \r\n
  • Map out the facial proportions by drawing a faint line down the center of the oval and a fine horizontal line through the center of the face.
    • \r\n
  • Position the nose on the face by penciling a dividing line in the center of the lower half of the face. The lines that have been drawn on the bottom half of the face should form a cross. The base of the nose should be penciled in at the top of the center of the cross and one nostril will be sketched at either side.
    • \r\n
  • Draw the mouth onto the face using a fine pencil line in between the base of the nose and the bottom of the chin. The bottom lip should sit on the dividing line just drawn. Create a line where the two lips meet (for a closed mouth), then move on to draw in the bottom and top lip lines.
    • \r\n
  • Add the eyes to your facial drawing. The center of the eye sockets will be in line with the middle of the central horizontal line. Think of the eyeballs as two large circular balls, partially concealed behind the top and bottom eyelids. The eyebrow will sit on top and the cheekbone should rest on the bottom of the shape. Look closely at the eyes of the person you are drawing before drawing in the shapes. Some people have large round eyes and others have almond-shaped eyes, so draw your eyes accordingly. In general, the central space left between the eyes should be equivalent to the width of one eye. Remember, the iris of the eye is made up of many different shades.
    • \r\n
  • Draw in the eyelids. The eyelid should be drawn in over the top of the eye and the base of the lid will come down to cover the very top of the iris. Use some of the shading techniques mentioned earlier to define the shape of the eye socket.
    • \r\n
  • When you are satisfied with the facial shape and features you can add the neck, ears, and hair to the face.
    • \r\n
\r\nAlthough there is more to learn, these tips will hopefully give you a helpful start with how to draw faces. But humans have more than just a head and a face. People have bodies and wear clothes. If you want to learn more about methods of sketching bodies and people in clothes, please read on.\r\n

Drawing the Human Form

\r\n\"\"Sketching the human body in all positions is commonly referred to as \"figure drawing\" and there are many different ways of drawing the human body. Different types of figure drawing include:\r\n
    \r\n
  • Sketching
    • \r\n
  • Life drawing
    • \r\n
  • Emotive drawing
    • \r\n
  • Perspective drawing
    • \r\n
  • Illustration drawing
    • \r\n
  • Diagrammatic drawing
    • \r\n
  • Analytic drawing
    • \r\n
  • Geometric drawing
    • \r\n
\r\nA sketch is an informal drawing and figure sketching helps us to learn how to draw a realistic human figure. Lots of amateur artists enjoy drawing the human figure by studying a live model and life drawing is an essential part of art. People have personalities and characters and emotive drawing is used to express the subject\'s personality. Perspective drawing represents scale, eye-level, surface, planes, light, space and volume. An illustrative drawing is a piece of artwork that comes from a photograph, painting or sketch whereas a diagrammatic drawing is a well-planned piece of art. An analytic drawing of a person will be realistic. The person will be drawn in proportion. Those who find it hard to draw realistic figures may get on well with geometric figure drawing.\r\n\r\nAdditionally, when you are drawing people you should obviously keep in mind the differences between men and women. For example, when drawing a woman, you will draw smoother, more graceful features. You will draw a proportionately larger pelvis and slender shoulders. When drawing a man, you will draw features with a more rugged, muscular appearance. You will draw broader shoulders and a proportionately larger rib cage.\r\n

Drawing Clothing

\r\n\"howLook at some of the online images of people who are wearing clothes and you will see that every person wears their clothes differently. Artists who want to learn how to sketch people wearing clothing will have to examine the clothing closely. Take a close look, and you will see a recurrence of seven different kinds of folds:\r\n
    \r\n
  • Pipe
    • \r\n
  • Zigzag
    • \r\n
  • Half-lock
    • \r\n
  • Spiral
    • \r\n
  • Diaper
    • \r\n
  • Drop
    • \r\n
  • Inert
    • \r\n
\r\nLearn how to apply design, details, and these folds, and you can draw practically any type of clothing on a person!\r\n

Draw Children Step-By Step

\r\n[caption id=\"attachment_643\" align=\"alignleft\" width=\"221\"]\""Ashley" \"Ashley\" by Jack Pearce[/caption]\r\n\r\nMany of us try to sketch our children because that drawing will act as a personal reminder of how much we love and cherish them. However, there are major differences between an adult’s face and a child\'s face. It is all too easy to make a young child look much older when drawn, so it pays to keep a drawing of a child simple. Let\'s look at an easy way to draw a child.\r\n
    \r\n
  • Sketch a small oval-shaped (but almost circular) head. The younger the child, the more circular the head will be.
    • \r\n
  • Divide the small face into four using a vertical and a horizontal line.
    • \r\n
  • Make large round eyes that rest on the horizontal guideline. The eyebrows sit above this line.
    • \r\n
  • Create a small triangle to form the nose.
    • \r\n
  • Draw a curved line to create the young mouth.
    • \r\n
  • Add some thick bobbed hair (or thin hair, depending on the subject and age).
    • \r\n
\r\nThis is a simple way to draw a child. The basic sketch is straightforward and the drawing is not detailed, but this easy way of drawing children works well for many. Now the more you draw boys and girls of different ages, the more you will realize other differences between babies, toddlers, school-age kids, and teenagers.\r\n

Mastering the Art of Pencil Portraits

\r\nItalian portrait artist Franco Clun and Russian portrait artist Olga Larionova create incredibly realistic pencil drawings, yet they never took a formal art class. They are just two examples of how anyone from any background, with enough determination to consistently practice and learn, can eventually become a master portrait artist. Talented artists know how to bring their work to life, but you must never forget that every successful artist started out as an amateur.\r\n\r\nIt will take time to teach yourself how to draw people. In fact, it could take months or even years to master the craft at a level that you are satisfied with. But practice will improve your drawing, and the people that you draw will start to look more and more realistic. If at first you don\'t succeed, try, try and try again! You will see that if you practice on a regular basis, you will not need to wait months. You will realize small successes and make gradual progress with each drawing that will keep you motivated enough to keep at it!\r\n\r\nAmateur artists can learn how to draw people with confidence, and beginners shouldn\'t be afraid to make mistakes. The information found throughout this site will help you to learn how to draw people, and more importantly, how to eventually become a skilled pencil portrait artist. Make use of our articles, tutorials, and videos, and then start enjoying and employing your artistic talents today!','Let\'s See How to Draw People','','inherit','open','open','','66-revision-v1','','','2014-06-01 19:26:08','2014-06-02 02:26:08','',66,'http://www.letsdrawpeople.com/66-revision-v1/',0,'revision','',0),(1121,2,'2014-06-05 04:47:56','2014-06-05 11:47:56','\n
\nOkay Everybody, if you want to know how to draw noses, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\n

Step 1: Sketch the Basic Shapes

\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\n

\"\"

\n

Step 2: Define the Bridge

\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right (our right). Sketch some heavier shading on the left side and some very light shading on the right.\n

\"nose02\"

\n

Step 3: Form the Nostrils

\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\n

\"nose03\"

\n

Step 4: Finish the Tip and Touch Up

\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add style to your artwork.\n

\"\"

\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','open','open','','85-autosave-v1','','','2014-06-05 04:47:56','2014-06-05 11:47:56','',85,'http://www.letsdrawpeople.com/85-autosave-v1/',0,'revision','',0),(1120,2,'2014-06-04 05:26:35','2014-06-04 12:26:35','Okay Everybody, if you want to know how to draw noses, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n

\"\"

\r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right (our right). Sketch some heavier shading on the left side and some very light shading on the right.\r\n

\"nose02\"

\r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n

\"nose03\"

\r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add style to your artwork.\r\n

\"\"

\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2014-06-04 05:26:35','2014-06-04 12:26:35','',85,'http://www.letsdrawpeople.com/85-revision-v1/',0,'revision','',0),(1127,2,'2014-06-05 04:48:20','2014-06-05 11:48:20','\r\n\r\n\r\nOkay Everybody, if you want to know how to draw noses, here is a quick tutorial for how to draw a simple nose. It is a very generic nose looking straight ahead.\r\n

Step 1: Sketch the Basic Shapes

\r\nThink about each of the major parts of the nose as a shape. Lightly draw these shapes to serve as your guidelines. Draw a long, narrow oval for the bridge and a circle at the bottom for the tip, overlapping the oval. You can draw two half-circles (or overlapping circles) for the nostrils. I often think of the nostrils as “parentheses” when I draw them!\r\n

\"\"

\r\n

Step 2: Define the Bridge

\r\nRemember to think of the bridge of the nose as three surfaces. You are going to define the two sides by drawing two light lines down the oval, and the front should take care of itself. The lines should curve away from each other at the top. Decide where the light is coming from. For this drawing, I decided it is coming from the right (our right). Sketch some heavier shading on the left side and some very light shading on the right.\r\n

\"nose02\"

\r\n

Step 3: Form the Nostrils

\r\nStart forming the nostrils by darkening up your (parentheses) guidelines. I usually don’t make perfectly formed parentheses, because the nostrils tend to flatten out at the bottom where they meet with the face. Start drawing along the bottom part of your circle to begin the nasal passages. You have to remember that that circle represents a ball of cartilage, and there is a little cartilage between the nasal passages too.\r\n

\"nose03\"

\r\n

Step 4: Finish the Tip and Touch Up

\r\nSo for the tip of the nose, I added a little shading to round out the ball and the top of the nostrils. Then I erased most of my guidelines; you know, those shapes we began with. Since this is a sketch, I sometimes like to leave a few guidelines and stray marks in. It can add style to your artwork.\r\n

\"\"

\r\nSo there you have it…the basics for drawing a basic nose! Remember, noses come in many shapes and sizes, just as all facial features do. Still though, you can apply these basic techniques to fit any type of nose you want to draw! Keep practicing!','Tutorial for Drawing a Nose','','inherit','open','open','','85-revision-v1','','','2014-06-05 04:48:20','2014-06-05 11:48:20','',85,'http://www.letsdrawpeople.com/85-revision-v1/',0,'revision','',0),(1128,2,'2014-06-05 05:06:38','2014-06-05 12:06:38','\r\n\r\n\"\"If you have trouble when it comes to drawing noses, you are not alone. For many people, the nose seems to be a major sticking point. If you want to know how to draw noses better, just read the following tips!\r\n

Placement

\r\nAlthough noses do come in many shapes and sizes, they all have the same placement on the face. They are generally one eye-width wide and come down to halfway between the eyebrows and chin.\r\n

Projection

\r\nYou should study examples of different noses to see how they project from the face. Some noses seem to curve inward from between the eyes before the bridge comes out, and others can jut out quite prominently from the face.\r\n

Bridge

\r\nWhen drawing the bridge of the nose, be careful not to use solid lines on both sides. Your nose will look more cartoonish. Now if that is what you’re going for, then it’s fine. For a less cartoon-like nose, think of the bridge as three surfaces: the front with two sides sloping down to the face. I usually will note the light source and maybe put a very light, broken line on the lit side. On the other side, some light shading with short, slanted zig-zag lines works.\r\n

Tip

\r\nThink of the tip and bottom part of the nose as 3 little spheres. Just as with the bridge, think “light lines” when representing the tip.\r\n

Nostrils

\r\nDon’t forget to draw the little piece of cartilage below the tip that separates the nostrils. If you focus on drawing the surrounding skin and not the holes themselves, the nostrils will take care of themselves.\r\n\r\nSo, I know these are all common-knowledge facts about noses, but they are little things people sometimes forget to think about when drawing them. The next time you draw a nose, keep these tips in mind that apply to all noses, but also draw the unique characteristics of each part of the nose that will give individuality!\r\n\r\n ','Tips for How to Draw Noses','','inherit','open','open','','77-revision-v1','','','2014-06-05 05:06:38','2014-06-05 12:06:38','',77,'http://www.letsdrawpeople.com/77-revision-v1/',0,'revision','',0),(1129,2,'2014-06-05 05:19:18','2014-06-05 12:19:18','\r\n\r\nHere is a speed drawing video I did of an elderly man in a hat, the brim shielding the bright sun from his eyes. I used a light box and grid to sketch the initial line drawing on Bristol board paper. Then I added the light and dark tones. Finally I blended in layers of detail. This drawing took me around 10 hours to complete. Depending on the amount of detail I chose to add, it could have easily taken fewer or many more hours! This video condenses the process into 5 minutes. Enjoy!\r\n\r\n[caption id=\"attachment_901\" align=\"aligncenter\" width=\"372\"]\" © Kelpfish | Dreamstime.com[/caption]\r\n

\"elderly

','Detailed Speed Drawing of Elderly Man in a Hat','','inherit','open','open','','900-revision-v1','','','2014-06-05 05:19:18','2014-06-05 12:19:18','',900,'http://www.letsdrawpeople.com/900-revision-v1/',0,'revision','',0),(1130,2,'2014-06-05 05:23:44','2014-06-05 12:23:44','\r\n\r\nShoes can be quite tricky to draw, especially if you consider yourself a beginner. The good news is, there are a wide variety of shoes that exist for us to choose from. So I thought, what better way to begin learning how to draw shoes than to learn something simple? With that said, here is a lesson for drawing wedge high heel shoes. Here is a reference photo for us to draw. In case you are up for more of a challenge, the feet do come included!\r\n\r\n[caption id=\"attachment_856\" align=\"aligncenter\" width=\"320\"]\"\" © Branislav Ostojic | Dreamstime.com[/caption]\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares to use as guidelines. The size isn’t important, but use a ruler to construct your squares properly. This is an optional step, but it can also be a helpful one if you are drawing along with me and want to make your feet and shoes look as close to mine as possible. Grids are really useful for proper placement of your lines.\r\n

\"01p

\r\n

Step 2: Draw the Basic Shapes

\r\nIn this drawing, I am focusing on the two center grid squares. Lightly draw basic shapes for the legs and feet. Use long oval shapes for the legs. Notice how the lines overlap? Even though the right leg is in front, we can still see the outlines of the left leg. This is a good thing, because it helps us to properly place the features that are not obstructed. We will go back later to erase lines that should be hidden. Use wedge shapes for the feet and toes. Use smaller oval shapes or circular shapes for the heel and ankles.\r\n

\"02

\r\n

Step 3: Shape the Shoes

\r\nBegin making a wedge shape for the wedge shoes. Since these are wedge high heels that we are drawing, they should be taller in the back. Show a little bit of curvature as they come up to the front.\r\n

\"03

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Step 4: Define the Legs and Feet

\r\nUse the shapes to add more defining lines of detail to the legs and feet. Your shapes from earlier are to serve simply as guidelines; don’t feel like you have to draw over them exactly. Notice here that I decided to draw to the right of my guideline, so the curve from the calf muscle would look more slender and natural. Also notice that I didn’t trace those lines of the left leg that are hidden behind the right leg in the foreground. Add in a line or two for the ankle, and do your best to indicate the toes, using your wedge shapes to help you.\r\n

\"04

\r\n

Step 5: Draw the Base of the Shoes

\r\nDraw thin lines on the top and bottom of each shoe to represent the outer soles and insoles. There is a barely noticeable heel on the bottom of the shoe. Also, notice the space between the foot and the insole.\r\n

\"05

\r\n

Step 6: Add the Straps

\r\nAdd the straps for the heel, toes, and ankles. You should draw the heel strap overlapping the insole a bit, and then erase the part the strap conceals. You can add a buckle and a few holes to the ankle strap.\r\n

\"06

\r\n

Step 7: Plan Your Shading

\r\nMake guidelines to help you place some shading. This way you can plan your light source, draw where the shadows should be, and make any changes needed before committing a lot of shading.\r\n

\"07

\r\n

Step 8: Add Final Details

\r\nFinish up shading and add final details. Add in shading by using your guidelines from the last step. Consider which areas need to be darker, like just under the foot where it meets the insole and where the front leg casts a shadow on the leg behind it. Also notice a little shading progression on the front part of the shoes to indicate the curves.\r\n

\"08

\r\n

Step 9: Erase the Guidelines

\r\nCarefully erase your guidelines. This includes your square gridlines, any shape guidelines you didn’t need (like under the calf), and any that should be hidden from view (like the left leg behind the right). You’ll have to work around the lines you want to keep.\r\n

\"\"

\r\nAnd that is how you draw a pair of feet wearing wedge high heel shoes! Try practicing this with a different style of wedge shoe next time. This is also good practice for getting better at drawing feet, because you are drawing the shoes that conform to the basic shape of the foot and you are not drawing the feet in isolation. Feet and toes take time to learn…just keep practicing until you have a satisfying composition of shoes and feet!','How to Draw Feet Wearing Wedge High Heels','','inherit','open','open','','129-revision-v1','','','2014-06-05 05:23:44','2014-06-05 12:23:44','',129,'http://www.letsdrawpeople.com/129-revision-v1/',0,'revision','',0),(1131,2,'2014-06-05 05:27:33','2014-06-05 12:27:33','\r\n\r\nWhen making a drawing of celebrities (or anyone else, for that matter), it’s helpful to look for characteristics in their features that stand out or make them unique. Noticing these characteristics and including them in your drawing will help you to create a closer, more accurate likeness. In this tutorial, we will use this reference photo to learn how to draw Justin Bieber. Justin is a very popular star, and his face is known all over the world. I will point out some key characteristics of Justin’s facial features along the way that will help us get a likeness that is close to his. So here we go… watch the video above, read the steps below, and try your hand at it too!\r\n\r\n[caption id=\"attachment_852\" align=\"aligncenter\" width=\"320\"]\"\" © Carrienelson1 | Dreamstime.com[/caption]\r\n

Step 1: Make a Grid and Guidelines

\r\nMake a grid of 3 squares by 5 squares. As you follow along with me, try to draw as accurately as possible what you see in each square to keep things in proportion. Next, draw some basic guidelines for the face. Our reference photo is a recent picture of the Biebs, so since he is growing older, our “oval” shape will reflect a longer and more narrow face than when Justin was a younger child. Also, notice the lightly-drawn guidelines that will serve as rough placement for the center of the face, eyes, nose, and mouth.\r\n

\"\"

\r\n\r\n

Step 2: Draw the Eyes

\r\nNotice in the previous step I said “rough placement”. Guidelines are meant to give you general guidance, but you don’t have to be tied to them. So, rather than drawing the eyes directly on the guideline, I drew them just below the line, with the eyebrows above the guideline. Justin has noticeable eyelashes, so I didn’t leave those out of the drawing. In addition, there is a tiny bit of foreshortening present since Justin’s head is slightly turned. Therefore, I decided to leave one eye looking a little smaller than the other.\r\n

\"\"

\r\n

Step 3: Make Justin’s Nose

\r\nOur reference photo shows a nose with a rather short bridge and round tip. You can almost see the “ball” of cartilage at the bottom. These are distinguishing features to include when drawing Justin Bieber’s nose. A not-so distinguishing feature (since it’s common to just about everyone) is how the outer part of the nostril is practically in line with the inside corner of the eye.\r\n

\"\"

\r\n\r\n

Step 4: Draw His Mouth

\r\nUse a combination of lines and shading to form some of the curves in Justin’s lips. The front teeth that are visible in our photo look very similar in size. Take your time with the teeth. They can be tricky to draw but go a long way with forming a likeness. Also, draw some of the subtle lines outside the corners of Justin’s mouth that form his smile and cheeks.\r\n

\"\"

\r\n

Step 5: Form the Ears and the Outline of the Face

\r\nOnce again, because of foreshortening, one ear is clearly visible and the other is obstructed by Justin’s face and barely noticeable. Just try to draw the outer part of the lobe that can be seen. Be sure to draw the earrings that Justin likes to sport too. Notice as well the characteristic lines that connect the cheeks to the chin.\r\n

\"\"

\r\n

Step 6: Draw Justin’s Hair

\r\nOkay, so far we are doing good, but it looks like we have a bald Biebs. What would a drawing of Justin Bieber be without all of that hair? He’s got a lot of it that sits thick above the top of his skull. You are going to have to pay attention to how the hair is styled in different directions, and just “go with the flow”.  Draw lines that go in the direction of the hair growth. Use the reference photo to assist you. You can see how he has a lot of strands curving upward from the hairline. Use combinations of dark against light as shown here to build volume. Draw a few hairs that are loose and hang away from the mass.\r\n

\"\"

\r\n

Step 7: Draw the Neck and Jacket

\r\nThere’s not too much to this part. We notice Justin wearing a t-shirt and jacket with a chain around his neck. We don’t see the whole chain, since it hangs down out of our view. Do draw a bit of a shadow that Justin’s chin casts on his neck.\r\n

\"\"

\r\n

Step 8: Erase and Add Final Details

\r\nCarefully erase your guidelines. This includes your square gridlines and any facial guidelines you no longer want. A kneaded eraser is useful for this part, as it helps you maneuver around what you want to keep. Add in some final details. These could include a few moles unique to Justin’s face, a few extra strands or highlights in the hair (again, great use for the kneaded eraser!), or just some other features you want to go back and better define. Add as much or as little shading as you want to make you satisfied with your final drawing.\r\n

\"\"

\r\nThere you have it, a few simple steps for how to draw Justin Bieber! Remember, even if your finished drawing doesn’t look completely like Justin, including facial characteristics that are unique to him will help with the resemblance. And of course, the more detail and shading you include, the more realistic your drawing of Justin Bieber will look. There’s no set rule as to how much detail to include. It all just depends on what level of realism you are trying to achieve!\r\n','How to Draw Justin Bieber','','inherit','open','open','','165-revision-v1','','','2014-06-05 05:27:33','2014-06-05 12:27:33','',165,'http://www.letsdrawpeople.com/165-revision-v1/',0,'revision','',0),(1132,2,'2014-06-08 09:38:05','2014-06-08 16:38:05','\"drawingConsidering Lucy Liu is currently starring in the CBS television show Elementary as Dr. Joan Watson, working alongside Sherlock Holmes to solve crimes, I could not resist the reference in this tutorial\'s title! Whether you are a fan of the show or not, the title is still fitting if you have ever thought about drawing Lucy Liu.\r\n\r\nIn this tutorial, we will take the same approach to drawing Lucy Liu that Sherlock Holmes and Dr. Watson take to solving mysteries. We will make small and careful observations.\r\n\r\nSo without further ado, let\'s see how to draw Lucy Liu!\r\n\r\nWe will try to draw Lucy as she is depicted in the reference photo below.\r\n\r\n[caption id=\"attachment_1176\" align=\"aligncenter\" width=\"320\"]\"© © Carrienelson1 | Dreamstime.com[/caption]\r\n\r\nThis image is slightly larger than the one I used. You can also click on it to enlarge the image even more and get a closer look at details.\r\n\r\nWe will make some careful measurements to properly place Lucy\'s facial features. Additionally, we will sketch some guidelines in the form of boxes and draw the features within those boxes.\r\n\r\nI outline the measurements from my reference photo in the steps below, so the only measurements you need to make are for your own drawing. To keep things simple, the drawing is scaled to be twice the size of the reference photo.\r\n

Draw an Outline of the Head

\r\nThe head is 3 inches tall and roughly 2 inches across on the reference photo. In order to draw Lucy\'s head twice the size of this, use a ruler on your drawing paper to mark off lines for the top of the head and the bottom of the chin, 6 inches apart. Mark lines 4 inches apart for the width.\r\n\r\nIf you have trouble making an oval shape for the head, one technique is to begin with a circle. Mark off another 4 inches from the top line to create a 4\" x 4\" box. Sketch your circle within this box as best as you can. It does not have to be perfect!\r\n\r\nFrom the sides of the circle, draw lines downward that meet at the chin to create an oval shape. Notice how the chin is shifted slightly to our left (Lucy\'s right).\r\n\r\n\"drawing\r\n

Correctly Place the Eyes

\r\nThree inches from the top of the head, draw a line to represent the top of the eyes. One-fourth of an inch below this should be a line for the bottom of the eyes.\r\n\r\nSince we drew a head 6 inches tall, this will place the eyes about halfway down.\r\n\r\nI also drew vertical lines to indicate the outside and inside corners of each eye. Drawing within these boxes helps us to see that the inner corners of the eyes are at the bottom corners of the boxes, and the outer corners of the eyes are higher up.\r\n\r\n\"drawing\r\n\r\nNext, draw circles inside the irises to represent pupils and highlights. Lucy has long eyelashes, so the lines indicated by the blue arrows below are to house her upper eyelashes.\r\n\r\nDraw a few more lines to add a little detail, but not too much yet! We will begin shading and adding eyelash strands later. At this initial stage of our drawing, our goal is to establish a basic line drawing of Lucy.\r\n\r\n\"drawing\r\n

Draw Lines to Place Her Nose

\r\nOur reference photo shows three-quarters of an inch from the chin to the bottom of the nose. Three-fourths of an inch x 2 equals one and a half inches.\r\n\r\nDraw a rectangle with lines from the corners of the eyes as shown to the bottom of the nose. Another horizontal line 3/8\" above the bottom line will be for the nose tip and wings.\r\n\r\nDraw basic curved shapes for the nose bridge, tip of the nose, and wings that house the nostrils.\r\n\r\n\"drawing\r\n\r\nAdd a little more detail to better define the bridge, ball, and nostrils. Form the shapes as closely as possible to the reference photo and try to stay within the rectangular guidelines.\r\n\r\n\"drawing\r\n

Draw Lucy\'s Mouth

\r\nUse the measurements below to place a guideline box for Lucy\'s mouth. Notice how we use features we already drew to place new features? The black vertical lines in the reference photo show how the outer corners of Lucy\'s mouth align with her eyes.\r\n\r\nForm the outline of the lips within the box. Then draw a thin top lip...\r\n\r\n\"drawing\r\n\r\n...followed by the bottom lip and teeth.\r\n\r\n\"drawing\r\n

Placing the Ear and Eyebrows

\r\nDraw a tall rectangular box for the ear. See below how the top of the ear aligns with where the eyebrows should go. The bottom of the ear aligns with the nose just above the nostrils. Study Lucy\'s ear in the photo and replicate the folds as closely as you can.\r\n\r\n\"drawing\r\n\r\nLightly sketch the eyebrows under the guideline from the top of the ear.\r\n\r\n\"drawing\r\n

Finish Up the Line Drawing

\r\nNow that we have the major facial features drawn, it\'s time to wrap up our basic line drawing. Draw lines to define Lucy\'s face, neck, and clothing.\r\n\r\nLucy has some prominent cheekbones. Be sure to indicate so by sketching in a way that protrudes past your original oval guideline.\r\n\r\n\"drawing\r\n\r\nMake the outline for Lucy\'s hair. Include a hairline. It does not have to look like natural hair yet. Try using already-drawn facial features as references to where to shape and bend the hairline to match the reference photo.\r\n\r\n\"drawing\r\n\r\nNow, carefully erase as many guidelines as possible. These include all of your rectangular boxes, measurement lines, and any other basic shapes used to form facial features. I use a pink eraser for large areas and a kneaded eraser and eraser pencil for smaller, tight areas.\r\n\r\nThis is what you should have for Lucy Liu so far.\r\n\r\n\"drawing\r\n\r\nBefore going any further, take a close look at the reference photo and compare it to your line drawing. Make any needed adjustments before we add shading.\r\n\r\nNext we will bring our line drawing of Lucy Liu to life by adding some tones!\r\n

Add Detail to Lucy\'s Eyes

\r\nBegin by coloring in the pupils solid black. Lucy has dark brown eyes, so shade in the irises almost as dark.\r\n\r\nColor around the highlights. If you accidentally color over them, use a kneaded eraser to pick them out and brighten them up.\r\n\r\nAdd some shading around the eyelids. Then begin drawing the eyelashes. Since Lucy appears to have on some thick mascara, the eyelashes are clumped together in thick groups more so than they would be without the mascara. I suggest adding a mix of individual strands alongside the thicker strands.\r\n\r\n\"drawing\r\n\r\nAdd light pencil lines to represent the individual hairs of the eyebrows. See that the lines flow smoothly in the same direction.\r\n\r\n\"drawing\r\n

Complete Lucy\'s Nose, Mouth, and Ear

\r\nOnce again, look closely at the reference photo when adding tones to other facial features. Look for characteristic traits that bring out the uniqueness of the subject.\r\n\r\nFor example, I tried to replicate Lucy\'s smirk by shading the corners of her mouth in a way similar to what I observed in the photo.\r\n\r\n\"drawing\r\n\r\nContinue to add a mix of subtle and distinct shading to the skin. Look to enhance facial features and highlight personal character traits.\r\n\r\n\"drawing\r\n

 Add in the Hair in Layers

\r\nBegin by drawing hair from the hairline to the back, in the same direction as it is combed. Build volume by adding sections of hair and strands of hair in layers.\r\n\r\nIt is not necessary to draw each strand of hair. Use a combination of shadows and highlights to build additional volume.\r\n\r\n\"drawing\r\n

Finishing Touches

\r\nDraw and shade Lucy\'s black garment. Leave some lines darker where the seams are visible.\r\n\r\nCarefully observe the reference photo. Go back and add any other fine details to the face or hair that you may have missed or wish to include.\r\n\r\nThere you have it...an objective, measured approach to drawing Lucy Liu! I hope the close observations we made and the drawing techniques we used were able to remove some of the mystery of drawing for you.\r\n\r\nJust think of what you learned in this Lucy Liu tutorial when you try to draw other faces. Soon, the task of drawing portraits will no longer be a mystery. Rather, it will be Elementary!\r\n\r\n\"drawing','Take the Mystery Out of Drawing Lucy Liu','','publish','open','open','','take-the-mystery-out-of-drawing-lucy-liu','','','2014-06-15 01:42:11','2014-06-15 08:42:11','',0,'http://www.letsdrawpeople.com/?p=1132',0,'post','',0),(1133,2,'2014-06-08 20:19:42','2014-06-09 03:19:42','Here\'s how to draw Lucy Liu.\r\n\r\nDraw an Outline of the Head\r\n\r\nThe head is 3 inches tall on the reference photo. Scaled my drawing twice the size of my reference photo.\r\n\r\n ','Take the Mystery Out of Drawing Lucy Liu','','inherit','open','open','','1132-revision-v1','','','2014-06-08 20:19:42','2014-06-09 03:19:42','',1132,'http://www.letsdrawpeople.com/1132-revision-v1/',0,'revision','',0),(1138,2,'2014-06-08 22:04:16','2014-06-09 05:04:16','Here\'s how to draw Lucy Liu.\r\n\r\n \r\n\r\nDraw an Outline of the Head\r\n\r\nThe head is 3 inches tall on the reference photo. Scaled my drawing twice the size of my reference photo.\r\n\r\n ','Take the Mystery Out of Drawing Lucy Liu','','inherit','open','open','','1132-revision-v1','','','2014-06-08 22:04:16','2014-06-09 05:04:16','',1132,'http://www.letsdrawpeople.com/1132-revision-v1/',0,'revision','',0),(1136,2,'2014-06-08 20:49:17','2014-06-09 03:49:17','\r\n\r\nHere is a speed drawing video I did of an elderly man in a hat, the brim shielding the bright sun from his eyes. I used a light box and grid to sketch the initial line drawing on Bristol board paper. Then I added the light and dark tones. Finally I blended in layers of detail. This drawing took me around 10 hours to complete. Depending on the amount of detail I chose to add, it could have easily taken fewer or many more hours! This video condenses the process into 5 minutes. Enjoy!\r\n\r\n[caption id=\"attachment_1135\" align=\"aligncenter\" width=\"456\"]\"© © Kelpfish | Dreamstime.com[/caption]\r\n

\"elderly

','Detailed Speed Drawing of Elderly Man in a Hat','','inherit','open','open','','900-revision-v1','','','2014-06-08 20:49:17','2014-06-09 03:49:17','',900,'http://www.letsdrawpeople.com/900-revision-v1/',0,'revision','',0),(1241,2,'2014-06-19 20:42:01','2014-06-20 03:42:01','','how-to-draw-glasses-on-a-person','','inherit','open','open','','1241','','','2014-06-19 20:42:01','2014-06-20 03:42:01','',1114,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/how-to-draw-glasses-on-a-person.jpg',0,'attachment','image/jpeg',0),(1176,2,'2014-06-10 06:40:06','2014-06-10 13:40:06','','Lucy Liu reference photo',' © Carrienelson1 | Dreamstime.com','inherit','open','open','','1176','','','2014-06-10 06:40:06','2014-06-10 13:40:06','',1132,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/Lucy-Liu-reference-photo.jpg',0,'attachment','image/jpeg',0),(1145,2,'2014-06-09 07:09:27','2014-06-09 14:09:27','','drawing lucy liu head outline','','inherit','open','open','','drawing-lucy-liu-head-outline','','','2014-06-09 07:09:27','2014-06-09 14:09:27','',1132,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/drawing-lucy-liu-head-outline.jpg',0,'attachment','image/jpeg',0),(1140,2,'2014-06-08 22:10:16','2014-06-09 05:10:16','Here\'s how to draw Lucy Liu.\r\n\r\n \r\n\r\n[caption id=\"attachment_1137\" align=\"aligncenter\" width=\"533\"]\" © Carrienelson1 | Dreamstime.com[/caption]\r\n

Draw an Outline of the Head

\r\nThe head is 3 inches tall on the reference photo. Scaled my drawing twice the size of my reference photo.\r\n\r\n\"drawing','Take the Mystery Out of Drawing Lucy Liu','','inherit','open','open','','1132-revision-v1','','','2014-06-08 22:10:16','2014-06-09 05:10:16','',1132,'http://www.letsdrawpeople.com/1132-revision-v1/',0,'revision','',0),(1141,2,'2014-06-08 22:12:51','2014-06-09 05:12:51','Here\'s how to draw Lucy Liu.\r\n\r\n[caption id=\"attachment_1137\" align=\"aligncenter\" width=\"199\"]\" © Carrienelson1 | Dreamstime.com[/caption]\r\n

Draw an Outline of the Head

\r\nThe head is 3 inches tall on the reference photo. Scaled my drawing twice the size of my reference photo.\r\n\r\n\"drawing','Take the Mystery Out of Drawing Lucy Liu','','inherit','open','open','','1132-revision-v1','','','2014-06-08 22:12:51','2014-06-09 05:12:51','',1132,'http://www.letsdrawpeople.com/1132-revision-v1/',0,'revision','',0),(1142,2,'2014-06-08 22:14:31','2014-06-09 05:14:31','Here\'s how to draw Lucy Liu.\r\n\r\n[caption id=\"attachment_1137\" align=\"aligncenter\" width=\"333\"]\" © Carrienelson1 | Dreamstime.com[/caption]\r\n

Draw an Outline of the Head

\r\nThe head is 3 inches tall on the reference photo. Scaled my drawing twice the size of my reference photo.\r\n\r\n\"drawing','Take the Mystery Out of Drawing Lucy Liu','','inherit','open','open','','1132-revision-v1','','','2014-06-08 22:14:31','2014-06-09 05:14:31','',1132,'http://www.letsdrawpeople.com/1132-revision-v1/',0,'revision','',0),(1144,2,'2014-06-09 07:07:41','2014-06-09 14:07:41','Here\'s how to draw Lucy Liu.\r\n\r\n[caption id=\"attachment_1137\" align=\"aligncenter\" width=\"333\"]\" © Carrienelson1 | Dreamstime.com[/caption]\r\n

Draw an Outline of the Head

\r\nThe head is 3 inches tall on the reference photo. Scaled my drawing twice the size of my reference photo.\r\n\r\n \r\n\r\n\"drawing','Take the Mystery Out of Drawing Lucy Liu','','inherit','open','open','','1132-revision-v1','','','2014-06-09 07:07:41','2014-06-09 14:07:41','',1132,'http://www.letsdrawpeople.com/1132-revision-v1/',0,'revision','',0),(1146,2,'2014-06-09 07:10:48','2014-06-09 14:10:48','Here\'s how to draw Lucy Liu.\r\n\r\n[caption id=\"attachment_1137\" align=\"aligncenter\" width=\"333\"]\" © Carrienelson1 | Dreamstime.com[/caption]\r\n

Draw an Outline of the Head

\r\nThe head is 3 inches tall on the reference photo. Scaled my drawing twice the size of my reference photo.\r\n\r\n\"drawing\r\n\r\n \r\n\r\n ','Take the Mystery Out of Drawing Lucy Liu','','inherit','open','open','','1132-revision-v1','','','2014-06-09 07:10:48','2014-06-09 14:10:48','',1132,'http://www.letsdrawpeople.com/1132-revision-v1/',0,'revision','',0),(1150,2,'2014-06-09 08:26:58','2014-06-09 15:26:58','Here\'s how to draw Lucy Liu.\r\n\r\n[caption id=\"attachment_1137\" align=\"aligncenter\" width=\"333\"]\" © Carrienelson1 | Dreamstime.com[/caption]\r\n

Draw an Outline of the Head

\r\nThe head is 3 inches tall on the reference photo. Scaled my drawing twice the size of my reference photo.\r\n\r\n\"drawing\r\n

 Correctly Place the Eyes

\r\nThree inches from the top\r\n\r\n\"drawing\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Take the Mystery Out of Drawing Lucy Liu','','inherit','open','open','','1132-revision-v1','','','2014-06-09 08:26:58','2014-06-09 15:26:58','',1132,'http://www.letsdrawpeople.com/1132-revision-v1/',0,'revision','',0),(1153,2,'2014-06-09 12:58:33','2014-06-09 19:58:33','Here\'s how to draw Lucy Liu.\r\n\r\n[caption id=\"attachment_1137\" align=\"aligncenter\" width=\"333\"]\" © Carrienelson1 | Dreamstime.com[/caption]\r\n

Draw an Outline of the Head

\r\nThe head is 3 inches tall on the reference photo. Scaled my drawing twice the size of my reference photo.\r\n\r\n\"drawing\r\n

 Correctly Place the Eyes

\r\nThree inches from the top\r\n\r\n \r\n\r\n\"drawing\r\n\r\nGuidelines for eyelashes\r\n\r\n\"drawing\r\n\r\n ','Take the Mystery Out of Drawing Lucy Liu','','inherit','open','open','','1132-revision-v1','','','2014-06-09 12:58:33','2014-06-09 19:58:33','',1132,'http://www.letsdrawpeople.com/1132-revision-v1/',0,'revision','',0),(1155,2,'2014-06-09 16:14:28','2014-06-09 23:14:28','','drawing lucy liu nose placement','','inherit','open','open','','drawing-lucy-liu-nose-placement','','','2014-06-09 16:14:28','2014-06-09 23:14:28','',1132,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/drawing-lucy-liu-nose-placement.jpg',0,'attachment','image/jpeg',0),(1156,2,'2014-06-09 16:18:24','2014-06-09 23:18:24','','drawing lucy liu nose placement 2','','inherit','open','open','','drawing-lucy-liu-nose-placement-2','','','2014-06-09 16:18:24','2014-06-09 23:18:24','',1132,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/drawing-lucy-liu-nose-placement-2.jpg',0,'attachment','image/jpeg',0),(1157,2,'2014-06-09 16:18:59','2014-06-09 23:18:59','Here\'s how to draw Lucy Liu.\r\n\r\n[caption id=\"attachment_1137\" align=\"aligncenter\" width=\"333\"]\" © Carrienelson1 | Dreamstime.com[/caption]\r\n

Draw an Outline of the Head

\r\nThe head is 3 inches tall on the reference photo. Scaled my drawing twice the size of my reference photo.\r\n\r\n\"drawing\r\n

 Correctly Place the Eyes

\r\nThree inches from the top\r\n\r\n\"drawing\r\n\r\n \r\n\r\nGuidelines for eyelashes\r\n\r\n\"drawing\r\n

Draw Lines to Place the Nose

\r\nThe nose goes here\r\n\r\n \r\n\r\n\"drawing\r\n\r\n \r\n\r\nAdd ball, wings, and nostrils\r\n\r\n\"drawing','Take the Mystery Out of Drawing Lucy Liu','','inherit','open','open','','1132-revision-v1','','','2014-06-09 16:18:59','2014-06-09 23:18:59','',1132,'http://www.letsdrawpeople.com/1132-revision-v1/',0,'revision','',0),(1158,2,'2014-06-09 19:02:27','2014-06-10 02:02:27','','drawing lucy liu mouth placement 2','','inherit','open','open','','drawing-lucy-liu-mouth-placement-2','','','2014-06-09 19:02:27','2014-06-10 02:02:27','',1132,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/drawing-lucy-liu-mouth-placement-2.jpg',0,'attachment','image/jpeg',0),(1159,2,'2014-06-09 19:02:32','2014-06-10 02:02:32','','drawing lucy liu mouth placement','','inherit','open','open','','drawing-lucy-liu-mouth-placement','','','2014-06-09 19:02:32','2014-06-10 02:02:32','',1132,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/drawing-lucy-liu-mouth-placement.jpg',0,'attachment','image/jpeg',0),(1160,2,'2014-06-09 19:55:18','2014-06-10 02:55:18','','drawing lucy liu ear placement','','inherit','open','open','','drawing-lucy-liu-ear-placement','','','2014-06-09 19:55:18','2014-06-10 02:55:18','',1132,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/drawing-lucy-liu-ear-placement.jpg',0,'attachment','image/jpeg',0),(1161,2,'2014-06-09 19:57:32','2014-06-10 02:57:32','','drawing lucy liu eyebrows placement','','inherit','open','open','','drawing-lucy-liu-eyebrows-placement','','','2014-06-09 19:57:32','2014-06-10 02:57:32','',1132,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/drawing-lucy-liu-eyebrows-placement.jpg',0,'attachment','image/jpeg',0),(1162,2,'2014-06-09 20:06:09','2014-06-10 03:06:09','','drawing lucy liu face outline','','inherit','open','open','','drawing-lucy-liu-face-outline','','','2014-06-09 20:06:09','2014-06-10 03:06:09','',1132,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/drawing-lucy-liu-face-outline.jpg',0,'attachment','image/jpeg',0),(1163,2,'2014-06-09 20:08:53','2014-06-10 03:08:53','','drawing lucy liu hair outline','','inherit','open','open','','drawing-lucy-liu-hair-outline','','','2014-06-09 20:08:53','2014-06-10 03:08:53','',1132,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/drawing-lucy-liu-hair-outline.jpg',0,'attachment','image/jpeg',0),(1164,2,'2014-06-09 20:10:09','2014-06-10 03:10:09','','drawing lucy liu erased guidelines','','inherit','open','open','','drawing-lucy-liu-erased-guidelines','','','2014-06-09 20:10:09','2014-06-10 03:10:09','',1132,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/drawing-lucy-liu-erased-guidelines.jpg',0,'attachment','image/jpeg',0),(1165,2,'2014-06-09 20:11:52','2014-06-10 03:11:52','Here\'s how to draw Lucy Liu.\r\n\r\n[caption id=\"attachment_1137\" align=\"aligncenter\" width=\"333\"]\" © Carrienelson1 | Dreamstime.com[/caption]\r\n

Draw an Outline of the Head

\r\nThe head is 3 inches tall on the reference photo. Scaled my drawing twice the size of my reference photo.\r\n\r\n\"drawing\r\n

 Correctly Place the Eyes

\r\nThree inches from the top\r\n\r\n\"drawing\r\n\r\n \r\n\r\nGuidelines for eyelashes\r\n\r\n\"drawing\r\n

Draw Lines to Place Her Nose

\r\nThe nose goes here\r\n\r\n \r\n\r\n\"drawing\r\n\r\n \r\n\r\nAdd ball, wings, and nostrils\r\n\r\n\"drawing\r\n\r\n \r\n

Draw Lucy\'s Mouth

\r\nMouth text approx msmts follow\r\n\r\n\"drawing\r\n\r\nTeeth and bottom lip\r\n\r\n\"drawing\r\n\r\n \r\n

Placing the Ear and Eyebrow

\r\nHere\'s how\r\n\r\n\"drawing\r\n\r\n \r\n\r\nand put eyebrows under the line like so\r\n\r\n\"drawing\r\n\r\n \r\n

Finish Up the Line Drawing

\r\nLucy\'s cheekbones\r\n\r\n\"drawing\r\n\r\n \r\n\r\nMake a hairline. doesn\'t have to look natural yet\r\n\r\n\"drawing\r\n\r\n \r\n\r\nerased guidelines. here is what you should have for lucy liu so far\r\n\r\n\"drawing\r\n\r\n \r\n

Add Detail to Lucy\'s Eyes

\r\nDark tones\r\n\r\n ','Take the Mystery Out of Drawing Lucy Liu','','inherit','open','open','','1132-revision-v1','','','2014-06-09 20:11:52','2014-06-10 03:11:52','',1132,'http://www.letsdrawpeople.com/1132-revision-v1/',0,'revision','',0),(1166,2,'2014-06-09 20:34:05','2014-06-10 03:34:05','','drawing lucy liu eye details','','inherit','open','open','','drawing-lucy-liu-eye-details','','','2014-06-09 20:34:05','2014-06-10 03:34:05','',1132,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/drawing-lucy-liu-eye-details.jpg',0,'attachment','image/jpeg',0),(1167,2,'2014-06-09 20:36:03','2014-06-10 03:36:03','','drawing lucy liu eye details 2','','inherit','open','open','','drawing-lucy-liu-eye-details-2','','','2014-06-09 20:36:03','2014-06-10 03:36:03','',1132,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/drawing-lucy-liu-eye-details-2.jpg',0,'attachment','image/jpeg',0),(1168,2,'2014-06-09 20:46:38','2014-06-10 03:46:38','','drawing lucy liu face details','','inherit','open','open','','drawing-lucy-liu-face-details','','','2014-06-09 20:46:38','2014-06-10 03:46:38','',1132,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/drawing-lucy-liu-face-details.jpg',0,'attachment','image/jpeg',0),(1169,2,'2014-06-09 20:48:27','2014-06-10 03:48:27','','drawing lucy liu face details 2','','inherit','open','open','','drawing-lucy-liu-face-details-2','','','2014-06-09 20:48:27','2014-06-10 03:48:27','',1132,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/drawing-lucy-liu-face-details-2.jpg',0,'attachment','image/jpeg',0),(1170,2,'2014-06-09 21:06:08','2014-06-10 04:06:08','','drawing lucy liu hair details','','inherit','open','open','','drawing-lucy-liu-hair-details','','','2014-06-09 21:06:08','2014-06-10 04:06:08','',1132,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/drawing-lucy-liu-hair-details.jpg',0,'attachment','image/jpeg',0),(1171,2,'2014-06-09 21:10:12','2014-06-10 04:10:12','','drawing lucy liu','\"Lucy Liu\" by Jack Pearce','inherit','open','open','','drawing-lucy-liu','','','2014-06-09 21:10:12','2014-06-10 04:10:12','',1132,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/drawing-lucy-liu.jpg',0,'attachment','image/jpeg',0),(1172,2,'2014-06-09 21:10:42','2014-06-10 04:10:42','Here\'s how to draw Lucy Liu.\r\n\r\n[caption id=\"attachment_1137\" align=\"aligncenter\" width=\"333\"]\" © Carrienelson1 | Dreamstime.com[/caption]\r\n

Draw an Outline of the Head

\r\nThe head is 3 inches tall on the reference photo. Scaled my drawing twice the size of my reference photo.\r\n\r\n\"drawing\r\n

 Correctly Place the Eyes

\r\nThree inches from the top\r\n\r\n\"drawing\r\n\r\n \r\n\r\nGuidelines for eyelashes\r\n\r\n\"drawing\r\n

Draw Lines to Place Her Nose

\r\nThe nose goes here\r\n\r\n \r\n\r\n\"drawing\r\n\r\n \r\n\r\nAdd ball, wings, and nostrils\r\n\r\n\"drawing\r\n\r\n \r\n

Draw Lucy\'s Mouth

\r\nMouth text approx msmts follow\r\n\r\n\"drawing\r\n\r\nTeeth and bottom lip\r\n\r\n\"drawing\r\n\r\n \r\n

Placing the Ear and Eyebrow

\r\nHere\'s how\r\n\r\n\"drawing\r\n\r\n \r\n\r\nand put eyebrows under the line like so\r\n\r\n\"drawing\r\n\r\n \r\n

Finish Up the Line Drawing

\r\nLucy\'s cheekbones\r\n\r\n\"drawing\r\n\r\n \r\n\r\nMake a hairline. doesn\'t have to look natural yet\r\n\r\n\"drawing\r\n\r\n \r\n\r\nerased guidelines. here is what you should have for lucy liu so far\r\n\r\n\"drawing\r\n\r\n \r\n

Add Detail to Lucy\'s Eyes

\r\nDark tones\r\n\r\n\"drawing\r\n\r\nDetails to eyebrows light strands\r\n\r\n\"drawing\r\n\r\n \r\n

Complete Lucy\'s Nose, Mouth, and Ear

\r\nSee how\r\n\r\n\"drawing\r\n\r\nShading to enhance facial features and highlight personal character traits\r\n\r\n\"drawing\r\n\r\n \r\n

Add in the Hair in Layers

\r\nObserve how volume is added by strands of hair flowing from the hairline\r\n\r\n\"drawing\r\n\r\nFinishing Touches\r\n\r\nGarment. carefully observe the reference photo. go back and add any other fine details to the face that you may have missed. there you have it. objective and some of mystery out of drawing lucy liu\r\n\r\n\"drawing','Take the Mystery Out of Drawing Lucy Liu','','inherit','open','open','','1132-revision-v1','','','2014-06-09 21:10:42','2014-06-10 04:10:42','',1132,'http://www.letsdrawpeople.com/1132-revision-v1/',0,'revision','',0),(1173,2,'2014-06-09 21:18:08','2014-06-10 04:18:08','Here\'s how to draw Lucy Liu.\r\n\r\n[caption id=\"attachment_1137\" align=\"aligncenter\" width=\"333\"]\" © Carrienelson1 | Dreamstime.com[/caption]\r\n

Draw an Outline of the Head

\r\nThe head is 3 inches tall on the reference photo. Scaled my drawing twice the size of my reference photo.\r\n\r\n\"drawing\r\n

 Correctly Place the Eyes

\r\nThree inches from the top\r\n\r\n\"drawing\r\n\r\n \r\n\r\nGuidelines for eyelashes\r\n\r\n\"drawing\r\n

Draw Lines to Place Her Nose

\r\nThe nose goes here\r\n\r\n \r\n\r\n\"drawing\r\n\r\n \r\n\r\nAdd ball, wings, and nostrils\r\n\r\n\"drawing\r\n\r\n \r\n

Draw Lucy\'s Mouth

\r\nMouth text approx msmts follow\r\n\r\n\"drawing\r\n\r\nTeeth and bottom lip\r\n\r\n\"drawing\r\n\r\n \r\n

Placing the Ear and Eyebrow

\r\nHere\'s how\r\n\r\n\"drawing\r\n\r\n \r\n\r\nand put eyebrows under the line like so\r\n\r\n\"drawing\r\n\r\n \r\n

Finish Up the Line Drawing

\r\nLucy\'s cheekbones\r\n\r\n\"drawing\r\n\r\n \r\n\r\nMake a hairline. doesn\'t have to look natural yet\r\n\r\n\"drawing\r\n\r\n \r\n\r\nerased guidelines. here is what you should have for lucy liu so far. before going any further, take a close look at the reference photo and your line drawing. make any needed adjustments before we add shading.\r\n\r\n\"drawing\r\n\r\n \r\n

Add Detail to Lucy\'s Eyes

\r\nDark tones\r\n\r\n\"drawing\r\n\r\nDetails to eyebrows light strands\r\n\r\n\"drawing\r\n\r\n \r\n

Complete Lucy\'s Nose, Mouth, and Ear

\r\nSee how\r\n\r\n\"drawing\r\n\r\nShading to enhance facial features and highlight personal character traits\r\n\r\n\"drawing\r\n\r\n \r\n

Add in the Hair in Layers

\r\nObserve how volume is added by strands of hair flowing from the hairline\r\n\r\n\"drawing\r\n\r\nFinishing Touches\r\n\r\nGarment. carefully observe the reference photo. go back and add any other fine details to the face that you may have missed. there you have it. objective and some of mystery out of drawing lucy liu\r\n\r\n\"drawing','Take the Mystery Out of Drawing Lucy Liu','','inherit','open','open','','1132-revision-v1','','','2014-06-09 21:18:08','2014-06-10 04:18:08','',1132,'http://www.letsdrawpeople.com/1132-revision-v1/',0,'revision','',0),(1174,2,'2014-06-10 06:07:44','2014-06-10 13:07:44','Considering Lucy Liu is currently starring in the CBS television show Elementary as Dr. Joan Watson, working alongside Sherlock Holmes to solve crimes, I could not resist the reference in this tutorial\'s title! Whether you are a fan of the show or not, the title is still fitting if you have ever thought about drawing Lucy Liu.\r\n\r\nIn this tutorial, we will take the same approach to drawing Lucy Liu that Sherlock Holmes and Dr. Watson take to solving mysteries. We will make small and careful observations.\r\n\r\nSo without further ado, let\'s see how to draw Lucy Liu!\r\n\r\nWe will try to draw Lucy as she is depicted in the reference photo below.\r\n\r\n[caption id=\"attachment_1137\" align=\"aligncenter\" width=\"333\"]\" © Carrienelson1 | Dreamstime.com[/caption]\r\n\r\nWe will make some careful measurements to properly place Lucy\'s facial features.\r\n

Draw an Outline of the Head

\r\nThe head is 3 inches tall on the reference photo. Scaled my drawing twice the size of my reference photo.\r\n\r\n\"drawing\r\n

 Correctly Place the Eyes

\r\nThree inches from the top\r\n\r\n\"drawing\r\n\r\n \r\n\r\nGuidelines for eyelashes\r\n\r\n\"drawing\r\n

Draw Lines to Place Her Nose

\r\nThe nose goes here\r\n\r\n \r\n\r\n\"drawing\r\n\r\n \r\n\r\nAdd ball, wings, and nostrils\r\n\r\n\"drawing\r\n\r\n \r\n

Draw Lucy\'s Mouth

\r\nMouth text approx msmts follow\r\n\r\n\"drawing\r\n\r\nTeeth and bottom lip\r\n\r\n\"drawing\r\n\r\n \r\n

Placing the Ear and Eyebrow

\r\nHere\'s how\r\n\r\n\"drawing\r\n\r\n \r\n\r\nand put eyebrows under the line like so\r\n\r\n\"drawing\r\n\r\n \r\n

Finish Up the Line Drawing

\r\nLucy\'s cheekbones\r\n\r\n\"drawing\r\n\r\n \r\n\r\nMake a hairline. doesn\'t have to look natural yet\r\n\r\n\"drawing\r\n\r\n \r\n\r\nerased guidelines. here is what you should have for lucy liu so far. before going any further, take a close look at the reference photo and your line drawing. make any needed adjustments before we add shading.\r\n\r\n\"drawing\r\n\r\n \r\n

Add Detail to Lucy\'s Eyes

\r\nDark tones\r\n\r\n\"drawing\r\n\r\nDetails to eyebrows light strands\r\n\r\n\"drawing\r\n\r\n \r\n

Complete Lucy\'s Nose, Mouth, and Ear

\r\nSee how\r\n\r\n\"drawing\r\n\r\nShading to enhance facial features and highlight personal character traits\r\n\r\n\"drawing\r\n\r\n \r\n

Add in the Hair in Layers

\r\nObserve how volume is added by strands of hair flowing from the hairline\r\n\r\n\"drawing\r\n\r\nFinishing Touches\r\n\r\nGarment. carefully observe the reference photo. go back and add any other fine details to the face that you may have missed. there you have it. objective and some of mystery out of drawing lucy liu\r\n\r\n\"drawing','Take the Mystery Out of Drawing Lucy Liu','','inherit','open','open','','1132-revision-v1','','','2014-06-10 06:07:44','2014-06-10 13:07:44','',1132,'http://www.letsdrawpeople.com/1132-revision-v1/',0,'revision','',0),(1175,2,'2014-06-10 06:15:02','2014-06-10 13:15:02','Considering Lucy Liu is currently starring in the CBS television show Elementary as Dr. Joan Watson, working alongside Sherlock Holmes to solve crimes, I could not resist the reference in this tutorial\'s title! Whether you are a fan of the show or not, the title is still fitting if you have ever thought about drawing Lucy Liu.\r\n\r\nIn this tutorial, we will take the same approach to drawing Lucy Liu that Sherlock Holmes and Dr. Watson take to solving mysteries. We will make small and careful observations.\r\n\r\nSo without further ado, let\'s see how to draw Lucy Liu!\r\n\r\nWe will try to draw Lucy as she is depicted in the reference photo below.\r\n\r\n[caption id=\"attachment_1137\" align=\"aligncenter\" width=\"320\"]\" © Carrienelson1 | Dreamstime.com[/caption]\r\n\r\nWe will make some careful measurements to properly place Lucy\'s facial features.\r\n

Draw an Outline of the Head

\r\nThe head is 3 inches tall on the reference photo. Scaled my drawing twice the size of my reference photo.\r\n\r\n\"drawing\r\n

 Correctly Place the Eyes

\r\nThree inches from the top\r\n\r\n\"drawing\r\n\r\n \r\n\r\nGuidelines for eyelashes\r\n\r\n\"drawing\r\n

Draw Lines to Place Her Nose

\r\nThe nose goes here\r\n\r\n \r\n\r\n\"drawing\r\n\r\n \r\n\r\nAdd ball, wings, and nostrils\r\n\r\n\"drawing\r\n\r\n \r\n

Draw Lucy\'s Mouth

\r\nMouth text approx msmts follow\r\n\r\n\"drawing\r\n\r\nTeeth and bottom lip\r\n\r\n\"drawing\r\n\r\n \r\n

Placing the Ear and Eyebrow

\r\nHere\'s how\r\n\r\n\"drawing\r\n\r\n \r\n\r\nand put eyebrows under the line like so\r\n\r\n\"drawing\r\n\r\n \r\n

Finish Up the Line Drawing

\r\nLucy\'s cheekbones\r\n\r\n\"drawing\r\n\r\n \r\n\r\nMake a hairline. doesn\'t have to look natural yet\r\n\r\n\"drawing\r\n\r\n \r\n\r\nerased guidelines. here is what you should have for lucy liu so far. before going any further, take a close look at the reference photo and your line drawing. make any needed adjustments before we add shading.\r\n\r\n\"drawing\r\n\r\n \r\n

Add Detail to Lucy\'s Eyes

\r\nDark tones\r\n\r\n\"drawing\r\n\r\nDetails to eyebrows light strands\r\n\r\n\"drawing\r\n\r\n \r\n

Complete Lucy\'s Nose, Mouth, and Ear

\r\nSee how\r\n\r\n\"drawing\r\n\r\nShading to enhance facial features and highlight personal character traits\r\n\r\n\"drawing\r\n\r\n \r\n

Add in the Hair in Layers

\r\nObserve how volume is added by strands of hair flowing from the hairline\r\n\r\n\"drawing\r\n\r\nFinishing Touches\r\n\r\nGarment. carefully observe the reference photo. go back and add any other fine details to the face that you may have missed. there you have it. objective and some of mystery out of drawing lucy liu\r\n\r\n\"drawing','Take the Mystery Out of Drawing Lucy Liu','','inherit','open','open','','1132-revision-v1','','','2014-06-10 06:15:02','2014-06-10 13:15:02','',1132,'http://www.letsdrawpeople.com/1132-revision-v1/',0,'revision','',0),(1177,2,'2014-06-10 06:43:27','2014-06-10 13:43:27','Considering Lucy Liu is currently starring in the CBS television show Elementary as Dr. Joan Watson, working alongside Sherlock Holmes to solve crimes, I could not resist the reference in this tutorial\'s title! Whether you are a fan of the show or not, the title is still fitting if you have ever thought about drawing Lucy Liu.\r\n\r\nIn this tutorial, we will take the same approach to drawing Lucy Liu that Sherlock Holmes and Dr. Watson take to solving mysteries. We will make small and careful observations.\r\n\r\nSo without further ado, let\'s see how to draw Lucy Liu!\r\n\r\nWe will try to draw Lucy as she is depicted in the reference photo below.\r\n\r\n[caption id=\"attachment_1176\" align=\"aligncenter\" width=\"320\"]\"© © Carrienelson1 | Dreamstime.com[/caption]\r\n\r\nThis image is slightly larger than the one I used. You can also click on it to enlarge the image even more and get a closer look at details.\r\n\r\nWe will make some careful measurements to properly place Lucy\'s facial features. I outline the measurements from my reference photo in the steps below, so the only measurements you need to make are for your own drawing. To keep things simple, the drawing is scaled to be twice the size of the reference photo.\r\n

Draw an Outline of the Head

\r\nThe head is 3 inches tall on the reference photo. Scaled my drawing twice the size of my reference photo.\r\n\r\n\"drawing\r\n

 Correctly Place the Eyes

\r\nThree inches from the top\r\n\r\n\"drawing\r\n\r\n \r\n\r\nGuidelines for eyelashes\r\n\r\n\"drawing\r\n

Draw Lines to Place Her Nose

\r\nThe nose goes here\r\n\r\n \r\n\r\n\"drawing\r\n\r\n \r\n\r\nAdd ball, wings, and nostrils\r\n\r\n\"drawing\r\n\r\n \r\n

Draw Lucy\'s Mouth

\r\nMouth text approx msmts follow\r\n\r\n\"drawing\r\n\r\nTeeth and bottom lip\r\n\r\n\"drawing\r\n\r\n \r\n

Placing the Ear and Eyebrow

\r\nHere\'s how\r\n\r\n\"drawing\r\n\r\n \r\n\r\nand put eyebrows under the line like so\r\n\r\n\"drawing\r\n\r\n \r\n

Finish Up the Line Drawing

\r\nLucy\'s cheekbones\r\n\r\n\"drawing\r\n\r\n \r\n\r\nMake a hairline. doesn\'t have to look natural yet\r\n\r\n\"drawing\r\n\r\n \r\n\r\nerased guidelines. here is what you should have for lucy liu so far. before going any further, take a close look at the reference photo and your line drawing. make any needed adjustments before we add shading.\r\n\r\n\"drawing\r\n\r\n \r\n

Add Detail to Lucy\'s Eyes

\r\nDark tones\r\n\r\n\"drawing\r\n\r\nDetails to eyebrows light strands\r\n\r\n\"drawing\r\n\r\n \r\n

Complete Lucy\'s Nose, Mouth, and Ear

\r\nSee how\r\n\r\n\"drawing\r\n\r\nShading to enhance facial features and highlight personal character traits\r\n\r\n\"drawing\r\n\r\n \r\n

Add in the Hair in Layers

\r\nObserve how volume is added by strands of hair flowing from the hairline\r\n\r\n\"drawing\r\n\r\nFinishing Touches\r\n\r\nGarment. carefully observe the reference photo. go back and add any other fine details to the face that you may have missed. there you have it. objective and some of mystery out of drawing lucy liu\r\n\r\n\"drawing','Take the Mystery Out of Drawing Lucy Liu','','inherit','open','open','','1132-revision-v1','','','2014-06-10 06:43:27','2014-06-10 13:43:27','',1132,'http://www.letsdrawpeople.com/1132-revision-v1/',0,'revision','',0),(1178,2,'2014-06-10 07:02:28','2014-06-10 14:02:28','Considering Lucy Liu is currently starring in the CBS television show Elementary as Dr. Joan Watson, working alongside Sherlock Holmes to solve crimes, I could not resist the reference in this tutorial\'s title! Whether you are a fan of the show or not, the title is still fitting if you have ever thought about drawing Lucy Liu.\r\n\r\nIn this tutorial, we will take the same approach to drawing Lucy Liu that Sherlock Holmes and Dr. Watson take to solving mysteries. We will make small and careful observations.\r\n\r\nSo without further ado, let\'s see how to draw Lucy Liu!\r\n\r\nWe will try to draw Lucy as she is depicted in the reference photo below.\r\n\r\n[caption id=\"attachment_1176\" align=\"aligncenter\" width=\"320\"]\"© © Carrienelson1 | Dreamstime.com[/caption]\r\n\r\nThis image is slightly larger than the one I used. You can also click on it to enlarge the image even more and get a closer look at details.\r\n\r\nWe will make some careful measurements to properly place Lucy\'s facial features. I outline the measurements from my reference photo in the steps below, so the only measurements you need to make are for your own drawing. To keep things simple, the drawing is scaled to be twice the size of the reference photo.\r\n

Draw an Outline of the Head

\r\nThe head is 3 inches tall and roughly 2 inches across on the reference photo. In order to draw Lucy\'s head twice the size of this, use a ruler on your drawing paper to mark off lines for the top of the head and the bottom of the chin, 6 inches apart. Mark lines 4 inches apart for the width.\r\n\r\nIf you have trouble making an oval shape for the head, one technique is to begin with a circle. Mark off another 4 inches from the top line to create a 4\" x 4\" box. Sketch your circle within this box as best as you can. It does not have to be perfect!\r\n\r\nFrom the sides of the circle, draw lines downward that meet at the chin to create an oval shape. Notice how the chin is shifted slightly to the left (our left).\r\n\r\n\"drawing\r\n

 Correctly Place the Eyes

\r\nThree inches from the top\r\n\r\n\"drawing\r\n\r\n \r\n\r\nGuidelines for eyelashes\r\n\r\n\"drawing\r\n

Draw Lines to Place Her Nose

\r\nThe nose goes here\r\n\r\n \r\n\r\n\"drawing\r\n\r\n \r\n\r\nAdd ball, wings, and nostrils\r\n\r\n\"drawing\r\n\r\n \r\n

Draw Lucy\'s Mouth

\r\nMouth text approx msmts follow\r\n\r\n\"drawing\r\n\r\nTeeth and bottom lip\r\n\r\n\"drawing\r\n\r\n \r\n

Placing the Ear and Eyebrow

\r\nHere\'s how\r\n\r\n\"drawing\r\n\r\n \r\n\r\nand put eyebrows under the line like so\r\n\r\n\"drawing\r\n\r\n \r\n

Finish Up the Line Drawing

\r\nLucy\'s cheekbones\r\n\r\n\"drawing\r\n\r\n \r\n\r\nMake a hairline. doesn\'t have to look natural yet\r\n\r\n\"drawing\r\n\r\n \r\n\r\nerased guidelines. here is what you should have for lucy liu so far. before going any further, take a close look at the reference photo and your line drawing. make any needed adjustments before we add shading.\r\n\r\n\"drawing\r\n\r\n \r\n

Add Detail to Lucy\'s Eyes

\r\nDark tones\r\n\r\n\"drawing\r\n\r\nDetails to eyebrows light strands\r\n\r\n\"drawing\r\n\r\n \r\n

Complete Lucy\'s Nose, Mouth, and Ear

\r\nSee how\r\n\r\n\"drawing\r\n\r\nShading to enhance facial features and highlight personal character traits\r\n\r\n\"drawing\r\n\r\n \r\n

Add in the Hair in Layers

\r\nObserve how volume is added by strands of hair flowing from the hairline\r\n\r\n\"drawing\r\n\r\nFinishing Touches\r\n\r\nGarment. carefully observe the reference photo. go back and add any other fine details to the face that you may have missed. there you have it. objective and some of mystery out of drawing lucy liu\r\n\r\n\"drawing','Take the Mystery Out of Drawing Lucy Liu','','inherit','open','open','','1132-revision-v1','','','2014-06-10 07:02:28','2014-06-10 14:02:28','',1132,'http://www.letsdrawpeople.com/1132-revision-v1/',0,'revision','',0),(1179,2,'2014-06-10 08:47:42','2014-06-10 15:47:42','Considering Lucy Liu is currently starring in the CBS television show Elementary as Dr. Joan Watson, working alongside Sherlock Holmes to solve crimes, I could not resist the reference in this tutorial\'s title! Whether you are a fan of the show or not, the title is still fitting if you have ever thought about drawing Lucy Liu.\r\n\r\nIn this tutorial, we will take the same approach to drawing Lucy Liu that Sherlock Holmes and Dr. Watson take to solving mysteries. We will make small and careful observations.\r\n\r\nSo without further ado, let\'s see how to draw Lucy Liu!\r\n\r\nWe will try to draw Lucy as she is depicted in the reference photo below.\r\n\r\n[caption id=\"attachment_1176\" align=\"aligncenter\" width=\"320\"]\"© © Carrienelson1 | Dreamstime.com[/caption]\r\n\r\nThis image is slightly larger than the one I used. You can also click on it to enlarge the image even more and get a closer look at details.\r\n\r\nWe will make some careful measurements to properly place Lucy\'s facial features. Additionally, we will sketch some guidelines in the form of boxes and draw the features within those boxes.\r\n\r\nI outline the measurements from my reference photo in the steps below, so the only measurements you need to make are for your own drawing. To keep things simple, the drawing is scaled to be twice the size of the reference photo.\r\n

Draw an Outline of the Head

\r\nThe head is 3 inches tall and roughly 2 inches across on the reference photo. In order to draw Lucy\'s head twice the size of this, use a ruler on your drawing paper to mark off lines for the top of the head and the bottom of the chin, 6 inches apart. Mark lines 4 inches apart for the width.\r\n\r\nIf you have trouble making an oval shape for the head, one technique is to begin with a circle. Mark off another 4 inches from the top line to create a 4\" x 4\" box. Sketch your circle within this box as best as you can. It does not have to be perfect!\r\n\r\nFrom the sides of the circle, draw lines downward that meet at the chin to create an oval shape. Notice how the chin is shifted slightly to our left (Lucy\'s right).\r\n\r\n\"drawing\r\n

 Correctly Place the Eyes

\r\nThree inches from the top of the head, draw a line to represent the top of the eyes. One-fourth of an inch below this should be a line for the bottom of the eyes.\r\n\r\nSince we drew a head 6 inches tall, this will place the eyes about halfway down.\r\n\r\nI also drew vertical lines to indicate the outside and inside corners of each eye. Drawing within these boxes helps us to see that the inner corners of the eyes are at the bottom corners of the boxes, and the outer corners of the eyes are higher up.\r\n\r\n \r\n\r\n\"drawing\r\n\r\nNext, draw circles inside the irises to represent pupils and highlights. Lucy has long eyelashes, so the lines indicated by the blue arrows below are to house her upper eyelashes.\r\n\r\nDraw a few more lines to add a little detail, but not too much yet! We will begin shading and adding eyelash strands later. At this initial stage of our drawing, our goal is to establish a basic line drawing of Lucy.\r\n\r\n\"drawing\r\n

Draw Lines to Place Her Nose

\r\nOur reference photo shows three-quarters of an inch from the chin to the bottom of the nose. Three-fourths of an inch x 2 equals one and a half inches.\r\n\r\nDraw a rectangle with lines from the corners of the eyes as shown to the bottom of the nose. Another horizontal line 3/8\" above the bottom line will be for the nose tip and wings.\r\n\r\nDraw basic curved shapes for the nose bridge, tip of the nose, and wings that house the nostrils.\r\n\r\n\"drawing\r\n\r\nAdd a little more detail to better define the bridge, ball, and nostrils. Form the shapes as closely as possible to the reference photo and try to stay within the rectangular guidelines.\r\n\r\n\"drawing\r\n

Draw Lucy\'s Mouth

\r\nUse the measurements below to place a guideline box for Lucy\'s mouth. Notice how we use features we already drew to place new features? The black vertical lines in the reference photo show how the outer corners of Lucy\'s mouth align with her eyes.\r\n\r\nForm the outline of the lips within the box. Then draw a thin top lip...\r\n\r\n\"drawing\r\n\r\n...followed by the bottom lip and teeth.\r\n\r\n\"drawing\r\n

Placing the Ear and Eyebrows

\r\nDraw a tall rectangular box for the ear. See below how the top of the ear aligns with where the eyebrows should go. The bottom of the ear aligns with the nose just above the nostrils. Study Lucy\'s ear in the photo and replicate the folds as closely as you can.\r\n\r\n\"drawing\r\n\r\nLightly sketch the eyebrows under the guideline from the top of the ear.\r\n\r\n\"drawing\r\n

Finish Up the Line Drawing

\r\nNow that we have the major facial features drawn, it\'s time to wrap up our basic line drawing. Draw lines to define Lucy\'s face, neck, and clothing.\r\n\r\nLucy has some prominent cheekbones. Be sure to indicate so by sketching in a way that protrudes past your original oval guideline.\r\n\r\n\"drawing\r\n\r\nMake the outline for Lucy\'s hair. Include a hairline. It does not have to look like natural hair yet. Try using already-drawn facial features as references to where to shape and bend the hairline to match the reference photo.\r\n\r\n\"drawing\r\n\r\nNow, carefully erase as many guidelines as possible. These include all of your rectangular boxes, measurement lines, and any other basic shapes used to form facial features. I use a pink eraser for large areas and a kneaded eraser and eraser pencil for smaller, tight areas.\r\n\r\nThis is what you should have for Lucy Liu so far.\r\n\r\n\"drawing\r\n\r\nBefore going any further, take a close look at the reference photo and compare it to your line drawing. Make any needed adjustments before we add shading.\r\n

Add Detail to Lucy\'s Eyes

\r\nDark tones\r\n\r\n\"drawing\r\n\r\nDetails to eyebrows light strands\r\n\r\n\"drawing\r\n\r\n \r\n

Complete Lucy\'s Nose, Mouth, and Ear

\r\nSee how\r\n\r\n\"drawing\r\n\r\nShading to enhance facial features and highlight personal character traits\r\n\r\n\"drawing\r\n\r\n \r\n

Add in the Hair in Layers

\r\nObserve how volume is added by strands of hair flowing from the hairline\r\n\r\n\"drawing\r\n\r\nFinishing Touches\r\n\r\nGarment. carefully observe the reference photo. go back and add any other fine details to the face that you may have missed. there you have it. objective and some of mystery out of drawing lucy liu\r\n\r\n\"drawing','Take the Mystery Out of Drawing Lucy Liu','','inherit','open','open','','1132-revision-v1','','','2014-06-10 08:47:42','2014-06-10 15:47:42','',1132,'http://www.letsdrawpeople.com/1132-revision-v1/',0,'revision','',0),(1180,2,'2014-06-10 08:59:19','2014-06-10 15:59:19','Considering Lucy Liu is currently starring in the CBS television show Elementary as Dr. Joan Watson, working alongside Sherlock Holmes to solve crimes, I could not resist the reference in this tutorial\'s title! Whether you are a fan of the show or not, the title is still fitting if you have ever thought about drawing Lucy Liu.\r\n\r\nIn this tutorial, we will take the same approach to drawing Lucy Liu that Sherlock Holmes and Dr. Watson take to solving mysteries. We will make small and careful observations.\r\n\r\nSo without further ado, let\'s see how to draw Lucy Liu!\r\n\r\nWe will try to draw Lucy as she is depicted in the reference photo below.\r\n\r\n[caption id=\"attachment_1176\" align=\"aligncenter\" width=\"320\"]\"© © Carrienelson1 | Dreamstime.com[/caption]\r\n\r\nThis image is slightly larger than the one I used. You can also click on it to enlarge the image even more and get a closer look at details.\r\n\r\nWe will make some careful measurements to properly place Lucy\'s facial features. Additionally, we will sketch some guidelines in the form of boxes and draw the features within those boxes.\r\n\r\nI outline the measurements from my reference photo in the steps below, so the only measurements you need to make are for your own drawing. To keep things simple, the drawing is scaled to be twice the size of the reference photo.\r\n

Draw an Outline of the Head

\r\nThe head is 3 inches tall and roughly 2 inches across on the reference photo. In order to draw Lucy\'s head twice the size of this, use a ruler on your drawing paper to mark off lines for the top of the head and the bottom of the chin, 6 inches apart. Mark lines 4 inches apart for the width.\r\n\r\nIf you have trouble making an oval shape for the head, one technique is to begin with a circle. Mark off another 4 inches from the top line to create a 4\" x 4\" box. Sketch your circle within this box as best as you can. It does not have to be perfect!\r\n\r\nFrom the sides of the circle, draw lines downward that meet at the chin to create an oval shape. Notice how the chin is shifted slightly to our left (Lucy\'s right).\r\n\r\n\"drawing\r\n

 Correctly Place the Eyes

\r\nThree inches from the top of the head, draw a line to represent the top of the eyes. One-fourth of an inch below this should be a line for the bottom of the eyes.\r\n\r\nSince we drew a head 6 inches tall, this will place the eyes about halfway down.\r\n\r\nI also drew vertical lines to indicate the outside and inside corners of each eye. Drawing within these boxes helps us to see that the inner corners of the eyes are at the bottom corners of the boxes, and the outer corners of the eyes are higher up.\r\n\r\n \r\n\r\n\"drawing\r\n\r\nNext, draw circles inside the irises to represent pupils and highlights. Lucy has long eyelashes, so the lines indicated by the blue arrows below are to house her upper eyelashes.\r\n\r\nDraw a few more lines to add a little detail, but not too much yet! We will begin shading and adding eyelash strands later. At this initial stage of our drawing, our goal is to establish a basic line drawing of Lucy.\r\n\r\n\"drawing\r\n

Draw Lines to Place Her Nose

\r\nOur reference photo shows three-quarters of an inch from the chin to the bottom of the nose. Three-fourths of an inch x 2 equals one and a half inches.\r\n\r\nDraw a rectangle with lines from the corners of the eyes as shown to the bottom of the nose. Another horizontal line 3/8\" above the bottom line will be for the nose tip and wings.\r\n\r\nDraw basic curved shapes for the nose bridge, tip of the nose, and wings that house the nostrils.\r\n\r\n\"drawing\r\n\r\nAdd a little more detail to better define the bridge, ball, and nostrils. Form the shapes as closely as possible to the reference photo and try to stay within the rectangular guidelines.\r\n\r\n\"drawing\r\n

Draw Lucy\'s Mouth

\r\nUse the measurements below to place a guideline box for Lucy\'s mouth. Notice how we use features we already drew to place new features? The black vertical lines in the reference photo show how the outer corners of Lucy\'s mouth align with her eyes.\r\n\r\nForm the outline of the lips within the box. Then draw a thin top lip...\r\n\r\n\"drawing\r\n\r\n...followed by the bottom lip and teeth.\r\n\r\n\"drawing\r\n

Placing the Ear and Eyebrows

\r\nDraw a tall rectangular box for the ear. See below how the top of the ear aligns with where the eyebrows should go. The bottom of the ear aligns with the nose just above the nostrils. Study Lucy\'s ear in the photo and replicate the folds as closely as you can.\r\n\r\n\"drawing\r\n\r\nLightly sketch the eyebrows under the guideline from the top of the ear.\r\n\r\n\"drawing\r\n

Finish Up the Line Drawing

\r\nNow that we have the major facial features drawn, it\'s time to wrap up our basic line drawing. Draw lines to define Lucy\'s face, neck, and clothing.\r\n\r\nLucy has some prominent cheekbones. Be sure to indicate so by sketching in a way that protrudes past your original oval guideline.\r\n\r\n\"drawing\r\n\r\nMake the outline for Lucy\'s hair. Include a hairline. It does not have to look like natural hair yet. Try using already-drawn facial features as references to where to shape and bend the hairline to match the reference photo.\r\n\r\n\"drawing\r\n\r\nNow, carefully erase as many guidelines as possible. These include all of your rectangular boxes, measurement lines, and any other basic shapes used to form facial features. I use a pink eraser for large areas and a kneaded eraser and eraser pencil for smaller, tight areas.\r\n\r\nThis is what you should have for Lucy Liu so far.\r\n\r\n\"drawing\r\n\r\nBefore going any further, take a close look at the reference photo and compare it to your line drawing. Make any needed adjustments before we add shading.\r\n

Add Detail to Lucy\'s Eyes

\r\nDark tones\r\n\r\n\"drawing\r\n\r\nDetails to eyebrows light strands\r\n\r\n\"drawing\r\n\r\n \r\n

Complete Lucy\'s Nose, Mouth, and Ear

\r\nSee how\r\n\r\n\"drawing\r\n\r\nShading to enhance facial features and highlight personal character traits\r\n\r\n\"drawing\r\n\r\n \r\n

Add in the Hair in Layers

\r\nObserve how volume is added by strands of hair flowing from the hairline\r\n\r\n\"drawing\r\n\r\nFinishing Touches\r\n\r\nGarment. carefully observe the reference photo. go back and add any other fine details to the face that you may have missed. there you have it. objective and some of mystery out of drawing lucy liu\r\n\r\n\"drawing','Take the Mystery Out of Drawing Lucy Liu','','inherit','open','open','','1132-revision-v1','','','2014-06-10 08:59:19','2014-06-10 15:59:19','',1132,'http://www.letsdrawpeople.com/1132-revision-v1/',0,'revision','',0),(1181,2,'2014-06-10 12:02:58','2014-06-10 19:02:58','Considering Lucy Liu is currently starring in the CBS television show Elementary as Dr. Joan Watson, working alongside Sherlock Holmes to solve crimes, I could not resist the reference in this tutorial\'s title! Whether you are a fan of the show or not, the title is still fitting if you have ever thought about drawing Lucy Liu.\r\n\r\nIn this tutorial, we will take the same approach to drawing Lucy Liu that Sherlock Holmes and Dr. Watson take to solving mysteries. We will make small and careful observations.\r\n\r\nSo without further ado, let\'s see how to draw Lucy Liu!\r\n\r\nWe will try to draw Lucy as she is depicted in the reference photo below.\r\n\r\n[caption id=\"attachment_1176\" align=\"aligncenter\" width=\"320\"]\"© © Carrienelson1 | Dreamstime.com[/caption]\r\n\r\nThis image is slightly larger than the one I used. You can also click on it to enlarge the image even more and get a closer look at details.\r\n\r\nWe will make some careful measurements to properly place Lucy\'s facial features. Additionally, we will sketch some guidelines in the form of boxes and draw the features within those boxes.\r\n\r\nI outline the measurements from my reference photo in the steps below, so the only measurements you need to make are for your own drawing. To keep things simple, the drawing is scaled to be twice the size of the reference photo.\r\n

Draw an Outline of the Head

\r\nThe head is 3 inches tall and roughly 2 inches across on the reference photo. In order to draw Lucy\'s head twice the size of this, use a ruler on your drawing paper to mark off lines for the top of the head and the bottom of the chin, 6 inches apart. Mark lines 4 inches apart for the width.\r\n\r\nIf you have trouble making an oval shape for the head, one technique is to begin with a circle. Mark off another 4 inches from the top line to create a 4\" x 4\" box. Sketch your circle within this box as best as you can. It does not have to be perfect!\r\n\r\nFrom the sides of the circle, draw lines downward that meet at the chin to create an oval shape. Notice how the chin is shifted slightly to our left (Lucy\'s right).\r\n\r\n\"drawing\r\n

Correctly Place the Eyes

\r\nThree inches from the top of the head, draw a line to represent the top of the eyes. One-fourth of an inch below this should be a line for the bottom of the eyes.\r\n\r\nSince we drew a head 6 inches tall, this will place the eyes about halfway down.\r\n\r\nI also drew vertical lines to indicate the outside and inside corners of each eye. Drawing within these boxes helps us to see that the inner corners of the eyes are at the bottom corners of the boxes, and the outer corners of the eyes are higher up.\r\n\r\n\"drawing\r\n\r\nNext, draw circles inside the irises to represent pupils and highlights. Lucy has long eyelashes, so the lines indicated by the blue arrows below are to house her upper eyelashes.\r\n\r\nDraw a few more lines to add a little detail, but not too much yet! We will begin shading and adding eyelash strands later. At this initial stage of our drawing, our goal is to establish a basic line drawing of Lucy.\r\n\r\n\"drawing\r\n

Draw Lines to Place Her Nose

\r\nOur reference photo shows three-quarters of an inch from the chin to the bottom of the nose. Three-fourths of an inch x 2 equals one and a half inches.\r\n\r\nDraw a rectangle with lines from the corners of the eyes as shown to the bottom of the nose. Another horizontal line 3/8\" above the bottom line will be for the nose tip and wings.\r\n\r\nDraw basic curved shapes for the nose bridge, tip of the nose, and wings that house the nostrils.\r\n\r\n\"drawing\r\n\r\nAdd a little more detail to better define the bridge, ball, and nostrils. Form the shapes as closely as possible to the reference photo and try to stay within the rectangular guidelines.\r\n\r\n\"drawing\r\n

Draw Lucy\'s Mouth

\r\nUse the measurements below to place a guideline box for Lucy\'s mouth. Notice how we use features we already drew to place new features? The black vertical lines in the reference photo show how the outer corners of Lucy\'s mouth align with her eyes.\r\n\r\nForm the outline of the lips within the box. Then draw a thin top lip...\r\n\r\n\"drawing\r\n\r\n...followed by the bottom lip and teeth.\r\n\r\n\"drawing\r\n

Placing the Ear and Eyebrows

\r\nDraw a tall rectangular box for the ear. See below how the top of the ear aligns with where the eyebrows should go. The bottom of the ear aligns with the nose just above the nostrils. Study Lucy\'s ear in the photo and replicate the folds as closely as you can.\r\n\r\n\"drawing\r\n\r\nLightly sketch the eyebrows under the guideline from the top of the ear.\r\n\r\n\"drawing\r\n

Finish Up the Line Drawing

\r\nNow that we have the major facial features drawn, it\'s time to wrap up our basic line drawing. Draw lines to define Lucy\'s face, neck, and clothing.\r\n\r\nLucy has some prominent cheekbones. Be sure to indicate so by sketching in a way that protrudes past your original oval guideline.\r\n\r\n\"drawing\r\n\r\nMake the outline for Lucy\'s hair. Include a hairline. It does not have to look like natural hair yet. Try using already-drawn facial features as references to where to shape and bend the hairline to match the reference photo.\r\n\r\n\"drawing\r\n\r\nNow, carefully erase as many guidelines as possible. These include all of your rectangular boxes, measurement lines, and any other basic shapes used to form facial features. I use a pink eraser for large areas and a kneaded eraser and eraser pencil for smaller, tight areas.\r\n\r\nThis is what you should have for Lucy Liu so far.\r\n\r\n\"drawing\r\n\r\nBefore going any further, take a close look at the reference photo and compare it to your line drawing. Make any needed adjustments before we add shading.\r\n\r\nNext we will bring our line drawing of Lucy Liu to life by adding some tones!\r\n

Add Detail to Lucy\'s Eyes

\r\nBegin by coloring in the pupils solid black. Lucy has dark brown eyes, so shade in the irises almost as dark.\r\n\r\nColor around the highlights. If you accidentally color over them, use a kneaded eraser to pick them out and brighten them up.\r\n\r\nAdd some shading around the eyelids. Then begin drawing the eyelashes. Since Lucy appears to have on some thick mascara, the eyelashes are clumped together in thick groups more so than they would be without the mascara. I suggest adding a mix of individual strands alongside the thicker strands.\r\n\r\n\"drawing\r\n\r\nAdd light pencil lines to represent the individual hairs of the eyebrows. See that the lines flow smoothly in the same direction.\r\n\r\n\"drawing\r\n

Complete Lucy\'s Nose, Mouth, and Ear

\r\nOnce again, look closely at the reference photo when adding tones to other facial features. Look for characteristic traits that bring out the uniqueness of the subject.\r\n\r\nFor example, I tried to replicate Lucy\'s smirk by shading the corners of her mouth in a way similar to what I observed in the photo.\r\n\r\n\"drawing\r\n\r\nContinue to add a mix of subtle and distinct shading to the skin. Look to enhance facial features and highlight personal character traits.\r\n\r\n\"drawing\r\n

 Add in the Hair in Layers

\r\nBegin by drawing hair from the hairline to the back, in the same direction as it is combed. Build volume by adding sections of hair and strands of hair in layers.\r\n\r\nIt is not necessary to draw each strand of hair. Use a combination of shadows and highlights to build additional volume.\r\n\r\n\"drawing\r\n

Finishing Touches

\r\nDraw and shade Lucy\'s black garment. Leave some lines darker where the seams are visible.\r\n\r\nCarefully observe the reference photo. Go back and add any other fine details to the face or hair that you may have missed or wish to include.\r\n\r\nThere you have it...an objective, measured approach to drawing Lucy Liu! I hope the close observations we made and the drawing techniques we used were able to remove some of the mystery of drawing for you.\r\n\r\nJust think of what you learned in this Lucy Liu tutorial when you try to draw other faces. Soon, the task of drawing portraits will no longer be a mystery. Rather, it will be Elementary!\r\n\r\n\"drawing','Take the Mystery Out of Drawing Lucy Liu','','inherit','open','open','','1132-revision-v1','','','2014-06-10 12:02:58','2014-06-10 19:02:58','',1132,'http://www.letsdrawpeople.com/1132-revision-v1/',0,'revision','',0),(1182,2,'2014-06-10 12:26:04','2014-06-10 19:26:04','','drawing lucy liu','','inherit','open','open','','drawing-lucy-liu-2','','','2014-06-10 12:26:04','2014-06-10 19:26:04','',1132,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/drawing-lucy-liu.gif',0,'attachment','image/gif',0),(1183,2,'2014-06-10 12:49:05','2014-06-10 19:49:05','\"drawingConsidering Lucy Liu is currently starring in the CBS television show Elementary as Dr. Joan Watson, working alongside Sherlock Holmes to solve crimes, I could not resist the reference in this tutorial\'s title! Whether you are a fan of the show or not, the title is still fitting if you have ever thought about drawing Lucy Liu.\r\n\r\nIn this tutorial, we will take the same approach to drawing Lucy Liu that Sherlock Holmes and Dr. Watson take to solving mysteries. We will make small and careful observations.\r\n\r\nSo without further ado, let\'s see how to draw Lucy Liu!\r\n\r\nWe will try to draw Lucy as she is depicted in the reference photo below.\r\n\r\n[caption id=\"attachment_1176\" align=\"aligncenter\" width=\"320\"]\"© © Carrienelson1 | Dreamstime.com[/caption]\r\n\r\nThis image is slightly larger than the one I used. You can also click on it to enlarge the image even more and get a closer look at details.\r\n\r\nWe will make some careful measurements to properly place Lucy\'s facial features. Additionally, we will sketch some guidelines in the form of boxes and draw the features within those boxes.\r\n\r\nI outline the measurements from my reference photo in the steps below, so the only measurements you need to make are for your own drawing. To keep things simple, the drawing is scaled to be twice the size of the reference photo.\r\n

Draw an Outline of the Head

\r\nThe head is 3 inches tall and roughly 2 inches across on the reference photo. In order to draw Lucy\'s head twice the size of this, use a ruler on your drawing paper to mark off lines for the top of the head and the bottom of the chin, 6 inches apart. Mark lines 4 inches apart for the width.\r\n\r\nIf you have trouble making an oval shape for the head, one technique is to begin with a circle. Mark off another 4 inches from the top line to create a 4\" x 4\" box. Sketch your circle within this box as best as you can. It does not have to be perfect!\r\n\r\nFrom the sides of the circle, draw lines downward that meet at the chin to create an oval shape. Notice how the chin is shifted slightly to our left (Lucy\'s right).\r\n\r\n\"drawing\r\n

Correctly Place the Eyes

\r\nThree inches from the top of the head, draw a line to represent the top of the eyes. One-fourth of an inch below this should be a line for the bottom of the eyes.\r\n\r\nSince we drew a head 6 inches tall, this will place the eyes about halfway down.\r\n\r\nI also drew vertical lines to indicate the outside and inside corners of each eye. Drawing within these boxes helps us to see that the inner corners of the eyes are at the bottom corners of the boxes, and the outer corners of the eyes are higher up.\r\n\r\n\"drawing\r\n\r\nNext, draw circles inside the irises to represent pupils and highlights. Lucy has long eyelashes, so the lines indicated by the blue arrows below are to house her upper eyelashes.\r\n\r\nDraw a few more lines to add a little detail, but not too much yet! We will begin shading and adding eyelash strands later. At this initial stage of our drawing, our goal is to establish a basic line drawing of Lucy.\r\n\r\n\"drawing\r\n

Draw Lines to Place Her Nose

\r\nOur reference photo shows three-quarters of an inch from the chin to the bottom of the nose. Three-fourths of an inch x 2 equals one and a half inches.\r\n\r\nDraw a rectangle with lines from the corners of the eyes as shown to the bottom of the nose. Another horizontal line 3/8\" above the bottom line will be for the nose tip and wings.\r\n\r\nDraw basic curved shapes for the nose bridge, tip of the nose, and wings that house the nostrils.\r\n\r\n\"drawing\r\n\r\nAdd a little more detail to better define the bridge, ball, and nostrils. Form the shapes as closely as possible to the reference photo and try to stay within the rectangular guidelines.\r\n\r\n\"drawing\r\n

Draw Lucy\'s Mouth

\r\nUse the measurements below to place a guideline box for Lucy\'s mouth. Notice how we use features we already drew to place new features? The black vertical lines in the reference photo show how the outer corners of Lucy\'s mouth align with her eyes.\r\n\r\nForm the outline of the lips within the box. Then draw a thin top lip...\r\n\r\n\"drawing\r\n\r\n...followed by the bottom lip and teeth.\r\n\r\n\"drawing\r\n

Placing the Ear and Eyebrows

\r\nDraw a tall rectangular box for the ear. See below how the top of the ear aligns with where the eyebrows should go. The bottom of the ear aligns with the nose just above the nostrils. Study Lucy\'s ear in the photo and replicate the folds as closely as you can.\r\n\r\n\"drawing\r\n\r\nLightly sketch the eyebrows under the guideline from the top of the ear.\r\n\r\n\"drawing\r\n

Finish Up the Line Drawing

\r\nNow that we have the major facial features drawn, it\'s time to wrap up our basic line drawing. Draw lines to define Lucy\'s face, neck, and clothing.\r\n\r\nLucy has some prominent cheekbones. Be sure to indicate so by sketching in a way that protrudes past your original oval guideline.\r\n\r\n\"drawing\r\n\r\nMake the outline for Lucy\'s hair. Include a hairline. It does not have to look like natural hair yet. Try using already-drawn facial features as references to where to shape and bend the hairline to match the reference photo.\r\n\r\n\"drawing\r\n\r\nNow, carefully erase as many guidelines as possible. These include all of your rectangular boxes, measurement lines, and any other basic shapes used to form facial features. I use a pink eraser for large areas and a kneaded eraser and eraser pencil for smaller, tight areas.\r\n\r\nThis is what you should have for Lucy Liu so far.\r\n\r\n\"drawing\r\n\r\nBefore going any further, take a close look at the reference photo and compare it to your line drawing. Make any needed adjustments before we add shading.\r\n\r\nNext we will bring our line drawing of Lucy Liu to life by adding some tones!\r\n

Add Detail to Lucy\'s Eyes

\r\nBegin by coloring in the pupils solid black. Lucy has dark brown eyes, so shade in the irises almost as dark.\r\n\r\nColor around the highlights. If you accidentally color over them, use a kneaded eraser to pick them out and brighten them up.\r\n\r\nAdd some shading around the eyelids. Then begin drawing the eyelashes. Since Lucy appears to have on some thick mascara, the eyelashes are clumped together in thick groups more so than they would be without the mascara. I suggest adding a mix of individual strands alongside the thicker strands.\r\n\r\n\"drawing\r\n\r\nAdd light pencil lines to represent the individual hairs of the eyebrows. See that the lines flow smoothly in the same direction.\r\n\r\n\"drawing\r\n

Complete Lucy\'s Nose, Mouth, and Ear

\r\nOnce again, look closely at the reference photo when adding tones to other facial features. Look for characteristic traits that bring out the uniqueness of the subject.\r\n\r\nFor example, I tried to replicate Lucy\'s smirk by shading the corners of her mouth in a way similar to what I observed in the photo.\r\n\r\n\"drawing\r\n\r\nContinue to add a mix of subtle and distinct shading to the skin. Look to enhance facial features and highlight personal character traits.\r\n\r\n\"drawing\r\n

 Add in the Hair in Layers

\r\nBegin by drawing hair from the hairline to the back, in the same direction as it is combed. Build volume by adding sections of hair and strands of hair in layers.\r\n\r\nIt is not necessary to draw each strand of hair. Use a combination of shadows and highlights to build additional volume.\r\n\r\n\"drawing\r\n

Finishing Touches

\r\nDraw and shade Lucy\'s black garment. Leave some lines darker where the seams are visible.\r\n\r\nCarefully observe the reference photo. Go back and add any other fine details to the face or hair that you may have missed or wish to include.\r\n\r\nThere you have it...an objective, measured approach to drawing Lucy Liu! I hope the close observations we made and the drawing techniques we used were able to remove some of the mystery of drawing for you.\r\n\r\nJust think of what you learned in this Lucy Liu tutorial when you try to draw other faces. Soon, the task of drawing portraits will no longer be a mystery. Rather, it will be Elementary!\r\n\r\n\"drawing','Take the Mystery Out of Drawing Lucy Liu','','inherit','open','open','','1132-revision-v1','','','2014-06-10 12:49:05','2014-06-10 19:49:05','',1132,'http://www.letsdrawpeople.com/1132-revision-v1/',0,'revision','',0),(1184,2,'2014-06-10 12:56:11','2014-06-10 19:56:11',' ','','','publish','open','closed','','1184','','','2017-06-06 05:25:20','2017-06-06 12:25:20','',8,'http://www.letsdrawpeople.com/?p=1184',18,'nav_menu_item','',0),(1185,2,'2014-06-19 20:43:22','2014-06-20 03:43:22','

\"\"Do you have trouble drawing glasses? For most beginning artists (and even some more experienced ones), drawing glasses on a person is a constant sticking point that holds up completion of the drawing.

\r\n

In this article by Rio, the task of drawing glasses is simplified for beginners. Some common misconceptions about drawing glasses are addressed and corrected. We also see easily applicable techniques for how to draw glasses on a person in frontal view, quarter view, and side view.

\r\n

One common misconception Rio tells us is \"When it comes to drawing glasses, perspective does not apply.\" He goes on to explain the reason for this, as well as the exception to the rule.

\r\n

Even though this article is directed at people who draw manga, I find the concepts very useful and applicable to those who draw people in more realistic styles. The article also makes several references to giving the glasses a realistic look.

\r\n

Still, do not expect to see methods for ultra-realism or how to create detailed effects on the lenses or frames. Again, the tips are very basic and geared toward simple sketches and beginning artists.

\r\n

Read the full article here for more on how to draw glasses.

\r\n

What is the hardest part about drawing glasses for you? Leave a comment below and let us know your thoughts!

','See How Easily You Can Draw Glasses on a Person','','inherit','open','open','','1114-autosave-v1','','','2014-06-19 20:43:22','2014-06-20 03:43:22','',1114,'http://www.letsdrawpeople.com/1114-autosave-v1/',0,'revision','',0),(1186,2,'2014-06-10 16:02:16','2014-06-10 23:02:16','

\"\"Do you have trouble drawing glasses? For most beginning artists (and even some more experienced ones), drawing glasses on a person is a constant sticking point that holds up completion of the drawing.

\r\n

In this article by Rio, the task of drawing glasses is simplified for beginners. Some common misconceptions about drawing glasses are addressed and corrected. We also see easily applicable techniques for how to draw glasses on a person in frontal view, quarter view, and side view.

\r\n

One common misconception Rio tells us is \"When it comes to drawing glasses, perspective does not apply.\" He goes on to explain the reason for this, as well as the exception to the rule.

\r\n

Even though this article is directed at people who draw manga, I find the concepts very useful and applicable to those who draw people in more realistic styles. The article also makes several references to giving the glasses a realistic look.

\r\n

Still, do not expect to see methods for ultra-realism or how to create detailed effects on the lenses or frames. Again, the tips are very basic and geared toward simple sketches and beginning artists.

\r\n

Read the full article here for more on how to draw glasses.

\r\n

What is the hardest part about drawing glasses for you? Leave a comment below and let us know your thoughts!

','See How Easily You Can Draw Glasses on a Person','','inherit','open','open','','1114-revision-v1','','','2014-06-10 16:02:16','2014-06-10 23:02:16','',1114,'http://www.letsdrawpeople.com/1114-revision-v1/',0,'revision','',0),(1189,2,'2014-06-14 09:24:11','2014-06-14 16:24:11','
Who knows what it is people are thinking? If only we could read minds, it would be a much more revealing world to say the least!\r\n\r\nNo one is truly a mind reader. Still, you can\'t say it wouldn\'t be fun to try.\r\n\r\nThat is one of the things SO interesting about sketching a person. A portrait artist gets to play mind-reader by trying to analyze a subject and interpret her thoughts, her emotions, her passions. It is the job of the portrait artist to capture those thoughts and feelings and convey them through art.\r\n\r\nPart of the fun of it all for the artists and the fans of art is in the guessing and interpreting. For this reason (and certainly others), it is probably a very good thing that we cannot read minds!\r\n\r\nWith that said, today\'s video tutorial shows us how to sketch a woman with something on her mind.\r\n\r\n\"sketch\r\n\r\nThe only materials I used were drawing paper, a pink eraser, a kneaded eraser, and a 2B graphite pencil. The 2B allowed for the variations in dark and light tones I wanted to achieve for this sketch.\r\n\r\nWatch the video to see a review of how to place basic facial guidelines. You will also see how to apply techniques for sketching eyes, the nose, and getting the mouth to convey a desired expression.\r\n\r\nWatch the shading progress from minimal at the beginning to layered and heavier at the end to enhance the sketch.\r\n\r\nAfter watching the video all the way through the first time, watch it a second time and draw along with me. Then give it a try on your own (without watching) and see if you can achieve a similar effect with the woman\'s thoughts and expression.\r\n\r\nSo, what do you think is on this woman\'s mind?','How to Sketch a Woman with Something on Her Mind','','publish','open','open','','how-to-sketch-a-woman-with-something-on-her-mind','','','2015-03-11 21:22:21','2015-03-12 04:22:21','',0,'http://www.letsdrawpeople.com/?p=1189',0,'post','',1),(1190,2,'2014-06-13 18:01:41','2014-06-14 01:01:41','','sketch a woman with something on her mind','','inherit','open','open','','sketch-a-woman-with-something-on-her-mind','','','2014-06-13 18:01:41','2014-06-14 01:01:41','',1189,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/sketch-a-woman-with-something-on-her-mind.jpg',0,'attachment','image/jpeg',0),(1191,2,'2014-06-13 18:22:44','2014-06-14 01:22:44','Who knows what it is people are thinking? If only we could read minds, it would be a much more revealing world to say the least!\r\n\r\nNo one is truly a mind reader. Still, you can\'t say it wouldn\'t be fun to try.\r\n\r\nThat is one of the things SO interesting about sketching a person. A portrait artist gets to play mind-reader by trying to analyze a subject and interpret her thoughts, her emotions, her passions. It is the job of the portrait artist to capture those thoughts and feelings and convey them through art.\r\n\r\nPart of the fun of it all for the artists and the fans of art is in the guessing and interpreting. For this reason (and certainly others), it is probably a very good thing that we cannot read minds!\r\n\r\nWith that said, today\'s video tutorial shows us how to sketch a woman with something on her mind.\r\n\r\n\"sketch\r\n\r\n \r\n\r\nThe only materials I used were drawing paper, a pink eraser, a kneaded eraser, and a 2B graphite pencil. The 2B allowed for the variations in dark and light tones I wanted to achieve for this sketch.\r\n\r\nWatch the video to see a review of how to place basic facial guidelines. You will also see how to apply techniques for sketching eyes, the nose, and getting the mouth to convey a desired expression.\r\n\r\nWatch the shading progress from minimal at the beginning to layered and heavier at the end to enhance the sketch.\r\n\r\nAfter watching the video all the way through the first time, watch it a second time and draw along with me. Then give it a try on your own (without watching) and see if you can achieve a similar effect with the woman\'s thoughts and expression.\r\n\r\nSo, what do you think is on this woman\'s mind?','How to Sketch a Woman with Something on Her Mind','','inherit','open','open','','1189-revision-v1','','','2014-06-13 18:22:44','2014-06-14 01:22:44','',1189,'http://www.letsdrawpeople.com/1189-revision-v1/',0,'revision','',0),(1193,2,'2014-06-13 18:29:06','2014-06-14 01:29:06','Who knows what it is people are thinking? If only we could read minds, it would be a much more revealing world to say the least!\r\n\r\nNo one is truly a mind reader. Still, you can\'t say it wouldn\'t be fun to try.\r\n\r\nThat is one of the things SO interesting about sketching a person. A portrait artist gets to play mind-reader by trying to analyze a subject and interpret her thoughts, her emotions, her passions. It is the job of the portrait artist to capture those thoughts and feelings and convey them through art.\r\n\r\nPart of the fun of it all for the artists and the fans of art is in the guessing and interpreting. For this reason (and certainly others), it is probably a very good thing that we cannot read minds!\r\n\r\nWith that said, today\'s video tutorial shows us how to sketch a woman with something on her mind.\r\n\r\n\"sketch\r\n\r\nThe only materials I used were drawing paper, a pink eraser, a kneaded eraser, and a 2B graphite pencil. The 2B allowed for the variations in dark and light tones I wanted to achieve for this sketch.\r\n\r\nWatch the video to see a review of how to place basic facial guidelines. You will also see how to apply techniques for sketching eyes, the nose, and getting the mouth to convey a desired expression.\r\n\r\nWatch the shading progress from minimal at the beginning to layered and heavier at the end to enhance the sketch.\r\n\r\nAfter watching the video all the way through the first time, watch it a second time and draw along with me. Then give it a try on your own (without watching) and see if you can achieve a similar effect with the woman\'s thoughts and expression.\r\n\r\nSo, what do you think is on this woman\'s mind?','How to Sketch a Woman with Something on Her Mind','','inherit','open','open','','1189-revision-v1','','','2014-06-13 18:29:06','2014-06-14 01:29:06','',1189,'http://www.letsdrawpeople.com/1189-revision-v1/',0,'revision','',0),(1194,2,'2014-06-13 19:24:56','2014-06-14 02:24:56','
Who knows what it is people are thinking? If only we could read minds, it would be a much more revealing world to say the least!\r\n\r\nNo one is truly a mind reader. Still, you can\'t say it wouldn\'t be fun to try.\r\n\r\nThat is one of the things SO interesting about sketching a person. A portrait artist gets to play mind-reader by trying to analyze a subject and interpret her thoughts, her emotions, her passions. It is the job of the portrait artist to capture those thoughts and feelings and convey them through art.\r\n\r\nPart of the fun of it all for the artists and the fans of art is in the guessing and interpreting. For this reason (and certainly others), it is probably a very good thing that we cannot read minds!\r\n\r\nWith that said, today\'s video tutorial shows us how to sketch a woman with something on her mind.\r\n\r\n\"sketch\r\n\r\nThe only materials I used were drawing paper, a pink eraser, a kneaded eraser, and a 2B graphite pencil. The 2B allowed for the variations in dark and light tones I wanted to achieve for this sketch.\r\n\r\nWatch the video to see a review of how to place basic facial guidelines. You will also see how to apply techniques for sketching eyes, the nose, and getting the mouth to convey a desired expression.\r\n\r\nWatch the shading progress from minimal at the beginning to layered and heavier at the end to enhance the sketch.\r\n\r\nAfter watching the video all the way through the first time, watch it a second time and draw along with me. Then give it a try on your own (without watching) and see if you can achieve a similar effect with the woman\'s thoughts and expression.\r\n\r\nSo, what do you think is on this woman\'s mind?','How to Sketch a Woman with Something on Her Mind','','inherit','open','open','','1189-revision-v1','','','2014-06-13 19:24:56','2014-06-14 02:24:56','',1189,'http://www.letsdrawpeople.com/1189-revision-v1/',0,'revision','',0),(1196,2,'2014-06-13 19:27:42','2014-06-14 02:27:42','
Who knows what it is people are thinking? If only we could read minds, it would be a much more revealing world to say the least!\r\n\r\nNo one is truly a mind reader. Still, you can\'t say it wouldn\'t be fun to try.\r\n\r\nThat is one of the things SO interesting about sketching a person. A portrait artist gets to play mind-reader by trying to analyze a subject and interpret her thoughts, her emotions, her passions. It is the job of the portrait artist to capture those thoughts and feelings and convey them through art.\r\n\r\nPart of the fun of it all for the artists and the fans of art is in the guessing and interpreting. For this reason (and certainly others), it is probably a very good thing that we cannot read minds!\r\n\r\nWith that said, today\'s video tutorial shows us how to sketch a woman with something on her mind.\r\n\r\n\"sketch\r\n\r\nThe only materials I used were drawing paper, a pink eraser, a kneaded eraser, and a 2B graphite pencil. The 2B allowed for the variations in dark and light tones I wanted to achieve for this sketch.\r\n\r\nWatch the video to see a review of how to place basic facial guidelines. You will also see how to apply techniques for sketching eyes, the nose, and getting the mouth to convey a desired expression.\r\n\r\nWatch the shading progress from minimal at the beginning to layered and heavier at the end to enhance the sketch.\r\n\r\nAfter watching the video all the way through the first time, watch it a second time and draw along with me. Then give it a try on your own (without watching) and see if you can achieve a similar effect with the woman\'s thoughts and expression.\r\n\r\nSo, what do you think is on this woman\'s mind?','How to Sketch a Woman with Something on Her Mind','','inherit','open','open','','1189-revision-v1','','','2014-06-13 19:27:42','2014-06-14 02:27:42','',1189,'http://www.letsdrawpeople.com/1189-revision-v1/',0,'revision','',0),(1195,2,'2014-06-13 19:27:19','2014-06-14 02:27:19','
 \r\n\r\nWho knows what it is people are thinking? If only we could read minds, it would be a much more revealing world to say the least!\r\n\r\nNo one is truly a mind reader. Still, you can\'t say it wouldn\'t be fun to try.\r\n\r\nThat is one of the things SO interesting about sketching a person. A portrait artist gets to play mind-reader by trying to analyze a subject and interpret her thoughts, her emotions, her passions. It is the job of the portrait artist to capture those thoughts and feelings and convey them through art.\r\n\r\nPart of the fun of it all for the artists and the fans of art is in the guessing and interpreting. For this reason (and certainly others), it is probably a very good thing that we cannot read minds!\r\n\r\nWith that said, today\'s video tutorial shows us how to sketch a woman with something on her mind.\r\n\r\n\"sketch\r\n\r\nThe only materials I used were drawing paper, a pink eraser, a kneaded eraser, and a 2B graphite pencil. The 2B allowed for the variations in dark and light tones I wanted to achieve for this sketch.\r\n\r\nWatch the video to see a review of how to place basic facial guidelines. You will also see how to apply techniques for sketching eyes, the nose, and getting the mouth to convey a desired expression.\r\n\r\nWatch the shading progress from minimal at the beginning to layered and heavier at the end to enhance the sketch.\r\n\r\nAfter watching the video all the way through the first time, watch it a second time and draw along with me. Then give it a try on your own (without watching) and see if you can achieve a similar effect with the woman\'s thoughts and expression.\r\n\r\nSo, what do you think is on this woman\'s mind?','How to Sketch a Woman with Something on Her Mind','','inherit','open','open','','1189-revision-v1','','','2014-06-13 19:27:19','2014-06-14 02:27:19','',1189,'http://www.letsdrawpeople.com/1189-revision-v1/',0,'revision','',0),(1198,2,'2014-06-13 19:30:20','2014-06-14 02:30:20','
Who knows what it is people are thinking? If only we could read minds, it would be a much more revealing world to say the least!\r\n\r\nNo one is truly a mind reader. Still, you can\'t say it wouldn\'t be fun to try.\r\n\r\nThat is one of the things SO interesting about sketching a person. A portrait artist gets to play mind-reader by trying to analyze a subject and interpret her thoughts, her emotions, her passions. It is the job of the portrait artist to capture those thoughts and feelings and convey them through art.\r\n\r\nPart of the fun of it all for the artists and the fans of art is in the guessing and interpreting. For this reason (and certainly others), it is probably a very good thing that we cannot read minds!\r\n\r\nWith that said, today\'s video tutorial shows us how to sketch a woman with something on her mind.\r\n\r\n\"sketch\r\n\r\nThe only materials I used were drawing paper, a pink eraser, a kneaded eraser, and a 2B graphite pencil. The 2B allowed for the variations in dark and light tones I wanted to achieve for this sketch.\r\n\r\nWatch the video to see a review of how to place basic facial guidelines. You will also see how to apply techniques for sketching eyes, the nose, and getting the mouth to convey a desired expression.\r\n\r\nWatch the shading progress from minimal at the beginning to layered and heavier at the end to enhance the sketch.\r\n\r\nAfter watching the video all the way through the first time, watch it a second time and draw along with me. Then give it a try on your own (without watching) and see if you can achieve a similar effect with the woman\'s thoughts and expression.\r\n\r\nSo, what do you think is on this woman\'s mind?','How to Sketch a Woman with Something on Her Mind','','inherit','open','open','','1189-revision-v1','','','2014-06-13 19:30:20','2014-06-14 02:30:20','',1189,'http://www.letsdrawpeople.com/1189-revision-v1/',0,'revision','',0),(1197,2,'2014-06-13 19:29:28','2014-06-14 02:29:28','
\r\n
\r\nWho knows what it is people are thinking? If only we could read minds, it would be a much more revealing world to say the least!\r\n\r\nNo one is truly a mind reader. Still, you can\'t say it wouldn\'t be fun to try.\r\n\r\nThat is one of the things SO interesting about sketching a person. A portrait artist gets to play mind-reader by trying to analyze a subject and interpret her thoughts, her emotions, her passions. It is the job of the portrait artist to capture those thoughts and feelings and convey them through art.\r\n\r\nPart of the fun of it all for the artists and the fans of art is in the guessing and interpreting. For this reason (and certainly others), it is probably a very good thing that we cannot read minds!\r\n\r\nWith that said, today\'s video tutorial shows us how to sketch a woman with something on her mind.\r\n\r\n\"sketch\r\n\r\nThe only materials I used were drawing paper, a pink eraser, a kneaded eraser, and a 2B graphite pencil. The 2B allowed for the variations in dark and light tones I wanted to achieve for this sketch.\r\n\r\nWatch the video to see a review of how to place basic facial guidelines. You will also see how to apply techniques for sketching eyes, the nose, and getting the mouth to convey a desired expression.\r\n\r\nWatch the shading progress from minimal at the beginning to layered and heavier at the end to enhance the sketch.\r\n\r\nAfter watching the video all the way through the first time, watch it a second time and draw along with me. Then give it a try on your own (without watching) and see if you can achieve a similar effect with the woman\'s thoughts and expression.\r\n\r\nSo, what do you think is on this woman\'s mind?','How to Sketch a Woman with Something on Her Mind','','inherit','open','open','','1189-revision-v1','','','2014-06-13 19:29:28','2014-06-14 02:29:28','',1189,'http://www.letsdrawpeople.com/1189-revision-v1/',0,'revision','',0),(1200,2,'2014-06-21 08:29:50','2014-06-21 15:29:50','We all like to escape reality sometimes. This is the gallery to visit when you want to see people who appear or do things a little unusual. Welcome to our gallery of fantasy people!\r\n\r\nArtists who draw people for this gallery can really have some fun! You may find drawings of people that have a realistic look or features in one sense, but there is something very uniquely strange or abstract about them in another.\r\n\r\nOr, you may find drawings of people where normal facial or body proportions go out the window. Perhaps you will see eyes too high, ears too low, or a child\'s head on an adult\'s body!\r\n\r\nPossibly you will see drawings of people doing odd or impossible actions.\r\n\r\nBasically, expect to find people here that you will not meet in the real world.\r\n\r\nSo, what can you learn from looking at drawings of fantasy people?\r\n\r\nSee if you can analyze a drawing and distinguish fantasy from reality. Which parts of the subject are drawn in a realistic way? Which parts are drawn in a way which you should avoid if you are trying to achieve realism?\r\n\r\nAlso, look for ways that these drawings can inspire more originality and creativity in your own artwork!\r\n\r\nIf you have your own fantasy portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"1204,1424,1630,2487\" orderby=\"rand\"]\r\n\r\n ','People Living in a Fantasy World','','publish','open','open','','people-living-in-a-fantasy-world','','','2016-01-23 23:50:30','2016-01-24 07:50:30','',0,'http://www.letsdrawpeople.com/?p=1200',0,'post','',0),(1201,2,'2014-06-16 05:30:13','2014-06-16 12:30:13','\"howLearning how to draw a woman is a challenge. Drawing the human figure after just learning the basics of drawing anything at all is tricky enough. A woman, though, has a distinct figure in comparison to a man. Furthermore, if you want your work to be clear and understandable to an audience, it is vital that they can immediately see that a figure is female rather than male.\n\nThe good news is that there are some easy ways to make your female characters and subjects obvious even if you are just beginning to learn how to draw people. By using curves and making yourself aware of some distinct female traits, such as hairstyles and physical gestures, you can make your female figures jump right off the page.\n

Human Figure Basics

\nAs wonderfully distinct from men as women are, they also share a great deal of anatomical similarity. Therefore, do not be afraid to rely on whatever you have learned about drawing people in general.\n\nBefore you begin, consider some of the basics of human anatomy as represented in drawings. The body has several parts, including the torso, head, limbs and extremities. Each has a certain proportion to each other. Recalling these proportions makes it easy to draw a man or a woman of any size because the proportions generally remain the same.\n\nFor your materials, you should start with a graphite pencil. A soft No.2B pencil or a 4B is a great choice. Get a separate eraser as well. The size of the sketch pad is up to you. However, you should make sure that the paper is sturdy so that you can erase if necessary. Paper that will not stand some erasures will require you to start over if it rips.\n

Starting from the Top

\nBegin by drawing the head. This is a critical part of your work because the head contains the face and the face is responsible for a lot of the body language that you will use in your drawing. Furthermore, the size of the head will help you determine the length and shape of the body that you draw later.\n\n\"how• There is no need to let the shape of the head stump you before you even begin. Simply draw the basic oval shape for a head that you have already learned. You can do a lot with this basic oval.\n• If you have advanced a little more than this, feel free to play with this shape a little. The chin and jaw are major features that vary between men and women. Some people have square jaws, other have more triangular jaws with pointed chins.\n• A younger woman\'s head will be a little more rounded than an adult woman\'s head.\n• Lightly divide the shape you have used for the head with your pencil.\n• Mark points on each side where the eyes and ears will be. As different as one face may be from another, each face tends to be symmetrical. Therefore, the distance of the eyes and ears from this center line should be even.\n• Put the bottom of the nose halfway between the eyes and the bottom of the chin.\n• Part the lips of the mouth between the bottom of the nose and the bottom of the chin, about a third of the way below the bottom of the nose.\n\nUntil you acquire some more experience, try to adhere to these guidelines when first learning how to draw women. As you become an expert, you will be able to stray from these tips and create even more stylized faces and heads.\n

Working Your Way Down the Body

\nNow we continue to the body. If you want, you can skip to this stage after creating the mere shape of the head without adding any details. You may not want to decide how the face looks until you have the body figured out. With the length of the head determined, you can create body proportions that are realistic.\n\n\"how• Measure the head that you drew. The length of the entire female form should be roughly seven to eight times this length in total.\n• The torso should be somewhere between 2 ½ and 3 heads in length.\n• The legs should be somewhere between 3 ½ and 4 heads in length. Make sure that the numbers, however you configure them, add up to between seven and eight.\n• The width of the shoulders should be about 2 ½ to 3 heads. You will still have to decide how much slope there will be to the shoulders. Women are not as frequently broad-shouldered as men are.\n• Place the waist line about 4 heads from the bottom of the feet. This feature is essential for depicting a woman because she is more likely to have a distinct curve in this area than a man. You can decide how much of a curve will go into this area.\n• The distance from the lower breast area to the shoulder-line should be one head length.\n• When drawing details on the legs, make the thighs about 1 ½ to 2 full heads in length. The end point of this feature would be the kneecap.\n• Use the same length to determine the length of the lower legs, including the feet.\n\nAs you gain expertise, you will come up with your own exact measurements for these segments of the body. You will see, though, that your own guidelines will not stray far from these if you are trying to draw realistic forms of women.\n

Poses and Gestures

\n\"\"If you want to do more than simply depict mannequins after you learn how to draw a woman, you should pay attention to the way that people present themselves. For example, most people do not stand exactly erect and look at you face to face. Artists typically depict their subjects in poses of some sort. They may be in profile, sitting down or even in movement, as the artist of this drawing shows us.\n\nAs a beginner, this is too much to deal with right away. However, you can elaborate on your work by making small changes to the way that the person stands. Change the angle of one foot, put a slight slump in the posture or just bend the knees a little.\n\nPay attention to the arms and hands as well. Real people do not just let their arms hang straight down. A woman may put her hand on one hip, cross her arms, raise a hand to say hello or reach out to grab something. You can quickly move from drawing simple, lifeless figures to creating more lifelike women with just a few alterations in poses and gestures.\n

Women\'s Faces

\n\"\"Let\'s go back to the face. Both men and women are distinguished primarily by their faces and their expressions.\n\n• The most fundamental feature of any face is usually the eyes. Eyes can take on many shapes. This is particularly due to ethnic background but women can also use makeup to alter the appearance of their eyes. They may be round or take on a more slanted or even almond appearance. Furthermore, eyelashes may be more or less prominent. Finally, choose a color for the eyes and let your shading reflect that color.\n• Think of how the nose looks when you view it on another person\'s face. The bridge is not prominent when viewed from a frontal perspective. Sketch in the angles of the nose at first. Darken with additional strokes as you gain a better idea of how it appears.\n• The base of the nose can vary. The nostrils may be wide and flared or they may run more continuously from the bridge of the nose.\n• If viewing in profile, the nose becomes even more important. Is the bridge straight? Does the person have a rounded nose? Noses vary a great deal and there is no real scale that you can use to create proportional noses because they can be anywhere from large to small in comparison to the face. You will have to feel your own way with this feature.\n

The Many Hairstyles of Women

\n\"howIn general, women have a greater variety of hairstyles than men. Like men, their hair may be of all lengths but women tend to do more with what they have. This can be a challenge to draw, but it becomes easier as you learn what to look for.\n\n• Even if the woman\'s hair comes down and covers where the hairline meets the forehead, you need to know where the hairline is.\n• You are not going to draw every single hair on her head but you may want to go beyond just outlining a mass of hair. Use light strokes to indicate fine threads of hair and darker pencil lines to indicate thicker locks of hair.\n• You need to determine how long the hair is and if it hangs over her shoulders or not.\n• Decide if the hair will cover her ears. If not, you will have to draw the ears as well.\n• Do not forget that the eyelashes and eyebrows are made from hair as well. You can simply draw these in as lines or make the bristles more prominent.\n

Ages and Ethnicities

\n\"???????????????????????????????????????????????????????????????????????????\"There is a tendency on the part of beginning artists to depict young people with standard features of the people that surround them. As you become more proficient, try to add some variation to your drawings.  The women in your drawings may be older or younger. Older women may have a few more wrinkles and possibly carry a little more weight. Indicate these traits with subtle details that enhance the beauty and character of your subject. Also, drawing women of varying ethnicities will require you to adapt the shapes of faces and features in your portraits.\n\nIn order to learn how to draw a woman, you simply need a lot of practice. You should get started right away. The great thing about drawing is that no one has to see your mistakes. You can do it again and again until you get it right.','How To Draw Women That Really Look Like Women','','inherit','open','open','','968-autosave-v1','','','2014-06-16 05:30:13','2014-06-16 12:30:13','',968,'http://www.letsdrawpeople.com/968-autosave-v1/',0,'revision','',0),(1202,2,'2014-06-16 05:30:17','2014-06-16 12:30:17','\"howLearning how to draw a woman is a challenge. Drawing the human figure after just learning the basics of drawing anything at all is tricky enough. A woman, though, has a distinct figure in comparison to a man. Furthermore, if you want your work to be clear and understandable to an audience, it is vital that they can immediately see that a figure is female rather than male.\r\n\r\nThe good news is that there are some easy ways to make your female characters and subjects obvious even if you are just beginning to learn how to draw people. By using curves and making yourself aware of some distinct female traits, such as hairstyles and physical gestures, you can make your female figures jump right off the page.\r\n

Human Figure Basics

\r\nAs wonderfully distinct from men as women are, they also share a great deal of anatomical similarity. Therefore, do not be afraid to rely on whatever you have learned about drawing people in general.\r\n\r\nBefore you begin, consider some of the basics of human anatomy as represented in drawings. The body has several parts, including the torso, head, limbs and extremities. Each has a certain proportion to each other. Recalling these proportions makes it easy to draw a man or a woman of any size because the proportions generally remain the same.\r\n\r\nFor your materials, you should start with a graphite pencil. A soft No.2B pencil or a 4B is a great choice. Get a separate eraser as well. The size of the sketch pad is up to you. However, you should make sure that the paper is sturdy so that you can erase if necessary. Paper that will not stand some erasures will require you to start over if it rips.\r\n

Starting from the Top

\r\nBegin by drawing the head. This is a critical part of your work because the head contains the face and the face is responsible for a lot of the body language that you will use in your drawing. Furthermore, the size of the head will help you determine the length and shape of the body that you draw later.\r\n\r\n\"how• There is no need to let the shape of the head stump you before you even begin. Simply draw the basic oval shape for a head that you have already learned. You can do a lot with this basic oval.\r\n• If you have advanced a little more than this, feel free to play with this shape a little. The chin and jaw are major features that vary between men and women. Some people have square jaws, other have more triangular jaws with pointed chins.\r\n• A younger woman\'s head will be a little more rounded than an adult woman\'s head.\r\n• Lightly divide the shape you have used for the head with your pencil.\r\n• Mark points on each side where the eyes and ears will be. As different as one face may be from another, each face tends to be symmetrical. Therefore, the distance of the eyes and ears from this center line should be even.\r\n• Put the bottom of the nose halfway between the eyes and the bottom of the chin.\r\n• Part the lips of the mouth between the bottom of the nose and the bottom of the chin, about a third of the way below the bottom of the nose.\r\n\r\nUntil you acquire some more experience, try to adhere to these guidelines when first learning how to draw women. As you become an expert, you will be able to stray from these tips and create even more stylized faces and heads.\r\n

Working Your Way Down the Body

\r\nNow we continue to the body. If you want, you can skip to this stage after creating the mere shape of the head without adding any details. You may not want to decide how the face looks until you have the body figured out. With the length of the head determined, you can create body proportions that are realistic.\r\n\r\n\"how• Measure the head that you drew. The length of the entire female form should be roughly seven to eight times this length in total.\r\n• The torso should be somewhere between 2 ½ and 3 heads in length.\r\n• The legs should be somewhere between 3 ½ and 4 heads in length. Make sure that the numbers, however you configure them, add up to between seven and eight.\r\n• The width of the shoulders should be about 2 ½ to 3 heads. You will still have to decide how much slope there will be to the shoulders. Women are not as frequently broad-shouldered as men are.\r\n• Place the waist line about 4 heads from the bottom of the feet. This feature is essential for depicting a woman because she is more likely to have a distinct curve in this area than a man. You can decide how much of a curve will go into this area.\r\n• The distance from the lower breast area to the shoulder-line should be one head length.\r\n• When drawing details on the legs, make the thighs about 1 ½ to 2 full heads in length. The end point of this feature would be the kneecap.\r\n• Use the same length to determine the length of the lower legs, including the feet.\r\n\r\nAs you gain expertise, you will come up with your own exact measurements for these segments of the body. You will see, though, that your own guidelines will not stray far from these if you are trying to draw realistic forms of women.\r\n

Poses and Gestures

\r\n\"\"If you want to do more than simply depict mannequins after you learn how to draw a woman, you should pay attention to the way that people present themselves. For example, most people do not stand exactly erect and look at you face to face. Artists typically depict their subjects in poses of some sort. They may be in profile, sitting down or even in movement, as the artist of this drawing shows us.\r\n\r\nAs a beginner, this is too much to deal with right away. However, you can elaborate on your work by making small changes to the way that the person stands. Change the angle of one foot, put a slight slump in the posture or just bend the knees a little.\r\n\r\nPay attention to the arms and hands as well. Real people do not just let their arms hang straight down. A woman may put her hand on one hip, cross her arms, raise a hand to say hello or reach out to grab something. You can quickly move from drawing simple, lifeless figures to creating more lifelike women with just a few alterations in poses and gestures.\r\n

Women\'s Faces

\r\n\"\"Let\'s go back to the face. Both men and women are distinguished primarily by their faces and their expressions.\r\n\r\n• The most fundamental feature of any face is usually the eyes. Eyes can take on many shapes. This is particularly due to ethnic background but women can also use makeup to alter the appearance of their eyes. They may be round or take on a more slanted or even almond appearance. Furthermore, eyelashes may be more or less prominent. Finally, choose a color for the eyes and let your shading reflect that color.\r\n• Think of how the nose looks when you view it on another person\'s face. The bridge is not prominent when viewed from a frontal perspective. Sketch in the angles of the nose at first. Darken with additional strokes as you gain a better idea of how it appears.\r\n• The base of the nose can vary. The nostrils may be wide and flared or they may run more continuously from the bridge of the nose.\r\n• If viewing in profile, the nose becomes even more important. Is the bridge straight? Does the person have a rounded nose? Noses vary a great deal and there is no real scale that you can use to create proportional noses because they can be anywhere from large to small in comparison to the face. You will have to feel your own way with this feature.\r\n

The Many Hairstyles of Women

\r\n\"howIn general, women have a greater variety of hairstyles than men. Like men, their hair may be of all lengths but women tend to do more with what they have. This can be a challenge to draw, but it becomes easier as you learn what to look for.\r\n\r\n• Even if the woman\'s hair comes down and covers where the hairline meets the forehead, you need to know where the hairline is.\r\n• You are not going to draw every single hair on her head but you may want to go beyond just outlining a mass of hair. Use light strokes to indicate fine threads of hair and darker pencil lines to indicate thicker locks of hair.\r\n• You need to determine how long the hair is and if it hangs over her shoulders or not.\r\n• Decide if the hair will cover her ears. If not, you will have to draw the ears as well.\r\n• Do not forget that the eyelashes and eyebrows are made from hair as well. You can simply draw these in as lines or make the bristles more prominent.\r\n

Ages and Ethnicities

\r\n\"???????????????????????????????????????????????????????????????????????????\"There is a tendency on the part of beginning artists to depict young people with standard features of the people that surround them. As you become more proficient, try to add some variation to your drawings.  The women in your drawings may be older or younger. Older women may have a few more wrinkles and possibly carry a little more weight. Indicate these traits with subtle details that enhance the beauty and character of your subject. Also, drawing women of varying ethnicities will require you to adapt the shapes of faces and features in your portraits.\r\n\r\nIn order to learn how to draw a woman, you simply need a lot of practice. You should get started right away. The great thing about drawing is that no one has to see your mistakes. You can do it again and again until you get it right.','How To Draw Women That Really Look Like Women','','inherit','open','open','','968-revision-v1','','','2014-06-16 05:30:17','2014-06-16 12:30:17','',968,'http://www.letsdrawpeople.com/968-revision-v1/',0,'revision','',0),(1203,2,'2014-06-16 08:20:46','2014-06-16 15:20:46','We all like to escape reality sometimes. This is the gallery to visit when you want to see people who appear or do things a little unusual. Welcome to our gallery of fantasy people!\r\n\r\nArtists who draw people for this gallery can really have some fun! You may find drawings of people that have a realistic look or features in one sense, but there is something very uniquely strange or abstract about them in another.\r\n\r\nOr, you may find drawings of people where normal facial or body proportions go out the window. Perhaps you will see eyes too high, ears too low, or a child\'s head on an adult\'s body!\r\n\r\nPossibly you will see drawings of people doing odd or impossible actions.\r\n\r\nBasically, expect to find people here that you will not meet in the real world.\r\n\r\nSo, what can you learn from looking at drawings of fantasy people?\r\n\r\nSee if you can analyze a drawing and distinguish fantasy from reality. Which parts of the subject are drawn in a realistic way? Which parts are drawn in a way which you should avoid if you are trying to achieve realism?\r\n\r\nAlso, look for ways that these drawings can inspire more originality and creativity in your own artwork!','People Living in a Fantasy World','','inherit','open','open','','1200-revision-v1','','','2014-06-16 08:20:46','2014-06-16 15:20:46','',1200,'http://www.letsdrawpeople.com/1200-revision-v1/',0,'revision','',0),(1204,2,'2014-06-16 08:26:29','2014-06-16 15:26:29','','super kahleb','\"Super Kahleb\" by Jack Pearce','inherit','open','open','','super-kahleb','','','2014-06-16 08:26:29','2014-06-16 15:26:29','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/super-kahleb.jpg',0,'attachment','image/jpeg',0),(1205,2,'2014-06-16 08:44:41','2014-06-16 15:44:41','We all like to escape reality sometimes. This is the gallery to visit when you want to see people who appear or do things a little unusual. Welcome to our gallery of fantasy people!\r\n\r\nArtists who draw people for this gallery can really have some fun! You may find drawings of people that have a realistic look or features in one sense, but there is something very uniquely strange or abstract about them in another.\r\n\r\nOr, you may find drawings of people where normal facial or body proportions go out the window. Perhaps you will see eyes too high, ears too low, or a child\'s head on an adult\'s body!\r\n\r\nPossibly you will see drawings of people doing odd or impossible actions.\r\n\r\nBasically, expect to find people here that you will not meet in the real world.\r\n\r\nSo, what can you learn from looking at drawings of fantasy people?\r\n\r\nSee if you can analyze a drawing and distinguish fantasy from reality. Which parts of the subject are drawn in a realistic way? Which parts are drawn in a way which you should avoid if you are trying to achieve realism?\r\n\r\nAlso, look for ways that these drawings can inspire more originality and creativity in your own artwork!\r\n\r\nIf you have your own portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n ','People Living in a Fantasy World','','inherit','open','open','','1200-revision-v1','','','2014-06-16 08:44:41','2014-06-16 15:44:41','',1200,'http://www.letsdrawpeople.com/1200-revision-v1/',0,'revision','',0),(1206,2,'2014-06-16 08:52:14','2014-06-16 15:52:14','[[\"[caption id=\\\"attachment_652\\\" align=\\\"aligncenter\\\" width=\\\"221\\\"]\\\"\\\"
PORTRAIT DRAWINGS OF CHILDREN<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_783\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
DRAWINGS OF WELL-KNOWN FACES<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_763\\\" align=\\\"aligncenter\\\" width=\\\"216\\\"]\\\"\\\"
FAMILY DRAWINGS<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1026\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
SELF-PORTRAIT DRAWINGS OF ASPIRING ARTISTS<\\/b><\\/center><\\/a>[\\/caption]\"],[\"\\\"\\\"<\\/a>\",\"\"]]','Portrait Galleries','','inherit','open','open','','1084-revision-v1','','','2014-06-16 08:52:14','2014-06-16 15:52:14','',1084,'http://www.letsdrawpeople.com/1084-revision-v1/',0,'revision','',0),(1207,2,'2014-06-16 09:06:23','2014-06-16 16:06:23','[[\"[caption id=\\\"attachment_652\\\" align=\\\"aligncenter\\\" width=\\\"221\\\"]\\\"\\\"
PORTRAIT DRAWINGS OF CHILDREN<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_783\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
DRAWINGS OF WELL-KNOWN FACES<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_763\\\" align=\\\"aligncenter\\\" width=\\\"216\\\"]\\\"\\\"
FAMILY DRAWINGS<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1026\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
SELF-PORTRAIT DRAWINGS OF ASPIRING ARTISTS<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1204\\\" align=\\\"aligncenter\\\" width=\\\"300\\\"]\\\"\\\"
PEOPLE LIVING IN A FANTASY WORLD<\\/b><\\/center><\\/a>[\\/caption]\",\"\"]]','Portrait Galleries','','inherit','open','open','','1084-revision-v1','','','2014-06-16 09:06:23','2014-06-16 16:06:23','',1084,'http://www.letsdrawpeople.com/1084-revision-v1/',0,'revision','',0),(1208,2,'2015-02-05 20:23:06','2015-02-06 04:23:06','We all like to escape reality sometimes. This is the gallery to visit when you want to see people who appear or do things a little unusual. Welcome to our gallery of fantasy people!\n\nArtists who draw people for this gallery can really have some fun! You may find drawings of people that have a realistic look or features in one sense, but there is something very uniquely strange or abstract about them in another.\n\nOr, you may find drawings of people where normal facial or body proportions go out the window. Perhaps you will see eyes too high, ears too low, or a child\'s head on an adult\'s body!\n\nPossibly you will see drawings of people doing odd or impossible actions.\n\nBasically, expect to find people here that you will not meet in the real world.\n\nSo, what can you learn from looking at drawings of fantasy people?\n\nSee if you can analyze a drawing and distinguish fantasy from reality. Which parts of the subject are drawn in a realistic way? Which parts are drawn in a way which you should avoid if you are trying to achieve realism?\n\nAlso, look for ways that these drawings can inspire more originality and creativity in your own artwork!\n\nIf you have your own fantasy portrait drawing that you want others to view in this gallery, see how to share it with us.\n\n[gallery link=\"file\" ids=\"1204,1424,1630\" orderby=\"rand\"]\n\n ','People Living in a Fantasy World','','inherit','open','open','','1200-autosave-v1','','','2015-02-05 20:23:06','2015-02-06 04:23:06','',1200,'http://www.letsdrawpeople.com/1200-autosave-v1/',0,'revision','',0),(1209,2,'2014-06-16 09:11:10','2014-06-16 16:11:10','We all like to escape reality sometimes. This is the gallery to visit when you want to see people who appear or do things a little unusual. Welcome to our gallery of fantasy people!\r\n\r\nArtists who draw people for this gallery can really have some fun! You may find drawings of people that have a realistic look or features in one sense, but there is something very uniquely strange or abstract about them in another.\r\n\r\nOr, you may find drawings of people where normal facial or body proportions go out the window. Perhaps you will see eyes too high, ears too low, or a child\'s head on an adult\'s body!\r\n\r\nPossibly you will see drawings of people doing odd or impossible actions.\r\n\r\nBasically, expect to find people here that you will not meet in the real world.\r\n\r\nSo, what can you learn from looking at drawings of fantasy people?\r\n\r\nSee if you can analyze a drawing and distinguish fantasy from reality. Which parts of the subject are drawn in a realistic way? Which parts are drawn in a way which you should avoid if you are trying to achieve realism?\r\n\r\nAlso, look for ways that these drawings can inspire more originality and creativity in your own artwork!\r\n\r\nIf you have your own portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery ids=\"1204\" orderby=\"rand\"]\r\n\r\n ','People Living in a Fantasy World','','inherit','open','open','','1200-revision-v1','','','2014-06-16 09:11:10','2014-06-16 16:11:10','',1200,'http://www.letsdrawpeople.com/1200-revision-v1/',0,'revision','',0),(1210,2,'2014-06-16 09:12:40','2014-06-16 16:12:40','We all like to escape reality sometimes. This is the gallery to visit when you want to see people who appear or do things a little unusual. Welcome to our gallery of fantasy people!\r\n\r\nArtists who draw people for this gallery can really have some fun! You may find drawings of people that have a realistic look or features in one sense, but there is something very uniquely strange or abstract about them in another.\r\n\r\nOr, you may find drawings of people where normal facial or body proportions go out the window. Perhaps you will see eyes too high, ears too low, or a child\'s head on an adult\'s body!\r\n\r\nPossibly you will see drawings of people doing odd or impossible actions.\r\n\r\nBasically, expect to find people here that you will not meet in the real world.\r\n\r\nSo, what can you learn from looking at drawings of fantasy people?\r\n\r\nSee if you can analyze a drawing and distinguish fantasy from reality. Which parts of the subject are drawn in a realistic way? Which parts are drawn in a way which you should avoid if you are trying to achieve realism?\r\n\r\nAlso, look for ways that these drawings can inspire more originality and creativity in your own artwork!\r\n\r\nIf you have your own portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"1204\" orderby=\"rand\"]\r\n\r\n ','People Living in a Fantasy World','','inherit','open','open','','1200-revision-v1','','','2014-06-16 09:12:40','2014-06-16 16:12:40','',1200,'http://www.letsdrawpeople.com/1200-revision-v1/',0,'revision','',0),(1211,2,'2014-06-16 09:18:57','2014-06-16 16:18:57','As you develop your people-drawing skills and draw people of all shapes, sizes, and ages, you are certain to notice some differences between drawing adults and drawing children. If you are trying to learn how to draw kids and are experiencing some challenges, maybe these portrait drawings of children can help you.\r\n\r\nWhile browsing through the gallery, take time to closely examine the details in the pictures. Take note of the pencil strokes and how the lines and tones help form the larger eyes, rounder faces, or any other trouble spots you may be encountering while trying to draw kids. Check back often for more wonderful drawings of children by our website contributors and visitors, and use them as your inspiration!\r\n\r\nIf you have your own portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"640,642,645,646,647,648,650,651,652,643,641\" orderby=\"rand\"]\r\n\r\n ','Portrait Drawings of Children','','inherit','open','open','','489-revision-v1','','','2014-06-16 09:18:57','2014-06-16 16:18:57','',489,'http://www.letsdrawpeople.com/489-revision-v1/',0,'revision','',0),(1212,2,'2014-06-16 09:21:35','2014-06-16 16:21:35','Use these drawings of celebrities and prominent people as examples of how to capture the likenesses of well-known people. Remember that when you are trying to draw people well enough and detailed enough for them to be recognizable as the intended person, it is often helpful to practice by drawing famous faces. I mean, what better test of your drawing skills than to show your work to people who immediately know who you were trying to draw, right?\r\n\r\nYou will see familiar drawings of different skill levels and different levels of detail in this gallery. Some drawings you may recognize, while others you may not. No matter how much or how little a drawing here captures a resemblance, take the opportunity to learn something from each piece. Some questions you may ask yourself as you view this gallery are:\r\n
    \r\n
  • Which obvious features did the artist include to help make the famous face easily recognizable?
    • \r\n
  • Which details or subtle facial characteristics did the artist include to obtain such an accurate likeness of the subject?
    • \r\n
  •  What could the artist have done differently to make a better representation of the celebrity?
    • \r\n
\r\nThank you in advance to all artists who contribute their drawings of well-known faces to this gallery! Remember, too, that it\'s okay if your drawing doesn\'t come out perfectly or to your satisfaction. I am still hard on myself with some of my work, and I always see something I could have done differently for better results (even with my own drawings in this gallery!). The important thing to remember is, you should always feel good about sharing your artwork, celebrate your strengths, and learn from your mistakes.\r\n\r\nIf you have your own celebrity portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"759,753,734,799,798,797,796,790,791,792,793,794,789,788,787,786,785,784,783,795\" orderby=\"rand\"]','Drawings of Well-Known Faces','','inherit','open','open','','659-revision-v1','','','2014-06-16 09:21:35','2014-06-16 16:21:35','',659,'http://www.letsdrawpeople.com/659-revision-v1/',0,'revision','',0),(1213,2,'2014-06-16 09:22:21','2014-06-16 16:22:21','We all like to escape reality sometimes. This is the gallery to visit when you want to see people who appear or do things a little unusual. Welcome to our gallery of fantasy people!\r\n\r\nArtists who draw people for this gallery can really have some fun! You may find drawings of people that have a realistic look or features in one sense, but there is something very uniquely strange or abstract about them in another.\r\n\r\nOr, you may find drawings of people where normal facial or body proportions go out the window. Perhaps you will see eyes too high, ears too low, or a child\'s head on an adult\'s body!\r\n\r\nPossibly you will see drawings of people doing odd or impossible actions.\r\n\r\nBasically, expect to find people here that you will not meet in the real world.\r\n\r\nSo, what can you learn from looking at drawings of fantasy people?\r\n\r\nSee if you can analyze a drawing and distinguish fantasy from reality. Which parts of the subject are drawn in a realistic way? Which parts are drawn in a way which you should avoid if you are trying to achieve realism?\r\n\r\nAlso, look for ways that these drawings can inspire more originality and creativity in your own artwork!\r\n\r\nIf you have your own fantasy portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"1204\" orderby=\"rand\"]\r\n\r\n ','People Living in a Fantasy World','','inherit','open','open','','1200-revision-v1','','','2014-06-16 09:22:21','2014-06-16 16:22:21','',1200,'http://www.letsdrawpeople.com/1200-revision-v1/',0,'revision','',0),(1214,2,'2014-06-16 09:25:01','2014-06-16 16:25:01','As you develop your people-drawing skills and draw people of all shapes, sizes, and ages, you are certain to notice some differences between drawing adults and drawing children. If you are trying to learn how to draw kids and are experiencing some challenges, maybe these portrait drawings of children can help you.\r\n\r\nWhile browsing through the gallery, take time to closely examine the details in the pictures. Take note of the pencil strokes and how the lines and tones help form the larger eyes, rounder faces, or any other trouble spots you may be encountering while trying to draw kids. Check back often for more wonderful drawings of children by our website contributors and visitors, and use them as your inspiration!\r\n\r\nIf you have your own child portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"640,642,645,646,647,648,650,651,652,643,641\" orderby=\"rand\"]\r\n\r\n ','Portrait Drawings of Children','','inherit','open','open','','489-revision-v1','','','2014-06-16 09:25:01','2014-06-16 16:25:01','',489,'http://www.letsdrawpeople.com/489-revision-v1/',0,'revision','',0),(1215,2,'2014-06-16 09:27:31','2014-06-16 16:27:31','Welcome to our gallery of family drawings! Here you can view drawings of family members by our contributors and visitors.\r\n\r\nAs someone who is becoming more skilled at drawing people, you will find family and friends taking an increased interest in your talent. As a professional portrait artist, people who love your artwork will undoubtedly want to become your clients. When family, friends, or other people ask you (or pay you) to draw for them, who do they most often want you to draw?\r\n\r\nThey usually want you to draw a portrait from their personal collection of family photos. They may even ask you to take people from two or more photographs and combine them into one drawing. Your artistic creativity may sometimes be at play too, as when people ask you to include elements not in the original photographs.\r\n\r\nYou will see examples of all of these scenarios within this gallery. Notice the different arrangements of the subjects, features, and how the various elements of the family drawings create pleasing compositions. Happy viewing!\r\n\r\nIf you have your own family portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"649,644,761,762,763,666\" orderby=\"rand\"]','Family Drawings','','inherit','open','open','','662-revision-v1','','','2014-06-16 09:27:31','2014-06-16 16:27:31','',662,'http://www.letsdrawpeople.com/662-revision-v1/',0,'revision','',0),(1216,2,'2015-12-28 14:01:42','2015-12-28 22:01:42','Welcome to our gallery of self-portrait drawings! Here you can view drawings by our contributors and visitors...of themselves!\n\nSelf-portraits are some of the most intriguing types of artwork around. Often times, we as humans see ourselves or think of ourselves differently from how others perceive us. A self-portrait is exactly what the name implies. It is simply a drawing of one\'s own self.\n\nA self-portrait drawing forces an artist to create an interpretation of oneself. The artist must take a critical look in the mirror and create an image of what the rest of the world sees. At the same time, the artist finds balance and includes those unique elements and features that define who he or she is as a person.\n\nCome back to this gallery often to see the faces behind those who create our articles and tutorials, as well as the faces that make up our growing audience!\n\nIf you have your own self-portrait drawing that you want others to view in this gallery, see how to share it with us.\n\n[gallery link=\"file\" ids=\"1026,1456,1628,1646,1663,2480\"]','Self-Portrait Drawings of Aspiring Artists','','inherit','open','open','','1060-autosave-v1','','','2015-12-28 14:01:42','2015-12-28 22:01:42','',1060,'http://www.letsdrawpeople.com/1060-autosave-v1/',0,'revision','',0),(1217,2,'2014-06-16 09:29:40','2014-06-16 16:29:40','Welcome to our gallery of self-portrait drawings! Here you can view drawings by our contributors and visitors...of themselves!\r\n\r\nSelf-portraits are some of the most intriguing types of artwork around. Often times, we as humans see ourselves or think of ourselves differently from how others perceive us. A self-portrait is exactly what the name implies. It is simply a drawing of one\'s own self.\r\n\r\nA self-portrait drawing forces an artist to create an interpretation of oneself. The artist must take a critical look in the mirror and create an image of what the rest of the world sees. At the same time, the artist finds balance and includes those unique elements and features that define who he or she is as a person.\r\n\r\nCome back to this gallery often to see the faces behind those who create our articles and tutorials, as well as the faces that make up our growing audience!\r\n\r\nIf you have your own self-portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"1026\"]','Self-Portrait Drawings of Aspiring Artists','','inherit','open','open','','1060-revision-v1','','','2014-06-16 09:29:40','2014-06-16 16:29:40','',1060,'http://www.letsdrawpeople.com/1060-revision-v1/',0,'revision','',0),(1218,2,'2014-06-16 09:41:22','2014-06-16 16:41:22','Use these drawings of celebrities and prominent people as examples of how to capture the likenesses of well-known people. Remember that when you are trying to draw people well enough and detailed enough for them to be recognizable as the intended person, it is often helpful to practice by drawing famous faces. I mean, what better test of your drawing skills than to show your work to people who immediately know who you were trying to draw, right?\r\n\r\nYou will see familiar drawings of different skill levels and different levels of detail in this gallery. Some drawings you may recognize, while others you may not. No matter how much or how little a drawing here captures a resemblance, take the opportunity to learn something from each piece. Some questions you may ask yourself as you view this gallery are:\r\n
    \r\n
  • Which obvious features did the artist include to help make the famous face easily recognizable?
    • \r\n
  • Which details or subtle facial characteristics did the artist include to obtain such an accurate likeness of the subject?
    • \r\n
  •  What could the artist have done differently to make a better representation of the celebrity?
    • \r\n
\r\nThank you in advance to all artists who contribute their drawings of well-known faces to this gallery! Remember, too, that it\'s okay if your drawing doesn\'t come out perfectly or to your satisfaction. I am still hard on myself with some of my work, and I always see something I could have done differently for better results (even with my own drawings in this gallery!). The important thing to remember is, you should always feel good about sharing your artwork, celebrate your strengths, and learn from your mistakes.\r\n\r\nIf you have your own celebrity portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"759,753,734,799,798,797,796,790,791,792,793,794,789,788,787,786,785,784,783,795,1171\" orderby=\"rand\"]','Drawings of Well-Known Faces','','inherit','open','open','','659-revision-v1','','','2014-06-16 09:41:22','2014-06-16 16:41:22','',659,'http://www.letsdrawpeople.com/659-revision-v1/',0,'revision','',0),(1219,2,'2014-06-17 13:18:19','2014-06-17 20:18:19','
\r\n
\r\nWho knows what it is people are thinking? If only we could read minds, it would be a much more revealing world to say the least!\r\n\r\nNo one is truly a mind reader. Still, you can\'t say it wouldn\'t be fun to try.\r\n\r\nThat is one of the things SO interesting about sketching a person. A portrait artist gets to play mind-reader by trying to analyze a subject and interpret her thoughts, her emotions, her passions. It is the job of the portrait artist to capture those thoughts and feelings and convey them through art.\r\n\r\nPart of the fun of it all for the artists and the fans of art is in the guessing and interpreting. For this reason (and certainly others), it is probably a very good thing that we cannot read minds!\r\n\r\nWith that said, today\'s video tutorial shows us how to sketch a woman with something on her mind.\r\n\r\n\"sketch\r\n\r\nThe only materials I used were drawing paper, a pink eraser, a kneaded eraser, and a 2B graphite pencil. The 2B allowed for the variations in dark and light tones I wanted to achieve for this sketch.\r\n\r\nWatch the video to see a review of how to place basic facial guidelines. You will also see how to apply techniques for sketching eyes, the nose, and getting the mouth to convey a desired expression.\r\n\r\nWatch the shading progress from minimal at the beginning to layered and heavier at the end to enhance the sketch.\r\n\r\nAfter watching the video all the way through the first time, watch it a second time and draw along with me. Then give it a try on your own (without watching) and see if you can achieve a similar effect with the woman\'s thoughts and expression.\r\n\r\nSo, what do you think is on this woman\'s mind?','How to Sketch a Woman with Something on Her Mind','','inherit','open','open','','1189-autosave-v1','','','2014-06-17 13:18:19','2014-06-17 20:18:19','',1189,'http://www.letsdrawpeople.com/1189-autosave-v1/',0,'revision','',0),(1220,2,'2014-06-17 13:12:14','2014-06-17 20:12:14','
Who knows what it is people are thinking? If only we could read minds, it would be a much more revealing world to say the least!\r\n\r\nNo one is truly a mind reader. Still, you can\'t say it wouldn\'t be fun to try.\r\n\r\nThat is one of the things SO interesting about sketching a person. A portrait artist gets to play mind-reader by trying to analyze a subject and interpret her thoughts, her emotions, her passions. It is the job of the portrait artist to capture those thoughts and feelings and convey them through art.\r\n\r\nPart of the fun of it all for the artists and the fans of art is in the guessing and interpreting. For this reason (and certainly others), it is probably a very good thing that we cannot read minds!\r\n\r\nWith that said, today\'s video tutorial shows us how to sketch a woman with something on her mind.\r\n\r\n\"sketch\r\n\r\nThe only materials I used were drawing paper, a pink eraser, a kneaded eraser, and a 2B graphite pencil. The 2B allowed for the variations in dark and light tones I wanted to achieve for this sketch.\r\n\r\nWatch the video to see a review of how to place basic facial guidelines. You will also see how to apply techniques for sketching eyes, the nose, and getting the mouth to convey a desired expression.\r\n\r\nWatch the shading progress from minimal at the beginning to layered and heavier at the end to enhance the sketch.\r\n\r\nAfter watching the video all the way through the first time, watch it a second time and draw along with me. Then give it a try on your own (without watching) and see if you can achieve a similar effect with the woman\'s thoughts and expression.\r\n\r\nSo, what do you think is on this woman\'s mind?','How to Sketch a Woman with Something on Her Mind','','inherit','open','open','','1189-revision-v1','','','2014-06-17 13:12:14','2014-06-17 20:12:14','',1189,'http://www.letsdrawpeople.com/1189-revision-v1/',0,'revision','',0),(1221,2,'2014-06-17 13:18:49','2014-06-17 20:18:49','
\r\n\r\nWho knows what it is people are thinking? If only we could read minds, it would be a much more revealing world to say the least!\r\n\r\nNo one is truly a mind reader. Still, you can\'t say it wouldn\'t be fun to try.\r\n\r\nThat is one of the things SO interesting about sketching a person. A portrait artist gets to play mind-reader by trying to analyze a subject and interpret her thoughts, her emotions, her passions. It is the job of the portrait artist to capture those thoughts and feelings and convey them through art.\r\n\r\nPart of the fun of it all for the artists and the fans of art is in the guessing and interpreting. For this reason (and certainly others), it is probably a very good thing that we cannot read minds!\r\n\r\nWith that said, today\'s video tutorial shows us how to sketch a woman with something on her mind.\r\n\r\n\"sketch\r\n\r\nThe only materials I used were drawing paper, a pink eraser, a kneaded eraser, and a 2B graphite pencil. The 2B allowed for the variations in dark and light tones I wanted to achieve for this sketch.\r\n\r\nWatch the video to see a review of how to place basic facial guidelines. You will also see how to apply techniques for sketching eyes, the nose, and getting the mouth to convey a desired expression.\r\n\r\nWatch the shading progress from minimal at the beginning to layered and heavier at the end to enhance the sketch.\r\n\r\nAfter watching the video all the way through the first time, watch it a second time and draw along with me. Then give it a try on your own (without watching) and see if you can achieve a similar effect with the woman\'s thoughts and expression.\r\n\r\nSo, what do you think is on this woman\'s mind?','How to Sketch a Woman with Something on Her Mind','','inherit','open','open','','1189-revision-v1','','','2014-06-17 13:18:49','2014-06-17 20:18:49','',1189,'http://www.letsdrawpeople.com/1189-revision-v1/',0,'revision','',0),(1222,2,'2014-06-26 14:45:35','2014-06-26 21:45:35','

I speak from experience when I say that beginning artists often learn one technique, or one \"way\", of drawing a person and then get set in their ways (or in this case, \"way\").

\r\n

Early on when I began drawing people, I had a technique that I was very comfortable with and always began a drawing by using it. There was nothing wrong with that since I was doing something that worked, but if I didn\'t take time to watch and learn from other artists, I may have never learned a better way.

\r\n

In that spirit, we are going to take time to see how two different artists take two very different approaches to accomplishing the same goal: drawing the very-recognizable NBA legend Michael Jordan!

\r\n\r\n\r\n[caption id=\"attachment_1224\" align=\"aligncenter\" width=\"225\"]\"\" © Jerry Coli | Dreamstime.com[/caption]\r\n

First up is animator and illustrator Michael Weisner, presenting for eHow. Michael Weisner gives us a simplistic approach to drawing MJ. Michael gives us the excellent advice of having several resource materials handy to help with accuracy.

\r\n

He begins by already having a \"pre-sketch ready...for filming\". Although it isn\'t totally clear, we are led to believe that this step isn\'t necessary for us at home, since Michael doesn\'t tell us how he made the pre-sketch. He just traces over the lines during the tutorial, beginning with the outline of the head and using a charcoal pencil.

\r\n

See more here how Michael Weisner draws Michael Jordan.

\r\n\r\n
\r\n

Next we take a look at New York-based artist Merrill Kazanjian and his approach. Merrill also begins his drawing of Michael Jordan in a simple, step-by-step way using basic shapes. However, his final drawing of Jordan\'s head (in this Part 1 of a two-part tutorial) is more detailed and advanced than Weisner\'s version.

\r\n

Some of Merrill\'s techniques are common and traditional, such as the use of lines to place shadows, using a crosshatching method of shading, and placing a line for the mouth \"one-third of the way down between the nose line and the chin line\".

\r\n

Other techniques may be new to you, as some were even new to me! Who else ever thought about drawing polygons for eye sockets and blending pencil tones with a paintbrush?

\r\n

Merrill also begins with the outline of the head, but he uses a No. 2 pencil. After the line drawing, he begins shading the eyes with a 3B pencil.

\r\n

Check out how Michael Jordan is drawn by Merrill Kazanjian.

\r\n\r\n
\r\n

What do you think about these two different approaches? Which techniques closely match what you already do? Which techniques are new ones to you that you would like to try?

\r\n

Go ahead and try to draw Michael Jordan on your own! Share your comments below about what was helpful for you.

','See How to Draw Michael Jordan Like These Artists','','publish','open','open','','see-how-to-draw-michael-jordan-like-these-artists','','','2014-07-01 11:25:55','2014-07-01 18:25:55','',0,'http://www.letsdrawpeople.com/?p=1222',0,'post','',0),(1223,2,'2014-06-17 18:03:37','2014-06-18 01:03:37','','','','inherit','open','open','','1223','','','2014-06-17 18:03:37','2014-06-18 01:03:37','',1222,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/how-to-draw-michael-jordan-bw.jpg',0,'attachment','image/jpeg',0),(1225,2,'2014-06-17 18:18:26','2014-06-18 01:18:26','

I speak from experience when I say that beginning artists often learn one technique, or one \"way\", of drawing a person and then get set in their ways (or in this case, \"way\").

\r\n

Early on when I began drawing people, I had a technique that I was very comfortable with and always began a drawing by using it. There was nothing wrong with that since I was doing something that worked, but if I didn\'t take time to watch and learn from other artists, I may have never learned a better way.

\r\n

In that spirit, we are going to take time to see how two different artists take two very different approaches to accomplishing the same goal: drawing the very-recognizable NBA legend Michael Jordan!

\r\n

\"\"

\r\n

First up is animator and illustrator Michael Weisner, presenting for eHow. Michael Weisner gives us a simplistic approach to drawing MJ. Michael gives us the excellent advice of having several resource materials handy to help with accuracy.

\r\n

He begins by already having a \"pre-sketch ready...for filming\". Although it isn\'t totally clear, we are led to believe that this step isn\'t necessary for us at home, since Michael doesn\'t tell us how he made the pre-sketch. He just traces over the lines during the tutorial, beginning with the outline of the head and using a charcoal pencil.

\r\n

See more here how Michael Weisner draws Michael Jordan.

\r\n\r\n
\r\n

Next we take a look at New York-based artist Merrill Kazanjian and his approach. Merrill also begins his drawing of Michael Jordan in a simple, step-by-step way using basic shapes. However, his final drawing of Jordan\'s head (in this Part 1 of a two-part tutorial) is more detailed and advanced than Weisner\'s version.

\r\n

Some of Merrill\'s techniques are common and traditional, such as the use of lines to place shadows, using a crosshatching method of shading, and placing a line for the mouth \"one-third of the way down between the nose line and the chin line\".

\r\n

Other techniques may be new to you, as some were even new to me! Who else ever thought about drawing polygons for eye sockets and blending pencil tones with a paintbrush?

\r\n

Merrill also begins with the outline of the head, but he uses a No. 2 pencil. After the line drawing, he begins shading the eyes with a 3B pencil.

\r\n

Check out how Michael Jordan is drawn by Merrill Kazanjian.

\r\n\r\n
\r\n

What do you think about these two different approaches? Which techniques closely match what you already do? Which techniques are new ones to you that you would like to try?

\r\n

Go ahead and try to draw Michael Jordan on your own. Share your comments below about what was helpful for you.

','See How to Draw Michael Jordan Like These Artists','','inherit','open','open','','1222-revision-v1','','','2014-06-17 18:18:26','2014-06-18 01:18:26','',1222,'http://www.letsdrawpeople.com/1222-revision-v1/',0,'revision','',0),(1224,2,'2014-06-17 18:03:40','2014-06-18 01:03:40','','','','inherit','open','open','','1224','','','2014-06-17 18:03:40','2014-06-18 01:03:40','',1222,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/how-to-draw-michael-jordan.jpg',0,'attachment','image/jpeg',0),(1226,2,'2014-06-17 18:21:24','2014-06-18 01:21:24','

I speak from experience when I say that beginning artists often learn one technique, or one \"way\", of drawing a person and then get set in their ways (or in this case, \"way\").

\r\n

Early on when I began drawing people, I had a technique that I was very comfortable with and always began a drawing by using it. There was nothing wrong with that since I was doing something that worked, but if I didn\'t take time to watch and learn from other artists, I may have never learned a better way.

\r\n

In that spirit, we are going to take time to see how two different artists take two very different approaches to accomplishing the same goal: drawing the very-recognizable NBA legend Michael Jordan!

\r\n

\"\"

\r\n

First up is animator and illustrator Michael Weisner, presenting for eHow. Michael Weisner gives us a simplistic approach to drawing MJ. Michael gives us the excellent advice of having several resource materials handy to help with accuracy.

\r\n

He begins by already having a \"pre-sketch ready...for filming\". Although it isn\'t totally clear, we are led to believe that this step isn\'t necessary for us at home, since Michael doesn\'t tell us how he made the pre-sketch. He just traces over the lines during the tutorial, beginning with the outline of the head and using a charcoal pencil.

\r\n

See more here how Michael Weisner draws Michael Jordan.

\r\n\r\n
\r\n

Next we take a look at New York-based artist Merrill Kazanjian and his approach. Merrill also begins his drawing of Michael Jordan in a simple, step-by-step way using basic shapes. However, his final drawing of Jordan\'s head (in this Part 1 of a two-part tutorial) is more detailed and advanced than Weisner\'s version.

\r\n

Some of Merrill\'s techniques are common and traditional, such as the use of lines to place shadows, using a crosshatching method of shading, and placing a line for the mouth \"one-third of the way down between the nose line and the chin line\".

\r\n

Other techniques may be new to you, as some were even new to me! Who else ever thought about drawing polygons for eye sockets and blending pencil tones with a paintbrush?

\r\n

Merrill also begins with the outline of the head, but he uses a No. 2 pencil. After the line drawing, he begins shading the eyes with a 3B pencil.

\r\n

Check out how Michael Jordan is drawn by Merrill Kazanjian.

\r\n\r\n
\r\n

What do you think about these two different approaches? Which techniques closely match what you already do? Which techniques are new ones to you that you would like to try?

\r\n

Go ahead and try to draw Michael Jordan on your own! Share your comments below about what was helpful for you.

','See How to Draw Michael Jordan Like These Artists','','inherit','open','open','','1222-revision-v1','','','2014-06-17 18:21:24','2014-06-18 01:21:24','',1222,'http://www.letsdrawpeople.com/1222-revision-v1/',0,'revision','',0),(1227,2,'2014-06-17 18:23:21','2014-06-18 01:23:21',' ','','','publish','open','closed','','1227','','','2017-06-06 05:25:20','2017-06-06 12:25:20','',8,'http://www.letsdrawpeople.com/?p=1227',19,'nav_menu_item','',0),(1228,2,'2014-06-28 11:10:12','2014-06-28 18:10:12','Art is one of the quintessential expressions of humanity. In many ways, it\'s what sets us apart from the animals.\r\n\r\nLike most things that separate man and beast, art requires tools to be expressed to its fullest potential. If you\'re concentrating on drawing the human figure, there are certain drawing tools that you will need to push your talent to its fullest.\r\n\r\nIf you\'re anything like me, your earliest drawing experiences involved nothing more than a pencil and any blank space that you could find. This is great for those who want to do nothing more than to scribble out an idea, but you can do so much more if you have the right tools.\r\n\r\nEverything from the surface on which you draw to the eraser that you use to get rid of mistakes can help you to fulfill your promise as an artist.\r\n\r\n[caption id=\"attachment_1235\" align=\"aligncenter\" width=\"480\"] Using certain drawing tools can help you to more quickly realize your hidden talents.[/caption]\r\n

The Base

\r\nIf you are serious about your art, you may want to devote a specific space in your home to drawing. Having a perfect base on which to draw your art isn\'t a necessity -- but it helps.\r\n\r\nWhile there are millions of people who can draw perfectly well without owning any kind of special surface, dedicating a space in your home is a great way to fuel your artistic spirit. The recommended surface upon which you should draw is a drafting table -- an elevated table that is usually raised at an angle.\r\n\r\nOf all the drawing tools that you can invest in, an empty space is probably the most important. A drafting board is great, but even a clean desk can help you to focus on your task.\r\n\r\nThe most important quality of the surface is smoothness -- you don\'t need a strange texture impacting your art. This is usually a given with a drafting board, but even a standard desk should be sufficient for this task. Don\'t go broke trying to find the perfect surface, but do pay attention to that on which you draw.\r\n

Paper

\r\n[caption id=\"attachment_834\" align=\"alignleft\" width=\"225\"]\"Bristol Bristol board paper is sturdy enough to withstand the smudging and erasing needed for detailed, realistic pencil portraits.[/caption]\r\n\r\nIf you are going to draw, you need paper. Even if you are a fan of drawing on a tablet, you aren\'t going to get far with your technique unless you have a plentiful paper supply.\r\n\r\nIdeally, you should have multiple types of paper. You will need paper for sketching, paper for rough work and the paper upon which you will place your finished work. Each type has its own benefits and drawbacks, and each type is vital for a would-be artist.\r\n\r\nThere are dozens of types of paper available, but I believe an average artist can get away with only using three. Your most important paper products are:\r\n
    \r\n
  • A small sketchbook
    • \r\n
  • Acid-free drawing pad
    • \r\n
  • Two-ply Bristol board
    • \r\n
\r\nYour sketchbook is going to be used on a daily basis, generally as inspiration strikes. I\'ve got several laying around at home, mostly full of ideas that never went anywhere. These books are good for working on new techniques and drawing as you go, but not particularly useful for any kind of professional work.\r\n\r\nI tend to keep a drawing pad full of acid-free drawing paper around for my rough work and for practice. Larger than a sketchbook, these pages are great for working on my technique or for rough outlines of pieces that I intend to transfer over to my two-ply Bristol board. Of all my drawing tools, my drawing pad is probably the most used -- without it, I can\'t improve.\r\n\r\nTwo-ply Bristol board is the paper that you\'ll use for any major final pieces. Reserve this paper for your very best work! This is the paper I use for my detailed, realistic pencil portraits. A bit heavier and smoother than typical paper, it\'s the professional quality product that you\'ve always wanted. Bristol board is available in all of your typical paper sizes, making it perfect for final drawings of any size.\r\n

Pencils

\r\n[caption id=\"attachment_824\" align=\"alignleft\" width=\"276\"]\"Graphite Graphite pencils are available in a range of leads, from hard and light to soft and black.[/caption]\r\n\r\nIf you want to draw, you will need pencils. If you\'re like me, you already have your favorites -- but you will need to step outside of your comfort zone if you really want to master your craft.\r\n\r\nThe pencil box of an artist is filled with a variety of crazy pencils, most of which are certainly not useful on a standardized test. The pencils that you choose to use are going to reflect not only your drawing style but also your level of expertise. As you learn more about art, you will add and remove pencils from your collection.\r\n\r\nYou are likely to invest more money in pencils than almost anything else as a pencil portrait artist, so you might as well start building your collection today. If you only concentrate on two types of pencils, they should be:\r\n
    \r\n
  • Graphite pencils
    • \r\n
  • Mechanical pencils
    • \r\n
\r\nIt\'s no secret that there are dozens of different drawing pencils out there. Graphite pencils are usually labeled on a continuum from H (hardness) to B (blackness). 9H pencils have the hardest lead and leave the lightest mark, while 9B pencils have the softest lead and leave the blackest mark. HB pencils, which are your standard No. 2 pencils, fall in the middle of the continuum.\r\n\r\nI\'m partial to 2B pencils, which are reasonably hard and black. These are the pencils that you will use for most of your sketch work and your final work.\r\n\r\nSince there are so many \"professional\" drawing pencils out there, you\'d think that you would never have to use a mechanical pencil. In the real world, though, you will grow to value these versatile pencils.\r\n\r\nUse them when you sketch on the go, as you don\'t have to worry as much about misplacing mechanical pencils. Mechanical pencils are also great drawing tools for those who don\'t want to bring around a kit full of graphite pencils on vacation. Additionally, I use them for my realistic portraits. Mechanical pencils are perfect for adding in those tiny, fine details.\r\n

Erasers

\r\n[caption id=\"attachment_1236\" align=\"alignleft\" width=\"300\"]\"\" A kneaded eraser and blending stump are two invaluable tools in creating realistic images.[/caption]\r\n\r\nErasers are perhaps your most overlooked drawing tool. You are going to make plenty of mistakes when you sketch -- I know I do. A good eraser can save you the hassle of finding more paper in order to restart a piece in progress, giving you the ability to keep your creative flow going.\r\n\r\nEven if you\'re the type of artist who believes that there is no such thing as a mistake, you still need an eraser. These little lumps help to cover a variety of deficiencies, and they also work well with a number of artistic techniques.\r\n\r\nYour basic eraser does the job for which you\'ve used it since kindergarten -- getting rid of mistakes. I personally prefer a kneaded eraser for the sake of utility. Not only does it erase without leaving the lovely pink residue that we\'ve all come to know and loathe from school, but you can pinch it and knead it into whatever shape you like. This makes it particularly useful for getting stray lines, dots, and unwanted graphite tones out of the way without causing new problems.\r\n\r\nWhen one surface on a kneaded eraser gets dirty, you can just fold it over and cover the smudged surface. This eliminates graphite marks and smudges from appearing the next time that you use the eraser.\r\n\r\nI also tend to lump tortillons and blending stumps under the category of erasers, if only for simplicity. These items are used for smudging or blending the marks that you make on paper, adding more to the texture and feel of your artwork. It\'s easy to conflate tortillon and stumps, but each tool has a slightly different texture -- make sure to buy both.\r\n\r\nPink erasers do have their place. I still use them quite often for erasing smudges from large areas of my paper that would take a kneaded eraser too long to accomplish. But wait - don\'t brush those little eraser fibers off with your hand and please don\'t blow them off! Instead, avoid smudging or accidentally spraying saliva on your artwork by using a dusting brush.\r\n

Drawing Accessories

\r\n[caption id=\"attachment_836\" align=\"alignleft\" width=\"300\"]\"If If you like to draw with a grid, a light box can eliminate the need for erasing grid lines.[/caption]\r\n\r\nThere are also plenty of tools that you can use to help with your personal style. From lighting to compasses, there are great art accessories out there than will allow you to change the way that you draw.\r\n\r\nSure, these are absolutely optional -- but they can also be a lot of fun. Picking the right accessories might allow you to pull off techniques that you can\'t quite manage on your own.\r\n\r\nOne great accessory is the light box - a useful tool for those who need to transfer rough drawings from their sketchbooks to better paper. The light that shines through the box makes it easier to see the rough figure through a second piece of paper, thus helping you to transfer your lines with ease. Light boxes are also excellent for using the grid method to make more accurate drawings.\r\n\r\nIf you are going to make multi-layered drawings, it is also a smart idea to invest in a workable fixative. This spray can be used to avoid smudging your lines as you draw new layers, allowing you to keep a clean and professional look. If you prefer, wait until your drawing is complete and spray the final product for easier handling. Fixatives are especially useful for professionals who will present their work to others.\r\n\r\nDon\'t forget about those accessories that will help you to improve your skills. A circle template will give you the ability to draw circles (think irises and pupils) more cleanly, avoiding those horribly malformed shapes that we are all guilty of drawing.\r\n\r\nI\'m also partial to keeping a small anatomical figure on my desk, particularly of the sort that you can pose. It always helps me to better envision how my figure would look in different poses, allowing me to better plot out my artwork.\r\n

Experiment!

\r\nThere\'s quite a bit listed in the sections above. While I do believe that everything listed has a place in your evolving world of pencil portraiture, that doesn\'t mean that there aren\'t other fantastic tools that you can use.\r\n\r\nYou\'re an artist, so don\'t feel constrained by lists or by recommendations -- figure out new or alternative drawing tools that you can use to perfect your understanding of the human form. I\'ve seen fantastic artists who swear by electronic tablets, while others require college-ruled paper to really nail down a figure. You are in charge of your own artistic destiny, so make sure to use the tools that reflect your goals!','The Drawing Tools of the Artist\'s Trade','','publish','open','open','','the-drawing-tools-of-the-artists-trade','','','2015-07-06 12:17:20','2015-07-06 19:17:20','',0,'http://www.letsdrawpeople.com/?p=1228',0,'post','',0),(1229,2,'2014-06-17 18:33:48','2014-06-18 01:33:48','Art is one of the quintessential expressions of humanity. In many ways, it\'s what sets us apart from the animals. Like most things that separate man and beast, art requires tools to be expressed to its fullest potential. If you\'re concentrating on drawing the human figure, there are certain drawing tools that you will need to push your talent to its fullest.\r\n\r\nIf you\'re anything like me, your earliest drawing experiences involved nothing more than a pencil and any blank space that you could find. This is great for those who want to do nothing more than to scribble out an idea, but you can do so much more if you have the right tools. Everything from the surface on which you draw to the eraser that you use to get rid of mistakes can help you to fulfill your promise as an artist.\r\n\r\nThe Base\r\n\r\nIf you are serious about your art, you may want to devote a specific space in your home to drawing. Having a perfect base on which to draw your art isn\'t a necessity -- but it helps. While there are millions of people who can draw perfectly well without owning any kind of special surface, dedicating a space in your home in a great way to fuel your artistic spirit. The recommended surface upon which you should draw is a drafting table -- an elevated table that is usually raised at an angle.\r\n\r\nOf all the drawing tools that you can invest in, an empty space is probably the most important. A drafting board is great, but even a clean desk can help you to focus on your task. The most important quality of the surface is smoothness -- you don\'t need a strange texture impacting your art. This is usually a given with a drafting board, but even a standard desk should be sufficient for this task. Don\'t go broke trying to find the perfect surface, but do pay attention to that on which you draw.\r\n\r\nPaper\r\n\r\nIf you are going to draw, you need paper. Even if you are a fan of drawing on a tablet, you aren\'t going to get far with your technique unless you have a plentiful paper supply. A dedicated artist will go through enough paper to make the local trees a little nervous, and I don\'t think you can ever have too much on your person. You do, however, need to have multiple types of paper. You will need paper for sketching, paper for rough work and the paper upon which you will place your finished work. Each type has its own benefits and drawbacks, and each type is vital for a would-be artist.\r\n\r\nThere are dozens of types of paper available, but I believe an average artist can get away with only using three. Your most important paper products are:\r\n\r\n- A small sketchbook\r\n- Acid-free drawing pad\r\n- Two-ply Bristol board\r\n\r\nYour sketchbook is going to be used on a daily basis, generally as inspiration strikes. I\'ve got dozens laying around at home, mostly full of ideas that never went anywhere. These books are good for working on new techniques and drawing as you go, but not particularly useful for any kind of professional work.\r\n\r\nI tend to keep a drawing pad full of acid-free drawing paper around for my rough work and for practice. Larger than a sketchbook, these pages are great for working on my technique or for rough outlines of pieces that I intend to transfer over to my two-ply Bristol board. Of all my drawing tools, my drawing pad is probably the most used -- without it, I can\'t improve.\r\n\r\nTwo-ply Bristol board is the paper that you\'ll use for any final works. A bit heavier and smoother than typical paper, it\'s the professional quality product that you\'ve always wanted. Bristol board is available in all of your typical paper sizes, making it perfect for final drawings of any size.\r\n\r\nPencils\r\n\r\nIf you want to draw, you will need pencils. If you\'re like me, you already have your favorites -- but you will need to step outside of your comfort zone if you really want to master your craft. The pencil box of an artist is filled with a variety of crazy pencils, most of which are certainly not useful on a standardized test. The pencils that you choose to use are going to reflect not only your drawing style but also your level of expertise -- as you learn more about art, you will add and remove pencils from your collection.\r\n\r\nYou\'re going to invest more money in pencils than almost anything else as an artist, so you might as well start building your collection today. If you only concentrate on two types of pencils, they should be:\r\n\r\n- Graphite pencils\r\n- Mechanical pencils\r\n\r\nIt\'s no secret that there are dozens of different drawing pencils out there. They are usually labeled with a number and an H or a B. The number stands for the hardness of the graphite -- the higher the number, the softer the graphite. I\'m partial to 2B pencils, which are reasonably hard and black. These are the pencils that you will use for most of your sketch work and your final work.\r\n\r\nSince there\'s so many \"professional\" drawing pencils out there, you\'d think that you would never have to deign to use a mechanical pencil. In the real world, though, you will grow to value these cheaper pencils. I use them when I sketch on the go, as I don\'t have to worry as much about misplacing mechanical pencils. Mechanical pencils are also great drawing tools for those who don\'t want to bring around a kit full of graphite pencils with them on vacation -- a pencil and a sketchbook will allow you to capture all the moments that must be remembered.\r\n\r\nErasers\r\n\r\nErasers are perhaps your most overlooked drawing tool. You are going to make plenty of mistakes when you sketch -- I know I do. A good eraser can save you the hassle of finding more paper in order to restart a piece in progress, giving you the ability to keep your creative flow going. Even if you\'re the type of artist who believes that there is no such thing as a mistake, you still need an eraser. These little lumps help to cover a variety of deficiencies, and they also work well with a number of artistic techniques.\r\n\r\nYour basic eraser does the job for which you\'ve used it since kindergarten -- getting rid of mistakes. I personally prefer a kneaded eraser for the sake of utility. Not only does it erase without leaving the lovely pink residue that we\'ve all come to know and loathe from school, but you can pinch it and knead it into whatever shape you like. This makes it particularly useful for getting stray lines and dots out of the way without causing new problems. When one surface on a kneaded eraser gets dirty, you can just fold it over and cover the smudged surface. This eliminates graphite marks and smudges from appearing the next time that you use the eraser.\r\n\r\nI also tend to lump tortillons and blending stumps under the category of erasers, if only for simplicity. These items are used for smudging or blending the marks that you make on paper, adding more to the texture and feel of your artwork. It\'s easy to conflate tortillon and stumps, but each tool has a slightly different texture -- make sure to buy both. You\'ll also want a simple pink eraser to clean these tools, finally giving you a use for the horrible little tool that you\'ve been forced to use since grade school.\r\n\r\nDrawing Accessories\r\n\r\nI\'m always of the opinion that an artist\'s desk should look like an engineering project exploded. While everything above is a necessity, there are also plenty of tools that you can use to help with your personal style. From lighting to compasses, there are great art accessories out there than will allow you to change the way that you draw. Sure, they\'re absolutely optional -- but they can also be a lot of fun. Picking the right accessories might allow you to pull off techniques that you can\'t quite manage on your own.\r\n\r\nOne great accessory is the light box - a useful tool for those who need to transfer rough drawings from their sketchbooks to better paper. The light that shines through the box makes it easier to see the rough figure through a second piece of paper, thus helping you to transfer your lines with ease. If you are going to make multi-layered drawings, it is also necessary to invest in a workable fixative. This spray can be used to avoid smudging your lines as you draw new layers, allowing you to keep a clean and professional look. Fixatives are especially useful for professionals who will present their work to others.\r\n\r\nDon\'t forget about those accessories that will help you to improve your skills. A circle template will give you the ability to draw circles more cleanly, avoiding those horribly malformed shapes that we are all guilty of drawing. I\'m also partial to keeping a small anatomical figure on my desk, particular of the sort that you can pose. It always helps me to better envision how my figure would look in different poses, allowing me to better plot out my artwork.\r\n\r\nExperiment!\r\n\r\nThere\'s quite a bit listed in the sections above, probably enough to make the average artist\'s bank account go on strike. I do believe that everything listed has a place in the world of art, but that doesn\'t mean that there aren\'t other fantastic tools that you can use. You\'re an artist, so don\'t feel constrained by lists or by recommendations -- figure out new drawing tools that you can use to perfect your understanding of the human form. I\'ve seen fantastic artists who swear by electronic tablets, while others require college-ruled paper to really nail down a figure. You are in charge of your own artistic destiny, so make sure to use the tools that reflect your goals!','The Drawing Tools of the Artist\'s Trade','','inherit','open','open','','1228-revision-v1','','','2014-06-17 18:33:48','2014-06-18 01:33:48','',1228,'http://www.letsdrawpeople.com/1228-revision-v1/',0,'revision','',0),(1230,2,'2014-06-18 08:05:57','2014-06-18 15:05:57','Art is one of the quintessential expressions of humanity. In many ways, it\'s what sets us apart from the animals.\r\n\r\nLike most things that separate man and beast, art requires tools to be expressed to its fullest potential. If you\'re concentrating on drawing the human figure, there are certain drawing tools that you will need to push your talent to its fullest.\r\n\r\nIf you\'re anything like me, your earliest drawing experiences involved nothing more than a pencil and any blank space that you could find. This is great for those who want to do nothing more than to scribble out an idea, but you can do so much more if you have the right tools.\r\n\r\nEverything from the surface on which you draw to the eraser that you use to get rid of mistakes can help you to fulfill your promise as an artist.\r\n

The Base

\r\nIf you are serious about your art, you may want to devote a specific space in your home to drawing. Having a perfect base on which to draw your art isn\'t a necessity -- but it helps.\r\n\r\nWhile there are millions of people who can draw perfectly well without owning any kind of special surface, dedicating a space in your home is a great way to fuel your artistic spirit. The recommended surface upon which you should draw is a drafting table -- an elevated table that is usually raised at an angle.\r\n\r\nOf all the drawing tools that you can invest in, an empty space is probably the most important. A drafting board is great, but even a clean desk can help you to focus on your task.\r\n\r\nThe most important quality of the surface is smoothness -- you don\'t need a strange texture impacting your art. This is usually a given with a drafting board, but even a standard desk should be sufficient for this task. Don\'t go broke trying to find the perfect surface, but do pay attention to that on which you draw.\r\n

Paper

\r\nIf you are going to draw, you need paper. Even if you are a fan of drawing on a tablet, you aren\'t going to get far with your technique unless you have a plentiful paper supply.\r\n\r\nIdeally, you should have multiple types of paper. You will need paper for sketching, paper for rough work and the paper upon which you will place your finished work. Each type has its own benefits and drawbacks, and each type is vital for a would-be artist.\r\n\r\nThere are dozens of types of paper available, but I believe an average artist can get away with only using three. Your most important paper products are:\r\n
    \r\n
  • A small sketchbook
    • \r\n
  • Acid-free drawing pad
    • \r\n
  • Two-ply Bristol board
    • \r\n
\r\nYour sketchbook is going to be used on a daily basis, generally as inspiration strikes. I\'ve got several laying around at home, mostly full of ideas that never went anywhere. These books are good for working on new techniques and drawing as you go, but not particularly useful for any kind of professional work.\r\n\r\nI tend to keep a drawing pad full of acid-free drawing paper around for my rough work and for practice. Larger than a sketchbook, these pages are great for working on my technique or for rough outlines of pieces that I intend to transfer over to my two-ply Bristol board. Of all my drawing tools, my drawing pad is probably the most used -- without it, I can\'t improve.\r\n\r\nTwo-ply Bristol board is the paper that you\'ll use for any major final pieces. Reserve this paper for your very best work! This is the paper I use for my detailed realistic pencil portraits. A bit heavier and smoother than typical paper, it\'s the professional quality product that you\'ve always wanted. Bristol board is available in all of your typical paper sizes, making it perfect for final drawings of any size.\r\n

Pencils

\r\nIf you want to draw, you will need pencils. If you\'re like me, you already have your favorites -- but you will need to step outside of your comfort zone if you really want to master your craft.\r\n\r\nThe pencil box of an artist is filled with a variety of crazy pencils, most of which are certainly not useful on a standardized test. The pencils that you choose to use are going to reflect not only your drawing style but also your level of expertise. As you learn more about art, you will add and remove pencils from your collection.\r\n\r\nYou are likely to invest more money in pencils than almost anything else as a pencil portrait artist, so you might as well start building your collection today. If you only concentrate on two types of pencils, they should be:\r\n
    \r\n
  • Graphite pencils
    • \r\n
  • Mechanical pencils
    • \r\n
\r\nIt\'s no secret that there are dozens of different drawing pencils out there. They are usually labeled on a continuum from H (hardness) to B (blackness). 9H pencils have the hardest lead and leave the lightest mark, while 9B pencils have the softest lead and leave the blackest mark. HB pencils, which are your standard No. 2 pencils, fall in the middle of the continuum.\r\n\r\nI\'m partial to 2B pencils, which are reasonably hard and black. These are the pencils that you will use for most of your sketch work and your final work.\r\n\r\nSince there are so many \"professional\" drawing pencils out there, you\'d think that you would never have to use a mechanical pencil. In the real world, though, you will grow to value these versatile pencils. I use them when I sketch on the go, as I don\'t have to worry as much about misplacing mechanical pencils. Mechanical pencils are also great drawing tools for those who don\'t want to bring around a kit full of graphite pencils with them on vacation -- a pencil and a sketchbook will allow you to capture all the moments that must be remembered.\r\n\r\nErasers\r\n\r\nErasers are perhaps your most overlooked drawing tool. You are going to make plenty of mistakes when you sketch -- I know I do. A good eraser can save you the hassle of finding more paper in order to restart a piece in progress, giving you the ability to keep your creative flow going. Even if you\'re the type of artist who believes that there is no such thing as a mistake, you still need an eraser. These little lumps help to cover a variety of deficiencies, and they also work well with a number of artistic techniques.\r\n\r\nYour basic eraser does the job for which you\'ve used it since kindergarten -- getting rid of mistakes. I personally prefer a kneaded eraser for the sake of utility. Not only does it erase without leaving the lovely pink residue that we\'ve all come to know and loathe from school, but you can pinch it and knead it into whatever shape you like. This makes it particularly useful for getting stray lines and dots out of the way without causing new problems. When one surface on a kneaded eraser gets dirty, you can just fold it over and cover the smudged surface. This eliminates graphite marks and smudges from appearing the next time that you use the eraser.\r\n\r\nI also tend to lump tortillons and blending stumps under the category of erasers, if only for simplicity. These items are used for smudging or blending the marks that you make on paper, adding more to the texture and feel of your artwork. It\'s easy to conflate tortillon and stumps, but each tool has a slightly different texture -- make sure to buy both. You\'ll also want a simple pink eraser to clean these tools, finally giving you a use for the horrible little tool that you\'ve been forced to use since grade school.\r\n\r\nDrawing Accessories\r\n\r\nI\'m always of the opinion that an artist\'s desk should look like an engineering project exploded. While everything above is a necessity, there are also plenty of tools that you can use to help with your personal style. From lighting to compasses, there are great art accessories out there than will allow you to change the way that you draw. Sure, they\'re absolutely optional -- but they can also be a lot of fun. Picking the right accessories might allow you to pull off techniques that you can\'t quite manage on your own.\r\n\r\nOne great accessory is the light box - a useful tool for those who need to transfer rough drawings from their sketchbooks to better paper. The light that shines through the box makes it easier to see the rough figure through a second piece of paper, thus helping you to transfer your lines with ease. If you are going to make multi-layered drawings, it is also necessary to invest in a workable fixative. This spray can be used to avoid smudging your lines as you draw new layers, allowing you to keep a clean and professional look. Fixatives are especially useful for professionals who will present their work to others.\r\n\r\nDon\'t forget about those accessories that will help you to improve your skills. A circle template will give you the ability to draw circles more cleanly, avoiding those horribly malformed shapes that we are all guilty of drawing. I\'m also partial to keeping a small anatomical figure on my desk, particular of the sort that you can pose. It always helps me to better envision how my figure would look in different poses, allowing me to better plot out my artwork.\r\n\r\nExperiment!\r\n\r\nThere\'s quite a bit listed in the sections above, probably enough to make the average artist\'s bank account go on strike. I do believe that everything listed has a place in the world of art, but that doesn\'t mean that there aren\'t other fantastic tools that you can use. You\'re an artist, so don\'t feel constrained by lists or by recommendations -- figure out new drawing tools that you can use to perfect your understanding of the human form. I\'ve seen fantastic artists who swear by electronic tablets, while others require college-ruled paper to really nail down a figure. You are in charge of your own artistic destiny, so make sure to use the tools that reflect your goals!','The Drawing Tools of the Artist\'s Trade','','inherit','open','open','','1228-revision-v1','','','2014-06-18 08:05:57','2014-06-18 15:05:57','',1228,'http://www.letsdrawpeople.com/1228-revision-v1/',0,'revision','',0),(1231,2,'2014-06-18 09:27:10','2014-06-18 16:27:10','Art is one of the quintessential expressions of humanity. In many ways, it\'s what sets us apart from the animals.\r\n\r\nLike most things that separate man and beast, art requires tools to be expressed to its fullest potential. If you\'re concentrating on drawing the human figure, there are certain drawing tools that you will need to push your talent to its fullest.\r\n\r\nIf you\'re anything like me, your earliest drawing experiences involved nothing more than a pencil and any blank space that you could find. This is great for those who want to do nothing more than to scribble out an idea, but you can do so much more if you have the right tools.\r\n\r\nEverything from the surface on which you draw to the eraser that you use to get rid of mistakes can help you to fulfill your promise as an artist.\r\n

The Base

\r\nIf you are serious about your art, you may want to devote a specific space in your home to drawing. Having a perfect base on which to draw your art isn\'t a necessity -- but it helps.\r\n\r\nWhile there are millions of people who can draw perfectly well without owning any kind of special surface, dedicating a space in your home is a great way to fuel your artistic spirit. The recommended surface upon which you should draw is a drafting table -- an elevated table that is usually raised at an angle.\r\n\r\nOf all the drawing tools that you can invest in, an empty space is probably the most important. A drafting board is great, but even a clean desk can help you to focus on your task.\r\n\r\nThe most important quality of the surface is smoothness -- you don\'t need a strange texture impacting your art. This is usually a given with a drafting board, but even a standard desk should be sufficient for this task. Don\'t go broke trying to find the perfect surface, but do pay attention to that on which you draw.\r\n

Paper

\r\nIf you are going to draw, you need paper. Even if you are a fan of drawing on a tablet, you aren\'t going to get far with your technique unless you have a plentiful paper supply.\r\n\r\nIdeally, you should have multiple types of paper. You will need paper for sketching, paper for rough work and the paper upon which you will place your finished work. Each type has its own benefits and drawbacks, and each type is vital for a would-be artist.\r\n\r\nThere are dozens of types of paper available, but I believe an average artist can get away with only using three. Your most important paper products are:\r\n
    \r\n
  • A small sketchbook
    • \r\n
  • Acid-free drawing pad
    • \r\n
  • Two-ply Bristol board
    • \r\n
\r\nYour sketchbook is going to be used on a daily basis, generally as inspiration strikes. I\'ve got several laying around at home, mostly full of ideas that never went anywhere. These books are good for working on new techniques and drawing as you go, but not particularly useful for any kind of professional work.\r\n\r\nI tend to keep a drawing pad full of acid-free drawing paper around for my rough work and for practice. Larger than a sketchbook, these pages are great for working on my technique or for rough outlines of pieces that I intend to transfer over to my two-ply Bristol board. Of all my drawing tools, my drawing pad is probably the most used -- without it, I can\'t improve.\r\n\r\nTwo-ply Bristol board is the paper that you\'ll use for any major final pieces. Reserve this paper for your very best work! This is the paper I use for my detailed realistic pencil portraits. A bit heavier and smoother than typical paper, it\'s the professional quality product that you\'ve always wanted. Bristol board is available in all of your typical paper sizes, making it perfect for final drawings of any size.\r\n

Pencils

\r\nIf you want to draw, you will need pencils. If you\'re like me, you already have your favorites -- but you will need to step outside of your comfort zone if you really want to master your craft.\r\n\r\nThe pencil box of an artist is filled with a variety of crazy pencils, most of which are certainly not useful on a standardized test. The pencils that you choose to use are going to reflect not only your drawing style but also your level of expertise. As you learn more about art, you will add and remove pencils from your collection.\r\n\r\nYou are likely to invest more money in pencils than almost anything else as a pencil portrait artist, so you might as well start building your collection today. If you only concentrate on two types of pencils, they should be:\r\n
    \r\n
  • Graphite pencils
    • \r\n
  • Mechanical pencils
    • \r\n
\r\nIt\'s no secret that there are dozens of different drawing pencils out there. They are usually labeled on a continuum from H (hardness) to B (blackness). 9H pencils have the hardest lead and leave the lightest mark, while 9B pencils have the softest lead and leave the blackest mark. HB pencils, which are your standard No. 2 pencils, fall in the middle of the continuum.\r\n\r\nI\'m partial to 2B pencils, which are reasonably hard and black. These are the pencils that you will use for most of your sketch work and your final work.\r\n\r\nSince there are so many \"professional\" drawing pencils out there, you\'d think that you would never have to use a mechanical pencil. In the real world, though, you will grow to value these versatile pencils.\r\n\r\nUse them when you sketch on the go, as you don\'t have to worry as much about misplacing mechanical pencils. Mechanical pencils are also great drawing tools for those who don\'t want to bring around a kit full of graphite pencils on vacation. Additionally, I use them for my realistic portraits. Mechanical pencils are perfect for adding in those tiny, fine details.\r\n

Erasers

\r\nErasers are perhaps your most overlooked drawing tool. You are going to make plenty of mistakes when you sketch -- I know I do. A good eraser can save you the hassle of finding more paper in order to restart a piece in progress, giving you the ability to keep your creative flow going.\r\n\r\nEven if you\'re the type of artist who believes that there is no such thing as a mistake, you still need an eraser. These little lumps help to cover a variety of deficiencies, and they also work well with a number of artistic techniques.\r\n\r\nYour basic eraser does the job for which you\'ve used it since kindergarten -- getting rid of mistakes. I personally prefer a kneaded eraser for the sake of utility. Not only does it erase without leaving the lovely pink residue that we\'ve all come to know and loathe from school, but you can pinch it and knead it into whatever shape you like. This makes it particularly useful for getting stray lines, dots, and unwanted graphite tones out of the way without causing new problems.\r\n\r\nWhen one surface on a kneaded eraser gets dirty, you can just fold it over and cover the smudged surface. This eliminates graphite marks and smudges from appearing the next time that you use the eraser.\r\n\r\nI also tend to lump tortillons and blending stumps under the category of erasers, if only for simplicity. These items are used for smudging or blending the marks that you make on paper, adding more to the texture and feel of your artwork. It\'s easy to conflate tortillon and stumps, but each tool has a slightly different texture -- make sure to buy both.\r\n\r\nYou\'ll also want a simple pink eraser to clean these tools, finally giving you a use for the horrible little tool that you\'ve been forced to use since grade school! Haha, I\'m only kidding about the \"horrible\" part, since pink erasers do have their place. I still use them quite often for erasing smudges from large areas of my paper that would take a kneaded eraser too long to accomplish.\r\n

Drawing Accessories

\r\nThere are also plenty of tools that you can use to help with your personal style. From lighting to compasses, there are great art accessories out there than will allow you to change the way that you draw.\r\n\r\nSure, these are absolutely optional -- but they can also be a lot of fun. Picking the right accessories might allow you to pull off techniques that you can\'t quite manage on your own.\r\n\r\nOne great accessory is the light box - a useful tool for those who need to transfer rough drawings from their sketchbooks to better paper. The light that shines through the box makes it easier to see the rough figure through a second piece of paper, thus helping you to transfer your lines with ease. Light boxes are also excellent for using the grid method to make more accurate drawings.\r\n\r\nIf you are going to make multi-layered drawings, it is also a smart idea to invest in a workable fixative. This spray can be used to avoid smudging your lines as you draw new layers, allowing you to keep a clean and professional look. If you prefer, wait until your drawing is complete and spray the final product for easier handling. Fixatives are especially useful for professionals who will present their work to others.\r\n\r\nDon\'t forget about those accessories that will help you to improve your skills. A circle template will give you the ability to draw circles (think irises and pupils) more cleanly, avoiding those horribly malformed shapes that we are all guilty of drawing. I\'m also partial to keeping a small anatomical figure on my desk, particularly of the sort that you can pose. It always helps me to better envision how my figure would look in different poses, allowing me to better plot out my artwork.\r\n

Experiment!

\r\nThere\'s quite a bit listed in the sections above. While I do believe that everything listed has a place in your evolving world of pencil portraiture, that doesn\'t mean that there aren\'t other fantastic tools that you can use. You\'re an artist, so don\'t feel constrained by lists or by recommendations -- figure out new or alternative drawing tools that you can use to perfect your understanding of the human form. I\'ve seen fantastic artists who swear by electronic tablets, while others require college-ruled paper to really nail down a figure. You are in charge of your own artistic destiny, so make sure to use the tools that reflect your goals!','The Drawing Tools of the Artist\'s Trade','','inherit','open','open','','1228-revision-v1','','','2014-06-18 09:27:10','2014-06-18 16:27:10','',1228,'http://www.letsdrawpeople.com/1228-revision-v1/',0,'revision','',0),(1232,2,'2014-06-18 10:30:24','2014-06-18 17:30:24','Art is one of the quintessential expressions of humanity. In many ways, it\'s what sets us apart from the animals.\r\n\r\nLike most things that separate man and beast, art requires tools to be expressed to its fullest potential. If you\'re concentrating on drawing the human figure, there are certain drawing tools that you will need to push your talent to its fullest.\r\n\r\nIf you\'re anything like me, your earliest drawing experiences involved nothing more than a pencil and any blank space that you could find. This is great for those who want to do nothing more than to scribble out an idea, but you can do so much more if you have the right tools.\r\n\r\nEverything from the surface on which you draw to the eraser that you use to get rid of mistakes can help you to fulfill your promise as an artist.\r\n

The Base

\r\nIf you are serious about your art, you may want to devote a specific space in your home to drawing. Having a perfect base on which to draw your art isn\'t a necessity -- but it helps.\r\n\r\nWhile there are millions of people who can draw perfectly well without owning any kind of special surface, dedicating a space in your home is a great way to fuel your artistic spirit. The recommended surface upon which you should draw is a drafting table -- an elevated table that is usually raised at an angle.\r\n\r\nOf all the drawing tools that you can invest in, an empty space is probably the most important. A drafting board is great, but even a clean desk can help you to focus on your task.\r\n\r\nThe most important quality of the surface is smoothness -- you don\'t need a strange texture impacting your art. This is usually a given with a drafting board, but even a standard desk should be sufficient for this task. Don\'t go broke trying to find the perfect surface, but do pay attention to that on which you draw.\r\n

Paper

\r\nIf you are going to draw, you need paper. Even if you are a fan of drawing on a tablet, you aren\'t going to get far with your technique unless you have a plentiful paper supply.\r\n\r\nIdeally, you should have multiple types of paper. You will need paper for sketching, paper for rough work and the paper upon which you will place your finished work. Each type has its own benefits and drawbacks, and each type is vital for a would-be artist.\r\n\r\nThere are dozens of types of paper available, but I believe an average artist can get away with only using three. Your most important paper products are:\r\n
    \r\n
  • A small sketchbook
    • \r\n
  • Acid-free drawing pad
    • \r\n
  • Two-ply Bristol board
    • \r\n
\r\nYour sketchbook is going to be used on a daily basis, generally as inspiration strikes. I\'ve got several laying around at home, mostly full of ideas that never went anywhere. These books are good for working on new techniques and drawing as you go, but not particularly useful for any kind of professional work.\r\n\r\nI tend to keep a drawing pad full of acid-free drawing paper around for my rough work and for practice. Larger than a sketchbook, these pages are great for working on my technique or for rough outlines of pieces that I intend to transfer over to my two-ply Bristol board. Of all my drawing tools, my drawing pad is probably the most used -- without it, I can\'t improve.\r\n\r\n[caption id=\"attachment_834\" align=\"alignleft\" width=\"225\"]\"Bristol Bristol board paper is sturdy enough to withstand the smudging and erasing needed for detailed, realistic pencil portraits.[/caption]\r\n\r\nTwo-ply Bristol board is the paper that you\'ll use for any major final pieces. Reserve this paper for your very best work! This is the paper I use for my detailed, realistic pencil portraits. A bit heavier and smoother than typical paper, it\'s the professional quality product that you\'ve always wanted. Bristol board is available in all of your typical paper sizes, making it perfect for final drawings of any size.\r\n

Pencils

\r\nIf you want to draw, you will need pencils. If you\'re like me, you already have your favorites -- but you will need to step outside of your comfort zone if you really want to master your craft.\r\n\r\nThe pencil box of an artist is filled with a variety of crazy pencils, most of which are certainly not useful on a standardized test. The pencils that you choose to use are going to reflect not only your drawing style but also your level of expertise. As you learn more about art, you will add and remove pencils from your collection.\r\n\r\nYou are likely to invest more money in pencils than almost anything else as a pencil portrait artist, so you might as well start building your collection today. If you only concentrate on two types of pencils, they should be:\r\n
    \r\n
  • Graphite pencils
    • \r\n
  • Mechanical pencils
    • \r\n
\r\nIt\'s no secret that there are dozens of different drawing pencils out there. They are usually labeled on a continuum from H (hardness) to B (blackness). 9H pencils have the hardest lead and leave the lightest mark, while 9B pencils have the softest lead and leave the blackest mark. HB pencils, which are your standard No. 2 pencils, fall in the middle of the continuum.\r\n\r\nI\'m partial to 2B pencils, which are reasonably hard and black. These are the pencils that you will use for most of your sketch work and your final work.\r\n\r\nSince there are so many \"professional\" drawing pencils out there, you\'d think that you would never have to use a mechanical pencil. In the real world, though, you will grow to value these versatile pencils.\r\n\r\nUse them when you sketch on the go, as you don\'t have to worry as much about misplacing mechanical pencils. Mechanical pencils are also great drawing tools for those who don\'t want to bring around a kit full of graphite pencils on vacation. Additionally, I use them for my realistic portraits. Mechanical pencils are perfect for adding in those tiny, fine details.\r\n

Erasers

\r\nErasers are perhaps your most overlooked drawing tool. You are going to make plenty of mistakes when you sketch -- I know I do. A good eraser can save you the hassle of finding more paper in order to restart a piece in progress, giving you the ability to keep your creative flow going.\r\n\r\nEven if you\'re the type of artist who believes that there is no such thing as a mistake, you still need an eraser. These little lumps help to cover a variety of deficiencies, and they also work well with a number of artistic techniques.\r\n\r\nYour basic eraser does the job for which you\'ve used it since kindergarten -- getting rid of mistakes. I personally prefer a kneaded eraser for the sake of utility. Not only does it erase without leaving the lovely pink residue that we\'ve all come to know and loathe from school, but you can pinch it and knead it into whatever shape you like. This makes it particularly useful for getting stray lines, dots, and unwanted graphite tones out of the way without causing new problems.\r\n\r\nWhen one surface on a kneaded eraser gets dirty, you can just fold it over and cover the smudged surface. This eliminates graphite marks and smudges from appearing the next time that you use the eraser.\r\n\r\nI also tend to lump tortillons and blending stumps under the category of erasers, if only for simplicity. These items are used for smudging or blending the marks that you make on paper, adding more to the texture and feel of your artwork. It\'s easy to conflate tortillon and stumps, but each tool has a slightly different texture -- make sure to buy both.\r\n\r\nYou\'ll also want a simple pink eraser to clean these tools, finally giving you a use for the horrible little tool that you\'ve been forced to use since grade school! Haha, I\'m only kidding about the \"horrible\" part, since pink erasers do have their place. I still use them quite often for erasing smudges from large areas of my paper that would take a kneaded eraser too long to accomplish.\r\n

Drawing Accessories

\r\nThere are also plenty of tools that you can use to help with your personal style. From lighting to compasses, there are great art accessories out there than will allow you to change the way that you draw.\r\n\r\nSure, these are absolutely optional -- but they can also be a lot of fun. Picking the right accessories might allow you to pull off techniques that you can\'t quite manage on your own.\r\n\r\nOne great accessory is the light box - a useful tool for those who need to transfer rough drawings from their sketchbooks to better paper. The light that shines through the box makes it easier to see the rough figure through a second piece of paper, thus helping you to transfer your lines with ease. Light boxes are also excellent for using the grid method to make more accurate drawings.\r\n\r\nIf you are going to make multi-layered drawings, it is also a smart idea to invest in a workable fixative. This spray can be used to avoid smudging your lines as you draw new layers, allowing you to keep a clean and professional look. If you prefer, wait until your drawing is complete and spray the final product for easier handling. Fixatives are especially useful for professionals who will present their work to others.\r\n\r\nDon\'t forget about those accessories that will help you to improve your skills. A circle template will give you the ability to draw circles (think irises and pupils) more cleanly, avoiding those horribly malformed shapes that we are all guilty of drawing. I\'m also partial to keeping a small anatomical figure on my desk, particularly of the sort that you can pose. It always helps me to better envision how my figure would look in different poses, allowing me to better plot out my artwork.\r\n

Experiment!

\r\nThere\'s quite a bit listed in the sections above. While I do believe that everything listed has a place in your evolving world of pencil portraiture, that doesn\'t mean that there aren\'t other fantastic tools that you can use. You\'re an artist, so don\'t feel constrained by lists or by recommendations -- figure out new or alternative drawing tools that you can use to perfect your understanding of the human form. I\'ve seen fantastic artists who swear by electronic tablets, while others require college-ruled paper to really nail down a figure. You are in charge of your own artistic destiny, so make sure to use the tools that reflect your goals!','The Drawing Tools of the Artist\'s Trade','','inherit','open','open','','1228-revision-v1','','','2014-06-18 10:30:24','2014-06-18 17:30:24','',1228,'http://www.letsdrawpeople.com/1228-revision-v1/',0,'revision','',0),(1233,2,'2014-06-18 10:32:44','2014-06-18 17:32:44','Art is one of the quintessential expressions of humanity. In many ways, it\'s what sets us apart from the animals.\r\n\r\nLike most things that separate man and beast, art requires tools to be expressed to its fullest potential. If you\'re concentrating on drawing the human figure, there are certain drawing tools that you will need to push your talent to its fullest.\r\n\r\nIf you\'re anything like me, your earliest drawing experiences involved nothing more than a pencil and any blank space that you could find. This is great for those who want to do nothing more than to scribble out an idea, but you can do so much more if you have the right tools.\r\n\r\nEverything from the surface on which you draw to the eraser that you use to get rid of mistakes can help you to fulfill your promise as an artist.\r\n

The Base

\r\nIf you are serious about your art, you may want to devote a specific space in your home to drawing. Having a perfect base on which to draw your art isn\'t a necessity -- but it helps.\r\n\r\nWhile there are millions of people who can draw perfectly well without owning any kind of special surface, dedicating a space in your home is a great way to fuel your artistic spirit. The recommended surface upon which you should draw is a drafting table -- an elevated table that is usually raised at an angle.\r\n\r\nOf all the drawing tools that you can invest in, an empty space is probably the most important. A drafting board is great, but even a clean desk can help you to focus on your task.\r\n\r\nThe most important quality of the surface is smoothness -- you don\'t need a strange texture impacting your art. This is usually a given with a drafting board, but even a standard desk should be sufficient for this task. Don\'t go broke trying to find the perfect surface, but do pay attention to that on which you draw.\r\n

Paper

\r\n[caption id=\"attachment_834\" align=\"alignleft\" width=\"225\"]\"Bristol Bristol board paper is sturdy enough to withstand the smudging and erasing needed for detailed, realistic pencil portraits.[/caption]\r\n\r\nIf you are going to draw, you need paper. Even if you are a fan of drawing on a tablet, you aren\'t going to get far with your technique unless you have a plentiful paper supply.\r\n\r\nIdeally, you should have multiple types of paper. You will need paper for sketching, paper for rough work and the paper upon which you will place your finished work. Each type has its own benefits and drawbacks, and each type is vital for a would-be artist.\r\n\r\nThere are dozens of types of paper available, but I believe an average artist can get away with only using three. Your most important paper products are:\r\n
    \r\n
  • A small sketchbook
    • \r\n
  • Acid-free drawing pad
    • \r\n
  • Two-ply Bristol board
    • \r\n
\r\nYour sketchbook is going to be used on a daily basis, generally as inspiration strikes. I\'ve got several laying around at home, mostly full of ideas that never went anywhere. These books are good for working on new techniques and drawing as you go, but not particularly useful for any kind of professional work.\r\n\r\nI tend to keep a drawing pad full of acid-free drawing paper around for my rough work and for practice. Larger than a sketchbook, these pages are great for working on my technique or for rough outlines of pieces that I intend to transfer over to my two-ply Bristol board. Of all my drawing tools, my drawing pad is probably the most used -- without it, I can\'t improve.\r\n\r\nTwo-ply Bristol board is the paper that you\'ll use for any major final pieces. Reserve this paper for your very best work! This is the paper I use for my detailed, realistic pencil portraits. A bit heavier and smoother than typical paper, it\'s the professional quality product that you\'ve always wanted. Bristol board is available in all of your typical paper sizes, making it perfect for final drawings of any size.\r\n

Pencils

\r\nIf you want to draw, you will need pencils. If you\'re like me, you already have your favorites -- but you will need to step outside of your comfort zone if you really want to master your craft.\r\n\r\nThe pencil box of an artist is filled with a variety of crazy pencils, most of which are certainly not useful on a standardized test. The pencils that you choose to use are going to reflect not only your drawing style but also your level of expertise. As you learn more about art, you will add and remove pencils from your collection.\r\n\r\nYou are likely to invest more money in pencils than almost anything else as a pencil portrait artist, so you might as well start building your collection today. If you only concentrate on two types of pencils, they should be:\r\n
    \r\n
  • Graphite pencils
    • \r\n
  • Mechanical pencils
    • \r\n
\r\nIt\'s no secret that there are dozens of different drawing pencils out there. They are usually labeled on a continuum from H (hardness) to B (blackness). 9H pencils have the hardest lead and leave the lightest mark, while 9B pencils have the softest lead and leave the blackest mark. HB pencils, which are your standard No. 2 pencils, fall in the middle of the continuum.\r\n\r\nI\'m partial to 2B pencils, which are reasonably hard and black. These are the pencils that you will use for most of your sketch work and your final work.\r\n\r\nSince there are so many \"professional\" drawing pencils out there, you\'d think that you would never have to use a mechanical pencil. In the real world, though, you will grow to value these versatile pencils.\r\n\r\nUse them when you sketch on the go, as you don\'t have to worry as much about misplacing mechanical pencils. Mechanical pencils are also great drawing tools for those who don\'t want to bring around a kit full of graphite pencils on vacation. Additionally, I use them for my realistic portraits. Mechanical pencils are perfect for adding in those tiny, fine details.\r\n

Erasers

\r\nErasers are perhaps your most overlooked drawing tool. You are going to make plenty of mistakes when you sketch -- I know I do. A good eraser can save you the hassle of finding more paper in order to restart a piece in progress, giving you the ability to keep your creative flow going.\r\n\r\nEven if you\'re the type of artist who believes that there is no such thing as a mistake, you still need an eraser. These little lumps help to cover a variety of deficiencies, and they also work well with a number of artistic techniques.\r\n\r\nYour basic eraser does the job for which you\'ve used it since kindergarten -- getting rid of mistakes. I personally prefer a kneaded eraser for the sake of utility. Not only does it erase without leaving the lovely pink residue that we\'ve all come to know and loathe from school, but you can pinch it and knead it into whatever shape you like. This makes it particularly useful for getting stray lines, dots, and unwanted graphite tones out of the way without causing new problems.\r\n\r\nWhen one surface on a kneaded eraser gets dirty, you can just fold it over and cover the smudged surface. This eliminates graphite marks and smudges from appearing the next time that you use the eraser.\r\n\r\nI also tend to lump tortillons and blending stumps under the category of erasers, if only for simplicity. These items are used for smudging or blending the marks that you make on paper, adding more to the texture and feel of your artwork. It\'s easy to conflate tortillon and stumps, but each tool has a slightly different texture -- make sure to buy both.\r\n\r\nYou\'ll also want a simple pink eraser to clean these tools, finally giving you a use for the horrible little tool that you\'ve been forced to use since grade school! Haha, I\'m only kidding about the \"horrible\" part, since pink erasers do have their place. I still use them quite often for erasing smudges from large areas of my paper that would take a kneaded eraser too long to accomplish.\r\n

Drawing Accessories

\r\nThere are also plenty of tools that you can use to help with your personal style. From lighting to compasses, there are great art accessories out there than will allow you to change the way that you draw.\r\n\r\nSure, these are absolutely optional -- but they can also be a lot of fun. Picking the right accessories might allow you to pull off techniques that you can\'t quite manage on your own.\r\n\r\nOne great accessory is the light box - a useful tool for those who need to transfer rough drawings from their sketchbooks to better paper. The light that shines through the box makes it easier to see the rough figure through a second piece of paper, thus helping you to transfer your lines with ease. Light boxes are also excellent for using the grid method to make more accurate drawings.\r\n\r\nIf you are going to make multi-layered drawings, it is also a smart idea to invest in a workable fixative. This spray can be used to avoid smudging your lines as you draw new layers, allowing you to keep a clean and professional look. If you prefer, wait until your drawing is complete and spray the final product for easier handling. Fixatives are especially useful for professionals who will present their work to others.\r\n\r\nDon\'t forget about those accessories that will help you to improve your skills. A circle template will give you the ability to draw circles (think irises and pupils) more cleanly, avoiding those horribly malformed shapes that we are all guilty of drawing. I\'m also partial to keeping a small anatomical figure on my desk, particularly of the sort that you can pose. It always helps me to better envision how my figure would look in different poses, allowing me to better plot out my artwork.\r\n

Experiment!

\r\nThere\'s quite a bit listed in the sections above. While I do believe that everything listed has a place in your evolving world of pencil portraiture, that doesn\'t mean that there aren\'t other fantastic tools that you can use. You\'re an artist, so don\'t feel constrained by lists or by recommendations -- figure out new or alternative drawing tools that you can use to perfect your understanding of the human form. I\'ve seen fantastic artists who swear by electronic tablets, while others require college-ruled paper to really nail down a figure. You are in charge of your own artistic destiny, so make sure to use the tools that reflect your goals!','The Drawing Tools of the Artist\'s Trade','','inherit','open','open','','1228-revision-v1','','','2014-06-18 10:32:44','2014-06-18 17:32:44','',1228,'http://www.letsdrawpeople.com/1228-revision-v1/',0,'revision','',0),(1235,2,'2014-06-18 11:03:00','2014-06-18 18:03:00','','drafting-table','Using certain drawing tools can help you to more quickly realize your hidden talents.','inherit','open','open','','1235','','','2014-06-18 11:03:00','2014-06-18 18:03:00','',1228,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/drafting-table.jpg',0,'attachment','image/jpeg',0),(1234,2,'2014-06-18 10:52:00','2014-06-18 17:52:00','Art is one of the quintessential expressions of humanity. In many ways, it\'s what sets us apart from the animals.\r\n\r\nLike most things that separate man and beast, art requires tools to be expressed to its fullest potential. If you\'re concentrating on drawing the human figure, there are certain drawing tools that you will need to push your talent to its fullest.\r\n\r\nIf you\'re anything like me, your earliest drawing experiences involved nothing more than a pencil and any blank space that you could find. This is great for those who want to do nothing more than to scribble out an idea, but you can do so much more if you have the right tools.\r\n\r\nEverything from the surface on which you draw to the eraser that you use to get rid of mistakes can help you to fulfill your promise as an artist.\r\n

The Base

\r\nIf you are serious about your art, you may want to devote a specific space in your home to drawing. Having a perfect base on which to draw your art isn\'t a necessity -- but it helps.\r\n\r\nWhile there are millions of people who can draw perfectly well without owning any kind of special surface, dedicating a space in your home is a great way to fuel your artistic spirit. The recommended surface upon which you should draw is a drafting table -- an elevated table that is usually raised at an angle.\r\n\r\nOf all the drawing tools that you can invest in, an empty space is probably the most important. A drafting board is great, but even a clean desk can help you to focus on your task.\r\n\r\nThe most important quality of the surface is smoothness -- you don\'t need a strange texture impacting your art. This is usually a given with a drafting board, but even a standard desk should be sufficient for this task. Don\'t go broke trying to find the perfect surface, but do pay attention to that on which you draw.\r\n

Paper

\r\n[caption id=\"attachment_834\" align=\"alignleft\" width=\"225\"]\"Bristol Bristol board paper is sturdy enough to withstand the smudging and erasing needed for detailed, realistic pencil portraits.[/caption]\r\n\r\nIf you are going to draw, you need paper. Even if you are a fan of drawing on a tablet, you aren\'t going to get far with your technique unless you have a plentiful paper supply.\r\n\r\nIdeally, you should have multiple types of paper. You will need paper for sketching, paper for rough work and the paper upon which you will place your finished work. Each type has its own benefits and drawbacks, and each type is vital for a would-be artist.\r\n\r\nThere are dozens of types of paper available, but I believe an average artist can get away with only using three. Your most important paper products are:\r\n
    \r\n
  • A small sketchbook
    • \r\n
  • Acid-free drawing pad
    • \r\n
  • Two-ply Bristol board
    • \r\n
\r\nYour sketchbook is going to be used on a daily basis, generally as inspiration strikes. I\'ve got several laying around at home, mostly full of ideas that never went anywhere. These books are good for working on new techniques and drawing as you go, but not particularly useful for any kind of professional work.\r\n\r\nI tend to keep a drawing pad full of acid-free drawing paper around for my rough work and for practice. Larger than a sketchbook, these pages are great for working on my technique or for rough outlines of pieces that I intend to transfer over to my two-ply Bristol board. Of all my drawing tools, my drawing pad is probably the most used -- without it, I can\'t improve.\r\n\r\nTwo-ply Bristol board is the paper that you\'ll use for any major final pieces. Reserve this paper for your very best work! This is the paper I use for my detailed, realistic pencil portraits. A bit heavier and smoother than typical paper, it\'s the professional quality product that you\'ve always wanted. Bristol board is available in all of your typical paper sizes, making it perfect for final drawings of any size.\r\n

Pencils

\r\n[caption id=\"attachment_824\" align=\"alignleft\" width=\"276\"]\"Graphite Graphite pencils are available in a range of leads from hard and light to soft and black.[/caption]\r\n\r\nIf you want to draw, you will need pencils. If you\'re like me, you already have your favorites -- but you will need to step outside of your comfort zone if you really want to master your craft.\r\n\r\nThe pencil box of an artist is filled with a variety of crazy pencils, most of which are certainly not useful on a standardized test. The pencils that you choose to use are going to reflect not only your drawing style but also your level of expertise. As you learn more about art, you will add and remove pencils from your collection.\r\n\r\nYou are likely to invest more money in pencils than almost anything else as a pencil portrait artist, so you might as well start building your collection today. If you only concentrate on two types of pencils, they should be:\r\n
    \r\n
  • Graphite pencils
    • \r\n
  • Mechanical pencils
    • \r\n
\r\nIt\'s no secret that there are dozens of different drawing pencils out there. Graphite pencils are usually labeled on a continuum from H (hardness) to B (blackness). 9H pencils have the hardest lead and leave the lightest mark, while 9B pencils have the softest lead and leave the blackest mark. HB pencils, which are your standard No. 2 pencils, fall in the middle of the continuum.\r\n\r\nI\'m partial to 2B pencils, which are reasonably hard and black. These are the pencils that you will use for most of your sketch work and your final work.\r\n\r\nSince there are so many \"professional\" drawing pencils out there, you\'d think that you would never have to use a mechanical pencil. In the real world, though, you will grow to value these versatile pencils.\r\n\r\nUse them when you sketch on the go, as you don\'t have to worry as much about misplacing mechanical pencils. Mechanical pencils are also great drawing tools for those who don\'t want to bring around a kit full of graphite pencils on vacation. Additionally, I use them for my realistic portraits. Mechanical pencils are perfect for adding in those tiny, fine details.\r\n

Erasers

\r\nErasers are perhaps your most overlooked drawing tool. You are going to make plenty of mistakes when you sketch -- I know I do. A good eraser can save you the hassle of finding more paper in order to restart a piece in progress, giving you the ability to keep your creative flow going.\r\n\r\nEven if you\'re the type of artist who believes that there is no such thing as a mistake, you still need an eraser. These little lumps help to cover a variety of deficiencies, and they also work well with a number of artistic techniques.\r\n\r\nYour basic eraser does the job for which you\'ve used it since kindergarten -- getting rid of mistakes. I personally prefer a kneaded eraser for the sake of utility. Not only does it erase without leaving the lovely pink residue that we\'ve all come to know and loathe from school, but you can pinch it and knead it into whatever shape you like. This makes it particularly useful for getting stray lines, dots, and unwanted graphite tones out of the way without causing new problems.\r\n\r\nWhen one surface on a kneaded eraser gets dirty, you can just fold it over and cover the smudged surface. This eliminates graphite marks and smudges from appearing the next time that you use the eraser.\r\n\r\nI also tend to lump tortillons and blending stumps under the category of erasers, if only for simplicity. These items are used for smudging or blending the marks that you make on paper, adding more to the texture and feel of your artwork. It\'s easy to conflate tortillon and stumps, but each tool has a slightly different texture -- make sure to buy both.\r\n\r\nYou\'ll also want a simple pink eraser to clean these tools, finally giving you a use for the horrible little tool that you\'ve been forced to use since grade school! Haha, I\'m only kidding about the \"horrible\" part, since pink erasers do have their place. I still use them quite often for erasing smudges from large areas of my paper that would take a kneaded eraser too long to accomplish.\r\n

Drawing Accessories

\r\n[caption id=\"attachment_836\" align=\"alignleft\" width=\"300\"]\"If If you like to draw with a grid, a light box can eliminate the need for erasing grid lines.[/caption]\r\n\r\nThere are also plenty of tools that you can use to help with your personal style. From lighting to compasses, there are great art accessories out there than will allow you to change the way that you draw.\r\n\r\nSure, these are absolutely optional -- but they can also be a lot of fun. Picking the right accessories might allow you to pull off techniques that you can\'t quite manage on your own.\r\n\r\nOne great accessory is the light box - a useful tool for those who need to transfer rough drawings from their sketchbooks to better paper. The light that shines through the box makes it easier to see the rough figure through a second piece of paper, thus helping you to transfer your lines with ease. Light boxes are also excellent for using the grid method to make more accurate drawings.\r\n\r\nIf you are going to make multi-layered drawings, it is also a smart idea to invest in a workable fixative. This spray can be used to avoid smudging your lines as you draw new layers, allowing you to keep a clean and professional look. If you prefer, wait until your drawing is complete and spray the final product for easier handling. Fixatives are especially useful for professionals who will present their work to others.\r\n\r\nDon\'t forget about those accessories that will help you to improve your skills. A circle template will give you the ability to draw circles (think irises and pupils) more cleanly, avoiding those horribly malformed shapes that we are all guilty of drawing. I\'m also partial to keeping a small anatomical figure on my desk, particularly of the sort that you can pose. It always helps me to better envision how my figure would look in different poses, allowing me to better plot out my artwork.\r\n

Experiment!

\r\nThere\'s quite a bit listed in the sections above. While I do believe that everything listed has a place in your evolving world of pencil portraiture, that doesn\'t mean that there aren\'t other fantastic tools that you can use. You\'re an artist, so don\'t feel constrained by lists or by recommendations -- figure out new or alternative drawing tools that you can use to perfect your understanding of the human form. I\'ve seen fantastic artists who swear by electronic tablets, while others require college-ruled paper to really nail down a figure. You are in charge of your own artistic destiny, so make sure to use the tools that reflect your goals!','The Drawing Tools of the Artist\'s Trade','','inherit','open','open','','1228-revision-v1','','','2014-06-18 10:52:00','2014-06-18 17:52:00','',1228,'http://www.letsdrawpeople.com/1228-revision-v1/',0,'revision','',0),(1236,2,'2014-06-18 11:03:03','2014-06-18 18:03:03','A kneaded eraser and a blending stump are two invaluable tools in creating realistic images.','kneaded-eraser-and-blending-stump-closeup','','inherit','open','open','','1236','','','2014-06-18 11:03:03','2014-06-18 18:03:03','',1228,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/kneaded-eraser-and-blending-stump-closeup.jpg',0,'attachment','image/jpeg',0),(1237,2,'2014-06-18 11:10:08','2014-06-18 18:10:08','Art is one of the quintessential expressions of humanity. In many ways, it\'s what sets us apart from the animals.\r\n\r\nLike most things that separate man and beast, art requires tools to be expressed to its fullest potential. If you\'re concentrating on drawing the human figure, there are certain drawing tools that you will need to push your talent to its fullest.\r\n\r\nIf you\'re anything like me, your earliest drawing experiences involved nothing more than a pencil and any blank space that you could find. This is great for those who want to do nothing more than to scribble out an idea, but you can do so much more if you have the right tools.\r\n\r\nEverything from the surface on which you draw to the eraser that you use to get rid of mistakes can help you to fulfill your promise as an artist.\r\n\r\n[caption id=\"attachment_1235\" align=\"aligncenter\" width=\"480\"] Using certain drawing tools can help you to more quickly realize your hidden talents.[/caption]\r\n

The Base

\r\nIf you are serious about your art, you may want to devote a specific space in your home to drawing. Having a perfect base on which to draw your art isn\'t a necessity -- but it helps.\r\n\r\nWhile there are millions of people who can draw perfectly well without owning any kind of special surface, dedicating a space in your home is a great way to fuel your artistic spirit. The recommended surface upon which you should draw is a drafting table -- an elevated table that is usually raised at an angle.\r\n\r\nOf all the drawing tools that you can invest in, an empty space is probably the most important. A drafting board is great, but even a clean desk can help you to focus on your task.\r\n\r\nThe most important quality of the surface is smoothness -- you don\'t need a strange texture impacting your art. This is usually a given with a drafting board, but even a standard desk should be sufficient for this task. Don\'t go broke trying to find the perfect surface, but do pay attention to that on which you draw.\r\n

Paper

\r\n[caption id=\"attachment_834\" align=\"alignleft\" width=\"225\"]\"Bristol Bristol board paper is sturdy enough to withstand the smudging and erasing needed for detailed, realistic pencil portraits.[/caption]\r\n\r\nIf you are going to draw, you need paper. Even if you are a fan of drawing on a tablet, you aren\'t going to get far with your technique unless you have a plentiful paper supply.\r\n\r\nIdeally, you should have multiple types of paper. You will need paper for sketching, paper for rough work and the paper upon which you will place your finished work. Each type has its own benefits and drawbacks, and each type is vital for a would-be artist.\r\n\r\nThere are dozens of types of paper available, but I believe an average artist can get away with only using three. Your most important paper products are:\r\n
    \r\n
  • A small sketchbook
    • \r\n
  • Acid-free drawing pad
    • \r\n
  • Two-ply Bristol board
    • \r\n
\r\nYour sketchbook is going to be used on a daily basis, generally as inspiration strikes. I\'ve got several laying around at home, mostly full of ideas that never went anywhere. These books are good for working on new techniques and drawing as you go, but not particularly useful for any kind of professional work.\r\n\r\nI tend to keep a drawing pad full of acid-free drawing paper around for my rough work and for practice. Larger than a sketchbook, these pages are great for working on my technique or for rough outlines of pieces that I intend to transfer over to my two-ply Bristol board. Of all my drawing tools, my drawing pad is probably the most used -- without it, I can\'t improve.\r\n\r\nTwo-ply Bristol board is the paper that you\'ll use for any major final pieces. Reserve this paper for your very best work! This is the paper I use for my detailed, realistic pencil portraits. A bit heavier and smoother than typical paper, it\'s the professional quality product that you\'ve always wanted. Bristol board is available in all of your typical paper sizes, making it perfect for final drawings of any size.\r\n

Pencils

\r\n[caption id=\"attachment_824\" align=\"alignleft\" width=\"276\"]\"Graphite Graphite pencils are available in a range of leads from hard and light to soft and black.[/caption]\r\n\r\nIf you want to draw, you will need pencils. If you\'re like me, you already have your favorites -- but you will need to step outside of your comfort zone if you really want to master your craft.\r\n\r\nThe pencil box of an artist is filled with a variety of crazy pencils, most of which are certainly not useful on a standardized test. The pencils that you choose to use are going to reflect not only your drawing style but also your level of expertise. As you learn more about art, you will add and remove pencils from your collection.\r\n\r\nYou are likely to invest more money in pencils than almost anything else as a pencil portrait artist, so you might as well start building your collection today. If you only concentrate on two types of pencils, they should be:\r\n
    \r\n
  • Graphite pencils
    • \r\n
  • Mechanical pencils
    • \r\n
\r\nIt\'s no secret that there are dozens of different drawing pencils out there. Graphite pencils are usually labeled on a continuum from H (hardness) to B (blackness). 9H pencils have the hardest lead and leave the lightest mark, while 9B pencils have the softest lead and leave the blackest mark. HB pencils, which are your standard No. 2 pencils, fall in the middle of the continuum.\r\n\r\nI\'m partial to 2B pencils, which are reasonably hard and black. These are the pencils that you will use for most of your sketch work and your final work.\r\n\r\nSince there are so many \"professional\" drawing pencils out there, you\'d think that you would never have to use a mechanical pencil. In the real world, though, you will grow to value these versatile pencils.\r\n\r\nUse them when you sketch on the go, as you don\'t have to worry as much about misplacing mechanical pencils. Mechanical pencils are also great drawing tools for those who don\'t want to bring around a kit full of graphite pencils on vacation. Additionally, I use them for my realistic portraits. Mechanical pencils are perfect for adding in those tiny, fine details.\r\n

Erasers

\r\n[caption id=\"attachment_1236\" align=\"alignleft\" width=\"300\"]\"\" A kneaded eraser and blending stump are two invaluable tools in creating realistic images.[/caption]\r\n\r\nErasers are perhaps your most overlooked drawing tool. You are going to make plenty of mistakes when you sketch -- I know I do. A good eraser can save you the hassle of finding more paper in order to restart a piece in progress, giving you the ability to keep your creative flow going.\r\n\r\nEven if you\'re the type of artist who believes that there is no such thing as a mistake, you still need an eraser. These little lumps help to cover a variety of deficiencies, and they also work well with a number of artistic techniques.\r\n\r\nYour basic eraser does the job for which you\'ve used it since kindergarten -- getting rid of mistakes. I personally prefer a kneaded eraser for the sake of utility. Not only does it erase without leaving the lovely pink residue that we\'ve all come to know and loathe from school, but you can pinch it and knead it into whatever shape you like. This makes it particularly useful for getting stray lines, dots, and unwanted graphite tones out of the way without causing new problems.\r\n\r\nWhen one surface on a kneaded eraser gets dirty, you can just fold it over and cover the smudged surface. This eliminates graphite marks and smudges from appearing the next time that you use the eraser.\r\n\r\nI also tend to lump tortillons and blending stumps under the category of erasers, if only for simplicity. These items are used for smudging or blending the marks that you make on paper, adding more to the texture and feel of your artwork. It\'s easy to conflate tortillon and stumps, but each tool has a slightly different texture -- make sure to buy both.\r\n\r\nYou\'ll also want a simple pink eraser to clean these tools, finally giving you a use for the horrible little tool that you\'ve been forced to use since grade school! Haha, I\'m only kidding about the \"horrible\" part, since pink erasers do have their place. I still use them quite often for erasing smudges from large areas of my paper that would take a kneaded eraser too long to accomplish.\r\n

Drawing Accessories

\r\n[caption id=\"attachment_836\" align=\"alignleft\" width=\"300\"]\"If If you like to draw with a grid, a light box can eliminate the need for erasing grid lines.[/caption]\r\n\r\nThere are also plenty of tools that you can use to help with your personal style. From lighting to compasses, there are great art accessories out there than will allow you to change the way that you draw.\r\n\r\nSure, these are absolutely optional -- but they can also be a lot of fun. Picking the right accessories might allow you to pull off techniques that you can\'t quite manage on your own.\r\n\r\nOne great accessory is the light box - a useful tool for those who need to transfer rough drawings from their sketchbooks to better paper. The light that shines through the box makes it easier to see the rough figure through a second piece of paper, thus helping you to transfer your lines with ease. Light boxes are also excellent for using the grid method to make more accurate drawings.\r\n\r\nIf you are going to make multi-layered drawings, it is also a smart idea to invest in a workable fixative. This spray can be used to avoid smudging your lines as you draw new layers, allowing you to keep a clean and professional look. If you prefer, wait until your drawing is complete and spray the final product for easier handling. Fixatives are especially useful for professionals who will present their work to others.\r\n\r\nDon\'t forget about those accessories that will help you to improve your skills. A circle template will give you the ability to draw circles (think irises and pupils) more cleanly, avoiding those horribly malformed shapes that we are all guilty of drawing. I\'m also partial to keeping a small anatomical figure on my desk, particularly of the sort that you can pose. It always helps me to better envision how my figure would look in different poses, allowing me to better plot out my artwork.\r\n

Experiment!

\r\nThere\'s quite a bit listed in the sections above. While I do believe that everything listed has a place in your evolving world of pencil portraiture, that doesn\'t mean that there aren\'t other fantastic tools that you can use. You\'re an artist, so don\'t feel constrained by lists or by recommendations -- figure out new or alternative drawing tools that you can use to perfect your understanding of the human form. I\'ve seen fantastic artists who swear by electronic tablets, while others require college-ruled paper to really nail down a figure. You are in charge of your own artistic destiny, so make sure to use the tools that reflect your goals!','The Drawing Tools of the Artist\'s Trade','','inherit','open','open','','1228-revision-v1','','','2014-06-18 11:10:08','2014-06-18 18:10:08','',1228,'http://www.letsdrawpeople.com/1228-revision-v1/',0,'revision','',0),(1238,2,'2014-06-18 11:27:55','2014-06-18 18:27:55','Art is one of the quintessential expressions of humanity. In many ways, it\'s what sets us apart from the animals.\r\n\r\nLike most things that separate man and beast, art requires tools to be expressed to its fullest potential. If you\'re concentrating on drawing the human figure, there are certain drawing tools that you will need to push your talent to its fullest.\r\n\r\nIf you\'re anything like me, your earliest drawing experiences involved nothing more than a pencil and any blank space that you could find. This is great for those who want to do nothing more than to scribble out an idea, but you can do so much more if you have the right tools.\r\n\r\nEverything from the surface on which you draw to the eraser that you use to get rid of mistakes can help you to fulfill your promise as an artist.\r\n\r\n[caption id=\"attachment_1235\" align=\"aligncenter\" width=\"480\"] Using certain drawing tools can help you to more quickly realize your hidden talents.[/caption]\r\n

The Base

\r\nIf you are serious about your art, you may want to devote a specific space in your home to drawing. Having a perfect base on which to draw your art isn\'t a necessity -- but it helps.\r\n\r\nWhile there are millions of people who can draw perfectly well without owning any kind of special surface, dedicating a space in your home is a great way to fuel your artistic spirit. The recommended surface upon which you should draw is a drafting table -- an elevated table that is usually raised at an angle.\r\n\r\nOf all the drawing tools that you can invest in, an empty space is probably the most important. A drafting board is great, but even a clean desk can help you to focus on your task.\r\n\r\nThe most important quality of the surface is smoothness -- you don\'t need a strange texture impacting your art. This is usually a given with a drafting board, but even a standard desk should be sufficient for this task. Don\'t go broke trying to find the perfect surface, but do pay attention to that on which you draw.\r\n

Paper

\r\n[caption id=\"attachment_834\" align=\"alignleft\" width=\"225\"]\"Bristol Bristol board paper is sturdy enough to withstand the smudging and erasing needed for detailed, realistic pencil portraits.[/caption]\r\n\r\nIf you are going to draw, you need paper. Even if you are a fan of drawing on a tablet, you aren\'t going to get far with your technique unless you have a plentiful paper supply.\r\n\r\nIdeally, you should have multiple types of paper. You will need paper for sketching, paper for rough work and the paper upon which you will place your finished work. Each type has its own benefits and drawbacks, and each type is vital for a would-be artist.\r\n\r\nThere are dozens of types of paper available, but I believe an average artist can get away with only using three. Your most important paper products are:\r\n
    \r\n
  • A small sketchbook
    • \r\n
  • Acid-free drawing pad
    • \r\n
  • Two-ply Bristol board
    • \r\n
\r\nYour sketchbook is going to be used on a daily basis, generally as inspiration strikes. I\'ve got several laying around at home, mostly full of ideas that never went anywhere. These books are good for working on new techniques and drawing as you go, but not particularly useful for any kind of professional work.\r\n\r\nI tend to keep a drawing pad full of acid-free drawing paper around for my rough work and for practice. Larger than a sketchbook, these pages are great for working on my technique or for rough outlines of pieces that I intend to transfer over to my two-ply Bristol board. Of all my drawing tools, my drawing pad is probably the most used -- without it, I can\'t improve.\r\n\r\nTwo-ply Bristol board is the paper that you\'ll use for any major final pieces. Reserve this paper for your very best work! This is the paper I use for my detailed, realistic pencil portraits. A bit heavier and smoother than typical paper, it\'s the professional quality product that you\'ve always wanted. Bristol board is available in all of your typical paper sizes, making it perfect for final drawings of any size.\r\n

Pencils

\r\n[caption id=\"attachment_824\" align=\"alignleft\" width=\"276\"]\"Graphite Graphite pencils are available in a range of leads, from hard and light to soft and black.[/caption]\r\n\r\nIf you want to draw, you will need pencils. If you\'re like me, you already have your favorites -- but you will need to step outside of your comfort zone if you really want to master your craft.\r\n\r\nThe pencil box of an artist is filled with a variety of crazy pencils, most of which are certainly not useful on a standardized test. The pencils that you choose to use are going to reflect not only your drawing style but also your level of expertise. As you learn more about art, you will add and remove pencils from your collection.\r\n\r\nYou are likely to invest more money in pencils than almost anything else as a pencil portrait artist, so you might as well start building your collection today. If you only concentrate on two types of pencils, they should be:\r\n
    \r\n
  • Graphite pencils
    • \r\n
  • Mechanical pencils
    • \r\n
\r\nIt\'s no secret that there are dozens of different drawing pencils out there. Graphite pencils are usually labeled on a continuum from H (hardness) to B (blackness). 9H pencils have the hardest lead and leave the lightest mark, while 9B pencils have the softest lead and leave the blackest mark. HB pencils, which are your standard No. 2 pencils, fall in the middle of the continuum.\r\n\r\nI\'m partial to 2B pencils, which are reasonably hard and black. These are the pencils that you will use for most of your sketch work and your final work.\r\n\r\nSince there are so many \"professional\" drawing pencils out there, you\'d think that you would never have to use a mechanical pencil. In the real world, though, you will grow to value these versatile pencils.\r\n\r\nUse them when you sketch on the go, as you don\'t have to worry as much about misplacing mechanical pencils. Mechanical pencils are also great drawing tools for those who don\'t want to bring around a kit full of graphite pencils on vacation. Additionally, I use them for my realistic portraits. Mechanical pencils are perfect for adding in those tiny, fine details.\r\n

Erasers

\r\n[caption id=\"attachment_1236\" align=\"alignleft\" width=\"300\"]\"\" A kneaded eraser and blending stump are two invaluable tools in creating realistic images.[/caption]\r\n\r\nErasers are perhaps your most overlooked drawing tool. You are going to make plenty of mistakes when you sketch -- I know I do. A good eraser can save you the hassle of finding more paper in order to restart a piece in progress, giving you the ability to keep your creative flow going.\r\n\r\nEven if you\'re the type of artist who believes that there is no such thing as a mistake, you still need an eraser. These little lumps help to cover a variety of deficiencies, and they also work well with a number of artistic techniques.\r\n\r\nYour basic eraser does the job for which you\'ve used it since kindergarten -- getting rid of mistakes. I personally prefer a kneaded eraser for the sake of utility. Not only does it erase without leaving the lovely pink residue that we\'ve all come to know and loathe from school, but you can pinch it and knead it into whatever shape you like. This makes it particularly useful for getting stray lines, dots, and unwanted graphite tones out of the way without causing new problems.\r\n\r\nWhen one surface on a kneaded eraser gets dirty, you can just fold it over and cover the smudged surface. This eliminates graphite marks and smudges from appearing the next time that you use the eraser.\r\n\r\nI also tend to lump tortillons and blending stumps under the category of erasers, if only for simplicity. These items are used for smudging or blending the marks that you make on paper, adding more to the texture and feel of your artwork. It\'s easy to conflate tortillon and stumps, but each tool has a slightly different texture -- make sure to buy both.\r\n\r\nYou\'ll also want a simple pink eraser to clean these tools, finally giving you a use for the horrible little tool that you\'ve been forced to use since grade school! Haha, I\'m only kidding about the \"horrible\" part, since pink erasers do have their place. I still use them quite often for erasing smudges from large areas of my paper that would take a kneaded eraser too long to accomplish.\r\n

Drawing Accessories

\r\n[caption id=\"attachment_836\" align=\"alignleft\" width=\"300\"]\"If If you like to draw with a grid, a light box can eliminate the need for erasing grid lines.[/caption]\r\n\r\nThere are also plenty of tools that you can use to help with your personal style. From lighting to compasses, there are great art accessories out there than will allow you to change the way that you draw.\r\n\r\nSure, these are absolutely optional -- but they can also be a lot of fun. Picking the right accessories might allow you to pull off techniques that you can\'t quite manage on your own.\r\n\r\nOne great accessory is the light box - a useful tool for those who need to transfer rough drawings from their sketchbooks to better paper. The light that shines through the box makes it easier to see the rough figure through a second piece of paper, thus helping you to transfer your lines with ease. Light boxes are also excellent for using the grid method to make more accurate drawings.\r\n\r\nIf you are going to make multi-layered drawings, it is also a smart idea to invest in a workable fixative. This spray can be used to avoid smudging your lines as you draw new layers, allowing you to keep a clean and professional look. If you prefer, wait until your drawing is complete and spray the final product for easier handling. Fixatives are especially useful for professionals who will present their work to others.\r\n\r\nDon\'t forget about those accessories that will help you to improve your skills. A circle template will give you the ability to draw circles (think irises and pupils) more cleanly, avoiding those horribly malformed shapes that we are all guilty of drawing.\r\n\r\nI\'m also partial to keeping a small anatomical figure on my desk, particularly of the sort that you can pose. It always helps me to better envision how my figure would look in different poses, allowing me to better plot out my artwork.\r\n

Experiment!

\r\nThere\'s quite a bit listed in the sections above. While I do believe that everything listed has a place in your evolving world of pencil portraiture, that doesn\'t mean that there aren\'t other fantastic tools that you can use.\r\n\r\nYou\'re an artist, so don\'t feel constrained by lists or by recommendations -- figure out new or alternative drawing tools that you can use to perfect your understanding of the human form. I\'ve seen fantastic artists who swear by electronic tablets, while others require college-ruled paper to really nail down a figure. You are in charge of your own artistic destiny, so make sure to use the tools that reflect your goals!','The Drawing Tools of the Artist\'s Trade','','inherit','open','open','','1228-revision-v1','','','2014-06-18 11:27:55','2014-06-18 18:27:55','',1228,'http://www.letsdrawpeople.com/1228-revision-v1/',0,'revision','',0),(1239,2,'2014-06-18 17:20:51','2014-06-19 00:20:51','

\"picasion.com_eb0158e8f970a015b6e5416909e2abc6\"

\r\nHere we have a drawing of a bride, eyes wide and looking from behind a bouquet. The central focus will be on her eyes and how to draw them. Hopefully after giving this a try, you will learn to include all of the little details that bring the eyes to life. So refer to the reference photo below, as well as my step-by-step drawings, and let’s draw some eyes!\r\n\r\n[caption id=\"attachment_863\" align=\"aligncenter\" width=\"480\"]\" © Pzaxe | Dreamstime.com[/caption]\r\n

Step 1: Make a Grid

\r\nMake a grid of 6 squares across and 3 squares down. They can be any size you choose. Just make sure to use a ruler and make perfect squares if you are hoping for a more accurate drawing of the photograph. If you are good at sketching lines and can make boxes approximately the same size, that will work too for this drawing (since we are not trying to capture a likeness).\r\n

 \"01p

\r\n\r\n

Step 2: Outline of the Eyes

\r\nOnce again, if you are using your grid for accuracy, pay close attention to placement. For example, the corner of the bride’s left eye (right side of the drawing) is approximately at the imaginary center line of its grid box (lined up with the arrow). Also, notice how the widths of both eyes are the same, and there is about one eye-width between the two eyes. This is a standard rule of thumb for drawing eyes looking directly at you, no matter who you are drawing! You can also include the tear ducts at this point.\r\n

 \"02p

\r\n\r\n

Step 3: Upper Eyelids

\r\nDraw a thin line above each eye’s outline to represent the eyelids. Draw lines from the outer corners that will lead to the brows. Draw lines from the inner corners to the upper bridge of the nose.\r\n

 \"03p

\r\n\r\n

Step 4: Irises and Pupils

\r\nUsing your grid and guidelines to help you, lightly sketch circles for the irises and pupils. If necessary, try a few times until you get satisfactory size and placement. Then, trace over them as carefully as you can to make them as round as possible. I like to use a circle template to make this tracing easier and more accurate. Remember, too, to make smaller circles serving as highlights (or catchlights).\r\n

 \"04p

\r\n\r\n

Step 5: Lower Eyelids

\r\nRepeat the same process as you did for the upper eyelids to make the lower lids. Draw a thin line under the white part of the eye. This line is actually for the top rim of the lower eyelids, where we will place the lower eyelashes later. Underneath this, draw any characteristic lines that support the bottom of the eyeballs.\r\n

 \"05p

\r\n\r\n

Step 6: Surrounding Features

\r\nDraw the eyebrows, bouquet, face, ear, hair, veil, and any other features that you want to include. Put as much or as little detail as you wish. You can just use simple shapes, especially for the bouquet. It is okay if some of the drawing extends outside of the grid squares.\r\n

 \"06p

\r\n\r\n

Step 7: Guidelines for Shading

\r\nDraw light lines where you see shadows. The shading you will add later will provide form to the eyes and surrounding facial features.\r\n

 \"07p

\r\n\r\n

Step 8: Erase Grid Lines

\r\nCarefully erase the grid lines. Try to erase as much as you can without affecting the lines of the actual drawing. If you can still see some light lines (as indicated by the arrow), it’s not too big of a deal. You can mask them later with shading.\r\n

 \"08p

\r\n\r\n

Step 9: Shading and Details

\r\nUse the lines you made earlier and the reference photo to add shading. Try to use soft strokes that go in the same direction as the surfaces you are shading.\r\n\r\nFor the eyebrows, I lightly shade what was drawn before, and then I use short pencil lines to represent the individual hairs. Pay attention to direction, and notice how most but not all of the little hairs flow together.\r\n\r\nFor the whites of the eyes, I almost always put a little bit of shading under the upper eyelids and some on each corner to give that spherical look to the eyeballs.\r\n\r\nMake the pupils as dark as you possibly can. For the iris, make the outer rim darker, and draw lines going toward the pupil. Leave the catchlights white by shading around them.\r\n

 \"09p

\r\n\r\n

Step 10: Eyelashes

\r\nI like to leave the eyelashes as the last step for the eyes. This way, I can have all of my desired shading complete and place the lashes over it, for a more natural appearance.\r\n\r\nCarefully trace part of the upper eyelid in dark black before placing the upper eyelashes. This will give them a certain thickness. Use fine pencil lines from the lids outward for each of the hairs (much like the eyebrows). Pay attention to direction, and make the lower eyelashes shorter.\r\n

\"\"

\r\nYou may have heard it said that the eyes are the windows to the soul. That is why drawing eyes correctly is so vital for portrait artists. The eyes are a very important (if not the most important) part of capturing a subject’s true likeness.\r\n\r\nApply what you learn from this drawing to other drawings like it that focus mainly on the eyes. Then, when you try to draw a familiar face, you will likely see a better resemblance in your work!','How to Draw Eyes of a Bride','','inherit','open','open','','271-revision-v1','','','2014-06-18 17:20:51','2014-06-19 00:20:51','',271,'http://www.letsdrawpeople.com/271-revision-v1/',0,'revision','',0),(1240,2,'2014-06-19 10:45:41','2014-06-19 17:45:41','
Who knows what it is people are thinking? If only we could read minds, it would be a much more revealing world to say the least!\r\n\r\nNo one is truly a mind reader. Still, you can\'t say it wouldn\'t be fun to try.\r\n\r\nThat is one of the things SO interesting about sketching a person. A portrait artist gets to play mind-reader by trying to analyze a subject and interpret her thoughts, her emotions, her passions. It is the job of the portrait artist to capture those thoughts and feelings and convey them through art.\r\n\r\nPart of the fun of it all for the artists and the fans of art is in the guessing and interpreting. For this reason (and certainly others), it is probably a very good thing that we cannot read minds!\r\n\r\nWith that said, today\'s video tutorial shows us how to sketch a woman with something on her mind.\r\n\r\n\"sketch\r\n\r\nThe only materials I used were drawing paper, a pink eraser, a kneaded eraser, and a 2B graphite pencil. The 2B allowed for the variations in dark and light tones I wanted to achieve for this sketch.\r\n\r\nWatch the video to see a review of how to place basic facial guidelines. You will also see how to apply techniques for sketching eyes, the nose, and getting the mouth to convey a desired expression.\r\n\r\nWatch the shading progress from minimal at the beginning to layered and heavier at the end to enhance the sketch.\r\n\r\nAfter watching the video all the way through the first time, watch it a second time and draw along with me. Then give it a try on your own (without watching) and see if you can achieve a similar effect with the woman\'s thoughts and expression.\r\n\r\nSo, what do you think is on this woman\'s mind?','How to Sketch a Woman with Something on Her Mind','','inherit','open','open','','1189-revision-v1','','','2014-06-19 10:45:41','2014-06-19 17:45:41','',1189,'http://www.letsdrawpeople.com/1189-revision-v1/',0,'revision','',0),(1242,2,'2014-06-19 20:43:55','2014-06-20 03:43:55','

\"\"Do you have trouble drawing glasses? For most beginning artists (and even some more experienced ones), drawing glasses on a person is a constant sticking point that holds up completion of the drawing.

\r\n

In this article by Rio, the task of drawing glasses is simplified for beginners. Some common misconceptions about drawing glasses are addressed and corrected. We also see easily applicable techniques for how to draw glasses on a person in frontal view, quarter view, and side view.

\r\n

One common misconception Rio tells us is \"When it comes to drawing glasses, perspective does not apply.\" He goes on to explain the reason for this, as well as the exception to the rule.

\r\n

Even though this article is directed at people who draw manga, I find the concepts very useful and applicable to those who draw people in more realistic styles. The article also makes several references to giving the glasses a realistic look.

\r\n

Still, do not expect to see methods for ultra-realism or how to create detailed effects on the lenses or frames. Again, the tips are very basic and geared toward simple sketches and beginning artists.

\r\n

Read the full article here for more on how to draw glasses.

\r\n

What is the hardest part about drawing glasses for you? Leave a comment below and let us know your thoughts!

','See How Easily You Can Draw Glasses on a Person','','inherit','open','open','','1114-revision-v1','','','2014-06-19 20:43:55','2014-06-20 03:43:55','',1114,'http://www.letsdrawpeople.com/1114-revision-v1/',0,'revision','',0),(1246,2,'2014-06-24 06:40:51','2014-06-24 13:40:51','','how to draw a baby from life by Lon Haverly','','inherit','open','open','','how-to-draw-a-baby-from-life','','','2014-06-24 06:40:51','2014-06-24 13:40:51','',1244,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/how-to-draw-a-baby-from-life.jpg',0,'attachment','image/jpeg',0),(1247,2,'2014-06-24 06:45:11','2014-06-24 13:45:11','Drawing babies presents a unique set of challenges. There are several important distinctions between a baby\'s face and an adult\'s face.\r\n\r\nDrawing the face of a baby from a photograph may be challenging enough, but can you imagine drawing a baby from life? In the following videos from Lon Haverly and his TV series \"You Can Draw!\", he does just that.\r\n\r\n
 \r\n\r\n
While holding a puppet of Ernie from Sesame Street to keep the 8-month-old\'s attention, Lon explains that drawing a baby is all about having the fundamentals down and using simple lines.\r\n\r\nAlong with that he reminds us of some key differences between drawing babies and older people. Lon tells us the \"lines of the width of the face are really crucial\" and the eyes should be \"slightly over an eye length apart\" with very large irises.\r\n\r\nWhen I draw a person, whether it be a simple sketch or a more realistic portrait, I almost always begin with a line drawing to get the basic shapes of the facial features in place. Lon has a different approach that works out very well for him. He does begin with an outline of the face and hair. Then, rather than drawing in the features, he lightly indicates a mark to place where the eyebrows, nose, and mouth will be and uses a hatching technique to shade around these features before actually drawing them. It just goes to show you that you can use different techniques as an artist and still get good results.\r\n\r\nSo have you ever drawn a subject from real life? Have you ever drawn a squirmy subject? I suggest you watch first and then give it a try. Recruit a baby or child in your home or other relatives or friends willing to help you out with their babies.\r\n\r\nShare your experiences in the comments below!','How to Draw a Baby from Life','','inherit','open','open','','1244-revision-v1','','','2014-06-24 06:45:11','2014-06-24 13:45:11','',1244,'http://www.letsdrawpeople.com/1244-revision-v1/',0,'revision','',0),(1248,2,'2014-06-24 09:26:28','2014-06-24 16:26:28','','drawing techniques shading','','inherit','open','open','','drawing-techniques-shading-3','','','2014-06-24 09:26:28','2014-06-24 16:26:28','',837,'http://www.letsdrawpeople.com/wp-content/uploads/2013/08/drawing-techniques-shading2.jpg',0,'attachment','image/jpeg',0),(1250,2,'2014-07-08 11:04:36','2014-07-08 18:04:36','
In this video tutorial by Cheri Crawford from DrawingTeachers.com, we learn how to draw a picture of a young man. Even though Cheri often draws people in a more cartoon-like style, she shows us that some carefully planned changes and additions to the original line drawing can leave us with a drawing that is a bit more realistic.\r\n\r\nCheri uses a kneaded eraser and a really heavy and dark pencil that shows up better in the video, but she suggests using a lighter pencil. She begins with some proportional guidelines and a line drawing of the face.\r\n\r\nAn important observation about drawing a man is noted when Cheri says, \"Masculine features are often very geometrical, in nature and in art.\" She illustrates this point by initially using shapes with sharp angles and edges.\r\n\r\nAs the drawing progresses, she makes the cartoonish shapes less exaggerated by softening them, giving the drawing a slightly more realistic feel. Also notice the more shading and detail that\'s placed around the muscle and bone, the more real the drawing begins to appear.\r\n\r\nHere\'s the takeaway I get from this video:\r\n\r\nIf your line drawing of a man (or even a woman or child) appears more cartoonish than you want, keep working with it by adding layers of shading and detail.\r\n\r\nI hope you give it a try!\r\n\r\n ','Make a Cartoonish Drawing of a Man\'s Face More Realistic','','publish','open','open','','make-a-cartoonish-drawing-of-a-mans-face-more-realistic','','','2015-07-11 17:54:20','2015-07-12 00:54:20','',0,'http://www.letsdrawpeople.com/?p=1250',0,'post','',0),(1251,2,'2014-06-27 08:02:05','2014-06-27 15:02:05','In this video tutorial by Cheri Crawford from DrawingTeachers.com, we learn how to draw a picture of a young man. Although Cheri often draws people in a more cartoon-like style, she shows us that some carefully planned changes and additions to the original line drawing can leave us with a drawing that is a bit more realistic.\r\n\r\n ','Make a Cartoonish Drawing of a Man\'s Face More Realistic','','inherit','open','open','','1250-revision-v1','','','2014-06-27 08:02:05','2014-06-27 15:02:05','',1250,'http://www.letsdrawpeople.com/1250-revision-v1/',0,'revision','',0),(1253,2,'2014-07-26 15:28:01','2014-07-26 22:28:01','Have you ever wanted to add shading to a drawing of yours but just didn\'t know where to begin?\r\n\r\nLearning how to draw people is a skill that so many budding artists yearn to master. Mastering the shading techniques on a drawing can be daunting. In fact, the prospect of completing an entire shading project is nothing short of terrifying for some people.\r\n\r\nThe best way to get over this hurdle is to realize one basic thing: art is a skill that can be honed over time and with the right amount of practice. When it comes to drawing, particularly when it comes to drawing people, there is no such thing as \"talented artist\" versus \"untalented artist\".\r\n\r\nEveryone has a little artist in them. It\'s all about finding a way to open that portal to your imagination. The great thing about art, and shading in particular, is that no two people will hone their skills in the same way. You can learn the basic techniques associated with shading and put your own spin on them. Creating an amazing drawing is all about portraying the way you perceive things. Exploring the various types of shading is a bit like a journey of self-discovery, in a way.\r\n\r\nIn the following sections, I will share with you five shading techniques. As you read about each one, just know that there are no hard and fast rules saying you HAVE to shade one way over another. Experiment with each and learn how to love the shading process, and in no time you will have mastered the shading process in a way that is entirely your own!\r\n

Contour Shading

\r\n\"contour\"Contour shading is a technique that is all about following the natural lines of your drawing. This particular technique enables you to use your pencil to enhance shadows, light, and depth in your art.\r\n\r\nThe best way to go about it is to complete your line drawing, and then follow the natural lines of the object (or feature or person) you have created. Use a softer pencil for dark shadows and a hard pencil for the lighter, less defined areas.\r\n\r\nThe great thing about contour shading is the amount of freedom you have when completing your pencil drawing. If you prefer a precise approach, use this to your advantage by paying close attention to each and every line. If you prefer a free and abstract sort of approach, you have the opportunity to be as relaxed as you want to be.\r\n\r\nWhen implementing this style, be sure to take your perspective into account. Draw the object exactly as you see it, not how you think someone else would see it from their angle.\r\n

Hatching

\r\n\"hatching\"Hatching is a technique that involves using straight lines in a uniform direction to create different types of light and shade.\r\n\r\nIn order to achieve the look you are going for, consider first drawing a set of thin, parallel lines uniformly in the same direction. In order to make certain sections appear darker, go over them with again and again, until you achieve the desired shade.\r\n\r\nAll you need to master this technique is lots of practice and a steady hand. If the lines are too harsh for your taste, try going over them with a soft brush or tortillon. By blending out the lines you will be able to create a much smoother, subtler look.\r\n

Crosshatching

\r\n\"crosshatching\"This is one of those shading techniques that can be incredibly fun to do, once you get the hang of it. In fact, you might find that the whole process is quite therapeutic.\r\n\r\nEssentially, this technique involves one set of lines overlapping another. Think about it as creating a sort of penciled patchwork.\r\n\r\nWhen you do cross-hatched shading, you will soon learn that you achieve lighter and darker tones by spacing your \"squares\" differently. When the spaces between the lines are larger, more white shows through and this creates a much lighter look. When the spaces are closer together, the shading is denser and therefore looks quite a bit darker and generally more solid.\r\n

Scumbling

\r\n\"scumbling\"Of all the shading techniques, this one is probably more likely to engage your inner child. Essentially, scumbling is used to describe a random, figure-eight style scribble that repeats over and over to create light and dark shades in a pencil drawing.\r\n\r\nSpace your scumbled shading a bit further apart to shade in curly hair or fabrics. Squeeze them closer together for darker, more solid shades. The harder you press, the darker your scumbling will be.\r\n\r\nThis particular technique is often used with abstract drawings, cartoons or caricatures. Use scumbling when you want to throw the usual rules to the wayside and explore the sillier side of artistry.\r\n

Stippling

\r\n\"stippling\"Stippling involves the use of dots to create texture, tone and shadows in a pencil drawing.\r\n\r\nTo create darker shadows and tones, these dots will be denser and darker. For a lighter effect, the dots should be spaced more sparsely.\r\n\r\nIt is probably best to practice stippling with a soft B pencil as this is more likely to adhere to the paper. The darker the pencil, the more dramatic the effect will be.\r\n\r\nThe best way to get uniformly-sized dots on your paper would be to press the graphite nib down and then twist. Do your best to use a completely straight up and down motion; this will prevent an unwanted smudging on the page. To avoid further smudging when you move your hand, try placing a piece of tissue or another piece of paper under your wrist.\r\n

True Artistry Comes with a Price

\r\nThe price you pay for gorgeous shading is this: a good old dose of repetition. If you dream of perfecting any shading technique in the book, you need to spend a fairly large amount of time on honing your skills. It is probably comforting to know that you are probably going to find one particular technique that accurately reflects your style and personality.\r\n\r\nMany artists find the prospect of learning these shading techniques to be uncomfortably daunting. The fact of the matter is that none of this should be stressful. Take the time to use each one of these techniques in one of your drawings. Keep using them and you\'ll soon see that they will become second nature.','Take the Stress Out of Shading with These Pencil Shading Techniques','','publish','open','open','','take-the-stress-out-of-shading-with-these-pencil-shading-techniques','','','2014-07-19 16:02:27','2014-07-19 23:02:27','',0,'http://www.letsdrawpeople.com/?p=1253',0,'post','',2),(1254,2,'2014-06-29 11:48:55','2014-06-29 18:48:55','','Take the Stress Out of Shading with These Pencil Shading Techniques','','inherit','open','open','','1253-revision-v1','','','2014-06-29 11:48:55','2014-06-29 18:48:55','',1253,'http://www.letsdrawpeople.com/1253-revision-v1/',0,'revision','',0),(1255,2,'2014-06-29 11:51:46','2014-06-29 18:51:46','\"drawingThe desire of man to keep for himself a record of his everyday activities is so powerful that simple drawings were developed just to provide a solution to such a necessity. Cave paintings, hieroglyphics, and all artistic attempts to capture any moment quickly became a popular method of communication and thus enhancing human development. The art of drawing has been a part of human history ever since.\r\n\r\nToday the skill of drawing people, etching onto paper or canvas a recognizable likeness, is not only a hobby for many, but its impressive aura is still present. In fact, people still stand in awe whenever they see someone drawing realistic images with ease. How do they do it? As I taught myself how to draw over the years, I learned and implemented techniques from other portrait artists that enhanced the realism in my own work. Today, we too will stand in awe as we peer into how these images are made and how some artists so easily capture reality onto paper. Let’s look at several simple drawing techniques used by professional artists everywhere.\r\n

Drawing Instrument Basics

\r\nIt is very important that you know of the drawing instruments needed and how to use them in order to create a realistic portrait. There are several key drawing tools that professional artists use for pencil portraits. Here is a look at two of the most basic instruments: the pencil and the eraser.\r\n

The Pencil

\r\n\"artistFor the most part, people doing realistic portraits are fond of using graphite pencil (also called lead pencil), as it gives them the ability to focus on detail. Graphite pencils come in a range of grades (from 9H to 9B), but there are generally two types: hard and soft. Hard pencils, or H pencils, are used to create light, fine lines. Soft pencils, or B pencils, are generally used to create darker shades and texture.\r\n\r\nSome artists find the need to have at least two types of pencils, one for drawing fine lines and one for drawing coarser lines and for shading. In most cases, the HB pencil (or something close to it) is preferred because of its versatility and ability to draw fine and coarse lines easily. Your traditional No. 2 pencil is an HB lead. I personally like to use a mechanical 2B lead pencil for realistic portraits. It allows for fine details, light tones, and deep shading all in one!\r\n\r\nWhen using standard wooden pencils, the way you grasp them can affect the overall look of the portrait. A light hold on the pencil, with the use of the thumb and the pointer finger, is often used to ensure the lines are light, soft, and almost invisible. A full grasp can ensure heavier, darker lines for creating shades. A slanting grip makes use of the side of the pencil\'s graphite to provide a soft thick shade and a good texture. Ultimately though, grasp is determined by an artist’s personal style and preference. Experiment with different ways of holding your pencil to find the best results for you.\r\n

The Eraser

\r\n\"eraserThe eraser is an important tool to use when doing portraits using pencil. Erasers are good for more than just getting rid of your mistakes. You use an eraser to complement your drawings. It can produce a wonderful effect, especially if you know how to use it properly. For example, you can use a kneaded eraser or an electric eraser to lift graphite off the paper and produce streaks that resemble wonderful highlights in hair, as seen in this example.\r\n

Choosing or Combining Drawing Styles

\r\nThere are a number of drawing styles you can choose for drawing your portraits. Your choice depends on the level of detail you are going for, as well as the “look” or “feel” you hope to capture. You can use these styles in isolation, or you can combine them for more realistic results.\r\n
    \r\n
  • Line drawing -- the use of definite lines of various widths to create shapes and boundaries. This is the style most commonly used by everyday people and some professional artists. It is often used to outline the basic shape of the figure. Line drawings are usually not as detailed as other styles, although some line drawings are very detailed.
    • \r\n
  • Tone drawing -- the use of the contrasting properties of light and dark to create visual boundaries. The resulting image is softer than a line drawing and is better suited to create realistic images.
    • \r\n
  • Blending -- the deliberate \"smudging\" of lines and tones, sometimes with the use of tissue, tortillons, or blending stumps to create \"soft\" shades. When attempting to create realistic portraits, you should focus heavily on perfecting proper blending to create realistic shadows to provide detailed texture and depth.
    • \r\n
\r\n

Getting Your Line Drawing Started

\r\nSo before you actually put pencil to paper, you need to have in mind who you are going to draw (your subject) and what you are going to use to help you capture your subject’s likeness. If you are just practicing for fun without much concern for accuracy, your own memory or imagination is good enough. For a better representation, I would suggest using a reference photo. You can try drawing the reference photo exactly as you see it, or just use it as a “reference” and implement your artistic creativity to draw the same subject in a different pose, from a different angle, etc. Or for a real challenge, you can draw a live model who is willing to pose for you. Just remember, if you are going for the closest possible likeness of your subject and a very realistic portrait, then it is crucial that you take the time needed to get your line drawing right. Do not rush this step!\r\n\r\nMost artists begin their line drawing by sketching basic shapes. Shapes such as circles, ovals, and rectangles are the most popular types of shapes in sketching people. Drawing these shapes can help you visualize the proportions of the body.\r\n\r\nTraditional drawing uses these shapes as guides to better create the features of the body. For example, when you draw a face you can start with an oval or a slightly egg-shaped circle to represent the general contour of the head. Within this shape, you can draw additional guidelines to help you properly place the nose, eyes, ears and mouth. So, it is important to know how to use these basic shapes, as it is one of the most important portrait drawing techniques.\r\n\r\n\r\n\"drawing\r\n\r\nAn alternate method for creating a realistic line drawing is called grid drawing. Of all the portrait drawing techniques available, drawing with the use of a grid has got to be my personal favorite! Grid drawing is not “cheating”. In fact, it has been around for centuries. Basically, this technique consists of dividing a reference photo into a grid of equally-sized squares and drawing the same number of squares on your paper. Then it is only a matter of drawing what you see in each square. When I first began using this technique, it took the quality of my work to another level! Not only is this method perfect for beginners, but many professional artists still swear by it.\r\n\r\n\"eyes\r\n

\"eyes

\r\n\r\n

Shading Techniques for Adding Tones

\r\nAfter you get your line drawing down, you may want to add tones for an extra layer of realism. Here are some tried and true methods to add shading to the people you draw and bring them to life.\r\n\r\n• Stippling -- using \"dots or points\" to recreate shade and texture. Though rarely used in sketches, it has a vibrant effect, especially when viewed from afar.\r\n\r\n• Hatching -- the use of diagonal lines to create the illusion of shade and shadow. Many caricatures and cartoon sketches have this kind of style to add depth. When done properly, hatching also contributes much detail and realism to pencil portraits.\r\n\r\n• Crosshatching – similar to ordinary hatching, but instead of using diagonal lines, you use overlapping lines \"crossing\" one another. This will add more volume to the shade in sketches and drawings.\r\n\r\n• Circulism (also called Scumbling) -- the use of tiny little circles drawn or “scribbled” closely together and built up in layers. Artists who have mastered this technique achieve some excellent results with very realistic skin textures.\r\n

\"\"

\r\nTry these different shading techniques out and find what you like best, or use a combination of them. I use a mix of the last three, but I probably do more hatching than anything else. Hatching allows me to draw lines at an angle that compliments the contour of the face, thus getting a more natural look when blending my tones together.\r\n

Applying Techniques in Your Portraits

\r\nCelebrity chef Tom Colicchio one said “Recipes tell you nothing. Learning techniques is the key.” While I do think recipes are important, I also see where Tom is coming from. You may try to follow a recipe step-by-step, but if you don’t understand the techniques within each step, you may not be happy with what comes out of the oven.\r\n\r\nSo, it’s time for you to apply these drawing techniques and create a realistic portrait of your own. Consider the steps you need to take to finish your portrait. You can even use a tutorial from this website that lays out the steps for you. Just think of your steps or your tutorial as your “recipe”. As you work to complete each step from your portrait recipe, keep in mind the techniques you have learned: the best pencil choices and uses of erasers, choice of drawing style, creating the basic shapes for your line drawing, and how you will add tones to later blend. The more you practice the steps and apply the techniques to your portraits, the happier you will be with your results!','Simple Drawing Techniques for Realistic Pencil Portraits','','inherit','open','open','','837-revision-v1','','','2014-06-29 11:51:46','2014-06-29 18:51:46','',837,'http://www.letsdrawpeople.com/837-revision-v1/',0,'revision','',0),(1256,2,'2014-07-01 11:25:55','2014-07-01 18:25:55','

I speak from experience when I say that beginning artists often learn one technique, or one \"way\", of drawing a person and then get set in their ways (or in this case, \"way\").

\r\n

Early on when I began drawing people, I had a technique that I was very comfortable with and always began a drawing by using it. There was nothing wrong with that since I was doing something that worked, but if I didn\'t take time to watch and learn from other artists, I may have never learned a better way.

\r\n

In that spirit, we are going to take time to see how two different artists take two very different approaches to accomplishing the same goal: drawing the very-recognizable NBA legend Michael Jordan!

\r\n\r\n\r\n[caption id=\"attachment_1224\" align=\"aligncenter\" width=\"225\"]\"\" © Jerry Coli | Dreamstime.com[/caption]\r\n

First up is animator and illustrator Michael Weisner, presenting for eHow. Michael Weisner gives us a simplistic approach to drawing MJ. Michael gives us the excellent advice of having several resource materials handy to help with accuracy.

\r\n

He begins by already having a \"pre-sketch ready...for filming\". Although it isn\'t totally clear, we are led to believe that this step isn\'t necessary for us at home, since Michael doesn\'t tell us how he made the pre-sketch. He just traces over the lines during the tutorial, beginning with the outline of the head and using a charcoal pencil.

\r\n

See more here how Michael Weisner draws Michael Jordan.

\r\n\r\n
\r\n

Next we take a look at New York-based artist Merrill Kazanjian and his approach. Merrill also begins his drawing of Michael Jordan in a simple, step-by-step way using basic shapes. However, his final drawing of Jordan\'s head (in this Part 1 of a two-part tutorial) is more detailed and advanced than Weisner\'s version.

\r\n

Some of Merrill\'s techniques are common and traditional, such as the use of lines to place shadows, using a crosshatching method of shading, and placing a line for the mouth \"one-third of the way down between the nose line and the chin line\".

\r\n

Other techniques may be new to you, as some were even new to me! Who else ever thought about drawing polygons for eye sockets and blending pencil tones with a paintbrush?

\r\n

Merrill also begins with the outline of the head, but he uses a No. 2 pencil. After the line drawing, he begins shading the eyes with a 3B pencil.

\r\n

Check out how Michael Jordan is drawn by Merrill Kazanjian.

\r\n\r\n
\r\n

What do you think about these two different approaches? Which techniques closely match what you already do? Which techniques are new ones to you that you would like to try?

\r\n

Go ahead and try to draw Michael Jordan on your own! Share your comments below about what was helpful for you.

','See How to Draw Michael Jordan Like These Artists','','inherit','open','open','','1222-revision-v1','','','2014-07-01 11:25:55','2014-07-01 18:25:55','',1222,'http://www.letsdrawpeople.com/1222-revision-v1/',0,'revision','',0),(1257,2,'2014-07-02 09:09:35','2014-07-02 16:09:35','Have you ever wanted to add shading to a drawing of yours but just didn\'t know where to begin?','Take the Stress Out of Shading with These Pencil Shading Techniques','','inherit','open','open','','1253-revision-v1','','','2014-07-02 09:09:35','2014-07-02 16:09:35','',1253,'http://www.letsdrawpeople.com/1253-revision-v1/',0,'revision','',0),(1260,2,'2014-07-14 11:50:32','2014-07-14 18:50:32','','cartoonish man more realistic','','inherit','open','open','','cartoonish-man-more-realistic','','','2014-07-14 11:50:32','2014-07-14 18:50:32','',1250,'http://www.letsdrawpeople.com/wp-content/uploads/2014/07/cartoonish-man-more-realistic.jpg',0,'attachment','image/jpeg',0),(1261,2,'2014-07-14 11:51:40','2014-07-14 18:51:40','
In this video tutorial by Cheri Crawford from DrawingTeachers.com, we learn how to draw a picture of a young man. Even though Cheri often draws people in a more cartoon-like style, she shows us that some carefully planned changes and additions to the original line drawing can leave us with a drawing that is a bit more realistic.\r\n\r\nCheri uses a kneaded eraser and a really heavy and dark pencil that shows up better in the video, but she suggests using a lighter pencil. She begins with some proportional guidelines and a line drawing of the face.\r\n\r\nAn important observation about drawing a man is noted when Cheri says, \"Masculine features are often very geometrical, in nature and in art.\" She illustrates this point by initially using shapes with sharp angles and edges.\r\n\r\nAs the drawing progresses, she makes the cartoonish shapes less exaggerated by softening them, giving the drawing a slightly more realistic feel. Also notice the more shading and detail that\'s placed around the muscle and bone, the more real the drawing begins to appear.\r\n\r\nHere\'s the takeaway I get from this video:\r\n\r\nIf your line drawing of a man (or even a woman or child) appears more cartoonish than you want, keep working with it by adding layers of shading and detail.\r\n\r\nI hope you give it a try!\r\n\r\n ','Make a Cartoonish Drawing of a Man\'s Face More Realistic','','inherit','open','open','','1250-revision-v1','','','2014-07-14 11:51:40','2014-07-14 18:51:40','',1250,'http://www.letsdrawpeople.com/1250-revision-v1/',0,'revision','',0),(1262,2,'2014-07-16 13:44:52','2014-07-16 20:44:52','','how to draw lips realistic 01','','inherit','open','open','','how-to-draw-lips-realistic-01','','','2014-07-16 13:44:52','2014-07-16 20:44:52','',1266,'http://www.letsdrawpeople.com/wp-content/uploads/2014/07/how-to-draw-lips-realistic-01.jpg',0,'attachment','image/jpeg',0),(1263,2,'2014-07-16 13:44:55','2014-07-16 20:44:55','','how to draw lips realistic 02','','inherit','open','open','','how-to-draw-lips-realistic-02','','','2014-07-16 13:44:55','2014-07-16 20:44:55','',1266,'http://www.letsdrawpeople.com/wp-content/uploads/2014/07/how-to-draw-lips-realistic-02.jpg',0,'attachment','image/jpeg',0),(1264,2,'2014-07-16 13:44:58','2014-07-16 20:44:58','','how to draw lips realistic 03','','inherit','open','open','','how-to-draw-lips-realistic-03','','','2014-07-16 13:44:58','2014-07-16 20:44:58','',1266,'http://www.letsdrawpeople.com/wp-content/uploads/2014/07/how-to-draw-lips-realistic-03.jpg',0,'attachment','image/jpeg',0),(1265,2,'2014-07-16 13:45:01','2014-07-16 20:45:01','','how to draw lips realistic 04','\"Groovy Lips\" by Jack Pearce','inherit','open','open','','how-to-draw-lips-realistic-04','','','2014-07-16 13:45:01','2014-07-16 20:45:01','',1266,'http://www.letsdrawpeople.com/wp-content/uploads/2014/07/how-to-draw-lips-realistic-04.jpg',0,'attachment','image/jpeg',0),(1266,2,'2014-07-19 10:39:50','2014-07-19 17:39:50','
 \r\n\r\nWhen you draw lips, do they look like these?\r\n\r\n\"how\r\n\r\nIn this video and post, we will see one way to turn a simple outline of lips into a more realistic drawing. Of course, not all lips have the characteristic traits that I will use in this drawing. Use this post for guidance, but use a reference photo for whatever lips you choose to draw to make your lips match your subject.\r\n

Add Details to Your Lip Line Drawing

\r\nThe first step is to add details to your lips to make your line drawing look more realistic. I chose to use a mechanical pencil with 2B graphite lead for this drawing.\r\n\r\nBegin by drawing a little outline that borders just above the top and below the bottom lip (if the subject you are drawing has this trait).\r\n\r\nYou will also want to draw some of the grooves that are apparent on the lips. Most of these are vertical, but most lips have some horizontal ones visible if you look close enough.\r\n\r\nThis is also a good time to sketch in where shadows and highlights will go.  For this subject, there is a prominent shadow between the bottom lip and the chin. There is another where the lips meet. For the highlights, I drew small individual shapes between the grooves rather than one large highlight.\r\n\r\n\"how\r\n

Create a Tone Drawing with Dark and Light Values

\r\nI usually begin by filling in the darkest values. In this case, that would be between the lips and under them.\r\n\r\nThen from where the lips meet and the outer edges of the lips, start working in the lighter values that fall between the grooves and the highlights. Mostly, I used a hatching technique that also followed the contours of the lips.\r\n\r\nDo not forget to also put some shading on some of the skin surrounding the lips.\r\n\r\n\"how\r\n

Blend the Tones Together

\r\nNow is the time to begin blending all of that graphite to reach a new level of realism! Once again, I typically start with the darkest values.\r\n\r\nUse a tortillon and blend the shadow area under the lip. This will allow you to use leftover graphite on the tortillon to create other skin tones outside of the shadow on the chin area. You can also finish blending the tones above the top lip as well.\r\n\r\nNext, beginning with where the lips touch, blend from dark to light and move your tortillon in a way that follows the natural curvature and contours along the lips. Work around some of the areas meant to be highlights.\r\n\r\n\"how\r\n

Add in the Finishing Touches

\r\nIt is always a good idea to go back and better define any shadows or highlights, as well as draw in additional details, after the blending step. The amount of detail you add is up to you. This drawing really didn\'t need too much after the last step, but I did want to touch up a few places.\r\n\r\nBasically, my goal was to make apparent more of the subtle grooves that run along the lips, both vertically and horizontally (although less obvious). I brought out highlights with a kneaded eraser and drew lines with my pencil.\r\n\r\nIn hindsight (and this is my inner critic speaking, which is a healthy thing for an artist to have!), to make these lines more subtle like they are in real life, it may have been better to use a lighter lead (like a 2H) or just the residue on the tortillon.\r\n\r\n\"how\r\n\r\nStill, I achieved my goal of creating a drawing of lips that look much more realistic than the outline at the beginning of this post.\r\n\r\nIf you want to do the same, remember the four basic steps I used here: a line drawing that places shadows and highlights, shading in the tones, blending the tones, and adding final details.\r\n\r\nRemember, the level of realism you want to achieve is completely up to you. I could have stopped after any one of these four steps and had a \"completed\" realistic drawing. Or, I could have continued adding even more layers of detail for a more realistic effect.\r\n\r\nSo give this a try, and YOU decide when you are ready to call it finished. How realistic can you make your lip drawing?\r\n\r\n ','How to Turn Your Plainly-Drawn Lips into Realistic Lips','','publish','open','open','','how-to-turn-your-plainly-drawn-lips-into-realistic-lips','','','2015-07-11 17:52:44','2015-07-12 00:52:44','',0,'http://www.letsdrawpeople.com/?p=1266',0,'post','',0),(1267,2,'2014-07-16 14:31:11','2014-07-16 21:31:11','When you draw lips, do they look like these?\r\n\r\n*****pic of lip outline\r\n\r\nIn this post, we will see one way to turn a simple outline of lips into a more realistic drawing. Of course, not all lips have the characteristic traits that I will use in this drawing. Use this post for guidance, but use a reference photo for whatever lips you choose to draw to make your lips match your subject.\r\n

Add Details to Your Lip Line Drawing

\r\nThe first step is to add details to your lips to make your line drawing look more realistic.\r\n\r\nBegin by drawing a little outline that borders just above the top and below the bottom lip.','How to Turn Your Plainly-Drawn Lips into Realistic Lips','','inherit','open','open','','1266-revision-v1','','','2014-07-16 14:31:11','2014-07-16 21:31:11','',1266,'http://www.letsdrawpeople.com/1266-revision-v1/',0,'revision','',0),(1268,2,'2014-07-16 20:02:47','2014-07-17 03:02:47','When you draw lips, do they look like these?\r\n\r\n*****pic of lip outline\r\n\r\nIn this post, we will see one way to turn a simple outline of lips into a more realistic drawing. Of course, not all lips have the characteristic traits that I will use in this drawing. Use this post for guidance, but use a reference photo for whatever lips you choose to draw to make your lips match your subject.\r\n

Add Details to Your Lip Line Drawing

\r\nThe first step is to add details to your lips to make your line drawing look more realistic.\r\n\r\nBegin by drawing a little outline that borders just above the top and below the bottom lip (if the subject you are drawing has this trait).\r\n\r\nYou will also want to draw some of the grooves that are apparent on the lips. Most of these are vertical, but most lips have some horizontal ones visible if you look close enough.\r\n\r\nThis is also a good time to sketch in where shadows and highlights will go.  For this subject, there is a prominent shadow between the bottom lip and the chin. There is another where the lips meet. For the highlights, I drew small individual shapes between the grooves rather than one large highlight.\r\n\r\n*****pic of step one\r\n

Create a Tone Drawing with Dark and Light Values

\r\nI usually begin by filling in the darkest values. Then from where the lips meet and the outer edges of the lips, start working in the lighter values that fall between the grooves.\r\n\r\n \r\n\r\n \r\n\r\n ','How to Turn Your Plainly-Drawn Lips into Realistic Lips','','inherit','open','open','','1266-revision-v1','','','2014-07-16 20:02:47','2014-07-17 03:02:47','',1266,'http://www.letsdrawpeople.com/1266-revision-v1/',0,'revision','',0),(1269,2,'2014-07-17 13:15:58','2014-07-17 20:15:58','When you draw lips, do they look like these?\r\n\r\n*****pic of lip outline\r\n\r\nIn this post, we will see one way to turn a simple outline of lips into a more realistic drawing. Of course, not all lips have the characteristic traits that I will use in this drawing. Use this post for guidance, but use a reference photo for whatever lips you choose to draw to make your lips match your subject.\r\n

Add Details to Your Lip Line Drawing

\r\nThe first step is to add details to your lips to make your line drawing look more realistic. I chose to use a mechanical pencil with 2B graphite lead for this drawing.\r\n\r\nBegin by drawing a little outline that borders just above the top and below the bottom lip (if the subject you are drawing has this trait).\r\n\r\nYou will also want to draw some of the grooves that are apparent on the lips. Most of these are vertical, but most lips have some horizontal ones visible if you look close enough.\r\n\r\nThis is also a good time to sketch in where shadows and highlights will go.  For this subject, there is a prominent shadow between the bottom lip and the chin. There is another where the lips meet. For the highlights, I drew small individual shapes between the grooves rather than one large highlight.\r\n\r\n\"how\r\n

Create a Tone Drawing with Dark and Light Values

\r\nI usually begin by filling in the darkest values. In this case, that would be between the lips and under them.\r\n\r\nThen from where the lips meet and the outer edges of the lips, start working in the lighter values that fall between the grooves and the highlights. Mostly, I used a hatching technique that also followed the contours of the lips.\r\n\r\nDo not forget to also put some shading on some of the skin surrounding the lips.\r\n\r\n\"how\r\n

Blend the Tones Together

\r\nNow is the time to begin blending all of that graphite to reach a new level of realism! Once again, I typically start with the darkest values.\r\n\r\nUse a tortillon and blend the shadow area under the lip. This will allow you to use leftover graphite on the tortillon to create other skin tones outside of the shadow on the chin area. You can also finish blending the tones above the top lip as well.\r\n\r\nNext, beginning with where the lips touch, blend from dark to light and move your tortillon in a way that follows the natural curvature and contours along the lips. Work around some of the areas meant to be highlights.\r\n\r\n\"how\r\n

Add in the Finishing Touches

\r\nIt is always a good idea to go back and better define any shadows or highlights, as well as draw in additional details, after the blending step. The amount of detail you add is up to you. This drawing really didn\'t need too much after the last step, but I did want to touch up a few places.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','How to Turn Your Plainly-Drawn Lips into Realistic Lips','','inherit','open','open','','1266-revision-v1','','','2014-07-17 13:15:58','2014-07-17 20:15:58','',1266,'http://www.letsdrawpeople.com/1266-revision-v1/',0,'revision','',0),(1270,2,'2014-07-17 14:07:51','2014-07-17 21:07:51','','how to draw lips realistic 00','','inherit','open','open','','how-to-draw-lips-realistic-00','','','2014-07-17 14:07:51','2014-07-17 21:07:51','',1266,'http://www.letsdrawpeople.com/wp-content/uploads/2014/07/how-to-draw-lips-realistic-00.jpg',0,'attachment','image/jpeg',0),(1271,2,'2014-07-17 14:08:37','2014-07-17 21:08:37','When you draw lips, do they look like these?\r\n\r\n\"how\r\n\r\nIn this video and post, we will see one way to turn a simple outline of lips into a more realistic drawing. Of course, not all lips have the characteristic traits that I will use in this drawing. Use this post for guidance, but use a reference photo for whatever lips you choose to draw to make your lips match your subject.\r\n

Add Details to Your Lip Line Drawing

\r\nThe first step is to add details to your lips to make your line drawing look more realistic. I chose to use a mechanical pencil with 2B graphite lead for this drawing.\r\n\r\nBegin by drawing a little outline that borders just above the top and below the bottom lip (if the subject you are drawing has this trait).\r\n\r\nYou will also want to draw some of the grooves that are apparent on the lips. Most of these are vertical, but most lips have some horizontal ones visible if you look close enough.\r\n\r\nThis is also a good time to sketch in where shadows and highlights will go.  For this subject, there is a prominent shadow between the bottom lip and the chin. There is another where the lips meet. For the highlights, I drew small individual shapes between the grooves rather than one large highlight.\r\n\r\n\"how\r\n

Create a Tone Drawing with Dark and Light Values

\r\nI usually begin by filling in the darkest values. In this case, that would be between the lips and under them.\r\n\r\nThen from where the lips meet and the outer edges of the lips, start working in the lighter values that fall between the grooves and the highlights. Mostly, I used a hatching technique that also followed the contours of the lips.\r\n\r\nDo not forget to also put some shading on some of the skin surrounding the lips.\r\n\r\n\"how\r\n

Blend the Tones Together

\r\nNow is the time to begin blending all of that graphite to reach a new level of realism! Once again, I typically start with the darkest values.\r\n\r\nUse a tortillon and blend the shadow area under the lip. This will allow you to use leftover graphite on the tortillon to create other skin tones outside of the shadow on the chin area. You can also finish blending the tones above the top lip as well.\r\n\r\nNext, beginning with where the lips touch, blend from dark to light and move your tortillon in a way that follows the natural curvature and contours along the lips. Work around some of the areas meant to be highlights.\r\n\r\n\"how\r\n

Add in the Finishing Touches

\r\nIt is always a good idea to go back and better define any shadows or highlights, as well as draw in additional details, after the blending step. The amount of detail you add is up to you. This drawing really didn\'t need too much after the last step, but I did want to touch up a few places.\r\n\r\nBasically, my goal was to make apparent more of the subtle grooves that run along the lips, both vertically and horizontally (although less obvious). I brought out highlights with a kneaded eraser and drew lines with my pencil.\r\n\r\nIn hindsight (and this is my inner critic speaking, which is a healthy thing for an artist to have!), to make these lines more subtle like they are in real life, it may have been better to use a lighter lead (like an 2H) or just the residue on the tortillon.\r\n\r\n\"how\r\n\r\nStill, I achieved my goal of creating a drawing of lips that look much more realistic than the outline at the beginning of this post.\r\n\r\nIf you want to do the same, remember the four basic steps I used here: a line drawing that places shadows and highlights, shading in the tones, blending the tones, and adding final details.\r\n\r\nRemember, the level of realism you want to achieve is completely up to you. I could have stopped after any one of these four steps and had a \"completed\" realistic drawing. Or, I could have continued adding even more layers of detail for a more realistic effect.\r\n\r\nSo give this a try, and YOU decide when you are ready to call it finished. How realistic can you make your lip drawing?\r\n\r\n ','How to Turn Your Plainly-Drawn Lips into Realistic Lips','','inherit','open','open','','1266-revision-v1','','','2014-07-17 14:08:37','2014-07-17 21:08:37','',1266,'http://www.letsdrawpeople.com/1266-revision-v1/',0,'revision','',0),(1272,2,'2014-07-17 18:14:00','2014-07-18 01:14:00','Have you ever wanted to add shading to a drawing of yours but just didn\'t know where to begin?\r\n\r\nLearning how to draw people is a skill that so many budding artists yearn to master. Mastering the shading techniques on a drawing can be daunting. In fact, the prospect of completing an entire shading project is nothing short of terrifying for some people. The best way to get over this hurdle is to realize one basic thing: art is a skill that can be honed over time and with the right amount of practice. When it comes to drawing, particularly when it comes to drawing people, there is no such thing as \"talented artist\" versus \"untalented artist\".\r\n\r\nEveryone has a little artist in them. It\'s all about finding a way to open that portal to your imagination. The great thing about art, and shading in particular, is that no two people will hone their skills in the same way. You can learn the basic techniques associated with shading and put your own spin on them. Creating an amazing drawing is all about portraying the way you perceive things. Exploring the various types of shading is a bit like a journey of self-discovery, in a way.\r\n\r\nLearn how to love the shading process and in no time you will have mastered the technique in a way that is entirely your own!\r\n

Contour Shading

\r\nContour shading is a technique that is all about following the natural lines of your drawing. This particular technique enables you to use your pencil to enhance shadows, light, and depth in your art. The best way to go about it is to complete your line drawing, and then follow the natural lines of the object (or feature or person) you have created. Use a softer pencil for dark shadows and a hard pencil for the lighter, less defined areas.\r\n\r\nThe great thing about contour shading is the amount of freedom you have when completing your pencil drawing. If you prefer a precise approach, use this to your advantage by paying close attention to each and every line. If you prefer a free and abstract sort of approach, you have the opportunity to be as relaxed as you want to be. When implementing this style, be sure to take your perspective into account. Draw the object exactly as you see it, not how you think someone else would see it from their angle.\r\n

Hatching

\r\nHatching is a technique that involves using straight lines in a uniform direction to create different types of light and shade. In order to achieve the look you are going for, consider first drawing a set of thin, parallel lines uniformly in the same direction. In order to make certain sections appear darker, go over them with again and again, until you achieve the desired shade.\r\n\r\nAll you need to master this technique is lots of practice and a steady hand. If the lines are too harsh for your taste, try going over them with a soft brush. By brushing out the lines you will be able to create a much smoother, subtler look.\r\n

Crosshatching

\r\nThis is one of those shading techniques that can be incredibly fun to do, once you get the hang of it. In fact, you might find that the whole process is quite therapeutic. Essentially, this technique involves one set of lines overlapping another. Think about it as creating a sort of penciled patchwork. When you do cross-hatched shading, you will soon learn that you achieve lighter and darker tones by spacing your \"squares\" differently. When the spaces between the lines are larger, more white shows through and this creates a much lighter look. When the spaces are closer together, the shading is denser and therefore looks quite a bit darker and generally more solid.\r\n

Scumbling

\r\nOf all the shading techniques, this one is probably more likely to engage your inner child. Essentially, scumbling is used to describe a random, figure-eight style scribble that repeats over and over to create light and dark shades in a pencil drawing. Space your scumbled shading a bit further apart to shade in curly hair or fabrics. Squeeze them closer together for darker, more solid shades. The harder you press, the darker your scumbling will be.\r\n\r\nThis particular technique is best suited to abstract drawings, cartoons or caricatures. Use scumbling when you want to throw the usual rules to the wayside and explore the sillier side of artistry.\r\n

Stippling

\r\nStippling involves the use of dots to create texture, tone and shadows in a pencil drawing. To create darker shadows and tones, these dots will be denser and darker. For a lighter effect, the dots should be spaced more sparsely. It is probably best to practice stippling with a soft B pencil as this is more likely to adhere to the paper. The darker the pencil, the more dramatic the effect will be. The best way to get uniformly-sized dots on your paper would be to press the graphite nib down and then twist. Do your best to use a completely straight up and down motion; this will prevent an unwanted smudging on the page. To avoid further smudging when you move your hand, try placing a piece of tissue or another piece of paper under your wrist.\r\n

True Artistry Comes with a Price

\r\nThe price you pay for gorgeous shading is this: a good old dose of repetition. If you dream of perfecting any shading technique in the book, you need to spend a fairly large amount of time on honing your skills. It is probably comforting to know that you are probably going to find one particular technique that accurately reflects your style and personality.\r\n\r\nMany artists find the prospect of learning these shading techniques to be uncomfortably daunting. The fact of the matter is that none of this should be stressful. Take the time to read up on a few techniques and then spend some time on using each one in one of your drawings. Keep using them and you\'ll soon see that they will become second nature.','Take the Stress Out of Shading with These Pencil Shading Techniques','','inherit','open','open','','1253-revision-v1','','','2014-07-17 18:14:00','2014-07-18 01:14:00','',1253,'http://www.letsdrawpeople.com/1253-revision-v1/',0,'revision','',0),(1279,2,'2014-07-19 15:54:41','2014-07-19 22:54:41','','contour','','inherit','open','open','','contour','','','2014-07-19 15:54:41','2014-07-19 22:54:41','',1253,'http://www.letsdrawpeople.com/wp-content/uploads/2014/07/contour.jpg',0,'attachment','image/jpeg',0),(1280,2,'2014-07-19 15:54:43','2014-07-19 22:54:43','','crosshatching','','inherit','open','open','','crosshatching','','','2014-07-19 15:54:43','2014-07-19 22:54:43','',1253,'http://www.letsdrawpeople.com/wp-content/uploads/2014/07/crosshatching.jpg',0,'attachment','image/jpeg',0),(1273,2,'2014-07-17 18:55:40','2014-07-18 01:55:40','Have you ever wanted to add shading to a drawing of yours but just didn\'t know where to begin?\r\n\r\nLearning how to draw people is a skill that so many budding artists yearn to master. Mastering the shading techniques on a drawing can be daunting. In fact, the prospect of completing an entire shading project is nothing short of terrifying for some people.\r\n\r\nThe best way to get over this hurdle is to realize one basic thing: art is a skill that can be honed over time and with the right amount of practice. When it comes to drawing, particularly when it comes to drawing people, there is no such thing as \"talented artist\" versus \"untalented artist\".\r\n\r\nEveryone has a little artist in them. It\'s all about finding a way to open that portal to your imagination. The great thing about art, and shading in particular, is that no two people will hone their skills in the same way. You can learn the basic techniques associated with shading and put your own spin on them. Creating an amazing drawing is all about portraying the way you perceive things. Exploring the various types of shading is a bit like a journey of self-discovery, in a way.\r\n\r\nIn the following sections, I will share with you five shading techniques. I used all five techniques while shading a drawing of an arm.\r\n

*****pic of arm*****

\r\n \r\n\r\nI decided to use the following examples to illustrate that there are no hard and fast rules saying you HAVE to shade one way over another. Experiment with each and learn how to love the shading process, and in no time you will have mastered the shading process in a way that is entirely your own!\r\n

Contour Shading

\r\n*****cropped pic w/ arrows and examples of dark shadows and lighter areas*****Contour shading is a technique that is all about following the natural lines of your drawing. This particular technique enables you to use your pencil to enhance shadows, light, and depth in your art.\r\n\r\nThe best way to go about it is to complete your line drawing, and then follow the natural lines of the object (or feature or person) you have created. Use a softer pencil for dark shadows and a hard pencil for the lighter, less defined areas.\r\n\r\nThe great thing about contour shading is the amount of freedom you have when completing your pencil drawing. If you prefer a precise approach, use this to your advantage by paying close attention to each and every line. If you prefer a free and abstract sort of approach, you have the opportunity to be as relaxed as you want to be.\r\n\r\nWhen implementing this style, be sure to take your perspective into account. Draw the object exactly as you see it, not how you think someone else would see it from their angle.\r\n

Hatching

\r\n*****cropped pic w/ arrows and examples of dark and light areas*****Hatching is a technique that involves using straight lines in a uniform direction to create different types of light and shade.\r\n\r\nIn order to achieve the look you are going for, consider first drawing a set of thin, parallel lines uniformly in the same direction. In order to make certain sections appear darker, go over them with again and again, until you achieve the desired shade.\r\n\r\nAll you need to master this technique is lots of practice and a steady hand. If the lines are too harsh for your taste, try going over them with a soft brush or tortillon. By blending out the lines you will be able to create a much smoother, subtler look.\r\n

Crosshatching

\r\n*****cropped pic w/ arrows and examples of dark and light areas*****This is one of those shading techniques that can be incredibly fun to do, once you get the hang of it. In fact, you might find that the whole process is quite therapeutic.\r\n\r\nEssentially, this technique involves one set of lines overlapping another. Think about it as creating a sort of penciled patchwork.\r\n\r\nWhen you do cross-hatched shading, you will soon learn that you achieve lighter and darker tones by spacing your \"squares\" differently. When the spaces between the lines are larger, more white shows through and this creates a much lighter look. When the spaces are closer together, the shading is denser and therefore looks quite a bit darker and generally more solid.\r\n

Scumbling

\r\n*****cropped pic w/ arrow*****Of all the shading techniques, this one is probably more likely to engage your inner child. Essentially, scumbling is used to describe a random, figure-eight style scribble that repeats over and over to create light and dark shades in a pencil drawing.\r\n\r\nSpace your scumbled shading a bit further apart to shade in curly hair or fabrics. Squeeze them closer together for darker, more solid shades. The harder you press, the darker your scumbling will be.\r\n\r\nThis particular technique is often used with abstract drawings, cartoons or caricatures. Use scumbling when you want to throw the usual rules to the wayside and explore the sillier side of artistry.\r\n

Stippling

\r\n*****cropped pic w/ arrows and examples of dark and light areas*****Stippling involves the use of dots to create texture, tone and shadows in a pencil drawing.\r\n\r\nTo create darker shadows and tones, these dots will be denser and darker. For a lighter effect, the dots should be spaced more sparsely.\r\n\r\nIt is probably best to practice stippling with a soft B pencil as this is more likely to adhere to the paper. The darker the pencil, the more dramatic the effect will be.\r\n\r\nThe best way to get uniformly-sized dots on your paper would be to press the graphite nib down and then twist. Do your best to use a completely straight up and down motion; this will prevent an unwanted smudging on the page. To avoid further smudging when you move your hand, try placing a piece of tissue or another piece of paper under your wrist.\r\n

True Artistry Comes with a Price

\r\nThe price you pay for gorgeous shading is this: a good old dose of repetition. If you dream of perfecting any shading technique in the book, you need to spend a fairly large amount of time on honing your skills. It is probably comforting to know that you are probably going to find one particular technique that accurately reflects your style and personality.\r\n\r\nMany artists find the prospect of learning these shading techniques to be uncomfortably daunting. The fact of the matter is that none of this should be stressful. Take the time to use each one of these techniques in one of your drawings. Keep using them and you\'ll soon see that they will become second nature.','Take the Stress Out of Shading with These Pencil Shading Techniques','','inherit','open','open','','1253-revision-v1','','','2014-07-17 18:55:40','2014-07-18 01:55:40','',1253,'http://www.letsdrawpeople.com/1253-revision-v1/',0,'revision','',0),(1274,2,'2014-07-18 18:54:26','2014-07-19 01:54:26','When you draw lips, do they look like these?\r\n\r\n\"how\r\n\r\nIn this video and post, we will see one way to turn a simple outline of lips into a more realistic drawing. Of course, not all lips have the characteristic traits that I will use in this drawing. Use this post for guidance, but use a reference photo for whatever lips you choose to draw to make your lips match your subject.\r\n

Add Details to Your Lip Line Drawing

\r\nThe first step is to add details to your lips to make your line drawing look more realistic. I chose to use a mechanical pencil with 2B graphite lead for this drawing.\r\n\r\nBegin by drawing a little outline that borders just above the top and below the bottom lip (if the subject you are drawing has this trait).\r\n\r\nYou will also want to draw some of the grooves that are apparent on the lips. Most of these are vertical, but most lips have some horizontal ones visible if you look close enough.\r\n\r\nThis is also a good time to sketch in where shadows and highlights will go.  For this subject, there is a prominent shadow between the bottom lip and the chin. There is another where the lips meet. For the highlights, I drew small individual shapes between the grooves rather than one large highlight.\r\n\r\n\"how\r\n

Create a Tone Drawing with Dark and Light Values

\r\nI usually begin by filling in the darkest values. In this case, that would be between the lips and under them.\r\n\r\nThen from where the lips meet and the outer edges of the lips, start working in the lighter values that fall between the grooves and the highlights. Mostly, I used a hatching technique that also followed the contours of the lips.\r\n\r\nDo not forget to also put some shading on some of the skin surrounding the lips.\r\n\r\n\"how\r\n

Blend the Tones Together

\r\nNow is the time to begin blending all of that graphite to reach a new level of realism! Once again, I typically start with the darkest values.\r\n\r\nUse a tortillon and blend the shadow area under the lip. This will allow you to use leftover graphite on the tortillon to create other skin tones outside of the shadow on the chin area. You can also finish blending the tones above the top lip as well.\r\n\r\nNext, beginning with where the lips touch, blend from dark to light and move your tortillon in a way that follows the natural curvature and contours along the lips. Work around some of the areas meant to be highlights.\r\n\r\n\"how\r\n

Add in the Finishing Touches

\r\nIt is always a good idea to go back and better define any shadows or highlights, as well as draw in additional details, after the blending step. The amount of detail you add is up to you. This drawing really didn\'t need too much after the last step, but I did want to touch up a few places.\r\n\r\nBasically, my goal was to make apparent more of the subtle grooves that run along the lips, both vertically and horizontally (although less obvious). I brought out highlights with a kneaded eraser and drew lines with my pencil.\r\n\r\nIn hindsight (and this is my inner critic speaking, which is a healthy thing for an artist to have!), to make these lines more subtle like they are in real life, it may have been better to use a lighter lead (like a 2H) or just the residue on the tortillon.\r\n\r\n\"how\r\n\r\nStill, I achieved my goal of creating a drawing of lips that look much more realistic than the outline at the beginning of this post.\r\n\r\nIf you want to do the same, remember the four basic steps I used here: a line drawing that places shadows and highlights, shading in the tones, blending the tones, and adding final details.\r\n\r\nRemember, the level of realism you want to achieve is completely up to you. I could have stopped after any one of these four steps and had a \"completed\" realistic drawing. Or, I could have continued adding even more layers of detail for a more realistic effect.\r\n\r\nSo give this a try, and YOU decide when you are ready to call it finished. How realistic can you make your lip drawing?\r\n\r\n ','How to Turn Your Plainly-Drawn Lips into Realistic Lips','','inherit','open','open','','1266-revision-v1','','','2014-07-18 18:54:26','2014-07-19 01:54:26','',1266,'http://www.letsdrawpeople.com/1266-revision-v1/',0,'revision','',0),(1275,2,'2014-07-19 08:56:18','2014-07-19 15:56:18','
When you draw lips, do they look like these?\r\n\r\n\"how\r\n\r\nIn this video and post, we will see one way to turn a simple outline of lips into a more realistic drawing. Of course, not all lips have the characteristic traits that I will use in this drawing. Use this post for guidance, but use a reference photo for whatever lips you choose to draw to make your lips match your subject.\r\n

Add Details to Your Lip Line Drawing

\r\nThe first step is to add details to your lips to make your line drawing look more realistic. I chose to use a mechanical pencil with 2B graphite lead for this drawing.\r\n\r\nBegin by drawing a little outline that borders just above the top and below the bottom lip (if the subject you are drawing has this trait).\r\n\r\nYou will also want to draw some of the grooves that are apparent on the lips. Most of these are vertical, but most lips have some horizontal ones visible if you look close enough.\r\n\r\nThis is also a good time to sketch in where shadows and highlights will go.  For this subject, there is a prominent shadow between the bottom lip and the chin. There is another where the lips meet. For the highlights, I drew small individual shapes between the grooves rather than one large highlight.\r\n\r\n\"how\r\n

Create a Tone Drawing with Dark and Light Values

\r\nI usually begin by filling in the darkest values. In this case, that would be between the lips and under them.\r\n\r\nThen from where the lips meet and the outer edges of the lips, start working in the lighter values that fall between the grooves and the highlights. Mostly, I used a hatching technique that also followed the contours of the lips.\r\n\r\nDo not forget to also put some shading on some of the skin surrounding the lips.\r\n\r\n\"how\r\n

Blend the Tones Together

\r\nNow is the time to begin blending all of that graphite to reach a new level of realism! Once again, I typically start with the darkest values.\r\n\r\nUse a tortillon and blend the shadow area under the lip. This will allow you to use leftover graphite on the tortillon to create other skin tones outside of the shadow on the chin area. You can also finish blending the tones above the top lip as well.\r\n\r\nNext, beginning with where the lips touch, blend from dark to light and move your tortillon in a way that follows the natural curvature and contours along the lips. Work around some of the areas meant to be highlights.\r\n\r\n\"how\r\n

Add in the Finishing Touches

\r\nIt is always a good idea to go back and better define any shadows or highlights, as well as draw in additional details, after the blending step. The amount of detail you add is up to you. This drawing really didn\'t need too much after the last step, but I did want to touch up a few places.\r\n\r\nBasically, my goal was to make apparent more of the subtle grooves that run along the lips, both vertically and horizontally (although less obvious). I brought out highlights with a kneaded eraser and drew lines with my pencil.\r\n\r\nIn hindsight (and this is my inner critic speaking, which is a healthy thing for an artist to have!), to make these lines more subtle like they are in real life, it may have been better to use a lighter lead (like a 2H) or just the residue on the tortillon.\r\n\r\n\"how\r\n\r\nStill, I achieved my goal of creating a drawing of lips that look much more realistic than the outline at the beginning of this post.\r\n\r\nIf you want to do the same, remember the four basic steps I used here: a line drawing that places shadows and highlights, shading in the tones, blending the tones, and adding final details.\r\n\r\nRemember, the level of realism you want to achieve is completely up to you. I could have stopped after any one of these four steps and had a \"completed\" realistic drawing. Or, I could have continued adding even more layers of detail for a more realistic effect.\r\n\r\nSo give this a try, and YOU decide when you are ready to call it finished. How realistic can you make your lip drawing?\r\n\r\n ','How to Turn Your Plainly-Drawn Lips into Realistic Lips','','inherit','open','open','','1266-revision-v1','','','2014-07-19 08:56:18','2014-07-19 15:56:18','',1266,'http://www.letsdrawpeople.com/1266-revision-v1/',0,'revision','',0),(1276,2,'2014-07-19 08:56:48','2014-07-19 15:56:48','
 \r\n\r\nWhen you draw lips, do they look like these?\r\n\r\n\"how\r\n\r\nIn this video and post, we will see one way to turn a simple outline of lips into a more realistic drawing. Of course, not all lips have the characteristic traits that I will use in this drawing. Use this post for guidance, but use a reference photo for whatever lips you choose to draw to make your lips match your subject.\r\n

Add Details to Your Lip Line Drawing

\r\nThe first step is to add details to your lips to make your line drawing look more realistic. I chose to use a mechanical pencil with 2B graphite lead for this drawing.\r\n\r\nBegin by drawing a little outline that borders just above the top and below the bottom lip (if the subject you are drawing has this trait).\r\n\r\nYou will also want to draw some of the grooves that are apparent on the lips. Most of these are vertical, but most lips have some horizontal ones visible if you look close enough.\r\n\r\nThis is also a good time to sketch in where shadows and highlights will go.  For this subject, there is a prominent shadow between the bottom lip and the chin. There is another where the lips meet. For the highlights, I drew small individual shapes between the grooves rather than one large highlight.\r\n\r\n\"how\r\n

Create a Tone Drawing with Dark and Light Values

\r\nI usually begin by filling in the darkest values. In this case, that would be between the lips and under them.\r\n\r\nThen from where the lips meet and the outer edges of the lips, start working in the lighter values that fall between the grooves and the highlights. Mostly, I used a hatching technique that also followed the contours of the lips.\r\n\r\nDo not forget to also put some shading on some of the skin surrounding the lips.\r\n\r\n\"how\r\n

Blend the Tones Together

\r\nNow is the time to begin blending all of that graphite to reach a new level of realism! Once again, I typically start with the darkest values.\r\n\r\nUse a tortillon and blend the shadow area under the lip. This will allow you to use leftover graphite on the tortillon to create other skin tones outside of the shadow on the chin area. You can also finish blending the tones above the top lip as well.\r\n\r\nNext, beginning with where the lips touch, blend from dark to light and move your tortillon in a way that follows the natural curvature and contours along the lips. Work around some of the areas meant to be highlights.\r\n\r\n\"how\r\n

Add in the Finishing Touches

\r\nIt is always a good idea to go back and better define any shadows or highlights, as well as draw in additional details, after the blending step. The amount of detail you add is up to you. This drawing really didn\'t need too much after the last step, but I did want to touch up a few places.\r\n\r\nBasically, my goal was to make apparent more of the subtle grooves that run along the lips, both vertically and horizontally (although less obvious). I brought out highlights with a kneaded eraser and drew lines with my pencil.\r\n\r\nIn hindsight (and this is my inner critic speaking, which is a healthy thing for an artist to have!), to make these lines more subtle like they are in real life, it may have been better to use a lighter lead (like a 2H) or just the residue on the tortillon.\r\n\r\n\"how\r\n\r\nStill, I achieved my goal of creating a drawing of lips that look much more realistic than the outline at the beginning of this post.\r\n\r\nIf you want to do the same, remember the four basic steps I used here: a line drawing that places shadows and highlights, shading in the tones, blending the tones, and adding final details.\r\n\r\nRemember, the level of realism you want to achieve is completely up to you. I could have stopped after any one of these four steps and had a \"completed\" realistic drawing. Or, I could have continued adding even more layers of detail for a more realistic effect.\r\n\r\nSo give this a try, and YOU decide when you are ready to call it finished. How realistic can you make your lip drawing?\r\n\r\n ','How to Turn Your Plainly-Drawn Lips into Realistic Lips','','inherit','open','open','','1266-revision-v1','','','2014-07-19 08:56:48','2014-07-19 15:56:48','',1266,'http://www.letsdrawpeople.com/1266-revision-v1/',0,'revision','',0),(1277,2,'2014-07-19 10:39:50','2014-07-19 17:39:50','
 \r\n\r\nWhen you draw lips, do they look like these?\r\n\r\n\"how\r\n\r\nIn this video and post, we will see one way to turn a simple outline of lips into a more realistic drawing. Of course, not all lips have the characteristic traits that I will use in this drawing. Use this post for guidance, but use a reference photo for whatever lips you choose to draw to make your lips match your subject.\r\n

Add Details to Your Lip Line Drawing

\r\nThe first step is to add details to your lips to make your line drawing look more realistic. I chose to use a mechanical pencil with 2B graphite lead for this drawing.\r\n\r\nBegin by drawing a little outline that borders just above the top and below the bottom lip (if the subject you are drawing has this trait).\r\n\r\nYou will also want to draw some of the grooves that are apparent on the lips. Most of these are vertical, but most lips have some horizontal ones visible if you look close enough.\r\n\r\nThis is also a good time to sketch in where shadows and highlights will go.  For this subject, there is a prominent shadow between the bottom lip and the chin. There is another where the lips meet. For the highlights, I drew small individual shapes between the grooves rather than one large highlight.\r\n\r\n\"how\r\n

Create a Tone Drawing with Dark and Light Values

\r\nI usually begin by filling in the darkest values. In this case, that would be between the lips and under them.\r\n\r\nThen from where the lips meet and the outer edges of the lips, start working in the lighter values that fall between the grooves and the highlights. Mostly, I used a hatching technique that also followed the contours of the lips.\r\n\r\nDo not forget to also put some shading on some of the skin surrounding the lips.\r\n\r\n\"how\r\n

Blend the Tones Together

\r\nNow is the time to begin blending all of that graphite to reach a new level of realism! Once again, I typically start with the darkest values.\r\n\r\nUse a tortillon and blend the shadow area under the lip. This will allow you to use leftover graphite on the tortillon to create other skin tones outside of the shadow on the chin area. You can also finish blending the tones above the top lip as well.\r\n\r\nNext, beginning with where the lips touch, blend from dark to light and move your tortillon in a way that follows the natural curvature and contours along the lips. Work around some of the areas meant to be highlights.\r\n\r\n\"how\r\n

Add in the Finishing Touches

\r\nIt is always a good idea to go back and better define any shadows or highlights, as well as draw in additional details, after the blending step. The amount of detail you add is up to you. This drawing really didn\'t need too much after the last step, but I did want to touch up a few places.\r\n\r\nBasically, my goal was to make apparent more of the subtle grooves that run along the lips, both vertically and horizontally (although less obvious). I brought out highlights with a kneaded eraser and drew lines with my pencil.\r\n\r\nIn hindsight (and this is my inner critic speaking, which is a healthy thing for an artist to have!), to make these lines more subtle like they are in real life, it may have been better to use a lighter lead (like a 2H) or just the residue on the tortillon.\r\n\r\n\"how\r\n\r\nStill, I achieved my goal of creating a drawing of lips that look much more realistic than the outline at the beginning of this post.\r\n\r\nIf you want to do the same, remember the four basic steps I used here: a line drawing that places shadows and highlights, shading in the tones, blending the tones, and adding final details.\r\n\r\nRemember, the level of realism you want to achieve is completely up to you. I could have stopped after any one of these four steps and had a \"completed\" realistic drawing. Or, I could have continued adding even more layers of detail for a more realistic effect.\r\n\r\nSo give this a try, and YOU decide when you are ready to call it finished. How realistic can you make your lip drawing?\r\n\r\n ','How to Turn Your Plainly-Drawn Lips into Realistic Lips','','inherit','open','open','','1266-revision-v1','','','2014-07-19 10:39:50','2014-07-19 17:39:50','',1266,'http://www.letsdrawpeople.com/1266-revision-v1/',0,'revision','',0),(1278,2,'2014-07-19 10:41:01','2014-07-19 17:41:01',' ','','','publish','open','closed','','1278','','','2017-06-06 05:25:20','2017-06-06 12:25:20','',14,'http://www.letsdrawpeople.com/?p=1278',5,'nav_menu_item','',0),(1281,2,'2014-07-19 15:54:45','2014-07-19 22:54:45','','hatching','','inherit','open','open','','hatching','','','2014-07-19 15:54:45','2014-07-19 22:54:45','',1253,'http://www.letsdrawpeople.com/wp-content/uploads/2014/07/hatching.jpg',0,'attachment','image/jpeg',0),(1282,2,'2014-07-19 15:54:47','2014-07-19 22:54:47','','scumbling','','inherit','open','open','','scumbling','','','2014-07-19 15:54:47','2014-07-19 22:54:47','',1253,'http://www.letsdrawpeople.com/wp-content/uploads/2014/07/scumbling.jpg',0,'attachment','image/jpeg',0),(1283,2,'2014-07-19 15:54:49','2014-07-19 22:54:49','','shading techniques','','inherit','open','open','','shading-techniques','','','2014-07-19 15:54:49','2014-07-19 22:54:49','',1253,'http://www.letsdrawpeople.com/wp-content/uploads/2014/07/shading-techniques.jpg',0,'attachment','image/jpeg',0),(1284,2,'2014-07-19 15:54:51','2014-07-19 22:54:51','','stippling','','inherit','open','open','','stippling','','','2014-07-19 15:54:51','2014-07-19 22:54:51','',1253,'http://www.letsdrawpeople.com/wp-content/uploads/2014/07/stippling.jpg',0,'attachment','image/jpeg',0),(1285,2,'2014-07-19 16:02:27','2014-07-19 23:02:27','Have you ever wanted to add shading to a drawing of yours but just didn\'t know where to begin?\r\n\r\nLearning how to draw people is a skill that so many budding artists yearn to master. Mastering the shading techniques on a drawing can be daunting. In fact, the prospect of completing an entire shading project is nothing short of terrifying for some people.\r\n\r\nThe best way to get over this hurdle is to realize one basic thing: art is a skill that can be honed over time and with the right amount of practice. When it comes to drawing, particularly when it comes to drawing people, there is no such thing as \"talented artist\" versus \"untalented artist\".\r\n\r\nEveryone has a little artist in them. It\'s all about finding a way to open that portal to your imagination. The great thing about art, and shading in particular, is that no two people will hone their skills in the same way. You can learn the basic techniques associated with shading and put your own spin on them. Creating an amazing drawing is all about portraying the way you perceive things. Exploring the various types of shading is a bit like a journey of self-discovery, in a way.\r\n\r\nIn the following sections, I will share with you five shading techniques. As you read about each one, just know that there are no hard and fast rules saying you HAVE to shade one way over another. Experiment with each and learn how to love the shading process, and in no time you will have mastered the shading process in a way that is entirely your own!\r\n

Contour Shading

\r\n\"contour\"Contour shading is a technique that is all about following the natural lines of your drawing. This particular technique enables you to use your pencil to enhance shadows, light, and depth in your art.\r\n\r\nThe best way to go about it is to complete your line drawing, and then follow the natural lines of the object (or feature or person) you have created. Use a softer pencil for dark shadows and a hard pencil for the lighter, less defined areas.\r\n\r\nThe great thing about contour shading is the amount of freedom you have when completing your pencil drawing. If you prefer a precise approach, use this to your advantage by paying close attention to each and every line. If you prefer a free and abstract sort of approach, you have the opportunity to be as relaxed as you want to be.\r\n\r\nWhen implementing this style, be sure to take your perspective into account. Draw the object exactly as you see it, not how you think someone else would see it from their angle.\r\n

Hatching

\r\n\"hatching\"Hatching is a technique that involves using straight lines in a uniform direction to create different types of light and shade.\r\n\r\nIn order to achieve the look you are going for, consider first drawing a set of thin, parallel lines uniformly in the same direction. In order to make certain sections appear darker, go over them with again and again, until you achieve the desired shade.\r\n\r\nAll you need to master this technique is lots of practice and a steady hand. If the lines are too harsh for your taste, try going over them with a soft brush or tortillon. By blending out the lines you will be able to create a much smoother, subtler look.\r\n

Crosshatching

\r\n\"crosshatching\"This is one of those shading techniques that can be incredibly fun to do, once you get the hang of it. In fact, you might find that the whole process is quite therapeutic.\r\n\r\nEssentially, this technique involves one set of lines overlapping another. Think about it as creating a sort of penciled patchwork.\r\n\r\nWhen you do cross-hatched shading, you will soon learn that you achieve lighter and darker tones by spacing your \"squares\" differently. When the spaces between the lines are larger, more white shows through and this creates a much lighter look. When the spaces are closer together, the shading is denser and therefore looks quite a bit darker and generally more solid.\r\n

Scumbling

\r\n\"scumbling\"Of all the shading techniques, this one is probably more likely to engage your inner child. Essentially, scumbling is used to describe a random, figure-eight style scribble that repeats over and over to create light and dark shades in a pencil drawing.\r\n\r\nSpace your scumbled shading a bit further apart to shade in curly hair or fabrics. Squeeze them closer together for darker, more solid shades. The harder you press, the darker your scumbling will be.\r\n\r\nThis particular technique is often used with abstract drawings, cartoons or caricatures. Use scumbling when you want to throw the usual rules to the wayside and explore the sillier side of artistry.\r\n

Stippling

\r\n\"stippling\"Stippling involves the use of dots to create texture, tone and shadows in a pencil drawing.\r\n\r\nTo create darker shadows and tones, these dots will be denser and darker. For a lighter effect, the dots should be spaced more sparsely.\r\n\r\nIt is probably best to practice stippling with a soft B pencil as this is more likely to adhere to the paper. The darker the pencil, the more dramatic the effect will be.\r\n\r\nThe best way to get uniformly-sized dots on your paper would be to press the graphite nib down and then twist. Do your best to use a completely straight up and down motion; this will prevent an unwanted smudging on the page. To avoid further smudging when you move your hand, try placing a piece of tissue or another piece of paper under your wrist.\r\n

True Artistry Comes with a Price

\r\nThe price you pay for gorgeous shading is this: a good old dose of repetition. If you dream of perfecting any shading technique in the book, you need to spend a fairly large amount of time on honing your skills. It is probably comforting to know that you are probably going to find one particular technique that accurately reflects your style and personality.\r\n\r\nMany artists find the prospect of learning these shading techniques to be uncomfortably daunting. The fact of the matter is that none of this should be stressful. Take the time to use each one of these techniques in one of your drawings. Keep using them and you\'ll soon see that they will become second nature.','Take the Stress Out of Shading with These Pencil Shading Techniques','','inherit','open','open','','1253-revision-v1','','','2014-07-19 16:02:27','2014-07-19 23:02:27','',1253,'http://www.letsdrawpeople.com/1253-revision-v1/',0,'revision','',0),(1286,2,'2014-07-19 16:18:16','2014-07-19 23:18:16','','how to draw a woman featured image','','inherit','open','open','','how-to-draw-a-woman-featured-image','','','2014-07-19 16:18:16','2014-07-19 23:18:16','',968,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/how-to-draw-a-woman-featured-image.jpg',0,'attachment','image/jpeg',0),(1287,2,'2014-07-19 16:18:38','2014-07-19 23:18:38','','how to draw the body featured image','','inherit','open','open','','how-to-draw-the-body-featured-image','','','2014-07-19 16:18:38','2014-07-19 23:18:38','',968,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/how-to-draw-the-body-featured-image.jpg',0,'attachment','image/jpeg',0),(1288,2,'2014-07-19 16:22:36','2014-07-19 23:22:36','Known for his animated and lively artwork from Looney Tunes and Merrie Melodies, Charles Martin Jones perfectly explained the process of drawing. In a famous interview of his, he once stated, \"The whole essence of good drawing -- and of good thinking, perhaps, is to work on a subject down to the simplest form possible and still have it believable for what it is meant to be.\" Essentially, what Charles Martin Jones meant is that art, and in this case the human body, does not need to be elaborate or perfect to be regarded as good work. A simple drawing that is identifiable as the human form is sufficient. Therefore, as this tutorial on how to draw the body progresses, don\'t fret if it isn\'t perfect, and don\'t quit if it isn\'t just right. Eventually, by practicing the following simple steps, you\'ll have the concept down perfectly.\r\n

Figure Drawing -- The Basics

\r\nBefore beginning, there are a few basics that I\'m going to cover. When drawing, proportions are important. They serve as the bones, per say, of the body. In drawing, there is something known as \"The Standard Unit of Measurement,\" or \"SUM.\" Generally, the length of the head, which is the distance from the top of the head to the chin, serves as your SUM. Typically, you\'ll find that the average height of a male or female figure drawing is 8 heads. SUMs of different length can result in variations in height. To ensure your figure is proportional, a tip you may find helpful is to draw 9 horizontal lines on the paper before beginning to draw. This will leave you with 8 SUMs. While there are many different poses that are possible, to keep things simple and at a basic, we are going to assume that the subject is standing straight.\r\n

Proportions to Keep in Mind

\r\nAlthough proportions are an important part of drawing the human body, you should remember that they are only very general, basic guidelines. Each individual person is unique and has his or her own proportions that can vary slightly from these guidelines. So as you draw, you don’t have to measure each shape to ensure it is drawn to the exact centimeter. With that said, here are some approximate general proportions to guide your drawing:\r\n\r\n•The entire body is 8 heads tall.\r\n\r\n•The head and torso are as long as the legs.\r\n\r\n•Hands should go no farther than halfway down the length of the thighs.\r\n\r\n•Thigh and calf are equal length, and so are the lower and upper arms.\r\n\r\n•Even at rest, the arms and legs should not be perfectly straight.\r\n\r\n•A female subject will have a smoother, more \"feminine\" form than the male.\r\n\r\n•A male figure has a proportionately larger rib cage, while a female figure has a proportionately larger pelvis.\r\n\r\n•The shoulder width is about 3 head widths.\r\n\r\n•If the arms are at the figure\'s sides, the wrist aligns with the groin.\r\n\r\n•An open hand is proportional to the head width.\r\n\r\nAlthough it may not seem so, the basic sketch of the human figure is comprised of a melody of basic shapes such as ovals, triangles, and circles. So, let\'s begin with the first steps and create our figure drawing together. I\'ll be creative here and name him Billy. Throughout this tutorial, you\'ll draw Billy with me and see him evolve from what looks like a child-like drawing, to something a bit more professional.\r\n

The Basic Sketch

\r\nAfter drawing the nine marker lines using Billy\'s head as the SUM, I begin drawing my figure as follows.\r\n\r\n•First, begin with the oval-shaped head. Using lined paper works great, as you can keep better track of proportions. According to my sketch, two lines are equal to the length of Billy\'s head. Next, give him a simple neck, which should equal one fourth the length of his head.\r\n

\"01

\r\n•Continuing from the bottom of the neck, sketch an upside down triangle. At the top of this upside down triangle are the shoulders, which remember, are as wide as three of Billy\'s heads. The pointy end of the triangle is where Billy\'s belly button is to be. This triangle is approximately two of Billy\'s heads, or four lines. The bottom of the first of these two heads is the nipple area, and the bottom of the second of the two heads is the belly button.\r\n

\"02

\r\n•After sketching up to the belly button, Billy also needs a groin area. Thus far, the groin area is a simple oval, which is also equal to the length of one head. Also, I\'m going to keep this little tutorial rated G - there will be no guidance on how to draw genitalia.\r\n

\"03

\r\n•Next are the upper thighs.  Beginning from the bottom of the groin area, I\'ve added two nicely shaped ovals, which are each the length of Billy’s head. This section is the fifth head length.\r\n

\"04

\r\n•Continuing with the legs, the next long oval for each leg is going to end up right above the knee.  Because the knee is a joint, mark it as a small circle. This is the sixth head length.\r\n

\"05

\r\n•Moving on, the next oval is the lower leg, and it is an oval that stops just above Billy’s ankle.\r\n

\"06

\r\n•Let us next add ovals for the feet. One regular oval whose bottom is the bottom of Billy\'s foot, and a second, horizontal oval for Billy’s foot.\r\n

\"07

\r\n•Lastly, the final additions are the arms and hands. Make an oval for each upper arm that begins at the shoulder and ends just above the belly button area. From this joint, make another oval that extends to the groin area. Draw an oval to represent each hand, going no farther down than mid-thigh.\r\n

\"08

\r\nIn all, if your figure is 8 heads tall, you should have a rough sketch of Billy comprised of ovals, triangles, and small circles as seen above. Have you been able to follow along so far? Up until now, this tutorial has shown us how to draw the body using shapes as a “skeleton”.\r\n

More than Just Bones

\r\nThe famous author Walt Whitman once said, \"I sing the body electric.\" I suppose you can do as I do, and imagine Billy all of a sudden bust some moves on the page, but such a quote also resonates quite well with the next steps. Essentially, Walt Whitman is pointing to a notion that expresses love and admiration for the human body. It means to enjoy the movements, and the shape, and the image of the body itself. Therefore, as we continue to draw Billy, you don’t have to draw him as what the \"ideal\" human is expected to look like. Draw him as you want him to be (just keep him proportional). Apart from the arms and legs, which essentially leave just the torso and neck, I accentuated them on Billy by giving them shape. In this case, I drew the torso wider and slightly muscular and the neck a bit stumpy. Once you\'ve given your subject\'s torso and neck some shape, it\'s time to continue to the arms and legs.\r\n

\"09

\r\n\r\n

How to Draw Arms

\r\nBoth arms and legs are probably two of the simplest parts of the body to draw. Once your torso is fully drawn, you can take the next step and add detail to the appendages. The shoulders, elbows, and wrists should each be marked by a circle that connects the ovals that you drew for arms and forearms. Rather than leave it in such a vague state, turn the ovals into straight lines that match the outer edges of the circles marked for shoulders, elbows, and wrists. Next, erase away the circles, and you should be left with a full arm. To make things more defined, the forearm should break down into three parts, with each part thinner than the last, with the wrist being the thinnest part.\r\n

\"10

\r\n\r\n

How to Draw Hands

\r\nWhile hands may seem intimidating, they really aren\'t. It\'s all about sketching and practice. There are several methods. One way to draw hands is to begin with a square, attaching sticks for fingers and a small triangle attaching the thumb. If you need guidance, look at your own hand. Your own body is a great tool for learning to draw. Next, sketch the joints along the fingers. Each finger, except for the thumb, has two joints. Add a joint for the wrist, leaving a slightly raised bump for the bone. Give Billy’s hand some skin, and outline the shape of the fingers along the circles. Erase the inner circles and sketches, and you\'re left with a hand that just needs shading, nails, and the appearance of skin. To do this, just look at your own hand and draw what you see.\r\n

\"11

\r\n\r\n

How to Draw Legs

\r\nLike most of the body\'s shape, the shape of legs can also vary. You should already have a circle for the knees. Start with the outside of each leg and sketch the upper thigh and lower leg. The upper thigh should be wide, and as the line reaches the knee, it should become narrower. Then, do the same for the inner legs. Depending on your preferences, you can keep the legs thin or add thickness. Lastly, simply erase the circle and sketch a knee.\r\n

\"12

\r\n\r\n

How to Draw Feet

\r\nUnless you don\'t want our subject to walk, then you\'re going to need to add some feet. As simplicity is the key to this entire tutorial, begin with the ovals attached to the bottom of the leg. The front of the foot and toes should be sketched out. Next, soften the rough lines and give the foot a proper shape. If you drew your character\'s hands, this process should be fairly simple. Upon completing the feet and giving your subject a shape and human appearance, you should have a fully-formed body before you.\r\n

\"13

\r\n\r\n

Practice Makes Perfect

\r\nAs Jackson Brown Jr. once said, \"You can\'t hire someone to practice for you.\" Truer words were never spoken. You really can\'t hire someone to perfect your skill or to turn you into an expert, which is why you need to practice. Through dedication, hard work, and following through with this figure drawing tutorial, you\'ll be able to master how to draw the body in no time. Just adhere to the proportion rules, add joints where necessary, and practice, practice, practice!','Keeping it Simple: The Straight Forward Step-By-Step Guide to Drawing the Body','','inherit','open','open','','909-revision-v1','','','2014-07-19 16:22:36','2014-07-19 23:22:36','',909,'http://www.letsdrawpeople.com/909-revision-v1/',0,'revision','',0),(1289,2,'2014-07-20 16:23:05','2014-07-20 23:23:05','Have you ever wanted to add shading to a drawing of yours but just didn\'t know where to begin?\r\n\r\nLearning how to draw people is a skill that so many budding artists yearn to master. Mastering the shading techniques on a drawing can be daunting. In fact, the prospect of completing an entire shading project is nothing short of terrifying for some people.\r\n\r\nThe best way to get over this hurdle is to realize one basic thing: art is a skill that can be honed over time and with the right amount of practice. When it comes to drawing, particularly when it comes to drawing people, there is no such thing as \"talented artist\" versus \"untalented artist\".\r\n\r\nEveryone has a little artist in them. It\'s all about finding a way to open that portal to your imagination. The great thing about art, and shading in particular, is that no two people will hone their skills in the same way. You can learn the basic techniques associated with shading and put your own spin on them. Creating an amazing drawing is all about portraying the way you perceive things. Exploring the various types of shading is a bit like a journey of self-discovery, in a way.\r\n\r\nIn the following sections, I will share with you five shading techniques. As you read about each one, just know that there are no hard and fast rules saying you HAVE to shade one way over another. Experiment with each and learn how to love the shading process, and in no time you will have mastered the shading process in a way that is entirely your own!\r\n

Contour Shading

\r\n\"contour\"Contour shading is a technique that is all about following the natural lines of your drawing. This particular technique enables you to use your pencil to enhance shadows, light, and depth in your art.\r\n\r\nThe best way to go about it is to complete your line drawing, and then follow the natural lines of the object (or feature or person) you have created. Use a softer pencil for dark shadows and a hard pencil for the lighter, less defined areas.\r\n\r\nThe great thing about contour shading is the amount of freedom you have when completing your pencil drawing. If you prefer a precise approach, use this to your advantage by paying close attention to each and every line. If you prefer a free and abstract sort of approach, you have the opportunity to be as relaxed as you want to be.\r\n\r\nWhen implementing this style, be sure to take your perspective into account. Draw the object exactly as you see it, not how you think someone else would see it from their angle.\r\n

Hatching

\r\n\"hatching\"Hatching is a technique that involves using straight lines in a uniform direction to create different types of light and shade.\r\n\r\nIn order to achieve the look you are going for, consider first drawing a set of thin, parallel lines uniformly in the same direction. In order to make certain sections appear darker, go over them with again and again, until you achieve the desired shade.\r\n\r\nAll you need to master this technique is lots of practice and a steady hand. If the lines are too harsh for your taste, try going over them with a soft brush or tortillon. By blending out the lines you will be able to create a much smoother, subtler look.\r\n

Crosshatching

\r\n\"crosshatching\"This is one of those shading techniques that can be incredibly fun to do, once you get the hang of it. In fact, you might find that the whole process is quite therapeutic.\r\n\r\nEssentially, this technique involves one set of lines overlapping another. Think about it as creating a sort of penciled patchwork.\r\n\r\nWhen you do cross-hatched shading, you will soon learn that you achieve lighter and darker tones by spacing your \"squares\" differently. When the spaces between the lines are larger, more white shows through and this creates a much lighter look. When the spaces are closer together, the shading is denser and therefore looks quite a bit darker and generally more solid.\r\n

Scumbling

\r\n\"scumbling\"Of all the shading techniques, this one is probably more likely to engage your inner child. Essentially, scumbling is used to describe a random, figure-eight style scribble that repeats over and over to create light and dark shades in a pencil drawing.\r\n\r\nSpace your scumbled shading a bit further apart to shade in curly hair or fabrics. Squeeze them closer together for darker, more solid shades. The harder you press, the darker your scumbling will be.\r\n\r\nThis particular technique is often used with abstract drawings, cartoons or caricatures. Use scumbling when you want to throw the usual rules to the wayside and explore the sillier side of artistry.\r\n

Stippling

\r\n\"stippling\"Stippling involves the use of dots to create texture, tone and shadows in a pencil drawing.\r\n\r\nTo create darker shadows and tones, these dots will be denser and darker. For a lighter effect, the dots should be spaced more sparsely.\r\n\r\nIt is probably best to practice stippling with a soft B pencil as this is more likely to adhere to the paper. The darker the pencil, the more dramatic the effect will be.\r\n\r\nThe best way to get uniformly-sized dots on your paper would be to press the graphite nib down and then twist. Do your best to use a completely straight up and down motion; this will prevent an unwanted smudging on the page. To avoid further smudging when you move your hand, try placing a piece of tissue or another piece of paper under your wrist.\r\n

True Artistry Comes with a Price

\r\nThe price you pay for gorgeous shading is this: a good old dose of repetition. If you dream of perfecting any shading technique in the book, you need to spend a fairly large amount of time on honing your skills. It is probably comforting to know that you are probably going to find one particular technique that accurately reflects your style and personality.\r\n\r\nMany artists find the prospect of learning these shading techniques to be uncomfortably daunting. The fact of the matter is that none of this should be stressful. Take the time to use each one of these techniques in one of your drawings. Keep using them and you\'ll soon see that they will become second nature.','Take the Stress Out of Shading with These Pencil Shading Techniques','','inherit','open','open','','1253-autosave-v1','','','2014-07-20 16:23:05','2014-07-20 23:23:05','',1253,'http://www.letsdrawpeople.com/1253-autosave-v1/',0,'revision','',0),(1291,2,'2014-07-26 21:13:47','2014-07-27 04:13:47','

You will need to whitelist our email addresses to ensure you receive updates from us, including those regarding the information you requested or the product you purchased.

\r\n

Follow these directions for Gmail:

\r\n

1. In your inbox, locate an email from Let\'s Draw People or Jack Pearce (for example - your welcome mail or an email about the informational product you just requested). The actual email address will be support@letsdrawpeople.com.

\r\n

2. Drag this email to the “Primary” tab of your inbox (if it is not already there).

\r\n

\"gmail3. You’ll see that our emails will go to your primary folder in the future!

\r\n4. Repeat this process for galleries@letsdrawpeople.com if you submit drawings to our website to share in the galleries.\r\n\r\nFor other email service providers (Yahoo, AOL, etc.) please add us as a contact in your address book. Further instructions can be found here.','Whitelist Instructions','','publish','closed','closed','','whitelist-instructions','','','2015-12-31 18:04:06','2016-01-01 02:04:06','',0,'http://www.letsdrawpeople.com/?page_id=1291',0,'page','',0),(1313,2,'2014-07-29 13:01:19','2014-07-29 20:01:19','','gmail primary','','inherit','open','open','','gmail-primary','','','2014-07-29 13:01:19','2014-07-29 20:01:19','',1291,'http://www.letsdrawpeople.com/wp-content/uploads/2014/07/gmail-primary.png',0,'attachment','image/png',0),(1293,2,'2014-07-26 21:00:15','2014-07-27 04:00:15','

You will need to whitelist email addresses from us to ensure you receive updates from us regarding the information you requested or the product you purchased.

\r\n

Follow These Instructions for Gmail:

\r\n

1. In your inbox, locate an email from support@letsdrawpeople.com (for example - your welcome mail for an informational product you just received).\r\n2. Drag this email to the “Primary” tab of your inbox.

\r\n

\"gmail

','Whitelist Instructions','','inherit','open','open','','1291-revision-v1','','','2014-07-26 21:00:15','2014-07-27 04:00:15','',1291,'http://www.letsdrawpeople.com/1291-revision-v1/',0,'revision','',0),(1294,2,'2014-07-26 21:13:47','2014-07-27 04:13:47','

You will need to whitelist our email addresses to ensure you receive updates from us, including those regarding the information you requested or the product you purchased.

\r\n

Follow these directions for Gmail:

\r\n

1. In your inbox, locate an email from support@letsdrawpeople.com (for example - your welcome mail for an informational product you just received).\r\n2. Drag this email to the “Primary” tab of your inbox.

\r\n

\"gmail

\r\n

\r\n3. You’ll see that our emails will go to your primary folder in the future!\r\n\r\n4. Repeat this process for galleries@letsdrawpeople.com if you submit drawings to our website to share in the galleries.\r\n\r\nFor other email service providers (Yahoo, AOL, etc.) please add us as a contact in your address book. Further instructions can be found here.','Whitelist Instructions','','inherit','open','open','','1291-revision-v1','','','2014-07-26 21:13:47','2014-07-27 04:13:47','',1291,'http://www.letsdrawpeople.com/1291-revision-v1/',0,'revision','',0),(1295,2,'2014-08-01 02:45:16','2014-08-01 09:45:16','

You will need to whitelist our email addresses to ensure you receive updates from us, including those regarding the information you requested or the product you purchased.

\n

Follow these directions for Gmail:

\n

1. In your inbox, locate an email from Let\'s Draw People or Jack Pearce (for example - your welcome mail or an email about the informational product you just requested). The actual email address will be support@letsdrawpeople.com.

\n

2. Drag this email to the “Primary” tab of your inbox (if it is not already there).

\n

\"gmail3. You’ll see that our emails will go to your primary folder in the future!

\n4. Repeat this process for galleries@letsdrawpeople.com if you submit drawings to our website to share in the galleries.\n\nFor other email service providers (Yahoo, AOL, etc.) please add us as a contact in your address book. Further instructions can be found here.','Whitelist Instructions','','inherit','open','open','','1291-autosave-v1','','','2014-08-01 02:45:16','2014-08-01 09:45:16','',1291,'http://www.letsdrawpeople.com/1291-autosave-v1/',0,'revision','',0),(1297,2,'2014-07-26 21:21:52','2014-07-27 04:21:52','

You will need to whitelist our email addresses to ensure you receive updates from us, including those regarding the information you requested or the product you purchased.

\r\n

Follow these directions for Gmail:

\r\n

1. In your inbox, locate an email from support@letsdrawpeople.com (for example - your welcome mail for an informational product you just received).

\r\n

2. Drag this email to the “Primary” tab of your inbox.

\r\n

\"gmail

\r\n

\r\n3. You’ll see that our emails will go to your primary folder in the future!\r\n\r\n4. Repeat this process for galleries@letsdrawpeople.com if you submit drawings to our website to share in the galleries.\r\n\r\nFor other email service providers (Yahoo, AOL, etc.) please add us as a contact in your address book. Further instructions can be found here.','Whitelist Instructions','','inherit','open','open','','1291-revision-v1','','','2014-07-26 21:21:52','2014-07-27 04:21:52','',1291,'http://www.letsdrawpeople.com/1291-revision-v1/',0,'revision','',0),(1312,2,'2014-07-29 12:20:15','2014-07-29 19:20:15','

You will need to whitelist our email addresses to ensure you receive updates from us, including those regarding the information you requested or the product you purchased.

\r\n

Follow these directions for Gmail:

\r\n

1. In your inbox, locate an email from support@letsdrawpeople.com (for example - your welcome mail or an email about the informational product you just requested).

\r\n

2. Drag this email to the “Primary” tab of your inbox.

\r\n

\"gmail

\r\n3. You’ll see that our emails will go to your primary folder in the future!\r\n\r\n4. Repeat this process for galleries@letsdrawpeople.com if you submit drawings to our website to share in the galleries.\r\n\r\nFor other email service providers (Yahoo, AOL, etc.) please add us as a contact in your address book. Further instructions can be found here.','Whitelist Instructions','','inherit','open','open','','1291-revision-v1','','','2014-07-29 12:20:15','2014-07-29 19:20:15','',1291,'http://www.letsdrawpeople.com/1291-revision-v1/',0,'revision','',0),(1298,2,'2014-06-27 09:29:54','2014-06-27 16:29:54','Our faces are made up of different facial features. We have eyes with eyelashes and eyebrows that help convey a certain mood. We have noses of different shapes and sizes. We have mouths that may be smiling, frowning, yelling, or calm. And let\'s not forget the ears and the hair on our heads!\r\n\r\nThis is a gallery where you will not find completed portraits. Instead, you will take a look at drawings that focus only on one or more important features of the face.\r\n\r\nCheck out this gallery if you are struggling with how to draw certain facial features and you want to get inspiration from other artists.\r\n\r\nIf you have your own facial feature drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"1265,707,1623,1933,2216,1639,1616,2590\" orderby=\"rand\"]','Facial Features','','publish','open','open','','facial-features','','','2016-09-11 19:28:44','2016-09-12 02:28:44','',0,'http://www.letsdrawpeople.com/?p=1298',0,'post','',0),(1299,2,'2014-07-27 09:25:11','2014-07-27 16:25:11','Our faces are made up of different facial features. We have eyes with eyelashes and eyebrows that help convey a certain mood. We have noses of different shapes and sizes. We have mouths that may be smiling, frowning, yelling, or calm. And let\'s not forget the ears and the hair on our heads!\r\n\r\nThis is a gallery where you will not find completed portraits. Instead, you will take a look at drawings that focus only on one or more important features of the face.\r\n\r\nCheck out this gallery if you are struggling with how to draw certain facial features and you want to get inspiration from other artists.\r\n\r\nIf you have your own facial feature drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery ids=\"1265,707\" orderby=\"rand\"]','Facial Features','','inherit','open','open','','1298-revision-v1','','','2014-07-27 09:25:11','2014-07-27 16:25:11','',1298,'http://www.letsdrawpeople.com/1298-revision-v1/',0,'revision','',0),(1300,2,'2014-07-27 09:28:44','2014-07-27 16:28:44','Our faces are made up of different facial features. We have eyes with eyelashes and eyebrows that help convey a certain mood. We have noses of different shapes and sizes. We have mouths that may be smiling, frowning, yelling, or calm. And let\'s not forget the ears and the hair on our heads!\r\n\r\nThis is a gallery where you will not find completed portraits. Instead, you will take a look at drawings that focus only on one or more important features of the face.\r\n\r\nCheck out this gallery if you are struggling with how to draw certain facial features and you want to get inspiration from other artists.\r\n\r\nIf you have your own facial feature drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"1265,707\" orderby=\"rand\"]','Facial Features','','inherit','open','open','','1298-revision-v1','','','2014-07-27 09:28:44','2014-07-27 16:28:44','',1298,'http://www.letsdrawpeople.com/1298-revision-v1/',0,'revision','',0),(1301,2,'2014-07-27 09:54:52','2014-07-27 16:54:52','[[\"[caption id=\\\"attachment_652\\\" align=\\\"aligncenter\\\" width=\\\"221\\\"]\\\"\\\"
PORTRAIT DRAWINGS OF CHILDREN<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_783\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
DRAWINGS OF WELL-KNOWN FACES<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_763\\\" align=\\\"aligncenter\\\" width=\\\"216\\\"]\\\"\\\"
FAMILY DRAWINGS<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1026\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
SELF-PORTRAIT DRAWINGS OF ASPIRING ARTISTS<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1204\\\" align=\\\"aligncenter\\\" width=\\\"300\\\"]\\\"\\\"
PEOPLE LIVING IN A FANTASY WORLD<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1265\\\" align=\\\"aligncenter\\\" width=\\\"300\\\"]\\\"\\\"
FACIAL FEATURES<\\/b><\\/center><\\/a>[\\/caption]\"]]','Portrait Galleries','','inherit','open','open','','1084-revision-v1','','','2014-07-27 09:54:52','2014-07-27 16:54:52','',1084,'http://www.letsdrawpeople.com/1084-revision-v1/',0,'revision','',0),(1302,2,'2014-07-27 10:07:33','2014-07-27 17:07:33','[[\"[caption id=\\\"attachment_652\\\" align=\\\"aligncenter\\\" width=\\\"221\\\"]\\\"\\\"
PORTRAIT DRAWINGS OF CHILDREN<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_783\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
DRAWINGS OF WELL-KNOWN FACES<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_763\\\" align=\\\"aligncenter\\\" width=\\\"216\\\"]\\\"\\\"
FAMILY DRAWINGS<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1026\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
SELF-PORTRAIT DRAWINGS OF ASPIRING ARTISTS<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1204\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
PEOPLE LIVING IN A FANTASY WORLD<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1265\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
FACIAL FEATURES<\\/b><\\/center><\\/a>[\\/caption]\"]]','Portrait Galleries','','inherit','open','open','','1084-revision-v1','','','2014-07-27 10:07:33','2014-07-27 17:07:33','',1084,'http://www.letsdrawpeople.com/1084-revision-v1/',0,'revision','',0),(1457,2,'2014-09-05 19:12:16','2014-09-06 02:12:16','Welcome to our gallery of self-portrait drawings! Here you can view drawings by our contributors and visitors...of themselves!\r\n\r\nSelf-portraits are some of the most intriguing types of artwork around. Often times, we as humans see ourselves or think of ourselves differently from how others perceive us. A self-portrait is exactly what the name implies. It is simply a drawing of one\'s own self.\r\n\r\nA self-portrait drawing forces an artist to create an interpretation of oneself. The artist must take a critical look in the mirror and create an image of what the rest of the world sees. At the same time, the artist finds balance and includes those unique elements and features that define who he or she is as a person.\r\n\r\nCome back to this gallery often to see the faces behind those who create our articles and tutorials, as well as the faces that make up our growing audience!\r\n\r\nIf you have your own self-portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"1026,1456\"]','Self-Portrait Drawings of Aspiring Artists','','inherit','open','open','','1060-revision-v1','','','2014-09-05 19:12:16','2014-09-06 02:12:16','',1060,'http://www.letsdrawpeople.com/1060-revision-v1/',0,'revision','',0),(1306,2,'2014-08-05 10:43:20','2014-08-05 17:43:20','
\r\nWatch the talented artist, Giorgio Arcuri, create a masterpiece in \"moments\" as he uses a photograph to draw a family. The subject of this recent piece is fashion designer and model Chiara Ferragni, blogger of \"The Blonde Salad\" and author of the book by the same name.\r\n\r\nWhether you are a beginning or seasoned artist, it is always a good idea to observe the work of others, and to have the opportunity to watch this time lapse of Arcuri\'s portrait is priceless. Remember that this portrait took much longer than the less-than-three minutes it took to watch it. Mr. Arcuri is very skilled and confident in his application of pencil to paper, and you can be assured that this skill has been honed for many years with diligence.\r\n\r\nWhile entertaining to watch, there are a few things we can also learn from the video. The composition starts in pencil, a favorite media for Arcuri. He achieves an amazing range of shades with his pencils. Notice that he starts with the lightest areas of the face and moves to the darker. Also take note that he has at least 3 black pencils in use. Light, fine lines are created with a hard lead (the letter H is on the pencil, and the higher the number, the harder the lead). Softer pencils (labeled with a B) are darker and richer. He uses charcoal for the deepest blacks.\r\n\r\nI would recommend beginning a project like this with a single face. Arcuri flows smoothly from one face to the next, but do you notice his order for drawing the faces? He is generally progressing from top to bottom, left to right. Why do you think this is?\r\n\r\nArcuri has an interesting technique for using color. Rather than making the entire illustration in color, he uses colored pencils for just accents, such as the eyes and lips of the girls. That is his style. Remember that you can learn techniques from different artists, but the fun thing about art is you can stick to those techniques as much or as little as you want to develop your OWN style.\r\n\r\nRemember not to be intimidated by this talented artist, but be inspired instead. His amazing ability to draw a family was not acquired overnight. Start slowly, and view this video and other similar ones. There is always an added layer of challenge when drawing multiple people in a portrait, but if you practice drawing compositions of friends and family from time to time, it will become easier and easier.','Amazing Family Portrait Develops Before Your Eyes','','publish','open','open','','amazing-family-portrait-develops-before-your-eyes','','','2015-07-11 19:47:07','2015-07-12 02:47:07','',0,'http://www.letsdrawpeople.com/?p=1306',0,'post','',0),(2064,2,'2015-07-11 19:36:48','2015-07-12 02:36:48','Watch the talented artist, Giorgio Arcuri, create a masterpiece in \"moments\" as he uses a photograph to draw a family. The subject of this recent piece is fashion designer and model Chiara Ferragni, blogger of \"The Blonde Salad\" and author of the book by the same name.\r\n\r\nWhether you are a beginning or seasoned artist, it is always a good idea to observe the work of others, and to have the opportunity to watch this time lapse of Arcuri\'s portrait is priceless. Remember that this portrait took much longer than the less-than-three minutes it took to watch it. Mr. Arcuri is very skilled and confident in his application of pencil to paper, and you can be assured that this skill has been honed for many years with diligence.\r\n\r\nWhile entertaining to watch, there are a few things we can also learn from the video. The composition starts in pencil, a favorite media for Arcuri. He achieves an amazing range of shades with his pencils. Notice that he starts with the lightest areas of the face and moves to the darker. Also take note that he has at least 3 black pencils in use. Light, fine lines are created with a hard lead (the letter H is on the pencil, and the higher the number, the harder the lead). Softer pencils (labeled with a B) are darker and richer. He uses charcoal for the deepest blacks.\r\n\r\nI would recommend beginning a project like this with a single face. Arcuri flows smoothly from one face to the next, but do you notice his order for drawing the faces? He is generally progressing from top to bottom, left to right. Why do you think this is?\r\n\r\nArcuri has an interesting technique for using color. Rather than making the entire illustration in color, he uses colored pencils for just accents, such as the eyes and lips of the girls. That is his style. Remember that you can learn techniques from different artists, but the fun thing about art is you can stick to those techniques as much or as little as you want to develop your OWN style.\r\n\r\nRemember not to be intimidated by this talented artist, but be inspired instead. His amazing ability to draw a family was not acquired overnight. Start slowly, and view this video and other similar ones. There is always an added layer of challenge when drawing multiple people in a portrait, but if you practice drawing compositions of friends and family from time to time, it will become easier and easier.','Amazing Family Portrait Develops Before Your Eyes','','inherit','open','open','','1306-revision-v1','','','2015-07-11 19:36:48','2015-07-12 02:36:48','',1306,'http://www.letsdrawpeople.com/1306-revision-v1/',0,'revision','',0),(1307,2,'2014-07-29 10:33:19','2014-07-29 17:33:19','\r\n\r\nWatch the talented artist, Giorgio Arcuri, create a masterpiece in \"moments\" as he uses a photograph to draw a family. The subject of this recent piece is fashion designer and model Chiara Ferragni, blogger of \"The Blonde Salad\" and author of the book by the same name.\r\n\r\nWhether you are a beginning or seasoned artist, it is always a good idea to observe the work of others, and to have the opportunity to watch this time lapse of Arcuri\'s portrait is priceless. Remember that this portrait took much longer than the less-than-three minutes it took to watch it. Mr. Arcuri is very skilled and confident in his application of pencil to paper, and you can be assured that this skill has been honed for many years with diligence.\r\n\r\nWhile entertaining to watch, there are a few things we can also learn from the video. The composition starts in pencil, a favorite media for Arcuri. He achieves an amazing range of shades with his pencils. Notice that he starts with the lightest areas of the face and moves to the darker. Also take note that he has at least 3 black pencils in use. Light, fine lines are created with a hard lead (the letter H is on the pencil, and the higher the number, the harder the lead). Softer pencils (labeled with a B) are darker and richer. He uses charcoal for the deepest blacks.\r\n\r\nI would recommend beginning a project like this with a single face. Arcuri flows smoothly from one face to the next, but do you notice his order for drawing the faces? He is generally progressing from top to bottom, left to right. Why do you think this is?\r\n\r\nArcuri has an interesting technique for using color. Rather than making the entire illustration in color, he uses color for just accents, such as the eyes and lips of the girls. That is his style. Remember that you can learn techniques from different artists, but the fun thing about art is you can stick to those techniques as much or as little as you want to develop your OWN style.\r\n\r\nRemember not to be intimidated by this talented artist, but be inspired instead. His amazing ability to draw a family was not acquired overnight. Start slowly, and view this video and other similar ones. There is always an added layer of challenge when drawing multiple people in a portrait, but if you practice drawing compositions of friends and family from time to time, it will become easier and easier.','Amazing Family Portrait Develops Before Your Eyes','','inherit','open','open','','1306-revision-v1','','','2014-07-29 10:33:19','2014-07-29 17:33:19','',1306,'http://www.letsdrawpeople.com/1306-revision-v1/',0,'revision','',0),(1308,2,'2014-07-29 10:34:17','2014-07-29 17:34:17','
Watch the talented artist, Giorgio Arcuri, create a masterpiece in \"moments\" as he uses a photograph to draw a family. The subject of this recent piece is fashion designer and model Chiara Ferragni, blogger of \"The Blonde Salad\" and author of the book by the same name.\r\n\r\nWhether you are a beginning or seasoned artist, it is always a good idea to observe the work of others, and to have the opportunity to watch this time lapse of Arcuri\'s portrait is priceless. Remember that this portrait took much longer than the less-than-three minutes it took to watch it. Mr. Arcuri is very skilled and confident in his application of pencil to paper, and you can be assured that this skill has been honed for many years with diligence.\r\n\r\nWhile entertaining to watch, there are a few things we can also learn from the video. The composition starts in pencil, a favorite media for Arcuri. He achieves an amazing range of shades with his pencils. Notice that he starts with the lightest areas of the face and moves to the darker. Also take note that he has at least 3 black pencils in use. Light, fine lines are created with a hard lead (the letter H is on the pencil, and the higher the number, the harder the lead). Softer pencils (labeled with a B) are darker and richer. He uses charcoal for the deepest blacks.\r\n\r\nI would recommend beginning a project like this with a single face. Arcuri flows smoothly from one face to the next, but do you notice his order for drawing the faces? He is generally progressing from top to bottom, left to right. Why do you think this is?\r\n\r\nArcuri has an interesting technique for using color. Rather than making the entire illustration in color, he uses color for just accents, such as the eyes and lips of the girls. That is his style. Remember that you can learn techniques from different artists, but the fun thing about art is you can stick to those techniques as much or as little as you want to develop your OWN style.\r\n\r\nRemember not to be intimidated by this talented artist, but be inspired instead. His amazing ability to draw a family was not acquired overnight. Start slowly, and view this video and other similar ones. There is always an added layer of challenge when drawing multiple people in a portrait, but if you practice drawing compositions of friends and family from time to time, it will become easier and easier.','Amazing Family Portrait Develops Before Your Eyes','','inherit','open','open','','1306-revision-v1','','','2014-07-29 10:34:17','2014-07-29 17:34:17','',1306,'http://www.letsdrawpeople.com/1306-revision-v1/',0,'revision','',0),(1309,2,'2014-07-29 10:34:58','2014-07-29 17:34:58','\r\n\r\nWatch the talented artist, Giorgio Arcuri, create a masterpiece in \"moments\" as he uses a photograph to draw a family. The subject of this recent piece is fashion designer and model Chiara Ferragni, blogger of \"The Blonde Salad\" and author of the book by the same name.\r\n\r\nWhether you are a beginning or seasoned artist, it is always a good idea to observe the work of others, and to have the opportunity to watch this time lapse of Arcuri\'s portrait is priceless. Remember that this portrait took much longer than the less-than-three minutes it took to watch it. Mr. Arcuri is very skilled and confident in his application of pencil to paper, and you can be assured that this skill has been honed for many years with diligence.\r\n\r\nWhile entertaining to watch, there are a few things we can also learn from the video. The composition starts in pencil, a favorite media for Arcuri. He achieves an amazing range of shades with his pencils. Notice that he starts with the lightest areas of the face and moves to the darker. Also take note that he has at least 3 black pencils in use. Light, fine lines are created with a hard lead (the letter H is on the pencil, and the higher the number, the harder the lead). Softer pencils (labeled with a B) are darker and richer. He uses charcoal for the deepest blacks.\r\n\r\nI would recommend beginning a project like this with a single face. Arcuri flows smoothly from one face to the next, but do you notice his order for drawing the faces? He is generally progressing from top to bottom, left to right. Why do you think this is?\r\n\r\nArcuri has an interesting technique for using color. Rather than making the entire illustration in color, he uses color for just accents, such as the eyes and lips of the girls. That is his style. Remember that you can learn techniques from different artists, but the fun thing about art is you can stick to those techniques as much or as little as you want to develop your OWN style.\r\n\r\nRemember not to be intimidated by this talented artist, but be inspired instead. His amazing ability to draw a family was not acquired overnight. Start slowly, and view this video and other similar ones. There is always an added layer of challenge when drawing multiple people in a portrait, but if you practice drawing compositions of friends and family from time to time, it will become easier and easier.','Amazing Family Portrait Develops Before Your Eyes','','inherit','open','open','','1306-revision-v1','','','2014-07-29 10:34:58','2014-07-29 17:34:58','',1306,'http://www.letsdrawpeople.com/1306-revision-v1/',0,'revision','',0),(1310,2,'2014-07-29 10:51:50','2014-07-29 17:51:50','','draw a family chiara ferragni','','inherit','open','open','','draw-a-family-chiara-ferragni','','','2014-07-29 10:51:50','2014-07-29 17:51:50','',1306,'http://www.letsdrawpeople.com/wp-content/uploads/2014/07/draw-a-family-chiara-ferragni.jpg',0,'attachment','image/jpeg',0),(1311,2,'2014-07-29 10:54:47','2014-07-29 17:54:47','\r\n\r\nWatch the talented artist, Giorgio Arcuri, create a masterpiece in \"moments\" as he uses a photograph to draw a family. The subject of this recent piece is fashion designer and model Chiara Ferragni, blogger of \"The Blonde Salad\" and author of the book by the same name.\r\n\r\nWhether you are a beginning or seasoned artist, it is always a good idea to observe the work of others, and to have the opportunity to watch this time lapse of Arcuri\'s portrait is priceless. Remember that this portrait took much longer than the less-than-three minutes it took to watch it. Mr. Arcuri is very skilled and confident in his application of pencil to paper, and you can be assured that this skill has been honed for many years with diligence.\r\n\r\nWhile entertaining to watch, there are a few things we can also learn from the video. The composition starts in pencil, a favorite media for Arcuri. He achieves an amazing range of shades with his pencils. Notice that he starts with the lightest areas of the face and moves to the darker. Also take note that he has at least 3 black pencils in use. Light, fine lines are created with a hard lead (the letter H is on the pencil, and the higher the number, the harder the lead). Softer pencils (labeled with a B) are darker and richer. He uses charcoal for the deepest blacks.\r\n\r\nI would recommend beginning a project like this with a single face. Arcuri flows smoothly from one face to the next, but do you notice his order for drawing the faces? He is generally progressing from top to bottom, left to right. Why do you think this is?\r\n\r\nArcuri has an interesting technique for using color. Rather than making the entire illustration in color, he uses colored pencils for just accents, such as the eyes and lips of the girls. That is his style. Remember that you can learn techniques from different artists, but the fun thing about art is you can stick to those techniques as much or as little as you want to develop your OWN style.\r\n\r\nRemember not to be intimidated by this talented artist, but be inspired instead. His amazing ability to draw a family was not acquired overnight. Start slowly, and view this video and other similar ones. There is always an added layer of challenge when drawing multiple people in a portrait, but if you practice drawing compositions of friends and family from time to time, it will become easier and easier.','Amazing Family Portrait Develops Before Your Eyes','','inherit','open','open','','1306-revision-v1','','','2014-07-29 10:54:47','2014-07-29 17:54:47','',1306,'http://www.letsdrawpeople.com/1306-revision-v1/',0,'revision','',0),(1315,2,'2014-07-29 13:16:24','2014-07-29 20:16:24','

You will need to whitelist our email addresses to ensure you receive updates from us, including those regarding the information you requested or the product you purchased.

\r\n

Follow these directions for Gmail:

\r\n

1. In your inbox, locate an email from Let\'s Draw People (for example - your welcome mail or an email about the informational product you just requested). The actual email address will be support@letsdrawpeople.com.

\r\n

2. Drag this email to the “Primary” tab of your inbox (if it is not already there).

\r\n

\"gmail3. You’ll see that our emails will go to your primary folder in the future!

\r\n4. Repeat this process for galleries@letsdrawpeople.com if you submit drawings to our website to share in the galleries.\r\n\r\nFor other email service providers (Yahoo, AOL, etc.) please add us as a contact in your address book. Further instructions can be found here.','Whitelist Instructions','','inherit','open','open','','1291-revision-v1','','','2014-07-29 13:16:24','2014-07-29 20:16:24','',1291,'http://www.letsdrawpeople.com/1291-revision-v1/',0,'revision','',0),(1314,2,'2014-07-29 13:07:36','2014-07-29 20:07:36','

You will need to whitelist our email addresses to ensure you receive updates from us, including those regarding the information you requested or the product you purchased.

\r\n

Follow these directions for Gmail:

\r\n

1. In your inbox, locate an email from Let\'s Draw People (for example - your welcome mail or an email about the informational product you just requested). The actual email address will be support@letsdrawpeople.com.

\r\n

2. Drag this email to the “Primary” tab of your inbox (if it is not already there).

\r\n

\"gmail

\r\n

\r\n

\r\n3. You’ll see that our emails will go to your primary folder in the future!\r\n\r\n4. Repeat this process for galleries@letsdrawpeople.com if you submit drawings to our website to share in the galleries.\r\n\r\nFor other email service providers (Yahoo, AOL, etc.) please add us as a contact in your address book. Further instructions can be found here.','Whitelist Instructions','','inherit','open','open','','1291-revision-v1','','','2014-07-29 13:07:36','2014-07-29 20:07:36','',1291,'http://www.letsdrawpeople.com/1291-revision-v1/',0,'revision','',0),(1316,2,'2013-07-29 01:57:28','2013-07-29 08:57:28','[amzn_product_post]','Dusting Brush 10\" - by Quint Graphics','Mini Dusting Brush with 10\" wooden comfort fitting handle that is perfect for the drafting room, home studio or portable drafting kits.','publish','closed','closed','','dusting-brush-10-by-quint-graphics','','','2014-08-02 09:41:30','2014-08-02 16:41:30','',0,'http://www.letsdrawpeople.com/dusting-brush-10-by-quint-graphics/',0,'post','',0),(1318,2,'2014-07-29 18:57:29','2014-07-30 01:57:29','[amzn_product_post]','Dusting Brush 10\" - by Quint Graphics','Mini Dusting Brush with 10\" wooden comfort fitting handle that is perfect for the drafting room, home studio or portable drafting kits.','inherit','open','open','','1316-revision-v1','','','2014-07-29 18:57:29','2014-07-30 01:57:29','',1316,'http://www.letsdrawpeople.com/1316-revision-v1/',0,'revision','',0),(1319,2,'2013-07-29 01:57:29','2013-07-29 08:57:29','[amzn_product_post]','C-Thru 8ths 12-Inch Beveled Transparent Ruler (B-70)','The C-Thru Transparent Ruler is made with clear plastic with beveled edges for smear-free inking. 12 inch ruler in inches and mm.','publish','closed','closed','','c-thru-8ths-12-inch-beveled-transparent-ruler-b-70','','','2014-08-02 09:41:17','2014-08-02 16:41:17','',0,'http://www.letsdrawpeople.com/c-thru-8ths-12-inch-beveled-transparent-ruler-b-70/',0,'post','',0),(1321,2,'2014-07-29 18:57:31','2014-07-30 01:57:31','[amzn_product_post]','C-Thru 8ths 12-Inch Beveled Transparent Ruler (B-70)','The C-Thru Transparent Ruler is made with clear plastic with beveled edges for smear-free inking. 12 inch ruler in inches and mm.','inherit','open','open','','1319-revision-v1','','','2014-07-29 18:57:31','2014-07-30 01:57:31','',1319,'http://www.letsdrawpeople.com/1319-revision-v1/',0,'revision','',0),(1322,2,'2013-07-29 01:57:31','2013-07-29 08:57:31','[amzn_product_post]','Sanford Design Kneaded Eraser','Prismacolor Design Kneaded Rubber Eraser - Lead Pencil Eraser - Rubber - 1/Each - Gray','publish','closed','closed','','sanford-design-kneaded-eraser','','','2014-08-02 09:41:05','2014-08-02 16:41:05','',0,'http://www.letsdrawpeople.com/sanford-design-kneaded-eraser/',0,'post','',0),(1324,2,'2014-07-29 18:57:33','2014-07-30 01:57:33','[amzn_product_post]','Sanford Design Kneaded Eraser','Prismacolor Design Kneaded Rubber Eraser - Lead Pencil Eraser - Rubber - 1/Each - Gray','inherit','open','open','','1322-revision-v1','','','2014-07-29 18:57:33','2014-07-30 01:57:33','',1322,'http://www.letsdrawpeople.com/1322-revision-v1/',0,'revision','',0),(1325,2,'2014-07-29 19:20:51','2014-07-30 02:20:51','','c thru ruler','','inherit','open','open','','c-thru-ruler','','','2014-07-29 19:20:51','2014-07-30 02:20:51','',1322,'http://www.letsdrawpeople.com/wp-content/uploads/2014/07/c-thru-ruler.jpg',0,'attachment','image/jpeg',0),(1326,2,'2014-07-29 19:20:53','2014-07-30 02:20:53','','dusting brush','','inherit','open','open','','dusting-brush','','','2014-07-29 19:20:53','2014-07-30 02:20:53','',1322,'http://www.letsdrawpeople.com/wp-content/uploads/2014/07/dusting-brush.jpg',0,'attachment','image/jpeg',0),(1327,2,'2014-07-29 19:20:56','2014-07-30 02:20:56','','kneaded eraser','','inherit','open','open','','kneaded-eraser','','','2014-07-29 19:20:56','2014-07-30 02:20:56','',1322,'http://www.letsdrawpeople.com/wp-content/uploads/2014/07/kneaded-eraser.jpg',0,'attachment','image/jpeg',0),(1331,2,'2014-08-01 02:46:06','2014-08-01 09:46:06','

You will need to whitelist our email addresses to ensure you receive updates from us, including those regarding the information you requested or the product you purchased.

\r\n

Follow these directions for Gmail:

\r\n

1. In your inbox, locate an email from Let\'s Draw People or Jack Pearce (for example - your welcome mail or an email about the informational product you just requested). The actual email address will be support@letsdrawpeople.com.

\r\n

2. Drag this email to the “Primary” tab of your inbox (if it is not already there).

\r\n

\"gmail3. You’ll see that our emails will go to your primary folder in the future!

\r\n4. Repeat this process for galleries@letsdrawpeople.com if you submit drawings to our website to share in the galleries.\r\n\r\nFor other email service providers (Yahoo, AOL, etc.) please add us as a contact in your address book. Further instructions can be found here.','Whitelist Instructions','','inherit','open','open','','1291-revision-v1','','','2014-08-01 02:46:06','2014-08-01 09:46:06','',1291,'http://www.letsdrawpeople.com/1291-revision-v1/',0,'revision','',0),(1332,2,'2014-08-01 15:53:24','2014-08-01 22:53:24','','indoc inspirational video','','inherit','open','open','','indoc-inspirational-video','','','2014-08-01 15:53:24','2014-08-01 22:53:24','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2014/08/indoc-inspirational-video.jpg',0,'attachment','image/jpeg',0),(1481,2,'2014-10-11 06:24:29','2014-10-11 13:24:29','','word photoshop lesson','','publish','closed','closed','','word-photoshop-lesson','','','2015-01-01 16:48:22','2015-01-02 00:48:22','',0,'http://www.letsdrawpeople.com/?post_type=flowplayer5&p=1481',0,'flowplayer5','',0),(1482,2,'2014-10-12 19:02:33','2014-10-13 02:02:33','

[embed]http://letsdrawpeople.s3.amazonaws.com/word+photoshop+lesson+dnld.mp4[/embed]

\r\n

Download

','How to Make Your Own Custom Grids with Microsoft Word and Adobe Photoshop Elements','','publish','closed','closed','grids2','custom-grids-for-line-drawings','','','2015-07-08 17:28:54','2015-07-09 00:28:54','',0,'http://www.letsdrawpeople.com/?page_id=1482',0,'page','',0),(1483,2,'2014-10-11 06:25:49','2014-10-11 13:25:49','

[flowplayer id=\"1481\"]

','','','inherit','open','open','','1482-revision-v1','','','2014-10-11 06:25:49','2014-10-11 13:25:49','',1482,'http://www.letsdrawpeople.com/1482-revision-v1/',0,'revision','',0),(1396,2,'2015-01-15 19:05:23','2015-01-16 03:05:23','
\n\nIn this video tutorial by Cheri Crawford from DrawingTeachers.com, we learn how to draw a picture of a young man. Even though Cheri often draws people in a more cartoon-like style, she shows us that some carefully planned changes and additions to the original line drawing can leave us with a drawing that is a bit more realistic.\n\nCheri uses a kneaded eraser and a really heavy and dark pencil that shows up better in the video, but she suggests using a lighter pencil. She begins with some proportional guidelines and a line drawing of the face.\n\nAn important observation about drawing a man is noted when Cheri says, \"Masculine features are often very geometrical, in nature and in art.\" She illustrates this point by initially using shapes with sharp angles and edges.\n\nAs the drawing progresses, she makes the cartoonish shapes less exaggerated by softening them, giving the drawing a slightly more realistic feel. Also notice the more shading and detail that\'s placed around the muscle and bone, the more real the drawing begins to appear.\n\nHere\'s the takeaway I get from this video:\n\nIf your line drawing of a man (or even a woman or child) appears more cartoonish than you want, keep working with it by adding layers of shading and detail.\n\nI hope you give it a try!\n\n ','Make a Cartoonish Drawing of a Man\'s Face More Realistic','','inherit','open','open','','1250-autosave-v1','','','2015-01-15 19:05:23','2015-01-16 03:05:23','',1250,'http://www.letsdrawpeople.com/1250-autosave-v1/',0,'revision','',0),(1340,2,'2014-08-02 18:17:31','2014-08-03 01:17:31','
Tripwire  - How to Make Realistic Line Drawings of Any Face\r\n\r\n\"\"
','paypal','','private','open','open','','paypal','','','2014-08-06 22:54:44','2014-08-07 05:54:44','',0,'http://www.letsdrawpeople.com/?page_id=1340',0,'page','',0),(1341,2,'2014-08-02 18:14:32','2014-08-03 01:14:32','
\r\n\r\n\r\n\r\n\"\"\r\n
\r\n','','','inherit','open','open','','1340-revision-v1','','','2014-08-02 18:14:32','2014-08-03 01:14:32','',1340,'http://www.letsdrawpeople.com/1340-revision-v1/',0,'revision','',0),(1342,2,'2014-08-02 18:17:31','2014-08-03 01:17:31','
\r\n\r\n\r\n\r\n\"\"\r\n
\r\n','paypal','','inherit','open','open','','1340-revision-v1','','','2014-08-02 18:17:31','2014-08-03 01:17:31','',1340,'http://www.letsdrawpeople.com/1340-revision-v1/',0,'revision','',0),(1379,2,'2014-08-06 22:54:44','2014-08-07 05:54:44','
Tripwire  - How to Make Realistic Line Drawings of Any Face\r\n\r\n\"\"
','paypal','','inherit','open','open','','1340-revision-v1','','','2014-08-06 22:54:44','2014-08-07 05:54:44','',1340,'http://www.letsdrawpeople.com/1340-revision-v1/',0,'revision','',0),(1343,2,'2014-08-02 18:18:01','2014-08-03 01:18:01','
Tripwire - How to Make Realistic Line Drawings of Any Face\r\n\r\n\r\n\"\"
','paypal','','inherit','open','open','','1340-revision-v1','','','2014-08-02 18:18:01','2014-08-03 01:18:01','',1340,'http://www.letsdrawpeople.com/1340-revision-v1/',0,'revision','',0),(1348,2,'2014-08-02 19:29:59','2014-08-03 02:29:59','

\"anyYou are well on your way to drawing wonderfully detailed pictures of family, friends, or anyone you want!

\r\n

Within a few minutes, you will receive an [ACCESS] email with download directions.

\r\n

While you wait, see how to change your line drawings into something even more incredible...

\r\n \r\n\r\n[redirect url=\'http://www.letsdrawpeople.com/more/how-to-draw-realistic-portraits-from-photographs/ \' sec=\'20\']','Thank You for Purchasing \"How to Make Realistic Line Drawings of Any Face\"!','','private','closed','closed','','how-to-draw-realistic-portraits-from-photographs1','','','2015-07-07 17:06:56','2015-07-08 00:06:56','',0,'http://www.letsdrawpeople.com/?page_id=1348',0,'page','',0),(1349,2,'2014-08-02 19:23:46','2014-08-03 02:23:46','Thank you for purchasing TW. Check out the CO you will see in just a few seconds...','tw thank you co ','','inherit','open','open','','1348-revision-v1','','','2014-08-02 19:23:46','2014-08-03 02:23:46','',1348,'http://www.letsdrawpeople.com/1348-revision-v1/',0,'revision','',0),(1350,2,'2014-08-02 19:26:37','2014-08-03 02:26:37','Thank you for purchasing TW. Check out the affiliate CO you will see in just a few seconds...','tw thank you co ','','inherit','open','open','','1348-revision-v1','','','2014-08-02 19:26:37','2014-08-03 02:26:37','',1348,'http://www.letsdrawpeople.com/1348-revision-v1/',0,'revision','',0),(1485,2,'2014-10-11 06:37:06','2014-10-11 13:37:06','http://letsdrawpeople.s3.amazonaws.com/word+photoshop+lesson+dnld.mp4','','','inherit','open','open','','1482-revision-v1','','','2014-10-11 06:37:06','2014-10-11 13:37:06','',1482,'http://www.letsdrawpeople.com/1482-revision-v1/',0,'revision','',0),(1385,2,'2014-08-17 20:52:34','2014-08-18 03:52:34','

\"anyYou are well on your way to drawing wonderfully detailed pictures of family, friends, or anyone you want!

\r\n

Within a few minutes, you will receive an [ACCESS] email with download directions.

\r\n

While you wait, see how to change your line drawings into something even more incredible...

\r\n \r\n\r\n[redirect url=\'http://www.letsdrawpeople.com/more/how-to-draw-realistic-portraits-from-photographs/ \' sec=\'20\']','Thank You for Purchasing \"How to Make Realistic Line Drawings of Any Face\"!','','inherit','open','open','','1348-autosave-v1','','','2014-08-17 20:52:34','2014-08-18 03:52:34','',1348,'http://www.letsdrawpeople.com/1348-autosave-v1/',0,'revision','',0),(1353,2,'2014-08-02 19:46:01','2014-08-03 02:46:01','Thank you for purchasing TW. Check out the affiliate CO you will see in just a few seconds...\r\n\r\n[redirect url=\'http://www.letsdrawpeople.com/more/how-to-draw-realistic-portraits-from-photographs/ \' sec=\'15\']','tw thank you co','','inherit','open','open','','1348-revision-v1','','','2014-08-02 19:46:01','2014-08-03 02:46:01','',1348,'http://www.letsdrawpeople.com/1348-revision-v1/',0,'revision','',0),(1456,2,'2014-09-05 19:10:55','2014-09-06 02:10:55','','Self Portrait (resize)','\"Silent Rebellion\" by Anonymous','inherit','open','open','','self-portrait-resize','','','2014-09-05 19:10:55','2014-09-06 02:10:55','',1060,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/Self-Portrait-resize.jpg',0,'attachment','image/jpeg',0),(2950,15,'2016-02-02 17:46:21','2016-02-03 01:46:21','          Ok guys, round three of the facial feature tutorial for color pencils; another quick but effective one. Let’s hop on it. The mouth is a fairly simply organ to draw. There are differences in both a man’s and woman’s lips and we will look at both differences and approach both contrasts in diverse ways. As a child the mouth was simple to draw; just draw a simple horizontal line across the bottom of the face and call it a day. As you progress into an artist, you understood that a lip formation was necessary not to mention teeth and gums. We’ll look at three examples and hopefully you’ll understand the method. With that being said I welcome any veteran artist to supply any suggestions to me that would help me – there is a certain way how I do the mouth and if someone has a different approach, I’m willing to listen.\r\n\r\n\"Scan0001\"\r\n\r\nThe first picture shows the basics. This, in my opinion, is how you start drawing out the mouth of a female. Female lips are full and the top and bottom lips need to be illustrated fully. Keep in mind this will be in color pencil so make sure you make the lines lite or use a Blu Tack erasure to lighten the marks later. \r\n\r\n\"Scan0002\"\r\n\r\nIn this picture, you got two things going on here: first off you want to darken where the opening and closing of lips are. Here I use a tortillion to smudge the line to show some soft shading. I also use it at both of the corners of the mouth. I then start to add Col-Erase Scarlet Red to the top lip. I think it should be mention as I did in previous articles that using Col-Erase color pencils or Prismacolor pencils will show up way better on a scan picture then Sargent color pencil. I’m so done with that product. No wonder you can get them real cheap – you get what you pay for.\r\n\r\n[caption id=\"attachment_2955\" align=\"alignnone\" width=\"300\"]\"Scan0003\" Before computer smoothing[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2954\" align=\"alignnone\" width=\"300\"]\"Scan0013\" After computer smoothing[/caption]\r\n\r\nOK so in this picture, the lips are basically done. I added more markings to the lips and left some areas white to show glare and highlight. It’s safe to say that in this stage, you would burnish the picture. Just in case you forgot, burnishing is when you take a white pencil or any real light pencil (Prismacolor Cream or Cloud Blue are also good burnishing tools) and color over it to mimic a blending. Also don’t forget, you can you a colorless blender as well.\r\n\r\n\"Scan0004\"\r\n\r\n \r\n\r\nHere’s another example; this time we’ll do a mouth illustrating a smile. We start off simple at first. It really looks like much is not going on here; even no teeth are drawn in but it gets more complex as we move along. \r\n\r\n\"Scan0005\"\r\n\r\nHere we focus on forming the gums and teeth with Col-Erase Black pencil and Pink pencil. When forming the teeth, do not draw straight, continuous lines. You want to break up the lines some on each one to illustrate some shading and angle. Draw a little bit of it, stop and move done some if room permitting (also use the Col-Erase black pencil). You want to add some markings at the bottom of the teeth so it helps show form of the teeth. When forming the gums make sure you are forming arches near the top with the pink pencil.\r\n\r\n[caption id=\"attachment_2958\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Before computer smoothing[/caption]\r\n\r\n[caption id=\"attachment_2959\" align=\"alignnone\" width=\"300\"]\"Scan0014\" After computer smoothing[/caption]\r\n\r\n \r\n\r\n            In this last picture of this example, I added Col-Erase Scarlet Red to the majority of the lip taking care to lead some spots un-touch to illustrate glare. Also, I did the upper lip different this time; I did the markings horizontal while still keeping the traditional vertical lines on the bottom. Usually the top lip has a darker tone and lesser glare then the lower lip. Usually I keep that rule in mind when doing the lips and that’s why I tend to stray to this technique of coloring the lips.\r\n\r\n\"Scan0007\"\r\n\r\nThe last example we’ll look at is a man’s lip. Men’s lips are less fuller and smaller. We approach these lips by drawing the shaded parting of the lips and smaller top lip, but we only add some shading near the bottom of the lip to create the illusion that there is a bottom lip but its formation isn’t necessary.\r\n\r\n\"Scan0008\"\r\n\r\n          We then take a CLEAN tortillion and shade the bottom shade of the lip (in case I didn’t mention, Col-Erase pencils can blend and shade like regular B&W graphite pencils). While you still have the tortillion, smudge/shade the line that separates the top and bottom lip. You then want to add color to the upper lip. Start off first with Prismacolor Blush Pink at the corners and then extend out just a little. You then want to switch pencils and color the rest of the top lip with Prismacolor Beige Peach; you then want to go back and lightly color in some blush pink over the whole top lip. After that’s done, add more shading to form the bottom lip; use Prismacolor Dark Brown.\r\n\r\n\"Scan0015\"\r\n\r\n \r\n\r\nThe last thing you can do is the “Carlos” method if you want. Burnish it and then load it up on your computer and digitally smooth it out if that’s the look you’re going for. Other than that, you’re done. See you guys in the next tutorial!\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Drawing the Mouth in Color Pencil','','pending','closed','open','','','','','2016-06-18 09:49:00','2016-06-18 16:49:00','',0,'http://www.letsdrawpeople.com/?p=2950',0,'post','',0),(1504,2,'2014-12-31 23:25:25','2015-01-01 07:25:25','

[flowplayer id=\"1521\"]

\r\n

Download

','Here are 5 Ways to Shade a Face','','publish','closed','closed','shading5','5-ways-to-shade-a-face','','','2015-07-08 13:46:00','2015-07-08 20:46:00','',0,'http://www.letsdrawpeople.com/?page_id=1504',0,'page','',0),(1633,2,'2015-02-09 18:58:30','2015-02-10 02:58:30','','1601072_675113022533633_1768502826_n','\"David Bowie\" by Veronica Peter','inherit','open','open','','1601072_675113022533633_1768502826_n','','','2015-02-09 18:59:05','2015-02-10 02:59:05','',659,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/1601072_675113022533633_1768502826_n.jpg',0,'attachment','image/jpeg',0),(1634,2,'2015-02-09 19:00:19','2015-02-10 03:00:19','Use these drawings of celebrities and prominent people as examples of how to capture the likenesses of well-known people. Remember that when you are trying to draw people well enough and detailed enough for them to be recognizable as the intended person, it is often helpful to practice by drawing famous faces. I mean, what better test of your drawing skills than to show your work to people who immediately know who you were trying to draw, right?\r\n\r\nYou will see familiar drawings of different skill levels and different levels of detail in this gallery. Some drawings you may recognize, while others you may not. No matter how much or how little a drawing here captures a resemblance, take the opportunity to learn something from each piece. Some questions you may ask yourself as you view this gallery are:\r\n
    \r\n
  • Which obvious features did the artist include to help make the famous face easily recognizable?
    • \r\n
  • Which details or subtle facial characteristics did the artist include to obtain such an accurate likeness of the subject?
    • \r\n
  •  What could the artist have done differently to make a better representation of the celebrity?
    • \r\n
\r\nThank you in advance to all artists who contribute their drawings of well-known faces to this gallery! Remember, too, that it\'s okay if your drawing doesn\'t come out perfectly or to your satisfaction. I am still hard on myself with some of my work, and I always see something I could have done differently for better results (even with my own drawings in this gallery!). The important thing to remember is, you should always feel good about sharing your artwork, celebrate your strengths, and learn from your mistakes.\r\n\r\nIf you have your own celebrity portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"759,753,734,799,798,797,796,790,791,792,793,794,789,788,787,786,785,784,783,795,1171,1633\" orderby=\"rand\"]','Drawings of Well-Known Faces','','inherit','open','open','','659-revision-v1','','','2015-02-09 19:00:19','2015-02-10 03:00:19','',659,'http://www.letsdrawpeople.com/659-revision-v1/',0,'revision','',0),(1506,2,'2014-12-31 23:25:25','2015-01-01 07:25:25','

[embed]http://letsdrawpeople.s3.amazonaws.com/5+ways+to+shade.mp4[/embed]

\r\n

Download

','Here are 5 Ways to Shade a Face','','inherit','open','open','','1504-revision-v1','','','2014-12-31 23:25:25','2015-01-01 07:25:25','',1504,'http://www.letsdrawpeople.com/1504-revision-v1/',0,'revision','',0),(1364,2,'2014-08-05 09:45:17','2014-08-05 16:45:17','
Tripwire  - How to Make Realistic Line Drawings of Any Face\r\n\r\n\r\n\"\"
','paypal','','inherit','open','open','','1340-revision-v1','','','2014-08-05 09:45:17','2014-08-05 16:45:17','',1340,'http://www.letsdrawpeople.com/1340-revision-v1/',0,'revision','',0),(1609,2,'2015-01-23 20:21:22','2015-01-24 04:21:22','

Welcome to the \"Drawings of Models\" gallery!

\r\n

Models make a living out of posing for the camera. So, it is only fitting that artists use them to pose for drawings!

\r\n

When a photographer takes a picture of a model, he or she attempts to capture a particular mood. The artist drawing from a photograph of a model also attempts to capture this same mood, while also capturing the likeness of the model.

\r\n

If you have your own drawing of a model that you want others to view in this gallery, see how to share it with us.

\r\n[gallery link=\"file\" ids=\"1610,2289,2419\" orderby=\"rand\"]','Drawings of Models','','publish','open','open','','drawings-of-models','','','2016-01-23 23:55:17','2016-01-24 07:55:17','',0,'http://www.letsdrawpeople.com/?p=1609',0,'post','',0),(1505,2,'2014-12-31 14:06:09','2014-12-31 22:06:09','','Here are 5 Ways to Shade a Face','','inherit','open','open','','1504-revision-v1','','','2014-12-31 14:06:09','2014-12-31 22:06:09','',1504,'http://www.letsdrawpeople.com/1504-revision-v1/',0,'revision','',0),(2212,2,'2015-08-08 10:45:11','2015-08-08 17:45:11','It is important to remember that teeth are very unique from one person to the next. These unique characteristics of teeth play a large part in shaping a person\'s appearance.','This Childhood Shortcut Will Show You How to Draw Teeth','','inherit','open','open','','2211-revision-v1','','','2015-08-08 10:45:11','2015-08-08 17:45:11','',2211,'http://www.letsdrawpeople.com/2211-revision-v1/',0,'revision','',0),(1499,2,'2014-12-20 00:08:58','2014-12-20 08:08:58','','proportions sketching life webform 500x125','','inherit','open','open','','proportions-sketching-life-webform-500x125','','','2014-12-20 00:08:58','2014-12-20 08:08:58','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2014/12/proportions-sketching-life-webform-500x125.jpg',0,'attachment','image/jpeg',0),(1486,2,'2014-10-11 06:38:26','2014-10-11 13:38:26','[embed]http://letsdrawpeople.s3.amazonaws.com/word+photoshop+lesson+dnld.mp4[/embed]','','','inherit','open','open','','1482-revision-v1','','','2014-10-11 06:38:26','2014-10-11 13:38:26','',1482,'http://www.letsdrawpeople.com/1482-revision-v1/',0,'revision','',0),(1484,2,'2014-10-11 06:36:23','2014-10-11 13:36:23','https://letsdrawpeople.s3.amazonaws.com/word+photoshop+lesson+dnld.mp4','','','inherit','open','open','','1482-revision-v1','','','2014-10-11 06:36:23','2014-10-11 13:36:23','',1482,'http://www.letsdrawpeople.com/1482-revision-v1/',0,'revision','',0),(1478,2,'2014-10-10 22:35:50','0000-00-00 00:00:00','[video width=\"1280\" height=\"720\" mp4=\"http://www.letsdrawpeople.com/wp-content/uploads/2014/10/word-photoshop-lesson-dnld.mp4\"][/video]','dnld','','draft','open','open','','','','','2014-10-10 22:35:50','2014-10-11 05:35:50','',0,'http://www.letsdrawpeople.com/?page_id=1478',0,'page','',0),(1479,2,'2014-10-10 22:33:55','2014-10-11 05:33:55','[video width=\"1280\" height=\"720\" mp4=\"http://www.letsdrawpeople.com/wp-content/uploads/2014/10/word-photoshop-lesson-dnld.mp4\"][/video]','dnld','','inherit','open','open','','1478-revision-v1','','','2014-10-10 22:33:55','2014-10-11 05:33:55','',1478,'http://www.letsdrawpeople.com/1478-revision-v1/',0,'revision','',0),(1399,2,'2014-08-13 22:22:57','2014-08-14 05:22:57','

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\r\n','Almost Done!','','private','closed','closed','','how-to-draw-realistic-portraits-from-photographs0','','','2015-07-07 17:06:08','2015-07-08 00:06:08','',0,'http://www.letsdrawpeople.com/?page_id=1399',0,'page','',0),(1497,2,'2014-12-19 23:55:14','2014-12-20 07:55:14','','proportions sketching life webform 500x62','','inherit','open','open','','proportions-sketching-life-webform-500x62','','','2014-12-19 23:55:14','2014-12-20 07:55:14','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2014/12/proportions-sketching-life-webform-500x62.jpg',0,'attachment','image/jpeg',0),(1498,2,'2014-12-20 00:08:42','2014-12-20 08:08:42','','proportions sketching life webform 728x90','','inherit','open','open','','proportions-sketching-life-webform-728x90','','','2014-12-20 00:08:42','2014-12-20 08:08:42','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2014/12/proportions-sketching-life-webform-728x90.jpg',0,'attachment','image/jpeg',0),(1382,2,'2014-08-07 21:49:23','2014-08-08 04:49:23','Last Updated: May 11, 2014\r\n\r\nKeen Milestones (\"Keen Milestones\") operates LetsDrawPeople.com and may operate other websites. It is Keen Milestones\' policy to respect your privacy regarding any information we may collect while operating our websites.\r\n

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\r\nLike most website operators, Keen Milestones collects non-personally-identifying information of the sort that web browsers and servers typically make available, such as the browser type, language preference, referring site, and the date and time of each visitor request. Keen Milestones\' purpose in collecting non-personally identifying information is to better understand how Keen Milestones\' visitors use its website. From time to time, Keen Milestones may release non-personally-identifying information in the aggregate, e.g., by publishing a report on trends in the usage of its website.\r\n\r\nKeen Milestones also collects potentially personally-identifying information like Internet Protocol (IP) addresses for logged in users and for users leaving comments on LetsDrawPeople.com. Keen Milestones only discloses logged in user and commenter IP addresses under the same circumstances that it uses and discloses personally-identifying information as described below, except that commenter IP addresses are visible and disclosed to the administrators of the blog/site where the comment was left.\r\n

Gathering of Personally-Identifying Information

\r\nCertain visitors to Keen Milestones\' websites choose to interact with Keen Milestones in ways that require Keen Milestones to gather personally-identifying information. The amount and type of information that Keen Milestones gathers depends on the nature of the interaction. For example, we ask visitors who sign up to receive informational products from LetsDrawPeople.com to provide an email address. Those who engage in transactions with Keen Milestones are asked to provide additional information, including as necessary the personal and financial information required to process those transactions. In each case, Keen Milestones collects such information only insofar as is necessary or appropriate to fulfill the purpose of the visitor\'s interaction with Keen Milestones. Keen Milestones does not disclose personally-identifying information other than as described below. And visitors can always refuse to supply personally-identifying information, with the caveat that it may prevent them from engaging in certain website-related activities.\r\n

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\r\nKeen Milestones discloses potentially personally-identifying and personally-identifying information only to those of its employees, contractors, and affiliated organizations that (i) need to know that information in order to process it on Keen Milestones\' behalf or to provide services available at Keen Milestones\' websites, and (ii) that have agreed not to disclose it to others. Some of those employees, contractors, and affiliated organizations may be located outside of your home country; by using Keen Milestones\' websites, you consent to the transfer of such information to them. Keen Milestones will not rent or sell potentially personally-identifying and personally-identifying information to anyone. Other than to its employees, contractors, and affiliated organizations, as described above, Keen Milestones discloses potentially personally-identifying and personally-identifying information only in response to a subpoena, court order, or other governmental request, or when Keen Milestones believes in good faith that disclosure is reasonably necessary to protect the property or rights of Keen Milestones, third parties, or the public at large. If you are a registered user of a Keen Milestones website and have supplied your email address, Keen Milestones may occasionally send you an email to tell you about new features, solicit your feedback, or just keep you up to date with what\'s going on with Keen Milestones and our products. If you send us a request (for example via email or via one of our feedback mechanisms), we reserve the right to publish it in order to help us clarify or respond to your request or to help us support other users. Keen Milestones takes all measures reasonably necessary to protect against the unauthorized access, use, alteration or destruction of potentially personally-identifying and personally-identifying information.\r\n

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\r\nWe are in compliance with the requirements of COPPA (Childrens Online Privacy Protection Act). We do not collect any information from anyone under 13 years of age. Our website, products and services are all directed to people who are at least 13 years old or older.\r\n

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\r\nA cookie is a string of information that a website stores on a visitor\'s computer, and that the visitor\'s browser provides to the website each time the visitor returns. Keen Milestones uses cookies to help Keen Milestones identify and track visitors, their usage of Keen Milestones website, and their website access preferences. Keen Milestones visitors who do not wish to have cookies placed on their computers should set their browsers to refuse cookies before using Keen Milestones\' websites, with the drawback that certain features of Keen Milestones\' websites may not function properly without the aid of cookies.\r\n

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\r\nIf Keen Milestones, or substantially all of its assets, were acquired, or in the unlikely event that Keen Milestones goes out of business or enters bankruptcy, user information would be one of the assets that is transferred or acquired by a third party. You acknowledge that such transfers may occur, and that any acquirer of Keen Milestones may continue to use your personal information as set forth in this policy.\r\n

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\r\nAds appearing on any of our websites may be delivered to users by advertising partners, who may set cookies. These cookies allow the ad server to recognize your computer each time they send you an online advertisement to compile information about you or others who use your computer. This information allows ad networks to, among other things, deliver targeted advertisements that they believe will be of most interest to you. This Privacy Policy covers the use of cookies by Keen Milestones and does not cover the use of cookies by any advertisers.\r\n

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\r\nYou may opt-out of receiving communications from us and/or our partners by not submitting your information. We also allow you to remove your information from our marketing lists. If you remove your information from our lists, it will no longer be used by us to send promotional correspondence to you. You can remove your information from our marketing lists by clicking on the “Unsubscribe” link at the bottom of every email we send you.\r\n

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\r\nAlthough most changes are likely to be minor, Keen Milestones may change its Privacy Policy from time to time, and in Keen Milestones\' sole discretion. Keen Milestones encourages visitors to frequently check this page for any changes to its Privacy Policy. Your continued use of this site after any change in this will constitute your acceptance of such change.','Privacy Policy','','inherit','open','open','','14-revision-v1','','','2014-08-07 21:49:23','2014-08-08 04:49:23','',14,'http://www.letsdrawpeople.com/14-revision-v1/',0,'revision','',0),(1386,2,'2014-08-08 22:18:44','2014-08-09 05:18:44','','any face guide 3d','','inherit','open','open','','tw-any-face-3d','','','2014-08-08 22:18:44','2014-08-09 05:18:44','',1348,'http://www.letsdrawpeople.com/wp-content/uploads/2014/08/tw-any-face-3d.png',0,'attachment','image/png',0),(1388,2,'2014-08-08 22:28:57','2014-08-09 05:28:57','

\"anyThank you for purchasing \"How to Make Realistic Line Drawings of Any Face\". Very shortly, you will receive an [ACCESS] email with download directions.

\r\n

While you wait, you will soon see how to change your line drawing into something even more incredible...

\r\n \r\n\r\n[redirect url=\'http://www.letsdrawpeople.com/more/how-to-draw-realistic-portraits-from-photographs/ \' sec=\'15\']','Thank You for Your Purchase!','','inherit','open','open','','1348-revision-v1','','','2014-08-08 22:28:57','2014-08-09 05:28:57','',1348,'http://www.letsdrawpeople.com/1348-revision-v1/',0,'revision','',0),(1387,2,'2014-08-08 22:27:53','2014-08-09 05:27:53','

\"anyThank you for purchasing \"How to Make Realistic Line Drawings of Any Face\". Very shortly, you will receive an [ACCESS] email with download directions.

\r\n

While you wait, you will soon see how to change your line drawing into something even more incredible...

\r\n

\r\n

[redirect url=\'http://www.letsdrawpeople.com/more/how-to-draw-realistic-portraits-from-photographs/ \' sec=\'15\']

','Thank You for Your Purchase!','','inherit','open','open','','1348-revision-v1','','','2014-08-08 22:27:53','2014-08-09 05:27:53','',1348,'http://www.letsdrawpeople.com/1348-revision-v1/',0,'revision','',0),(1390,2,'2014-08-08 22:32:02','2014-08-09 05:32:02','

\"anyThank you for purchasing \"How to Make Realistic Line Drawings of Any Face\". 

\r\n

Very shortly, you will receive an [ACCESS] email with download directions.

\r\n

While you wait, you will soon see how to change your line drawing into something even more incredible...

\r\n \r\n\r\n[redirect url=\'http://www.letsdrawpeople.com/more/how-to-draw-realistic-portraits-from-photographs/ \' sec=\'15\']','Thank You for Your Purchase!','','inherit','open','open','','1348-revision-v1','','','2014-08-08 22:32:02','2014-08-09 05:32:02','',1348,'http://www.letsdrawpeople.com/1348-revision-v1/',0,'revision','',0),(1389,2,'2014-08-08 22:29:53','2014-08-09 05:29:53','

\"anyThank you for purchasing \"How to Make Realistic Line Drawings of Any Face\". 

\r\n

Very shortly, you will receive an [ACCESS] email with download directions.

\r\n

While you wait, you will soon see how to change your line drawing into something even more incredible...

\r\n[redirect url=\'http://www.letsdrawpeople.com/more/how-to-draw-realistic-portraits-from-photographs/ \' sec=\'15\']','Thank You for Your Purchase!','','inherit','open','open','','1348-revision-v1','','','2014-08-08 22:29:53','2014-08-09 05:29:53','',1348,'http://www.letsdrawpeople.com/1348-revision-v1/',0,'revision','',0),(1392,2,'2014-08-08 23:12:36','2014-08-09 06:12:36','','facial features checklist graphic 3pg webform','','inherit','open','open','','facial-features-checklist-graphic-3pg-webform','','','2014-08-08 23:12:36','2014-08-09 06:12:36','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2014/08/facial-features-checklist-graphic-3pg-webform.jpg',0,'attachment','image/jpeg',0),(1394,2,'2014-08-09 00:06:25','2014-08-09 07:06:25','','face drawing checklist webform','','inherit','open','open','','face-drawing-checklist-webform','','','2014-08-09 00:06:25','2014-08-09 07:06:25','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2014/08/face-drawing-checklist-webform.jpg',0,'attachment','image/jpeg',0),(1395,2,'2014-08-09 12:51:45','2014-08-09 19:51:45','

\"anyYou are well on your way to drawing wonderfully detailed pictures of family, friends, or anyone you want!

\r\n

Within a few minutes, you will receive an [ACCESS] email with download directions.

\r\n

While you wait, see how to change your line drawings into something even more incredible...

\r\n \r\n\r\n[redirect url=\'http://www.letsdrawpeople.com/more/how-to-draw-realistic-portraits-from-photographs/ \' sec=\'20\']','Thank You for Purchasing \"How to Make Realistic Line Drawings of Any Face\"!','','inherit','open','open','','1348-revision-v1','','','2014-08-09 12:51:45','2014-08-09 19:51:45','',1348,'http://www.letsdrawpeople.com/1348-revision-v1/',0,'revision','',0),(1397,2,'2014-08-10 17:33:58','2014-08-11 00:33:58','\r\n\r\nIn this video tutorial by Cheri Crawford from DrawingTeachers.com, we learn how to draw a picture of a young man. Even though Cheri often draws people in a more cartoon-like style, she shows us that some carefully planned changes and additions to the original line drawing can leave us with a drawing that is a bit more realistic.\r\n\r\nCheri uses a kneaded eraser and a really heavy and dark pencil that shows up better in the video, but she suggests using a lighter pencil. She begins with some proportional guidelines and a line drawing of the face.\r\n\r\nAn important observation about drawing a man is noted when Cheri says, \"Masculine features are often very geometrical, in nature and in art.\" She illustrates this point by initially using shapes with sharp angles and edges.\r\n\r\nAs the drawing progresses, she makes the cartoonish shapes less exaggerated by softening them, giving the drawing a slightly more realistic feel. Also notice the more shading and detail that\'s placed around the muscle and bone, the more real the drawing begins to appear.\r\n\r\nHere\'s the takeaway I get from this video:\r\n\r\nIf your line drawing of a man (or even a woman or child) appears more cartoonish than you want, keep working with it by adding layers of shading and detail.\r\n\r\nI hope you give it a try!\r\n\r\n ','Make a Cartoonish Drawing of a Man\'s Face More Realistic','','inherit','open','open','','1250-revision-v1','','','2014-08-10 17:33:58','2014-08-11 00:33:58','',1250,'http://www.letsdrawpeople.com/1250-revision-v1/',0,'revision','',0),(1400,2,'2014-08-13 22:18:36','2014-08-14 05:18:36','

Be sure to check your Inbox and click on the confirmation link to receive information about your topic, including download instructions.

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','Almost Done!','','inherit','open','open','','1399-revision-v1','','','2014-08-13 22:18:36','2014-08-14 05:18:36','',1399,'http://www.letsdrawpeople.com/1399-revision-v1/',0,'revision','',0),(1402,2,'2014-08-13 22:22:21','2014-08-14 05:22:21','

Be sure to check your Inbox and click on the Confirmation Link to receive information about your topic, including download instructions!

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Check your Bulk Folder if you do not see the confirmation email in your Inbox.

','Almost Done!','','inherit','open','open','','1399-revision-v1','','','2014-08-13 22:22:21','2014-08-14 05:22:21','',1399,'http://www.letsdrawpeople.com/1399-revision-v1/',0,'revision','',0),(1401,2,'2014-08-13 22:21:32','2014-08-14 05:21:32','

Be sure to check your Inbox and click on the Confirmation Link to receive information about your topic, including download instructions!

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Check your Bulk Folder if you do not see the confirmation email in your Inbox.

','Almost Done!','','inherit','open','open','','1399-revision-v1','','','2014-08-13 22:21:32','2014-08-14 05:21:32','',1399,'http://www.letsdrawpeople.com/1399-revision-v1/',0,'revision','',0),(1406,2,'2014-08-28 20:49:50','2014-08-29 03:49:50','So much of the success that comes with drawing people depends on getting the proportions right. Child proportions in particular can be intimidating for beginners and even some more experienced artists.\r\n\r\nThere really does seem to be more involved in creating an image of a child than there is with a drawing of an adult. Of course, with a few nifty tips you could be well on your way to creating pictures of children of any age, from a tiny tot all the way up to a nearly-adult teenager.\r\n

Know Your Proportions

\r\nWhile there is no exact science to drawing people, there are a few proportion-related guidelines that can help you. Keep in mind that you can be a tad bit flexible with these, for they are rough guidelines.\r\n\r\nFor drawing purposes, artists generally refer to and draw adults as 8 heads tall for simplicity. In flesh and bone reality, most adults are around 7 1/2 heads tall, and some may be a little closer to 7 heads tall!\r\n\r\nA small child from around a year old to its final toddler years (3-4 years old) will be approximately 4 heads tall. After the toddler years to around age 10, the child should be roughly between 5 and 6 heads tall. Young teens are generally about 7 heads tall.\r\n\r\n[caption id=\"attachment_1426\" align=\"aligncenter\" width=\"568\"]\"These These drawings depict a one-year-old baby and a 4-year-old girl, both 4 heads tall. The 6-year-old boy is 5 heads tall.[/caption]\r\n\r\n[caption id=\"attachment_1427\" align=\"aligncenter\" width=\"483\"]\"In In these real-life examples, you can see the 10-year-old boy is 6 heads tall, while the high school teen is around 7 heads tall.[/caption]\r\n\r\nActual head size is another important factor when it comes to drawing children. If an adult\'s head size in a drawing is 9 inches, then a baby\'s head size should be about 6 inches (depending on its age). As always, use your judgment within the different age groups.\r\n\r\n\"mom\r\n\r\nWhen coming to terms with child proportions, from an artistic point of view, it will be worth your while to take some time to observe photographs of people and the people around you. Invest a little effort in really looking at them.\r\n\r\nYou will probably notice that a child\'s head, for example, is much larger in proportion to its body. In adults, the head to body proportions are completely different. Remember that a large head on an adult would serve only to dwarf the body.\r\n\r\nA way to get used to drawing children correctly is to apply a theory of relative proportion. Use a smaller object that you are able to draw easily and use it in proportion to a larger object. A ball might be a good choice, although even a piece of fruit would work. Place the small object next to a larger one and practice sketching the objects together. Once you have the hang of it, apply the same theory to a child and an accompanying toy, or use a picture or a family photo.\r\n

Modifying the Look

\r\nGenerally speaking, an artist will be more comfortable with subjects that they are accustomed to. This is why it is often easier for an adult to draw a person of a similar age. Familiarity breeds comfort, or at least it does for me.\r\n\r\nWhen drawing a child, you may need to adjust the look of the image to add a more youthful appearance. It is not enough to simply adjust the proportions as mentioned above.\r\n\r\nA child\'s eyes will often be a little larger than an adult\'s. Think of it as the \"wide-eyed nature of childlike curiosity\". Most young children also have a distinct lack of muscular definition, which instead is replaced with slight pudginess or baby fat.\r\n\r\nChildren also have much smaller hands and slightly stubby-looking fingers. A baby will have tiny, almost marshmallow-like hands, whereas an adult will have bonier, more defined fingers.\r\n

Put Your Knowledge Into Practice

\r\nWhen learning any new drawing skills, the best way to apply your knowledge is to get some practice in. Drawing child proportions is no different.\r\n\r\nTake some time to do a few free-hand sketches to get your vague proportion sizes right. Try to remember that the legs should always extend at about twice the rate of the torso when the person in your picture is standing upright. Be sure to apply the skill of \"counting heads\" in an effort to get the size just right!','A Look at Child Proportions: from Toddler to Teen','','publish','open','open','','a-look-at-child-proportions-from-toddler-to-teen','','','2014-08-28 20:49:50','2014-08-29 03:49:50','',0,'http://www.letsdrawpeople.com/?p=1406',0,'post','',2),(1426,2,'2014-08-28 20:22:12','2014-08-29 03:22:12','','child height proportions 1yr 4yr 6yr','These drawings depict a one-year-old baby (left) and a 4-year-old girl (center), both 4 heads tall. The 6-year-old boy (right) is 5 heads tall.','inherit','open','open','','child-height-proportions-1yr-4yr-6yr','','','2014-08-28 20:22:12','2014-08-29 03:22:12','',1406,'http://www.letsdrawpeople.com/wp-content/uploads/2014/08/child-height-proportions-1yr-4yr-6yr.jpg',0,'attachment','image/jpeg',0),(1411,2,'2014-08-16 07:15:07','2014-08-16 14:15:07','So much of the success that comes with drawing people depends on getting the proportions right. Child proportions in particular can be intimidating for beginners and even some more experienced artists.\r\n\r\nThere really does seem to be more involved in creating an image of a child than there is with a drawing of an adult. Of course, with a few nifty tips you could be well on your way to creating pictures of children of any age, from a tiny tot all the way up to a nearly-adult teenager.\r\n

Know Your Proportions

\r\nWhile there is no exact science to drawing people, there are a few proportion-related guidelines that can help you. Keep in mind that you can be a tad bit flexible with these, for they are rough guidelines.\r\n\r\nFor drawing purposes, artists generally refer to and draw adults as 8 heads tall for simplicity. In flesh and bone reality, many adults are about 8 heads tall, many others are 7 1/2 heads tall, and some may be a little closer to 7 heads tall!\r\n\r\nA small child from around a year old to its final toddler years (3-4 years old) will be approximately 4 heads tall. After the toddler years to around age 10, the child should be roughly between 5 and 6 heads tall. Young teens are generally about 7 heads tall.\r\n\r\n[*****pic of baby, 4 yr old girl, 6 year old boy on scooter, 10 year old boy, and teenage girl***]\r\n\r\nActual head size is another important factor when it comes to drawing children. If an adult\'s head size in a drawing is 9 inches, then a baby\'s head size should be about 6 inches (depending on its age). As always, use your judgement within the different age groups.\r\n\r\n[*****pic of mom and baby***]\r\n\r\nWhen coming to terms with child proportions, from an artistic point of view, it will be worth your while to take some time to observe photographs of people and the people around you. Invest a little effort in really looking at them.\r\n\r\nYou will probably notice that a child\'s head, for example, is much larger in proportion to its body. In adults, the head to body proportions are completely different. Remember that a large head on an adult would serve only to dwarf the body.\r\n\r\nA way to get used to drawing children correctly is to apply a theory of relative proportion. Use a smaller object that you are able to draw easily and use it in proportion to a larger object. A ball might be a good choice, although even a piece of fruit would work. Place the small object next to a larger one and practice sketching the objects together. Once you have the hang of it, apply the same theory to a child and an accompanying toy, or use a picture or a family photo.\r\n

Modifying the Look

\r\nGenerally speaking, an artist will be more comfortable with subjects that they are accustomed to. This is why it is often easier for an adult to draw a person of a similar age. Familiarity breeds comfort, or at least it does for me.\r\n\r\nWhen drawing a child, you may need to adjust the look of the image to add a more youthful appearance. It is not enough to simply adjust the proportions as mentioned above.\r\n\r\nA child\'s eyes will often be a little larger than an adult\'s. Think of it as the \"wide-eyed nature of childlike curiosity\". Most young children also have a distinct lack of muscular definition, which instead is replaced with slight pudginess or baby fat.\r\n\r\nChildren also have much smaller hands and slightly stubby-looking fingers. A baby will have tiny, almost marshmallow-like hands, whereas an adult will have bonier, more defined fingers.\r\n

[*****baby hands***]

\r\n\r\n

Put Your Knowledge Into Practice

\r\nWhen learning any new drawing skills, the best way to apply your knowledge is to get some practice in. Drawing child proportions is no different.\r\n\r\nTake some time to do a few free-hand sketches to get your vague proportion sizes right. Try to remember that the legs should always extend at about twice the rate of the torso when the person in your picture is standing upright. Be sure to apply the skill of \"counting heads\" in an effort to get the size just right!','A Look at Child Proportions: from Toddler to Teen','','inherit','open','open','','1406-revision-v1','','','2014-08-16 07:15:07','2014-08-16 14:15:07','',1406,'http://www.letsdrawpeople.com/1406-revision-v1/',0,'revision','',0),(1407,2,'2014-08-14 21:24:26','2014-08-15 04:24:26','Drawing is a skill that takes practice. Learning how to draw people, and getting the proportions right, is less about talent and more about getting to grips with the technique. Child proportions in particular are quite daunting for novices and seasoned artists alike. There really does seem to be so much more involved in creating an image of a child than there is with a drawing of an adult. Of course, with a few nifty tips and tricks you could be well on your way to creating pictures of any human form, from a tiny tot all the way up to the surliest teenager.\r\n\r\nKnow Your Proportions\r\n\r\nWhile there is no exact science to drawing people, there are a few proportion-related guidelines to adhere to. For drawing purposes, adults are generally around 8 heads tall, while a small child of around a year old will be approximately 4 heads tall. Between the toddler years and around 10 years old, the child should be between 5 and 6 heads tall. Young teens are generally 7 or so heads tall. When considering child proportions it is always best to use your common sense -- that is really the best way to go about it.\r\n\r\nActual head size is another important factor when it comes to drawing children. If an adult\'s head size in a drawing is 9 inches, then a baby\'s head size should be about 4 - 5 inches (depending on its age). As always, use your judgement within the different age groups. While it might seem bizarre that a one year old\'s head should be around 6 inches, only slightly less than the size of an adult\'s, you need to bear in mind that body proportions are different at different times in our lives.\r\n\r\nWhen coming to terms with child proportions, from an artistic point of view, it will be worth your while to take some time to observe people around you. Invest a little effort in really looking at them. You will probably notice that a child\'s head, for example, is much larger in proportion to its body. In adults, the head to body proportions are completely different. Remember that a large head on an adult would serve only to dwarf the body.\r\n\r\nA way to get used to drawing children correctly is to apply a theory of relative proportion. Use a smaller object that you are able to draw easily and use it in proportion to a larger object. A ball might be a good choice, although even a piece of fruit would suffice. Place the small object next to a larger one and practice sketching the objects together. Once you have the hang of it, apply the same theory to a child and an accompanying toy- or use the same box you used in the previous exercise. If you do not have a small child that can stand next to the object while you practise sketching, use a picture or a family photo.\r\nModifying the Look\r\n\r\nGenerally speaking, an artist will be more comfortable with subjects that they are accustomed to. This is why it is often easier for an adult to draw a person of a similar age. Familiarity breeds comfort, or at least it does for me. When drawing a child, you may need to adjust the look of the image to add a more youthful appearance. It is not enough to simply adjust the proportions as mentioned above, lest you run the risk of drawing a \"little person\" rather than a toddler.\r\n\r\nA child\'s eyes will often be a little larger than an adult\'s. Think of it as the \"wide eyed nature of childlike curiosity\". Most young children also have a distinct lack of muscular definition, which instead is replaced with slight pudginess or baby fat. Children also have much smaller hands and slightly stubby-looking fingers. A baby will have tiny, almost marshmallow-like hands, whereas an adult will have bonier, more defined fingers. Fingernails on children are never too distinct or prominent, so it is best to try and avoid too much attention to detail in that department.\r\n\r\nPut Your Knowledge Into Practice\r\n\r\nWhen learning any new drawing skills, the best way to apply your knowledge is to get some practise in. Drawing child proportions is no different. Take some time to do a few free-hand sketches to get your vague proportion sizes right. Try to remember that the legs should always extend at about twice the rate of the torso when the person in your picture is standing upright. Be sure to apply the skill you learnt of \"counting heads\" in an effort to get the size just right.\r\n\r\nOnce you are comfortable with your free hand sketching skills, you should attempt to add in more detail. Shading can be a great way to add depth to your drawing, enhancing the proportions you wish to highlight.','A Look at Child Proportions: from Toddler to Teen','','inherit','open','open','','1406-revision-v1','','','2014-08-14 21:24:26','2014-08-15 04:24:26','',1406,'http://www.letsdrawpeople.com/1406-revision-v1/',0,'revision','',0),(1408,2,'2014-08-15 21:07:36','2014-08-16 04:07:36','So much of the success that comes with drawing people depends on getting the proportions right. Child proportions in particular can be intimidating for beginners and even some more experienced artists.\r\n\r\nThere really does seem to be more involved in creating an image of a child than there is with a drawing of an adult. Of course, with a few nifty tips you could be well on your way to creating pictures of children of any age, from a tiny tot all the way up to a nearly-adult teenager.\r\n

Know Your Proportions

\r\nWhile there is no exact science to drawing people, there are a few proportion-related guidelines that can help you. Keep in mind that you can be a tad bit flexible with these, for they are rough guidelines.\r\n\r\nFor drawing purposes, artists generally refer to and draw adults as 8 heads tall for simplicity. In flesh and bone reality, however, adults are typically 7 to 7 1/2 heads tall.\r\n\r\nA small child from around a year old to its final toddler years (3-4 years old) will be approximately 4 heads tall. After the toddler years to around age 10, the child should be roughly between 5 and 6 heads tall. Young teens are generally about 7 heads tall.\r\n\r\n[*****pic of baby, 4 yr old girl, 6 year old boy on scooter, 10 year old boy, and teenage girl***]\r\n\r\nActual head size is another important factor when it comes to drawing children. If an adult\'s head size in a drawing is 9 inches, then a baby\'s head size should be about 4 - 5 inches (depending on its age). As always, use your judgement within the different age groups. While it might seem bizarre that a one year old\'s head should be around 6 inches, only slightly less than the size of an adult\'s, you need to bear in mind that body proportions are different at different times in our lives.\r\n\r\nWhen coming to terms with child proportions, from an artistic point of view, it will be worth your while to take some time to observe people around you. Invest a little effort in really looking at them. You will probably notice that a child\'s head, for example, is much larger in proportion to its body. In adults, the head to body proportions are completely different. Remember that a large head on an adult would serve only to dwarf the body.\r\n\r\nA way to get used to drawing children correctly is to apply a theory of relative proportion. Use a smaller object that you are able to draw easily and use it in proportion to a larger object. A ball might be a good choice, although even a piece of fruit would suffice. Place the small object next to a larger one and practice sketching the objects together. Once you have the hang of it, apply the same theory to a child and an accompanying toy- or use the same box you used in the previous exercise. If you do not have a small child that can stand next to the object while you practice sketching, use a picture or a family photo.\r\nModifying the Look\r\n\r\nGenerally speaking, an artist will be more comfortable with subjects that they are accustomed to. This is why it is often easier for an adult to draw a person of a similar age. Familiarity breeds comfort, or at least it does for me. When drawing a child, you may need to adjust the look of the image to add a more youthful appearance. It is not enough to simply adjust the proportions as mentioned above, lest you run the risk of drawing a \"little person\" rather than a toddler.\r\n\r\nA child\'s eyes will often be a little larger than an adult\'s. Think of it as the \"wide-eyed nature of childlike curiosity\". Most young children also have a distinct lack of muscular definition, which instead is replaced with slight pudginess or baby fat. Children also have much smaller hands and slightly stubby-looking fingers. A baby will have tiny, almost marshmallow-like hands, whereas an adult will have bonier, more defined fingers. Fingernails on children are never too distinct or prominent, so it is best to try and avoid too much attention to detail in that department.\r\n\r\nPut Your Knowledge Into Practice\r\n\r\nWhen learning any new drawing skills, the best way to apply your knowledge is to get some practice in. Drawing child proportions is no different. Take some time to do a few free-hand sketches to get your vague proportion sizes right. Try to remember that the legs should always extend at about twice the rate of the torso when the person in your picture is standing upright. Be sure to apply the skill of \"counting heads\" in an effort to get the size just right.\r\n\r\nOnce you are comfortable with your free hand sketching skills, you should attempt to add in more detail. Shading can be a great way to add depth to your drawing, enhancing the proportions you wish to highlight.','A Look at Child Proportions: from Toddler to Teen','','inherit','open','open','','1406-revision-v1','','','2014-08-15 21:07:36','2014-08-16 04:07:36','',1406,'http://www.letsdrawpeople.com/1406-revision-v1/',0,'revision','',0),(1409,2,'2014-08-15 21:10:34','2014-08-16 04:10:34','So much of the success that comes with drawing people depends on getting the proportions right. Child proportions in particular can be intimidating for beginners and even some more experienced artists.\r\n\r\nThere really does seem to be more involved in creating an image of a child than there is with a drawing of an adult. Of course, with a few nifty tips you could be well on your way to creating pictures of children of any age, from a tiny tot all the way up to a nearly-adult teenager.\r\n

Know Your Proportions

\r\nWhile there is no exact science to drawing people, there are a few proportion-related guidelines that can help you. Keep in mind that you can be a tad bit flexible with these, for they are rough guidelines.\r\n\r\nFor drawing purposes, artists generally refer to and draw adults as 8 heads tall for simplicity. In flesh and bone reality, however, adults are typically 7 to 7 1/2 heads tall.\r\n\r\nA small child from around a year old to its final toddler years (3-4 years old) will be approximately 4 heads tall. After the toddler years to around age 10, the child should be roughly between 5 and 6 heads tall. Young teens are generally about 7 heads tall.\r\n\r\n[*****pic of baby, 4 yr old girl, 6 year old boy on scooter, 10 year old boy, and teenage girl***]\r\n\r\nActual head size is another important factor when it comes to drawing children. If an adult\'s head size in a drawing is 9 inches, then a baby\'s head size should be about 4 - 5 inches (depending on its age). As always, use your judgement within the different age groups. While it might seem bizarre that a one year old\'s head should be around 6 inches, only slightly less than the size of an adult\'s, you need to bear in mind that body proportions are different at different times in our lives.\r\n\r\n*****\r\n\r\nWhen coming to terms with child proportions, from an artistic point of view, it will be worth your while to take some time to observe people around you. Invest a little effort in really looking at them. You will probably notice that a child\'s head, for example, is much larger in proportion to its body. In adults, the head to body proportions are completely different. Remember that a large head on an adult would serve only to dwarf the body.\r\n\r\nA way to get used to drawing children correctly is to apply a theory of relative proportion. Use a smaller object that you are able to draw easily and use it in proportion to a larger object. A ball might be a good choice, although even a piece of fruit would suffice. Place the small object next to a larger one and practice sketching the objects together. Once you have the hang of it, apply the same theory to a child and an accompanying toy- or use the same box you used in the previous exercise. If you do not have a small child that can stand next to the object while you practice sketching, use a picture or a family photo.\r\nModifying the Look\r\n\r\nGenerally speaking, an artist will be more comfortable with subjects that they are accustomed to. This is why it is often easier for an adult to draw a person of a similar age. Familiarity breeds comfort, or at least it does for me. When drawing a child, you may need to adjust the look of the image to add a more youthful appearance. It is not enough to simply adjust the proportions as mentioned above, lest you run the risk of drawing a \"little person\" rather than a toddler.\r\n\r\nA child\'s eyes will often be a little larger than an adult\'s. Think of it as the \"wide-eyed nature of childlike curiosity\". Most young children also have a distinct lack of muscular definition, which instead is replaced with slight pudginess or baby fat. Children also have much smaller hands and slightly stubby-looking fingers. A baby will have tiny, almost marshmallow-like hands, whereas an adult will have bonier, more defined fingers. Fingernails on children are never too distinct or prominent, so it is best to try and avoid too much attention to detail in that department.\r\n\r\nPut Your Knowledge Into Practice\r\n\r\nWhen learning any new drawing skills, the best way to apply your knowledge is to get some practice in. Drawing child proportions is no different. Take some time to do a few free-hand sketches to get your vague proportion sizes right. Try to remember that the legs should always extend at about twice the rate of the torso when the person in your picture is standing upright. Be sure to apply the skill of \"counting heads\" in an effort to get the size just right.\r\n\r\nOnce you are comfortable with your free hand sketching skills, you should attempt to add in more detail. Shading can be a great way to add depth to your drawing, enhancing the proportions you wish to highlight.','A Look at Child Proportions: from Toddler to Teen','','inherit','open','open','','1406-revision-v1','','','2014-08-15 21:10:34','2014-08-16 04:10:34','',1406,'http://www.letsdrawpeople.com/1406-revision-v1/',0,'revision','',0),(1410,2,'2014-08-16 06:42:56','2014-08-16 13:42:56','So much of the success that comes with drawing people depends on getting the proportions right. Child proportions in particular can be intimidating for beginners and even some more experienced artists.\r\n\r\nThere really does seem to be more involved in creating an image of a child than there is with a drawing of an adult. Of course, with a few nifty tips you could be well on your way to creating pictures of children of any age, from a tiny tot all the way up to a nearly-adult teenager.\r\n

Know Your Proportions

\r\nWhile there is no exact science to drawing people, there are a few proportion-related guidelines that can help you. Keep in mind that you can be a tad bit flexible with these, for they are rough guidelines.\r\n\r\nFor drawing purposes, artists generally refer to and draw adults as 8 heads tall for simplicity. In flesh and bone reality, many adults are about 8 heads tall, many others are 7 1/2 heads tall, and some may be a little closer to 7 heads tall!\r\n\r\nA small child from around a year old to its final toddler years (3-4 years old) will be approximately 4 heads tall. After the toddler years to around age 10, the child should be roughly between 5 and 6 heads tall. Young teens are generally about 7 heads tall.\r\n\r\n[*****pic of baby, 4 yr old girl, 6 year old boy on scooter, 10 year old boy, and teenage girl***]\r\n\r\nActual head size is another important factor when it comes to drawing children. If an adult\'s head size in a drawing is 9 inches, then a baby\'s head size should be about 4 - 5 inches (depending on its age). As always, use your judgement within the different age groups.\r\n\r\nWhile it might seem bizarre that a one year old\'s head should be around 6 inches, only slightly less than the size of an adult\'s, you need to bear in mind that body proportions are different at different times in our lives.\r\n\r\n*****\r\n\r\nWhen coming to terms with child proportions, from an artistic point of view, it will be worth your while to take some time to observe people around you. Invest a little effort in really looking at them. You will probably notice that a child\'s head, for example, is much larger in proportion to its body. In adults, the head to body proportions are completely different. Remember that a large head on an adult would serve only to dwarf the body.\r\n\r\nA way to get used to drawing children correctly is to apply a theory of relative proportion. Use a smaller object that you are able to draw easily and use it in proportion to a larger object. A ball might be a good choice, although even a piece of fruit would suffice. Place the small object next to a larger one and practice sketching the objects together. Once you have the hang of it, apply the same theory to a child and an accompanying toy- or use the same box you used in the previous exercise. If you do not have a small child that can stand next to the object while you practice sketching, use a picture or a family photo.\r\nModifying the Look\r\n\r\nGenerally speaking, an artist will be more comfortable with subjects that they are accustomed to. This is why it is often easier for an adult to draw a person of a similar age. Familiarity breeds comfort, or at least it does for me. When drawing a child, you may need to adjust the look of the image to add a more youthful appearance. It is not enough to simply adjust the proportions as mentioned above, lest you run the risk of drawing a \"little person\" rather than a toddler.\r\n\r\nA child\'s eyes will often be a little larger than an adult\'s. Think of it as the \"wide-eyed nature of childlike curiosity\". Most young children also have a distinct lack of muscular definition, which instead is replaced with slight pudginess or baby fat. Children also have much smaller hands and slightly stubby-looking fingers. A baby will have tiny, almost marshmallow-like hands, whereas an adult will have bonier, more defined fingers. Fingernails on children are never too distinct or prominent, so it is best to try and avoid too much attention to detail in that department.\r\n\r\nPut Your Knowledge Into Practice\r\n\r\nWhen learning any new drawing skills, the best way to apply your knowledge is to get some practice in. Drawing child proportions is no different. Take some time to do a few free-hand sketches to get your vague proportion sizes right. Try to remember that the legs should always extend at about twice the rate of the torso when the person in your picture is standing upright. Be sure to apply the skill of \"counting heads\" in an effort to get the size just right.\r\n\r\nOnce you are comfortable with your free hand sketching skills, you should attempt to add in more detail. Shading can be a great way to add depth to your drawing, enhancing the proportions you wish to highlight.','A Look at Child Proportions: from Toddler to Teen','','inherit','open','open','','1406-revision-v1','','','2014-08-16 06:42:56','2014-08-16 13:42:56','',1406,'http://www.letsdrawpeople.com/1406-revision-v1/',0,'revision','',0),(1455,2,'2014-09-03 06:23:01','2014-09-03 13:23:01','

Please complete the form below to get more information about your topic and purchase, including your [ACCESS] email with download instructions for...

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\r\n','Almost Done!','','inherit','open','open','','1399-revision-v1','','','2014-09-03 06:23:01','2014-09-03 13:23:01','',1399,'http://www.letsdrawpeople.com/1399-revision-v1/',0,'revision','',0),(1413,2,'2014-08-17 20:50:23','2014-08-18 03:50:23','

Please create an account below to get more information about your topic and purchase, including your [ACCESS] email with download instructions for...

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\r\n','Almost Done!','','inherit','open','open','','1399-revision-v1','','','2014-08-17 20:50:23','2014-08-18 03:50:23','',1399,'http://www.letsdrawpeople.com/1399-revision-v1/',0,'revision','',0),(1414,2,'2014-08-17 20:52:22','2014-08-18 03:52:22','

\"anyYou are well on your way to drawing wonderfully detailed pictures of family, friends, or anyone you want!

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Within a few minutes, you will receive an [ACCESS] email with download directions.

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While you wait, see how to change your line drawings into something even more incredible...

\r\n \r\n\r\n[redirect url=\'http://www.letsdrawpeople.com/more/how-to-draw-realistic-portraits-from-photographs/ \' sec=\'20\']','Thank You for Purchasing \"How to Make Realistic Line Drawings of Any Face\"!','','inherit','open','open','','1348-revision-v1','','','2014-08-17 20:52:22','2014-08-18 03:52:22','',1348,'http://www.letsdrawpeople.com/1348-revision-v1/',0,'revision','',0),(3467,2,'2017-05-04 05:30:00','2017-05-04 12:30:00','Hello Karthik and Nandini!\r\n\r\nAs I put together recurring tasks that I would like you to do for me that may require specific instructions and/or visual demonstrations, I will post them here. This is a private page on my main website. Please keep the link to this webpage handy, and refer to the content below as often as needed.\r\n\r\nThank you for all of your help!\r\n\r\n-Jack\r\n

How to Edit an Audio File

\r\n','Virtual Assistant Task Training Videos','','inherit','closed','closed','','3455-revision-v1','','','2017-05-04 05:30:00','2017-05-04 12:30:00','',3455,'http://www.letsdrawpeople.com/3455-revision-v1/',0,'revision','',0),(3468,2,'2017-05-05 06:04:41','2017-05-05 13:04:41','Last Updated: May 5, 2017\r\n\r\nLet\'s Draw People (\"Let\'s Draw People\") operates LetsDrawPeople.com. It is Let\'s Draw People\'s policy to respect your privacy regarding any information we may collect while operating this website.\r\n

Website Visitors

\r\nLike most website operators, Let\'s Draw People collects non-personally-identifying information of the sort that web browsers and servers typically make available, such as the browser type, language preference, referring site, and the date and time of each visitor request. Let\'s Draw People\'s purpose in collecting non-personally identifying information is to better understand how Let\'s Draw People\'s visitors use its website. From time to time, Let\'s Draw People may release non-personally-identifying information in the aggregate, e.g., by publishing a report on trends in the usage of its website.\r\n\r\nLet\'s Draw People also collects potentially personally-identifying information like Internet Protocol (IP) addresses for logged in users and for users leaving comments on LetsDrawPeople.com. Let\'s Draw People only discloses logged in user and commenter IP addresses under the same circumstances that it uses and discloses personally-identifying information as described below, except that commenter IP addresses are visible and disclosed to the administrators of the blog/site where the comment was left.\r\n

Gathering of Personally-Identifying Information

\r\nCertain visitors to LetsDrawPeople.com choose to interact with Let\'s Draw People in ways that require Let\'s Draw People to gather personally-identifying information. The amount and type of information that Let\'s Draw People gathers depends on the nature of the interaction. For example, we ask visitors who sign up to receive informational products from LetsDrawPeople.com to provide an email address. Those who engage in transactions with Let\'s Draw People are asked to provide additional information, including as necessary the personal and financial information required to process those transactions. In each case, Let\'s Draw People collects such information only insofar as is necessary or appropriate to fulfill the purpose of the visitor\'s interaction with Let\'s Draw People. Let\'s Draw People does not disclose personally-identifying information other than as described below. And visitors can always refuse to supply personally-identifying information, with the caveat that it may prevent them from engaging in certain website-related activities.\r\n

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\r\nLet\'s Draw People may collect statistics about the behavior of visitors to LetsDrawPeople.com. Let\'s Draw People may display this information publicly or provide it to others. However, Let\'s Draw People does not disclose personally-identifying information other than as described below.\r\n

Protection of Certain Personally-Identifying Information

\r\nLet\'s Draw People discloses potentially personally-identifying and personally-identifying information only to those of its employees, contractors, and affiliated organizations that (i) need to know that information in order to process it on Let\'s Draw People\'s behalf or to provide services available at LetsDrawPeople.com, and (ii) that have agreed not to disclose it to others. Some of those employees, contractors, and affiliated organizations may be located outside of your home country; by using LetsDrawPeople.com, you consent to the transfer of such information to them. Let\'s Draw People will not rent or sell potentially personally-identifying and personally-identifying information to anyone. Other than to its employees, contractors, and affiliated organizations, as described above, Let\'s Draw People discloses potentially personally-identifying and personally-identifying information only in response to a subpoena, court order, or other governmental request, or when Let\'s Draw People believes in good faith that disclosure is reasonably necessary to protect the property or rights of Let\'s Draw People, third parties, or the public at large. If you are a registered user of LetsDrawPeople.com and have supplied your email address, Let\'s Draw People may occasionally send you an email to tell you about new features, solicit your feedback, or just keep you up to date with what\'s going on with Let\'s Draw People and our products. If you send us a request (for example via email or via one of our feedback mechanisms), we reserve the right to publish it in order to help us clarify or respond to your request or to help us support other users. Let\'s Draw People takes all measures reasonably necessary to protect against the unauthorized access, use, alteration or destruction of potentially personally-identifying and personally-identifying information.\r\n

Children\'s Online Privacy Protection Act Compliance

\r\nWe are in compliance with the requirements of COPPA (Children\'s Online Privacy Protection Act). We do not collect any information from anyone under 13 years of age. Our website, products and services are all directed to people who are at least 13 years old or older.\r\n

Cookies

\r\nA cookie is a string of information that a website stores on a visitor\'s computer, and that the visitor\'s browser provides to the website each time the visitor returns. Let\'s Draw People uses cookies to help Let\'s Draw People identify and track visitors, their usage of LetsDrawPeople.com, and their website access preferences. Let\'s Draw People visitors who do not wish to have cookies placed on their computers should set their browsers to refuse cookies before using LetsDrawPeople.com, with the drawback that certain features of the site may not function properly without the aid of cookies.\r\n

Business Transfers

\r\nIf Let\'s Draw People, or substantially all of its assets, were acquired, or in the unlikely event that Let\'s Draw People goes out of business or enters bankruptcy, user information would be one of the assets that is transferred or acquired by a third party. You acknowledge that such transfers may occur, and that any acquirer of Let\'s Draw People may continue to use your personal information as set forth in this policy.\r\n

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\r\nAds appearing on this website may be delivered to users by advertising partners, who may set cookies. These cookies allow the ad server to recognize your computer each time they send you an online advertisement to compile information about you or others who use your computer. This information allows ad networks to, among other things, deliver targeted advertisements that they believe will be of most interest to you. This Privacy Policy covers the use of cookies by Let\'s Draw People and does not cover the use of cookies by any advertisers.\r\n

Your Opt-Out Rights

\r\nYou may opt-out of receiving communications from us and/or our partners by not submitting your information. We also allow you to remove your information from our marketing lists. If you remove your information from our lists, it will no longer be used by us to send promotional correspondence to you. You can remove your information from our marketing lists by clicking on the “Unsubscribe” link at the bottom of every email we send you.\r\n

Changes

\r\nAlthough most changes are likely to be minor, Let\'s Draw People may change its Privacy Policy from time to time, and in Let\'s Draw People\'s sole discretion. Let\'s Draw People encourages visitors to frequently check this page for any changes to its Privacy Policy. Your continued use of this site after any change in this will constitute your acceptance of such change.','Privacy Policy','','inherit','closed','closed','','14-revision-v1','','','2017-05-05 06:04:41','2017-05-05 13:04:41','',14,'http://www.letsdrawpeople.com/14-revision-v1/',0,'revision','',0),(1418,2,'2014-08-25 21:25:37','2014-08-26 04:25:37','','IMG_0001 (2)','\"Mother and Daughter\" by Roxxie','inherit','open','open','','img_0001-2','','','2014-08-25 21:25:37','2014-08-26 04:25:37','',662,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/IMG_0001-2.jpg',0,'attachment','image/jpeg',0),(1419,2,'2014-08-25 21:27:07','2014-08-26 04:27:07','Welcome to our gallery of family drawings! Here you can view drawings of family members by our contributors and visitors.\r\n\r\nAs someone who is becoming more skilled at drawing people, you will find family and friends taking an increased interest in your talent. As a professional portrait artist, people who love your artwork will undoubtedly want to become your clients. When family, friends, or other people ask you (or pay you) to draw for them, who do they most often want you to draw?\r\n\r\nThey usually want you to draw a portrait from their personal collection of family photos. They may even ask you to take people from two or more photographs and combine them into one drawing. Your artistic creativity may sometimes be at play too, as when people ask you to include elements not in the original photographs.\r\n\r\nYou will see examples of all of these scenarios within this gallery. Notice the different arrangements of the subjects, features, and how the various elements of the family drawings create pleasing compositions. Happy viewing!\r\n\r\nIf you have your own family portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"649,644,761,762,763,666,1418\" orderby=\"rand\"]','Family Drawings','','inherit','open','open','','662-revision-v1','','','2014-08-25 21:27:07','2014-08-26 04:27:07','',662,'http://www.letsdrawpeople.com/662-revision-v1/',0,'revision','',0),(1422,2,'2014-08-26 22:09:58','2014-08-27 05:09:58','','Dechy Family Portrait037','\"Paul Mcmillian\" by Noah Hardoin','inherit','open','open','','dechy-family-portrait037','','','2014-08-26 22:09:58','2014-08-27 05:09:58','',662,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/Dechy-Family-Portrait037.jpg',0,'attachment','image/jpeg',0),(1423,2,'2014-08-26 22:11:09','2014-08-27 05:11:09','Welcome to our gallery of family drawings! Here you can view drawings of family members by our contributors and visitors.\r\n\r\nAs someone who is becoming more skilled at drawing people, you will find family and friends taking an increased interest in your talent. As a professional portrait artist, people who love your artwork will undoubtedly want to become your clients. When family, friends, or other people ask you (or pay you) to draw for them, who do they most often want you to draw?\r\n\r\nThey usually want you to draw a portrait from their personal collection of family photos. They may even ask you to take people from two or more photographs and combine them into one drawing. Your artistic creativity may sometimes be at play too, as when people ask you to include elements not in the original photographs.\r\n\r\nYou will see examples of all of these scenarios within this gallery. Notice the different arrangements of the subjects, features, and how the various elements of the family drawings create pleasing compositions. Happy viewing!\r\n\r\nIf you have your own family portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"649,644,761,762,763,666,1418,1422\" orderby=\"rand\"]','Family Drawings','','inherit','open','open','','662-revision-v1','','','2014-08-26 22:11:09','2014-08-27 05:11:09','',662,'http://www.letsdrawpeople.com/662-revision-v1/',0,'revision','',0),(1424,2,'2014-08-27 21:38:01','2014-08-28 04:38:01','','20140306_154116-1 (1)','\"Spring\" by Cierra Adkison','inherit','open','open','','20140306_154116-1-1','','','2014-08-27 21:38:01','2014-08-28 04:38:01','',1200,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/20140306_154116-1-1.jpg',0,'attachment','image/jpeg',0),(1425,2,'2014-08-27 21:38:45','2014-08-28 04:38:45','We all like to escape reality sometimes. This is the gallery to visit when you want to see people who appear or do things a little unusual. Welcome to our gallery of fantasy people!\r\n\r\nArtists who draw people for this gallery can really have some fun! You may find drawings of people that have a realistic look or features in one sense, but there is something very uniquely strange or abstract about them in another.\r\n\r\nOr, you may find drawings of people where normal facial or body proportions go out the window. Perhaps you will see eyes too high, ears too low, or a child\'s head on an adult\'s body!\r\n\r\nPossibly you will see drawings of people doing odd or impossible actions.\r\n\r\nBasically, expect to find people here that you will not meet in the real world.\r\n\r\nSo, what can you learn from looking at drawings of fantasy people?\r\n\r\nSee if you can analyze a drawing and distinguish fantasy from reality. Which parts of the subject are drawn in a realistic way? Which parts are drawn in a way which you should avoid if you are trying to achieve realism?\r\n\r\nAlso, look for ways that these drawings can inspire more originality and creativity in your own artwork!\r\n\r\nIf you have your own fantasy portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"1204,1424\" orderby=\"rand\"]\r\n\r\n ','People Living in a Fantasy World','','inherit','open','open','','1200-revision-v1','','','2014-08-27 21:38:45','2014-08-28 04:38:45','',1200,'http://www.letsdrawpeople.com/1200-revision-v1/',0,'revision','',0),(1427,2,'2014-08-28 20:29:39','2014-08-29 03:29:39','','child height proportions 10yr hs','In these real-life examples, you can see the 10-year-old boy is 6 heads tall, while the high school teen is around 7 heads tall.','inherit','open','open','','child-height-proportions-10yr-hs','','','2014-08-28 20:29:39','2014-08-29 03:29:39','',1406,'http://www.letsdrawpeople.com/wp-content/uploads/2014/08/child-height-proportions-10yr-hs.jpg',0,'attachment','image/jpeg',0),(1428,2,'2014-08-28 20:35:08','2014-08-29 03:35:08','','mom child head size','','inherit','open','open','','mom-child-head-size','','','2014-08-28 20:35:08','2014-08-29 03:35:08','',1406,'http://www.letsdrawpeople.com/wp-content/uploads/2014/08/mom-child-head-size.jpg',0,'attachment','image/jpeg',0),(1429,2,'2014-08-28 20:44:55','2014-08-29 03:44:55','','6 yr old featured','','inherit','open','open','','6-yr-old-featured','','','2014-08-28 20:44:55','2014-08-29 03:44:55','',1406,'http://www.letsdrawpeople.com/wp-content/uploads/2014/08/6-yr-old-featured.jpg',0,'attachment','image/jpeg',0),(1430,2,'2014-08-28 20:47:57','2014-08-29 03:47:57','So much of the success that comes with drawing people depends on getting the proportions right. Child proportions in particular can be intimidating for beginners and even some more experienced artists.\r\n\r\nThere really does seem to be more involved in creating an image of a child than there is with a drawing of an adult. Of course, with a few nifty tips you could be well on your way to creating pictures of children of any age, from a tiny tot all the way up to a nearly-adult teenager.\r\n

Know Your Proportions

\r\nWhile there is no exact science to drawing people, there are a few proportion-related guidelines that can help you. Keep in mind that you can be a tad bit flexible with these, for they are rough guidelines.\r\n\r\nFor drawing purposes, artists generally refer to and draw adults as 8 heads tall for simplicity. In flesh and bone reality, most adults are around 7 1/2 heads tall, and some may be a little closer to 7 heads tall!\r\n\r\nA small child from around a year old to its final toddler years (3-4 years old) will be approximately 4 heads tall. After the toddler years to around age 10, the child should be roughly between 5 and 6 heads tall. Young teens are generally about 7 heads tall.\r\n\r\n[caption id=\"attachment_1426\" align=\"aligncenter\" width=\"568\"]\"These These drawings depict a one-year-old baby and a 4-year-old girl, both 4 heads tall. The 6-year-old boy is 5 heads tall.[/caption]\r\n\r\n[caption id=\"attachment_1427\" align=\"aligncenter\" width=\"483\"]\"In In these real-life examples, you can see the 10-year-old boy is 6 heads tall, while the high school teen is around 7 heads tall.[/caption]\r\n\r\nActual head size is another important factor when it comes to drawing children. If an adult\'s head size in a drawing is 9 inches, then a baby\'s head size should be about 6 inches (depending on its age). As always, use your judgment within the different age groups.\r\n\r\n\"mom\r\n\r\nWhen coming to terms with child proportions, from an artistic point of view, it will be worth your while to take some time to observe photographs of people and the people around you. Invest a little effort in really looking at them.\r\n\r\nYou will probably notice that a child\'s head, for example, is much larger in proportion to its body. In adults, the head to body proportions are completely different. Remember that a large head on an adult would serve only to dwarf the body.\r\n\r\nA way to get used to drawing children correctly is to apply a theory of relative proportion. Use a smaller object that you are able to draw easily and use it in proportion to a larger object. A ball might be a good choice, although even a piece of fruit would work. Place the small object next to a larger one and practice sketching the objects together. Once you have the hang of it, apply the same theory to a child and an accompanying toy, or use a picture or a family photo.\r\n

Modifying the Look

\r\nGenerally speaking, an artist will be more comfortable with subjects that they are accustomed to. This is why it is often easier for an adult to draw a person of a similar age. Familiarity breeds comfort, or at least it does for me.\r\n\r\nWhen drawing a child, you may need to adjust the look of the image to add a more youthful appearance. It is not enough to simply adjust the proportions as mentioned above.\r\n\r\nA child\'s eyes will often be a little larger than an adult\'s. Think of it as the \"wide-eyed nature of childlike curiosity\". Most young children also have a distinct lack of muscular definition, which instead is replaced with slight pudginess or baby fat.\r\n\r\nChildren also have much smaller hands and slightly stubby-looking fingers. A baby will have tiny, almost marshmallow-like hands, whereas an adult will have bonier, more defined fingers.\r\n

Put Your Knowledge Into Practice

\r\nWhen learning any new drawing skills, the best way to apply your knowledge is to get some practice in. Drawing child proportions is no different.\r\n\r\nTake some time to do a few free-hand sketches to get your vague proportion sizes right. Try to remember that the legs should always extend at about twice the rate of the torso when the person in your picture is standing upright. Be sure to apply the skill of \"counting heads\" in an effort to get the size just right!','A Look at Child Proportions: from Toddler to Teen','','inherit','open','open','','1406-revision-v1','','','2014-08-28 20:47:57','2014-08-29 03:47:57','',1406,'http://www.letsdrawpeople.com/1406-revision-v1/',0,'revision','',0),(1431,2,'2014-08-28 20:54:45','2014-08-29 03:54:45','','1 yr old','\"1-year-old\" by Jack Pearce','inherit','open','open','','1-yr-old','','','2014-08-28 20:54:45','2014-08-29 03:54:45','',489,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/1-yr-old.jpg',0,'attachment','image/jpeg',0),(1432,2,'2014-08-28 20:54:49','2014-08-29 03:54:49','','4 yr old','\"4-year-old\" by Jack Pearce','inherit','open','open','','4-yr-old','','','2014-08-28 20:54:49','2014-08-29 03:54:49','',489,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/4-yr-old.jpg',0,'attachment','image/jpeg',0),(1433,2,'2014-08-28 20:54:53','2014-08-29 03:54:53','','6 yr old','\"6-year-old\" by Jack Pearce','inherit','open','open','','6-yr-old','','','2014-08-28 20:54:53','2014-08-29 03:54:53','',489,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/6-yr-old.jpg',0,'attachment','image/jpeg',0),(1434,2,'2014-08-28 21:02:24','2014-08-29 04:02:24','As you develop your people-drawing skills and draw people of all shapes, sizes, and ages, you are certain to notice some differences between drawing adults and drawing children. If you are trying to learn how to draw kids and are experiencing some challenges, maybe these portrait drawings of children can help you.\r\n\r\nWhile browsing through the gallery, take time to closely examine the details in the pictures. Take note of the pencil strokes and how the lines and tones help form the larger eyes, rounder faces, or any other trouble spots you may be encountering while trying to draw kids. Check back often for more wonderful drawings of children by our website contributors and visitors, and use them as your inspiration!\r\n\r\nIf you have your own child portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"640,642,645,646,647,648,650,651,652,643,641,1431,1432,1433\" orderby=\"rand\"]\r\n\r\n ','Portrait Drawings of Children','','inherit','open','open','','489-revision-v1','','','2014-08-28 21:02:24','2014-08-29 04:02:24','',489,'http://www.letsdrawpeople.com/489-revision-v1/',0,'revision','',0),(1435,2,'2014-08-28 21:10:50','2014-08-29 04:10:50','','IMG_0001','\"Savannah\" by Roxxie','inherit','open','open','','img_0001','','','2014-08-28 21:10:50','2014-08-29 04:10:50','',662,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/IMG_0001.jpg',0,'attachment','image/jpeg',0),(1436,2,'2014-08-28 21:11:57','2014-08-29 04:11:57','Welcome to our gallery of family drawings! Here you can view drawings of family members by our contributors and visitors.\r\n\r\nAs someone who is becoming more skilled at drawing people, you will find family and friends taking an increased interest in your talent. As a professional portrait artist, people who love your artwork will undoubtedly want to become your clients. When family, friends, or other people ask you (or pay you) to draw for them, who do they most often want you to draw?\r\n\r\nThey usually want you to draw a portrait from their personal collection of family photos. They may even ask you to take people from two or more photographs and combine them into one drawing. Your artistic creativity may sometimes be at play too, as when people ask you to include elements not in the original photographs.\r\n\r\nYou will see examples of all of these scenarios within this gallery. Notice the different arrangements of the subjects, features, and how the various elements of the family drawings create pleasing compositions. Happy viewing!\r\n\r\nIf you have your own family portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"649,644,761,762,763,666,1418,1422,1435\" orderby=\"rand\"]','Family Drawings','','inherit','open','open','','662-revision-v1','','','2014-08-28 21:11:57','2014-08-29 04:11:57','',662,'http://www.letsdrawpeople.com/662-revision-v1/',0,'revision','',0),(1437,2,'2016-07-15 19:06:22','2016-07-16 02:06:22','\"how\n\nThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a \"bad\" picture.\n\nWhen it comes to illustrating human facial features, beginning artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique, and skill in order to produce a realistic image.\n\nAs a beginning artist, what you may not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve your drawing skills. Learn how to draw faces using some simple tips from this post, and you can begin to build the right skills in order to approach this art form with confidence!\n

 Drawing a Face... Any Face

\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness.\n\nA generic image is quite simply something you imagine, something that you come up with and sketch onto paper. A likeness, on the other hand, is a drawing that resembles a real person.\n\nA portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model.\n\nRegardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\n

Understanding Proportion

\n\"howThe most common reason beginning artists find it tricky to draw faces is because they draw an image with the wrong proportions.\n\nEyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears.\n\nWith good proportion, a multi-featured object such as a face will appear more aesthetically pleasing. But how do you achieve proportion?\n\nOne simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc.\n\nBy taking measurements, you will be able to see the relationship between features of the face and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\n\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\n

\"how

\nA tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\n\nNote: Proportion is relative. What works for one face may not work for another. The above guidelines are broad and general. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. If your goal is to capture an accurate likeness of a particular person, you may want to try an even more reliable technique. What matters, though, is that you understand basic proportions of each face and use them to build your image.\n

How to Draw Faces Using Profiles

\nFirst, let us learn of the three major ways that a face is drawn: the Straight On View (face is forward), the Profile View (face is turned to the side) and the Three Quarters View (face is turned slightly or halfway to the side).\n\nOf these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view.\n\n\"three\n\nHere is where things can get a little tricky again. Each view has its own set of challenges. For example, the Straight On View calls for an appearance of symmetry, and if you don\'t deliver this symmetry, it is usually easy to spot. You don\'t have to worry about symmetry for the Three Quarters View, but drawing, for example, one eye smaller and a different shape and angle than the other can be tricky and problematic for many beginners trying to get it just right.\n\nOne suggestion I can give you that has been very helpful for me is to look at how the facial features align with other reference points around it. You can use an imaginary line for this or even a ruler.\n\nLet\'s say you wanted to draw a portrait using the reference photo below. Not only is it a Three Quarter View, but the subject\'s head is tilted down for an extra element of challenge!\n\nImmediately, you should look at how different parts of the face are positioned in relation to other parts of the photograph. The white lines represent examples where you can use a ruler or even \"eyeball it\" and trace the path with your finger.\n\n\"\"\n\nNotice how the man\'s right eye at the far corner lines up with the middle of his hairline at this angle? You can also see that the lower left edge of his nose is directly below his left pupil. Also, the top of the right eye is in perfect alignment with the bottom of the left eye and the attached lobe of the left ear.\n\nSimply keep looking for positional relationships like this, and you can draw a face angled in any view, any position!\n\nAlthough this technique has worked well for me over the years, it can be a little time-consuming to discover all of these interesting alignments. Also, if you get lazy and don\'t line up some features properly because you are rushing (like I have done in the past!), your results might not be what you had hoped for.\n\nThere is a much faster method of drawing a face in any position, and it removes the likelihood of you not placing your facial features properly. You can read more about it here.\n\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\n

How to Draw Eyes

\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions.\n\nTo start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline.\n\nThe arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger.\n\nTo make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\n\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\n

\"how

\n\n

 How to Draw Noses

\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the wings (or alars), which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\n\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle.\n\nAt the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\n

\"how

\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\n

How to Draw Ears

\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\n\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on.\n\nAdd the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape (the helix) and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\n

\"how

\n Note: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\n

How to Draw Lips

\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips. A woman\'s lips usually appears thicker and fuller, with more curves.\n\nTo start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look.\n\nStarting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\n

 \"how

\n Tip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\n

But My Drawing Still Looks Nothing Like the Face I Wanted It to Look Like!

\nIn this post, I shared just a few simple tips to help you with some of the beginning basics of drawing a face and the facial features properly. That said, there is a lot more to drawing the face than I can cover in this one post, especially if you are striving to draw a face from a reference photo and you want the likeness to match that of the photo!\n\nIf you like the suggestions in this post but still want a faster and easier way to draw faces...that is also certain to have you end up with a better drawing in the end...\n\n...then I\'d like to share with you a special guide that I wrote titled \"How to Make Realistic Line Drawings of Any Face\". (You can download this guide for free when you sign up for my newsletter). It provides information on a very effective technique with thorough details and examples that will have you drawing any face from any reference photo, perfectly proportioned and having a true likeness to your subject.\n\nYou will also see how to get more detailed, realistic-looking facial features with your initial line drawing. Here is an example of a reference photo of a woman\'s eyes, followed by my rendering.\n\n\"drawing\n\n\"drawing\n\nA line drawing is typically the first (and most important) step before adding shading to a portrait to make it as realistic as possible. If your initial line drawing is already detailed and accurate, that makes your final portrait that much more convincing.\n\nA line drawing can also stand alone as artwork of its own!\n\nAfter drawing for 15 years, I learned this incredibly simple method that had me immediately drawing better, literally overnight! I will teach you to do the same.\n

Perfecting the Human Face

\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on paper to appear as you want them to appear.\n\nHowever, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of faces are put together and determine the relationship of each feature with the others.\n\nBe an observer of life. Implement the simple tips on this page while you keep practicing. Seek more effective techniques when you are ready. The more you are aware of your environment, the better you will be at translating what you see on paper, and you will see that drawing faces is no longer all that tricky!','How to Draw Those Tricky Faces with Some Simple Tips','','inherit','open','open','','878-autosave-v1','','','2016-07-15 19:06:22','2016-07-16 02:06:22','',878,'http://www.letsdrawpeople.com/878-autosave-v1/',0,'revision','',0),(3189,2,'2016-07-23 07:53:33','2016-07-23 14:53:33','When you draw or \"color\" with colored pencils, are you paying attention to how much pressure you put on the pencil?\r\n\r\nIf not, then you should.\r\n\r\nMany people may not think the amount of pressure you place on your colored pencil makes a difference. This certainly did not occur to me before I learned otherwise.\r\n\r\nHowever, the pressure you place on your pencil does have a noticeable effect on the marks made on your paper. Believe it or not, the medium will also \"behave\" a certain way on the surface depending on the pressure you use.\r\n\r\nLet\'s take a closer look at the different types of pressure you should use and when you should use them.\r\n

Pressure Categories for Using Colored Pencils

\r\nOf course if you think about it, the range of pressure you can apply to a colored pencil is endless. You can do anything from barely touch the surface to press so hard that the \"lead\" breaks.\r\n\r\nSince it is unlikely that you will do either of these two extremes purposefully, let\'s make this real simple. Here are the three very broad categories of pressure you should be aware of when using your colored pencils:\r\n\r\nLight pressure means you are lightly and gently touching the paper as you move the pencil across it. It is helpful to use light pressure on the beginning layers of a piece of work. As you layer colors over the light application, this light layer will show through and result in a nice color mix.\r\n\r\n\"01\r\n\r\nMedium pressure means you are pressing down on the the paper harder, but not too hard. The color on the paper will have a slightly darker value. As you layer different colors over one another with medium pressure, it will cause the pigment from the pencils to mix together.\r\n\r\n\"02\r\n\r\nHeavy pressure means you are pressing down very firmly with your pencil. The result on your paper will be a heavier, more intense value of the color. This too will cause the pigment from the pencils to mix together even more. You should consider using heavy pressure on the final layers of your drawing.\r\n\r\n\"03\r\n

Varying the Pressure

\r\nNot only should you use a mix of light, medium, and heavy pressure layers as you are progressing through a drawing, but you can also vary the pressure of the pencil before you lift it from the paper. In the example below, this single pencil stroke begins with heavy pressure and tapers off with light pressure.\r\n\r\n \r\n\r\n\"04\r\n\r\nBy varying the pressure placed on the pencil, you will get a range of color values and intensity with each stroke.\r\n\r\nIn this example, you can see an instance of hatching where the pressure is varied from heavy at the bottom to light at the top...\r\n\r\n\"05\r\n\r\n...and here, you can see crosshatching where the pressure is again varied from heavy to light with each pencil stroke.\r\n\r\n\"06\r\n

Pressure Rule of Thumb

\r\nA nice, rich mix of colors will make your drawings appear more natural. In general, remember to begin your initial layers with light pressure. Then layer over colors progressively with medium pressure, and work you way up to heavy pressure. You should have heavy applications of color in the final stages.\r\n\r\nSo from now on, always consciously be aware of the pressure you are using. Plan for the right amount of pressure for the task at hand whenever you make colored pencil marks on your paper.','Put Some Pressure on Your Colored Pencils','','publish','open','open','','put-some-pressure-on-your-colored-pencils','','','2016-07-23 07:54:09','2016-07-23 14:54:09','',0,'http://www.letsdrawpeople.com/?p=3189',0,'post','',0),(1438,2,'2014-09-01 19:49:33','2014-09-02 02:49:33','\"howThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a bad picture.\r\n\r\nWhen it comes to illustrating human features, beginning artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique and skill in order to produce a realistic image.\r\n\r\nWhat many beginning artists do not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve their drawing skills. Learn how to draw faces using this post and build the right skills in order to approach this art form with confidence.\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness. A generic image is quite simply something you imagined, something that you come up with using a pencil and paper. A likeness, on the other hand, is a drawing that resembles a real person. A portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model. Regardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common mistake artists make when drawing faces is producing an image where the proportions are all wrong. Eyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears. With good proportion, a multi-featured object such as a face will appear more aesthetically pleasing.\r\n\r\nBut how do you achieve proportion? One simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc. By taking measurements, you will be able to see the relationship between objects and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n

\"how

\r\n A tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. What matters is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On (face is forward), the Profile (face is turned to the side) and the Three Quarters (face is turned slightly or halfway to the side). Of these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view. While it can be more challenging, the Straight On is actually a very dynamic profile to work on because it can be used to convey a number of expressions, looks and emotions.\r\n\r\n\"three\r\n\r\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions. To start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline. The arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger. To make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n

\"how

\r\n\r\n

 How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the alars, which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle. At the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n

\"how

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on. Add the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n

\"how

\r\n Note: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips. A woman\'s lips usually appears thicker and fuller, with more curves. To start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look. Starting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n

 \"how

\r\n Tip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on canvas or paper to appear as you want them to appear. However, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of their faces are put together and determine the relationship of each feature with the others. Observe how the faces appear in different lighting conditions, especially where light and shadows fall. Be an observer of life. The more you are aware of your environment, the better you will be at translating what you see on paper or canvas using a pencil or a brush.','How to Draw Faces: Tips, Techniques and Short Tutorials','','inherit','open','open','','878-revision-v1','','','2014-09-01 19:49:33','2014-09-02 02:49:33','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(1439,2,'2014-09-01 21:03:05','2014-09-02 04:03:05','\"howThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a \"bad\" picture.\r\n\r\nWhen it comes to illustrating human facial features, beginning artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique, and skill in order to produce a realistic image.\r\n\r\nAs a beginning artist, what you may not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve your drawing skills. Learn how to draw faces using some simple tips from this post, and you can begin to build the right skills in order to approach this art form with confidence.\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness.\r\n\r\nA generic image is quite simply something you imagine, something that you come up with and sketch onto paper. A likeness, on the other hand, is a drawing that resembles a real person. A portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model. Regardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common reason beginning artists find it tricky to draw faces is because they draw an image with the wrong proportions. Eyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears. With good proportion, a multi-featured object such as a face will appear more aesthetically pleasing.\r\n\r\nBut how do you achieve proportion? One simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc. By taking measurements, you will be able to see the relationship between objects and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n

\"how

\r\n A tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. What matters is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On (face is forward), the Profile (face is turned to the side) and the Three Quarters (face is turned slightly or halfway to the side). Of these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view. While it can be more challenging, the Straight On is actually a very dynamic profile to work on because it can be used to convey a number of expressions, looks and emotions.\r\n\r\n\"three\r\n\r\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions. To start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline. The arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger. To make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n

\"how

\r\n\r\n

 How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the alars, which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle. At the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n

\"how

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on. Add the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n

\"how

\r\n Note: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips. A woman\'s lips usually appears thicker and fuller, with more curves. To start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look. Starting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n

 \"how

\r\n Tip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on canvas or paper to appear as you want them to appear. However, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of their faces are put together and determine the relationship of each feature with the others. Observe how the faces appear in different lighting conditions, especially where light and shadows fall. Be an observer of life. The more you are aware of your environment, the better you will be at translating what you see on paper or canvas using a pencil or a brush.','How to Draw Those Tricky Faces with Some Simple Tips','','inherit','open','open','','878-revision-v1','','','2014-09-01 21:03:05','2014-09-02 04:03:05','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(1440,2,'2014-09-01 21:15:40','2014-09-02 04:15:40','\"howThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a \"bad\" picture.\r\n\r\nWhen it comes to illustrating human facial features, beginning artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique, and skill in order to produce a realistic image.\r\n\r\nAs a beginning artist, what you may not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve your drawing skills. Learn how to draw faces using some simple tips from this post, and you can begin to build the right skills in order to approach this art form with confidence!\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness.\r\n\r\nA generic image is quite simply something you imagine, something that you come up with and sketch onto paper. A likeness, on the other hand, is a drawing that resembles a real person.\r\n\r\nA portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model.\r\n\r\nRegardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common reason beginning artists find it tricky to draw faces is because they draw an image with the wrong proportions.\r\n\r\nEyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears.\r\n\r\nWith good proportion, a multi-featured object such as a face will appear more aesthetically pleasing. But how do you achieve proportion?\r\n\r\nOne simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc.\r\n\r\nBy taking measurements, you will be able to see the relationship between features of the face and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n

\"how

\r\n A tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. What matters is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On (face is forward), the Profile (face is turned to the side) and the Three Quarters (face is turned slightly or halfway to the side). Of these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view. While it can be more challenging, the Straight On is actually a very dynamic profile to work on because it can be used to convey a number of expressions, looks and emotions.\r\n\r\n\"three\r\n\r\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions. To start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline. The arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger. To make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n

\"how

\r\n\r\n

 How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the alars, which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle. At the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n

\"how

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on. Add the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n

\"how

\r\n Note: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips. A woman\'s lips usually appears thicker and fuller, with more curves. To start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look. Starting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n

 \"how

\r\n Tip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on canvas or paper to appear as you want them to appear. However, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of their faces are put together and determine the relationship of each feature with the others. Observe how the faces appear in different lighting conditions, especially where light and shadows fall. Be an observer of life. The more you are aware of your environment, the better you will be at translating what you see on paper or canvas using a pencil or a brush.','How to Draw Those Tricky Faces with Some Simple Tips','','inherit','open','open','','878-revision-v1','','','2014-09-01 21:15:40','2014-09-02 04:15:40','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(1441,2,'2014-09-01 22:36:42','2014-09-02 05:36:42','','three-quarter-view-reference-lines','','inherit','open','open','','1441','','','2014-09-01 22:36:42','2014-09-02 05:36:42','',878,'http://www.letsdrawpeople.com/wp-content/uploads/2014/01/three-quarter-view-reference-lines.jpg',0,'attachment','image/jpeg',0),(1442,2,'2014-09-01 23:09:17','2014-09-02 06:09:17','\"howThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a \"bad\" picture.\r\n\r\nWhen it comes to illustrating human facial features, beginning artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique, and skill in order to produce a realistic image.\r\n\r\nAs a beginning artist, what you may not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve your drawing skills. Learn how to draw faces using some simple tips from this post, and you can begin to build the right skills in order to approach this art form with confidence!\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness.\r\n\r\nA generic image is quite simply something you imagine, something that you come up with and sketch onto paper. A likeness, on the other hand, is a drawing that resembles a real person.\r\n\r\nA portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model.\r\n\r\nRegardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common reason beginning artists find it tricky to draw faces is because they draw an image with the wrong proportions.\r\n\r\nEyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears.\r\n\r\nWith good proportion, a multi-featured object such as a face will appear more aesthetically pleasing. But how do you achieve proportion?\r\n\r\nOne simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc.\r\n\r\nBy taking measurements, you will be able to see the relationship between features of the face and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n

\"how

\r\n A tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. The above guidelines are broad and general. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. If your goal is to capture an accurate likeness of a particular person, you may want to try an even more reliable technique. What matters, though, is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On View (face is forward), the Profile View (face is turned to the side) and the Three Quarters View (face is turned slightly or halfway to the side).\r\n\r\nOf these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view.\r\n\r\n\"three\r\n\r\nHere is where things can get a little tricky again. Each view has its own set of challenges. For example, the Straight On View calls for an appearance of symmetry, and if you don\'t deliver this symmetry, it is usually easy to spot. You don\'t have to worry about symmetry for the Three Quarters View, but drawing, for example, one eye smaller and a different shape and angle than the other can be tricky and problematic for many beginners trying to get it just right.\r\n\r\nOne suggestion I can give you that has been very helpful for me is to look at how the facial features align with other reference points around it. You can use an imaginary line for this or even a ruler.\r\n\r\nLet\'s say you wanted to draw a portrait using the reference photo below. Not only is it a Three Quarter View, but the subject\'s head is tilted down for an extra element of challenge!\r\n\r\nImmediately, you should look at how different parts of the face are positioned in relation to other parts of the photograph. The white lines represent examples where you can use a ruler or even \"eyeball it\" and trace the path with your finger.\r\n\r\n\"\"\r\n\r\nNotice how the man\'s right eye at the far corner lines up with the middle of his hairline at this angle? You can also see that the lower left edge of his nose is directly below his left pupil. Also, the top of the right eye is in perfect alignment with the bottom of the left eye and the attached lobe of the left ear.\r\n\r\nSimply keep looking for positional relationships like this, and you can draw a face angled in any view, any position!\r\n\r\nAlthough this technique has worked well for me over the years, it can be a little time-consuming to discover all of these interesting alignments. Also, if you get lazy and don\'t line up some features properly because you are rushing (like I have done in the past!), your results might not be what you had hoped for.\r\n\r\nThere is a much faster method of drawing a face in any position, and it removes the likelihood of you not placing your facial features properly. You can read more about it here.\r\n\r\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions. To start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline. The arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger. To make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n

\"how

\r\n\r\n

 How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the alars, which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle. At the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n

\"how

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on. Add the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n

\"how

\r\n Note: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips. A woman\'s lips usually appears thicker and fuller, with more curves. To start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look. Starting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n

 \"how

\r\n Tip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on canvas or paper to appear as you want them to appear. However, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of their faces are put together and determine the relationship of each feature with the others. Observe how the faces appear in different lighting conditions, especially where light and shadows fall. Be an observer of life. The more you are aware of your environment, the better you will be at translating what you see on paper, and you will see that drawing faces is no longer all that tricky!','How to Draw Those Tricky Faces with Some Simple Tips','','inherit','open','open','','878-revision-v1','','','2014-09-01 23:09:17','2014-09-02 06:09:17','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(1443,2,'2014-09-01 23:21:54','2014-09-02 06:21:54','\"howThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a \"bad\" picture.\r\n\r\nWhen it comes to illustrating human facial features, beginning artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique, and skill in order to produce a realistic image.\r\n\r\nAs a beginning artist, what you may not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve your drawing skills. Learn how to draw faces using some simple tips from this post, and you can begin to build the right skills in order to approach this art form with confidence!\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness.\r\n\r\nA generic image is quite simply something you imagine, something that you come up with and sketch onto paper. A likeness, on the other hand, is a drawing that resembles a real person.\r\n\r\nA portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model.\r\n\r\nRegardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common reason beginning artists find it tricky to draw faces is because they draw an image with the wrong proportions.\r\n\r\nEyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears.\r\n\r\nWith good proportion, a multi-featured object such as a face will appear more aesthetically pleasing. But how do you achieve proportion?\r\n\r\nOne simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc.\r\n\r\nBy taking measurements, you will be able to see the relationship between features of the face and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n

\"how

\r\n A tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. The above guidelines are broad and general. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. If your goal is to capture an accurate likeness of a particular person, you may want to try an even more reliable technique. What matters, though, is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On View (face is forward), the Profile View (face is turned to the side) and the Three Quarters View (face is turned slightly or halfway to the side).\r\n\r\nOf these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view.\r\n\r\n\"three\r\n\r\nHere is where things can get a little tricky again. Each view has its own set of challenges. For example, the Straight On View calls for an appearance of symmetry, and if you don\'t deliver this symmetry, it is usually easy to spot. You don\'t have to worry about symmetry for the Three Quarters View, but drawing, for example, one eye smaller and a different shape and angle than the other can be tricky and problematic for many beginners trying to get it just right.\r\n\r\nOne suggestion I can give you that has been very helpful for me is to look at how the facial features align with other reference points around it. You can use an imaginary line for this or even a ruler.\r\n\r\nLet\'s say you wanted to draw a portrait using the reference photo below. Not only is it a Three Quarter View, but the subject\'s head is tilted down for an extra element of challenge!\r\n\r\nImmediately, you should look at how different parts of the face are positioned in relation to other parts of the photograph. The white lines represent examples where you can use a ruler or even \"eyeball it\" and trace the path with your finger.\r\n\r\n\"\"\r\n\r\nNotice how the man\'s right eye at the far corner lines up with the middle of his hairline at this angle? You can also see that the lower left edge of his nose is directly below his left pupil. Also, the top of the right eye is in perfect alignment with the bottom of the left eye and the attached lobe of the left ear.\r\n\r\nSimply keep looking for positional relationships like this, and you can draw a face angled in any view, any position!\r\n\r\nAlthough this technique has worked well for me over the years, it can be a little time-consuming to discover all of these interesting alignments. Also, if you get lazy and don\'t line up some features properly because you are rushing (like I have done in the past!), your results might not be what you had hoped for.\r\n\r\nThere is a much faster method of drawing a face in any position, and it removes the likelihood of you not placing your facial features properly. You can read more about it here.\r\n\r\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions.\r\n\r\nTo start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline.\r\n\r\nThe arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger.\r\n\r\nTo make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n

\"how

\r\n\r\n

 How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the wings (or alars), which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle.\r\n\r\nAt the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n

\"how

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on.\r\n\r\nAdd the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape (the helix) and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n

\"how

\r\n Note: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips. A woman\'s lips usually appears thicker and fuller, with more curves. To start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look. Starting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n

 \"how

\r\n Tip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on canvas or paper to appear as you want them to appear. However, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of their faces are put together and determine the relationship of each feature with the others. Observe how the faces appear in different lighting conditions, especially where light and shadows fall. Be an observer of life. The more you are aware of your environment, the better you will be at translating what you see on paper, and you will see that drawing faces is no longer all that tricky!','How to Draw Those Tricky Faces with Some Simple Tips','','inherit','open','open','','878-revision-v1','','','2014-09-01 23:21:54','2014-09-02 06:21:54','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(1444,2,'2014-09-02 00:04:19','2014-09-02 07:04:19','','drawing the eyes photo','','inherit','open','open','','1444','','','2014-09-02 00:04:19','2014-09-02 07:04:19','',878,'http://www.letsdrawpeople.com/wp-content/uploads/2014/01/drawing-the-eyes-photo.jpg',0,'attachment','image/jpeg',0),(1445,2,'2014-09-02 00:04:23','2014-09-02 07:04:23','','drawing the eyes','','inherit','open','open','','drawing-the-eyes','','','2014-09-02 00:04:23','2014-09-02 07:04:23','',878,'http://www.letsdrawpeople.com/wp-content/uploads/2014/01/drawing-the-eyes.jpg',0,'attachment','image/jpeg',0),(1446,2,'2014-09-02 00:18:29','2014-09-02 07:18:29','\"howThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a \"bad\" picture.\r\n\r\nWhen it comes to illustrating human facial features, beginning artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique, and skill in order to produce a realistic image.\r\n\r\nAs a beginning artist, what you may not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve your drawing skills. Learn how to draw faces using some simple tips from this post, and you can begin to build the right skills in order to approach this art form with confidence!\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness.\r\n\r\nA generic image is quite simply something you imagine, something that you come up with and sketch onto paper. A likeness, on the other hand, is a drawing that resembles a real person.\r\n\r\nA portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model.\r\n\r\nRegardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common reason beginning artists find it tricky to draw faces is because they draw an image with the wrong proportions.\r\n\r\nEyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears.\r\n\r\nWith good proportion, a multi-featured object such as a face will appear more aesthetically pleasing. But how do you achieve proportion?\r\n\r\nOne simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc.\r\n\r\nBy taking measurements, you will be able to see the relationship between features of the face and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n

\"how

\r\n A tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. The above guidelines are broad and general. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. If your goal is to capture an accurate likeness of a particular person, you may want to try an even more reliable technique. What matters, though, is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On View (face is forward), the Profile View (face is turned to the side) and the Three Quarters View (face is turned slightly or halfway to the side).\r\n\r\nOf these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view.\r\n\r\n\"three\r\n\r\nHere is where things can get a little tricky again. Each view has its own set of challenges. For example, the Straight On View calls for an appearance of symmetry, and if you don\'t deliver this symmetry, it is usually easy to spot. You don\'t have to worry about symmetry for the Three Quarters View, but drawing, for example, one eye smaller and a different shape and angle than the other can be tricky and problematic for many beginners trying to get it just right.\r\n\r\nOne suggestion I can give you that has been very helpful for me is to look at how the facial features align with other reference points around it. You can use an imaginary line for this or even a ruler.\r\n\r\nLet\'s say you wanted to draw a portrait using the reference photo below. Not only is it a Three Quarter View, but the subject\'s head is tilted down for an extra element of challenge!\r\n\r\nImmediately, you should look at how different parts of the face are positioned in relation to other parts of the photograph. The white lines represent examples where you can use a ruler or even \"eyeball it\" and trace the path with your finger.\r\n\r\n\"\"\r\n\r\nNotice how the man\'s right eye at the far corner lines up with the middle of his hairline at this angle? You can also see that the lower left edge of his nose is directly below his left pupil. Also, the top of the right eye is in perfect alignment with the bottom of the left eye and the attached lobe of the left ear.\r\n\r\nSimply keep looking for positional relationships like this, and you can draw a face angled in any view, any position!\r\n\r\nAlthough this technique has worked well for me over the years, it can be a little time-consuming to discover all of these interesting alignments. Also, if you get lazy and don\'t line up some features properly because you are rushing (like I have done in the past!), your results might not be what you had hoped for.\r\n\r\nThere is a much faster method of drawing a face in any position, and it removes the likelihood of you not placing your facial features properly. You can read more about it here.\r\n\r\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions.\r\n\r\nTo start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline.\r\n\r\nThe arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger.\r\n\r\nTo make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n

\"how

\r\n\r\n

 How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the wings (or alars), which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle.\r\n\r\nAt the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n

\"how

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on.\r\n\r\nAdd the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape (the helix) and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n

\"how

\r\n Note: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips. A woman\'s lips usually appears thicker and fuller, with more curves.\r\n\r\nTo start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look.\r\n\r\nStarting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n

 \"how

\r\n Tip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

But My Drawing Still Looks Nothing Like the Face I Wanted It to Look Like!

\r\nIn this post, I shared just a few simple tips to help you with some of the beginning basics of drawing a face and the facial features properly. That said, there is a lot more to drawing the face than I can cover in this one post, especially if you are striving to draw a face from a reference photo and you want the likeness to match that of the photo!\r\n\r\nIf you like the suggestions in this post but still want a faster and easier way to draw faces...that is also certain to have you end up with a better drawing in the end...\r\n\r\n...then I\'d like to share with you a special guide that I wrote titled \"How to Make Realistic Line Drawings of Any Face\". It provides information on a very effective technique with thorough details and examples that will have you drawing any face from any reference photo, perfectly proportioned and having a true likeness to your subject.\r\n\r\nYou will also see how to get more detailed, realistic-looking facial features with your initial line drawing. Here is an example of a reference photo of a woman\'s eyes, followed by my rendering.\r\n\r\n\"drawing\r\n\r\n\"drawing\r\n\r\n \r\n\r\nAfter drawing for 15 years, I learned this incredibly simple method that had me immediately drawing better, literally overnight! I will teach you to do the same.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on paper to appear as you want them to appear.\r\n\r\nHowever, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of faces are put together and determine the relationship of each feature with the others.\r\n\r\nBe an observer of life. Implement the simple tips on this page while you keep practicing. Seek more effective techniques when you are ready. The more you are aware of your environment, the better you will be at translating what you see on paper, and you will see that drawing faces is no longer all that tricky!\r\n\r\nClick here to get \"How to Make Realistic Line Drawings of Any Face\".','How to Draw Those Tricky Faces with Some Simple Tips','','inherit','open','open','','878-revision-v1','','','2014-09-02 00:18:29','2014-09-02 07:18:29','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(1447,2,'2014-09-02 00:23:56','2014-09-02 07:23:56','\"howThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a \"bad\" picture.\r\n\r\nWhen it comes to illustrating human facial features, beginning artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique, and skill in order to produce a realistic image.\r\n\r\nAs a beginning artist, what you may not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve your drawing skills. Learn how to draw faces using some simple tips from this post, and you can begin to build the right skills in order to approach this art form with confidence!\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness.\r\n\r\nA generic image is quite simply something you imagine, something that you come up with and sketch onto paper. A likeness, on the other hand, is a drawing that resembles a real person.\r\n\r\nA portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model.\r\n\r\nRegardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common reason beginning artists find it tricky to draw faces is because they draw an image with the wrong proportions.\r\n\r\nEyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears.\r\n\r\nWith good proportion, a multi-featured object such as a face will appear more aesthetically pleasing. But how do you achieve proportion?\r\n\r\nOne simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc.\r\n\r\nBy taking measurements, you will be able to see the relationship between features of the face and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n

\"how

\r\n A tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. The above guidelines are broad and general. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. If your goal is to capture an accurate likeness of a particular person, you may want to try an even more reliable technique. What matters, though, is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On View (face is forward), the Profile View (face is turned to the side) and the Three Quarters View (face is turned slightly or halfway to the side).\r\n\r\nOf these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view.\r\n\r\n\"three\r\n\r\nHere is where things can get a little tricky again. Each view has its own set of challenges. For example, the Straight On View calls for an appearance of symmetry, and if you don\'t deliver this symmetry, it is usually easy to spot. You don\'t have to worry about symmetry for the Three Quarters View, but drawing, for example, one eye smaller and a different shape and angle than the other can be tricky and problematic for many beginners trying to get it just right.\r\n\r\nOne suggestion I can give you that has been very helpful for me is to look at how the facial features align with other reference points around it. You can use an imaginary line for this or even a ruler.\r\n\r\nLet\'s say you wanted to draw a portrait using the reference photo below. Not only is it a Three Quarter View, but the subject\'s head is tilted down for an extra element of challenge!\r\n\r\nImmediately, you should look at how different parts of the face are positioned in relation to other parts of the photograph. The white lines represent examples where you can use a ruler or even \"eyeball it\" and trace the path with your finger.\r\n\r\n\"\"\r\n\r\nNotice how the man\'s right eye at the far corner lines up with the middle of his hairline at this angle? You can also see that the lower left edge of his nose is directly below his left pupil. Also, the top of the right eye is in perfect alignment with the bottom of the left eye and the attached lobe of the left ear.\r\n\r\nSimply keep looking for positional relationships like this, and you can draw a face angled in any view, any position!\r\n\r\nAlthough this technique has worked well for me over the years, it can be a little time-consuming to discover all of these interesting alignments. Also, if you get lazy and don\'t line up some features properly because you are rushing (like I have done in the past!), your results might not be what you had hoped for.\r\n\r\nThere is a much faster method of drawing a face in any position, and it removes the likelihood of you not placing your facial features properly. You can read more about it here.\r\n\r\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions.\r\n\r\nTo start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline.\r\n\r\nThe arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger.\r\n\r\nTo make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n

\"how

\r\n\r\n

 How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the wings (or alars), which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle.\r\n\r\nAt the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n

\"how

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on.\r\n\r\nAdd the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape (the helix) and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n

\"how

\r\n Note: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips. A woman\'s lips usually appears thicker and fuller, with more curves.\r\n\r\nTo start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look.\r\n\r\nStarting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n

 \"how

\r\n Tip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

But My Drawing Still Looks Nothing Like the Face I Wanted It to Look Like!

\r\nIn this post, I shared just a few simple tips to help you with some of the beginning basics of drawing a face and the facial features properly. That said, there is a lot more to drawing the face than I can cover in this one post, especially if you are striving to draw a face from a reference photo and you want the likeness to match that of the photo!\r\n\r\nIf you like the suggestions in this post but still want a faster and easier way to draw faces...that is also certain to have you end up with a better drawing in the end...\r\n\r\n...then I\'d like to share with you a special guide that I wrote titled \"How to Make Realistic Line Drawings of Any Face\". It provides information on a very effective technique with thorough details and examples that will have you drawing any face from any reference photo, perfectly proportioned and having a true likeness to your subject.\r\n\r\nYou will also see how to get more detailed, realistic-looking facial features with your initial line drawing. Here is an example of a reference photo of a woman\'s eyes, followed by my rendering.\r\n\r\n\"drawing\r\n\r\n\"drawing\r\n\r\nAfter drawing for 15 years, I learned this incredibly simple method that had me immediately drawing better, literally overnight! I will teach you to do the same.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on paper to appear as you want them to appear.\r\n\r\nHowever, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of faces are put together and determine the relationship of each feature with the others.\r\n\r\nBe an observer of life. Implement the simple tips on this page while you keep practicing. Seek more effective techniques when you are ready. The more you are aware of your environment, the better you will be at translating what you see on paper, and you will see that drawing faces is no longer all that tricky!\r\n\r\nClick here to get \"How to Make Realistic Line Drawings of Any Face\".','How to Draw Those Tricky Faces with Some Simple Tips','','inherit','open','open','','878-revision-v1','','','2014-09-02 00:23:56','2014-09-02 07:23:56','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(1449,2,'2014-09-02 18:54:42','2014-09-03 01:54:42','\"howThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a \"bad\" picture.\r\n\r\nWhen it comes to illustrating human facial features, beginning artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique, and skill in order to produce a realistic image.\r\n\r\nAs a beginning artist, what you may not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve your drawing skills. Learn how to draw faces using some simple tips from this post, and you can begin to build the right skills in order to approach this art form with confidence!\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness.\r\n\r\nA generic image is quite simply something you imagine, something that you come up with and sketch onto paper. A likeness, on the other hand, is a drawing that resembles a real person.\r\n\r\nA portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model.\r\n\r\nRegardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common reason beginning artists find it tricky to draw faces is because they draw an image with the wrong proportions.\r\n\r\nEyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears.\r\n\r\nWith good proportion, a multi-featured object such as a face will appear more aesthetically pleasing. But how do you achieve proportion?\r\n\r\nOne simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc.\r\n\r\nBy taking measurements, you will be able to see the relationship between features of the face and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n

\"how

\r\n A tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. The above guidelines are broad and general. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. If your goal is to capture an accurate likeness of a particular person, you may want to try an even more reliable technique. What matters, though, is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On View (face is forward), the Profile View (face is turned to the side) and the Three Quarters View (face is turned slightly or halfway to the side).\r\n\r\nOf these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view.\r\n\r\n\"three\r\n\r\nHere is where things can get a little tricky again. Each view has its own set of challenges. For example, the Straight On View calls for an appearance of symmetry, and if you don\'t deliver this symmetry, it is usually easy to spot. You don\'t have to worry about symmetry for the Three Quarters View, but drawing, for example, one eye smaller and a different shape and angle than the other can be tricky and problematic for many beginners trying to get it just right.\r\n\r\nOne suggestion I can give you that has been very helpful for me is to look at how the facial features align with other reference points around it. You can use an imaginary line for this or even a ruler.\r\n\r\nLet\'s say you wanted to draw a portrait using the reference photo below. Not only is it a Three Quarter View, but the subject\'s head is tilted down for an extra element of challenge!\r\n\r\nImmediately, you should look at how different parts of the face are positioned in relation to other parts of the photograph. The white lines represent examples where you can use a ruler or even \"eyeball it\" and trace the path with your finger.\r\n\r\n\"\"\r\n\r\nNotice how the man\'s right eye at the far corner lines up with the middle of his hairline at this angle? You can also see that the lower left edge of his nose is directly below his left pupil. Also, the top of the right eye is in perfect alignment with the bottom of the left eye and the attached lobe of the left ear.\r\n\r\nSimply keep looking for positional relationships like this, and you can draw a face angled in any view, any position!\r\n\r\nAlthough this technique has worked well for me over the years, it can be a little time-consuming to discover all of these interesting alignments. Also, if you get lazy and don\'t line up some features properly because you are rushing (like I have done in the past!), your results might not be what you had hoped for.\r\n\r\nThere is a much faster method of drawing a face in any position, and it removes the likelihood of you not placing your facial features properly. You can read more about it here.\r\n\r\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions.\r\n\r\nTo start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline.\r\n\r\nThe arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger.\r\n\r\nTo make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n

\"how

\r\n\r\n

 How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the wings (or alars), which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle.\r\n\r\nAt the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n

\"how

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on.\r\n\r\nAdd the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape (the helix) and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n

\"how

\r\n Note: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips. A woman\'s lips usually appears thicker and fuller, with more curves.\r\n\r\nTo start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look.\r\n\r\nStarting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n

 \"how

\r\n Tip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

But My Drawing Still Looks Nothing Like the Face I Wanted It to Look Like!

\r\nIn this post, I shared just a few simple tips to help you with some of the beginning basics of drawing a face and the facial features properly. That said, there is a lot more to drawing the face than I can cover in this one post, especially if you are striving to draw a face from a reference photo and you want the likeness to match that of the photo!\r\n\r\nIf you like the suggestions in this post but still want a faster and easier way to draw faces...that is also certain to have you end up with a better drawing in the end...\r\n\r\n...then I\'d like to share with you a special guide that I wrote titled \"How to Make Realistic Line Drawings of Any Face\". It provides information on a very effective technique with thorough details and examples that will have you drawing any face from any reference photo, perfectly proportioned and having a true likeness to your subject.\r\n\r\nYou will also see how to get more detailed, realistic-looking facial features with your initial line drawing. Here is an example of a reference photo of a woman\'s eyes, followed by my rendering.\r\n\r\n\"drawing\r\n\r\n\"drawing\r\n\r\nAfter drawing for 15 years, I learned this incredibly simple method that had me immediately drawing better, literally overnight! I will teach you to do the same.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on paper to appear as you want them to appear.\r\n\r\nHowever, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of faces are put together and determine the relationship of each feature with the others.\r\n\r\nBe an observer of life. Implement the simple tips on this page while you keep practicing. Seek more effective techniques when you are ready. The more you are aware of your environment, the better you will be at translating what you see on paper, and you will see that drawing faces is no longer all that tricky!\r\n\r\nClick here to get \"How to Make Realistic Line Drawings of Any Face\"!','How to Draw Those Tricky Faces with Some Simple Tips','','inherit','open','open','','878-revision-v1','','','2014-09-02 18:54:42','2014-09-03 01:54:42','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(1450,2,'2014-09-02 18:55:49','2014-09-03 01:55:49','\"howThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a \"bad\" picture.\r\n\r\nWhen it comes to illustrating human facial features, beginning artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique, and skill in order to produce a realistic image.\r\n\r\nAs a beginning artist, what you may not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve your drawing skills. Learn how to draw faces using some simple tips from this post, and you can begin to build the right skills in order to approach this art form with confidence!\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness.\r\n\r\nA generic image is quite simply something you imagine, something that you come up with and sketch onto paper. A likeness, on the other hand, is a drawing that resembles a real person.\r\n\r\nA portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model.\r\n\r\nRegardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common reason beginning artists find it tricky to draw faces is because they draw an image with the wrong proportions.\r\n\r\nEyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears.\r\n\r\nWith good proportion, a multi-featured object such as a face will appear more aesthetically pleasing. But how do you achieve proportion?\r\n\r\nOne simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc.\r\n\r\nBy taking measurements, you will be able to see the relationship between features of the face and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n

\"how

\r\n A tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. The above guidelines are broad and general. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. If your goal is to capture an accurate likeness of a particular person, you may want to try an even more reliable technique. What matters, though, is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On View (face is forward), the Profile View (face is turned to the side) and the Three Quarters View (face is turned slightly or halfway to the side).\r\n\r\nOf these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view.\r\n\r\n\"three\r\n\r\nHere is where things can get a little tricky again. Each view has its own set of challenges. For example, the Straight On View calls for an appearance of symmetry, and if you don\'t deliver this symmetry, it is usually easy to spot. You don\'t have to worry about symmetry for the Three Quarters View, but drawing, for example, one eye smaller and a different shape and angle than the other can be tricky and problematic for many beginners trying to get it just right.\r\n\r\nOne suggestion I can give you that has been very helpful for me is to look at how the facial features align with other reference points around it. You can use an imaginary line for this or even a ruler.\r\n\r\nLet\'s say you wanted to draw a portrait using the reference photo below. Not only is it a Three Quarter View, but the subject\'s head is tilted down for an extra element of challenge!\r\n\r\nImmediately, you should look at how different parts of the face are positioned in relation to other parts of the photograph. The white lines represent examples where you can use a ruler or even \"eyeball it\" and trace the path with your finger.\r\n\r\n\"\"\r\n\r\nNotice how the man\'s right eye at the far corner lines up with the middle of his hairline at this angle? You can also see that the lower left edge of his nose is directly below his left pupil. Also, the top of the right eye is in perfect alignment with the bottom of the left eye and the attached lobe of the left ear.\r\n\r\nSimply keep looking for positional relationships like this, and you can draw a face angled in any view, any position!\r\n\r\nAlthough this technique has worked well for me over the years, it can be a little time-consuming to discover all of these interesting alignments. Also, if you get lazy and don\'t line up some features properly because you are rushing (like I have done in the past!), your results might not be what you had hoped for.\r\n\r\nThere is a much faster method of drawing a face in any position, and it removes the likelihood of you not placing your facial features properly. You can read more about it here.\r\n\r\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions.\r\n\r\nTo start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline.\r\n\r\nThe arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger.\r\n\r\nTo make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n

\"how

\r\n\r\n

 How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the wings (or alars), which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle.\r\n\r\nAt the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n

\"how

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on.\r\n\r\nAdd the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape (the helix) and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n

\"how

\r\n Note: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips. A woman\'s lips usually appears thicker and fuller, with more curves.\r\n\r\nTo start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look.\r\n\r\nStarting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n

 \"how

\r\n Tip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

But My Drawing Still Looks Nothing Like the Face I Wanted It to Look Like!

\r\nIn this post, I shared just a few simple tips to help you with some of the beginning basics of drawing a face and the facial features properly. That said, there is a lot more to drawing the face than I can cover in this one post, especially if you are striving to draw a face from a reference photo and you want the likeness to match that of the photo!\r\n\r\nIf you like the suggestions in this post but still want a faster and easier way to draw faces...that is also certain to have you end up with a better drawing in the end...\r\n\r\n...then I\'d like to share with you a special guide that I wrote titled \"How to Make Realistic Line Drawings of Any Face\". It provides information on a very effective technique with thorough details and examples that will have you drawing any face from any reference photo, perfectly proportioned and having a true likeness to your subject.\r\n\r\nYou will also see how to get more detailed, realistic-looking facial features with your initial line drawing. Here is an example of a reference photo of a woman\'s eyes, followed by my rendering.\r\n\r\n\"drawing\r\n\r\n\"drawing\r\n\r\nAfter drawing for 15 years, I learned this incredibly simple method that had me immediately drawing better, literally overnight! I will teach you to do the same.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on paper to appear as you want them to appear.\r\n\r\nHowever, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of faces are put together and determine the relationship of each feature with the others.\r\n\r\nBe an observer of life. Implement the simple tips on this page while you keep practicing. Seek more effective techniques when you are ready. The more you are aware of your environment, the better you will be at translating what you see on paper, and you will see that drawing faces is no longer all that tricky!\r\n\r\nClick here to get \"How to Make Realistic Line Drawings of Any Face\"!','How to Draw Those Tricky Faces with Some Simple Tips','','inherit','open','open','','878-revision-v1','','','2014-09-02 18:55:49','2014-09-03 01:55:49','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(1451,2,'2014-09-02 20:20:59','2014-09-03 03:20:59','','how to draw faces simple tips','','inherit','open','open','','how-to-draw-faces-simple-tips','','','2014-09-02 20:20:59','2014-09-03 03:20:59','',878,'http://www.letsdrawpeople.com/wp-content/uploads/2014/01/how-to-draw-faces-simple-tips.jpg',0,'attachment','image/jpeg',0),(1452,2,'2014-09-02 20:22:56','2014-09-03 03:22:56','\"how\r\n\r\nThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a \"bad\" picture.\r\n\r\nWhen it comes to illustrating human facial features, beginning artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique, and skill in order to produce a realistic image.\r\n\r\nAs a beginning artist, what you may not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve your drawing skills. Learn how to draw faces using some simple tips from this post, and you can begin to build the right skills in order to approach this art form with confidence!\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness.\r\n\r\nA generic image is quite simply something you imagine, something that you come up with and sketch onto paper. A likeness, on the other hand, is a drawing that resembles a real person.\r\n\r\nA portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model.\r\n\r\nRegardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common reason beginning artists find it tricky to draw faces is because they draw an image with the wrong proportions.\r\n\r\nEyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears.\r\n\r\nWith good proportion, a multi-featured object such as a face will appear more aesthetically pleasing. But how do you achieve proportion?\r\n\r\nOne simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc.\r\n\r\nBy taking measurements, you will be able to see the relationship between features of the face and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n

\"how

\r\n A tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. The above guidelines are broad and general. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. If your goal is to capture an accurate likeness of a particular person, you may want to try an even more reliable technique. What matters, though, is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On View (face is forward), the Profile View (face is turned to the side) and the Three Quarters View (face is turned slightly or halfway to the side).\r\n\r\nOf these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view.\r\n\r\n\"three\r\n\r\nHere is where things can get a little tricky again. Each view has its own set of challenges. For example, the Straight On View calls for an appearance of symmetry, and if you don\'t deliver this symmetry, it is usually easy to spot. You don\'t have to worry about symmetry for the Three Quarters View, but drawing, for example, one eye smaller and a different shape and angle than the other can be tricky and problematic for many beginners trying to get it just right.\r\n\r\nOne suggestion I can give you that has been very helpful for me is to look at how the facial features align with other reference points around it. You can use an imaginary line for this or even a ruler.\r\n\r\nLet\'s say you wanted to draw a portrait using the reference photo below. Not only is it a Three Quarter View, but the subject\'s head is tilted down for an extra element of challenge!\r\n\r\nImmediately, you should look at how different parts of the face are positioned in relation to other parts of the photograph. The white lines represent examples where you can use a ruler or even \"eyeball it\" and trace the path with your finger.\r\n\r\n\"\"\r\n\r\nNotice how the man\'s right eye at the far corner lines up with the middle of his hairline at this angle? You can also see that the lower left edge of his nose is directly below his left pupil. Also, the top of the right eye is in perfect alignment with the bottom of the left eye and the attached lobe of the left ear.\r\n\r\nSimply keep looking for positional relationships like this, and you can draw a face angled in any view, any position!\r\n\r\nAlthough this technique has worked well for me over the years, it can be a little time-consuming to discover all of these interesting alignments. Also, if you get lazy and don\'t line up some features properly because you are rushing (like I have done in the past!), your results might not be what you had hoped for.\r\n\r\nThere is a much faster method of drawing a face in any position, and it removes the likelihood of you not placing your facial features properly. You can read more about it here.\r\n\r\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions.\r\n\r\nTo start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline.\r\n\r\nThe arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger.\r\n\r\nTo make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n

\"how

\r\n\r\n

 How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the wings (or alars), which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle.\r\n\r\nAt the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n

\"how

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on.\r\n\r\nAdd the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape (the helix) and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n

\"how

\r\n Note: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips. A woman\'s lips usually appears thicker and fuller, with more curves.\r\n\r\nTo start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look.\r\n\r\nStarting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n

 \"how

\r\n Tip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

But My Drawing Still Looks Nothing Like the Face I Wanted It to Look Like!

\r\nIn this post, I shared just a few simple tips to help you with some of the beginning basics of drawing a face and the facial features properly. That said, there is a lot more to drawing the face than I can cover in this one post, especially if you are striving to draw a face from a reference photo and you want the likeness to match that of the photo!\r\n\r\nIf you like the suggestions in this post but still want a faster and easier way to draw faces...that is also certain to have you end up with a better drawing in the end...\r\n\r\n...then I\'d like to share with you a special guide that I wrote titled \"How to Make Realistic Line Drawings of Any Face\". It provides information on a very effective technique with thorough details and examples that will have you drawing any face from any reference photo, perfectly proportioned and having a true likeness to your subject.\r\n\r\nYou will also see how to get more detailed, realistic-looking facial features with your initial line drawing. Here is an example of a reference photo of a woman\'s eyes, followed by my rendering.\r\n\r\n\"drawing\r\n\r\n\"drawing\r\n\r\nAfter drawing for 15 years, I learned this incredibly simple method that had me immediately drawing better, literally overnight! I will teach you to do the same.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on paper to appear as you want them to appear.\r\n\r\nHowever, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of faces are put together and determine the relationship of each feature with the others.\r\n\r\nBe an observer of life. Implement the simple tips on this page while you keep practicing. Seek more effective techniques when you are ready. The more you are aware of your environment, the better you will be at translating what you see on paper, and you will see that drawing faces is no longer all that tricky!\r\n\r\nClick here to get \"How to Make Realistic Line Drawings of Any Face\"!','How to Draw Those Tricky Faces with Some Simple Tips','','inherit','open','open','','878-revision-v1','','','2014-09-02 20:22:56','2014-09-03 03:22:56','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0); INSERT INTO `wp_posts` VALUES (1453,2,'2014-09-03 05:50:20','2014-09-03 12:50:20','\"how\r\n\r\nThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a \"bad\" picture.\r\n\r\nWhen it comes to illustrating human facial features, beginning artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique, and skill in order to produce a realistic image.\r\n\r\nAs a beginning artist, what you may not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve your drawing skills. Learn how to draw faces using some simple tips from this post, and you can begin to build the right skills in order to approach this art form with confidence!\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness.\r\n\r\nA generic image is quite simply something you imagine, something that you come up with and sketch onto paper. A likeness, on the other hand, is a drawing that resembles a real person.\r\n\r\nA portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model.\r\n\r\nRegardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common reason beginning artists find it tricky to draw faces is because they draw an image with the wrong proportions.\r\n\r\nEyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears.\r\n\r\nWith good proportion, a multi-featured object such as a face will appear more aesthetically pleasing. But how do you achieve proportion?\r\n\r\nOne simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc.\r\n\r\nBy taking measurements, you will be able to see the relationship between features of the face and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n

\"how

\r\n A tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. The above guidelines are broad and general. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. If your goal is to capture an accurate likeness of a particular person, you may want to try an even more reliable technique. What matters, though, is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On View (face is forward), the Profile View (face is turned to the side) and the Three Quarters View (face is turned slightly or halfway to the side).\r\n\r\nOf these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view.\r\n\r\n\"three\r\n\r\nHere is where things can get a little tricky again. Each view has its own set of challenges. For example, the Straight On View calls for an appearance of symmetry, and if you don\'t deliver this symmetry, it is usually easy to spot. You don\'t have to worry about symmetry for the Three Quarters View, but drawing, for example, one eye smaller and a different shape and angle than the other can be tricky and problematic for many beginners trying to get it just right.\r\n\r\nOne suggestion I can give you that has been very helpful for me is to look at how the facial features align with other reference points around it. You can use an imaginary line for this or even a ruler.\r\n\r\nLet\'s say you wanted to draw a portrait using the reference photo below. Not only is it a Three Quarter View, but the subject\'s head is tilted down for an extra element of challenge!\r\n\r\nImmediately, you should look at how different parts of the face are positioned in relation to other parts of the photograph. The white lines represent examples where you can use a ruler or even \"eyeball it\" and trace the path with your finger.\r\n\r\n\"\"\r\n\r\nNotice how the man\'s right eye at the far corner lines up with the middle of his hairline at this angle? You can also see that the lower left edge of his nose is directly below his left pupil. Also, the top of the right eye is in perfect alignment with the bottom of the left eye and the attached lobe of the left ear.\r\n\r\nSimply keep looking for positional relationships like this, and you can draw a face angled in any view, any position!\r\n\r\nAlthough this technique has worked well for me over the years, it can be a little time-consuming to discover all of these interesting alignments. Also, if you get lazy and don\'t line up some features properly because you are rushing (like I have done in the past!), your results might not be what you had hoped for.\r\n\r\nThere is a much faster method of drawing a face in any position, and it removes the likelihood of you not placing your facial features properly. You can read more about it here.\r\n\r\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions.\r\n\r\nTo start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline.\r\n\r\nThe arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger.\r\n\r\nTo make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n

\"how

\r\n\r\n

 How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the wings (or alars), which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle.\r\n\r\nAt the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n

\"how

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on.\r\n\r\nAdd the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape (the helix) and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n

\"how

\r\n Note: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips. A woman\'s lips usually appears thicker and fuller, with more curves.\r\n\r\nTo start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look.\r\n\r\nStarting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n

 \"how

\r\n Tip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

But My Drawing Still Looks Nothing Like the Face I Wanted It to Look Like!

\r\nIn this post, I shared just a few simple tips to help you with some of the beginning basics of drawing a face and the facial features properly. That said, there is a lot more to drawing the face than I can cover in this one post, especially if you are striving to draw a face from a reference photo and you want the likeness to match that of the photo!\r\n\r\nIf you like the suggestions in this post but still want a faster and easier way to draw faces...that is also certain to have you end up with a better drawing in the end...\r\n\r\n...then I\'d like to share with you a special guide that I wrote titled \"How to Make Realistic Line Drawings of Any Face\". It provides information on a very effective technique with thorough details and examples that will have you drawing any face from any reference photo, perfectly proportioned and having a true likeness to your subject.\r\n\r\nYou will also see how to get more detailed, realistic-looking facial features with your initial line drawing. Here is an example of a reference photo of a woman\'s eyes, followed by my rendering.\r\n\r\n\"drawing\r\n\r\n\"drawing\r\n\r\nA line drawing is typically the first (and most important) step before adding shading to a portrait to make it as realistic as possible. If your initial line drawing is already detailed and accurate, that makes your final portrait much more convincing.\r\n\r\nA line drawing can also stand alone as artwork of its own!\r\n\r\nAfter drawing for 15 years, I learned this incredibly simple method that had me immediately drawing better, literally overnight! I will teach you to do the same.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on paper to appear as you want them to appear.\r\n\r\nHowever, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of faces are put together and determine the relationship of each feature with the others.\r\n\r\nBe an observer of life. Implement the simple tips on this page while you keep practicing. Seek more effective techniques when you are ready. The more you are aware of your environment, the better you will be at translating what you see on paper, and you will see that drawing faces is no longer all that tricky!\r\n\r\nClick here to get \"How to Make Realistic Line Drawings of Any Face\"!','How to Draw Those Tricky Faces with Some Simple Tips','','inherit','open','open','','878-revision-v1','','','2014-09-03 05:50:20','2014-09-03 12:50:20','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(1454,2,'2014-09-03 05:57:34','2014-09-03 12:57:34','\"how\r\n\r\nThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a \"bad\" picture.\r\n\r\nWhen it comes to illustrating human facial features, beginning artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique, and skill in order to produce a realistic image.\r\n\r\nAs a beginning artist, what you may not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve your drawing skills. Learn how to draw faces using some simple tips from this post, and you can begin to build the right skills in order to approach this art form with confidence!\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness.\r\n\r\nA generic image is quite simply something you imagine, something that you come up with and sketch onto paper. A likeness, on the other hand, is a drawing that resembles a real person.\r\n\r\nA portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model.\r\n\r\nRegardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common reason beginning artists find it tricky to draw faces is because they draw an image with the wrong proportions.\r\n\r\nEyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears.\r\n\r\nWith good proportion, a multi-featured object such as a face will appear more aesthetically pleasing. But how do you achieve proportion?\r\n\r\nOne simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc.\r\n\r\nBy taking measurements, you will be able to see the relationship between features of the face and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n

\"how

\r\n A tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. The above guidelines are broad and general. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. If your goal is to capture an accurate likeness of a particular person, you may want to try an even more reliable technique. What matters, though, is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On View (face is forward), the Profile View (face is turned to the side) and the Three Quarters View (face is turned slightly or halfway to the side).\r\n\r\nOf these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view.\r\n\r\n\"three\r\n\r\nHere is where things can get a little tricky again. Each view has its own set of challenges. For example, the Straight On View calls for an appearance of symmetry, and if you don\'t deliver this symmetry, it is usually easy to spot. You don\'t have to worry about symmetry for the Three Quarters View, but drawing, for example, one eye smaller and a different shape and angle than the other can be tricky and problematic for many beginners trying to get it just right.\r\n\r\nOne suggestion I can give you that has been very helpful for me is to look at how the facial features align with other reference points around it. You can use an imaginary line for this or even a ruler.\r\n\r\nLet\'s say you wanted to draw a portrait using the reference photo below. Not only is it a Three Quarter View, but the subject\'s head is tilted down for an extra element of challenge!\r\n\r\nImmediately, you should look at how different parts of the face are positioned in relation to other parts of the photograph. The white lines represent examples where you can use a ruler or even \"eyeball it\" and trace the path with your finger.\r\n\r\n\"\"\r\n\r\nNotice how the man\'s right eye at the far corner lines up with the middle of his hairline at this angle? You can also see that the lower left edge of his nose is directly below his left pupil. Also, the top of the right eye is in perfect alignment with the bottom of the left eye and the attached lobe of the left ear.\r\n\r\nSimply keep looking for positional relationships like this, and you can draw a face angled in any view, any position!\r\n\r\nAlthough this technique has worked well for me over the years, it can be a little time-consuming to discover all of these interesting alignments. Also, if you get lazy and don\'t line up some features properly because you are rushing (like I have done in the past!), your results might not be what you had hoped for.\r\n\r\nThere is a much faster method of drawing a face in any position, and it removes the likelihood of you not placing your facial features properly. You can read more about it here.\r\n\r\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions.\r\n\r\nTo start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline.\r\n\r\nThe arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger.\r\n\r\nTo make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n

\"how

\r\n\r\n

 How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the wings (or alars), which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle.\r\n\r\nAt the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n

\"how

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on.\r\n\r\nAdd the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape (the helix) and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n

\"how

\r\n Note: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips. A woman\'s lips usually appears thicker and fuller, with more curves.\r\n\r\nTo start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look.\r\n\r\nStarting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n

 \"how

\r\n Tip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

But My Drawing Still Looks Nothing Like the Face I Wanted It to Look Like!

\r\nIn this post, I shared just a few simple tips to help you with some of the beginning basics of drawing a face and the facial features properly. That said, there is a lot more to drawing the face than I can cover in this one post, especially if you are striving to draw a face from a reference photo and you want the likeness to match that of the photo!\r\n\r\nIf you like the suggestions in this post but still want a faster and easier way to draw faces...that is also certain to have you end up with a better drawing in the end...\r\n\r\n...then I\'d like to share with you a special guide that I wrote titled \"How to Make Realistic Line Drawings of Any Face\". It provides information on a very effective technique with thorough details and examples that will have you drawing any face from any reference photo, perfectly proportioned and having a true likeness to your subject.\r\n\r\nYou will also see how to get more detailed, realistic-looking facial features with your initial line drawing. Here is an example of a reference photo of a woman\'s eyes, followed by my rendering.\r\n\r\n\"drawing\r\n\r\n\"drawing\r\n\r\nA line drawing is typically the first (and most important) step before adding shading to a portrait to make it as realistic as possible. If your initial line drawing is already detailed and accurate, that makes your final portrait that much more convincing.\r\n\r\nA line drawing can also stand alone as artwork of its own!\r\n\r\nAfter drawing for 15 years, I learned this incredibly simple method that had me immediately drawing better, literally overnight! I will teach you to do the same.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on paper to appear as you want them to appear.\r\n\r\nHowever, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of faces are put together and determine the relationship of each feature with the others.\r\n\r\nBe an observer of life. Implement the simple tips on this page while you keep practicing. Seek more effective techniques when you are ready. The more you are aware of your environment, the better you will be at translating what you see on paper, and you will see that drawing faces is no longer all that tricky!\r\n\r\nClick here to get \"How to Make Realistic Line Drawings of Any Face\"!','How to Draw Those Tricky Faces with Some Simple Tips','','inherit','open','open','','878-revision-v1','','','2014-09-03 05:57:34','2014-09-03 12:57:34','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(1487,2,'2014-10-11 06:42:51','2014-10-11 13:42:51','

[embed]http://letsdrawpeople.s3.amazonaws.com/word+photoshop+lesson+dnld.mp4[/embed]

','','','inherit','open','open','','1482-revision-v1','','','2014-10-11 06:42:51','2014-10-11 13:42:51','',1482,'http://www.letsdrawpeople.com/1482-revision-v1/',0,'revision','',0),(1488,2,'2014-10-12 18:49:06','2014-10-13 01:49:06','

[embed]http://letsdrawpeople.s3.amazonaws.com/word+photoshop+lesson+dnld.mp4[/embed]

\r\n

Download

','','','inherit','open','open','','1482-revision-v1','','','2014-10-12 18:49:06','2014-10-13 01:49:06','',1482,'http://www.letsdrawpeople.com/1482-revision-v1/',0,'revision','',0),(1489,2,'2014-10-12 19:29:28','2014-10-13 02:29:28','

[embed]http://letsdrawpeople.s3.amazonaws.com/word+photoshop+lesson+dnld.mp4[/embed]

\r\n

Download

','How to Make Your Own Custom Grids with Microsoft Word and Adobe Photoshop Elements','','inherit','open','open','','1482-revision-v1','','','2014-10-12 19:29:28','2014-10-13 02:29:28','',1482,'http://www.letsdrawpeople.com/1482-revision-v1/',0,'revision','',0),(1641,2,'2015-02-09 21:39:15','2015-02-10 05:39:15','If you are not used to drawing them, ears can be very intimidating. I remember struggling for years to understand all of the ins and outs of the ear and being frustrated that I couldn\'t draw one satisfactorily.\r\n\r\nEars come in all shapes and sizes and are unique to each individual. Luckily though, ears don\'t have to be any more difficult to draw than any other facial feature. Just like the other features of the face, nearly each and every unique ear has the same basic structure. Once you learn this structure and a step-by-step method for drawing the visible outer parts, you should have a much easier time drawing ears. So listen up!\r\n

Parts of the Outer Ear

\r\nThere are a lot of weird, unusual scientific names for the parts of the ear. There really is no need to remember them all. Hopefully without getting too technical, there are a few select parts that I will refer to during this lesson, so it\'s a good idea to at least get familiar with these:\r\n

\"how

\r\n\r\n
    \r\n
  • The helix is the rim of cartilage that circles around the outer edge of the ear.
    • \r\n
  • Working your way inward from the helix, the next section is called the antihelix. This part of the ear almost forms a bended \"y\" shape.
    • \r\n
  • The lobule is the earlobe at the bottom of the ear.
    • \r\n
  • The area between the antihelix and the ear canal is called the concha.
    • \r\n
  • The tragus is the small bump of cartilage adjacent to the ear canal.
    • \r\n
  • The antitragus is the small bump below the antihelix and across from the tragus.
    • \r\n
\r\nWhen it comes to drawing ears, I generally like to begin with the helix and work my way inward. Being familiar with the structures mentioned above and drawing one part at a time is one method of drawing ears that most people find helpful. Following is a simple step-by-step plan you can try.\r\n

Step 1: Draw the helix and lobule.

\r\nThis is your first chance to capture the first unique characteristics of the ear you are trying to draw...namely its shape and size. As I mentioned earlier, nearly all ears have the same structure but are unique in their own ways. Is the ear you are trying to draw large or small? Narrow or wide? How far does it protrude from the head?\r\n\r\nLook also at the lobule and its unique characteristics. Is it a \"free\" earlobe that hangs loosely and disconnected from the face? Or is it an \"attached\" earlobe that is secured firmly to the head?\r\n\r\n\"how\r\n

Step 2: Draw the antihelix and antitragus.

\r\nWhen I was still learning how to draw ears many many years ago, I found this y-shaped antihelix to be the most intimidating part. It really doesn\'t have to be that hard, though. Using the helix as your guide, decide how to place and position the top of the \"y\" underneath it. Then gently curve the body of the \"y\" alongside the helix. Draw the little bump at the bottom that will be the antitragus. The hard part is over!\r\n\r\n\"how\r\n

Step 3: Draw the tragus and concha area.

\r\nNow it gets much easier. Draw the tragus, which is across from the antitragus with a little dip between the two. Look in the concha and ear canal area and indicate any distinct or subtle cartilage protrusions. Make sure you draw the helix curving into this area as well.\r\n\r\n\"how\r\n

Finishing Up

\r\nLook carefully for other defining characteristics to include in your ear drawing such as piercings, earrings, moles, and surrounding hair. Add as much or as little shading and detail as you like.\r\n\r\n\"how\r\n\r\nRemember that this is just one method for drawing ears. There is no one correct way. Find what works for you. Hopefully you find this method helpful if you were once one to get frustrated with drawing ears. Keep at it! You will get better with practice, and drawing ears will turn from frustrating to fun!','Listen Up to Learn How to Draw Ears','','inherit','open','open','','1605-revision-v1','','','2015-02-09 21:39:15','2015-02-10 05:39:15','',1605,'http://www.letsdrawpeople.com/1605-revision-v1/',0,'revision','',0),(1640,2,'2015-02-09 21:36:10','2015-02-10 05:36:10','If you are not used to drawing them, ears can be very intimidating. I remember struggling for years to understand all of the ins and outs of the ear and being frustrated that I couldn\'t draw one satisfactorily.\r\n\r\nEars come in all shapes and sizes and are unique to each individual. Luckily though, ears don\'t have to be any more difficult to draw than any other facial feature. Just like the other features of the face, nearly each and every unique ear has the same basic structure. Once you learn this structure and a step-by-step method for drawing the visible outer parts, you should have a much easier time drawing ears. So listen up!\r\n

Parts of the Outer Ear

\r\nThere are a lot of weird, unusual scientific names for the parts of the ear. There really is no need to remember them all. Hopefully without getting too technical, there are a few select parts that I will refer to during this lesson, so it\'s a good idea to at least get familiar with these:\r\n

\"how

\r\n\r\n
    \r\n
  • The helix is the rim of cartilage that circles around the outer edge of the ear.
    • \r\n
  • Working your way inward from the helix, the next section is called the antihelix. This part of the ear almost forms a bended \"y\" shape.
    • \r\n
  • The lobule is the earlobe at the bottom of the ear.
    • \r\n
  • The area between the antihelix and the ear canal is called the concha.
    • \r\n
  • The tragus is the small bump of cartilage adjacent to the ear canal.
    • \r\n
  • The antitragus is the small bump below the antihelix and across from the tragus.
    • \r\n
\r\nWhen it comes to drawing ears, I generally like to begin with the helix and work my way inward. Being familiar with the structures mentioned above and drawing one part at a time is one method of drawing ears that most people find helpful. Following is a simple step-by-step plan you can try.\r\n

Step 1: Draw the helix and lobule.

\r\n\"howThis is your first chance to capture the first unique characteristics of the ear you are trying to draw...namely its shape and size. As I mentioned earlier, nearly all ears have the same structure but are unique in their own ways. Is the ear you are trying to draw large or small? Narrow or wide? How far does it protrude from the head?\r\n\r\nLook also at the lobule and its unique characteristics. Is it a \"free\" earlobe that hangs loosely and disconnected from the face? Or is it an \"attached\" earlobe that is secured firmly to the head?\r\n

Step 2: Draw the antihelix and antitragus.

\r\n\"howWhen I was still learning how to draw ears many many years ago, I found this y-shaped antihelix to be the most intimidating part. It really doesn\'t have to be that hard, though. Using the helix as your guide, decide how to place and position the top of the \"y\" underneath it. Then gently curve the body of the \"y\" alongside the helix. Draw the little bump at the bottom that will be the antitragus. The hard part is over!\r\n

Step 3: Draw the tragus and concha area.

\r\n\"howNow it gets much easier. Draw the tragus, which is across from the antitragus with a little dip between the two. Look in the concha and ear canal area and indicate any distinct or subtle cartilage protrusions. Make sure you draw the helix curving into this area as well.\r\n

Finishing Up

\r\n\"howLook carefully for other defining characteristics to include in your ear drawing such as piercings, earrings, moles, and surrounding hair. Add as much or as little shading and detail as you like.\r\n\r\nRemember that this is just one method for drawing ears. There is no one correct way. Find what works for you. Hopefully you find this method helpful if you were once one to get frustrated with drawing ears. Keep at it! You will get better with practice, and drawing ears will turn from frustrating to fun!','Listen Up to Learn How to Draw Ears','','inherit','open','open','','1605-revision-v1','','','2015-02-09 21:36:10','2015-02-10 05:36:10','',1605,'http://www.letsdrawpeople.com/1605-revision-v1/',0,'revision','',0),(1628,2,'2015-02-04 20:48:41','2015-02-05 04:48:41','','DSCN5143','\"Outing Aging (for exhibition at Holy biscuit 2013)\" by Lauren','inherit','open','open','','dscn5143','','','2015-02-04 20:52:11','2015-02-05 04:52:11','',1060,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/DSCN5143.jpg',0,'attachment','image/jpeg',0),(1629,2,'2015-02-04 20:53:22','2015-02-05 04:53:22','Welcome to our gallery of self-portrait drawings! Here you can view drawings by our contributors and visitors...of themselves!\r\n\r\nSelf-portraits are some of the most intriguing types of artwork around. Often times, we as humans see ourselves or think of ourselves differently from how others perceive us. A self-portrait is exactly what the name implies. It is simply a drawing of one\'s own self.\r\n\r\nA self-portrait drawing forces an artist to create an interpretation of oneself. The artist must take a critical look in the mirror and create an image of what the rest of the world sees. At the same time, the artist finds balance and includes those unique elements and features that define who he or she is as a person.\r\n\r\nCome back to this gallery often to see the faces behind those who create our articles and tutorials, as well as the faces that make up our growing audience!\r\n\r\nIf you have your own self-portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"1026,1456,1628\"]','Self-Portrait Drawings of Aspiring Artists','','inherit','open','open','','1060-revision-v1','','','2015-02-04 20:53:22','2015-02-05 04:53:22','',1060,'http://www.letsdrawpeople.com/1060-revision-v1/',0,'revision','',0),(1630,2,'2015-02-05 20:21:41','2015-02-06 04:21:41','','sept2013','\"Stranger\" by Ada Denil','inherit','open','open','','sept2013','','','2015-02-05 20:22:09','2015-02-06 04:22:09','',1200,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/sept2013.jpg',0,'attachment','image/jpeg',0),(1510,2,'2015-01-01 12:17:00','2015-01-01 20:17:00','','Derwent Graphic Pencils','','inherit','open','open','','derwent-graphic-pencils','','','2015-01-01 12:17:00','2015-01-01 20:17:00','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/Derwent-Graphic-Pencils.jpg',0,'attachment','image/jpeg',0),(1512,2,'2015-01-01 13:05:13','2015-01-01 21:05:13','','','','inherit','open','open','','1512','','','2015-01-01 13:05:13','2015-01-01 21:05:13','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/51tTqivV5kL1.jpg',0,'attachment','image/jpeg',0),(1701,2,'2015-03-18 20:56:47','2015-03-19 03:56:47','','caricature ad 500x125','','inherit','open','open','','caricature-ad-500x125','','','2015-03-18 20:56:47','2015-03-19 03:56:47','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/caricature-ad-500x125.jpg',0,'attachment','image/jpeg',0),(1623,2,'2015-02-01 20:02:21','2015-02-02 04:02:21','','Eye1','\"Eye\" by Jackie Carter','inherit','open','open','','eye1','','','2015-02-01 20:02:41','2015-02-02 04:02:41','',1298,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/Eye1.jpg',0,'attachment','image/jpeg',0),(1624,2,'2016-01-23 23:46:32','2016-01-24 07:46:32','Our faces are made up of different facial features. We have eyes with eyelashes and eyebrows that help convey a certain mood. We have noses of different shapes and sizes. We have mouths that may be smiling, frowning, yelling, or calm. And let\'s not forget the ears and the hair on our heads!\n\nThis is a gallery where you will not find completed portraits. Instead, you will take a look at drawings that focus only on one or more important features of the face.\n\nCheck out this gallery if you are struggling with how to draw certain facial features and you want to get inspiration from other artists.\n\nIf you have your own facial feature drawing that you want others to view in this gallery, see how to share it with us.\n\n[gallery link=\"file\" ids=\"1265,707,1623,1933,2216,1639,1616\" orderby=\"rand\"]','Facial Features','','inherit','open','open','','1298-autosave-v1','','','2016-01-23 23:46:32','2016-01-24 07:46:32','',1298,'http://www.letsdrawpeople.com/1298-autosave-v1/',0,'revision','',0),(1625,2,'2015-02-01 20:03:35','2015-02-02 04:03:35','Our faces are made up of different facial features. We have eyes with eyelashes and eyebrows that help convey a certain mood. We have noses of different shapes and sizes. We have mouths that may be smiling, frowning, yelling, or calm. And let\'s not forget the ears and the hair on our heads!\r\n\r\nThis is a gallery where you will not find completed portraits. Instead, you will take a look at drawings that focus only on one or more important features of the face.\r\n\r\nCheck out this gallery if you are struggling with how to draw certain facial features and you want to get inspiration from other artists.\r\n\r\nIf you have your own facial feature drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"1265,707,1623\" orderby=\"rand\"]','Facial Features','','inherit','open','open','','1298-revision-v1','','','2015-02-01 20:03:35','2015-02-02 04:03:35','',1298,'http://www.letsdrawpeople.com/1298-revision-v1/',0,'revision','',0),(1631,2,'2015-02-05 20:23:37','2015-02-06 04:23:37','We all like to escape reality sometimes. This is the gallery to visit when you want to see people who appear or do things a little unusual. Welcome to our gallery of fantasy people!\r\n\r\nArtists who draw people for this gallery can really have some fun! You may find drawings of people that have a realistic look or features in one sense, but there is something very uniquely strange or abstract about them in another.\r\n\r\nOr, you may find drawings of people where normal facial or body proportions go out the window. Perhaps you will see eyes too high, ears too low, or a child\'s head on an adult\'s body!\r\n\r\nPossibly you will see drawings of people doing odd or impossible actions.\r\n\r\nBasically, expect to find people here that you will not meet in the real world.\r\n\r\nSo, what can you learn from looking at drawings of fantasy people?\r\n\r\nSee if you can analyze a drawing and distinguish fantasy from reality. Which parts of the subject are drawn in a realistic way? Which parts are drawn in a way which you should avoid if you are trying to achieve realism?\r\n\r\nAlso, look for ways that these drawings can inspire more originality and creativity in your own artwork!\r\n\r\nIf you have your own fantasy portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"1204,1424,1630\" orderby=\"rand\"]\r\n\r\n ','People Living in a Fantasy World','','inherit','open','open','','1200-revision-v1','','','2015-02-05 20:23:37','2015-02-06 04:23:37','',1200,'http://www.letsdrawpeople.com/1200-revision-v1/',0,'revision','',0),(1635,2,'2015-02-09 21:33:33','2015-02-10 05:33:33','','how to draw ears helix and lobule','','inherit','open','open','','how-to-draw-ears-helix-and-lobule','','','2015-02-09 21:33:33','2015-02-10 05:33:33','',1605,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/how-to-draw-ears-helix-and-lobule.jpg',0,'attachment','image/jpeg',0),(1636,2,'2015-02-09 21:34:27','2015-02-10 05:34:27','','how to draw ears antihelix and antitragus','','inherit','open','open','','how-to-draw-ears-antihelix-and-antitragus','','','2015-02-09 21:34:27','2015-02-10 05:34:27','',1605,'http://www.letsdrawpeople.com/wp-content/uploads/2015/02/how-to-draw-ears-antihelix-and-antitragus.jpg',0,'attachment','image/jpeg',0),(1638,2,'2015-02-09 21:35:27','2015-02-10 05:35:27','','how to draw ears tragus and concha','','inherit','open','open','','how-to-draw-ears-tragus-and-concha','','','2015-02-09 21:35:27','2015-02-10 05:35:27','',1605,'http://www.letsdrawpeople.com/wp-content/uploads/2015/02/how-to-draw-ears-tragus-and-concha.jpg',0,'attachment','image/jpeg',0),(1639,2,'2015-02-09 21:35:58','2015-02-10 05:35:58','','how to draw ears finishing touches','\"Ear\" by Jack Pearce','inherit','open','open','','how-to-draw-ears-finishing-touches','','','2016-01-23 23:44:55','2016-01-24 07:44:55','',1605,'http://www.letsdrawpeople.com/wp-content/uploads/2015/02/how-to-draw-ears-finishing-touches.jpg',0,'attachment','image/jpeg',0),(1515,2,'2015-01-01 08:15:33','2015-01-01 16:15:33','[amzn_product_post]','Derwent Graphic Drawing Pencils, Medium, Metal Tin, 12 Count (34214)','
\"Derwent

Derwent Graphic Pencils Medium, 12-Ct., Metal Tin

\"Pinecone
Soft, powdery texture provides a smooth, velvety finish.
Sturdy, Even Graphite

Whatever your drawing style or media preference, you’ll need some traditional, high quality graphite pencils - and you won’t find a better range than Derwent’s Graphic Pencils. They’re made from the finest quality graphite and purest clays for a smooth line and are ideal for crisp, detailed illustrations or tone drawings. They’re also great for developing illustrations, general sketches for paintings and high detail, realistic wildlife renderings. This high-quality pencil is produced in a choice of 20 degrees, from a crisp, non-scratchy 9H to a soft, smudgy 9B. They erase clean, stay sharp and work smooth. The hexagonal barrel is easy to hold and the pencil sharpens to a good point.

  • Range of 20 degrees, from 9H to 9B
  • Hexagonal 6.9 mm barrel
  • 2.2 mm core for hard edges
  • 3.5 mm core for soft edges
  • Set of 24 includes 1 each: 9H, 3H, H, F, B, 3B, 5B thru 9B and 2 each, 2H, HB
  • Also available in a metal tin of 12 in soft and hard ranges and 24
\"Graphic
Full Color Selection
\"Shade
View Larger
Ten Top Tips for Using Graphic Pencils
\"Tips\"
View Larger
\"Made
Derwent Heritage

Since 1832, Derwent has been inspiring amateur and professional artists with an exceptional range of innovative fine art materials.

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\"Canvas
Derwent Khaki Canvas Pocket Wrap
Stores up to 12 pencils and accessories.
\"Blender
Derwent Blender and Burnisher Set, Pack, 6 Count
Add points of interest to your work.
\"Pencil
Derwent Pencil Extender Set, Silver and Black, For Pencils up to 8 mm, 2 Pack
Extend the life of your favorite pencils.
','publish','closed','closed','','derwent-graphic-drawing-pencils-medium-metal-tin-12-count-34214','','','2015-01-01 13:19:43','2015-01-01 21:19:43','',0,'http://www.letsdrawpeople.com/derwent-graphic-drawing-pencils-medium-metal-tin-12-count-34214/',0,'page','',0),(1516,2,'2015-01-01 13:15:35','2015-01-01 21:15:35','','','','inherit','open','open','','1516','','','2015-01-01 13:15:35','2015-01-01 21:15:35','',1515,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/51tTqivV5kL2.jpg',0,'attachment','image/jpeg',0),(1517,2,'2015-01-01 13:15:35','2015-01-01 21:15:35','[amzn_product_post]','Derwent Graphic Drawing Pencils, Medium, Metal Tin, 12 Count (34214)','
\"Derwent

Derwent Graphic Pencils Medium, 12-Ct., Metal Tin

\"Pinecone
Soft, powdery texture provides a smooth, velvety finish.
Sturdy, Even Graphite

Whatever your drawing style or media preference, you’ll need some traditional, high quality graphite pencils - and you won’t find a better range than Derwent’s Graphic Pencils. They’re made from the finest quality graphite and purest clays for a smooth line and are ideal for crisp, detailed illustrations or tone drawings. They’re also great for developing illustrations, general sketches for paintings and high detail, realistic wildlife renderings. This high-quality pencil is produced in a choice of 20 degrees, from a crisp, non-scratchy 9H to a soft, smudgy 9B. They erase clean, stay sharp and work smooth. The hexagonal barrel is easy to hold and the pencil sharpens to a good point.

  • Range of 20 degrees, from 9H to 9B
  • Hexagonal 6.9 mm barrel
  • 2.2 mm core for hard edges
  • 3.5 mm core for soft edges
  • Set of 24 includes 1 each: 9H, 3H, H, F, B, 3B, 5B thru 9B and 2 each, 2H, HB
  • Also available in a metal tin of 12 in soft and hard ranges and 24
\"Graphic
Full Color Selection
\"Shade
View Larger
Ten Top Tips for Using Graphic Pencils
\"Tips\"
View Larger
\"Made
Derwent Heritage

Since 1832, Derwent has been inspiring amateur and professional artists with an exceptional range of innovative fine art materials.

Related Products

\"Graphic
Derwent Graphic Pencils, Hard, 12-Ct., Metal Tin
\"Graphic
Derwent Graphic Pencils, Soft, 12-Ct., Metal Tin
\"Graphic
Derwent Graphic Pencils, 24-Ct., Metal Tin
\"Canvas
Derwent Khaki Canvas Pocket Wrap
Stores up to 12 pencils and accessories.
\"Blender
Derwent Blender and Burnisher Set, Pack, 6 Count
Add points of interest to your work.
\"Pencil
Derwent Pencil Extender Set, Silver and Black, For Pencils up to 8 mm, 2 Pack
Extend the life of your favorite pencils.
','inherit','open','open','','1515-revision-v1','','','2015-01-01 13:15:35','2015-01-01 21:15:35','',1515,'http://www.letsdrawpeople.com/1515-revision-v1/',0,'revision','',0),(1518,2,'2015-01-01 22:46:11','2015-01-02 06:46:11','[amzn_product_post]','Royal & Langnickel Essentials Sketching Pencil Set, 21-Piece','Royal & Langnickel Essentials graphite sketching set includes all the necessary tools needed to start your art adventure today. This set includes excellent quality graphite pencils, graphite and charcoal sticks, charcoal pencils, woodless graphite pencil, erasers, and sharpener for the pencil artist. This set is an exceptional value; it contains 21 high grade sketching tools packed in a transparent clamshell for storage and organization.','publish','closed','closed','','royal-langnickel-essentials-sketching-pencil-set-21-piece','','','2015-01-01 14:47:05','2015-01-01 22:47:05','',0,'http://www.letsdrawpeople.com/royal-langnickel-essentials-sketching-pencil-set-21-piece/',0,'page','',0),(1519,2,'2015-01-01 14:46:13','2015-01-01 22:46:13','','','','inherit','open','open','','1519','','','2015-01-01 14:46:13','2015-01-01 22:46:13','',1518,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/51wdbGLDeDL.jpg',0,'attachment','image/jpeg',0),(1520,2,'2015-01-01 14:46:13','2015-01-01 22:46:13','[amzn_product_post]','Royal & Langnickel Essentials Sketching Pencil Set, 21-Piece','Royal & Langnickel Essentials graphite sketching set includes all the necessary tools needed to start your art adventure today. This set includes excellent quality graphite pencils, graphite and charcoal sticks, charcoal pencils, woodless graphite pencil, erasers, and sharpener for the pencil artist. This set is an exceptional value; it contains 21 high grade sketching tools packed in a transparent clamshell for storage and organization.','inherit','open','open','','1518-revision-v1','','','2015-01-01 14:46:13','2015-01-01 22:46:13','',1518,'http://www.letsdrawpeople.com/1518-revision-v1/',0,'revision','',0),(1521,2,'2015-01-01 16:25:20','2015-01-02 00:25:20','','5 Ways to Add Shading to a Face','','private','closed','closed','','5-ways-to-add-shading-to-a-face','','','2015-01-01 16:55:42','2015-01-02 00:55:42','',0,'http://www.letsdrawpeople.com/?post_type=flowplayer5&p=1521',0,'flowplayer5','',0),(1522,2,'2015-01-01 16:26:51','2015-01-02 00:26:51','[embed]http://letsdrawpeople.s3.amazonaws.com/5+ways+to+shade.mp4[/embed]\n

Download

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[flowplayer id=\"1521\"]

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Download

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[flowplayer id=\"1521\"]

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Download

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Download

\r\n

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[flowplayer id=\"1521\"]

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','Here are 5 Ways to Shade a Face','','inherit','open','open','','1504-revision-v1','','','2015-01-01 16:27:14','2015-01-02 00:27:14','',1504,'http://www.letsdrawpeople.com/1504-revision-v1/',0,'revision','',0),(1527,2,'2015-01-02 00:20:21','2015-01-02 08:20:21','','/five-ways-to-shade-a-face','','publish','closed','closed','','1527','','','2015-07-07 19:14:31','2015-07-08 02:14:31','',0,'http://www.letsdrawpeople.com/five-ways-to-shade-a-face',0,'leadpages_post','',0),(1528,2,'2015-01-04 13:41:50','2015-01-04 21:41:50','','5 ways to shade webform 728x90','','inherit','open','open','','5-ways-to-shade-webform-728x90','','','2015-01-04 13:41:50','2015-01-04 21:41:50','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/5-ways-to-shade-webform-728x90.jpg',0,'attachment','image/jpeg',0),(1529,2,'2015-01-04 14:30:46','2015-01-04 22:30:46','','Welcome to the Let\'s Draw People Store!','','publish','closed','closed','','ldp-store','','','2015-01-04 17:51:58','2015-01-05 01:51:58','',0,'http://www.letsdrawpeople.com/?page_id=1529',0,'page','',0),(1530,2,'2015-01-04 14:26:06','2015-01-04 22:26:06','<iframe src=\"http://astore.amazon.com/letsdrawpeople-20\" width=\"90%\" height=\"4000\" frameborder=\"0\" scrolling=\"no\"></iframe>','Let\'s Draw People Store','','inherit','open','open','','1529-revision-v1','','','2015-01-04 14:26:06','2015-01-04 22:26:06','',1529,'http://www.letsdrawpeople.com/1529-revision-v1/',0,'revision','',0),(1531,2,'2015-01-04 14:27:13','2015-01-04 22:27:13','','Let\'s Draw People Store','','inherit','open','open','','1529-revision-v1','','','2015-01-04 14:27:13','2015-01-04 22:27:13','',1529,'http://www.letsdrawpeople.com/1529-revision-v1/',0,'revision','',0),(1532,2,'2015-01-04 14:30:46','2015-01-04 22:30:46','','','','inherit','open','open','','1529-revision-v1','','','2015-01-04 14:30:46','2015-01-04 22:30:46','',1529,'http://www.letsdrawpeople.com/1529-revision-v1/',0,'revision','',0),(1535,2,'2015-01-04 15:05:39','2015-01-04 23:05:39','','Welcome to the Let\'s Draw People Store!','','inherit','open','open','','1529-revision-v1','','','2015-01-04 15:05:39','2015-01-04 23:05:39','',1529,'http://www.letsdrawpeople.com/1529-revision-v1/',0,'revision','',0),(1536,2,'2015-01-07 02:52:37','2015-01-07 10:52:37','\"drawingLearning how to sketch line drawings helps you develop strong techniques. Unfortunately, some more experienced artists might look down on you if you are a beginner and can only make line drawings. It\'s sad to say, but I\'ve known a few artists in my day who forgot what it was like to be a beginner. These artists won\'t hesitate to criticize your work, calling you lazy for not \"following through\" with a completed portrait, or even worse, undermining your existence as an artist altogether! (For the record, though, most artists of any skill level are very supportive of their fellow comrades who are beginners =).\r\n\r\nDrawing an image in basic lines, especially when you are trying to maintain proportional accuracy, can be challenging in its own right. Drawing simple lines is a well-known technique used by many famous artists throughout history. If you have a natural desire to be a portrait artist, but you can only make line drawings for now, do not underestimate the power of these simple drawings!\r\n

Complexity Grows with Experience

\r\nGo to Google and do a search of anything related to \"pencil portraits\" and you will undoubtedly be blown away by the incredible attention to detail in the results. You may feel like an inferior artist if you are still learning how to draw people in lines alone.\r\n\r\nEven though you may find it frustrating when you realize your sketches or simple line drawings may not look as complex as the shaded drawings you view online, you will discover that natural desire, combined with practice, reaps positive rewards. Instead of negatively comparing your efforts with the accomplishments of more experienced artists, learn to master the skills needed to make better line drawings. Take heart in the knowledge that you are mastering the foundational skill needed to complete the same works you see when doing those Google searches!\r\n

On the Importance of Learning How to Draw Simple Lines

\r\nAlthough you may admire shading, contour and other special techniques, you need to know how to draw basic lines before you can proceed to more complicated drawings. Different line drawing techniques help you improve your skills. Here is a fun set of warm-up exercises:\r\n
    \r\n
  • Try blind contour drawing for fun and creativity. Gaze at an object and draw lines on your sketch paper without looking at the drawing. You may find it surprising when you view the results.
    • \r\n
  • You can also try your artistic hand at 30-second to one-minute gesture drawings that capture gestures in a flash.
    • \r\n
  • When you want to develop speed, try the continuous line drawing technique in which you direct your pencil without ever lifting it from your drawing paper.
    • \r\n
\r\n

Take Lessons from These Prominent Artists

\r\nHenri Matisse is known for bold and thick contour lines that did not emphasize details. If you want to sketch simple drawings with lines, learn from the basic gesture drawings sketched by Matisse. Known for his basic sketches of female figures, Matisse utilized gesture drawing techniques.\r\n\r\nYou may find it worthwhile to study line drawings by Pablo Picasso. Viewed by artists as an expert in abstract art, Picasso\'s The Bull shows how he sketched 11 different lithographs from complex to simple drawings until the final drawing looks as though it is extracted from all complexities.\r\n\r\nPop artist Andy Warhol made use of the blotted line technique along with freehand artwork. Warhol also liked to experiment with mechanical drawing techniques. Andy Warhol is known for his simple drawings that depend on artistic lines.\r\n\r\nCarne Griffiths is an artist who dares to experiment with different mediums ranging from vodka to tea resulting in daring, bright colors. Griffiths uses drawn lines with painted marks while rendering a layered effect.\r\n\r\nKnown for a moody temperament, Vincent van Gogh was a Post-Impressionist painter who drew at least 1,000 drawings to better himself as an artist and as a remedy for his chronic depressive moods. If your ultimate goal is to paint, take a lesson from Vincent van Gogh by practicing drawing techniques first.\r\n

\"588px-Vincent_van_Gogh._Café_Terrace_at_Night._1888._Reed_pen_and_ink_over_pencil_on_laid_paper,_(65.4_x_47.1_cm)._Dallas_\"

\r\nLeonardo da Vinci made use of parallel lines and vanishing points in his many sketches. Known for his anatomical drawings and action sketches, Leonardo da Vinci was an artist who made use of various techniques that included repetition and copying small objects from paintings sketched by famous masters.\r\n

\"Leonardo_da_vinci,_Various_figure_studies\"

\r\n\r\n

Laziness is a Matter of Perspective

\r\nYou may decide to draw line drawings that are devoid of shading, contour and blind contour techniques. Indeed, some of the famous artists throughout the ages are known for pure drawings that contain lines without any extraneous features.\r\n\r\nBear in mind that you are not a lazy artist simply because you want to specialize in drawing portraits that concentrate on lines. It takes skill and patience to learn how to draw people, even if you decide that you want to focus on the basics. The best thing to do is to practice drawing numerous sketches from photographs and real life objects. Once you are ready to sketch more complex portraits, you will have gained mastery in basic techniques that are going to help you sketch detailed drawings. Who knows? Your artwork may gain more attention if you devote yourself exclusively to line drawings!','Are You a Lazy Artist If You Just Make Line-Drawing Portraits?','','publish','open','open','','are-you-a-lazy-artist-if-you-just-make-line-drawing-portraits','','','2015-01-06 05:20:33','2015-01-06 13:20:33','',0,'http://www.letsdrawpeople.com/?p=1536',0,'post','',2),(1537,2,'2015-01-04 17:26:52','2015-01-05 01:26:52','Learning how to sketch line drawings helps you develop strong techniques. Unfortunately, some more experienced artists might look down on you if you are a beginner and can only make line drawings. It\'s sad to say, but I\'ve known a few artists in my day who forgot what it was like to be a beginner. These artists won\'t hesitate to criticize your work, calling you lazy for not \"following through\" with a completed portrait, or even worse, undermining your existence as an artist altogether! (For the record, though, most artists of any skill level are very supportive of their fellow comrades who are beginners =).\r\n\r\nDrawing an image in basic lines, especially when you are trying to maintain proportional accuracy, can be challenging in its own right. Drawing simple lines is a well-known technique used by many famous artists throughout history. If you have a natural desire to be a portrait artist, but you can only make line drawings for now, do not underestimate the power of these simple drawings!\r\n

Complexity Grows with Experience

\r\nGo to Google and do a search of anything related to \"pencil portraits\" and you will undoubtedly be blown away by the incredible attention to detail in the results. You may feel like an inferior artist if you are still learning how to draw people in lines alone.\r\n\r\nEven though you may find it frustrating when you realize your sketches or simple line drawings may not look as complex as the shaded drawings you view online, you will discover that natural desire, combined with practice, reaps positive rewards. Instead of negatively comparing your efforts with the accomplishments of more experienced artists, learn to master the skills needed to make better line drawings. Take heart in the knowledge that you are mastering the foundational skill needed to complete the same works you see when doing those Google searches!\r\n

On the Importance of Learning How to Draw Simple Lines

\r\nAlthough you may admire shading, contour and other special techniques, you need to know how to draw basic lines before you can proceed to more complicated drawings. Different line drawing techniques help you improve your skills. Here is a fun set of warm-up exercises:\r\n
    \r\n
  • Try blind contour drawing for fun and creativity. Gaze at an object and draw lines on your sketch paper without looking at the drawing. You may find it surprising when you view the results.
    • \r\n
  • You can also try your artistic hand at 30-second to one-minute gesture drawings that capture gestures in a flash.
    • \r\n
  • When you want to develop speed, try the continuous line drawing technique in which you direct your pencil without ever lifting it from your drawing paper.
    • \r\n
\r\n

Changing a Plane Does Not Involve Airline Trips Abroad

\r\nViewing people and objects with an aim to replicate the visions onto sketch paper requires an artistic eye. However, having the right viewpoint does not necessarily mean you have the ability to draw lines that mimic your vision. You need to start out by using lines to change a plane. In other words, you must draw lines that enable an object to connect. If you want to succeed, develop the perspective that enables you to connect lines. Start by drawing simple boxes via lines or contour lines. Once you succeed, you can draw more complicated objects or features.\r\n

To Connect or Not to Connect

\r\nLeaving tiny openings in lines helps viewers gain better perspectives when viewing drawings, especially if the connecting planes have rounder ends. It helps to know where the change of plane takes place. An implied line consisting of tiny gaps helps the viewer to look at an object in a less severe and more gentle way. The implied line technique involves lifting your pencil off the paper at various points so the line looks less harsh and more rounded. If you want to gain from the experience used by past artists, try using gentler implied lines when drawing faces.\r\n

Take Lessons from These Prominent Artists

\r\nHenri Matisse is known for bold and thick contour lines that did not emphasize details. If you want to sketch simple drawings with lines, learn from the basic gesture drawings sketched by Matisse. Known for his basic sketches of female figures, Matisse utilized gesture drawing techniques.\r\n\r\nYou may find it worthwhile to study line drawings by Pablo Picasso. Viewed by artists as an expert in abstract art, Picasso\'s The Bull shows how he sketched 11 different lithographs from complex to simple drawings until the final drawing looks as though it is extracted from all complexities.\r\n\r\nPop artist Andy Warhol made use of the blotted line technique along with freehand artwork. Warhol also liked to experiment with mechanical drawing techniques. Andy Warhol is known for his simple drawings that depend on artistic lines.\r\n\r\nArtist David Hockney focuses on drawings that are sketched in a quiet room without distraction from noise. He believes that lines need quick applications which necessitate extreme concentration skills. If you want to learn a lesson from Hockney, try sketching lines quickly in a quiet room free from distracting noises.\r\n\r\nAaron Earley makes extensive use of the cross-contour line technique. The result may shock the viewer with faces that seem to leap off the paper. Using graphite lines, Earley\'s sketches make a definite impression on the mind.\r\n\r\nCarne Griffiths is an artist who dares to experiment with different mediums ranging from vodka to tea resulting in daring, bright colors. Griffiths uses drawn lines with painted marks while rendering a layered effect.\r\n\r\nKnown for a moody temperament, Vincent van Gogh was a Post-Impressionist painter who drew at least 1,000 drawings to better himself as an artist and as a remedy for his chronic depressive moods. If your ultimate goal is to paint, take a lesson from Vincent van Gogh by practicing drawing techniques first.\r\n\r\nLeonardo da Vinci made use of parallel lines and vanishing points in his many sketches. Known for his anatomical drawings and action sketches, Leonardo da Vinci was an artist who made use of various techniques that included repetition and copying small objects from paintings sketched by famous masters.\r\n

Laziness is a Matter of Perspective

\r\nYou may decide to draw line drawings that are devoid of shading, contour and blind contour techniques. Indeed, some of the famous artists throughout the ages are known for pure drawings that contain lines without any extraneous features.\r\n\r\nBear in mind that you are not a lazy artist simply because you want to specialize in drawing portraits that concentrate on lines. It takes skill and patience to learn how to draw people, even if you decide that you want to focus on the basics. The best thing to do is to practice drawing numerous sketches from photographs and real life objects. Once you are ready to sketch more complex portraits, you will have gained mastery in basic techniques that are going to help you sketch detailed drawings. Who knows? Your artwork may gain more attention if you devote yourself exclusively to line drawings!','Are You a Lazy Artist If You Just Make Line-Drawing Portraits?','','inherit','open','open','','1536-revision-v1','','','2015-01-04 17:26:52','2015-01-05 01:26:52','',1536,'http://www.letsdrawpeople.com/1536-revision-v1/',0,'revision','',0),(1538,2,'2015-01-04 18:51:38','2015-01-05 02:51:38','','588px-Vincent_van_Gogh._Café_Terrace_at_Night._1888._Reed_pen_and_ink_over_pencil_on_laid_paper,_(65.4_x_47.1_cm)._Dallas_','','inherit','open','open','','588px-vincent_van_gogh-_cafe_terrace_at_night-_1888-_reed_pen_and_ink_over_pencil_on_laid_paper_65-4_x_47-1_cm-_dallas_','','','2015-01-04 18:51:38','2015-01-05 02:51:38','',1536,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/588px-Vincent_van_Gogh._Café_Terrace_at_Night._1888._Reed_pen_and_ink_over_pencil_on_laid_paper_65.4_x_47.1_cm._Dallas_.jpg',0,'attachment','image/jpeg',0),(1539,2,'2015-01-04 18:51:40','2015-01-05 02:51:40','','Leonardo_da_vinci,_Various_figure_studies','','inherit','open','open','','leonardo_da_vinci_various_figure_studies','','','2015-01-04 18:51:40','2015-01-05 02:51:40','',1536,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/Leonardo_da_vinci_Various_figure_studies.jpg',0,'attachment','image/jpeg',0),(1541,2,'2015-01-04 19:03:46','2015-01-05 03:03:46','','drawing the face sample 2','','inherit','open','open','','drawing-the-face-sample-2','','','2015-01-04 19:03:46','2015-01-05 03:03:46','',1536,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/drawing-the-face-sample-2.jpg',0,'attachment','image/jpeg',0),(1542,2,'2015-01-04 19:08:11','2015-01-05 03:08:11','\"drawingLearning how to sketch line drawings helps you develop strong techniques. Unfortunately, some more experienced artists might look down on you if you are a beginner and can only make line drawings. It\'s sad to say, but I\'ve known a few artists in my day who forgot what it was like to be a beginner. These artists won\'t hesitate to criticize your work, calling you lazy for not \"following through\" with a completed portrait, or even worse, undermining your existence as an artist altogether! (For the record, though, most artists of any skill level are very supportive of their fellow comrades who are beginners =).\r\n\r\nDrawing an image in basic lines, especially when you are trying to maintain proportional accuracy, can be challenging in its own right. Drawing simple lines is a well-known technique used by many famous artists throughout history. If you have a natural desire to be a portrait artist, but you can only make line drawings for now, do not underestimate the power of these simple drawings!\r\n

Complexity Grows with Experience

\r\nGo to Google and do a search of anything related to \"pencil portraits\" and you will undoubtedly be blown away by the incredible attention to detail in the results. You may feel like an inferior artist if you are still learning how to draw people in lines alone.\r\n\r\nEven though you may find it frustrating when you realize your sketches or simple line drawings may not look as complex as the shaded drawings you view online, you will discover that natural desire, combined with practice, reaps positive rewards. Instead of negatively comparing your efforts with the accomplishments of more experienced artists, learn to master the skills needed to make better line drawings. Take heart in the knowledge that you are mastering the foundational skill needed to complete the same works you see when doing those Google searches!\r\n

On the Importance of Learning How to Draw Simple Lines

\r\nAlthough you may admire shading, contour and other special techniques, you need to know how to draw basic lines before you can proceed to more complicated drawings. Different line drawing techniques help you improve your skills. Here is a fun set of warm-up exercises:\r\n
    \r\n
  • Try blind contour drawing for fun and creativity. Gaze at an object and draw lines on your sketch paper without looking at the drawing. You may find it surprising when you view the results.
    • \r\n
  • You can also try your artistic hand at 30-second to one-minute gesture drawings that capture gestures in a flash.
    • \r\n
  • When you want to develop speed, try the continuous line drawing technique in which you direct your pencil without ever lifting it from your drawing paper.
    • \r\n
\r\n

Take Lessons from These Prominent Artists

\r\nHenri Matisse is known for bold and thick contour lines that did not emphasize details. If you want to sketch simple drawings with lines, learn from the basic gesture drawings sketched by Matisse. Known for his basic sketches of female figures, Matisse utilized gesture drawing techniques.\r\n\r\nYou may find it worthwhile to study line drawings by Pablo Picasso. Viewed by artists as an expert in abstract art, Picasso\'s The Bull shows how he sketched 11 different lithographs from complex to simple drawings until the final drawing looks as though it is extracted from all complexities.\r\n\r\nPop artist Andy Warhol made use of the blotted line technique along with freehand artwork. Warhol also liked to experiment with mechanical drawing techniques. Andy Warhol is known for his simple drawings that depend on artistic lines.\r\n\r\nCarne Griffiths is an artist who dares to experiment with different mediums ranging from vodka to tea resulting in daring, bright colors. Griffiths uses drawn lines with painted marks while rendering a layered effect.\r\n\r\nKnown for a moody temperament, Vincent van Gogh was a Post-Impressionist painter who drew at least 1,000 drawings to better himself as an artist and as a remedy for his chronic depressive moods. If your ultimate goal is to paint, take a lesson from Vincent van Gogh by practicing drawing techniques first.\r\n

\"588px-Vincent_van_Gogh._Café_Terrace_at_Night._1888._Reed_pen_and_ink_over_pencil_on_laid_paper,_(65.4_x_47.1_cm)._Dallas_\"

\r\nLeonardo da Vinci made use of parallel lines and vanishing points in his many sketches. Known for his anatomical drawings and action sketches, Leonardo da Vinci was an artist who made use of various techniques that included repetition and copying small objects from paintings sketched by famous masters.\r\n

\"Leonardo_da_vinci,_Various_figure_studies\"

\r\n\r\n

Laziness is a Matter of Perspective

\r\nYou may decide to draw line drawings that are devoid of shading, contour and blind contour techniques. Indeed, some of the famous artists throughout the ages are known for pure drawings that contain lines without any extraneous features.\r\n\r\nBear in mind that you are not a lazy artist simply because you want to specialize in drawing portraits that concentrate on lines. It takes skill and patience to learn how to draw people, even if you decide that you want to focus on the basics. The best thing to do is to practice drawing numerous sketches from photographs and real life objects. Once you are ready to sketch more complex portraits, you will have gained mastery in basic techniques that are going to help you sketch detailed drawings. Who knows? Your artwork may gain more attention if you devote yourself exclusively to line drawings!','Are You a Lazy Artist If You Just Make Line-Drawing Portraits?','','inherit','open','open','','1536-revision-v1','','','2015-01-04 19:08:11','2015-01-05 03:08:11','',1536,'http://www.letsdrawpeople.com/1536-revision-v1/',0,'revision','',0),(1540,2,'2015-01-04 18:52:36','2015-01-05 02:52:36','Learning how to sketch line drawings helps you develop strong techniques. Unfortunately, some more experienced artists might look down on you if you are a beginner and can only make line drawings. It\'s sad to say, but I\'ve known a few artists in my day who forgot what it was like to be a beginner. These artists won\'t hesitate to criticize your work, calling you lazy for not \"following through\" with a completed portrait, or even worse, undermining your existence as an artist altogether! (For the record, though, most artists of any skill level are very supportive of their fellow comrades who are beginners =).\r\n\r\nDrawing an image in basic lines, especially when you are trying to maintain proportional accuracy, can be challenging in its own right. Drawing simple lines is a well-known technique used by many famous artists throughout history. If you have a natural desire to be a portrait artist, but you can only make line drawings for now, do not underestimate the power of these simple drawings!\r\n

Complexity Grows with Experience

\r\nGo to Google and do a search of anything related to \"pencil portraits\" and you will undoubtedly be blown away by the incredible attention to detail in the results. You may feel like an inferior artist if you are still learning how to draw people in lines alone.\r\n\r\nEven though you may find it frustrating when you realize your sketches or simple line drawings may not look as complex as the shaded drawings you view online, you will discover that natural desire, combined with practice, reaps positive rewards. Instead of negatively comparing your efforts with the accomplishments of more experienced artists, learn to master the skills needed to make better line drawings. Take heart in the knowledge that you are mastering the foundational skill needed to complete the same works you see when doing those Google searches!\r\n

On the Importance of Learning How to Draw Simple Lines

\r\nAlthough you may admire shading, contour and other special techniques, you need to know how to draw basic lines before you can proceed to more complicated drawings. Different line drawing techniques help you improve your skills. Here is a fun set of warm-up exercises:\r\n
    \r\n
  • Try blind contour drawing for fun and creativity. Gaze at an object and draw lines on your sketch paper without looking at the drawing. You may find it surprising when you view the results.
    • \r\n
  • You can also try your artistic hand at 30-second to one-minute gesture drawings that capture gestures in a flash.
    • \r\n
  • When you want to develop speed, try the continuous line drawing technique in which you direct your pencil without ever lifting it from your drawing paper.
    • \r\n
\r\n

Changing a Plane Does Not Involve Airline Trips Abroad

\r\nViewing people and objects with an aim to replicate the visions onto sketch paper requires an artistic eye. However, having the right viewpoint does not necessarily mean you have the ability to draw lines that mimic your vision. You need to start out by using lines to change a plane. In other words, you must draw lines that enable an object to connect. If you want to succeed, develop the perspective that enables you to connect lines. Start by drawing simple boxes via lines or contour lines. Once you succeed, you can draw more complicated objects or features.\r\n

To Connect or Not to Connect

\r\nLeaving tiny openings in lines helps viewers gain better perspectives when viewing drawings, especially if the connecting planes have rounder ends. It helps to know where the change of plane takes place. An implied line consisting of tiny gaps helps the viewer to look at an object in a less severe and more gentle way. The implied line technique involves lifting your pencil off the paper at various points so the line looks less harsh and more rounded. If you want to gain from the experience used by past artists, try using gentler implied lines when drawing faces.\r\n

Take Lessons from These Prominent Artists

\r\nHenri Matisse is known for bold and thick contour lines that did not emphasize details. If you want to sketch simple drawings with lines, learn from the basic gesture drawings sketched by Matisse. Known for his basic sketches of female figures, Matisse utilized gesture drawing techniques.\r\n\r\nYou may find it worthwhile to study line drawings by Pablo Picasso. Viewed by artists as an expert in abstract art, Picasso\'s The Bull shows how he sketched 11 different lithographs from complex to simple drawings until the final drawing looks as though it is extracted from all complexities.\r\n\r\nPop artist Andy Warhol made use of the blotted line technique along with freehand artwork. Warhol also liked to experiment with mechanical drawing techniques. Andy Warhol is known for his simple drawings that depend on artistic lines.\r\n\r\nCarne Griffiths is an artist who dares to experiment with different mediums ranging from vodka to tea resulting in daring, bright colors. Griffiths uses drawn lines with painted marks while rendering a layered effect.\r\n\r\nKnown for a moody temperament, Vincent van Gogh was a Post-Impressionist painter who drew at least 1,000 drawings to better himself as an artist and as a remedy for his chronic depressive moods. If your ultimate goal is to paint, take a lesson from Vincent van Gogh by practicing drawing techniques first.\r\n

\"588px-Vincent_van_Gogh._Café_Terrace_at_Night._1888._Reed_pen_and_ink_over_pencil_on_laid_paper,_(65.4_x_47.1_cm)._Dallas_\"

\r\nLeonardo da Vinci made use of parallel lines and vanishing points in his many sketches. Known for his anatomical drawings and action sketches, Leonardo da Vinci was an artist who made use of various techniques that included repetition and copying small objects from paintings sketched by famous masters.\r\n

\"Leonardo_da_vinci,_Various_figure_studies\"

\r\n\r\n

Laziness is a Matter of Perspective

\r\nYou may decide to draw line drawings that are devoid of shading, contour and blind contour techniques. Indeed, some of the famous artists throughout the ages are known for pure drawings that contain lines without any extraneous features.\r\n\r\nBear in mind that you are not a lazy artist simply because you want to specialize in drawing portraits that concentrate on lines. It takes skill and patience to learn how to draw people, even if you decide that you want to focus on the basics. The best thing to do is to practice drawing numerous sketches from photographs and real life objects. Once you are ready to sketch more complex portraits, you will have gained mastery in basic techniques that are going to help you sketch detailed drawings. Who knows? Your artwork may gain more attention if you devote yourself exclusively to line drawings!','Are You a Lazy Artist If You Just Make Line-Drawing Portraits?','','inherit','open','open','','1536-revision-v1','','','2015-01-04 18:52:36','2015-01-05 02:52:36','',1536,'http://www.letsdrawpeople.com/1536-revision-v1/',0,'revision','',0),(1543,2,'2015-01-09 02:48:35','2015-01-09 10:48:35','Age and experience don\'t always have everything to do with artistic skill. Take the case of Diego Fazio - a 25 year-old Italian artist. With only eight years of experience under his belt, Diego produces hyperrealistic pencil portraits of real people, capturing the details of their faces in a manner that seems not quite human. Despite the seeming impossibility, Fazio has made a career of producing such images.\r\n\r\nAs you can see below, the work done by Diego is nothing short of breathtaking, reproducing images in a manner that makes them virtually identical to a photograph. His process is intricately detailed, usually beginning with a simple line drawing and spending over two hundred hours to turn it into a completed portrait! The end product, though, is worth the wait - each image is incredibly realistic, highlighting the lack of detail that is typically present in portraiture. Even a typically realistic portrait can look subpar when compared to one of his pieces, creating a high-water mark for the human hand\'s ability to replicate what the eye can see.\r\n\r\n[gallery link=\"file\" size=\"full\" columns=\"1\" ids=\"1583,1556,1547,1548,1549,1550,1551,1552,1553,1554,1555,1557,1558,1559,1560\"]\r\n\r\nWhen it comes to art that\'s this detailed, is there really a difference between the pencil piece and photography? Is there a reason to draw by hand if you can produce an identical image mechanically? If you believe in the importance of the artistic process, the answer should be a resounding \"yes\", but it certainly gives those with an eye towards the world of art a moment to stop and think about hyperrealism.\r\n\r\nAs you progress with your own artistic endeavors, make sure that you embrace whatever it is that makes you and your artwork unique - and like Diego, find a way to stand out!\r\n\r\nAll images used with permission. See more at http://diegokoi.it/opere/','Your Eyes Will Tell You These Pencil Portraits Are Photographs','','publish','open','open','','your-eyes-will-tell-you-these-pencil-portraits-are-photographs','','\nhttp://diegokoi.it/opere/','2015-01-09 06:15:21','2015-01-09 14:15:21','',0,'http://www.letsdrawpeople.com/?p=1543',0,'post','',3),(1544,2,'2015-01-05 05:36:16','2015-01-05 13:36:16','Age and experience don\'t always have everything to do with artistic skill. Take the case of Diego Fazio - a 23 year-old Italian artist. With only seven years of experience under his belt, Diego produces hyperrealistic pencil portraits of real people, capturing the details of their faces in a manner that seems not quite human. Despite the seeming impossibility, Fazio has made a career of producing such images.\r\n\r\nThe work done by Fazio is nothing short of breathtaking, reproducing images in a manner that makes them virtually identical to a photograph. His process is intricately detailed, usually requiring him to spend over two hundred hours on a portrait! The end product, though, is worth the wait - each image is incredibly realistic, highlighting the lack of detail that is typically present in portraiture. Even a typically realistic portrait can look subpar when compared to one of his pieces, creating a high-water mark for the human hand\'s ability to replicate what the eye can see.\r\n\r\nWhen it comes to art that\'s this detailed, is there really a difference between the pencil piece and photography? More to the point - is there a reason to draw by hand, when one can produce an identical image mechanically? If you believe in the importance of the artistic process, the answer should be a resounding \"yes\", but it certainly gives those with an eye towards the world of art a moment to stop and think about hyper-realism. As you progress with your own artistic endeavors, make sure that you embrace that which makes you unique - and like Diego, find a way to stand out.','Your Eyes Will Tell You These Pencil Portraits Are Photographs','','inherit','open','open','','1543-revision-v1','','','2015-01-05 05:36:16','2015-01-05 13:36:16','',1543,'http://www.letsdrawpeople.com/1543-revision-v1/',0,'revision','',0),(1545,2,'2015-01-05 05:54:11','2015-01-05 13:54:11','Age and experience don\'t always have everything to do with artistic skill. Take the case of Diego Fazio - a 23 year-old Italian artist. With only seven years of experience under his belt, Diego produces hyperrealistic pencil portraits of real people, capturing the details of their faces in a manner that seems not quite human. Despite the seeming impossibility, Fazio has made a career of producing such images.\r\n\r\nAs you can see by these examples on Twisted Sifter, the work done by Diego is nothing short of breathtaking, reproducing images in a manner that makes them virtually identical to a photograph. His process is intricately detailed, usually requiring him to spend over two hundred hours on a portrait! The end product, though, is worth the wait - each image is incredibly realistic, highlighting the lack of detail that is typically present in portraiture. Even a typically realistic portrait can look subpar when compared to one of his pieces, creating a high-water mark for the human hand\'s ability to replicate what the eye can see.\r\n\r\nWhen it comes to art that\'s this detailed, is there really a difference between the pencil piece and photography? More to the point - is there a reason to draw by hand, when one can produce an identical image mechanically? If you believe in the importance of the artistic process, the answer should be a resounding \"yes\", but it certainly gives those with an eye towards the world of art a moment to stop and think about hyper-realism. As you progress with your own artistic endeavors, make sure that you embrace that which makes you unique - and like Diego, find a way to stand out.','Your Eyes Will Tell You These Pencil Portraits Are Photographs','','inherit','open','open','','1543-revision-v1','','','2015-01-05 05:54:11','2015-01-05 13:54:11','',1543,'http://www.letsdrawpeople.com/1543-revision-v1/',0,'revision','',0),(1546,2,'2015-01-09 06:14:02','2015-01-09 14:14:02','Age and experience don\'t always have everything to do with artistic skill. Take the case of Diego Fazio - a 25 year-old Italian artist. With only eight years of experience under his belt, Diego produces hyperrealistic pencil portraits of real people, capturing the details of their faces in a manner that seems not quite human. Despite the seeming impossibility, Fazio has made a career of producing such images.\n\nAs you can see below, the work done by Diego is nothing short of breathtaking, reproducing images in a manner that makes them virtually identical to a photograph. His process is intricately detailed, usually beginning with a simple line drawing and spending over two hundred hours to turn it into a completed portrait! The end product, though, is worth the wait - each image is incredibly realistic, highlighting the lack of detail that is typically present in portraiture. Even a typically realistic portrait can look subpar when compared to one of his pieces, creating a high-water mark for the human hand\'s ability to replicate what the eye can see.\n\n[gallery link=\"file\" size=\"full\" columns=\"1\" ids=\"1547,1548,1549,1550,1551,1552,1553,1554,1555,1556,1557,1558,1559,1560\"]\n\nWhen it comes to art that\'s this detailed, is there really a difference between the pencil piece and photography? Is there a reason to draw by hand if you can produce an identical image mechanically? If you believe in the importance of the artistic process, the answer should be a resounding \"yes\", but it certainly gives those with an eye towards the world of art a moment to stop and think about hyperrealism.\n\nAs you progress with your own artistic endeavors, make sure that you embrace whatever it is that makes you and your artwork unique - and like Diego, find a way to stand out!\n\nAll images used with permission. See more at http://diegokoi.it/opere/','Your Eyes Will Tell You These Pencil Portraits Are Photographs','','inherit','open','open','','1543-autosave-v1','','','2015-01-09 06:14:02','2015-01-09 14:14:02','',1543,'http://www.letsdrawpeople.com/1543-autosave-v1/',0,'revision','',0),(1547,2,'2015-01-06 05:10:18','2015-01-06 13:10:18','','Cigno-Nero1','','inherit','open','open','','cigno-nero1','','','2015-01-06 05:10:18','2015-01-06 13:10:18','',1543,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/Cigno-Nero1.jpg',0,'attachment','image/jpeg',0),(1548,2,'2015-01-06 05:10:21','2015-01-06 13:10:21','Matita su carta','Grace Kelly by DiegoKoi','','inherit','open','open','','grace-kelly-by-diegokoi','','','2015-01-06 05:10:21','2015-01-06 13:10:21','',1543,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/Grace-Kelly1.jpg',0,'attachment','image/jpeg',0),(1549,2,'2015-01-06 05:10:23','2015-01-06 13:10:23','','Il-nichilista1','','inherit','open','open','','il-nichilista1','','','2015-01-06 05:10:23','2015-01-06 13:10:23','',1543,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/Il-nichilista1.jpg',0,'attachment','image/jpeg',0),(1550,2,'2015-01-06 05:10:24','2015-01-06 13:10:24','','Il-silenzio-del-dolore1','','inherit','open','open','','il-silenzio-del-dolore1','','','2015-01-06 05:10:24','2015-01-06 13:10:24','',1543,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/Il-silenzio-del-dolore1.jpg',0,'attachment','image/jpeg',0),(1551,2,'2015-01-06 05:10:26','2015-01-06 13:10:26','','Impeto1','','inherit','open','open','','impeto1','','','2015-01-06 05:10:26','2015-01-06 13:10:26','',1543,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/Impeto1.jpg',0,'attachment','image/jpeg',0),(1552,2,'2015-01-06 05:10:28','2015-01-06 13:10:28','','Implosione1','','inherit','open','open','','implosione1','','','2015-01-06 05:10:28','2015-01-06 13:10:28','',1543,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/Implosione1.jpg',0,'attachment','image/jpeg',0),(1553,2,'2015-01-06 05:10:30','2015-01-06 13:10:30','','Nessuno-Mai1','','inherit','open','open','','nessuno-mai1','','','2015-01-06 05:10:30','2015-01-06 13:10:30','',1543,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/Nessuno-Mai1.jpg',0,'attachment','image/jpeg',0),(1554,2,'2015-01-06 05:10:31','2015-01-06 13:10:31','','Porte-in-faccia1','','inherit','open','open','','porte-in-faccia1','','','2015-01-06 05:10:31','2015-01-06 13:10:31','',1543,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/Porte-in-faccia1.jpg',0,'attachment','image/jpeg',0),(1555,2,'2015-01-06 05:10:33','2015-01-06 13:10:33','','Raptus1','','inherit','open','open','','raptus1','','','2015-01-06 05:10:33','2015-01-06 13:10:33','',1543,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/Raptus1.jpg',0,'attachment','image/jpeg',0),(1556,2,'2015-01-06 05:10:37','2015-01-06 13:10:37','','Sensazioni1','','inherit','open','open','','sensazioni1','','','2015-01-06 05:10:37','2015-01-06 13:10:37','',1543,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/Sensazioni1.jpg',0,'attachment','image/jpeg',0),(1557,2,'2015-01-06 05:10:38','2015-01-06 13:10:38','','Sentenza1','','inherit','open','open','','sentenza1','','','2015-01-06 05:10:38','2015-01-06 13:10:38','',1543,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/Sentenza1.jpg',0,'attachment','image/jpeg',0),(1558,2,'2015-01-06 05:10:40','2015-01-06 13:10:40','','Sgravo1','','inherit','open','open','','sgravo1','','','2015-01-06 05:10:40','2015-01-06 13:10:40','',1543,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/Sgravo1.jpg',0,'attachment','image/jpeg',0),(1559,2,'2015-01-06 05:10:42','2015-01-06 13:10:42','','Squilibri-interiori1','','inherit','open','open','','squilibri-interiori1','','','2015-01-06 05:10:42','2015-01-06 13:10:42','',1543,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/Squilibri-interiori1.jpg',0,'attachment','image/jpeg',0),(1560,2,'2015-01-06 05:10:43','2015-01-06 13:10:43','','Tramonto1','','inherit','open','open','','tramonto1','','','2015-01-06 05:10:43','2015-01-06 13:10:43','',1543,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/Tramonto1.jpg',0,'attachment','image/jpeg',0),(1561,2,'2015-01-06 05:15:00','2015-01-06 13:15:00','Age and experience don\'t always have everything to do with artistic skill. Take the case of Diego Fazio - a 23 year-old Italian artist. With only seven years of experience under his belt, Diego produces hyperrealistic pencil portraits of real people, capturing the details of their faces in a manner that seems not quite human. Despite the seeming impossibility, Fazio has made a career of producing such images.\r\n\r\nAs you can see below, the work done by Diego is nothing short of breathtaking, reproducing images in a manner that makes them virtually identical to a photograph. His process is intricately detailed, usually requiring him to spend over two hundred hours on a portrait! The end product, though, is worth the wait - each image is incredibly realistic, highlighting the lack of detail that is typically present in portraiture. Even a typically realistic portrait can look subpar when compared to one of his pieces, creating a high-water mark for the human hand\'s ability to replicate what the eye can see.\r\n\r\n[gallery link=\"file\" size=\"full\" columns=\"1\" ids=\"1547,1548,1549,1550,1551,1552,1553,1554,1555,1556,1557,1558,1559,1560\"]\r\n\r\nWhen it comes to art that\'s this detailed, is there really a difference between the pencil piece and photography? Is there a reason to draw by hand if you can produce an identical image mechanically? If you believe in the importance of the artistic process, the answer should be a resounding \"yes\", but it certainly gives those with an eye towards the world of art a moment to stop and think about hyper-realism.\r\n\r\nAs you progress with your own artistic endeavors, make sure that you embrace whatever it is that makes you and your artwork unique - and like Diego, find a way to stand out.\r\n\r\nAll images used with permission. See more at http://diegokoi.it/opere/','Your Eyes Will Tell You These Pencil Portraits Are Photographs','','inherit','open','open','','1543-revision-v1','','','2015-01-06 05:15:00','2015-01-06 13:15:00','',1543,'http://www.letsdrawpeople.com/1543-revision-v1/',0,'revision','',0),(1562,2,'2015-01-06 05:17:59','2015-01-06 13:17:59','Age and experience don\'t always have everything to do with artistic skill. Take the case of Diego Fazio - a 23 year-old Italian artist. With only seven years of experience under his belt, Diego produces hyperrealistic pencil portraits of real people, capturing the details of their faces in a manner that seems not quite human. Despite the seeming impossibility, Fazio has made a career of producing such images.\r\n\r\nAs you can see below, the work done by Diego is nothing short of breathtaking, reproducing images in a manner that makes them virtually identical to a photograph. His process is intricately detailed, usually requiring him to spend over two hundred hours on a portrait! The end product, though, is worth the wait - each image is incredibly realistic, highlighting the lack of detail that is typically present in portraiture. Even a typically realistic portrait can look subpar when compared to one of his pieces, creating a high-water mark for the human hand\'s ability to replicate what the eye can see.\r\n\r\n[gallery link=\"file\" size=\"full\" columns=\"1\" ids=\"1547,1548,1549,1550,1551,1552,1553,1554,1555,1556,1557,1558,1559,1560\"]\r\n\r\nWhen it comes to art that\'s this detailed, is there really a difference between the pencil piece and photography? Is there a reason to draw by hand if you can produce an identical image mechanically? If you believe in the importance of the artistic process, the answer should be a resounding \"yes\", but it certainly gives those with an eye towards the world of art a moment to stop and think about hyper-realism.\r\n\r\nAs you progress with your own artistic endeavors, make sure that you embrace whatever it is that makes you and your artwork unique - and like Diego, find a way to stand out!\r\n\r\nAll images used with permission. See more at http://diegokoi.it/opere/','Your Eyes Will Tell You These Pencil Portraits Are Photographs','','inherit','open','open','','1543-revision-v1','','','2015-01-06 05:17:59','2015-01-06 13:17:59','',1543,'http://www.letsdrawpeople.com/1543-revision-v1/',0,'revision','',0),(1564,2,'2015-01-17 02:14:59','2015-01-17 10:14:59','If you have ever struggled with drawing a picture of two people hugging, it\'s very understandable. Sometimes it can be hard enough just to get the right positioning for one figure, let alone two. In addition, you have to make sure the two figures you are drawing complement each other in a positive way for the overall picture.\r\n\r\nAnother thing about hugs is they don\'t all look alike. Depending on what kind of a hug you are trying to draw, you may have to tweak your approach.\r\n\r\nIn this post, I want to show you four different ways to draw two people hugging. No matter which pose you use, the best advice I can give you is to sketch out the general shapes of the two figures to get their positioning right with each other.\r\n\r\nIn the examples below, you will see these basic sketched figures rather than completed drawings, because once you get the shape of the figures sketched right, you can always go back and add details to develop the faces, arms, hands, and clothing. I drew these with a soft 4B pencil so they would appear darker for you, but since these figure sketches will serve as guidelines for your final drawing, it\'s best you draw them with a harder graphite pencil for a lighter effect.\r\n\r\nEach method has three basic components for each figure: an oval shape for the head, a rectangular shape with rounded corners for the torso, and the rough outline of the arms and hands.\r\n

Method 1: Hugging from Behind the Back

\r\n\"howIf you are drawing a picture of one person hugging another from behind the back, you are obviously going to have some overlap to deal with, so some of your basic shapes will be missing or hidden. In this example, you can start by drawing the head, body, and arms of the person in front. The torso of the person behind is hidden, so you don\'t need to draw it. It is still important to get the right placement of the head and arms of the person in the back.\r\n\r\nYou can see more overlap with the arms from behind coming to hug the person in the front. Once you get the right placement of the major shapes, just erase any guidelines that will be behind another body part (for example, the guidelines behind the forearms).\r\n

Method 2: Hugging Side by Side

\r\n\"howWhen people hug side by side, as in this example, they are usually sitting side by side and facing the same direction. As opposed to directly facing each other, their bodies are slightly twisted toward one another. There are times when they can do this standing as well.\r\n\r\nFor this sketch, I drew two ovals for the heads that are leaning in to one another and looking forward at the viewer. Each rectangular torso shape is slanted at a slight angle. Then you can draw the arms, one over the other in the front. You won\'t be able to see the arms behind each back.\r\n

\r\n

\r\n

Method 3: Frontal Hugging Over the Shoulder

\r\n\"howHere is a classic position for hugging. This is the first position I usually think of when I think about people hugging each other. Even so, it\'s not the ideal or popular position for portrait drawing, since one person is facing away and the face we can see probably has her eyes closed. Still, it has its place with other types of drawings, so we will take a quick look.\r\n\r\nOnce again, there is major overlap with this hugging position. You will have to use your judgment as to the extent of guidelines you want to use. I find it helpful sometimes, as in this example, to still sketch what is hidden by the arm and torso in the front. This way you can get an idea if the proportions of one person look right in isolation. Don\'t forget to draw heads that are side by side with a slight overlap and facing away from each other. Then draw an over-under positioning of the arms.\r\n

Method 4: Frontal Hugging Face-to-Face

\r\n\"howYou might use the positioning of the figures in this sketch to draw a loving, romantic couple. With this type of hug, the bodies are facing each other as in the last example, but the faces themselves are also facing each other. You can also draw the faces so they are both looking at the viewer, which would make this an excellent choice for a portrait drawing.\r\n\r\nIt is up to you whether you want to begin first by sketching the head or torso for each figure. I usually begin by sketching the heads to make sure the sizes and positions of each are the way I want them. If I begin with the bodies and accidentally draw them too far apart, then drawing the heads touching each other might look awkward.\r\n\r\nYou will have to adjust the width and angle of your rectangular torso shapes so they appear to be close to and facing each other. This will make it easier to sketch the arms so they have the natural appearance of wrapping around or resting upon the other person\'s body.\r\n

Countless Other Hugs

\r\nThese four ways to draw people hugging certainly are not the only hugging positions you will encounter. Hopefully though, these examples will show you that it\'s not as hard as it may seem to draw people hugging. It really is only a matter of sketching the basic shapes to get the right size and positioning before moving forward.\r\n\r\nIf you want to get better at drawing people hugging, begin by experimenting with these four methods. Try different attempts and angles until you get something that looks right to you. Then try making tweaks to the positions in your sketches. Look at lots of reference photographs to see the countless other hugging positions you may find yourself sketching someday. Practice sketching as many different positions as you can. Soon you will find it much easier (and more fun) to draw two hugging figures!','Four Easy Methods for Drawing People Hugging','','publish','open','open','','four-easy-methods-for-drawing-people-hugging','','','2016-08-13 16:08:13','2016-08-13 23:08:13','',0,'http://www.letsdrawpeople.com/?p=1564',0,'post','',0),(1565,2,'2015-01-08 05:09:20','2015-01-08 13:09:20','','how to draw people hugging from behind the back','','inherit','open','open','','how-to-draw-people-hugging-from-behind-the-back','','','2015-01-08 05:09:20','2015-01-08 13:09:20','',1564,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/how-to-draw-people-hugging-from-behind-the-back.jpg',0,'attachment','image/jpeg',0),(1566,2,'2015-01-08 05:09:22','2015-01-08 13:09:22','','how to draw people hugging frontal face to face','','inherit','open','open','','how-to-draw-people-hugging-frontal-face-to-face','','','2015-01-08 05:09:22','2015-01-08 13:09:22','',1564,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/how-to-draw-people-hugging-frontal-face-to-face.jpg',0,'attachment','image/jpeg',0),(1567,2,'2015-01-08 05:09:23','2015-01-08 13:09:23','','how to draw people hugging frontal over shoulder','','inherit','open','open','','how-to-draw-people-hugging-frontal-over-shoulder','','','2015-01-08 05:09:23','2015-01-08 13:09:23','',1564,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/how-to-draw-people-hugging-frontal-over-shoulder.jpg',0,'attachment','image/jpeg',0),(1568,2,'2015-01-08 05:09:25','2015-01-08 13:09:25','','how to draw people hugging side by side','','inherit','open','open','','how-to-draw-people-hugging-side-by-side','','','2015-01-08 05:09:25','2015-01-08 13:09:25','',1564,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/how-to-draw-people-hugging-side-by-side.jpg',0,'attachment','image/jpeg',0),(1569,2,'2015-01-08 05:17:34','2015-01-08 13:17:34','If you have ever struggled with drawing a picture of two people hugging, it\'s very understandable. Sometimes it can be hard enough just to get the right positioning for one figure, let alone two. In addition, you have to make sure the two figures that you are drawing compliment each other in a positive way for the overall picture.\r\n\r\n ','Four Easy Methods for Drawing People Hugging','','inherit','open','open','','1564-revision-v1','','','2015-01-08 05:17:34','2015-01-08 13:17:34','',1564,'http://www.letsdrawpeople.com/1564-revision-v1/',0,'revision','',0),(1570,2,'2015-01-08 06:09:42','2015-01-08 14:09:42','If you have ever struggled with drawing a picture of two people hugging, it\'s very understandable. Sometimes it can be hard enough just to get the right positioning for one figure, let alone two. In addition, you have to make sure the two figures you are drawing compliment each other in a positive way for the overall picture.\r\n\r\nAnother thing about hugs is they don\'t all look alike. Depending on what kind of a hug you are trying to draw, you may have to tweak your approach.\r\n\r\nIn this post, I want to show you four different ways to draw two people hugging. No matter which pose you use, the best advice I can give you is to sketch out the general shapes of the two figures to get their positioning right with each other.\r\n\r\nIn the examples below, you will see these basic sketched figures rather than completed drawings, because once you get the shape of the figures sketched right, you can always go back and add details to develop the faces, arms, hands, and clothing. I drew these with a soft 4B pencil so they would appear darker for you, but since these figure sketches will serve as guidelines for your final drawing, it\'s best you draw them with a harder graphite pencil for a lighter effect.\r\n\r\nEach method has three basic components for each figure: an oval shape for the head, a rectangular shape with rounded corners for the torso, and the rough outline of the arms and hands.\r\n

Method 1: Hugging from Behind the Back

\r\n\"howThis is blah blah blah...\r\n\r\n \r\n\r\n ','Four Easy Methods for Drawing People Hugging','','inherit','open','open','','1564-revision-v1','','','2015-01-08 06:09:42','2015-01-08 14:09:42','',1564,'http://www.letsdrawpeople.com/1564-revision-v1/',0,'revision','',0),(1571,2,'2015-01-08 20:23:14','2015-01-09 04:23:14','

Welcome to the gallery of realistic portraits!

\r\n

It’s always fun and fascinating to view the results of a skilled artist completing a drawing of a person that looks very real.

\r\n

Even if you don’t watch how the artist goes through each step of the process to reach the final outcome, there is so much you can gain just by carefully looking at artwork like this.

\r\n

Realistic portraits can serve as a model to help guide and improve your own work. Closely examine individual facial features and other aspects of these drawings, and you can more easily identify your strengths and weaknesses. More importantly, you have an example for how to improve upon your weaknesses!

\r\n

If you have your own realistic portrait drawing that you want others to view in this gallery, see how to share it with us.

\r\n[gallery link=\"file\" ids=\"902,1572,1573,1574,1575,1683\" orderby=\"rand\"]','Realistic Portraits','','publish','open','open','','realistic-portraits','','','2016-01-23 23:38:02','2016-01-24 07:38:02','',0,'http://www.letsdrawpeople.com/?p=1571',0,'post','',0),(1573,2,'2015-01-08 20:18:57','2015-01-09 04:18:57','','angela','\"Angela\" by Jack Pearce','inherit','open','open','','angela','','','2015-01-08 20:19:52','2015-01-09 04:19:52','',1571,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/angela.jpg',0,'attachment','image/jpeg',0),(1572,2,'2015-01-08 20:06:02','2015-01-09 04:06:02','','IMG_0100','\"Charcoal Study\" by Ashleigh Jane Mayhew','inherit','open','open','','img_0100','','','2015-01-08 20:06:58','2015-01-09 04:06:58','',1571,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/IMG_0100.jpg',0,'attachment','image/jpeg',0),(1574,2,'2015-01-08 20:18:59','2015-01-09 04:18:59','','chicago girls','\"Chicago Girls\" by Jack Pearce','inherit','open','open','','chicago-girls','','','2015-01-08 20:20:01','2015-01-09 04:20:01','',1571,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/chicago-girls.jpg',0,'attachment','image/jpeg',0),(1575,2,'2015-01-08 20:19:00','2015-01-09 04:19:00','','nirma','\"Nirma\" by Jack Pearce','inherit','open','open','','nirma-2','','','2015-07-30 15:45:02','2015-07-30 22:45:02','',1571,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/nirma.jpg',0,'attachment','image/jpeg',0),(1576,2,'2015-01-08 20:21:41','2015-01-09 04:21:41','

Welcome to the gallery of realistic portraits!

\r\n

It’s always fun and fascinating to view the results of a skilled artist completing a drawing of a person that looks very real.

\r\n

Even if you don’t watch how the artist goes through each step of the process to reach the final outcome, there is so much you can gain just by carefully looking at artwork like this.

\r\n

Realistic portraits can serve as a model to help guide and improve your own work. Closely examine individual facial features and other aspects of these drawings, and you can more easily identify your strengths and weaknesses. More importantly, you have an example for how to improve upon your weaknesses!

\r\n

If you have your own realistic portrait drawing that you want others to view in this gallery, see how to share it with us.

\r\n[gallery link=\"file\" ids=\"902,1572,1573,1574,1575\" orderby=\"rand\"]','Realistic Portraits','','inherit','open','open','','1571-revision-v1','','','2015-01-08 20:21:41','2015-01-09 04:21:41','',1571,'http://www.letsdrawpeople.com/1571-revision-v1/',0,'revision','',0),(1577,2,'2015-01-08 20:37:10','2015-01-09 04:37:10','[[\"[caption id=\\\"attachment_652\\\" align=\\\"aligncenter\\\" width=\\\"221\\\"]\\\"\\\"
PORTRAIT DRAWINGS OF CHILDREN<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_783\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
DRAWINGS OF WELL-KNOWN FACES<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_763\\\" align=\\\"aligncenter\\\" width=\\\"216\\\"]\\\"\\\"
FAMILY DRAWINGS<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1026\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
SELF-PORTRAIT DRAWINGS OF ASPIRING ARTISTS<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1204\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
PEOPLE LIVING IN A FANTASY WORLD<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1265\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
FACIAL FEATURES<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1572\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
REALISTIC PORTRAITS<\\/b><\\/center><\\/a>[\\/caption]\",\"\"]]','Portrait Galleries','','inherit','open','open','','1084-revision-v1','','','2015-01-08 20:37:10','2015-01-09 04:37:10','',1084,'http://www.letsdrawpeople.com/1084-revision-v1/',0,'revision','',0),(1578,2,'2015-01-08 20:44:03','2015-01-09 04:44:03','[[\"[caption id=\\\"attachment_652\\\" align=\\\"aligncenter\\\" width=\\\"221\\\"]\\\"\\\"
PORTRAIT DRAWINGS OF CHILDREN<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_783\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
DRAWINGS OF WELL-KNOWN FACES<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_763\\\" align=\\\"aligncenter\\\" width=\\\"216\\\"]\\\"\\\"
FAMILY DRAWINGS<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1026\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
SELF-PORTRAIT DRAWINGS OF ASPIRING ARTISTS<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1424\\\" align=\\\"aligncenter\\\" width=\\\"278\\\"]\\\"\\\"
PEOPLE LIVING IN A FANTASY WORLD<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1265\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
FACIAL FEATURES<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1572\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
REALISTIC PORTRAITS<\\/b><\\/center><\\/a>[\\/caption]\",\"\"]]','Portrait Galleries','','inherit','open','open','','1084-revision-v1','','','2015-01-08 20:44:03','2015-01-09 04:44:03','',1084,'http://www.letsdrawpeople.com/1084-revision-v1/',0,'revision','',0),(1579,2,'2015-01-08 20:58:07','2015-01-09 04:58:07','[[\"[caption id=\\\"attachment_652\\\" align=\\\"aligncenter\\\" width=\\\"221\\\"]\\\"\\\"
PORTRAIT DRAWINGS OF CHILDREN<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_783\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
DRAWINGS OF WELL-KNOWN FACES<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1418\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
FAMILY DRAWINGS<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1456\\\" align=\\\"aligncenter\\\" width=\\\"208\\\"]\\\"\\\"
SELF-PORTRAIT DRAWINGS OF ASPIRING ARTISTS<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1424\\\" align=\\\"aligncenter\\\" width=\\\"278\\\"]\\\"\\\"
PEOPLE LIVING IN A FANTASY WORLD<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1572\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
REALISTIC PORTRAITS<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1265\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
FACIAL FEATURES<\\/b><\\/center><\\/a>[\\/caption]\",\"\"]]','Portrait Galleries','','inherit','open','open','','1084-revision-v1','','','2015-01-08 20:58:07','2015-01-09 04:58:07','',1084,'http://www.letsdrawpeople.com/1084-revision-v1/',0,'revision','',0),(1580,2,'2015-01-08 20:59:37','2015-01-09 04:59:37','[[\"[caption id=\\\"attachment_652\\\" align=\\\"aligncenter\\\" width=\\\"221\\\"]\\\"\\\"
PORTRAIT DRAWINGS OF CHILDREN<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_783\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
DRAWINGS OF WELL-KNOWN FACES<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1572\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
REALISTIC PORTRAITS<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1456\\\" align=\\\"aligncenter\\\" width=\\\"208\\\"]\\\"\\\"
SELF-PORTRAIT DRAWINGS OF ASPIRING ARTISTS<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1424\\\" align=\\\"aligncenter\\\" width=\\\"278\\\"]\\\"\\\"
PEOPLE LIVING IN A FANTASY WORLD<\\/b><\\/center><\\/a>[\\/caption]\",\"\"],[\"[caption id=\\\"attachment_1265\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
FACIAL FEATURES<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1418\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
FAMILY DRAWINGS<\\/b><\\/center><\\/a>[\\/caption]\"]]','Portrait Galleries','','inherit','open','open','','1084-revision-v1','','','2015-01-08 20:59:37','2015-01-09 04:59:37','',1084,'http://www.letsdrawpeople.com/1084-revision-v1/',0,'revision','',0),(1581,2,'2015-01-09 05:46:25','2015-01-09 13:46:25','Age and experience don\'t always have everything to do with artistic skill. Take the case of Diego Fazio - a 25 year-old Italian artist. With only eight years of experience under his belt, Diego produces hyperrealistic pencil portraits of real people, capturing the details of their faces in a manner that seems not quite human. Despite the seeming impossibility, Fazio has made a career of producing such images.\r\n\r\nAs you can see below, the work done by Diego is nothing short of breathtaking, reproducing images in a manner that makes them virtually identical to a photograph. His process is intricately detailed, usually requiring him to spend over two hundred hours on a portrait! The end product, though, is worth the wait - each image is incredibly realistic, highlighting the lack of detail that is typically present in portraiture. Even a typically realistic portrait can look subpar when compared to one of his pieces, creating a high-water mark for the human hand\'s ability to replicate what the eye can see.\r\n\r\n[gallery link=\"file\" size=\"full\" columns=\"1\" ids=\"1547,1548,1549,1550,1551,1552,1553,1554,1555,1556,1557,1558,1559,1560\"]\r\n\r\nWhen it comes to art that\'s this detailed, is there really a difference between the pencil piece and photography? Is there a reason to draw by hand if you can produce an identical image mechanically? If you believe in the importance of the artistic process, the answer should be a resounding \"yes\", but it certainly gives those with an eye towards the world of art a moment to stop and think about hyper-realism.\r\n\r\nAs you progress with your own artistic endeavors, make sure that you embrace whatever it is that makes you and your artwork unique - and like Diego, find a way to stand out!\r\n\r\nAll images used with permission. See more at http://diegokoi.it/opere/','Your Eyes Will Tell You These Pencil Portraits Are Photographs','','inherit','open','open','','1543-revision-v1','','','2015-01-09 05:46:25','2015-01-09 13:46:25','',1543,'http://www.letsdrawpeople.com/1543-revision-v1/',0,'revision','',0),(1582,2,'2015-01-09 05:47:39','2015-01-09 13:47:39','Age and experience don\'t always have everything to do with artistic skill. Take the case of Diego Fazio - a 25 year-old Italian artist. With only eight years of experience under his belt, Diego produces hyperrealistic pencil portraits of real people, capturing the details of their faces in a manner that seems not quite human. Despite the seeming impossibility, Fazio has made a career of producing such images.\r\n\r\nAs you can see below, the work done by Diego is nothing short of breathtaking, reproducing images in a manner that makes them virtually identical to a photograph. His process is intricately detailed, usually requiring him to spend over two hundred hours on a portrait! The end product, though, is worth the wait - each image is incredibly realistic, highlighting the lack of detail that is typically present in portraiture. Even a typically realistic portrait can look subpar when compared to one of his pieces, creating a high-water mark for the human hand\'s ability to replicate what the eye can see.\r\n\r\n[gallery link=\"file\" size=\"full\" columns=\"1\" ids=\"1547,1548,1549,1550,1551,1552,1553,1554,1555,1556,1557,1558,1559,1560\"]\r\n\r\nWhen it comes to art that\'s this detailed, is there really a difference between the pencil piece and photography? Is there a reason to draw by hand if you can produce an identical image mechanically? If you believe in the importance of the artistic process, the answer should be a resounding \"yes\", but it certainly gives those with an eye towards the world of art a moment to stop and think about hyperrealism.\r\n\r\nAs you progress with your own artistic endeavors, make sure that you embrace whatever it is that makes you and your artwork unique - and like Diego, find a way to stand out!\r\n\r\nAll images used with permission. See more at http://diegokoi.it/opere/','Your Eyes Will Tell You These Pencil Portraits Are Photographs','','inherit','open','open','','1543-revision-v1','','','2015-01-09 05:47:39','2015-01-09 13:47:39','',1543,'http://www.letsdrawpeople.com/1543-revision-v1/',0,'revision','',0),(1583,2,'2015-01-09 06:14:04','2015-01-09 14:14:04','','251206_424857344237781_1540294843_n1','','inherit','open','open','','251206_424857344237781_1540294843_n1','','','2015-01-09 06:14:04','2015-01-09 14:14:04','',1543,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/251206_424857344237781_1540294843_n1.jpg',0,'attachment','image/jpeg',0),(1584,2,'2015-01-09 06:15:21','2015-01-09 14:15:21','Age and experience don\'t always have everything to do with artistic skill. Take the case of Diego Fazio - a 25 year-old Italian artist. With only eight years of experience under his belt, Diego produces hyperrealistic pencil portraits of real people, capturing the details of their faces in a manner that seems not quite human. Despite the seeming impossibility, Fazio has made a career of producing such images.\r\n\r\nAs you can see below, the work done by Diego is nothing short of breathtaking, reproducing images in a manner that makes them virtually identical to a photograph. His process is intricately detailed, usually beginning with a simple line drawing and spending over two hundred hours to turn it into a completed portrait! The end product, though, is worth the wait - each image is incredibly realistic, highlighting the lack of detail that is typically present in portraiture. Even a typically realistic portrait can look subpar when compared to one of his pieces, creating a high-water mark for the human hand\'s ability to replicate what the eye can see.\r\n\r\n[gallery link=\"file\" size=\"full\" columns=\"1\" ids=\"1583,1556,1547,1548,1549,1550,1551,1552,1553,1554,1555,1557,1558,1559,1560\"]\r\n\r\nWhen it comes to art that\'s this detailed, is there really a difference between the pencil piece and photography? Is there a reason to draw by hand if you can produce an identical image mechanically? If you believe in the importance of the artistic process, the answer should be a resounding \"yes\", but it certainly gives those with an eye towards the world of art a moment to stop and think about hyperrealism.\r\n\r\nAs you progress with your own artistic endeavors, make sure that you embrace whatever it is that makes you and your artwork unique - and like Diego, find a way to stand out!\r\n\r\nAll images used with permission. See more at http://diegokoi.it/opere/','Your Eyes Will Tell You These Pencil Portraits Are Photographs','','inherit','open','open','','1543-revision-v1','','','2015-01-09 06:15:21','2015-01-09 14:15:21','',1543,'http://www.letsdrawpeople.com/1543-revision-v1/',0,'revision','',0),(1601,2,'2015-01-17 21:47:26','2015-01-18 05:47:26','If you have ever struggled with drawing a picture of two people hugging, it\'s very understandable. Sometimes it can be hard enough just to get the right positioning for one figure, let alone two. In addition, you have to make sure the two figures you are drawing complement each other in a positive way for the overall picture.\r\n\r\nAnother thing about hugs is they don\'t all look alike. Depending on what kind of a hug you are trying to draw, you may have to tweak your approach.\r\n\r\nIn this post, I want to show you four different ways to draw two people hugging. No matter which pose you use, the best advice I can give you is to sketch out the general shapes of the two figures to get their positioning right with each other.\r\n\r\nIn the examples below, you will see these basic sketched figures rather than completed drawings, because once you get the shape of the figures sketched right, you can always go back and add details to develop the faces, arms, hands, and clothing. I drew these with a soft 4B pencil so they would appear darker for you, but since these figure sketches will serve as guidelines for your final drawing, it\'s best you draw them with a harder graphite pencil for a lighter effect.\r\n\r\nEach method has three basic components for each figure: an oval shape for the head, a rectangular shape with rounded corners for the torso, and the rough outline of the arms and hands.\r\n

Method 1: Hugging from Behind the Back

\r\n\"howIf you are drawing a picture of one person hugging another from behind the back, you are obviously going to have some overlap to deal with, so some of your basic shapes will be missing or hidden. In this example, you can start by drawing the head, body, and arms of the person in front. The torso of the person behind is hidden, so you don\'t need to draw it. It is still important to get the right placement of the head and arms of the person in the back.\r\n\r\nYou can see more overlap with the arms from behind coming to hug the person in the front. Once you get the right placement of the major shapes, just erase any guidelines that will be behind another body part (for example, the guidelines behind the forearms).\r\n

Method 2: Hugging Side by Side

\r\n\"howWhen people hug side by side, as in this example, they are usually sitting side by side and facing the same direction. As opposed to directly facing each other, their bodies are slightly twisted toward one another. There are times when they can do this standing as well.\r\n\r\nFor this sketch, I drew two ovals for the heads that are leaning in to one another and looking forward at the viewer. Each rectangular torso shape is slanted at a slight angle. Then you can draw the arms, one over the other in the front. You won\'t be able to see the arms behind each back.\r\n

Method 3: Frontal Hugging Over the Shoulder

\r\n\"howHere is a classic position for hugging. This is the first position I usually think of when I think about people hugging each other. Even so, it\'s not the ideal or popular position for portrait drawing, since one person is facing away and the face we can see probably has her eyes closed. Still, it has its place with other types of drawings, so we will take a quick look.\r\n\r\nOnce again, there is major overlap with this hugging position. You will have to use your judgment as to the extent of guidelines you want to use. I find it helpful sometimes, as in this example, to still sketch what is hidden by the arm and torso in the front. This way you can get an idea if the proportions of one person look right in isolation. Don\'t forget to draw heads that are side by side with a slight overlap and facing away from each other. Then draw an over-under positioning of the arms.\r\n

Method 4: Frontal Hugging Face-to-Face

\r\n\"howYou might use the positioning of the figures in this sketch to draw a loving, romantic couple. With this type of hug, the bodies are facing each other as in the last example, but the faces themselves are also facing each other. You can also draw the faces so they are both looking at the viewer, which would make this an excellent choice for a portrait drawing.\r\n\r\nIt is up to you whether you want to begin first by sketching the head or torso for each figure. I usually begin by sketching the heads to make sure the sizes and positions of each are the way I want them. If I begin with the bodies and accidentally draw them too far apart, then drawing the heads touching each other might look awkward.\r\n\r\nYou will have to adjust the width and angle of your rectangular torso shapes so they appear to be close to and facing each other. This will make it easier to sketch the arms so they have the natural appearance of wrapping around or resting upon the other person\'s body.\r\n

Countless Other Hugs

\r\nThese four ways to draw people hugging certainly are not the only hugging positions you will encounter. Hopefully though, these examples will show you that it\'s not as hard as it may seem to draw people hugging. It really is only a matter of sketching the basic shapes to get the right size and positioning before moving forward.\r\n\r\nIf you want to get better at drawing people hugging, begin by experimenting with these four methods. Try different attempts and angles until you get something that looks right to you. Then try making tweaks to the positions in your sketches. Look at lots of reference photographs to see the countless other hugging positions you may find yourself sketching someday. Practice sketching as many different positions as you can. Soon you will find it much easier (and more fun) to draw two hugging figures!','Four Easy Methods for Drawing People Hugging','','inherit','open','open','','1564-revision-v1','','','2015-01-17 21:47:26','2015-01-18 05:47:26','',1564,'http://www.letsdrawpeople.com/1564-revision-v1/',0,'revision','',0),(1587,2,'2015-01-13 17:52:16','2015-01-14 01:52:16','If you have ever struggled with drawing a picture of two people hugging, it\'s very understandable. Sometimes it can be hard enough just to get the right positioning for one figure, let alone two. In addition, you have to make sure the two figures you are drawing compliment each other in a positive way for the overall picture.\r\n\r\nAnother thing about hugs is they don\'t all look alike. Depending on what kind of a hug you are trying to draw, you may have to tweak your approach.\r\n\r\nIn this post, I want to show you four different ways to draw two people hugging. No matter which pose you use, the best advice I can give you is to sketch out the general shapes of the two figures to get their positioning right with each other.\r\n\r\nIn the examples below, you will see these basic sketched figures rather than completed drawings, because once you get the shape of the figures sketched right, you can always go back and add details to develop the faces, arms, hands, and clothing. I drew these with a soft 4B pencil so they would appear darker for you, but since these figure sketches will serve as guidelines for your final drawing, it\'s best you draw them with a harder graphite pencil for a lighter effect.\r\n\r\nEach method has three basic components for each figure: an oval shape for the head, a rectangular shape with rounded corners for the torso, and the rough outline of the arms and hands.\r\n

Method 1: Hugging from Behind the Back

\r\n\"howIf you are drawing a picture of one person hugging another from behind the back, you are obviously going to have some overlap to deal with, so some of your basic shapes will be missing or hidden. In this example, you can start by drawing the head, body, and arms of the person in front. The torso of the person behind is hidden, so you don\'t need to draw it. It is still important to get the right placement of the head and arms of the person in the back. You can see more overlap with the arms from behind coming to hug the person in the front. Once you get the right placement of the major shapes, just erase any guidelines that will be behind another body part (for example, the guidelines behind the forearms).\r\n

 Method 2: Hugging Side by Side

\r\n ','Four Easy Methods for Drawing People Hugging','','inherit','open','open','','1564-revision-v1','','','2015-01-13 17:52:16','2015-01-14 01:52:16','',1564,'http://www.letsdrawpeople.com/1564-revision-v1/',0,'revision','',0),(1588,2,'2015-01-13 19:14:57','2015-01-14 03:14:57','If you have ever struggled with drawing a picture of two people hugging, it\'s very understandable. Sometimes it can be hard enough just to get the right positioning for one figure, let alone two. In addition, you have to make sure the two figures you are drawing compliment each other in a positive way for the overall picture.\r\n\r\nAnother thing about hugs is they don\'t all look alike. Depending on what kind of a hug you are trying to draw, you may have to tweak your approach.\r\n\r\nIn this post, I want to show you four different ways to draw two people hugging. No matter which pose you use, the best advice I can give you is to sketch out the general shapes of the two figures to get their positioning right with each other.\r\n\r\nIn the examples below, you will see these basic sketched figures rather than completed drawings, because once you get the shape of the figures sketched right, you can always go back and add details to develop the faces, arms, hands, and clothing. I drew these with a soft 4B pencil so they would appear darker for you, but since these figure sketches will serve as guidelines for your final drawing, it\'s best you draw them with a harder graphite pencil for a lighter effect.\r\n\r\nEach method has three basic components for each figure: an oval shape for the head, a rectangular shape with rounded corners for the torso, and the rough outline of the arms and hands.\r\n

Method 1: Hugging from Behind the Back

\r\n\"howIf you are drawing a picture of one person hugging another from behind the back, you are obviously going to have some overlap to deal with, so some of your basic shapes will be missing or hidden. In this example, you can start by drawing the head, body, and arms of the person in front. The torso of the person behind is hidden, so you don\'t need to draw it. It is still important to get the right placement of the head and arms of the person in the back.\r\n\r\nYou can see more overlap with the arms from behind coming to hug the person in the front. Once you get the right placement of the major shapes, just erase any guidelines that will be behind another body part (for example, the guidelines behind the forearms).\r\n

Method 2: Hugging Side by Side

\r\n\"howWhen people hug side by side, as in this example, they are usually sitting side by side and facing the same direction. As opposed to directly facing each other, their bodies are slightly twisted toward one another. There are times when they can do this standing as well.\r\n\r\nFor this sketch, I drew two ovals for the heads that are leaning in to one another and looking forward at the viewer. Each rectangular torso shape is slanted at a slight angle. Then you can draw the arms, one over the other in the front. You won\'t be able to see the arms behind each back.\r\n

Method 3: Frontal Hugging Over the Shoulder

\r\n\"howHere is a classic position for hugging. This is the first position I usually think of when I think about people hugging each other. Even so, it\'s not the ideal or popular position for portrait drawing, since one person is facing away and the face we can see probably has her eyes closed. Still, it has its place with other types of drawings, so we will take a quick look.\r\n\r\nOnce again, there is major overlap with this hugging position. You will have to use your judgment as to the extent of guidelines you want to use. I find it helpful sometimes, as in this example, to still sketch what is hidden by the arm and torso in the front. This way you can get an idea if the proportions of one person look right in isolation. Don\'t forget to draw heads that are side by side with a slight overlap and facing away from each other. Then draw an over-under positioning of the arms.\r\n

Method 4: Frontal Hugging Face-to-Face

\r\n\"howYou might use the positioning of the figures in this sketch to draw a loving, romantic couple. With this type of hug, the bodies are facing each other as in the last example, but the faces themselves are also facing each other. You can also draw the faces so they are both looking at the viewer, which would make this an excellent choice for a portrait drawing.\r\n\r\nIt is up to you whether you want to begin first by sketching the head or torso for each figure. I usually begin by sketching the heads to make sure the sizes and positions of each are the way I want them. If I begin with the bodies and accidentally draw them too far apart, then drawing the heads touching each other might look awkward.\r\n\r\nYou will have to adjust the width and angle of your rectangular torso shapes so they appear to be close to and facing each other. This will make it easier to sketch the arms so they have the natural appearance of wrapping around or resting upon the other person\'s body.\r\n

Countless Other Hugs

\r\nThese four ways to draw people hugging certainly are\r\n\r\ntry different attempts and angles until you get something that looks right','Four Easy Methods for Drawing People Hugging','','inherit','open','open','','1564-revision-v1','','','2015-01-13 19:14:57','2015-01-14 03:14:57','',1564,'http://www.letsdrawpeople.com/1564-revision-v1/',0,'revision','',0),(1589,2,'2015-01-13 19:24:21','2015-01-14 03:24:21','If you have ever struggled with drawing a picture of two people hugging, it\'s very understandable. Sometimes it can be hard enough just to get the right positioning for one figure, let alone two. In addition, you have to make sure the two figures you are drawing compliment each other in a positive way for the overall picture.\r\n\r\nAnother thing about hugs is they don\'t all look alike. Depending on what kind of a hug you are trying to draw, you may have to tweak your approach.\r\n\r\nIn this post, I want to show you four different ways to draw two people hugging. No matter which pose you use, the best advice I can give you is to sketch out the general shapes of the two figures to get their positioning right with each other.\r\n\r\nIn the examples below, you will see these basic sketched figures rather than completed drawings, because once you get the shape of the figures sketched right, you can always go back and add details to develop the faces, arms, hands, and clothing. I drew these with a soft 4B pencil so they would appear darker for you, but since these figure sketches will serve as guidelines for your final drawing, it\'s best you draw them with a harder graphite pencil for a lighter effect.\r\n\r\nEach method has three basic components for each figure: an oval shape for the head, a rectangular shape with rounded corners for the torso, and the rough outline of the arms and hands.\r\n

Method 1: Hugging from Behind the Back

\r\n\"howIf you are drawing a picture of one person hugging another from behind the back, you are obviously going to have some overlap to deal with, so some of your basic shapes will be missing or hidden. In this example, you can start by drawing the head, body, and arms of the person in front. The torso of the person behind is hidden, so you don\'t need to draw it. It is still important to get the right placement of the head and arms of the person in the back.\r\n\r\nYou can see more overlap with the arms from behind coming to hug the person in the front. Once you get the right placement of the major shapes, just erase any guidelines that will be behind another body part (for example, the guidelines behind the forearms).\r\n

Method 2: Hugging Side by Side

\r\n\"howWhen people hug side by side, as in this example, they are usually sitting side by side and facing the same direction. As opposed to directly facing each other, their bodies are slightly twisted toward one another. There are times when they can do this standing as well.\r\n\r\nFor this sketch, I drew two ovals for the heads that are leaning in to one another and looking forward at the viewer. Each rectangular torso shape is slanted at a slight angle. Then you can draw the arms, one over the other in the front. You won\'t be able to see the arms behind each back.\r\n

Method 3: Frontal Hugging Over the Shoulder

\r\n\"howHere is a classic position for hugging. This is the first position I usually think of when I think about people hugging each other. Even so, it\'s not the ideal or popular position for portrait drawing, since one person is facing away and the face we can see probably has her eyes closed. Still, it has its place with other types of drawings, so we will take a quick look.\r\n\r\nOnce again, there is major overlap with this hugging position. You will have to use your judgment as to the extent of guidelines you want to use. I find it helpful sometimes, as in this example, to still sketch what is hidden by the arm and torso in the front. This way you can get an idea if the proportions of one person look right in isolation. Don\'t forget to draw heads that are side by side with a slight overlap and facing away from each other. Then draw an over-under positioning of the arms.\r\n

Method 4: Frontal Hugging Face-to-Face

\r\n\"howYou might use the positioning of the figures in this sketch to draw a loving, romantic couple. With this type of hug, the bodies are facing each other as in the last example, but the faces themselves are also facing each other. You can also draw the faces so they are both looking at the viewer, which would make this an excellent choice for a portrait drawing.\r\n\r\nIt is up to you whether you want to begin first by sketching the head or torso for each figure. I usually begin by sketching the heads to make sure the sizes and positions of each are the way I want them. If I begin with the bodies and accidentally draw them too far apart, then drawing the heads touching each other might look awkward.\r\n\r\nYou will have to adjust the width and angle of your rectangular torso shapes so they appear to be close to and facing each other. This will make it easier to sketch the arms so they have the natural appearance of wrapping around or resting upon the other person\'s body.\r\n

Countless Other Hugs

\r\nThese four ways to draw people hugging certainly are not the only hugging positions you will encounter. Hopefully though, these examples will show you that it\'s not as hard as it may seem to draw people hugging. It really is only a matter of sketching the basic shapes to get the right size and positioning before moving forward.\r\n\r\nIf you want to get better at drawing people hugging, begin by experimenting with these four methods. Try different attempts and angles until you get something that looks right to you. Then try making tweaks to the positions in your sketches. Look at lots of reference photographs to see the countless other hugging positions you may find yourself sketching someday. Practice sketching as many different positions as you can. Soon you will find it much easier (and more fun) to draw two hugging figures!','Four Easy Methods for Drawing People Hugging','','inherit','open','open','','1564-revision-v1','','','2015-01-13 19:24:21','2015-01-14 03:24:21','',1564,'http://www.letsdrawpeople.com/1564-revision-v1/',0,'revision','',0),(1595,2,'2015-01-15 06:24:53','2015-01-15 14:24:53','','sketch a surprised man video','','inherit','open','open','','sketch-a-surprised-man-video','','','2015-01-15 06:24:53','2015-01-15 14:24:53','',1591,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/sketch-a-surprised-man-video.jpg',0,'attachment','image/jpeg',0),(1596,2,'2015-01-15 06:25:14','2015-01-15 14:25:14','
This video is a quick sketch of a man with a surprised look on his face. It shows you a few simple fundamentals of how you can sketch a face of a man in a few minutes.\r\n\r\nI like to take my time and not rush when I draw or even sketch. This small experiment was a departure from that. This was my attempt to see how much of a face I could sketch within 5 minutes, so obviously it is only meant to be a quick sketch and not a complete, realistic depiction. Also as you will see, it was a challenge for me to stay within that 5-minute time frame!','Sketch a Surprised Man\'s Face in Mere Minutes','','inherit','open','open','','1591-revision-v1','','','2015-01-15 06:25:14','2015-01-15 14:25:14','',1591,'http://www.letsdrawpeople.com/1591-revision-v1/',0,'revision','',0),(1597,2,'2015-01-15 06:25:51','2015-01-15 14:25:51','
 \r\n\r\nThis video is a quick sketch of a man with a surprised look on his face. It shows you a few simple fundamentals of how you can sketch a face of a man in a few minutes.\r\n\r\nI like to take my time and not rush when I draw or even sketch. This small experiment was a departure from that. This was my attempt to see how much of a face I could sketch within 5 minutes, so obviously it is only meant to be a quick sketch and not a complete, realistic depiction. Also as you will see, it was a challenge for me to stay within that 5-minute time frame!','Sketch a Surprised Man\'s Face in Mere Minutes','','inherit','open','open','','1591-revision-v1','','','2015-01-15 06:25:51','2015-01-15 14:25:51','',1591,'http://www.letsdrawpeople.com/1591-revision-v1/',0,'revision','',0),(1598,2,'2015-01-15 06:26:13','2015-01-15 14:26:13','
\r\nThis video is a quick sketch of a man with a surprised look on his face. It shows you a few simple fundamentals of how you can sketch a face of a man in a few minutes.\r\n\r\nI like to take my time and not rush when I draw or even sketch. This small experiment was a departure from that. This was my attempt to see how much of a face I could sketch within 5 minutes, so obviously it is only meant to be a quick sketch and not a complete, realistic depiction. Also as you will see, it was a challenge for me to stay within that 5-minute time frame!','Sketch a Surprised Man\'s Face in Mere Minutes','','inherit','open','open','','1591-revision-v1','','','2015-01-15 06:26:13','2015-01-15 14:26:13','',1591,'http://www.letsdrawpeople.com/1591-revision-v1/',0,'revision','',0),(1599,2,'2015-01-15 19:05:34','2015-01-16 03:05:34','
In this video tutorial by Cheri Crawford from DrawingTeachers.com, we learn how to draw a picture of a young man. Even though Cheri often draws people in a more cartoon-like style, she shows us that some carefully planned changes and additions to the original line drawing can leave us with a drawing that is a bit more realistic.\r\n\r\nCheri uses a kneaded eraser and a really heavy and dark pencil that shows up better in the video, but she suggests using a lighter pencil. She begins with some proportional guidelines and a line drawing of the face.\r\n\r\nAn important observation about drawing a man is noted when Cheri says, \"Masculine features are often very geometrical, in nature and in art.\" She illustrates this point by initially using shapes with sharp angles and edges.\r\n\r\nAs the drawing progresses, she makes the cartoonish shapes less exaggerated by softening them, giving the drawing a slightly more realistic feel. Also notice the more shading and detail that\'s placed around the muscle and bone, the more real the drawing begins to appear.\r\n\r\nHere\'s the takeaway I get from this video:\r\n\r\nIf your line drawing of a man (or even a woman or child) appears more cartoonish than you want, keep working with it by adding layers of shading and detail.\r\n\r\nI hope you give it a try!\r\n\r\n ','Make a Cartoonish Drawing of a Man\'s Face More Realistic','','inherit','open','open','','1250-revision-v1','','','2015-01-15 19:05:34','2015-01-16 03:05:34','',1250,'http://www.letsdrawpeople.com/1250-revision-v1/',0,'revision','',0),(1591,2,'2015-01-15 06:26:52','2015-01-15 14:26:52','
\r\nThis video is a quick sketch of a man with a surprised look on his face. It shows you a few simple fundamentals of how you can sketch a face of a man in a few minutes.\r\n\r\nI like to take my time and not rush when I draw or even sketch. This small experiment was a departure from that. This was my attempt to see how much of a face I could sketch within 5 minutes, so obviously it is only meant to be a quick sketch and not a complete, realistic depiction. Also as you will see, it was a challenge for me to stay within that 5-minute time frame!','Sketch a Surprised Man\'s Face in Mere Minutes','','publish','open','open','','sketch-a-surprised-mans-face-in-mere-minutes','','','2015-07-11 19:45:05','2015-07-12 02:45:05','',0,'http://www.letsdrawpeople.com/?p=1591',0,'post','',2),(2065,2,'2015-07-11 19:38:49','2015-07-12 02:38:49','This video is a quick sketch of a man with a surprised look on his face. It shows you a few simple fundamentals of how you can sketch a face of a man in a few minutes.\r\n\r\nI like to take my time and not rush when I draw or even sketch. This small experiment was a departure from that. This was my attempt to see how much of a face I could sketch within 5 minutes, so obviously it is only meant to be a quick sketch and not a complete, realistic depiction. Also as you will see, it was a challenge for me to stay within that 5-minute time frame!','Sketch a Surprised Man\'s Face in Mere Minutes','','inherit','open','open','','1591-revision-v1','','','2015-07-11 19:38:49','2015-07-12 02:38:49','',1591,'http://www.letsdrawpeople.com/1591-revision-v1/',0,'revision','',0),(1592,2,'2015-01-14 20:07:14','2015-01-15 04:07:14','','Sketch a Surprised Man\'s Face in Mere Minutes','','inherit','open','open','','1591-revision-v1','','','2015-01-14 20:07:14','2015-01-15 04:07:14','',1591,'http://www.letsdrawpeople.com/1591-revision-v1/',0,'revision','',0),(1593,2,'2015-01-14 22:02:04','2015-01-15 06:02:04','
This is a video of a quick sketch of a man with a surprised look on his face.','Sketch a Surprised Man\'s Face in Mere Minutes','','inherit','open','open','','1591-revision-v1','','','2015-01-14 22:02:04','2015-01-15 06:02:04','',1591,'http://www.letsdrawpeople.com/1591-revision-v1/',0,'revision','',0),(1594,2,'2015-01-14 22:42:55','2015-01-15 06:42:55','
This is a video of a quick sketch of a man with a surprised look on his face. It shows you a few simple fundamentals of how you can sketch a face of a man in a few minutes.','Sketch a Surprised Man\'s Face in Mere Minutes','','inherit','open','open','','1591-revision-v1','','','2015-01-14 22:42:55','2015-01-15 06:42:55','',1591,'http://www.letsdrawpeople.com/1591-revision-v1/',0,'revision','',0),(2213,2,'2015-08-08 18:39:44','2015-08-09 01:39:44','It is important to remember that teeth are very unique from one person to the next. These unique characteristics of teeth play a large part in shaping a person\'s appearance.\r\n\r\nThis tutorial will show how to draw teeth for a person who is looking directly ahead and smiling. Again, just as individual teeth are unique, individual smiles are also unique. Some smiles, either naturally or purposefully, will show more teeth than others. Some smiles show the top and bottom teeth while other smiles barely reveal any bottom teeth at all.\r\n\r\nThe size generalizations can be applied to almost anyone\'s teeth.','This Childhood Shortcut Will Show You How to Draw Teeth','','inherit','open','open','','2211-revision-v1','','','2015-08-08 18:39:44','2015-08-09 01:39:44','',2211,'http://www.letsdrawpeople.com/2211-revision-v1/',0,'revision','',0),(1605,2,'2015-02-09 21:44:54','2015-02-10 05:44:54','If you are not used to drawing them, ears can be very intimidating. I remember struggling for years to understand all of the ins and outs of the ear and being frustrated that I couldn\'t draw one satisfactorily.\r\n\r\nEars come in all shapes and sizes and are unique to each individual. Luckily though, ears don\'t have to be any more difficult to draw than any other facial feature. Just like the other features of the face, nearly each and every unique ear has the same basic structure. Once you learn this structure and a step-by-step method for drawing the visible outer parts, you should have a much easier time drawing ears. So listen up!\r\n

Parts of the Outer Ear

\r\nThere are a lot of weird, unusual scientific names for the parts of the ear. There really is no need to remember them all. Hopefully without getting too technical, there are a few select parts that I will refer to during this lesson, so it\'s a good idea to at least get familiar with these:\r\n

\"how

\r\n\r\n
    \r\n
  • The helix is the rim of cartilage that circles around the outer edge of the ear.
    • \r\n
  • Working your way inward from the helix, the next section is called the antihelix. This part of the ear almost forms a bended \"y\" shape.
    • \r\n
  • The lobule is the earlobe at the bottom of the ear.
    • \r\n
  • The area between the antihelix and the ear canal is called the concha.
    • \r\n
  • The tragus is the small bump of cartilage adjacent to the ear canal.
    • \r\n
  • The antitragus is the small bump below the antihelix and across from the tragus.
    • \r\n
\r\nWhen it comes to drawing ears, I generally like to begin with the helix and work my way inward. Being familiar with the structures mentioned above and drawing one part at a time is one method of drawing ears that most people find helpful. Following is a simple step-by-step plan you can try.\r\n

Step 1: Draw the helix and lobule.

\r\nThis is your first chance to capture the first unique characteristics of the ear you are trying to draw...namely its shape and size. As I mentioned earlier, nearly all ears have the same structure but are unique in their own ways. Is the ear you are trying to draw large or small? Narrow or wide? How far does it protrude from the head?\r\n\r\nLook also at the lobule and its unique characteristics. Is it a \"free\" earlobe that hangs loosely and disconnected from the face? Or is it an \"attached\" earlobe that is secured firmly to the head?\r\n\r\n\"how\r\n

Step 2: Draw the antihelix and antitragus.

\r\nWhen I was still learning how to draw ears many many years ago, I found this y-shaped antihelix to be the most intimidating part. It really doesn\'t have to be that hard, though. Using the helix as your guide, decide how to place and position the top of the \"y\" underneath it. Then gently curve the body of the \"y\" alongside the helix. Draw the little bump at the bottom that will be the antitragus. The hard part is over!\r\n\r\n\"how\r\n

Step 3: Draw the tragus and concha area.

\r\nNow it gets much easier. Draw the tragus, which is across from the antitragus with a little dip between the two. Look in the concha and ear canal area and indicate any distinct or subtle cartilage protrusions. Make sure you draw the helix curving into this area as well.\r\n\r\n\"how\r\n

Finishing Up

\r\nLook carefully for other defining characteristics to include in your ear drawing such as piercings, earrings, moles, and surrounding hair. Add as much or as little shading and detail as you like.\r\n\r\n\"how\r\n\r\nRemember that this is just one method for drawing ears. There is no one correct way. Find what works for you. Hopefully you find this method helpful if you were once one to get frustrated with drawing ears. Keep at it! You will get better with practice, and drawing ears will turn from frustrating to fun!','Listen Up to Learn How to Draw Ears','','publish','open','open','','listen-up-to-learn-how-to-draw-ears','','','2015-02-09 21:44:54','2015-02-10 05:44:54','',0,'http://www.letsdrawpeople.com/?p=1605',0,'post','',0),(1606,2,'2015-01-19 18:47:39','2015-01-20 02:47:39','If you are not used to drawing them, ears can be very intimidating. I remember struggling for years to understand all of the ins and outs of the ear and being frustrated that I couldn\'t draw one satisfactorily.\r\n\r\nLuckily though,\r\n\r\nParts of the ear\r\n\r\nOuter helix\r\n\r\nAntihelix\r\n\r\nEar canal entry\r\n\r\nFinishing up\r\n\r\nAdd as much or as little shading and detail as you like. Add in any piercings, earrings, moles, or other characteristics.','Listen Up to Learn How to Draw Ears','','inherit','open','open','','1605-revision-v1','','','2015-01-19 18:47:39','2015-01-20 02:47:39','',1605,'http://www.letsdrawpeople.com/1605-revision-v1/',0,'revision','',0),(1607,2,'2015-01-19 21:53:34','2015-01-20 05:53:34','If you are not used to drawing them, ears can be very intimidating. I remember struggling for years to understand all of the ins and outs of the ear and being frustrated that I couldn\'t draw one satisfactorily.\r\n\r\nEars come in all shapes and sizes and are unique to each individual. Luckily though, ears don\'t have to be any more difficult to draw than any other facial feature. Just like the other features of the face, nearly each and every unique ear has the same basic structure. Once you learn this structure and a step-by-step method for drawing the visible outer parts, you should have a much easier time drawing ears.\r\n

Parts of the Outer Ear

\r\n***refer to desktop pic and mastery. Without getting too technical....  There are a lot of weird unusual scientific names for the parts of the ear. no need to remember them all\r\n\r\nOuter helix\r\n\r\nAntihelix\r\n\r\nEar canal entry\r\n\r\nFinishing up\r\n\r\nAdd as much or as little shading and detail as you like. Add in any piercings, earrings, moles, or other characteristics. may find it even more fun to draw ears now','Listen Up to Learn How to Draw Ears','','inherit','open','open','','1605-revision-v1','','','2015-01-19 21:53:34','2015-01-20 05:53:34','',1605,'http://www.letsdrawpeople.com/1605-revision-v1/',0,'revision','',0),(1613,2,'2015-01-23 20:21:22','2015-01-24 04:21:22','

Welcome to the \"Drawings of Models\" gallery!

\r\n

Models make a living out of posing for the camera. So, it is only fitting that artists use them to pose for drawings!

\r\n

When a photographer takes a picture of a model, he or she attempts to capture a particular mood. The artist drawing from a photograph of a model also attempts to capture this same mood, while also capturing the likeness of the model.

\r\n

If you have your own drawing of a model that you want others to view in this gallery, see how to share it with us.

\r\n[gallery link=\"file\" ids=\"1610\" orderby=\"rand\"]','Drawings of Models','','inherit','open','open','','1609-revision-v1','','','2015-01-23 20:21:22','2015-01-24 04:21:22','',1609,'http://www.letsdrawpeople.com/1609-revision-v1/',0,'revision','',0),(1610,2,'2015-01-23 20:13:09','2015-01-24 04:13:09','','Camilla 1','\"Izabella\" by Dominique','inherit','open','open','','camilla-1','','','2015-01-23 20:14:47','2015-01-24 04:14:47','',1609,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/Camilla-1.jpg',0,'attachment','image/jpeg',0),(1612,2,'2015-01-23 20:18:21','2015-01-24 04:18:21','

Welcome to the \"Drawings of Models\" gallery!

\r\n

Models make a living out of posing for the camera. So, it is only fitting that artists use them to pose for drawings!

\r\n

When a photographer takes a picture of a model, he or she attempts to capture a particular mood. The artist drawing from a photograph of a model also attempts to capture this same mood, while also capturing the likeness of the model.

\r\n

If you have your own drawing of a model that you want others to view in this gallery, see how to share it with us.

\r\n[gallery link=\"file\" ids=\"1610\" orderby=\"rand\"]','Drawings of Models','','inherit','open','open','','1609-revision-v1','','','2015-01-23 20:18:21','2015-01-24 04:18:21','',1609,'http://www.letsdrawpeople.com/1609-revision-v1/',0,'revision','',0),(1611,2,'2015-01-23 20:16:12','2015-01-24 04:16:12','

Welcome to the \"Drawings of Models\" gallery!

\r\n

Models make a living out of posing for the camera. So, it is only fitting that artists use them to pose for drawings!

\r\n

When a photographer takes a picture of a model, he or she attempts to capture a particular mood. The artist drawing from a photograph of a model also attempts to capture this same mood while also capturing the likeness of the model.

\r\n

If you have your own drawing of a model that you want others to view in this gallery, see how to share it with us.

\r\n[gallery link=\"file\" ids=\"1610\" orderby=\"rand\"]','Drawings of Models','','inherit','open','open','','1609-revision-v1','','','2015-01-23 20:16:12','2015-01-24 04:16:12','',1609,'http://www.letsdrawpeople.com/1609-revision-v1/',0,'revision','',0),(1627,2,'2015-02-01 20:29:38','2015-02-02 04:29:38','[[\"[caption id=\\\"attachment_652\\\" align=\\\"aligncenter\\\" width=\\\"221\\\"]\\\"\\\"
PORTRAIT DRAWINGS OF CHILDREN<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_783\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
DRAWINGS OF WELL-KNOWN FACES<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1572\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
REALISTIC PORTRAITS<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1456\\\" align=\\\"aligncenter\\\" width=\\\"208\\\"]\\\"\\\"
SELF-PORTRAIT DRAWINGS OF ASPIRING ARTISTS<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1424\\\" align=\\\"aligncenter\\\" width=\\\"278\\\"]\\\"\\\"
PEOPLE LIVING IN A FANTASY WORLD<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1610\\\" align=\\\"alignnone\\\" width=\\\"228\\\"]\\\"\\\"
DRAWINGS OF MODELS<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1623\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
FACIAL FEATURES<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1418\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
FAMILY DRAWINGS<\\/b><\\/center><\\/a>[\\/caption]\"]]','Portrait Galleries','','inherit','open','open','','1084-revision-v1','','','2015-02-01 20:29:38','2015-02-02 04:29:38','',1084,'http://www.letsdrawpeople.com/1084-revision-v1/',0,'revision','',0),(1614,2,'2015-01-23 21:10:51','2015-01-24 05:10:51','[[\"[caption id=\\\"attachment_652\\\" align=\\\"aligncenter\\\" width=\\\"221\\\"]\\\"\\\"
PORTRAIT DRAWINGS OF CHILDREN<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_783\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
DRAWINGS OF WELL-KNOWN FACES<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1572\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
REALISTIC PORTRAITS<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1456\\\" align=\\\"aligncenter\\\" width=\\\"208\\\"]\\\"\\\"
SELF-PORTRAIT DRAWINGS OF ASPIRING ARTISTS<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1424\\\" align=\\\"aligncenter\\\" width=\\\"278\\\"]\\\"\\\"
PEOPLE LIVING IN A FANTASY WORLD<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1610\\\" align=\\\"alignnone\\\" width=\\\"228\\\"]\\\"\\\"
DRAWINGS OF MODELS<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1265\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
FACIAL FEATURES<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1418\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
FAMILY DRAWINGS<\\/b><\\/center><\\/a>[\\/caption]\"]]','Portrait Galleries','','inherit','open','open','','1084-revision-v1','','','2015-01-23 21:10:51','2015-01-24 05:10:51','',1084,'http://www.letsdrawpeople.com/1084-revision-v1/',0,'revision','',0),(1618,2,'2015-01-26 20:38:12','2015-01-27 04:38:12','','how to draw ears parts of the ear','','inherit','open','open','','how-to-draw-ears-parts-of-the-ear','','','2015-01-26 20:38:12','2015-01-27 04:38:12','',1605,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/how-to-draw-ears-parts-of-the-ear.jpg',0,'attachment','image/jpeg',0),(1615,2,'2015-01-26 20:10:12','2015-01-27 04:10:12','If you are not used to drawing them, ears can be very intimidating. I remember struggling for years to understand all of the ins and outs of the ear and being frustrated that I couldn\'t draw one satisfactorily.\r\n\r\nEars come in all shapes and sizes and are unique to each individual. Luckily though, ears don\'t have to be any more difficult to draw than any other facial feature. Just like the other features of the face, nearly each and every unique ear has the same basic structure. Once you learn this structure and a step-by-step method for drawing the visible outer parts, you should have a much easier time drawing ears. So listen up!\r\n

Parts of the Outer Ear

\r\nThere are a lot of weird, unusual scientific names for the parts of the ear. There really is no need to remember them all. Without getting too technical (hopefully), there are a few select parts that I will refer to during this lesson, so it\'s a good idea to at least get familiar with these:\r\n\r\n[pic of ear w/ labels helix, antihelix, lobule, concha, tragus, antitragus]\r\n
    \r\n
  • The helix is the rim of cartilage that circles around the outer edge of the ear.
    • \r\n
  • Working your way inward from the helix, the next section is called the antihelix. This part of the ear almost forms a bended \"y\" shape.
    • \r\n
  • The lobule is the earlobe at the bottom of the ear.
    • \r\n
  • The area between the antihelix and the ear canal is called the concha.
    • \r\n
  • The tragus is the small bump of cartilage adjacent to the ear canal.
    • \r\n
  • The antitragus is the small bump below the antihelix and across from the tragus.
    • \r\n
\r\nWhen it comes to drawing ears, I generally like to begin with the helix and work my way inward. Being familiar with the structures mentioned above and drawing one part at a time is one method of drawing ears that most people find helpful. Following is a simple step-by-step plan you can try.\r\n

Step 1: Draw the helix and lobule.

\r\nThis is your first chance to capture the first unique characteristics of the ear you are trying to draw...namely its shape and size. As I mentioned earlier, nearly all ears have the same structure but are unique in their own ways. Is the ear you are trying to draw large or small? Narrow or wide? How far does it protrude from the head?\r\n\r\nLook also at the lobule and its unique characteristics. Is it a \"free\" earlobe that hangs loosely and disconnected from the face? Or is it an \"attached\" earlobe that is secured firmly to the head?\r\n

Step 2: Draw the antihelix and antitragus.

\r\nWhen I was still learning how to draw ears many many years ago, I found this y-shaped antihelix to be the most intimidating part. It really doesn\'t have to be that hard, though. Using the helix as your guide, decide how to place and position the top of the \"y\" underneath it. Then gently curve the body of the \"y\" alongside the helix. Draw the little bump at the bottom that will be the antitragus. The hard part is over!\r\n

Step 3: Draw the tragus and concha area.

\r\nNow it gets much easier. Draw the tragus, which is across from the antitragus with a little dip between the two. Look in the concha and ear canal area and indicate any distinct or subtle cartilage protrusions. Make sure you draw the helix curving into this area as well.\r\n

Finishing Up

\r\nLook carefully for other defining characteristics to include in your ear drawing such as piercings, earrings, moles, and surrounding hair. Add as much or as little shading and detail as you like.\r\n\r\nRemember that this is just one method for drawing ears. There is no one correct way. Find what works for you. Hopefully you find this method helpful if you were once one to get frustrated with drawing ears. Keep at it. You will get better with practice, and drawing ears will turn from frustrating to fun!','Listen Up to Learn How to Draw Ears','','inherit','open','open','','1605-revision-v1','','','2015-01-26 20:10:12','2015-01-27 04:10:12','',1605,'http://www.letsdrawpeople.com/1605-revision-v1/',0,'revision','',0),(1616,2,'2015-01-26 20:17:45','2015-01-27 04:17:45','','drawing the ear 06','','inherit','open','open','','drawing-the-ear-06','','','2015-01-26 20:17:45','2015-01-27 04:17:45','',1605,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/drawing-the-ear-06.jpg',0,'attachment','image/jpeg',0),(1617,2,'2015-01-26 20:18:16','2015-01-27 04:18:16','If you are not used to drawing them, ears can be very intimidating. I remember struggling for years to understand all of the ins and outs of the ear and being frustrated that I couldn\'t draw one satisfactorily.\r\n\r\nEars come in all shapes and sizes and are unique to each individual. Luckily though, ears don\'t have to be any more difficult to draw than any other facial feature. Just like the other features of the face, nearly each and every unique ear has the same basic structure. Once you learn this structure and a step-by-step method for drawing the visible outer parts, you should have a much easier time drawing ears. So listen up!\r\n

Parts of the Outer Ear

\r\nThere are a lot of weird, unusual scientific names for the parts of the ear. There really is no need to remember them all. Hopefully without getting too technical, there are a few select parts that I will refer to during this lesson, so it\'s a good idea to at least get familiar with these:\r\n\r\n[pic of ear w/ labels helix, antihelix, lobule, concha, tragus, antitragus]\r\n
    \r\n
  • The helix is the rim of cartilage that circles around the outer edge of the ear.
    • \r\n
  • Working your way inward from the helix, the next section is called the antihelix. This part of the ear almost forms a bended \"y\" shape.
    • \r\n
  • The lobule is the earlobe at the bottom of the ear.
    • \r\n
  • The area between the antihelix and the ear canal is called the concha.
    • \r\n
  • The tragus is the small bump of cartilage adjacent to the ear canal.
    • \r\n
  • The antitragus is the small bump below the antihelix and across from the tragus.
    • \r\n
\r\nWhen it comes to drawing ears, I generally like to begin with the helix and work my way inward. Being familiar with the structures mentioned above and drawing one part at a time is one method of drawing ears that most people find helpful. Following is a simple step-by-step plan you can try.\r\n

Step 1: Draw the helix and lobule.

\r\nThis is your first chance to capture the first unique characteristics of the ear you are trying to draw...namely its shape and size. As I mentioned earlier, nearly all ears have the same structure but are unique in their own ways. Is the ear you are trying to draw large or small? Narrow or wide? How far does it protrude from the head?\r\n\r\nLook also at the lobule and its unique characteristics. Is it a \"free\" earlobe that hangs loosely and disconnected from the face? Or is it an \"attached\" earlobe that is secured firmly to the head?\r\n

Step 2: Draw the antihelix and antitragus.

\r\nWhen I was still learning how to draw ears many many years ago, I found this y-shaped antihelix to be the most intimidating part. It really doesn\'t have to be that hard, though. Using the helix as your guide, decide how to place and position the top of the \"y\" underneath it. Then gently curve the body of the \"y\" alongside the helix. Draw the little bump at the bottom that will be the antitragus. The hard part is over!\r\n

Step 3: Draw the tragus and concha area.

\r\nNow it gets much easier. Draw the tragus, which is across from the antitragus with a little dip between the two. Look in the concha and ear canal area and indicate any distinct or subtle cartilage protrusions. Make sure you draw the helix curving into this area as well.\r\n

Finishing Up

\r\nLook carefully for other defining characteristics to include in your ear drawing such as piercings, earrings, moles, and surrounding hair. Add as much or as little shading and detail as you like.\r\n\r\nRemember that this is just one method for drawing ears. There is no one correct way. Find what works for you. Hopefully you find this method helpful if you were once one to get frustrated with drawing ears. Keep at it! You will get better with practice, and drawing ears will turn from frustrating to fun!','Listen Up to Learn How to Draw Ears','','inherit','open','open','','1605-revision-v1','','','2015-01-26 20:18:16','2015-01-27 04:18:16','',1605,'http://www.letsdrawpeople.com/1605-revision-v1/',0,'revision','',0),(1619,2,'2015-01-26 20:38:55','2015-01-27 04:38:55','If you are not used to drawing them, ears can be very intimidating. I remember struggling for years to understand all of the ins and outs of the ear and being frustrated that I couldn\'t draw one satisfactorily.\r\n\r\nEars come in all shapes and sizes and are unique to each individual. Luckily though, ears don\'t have to be any more difficult to draw than any other facial feature. Just like the other features of the face, nearly each and every unique ear has the same basic structure. Once you learn this structure and a step-by-step method for drawing the visible outer parts, you should have a much easier time drawing ears. So listen up!\r\n

Parts of the Outer Ear

\r\nThere are a lot of weird, unusual scientific names for the parts of the ear. There really is no need to remember them all. Hopefully without getting too technical, there are a few select parts that I will refer to during this lesson, so it\'s a good idea to at least get familiar with these:\r\n

\"how

\r\n\r\n
    \r\n
  • The helix is the rim of cartilage that circles around the outer edge of the ear.
    • \r\n
  • Working your way inward from the helix, the next section is called the antihelix. This part of the ear almost forms a bended \"y\" shape.
    • \r\n
  • The lobule is the earlobe at the bottom of the ear.
    • \r\n
  • The area between the antihelix and the ear canal is called the concha.
    • \r\n
  • The tragus is the small bump of cartilage adjacent to the ear canal.
    • \r\n
  • The antitragus is the small bump below the antihelix and across from the tragus.
    • \r\n
\r\nWhen it comes to drawing ears, I generally like to begin with the helix and work my way inward. Being familiar with the structures mentioned above and drawing one part at a time is one method of drawing ears that most people find helpful. Following is a simple step-by-step plan you can try.\r\n

Step 1: Draw the helix and lobule.

\r\nThis is your first chance to capture the first unique characteristics of the ear you are trying to draw...namely its shape and size. As I mentioned earlier, nearly all ears have the same structure but are unique in their own ways. Is the ear you are trying to draw large or small? Narrow or wide? How far does it protrude from the head?\r\n\r\nLook also at the lobule and its unique characteristics. Is it a \"free\" earlobe that hangs loosely and disconnected from the face? Or is it an \"attached\" earlobe that is secured firmly to the head?\r\n

Step 2: Draw the antihelix and antitragus.

\r\nWhen I was still learning how to draw ears many many years ago, I found this y-shaped antihelix to be the most intimidating part. It really doesn\'t have to be that hard, though. Using the helix as your guide, decide how to place and position the top of the \"y\" underneath it. Then gently curve the body of the \"y\" alongside the helix. Draw the little bump at the bottom that will be the antitragus. The hard part is over!\r\n

Step 3: Draw the tragus and concha area.

\r\nNow it gets much easier. Draw the tragus, which is across from the antitragus with a little dip between the two. Look in the concha and ear canal area and indicate any distinct or subtle cartilage protrusions. Make sure you draw the helix curving into this area as well.\r\n

Finishing Up

\r\nLook carefully for other defining characteristics to include in your ear drawing such as piercings, earrings, moles, and surrounding hair. Add as much or as little shading and detail as you like.\r\n\r\nRemember that this is just one method for drawing ears. There is no one correct way. Find what works for you. Hopefully you find this method helpful if you were once one to get frustrated with drawing ears. Keep at it! You will get better with practice, and drawing ears will turn from frustrating to fun!','Listen Up to Learn How to Draw Ears','','inherit','open','open','','1605-revision-v1','','','2015-01-26 20:38:55','2015-01-27 04:38:55','',1605,'http://www.letsdrawpeople.com/1605-revision-v1/',0,'revision','',0),(1621,2,'2015-01-28 06:31:45','2015-01-28 14:31:45','

Please complete the form below to get more information about your topic and purchase, including your [ACCESS] email with download instructions for...

\r\n
\r\n','Almost Done!','','inherit','open','open','','1399-autosave-v1','','','2015-01-28 06:31:45','2015-01-28 14:31:45','',1399,'http://www.letsdrawpeople.com/1399-autosave-v1/',0,'revision','',0),(1642,2,'2015-02-09 21:41:17','2015-02-10 05:41:17','If you are not used to drawing them, ears can be very intimidating. I remember struggling for years to understand all of the ins and outs of the ear and being frustrated that I couldn\'t draw one satisfactorily.\r\n\r\nEars come in all shapes and sizes and are unique to each individual. Luckily though, ears don\'t have to be any more difficult to draw than any other facial feature. Just like the other features of the face, nearly each and every unique ear has the same basic structure. Once you learn this structure and a step-by-step method for drawing the visible outer parts, you should have a much easier time drawing ears. So listen up!\r\n

Parts of the Outer Ear

\r\nThere are a lot of weird, unusual scientific names for the parts of the ear. There really is no need to remember them all. Hopefully without getting too technical, there are a few select parts that I will refer to during this lesson, so it\'s a good idea to at least get familiar with these:\r\n

\"how

\r\n\r\n
    \r\n
  • The helix is the rim of cartilage that circles around the outer edge of the ear.
    • \r\n
  • Working your way inward from the helix, the next section is called the antihelix. This part of the ear almost forms a bended \"y\" shape.
    • \r\n
  • The lobule is the earlobe at the bottom of the ear.
    • \r\n
  • The area between the antihelix and the ear canal is called the concha.
    • \r\n
  • The tragus is the small bump of cartilage adjacent to the ear canal.
    • \r\n
  • The antitragus is the small bump below the antihelix and across from the tragus.
    • \r\n
\r\nWhen it comes to drawing ears, I generally like to begin with the helix and work my way inward. Being familiar with the structures mentioned above and drawing one part at a time is one method of drawing ears that most people find helpful. Following is a simple step-by-step plan you can try.\r\n

Step 1: Draw the helix and lobule.

\r\nThis is your first chance to capture the first unique characteristics of the ear you are trying to draw...namely its shape and size. As I mentioned earlier, nearly all ears have the same structure but are unique in their own ways. Is the ear you are trying to draw large or small? Narrow or wide? How far does it protrude from the head?\r\n\r\nLook also at the lobule and its unique characteristics. Is it a \"free\" earlobe that hangs loosely and disconnected from the face? Or is it an \"attached\" earlobe that is secured firmly to the head?\r\n\r\n\"how\r\n

Step 2: Draw the antihelix and antitragus.

\r\nWhen I was still learning how to draw ears many many years ago, I found this y-shaped antihelix to be the most intimidating part. It really doesn\'t have to be that hard, though. Using the helix as your guide, decide how to place and position the top of the \"y\" underneath it. Then gently curve the body of the \"y\" alongside the helix. Draw the little bump at the bottom that will be the antitragus. The hard part is over!\r\n\r\n\"how\r\n

Step 3: Draw the tragus and concha area.

\r\nNow it gets much easier. Draw the tragus, which is across from the antitragus with a little dip between the two. Look in the concha and ear canal area and indicate any distinct or subtle cartilage protrusions. Make sure you draw the helix curving into this area as well.\r\n\r\n\"how\r\n

Finishing Up

\r\nLook carefully for other defining characteristics to include in your ear drawing such as piercings, earrings, moles, and surrounding hair. Add as much or as little shading and detail as you like.\r\n\r\n\"how\r\n\r\nRemember that this is just one method for drawing ears. There is no one correct way. Find what works for you. Hopefully you find this method helpful if you were once one to get frustrated with drawing ears. Keep at it! You will get better with practice, and drawing ears will turn from frustrating to fun!','Listen Up to Learn How to Draw Ears','','inherit','open','open','','1605-revision-v1','','','2015-02-09 21:41:17','2015-02-10 05:41:17','',1605,'http://www.letsdrawpeople.com/1605-revision-v1/',0,'revision','',0),(1643,2,'2015-02-09 21:42:46','2015-02-10 05:42:46','If you are not used to drawing them, ears can be very intimidating. I remember struggling for years to understand all of the ins and outs of the ear and being frustrated that I couldn\'t draw one satisfactorily.\r\n\r\nEars come in all shapes and sizes and are unique to each individual. Luckily though, ears don\'t have to be any more difficult to draw than any other facial feature. Just like the other features of the face, nearly each and every unique ear has the same basic structure. Once you learn this structure and a step-by-step method for drawing the visible outer parts, you should have a much easier time drawing ears. So listen up!\r\n

Parts of the Outer Ear

\r\nThere are a lot of weird, unusual scientific names for the parts of the ear. There really is no need to remember them all. Hopefully without getting too technical, there are a few select parts that I will refer to during this lesson, so it\'s a good idea to at least get familiar with these:\r\n

\"how

\r\n\r\n
    \r\n
  • The helix is the rim of cartilage that circles around the outer edge of the ear.
    • \r\n
  • Working your way inward from the helix, the next section is called the antihelix. This part of the ear almost forms a bended \"y\" shape.
    • \r\n
  • The lobule is the earlobe at the bottom of the ear.
    • \r\n
  • The area between the antihelix and the ear canal is called the concha.
    • \r\n
  • The tragus is the small bump of cartilage adjacent to the ear canal.
    • \r\n
  • The antitragus is the small bump below the antihelix and across from the tragus.
    • \r\n
\r\nWhen it comes to drawing ears, I generally like to begin with the helix and work my way inward. Being familiar with the structures mentioned above and drawing one part at a time is one method of drawing ears that most people find helpful. Following is a simple step-by-step plan you can try.\r\n

Step 1: Draw the helix and lobule.

\r\nThis is your first chance to capture the first unique characteristics of the ear you are trying to draw...namely its shape and size. As I mentioned earlier, nearly all ears have the same structure but are unique in their own ways. Is the ear you are trying to draw large or small? Narrow or wide? How far does it protrude from the head?\r\n\r\nLook also at the lobule and its unique characteristics. Is it a \"free\" earlobe that hangs loosely and disconnected from the face? Or is it an \"attached\" earlobe that is secured firmly to the head?\r\n\r\n\"how\r\n

Step 2: Draw the antihelix and antitragus.

\r\nWhen I was still learning how to draw ears many many years ago, I found this y-shaped antihelix to be the most intimidating part. It really doesn\'t have to be that hard, though. Using the helix as your guide, decide how to place and position the top of the \"y\" underneath it. Then gently curve the body of the \"y\" alongside the helix. Draw the little bump at the bottom that will be the antitragus. The hard part is over!\r\n\r\n\"how\r\n

Step 3: Draw the tragus and concha area.

\r\nNow it gets much easier. Draw the tragus, which is across from the antitragus with a little dip between the two. Look in the concha and ear canal area and indicate any distinct or subtle cartilage protrusions. Make sure you draw the helix curving into this area as well.\r\n\r\n\"how\r\n

Finishing Up

\r\nLook carefully for other defining characteristics to include in your ear drawing such as piercings, earrings, moles, and surrounding hair. Add as much or as little shading and detail as you like.\r\n\r\n\"how\r\n\r\nRemember that this is just one method for drawing ears. There is no one correct way. Find what works for you. Hopefully you find this method helpful if you were once one to get frustrated with drawing ears. Keep at it! You will get better with practice, and drawing ears will turn from frustrating to fun!','Listen Up to Learn How to Draw Ears','','inherit','open','open','','1605-revision-v1','','','2015-02-09 21:42:46','2015-02-10 05:42:46','',1605,'http://www.letsdrawpeople.com/1605-revision-v1/',0,'revision','',0),(1644,2,'2015-02-09 21:43:10','2015-02-10 05:43:10','If you are not used to drawing them, ears can be very intimidating. I remember struggling for years to understand all of the ins and outs of the ear and being frustrated that I couldn\'t draw one satisfactorily.\r\n\r\nEars come in all shapes and sizes and are unique to each individual. Luckily though, ears don\'t have to be any more difficult to draw than any other facial feature. Just like the other features of the face, nearly each and every unique ear has the same basic structure. Once you learn this structure and a step-by-step method for drawing the visible outer parts, you should have a much easier time drawing ears. So listen up!\r\n

Parts of the Outer Ear

\r\nThere are a lot of weird, unusual scientific names for the parts of the ear. There really is no need to remember them all. Hopefully without getting too technical, there are a few select parts that I will refer to during this lesson, so it\'s a good idea to at least get familiar with these:\r\n

\"how

\r\n\r\n
    \r\n
  • The helix is the rim of cartilage that circles around the outer edge of the ear.
    • \r\n
  • Working your way inward from the helix, the next section is called the antihelix. This part of the ear almost forms a bended \"y\" shape.
    • \r\n
  • The lobule is the earlobe at the bottom of the ear.
    • \r\n
  • The area between the antihelix and the ear canal is called the concha.
    • \r\n
  • The tragus is the small bump of cartilage adjacent to the ear canal.
    • \r\n
  • The antitragus is the small bump below the antihelix and across from the tragus.
    • \r\n
\r\nWhen it comes to drawing ears, I generally like to begin with the helix and work my way inward. Being familiar with the structures mentioned above and drawing one part at a time is one method of drawing ears that most people find helpful. Following is a simple step-by-step plan you can try.\r\n

Step 1: Draw the helix and lobule.

\r\nThis is your first chance to capture the first unique characteristics of the ear you are trying to draw...namely its shape and size. As I mentioned earlier, nearly all ears have the same structure but are unique in their own ways. Is the ear you are trying to draw large or small? Narrow or wide? How far does it protrude from the head?\r\n\r\nLook also at the lobule and its unique characteristics. Is it a \"free\" earlobe that hangs loosely and disconnected from the face? Or is it an \"attached\" earlobe that is secured firmly to the head?\r\n\r\n\"how\r\n

Step 2: Draw the antihelix and antitragus.

\r\nWhen I was still learning how to draw ears many many years ago, I found this y-shaped antihelix to be the most intimidating part. It really doesn\'t have to be that hard, though. Using the helix as your guide, decide how to place and position the top of the \"y\" underneath it. Then gently curve the body of the \"y\" alongside the helix. Draw the little bump at the bottom that will be the antitragus. The hard part is over!\r\n\r\n\"how\r\n

Step 3: Draw the tragus and concha area.

\r\nNow it gets much easier. Draw the tragus, which is across from the antitragus with a little dip between the two. Look in the concha and ear canal area and indicate any distinct or subtle cartilage protrusions. Make sure you draw the helix curving into this area as well.\r\n\r\n\"how\r\n

Finishing Up

\r\nLook carefully for other defining characteristics to include in your ear drawing such as piercings, earrings, moles, and surrounding hair. Add as much or as little shading and detail as you like.\r\n\r\n\"how\r\n\r\nRemember that this is just one method for drawing ears. There is no one correct way. Find what works for you. Hopefully you find this method helpful if you were once one to get frustrated with drawing ears. Keep at it! You will get better with practice, and drawing ears will turn from frustrating to fun!','Listen Up to Learn How to Draw Ears','','inherit','open','open','','1605-revision-v1','','','2015-02-09 21:43:10','2015-02-10 05:43:10','',1605,'http://www.letsdrawpeople.com/1605-revision-v1/',0,'revision','',0),(1645,2,'2015-02-09 21:44:10','2015-02-10 05:44:10','If you are not used to drawing them, ears can be very intimidating. I remember struggling for years to understand all of the ins and outs of the ear and being frustrated that I couldn\'t draw one satisfactorily.\r\n\r\nEars come in all shapes and sizes and are unique to each individual. Luckily though, ears don\'t have to be any more difficult to draw than any other facial feature. Just like the other features of the face, nearly each and every unique ear has the same basic structure. Once you learn this structure and a step-by-step method for drawing the visible outer parts, you should have a much easier time drawing ears. So listen up!\r\n

Parts of the Outer Ear

\r\nThere are a lot of weird, unusual scientific names for the parts of the ear. There really is no need to remember them all. Hopefully without getting too technical, there are a few select parts that I will refer to during this lesson, so it\'s a good idea to at least get familiar with these:\r\n

\"how

\r\n\r\n
    \r\n
  • The helix is the rim of cartilage that circles around the outer edge of the ear.
    • \r\n
  • Working your way inward from the helix, the next section is called the antihelix. This part of the ear almost forms a bended \"y\" shape.
    • \r\n
  • The lobule is the earlobe at the bottom of the ear.
    • \r\n
  • The area between the antihelix and the ear canal is called the concha.
    • \r\n
  • The tragus is the small bump of cartilage adjacent to the ear canal.
    • \r\n
  • The antitragus is the small bump below the antihelix and across from the tragus.
    • \r\n
\r\nWhen it comes to drawing ears, I generally like to begin with the helix and work my way inward. Being familiar with the structures mentioned above and drawing one part at a time is one method of drawing ears that most people find helpful. Following is a simple step-by-step plan you can try.\r\n

Step 1: Draw the helix and lobule.

\r\nThis is your first chance to capture the first unique characteristics of the ear you are trying to draw...namely its shape and size. As I mentioned earlier, nearly all ears have the same structure but are unique in their own ways. Is the ear you are trying to draw large or small? Narrow or wide? How far does it protrude from the head?\r\n\r\nLook also at the lobule and its unique characteristics. Is it a \"free\" earlobe that hangs loosely and disconnected from the face? Or is it an \"attached\" earlobe that is secured firmly to the head?\r\n\r\n\"how\r\n

Step 2: Draw the antihelix and antitragus.

\r\nWhen I was still learning how to draw ears many many years ago, I found this y-shaped antihelix to be the most intimidating part. It really doesn\'t have to be that hard, though. Using the helix as your guide, decide how to place and position the top of the \"y\" underneath it. Then gently curve the body of the \"y\" alongside the helix. Draw the little bump at the bottom that will be the antitragus. The hard part is over!\r\n\r\n\"how\r\n

Step 3: Draw the tragus and concha area.

\r\nNow it gets much easier. Draw the tragus, which is across from the antitragus with a little dip between the two. Look in the concha and ear canal area and indicate any distinct or subtle cartilage protrusions. Make sure you draw the helix curving into this area as well.\r\n\r\n\"how\r\n

Finishing Up

\r\nLook carefully for other defining characteristics to include in your ear drawing such as piercings, earrings, moles, and surrounding hair. Add as much or as little shading and detail as you like.\r\n\r\n\"how\r\n\r\nRemember that this is just one method for drawing ears. There is no one correct way. Find what works for you. Hopefully you find this method helpful if you were once one to get frustrated with drawing ears. Keep at it! You will get better with practice, and drawing ears will turn from frustrating to fun!','Listen Up to Learn How to Draw Ears','','inherit','open','open','','1605-revision-v1','','','2015-02-09 21:44:10','2015-02-10 05:44:10','',1605,'http://www.letsdrawpeople.com/1605-revision-v1/',0,'revision','',0),(1646,2,'2015-02-14 22:18:42','2015-02-15 06:18:42','','IMG_4753','\"The Sausage Emporium\" by Lauren','inherit','open','open','','img_4753','','','2015-02-14 22:19:10','2015-02-15 06:19:10','',1060,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/IMG_4753.jpg',0,'attachment','image/jpeg',0),(1647,2,'2015-02-14 22:20:10','2015-02-15 06:20:10','Welcome to our gallery of self-portrait drawings! Here you can view drawings by our contributors and visitors...of themselves!\r\n\r\nSelf-portraits are some of the most intriguing types of artwork around. Often times, we as humans see ourselves or think of ourselves differently from how others perceive us. A self-portrait is exactly what the name implies. It is simply a drawing of one\'s own self.\r\n\r\nA self-portrait drawing forces an artist to create an interpretation of oneself. The artist must take a critical look in the mirror and create an image of what the rest of the world sees. At the same time, the artist finds balance and includes those unique elements and features that define who he or she is as a person.\r\n\r\nCome back to this gallery often to see the faces behind those who create our articles and tutorials, as well as the faces that make up our growing audience!\r\n\r\nIf you have your own self-portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"1026,1456,1628,1646\"]','Self-Portrait Drawings of Aspiring Artists','','inherit','open','open','','1060-revision-v1','','','2015-02-14 22:20:10','2015-02-15 06:20:10','',1060,'http://www.letsdrawpeople.com/1060-revision-v1/',0,'revision','',0),(1648,2,'2015-03-18 02:51:00','2015-03-18 09:51:00','Though often considered a beginner\'s tool, grid drawing is used by new and experienced artists alike.\r\n\r\nDrawing faces and the human form is one of the most difficult tasks an artist faces, which is why so many despair at the thought and stick to landscapes or still lifes. Drawing people takes practice and dedication, as well as an arsenal of tricks - one of which is drawing on a grid.\r\n

What is Grid Drawing?

\r\nThis is a method of defining proportion. By drawing on a grid, the artist keeps proportion of the head, body, limbs, and extremities. The head stays aligned with the shoulders, the neck is the right length and width to support it, and so on.\r\n

Copying Using a Grid

\r\nI drew for many years before I even heard about the concept of grid drawing. Once I began drawing with a grid, I felt it helped me to better develop the way I perceive things spatially during those times I drew without a grid.\r\n\r\nIf you\'d like to try grid drawing out for yourself, here are some simple beginning steps:\r\n\r\nFirst, use a ruler and pencil to create a grid over the original image. Perhaps it is a photograph or a picture in a magazine. Make your grid in a comfortable measurement, like a centimeter, a half an inch, or one inch squares. If you don\'t want to or are unable to draw a grid directly on the photograph, you can make a transparent overlay. Better yet, make a grid on the computer over a digital image.\r\n\r\n\"grid\r\n\r\nOn your drawing paper, create an equal grid. To keep your drawing the same scale as the reference photograph, the ratio absolutely must be 1:1. That means if you used an inch on your photograph, use an inch on the drawing paper. Use a light hand when drawing the lines, so they can be erased later.\r\n\r\n\"grid\r\n\r\nNow the drawing can begin. Square by square, begin copying the master image to your drawing paper. This smaller area of focus keeps the process from being overwhelming. After all, you are not copying a whole face; you are copying merely one square inch of it. It\'s like the old adage \"How do you eat an elephant? One bite at a time!\"\r\n\r\n\"grid\r\n\r\nAfter working your way square by square, congratulations - you have a completed image! At this point, you will need to carefully erase your lightly-drawn grid lines. If you like, you may try your hand at shading or enhancing; that is, once you are comfortable with the act of copying.\r\n\r\n\"grid\r\n

Disadvantages to Using a Grid on Your Drawing Paper

\r\nThe above method requires you to draw a grid onto your drawing paper. I used this method for many years with terrific results, but it does have some distinct disadvantages.\r\n\r\nFirst of all, you have to take extreme care to measure precisely when drawing your grid lines. They also need to be perfectly straight, parallel, and perpendicular to each other. If your lines are off, your drawing will be off too.\r\n\r\nSecondly, once you take all that time to draw a face that\'s just the way you want it, you have to go back and erase the grid lines. Even if you drew your grid lines lightly, there\'s a chance that some of the grid lines will still be seen after you erase. What\'s worse is you can accidentally erase small lines and details that are important parts of your final drawing.\r\n

Alternate Method (Much Easier)

\r\nThere is a method of grid drawing that is much easier than placing a grid directly onto your drawing paper. I use this method whenever I can now. Here it goes...\r\n\r\nFirst, create a custom grid with the proper measurements for your project on your computer. You can easily accomplish this with the table function on Microsoft Word, for example. Once you have the grid created, print it out.\r\n\r\nThen tape this grid onto a light box. Tape your drawing paper on top of the grid paper. Turn your light box on. You will be able to easily see the grid squares showing through the drawing paper.\r\n\r\n\"grid\r\n\r\nDraw your picture, one grid square at a time. When you are finished, simply cut the light box off. Presto....you have a perfect drawing and no grid lines to erase!\r\n

Advanced Grid Drawing

\r\nOnce you\'ve conquered the face, you can use this same technique to draw other parts of the human figure. Draw the neck and shoulders, torso and arms, or even a full-length view of the body.\r\n\r\nYou may also feel comfortable changing the size of your drawing, all the while keeping the same ratio. Let\'s say your original photograph is 5\" x 7\", and you want to create a 10\" x 14\" drawing. Just use the same aspect ratio. Create a grid on your original of so many squares, each of, say, one inch. Then on your larger drawing paper, use an equal number of squares, measuring double the size - 2 inches.\r\n\r\nBy keeping the ratio consistent, the drawing remains the same, only the size changes. Math and art - what a combination!\r\n

You Are In Good Company

\r\n\"441px-Da_Vinci_Vitruve_Luc_Viatour\"Grid drawing is a very old, very powerful tool for accurate drawing, employed by the likes of Leonardo DaVinci and Johannes Vermeer. DaVinci\'s Vitruvian Man is a classic example of using a mathematical formula to draw the human form with great accuracy. So don\'t feel that it\'s an amateur\'s cop-out or cheating, just because it seems so simple. Sometimes it\'s the simplest methods that produce the greatest results. Get started today and create your own masterpiece!','Grid Drawing For Perfect Faces And Forms','','publish','open','open','','grid-drawing-for-perfect-faces-and-forms','','','2015-03-11 05:22:47','2015-03-11 12:22:47','',0,'http://www.letsdrawpeople.com/?p=1648',0,'post','',3),(1649,2,'2015-02-15 13:53:18','2015-02-15 21:53:18','Though often considered a beginner\'s tool, grid drawing is used by new and experienced artists alike.\r\n\r\nDrawing faces and the human form is one of the most difficult tasks an artist faces, which is why so many despair at the thought and stick to landscapes or still lifes. Drawing people takes practice and dedication, as well as an arsenal of tricks - one of which is drawing on a grid.\r\n

What is grid drawing?

\r\nThis is a method of defining proportion. By drawing on a grid, the artist keeps proportion of the head, body, limbs, and extremities. The head stays aligned with the shoulders, the neck is the right length and width to support it, and so on.\r\n

Copying Using a Grid

\r\nI drew for many years before I even heard about the concept of grid drawing. Once I began drawing with a grid, I felt it helped me to better develop the way I perceive things spatially during those times I drew without a grid.\r\n\r\nIf you\'d like to try grid drawing out for yourself, here are some simple beginning steps:\r\n\r\n* First, use a ruler and pencil to create a grid over the original image. Perhaps it is a photograph or a picture in a magazine. Make your grid in a comfortable measurement, like a centimeter, a half an inch, or one inch squares.\r\n\r\n* On your drawing paper, create an equal grid. To keep your drawing the same scale as the reference photograph, the ratio absolutely must be 1:1. That means if you used an inch on your photograph, use an inch on the drawing paper. Use a light hand when drawing the lines, so they can be erased later.\r\n\r\n* Now the drawing can begin. Square by square, begin copying the master image to your drawing paper. This smaller area of focus keeps the process from being overwhelming. After all, you are not copying a whole face; you are copying merely one square inch of it. It\'s like the old adage \"How do you eat an elephant? One bite at a time!\"\r\n\r\n* After working your way square by square, erase your grid lines. Congratulations - you have a completed image! If you like, you may try your hand at shading or enhancing; that is, once you are comfortable with the act of copying.\r\n

Advanced Grid Drawing

\r\nOnce you\'ve conquered the face, you can use this same technique to draw other parts of the human figure. Draw the neck and shoulders, torso and arms, or even a full-length view of the body.\r\n\r\nYou may also feel comfortable changing the size of your drawing, all the while keeping the same ratio. Let\'s say your original photograph is 5\" x 7\", and you want to create a 10\" x 14\" drawing. Just use the same aspect ratio. Create a grid on your original of so many squares, each of, say, one inch. Then on your larger drawing paper, use an equal number of squares, measuring double the size - 2 inches.\r\n\r\nBy keeping the ratio consistent, the drawing remains the same, only the size changes. Math and art - what a combination!\r\n

You Are In Good Company

\r\nGrid drawing is a very old, very powerful tool for accurate drawing, employed by the likes of Leonardo DaVinci and Johannes Vermeer. DaVinci\'s Vitruvian Man is a classic example of using a mathematical formula to draw the human form with great accuracy. So don\'t feel that it\'s an amateur\'s cop-out, or cheating, just because it seems so simple. Sometimes it\'s the simplest methods that produce the greatest results. Get started today and create your own masterpiece.','Grid Drawing For Perfect Faces And Forms','','inherit','open','open','','1648-revision-v1','','','2015-02-15 13:53:18','2015-02-15 21:53:18','',1648,'http://www.letsdrawpeople.com/1648-revision-v1/',0,'revision','',0),(1650,2,'2015-02-15 13:54:40','2015-02-15 21:54:40','Though often considered a beginner\'s tool, grid drawing is used by new and experienced artists alike.\r\n\r\nDrawing faces and the human form is one of the most difficult tasks an artist faces, which is why so many despair at the thought and stick to landscapes or still lifes. Drawing people takes practice and dedication, as well as an arsenal of tricks - one of which is drawing on a grid.\r\n

What is grid drawing?

\r\nThis is a method of defining proportion. By drawing on a grid, the artist keeps proportion of the head, body, limbs, and extremities. The head stays aligned with the shoulders, the neck is the right length and width to support it, and so on.\r\n

Copying Using a Grid

\r\nI drew for many years before I even heard about the concept of grid drawing. Once I began drawing with a grid, I felt it helped me to better develop the way I perceive things spatially during those times I drew without a grid.\r\n\r\nIf you\'d like to try grid drawing out for yourself, here are some simple beginning steps:\r\n\r\n* First, use a ruler and pencil to create a grid over the original image. Perhaps it is a photograph or a picture in a magazine. Make your grid in a comfortable measurement, like a centimeter, a half an inch, or one inch squares.***+poss overlay grid transparency or on computer\r\n\r\n* On your drawing paper, create an equal grid. To keep your drawing the same scale as the reference photograph, the ratio absolutely must be 1:1. That means if you used an inch on your photograph, use an inch on the drawing paper. Use a light hand when drawing the lines, so they can be erased later.\r\n\r\n* Now the drawing can begin. Square by square, begin copying the master image to your drawing paper. This smaller area of focus keeps the process from being overwhelming. After all, you are not copying a whole face; you are copying merely one square inch of it. It\'s like the old adage \"How do you eat an elephant? One bite at a time!\"\r\n\r\n* After working your way square by square, erase your grid lines. Congratulations - you have a completed image! If you like, you may try your hand at shading or enhancing; that is, once you are comfortable with the act of copying.\r\n

Advanced Grid Drawing

\r\nOnce you\'ve conquered the face, you can use this same technique to draw other parts of the human figure. Draw the neck and shoulders, torso and arms, or even a full-length view of the body.\r\n\r\nYou may also feel comfortable changing the size of your drawing, all the while keeping the same ratio. Let\'s say your original photograph is 5\" x 7\", and you want to create a 10\" x 14\" drawing. Just use the same aspect ratio. Create a grid on your original of so many squares, each of, say, one inch. Then on your larger drawing paper, use an equal number of squares, measuring double the size - 2 inches.\r\n\r\nBy keeping the ratio consistent, the drawing remains the same, only the size changes. Math and art - what a combination!\r\n

You Are In Good Company

\r\n***Grid drawing is a very old, very powerful tool for accurate drawing, employed by the likes of Leonardo DaVinci and Johannes Vermeer. DaVinci\'s Vitruvian Man is a classic example of using a mathematical formula to draw the human form with great accuracy. So don\'t feel that it\'s an amateur\'s cop-out, or cheating, just because it seems so simple. Sometimes it\'s the simplest methods that produce the greatest results. Get started today and create your own masterpiece.','Grid Drawing For Perfect Faces And Forms','','inherit','open','open','','1648-revision-v1','','','2015-02-15 13:54:40','2015-02-15 21:54:40','',1648,'http://www.letsdrawpeople.com/1648-revision-v1/',0,'revision','',0),(1651,2,'2015-02-15 17:08:43','2015-02-16 01:08:43','','Scan_20150110_19','\"Brux\'lynn my granddaughter\" by Roxxie','inherit','open','open','','scan_20150110_19','','','2015-02-15 17:09:32','2015-02-16 01:09:32','',489,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/Scan_20150110_19.jpg',0,'attachment','image/jpeg',0),(1652,2,'2015-02-15 17:11:25','2015-02-16 01:11:25','As you develop your people-drawing skills and draw people of all shapes, sizes, and ages, you are certain to notice some differences between drawing adults and drawing children. If you are trying to learn how to draw kids and are experiencing some challenges, maybe these portrait drawings of children can help you.\r\n\r\nWhile browsing through the gallery, take time to closely examine the details in the pictures. Take note of the pencil strokes and how the lines and tones help form the larger eyes, rounder faces, or any other trouble spots you may be encountering while trying to draw kids. Check back often for more wonderful drawings of children by our website contributors and visitors, and use them as your inspiration!\r\n\r\nIf you have your own child portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"640,642,645,646,647,648,650,651,652,643,641,1431,1432,1433,1651\" orderby=\"rand\"]\r\n\r\n ','Portrait Drawings of Children','','inherit','open','open','','489-revision-v1','','','2015-02-15 17:11:25','2015-02-16 01:11:25','',489,'http://www.letsdrawpeople.com/489-revision-v1/',0,'revision','',0),(1654,2,'2015-02-17 19:39:42','2015-02-18 03:39:42','','doolinboarder','\"Blended Family\" by Jackie Carter','inherit','open','open','','doolinboarder','','','2015-02-17 19:40:03','2015-02-18 03:40:03','',662,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/doolinboarder.jpg',0,'attachment','image/jpeg',0),(1655,2,'2015-02-17 19:40:41','2015-02-18 03:40:41','Welcome to our gallery of family drawings! Here you can view drawings of family members by our contributors and visitors.\r\n\r\nAs someone who is becoming more skilled at drawing people, you will find family and friends taking an increased interest in your talent. As a professional portrait artist, people who love your artwork will undoubtedly want to become your clients. When family, friends, or other people ask you (or pay you) to draw for them, who do they most often want you to draw?\r\n\r\nThey usually want you to draw a portrait from their personal collection of family photos. They may even ask you to take people from two or more photographs and combine them into one drawing. Your artistic creativity may sometimes be at play too, as when people ask you to include elements not in the original photographs.\r\n\r\nYou will see examples of all of these scenarios within this gallery. Notice the different arrangements of the subjects, features, and how the various elements of the family drawings create pleasing compositions. Happy viewing!\r\n\r\nIf you have your own family portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"649,644,761,762,763,666,1418,1422,1435,1654\" orderby=\"rand\"]','Family Drawings','','inherit','open','open','','662-revision-v1','','','2015-02-17 19:40:41','2015-02-18 03:40:41','',662,'http://www.letsdrawpeople.com/662-revision-v1/',0,'revision','',0),(1656,2,'2015-02-17 21:03:32','2015-02-18 05:03:32','','441px-Da_Vinci_Vitruve_Luc_Viatour','','inherit','open','open','','441px-da_vinci_vitruve_luc_viatour','','','2015-02-17 21:03:32','2015-02-18 05:03:32','',1648,'http://www.letsdrawpeople.com/wp-content/uploads/2015/02/441px-Da_Vinci_Vitruve_Luc_Viatour.jpg',0,'attachment','image/jpeg',0),(1657,2,'2015-02-17 21:15:15','2015-02-18 05:15:15','Though often considered a beginner\'s tool, grid drawing is used by new and experienced artists alike.\r\n\r\nDrawing faces and the human form is one of the most difficult tasks an artist faces, which is why so many despair at the thought and stick to landscapes or still lifes. Drawing people takes practice and dedication, as well as an arsenal of tricks - one of which is drawing on a grid.\r\n

What is grid drawing?

\r\nThis is a method of defining proportion. By drawing on a grid, the artist keeps proportion of the head, body, limbs, and extremities. The head stays aligned with the shoulders, the neck is the right length and width to support it, and so on.\r\n

Copying Using a Grid

\r\nI drew for many years before I even heard about the concept of grid drawing. Once I began drawing with a grid, I felt it helped me to better develop the way I perceive things spatially during those times I drew without a grid.\r\n\r\nIf you\'d like to try grid drawing out for yourself, here are some simple beginning steps:\r\n\r\n* First, use a ruler and pencil to create a grid over the original image. Perhaps it is a photograph or a picture in a magazine. Make your grid in a comfortable measurement, like a centimeter, a half an inch, or one inch squares. If you don\'t want to or are unable to draw a grid directly on the photograph, you can make a transparent overlay. Better yet, make a grid on the computer over a digital image. [PHOTO W/ GRID]\r\n\r\n* On your drawing paper, create an equal grid. To keep your drawing the same scale as the reference photograph, the ratio absolutely must be 1:1. That means if you used an inch on your photograph, use an inch on the drawing paper. Use a light hand when drawing the lines, so they can be erased later. [DRAWING PAPER W/ GRID]\r\n\r\n* Now the drawing can begin. Square by square, begin copying the master image to your drawing paper. This smaller area of focus keeps the process from being overwhelming. After all, you are not copying a whole face; you are copying merely one square inch of it. It\'s like the old adage \"How do you eat an elephant? One bite at a time!\" [PAPER W/ PIC IN GRID SQUARE]\r\n\r\n* After working your way square by square, erase your grid lines. Congratulations - you have a completed image! If you like, you may try your hand at shading or enhancing; that is, once you are comfortable with the act of copying. [FINISHED DRAWING]\r\n

Advanced Grid Drawing

\r\nOnce you\'ve conquered the face, you can use this same technique to draw other parts of the human figure. Draw the neck and shoulders, torso and arms, or even a full-length view of the body.\r\n\r\nYou may also feel comfortable changing the size of your drawing, all the while keeping the same ratio. Let\'s say your original photograph is 5\" x 7\", and you want to create a 10\" x 14\" drawing. Just use the same aspect ratio. Create a grid on your original of so many squares, each of, say, one inch. Then on your larger drawing paper, use an equal number of squares, measuring double the size - 2 inches.\r\n\r\nBy keeping the ratio consistent, the drawing remains the same, only the size changes. Math and art - what a combination!\r\n

You Are In Good Company

\r\n\"441px-Da_Vinci_Vitruve_Luc_Viatour\"Grid drawing is a very old, very powerful tool for accurate drawing, employed by the likes of Leonardo DaVinci and Johannes Vermeer. DaVinci\'s Vitruvian Man is a classic example of using a mathematical formula to draw the human form with great accuracy. So don\'t feel that it\'s an amateur\'s cop-out or cheating, just because it seems so simple. Sometimes it\'s the simplest methods that produce the greatest results. Get started today and create your own masterpiece!','Grid Drawing For Perfect Faces And Forms','','inherit','open','open','','1648-revision-v1','','','2015-02-17 21:15:15','2015-02-18 05:15:15','',1648,'http://www.letsdrawpeople.com/1648-revision-v1/',0,'revision','',0),(1658,2,'2015-02-19 05:40:04','2015-02-19 13:40:04','','grid drawing reference photo with grid','','inherit','open','open','','grid-drawing-reference-photo-with-grid','','','2015-02-19 05:40:04','2015-02-19 13:40:04','',1648,'http://www.letsdrawpeople.com/wp-content/uploads/2015/02/grid-drawing-reference-photo-with-grid.jpg',0,'attachment','image/jpeg',0),(1659,2,'2015-02-19 05:48:34','2015-02-19 13:48:34','Though often considered a beginner\'s tool, grid drawing is used by new and experienced artists alike.\r\n\r\nDrawing faces and the human form is one of the most difficult tasks an artist faces, which is why so many despair at the thought and stick to landscapes or still lifes. Drawing people takes practice and dedication, as well as an arsenal of tricks - one of which is drawing on a grid.\r\n

What is grid drawing?

\r\nThis is a method of defining proportion. By drawing on a grid, the artist keeps proportion of the head, body, limbs, and extremities. The head stays aligned with the shoulders, the neck is the right length and width to support it, and so on.\r\n

Copying Using a Grid

\r\nI drew for many years before I even heard about the concept of grid drawing. Once I began drawing with a grid, I felt it helped me to better develop the way I perceive things spatially during those times I drew without a grid.\r\n\r\nIf you\'d like to try grid drawing out for yourself, here are some simple beginning steps:\r\n\r\n* First, use a ruler and pencil to create a grid over the original image. Perhaps it is a photograph or a picture in a magazine. Make your grid in a comfortable measurement, like a centimeter, a half an inch, or one inch squares. If you don\'t want to or are unable to draw a grid directly on the photograph, you can make a transparent overlay. Better yet, make a grid on the computer over a digital image.\r\n\r\n\"grid\r\n\r\n* On your drawing paper, create an equal grid. To keep your drawing the same scale as the reference photograph, the ratio absolutely must be 1:1. That means if you used an inch on your photograph, use an inch on the drawing paper. Use a light hand when drawing the lines, so they can be erased later. [DRAWING PAPER W/ GRID]\r\n\r\n* Now the drawing can begin. Square by square, begin copying the master image to your drawing paper. This smaller area of focus keeps the process from being overwhelming. After all, you are not copying a whole face; you are copying merely one square inch of it. It\'s like the old adage \"How do you eat an elephant? One bite at a time!\" [PAPER W/ PIC IN GRID SQUARE]\r\n\r\n* After working your way square by square, erase your grid lines. Congratulations - you have a completed image! If you like, you may try your hand at shading or enhancing; that is, once you are comfortable with the act of copying. [FINISHED DRAWING]\r\n

Advanced Grid Drawing

\r\nOnce you\'ve conquered the face, you can use this same technique to draw other parts of the human figure. Draw the neck and shoulders, torso and arms, or even a full-length view of the body.\r\n\r\nYou may also feel comfortable changing the size of your drawing, all the while keeping the same ratio. Let\'s say your original photograph is 5\" x 7\", and you want to create a 10\" x 14\" drawing. Just use the same aspect ratio. Create a grid on your original of so many squares, each of, say, one inch. Then on your larger drawing paper, use an equal number of squares, measuring double the size - 2 inches.\r\n\r\nBy keeping the ratio consistent, the drawing remains the same, only the size changes. Math and art - what a combination!\r\n

You Are In Good Company

\r\n\"441px-Da_Vinci_Vitruve_Luc_Viatour\"Grid drawing is a very old, very powerful tool for accurate drawing, employed by the likes of Leonardo DaVinci and Johannes Vermeer. DaVinci\'s Vitruvian Man is a classic example of using a mathematical formula to draw the human form with great accuracy. So don\'t feel that it\'s an amateur\'s cop-out or cheating, just because it seems so simple. Sometimes it\'s the simplest methods that produce the greatest results. Get started today and create your own masterpiece!','Grid Drawing For Perfect Faces And Forms','','inherit','open','open','','1648-revision-v1','','','2015-02-19 05:48:34','2015-02-19 13:48:34','',1648,'http://www.letsdrawpeople.com/1648-revision-v1/',0,'revision','',0),(1660,2,'2015-02-19 05:59:01','2015-02-19 13:59:01','','grid drawing paper with grid','','inherit','open','open','','grid-drawing-paper-with-grid','','','2015-02-19 05:59:01','2015-02-19 13:59:01','',1648,'http://www.letsdrawpeople.com/wp-content/uploads/2015/02/grid-drawing-paper-with-grid.jpg',0,'attachment','image/jpeg',0),(1661,2,'2015-02-19 05:59:52','2015-02-19 13:59:52','Though often considered a beginner\'s tool, grid drawing is used by new and experienced artists alike.\r\n\r\nDrawing faces and the human form is one of the most difficult tasks an artist faces, which is why so many despair at the thought and stick to landscapes or still lifes. Drawing people takes practice and dedication, as well as an arsenal of tricks - one of which is drawing on a grid.\r\n

What is grid drawing?

\r\nThis is a method of defining proportion. By drawing on a grid, the artist keeps proportion of the head, body, limbs, and extremities. The head stays aligned with the shoulders, the neck is the right length and width to support it, and so on.\r\n

Copying Using a Grid

\r\nI drew for many years before I even heard about the concept of grid drawing. Once I began drawing with a grid, I felt it helped me to better develop the way I perceive things spatially during those times I drew without a grid.\r\n\r\nIf you\'d like to try grid drawing out for yourself, here are some simple beginning steps:\r\n\r\n* First, use a ruler and pencil to create a grid over the original image. Perhaps it is a photograph or a picture in a magazine. Make your grid in a comfortable measurement, like a centimeter, a half an inch, or one inch squares. If you don\'t want to or are unable to draw a grid directly on the photograph, you can make a transparent overlay. Better yet, make a grid on the computer over a digital image.\r\n\r\n\"grid\r\n\r\n* On your drawing paper, create an equal grid. To keep your drawing the same scale as the reference photograph, the ratio absolutely must be 1:1. That means if you used an inch on your photograph, use an inch on the drawing paper. Use a light hand when drawing the lines, so they can be erased later.\r\n\r\n\"grid\r\n\r\n* Now the drawing can begin. Square by square, begin copying the master image to your drawing paper. This smaller area of focus keeps the process from being overwhelming. After all, you are not copying a whole face; you are copying merely one square inch of it. It\'s like the old adage \"How do you eat an elephant? One bite at a time!\" [PAPER W/ PIC IN GRID SQUARE]\r\n\r\n* After working your way square by square, erase your grid lines. Congratulations - you have a completed image! If you like, you may try your hand at shading or enhancing; that is, once you are comfortable with the act of copying. [FINISHED DRAWING]\r\n

Advanced Grid Drawing

\r\nOnce you\'ve conquered the face, you can use this same technique to draw other parts of the human figure. Draw the neck and shoulders, torso and arms, or even a full-length view of the body.\r\n\r\nYou may also feel comfortable changing the size of your drawing, all the while keeping the same ratio. Let\'s say your original photograph is 5\" x 7\", and you want to create a 10\" x 14\" drawing. Just use the same aspect ratio. Create a grid on your original of so many squares, each of, say, one inch. Then on your larger drawing paper, use an equal number of squares, measuring double the size - 2 inches.\r\n\r\nBy keeping the ratio consistent, the drawing remains the same, only the size changes. Math and art - what a combination!\r\n

You Are In Good Company

\r\n\"441px-Da_Vinci_Vitruve_Luc_Viatour\"Grid drawing is a very old, very powerful tool for accurate drawing, employed by the likes of Leonardo DaVinci and Johannes Vermeer. DaVinci\'s Vitruvian Man is a classic example of using a mathematical formula to draw the human form with great accuracy. So don\'t feel that it\'s an amateur\'s cop-out or cheating, just because it seems so simple. Sometimes it\'s the simplest methods that produce the greatest results. Get started today and create your own masterpiece!','Grid Drawing For Perfect Faces And Forms','','inherit','open','open','','1648-revision-v1','','','2015-02-19 05:59:52','2015-02-19 13:59:52','',1648,'http://www.letsdrawpeople.com/1648-revision-v1/',0,'revision','',0),(1663,2,'2015-02-28 18:16:05','2015-03-01 02:16:05','','1545222_715959518435280_2012331366_n','\"Selfie\" by Paul Godfrey','inherit','open','open','','1545222_715959518435280_2012331366_n','','','2015-02-28 18:16:29','2015-03-01 02:16:29','',1060,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/1545222_715959518435280_2012331366_n.jpg',0,'attachment','image/jpeg',0),(1664,2,'2015-02-28 18:17:17','2015-03-01 02:17:17','Welcome to our gallery of self-portrait drawings! Here you can view drawings by our contributors and visitors...of themselves!\r\n\r\nSelf-portraits are some of the most intriguing types of artwork around. Often times, we as humans see ourselves or think of ourselves differently from how others perceive us. A self-portrait is exactly what the name implies. It is simply a drawing of one\'s own self.\r\n\r\nA self-portrait drawing forces an artist to create an interpretation of oneself. The artist must take a critical look in the mirror and create an image of what the rest of the world sees. At the same time, the artist finds balance and includes those unique elements and features that define who he or she is as a person.\r\n\r\nCome back to this gallery often to see the faces behind those who create our articles and tutorials, as well as the faces that make up our growing audience!\r\n\r\nIf you have your own self-portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"1026,1456,1628,1646,1663\"]','Self-Portrait Drawings of Aspiring Artists','','inherit','open','open','','1060-revision-v1','','','2015-02-28 18:17:17','2015-03-01 02:17:17','',1060,'http://www.letsdrawpeople.com/1060-revision-v1/',0,'revision','',0),(1665,2,'2015-03-02 18:47:57','2015-03-03 02:47:57','','Scan_20150110_18','\"My son\" by Roxxie','inherit','open','open','','scan_20150110_18','','','2015-03-02 18:48:14','2015-03-03 02:48:14','',662,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/Scan_20150110_18.jpg',0,'attachment','image/jpeg',0),(1666,2,'2015-03-02 18:48:31','2015-03-03 02:48:31','Welcome to our gallery of family drawings! Here you can view drawings of family members by our contributors and visitors.\r\n\r\nAs someone who is becoming more skilled at drawing people, you will find family and friends taking an increased interest in your talent. As a professional portrait artist, people who love your artwork will undoubtedly want to become your clients. When family, friends, or other people ask you (or pay you) to draw for them, who do they most often want you to draw?\r\n\r\nThey usually want you to draw a portrait from their personal collection of family photos. They may even ask you to take people from two or more photographs and combine them into one drawing. Your artistic creativity may sometimes be at play too, as when people ask you to include elements not in the original photographs.\r\n\r\nYou will see examples of all of these scenarios within this gallery. Notice the different arrangements of the subjects, features, and how the various elements of the family drawings create pleasing compositions. Happy viewing!\r\n\r\nIf you have your own family portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"649,644,761,762,763,666,1418,1422,1435,1654,1665\" orderby=\"rand\"]','Family Drawings','','inherit','open','open','','662-revision-v1','','','2015-03-02 18:48:31','2015-03-03 02:48:31','',662,'http://www.letsdrawpeople.com/662-revision-v1/',0,'revision','',0),(1667,2,'2015-03-04 20:24:41','2015-03-05 04:24:41','','Draco 2-2015-1','\"Draconis my grandson\" by Roxxie','inherit','open','open','','draco-2-2015-1','','','2015-03-04 20:25:32','2015-03-05 04:25:32','',489,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/Draco-2-2015-1.jpg',0,'attachment','image/jpeg',0),(1668,2,'2015-03-04 20:26:13','2015-03-05 04:26:13','As you develop your people-drawing skills and draw people of all shapes, sizes, and ages, you are certain to notice some differences between drawing adults and drawing children. If you are trying to learn how to draw kids and are experiencing some challenges, maybe these portrait drawings of children can help you.\r\n\r\nWhile browsing through the gallery, take time to closely examine the details in the pictures. Take note of the pencil strokes and how the lines and tones help form the larger eyes, rounder faces, or any other trouble spots you may be encountering while trying to draw kids. Check back often for more wonderful drawings of children by our website contributors and visitors, and use them as your inspiration!\r\n\r\nIf you have your own child portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"640,642,645,646,647,648,650,651,652,643,641,1431,1432,1433,1651,1667\" orderby=\"rand\"]\r\n\r\n ','Portrait Drawings of Children','','inherit','open','open','','489-revision-v1','','','2015-03-04 20:26:13','2015-03-05 04:26:13','',489,'http://www.letsdrawpeople.com/489-revision-v1/',0,'revision','',0),(1670,2,'2015-03-09 05:30:58','2015-03-09 12:30:58','','grid drawing with a light box','','inherit','open','open','','grid-drawing-with-a-light-box','','','2015-03-09 05:30:58','2015-03-09 12:30:58','',1648,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/grid-drawing-with-a-light-box.jpg',0,'attachment','image/jpeg',0),(1671,2,'2015-03-09 05:32:12','2015-03-09 12:32:12','Though often considered a beginner\'s tool, grid drawing is used by new and experienced artists alike.\r\n\r\nDrawing faces and the human form is one of the most difficult tasks an artist faces, which is why so many despair at the thought and stick to landscapes or still lifes. Drawing people takes practice and dedication, as well as an arsenal of tricks - one of which is drawing on a grid.\r\n

What is Grid Drawing?

\r\nThis is a method of defining proportion. By drawing on a grid, the artist keeps proportion of the head, body, limbs, and extremities. The head stays aligned with the shoulders, the neck is the right length and width to support it, and so on.\r\n

Copying Using a Grid

\r\nI drew for many years before I even heard about the concept of grid drawing. Once I began drawing with a grid, I felt it helped me to better develop the way I perceive things spatially during those times I drew without a grid.\r\n\r\nIf you\'d like to try grid drawing out for yourself, here are some simple beginning steps:\r\n\r\nFirst, use a ruler and pencil to create a grid over the original image. Perhaps it is a photograph or a picture in a magazine. Make your grid in a comfortable measurement, like a centimeter, a half an inch, or one inch squares. If you don\'t want to or are unable to draw a grid directly on the photograph, you can make a transparent overlay. Better yet, make a grid on the computer over a digital image.\r\n\r\n\"grid\r\n\r\nOn your drawing paper, create an equal grid. To keep your drawing the same scale as the reference photograph, the ratio absolutely must be 1:1. That means if you used an inch on your photograph, use an inch on the drawing paper. Use a light hand when drawing the lines, so they can be erased later.\r\n\r\n\"grid\r\n\r\nNow the drawing can begin. Square by square, begin copying the master image to your drawing paper. This smaller area of focus keeps the process from being overwhelming. After all, you are not copying a whole face; you are copying merely one square inch of it. It\'s like the old adage \"How do you eat an elephant? One bite at a time!\" [PAPER W/ PIC IN GRID SQUARE]\r\n\r\nAfter working your way square by square, congratulations - you have a completed image! At this point, you will need to carefully erase your lightly-drawn grid lines. If you like, you may try your hand at shading or enhancing; that is, once you are comfortable with the act of copying. [FINISHED DRAWING]\r\n

Disadvantages to Using a Grid on Your Drawing Paper

\r\nThe above method requires you to draw a grid onto your drawing paper. I used this method for many years with terrific results, but it does have some distinct disadvantages.\r\n\r\nFirst of all, you have to take extreme care to measure precisely when drawing your grid lines. They also need to be perfectly straight, parallel, and perpendicular to each other. If your lines are off, your drawing will be off too.\r\n\r\nSecondly, once you take all that time to draw a face that\'s just the way you want it, you have to go back and erase the grid lines. Even if you drew your grid lines lightly, there\'s a chance that some of the grid lines will still be seen after you erase. What\'s worse is you can accidentally erase small lines and details that are important parts of your final drawing.\r\n

Alternate Method (Much Easier)

\r\nThere is a method of grid drawing that is much easier than placing a grid directly onto your drawing paper. I use this method whenever I can now. Here it goes...\r\n\r\nFirst, create a custom grid with the proper measurements for your project on your computer. You can easily accomplish this with the table function on Microsoft Word, for example. Once you have the grid created, print it out.\r\n\r\nThen tape this grid onto a light box. Tape your drawing paper on top of the grid paper. Turn your light box on. You will be able to easily see the grid squares showing through the drawing paper.\r\n\r\n\"grid\r\n\r\nDraw your picture, one grid square at a time. When you are finished, simply cut the light box off. Presto....you have a perfect drawing and no grid lines to erase!\r\n

Advanced Grid Drawing

\r\nOnce you\'ve conquered the face, you can use this same technique to draw other parts of the human figure. Draw the neck and shoulders, torso and arms, or even a full-length view of the body.\r\n\r\nYou may also feel comfortable changing the size of your drawing, all the while keeping the same ratio. Let\'s say your original photograph is 5\" x 7\", and you want to create a 10\" x 14\" drawing. Just use the same aspect ratio. Create a grid on your original of so many squares, each of, say, one inch. Then on your larger drawing paper, use an equal number of squares, measuring double the size - 2 inches.\r\n\r\nBy keeping the ratio consistent, the drawing remains the same, only the size changes. Math and art - what a combination!\r\n

You Are In Good Company

\r\n\"441px-Da_Vinci_Vitruve_Luc_Viatour\"Grid drawing is a very old, very powerful tool for accurate drawing, employed by the likes of Leonardo DaVinci and Johannes Vermeer. DaVinci\'s Vitruvian Man is a classic example of using a mathematical formula to draw the human form with great accuracy. So don\'t feel that it\'s an amateur\'s cop-out or cheating, just because it seems so simple. Sometimes it\'s the simplest methods that produce the greatest results. Get started today and create your own masterpiece!','Grid Drawing For Perfect Faces And Forms','','inherit','open','open','','1648-revision-v1','','','2015-03-09 05:32:12','2015-03-09 12:32:12','',1648,'http://www.letsdrawpeople.com/1648-revision-v1/',0,'revision','',0),(1672,2,'2015-03-09 05:33:34','2015-03-09 12:33:34','Though often considered a beginner\'s tool, grid drawing is used by new and experienced artists alike.\r\n\r\nDrawing faces and the human form is one of the most difficult tasks an artist faces, which is why so many despair at the thought and stick to landscapes or still lifes. Drawing people takes practice and dedication, as well as an arsenal of tricks - one of which is drawing on a grid.\r\n

What is Grid Drawing?

\r\nThis is a method of defining proportion. By drawing on a grid, the artist keeps proportion of the head, body, limbs, and extremities. The head stays aligned with the shoulders, the neck is the right length and width to support it, and so on.\r\n

Copying Using a Grid

\r\nI drew for many years before I even heard about the concept of grid drawing. Once I began drawing with a grid, I felt it helped me to better develop the way I perceive things spatially during those times I drew without a grid.\r\n\r\nIf you\'d like to try grid drawing out for yourself, here are some simple beginning steps:\r\n\r\nFirst, use a ruler and pencil to create a grid over the original image. Perhaps it is a photograph or a picture in a magazine. Make your grid in a comfortable measurement, like a centimeter, a half an inch, or one inch squares. If you don\'t want to or are unable to draw a grid directly on the photograph, you can make a transparent overlay. Better yet, make a grid on the computer over a digital image.\r\n\r\n\"grid\r\n\r\nOn your drawing paper, create an equal grid. To keep your drawing the same scale as the reference photograph, the ratio absolutely must be 1:1. That means if you used an inch on your photograph, use an inch on the drawing paper. Use a light hand when drawing the lines, so they can be erased later.\r\n\r\n\"grid\r\n\r\nNow the drawing can begin. Square by square, begin copying the master image to your drawing paper. This smaller area of focus keeps the process from being overwhelming. After all, you are not copying a whole face; you are copying merely one square inch of it. It\'s like the old adage \"How do you eat an elephant? One bite at a time!\" [PAPER W/ PIC IN GRID SQUARE]\r\n\r\nAfter working your way square by square, congratulations - you have a completed image! At this point, you will need to carefully erase your lightly-drawn grid lines. If you like, you may try your hand at shading or enhancing; that is, once you are comfortable with the act of copying. [FINISHED DRAWING]\r\n

Disadvantages to Using a Grid on Your Drawing Paper

\r\nThe above method requires you to draw a grid onto your drawing paper. I used this method for many years with terrific results, but it does have some distinct disadvantages.\r\n\r\nFirst of all, you have to take extreme care to measure precisely when drawing your grid lines. They also need to be perfectly straight, parallel, and perpendicular to each other. If your lines are off, your drawing will be off too.\r\n\r\nSecondly, once you take all that time to draw a face that\'s just the way you want it, you have to go back and erase the grid lines. Even if you drew your grid lines lightly, there\'s a chance that some of the grid lines will still be seen after you erase. What\'s worse is you can accidentally erase small lines and details that are important parts of your final drawing.\r\n

Alternate Method (Much Easier)

\r\nThere is a method of grid drawing that is much easier than placing a grid directly onto your drawing paper. I use this method whenever I can now. Here it goes...\r\n\r\nFirst, create a custom grid with the proper measurements for your project on your computer. You can easily accomplish this with the table function on Microsoft Word, for example. Once you have the grid created, print it out.\r\n\r\nThen tape this grid onto a light box. Tape your drawing paper on top of the grid paper. Turn your light box on. You will be able to easily see the grid squares showing through the drawing paper.\r\n\r\n\"grid\r\n\r\nDraw your picture, one grid square at a time. When you are finished, simply cut the light box off. Presto....you have a perfect drawing and no grid lines to erase!\r\n

Advanced Grid Drawing

\r\nOnce you\'ve conquered the face, you can use this same technique to draw other parts of the human figure. Draw the neck and shoulders, torso and arms, or even a full-length view of the body.\r\n\r\nYou may also feel comfortable changing the size of your drawing, all the while keeping the same ratio. Let\'s say your original photograph is 5\" x 7\", and you want to create a 10\" x 14\" drawing. Just use the same aspect ratio. Create a grid on your original of so many squares, each of, say, one inch. Then on your larger drawing paper, use an equal number of squares, measuring double the size - 2 inches.\r\n\r\nBy keeping the ratio consistent, the drawing remains the same, only the size changes. Math and art - what a combination!\r\n

You Are In Good Company

\r\n\"441px-Da_Vinci_Vitruve_Luc_Viatour\"Grid drawing is a very old, very powerful tool for accurate drawing, employed by the likes of Leonardo DaVinci and Johannes Vermeer. DaVinci\'s Vitruvian Man is a classic example of using a mathematical formula to draw the human form with great accuracy. So don\'t feel that it\'s an amateur\'s cop-out or cheating, just because it seems so simple. Sometimes it\'s the simplest methods that produce the greatest results. Get started today and create your own masterpiece!','Grid Drawing For Perfect Faces And Forms','','inherit','open','open','','1648-revision-v1','','','2015-03-09 05:33:34','2015-03-09 12:33:34','',1648,'http://www.letsdrawpeople.com/1648-revision-v1/',0,'revision','',0),(1673,2,'2015-03-09 05:34:20','2015-03-09 12:34:20','Though often considered a beginner\'s tool, grid drawing is used by new and experienced artists alike.\r\n\r\nDrawing faces and the human form is one of the most difficult tasks an artist faces, which is why so many despair at the thought and stick to landscapes or still lifes. Drawing people takes practice and dedication, as well as an arsenal of tricks - one of which is drawing on a grid.\r\n

What is Grid Drawing?

\r\nThis is a method of defining proportion. By drawing on a grid, the artist keeps proportion of the head, body, limbs, and extremities. The head stays aligned with the shoulders, the neck is the right length and width to support it, and so on.\r\n

Copying Using a Grid

\r\nI drew for many years before I even heard about the concept of grid drawing. Once I began drawing with a grid, I felt it helped me to better develop the way I perceive things spatially during those times I drew without a grid.\r\n\r\nIf you\'d like to try grid drawing out for yourself, here are some simple beginning steps:\r\n\r\nFirst, use a ruler and pencil to create a grid over the original image. Perhaps it is a photograph or a picture in a magazine. Make your grid in a comfortable measurement, like a centimeter, a half an inch, or one inch squares. If you don\'t want to or are unable to draw a grid directly on the photograph, you can make a transparent overlay. Better yet, make a grid on the computer over a digital image.\r\n\r\n\"grid\r\n\r\nOn your drawing paper, create an equal grid. To keep your drawing the same scale as the reference photograph, the ratio absolutely must be 1:1. That means if you used an inch on your photograph, use an inch on the drawing paper. Use a light hand when drawing the lines, so they can be erased later.\r\n\r\n\"grid\r\n\r\nNow the drawing can begin. Square by square, begin copying the master image to your drawing paper. This smaller area of focus keeps the process from being overwhelming. After all, you are not copying a whole face; you are copying merely one square inch of it. It\'s like the old adage \"How do you eat an elephant? One bite at a time!\" [PAPER W/ PIC IN GRID SQUARE]\r\n\r\nAfter working your way square by square, congratulations - you have a completed image! At this point, you will need to carefully erase your lightly-drawn grid lines. If you like, you may try your hand at shading or enhancing; that is, once you are comfortable with the act of copying. [FINISHED DRAWING]\r\n

Disadvantages to Using a Grid on Your Drawing Paper

\r\nThe above method requires you to draw a grid onto your drawing paper. I used this method for many years with terrific results, but it does have some distinct disadvantages.\r\n\r\nFirst of all, you have to take extreme care to measure precisely when drawing your grid lines. They also need to be perfectly straight, parallel, and perpendicular to each other. If your lines are off, your drawing will be off too.\r\n\r\nSecondly, once you take all that time to draw a face that\'s just the way you want it, you have to go back and erase the grid lines. Even if you drew your grid lines lightly, there\'s a chance that some of the grid lines will still be seen after you erase. What\'s worse is you can accidentally erase small lines and details that are important parts of your final drawing.\r\n

Alternate Method (Much Easier)

\r\nThere is a method of grid drawing that is much easier than placing a grid directly onto your drawing paper. I use this method whenever I can now. Here it goes...\r\n\r\nFirst, create a custom grid with the proper measurements for your project on your computer. You can easily accomplish this with the table function on Microsoft Word, for example. Once you have the grid created, print it out.\r\n\r\nThen tape this grid onto a light box. Tape your drawing paper on top of the grid paper. Turn your light box on. You will be able to easily see the grid squares showing through the drawing paper.\r\n\r\n\"grid\r\n\r\nDraw your picture, one grid square at a time. When you are finished, simply cut the light box off. Presto....you have a perfect drawing and no grid lines to erase!\r\n

Advanced Grid Drawing

\r\nOnce you\'ve conquered the face, you can use this same technique to draw other parts of the human figure. Draw the neck and shoulders, torso and arms, or even a full-length view of the body.\r\n\r\nYou may also feel comfortable changing the size of your drawing, all the while keeping the same ratio. Let\'s say your original photograph is 5\" x 7\", and you want to create a 10\" x 14\" drawing. Just use the same aspect ratio. Create a grid on your original of so many squares, each of, say, one inch. Then on your larger drawing paper, use an equal number of squares, measuring double the size - 2 inches.\r\n\r\nBy keeping the ratio consistent, the drawing remains the same, only the size changes. Math and art - what a combination!\r\n

You Are In Good Company

\r\n\"441px-Da_Vinci_Vitruve_Luc_Viatour\"Grid drawing is a very old, very powerful tool for accurate drawing, employed by the likes of Leonardo DaVinci and Johannes Vermeer. DaVinci\'s Vitruvian Man is a classic example of using a mathematical formula to draw the human form with great accuracy. So don\'t feel that it\'s an amateur\'s cop-out or cheating, just because it seems so simple. Sometimes it\'s the simplest methods that produce the greatest results. Get started today and create your own masterpiece!','Grid Drawing For Perfect Faces And Forms','','inherit','open','open','','1648-revision-v1','','','2015-03-09 05:34:20','2015-03-09 12:34:20','',1648,'http://www.letsdrawpeople.com/1648-revision-v1/',0,'revision','',0),(1675,2,'2015-03-09 05:59:11','2015-03-09 12:59:11','','grid drawing square by square','','inherit','open','open','','grid-drawing-square-by-square','','','2015-03-09 05:59:11','2015-03-09 12:59:11','',1648,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/grid-drawing-square-by-square.jpg',0,'attachment','image/jpeg',0),(1676,2,'2015-03-09 05:59:25','2015-03-09 12:59:25','Though often considered a beginner\'s tool, grid drawing is used by new and experienced artists alike.\r\n\r\nDrawing faces and the human form is one of the most difficult tasks an artist faces, which is why so many despair at the thought and stick to landscapes or still lifes. Drawing people takes practice and dedication, as well as an arsenal of tricks - one of which is drawing on a grid.\r\n

What is Grid Drawing?

\r\nThis is a method of defining proportion. By drawing on a grid, the artist keeps proportion of the head, body, limbs, and extremities. The head stays aligned with the shoulders, the neck is the right length and width to support it, and so on.\r\n

Copying Using a Grid

\r\nI drew for many years before I even heard about the concept of grid drawing. Once I began drawing with a grid, I felt it helped me to better develop the way I perceive things spatially during those times I drew without a grid.\r\n\r\nIf you\'d like to try grid drawing out for yourself, here are some simple beginning steps:\r\n\r\nFirst, use a ruler and pencil to create a grid over the original image. Perhaps it is a photograph or a picture in a magazine. Make your grid in a comfortable measurement, like a centimeter, a half an inch, or one inch squares. If you don\'t want to or are unable to draw a grid directly on the photograph, you can make a transparent overlay. Better yet, make a grid on the computer over a digital image.\r\n\r\n\"grid\r\n\r\nOn your drawing paper, create an equal grid. To keep your drawing the same scale as the reference photograph, the ratio absolutely must be 1:1. That means if you used an inch on your photograph, use an inch on the drawing paper. Use a light hand when drawing the lines, so they can be erased later.\r\n\r\n\"grid\r\n\r\nNow the drawing can begin. Square by square, begin copying the master image to your drawing paper. This smaller area of focus keeps the process from being overwhelming. After all, you are not copying a whole face; you are copying merely one square inch of it. It\'s like the old adage \"How do you eat an elephant? One bite at a time!\"\r\n\r\n\"grid\r\n\r\n \r\n\r\nAfter working your way square by square, congratulations - you have a completed image! At this point, you will need to carefully erase your lightly-drawn grid lines. If you like, you may try your hand at shading or enhancing; that is, once you are comfortable with the act of copying. [FINISHED DRAWING]\r\n

Disadvantages to Using a Grid on Your Drawing Paper

\r\nThe above method requires you to draw a grid onto your drawing paper. I used this method for many years with terrific results, but it does have some distinct disadvantages.\r\n\r\nFirst of all, you have to take extreme care to measure precisely when drawing your grid lines. They also need to be perfectly straight, parallel, and perpendicular to each other. If your lines are off, your drawing will be off too.\r\n\r\nSecondly, once you take all that time to draw a face that\'s just the way you want it, you have to go back and erase the grid lines. Even if you drew your grid lines lightly, there\'s a chance that some of the grid lines will still be seen after you erase. What\'s worse is you can accidentally erase small lines and details that are important parts of your final drawing.\r\n

Alternate Method (Much Easier)

\r\nThere is a method of grid drawing that is much easier than placing a grid directly onto your drawing paper. I use this method whenever I can now. Here it goes...\r\n\r\nFirst, create a custom grid with the proper measurements for your project on your computer. You can easily accomplish this with the table function on Microsoft Word, for example. Once you have the grid created, print it out.\r\n\r\nThen tape this grid onto a light box. Tape your drawing paper on top of the grid paper. Turn your light box on. You will be able to easily see the grid squares showing through the drawing paper.\r\n\r\n\"grid\r\n\r\nDraw your picture, one grid square at a time. When you are finished, simply cut the light box off. Presto....you have a perfect drawing and no grid lines to erase!\r\n

Advanced Grid Drawing

\r\nOnce you\'ve conquered the face, you can use this same technique to draw other parts of the human figure. Draw the neck and shoulders, torso and arms, or even a full-length view of the body.\r\n\r\nYou may also feel comfortable changing the size of your drawing, all the while keeping the same ratio. Let\'s say your original photograph is 5\" x 7\", and you want to create a 10\" x 14\" drawing. Just use the same aspect ratio. Create a grid on your original of so many squares, each of, say, one inch. Then on your larger drawing paper, use an equal number of squares, measuring double the size - 2 inches.\r\n\r\nBy keeping the ratio consistent, the drawing remains the same, only the size changes. Math and art - what a combination!\r\n

You Are In Good Company

\r\n\"441px-Da_Vinci_Vitruve_Luc_Viatour\"Grid drawing is a very old, very powerful tool for accurate drawing, employed by the likes of Leonardo DaVinci and Johannes Vermeer. DaVinci\'s Vitruvian Man is a classic example of using a mathematical formula to draw the human form with great accuracy. So don\'t feel that it\'s an amateur\'s cop-out or cheating, just because it seems so simple. Sometimes it\'s the simplest methods that produce the greatest results. Get started today and create your own masterpiece!','Grid Drawing For Perfect Faces And Forms','','inherit','open','open','','1648-revision-v1','','','2015-03-09 05:59:25','2015-03-09 12:59:25','',1648,'http://www.letsdrawpeople.com/1648-revision-v1/',0,'revision','',0),(1677,2,'2015-03-09 06:00:27','2015-03-09 13:00:27','Though often considered a beginner\'s tool, grid drawing is used by new and experienced artists alike.\r\n\r\nDrawing faces and the human form is one of the most difficult tasks an artist faces, which is why so many despair at the thought and stick to landscapes or still lifes. Drawing people takes practice and dedication, as well as an arsenal of tricks - one of which is drawing on a grid.\r\n

What is Grid Drawing?

\r\nThis is a method of defining proportion. By drawing on a grid, the artist keeps proportion of the head, body, limbs, and extremities. The head stays aligned with the shoulders, the neck is the right length and width to support it, and so on.\r\n

Copying Using a Grid

\r\nI drew for many years before I even heard about the concept of grid drawing. Once I began drawing with a grid, I felt it helped me to better develop the way I perceive things spatially during those times I drew without a grid.\r\n\r\nIf you\'d like to try grid drawing out for yourself, here are some simple beginning steps:\r\n\r\nFirst, use a ruler and pencil to create a grid over the original image. Perhaps it is a photograph or a picture in a magazine. Make your grid in a comfortable measurement, like a centimeter, a half an inch, or one inch squares. If you don\'t want to or are unable to draw a grid directly on the photograph, you can make a transparent overlay. Better yet, make a grid on the computer over a digital image.\r\n\r\n\"grid\r\n\r\nOn your drawing paper, create an equal grid. To keep your drawing the same scale as the reference photograph, the ratio absolutely must be 1:1. That means if you used an inch on your photograph, use an inch on the drawing paper. Use a light hand when drawing the lines, so they can be erased later.\r\n\r\n\"grid\r\n\r\nNow the drawing can begin. Square by square, begin copying the master image to your drawing paper. This smaller area of focus keeps the process from being overwhelming. After all, you are not copying a whole face; you are copying merely one square inch of it. It\'s like the old adage \"How do you eat an elephant? One bite at a time!\"\r\n\r\n\"gridAfter working your way square by square, congratulations - you have a completed image! At this point, you will need to carefully erase your lightly-drawn grid lines. If you like, you may try your hand at shading or enhancing; that is, once you are comfortable with the act of copying. [FINISHED DRAWING]\r\n

Disadvantages to Using a Grid on Your Drawing Paper

\r\nThe above method requires you to draw a grid onto your drawing paper. I used this method for many years with terrific results, but it does have some distinct disadvantages.\r\n\r\nFirst of all, you have to take extreme care to measure precisely when drawing your grid lines. They also need to be perfectly straight, parallel, and perpendicular to each other. If your lines are off, your drawing will be off too.\r\n\r\nSecondly, once you take all that time to draw a face that\'s just the way you want it, you have to go back and erase the grid lines. Even if you drew your grid lines lightly, there\'s a chance that some of the grid lines will still be seen after you erase. What\'s worse is you can accidentally erase small lines and details that are important parts of your final drawing.\r\n

Alternate Method (Much Easier)

\r\nThere is a method of grid drawing that is much easier than placing a grid directly onto your drawing paper. I use this method whenever I can now. Here it goes...\r\n\r\nFirst, create a custom grid with the proper measurements for your project on your computer. You can easily accomplish this with the table function on Microsoft Word, for example. Once you have the grid created, print it out.\r\n\r\nThen tape this grid onto a light box. Tape your drawing paper on top of the grid paper. Turn your light box on. You will be able to easily see the grid squares showing through the drawing paper.\r\n\r\n\"grid\r\n\r\nDraw your picture, one grid square at a time. When you are finished, simply cut the light box off. Presto....you have a perfect drawing and no grid lines to erase!\r\n

Advanced Grid Drawing

\r\nOnce you\'ve conquered the face, you can use this same technique to draw other parts of the human figure. Draw the neck and shoulders, torso and arms, or even a full-length view of the body.\r\n\r\nYou may also feel comfortable changing the size of your drawing, all the while keeping the same ratio. Let\'s say your original photograph is 5\" x 7\", and you want to create a 10\" x 14\" drawing. Just use the same aspect ratio. Create a grid on your original of so many squares, each of, say, one inch. Then on your larger drawing paper, use an equal number of squares, measuring double the size - 2 inches.\r\n\r\nBy keeping the ratio consistent, the drawing remains the same, only the size changes. Math and art - what a combination!\r\n

You Are In Good Company

\r\n\"441px-Da_Vinci_Vitruve_Luc_Viatour\"Grid drawing is a very old, very powerful tool for accurate drawing, employed by the likes of Leonardo DaVinci and Johannes Vermeer. DaVinci\'s Vitruvian Man is a classic example of using a mathematical formula to draw the human form with great accuracy. So don\'t feel that it\'s an amateur\'s cop-out or cheating, just because it seems so simple. Sometimes it\'s the simplest methods that produce the greatest results. Get started today and create your own masterpiece!','Grid Drawing For Perfect Faces And Forms','','inherit','open','open','','1648-revision-v1','','','2015-03-09 06:00:27','2015-03-09 13:00:27','',1648,'http://www.letsdrawpeople.com/1648-revision-v1/',0,'revision','',0),(1678,2,'2015-03-09 17:51:27','2015-03-10 00:51:27','','grid drawing final line drawing','','inherit','open','open','','grid-drawing-final-line-drawing','','','2015-03-09 17:51:27','2015-03-10 00:51:27','',1648,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/grid-drawing-final-line-drawing.jpg',0,'attachment','image/jpeg',0),(1679,2,'2015-03-09 17:53:31','2015-03-10 00:53:31','Though often considered a beginner\'s tool, grid drawing is used by new and experienced artists alike.\r\n\r\nDrawing faces and the human form is one of the most difficult tasks an artist faces, which is why so many despair at the thought and stick to landscapes or still lifes. Drawing people takes practice and dedication, as well as an arsenal of tricks - one of which is drawing on a grid.\r\n

What is Grid Drawing?

\r\nThis is a method of defining proportion. By drawing on a grid, the artist keeps proportion of the head, body, limbs, and extremities. The head stays aligned with the shoulders, the neck is the right length and width to support it, and so on.\r\n

Copying Using a Grid

\r\nI drew for many years before I even heard about the concept of grid drawing. Once I began drawing with a grid, I felt it helped me to better develop the way I perceive things spatially during those times I drew without a grid.\r\n\r\nIf you\'d like to try grid drawing out for yourself, here are some simple beginning steps:\r\n\r\nFirst, use a ruler and pencil to create a grid over the original image. Perhaps it is a photograph or a picture in a magazine. Make your grid in a comfortable measurement, like a centimeter, a half an inch, or one inch squares. If you don\'t want to or are unable to draw a grid directly on the photograph, you can make a transparent overlay. Better yet, make a grid on the computer over a digital image.\r\n\r\n\"grid\r\n\r\nOn your drawing paper, create an equal grid. To keep your drawing the same scale as the reference photograph, the ratio absolutely must be 1:1. That means if you used an inch on your photograph, use an inch on the drawing paper. Use a light hand when drawing the lines, so they can be erased later.\r\n\r\n\"grid\r\n\r\nNow the drawing can begin. Square by square, begin copying the master image to your drawing paper. This smaller area of focus keeps the process from being overwhelming. After all, you are not copying a whole face; you are copying merely one square inch of it. It\'s like the old adage \"How do you eat an elephant? One bite at a time!\"\r\n\r\n\"gridAfter working your way square by square, congratulations - you have a completed image! At this point, you will need to carefully erase your lightly-drawn grid lines. If you like, you may try your hand at shading or enhancing; that is, once you are comfortable with the act of copying.\r\n\r\n\"grid\r\n

Disadvantages to Using a Grid on Your Drawing Paper

\r\nThe above method requires you to draw a grid onto your drawing paper. I used this method for many years with terrific results, but it does have some distinct disadvantages.\r\n\r\nFirst of all, you have to take extreme care to measure precisely when drawing your grid lines. They also need to be perfectly straight, parallel, and perpendicular to each other. If your lines are off, your drawing will be off too.\r\n\r\nSecondly, once you take all that time to draw a face that\'s just the way you want it, you have to go back and erase the grid lines. Even if you drew your grid lines lightly, there\'s a chance that some of the grid lines will still be seen after you erase. What\'s worse is you can accidentally erase small lines and details that are important parts of your final drawing.\r\n

Alternate Method (Much Easier)

\r\nThere is a method of grid drawing that is much easier than placing a grid directly onto your drawing paper. I use this method whenever I can now. Here it goes...\r\n\r\nFirst, create a custom grid with the proper measurements for your project on your computer. You can easily accomplish this with the table function on Microsoft Word, for example. Once you have the grid created, print it out.\r\n\r\nThen tape this grid onto a light box. Tape your drawing paper on top of the grid paper. Turn your light box on. You will be able to easily see the grid squares showing through the drawing paper.\r\n\r\n\"grid\r\n\r\nDraw your picture, one grid square at a time. When you are finished, simply cut the light box off. Presto....you have a perfect drawing and no grid lines to erase!\r\n

Advanced Grid Drawing

\r\nOnce you\'ve conquered the face, you can use this same technique to draw other parts of the human figure. Draw the neck and shoulders, torso and arms, or even a full-length view of the body.\r\n\r\nYou may also feel comfortable changing the size of your drawing, all the while keeping the same ratio. Let\'s say your original photograph is 5\" x 7\", and you want to create a 10\" x 14\" drawing. Just use the same aspect ratio. Create a grid on your original of so many squares, each of, say, one inch. Then on your larger drawing paper, use an equal number of squares, measuring double the size - 2 inches.\r\n\r\nBy keeping the ratio consistent, the drawing remains the same, only the size changes. Math and art - what a combination!\r\n

You Are In Good Company

\r\n\"441px-Da_Vinci_Vitruve_Luc_Viatour\"Grid drawing is a very old, very powerful tool for accurate drawing, employed by the likes of Leonardo DaVinci and Johannes Vermeer. DaVinci\'s Vitruvian Man is a classic example of using a mathematical formula to draw the human form with great accuracy. So don\'t feel that it\'s an amateur\'s cop-out or cheating, just because it seems so simple. Sometimes it\'s the simplest methods that produce the greatest results. Get started today and create your own masterpiece!','Grid Drawing For Perfect Faces And Forms','','inherit','open','open','','1648-revision-v1','','','2015-03-09 17:53:31','2015-03-10 00:53:31','',1648,'http://www.letsdrawpeople.com/1648-revision-v1/',0,'revision','',0),(1680,2,'2015-03-09 17:54:46','2015-03-10 00:54:46','Though often considered a beginner\'s tool, grid drawing is used by new and experienced artists alike.\r\n\r\nDrawing faces and the human form is one of the most difficult tasks an artist faces, which is why so many despair at the thought and stick to landscapes or still lifes. Drawing people takes practice and dedication, as well as an arsenal of tricks - one of which is drawing on a grid.\r\n

What is Grid Drawing?

\r\nThis is a method of defining proportion. By drawing on a grid, the artist keeps proportion of the head, body, limbs, and extremities. The head stays aligned with the shoulders, the neck is the right length and width to support it, and so on.\r\n

Copying Using a Grid

\r\nI drew for many years before I even heard about the concept of grid drawing. Once I began drawing with a grid, I felt it helped me to better develop the way I perceive things spatially during those times I drew without a grid.\r\n\r\nIf you\'d like to try grid drawing out for yourself, here are some simple beginning steps:\r\n\r\nFirst, use a ruler and pencil to create a grid over the original image. Perhaps it is a photograph or a picture in a magazine. Make your grid in a comfortable measurement, like a centimeter, a half an inch, or one inch squares. If you don\'t want to or are unable to draw a grid directly on the photograph, you can make a transparent overlay. Better yet, make a grid on the computer over a digital image.\r\n\r\n\"grid\r\n\r\nOn your drawing paper, create an equal grid. To keep your drawing the same scale as the reference photograph, the ratio absolutely must be 1:1. That means if you used an inch on your photograph, use an inch on the drawing paper. Use a light hand when drawing the lines, so they can be erased later.\r\n\r\n\"grid\r\n\r\nNow the drawing can begin. Square by square, begin copying the master image to your drawing paper. This smaller area of focus keeps the process from being overwhelming. After all, you are not copying a whole face; you are copying merely one square inch of it. It\'s like the old adage \"How do you eat an elephant? One bite at a time!\"\r\n\r\n\"grid\r\n\r\nAfter working your way square by square, congratulations - you have a completed image! At this point, you will need to carefully erase your lightly-drawn grid lines. If you like, you may try your hand at shading or enhancing; that is, once you are comfortable with the act of copying.\r\n\r\n\"grid\r\n

Disadvantages to Using a Grid on Your Drawing Paper

\r\nThe above method requires you to draw a grid onto your drawing paper. I used this method for many years with terrific results, but it does have some distinct disadvantages.\r\n\r\nFirst of all, you have to take extreme care to measure precisely when drawing your grid lines. They also need to be perfectly straight, parallel, and perpendicular to each other. If your lines are off, your drawing will be off too.\r\n\r\nSecondly, once you take all that time to draw a face that\'s just the way you want it, you have to go back and erase the grid lines. Even if you drew your grid lines lightly, there\'s a chance that some of the grid lines will still be seen after you erase. What\'s worse is you can accidentally erase small lines and details that are important parts of your final drawing.\r\n

Alternate Method (Much Easier)

\r\nThere is a method of grid drawing that is much easier than placing a grid directly onto your drawing paper. I use this method whenever I can now. Here it goes...\r\n\r\nFirst, create a custom grid with the proper measurements for your project on your computer. You can easily accomplish this with the table function on Microsoft Word, for example. Once you have the grid created, print it out.\r\n\r\nThen tape this grid onto a light box. Tape your drawing paper on top of the grid paper. Turn your light box on. You will be able to easily see the grid squares showing through the drawing paper.\r\n\r\n\"grid\r\n\r\nDraw your picture, one grid square at a time. When you are finished, simply cut the light box off. Presto....you have a perfect drawing and no grid lines to erase!\r\n

Advanced Grid Drawing

\r\nOnce you\'ve conquered the face, you can use this same technique to draw other parts of the human figure. Draw the neck and shoulders, torso and arms, or even a full-length view of the body.\r\n\r\nYou may also feel comfortable changing the size of your drawing, all the while keeping the same ratio. Let\'s say your original photograph is 5\" x 7\", and you want to create a 10\" x 14\" drawing. Just use the same aspect ratio. Create a grid on your original of so many squares, each of, say, one inch. Then on your larger drawing paper, use an equal number of squares, measuring double the size - 2 inches.\r\n\r\nBy keeping the ratio consistent, the drawing remains the same, only the size changes. Math and art - what a combination!\r\n

You Are In Good Company

\r\n\"441px-Da_Vinci_Vitruve_Luc_Viatour\"Grid drawing is a very old, very powerful tool for accurate drawing, employed by the likes of Leonardo DaVinci and Johannes Vermeer. DaVinci\'s Vitruvian Man is a classic example of using a mathematical formula to draw the human form with great accuracy. So don\'t feel that it\'s an amateur\'s cop-out or cheating, just because it seems so simple. Sometimes it\'s the simplest methods that produce the greatest results. Get started today and create your own masterpiece!','Grid Drawing For Perfect Faces And Forms','','inherit','open','open','','1648-revision-v1','','','2015-03-09 17:54:46','2015-03-10 00:54:46','',1648,'http://www.letsdrawpeople.com/1648-revision-v1/',0,'revision','',0),(1681,2,'2015-03-09 17:56:40','2015-03-10 00:56:40','Though often considered a beginner\'s tool, grid drawing is used by new and experienced artists alike.\r\n\r\nDrawing faces and the human form is one of the most difficult tasks an artist faces, which is why so many despair at the thought and stick to landscapes or still lifes. Drawing people takes practice and dedication, as well as an arsenal of tricks - one of which is drawing on a grid.\r\n

What is Grid Drawing?

\r\nThis is a method of defining proportion. By drawing on a grid, the artist keeps proportion of the head, body, limbs, and extremities. The head stays aligned with the shoulders, the neck is the right length and width to support it, and so on.\r\n

Copying Using a Grid

\r\nI drew for many years before I even heard about the concept of grid drawing. Once I began drawing with a grid, I felt it helped me to better develop the way I perceive things spatially during those times I drew without a grid.\r\n\r\nIf you\'d like to try grid drawing out for yourself, here are some simple beginning steps:\r\n\r\nFirst, use a ruler and pencil to create a grid over the original image. Perhaps it is a photograph or a picture in a magazine. Make your grid in a comfortable measurement, like a centimeter, a half an inch, or one inch squares. If you don\'t want to or are unable to draw a grid directly on the photograph, you can make a transparent overlay. Better yet, make a grid on the computer over a digital image.\r\n\r\n\"grid\r\n\r\nOn your drawing paper, create an equal grid. To keep your drawing the same scale as the reference photograph, the ratio absolutely must be 1:1. That means if you used an inch on your photograph, use an inch on the drawing paper. Use a light hand when drawing the lines, so they can be erased later.\r\n\r\n\"grid\r\n\r\nNow the drawing can begin. Square by square, begin copying the master image to your drawing paper. This smaller area of focus keeps the process from being overwhelming. After all, you are not copying a whole face; you are copying merely one square inch of it. It\'s like the old adage \"How do you eat an elephant? One bite at a time!\"\r\n\r\n\"grid\r\n\r\nAfter working your way square by square, congratulations - you have a completed image! At this point, you will need to carefully erase your lightly-drawn grid lines. If you like, you may try your hand at shading or enhancing; that is, once you are comfortable with the act of copying.\r\n\r\n\"grid\r\n

Disadvantages to Using a Grid on Your Drawing Paper

\r\nThe above method requires you to draw a grid onto your drawing paper. I used this method for many years with terrific results, but it does have some distinct disadvantages.\r\n\r\nFirst of all, you have to take extreme care to measure precisely when drawing your grid lines. They also need to be perfectly straight, parallel, and perpendicular to each other. If your lines are off, your drawing will be off too.\r\n\r\nSecondly, once you take all that time to draw a face that\'s just the way you want it, you have to go back and erase the grid lines. Even if you drew your grid lines lightly, there\'s a chance that some of the grid lines will still be seen after you erase. What\'s worse is you can accidentally erase small lines and details that are important parts of your final drawing.\r\n

Alternate Method (Much Easier)

\r\nThere is a method of grid drawing that is much easier than placing a grid directly onto your drawing paper. I use this method whenever I can now. Here it goes...\r\n\r\nFirst, create a custom grid with the proper measurements for your project on your computer. You can easily accomplish this with the table function on Microsoft Word, for example. Once you have the grid created, print it out.\r\n\r\nThen tape this grid onto a light box. Tape your drawing paper on top of the grid paper. Turn your light box on. You will be able to easily see the grid squares showing through the drawing paper.\r\n\r\n\"grid\r\n\r\nDraw your picture, one grid square at a time. When you are finished, simply cut the light box off. Presto....you have a perfect drawing and no grid lines to erase!\r\n

Advanced Grid Drawing

\r\nOnce you\'ve conquered the face, you can use this same technique to draw other parts of the human figure. Draw the neck and shoulders, torso and arms, or even a full-length view of the body.\r\n\r\nYou may also feel comfortable changing the size of your drawing, all the while keeping the same ratio. Let\'s say your original photograph is 5\" x 7\", and you want to create a 10\" x 14\" drawing. Just use the same aspect ratio. Create a grid on your original of so many squares, each of, say, one inch. Then on your larger drawing paper, use an equal number of squares, measuring double the size - 2 inches.\r\n\r\nBy keeping the ratio consistent, the drawing remains the same, only the size changes. Math and art - what a combination!\r\n

You Are In Good Company

\r\n\"441px-Da_Vinci_Vitruve_Luc_Viatour\"Grid drawing is a very old, very powerful tool for accurate drawing, employed by the likes of Leonardo DaVinci and Johannes Vermeer. DaVinci\'s Vitruvian Man is a classic example of using a mathematical formula to draw the human form with great accuracy. So don\'t feel that it\'s an amateur\'s cop-out or cheating, just because it seems so simple. Sometimes it\'s the simplest methods that produce the greatest results. Get started today and create your own masterpiece!','Grid Drawing For Perfect Faces And Forms','','inherit','open','open','','1648-revision-v1','','','2015-03-09 17:56:40','2015-03-10 00:56:40','',1648,'http://www.letsdrawpeople.com/1648-revision-v1/',0,'revision','',0),(1682,2,'2015-03-09 17:59:04','2015-03-10 00:59:04','Though often considered a beginner\'s tool, grid drawing is used by new and experienced artists alike.\r\n\r\nDrawing faces and the human form is one of the most difficult tasks an artist faces, which is why so many despair at the thought and stick to landscapes or still lifes. Drawing people takes practice and dedication, as well as an arsenal of tricks - one of which is drawing on a grid.\r\n

What is Grid Drawing?

\r\nThis is a method of defining proportion. By drawing on a grid, the artist keeps proportion of the head, body, limbs, and extremities. The head stays aligned with the shoulders, the neck is the right length and width to support it, and so on.\r\n

Copying Using a Grid

\r\nI drew for many years before I even heard about the concept of grid drawing. Once I began drawing with a grid, I felt it helped me to better develop the way I perceive things spatially during those times I drew without a grid.\r\n\r\nIf you\'d like to try grid drawing out for yourself, here are some simple beginning steps:\r\n\r\nFirst, use a ruler and pencil to create a grid over the original image. Perhaps it is a photograph or a picture in a magazine. Make your grid in a comfortable measurement, like a centimeter, a half an inch, or one inch squares. If you don\'t want to or are unable to draw a grid directly on the photograph, you can make a transparent overlay. Better yet, make a grid on the computer over a digital image.\r\n\r\n\"grid\r\n\r\nOn your drawing paper, create an equal grid. To keep your drawing the same scale as the reference photograph, the ratio absolutely must be 1:1. That means if you used an inch on your photograph, use an inch on the drawing paper. Use a light hand when drawing the lines, so they can be erased later.\r\n\r\n\"grid\r\n\r\nNow the drawing can begin. Square by square, begin copying the master image to your drawing paper. This smaller area of focus keeps the process from being overwhelming. After all, you are not copying a whole face; you are copying merely one square inch of it. It\'s like the old adage \"How do you eat an elephant? One bite at a time!\"\r\n\r\n\"grid\r\n\r\nAfter working your way square by square, congratulations - you have a completed image! At this point, you will need to carefully erase your lightly-drawn grid lines. If you like, you may try your hand at shading or enhancing; that is, once you are comfortable with the act of copying.\r\n\r\n\"grid\r\n

Disadvantages to Using a Grid on Your Drawing Paper

\r\nThe above method requires you to draw a grid onto your drawing paper. I used this method for many years with terrific results, but it does have some distinct disadvantages.\r\n\r\nFirst of all, you have to take extreme care to measure precisely when drawing your grid lines. They also need to be perfectly straight, parallel, and perpendicular to each other. If your lines are off, your drawing will be off too.\r\n\r\nSecondly, once you take all that time to draw a face that\'s just the way you want it, you have to go back and erase the grid lines. Even if you drew your grid lines lightly, there\'s a chance that some of the grid lines will still be seen after you erase. What\'s worse is you can accidentally erase small lines and details that are important parts of your final drawing.\r\n

Alternate Method (Much Easier)

\r\nThere is a method of grid drawing that is much easier than placing a grid directly onto your drawing paper. I use this method whenever I can now. Here it goes...\r\n\r\nFirst, create a custom grid with the proper measurements for your project on your computer. You can easily accomplish this with the table function on Microsoft Word, for example. Once you have the grid created, print it out.\r\n\r\nThen tape this grid onto a light box. Tape your drawing paper on top of the grid paper. Turn your light box on. You will be able to easily see the grid squares showing through the drawing paper.\r\n\r\n\"grid\r\n\r\nDraw your picture, one grid square at a time. When you are finished, simply cut the light box off. Presto....you have a perfect drawing and no grid lines to erase!\r\n

Advanced Grid Drawing

\r\nOnce you\'ve conquered the face, you can use this same technique to draw other parts of the human figure. Draw the neck and shoulders, torso and arms, or even a full-length view of the body.\r\n\r\nYou may also feel comfortable changing the size of your drawing, all the while keeping the same ratio. Let\'s say your original photograph is 5\" x 7\", and you want to create a 10\" x 14\" drawing. Just use the same aspect ratio. Create a grid on your original of so many squares, each of, say, one inch. Then on your larger drawing paper, use an equal number of squares, measuring double the size - 2 inches.\r\n\r\nBy keeping the ratio consistent, the drawing remains the same, only the size changes. Math and art - what a combination!\r\n

You Are In Good Company

\r\n\"441px-Da_Vinci_Vitruve_Luc_Viatour\"Grid drawing is a very old, very powerful tool for accurate drawing, employed by the likes of Leonardo DaVinci and Johannes Vermeer. DaVinci\'s Vitruvian Man is a classic example of using a mathematical formula to draw the human form with great accuracy. So don\'t feel that it\'s an amateur\'s cop-out or cheating, just because it seems so simple. Sometimes it\'s the simplest methods that produce the greatest results. Get started today and create your own masterpiece!','Grid Drawing For Perfect Faces And Forms','','inherit','open','open','','1648-revision-v1','','','2015-03-09 17:59:04','2015-03-10 00:59:04','',1648,'http://www.letsdrawpeople.com/1648-revision-v1/',0,'revision','',0),(1683,2,'2015-03-09 20:48:24','2015-03-10 03:48:24','','ritratto','\"my mum\" by simona de leo','inherit','open','open','','ritratto','','','2015-03-09 20:50:34','2015-03-10 03:50:34','',1571,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/ritratto.jpg',0,'attachment','image/jpeg',0),(1684,2,'2015-03-09 20:48:49','2015-03-10 03:48:49','

Welcome to the gallery of realistic portraits!

\n

It’s always fun and fascinating to view the results of a skilled artist completing a drawing of a person that looks very real.

\n

Even if you don’t watch how the artist goes through each step of the process to reach the final outcome, there is so much you can gain just by carefully looking at artwork like this.

\n

Realistic portraits can serve as a model to help guide and improve your own work. Closely examine individual facial features and other aspects of these drawings, and you can more easily identify your strengths and weaknesses. More importantly, you have an example for how to improve upon your weaknesses!

\n

If you have your own realistic portrait drawing that you want others to view in this gallery, see how to share it with us.

\n[gallery link=\"file\" ids=\"902,1572,1573,1574,1575,1683\" orderby=\"rand\"]','Realistic Portraits','','inherit','open','open','','1571-autosave-v1','','','2015-03-09 20:48:49','2015-03-10 03:48:49','',1571,'http://www.letsdrawpeople.com/1571-autosave-v1/',0,'revision','',0),(1685,2,'2015-03-09 20:49:10','2015-03-10 03:49:10','

Welcome to the gallery of realistic portraits!

\r\n

It’s always fun and fascinating to view the results of a skilled artist completing a drawing of a person that looks very real.

\r\n

Even if you don’t watch how the artist goes through each step of the process to reach the final outcome, there is so much you can gain just by carefully looking at artwork like this.

\r\n

Realistic portraits can serve as a model to help guide and improve your own work. Closely examine individual facial features and other aspects of these drawings, and you can more easily identify your strengths and weaknesses. More importantly, you have an example for how to improve upon your weaknesses!

\r\n

If you have your own realistic portrait drawing that you want others to view in this gallery, see how to share it with us.

\r\n[gallery link=\"file\" ids=\"902,1572,1573,1574,1575,1683\" orderby=\"rand\"]','Realistic Portraits','','inherit','open','open','','1571-revision-v1','','','2015-03-09 20:49:10','2015-03-10 03:49:10','',1571,'http://www.letsdrawpeople.com/1571-revision-v1/',0,'revision','',0),(1887,2,'2015-05-08 01:32:58','2015-05-08 08:32:58','','20150503_173431','\"Alex, my grandson\" by Joyce Crowder','inherit','open','open','','20150503_173431','','','2015-05-08 01:33:42','2015-05-08 08:33:42','',489,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/20150503_173431.jpg',0,'attachment','image/jpeg',0),(1687,2,'2015-03-21 02:24:07','2015-03-21 09:24:07','When you are just learning how to draw people, being able to draw a motionless, standing figure can be hard enough. But what if you wanted to draw a full-length figure in motion? What if you wanted to draw someone who is running?\r\n\r\nEven if you have learned the basic proportions for drawing a standing person, there are a few changes to consider when drawing a person running. The limbs are in constant motion and opposing positions. Not only that, but we also have to remember that arms and legs will appear different when they are closer to us or farther away from us.\r\n\r\nIn this tutorial, you will see how to draw a man running. Even though running is very different from standing, you will see that drawing a man running is not drastically different from drawing a man standing still. Just a few simple tweaks and you will be on your way. So with that said, let\'s get started!\r\n

Sketch a Basic Outline

\r\n\"howThe first step is to draw a rough outline of the running man. Keep standard proportions in mind for the head and torso. You can even sketch in some guidelines to draw the face later.\r\n\r\nNow as for the arms and legs, the limbs are alternating. You see in this example that the runner\'s left arm and right leg are out, while the right arm and left leg are to the rear. Here is where things might get a little confusing. You will need to foreshorten the arms and legs. This will cause them to appear distorted and out of proportion with each other. However, this is necessary to create an illusion of depth.\r\n

Foreshortening the Arms

\r\nThe right upper arm appears very short compared to the forearm. Since the elbow is so far back, it is hard to appreciate the full length of the upper arm from this angle.\r\n\r\nThere is some foreshortening with the left arm too, as it is in the foreground. For this reason, the arm may appear shorter than it should compared to the torso.\r\n

Foreshortening the Legs

\r\nThe runner\'s right leg is extended. Since the upper thigh is farther back, it should seem slightly shorter than usual compared to the lower leg. Draw the sole of the shoe to indicate the runner\'s foot getting ready to meet the pavement again.\r\n\r\nThe left knee in the background is drawn much lower than the raised right knee in the front. The left lower leg should be barely visible since it is pointing to the area behind the runner. As for the running man\'s left foot, this time we will see the top of the shoe.\r\n

Draw the Head

\r\nDraw in some details for the man\'s face, head, and neck. Since he is running, you might want to draw loose hair with strands scattered in different directions, tired-looking eyes and eyebrows, and an open mouth that is catching a breath of air.\r\n\r\n\"how\r\n

Draw the Torso

\r\nNext it is time to draw the man\'s shirt. Keep in mind how the man\'s torso twists and turns as his arms move. This will help you to place the folds of the shirt\'s fabric. For example, since the right shoulder is twisting back and pulling the shirt from below, there are folds flowing up from the man\'s bottom left toward the upper right. Plan to draw spiral folds and other basic fold types for a realistic rendering of the shirt.\r\n\r\n\"how\r\n

Draw the Arms and Hands

\r\nFinish drawing the sleeves of the shirt. Then move on to drawing the arms, adding a little muscle definition. Next, sketch in the fingers and complete the hands. People do all kinds of things with their hands while running. Sometimes they keep the hands loose while other times the hands are clenched fists. Draw them in a way that is easy for you. The man running in this picture also has a watch to time himself.\r\n\r\n\"how\r\n

Draw the Legs and Shoes

\r\nComplete the man\'s running shorts, with fabric folds coming from the inner legs moving back and forth. Add some definition to the thighs and right knee. Also draw in some lines to detail a lean shin. Afterward, draw in some details to indicate the sole of the right shoe and the top of the man\'s left shoe.\r\n\r\n\"how\r\n

Finishing Touches

\r\n\"howIf you haven\'t been doing so up to this point, it is a good idea to take a step back and look at your drawing. Mostly look at the proportions and foreshortening that might have looked distorted after your initial basic outline. Sometimes, a drawing that has foreshortening will look less distorted after more details are added.\r\n\r\nErase any unwanted guidelines in the face or other parts of the figure. Add in as much shading and extra details as you want. A simple yet cool effect to enhance the appearance of running is to place a little shadow under the foot, showing it is off the ground.\r\n\r\nAnd that is how to draw a man running! Besides the foreshortening of the arms and legs, you can see that it is not much different from drawing a man who is standing. The next time you want to draw a man running, I hope you take the tips from this tutorial and \"run\" with them!','How to Draw a Man Running','','publish','open','open','','how-to-draw-a-man-running','','http://www.letsdrawpeople.com/keeping-it-simple-the-straight-forward-step-by-step-guide-to-drawing-the-body/\nhttp://www.letsdrawpeople.com/picture-perfect-clothing-a-beginners-guide-to-sketching-clothes/','2015-07-19 20:19:33','2015-07-20 03:19:33','',0,'http://www.letsdrawpeople.com/?p=1687',0,'post','',2),(1688,2,'2015-03-10 19:24:05','2015-03-11 02:24:05','When you are just learning how to draw people, being able to draw a motionless, standing figure can be hard enough. But what if you wanted to draw a full-length figure in motion? What if you wanted to draw someone who is running?\r\n\r\nEven if you have learned the basic proportions for drawing a standing person, there are a few changes to consider when drawing a person running. The limbs are in constant motion and opposing positions. Not only that, but we also have to remember that arms and legs will appear different when they are closer to us or farther away from us.\r\n\r\nIn this short tutorial, you will see how to draw a man running. Even though running is very different from standing, you will see that drawing a man running is not drastically different from drawing a man standing still. Just a few simple tweaks and you will be on your way. So with that said, let\'s get started!\r\n\r\nSketch a Basic Outline\r\n\r\nThe first step is to draw a rough outline of the running man. Keep standard proportions in mind for the head and torso. You can even sketch in some guidelines to draw the face later.\r\n\r\nNow as for the arms and legs, the limbs are alternating. You see in this example that the runner\'s left arm and right leg are out, while the right arm and left leg are to the rear. Here is where things might get a little confusing. You will need to foreshorten the arms and legs. This will cause them to appear distorted and out of proportion with each other. However, this is necessary to create an illusion of depth.\r\n\r\nForeshortening the Arms\r\n\r\nThe right upper arm appears very short compared to the forearm. Since the elbow is so far back, it is hard to appreciate the full length of the upper arm from this angle.\r\n\r\nThere is some foreshortening with the left arm too, as it is in the foreground. For this reason, the arm may appear shorter than it should compared to the torso.\r\n\r\nForeshortening the Legs\r\n\r\nThe runner\'s right leg is extended. Since the upper thigh is farther back, it should seem slightly shorter than usual compared to the lower leg. Draw the sole of the shoe to indicate the runner\'s foot getting ready to meet the pavement again.\r\n\r\nThe left knee in the background is drawn much lower than the raised right knee in the front. The left lower leg should be barely visible since it is pointing to the area behind the runner. As for the running man\'s left foot, this time we will see the top of the shoe.\r\n\r\nDraw the Head\r\n\r\nDraw in some details for the man\'s face, head, and neck. Since he is running, you might want to draw loose hair with strands scattered in different directions, tired-looking eyes and eyebrows, and an open mouth that is catching a breath of air.\r\n\r\nDraw the Torso\r\n\r\nNext it is time to draw the man\'s shirt. Keep in mind how the man\'s torso twists and turns as his arms move. This will help you to place the folds of the shirt\'s fabric. For example, since the right shoulder is twisting back and pulling the shirt from below, there are folds flowing up from the man\'s bottom left toward the upper right. Plan to draw spiral folds and other basic fold types for a realistic rendering of the shirt.\r\n\r\nDraw the Arms and Hands\r\n\r\nFinish drawing the sleeves of the shirt. Then move on to drawing the arms, adding a little muscle definition. Next, sketch in the fingers and complete the hands. People do all kinds of things with their hands while running. Sometimes they keep the hands loose while other times the hands are clenched fists. Draw them in a way that is easy for you. The man running in this picture also has a watch to time himself.\r\n\r\nDraw the Legs and Shoes\r\n\r\nComplete the man\'s running shorts, with fabric folds coming from the inner legs moving back and forth. Add some definition to the thighs and right knee. Also draw in some lines to detail a lean shin. Afterward, draw in some details to indicate the sole of the right shoe and the top of the man\'s left shoe.\r\n\r\nFinishing Touches\r\n\r\nIf you haven\'t been doing so up to this point, it is a good idea to take a step back and look at your drawing. Mostly look at the proportions and foreshortening that might have looked distorted after your initial basic outline. Sometimes, a drawing that has foreshortening will look less distorted after more details are added.\r\n\r\nErase any unwanted guidelines in the face or other parts of the figure. Add in as much shading and extra details as you want. A simple yet cool effect to enhance the appearance of running is to place a little shadow under the foot, showing it is off the ground.\r\n\r\nThat is how to draw a man running. Besides the foreshortening of the arms and legs, you can see that it is not much different from drawing a man who is standing. The next time you want to draw a man running, I hope you take the tips from this tutorial and \"run\" with them!','How to Draw a Man Running','','inherit','open','open','','1687-revision-v1','','','2015-03-10 19:24:05','2015-03-11 02:24:05','',1687,'http://www.letsdrawpeople.com/1687-revision-v1/',0,'revision','',0),(1689,2,'2015-03-10 19:38:25','2015-03-11 02:38:25','','how to draw a man running legs','','inherit','open','open','','how-to-draw-a-man-running-legs','','','2015-03-10 19:38:25','2015-03-11 02:38:25','',1687,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-man-running-legs.jpg',0,'attachment','image/jpeg',0),(1690,2,'2015-03-10 19:38:26','2015-03-11 02:38:26','','how to draw a man running arms','','inherit','open','open','','how-to-draw-a-man-running-arms','','','2015-03-10 19:38:26','2015-03-11 02:38:26','',1687,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-man-running-arms.jpg',0,'attachment','image/jpeg',0),(1691,2,'2015-03-10 19:38:28','2015-03-11 02:38:28','','how to draw a man running torso','','inherit','open','open','','how-to-draw-a-man-running-torso','','','2015-03-10 19:38:28','2015-03-11 02:38:28','',1687,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-man-running-torso.jpg',0,'attachment','image/jpeg',0),(1692,2,'2015-03-10 19:38:29','2015-03-11 02:38:29','','how to draw a man running head','','inherit','open','open','','how-to-draw-a-man-running-head','','','2015-03-10 19:38:29','2015-03-11 02:38:29','',1687,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-man-running-head.jpg',0,'attachment','image/jpeg',0),(1693,2,'2015-03-10 19:38:31','2015-03-11 02:38:31','','how to draw a man running','','inherit','open','open','','how-to-draw-a-man-running','','','2015-03-10 19:38:31','2015-03-11 02:38:31','',1687,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-man-running.jpg',0,'attachment','image/jpeg',0),(1694,2,'2015-03-10 19:38:32','2015-03-11 02:38:32','','how to draw a man running outline','','inherit','open','open','','how-to-draw-a-man-running-outline','','','2015-03-10 19:38:32','2015-03-11 02:38:32','',1687,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-man-running-outline.jpg',0,'attachment','image/jpeg',0),(1695,2,'2015-03-10 19:39:28','2015-03-11 02:39:28','When you are just learning how to draw people, being able to draw a motionless, standing figure can be hard enough. But what if you wanted to draw a full-length figure in motion? What if you wanted to draw someone who is running?\r\n\r\nEven if you have learned the basic proportions for drawing a standing person, there are a few changes to consider when drawing a person running. The limbs are in constant motion and opposing positions. Not only that, but we also have to remember that arms and legs will appear different when they are closer to us or farther away from us.\r\n\r\nIn this tutorial, you will see how to draw a man running. Even though running is very different from standing, you will see that drawing a man running is not drastically different from drawing a man standing still. Just a few simple tweaks and you will be on your way. So with that said, let\'s get started!\r\n

Sketch a Basic Outline

\r\n\"howThe first step is to draw a rough outline of the running man. Keep standard proportions in mind for the head and torso. You can even sketch in some guidelines to draw the face later.\r\n\r\nNow as for the arms and legs, the limbs are alternating. You see in this example that the runner\'s left arm and right leg are out, while the right arm and left leg are to the rear. Here is where things might get a little confusing. You will need to foreshorten the arms and legs. This will cause them to appear distorted and out of proportion with each other. However, this is necessary to create an illusion of depth.\r\n

Foreshortening the Arms

\r\nThe right upper arm appears very short compared to the forearm. Since the elbow is so far back, it is hard to appreciate the full length of the upper arm from this angle.\r\n\r\nThere is some foreshortening with the left arm too, as it is in the foreground. For this reason, the arm may appear shorter than it should compared to the torso.\r\n

Foreshortening the Legs

\r\nThe runner\'s right leg is extended. Since the upper thigh is farther back, it should seem slightly shorter than usual compared to the lower leg. Draw the sole of the shoe to indicate the runner\'s foot getting ready to meet the pavement again.\r\n\r\nThe left knee in the background is drawn much lower than the raised right knee in the front. The left lower leg should be barely visible since it is pointing to the area behind the runner. As for the running man\'s left foot, this time we will see the top of the shoe.\r\n

Draw the Head

\r\nDraw in some details for the man\'s face, head, and neck. Since he is running, you might want to draw loose hair with strands scattered in different directions, tired-looking eyes and eyebrows, and an open mouth that is catching a breath of air.\r\n

Draw the Torso

\r\nNext it is time to draw the man\'s shirt. Keep in mind how the man\'s torso twists and turns as his arms move. This will help you to place the folds of the shirt\'s fabric. For example, since the right shoulder is twisting back and pulling the shirt from below, there are folds flowing up from the man\'s bottom left toward the upper right. Plan to draw spiral folds and other basic fold types for a realistic rendering of the shirt.\r\n

Draw the Arms and Hands

\r\nFinish drawing the sleeves of the shirt. Then move on to drawing the arms, adding a little muscle definition. Next, sketch in the fingers and complete the hands. People do all kinds of things with their hands while running. Sometimes they keep the hands loose while other times the hands are clenched fists. Draw them in a way that is easy for you. The man running in this picture also has a watch to time himself.\r\n

Draw the Legs and Shoes

\r\nComplete the man\'s running shorts, with fabric folds coming from the inner legs moving back and forth. Add some definition to the thighs and right knee. Also draw in some lines to detail a lean shin. Afterward, draw in some details to indicate the sole of the right shoe and the top of the man\'s left shoe.\r\n

Finishing Touches

\r\nIf you haven\'t been doing so up to this point, it is a good idea to take a step back and look at your drawing. Mostly look at the proportions and foreshortening that might have looked distorted after your initial basic outline. Sometimes, a drawing that has foreshortening will look less distorted after more details are added.\r\n\r\nErase any unwanted guidelines in the face or other parts of the figure. Add in as much shading and extra details as you want. A simple yet cool effect to enhance the appearance of running is to place a little shadow under the foot, showing it is off the ground.\r\n\r\nAnd that is how to draw a man running! Besides the foreshortening of the arms and legs, you can see that it is not much different from drawing a man who is standing. The next time you want to draw a man running, I hope you take the tips from this tutorial and \"run\" with them!','How to Draw a Man Running','','inherit','open','open','','1687-revision-v1','','','2015-03-10 19:39:28','2015-03-11 02:39:28','',1687,'http://www.letsdrawpeople.com/1687-revision-v1/',0,'revision','',0),(1696,2,'2015-03-10 19:40:12','2015-03-11 02:40:12','When you are just learning how to draw people, being able to draw a motionless, standing figure can be hard enough. But what if you wanted to draw a full-length figure in motion? What if you wanted to draw someone who is running?\r\n\r\nEven if you have learned the basic proportions for drawing a standing person, there are a few changes to consider when drawing a person running. The limbs are in constant motion and opposing positions. Not only that, but we also have to remember that arms and legs will appear different when they are closer to us or farther away from us.\r\n\r\nIn this tutorial, you will see how to draw a man running. Even though running is very different from standing, you will see that drawing a man running is not drastically different from drawing a man standing still. Just a few simple tweaks and you will be on your way. So with that said, let\'s get started!\r\n

Sketch a Basic Outline

\r\n\"howThe first step is to draw a rough outline of the running man. Keep standard proportions in mind for the head and torso. You can even sketch in some guidelines to draw the face later.\r\n\r\nNow as for the arms and legs, the limbs are alternating. You see in this example that the runner\'s left arm and right leg are out, while the right arm and left leg are to the rear. Here is where things might get a little confusing. You will need to foreshorten the arms and legs. This will cause them to appear distorted and out of proportion with each other. However, this is necessary to create an illusion of depth.\r\n

Foreshortening the Arms

\r\nThe right upper arm appears very short compared to the forearm. Since the elbow is so far back, it is hard to appreciate the full length of the upper arm from this angle.\r\n\r\nThere is some foreshortening with the left arm too, as it is in the foreground. For this reason, the arm may appear shorter than it should compared to the torso.\r\n

Foreshortening the Legs

\r\nThe runner\'s right leg is extended. Since the upper thigh is farther back, it should seem slightly shorter than usual compared to the lower leg. Draw the sole of the shoe to indicate the runner\'s foot getting ready to meet the pavement again.\r\n\r\nThe left knee in the background is drawn much lower than the raised right knee in the front. The left lower leg should be barely visible since it is pointing to the area behind the runner. As for the running man\'s left foot, this time we will see the top of the shoe.\r\n

Draw the Head

\r\nDraw in some details for the man\'s face, head, and neck. Since he is running, you might want to draw loose hair with strands scattered in different directions, tired-looking eyes and eyebrows, and an open mouth that is catching a breath of air.\r\n

Draw the Torso

\r\nNext it is time to draw the man\'s shirt. Keep in mind how the man\'s torso twists and turns as his arms move. This will help you to place the folds of the shirt\'s fabric. For example, since the right shoulder is twisting back and pulling the shirt from below, there are folds flowing up from the man\'s bottom left toward the upper right. Plan to draw spiral folds and other basic fold types for a realistic rendering of the shirt.\r\n

Draw the Arms and Hands

\r\nFinish drawing the sleeves of the shirt. Then move on to drawing the arms, adding a little muscle definition. Next, sketch in the fingers and complete the hands. People do all kinds of things with their hands while running. Sometimes they keep the hands loose while other times the hands are clenched fists. Draw them in a way that is easy for you. The man running in this picture also has a watch to time himself.\r\n

Draw the Legs and Shoes

\r\nComplete the man\'s running shorts, with fabric folds coming from the inner legs moving back and forth. Add some definition to the thighs and right knee. Also draw in some lines to detail a lean shin. Afterward, draw in some details to indicate the sole of the right shoe and the top of the man\'s left shoe.\r\n

Finishing Touches

\r\nIf you haven\'t been doing so up to this point, it is a good idea to take a step back and look at your drawing. Mostly look at the proportions and foreshortening that might have looked distorted after your initial basic outline. Sometimes, a drawing that has foreshortening will look less distorted after more details are added.\r\n\r\nErase any unwanted guidelines in the face or other parts of the figure. Add in as much shading and extra details as you want. A simple yet cool effect to enhance the appearance of running is to place a little shadow under the foot, showing it is off the ground.\r\n\r\nAnd that is how to draw a man running! Besides the foreshortening of the arms and legs, you can see that it is not much different from drawing a man who is standing. The next time you want to draw a man running, I hope you take the tips from this tutorial and \"run\" with them!','How to Draw a Man Running','','inherit','open','open','','1687-revision-v1','','','2015-03-10 19:40:12','2015-03-11 02:40:12','',1687,'http://www.letsdrawpeople.com/1687-revision-v1/',0,'revision','',0),(1697,2,'2015-03-10 19:41:10','2015-03-11 02:41:10','When you are just learning how to draw people, being able to draw a motionless, standing figure can be hard enough. But what if you wanted to draw a full-length figure in motion? What if you wanted to draw someone who is running?\r\n\r\nEven if you have learned the basic proportions for drawing a standing person, there are a few changes to consider when drawing a person running. The limbs are in constant motion and opposing positions. Not only that, but we also have to remember that arms and legs will appear different when they are closer to us or farther away from us.\r\n\r\nIn this tutorial, you will see how to draw a man running. Even though running is very different from standing, you will see that drawing a man running is not drastically different from drawing a man standing still. Just a few simple tweaks and you will be on your way. So with that said, let\'s get started!\r\n

Sketch a Basic Outline

\r\n\"howThe first step is to draw a rough outline of the running man. Keep standard proportions in mind for the head and torso. You can even sketch in some guidelines to draw the face later.\r\n\r\nNow as for the arms and legs, the limbs are alternating. You see in this example that the runner\'s left arm and right leg are out, while the right arm and left leg are to the rear. Here is where things might get a little confusing. You will need to foreshorten the arms and legs. This will cause them to appear distorted and out of proportion with each other. However, this is necessary to create an illusion of depth.\r\n

Foreshortening the Arms

\r\nThe right upper arm appears very short compared to the forearm. Since the elbow is so far back, it is hard to appreciate the full length of the upper arm from this angle.\r\n\r\nThere is some foreshortening with the left arm too, as it is in the foreground. For this reason, the arm may appear shorter than it should compared to the torso.\r\n

Foreshortening the Legs

\r\nThe runner\'s right leg is extended. Since the upper thigh is farther back, it should seem slightly shorter than usual compared to the lower leg. Draw the sole of the shoe to indicate the runner\'s foot getting ready to meet the pavement again.\r\n\r\nThe left knee in the background is drawn much lower than the raised right knee in the front. The left lower leg should be barely visible since it is pointing to the area behind the runner. As for the running man\'s left foot, this time we will see the top of the shoe.\r\n

Draw the Head

\r\nDraw in some details for the man\'s face, head, and neck. Since he is running, you might want to draw loose hair with strands scattered in different directions, tired-looking eyes and eyebrows, and an open mouth that is catching a breath of air.\r\n

Draw the Torso

\r\nNext it is time to draw the man\'s shirt. Keep in mind how the man\'s torso twists and turns as his arms move. This will help you to place the folds of the shirt\'s fabric. For example, since the right shoulder is twisting back and pulling the shirt from below, there are folds flowing up from the man\'s bottom left toward the upper right. Plan to draw spiral folds and other basic fold types for a realistic rendering of the shirt.\r\n

Draw the Arms and Hands

\r\nFinish drawing the sleeves of the shirt. Then move on to drawing the arms, adding a little muscle definition. Next, sketch in the fingers and complete the hands. People do all kinds of things with their hands while running. Sometimes they keep the hands loose while other times the hands are clenched fists. Draw them in a way that is easy for you. The man running in this picture also has a watch to time himself.\r\n

Draw the Legs and Shoes

\r\nComplete the man\'s running shorts, with fabric folds coming from the inner legs moving back and forth. Add some definition to the thighs and right knee. Also draw in some lines to detail a lean shin. Afterward, draw in some details to indicate the sole of the right shoe and the top of the man\'s left shoe.\r\n

Finishing Touches

\r\nIf you haven\'t been doing so up to this point, it is a good idea to take a step back and look at your drawing. Mostly look at the proportions and foreshortening that might have looked distorted after your initial basic outline. Sometimes, a drawing that has foreshortening will look less distorted after more details are added.\r\n\r\nErase any unwanted guidelines in the face or other parts of the figure. Add in as much shading and extra details as you want. A simple yet cool effect to enhance the appearance of running is to place a little shadow under the foot, showing it is off the ground.\r\n\r\nAnd that is how to draw a man running! Besides the foreshortening of the arms and legs, you can see that it is not much different from drawing a man who is standing. The next time you want to draw a man running, I hope you take the tips from this tutorial and \"run\" with them!','How to Draw a Man Running','','inherit','open','open','','1687-revision-v1','','','2015-03-10 19:41:10','2015-03-11 02:41:10','',1687,'http://www.letsdrawpeople.com/1687-revision-v1/',0,'revision','',0),(1698,2,'2015-03-10 19:44:24','2015-03-11 02:44:24','When you are just learning how to draw people, being able to draw a motionless, standing figure can be hard enough. But what if you wanted to draw a full-length figure in motion? What if you wanted to draw someone who is running?\r\n\r\nEven if you have learned the basic proportions for drawing a standing person, there are a few changes to consider when drawing a person running. The limbs are in constant motion and opposing positions. Not only that, but we also have to remember that arms and legs will appear different when they are closer to us or farther away from us.\r\n\r\nIn this tutorial, you will see how to draw a man running. Even though running is very different from standing, you will see that drawing a man running is not drastically different from drawing a man standing still. Just a few simple tweaks and you will be on your way. So with that said, let\'s get started!\r\n

Sketch a Basic Outline

\r\n\"howThe first step is to draw a rough outline of the running man. Keep standard proportions in mind for the head and torso. You can even sketch in some guidelines to draw the face later.\r\n\r\nNow as for the arms and legs, the limbs are alternating. You see in this example that the runner\'s left arm and right leg are out, while the right arm and left leg are to the rear. Here is where things might get a little confusing. You will need to foreshorten the arms and legs. This will cause them to appear distorted and out of proportion with each other. However, this is necessary to create an illusion of depth.\r\n

Foreshortening the Arms

\r\nThe right upper arm appears very short compared to the forearm. Since the elbow is so far back, it is hard to appreciate the full length of the upper arm from this angle.\r\n\r\nThere is some foreshortening with the left arm too, as it is in the foreground. For this reason, the arm may appear shorter than it should compared to the torso.\r\n

Foreshortening the Legs

\r\nThe runner\'s right leg is extended. Since the upper thigh is farther back, it should seem slightly shorter than usual compared to the lower leg. Draw the sole of the shoe to indicate the runner\'s foot getting ready to meet the pavement again.\r\n\r\nThe left knee in the background is drawn much lower than the raised right knee in the front. The left lower leg should be barely visible since it is pointing to the area behind the runner. As for the running man\'s left foot, this time we will see the top of the shoe.\r\n

Draw the Head

\r\nDraw in some details for the man\'s face, head, and neck. Since he is running, you might want to draw loose hair with strands scattered in different directions, tired-looking eyes and eyebrows, and an open mouth that is catching a breath of air.\r\n\r\n\"how\r\n

Draw the Torso

\r\nNext it is time to draw the man\'s shirt. Keep in mind how the man\'s torso twists and turns as his arms move. This will help you to place the folds of the shirt\'s fabric. For example, since the right shoulder is twisting back and pulling the shirt from below, there are folds flowing up from the man\'s bottom left toward the upper right. Plan to draw spiral folds and other basic fold types for a realistic rendering of the shirt.\r\n\r\n\"how\r\n

Draw the Arms and Hands

\r\nFinish drawing the sleeves of the shirt. Then move on to drawing the arms, adding a little muscle definition. Next, sketch in the fingers and complete the hands. People do all kinds of things with their hands while running. Sometimes they keep the hands loose while other times the hands are clenched fists. Draw them in a way that is easy for you. The man running in this picture also has a watch to time himself.\r\n\r\n\"how\r\n

Draw the Legs and Shoes

\r\nComplete the man\'s running shorts, with fabric folds coming from the inner legs moving back and forth. Add some definition to the thighs and right knee. Also draw in some lines to detail a lean shin. Afterward, draw in some details to indicate the sole of the right shoe and the top of the man\'s left shoe.\r\n\r\n\"how\r\n

Finishing Touches

\r\n\"howIf you haven\'t been doing so up to this point, it is a good idea to take a step back and look at your drawing. Mostly look at the proportions and foreshortening that might have looked distorted after your initial basic outline. Sometimes, a drawing that has foreshortening will look less distorted after more details are added.\r\n\r\nErase any unwanted guidelines in the face or other parts of the figure. Add in as much shading and extra details as you want. A simple yet cool effect to enhance the appearance of running is to place a little shadow under the foot, showing it is off the ground.\r\n\r\nAnd that is how to draw a man running! Besides the foreshortening of the arms and legs, you can see that it is not much different from drawing a man who is standing. The next time you want to draw a man running, I hope you take the tips from this tutorial and \"run\" with them!','How to Draw a Man Running','','inherit','open','open','','1687-revision-v1','','','2015-03-10 19:44:24','2015-03-11 02:44:24','',1687,'http://www.letsdrawpeople.com/1687-revision-v1/',0,'revision','',0),(1699,2,'2015-03-10 19:49:33','2015-03-11 02:49:33','','how to draw a man running steps','','inherit','open','open','','how-to-draw-a-man-running-steps','','','2015-03-10 19:49:33','2015-03-11 02:49:33','',1687,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-man-running-steps.jpg',0,'attachment','image/jpeg',0),(1702,2,'2015-03-18 21:52:01','2015-03-19 04:52:01','','promoting and selling your art copy','','inherit','open','open','','promoting-and-selling-your-art-copy','','','2015-03-18 21:52:01','2015-03-19 04:52:01','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/promoting-and-selling-your-art-copy.jpg',0,'attachment','image/jpeg',0),(1703,2,'2015-03-25 02:47:33','2015-03-25 09:47:33','If you are trying to improve your ability to draw faces, what better face to draw than that of a celebrity?\r\n\r\nIt is helpful to try drawing celebrities from time to time. Drawing well-known faces will help you to fine-tune your observational skills and catch those subtle characteristics that collectively build the likeness of a face everyone will recognize.\r\n\r\nIn this tutorial, we will enlist the help of well-known movie actress and Scandal star Kerry Washington. We will learn how to draw a face by using her very recognizable face as a reference.\r\n\r\n[caption id=\"attachment_1704\" align=\"aligncenter\" width=\"533\"]\"kerry © Sbukley | Dreamstime.com[/caption]\r\n

Sketch the Basic Guidelines

\r\nThe first step is to make a lightly-drawn outline of the head. Keep it almost oval-shaped, more like an upside-down egg. As we look carefully at the reference photo, we notice that Kerry doesn\'t have a very wide head, so the oval should look more long than wide.\r\n\r\nDraw a vertical guideline almost down the center, since there is a barely noticeable tilt to Kerry\'s right side. Next draw a horizontal line midway between the top and bottom of the oval, as seen below. This will serve as placement for Kerry\'s eyes.\r\n

[table id=kwhead1-2 /]

\r\n

You will need to draw three more horizontal guidelines. The one near the top will be the hairline. The second should be roughly halfway between the eye guideline and the chin. This will be for the nose. The last should be about a third of the way down from the nose line for, you guessed it, the mouth.

\r\n

Carefully place four vertical dashes that will mark the inside and outside corners of the eyes. The width between the two eyes needs to be one eye length. Roughly from the midpoint of each eye, draw a vertical line to note where the corners of Kerry\'s mouth will be.

\r\n

[table id=kwhead3-4 /]

\r\n

Next, sketch an outline of Kerry\'s neck and shoulders. You can also sketch the general shape of Kerry\'s hair at this point. Sometimes I wait to do this after drawing in the facial features, but this time I decided to do it sooner. Use the reference photo to form yours roughly the same.

\r\n

[table id=kwhead5-6 /]

\r\n

The basic guidelines above are foundational when learning how to draw a face. If you need additional info on basic facial proportions and guidelines, or some extra help with drawing the facial features below, you can read my previous post on simple tips for drawing faces.

\r\n\r\n

Draw the Eyes

\r\nFor Kerry\'s eyes, begin with the outline of each eye between your previously-made guidelines. Make them slightly almond-shaped while making the inner-corner tear duct areas as natural-looking as possible. Next sketch in circles for the irises, pupils, and highlights. I sketch each iris first for proper placement, and then I go over each one with a circle template to make it perfectly round.\r\n

 [table id=kweyes1-2 /]

\r\nThen you will want to sketch in the eyelids, including the lower rim of the lower eyelids. There is also a visible line of makeup above each upper eyelid. Finally, sketch in the eyebrows. If you plan to add any shading to your drawing around the eyes, I recommend holding off on the eyelashes.\r\n

 [table id=kweyes3-4 /]

\r\n\r\n

Draw the Nose

\r\nDrawing the nose should not be too complicated. For the nose, first sketch a bridge and the ball of the nose. Then, around that framework, add details to the lower part of the nose to form the cartilage around the nostrils. There is a small highlight on the tip of the nose. Also notice that, even though we didn\'t draw guidelines for it, the inner corner of each eye is pretty much in alignment with the outer edge of the lower nose.\r\n

 [table id=kwnose /]

\r\n\r\n

Draw the Mouth

\r\nLook closely at the reference photo to try and capture the likeness of Kerry\'s mouth. Begin with the upper lip. Keep the corners of the mouth within the guidelines drawn earlier (each corner directly below the center of each eye). Next, draw the lower lip. In our reference photograph above and most others that you see of Kerry Washington, there is a slight opening of the center of her mouth even when her lips are closed. Be sure to capture this identifiable characteristic, as well as some sketched lines around the corners of her mouth that give a soft expression.\r\n

 [table id=kwmouth /]

\r\n\r\n

Define the Face

\r\nFinish forming the face by drawing Kerry\'s well-defined (but nicely formed) cheekbones and jawline. This will help with developing a recognizable likeness. Notice that I didn\'t trace perfectly along that oval guideline drawn at the beginning? Rather than stay faithful to your guidelines, treat them as the \"guide\"lines they are by being flexible. Stay faithful instead to your reference photograph.\r\n\r\n\"how\r\n

Below the Head

\r\nAgain, use the reference photo as a guide to sketch in details below the head, including on the neck and clothes. For the neck, indicate the collar bones and other identifiable features surrounding it. There is a prominent shadow under Kerry\'s chin in this image, so I drew the outline for it to shade later. Luckily for the clothes, they won\'t add or detract from the likeness of our subject if you veer away from the photograph. Still, it\'s good practice to draw a close representation of even the clothes.\r\n

 [table id=kwbelowhead /]

\r\n\r\n

Draw the Hair

\r\nBegin by sketching in where large sections of hair are grouped together. This will help you to develop the body and volume of the hair. Then begin on one side and draw strands of hair as they naturally flow from one location to another. Notice that there are areas of highlights even in the hair. You can leave some of these areas lighter with less visible strands while darkening other areas.\r\n

 [table id=kwhair1-2 /]

\r\nKeep repeating the process, working one section at a time until the initial sketch of the hair is essentially complete.\r\n

 [table id=kwhair3-4 /]

\r\n\r\n

Finishing Details

\r\nAt this stage of the process, you should erase your visible guidelines. Use caution to not erase important parts of your drawing.\r\n\r\n\"how\r\n\r\nYou can choose to stop here if you wish, or keep going by adding additional details and/or shading. I chose to add a few extra details, including some extra volume to the hair.\r\n

[table id=kwfinish1-2 /]

\r\nI also drew in the eyelashes (don\'t forget those!) and added a little bit of light shading.\r\n\r\n\"how\r\n\r\nOf course, the more details and shading (and hours) you put into your drawing, the closer of a likeness you will achieve. Keep working on it until you are satisfied. Not only have you seen how to draw a face, but you have a completed drawing of Kerry Washington!','How to Draw Kerry Washington\'s Face','','publish','open','open','','how-to-draw-kerry-washingtons-face','','','2015-03-23 21:48:06','2015-03-24 04:48:06','',0,'http://www.letsdrawpeople.com/?p=1703',0,'post','',3),(1704,2,'2015-03-22 10:25:04','2015-03-22 17:25:04','','kerry washington reference photo','','inherit','open','open','','1704','','','2015-03-22 10:27:41','2015-03-22 17:27:41','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/kerry-washington-reference-photo.jpg',0,'attachment','image/jpeg',0),(1705,2,'2015-03-22 10:25:06','2015-03-22 17:25:06','','how to draw a face kerry washington final all shading','','inherit','open','open','','how-to-draw-a-face-kerry-washington-final-all-shading','','','2015-03-22 10:25:06','2015-03-22 17:25:06','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-final-all-shading.jpg',0,'attachment','image/jpeg',0),(1706,2,'2015-03-22 10:25:07','2015-03-22 17:25:07','','how to draw a face kerry washington final face shading','','inherit','open','open','','how-to-draw-a-face-kerry-washington-final-face-shading','','','2015-03-22 10:25:07','2015-03-22 17:25:07','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-final-face-shading.jpg',0,'attachment','image/jpeg',0),(1707,2,'2015-03-22 10:25:09','2015-03-22 17:25:09','','how to draw a face kerry washington final erase guidelines','','inherit','open','open','','how-to-draw-a-face-kerry-washington-final-erase-guidelines','','','2015-03-22 10:25:09','2015-03-22 17:25:09','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-final-erase-guidelines.jpg',0,'attachment','image/jpeg',0),(1708,2,'2015-03-22 10:25:11','2015-03-22 17:25:11','','how to draw a face kerry washington hair all fill','','inherit','open','open','','how-to-draw-a-face-kerry-washington-hair-all-fill','','','2015-03-22 10:25:11','2015-03-22 17:25:11','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-hair-all-fill.jpg',0,'attachment','image/jpeg',0),(1709,2,'2015-03-22 10:25:12','2015-03-22 17:25:12','','how to draw a face kerry washington hair corner fill','','inherit','open','open','','how-to-draw-a-face-kerry-washington-hair-corner-fill','','','2015-03-22 10:25:12','2015-03-22 17:25:12','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-hair-corner-fill.jpg',0,'attachment','image/jpeg',0),(1780,2,'2015-03-23 21:40:12','2015-03-24 04:40:12','','how to draw a face kerry washington hair side fill','','inherit','open','open','','how-to-draw-a-face-kerry-washington-hair-side-fill','','','2015-03-23 21:40:12','2015-03-24 04:40:12','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-hair-side-fill.jpg',0,'attachment','image/jpeg',0),(1711,2,'2015-03-22 10:25:17','2015-03-22 17:25:17','','how to draw a face kerry washington hair sections','','inherit','open','open','','how-to-draw-a-face-kerry-washington-hair-sections','','','2015-03-22 10:25:17','2015-03-22 17:25:17','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-hair-sections.jpg',0,'attachment','image/jpeg',0),(1712,2,'2015-03-22 10:25:19','2015-03-22 17:25:19','','how to draw a face kerry washington below head clothes','','inherit','open','open','','how-to-draw-a-face-kerry-washington-below-head-clothes','','','2015-03-22 10:25:19','2015-03-22 17:25:19','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-below-head-clothes.jpg',0,'attachment','image/jpeg',0),(1713,2,'2015-03-22 10:25:21','2015-03-22 17:25:21','','how to draw a face kerry washington below head neck','','inherit','open','open','','how-to-draw-a-face-kerry-washington-below-head-neck','','','2015-03-22 10:25:21','2015-03-22 17:25:21','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-below-head-neck.jpg',0,'attachment','image/jpeg',0),(1714,2,'2015-03-22 10:25:23','2015-03-22 17:25:23','','how to draw a face kerry washington cheekbones and jawline','','inherit','open','open','','how-to-draw-a-face-kerry-washington-cheekbones-and-jawline','','','2015-03-22 10:25:23','2015-03-22 17:25:23','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-cheekbones-and-jawline.jpg',0,'attachment','image/jpeg',0),(1715,2,'2015-03-22 10:25:25','2015-03-22 17:25:25','','how to draw a face kerry washington mouth corners','','inherit','open','open','','how-to-draw-a-face-kerry-washington-mouth-corners','','','2015-03-22 10:25:25','2015-03-22 17:25:25','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-mouth-corners.jpg',0,'attachment','image/jpeg',0),(1716,2,'2015-03-22 10:25:26','2015-03-22 17:25:26','','how to draw a face kerry washington mouth lower','','inherit','open','open','','how-to-draw-a-face-kerry-washington-mouth-lower','','','2015-03-22 10:25:26','2015-03-22 17:25:26','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-mouth-lower.jpg',0,'attachment','image/jpeg',0),(1717,2,'2015-03-22 10:25:28','2015-03-22 17:25:28','','how to draw a face kerry washington mouth upper','','inherit','open','open','','how-to-draw-a-face-kerry-washington-mouth-upper','','','2015-03-22 10:25:28','2015-03-22 17:25:28','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-mouth-upper.jpg',0,'attachment','image/jpeg',0),(1718,2,'2015-03-22 10:25:29','2015-03-22 17:25:29','','how to draw a face kerry washington nose nostrils','','inherit','open','open','','how-to-draw-a-face-kerry-washington-nose-nostrils','','','2015-03-22 10:25:29','2015-03-22 17:25:29','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-nose-nostrils.jpg',0,'attachment','image/jpeg',0),(1719,2,'2015-03-22 10:25:30','2015-03-22 17:25:30','','how to draw a face kerry washington nose bridge and ball','','inherit','open','open','','how-to-draw-a-face-kerry-washington-nose-bridge-and-ball','','','2015-03-22 10:25:30','2015-03-22 17:25:30','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-nose-bridge-and-ball.jpg',0,'attachment','image/jpeg',0),(1720,2,'2015-03-22 10:25:32','2015-03-22 17:25:32','','how to draw a face kerry washington eyes eyebrows','','inherit','open','open','','how-to-draw-a-face-kerry-washington-eyes-eyebrows','','','2015-03-22 10:25:32','2015-03-22 17:25:32','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-eyes-eyebrows.jpg',0,'attachment','image/jpeg',0),(1721,2,'2015-03-22 10:25:33','2015-03-22 17:25:33','','how to draw a face kerry washington','\"Kerry Washington\" by Jack Pearce','inherit','open','open','','how-to-draw-a-face-kerry-washington','','','2015-03-29 00:58:40','2015-03-29 07:58:40','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington.jpg',0,'attachment','image/jpeg',0),(1722,2,'2015-03-22 10:25:35','2015-03-22 17:25:35','','how to draw a face kerry washington eyes eyelids','','inherit','open','open','','how-to-draw-a-face-kerry-washington-eyes-eyelids','','','2015-03-22 10:25:35','2015-03-22 17:25:35','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-eyes-eyelids.jpg',0,'attachment','image/jpeg',0),(1723,2,'2015-03-22 10:25:36','2015-03-22 17:25:36','','how to draw a face kerry washington eyes irises pupils highlights','','inherit','open','open','','how-to-draw-a-face-kerry-washington-eyes-irises-pupils-highlights','','','2015-03-22 10:25:36','2015-03-22 17:25:36','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-eyes-irises-pupils-highlights.jpg',0,'attachment','image/jpeg',0),(1724,2,'2015-03-22 10:25:37','2015-03-22 17:25:37','','how to draw a face kerry washington eyes outline and ducts','','inherit','open','open','','how-to-draw-a-face-kerry-washington-eyes-outline-and-ducts','','','2015-03-22 10:25:37','2015-03-22 17:25:37','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-eyes-outline-and-ducts.jpg',0,'attachment','image/jpeg',0),(1725,2,'2015-03-22 10:25:39','2015-03-22 17:25:39','','how to draw a face kerry washington head hair outline','','inherit','open','open','','how-to-draw-a-face-kerry-washington-head-hair-outline','','','2015-03-22 10:25:39','2015-03-22 17:25:39','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-head-hair-outline.jpg',0,'attachment','image/jpeg',0),(1726,2,'2015-03-22 10:25:40','2015-03-22 17:25:40','','how to draw a face kerry washington head neck and shoulders','','inherit','open','open','','how-to-draw-a-face-kerry-washington-head-neck-and-shoulders','','','2015-03-22 10:25:40','2015-03-22 17:25:40','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-head-neck-and-shoulders.jpg',0,'attachment','image/jpeg',0),(1727,2,'2015-03-22 10:25:42','2015-03-22 17:25:42','','how to draw a face kerry washington head eyes mouth corners guidelines','','inherit','open','open','','how-to-draw-a-face-kerry-washington-head-eyes-mouth-corners-guidelines','','','2015-03-22 10:25:42','2015-03-22 17:25:42','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-head-eyes-mouth-corners-guidelines.jpg',0,'attachment','image/jpeg',0),(1728,2,'2015-03-22 10:25:43','2015-03-22 17:25:43','','how to draw a face kerry washington head hairline nose mouth guidelines','','inherit','open','open','','how-to-draw-a-face-kerry-washington-head-hairline-nose-mouth-guidelines','','','2015-03-22 10:25:43','2015-03-22 17:25:43','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-head-hairline-nose-mouth-guidelines.jpg',0,'attachment','image/jpeg',0),(1729,2,'2015-03-22 10:25:45','2015-03-22 17:25:45','','how to draw a face kerry washington head vertical and eyeline','','inherit','open','open','','how-to-draw-a-face-kerry-washington-head-vertical-and-eyeline','','','2015-03-22 10:25:45','2015-03-22 17:25:45','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-head-vertical-and-eyeline.jpg',0,'attachment','image/jpeg',0),(1730,2,'2015-03-22 10:25:46','2015-03-22 17:25:46','','how to draw a face kerry washington head outline','','inherit','open','open','','how-to-draw-a-face-kerry-washington-head-outline','','','2015-03-22 10:25:46','2015-03-22 17:25:46','',1703,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/how-to-draw-a-face-kerry-washington-head-outline.jpg',0,'attachment','image/jpeg',0),(1731,2,'2015-03-22 10:36:25','2015-03-22 17:36:25','In this tutorial, we will enlist the help of well-known movie actress and Scandal star Kerry Washington. We will learn how to draw a face by using her recognizable face as a reference.\r\n\r\n\"kerry\r\n\r\nDraw the head.\r\n\r\npics\r\n\r\nDraw the eyes.\r\n\r\npics\r\n\r\nnose\r\n\r\npics\r\n\r\nmouth\r\n\r\npics\r\n\r\nface outline\r\n\r\npics\r\n\r\nbelow the head\r\n\r\npics\r\n\r\nhair\r\n\r\npics\r\n\r\nfinish\r\n\r\npics\r\n\r\nclosing','How to Draw Kerry Washington\'s Face','','inherit','open','open','','1703-revision-v1','','','2015-03-22 10:36:25','2015-03-22 17:36:25','',1703,'http://www.letsdrawpeople.com/1703-revision-v1/',0,'revision','',0),(1732,2,'2015-03-22 10:39:15','2015-03-22 17:39:15','[[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\"]]','kerry washington head 1-2','','publish','closed','closed','','kerry-washington-head','','','2015-03-23 21:19:49','2015-03-24 04:19:49','',0,'http://www.letsdrawpeople.com/?post_type=tablepress_table&p=1732',0,'tablepress_table','application/json',0),(1733,2,'2015-03-22 10:40:22','2015-03-22 17:40:22','[[\"\\\"how<\\/a>\",\"\",\"\"],[\"\",\"\",\"\"]]','kerry washington head','','inherit','open','open','','1732-revision-v1','','','2015-03-22 10:40:22','2015-03-22 17:40:22','',1732,'http://www.letsdrawpeople.com/1732-revision-v1/',0,'revision','',0),(1739,2,'2015-03-22 11:14:46','2015-03-22 18:14:46','[[\"\\\"how<\\/a>\",\"\\\"how<\\/a>\"]]','kerry washington head 1-2','','inherit','open','open','','1732-revision-v1','','','2015-03-22 11:14:46','2015-03-22 18:14:46','',1732,'http://www.letsdrawpeople.com/1732-revision-v1/',0,'revision','',0),(1740,2,'2015-03-22 11:15:16','2015-03-22 18:15:16','[[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\"]]','kerry washington head 3-4','','publish','closed','closed','','kerry-washington-head-3-4','','','2015-03-23 21:21:57','2015-03-24 04:21:57','',0,'http://www.letsdrawpeople.com/?post_type=tablepress_table&p=1740',0,'tablepress_table','application/json',0),(1734,2,'2015-03-22 10:43:01','2015-03-22 17:43:01','[[\"\\\"how<\\/a>\",\"\\\"how<\\/a>\",\"\\\"how<\\/a>\"],[\"\\\"how<\\/a>\",\"\\\"how<\\/a>\",\"\\\"how<\\/a>\"]]','kerry washington head','','inherit','open','open','','1732-revision-v1','','','2015-03-22 10:43:01','2015-03-22 17:43:01','',1732,'http://www.letsdrawpeople.com/1732-revision-v1/',0,'revision','',0),(1738,2,'2015-03-22 10:55:40','2015-03-22 17:55:40','[[\"\\\"how<\\/a>\",\"\\\"how<\\/a>\"],[\"\\\"how<\\/a>\",\"\\\"how<\\/a>\"],[\"\\\"how<\\/a>\",\"\\\"how<\\/a>\"]]','kerry washington head','','inherit','open','open','','1732-revision-v1','','','2015-03-22 10:55:40','2015-03-22 17:55:40','',1732,'http://www.letsdrawpeople.com/1732-revision-v1/',0,'revision','',0),(1735,2,'2015-03-22 10:44:25','2015-03-22 17:44:25','In this tutorial, we will enlist the help of well-known movie actress and Scandal star Kerry Washington. We will learn how to draw a face by using her recognizable face as a reference.\r\n\r\n\"kerry\r\n\r\nDraw the head.\r\n

[table id=3 /]

\r\nDraw the eyes.\r\n\r\npics\r\n\r\nnose\r\n\r\npics\r\n\r\nmouth\r\n\r\npics\r\n\r\nface outline\r\n\r\npics\r\n\r\nbelow the head\r\n\r\npics\r\n\r\nhair\r\n\r\npics\r\n\r\nfinish\r\n\r\npics\r\n\r\nclosing','How to Draw Kerry Washington\'s Face','','inherit','open','open','','1703-revision-v1','','','2015-03-22 10:44:25','2015-03-22 17:44:25','',1703,'http://www.letsdrawpeople.com/1703-revision-v1/',0,'revision','',0),(1736,2,'2015-03-22 10:47:32','2015-03-22 17:47:32','[[\"\\\"how<\\/a>\",\"\\\"how<\\/a>\"],[\"\\\"how<\\/a>\",\"\\\"how<\\/a>\"],[\"\\\"how<\\/a>\",\"\\\"how<\\/a>\"]]','kerry washington head','','inherit','open','open','','1732-revision-v1','','','2015-03-22 10:47:32','2015-03-22 17:47:32','',1732,'http://www.letsdrawpeople.com/1732-revision-v1/',0,'revision','',0),(1737,2,'2015-03-22 10:48:12','2015-03-22 17:48:12','In this tutorial, we will enlist the help of well-known movie actress and Scandal star Kerry Washington. We will learn how to draw a face by using her recognizable face as a reference.\r\n\r\n\"kerry\r\n\r\nDraw the head.\r\n

[table id=3 /]

\r\nDraw the eyes.\r\n\r\npics\r\n\r\nnose\r\n\r\npics\r\n\r\nmouth\r\n\r\npics\r\n\r\nface outline\r\n\r\npics\r\n\r\nbelow the head\r\n\r\npics\r\n\r\nhair\r\n\r\npics\r\n\r\nfinish\r\n\r\npics\r\n\r\nclosing','How to Draw Kerry Washington\'s Face','','inherit','open','open','','1703-revision-v1','','','2015-03-22 10:48:12','2015-03-22 17:48:12','',1703,'http://www.letsdrawpeople.com/1703-revision-v1/',0,'revision','',0),(1741,2,'2015-03-22 11:17:11','2015-03-22 18:17:11','[[\"\\\"how<\\/a>\",\"\\\"how<\\/a>\"]]','kerry washington head 3-4','','inherit','open','open','','1740-revision-v1','','','2015-03-22 11:17:11','2015-03-22 18:17:11','',1740,'http://www.letsdrawpeople.com/1740-revision-v1/',0,'revision','',0),(1742,2,'2015-03-22 11:19:54','2015-03-22 18:19:54','[[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\"]]','kerry washington head 5-6','','publish','closed','closed','','kerry-washington-head-5-6','','','2015-03-23 21:23:56','2015-03-24 04:23:56','',0,'http://www.letsdrawpeople.com/?post_type=tablepress_table&p=1742',0,'tablepress_table','application/json',0),(1743,2,'2015-03-22 11:20:48','2015-03-22 18:20:48','[[\"\\\"how<\\/a>\",\"\\\"how<\\/a>\"]]','kerry washington head 5-6','','inherit','open','open','','1742-revision-v1','','','2015-03-22 11:20:48','2015-03-22 18:20:48','',1742,'http://www.letsdrawpeople.com/1742-revision-v1/',0,'revision','',0),(1744,2,'2015-03-22 11:30:14','2015-03-22 18:30:14','In this tutorial, we will enlist the help of well-known movie actress and Scandal star Kerry Washington. We will learn how to draw a face by using her recognizable face as a reference.\r\n\r\n\"kerry\r\n\r\nDraw the head.\r\n\r\nMake the outline. vertical and eyeline\r\n

[table id=kwhead1-2 /]

\r\n

Draw the guidelines for the hairline, nose, and mouth. Then eyes.

\r\n

[table id=kwhead3-4 /]

\r\n

neck shoulders and hair outline

\r\n

[table id=kwhead5-6 /]

\r\nDraw the eyes.\r\n\r\npics\r\n\r\nnose\r\n\r\npics\r\n\r\nmouth\r\n\r\npics\r\n\r\nface outline\r\n\r\npics\r\n\r\nbelow the head\r\n\r\npics\r\n\r\nhair\r\n\r\npics\r\n\r\nfinish\r\n\r\npics\r\n\r\nclosing','How to Draw Kerry Washington\'s Face','','inherit','open','open','','1703-revision-v1','','','2015-03-22 11:30:14','2015-03-22 18:30:14','',1703,'http://www.letsdrawpeople.com/1703-revision-v1/',0,'revision','',0),(1745,2,'2015-03-23 18:41:23','2015-03-24 01:41:23','If you are trying to improve your ability to draw faces, what better face to draw than that of a celebrity?\r\n\r\nIt is helpful to try drawing celebrities from time to time. Drawing well-known faces will help you to fine-tune your observational skills and catch those subtle characteristics that collectively build the likeness of a face everyone will recognize.\r\n\r\nIn this tutorial, we will enlist the help of well-known movie actress and Scandal star Kerry Washington. We will learn how to draw a face by using her very recognizable face as a reference.\r\n\r\n[caption id=\"attachment_1704\" align=\"aligncenter\" width=\"533\"]\"kerry © Sbukley | Dreamstime.com[/caption]\r\n\r\n \r\n

Sketch the Basic Guidelines

\r\nThe first step is to make a lightly-drawn outline of the head. Keep it almost oval-shaped, more like an upside-down egg. As we look carefully at the reference photo, we notice that Kerry doesn\'t have a very wide head, so the oval should look more long than wide.\r\n\r\nDraw a vertical guideline almost down the center, since there is a barely noticeable tilt to Kerry\'s right side. Next draw a horizontal line midway between the top and bottom of the oval, as seen below. This will serve as placement for Kerry\'s eyes.\r\n

[table id=kwhead1-2 /]

\r\n

You will need to draw three more horizontal guidelines. The one near the top will be the hairline. The second should be roughly halfway between the eye guideline and the chin. This will be for the nose. The last should be about a third of the way down from the nose line for, you guessed it, the mouth.

\r\n

Carefully place four vertical dashes that will mark the inside and outside corners of the eyes. The width between the two eyes needs to be one eye length. Roughly from the midpoint of each eye, draw a vertical line to note where the corners of Kerry\'s mouth will be.

\r\n

[table id=kwhead3-4 /]

\r\n

neck shoulders and hair outline

\r\n

[table id=kwhead5-6 /]

\r\nDraw the eyes.\r\n\r\npics\r\n\r\nnose\r\n\r\npics\r\n\r\nmouth\r\n\r\npics\r\n\r\nface outline\r\n\r\npics\r\n\r\nbelow the head\r\n\r\npics\r\n\r\nhair\r\n\r\npics\r\n\r\nfinish\r\n\r\npics\r\n\r\nclosing','How to Draw Kerry Washington\'s Face','','inherit','open','open','','1703-revision-v1','','','2015-03-23 18:41:23','2015-03-24 01:41:23','',1703,'http://www.letsdrawpeople.com/1703-revision-v1/',0,'revision','',0),(1746,2,'2015-03-23 18:47:09','2015-03-24 01:47:09','If you are trying to improve your ability to draw faces, what better face to draw than that of a celebrity?\r\n\r\nIt is helpful to try drawing celebrities from time to time. Drawing well-known faces will help you to fine-tune your observational skills and catch those subtle characteristics that collectively build the likeness of a face everyone will recognize.\r\n\r\nIn this tutorial, we will enlist the help of well-known movie actress and Scandal star Kerry Washington. We will learn how to draw a face by using her very recognizable face as a reference.\r\n\r\n[caption id=\"attachment_1704\" align=\"aligncenter\" width=\"533\"]\"kerry © Sbukley | Dreamstime.com[/caption]\r\n\r\n \r\n

Sketch the Basic Guidelines

\r\nThe first step is to make a lightly-drawn outline of the head. Keep it almost oval-shaped, more like an upside-down egg. As we look carefully at the reference photo, we notice that Kerry doesn\'t have a very wide head, so the oval should look more long than wide.\r\n\r\nDraw a vertical guideline almost down the center, since there is a barely noticeable tilt to Kerry\'s right side. Next draw a horizontal line midway between the top and bottom of the oval, as seen below. This will serve as placement for Kerry\'s eyes.\r\n

[table id=kwhead1-2 /]

\r\n

You will need to draw three more horizontal guidelines. The one near the top will be the hairline. The second should be roughly halfway between the eye guideline and the chin. This will be for the nose. The last should be about a third of the way down from the nose line for, you guessed it, the mouth.

\r\n

Carefully place four vertical dashes that will mark the inside and outside corners of the eyes. The width between the two eyes needs to be one eye length. Roughly from the midpoint of each eye, draw a vertical line to note where the corners of Kerry\'s mouth will be.

\r\n

[table id=kwhead3-4 /]

\r\n

Next, sketch an outline of Kerry\'s neck and shoulders. You can also sketch the general shape of Kerry\'s hair at this point. Sometimes I wait to do this after drawing in the facial features, but this time I decided to do it sooner. Use the reference photo to form yours roughly the same.

\r\n

[table id=kwhead5-6 /]

\r\n\r\n

Draw the Eyes

\r\npics\r\n\r\nnose\r\n\r\npics\r\n\r\nmouth\r\n\r\npics\r\n\r\nface outline\r\n\r\npics\r\n\r\nbelow the head\r\n\r\npics\r\n\r\nhair\r\n\r\npics\r\n\r\nfinish\r\n\r\npics\r\n\r\nclosing','How to Draw Kerry Washington\'s Face','','inherit','open','open','','1703-revision-v1','','','2015-03-23 18:47:09','2015-03-24 01:47:09','',1703,'http://www.letsdrawpeople.com/1703-revision-v1/',0,'revision','',0),(1747,2,'2015-03-23 19:42:08','2015-03-24 02:42:08','If you are trying to improve your ability to draw faces, what better face to draw than that of a celebrity?\r\n\r\nIt is helpful to try drawing celebrities from time to time. Drawing well-known faces will help you to fine-tune your observational skills and catch those subtle characteristics that collectively build the likeness of a face everyone will recognize.\r\n\r\nIn this tutorial, we will enlist the help of well-known movie actress and Scandal star Kerry Washington. We will learn how to draw a face by using her very recognizable face as a reference.\r\n\r\n[caption id=\"attachment_1704\" align=\"aligncenter\" width=\"533\"]\"kerry © Sbukley | Dreamstime.com[/caption]\r\n

Sketch the Basic Guidelines

\r\nThe first step is to make a lightly-drawn outline of the head. Keep it almost oval-shaped, more like an upside-down egg. As we look carefully at the reference photo, we notice that Kerry doesn\'t have a very wide head, so the oval should look more long than wide.\r\n\r\nDraw a vertical guideline almost down the center, since there is a barely noticeable tilt to Kerry\'s right side. Next draw a horizontal line midway between the top and bottom of the oval, as seen below. This will serve as placement for Kerry\'s eyes.\r\n

[table id=kwhead1-2 /]

\r\n

You will need to draw three more horizontal guidelines. The one near the top will be the hairline. The second should be roughly halfway between the eye guideline and the chin. This will be for the nose. The last should be about a third of the way down from the nose line for, you guessed it, the mouth.

\r\n

Carefully place four vertical dashes that will mark the inside and outside corners of the eyes. The width between the two eyes needs to be one eye length. Roughly from the midpoint of each eye, draw a vertical line to note where the corners of Kerry\'s mouth will be.

\r\n

[table id=kwhead3-4 /]

\r\n

Next, sketch an outline of Kerry\'s neck and shoulders. You can also sketch the general shape of Kerry\'s hair at this point. Sometimes I wait to do this after drawing in the facial features, but this time I decided to do it sooner. Use the reference photo to form yours roughly the same.

\r\n

[table id=kwhead5-6 /]

\r\n\r\n

Draw the Eyes

\r\nFor Kerry\'s eyes, begin with the outline of each eye between your previously-made guidelines. Make them slightly almond-shaped while making the inner-corner tear duct areas as natural-looking as possible. Next sketch in circles for the irises, pupils, and highlights. I sketch each iris first for proper placement, and then I go over each one with a circle template to make it perfectly round.\r\n\r\n \r\n\r\nThen you will want to sketch in the eyelids, including the lower rim of the lower eyelids. There is also a visible line of makeup above each upper eyelid. Finally, sketch in the eyebrows. If you plan to add any shading to your drawing around the eyes, I recommend holding off on the eyelashes.\r\n\r\n \r\n

Draw the Nose

\r\nFor the nose, first sketch a bridge and the ball of the nose. Then, around that framework, add details to the lower part of the nose to form the cartilage around the nostrils. There is a small highlight on the tip of the nose. Also notice that, even though we didn\'t draw guidelines for it, the inner corner of each eye is pretty much in alignment with the outer edge of the lower nose.\r\n\r\n \r\n

Draw the Mouth

\r\nLook closely at the reference photo to try and capture the likeness of Kerry\'s mouth. Begin with the upper lip. Keep the corners of the mouth within the guidelines drawn earlier (each corner directly below the center of each eye). Next, draw the lower lip. In our reference photograph above and most others that you see of Kerry Washington, there is a slight opening of the center of her mouth even when her lips are closed. Be sure to capture this identifiable characteristic, as well as some sketched lines around the corners of her mouth that give a soft expression.\r\n\r\n \r\n

Define the Face

\r\nFinish forming the face by drawing Kerry\'s well-defined (but nicely formed) cheekbones and jawline. This will help with developing a recognizable likeness. Notice that I didn\'t trace perfectly along that oval guideline drawn at the beginning? Rather than stay faithful to your guidelines, treat them as the \"guide\"lines they are by being flexible. Stay faithful instead to your reference photograph.\r\n\r\n\"how\r\n

Below the Head

\r\npics\r\n\r\nhair\r\n\r\npics\r\n\r\nfinish\r\n\r\npics\r\n\r\nclosing','How to Draw Kerry Washington\'s Face','','inherit','open','open','','1703-revision-v1','','','2015-03-23 19:42:08','2015-03-24 02:42:08','',1703,'http://www.letsdrawpeople.com/1703-revision-v1/',0,'revision','',0),(1748,2,'2015-03-23 20:13:12','2015-03-24 03:13:12','If you are trying to improve your ability to draw faces, what better face to draw than that of a celebrity?\r\n\r\nIt is helpful to try drawing celebrities from time to time. Drawing well-known faces will help you to fine-tune your observational skills and catch those subtle characteristics that collectively build the likeness of a face everyone will recognize.\r\n\r\nIn this tutorial, we will enlist the help of well-known movie actress and Scandal star Kerry Washington. We will learn how to draw a face by using her very recognizable face as a reference.\r\n\r\n[caption id=\"attachment_1704\" align=\"aligncenter\" width=\"533\"]\"kerry © Sbukley | Dreamstime.com[/caption]\r\n

Sketch the Basic Guidelines

\r\nThe first step is to make a lightly-drawn outline of the head. Keep it almost oval-shaped, more like an upside-down egg. As we look carefully at the reference photo, we notice that Kerry doesn\'t have a very wide head, so the oval should look more long than wide.\r\n\r\nDraw a vertical guideline almost down the center, since there is a barely noticeable tilt to Kerry\'s right side. Next draw a horizontal line midway between the top and bottom of the oval, as seen below. This will serve as placement for Kerry\'s eyes.\r\n

[table id=kwhead1-2 /]

\r\n

You will need to draw three more horizontal guidelines. The one near the top will be the hairline. The second should be roughly halfway between the eye guideline and the chin. This will be for the nose. The last should be about a third of the way down from the nose line for, you guessed it, the mouth.

\r\n

Carefully place four vertical dashes that will mark the inside and outside corners of the eyes. The width between the two eyes needs to be one eye length. Roughly from the midpoint of each eye, draw a vertical line to note where the corners of Kerry\'s mouth will be.

\r\n

[table id=kwhead3-4 /]

\r\n

Next, sketch an outline of Kerry\'s neck and shoulders. You can also sketch the general shape of Kerry\'s hair at this point. Sometimes I wait to do this after drawing in the facial features, but this time I decided to do it sooner. Use the reference photo to form yours roughly the same.

\r\n

[table id=kwhead5-6 /]

\r\n\r\n

Draw the Eyes

\r\nFor Kerry\'s eyes, begin with the outline of each eye between your previously-made guidelines. Make them slightly almond-shaped while making the inner-corner tear duct areas as natural-looking as possible. Next sketch in circles for the irises, pupils, and highlights. I sketch each iris first for proper placement, and then I go over each one with a circle template to make it perfectly round.\r\n\r\n \r\n\r\nThen you will want to sketch in the eyelids, including the lower rim of the lower eyelids. There is also a visible line of makeup above each upper eyelid. Finally, sketch in the eyebrows. If you plan to add any shading to your drawing around the eyes, I recommend holding off on the eyelashes.\r\n\r\n \r\n

Draw the Nose

\r\nFor the nose, first sketch a bridge and the ball of the nose. Then, around that framework, add details to the lower part of the nose to form the cartilage around the nostrils. There is a small highlight on the tip of the nose. Also notice that, even though we didn\'t draw guidelines for it, the inner corner of each eye is pretty much in alignment with the outer edge of the lower nose.\r\n\r\n \r\n

Draw the Mouth

\r\nLook closely at the reference photo to try and capture the likeness of Kerry\'s mouth. Begin with the upper lip. Keep the corners of the mouth within the guidelines drawn earlier (each corner directly below the center of each eye). Next, draw the lower lip. In our reference photograph above and most others that you see of Kerry Washington, there is a slight opening of the center of her mouth even when her lips are closed. Be sure to capture this identifiable characteristic, as well as some sketched lines around the corners of her mouth that give a soft expression.\r\n\r\n \r\n

Define the Face

\r\nFinish forming the face by drawing Kerry\'s well-defined (but nicely formed) cheekbones and jawline. This will help with developing a recognizable likeness. Notice that I didn\'t trace perfectly along that oval guideline drawn at the beginning? Rather than stay faithful to your guidelines, treat them as the \"guide\"lines they are by being flexible. Stay faithful instead to your reference photograph.\r\n\r\n\"how\r\n

Below the Head

\r\nAgain, use the reference photo as a guide to sketch in details below the head, including on the neck and clothes. For the neck, indicate the collar bones and other identifiable features surrounding it. There is a prominent shadow under Kerry\'s chin in this image, so I drew the outline for it to shade later. Luckily for the clothes, they won\'t add or detract from the likeness of our subject if you veer away from the photograph. Still, it\'s good practice to draw a close representation of even the clothes.\r\n\r\n \r\n

Draw the Hair

\r\nBegin by sketching in where large sections of hair are grouped together. This will help you to develop the body and volume of the hair. Then begin on one side and draw strands of hair as they naturally flow from one location to another. Notice that there are areas of highlights even in the hair. You can leave some of these areas lighter with less visible strands while darkening other areas.\r\n\r\n \r\n\r\nKeep repeating the process, working one section at a time until the initial sketch of the hair is essentially complete.\r\n\r\n \r\n

Finishing Details

\r\nAt this stage of the process, you should erase your visible guidelines. Use caution to not erase important parts of your drawing.\r\n\r\n\"how\r\n\r\nYou can choose to stop here if you wish, or keep going by adding additional details and/or shading. I chose to add a few extra details, including some extra volume to the hair.\r\n\r\n \r\n\r\n \r\n\r\nI also drew in the eyelashes (don\'t forget those!) and added a little bit of light shading.\r\n\r\n\"how\r\n\r\nOf course, the more details and shading (and hours) you put into your drawing, the closer of a likeness you will achieve. Keep working on it until you are satisfied and you will have a completed drawing of Kerry Washington!','How to Draw Kerry Washington\'s Face','','inherit','open','open','','1703-revision-v1','','','2015-03-23 20:13:12','2015-03-24 03:13:12','',1703,'http://www.letsdrawpeople.com/1703-revision-v1/',0,'revision','',0),(1749,2,'2015-03-23 20:35:40','2015-03-24 03:35:40','If you are trying to improve your ability to draw faces, what better face to draw than that of a celebrity?\r\n\r\nIt is helpful to try drawing celebrities from time to time. Drawing well-known faces will help you to fine-tune your observational skills and catch those subtle characteristics that collectively build the likeness of a face everyone will recognize.\r\n\r\nIn this tutorial, we will enlist the help of well-known movie actress and Scandal star Kerry Washington. We will learn how to draw a face by using her very recognizable face as a reference.\r\n\r\n[caption id=\"attachment_1704\" align=\"aligncenter\" width=\"533\"]\"kerry © Sbukley | Dreamstime.com[/caption]\r\n

Sketch the Basic Guidelines

\r\nThe first step is to make a lightly-drawn outline of the head. Keep it almost oval-shaped, more like an upside-down egg. As we look carefully at the reference photo, we notice that Kerry doesn\'t have a very wide head, so the oval should look more long than wide.\r\n\r\nDraw a vertical guideline almost down the center, since there is a barely noticeable tilt to Kerry\'s right side. Next draw a horizontal line midway between the top and bottom of the oval, as seen below. This will serve as placement for Kerry\'s eyes.\r\n

[table id=kwhead1-2 /]

\r\n

You will need to draw three more horizontal guidelines. The one near the top will be the hairline. The second should be roughly halfway between the eye guideline and the chin. This will be for the nose. The last should be about a third of the way down from the nose line for, you guessed it, the mouth.

\r\n

Carefully place four vertical dashes that will mark the inside and outside corners of the eyes. The width between the two eyes needs to be one eye length. Roughly from the midpoint of each eye, draw a vertical line to note where the corners of Kerry\'s mouth will be.

\r\n

[table id=kwhead3-4 /]

\r\n

Next, sketch an outline of Kerry\'s neck and shoulders. You can also sketch the general shape of Kerry\'s hair at this point. Sometimes I wait to do this after drawing in the facial features, but this time I decided to do it sooner. Use the reference photo to form yours roughly the same.

\r\n

[table id=kwhead5-6 /]

\r\n

The basic guidelines above are foundational when learning how to draw a face. If you need additional info on basic facial proportions and guidelines, or some extra help with drawing the facial features below, you can read my previous post on simple tips for drawing faces.

\r\n\r\n

Draw the Eyes

\r\nFor Kerry\'s eyes, begin with the outline of each eye between your previously-made guidelines. Make them slightly almond-shaped while making the inner-corner tear duct areas as natural-looking as possible. Next sketch in circles for the irises, pupils, and highlights. I sketch each iris first for proper placement, and then I go over each one with a circle template to make it perfectly round.\r\n\r\n \r\n\r\nThen you will want to sketch in the eyelids, including the lower rim of the lower eyelids. There is also a visible line of makeup above each upper eyelid. Finally, sketch in the eyebrows. If you plan to add any shading to your drawing around the eyes, I recommend holding off on the eyelashes.\r\n\r\n \r\n

Draw the Nose

\r\nDrawing the nose should not be too complicated. For the nose, first sketch a bridge and the ball of the nose. Then, around that framework, add details to the lower part of the nose to form the cartilage around the nostrils. There is a small highlight on the tip of the nose. Also notice that, even though we didn\'t draw guidelines for it, the inner corner of each eye is pretty much in alignment with the outer edge of the lower nose.\r\n\r\n \r\n

Draw the Mouth

\r\nLook closely at the reference photo to try and capture the likeness of Kerry\'s mouth. Begin with the upper lip. Keep the corners of the mouth within the guidelines drawn earlier (each corner directly below the center of each eye). Next, draw the lower lip. In our reference photograph above and most others that you see of Kerry Washington, there is a slight opening of the center of her mouth even when her lips are closed. Be sure to capture this identifiable characteristic, as well as some sketched lines around the corners of her mouth that give a soft expression.\r\n\r\n \r\n

Define the Face

\r\nFinish forming the face by drawing Kerry\'s well-defined (but nicely formed) cheekbones and jawline. This will help with developing a recognizable likeness. Notice that I didn\'t trace perfectly along that oval guideline drawn at the beginning? Rather than stay faithful to your guidelines, treat them as the \"guide\"lines they are by being flexible. Stay faithful instead to your reference photograph.\r\n\r\n\"how\r\n

Below the Head

\r\nAgain, use the reference photo as a guide to sketch in details below the head, including on the neck and clothes. For the neck, indicate the collar bones and other identifiable features surrounding it. There is a prominent shadow under Kerry\'s chin in this image, so I drew the outline for it to shade later. Luckily for the clothes, they won\'t add or detract from the likeness of our subject if you veer away from the photograph. Still, it\'s good practice to draw a close representation of even the clothes.\r\n\r\n \r\n

Draw the Hair

\r\nBegin by sketching in where large sections of hair are grouped together. This will help you to develop the body and volume of the hair. Then begin on one side and draw strands of hair as they naturally flow from one location to another. Notice that there are areas of highlights even in the hair. You can leave some of these areas lighter with less visible strands while darkening other areas.\r\n\r\n \r\n\r\nKeep repeating the process, working one section at a time until the initial sketch of the hair is essentially complete.\r\n\r\n \r\n

Finishing Details

\r\nAt this stage of the process, you should erase your visible guidelines. Use caution to not erase important parts of your drawing.\r\n\r\n\"how\r\n\r\nYou can choose to stop here if you wish, or keep going by adding additional details and/or shading. I chose to add a few extra details, including some extra volume to the hair.\r\n\r\n \r\n\r\n \r\n\r\nI also drew in the eyelashes (don\'t forget those!) and added a little bit of light shading.\r\n\r\n\"how\r\n\r\nOf course, the more details and shading (and hours) you put into your drawing, the closer of a likeness you will achieve. Keep working on it until you are satisfied. Not only have you seen how to draw a face, but you have a completed drawing of Kerry Washington!','How to Draw Kerry Washington\'s Face','','inherit','open','open','','1703-revision-v1','','','2015-03-23 20:35:40','2015-03-24 03:35:40','',1703,'http://www.letsdrawpeople.com/1703-revision-v1/',0,'revision','',0),(1750,2,'2015-03-23 20:41:23','2015-03-24 03:41:23','[[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\"]]','kerry washington nose','','publish','closed','closed','','kerry-washington-nose','','','2015-03-23 21:31:01','2015-03-24 04:31:01','',0,'http://www.letsdrawpeople.com/?post_type=tablepress_table&p=1750',0,'tablepress_table','application/json',0),(1751,2,'2015-03-23 20:42:39','2015-03-24 03:42:39','[[\"\\\"how<\\/a>\",\"\\\"how<\\/a>\"]]','kerry washington nose','','inherit','open','open','','1750-revision-v1','','','2015-03-23 20:42:39','2015-03-24 03:42:39','',1750,'http://www.letsdrawpeople.com/1750-revision-v1/',0,'revision','',0),(1752,2,'2015-03-23 20:43:42','2015-03-24 03:43:42','[[\"
\\\"how<\\/a><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\"]]','kerry washington eyes 1-2','','publish','closed','closed','','kerry-washington-eyes-1-2','','','2015-03-23 21:16:36','2015-03-24 04:16:36','',0,'http://www.letsdrawpeople.com/?post_type=tablepress_table&p=1752',0,'tablepress_table','application/json',0),(1753,2,'2015-03-23 20:44:49','2015-03-24 03:44:49','[[\"\\\"how<\\/a>\"],[\"\\\"how<\\/a>\"]]','kerry washington eyes 1-2','','inherit','open','open','','1752-revision-v1','','','2015-03-23 20:44:49','2015-03-24 03:44:49','',1752,'http://www.letsdrawpeople.com/1752-revision-v1/',0,'revision','',0),(1754,2,'2015-03-23 20:45:31','2015-03-24 03:45:31','[[\"
\\\"how<\\/a><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\"]]','kerry washington eyes 3-4','','publish','closed','closed','','kerry-washington-eyes-3-4','','','2015-03-23 21:25:40','2015-03-24 04:25:40','',0,'http://www.letsdrawpeople.com/?post_type=tablepress_table&p=1754',0,'tablepress_table','application/json',0),(1755,2,'2015-03-23 20:46:32','2015-03-24 03:46:32','[[\"\\\"how<\\/a>\"],[\"\\\"how<\\/a>\"]]','kerry washington eyes 3-4','','inherit','open','open','','1754-revision-v1','','','2015-03-23 20:46:32','2015-03-24 03:46:32','',1754,'http://www.letsdrawpeople.com/1754-revision-v1/',0,'revision','',0),(1756,2,'2015-03-23 20:47:38','2015-03-24 03:47:38','[[\"
\\\"how<\\/a><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\"]]','kerry washington mouth','','publish','closed','closed','','kerry-washington-mouth','','','2015-03-23 21:32:27','2015-03-24 04:32:27','',0,'http://www.letsdrawpeople.com/?post_type=tablepress_table&p=1756',0,'tablepress_table','application/json',0),(1757,2,'2015-03-23 20:48:45','2015-03-24 03:48:45','[[\"\\\"how<\\/a>\"],[\"\\\"how<\\/a>\"],[\"\\\"how<\\/a>\"]]','kerry washington mouth','','inherit','open','open','','1756-revision-v1','','','2015-03-23 20:48:45','2015-03-24 03:48:45','',1756,'http://www.letsdrawpeople.com/1756-revision-v1/',0,'revision','',0),(1758,2,'2015-03-23 20:49:44','2015-03-24 03:49:44','[[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\"]]','kerry washington below head','','publish','closed','closed','','kerry-washington-below-head','','','2015-03-23 21:36:31','2015-03-24 04:36:31','',0,'http://www.letsdrawpeople.com/?post_type=tablepress_table&p=1758',0,'tablepress_table','application/json',0),(1759,2,'2015-03-23 20:50:45','2015-03-24 03:50:45','[[\"\\\"how<\\/a>\",\"\\\"how<\\/a>\"]]','kerry washington below head','','inherit','open','open','','1758-revision-v1','','','2015-03-23 20:50:45','2015-03-24 03:50:45','',1758,'http://www.letsdrawpeople.com/1758-revision-v1/',0,'revision','',0),(1760,2,'2015-03-23 20:51:53','2015-03-24 03:51:53','[[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\"]]','kerry washington hair 1-2','','publish','closed','closed','','kerry-washington-hair-1-2','','','2015-03-23 21:41:01','2015-03-24 04:41:01','',0,'http://www.letsdrawpeople.com/?post_type=tablepress_table&p=1760',0,'tablepress_table','application/json',0),(1761,2,'2015-03-23 20:53:39','2015-03-24 03:53:39','[[\"\\\"how<\\/a>\",\"\\\"how<\\/a>\"]]','kerry washington hair 1-2','','inherit','open','open','','1760-revision-v1','','','2015-03-23 20:53:39','2015-03-24 03:53:39','',1760,'http://www.letsdrawpeople.com/1760-revision-v1/',0,'revision','',0),(1762,2,'2015-03-23 20:54:37','2015-03-24 03:54:37','[[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\"]]','kerry washington hair 3-4','','publish','closed','closed','','kerry-washington-hair-3-4','','','2015-03-23 21:41:54','2015-03-24 04:41:54','',0,'http://www.letsdrawpeople.com/?post_type=tablepress_table&p=1762',0,'tablepress_table','application/json',0),(1763,2,'2015-03-23 20:55:27','2015-03-24 03:55:27','[[\"\\\"how<\\/a>\",\"\\\"how<\\/a>\"]]','kerry washington hair 3-4','','inherit','open','open','','1762-revision-v1','','','2015-03-23 20:55:27','2015-03-24 03:55:27','',1762,'http://www.letsdrawpeople.com/1762-revision-v1/',0,'revision','',0),(1764,2,'2015-03-23 20:56:13','2015-03-24 03:56:13','[[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\"]]','kerry washington finish 1-2','','publish','closed','closed','','kerry-washington-finish-1-2','','','2015-03-23 21:43:19','2015-03-24 04:43:19','',0,'http://www.letsdrawpeople.com/?post_type=tablepress_table&p=1764',0,'tablepress_table','application/json',0),(1765,2,'2015-03-23 20:57:12','2015-03-24 03:57:12','[[\"\\\"how<\\/a>\",\"\\\"how<\\/a>\"]]','kerry washington finish 1-2','','inherit','open','open','','1764-revision-v1','','','2015-03-23 20:57:12','2015-03-24 03:57:12','',1764,'http://www.letsdrawpeople.com/1764-revision-v1/',0,'revision','',0),(1766,2,'2015-03-23 21:00:46','2015-03-24 04:00:46','If you are trying to improve your ability to draw faces, what better face to draw than that of a celebrity?\r\n\r\nIt is helpful to try drawing celebrities from time to time. Drawing well-known faces will help you to fine-tune your observational skills and catch those subtle characteristics that collectively build the likeness of a face everyone will recognize.\r\n\r\nIn this tutorial, we will enlist the help of well-known movie actress and Scandal star Kerry Washington. We will learn how to draw a face by using her very recognizable face as a reference.\r\n\r\n[caption id=\"attachment_1704\" align=\"aligncenter\" width=\"533\"]\"kerry © Sbukley | Dreamstime.com[/caption]\r\n

Sketch the Basic Guidelines

\r\nThe first step is to make a lightly-drawn outline of the head. Keep it almost oval-shaped, more like an upside-down egg. As we look carefully at the reference photo, we notice that Kerry doesn\'t have a very wide head, so the oval should look more long than wide.\r\n\r\nDraw a vertical guideline almost down the center, since there is a barely noticeable tilt to Kerry\'s right side. Next draw a horizontal line midway between the top and bottom of the oval, as seen below. This will serve as placement for Kerry\'s eyes.\r\n

[table id=kwhead1-2 /]

\r\n

You will need to draw three more horizontal guidelines. The one near the top will be the hairline. The second should be roughly halfway between the eye guideline and the chin. This will be for the nose. The last should be about a third of the way down from the nose line for, you guessed it, the mouth.

\r\n

Carefully place four vertical dashes that will mark the inside and outside corners of the eyes. The width between the two eyes needs to be one eye length. Roughly from the midpoint of each eye, draw a vertical line to note where the corners of Kerry\'s mouth will be.

\r\n

[table id=kwhead3-4 /]

\r\n

Next, sketch an outline of Kerry\'s neck and shoulders. You can also sketch the general shape of Kerry\'s hair at this point. Sometimes I wait to do this after drawing in the facial features, but this time I decided to do it sooner. Use the reference photo to form yours roughly the same.

\r\n

[table id=kwhead5-6 /]

\r\n

The basic guidelines above are foundational when learning how to draw a face. If you need additional info on basic facial proportions and guidelines, or some extra help with drawing the facial features below, you can read my previous post on simple tips for drawing faces.

\r\n\r\n

Draw the Eyes

\r\nFor Kerry\'s eyes, begin with the outline of each eye between your previously-made guidelines. Make them slightly almond-shaped while making the inner-corner tear duct areas as natural-looking as possible. Next sketch in circles for the irises, pupils, and highlights. I sketch each iris first for proper placement, and then I go over each one with a circle template to make it perfectly round.\r\n

 [table id=kweyes1-2 /]

\r\nThen you will want to sketch in the eyelids, including the lower rim of the lower eyelids. There is also a visible line of makeup above each upper eyelid. Finally, sketch in the eyebrows. If you plan to add any shading to your drawing around the eyes, I recommend holding off on the eyelashes.\r\n

 [table id=kweyes3-4 /]

\r\n\r\n

Draw the Nose

\r\nDrawing the nose should not be too complicated. For the nose, first sketch a bridge and the ball of the nose. Then, around that framework, add details to the lower part of the nose to form the cartilage around the nostrils. There is a small highlight on the tip of the nose. Also notice that, even though we didn\'t draw guidelines for it, the inner corner of each eye is pretty much in alignment with the outer edge of the lower nose.\r\n

 [table id=kwnose /]

\r\n\r\n

Draw the Mouth

\r\nLook closely at the reference photo to try and capture the likeness of Kerry\'s mouth. Begin with the upper lip. Keep the corners of the mouth within the guidelines drawn earlier (each corner directly below the center of each eye). Next, draw the lower lip. In our reference photograph above and most others that you see of Kerry Washington, there is a slight opening of the center of her mouth even when her lips are closed. Be sure to capture this identifiable characteristic, as well as some sketched lines around the corners of her mouth that give a soft expression.\r\n

 [table id=kwmouth /]

\r\n\r\n

Define the Face

\r\nFinish forming the face by drawing Kerry\'s well-defined (but nicely formed) cheekbones and jawline. This will help with developing a recognizable likeness. Notice that I didn\'t trace perfectly along that oval guideline drawn at the beginning? Rather than stay faithful to your guidelines, treat them as the \"guide\"lines they are by being flexible. Stay faithful instead to your reference photograph.\r\n\r\n\"how\r\n

Below the Head

\r\nAgain, use the reference photo as a guide to sketch in details below the head, including on the neck and clothes. For the neck, indicate the collar bones and other identifiable features surrounding it. There is a prominent shadow under Kerry\'s chin in this image, so I drew the outline for it to shade later. Luckily for the clothes, they won\'t add or detract from the likeness of our subject if you veer away from the photograph. Still, it\'s good practice to draw a close representation of even the clothes.\r\n

 [table id=kwbelowhead /]

\r\n\r\n

Draw the Hair

\r\nBegin by sketching in where large sections of hair are grouped together. This will help you to develop the body and volume of the hair. Then begin on one side and draw strands of hair as they naturally flow from one location to another. Notice that there are areas of highlights even in the hair. You can leave some of these areas lighter with less visible strands while darkening other areas.\r\n

 [table id=kwhair1-2 /]

\r\nKeep repeating the process, working one section at a time until the initial sketch of the hair is essentially complete.\r\n

 [table id=kwhair3-4 /]

\r\n\r\n

Finishing Details

\r\nAt this stage of the process, you should erase your visible guidelines. Use caution to not erase important parts of your drawing.\r\n\r\n\"how\r\n\r\nYou can choose to stop here if you wish, or keep going by adding additional details and/or shading. I chose to add a few extra details, including some extra volume to the hair.\r\n

[table id=kwfinish1-2 /]

\r\nI also drew in the eyelashes (don\'t forget those!) and added a little bit of light shading.\r\n\r\n\"how\r\n\r\nOf course, the more details and shading (and hours) you put into your drawing, the closer of a likeness you will achieve. Keep working on it until you are satisfied. Not only have you seen how to draw a face, but you have a completed drawing of Kerry Washington!','How to Draw Kerry Washington\'s Face','','inherit','open','open','','1703-revision-v1','','','2015-03-23 21:00:46','2015-03-24 04:00:46','',1703,'http://www.letsdrawpeople.com/1703-revision-v1/',0,'revision','',0),(1767,2,'2015-03-23 21:08:04','2015-03-24 04:08:04','[[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\"]]','kerry washington head 1-2','','inherit','open','open','','1732-revision-v1','','','2015-03-23 21:08:04','2015-03-24 04:08:04','',1732,'http://www.letsdrawpeople.com/1732-revision-v1/',0,'revision','',0),(1768,2,'2015-03-23 21:11:15','2015-03-24 04:11:15','[[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\"]]','kerry washington head 3-4','','inherit','open','open','','1740-revision-v1','','','2015-03-23 21:11:15','2015-03-24 04:11:15','',1740,'http://www.letsdrawpeople.com/1740-revision-v1/',0,'revision','',0),(1769,2,'2015-03-23 21:12:17','2015-03-24 04:12:17','[[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\"]]','kerry washington head 5-6','','inherit','open','open','','1742-revision-v1','','','2015-03-23 21:12:17','2015-03-24 04:12:17','',1742,'http://www.letsdrawpeople.com/1742-revision-v1/',0,'revision','',0),(1770,2,'2015-03-23 21:14:38','2015-03-24 04:14:38','[[\"
\\\"how<\\/a><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\"]]','kerry washington eyes 1-2','','inherit','open','open','','1752-revision-v1','','','2015-03-23 21:14:38','2015-03-24 04:14:38','',1752,'http://www.letsdrawpeople.com/1752-revision-v1/',0,'revision','',0),(1771,2,'2015-03-23 21:15:18','2015-03-24 04:15:18','[[\"
\\\"how<\\/a><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\"]]','kerry washington eyes 1-2','','inherit','open','open','','1752-revision-v1','','','2015-03-23 21:15:18','2015-03-24 04:15:18','',1752,'http://www.letsdrawpeople.com/1752-revision-v1/',0,'revision','',0),(1772,2,'2015-03-23 21:16:36','2015-03-24 04:16:36','[[\"
\\\"how<\\/a><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\"]]','kerry washington eyes 1-2','','inherit','open','open','','1752-revision-v1','','','2015-03-23 21:16:36','2015-03-24 04:16:36','',1752,'http://www.letsdrawpeople.com/1752-revision-v1/',0,'revision','',0),(1773,2,'2015-03-23 21:19:49','2015-03-24 04:19:49','[[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\"]]','kerry washington head 1-2','','inherit','open','open','','1732-revision-v1','','','2015-03-23 21:19:49','2015-03-24 04:19:49','',1732,'http://www.letsdrawpeople.com/1732-revision-v1/',0,'revision','',0),(1774,2,'2015-03-23 21:21:57','2015-03-24 04:21:57','[[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\"]]','kerry washington head 3-4','','inherit','open','open','','1740-revision-v1','','','2015-03-23 21:21:57','2015-03-24 04:21:57','',1740,'http://www.letsdrawpeople.com/1740-revision-v1/',0,'revision','',0),(1775,2,'2015-03-23 21:23:56','2015-03-24 04:23:56','[[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\"]]','kerry washington head 5-6','','inherit','open','open','','1742-revision-v1','','','2015-03-23 21:23:56','2015-03-24 04:23:56','',1742,'http://www.letsdrawpeople.com/1742-revision-v1/',0,'revision','',0),(1776,2,'2015-03-23 21:25:40','2015-03-24 04:25:40','[[\"
\\\"how<\\/a><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\"]]','kerry washington eyes 3-4','','inherit','open','open','','1754-revision-v1','','','2015-03-23 21:25:40','2015-03-24 04:25:40','',1754,'http://www.letsdrawpeople.com/1754-revision-v1/',0,'revision','',0),(1777,2,'2015-03-23 21:31:01','2015-03-24 04:31:01','[[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\"]]','kerry washington nose','','inherit','open','open','','1750-revision-v1','','','2015-03-23 21:31:01','2015-03-24 04:31:01','',1750,'http://www.letsdrawpeople.com/1750-revision-v1/',0,'revision','',0),(1778,2,'2015-03-23 21:32:27','2015-03-24 04:32:27','[[\"
\\\"how<\\/a><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\"]]','kerry washington mouth','','inherit','open','open','','1756-revision-v1','','','2015-03-23 21:32:27','2015-03-24 04:32:27','',1756,'http://www.letsdrawpeople.com/1756-revision-v1/',0,'revision','',0),(1779,2,'2015-03-23 21:36:31','2015-03-24 04:36:31','[[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\"]]','kerry washington below head','','inherit','open','open','','1758-revision-v1','','','2015-03-23 21:36:31','2015-03-24 04:36:31','',1758,'http://www.letsdrawpeople.com/1758-revision-v1/',0,'revision','',0),(1781,2,'2015-03-23 21:41:01','2015-03-24 04:41:01','[[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\"]]','kerry washington hair 1-2','','inherit','open','open','','1760-revision-v1','','','2015-03-23 21:41:01','2015-03-24 04:41:01','',1760,'http://www.letsdrawpeople.com/1760-revision-v1/',0,'revision','',0),(1782,2,'2015-03-23 21:41:54','2015-03-24 04:41:54','[[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\"]]','kerry washington hair 3-4','','inherit','open','open','','1762-revision-v1','','','2015-03-23 21:41:54','2015-03-24 04:41:54','',1762,'http://www.letsdrawpeople.com/1762-revision-v1/',0,'revision','',0),(1783,2,'2015-03-23 21:43:19','2015-03-24 04:43:19','[[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\"]]','kerry washington finish 1-2','','inherit','open','open','','1764-revision-v1','','','2015-03-23 21:43:19','2015-03-24 04:43:19','',1764,'http://www.letsdrawpeople.com/1764-revision-v1/',0,'revision','',0),(1784,2,'2015-03-23 21:48:33','2015-03-24 04:48:33','If you are trying to improve your ability to draw faces, what better face to draw than that of a celebrity?\r\n\r\nIt is helpful to try drawing celebrities from time to time. Drawing well-known faces will help you to fine-tune your observational skills and catch those subtle characteristics that collectively build the likeness of a face everyone will recognize.\r\n\r\nIn this tutorial, we will enlist the help of well-known movie actress and Scandal star Kerry Washington. We will learn how to draw a face by using her very recognizable face as a reference.\r\n\r\n[caption id=\"attachment_1704\" align=\"aligncenter\" width=\"533\"]\"kerry © Sbukley | Dreamstime.com[/caption]\r\n

Sketch the Basic Guidelines

\r\nThe first step is to make a lightly-drawn outline of the head. Keep it almost oval-shaped, more like an upside-down egg. As we look carefully at the reference photo, we notice that Kerry doesn\'t have a very wide head, so the oval should look more long than wide.\r\n\r\nDraw a vertical guideline almost down the center, since there is a barely noticeable tilt to Kerry\'s right side. Next draw a horizontal line midway between the top and bottom of the oval, as seen below. This will serve as placement for Kerry\'s eyes.\r\n

[table id=kwhead1-2 /]

\r\n

You will need to draw three more horizontal guidelines. The one near the top will be the hairline. The second should be roughly halfway between the eye guideline and the chin. This will be for the nose. The last should be about a third of the way down from the nose line for, you guessed it, the mouth.

\r\n

Carefully place four vertical dashes that will mark the inside and outside corners of the eyes. The width between the two eyes needs to be one eye length. Roughly from the midpoint of each eye, draw a vertical line to note where the corners of Kerry\'s mouth will be.

\r\n

[table id=kwhead3-4 /]

\r\n

Next, sketch an outline of Kerry\'s neck and shoulders. You can also sketch the general shape of Kerry\'s hair at this point. Sometimes I wait to do this after drawing in the facial features, but this time I decided to do it sooner. Use the reference photo to form yours roughly the same.

\r\n

[table id=kwhead5-6 /]

\r\n

The basic guidelines above are foundational when learning how to draw a face. If you need additional info on basic facial proportions and guidelines, or some extra help with drawing the facial features below, you can read my previous post on simple tips for drawing faces.

\r\n\r\n

Draw the Eyes

\r\nFor Kerry\'s eyes, begin with the outline of each eye between your previously-made guidelines. Make them slightly almond-shaped while making the inner-corner tear duct areas as natural-looking as possible. Next sketch in circles for the irises, pupils, and highlights. I sketch each iris first for proper placement, and then I go over each one with a circle template to make it perfectly round.\r\n

 [table id=kweyes1-2 /]

\r\nThen you will want to sketch in the eyelids, including the lower rim of the lower eyelids. There is also a visible line of makeup above each upper eyelid. Finally, sketch in the eyebrows. If you plan to add any shading to your drawing around the eyes, I recommend holding off on the eyelashes.\r\n

 [table id=kweyes3-4 /]

\r\n\r\n

Draw the Nose

\r\nDrawing the nose should not be too complicated. For the nose, first sketch a bridge and the ball of the nose. Then, around that framework, add details to the lower part of the nose to form the cartilage around the nostrils. There is a small highlight on the tip of the nose. Also notice that, even though we didn\'t draw guidelines for it, the inner corner of each eye is pretty much in alignment with the outer edge of the lower nose.\r\n

 [table id=kwnose /]

\r\n\r\n

Draw the Mouth

\r\nLook closely at the reference photo to try and capture the likeness of Kerry\'s mouth. Begin with the upper lip. Keep the corners of the mouth within the guidelines drawn earlier (each corner directly below the center of each eye). Next, draw the lower lip. In our reference photograph above and most others that you see of Kerry Washington, there is a slight opening of the center of her mouth even when her lips are closed. Be sure to capture this identifiable characteristic, as well as some sketched lines around the corners of her mouth that give a soft expression.\r\n

 [table id=kwmouth /]

\r\n\r\n

Define the Face

\r\nFinish forming the face by drawing Kerry\'s well-defined (but nicely formed) cheekbones and jawline. This will help with developing a recognizable likeness. Notice that I didn\'t trace perfectly along that oval guideline drawn at the beginning? Rather than stay faithful to your guidelines, treat them as the \"guide\"lines they are by being flexible. Stay faithful instead to your reference photograph.\r\n\r\n\"how\r\n

Below the Head

\r\nAgain, use the reference photo as a guide to sketch in details below the head, including on the neck and clothes. For the neck, indicate the collar bones and other identifiable features surrounding it. There is a prominent shadow under Kerry\'s chin in this image, so I drew the outline for it to shade later. Luckily for the clothes, they won\'t add or detract from the likeness of our subject if you veer away from the photograph. Still, it\'s good practice to draw a close representation of even the clothes.\r\n

 [table id=kwbelowhead /]

\r\n\r\n

Draw the Hair

\r\nBegin by sketching in where large sections of hair are grouped together. This will help you to develop the body and volume of the hair. Then begin on one side and draw strands of hair as they naturally flow from one location to another. Notice that there are areas of highlights even in the hair. You can leave some of these areas lighter with less visible strands while darkening other areas.\r\n

 [table id=kwhair1-2 /]

\r\nKeep repeating the process, working one section at a time until the initial sketch of the hair is essentially complete.\r\n

 [table id=kwhair3-4 /]

\r\n\r\n

Finishing Details

\r\nAt this stage of the process, you should erase your visible guidelines. Use caution to not erase important parts of your drawing.\r\n\r\n\"how\r\n\r\nYou can choose to stop here if you wish, or keep going by adding additional details and/or shading. I chose to add a few extra details, including some extra volume to the hair.\r\n

[table id=kwfinish1-2 /]

\r\nI also drew in the eyelashes (don\'t forget those!) and added a little bit of light shading.\r\n\r\n\"how\r\n\r\nOf course, the more details and shading (and hours) you put into your drawing, the closer of a likeness you will achieve. Keep working on it until you are satisfied. Not only have you seen how to draw a face, but you have a completed drawing of Kerry Washington!','How to Draw Kerry Washington\'s Face','','inherit','open','open','','1703-autosave-v1','','','2015-03-23 21:48:33','2015-03-24 04:48:33','',1703,'http://www.letsdrawpeople.com/1703-autosave-v1/',0,'revision','',0),(1785,2,'2015-03-29 00:54:35','2015-03-29 07:54:35','To become better at something, you should practice it often. Ideally, everyday. This especially applies to drawing people. Sometimes, though, you just get to the point where you don\'t know who or what to draw. Your mind is blank. Or, your mind is going in so many different directions, you don\'t know where to begin. How do you decide?\r\n

\"\"

\r\nFollowing is a list of 10 suggestions for things to do when you have no clue what you should draw. Read on to get some ideas to get that pencil moving!\r\n

1. Scribble

\r\nOne of the simplest yet most effective things to do when trying to decide what to draw is to just start scribbling! Pick up a pencil, apply it to paper, and put it in motion. Do not even concern yourself with what you are making or how it looks. Let your hand have a mind of its own. Just scribble random, abstract lines and shapes. If these take on the familiar look of an inanimate object or living form, then that\'s okay too.\r\n\r\nThe important thing is to just get started. This is especially useful if it is your goal to practice drawing everyday. Scribbling will help you avoid procrastination by taking action. It will also help you brainstorm ideas for what you want to draw in better detail later.\r\n

2. Keep It Generic

\r\nOften times, I grab my sketchbook and just begin sketching a face. I have no reference photo and no particular person in mind to draw. I don\'t even have a vision for how the face will look at the end. The goal is to just draw a face, any generic face. You don\'t need to be overly concerned with having a perfect drawing. Just begin sketching rough guidelines and random facial features, letting the flow of the drawing take you where it wants to go until you have a completed face.\r\n

3. Timed Gesture Sketch

\r\nLike the two suggestions above, this can be a great warm-up activity. Use your reflection in a mirror, another willing participant who\'ll pose for you, or an image as your subject. Set a timer and challenge yourself to sketch as much as you can in only two minutes. You can try longer if you want, but I suggest no more than 5 minutes. For face sketches, try to capture a variety of moods and expressions. For figure sketches, worry less about details and more about the gestures and poses.\r\n

4. Draw from Real Life

\r\nTake your sketchbook to some public places for some real-life inspiration. Sit on a park bench and draw people walking their dogs or tossing a ball. Sit in a coffee shop and sketch people at the bus stop across the street. Get on a bus and sketch some of the random passengers. You can even sketch shoppers in a mall. The possibilities are endless.\r\n\r\nIf you are uncomfortable about drawing people in public, go for a generic, inspired representation rather than a unique likeness. The level of detail is up to you. One word of caution: avoid \"staring\" directly at any one particular person for so long that you make that person uncomfortable!\r\n

5. Friends, Family, and Loved Ones

\r\nYou can always depend on the familiar faces of family and friends for subject material. More often than not, people you know are supportive of your drawing passion and will be honored that you want to draw them.\r\n\r\nDraw someone you have never drawn before. There are so many people from which to choose here: parents, siblings, kids, friends, co-workers, teammates, and boyfriends/girlfriends, just to name a few.\r\n\r\nAlternatively, pick someone you have drawn before and draw that person from a different perspective or in a different situation. Try to capture the same or an even better likeness than you did before.\r\n

6. Look at Magazines

\r\nI sometimes keep a stack of old magazines and tabloids nearby to sketch random faces inside. These can be sketches of everyday people, models, or celebrities. This is how I used to practice drawing famous faces back in the day, before they were all over the Internet. Magazines are still a great resource for drawing ideas. Often you can find some clever and creative photography work that can spark a drawing composition. Another advantage of a physical publication is having a quality, clear, high-resolution image from which to work.\r\n

7. Do an Online Image Search

\r\nIf you don\'t know what you want to draw, looking at a massive library of images will certainly get your creative juices flowing. Visit Google or your favorite search engine, type in some random keywords, and click on the Images link. Which keywords should you type if you don\'t know what to draw? Any words will do. The word you enter does not have to be the topic of drawing. The image results will often lead you to think of new, unrelated subjects. To get you started, think in terms of parts of speech. Try typing in keywords that are nouns (kids, worker, singer), verbs (reading, dancing, eating), and adjectives (serious, excited, funny).\r\n\r\nOn an additional note: You can use these online images and magazine images (#6 above) to practice, but be sure you are not publishing or selling exact representations without first getting permission from the copyright holders.\r\n

8. Build Upon What You Already Do Well

\r\nThink about your drawing strengths. What are you already very good at? Figure out what you do well and take it to the next level. Do you usually draw faces looking directly ahead? Try drawing a face at a three-quarter turn. Maybe you are very comfortable with drawing eyes, but how often do you draw glasses? Have you mastered line drawings yet? If so, perhaps it\'s time to work on mastering shading techniques. Do you only draw in graphite pencil? How about experimenting in colored pencil or pastels? It is human nature to keep doing what comes easy for us over and over again. Use those times when you don\'t know what to draw, and challenge yourself so you can grow as an artist.\r\n

9. Try Something New

\r\nContinuing with the theme of challenging yourself, why not do something you have never done before? Using some of the suggestions above, you are bound to come across ideas for drawing subjects that are new to you. If you tend to most often draw people, look to include interesting clothing, unique inanimate objects, or even animals. Build an eye-catching composition by including multiple subjects in one drawing to tell a story. You will become more versatile and might even surprise yourself along the way.\r\n

10. Walk Away

\r\nIf all else fails, sometimes it can actually be helpful to stop thinking about what to draw and just walk away. Take a few minutes to do something else. Eat a snack, take a nap, walk the dog, take the trash out. I cannot tell you how many times I\'ve had creative ideas pop into my head right out of the blue while doing the most mundane things.\r\n

Time to Take Action

\r\nJust like writers get writer\'s block from time to time, it is also normal for artists to occasionally lose inspiration or motivation. Hopefully this list can serve as your springboard to stop thinking about what to draw and start actually drawing. It\'s time to get started now!','10 Drawing Ideas for When You Don\'t Know What to Draw','','publish','open','open','','10-drawing-ideas-for-when-you-dont-know-what-to-draw','','','2015-03-29 00:54:35','2015-03-29 07:54:35','',0,'http://www.letsdrawpeople.com/?p=1785',0,'post','',4),(1786,2,'2015-03-24 22:13:13','2015-03-25 05:13:13','To become better at something, you should practice it often. Ideally, everyday. This especially applies to drawing. Sometimes, though, you just get to the point where you don\'t know who or what to draw. How do you decide? Read on to get some ideas to get you going.','How to Decide What to Draw','','inherit','open','open','','1785-revision-v1','','','2015-03-24 22:13:13','2015-03-25 05:13:13','',1785,'http://www.letsdrawpeople.com/1785-revision-v1/',0,'revision','',0),(1787,2,'2015-03-25 05:29:49','2015-03-25 12:29:49','To become better at something, you should practice it often. Ideally, everyday. This especially applies to drawing. Sometimes, though, you just get to the point where you don\'t know who or what to draw. How do you decide? Read on to get some ideas to get you going.\r\n\r\nLook at Magazines\r\n\r\nI sometimes keep a stack of old magazines and tabloids nearby to sketch random faces inside.','How to Decide What to Draw','','inherit','open','open','','1785-revision-v1','','','2015-03-25 05:29:49','2015-03-25 12:29:49','',1785,'http://www.letsdrawpeople.com/1785-revision-v1/',0,'revision','',0),(1789,2,'2015-03-26 05:13:56','2015-03-26 12:13:56','To become better at something, you should practice it often. Ideally, everyday. This especially applies to drawing. Sometimes, though, you just get to the point where you don\'t know who or what to draw. How do you decide? Read on to get some ideas to get you going.\r\n\r\nLook at Magazines\r\n\r\nI sometimes keep a stack of old magazines and tabloids nearby to sketch random faces inside.\r\n\r\nKeep It Generic\r\n\r\nOften times, I grab my sketchbook and just begin sketching a face. I have no reference photo and no particular person in mind to draw. I don\'t even have a vision for how the face will look at the end. The goal is to just draw a face, any generic face. I just begin sketching guidelines and random facial features, letting the flow of the drawing take me where it wants to go until I have a completed face.','How to Decide What to Draw','','inherit','open','open','','1785-revision-v1','','','2015-03-26 05:13:56','2015-03-26 12:13:56','',1785,'http://www.letsdrawpeople.com/1785-revision-v1/',0,'revision','',0),(1790,2,'2015-03-27 04:10:00','2015-03-27 11:10:00','To become better at something, you should practice it often. Ideally, everyday. This especially applies to drawing. Sometimes, though, you just get to the point where you don\'t know who or what to draw. How do you decide? Read on to get some ideas to get you going.\r\n\r\nLook at Magazines\r\n\r\nI sometimes keep a stack of old magazines and tabloids nearby to sketch random faces inside.\r\n\r\nKeep It Generic\r\n\r\nOften times, I grab my sketchbook and just begin sketching a face. I have no reference photo and no particular person in mind to draw. I don\'t even have a vision for how the face will look at the end. The goal is to just draw a face, any generic face. I just begin sketching guidelines and random facial features, letting the flow of the drawing take me where it wants to go until I have a completed face.\r\n\r\nDraw from Real Life\r\n\r\nTake your sketchbook to a park bench.\r\n\r\n \r\n\r\n ','How to Decide What to Draw','','inherit','open','open','','1785-revision-v1','','','2015-03-27 04:10:00','2015-03-27 11:10:00','',1785,'http://www.letsdrawpeople.com/1785-revision-v1/',0,'revision','',0),(1791,2,'2015-03-28 08:40:21','2015-03-28 15:40:21','To become better at something, you should practice it often. Ideally, everyday. This especially applies to drawing. Sometimes, though, you just get to the point where you don\'t know who or what to draw. How do you decide? Read on to get some ideas to get you going.\r\n\r\nLook at Magazines\r\n\r\nI sometimes keep a stack of old magazines and tabloids nearby to sketch random faces inside.\r\n\r\nKeep It Generic\r\n\r\nOften times, I grab my sketchbook and just begin sketching a face. I have no reference photo and no particular person in mind to draw. I don\'t even have a vision for how the face will look at the end. The goal is to just draw a face, any generic face. I just begin sketching guidelines and random facial features, letting the flow of the drawing take me where it wants to go until I have a completed face.\r\n\r\nDraw from Real Life\r\n\r\nTake your sketchbook to a park bench. Sketch figures of the passersby.\r\n\r\n \r\n\r\n ','How to Decide What to Draw','','inherit','open','open','','1785-revision-v1','','','2015-03-28 08:40:21','2015-03-28 15:40:21','',1785,'http://www.letsdrawpeople.com/1785-revision-v1/',0,'revision','',0),(1792,2,'2015-03-28 21:08:43','2015-03-29 04:08:43','To become better at something, you should practice it often. Ideally, everyday. This especially applies to drawing people. Sometimes, though, you just get to the point where you don\'t know who or what to draw. How do you decide?\r\n\r\nFollowing is a list of 10 suggestions for things to do when you have no clue what you should draw. Read on to get some ideas to get that pencil moving!\r\n

1. Scribble

\r\nOne of the simplest yet most effective things to do when trying to decide what to draw is to just start scribbling! Pick up a pencil, apply it to paper, and put it in motion. Do not even concern yourself with what you are making or how it looks. Let your hand have a mind of its own. Just scribble random, abstract lines and shapes. If these take on the familiar look of an inanimate object or living form, then that\'s okay too.\r\n\r\nThe important thing is to just get started. This is especially useful if it is your goal to practice drawing everyday. Scribbling will help you avoid procrastination by taking action. It will also help you brainstorm ideas for what you want to draw in better detail later.\r\n

2. Keep It Generic

\r\nOften times, I grab my sketchbook and just begin sketching a face. I have no reference photo and no particular person in mind to draw. I don\'t even have a vision for how the face will look at the end. The goal is to just draw a face, any generic face. You don\'t need to be overly concerned with having a perfect drawing. Just begin sketching rough guidelines and random facial features, letting the flow of the drawing take you where it wants to go until you have a completed face.\r\n

3. Timed Gesture Sketch

\r\nLike the two suggestions above, this can be a great warm-up activity. Use your reflection in a mirror, another willing participant who\'ll pose for you, or an image as your subject. Set a timer and challenge yourself to sketch as much as you can in only two minutes. You can try longer if you want, but I suggest no more than 5 minutes. For face sketches, try to capture a variety of moods and expressions. For figure sketches, worry less about details and more about the gestures and poses.\r\n

4. Draw from Real Life

\r\nTake your sketchbook to some public places for some real-life inspiration. Sit on a park bench and sketch people walking their dogs or tossing a ball. Get on a bus and sketch some of the random passengers. You can even sketch shoppers in a mall. The possibilities are endless. If you are uncomfortable about sketching people in public, go for a generic, inspired representation rather than a unique likeness. The level of detail is up to you. One word of caution: avoid \"staring\" directly at any one particular person for so long that you make that person uncomfortable!\r\n\r\n \r\n\r\n \r\n\r\nLook at Magazines\r\n\r\nI sometimes keep a stack of old magazines and tabloids nearby to sketch random faces inside.\r\n\r\nBuild Upon What You Already Do Well\r\n\r\nTry Something New\r\n\r\nFriends, Family, Loved Ones\r\n\r\nWalk Away\r\n\r\nRandom Topics\r\n\r\nreading\r\n\r\nCreate a Story\r\n\r\nClosing\r\n\r\nwriter\'s block\r\n\r\ninspiration','10 Drawing Ideas for When You Don\'t Know What to Draw','','inherit','open','open','','1785-revision-v1','','','2015-03-28 21:08:43','2015-03-29 04:08:43','',1785,'http://www.letsdrawpeople.com/1785-revision-v1/',0,'revision','',0),(1793,2,'2015-03-28 22:24:17','2015-03-29 05:24:17','To become better at something, you should practice it often. Ideally, everyday. This especially applies to drawing people. Sometimes, though, you just get to the point where you don\'t know who or what to draw. How do you decide?\r\n\r\nFollowing is a list of 10 suggestions for things to do when you have no clue what you should draw. Read on to get some ideas to get that pencil moving!\r\n

1. Scribble

\r\nOne of the simplest yet most effective things to do when trying to decide what to draw is to just start scribbling! Pick up a pencil, apply it to paper, and put it in motion. Do not even concern yourself with what you are making or how it looks. Let your hand have a mind of its own. Just scribble random, abstract lines and shapes. If these take on the familiar look of an inanimate object or living form, then that\'s okay too.\r\n\r\nThe important thing is to just get started. This is especially useful if it is your goal to practice drawing everyday. Scribbling will help you avoid procrastination by taking action. It will also help you brainstorm ideas for what you want to draw in better detail later.\r\n

2. Keep It Generic

\r\nOften times, I grab my sketchbook and just begin sketching a face. I have no reference photo and no particular person in mind to draw. I don\'t even have a vision for how the face will look at the end. The goal is to just draw a face, any generic face. You don\'t need to be overly concerned with having a perfect drawing. Just begin sketching rough guidelines and random facial features, letting the flow of the drawing take you where it wants to go until you have a completed face.\r\n

3. Timed Gesture Sketch

\r\nLike the two suggestions above, this can be a great warm-up activity. Use your reflection in a mirror, another willing participant who\'ll pose for you, or an image as your subject. Set a timer and challenge yourself to sketch as much as you can in only two minutes. You can try longer if you want, but I suggest no more than 5 minutes. For face sketches, try to capture a variety of moods and expressions. For figure sketches, worry less about details and more about the gestures and poses.\r\n

4. Draw from Real Life

\r\nTake your sketchbook to some public places for some real-life inspiration. Sit on a park bench and draw people walking their dogs or tossing a ball. Get on a bus and sketch some of the random passengers. You can even sketch shoppers in a mall. The possibilities are endless.\r\n\r\nIf you are uncomfortable about drawing people in public, go for a generic, inspired representation rather than a unique likeness. The level of detail is up to you. One word of caution: avoid \"staring\" directly at any one particular person for so long that you make that person uncomfortable!\r\n

5. Friends, Family, and Loved Ones

\r\nYou can always depend on the familiar faces of family and friends for subject material. More often than not, people you know are supportive of your drawing passion and will be honored that you want to draw them.\r\n\r\nDraw someone you have never drawn before. There are so many people from which to choose here: parents, siblings, kids, friends, co-workers, teammates, and boyfriends/girlfriends, just to name a few.\r\n\r\nAlternatively, pick someone you have drawn before and draw that person from a different perspective or in a different situation. Try to capture the same or an even better likeness than you did before.\r\n

6. Look at Magazines

\r\nI sometimes keep a stack of old magazines and tabloids nearby to sketch random faces inside. These can be sketches of everyday people, models, or celebrities. This is how I used to practice drawing famous faces back in the day, before they were all over the Internet. Magazines are still a great resource for drawing ideas. Often you can find some clever and creative photography work that can spark a drawing composition. Another advantage of a physical publication is having a quality, clear, high-resolution image from which to work.\r\n

7. Do an Online Image Search

\r\nIf you don\'t know what you want to draw, looking at a massive library of images will certainly get your creative juices flowing. Visit Google or your favorite search engine, type in some random keywords, and click on the Images link. Which keywords should you type if you don\'t know what to draw? Any words will do. The word you enter does not have to be the topic of drawing. The image results will often lead you to think of new, unrelated subjects. To get you started, think in terms of parts of speech. Try typing in keywords that are nouns (kids, worker, singer), verbs (reading, dancing, eating), and adjectives (serious, excited, funny).\r\n\r\nBuild Upon What You Already Do Well\r\n\r\nTry Something New\r\n\r\n \r\n\r\nWalk Away\r\n\r\n \r\n\r\nCreate a Story\r\n\r\nClosing\r\n\r\nwriter\'s block\r\n\r\ninspiration\r\n\r\ncopyright','10 Drawing Ideas for When You Don\'t Know What to Draw','','inherit','open','open','','1785-revision-v1','','','2015-03-28 22:24:17','2015-03-29 05:24:17','',1785,'http://www.letsdrawpeople.com/1785-revision-v1/',0,'revision','',0),(1794,2,'2015-03-28 23:25:52','2015-03-29 06:25:52','To become better at something, you should practice it often. Ideally, everyday. This especially applies to drawing people. Sometimes, though, you just get to the point where you don\'t know who or what to draw. How do you decide?\r\n\r\nFollowing is a list of 10 suggestions for things to do when you have no clue what you should draw. Read on to get some ideas to get that pencil moving!\r\n

1. Scribble

\r\nOne of the simplest yet most effective things to do when trying to decide what to draw is to just start scribbling! Pick up a pencil, apply it to paper, and put it in motion. Do not even concern yourself with what you are making or how it looks. Let your hand have a mind of its own. Just scribble random, abstract lines and shapes. If these take on the familiar look of an inanimate object or living form, then that\'s okay too.\r\n\r\nThe important thing is to just get started. This is especially useful if it is your goal to practice drawing everyday. Scribbling will help you avoid procrastination by taking action. It will also help you brainstorm ideas for what you want to draw in better detail later.\r\n

2. Keep It Generic

\r\nOften times, I grab my sketchbook and just begin sketching a face. I have no reference photo and no particular person in mind to draw. I don\'t even have a vision for how the face will look at the end. The goal is to just draw a face, any generic face. You don\'t need to be overly concerned with having a perfect drawing. Just begin sketching rough guidelines and random facial features, letting the flow of the drawing take you where it wants to go until you have a completed face.\r\n

3. Timed Gesture Sketch

\r\nLike the two suggestions above, this can be a great warm-up activity. Use your reflection in a mirror, another willing participant who\'ll pose for you, or an image as your subject. Set a timer and challenge yourself to sketch as much as you can in only two minutes. You can try longer if you want, but I suggest no more than 5 minutes. For face sketches, try to capture a variety of moods and expressions. For figure sketches, worry less about details and more about the gestures and poses.\r\n

4. Draw from Real Life

\r\nTake your sketchbook to some public places for some real-life inspiration. Sit on a park bench and draw people walking their dogs or tossing a ball. Get on a bus and sketch some of the random passengers. You can even sketch shoppers in a mall. The possibilities are endless.\r\n\r\nIf you are uncomfortable about drawing people in public, go for a generic, inspired representation rather than a unique likeness. The level of detail is up to you. One word of caution: avoid \"staring\" directly at any one particular person for so long that you make that person uncomfortable!\r\n

5. Friends, Family, and Loved Ones

\r\nYou can always depend on the familiar faces of family and friends for subject material. More often than not, people you know are supportive of your drawing passion and will be honored that you want to draw them.\r\n\r\nDraw someone you have never drawn before. There are so many people from which to choose here: parents, siblings, kids, friends, co-workers, teammates, and boyfriends/girlfriends, just to name a few.\r\n\r\nAlternatively, pick someone you have drawn before and draw that person from a different perspective or in a different situation. Try to capture the same or an even better likeness than you did before.\r\n

6. Look at Magazines

\r\nI sometimes keep a stack of old magazines and tabloids nearby to sketch random faces inside. These can be sketches of everyday people, models, or celebrities. This is how I used to practice drawing famous faces back in the day, before they were all over the Internet. Magazines are still a great resource for drawing ideas. Often you can find some clever and creative photography work that can spark a drawing composition. Another advantage of a physical publication is having a quality, clear, high-resolution image from which to work.\r\n

7. Do an Online Image Search

\r\nIf you don\'t know what you want to draw, looking at a massive library of images will certainly get your creative juices flowing. Visit Google or your favorite search engine, type in some random keywords, and click on the Images link. Which keywords should you type if you don\'t know what to draw? Any words will do. The word you enter does not have to be the topic of drawing. The image results will often lead you to think of new, unrelated subjects. To get you started, think in terms of parts of speech. Try typing in keywords that are nouns (kids, worker, singer), verbs (reading, dancing, eating), and adjectives (serious, excited, funny).\r\n\r\nOn an additional note: You can use these online images and magazine images (#6 above) to practice, but be sure you are not publishing or selling exact representations without first getting permission from the copyright holders.\r\n

8. Build Upon What You Already Do Well

\r\nThink about your drawing strengths. What are you already very good at? Figure out what you do well and take it to the next level. Do you usually draw faces looking directly ahead? Try drawing a face at a three-quarter turn. Maybe you are very comfortable with drawing eyes, but how often do you draw glasses? Have you mastered line drawings yet? If so, perhaps it\'s time to work on mastering shading techniques. Do you only draw in graphite pencil? How about experimenting in colored pencil or pastels? It is human nature to keep doing what comes easy for us over and over again. Use those times when you don\'t know what to draw, and challenge yourself so you can grow as an artist.\r\n

9. Try Something New

\r\nContinuing with the theme of challenging yourself, why not do something you have never done before? Using some of the suggestions above, you are bound to come across ideas for drawing subjects that are new to you. If you tend to most often draw people, look to include interesting clothing, unique inanimate objects, or even animals. Build an eye-catching composition by including multiple subjects in one drawing to tell a story. You will become more versatile and might even surprise yourself along the way.\r\n

10. Walk Away

\r\nIf all else fails, sometimes it can actually be helpful to stop thinking about what to draw and just walk away. Take a few minutes to do something else. Eat a snack, take a nap, walk the dog, take the trash out. I cannot tell you how many times I\'ve had creative ideas pop into my head right out of the blue while doing the most mundane things.\r\n

Time to Take Action

\r\nJust like writers get writer\'s block from time to time, it is also normal for artists to occasionally lose inspiration or motivation. Hopefully this list can serve as your springboard to stop thinking about what to draw and start actually drawing. It\'s time to get started now!','10 Drawing Ideas for When You Don\'t Know What to Draw','','inherit','open','open','','1785-revision-v1','','','2015-03-28 23:25:52','2015-03-29 06:25:52','',1785,'http://www.letsdrawpeople.com/1785-revision-v1/',0,'revision','',0),(1795,2,'2015-03-28 23:50:05','2015-03-29 06:50:05','To become better at something, you should practice it often. Ideally, everyday. This especially applies to drawing people. Sometimes, though, you just get to the point where you don\'t know who or what to draw. How do you decide?\r\n\r\nFollowing is a list of 10 suggestions for things to do when you have no clue what you should draw. Read on to get some ideas to get that pencil moving!\r\n

1. Scribble

\r\nOne of the simplest yet most effective things to do when trying to decide what to draw is to just start scribbling! Pick up a pencil, apply it to paper, and put it in motion. Do not even concern yourself with what you are making or how it looks. Let your hand have a mind of its own. Just scribble random, abstract lines and shapes. If these take on the familiar look of an inanimate object or living form, then that\'s okay too.\r\n\r\nThe important thing is to just get started. This is especially useful if it is your goal to practice drawing everyday. Scribbling will help you avoid procrastination by taking action. It will also help you brainstorm ideas for what you want to draw in better detail later.\r\n

2. Keep It Generic

\r\nOften times, I grab my sketchbook and just begin sketching a face. I have no reference photo and no particular person in mind to draw. I don\'t even have a vision for how the face will look at the end. The goal is to just draw a face, any generic face. You don\'t need to be overly concerned with having a perfect drawing. Just begin sketching rough guidelines and random facial features, letting the flow of the drawing take you where it wants to go until you have a completed face.\r\n

3. Timed Gesture Sketch

\r\nLike the two suggestions above, this can be a great warm-up activity. Use your reflection in a mirror, another willing participant who\'ll pose for you, or an image as your subject. Set a timer and challenge yourself to sketch as much as you can in only two minutes. You can try longer if you want, but I suggest no more than 5 minutes. For face sketches, try to capture a variety of moods and expressions. For figure sketches, worry less about details and more about the gestures and poses.\r\n

4. Draw from Real Life

\r\nTake your sketchbook to some public places for some real-life inspiration. Sit on a park bench and draw people walking their dogs or tossing a ball. Get on a bus and sketch some of the random passengers. You can even sketch shoppers in a mall. The possibilities are endless.\r\n\r\nIf you are uncomfortable about drawing people in public, go for a generic, inspired representation rather than a unique likeness. The level of detail is up to you. One word of caution: avoid \"staring\" directly at any one particular person for so long that you make that person uncomfortable!\r\n

5. Friends, Family, and Loved Ones

\r\nYou can always depend on the familiar faces of family and friends for subject material. More often than not, people you know are supportive of your drawing passion and will be honored that you want to draw them.\r\n\r\nDraw someone you have never drawn before. There are so many people from which to choose here: parents, siblings, kids, friends, co-workers, teammates, and boyfriends/girlfriends, just to name a few.\r\n\r\nAlternatively, pick someone you have drawn before and draw that person from a different perspective or in a different situation. Try to capture the same or an even better likeness than you did before.\r\n

6. Look at Magazines

\r\nI sometimes keep a stack of old magazines and tabloids nearby to sketch random faces inside. These can be sketches of everyday people, models, or celebrities. This is how I used to practice drawing famous faces back in the day, before they were all over the Internet. Magazines are still a great resource for drawing ideas. Often you can find some clever and creative photography work that can spark a drawing composition. Another advantage of a physical publication is having a quality, clear, high-resolution image from which to work.\r\n

7. Do an Online Image Search

\r\nIf you don\'t know what you want to draw, looking at a massive library of images will certainly get your creative juices flowing. Visit Google or your favorite search engine, type in some random keywords, and click on the Images link. Which keywords should you type if you don\'t know what to draw? Any words will do. The word you enter does not have to be the topic of drawing. The image results will often lead you to think of new, unrelated subjects. To get you started, think in terms of parts of speech. Try typing in keywords that are nouns (kids, worker, singer), verbs (reading, dancing, eating), and adjectives (serious, excited, funny).\r\n\r\nOn an additional note: You can use these online images and magazine images (#6 above) to practice, but be sure you are not publishing or selling exact representations without first getting permission from the copyright holders.\r\n

8. Build Upon What You Already Do Well

\r\nThink about your drawing strengths. What are you already very good at? Figure out what you do well and take it to the next level. Do you usually draw faces looking directly ahead? Try drawing a face at a three-quarter turn. Maybe you are very comfortable with drawing eyes, but how often do you draw glasses? Have you mastered line drawings yet? If so, perhaps it\'s time to work on mastering shading techniques. Do you only draw in graphite pencil? How about experimenting in colored pencil or pastels? It is human nature to keep doing what comes easy for us over and over again. Use those times when you don\'t know what to draw, and challenge yourself so you can grow as an artist.\r\n

9. Try Something New

\r\nContinuing with the theme of challenging yourself, why not do something you have never done before? Using some of the suggestions above, you are bound to come across ideas for drawing subjects that are new to you. If you tend to most often draw people, look to include interesting clothing, unique inanimate objects, or even animals. Build an eye-catching composition by including multiple subjects in one drawing to tell a story. You will become more versatile and might even surprise yourself along the way.\r\n

10. Walk Away

\r\nIf all else fails, sometimes it can actually be helpful to stop thinking about what to draw and just walk away. Take a few minutes to do something else. Eat a snack, take a nap, walk the dog, take the trash out. I cannot tell you how many times I\'ve had creative ideas pop into my head right out of the blue while doing the most mundane things.\r\n

Time to Take Action

\r\nJust like writers get writer\'s block from time to time, it is also normal for artists to occasionally lose inspiration or motivation. Hopefully this list can serve as your springboard to stop thinking about what to draw and start actually drawing. It\'s time to get started now!','10 Drawing Ideas for When You Don\'t Know What to Draw','','inherit','open','open','','1785-revision-v1','','','2015-03-28 23:50:05','2015-03-29 06:50:05','',1785,'http://www.letsdrawpeople.com/1785-revision-v1/',0,'revision','',0),(1796,2,'2015-03-29 00:51:53','2015-03-29 07:51:53','','','','inherit','open','open','','1796','','','2015-03-29 00:52:00','2015-03-29 07:52:00','',1785,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/when-you-dont-know-what-to-draw.jpg',0,'attachment','image/jpeg',0),(1797,2,'2015-03-29 00:52:50','2015-03-29 07:52:50','To become better at something, you should practice it often. Ideally, everyday. This especially applies to drawing people. Sometimes, though, you just get to the point where you don\'t know who or what to draw. Your mind is blank. Or, your mind is going in so many different directions, you don\'t know where to begin. How do you decide?\r\n

\"\"

\r\nFollowing is a list of 10 suggestions for things to do when you have no clue what you should draw. Read on to get some ideas to get that pencil moving!\r\n

1. Scribble

\r\nOne of the simplest yet most effective things to do when trying to decide what to draw is to just start scribbling! Pick up a pencil, apply it to paper, and put it in motion. Do not even concern yourself with what you are making or how it looks. Let your hand have a mind of its own. Just scribble random, abstract lines and shapes. If these take on the familiar look of an inanimate object or living form, then that\'s okay too.\r\n\r\nThe important thing is to just get started. This is especially useful if it is your goal to practice drawing everyday. Scribbling will help you avoid procrastination by taking action. It will also help you brainstorm ideas for what you want to draw in better detail later.\r\n

2. Keep It Generic

\r\nOften times, I grab my sketchbook and just begin sketching a face. I have no reference photo and no particular person in mind to draw. I don\'t even have a vision for how the face will look at the end. The goal is to just draw a face, any generic face. You don\'t need to be overly concerned with having a perfect drawing. Just begin sketching rough guidelines and random facial features, letting the flow of the drawing take you where it wants to go until you have a completed face.\r\n

3. Timed Gesture Sketch

\r\nLike the two suggestions above, this can be a great warm-up activity. Use your reflection in a mirror, another willing participant who\'ll pose for you, or an image as your subject. Set a timer and challenge yourself to sketch as much as you can in only two minutes. You can try longer if you want, but I suggest no more than 5 minutes. For face sketches, try to capture a variety of moods and expressions. For figure sketches, worry less about details and more about the gestures and poses.\r\n

4. Draw from Real Life

\r\nTake your sketchbook to some public places for some real-life inspiration. Sit on a park bench and draw people walking their dogs or tossing a ball. Sit in a coffee shop and sketch people at the bus stop across the street. Get on a bus and sketch some of the random passengers. You can even sketch shoppers in a mall. The possibilities are endless.\r\n\r\nIf you are uncomfortable about drawing people in public, go for a generic, inspired representation rather than a unique likeness. The level of detail is up to you. One word of caution: avoid \"staring\" directly at any one particular person for so long that you make that person uncomfortable!\r\n

5. Friends, Family, and Loved Ones

\r\nYou can always depend on the familiar faces of family and friends for subject material. More often than not, people you know are supportive of your drawing passion and will be honored that you want to draw them.\r\n\r\nDraw someone you have never drawn before. There are so many people from which to choose here: parents, siblings, kids, friends, co-workers, teammates, and boyfriends/girlfriends, just to name a few.\r\n\r\nAlternatively, pick someone you have drawn before and draw that person from a different perspective or in a different situation. Try to capture the same or an even better likeness than you did before.\r\n

6. Look at Magazines

\r\nI sometimes keep a stack of old magazines and tabloids nearby to sketch random faces inside. These can be sketches of everyday people, models, or celebrities. This is how I used to practice drawing famous faces back in the day, before they were all over the Internet. Magazines are still a great resource for drawing ideas. Often you can find some clever and creative photography work that can spark a drawing composition. Another advantage of a physical publication is having a quality, clear, high-resolution image from which to work.\r\n

7. Do an Online Image Search

\r\nIf you don\'t know what you want to draw, looking at a massive library of images will certainly get your creative juices flowing. Visit Google or your favorite search engine, type in some random keywords, and click on the Images link. Which keywords should you type if you don\'t know what to draw? Any words will do. The word you enter does not have to be the topic of drawing. The image results will often lead you to think of new, unrelated subjects. To get you started, think in terms of parts of speech. Try typing in keywords that are nouns (kids, worker, singer), verbs (reading, dancing, eating), and adjectives (serious, excited, funny).\r\n\r\nOn an additional note: You can use these online images and magazine images (#6 above) to practice, but be sure you are not publishing or selling exact representations without first getting permission from the copyright holders.\r\n

8. Build Upon What You Already Do Well

\r\nThink about your drawing strengths. What are you already very good at? Figure out what you do well and take it to the next level. Do you usually draw faces looking directly ahead? Try drawing a face at a three-quarter turn. Maybe you are very comfortable with drawing eyes, but how often do you draw glasses? Have you mastered line drawings yet? If so, perhaps it\'s time to work on mastering shading techniques. Do you only draw in graphite pencil? How about experimenting in colored pencil or pastels? It is human nature to keep doing what comes easy for us over and over again. Use those times when you don\'t know what to draw, and challenge yourself so you can grow as an artist.\r\n

9. Try Something New

\r\nContinuing with the theme of challenging yourself, why not do something you have never done before? Using some of the suggestions above, you are bound to come across ideas for drawing subjects that are new to you. If you tend to most often draw people, look to include interesting clothing, unique inanimate objects, or even animals. Build an eye-catching composition by including multiple subjects in one drawing to tell a story. You will become more versatile and might even surprise yourself along the way.\r\n

10. Walk Away

\r\nIf all else fails, sometimes it can actually be helpful to stop thinking about what to draw and just walk away. Take a few minutes to do something else. Eat a snack, take a nap, walk the dog, take the trash out. I cannot tell you how many times I\'ve had creative ideas pop into my head right out of the blue while doing the most mundane things.\r\n

Time to Take Action

\r\nJust like writers get writer\'s block from time to time, it is also normal for artists to occasionally lose inspiration or motivation. Hopefully this list can serve as your springboard to stop thinking about what to draw and start actually drawing. It\'s time to get started now!','10 Drawing Ideas for When You Don\'t Know What to Draw','','inherit','open','open','','1785-revision-v1','','','2015-03-29 00:52:50','2015-03-29 07:52:50','',1785,'http://www.letsdrawpeople.com/1785-revision-v1/',0,'revision','',0),(1798,2,'2015-03-29 00:59:05','2015-03-29 07:59:05','Use these drawings of celebrities and prominent people as examples of how to capture the likenesses of well-known people. Remember that when you are trying to draw people well enough and detailed enough for them to be recognizable as the intended person, it is often helpful to practice by drawing famous faces. I mean, what better test of your drawing skills than to show your work to people who immediately know who you were trying to draw, right?\r\n\r\nYou will see familiar drawings of different skill levels and different levels of detail in this gallery. Some drawings you may recognize, while others you may not. No matter how much or how little a drawing here captures a resemblance, take the opportunity to learn something from each piece. Some questions you may ask yourself as you view this gallery are:\r\n
    \r\n
  • Which obvious features did the artist include to help make the famous face easily recognizable?
    • \r\n
  • Which details or subtle facial characteristics did the artist include to obtain such an accurate likeness of the subject?
    • \r\n
  •  What could the artist have done differently to make a better representation of the celebrity?
    • \r\n
\r\nThank you in advance to all artists who contribute their drawings of well-known faces to this gallery! Remember, too, that it\'s okay if your drawing doesn\'t come out perfectly or to your satisfaction. I am still hard on myself with some of my work, and I always see something I could have done differently for better results (even with my own drawings in this gallery!). The important thing to remember is, you should always feel good about sharing your artwork, celebrate your strengths, and learn from your mistakes.\r\n\r\nIf you have your own celebrity portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"759,753,734,799,798,797,796,790,791,792,793,794,789,788,787,786,785,784,783,795,1171,1633,1721\" orderby=\"rand\"]','Drawings of Well-Known Faces','','inherit','open','open','','659-revision-v1','','','2015-03-29 00:59:05','2015-03-29 07:59:05','',659,'http://www.letsdrawpeople.com/659-revision-v1/',0,'revision','',0),(1799,2,'2015-04-01 02:18:29','2015-04-01 09:18:29','
\r\n

\r\nImagine having no artistic talent and being able to draw Taylor Swift effortlessly, with no pre-sketched facial guidelines and no grid. Is that even possible?\r\n\r\nWell, the makers of a new app claim to make that possibility a reality. Tech company Osmo recently released their app, Masterpiece, to encourage kids (and adults) to build better spatial awareness and creativity while playing on a tablet.\r\n\r\nHere\'s how it works: Masterpiece simplifies your photo to basic lines and tones. Then, along with a tablet stand and mirror over the camera, the app allows you to see where your hand is on the screen as you follow along the lines generated by the app and draw them onto blank paper.\r\n\r\nYou can see more of how it works here:\r\n\r\n

\r\n

\r\nSome might argue that this is not true drawing but rather a form of tracing. Osmo founder Pramod Sharma disagrees, saying it allows you to \"build confidence\". Sharma also refers to the fact that you can create your own unique, fun compositions along with other changes to make a drawing your own.\r\n\r\nPersonally, I haven\'t tried this app, but I am all about anything that gets kids and adults excited about drawing. I like the idea that people who only draw stick figures can get a sense of accomplishment from creating a portrait they never imagined they could. Plus, they are gradually strengthening the basic fine-motor and perception skills needed to eventually draw without the app.\r\n\r\nTo read more about the Masterpiece app, click here to read Katy Steinmetz\'s full Time article.\r\n\r\nWhat is your opinion of Masterpiece? Do you think it is a good idea for a beginner? Or, if you already have the app, what do you think about it? Let me know your thoughts in the comments below.

','If You Think You Cannot Draw, This App Will Prove You Wrong','','publish','open','open','','if-you-think-you-cannot-draw-this-app-will-prove-you-wrong','','','2015-04-01 16:57:55','2015-04-01 23:57:55','',0,'http://www.letsdrawpeople.com/?p=1799',0,'post','',0),(1800,2,'2015-03-30 09:36:54','2015-03-30 16:36:54','
    \r\n
  • A new title(new image, too, if applicable!)
    • \r\n
  • Added commentary(This can be supportive or contrasting – voice your opinion! Allow your expertise to shine through.)\r\n
      \r\n
    • Introduction of article
      • \r\n
    • Relevant quote from the original article (optional, but adds credibility!)
      • \r\n
    • Your analyst insight/commentary
      • \r\n
    \r\n
    • \r\n
  • Link back to original article(Give proper attribution to remain )
    • \r\n
  • Ask a question (This can help start the conversation)
    • \r\n
  • Call-to-Action(Give your readers the option to learn more)
    • \r\n
','If You Think You Cannot Draw, This App Will Prove You Wrong','','inherit','open','open','','1799-revision-v1','','','2015-03-30 09:36:54','2015-03-30 16:36:54','',1799,'http://www.letsdrawpeople.com/1799-revision-v1/',0,'revision','',0),(1801,2,'2015-03-30 10:07:51','2015-03-30 17:07:51','
\r\n
  • Added commentary(This can be supportive or contrasting – voice your opinion! Allow your expertise to shine through.)\r\n
    • Introduction of article
      • \r\n
    • Relevant quote from the original article (optional, but adds credibility!)
      • \r\n
    • Your analyst insight/commentary
      • \r\n
    • \r\n
  • Link back to original article(Give proper attribution to remain )
    • \r\n
  • Ask a question (This can help start the conversation)
    • \r\n
  • Call-to-Action(Give your readers the option to learn more)
    • \r\n
\r\nImagine having no artistic talent and being able to draw Taylor Swift effortlessly, with no pre-sketched facial guidelines and no grid. Is that even possible?\r\n\r\nWell, the makers of a new app claim to make that possibility a reality. Tech company Osmo recently released their app, Masterpiece, to encourage kids (and adults) to build better spatial awareness and creativity while playing on a tablet.\r\n\r\nHere\'s how it works: Masterpiece simplifies your photo to basic lines and shades. Then, along with a tablet stand and mirror over the camera, the app allows you to see where your hand is on the screen as you follow along the lines generated by the app and draw them onto blank paper.\r\n\r\nYou can see more of how it works here:\r\n\r\n \r\n\r\n \r\n\r\nThe founder\r\n\r\n ','If You Think You Cannot Draw, This App Will Prove You Wrong','','inherit','open','open','','1799-revision-v1','','','2015-03-30 10:07:51','2015-03-30 17:07:51','',1799,'http://www.letsdrawpeople.com/1799-revision-v1/',0,'revision','',0),(1802,2,'2015-03-30 10:24:58','2015-03-30 17:24:58','
\r\n
  • Added commentary(This can be supportive or contrasting – voice your opinion! Allow your expertise to shine through.)\r\n
    • Introduction of article
      • \r\n
    • Relevant quote from the original article (optional, but adds credibility!)
      • \r\n
    • Your analyst insight/commentary
      • \r\n
    • \r\n
  • Link back to original article(Give proper attribution to remain )
    • \r\n
  • Ask a question (This can help start the conversation)
    • \r\n
  • Call-to-Action(Give your readers the option to learn more)
    • \r\n
\r\nImagine having no artistic talent and being able to draw Taylor Swift effortlessly, with no pre-sketched facial guidelines and no grid. Is that even possible?\r\n\r\nWell, the makers of a new app claim to make that possibility a reality. Tech company Osmo recently released their app, Masterpiece, to encourage kids (and adults) to build better spatial awareness and creativity while playing on a tablet.\r\n\r\nHere\'s how it works: Masterpiece simplifies your photo to basic lines and shades. Then, along with a tablet stand and mirror over the camera, the app allows you to see where your hand is on the screen as you follow along the lines generated by the app and draw them onto blank paper.\r\n\r\nYou can see more of how it works here:\r\n\r\n \r\n\r\n \r\n\r\nSome might argue that this is not true drawing but rather a form of tracing. Osmo founder Pramod Sharma disagrees, saying it allows you to \"build confidence\". Sharma also refers to the fact that you can create your own unique, fun compositions along with other changes to make a drawing your own.\r\n\r\nYou can read more about the Masterpiece app here.\r\n\r\n ','If You Think You Cannot Draw, This App Will Prove You Wrong','','inherit','open','open','','1799-revision-v1','','','2015-03-30 10:24:58','2015-03-30 17:24:58','',1799,'http://www.letsdrawpeople.com/1799-revision-v1/',0,'revision','',0),(1803,2,'2015-03-30 10:46:30','2015-03-30 17:46:30','
Imagine having no artistic talent and being able to draw Taylor Swift effortlessly, with no pre-sketched facial guidelines and no grid. Is that even possible?\r\n\r\nWell, the makers of a new app claim to make that possibility a reality. Tech company Osmo recently released their app, Masterpiece, to encourage kids (and adults) to build better spatial awareness and creativity while playing on a tablet.\r\n\r\nHere\'s how it works: Masterpiece simplifies your photo to basic lines and shades. Then, along with a tablet stand and mirror over the camera, the app allows you to see where your hand is on the screen as you follow along the lines generated by the app and draw them onto blank paper.\r\n\r\nYou can see more of how it works here:\r\n\r\n
Some might argue that this is not true drawing but rather a form of tracing. Osmo founder Pramod Sharma disagrees, saying it allows you to \"build confidence\". Sharma also refers to the fact that you can create your own unique, fun compositions along with other changes to make a drawing your own.\r\n\r\nPersonally, I haven\'t tried this app, but I am all about anything that gets kids and adults excited about drawing. I like the idea that someone who only draws stick people can get a sense of accomplishment from creating a portrait they never imagined they could. Plus, they are gradually strengthening the basic fine-motor and perception skills needed to eventually draw without the app.\r\n\r\nYou can read more about the Masterpiece app here.\r\n\r\nWhat is your opinion of Masterpiece? Do you think it is a good idea for a beginner? Or, if you already have the app, what do you think about it? Let me know your thoughts in the comments below.','If You Think You Cannot Draw, This App Will Prove You Wrong','','inherit','open','open','','1799-revision-v1','','','2015-03-30 10:46:30','2015-03-30 17:46:30','',1799,'http://www.letsdrawpeople.com/1799-revision-v1/',0,'revision','',0),(1804,2,'2015-03-30 10:50:23','2015-03-30 17:50:23','
Imagine having no artistic talent and being able to draw Taylor Swift effortlessly, with no pre-sketched facial guidelines and no grid. Is that even possible?\r\n\r\nWell, the makers of a new app claim to make that possibility a reality. Tech company Osmo recently released their app, Masterpiece, to encourage kids (and adults) to build better spatial awareness and creativity while playing on a tablet.\r\n\r\nHere\'s how it works: Masterpiece simplifies your photo to basic lines and tones. Then, along with a tablet stand and mirror over the camera, the app allows you to see where your hand is on the screen as you follow along the lines generated by the app and draw them onto blank paper.\r\n\r\nYou can see more of how it works here:\r\n\r\n
Some might argue that this is not true drawing but rather a form of tracing. Osmo founder Pramod Sharma disagrees, saying it allows you to \"build confidence\". Sharma also refers to the fact that you can create your own unique, fun compositions along with other changes to make a drawing your own.\r\n\r\nPersonally, I haven\'t tried this app, but I am all about anything that gets kids and adults excited about drawing. I like the idea that people who only draw stick figures can get a sense of accomplishment from creating a portrait they never imagined they could. Plus, they are gradually strengthening the basic fine-motor and perception skills needed to eventually draw without the app.\r\n\r\nYou can read more about the Masterpiece app here.\r\n\r\nWhat is your opinion of Masterpiece? Do you think it is a good idea for a beginner? Or, if you already have the app, what do you think about it? Let me know your thoughts in the comments below.','If You Think You Cannot Draw, This App Will Prove You Wrong','','inherit','open','open','','1799-revision-v1','','','2015-03-30 10:50:23','2015-03-30 17:50:23','',1799,'http://www.letsdrawpeople.com/1799-revision-v1/',0,'revision','',0),(1805,2,'2015-03-30 10:52:20','2015-03-30 17:52:20','
Imagine having no artistic talent and being able to draw Taylor Swift effortlessly, with no pre-sketched facial guidelines and no grid. Is that even possible?\r\n\r\nWell, the makers of a new app claim to make that possibility a reality. Tech company Osmo recently released their app, Masterpiece, to encourage kids (and adults) to build better spatial awareness and creativity while playing on a tablet.\r\n\r\nHere\'s how it works: Masterpiece simplifies your photo to basic lines and tones. Then, along with a tablet stand and mirror over the camera, the app allows you to see where your hand is on the screen as you follow along the lines generated by the app and draw them onto blank paper.\r\n\r\nYou can see more of how it works here:\r\n\r\n
Some might argue that this is not true drawing but rather a form of tracing. Osmo founder Pramod Sharma disagrees, saying it allows you to \"build confidence\". Sharma also refers to the fact that you can create your own unique, fun compositions along with other changes to make a drawing your own.\r\n\r\nPersonally, I haven\'t tried this app, but I am all about anything that gets kids and adults excited about drawing. I like the idea that people who only draw stick figures can get a sense of accomplishment from creating a portrait they never imagined they could. Plus, they are gradually strengthening the basic fine-motor and perception skills needed to eventually draw without the app.\r\n\r\nYou can read more about the Masterpiece app here.\r\n\r\nWhat is your opinion of Masterpiece? Do you think it is a good idea for a beginner? Or, if you already have the app, what do you think about it? Let me know your thoughts in the comments below.','If You Think You Cannot Draw, This App Will Prove You Wrong','','inherit','open','open','','1799-revision-v1','','','2015-03-30 10:52:20','2015-03-30 17:52:20','',1799,'http://www.letsdrawpeople.com/1799-revision-v1/',0,'revision','',0),(1806,2,'2015-03-30 10:54:06','2015-03-30 17:54:06','
Imagine having no artistic talent and being able to draw Taylor Swift effortlessly, with no pre-sketched facial guidelines and no grid. Is that even possible?\r\n\r\nWell, the makers of a new app claim to make that possibility a reality. Tech company Osmo recently released their app, Masterpiece, to encourage kids (and adults) to build better spatial awareness and creativity while playing on a tablet.\r\n\r\nHere\'s how it works: Masterpiece simplifies your photo to basic lines and tones. Then, along with a tablet stand and mirror over the camera, the app allows you to see where your hand is on the screen as you follow along the lines generated by the app and draw them onto blank paper.\r\n\r\nYou can see more of how it works here:\r\n\r\n
 \r\n\r\nSome might argue that this is not true drawing but rather a form of tracing. Osmo founder Pramod Sharma disagrees, saying it allows you to \"build confidence\". Sharma also refers to the fact that you can create your own unique, fun compositions along with other changes to make a drawing your own.\r\n\r\nPersonally, I haven\'t tried this app, but I am all about anything that gets kids and adults excited about drawing. I like the idea that people who only draw stick figures can get a sense of accomplishment from creating a portrait they never imagined they could. Plus, they are gradually strengthening the basic fine-motor and perception skills needed to eventually draw without the app.\r\n\r\nYou can read more about the Masterpiece app here.\r\n\r\nWhat is your opinion of Masterpiece? Do you think it is a good idea for a beginner? Or, if you already have the app, what do you think about it? Let me know your thoughts in the comments below.','If You Think You Cannot Draw, This App Will Prove You Wrong','','inherit','open','open','','1799-revision-v1','','','2015-03-30 10:54:06','2015-03-30 17:54:06','',1799,'http://www.letsdrawpeople.com/1799-revision-v1/',0,'revision','',0),(1807,2,'2015-03-30 10:54:38','2015-03-30 17:54:38','
Imagine having no artistic talent and being able to draw Taylor Swift effortlessly, with no pre-sketched facial guidelines and no grid. Is that even possible?\r\n\r\nWell, the makers of a new app claim to make that possibility a reality. Tech company Osmo recently released their app, Masterpiece, to encourage kids (and adults) to build better spatial awareness and creativity while playing on a tablet.\r\n\r\nHere\'s how it works: Masterpiece simplifies your photo to basic lines and tones. Then, along with a tablet stand and mirror over the camera, the app allows you to see where your hand is on the screen as you follow along the lines generated by the app and draw them onto blank paper.\r\n\r\nYou can see more of how it works here:\r\n\r\n
Some might argue that this is not true drawing but rather a form of tracing. Osmo founder Pramod Sharma disagrees, saying it allows you to \"build confidence\". Sharma also refers to the fact that you can create your own unique, fun compositions along with other changes to make a drawing your own.\r\n\r\nPersonally, I haven\'t tried this app, but I am all about anything that gets kids and adults excited about drawing. I like the idea that people who only draw stick figures can get a sense of accomplishment from creating a portrait they never imagined they could. Plus, they are gradually strengthening the basic fine-motor and perception skills needed to eventually draw without the app.\r\n\r\nYou can read more about the Masterpiece app here.\r\n\r\nWhat is your opinion of Masterpiece? Do you think it is a good idea for a beginner? Or, if you already have the app, what do you think about it? Let me know your thoughts in the comments below.','If You Think You Cannot Draw, This App Will Prove You Wrong','','inherit','open','open','','1799-revision-v1','','','2015-03-30 10:54:38','2015-03-30 17:54:38','',1799,'http://www.letsdrawpeople.com/1799-revision-v1/',0,'revision','',0),(1808,2,'2015-03-30 10:56:33','2015-03-30 17:56:33','
Imagine having no artistic talent and being able to draw Taylor Swift effortlessly, with no pre-sketched facial guidelines and no grid. Is that even possible?\r\n\r\nWell, the makers of a new app claim to make that possibility a reality. Tech company Osmo recently released their app, Masterpiece, to encourage kids (and adults) to build better spatial awareness and creativity while playing on a tablet.\r\n\r\nHere\'s how it works: Masterpiece simplifies your photo to basic lines and tones. Then, along with a tablet stand and mirror over the camera, the app allows you to see where your hand is on the screen as you follow along the lines generated by the app and draw them onto blank paper.\r\n\r\nYou can see more of how it works here:\r\n\r\n
Some might argue that this is not true drawing but rather a form of tracing. Osmo founder Pramod Sharma disagrees, saying it allows you to \"build confidence\". Sharma also refers to the fact that you can create your own unique, fun compositions along with other changes to make a drawing your own.\r\n\r\nPersonally, I haven\'t tried this app, but I am all about anything that gets kids and adults excited about drawing. I like the idea that people who only draw stick figures can get a sense of accomplishment from creating a portrait they never imagined they could. Plus, they are gradually strengthening the basic fine-motor and perception skills needed to eventually draw without the app.\r\n\r\nYou can read more about the Masterpiece app here.\r\n\r\nWhat is your opinion of Masterpiece? Do you think it is a good idea for a beginner? Or, if you already have the app, what do you think about it? Let me know your thoughts in the comments below.','If You Think You Cannot Draw, This App Will Prove You Wrong','','inherit','open','open','','1799-revision-v1','','','2015-03-30 10:56:33','2015-03-30 17:56:33','',1799,'http://www.letsdrawpeople.com/1799-revision-v1/',0,'revision','',0),(1809,2,'2015-03-30 10:57:37','2015-03-30 17:57:37','
Imagine having no artistic talent and being able to draw Taylor Swift effortlessly, with no pre-sketched facial guidelines and no grid. Is that even possible?\r\n\r\nWell, the makers of a new app claim to make that possibility a reality. Tech company Osmo recently released their app, Masterpiece, to encourage kids (and adults) to build better spatial awareness and creativity while playing on a tablet.\r\n\r\nHere\'s how it works: Masterpiece simplifies your photo to basic lines and tones. Then, along with a tablet stand and mirror over the camera, the app allows you to see where your hand is on the screen as you follow along the lines generated by the app and draw them onto blank paper.\r\n\r\nYou can see more of how it works here:\r\n\r\n
Some might argue that this is not true drawing but rather a form of tracing. Osmo founder Pramod Sharma disagrees, saying it allows you to \"build confidence\". Sharma also refers to the fact that you can create your own unique, fun compositions along with other changes to make a drawing your own.\r\n\r\nPersonally, I haven\'t tried this app, but I am all about anything that gets kids and adults excited about drawing. I like the idea that people who only draw stick figures can get a sense of accomplishment from creating a portrait they never imagined they could. Plus, they are gradually strengthening the basic fine-motor and perception skills needed to eventually draw without the app.\r\n\r\nYou can read more about the Masterpiece app here.\r\n\r\nWhat is your opinion of Masterpiece? Do you think it is a good idea for a beginner? Or, if you already have the app, what do you think about it? Let me know your thoughts in the comments below.','If You Think You Cannot Draw, This App Will Prove You Wrong','','inherit','open','open','','1799-revision-v1','','','2015-03-30 10:57:37','2015-03-30 17:57:37','',1799,'http://www.letsdrawpeople.com/1799-revision-v1/',0,'revision','',0),(1810,2,'2015-03-30 10:59:17','2015-03-30 17:59:17','
Imagine having no artistic talent and being able to draw Taylor Swift effortlessly, with no pre-sketched facial guidelines and no grid. Is that even possible?\r\n\r\nWell, the makers of a new app claim to make that possibility a reality. Tech company Osmo recently released their app, Masterpiece, to encourage kids (and adults) to build better spatial awareness and creativity while playing on a tablet.\r\n\r\nHere\'s how it works: Masterpiece simplifies your photo to basic lines and tones. Then, along with a tablet stand and mirror over the camera, the app allows you to see where your hand is on the screen as you follow along the lines generated by the app and draw them onto blank paper.\r\n\r\nYou can see more of how it works here:\r\n\r\n
\r\n

\r\nSome might argue that this is not true drawing but rather a form of tracing. Osmo founder Pramod Sharma disagrees, saying it allows you to \"build confidence\". Sharma also refers to the fact that you can create your own unique, fun compositions along with other changes to make a drawing your own.\r\n\r\nPersonally, I haven\'t tried this app, but I am all about anything that gets kids and adults excited about drawing. I like the idea that people who only draw stick figures can get a sense of accomplishment from creating a portrait they never imagined they could. Plus, they are gradually strengthening the basic fine-motor and perception skills needed to eventually draw without the app.\r\n\r\nYou can read more about the Masterpiece app here.\r\n\r\nWhat is your opinion of Masterpiece? Do you think it is a good idea for a beginner? Or, if you already have the app, what do you think about it? Let me know your thoughts in the comments below.

','If You Think You Cannot Draw, This App Will Prove You Wrong','','inherit','open','open','','1799-revision-v1','','','2015-03-30 10:59:17','2015-03-30 17:59:17','',1799,'http://www.letsdrawpeople.com/1799-revision-v1/',0,'revision','',0),(1811,2,'2015-03-30 11:00:07','2015-03-30 18:00:07','
Imagine having no artistic talent and being able to draw Taylor Swift effortlessly, with no pre-sketched facial guidelines and no grid. Is that even possible?\r\n\r\nWell, the makers of a new app claim to make that possibility a reality. Tech company Osmo recently released their app, Masterpiece, to encourage kids (and adults) to build better spatial awareness and creativity while playing on a tablet.\r\n\r\nHere\'s how it works: Masterpiece simplifies your photo to basic lines and tones. Then, along with a tablet stand and mirror over the camera, the app allows you to see where your hand is on the screen as you follow along the lines generated by the app and draw them onto blank paper.\r\n\r\nYou can see more of how it works here:\r\n\r\n
Some might argue that this is not true drawing but rather a form of tracing. Osmo founder Pramod Sharma disagrees, saying it allows you to \"build confidence\". Sharma also refers to the fact that you can create your own unique, fun compositions along with other changes to make a drawing your own.\r\n\r\nPersonally, I haven\'t tried this app, but I am all about anything that gets kids and adults excited about drawing. I like the idea that people who only draw stick figures can get a sense of accomplishment from creating a portrait they never imagined they could. Plus, they are gradually strengthening the basic fine-motor and perception skills needed to eventually draw without the app.\r\n\r\nYou can read more about the Masterpiece app here.\r\n\r\nWhat is your opinion of Masterpiece? Do you think it is a good idea for a beginner? Or, if you already have the app, what do you think about it? Let me know your thoughts in the comments below.','If You Think You Cannot Draw, This App Will Prove You Wrong','','inherit','open','open','','1799-revision-v1','','','2015-03-30 11:00:07','2015-03-30 18:00:07','',1799,'http://www.letsdrawpeople.com/1799-revision-v1/',0,'revision','',0),(1812,2,'2015-03-30 11:00:57','2015-03-30 18:00:57','

Imagine having no artistic talent and being able to draw Taylor Swift effortlessly, with no pre-sketched facial guidelines and no grid. Is that even possible?\r\n\r\nWell, the makers of a new app claim to make that possibility a reality. Tech company Osmo recently released their app, Masterpiece, to encourage kids (and adults) to build better spatial awareness and creativity while playing on a tablet.\r\n\r\nHere\'s how it works: Masterpiece simplifies your photo to basic lines and tones. Then, along with a tablet stand and mirror over the camera, the app allows you to see where your hand is on the screen as you follow along the lines generated by the app and draw them onto blank paper.\r\n\r\nYou can see more of how it works here:\r\n\r\n

Some might argue that this is not true drawing but rather a form of tracing. Osmo founder Pramod Sharma disagrees, saying it allows you to \"build confidence\". Sharma also refers to the fact that you can create your own unique, fun compositions along with other changes to make a drawing your own.\r\n\r\nPersonally, I haven\'t tried this app, but I am all about anything that gets kids and adults excited about drawing. I like the idea that people who only draw stick figures can get a sense of accomplishment from creating a portrait they never imagined they could. Plus, they are gradually strengthening the basic fine-motor and perception skills needed to eventually draw without the app.\r\n\r\nYou can read more about the Masterpiece app here.\r\n\r\nWhat is your opinion of Masterpiece? Do you think it is a good idea for a beginner? Or, if you already have the app, what do you think about it? Let me know your thoughts in the comments below.

','If You Think You Cannot Draw, This App Will Prove You Wrong','','inherit','open','open','','1799-revision-v1','','','2015-03-30 11:00:57','2015-03-30 18:00:57','',1799,'http://www.letsdrawpeople.com/1799-revision-v1/',0,'revision','',0),(1813,2,'2015-03-30 11:13:22','2015-03-30 18:13:22','','masterpiece','','inherit','open','open','','masterpiece','','','2015-03-30 11:13:22','2015-03-30 18:13:22','',1799,'http://www.letsdrawpeople.com/wp-content/uploads/2015/03/masterpiece.jpg',0,'attachment','image/jpeg',0),(1814,2,'2015-04-06 22:39:41','2015-04-07 05:39:41','The eye....probably the most fascinating facial feature there is to draw.\r\n\r\nThe eye definitely has a unique complexity to it that other facial features lack. That\'s not to say that drawing a nose, mouth, or ear is all that easy for a beginning artist. Still you have to admit, the human eye is intriguing enough to make it both a challenging and fun drawing subject.\r\n\r\nThis post will be the first in a four-part tutorial. Throughout the series, we will see how to draw an eye in a realistic manner.\r\n\r\nThis first lesson will be focused on what could very well be the most important part of any realistic drawing...the initial line drawing.\r\n\r\nAll you need for today\'s lesson is a sheet of drawing paper (two-ply bristol board will yield the best results), a 2B pencil, a kneaded eraser, and a compass for drawing circles.\r\n\r\nAre you ready? Let\'s see how to make a detailed line drawing of an eye that will lend itself to making a much more detailed, realistic drawing of the eye later on!\r\n

Drawing the Eye\'s Outline

\r\nAs always, it is helpful to have a reference photograph to guide your drawing. Here is the eye photograph we will use to help with this drawing tutorial.\r\n\r\n[caption id=\"attachment_1922\" align=\"aligncenter\" width=\"800\"]\"By By Laitr Keiows (Own work) [CC BY-SA 3.0 or GFDL], via Wikimedia Commons[/caption]First, draw the almond-shaped outline of the eye that is formed by the upper and lower eyelid. This outline will encompass the white part of the eye. Since this eye drawing happens to be that of a person\'s left eye, don\'t forget to draw the inner corner tear duct area on the right side of the eye (your left). I\'m talking about that little triangular pink nodule, the lacrimal caruncle (for those of you dying to know the actual name of it).\r\n\r\n\"how\r\n

Placing the Iris, Pupil, and Highlight

\r\nNext, lightly and carefully sketch circles for where the iris and pupil should be. Most of the time when you observe an eye looking straight ahead, you will notice the top and bottom of the iris slightly hidden behind the eyelids. The pupil should be visible in its entirety and centered on the iris.\r\n\r\n\"how\r\n\r\nIdeally, the iris and pupil should be as circular as possible. For most drawings, I use a circle template to trace over these sketched circles, resulting in more perfectly-formed circles. In a drawing such as this, where the eye itself is the subject and inhabits a space the size of the whole paper, a circle template isn\'t going to cut it. Instead, I used a standard drawing compass for this example. Notice that the new circles are not perfectly atop the sketched ones, but that\'s okay. The important thing to remember is to keep the same center for both circles. Take extra caution with the sharp point of your compass so as to not poke a big, nasty hole in your drawing paper!\r\n\r\n\"how\r\n\r\nNow for the highlight. Most of the eye highlights I see and draw are circular. However, highlights come in varying shapes, sizes, and quantities. For this drawing, let\'s use one fairly large, square-shaped highlight that overlaps the iris and pupil.\r\n\r\n\"how\r\n

Drawing the Eyelids

\r\nDrawing the eyelids should be pretty straightforward. Draw the upper and lower eyelids by indicating them with lines as seen in the image below. Notice how the drawn lines above and below the eye compliment it with the same curvature.\r\n\r\nOne of the best things you can do to add realism to your eyelids is to not forget the rim around the white of the eye. This rim serves as the upper plane of the lower eyelid and the lower plane of the upper eyelid. All too often, beginning artists overlook this one simple detail. Don\'t make the same mistake!\r\n\r\n\"how\r\n

Adding Final Touches to Your Line Drawing

\r\nWhen I know I want to use a line drawing to create a detailed, realistic pencil drawing with shading, I like to use the line drawing to help me plan for where my shadows and highlights will go.\r\n\r\nBegin with the white part of the eye. Remember that the eyeball is largely spherical in shape, so a few well-placed shadows will create this effect. The upper eyelid will place a cast shadow onto the eye directly below the lid. Sketch a rim around the outer and inner iris to plan for variations in color. You can even place some tiny highlights and teardrops in the inner corner of the eye.\r\n\r\n\"how\r\n\r\nRepeat this process of planning for shadows and highlights on the skin surrounding the eye. You can see shadows where skin folds and overlaps. You can see lighter skin (subtle highlights) on curved areas that are closer to the light.\r\n\r\n\"how\r\n\r\nThis will give you a detailed line drawing of an eye. Look out for the next post (Part 2 of this series), where we will shade the eye with the first layer of graphite tones.','How to Draw an Eye Realistically (Part 1 of 4)','','publish','open','open','','how-to-draw-an-eye-realistically-part-1-of-4','','\nhttp://www.letsdrawpeople.com/how-to-draw-an-eye-realistically-part-2-of-4/','2015-06-30 00:34:48','2015-06-30 07:34:48','',0,'http://www.letsdrawpeople.com/?p=1814',0,'post','',0),(1815,2,'2015-03-31 07:29:29','2015-03-31 14:29:29','In this tutorial, we will see how to draw an eye.\r\n\r\nFirst, draw the almond-shaped outline of the eye that is formed by the upper and lower eyelid.','How to Draw an Eye','','inherit','open','open','','1814-revision-v1','','','2015-03-31 07:29:29','2015-03-31 14:29:29','',1814,'http://www.letsdrawpeople.com/1814-revision-v1/',0,'revision','',0),(1816,2,'2015-04-01 07:22:24','2015-04-01 14:22:24','
Imagine having no artistic talent and being able to draw Taylor Swift effortlessly, with no pre-sketched facial guidelines and no grid. Is that even possible?\r\n\r\nWell, the makers of a new app claim to make that possibility a reality. Tech company Osmo recently released their app, Masterpiece, to encourage kids (and adults) to build better spatial awareness and creativity while playing on a tablet.\r\n\r\nHere\'s how it works: Masterpiece simplifies your photo to basic lines and tones. Then, along with a tablet stand and mirror over the camera, the app allows you to see where your hand is on the screen as you follow along the lines generated by the app and draw them onto blank paper.\r\n\r\nYou can see more of how it works here:\r\n\r\n
Some might argue that this is not true drawing but rather a form of tracing. Osmo founder Pramod Sharma disagrees, saying it allows you to \"build confidence\". Sharma also refers to the fact that you can create your own unique, fun compositions along with other changes to make a drawing your own.\r\n\r\nPersonally, I haven\'t tried this app, but I am all about anything that gets kids and adults excited about drawing. I like the idea that people who only draw stick figures can get a sense of accomplishment from creating a portrait they never imagined they could. Plus, they are gradually strengthening the basic fine-motor and perception skills needed to eventually draw without the app.\r\n\r\nYou can read more about the Masterpiece app here.\r\n\r\nWhat is your opinion of Masterpiece? Do you think it is a good idea for a beginner? Or, if you already have the app, what do you think about it? Let me know your thoughts in the comments below.','If You Think You Cannot Draw, This App Will Prove You Wrong','','inherit','open','open','','1799-revision-v1','','','2015-04-01 07:22:24','2015-04-01 14:22:24','',1799,'http://www.letsdrawpeople.com/1799-revision-v1/',0,'revision','',0),(1817,2,'2015-04-01 16:56:59','2015-04-01 23:56:59','
\n

\nImagine having no artistic talent and being able to draw Taylor Swift effortlessly, with no pre-sketched facial guidelines and no grid. Is that even possible?\n\nWell, the makers of a new app claim to make that possibility a reality. Tech company Osmo recently released their app, Masterpiece, to encourage kids (and adults) to build better spatial awareness and creativity while playing on a tablet.\n\nHere\'s how it works: Masterpiece simplifies your photo to basic lines and tones. Then, along with a tablet stand and mirror over the camera, the app allows you to see where your hand is on the screen as you follow along the lines generated by the app and draw them onto blank paper.\n\nYou can see more of how it works here:\n\n

\n

\nSome might argue that this is not true drawing but rather a form of tracing. Osmo founder Pramod Sharma disagrees, saying it allows you to \"build confidence\". Sharma also refers to the fact that you can create your own unique, fun compositions along with other changes to make a drawing your own.\n\nPersonally, I haven\'t tried this app, but I am all about anything that gets kids and adults excited about drawing. I like the idea that people who only draw stick figures can get a sense of accomplishment from creating a portrait they never imagined they could. Plus, they are gradually strengthening the basic fine-motor and perception skills needed to eventually draw without the app.\n\nTo read more about the Masterpiece app, click here to read Katy \n\nWhat is your opinion of Masterpiece? Do you think it is a good idea for a beginner? Or, if you already have the app, what do you think about it? Let me know your thoughts in the comments below.

','If You Think You Cannot Draw, This App Will Prove You Wrong','','inherit','open','open','','1799-autosave-v1','','','2015-04-01 16:56:59','2015-04-01 23:56:59','',1799,'http://www.letsdrawpeople.com/1799-autosave-v1/',0,'revision','',0),(1818,2,'2015-04-01 07:23:57','2015-04-01 14:23:57','
\r\n

\r\nImagine having no artistic talent and being able to draw Taylor Swift effortlessly, with no pre-sketched facial guidelines and no grid. Is that even possible?\r\n\r\nWell, the makers of a new app claim to make that possibility a reality. Tech company Osmo recently released their app, Masterpiece, to encourage kids (and adults) to build better spatial awareness and creativity while playing on a tablet.\r\n\r\nHere\'s how it works: Masterpiece simplifies your photo to basic lines and tones. Then, along with a tablet stand and mirror over the camera, the app allows you to see where your hand is on the screen as you follow along the lines generated by the app and draw them onto blank paper.\r\n\r\nYou can see more of how it works here:\r\n\r\n

\r\n

\r\nSome might argue that this is not true drawing but rather a form of tracing. Osmo founder Pramod Sharma disagrees, saying it allows you to \"build confidence\". Sharma also refers to the fact that you can create your own unique, fun compositions along with other changes to make a drawing your own.\r\n\r\nPersonally, I haven\'t tried this app, but I am all about anything that gets kids and adults excited about drawing. I like the idea that people who only draw stick figures can get a sense of accomplishment from creating a portrait they never imagined they could. Plus, they are gradually strengthening the basic fine-motor and perception skills needed to eventually draw without the app.\r\n\r\nYou can read more about the Masterpiece app here.\r\n\r\nWhat is your opinion of Masterpiece? Do you think it is a good idea for a beginner? Or, if you already have the app, what do you think about it? Let me know your thoughts in the comments below.

','If You Think You Cannot Draw, This App Will Prove You Wrong','','inherit','open','open','','1799-revision-v1','','','2015-04-01 07:23:57','2015-04-01 14:23:57','',1799,'http://www.letsdrawpeople.com/1799-revision-v1/',0,'revision','',0),(1819,2,'2015-04-01 16:57:55','2015-04-01 23:57:55','
\r\n

\r\nImagine having no artistic talent and being able to draw Taylor Swift effortlessly, with no pre-sketched facial guidelines and no grid. Is that even possible?\r\n\r\nWell, the makers of a new app claim to make that possibility a reality. Tech company Osmo recently released their app, Masterpiece, to encourage kids (and adults) to build better spatial awareness and creativity while playing on a tablet.\r\n\r\nHere\'s how it works: Masterpiece simplifies your photo to basic lines and tones. Then, along with a tablet stand and mirror over the camera, the app allows you to see where your hand is on the screen as you follow along the lines generated by the app and draw them onto blank paper.\r\n\r\nYou can see more of how it works here:\r\n\r\n

\r\n

\r\nSome might argue that this is not true drawing but rather a form of tracing. Osmo founder Pramod Sharma disagrees, saying it allows you to \"build confidence\". Sharma also refers to the fact that you can create your own unique, fun compositions along with other changes to make a drawing your own.\r\n\r\nPersonally, I haven\'t tried this app, but I am all about anything that gets kids and adults excited about drawing. I like the idea that people who only draw stick figures can get a sense of accomplishment from creating a portrait they never imagined they could. Plus, they are gradually strengthening the basic fine-motor and perception skills needed to eventually draw without the app.\r\n\r\nTo read more about the Masterpiece app, click here to read Katy Steinmetz\'s full Time article.\r\n\r\nWhat is your opinion of Masterpiece? Do you think it is a good idea for a beginner? Or, if you already have the app, what do you think about it? Let me know your thoughts in the comments below.

','If You Think You Cannot Draw, This App Will Prove You Wrong','','inherit','open','open','','1799-revision-v1','','','2015-04-01 16:57:55','2015-04-01 23:57:55','',1799,'http://www.letsdrawpeople.com/1799-revision-v1/',0,'revision','',0),(1821,2,'2015-04-04 21:06:50','2015-04-05 04:06:50','','caricature ad 468x60','','inherit','open','open','','caricature-ad-468x60','','','2015-04-04 21:06:50','2015-04-05 04:06:50','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/caricature-ad-468x60.jpg',0,'attachment','image/jpeg',0),(1822,2,'2015-04-04 21:25:02','2015-04-05 04:25:02','','realistic pencil portrait mastery 500x125','','inherit','open','open','','realistic-pencil-portrait-mastery-500x125','','','2015-04-04 21:25:02','2015-04-05 04:25:02','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/realistic-pencil-portrait-mastery-500x125.jpg',0,'attachment','image/jpeg',0),(1823,2,'2015-04-04 21:26:41','2015-04-05 04:26:41','','realistic pencil portrait mastery 468x60','','inherit','open','open','','realistic-pencil-portrait-mastery-468x60','','','2015-04-04 21:26:41','2015-04-05 04:26:41','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/realistic-pencil-portrait-mastery-468x60.jpeg',0,'attachment','image/jpeg',0),(1824,2,'2015-04-04 22:25:40','2015-04-05 05:25:40','','how to draw an eye 0107 eyelid shadows','','inherit','open','open','','how-to-draw-an-eye-0107-eyelid-shadows','','','2015-04-04 22:25:40','2015-04-05 05:25:40','',1814,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0107-eyelid-shadows.jpg',0,'attachment','image/jpeg',0),(1825,2,'2015-04-04 22:25:43','2015-04-05 05:25:43','','how to draw an eye 0106 eyeball shadows','','inherit','open','open','','how-to-draw-an-eye-0106-eyeball-shadows','','','2015-04-04 22:25:43','2015-04-05 05:25:43','',1814,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0106-eyeball-shadows.jpg',0,'attachment','image/jpeg',0),(1826,2,'2015-04-04 22:25:44','2015-04-05 05:25:44','','how to draw an eye 0104 highlight','','inherit','open','open','','how-to-draw-an-eye-0104-highlight','','','2015-04-04 22:25:44','2015-04-05 05:25:44','',1814,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0104-highlight.jpg',0,'attachment','image/jpeg',0),(1827,2,'2015-04-04 22:25:46','2015-04-05 05:25:46','','how to draw an eye 0105 eyelids','','inherit','open','open','','how-to-draw-an-eye-0105-eyelids','','','2015-04-04 22:25:46','2015-04-05 05:25:46','',1814,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0105-eyelids.jpg',0,'attachment','image/jpeg',0),(1828,2,'2015-04-04 22:25:48','2015-04-05 05:25:48','','how to draw an eye 0103 iris pupil perfect circle','','inherit','open','open','','how-to-draw-an-eye-0103-iris-pupil-perfect-circle','','','2015-04-04 22:25:48','2015-04-05 05:25:48','',1814,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0103-iris-pupil-perfect-circle.jpg',0,'attachment','image/jpeg',0),(1829,2,'2015-04-04 22:25:49','2015-04-05 05:25:49','','how to draw an eye 0102 iris pupil sketch','','inherit','open','open','','how-to-draw-an-eye-0102-iris-pupil-sketch','','','2015-04-04 22:25:49','2015-04-05 05:25:49','',1814,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0102-iris-pupil-sketch.jpg',0,'attachment','image/jpeg',0),(1830,2,'2015-04-04 22:25:51','2015-04-05 05:25:51','','how to draw an eye 0101 outline and duct','','inherit','open','open','','how-to-draw-an-eye-0101-outline-and-duct','','','2015-04-04 22:25:51','2015-04-05 05:25:51','',1814,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0101-outline-and-duct.jpg',0,'attachment','image/jpeg',0),(1831,2,'2015-04-04 22:27:24','2015-04-05 05:27:24','The eye....probably the most fascinating facial feature there is to draw.\r\n\r\nThe eye definitely has a unique complexity to it that other facial features lack. That\'s not to say that drawing a nose, mouth, or ear is all that easy for a beginning artist. Still you have to admit, the human eye is intriguing enough to make it both a challenging and fun drawing subject.\r\n\r\nThis post will be the first in a four-part tutorial. In it, we will see how to draw an eye in a realistic manner.\r\n\r\nFirst, draw the almond-shaped outline of the eye that is formed by the upper and lower eyelid.\r\n\r\n\"how\r\n\r\nNext,','How to Draw an Eye Realistically (Part 1 of 4)','','inherit','open','open','','1814-revision-v1','','','2015-04-04 22:27:24','2015-04-05 05:27:24','',1814,'http://www.letsdrawpeople.com/1814-revision-v1/',0,'revision','',0),(1832,2,'2015-04-06 20:21:41','2015-04-07 03:21:41','The eye....probably the most fascinating facial feature there is to draw.\r\n\r\nThe eye definitely has a unique complexity to it that other facial features lack. That\'s not to say that drawing a nose, mouth, or ear is all that easy for a beginning artist. Still you have to admit, the human eye is intriguing enough to make it both a challenging and fun drawing subject.\r\n\r\nThis post will be the first in a four-part tutorial. Throughout the series, we will see how to draw an eye in a realistic manner. This first lesson will be focused on what could very well be the most important part of any realistic drawing...the initial line drawing.\r\n\r\nAre you ready? Let\'s see how to make a detailed line drawing of an eye that will lend itself to making a much more detailed, realistic drawing of the eye later on.\r\n

Drawing the Eye\'s Outline

\r\nFirst, draw the almond-shaped outline of the eye that is formed by the upper and lower eyelid. This outline will encompass the white part of the eye. Since this eye drawing happens to be that of a person\'s left eye, don\'t forget to draw the inner corner tear duct area on the right side of the eye (your left). I\'m talking about that little triangular pink nodule, the lacrimal caruncle (for those of you dying to know the actual name of it).\r\n\r\n\"how\r\n

Placing the Iris, Pupil, and Highlight

\r\nNext, lightly and carefully sketch circles for where the iris and pupil should be. Most of the time when you observe an eye looking straight ahead, you will notice the top and bottom of the iris slightly hidden behind the eyelids. The pupil should be visible in its entirety and centered on the iris.\r\n\r\n\"how\r\n\r\ncom[as','How to Draw an Eye Realistically (Part 1 of 4)','','inherit','open','open','','1814-revision-v1','','','2015-04-06 20:21:41','2015-04-07 03:21:41','',1814,'http://www.letsdrawpeople.com/1814-revision-v1/',0,'revision','',0),(1833,2,'2015-04-06 20:41:13','2015-04-07 03:41:13','The eye....probably the most fascinating facial feature there is to draw.\r\n\r\nThe eye definitely has a unique complexity to it that other facial features lack. That\'s not to say that drawing a nose, mouth, or ear is all that easy for a beginning artist. Still you have to admit, the human eye is intriguing enough to make it both a challenging and fun drawing subject.\r\n\r\nThis post will be the first in a four-part tutorial. Throughout the series, we will see how to draw an eye in a realistic manner. This first lesson will be focused on what could very well be the most important part of any realistic drawing...the initial line drawing.\r\n\r\nAll you need for today\'s lesson is a sheet of drawing paper (two-ply bristol board will yield the best results), a 2B pencil, a kneaded eraser, and a drawing compass.\r\n\r\nAre you ready? Let\'s see how to make a detailed line drawing of an eye that will lend itself to making a much more detailed, realistic drawing of the eye later on!\r\n

Drawing the Eye\'s Outline

\r\nFirst, draw the almond-shaped outline of the eye that is formed by the upper and lower eyelid. This outline will encompass the white part of the eye. Since this eye drawing happens to be that of a person\'s left eye, don\'t forget to draw the inner corner tear duct area on the right side of the eye (your left). I\'m talking about that little triangular pink nodule, the lacrimal caruncle (for those of you dying to know the actual name of it).\r\n\r\n\"how\r\n

Placing the Iris, Pupil, and Highlight

\r\nNext, lightly and carefully sketch circles for where the iris and pupil should be. Most of the time when you observe an eye looking straight ahead, you will notice the top and bottom of the iris slightly hidden behind the eyelids. The pupil should be visible in its entirety and centered on the iris.\r\n\r\n\"how\r\n\r\nIdeally, the iris and pupil should be as circular as possible. For most drawings, I use a circle template to trace over these sketched circles, resulting in more perfectly-formed circles. In a drawing such as this, where the eye itself is the subject and inhabits the space of the whole paper, a circle template isn\'t going to cut it. Instead, I used a standard drawing compass in this example. Notice that the new circles are not perfectly atop the sketched ones, but that\'s okay. The important thing to remember is to keep the same center for both circles. Take extra caution with the point of your compass so as to not poke a big, nasty hole in your drawing paper!\r\n\r\n\"how','How to Draw an Eye Realistically (Part 1 of 4)','','inherit','open','open','','1814-revision-v1','','','2015-04-06 20:41:13','2015-04-07 03:41:13','',1814,'http://www.letsdrawpeople.com/1814-revision-v1/',0,'revision','',0),(1834,2,'2015-04-06 20:54:22','2015-04-07 03:54:22','The eye....probably the most fascinating facial feature there is to draw.\r\n\r\nThe eye definitely has a unique complexity to it that other facial features lack. That\'s not to say that drawing a nose, mouth, or ear is all that easy for a beginning artist. Still you have to admit, the human eye is intriguing enough to make it both a challenging and fun drawing subject.\r\n\r\nThis post will be the first in a four-part tutorial. Throughout the series, we will see how to draw an eye in a realistic manner.\r\n\r\nThis first lesson will be focused on what could very well be the most important part of any realistic drawing...the initial line drawing.\r\n\r\nAll you need for today\'s lesson is a sheet of drawing paper (two-ply bristol board will yield the best results), a 2B pencil, a kneaded eraser, and a compass for drawing circles.\r\n\r\nAre you ready? Let\'s see how to make a detailed line drawing of an eye that will lend itself to making a much more detailed, realistic drawing of the eye later on!\r\n

Drawing the Eye\'s Outline

\r\nFirst, draw the almond-shaped outline of the eye that is formed by the upper and lower eyelid. This outline will encompass the white part of the eye. Since this eye drawing happens to be that of a person\'s left eye, don\'t forget to draw the inner corner tear duct area on the right side of the eye (your left). I\'m talking about that little triangular pink nodule, the lacrimal caruncle (for those of you dying to know the actual name of it).\r\n\r\n\"how\r\n

Placing the Iris, Pupil, and Highlight

\r\nNext, lightly and carefully sketch circles for where the iris and pupil should be. Most of the time when you observe an eye looking straight ahead, you will notice the top and bottom of the iris slightly hidden behind the eyelids. The pupil should be visible in its entirety and centered on the iris.\r\n\r\n\"how\r\n\r\nIdeally, the iris and pupil should be as circular as possible. For most drawings, I use a circle template to trace over these sketched circles, resulting in more perfectly-formed circles. In a drawing such as this, where the eye itself is the subject and inhabits a space the size of the whole paper, a circle template isn\'t going to cut it. Instead, I used a standard drawing compass for this example. Notice that the new circles are not perfectly atop the sketched ones, but that\'s okay. The important thing to remember is to keep the same center for both circles. Take extra caution with the sharp point of your compass so as to not poke a big, nasty hole in your drawing paper!\r\n\r\n\"how\r\n\r\n \r\n\r\nNow for the highlight. Most of the eye highlights I see and draw are circular. However, highlights come in varying shapes, sizes, and quantities. For this drawing, let\'s use one fairly large, square-shaped highlight that overlaps the iris and pupil.\r\n\r\n\"how\r\n

Drawing the Eyelids

\r\nggg','How to Draw an Eye Realistically (Part 1 of 4)','','inherit','open','open','','1814-revision-v1','','','2015-04-06 20:54:22','2015-04-07 03:54:22','',1814,'http://www.letsdrawpeople.com/1814-revision-v1/',0,'revision','',0),(1835,2,'2015-04-06 21:26:08','2015-04-07 04:26:08','The eye....probably the most fascinating facial feature there is to draw.\r\n\r\nThe eye definitely has a unique complexity to it that other facial features lack. That\'s not to say that drawing a nose, mouth, or ear is all that easy for a beginning artist. Still you have to admit, the human eye is intriguing enough to make it both a challenging and fun drawing subject.\r\n\r\nThis post will be the first in a four-part tutorial. Throughout the series, we will see how to draw an eye in a realistic manner.\r\n\r\nThis first lesson will be focused on what could very well be the most important part of any realistic drawing...the initial line drawing.\r\n\r\nAll you need for today\'s lesson is a sheet of drawing paper (two-ply bristol board will yield the best results), a 2B pencil, a kneaded eraser, and a compass for drawing circles.\r\n\r\nAre you ready? Let\'s see how to make a detailed line drawing of an eye that will lend itself to making a much more detailed, realistic drawing of the eye later on!\r\n

Drawing the Eye\'s Outline

\r\nFirst, draw the almond-shaped outline of the eye that is formed by the upper and lower eyelid. This outline will encompass the white part of the eye. Since this eye drawing happens to be that of a person\'s left eye, don\'t forget to draw the inner corner tear duct area on the right side of the eye (your left). I\'m talking about that little triangular pink nodule, the lacrimal caruncle (for those of you dying to know the actual name of it).\r\n\r\n\"how\r\n

Placing the Iris, Pupil, and Highlight

\r\nNext, lightly and carefully sketch circles for where the iris and pupil should be. Most of the time when you observe an eye looking straight ahead, you will notice the top and bottom of the iris slightly hidden behind the eyelids. The pupil should be visible in its entirety and centered on the iris.\r\n\r\n\"how\r\n\r\nIdeally, the iris and pupil should be as circular as possible. For most drawings, I use a circle template to trace over these sketched circles, resulting in more perfectly-formed circles. In a drawing such as this, where the eye itself is the subject and inhabits a space the size of the whole paper, a circle template isn\'t going to cut it. Instead, I used a standard drawing compass for this example. Notice that the new circles are not perfectly atop the sketched ones, but that\'s okay. The important thing to remember is to keep the same center for both circles. Take extra caution with the sharp point of your compass so as to not poke a big, nasty hole in your drawing paper!\r\n\r\n\"how\r\n\r\n \r\n\r\nNow for the highlight. Most of the eye highlights I see and draw are circular. However, highlights come in varying shapes, sizes, and quantities. For this drawing, let\'s use one fairly large, square-shaped highlight that overlaps the iris and pupil.\r\n\r\n\"how\r\n

Drawing the Eyelids

\r\nDrawing the eyelids should be pretty straightforward. Draw the upper and lower eyelids by indicating them with lines as seen in the image below. Notice how the drawn lines above and below the eye compliment it with the same curvature.\r\n\r\nOne of the best things you can do to add realism to your eyelids is to not forget the rim around the white of the eye. This rim serves as the upper plane of the lower eyelid and the lower plane of the upper eyelid. All too often, beginning artists overlook this one simple detail. Don\'t make the same mistake!\r\n\r\n\"how\r\n\r\n \r\n\r\n \r\n

Adding Final Touches to Your Line Drawing

\r\nkjkk','How to Draw an Eye Realistically (Part 1 of 4)','','inherit','open','open','','1814-revision-v1','','','2015-04-06 21:26:08','2015-04-07 04:26:08','',1814,'http://www.letsdrawpeople.com/1814-revision-v1/',0,'revision','',0),(1836,2,'2015-04-06 21:33:55','2015-04-07 04:33:55','The eye....probably the most fascinating facial feature there is to draw.\r\n\r\nThe eye definitely has a unique complexity to it that other facial features lack. That\'s not to say that drawing a nose, mouth, or ear is all that easy for a beginning artist. Still you have to admit, the human eye is intriguing enough to make it both a challenging and fun drawing subject.\r\n\r\nThis post will be the first in a four-part tutorial. Throughout the series, we will see how to draw an eye in a realistic manner.\r\n\r\nThis first lesson will be focused on what could very well be the most important part of any realistic drawing...the initial line drawing.\r\n\r\nAll you need for today\'s lesson is a sheet of drawing paper (two-ply bristol board will yield the best results), a 2B pencil, a kneaded eraser, and a compass for drawing circles.\r\n\r\nAre you ready? Let\'s see how to make a detailed line drawing of an eye that will lend itself to making a much more detailed, realistic drawing of the eye later on!\r\n

Drawing the Eye\'s Outline

\r\nFirst, draw the almond-shaped outline of the eye that is formed by the upper and lower eyelid. This outline will encompass the white part of the eye. Since this eye drawing happens to be that of a person\'s left eye, don\'t forget to draw the inner corner tear duct area on the right side of the eye (your left). I\'m talking about that little triangular pink nodule, the lacrimal caruncle (for those of you dying to know the actual name of it).\r\n\r\n\"how\r\n

Placing the Iris, Pupil, and Highlight

\r\nNext, lightly and carefully sketch circles for where the iris and pupil should be. Most of the time when you observe an eye looking straight ahead, you will notice the top and bottom of the iris slightly hidden behind the eyelids. The pupil should be visible in its entirety and centered on the iris.\r\n\r\n\"how\r\n\r\nIdeally, the iris and pupil should be as circular as possible. For most drawings, I use a circle template to trace over these sketched circles, resulting in more perfectly-formed circles. In a drawing such as this, where the eye itself is the subject and inhabits a space the size of the whole paper, a circle template isn\'t going to cut it. Instead, I used a standard drawing compass for this example. Notice that the new circles are not perfectly atop the sketched ones, but that\'s okay. The important thing to remember is to keep the same center for both circles. Take extra caution with the sharp point of your compass so as to not poke a big, nasty hole in your drawing paper!\r\n\r\n\"how\r\n\r\n \r\n\r\nNow for the highlight. Most of the eye highlights I see and draw are circular. However, highlights come in varying shapes, sizes, and quantities. For this drawing, let\'s use one fairly large, square-shaped highlight that overlaps the iris and pupil.\r\n\r\n\"how\r\n

Drawing the Eyelids

\r\nDrawing the eyelids should be pretty straightforward. Draw the upper and lower eyelids by indicating them with lines as seen in the image below. Notice how the drawn lines above and below the eye compliment it with the same curvature.\r\n\r\nOne of the best things you can do to add realism to your eyelids is to not forget the rim around the white of the eye. This rim serves as the upper plane of the lower eyelid and the lower plane of the upper eyelid. All too often, beginning artists overlook this one simple detail. Don\'t make the same mistake!\r\n\r\n\"how\r\n\r\n \r\n\r\n \r\n

Adding Final Touches to Your Line Drawing

\r\nWhen I know I want to use a line drawing to create a detailed, realistic pencil drawing with shading, I like to use the line drawing to help me plan for where my shadows and highlights will go.','How to Draw an Eye Realistically (Part 1 of 4)','','inherit','open','open','','1814-revision-v1','','','2015-04-06 21:33:55','2015-04-07 04:33:55','',1814,'http://www.letsdrawpeople.com/1814-revision-v1/',0,'revision','',0),(1837,2,'2015-04-06 22:28:16','2015-04-07 05:28:16','The eye....probably the most fascinating facial feature there is to draw.\r\n\r\nThe eye definitely has a unique complexity to it that other facial features lack. That\'s not to say that drawing a nose, mouth, or ear is all that easy for a beginning artist. Still you have to admit, the human eye is intriguing enough to make it both a challenging and fun drawing subject.\r\n\r\nThis post will be the first in a four-part tutorial. Throughout the series, we will see how to draw an eye in a realistic manner.\r\n\r\nThis first lesson will be focused on what could very well be the most important part of any realistic drawing...the initial line drawing.\r\n\r\nAll you need for today\'s lesson is a sheet of drawing paper (two-ply bristol board will yield the best results), a 2B pencil, a kneaded eraser, and a compass for drawing circles.\r\n\r\nAre you ready? Let\'s see how to make a detailed line drawing of an eye that will lend itself to making a much more detailed, realistic drawing of the eye later on!\r\n

Drawing the Eye\'s Outline

\r\nFirst, draw the almond-shaped outline of the eye that is formed by the upper and lower eyelid. This outline will encompass the white part of the eye. Since this eye drawing happens to be that of a person\'s left eye, don\'t forget to draw the inner corner tear duct area on the right side of the eye (your left). I\'m talking about that little triangular pink nodule, the lacrimal caruncle (for those of you dying to know the actual name of it).\r\n\r\n\"how\r\n

Placing the Iris, Pupil, and Highlight

\r\nNext, lightly and carefully sketch circles for where the iris and pupil should be. Most of the time when you observe an eye looking straight ahead, you will notice the top and bottom of the iris slightly hidden behind the eyelids. The pupil should be visible in its entirety and centered on the iris.\r\n\r\n\"how\r\n\r\nIdeally, the iris and pupil should be as circular as possible. For most drawings, I use a circle template to trace over these sketched circles, resulting in more perfectly-formed circles. In a drawing such as this, where the eye itself is the subject and inhabits a space the size of the whole paper, a circle template isn\'t going to cut it. Instead, I used a standard drawing compass for this example. Notice that the new circles are not perfectly atop the sketched ones, but that\'s okay. The important thing to remember is to keep the same center for both circles. Take extra caution with the sharp point of your compass so as to not poke a big, nasty hole in your drawing paper!\r\n\r\n\"how\r\n\r\n \r\n\r\nNow for the highlight. Most of the eye highlights I see and draw are circular. However, highlights come in varying shapes, sizes, and quantities. For this drawing, let\'s use one fairly large, square-shaped highlight that overlaps the iris and pupil.\r\n\r\n\"how\r\n

Drawing the Eyelids

\r\nDrawing the eyelids should be pretty straightforward. Draw the upper and lower eyelids by indicating them with lines as seen in the image below. Notice how the drawn lines above and below the eye compliment it with the same curvature.\r\n\r\nOne of the best things you can do to add realism to your eyelids is to not forget the rim around the white of the eye. This rim serves as the upper plane of the lower eyelid and the lower plane of the upper eyelid. All too often, beginning artists overlook this one simple detail. Don\'t make the same mistake!\r\n\r\n\"how\r\n\r\n \r\n\r\n \r\n

Adding Final Touches to Your Line Drawing

\r\nWhen I know I want to use a line drawing to create a detailed, realistic pencil drawing with shading, I like to use the line drawing to help me plan for where my shadows and highlights will go.\r\n\r\nBegin with the white part of the eye. Remember that the eyeball is largely spherical in shape, so a few well-placed shadows will create this effect. The upper eyelid will place a cast shadow onto the eye directly below the lid. Sketch a rim around the outer and inner iris to plan for variations in color. You can even place some tiny highlights and teardrops in the inner corner of the eye.\r\n\r\n\"how\r\n\r\nRepeat this process of planning for shadows and highlights on the skin surrounding the eye. You can see shadows where skin folds and overlaps. You can see lighter skin (subtle highlights) on curved areas that are closer to the light.\r\n\r\n\"how\r\n\r\nThis will give you a detailed line drawing on an eye. Look out for the next post, where we will shade the eye with the first layer of graphite tones.','How to Draw an Eye Realistically (Part 1 of 4)','','inherit','open','open','','1814-revision-v1','','','2015-04-06 22:28:16','2015-04-07 05:28:16','',1814,'http://www.letsdrawpeople.com/1814-revision-v1/',0,'revision','',0),(1839,2,'2015-04-06 22:34:00','2015-04-07 05:34:00','The eye....probably the most fascinating facial feature there is to draw.\r\n\r\nThe eye definitely has a unique complexity to it that other facial features lack. That\'s not to say that drawing a nose, mouth, or ear is all that easy for a beginning artist. Still you have to admit, the human eye is intriguing enough to make it both a challenging and fun drawing subject.\r\n\r\nThis post will be the first in a four-part tutorial. Throughout the series, we will see how to draw an eye in a realistic manner.\r\n\r\nThis first lesson will be focused on what could very well be the most important part of any realistic drawing...the initial line drawing.\r\n\r\nAll you need for today\'s lesson is a sheet of drawing paper (two-ply bristol board will yield the best results), a 2B pencil, a kneaded eraser, and a compass for drawing circles.\r\n\r\nAre you ready? Let\'s see how to make a detailed line drawing of an eye that will lend itself to making a much more detailed, realistic drawing of the eye later on!\r\n

Drawing the Eye\'s Outline

\r\nFirst, draw the almond-shaped outline of the eye that is formed by the upper and lower eyelid. This outline will encompass the white part of the eye. Since this eye drawing happens to be that of a person\'s left eye, don\'t forget to draw the inner corner tear duct area on the right side of the eye (your left). I\'m talking about that little triangular pink nodule, the lacrimal caruncle (for those of you dying to know the actual name of it).\r\n\r\n\"how\r\n

Placing the Iris, Pupil, and Highlight

\r\nNext, lightly and carefully sketch circles for where the iris and pupil should be. Most of the time when you observe an eye looking straight ahead, you will notice the top and bottom of the iris slightly hidden behind the eyelids. The pupil should be visible in its entirety and centered on the iris.\r\n\r\n\"how\r\n\r\nIdeally, the iris and pupil should be as circular as possible. For most drawings, I use a circle template to trace over these sketched circles, resulting in more perfectly-formed circles. In a drawing such as this, where the eye itself is the subject and inhabits a space the size of the whole paper, a circle template isn\'t going to cut it. Instead, I used a standard drawing compass for this example. Notice that the new circles are not perfectly atop the sketched ones, but that\'s okay. The important thing to remember is to keep the same center for both circles. Take extra caution with the sharp point of your compass so as to not poke a big, nasty hole in your drawing paper!\r\n\r\n\"how\r\n\r\nNow for the highlight. Most of the eye highlights I see and draw are circular. However, highlights come in varying shapes, sizes, and quantities. For this drawing, let\'s use one fairly large, square-shaped highlight that overlaps the iris and pupil.\r\n\r\n\"how\r\n

Drawing the Eyelids

\r\nDrawing the eyelids should be pretty straightforward. Draw the upper and lower eyelids by indicating them with lines as seen in the image below. Notice how the drawn lines above and below the eye compliment it with the same curvature.\r\n\r\nOne of the best things you can do to add realism to your eyelids is to not forget the rim around the white of the eye. This rim serves as the upper plane of the lower eyelid and the lower plane of the upper eyelid. All too often, beginning artists overlook this one simple detail. Don\'t make the same mistake!\r\n\r\n\"how\r\n

Adding Final Touches to Your Line Drawing

\r\nWhen I know I want to use a line drawing to create a detailed, realistic pencil drawing with shading, I like to use the line drawing to help me plan for where my shadows and highlights will go.\r\n\r\nBegin with the white part of the eye. Remember that the eyeball is largely spherical in shape, so a few well-placed shadows will create this effect. The upper eyelid will place a cast shadow onto the eye directly below the lid. Sketch a rim around the outer and inner iris to plan for variations in color. You can even place some tiny highlights and teardrops in the inner corner of the eye.\r\n\r\n\"how\r\n\r\nRepeat this process of planning for shadows and highlights on the skin surrounding the eye. You can see shadows where skin folds and overlaps. You can see lighter skin (subtle highlights) on curved areas that are closer to the light.\r\n\r\n\"how\r\n\r\nThis will give you a detailed line drawing of an eye. Look out for the next post (Part 2 of this series), where we will shade the eye with the first layer of graphite tones.','How to Draw an Eye Realistically (Part 1 of 4)','','inherit','open','open','','1814-revision-v1','','','2015-04-06 22:34:00','2015-04-07 05:34:00','',1814,'http://www.letsdrawpeople.com/1814-revision-v1/',0,'revision','',0),(1838,2,'2015-04-06 22:32:06','2015-04-07 05:32:06','The eye....probably the most fascinating facial feature there is to draw.\r\n\r\nThe eye definitely has a unique complexity to it that other facial features lack. That\'s not to say that drawing a nose, mouth, or ear is all that easy for a beginning artist. Still you have to admit, the human eye is intriguing enough to make it both a challenging and fun drawing subject.\r\n\r\nThis post will be the first in a four-part tutorial. Throughout the series, we will see how to draw an eye in a realistic manner.\r\n\r\nThis first lesson will be focused on what could very well be the most important part of any realistic drawing...the initial line drawing.\r\n\r\nAll you need for today\'s lesson is a sheet of drawing paper (two-ply bristol board will yield the best results), a 2B pencil, a kneaded eraser, and a compass for drawing circles.\r\n\r\nAre you ready? Let\'s see how to make a detailed line drawing of an eye that will lend itself to making a much more detailed, realistic drawing of the eye later on!\r\n

Drawing the Eye\'s Outline

\r\nFirst, draw the almond-shaped outline of the eye that is formed by the upper and lower eyelid. This outline will encompass the white part of the eye. Since this eye drawing happens to be that of a person\'s left eye, don\'t forget to draw the inner corner tear duct area on the right side of the eye (your left). I\'m talking about that little triangular pink nodule, the lacrimal caruncle (for those of you dying to know the actual name of it).\r\n\r\n\"how\r\n

Placing the Iris, Pupil, and Highlight

\r\nNext, lightly and carefully sketch circles for where the iris and pupil should be. Most of the time when you observe an eye looking straight ahead, you will notice the top and bottom of the iris slightly hidden behind the eyelids. The pupil should be visible in its entirety and centered on the iris.\r\n\r\n\"how\r\n\r\nIdeally, the iris and pupil should be as circular as possible. For most drawings, I use a circle template to trace over these sketched circles, resulting in more perfectly-formed circles. In a drawing such as this, where the eye itself is the subject and inhabits a space the size of the whole paper, a circle template isn\'t going to cut it. Instead, I used a standard drawing compass for this example. Notice that the new circles are not perfectly atop the sketched ones, but that\'s okay. The important thing to remember is to keep the same center for both circles. Take extra caution with the sharp point of your compass so as to not poke a big, nasty hole in your drawing paper!\r\n\r\n\"how\r\n\r\nNow for the highlight. Most of the eye highlights I see and draw are circular. However, highlights come in varying shapes, sizes, and quantities. For this drawing, let\'s use one fairly large, square-shaped highlight that overlaps the iris and pupil.\r\n\r\n\"how\r\n

Drawing the Eyelids

\r\nDrawing the eyelids should be pretty straightforward. Draw the upper and lower eyelids by indicating them with lines as seen in the image below. Notice how the drawn lines above and below the eye compliment it with the same curvature.\r\n\r\nOne of the best things you can do to add realism to your eyelids is to not forget the rim around the white of the eye. This rim serves as the upper plane of the lower eyelid and the lower plane of the upper eyelid. All too often, beginning artists overlook this one simple detail. Don\'t make the same mistake!\r\n\r\n\"how\r\n\r\n \r\n\r\n \r\n

Adding Final Touches to Your Line Drawing

\r\nWhen I know I want to use a line drawing to create a detailed, realistic pencil drawing with shading, I like to use the line drawing to help me plan for where my shadows and highlights will go.\r\n\r\nBegin with the white part of the eye. Remember that the eyeball is largely spherical in shape, so a few well-placed shadows will create this effect. The upper eyelid will place a cast shadow onto the eye directly below the lid. Sketch a rim around the outer and inner iris to plan for variations in color. You can even place some tiny highlights and teardrops in the inner corner of the eye.\r\n\r\n\"how\r\n\r\nRepeat this process of planning for shadows and highlights on the skin surrounding the eye. You can see shadows where skin folds and overlaps. You can see lighter skin (subtle highlights) on curved areas that are closer to the light.\r\n\r\n\"how\r\n\r\nThis will give you a detailed line drawing of an eye. Look out for the next post (Part 2 of this series), where we will shade the eye with the first layer of graphite tones.','How to Draw an Eye Realistically (Part 1 of 4)','','inherit','open','open','','1814-revision-v1','','','2015-04-06 22:32:06','2015-04-07 05:32:06','',1814,'http://www.letsdrawpeople.com/1814-revision-v1/',0,'revision','',0),(1840,2,'2015-04-12 15:11:05','2015-04-12 22:11:05','In the last post of this series, we began drawing a realistic eye with the all-important line drawing to place the iris, pupil, eyelids, and the outline to a few shadows and highlights.\r\n\r\nHere is where we left off:\r\n\r\n\"how\r\n\r\nAnd here is the reference photo...\r\n\r\n[caption id=\"attachment_1922\" align=\"aligncenter\" width=\"800\"]\"By By Laitr Keiows (Own work) [CC BY-SA 3.0 or GFDL], via Wikimedia Commons[/caption]In this second lesson, it is time to add some tones to all of those lines. The focus of this tutorial is how to begin shading an eye drawing so that it looks realistic. Let me again emphasize begin, because this lesson will be just the start of the shading process. There will be more shading techniques to implement in Part 3 and Part 4 before getting to the desired level of realism.\r\n\r\nNo new materials will be needed, just a 2B pencil and a kneaded eraser.\r\n\r\nSo let\'s begin!\r\n

Shading the Pupil

\r\nBegin by taking your kneaded eraser and lifting out the pupil outline going through the highlight. Then carefully take your pencil and completely fill in the circle that represents the pupil. Leave the highlight white.\r\n\r\n\"how\r\n

Shading the Iris

\r\nThe outer and inner rim of the iris is usually slightly darker than the rest of it. The guidelines that you drew in the last lesson help allow for this.\r\n\r\nBegin by shading the outer edge of the iris. Lighten the application of graphite as you work your way inward and reach the guideline.\r\n\r\nThere is a heavier shadow along the top that is cast by the upper eyelid. This shadow should not taper off and get lighter along the guideline edge.\r\n\r\nThere is a much thinner shadow on the iris along the lower eyelid. Notice the little sliver of water as the eyelid presses against the eye? Leave this white.\r\n\r\n\"how\r\n\r\nAs for the inner part of the iris, begin sketching a few lines that radiate outward from the center. Try to imagine the very center of the pupil and have your lines come straight from there.\r\n\r\n\"how\r\n\r\nBegin extending these lines all the way to the outer edge of the iris.\r\n\r\n\"how\r\n\r\nNext, begin filling in the open spaces with more lines. Notice how the lines are not necessarily perfectly straight. Think in terms of long, stretched out ovals that are pointed at each end.\r\n\r\n\"how\r\n\r\n \r\n\r\n\"how\r\n\r\nDarken up the inner part of the iris. Shade in the same direction as the radiating lines. Be aware of the tips of those long \"oval-like\" shapes. You can better define some of these tips by shading around them. Shade outward from the pupil until you get to the inner guideline.\r\n\r\n\"how\r\n\r\nWe already added tones around outer edge of the iris, but we still need to replicate the radiating lines along the outer edge. Do this by darkening the lines and the spaces between the lines in the same fashion that you did for the inner iris. Make sure to leave it light in the middle.\r\n\r\n\"how\r\n

Shading the White Part of the Eye

\r\nEarlier, I mentioned a shadow that the upper eyelid casts upon the eye. It is time to extend this shadow along the white part of the eye. Color this lightly; do not make it as dark as it is on the iris.\r\n\r\nSince the eyeball is actually a sphere, there should be a little shading on other parts of it as well. Notice below that I begin by shading the inner corner.\r\n\r\n\"how\r\n\r\nThe outer corner is going to get a little more shading. This is partially to allow for the shadows given by the eyelashes, which will be drawn in as one of the final steps.\r\n\r\n\"how\r\n\r\nNow for the nodule in the corner of the eye (lacrimal caruncle), leave some parts dark and some parts clear to represent wetness.\r\n\r\n\"how\r\n

Shading the Eyelids

\r\nBegin shading the top plane of the upper eyelid. Notice by the blue arrow how the eyelid is distinguished from the shadow on the white of the eye by making the shadow slightly darker and leaving some reflected light on the eyelid. Continue this for the length of the eyelid.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nHere we add some tones to the skin in the eye socket area, just above the upper eyelid. Place darker tones where there are folds and bends in the skin. Use lighter tones around the highlighted areas you marked with guidelines during the last lesson.\r\n\r\n\"how\r\n\r\nRepeat this process with the upper and lower eyelids. Notice how the direction of the pencil marks goes along the natural curves of the eyelids.\r\n\r\n\"how\r\n\r\n\"how\r\n

Next Steps

\r\nIf you completed everything from this tutorial (and from Part 1 earlier), congratulations! You just finished a very important step in the process of drawing and shading a realistic eye: establishing the initial tones with your graphite pencil. The next lesson (Part 3 of the series) will show you how to properly blend the graphite and reach the next level of realism.','How to Draw an Eye Realistically (Part 2 of 4)','','publish','open','open','','how-to-draw-an-eye-realistically-part-2-of-4','','http://www.letsdrawpeople.com/how-to-draw-an-eye-realistically-part-1-of-4/\nhttp://www.letsdrawpeople.com/how-to-draw-an-eye-realistically-part-3-of-4/','2015-06-30 01:02:45','2015-06-30 08:02:45','',0,'http://www.letsdrawpeople.com/?p=1840',0,'post','',0),(1841,2,'2015-04-07 21:08:36','2015-04-08 04:08:36','In the last post of this series, we began drawing a realistic eye with the all-important line drawing to place the iris, pupil, eyelids, and a few shadows and highlights.','How to Draw an Eye Realistically (Part 2 of 4)','','inherit','open','open','','1840-revision-v1','','','2015-04-07 21:08:36','2015-04-08 04:08:36','',1840,'http://www.letsdrawpeople.com/1840-revision-v1/',0,'revision','',0),(1842,2,'2015-04-08 22:16:46','2015-04-09 05:16:46','In the last post of this series, we began drawing a realistic eye with the all-important line drawing to place the iris, pupil, eyelids, and the outline to a few shadows and highlights.\r\n\r\nIn today\'s lesson, it is time to add some tones to all of those lines.','How to Draw an Eye Realistically (Part 2 of 4)','','inherit','open','open','','1840-revision-v1','','','2015-04-08 22:16:46','2015-04-09 05:16:46','',1840,'http://www.letsdrawpeople.com/1840-revision-v1/',0,'revision','',0),(1844,2,'2015-04-11 13:07:08','2015-04-11 20:07:08','','how to draw an eye 0212 eyelid plane start','','inherit','open','open','','how-to-draw-an-eye-0212-eyelid-plane-start','','','2015-04-11 13:07:08','2015-04-11 20:07:08','',1840,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0212-eyelid-plane-start.jpg',0,'attachment','image/jpeg',0),(1845,2,'2015-04-11 13:07:10','2015-04-11 20:07:10','','how to draw an eye 0211 white eye duct','','inherit','open','open','','how-to-draw-an-eye-0211-white-eye-duct','','','2015-04-11 13:07:10','2015-04-11 20:07:10','',1840,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0211-white-eye-duct.jpg',0,'attachment','image/jpeg',0),(1846,2,'2015-04-11 13:07:12','2015-04-11 20:07:12','','how to draw an eye 0208 iris dark outer','','inherit','open','open','','how-to-draw-an-eye-0208-iris-dark-outer','','','2015-04-11 13:07:12','2015-04-11 20:07:12','',1840,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0208-iris-dark-outer.jpg',0,'attachment','image/jpeg',0),(1847,2,'2015-04-11 13:07:13','2015-04-11 20:07:13','','how to draw an eye 0207 iris dark inner','','inherit','open','open','','how-to-draw-an-eye-0207-iris-dark-inner','','','2015-04-11 13:07:13','2015-04-11 20:07:13','',1840,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0207-iris-dark-inner.jpg',0,'attachment','image/jpeg',0),(1848,2,'2015-04-11 13:07:15','2015-04-11 20:07:15','','how to draw an eye 0206 iris all lines','','inherit','open','open','','how-to-draw-an-eye-0206-iris-all-lines','','','2015-04-11 13:07:15','2015-04-11 20:07:15','',1840,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0206-iris-all-lines.jpg',0,'attachment','image/jpeg',0),(1849,2,'2015-04-11 13:07:17','2015-04-11 20:07:17','','how to draw an eye 0205 iris begin lines','','inherit','open','open','','how-to-draw-an-eye-0205-iris-begin-lines','','','2015-04-11 13:07:17','2015-04-11 20:07:17','',1840,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0205-iris-begin-lines.jpg',0,'attachment','image/jpeg',0),(1850,2,'2015-04-11 13:07:18','2015-04-11 20:07:18','','how to draw an eye 0204 iris inner to outer','','inherit','open','open','','how-to-draw-an-eye-0204-iris-inner-to-outer','','','2015-04-11 13:07:18','2015-04-11 20:07:18','',1840,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0204-iris-inner-to-outer.jpg',0,'attachment','image/jpeg',0),(1851,2,'2015-04-11 13:07:20','2015-04-11 20:07:20','','how to draw an eye 0203 iris inner','','inherit','open','open','','how-to-draw-an-eye-0203-iris-inner','','','2015-04-11 13:07:20','2015-04-11 20:07:20','',1840,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0203-iris-inner.jpg',0,'attachment','image/jpeg',0),(1852,2,'2015-04-11 13:07:21','2015-04-11 20:07:21','','how to draw an eye 0202 iris border','','inherit','open','open','','how-to-draw-an-eye-0202-iris-border','','','2015-04-11 13:07:21','2015-04-11 20:07:21','',1840,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0202-iris-border.jpg',0,'attachment','image/jpeg',0),(1853,2,'2015-04-11 13:07:23','2015-04-11 20:07:23','','how to draw an eye 0201 pupil','','inherit','open','open','','how-to-draw-an-eye-0201-pupil','','','2015-04-11 13:07:23','2015-04-11 20:07:23','',1840,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0201-pupil.jpg',0,'attachment','image/jpeg',0),(1854,2,'2015-04-11 13:07:24','2015-04-11 20:07:24','','how to draw an eye 0216 lower eyelid','','inherit','open','open','','how-to-draw-an-eye-0216-lower-eyelid','','','2015-04-11 13:07:24','2015-04-11 20:07:24','',1840,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0216-lower-eyelid.jpg',0,'attachment','image/jpeg',0),(1855,2,'2015-04-11 13:07:26','2015-04-11 20:07:26','','how to draw an eye 0215 upper eyelid','','inherit','open','open','','how-to-draw-an-eye-0215-upper-eyelid','','','2015-04-11 13:07:26','2015-04-11 20:07:26','',1840,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0215-upper-eyelid.jpg',0,'attachment','image/jpeg',0),(1856,2,'2015-04-11 13:07:27','2015-04-11 20:07:27','','how to draw an eye 0214 above upper eyelid','','inherit','open','open','','how-to-draw-an-eye-0214-above-upper-eyelid','','','2015-04-11 13:07:27','2015-04-11 20:07:27','',1840,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0214-above-upper-eyelid.jpg',0,'attachment','image/jpeg',0),(1857,2,'2015-04-11 13:07:29','2015-04-11 20:07:29','','how to draw an eye 0213 eyelid plane finish','','inherit','open','open','','how-to-draw-an-eye-0213-eyelid-plane-finish','','','2015-04-11 13:07:29','2015-04-11 20:07:29','',1840,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0213-eyelid-plane-finish.jpg',0,'attachment','image/jpeg',0),(1858,2,'2015-04-11 13:07:31','2015-04-11 20:07:31','','how to draw an eye 0210 white eye more shadow','','inherit','open','open','','how-to-draw-an-eye-0210-white-eye-more-shadow','','','2015-04-11 13:07:31','2015-04-11 20:07:31','',1840,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0210-white-eye-more-shadow.jpg',0,'attachment','image/jpeg',0),(1859,2,'2015-04-11 13:07:32','2015-04-11 20:07:32','','how to draw an eye 0209 white eye upper shadow','','inherit','open','open','','how-to-draw-an-eye-0209-white-eye-upper-shadow','','','2015-04-11 13:07:32','2015-04-11 20:07:32','',1840,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0209-white-eye-upper-shadow.jpg',0,'attachment','image/jpeg',0),(1860,2,'2015-04-11 13:08:15','2015-04-11 20:08:15','In the last post of this series, we began drawing a realistic eye with the all-important line drawing to place the iris, pupil, eyelids, and the outline to a few shadows and highlights.\r\n\r\nHere is where we left off:\r\n\r\n\"how\r\n\r\nIn this second lesson, it is time to add some tones to all of those lines. The focus of this tutorial is how to begin shading an eye drawing so that it looks realistic. Let me again emphasize begin, because this lesson will be just the start of it. There will be more shading techniques to implement in Parts 3 and 4 before getting to the desired level of realism.\r\n\r\nNo new materials will be needed, just a 2B pencil and a kneaded eraser.\r\n\r\nSo let\'s begin!\r\n\r\nShading the Pupil\r\n\r\nBegin by taking your kneaded eraser and lifting out the pupil outline going through the highlight. Then carefully take your pencil and completely fill in the circle that represents the pupil.\r\n\r\n\"how\r\n\r\n \r\n\r\n \r\n\r\n ','How to Draw an Eye Realistically (Part 2 of 4)','','inherit','open','open','','1840-revision-v1','','','2015-04-11 13:08:15','2015-04-11 20:08:15','',1840,'http://www.letsdrawpeople.com/1840-revision-v1/',0,'revision','',0),(1861,2,'2015-04-11 21:20:08','2015-04-12 04:20:08','In the last post of this series, we began drawing a realistic eye with the all-important line drawing to place the iris, pupil, eyelids, and the outline to a few shadows and highlights.\r\n\r\nHere is where we left off:\r\n\r\n\"how\r\n\r\nIn this second lesson, it is time to add some tones to all of those lines. The focus of this tutorial is how to begin shading an eye drawing so that it looks realistic. Let me again emphasize begin, because this lesson will be just the start of it. There will be more shading techniques to implement in Parts 3 and 4 before getting to the desired level of realism.\r\n\r\nNo new materials will be needed, just a 2B pencil and a kneaded eraser.\r\n\r\nSo let\'s begin!\r\n

Shading the Pupil

\r\nBegin by taking your kneaded eraser and lifting out the pupil outline going through the highlight. Then carefully take your pencil and completely fill in the circle that represents the pupil.\r\n\r\n\"how\r\n\r\n \r\n\r\nShading the Iris\r\n\r\nThe outer and inner rim of the iris can often be slightly darker than the rest of it. The guidelines that you drew in the last lesson help\r\n\r\n \r\n\r\n ','How to Draw an Eye Realistically (Part 2 of 4)','','inherit','open','open','','1840-revision-v1','','','2015-04-11 21:20:08','2015-04-12 04:20:08','',1840,'http://www.letsdrawpeople.com/1840-revision-v1/',0,'revision','',0),(1862,2,'2015-04-12 08:49:53','2015-04-12 15:49:53','In the last post of this series, we began drawing a realistic eye with the all-important line drawing to place the iris, pupil, eyelids, and the outline to a few shadows and highlights.\r\n\r\nHere is where we left off:\r\n\r\n\"how\r\n\r\nIn this second lesson, it is time to add some tones to all of those lines. The focus of this tutorial is how to begin shading an eye drawing so that it looks realistic. Let me again emphasize begin, because this lesson will be just the start of the shading process. There will be more shading techniques to implement in Parts 3 and 4 before getting to the desired level of realism.\r\n\r\nNo new materials will be needed, just a 2B pencil and a kneaded eraser.\r\n\r\nSo let\'s begin!\r\n

Shading the Pupil

\r\nBegin by taking your kneaded eraser and lifting out the pupil outline going through the highlight. Then carefully take your pencil and completely fill in the circle that represents the pupil. Leave the highlight white.\r\n\r\n\"how\r\n\r\n \r\n

Shading the Iris

\r\nThe outer and inner rim of the iris is usually slightly darker than the rest of it. The guidelines that you drew in the last lesson help allow for this.\r\n\r\nBegin by shading the outer edge of the iris. Lighten the application of graphite as you work your way inward and reach the guideline.\r\n\r\nThere is a heavier shadow along the top that is cast by the upper eyelid. This shadow should not taper off and get lighter along the guideline edge.\r\n\r\nThere is a much thinner shadow on the iris along the lower eyelid. Notice the little sliver of water as the eyelid presses against the eye? Leave this white.\r\n\r\n\"how\r\n\r\n \r\n\r\nAs for the inner part of the iris, begin sketching a few lines that radiate outward from the center. Try to imagine the very center of the pupil and have your lines come straight from there.\r\n\r\n\"how\r\n\r\nBegin extending these lines all the way to the outer edge of the iris.\r\n\r\n\"how\r\n\r\nNext, begin filling in the open spaces with more lines. Notice how the lines are not necessarily perfectly straight. Think in terms of long, stretched out ovals that are pointed at each end.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n \r\n\r\n ','How to Draw an Eye Realistically (Part 2 of 4)','','inherit','open','open','','1840-revision-v1','','','2015-04-12 08:49:53','2015-04-12 15:49:53','',1840,'http://www.letsdrawpeople.com/1840-revision-v1/',0,'revision','',0),(1863,2,'2015-04-12 08:53:18','2015-04-12 15:53:18',' ','','','publish','open','closed','','1863','','','2017-06-06 05:25:20','2017-06-06 12:25:20','',14,'http://www.letsdrawpeople.com/?p=1863',6,'nav_menu_item','',0),(1864,2,'2015-04-12 09:13:51','2015-04-12 16:13:51','In the last post of this series, we began drawing a realistic eye with the all-important line drawing to place the iris, pupil, eyelids, and the outline to a few shadows and highlights.\r\n\r\nHere is where we left off:\r\n\r\n\"how\r\n\r\nIn this second lesson, it is time to add some tones to all of those lines. The focus of this tutorial is how to begin shading an eye drawing so that it looks realistic. Let me again emphasize begin, because this lesson will be just the start of the shading process. There will be more shading techniques to implement in Parts 3 and 4 before getting to the desired level of realism.\r\n\r\nNo new materials will be needed, just a 2B pencil and a kneaded eraser.\r\n\r\nSo let\'s begin!\r\n

Shading the Pupil

\r\nBegin by taking your kneaded eraser and lifting out the pupil outline going through the highlight. Then carefully take your pencil and completely fill in the circle that represents the pupil. Leave the highlight white.\r\n\r\n\"how\r\n\r\n \r\n

Shading the Iris

\r\nThe outer and inner rim of the iris is usually slightly darker than the rest of it. The guidelines that you drew in the last lesson help allow for this.\r\n\r\nBegin by shading the outer edge of the iris. Lighten the application of graphite as you work your way inward and reach the guideline.\r\n\r\nThere is a heavier shadow along the top that is cast by the upper eyelid. This shadow should not taper off and get lighter along the guideline edge.\r\n\r\nThere is a much thinner shadow on the iris along the lower eyelid. Notice the little sliver of water as the eyelid presses against the eye? Leave this white.\r\n\r\n\"how\r\n\r\n \r\n\r\nAs for the inner part of the iris, begin sketching a few lines that radiate outward from the center. Try to imagine the very center of the pupil and have your lines come straight from there.\r\n\r\n\"how\r\n\r\nBegin extending these lines all the way to the outer edge of the iris.\r\n\r\n\"how\r\n\r\nNext, begin filling in the open spaces with more lines. Notice how the lines are not necessarily perfectly straight. Think in terms of long, stretched out ovals that are pointed at each end.\r\n\r\n\"how\r\n\r\n \r\n\r\n \r\n\r\n\"how\r\n\r\n \r\n\r\nDarken up the inner part of the iris. Shade in the same direction as the radiating lines. Be aware of the tips of those long \"oval-like\" shapes. You can better define some of these tips by shading around them. Shade outward from the pupil until you get to the inner guideline.\r\n\r\n\"how\r\n\r\nWe already added tones around outer edge of the iris, but we still need to replicate the radiating lines along the outer edge. Do this by darkening the lines and the spaces between the lines in the same fashion that you did for the inner iris. Make sure to leave it light in the middle.\r\n\r\n\"how\r\n

Shading the White Part of the Eye

\r\nEarlier, I mentioned a shadow that the upper eyelid casts upon the eye. It is time to extend this shadow along the white part of the eye. Color this lightly; do not make it as dark as it is on the iris.\r\n\r\n\"how\r\n\r\n \r\n\r\n ','How to Draw an Eye Realistically (Part 2 of 4)','','inherit','open','open','','1840-revision-v1','','','2015-04-12 09:13:51','2015-04-12 16:13:51','',1840,'http://www.letsdrawpeople.com/1840-revision-v1/',0,'revision','',0),(1865,2,'2015-04-12 10:29:13','2015-04-12 17:29:13','In the last post of this series, we began drawing a realistic eye with the all-important line drawing to place the iris, pupil, eyelids, and the outline to a few shadows and highlights.\r\n\r\nHere is where we left off:\r\n\r\n\"how\r\n\r\nIn this second lesson, it is time to add some tones to all of those lines. The focus of this tutorial is how to begin shading an eye drawing so that it looks realistic. Let me again emphasize begin, because this lesson will be just the start of the shading process. There will be more shading techniques to implement in Parts 3 and 4 before getting to the desired level of realism.\r\n\r\nNo new materials will be needed, just a 2B pencil and a kneaded eraser.\r\n\r\nSo let\'s begin!\r\n

Shading the Pupil

\r\nBegin by taking your kneaded eraser and lifting out the pupil outline going through the highlight. Then carefully take your pencil and completely fill in the circle that represents the pupil. Leave the highlight white.\r\n\r\n\"how\r\n

Shading the Iris

\r\nThe outer and inner rim of the iris is usually slightly darker than the rest of it. The guidelines that you drew in the last lesson help allow for this.\r\n\r\nBegin by shading the outer edge of the iris. Lighten the application of graphite as you work your way inward and reach the guideline.\r\n\r\nThere is a heavier shadow along the top that is cast by the upper eyelid. This shadow should not taper off and get lighter along the guideline edge.\r\n\r\nThere is a much thinner shadow on the iris along the lower eyelid. Notice the little sliver of water as the eyelid presses against the eye? Leave this white.\r\n\r\n\"how\r\n\r\nAs for the inner part of the iris, begin sketching a few lines that radiate outward from the center. Try to imagine the very center of the pupil and have your lines come straight from there.\r\n\r\n\"how\r\n\r\nBegin extending these lines all the way to the outer edge of the iris.\r\n\r\n\"how\r\n\r\nNext, begin filling in the open spaces with more lines. Notice how the lines are not necessarily perfectly straight. Think in terms of long, stretched out ovals that are pointed at each end.\r\n\r\n\"how\r\n\r\n \r\n\r\n\"how\r\n\r\n \r\n\r\nDarken up the inner part of the iris. Shade in the same direction as the radiating lines. Be aware of the tips of those long \"oval-like\" shapes. You can better define some of these tips by shading around them. Shade outward from the pupil until you get to the inner guideline.\r\n\r\n\"how\r\n\r\nWe already added tones around outer edge of the iris, but we still need to replicate the radiating lines along the outer edge. Do this by darkening the lines and the spaces between the lines in the same fashion that you did for the inner iris. Make sure to leave it light in the middle.\r\n\r\n\"how\r\n

Shading the White Part of the Eye

\r\nEarlier, I mentioned a shadow that the upper eyelid casts upon the eye. It is time to extend this shadow along the white part of the eye. Color this lightly; do not make it as dark as it is on the iris.\r\n\r\nSince the eyeball is actually a sphere, there should be a little shading on other parts of it as well. Notice below that I begin by shading the inner corner.\r\n\r\n\"how\r\n\r\n \r\n\r\nThe outer corner is going to get a little more shading. This is partially to allow for the shadows given by the eyelashes, which will be drawn in as one of the final steps.\r\n\r\n\"how\r\n\r\nNow for the nodule in the corner of the eye (lacrimal caruncle), leave some parts dark and some parts clear to represent wetness.\r\n\r\n\"how\r\n

Shading the Eyelids

\r\nBegin shading the top plane of the upper eyelid\r\n\r\n \r\n\r\n ','How to Draw an Eye Realistically (Part 2 of 4)','','inherit','open','open','','1840-revision-v1','','','2015-04-12 10:29:13','2015-04-12 17:29:13','',1840,'http://www.letsdrawpeople.com/1840-revision-v1/',0,'revision','',0),(1866,2,'2015-04-12 11:04:52','2015-04-12 18:04:52','In the last post of this series, we began drawing a realistic eye with the all-important line drawing to place the iris, pupil, eyelids, and the outline to a few shadows and highlights.\r\n\r\nHere is where we left off:\r\n\r\n\"how\r\n\r\nIn this second lesson, it is time to add some tones to all of those lines. The focus of this tutorial is how to begin shading an eye drawing so that it looks realistic. Let me again emphasize begin, because this lesson will be just the start of the shading process. There will be more shading techniques to implement in Parts 3 and 4 before getting to the desired level of realism.\r\n\r\nNo new materials will be needed, just a 2B pencil and a kneaded eraser.\r\n\r\nSo let\'s begin!\r\n

Shading the Pupil

\r\nBegin by taking your kneaded eraser and lifting out the pupil outline going through the highlight. Then carefully take your pencil and completely fill in the circle that represents the pupil. Leave the highlight white.\r\n\r\n\"how\r\n

Shading the Iris

\r\nThe outer and inner rim of the iris is usually slightly darker than the rest of it. The guidelines that you drew in the last lesson help allow for this.\r\n\r\nBegin by shading the outer edge of the iris. Lighten the application of graphite as you work your way inward and reach the guideline.\r\n\r\nThere is a heavier shadow along the top that is cast by the upper eyelid. This shadow should not taper off and get lighter along the guideline edge.\r\n\r\nThere is a much thinner shadow on the iris along the lower eyelid. Notice the little sliver of water as the eyelid presses against the eye? Leave this white.\r\n\r\n\"how\r\n\r\nAs for the inner part of the iris, begin sketching a few lines that radiate outward from the center. Try to imagine the very center of the pupil and have your lines come straight from there.\r\n\r\n\"how\r\n\r\nBegin extending these lines all the way to the outer edge of the iris.\r\n\r\n\"how\r\n\r\nNext, begin filling in the open spaces with more lines. Notice how the lines are not necessarily perfectly straight. Think in terms of long, stretched out ovals that are pointed at each end.\r\n\r\n\"how\r\n\r\n \r\n\r\n\"how\r\n\r\n \r\n\r\nDarken up the inner part of the iris. Shade in the same direction as the radiating lines. Be aware of the tips of those long \"oval-like\" shapes. You can better define some of these tips by shading around them. Shade outward from the pupil until you get to the inner guideline.\r\n\r\n\"how\r\n\r\nWe already added tones around outer edge of the iris, but we still need to replicate the radiating lines along the outer edge. Do this by darkening the lines and the spaces between the lines in the same fashion that you did for the inner iris. Make sure to leave it light in the middle.\r\n\r\n\"how\r\n

Shading the White Part of the Eye

\r\nEarlier, I mentioned a shadow that the upper eyelid casts upon the eye. It is time to extend this shadow along the white part of the eye. Color this lightly; do not make it as dark as it is on the iris.\r\n\r\nSince the eyeball is actually a sphere, there should be a little shading on other parts of it as well. Notice below that I begin by shading the inner corner.\r\n\r\n\"how\r\n\r\n \r\n\r\nThe outer corner is going to get a little more shading. This is partially to allow for the shadows given by the eyelashes, which will be drawn in as one of the final steps.\r\n\r\n\"how\r\n\r\nNow for the nodule in the corner of the eye (lacrimal caruncle), leave some parts dark and some parts clear to represent wetness.\r\n\r\n\"how\r\n

Shading the Eyelids

\r\nBegin shading the top plane of the upper eyelid. Notice by the blue arrow how the eyelid is distinguished from the shadow on the white of the eye by making the shadow slightly darker and leaving some reflected light on the eyelid.\r\n\r\n\"how\r\n\r\n \r\n\r\n \r\n\r\n ','How to Draw an Eye Realistically (Part 2 of 4)','','inherit','open','open','','1840-revision-v1','','','2015-04-12 11:04:52','2015-04-12 18:04:52','',1840,'http://www.letsdrawpeople.com/1840-revision-v1/',0,'revision','',0),(1867,2,'2015-04-12 15:00:16','2015-04-12 22:00:16','In the last post of this series, we began drawing a realistic eye with the all-important line drawing to place the iris, pupil, eyelids, and the outline to a few shadows and highlights.\r\n\r\nHere is where we left off:\r\n\r\n\"how\r\n\r\nIn this second lesson, it is time to add some tones to all of those lines. The focus of this tutorial is how to begin shading an eye drawing so that it looks realistic. Let me again emphasize begin, because this lesson will be just the start of the shading process. There will be more shading techniques to implement in Parts 3 and 4 before getting to the desired level of realism.\r\n\r\nNo new materials will be needed, just a 2B pencil and a kneaded eraser.\r\n\r\nSo let\'s begin!\r\n

Shading the Pupil

\r\nBegin by taking your kneaded eraser and lifting out the pupil outline going through the highlight. Then carefully take your pencil and completely fill in the circle that represents the pupil. Leave the highlight white.\r\n\r\n\"how\r\n

Shading the Iris

\r\nThe outer and inner rim of the iris is usually slightly darker than the rest of it. The guidelines that you drew in the last lesson help allow for this.\r\n\r\nBegin by shading the outer edge of the iris. Lighten the application of graphite as you work your way inward and reach the guideline.\r\n\r\nThere is a heavier shadow along the top that is cast by the upper eyelid. This shadow should not taper off and get lighter along the guideline edge.\r\n\r\nThere is a much thinner shadow on the iris along the lower eyelid. Notice the little sliver of water as the eyelid presses against the eye? Leave this white.\r\n\r\n\"how\r\n\r\nAs for the inner part of the iris, begin sketching a few lines that radiate outward from the center. Try to imagine the very center of the pupil and have your lines come straight from there.\r\n\r\n\"how\r\n\r\nBegin extending these lines all the way to the outer edge of the iris.\r\n\r\n\"how\r\n\r\nNext, begin filling in the open spaces with more lines. Notice how the lines are not necessarily perfectly straight. Think in terms of long, stretched out ovals that are pointed at each end.\r\n\r\n\"how\r\n\r\n \r\n\r\n\"how\r\n\r\n \r\n\r\nDarken up the inner part of the iris. Shade in the same direction as the radiating lines. Be aware of the tips of those long \"oval-like\" shapes. You can better define some of these tips by shading around them. Shade outward from the pupil until you get to the inner guideline.\r\n\r\n\"how\r\n\r\nWe already added tones around outer edge of the iris, but we still need to replicate the radiating lines along the outer edge. Do this by darkening the lines and the spaces between the lines in the same fashion that you did for the inner iris. Make sure to leave it light in the middle.\r\n\r\n\"how\r\n

Shading the White Part of the Eye

\r\nEarlier, I mentioned a shadow that the upper eyelid casts upon the eye. It is time to extend this shadow along the white part of the eye. Color this lightly; do not make it as dark as it is on the iris.\r\n\r\nSince the eyeball is actually a sphere, there should be a little shading on other parts of it as well. Notice below that I begin by shading the inner corner.\r\n\r\n\"how\r\n\r\n \r\n\r\nThe outer corner is going to get a little more shading. This is partially to allow for the shadows given by the eyelashes, which will be drawn in as one of the final steps.\r\n\r\n\"how\r\n\r\nNow for the nodule in the corner of the eye (lacrimal caruncle), leave some parts dark and some parts clear to represent wetness.\r\n\r\n\"how\r\n

Shading the Eyelids

\r\nBegin shading the top plane of the upper eyelid. Notice by the blue arrow how the eyelid is distinguished from the shadow on the white of the eye by making the shadow slightly darker and leaving some reflected light on the eyelid. Continue this for the length of the eyelid.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nHere we add some tones to the skin in the eye socket area, just above the upper eyelid. Place darker tones where there are folds and bends in the skin. Use lighter tones around the highlighted areas you marked with guidelines during the last lesson.\r\n\r\n\"how\r\n\r\nRepeat this process with the upper and lower eyelids. Notice how the direction of the pencil marks go along the natural curves of the eyelids.\r\n\r\n\"how\r\n\r\n\"how\r\n

Next Steps

\r\nIf you completed everything from this tutorial, congratulations! You just finished a very important step in the process of drawing and shading a realistic eye: establishing the initial tones with your graphite pencil. The next lesson (Part 3 of the series) will show you how to properly blend the graphite and reach the next level of realism.\r\n\r\n \r\n\r\n \r\n\r\n ','How to Draw an Eye Realistically (Part 2 of 4)','','inherit','open','open','','1840-revision-v1','','','2015-04-12 15:00:16','2015-04-12 22:00:16','',1840,'http://www.letsdrawpeople.com/1840-revision-v1/',0,'revision','',0),(1869,2,'2015-04-12 15:07:21','2015-04-12 22:07:21','In the last post of this series, we began drawing a realistic eye with the all-important line drawing to place the iris, pupil, eyelids, and the outline to a few shadows and highlights.\r\n\r\nHere is where we left off:\r\n\r\n\"how\r\n\r\nIn this second lesson, it is time to add some tones to all of those lines. The focus of this tutorial is how to begin shading an eye drawing so that it looks realistic. Let me again emphasize begin, because this lesson will be just the start of the shading process. There will be more shading techniques to implement in Parts 3 and 4 before getting to the desired level of realism.\r\n\r\nNo new materials will be needed, just a 2B pencil and a kneaded eraser.\r\n\r\nSo let\'s begin!\r\n

Shading the Pupil

\r\nBegin by taking your kneaded eraser and lifting out the pupil outline going through the highlight. Then carefully take your pencil and completely fill in the circle that represents the pupil. Leave the highlight white.\r\n\r\n\"how\r\n

Shading the Iris

\r\nThe outer and inner rim of the iris is usually slightly darker than the rest of it. The guidelines that you drew in the last lesson help allow for this.\r\n\r\nBegin by shading the outer edge of the iris. Lighten the application of graphite as you work your way inward and reach the guideline.\r\n\r\nThere is a heavier shadow along the top that is cast by the upper eyelid. This shadow should not taper off and get lighter along the guideline edge.\r\n\r\nThere is a much thinner shadow on the iris along the lower eyelid. Notice the little sliver of water as the eyelid presses against the eye? Leave this white.\r\n\r\n\"how\r\n\r\nAs for the inner part of the iris, begin sketching a few lines that radiate outward from the center. Try to imagine the very center of the pupil and have your lines come straight from there.\r\n\r\n\"how\r\n\r\nBegin extending these lines all the way to the outer edge of the iris.\r\n\r\n\"how\r\n\r\nNext, begin filling in the open spaces with more lines. Notice how the lines are not necessarily perfectly straight. Think in terms of long, stretched out ovals that are pointed at each end.\r\n\r\n\"how\r\n\r\n \r\n\r\n\"how\r\n\r\nDarken up the inner part of the iris. Shade in the same direction as the radiating lines. Be aware of the tips of those long \"oval-like\" shapes. You can better define some of these tips by shading around them. Shade outward from the pupil until you get to the inner guideline.\r\n\r\n\"how\r\n\r\nWe already added tones around outer edge of the iris, but we still need to replicate the radiating lines along the outer edge. Do this by darkening the lines and the spaces between the lines in the same fashion that you did for the inner iris. Make sure to leave it light in the middle.\r\n\r\n\"how\r\n

Shading the White Part of the Eye

\r\nEarlier, I mentioned a shadow that the upper eyelid casts upon the eye. It is time to extend this shadow along the white part of the eye. Color this lightly; do not make it as dark as it is on the iris.\r\n\r\nSince the eyeball is actually a sphere, there should be a little shading on other parts of it as well. Notice below that I begin by shading the inner corner.\r\n\r\n\"how\r\n\r\nThe outer corner is going to get a little more shading. This is partially to allow for the shadows given by the eyelashes, which will be drawn in as one of the final steps.\r\n\r\n\"how\r\n\r\nNow for the nodule in the corner of the eye (lacrimal caruncle), leave some parts dark and some parts clear to represent wetness.\r\n\r\n\"how\r\n

Shading the Eyelids

\r\nBegin shading the top plane of the upper eyelid. Notice by the blue arrow how the eyelid is distinguished from the shadow on the white of the eye by making the shadow slightly darker and leaving some reflected light on the eyelid. Continue this for the length of the eyelid.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nHere we add some tones to the skin in the eye socket area, just above the upper eyelid. Place darker tones where there are folds and bends in the skin. Use lighter tones around the highlighted areas you marked with guidelines during the last lesson.\r\n\r\n\"how\r\n\r\nRepeat this process with the upper and lower eyelids. Notice how the direction of the pencil marks go along the natural curves of the eyelids.\r\n\r\n\"how\r\n\r\n\"how\r\n

Next Steps

\r\nIf you completed everything from this tutorial (and from Part 1 earlier), congratulations! You just finished a very important step in the process of drawing and shading a realistic eye: establishing the initial tones with your graphite pencil. The next lesson (Part 3 of the series) will show you how to properly blend the graphite and reach the next level of realism.','How to Draw an Eye Realistically (Part 2 of 4)','','inherit','open','open','','1840-revision-v1','','','2015-04-12 15:07:21','2015-04-12 22:07:21','',1840,'http://www.letsdrawpeople.com/1840-revision-v1/',0,'revision','',0),(1868,2,'2015-04-12 15:04:12','2015-04-12 22:04:12','In the last post of this series, we began drawing a realistic eye with the all-important line drawing to place the iris, pupil, eyelids, and the outline to a few shadows and highlights.\r\n\r\nHere is where we left off:\r\n\r\n\"how\r\n\r\nIn this second lesson, it is time to add some tones to all of those lines. The focus of this tutorial is how to begin shading an eye drawing so that it looks realistic. Let me again emphasize begin, because this lesson will be just the start of the shading process. There will be more shading techniques to implement in Parts 3 and 4 before getting to the desired level of realism.\r\n\r\nNo new materials will be needed, just a 2B pencil and a kneaded eraser.\r\n\r\nSo let\'s begin!\r\n

Shading the Pupil

\r\nBegin by taking your kneaded eraser and lifting out the pupil outline going through the highlight. Then carefully take your pencil and completely fill in the circle that represents the pupil. Leave the highlight white.\r\n\r\n\"how\r\n

Shading the Iris

\r\nThe outer and inner rim of the iris is usually slightly darker than the rest of it. The guidelines that you drew in the last lesson help allow for this.\r\n\r\nBegin by shading the outer edge of the iris. Lighten the application of graphite as you work your way inward and reach the guideline.\r\n\r\nThere is a heavier shadow along the top that is cast by the upper eyelid. This shadow should not taper off and get lighter along the guideline edge.\r\n\r\nThere is a much thinner shadow on the iris along the lower eyelid. Notice the little sliver of water as the eyelid presses against the eye? Leave this white.\r\n\r\n\"how\r\n\r\nAs for the inner part of the iris, begin sketching a few lines that radiate outward from the center. Try to imagine the very center of the pupil and have your lines come straight from there.\r\n\r\n\"how\r\n\r\nBegin extending these lines all the way to the outer edge of the iris.\r\n\r\n\"how\r\n\r\nNext, begin filling in the open spaces with more lines. Notice how the lines are not necessarily perfectly straight. Think in terms of long, stretched out ovals that are pointed at each end.\r\n\r\n\"how\r\n\r\n \r\n\r\n\"how\r\n\r\n \r\n\r\nDarken up the inner part of the iris. Shade in the same direction as the radiating lines. Be aware of the tips of those long \"oval-like\" shapes. You can better define some of these tips by shading around them. Shade outward from the pupil until you get to the inner guideline.\r\n\r\n\"how\r\n\r\nWe already added tones around outer edge of the iris, but we still need to replicate the radiating lines along the outer edge. Do this by darkening the lines and the spaces between the lines in the same fashion that you did for the inner iris. Make sure to leave it light in the middle.\r\n\r\n\"how\r\n

Shading the White Part of the Eye

\r\nEarlier, I mentioned a shadow that the upper eyelid casts upon the eye. It is time to extend this shadow along the white part of the eye. Color this lightly; do not make it as dark as it is on the iris.\r\n\r\nSince the eyeball is actually a sphere, there should be a little shading on other parts of it as well. Notice below that I begin by shading the inner corner.\r\n\r\n\"how\r\n\r\n \r\n\r\nThe outer corner is going to get a little more shading. This is partially to allow for the shadows given by the eyelashes, which will be drawn in as one of the final steps.\r\n\r\n\"how\r\n\r\nNow for the nodule in the corner of the eye (lacrimal caruncle), leave some parts dark and some parts clear to represent wetness.\r\n\r\n\"how\r\n

Shading the Eyelids

\r\nBegin shading the top plane of the upper eyelid. Notice by the blue arrow how the eyelid is distinguished from the shadow on the white of the eye by making the shadow slightly darker and leaving some reflected light on the eyelid. Continue this for the length of the eyelid.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nHere we add some tones to the skin in the eye socket area, just above the upper eyelid. Place darker tones where there are folds and bends in the skin. Use lighter tones around the highlighted areas you marked with guidelines during the last lesson.\r\n\r\n\"how\r\n\r\nRepeat this process with the upper and lower eyelids. Notice how the direction of the pencil marks go along the natural curves of the eyelids.\r\n\r\n\"how\r\n\r\n\"how\r\n

Next Steps

\r\nIf you completed everything from this tutorial (and from Part 1 earlier), congratulations! You just finished a very important step in the process of drawing and shading a realistic eye: establishing the initial tones with your graphite pencil. The next lesson (Part 3 of the series) will show you how to properly blend the graphite and reach the next level of realism.\r\n\r\n \r\n\r\n \r\n\r\n ','How to Draw an Eye Realistically (Part 2 of 4)','','inherit','open','open','','1840-revision-v1','','','2015-04-12 15:04:12','2015-04-12 22:04:12','',1840,'http://www.letsdrawpeople.com/1840-revision-v1/',0,'revision','',0),(1870,2,'2015-04-12 15:11:05','2015-04-12 22:11:05','In the last post of this series, we began drawing a realistic eye with the all-important line drawing to place the iris, pupil, eyelids, and the outline to a few shadows and highlights.\r\n\r\nHere is where we left off:\r\n\r\n\"how\r\n\r\nIn this second lesson, it is time to add some tones to all of those lines. The focus of this tutorial is how to begin shading an eye drawing so that it looks realistic. Let me again emphasize begin, because this lesson will be just the start of the shading process. There will be more shading techniques to implement in Parts 3 and 4 before getting to the desired level of realism.\r\n\r\nNo new materials will be needed, just a 2B pencil and a kneaded eraser.\r\n\r\nSo let\'s begin!\r\n

Shading the Pupil

\r\nBegin by taking your kneaded eraser and lifting out the pupil outline going through the highlight. Then carefully take your pencil and completely fill in the circle that represents the pupil. Leave the highlight white.\r\n\r\n\"how\r\n

Shading the Iris

\r\nThe outer and inner rim of the iris is usually slightly darker than the rest of it. The guidelines that you drew in the last lesson help allow for this.\r\n\r\nBegin by shading the outer edge of the iris. Lighten the application of graphite as you work your way inward and reach the guideline.\r\n\r\nThere is a heavier shadow along the top that is cast by the upper eyelid. This shadow should not taper off and get lighter along the guideline edge.\r\n\r\nThere is a much thinner shadow on the iris along the lower eyelid. Notice the little sliver of water as the eyelid presses against the eye? Leave this white.\r\n\r\n\"how\r\n\r\nAs for the inner part of the iris, begin sketching a few lines that radiate outward from the center. Try to imagine the very center of the pupil and have your lines come straight from there.\r\n\r\n\"how\r\n\r\nBegin extending these lines all the way to the outer edge of the iris.\r\n\r\n\"how\r\n\r\nNext, begin filling in the open spaces with more lines. Notice how the lines are not necessarily perfectly straight. Think in terms of long, stretched out ovals that are pointed at each end.\r\n\r\n\"how\r\n\r\n \r\n\r\n\"how\r\n\r\nDarken up the inner part of the iris. Shade in the same direction as the radiating lines. Be aware of the tips of those long \"oval-like\" shapes. You can better define some of these tips by shading around them. Shade outward from the pupil until you get to the inner guideline.\r\n\r\n\"how\r\n\r\nWe already added tones around outer edge of the iris, but we still need to replicate the radiating lines along the outer edge. Do this by darkening the lines and the spaces between the lines in the same fashion that you did for the inner iris. Make sure to leave it light in the middle.\r\n\r\n\"how\r\n

Shading the White Part of the Eye

\r\nEarlier, I mentioned a shadow that the upper eyelid casts upon the eye. It is time to extend this shadow along the white part of the eye. Color this lightly; do not make it as dark as it is on the iris.\r\n\r\nSince the eyeball is actually a sphere, there should be a little shading on other parts of it as well. Notice below that I begin by shading the inner corner.\r\n\r\n\"how\r\n\r\nThe outer corner is going to get a little more shading. This is partially to allow for the shadows given by the eyelashes, which will be drawn in as one of the final steps.\r\n\r\n\"how\r\n\r\nNow for the nodule in the corner of the eye (lacrimal caruncle), leave some parts dark and some parts clear to represent wetness.\r\n\r\n\"how\r\n

Shading the Eyelids

\r\nBegin shading the top plane of the upper eyelid. Notice by the blue arrow how the eyelid is distinguished from the shadow on the white of the eye by making the shadow slightly darker and leaving some reflected light on the eyelid. Continue this for the length of the eyelid.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nHere we add some tones to the skin in the eye socket area, just above the upper eyelid. Place darker tones where there are folds and bends in the skin. Use lighter tones around the highlighted areas you marked with guidelines during the last lesson.\r\n\r\n\"how\r\n\r\nRepeat this process with the upper and lower eyelids. Notice how the direction of the pencil marks goes along the natural curves of the eyelids.\r\n\r\n\"how\r\n\r\n\"how\r\n

Next Steps

\r\nIf you completed everything from this tutorial (and from Part 1 earlier), congratulations! You just finished a very important step in the process of drawing and shading a realistic eye: establishing the initial tones with your graphite pencil. The next lesson (Part 3 of the series) will show you how to properly blend the graphite and reach the next level of realism.','How to Draw an Eye Realistically (Part 2 of 4)','','inherit','open','open','','1840-revision-v1','','','2015-04-12 15:11:05','2015-04-12 22:11:05','',1840,'http://www.letsdrawpeople.com/1840-revision-v1/',0,'revision','',0),(1871,2,'2015-04-12 15:12:43','2015-04-12 22:12:43','The eye....probably the most fascinating facial feature there is to draw.\r\n\r\nThe eye definitely has a unique complexity to it that other facial features lack. That\'s not to say that drawing a nose, mouth, or ear is all that easy for a beginning artist. Still you have to admit, the human eye is intriguing enough to make it both a challenging and fun drawing subject.\r\n\r\nThis post will be the first in a four-part tutorial. Throughout the series, we will see how to draw an eye in a realistic manner.\r\n\r\nThis first lesson will be focused on what could very well be the most important part of any realistic drawing...the initial line drawing.\r\n\r\nAll you need for today\'s lesson is a sheet of drawing paper (two-ply bristol board will yield the best results), a 2B pencil, a kneaded eraser, and a compass for drawing circles.\r\n\r\nAre you ready? Let\'s see how to make a detailed line drawing of an eye that will lend itself to making a much more detailed, realistic drawing of the eye later on!\r\n

Drawing the Eye\'s Outline

\r\nFirst, draw the almond-shaped outline of the eye that is formed by the upper and lower eyelid. This outline will encompass the white part of the eye. Since this eye drawing happens to be that of a person\'s left eye, don\'t forget to draw the inner corner tear duct area on the right side of the eye (your left). I\'m talking about that little triangular pink nodule, the lacrimal caruncle (for those of you dying to know the actual name of it).\r\n\r\n\"how\r\n

Placing the Iris, Pupil, and Highlight

\r\nNext, lightly and carefully sketch circles for where the iris and pupil should be. Most of the time when you observe an eye looking straight ahead, you will notice the top and bottom of the iris slightly hidden behind the eyelids. The pupil should be visible in its entirety and centered on the iris.\r\n\r\n\"how\r\n\r\nIdeally, the iris and pupil should be as circular as possible. For most drawings, I use a circle template to trace over these sketched circles, resulting in more perfectly-formed circles. In a drawing such as this, where the eye itself is the subject and inhabits a space the size of the whole paper, a circle template isn\'t going to cut it. Instead, I used a standard drawing compass for this example. Notice that the new circles are not perfectly atop the sketched ones, but that\'s okay. The important thing to remember is to keep the same center for both circles. Take extra caution with the sharp point of your compass so as to not poke a big, nasty hole in your drawing paper!\r\n\r\n\"how\r\n\r\nNow for the highlight. Most of the eye highlights I see and draw are circular. However, highlights come in varying shapes, sizes, and quantities. For this drawing, let\'s use one fairly large, square-shaped highlight that overlaps the iris and pupil.\r\n\r\n\"how\r\n

Drawing the Eyelids

\r\nDrawing the eyelids should be pretty straightforward. Draw the upper and lower eyelids by indicating them with lines as seen in the image below. Notice how the drawn lines above and below the eye compliment it with the same curvature.\r\n\r\nOne of the best things you can do to add realism to your eyelids is to not forget the rim around the white of the eye. This rim serves as the upper plane of the lower eyelid and the lower plane of the upper eyelid. All too often, beginning artists overlook this one simple detail. Don\'t make the same mistake!\r\n\r\n\"how\r\n

Adding Final Touches to Your Line Drawing

\r\nWhen I know I want to use a line drawing to create a detailed, realistic pencil drawing with shading, I like to use the line drawing to help me plan for where my shadows and highlights will go.\r\n\r\nBegin with the white part of the eye. Remember that the eyeball is largely spherical in shape, so a few well-placed shadows will create this effect. The upper eyelid will place a cast shadow onto the eye directly below the lid. Sketch a rim around the outer and inner iris to plan for variations in color. You can even place some tiny highlights and teardrops in the inner corner of the eye.\r\n\r\n\"how\r\n\r\nRepeat this process of planning for shadows and highlights on the skin surrounding the eye. You can see shadows where skin folds and overlaps. You can see lighter skin (subtle highlights) on curved areas that are closer to the light.\r\n\r\n\"how\r\n\r\nThis will give you a detailed line drawing of an eye. Look out for the next post (Part 2 of this series), where we will shade the eye with the first layer of graphite tones.','How to Draw an Eye Realistically (Part 1 of 4)','','inherit','open','open','','1814-revision-v1','','','2015-04-12 15:12:43','2015-04-12 22:12:43','',1814,'http://www.letsdrawpeople.com/1814-revision-v1/',0,'revision','',0),(1873,2,'2015-04-22 23:10:44','2015-04-23 06:10:44','When drawing a realistic eye, there are several important steps you should complete in order to get a realistic look. First, you should make sure to have an accurate line drawing of the eye. Then you should begin shading the eye by applying the first layers of tone, as seen below:\r\n\r\n\"how\r\n\r\nThis third lesson of my realistic eye-drawing series builds upon the shading from the last lesson and takes it to a new level. It involves making that first layer of tone look more \"real\". This effect is achieved by blending the graphite on the paper. With this one simple step, you will see a very noticeable difference in the level of realism as compared where we left off!\r\n\r\nFollow along with your drawing as I show you step-by-step how to shade the eye by properly blending the tones together.\r\n\r\nIdeally, the materials you should have on hand are a couple of tortillions for blending, a paper towel or tissue, and a kneaded eraser (just in case). Additionally, don\'t forget our reference photo!\r\n\r\n[caption id=\"attachment_1922\" align=\"aligncenter\" width=\"800\"]\"By By Laitr Keiows (Own work) [CC BY-SA 3.0 or GFDL], via Wikimedia Commons[/caption]With that, let\'s begin blending the eye!\r\n

Blending the Main Parts of the Eye

\r\nBegin by taking one of your tortillions and carefully blending together the dark, heavy layer of graphite that fills the pupil. You won\'t see a drastic change since it is so dark, but you should notice a smoother appearance.\r\n\r\nI tend to go for a heavier-used tortillion with more graphite buildup to blend darker areas, such as the pupil and iris.\r\n\r\nNext, wipe your tortillion on the paper towel to remove excess graphite. You should do this every time you transition from blending a heavily-shaded object to something with lighter shading.\r\n\r\nStart blending the iris by tracing your tortillion around the outer edge. Use soft strokes that follow the lines inward toward the pupil to begin shading the dark band along the outer edge. Blend into the lighter, middle band of the iris.\r\n\r\nThere will likely be some smearing along the edge of the iris that gets onto the white part of the eye. You can remove this with your kneaded eraser along the outside of the iris. You can see in the picture below there is smearing from the tortillion along the left side (our left) of the iris. The opposite side has a much sharper edge after using the kneaded eraser.\r\n\r\n\"how\r\n\r\nContinue to blend in the same direction as the lines. Blend with a softer touch when you are in the lighter middle band of the iris. Blend the darker inner band (just outside the pupil) in the same manner as the darker outer band. Bring the darker graphite into the lighter area. Notice the smooth, beautiful transitions of tone this creates in the iris! If the middle band gets too dark, you can carefully lighten it by picking out a few linear strokes with the kneaded eraser.\r\n\r\n\"how\r\n\r\nNow it is time to blend the lighter shadows on the white part of the eye. A less-often-used tortillion with less graphite buildup is best for blending these lighter areas.\r\n\r\n\"how\r\n\r\nAs for the tears and nodule in the corner of the eye, try to keep the dark parts dark and the light parts light while blending. The end goal is to portray the illusion of water and wetness here.\r\n\r\n\"how\r\n

Blending the Surrounding Parts of the Eye

\r\nFor the skin surrounding the eye, use the same blending method as you did with the other parts of the eye. The hard part was completed in the last lesson by making dark and light tones on the skin areas. Now it is just a matter of using a tortillion and blending the tones together to create a smooth appearance of skin.\r\n\r\nBegin with the skin above the upper eyelid. Blend in the same direction as the pencil strokes.\r\n\r\n\"how\r\n\r\nRepeat this process for the upper eyelid. Blend in the same horizontal direction as the eyelid itself. Be aware of dark and light areas, as well as where you planned for highlights and reflected light. Try to leave these in tact, and use your kneaded eraser if necessary to pick out lighter areas that get too dark from blending.\r\n\r\n\"how\r\n\r\nFinally, complete the blending process on the lower eyelid. You should be left with a drawing that looks similar to this:\r\n\r\n\"how\r\n

Next Steps

\r\nIf you have made it this far by following along with this lesson, as well as Part 1 and Part 2, you are well on your way to having a complete drawing of a realistic eye! But we are not quite finished yet....\r\n\r\nThe fourth and final tutorial (Part 4 of the series) will show you how to enhance what we already have with some finishing details that will make your drawing \"pop\" with eye-catching realism!','How to Draw an Eye Realistically (Part 3 of 4)','','publish','open','open','','how-to-draw-an-eye-realistically-part-3-of-4','','http://www.letsdrawpeople.com/how-to-draw-an-eye-realistically-part-1-of-4/\nhttp://www.letsdrawpeople.com/how-to-draw-an-eye-realistically-part-2-of-4/','2015-06-30 01:05:23','2015-06-30 08:05:23','',0,'http://www.letsdrawpeople.com/?p=1873',0,'post','',0),(1874,2,'2015-04-22 21:34:14','2015-04-23 04:34:14','','how to draw an eye 0307 lower eyelid','','inherit','open','open','','how-to-draw-an-eye-0307-lower-eyelid','','','2015-04-22 21:34:14','2015-04-23 04:34:14','',1873,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0307-lower-eyelid.jpg',0,'attachment','image/jpeg',0),(1875,2,'2015-04-22 21:34:16','2015-04-23 04:34:16','','how to draw an eye 0306 upper eyelid','','inherit','open','open','','how-to-draw-an-eye-0306-upper-eyelid','','','2015-04-22 21:34:16','2015-04-23 04:34:16','',1873,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0306-upper-eyelid.jpg',0,'attachment','image/jpeg',0),(1876,2,'2015-04-22 21:34:18','2015-04-23 04:34:18','','how to draw an eye 0305 above upper eyelid','','inherit','open','open','','how-to-draw-an-eye-0305-above-upper-eyelid','','','2015-04-22 21:34:18','2015-04-23 04:34:18','',1873,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0305-above-upper-eyelid.jpg',0,'attachment','image/jpeg',0),(1877,2,'2015-04-22 21:34:19','2015-04-23 04:34:19','','how to draw an eye 0304 tear duct','','inherit','open','open','','how-to-draw-an-eye-0304-tear-duct','','','2015-04-22 21:34:19','2015-04-23 04:34:19','',1873,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0304-tear-duct.jpg',0,'attachment','image/jpeg',0),(1878,2,'2015-04-22 21:34:21','2015-04-23 04:34:21','','how to draw an eye 0303 white of eye','','inherit','open','open','','how-to-draw-an-eye-0303-white-of-eye','','','2015-04-22 21:34:21','2015-04-23 04:34:21','',1873,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0303-white-of-eye.jpg',0,'attachment','image/jpeg',0),(1879,2,'2015-04-22 21:34:23','2015-04-23 04:34:23','','how to draw an eye 0302 iris','','inherit','open','open','','how-to-draw-an-eye-0302-iris','','','2015-04-22 21:34:23','2015-04-23 04:34:23','',1873,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0302-iris.jpg',0,'attachment','image/jpeg',0),(1880,2,'2015-04-22 21:34:25','2015-04-23 04:34:25','','how to draw an eye 0301 pupil','','inherit','open','open','','how-to-draw-an-eye-0301-pupil','','','2015-04-22 21:34:25','2015-04-23 04:34:25','',1873,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/how-to-draw-an-eye-0301-pupil.jpg',0,'attachment','image/jpeg',0),(1881,2,'2015-04-22 21:37:47','2015-04-23 04:37:47','In the last post of this series, we began drawing a realistic eye with the all-important line drawing to place the iris, pupil, eyelids, and the outline to a few shadows and highlights.\r\n\r\nHere is where we left off:\r\n\r\n\"how\r\n\r\nIn this second lesson, it is time to add some tones to all of those lines. The focus of this tutorial is how to begin shading an eye drawing so that it looks realistic. Let me again emphasize begin, because this lesson will be just the start of the shading process. There will be more shading techniques to implement in Parts 3 and 4 before getting to the desired level of realism.\r\n\r\nNo new materials will be needed, just a 2B pencil and a kneaded eraser.\r\n\r\nSo let\'s begin!\r\n\r\nBlending the Main Parts of the Eye\r\n\r\nggggh\r\n\r\n\"how\r\n\r\niris\r\n\r\n\"how\r\n\r\nwhite of eye\r\n\r\n\"how\r\n\r\ntear duct\r\n\r\n\"how\r\n\r\nBlending the Surrounding Parts of the Eye\r\n\r\njjjjj\r\n\r\n\"how\r\n\r\nupper eyelid\r\n\r\n\"how\r\n\r\nlower eyelid\r\n\r\n\"how\r\n\r\n \r\n

Next Steps

\r\nIf you completed everything from this tutorial (and from Part 1 earlier), congratulations! You just finished a very important step in the process of drawing and shading a realistic eye: establishing the initial tones with your graphite pencil. The next lesson (Part 3 of the series) will show you how to properly blend the graphite and reach the next level of realism.','How to Draw an Eye Realistically (Part 3 of 4)','','inherit','open','open','','1873-revision-v1','','','2015-04-22 21:37:47','2015-04-23 04:37:47','',1873,'http://www.letsdrawpeople.com/1873-revision-v1/',0,'revision','',0),(1882,2,'2015-04-22 22:36:19','2015-04-23 05:36:19','When drawing a realistic eye, there are several important steps you should complete in order to get a realistic look. First, you should make sure to have an accurate line drawing of the eye. Then you should begin shading the eye by applying the first layers of tone, as seen below:\r\n\r\n\"how\r\n\r\nThis third lesson of my realistic eye-drawing series builds upon the shading from the last lesson and takes it to a new level. It involves making that first layer of tone look more \"real\". This effect is achieved by blending the graphite on the paper. With this one simple step, you will see a very noticeable difference in the level of realism as compared where we left off!\r\n\r\nFollow along with your drawing as I show you step-by-step how to shade the eye by properly blending the tones together.\r\n\r\nIdeally, the materials you should have on hand are a couple of tortillions for blending, a paper towel or tissue, and a kneaded eraser (just in case).\r\n\r\nWith that, let\'s begin blending the eye!\r\n

Blending the Main Parts of the Eye

\r\nBegin by taking one of your tortillions and carefully blending together the dark, heavy layer of graphite that fills the pupil. You won\'t see a drastic change since it is so dark, but you should notice a smoother appearance.\r\n\r\nNext, wipe your tortillion on the paper towel to remove excess graphite. You should do this every time you transition from blending a heavily-shaded object to something with lighter shading.\r\n\r\nStart blending the iris by tracing your tortillion around the outer edge. Use soft strokes that follow the lines inward toward the pupil to begin shading the dark band along the outer edge. Blend into the lighter, middle band of the iris.\r\n\r\nThere will likely  be some smearing along the edge of the iris that gets onto the white part of the eye. You can remove this with your kneaded eraser along the outside of the iris. You can see in the picture below there is smearing from the tortillion along the left side (our left) of the iris. The opposite side has a much sharper edge after using the kneaded eraser.\r\n\r\n\"how\r\n\r\nContinue to blend in the same direction as the lines. Blend with a softer touch when you are in the lighter middle band of the iris. Blend the darker inner band (just outside the pupil) in the same manner as the darker outer band. Bring the darker graphite into the lighter area. Notice the smooth, beautiful transitions of tone this creates in the iris! If the middle band gets too dark, you can carefully lighten it by picking out a few linear strokes with the kneaded eraser.\r\n\r\n\"how\r\n\r\nwhite of eye\r\n\r\n\"how\r\n\r\ntear duct\r\n\r\n\"how\r\n\r\nBlending the Surrounding Parts of the Eye\r\n\r\njjjjj\r\n\r\n\"how\r\n\r\nupper eyelid\r\n\r\n\"how\r\n\r\nlower eyelid\r\n\r\n\"how\r\n\r\n \r\n

Next Steps

\r\nIf you completed everything from this tutorial (and from Part 1 earlier), congratulations! You just finished a very important step in the process of drawing and shading a realistic eye: establishing the initial tones with your graphite pencil. The next lesson (Part 3 of the series) will show you how to properly blend the graphite and reach the next level of realism.','How to Draw an Eye Realistically (Part 3 of 4)','','inherit','open','open','','1873-revision-v1','','','2015-04-22 22:36:19','2015-04-23 05:36:19','',1873,'http://www.letsdrawpeople.com/1873-revision-v1/',0,'revision','',0),(1883,2,'2015-04-22 23:07:48','2015-04-23 06:07:48','When drawing a realistic eye, there are several important steps you should complete in order to get a realistic look. First, you should make sure to have an accurate line drawing of the eye. Then you should begin shading the eye by applying the first layers of tone, as seen below:\r\n\r\n\"how\r\n\r\nThis third lesson of my realistic eye-drawing series builds upon the shading from the last lesson and takes it to a new level. It involves making that first layer of tone look more \"real\". This effect is achieved by blending the graphite on the paper. With this one simple step, you will see a very noticeable difference in the level of realism as compared where we left off!\r\n\r\nFollow along with your drawing as I show you step-by-step how to shade the eye by properly blending the tones together.\r\n\r\nIdeally, the materials you should have on hand are a couple of tortillions for blending, a paper towel or tissue, and a kneaded eraser (just in case).\r\n\r\nWith that, let\'s begin blending the eye!\r\n

Blending the Main Parts of the Eye

\r\nBegin by taking one of your tortillions and carefully blending together the dark, heavy layer of graphite that fills the pupil. You won\'t see a drastic change since it is so dark, but you should notice a smoother appearance.\r\n\r\nI tend to go for a heavier-used tortillion with more graphite buildup to blend darker areas, such as the pupil and iris.\r\n\r\nNext, wipe your tortillion on the paper towel to remove excess graphite. You should do this every time you transition from blending a heavily-shaded object to something with lighter shading.\r\n\r\nStart blending the iris by tracing your tortillion around the outer edge. Use soft strokes that follow the lines inward toward the pupil to begin shading the dark band along the outer edge. Blend into the lighter, middle band of the iris.\r\n\r\nThere will likely be some smearing along the edge of the iris that gets onto the white part of the eye. You can remove this with your kneaded eraser along the outside of the iris. You can see in the picture below there is smearing from the tortillion along the left side (our left) of the iris. The opposite side has a much sharper edge after using the kneaded eraser.\r\n\r\n\"how\r\n\r\nContinue to blend in the same direction as the lines. Blend with a softer touch when you are in the lighter middle band of the iris. Blend the darker inner band (just outside the pupil) in the same manner as the darker outer band. Bring the darker graphite into the lighter area. Notice the smooth, beautiful transitions of tone this creates in the iris! If the middle band gets too dark, you can carefully lighten it by picking out a few linear strokes with the kneaded eraser.\r\n\r\n\"how\r\n\r\nNow it is time to blend the lighter shadows on the white part of the eye. A less-often-used tortillion with less graphite buildup is best for blending these lighter areas.\r\n\r\n\"how\r\n\r\nAs for the tears and nodule in the corner of the eye, try to keep the dark parts dark and the light parts light while blending. The end goal is to portray the illusion of water and wetness here.\r\n\r\n\"how\r\n

Blending the Surrounding Parts of the Eye

\r\nFor the skin surrounding the eye, use the same blending method as you did with the other parts of the eye. The hard part was completed in the last lesson by making dark and light tones on the skin areas. Now it is just a matter of using a tortillion and blending the tones together to create a smooth appearance of skin.\r\n\r\nBegin with the skin above the upper eyelid. Blend in the same direction as the pencil strokes.\r\n\r\n\"how\r\n\r\nRepeat this process for the upper eyelid. Blend in the same horizontal direction as the eyelid itself. Be aware of dark and light areas, as well as where you planned for highlights and reflected light. Try to leave these in tact, and use your kneaded eraser if necessary to pick out lighter areas that get too dark from blending.\r\n\r\n\"how\r\n\r\nFinally, complete the blending process on the lower eyelid. You should be left with a drawing that looks similar to this:\r\n\r\n\"how\r\n\r\n \r\n

Next Steps

\r\nIf you have made it this far by following along with this lesson, as well as Part 1 and Part 2, you are well on your way to having a complete drawing of a realistic eye! But we are not quite finished yet....\r\n\r\nThe fourth and final tutorial (Part 4 of the series) will show you how to enhance what we already have with some finishing details that will make your drawing \"pop\" with eye-catching realism!','How to Draw an Eye Realistically (Part 3 of 4)','','inherit','open','open','','1873-revision-v1','','','2015-04-22 23:07:48','2015-04-23 06:07:48','',1873,'http://www.letsdrawpeople.com/1873-revision-v1/',0,'revision','',0),(1884,2,'2015-04-22 23:10:23','2015-04-23 06:10:23','When drawing a realistic eye, there are several important steps you should complete in order to get a realistic look. First, you should make sure to have an accurate line drawing of the eye. Then you should begin shading the eye by applying the first layers of tone, as seen below:\r\n\r\n\"how\r\n\r\nThis third lesson of my realistic eye-drawing series builds upon the shading from the last lesson and takes it to a new level. It involves making that first layer of tone look more \"real\". This effect is achieved by blending the graphite on the paper. With this one simple step, you will see a very noticeable difference in the level of realism as compared where we left off!\r\n\r\nFollow along with your drawing as I show you step-by-step how to shade the eye by properly blending the tones together.\r\n\r\nIdeally, the materials you should have on hand are a couple of tortillions for blending, a paper towel or tissue, and a kneaded eraser (just in case).\r\n\r\nWith that, let\'s begin blending the eye!\r\n

Blending the Main Parts of the Eye

\r\nBegin by taking one of your tortillions and carefully blending together the dark, heavy layer of graphite that fills the pupil. You won\'t see a drastic change since it is so dark, but you should notice a smoother appearance.\r\n\r\nI tend to go for a heavier-used tortillion with more graphite buildup to blend darker areas, such as the pupil and iris.\r\n\r\nNext, wipe your tortillion on the paper towel to remove excess graphite. You should do this every time you transition from blending a heavily-shaded object to something with lighter shading.\r\n\r\nStart blending the iris by tracing your tortillion around the outer edge. Use soft strokes that follow the lines inward toward the pupil to begin shading the dark band along the outer edge. Blend into the lighter, middle band of the iris.\r\n\r\nThere will likely be some smearing along the edge of the iris that gets onto the white part of the eye. You can remove this with your kneaded eraser along the outside of the iris. You can see in the picture below there is smearing from the tortillion along the left side (our left) of the iris. The opposite side has a much sharper edge after using the kneaded eraser.\r\n\r\n\"how\r\n\r\nContinue to blend in the same direction as the lines. Blend with a softer touch when you are in the lighter middle band of the iris. Blend the darker inner band (just outside the pupil) in the same manner as the darker outer band. Bring the darker graphite into the lighter area. Notice the smooth, beautiful transitions of tone this creates in the iris! If the middle band gets too dark, you can carefully lighten it by picking out a few linear strokes with the kneaded eraser.\r\n\r\n\"how\r\n\r\nNow it is time to blend the lighter shadows on the white part of the eye. A less-often-used tortillion with less graphite buildup is best for blending these lighter areas.\r\n\r\n\"how\r\n\r\nAs for the tears and nodule in the corner of the eye, try to keep the dark parts dark and the light parts light while blending. The end goal is to portray the illusion of water and wetness here.\r\n\r\n\"how\r\n

Blending the Surrounding Parts of the Eye

\r\nFor the skin surrounding the eye, use the same blending method as you did with the other parts of the eye. The hard part was completed in the last lesson by making dark and light tones on the skin areas. Now it is just a matter of using a tortillion and blending the tones together to create a smooth appearance of skin.\r\n\r\nBegin with the skin above the upper eyelid. Blend in the same direction as the pencil strokes.\r\n\r\n\"how\r\n\r\nRepeat this process for the upper eyelid. Blend in the same horizontal direction as the eyelid itself. Be aware of dark and light areas, as well as where you planned for highlights and reflected light. Try to leave these in tact, and use your kneaded eraser if necessary to pick out lighter areas that get too dark from blending.\r\n\r\n\"how\r\n\r\nFinally, complete the blending process on the lower eyelid. You should be left with a drawing that looks similar to this:\r\n\r\n\"how\r\n

Next Steps

\r\nIf you have made it this far by following along with this lesson, as well as Part 1 and Part 2, you are well on your way to having a complete drawing of a realistic eye! But we are not quite finished yet....\r\n\r\nThe fourth and final tutorial (Part 4 of the series) will show you how to enhance what we already have with some finishing details that will make your drawing \"pop\" with eye-catching realism!','How to Draw an Eye Realistically (Part 3 of 4)','','inherit','open','open','','1873-revision-v1','','','2015-04-22 23:10:23','2015-04-23 06:10:23','',1873,'http://www.letsdrawpeople.com/1873-revision-v1/',0,'revision','',0),(1885,2,'2015-04-22 23:12:51','2015-04-23 06:12:51','In the last post of this series, we began drawing a realistic eye with the all-important line drawing to place the iris, pupil, eyelids, and the outline to a few shadows and highlights.\r\n\r\nHere is where we left off:\r\n\r\n\"how\r\n\r\nIn this second lesson, it is time to add some tones to all of those lines. The focus of this tutorial is how to begin shading an eye drawing so that it looks realistic. Let me again emphasize begin, because this lesson will be just the start of the shading process. There will be more shading techniques to implement in Parts 3 and 4 before getting to the desired level of realism.\r\n\r\nNo new materials will be needed, just a 2B pencil and a kneaded eraser.\r\n\r\nSo let\'s begin!\r\n

Shading the Pupil

\r\nBegin by taking your kneaded eraser and lifting out the pupil outline going through the highlight. Then carefully take your pencil and completely fill in the circle that represents the pupil. Leave the highlight white.\r\n\r\n\"how\r\n

Shading the Iris

\r\nThe outer and inner rim of the iris is usually slightly darker than the rest of it. The guidelines that you drew in the last lesson help allow for this.\r\n\r\nBegin by shading the outer edge of the iris. Lighten the application of graphite as you work your way inward and reach the guideline.\r\n\r\nThere is a heavier shadow along the top that is cast by the upper eyelid. This shadow should not taper off and get lighter along the guideline edge.\r\n\r\nThere is a much thinner shadow on the iris along the lower eyelid. Notice the little sliver of water as the eyelid presses against the eye? Leave this white.\r\n\r\n\"how\r\n\r\nAs for the inner part of the iris, begin sketching a few lines that radiate outward from the center. Try to imagine the very center of the pupil and have your lines come straight from there.\r\n\r\n\"how\r\n\r\nBegin extending these lines all the way to the outer edge of the iris.\r\n\r\n\"how\r\n\r\nNext, begin filling in the open spaces with more lines. Notice how the lines are not necessarily perfectly straight. Think in terms of long, stretched out ovals that are pointed at each end.\r\n\r\n\"how\r\n\r\n \r\n\r\n\"how\r\n\r\nDarken up the inner part of the iris. Shade in the same direction as the radiating lines. Be aware of the tips of those long \"oval-like\" shapes. You can better define some of these tips by shading around them. Shade outward from the pupil until you get to the inner guideline.\r\n\r\n\"how\r\n\r\nWe already added tones around outer edge of the iris, but we still need to replicate the radiating lines along the outer edge. Do this by darkening the lines and the spaces between the lines in the same fashion that you did for the inner iris. Make sure to leave it light in the middle.\r\n\r\n\"how\r\n

Shading the White Part of the Eye

\r\nEarlier, I mentioned a shadow that the upper eyelid casts upon the eye. It is time to extend this shadow along the white part of the eye. Color this lightly; do not make it as dark as it is on the iris.\r\n\r\nSince the eyeball is actually a sphere, there should be a little shading on other parts of it as well. Notice below that I begin by shading the inner corner.\r\n\r\n\"how\r\n\r\nThe outer corner is going to get a little more shading. This is partially to allow for the shadows given by the eyelashes, which will be drawn in as one of the final steps.\r\n\r\n\"how\r\n\r\nNow for the nodule in the corner of the eye (lacrimal caruncle), leave some parts dark and some parts clear to represent wetness.\r\n\r\n\"how\r\n

Shading the Eyelids

\r\nBegin shading the top plane of the upper eyelid. Notice by the blue arrow how the eyelid is distinguished from the shadow on the white of the eye by making the shadow slightly darker and leaving some reflected light on the eyelid. Continue this for the length of the eyelid.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nHere we add some tones to the skin in the eye socket area, just above the upper eyelid. Place darker tones where there are folds and bends in the skin. Use lighter tones around the highlighted areas you marked with guidelines during the last lesson.\r\n\r\n\"how\r\n\r\nRepeat this process with the upper and lower eyelids. Notice how the direction of the pencil marks goes along the natural curves of the eyelids.\r\n\r\n\"how\r\n\r\n\"how\r\n

Next Steps

\r\nIf you completed everything from this tutorial (and from Part 1 earlier), congratulations! You just finished a very important step in the process of drawing and shading a realistic eye: establishing the initial tones with your graphite pencil. The next lesson (Part 3 of the series) will show you how to properly blend the graphite and reach the next level of realism.','How to Draw an Eye Realistically (Part 2 of 4)','','inherit','open','open','','1840-revision-v1','','','2015-04-22 23:12:51','2015-04-23 06:12:51','',1840,'http://www.letsdrawpeople.com/1840-revision-v1/',0,'revision','',0),(1888,2,'2015-05-08 01:34:37','2015-05-08 08:34:37','As you develop your people-drawing skills and draw people of all shapes, sizes, and ages, you are certain to notice some differences between drawing adults and drawing children. If you are trying to learn how to draw kids and are experiencing some challenges, maybe these portrait drawings of children can help you.\r\n\r\nWhile browsing through the gallery, take time to closely examine the details in the pictures. Take note of the pencil strokes and how the lines and tones help form the larger eyes, rounder faces, or any other trouble spots you may be encountering while trying to draw kids. Check back often for more wonderful drawings of children by our website contributors and visitors, and use them as your inspiration!\r\n\r\nIf you have your own child portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"640,642,645,646,647,648,650,651,652,643,641,1431,1432,1433,1651,1667,1887\" orderby=\"rand\"]\r\n\r\n ','Portrait Drawings of Children','','inherit','open','open','','489-revision-v1','','','2015-05-08 01:34:37','2015-05-08 08:34:37','',489,'http://www.letsdrawpeople.com/489-revision-v1/',0,'revision','',0),(1893,2,'2015-05-02 08:48:16','2015-05-02 15:48:16','How can you make a realistic eye drawing look even better? You are about to find out!\r\n\r\nThe realistic (but still unfinished) eye drawing you see below resulted from three previous lessons. If you have not been following along, please do so before you read this latest post. Here are links to the steps that got us here today:\r\n\r\nPart 1) Make a basic line drawing of an eye.\r\n\r\nPart 2) Add tones to the eye drawing.\r\n\r\nPart 3) Blend those tones together.\r\n\r\n\"how\r\n\r\nNow except for perhaps some eyelashes, this drawing looks essentially complete, right? Basically it is, but when it comes to making a realistic drawing, there are different levels of realism. In the fourth and final lesson of this series, it\'s time to make this drawing \"pop\"! We will create a more realistic eye drawing by adding additional layers of detail. You will only need a kneaded eraser, a tortillion, and a 2B graphite pencil. My personal preference for this phase of the drawing is to use a mechanical pencil with graphite lead to ensure I make very fine lines where needed, as you can see with the veins, eyelashes, and other fine details in the reference photo below.\r\n\r\n[caption id=\"attachment_1922\" align=\"aligncenter\" width=\"800\"]\"By By Laitr Keiows (Own work) [CC BY-SA 3.0 or GFDL], via Wikimedia Commons[/caption]\r\n

Layering the Iris

\r\nBegin with the inner part of the iris and make marks that radiate away from the pupil. Then do the same thing along the outer rim of the iris. Draw using the same method you used in lesson 2 of this series, remaining aware of the tips of those long \"oval-like\" shapes within the iris. Leave the highlighted ring around the iris alone.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nNext, use your tortillion to blend the graphite. Blend along the direction of the lines and into the highlighted ring. If that center ring around the iris gets a little dull, carefully pull out a few more highlights with your kneaded eraser. Also use your mechanical pencil to lightly draw a few lines that connect the inner iris with the outer iris.\r\n\r\n\"how\r\n

Layering the White of the Eye

\r\nSince we eventually need to draw eyelashes, it will be a good idea to darken the shadows they will cast on the white of the eye beforehand. Begin by shading in another layer of graphite just below the upper eyelid. Then blend the graphite with your tortillion.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nRepeat this process along the lower eyelid. Also, darken any shadows in the tear duct area as needed.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nExamine any eye as closely as the one we are drawing here, and you are bound to see some veins. Very lightly with your mechanical pencil, draw some wiggly lines that jet away from the eyelids and toward the iris. Use lines of varying length and cross a few of them for a more natural appearance.\r\n\r\n\"how\r\n\r\nNext, carefully blend the veins with a tortillion for a more subtle appearance. If any veins look too dark or unnatural, lift some of the graphite with the kneaded eraser.\r\n\r\n\"how\r\n

Layering the Skin

\r\nYou can create texture on the skin by repeating the tone and blend process used in earlier lessons. In the following two images, you can see a small section, just above the inner corner and upper eyelid, layered with darker pencil marks and then blended smoothly.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nRepeat this layering process for the rest of the skin. Make sure to focus on areas that need to be darker, such as the shadow caused by the flap of skin just above the upper eyelid. Use light and dark tones to indicate where surfaces on different planes meet at an edge, as you can see along the rim of the eyelids. Also remember to lift areas that need to be lightened with your kneaded eraser.\r\n\r\n\"how\r\n

Tweaking the Highlight

\r\nDue to the angle of the unseen lights shining in the room, this eye will have a \"highlight within a highlight\" if you will. Another reason for this will be the subtle shadows from the upper eyelid and the soon-to-be-drawn eyelashes that will fall upon the highlight.\r\n\r\nTo create the effect seen below, begin by running a linear shadow just below the upper eyelid that intersects the top portion of the highlight. Then within that square-shaped highlight, just use the extra graphite accumulated on a tortillion to lightly shade in the square, leaving a smaller white circle inside. Notice how the pupil area is shaded slightly darker than the rest.\r\n\r\n\"how\r\n

Layering the Eyelashes

\r\nWith a loose motion of the wrist, begin drawing the fine eyelash hairs with a mechanical pencil. Start along the outer edge of each eyelid rim for most of the lashes. Make a smooth, quick curve near the base of each lash before tapering off. Note the length of each eyelash as compared to the width of the eyelids. For this particular eye, the lashes along the outer corner are generally longer than the ones near the inner corner. For a more natural look, do not make them perfectly spaced apart either. Instead, clump some into groups, and have some overlap each other.\r\n\r\n\"how\r\n\r\nContinue to build layers by drawing additional eyelashes next to and on top of other lashes. Lightly blend and build more layers until the eyelashes reach the desired volume.\r\n\r\n\"how\r\n\r\nYou can also indicate some natural white hairs near the inner corner by using a kneaded eraser parallel to tiny drawn hairs.\r\n\r\nReturn to the iris and the highlight. Draw strands of eyelashes that are reflected along the length of the iris. Using the same technique as you did with the white hairs, the kneaded eraser marks next to the drawn lines should give the illusion of a reflection.\r\n\r\n\"how\r\n

Closing

\r\nThat concludes this four-part series on how to draw an eye realistically! Remember that with any of the steps from this lesson, you can add more layers than indicated and get a more realistic effect. Or, you can do fewer. You do not have to create a perfect duplication of a reference photo. It\'s up to you as the artist.\r\n\r\nIf you have ever struggled with drawing an eye and making it look real, hopefully you have found this eye-drawing series helpful! More importantly, I hope you were following along with me and drawing an eye of your own step-by-step with me. If not, now is the perfect time to practice! Just remember to draw all of the important components of the eye as accurately as possible, shade the eye with the appropriate light and dark tones, blend the tones to create the smooth appearance of a real eye, and layer in additional details. You will have drawn your own realistic eye before you know it!','How to Draw an Eye Realistically (Part 4 of 4)','','publish','open','open','','how-to-draw-an-eye-realistically-part-4-of-4','','http://www.letsdrawpeople.com/how-to-draw-an-eye-realistically-part-1-of-4/\nhttp://www.letsdrawpeople.com/how-to-draw-an-eye-realistically-part-2-of-4/','2015-06-30 01:53:46','2015-06-30 08:53:46','',0,'http://www.letsdrawpeople.com/?p=1893',0,'post','',0),(1894,2,'2015-06-27 16:04:15','2015-06-27 23:04:15','The realistic eye drawing you see below resulted from making a basic line drawing, adding tones to the drawing, and then blending those tones together.\r\n\r\n\"how','How to Draw an Eye Realistically (Part 4 of 4)','','inherit','open','open','','1893-revision-v1','','','2015-06-27 16:04:15','2015-06-27 23:04:15','',1893,'http://www.letsdrawpeople.com/1893-revision-v1/',0,'revision','',0),(1895,2,'2015-06-27 23:04:09','2015-06-28 06:04:09','The realistic eye drawing you see below resulted from three previous lessons:\r\n\r\n1) making a basic line drawing, \r\n\r\n2) adding tones to the drawing,\r\n\r\n3) and then blending those tones together.\r\n\r\n\"how\r\n\r\n \r\n\r\nNow except for perhaps some eyelashes, this drawing looks essentially complete, right? Basically it is, but when it comes to making a realistic drawing, there are different levels of realism. In the fourth and final lesson of this series, we will create a more realistic eye drawing by adding additional layers of detail.\r\n\r\n ','How to Draw an Eye Realistically (Part 4 of 4)','','inherit','open','open','','1893-revision-v1','','','2015-06-27 23:04:09','2015-06-28 06:04:09','',1893,'http://www.letsdrawpeople.com/1893-revision-v1/',0,'revision','',0),(1896,2,'2015-06-28 16:24:54','2015-06-28 23:24:54','The realistic eye drawing you see below resulted from three previous lessons:\r\n\r\n1) making a basic line drawing, \r\n\r\n2) adding tones to the drawing,\r\n\r\n3) and then blending those tones together.\r\n\r\n\"how\r\n\r\n \r\n\r\nNow except for perhaps some eyelashes, this drawing looks essentially complete, right? Basically it is, but when it comes to making a realistic drawing, there are different levels of realism. In the fourth and final lesson of this series, we will create a more realistic eye drawing by adding additional layers of detail. You will only need a kneaded eraser, a tortillion, and a 2B graphite pencil. My personal preference for this phase of the drawing is to use a mechanical pencil with graphite lead to ensure you make very fine lines where needed, as you will soon see with the veins and eyelashes.\r\n\r\nLayering the Iris\r\n\r\nBegin with the inner part of the iris and make marks that radiate\r\n\r\nclosing\r\n\r\nwith any of the steps from this lesson, you can add more layers than indicated and get more realistic effect\r\n\r\n ','How to Draw an Eye Realistically (Part 4 of 4)','','inherit','open','open','','1893-revision-v1','','','2015-06-28 16:24:54','2015-06-28 23:24:54','',1893,'http://www.letsdrawpeople.com/1893-revision-v1/',0,'revision','',0),(1897,2,'2015-06-28 16:43:16','2015-06-28 23:43:16','','how to draw an eye 0416 with reflected eyelashes','','inherit','open','open','','how-to-draw-an-eye-0416-with-reflected-eyelashes','','','2015-06-28 16:43:16','2015-06-28 23:43:16','',1893,'http://www.letsdrawpeople.com/wp-content/uploads/2015/06/how-to-draw-an-eye-0416-with-reflected-eyelashes.jpg',0,'attachment','image/jpeg',0),(1898,2,'2015-06-28 16:43:17','2015-06-28 23:43:17','','how to draw an eye 0415 eyelashes second layer','','inherit','open','open','','how-to-draw-an-eye-0415-eyelashes-second-layer','','','2015-06-28 16:43:17','2015-06-28 23:43:17','',1893,'http://www.letsdrawpeople.com/wp-content/uploads/2015/06/how-to-draw-an-eye-0415-eyelashes-second-layer.jpg',0,'attachment','image/jpeg',0),(1899,2,'2015-06-28 16:43:18','2015-06-28 23:43:18','','how to draw an eye 0414 eyelashes first layer','','inherit','open','open','','how-to-draw-an-eye-0414-eyelashes-first-layer','','','2015-06-28 16:43:18','2015-06-28 23:43:18','',1893,'http://www.letsdrawpeople.com/wp-content/uploads/2015/06/how-to-draw-an-eye-0414-eyelashes-first-layer.jpg',0,'attachment','image/jpeg',0),(1900,2,'2015-06-28 16:43:20','2015-06-28 23:43:20','','how to draw an eye 0413 highlight tones','','inherit','open','open','','how-to-draw-an-eye-0413-highlight-tones','','','2015-06-28 16:43:20','2015-06-28 23:43:20','',1893,'http://www.letsdrawpeople.com/wp-content/uploads/2015/06/how-to-draw-an-eye-0413-highlight-tones.jpg',0,'attachment','image/jpeg',0),(1901,2,'2015-06-28 16:43:21','2015-06-28 23:43:21','','how to draw an eye 0412 around upper lid','','inherit','open','open','','how-to-draw-an-eye-0412-around-upper-lid','','','2015-06-28 16:43:21','2015-06-28 23:43:21','',1893,'http://www.letsdrawpeople.com/wp-content/uploads/2015/06/how-to-draw-an-eye-0412-around-upper-lid.jpg',0,'attachment','image/jpeg',0),(1902,2,'2015-06-28 16:43:22','2015-06-28 23:43:22','','how to draw an eye 0411 around upper lid blend','','inherit','open','open','','how-to-draw-an-eye-0411-around-upper-lid-blend','','','2015-06-28 16:43:22','2015-06-28 23:43:22','',1893,'http://www.letsdrawpeople.com/wp-content/uploads/2015/06/how-to-draw-an-eye-0411-around-upper-lid-blend.jpg',0,'attachment','image/jpeg',0),(1903,2,'2015-06-28 16:43:24','2015-06-28 23:43:24','','how to draw an eye 0410 around upper lid tone','','inherit','open','open','','how-to-draw-an-eye-0410-around-upper-lid-tone','','','2015-06-28 16:43:24','2015-06-28 23:43:24','',1893,'http://www.letsdrawpeople.com/wp-content/uploads/2015/06/how-to-draw-an-eye-0410-around-upper-lid-tone.jpg',0,'attachment','image/jpeg',0),(1904,2,'2015-06-28 16:43:25','2015-06-28 23:43:25','','how to draw an eye 0409 veins blend','','inherit','open','open','','how-to-draw-an-eye-0409-veins-blend','','','2015-06-28 16:43:25','2015-06-28 23:43:25','',1893,'http://www.letsdrawpeople.com/wp-content/uploads/2015/06/how-to-draw-an-eye-0409-veins-blend.jpg',0,'attachment','image/jpeg',0),(1905,2,'2015-06-28 16:43:26','2015-06-28 23:43:26','','how to draw an eye 0408 veins tone','','inherit','open','open','','how-to-draw-an-eye-0408-veins-tone','','','2015-06-28 16:43:26','2015-06-28 23:43:26','',1893,'http://www.letsdrawpeople.com/wp-content/uploads/2015/06/how-to-draw-an-eye-0408-veins-tone.jpg',0,'attachment','image/jpeg',0),(1906,2,'2015-06-28 16:43:27','2015-06-28 23:43:27','','how to draw an eye 0407 duct','','inherit','open','open','','how-to-draw-an-eye-0407-duct','','','2015-06-28 16:43:27','2015-06-28 23:43:27','',1893,'http://www.letsdrawpeople.com/wp-content/uploads/2015/06/how-to-draw-an-eye-0407-duct.jpg',0,'attachment','image/jpeg',0),(1907,2,'2015-06-28 16:43:29','2015-06-28 23:43:29','','how to draw an eye 0406 lower white blend','','inherit','open','open','','how-to-draw-an-eye-0406-lower-white-blend','','','2015-06-28 16:43:29','2015-06-28 23:43:29','',1893,'http://www.letsdrawpeople.com/wp-content/uploads/2015/06/how-to-draw-an-eye-0406-lower-white-blend.jpg',0,'attachment','image/jpeg',0),(1908,2,'2015-06-28 16:43:30','2015-06-28 23:43:30','','how to draw an eye 0405 upper white blend','','inherit','open','open','','how-to-draw-an-eye-0405-upper-white-blend','','','2015-06-28 16:43:30','2015-06-28 23:43:30','',1893,'http://www.letsdrawpeople.com/wp-content/uploads/2015/06/how-to-draw-an-eye-0405-upper-white-blend.jpg',0,'attachment','image/jpeg',0),(1909,2,'2015-06-28 16:43:31','2015-06-28 23:43:31','','how to draw an eye 0404 upper white tone','','inherit','open','open','','how-to-draw-an-eye-0404-upper-white-tone','','','2015-06-28 16:43:31','2015-06-28 23:43:31','',1893,'http://www.letsdrawpeople.com/wp-content/uploads/2015/06/how-to-draw-an-eye-0404-upper-white-tone.jpg',0,'attachment','image/jpeg',0),(1910,2,'2015-06-28 16:43:32','2015-06-28 23:43:32','','how to draw an eye 0403 iris','','inherit','open','open','','how-to-draw-an-eye-0403-iris','','','2015-06-28 16:43:32','2015-06-28 23:43:32','',1893,'http://www.letsdrawpeople.com/wp-content/uploads/2015/06/how-to-draw-an-eye-0403-iris.jpg',0,'attachment','image/jpeg',0),(1911,2,'2015-06-28 16:43:34','2015-06-28 23:43:34','','how to draw an eye 0402 outer iris','','inherit','open','open','','how-to-draw-an-eye-0402-outer-iris','','','2015-06-28 16:43:34','2015-06-28 23:43:34','',1893,'http://www.letsdrawpeople.com/wp-content/uploads/2015/06/how-to-draw-an-eye-0402-outer-iris.jpg',0,'attachment','image/jpeg',0),(1912,2,'2015-06-28 16:43:35','2015-06-28 23:43:35','','how to draw an eye 0401 inner iris','','inherit','open','open','','how-to-draw-an-eye-0401-inner-iris','','','2015-06-28 16:43:35','2015-06-28 23:43:35','',1893,'http://www.letsdrawpeople.com/wp-content/uploads/2015/06/how-to-draw-an-eye-0401-inner-iris.jpg',0,'attachment','image/jpeg',0),(1913,2,'2015-06-28 17:34:33','2015-06-29 00:34:33','The realistic eye drawing you see below resulted from three previous lessons:\r\n\r\n1) making a basic line drawing, \r\n\r\n2) adding tones to the drawing,\r\n\r\n3) and then blending those tones together.\r\n\r\n\"how\r\n\r\nNow except for perhaps some eyelashes, this drawing looks essentially complete, right? Basically it is, but when it comes to making a realistic drawing, there are different levels of realism. In the fourth and final lesson of this series, we will create a more realistic eye drawing by adding additional layers of detail. You will only need a kneaded eraser, a tortillion, and a 2B graphite pencil. My personal preference for this phase of the drawing is to use a mechanical pencil with graphite lead to ensure I make very fine lines where needed, as you will soon see with the veins, eyelashes, and other fine details.\r\n

Layering the Iris

\r\nBegin with the inner part of the iris and make marks that radiate away from the pupil. Then do the same thing along the outer rim of the iris. Draw using the same method you used in lesson 2 of this series, remaining aware of the tips of those long \"oval-like\" shapes within the iris. Leave the highlighted ring around the iris alone.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nNext, use your tortillion to blend the graphite. Blend along the direction of the lines and into the highlighted ring. If that center ring around the iris gets a little dull, carefully pull out a few more highlights with your kneaded eraser. Also use your mechanical pencil to lightly draw a few lines that connect the inner iris with the outer iris.\r\n\r\n\"how\r\n

Layering the White of the Eye

\r\nSince we eventually need to draw eyelashes, it will be a good idea to darken the shadows they will cast on the white of the eye beforehand. Begin by shading in another layer of graphite just below the upper eyelid. Then blend the graphite with your tortillion.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nRepeat this process along the lower eyelid. Also, darken any shadows in the tear duct area as needed.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n \r\n\r\nclosing\r\n\r\nwith any of the steps from this lesson, you can add more layers than indicated and get more realistic effect\r\n\r\n ','How to Draw an Eye Realistically (Part 4 of 4)','','inherit','open','open','','1893-revision-v1','','','2015-06-28 17:34:33','2015-06-29 00:34:33','',1893,'http://www.letsdrawpeople.com/1893-revision-v1/',0,'revision','',0),(1915,2,'2015-06-29 17:29:11','2015-06-30 00:29:11','The realistic eye drawing you see below resulted from three previous lessons:\r\n\r\n1) making a basic line drawing, \r\n\r\n2) adding tones to the drawing,\r\n\r\n3) and then blending those tones together.\r\n\r\n\"how\r\n\r\nNow except for perhaps some eyelashes, this drawing looks essentially complete, right? Basically it is, but when it comes to making a realistic drawing, there are different levels of realism. In the fourth and final lesson of this series, we will create a more realistic eye drawing by adding additional layers of detail. You will only need a kneaded eraser, a tortillion, and a 2B graphite pencil. My personal preference for this phase of the drawing is to use a mechanical pencil with graphite lead to ensure I make very fine lines where needed, as you will soon see with the veins, eyelashes, and other fine details.\r\n

Layering the Iris

\r\nBegin with the inner part of the iris and make marks that radiate away from the pupil. Then do the same thing along the outer rim of the iris. Draw using the same method you used in lesson 2 of this series, remaining aware of the tips of those long \"oval-like\" shapes within the iris. Leave the highlighted ring around the iris alone.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nNext, use your tortillion to blend the graphite. Blend along the direction of the lines and into the highlighted ring. If that center ring around the iris gets a little dull, carefully pull out a few more highlights with your kneaded eraser. Also use your mechanical pencil to lightly draw a few lines that connect the inner iris with the outer iris.\r\n\r\n\"how\r\n

Layering the White of the Eye

\r\nSince we eventually need to draw eyelashes, it will be a good idea to darken the shadows they will cast on the white of the eye beforehand. Begin by shading in another layer of graphite just below the upper eyelid. Then blend the graphite with your tortillion.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nRepeat this process along the lower eyelid. Also, darken any shadows in the tear duct area as needed.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nExamine any eye as closely as the one we are drawing here, and you are bound to see some veins. Very lightly with your mechanical pencil, draw some wiggly lines that jet away from the eyelids and toward the iris. Use lines of varying length and cross a few of them for a more natural appearance.\r\n\r\n\"how\r\n\r\nNext, carefully blend the veins with a tortillion for a more subtle appearance. If any veins look too dark or unnatural, lift some of the graphite with the kneaded eraser.\r\n\r\n\"how\r\n\r\nLayering the Skin\r\n\r\nRepeating\r\n\r\nclosing\r\n\r\nwith any of the steps from this lesson, you can add more layers than indicated and get more realistic effect\r\n\r\n ','How to Draw an Eye Realistically (Part 4 of 4)','','inherit','open','open','','1893-revision-v1','','','2015-06-29 17:29:11','2015-06-30 00:29:11','',1893,'http://www.letsdrawpeople.com/1893-revision-v1/',0,'revision','',0),(1916,2,'2015-06-29 18:19:40','2015-06-30 01:19:40','The realistic eye drawing you see below resulted from three previous lessons:\r\n\r\n1) making a basic line drawing, \r\n\r\n2) adding tones to the drawing,\r\n\r\n3) and then blending those tones together.\r\n\r\n\"how\r\n\r\nNow except for perhaps some eyelashes, this drawing looks essentially complete, right? Basically it is, but when it comes to making a realistic drawing, there are different levels of realism. In the fourth and final lesson of this series, we will create a more realistic eye drawing by adding additional layers of detail. You will only need a kneaded eraser, a tortillion, and a 2B graphite pencil. My personal preference for this phase of the drawing is to use a mechanical pencil with graphite lead to ensure I make very fine lines where needed, as you will soon see with the veins, eyelashes, and other fine details.\r\n

Layering the Iris

\r\nBegin with the inner part of the iris and make marks that radiate away from the pupil. Then do the same thing along the outer rim of the iris. Draw using the same method you used in lesson 2 of this series, remaining aware of the tips of those long \"oval-like\" shapes within the iris. Leave the highlighted ring around the iris alone.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nNext, use your tortillion to blend the graphite. Blend along the direction of the lines and into the highlighted ring. If that center ring around the iris gets a little dull, carefully pull out a few more highlights with your kneaded eraser. Also use your mechanical pencil to lightly draw a few lines that connect the inner iris with the outer iris.\r\n\r\n\"how\r\n

Layering the White of the Eye

\r\nSince we eventually need to draw eyelashes, it will be a good idea to darken the shadows they will cast on the white of the eye beforehand. Begin by shading in another layer of graphite just below the upper eyelid. Then blend the graphite with your tortillion.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nRepeat this process along the lower eyelid. Also, darken any shadows in the tear duct area as needed.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nExamine any eye as closely as the one we are drawing here, and you are bound to see some veins. Very lightly with your mechanical pencil, draw some wiggly lines that jet away from the eyelids and toward the iris. Use lines of varying length and cross a few of them for a more natural appearance.\r\n\r\n\"how\r\n\r\nNext, carefully blend the veins with a tortillion for a more subtle appearance. If any veins look too dark or unnatural, lift some of the graphite with the kneaded eraser.\r\n\r\n\"how\r\n

Layering the Skin

\r\nYou can create texture on the skin by repeating the tone and blend process used in earlier lessons. In the following two images, you can see a small section, just above the inner corner and upper eyelid, layered with darker pencil marks and then blended smoothly.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nRepeat this layering process for the rest of the skin. Make sure to focus on areas that need to be darker, such as the shadow caused by the flap of skin just above the upper eyelid. Use tones to indicate a change of plane, as Also remember to lift areas that need to be lightened with your kneaded eraser.\r\n\r\n \r\n\r\nclosing\r\n\r\nwith any of the steps from this lesson, you can add more layers than indicated and get more realistic effect\r\n\r\n ','How to Draw an Eye Realistically (Part 4 of 4)','','inherit','open','open','','1893-revision-v1','','','2015-06-29 18:19:40','2015-06-30 01:19:40','',1893,'http://www.letsdrawpeople.com/1893-revision-v1/',0,'revision','',0),(1917,2,'2015-06-29 18:33:13','2015-06-30 01:33:13','The realistic eye drawing you see below resulted from three previous lessons:\r\n\r\n1) making a basic line drawing, \r\n\r\n2) adding tones to the drawing,\r\n\r\n3) and then blending those tones together.\r\n\r\n\"how\r\n\r\nNow except for perhaps some eyelashes, this drawing looks essentially complete, right? Basically it is, but when it comes to making a realistic drawing, there are different levels of realism. In the fourth and final lesson of this series, we will create a more realistic eye drawing by adding additional layers of detail. You will only need a kneaded eraser, a tortillion, and a 2B graphite pencil. My personal preference for this phase of the drawing is to use a mechanical pencil with graphite lead to ensure I make very fine lines where needed, as you will soon see with the veins, eyelashes, and other fine details.\r\n

Layering the Iris

\r\nBegin with the inner part of the iris and make marks that radiate away from the pupil. Then do the same thing along the outer rim of the iris. Draw using the same method you used in lesson 2 of this series, remaining aware of the tips of those long \"oval-like\" shapes within the iris. Leave the highlighted ring around the iris alone.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nNext, use your tortillion to blend the graphite. Blend along the direction of the lines and into the highlighted ring. If that center ring around the iris gets a little dull, carefully pull out a few more highlights with your kneaded eraser. Also use your mechanical pencil to lightly draw a few lines that connect the inner iris with the outer iris.\r\n\r\n\"how\r\n

Layering the White of the Eye

\r\nSince we eventually need to draw eyelashes, it will be a good idea to darken the shadows they will cast on the white of the eye beforehand. Begin by shading in another layer of graphite just below the upper eyelid. Then blend the graphite with your tortillion.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nRepeat this process along the lower eyelid. Also, darken any shadows in the tear duct area as needed.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nExamine any eye as closely as the one we are drawing here, and you are bound to see some veins. Very lightly with your mechanical pencil, draw some wiggly lines that jet away from the eyelids and toward the iris. Use lines of varying length and cross a few of them for a more natural appearance.\r\n\r\n\"how\r\n\r\nNext, carefully blend the veins with a tortillion for a more subtle appearance. If any veins look too dark or unnatural, lift some of the graphite with the kneaded eraser.\r\n\r\n\"how\r\n

Layering the Skin

\r\nYou can create texture on the skin by repeating the tone and blend process used in earlier lessons. In the following two images, you can see a small section, just above the inner corner and upper eyelid, layered with darker pencil marks and then blended smoothly.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nRepeat this layering process for the rest of the skin. Make sure to focus on areas that need to be darker, such as the shadow caused by the flap of skin just above the upper eyelid. Use light and dark tones to indicate where surfaces on different planes meet at an edge, as you can see along the rim of the eyelids. Also remember to lift areas that need to be lightened with your kneaded eraser.\r\n\r\n\"how\r\n

Layering the Eyelashes

\r\nfff\r\n\r\n \r\n\r\nclosing\r\n\r\nwith any of the steps from this lesson, you can add more layers than indicated and get more realistic effect\r\n\r\n ','How to Draw an Eye Realistically (Part 4 of 4)','','inherit','open','open','','1893-revision-v1','','','2015-06-29 18:33:13','2015-06-30 01:33:13','',1893,'http://www.letsdrawpeople.com/1893-revision-v1/',0,'revision','',0),(1918,2,'2015-06-29 23:22:21','2015-06-30 06:22:21','The realistic eye drawing you see below resulted from three previous lessons:\r\n\r\n1) making a basic line drawing, \r\n\r\n2) adding tones to the drawing,\r\n\r\n3) and then blending those tones together.\r\n\r\n\"how\r\n\r\nNow except for perhaps some eyelashes, this drawing looks essentially complete, right? Basically it is, but when it comes to making a realistic drawing, there are different levels of realism. In the fourth and final lesson of this series, we will create a more realistic eye drawing by adding additional layers of detail. You will only need a kneaded eraser, a tortillion, and a 2B graphite pencil. My personal preference for this phase of the drawing is to use a mechanical pencil with graphite lead to ensure I make very fine lines where needed, as you will soon see with the veins, eyelashes, and other fine details.\r\n

Layering the Iris

\r\nBegin with the inner part of the iris and make marks that radiate away from the pupil. Then do the same thing along the outer rim of the iris. Draw using the same method you used in lesson 2 of this series, remaining aware of the tips of those long \"oval-like\" shapes within the iris. Leave the highlighted ring around the iris alone.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nNext, use your tortillion to blend the graphite. Blend along the direction of the lines and into the highlighted ring. If that center ring around the iris gets a little dull, carefully pull out a few more highlights with your kneaded eraser. Also use your mechanical pencil to lightly draw a few lines that connect the inner iris with the outer iris.\r\n\r\n\"how\r\n

Layering the White of the Eye

\r\nSince we eventually need to draw eyelashes, it will be a good idea to darken the shadows they will cast on the white of the eye beforehand. Begin by shading in another layer of graphite just below the upper eyelid. Then blend the graphite with your tortillion.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nRepeat this process along the lower eyelid. Also, darken any shadows in the tear duct area as needed.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nExamine any eye as closely as the one we are drawing here, and you are bound to see some veins. Very lightly with your mechanical pencil, draw some wiggly lines that jet away from the eyelids and toward the iris. Use lines of varying length and cross a few of them for a more natural appearance.\r\n\r\n\"how\r\n\r\nNext, carefully blend the veins with a tortillion for a more subtle appearance. If any veins look too dark or unnatural, lift some of the graphite with the kneaded eraser.\r\n\r\n\"how\r\n

Layering the Skin

\r\nYou can create texture on the skin by repeating the tone and blend process used in earlier lessons. In the following two images, you can see a small section, just above the inner corner and upper eyelid, layered with darker pencil marks and then blended smoothly.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nRepeat this layering process for the rest of the skin. Make sure to focus on areas that need to be darker, such as the shadow caused by the flap of skin just above the upper eyelid. Use light and dark tones to indicate where surfaces on different planes meet at an edge, as you can see along the rim of the eyelids. Also remember to lift areas that need to be lightened with your kneaded eraser.\r\n\r\n\"how\r\n

Tweaking the Highlight

\r\nDue to the angle of the unseen lights shining in the room, this eye will have a \"highlight within a highlight\" if you will. Another reason for this will be the subtle shadows from the upper eyelid and the soon-to-be-drawn eyelashes that will fall upon the highlight.\r\n\r\nTo create the effect seen below, begin by running a linear shadow just below the upper eyelid that intersects the top portion of the highlight. Then within that square-shaped highlight, just use the extra graphite accumulated on a tortillion to lightly shade in the square, leaving a smaller white circle inside. Notice how the pupil area is shaded slightly darker than the rest.\r\n\r\n\"how\r\n\r\n \r\n

Layering the Eyelashes

\r\nWith a loose motion of the wrist, begin drawing the fine eyelash hairs with a mechanical pencil. Start along the outer edge of each eyelid rim for most of the lashes. Make a smooth, quick curve near the base of each lash before tapering off. Note the length of each eyelash as compared to the width of the eyelids. For this particular eye, the lashes along the outer corner are generally longer than the ones near the inner corner. For a more natural look, do not make them perfectly spaced apart either. Instead, clump some into groups, and have some overlap each other.\r\n\r\n\"how\r\n\r\nContinue to build layers by drawing additional eyelashes next to and on top of other lashes. Lightly blend and build more layers until the eyelashes reach the desired volume.\r\n\r\n\"how\r\n\r\nYou can also indicate some natural white hairs near the inner corner by using a kneaded eraser parallel to tiny drawn hairs.\r\n\r\nReturn to the iris and the highlight. Draw strands of eyelashes that are reflected along the length of the iris. Using the same technique as you did with the white hairs, the kneaded eraser marks next to the drawn lines should give the illusion of a reflection.\r\n\r\n\"how\r\n\r\nclosing\r\n\r\nwith any of the steps from this lesson, you can add more layers than indicated and get more realistic effect\r\n\r\n ','How to Draw an Eye Realistically (Part 4 of 4)','','inherit','open','open','','1893-revision-v1','','','2015-06-29 23:22:21','2015-06-30 06:22:21','',1893,'http://www.letsdrawpeople.com/1893-revision-v1/',0,'revision','',0),(1919,2,'2015-06-29 23:26:06','2015-06-30 06:26:06','The realistic eye drawing you see below resulted from three previous lessons:\r\n\r\n1) making a basic line drawing, \r\n\r\n2) adding tones to the drawing,\r\n\r\n3) and then blending those tones together.\r\n\r\n\"how\r\n\r\nNow except for perhaps some eyelashes, this drawing looks essentially complete, right? Basically it is, but when it comes to making a realistic drawing, there are different levels of realism. In the fourth and final lesson of this series, we will create a more realistic eye drawing by adding additional layers of detail. You will only need a kneaded eraser, a tortillion, and a 2B graphite pencil. My personal preference for this phase of the drawing is to use a mechanical pencil with graphite lead to ensure I make very fine lines where needed, as you will soon see with the veins, eyelashes, and other fine details.\r\n

Layering the Iris

\r\nBegin with the inner part of the iris and make marks that radiate away from the pupil. Then do the same thing along the outer rim of the iris. Draw using the same method you used in lesson 2 of this series, remaining aware of the tips of those long \"oval-like\" shapes within the iris. Leave the highlighted ring around the iris alone.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nNext, use your tortillion to blend the graphite. Blend along the direction of the lines and into the highlighted ring. If that center ring around the iris gets a little dull, carefully pull out a few more highlights with your kneaded eraser. Also use your mechanical pencil to lightly draw a few lines that connect the inner iris with the outer iris.\r\n\r\n\"how\r\n

Layering the White of the Eye

\r\nSince we eventually need to draw eyelashes, it will be a good idea to darken the shadows they will cast on the white of the eye beforehand. Begin by shading in another layer of graphite just below the upper eyelid. Then blend the graphite with your tortillion.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nRepeat this process along the lower eyelid. Also, darken any shadows in the tear duct area as needed.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nExamine any eye as closely as the one we are drawing here, and you are bound to see some veins. Very lightly with your mechanical pencil, draw some wiggly lines that jet away from the eyelids and toward the iris. Use lines of varying length and cross a few of them for a more natural appearance.\r\n\r\n\"how\r\n\r\nNext, carefully blend the veins with a tortillion for a more subtle appearance. If any veins look too dark or unnatural, lift some of the graphite with the kneaded eraser.\r\n\r\n\"how\r\n

Layering the Skin

\r\nYou can create texture on the skin by repeating the tone and blend process used in earlier lessons. In the following two images, you can see a small section, just above the inner corner and upper eyelid, layered with darker pencil marks and then blended smoothly.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nRepeat this layering process for the rest of the skin. Make sure to focus on areas that need to be darker, such as the shadow caused by the flap of skin just above the upper eyelid. Use light and dark tones to indicate where surfaces on different planes meet at an edge, as you can see along the rim of the eyelids. Also remember to lift areas that need to be lightened with your kneaded eraser.\r\n\r\n\"how\r\n

Tweaking the Highlight

\r\nDue to the angle of the unseen lights shining in the room, this eye will have a \"highlight within a highlight\" if you will. Another reason for this will be the subtle shadows from the upper eyelid and the soon-to-be-drawn eyelashes that will fall upon the highlight.\r\n\r\nTo create the effect seen below, begin by running a linear shadow just below the upper eyelid that intersects the top portion of the highlight. Then within that square-shaped highlight, just use the extra graphite accumulated on a tortillion to lightly shade in the square, leaving a smaller white circle inside. Notice how the pupil area is shaded slightly darker than the rest.\r\n\r\n\"how\r\n

Layering the Eyelashes

\r\nWith a loose motion of the wrist, begin drawing the fine eyelash hairs with a mechanical pencil. Start along the outer edge of each eyelid rim for most of the lashes. Make a smooth, quick curve near the base of each lash before tapering off. Note the length of each eyelash as compared to the width of the eyelids. For this particular eye, the lashes along the outer corner are generally longer than the ones near the inner corner. For a more natural look, do not make them perfectly spaced apart either. Instead, clump some into groups, and have some overlap each other.\r\n\r\n\"how\r\n\r\nContinue to build layers by drawing additional eyelashes next to and on top of other lashes. Lightly blend and build more layers until the eyelashes reach the desired volume.\r\n\r\n\"how\r\n\r\nYou can also indicate some natural white hairs near the inner corner by using a kneaded eraser parallel to tiny drawn hairs.\r\n\r\nReturn to the iris and the highlight. Draw strands of eyelashes that are reflected along the length of the iris. Using the same technique as you did with the white hairs, the kneaded eraser marks next to the drawn lines should give the illusion of a reflection.\r\n\r\n\"how\r\n\r\nclosing\r\n\r\nwith any of the steps from this lesson, you can add more layers than indicated and get more realistic effect\r\n\r\n ','How to Draw an Eye Realistically (Part 4 of 4)','','inherit','open','open','','1893-revision-v1','','','2015-06-29 23:26:06','2015-06-30 06:26:06','',1893,'http://www.letsdrawpeople.com/1893-revision-v1/',0,'revision','',0),(1920,2,'2015-06-30 00:24:44','2015-06-30 07:24:44','How can you make a realistic eye drawing look even better? You are about to find out!\r\n\r\nThe realistic (but still unfinished) eye drawing you see below resulted from three previous lessons. If you have not been following along, please do so before you read this latest post. Here are links to the steps that got us here today:\r\n\r\nPart 1) Make a basic line drawing of an eye.\r\n\r\nPart 2) Add tones to the eye drawing.\r\n\r\nPart 3) Blend those tones together.\r\n\r\n\"how\r\n\r\nNow except for perhaps some eyelashes, this drawing looks essentially complete, right? Basically it is, but when it comes to making a realistic drawing, there are different levels of realism. In the fourth and final lesson of this series, it\'s time to make this drawing \"pop\"! We will create a more realistic eye drawing by adding additional layers of detail. You will only need a kneaded eraser, a tortillion, and a 2B graphite pencil. My personal preference for this phase of the drawing is to use a mechanical pencil with graphite lead to ensure I make very fine lines where needed, as you will soon see with the veins, eyelashes, and other fine details.\r\n

Layering the Iris

\r\nBegin with the inner part of the iris and make marks that radiate away from the pupil. Then do the same thing along the outer rim of the iris. Draw using the same method you used in lesson 2 of this series, remaining aware of the tips of those long \"oval-like\" shapes within the iris. Leave the highlighted ring around the iris alone.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nNext, use your tortillion to blend the graphite. Blend along the direction of the lines and into the highlighted ring. If that center ring around the iris gets a little dull, carefully pull out a few more highlights with your kneaded eraser. Also use your mechanical pencil to lightly draw a few lines that connect the inner iris with the outer iris.\r\n\r\n\"how\r\n

Layering the White of the Eye

\r\nSince we eventually need to draw eyelashes, it will be a good idea to darken the shadows they will cast on the white of the eye beforehand. Begin by shading in another layer of graphite just below the upper eyelid. Then blend the graphite with your tortillion.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nRepeat this process along the lower eyelid. Also, darken any shadows in the tear duct area as needed.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nExamine any eye as closely as the one we are drawing here, and you are bound to see some veins. Very lightly with your mechanical pencil, draw some wiggly lines that jet away from the eyelids and toward the iris. Use lines of varying length and cross a few of them for a more natural appearance.\r\n\r\n\"how\r\n\r\nNext, carefully blend the veins with a tortillion for a more subtle appearance. If any veins look too dark or unnatural, lift some of the graphite with the kneaded eraser.\r\n\r\n\"how\r\n

Layering the Skin

\r\nYou can create texture on the skin by repeating the tone and blend process used in earlier lessons. In the following two images, you can see a small section, just above the inner corner and upper eyelid, layered with darker pencil marks and then blended smoothly.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nRepeat this layering process for the rest of the skin. Make sure to focus on areas that need to be darker, such as the shadow caused by the flap of skin just above the upper eyelid. Use light and dark tones to indicate where surfaces on different planes meet at an edge, as you can see along the rim of the eyelids. Also remember to lift areas that need to be lightened with your kneaded eraser.\r\n\r\n\"how\r\n

Tweaking the Highlight

\r\nDue to the angle of the unseen lights shining in the room, this eye will have a \"highlight within a highlight\" if you will. Another reason for this will be the subtle shadows from the upper eyelid and the soon-to-be-drawn eyelashes that will fall upon the highlight.\r\n\r\nTo create the effect seen below, begin by running a linear shadow just below the upper eyelid that intersects the top portion of the highlight. Then within that square-shaped highlight, just use the extra graphite accumulated on a tortillion to lightly shade in the square, leaving a smaller white circle inside. Notice how the pupil area is shaded slightly darker than the rest.\r\n\r\n\"how\r\n

Layering the Eyelashes

\r\nWith a loose motion of the wrist, begin drawing the fine eyelash hairs with a mechanical pencil. Start along the outer edge of each eyelid rim for most of the lashes. Make a smooth, quick curve near the base of each lash before tapering off. Note the length of each eyelash as compared to the width of the eyelids. For this particular eye, the lashes along the outer corner are generally longer than the ones near the inner corner. For a more natural look, do not make them perfectly spaced apart either. Instead, clump some into groups, and have some overlap each other.\r\n\r\n\"how\r\n\r\nContinue to build layers by drawing additional eyelashes next to and on top of other lashes. Lightly blend and build more layers until the eyelashes reach the desired volume.\r\n\r\n\"how\r\n\r\nYou can also indicate some natural white hairs near the inner corner by using a kneaded eraser parallel to tiny drawn hairs.\r\n\r\nReturn to the iris and the highlight. Draw strands of eyelashes that are reflected along the length of the iris. Using the same technique as you did with the white hairs, the kneaded eraser marks next to the drawn lines should give the illusion of a reflection.\r\n\r\n\"how\r\n

Closing

\r\nThat concludes this four-part series on how to draw an eye realistically! Remember that with any of the steps from this lesson, you can add more layers than indicated and get a more realistic effect. It\'s up to you as the artist.\r\n\r\nIf you have ever struggled with drawing an eye and making it look real, hopefully you have found this eye-drawing series helpful! More importantly, I hope you were following along with me and drawing an eye of your own step-by-step with me. If not, now is the perfect time to practice! Just remember to draw all of the important components of the eye as accurately as possible, shade the eye with the appropriate light and dark tones, blend the tones to create the smooth appearance of a real eye, and layer in additional details. You will have drawn your own realistic eye before you know it!','How to Draw an Eye Realistically (Part 4 of 4)','','inherit','open','open','','1893-revision-v1','','','2015-06-30 00:24:44','2015-06-30 07:24:44','',1893,'http://www.letsdrawpeople.com/1893-revision-v1/',0,'revision','',0),(1921,2,'2015-06-30 00:33:22','2015-06-30 07:33:22','The eye....probably the most fascinating facial feature there is to draw.\n\nThe eye definitely has a unique complexity to it that other facial features lack. That\'s not to say that drawing a nose, mouth, or ear is all that easy for a beginning artist. Still you have to admit, the human eye is intriguing enough to make it both a challenging and fun drawing subject.\n\nThis post will be the first in a four-part tutorial. Throughout the series, we will see how to draw an eye in a realistic manner.\n\nThis first lesson will be focused on what could very well be the most important part of any realistic drawing...the initial line drawing.\n\nAll you need for today\'s lesson is a sheet of drawing paper (two-ply bristol board will yield the best results), a 2B pencil, a kneaded eraser, and a compass for drawing circles.\n\nAre you ready? Let\'s see how to make a detailed line drawing of an eye that will lend itself to making a much more detailed, realistic drawing of the eye later on!\n

Drawing the Eye\'s Outline

\nAs always, it is helpful to have a reference photograph to guide your drawing. Here is the eye photograph we will use to help with this drawing tutorial.\n\n[caption id=\"attachment_1922\" align=\"aligncenter\" width=\"800\"]\"By By Laitr Keiows (Own work) [CC BY-SA 3.0 or GFDL], via Wikimedia Commons[/caption]First, draw the almond-shaped outline of the eye that is formed by the upper and lower eyelid. This outline will encompass the white part of the eye. Since this eye drawing happens to be that of a person\'s left eye, don\'t forget to draw the inner corner tear duct area on the right side of the eye (your left). I\'m talking about that little triangular pink nodule, the lacrimal caruncle (for those of you dying to know the actual name of it).\n\n\"how\n

Placing the Iris, Pupil, and Highlight

\nNext, lightly and carefully sketch circles for where the iris and pupil should be. Most of the time when you observe an eye looking straight ahead, you will notice the top and bottom of the iris slightly hidden behind the eyelids. The pupil should be visible in its entirety and centered on the iris.\n\n\"how\n\nIdeally, the iris and pupil should be as circular as possible. For most drawings, I use a circle template to trace over these sketched circles, resulting in more perfectly-formed circles. In a drawing such as this, where the eye itself is the subject and inhabits a space the size of the whole paper, a circle template isn\'t going to cut it. Instead, I used a standard drawing compass for this example. Notice that the new circles are not perfectly atop the sketched ones, but that\'s okay. The important thing to remember is to keep the same center for both circles. Take extra caution with the sharp point of your compass so as to not poke a big, nasty hole in your drawing paper!\n\n\"how\n\nNow for the highlight. Most of the eye highlights I see and draw are circular. However, highlights come in varying shapes, sizes, and quantities. For this drawing, let\'s use one fairly large, square-shaped highlight that overlaps the iris and pupil.\n\n\"how\n

Drawing the Eyelids

\nDrawing the eyelids should be pretty straightforward. Draw the upper and lower eyelids by indicating them with lines as seen in the image below. Notice how the drawn lines above and below the eye compliment it with the same curvature.\n\nOne of the best things you can do to add realism to your eyelids is to not forget the rim around the white of the eye. This rim serves as the upper plane of the lower eyelid and the lower plane of the upper eyelid. All too often, beginning artists overlook this one simple detail. Don\'t make the same mistake!\n\n\"how\n

Adding Final Touches to Your Line Drawing

\nWhen I know I want to use a line drawing to create a detailed, realistic pencil drawing with shading, I like to use the line drawing to help me plan for where my shadows and highlights will go.\n\nBegin with the white part of the eye. Remember that the eyeball is largely spherical in shape, so a few well-placed shadows will create this effect. The upper eyelid will place a cast shadow onto the eye directly below the lid. Sketch a rim around the outer and inner iris to plan for variations in color. You can even place some tiny highlights and teardrops in the inner corner of the eye.\n\n\"how\n\nRepeat this process of planning for shadows and highlights on the skin surrounding the eye. You can see shadows where skin folds and overlaps. You can see lighter skin (subtle highlights) on curved areas that are closer to the light.\n\n\"how\n\nThis will give you a detailed line drawing of an eye. Look out for the next post (Part 2 of this series), where we will shade the eye with the first layer of graphite tones.','How to Draw an Eye Realistically (Part 1 of 4)','','inherit','open','open','','1814-autosave-v1','','','2015-06-30 00:33:22','2015-06-30 07:33:22','',1814,'http://www.letsdrawpeople.com/1814-autosave-v1/',0,'revision','',0),(1922,2,'2015-06-30 00:32:42','2015-06-30 07:32:42','','Iris_-_right_eye_of_a_girl ref','By Laitr Keiows (Own work) [CC BY-SA 3.0 or GFDL], via Wikimedia Commons','inherit','open','open','','iris_-_right_eye_of_a_girl-ref','','','2015-07-08 00:49:32','2015-07-08 07:49:32','',1814,'http://www.letsdrawpeople.com/wp-content/uploads/2015/04/Iris_-_right_eye_of_a_girl-ref.jpg',0,'attachment','image/jpeg',0),(1923,2,'2015-06-30 00:34:48','2015-06-30 07:34:48','The eye....probably the most fascinating facial feature there is to draw.\r\n\r\nThe eye definitely has a unique complexity to it that other facial features lack. That\'s not to say that drawing a nose, mouth, or ear is all that easy for a beginning artist. Still you have to admit, the human eye is intriguing enough to make it both a challenging and fun drawing subject.\r\n\r\nThis post will be the first in a four-part tutorial. Throughout the series, we will see how to draw an eye in a realistic manner.\r\n\r\nThis first lesson will be focused on what could very well be the most important part of any realistic drawing...the initial line drawing.\r\n\r\nAll you need for today\'s lesson is a sheet of drawing paper (two-ply bristol board will yield the best results), a 2B pencil, a kneaded eraser, and a compass for drawing circles.\r\n\r\nAre you ready? Let\'s see how to make a detailed line drawing of an eye that will lend itself to making a much more detailed, realistic drawing of the eye later on!\r\n

Drawing the Eye\'s Outline

\r\nAs always, it is helpful to have a reference photograph to guide your drawing. Here is the eye photograph we will use to help with this drawing tutorial.\r\n\r\n[caption id=\"attachment_1922\" align=\"aligncenter\" width=\"800\"]\"By By Laitr Keiows (Own work) [CC BY-SA 3.0 or GFDL], via Wikimedia Commons[/caption]First, draw the almond-shaped outline of the eye that is formed by the upper and lower eyelid. This outline will encompass the white part of the eye. Since this eye drawing happens to be that of a person\'s left eye, don\'t forget to draw the inner corner tear duct area on the right side of the eye (your left). I\'m talking about that little triangular pink nodule, the lacrimal caruncle (for those of you dying to know the actual name of it).\r\n\r\n\"how\r\n

Placing the Iris, Pupil, and Highlight

\r\nNext, lightly and carefully sketch circles for where the iris and pupil should be. Most of the time when you observe an eye looking straight ahead, you will notice the top and bottom of the iris slightly hidden behind the eyelids. The pupil should be visible in its entirety and centered on the iris.\r\n\r\n\"how\r\n\r\nIdeally, the iris and pupil should be as circular as possible. For most drawings, I use a circle template to trace over these sketched circles, resulting in more perfectly-formed circles. In a drawing such as this, where the eye itself is the subject and inhabits a space the size of the whole paper, a circle template isn\'t going to cut it. Instead, I used a standard drawing compass for this example. Notice that the new circles are not perfectly atop the sketched ones, but that\'s okay. The important thing to remember is to keep the same center for both circles. Take extra caution with the sharp point of your compass so as to not poke a big, nasty hole in your drawing paper!\r\n\r\n\"how\r\n\r\nNow for the highlight. Most of the eye highlights I see and draw are circular. However, highlights come in varying shapes, sizes, and quantities. For this drawing, let\'s use one fairly large, square-shaped highlight that overlaps the iris and pupil.\r\n\r\n\"how\r\n

Drawing the Eyelids

\r\nDrawing the eyelids should be pretty straightforward. Draw the upper and lower eyelids by indicating them with lines as seen in the image below. Notice how the drawn lines above and below the eye compliment it with the same curvature.\r\n\r\nOne of the best things you can do to add realism to your eyelids is to not forget the rim around the white of the eye. This rim serves as the upper plane of the lower eyelid and the lower plane of the upper eyelid. All too often, beginning artists overlook this one simple detail. Don\'t make the same mistake!\r\n\r\n\"how\r\n

Adding Final Touches to Your Line Drawing

\r\nWhen I know I want to use a line drawing to create a detailed, realistic pencil drawing with shading, I like to use the line drawing to help me plan for where my shadows and highlights will go.\r\n\r\nBegin with the white part of the eye. Remember that the eyeball is largely spherical in shape, so a few well-placed shadows will create this effect. The upper eyelid will place a cast shadow onto the eye directly below the lid. Sketch a rim around the outer and inner iris to plan for variations in color. You can even place some tiny highlights and teardrops in the inner corner of the eye.\r\n\r\n\"how\r\n\r\nRepeat this process of planning for shadows and highlights on the skin surrounding the eye. You can see shadows where skin folds and overlaps. You can see lighter skin (subtle highlights) on curved areas that are closer to the light.\r\n\r\n\"how\r\n\r\nThis will give you a detailed line drawing of an eye. Look out for the next post (Part 2 of this series), where we will shade the eye with the first layer of graphite tones.','How to Draw an Eye Realistically (Part 1 of 4)','','inherit','open','open','','1814-revision-v1','','','2015-06-30 00:34:48','2015-06-30 07:34:48','',1814,'http://www.letsdrawpeople.com/1814-revision-v1/',0,'revision','',0),(1924,2,'2015-06-30 01:00:51','2015-06-30 08:00:51','In the last post of this series, we began drawing a realistic eye with the all-important line drawing to place the iris, pupil, eyelids, and the outline to a few shadows and highlights.\n\nHere is where we left off:\n\n\"how\n\nAnd here is the reference photo...\n\n[caption id=\"attachment_1922\" align=\"aligncenter\" width=\"800\"]\"By By Laitr Keiows (Own work) [CC BY-SA 3.0 or GFDL], via Wikimedia Commons[/caption]In this second lesson, it is time to add some tones to all of those lines. The focus of this tutorial is how to begin shading an eye drawing so that it looks realistic. Let me again emphasize begin, because this lesson will be just the start of the shading process. There will be more shading techniques to implement in Part 3 and Part 4 before getting to the desired level of realism.\n\nNo new materials will be needed, just a 2B pencil and a kneaded eraser.\n\nSo let\'s begin!\n

Shading the Pupil

\nBegin by taking your kneaded eraser and lifting out the pupil outline going through the highlight. Then carefully take your pencil and completely fill in the circle that represents the pupil. Leave the highlight white.\n\n\"how\n

Shading the Iris

\nThe outer and inner rim of the iris is usually slightly darker than the rest of it. The guidelines that you drew in the last lesson help allow for this.\n\nBegin by shading the outer edge of the iris. Lighten the application of graphite as you work your way inward and reach the guideline.\n\nThere is a heavier shadow along the top that is cast by the upper eyelid. This shadow should not taper off and get lighter along the guideline edge.\n\nThere is a much thinner shadow on the iris along the lower eyelid. Notice the little sliver of water as the eyelid presses against the eye? Leave this white.\n\n\"how\n\nAs for the inner part of the iris, begin sketching a few lines that radiate outward from the center. Try to imagine the very center of the pupil and have your lines come straight from there.\n\n\"how\n\nBegin extending these lines all the way to the outer edge of the iris.\n\n\"how\n\nNext, begin filling in the open spaces with more lines. Notice how the lines are not necessarily perfectly straight. Think in terms of long, stretched out ovals that are pointed at each end.\n\n\"how\n\n \n\n\"how\n\nDarken up the inner part of the iris. Shade in the same direction as the radiating lines. Be aware of the tips of those long \"oval-like\" shapes. You can better define some of these tips by shading around them. Shade outward from the pupil until you get to the inner guideline.\n\n\"how\n\nWe already added tones around outer edge of the iris, but we still need to replicate the radiating lines along the outer edge. Do this by darkening the lines and the spaces between the lines in the same fashion that you did for the inner iris. Make sure to leave it light in the middle.\n\n\"how\n

Shading the White Part of the Eye

\nEarlier, I mentioned a shadow that the upper eyelid casts upon the eye. It is time to extend this shadow along the white part of the eye. Color this lightly; do not make it as dark as it is on the iris.\n\nSince the eyeball is actually a sphere, there should be a little shading on other parts of it as well. Notice below that I begin by shading the inner corner.\n\n\"how\n\nThe outer corner is going to get a little more shading. This is partially to allow for the shadows given by the eyelashes, which will be drawn in as one of the final steps.\n\n\"how\n\nNow for the nodule in the corner of the eye (lacrimal caruncle), leave some parts dark and some parts clear to represent wetness.\n\n\"how\n

Shading the Eyelids

\nBegin shading the top plane of the upper eyelid. Notice by the blue arrow how the eyelid is distinguished from the shadow on the white of the eye by making the shadow slightly darker and leaving some reflected light on the eyelid. Continue this for the length of the eyelid.\n\n\"how\n\n\"how\n\nHere we add some tones to the skin in the eye socket area, just above the upper eyelid. Place darker tones where there are folds and bends in the skin. Use lighter tones around the highlighted areas you marked with guidelines during the last lesson.\n\n\"how\n\nRepeat this process with the upper and lower eyelids. Notice how the direction of the pencil marks goes along the natural curves of the eyelids.\n\n\"how\n\n\"how\n

Next Steps

\nIf you completed everything from this tutorial (and from Part 1 earlier), congratulations! You just finished a very important step in the process of drawing and shading a realistic eye: establishing the initial tones with your graphite pencil. The next lesson (Part 3 of the series) will show you how to properly blend the graphite and reach the next level of realism.','How to Draw an Eye Realistically (Part 2 of 4)','','inherit','open','open','','1840-autosave-v1','','','2015-06-30 01:00:51','2015-06-30 08:00:51','',1840,'http://www.letsdrawpeople.com/1840-autosave-v1/',0,'revision','',0),(1925,2,'2015-06-30 00:44:08','2015-06-30 07:44:08','In the last post of this series, we began drawing a realistic eye with the all-important line drawing to place the iris, pupil, eyelids, and the outline to a few shadows and highlights.\r\n\r\nHere is where we left off:\r\n\r\n\"how\r\n\r\nAnd here is the reference photo...\r\n\r\n[caption id=\"attachment_1922\" align=\"aligncenter\" width=\"800\"]\"By By Laitr Keiows (Own work) [CC BY-SA 3.0 or GFDL], via Wikimedia Commons[/caption]In this second lesson, it is time to add some tones to all of those lines. The focus of this tutorial is how to begin shading an eye drawing so that it looks realistic. Let me again emphasize begin, because this lesson will be just the start of the shading process. There will be more shading techniques to implement in Parts 3 and 4 before getting to the desired level of realism.\r\n\r\nNo new materials will be needed, just a 2B pencil and a kneaded eraser.\r\n\r\nSo let\'s begin!\r\n

Shading the Pupil

\r\nBegin by taking your kneaded eraser and lifting out the pupil outline going through the highlight. Then carefully take your pencil and completely fill in the circle that represents the pupil. Leave the highlight white.\r\n\r\n\"how\r\n

Shading the Iris

\r\nThe outer and inner rim of the iris is usually slightly darker than the rest of it. The guidelines that you drew in the last lesson help allow for this.\r\n\r\nBegin by shading the outer edge of the iris. Lighten the application of graphite as you work your way inward and reach the guideline.\r\n\r\nThere is a heavier shadow along the top that is cast by the upper eyelid. This shadow should not taper off and get lighter along the guideline edge.\r\n\r\nThere is a much thinner shadow on the iris along the lower eyelid. Notice the little sliver of water as the eyelid presses against the eye? Leave this white.\r\n\r\n\"how\r\n\r\nAs for the inner part of the iris, begin sketching a few lines that radiate outward from the center. Try to imagine the very center of the pupil and have your lines come straight from there.\r\n\r\n\"how\r\n\r\nBegin extending these lines all the way to the outer edge of the iris.\r\n\r\n\"how\r\n\r\nNext, begin filling in the open spaces with more lines. Notice how the lines are not necessarily perfectly straight. Think in terms of long, stretched out ovals that are pointed at each end.\r\n\r\n\"how\r\n\r\n \r\n\r\n\"how\r\n\r\nDarken up the inner part of the iris. Shade in the same direction as the radiating lines. Be aware of the tips of those long \"oval-like\" shapes. You can better define some of these tips by shading around them. Shade outward from the pupil until you get to the inner guideline.\r\n\r\n\"how\r\n\r\nWe already added tones around outer edge of the iris, but we still need to replicate the radiating lines along the outer edge. Do this by darkening the lines and the spaces between the lines in the same fashion that you did for the inner iris. Make sure to leave it light in the middle.\r\n\r\n\"how\r\n

Shading the White Part of the Eye

\r\nEarlier, I mentioned a shadow that the upper eyelid casts upon the eye. It is time to extend this shadow along the white part of the eye. Color this lightly; do not make it as dark as it is on the iris.\r\n\r\nSince the eyeball is actually a sphere, there should be a little shading on other parts of it as well. Notice below that I begin by shading the inner corner.\r\n\r\n\"how\r\n\r\nThe outer corner is going to get a little more shading. This is partially to allow for the shadows given by the eyelashes, which will be drawn in as one of the final steps.\r\n\r\n\"how\r\n\r\nNow for the nodule in the corner of the eye (lacrimal caruncle), leave some parts dark and some parts clear to represent wetness.\r\n\r\n\"how\r\n

Shading the Eyelids

\r\nBegin shading the top plane of the upper eyelid. Notice by the blue arrow how the eyelid is distinguished from the shadow on the white of the eye by making the shadow slightly darker and leaving some reflected light on the eyelid. Continue this for the length of the eyelid.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nHere we add some tones to the skin in the eye socket area, just above the upper eyelid. Place darker tones where there are folds and bends in the skin. Use lighter tones around the highlighted areas you marked with guidelines during the last lesson.\r\n\r\n\"how\r\n\r\nRepeat this process with the upper and lower eyelids. Notice how the direction of the pencil marks goes along the natural curves of the eyelids.\r\n\r\n\"how\r\n\r\n\"how\r\n

Next Steps

\r\nIf you completed everything from this tutorial (and from Part 1 earlier), congratulations! You just finished a very important step in the process of drawing and shading a realistic eye: establishing the initial tones with your graphite pencil. The next lesson (Part 3 of the series) will show you how to properly blend the graphite and reach the next level of realism.','How to Draw an Eye Realistically (Part 2 of 4)','','inherit','open','open','','1840-revision-v1','','','2015-06-30 00:44:08','2015-06-30 07:44:08','',1840,'http://www.letsdrawpeople.com/1840-revision-v1/',0,'revision','',0),(1926,2,'2015-06-30 00:47:39','2015-06-30 07:47:39','When drawing a realistic eye, there are several important steps you should complete in order to get a realistic look. First, you should make sure to have an accurate line drawing of the eye. Then you should begin shading the eye by applying the first layers of tone, as seen below:\n\n\"how\n\nThis third lesson of my realistic eye-drawing series builds upon the shading from the last lesson and takes it to a new level. It involves making that first layer of tone look more \"real\". This effect is achieved by blending the graphite on the paper. With this one simple step, you will see a very noticeable difference in the level of realism as compared where we left off!\n\nFollow along with your drawing as I show you step-by-step how to shade the eye by properly blending the tones together.\n\nIdeally, the materials you should have on hand are a couple of tortillions for blending, a paper towel or tissue, and a kneaded eraser (just in case). Additionally, don\'t forget our reference photo!\n\n[caption id=\"attachment_1922\" align=\"aligncenter\" width=\"800\"]\"By By Laitr Keiows (Own work) [CC BY-SA 3.0 or GFDL], via Wikimedia Commons[/caption]Remember that it is okay if your drawing does not\n\nWith that, let\'s begin blending the eye!\n

Blending the Main Parts of the Eye

\nBegin by taking one of your tortillions and carefully blending together the dark, heavy layer of graphite that fills the pupil. You won\'t see a drastic change since it is so dark, but you should notice a smoother appearance.\n\nI tend to go for a heavier-used tortillion with more graphite buildup to blend darker areas, such as the pupil and iris.\n\nNext, wipe your tortillion on the paper towel to remove excess graphite. You should do this every time you transition from blending a heavily-shaded object to something with lighter shading.\n\nStart blending the iris by tracing your tortillion around the outer edge. Use soft strokes that follow the lines inward toward the pupil to begin shading the dark band along the outer edge. Blend into the lighter, middle band of the iris.\n\nThere will likely be some smearing along the edge of the iris that gets onto the white part of the eye. You can remove this with your kneaded eraser along the outside of the iris. You can see in the picture below there is smearing from the tortillion along the left side (our left) of the iris. The opposite side has a much sharper edge after using the kneaded eraser.\n\n\"how\n\nContinue to blend in the same direction as the lines. Blend with a softer touch when you are in the lighter middle band of the iris. Blend the darker inner band (just outside the pupil) in the same manner as the darker outer band. Bring the darker graphite into the lighter area. Notice the smooth, beautiful transitions of tone this creates in the iris! If the middle band gets too dark, you can carefully lighten it by picking out a few linear strokes with the kneaded eraser.\n\n\"how\n\nNow it is time to blend the lighter shadows on the white part of the eye. A less-often-used tortillion with less graphite buildup is best for blending these lighter areas.\n\n\"how\n\nAs for the tears and nodule in the corner of the eye, try to keep the dark parts dark and the light parts light while blending. The end goal is to portray the illusion of water and wetness here.\n\n\"how\n

Blending the Surrounding Parts of the Eye

\nFor the skin surrounding the eye, use the same blending method as you did with the other parts of the eye. The hard part was completed in the last lesson by making dark and light tones on the skin areas. Now it is just a matter of using a tortillion and blending the tones together to create a smooth appearance of skin.\n\nBegin with the skin above the upper eyelid. Blend in the same direction as the pencil strokes.\n\n\"how\n\nRepeat this process for the upper eyelid. Blend in the same horizontal direction as the eyelid itself. Be aware of dark and light areas, as well as where you planned for highlights and reflected light. Try to leave these in tact, and use your kneaded eraser if necessary to pick out lighter areas that get too dark from blending.\n\n\"how\n\nFinally, complete the blending process on the lower eyelid. You should be left with a drawing that looks similar to this:\n\n\"how\n

Next Steps

\nIf you have made it this far by following along with this lesson, as well as Part 1 and Part 2, you are well on your way to having a complete drawing of a realistic eye! But we are not quite finished yet....\n\nThe fourth and final tutorial (Part 4 of the series) will show you how to enhance what we already have with some finishing details that will make your drawing \"pop\" with eye-catching realism!','How to Draw an Eye Realistically (Part 3 of 4)','','inherit','open','open','','1873-autosave-v1','','','2015-06-30 00:47:39','2015-06-30 07:47:39','',1873,'http://www.letsdrawpeople.com/1873-autosave-v1/',0,'revision','',0),(1927,2,'2015-06-30 00:48:00','2015-06-30 07:48:00','When drawing a realistic eye, there are several important steps you should complete in order to get a realistic look. First, you should make sure to have an accurate line drawing of the eye. Then you should begin shading the eye by applying the first layers of tone, as seen below:\r\n\r\n\"how\r\n\r\nThis third lesson of my realistic eye-drawing series builds upon the shading from the last lesson and takes it to a new level. It involves making that first layer of tone look more \"real\". This effect is achieved by blending the graphite on the paper. With this one simple step, you will see a very noticeable difference in the level of realism as compared where we left off!\r\n\r\nFollow along with your drawing as I show you step-by-step how to shade the eye by properly blending the tones together.\r\n\r\nIdeally, the materials you should have on hand are a couple of tortillions for blending, a paper towel or tissue, and a kneaded eraser (just in case). Additionally, don\'t forget our reference photo!\r\n\r\n[caption id=\"attachment_1922\" align=\"aligncenter\" width=\"800\"]\"By By Laitr Keiows (Own work) [CC BY-SA 3.0 or GFDL], via Wikimedia Commons[/caption]With that, let\'s begin blending the eye!\r\n

Blending the Main Parts of the Eye

\r\nBegin by taking one of your tortillions and carefully blending together the dark, heavy layer of graphite that fills the pupil. You won\'t see a drastic change since it is so dark, but you should notice a smoother appearance.\r\n\r\nI tend to go for a heavier-used tortillion with more graphite buildup to blend darker areas, such as the pupil and iris.\r\n\r\nNext, wipe your tortillion on the paper towel to remove excess graphite. You should do this every time you transition from blending a heavily-shaded object to something with lighter shading.\r\n\r\nStart blending the iris by tracing your tortillion around the outer edge. Use soft strokes that follow the lines inward toward the pupil to begin shading the dark band along the outer edge. Blend into the lighter, middle band of the iris.\r\n\r\nThere will likely be some smearing along the edge of the iris that gets onto the white part of the eye. You can remove this with your kneaded eraser along the outside of the iris. You can see in the picture below there is smearing from the tortillion along the left side (our left) of the iris. The opposite side has a much sharper edge after using the kneaded eraser.\r\n\r\n\"how\r\n\r\nContinue to blend in the same direction as the lines. Blend with a softer touch when you are in the lighter middle band of the iris. Blend the darker inner band (just outside the pupil) in the same manner as the darker outer band. Bring the darker graphite into the lighter area. Notice the smooth, beautiful transitions of tone this creates in the iris! If the middle band gets too dark, you can carefully lighten it by picking out a few linear strokes with the kneaded eraser.\r\n\r\n\"how\r\n\r\nNow it is time to blend the lighter shadows on the white part of the eye. A less-often-used tortillion with less graphite buildup is best for blending these lighter areas.\r\n\r\n\"how\r\n\r\nAs for the tears and nodule in the corner of the eye, try to keep the dark parts dark and the light parts light while blending. The end goal is to portray the illusion of water and wetness here.\r\n\r\n\"how\r\n

Blending the Surrounding Parts of the Eye

\r\nFor the skin surrounding the eye, use the same blending method as you did with the other parts of the eye. The hard part was completed in the last lesson by making dark and light tones on the skin areas. Now it is just a matter of using a tortillion and blending the tones together to create a smooth appearance of skin.\r\n\r\nBegin with the skin above the upper eyelid. Blend in the same direction as the pencil strokes.\r\n\r\n\"how\r\n\r\nRepeat this process for the upper eyelid. Blend in the same horizontal direction as the eyelid itself. Be aware of dark and light areas, as well as where you planned for highlights and reflected light. Try to leave these in tact, and use your kneaded eraser if necessary to pick out lighter areas that get too dark from blending.\r\n\r\n\"how\r\n\r\nFinally, complete the blending process on the lower eyelid. You should be left with a drawing that looks similar to this:\r\n\r\n\"how\r\n

Next Steps

\r\nIf you have made it this far by following along with this lesson, as well as Part 1 and Part 2, you are well on your way to having a complete drawing of a realistic eye! But we are not quite finished yet....\r\n\r\nThe fourth and final tutorial (Part 4 of the series) will show you how to enhance what we already have with some finishing details that will make your drawing \"pop\" with eye-catching realism!','How to Draw an Eye Realistically (Part 3 of 4)','','inherit','open','open','','1873-revision-v1','','','2015-06-30 00:48:00','2015-06-30 07:48:00','',1873,'http://www.letsdrawpeople.com/1873-revision-v1/',0,'revision','',0); INSERT INTO `wp_posts` VALUES (1928,2,'2015-06-30 00:57:23','2015-06-30 07:57:23','How can you make a realistic eye drawing look even better? You are about to find out!\r\n\r\nThe realistic (but still unfinished) eye drawing you see below resulted from three previous lessons. If you have not been following along, please do so before you read this latest post. Here are links to the steps that got us here today:\r\n\r\nPart 1) Make a basic line drawing of an eye.\r\n\r\nPart 2) Add tones to the eye drawing.\r\n\r\nPart 3) Blend those tones together.\r\n\r\n\"how\r\n\r\nNow except for perhaps some eyelashes, this drawing looks essentially complete, right? Basically it is, but when it comes to making a realistic drawing, there are different levels of realism. In the fourth and final lesson of this series, it\'s time to make this drawing \"pop\"! We will create a more realistic eye drawing by adding additional layers of detail. You will only need a kneaded eraser, a tortillion, and a 2B graphite pencil. My personal preference for this phase of the drawing is to use a mechanical pencil with graphite lead to ensure I make very fine lines where needed, as you can see with the veins, eyelashes, and other fine details in the reference photo below.\r\n\r\n[caption id=\"attachment_1922\" align=\"aligncenter\" width=\"800\"]\"By By Laitr Keiows (Own work) [CC BY-SA 3.0 or GFDL], via Wikimedia Commons[/caption]\r\n

Layering the Iris

\r\nBegin with the inner part of the iris and make marks that radiate away from the pupil. Then do the same thing along the outer rim of the iris. Draw using the same method you used in lesson 2 of this series, remaining aware of the tips of those long \"oval-like\" shapes within the iris. Leave the highlighted ring around the iris alone.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nNext, use your tortillion to blend the graphite. Blend along the direction of the lines and into the highlighted ring. If that center ring around the iris gets a little dull, carefully pull out a few more highlights with your kneaded eraser. Also use your mechanical pencil to lightly draw a few lines that connect the inner iris with the outer iris.\r\n\r\n\"how\r\n

Layering the White of the Eye

\r\nSince we eventually need to draw eyelashes, it will be a good idea to darken the shadows they will cast on the white of the eye beforehand. Begin by shading in another layer of graphite just below the upper eyelid. Then blend the graphite with your tortillion.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nRepeat this process along the lower eyelid. Also, darken any shadows in the tear duct area as needed.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nExamine any eye as closely as the one we are drawing here, and you are bound to see some veins. Very lightly with your mechanical pencil, draw some wiggly lines that jet away from the eyelids and toward the iris. Use lines of varying length and cross a few of them for a more natural appearance.\r\n\r\n\"how\r\n\r\nNext, carefully blend the veins with a tortillion for a more subtle appearance. If any veins look too dark or unnatural, lift some of the graphite with the kneaded eraser.\r\n\r\n\"how\r\n

Layering the Skin

\r\nYou can create texture on the skin by repeating the tone and blend process used in earlier lessons. In the following two images, you can see a small section, just above the inner corner and upper eyelid, layered with darker pencil marks and then blended smoothly.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nRepeat this layering process for the rest of the skin. Make sure to focus on areas that need to be darker, such as the shadow caused by the flap of skin just above the upper eyelid. Use light and dark tones to indicate where surfaces on different planes meet at an edge, as you can see along the rim of the eyelids. Also remember to lift areas that need to be lightened with your kneaded eraser.\r\n\r\n\"how\r\n

Tweaking the Highlight

\r\nDue to the angle of the unseen lights shining in the room, this eye will have a \"highlight within a highlight\" if you will. Another reason for this will be the subtle shadows from the upper eyelid and the soon-to-be-drawn eyelashes that will fall upon the highlight.\r\n\r\nTo create the effect seen below, begin by running a linear shadow just below the upper eyelid that intersects the top portion of the highlight. Then within that square-shaped highlight, just use the extra graphite accumulated on a tortillion to lightly shade in the square, leaving a smaller white circle inside. Notice how the pupil area is shaded slightly darker than the rest.\r\n\r\n\"how\r\n

Layering the Eyelashes

\r\nWith a loose motion of the wrist, begin drawing the fine eyelash hairs with a mechanical pencil. Start along the outer edge of each eyelid rim for most of the lashes. Make a smooth, quick curve near the base of each lash before tapering off. Note the length of each eyelash as compared to the width of the eyelids. For this particular eye, the lashes along the outer corner are generally longer than the ones near the inner corner. For a more natural look, do not make them perfectly spaced apart either. Instead, clump some into groups, and have some overlap each other.\r\n\r\n\"how\r\n\r\nContinue to build layers by drawing additional eyelashes next to and on top of other lashes. Lightly blend and build more layers until the eyelashes reach the desired volume.\r\n\r\n\"how\r\n\r\nYou can also indicate some natural white hairs near the inner corner by using a kneaded eraser parallel to tiny drawn hairs.\r\n\r\nReturn to the iris and the highlight. Draw strands of eyelashes that are reflected along the length of the iris. Using the same technique as you did with the white hairs, the kneaded eraser marks next to the drawn lines should give the illusion of a reflection.\r\n\r\n\"how\r\n

Closing

\r\nThat concludes this four-part series on how to draw an eye realistically! Remember that with any of the steps from this lesson, you can add more layers than indicated and get a more realistic effect. Or, you can do fewer. You do not have to create a perfect duplication of a reference photo. It\'s up to you as the artist.\r\n\r\nIf you have ever struggled with drawing an eye and making it look real, hopefully you have found this eye-drawing series helpful! More importantly, I hope you were following along with me and drawing an eye of your own step-by-step with me. If not, now is the perfect time to practice! Just remember to draw all of the important components of the eye as accurately as possible, shade the eye with the appropriate light and dark tones, blend the tones to create the smooth appearance of a real eye, and layer in additional details. You will have drawn your own realistic eye before you know it!','How to Draw an Eye Realistically (Part 4 of 4)','','inherit','open','open','','1893-revision-v1','','','2015-06-30 00:57:23','2015-06-30 07:57:23','',1893,'http://www.letsdrawpeople.com/1893-revision-v1/',0,'revision','',0),(1929,2,'2015-06-30 01:02:45','2015-06-30 08:02:45','In the last post of this series, we began drawing a realistic eye with the all-important line drawing to place the iris, pupil, eyelids, and the outline to a few shadows and highlights.\r\n\r\nHere is where we left off:\r\n\r\n\"how\r\n\r\nAnd here is the reference photo...\r\n\r\n[caption id=\"attachment_1922\" align=\"aligncenter\" width=\"800\"]\"By By Laitr Keiows (Own work) [CC BY-SA 3.0 or GFDL], via Wikimedia Commons[/caption]In this second lesson, it is time to add some tones to all of those lines. The focus of this tutorial is how to begin shading an eye drawing so that it looks realistic. Let me again emphasize begin, because this lesson will be just the start of the shading process. There will be more shading techniques to implement in Part 3 and Part 4 before getting to the desired level of realism.\r\n\r\nNo new materials will be needed, just a 2B pencil and a kneaded eraser.\r\n\r\nSo let\'s begin!\r\n

Shading the Pupil

\r\nBegin by taking your kneaded eraser and lifting out the pupil outline going through the highlight. Then carefully take your pencil and completely fill in the circle that represents the pupil. Leave the highlight white.\r\n\r\n\"how\r\n

Shading the Iris

\r\nThe outer and inner rim of the iris is usually slightly darker than the rest of it. The guidelines that you drew in the last lesson help allow for this.\r\n\r\nBegin by shading the outer edge of the iris. Lighten the application of graphite as you work your way inward and reach the guideline.\r\n\r\nThere is a heavier shadow along the top that is cast by the upper eyelid. This shadow should not taper off and get lighter along the guideline edge.\r\n\r\nThere is a much thinner shadow on the iris along the lower eyelid. Notice the little sliver of water as the eyelid presses against the eye? Leave this white.\r\n\r\n\"how\r\n\r\nAs for the inner part of the iris, begin sketching a few lines that radiate outward from the center. Try to imagine the very center of the pupil and have your lines come straight from there.\r\n\r\n\"how\r\n\r\nBegin extending these lines all the way to the outer edge of the iris.\r\n\r\n\"how\r\n\r\nNext, begin filling in the open spaces with more lines. Notice how the lines are not necessarily perfectly straight. Think in terms of long, stretched out ovals that are pointed at each end.\r\n\r\n\"how\r\n\r\n \r\n\r\n\"how\r\n\r\nDarken up the inner part of the iris. Shade in the same direction as the radiating lines. Be aware of the tips of those long \"oval-like\" shapes. You can better define some of these tips by shading around them. Shade outward from the pupil until you get to the inner guideline.\r\n\r\n\"how\r\n\r\nWe already added tones around outer edge of the iris, but we still need to replicate the radiating lines along the outer edge. Do this by darkening the lines and the spaces between the lines in the same fashion that you did for the inner iris. Make sure to leave it light in the middle.\r\n\r\n\"how\r\n

Shading the White Part of the Eye

\r\nEarlier, I mentioned a shadow that the upper eyelid casts upon the eye. It is time to extend this shadow along the white part of the eye. Color this lightly; do not make it as dark as it is on the iris.\r\n\r\nSince the eyeball is actually a sphere, there should be a little shading on other parts of it as well. Notice below that I begin by shading the inner corner.\r\n\r\n\"how\r\n\r\nThe outer corner is going to get a little more shading. This is partially to allow for the shadows given by the eyelashes, which will be drawn in as one of the final steps.\r\n\r\n\"how\r\n\r\nNow for the nodule in the corner of the eye (lacrimal caruncle), leave some parts dark and some parts clear to represent wetness.\r\n\r\n\"how\r\n

Shading the Eyelids

\r\nBegin shading the top plane of the upper eyelid. Notice by the blue arrow how the eyelid is distinguished from the shadow on the white of the eye by making the shadow slightly darker and leaving some reflected light on the eyelid. Continue this for the length of the eyelid.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nHere we add some tones to the skin in the eye socket area, just above the upper eyelid. Place darker tones where there are folds and bends in the skin. Use lighter tones around the highlighted areas you marked with guidelines during the last lesson.\r\n\r\n\"how\r\n\r\nRepeat this process with the upper and lower eyelids. Notice how the direction of the pencil marks goes along the natural curves of the eyelids.\r\n\r\n\"how\r\n\r\n\"how\r\n

Next Steps

\r\nIf you completed everything from this tutorial (and from Part 1 earlier), congratulations! You just finished a very important step in the process of drawing and shading a realistic eye: establishing the initial tones with your graphite pencil. The next lesson (Part 3 of the series) will show you how to properly blend the graphite and reach the next level of realism.','How to Draw an Eye Realistically (Part 2 of 4)','','inherit','open','open','','1840-revision-v1','','','2015-06-30 01:02:45','2015-06-30 08:02:45','',1840,'http://www.letsdrawpeople.com/1840-revision-v1/',0,'revision','',0),(1930,2,'2015-06-30 01:05:23','2015-06-30 08:05:23','When drawing a realistic eye, there are several important steps you should complete in order to get a realistic look. First, you should make sure to have an accurate line drawing of the eye. Then you should begin shading the eye by applying the first layers of tone, as seen below:\r\n\r\n\"how\r\n\r\nThis third lesson of my realistic eye-drawing series builds upon the shading from the last lesson and takes it to a new level. It involves making that first layer of tone look more \"real\". This effect is achieved by blending the graphite on the paper. With this one simple step, you will see a very noticeable difference in the level of realism as compared where we left off!\r\n\r\nFollow along with your drawing as I show you step-by-step how to shade the eye by properly blending the tones together.\r\n\r\nIdeally, the materials you should have on hand are a couple of tortillions for blending, a paper towel or tissue, and a kneaded eraser (just in case). Additionally, don\'t forget our reference photo!\r\n\r\n[caption id=\"attachment_1922\" align=\"aligncenter\" width=\"800\"]\"By By Laitr Keiows (Own work) [CC BY-SA 3.0 or GFDL], via Wikimedia Commons[/caption]With that, let\'s begin blending the eye!\r\n

Blending the Main Parts of the Eye

\r\nBegin by taking one of your tortillions and carefully blending together the dark, heavy layer of graphite that fills the pupil. You won\'t see a drastic change since it is so dark, but you should notice a smoother appearance.\r\n\r\nI tend to go for a heavier-used tortillion with more graphite buildup to blend darker areas, such as the pupil and iris.\r\n\r\nNext, wipe your tortillion on the paper towel to remove excess graphite. You should do this every time you transition from blending a heavily-shaded object to something with lighter shading.\r\n\r\nStart blending the iris by tracing your tortillion around the outer edge. Use soft strokes that follow the lines inward toward the pupil to begin shading the dark band along the outer edge. Blend into the lighter, middle band of the iris.\r\n\r\nThere will likely be some smearing along the edge of the iris that gets onto the white part of the eye. You can remove this with your kneaded eraser along the outside of the iris. You can see in the picture below there is smearing from the tortillion along the left side (our left) of the iris. The opposite side has a much sharper edge after using the kneaded eraser.\r\n\r\n\"how\r\n\r\nContinue to blend in the same direction as the lines. Blend with a softer touch when you are in the lighter middle band of the iris. Blend the darker inner band (just outside the pupil) in the same manner as the darker outer band. Bring the darker graphite into the lighter area. Notice the smooth, beautiful transitions of tone this creates in the iris! If the middle band gets too dark, you can carefully lighten it by picking out a few linear strokes with the kneaded eraser.\r\n\r\n\"how\r\n\r\nNow it is time to blend the lighter shadows on the white part of the eye. A less-often-used tortillion with less graphite buildup is best for blending these lighter areas.\r\n\r\n\"how\r\n\r\nAs for the tears and nodule in the corner of the eye, try to keep the dark parts dark and the light parts light while blending. The end goal is to portray the illusion of water and wetness here.\r\n\r\n\"how\r\n

Blending the Surrounding Parts of the Eye

\r\nFor the skin surrounding the eye, use the same blending method as you did with the other parts of the eye. The hard part was completed in the last lesson by making dark and light tones on the skin areas. Now it is just a matter of using a tortillion and blending the tones together to create a smooth appearance of skin.\r\n\r\nBegin with the skin above the upper eyelid. Blend in the same direction as the pencil strokes.\r\n\r\n\"how\r\n\r\nRepeat this process for the upper eyelid. Blend in the same horizontal direction as the eyelid itself. Be aware of dark and light areas, as well as where you planned for highlights and reflected light. Try to leave these in tact, and use your kneaded eraser if necessary to pick out lighter areas that get too dark from blending.\r\n\r\n\"how\r\n\r\nFinally, complete the blending process on the lower eyelid. You should be left with a drawing that looks similar to this:\r\n\r\n\"how\r\n

Next Steps

\r\nIf you have made it this far by following along with this lesson, as well as Part 1 and Part 2, you are well on your way to having a complete drawing of a realistic eye! But we are not quite finished yet....\r\n\r\nThe fourth and final tutorial (Part 4 of the series) will show you how to enhance what we already have with some finishing details that will make your drawing \"pop\" with eye-catching realism!','How to Draw an Eye Realistically (Part 3 of 4)','','inherit','open','open','','1873-revision-v1','','','2015-06-30 01:05:23','2015-06-30 08:05:23','',1873,'http://www.letsdrawpeople.com/1873-revision-v1/',0,'revision','',0),(1931,2,'2015-06-30 01:29:02','2015-06-30 08:29:02','How can you make a realistic eye drawing look even better? You are about to find out!\n\nThe realistic (but still unfinished) eye drawing you see below resulted from three previous lessons. If you have not been following along, please do so before you read this latest post. Here are links to the steps that got us here today:\n\nPart 1) Make a basic line drawing of an eye.\n\nPart 2) Add tones to the eye drawing.\n\nPart 3) Blend those tones together.\n\n\"how\n\nNow except for perhaps some eyelashes, this drawing looks essentially complete, right? Basically it is, but when it comes to making a realistic drawing, there are different levels of realism. In the fourth and final lesson of this series, it\'s time to make this drawing \"pop\"! We will create a more realistic eye drawing by adding additional layers of detail. You will only need a kneaded eraser, a tortillion, and a 2B graphite pencil. My personal preference for this phase of the drawing is to use a mechanical pencil with graphite lead to ensure I make very fine lines where needed, as you can see with the veins, eyelashes, and other fine details in the reference photo below.\n\n[caption id=\"attachment_1922\" align=\"aligncenter\" width=\"800\"]\"By By Laitr Keiows (Own work) [CC BY-SA 3.0 or GFDL], via Wikimedia Commons[/caption]\n

Layering the Iris

\nBegin with the inner part of the iris and make marks that radiate away from the pupil. Then do the same thing along the outer rim of the iris. Draw using the same method you used in lesson 2 of this series, remaining aware of the tips of those long \"oval-like\" shapes within the iris. Leave the highlighted ring around the iris alone.\n\n\"how\n\n\"how\n\nNext, use your tortillion to blend the graphite. Blend along the direction of the lines and into the highlighted ring. If that center ring around the iris gets a little dull, carefully pull out a few more highlights with your kneaded eraser. Also use your mechanical pencil to lightly draw a few lines that connect the inner iris with the outer iris.\n\n\"how\n

Layering the White of the Eye

\nSince we eventually need to draw eyelashes, it will be a good idea to darken the shadows they will cast on the white of the eye beforehand. Begin by shading in another layer of graphite just below the upper eyelid. Then blend the graphite with your tortillion.\n\n\"how\n\n\"how\n\nRepeat this process along the lower eyelid. Also, darken any shadows in the tear duct area as needed.\n\n\"how\n\n\"how\n\nExamine any eye as closely as the one we are drawing here, and you are bound to see some veins. Very lightly with your mechanical pencil, draw some wiggly lines that jet away from the eyelids and toward the iris. Use lines of varying length and cross a few of them for a more natural appearance.\n\n\"how\n\nNext, carefully blend the veins with a tortillion for a more subtle appearance. If any veins look too dark or unnatural, lift some of the graphite with the kneaded eraser.\n\n\"how\n

Layering the Skin

\nYou can create texture on the skin by repeating the tone and blend process used in earlier lessons. In the following two images, you can see a small section, just above the inner corner and upper eyelid, layered with darker pencil marks and then blended smoothly.\n\n\"how\n\n\"how\n\nRepeat this layering process for the rest of the skin. Make sure to focus on areas that need to be darker, such as the shadow caused by the flap of skin just above the upper eyelid. Use light and dark tones to indicate where surfaces on different planes meet at an edge, as you can see along the rim of the eyelids. Also remember to lift areas that need to be lightened with your kneaded eraser.\n\n\"how\n

Tweaking the Highlight

\nDue to the angle of the unseen lights shining in the room, this eye will have a \"highlight within a highlight\" if you will. Another reason for this will be the subtle shadows from the upper eyelid and the soon-to-be-drawn eyelashes that will fall upon the highlight.\n\nTo create the effect seen below, begin by running a linear shadow just below the upper eyelid that intersects the top portion of the highlight. Then within that square-shaped highlight, just use the extra graphite accumulated on a tortillion to lightly shade in the square, leaving a smaller white circle inside. Notice how the pupil area is shaded slightly darker than the rest.\n\n\"how\n

Layering the Eyelashes

\nWith a loose motion of the wrist, begin drawing the fine eyelash hairs with a mechanical pencil. Start along the outer edge of each eyelid rim for most of the lashes. Make a smooth, quick curve near the base of each lash before tapering off. Note the length of each eyelash as compared to the width of the eyelids. For this particular eye, the lashes along the outer corner are generally longer than the ones near the inner corner. For a more natural look, do not make them perfectly spaced apart either. Instead, clump some into groups, and have some overlap each other.\n\n\"how\n\nContinue to build layers by drawing additional eyelashes next to and on top of other lashes. Lightly blend and build more layers until the eyelashes reach the desired volume.\n\n\"how\n\nYou can also indicate some natural white hairs near the inner corner by using a kneaded eraser parallel to tiny drawn hairs.\n\nReturn to the iris and the highlight. Draw strands of eyelashes that are reflected along the length of the iris. Using the same technique as you did with the white hairs, the kneaded eraser marks next to the drawn lines should give the illusion of a reflection.\n\n \n\n \n

Closing

\nThat concludes this four-part series on how to draw an eye realistically! Remember that with any of the steps from this lesson, you can add more layers than indicated and get a more realistic effect. Or, you can do fewer. You do not have to create a perfect duplication of a reference photo. It\'s up to you as the artist.\n\nIf you have ever struggled with drawing an eye and making it look real, hopefully you have found this eye-drawing series helpful! More importantly, I hope you were following along with me and drawing an eye of your own step-by-step with me. If not, now is the perfect time to practice! Just remember to draw all of the important components of the eye as accurately as possible, shade the eye with the appropriate light and dark tones, blend the tones to create the smooth appearance of a real eye, and layer in additional details. You will have drawn your own realistic eye before you know it!','How to Draw an Eye Realistically (Part 4 of 4)','','inherit','open','open','','1893-autosave-v1','','','2015-06-30 01:29:02','2015-06-30 08:29:02','',1893,'http://www.letsdrawpeople.com/1893-autosave-v1/',0,'revision','',0),(1934,2,'2015-06-30 01:29:42','2015-06-30 08:29:42','How can you make a realistic eye drawing look even better? You are about to find out!\r\n\r\nThe realistic (but still unfinished) eye drawing you see below resulted from three previous lessons. If you have not been following along, please do so before you read this latest post. Here are links to the steps that got us here today:\r\n\r\nPart 1) Make a basic line drawing of an eye.\r\n\r\nPart 2) Add tones to the eye drawing.\r\n\r\nPart 3) Blend those tones together.\r\n\r\n\"how\r\n\r\nNow except for perhaps some eyelashes, this drawing looks essentially complete, right? Basically it is, but when it comes to making a realistic drawing, there are different levels of realism. In the fourth and final lesson of this series, it\'s time to make this drawing \"pop\"! We will create a more realistic eye drawing by adding additional layers of detail. You will only need a kneaded eraser, a tortillion, and a 2B graphite pencil. My personal preference for this phase of the drawing is to use a mechanical pencil with graphite lead to ensure I make very fine lines where needed, as you can see with the veins, eyelashes, and other fine details in the reference photo below.\r\n\r\n[caption id=\"attachment_1922\" align=\"aligncenter\" width=\"800\"]\"By By Laitr Keiows (Own work) [CC BY-SA 3.0 or GFDL], via Wikimedia Commons[/caption]\r\n

Layering the Iris

\r\nBegin with the inner part of the iris and make marks that radiate away from the pupil. Then do the same thing along the outer rim of the iris. Draw using the same method you used in lesson 2 of this series, remaining aware of the tips of those long \"oval-like\" shapes within the iris. Leave the highlighted ring around the iris alone.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nNext, use your tortillion to blend the graphite. Blend along the direction of the lines and into the highlighted ring. If that center ring around the iris gets a little dull, carefully pull out a few more highlights with your kneaded eraser. Also use your mechanical pencil to lightly draw a few lines that connect the inner iris with the outer iris.\r\n\r\n\"how\r\n

Layering the White of the Eye

\r\nSince we eventually need to draw eyelashes, it will be a good idea to darken the shadows they will cast on the white of the eye beforehand. Begin by shading in another layer of graphite just below the upper eyelid. Then blend the graphite with your tortillion.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nRepeat this process along the lower eyelid. Also, darken any shadows in the tear duct area as needed.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nExamine any eye as closely as the one we are drawing here, and you are bound to see some veins. Very lightly with your mechanical pencil, draw some wiggly lines that jet away from the eyelids and toward the iris. Use lines of varying length and cross a few of them for a more natural appearance.\r\n\r\n\"how\r\n\r\nNext, carefully blend the veins with a tortillion for a more subtle appearance. If any veins look too dark or unnatural, lift some of the graphite with the kneaded eraser.\r\n\r\n\"how\r\n

Layering the Skin

\r\nYou can create texture on the skin by repeating the tone and blend process used in earlier lessons. In the following two images, you can see a small section, just above the inner corner and upper eyelid, layered with darker pencil marks and then blended smoothly.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nRepeat this layering process for the rest of the skin. Make sure to focus on areas that need to be darker, such as the shadow caused by the flap of skin just above the upper eyelid. Use light and dark tones to indicate where surfaces on different planes meet at an edge, as you can see along the rim of the eyelids. Also remember to lift areas that need to be lightened with your kneaded eraser.\r\n\r\n\"how\r\n

Tweaking the Highlight

\r\nDue to the angle of the unseen lights shining in the room, this eye will have a \"highlight within a highlight\" if you will. Another reason for this will be the subtle shadows from the upper eyelid and the soon-to-be-drawn eyelashes that will fall upon the highlight.\r\n\r\nTo create the effect seen below, begin by running a linear shadow just below the upper eyelid that intersects the top portion of the highlight. Then within that square-shaped highlight, just use the extra graphite accumulated on a tortillion to lightly shade in the square, leaving a smaller white circle inside. Notice how the pupil area is shaded slightly darker than the rest.\r\n\r\n\"how\r\n

Layering the Eyelashes

\r\nWith a loose motion of the wrist, begin drawing the fine eyelash hairs with a mechanical pencil. Start along the outer edge of each eyelid rim for most of the lashes. Make a smooth, quick curve near the base of each lash before tapering off. Note the length of each eyelash as compared to the width of the eyelids. For this particular eye, the lashes along the outer corner are generally longer than the ones near the inner corner. For a more natural look, do not make them perfectly spaced apart either. Instead, clump some into groups, and have some overlap each other.\r\n\r\n\"how\r\n\r\nContinue to build layers by drawing additional eyelashes next to and on top of other lashes. Lightly blend and build more layers until the eyelashes reach the desired volume.\r\n\r\n\"how\r\n\r\nYou can also indicate some natural white hairs near the inner corner by using a kneaded eraser parallel to tiny drawn hairs.\r\n\r\nReturn to the iris and the highlight. Draw strands of eyelashes that are reflected along the length of the iris. Using the same technique as you did with the white hairs, the kneaded eraser marks next to the drawn lines should give the illusion of a reflection.\r\n\r\n\"how\r\n\r\n \r\n

Closing

\r\nThat concludes this four-part series on how to draw an eye realistically! Remember that with any of the steps from this lesson, you can add more layers than indicated and get a more realistic effect. Or, you can do fewer. You do not have to create a perfect duplication of a reference photo. It\'s up to you as the artist.\r\n\r\nIf you have ever struggled with drawing an eye and making it look real, hopefully you have found this eye-drawing series helpful! More importantly, I hope you were following along with me and drawing an eye of your own step-by-step with me. If not, now is the perfect time to practice! Just remember to draw all of the important components of the eye as accurately as possible, shade the eye with the appropriate light and dark tones, blend the tones to create the smooth appearance of a real eye, and layer in additional details. You will have drawn your own realistic eye before you know it!','How to Draw an Eye Realistically (Part 4 of 4)','','inherit','open','open','','1893-revision-v1','','','2015-06-30 01:29:42','2015-06-30 08:29:42','',1893,'http://www.letsdrawpeople.com/1893-revision-v1/',0,'revision','',0),(1933,2,'2015-06-30 01:29:08','2015-06-30 08:29:08','','how to draw an eye realistically','\"Realistic Eye\" by Jack Pearce','inherit','open','open','','how-to-draw-an-eye-realistically','','','2015-07-08 00:49:32','2015-07-08 07:49:32','',1893,'http://www.letsdrawpeople.com/wp-content/uploads/2015/05/how-to-draw-an-eye-realistically.jpg',0,'attachment','image/jpeg',0),(1935,2,'2015-06-30 01:33:14','2015-06-30 08:33:14','Our faces are made up of different facial features. We have eyes with eyelashes and eyebrows that help convey a certain mood. We have noses of different shapes and sizes. We have mouths that may be smiling, frowning, yelling, or calm. And let\'s not forget the ears and the hair on our heads!\r\n\r\nThis is a gallery where you will not find completed portraits. Instead, you will take a look at drawings that focus only on one or more important features of the face.\r\n\r\nCheck out this gallery if you are struggling with how to draw certain facial features and you want to get inspiration from other artists.\r\n\r\nIf you have your own facial feature drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"1265,707,1623,1933\" orderby=\"rand\"]','Facial Features','','inherit','open','open','','1298-revision-v1','','','2015-06-30 01:33:14','2015-06-30 08:33:14','',1298,'http://www.letsdrawpeople.com/1298-revision-v1/',0,'revision','',0),(1936,2,'2015-06-30 01:53:46','2015-06-30 08:53:46','How can you make a realistic eye drawing look even better? You are about to find out!\r\n\r\nThe realistic (but still unfinished) eye drawing you see below resulted from three previous lessons. If you have not been following along, please do so before you read this latest post. Here are links to the steps that got us here today:\r\n\r\nPart 1) Make a basic line drawing of an eye.\r\n\r\nPart 2) Add tones to the eye drawing.\r\n\r\nPart 3) Blend those tones together.\r\n\r\n\"how\r\n\r\nNow except for perhaps some eyelashes, this drawing looks essentially complete, right? Basically it is, but when it comes to making a realistic drawing, there are different levels of realism. In the fourth and final lesson of this series, it\'s time to make this drawing \"pop\"! We will create a more realistic eye drawing by adding additional layers of detail. You will only need a kneaded eraser, a tortillion, and a 2B graphite pencil. My personal preference for this phase of the drawing is to use a mechanical pencil with graphite lead to ensure I make very fine lines where needed, as you can see with the veins, eyelashes, and other fine details in the reference photo below.\r\n\r\n[caption id=\"attachment_1922\" align=\"aligncenter\" width=\"800\"]\"By By Laitr Keiows (Own work) [CC BY-SA 3.0 or GFDL], via Wikimedia Commons[/caption]\r\n

Layering the Iris

\r\nBegin with the inner part of the iris and make marks that radiate away from the pupil. Then do the same thing along the outer rim of the iris. Draw using the same method you used in lesson 2 of this series, remaining aware of the tips of those long \"oval-like\" shapes within the iris. Leave the highlighted ring around the iris alone.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nNext, use your tortillion to blend the graphite. Blend along the direction of the lines and into the highlighted ring. If that center ring around the iris gets a little dull, carefully pull out a few more highlights with your kneaded eraser. Also use your mechanical pencil to lightly draw a few lines that connect the inner iris with the outer iris.\r\n\r\n\"how\r\n

Layering the White of the Eye

\r\nSince we eventually need to draw eyelashes, it will be a good idea to darken the shadows they will cast on the white of the eye beforehand. Begin by shading in another layer of graphite just below the upper eyelid. Then blend the graphite with your tortillion.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nRepeat this process along the lower eyelid. Also, darken any shadows in the tear duct area as needed.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nExamine any eye as closely as the one we are drawing here, and you are bound to see some veins. Very lightly with your mechanical pencil, draw some wiggly lines that jet away from the eyelids and toward the iris. Use lines of varying length and cross a few of them for a more natural appearance.\r\n\r\n\"how\r\n\r\nNext, carefully blend the veins with a tortillion for a more subtle appearance. If any veins look too dark or unnatural, lift some of the graphite with the kneaded eraser.\r\n\r\n\"how\r\n

Layering the Skin

\r\nYou can create texture on the skin by repeating the tone and blend process used in earlier lessons. In the following two images, you can see a small section, just above the inner corner and upper eyelid, layered with darker pencil marks and then blended smoothly.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\nRepeat this layering process for the rest of the skin. Make sure to focus on areas that need to be darker, such as the shadow caused by the flap of skin just above the upper eyelid. Use light and dark tones to indicate where surfaces on different planes meet at an edge, as you can see along the rim of the eyelids. Also remember to lift areas that need to be lightened with your kneaded eraser.\r\n\r\n\"how\r\n

Tweaking the Highlight

\r\nDue to the angle of the unseen lights shining in the room, this eye will have a \"highlight within a highlight\" if you will. Another reason for this will be the subtle shadows from the upper eyelid and the soon-to-be-drawn eyelashes that will fall upon the highlight.\r\n\r\nTo create the effect seen below, begin by running a linear shadow just below the upper eyelid that intersects the top portion of the highlight. Then within that square-shaped highlight, just use the extra graphite accumulated on a tortillion to lightly shade in the square, leaving a smaller white circle inside. Notice how the pupil area is shaded slightly darker than the rest.\r\n\r\n\"how\r\n

Layering the Eyelashes

\r\nWith a loose motion of the wrist, begin drawing the fine eyelash hairs with a mechanical pencil. Start along the outer edge of each eyelid rim for most of the lashes. Make a smooth, quick curve near the base of each lash before tapering off. Note the length of each eyelash as compared to the width of the eyelids. For this particular eye, the lashes along the outer corner are generally longer than the ones near the inner corner. For a more natural look, do not make them perfectly spaced apart either. Instead, clump some into groups, and have some overlap each other.\r\n\r\n\"how\r\n\r\nContinue to build layers by drawing additional eyelashes next to and on top of other lashes. Lightly blend and build more layers until the eyelashes reach the desired volume.\r\n\r\n\"how\r\n\r\nYou can also indicate some natural white hairs near the inner corner by using a kneaded eraser parallel to tiny drawn hairs.\r\n\r\nReturn to the iris and the highlight. Draw strands of eyelashes that are reflected along the length of the iris. Using the same technique as you did with the white hairs, the kneaded eraser marks next to the drawn lines should give the illusion of a reflection.\r\n\r\n\"how\r\n

Closing

\r\nThat concludes this four-part series on how to draw an eye realistically! Remember that with any of the steps from this lesson, you can add more layers than indicated and get a more realistic effect. Or, you can do fewer. You do not have to create a perfect duplication of a reference photo. It\'s up to you as the artist.\r\n\r\nIf you have ever struggled with drawing an eye and making it look real, hopefully you have found this eye-drawing series helpful! More importantly, I hope you were following along with me and drawing an eye of your own step-by-step with me. If not, now is the perfect time to practice! Just remember to draw all of the important components of the eye as accurately as possible, shade the eye with the appropriate light and dark tones, blend the tones to create the smooth appearance of a real eye, and layer in additional details. You will have drawn your own realistic eye before you know it!','How to Draw an Eye Realistically (Part 4 of 4)','','inherit','open','open','','1893-revision-v1','','','2015-06-30 01:53:46','2015-06-30 08:53:46','',1893,'http://www.letsdrawpeople.com/1893-revision-v1/',0,'revision','',0),(1937,2,'2015-06-30 19:30:09','2015-07-01 02:30:09','

Thank you for entering your email!\r\n\r\nBefore I can officially welcome you as a Let\'s Draw People subscriber, I need you to complete the following two steps...\r\n\r\nStep 1: I just sent you a confirmation email. Open the email with the subject line \"Confirm your subscription to Let\'s Draw People.\" If you cannot find this email in your primary inbox, please check your bulk folder.\r\n

\"gmail

\r\nStep 2: Click on the confirmation link in that email. This step is your way of granting me permission to email you the newsletter two times per week.\r\n\r\nThat\'s all there is to it! Go now to your email inbox, click the confirmation link, and enjoy the Let\'s Draw People Newsletter and your free guide!\r\n\r\n-Jack Pearce','You are almost subscribed!','','draft','closed','closed','','you-are-almost-subscribed','','','2016-08-31 04:38:10','2016-08-31 11:38:10','',0,'http://www.letsdrawpeople.com/?page_id=1937',0,'page','',0),(1938,2,'2015-06-30 19:29:07','2015-07-01 02:29:07','

Thank you for entering your email!\r\n\r\nBefore I can officially welcome you as a Let\'s Draw People subscriber, I need you to complete the following two steps...\r\n\r\nStep 1: I just sent you a confirmation email. Open the email with the subject line \"Confirm your subscription to Let\'s Draw People.\" If you cannot find this email in your primary inbox, please check your bulk folder.\r\n\r\nStep 2: Click on the confirmation link in that email. This step is your way of granting me permission to email you the newsletter two times per week.\r\n\r\nThat\'s all there is to it! Go now to your email inbox, click the confirmation link, and enjoy the Let\'s Draw People Newsletter and your free guide!\r\n\r\n-Jack Pearce

','You are almost subscribed!','','inherit','open','open','','1937-revision-v1','','','2015-06-30 19:29:07','2015-07-01 02:29:07','',1937,'http://www.letsdrawpeople.com/1937-revision-v1/',0,'revision','',0),(2884,8,'2016-07-06 02:43:30','2016-07-06 09:43:30','The first part of this article takes you through the process of drawing a man with a beard. As you can see, this subject also happens to have his hand on his chin, as if he is having a thought.\r\n\r\n[caption id=\"attachment_2621\" align=\"aligncenter\" width=\"800\"]\"
© Vadymvdrobot | Dreamstime.com
[/caption]\r\n\r\nThe second part of this article explores the significance of this placement, describing how a hand on a chin and a beard adds thought and meaning to a piece such as this.\r\n

Drawing the Subject

\r\nDrawing the face can be difficult, so I like to break down the face into several parts and think of each part as separate in order to create the whole.\r\n\r\n\"01\r\n\r\n \r\n

Drawing the Face

\r\nStart by roughly sketching the face. If you cut the head horizontally in half, then the eyes are above that line. When drawing the eyes, space them apart from one another about one eye apart and about a half-eye shape from the side of the face. It helps to draw lightly so you can later fix marks or guidelines that you use. When drawing a face, it helps to remember some proportions and also techniques like measuring.\r\n\r\n\"02\r\n\r\n \r\n\r\nWhen drawing the ears, consider that the top of the ears are about level with the eye and the bottom of the ears are about level with the mouth. Remember to include a lot of detail when drawing the ears to give a more realistic look.\r\n\r\nRoughly halfway between the chin and the eye line is about where the nose should be.\r\n\r\n\"03\r\n\r\n \r\n\r\nIf you create an upside down triangle from the eyes down to the nose line, it will create about the right size for the nose. The mouth is about one-third the distance from the nose to the chin.\r\n\r\nWhen drawing the neck, use a line dropping from the ears and remember to curve the neck slightly.\r\n\r\nFinish drawing in light details like the mouth and start working on light shading on areas that you will later rework in a darker shade.\r\n\r\n\"04\r\n\r\n \r\n\r\nNow that you have a basic drawing of the man, it\'s time to start working the details. Start by shading large areas a light tone that are to give the drawing more of a 3d effect.\r\n\r\nWhen drawing a person, consider expression, pose, personality, and characteristics.\r\n\r\nWhen drawing the eye, pay attention to small details. Small details will help give your drawing a more realistic look.\r\nFor example, when drawing the iris, know that eyes are reflective and that there is always a bright spot of the eye where the eyes are reflecting light.\r\n\r\nThe nose can be difficult to draw but you can look at the nose as 3 or more different parts because it\'s easier to draw that way.\r\n\r\nFirst draw the bridge of the nose near the eyes, then the body of the nose, and finally the bottom of the nose near the nostrils, which can be broken up further into three parts.\r\n\r\nWhen drawing the mouth, create a basic shape of the mouth then add small details like the roundness of the lips. Try not to draw the mouth as a single curved line if you want to draw realistically. Instead, use several small curves to create the shape.\r\n

Drawing the Hand

\r\nThe hand is about the size of the face, although in this picture you can’t see his whole hand, so it may be better to use measuring in order to figure out how large his hand is compared to his face. Use a shape in the photos and a fixed measuring object like an eraser or pencil and keep on using the same measuring object.\r\n\r\n\"05\r\n\r\n \r\n

Drawing the Beard

\r\nFirst, draw the face fully as if he had no beard. Use the structure of his face to figure out where his chin would be. These lines will later disappear as you add details for the hair. Men tend to have square-like faces. Still, you should draw the shape with curved lines and not straight lines since the body is mostly curved.\r\n\r\nWhen drawing the hair for the beard, draw lightly to begin with to create an idea of the shape of his beard. To draw the actual hair, use a sketchy technique in different directions. Keep in mind where his hair is and where it is going.\r\n\r\nNow start to create the darker areas of his beard. Just like any round shape, beards are darker near the edge of the face and lighter on the surface of the face.\r\n\r\nFacial hair grows differently for different guys. Pay attention to how the hair is growing and where.\r\n\r\nOnce you draw the hair and shade the hair in, use an eraser and lightly erase to create light spots in areas where they are needed. You may need to switch between drawing and shading, erasing several times before you get the look you are aiming for.\r\n\r\nRemember to draw lightly so that the face does not become too gray-looking. If you are doing this on paper, it becomes hard to erase after several times of using a technique like this.\r\n

Why does this drawing of a man look like he is thinking?

\r\n \r\n\r\n\"drawing\r\n\r\nConsider when drawing a pose, why are you using the pose and why do you like the pose?\r\n\r\nFor instance, take this man in the picture placing his hand on his chin. When you consider body language, a simple pose or action can tell the viewer an idea.\r\n\r\nWhat concept are you trying to convey?\r\n\r\nIn this picture, the man’s expression and gesture gives the impression that he is thinking because one of the common mannerisms that people tend to have when thinking is having their hand near or on their chin. You look at “The Thinker” sculpted by Rodin...\r\n\r\n\"The_Thinker,_Auguste_Rodin\"\r\n\r\nWhy is he posed in such a way with his hand on his chin? Because the way he is holding his face conveys the idea of thought.\r\n\r\nWhy is this pose so compelling and why does the beard accent the idea?\r\n\r\nThe beard helps create the effect even more because it’s easy for a guy when he is bored or perhaps thinking to scratch his face. If one has a beard, then it give you more of a reason to place your hand there.\r\n\r\nA lot of great thinkers in the past all had long beards. Is this connected or just happenstance?\r\n\r\nThe idea is in art. We have concept and you can even have theory, but above all, you have emotions and feeling. So if you feel there is a certain meaning behind something, that is all you need. Thought can give more to an art piece than technique and/or skill level. If you consider abstract art, thought becomes more important than the skill.','This Drawing of a Man Shows Beards Are Made for Thinking','','publish','closed','open','','this-drawing-of-a-man-shows-beards-are-made-for-thinking','','','2016-06-20 08:11:45','2016-06-20 15:11:45','',0,'http://www.letsdrawpeople.com/?p=2884',0,'post','',0),(3065,2,'2016-06-20 07:56:41','2016-06-20 14:56:41','','04 drawing of a man with a beard','','inherit','open','closed','','04-drawing-of-a-man-with-a-beard','','','2016-06-20 07:56:41','2016-06-20 14:56:41','',2884,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/04-drawing-of-a-man-with-a-beard.jpg',0,'attachment','image/jpeg',0),(3066,2,'2016-06-20 07:56:43','2016-06-20 14:56:43','','05 drawing of a man with a beard','','inherit','open','closed','','05-drawing-of-a-man-with-a-beard','','','2016-06-20 07:56:43','2016-06-20 14:56:43','',2884,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/05-drawing-of-a-man-with-a-beard.jpg',0,'attachment','image/jpeg',0),(3063,2,'2016-06-20 07:56:36','2016-06-20 14:56:36','','02 drawing of a man with a beard','','inherit','open','closed','','02-drawing-of-a-man-with-a-beard','','','2016-06-20 07:56:36','2016-06-20 14:56:36','',2884,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/02-drawing-of-a-man-with-a-beard.jpg',0,'attachment','image/jpeg',0),(3064,2,'2016-06-20 07:56:39','2016-06-20 14:56:39','','drawing of a man with a beard','','inherit','open','closed','','drawing-of-a-man-with-a-beard','','','2016-06-20 07:56:39','2016-06-20 14:56:39','',2884,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/drawing-of-a-man-with-a-beard.jpg',0,'attachment','image/jpeg',0),(2891,8,'2016-01-30 09:38:18','2016-01-30 17:38:18','Drawing the face can be difficult so I like to break down the face in several parts and think of each part as separate in order to create the whole.\r\n\r\n\"1\"\r\n\r\nStart by roughly sketching the face, if you cut the head horizontally in halve then the eyes are above that line. When drawing the eyes space them apart from one another about one eye apart and about a halve eye shape from the side of the face. It helps to draw lightly so you can latter fix marks or guidelines that\r\n\r\n \r\n\r\n\"2\"\r\n\r\n \r\n\r\n \r\n\r\nyou use. When drawing a face it helps to remember some proportions and also techniques like measuring.\r\n\r\nWhen drawing the ear consider: The top of the ears are about level with the eye and with the bottom of the ears are about level with the mouth. Remember to include a lot of detail when drawing the ears to give a more realistic look.\r\n\r\nDraw a line lightly thought both eyes evenly halve way between the chin and the eye line is about where the nose should be\r\n\r\n\"3\"\r\n\r\nIf you create a up side down triangle from the eyes down halve way between the eyes and the nose line will create about the right size for the nose. Halve way between the nose and the chin is the mouth.\r\n\r\nWhen drawing the neck its use a straight line dropping from the ears and remember to curve the neck slightly.\r\n\r\nFinish drawing in light details like the mouth and start working on light shading on areas that you will latter re work in a darker shade\r\n\r\n \r\n\r\n.\"4\"\r\n\r\nNow that you have a basic drawing of a man its time to start working the details. Start by shading large areas a light tone that are to give the drawing more of a 3d effect.\r\n\r\nWhen drawing a person consider expression pose personality and characteristics.\r\n\r\nDrawing the eye pay attention to small details, small details will help give your drawing more realistic look.\r\nFor example when drawing the iris, know that eyes are reflective and that there is always a bright spot of the eye where the eyes are reflecting light. Also know that the pupil is not a perfect circle and the eye is not a perfect circle either instead draw a ellipsoid circle.\r\n\r\nThe nose can be difficult to draw but you can look at the nose as 3 or more different parts it because easier to draw.\r\nFirst the bridge of the nose near the eyes, then the body of the nose and finally the bottom of the nose near the nostrils which can be broken up further in to three parts.\r\n\r\nWhen drawing the mouth create a basic shape of the mouth then add small details like the roundness of the lips try not to draw the mouth as a single curved line if you want to draw realistically, instead use several small curves to create the shape.\r\n\r\nDrawing the hand the hand is about the size of the face, although in this picture you can’t see his whole hand so it may be better to use measuring in order to figure out how large\r\n\r\n \r\n\r\n\"5\"\r\n\r\nhis hand is compared to his face. Use a shape in the photos and a fixed measuring object like an eraser or pencil and keep on using the same measuring object.\r\n\r\nDrawing the beard, first draw the face fully as if he had no beard, use the structure of his face to figure out where his chin would be these lines will latter disappear as you add details of the hair. Man tend to have square like faces although draw the shape with curved lines and not straight lines the body is mostly circular.\r\n\r\nWhen drawing the hair draw lightly creating a idea of the shape of his beard. To draw hair use a sketchy technique in different direction, keep in mind where his hair is and where it is going.\r\n\r\nNow start to create the darker areas of his beard just like any round shape beards are darker near the edge of the face and lighter on the surface of the face.\r\n\r\nFace hair grows different for each guys some times you have small bold sports creating a difference of shape pay attention to how the hair is growing and where.\r\n\r\nOnce you draw the hair and shade the hair in, use an eraser and lightly erase, creating light spots in areas where it is needed. You may need to switch between drawing, [delete and] shading, and erasing several times before you get the look you are looking [I would change looking to aiming just so you aren’t using a variation of the same word so close to each other in the same sentence] for.\r\n\r\nRemember to draw lightly so that the face does not become too grey looking. If you are doing this on paper, it becomes hard to erase after several times of using a technique like this.\r\n\r\nWhy does this drawing of a man look like he is thinking?\r\n\r\n\"6\"\r\n\r\nConsider when drawing a pose, why are you using the pose and why do you like the pose?\r\nLike this man in the picture, placing his hand on his chin. When you consider body language, a simple pose or action can tell the viewer an idea. What concept are you trying to convey?\r\n\r\nIn this picture, the man’s expression and gesture gives the impression that he is thinking because one of the common mannerisms that people tend to have when thinking is having their hand near or on their chin.\r\nyou look at “The Thinker” sculpted by Rodan, why is he posed in such a way with his hand on his chin? Because the way he is holding his face conveys the idea of thought.\r\n\r\nWhy is this pose so compelling and why does the beard accent the idea?\r\nThe beard helps create the effect even more because it’s easy for a guy when they are bored or perhaps thinning to scratch their face. If one has a beard then it give you more of a reaching to place your hand there.\r\n\r\nA lot of great thinkers in the past all had long beards, is this connected or just happenstance?\r\n\r\nThe idea is in art. We have concept and you can even have theory, but above all, you have emotions and feeling. So if you feel there is a certain meaning behind something, that is all you need. Thought can give more to an art piece than technique and/or skill level. If you consider abstract art , thought becomes more important than the skill.','This Drawing of a Man Shows Beards Are Made for Thinking','','inherit','closed','closed','','2884-revision-v1','','','2016-01-30 09:38:18','2016-01-30 17:38:18','',2884,'http://www.letsdrawpeople.com/2884-revision-v1/',0,'revision','',0),(2057,2,'2015-07-11 16:13:16','2015-07-11 23:13:16','','Home','','publish','closed','open','','home','','','2016-10-04 05:14:46','2016-10-04 12:14:46','',0,'http://www.letsdrawpeople.com/home/',0,'page','',0),(3028,2,'2016-02-09 21:51:29','2016-02-10 05:51:29','','2016-02-04 001 (2)','Portrait by Anonymous','inherit','open','closed','','2016-02-04-001-2','','','2016-02-09 21:51:51','2016-02-10 05:51:51','',662,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/2016-02-04-001-2.jpg',0,'attachment','image/jpeg',0),(2925,15,'2016-07-13 02:37:19','2016-07-13 09:37:19','OK kiddos, it’s time for another art lesson! Before I start, let me get some preliminaries out of the way. First off, I need to apologize for how the picture came out. This post is about drawing an eye in colored pencil, but you’re barely going to see any color. My scanner didn’t pick up the color that well. I hate that but I will do my best to explain and illustrate this lesson. I will still illustrate the pictures even though the color won’t show up well.\r\n

Colored Pencil Brands

\r\nI will be using an array of colored pencils from different brands. These will include Sargent’s colored pencil and Prismacolor, with the majority used by Sargent’s.\r\n\r\nI believe that’s why the color didn’t show up well – Sargent\'s doesn’t have wax in its pencils, so there will be no “shine’” to the finished product. The scanner usually picks up the shine but unfortunately not in this one.\r\n\r\nAnother colored pencil set that would be worth investing in besides Prismacolor is Col-Erase colored pencils and Prismacolor Verithin. These colored pencils have the same effect that a regular lead pencil has. What I mean by that is you can use my technique that I perform with a tissue. These pencils can be blended smoothly into the color next to them. Invest in them; you won’t be sorry.\r\n\r\nWith that being said, let’s hop on it!\r\n

The Initial Outline

\r\nWhether it’s an eye or a full sketch that will be in colored pencil, the first thing you will need to do is draw your subject out with a pencil, preferably a lighter pencil like between a 3H and 6H. You will need to make the pencil marks lighter later on as you get further into the drawing, so have a kneaded eraser handy or some Blu Tack to pick up the marks. That will also leave some faint marks to help guide you as you progress in your art picture.\r\n\r\nHere I drew an eye that started as a football/almond-shaped object, and I added a circle in the middle to represent the iris. Keep in mind that I’m doing this from the top of my head – I’m not using a picture or model of an eye.\r\n\r\n\"Scan0001\"\r\n\r\n \r\n\r\nI then filled in the pupil using a Sargent’s black colored pencil and drew an ellipse in the pupil and iris area to illustrate a glare/highlight in the eye. I’ve also traced a darker circle around the edge of the iris.\r\n\r\n\"Scan0002\"\r\n\r\n \r\n

Work on the Iris

\r\nOK, so here is where the problem starts. Note to self: do not use Sargent’s pencils for the main color. They will not show well in the scanner. As you can tell, I supposedly filled in the iris with Sargent’s brown colored pencil and some of Prismacolor’s peach beige. Let it be known that this is the same pencil I use for Caucasian skin tone.\r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\nAdding some detail, I added the eyelid crease with Sargent’s black and used the Sargent’s brown pencil to add more detail of some of the darker part of the iris flooding into the lighter part near the pupil.\r\n\r\n\"Scan0004\"\r\n\r\n \r\n

The Surrounding Eye

\r\nIn this stage, I added some shading toward the upper part of the eye using Prismacolor\'s 50% cool grey, and I used Sargent’s black to draw in the eyelashes.\r\n\r\n\"Scan0005\"\r\n\r\n \r\n\r\nIn the final stage, I added some Prismacolor blush pink and a little bit of pale vermillion to the tear duct area. I then colored around the eye area with Prismacolor peach beige; unfortunately, my scanner had different plans.\r\n\r\n\"Scan0006\"\r\n\r\n \r\n

Smoothing Out the Work

\r\nAn extra thing I like to add to my art piece, especially if I’m working with colored pencil, chalk, or crayon, is load the picture onto my computer and I will load it to my PaintShop Pro so that I can smooth out the pencil scribbles. To each his own; some people like it and some don’t, but it always makes an improvement on the picture, especially on my crayon art.\r\n\r\n\"Scan0007\"\r\n\r\n \r\n

Personal Takeaway

\r\nOK, so this was a quick colored pencil lesson. I don’t know if it was helpful since my scanner went rebel on me. Then again, using the Sargent colored pencils was a no-no. I know now to use all colored pencils except them.\r\n\r\nIf anything, this is how the picture looked using a camera (there’s more than one way to skin a cat):\r\n\r\n[caption id=\"attachment_2933\" align=\"aligncenter\" width=\"391\"]\"IMG_0211\" Before computer smoothing[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2934\" align=\"aligncenter\" width=\"391\"]\"IMG_0212\" After computer smoothing[/caption]\r\n\r\n \r\n\r\nThis is just one approach to drawing an eye with colored pencils. If you want to see more colored pencil techniques and the result of layering multiple colors using only Prismacolor, you can download the step-by-step lesson in the box below.','Draw an Eye with Colored Pencils','','publish','closed','open','','draw-an-eye-with-colored-pencils','','','2016-07-13 05:32:44','2016-07-13 12:32:44','',0,'http://www.letsdrawpeople.com/?p=2925',0,'post','',0),(2926,15,'2016-02-01 19:20:24','2016-02-02 03:20:24','','Scan0001','','inherit','open','closed','','scan0001-4','','','2016-02-01 19:20:24','2016-02-02 03:20:24','',2925,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0001.jpg',0,'attachment','image/jpeg',0),(2927,15,'2016-02-01 19:22:52','2016-02-02 03:22:52','','Scan0002','','inherit','open','closed','','scan0002-8','','','2016-02-01 19:22:52','2016-02-02 03:22:52','',2925,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0002.jpg',0,'attachment','image/jpeg',0),(2928,15,'2016-02-01 19:24:09','2016-02-02 03:24:09','','Scan0003','','inherit','open','closed','','scan0003-8','','','2016-02-01 19:24:09','2016-02-02 03:24:09','',2925,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0003.jpg',0,'attachment','image/jpeg',0),(2923,18,'2016-01-31 10:34:20','2016-01-31 18:34:20','You know those furry things that live just above your eyelids? Yes, the eyebrows! Each eyebrow is as unique as a fingerprint--- no two are exactly alike. This helps make us all unique and fantastic creatures of nature, but it can cause a real headache if you are just learning to draw faces. There are \"tricks\" that I like to use when drawing eyebrows and that is what I am going to share with you in this tutorial.\r\n\r\nThe eyebrows are really fascinating if you think about. They are made of hair, but don\'t grow like the hair on our heads. They sit in an odd place, on our brow bone, which is not on our eyes, nor on our forehead. They just sit there, protecting our eyes from falling debris, right? Not exactly. Have you ever been talking to someone and known exactly what they were thinking or how they felt about what you just said? It\'s the eyebrows!\r\n\r\nIn order to show expression with eyebrows, you first need to know how to draw eyebrows realistically.\r\n\r\n \r\n\r\nTo place your eyebrow correctly, use the top of the nostril crease for a guide. The innermost edge of the eye brow, should generally line up vertically (line A). The arch of the brow will peak at approximately a 45 degree angle (line B). The outer edge of the brow creates a line from the nostril crease through the outer crease of the eye lid and water line (Line C).\r\n\r\n[caption id=\"attachment_2909\" align=\"alignnone\" width=\"225\"]\"Use Use the nostril crease as a guide.[/caption]\r\n\r\n\"eyebrow2\"\r\n\r\nNext, you want to very lightly sketch out a basic shape for the eyebrow. If you tend to be heavy-handed, I suggest using a pencil graded 2H-HB.\r\n\r\n\"eyebrow3\"\r\n\r\nStart adding in individual hairs, again I suggest using a lighter grade pencil. Draw the hairs in the direction that they grow, easing up on the pressure as you lift the pencil off of the page. Think \"press and lift\".  Never \"color\" in a solid value. This will make the eyebrows look cartoonish. Remember, the goal is to make the drawing as realistic as possible. You may occasionally stray outside of the outlined shape. That is okay. The outlined shape is just a guide. That is why you drew it lightly. You can easily erase or draw over the guide as needed. Also, if the areas where you eyebrow hairs strayed from the guide bother you, you can always erase them as well. (Drawing lightly when beginning any drawing is always a good idea.) The eraser is just as valuable a drawing tool as the pencil! I prefer white acrylic erasers. Some artists prefer gum erasers, some prefer kneaded erasers and some artists grab what ever is handy! I also use an electric eraser-- they are great for highlights, especially when drawing any type of hair, like drawing the eyebrow.\r\n\r\n\"eyebrow3a\"\r\n\r\nThink about how the light is going to hit the eyebrows and add some lowlights with a softer (darker value) pencil, or more pressure. This is another place you can use your eraser for drawing, whether you have gotten too dark, or just think you need to add dimension. Shading in the eyebrow hairs and then using the eraser for highlights creates a realistic thickness to the hair.\r\n\r\n\"eyebrow4\"\r\n\r\nUse the same process for the other eyebrow in the opposite direction. Don\'t stress too much about making the eyebrows perfectly symmetrical. It seems counter-intuitive, but nothing on the human face is perfectly symmetrical. If you do draw the eyebrows in perfect symmetry, something will appear \"off\" to anyone who views the drawing. It may be subconsciously, but the viewer will know something is not right. Near symmetry is a good idea, however. There are set standards of beauty in Western culture where certain women have been considered to be an example due to their measurable near symmetry. If you wish to see an example, consider Marilyn Monroe or Halle Berry. When using a real person for a reference for your drawing, you will have an easier time illustrating a more realistic symmetry. When creating a drawing of a fictional person, beware of making them too perfectly symmetrical, if realism is your goal.\r\n\r\n\"eyebrow5\"\r\n\r\nAll of the previous \"tricks\" can be used when drawing eyebrows with expression. The main difference will be how much distance you put between the eyebrow and the upper eyelid. A surprised or startled eye may have a lot of space between the upper eye lid and the brow, but of course, never more than the skin can be possibly stretched. You would not draw the eyebrow next to the hairline, for example. Conversely, when the person is angry or concentrating very hard on something, their eyebrows will push closer (lower) to the eyelid and slightly angle inwardly toward the inner corner of the eye.\r\n\r\n\"eyebrow6\"\r\n\r\nAs I mentioned before, every eyebrow is unique! The eyebrows in this article are pretty basic. The most important part of drawing any facial feature is to use a reference. Some people have very thin, light eyebrows. Some people have bushy, unruly, dark eyebrows. Some people (such as the amazing artist Frida Kahlo) have the infamous \"uni-brow\". Every type of eyebrow will use the rule of drawing the hairs in the direction the are growing (or groomed). All hairs will use the pressure rule and will have a light source that creates darker shaded areas.\r\n\r\nAlso notice that the skin has a smoother texture than the eyebrow. I used a blending stump to make a smoother skin texture, and cast shadow to make the eyebrows look more three-dimensional. I laid down a small bit of graphite just below the eyebrow drawing and smoothed it out with the blending stump, or tortillon. I continued this shading technique around the rest of the eye for a consistent texture. Remember, when drawing the eyebrow, it is not smooth. The hair-like texture is very important and easily created by varying the pencil and eraser marks within the eyebrow.\r\n\r\n\"IMG_2129\"\"IMG_2126\"\r\n\r\nI hope you found this tutorial useful! Attaining mastery with anything takes a lot of practice. Practice using the techniques I have outlined here and your eyebrow drawing is sure to improve. Happy drawing!\r\n\r\n \r\n\r\n\"christina\"\r\n\r\n ','Drawing Eyebrows like a Boss!','','inherit','closed','closed','','2882-revision-v1','','','2016-01-31 10:34:20','2016-01-31 18:34:20','',2882,'http://www.letsdrawpeople.com/2882-revision-v1/',0,'revision','',0),(2922,18,'2016-01-31 10:33:21','2016-01-31 18:33:21','You know those furry things that live just above your eyelids? Yes, the eyebrows! Each eyebrow is as unique as a fingerprint--- no two are exactly alike. This helps make us all unique and fantastic creatures of nature, but it can cause a real headache if you are just learning to draw faces. There are \"tricks\" that I like to use when drawing eyebrows and that is what I am going to share with you in this tutorial.\n\nThe eyebrows are really fascinating if you think about. They are made of hair, but don\'t grow like the hair on our heads. They sit in an odd place, on our brow bone, which is not on our eyes, nor on our forehead. They just sit there, protecting our eyes from falling debris, right? Not exactly. Have you ever been talking to someone and known exactly what they were thinking or how they felt about what you just said? It\'s the eyebrows!\n\nIn order to show expression with eyebrows, you first need to know how to draw eyebrows realistically.\n\n \n\nTo place your eyebrow correctly, use the top of the nostril crease for a guide. The innermost edge of the eye brow, should generally line up vertically (line A). The arch of the brow will peak at approximately a 45 degree angle (line B). The outer edge of the brow creates a line from the nostril crease through the outer crease of the eye lid and water line (Line C).\n\n[caption id=\"attachment_2909\" align=\"alignnone\" width=\"225\"]\"Use Use the nostril crease as a guide.[/caption]\n\n\"eyebrow2\"\n\nNext, you want to very lightly sketch out a basic shape for the eyebrow. If you tend to be heavy-handed, I suggest using a pencil graded 2H-HB.\n\n\"eyebrow3\"\n\nStart adding in individual hairs, again I suggest using a lighter grade pencil. Draw the hairs in the direction that they grow, easing up on the pressure as you lift the pencil off of the page. Think \"press and lift\".  Never \"color\" in a solid value. This will make the eyebrows look cartoonish. Remember, the goal is to make the drawing as realistic as possible. You may occasionally stray outside of the outlined shape. That is okay. The outlined shape is just a guide. That is why you drew it lightly. You can easily erase or draw over the guide as needed. Also, if the areas where you eyebrow hairs strayed from the guide bother you, you can always erase them as well. (Drawing lightly when beginning any drawing is always a good idea.) The eraser is just as valuable a drawing tool as the pencil! I prefer white acrylic erasers. Some artists prefer gum erasers, some prefer kneaded erasers and some artists grab what ever is handy! I also use an electric eraser-- they are great for highlights, especially when drawing any type of hair, like drawing the eyebrow.\n\n\"eyebrow3a\"\n\nThink about how the light is going to hit the eyebrows and add some lowlights with a softer (darker value) pencil, or more pressure. This is another place you can use your eraser for drawing, whether you have gotten too dark, or just think you need to add dimension. Shading in the eyebrow hairs and then using the eraser for highlights creates a realistic thickness to the hair.\n\n\"eyebrow4\"\n\nUse the same process for the other eyebrow in the opposite direction. Don\'t stress too much about making the eyebrows perfectly symmetrical. It seems counter-intuitive, but nothing on the human face is perfectly symmetrical. If you do draw the eyebrows in perfect symmetry, something will appear \"off\" to anyone who views the drawing. It may be subconsciously, but the viewer will know something is not right. Near symmetry is a good idea, however. There are set standards of beauty in Western culture where certain women have been considered to be an example due to their measurable near symmetry. If you wish to see an example, consider Marilyn Monroe or Halle Berry. When using a real person for a reference for your drawing, you will have an easier time illustrating a more realistic symmetry. When creating a drawing of a fictional person, beware of making them too perfectly symmetrical, if realism is your goal.\n\n\"eyebrow5\"\n\nAll of the previous \"tricks\" can be used when drawing eyebrows with expression. The main difference will be how much distance you put between the eyebrow and the upper eyelid. A surprised or startled eye may have a lot of space between the upper eye lid and the brow, but of course, never more than the skin can be possibly stretched. You would not draw the eyebrow next to the hairline, for example. Conversely, when the person is angry or concentrating very hard on something, their eyebrows will push closer (lower) to the eyelid and slightly angle inwardly toward the inner corner of the eye.\n\n\"eyebrow6\"\n\nAs I mentioned before, every eyebrow is unique! The eyebrows in this article are pretty basic. The most important part of drawing any facial feature is to use a reference. Some people have very thin, light eyebrows. Some people have bushy, unruly, dark eyebrows. Some people (such as the amazing artist Frida Kahlo) have the infamous \"uni-brow\". Every type of eyebrow will use the rule of drawing the hairs in the direction the are growing (or groomed). All hairs will use the pressure rule and will have a light source that creates darker shaded areas.\n\nAlso notice that the skin has a smoother texture than the eyebrow. I used a blending stump to make a smoother skin texture, and cast shadow to make the eyebrows look more three-dimensional. I laid down a small bit of graphite just below the eyebrow drawing and smoothed it out with the blending stump, or tortillon. I continued this shading technique around the rest of the eye for a consistent texture. Remember, when drawing the eyebrow, it is not smooth. The hair-like texture is very important and easily created by varying the pencil and eraser marks within the eyebrow.\n\n\"IMG_2129\"\"IMG_2126\"\n\nI hope you found this tutorial useful! Attaining mastery with anything takes a lot of practice. Practie using the tecniques I have outlined here and your eyebrow drawing is sure to improve. Happy drawing!\n\n \n\n\"christina\"\n\n ','Drawing Eyebrows like a Boss!','','inherit','closed','closed','','2882-autosave-v1','','','2016-01-31 10:33:21','2016-01-31 18:33:21','',2882,'http://www.letsdrawpeople.com/2882-autosave-v1/',0,'revision','',0),(2921,18,'2016-01-31 08:15:47','2016-01-31 16:15:47','You know those furry things that live just above your eyelids? Yes, the eyebrows! Each eyebrow is as unique as a fingerprint--- no two are exactly alike. This helps make us all unique and fantastic creatures of nature, but it can cause a real headache if you are just learning to draw faces. There are \"tricks\" that I like to use when drawing eyebrows and that is what I am going to share with you in this tutorial.\r\n\r\nThe eyebrows are really fascinating if you think about. They are made of hair, but don\'t grow like the hair on our heads. They sit in an odd place, on our brow bone, which is not on our eyes, nor on our forehead. They just sit there, protecting our eyes from falling debris, right? Not exactly. Have you ever been talking to someone and known exactly what they were thinking or how they felt about what you just said? It\'s the eyebrows!\r\n\r\nIn order to show expression with eyebrows, you first need to know how to draw eyebrows realistically.\r\n\r\n \r\n\r\nTo place your eyebrow correctly, use the top of the nostril crease for a guide. The innermost edge of the eye brow, should generally line up vertically (line A). The arch of the brow will peak at approximately a 45 degree angle (line B). The outer edge of the brow creates a line from the nostril crease through the outer crease of the eye lid and water line (Line C).\r\n\r\n[caption id=\"attachment_2909\" align=\"alignnone\" width=\"225\"]\"Use Use the nostril crease as a guide.[/caption]\r\n\r\n\"eyebrow2\"\r\n\r\nNext, you want to very lightly sketch out a basic shape for the eyebrow. If you tend to be heavy-handed, I suggest using a pencil graded 2H-HB.\r\n\r\n\"eyebrow3\"\r\n\r\nStart adding in individual hairs, again I suggest using a lighter grade pencil. Draw the hairs in the direction that they grow, easing up on the pressure as you lift the pencil off of the page. Never \"color\" in a solid value. This will make the eyebrows look cartoonish.\r\n\r\n\"eyebrow3a\"\r\n\r\nThink about how the light is going to hit the eyebrows and add some lowlights with a softer (darker value) pencil, or more pressure.\r\n\r\n\"eyebrow4\"\r\n\r\nUse the same process for the other eyebrow in the opposite direction. Don\'t stress too much about making the eyebrow is s perfectly symmetrical. It seems counter-intuitive, but nothing on the human face is perfectly symmetrical.\r\n\r\n\"eyebrow5\"\r\n\r\nAll of the previous \"tricks\" can be used when drawing eyebrows with expression. The main difference will be how much distance you put between the eyebrow and the upper eyelid.\r\n\r\n\"eyebrow6\"\r\n\r\nAs I mentioned before, every eyebrow is unique! The eyebrows in this article are pretty basic. The most important part of drawing any facial feature is to use a reference. Some people have very thin, light eyebrows. Some people have bushy, unruly, dark eyebrows. Some people (such as the amazing artist Frida Kahlo) have the infamous \"uni-brow\". Every type of eyebrow will use the rule of drawing the hairs in the direction the are growing (or groomed). All hairs will use the pressure rule and will have a light source that creates darker shaded areas.\r\n\r\n\"IMG_2129\"\"IMG_2126\"\r\n\r\nI hope you found this tutorial useful! Happy drawing!\r\n\r\n\"christina\"\r\n\r\n ','Drawing Eyebrows like a Boss!','','inherit','closed','closed','','2882-revision-v1','','','2016-01-31 08:15:47','2016-01-31 16:15:47','',2882,'http://www.letsdrawpeople.com/2882-revision-v1/',0,'revision','',0),(2914,18,'2016-01-31 07:56:55','2016-01-31 15:56:55','','eyebrow4','','inherit','open','closed','','eyebrow4','','','2016-01-31 07:56:55','2016-01-31 15:56:55','',2882,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/eyebrow4.jpg',0,'attachment','image/jpeg',0),(2915,18,'2016-01-31 07:57:42','2016-01-31 15:57:42','','eyebrow5','','inherit','open','closed','','eyebrow5','','','2016-01-31 07:57:42','2016-01-31 15:57:42','',2882,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/eyebrow5.jpg',0,'attachment','image/jpeg',0),(2916,18,'2016-01-31 07:58:26','2016-01-31 15:58:26','','eyebrow6','','inherit','open','closed','','eyebrow6','','','2016-01-31 07:58:26','2016-01-31 15:58:26','',2882,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/eyebrow6.jpg',0,'attachment','image/jpeg',0),(2919,18,'2016-01-31 08:09:54','2016-01-31 16:09:54','','christina','','inherit','open','closed','','christina','','','2016-01-31 08:09:54','2016-01-31 16:09:54','',2882,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/christina.jpg',0,'attachment','image/jpeg',0),(2920,18,'2016-01-31 08:11:59','2016-01-31 16:11:59','You know those furry things that live just above your eyelids? Yes, the eyebrows! Each eyebrow is as unique as a fingerprint--- no two are exactly alike. This helps make us all unique and fantastic creatures of nature, but it can cause a real headache if you are just learning to draw faces. There are \"tricks\" that I like to use when drawing eyebrows and that is what I am going to share with you in this tutorial.\r\n\r\nThe eyebrows are really fascinating if you think about. They are made of hair, but don\'t grow like the air on our heads. They sit in an odd place, on our brow bone, which is not on our eyes, nor on our forehead. They just sit there, protecting our eyes from falling debris, right? Not exactly. Have you ever been talking to someone and known exactly what they were thinking or how they felt about what you just said? It\'s the eyebrows!\r\n\r\nIn order to show expression with eyebrows, you first need to know how to draw eyebrows realistically.\r\n\r\n \r\n\r\nTo place your eyebrow correctly, use the top of the nostril crease for a guide. The innermost edge of the eye brow, should generally line up vertically (line A). The arch of the brow will peak at approximately a 45 degree angle (line B). The outer edge of the brow creates a line from the nostril crease through the outer crease of the eye lid and water line (Line C).\r\n\r\n[caption id=\"attachment_2909\" align=\"alignnone\" width=\"225\"]\"Use Use the nostril crease as a guide.[/caption]\r\n\r\n\"eyebrow2\"\r\n\r\nNext, you want to very lightly sketch out a basic shape for the eyebrow. If you tend to be heavy handed, I suggest using a pencil graded 2H-HB.\r\n\r\n\"eyebrow3\"\r\n\r\nStart adding in individual hairs, again I suggest using a lighter grade pencil. Draw the hairs in the direction that they grow, easing up on the pressure as you lift the pencil off of the page. Never \"color\" in a solid value. This will make the eyebrows look cartoonish.\r\n\r\n\"eyebrow3a\"\r\n\r\nThink about how the light is going to hit the eyebrows and add some lowlights with a softer (darker value) pencil, or more pressure.\r\n\r\n\"eyebrow4\"\r\n\r\nUse the same process for the other eyebrow in the opposite direction. Don\'t stress too much about making the eyebrow is s perfectly symmetrical. It seems counter-intuitive, but nothing on the human face is perfectly symmetrical.\r\n\r\n\"eyebrow5\"\r\n\r\nAll of the previous \"tricks\" can be used when drawing eyebrows with expression. The main difference will be how much distance you put between the eyebrow and the upper eyelid.\r\n\r\n\"eyebrow6\"\r\n\r\nAs I mentioned before, every eyebrow is unique! The eyebrows in this article are pretty basic. The most important part of drawing any facial feature is to use a reference. Some people have very thin, light eyebrows. Some people have bushy, unruly, dark eyebrows. Some people (such as the amazing artist Frida Kahlo) have the infamous \"uni-brow\". Every type of eyebrow will use the rule of drawing the hairs in the direction the are growing (or groomed). All hairs will use the pressure rule and will have a light source that creates darker shaded areas.\r\n\r\n\"IMG_2129\"\"IMG_2126\"\r\n\r\nI hope you found this tutorial useful! Happy drawing!\r\n\r\n\"christina\"\r\n\r\n ','Drawing Eyebrows like a Boss!','','inherit','closed','closed','','2882-revision-v1','','','2016-01-31 08:11:59','2016-01-31 16:11:59','',2882,'http://www.letsdrawpeople.com/2882-revision-v1/',0,'revision','',0),(2908,18,'2016-01-31 07:44:28','2016-01-31 15:44:28','You know those furry things that live just above your eyelids? Yes, the eyebrows! Each eyebrow is as unique as a fingerprint--- no two are exactly alike. This helps make us all unique and fantastic creatures of nature, but it can cause a real headache if you are just learning to draw faces. There are \"tricks\" that I like to use when drawing eyebrows and that is what I am going to share with you in this tutorial.\r\n\r\nThe eyebrows are really fascinating if you think about. They are made of hair, but don\'t grow like the air on our heads. They sit in an odd place, on our brow bone, which is not on our eyes, nor on our forehead. They just sit there, protecting our eyes from falling debris, right? Not exactly. Have you ever been talking to someone and known exactly what they were thinking or how they felt about what you just said? It\'s the eyebrows!\r\n\r\nIn order to show expression with eyebrows, you first need to know how to draw eyebrows realistically.\r\n\r\n \r\n\r\nTo place your eyebrow correctly, use the top of the nostril crease for a guide. The innermost edge of the eye brow, should generally line up vertically (line A). The arch of the brow will peak at approximately a 45 degree angle (line B). The outer edge of the brow creates a line from the nostril crease through the outer crease of the eye lid and water line (Line C).\r\n\r\n \r\n\r\nNext, you want to very lightly sketch out a basic shape for the eyebrow. If you tend to be heavy handed, I suggest using a pencil graded 2H-HB.\r\n\r\nStart adding in individual hairs, again I suggest using a lighter grade pencil. Draw the hairs in the direction that they grow, easing up on the pressure as you lift the pencil off of the page. Never \"color\" in a solid value. This will make the eyebrows look cartoonish.\r\n\r\nThink about how the light is going to hit the eyebrows and add some lowlights with a softer (darker value) pencil, or more pressure.\r\n\r\nUse the same process for the other eyebrow in the opposite direction. Don\'t stress too much about making the eyebrow is s perfectly symmetrical. It seems counter-intuitive, but nothing on the human face is perfectly symmetrical.\r\n\r\nAll of the previous \"tricks\" can be used when drawing eyebrows with expression. The main difference will be how much distance you put between the eyebrow and the upper eyelid.\r\n\r\n ','Drawing Eyebrows like a Boss!','','inherit','closed','closed','','2882-revision-v1','','','2016-01-31 07:44:28','2016-01-31 15:44:28','',2882,'http://www.letsdrawpeople.com/2882-revision-v1/',0,'revision','',0),(2909,18,'2016-01-31 07:49:53','2016-01-31 15:49:53','','eyebrow1','Use the nostril crease as a guide','inherit','open','closed','','eyebrow1','','','2016-01-31 07:53:46','2016-01-31 15:53:46','',2882,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/eyebrow1.jpg',0,'attachment','image/jpeg',0),(2911,18,'2016-01-31 07:54:56','2016-01-31 15:54:56','','eyebrow2','','inherit','open','closed','','eyebrow2','','','2016-01-31 07:54:56','2016-01-31 15:54:56','',2882,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/eyebrow2.jpg',0,'attachment','image/jpeg',0),(2912,18,'2016-01-31 07:55:37','2016-01-31 15:55:37','','eyebrow3','','inherit','open','closed','','eyebrow3','','','2016-01-31 07:55:37','2016-01-31 15:55:37','',2882,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/eyebrow3.jpg',0,'attachment','image/jpeg',0),(2913,18,'2016-01-31 07:56:15','2016-01-31 15:56:15','','eyebrow3a','','inherit','open','closed','','eyebrow3a','','','2016-01-31 07:56:15','2016-01-31 15:56:15','',2882,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/eyebrow3a.jpg',0,'attachment','image/jpeg',0),(3010,22,'2016-09-11 02:59:05','2016-09-11 09:59:05','Learning how to draw tennis shoes is a great way to practice observing fine details and enhance your drawing skills. To start, you can freehand draw the tennis shoes on your drawing paper, but I chose to create a grid drawing to ensure I captured the accurate proportions of my shoes. Here is the reference picture I used.\r\n\r\n[caption id=\"attachment_2618\" align=\"aligncenter\" width=\"533\"]\"
© Zorandim | Dreamstime.com
[/caption]\r\n\r\nMy drawing paper size is 8.5 x 11 inches, so I printed out my reference picture to be half that size, 4.25 x 5.5 inches. Whatever size your drawing paper is, divide each side by two, and print your reference picture in that size.\r\n\r\nAnother helpful tip is to print out your reference picture in black and white so you can easily see the different values to create later on.\r\n\r\nI created a 1-inch grid on my reference picture, and a 2-inch grid on my drawing paper, leaving me with the same number of boxes on both pieces of paper.\r\n\r\nTo use a grid to draw, we\'re basically going to focus on drawing what we see in each square and draw one square at a time.\r\n\r\n\"01\r\n\r\n \r\n\r\nTo start, I counted 3 squares down and 2 squares over on both of my grids. This is the square I will start drawing.\r\n\r\n\"02\r\n\r\nWhen using a grid to draw, it is important to focus just on that square and observe where each line or object fits in that particular square. I first started drawing the outline of the shoe, and then added the details and the shoelaces.\r\n\r\nOnce you draw everything you see in one square, you are ready to move on to the next. I chose to move down to the square directly below the one we just drew. If you find it difficult to draw what you see in a particular square, you can always divide the square into 4 smaller squares so you are focusing on smaller areas at a time.\r\n\r\nTo do this, divide the square on your reference picture in half horizontally and vertically. Do the same on your drawing paper so you are left with 4 smaller squares. Now you can focus on drawing what you see in each smaller square.\r\n\r\n\"03\r\n\r\n \r\n\r\nContinue moving to each square, drawing the outline of the shoes and adding the details you see as you go. If some details seem too overwhelming to draw at first, it\'s okay to make your own artistic decisions and leave some details out of your drawing to make it your own. However, it can be a good challenge to draw all of the fine details you see.\r\n\r\n\"04\r\n\r\n \r\n\r\nWhen you have your basic line drawing completed, it should look something like this:\r\n\r\n\"05\r\n\r\n \r\n\r\nDouble check to make sure you have everything drawn in each square, and next you are ready to erase your grid lines. Since I\'m just focusing on the shoes for this tutorial, I\'m only going to erase the grid lines only from the shoe area.\r\n\r\n\"06\r\n\r\nNow you have a basic drawing of tennis shoes! In order to really bring your drawing to life, it\'s important to add value. To do this, I\'m using an HB (also known as a #2) pencil and a blending stump.\r\n\r\nWhen we add value, we\'re referring to the differences between lights and darks, or highlights and shadows, and you always want at least 3 distinctly different values for a realistic drawing.\r\n\r\nWhen you first start, find your midtones, or the values that are in between your darkest shadow and your lightest highlight. Hold your pencil at an angle and use the side of your pencil to shade in the midtone area using medium pressure.\r\n\r\nNext, find areas that have darker shadows and shade while applying more pressure with your pencil to create a darker value. For areas that are highlighted, you can leave them the white of your paper or erase them later.\r\n\r\n\"07\r\n\r\n \r\n\r\nWhen you have an area shaded in with pencil, you can use a blending stump to create an even tone and heighten the realistic qualities of your drawing. Make sure to use the side of your blending stump, not the tip; otherwise, you will flatten the fine point.\r\n\r\n\"08\r\n\r\n \r\n\r\nContinue this process throughout the entire drawing, starting with midtones, and layering shadows on top with more pressure. As you can see from this progression of adding value, working in layers is very helpful, and your first layer of graphite pencil will not be your last. The closer you can identify and create the subtle value changes, the more realistic your drawing will become.\r\n\r\n\"09\r\n\r\n \r\n\r\nHere is our final product! I created this drawing using only one drawing pencil (HB or #2), but you can explore using a variety of drawing pencils to get even more contrast to create even more realistic qualities.\r\n\r\n\"how\r\n\r\nWhen it comes to learning how to draw shoes, just remember...the more you practice drawing, the more comfortable you will get with adding fine details and a variety of values. Enjoy, and keep drawing!','How to Draw Tennis Shoes Using a Grid','','publish','closed','open','','how-to-draw-tennis-shoes-using-a-grid','','','2016-09-11 16:32:05','2016-09-11 23:32:05','',0,'http://www.letsdrawpeople.com/?p=3010',0,'post','',0),(2548,2,'2015-12-30 17:48:26','2015-12-31 01:48:26','','/welcome-to-lets-draw-people','','publish','closed','closed','','2548','','','2015-12-30 17:48:26','2015-12-31 01:48:26','',0,'',0,'leadpages_post','',0),(2549,15,'2016-01-27 02:13:16','2016-01-27 10:13:16','Well kiddies, it’s that time again. Time to do some more art! This time we’re going to look at shading a drawing of a man.\r\n\r\nThe art world has put a lot of attention on female models and heroines in my opinion. I don’t think men get the same attention – could be that the majority of artists are men and they are more prone to draw women than men? Who can blame them?\r\n\r\nI, myself, LOVE drawing/painting women but I still make time to do or add a man in a painting. It may take me more time to do a guy in a painting because of the lack of motivation, but I have to diversify. With that being said, let’s hop on it!\r\n

Defining the Contour Outline of a Man

\r\nOK, so the first thing we’re doing here is beginning with a contour outline. Not much to say here except please keep in mind that if you’re going to draw men, we all have a much more “square” jaw than women. Women and their bodies tend to have “round” figures and men have square, chiseled figures. It’s not too obvious but it’s something to keep in mind when drawing the different sexes. The shapes can be mostly seen in the bodies and face (again they’re very subtle; nothing big).\r\n\r\n\"Scan0001-3\"\r\n

How to Shade the Eyes

\r\nOK, so the first facial body part I’m going to tackle is the eyes. I ALWAYS start with the eyes with any model, drawing, or painting. There’s something magical when doing the eyes. When I’m usually done with the eyes, it sets the mood for the drawing/painting. They say that the eyes are the windows to the soul. I say, the eyes are the beginning of a drawing/painting.\r\n\r\nWhen working on the eyes, it’s best to add some darker line to the outside of the eyes just to establish the sketch. You then want to draw in the iris. You also want to draw in the pupil some but keep in mind we have to add a little feature to the eye before we start shading it in. Draw in a circle or a square where the pupil and iris meet. This will be your eye highlight. Basically make sure that it’s a little bit in both the iris and pupil. You then color in the iris using a 6B or darker pencil and then use a tortillion to color in the iris.\r\n\r\n\"Scan0002\"\r\n\r\nWhen this is done, please do not forget to use the tortillion to add some shade to the upper regions of the eyeball to illustrate some shading coming from the upper eyelid. You can then pencil in the eyelid crease and eyebrows at this point. Sometimes I do or I wait until I start directly on the face itself. Same thing goes with the shading on the eyeball itself.\r\n

How to Shade the Mouth

\r\nWorking on the mouth is fairly simple. Just like the eye, darken the outline just a little bit and then start working on the lips.\r\n\r\nWhen working on men’s lips, I have a different approach. When it’s a woman I’m working on, I tend to work directly on her lower lip to illustrate fullness and color. With men, I usually don’t work directly on their lip. Instead I work on the little bit of shadow that the lower lip portrays followed by some line for the lower lip.\r\n\r\n\"Scan0003\"\r\n\r\nThe upper lip is shaded fully. Again I use a tortillion to color in some graphite. You can use a pencil as well and I’m thinking you may need to use a 2B to 3H pencil. The upper lip is always portrayed darker than the lower lip.\r\n\r\nIf the portrait happens to illustrate some teeth, make sure you use broken, faded lines to show the teeth and add just a little bit of shade to them. Near the corners of the mouth, the color needs to fade some into a darker contrast but not that much. Also, any showing of the inside of the mouth should be dark.\r\n

How to Shade the Hair

\r\nFun part! That’s right people, it\'s hair time! The first part of doing the hair is to shade it in using a 3H pencil. You then take a tortillion or non-lotion tissue and blend it into the paper, keeping in mind to stay within the lines.\r\n\r\n\"Scan0004\"\r\n\r\n \r\n\r\nThe next part is to add darker tone to the hair. Here you just use a darker pencil (6B or darker) to add dark tone features. There’s no need to color it. We will blend the dark tone into the hair soon enough. Just focus on putting dark tone in areas where the hair illustrates it.\r\n\r\n\"Scan0005\"\r\n\r\n \r\n\r\nWhen the dark tone is properly placed in the spots that are acceptable, blend it. Please note when blending hair, you need to blend as if you are almost drawing. You need to blend in the direction of the strokes to make the portrait look more realistic and believable. I would say using a tortillion is the best tool for this particular job. It’s more accurate and more controllable.\r\n\r\n\"Scan0006\"\r\n

Shading the Rest of the Drawing

\r\nI then work on the nose followed by the face. I first smudge the nose lines where the original sketch line was followed with some smudging directly on the nose area.\r\n\r\n\"Scan0007\"\r\n\r\n \r\n\r\nI then add pencil strokes around the face area and then go back and smudge with a tissue.\r\n\r\n\"Scan0008\"\r\n\r\n \r\n\r\nI continue this process for the whole body…\r\n\r\n\"Scan0009-1\"\r\n\r\n \r\n\r\nThe last thing I work on is the ax. I didn’t put in a lot of effort on this because this lesson focuses on how to draw the guy, not the axe.\r\n\r\n\"Scan0010-1\"\r\n\r\nNow that the drawing is done, I hope everyone could get something out of this. Until the next lesson!','How to Shade a Drawing of a Man','','publish','open','open','','how-to-shade-a-drawing-of-a-man','','\nhttp://www.letsdrawpeople.com/how-to-draw-women-that-really-look-like-women/','2016-01-27 06:24:27','2016-01-27 14:24:27','',0,'http://www.letsdrawpeople.com/?p=2549',0,'post','',0),(1956,2,'2015-06-30 23:41:10','2015-07-01 06:41:10','[embed]http://letsdrawpeople.s3.amazonaws.com/word+photoshop+lesson+dnld.mp4[/embed]\r\n

Download

','How to Make Your Own Custom Grids with Microsoft Word and Adobe Photoshop Elements','','inherit','open','open','','1482-autosave-v1','','','2015-06-30 23:41:10','2015-07-01 06:41:10','',1482,'http://www.letsdrawpeople.com/1482-autosave-v1/',0,'revision','',0),(3136,2,'2016-06-26 04:45:01','2016-06-26 11:45:01','','composition','','inherit','open','closed','','composition','','','2016-06-26 04:45:01','2016-06-26 11:45:01','',2894,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/composition.jpg',0,'attachment','image/jpeg',0),(2905,8,'2016-01-30 14:05:09','2016-01-30 22:05:09','\"2\"\"3\"  \"6\" \"7\" \"9\"','How to draw a composition','','inherit','closed','closed','','2894-revision-v1','','','2016-01-30 14:05:09','2016-01-30 22:05:09','',2894,'http://www.letsdrawpeople.com/2894-revision-v1/',0,'revision','',0),(2906,2,'2016-01-30 22:22:17','2016-01-31 06:22:17','

Create a Basic Outline of a Person

\r\nStart by creating a soft stick figure sketch or something similar. Consider the space that you are drawing in and the space the figure will take up. When you are drawing, try to approximate the way the woman is standing and where her body parts are.\r\n\r\nTo draw a woman, start with some basic shapes like circles and lines. Keep in mind that a woman has a round body, so use curved lines for shapes as you structure your sketch. Never draw one large circle for a part of the body like legs or the arms. Draw every part of the body as a separate part. Use several smaller circles to give a rough shape to your sketch. For example, legs would be drawn in 6 different shapes: hips, thigh, knee, lower leg, ankle, and foot.\r\n

Proportions to Keep in Mind

\r\nWoman  are about 7 circles tall. Create a circle to use and draw that shape one over top another so you have about 7 circles. This will be OK to start. You will be making adjustments as you sketch. The full size of the head  is slightly longer than a circle. Add about a half to get the full length. A woman is about two heads wide. Taking the full length of the head to the chin, turn the shape sideways  and create two shapes of that size next to one another at the same level. Her hips are about as wide as her rib cage, where her shoulder meets her torso. Draw the arm in several different circles: shoulders, upper arm, elbow, lower arm, and hand.  To draw the leg, break them up in different circles for the hips, upper leg, knee, lower leg, ankle, and feet.\r\n

Body shape of a Woman

\r\nWhile there are many different body shapes for woman, there is a general shape that can help you when drawing the woman’s body. Use a figure eight or hour glass type figure to give an estimated idea of the woman’s body. When drawing a model, notice the differences between her body and the standard female figure and make adjustments when needed. While using proportions and body shapes is a good way to learn how to draw a woman, try to keep your sketch similar to the model you are studying to create more classical drawings.\r\n\r\n\"1\" \"2\" \"3\" \"4\" \"5\" \"6\"\r\n

Tips for Drawing the Female Body

\r\nFemale breasts can be difficult to draw. Use an \"X\" over the torso, starting from the top of the shoulder and down to the rib cage. The \"V\" shape that is created by the \"X\" will help you draw where the sternum and collarbone are. The bottom of the \"X\" should be where the middle section starts. If you cut the \"X\" in half, this will give you a line of symmetry from where the breast line should start. This is slightly different for each woman and you should adjust accordingly. Notice that the female breast is not quite a circle. The chest or pectoral muscle is rectangular and the rest of the breast is made of body fat; so, the overall shape will be basically a combined rectangle, teardrop, and a semi circle.\r\n\r\nAfter building the basic structure, you break those in two smaller shapes and then draw lightly, as you will be modifying your lines so you have a better understanding of how to draw a woman. The arm for example is about 6 shapes: the shoulder, the upper arm, the elbow, the lower arm, the fist, and the hand. Note that from the shoulder to the elbow and the elbow to the hand should be about an equal distance. Finish sketching a full basic figure before working on any details, checking your proportions as you create your drawing.  Keep in mind that depending on the view of the model, you may need to use measuring or figuring out your own proportions instead of standard proportions. If the body is turned, simple basic proportions are hard to apply.\r\n\r\nNext work on details like the face. Pencil in the face and clean up any extra marks. Also as you are working on the details, notice the lines that the body makes when you are adjusting them. Use guidelines for the face and for anything you need for symmetry. Now edit the rest of the body. The next step would be to edit any leftover lines that are not needed. Clean up any eraser marks and add shading to finish your drawing.\r\n\r\n\"12\"\"13\"\"14\"\"15\"\r\n\r\nThe back of a woman is different from the front. You can break down the back in simple shapes; however, placement becomes more important because there is more smooth area on the back. Having a line in the right place will draw attention to the area.\r\n\r\nOne way to correct the difficulty of drawing the back side is to draw lightly and use shading instead of drawing. For shading technique, you draw a basic outline first. Instead of using lines to draw circles, find a #2 pencil. The shape of the pencil will help with shading, while a mechanical pencil can be harder to shade with. Shade large shapes that imitate the form of the body. Turning the pencil on its side instead of straight over on its head will help do this.\r\n\r\nI’ll note that sometimes I sharpen a pencil with a knife. That way, you have a longer point. Try to imagine using as much of the graphite as possible. If you are comfortable with charcoal, this will help create the effect even more. For charcoal, turn the square charcoal or charcoal pencil on its side or on an angle.\r\n\r\nOnce you have covered all dark area, use your eraser to draw. Instead of using the pencil, the eraser will act as the point of the pencil and help you create a clean line. This will also give it a soft effect. If you plan on going dark and detailed, make your marks as precise as possible because a human back can be more difficult to judge when it comes to placement of shapes and body parts.\r\n\r\nAfter drawing with the eraser, you will go back over dark areas with the charcoal for highlights and contrast and detail. Repeat this process multiple types until you get the effect you want.\r\n\r\nBe careful pressing hard with pencil or charcoal when using this technique. Try pressing as softly as possible because it will be difficult to erase marks that are pressed into the paper. For an even better look, find kneaded or other art erasers.\r\n\r\n\"7\" \"8\" \"9\" \"10\" \"11\"\r\n\r\nYou can draw a woman in many ways, these are just some ideas for you to try. I recommend to always keep creativity in mind when drawing. Find a way to make the drawing yours.\r\n\r\n ','What Everybody Ought to Know about How to Draw Women','','inherit','closed','closed','','2492-revision-v1','','','2016-01-30 22:22:17','2016-01-31 06:22:17','',2492,'http://www.letsdrawpeople.com/2492-revision-v1/',0,'revision','',0),(2894,8,'2016-07-27 00:18:30','2016-07-27 07:18:30','Before you start drawing, it helps to plan your ideas. Composition is the idea of setting up your drawing. How many ideas, people, and objects do you want to use in your drawing?\r\n\r\nIn the drawing below, I thought to create a small still-frame of a scene. In the drawing of the two people, I wanted to show how you can create mood, emotion, and action.\r\n\r\n\"composition\"\r\n\r\n \r\n\r\nFirst, consider how the two girls are sitting together and the body language that they may be using. The girl lying down is relaxed with her head back. This is a classic pose for someone sleeping, hurt, or perhaps dead. The other girl looking down on her further explains sadness, perhaps remorse, or maybe just tiredness. The girls are similar in age and size, so this would suggest that they may be sisters or close friends.\r\n\r\nThere is a lot one could tell from this picture or may feel. Creating a compositing is a great way to stir the imagination.\r\n\r\nStructure: Looking for a frame, imagine yourself as a photographer. It’s the same idea without a view box. Instead, create your own view box, using a mix of what you see and what you want to draw. Create space between objects by finding a fixed point and compare the size of one object to other objects.\r\n\r\nSetup: Once you have an idea of your frame, you may want to organize your drawing, change position lighting, and how things are sitting in the space you have. Creating a setup with models can take time. Try multiple times to find what looks better along with more than one sitting with the same pose in order to draw what you have. Alternately, you can do the same thing- take a photo and draw what you see from the photo, or use a photo that was already taken.\r\n\r\nBackground: When setting up a drawing, consider more than what you are drawing. Background gives depth and realism along with creating a set that is frozen in time.\r\n\r\nForeground: Sometimes you have space before what you are drawing. It helps to know what to do with this space. If you are using the space, it helps create perspective.\r\n\r\nSpace: Structure and space are similar; however, space is what is not in the frame. Structure is what is in the frame.\r\n\r\nPoint of view: Once you have everything set up, perhaps you want to change where you are looking from in order to get a different view of the same setting.\r\n\r\nPerspective: Along with point of view, background and foreground can help create space and reality in a drawing. For example, the human body looking more round instead of flat will help create reality. One can do this by creating directional shading.\r\n\r\nLighting: Try to think about what light you are using. This is more important if you choose to use contrast, or perhaps you want a more mid-town lighting effect.\r\n\r\nLocation: Where is your setting going to be? Outside, inside, in a city or in the woods?\r\n\r\nFrame: What type of frame are you going to use? Portrait, landscape or something else?\r\n\r\nIdea: What is happening in your setting? What story do you want to tell with one picture?','What to Consider When Making a Composition','','publish','closed','open','','what-to-consider-when-making-a-composition','','','2016-06-26 04:47:09','2016-06-26 11:47:09','',0,'http://www.letsdrawpeople.com/?p=2894',0,'post','',0),(3060,2,'2016-06-20 06:47:41','2016-06-20 13:47:41','Drawing the face can be difficult, so I like to break down the face into several parts and think of each part as separate in order to create the whole.\r\n\r\n\"1\"\r\n\r\nStart by roughly sketching the face. If you cut the head horizontally in half, then the eyes are above that line. When drawing the eyes, space them apart from one another about one eye apart and about a half-eye shape from the side of the face. It helps to draw lightly so you can later fix marks or guidelines that you use. When drawing a face, it helps to remember some proportions and also techniques like measuring.\r\n\r\n\"2\"\r\n\r\nWhen drawing the ears, consider that the top of the ears are about level with the eye and the bottom of the ears are about level with the mouth. Remember to include a lot of detail when drawing the ears to give a more realistic look.\r\n\r\nRoughly halfway between the chin and the eye line is about where the nose should be.\r\n\r\n\"3\"\r\n\r\nIf you create an upside down triangle from the eyes down to the nose line, it will create about the right size for the nose. The mouth is about one-third the distance from the nose to the chin.\r\n\r\nWhen drawing the neck, use a line dropping from the ears and remember to curve the neck slightly.\r\n\r\nFinish drawing in light details like the mouth and start working on light shading on areas that you will latter rework in a darker shade.\r\n\r\n\"4\"\r\n\r\nNow that you have a basic drawing of a man, it\'s time to start working the details. Start by shading large areas a light tone that are to give the drawing more of a 3d effect.\r\n\r\nWhen drawing a person, consider expression, pose, personality, and characteristics.\r\n\r\nWhen drawing the eye, pay attention to small details. Small details will help give your drawing a more realistic look.\r\nFor example, when drawing the iris, know that eyes are reflective and that there is always a bright spot of the eye where the eyes are reflecting light. Also know that the pupil is not a perfect circle and the eye is not a perfect circle either. Instead draw an elliptical circle.\r\n\r\nThe nose can be difficult to draw but you can look at the nose as 3 or more different parts because it\'s easier to draw that way.\r\n\r\nFirst draw the bridge of the nose near the eyes, then the body of the nose, and finally the bottom of the nose near the nostrils, which can be broken up further into three parts.\r\n\r\nWhen drawing the mouth, create a basic shape of the mouth then add small details like the roundness of the lips. Try not to draw the mouth as a single curved line if you want to draw realistically. Instead, use several small curves to create the shape.\r\n\r\nDrawing the Hand\r\n\r\nThe hand is about the size of the face, although in this picture you can’t see his whole hand, so it may be better to use measuring in order to figure out how large his hand is compared to his face. Use a shape in the photos and a fixed measuring object like an eraser or pencil and keep on using the same measuring object.\r\n\r\n\"5\"\r\n\r\nDrawing the Beard\r\n\r\nFirst, draw the face fully as if he had no beard. Use the structure of his face to figure out where his chin would be. These lines will later disappear as you add details for the hair. Men tend to have square-like faces. Still, you should draw the shape with curved lines and not straight lines since the body is mostly curved.\r\n\r\nWhen drawing the hair for the beard, draw lightly to begin with to create an idea of the shape of his beard. To draw the actual hair, use a sketchy technique in different directions. Keep in mind where his hair is and where it is going.\r\n\r\nNow start to create the darker areas of his beard. Just like any round shape, beards are darker near the edge of the face and lighter on the surface of the face.\r\n\r\nFacial hair grows differently for different guys. Pay attention to how the hair is growing and where.\r\n\r\nOnce you draw the hair and shade the hair in, use an eraser and lightly erase to create light spots in areas where they are needed. You may need to switch between drawing and shading, erasing several times before you get the look you are aiming for.\r\n\r\nRemember to draw lightly so that the face does not become too gray-looking. If you are doing this on paper, it becomes hard to erase after several times of using a technique like this.\r\n\r\nWhy does this drawing of a man look like he is thinking?\r\n\r\n\"6\"\r\n\r\nConsider when drawing a pose, why are you using the pose and why do you like the pose?\r\n\r\nFor instance, take this man in the picture, placing his hand on his chin. When you consider body language, a simple pose or action can tell the viewer an idea.\r\n\r\nWhat concept are you trying to convey?\r\n\r\nIn this picture, the man’s expression and gesture gives the impression that he is thinking because one of the common mannerisms that people tend to have when thinking is having their hand near or on their chin. You look at “The Thinker” sculpted by Rodan...why is he posed in such a way with his hand on his chin? Because the way he is holding his face conveys the idea of thought.\r\n\r\nWhy is this pose so compelling and why does the beard accent the idea?\r\n\r\nThe beard helps create the effect even more because it’s easy for a guy when he is bored or perhaps thinning to scratch his face. If one has a beard, then it give you more of a reason to place your hand there.\r\n\r\nA lot of great thinkers in the past all had long beards. Is this connected or just happenstance?\r\n\r\nThe idea is in art. We have concept and you can even have theory, but above all, you have emotions and feeling. So if you feel there is a certain meaning behind something, that is all you need. Thought can give more to an art piece than technique and/or skill level. If you consider abstract art, thought becomes more important than the skill.','This Drawing of a Man Shows Beards Are Made for Thinking','','inherit','closed','closed','','2884-revision-v1','','','2016-06-20 06:47:41','2016-06-20 13:47:41','',2884,'http://www.letsdrawpeople.com/2884-revision-v1/',0,'revision','',0),(2893,8,'2016-01-30 09:43:30','2016-01-30 17:43:30','Drawing the face can be difficult so I like to break down the face in several parts and think of each part as separate in order to create the whole.\r\n\r\n\"1\"\r\n\r\nStart by roughly sketching the face, if you cut the head horizontally in halve then the eyes are above that line. When drawing the eyes space them apart from one another about one eye apart and about a halve eye shape from the side of the face. It helps to draw lightly so you can latter fix marks or guidelines that  you use. When drawing a face it helps to remember some proportions and also techniques like measuring.\r\n\r\n \r\n\r\n\"2\"\r\n\r\n \r\n\r\n \r\n\r\nWhen drawing the ear consider: The top of the ears are about level with the eye and with the bottom of the ears are about level with the mouth. Remember to include a lot of detail when drawing the ears to give a more realistic look.\r\n\r\nDraw a line lightly thought both eyes evenly halve way between the chin and the eye line is about where the nose should be\r\n\r\n\"3\"\r\n\r\nIf you create a up side down triangle from the eyes down halve way between the eyes and the nose line will create about the right size for the nose. Halve way between the nose and the chin is the mouth.\r\n\r\nWhen drawing the neck its use a straight line dropping from the ears and remember to curve the neck slightly.\r\n\r\nFinish drawing in light details like the mouth and start working on light shading on areas that you will latter re work in a darker shade\r\n\r\n \r\n\r\n.                                                                              \"4\"\r\n\r\nNow that you have a basic drawing of a man its time to start working the details. Start by shading large areas a light tone that are to give the drawing more of a 3d effect.\r\n\r\nWhen drawing a person consider expression pose personality and characteristics.\r\n\r\nDrawing the eye pay attention to small details, small details will help give your drawing more realistic look.\r\nFor example when drawing the iris, know that eyes are reflective and that there is always a bright spot of the eye where the eyes are reflecting light. Also know that the pupil is not a perfect circle and the eye is not a perfect circle either instead draw a ellipsoid circle.\r\n\r\nThe nose can be difficult to draw but you can look at the nose as 3 or more different parts it because easier to draw.\r\nFirst the bridge of the nose near the eyes, then the body of the nose and finally the bottom of the nose near the nostrils which can be broken up further in to three parts.\r\n\r\nWhen drawing the mouth create a basic shape of the mouth then add small details like the roundness of the lips try not to draw the mouth as a single curved line if you want to draw realistically, instead use several small curves to create the shape.\r\n\r\nDrawing the hand the hand is about the size of the face, although in this picture you can’t see his whole hand so it may be better to use measuring in order to figure out how large\r\n\r\n \r\n\r\n\"5\"\r\n\r\nhis hand is compared to his face. Use a shape in the photos and a fixed measuring object like an eraser or pencil and keep on using the same measuring object.\r\n\r\nDrawing the beard, first draw the face fully as if he had no beard, use the structure of his face to figure out where his chin would be these lines will latter disappear as you add details of the hair. Man tend to have square like faces although draw the shape with curved lines and not straight lines the body is mostly circular.\r\n\r\nWhen drawing the hair draw lightly creating a idea of the shape of his beard. To draw hair use a sketchy technique in different direction, keep in mind where his hair is and where it is going.\r\n\r\nNow start to create the darker areas of his beard just like any round shape beards are darker near the edge of the face and lighter on the surface of the face.\r\n\r\nFace hair grows different for each guys some times you have small bold sports creating a difference of shape pay attention to how the hair is growing and where.\r\n\r\nOnce you draw the hair and shade the hair in, use an eraser and lightly erase, creating light spots in areas where it is needed. You may need to switch between drawing, [delete and] shading, and erasing several times before you get the look you are looking [I would change looking to aiming just so you aren’t using a variation of the same word so close to each other in the same sentence] for.\r\n\r\nRemember to draw lightly so that the face does not become too grey looking. If you are doing this on paper, it becomes hard to erase after several times of using a technique like this.\r\n\r\nWhy does this drawing of a man look like he is thinking?\r\n\r\n\"6\"\r\n\r\nConsider when drawing a pose, why are you using the pose and why do you like the pose?\r\nLike this man in the picture, placing his hand on his chin. When you consider body language, a simple pose or action can tell the viewer an idea. What concept are you trying to convey?\r\n\r\nIn this picture, the man’s expression and gesture gives the impression that he is thinking because one of the common mannerisms that people tend to have when thinking is having their hand near or on their chin.\r\nyou look at “The Thinker” sculpted by Rodan, why is he posed in such a way with his hand on his chin? Because the way he is holding his face conveys the idea of thought.\r\n\r\nWhy is this pose so compelling and why does the beard accent the idea?\r\nThe beard helps create the effect even more because it’s easy for a guy when they are bored or perhaps thinning to scratch their face. If one has a beard then it give you more of a reaching to place your hand there.\r\n\r\nA lot of great thinkers in the past all had long beards, is this connected or just happenstance?\r\n\r\nThe idea is in art. We have concept and you can even have theory, but above all, you have emotions and feeling. So if you feel there is a certain meaning behind something, that is all you need. Thought can give more to an art piece than technique and/or skill level. If you consider abstract art , thought becomes more important than the skill.','This Drawing of a Man Shows Beards Are Made for Thinking','','inherit','closed','closed','','2884-revision-v1','','','2016-01-30 09:43:30','2016-01-30 17:43:30','',2884,'http://www.letsdrawpeople.com/2884-revision-v1/',0,'revision','',0),(1961,2,'2015-07-07 13:50:06','2015-07-07 20:50:06','

Thank you for entering your email!\n\nBefore I can officially welcome you as a Let\'s Draw People subscriber, I need you to complete the following two steps...\n\nStep 1: I just sent you a confirmation email. Open the email with the subject line \"Confirm your subscription to Let\'s Draw People.\" If you cannot find this email in your primary inbox, please check your bulk folder.\n

\"gmail

\nStep 2: Click on the confirmation link in that email. This step is your way of granting me permission to email you the newsletter two times per week.\n\nThat\'s all there is to it! Go now to your email inbox, click the confirmation link, and enjoy the Let\'s Draw People Newsletter and your free guide!\n\n-Jack Pearce','You are almost subscribed!','','inherit','open','open','','1937-autosave-v1','','','2015-07-07 13:50:06','2015-07-07 20:50:06','',1937,'http://www.letsdrawpeople.com/1937-autosave-v1/',0,'revision','',0),(2892,8,'2016-01-30 09:42:27','2016-01-30 17:42:27','Drawing the face can be difficult so I like to break down the face in several parts and think of each part as separate in order to create the whole.\n\n\"1\"\n\nStart by roughly sketching the face, if you cut the head horizontally in halve then the eyes are above that line. When drawing the eyes space them apart from one another about one eye apart and about a halve eye shape from the side of the face. It helps to draw lightly so you can latter fix marks or guidelines that  you use. When drawing a face it helps to remember some proportions and also techniques like measuring.\n\n \n\n\"2\"\n\n \n\n \n\nWhen drawing the ear consider: The top of the ears are about level with the eye and with the bottom of the ears are about level with the mouth. Remember to include a lot of detail when drawing the ears to give a more realistic look.\n\nDraw a line lightly thought both eyes evenly halve way between the chin and the eye line is about where the nose should be\n\n\"3\"\n\nIf you create a up side down triangle from the eyes down halve way between the eyes and the nose line will create about the right size for the nose. Halve way between the nose and the chin is the mouth.\n\nWhen drawing the neck its use a straight line dropping from the ears and remember to curve the neck slightly.\n\nFinish drawing in light details like the mouth and start working on light shading on areas that you will latter re work in a darker shade\n\n \n\n.\"4\"\n\nNow that you have a basic drawing of a man its time to start working the details. Start by shading large areas a light tone that are to give the drawing more of a 3d effect.\n\nWhen drawing a person consider expression pose personality and characteristics.\n\nDrawing the eye pay attention to small details, small details will help give your drawing more realistic look.\nFor example when drawing the iris, know that eyes are reflective and that there is always a bright spot of the eye where the eyes are reflecting light. Also know that the pupil is not a perfect circle and the eye is not a perfect circle either instead draw a ellipsoid circle.\n\nThe nose can be difficult to draw but you can look at the nose as 3 or more different parts it because easier to draw.\nFirst the bridge of the nose near the eyes, then the body of the nose and finally the bottom of the nose near the nostrils which can be broken up further in to three parts.\n\nWhen drawing the mouth create a basic shape of the mouth then add small details like the roundness of the lips try not to draw the mouth as a single curved line if you want to draw realistically, instead use several small curves to create the shape.\n\nDrawing the hand the hand is about the size of the face, although in this picture you can’t see his whole hand so it may be better to use measuring in order to figure out how large\n\n \n\n\"5\"\n\nhis hand is compared to his face. Use a shape in the photos and a fixed measuring object like an eraser or pencil and keep on using the same measuring object.\n\nDrawing the beard, first draw the face fully as if he had no beard, use the structure of his face to figure out where his chin would be these lines will latter disappear as you add details of the hair. Man tend to have square like faces although draw the shape with curved lines and not straight lines the body is mostly circular.\n\nWhen drawing the hair draw lightly creating a idea of the shape of his beard. To draw hair use a sketchy technique in different direction, keep in mind where his hair is and where it is going.\n\nNow start to create the darker areas of his beard just like any round shape beards are darker near the edge of the face and lighter on the surface of the face.\n\nFace hair grows different for each guys some times you have small bold sports creating a difference of shape pay attention to how the hair is growing and where.\n\nOnce you draw the hair and shade the hair in, use an eraser and lightly erase, creating light spots in areas where it is needed. You may need to switch between drawing, [delete and] shading, and erasing several times before you get the look you are looking [I would change looking to aiming just so you aren’t using a variation of the same word so close to each other in the same sentence] for.\n\nRemember to draw lightly so that the face does not become too grey looking. If you are doing this on paper, it becomes hard to erase after several times of using a technique like this.\n\nWhy does this drawing of a man look like he is thinking?\n\n\"6\"\n\nConsider when drawing a pose, why are you using the pose and why do you like the pose?\nLike this man in the picture, placing his hand on his chin. When you consider body language, a simple pose or action can tell the viewer an idea. What concept are you trying to convey?\n\nIn this picture, the man’s expression and gesture gives the impression that he is thinking because one of the common mannerisms that people tend to have when thinking is having their hand near or on their chin.\nyou look at “The Thinker” sculpted by Rodan, why is he posed in such a way with his hand on his chin? Because the way he is holding his face conveys the idea of thought.\n\nWhy is this pose so compelling and why does the beard accent the idea?\nThe beard helps create the effect even more because it’s easy for a guy when they are bored or perhaps thinning to scratch their face. If one has a beard then it give you more of a reaching to place your hand there.\n\nA lot of great thinkers in the past all had long beards, is this connected or just happenstance?\n\nThe idea is in art. We have concept and you can even have theory, but above all, you have emotions and feeling. So if you feel there is a certain meaning behind something, that is all you need. Thought can give more to an art piece than technique and/or skill level. If you consider abstract art , thought becomes more important than the skill.','This Drawing of a Man Shows Beards Are Made for Thinking','','inherit','closed','closed','','2884-autosave-v1','','','2016-01-30 09:42:27','2016-01-30 17:42:27','',2884,'http://www.letsdrawpeople.com/2884-autosave-v1/',0,'revision','',0),(1963,2,'2015-07-05 17:19:07','2015-07-06 00:19:07','Want more drawing tips, training, and supplies? Use this page as a starting point to find recommended products. As you click through the links, you will only find products that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: The links below are affiliate links. At no additional cost to you, I will earn a commission if you purchase through these links.\r\n

Published Drawing Books

\r\nI have used many general drawing books over the years to teach myself portrait drawing. The books in the short list below played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Supplies

\r\nBelow is a list of the drawing supplies I use to create my pencil portraits. Some of the links below are to items comparable to the ones I have (in the case where the brand/model I have subsequently became unavailable).\r\n\r\nLight box - This is wonderful for grid drawing! Just put a blank grid on the light box and your drawing paper on top of that. No annoying grid lines to erase after you complete your line drawing!\r\n\r\nBristol board paper - A bit heavier and smoother than typical drawing paper, two-ply Bristol board is perfect for drawing very detailed, realistic pencil portraits. It is sturdy enough to withstand the constant blending, smudging, and erasing that is involved with this kind of artwork.\r\n\r\nGraphite pencils - This particular set has a good balance of hard-led and soft-led pencils. There are 12 pencils in the set ranging from 6B to 4H.\r\n\r\nMechanical pencil - This pencil is great for sketching on the go when you don\'t want to carry around a full kit of graphite pencils. I also use this pencil for my realistic portraits. It is perfect for adding in those tiny, fine details.\r\n\r\nMechanical lead refills - I use this 2B lead more often than anything else. I have used this (Pentel) brand for many years and love it! It is very sturdy and long-lasting.\r\n\r\nTortillions - These are nice for smudging the graphite on small areas of your drawing paper, adding more to the texture and feel of your artwork.\r\n\r\nBlending stumps - These have a similar purpose to the tortillions, but blending stumps are generally for larger surfaces of your drawing paper.\r\n\r\nKneaded eraser - This is a must-have for anyone serious about creating realistic pencil portraits. It erases cleanly without leaving residue. You can pinch it and knead it into whatever shape you like to create highlights, hairs, and other tiny effects.\r\n\r\nEraser pencil with brush - Nice for erasing and brushing away tiny areas. The eraser can be sharpened to more easily get into those tight spaces.\r\n\r\nDusting brush - Brush off eraser residue without worrying about smudging your drawing. This handy tool also prevents you from accidentally spitting on your hard work while trying to blow the debris away!\r\n\r\nCircle template - Make perfect circles required by, among other things, irises and pupils.\r\n\r\nWorkable fixative - A fixative sprayed on your drawing after you finish it will prevent it from getting smudged from careless handling. This fixative is also \"workable\", meaning if you wanted to work in layers, you could spray in between new layers and not fear your hand smudging your previous work as you continue to draw.\r\n

Let\'s Draw People Store

\r\nIf you want to browse around for a larger variety of drawing supplies, look no further than the Let\'s Draw People Store! Powered by Amazon, this site-based platform displays a condensed list of categories specific to drawing, so you can find exactly what you want quickly and easily.\r\n\r\n','Recommended Resources','','publish','closed','closed','','resources','','','2015-12-31 17:42:29','2016-01-01 01:42:29','',0,'http://www.letsdrawpeople.com/?page_id=1963',0,'page','',0),(2545,2,'2015-12-30 07:44:13','2015-12-30 15:44:13','Want more drawing tips, training, and supplies? Use this page as a starting point to find recommended products. As you click through the links, you will only find products that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: The links below are affiliate links. At no additional cost to you, I will earn a commission if you purchase through these links.\r\n

Published Drawing Books

\r\nI have used many general drawing books over the years to teach myself portrait drawing. The books in the short list below played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Supplies

\r\nBelow is a list of the drawing supplies I use to create my pencil portraits. Some of the links below are to items comparable to the ones I have (in the case where the brand/model I have subsequently became unavailable).\r\n\r\nLight box - This is wonderful for grid drawing! Just put a blank grid on the light box and your drawing paper on top of that. No annoying grid lines to erase after you complete your line drawing!\r\n\r\nBristol board paper - A bit heavier and smoother than typical drawing paper, two-ply Bristol board is perfect for drawing very detailed, realistic pencil portraits. It is sturdy enough to withstand the constant blending, smudging, and erasing that is involved with this kind of artwork.\r\n\r\nGraphite pencils - This particular set has a good balance of hard-led and soft-led pencils. There are 12 pencils in the set ranging from 6B to 4H.\r\n\r\nMechanical pencil - This pencil is great for sketching on the go when you don\'t want to carry around a full kit of graphite pencils. I also use this pencil for my realistic portraits. It is perfect for adding in those tiny, fine details.\r\n\r\nMechanical lead refills - I use this 2B lead more often than anything else. I have used this (Pentel) brand for many years and love it! It is very sturdy and long-lasting.\r\n\r\nTortillions - These are nice for smudging the graphite on small areas of your drawing paper, adding more to the texture and feel of your artwork.\r\n\r\nBlending stumps - These have a similar purpose to the tortillions, but blending stumps are generally for larger surfaces of your drawing paper.\r\n\r\nKneaded eraser - This is a must-have for anyone serious about creating realistic pencil portraits. It erases cleanly without leaving residue. You can pinch it and knead it into whatever shape you like to create highlights, hairs, and other tiny effects.\r\n\r\nEraser pencil with brush - Nice for erasing and brushing away tiny areas. The eraser can be sharpened to more easily get into those tight spaces.\r\n\r\nDusting brush - Brush off eraser residue without worrying about smudging your drawing. This handy tool also prevents you from accidentally spitting on your hard work while trying to blow the debris away!\r\n\r\nCircle template - Make perfect circles required by, among other things, irises and pupils.\r\n\r\nWorkable fixative - A fixative sprayed on your drawing after you finish it will prevent it from getting smudged from careless handling. This fixative is also \"workable\", meaning if you wanted to work in layers, you could spray in between new layers and not fear your hand smudging your previous work as you continue to draw.\r\n

Let\'s Draw People Store

\r\nIf you want to browse around for a larger variety of drawing supplies, look no further than the Let\'s Draw People Store! Powered by Amazon, this site-based platform displays a condensed list of categories specific to drawing, so you can find exactly what you want quickly and easily.\r\n\r\n','Recommended Resources','','inherit','closed','closed','','1963-revision-v1','','','2015-12-30 07:44:13','2015-12-30 15:44:13','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1964,2,'2015-07-05 17:18:17','2015-07-06 00:18:17','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest. If the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Downloads

\r\n\"anyI create drawing resources that are free to download on a regular basis. You get access to these when you sign up for the Let\'s Draw People Newsletter. You will get one resource immediately, and as a valued reader you will get others as they become available (even before they become available on the blog). Typically this will be one new resource per month.\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, drawing with different media, and even how to transform your love of art into a career if you so choose!\r\n

Published Drawing Books

\r\ntext\r\n

Drawing Materials

\r\ntext\r\n

Let\'s Draw People Store

\r\ntext\r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-05 17:18:17','2015-07-06 00:18:17','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1965,2,'2015-12-30 07:33:55','2015-12-30 15:33:55','Want more drawing tips, training, and supplies? Use this page as a starting point to find recommended products. As you click through the links, you will only find products that I truly believe will enhance your progress as a portrait artist or will pique your interest.\n\nNote: The links below are affiliate links. At no additional cost to you, I will earn a commission if you purchase through these links.\n

Published Drawing Books

\nI have used many general drawing books over the years to teach myself portrait drawing. The books in the short list below played a significant, major, defining role in developing me into the artist I am today.\n\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\n\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\n

Drawing Supplies

\nBelow is a list of the drawing supplies I use to create my pencil portraits. Some of the links below are to items comparable to the ones I have (in the case where the brand/model I have subsequently became unavailable).\n\nLight box - This is wonderful for grid drawing! Just put a blank grid on the light box and your drawing paper on top of that. No annoying grid lines to erase after you complete your line drawing!\n\nBristol board paper - A bit heavier and smoother than typical drawing paper, two-ply Bristol board is perfect for drawing very detailed, realistic pencil portraits. It is sturdy enough to withstand the constant blending, smudging, and erasing that is involved with this kind of artwork.\n\nGraphite pencils - This particular set has a good balance of hard-led and soft-led pencils. There are 12 pencils in the set ranging from 6B to 4H.\n\nMechanical pencil - This pencil is great for sketching on the go when you don\'t want to carry around a full kit of graphite pencils. I also use this pencil for my realistic portraits. It is perfect for adding in those tiny, fine details.\n\nMechanical lead refills - I use this 2B lead more often than anything else. I have used this (Pentel) brand for many years and love it! It is very sturdy and long-lasting.\n\nTortillions - These are nice for smudging the graphite on small areas of your drawing paper, adding more to the texture and feel of your artwork.\n\nBlending stumps - These have a similar purpose to the tortillions, but blending stumps are generally for larger surfaces of your drawing paper.\n\nKneaded eraser - This is a must-have for anyone serious about creating realistic pencil portraits. It erases cleanly without leaving residue. You can pinch it and knead it into whatever shape you like to create highlights, hairs, and other tiny effects.\n\nEraser pencil with brush - Nice for erasing and brushing away tiny areas. The eraser can be sharpened to more easily get into those tight spaces.\n\nDusting brush - Brush off eraser residue without worrying about smudging your drawing. This handy tool also prevents you from accidentally spitting on your hard work while trying to blow the debris away!\n\nCircle template - Make perfect circles required by, among other things, irises and pupils.\n\nWorkable fixative - A fixative sprayed on your drawing after you finish it will prevent it from getting smudged from careless handling. This fixative is also \"workable\", meaning if you wanted to work in layers, you could spray in between new layers and not fear your hand smudging your previous work as you continue to draw.\n

Let\'s Draw People Store

\nIf you want to browse around for a larger variety of drawing supplies, look no further than the Let\'s Draw People Store! Powered by Amazon, this site-based platform displays a condensed list of categories specific to drawing, so you can find exactly what you want quickly and easily.\n\n','Recommended Resources','','inherit','open','open','','1963-autosave-v1','','','2015-12-30 07:33:55','2015-12-30 15:33:55','',1963,'http://www.letsdrawpeople.com/1963-autosave-v1/',0,'revision','',0),(2551,15,'2015-12-30 19:40:58','2015-12-31 03:40:58','','Scan0002','','inherit','open','closed','','scan0002-4','','','2015-12-30 19:40:58','2015-12-31 03:40:58','',2549,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/Scan0002-3.jpg',0,'attachment','image/jpeg',0),(2552,15,'2015-12-30 19:40:59','2015-12-31 03:40:59','','Scan0003','','inherit','open','closed','','scan0003-4','','','2015-12-30 19:40:59','2015-12-31 03:40:59','',2549,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/Scan0003-3.jpg',0,'attachment','image/jpeg',0),(2553,15,'2015-12-30 19:41:01','2015-12-31 03:41:01','','Scan0004','','inherit','open','closed','','scan0004-4','','','2015-12-30 19:41:01','2015-12-31 03:41:01','',2549,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/Scan0004-3.jpg',0,'attachment','image/jpeg',0),(2554,15,'2015-12-30 19:41:03','2015-12-31 03:41:03','','Scan0005','','inherit','open','closed','','scan0005-3','','','2015-12-30 19:41:03','2015-12-31 03:41:03','',2549,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/Scan0005-2.jpg',0,'attachment','image/jpeg',0),(1966,2,'2015-07-05 17:21:04','2015-07-06 00:21:04','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest. If the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Downloads

\r\n\"anyI create drawing resources that are free to download on a regular basis. You get access to these when you sign up for the Let\'s Draw People Newsletter. You will get one resource immediately, and as a valued reader you will get others as they become available (even before they become available on the blog). Typically this will be one new resource per month.\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, drawing with different media, and even how to transform your love of art into a career if you so choose!\r\n

Published Drawing Books

\r\ntext\r\n

Drawing Materials

\r\ntext\r\n

Let\'s Draw People Store

\r\ntext\r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-05 17:21:04','2015-07-06 00:21:04','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1967,2,'2015-07-05 21:10:07','2015-07-06 04:10:07','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Download

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter.\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, drawing with different media, and even how to transform your love of art into a career or business if you so choose!\r\n\r\n\"Realistic Pencil Portrait Mastery\"\r\n\r\n\"8 Easy Steps to Drawing a Portrait\"\r\n\r\n\"How to Draw Realistic Portraits from Photographs\"\r\n\r\n\"Secrets of Figure Drawing Course\"\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n\r\n\"Fun with Caricatures - 7 Days to Cartoon Success\"\r\n\r\n\"Promoting and Selling Your Art\"\r\n

Published Drawing Books

\r\ntext\r\n

Drawing Materials

\r\ntext\r\n

Let\'s Draw People Store

\r\ntext\r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-05 21:10:07','2015-07-06 04:10:07','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1969,2,'2015-07-05 22:17:39','2015-07-06 05:17:39','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Download

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter.\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n\r\n \r\n

Published Drawing Books

\r\ntext\r\n

Drawing Materials

\r\ntext\r\n

Let\'s Draw People Store

\r\ntext\r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-05 22:17:39','2015-07-06 05:17:39','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1968,2,'2015-07-05 22:14:05','2015-07-06 05:14:05','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Download

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter.\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, drawing with different media, and even how to transform your love of art into a career or business if you so choose!\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n\r\n\"Fun with Caricatures - 7 Days to Cartoon Success\" -\r\n\r\n\"Promoting and Selling Your Art\" -\r\n

Published Drawing Books

\r\ntext\r\n

Drawing Materials

\r\ntext\r\n

Let\'s Draw People Store

\r\ntext\r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-05 22:14:05','2015-07-06 05:14:05','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1970,2,'2015-07-05 22:54:36','2015-07-06 05:54:36','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Download

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter.\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

Published Drawing Books

\r\nAlthough I have used many general drawing books over the years to teach myself portrait drawing, the books in the very short list below are the only ones that played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Materials

\r\ntext\r\n

Let\'s Draw People Store

\r\ntext\r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-05 22:54:36','2015-07-06 05:54:36','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1971,2,'2015-07-05 23:06:57','2015-07-06 06:06:57','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Download

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter.\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

Published Drawing Books

\r\nAlthough I have used many general drawing books over the years to teach myself portrait drawing, the books in the very short list below are the only ones that played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Materials

\r\ntext\r\n

Let\'s Draw People Store

\r\ntext\r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-05 23:06:57','2015-07-06 06:06:57','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1972,2,'2015-07-05 23:17:11','2015-07-06 06:17:11','','bundle-small','','inherit','open','open','','bundle-small','','','2015-07-05 23:17:11','2015-07-06 06:17:11','',1963,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/bundle-small.jpg',0,'attachment','image/jpeg',0),(1973,2,'2015-07-05 23:25:06','2015-07-06 06:25:06','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Download

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter.\r\n

\"any

\r\n\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n

\"bundle-small\"

\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n
\"\"
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

Published Drawing Books

\r\nAlthough I have used many general drawing books over the years to teach myself portrait drawing, the books in the very short list below are the only ones that played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Materials

\r\ntext\r\n

Let\'s Draw People Store

\r\ntext\r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-05 23:25:06','2015-07-06 06:25:06','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1974,2,'2015-07-05 23:31:23','2015-07-06 06:31:23','','ebook','','inherit','open','open','','ebook','','','2015-07-05 23:31:23','2015-07-06 06:31:23','',1963,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/ebook.jpg',0,'attachment','image/jpeg',0),(1982,2,'2015-07-05 23:58:06','2015-07-06 06:58:06','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Download

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter. \"any\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"bundle-small\"\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\"ebook\"\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"\"\r\n\r\n
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"300\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

Published Drawing Books

\r\nAlthough I have used many general drawing books over the years to teach myself portrait drawing, the books in the very short list below are the only ones that played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Materials

\r\ntext\r\n

Let\'s Draw People Store

\r\ntext\r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-05 23:58:06','2015-07-06 06:58:06','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1979,2,'2015-07-05 23:45:50','2015-07-06 06:45:50','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Download

\r\n\"any\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter.\r\n

\r\n

\r\n

\r\n

\r\n

\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"bundle-small\"\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"ebook\"\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"\"\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n
\"300\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

Published Drawing Books

\r\nAlthough I have used many general drawing books over the years to teach myself portrait drawing, the books in the very short list below are the only ones that played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Materials

\r\ntext\r\n

Let\'s Draw People Store

\r\ntext\r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-05 23:45:50','2015-07-06 06:45:50','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1975,2,'2015-07-05 23:33:35','2015-07-06 06:33:35','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Download

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter.\r\n

\"any

\r\n\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n

\"bundle-small\"

\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\r\n

\"ebook\"

\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n
\"\"
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

Published Drawing Books

\r\nAlthough I have used many general drawing books over the years to teach myself portrait drawing, the books in the very short list below are the only ones that played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Materials

\r\ntext\r\n

Let\'s Draw People Store

\r\ntext\r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-05 23:33:35','2015-07-06 06:33:35','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1976,2,'2015-07-05 23:36:48','2015-07-06 06:36:48','','300 x 250 DSR Image','','inherit','open','open','','300-x-250-dsr-image','','','2015-07-05 23:36:48','2015-07-06 06:36:48','',1963,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/300-x-250-DSR-Image.jpg',0,'attachment','image/jpeg',0),(1978,2,'2015-07-05 23:43:29','2015-07-06 06:43:29','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Download

\r\n\"any\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter.\r\n

\r\n\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"bundle-small\"\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n

\r\n\"ebook\"\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\r\n

\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"\"\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n
\"300\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n

\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

Published Drawing Books

\r\nAlthough I have used many general drawing books over the years to teach myself portrait drawing, the books in the very short list below are the only ones that played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Materials

\r\ntext\r\n

Let\'s Draw People Store

\r\ntext\r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-05 23:43:29','2015-07-06 06:43:29','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1977,2,'2015-07-05 23:38:00','2015-07-06 06:38:00','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Download

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter.\r\n

\"any

\r\n\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n

\"bundle-small\"

\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\r\n

\"ebook\"

\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n
\"\"
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n

\"300

\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

Published Drawing Books

\r\nAlthough I have used many general drawing books over the years to teach myself portrait drawing, the books in the very short list below are the only ones that played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Materials

\r\ntext\r\n

Let\'s Draw People Store

\r\ntext\r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-05 23:38:00','2015-07-06 06:38:00','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1981,2,'2015-07-05 23:51:07','2015-07-06 06:51:07','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Download

\r\n\"any\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter.\r\n

\r\n

\r\n

\r\n

\r\n

\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"bundle-small\"\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"ebook\"\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"\"\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n
\"300\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

Published Drawing Books

\r\nAlthough I have used many general drawing books over the years to teach myself portrait drawing, the books in the very short list below are the only ones that played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Materials

\r\ntext\r\n

Let\'s Draw People Store

\r\ntext\r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-05 23:51:07','2015-07-06 06:51:07','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1980,2,'2015-07-05 23:46:20','2015-07-06 06:46:20','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Download

\r\n\"any\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter.\r\n

\r\n

\r\n

\r\n

\r\n

\r\n

\r\n

\r\n

\r\n

\r\n

\r\n

\r\n

\r\n

\r\n

\r\n

\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"bundle-small\"\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"ebook\"\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"\"\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n
\"300\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

Published Drawing Books

\r\nAlthough I have used many general drawing books over the years to teach myself portrait drawing, the books in the very short list below are the only ones that played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Materials

\r\ntext\r\n

Let\'s Draw People Store

\r\ntext\r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-05 23:46:20','2015-07-06 06:46:20','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1983,2,'2015-07-06 00:05:05','2015-07-06 07:05:05','','how to sketch cover200','','inherit','open','open','','how-to-sketch-cover200','','','2015-07-06 00:05:05','2015-07-06 07:05:05','',1963,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/how-to-sketch-cover200.jpg',0,'attachment','image/jpeg',0),(1984,2,'2015-07-06 00:05:51','2015-07-06 07:05:51','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Download

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter. \"any\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"bundle-small\"\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\"ebook\"\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"\"\r\n\r\n
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"300\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

\"how

\r\n\r\n

Published Drawing Books

\r\nAlthough I have used many general drawing books over the years to teach myself portrait drawing, the books in the very short list below are the only ones that played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Materials

\r\ntext\r\n

Let\'s Draw People Store

\r\ntext\r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-06 00:05:51','2015-07-06 07:05:51','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1985,2,'2015-07-06 00:09:58','2015-07-06 07:09:58','','master the human form cover','','inherit','open','open','','master-the-human-form-cover','','','2015-07-06 00:09:58','2015-07-06 07:09:58','',1963,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/master-the-human-form-cover.jpg',0,'attachment','image/jpeg',0),(1987,2,'2015-07-06 00:15:34','2015-07-06 07:15:34','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Download

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter. \"any\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"bundle-small\"\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\"ebook\"\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"master\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"\"\r\n\r\n
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"300\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

\"how

\r\n\r\n

Published Drawing Books

\r\nI have used many general drawing books over the years to teach myself portrait drawing. The books in the short list below played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Materials

\r\ntext\r\n

Let\'s Draw People Store

\r\ntext\r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-06 00:15:34','2015-07-06 07:15:34','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1986,2,'2015-07-06 00:10:21','2015-07-06 07:10:21','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Download

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter. \"any\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"bundle-small\"\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\"ebook\"\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"master\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"\"\r\n\r\n
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"300\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

\"how

\r\n\r\n

Published Drawing Books

\r\nAlthough I have used many general drawing books over the years to teach myself portrait drawing, the books in the very short list below are the only ones that played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Materials

\r\ntext\r\n

Let\'s Draw People Store

\r\ntext\r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-06 00:10:21','2015-07-06 07:10:21','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1988,2,'2015-07-06 00:16:22','2015-07-06 07:16:22','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Download

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter. \"any\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"bundle-small\"\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\"ebook\"\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"master\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"\"\r\n\r\n
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"300\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

\"how

\r\n\r\n

Published Drawing Books

\r\nI have used many general drawing books over the years to teach myself portrait drawing. The books in the short list below played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Materials

\r\n \r\n

Let\'s Draw People Store

\r\n \r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-06 00:16:22','2015-07-06 07:16:22','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1991,2,'2015-07-06 09:08:21','2015-07-06 16:08:21','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Download

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter. \"any\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"bundle-small\"\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\"ebook\"\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"master\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"\"\r\n\r\n
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"300\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

\"how

\r\n\r\n

Published Drawing Books

\r\nI have used many general drawing books over the years to teach myself portrait drawing. The books in the short list below played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Materials

\r\nBelow is a list of the drawing supplies I use to create my pencil portraits.\r\n\r\nLight box -\r\n\r\nBristol board paper -\r\n\r\nGraphite pencils -\r\n\r\nMechanical pencil -\r\n\r\nMechanical lead refills -\r\n\r\nTortillions -\r\n\r\nKneaded eraser -\r\n\r\nEraser pencil with brush -\r\n\r\nElectric eraser -\r\n\r\nDusting brush -\r\n\r\nCircle template -\r\n\r\nFrench curve set -\r\n\r\n \r\n

Let\'s Draw People Store

\r\n \r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-06 09:08:21','2015-07-06 16:08:21','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1990,2,'2015-07-06 08:07:25','2015-07-06 15:07:25','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Download

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter. \"any\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"bundle-small\"\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\"ebook\"\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"master\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"\"\r\n\r\n
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"300\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

\"how

\r\n\r\n

Published Drawing Books

\r\nI have used many general drawing books over the years to teach myself portrait drawing. The books in the short list below played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Materials

\r\nBelow is a list of the drawing supplies I use to create my pencil portraits.\r\n\r\nBristol board paper -\r\n\r\nGraphite pencils -\r\n\r\nMechanical pencil -\r\n\r\nMechanical lead refills -\r\n\r\nKneaded eraser -\r\n\r\nElectric eraser -\r\n\r\nDusting brush -\r\n\r\nCircle template -\r\n\r\nFrench curve set -\r\n\r\n \r\n

Let\'s Draw People Store

\r\n \r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-06 08:07:25','2015-07-06 15:07:25','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1992,2,'2015-07-06 09:21:34','2015-07-06 16:21:34','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Download

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter. \"any\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"bundle-small\"\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\"ebook\"\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"master\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"\"\r\n\r\n
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"300\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

\"how

\r\n\r\n

Published Drawing Books

\r\nI have used many general drawing books over the years to teach myself portrait drawing. The books in the short list below played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Materials

\r\nBelow is a list of the drawing supplies I use to create my pencil portraits. Some of the links below are to items comparable to the ones I have (in the case where the brand/model I have subsequently became unavailable).\r\n\r\nLight box - This is wonderful for grid drawing! Just put a blank grid on the light box and your drawing paper on top of that. No annoying grid lines to erase after you complete your line drawing!\r\n\r\nBristol board paper -\r\n\r\nGraphite pencils -\r\n\r\nMechanical pencil -\r\n\r\nMechanical lead refills -\r\n\r\nTortillions -\r\n\r\nKneaded eraser -\r\n\r\nEraser pencil with brush -\r\n\r\nElectric eraser -\r\n\r\nDusting brush -\r\n\r\nCircle template -\r\n\r\nFrench curve set -\r\n

Let\'s Draw People Store

\r\n \r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-06 09:21:34','2015-07-06 16:21:34','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1993,2,'2015-07-06 10:15:46','2015-07-06 17:15:46','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Downloads

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter. \"any\r\n\r\nThe free downloads below have already been given to readers of my newsletter. If any of these interest you, just click on the one(s) you want and enter your information on the next page. The resource will be emailed to you, along with the Let\'s Draw People Newsletter and the free gift above! Come back to this page often, as I will update it with new resources that you can download for free!\r\n\r\n\"Face-Drawing Checklist\" - A handy \"cheat sheet\" that outlines 22 simple yet easily-overlooked details that every line drawing of a face should have. You will never again forget these important details in your face-drawings!\r\n\r\n\"One Simple Trick for Better Proportions When Sketching from Life\" - This quick little guide explains a simple method many artists use to get reasonable proportions in their life drawings when making a sketch of a person, landscape, or other subject.\r\n\r\n\"Five Ways to Add Shading to a Face\" - Ideal if you don\'t know how or where to begin when it comes to shading a drawing of a face. This short video will demonstrate and explain five different approaches.\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"bundle-small\"\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\"ebook\"\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"master\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"\"\r\n\r\n
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"300\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

\"how

\r\n\r\n

Published Drawing Books

\r\nI have used many general drawing books over the years to teach myself portrait drawing. The books in the short list below played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Materials

\r\nBelow is a list of the drawing supplies I use to create my pencil portraits. Some of the links below are to items comparable to the ones I have (in the case where the brand/model I have subsequently became unavailable).\r\n\r\nLight box - This is wonderful for grid drawing! Just put a blank grid on the light box and your drawing paper on top of that. No annoying grid lines to erase after you complete your line drawing!\r\n\r\nBristol board paper -\r\n\r\nGraphite pencils -\r\n\r\nMechanical pencil -\r\n\r\nMechanical lead refills -\r\n\r\nTortillions -\r\n\r\nKneaded eraser -\r\n\r\nEraser pencil with brush -\r\n\r\nElectric eraser -\r\n\r\nDusting brush -\r\n\r\nCircle template -\r\n\r\nFrench curve set -\r\n

Let\'s Draw People Store

\r\n \r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-06 10:15:46','2015-07-06 17:15:46','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1994,2,'2015-07-06 10:17:55','2015-07-06 17:17:55','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Downloads

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter. \"any\r\n\r\nThe free downloads below have already been given to readers of my newsletter. If any of these interest you, just click on the one(s) you want and enter your information on the next page. The resource will be emailed to you, along with the Let\'s Draw People Newsletter and the free gift above! Come back to this page often, as I will update it with new resources that you can download for free!\r\n\r\n\"Face-Drawing Checklist\" - A handy \"cheat sheet\" that outlines 22 simple yet easily-overlooked details that every line drawing of a face should have. You will never again forget these important details in your face-drawings!\r\n\r\n\"One Simple Trick for Better Proportions When Sketching from Life\" - This quick little guide explains a simple method many artists use to get reasonable proportions in their life drawings when making a sketch of a person, landscape, or other subject.\r\n\r\n\"Five Ways to Add Shading to a Face\" - Ideal if you don\'t know how or where to begin when it comes to shading a drawing of a face. This short video will demonstrate and explain five different approaches.\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"bundle-small\"\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\"ebook\"\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"master\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"\"\r\n\r\n
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"300\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

\"how

\r\n\r\n

Published Drawing Books

\r\nI have used many general drawing books over the years to teach myself portrait drawing. The books in the short list below played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Materials

\r\nBelow is a list of the drawing supplies I use to create my pencil portraits. Some of the links below are to items comparable to the ones I have (in the case where the brand/model I have subsequently became unavailable).\r\n\r\nLight box - This is wonderful for grid drawing! Just put a blank grid on the light box and your drawing paper on top of that. No annoying grid lines to erase after you complete your line drawing!\r\n\r\nBristol board paper -\r\n\r\nGraphite pencils -\r\n\r\nMechanical pencil -\r\n\r\nMechanical lead refills -\r\n\r\nTortillions -\r\n\r\nKneaded eraser -\r\n\r\nEraser pencil with brush -\r\n\r\nElectric eraser -\r\n\r\nDusting brush -\r\n\r\nCircle template -\r\n\r\nFrench curve set -\r\n

Let\'s Draw People Store

\r\n \r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-06 10:17:55','2015-07-06 17:17:55','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1995,2,'2015-07-06 10:21:36','2015-07-06 17:21:36','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Downloads

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter. \"any\r\n\r\nThe free downloads below have already been given to readers of my newsletter. If any of these interest you, just click on the one(s) you want and enter your information on the next page. The resource will be emailed to you, along with the Let\'s Draw People Newsletter and the free gift above! Come back to this page often, as I will update it with new resources that you can download for free!\r\n\r\n\"Face-Drawing Checklist\" - A handy \"cheat sheet\" that outlines 22 simple yet easily-overlooked details that every line drawing of a face should have. You will never again forget these important details in your face-drawings!\r\n\r\n\"One Simple Trick for Better Proportions When Sketching from Life\" - This quick little guide explains a simple method many artists use to get reasonable proportions in their life drawings when making a sketch of a person, landscape, or other subject.\r\n\r\n\"Five Ways to Add Shading to a Face\" - Ideal if you don\'t know how or where to begin when it comes to shading a drawing of a face. This short video will demonstrate and explain five different approaches.\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"bundle-small\"\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\"ebook\"\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"master\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"\"\r\n\r\n
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"300\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

\"how

\r\n\r\n

Published Drawing Books

\r\nI have used many general drawing books over the years to teach myself portrait drawing. The books in the short list below played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Materials

\r\nBelow is a list of the drawing supplies I use to create my pencil portraits. Some of the links below are to items comparable to the ones I have (in the case where the brand/model I have subsequently became unavailable).\r\n\r\nLight box - This is wonderful for grid drawing! Just put a blank grid on the light box and your drawing paper on top of that. No annoying grid lines to erase after you complete your line drawing!\r\n\r\nBristol board paper -\r\n\r\nGraphite pencils -\r\n\r\nMechanical pencil -\r\n\r\nMechanical lead refills -\r\n\r\nTortillions -\r\n\r\nKneaded eraser -\r\n\r\nEraser pencil with brush -\r\n\r\nElectric eraser -\r\n\r\nDusting brush -\r\n\r\nCircle template -\r\n\r\nFrench curve set -\r\n

Let\'s Draw People Store

\r\n \r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-06 10:21:36','2015-07-06 17:21:36','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(1996,2,'2015-07-06 10:30:35','2015-07-06 17:30:35','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Downloads

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter. \"any\r\n\r\nThe free downloads below have already been given to readers of my newsletter. If any of these interest you, just click on the one(s) you want and enter your information on the next page. The resource will be emailed to you, along with the Let\'s Draw People Newsletter and the free gift above! Come back to this page often, as I will update it with new resources that you can download for free!\r\n\r\n\"Face-Drawing Checklist\" - A handy \"cheat sheet\" that outlines 22 simple yet easily-overlooked details that every line drawing of a face should have. You will never again forget these important details in your face-drawings!\r\n\r\n\"One Simple Trick for Better Proportions When Sketching from Life\" - This quick little guide explains a simple method many artists use to get reasonable proportions in their life drawings when making a sketch of a person, landscape, or other subject.\r\n\r\n\"Five Ways to Add Shading to a Face\" - Ideal if you don\'t know how or where to begin when it comes to shading a drawing of a face. This short video will demonstrate and explain five different approaches.\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"bundle-small\"\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\"ebook\"\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"master\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"\"\r\n\r\n
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"300\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

\"how

\r\n\r\n

Published Drawing Books

\r\nI have used many general drawing books over the years to teach myself portrait drawing. The books in the short list below played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Materials

\r\nBelow is a list of the drawing supplies I use to create my pencil portraits. Some of the links below are to items comparable to the ones I have (in the case where the brand/model I have subsequently became unavailable).\r\n\r\nLight box - This is wonderful for grid drawing! Just put a blank grid on the light box and your drawing paper on top of that. No annoying grid lines to erase after you complete your line drawing!\r\n\r\nBristol board paper -\r\n\r\nGraphite pencils -\r\n\r\nMechanical pencil -\r\n\r\nMechanical lead refills -\r\n\r\nTortillions -\r\n\r\nKneaded eraser -\r\n\r\nEraser pencil with brush -\r\n\r\nElectric eraser -\r\n\r\nDusting brush -\r\n\r\nCircle template -\r\n\r\nFrench curve set -\r\n

Let\'s Draw People Store

\r\n \r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-06 10:30:35','2015-07-06 17:30:35','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(2002,2,'2015-07-06 10:48:53','2015-07-06 17:48:53','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Downloads

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter. \"any\r\n\r\nThe free downloads below have already been given to readers of my newsletter. If any of these interest you, just click on the one(s) you want and enter your information on the next page. The resource will be emailed to you, along with the Let\'s Draw People Newsletter and the free gift above! Come back to this page often, as I will update it with new resources that you can download for free!\r\n\r\n\"Face-Drawing Checklist\" - A handy \"cheat sheet\" that outlines 22 simple yet easily-overlooked details that every line drawing of a face should have. You will never again forget these important details in your face-drawings!\r\n\r\n\"One Simple Trick for Better Proportions When Sketching from Life\" - This quick little guide explains a simple method many artists use to get reasonable proportions in their life drawings when making a sketch of a person, landscape, or other subject.\r\n\r\n\"Five Ways to Add Shading to a Face\" - Ideal if you don\'t know how or where to begin when it comes to shading a drawing of a face. This short video will demonstrate and explain five different approaches.\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"bundle-small\"\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\"ebook\"\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"master\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"\"\r\n\r\n
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"300\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

\"how

\r\n\r\n

Published Drawing Books

\r\nI have used many general drawing books over the years to teach myself portrait drawing. The books in the short list below played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Supplies

\r\nBelow is a list of the drawing supplies I use to create my pencil portraits. Some of the links below are to items comparable to the ones I have (in the case where the brand/model I have subsequently became unavailable).\r\n\r\nLight box - This is wonderful for grid drawing! Just put a blank grid on the light box and your drawing paper on top of that. No annoying grid lines to erase after you complete your line drawing!\r\n\r\nBristol board paper -\r\n\r\nGraphite pencils -\r\n\r\nMechanical pencil -\r\n\r\nMechanical lead refills -\r\n\r\nTortillions -\r\n\r\nKneaded eraser -\r\n\r\nEraser pencil with brush -\r\n\r\nElectric eraser -\r\n\r\nDusting brush -\r\n\r\nCircle template -\r\n\r\nFrench curve set -\r\n

Let\'s Draw People Store

\r\n \r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-06 10:48:53','2015-07-06 17:48:53','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(2003,2,'2015-07-06 12:17:05','2015-07-06 19:17:05','Art is one of the quintessential expressions of humanity. In many ways, it\'s what sets us apart from the animals.\n\nLike most things that separate man and beast, art requires tools to be expressed to its fullest potential. If you\'re concentrating on drawing the human figure, there are certain drawing tools that you will need to push your talent to its fullest.\n\nIf you\'re anything like me, your earliest drawing experiences involved nothing more than a pencil and any blank space that you could find. This is great for those who want to do nothing more than to scribble out an idea, but you can do so much more if you have the right tools.\n\nEverything from the surface on which you draw to the eraser that you use to get rid of mistakes can help you to fulfill your promise as an artist.\n\n[caption id=\"attachment_1235\" align=\"aligncenter\" width=\"480\"] Using certain drawing tools can help you to more quickly realize your hidden talents.[/caption]\n

The Base

\nIf you are serious about your art, you may want to devote a specific space in your home to drawing. Having a perfect base on which to draw your art isn\'t a necessity -- but it helps.\n\nWhile there are millions of people who can draw perfectly well without owning any kind of special surface, dedicating a space in your home is a great way to fuel your artistic spirit. The recommended surface upon which you should draw is a drafting table -- an elevated table that is usually raised at an angle.\n\nOf all the drawing tools that you can invest in, an empty space is probably the most important. A drafting board is great, but even a clean desk can help you to focus on your task.\n\nThe most important quality of the surface is smoothness -- you don\'t need a strange texture impacting your art. This is usually a given with a drafting board, but even a standard desk should be sufficient for this task. Don\'t go broke trying to find the perfect surface, but do pay attention to that on which you draw.\n

Paper

\n[caption id=\"attachment_834\" align=\"alignleft\" width=\"225\"]\"Bristol Bristol board paper is sturdy enough to withstand the smudging and erasing needed for detailed, realistic pencil portraits.[/caption]\n\nIf you are going to draw, you need paper. Even if you are a fan of drawing on a tablet, you aren\'t going to get far with your technique unless you have a plentiful paper supply.\n\nIdeally, you should have multiple types of paper. You will need paper for sketching, paper for rough work and the paper upon which you will place your finished work. Each type has its own benefits and drawbacks, and each type is vital for a would-be artist.\n\nThere are dozens of types of paper available, but I believe an average artist can get away with only using three. Your most important paper products are:\n
    \n
  • A small sketchbook
    • \n
  • Acid-free drawing pad
    • \n
  • Two-ply Bristol board
    • \n
\nYour sketchbook is going to be used on a daily basis, generally as inspiration strikes. I\'ve got several laying around at home, mostly full of ideas that never went anywhere. These books are good for working on new techniques and drawing as you go, but not particularly useful for any kind of professional work.\n\nI tend to keep a drawing pad full of acid-free drawing paper around for my rough work and for practice. Larger than a sketchbook, these pages are great for working on my technique or for rough outlines of pieces that I intend to transfer over to my two-ply Bristol board. Of all my drawing tools, my drawing pad is probably the most used -- without it, I can\'t improve.\n\nTwo-ply Bristol board is the paper that you\'ll use for any major final pieces. Reserve this paper for your very best work! This is the paper I use for my detailed, realistic pencil portraits. A bit heavier and smoother than typical paper, it\'s the professional quality product that you\'ve always wanted. Bristol board is available in all of your typical paper sizes, making it perfect for final drawings of any size.\n

Pencils

\n[caption id=\"attachment_824\" align=\"alignleft\" width=\"276\"]\"Graphite Graphite pencils are available in a range of leads, from hard and light to soft and black.[/caption]\n\nIf you want to draw, you will need pencils. If you\'re like me, you already have your favorites -- but you will need to step outside of your comfort zone if you really want to master your craft.\n\nThe pencil box of an artist is filled with a variety of crazy pencils, most of which are certainly not useful on a standardized test. The pencils that you choose to use are going to reflect not only your drawing style but also your level of expertise. As you learn more about art, you will add and remove pencils from your collection.\n\nYou are likely to invest more money in pencils than almost anything else as a pencil portrait artist, so you might as well start building your collection today. If you only concentrate on two types of pencils, they should be:\n
    \n
  • Graphite pencils
    • \n
  • Mechanical pencils
    • \n
\nIt\'s no secret that there are dozens of different drawing pencils out there. Graphite pencils are usually labeled on a continuum from H (hardness) to B (blackness). 9H pencils have the hardest lead and leave the lightest mark, while 9B pencils have the softest lead and leave the blackest mark. HB pencils, which are your standard No. 2 pencils, fall in the middle of the continuum.\n\nI\'m partial to 2B pencils, which are reasonably hard and black. These are the pencils that you will use for most of your sketch work and your final work.\n\nSince there are so many \"professional\" drawing pencils out there, you\'d think that you would never have to use a mechanical pencil. In the real world, though, you will grow to value these versatile pencils.\n\nUse them when you sketch on the go, as you don\'t have to worry as much about misplacing mechanical pencils. Mechanical pencils are also great drawing tools for those who don\'t want to bring around a kit full of graphite pencils on vacation. Additionally, I use them for my realistic portraits. Mechanical pencils are perfect for adding in those tiny, fine details.\n

Erasers

\n[caption id=\"attachment_1236\" align=\"alignleft\" width=\"300\"]\"\" A kneaded eraser and blending stump are two invaluable tools in creating realistic images.[/caption]\n\nErasers are perhaps your most overlooked drawing tool. You are going to make plenty of mistakes when you sketch -- I know I do. A good eraser can save you the hassle of finding more paper in order to restart a piece in progress, giving you the ability to keep your creative flow going.\n\nEven if you\'re the type of artist who believes that there is no such thing as a mistake, you still need an eraser. These little lumps help to cover a variety of deficiencies, and they also work well with a number of artistic techniques.\n\nYour basic eraser does the job for which you\'ve used it since kindergarten -- getting rid of mistakes. I personally prefer a kneaded eraser for the sake of utility. Not only does it erase without leaving the lovely pink residue that we\'ve all come to know and loathe from school, but you can pinch it and knead it into whatever shape you like. This makes it particularly useful for getting stray lines, dots, and unwanted graphite tones out of the way without causing new problems.\n\nWhen one surface on a kneaded eraser gets dirty, you can just fold it over and cover the smudged surface. This eliminates graphite marks and smudges from appearing the next time that you use the eraser.\n\nI also tend to lump tortillons and blending stumps under the category of erasers, if only for simplicity. These items are used for smudging or blending the marks that you make on paper, adding more to the texture and feel of your artwork. It\'s easy to conflate tortillon and stumps, but each tool has a slightly different texture -- make sure to buy both.\n\nPink erasers do have their place. I still use them quite often for erasing smudges from large areas of my paper that would take a kneaded eraser too long to accomplish. But wait - don\'t brush those little eraser fibers off with your hand and please don\'t blow them off! Instead, avoid smudging or accidentally spraying saliva on your artwork by using a dusting brush.\n

Drawing Accessories

\n[caption id=\"attachment_836\" align=\"alignleft\" width=\"300\"]\"If If you like to draw with a grid, a light box can eliminate the need for erasing grid lines.[/caption]\n\nThere are also plenty of tools that you can use to help with your personal style. From lighting to compasses, there are great art accessories out there than will allow you to change the way that you draw.\n\nSure, these are absolutely optional -- but they can also be a lot of fun. Picking the right accessories might allow you to pull off techniques that you can\'t quite manage on your own.\n\nOne great accessory is the light box - a useful tool for those who need to transfer rough drawings from their sketchbooks to better paper. The light that shines through the box makes it easier to see the rough figure through a second piece of paper, thus helping you to transfer your lines with ease. Light boxes are also excellent for using the grid method to make more accurate drawings.\n\nIf you are going to make multi-layered drawings, it is also a smart idea to invest in a workable fixative. This spray can be used to avoid smudging your lines as you draw new layers, allowing you to keep a clean and professional look. If you prefer, wait until your drawing is complete and spray the final product for easier handling. Fixatives are especially useful for professionals who will present their work to others.\n\nDon\'t forget about those accessories that will help you to improve your skills. A circle template will give you the ability to draw circles (think irises and pupils) more cleanly, avoiding those horribly malformed shapes that we are all guilty of drawing.\n\nI\'m also partial to keeping a small anatomical figure on my desk, particularly of the sort that you can pose. It always helps me to better envision how my figure would look in different poses, allowing me to better plot out my artwork.\n

Experiment!

\nThere\'s quite a bit listed in the sections above. While I do believe that everything listed has a place in your evolving world of pencil portraiture, that doesn\'t mean that there aren\'t other fantastic tools that you can use.\n\nYou\'re an artist, so don\'t feel constrained by lists or by recommendations -- figure out new or alternative drawing tools that you can use to perfect your understanding of the human form. I\'ve seen fantastic artists who swear by electronic tablets, while others require college-ruled paper to really nail down a figure. You are in charge of your own artistic destiny, so make sure to use the tools that reflect your goals!','The Drawing Tools of the Artist\'s Trade','','inherit','open','open','','1228-autosave-v1','','','2015-07-06 12:17:05','2015-07-06 19:17:05','',1228,'http://www.letsdrawpeople.com/1228-autosave-v1/',0,'revision','',0),(2004,2,'2015-07-06 12:03:37','2015-07-06 19:03:37','Art is one of the quintessential expressions of humanity. In many ways, it\'s what sets us apart from the animals.\r\n\r\nLike most things that separate man and beast, art requires tools to be expressed to its fullest potential. If you\'re concentrating on drawing the human figure, there are certain drawing tools that you will need to push your talent to its fullest.\r\n\r\nIf you\'re anything like me, your earliest drawing experiences involved nothing more than a pencil and any blank space that you could find. This is great for those who want to do nothing more than to scribble out an idea, but you can do so much more if you have the right tools.\r\n\r\nEverything from the surface on which you draw to the eraser that you use to get rid of mistakes can help you to fulfill your promise as an artist.\r\n\r\n[caption id=\"attachment_1235\" align=\"aligncenter\" width=\"480\"] Using certain drawing tools can help you to more quickly realize your hidden talents.[/caption]\r\n

The Base

\r\nIf you are serious about your art, you may want to devote a specific space in your home to drawing. Having a perfect base on which to draw your art isn\'t a necessity -- but it helps.\r\n\r\nWhile there are millions of people who can draw perfectly well without owning any kind of special surface, dedicating a space in your home is a great way to fuel your artistic spirit. The recommended surface upon which you should draw is a drafting table -- an elevated table that is usually raised at an angle.\r\n\r\nOf all the drawing tools that you can invest in, an empty space is probably the most important. A drafting board is great, but even a clean desk can help you to focus on your task.\r\n\r\nThe most important quality of the surface is smoothness -- you don\'t need a strange texture impacting your art. This is usually a given with a drafting board, but even a standard desk should be sufficient for this task. Don\'t go broke trying to find the perfect surface, but do pay attention to that on which you draw.\r\n

Paper

\r\n[caption id=\"attachment_834\" align=\"alignleft\" width=\"225\"]\"Bristol Bristol board paper is sturdy enough to withstand the smudging and erasing needed for detailed, realistic pencil portraits.[/caption]\r\n\r\nIf you are going to draw, you need paper. Even if you are a fan of drawing on a tablet, you aren\'t going to get far with your technique unless you have a plentiful paper supply.\r\n\r\nIdeally, you should have multiple types of paper. You will need paper for sketching, paper for rough work and the paper upon which you will place your finished work. Each type has its own benefits and drawbacks, and each type is vital for a would-be artist.\r\n\r\nThere are dozens of types of paper available, but I believe an average artist can get away with only using three. Your most important paper products are:\r\n
    \r\n
  • A small sketchbook
    • \r\n
  • Acid-free drawing pad
    • \r\n
  • Two-ply Bristol board
    • \r\n
\r\nYour sketchbook is going to be used on a daily basis, generally as inspiration strikes. I\'ve got several laying around at home, mostly full of ideas that never went anywhere. These books are good for working on new techniques and drawing as you go, but not particularly useful for any kind of professional work.\r\n\r\nI tend to keep a drawing pad full of acid-free drawing paper around for my rough work and for practice. Larger than a sketchbook, these pages are great for working on my technique or for rough outlines of pieces that I intend to transfer over to my two-ply Bristol board. Of all my drawing tools, my drawing pad is probably the most used -- without it, I can\'t improve.\r\n\r\nTwo-ply Bristol board is the paper that you\'ll use for any major final pieces. Reserve this paper for your very best work! This is the paper I use for my detailed, realistic pencil portraits. A bit heavier and smoother than typical paper, it\'s the professional quality product that you\'ve always wanted. Bristol board is available in all of your typical paper sizes, making it perfect for final drawings of any size.\r\n

Pencils

\r\n[caption id=\"attachment_824\" align=\"alignleft\" width=\"276\"]\"Graphite Graphite pencils are available in a range of leads, from hard and light to soft and black.[/caption]\r\n\r\nIf you want to draw, you will need pencils. If you\'re like me, you already have your favorites -- but you will need to step outside of your comfort zone if you really want to master your craft.\r\n\r\nThe pencil box of an artist is filled with a variety of crazy pencils, most of which are certainly not useful on a standardized test. The pencils that you choose to use are going to reflect not only your drawing style but also your level of expertise. As you learn more about art, you will add and remove pencils from your collection.\r\n\r\nYou are likely to invest more money in pencils than almost anything else as a pencil portrait artist, so you might as well start building your collection today. If you only concentrate on two types of pencils, they should be:\r\n
    \r\n
  • Graphite pencils
    • \r\n
  • Mechanical pencils
    • \r\n
\r\nIt\'s no secret that there are dozens of different drawing pencils out there. Graphite pencils are usually labeled on a continuum from H (hardness) to B (blackness). 9H pencils have the hardest lead and leave the lightest mark, while 9B pencils have the softest lead and leave the blackest mark. HB pencils, which are your standard No. 2 pencils, fall in the middle of the continuum.\r\n\r\nI\'m partial to 2B pencils, which are reasonably hard and black. These are the pencils that you will use for most of your sketch work and your final work.\r\n\r\nSince there are so many \"professional\" drawing pencils out there, you\'d think that you would never have to use a mechanical pencil. In the real world, though, you will grow to value these versatile pencils.\r\n\r\nUse them when you sketch on the go, as you don\'t have to worry as much about misplacing mechanical pencils. Mechanical pencils are also great drawing tools for those who don\'t want to bring around a kit full of graphite pencils on vacation. Additionally, I use them for my realistic portraits. Mechanical pencils are perfect for adding in those tiny, fine details.\r\n

Erasers

\r\n[caption id=\"attachment_1236\" align=\"alignleft\" width=\"300\"]\"\" A kneaded eraser and blending stump are two invaluable tools in creating realistic images.[/caption]\r\n\r\nErasers are perhaps your most overlooked drawing tool. You are going to make plenty of mistakes when you sketch -- I know I do. A good eraser can save you the hassle of finding more paper in order to restart a piece in progress, giving you the ability to keep your creative flow going.\r\n\r\nEven if you\'re the type of artist who believes that there is no such thing as a mistake, you still need an eraser. These little lumps help to cover a variety of deficiencies, and they also work well with a number of artistic techniques.\r\n\r\nYour basic eraser does the job for which you\'ve used it since kindergarten -- getting rid of mistakes. I personally prefer a kneaded eraser for the sake of utility. Not only does it erase without leaving the lovely pink residue that we\'ve all come to know and loathe from school, but you can pinch it and knead it into whatever shape you like. This makes it particularly useful for getting stray lines, dots, and unwanted graphite tones out of the way without causing new problems.\r\n\r\nWhen one surface on a kneaded eraser gets dirty, you can just fold it over and cover the smudged surface. This eliminates graphite marks and smudges from appearing the next time that you use the eraser.\r\n\r\nI also tend to lump tortillons and blending stumps under the category of erasers, if only for simplicity. These items are used for smudging or blending the marks that you make on paper, adding more to the texture and feel of your artwork. It\'s easy to conflate tortillon and stumps, but each tool has a slightly different texture -- make sure to buy both.\r\n\r\nPink erasers do have their place. I still use them quite often for erasing smudges from large areas of my paper that would take a kneaded eraser too long to accomplish. But wait - don\'t brush those little eraser fibers off with your hand and please don\'t blow them off! Instead, avoid smudging or accidentally spraying saliva on your artwork by using a dusting brush.\r\n

Drawing Accessories

\r\n[caption id=\"attachment_836\" align=\"alignleft\" width=\"300\"]\"If If you like to draw with a grid, a light box can eliminate the need for erasing grid lines.[/caption]\r\n\r\nThere are also plenty of tools that you can use to help with your personal style. From lighting to compasses, there are great art accessories out there than will allow you to change the way that you draw.\r\n\r\nSure, these are absolutely optional -- but they can also be a lot of fun. Picking the right accessories might allow you to pull off techniques that you can\'t quite manage on your own.\r\n\r\nOne great accessory is the light box - a useful tool for those who need to transfer rough drawings from their sketchbooks to better paper. The light that shines through the box makes it easier to see the rough figure through a second piece of paper, thus helping you to transfer your lines with ease. Light boxes are also excellent for using the grid method to make more accurate drawings.\r\n\r\nIf you are going to make multi-layered drawings, it is also a smart idea to invest in a workable fixative. This spray can be used to avoid smudging your lines as you draw new layers, allowing you to keep a clean and professional look. If you prefer, wait until your drawing is complete and spray the final product for easier handling. Fixatives are especially useful for professionals who will present their work to others.\r\n\r\nDon\'t forget about those accessories that will help you to improve your skills. A circle template will give you the ability to draw circles (think irises and pupils) more cleanly, avoiding those horribly malformed shapes that we are all guilty of drawing.\r\n\r\nI\'m also partial to keeping a small anatomical figure on my desk, particularly of the sort that you can pose. It always helps me to better envision how my figure would look in different poses, allowing me to better plot out my artwork.\r\n

Experiment!

\r\nThere\'s quite a bit listed in the sections above. While I do believe that everything listed has a place in your evolving world of pencil portraiture, that doesn\'t mean that there aren\'t other fantastic tools that you can use.\r\n\r\nYou\'re an artist, so don\'t feel constrained by lists or by recommendations -- figure out new or alternative drawing tools that you can use to perfect your understanding of the human form. I\'ve seen fantastic artists who swear by electronic tablets, while others require college-ruled paper to really nail down a figure. You are in charge of your own artistic destiny, so make sure to use the tools that reflect your goals!','The Drawing Tools of the Artist\'s Trade','','inherit','open','open','','1228-revision-v1','','','2015-07-06 12:03:37','2015-07-06 19:03:37','',1228,'http://www.letsdrawpeople.com/1228-revision-v1/',0,'revision','',0),(2005,2,'2015-07-06 12:17:20','2015-07-06 19:17:20','Art is one of the quintessential expressions of humanity. In many ways, it\'s what sets us apart from the animals.\r\n\r\nLike most things that separate man and beast, art requires tools to be expressed to its fullest potential. If you\'re concentrating on drawing the human figure, there are certain drawing tools that you will need to push your talent to its fullest.\r\n\r\nIf you\'re anything like me, your earliest drawing experiences involved nothing more than a pencil and any blank space that you could find. This is great for those who want to do nothing more than to scribble out an idea, but you can do so much more if you have the right tools.\r\n\r\nEverything from the surface on which you draw to the eraser that you use to get rid of mistakes can help you to fulfill your promise as an artist.\r\n\r\n[caption id=\"attachment_1235\" align=\"aligncenter\" width=\"480\"] Using certain drawing tools can help you to more quickly realize your hidden talents.[/caption]\r\n

The Base

\r\nIf you are serious about your art, you may want to devote a specific space in your home to drawing. Having a perfect base on which to draw your art isn\'t a necessity -- but it helps.\r\n\r\nWhile there are millions of people who can draw perfectly well without owning any kind of special surface, dedicating a space in your home is a great way to fuel your artistic spirit. The recommended surface upon which you should draw is a drafting table -- an elevated table that is usually raised at an angle.\r\n\r\nOf all the drawing tools that you can invest in, an empty space is probably the most important. A drafting board is great, but even a clean desk can help you to focus on your task.\r\n\r\nThe most important quality of the surface is smoothness -- you don\'t need a strange texture impacting your art. This is usually a given with a drafting board, but even a standard desk should be sufficient for this task. Don\'t go broke trying to find the perfect surface, but do pay attention to that on which you draw.\r\n

Paper

\r\n[caption id=\"attachment_834\" align=\"alignleft\" width=\"225\"]\"Bristol Bristol board paper is sturdy enough to withstand the smudging and erasing needed for detailed, realistic pencil portraits.[/caption]\r\n\r\nIf you are going to draw, you need paper. Even if you are a fan of drawing on a tablet, you aren\'t going to get far with your technique unless you have a plentiful paper supply.\r\n\r\nIdeally, you should have multiple types of paper. You will need paper for sketching, paper for rough work and the paper upon which you will place your finished work. Each type has its own benefits and drawbacks, and each type is vital for a would-be artist.\r\n\r\nThere are dozens of types of paper available, but I believe an average artist can get away with only using three. Your most important paper products are:\r\n
    \r\n
  • A small sketchbook
    • \r\n
  • Acid-free drawing pad
    • \r\n
  • Two-ply Bristol board
    • \r\n
\r\nYour sketchbook is going to be used on a daily basis, generally as inspiration strikes. I\'ve got several laying around at home, mostly full of ideas that never went anywhere. These books are good for working on new techniques and drawing as you go, but not particularly useful for any kind of professional work.\r\n\r\nI tend to keep a drawing pad full of acid-free drawing paper around for my rough work and for practice. Larger than a sketchbook, these pages are great for working on my technique or for rough outlines of pieces that I intend to transfer over to my two-ply Bristol board. Of all my drawing tools, my drawing pad is probably the most used -- without it, I can\'t improve.\r\n\r\nTwo-ply Bristol board is the paper that you\'ll use for any major final pieces. Reserve this paper for your very best work! This is the paper I use for my detailed, realistic pencil portraits. A bit heavier and smoother than typical paper, it\'s the professional quality product that you\'ve always wanted. Bristol board is available in all of your typical paper sizes, making it perfect for final drawings of any size.\r\n

Pencils

\r\n[caption id=\"attachment_824\" align=\"alignleft\" width=\"276\"]\"Graphite Graphite pencils are available in a range of leads, from hard and light to soft and black.[/caption]\r\n\r\nIf you want to draw, you will need pencils. If you\'re like me, you already have your favorites -- but you will need to step outside of your comfort zone if you really want to master your craft.\r\n\r\nThe pencil box of an artist is filled with a variety of crazy pencils, most of which are certainly not useful on a standardized test. The pencils that you choose to use are going to reflect not only your drawing style but also your level of expertise. As you learn more about art, you will add and remove pencils from your collection.\r\n\r\nYou are likely to invest more money in pencils than almost anything else as a pencil portrait artist, so you might as well start building your collection today. If you only concentrate on two types of pencils, they should be:\r\n
    \r\n
  • Graphite pencils
    • \r\n
  • Mechanical pencils
    • \r\n
\r\nIt\'s no secret that there are dozens of different drawing pencils out there. Graphite pencils are usually labeled on a continuum from H (hardness) to B (blackness). 9H pencils have the hardest lead and leave the lightest mark, while 9B pencils have the softest lead and leave the blackest mark. HB pencils, which are your standard No. 2 pencils, fall in the middle of the continuum.\r\n\r\nI\'m partial to 2B pencils, which are reasonably hard and black. These are the pencils that you will use for most of your sketch work and your final work.\r\n\r\nSince there are so many \"professional\" drawing pencils out there, you\'d think that you would never have to use a mechanical pencil. In the real world, though, you will grow to value these versatile pencils.\r\n\r\nUse them when you sketch on the go, as you don\'t have to worry as much about misplacing mechanical pencils. Mechanical pencils are also great drawing tools for those who don\'t want to bring around a kit full of graphite pencils on vacation. Additionally, I use them for my realistic portraits. Mechanical pencils are perfect for adding in those tiny, fine details.\r\n

Erasers

\r\n[caption id=\"attachment_1236\" align=\"alignleft\" width=\"300\"]\"\" A kneaded eraser and blending stump are two invaluable tools in creating realistic images.[/caption]\r\n\r\nErasers are perhaps your most overlooked drawing tool. You are going to make plenty of mistakes when you sketch -- I know I do. A good eraser can save you the hassle of finding more paper in order to restart a piece in progress, giving you the ability to keep your creative flow going.\r\n\r\nEven if you\'re the type of artist who believes that there is no such thing as a mistake, you still need an eraser. These little lumps help to cover a variety of deficiencies, and they also work well with a number of artistic techniques.\r\n\r\nYour basic eraser does the job for which you\'ve used it since kindergarten -- getting rid of mistakes. I personally prefer a kneaded eraser for the sake of utility. Not only does it erase without leaving the lovely pink residue that we\'ve all come to know and loathe from school, but you can pinch it and knead it into whatever shape you like. This makes it particularly useful for getting stray lines, dots, and unwanted graphite tones out of the way without causing new problems.\r\n\r\nWhen one surface on a kneaded eraser gets dirty, you can just fold it over and cover the smudged surface. This eliminates graphite marks and smudges from appearing the next time that you use the eraser.\r\n\r\nI also tend to lump tortillons and blending stumps under the category of erasers, if only for simplicity. These items are used for smudging or blending the marks that you make on paper, adding more to the texture and feel of your artwork. It\'s easy to conflate tortillon and stumps, but each tool has a slightly different texture -- make sure to buy both.\r\n\r\nPink erasers do have their place. I still use them quite often for erasing smudges from large areas of my paper that would take a kneaded eraser too long to accomplish. But wait - don\'t brush those little eraser fibers off with your hand and please don\'t blow them off! Instead, avoid smudging or accidentally spraying saliva on your artwork by using a dusting brush.\r\n

Drawing Accessories

\r\n[caption id=\"attachment_836\" align=\"alignleft\" width=\"300\"]\"If If you like to draw with a grid, a light box can eliminate the need for erasing grid lines.[/caption]\r\n\r\nThere are also plenty of tools that you can use to help with your personal style. From lighting to compasses, there are great art accessories out there than will allow you to change the way that you draw.\r\n\r\nSure, these are absolutely optional -- but they can also be a lot of fun. Picking the right accessories might allow you to pull off techniques that you can\'t quite manage on your own.\r\n\r\nOne great accessory is the light box - a useful tool for those who need to transfer rough drawings from their sketchbooks to better paper. The light that shines through the box makes it easier to see the rough figure through a second piece of paper, thus helping you to transfer your lines with ease. Light boxes are also excellent for using the grid method to make more accurate drawings.\r\n\r\nIf you are going to make multi-layered drawings, it is also a smart idea to invest in a workable fixative. This spray can be used to avoid smudging your lines as you draw new layers, allowing you to keep a clean and professional look. If you prefer, wait until your drawing is complete and spray the final product for easier handling. Fixatives are especially useful for professionals who will present their work to others.\r\n\r\nDon\'t forget about those accessories that will help you to improve your skills. A circle template will give you the ability to draw circles (think irises and pupils) more cleanly, avoiding those horribly malformed shapes that we are all guilty of drawing.\r\n\r\nI\'m also partial to keeping a small anatomical figure on my desk, particularly of the sort that you can pose. It always helps me to better envision how my figure would look in different poses, allowing me to better plot out my artwork.\r\n

Experiment!

\r\nThere\'s quite a bit listed in the sections above. While I do believe that everything listed has a place in your evolving world of pencil portraiture, that doesn\'t mean that there aren\'t other fantastic tools that you can use.\r\n\r\nYou\'re an artist, so don\'t feel constrained by lists or by recommendations -- figure out new or alternative drawing tools that you can use to perfect your understanding of the human form. I\'ve seen fantastic artists who swear by electronic tablets, while others require college-ruled paper to really nail down a figure. You are in charge of your own artistic destiny, so make sure to use the tools that reflect your goals!','The Drawing Tools of the Artist\'s Trade','','inherit','open','open','','1228-revision-v1','','','2015-07-06 12:17:20','2015-07-06 19:17:20','',1228,'http://www.letsdrawpeople.com/1228-revision-v1/',0,'revision','',0),(2006,2,'2015-07-06 12:50:49','2015-07-06 19:50:49','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Downloads

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter. \"any\r\n\r\nThe free downloads below have already been given to readers of my newsletter. If any of these interest you, just click on the one(s) you want and enter your information on the next page. The resource will be emailed to you, along with the Let\'s Draw People Newsletter and the free gift above! Come back to this page often, as I will update it with new resources that you can download for free!\r\n\r\n\"Face-Drawing Checklist\" - A handy \"cheat sheet\" that outlines 22 simple yet easily-overlooked details that every line drawing of a face should have. You will never again forget these important details in your face-drawings!\r\n\r\n\"One Simple Trick for Better Proportions When Sketching from Life\" - This quick little guide explains a simple method many artists use to get reasonable proportions in their life drawings when making a sketch of a person, landscape, or other subject.\r\n\r\n\"Five Ways to Add Shading to a Face\" - Ideal if you don\'t know how or where to begin when it comes to shading a drawing of a face. This short video will demonstrate and explain five different approaches.\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"bundle-small\"\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\"ebook\"\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"master\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"\"\r\n\r\n
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"300\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

\"how

\r\n\r\n

Published Drawing Books

\r\nI have used many general drawing books over the years to teach myself portrait drawing. The books in the short list below played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Supplies

\r\nBelow is a list of the drawing supplies I use to create my pencil portraits. Some of the links below are to items comparable to the ones I have (in the case where the brand/model I have subsequently became unavailable).\r\n\r\nLight box - This is wonderful for grid drawing! Just put a blank grid on the light box and your drawing paper on top of that. No annoying grid lines to erase after you complete your line drawing!\r\n\r\nBristol board paper - A bit heavier and smoother than typical drawing paper, two-ply Bristol board is perfect for drawing very detailed, realistic pencil portraits. It is sturdy enough to withstand the constant blending, smudging, and erasing that is involved with this kind of artwork.\r\n\r\nGraphite pencils - This particular set has a good balance of hard-led and soft-led pencils. There are 12 pencils in the set ranging from 6B to 4H.\r\n\r\nMechanical pencil - This pencil is great for sketching on the go when you don\'t want to carry around a full kit of graphite pencils. I also use this pencil for my realistic portraits. It is perfect for adding in those tiny, fine details.\r\n\r\nMechanical lead refills - I use this 2B lead more often than anything else. I have used this (Pentel) brand for many years and love it! It is very sturdy and long-lasting.\r\n\r\nTortillions -\r\n\r\nBlending stumps -\r\n\r\nKneaded eraser -\r\n\r\nEraser pencil with brush -\r\n\r\nElectric eraser -\r\n\r\nDusting brush -\r\n\r\nCircle template -\r\n\r\nFrench curve set -\r\n\r\nWorkable fixative -\r\n

Let\'s Draw People Store

\r\n \r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-06 12:50:49','2015-07-06 19:50:49','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(2007,2,'2015-07-06 13:23:37','2015-07-06 20:23:37','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Downloads

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter. \"any\r\n\r\nThe free downloads below have already been given to readers of my newsletter. If any of these interest you, just click on the one(s) you want and enter your information on the next page. The resource will be emailed to you, along with the Let\'s Draw People Newsletter and the free gift above! Come back to this page often, as I will update it with new resources that you can download for free!\r\n\r\n\"Face-Drawing Checklist\" - A handy \"cheat sheet\" that outlines 22 simple yet easily-overlooked details that every line drawing of a face should have. You will never again forget these important details in your face-drawings!\r\n\r\n\"One Simple Trick for Better Proportions When Sketching from Life\" - This quick little guide explains a simple method many artists use to get reasonable proportions in their life drawings when making a sketch of a person, landscape, or other subject.\r\n\r\n\"Five Ways to Add Shading to a Face\" - Ideal if you don\'t know how or where to begin when it comes to shading a drawing of a face. This short video will demonstrate and explain five different approaches.\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"bundle-small\"\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\"ebook\"\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"master\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"\"\r\n\r\n
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"300\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

\"how

\r\n\r\n

Published Drawing Books

\r\nI have used many general drawing books over the years to teach myself portrait drawing. The books in the short list below played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Supplies

\r\nBelow is a list of the drawing supplies I use to create my pencil portraits. Some of the links below are to items comparable to the ones I have (in the case where the brand/model I have subsequently became unavailable).\r\n\r\nLight box - This is wonderful for grid drawing! Just put a blank grid on the light box and your drawing paper on top of that. No annoying grid lines to erase after you complete your line drawing!\r\n\r\nBristol board paper - A bit heavier and smoother than typical drawing paper, two-ply Bristol board is perfect for drawing very detailed, realistic pencil portraits. It is sturdy enough to withstand the constant blending, smudging, and erasing that is involved with this kind of artwork.\r\n\r\nGraphite pencils - This particular set has a good balance of hard-led and soft-led pencils. There are 12 pencils in the set ranging from 6B to 4H.\r\n\r\nMechanical pencil - This pencil is great for sketching on the go when you don\'t want to carry around a full kit of graphite pencils. I also use this pencil for my realistic portraits. It is perfect for adding in those tiny, fine details.\r\n\r\nMechanical lead refills - I use this 2B lead more often than anything else. I have used this (Pentel) brand for many years and love it! It is very sturdy and long-lasting.\r\n\r\nTortillions - These are nice for smudging the graphite on small areas of your drawing paper, adding more to the texture and feel of your artwork.\r\n\r\nBlending stumps - These have a similar purpose to the tortillions, but blending stumps are generally for larger surfaces of your drawing paper.\r\n\r\nKneaded eraser - This is a must-have for anyone serious about creating realistic pencil portraits. It erases cleanly without leaving residue. You can pinch it and knead it into whatever shape you like to create highlights, hairs, and other tiny effects.\r\n\r\nEraser pencil with brush -\r\n\r\nElectric eraser -\r\n\r\nDusting brush -\r\n\r\nCircle template -\r\n\r\nFrench curve set -\r\n\r\nWorkable fixative -\r\n

Let\'s Draw People Store

\r\n \r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-06 13:23:37','2015-07-06 20:23:37','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(2008,2,'2015-07-06 14:09:57','2015-07-06 21:09:57','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Downloads

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter. \"any\r\n\r\nThe free downloads below have already been given to readers of my newsletter. If any of these interest you, just click on the one(s) you want and enter your information on the next page. The resource will be emailed to you, along with the Let\'s Draw People Newsletter and the free gift above! Come back to this page often, as I will update it with new resources that you can download for free!\r\n\r\n\"Face-Drawing Checklist\" - A handy \"cheat sheet\" that outlines 22 simple yet easily-overlooked details that every line drawing of a face should have. You will never again forget these important details in your face-drawings!\r\n\r\n\"One Simple Trick for Better Proportions When Sketching from Life\" - This quick little guide explains a simple method many artists use to get reasonable proportions in their life drawings when making a sketch of a person, landscape, or other subject.\r\n\r\n\"Five Ways to Add Shading to a Face\" - Ideal if you don\'t know how or where to begin when it comes to shading a drawing of a face. This short video will demonstrate and explain five different approaches.\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"bundle-small\"\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\"ebook\"\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"master\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"\"\r\n\r\n
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"300\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

\"how

\r\n\r\n

Published Drawing Books

\r\nI have used many general drawing books over the years to teach myself portrait drawing. The books in the short list below played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Supplies

\r\nBelow is a list of the drawing supplies I use to create my pencil portraits. Some of the links below are to items comparable to the ones I have (in the case where the brand/model I have subsequently became unavailable).\r\n\r\nLight box - This is wonderful for grid drawing! Just put a blank grid on the light box and your drawing paper on top of that. No annoying grid lines to erase after you complete your line drawing!\r\n\r\nBristol board paper - A bit heavier and smoother than typical drawing paper, two-ply Bristol board is perfect for drawing very detailed, realistic pencil portraits. It is sturdy enough to withstand the constant blending, smudging, and erasing that is involved with this kind of artwork.\r\n\r\nGraphite pencils - This particular set has a good balance of hard-led and soft-led pencils. There are 12 pencils in the set ranging from 6B to 4H.\r\n\r\nMechanical pencil - This pencil is great for sketching on the go when you don\'t want to carry around a full kit of graphite pencils. I also use this pencil for my realistic portraits. It is perfect for adding in those tiny, fine details.\r\n\r\nMechanical lead refills - I use this 2B lead more often than anything else. I have used this (Pentel) brand for many years and love it! It is very sturdy and long-lasting.\r\n\r\nTortillions - These are nice for smudging the graphite on small areas of your drawing paper, adding more to the texture and feel of your artwork.\r\n\r\nBlending stumps - These have a similar purpose to the tortillions, but blending stumps are generally for larger surfaces of your drawing paper.\r\n\r\nKneaded eraser - This is a must-have for anyone serious about creating realistic pencil portraits. It erases cleanly without leaving residue. You can pinch it and knead it into whatever shape you like to create highlights, hairs, and other tiny effects.\r\n\r\nEraser pencil with brush - Nice for erasing and brushing away tiny areas. The eraser can be sharpened to more easily get into those tight spaces.\r\n\r\nDusting brush - Brush off eraser residue without worrying about smudging your drawing. This handy tool also prevents you from accidentally spitting on your hard work while trying to blow the debris away!\r\n\r\nCircle template - Make perfect circles required by, among other things, irises and pupils.\r\n\r\nWorkable fixative - A fixative sprayed on your drawing after you finish it will prevent it from getting smudged from careless handling. This fixative is also \"workable\", meaning if you wanted to work in layers, you could spray in between new layers and not fear your hand smudging your previous work as you continue to draw.\r\n

Let\'s Draw People Store

\r\nIf you want to browse around for a larger variety of drawing supplies, look no further than the Let\'s Draw People Store! Powered by Amazon, this site-based platform displays a condensed list of categories specific to drawing, so you can find exactly what you want quickly and easily.\r\n\r\n \r\n\r\n ','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-06 14:09:57','2015-07-06 21:09:57','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(2009,2,'2015-07-06 14:18:12','2015-07-06 21:18:12','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Downloads

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter. \"any\r\n\r\nThe free downloads below have already been given to readers of my newsletter. If any of these interest you, just click on the one(s) you want and enter your information on the next page. The resource will be emailed to you, along with the Let\'s Draw People Newsletter and the free gift above! Come back to this page often, as I will update it with new resources that you can download for free!\r\n\r\n\"Face-Drawing Checklist\" - A handy \"cheat sheet\" that outlines 22 simple yet easily-overlooked details that every line drawing of a face should have. You will never again forget these important details in your face-drawings!\r\n\r\n\"One Simple Trick for Better Proportions When Sketching from Life\" - This quick little guide explains a simple method many artists use to get reasonable proportions in their life drawings when making a sketch of a person, landscape, or other subject.\r\n\r\n\"Five Ways to Add Shading to a Face\" - Ideal if you don\'t know how or where to begin when it comes to shading a drawing of a face. This short video will demonstrate and explain five different approaches.\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"bundle-small\"\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\"ebook\"\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"master\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"\"\r\n\r\n
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"300\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

\"how

\r\n\r\n

Published Drawing Books

\r\nI have used many general drawing books over the years to teach myself portrait drawing. The books in the short list below played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Supplies

\r\nBelow is a list of the drawing supplies I use to create my pencil portraits. Some of the links below are to items comparable to the ones I have (in the case where the brand/model I have subsequently became unavailable).\r\n\r\nLight box - This is wonderful for grid drawing! Just put a blank grid on the light box and your drawing paper on top of that. No annoying grid lines to erase after you complete your line drawing!\r\n\r\nBristol board paper - A bit heavier and smoother than typical drawing paper, two-ply Bristol board is perfect for drawing very detailed, realistic pencil portraits. It is sturdy enough to withstand the constant blending, smudging, and erasing that is involved with this kind of artwork.\r\n\r\nGraphite pencils - This particular set has a good balance of hard-led and soft-led pencils. There are 12 pencils in the set ranging from 6B to 4H.\r\n\r\nMechanical pencil - This pencil is great for sketching on the go when you don\'t want to carry around a full kit of graphite pencils. I also use this pencil for my realistic portraits. It is perfect for adding in those tiny, fine details.\r\n\r\nMechanical lead refills - I use this 2B lead more often than anything else. I have used this (Pentel) brand for many years and love it! It is very sturdy and long-lasting.\r\n\r\nTortillions - These are nice for smudging the graphite on small areas of your drawing paper, adding more to the texture and feel of your artwork.\r\n\r\nBlending stumps - These have a similar purpose to the tortillions, but blending stumps are generally for larger surfaces of your drawing paper.\r\n\r\nKneaded eraser - This is a must-have for anyone serious about creating realistic pencil portraits. It erases cleanly without leaving residue. You can pinch it and knead it into whatever shape you like to create highlights, hairs, and other tiny effects.\r\n\r\nEraser pencil with brush - Nice for erasing and brushing away tiny areas. The eraser can be sharpened to more easily get into those tight spaces.\r\n\r\nDusting brush - Brush off eraser residue without worrying about smudging your drawing. This handy tool also prevents you from accidentally spitting on your hard work while trying to blow the debris away!\r\n\r\nCircle template - Make perfect circles required by, among other things, irises and pupils.\r\n\r\nWorkable fixative - A fixative sprayed on your drawing after you finish it will prevent it from getting smudged from careless handling. This fixative is also \"workable\", meaning if you wanted to work in layers, you could spray in between new layers and not fear your hand smudging your previous work as you continue to draw.\r\n

Let\'s Draw People Store

\r\nIf you want to browse around for a larger variety of drawing supplies, look no further than the Let\'s Draw People Store! Powered by Amazon, this site-based platform displays a condensed list of categories specific to drawing, so you can find exactly what you want quickly and easily.\r\n\r\n','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-06 14:18:12','2015-07-06 21:18:12','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(2012,2,'2015-07-06 20:23:32','2015-07-07 03:23:32','','/realistic-line-drawings-of-any-face-resource','','publish','closed','closed','','2012','','','2015-07-06 20:23:32','2015-07-07 03:23:32','',0,'',0,'leadpages_post','',0),(2013,2,'2015-07-06 20:25:55','2015-07-07 03:25:55','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Downloads

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter. \"any\r\n\r\nThe free downloads below have already been given to readers of my newsletter. If any of these interest you, just click on the one(s) you want and enter your information on the next page. The resource will be emailed to you, along with the Let\'s Draw People Newsletter and the free gift above! Come back to this page often, as I will update it with new resources that you can download for free!\r\n\r\n\"Face-Drawing Checklist\" - A handy \"cheat sheet\" that outlines 22 simple yet easily-overlooked details that every line drawing of a face should have. You will never again forget these important details in your face-drawings!\r\n\r\n\"One Simple Trick for Better Proportions When Sketching from Life\" - This quick little guide explains a simple method many artists use to get reasonable proportions in their life drawings when making a sketch of a person, landscape, or other subject.\r\n\r\n\"Five Ways to Add Shading to a Face\" - Ideal if you don\'t know how or where to begin when it comes to shading a drawing of a face. This short video will demonstrate and explain five different approaches.\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"bundle-small\"\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\"ebook\"\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"master\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"\"\r\n\r\n
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"300\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

\"how

\r\n\r\n

Published Drawing Books

\r\nI have used many general drawing books over the years to teach myself portrait drawing. The books in the short list below played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Supplies

\r\nBelow is a list of the drawing supplies I use to create my pencil portraits. Some of the links below are to items comparable to the ones I have (in the case where the brand/model I have subsequently became unavailable).\r\n\r\nLight box - This is wonderful for grid drawing! Just put a blank grid on the light box and your drawing paper on top of that. No annoying grid lines to erase after you complete your line drawing!\r\n\r\nBristol board paper - A bit heavier and smoother than typical drawing paper, two-ply Bristol board is perfect for drawing very detailed, realistic pencil portraits. It is sturdy enough to withstand the constant blending, smudging, and erasing that is involved with this kind of artwork.\r\n\r\nGraphite pencils - This particular set has a good balance of hard-led and soft-led pencils. There are 12 pencils in the set ranging from 6B to 4H.\r\n\r\nMechanical pencil - This pencil is great for sketching on the go when you don\'t want to carry around a full kit of graphite pencils. I also use this pencil for my realistic portraits. It is perfect for adding in those tiny, fine details.\r\n\r\nMechanical lead refills - I use this 2B lead more often than anything else. I have used this (Pentel) brand for many years and love it! It is very sturdy and long-lasting.\r\n\r\nTortillions - These are nice for smudging the graphite on small areas of your drawing paper, adding more to the texture and feel of your artwork.\r\n\r\nBlending stumps - These have a similar purpose to the tortillions, but blending stumps are generally for larger surfaces of your drawing paper.\r\n\r\nKneaded eraser - This is a must-have for anyone serious about creating realistic pencil portraits. It erases cleanly without leaving residue. You can pinch it and knead it into whatever shape you like to create highlights, hairs, and other tiny effects.\r\n\r\nEraser pencil with brush - Nice for erasing and brushing away tiny areas. The eraser can be sharpened to more easily get into those tight spaces.\r\n\r\nDusting brush - Brush off eraser residue without worrying about smudging your drawing. This handy tool also prevents you from accidentally spitting on your hard work while trying to blow the debris away!\r\n\r\nCircle template - Make perfect circles required by, among other things, irises and pupils.\r\n\r\nWorkable fixative - A fixative sprayed on your drawing after you finish it will prevent it from getting smudged from careless handling. This fixative is also \"workable\", meaning if you wanted to work in layers, you could spray in between new layers and not fear your hand smudging your previous work as you continue to draw.\r\n

Let\'s Draw People Store

\r\nIf you want to browse around for a larger variety of drawing supplies, look no further than the Let\'s Draw People Store! Powered by Amazon, this site-based platform displays a condensed list of categories specific to drawing, so you can find exactly what you want quickly and easily.\r\n\r\n','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-06 20:25:55','2015-07-07 03:25:55','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(2015,2,'2015-07-07 13:22:32','2015-07-07 20:22:32','You can contact us by email at support@letsdrawpeople.com or at the address below.\r\n\r\n
Let\'s Draw People
3053 West Craig Road
Suite E # 202
North Las Vegas, NV 89032
We would love to hear from you! For the quickest reply, please use the form below to contact us anytime. We look forward to responding to your questions or comments!\r\n\r\nQuestions: Ask us any questions you have about any part of the website or what we do.\r\n\r\nWebsite Feedback: Let us know what you love about our site and what could make it better.\r\n\r\nTutorial Suggestions: Which kind of people-drawing tutorials would you like to see more of on our site?\r\n\r\n[nform id=\'1\']','Contact Us','','inherit','open','open','','15-revision-v1','','','2015-07-07 13:22:32','2015-07-07 20:22:32','',15,'http://www.letsdrawpeople.com/15-revision-v1/',0,'revision','',0),(2016,2,'2015-07-07 13:49:34','2015-07-07 20:49:34','','gmail confirmation email','','inherit','open','open','','gmail-confirmation-email','','','2015-07-07 13:49:34','2015-07-07 20:49:34','',1937,'http://www.letsdrawpeople.com/wp-content/uploads/2015/06/gmail-confirmation-email.png',0,'attachment','image/png',0),(2017,2,'2015-07-07 13:50:35','2015-07-07 20:50:35','

Thank you for entering your email!\r\n\r\nBefore I can officially welcome you as a Let\'s Draw People subscriber, I need you to complete the following two steps...\r\n\r\nStep 1: I just sent you a confirmation email. Open the email with the subject line \"Confirm your subscription to Let\'s Draw People.\" If you cannot find this email in your primary inbox, please check your bulk folder.\r\n

\"gmail

\r\nStep 2: Click on the confirmation link in that email. This step is your way of granting me permission to email you the newsletter two times per week.\r\n\r\nThat\'s all there is to it! Go now to your email inbox, click the confirmation link, and enjoy the Let\'s Draw People Newsletter and your free guide!\r\n\r\n-Jack Pearce','You are almost subscribed!','','inherit','open','open','','1937-revision-v1','','','2015-07-07 13:50:35','2015-07-07 20:50:35','',1937,'http://www.letsdrawpeople.com/1937-revision-v1/',0,'revision','',0),(2018,2,'2015-07-07 17:25:30','2015-07-08 00:25:30','','/realistic-line-drawings-of-any-face-post','','publish','closed','closed','','2018','','','2015-07-07 17:25:30','2015-07-08 00:25:30','',0,'',0,'leadpages_post','',0),(2019,2,'2015-07-07 17:33:31','2015-07-08 00:33:31','\"how\r\n\r\nThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a \"bad\" picture.\r\n\r\nWhen it comes to illustrating human facial features, beginning artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique, and skill in order to produce a realistic image.\r\n\r\nAs a beginning artist, what you may not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve your drawing skills. Learn how to draw faces using some simple tips from this post, and you can begin to build the right skills in order to approach this art form with confidence!\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness.\r\n\r\nA generic image is quite simply something you imagine, something that you come up with and sketch onto paper. A likeness, on the other hand, is a drawing that resembles a real person.\r\n\r\nA portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model.\r\n\r\nRegardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common reason beginning artists find it tricky to draw faces is because they draw an image with the wrong proportions.\r\n\r\nEyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears.\r\n\r\nWith good proportion, a multi-featured object such as a face will appear more aesthetically pleasing. But how do you achieve proportion?\r\n\r\nOne simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc.\r\n\r\nBy taking measurements, you will be able to see the relationship between features of the face and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n

\"how

\r\n A tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. The above guidelines are broad and general. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. If your goal is to capture an accurate likeness of a particular person, you may want to try an even more reliable technique. What matters, though, is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On View (face is forward), the Profile View (face is turned to the side) and the Three Quarters View (face is turned slightly or halfway to the side).\r\n\r\nOf these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view.\r\n\r\n\"three\r\n\r\nHere is where things can get a little tricky again. Each view has its own set of challenges. For example, the Straight On View calls for an appearance of symmetry, and if you don\'t deliver this symmetry, it is usually easy to spot. You don\'t have to worry about symmetry for the Three Quarters View, but drawing, for example, one eye smaller and a different shape and angle than the other can be tricky and problematic for many beginners trying to get it just right.\r\n\r\nOne suggestion I can give you that has been very helpful for me is to look at how the facial features align with other reference points around it. You can use an imaginary line for this or even a ruler.\r\n\r\nLet\'s say you wanted to draw a portrait using the reference photo below. Not only is it a Three Quarter View, but the subject\'s head is tilted down for an extra element of challenge!\r\n\r\nImmediately, you should look at how different parts of the face are positioned in relation to other parts of the photograph. The white lines represent examples where you can use a ruler or even \"eyeball it\" and trace the path with your finger.\r\n\r\n\"\"\r\n\r\nNotice how the man\'s right eye at the far corner lines up with the middle of his hairline at this angle? You can also see that the lower left edge of his nose is directly below his left pupil. Also, the top of the right eye is in perfect alignment with the bottom of the left eye and the attached lobe of the left ear.\r\n\r\nSimply keep looking for positional relationships like this, and you can draw a face angled in any view, any position!\r\n\r\nAlthough this technique has worked well for me over the years, it can be a little time-consuming to discover all of these interesting alignments. Also, if you get lazy and don\'t line up some features properly because you are rushing (like I have done in the past!), your results might not be what you had hoped for.\r\n\r\nThere is a much faster method of drawing a face in any position, and it removes the likelihood of you not placing your facial features properly. You can read more about it here.\r\n\r\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions.\r\n\r\nTo start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline.\r\n\r\nThe arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger.\r\n\r\nTo make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n

\"how

\r\n\r\n

 How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the wings (or alars), which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle.\r\n\r\nAt the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n

\"how

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on.\r\n\r\nAdd the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape (the helix) and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n

\"how

\r\n Note: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips. A woman\'s lips usually appears thicker and fuller, with more curves.\r\n\r\nTo start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look.\r\n\r\nStarting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n

 \"how

\r\n Tip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

But My Drawing Still Looks Nothing Like the Face I Wanted It to Look Like!

\r\nIn this post, I shared just a few simple tips to help you with some of the beginning basics of drawing a face and the facial features properly. That said, there is a lot more to drawing the face than I can cover in this one post, especially if you are striving to draw a face from a reference photo and you want the likeness to match that of the photo!\r\n\r\nIf you like the suggestions in this post but still want a faster and easier way to draw faces...that is also certain to have you end up with a better drawing in the end...\r\n\r\n...then I\'d like to share with you a special guide that I wrote titled \"How to Make Realistic Line Drawings of Any Face\". It provides information on a very effective technique with thorough details and examples that will have you drawing any face from any reference photo, perfectly proportioned and having a true likeness to your subject.\r\n\r\nYou will also see how to get more detailed, realistic-looking facial features with your initial line drawing. Here is an example of a reference photo of a woman\'s eyes, followed by my rendering.\r\n\r\n\"drawing\r\n\r\n\"drawing\r\n\r\nA line drawing is typically the first (and most important) step before adding shading to a portrait to make it as realistic as possible. If your initial line drawing is already detailed and accurate, that makes your final portrait that much more convincing.\r\n\r\nA line drawing can also stand alone as artwork of its own!\r\n\r\nAfter drawing for 15 years, I learned this incredibly simple method that had me immediately drawing better, literally overnight! I will teach you to do the same.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on paper to appear as you want them to appear.\r\n\r\nHowever, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of faces are put together and determine the relationship of each feature with the others.\r\n\r\nBe an observer of life. Implement the simple tips on this page while you keep practicing. Seek more effective techniques when you are ready. The more you are aware of your environment, the better you will be at translating what you see on paper, and you will see that drawing faces is no longer all that tricky!\r\n\r\nClick here to get \"How to Make Realistic Line Drawings of Any Face\"!','How to Draw Those Tricky Faces with Some Simple Tips','','inherit','open','open','','878-revision-v1','','','2015-07-07 17:33:31','2015-07-08 00:33:31','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(2020,2,'2015-07-07 17:46:18','2015-07-08 00:46:18','\"how\r\n\r\nThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a \"bad\" picture.\r\n\r\nWhen it comes to illustrating human facial features, beginning artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique, and skill in order to produce a realistic image.\r\n\r\nAs a beginning artist, what you may not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve your drawing skills. Learn how to draw faces using some simple tips from this post, and you can begin to build the right skills in order to approach this art form with confidence!\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness.\r\n\r\nA generic image is quite simply something you imagine, something that you come up with and sketch onto paper. A likeness, on the other hand, is a drawing that resembles a real person.\r\n\r\nA portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model.\r\n\r\nRegardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common reason beginning artists find it tricky to draw faces is because they draw an image with the wrong proportions.\r\n\r\nEyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears.\r\n\r\nWith good proportion, a multi-featured object such as a face will appear more aesthetically pleasing. But how do you achieve proportion?\r\n\r\nOne simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc.\r\n\r\nBy taking measurements, you will be able to see the relationship between features of the face and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n

\"how

\r\n A tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. The above guidelines are broad and general. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. If your goal is to capture an accurate likeness of a particular person, you may want to try an even more reliable technique. What matters, though, is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On View (face is forward), the Profile View (face is turned to the side) and the Three Quarters View (face is turned slightly or halfway to the side).\r\n\r\nOf these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view.\r\n\r\n\"three\r\n\r\nHere is where things can get a little tricky again. Each view has its own set of challenges. For example, the Straight On View calls for an appearance of symmetry, and if you don\'t deliver this symmetry, it is usually easy to spot. You don\'t have to worry about symmetry for the Three Quarters View, but drawing, for example, one eye smaller and a different shape and angle than the other can be tricky and problematic for many beginners trying to get it just right.\r\n\r\nOne suggestion I can give you that has been very helpful for me is to look at how the facial features align with other reference points around it. You can use an imaginary line for this or even a ruler.\r\n\r\nLet\'s say you wanted to draw a portrait using the reference photo below. Not only is it a Three Quarter View, but the subject\'s head is tilted down for an extra element of challenge!\r\n\r\nImmediately, you should look at how different parts of the face are positioned in relation to other parts of the photograph. The white lines represent examples where you can use a ruler or even \"eyeball it\" and trace the path with your finger.\r\n\r\n\"\"\r\n\r\nNotice how the man\'s right eye at the far corner lines up with the middle of his hairline at this angle? You can also see that the lower left edge of his nose is directly below his left pupil. Also, the top of the right eye is in perfect alignment with the bottom of the left eye and the attached lobe of the left ear.\r\n\r\nSimply keep looking for positional relationships like this, and you can draw a face angled in any view, any position!\r\n\r\nAlthough this technique has worked well for me over the years, it can be a little time-consuming to discover all of these interesting alignments. Also, if you get lazy and don\'t line up some features properly because you are rushing (like I have done in the past!), your results might not be what you had hoped for.\r\n\r\nThere is a much faster method of drawing a face in any position, and it removes the likelihood of you not placing your facial features properly. You can read more about it here.\r\n\r\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions.\r\n\r\nTo start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline.\r\n\r\nThe arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger.\r\n\r\nTo make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n

\"how

\r\n\r\n

 How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the wings (or alars), which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle.\r\n\r\nAt the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n

\"how

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on.\r\n\r\nAdd the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape (the helix) and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n

\"how

\r\n Note: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips. A woman\'s lips usually appears thicker and fuller, with more curves.\r\n\r\nTo start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look.\r\n\r\nStarting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n

 \"how

\r\n Tip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

But My Drawing Still Looks Nothing Like the Face I Wanted It to Look Like!

\r\nIn this post, I shared just a few simple tips to help you with some of the beginning basics of drawing a face and the facial features properly. That said, there is a lot more to drawing the face than I can cover in this one post, especially if you are striving to draw a face from a reference photo and you want the likeness to match that of the photo!\r\n\r\nIf you like the suggestions in this post but still want a faster and easier way to draw faces...that is also certain to have you end up with a better drawing in the end...\r\n\r\n...then I\'d like to share with you a special guide that I wrote titled \"How to Make Realistic Line Drawings of Any Face\". (You can download this guide for free when you sign up for my newsletter). It provides information on a very effective technique with thorough details and examples that will have you drawing any face from any reference photo, perfectly proportioned and having a true likeness to your subject.\r\n\r\nYou will also see how to get more detailed, realistic-looking facial features with your initial line drawing. Here is an example of a reference photo of a woman\'s eyes, followed by my rendering.\r\n\r\n\"drawing\r\n\r\n\"drawing\r\n\r\nA line drawing is typically the first (and most important) step before adding shading to a portrait to make it as realistic as possible. If your initial line drawing is already detailed and accurate, that makes your final portrait that much more convincing.\r\n\r\nA line drawing can also stand alone as artwork of its own!\r\n\r\nAfter drawing for 15 years, I learned this incredibly simple method that had me immediately drawing better, literally overnight! I will teach you to do the same.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on paper to appear as you want them to appear.\r\n\r\nHowever, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of faces are put together and determine the relationship of each feature with the others.\r\n\r\nBe an observer of life. Implement the simple tips on this page while you keep practicing. Seek more effective techniques when you are ready. The more you are aware of your environment, the better you will be at translating what you see on paper, and you will see that drawing faces is no longer all that tricky!\r\n\r\nSign up for the Let\'s Draw People Newsletter to download your free copy of \"How to Make Realistic Line Drawings of Any Face\"!','How to Draw Those Tricky Faces with Some Simple Tips','','inherit','open','open','','878-revision-v1','','','2015-07-07 17:46:18','2015-07-08 00:46:18','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(2021,2,'2015-07-07 17:57:55','2015-07-08 00:57:55','\"how\r\n\r\nThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a \"bad\" picture.\r\n\r\nWhen it comes to illustrating human facial features, beginning artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique, and skill in order to produce a realistic image.\r\n\r\nAs a beginning artist, what you may not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve your drawing skills. Learn how to draw faces using some simple tips from this post, and you can begin to build the right skills in order to approach this art form with confidence!\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness.\r\n\r\nA generic image is quite simply something you imagine, something that you come up with and sketch onto paper. A likeness, on the other hand, is a drawing that resembles a real person.\r\n\r\nA portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model.\r\n\r\nRegardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common reason beginning artists find it tricky to draw faces is because they draw an image with the wrong proportions.\r\n\r\nEyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears.\r\n\r\nWith good proportion, a multi-featured object such as a face will appear more aesthetically pleasing. But how do you achieve proportion?\r\n\r\nOne simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc.\r\n\r\nBy taking measurements, you will be able to see the relationship between features of the face and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n

\"how

\r\n A tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. The above guidelines are broad and general. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. If your goal is to capture an accurate likeness of a particular person, you may want to try an even more reliable technique. What matters, though, is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On View (face is forward), the Profile View (face is turned to the side) and the Three Quarters View (face is turned slightly or halfway to the side).\r\n\r\nOf these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view.\r\n\r\n\"three\r\n\r\nHere is where things can get a little tricky again. Each view has its own set of challenges. For example, the Straight On View calls for an appearance of symmetry, and if you don\'t deliver this symmetry, it is usually easy to spot. You don\'t have to worry about symmetry for the Three Quarters View, but drawing, for example, one eye smaller and a different shape and angle than the other can be tricky and problematic for many beginners trying to get it just right.\r\n\r\nOne suggestion I can give you that has been very helpful for me is to look at how the facial features align with other reference points around it. You can use an imaginary line for this or even a ruler.\r\n\r\nLet\'s say you wanted to draw a portrait using the reference photo below. Not only is it a Three Quarter View, but the subject\'s head is tilted down for an extra element of challenge!\r\n\r\nImmediately, you should look at how different parts of the face are positioned in relation to other parts of the photograph. The white lines represent examples where you can use a ruler or even \"eyeball it\" and trace the path with your finger.\r\n\r\n\"\"\r\n\r\nNotice how the man\'s right eye at the far corner lines up with the middle of his hairline at this angle? You can also see that the lower left edge of his nose is directly below his left pupil. Also, the top of the right eye is in perfect alignment with the bottom of the left eye and the attached lobe of the left ear.\r\n\r\nSimply keep looking for positional relationships like this, and you can draw a face angled in any view, any position!\r\n\r\nAlthough this technique has worked well for me over the years, it can be a little time-consuming to discover all of these interesting alignments. Also, if you get lazy and don\'t line up some features properly because you are rushing (like I have done in the past!), your results might not be what you had hoped for.\r\n\r\nThere is a much faster method of drawing a face in any position, and it removes the likelihood of you not placing your facial features properly. You can read more about it here.\r\n\r\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions.\r\n\r\nTo start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline.\r\n\r\nThe arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger.\r\n\r\nTo make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n

\"how

\r\n\r\n

 How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the wings (or alars), which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle.\r\n\r\nAt the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n

\"how

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on.\r\n\r\nAdd the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape (the helix) and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n

\"how

\r\n Note: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips. A woman\'s lips usually appears thicker and fuller, with more curves.\r\n\r\nTo start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look.\r\n\r\nStarting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n

 \"how

\r\n Tip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

But My Drawing Still Looks Nothing Like the Face I Wanted It to Look Like!

\r\nIn this post, I shared just a few simple tips to help you with some of the beginning basics of drawing a face and the facial features properly. That said, there is a lot more to drawing the face than I can cover in this one post, especially if you are striving to draw a face from a reference photo and you want the likeness to match that of the photo!\r\n\r\nIf you like the suggestions in this post but still want a faster and easier way to draw faces...that is also certain to have you end up with a better drawing in the end...\r\n\r\n...then I\'d like to share with you a special guide that I wrote titled \"How to Make Realistic Line Drawings of Any Face\". (You can download this guide for free when you sign up for my newsletter). It provides information on a very effective technique with thorough details and examples that will have you drawing any face from any reference photo, perfectly proportioned and having a true likeness to your subject.\r\n\r\nYou will also see how to get more detailed, realistic-looking facial features with your initial line drawing. Here is an example of a reference photo of a woman\'s eyes, followed by my rendering.\r\n\r\n\"drawing\r\n\r\n\"drawing\r\n\r\nA line drawing is typically the first (and most important) step before adding shading to a portrait to make it as realistic as possible. If your initial line drawing is already detailed and accurate, that makes your final portrait that much more convincing.\r\n\r\nA line drawing can also stand alone as artwork of its own!\r\n\r\nAfter drawing for 15 years, I learned this incredibly simple method that had me immediately drawing better, literally overnight! I will teach you to do the same.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on paper to appear as you want them to appear.\r\n\r\nHowever, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of faces are put together and determine the relationship of each feature with the others.\r\n\r\nBe an observer of life. Implement the simple tips on this page while you keep practicing. Seek more effective techniques when you are ready. The more you are aware of your environment, the better you will be at translating what you see on paper, and you will see that drawing faces is no longer all that tricky!\r\n
\r\n
\r\n
','How to Draw Those Tricky Faces with Some Simple Tips','','inherit','open','open','','878-revision-v1','','','2015-07-07 17:57:55','2015-07-08 00:57:55','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(2034,2,'2015-07-08 00:06:22','2015-07-08 07:06:22','\"how\r\n\r\nThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a \"bad\" picture.\r\n\r\nWhen it comes to illustrating human facial features, beginning artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique, and skill in order to produce a realistic image.\r\n\r\nAs a beginning artist, what you may not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve your drawing skills. Learn how to draw faces using some simple tips from this post, and you can begin to build the right skills in order to approach this art form with confidence!\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness.\r\n\r\nA generic image is quite simply something you imagine, something that you come up with and sketch onto paper. A likeness, on the other hand, is a drawing that resembles a real person.\r\n\r\nA portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model.\r\n\r\nRegardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common reason beginning artists find it tricky to draw faces is because they draw an image with the wrong proportions.\r\n\r\nEyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears.\r\n\r\nWith good proportion, a multi-featured object such as a face will appear more aesthetically pleasing. But how do you achieve proportion?\r\n\r\nOne simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc.\r\n\r\nBy taking measurements, you will be able to see the relationship between features of the face and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n

\"how

\r\n A tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. The above guidelines are broad and general. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. If your goal is to capture an accurate likeness of a particular person, you may want to try an even more reliable technique. What matters, though, is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On View (face is forward), the Profile View (face is turned to the side) and the Three Quarters View (face is turned slightly or halfway to the side).\r\n\r\nOf these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view.\r\n\r\n\"three\r\n\r\nHere is where things can get a little tricky again. Each view has its own set of challenges. For example, the Straight On View calls for an appearance of symmetry, and if you don\'t deliver this symmetry, it is usually easy to spot. You don\'t have to worry about symmetry for the Three Quarters View, but drawing, for example, one eye smaller and a different shape and angle than the other can be tricky and problematic for many beginners trying to get it just right.\r\n\r\nOne suggestion I can give you that has been very helpful for me is to look at how the facial features align with other reference points around it. You can use an imaginary line for this or even a ruler.\r\n\r\nLet\'s say you wanted to draw a portrait using the reference photo below. Not only is it a Three Quarter View, but the subject\'s head is tilted down for an extra element of challenge!\r\n\r\nImmediately, you should look at how different parts of the face are positioned in relation to other parts of the photograph. The white lines represent examples where you can use a ruler or even \"eyeball it\" and trace the path with your finger.\r\n\r\n\"\"\r\n\r\nNotice how the man\'s right eye at the far corner lines up with the middle of his hairline at this angle? You can also see that the lower left edge of his nose is directly below his left pupil. Also, the top of the right eye is in perfect alignment with the bottom of the left eye and the attached lobe of the left ear.\r\n\r\nSimply keep looking for positional relationships like this, and you can draw a face angled in any view, any position!\r\n\r\nAlthough this technique has worked well for me over the years, it can be a little time-consuming to discover all of these interesting alignments. Also, if you get lazy and don\'t line up some features properly because you are rushing (like I have done in the past!), your results might not be what you had hoped for.\r\n\r\nThere is a much faster method of drawing a face in any position, and it removes the likelihood of you not placing your facial features properly. You can read more about it here.\r\n\r\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions.\r\n\r\nTo start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline.\r\n\r\nThe arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger.\r\n\r\nTo make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n

\"how

\r\n\r\n

 How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the wings (or alars), which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle.\r\n\r\nAt the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n

\"how

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on.\r\n\r\nAdd the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape (the helix) and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n

\"how

\r\n Note: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips. A woman\'s lips usually appears thicker and fuller, with more curves.\r\n\r\nTo start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look.\r\n\r\nStarting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n

 \"how

\r\n Tip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

But My Drawing Still Looks Nothing Like the Face I Wanted It to Look Like!

\r\nIn this post, I shared just a few simple tips to help you with some of the beginning basics of drawing a face and the facial features properly. That said, there is a lot more to drawing the face than I can cover in this one post, especially if you are striving to draw a face from a reference photo and you want the likeness to match that of the photo!\r\n\r\nIf you like the suggestions in this post but still want a faster and easier way to draw faces...that is also certain to have you end up with a better drawing in the end...\r\n\r\n...then I\'d like to share with you a special guide that I wrote titled \"How to Make Realistic Line Drawings of Any Face\". (You can download this guide for free when you sign up for my newsletter). It provides information on a very effective technique with thorough details and examples that will have you drawing any face from any reference photo, perfectly proportioned and having a true likeness to your subject.\r\n\r\nYou will also see how to get more detailed, realistic-looking facial features with your initial line drawing. Here is an example of a reference photo of a woman\'s eyes, followed by my rendering.\r\n\r\n\"drawing\r\n\r\n\"drawing\r\n\r\nA line drawing is typically the first (and most important) step before adding shading to a portrait to make it as realistic as possible. If your initial line drawing is already detailed and accurate, that makes your final portrait that much more convincing.\r\n\r\nA line drawing can also stand alone as artwork of its own!\r\n\r\nAfter drawing for 15 years, I learned this incredibly simple method that had me immediately drawing better, literally overnight! I will teach you to do the same.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on paper to appear as you want them to appear.\r\n\r\nHowever, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of faces are put together and determine the relationship of each feature with the others.\r\n\r\nBe an observer of life. Implement the simple tips on this page while you keep practicing. Seek more effective techniques when you are ready. The more you are aware of your environment, the better you will be at translating what you see on paper, and you will see that drawing faces is no longer all that tricky!','How to Draw Those Tricky Faces with Some Simple Tips','','inherit','open','open','','878-revision-v1','','','2015-07-08 00:06:22','2015-07-08 07:06:22','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(2022,2,'2015-07-07 18:00:20','2015-07-08 01:00:20','\"how\r\n\r\nThe human face is a very intriguing and inspiring subject. It is also one of the most challenging and scariest things to draw because it is so easy to produce a \"bad\" picture.\r\n\r\nWhen it comes to illustrating human facial features, beginning artists simply think that their work may not be good enough or fail to look \"real\" or authentic. This is especially true when it comes to portraiture, an approach that requires accuracy, technique, and skill in order to produce a realistic image.\r\n\r\nAs a beginning artist, what you may not know is that drawing the human face can be a fantastic opportunity to explore different techniques and improve your drawing skills. Learn how to draw faces using some simple tips from this post, and you can begin to build the right skills in order to approach this art form with confidence!\r\n

 Drawing a Face... Any Face

\r\nThere are two ways you can draw human faces: draw a \"generic\" image or create a likeness.\r\n\r\nA generic image is quite simply something you imagine, something that you come up with and sketch onto paper. A likeness, on the other hand, is a drawing that resembles a real person.\r\n\r\nA portrait is a likeness, which means it will require a slightly different technique in order to create an image that is realistic and close to the source image, such as a reference photograph or a live model.\r\n\r\nRegardless, there are certain issues that must be understood in order to create an image that is believable and artistic.\r\n

Understanding Proportion

\r\n\"howThe most common reason beginning artists find it tricky to draw faces is because they draw an image with the wrong proportions.\r\n\r\nEyes, for example, may appear too high on the forehead or too far apart, or the lips may appear too high above the chin. Proportion refers to how one part of the face appears in relation to the other parts, such as the nose, mouth and ears.\r\n\r\nWith good proportion, a multi-featured object such as a face will appear more aesthetically pleasing. But how do you achieve proportion?\r\n\r\nOne simple way is to measure. When first trying to draw the features that make up a face, use a ruler or tape measure and take measurements, such as the distance of one edge of the eye to the other edge, the length of the nose, the distance between the eyebrows, the distance of the chin from the edge of the lower lip, the width of the nostrils, etc.\r\n\r\nBy taking measurements, you will be able to see the relationship between features of the face and learn how to put them together on a blank space so that they make sense. In time, you will have proportion down to a science, making it easier for you to make adjustments in order to create a more pleasing image.\r\n\r\nAnother way to achieve proportion is to follow some commonly accepted guidelines for the placement of facial features. Check some out in the image below. The more measurements you make and the more studying of faces you do, the more you will realize these guidelines for yourself.\r\n

\"how

\r\n A tip: From time to time, hold up the image you are working on in front of a mirror to see if the lines and proportion are just right. Alternatively, you may view the same image in reverse by holding up the paper against a light source and viewing your drawing from the back. Features of the face should appear even and well-proportioned. If anything appears lopsided, make the necessary corrections.\r\n\r\nNote: Proportion is relative. What works for one face may not work for another. The above guidelines are broad and general. If you are doing portraiture, remember that each face is different. Some people, for example, have higher foreheads than others. They may have close-set eyes, narrower nostrils, thinner lips, smaller chins, etc. If your goal is to capture an accurate likeness of a particular person, you may want to try an even more reliable technique. What matters, though, is that you understand basic proportions of each face and use them to build your image.\r\n

How to Draw Faces Using Profiles

\r\nFirst, let us learn of the three major ways that a face is drawn: the Straight On View (face is forward), the Profile View (face is turned to the side) and the Three Quarters View (face is turned slightly or halfway to the side).\r\n\r\nOf these, the Profile is usually the easiest to draw because only one side of the subject\'s face is shown. The Three Quarters requires a view of about 75% of the face and shows both eyes, the nose and most of the mouth. The Straight On is the face in full view.\r\n\r\n\"three\r\n\r\nHere is where things can get a little tricky again. Each view has its own set of challenges. For example, the Straight On View calls for an appearance of symmetry, and if you don\'t deliver this symmetry, it is usually easy to spot. You don\'t have to worry about symmetry for the Three Quarters View, but drawing, for example, one eye smaller and a different shape and angle than the other can be tricky and problematic for many beginners trying to get it just right.\r\n\r\nOne suggestion I can give you that has been very helpful for me is to look at how the facial features align with other reference points around it. You can use an imaginary line for this or even a ruler.\r\n\r\nLet\'s say you wanted to draw a portrait using the reference photo below. Not only is it a Three Quarter View, but the subject\'s head is tilted down for an extra element of challenge!\r\n\r\nImmediately, you should look at how different parts of the face are positioned in relation to other parts of the photograph. The white lines represent examples where you can use a ruler or even \"eyeball it\" and trace the path with your finger.\r\n\r\n\"\"\r\n\r\nNotice how the man\'s right eye at the far corner lines up with the middle of his hairline at this angle? You can also see that the lower left edge of his nose is directly below his left pupil. Also, the top of the right eye is in perfect alignment with the bottom of the left eye and the attached lobe of the left ear.\r\n\r\nSimply keep looking for positional relationships like this, and you can draw a face angled in any view, any position!\r\n\r\nAlthough this technique has worked well for me over the years, it can be a little time-consuming to discover all of these interesting alignments. Also, if you get lazy and don\'t line up some features properly because you are rushing (like I have done in the past!), your results might not be what you had hoped for.\r\n\r\nThere is a much faster method of drawing a face in any position, and it removes the likelihood of you not placing your facial features properly. You can read more about it here.\r\n\r\nNext, let’s look at some basics for drawing facial features. You can begin by learning how to illustrate each of these in isolation, and later integrate the techniques with the proportion guidelines shared earlier to create a whole Straight On face.\r\n

How to Draw Eyes

\r\nThe eyes are the soul of an otherwise lifeless illustration. With eyes, you can create different expressions and convey certain emotions.\r\n\r\nTo start, draw a horizontal line across the page using a pencil. This will be your guideline. Starting at just below this line, draw an almond-shaped line, allowing the pencil to move smoothly over the guideline to create a graceful arch. Stop when the line reaches the horizontal guideline. Complete the almond shape by drawing under the guideline.\r\n\r\nThe arch of the eye should be graceful and rise gradually from the guideline. If it is too steep, it may make the eye appear rounder and bigger.\r\n\r\nTo make the other eye, repeat the same steps, except that the second eye must be a mirror image of the first eye. The distance between two eyes must be the width of one eye.\r\n\r\nTo draw the iris, measure the height of the eyes at the highest part. This will be the diameter of the iris or the big circle. Within this circle, you may draw a smaller circle, also known as the pupil, and another small circle or two for highlights. Add the lids and the eyelashes.\r\n

\"how

\r\n\r\n

 How to Draw Noses

\r\nThe nose may seem like a simple job but it can actually mean the difference between a well-executed drawing and a mediocre attempt. To start, consider the different parts of the nose: the bridge, the ball (the slightly rounded or pointy tip), and the nostrils (including the wings (or alars), which are the fleshy parts). You will need to integrate these parts into your drawing and make them work together.\r\n\r\nNext, draw a vertical line the length of which you want the nose to be. On both sides of this line, draw diagonal lines that are angled away from each other so that the image forms a very steep triangle.\r\n\r\nAt the base of the triangle, draw two dark strips to represent the nostrils. Using light pencil strokes, start building the nose by drawing the ball and finishing up the alars. Create more strokes to define the nose and provide shading.\r\n

\"how

\r\nTip: Keep in mind that noses can be any shape, width or length, so you do have some flexibility in drawing the nose that you like.\r\n

How to Draw Ears

\r\nThe ears are easily the most complicated part of drawing faces because of the different folds of fleshy areas that compose each ear. Since the shape is irregular, all you really need to do is learn the basics and practice so that you are more comfortable drawing the lines next time.\r\n\r\nTo start, draw a rectangular box with the short sides on the top and bottom. Use a 1:2 ratio to make the size proportional - that is, the long sides should be twice as long as the short sides. Using the box as a guide, draw the basic shape of the ear within it. Go gently on the curves, especially the upper arch at the top of the ear. Once done, erase the rectangle so you are left with the basic shape to work on.\r\n\r\nAdd the small bump (called a tragus) on the opposite side, slightly at the lower middle area. Make a parallel outline of the ear shape (the helix) and stop just above the lower middle point. Starting at the upper area where the tragus is, draw a thick Y-shape that curves gracefully downwards, following the outline of the ear. This line should meet the lower end of the tragus. Once you are done, you have a basic ear. Begin shading areas to create depth and dimension.\r\n

\"how

\r\n Note: Ears appear different depending on the profile of the face you are drawing. A full side view or profile will show a full view of the ears, which means you may have to create better details. For reference, study photos of real ears to familiarize yourself with shape and shading.\r\n

How to Draw Lips

\r\nMen\'s and women\'s lips differ slightly but for the sake of learning the technique, let\'s try to draw a woman\'s lips. A woman\'s lips usually appears thicker and fuller, with more curves.\r\n\r\nTo start, draw a short horizontal guideline. This line will mark the middle part of the lips. Using the line as a guide, draw two peaks to represent the bow curve of the upper lips. The line should rise gently from the guideline to create a more natural look.\r\n\r\nStarting at one end of the line at the base of the peaks, draw the lower lip, finishing the drawing to make sure the lines all meet. Refine the lines and add shading or color.\r\n

 \"how

\r\n Tip: Lips may appear thicker or thinner and may even be modified to illustrate a smiling portrait. Watch for proportion in relation to the base of the mouth and the chin.\r\n

But My Drawing Still Looks Nothing Like the Face I Wanted It to Look Like!

\r\nIn this post, I shared just a few simple tips to help you with some of the beginning basics of drawing a face and the facial features properly. That said, there is a lot more to drawing the face than I can cover in this one post, especially if you are striving to draw a face from a reference photo and you want the likeness to match that of the photo!\r\n\r\nIf you like the suggestions in this post but still want a faster and easier way to draw faces...that is also certain to have you end up with a better drawing in the end...\r\n\r\n...then I\'d like to share with you a special guide that I wrote titled \"How to Make Realistic Line Drawings of Any Face\". (You can download this guide for free when you sign up for my newsletter). It provides information on a very effective technique with thorough details and examples that will have you drawing any face from any reference photo, perfectly proportioned and having a true likeness to your subject.\r\n\r\nYou will also see how to get more detailed, realistic-looking facial features with your initial line drawing. Here is an example of a reference photo of a woman\'s eyes, followed by my rendering.\r\n\r\n\"drawing\r\n\r\n\"drawing\r\n\r\nA line drawing is typically the first (and most important) step before adding shading to a portrait to make it as realistic as possible. If your initial line drawing is already detailed and accurate, that makes your final portrait that much more convincing.\r\n\r\nA line drawing can also stand alone as artwork of its own!\r\n\r\nAfter drawing for 15 years, I learned this incredibly simple method that had me immediately drawing better, literally overnight! I will teach you to do the same.\r\n

Perfecting the Human Face

\r\n\"howThe human face itself is a blank canvas that can be painted on to show a wide range of features and emotions. From pain and regret to joy and bliss to annoyance and rage, faces can be manipulated on paper to appear as you want them to appear.\r\n\r\nHowever, as you build your drawing skills, make sure to learn from the best teacher and the best source of inspiration, which is real life. When you are learning how to draw faces, learn to observe, to look, to see. Study people\'s faces in pictures and in videos. Also study and learn from drawings of faces and drawing videos. If you have a willing model, take advantage of that as well. Observe how different parts of faces are put together and determine the relationship of each feature with the others.\r\n\r\nBe an observer of life. Implement the simple tips on this page while you keep practicing. Seek more effective techniques when you are ready. The more you are aware of your environment, the better you will be at translating what you see on paper, and you will see that drawing faces is no longer all that tricky!\r\n\r\n
\r\n
\r\n','How to Draw Those Tricky Faces with Some Simple Tips','','inherit','open','open','','878-revision-v1','','','2015-07-07 18:00:20','2015-07-08 01:00:20','',878,'http://www.letsdrawpeople.com/878-revision-v1/',0,'revision','',0),(2023,2,'2015-07-07 18:40:45','2015-07-08 01:40:45','

Thank you for providing your email. To enjoy the content you requested, just check your inbox!\r\n\r\nIf you are a new Let\'s Draw People subscriber, I need you to complete the following two steps...\r\n\r\nStep 1: I just sent you a confirmation email. Open the email with the subject line \"Confirm your subscription to Let\'s Draw People.\" If you cannot find this email in your primary inbox, please check your bulk folder.\r\n

\"gmail

\r\nStep 2: Click on the confirmation link in that email. This step is your way of granting me permission to email you the newsletter two times per week.\r\n\r\nThat\'s all there is to it! Go now to your email inbox, click the confirmation link, and enjoy the Let\'s Draw People Newsletter. In addition to the resource you just requested, you will get another free gift just for subscribing. It\'s my ebook on the grid-drawing process called How to Make Realistic Line Drawings of Any Face. Enjoy!\r\n\r\n-Jack Pearce','Check your email!','','draft','closed','closed','','check-your-email','','','2016-08-31 04:40:08','2016-08-31 11:40:08','',0,'http://www.letsdrawpeople.com/?page_id=2023',0,'page','',0),(2024,2,'2015-07-07 18:40:45','2015-07-08 01:40:45','

Thank you for sharing your email. To enjoy the content you requested, just check your inbox!\r\n\r\nIf you are not already a Let\'s Draw People subscriber, I need you to complete the following two steps...\r\n\r\nStep 1: I just sent you a confirmation email. Open the email with the subject line \"Confirm your subscription to Let\'s Draw People.\" If you cannot find this email in your primary inbox, please check your bulk folder.\r\n

\"gmail

\r\nStep 2: Click on the confirmation link in that email. This step is your way of granting me permission to email you the newsletter two times per week.\r\n\r\nThat\'s all there is to it! Go now to your email inbox, click the confirmation link, and enjoy the Let\'s Draw People Newsletter. In addition to the resource you just requested, you will get another free gift just for subscribing. It\'s my ebook on the grid-drawing process called How to Make Realistic Line Drawings of Any Face. Enjoy!\r\n\r\n-Jack Pearce','Check your email!','','inherit','open','open','','2023-revision-v1','','','2015-07-07 18:40:45','2015-07-08 01:40:45','',2023,'http://www.letsdrawpeople.com/2023-revision-v1/',0,'revision','',0),(2025,2,'2015-07-07 18:43:47','2015-07-08 01:43:47','

Thank you for sharing your email. To enjoy the content you requested, just check your inbox!\r\n\r\nIf you are a new Let\'s Draw People subscriber, I need you to complete the following two steps...\r\n\r\nStep 1: I just sent you a confirmation email. Open the email with the subject line \"Confirm your subscription to Let\'s Draw People.\" If you cannot find this email in your primary inbox, please check your bulk folder.\r\n

\"gmail

\r\nStep 2: Click on the confirmation link in that email. This step is your way of granting me permission to email you the newsletter two times per week.\r\n\r\nThat\'s all there is to it! Go now to your email inbox, click the confirmation link, and enjoy the Let\'s Draw People Newsletter. In addition to the resource you just requested, you will get another free gift just for subscribing. It\'s my ebook on the grid-drawing process called How to Make Realistic Line Drawings of Any Face. Enjoy!\r\n\r\n-Jack Pearce','Check your email!','','inherit','open','open','','2023-revision-v1','','','2015-07-07 18:43:47','2015-07-08 01:43:47','',2023,'http://www.letsdrawpeople.com/2023-revision-v1/',0,'revision','',0),(2027,2,'2015-07-07 19:43:35','2015-07-08 02:43:35','','/proportions-sketching-from-life-resource','','publish','closed','closed','','2027','','','2015-07-07 19:43:35','2015-07-08 02:43:35','',0,'',0,'leadpages_post','',0),(2028,2,'2015-07-07 19:45:00','2015-07-08 02:45:00','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Downloads

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter. \"any\r\n\r\nThe free downloads below have already been given to readers of my newsletter. If any of these interest you, just click on the one(s) you want and enter your information on the next page. The resource will be emailed to you, along with the Let\'s Draw People Newsletter and the free gift above! Come back to this page often, as I will update it with new resources that you can download for free!\r\n\r\n\"Face-Drawing Checklist\" - A handy \"cheat sheet\" that outlines 22 simple yet easily-overlooked details that every line drawing of a face should have. You will never again forget these important details in your face-drawings!\r\n\r\n\"One Simple Trick for Better Proportions When Sketching from Life\" - This quick little guide explains a simple method many artists use to get reasonable proportions in their life drawings when making a sketch of a person, landscape, or other subject.\r\n\r\n\"Five Ways to Add Shading to a Face\" - Ideal if you don\'t know how or where to begin when it comes to shading a drawing of a face. This short video will demonstrate and explain five different approaches.\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"bundle-small\"\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\"ebook\"\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"master\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"\"\r\n\r\n
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"300\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

\"how

\r\n\r\n

Published Drawing Books

\r\nI have used many general drawing books over the years to teach myself portrait drawing. The books in the short list below played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Supplies

\r\nBelow is a list of the drawing supplies I use to create my pencil portraits. Some of the links below are to items comparable to the ones I have (in the case where the brand/model I have subsequently became unavailable).\r\n\r\nLight box - This is wonderful for grid drawing! Just put a blank grid on the light box and your drawing paper on top of that. No annoying grid lines to erase after you complete your line drawing!\r\n\r\nBristol board paper - A bit heavier and smoother than typical drawing paper, two-ply Bristol board is perfect for drawing very detailed, realistic pencil portraits. It is sturdy enough to withstand the constant blending, smudging, and erasing that is involved with this kind of artwork.\r\n\r\nGraphite pencils - This particular set has a good balance of hard-led and soft-led pencils. There are 12 pencils in the set ranging from 6B to 4H.\r\n\r\nMechanical pencil - This pencil is great for sketching on the go when you don\'t want to carry around a full kit of graphite pencils. I also use this pencil for my realistic portraits. It is perfect for adding in those tiny, fine details.\r\n\r\nMechanical lead refills - I use this 2B lead more often than anything else. I have used this (Pentel) brand for many years and love it! It is very sturdy and long-lasting.\r\n\r\nTortillions - These are nice for smudging the graphite on small areas of your drawing paper, adding more to the texture and feel of your artwork.\r\n\r\nBlending stumps - These have a similar purpose to the tortillions, but blending stumps are generally for larger surfaces of your drawing paper.\r\n\r\nKneaded eraser - This is a must-have for anyone serious about creating realistic pencil portraits. It erases cleanly without leaving residue. You can pinch it and knead it into whatever shape you like to create highlights, hairs, and other tiny effects.\r\n\r\nEraser pencil with brush - Nice for erasing and brushing away tiny areas. The eraser can be sharpened to more easily get into those tight spaces.\r\n\r\nDusting brush - Brush off eraser residue without worrying about smudging your drawing. This handy tool also prevents you from accidentally spitting on your hard work while trying to blow the debris away!\r\n\r\nCircle template - Make perfect circles required by, among other things, irises and pupils.\r\n\r\nWorkable fixative - A fixative sprayed on your drawing after you finish it will prevent it from getting smudged from careless handling. This fixative is also \"workable\", meaning if you wanted to work in layers, you could spray in between new layers and not fear your hand smudging your previous work as you continue to draw.\r\n

Let\'s Draw People Store

\r\nIf you want to browse around for a larger variety of drawing supplies, look no further than the Let\'s Draw People Store! Powered by Amazon, this site-based platform displays a condensed list of categories specific to drawing, so you can find exactly what you want quickly and easily.\r\n\r\n','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-07 19:45:00','2015-07-08 02:45:00','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(2030,2,'2015-07-07 21:54:05','2015-07-08 04:54:05','','/face-drawing-checklist-resource','','publish','closed','closed','','2030','','','2015-07-07 21:54:05','2015-07-08 04:54:05','',0,'',0,'leadpages_post','',0),(2031,2,'2015-07-07 22:16:39','2015-07-08 05:16:39','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Downloads

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter. \"any\r\n\r\nThe free downloads below have already been given to readers of my newsletter. If any of these interest you, just click on the one(s) you want and enter your information on the next page. The resource will be emailed to you, along with the Let\'s Draw People Newsletter and the free gift above! Come back to this page often, as I will update it with new resources that you can download for free!\r\n\r\n\"Face-Drawing Checklist\" - A handy \"cheat sheet\" that outlines 22 simple yet easily-overlooked details that every line drawing of a face should have. You will never again forget these important details in your face-drawings!\r\n\r\n\"One Simple Trick for Better Proportions When Sketching from Life\" - This quick little guide explains a simple method many artists use to get reasonable proportions in their life drawings when making a sketch of a person, landscape, or other subject.\r\n\r\n\"Five Ways to Add Shading to a Face\" - Ideal if you don\'t know how or where to begin when it comes to shading a drawing of a face. This short video will demonstrate and explain five different approaches.\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"bundle-small\"\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\"ebook\"\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"master\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"\"\r\n\r\n
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"300\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

\"how

\r\n\r\n

Published Drawing Books

\r\nI have used many general drawing books over the years to teach myself portrait drawing. The books in the short list below played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Supplies

\r\nBelow is a list of the drawing supplies I use to create my pencil portraits. Some of the links below are to items comparable to the ones I have (in the case where the brand/model I have subsequently became unavailable).\r\n\r\nLight box - This is wonderful for grid drawing! Just put a blank grid on the light box and your drawing paper on top of that. No annoying grid lines to erase after you complete your line drawing!\r\n\r\nBristol board paper - A bit heavier and smoother than typical drawing paper, two-ply Bristol board is perfect for drawing very detailed, realistic pencil portraits. It is sturdy enough to withstand the constant blending, smudging, and erasing that is involved with this kind of artwork.\r\n\r\nGraphite pencils - This particular set has a good balance of hard-led and soft-led pencils. There are 12 pencils in the set ranging from 6B to 4H.\r\n\r\nMechanical pencil - This pencil is great for sketching on the go when you don\'t want to carry around a full kit of graphite pencils. I also use this pencil for my realistic portraits. It is perfect for adding in those tiny, fine details.\r\n\r\nMechanical lead refills - I use this 2B lead more often than anything else. I have used this (Pentel) brand for many years and love it! It is very sturdy and long-lasting.\r\n\r\nTortillions - These are nice for smudging the graphite on small areas of your drawing paper, adding more to the texture and feel of your artwork.\r\n\r\nBlending stumps - These have a similar purpose to the tortillions, but blending stumps are generally for larger surfaces of your drawing paper.\r\n\r\nKneaded eraser - This is a must-have for anyone serious about creating realistic pencil portraits. It erases cleanly without leaving residue. You can pinch it and knead it into whatever shape you like to create highlights, hairs, and other tiny effects.\r\n\r\nEraser pencil with brush - Nice for erasing and brushing away tiny areas. The eraser can be sharpened to more easily get into those tight spaces.\r\n\r\nDusting brush - Brush off eraser residue without worrying about smudging your drawing. This handy tool also prevents you from accidentally spitting on your hard work while trying to blow the debris away!\r\n\r\nCircle template - Make perfect circles required by, among other things, irises and pupils.\r\n\r\nWorkable fixative - A fixative sprayed on your drawing after you finish it will prevent it from getting smudged from careless handling. This fixative is also \"workable\", meaning if you wanted to work in layers, you could spray in between new layers and not fear your hand smudging your previous work as you continue to draw.\r\n

Let\'s Draw People Store

\r\nIf you want to browse around for a larger variety of drawing supplies, look no further than the Let\'s Draw People Store! Powered by Amazon, this site-based platform displays a condensed list of categories specific to drawing, so you can find exactly what you want quickly and easily.\r\n\r\n','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-07 22:16:39','2015-07-08 05:16:39','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(2032,2,'2015-07-07 23:24:34','2015-07-08 06:24:34','','ldp news under posts','','publish','closed','closed','','ldp-news-under-posts','','','2016-11-11 09:12:52','2016-11-11 17:12:52','',0,'http://www.letsdrawpeople.com/?post_type=action-box&p=2032',0,'action-box','',0),(2033,2,'2015-07-07 22:54:49','2015-07-08 05:54:49','','tw any face 3d','','inherit','open','open','','tw-any-face-3d-2','','','2015-07-07 22:54:49','2015-07-08 05:54:49','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/tw-any-face-3d.png',0,'attachment','image/png',0),(2458,15,'2016-01-09 02:50:02','2016-01-09 10:50:02','The hair gods really love me. I mean, they really love me to let me write this article on hair. Let it be known that I’m no high, exquisite expert; but when it’s time to do the subject’s hair in either pencil, color pencil, or oil paint, I don’t play around.\r\n\r\nTo me, hair is the ultimate expression. I even bought a movie because the star/girl in the movie was changing her hair style in every scene. What does that tell you? Any who, let’s get to the nitty gritty of things……how to draw hair and make it look as close to realism as possible.\r\n

How to Draw Brunette Hair

\r\nAs you can see in this first picture, I drew out the basics. Keep in mind I won’t draw the whole face – just the hair since that is our focus. I mostly keep it simple, making sure the contour outline is close to what the original picture is.\r\n\r\n\"01\r\n\r\n \r\n\r\nThe next step is “coloring” the hair some. I use a 3H pencil to add some light color to the hair. I then blend or smudge the pencil into the hair by using tissue to get the effect that I’m looking for. You can also use a tortillion but tissue is preferable.\r\n\r\n\"02\r\n\r\n \r\n\r\n \r\n\r\nI then start to add darker tone to the subject (she’s a brunette) by using a 5B pencil. As you can see, I do not cover the whole hair with it. I leave some areas untouched. They will be the areas where light is reflected or a lighter tone of the hair will be.\r\n\r\n\"03\r\n\r\n \r\n\r\n \r\n\r\nThe next thing I’m going to perform is smudging/blending again, but I will use a tortillion. The reason I do this is because a piece of tissue will spread the graphite of the pencil too much. I would like some of the graphite to spread, but not so much that it doesn’t illustrate strands of hair. A tortillion will isolate the graphite, limiting it as to how far it will spread from its original location.\r\n\r\n\"04\r\n\r\n \r\n\r\n \r\n\r\nIn the final stage, I will add more darker tone and some hair strands to certain areas to make it realistic. I will also utilize the kneaded eraser here to lift certain tones from the hair and add highlights.\r\n\r\n\"05\r\n\r\n \r\n

How to Draw Blonde Hair

\r\n \r\n\r\nLet’s do another exercise of drawing more hair! This time we will see how to draw blonde hair since it doesn’t require the same amount of graphite. This will actually be quick and fast since less work is required.\r\n\r\nAs usual, you can see that I did a quick sketch of one of my pictures of a model. Please don’t get in an uproar over how the fingers look. If this was about hands and fingers, they would be on point, but I was sketching quickly and I wanted to jump on the hair, so………..\r\n\r\n\"01\r\n\r\n \r\n\r\n \r\n\r\nFirst thing I do, like in the first example, is “color” the hair. But in this case, I use a lighter pencil (5H). I then use a 3B pencil to add some dark tone to the top of her hair, followed by some smudging/blending.\r\n\r\n\"02\r\n\r\n \r\n\r\n \r\n\r\nI then use that same 3B pencil to add JUST A FEW hair strands to the subject. You can also interpret this as me adding small dark tones to the blonde hair followed by smudging of the tortillion. It may be important to add some of the darker tones on the tips/end of the strand hairs to show some contrast.\r\n\r\n\"03\r\n\r\n \r\n\r\n \r\n\r\nThe hair at this stage is basically done. If the rest of the picture was to be completed, then the hair would fall right into place.\r\n\r\n\"04\r\n\r\nOnce you, yourself, can go through this stage with no problem mastering the technique of creating hair, the hair gods will find favor with you as well.','How to Draw Hair: Brunette and Blonde','','publish','open','open','','how-to-draw-hair-brunette-and-blonde','','','2016-01-01 13:58:03','2016-01-01 21:58:03','',0,'http://www.letsdrawpeople.com/?p=2458',0,'post','',2),(2211,2,'2015-08-26 03:51:05','2015-08-26 10:51:05','Of all the facial features that exist, teeth have to rank as one of the most challenging to draw. First of all, each tooth seems to have its own special shape. Not to mention there are so many of them!\r\n\r\nTeeth are very unique from one person to the next. The unique characteristics of teeth play a large part in shaping a person\'s appearance. If you are trying to capture a strong likeness of a person, the way you portray that person\'s teeth can make or break your portrait.\r\n\r\nHowever, teeth were not always so difficult to draw. If you have ever drawn teeth as a child, they may have looked something like this:\r\n\r\n\"04\r\n\r\nThis cartoonish version of teeth is how I remember drawing them many times as a child. Surely I am not the only one.\r\n\r\nAhh, the good ol\' days! If only we could still draw teeth this quickly and easily and have the same satisfaction we did back then.\r\n\r\nWell, I am not saying we can get away with this as an adult trying to draw realistic teeth. What I will tell you is there is a way to use this childhood drawing to our advantage, as a shortcut.\r\n\r\nThis tutorial will show how to draw teeth for a person who is looking directly ahead and smiling. The childish drawing of teeth seen above can actually be used as helpful guidelines to get you started.\r\n\r\nAgain, just as individual teeth are unique, individual smiles are also unique. Some smiles, either naturally or purposefully, will show more teeth than others. Some smiles show the top and bottom teeth while other smiles barely reveal any bottom teeth at all.\r\n\r\nThe following reference photograph will serve as good practice since it is a natural-looking smile that reveals bottom teeth as well as the top teeth.\r\n\r\n[caption id=\"attachment_2218\" align=\"aligncenter\" width=\"800\"]\"
© Igor Mojzes | Dreamstime.com
[/caption]\r\n

Identifying the Teeth to Be Drawn

\r\nWhen learning how to draw teeth, I found it very helpful to have an understanding of the different kinds of teeth in the mouth. The image below identifies the names of the teeth that are visible.\r\n\r\n\"names\r\n\r\nIt is important to note the obvious: the bottom incisors are much smaller than the top. Therefore, this leaves a noticeable slant in the alignment of common teeth types from top to bottom. Although teeth have their own unique characteristics from person to person, the size generalizations seen here can be applied to almost anyone\'s teeth.\r\n

How to Draw the Teeth

\r\nNow let\'s see the steps necessary to draw teeth. The steps below will take you from how to draw light guidelines to drawing the top teeth, bottom teeth, and the back teeth and surrounding mouth.\r\n

Drawing the Childhood Shortcut

\r\nAlthough I am sure you can draw the childhood version of teeth with your eyes closed, I want to point out a couple of things that you will need to know for later. That\'s why I will still walk you through the steps.\r\n\r\nBegin by drawing the outline of the mouth. This will serve as a rough outline for the opening part of the lips later on.\r\n\r\n\"01\r\n\r\n \r\n\r\nNext draw a vertical line in the center and a curved horizontal line across. The vertical line will divide the right and left halves of the mouth. The curved line will separate the top and bottom teeth.\r\n\r\n\"02\r\n\r\n \r\n\r\nDraw three vertical lines on one side of the center line. Make sure the spacing is wider next to the center line so it can hold the central incisor. The other lines can have narrower spacing between them. For a more accurate likeness, pay close attention to the top row of teeth in your reference photo and try to match the spacing as closely as possible.\r\n\r\n\"03\r\n\r\n \r\n\r\nRepeat this process on the other side. Here is the childhood version of teeth that we will use as a shortcut to drawing teeth that look a little more \"grown-up\".\r\n\r\n\"04\r\n\r\n \r\n

Drawing the Top Teeth

\r\nThese lines will be the guidelines that will help you to draw the top teeth. Begin by drawing the upper central incisors. You will mostly stay within the limits of the boxes. Curve the upper part of each tooth\'s gum line.\r\n\r\n\"05\r\n\r\n \r\n\r\nNext draw the upper lateral incisors in a similar way. Also notice the rounded corners.\r\n\r\n\"06\r\n\r\n \r\n\r\nDraw the canines (or cuspids) for the top. Again, you are mostly staying within the boxes, but as you see below, you want to pay close attention to the reference photo of your subject. Most teeth are not the exact size, shape, or position as their counterparts. Draw each tooth as you see it as closely as you can to bring out that uniqueness and individuality.\r\n\r\n\"07\r\n\r\n \r\n

Drawing the Bottom Teeth

\r\nThe guidelines used for the top teeth will not really benefit us for the bottom teeth. If we drew the bottom teeth in the same manner as we did the top, we would have some very unnatural-looking human teeth!\r\n\r\nBegin with the central incisors on the bottom. Again, teeth are not perfect, so the central line is not lined up exactly on the top and bottom for this person. Remember that these incisors are much smaller than the ones on top. I\'d say that on average, these teeth are about one-half to two-thirds the width of their upper counterparts.\r\n\r\n\"08\r\n\r\n \r\n\r\nRepeat for the lateral incisors on the bottom. Remember that the curved outline on the bottom is the opening of the lower lip. This woman\'s lower lip will be covering some of her lower teeth around the gum line. Below you can see that I am temporarily sketching in the gum line that will be hidden by the lip later.\r\n\r\n\"09\r\n\r\n \r\n\r\nNow draw the lower canines. Make sure you draw them at the proper angle in relation to the top canines.\r\n\r\n\"10\r\n\r\n \r\n\r\nErase your guidelines. You should have the twelve most visible teeth from a forward-facing smile, as seen below.\r\n\r\n\"11\r\n\r\n \r\n\r\nWhen not using this technique, I tend to draw the lips first before drawing any teeth. However, lips would have gotten in the way of showing you the first part of the childhood shortcut. Before drawing any more teeth, draw the lips and surrounding mouth area.\r\n\r\n\"12\r\n\r\n \r\n\r\nSince the remaining teeth are curving toward the back of the mouth and partially hidden by each other and the lips, they are much easier to draw now that the lips are done. In my experience with drawing different smiles in this position, most often you can see from two to four teeth past the canines. In our example, you can see the two premolars (or bicuspids) and one of the molars on each side on the top. There are fewer visible on the bottom.\r\n\r\n\"how\r\n\r\n \r\n

Finishing Up

\r\nThat concludes this tutorial on how to draw teeth using a popular childhood sketch as a shortcut! As always, you can go further. You can draw the various highlights on the teeth and gums. You can add more details and even shade your drawing. But remember, if are trying to capture the likeness of a person revealing a large smile in a photograph, it is absolutely crucial that you draw their teeth as closely as possible to how they appear in real life. Not doing so will hinder your efforts of an accurate portrayal, even if other parts of the face are drawn right. Keep this shortcut in mind when you want an easier way to draw teeth that works!\r\n\r\n ','This Childhood Shortcut Will Show You How to Draw Teeth','','publish','open','open','','this-childhood-shortcut-will-show-you-how-to-draw-teeth','','','2015-12-23 17:16:26','2015-12-24 01:16:26','',0,'http://www.letsdrawpeople.com/?p=2211',0,'post','',0),(2056,2,'2015-07-08 21:08:25','2015-07-09 04:08:25','','line drawing and news webform','','inherit','open','open','','line-drawing-and-news-webform','','','2015-07-08 21:08:25','2015-07-09 04:08:25','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/line-drawing-and-news-webform.jpg',0,'attachment','image/jpeg',0),(2040,2,'2015-07-08 01:50:24','2015-07-08 08:50:24','','/realistic-line-drawings-of-any-face-sidebar','','publish','closed','closed','','2040','','','2015-07-08 01:50:24','2015-07-08 08:50:24','',0,'',0,'leadpages_post','',0),(2042,2,'2015-07-08 08:32:09','2015-07-08 15:32:09','

MISSION STATEMENT

\r\nWelcome! My name is Jack Pearce, and I am the founder of Let\'s Draw People! It is the mission of this website to awaken the inner artist in everyday people (including YOU)...by drawing people! I believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason I put this site together is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

THE GOAL

\r\nMy goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! My aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating portraits that will amaze themselves and those they know and love.\r\n

HOW IT\'S ALL DONE

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn but life got in the way, and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or you have some experience, Let\'s Draw People lets you take your skills as a beginning or intermediate portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. You will find informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop and your confidence builds, you may be willing to share your work on this site to have your artwork recognized and appreciated by others. Better yet, you may eventually be able to become a contributing artist and author!\r\n

HOW IT ALL GOT STARTED

\r\n\"selfI have had a love for drawing ever since I was 3 years old and never really grew out of it. Although I loved drawing everything under the sun, I always had a special fascination with drawing people. The more my skills developed, the more I wanted to focus on drawing people, especially realistic portraits in pencil (my favorite medium). Like many other artists, I also have a day job in another field. Still, my love for drawing has given me the opportunity to draw many commissioned portraits for people wanting custom portrait artwork, and I still draw and sketch people in my spare time for fun.\r\n\r\nWhenever I do draw people, it triggers that childhood passion and desire to draw all the time. I formed Let\'s Draw People as a way to bring together others who have similar experiences, who would love nothing more than to have the freedom to draw all day long as they so innocently did as kids. My hope is for this website to bring together aspiring portrait artists of all ability levels who want to share their knowledge and artwork, to help others enhance their skills, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people. Also, I invite you to sign up for the Let\'s Draw People Newsletter to stay up-to-date on the latest articles, tutorials, and artwork...\r\n\r\n[magicactionbox id=\"2032\"]\r\n\r\n...and join our growing social community on Facebook, Pinterest, and YouTube!','About Page','','inherit','open','open','','45-revision-v1','','','2015-07-08 08:32:09','2015-07-08 15:32:09','',45,'http://www.letsdrawpeople.com/45-revision-v1/',0,'revision','',0),(2043,2,'2015-07-08 08:33:03','2015-07-08 15:33:03','

Mission Statement

\r\nWelcome! My name is Jack Pearce, and I am the founder of Let\'s Draw People! It is the mission of this website to awaken the inner artist in everyday people (including YOU)...by drawing people! I believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason I put this site together is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

THE GOAL

\r\nMy goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! My aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating portraits that will amaze themselves and those they know and love.\r\n

HOW IT\'S ALL DONE

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn but life got in the way, and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or you have some experience, Let\'s Draw People lets you take your skills as a beginning or intermediate portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. You will find informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop and your confidence builds, you may be willing to share your work on this site to have your artwork recognized and appreciated by others. Better yet, you may eventually be able to become a contributing artist and author!\r\n

HOW IT ALL GOT STARTED

\r\n\"selfI have had a love for drawing ever since I was 3 years old and never really grew out of it. Although I loved drawing everything under the sun, I always had a special fascination with drawing people. The more my skills developed, the more I wanted to focus on drawing people, especially realistic portraits in pencil (my favorite medium). Like many other artists, I also have a day job in another field. Still, my love for drawing has given me the opportunity to draw many commissioned portraits for people wanting custom portrait artwork, and I still draw and sketch people in my spare time for fun.\r\n\r\nWhenever I do draw people, it triggers that childhood passion and desire to draw all the time. I formed Let\'s Draw People as a way to bring together others who have similar experiences, who would love nothing more than to have the freedom to draw all day long as they so innocently did as kids. My hope is for this website to bring together aspiring portrait artists of all ability levels who want to share their knowledge and artwork, to help others enhance their skills, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

NOW, YOU GET STARTED!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people. Also, I invite you to sign up for the Let\'s Draw People Newsletter to stay up-to-date on the latest articles, tutorials, and artwork...\r\n\r\n[magicactionbox id=\"2032\"]\r\n\r\n...and join our growing social community on Facebook, Pinterest, and YouTube!','About Page','','inherit','open','open','','45-revision-v1','','','2015-07-08 08:33:03','2015-07-08 15:33:03','',45,'http://www.letsdrawpeople.com/45-revision-v1/',0,'revision','',0),(2044,2,'2015-07-08 08:34:07','2015-07-08 15:34:07','

Mission Statement

\r\nWelcome! My name is Jack Pearce, and I am the founder of Let\'s Draw People! It is the mission of this website to awaken the inner artist in everyday people (including YOU)...by drawing people! I believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason I put this site together is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

The Goal

\r\nMy goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! My aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating portraits that will amaze themselves and those they know and love.\r\n

How It\'s All Done

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn but life got in the way, and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or you have some experience, Let\'s Draw People lets you take your skills as a beginning or intermediate portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. You will find informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop and your confidence builds, you may be willing to share your work on this site to have your artwork recognized and appreciated by others. Better yet, you may eventually be able to become a contributing artist and author!\r\n

How It All Got Started

\r\n\"selfI have had a love for drawing ever since I was 3 years old and never really grew out of it. Although I loved drawing everything under the sun, I always had a special fascination with drawing people. The more my skills developed, the more I wanted to focus on drawing people, especially realistic portraits in pencil (my favorite medium). Like many other artists, I also have a day job in another field. Still, my love for drawing has given me the opportunity to draw many commissioned portraits for people wanting custom portrait artwork, and I still draw and sketch people in my spare time for fun.\r\n\r\nWhenever I do draw people, it triggers that childhood passion and desire to draw all the time. I formed Let\'s Draw People as a way to bring together others who have similar experiences, who would love nothing more than to have the freedom to draw all day long as they so innocently did as kids. My hope is for this website to bring together aspiring portrait artists of all ability levels who want to share their knowledge and artwork, to help others enhance their skills, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

Now, YOU Get Started!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people. Also, I invite you to sign up for the Let\'s Draw People Newsletter to stay up-to-date on the latest articles, tutorials, and artwork...\r\n\r\n[magicactionbox id=\"2032\"]\r\n\r\n...and join our growing social community on Facebook, Pinterest, and YouTube!','About Page','','inherit','open','open','','45-revision-v1','','','2015-07-08 08:34:07','2015-07-08 15:34:07','',45,'http://www.letsdrawpeople.com/45-revision-v1/',0,'revision','',0),(2045,2,'2015-07-08 08:40:42','2015-07-08 15:40:42','You can contact me by email at support@letsdrawpeople.com or at the address below.\r\n\r\n
Let\'s Draw People
3053 West Craig Road
Suite E # 202
North Las Vegas, NV 89032
I would love to hear from you! For the quickest reply, please use the form below to contact anytime. I look forward to responding to your questions and comments.\r\n\r\nQuestions: Ask any questions you have about any part of the website or what we do.\r\n\r\nWebsite Feedback: Let me know what you love about the site and what could make it better.\r\n\r\nTutorial Suggestions: Which kind of people-drawing tutorials would you like to see more of on this site?\r\n\r\n[nform id=\'1\']','Contact Us','','inherit','open','open','','15-revision-v1','','','2015-07-08 08:40:42','2015-07-08 15:40:42','',15,'http://www.letsdrawpeople.com/15-revision-v1/',0,'revision','',0),(3522,2,'2017-05-21 18:51:55','2017-05-22 01:51:55',' ','','','publish','closed','closed','','3522','','','2017-08-02 04:49:08','2017-08-02 11:49:08','',286,'http://www.letsdrawpeople.com/?p=3522',4,'nav_menu_item','',0),(2049,2,'2015-07-08 14:21:21','2015-07-08 21:21:21','','/five-ways-to-shade-a-face-resource','','publish','closed','closed','','2049','','','2015-07-08 14:21:21','2015-07-08 21:21:21','',0,'',0,'leadpages_post','',0),(2050,2,'2015-07-08 14:34:35','2015-07-08 21:34:35','','/five-ways-to-shade-a-face-top','','publish','closed','closed','','2050','','','2015-07-08 14:34:35','2015-07-08 21:34:35','',0,'',0,'leadpages_post','',0),(2051,2,'2015-07-08 14:44:05','2015-07-08 21:44:05','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Downloads

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter. \"any\r\n\r\nThe free downloads below have already been given to readers of my newsletter. If any of these interest you, just click on the one(s) you want and enter your information on the next page. The resource will be emailed to you, along with the Let\'s Draw People Newsletter and the free gift above! Come back to this page often, as I will update it with new resources that you can download for free!\r\n\r\n\"Face-Drawing Checklist\" - A handy \"cheat sheet\" that outlines 22 simple yet easily-overlooked details that every line drawing of a face should have. You will never again forget these important details in your face-drawings!\r\n\r\n\"One Simple Trick for Better Proportions When Sketching from Life\" - This quick little guide explains a simple method many artists use to get reasonable proportions in their life drawings when making a sketch of a person, landscape, or other subject.\r\n\r\n\"Five Ways to Add Shading to a Face\" - Ideal if you don\'t know how or where to begin when it comes to shading a drawing of a face. This short video will demonstrate and explain five different approaches.\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"bundle-small\"\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\"ebook\"\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"master\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"\"\r\n\r\n
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"300\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

\"how

\r\n\r\n

Published Drawing Books

\r\nI have used many general drawing books over the years to teach myself portrait drawing. The books in the short list below played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Supplies

\r\nBelow is a list of the drawing supplies I use to create my pencil portraits. Some of the links below are to items comparable to the ones I have (in the case where the brand/model I have subsequently became unavailable).\r\n\r\nLight box - This is wonderful for grid drawing! Just put a blank grid on the light box and your drawing paper on top of that. No annoying grid lines to erase after you complete your line drawing!\r\n\r\nBristol board paper - A bit heavier and smoother than typical drawing paper, two-ply Bristol board is perfect for drawing very detailed, realistic pencil portraits. It is sturdy enough to withstand the constant blending, smudging, and erasing that is involved with this kind of artwork.\r\n\r\nGraphite pencils - This particular set has a good balance of hard-led and soft-led pencils. There are 12 pencils in the set ranging from 6B to 4H.\r\n\r\nMechanical pencil - This pencil is great for sketching on the go when you don\'t want to carry around a full kit of graphite pencils. I also use this pencil for my realistic portraits. It is perfect for adding in those tiny, fine details.\r\n\r\nMechanical lead refills - I use this 2B lead more often than anything else. I have used this (Pentel) brand for many years and love it! It is very sturdy and long-lasting.\r\n\r\nTortillions - These are nice for smudging the graphite on small areas of your drawing paper, adding more to the texture and feel of your artwork.\r\n\r\nBlending stumps - These have a similar purpose to the tortillions, but blending stumps are generally for larger surfaces of your drawing paper.\r\n\r\nKneaded eraser - This is a must-have for anyone serious about creating realistic pencil portraits. It erases cleanly without leaving residue. You can pinch it and knead it into whatever shape you like to create highlights, hairs, and other tiny effects.\r\n\r\nEraser pencil with brush - Nice for erasing and brushing away tiny areas. The eraser can be sharpened to more easily get into those tight spaces.\r\n\r\nDusting brush - Brush off eraser residue without worrying about smudging your drawing. This handy tool also prevents you from accidentally spitting on your hard work while trying to blow the debris away!\r\n\r\nCircle template - Make perfect circles required by, among other things, irises and pupils.\r\n\r\nWorkable fixative - A fixative sprayed on your drawing after you finish it will prevent it from getting smudged from careless handling. This fixative is also \"workable\", meaning if you wanted to work in layers, you could spray in between new layers and not fear your hand smudging your previous work as you continue to draw.\r\n

Let\'s Draw People Store

\r\nIf you want to browse around for a larger variety of drawing supplies, look no further than the Let\'s Draw People Store! Powered by Amazon, this site-based platform displays a condensed list of categories specific to drawing, so you can find exactly what you want quickly and easily.\r\n\r\n','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-08 14:44:05','2015-07-08 21:44:05','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(2070,2,'2015-07-11 20:48:31','2015-07-12 03:48:31','','5 ways to shade webform 500x125','','inherit','open','open','','5-ways-to-shade-webform-500x125','','','2015-07-11 20:48:31','2015-07-12 03:48:31','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/5-ways-to-shade-webform-500x125.jpg',0,'attachment','image/jpeg',0),(3046,2,'2016-05-15 21:22:00','2016-05-16 04:22:00','Ok kiddos I’m back – it’s the artist you love to hate! First off I need to apologize because my scanner was in that mood where it wanted to do want it wants, so some scans will have black smudges on them...bummer. The other thing is I was not feeling this drawing, sort of. As the title stated, this is a drawing of Tom Brady...a man!\r\n\r\n[caption id=\"attachment_2998\" align=\"aligncenter\" width=\"480\"]\"how
© Jerry Coli | Dreamstime.com
[/caption]\r\n\r\nAs I have stated in previous articles, I’m not into drawing men. I lean a lot toward women because well, I’m a guy! There’s no stimulation for me in drawing men, but as an artist one needs to diversify. I cannot limit myself to just women only.\r\n\r\nEven though I’ll grumble under my breath about having a man as an art subject, I know it’s necessary to draw them if I want to flourish and grow into a better and more diversified artist. With that being said, let’s bite down and get through this one.\r\n

Use a Light Box for the Basics

\r\nAs I stated earlier, this is a guy so I wanted to finish this drawing as quickly as possible. With that being said, I used a light box. I used it not only for the subject in general but I wanted to capture his frizzled hair as closely as I could; not to mention, I wanted to capture the majority of his jersey wrinkles.\r\n\r\n\"Scan0001-3\"\r\n\r\n \r\n\r\nBelieve it or not, his eyes were a challenge for the simple fact that they didn’t show up well on the light box. I had to take a hypothetical guess as well as look at the original picture to get his eyes close to how they were in the original picture. I added some shading with a tortillion around the eye area and used a Blu Tack erasure to lift some of the markings in the lower, left corners of the eyes to illustrate some highlight.\r\n\r\n\"Scan0002\"\r\n\r\n \r\n\r\nI then started on the mouth. It needs to be said that drawing the lips of men and women are different. With women, you want to add pencil or color to both the upper and lower lip section. With men, color in the upper lip but DO NOT ADD COLOR TO THE LOWER LIP - PERIOD.\r\n\r\nWhat you want to do is add shading under the lower lip to show some form of the lower lip. Men’s lower lips are usually illustrated with the same skin tone that is in the surrounding mouth area. Usually there is a line to separate where the lip is and where the chin area is.\r\n\r\nDon’t believe me? Look at a cartoon with male characters in them and tell me what you see. The females have full lips that are red and the males always have a line to separate what is their lower lip and the chin area.\r\n\r\nIn the case of the lip here, I just used a tortillion. If I got enough graphite on my tortillion from a previous job, I’ll just smudge what’s on there to give it a fainted or smudged look.\r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\n \r\n\r\nTime to do some hair! In this case, I added more dark tone to the hair onto the previous dark markings from the light box sketch. I usually use a 2H pencil first, coloring in the graphite followed by tissue blending and then adding dark tone.\r\n\r\n\"Scan0004\"\r\n\r\n \r\n\r\nIn this case, I added the dark tone followed by some smudging with the tortillion. I then colored the hair with a 2H pencil and then added hair streaks and strands by using a pencil erasure.\r\n\r\n\"Scan0005\"\r\n\r\n \r\n\r\nTo finish up the face, I just use a tortillion to smudge in some shade in the necessary areas. I had enough graphite on the tortillion.\r\n\r\n\"Scan0006\"\r\n\r\n \r\n\r\n \r\n\r\nI then added some shading to the uniform with an HB pencil in some areas, followed by shading and smudging with a tortillion.\r\n\r\n\"Scan0007-2\"\r\n\r\n \r\n\r\n \r\n\r\nI finish up the drawing with darkening of the pants and some shading of the arms (yes, I pulled out the tortillion again). I didn’t work on the hands. I provide a separate tutorial about that and I’ll probably do more on that subject in the future.\r\n\r\nAnywho, there you go ladies and gentlemen, the drawing of Tom Brady at his finest……well maybe not at his finest, but you get the drift.\r\n\r\n\"how\r\n\r\nLove him or hate him, he’s in a better position than us, but it’s cool...we’re artists! Even when we’re 80 years old, we’ll still be drawing and painting. Can he still say the same about himself when he reaches that age?','How to Draw Tom Brady','','inherit','closed','closed','','2836-revision-v1','','','2016-05-15 21:22:00','2016-05-16 04:22:00','',2836,'http://www.letsdrawpeople.com/2836-revision-v1/',0,'revision','',0),(2089,2,'2015-07-18 21:21:35','2015-07-19 04:21:35','If you want to be able to sketch people on a regular basis, it is obvious that you will need to know how to sketch a shirt. Shirts come in all shapes, sizes, and styles. The type of shirt you sketch will depend on what your subject is wearing.\r\n\r\nAlthough each type of shirt may have its own challenges when it comes to sketching it, there are a few common characteristics that all shirts have. Knowing what to look for will make things easier as you sketch shirts of your own.\r\n\r\nSo if you want to see how to sketch a shirt, keep reading! I will reveal everything you need to know.\r\n

Become Familiar with What Shirts Look Like

\r\nWhen you are at work, running errands, or just out people-watching, get in the habit of glancing at different shirts and the vast variety of styles that exist. You can also achieve this by looking at pictures online or simply taking a look in your own closet.\r\n\r\nIf you are the type of person to sketch in public, take your sketchpad along with you and make quick sketches of shirts you see. This will get you used to seeing and accounting for commonalities in different styles.\r\n\r\nI am in no way suggesting you have to become a fashion expert. I most certainly am not one. But like anything else, the more exposure you have to something, the easier it becomes for you.\r\n\r\nIt can also be helpful to study sketches of shirts done by other artists. The image below contains two sketches I did of two different shirts: a casual, long-sleeve shirt with a v-neck and an open denim shirt. Even though these shirts are two totally different styles, they both still have some obvious things in common with each other and with most other kinds of shirts you will sketch: \"sketches\r\n
    \r\n
  • Shirts have a neckline. These are examples of two very different necklines, a v-neck and an actual collar. You will have to study collars too. A dress shirt, for instance, would not have the same collar as the denim shirt above.
    • \r\n
  • Shirts run from the length of the neckline to the lower area of the torso. They can be form-fitting, loose, or capable of being buttoned and unbuttoned.
    • \r\n
  • Shirts have sleeves. Sleeves can be short. As we see in our example, sleeves can also be long and they can be rolled up to appear shorter. Many long sleeves have a cuff at the end.
    • \r\n
  • Shirts have folds in specific places when they are being worn. Look especially where the fabric sits around the armpits and where the arms bend.
    • \r\n
  • Shirts have seams where the fabric is sewn together. Note in the examples above the seams from the neck to the shoulders, along the side of the torso, near the cuffs of the sleeves, and along the bottom of the shirts.
    • \r\n
\r\nlogo, one or more pockets, tags\r\n\r\nsketch t shirt\r\n
    \r\n
  • check for proportional spacing between neckline and sleeve, length of shirt, etc. lead magnet
    • \r\n
  • 1 torso and folds
    • \r\n
\r\n\"sketch\r\n
    \r\n
  • 2 sleeves and folds
    • \r\n
\r\n\"sketch\r\n
    \r\n
  • 3 details: seams and logos, any other characteristics that stand out
    • \r\n
\r\n\"sketch\r\n\r\npolo shirt sketch\r\n
    \r\n
  • one of many styles
    • \r\n
\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\nhow to sketch a shirt','Everything You Need to Know about How to Sketch a Shirt','','inherit','open','open','','2071-revision-v1','','','2015-07-18 21:21:35','2015-07-19 04:21:35','',2071,'http://www.letsdrawpeople.com/2071-revision-v1/',0,'revision','',0),(2237,2,'2015-09-05 03:57:31','2015-09-05 10:57:31','\"pencil\r\n\r\nYou really love to draw pencil portraits.\r\n\r\nYou love creating pencil portrait drawings so much that you practice all the time. As you practice, you get noticeably better and better.\r\n\r\nIn fact, you begin to get so much better that people are beginning to come to you to ask you to draw a portrait for them!\r\n\r\nMaybe you have experienced the scenario above. Or, maybe no one has come to you yet, but you are getting increasingly confident in your ability to render a successful likeness of a person…so confident that you are ready to offer your services to draw pencil portraits for people who are willing to pay you!\r\n\r\nIt is exciting to think that you can go into business for yourself and get paid for something you enjoy doing! However, if you have little to no experience drawing commissioned portraits for clients, you may be asking yourself “Where should I begin setting my pencil portrait drawing prices?”\r\n\r\nThis article aims to guide you in the right direction. It highlights some important factors that will help you develop an appropriate starting price that works for you.\r\n

Where in the Market Do You Want to Be?

\r\nThere are several popular methods artists use to price their work. One of those methods involves artists pricing their work based on how other artists who create similar pieces are pricing work.\r\n\r\nSo if you want to offer realistic pencil portraits to clients, you would simply research other artists who are selling realistic pencil portraits and take note of their prices.\r\n\r\nYou will find a broad range of starting prices among these artists. What you should do is sort the prices from low to high to get a sense of the market. You can also look at samples of their work. Take this into consideration along with the range of prices and decide where along the spectrum you thing your work should fall.\r\n\r\nYou could do this research on your own by looking up pencil portrait artists on a search engine. If you would rather save some time, I did already compile and sort a list of starting prices from ten pencil portrait artists who sell their services online. I have already made this list available to my newsletter subscribers for free. If you would like your own copy, you can sign up for my newsletter in the box below and I will send you the list!\r\n\r\n \r\n
\r\n\r\n\r\n \r\n

Experience and Name Recognition

\r\nAnother factor that plays a part in how pencil portraits are priced is the experience and/or name recognition of the artist. Obviously if you are just still learning how to draw portraits, you will not have either of these. This will also be the case if you have been practicing for quite some time but are just now warming up to the possibility of selling your portraits on commission.\r\n\r\nArtists with more experience and name recognition tend to be able to charge higher prices and still secure paying customers. This is for a number of reasons. Artists who have many years of experience in their craft will certainly produce work at a level of quality that is deserving of higher commissions.\r\n\r\nExperience can also come in the form of years in business. Spending more years in the business brings more name recognition in the market. If artists have commissioned portraits for a long time, they understand the business side of the art enough to handle customer service, special requests, and their reputation in a way that builds the kind of trust for which customers are willing to pay more.\r\n

At What Quality Are Your Pencil Portrait Drawings?

\r\nYou should be confident that your pencil portraits are a \"good enough\" quality that other people will be willing to pay you for them.\r\n\r\nThe good news is there are different levels of quality. Some artists at fairs and festivals focus solely on selling sketches of people for $10 to $20 apiece. You could just as easily choose to sell sketches at these prices while working from photographs.\r\n\r\nGenerally speaking, as the quality of work increases, so will the prices. Realistic pencil portraits will cost more than sketches, and hyperrealistic portraits that look like actual photographs will cost a LOT more than your \"average\" realistic portraits.\r\n\r\nMore factors that affect price include size, number of subjects, and amount of detail in the portrait:\r\n
  • A few common sizes artists provide are 8\" x 10\", 11\" x 14\", 16\" x 20\", and even much larger canvases.
    • \r\n
  • A portrait of one single person will cost less than a family portrait of four people.
    • \r\n
  • A portrait can be anything from a head-and-shoulders view to a full-length, head-to-toe view.
    • \r\n
  • Will there be a blank background or a detailed setting?
    • \r\n
  • Is the person in your portrait wearing a plain white t shirt or a fancy blouse with an elaborate pattern that your client requested you to include?
    • \r\n

The Best Place to Start

\r\nIf you are just starting out, the best place to start is with very low prices. Start on the low end of your market research for realistic pencil portraits. If you are selling sketches, start even lower. At the same time, know that it is a balancing act and you don\'t want to undersell your work and your value.\r\n\r\nRemember that you can get my compiled list of starting prices and save time from all the research by signing up for my newsletter. This list is more than enough to give you an idea of where to start.\r\n\r\nOne final note: demand influences prices. As you gain experience and more customers than you can handle in a timely manner, it is okay to gradually raise your pencil portrait drawing prices. You should find over a number of years that as your value and name recognition increase, demand for your work continues to climb even with higher prices!','\"Where Should I Begin Setting Pencil Portrait Drawing Prices?\"','','publish','open','open','','where-should-i-begin-setting-pencil-portrait-drawing-prices','','','2015-11-26 23:46:50','2015-11-27 07:46:50','',0,'http://www.letsdrawpeople.com/?p=2237',0,'post','',0),(2062,2,'2015-07-11 17:38:18','2015-07-12 00:38:18','','Home','','inherit','open','open','','2057-revision-v1','','','2015-07-11 17:38:18','2015-07-12 00:38:18','',2057,'http://www.letsdrawpeople.com/2057-revision-v1/',0,'revision','',0),(2063,2,'2015-07-11 19:46:58','2015-07-12 02:46:58','
\nWatch the talented artist, Giorgio Arcuri, create a masterpiece in \"moments\" as he uses a photograph to draw a family. The subject of this recent piece is fashion designer and model Chiara Ferragni, blogger of \"The Blonde Salad\" and author of the book by the same name.\n\nWhether you are a beginning or seasoned artist, it is always a good idea to observe the work of others, and to have the opportunity to watch this time lapse of Arcuri\'s portrait is priceless. Remember that this portrait took much longer than the less-than-three minutes it took to watch it. Mr. Arcuri is very skilled and confident in his application of pencil to paper, and you can be assured that this skill has been honed for many years with diligence.\n\nWhile entertaining to watch, there are a few things we can also learn from the video. The composition starts in pencil, a favorite media for Arcuri. He achieves an amazing range of shades with his pencils. Notice that he starts with the lightest areas of the face and moves to the darker. Also take note that he has at least 3 black pencils in use. Light, fine lines are created with a hard lead (the letter H is on the pencil, and the higher the number, the harder the lead). Softer pencils (labeled with a B) are darker and richer. He uses charcoal for the deepest blacks.\n\nI would recommend beginning a project like this with a single face. Arcuri flows smoothly from one face to the next, but do you notice his order for drawing the faces? He is generally progressing from top to bottom, left to right. Why do you think this is?\n\nArcuri has an interesting technique for using color. Rather than making the entire illustration in color, he uses colored pencils for just accents, such as the eyes and lips of the girls. That is his style. Remember that you can learn techniques from different artists, but the fun thing about art is you can stick to those techniques as much or as little as you want to develop your OWN style.\n\nRemember not to be intimidated by this talented artist, but be inspired instead. His amazing ability to draw a family was not acquired overnight. Start slowly, and view this video and other similar ones. There is always an added layer of challenge when drawing multiple people in a portrait, but if you practice drawing compositions of friends and family from time to time, it will become easier and easier.','Amazing Family Portrait Develops Before Your Eyes','','inherit','open','open','','1306-autosave-v1','','','2015-07-11 19:46:58','2015-07-12 02:46:58','',1306,'http://www.letsdrawpeople.com/1306-autosave-v1/',0,'revision','',0),(2066,2,'2015-07-11 19:45:01','2015-07-12 02:45:01','
\nThis video is a quick sketch of a man with a surprised look on his face. It shows you a few simple fundamentals of how you can sketch a face of a man in a few minutes.\n\nI like to take my time and not rush when I draw or even sketch. This small experiment was a departure from that. This was my attempt to see how much of a face I could sketch within 5 minutes, so obviously it is only meant to be a quick sketch and not a complete, realistic depiction. Also as you will see, it was a challenge for me to stay within that 5-minute time frame!','Sketch a Surprised Man\'s Face in Mere Minutes','','inherit','open','open','','1591-autosave-v1','','','2015-07-11 19:45:01','2015-07-12 02:45:01','',1591,'http://www.letsdrawpeople.com/1591-autosave-v1/',0,'revision','',0),(2067,2,'2015-07-11 19:45:05','2015-07-12 02:45:05','
\r\nThis video is a quick sketch of a man with a surprised look on his face. It shows you a few simple fundamentals of how you can sketch a face of a man in a few minutes.\r\n\r\nI like to take my time and not rush when I draw or even sketch. This small experiment was a departure from that. This was my attempt to see how much of a face I could sketch within 5 minutes, so obviously it is only meant to be a quick sketch and not a complete, realistic depiction. Also as you will see, it was a challenge for me to stay within that 5-minute time frame!','Sketch a Surprised Man\'s Face in Mere Minutes','','inherit','open','open','','1591-revision-v1','','','2015-07-11 19:45:05','2015-07-12 02:45:05','',1591,'http://www.letsdrawpeople.com/1591-revision-v1/',0,'revision','',0),(2068,2,'2015-07-11 19:47:07','2015-07-12 02:47:07','
\r\nWatch the talented artist, Giorgio Arcuri, create a masterpiece in \"moments\" as he uses a photograph to draw a family. The subject of this recent piece is fashion designer and model Chiara Ferragni, blogger of \"The Blonde Salad\" and author of the book by the same name.\r\n\r\nWhether you are a beginning or seasoned artist, it is always a good idea to observe the work of others, and to have the opportunity to watch this time lapse of Arcuri\'s portrait is priceless. Remember that this portrait took much longer than the less-than-three minutes it took to watch it. Mr. Arcuri is very skilled and confident in his application of pencil to paper, and you can be assured that this skill has been honed for many years with diligence.\r\n\r\nWhile entertaining to watch, there are a few things we can also learn from the video. The composition starts in pencil, a favorite media for Arcuri. He achieves an amazing range of shades with his pencils. Notice that he starts with the lightest areas of the face and moves to the darker. Also take note that he has at least 3 black pencils in use. Light, fine lines are created with a hard lead (the letter H is on the pencil, and the higher the number, the harder the lead). Softer pencils (labeled with a B) are darker and richer. He uses charcoal for the deepest blacks.\r\n\r\nI would recommend beginning a project like this with a single face. Arcuri flows smoothly from one face to the next, but do you notice his order for drawing the faces? He is generally progressing from top to bottom, left to right. Why do you think this is?\r\n\r\nArcuri has an interesting technique for using color. Rather than making the entire illustration in color, he uses colored pencils for just accents, such as the eyes and lips of the girls. That is his style. Remember that you can learn techniques from different artists, but the fun thing about art is you can stick to those techniques as much or as little as you want to develop your OWN style.\r\n\r\nRemember not to be intimidated by this talented artist, but be inspired instead. His amazing ability to draw a family was not acquired overnight. Start slowly, and view this video and other similar ones. There is always an added layer of challenge when drawing multiple people in a portrait, but if you practice drawing compositions of friends and family from time to time, it will become easier and easier.','Amazing Family Portrait Develops Before Your Eyes','','inherit','open','open','','1306-revision-v1','','','2015-07-11 19:47:07','2015-07-12 02:47:07','',1306,'http://www.letsdrawpeople.com/1306-revision-v1/',0,'revision','',0),(2071,2,'2015-08-08 03:32:38','2015-08-08 10:32:38','If you want to be able to sketch people on a regular basis, it is obvious that you will need to know how to sketch a shirt. Shirts come in all shapes, sizes, and styles. The type of shirt you sketch will depend on what your subject is wearing.\r\n\r\nAlthough each type of shirt may have its own challenges when it comes to sketching it, there are a few common characteristics that all shirts have. Knowing what to look for will make things easier as you sketch shirts of your own.\r\n\r\nSo if you want to see how to sketch a shirt, keep reading! I will reveal everything you need to know.\r\n

Become Familiar with What Shirts Look Like

\r\nWhen you are at work, running errands, or just out people-watching, get in the habit of glancing at different shirts and the vast variety of styles that exist. You can also achieve this by looking at pictures online or simply taking a look in your own closet.\r\n\r\nIf you are the type of person to sketch in public, take your sketchpad along with you and make quick sketches of shirts you see. Better yet, sketch people you know who are willing to model their shirts for you. This will get you used to seeing and accounting for commonalities in different styles.\r\n\r\nI am in no way suggesting you have to become a fashion expert. I most certainly am not one. But like anything else, the more exposure you have to something, the easier it becomes for you.\r\n\r\nIt can also be helpful to study sketches of shirts done by other artists. The image below contains two sketches I did of two different shirts: a casual, long-sleeve shirt with a v-neck and an open denim shirt. Even though these shirts are two totally different styles, they both still have some obvious things in common with each other and with most other kinds of shirts you will sketch: \"sketches\r\n
    \r\n
  • Shirts have a neckline. These are examples of two very different necklines, a v-neck and an actual collar. You will have to study collars too. A dress shirt, for instance, would not have the same collar as the denim shirt above.
    • \r\n
  • Shirts run from the length of the neckline to the lower area of the torso. They can be form-fitting, loose, or capable of being buttoned and unbuttoned.
    • \r\n
  • Shirts have sleeves. Sleeves can be short. As we see in our example, sleeves can also be long and they can be rolled up to appear shorter. Many long sleeves have a cuff at the end.
    • \r\n
  • Shirts have folds in specific places when they are being worn. Look especially where the fabric sits around the armpits and where the arms bend. Sketch the proper folds in the proper places of the shirt.
    • \r\n
  • Shirts have seams where the fabric is sewn together. Note in the examples above the seams from the neck to the shoulders, along the side of the torso, near the cuffs of the sleeves, and along the bottom of the shirts.
    • \r\n
\r\nA few other characteristics that shirts may or may not have include a logo or image, one or more pockets, and a tag. Of course, if you are sketching a shirt being worn by a person, you will most likely not see the tag.\r\n\r\nIn the following sections below, I will walk you through tutorials for sketching two more shirts. You will see how to sketch a t shirt and how to make a polo shirt sketch. As I was creating these tutorials, I did not use reference photographs. Instead, I took a couple of old shirts from my closet and hung them on my wall. I used stick pins to prop the sleeves up so they would not droop.\r\n\r\nThis is a great exercise in sketching from life. I encourage you to try as well! If you struggle with getting the shapes and proportional spacing right when using this method, I wrote a handy little guide you can download to tell you more about the process.\r\n

How to Sketch a T Shirt

\r\nIn order to sketch a t shirt, begin by sketching the main part of the shirt that clothes the torso. Use a semi-circle for the neckline with a crescent shape to represent the back of the t shirt, then branch out toward where the shoulders would be. Sketch another curved line around each pit of the arm. This line will be the seam of the sleeve. To make it look more realistic, sketch the bottom part of the t shirt with a wiggly line. Follow up by sketching vertical lines that indicate dangling folds from the chest area to the bottom.\r\n\r\n\"sketch\r\n\r\nNow you should have something that resembles a muscle shirt. In order to change it into a t shirt, sketch a short sleeve on each side. Sketch a couple of folds going from the bottom end toward the seam. Leave a slight opening for each sleeve.\r\n\r\n\"sketch\r\n\r\nNow it is time to sketch in those final little details that will complete your t shirt. Sketch additional seams around the neckline, at the end of each sleeve, and at the bottom of the t shirt. Since this is a still life sketch of a shirt on a hanger, the tag is visible and should be included. Finally, if your t shirt has a logo, sketch whatever you see. Or, simply leave it blank!\r\n\r\n\"sketch\r\n

How to Make a Polo Shirt Sketch

\r\nPolo shirts come in many styles. There are several variations for how the collars are shaped. Below is a tutorial for one of those styles, but you can apply the same concepts to any polo shirt sketch.\r\n\r\nBegin sketching a triangular shape for the opening of the collar. Each side flap that bends downward is made by sketching a rectangular shape along with a smaller triangle. Then sketch the lower area of the collar that can be buttoned.\r\n\r\n\"polo\r\n\r\nSketch the torso part of the polo shirt in a similar fashion to how you sketched the t shirt. Leave curved lines for later placement of the sleeves. The bottom part of the shirt is a short flap running the length of the front and a longer flap in the back.\r\n\r\n\"polo\r\n\r\nSketch short sleeves. Make the top part of each sleeve longer than the bottom. Sketch the edges of each sleeve angled inward toward the body.\r\n\r\n\"polo\r\n\r\nFinish up your polo shirt sketch with final details. Sketch seams on the inside back of the collar, along the top of each shoulder, along the sleeves, and along the bottom of the shirt. Sketch any tags or emblems your polo shirt has. Don\'t forget any extra buttons or button holes. Last but not least, do not forget to sketch folds in the fabric.\r\n\r\n\"polo\r\n

When You Sketch Your Shirts

\r\nThere you have it. Hopefully this post answered any questions you may have had about how to sketch a shirt. As you practice sketching shirts, remember a few important things. First, remember to recognize the similarities and differences that exist in shirts and apply that knowledge to your sketches. Second, sketch the parts of a shirt in any order that feels right for you. The tutorials you saw here were just examples for the sequence. Third, it is very important to sketch realistic folds to make your shirt sketches appear as they do in life.\r\n\r\nFinally, remember to check for proportional spacing on your shirt. Some examples for where to check would be between the neckline and the sleeve, the length of shirt, and the width of the shirt. My downloadable guide called \"One Simple Trick for Better Proportions When Sketching from Life\" can help you size the parts of your sketch just right while sketching the people and the shirts you observe around you.\r\n\r\nHave fun sketching your shirts!','Everything You Need to Know about How to Sketch a Shirt','','publish','open','open','','everything-you-need-to-know-about-how-to-sketch-a-shirt','','\nhttp://www.letsdrawpeople.com/picture-perfect-clothing-a-beginners-guide-to-sketching-clothes/','2016-01-18 18:00:19','2016-01-19 02:00:19','',0,'http://www.letsdrawpeople.com/?p=2071',0,'post','',0),(2072,2,'2015-07-12 16:14:37','2015-07-12 23:14:37','how to sketch a shirt\r\n\r\nsketch shirts\r\n\r\nsketches of shirts\r\n
    \r\n
  • possible infographic
    • \r\n
\r\nsketch t shirt\r\n
    \r\n
  • steps
    • \r\n
\r\npolo shirt sketch\r\n
    \r\n
  • steps
    • \r\n
\r\nhow to sketch a shirt','Everything You Need to Know about How to Sketch a Shirt','','inherit','open','open','','2071-revision-v1','','','2015-07-12 16:14:37','2015-07-12 23:14:37','',2071,'http://www.letsdrawpeople.com/2071-revision-v1/',0,'revision','',0),(2073,2,'2015-07-12 16:46:36','2015-07-12 23:46:36','\"\"Have you always wanted to draw a realistic human face? Many people feel anxious if they are asked to draw people because they fear that their facial drawing will bear no likeness to the person. Portraiture is the art of creating portraits. A portrait can be defined as a drawing, painting, or photograph of a particular person. In short, portraits are two-dimensional artistic representations of the three dimensional human face.  Drawing a person is not as hard as it looks, but many find capturing the likeness is the most difficult part of facial drawing.  A good pencil sketch of the human face should capture the likeness using perspective, proportion, accurate shading, and contours. So, let\'s find out how to draw people and explore various ways of bringing portraiture to life.\r\n\r\nBut first things first…don\'t be a bad workman who blames his tools. Invest in some good art materials and learn to use them in the right way.  Listed below are some of the main art materials used to create good pencil drawings.\r\n

Tools Used to Draw Realistically

\r\n
    \r\n
  • Good quality acid-free drawing paper
    • \r\n
  • A high-quality mechanical pencil
    • \r\n
  • A boxed set of pencils (offers a selection of different pencils that will help you to achieve a variety of results)
    • \r\n
  • A pencil sharpening tool
    • \r\n
  • Kneaded erasers
    • \r\n
  • A blending stump or a tortillion
    • \r\n
  • A can of fixative spray
    • \r\n
\r\nYou will use these and other tools as you delve more and more into drawing in pencil. For now, let\'s take a brief moment to chat about just the drawing implements mentioned above.\r\n\r\nWhen you begin to sketch your first portrait, you will make mistakes but errors can be rubbed out time and time again if you use quality paper. Cheap erasers work but they are not as effective as a kneaded eraser. Sharp pencils are easier to work with, so buy a good quality pencil sharpener or use a high-quality mechanical pencil with graphite lead. Pencil is a great medium and pencil art can be rubbed with blending stumps to create light and shade. The finished artwork should be sprayed with a fixative to protect it and to prevent it from yellowing and smudging.\r\n

Helpful Drawing Techniques for Drawing People

\r\nNow we can move on to discuss some common drawing techniques. Some of the most popular techniques used in drawing include:\r\n
    \r\n
  • Contour lines
    • \r\n
  • Hatching and crosshatching
    • \r\n
  • Smooth shading
    • \r\n
  • Circles and scribbles
    • \r\n
\r\nWhy use these techniques when learning how to draw? Contour lines give drawings shape and volume, and these lines can be used to create the outline when you draw a body or a face. Hatching and crosshatching are ways of creating different tones, and meticulous hatching helps to make a portrait look realistic. Smooth shading can create a subtle or deep tonal change, and this is one of the main drawing techniques used to introduce depth into artwork. Circles and scribbles will make your sketch look looser, and this simple drawing technique creates contrast.\r\n\r\nSo, you want to draw a face, but you know nothing about the techniques mentioned above?\r\n\r\nBudding artists should watch some of the many pencil drawing tutorials that can be found online. Useful online tutorials include realistic pencil drawing techniques, such as learning how to blend and basic pencil shading. When you have grasped the basics of pencil drawing, move on and watch artists draw portraits in step-by-step tutorials. Top online drawing tutorials include tips and tricks for general portraiture and how to create realistic pencil portraits.\r\n\r\nIt can be equally as helpful to watch videos of artists drawing people that are NOT tutorials with everything spelled out in steps. Often times, there is much to be learned from just watching an artist in action and closely observing which techniques are used.\r\n\r\nThink you HAVE to see step-by-step directions or videos of artists in action to learn techniques? Think again! Although tutorials and videos are extremely helpful, you might also be surprised to find out how much you can learn by just examining already completed work. Study drawings of people completed by other artists. Look for styles you like and try to duplicate the techniques you think they used. Some of the most famous artists became famous by studying the works of masters that came before them. Just remember, you can just as well learn from an artist who is not yet a master. All artists have something valuable to share.\r\n

Draw a Face Step-By-Step

\r\n\"030596\"Following are a few basic guidelines to keep in mind when it comes to drawing faces. Try these out by referring to a photograph, or just draw a random person from your imagination!\r\n
    \r\n
  • Human heads are not circular. Always remember that humans have egg-shaped faces. Begin your sketch by creating an oval outline that tapers towards the bottom.
    • \r\n
  • Map out the facial proportions by drawing a faint line down the center of the oval and a fine horizontal line through the center of the face.
    • \r\n
  • Position the nose on the face by penciling a dividing line in the center of the lower half of the face. The lines that have been drawn on the bottom half of the face should form a cross. The base of the nose should be penciled in at the top of the center of the cross and one nostril will be sketched at either side.
    • \r\n
  • Draw the mouth onto the face using a fine pencil line in between the base of the nose and the bottom of the chin. The bottom lip should sit on the dividing line just drawn. Create a line where the two lips meet (for a closed mouth), then move on to draw in the bottom and top lip lines.
    • \r\n
  • Add the eyes to your facial drawing. The center of the eye sockets will be in line with the middle of the central horizontal line. Think of the eyeballs as two large circular balls, partially concealed behind the top and bottom eyelids. The eyebrow will sit on top and the cheekbone should rest on the bottom of the shape. Look closely at the eyes of the person you are drawing before drawing in the shapes. Some people have large round eyes and others have almond-shaped eyes, so draw your eyes accordingly. In general, the central space left between the eyes should be equivalent to the width of one eye. Remember, the iris of the eye is made up of many different shades.
    • \r\n
  • Draw in the eyelids. The eyelid should be drawn in over the top of the eye and the base of the lid will come down to cover the very top of the iris. Use some of the shading techniques mentioned earlier to define the shape of the eye socket.
    • \r\n
  • When you are satisfied with the facial shape and features you can add the neck, ears, and hair to the face.
    • \r\n
\r\nAlthough there is more to learn, these tips will hopefully give you a helpful start with how to draw faces. But humans have more than just a head and a face. People have bodies and wear clothes. If you want to learn more about methods of sketching bodies and people in clothes, please read on.\r\n

Drawing the Human Form

\r\n\"\"Sketching the human body in all positions is commonly referred to as \"figure drawing\" and there are many different ways of drawing the human body. Different types of figure drawing include:\r\n
    \r\n
  • Sketching
    • \r\n
  • Life drawing
    • \r\n
  • Emotive drawing
    • \r\n
  • Perspective drawing
    • \r\n
  • Illustration drawing
    • \r\n
  • Diagrammatic drawing
    • \r\n
  • Analytic drawing
    • \r\n
  • Geometric drawing
    • \r\n
\r\nA sketch is an informal drawing and figure sketching helps us to learn how to draw a realistic human figure. Lots of amateur artists enjoy drawing the human figure by studying a live model and life drawing is an essential part of art. People have personalities and characters and emotive drawing is used to express the subject\'s personality. Perspective drawing represents scale, eye-level, surface, planes, light, space and volume. An illustrative drawing is a piece of artwork that comes from a photograph, painting or sketch whereas a diagrammatic drawing is a well-planned piece of art. An analytic drawing of a person will be realistic. The person will be drawn in proportion. Those who find it hard to draw realistic figures may get on well with geometric figure drawing.\r\n\r\nAdditionally, when you are drawing people you should obviously keep in mind the differences between men and women. For example, when drawing a woman, you will draw smoother, more graceful features. You will draw a proportionately larger pelvis and slender shoulders. When drawing a man, you will draw features with a more rugged, muscular appearance. You will draw broader shoulders and a proportionately larger rib cage.\r\n

Drawing Clothing

\r\n\"howLook at some of the online images of people who are wearing clothes and you will see that every person wears their clothes differently. Artists who want to learn how to sketch people wearing clothing will have to examine the clothing closely. Take a close look, and you will see a recurrence of seven different kinds of folds:\r\n
    \r\n
  • Pipe
    • \r\n
  • Zigzag
    • \r\n
  • Half-lock
    • \r\n
  • Spiral
    • \r\n
  • Diaper
    • \r\n
  • Drop
    • \r\n
  • Inert
    • \r\n
\r\nLearn how to apply design, details, and these folds, and you can draw practically any type of clothing on a person!\r\n

Draw Children Step-By Step

\r\n[caption id=\"attachment_643\" align=\"alignleft\" width=\"221\"]\""Ashley" \"Ashley\" by Jack Pearce[/caption]\r\n\r\nMany of us try to sketch our children because that drawing will act as a personal reminder of how much we love and cherish them. However, there are major differences between an adult’s face and a child\'s face. It is all too easy to make a young child look much older when drawn, so it pays to keep a drawing of a child simple. Let\'s look at an easy way to draw a child.\r\n
    \r\n
  • Sketch a small oval-shaped (but almost circular) head. The younger the child, the more circular the head will be.
    • \r\n
  • Divide the small face into four using a vertical and a horizontal line.
    • \r\n
  • Make large round eyes that rest on the horizontal guideline. The eyebrows sit above this line.
    • \r\n
  • Create a small triangle to form the nose.
    • \r\n
  • Draw a curved line to create the young mouth.
    • \r\n
  • Add some thick bobbed hair (or thin hair, depending on the subject and age).
    • \r\n
\r\nThis is a simple way to draw a child. The basic sketch is straightforward and the drawing is not detailed, but this easy way of drawing children works well for many. Now the more you draw boys and girls of different ages, the more you will realize other differences between babies, toddlers, school-age kids, and teenagers.\r\n

Mastering the Art of Pencil Portraits

\r\nItalian portrait artist Franco Clun and Russian portrait artist Olga Larionova create incredibly realistic pencil drawings, yet they never took a formal art class. They are just two examples of how anyone from any background, with enough determination to consistently practice and learn, can eventually become a master portrait artist. Talented artists know how to bring their work to life, but you must never forget that every successful artist started out as an amateur.\r\n\r\nIt will take time to teach yourself how to draw people. In fact, it could take months or even years to master the craft at a level that you are satisfied with. But practice will improve your drawing, and the people that you draw will start to look more and more realistic. If at first you don\'t succeed, try, try and try again! You will see that if you practice on a regular basis, you will not need to wait months. You will realize small successes and make gradual progress with each drawing that will keep you motivated enough to keep at it!\r\n\r\nAmateur artists can learn how to draw people with confidence, and beginners shouldn\'t be afraid to make mistakes. The information found throughout this site will help you to learn how to draw people, and more importantly, how to eventually become a skilled pencil portrait artist. Make use of our articles, tutorials, and videos, and then start enjoying and employing your artistic talents today!','Let\'s See How to Draw People','','inherit','open','open','','66-revision-v1','','','2015-07-12 16:46:36','2015-07-12 23:46:36','',66,'http://www.letsdrawpeople.com/66-revision-v1/',0,'revision','',0),(2075,2,'2015-07-15 14:54:08','2015-07-15 21:54:08','\"drawingThe desire of man to keep for himself a record of his everyday activities is so powerful that simple drawings were developed just to provide a solution to such a necessity. Cave paintings, hieroglyphics, and all artistic attempts to capture any moment quickly became a popular method of communication and thus enhancing human development. The art of drawing has been a part of human history ever since.\r\n\r\nToday the skill of drawing people, etching onto paper or canvas a recognizable likeness, is not only a hobby for many, but its impressive aura is still present. In fact, people still stand in awe whenever they see someone drawing realistic images with ease. How do they do it? How do they make it look so easy? Are there complicated techniques involved? As I taught myself how to draw over the years, I learned and implemented techniques from other portrait artists that enhanced the realism in my own work. The more I learned, the more I realized that those techniques and concepts were not complicated at all, but rather simplistic. Today, we too will stand in awe as we peer into how these images are made and how some artists so easily capture reality onto paper. Let’s look at several simple drawing techniques used by professional artists everywhere.\r\n

Drawing Instrument Basics

\r\nIt is very important that you know of the drawing instruments needed and how to use them in order to create a realistic portrait. There are several key drawing tools that professional artists use for pencil portraits. Here is a look at two of the most basic instruments: the pencil and the eraser.\r\n

The Pencil

\r\n\"artistFor the most part, people doing realistic portraits are fond of using graphite pencil (also called lead pencil), as it gives them the ability to focus on detail. Graphite pencils come in a range of grades (from 9H to 9B), but there are generally two types: hard and soft. Hard pencils, or H pencils, are used to create light, fine lines. Soft pencils, or B pencils, are generally used to create darker shades and texture.\r\n\r\nSome artists find the need to have at least two types of pencils, one for drawing fine lines and one for drawing coarser lines and for shading. In most cases, the HB pencil (or something close to it) is preferred because of its versatility and ability to draw fine and coarse lines easily. Your traditional No. 2 pencil is an HB lead. I personally like to use a mechanical 2B lead pencil for realistic portraits. It allows for fine details, light tones, and deep shading all in one!\r\n\r\nWhen using standard wooden pencils, the way you grasp them can affect the overall look of the portrait. A light hold on the pencil, with the use of the thumb and the pointer finger, is often used to ensure the lines are light, soft, and almost invisible. A full grasp can ensure heavier, darker lines for creating shades. A slanting grip makes use of the side of the pencil\'s graphite to provide a soft thick shade and a good texture. Ultimately though, grasp is determined by an artist’s personal style and preference. Experiment with different ways of holding your pencil to find the best results for you.\r\n

The Eraser

\r\n\"eraserThe eraser is an important tool to use when doing portraits using pencil. Erasers are good for more than just getting rid of your mistakes. You use an eraser to complement your drawings. It can produce a wonderful effect, especially if you know how to use it properly. For example, you can use a kneaded eraser or an electric eraser to lift graphite off the paper and produce streaks that resemble wonderful highlights in hair, as seen in this example.\r\n

Choosing or Combining Drawing Styles

\r\nThere are a number of drawing styles you can choose for drawing your portraits. Your choice depends on the level of detail you are going for, as well as the “look” or “feel” you hope to capture. You can use these styles in isolation, or you can combine them for more realistic results.\r\n
    \r\n
  • Line drawing -- the use of definite lines of various widths to create shapes and boundaries. This is the style most commonly used by everyday people and some professional artists. It is often used to outline the basic shape of the figure. Line drawings are usually not as detailed as other styles, although some line drawings are very detailed.
    • \r\n
  • Tone drawing -- the use of the contrasting properties of light and dark to create visual boundaries. The resulting image is softer than a line drawing and is better suited to create realistic images.
    • \r\n
  • Blending -- the deliberate \"smudging\" of lines and tones, sometimes with the use of tissue, tortillions, or blending stumps to create \"soft\" shades. When attempting to create realistic portraits, you should focus heavily on perfecting proper blending to create realistic shadows to provide detailed texture and depth.
    • \r\n
\r\n

Getting Your Line Drawing Started

\r\nSo before you actually put pencil to paper, you need to have in mind who you are going to draw (your subject) and what you are going to use to help you capture your subject’s likeness. If you are just practicing for fun without much concern for accuracy, your own memory or imagination is good enough. For a better representation, I would suggest using a reference photo. You can try drawing the reference photo exactly as you see it, or just use it as a “reference” and implement your artistic creativity to draw the same subject in a different pose, from a different angle, etc. Or for a real challenge, you can draw a live model who is willing to pose for you. Just remember, if you are going for the closest possible likeness of your subject and a very realistic portrait, then it is crucial that you take the time needed to get your line drawing right. Do not rush this step!\r\n\r\nMost artists begin their line drawing by sketching basic shapes. Shapes such as circles, ovals, and rectangles are the most popular types of shapes in sketching people. Drawing these shapes can help you visualize the proportions of the body.\r\n\r\nTraditional drawing uses these shapes as guides to better create the features of the body. For example, when you draw a face you can start with an oval or a slightly egg-shaped circle to represent the general contour of the head. Within this shape, you can draw additional guidelines to help you properly place the nose, eyes, ears and mouth. So, it is important to know how to use these basic shapes, as it is one of the most important portrait drawing techniques.\r\n\r\n\r\n\"drawing\r\n\r\nAn alternate method for creating a realistic line drawing is called grid drawing. Of all the portrait drawing techniques available, drawing with the use of a grid has got to be my personal favorite! Grid drawing is not “cheating”. In fact, it has been around for centuries. Basically, this technique consists of dividing a reference photo into a grid of equally-sized squares and drawing the same number of squares on your paper. Then it is only a matter of drawing what you see in each square. When I first began using this technique, it took the quality of my work to another level! Not only is this method perfect for beginners, but many professional artists still swear by it.\r\n\r\n\"eyes\r\n

\"eyes

\r\n\r\n

Shading Techniques for Adding Tones

\r\nAfter you get your line drawing down, you may want to add tones for an extra layer of realism. Here are some tried and true methods to add shading to the people you draw and bring them to life.\r\n\r\n• Stippling -- using \"dots or points\" to recreate shade and texture. Though rarely used in sketches, it has a vibrant effect, especially when viewed from afar.\r\n\r\n• Hatching -- the use of diagonal lines to create the illusion of shade and shadow. Many caricatures and cartoon sketches have this kind of style to add depth. When done properly, hatching also contributes much detail and realism to pencil portraits.\r\n\r\n• Crosshatching – similar to ordinary hatching, but instead of using diagonal lines, you use overlapping lines \"crossing\" one another. This will add more volume to the shade in sketches and drawings.\r\n\r\n• Circulism (also called Scumbling) -- the use of tiny little circles drawn or “scribbled” closely together and built up in layers. Artists who have mastered this technique achieve some excellent results with very realistic skin textures.\r\n

\"\"

\r\nTry these different shading techniques out and find what you like best, or use a combination of them. I use a mix of the last three, but I probably do more hatching than anything else. Hatching allows me to draw lines at angles that complement the contour of the face, thus getting a more natural look when blending my tones together.\r\n

Applying Techniques in Your Portraits

\r\nCelebrity chef Tom Colicchio one said “Recipes tell you nothing. Learning techniques is the key.” While I do think recipes are important, I also see where Tom is coming from. You may try to follow a recipe step-by-step, but if you don’t understand the techniques within each step, you may not be happy with what comes out of the oven.\r\n\r\nSo, it’s time for you to apply these simple drawing techniques and create a realistic portrait of your own. Consider the steps you need to take to finish your portrait. You can even use a tutorial from this website that lays out the steps for you. Just think of your steps or your tutorial as your “recipe”. As you work to complete each step from your portrait recipe, keep in mind the techniques you have learned: the best pencil choices and uses of erasers, choice of drawing style, creating the basic shapes for your line drawing, and how you will add tones to later blend. The more you practice the steps and apply the techniques to your portraits, the happier you will be with your results!','Simple Drawing Techniques for Realistic Pencil Portraits','','inherit','open','open','','837-revision-v1','','','2015-07-15 14:54:08','2015-07-15 21:54:08','',837,'http://www.letsdrawpeople.com/837-revision-v1/',0,'revision','',0),(2076,2,'2015-07-18 10:01:38','2015-07-18 17:01:38','','sketches of shirts','','inherit','open','open','','sketches-of-shirts','','','2015-07-18 10:01:38','2015-07-18 17:01:38','',2071,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/sketches-of-shirts.jpg',0,'attachment','image/jpeg',0),(2077,2,'2015-07-18 10:01:40','2015-07-18 17:01:40','','polo shirt sketch 03 sleeves','','inherit','open','open','','polo-shirt-sketch-03-sleeves','','','2015-07-18 10:01:40','2015-07-18 17:01:40','',2071,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/polo-shirt-sketch-03-sleeves.jpg',0,'attachment','image/jpeg',0),(2078,2,'2015-07-18 10:01:43','2015-07-18 17:01:43','','polo shirt sketch 02 torso','','inherit','open','open','','polo-shirt-sketch-02-torso','','','2015-07-18 10:01:43','2015-07-18 17:01:43','',2071,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/polo-shirt-sketch-02-torso.jpg',0,'attachment','image/jpeg',0),(2079,2,'2015-07-18 10:01:46','2015-07-18 17:01:46','','polo shirt sketch 01 collar','','inherit','open','open','','polo-shirt-sketch-01-collar','','','2015-07-18 10:01:46','2015-07-18 17:01:46','',2071,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/polo-shirt-sketch-01-collar.jpg',0,'attachment','image/jpeg',0),(2080,2,'2015-07-18 10:01:48','2015-07-18 17:01:48','','polo shirt sketch 04 folds and seams','','inherit','open','open','','polo-shirt-sketch-04-folds-and-seams','','','2015-07-18 10:01:48','2015-07-18 17:01:48','',2071,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/polo-shirt-sketch-04-folds-and-seams.jpg',0,'attachment','image/jpeg',0),(2081,2,'2015-07-18 10:01:51','2015-07-18 17:01:51','','sketch t shirt 02 sleeves and folds','','inherit','open','open','','sketch-t-shirt-02-sleeves-and-folds','','','2015-07-18 10:01:51','2015-07-18 17:01:51','',2071,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/sketch-t-shirt-02-sleeves-and-folds.jpg',0,'attachment','image/jpeg',0),(2082,2,'2015-07-18 10:01:53','2015-07-18 17:01:53','','sketch t shirt 01 torso and folds','','inherit','open','open','','sketch-t-shirt-01-torso-and-folds','','','2015-07-18 10:01:53','2015-07-18 17:01:53','',2071,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/sketch-t-shirt-01-torso-and-folds.jpg',0,'attachment','image/jpeg',0),(2083,2,'2015-07-18 10:01:56','2015-07-18 17:01:56','','sketch t shirt 03 seams and logo','','inherit','open','open','','sketch-t-shirt-03-seams-and-logo','','','2015-07-18 10:01:56','2015-07-18 17:01:56','',2071,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/sketch-t-shirt-03-seams-and-logo.jpg',0,'attachment','image/jpeg',0),(2084,2,'2015-07-18 10:04:00','2015-07-18 17:04:00','how to sketch a shirt\r\n\r\nsketch shirts\r\n\r\nsketches of shirts\r\n\r\n\"sketchessketch t shirt\r\n
    \r\n
  • check for proportional spacing between neckline and sleeve, length of shirt, etc.
    • \r\n
  • 1 torso and folds
    • \r\n
\r\n\"sketch\r\n
    \r\n
  • 2 sleeves and folds
    • \r\n
\r\n\"sketch\r\n
    \r\n
  • 3 details: seams and logos, any other characteristics that stand out
    • \r\n
\r\npolo shirt sketch\r\n
    \r\n
  • one of many styles
    • \r\n
\r\nhow to sketch a shirt','Everything You Need to Know about How to Sketch a Shirt','','inherit','open','open','','2071-revision-v1','','','2015-07-18 10:04:00','2015-07-18 17:04:00','',2071,'http://www.letsdrawpeople.com/2071-revision-v1/',0,'revision','',0),(2085,2,'2015-07-18 10:24:29','2015-07-18 17:24:29','If you have ever stru\r\n\r\n \r\n\r\nhow to sketch a shirt\r\n\r\nsketch shirts\r\n\r\nsketches of shirts\r\n\r\n\"sketchessketch t shirt\r\n
    \r\n
  • check for proportional spacing between neckline and sleeve, length of shirt, etc.
    • \r\n
  • 1 torso and folds
    • \r\n
\r\n\"sketch\r\n
    \r\n
  • 2 sleeves and folds
    • \r\n
\r\n\"sketch\r\n
    \r\n
  • 3 details: seams and logos, any other characteristics that stand out
    • \r\n
\r\n\"sketch\r\n\r\npolo shirt sketch\r\n
    \r\n
  • one of many styles
    • \r\n
\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\nhow to sketch a shirt','Everything You Need to Know about How to Sketch a Shirt','','inherit','open','open','','2071-revision-v1','','','2015-07-18 10:24:29','2015-07-18 17:24:29','',2071,'http://www.letsdrawpeople.com/2071-revision-v1/',0,'revision','',0),(2086,2,'2015-07-18 12:09:20','2015-07-18 19:09:20','If you want to be able to sketch people on a regular basis, it is obvious that you will need to know how to sketch a shirt. Shirts come in all shapes, sizes, and styles. The type of shirt you sketch will depend on what your subject is wearing.\r\n\r\nAlthough each type of shirt may have its own challenges when it comes to sketching it, there are a few common characteristics that all shirts have. Knowing what to look for will make things easier as you sketch shirts of your own.\r\n\r\nSo if you want to see how to sketch a shirt, keep reading! I will reveal everything you need to know.\r\n

Become Familiar with What Shirts Look Like

\r\n \r\n\r\nWhen you are at work, running errands, or just out people-watching, get in the habit of glancing at different shirts and the vast variety of styles that exist. You can also achieve this by looking at pictures online or simply taking a look in your own closet.\r\n\r\nIf you are the type of person to sketch in public, take your sketchpad along with you and make quick sketches of shirts you see. This will get you used to seeing and accounting for commonalities in different styles.\r\n\r\nI am in no way suggesting you have to become a fashion expert. I most certainly am not one. But like anything else, the more exposure you have to something, the easier it becomes for you.\r\n\r\nIt can also be helpful to study sketches of shirts done by other artists. The picture below contains two sketches I did of two different shirts. things in common even if diff styles - collar, torso, sleeves, folds, seams, logo, \"sketchessketch t shirt\r\n
    \r\n
  • check for proportional spacing between neckline and sleeve, length of shirt, etc. lead magnet
    • \r\n
  • 1 torso and folds
    • \r\n
\r\n\"sketch\r\n
    \r\n
  • 2 sleeves and folds
    • \r\n
\r\n\"sketch\r\n
    \r\n
  • 3 details: seams and logos, any other characteristics that stand out
    • \r\n
\r\n\"sketch\r\n\r\npolo shirt sketch\r\n
    \r\n
  • one of many styles
    • \r\n
\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\nhow to sketch a shirt','Everything You Need to Know about How to Sketch a Shirt','','inherit','open','open','','2071-revision-v1','','','2015-07-18 12:09:20','2015-07-18 19:09:20','',2071,'http://www.letsdrawpeople.com/2071-revision-v1/',0,'revision','',0),(2087,2,'2015-07-18 12:09:45','2015-07-18 19:09:45','If you want to be able to sketch people on a regular basis, it is obvious that you will need to know how to sketch a shirt. Shirts come in all shapes, sizes, and styles. The type of shirt you sketch will depend on what your subject is wearing.\r\n\r\nAlthough each type of shirt may have its own challenges when it comes to sketching it, there are a few common characteristics that all shirts have. Knowing what to look for will make things easier as you sketch shirts of your own.\r\n\r\nSo if you want to see how to sketch a shirt, keep reading! I will reveal everything you need to know.\r\n

Become Familiar with What Shirts Look Like

\r\nWhen you are at work, running errands, or just out people-watching, get in the habit of glancing at different shirts and the vast variety of styles that exist. You can also achieve this by looking at pictures online or simply taking a look in your own closet.\r\n\r\nIf you are the type of person to sketch in public, take your sketchpad along with you and make quick sketches of shirts you see. This will get you used to seeing and accounting for commonalities in different styles.\r\n\r\nI am in no way suggesting you have to become a fashion expert. I most certainly am not one. But like anything else, the more exposure you have to something, the easier it becomes for you.\r\n\r\nIt can also be helpful to study sketches of shirts done by other artists. The picture below contains two sketches I did of two different shirts. things in common even if diff styles - collar, torso, sleeves, folds, seams, logo, \"sketchessketch t shirt\r\n
    \r\n
  • check for proportional spacing between neckline and sleeve, length of shirt, etc. lead magnet
    • \r\n
  • 1 torso and folds
    • \r\n
\r\n\"sketch\r\n
    \r\n
  • 2 sleeves and folds
    • \r\n
\r\n\"sketch\r\n
    \r\n
  • 3 details: seams and logos, any other characteristics that stand out
    • \r\n
\r\n\"sketch\r\n\r\npolo shirt sketch\r\n
    \r\n
  • one of many styles
    • \r\n
\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\nhow to sketch a shirt','Everything You Need to Know about How to Sketch a Shirt','','inherit','open','open','','2071-revision-v1','','','2015-07-18 12:09:45','2015-07-18 19:09:45','',2071,'http://www.letsdrawpeople.com/2071-revision-v1/',0,'revision','',0),(2088,2,'2015-07-18 16:20:07','2015-07-18 23:20:07','If you want to be able to sketch people on a regular basis, it is obvious that you will need to know how to sketch a shirt. Shirts come in all shapes, sizes, and styles. The type of shirt you sketch will depend on what your subject is wearing.\r\n\r\nAlthough each type of shirt may have its own challenges when it comes to sketching it, there are a few common characteristics that all shirts have. Knowing what to look for will make things easier as you sketch shirts of your own.\r\n\r\nSo if you want to see how to sketch a shirt, keep reading! I will reveal everything you need to know.\r\n

Become Familiar with What Shirts Look Like

\r\nWhen you are at work, running errands, or just out people-watching, get in the habit of glancing at different shirts and the vast variety of styles that exist. You can also achieve this by looking at pictures online or simply taking a look in your own closet.\r\n\r\nIf you are the type of person to sketch in public, take your sketchpad along with you and make quick sketches of shirts you see. This will get you used to seeing and accounting for commonalities in different styles.\r\n\r\nI am in no way suggesting you have to become a fashion expert. I most certainly am not one. But like anything else, the more exposure you have to something, the easier it becomes for you.\r\n\r\nIt can also be helpful to study sketches of shirts done by other artists. The image below contains two sketches I did of two different shirts: a casual, long-sleeve shirt with a v-neck and a denim shirt. things in common even if diff styles - collar, torso, sleeves, folds, seams, logo, \"sketchessketch t shirt\r\n
    \r\n
  • check for proportional spacing between neckline and sleeve, length of shirt, etc. lead magnet
    • \r\n
  • 1 torso and folds
    • \r\n
\r\n\"sketch\r\n
    \r\n
  • 2 sleeves and folds
    • \r\n
\r\n\"sketch\r\n
    \r\n
  • 3 details: seams and logos, any other characteristics that stand out
    • \r\n
\r\n\"sketch\r\n\r\npolo shirt sketch\r\n
    \r\n
  • one of many styles
    • \r\n
\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\nhow to sketch a shirt','Everything You Need to Know about How to Sketch a Shirt','','inherit','open','open','','2071-revision-v1','','','2015-07-18 16:20:07','2015-07-18 23:20:07','',2071,'http://www.letsdrawpeople.com/2071-revision-v1/',0,'revision','',0),(2090,2,'2015-07-19 09:11:21','2015-07-19 16:11:21','If you want to be able to sketch people on a regular basis, it is obvious that you will need to know how to sketch a shirt. Shirts come in all shapes, sizes, and styles. The type of shirt you sketch will depend on what your subject is wearing.\r\n\r\nAlthough each type of shirt may have its own challenges when it comes to sketching it, there are a few common characteristics that all shirts have. Knowing what to look for will make things easier as you sketch shirts of your own.\r\n\r\nSo if you want to see how to sketch a shirt, keep reading! I will reveal everything you need to know.\r\n

Become Familiar with What Shirts Look Like

\r\nWhen you are at work, running errands, or just out people-watching, get in the habit of glancing at different shirts and the vast variety of styles that exist. You can also achieve this by looking at pictures online or simply taking a look in your own closet.\r\n\r\nIf you are the type of person to sketch in public, take your sketchpad along with you and make quick sketches of shirts you see. This will get you used to seeing and accounting for commonalities in different styles.\r\n\r\nI am in no way suggesting you have to become a fashion expert. I most certainly am not one. But like anything else, the more exposure you have to something, the easier it becomes for you.\r\n\r\nIt can also be helpful to study sketches of shirts done by other artists. The image below contains two sketches I did of two different shirts: a casual, long-sleeve shirt with a v-neck and an open denim shirt. Even though these shirts are two totally different styles, they both still have some obvious things in common with each other and with most other kinds of shirts you will sketch: \"sketches\r\n
    \r\n
  • Shirts have a neckline. These are examples of two very different necklines, a v-neck and an actual collar. You will have to study collars too. A dress shirt, for instance, would not have the same collar as the denim shirt above.
    • \r\n
  • Shirts run from the length of the neckline to the lower area of the torso. They can be form-fitting, loose, or capable of being buttoned and unbuttoned.
    • \r\n
  • Shirts have sleeves. Sleeves can be short. As we see in our example, sleeves can also be long and they can be rolled up to appear shorter. Many long sleeves have a cuff at the end.
    • \r\n
  • Shirts have folds in specific places when they are being worn. Look especially where the fabric sits around the armpits and where the arms bend.
    • \r\n
  • Shirts have seams where the fabric is sewn together. Note in the examples above the seams from the neck to the shoulders, along the side of the torso, near the cuffs of the sleeves, and along the bottom of the shirts.
    • \r\n
\r\nA few other characteristics that shirts may or may not have include a logo or image, one or more pockets, and a tag. Of course, if you are sketching a shirt being worn by a person, you will most likely not see the tag.\r\n\r\nIn the following sections below, I will walk you through tutorials for sketching two more shirts. You will see how to sketch a t shirt and how to make a polo shirt sketch. As I was creating these tutorials, I did not use reference photographs. Instead, I took a couple of old shirts from my closet and hung them on my wall. I used stick pins to prop the sleeves up so they would not droop.\r\n\r\nThis is a great exercise in sketching from life. I encourage you to try as well! If you struggle with getting the shapes and proportional spacing right when using this method, I wrote a handy little guide you can download to tell you more about the process.\r\n\r\nsketch t shirt\r\n
    \r\n
  • check for proportional spacing between neckline and sleeve, length of shirt, etc. lead magnet
    • \r\n
  • 1 torso and folds
    • \r\n
\r\n\"sketch\r\n
    \r\n
  • 2 sleeves and folds
    • \r\n
\r\n\"sketch\r\n
    \r\n
  • 3 details: seams and logos, any other characteristics that stand out
    • \r\n
\r\n\"sketch\r\n\r\npolo shirt sketch\r\n
    \r\n
  • one of many styles
    • \r\n
\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\nhow to sketch a shirt','Everything You Need to Know about How to Sketch a Shirt','','inherit','open','open','','2071-revision-v1','','','2015-07-19 09:11:21','2015-07-19 16:11:21','',2071,'http://www.letsdrawpeople.com/2071-revision-v1/',0,'revision','',0),(2091,2,'2015-07-19 09:12:39','2015-07-19 16:12:39','

Thank you for providing your email. To enjoy the content you requested, just check your inbox!\r\n\r\nIf you are a new Let\'s Draw People subscriber, I need you to complete the following two steps...\r\n\r\nStep 1: I just sent you a confirmation email. Open the email with the subject line \"Confirm your subscription to Let\'s Draw People.\" If you cannot find this email in your primary inbox, please check your bulk folder.\r\n

\"gmail

\r\nStep 2: Click on the confirmation link in that email. This step is your way of granting me permission to email you the newsletter two times per week.\r\n\r\nThat\'s all there is to it! Go now to your email inbox, click the confirmation link, and enjoy the Let\'s Draw People Newsletter. In addition to the resource you just requested, you will get another free gift just for subscribing. It\'s my ebook on the grid-drawing process called How to Make Realistic Line Drawings of Any Face. Enjoy!\r\n\r\n-Jack Pearce','Check your email!','','inherit','open','open','','2023-revision-v1','','','2015-07-19 09:12:39','2015-07-19 16:12:39','',2023,'http://www.letsdrawpeople.com/2023-revision-v1/',0,'revision','',0),(2130,2,'2015-08-15 03:37:00','2015-08-15 10:37:00','If you have ever wondered how to draw a woman in a dress, there are two obvious tasks you need to accomplish. First, you need to draw the figure of the woman. Then of course, you need to know the parts of the dress in order to draw that. Easy enough, right? So, why not add an extra element of challenge and draw the woman in motion?\r\n\r\nThat is what we\'ll aim to do with this lesson. The video and the steps below will show you how to draw a lady in a dress, spinning around in a field of grass.\r\n\r\nFirst things first. Let\'s get a little more familiar with what we will be drawing.\r\n

What to Look for in the Woman and the Dress

\r\nI do not claim to be a fashion expert, and I am certainly not one to know all the characteristics and fine details of a woman\'s dress without having a resource to help me. For that reason, I found this photo of a woman wearing a dress that we can use as a reference. This will help in the next step when trying to draw the woman\'s figure in motion. It will help even more later on when we need to draw the twirling dress.\r\n\r\n[caption id=\"attachment_2133\" align=\"aligncenter\" width=\"472\"]\"woman
© Anzhelika Bosak | Dreamstime.com
[/caption]\r\n\r\nBefore we begin drawing, let me point out just a few noteworthy things from the photo to keep in mind. Since the woman is twirling, you can notice her figure leaning back. Also, you can tell she is twisting to her right. Her torso is slightly more turned than her lower half. She is also using her left arm to bring her dress along for the spin. Since the woman is in motion, you notice her hair and the bottom part of the dress trailing along.\r\n\r\nThe dress has lace along the bodice and along the edges of the shoulder straps. There appears to be a knot in the back where pieces of the garment are tied together. The upper half of the dress is form-fitting, while the lower half is loose and free-flowing. There is a flower pattern on this dress that you can choose to draw if you want, but I left it out of this tutorial.\r\n

Ready to Draw

\r\nHopefully you are now ready to draw along with this tutorial! You can watch the video for a summary of the steps and read more detailed steps below, along with viewing the illustrations for each step. Besides my drawing paper, the only materials I used for this were a mechanical pencil with 2B lead and a kneaded eraser. Just remember to sketch your guidelines lighter than how they appear in these images.\r\n\r\n
\r\n

How to Draw the Figure of the Woman

\r\nLet\'s start by seeing how to draw the woman\'s figure. Begin by sketching the shapes for the head and the neck. Remember that we want her to lean back slightly, so draw the shapes at a slight tilt as opposed to an exact vertical position.\r\n\r\n\"01\r\n\r\n \r\n\r\nNext, sketch the shape of the body between the neck and the waist. Again, the woman is leaning back a little. Make sure to show the arch in the curvature of her back. Notice how the small of her back is in close alignment with the center of the neck?\r\n\r\n\"02\r\n\r\n \r\n\r\nComplete the torso by drawing the shape for the pelvic region.\r\n\r\n\"03\r\n\r\n \r\n\r\nSketch the shape of the upper thigh that tapers toward the knee. Draw a round circle for the knee joint.\r\n\r\n\"04\r\n\r\n \r\n\r\nComplete the woman\'s left leg by drawing a cylinder shape for the calf that tapers at the ankle. Then sketch a basic shape for the foot. Remember that this foot will not be flat on the ground.\r\n\r\n\"05\r\n\r\n \r\n\r\nRepeat a similar process for the woman\'s right leg. Keep in mind that the woman is spinning. Her right leg is the leg she is pivoting on, so her foot will be flat on the ground and pointing forward from her point of view.\r\n\r\n\"06\r\n\r\n \r\n\r\nNow it is time to sketch guidelines for the arm. Make a round shape for the shoulder. Then sketch the rest of the upper arm and the forearm. The lady\'s arm is extended straight for the most part, so there should not be a noticeable bend at the elbow. Sketch the basic shapes for the hand in such a way that it appears to be holding on to fabric.\r\n\r\n\"07\r\n\r\n \r\n\r\nSketch a rough outline for long, flowing hair. Since the hair is in motion from the spin, draw it trailing behind her rather than flat against her back.\r\n\r\n\"08\r\n\r\n \r\n\r\nNext, sketch some guidelines that will help to place the facial features. Draw the line for the eyes about halfway between the top of the head and the bottom of the chin. Draw the other lines as shown below. Make sure that your facial guidelines are placed properly.\r\n\r\n\"09\r\n\r\n \r\n\r\nUse the guidelines and the reference photo to draw the eyes, eyebrows, nose, smiling mouth, and any other facial details you wish. Remember that you do not have to stick to the reference photo or my drawing exactly. You are the artist, so it\'s up to you. If you wish, you can change the woman\'s appearance simply by making the facial features look different from what you see here. I would still make sure she is smiling, since she conveys a happy mood by spinning around.\r\n\r\n\"10\r\n\r\n \r\n\r\nSketch in the flowing sections of hair. Make a few strands flow away from the mass along the outer perimeter to make it look more natural.\r\n\r\n\"11\r\n\r\n \r\n\r\nFor the upper arm, use your kneaded eraser to get rid of the shoulder and elbow joint guidelines. Draw lines indicating the muscle connecting the upper and lower arm.\r\n\r\n\"12\r\n\r\n \r\n\r\nComplete the arm by erasing the guidelines within the forearm and drawing the thumb and fingers as seen below.\r\n\r\n\"13\r\n\r\n \r\n\r\nDraw a few details to define the lady\'s feet, including her ankles. Don\'t forget to make some loose lines to represent blades of grass.\r\n\r\n\"14\r\n\r\n \r\n

How to Draw the Dress

\r\nNow that we have drawn a woman, it is time to see, step by step, how to draw a dress for her. Begin by sketching lines for the shoulder strap and the part of the bodice of the dress under her armpit. Also sketch in where her dress is tied in the back and hanging from a knot.\r\n\r\n\"15\r\n\r\n \r\n\r\nNow form the skirt part of the dress. Make sure it is curved at the bottom to help with the appearance of a dress in motion.\r\n\r\n\"16\r\n\r\n \r\n\r\nGo back up to the top part of the dress. Draw some lace that follows the curvature of the woman\'s figure and that borders the shoulder strap.\r\n\r\n\"17\r\n\r\n \r\n\r\nComplete the bodice of the dress by drawing a few spiral folds. Also make sure to draw the visible seams of the dress shown below with the blue arrows.\r\n\r\n\"18\r\n\r\n \r\n\r\nBefore finishing the lower half of the dress, use your kneaded eraser to erase those guidelines we used to draw the woman\'s legs. You can leave a small guideline in place to show the bend of the knee that will press against the dress.\r\n\r\n\"19\r\n\r\n \r\n\r\nNow let\'s finish the dress off by drawing a few different folds that will make it look like an actual dress. Begin by drawing some pipe folds from the woman\'s waist that lead to where she is holding the fabric between her thumb and finger.\r\n\r\n\"20\r\n\r\n \r\n\r\nThis woman is spinning in a clockwise direction. As she spins to her right, the bottom of the dress from her left side is clashing against the part from her right side that hasn\'t moved yet. Draw a few folds to represent this clash, as seen below with the green arrow. Draw the hemline along the bottom of the dress shown with the blue arrow.\r\n\r\n\"21\r\n\r\n \r\n\r\n \r\n\r\nComplete the dress by completing the hemline and the folds in the fabric that flow in the direction of the spin. Complete the underside of the dress (as seen on the right side of this drawing) in the same manner.\r\n\r\n\"22\r\n\r\n \r\n

Conclusion

\r\nIf you were following along and drawing with me while reading this, you should have something similar to the drawing below.\r\n\r\n\"how\r\n\r\nThat concludes this tutorial on how to draw a woman in a dress! Not only that, but completing this tutorial means you were able to draw a moving woman in a dress, a bigger challenge than drawing a woman standing still. If you made it this far, congratulations!\r\n\r\nOf course if you wanted to take it a bit further with additional details, like dress pattern and shading, that is your choice. My goal here was to just show you the basics for getting started. As you can see, it\'s not all that difficult a process. If you can draw the figure of a woman and if you can draw the parts of a dress, you have all you need to draw a woman in a dress!','How to Draw a Woman in a Dress Spinning Around','','publish','open','open','','how-to-draw-a-woman-in-a-dress-spinning-around','','','2015-07-30 14:39:43','2015-07-30 21:39:43','',0,'http://www.letsdrawpeople.com/?p=2130',0,'post','',0),(2093,2,'2015-07-19 09:28:44','2015-07-19 16:28:44','','/proportions-sketching-from-life-post','','publish','closed','closed','','2093','','','2015-07-19 09:28:44','2015-07-19 16:28:44','',0,'',0,'leadpages_post','',0),(2094,2,'2015-07-19 09:40:28','2015-07-19 16:40:28','If you want to be able to sketch people on a regular basis, it is obvious that you will need to know how to sketch a shirt. Shirts come in all shapes, sizes, and styles. The type of shirt you sketch will depend on what your subject is wearing.\r\n\r\nAlthough each type of shirt may have its own challenges when it comes to sketching it, there are a few common characteristics that all shirts have. Knowing what to look for will make things easier as you sketch shirts of your own.\r\n\r\nSo if you want to see how to sketch a shirt, keep reading! I will reveal everything you need to know.\r\n

Become Familiar with What Shirts Look Like

\r\nWhen you are at work, running errands, or just out people-watching, get in the habit of glancing at different shirts and the vast variety of styles that exist. You can also achieve this by looking at pictures online or simply taking a look in your own closet.\r\n\r\nIf you are the type of person to sketch in public, take your sketchpad along with you and make quick sketches of shirts you see. This will get you used to seeing and accounting for commonalities in different styles.\r\n\r\nI am in no way suggesting you have to become a fashion expert. I most certainly am not one. But like anything else, the more exposure you have to something, the easier it becomes for you.\r\n\r\nIt can also be helpful to study sketches of shirts done by other artists. The image below contains two sketches I did of two different shirts: a casual, long-sleeve shirt with a v-neck and an open denim shirt. Even though these shirts are two totally different styles, they both still have some obvious things in common with each other and with most other kinds of shirts you will sketch: \"sketches\r\n
    \r\n
  • Shirts have a neckline. These are examples of two very different necklines, a v-neck and an actual collar. You will have to study collars too. A dress shirt, for instance, would not have the same collar as the denim shirt above.
    • \r\n
  • Shirts run from the length of the neckline to the lower area of the torso. They can be form-fitting, loose, or capable of being buttoned and unbuttoned.
    • \r\n
  • Shirts have sleeves. Sleeves can be short. As we see in our example, sleeves can also be long and they can be rolled up to appear shorter. Many long sleeves have a cuff at the end.
    • \r\n
  • Shirts have folds in specific places when they are being worn. Look especially where the fabric sits around the armpits and where the arms bend. Sketch the proper folds in the proper places of the shirt.
    • \r\n
  • Shirts have seams where the fabric is sewn together. Note in the examples above the seams from the neck to the shoulders, along the side of the torso, near the cuffs of the sleeves, and along the bottom of the shirts.
    • \r\n
\r\nA few other characteristics that shirts may or may not have include a logo or image, one or more pockets, and a tag. Of course, if you are sketching a shirt being worn by a person, you will most likely not see the tag.\r\n\r\nIn the following sections below, I will walk you through tutorials for sketching two more shirts. You will see how to sketch a t shirt and how to make a polo shirt sketch. As I was creating these tutorials, I did not use reference photographs. Instead, I took a couple of old shirts from my closet and hung them on my wall. I used stick pins to prop the sleeves up so they would not droop.\r\n\r\nThis is a great exercise in sketching from life. I encourage you to try as well! If you struggle with getting the shapes and proportional spacing right when using this method, I wrote a handy little guide you can download to tell you more about the process.\r\n\r\nHow to Sketch a T Shirt\r\n\r\n1 torso and folds\r\n\r\n\"sketch\r\n
    \r\n
  • 2 sleeves and folds
    • \r\n
\r\n\"sketch\r\n
    \r\n
  • 3 details: seams and logos, any other characteristics that stand out
    • \r\n
\r\n\"sketch\r\n\r\npolo shirt sketch\r\n
    \r\n
  • one of many styles
    • \r\n
\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\nhow to sketch a shirt\r\n\r\ncheck for proportional spacing between neckline and sleeve, length of shirt, etc. lead magnet','Everything You Need to Know about How to Sketch a Shirt','','inherit','open','open','','2071-revision-v1','','','2015-07-19 09:40:28','2015-07-19 16:40:28','',2071,'http://www.letsdrawpeople.com/2071-revision-v1/',0,'revision','',0),(2095,2,'2015-07-19 10:12:02','2015-07-19 17:12:02','If you want to be able to sketch people on a regular basis, it is obvious that you will need to know how to sketch a shirt. Shirts come in all shapes, sizes, and styles. The type of shirt you sketch will depend on what your subject is wearing.\r\n\r\nAlthough each type of shirt may have its own challenges when it comes to sketching it, there are a few common characteristics that all shirts have. Knowing what to look for will make things easier as you sketch shirts of your own.\r\n\r\nSo if you want to see how to sketch a shirt, keep reading! I will reveal everything you need to know.\r\n

Become Familiar with What Shirts Look Like

\r\nWhen you are at work, running errands, or just out people-watching, get in the habit of glancing at different shirts and the vast variety of styles that exist. You can also achieve this by looking at pictures online or simply taking a look in your own closet.\r\n\r\nIf you are the type of person to sketch in public, take your sketchpad along with you and make quick sketches of shirts you see. This will get you used to seeing and accounting for commonalities in different styles.\r\n\r\nI am in no way suggesting you have to become a fashion expert. I most certainly am not one. But like anything else, the more exposure you have to something, the easier it becomes for you.\r\n\r\nIt can also be helpful to study sketches of shirts done by other artists. The image below contains two sketches I did of two different shirts: a casual, long-sleeve shirt with a v-neck and an open denim shirt. Even though these shirts are two totally different styles, they both still have some obvious things in common with each other and with most other kinds of shirts you will sketch: \"sketches\r\n
    \r\n
  • Shirts have a neckline. These are examples of two very different necklines, a v-neck and an actual collar. You will have to study collars too. A dress shirt, for instance, would not have the same collar as the denim shirt above.
    • \r\n
  • Shirts run from the length of the neckline to the lower area of the torso. They can be form-fitting, loose, or capable of being buttoned and unbuttoned.
    • \r\n
  • Shirts have sleeves. Sleeves can be short. As we see in our example, sleeves can also be long and they can be rolled up to appear shorter. Many long sleeves have a cuff at the end.
    • \r\n
  • Shirts have folds in specific places when they are being worn. Look especially where the fabric sits around the armpits and where the arms bend. Sketch the proper folds in the proper places of the shirt.
    • \r\n
  • Shirts have seams where the fabric is sewn together. Note in the examples above the seams from the neck to the shoulders, along the side of the torso, near the cuffs of the sleeves, and along the bottom of the shirts.
    • \r\n
\r\nA few other characteristics that shirts may or may not have include a logo or image, one or more pockets, and a tag. Of course, if you are sketching a shirt being worn by a person, you will most likely not see the tag.\r\n\r\nIn the following sections below, I will walk you through tutorials for sketching two more shirts. You will see how to sketch a t shirt and how to make a polo shirt sketch. As I was creating these tutorials, I did not use reference photographs. Instead, I took a couple of old shirts from my closet and hung them on my wall. I used stick pins to prop the sleeves up so they would not droop.\r\n\r\nThis is a great exercise in sketching from life. I encourage you to try as well! If you struggle with getting the shapes and proportional spacing right when using this method, I wrote a handy little guide you can download to tell you more about the process.\r\n

How to Sketch a T Shirt

\r\nIn order to sketch a t shirt, begin by sketching the main part of the shirt that clothes the torso. Use a semi-circle for the neckline with a crescent shape to represent the back of the t shirt, then branch out toward where the shoulders would be. Sketch another curved line around each pit of the arm. This line will be the seam of the sleeve. To make it look more realistic, sketch the bottom part of the t shirt with a wiggly line. Follow up by sketching vertical lines that indicate dangling folds from the chest area to the bottom.\r\n\r\n\"sketch\r\n\r\nNow you should have something that resembles a muscle shirt. In order to change it into a t shirt, sketch a short sleeve on each side. Sketch a couple of folds going from the bottom end toward the seam. Leave a slight opening for each sleeve.\r\n\r\n\"sketch\r\n
    \r\n
  • 3 details: seams and logos, any other characteristics that stand out
    • \r\n
\r\n\"sketch\r\n\r\npolo shirt sketch\r\n
    \r\n
  • one of many styles
    • \r\n
\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\nhow to sketch a shirt\r\n\r\ncheck for proportional spacing between neckline and sleeve, length of shirt, etc. lead magnet','Everything You Need to Know about How to Sketch a Shirt','','inherit','open','open','','2071-revision-v1','','','2015-07-19 10:12:02','2015-07-19 17:12:02','',2071,'http://www.letsdrawpeople.com/2071-revision-v1/',0,'revision','',0),(2096,2,'2015-07-19 10:35:43','2015-07-19 17:35:43','If you want to be able to sketch people on a regular basis, it is obvious that you will need to know how to sketch a shirt. Shirts come in all shapes, sizes, and styles. The type of shirt you sketch will depend on what your subject is wearing.\r\n\r\nAlthough each type of shirt may have its own challenges when it comes to sketching it, there are a few common characteristics that all shirts have. Knowing what to look for will make things easier as you sketch shirts of your own.\r\n\r\nSo if you want to see how to sketch a shirt, keep reading! I will reveal everything you need to know.\r\n

Become Familiar with What Shirts Look Like

\r\nWhen you are at work, running errands, or just out people-watching, get in the habit of glancing at different shirts and the vast variety of styles that exist. You can also achieve this by looking at pictures online or simply taking a look in your own closet.\r\n\r\nIf you are the type of person to sketch in public, take your sketchpad along with you and make quick sketches of shirts you see. This will get you used to seeing and accounting for commonalities in different styles.\r\n\r\nI am in no way suggesting you have to become a fashion expert. I most certainly am not one. But like anything else, the more exposure you have to something, the easier it becomes for you.\r\n\r\nIt can also be helpful to study sketches of shirts done by other artists. The image below contains two sketches I did of two different shirts: a casual, long-sleeve shirt with a v-neck and an open denim shirt. Even though these shirts are two totally different styles, they both still have some obvious things in common with each other and with most other kinds of shirts you will sketch: \"sketches\r\n
    \r\n
  • Shirts have a neckline. These are examples of two very different necklines, a v-neck and an actual collar. You will have to study collars too. A dress shirt, for instance, would not have the same collar as the denim shirt above.
    • \r\n
  • Shirts run from the length of the neckline to the lower area of the torso. They can be form-fitting, loose, or capable of being buttoned and unbuttoned.
    • \r\n
  • Shirts have sleeves. Sleeves can be short. As we see in our example, sleeves can also be long and they can be rolled up to appear shorter. Many long sleeves have a cuff at the end.
    • \r\n
  • Shirts have folds in specific places when they are being worn. Look especially where the fabric sits around the armpits and where the arms bend. Sketch the proper folds in the proper places of the shirt.
    • \r\n
  • Shirts have seams where the fabric is sewn together. Note in the examples above the seams from the neck to the shoulders, along the side of the torso, near the cuffs of the sleeves, and along the bottom of the shirts.
    • \r\n
\r\nA few other characteristics that shirts may or may not have include a logo or image, one or more pockets, and a tag. Of course, if you are sketching a shirt being worn by a person, you will most likely not see the tag.\r\n\r\nIn the following sections below, I will walk you through tutorials for sketching two more shirts. You will see how to sketch a t shirt and how to make a polo shirt sketch. As I was creating these tutorials, I did not use reference photographs. Instead, I took a couple of old shirts from my closet and hung them on my wall. I used stick pins to prop the sleeves up so they would not droop.\r\n\r\nThis is a great exercise in sketching from life. I encourage you to try as well! If you struggle with getting the shapes and proportional spacing right when using this method, I wrote a handy little guide you can download to tell you more about the process.\r\n

How to Sketch a T Shirt

\r\nIn order to sketch a t shirt, begin by sketching the main part of the shirt that clothes the torso. Use a semi-circle for the neckline with a crescent shape to represent the back of the t shirt, then branch out toward where the shoulders would be. Sketch another curved line around each pit of the arm. This line will be the seam of the sleeve. To make it look more realistic, sketch the bottom part of the t shirt with a wiggly line. Follow up by sketching vertical lines that indicate dangling folds from the chest area to the bottom.\r\n\r\n\"sketch\r\n\r\nNow you should have something that resembles a muscle shirt. In order to change it into a t shirt, sketch a short sleeve on each side. Sketch a couple of folds going from the bottom end toward the seam. Leave a slight opening for each sleeve.\r\n\r\n\"sketch\r\n\r\nNow it is time to sketch in those final little details that will complete your t shirt. Sketch additional seams around the neckline, at the end of each sleeve, and at the bottom of the t shirt. Since this is a still life sketch of a shirt on a hanger, the tag is visible and should be included. Finally, if your t shirt has a logo, sketch whatever you see. Or, simply leave it blank!\r\n\r\n\"sketch\r\n

How to Make a Polo Shirt Sketch

\r\none of many styles\r\n\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\n \r\n\r\n\"polo\r\n\r\nhow to sketch a shirt\r\n\r\ncheck for proportional spacing between neckline and sleeve, length of shirt, etc. lead magnet','Everything You Need to Know about How to Sketch a Shirt','','inherit','open','open','','2071-revision-v1','','','2015-07-19 10:35:43','2015-07-19 17:35:43','',2071,'http://www.letsdrawpeople.com/2071-revision-v1/',0,'revision','',0),(2097,2,'2015-07-19 11:32:35','2015-07-19 18:32:35','If you want to be able to sketch people on a regular basis, it is obvious that you will need to know how to sketch a shirt. Shirts come in all shapes, sizes, and styles. The type of shirt you sketch will depend on what your subject is wearing.\r\n\r\nAlthough each type of shirt may have its own challenges when it comes to sketching it, there are a few common characteristics that all shirts have. Knowing what to look for will make things easier as you sketch shirts of your own.\r\n\r\nSo if you want to see how to sketch a shirt, keep reading! I will reveal everything you need to know.\r\n

Become Familiar with What Shirts Look Like

\r\nWhen you are at work, running errands, or just out people-watching, get in the habit of glancing at different shirts and the vast variety of styles that exist. You can also achieve this by looking at pictures online or simply taking a look in your own closet.\r\n\r\nIf you are the type of person to sketch in public, take your sketchpad along with you and make quick sketches of shirts you see. Better yet, sketch people you know who are willing to model their shirts for you. This will get you used to seeing and accounting for commonalities in different styles.\r\n\r\nI am in no way suggesting you have to become a fashion expert. I most certainly am not one. But like anything else, the more exposure you have to something, the easier it becomes for you.\r\n\r\nIt can also be helpful to study sketches of shirts done by other artists. The image below contains two sketches I did of two different shirts: a casual, long-sleeve shirt with a v-neck and an open denim shirt. Even though these shirts are two totally different styles, they both still have some obvious things in common with each other and with most other kinds of shirts you will sketch: \"sketches\r\n
    \r\n
  • Shirts have a neckline. These are examples of two very different necklines, a v-neck and an actual collar. You will have to study collars too. A dress shirt, for instance, would not have the same collar as the denim shirt above.
    • \r\n
  • Shirts run from the length of the neckline to the lower area of the torso. They can be form-fitting, loose, or capable of being buttoned and unbuttoned.
    • \r\n
  • Shirts have sleeves. Sleeves can be short. As we see in our example, sleeves can also be long and they can be rolled up to appear shorter. Many long sleeves have a cuff at the end.
    • \r\n
  • Shirts have folds in specific places when they are being worn. Look especially where the fabric sits around the armpits and where the arms bend. Sketch the proper folds in the proper places of the shirt.
    • \r\n
  • Shirts have seams where the fabric is sewn together. Note in the examples above the seams from the neck to the shoulders, along the side of the torso, near the cuffs of the sleeves, and along the bottom of the shirts.
    • \r\n
\r\nA few other characteristics that shirts may or may not have include a logo or image, one or more pockets, and a tag. Of course, if you are sketching a shirt being worn by a person, you will most likely not see the tag.\r\n\r\nIn the following sections below, I will walk you through tutorials for sketching two more shirts. You will see how to sketch a t shirt and how to make a polo shirt sketch. As I was creating these tutorials, I did not use reference photographs. Instead, I took a couple of old shirts from my closet and hung them on my wall. I used stick pins to prop the sleeves up so they would not droop.\r\n\r\nThis is a great exercise in sketching from life. I encourage you to try as well! If you struggle with getting the shapes and proportional spacing right when using this method, I wrote a handy little guide you can download to tell you more about the process.\r\n

How to Sketch a T Shirt

\r\nIn order to sketch a t shirt, begin by sketching the main part of the shirt that clothes the torso. Use a semi-circle for the neckline with a crescent shape to represent the back of the t shirt, then branch out toward where the shoulders would be. Sketch another curved line around each pit of the arm. This line will be the seam of the sleeve. To make it look more realistic, sketch the bottom part of the t shirt with a wiggly line. Follow up by sketching vertical lines that indicate dangling folds from the chest area to the bottom.\r\n\r\n\"sketch\r\n\r\nNow you should have something that resembles a muscle shirt. In order to change it into a t shirt, sketch a short sleeve on each side. Sketch a couple of folds going from the bottom end toward the seam. Leave a slight opening for each sleeve.\r\n\r\n\"sketch\r\n\r\nNow it is time to sketch in those final little details that will complete your t shirt. Sketch additional seams around the neckline, at the end of each sleeve, and at the bottom of the t shirt. Since this is a still life sketch of a shirt on a hanger, the tag is visible and should be included. Finally, if your t shirt has a logo, sketch whatever you see. Or, simply leave it blank!\r\n\r\n\"sketch\r\n

How to Make a Polo Shirt Sketch

\r\nPolo shirts come in many styles. There are several variations for how the collars are shaped. Below is a tutorial for one of those styles, but you can apply the same concepts to any polo shirt sketch.\r\n\r\nBegin sketching a triangular shape for the opening of the collar. Each side flap that bends downward is made by sketching a rectangular shape along with a smaller triangle. Then sketch the lower area of the collar that can be buttoned.\r\n\r\n\"polo\r\n\r\nSketch the torso part of the polo shirt in a similar fashion to how you sketched the t shirt. Leave curved lines for later placement of the sleeves. The bottom part of the shirt is a short flap running the length of the front and a longer flap in the back.\r\n\r\n\"polo\r\n\r\nSketch short sleeves. Make the top part of each sleeve longer than the bottom. Sketch the edges of each sleeve angled inward toward the body.\r\n\r\n\"polo\r\n\r\nFinish up your polo shirt sketch with final details. Sketch seams on the inside back of the collar, along the top of each shoulder, along the sleeves, and along the bottom of the shirt. Sketch any tags or emblems your polo shirt has. Don\'t forget any extra buttons or button holes. Last but not least, do not forget to sketch folds in the fabric.\r\n\r\n\"polo\r\n

When You Sketch Your Shirts

\r\nThere you have it. Hopefully this post answered any questions you may have had about how to sketch a shirt. As you practice sketching shirts, remember a few important things. First, remember to recognize the similarities and differences that exist in shirts and apply that knowledge to your sketches. Second, sketch the parts of a shirt in any order that feels right for you. The tutorials you saw here were just examples for the sequence. Third, it is very important to sketch realistic folds to make your shirt sketches appear as they do in life.\r\n\r\nFinally, remember to check for proportional spacing on your shirt. Some examples for where to check would be between the neckline and the sleeve, the length of shirt, and the width of the shirt. My downloadable guide called \"One Simple Trick for Better Proportions When Sketching from Life\" can help you size the parts of your sketch just right while sketching the people and the shirts you observe around you.\r\n\r\nHave fun sketching your shirts!','Everything You Need to Know about How to Sketch a Shirt','','inherit','open','open','','2071-revision-v1','','','2015-07-19 11:32:35','2015-07-19 18:32:35','',2071,'http://www.letsdrawpeople.com/2071-revision-v1/',0,'revision','',0),(2098,2,'2015-07-19 11:46:05','2015-07-19 18:46:05','If you want to be able to sketch people on a regular basis, it is obvious that you will need to know how to sketch a shirt. Shirts come in all shapes, sizes, and styles. The type of shirt you sketch will depend on what your subject is wearing.\r\n\r\nAlthough each type of shirt may have its own challenges when it comes to sketching it, there are a few common characteristics that all shirts have. Knowing what to look for will make things easier as you sketch shirts of your own.\r\n\r\nSo if you want to see how to sketch a shirt, keep reading! I will reveal everything you need to know.\r\n

Become Familiar with What Shirts Look Like

\r\nWhen you are at work, running errands, or just out people-watching, get in the habit of glancing at different shirts and the vast variety of styles that exist. You can also achieve this by looking at pictures online or simply taking a look in your own closet.\r\n\r\nIf you are the type of person to sketch in public, take your sketchpad along with you and make quick sketches of shirts you see. Better yet, sketch people you know who are willing to model their shirts for you. This will get you used to seeing and accounting for commonalities in different styles.\r\n\r\nI am in no way suggesting you have to become a fashion expert. I most certainly am not one. But like anything else, the more exposure you have to something, the easier it becomes for you.\r\n\r\nIt can also be helpful to study sketches of shirts done by other artists. The image below contains two sketches I did of two different shirts: a casual, long-sleeve shirt with a v-neck and an open denim shirt. Even though these shirts are two totally different styles, they both still have some obvious things in common with each other and with most other kinds of shirts you will sketch: \"sketches\r\n
    \r\n
  • Shirts have a neckline. These are examples of two very different necklines, a v-neck and an actual collar. You will have to study collars too. A dress shirt, for instance, would not have the same collar as the denim shirt above.
    • \r\n
  • Shirts run from the length of the neckline to the lower area of the torso. They can be form-fitting, loose, or capable of being buttoned and unbuttoned.
    • \r\n
  • Shirts have sleeves. Sleeves can be short. As we see in our example, sleeves can also be long and they can be rolled up to appear shorter. Many long sleeves have a cuff at the end.
    • \r\n
  • Shirts have folds in specific places when they are being worn. Look especially where the fabric sits around the armpits and where the arms bend. Sketch the proper folds in the proper places of the shirt.
    • \r\n
  • Shirts have seams where the fabric is sewn together. Note in the examples above the seams from the neck to the shoulders, along the side of the torso, near the cuffs of the sleeves, and along the bottom of the shirts.
    • \r\n
\r\nA few other characteristics that shirts may or may not have include a logo or image, one or more pockets, and a tag. Of course, if you are sketching a shirt being worn by a person, you will most likely not see the tag.\r\n\r\nIn the following sections below, I will walk you through tutorials for sketching two more shirts. You will see how to sketch a t shirt and how to make a polo shirt sketch. As I was creating these tutorials, I did not use reference photographs. Instead, I took a couple of old shirts from my closet and hung them on my wall. I used stick pins to prop the sleeves up so they would not droop.\r\n\r\nThis is a great exercise in sketching from life. I encourage you to try as well! If you struggle with getting the shapes and proportional spacing right when using this method, I wrote a handy little guide you can download to tell you more about the process.\r\n

How to Sketch a T Shirt

\r\nIn order to sketch a t shirt, begin by sketching the main part of the shirt that clothes the torso. Use a semi-circle for the neckline with a crescent shape to represent the back of the t shirt, then branch out toward where the shoulders would be. Sketch another curved line around each pit of the arm. This line will be the seam of the sleeve. To make it look more realistic, sketch the bottom part of the t shirt with a wiggly line. Follow up by sketching vertical lines that indicate dangling folds from the chest area to the bottom.\r\n\r\n\"sketch\r\n\r\nNow you should have something that resembles a muscle shirt. In order to change it into a t shirt, sketch a short sleeve on each side. Sketch a couple of folds going from the bottom end toward the seam. Leave a slight opening for each sleeve.\r\n\r\n\"sketch\r\n\r\nNow it is time to sketch in those final little details that will complete your t shirt. Sketch additional seams around the neckline, at the end of each sleeve, and at the bottom of the t shirt. Since this is a still life sketch of a shirt on a hanger, the tag is visible and should be included. Finally, if your t shirt has a logo, sketch whatever you see. Or, simply leave it blank!\r\n\r\n\"sketch\r\n

How to Make a Polo Shirt Sketch

\r\nPolo shirts come in many styles. There are several variations for how the collars are shaped. Below is a tutorial for one of those styles, but you can apply the same concepts to any polo shirt sketch.\r\n\r\nBegin sketching a triangular shape for the opening of the collar. Each side flap that bends downward is made by sketching a rectangular shape along with a smaller triangle. Then sketch the lower area of the collar that can be buttoned.\r\n\r\n\"polo\r\n\r\nSketch the torso part of the polo shirt in a similar fashion to how you sketched the t shirt. Leave curved lines for later placement of the sleeves. The bottom part of the shirt is a short flap running the length of the front and a longer flap in the back.\r\n\r\n\"polo\r\n\r\nSketch short sleeves. Make the top part of each sleeve longer than the bottom. Sketch the edges of each sleeve angled inward toward the body.\r\n\r\n\"polo\r\n\r\nFinish up your polo shirt sketch with final details. Sketch seams on the inside back of the collar, along the top of each shoulder, along the sleeves, and along the bottom of the shirt. Sketch any tags or emblems your polo shirt has. Don\'t forget any extra buttons or button holes. Last but not least, do not forget to sketch folds in the fabric.\r\n\r\n\"polo\r\n

When You Sketch Your Shirts

\r\nThere you have it. Hopefully this post answered any questions you may have had about how to sketch a shirt. As you practice sketching shirts, remember a few important things. First, remember to recognize the similarities and differences that exist in shirts and apply that knowledge to your sketches. Second, sketch the parts of a shirt in any order that feels right for you. The tutorials you saw here were just examples for the sequence. Third, it is very important to sketch realistic folds to make your shirt sketches appear as they do in life.\r\n\r\nFinally, remember to check for proportional spacing on your shirt. Some examples for where to check would be between the neckline and the sleeve, the length of shirt, and the width of the shirt. My downloadable guide called \"One Simple Trick for Better Proportions When Sketching from Life\" can help you size the parts of your sketch just right while sketching the people and the shirts you observe around you.\r\n\r\nHave fun sketching your shirts!','Everything You Need to Know about How to Sketch a Shirt','','inherit','open','open','','2071-revision-v1','','','2015-07-19 11:46:05','2015-07-19 18:46:05','',2071,'http://www.letsdrawpeople.com/2071-revision-v1/',0,'revision','',0),(2099,2,'2015-07-19 11:48:37','2015-07-19 18:48:37','If you want to be able to sketch people on a regular basis, it is obvious that you will need to know how to sketch a shirt. Shirts come in all shapes, sizes, and styles. The type of shirt you sketch will depend on what your subject is wearing.\r\n\r\nAlthough each type of shirt may have its own challenges when it comes to sketching it, there are a few common characteristics that all shirts have. Knowing what to look for will make things easier as you sketch shirts of your own.\r\n\r\nSo if you want to see how to sketch a shirt, keep reading! I will reveal everything you need to know.\r\n

Become Familiar with What Shirts Look Like

\r\nWhen you are at work, running errands, or just out people-watching, get in the habit of glancing at different shirts and the vast variety of styles that exist. You can also achieve this by looking at pictures online or simply taking a look in your own closet.\r\n\r\nIf you are the type of person to sketch in public, take your sketchpad along with you and make quick sketches of shirts you see. Better yet, sketch people you know who are willing to model their shirts for you. This will get you used to seeing and accounting for commonalities in different styles.\r\n\r\nI am in no way suggesting you have to become a fashion expert. I most certainly am not one. But like anything else, the more exposure you have to something, the easier it becomes for you.\r\n\r\nIt can also be helpful to study sketches of shirts done by other artists. The image below contains two sketches I did of two different shirts: a casual, long-sleeve shirt with a v-neck and an open denim shirt. Even though these shirts are two totally different styles, they both still have some obvious things in common with each other and with most other kinds of shirts you will sketch: \"sketches\r\n
    \r\n
  • Shirts have a neckline. These are examples of two very different necklines, a v-neck and an actual collar. You will have to study collars too. A dress shirt, for instance, would not have the same collar as the denim shirt above.
    • \r\n
  • Shirts run from the length of the neckline to the lower area of the torso. They can be form-fitting, loose, or capable of being buttoned and unbuttoned.
    • \r\n
  • Shirts have sleeves. Sleeves can be short. As we see in our example, sleeves can also be long and they can be rolled up to appear shorter. Many long sleeves have a cuff at the end.
    • \r\n
  • Shirts have folds in specific places when they are being worn. Look especially where the fabric sits around the armpits and where the arms bend. Sketch the proper folds in the proper places of the shirt.
    • \r\n
  • Shirts have seams where the fabric is sewn together. Note in the examples above the seams from the neck to the shoulders, along the side of the torso, near the cuffs of the sleeves, and along the bottom of the shirts.
    • \r\n
\r\nA few other characteristics that shirts may or may not have include a logo or image, one or more pockets, and a tag. Of course, if you are sketching a shirt being worn by a person, you will most likely not see the tag.\r\n\r\nIn the following sections below, I will walk you through tutorials for sketching two more shirts. You will see how to sketch a t shirt and how to make a polo shirt sketch. As I was creating these tutorials, I did not use reference photographs. Instead, I took a couple of old shirts from my closet and hung them on my wall. I used stick pins to prop the sleeves up so they would not droop.\r\n\r\nThis is a great exercise in sketching from life. I encourage you to try as well! If you struggle with getting the shapes and proportional spacing right when using this method, I wrote a handy little guide you can download to tell you more about the process.\r\n

How to Sketch a T Shirt

\r\nIn order to sketch a t shirt, begin by sketching the main part of the shirt that clothes the torso. Use a semi-circle for the neckline with a crescent shape to represent the back of the t shirt, then branch out toward where the shoulders would be. Sketch another curved line around each pit of the arm. This line will be the seam of the sleeve. To make it look more realistic, sketch the bottom part of the t shirt with a wiggly line. Follow up by sketching vertical lines that indicate dangling folds from the chest area to the bottom.\r\n\r\n\"sketch\r\n\r\nNow you should have something that resembles a muscle shirt. In order to change it into a t shirt, sketch a short sleeve on each side. Sketch a couple of folds going from the bottom end toward the seam. Leave a slight opening for each sleeve.\r\n\r\n\"sketch\r\n\r\nNow it is time to sketch in those final little details that will complete your t shirt. Sketch additional seams around the neckline, at the end of each sleeve, and at the bottom of the t shirt. Since this is a still life sketch of a shirt on a hanger, the tag is visible and should be included. Finally, if your t shirt has a logo, sketch whatever you see. Or, simply leave it blank!\r\n\r\n\"sketch\r\n

How to Make a Polo Shirt Sketch

\r\nPolo shirts come in many styles. There are several variations for how the collars are shaped. Below is a tutorial for one of those styles, but you can apply the same concepts to any polo shirt sketch.\r\n\r\nBegin sketching a triangular shape for the opening of the collar. Each side flap that bends downward is made by sketching a rectangular shape along with a smaller triangle. Then sketch the lower area of the collar that can be buttoned.\r\n\r\n\"polo\r\n\r\nSketch the torso part of the polo shirt in a similar fashion to how you sketched the t shirt. Leave curved lines for later placement of the sleeves. The bottom part of the shirt is a short flap running the length of the front and a longer flap in the back.\r\n\r\n\"polo\r\n\r\nSketch short sleeves. Make the top part of each sleeve longer than the bottom. Sketch the edges of each sleeve angled inward toward the body.\r\n\r\n\"polo\r\n\r\nFinish up your polo shirt sketch with final details. Sketch seams on the inside back of the collar, along the top of each shoulder, along the sleeves, and along the bottom of the shirt. Sketch any tags or emblems your polo shirt has. Don\'t forget any extra buttons or button holes. Last but not least, do not forget to sketch folds in the fabric.\r\n\r\n\"polo\r\n

When You Sketch Your Shirts

\r\nThere you have it. Hopefully this post answered any questions you may have had about how to sketch a shirt. As you practice sketching shirts, remember a few important things. First, remember to recognize the similarities and differences that exist in shirts and apply that knowledge to your sketches. Second, sketch the parts of a shirt in any order that feels right for you. The tutorials you saw here were just examples for the sequence. Third, it is very important to sketch realistic folds to make your shirt sketches appear as they do in life.\r\n\r\nFinally, remember to check for proportional spacing on your shirt. Some examples for where to check would be between the neckline and the sleeve, the length of shirt, and the width of the shirt. My downloadable guide called \"One Simple Trick for Better Proportions When Sketching from Life\" can help you size the parts of your sketch just right while sketching the people and the shirts you observe around you.\r\n\r\nHave fun sketching your shirts!','Everything You Need to Know about How to Sketch a Shirt','','inherit','open','open','','2071-revision-v1','','','2015-07-19 11:48:37','2015-07-19 18:48:37','',2071,'http://www.letsdrawpeople.com/2071-revision-v1/',0,'revision','',0),(2100,2,'2015-08-19 03:58:07','2015-08-19 10:58:07','There are many approaches to creating a sketch of a person. There is more than just one right way to go about it. I want to share with you one method I discovered that breaks the whole process down into four simple steps. I find this manner to be really helpful for people considering themselves as beginners. So let\'s see how to sketch a person in only four steps.\r\n

The Steps Needed to Sketch a Person

\r\nHere is the reference photo for this tutorial so you can follow along and sketch in however many details you are comfortable with. We have a hiker in the mountains looking at the horizon.\r\n\r\n[caption id=\"attachment_2109\" align=\"aligncenter\" width=\"396\"]\"how © Sonechka | Dreamstime.com[/caption]\r\n

Step 1

\r\nFirst of all, sketch the outline of the person\'s figure. Use light, loose motions of the wrist as you sketch. Think of this almost as a rough silhouette sketch to get down the bare essentials. This beginning step is also a great time to evaluate your proportions. Do the sizes of the head, arms, legs, body, etc. seem realistic? Sketches do not have to be in perfect proportions, but it is nice if they are close.\r\n\r\n\"how\r\n

Step 2

\r\nNext, sketch in the apparent human features. The sketching process involves lots of loose lines that overlap one another. Sketch the facial features and fingers over the guidelines you made in Step 1. It is fine if you see and leave overlapping lines. Below you can see where the nose is sketched to protrude past the line forming the shape of the head.\r\n\r\n\"how\r\n

Step 3

\r\nNow is the time to sketch in the clothing. Remember that this is just a sketch, so there is no need for every little fold to be perfectly in place. Just indicate some general placements of where the fabric bends and moves. If you need more help than what the reference photo can give you, check out my previous post on different types of folds in clothing. Have fun with this. Let your hand move freely as you sketch the lines that form the jacket, pants, shoes, backpack, and other accessories. The amount of detail you add is up to you. You can show more or less than what I have here. You can also sketch some of the snow in the background at this point.\r\n\r\n\"how\r\n

Step 4

\r\nFinally, bring greater dimension to your sketch by adding values to it. The shading style you use is your choice. I mainly went with hatching, with some crosshatching and just coloring in the graphite in the darker areas. Keep looking at the reference photograph to find just a few good places to shade.\r\n\r\nThere are three components of adding values to your sketches. The shade you see in this sketch is just one of those three components. In the book I talk about after this lesson, it goes over this and the other two components needed to bring just the right form to any sketch you make.\r\n\r\n\"how\r\n

More on Sketching

\r\nThat is how to sketch a person step by step. I learned about this method while reading a how to sketch book titled, coincidentally enough, How to Sketch. The author of the book, Kerry Godsall, breaks the process down in very easy-to-follow language. That process includes not only how to sketch people but also how to sketch inanimate still life objects, buildings, foilage, landscapes, and animals. The book also covers in greater detail the three components of adding values to sketches that I mentioned in the tutorial.\r\n\r\nHopefully you will try this lesson out on your own. Try it on different subjects. You can use your own reference photographs, and you can also sketch from life. Since the steps are so quick and easy, and you are only making a sketch of a person as opposed to a complex drawing, you do not have to worry yourself with excessive details (if you so choose). The more people you sketch, the quicker and easier the steps will become!','See How to Sketch a Person in 4 Easy Steps','','publish','open','open','','see-how-to-sketch-a-person-in-4-easy-steps','','','2015-07-22 15:55:17','2015-07-22 22:55:17','',0,'http://www.letsdrawpeople.com/?p=2100',0,'post','',0),(2101,2,'2015-07-19 16:03:05','2015-07-19 23:03:05','There are many approaches to sketching a person. There is more than just one right way to go about it. I want to share with you one method that I recently discovered that breaks the whole process down into four simple steps. I knew how to sketch people before, but I didn\'t do it in this sequence. I find this manner to be really helpful for people considering themselves as beginners. So here is how to sketch a person in only four steps.','See How to Sketch a Person in 4 Easy Steps','','inherit','open','open','','2100-revision-v1','','','2015-07-19 16:03:05','2015-07-19 23:03:05','',2100,'http://www.letsdrawpeople.com/2100-revision-v1/',0,'revision','',0),(2102,2,'2015-07-19 16:51:23','2015-07-19 23:51:23','There are many approaches to creating a sketch of a person. There is more than just one right way to go about it. I want to share with you one method that I recently discovered that breaks the whole process down into four simple steps. I knew how to sketch people before, but I didn\'t do it in this sequence. I find this manner to be really helpful for people considering themselves as beginners. So let\'s see how to sketch a person in only four steps.\r\n

The Steps Needed to Sketch a Person

\r\nFirst of all, sketch the outline of the person\'s figure.\r\n\r\nNext, sketch in the apparent human features.\r\n\r\nNow is the time to sketch in the clothing.\r\n\r\nFinally, bring greater dimension to your sketch by adding values to it. There are three components of adding values to your sketches. The shade you see in this sketch is just one of those three components. In the book I talk about after this lesson, it goes over this and the other two components needed to bring just the right form to any sketch you make.\r\n

More on Sketching

\r\nThat is how to sketch a person step by step. I learned about this method while reading a how to sketch book titled, coincidentally enough, How to Sketch. The author of the book, Kerry Godsall, breaks the process down in very easy-to-follow language. That process includes not only how to sketch people but also how to sketch inanimate still life objects, buildings, foilage, and animals. The book also covers in greater detail the three components of adding values to sketches that I mentioned in the tutorial.\r\n\r\nHopefully you will try this lesson out on your own. Try it on different subjects. You can use reference photographs, and you can also sketch from life. Since the steps are so quick and easy, and you are only making a sketch of a person as opposed to a complex drawing, you do not have to worry yourself with excessive details (if you so choose). The more people you sketch, the quicker and easier the steps will become!','See How to Sketch a Person in 4 Easy Steps','','inherit','open','open','','2100-revision-v1','','','2015-07-19 16:51:23','2015-07-19 23:51:23','',2100,'http://www.letsdrawpeople.com/2100-revision-v1/',0,'revision','',0),(2103,2,'2015-07-19 17:56:17','2015-07-20 00:56:17','There are many approaches to creating a sketch of a person. There is more than just one right way to go about it. I want to share with you one method that I recently discovered that breaks the whole process down into four simple steps. I knew how to sketch people before, but I didn\'t do it in this sequence. I find this manner to be really helpful for people considering themselves as beginners. So let\'s see how to sketch a person in only four steps.\r\n

The Steps Needed to Sketch a Person

\r\nFirst of all, sketch the outline of the person\'s figure.\r\n\r\nlight, loose motions of the wrist\r\n\r\nNext, sketch in the apparent human features.\r\n\r\nNow is the time to sketch in the clothing.\r\n\r\nFinally, bring greater dimension to your sketch by adding values to it. There are three components of adding values to your sketches. The shade you see in this sketch is just one of those three components. In the book I talk about after this lesson, it goes over this and the other two components needed to bring just the right form to any sketch you make.\r\n

More on Sketching

\r\nThat is how to sketch a person step by step. I learned about this method while reading a how to sketch book titled, coincidentally enough, How to Sketch. The author of the book, Kerry Godsall, breaks the process down in very easy-to-follow language. That process includes not only how to sketch people but also how to sketch inanimate still life objects, buildings, foilage, landscapes, and animals. The book also covers in greater detail the three components of adding values to sketches that I mentioned in the tutorial.\r\n\r\nHopefully you will try this lesson out on your own. Try it on different subjects. You can use reference photographs, and you can also sketch from life. Since the steps are so quick and easy, and you are only making a sketch of a person as opposed to a complex drawing, you do not have to worry yourself with excessive details (if you so choose). The more people you sketch, the quicker and easier the steps will become!','See How to Sketch a Person in 4 Easy Steps','','inherit','open','open','','2100-revision-v1','','','2015-07-19 17:56:17','2015-07-20 00:56:17','',2100,'http://www.letsdrawpeople.com/2100-revision-v1/',0,'revision','',0),(2104,2,'2015-07-19 18:30:49','2015-07-20 01:30:49','There are many approaches to creating a sketch of a person. There is more than just one right way to go about it. I want to share with you one method that I recently discovered that breaks the whole process down into four simple steps. I knew how to sketch people before, but I didn\'t do it in this sequence. I find this manner to be really helpful for people considering themselves as beginners. So let\'s see how to sketch a person in only four steps.\r\n

The Steps Needed to Sketch a Person

\r\nReference photo so you can follow along and sketch in however many details you are comfortable with\r\n\r\nFirst of all, sketch the outline of the person\'s figure.\r\n\r\n-light, loose motions of the wrist\r\n\r\nNext, sketch in the apparent human features.\r\n\r\n-sketching process involves lots of loose lines that overlap one another\r\n\r\nNow is the time to sketch in the clothing.\r\n\r\n-remember it is just a sketch, no need for ever little fold to be perfectly in place. just general placements\r\n\r\nFinally, bring greater dimension to your sketch by adding values to it. There are three components of adding values to your sketches. The shade you see in this sketch is just one of those three components. In the book I talk about after this lesson, it goes over this and the other two components needed to bring just the right form to any sketch you make.\r\n

More on Sketching

\r\nThat is how to sketch a person step by step. I learned about this method while reading a how to sketch book titled, coincidentally enough, How to Sketch. The author of the book, Kerry Godsall, breaks the process down in very easy-to-follow language. That process includes not only how to sketch people but also how to sketch inanimate still life objects, buildings, foilage, landscapes, and animals. The book also covers in greater detail the three components of adding values to sketches that I mentioned in the tutorial.\r\n\r\nHopefully you will try this lesson out on your own. Try it on different subjects. You can use reference photographs, and you can also sketch from life. Since the steps are so quick and easy, and you are only making a sketch of a person as opposed to a complex drawing, you do not have to worry yourself with excessive details (if you so choose). The more people you sketch, the quicker and easier the steps will become!','See How to Sketch a Person in 4 Easy Steps','','inherit','open','open','','2100-revision-v1','','','2015-07-19 18:30:49','2015-07-20 01:30:49','',2100,'http://www.letsdrawpeople.com/2100-revision-v1/',0,'revision','',0),(2105,2,'2015-07-19 19:25:56','2015-07-20 02:25:56','','how to sketch a person 04 values','','inherit','open','open','','how-to-sketch-a-person-04-values','','','2015-07-19 19:25:56','2015-07-20 02:25:56','',2100,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/how-to-sketch-a-person-04-values.jpg',0,'attachment','image/jpeg',0),(2106,2,'2015-07-19 19:25:59','2015-07-20 02:25:59','','how to sketch a person 03 clothes','','inherit','open','open','','how-to-sketch-a-person-03-clothes','','','2015-07-19 19:25:59','2015-07-20 02:25:59','',2100,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/how-to-sketch-a-person-03-clothes.jpg',0,'attachment','image/jpeg',0),(2107,2,'2015-07-19 19:26:01','2015-07-20 02:26:01','','how to sketch a person 02 human features','','inherit','open','open','','how-to-sketch-a-person-02-human-features','','','2015-07-19 19:26:01','2015-07-20 02:26:01','',2100,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/how-to-sketch-a-person-02-human-features.jpg',0,'attachment','image/jpeg',0),(2108,2,'2015-07-19 19:26:04','2015-07-20 02:26:04','','how to sketch a person 01 figure outline','','inherit','open','open','','how-to-sketch-a-person-01-figure-outline','','','2015-07-19 19:26:04','2015-07-20 02:26:04','',2100,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/how-to-sketch-a-person-01-figure-outline.jpg',0,'attachment','image/jpeg',0),(2109,2,'2015-07-19 19:26:06','2015-07-20 02:26:06','','how to sketch a person reference','','inherit','open','open','','how-to-sketch-a-person-reference','','','2015-07-19 19:26:06','2015-07-20 02:26:06','',2100,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/how-to-sketch-a-person-reference.jpg',0,'attachment','image/jpeg',0),(2110,2,'2015-07-19 19:28:33','2015-07-20 02:28:33','There are many approaches to creating a sketch of a person. There is more than just one right way to go about it. I want to share with you one method that I recently discovered that breaks the whole process down into four simple steps. I knew how to sketch people before, but I didn\'t do it in this sequence. I find this manner to be really helpful for people considering themselves as beginners. So let\'s see how to sketch a person in only four steps.\r\n

The Steps Needed to Sketch a Person

\r\nHere is the reference photo for this tutorial so you can follow along and sketch in however many details you are comfortable with.\r\n\r\n\"how\r\n\r\nFirst of all, sketch the outline of the person\'s figure.\r\n\r\n-light, loose motions of the wrist\r\n\r\n\"how\r\n\r\nNext, sketch in the apparent human features.\r\n\r\n-sketching process involves lots of loose lines that overlap one another\r\n\r\n\"how\r\n\r\nNow is the time to sketch in the clothing.\r\n\r\n-remember it is just a sketch, no need for ever little fold to be perfectly in place. just general placements\r\n\r\n\"how\r\n\r\nFinally, bring greater dimension to your sketch by adding values to it. There are three components of adding values to your sketches. The shade you see in this sketch is just one of those three components. In the book I talk about after this lesson, it goes over this and the other two components needed to bring just the right form to any sketch you make.\r\n\r\n\"how\r\n

More on Sketching

\r\nThat is how to sketch a person step by step. I learned about this method while reading a how to sketch book titled, coincidentally enough, How to Sketch. The author of the book, Kerry Godsall, breaks the process down in very easy-to-follow language. That process includes not only how to sketch people but also how to sketch inanimate still life objects, buildings, foilage, landscapes, and animals. The book also covers in greater detail the three components of adding values to sketches that I mentioned in the tutorial.\r\n\r\nHopefully you will try this lesson out on your own. Try it on different subjects. You can use your own reference photographs, and you can also sketch from life. Since the steps are so quick and easy, and you are only making a sketch of a person as opposed to a complex drawing, you do not have to worry yourself with excessive details (if you so choose). The more people you sketch, the quicker and easier the steps will become!','See How to Sketch a Person in 4 Easy Steps','','inherit','open','open','','2100-revision-v1','','','2015-07-19 19:28:33','2015-07-20 02:28:33','',2100,'http://www.letsdrawpeople.com/2100-revision-v1/',0,'revision','',0),(2111,2,'2015-07-19 19:58:04','2015-07-20 02:58:04','There are many approaches to creating a sketch of a person. There is more than just one right way to go about it. I want to share with you one method that I recently discovered that breaks the whole process down into four simple steps. I knew how to sketch people before, but I didn\'t do it in this sequence. I find this manner to be really helpful for people considering themselves as beginners. So let\'s see how to sketch a person in only four steps.\r\n

The Steps Needed to Sketch a Person

\r\nHere is the reference photo for this tutorial so you can follow along and sketch in however many details you are comfortable with. We have a hiker in the mountains looking at the horizon.\r\n\r\n\"how\r\n

Step 1

\r\nFirst of all, sketch the outline of the person\'s figure. Use light, loose motions of the wrist as you sketch. Think of this almost as a rough silhouette sketch to get down the bare essentials. This beginning step is also a great time to evaluate your proportions. Do the sizes of the head, arms, legs, body, etc. seem realistic? Sketches do not have to be in perfect proportions, but it is nice if they are close.\r\n\r\n\"how\r\n

Step 2

\r\nNext, sketch in the apparent human features. The sketching process involves lots of loose lines that overlap one another. Sketch the facial features and fingers over the guidelines you made in Step 1. It is fine if you see and leave overlapping lines. Below you can see where the nose is sketched to protrude past the line forming the shape of the head.\r\n\r\n\"how\r\n

Step 3

\r\nNow is the time to sketch in the clothing. Remember that this is just a sketch, so there is no need for every little fold to be perfectly in place. Just indicate some general placements of where the fabric bends and moves. If you need more help than what the reference photo can give you, check out my previous post on different types of folds in clothing. Have fun with this. Let your hand move freely as you sketch the lines that form the jacket, pants, shoes, backpack, and other accessories. The amount of detail you add is up to you. You can show more or less than what I have here. You can also sketch some of the snow in the background at this point.\r\n\r\n\"how\r\n

Step 4

\r\nFinally, bring greater dimension to your sketch by adding values to it. The shading style you use is your choice. I mainly went with hatching, with some crosshatching and just coloring in the graphite in the darker areas. Keep looking at the reference photograph to find just a few good places to shade.\r\n\r\nThere are three components of adding values to your sketches. The shade you see in this sketch is just one of those three components. In the book I talk about after this lesson, it goes over this and the other two components needed to bring just the right form to any sketch you make.\r\n\r\n\"how\r\n

More on Sketching

\r\nThat is how to sketch a person step by step. I learned about this method while reading a how to sketch book titled, coincidentally enough, How to Sketch. The author of the book, Kerry Godsall, breaks the process down in very easy-to-follow language. That process includes not only how to sketch people but also how to sketch inanimate still life objects, buildings, foilage, landscapes, and animals. The book also covers in greater detail the three components of adding values to sketches that I mentioned in the tutorial.\r\n\r\nHopefully you will try this lesson out on your own. Try it on different subjects. You can use your own reference photographs, and you can also sketch from life. Since the steps are so quick and easy, and you are only making a sketch of a person as opposed to a complex drawing, you do not have to worry yourself with excessive details (if you so choose). The more people you sketch, the quicker and easier the steps will become!','See How to Sketch a Person in 4 Easy Steps','','inherit','open','open','','2100-revision-v1','','','2015-07-19 19:58:04','2015-07-20 02:58:04','',2100,'http://www.letsdrawpeople.com/2100-revision-v1/',0,'revision','',0),(2112,2,'2015-07-19 20:07:08','2015-07-20 03:07:08','','how to sketch a person featured image','','inherit','open','open','','how-to-sketch-a-person-featured-image','','','2015-07-19 20:07:08','2015-07-20 03:07:08','',2100,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/how-to-sketch-a-person-featured-image.jpg',0,'attachment','image/jpeg',0),(2115,2,'2015-07-22 15:54:54','2015-07-22 22:54:54','There are many approaches to creating a sketch of a person. There is more than just one right way to go about it. I want to share with you one method I discovered that breaks the whole process down into four simple steps. I find this manner to be really helpful for people considering themselves as beginners. So let\'s see how to sketch a person in only four steps.\n

The Steps Needed to Sketch a Person

\nHere is the reference photo for this tutorial so you can follow along and sketch in however many details you are comfortable with. We have a hiker in the mountains looking at the horizon.\n\n[caption id=\"attachment_2109\" align=\"aligncenter\" width=\"396\"]\"how © Sonechka | Dreamstime.com[/caption]\n

Step 1

\nFirst of all, sketch the outline of the person\'s figure. Use light, loose motions of the wrist as you sketch. Think of this almost as a rough silhouette sketch to get down the bare essentials. This beginning step is also a great time to evaluate your proportions. Do the sizes of the head, arms, legs, body, etc. seem realistic? Sketches do not have to be in perfect proportions, but it is nice if they are close.\n\n\"how\n

Step 2

\nNext, sketch in the apparent human features. The sketching process involves lots of loose lines that overlap one another. Sketch the facial features and fingers over the guidelines you made in Step 1. It is fine if you see and leave overlapping lines. Below you can see where the nose is sketched to protrude past the line forming the shape of the head.\n\n\"how\n

Step 3

\nNow is the time to sketch in the clothing. Remember that this is just a sketch, so there is no need for every little fold to be perfectly in place. Just indicate some general placements of where the fabric bends and moves. If you need more help than what the reference photo can give you, check out my previous post on different types of folds in clothing. Have fun with this. Let your hand move freely as you sketch the lines that form the jacket, pants, shoes, backpack, and other accessories. The amount of detail you add is up to you. You can show more or less than what I have here. You can also sketch some of the snow in the background at this point.\n\n\"how\n

Step 4

\nFinally, bring greater dimension to your sketch by adding values to it. The shading style you use is your choice. I mainly went with hatching, with some crosshatching and just coloring in the graphite in the darker areas. Keep looking at the reference photograph to find just a few good places to shade.\n\nThere are three components of adding values to your sketches. The shade you see in this sketch is just one of those three components. In the book I talk about after this lesson, it goes over this and the other two components needed to bring just the right form to any sketch you make.\n\n\"how\n

More on Sketching

\nThat is how to sketch a person step by step. I learned about this method while reading a how to sketch book titled, coincidentally enough, How to Sketch. The author of the book, Kerry Godsall, breaks the process down in very easy-to-follow language. That process includes not only how to sketch people but also how to sketch inanimate still life objects, buildings, foilage, landscapes, and animals. The book also covers in greater detail the three components of adding values to sketches that I mentioned in the tutorial.\n\nHopefully you will try this lesson out on your own. Try it on different subjects. You can use your own reference photographs, and you can also sketch from life. Since the steps are so quick and easy, and you are only making a sketch of a person as opposed to a complex drawing, you do not have to worry yourself with excessive details (if you so choose). The more people you sketch, the quicker and easier the steps will become!','See How to Sketch a Person in 4 Easy Steps','','inherit','open','open','','2100-autosave-v1','','','2015-07-22 15:54:54','2015-07-22 22:54:54','',2100,'http://www.letsdrawpeople.com/2100-autosave-v1/',0,'revision','',0),(2114,2,'2015-07-19 20:18:50','2015-07-20 03:18:50',' ','','','publish','open','closed','','2114','','','2017-06-06 05:25:20','2017-06-06 12:25:20','',9,'http://www.letsdrawpeople.com/?p=2114',9,'nav_menu_item','',0),(2116,2,'2015-07-22 15:55:17','2015-07-22 22:55:17','There are many approaches to creating a sketch of a person. There is more than just one right way to go about it. I want to share with you one method I discovered that breaks the whole process down into four simple steps. I find this manner to be really helpful for people considering themselves as beginners. So let\'s see how to sketch a person in only four steps.\r\n

The Steps Needed to Sketch a Person

\r\nHere is the reference photo for this tutorial so you can follow along and sketch in however many details you are comfortable with. We have a hiker in the mountains looking at the horizon.\r\n\r\n[caption id=\"attachment_2109\" align=\"aligncenter\" width=\"396\"]\"how © Sonechka | Dreamstime.com[/caption]\r\n

Step 1

\r\nFirst of all, sketch the outline of the person\'s figure. Use light, loose motions of the wrist as you sketch. Think of this almost as a rough silhouette sketch to get down the bare essentials. This beginning step is also a great time to evaluate your proportions. Do the sizes of the head, arms, legs, body, etc. seem realistic? Sketches do not have to be in perfect proportions, but it is nice if they are close.\r\n\r\n\"how\r\n

Step 2

\r\nNext, sketch in the apparent human features. The sketching process involves lots of loose lines that overlap one another. Sketch the facial features and fingers over the guidelines you made in Step 1. It is fine if you see and leave overlapping lines. Below you can see where the nose is sketched to protrude past the line forming the shape of the head.\r\n\r\n\"how\r\n

Step 3

\r\nNow is the time to sketch in the clothing. Remember that this is just a sketch, so there is no need for every little fold to be perfectly in place. Just indicate some general placements of where the fabric bends and moves. If you need more help than what the reference photo can give you, check out my previous post on different types of folds in clothing. Have fun with this. Let your hand move freely as you sketch the lines that form the jacket, pants, shoes, backpack, and other accessories. The amount of detail you add is up to you. You can show more or less than what I have here. You can also sketch some of the snow in the background at this point.\r\n\r\n\"how\r\n

Step 4

\r\nFinally, bring greater dimension to your sketch by adding values to it. The shading style you use is your choice. I mainly went with hatching, with some crosshatching and just coloring in the graphite in the darker areas. Keep looking at the reference photograph to find just a few good places to shade.\r\n\r\nThere are three components of adding values to your sketches. The shade you see in this sketch is just one of those three components. In the book I talk about after this lesson, it goes over this and the other two components needed to bring just the right form to any sketch you make.\r\n\r\n\"how\r\n

More on Sketching

\r\nThat is how to sketch a person step by step. I learned about this method while reading a how to sketch book titled, coincidentally enough, How to Sketch. The author of the book, Kerry Godsall, breaks the process down in very easy-to-follow language. That process includes not only how to sketch people but also how to sketch inanimate still life objects, buildings, foilage, landscapes, and animals. The book also covers in greater detail the three components of adding values to sketches that I mentioned in the tutorial.\r\n\r\nHopefully you will try this lesson out on your own. Try it on different subjects. You can use your own reference photographs, and you can also sketch from life. Since the steps are so quick and easy, and you are only making a sketch of a person as opposed to a complex drawing, you do not have to worry yourself with excessive details (if you so choose). The more people you sketch, the quicker and easier the steps will become!','See How to Sketch a Person in 4 Easy Steps','','inherit','open','open','','2100-revision-v1','','','2015-07-22 15:55:17','2015-07-22 22:55:17','',2100,'http://www.letsdrawpeople.com/2100-revision-v1/',0,'revision','',0),(2250,2,'2015-08-29 17:07:31','2015-08-30 00:07:31','','tw any face 3d 300 width','','inherit','open','open','','tw-any-face-3d-300-width','','','2015-08-29 17:07:31','2015-08-30 00:07:31','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/tw-any-face-3d-300-width.png',0,'attachment','image/png',0),(2252,2,'2015-11-26 23:45:29','2015-11-27 07:45:29','

[caption id=\"attachment_2242\" align=\"alignleft\" width=\"300\"]\"pencil

© I-bag | Dreamstime.com
[/caption]\n\nYou really love to draw pencil portraits.\n\nYou love creating pencil portrait drawings so much that you practice all the time. As you practice, you get noticeably better and better.\n\nIn fact, you begin to get so much better that people are beginning to come to you to ask you to draw a portrait for them!\n\nMaybe you have experienced the scenario above. Or, maybe no one has come to you yet, but you are getting increasingly confident in your ability to render a successful likeness of a person…so confident that you are ready to offer your services to draw pencil portraits for people who are willing to pay you!\n\nIt is exciting to think that you can go into business for yourself and get paid for something you enjoy doing! However, if you have little to no experience drawing commissioned portraits for clients, you may be asking yourself “Where should I begin setting my pencil portrait drawing prices?”\n\nThis article aims to guide you in the right direction. It highlights some important factors that will help you develop an appropriate starting price that works for you.\n

Where in the Market Do You Want to Be?

\nThere are several popular methods artists use to price their work. One of those methods involves artists pricing their work based on how other artists who create similar pieces are pricing work.\n\nSo if you want to offer realistic pencil portraits to clients, you would simply research other artists who are selling realistic pencil portraits and take note of their prices.\n\nYou will find a broad range of starting prices among these artists. What you should do is sort the prices from low to high to get a sense of the market. You can also look at samples of their work. Take this into consideration along with the range of prices and decide where along the spectrum you thing your work should fall.\n\nYou could do this research on your own by looking up pencil portrait artists on a search engine. If you would rather save some time, I did already compile and sort a list of starting prices from ten pencil portrait artists who sell their services online. I have already made this list available to my newsletter subscribers for free. If you would like your own copy, you can sign up for my newsletter in the box below and I will send you the list!\n\n \n
\n\n\n \n

Experience and Name Recognition

\nAnother factor that plays a part in how pencil portraits are priced is the experience and/or name recognition of the artist. Obviously if you are just still learning how to draw portraits, you will not have either of these. This will also be the case if you have been practicing for quite some time but are just now warming up to the possibility of selling your portraits on commission.\n\nArtists with more experience and name recognition tend to be able to charge higher prices and still secure paying customers. This is for a number of reasons. Artists who have many years of experience in their craft will certainly produce work at a level of quality that is deserving of higher commissions.\n\nExperience can also come in the form of years in business. Spending more years in the business brings more name recognition in the market. If artists have commissioned portraits for a long time, they understand the business side of the art enough to handle customer service, special requests, and their reputation in a way that builds the kind of trust for which customers are willing to pay more.\n

At What Quality Are Your Pencil Portrait Drawings?

\nYou should be confident that your pencil portraits are a \"good enough\" quality that other people will be willing to pay you for them.\n\nThe good news is there are different levels of quality. Some artists at fairs and festivals focus solely on selling sketches of people for $10 to $20 apiece. You could just as easily choose to sell sketches at these prices while working from photographs.\n\nGenerally speaking, as the quality of work increases, so will the prices. Realistic pencil portraits will cost more than sketches, and hyperrealistic portraits that look like actual photographs will cost a LOT more than your \"average\" realistic portraits.\n\nMore factors that affect price include size, number of subjects, and amount of detail in the portrait:\n
  • A few common sizes artists provide are 8\" x 10\", 11\" x 14\", 16\" x 20\", and even much larger canvases.
    • \n
  • A portrait of one single person will cost less than a family portrait of four people.
    • \n
  • A portrait can be anything from a head-and-shoulders view to a full-length, head-to-toe view.
    • \n
  • Will there be a blank background or a detailed setting?
    • \n
  • Is the person in your portrait wearing a plain white t shirt or a fancy blouse with an elaborate pattern that your client requested you to include?
    • \n

The Best Place to Start

\nIf you are just starting out, the best place to start is with very low prices. Start on the low end of your market research for realistic pencil portraits. If you are selling sketches, start even lower. At the same time, know that it is a balancing act and you don\'t want to undersell your work and your value.\n\nRemember that you can get my compiled list of starting prices and save time from all the research by signing up for my newsletter. This list is more than enough to give you an idea of where to start.\n\nOne final note: demand influences prices. As you gain experience and more customers than you can handle in a timely manner, it is okay to gradually raise your pencil portrait drawing prices. You should find over a number of years that as your value and name recognition increase, demand for your work continues to climb even with higher prices!','\"Where Should I Begin Setting Pencil Portrait Drawing Prices?\"','','inherit','open','open','','2237-autosave-v1','','','2015-11-26 23:45:29','2015-11-27 07:45:29','',2237,'http://www.letsdrawpeople.com/2237-autosave-v1/',0,'revision','',0),(2120,2,'2015-07-24 21:55:27','2015-07-25 04:55:27','Want more drawing tips and training? Use this page as a starting point to find recommended products and services. As you click through the links, you will only find products and services that I truly believe will enhance your progress as a portrait artist or will pique your interest.\r\n\r\nNote: Some of the links below are affiliate links, and at no additional cost to you, I will earn a commission if you purchase through these links.\r\n\r\nIf the product comes from someone else, I only recommend it if I have personally purchased it, used it myself, and if I recognize substantial benefits and usefulness.\r\n

Free Downloads

\r\n\"How to Make Realistic Line Drawings of Any Face\" - This 34-page ebook will take you by the hand and teach you specific steps for implementing the very effective \"grid method\" to draw faces. This is a free download that you can access when you sign up for the Let\'s Draw People Newsletter. \"any\r\n\r\nThe free downloads below have already been given to readers of my newsletter. If any of these interest you, just click on the one(s) you want and enter your information on the next page. The resource will be emailed to you, along with the Let\'s Draw People Newsletter and the free gift above! Come back to this page often, as I will update it with new resources that you can download for free!\r\n\r\n\"Face-Drawing Checklist\" - A handy \"cheat sheet\" that outlines 22 simple yet easily-overlooked details that every line drawing of a face should have. You will never again forget these important details in your face-drawings!\r\n\r\n\"One Simple Trick for Better Proportions When Sketching from Life\" - This quick little guide explains a simple method many artists use to get reasonable proportions in their life drawings when making a sketch of a person, landscape, or other subject.\r\n\r\n\"Five Ways to Add Shading to a Face\" - Ideal if you don\'t know how or where to begin when it comes to shading a drawing of a face. This short video will demonstrate and explain five different approaches.\r\n

Digital Drawing Courses and eBooks

\r\nThis list consists of helpful drawing courses and resources that I highly recommend! Here you will find courses that I have offered my readers in the past. You will find materials covering a variety of topics, including how to draw faces, figure drawing, drawing techniques, and drawing with different media.\r\n\r\n\"Realistic Pencil Portrait Mastery\" - Christopher Sia teaches a unique but effective method for drawing remarkably realistic pencil portraits in this popular home study course. Each lesson goes into explicit detail for what to look for when drawing the individual facial features: the eyes, the nose, the mouth and teeth, the ears, and the hair.\r\n\r\n\"bundle-small\"\r\n\r\n\"8 Easy Steps to Drawing a Portrait\" - Also by Christopher Sia, this ebook takes you from a blank sheet of paper to a complete drawing of a famous celebrity within one week. You will get to learn the 8 easy steps throughout the process of drawing.\"ebook\"\r\n\r\n\"Master the Human Form\" - Todd Harris uses this comprehensive 128-page ebook to teach life drawing - using live models as subjects. He references important parts of the anatomy to not only teach how to draw facial features but also hands, arms, the torso, legs, and even clothes.\r\n\r\n\"master\r\n\r\n\"The Secrets to Drawing Video Course\" - This course by art instructor Matt Fussell covers a broad range of drawing strategies with 28 high-definition videos and 26 illustrated ebooks. Matt demonstrates how to create art with graphite pencils, charcoal, colored pencils, and pastels.\r\n\r\n\"\"\r\n\r\n
\"Drawing Secrets Revealed\" - Professional portrait artist Sarah Parks developed this college-level video course. The best part about this program is if you don\'t feel like you need the whole course, you can pick and choose to buy only those lessons that interest you the most.\r\n\r\n\"300\r\n\r\n\"How to Sketch\" - Kerry Godsall made this ebook for beginning artists to get results by developing fundamental sketching skills. Concepts can be applied not only to sketching people but also animals, plants, and inanimate objects.\r\n

\"how

\r\n\r\n

Published Drawing Books

\r\nI have used many general drawing books over the years to teach myself portrait drawing. The books in the short list below played a significant, major, defining role in developing me into the artist I am today.\r\n\r\nHow to Draw Lifelike Portraits from Photographs - Reading this book by Lee Hammond forever changed the way I approached drawing people. It taught me basic concepts that were new to me at the time but dramatically accelerated my learning curve.\r\n\r\nThe Big Book of Realistic Drawing Secrets - This book by Carrie and Rick Parks taught me new and more efficient ways to draw people from photographs and from life. Countless examples for how to apply a multitude of drawing supplies were especially helpful.\r\n

Drawing Supplies

\r\nBelow is a list of the drawing supplies I use to create my pencil portraits. Some of the links below are to items comparable to the ones I have (in the case where the brand/model I have subsequently became unavailable).\r\n\r\nLight box - This is wonderful for grid drawing! Just put a blank grid on the light box and your drawing paper on top of that. No annoying grid lines to erase after you complete your line drawing!\r\n\r\nBristol board paper - A bit heavier and smoother than typical drawing paper, two-ply Bristol board is perfect for drawing very detailed, realistic pencil portraits. It is sturdy enough to withstand the constant blending, smudging, and erasing that is involved with this kind of artwork.\r\n\r\nGraphite pencils - This particular set has a good balance of hard-led and soft-led pencils. There are 12 pencils in the set ranging from 6B to 4H.\r\n\r\nMechanical pencil - This pencil is great for sketching on the go when you don\'t want to carry around a full kit of graphite pencils. I also use this pencil for my realistic portraits. It is perfect for adding in those tiny, fine details.\r\n\r\nMechanical lead refills - I use this 2B lead more often than anything else. I have used this (Pentel) brand for many years and love it! It is very sturdy and long-lasting.\r\n\r\nTortillions - These are nice for smudging the graphite on small areas of your drawing paper, adding more to the texture and feel of your artwork.\r\n\r\nBlending stumps - These have a similar purpose to the tortillions, but blending stumps are generally for larger surfaces of your drawing paper.\r\n\r\nKneaded eraser - This is a must-have for anyone serious about creating realistic pencil portraits. It erases cleanly without leaving residue. You can pinch it and knead it into whatever shape you like to create highlights, hairs, and other tiny effects.\r\n\r\nEraser pencil with brush - Nice for erasing and brushing away tiny areas. The eraser can be sharpened to more easily get into those tight spaces.\r\n\r\nDusting brush - Brush off eraser residue without worrying about smudging your drawing. This handy tool also prevents you from accidentally spitting on your hard work while trying to blow the debris away!\r\n\r\nCircle template - Make perfect circles required by, among other things, irises and pupils.\r\n\r\nWorkable fixative - A fixative sprayed on your drawing after you finish it will prevent it from getting smudged from careless handling. This fixative is also \"workable\", meaning if you wanted to work in layers, you could spray in between new layers and not fear your hand smudging your previous work as you continue to draw.\r\n

Let\'s Draw People Store

\r\nIf you want to browse around for a larger variety of drawing supplies, look no further than the Let\'s Draw People Store! Powered by Amazon, this site-based platform displays a condensed list of categories specific to drawing, so you can find exactly what you want quickly and easily.\r\n\r\n','Recommended Resources','','inherit','open','open','','1963-revision-v1','','','2015-07-24 21:55:27','2015-07-25 04:55:27','',1963,'http://www.letsdrawpeople.com/1963-revision-v1/',0,'revision','',0),(2121,2,'2015-08-05 03:53:12','2015-08-05 10:53:12','If you are ever asked (or commissioned) to draw a pencil portrait of someone, you will most likely draw a picture of a happy person with a smile. After all, isn’t that how we most often appear in photographs? And isn’t that how we most often want to present ourselves to others? Truth be told, adults and children alike are not always happy people, even if they fake a smile for a camera.\r\n\r\nWith that said, why would you want to waste time drawing someone who is not happy?\r\n\r\nSometimes, rather than drawing a happy portrait, it is a good exercise to draw a character study with the goal of capturing other emotions of the subject, even if it is a sad emotion. Doing so can broaden your perspective and help you grow as an artist. That is why I chose to do this drawing of a girl crying.\r\n\r\n\"drawing\r\n\r\nI realized that I had never attempted a realistic drawing of sad eyes, a whimpering mouth, or even tears before. Making tears turned out to be more challenging than I thought! Still I am happy that I gave it a try, because the experience has helped me to broaden my abilities.\r\n\r\nSo as you watch the video below, remember that it is okay to not always draw people in their happiest moods. People cry in real life, so they can cry in our artwork too!\r\n\r\n
','Why It’s Okay to Make a Drawing of a Girl Crying','','publish','open','open','','why-its-okay-to-make-a-drawing-of-a-girl-crying','','','2015-08-01 11:15:21','2015-08-01 18:15:21','',0,'http://www.letsdrawpeople.com/?p=2121',0,'post','',0),(2122,2,'2015-07-26 18:29:52','2015-07-27 01:29:52','','drawing of a girl crying','','inherit','open','open','','drawing-of-a-girl-crying','','','2015-07-26 18:29:52','2015-07-27 01:29:52','',2121,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/drawing-of-a-girl-crying.jpg',0,'attachment','image/jpeg',0),(2123,2,'2015-07-26 18:35:13','2015-07-27 01:35:13','If you are ever asked (or commissioned) to draw a pencil portrait of someone, you will most likely draw a picture of a happy person with a smile. After all, isn’t that how we most often appear in photographs? And isn’t that how we most often want to present ourselves to others? Truth be told, adults and children alike are not always happy people, even if they fake a smile for a camera.\r\n\r\nWith that said, why would you want to waste time drawing someone who is not happy?\r\n\r\nSometimes, rather than drawing a happy portrait, it is a good exercise to draw a character study with the goal of capturing other emotions of the subject, even if it is a sad emotion. Doing so can broaden your perspective and help you grow as an artist. That is why I chose to do this drawing of a girl crying.\r\n\r\n\"drawing\r\n\r\nI realized that I had never attempted a realistic drawing of sad eyes, a whimpering mouth, or even tears before. Making tears turned out to be more challenging than I thought! Still I am happy that I gave it a try, because the experience has helped me to broaden my abilities.\r\n\r\nSo as you watch the video below, remember that it is okay to not always draw people in their happiest moods. People cry in real life, so they can cry in our artwork too!','Why It’s Okay to Make a Drawing of a Girl Crying','','inherit','open','open','','2121-revision-v1','','','2015-07-26 18:35:13','2015-07-27 01:35:13','',2121,'http://www.letsdrawpeople.com/2121-revision-v1/',0,'revision','',0),(2124,2,'2015-07-26 18:51:49','2015-07-27 01:51:49','If you are ever asked (or commissioned) to draw a pencil portrait of someone, you will most likely draw a picture of a happy person with a smile. After all, isn’t that how we most often appear in photographs? And isn’t that how we most often want to present ourselves to others? Truth be told, adults and children alike are not always happy people, even if they fake a smile for a camera.\r\n\r\nWith that said, why would you want to waste time drawing someone who is not happy?\r\n\r\nSometimes, rather than drawing a happy portrait, it is a good exercise to draw a character study with the goal of capturing other emotions of the subject, even if it is a sad emotion. Doing so can broaden your perspective and help you grow as an artist. That is why I chose to do this drawing of a girl crying.\r\n\r\n\"drawing\r\n\r\nI realized that I had never attempted a realistic drawing of sad eyes, a whimpering mouth, or even tears before. Making tears turned out to be more challenging than I thought! Still I am happy that I gave it a try, because the experience has helped me to broaden my abilities.\r\n\r\nSo as you watch the video below, remember that it is okay to not always draw people in their happiest moods. People cry in real life, so they can cry in our artwork too!\r\n\r\n ','Why It’s Okay to Make a Drawing of a Girl Crying','','inherit','open','open','','2121-revision-v1','','','2015-07-26 18:51:49','2015-07-27 01:51:49','',2121,'http://www.letsdrawpeople.com/2121-revision-v1/',0,'revision','',0),(2125,2,'2015-07-26 18:52:51','2015-07-27 01:52:51','
Here is a speed drawing video I did of an elderly man in a hat, the brim shielding the bright sun from his eyes. I used a light box and grid to sketch the initial line drawing on Bristol board paper. Then I added the light and dark tones. Finally I blended in layers of detail. This drawing took me around 10 hours to complete. Depending on the amount of detail I chose to add, it could have easily taken fewer or many more hours! This video condenses the process into 5 minutes. Enjoy!\r\n\r\n[caption id=\"attachment_1135\" align=\"aligncenter\" width=\"456\"]\"© © Kelpfish | Dreamstime.com[/caption]\r\n

\"elderly

','Detailed Speed Drawing of Elderly Man in a Hat','','inherit','open','open','','900-revision-v1','','','2015-07-26 18:52:51','2015-07-27 01:52:51','',900,'http://www.letsdrawpeople.com/900-revision-v1/',0,'revision','',0),(2126,2,'2015-07-26 18:54:48','2015-07-27 01:54:48','If you are ever asked (or commissioned) to draw a pencil portrait of someone, you will most likely draw a picture of a happy person with a smile. After all, isn’t that how we most often appear in photographs? And isn’t that how we most often want to present ourselves to others? Truth be told, adults and children alike are not always happy people, even if they fake a smile for a camera.\r\n\r\nWith that said, why would you want to waste time drawing someone who is not happy?\r\n\r\nSometimes, rather than drawing a happy portrait, it is a good exercise to draw a character study with the goal of capturing other emotions of the subject, even if it is a sad emotion. Doing so can broaden your perspective and help you grow as an artist. That is why I chose to do this drawing of a girl crying.\r\n\r\n\"drawing\r\n\r\nI realized that I had never attempted a realistic drawing of sad eyes, a whimpering mouth, or even tears before. Making tears turned out to be more challenging than I thought! Still I am happy that I gave it a try, because the experience has helped me to broaden my abilities.\r\n\r\nSo as you watch the video below, remember that it is okay to not always draw people in their happiest moods. People cry in real life, so they can cry in our artwork too!\r\n\r\n
','Why It’s Okay to Make a Drawing of a Girl Crying','','inherit','open','open','','2121-revision-v1','','','2015-07-26 18:54:48','2015-07-27 01:54:48','',2121,'http://www.letsdrawpeople.com/2121-revision-v1/',0,'revision','',0),(2194,2,'2015-08-02 11:42:31','2015-08-02 18:42:31','','06 how to draw an old man lower face','','inherit','open','open','','06-how-to-draw-an-old-man-lower-face','','','2015-08-02 11:42:31','2015-08-02 18:42:31','',2193,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/06-how-to-draw-an-old-man-lower-face.jpg',0,'attachment','image/jpeg',0),(2195,2,'2015-08-02 11:42:34','2015-08-02 18:42:34','','07 how to draw an old man with wrinkles','','inherit','open','open','','07-how-to-draw-an-old-man-with-wrinkles','','','2015-08-02 11:42:34','2015-08-02 18:42:34','',2193,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/07-how-to-draw-an-old-man-with-wrinkles.jpg',0,'attachment','image/jpeg',0),(2196,2,'2015-08-02 11:42:36','2015-08-02 18:42:36','','how to draw an old man','','inherit','open','open','','how-to-draw-an-old-man','','','2015-08-02 11:42:36','2015-08-02 18:42:36','',2193,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/how-to-draw-an-old-man.jpg',0,'attachment','image/jpeg',0),(2197,2,'2015-08-02 11:42:38','2015-08-02 18:42:38','','05 how to draw an old man eyes','','inherit','open','open','','05-how-to-draw-an-old-man-eyes','','','2015-08-02 11:42:38','2015-08-02 18:42:38','',2193,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/05-how-to-draw-an-old-man-eyes.jpg',0,'attachment','image/jpeg',0),(2128,2,'2015-07-26 20:10:48','2015-07-27 03:10:48','If you are ever asked (or commissioned) to draw a pencil portrait of someone, you will most likely draw a picture of a happy person with a smile. After all, isn’t that how we most often appear in photographs? And isn’t that how we most often want to present ourselves to others? Truth be told, adults and children alike are not always happy people, even if they fake a smile for a camera.\r\n\r\nWith that said, why would you want to waste time drawing someone who is not happy?\r\n\r\nSometimes, rather than drawing a happy portrait, it is a good exercise to draw a character study with the goal of capturing other emotions of the subject, even if it is a sad emotion. Doing so can broaden your perspective and help you grow as an artist. That is why I chose to do this drawing of a girl crying.\r\n\r\n\"drawing\r\n\r\nI realized that I had never attempted a realistic drawing of sad eyes, a whimpering mouth, or even tears before. Making tears turned out to be more challenging than I thought! Still I am happy that I gave it a try, because the experience has helped me to broaden my abilities.\r\n\r\nSo as you watch the video below, remember that it is okay to not always draw people in their happiest moods. People cry in real life, so they can cry in our artwork too!\r\n\r\n
','Why It’s Okay to Make a Drawing of a Girl Crying','','inherit','open','open','','2121-revision-v1','','','2015-07-26 20:10:48','2015-07-27 03:10:48','',2121,'http://www.letsdrawpeople.com/2121-revision-v1/',0,'revision','',0),(2193,2,'2015-08-12 03:50:44','2015-08-12 10:50:44','The face of an older man displays a lifetime of character, experience, and personality. Just as there are differences between drawing children and adults, there are differences between drawing a younger adult and an older adult. If you think drawing an old man is difficult, not to worry! The differences between drawing a young man and an older gentleman are actually very few, in my opinion.\r\n\r\nIn this tutorial, I will show you how to draw an old man on his birthday. Here is the reference photograph we will use throughout the lesson.\r\n\r\n[caption id=\"attachment_2199\" align=\"aligncenter\" width=\"600\"]\"how © Hartphotography | Dreamstime.com[/caption]\r\n\r\n \r\n\r\nI will break this lesson down into two main parts. The first part consists of drawing the basic facial features, which for an old man is no different than for a younger man. The main thing that is different about drawing an old man is properly indicating the placement of wrinkles. The second part of the lesson will cover that.\r\n

Draw the Basics for the Face

\r\nBegin by drawing the basic guidelines for the face. You can use any kind of pencil you want, but I found my mechanical pencil especially helpful for the many fine lines that are called for in later steps of this tutorial.\r\n\r\nIf you know how to draw a face, you should know that the basics for guidelines that place facial features are the same for an adult of any age. Use the diagram below to get you started with properly placed guidelines for this man.\r\n\r\n\"01\r\n\r\n \r\n\r\nDraw the facial features. See that the eyes, nose, mouth, and ears fit within the parameters of your guidelines. Use a circle template to draw the perfectly round circles forming each iris.\r\n\r\n\"02\r\n\r\n \r\n\r\nErase the guidelines with a kneaded eraser for the tight spots. Then draw the the man\'s hair. This includes the hair on the top of his head as well as his eyebrows and moustache.\r\n\r\n\"03\r\n\r\n \r\n

How to Draw Wrinkles

\r\nNow let\'s see how to draw wrinkles that would realistically appear on an old man. Begin by drawing wrinkles on the forehead. These are often called \"worry lines\". But how many should you draw? I count about four rows on our subject. They should be somewhat disconnected and follow the curvature of the skull.\r\n\r\n\"04\r\n\r\n \r\n\r\nDraw wrinkles around the eyes. As you can see, lots of wrinkles form around the eyes as we get older. But where do you begin? Use the image below to guide you. Except for the frown lines shown by the green arrow, the wrinkles indicated by the other arrows should be duplicated on both sides of the face. These include wrinkles above the eyebrows (blue), crow\'s feet (red), \"bags\" under the eyes (yellow), and even a wrinkle on each eyelid (purple).\r\n\r\n\"05\r\n\r\n \r\n\r\nDraw wrinkles around the nose and mouth. These include lines that come down the cheeks from the eyes (blue), the nasolabial folds or \"smile lines\" (red), and wrinkles along the sides of the cheeks beside the mouth (green) and under the mouth for the chin (yellow).\r\n\r\n\"06\r\n\r\n \r\n\r\nThis is how the old man\'s face should look after drawing the wrinkles.\r\n\r\n\"07\r\n\r\n \r\n

Finishing Details

\r\nFinish the man\'s face. Draw some subtle, barely-noticeable eyelids. He has a couple of moles on his forehead you can draw. Additionally, draw strands of hair to make the top of his head, his eyebrows, and his moustache fuller.\r\n\r\nComplete the picture by drawing the details on the birthday hat and the man\'s shirt. Make the cone atop the man\'s head look like a birthday hat with a few balloons, ribbons, and stars. I used the straight edge of my circle template to straighten the lines on each side of the birthday hat. Draw a string from the hat that goes around the man\'s chin. Make an open collar and a few carefully placed folds for the man\'s shirt. Remember to draw a few wrinkles that indicate the man\'s neck.\r\n\r\n\"how\r\n\r\nThese steps will leave you with a completed line drawing of an old man. If you want to take your drawing to the next level, you can feel free to add some shading. You can also leave it as is, your choice!\r\n\r\nThat concludes this tutorial on how to draw an old man. Aside from some well-placed lines to reflect age and experience, you can now see that drawing an old man is really no different than drawing any other man!','How to Draw an Old Man on His Birthday','','publish','open','open','','how-to-draw-an-old-man-on-his-birthday','','','2015-08-02 13:53:59','2015-08-02 20:53:59','',0,'http://www.letsdrawpeople.com/?p=2193',0,'post','',1),(2129,2,'2015-07-26 20:29:09','2015-07-27 03:29:09','','/realistic-line-drawings-of-any-face-youtube','','publish','closed','closed','','2129','','','2015-07-26 20:29:09','2015-07-27 03:29:09','',0,'',0,'leadpages_post','',0),(2131,2,'2015-07-27 09:39:09','2015-07-27 16:39:09','how to draw a woman in a dress\r\n\r\nhow to draw a lady in a dress\r\n\r\nwoman wearing dress\r\n\r\n- I do not claim to be a fashion expert, and I am certainly not one to know all the characteristics and fine details of a woman\'s dress without having a resource to help me. For that reason, I found this photo of a woman wearing a dress that we can use as a reference. This will help in the next step when trying to draw the woman\'s figure in motion. It will help even more later on when we need to draw the twirling dress.\r\n\r\nhow to draw woman figure\r\n\r\nstep by step how to draw a dress\r\n\r\nhow to draw a woman in a dress','How to Draw a Woman in a Dress Spinning Around','','inherit','open','open','','2130-revision-v1','','','2015-07-27 09:39:09','2015-07-27 16:39:09','',2130,'http://www.letsdrawpeople.com/2130-revision-v1/',0,'revision','',0),(2133,2,'2015-07-28 08:59:03','2015-07-28 15:59:03','','woman wearing dress spinning around','','inherit','open','open','','woman-wearing-dress-spinning-around','','','2015-07-28 08:59:03','2015-07-28 15:59:03','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/woman-wearing-dress-spinning-around.jpg',0,'attachment','image/jpeg',0),(2132,2,'2015-07-27 09:41:51','2015-07-27 16:41:51','how to draw a woman in a dress\r\n\r\nhow to draw a lady in a dress\r\n\r\nwoman wearing dress\r\n\r\n- I do not claim to be a fashion expert, and I am certainly not one to know all the characteristics and fine details of a woman\'s dress without having a resource to help me. For that reason, I found this photo of a woman wearing a dress that we can use as a reference. This will help in the next step when trying to draw the woman\'s figure in motion. It will help even more later on when we need to draw the twirling dress.\r\n\r\n***ref photo\r\n\r\nhow to draw woman figure\r\n\r\nstep by step how to draw a dress\r\n\r\nhow to draw a woman in a dress','How to Draw a Woman in a Dress Spinning Around','','inherit','open','open','','2130-revision-v1','','','2015-07-27 09:41:51','2015-07-27 16:41:51','',2130,'http://www.letsdrawpeople.com/2130-revision-v1/',0,'revision','',0),(2134,2,'2015-07-28 09:33:46','2015-07-28 16:33:46','If you have ever wondered how to draw a woman in a dress, there are two obvious tasks you need to accomplish. First, you need to draw the figure of the woman. Then of course, you need to know the parts of the dress in order to draw that. Easy enough, right? So, why not add an extra element of challenge and draw the woman in motion?\r\n\r\nThat is what we aim to do with this lesson. The video and the steps below will show you how to draw a lady in a dress twirling around in a field of grass.\r\n\r\n \r\n\r\nwoman wearing dress\r\n\r\n- I do not claim to be a fashion expert, and I am certainly not one to know all the characteristics and fine details of a woman\'s dress without having a resource to help me. For that reason, I found this photo of a woman wearing a dress that we can use as a reference. This will help in the next step when trying to draw the woman\'s figure in motion. It will help even more later on when we need to draw the twirling dress.\r\n\r\n\"woman\r\n\r\nhow to draw woman figure\r\n\r\nstep by step how to draw a dress\r\n\r\nhow to draw a woman in a dress','How to Draw a Woman in a Dress Spinning Around','','inherit','open','open','','2130-revision-v1','','','2015-07-28 09:33:46','2015-07-28 16:33:46','',2130,'http://www.letsdrawpeople.com/2130-revision-v1/',0,'revision','',0),(2135,2,'2015-07-28 09:51:34','2015-07-28 16:51:34','If you have ever wondered how to draw a woman in a dress, there are two obvious tasks you need to accomplish. First, you need to draw the figure of the woman. Then of course, you need to know the parts of the dress in order to draw that. Easy enough, right? So, why not add an extra element of challenge and draw the woman in motion?\r\n\r\nThat is what we\'ll aim to do with this lesson. The video and the steps below will show you how to draw a lady in a dress, spinning around in a field of grass.\r\n\r\nFirst things first. Let\'s get a little more familiar with what we will be drawing.\r\n\r\nwoman wearing dress\r\n\r\nI do not claim to be a fashion expert, and I am certainly not one to know all the characteristics and fine details of a woman\'s dress without having a resource to help me. For that reason, I found this photo of a woman wearing a dress that we can use as a reference. This will help in the next step when trying to draw the woman\'s figure in motion. It will help even more later on when we need to draw the twirling dress.\r\n\r\n\"woman\r\n\r\nhow to draw woman figure\r\n\r\nstep by step how to draw a dress\r\n\r\nhow to draw a woman in a dress','How to Draw a Woman in a Dress Spinning Around','','inherit','open','open','','2130-revision-v1','','','2015-07-28 09:51:34','2015-07-28 16:51:34','',2130,'http://www.letsdrawpeople.com/2130-revision-v1/',0,'revision','',0),(2136,2,'2015-07-28 10:23:01','2015-07-28 17:23:01','If you have ever wondered how to draw a woman in a dress, there are two obvious tasks you need to accomplish. First, you need to draw the figure of the woman. Then of course, you need to know the parts of the dress in order to draw that. Easy enough, right? So, why not add an extra element of challenge and draw the woman in motion?\r\n\r\nThat is what we\'ll aim to do with this lesson. The video and the steps below will show you how to draw a lady in a dress, spinning around in a field of grass.\r\n\r\nFirst things first. Let\'s get a little more familiar with what we will be drawing.\r\n

What to Look for in the Woman and the Dress

\r\nI do not claim to be a fashion expert, and I am certainly not one to know all the characteristics and fine details of a woman\'s dress without having a resource to help me. For that reason, I found this photo of a woman wearing a dress that we can use as a reference. This will help in the next step when trying to draw the woman\'s figure in motion. It will help even more later on when we need to draw the twirling dress.\r\n\r\n\"woman\r\n\r\nBefore we begin drawing, let me point out just a few noteworthy things from the photo to keep in mind. Since the woman is twirling, you can notice her figure leaning back. Also, you can tell she is twisting to her right. Her torso is slightly more turned than her lower half. She is also using her left arm to bring her dress along for the spin. Since she is in motion, you notice her hair and the bottom part of the dress trailing along.\r\n\r\nhow to draw woman figure\r\n\r\nstep by step how to draw a dress\r\n\r\nhow to draw a woman in a dress','How to Draw a Woman in a Dress Spinning Around','','inherit','open','open','','2130-revision-v1','','','2015-07-28 10:23:01','2015-07-28 17:23:01','',2130,'http://www.letsdrawpeople.com/2130-revision-v1/',0,'revision','',0),(2137,2,'2015-07-28 10:54:03','2015-07-28 17:54:03','If you have ever wondered how to draw a woman in a dress, there are two obvious tasks you need to accomplish. First, you need to draw the figure of the woman. Then of course, you need to know the parts of the dress in order to draw that. Easy enough, right? So, why not add an extra element of challenge and draw the woman in motion?\r\n\r\nThat is what we\'ll aim to do with this lesson. The video and the steps below will show you how to draw a lady in a dress, spinning around in a field of grass.\r\n\r\nFirst things first. Let\'s get a little more familiar with what we will be drawing.\r\n

What to Look for in the Woman and the Dress

\r\nI do not claim to be a fashion expert, and I am certainly not one to know all the characteristics and fine details of a woman\'s dress without having a resource to help me. For that reason, I found this photo of a woman wearing a dress that we can use as a reference. This will help in the next step when trying to draw the woman\'s figure in motion. It will help even more later on when we need to draw the twirling dress.\r\n\r\n\"woman\r\n\r\nBefore we begin drawing, let me point out just a few noteworthy things from the photo to keep in mind. Since the woman is twirling, you can notice her figure leaning back. Also, you can tell she is twisting to her right. Her torso is slightly more turned than her lower half. She is also using her left arm to bring her dress along for the spin. Since the woman is in motion, you notice her hair and the bottom part of the dress trailing along.\r\n\r\nThe dress has lace along the bodice and along the edges of the shoulder straps. There appears to be a knot in the back where pieces of the garment are tied together. The upper half of the dress is form-fitting, while the lower half is loose and free-flowing. There is a flower pattern on this dress that you can choose to draw if you want, but I left it out of this tutorial.\r\n

Ready to Draw

\r\nHopefully you are now ready to draw along with this tutorial! You can watch the video for a summary of the steps and read more detailed steps below, along with viewing the illustrations for each step. Besides my drawing paper, the only materials I used for this were a mechanical pencil with 2B lead and a kneaded eraser.\r\n\r\n***VIDEO***\r\n\r\nhow to draw woman figure\r\n\r\nstep by step how to draw a dress\r\n\r\nhow to draw a woman in a dress','How to Draw a Woman in a Dress Spinning Around','','inherit','open','open','','2130-revision-v1','','','2015-07-28 10:54:03','2015-07-28 17:54:03','',2130,'http://www.letsdrawpeople.com/2130-revision-v1/',0,'revision','',0),(2138,2,'2015-07-28 11:09:49','2015-07-28 18:09:49','If you have ever wondered how to draw a woman in a dress, there are two obvious tasks you need to accomplish. First, you need to draw the figure of the woman. Then of course, you need to know the parts of the dress in order to draw that. Easy enough, right? So, why not add an extra element of challenge and draw the woman in motion?\r\n\r\nThat is what we\'ll aim to do with this lesson. The video and the steps below will show you how to draw a lady in a dress, spinning around in a field of grass.\r\n\r\nFirst things first. Let\'s get a little more familiar with what we will be drawing.\r\n

What to Look for in the Woman and the Dress

\r\nI do not claim to be a fashion expert, and I am certainly not one to know all the characteristics and fine details of a woman\'s dress without having a resource to help me. For that reason, I found this photo of a woman wearing a dress that we can use as a reference. This will help in the next step when trying to draw the woman\'s figure in motion. It will help even more later on when we need to draw the twirling dress.\r\n\r\n\"woman\r\n\r\nBefore we begin drawing, let me point out just a few noteworthy things from the photo to keep in mind. Since the woman is twirling, you can notice her figure leaning back. Also, you can tell she is twisting to her right. Her torso is slightly more turned than her lower half. She is also using her left arm to bring her dress along for the spin. Since the woman is in motion, you notice her hair and the bottom part of the dress trailing along.\r\n\r\nThe dress has lace along the bodice and along the edges of the shoulder straps. There appears to be a knot in the back where pieces of the garment are tied together. The upper half of the dress is form-fitting, while the lower half is loose and free-flowing. There is a flower pattern on this dress that you can choose to draw if you want, but I left it out of this tutorial.\r\n

Ready to Draw

\r\nHopefully you are now ready to draw along with this tutorial! You can watch the video for a summary of the steps and read more detailed steps below, along with viewing the illustrations for each step. Besides my drawing paper, the only materials I used for this were a mechanical pencil with 2B lead and a kneaded eraser.\r\n\r\n***VIDEO***\r\n\r\nhow to draw woman figure\r\n\r\n \r\n\r\nstep by step how to draw a dress\r\n\r\nhow to draw a woman in a dress','How to Draw a Woman in a Dress Spinning Around','','inherit','open','open','','2130-revision-v1','','','2015-07-28 11:09:49','2015-07-28 18:09:49','',2130,'http://www.letsdrawpeople.com/2130-revision-v1/',0,'revision','',0),(2139,2,'2015-07-28 15:53:20','2015-07-28 22:53:20','','01 how to draw woman figure head and neck','','inherit','open','open','','01-how-to-draw-woman-figure-head-and-neck','','','2015-07-28 15:53:20','2015-07-28 22:53:20','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/01-how-to-draw-woman-figure-head-and-neck.jpg',0,'attachment','image/jpeg',0),(2141,2,'2015-07-28 15:53:26','2015-07-28 22:53:26','','03 how to draw woman figure pelvic','','inherit','open','open','','03-how-to-draw-woman-figure-pelvic','','','2015-07-28 15:53:26','2015-07-28 22:53:26','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/03-how-to-draw-woman-figure-pelvic.jpg',0,'attachment','image/jpeg',0),(2142,2,'2015-07-28 15:53:29','2015-07-28 22:53:29','','04 how to draw woman figure upper leg','','inherit','open','open','','04-how-to-draw-woman-figure-upper-leg','','','2015-07-28 15:53:29','2015-07-28 22:53:29','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/04-how-to-draw-woman-figure-upper-leg.jpg',0,'attachment','image/jpeg',0),(2143,2,'2015-07-28 15:53:31','2015-07-28 22:53:31','','05 how to draw woman figure lower leg','','inherit','open','open','','05-how-to-draw-woman-figure-lower-leg','','','2015-07-28 15:53:31','2015-07-28 22:53:31','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/05-how-to-draw-woman-figure-lower-leg.jpg',0,'attachment','image/jpeg',0),(2144,2,'2015-07-28 15:53:33','2015-07-28 22:53:33','','06 how to draw woman figure right leg','','inherit','open','open','','06-how-to-draw-woman-figure-right-leg','','','2015-07-28 15:53:33','2015-07-28 22:53:33','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/06-how-to-draw-woman-figure-right-leg.jpg',0,'attachment','image/jpeg',0),(2145,2,'2015-07-28 15:53:36','2015-07-28 22:53:36','','07 how to draw woman figure arm','','inherit','open','open','','07-how-to-draw-woman-figure-arm','','','2015-07-28 15:53:36','2015-07-28 22:53:36','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/07-how-to-draw-woman-figure-arm.jpg',0,'attachment','image/jpeg',0),(2146,2,'2015-07-28 15:53:39','2015-07-28 22:53:39','','08 how to draw woman figure hair outline','','inherit','open','open','','08-how-to-draw-woman-figure-hair-outline','','','2015-07-28 15:53:39','2015-07-28 22:53:39','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/08-how-to-draw-woman-figure-hair-outline.jpg',0,'attachment','image/jpeg',0),(2147,2,'2015-07-28 15:53:41','2015-07-28 22:53:41','','09 how to draw woman figure face guidelines','','inherit','open','open','','09-how-to-draw-woman-figure-face-guidelines','','','2015-07-28 15:53:41','2015-07-28 22:53:41','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/09-how-to-draw-woman-figure-face-guidelines.jpg',0,'attachment','image/jpeg',0),(2148,2,'2015-07-28 15:53:44','2015-07-28 22:53:44','','10 how to draw woman figure face','','inherit','open','open','','10-how-to-draw-woman-figure-face','','','2015-07-28 15:53:44','2015-07-28 22:53:44','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/10-how-to-draw-woman-figure-face.jpg',0,'attachment','image/jpeg',0),(2149,2,'2015-07-28 15:53:47','2015-07-28 22:53:47','','11 how to draw woman figure hair','','inherit','open','open','','11-how-to-draw-woman-figure-hair','','','2015-07-28 15:53:47','2015-07-28 22:53:47','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/11-how-to-draw-woman-figure-hair.jpg',0,'attachment','image/jpeg',0),(2150,2,'2015-07-28 15:53:49','2015-07-28 22:53:49','','12 how to draw woman figure upper arm','','inherit','open','open','','12-how-to-draw-woman-figure-upper-arm','','','2015-07-28 15:53:49','2015-07-28 22:53:49','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/12-how-to-draw-woman-figure-upper-arm.jpg',0,'attachment','image/jpeg',0),(2151,2,'2015-07-28 15:53:52','2015-07-28 22:53:52','','13 how to draw woman figure lower arm','','inherit','open','open','','13-how-to-draw-woman-figure-lower-arm','','','2015-07-28 15:53:52','2015-07-28 22:53:52','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/13-how-to-draw-woman-figure-lower-arm.jpg',0,'attachment','image/jpeg',0),(2152,2,'2015-07-28 15:53:55','2015-07-28 22:53:55','','14 how to draw woman figure feet','','inherit','open','open','','14-how-to-draw-woman-figure-feet','','','2015-07-28 15:53:55','2015-07-28 22:53:55','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/14-how-to-draw-woman-figure-feet.jpg',0,'attachment','image/jpeg',0),(2153,2,'2015-07-28 15:53:58','2015-07-28 22:53:58','','15 step by step how to draw a dress shoulder strap','','inherit','open','open','','15-step-by-step-how-to-draw-a-dress-shoulder-strap','','','2015-07-28 15:53:58','2015-07-28 22:53:58','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/15-step-by-step-how-to-draw-a-dress-shoulder-strap.jpg',0,'attachment','image/jpeg',0),(2154,2,'2015-07-28 15:54:00','2015-07-28 22:54:00','','16 step by step how to draw a dress skirt','','inherit','open','open','','16-step-by-step-how-to-draw-a-dress-skirt','','','2015-07-28 15:54:00','2015-07-28 22:54:00','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/16-step-by-step-how-to-draw-a-dress-skirt.jpg',0,'attachment','image/jpeg',0),(2155,2,'2015-07-28 15:54:04','2015-07-28 22:54:04','','17 step by step how to draw a dress lace','','inherit','open','open','','17-step-by-step-how-to-draw-a-dress-lace','','','2015-07-28 15:54:04','2015-07-28 22:54:04','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/17-step-by-step-how-to-draw-a-dress-lace.jpg',0,'attachment','image/jpeg',0),(2156,2,'2015-07-28 15:54:07','2015-07-28 22:54:07','','18 step by step how to draw a dress upper folds','','inherit','open','open','','18-step-by-step-how-to-draw-a-dress-upper-folds','','','2015-07-28 15:54:07','2015-07-28 22:54:07','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/18-step-by-step-how-to-draw-a-dress-upper-folds.jpg',0,'attachment','image/jpeg',0),(2157,2,'2015-07-28 15:54:10','2015-07-28 22:54:10','','19 step by step how to draw a dress erase','','inherit','open','open','','19-step-by-step-how-to-draw-a-dress-erase','','','2015-07-28 15:54:10','2015-07-28 22:54:10','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/19-step-by-step-how-to-draw-a-dress-erase.jpg',0,'attachment','image/jpeg',0),(2158,2,'2015-07-28 15:54:12','2015-07-28 22:54:12','','20 step by step how to draw a dress lower folds 1','','inherit','open','open','','20-step-by-step-how-to-draw-a-dress-lower-folds-1','','','2015-07-28 15:54:12','2015-07-28 22:54:12','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/20-step-by-step-how-to-draw-a-dress-lower-folds-1.jpg',0,'attachment','image/jpeg',0),(2173,2,'2015-07-30 08:21:03','2015-07-30 15:21:03','','21 step by step how to draw a dress lower folds 2','','inherit','open','open','','21-step-by-step-how-to-draw-a-dress-lower-folds-2','','','2015-07-30 08:21:03','2015-07-30 15:21:03','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/21-step-by-step-how-to-draw-a-dress-lower-folds-2.jpg',0,'attachment','image/jpeg',0),(2160,2,'2015-07-28 15:54:18','2015-07-28 22:54:18','','22 step by step how to draw a dress lower folds 3','','inherit','open','open','','22-step-by-step-how-to-draw-a-dress-lower-folds-3','','','2015-07-28 15:54:18','2015-07-28 22:54:18','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/22-step-by-step-how-to-draw-a-dress-lower-folds-3.jpg',0,'attachment','image/jpeg',0),(2161,2,'2015-07-28 15:54:20','2015-07-28 22:54:20','','how to draw a woman in a dress','','inherit','open','open','','how-to-draw-a-woman-in-a-dress','','','2015-07-28 15:54:20','2015-07-28 22:54:20','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/how-to-draw-a-woman-in-a-dress.jpg',0,'attachment','image/jpeg',0),(2162,2,'2015-07-28 15:56:25','2015-07-28 22:56:25','If you have ever wondered how to draw a woman in a dress, there are two obvious tasks you need to accomplish. First, you need to draw the figure of the woman. Then of course, you need to know the parts of the dress in order to draw that. Easy enough, right? So, why not add an extra element of challenge and draw the woman in motion?\r\n\r\nThat is what we\'ll aim to do with this lesson. The video and the steps below will show you how to draw a lady in a dress, spinning around in a field of grass.\r\n\r\nFirst things first. Let\'s get a little more familiar with what we will be drawing.\r\n

What to Look for in the Woman and the Dress

\r\nI do not claim to be a fashion expert, and I am certainly not one to know all the characteristics and fine details of a woman\'s dress without having a resource to help me. For that reason, I found this photo of a woman wearing a dress that we can use as a reference. This will help in the next step when trying to draw the woman\'s figure in motion. It will help even more later on when we need to draw the twirling dress.\r\n\r\n\"woman\r\n\r\nBefore we begin drawing, let me point out just a few noteworthy things from the photo to keep in mind. Since the woman is twirling, you can notice her figure leaning back. Also, you can tell she is twisting to her right. Her torso is slightly more turned than her lower half. She is also using her left arm to bring her dress along for the spin. Since the woman is in motion, you notice her hair and the bottom part of the dress trailing along.\r\n\r\nThe dress has lace along the bodice and along the edges of the shoulder straps. There appears to be a knot in the back where pieces of the garment are tied together. The upper half of the dress is form-fitting, while the lower half is loose and free-flowing. There is a flower pattern on this dress that you can choose to draw if you want, but I left it out of this tutorial.\r\n

Ready to Draw

\r\nHopefully you are now ready to draw along with this tutorial! You can watch the video for a summary of the steps and read more detailed steps below, along with viewing the illustrations for each step. Besides my drawing paper, the only materials I used for this were a mechanical pencil with 2B lead and a kneaded eraser. Just remember to sketch your guidelines lighter than how they appear in these images.\r\n\r\n***VIDEO***\r\n\r\nhow to draw woman figure\r\n\r\ndraw head and neck\r\n\r\n\"01\r\n\r\nstep by step how to draw a dress\r\n\r\nhow to draw a woman in a dress','How to Draw a Woman in a Dress Spinning Around','','inherit','open','open','','2130-revision-v1','','','2015-07-28 15:56:25','2015-07-28 22:56:25','',2130,'http://www.letsdrawpeople.com/2130-revision-v1/',0,'revision','',0),(2163,2,'2015-07-28 15:58:24','2015-07-28 22:58:24','If you have ever wondered how to draw a woman in a dress, there are two obvious tasks you need to accomplish. First, you need to draw the figure of the woman. Then of course, you need to know the parts of the dress in order to draw that. Easy enough, right? So, why not add an extra element of challenge and draw the woman in motion?\r\n\r\nThat is what we\'ll aim to do with this lesson. The video and the steps below will show you how to draw a lady in a dress, spinning around in a field of grass.\r\n\r\nFirst things first. Let\'s get a little more familiar with what we will be drawing.\r\n

What to Look for in the Woman and the Dress

\r\nI do not claim to be a fashion expert, and I am certainly not one to know all the characteristics and fine details of a woman\'s dress without having a resource to help me. For that reason, I found this photo of a woman wearing a dress that we can use as a reference. This will help in the next step when trying to draw the woman\'s figure in motion. It will help even more later on when we need to draw the twirling dress.\r\n\r\n\"woman\r\n\r\nBefore we begin drawing, let me point out just a few noteworthy things from the photo to keep in mind. Since the woman is twirling, you can notice her figure leaning back. Also, you can tell she is twisting to her right. Her torso is slightly more turned than her lower half. She is also using her left arm to bring her dress along for the spin. Since the woman is in motion, you notice her hair and the bottom part of the dress trailing along.\r\n\r\nThe dress has lace along the bodice and along the edges of the shoulder straps. There appears to be a knot in the back where pieces of the garment are tied together. The upper half of the dress is form-fitting, while the lower half is loose and free-flowing. There is a flower pattern on this dress that you can choose to draw if you want, but I left it out of this tutorial.\r\n

Ready to Draw

\r\nHopefully you are now ready to draw along with this tutorial! You can watch the video for a summary of the steps and read more detailed steps below, along with viewing the illustrations for each step. Besides my drawing paper, the only materials I used for this were a mechanical pencil with 2B lead and a kneaded eraser. Just remember to sketch your guidelines lighter than how they appear in these images.\r\n\r\n***VIDEO***\r\n\r\nhow to draw woman figure\r\n\r\ndraw head and neck\r\n\r\n\"01\r\n\r\nstep by step how to draw a dress\r\n\r\nhow to draw a woman in a dress','How to Draw a Woman in a Dress Spinning Around','','inherit','open','open','','2130-revision-v1','','','2015-07-28 15:58:24','2015-07-28 22:58:24','',2130,'http://www.letsdrawpeople.com/2130-revision-v1/',0,'revision','',0),(2164,2,'2015-07-29 09:53:35','2015-07-29 16:53:35','\"http://www.dreamstime.com/stock-photos-pencil-drawing-little-artist-girl-image12712993\"So, you\'ve decided to take up a bit of art as a good way to spend some of your free time and share your new found talent with those that can appreciate your work.  You may think you\'ve gotten pretty good at it too since you\'ve managed to draw some good portraits of yourself and adult family members and friends.  What you may discover however, if you haven\'t already, is that things may not be quite as simple when you decide to try to draw children.\n\nA lot of new artists find themselves facing a rather difficult and sometimes even frustrating task when they decide to begin drawing children.  A lot of times what you will end up with in your early attempts at drawing babies, little kids or even teenagers, is a feeling that you have drawn a picture of some strangely proportioned little gnome.  Don\'t worry, it happens to the best of us until we learn the tricks involved in drawing what you would otherwise think might be an easy move from drawing adult people.\n\nLet\'s take a quick look at some of the important things that you need to keep in mind while you\'re learning how to draw children, things that you may not think about without some practice or a little guidance.\n\n- Children are not nearly as complicated in real life as adults are.  Drawing children doesn\'t necessarily have to be as complicated either.  In fact, you should try to make it a point to keep things fairly simple.\n\n- Children are not yet fully developed and still carry some baby fat, sometimes on into their teenage years.\n\n- Facial features in children are very, very different from those most adults have.  Trying to draw a child’s face the same way you would go about drawing an adult’s face will end up with some very...interesting results.\n\n- The very attitude a child carries themselves with is completely different from that of an adult.  This can play into facial expressions as well as the way your subject sits or stands.\n\nKeeping these four major things in mind can be pretty helpful while you are in the process of learning how to draw children.  Let\'s break things down a little bit more and look at how to draw a few things that are a little more specific.\n

What to Remember When Drawing Babies

\nFirst, let\'s take a look at how to draw a baby and some of the major differences involved, compared to drawing an adult:\n\n\"http://www.dreamstime.com/royalty-free-stock-images-child-s-portrait-image11802799\"Babies are the least developed among the human race.  In fact, everything about them is simple from their understanding of the world, to the way they move and communicate.  The most important word to keep in your head here is \"simple.\"\n\nIn fact, drawing a baby should be so simple that we often make it the most complicated of all the projects we can undertake because as adults, we have the natural tendency to think in complicated adult terms.  So, I\'ll say it again:  \"Keep it simple!\"\n\nBabies also carry the most body fat out of all of the subjects you will ever attempt to draw.  Lots of rounding and curves should be put into play when drawing the torso and limbs.  Angles and straight lines should be avoided altogether.  Most babies are rather plump, so don\'t be afraid to display this as you draw your torso, limbs, and appendages.  Overlapping lines and curves can also help to portray a sense of healthy baby fat.\n\nWhen it comes to drawing the baby\'s face, think more of circles than ovals.  Most babies have very round heads and their facial features are somewhat disproportioned because they\'re still growing and developing.  Draw the eyes large and round and place them a little lower on the face than you might think you should.  Noses should be somewhat round and on the large side as well.  Again, the key word here is to keep it \"simple.\"\n\nYou should also keep posture in mind here.  Remember that babies don\'t stand.  The most common posture you will find a baby in is lying on its back, waving his arms and legs around, and looking at the world in awe and wonder from his little vantage point while he takes in everything that he can see and hear.  Thinking about what the baby might be thinking while you\'re drawing him can be very helpful when deciding on his posture, arm and leg positions, and facial expressions.\n

Tips for Drawing Boys

\nOK, enough of the baby-talk.  Let\'s move on to how to draw a boy that has already learned to walk, talk, and feed himself.  Here\'s what to keep in mind:\n\n\""Dennis- Still keep it simple, but not quite as much.  Little boys are a tad more complicated than babies are in terms of understanding and activity.  Give your boy a bit more detail to portray his more complicated nature, but not quite as much as you would give to an adult.\n\n- He\'s probably still carrying some baby fat, although his arms and legs will be longer and stronger now.  Reflect this by continuing to use curved lines and avoiding angles at the joints.  Be careful not to use too much rounding though because boys at this age are more active and that baby fat is starting to drop off a little.\n\n- The head should still be fairly round but since he\'s a little more developed, it doesn\'t hurt to elongate the circle just a smidgen.  Facial features will be a bit more developed so you can make them a little more proportional here.  Move the eyes up closer to the top of the head, but not too much, and make them just a bit smaller than you would on a baby.  They should still be at about the middle point between the size you would use on a baby and the size you might use on an adult.\n\n- Add some hair!  Again, remember to keep it simple.  Little boys tend not to care about their hairdo, so unless a parent got to it beforehand, it\'s okay to draw it a little messy.  Just add the details with care or he\'ll begin looking like a strange little man before you know what happened to him.\n

How to Draw Little Girls

\nNow, at this point you\'re probably thinking that I\'m going to give you a different list of do\'s and don\'ts when it comes to learning how to draw a girl.  You\'re in for a pleasant surprise because drawing girls shouldn\'t be all that different from drawing a boy of the same age.\n\n\"http://www.dreamstime.com/royalty-free-stock-photos-little-girl-pencil-drawing-image23260278\"They will have about the same level of development and simplicity as boys will so you\'ve practically already learned all that you need to here.  There are just a few differences to keep in mind though:\n\n- A girl\'s posture will be somewhat different.  Little boys tend to carry themselves \"out.\"  This basically means that a boy will carry his shoulders a little bit higher and wider and his stance (the way he positions his feet) will also be a bit wider.  Girls of the same age tend to carry themselves \"in\" meaning that their shoulder posture will be less opened and their stance will normally involve feet that are closer together.\n\n- A girl\'s facial features will typically be softer and even simpler than a boy\'s will.  This can be achieved by using slightly larger and rounder eyes and nose and smaller ears.\n\n- This one should go without saying but I\'m going to say it anyway, just to be on the safe side.  Because your goal when drawing children is to avoid too much detail, the most important thing you can do to make your girls stand out from your boys is to draw them with longer hair.\n

Simple Tips for Simple Children Drawings

\nAnd there you have it!  It may seem like a lot to take in but you may have also noticed that our little journey together has involved one major repeating theme.  Would you like me to say it for you again?  I\'m going to go ahead and say it again with just one more bullet list to help you remember the rules when drawing children.\n\n- Keep it simple.\n\n- Use curved lines and avoid angles.\n\n- Draw rounder heads and bigger facial features.\n\n- Think about the posture that a subject of your intended age might use.\n\n- Think about what your intended subject may be thinking or feeling and try to reflect that in your very simple facial features.\n\nLearning how to draw children can be a complicated and sometimes frustrating process.  The biggest reason for that though is that as adults we have a tendency to make things as complicated as we are.  Children are infinitely less complicated than adults are so it should stand to reason that drawing a picture of them should also be less complicated.\n\nArmed with these simple tips and tricks in mind, it\'s time to put them into action.  So get out there and use that artistic streak to the best of your ability.  Just keep these simple suggestions in mind and you should find yourself drawing children rather than little gnomes in no time.  Just remember that if something doesn\'t turn out quite right, you may just need to think about simplifying your thought process!','Tips and Tricks for How to Draw Children','','inherit','open','open','','956-autosave-v1','','','2015-07-29 09:53:35','2015-07-29 16:53:35','',956,'http://www.letsdrawpeople.com/956-autosave-v1/',0,'revision','',0),(2166,2,'2015-07-29 14:51:29','2015-07-29 21:51:29','','02 how to draw woman figure torso','','inherit','open','open','','02-how-to-draw-woman-figure-torso-2','','','2015-07-29 14:51:29','2015-07-29 21:51:29','',2130,'http://www.letsdrawpeople.com/wp-content/uploads/2015/07/02-how-to-draw-woman-figure-torso1.jpg',0,'attachment','image/jpeg',0),(2167,2,'2015-07-29 14:53:34','2015-07-29 21:53:34','If you have ever wondered how to draw a woman in a dress, there are two obvious tasks you need to accomplish. First, you need to draw the figure of the woman. Then of course, you need to know the parts of the dress in order to draw that. Easy enough, right? So, why not add an extra element of challenge and draw the woman in motion?\r\n\r\nThat is what we\'ll aim to do with this lesson. The video and the steps below will show you how to draw a lady in a dress, spinning around in a field of grass.\r\n\r\nFirst things first. Let\'s get a little more familiar with what we will be drawing.\r\n

What to Look for in the Woman and the Dress

\r\nI do not claim to be a fashion expert, and I am certainly not one to know all the characteristics and fine details of a woman\'s dress without having a resource to help me. For that reason, I found this photo of a woman wearing a dress that we can use as a reference. This will help in the next step when trying to draw the woman\'s figure in motion. It will help even more later on when we need to draw the twirling dress.\r\n\r\n\"woman\r\n\r\nBefore we begin drawing, let me point out just a few noteworthy things from the photo to keep in mind. Since the woman is twirling, you can notice her figure leaning back. Also, you can tell she is twisting to her right. Her torso is slightly more turned than her lower half. She is also using her left arm to bring her dress along for the spin. Since the woman is in motion, you notice her hair and the bottom part of the dress trailing along.\r\n\r\nThe dress has lace along the bodice and along the edges of the shoulder straps. There appears to be a knot in the back where pieces of the garment are tied together. The upper half of the dress is form-fitting, while the lower half is loose and free-flowing. There is a flower pattern on this dress that you can choose to draw if you want, but I left it out of this tutorial.\r\n

Ready to Draw

\r\nHopefully you are now ready to draw along with this tutorial! You can watch the video for a summary of the steps and read more detailed steps below, along with viewing the illustrations for each step. Besides my drawing paper, the only materials I used for this were a mechanical pencil with 2B lead and a kneaded eraser. Just remember to sketch your guidelines lighter than how they appear in these images.\r\n\r\n***VIDEO***\r\n

How to Draw the Figure of the Woman

\r\nLet\'s start by seeing how to draw the woman\'s figure. Begin by sketching the shapes for the head and the neck. Remember that we want her to lean back slightly, so draw the shapes at a slight tilt as opposed to an exact vertical position.\r\n\r\n\"01\r\n\r\nNext, sketch the shape of the body between the neck and the waist. Again, the woman is leaning back a little. Make sure to show the arch in the curvature of her back. Notice how the small of her back is in close alignment with the center of the neck?\r\n\r\n\"02\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nstep by step how to draw a dress\r\n\r\nhow to draw a woman in a dress','How to Draw a Woman in a Dress Spinning Around','','inherit','open','open','','2130-revision-v1','','','2015-07-29 14:53:34','2015-07-29 21:53:34','',2130,'http://www.letsdrawpeople.com/2130-revision-v1/',0,'revision','',0),(2168,2,'2015-07-29 16:11:30','2015-07-29 23:11:30','If you have ever wondered how to draw a woman in a dress, there are two obvious tasks you need to accomplish. First, you need to draw the figure of the woman. Then of course, you need to know the parts of the dress in order to draw that. Easy enough, right? So, why not add an extra element of challenge and draw the woman in motion?\r\n\r\nThat is what we\'ll aim to do with this lesson. The video and the steps below will show you how to draw a lady in a dress, spinning around in a field of grass.\r\n\r\nFirst things first. Let\'s get a little more familiar with what we will be drawing.\r\n

What to Look for in the Woman and the Dress

\r\nI do not claim to be a fashion expert, and I am certainly not one to know all the characteristics and fine details of a woman\'s dress without having a resource to help me. For that reason, I found this photo of a woman wearing a dress that we can use as a reference. This will help in the next step when trying to draw the woman\'s figure in motion. It will help even more later on when we need to draw the twirling dress.\r\n\r\n\"woman\r\n\r\nBefore we begin drawing, let me point out just a few noteworthy things from the photo to keep in mind. Since the woman is twirling, you can notice her figure leaning back. Also, you can tell she is twisting to her right. Her torso is slightly more turned than her lower half. She is also using her left arm to bring her dress along for the spin. Since the woman is in motion, you notice her hair and the bottom part of the dress trailing along.\r\n\r\nThe dress has lace along the bodice and along the edges of the shoulder straps. There appears to be a knot in the back where pieces of the garment are tied together. The upper half of the dress is form-fitting, while the lower half is loose and free-flowing. There is a flower pattern on this dress that you can choose to draw if you want, but I left it out of this tutorial.\r\n

Ready to Draw

\r\nHopefully you are now ready to draw along with this tutorial! You can watch the video for a summary of the steps and read more detailed steps below, along with viewing the illustrations for each step. Besides my drawing paper, the only materials I used for this were a mechanical pencil with 2B lead and a kneaded eraser. Just remember to sketch your guidelines lighter than how they appear in these images.\r\n\r\n***VIDEO***\r\n

How to Draw the Figure of the Woman

\r\nLet\'s start by seeing how to draw the woman\'s figure. Begin by sketching the shapes for the head and the neck. Remember that we want her to lean back slightly, so draw the shapes at a slight tilt as opposed to an exact vertical position.\r\n\r\n\"01\r\n\r\nNext, sketch the shape of the body between the neck and the waist. Again, the woman is leaning back a little. Make sure to show the arch in the curvature of her back. Notice how the small of her back is in close alignment with the center of the neck?\r\n\r\n\"02\r\n\r\n \r\n\r\nComplete the torso by drawing the shape for the pelvic region.\r\n\r\n\"03\r\n\r\nSketch the shape of the upper thigh that tapers toward the knee. Draw a round circle for the knee joint.\r\n\r\n\"04\r\n\r\nComplete the woman\'s left leg by drawing a cylinder shape for the calf that tapers at the ankle. Then sketch a basic shape for the foot. Remember that this foot will not be flat on the ground.\r\n\r\n\"05\r\n\r\n \r\n\r\nRepeat a similar process for the woman\'s right leg. Keep in mind that the woman is spinning. Her right leg is the leg she is pivoting on, so her foot will be flat on the ground and pointing forward from her point of view.\r\n\r\n\"06\r\n\r\nNow it is time to sketch guidelines for the arm. Make a round shape for the shoulder. Then sketch the rest of the upper arm and the forearm. The lady\'s arm is extended straight, so there should not be a noticeable bend at the elbow.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nstep by step how to draw a dress\r\n\r\nhow to draw a woman in a dress','How to Draw a Woman in a Dress Spinning Around','','inherit','open','open','','2130-revision-v1','','','2015-07-29 16:11:30','2015-07-29 23:11:30','',2130,'http://www.letsdrawpeople.com/2130-revision-v1/',0,'revision','',0),(2170,2,'2015-07-30 07:36:33','2015-07-30 14:36:33','If you have ever wondered how to draw a woman in a dress, there are two obvious tasks you need to accomplish. First, you need to draw the figure of the woman. Then of course, you need to know the parts of the dress in order to draw that. Easy enough, right? So, why not add an extra element of challenge and draw the woman in motion?\r\n\r\nThat is what we\'ll aim to do with this lesson. The video and the steps below will show you how to draw a lady in a dress, spinning around in a field of grass.\r\n\r\nFirst things first. Let\'s get a little more familiar with what we will be drawing.\r\n

What to Look for in the Woman and the Dress

\r\nI do not claim to be a fashion expert, and I am certainly not one to know all the characteristics and fine details of a woman\'s dress without having a resource to help me. For that reason, I found this photo of a woman wearing a dress that we can use as a reference. This will help in the next step when trying to draw the woman\'s figure in motion. It will help even more later on when we need to draw the twirling dress.\r\n\r\n\"woman\r\n\r\nBefore we begin drawing, let me point out just a few noteworthy things from the photo to keep in mind. Since the woman is twirling, you can notice her figure leaning back. Also, you can tell she is twisting to her right. Her torso is slightly more turned than her lower half. She is also using her left arm to bring her dress along for the spin. Since the woman is in motion, you notice her hair and the bottom part of the dress trailing along.\r\n\r\nThe dress has lace along the bodice and along the edges of the shoulder straps. There appears to be a knot in the back where pieces of the garment are tied together. The upper half of the dress is form-fitting, while the lower half is loose and free-flowing. There is a flower pattern on this dress that you can choose to draw if you want, but I left it out of this tutorial.\r\n

Ready to Draw

\r\nHopefully you are now ready to draw along with this tutorial! You can watch the video for a summary of the steps and read more detailed steps below, along with viewing the illustrations for each step. Besides my drawing paper, the only materials I used for this were a mechanical pencil with 2B lead and a kneaded eraser. Just remember to sketch your guidelines lighter than how they appear in these images.\r\n\r\n***VIDEO***\r\n

How to Draw the Figure of the Woman

\r\nLet\'s start by seeing how to draw the woman\'s figure. Begin by sketching the shapes for the head and the neck. Remember that we want her to lean back slightly, so draw the shapes at a slight tilt as opposed to an exact vertical position.\r\n\r\n\"01\r\n\r\nNext, sketch the shape of the body between the neck and the waist. Again, the woman is leaning back a little. Make sure to show the arch in the curvature of her back. Notice how the small of her back is in close alignment with the center of the neck?\r\n\r\n\"02\r\n\r\n \r\n\r\nComplete the torso by drawing the shape for the pelvic region.\r\n\r\n\"03\r\n\r\nSketch the shape of the upper thigh that tapers toward the knee. Draw a round circle for the knee joint.\r\n\r\n\"04\r\n\r\nComplete the woman\'s left leg by drawing a cylinder shape for the calf that tapers at the ankle. Then sketch a basic shape for the foot. Remember that this foot will not be flat on the ground.\r\n\r\n\"05\r\n\r\n \r\n\r\nRepeat a similar process for the woman\'s right leg. Keep in mind that the woman is spinning. Her right leg is the leg she is pivoting on, so her foot will be flat on the ground and pointing forward from her point of view.\r\n\r\n\"06\r\n\r\nNow it is time to sketch guidelines for the arm. Make a round shape for the shoulder. Then sketch the rest of the upper arm and the forearm. The lady\'s arm is extended straight for the most part, so there should not be a noticeable bend at the elbow. Sketch the basic shapes for the hand in such a way that it appears to be holding on to fabric.\r\n\r\n\"07\r\n\r\nSketch a rough outline for long, flowing hair. Since the hair is in motion from the spin, draw it trailing behind her rather than flat against her back.\r\n\r\n\"08\r\n\r\nNext, sketch some guidelines that will help to place the facial features. Draw the line for the eyes about halfway between the top of the head and the bottom of the chin. Draw the other lines as shown below. Make sure that your facial guidelines are placed properly.\r\n\r\n\"09\r\n\r\nUse the guidelines and the reference photo to draw the eyes, eyebrows, nose, smiling mouth, and any other facial details you wish. Remember that you do not have to stick to the reference photo or my drawing exactly. You are the artist, so it\'s up to you. If you wish, you can change the woman\'s appearance simply by making the facial features look different from what you see here. I would still make sure she is smiling, since she conveys a happy mood by spinning around.\r\n\r\n\"10\r\n\r\nSketch in the flowing sections of hair. Make a few strands flow away from the mass along the outer perimeter to make it look more natural.\r\n\r\n\"11\r\n\r\nFor the upper arm, use your kneaded eraser to get rid of the shoulder and elbow joint guidelines. Draw lines indicating the muscle connecting the upper and lower arm.\r\n\r\n\"12\r\n\r\nComplete the arm by erasing the guidelines within the forearm and drawing the thumb and fingers as seen below.\r\n\r\n\"13\r\n\r\n \r\n\r\nDraw a few details to define the lady\'s feet, including her ankles. Don\'t forget to make some loose lines to represent blades of grass.\r\n\r\n\"14\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nstep by step how to draw a dress\r\n\r\nhow to draw a woman in a dress','How to Draw a Woman in a Dress Spinning Around','','inherit','open','open','','2130-revision-v1','','','2015-07-30 07:36:33','2015-07-30 14:36:33','',2130,'http://www.letsdrawpeople.com/2130-revision-v1/',0,'revision','',0),(2171,2,'2015-07-30 07:58:20','2015-07-30 14:58:20','If you have ever wondered how to draw a woman in a dress, there are two obvious tasks you need to accomplish. First, you need to draw the figure of the woman. Then of course, you need to know the parts of the dress in order to draw that. Easy enough, right? So, why not add an extra element of challenge and draw the woman in motion?\r\n\r\nThat is what we\'ll aim to do with this lesson. The video and the steps below will show you how to draw a lady in a dress, spinning around in a field of grass.\r\n\r\nFirst things first. Let\'s get a little more familiar with what we will be drawing.\r\n

What to Look for in the Woman and the Dress

\r\nI do not claim to be a fashion expert, and I am certainly not one to know all the characteristics and fine details of a woman\'s dress without having a resource to help me. For that reason, I found this photo of a woman wearing a dress that we can use as a reference. This will help in the next step when trying to draw the woman\'s figure in motion. It will help even more later on when we need to draw the twirling dress.\r\n\r\n\"woman\r\n\r\nBefore we begin drawing, let me point out just a few noteworthy things from the photo to keep in mind. Since the woman is twirling, you can notice her figure leaning back. Also, you can tell she is twisting to her right. Her torso is slightly more turned than her lower half. She is also using her left arm to bring her dress along for the spin. Since the woman is in motion, you notice her hair and the bottom part of the dress trailing along.\r\n\r\nThe dress has lace along the bodice and along the edges of the shoulder straps. There appears to be a knot in the back where pieces of the garment are tied together. The upper half of the dress is form-fitting, while the lower half is loose and free-flowing. There is a flower pattern on this dress that you can choose to draw if you want, but I left it out of this tutorial.\r\n

Ready to Draw

\r\nHopefully you are now ready to draw along with this tutorial! You can watch the video for a summary of the steps and read more detailed steps below, along with viewing the illustrations for each step. Besides my drawing paper, the only materials I used for this were a mechanical pencil with 2B lead and a kneaded eraser. Just remember to sketch your guidelines lighter than how they appear in these images.\r\n\r\n***VIDEO***\r\n

How to Draw the Figure of the Woman

\r\nLet\'s start by seeing how to draw the woman\'s figure. Begin by sketching the shapes for the head and the neck. Remember that we want her to lean back slightly, so draw the shapes at a slight tilt as opposed to an exact vertical position.\r\n\r\n\"01\r\n\r\n \r\n\r\nNext, sketch the shape of the body between the neck and the waist. Again, the woman is leaning back a little. Make sure to show the arch in the curvature of her back. Notice how the small of her back is in close alignment with the center of the neck?\r\n\r\n\"02\r\n\r\n \r\n\r\n \r\n\r\nComplete the torso by drawing the shape for the pelvic region.\r\n\r\n\"03\r\n\r\n \r\n\r\nSketch the shape of the upper thigh that tapers toward the knee. Draw a round circle for the knee joint.\r\n\r\n\"04\r\n\r\n \r\n\r\nComplete the woman\'s left leg by drawing a cylinder shape for the calf that tapers at the ankle. Then sketch a basic shape for the foot. Remember that this foot will not be flat on the ground.\r\n\r\n\"05\r\n\r\n \r\n\r\n \r\n\r\nRepeat a similar process for the woman\'s right leg. Keep in mind that the woman is spinning. Her right leg is the leg she is pivoting on, so her foot will be flat on the ground and pointing forward from her point of view.\r\n\r\n\"06\r\n\r\n \r\n\r\nNow it is time to sketch guidelines for the arm. Make a round shape for the shoulder. Then sketch the rest of the upper arm and the forearm. The lady\'s arm is extended straight for the most part, so there should not be a noticeable bend at the elbow. Sketch the basic shapes for the hand in such a way that it appears to be holding on to fabric.\r\n\r\n\"07\r\n\r\nSketch a rough outline for long, flowing hair. Since the hair is in motion from the spin, draw it trailing behind her rather than flat against her back.\r\n\r\n\"08\r\n\r\nNext, sketch some guidelines that will help to place the facial features. Draw the line for the eyes about halfway between the top of the head and the bottom of the chin. Draw the other lines as shown below. Make sure that your facial guidelines are placed properly.\r\n\r\n\"09\r\n\r\nUse the guidelines and the reference photo to draw the eyes, eyebrows, nose, smiling mouth, and any other facial details you wish. Remember that you do not have to stick to the reference photo or my drawing exactly. You are the artist, so it\'s up to you. If you wish, you can change the woman\'s appearance simply by making the facial features look different from what you see here. I would still make sure she is smiling, since she conveys a happy mood by spinning around.\r\n\r\n\"10\r\n\r\nSketch in the flowing sections of hair. Make a few strands flow away from the mass along the outer perimeter to make it look more natural.\r\n\r\n\"11\r\n\r\nFor the upper arm, use your kneaded eraser to get rid of the shoulder and elbow joint guidelines. Draw lines indicating the muscle connecting the upper and lower arm.\r\n\r\n\"12\r\n\r\nComplete the arm by erasing the guidelines within the forearm and drawing the thumb and fingers as seen below.\r\n\r\n\"13\r\n\r\n \r\n\r\nDraw a few details to define the lady\'s feet, including her ankles. Don\'t forget to make some loose lines to represent blades of grass.\r\n\r\n\"14\r\n\r\n \r\n

How to Draw the Dress

\r\nNow that we have drawn a woman, it is time to see, step by step, how to draw a dress for her. Begin by sketching lines for the shoulder strap and the part of the bodice of the dress under her armpit. Also sketch in where her dress is tied in the back and hanging from a knot.\r\n\r\n\"15\r\n\r\nNow form the skirt part of the dress. Make sure it is curved at the bottom to help with the appearance of a dress in motion.\r\n\r\n\"16\r\n\r\nGo back up to the top part of the dress. Draw some lace that follows the curvature of the woman\'s figure and that borders the shoulder strap.\r\n\r\n\"17\r\n\r\nComplete the upper half of the dress by drawing a few folds. Also make sure to draw the visible seams of the dress shown below with the blue arrows.\r\n\r\n\"18\r\n\r\nBefore finishing the lower half of the dress, use your kneaded eraser to erase those guidelines we used to draw the woman\'s legs. You can leave a small guideline in place to show the bend of the knee that will press against the dress.\r\n\r\n\"19\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nhow to draw a woman in a dress','How to Draw a Woman in a Dress Spinning Around','','inherit','open','open','','2130-revision-v1','','','2015-07-30 07:58:20','2015-07-30 14:58:20','',2130,'http://www.letsdrawpeople.com/2130-revision-v1/',0,'revision','',0),(2172,2,'2015-07-30 08:02:49','2015-07-30 15:02:49','If you have ever wondered how to draw a woman in a dress, there are two obvious tasks you need to accomplish. First, you need to draw the figure of the woman. Then of course, you need to know the parts of the dress in order to draw that. Easy enough, right? So, why not add an extra element of challenge and draw the woman in motion?\r\n\r\nThat is what we\'ll aim to do with this lesson. The video and the steps below will show you how to draw a lady in a dress, spinning around in a field of grass.\r\n\r\nFirst things first. Let\'s get a little more familiar with what we will be drawing.\r\n

What to Look for in the Woman and the Dress

\r\nI do not claim to be a fashion expert, and I am certainly not one to know all the characteristics and fine details of a woman\'s dress without having a resource to help me. For that reason, I found this photo of a woman wearing a dress that we can use as a reference. This will help in the next step when trying to draw the woman\'s figure in motion. It will help even more later on when we need to draw the twirling dress.\r\n\r\n\"woman\r\n\r\nBefore we begin drawing, let me point out just a few noteworthy things from the photo to keep in mind. Since the woman is twirling, you can notice her figure leaning back. Also, you can tell she is twisting to her right. Her torso is slightly more turned than her lower half. She is also using her left arm to bring her dress along for the spin. Since the woman is in motion, you notice her hair and the bottom part of the dress trailing along.\r\n\r\nThe dress has lace along the bodice and along the edges of the shoulder straps. There appears to be a knot in the back where pieces of the garment are tied together. The upper half of the dress is form-fitting, while the lower half is loose and free-flowing. There is a flower pattern on this dress that you can choose to draw if you want, but I left it out of this tutorial.\r\n

Ready to Draw

\r\nHopefully you are now ready to draw along with this tutorial! You can watch the video for a summary of the steps and read more detailed steps below, along with viewing the illustrations for each step. Besides my drawing paper, the only materials I used for this were a mechanical pencil with 2B lead and a kneaded eraser. Just remember to sketch your guidelines lighter than how they appear in these images.\r\n\r\n***VIDEO***\r\n

How to Draw the Figure of the Woman

\r\nLet\'s start by seeing how to draw the woman\'s figure. Begin by sketching the shapes for the head and the neck. Remember that we want her to lean back slightly, so draw the shapes at a slight tilt as opposed to an exact vertical position.\r\n\r\n\"01\r\n\r\n \r\n\r\nNext, sketch the shape of the body between the neck and the waist. Again, the woman is leaning back a little. Make sure to show the arch in the curvature of her back. Notice how the small of her back is in close alignment with the center of the neck?\r\n\r\n\"02\r\n\r\n \r\n\r\nComplete the torso by drawing the shape for the pelvic region.\r\n\r\n\"03\r\n\r\n \r\n\r\nSketch the shape of the upper thigh that tapers toward the knee. Draw a round circle for the knee joint.\r\n\r\n\"04\r\n\r\n \r\n\r\nComplete the woman\'s left leg by drawing a cylinder shape for the calf that tapers at the ankle. Then sketch a basic shape for the foot. Remember that this foot will not be flat on the ground.\r\n\r\n\"05\r\n\r\n \r\n\r\nRepeat a similar process for the woman\'s right leg. Keep in mind that the woman is spinning. Her right leg is the leg she is pivoting on, so her foot will be flat on the ground and pointing forward from her point of view.\r\n\r\n\"06\r\n\r\n \r\n\r\nNow it is time to sketch guidelines for the arm. Make a round shape for the shoulder. Then sketch the rest of the upper arm and the forearm. The lady\'s arm is extended straight for the most part, so there should not be a noticeable bend at the elbow. Sketch the basic shapes for the hand in such a way that it appears to be holding on to fabric.\r\n\r\n\"07\r\n\r\n \r\n\r\nSketch a rough outline for long, flowing hair. Since the hair is in motion from the spin, draw it trailing behind her rather than flat against her back.\r\n\r\n\"08\r\n\r\n \r\n\r\nNext, sketch some guidelines that will help to place the facial features. Draw the line for the eyes about halfway between the top of the head and the bottom of the chin. Draw the other lines as shown below. Make sure that your facial guidelines are placed properly.\r\n\r\n\"09\r\n\r\n \r\n\r\nUse the guidelines and the reference photo to draw the eyes, eyebrows, nose, smiling mouth, and any other facial details you wish. Remember that you do not have to stick to the reference photo or my drawing exactly. You are the artist, so it\'s up to you. If you wish, you can change the woman\'s appearance simply by making the facial features look different from what you see here. I would still make sure she is smiling, since she conveys a happy mood by spinning around.\r\n\r\n\"10\r\n\r\n \r\n\r\nSketch in the flowing sections of hair. Make a few strands flow away from the mass along the outer perimeter to make it look more natural.\r\n\r\n\"11\r\n\r\n \r\n\r\nFor the upper arm, use your kneaded eraser to get rid of the shoulder and elbow joint guidelines. Draw lines indicating the muscle connecting the upper and lower arm.\r\n\r\n\"12\r\n\r\n \r\n\r\nComplete the arm by erasing the guidelines within the forearm and drawing the thumb and fingers as seen below.\r\n\r\n\"13\r\n\r\n \r\n\r\nDraw a few details to define the lady\'s feet, including her ankles. Don\'t forget to make some loose lines to represent blades of grass.\r\n\r\n\"14\r\n\r\n \r\n

How to Draw the Dress

\r\nNow that we have drawn a woman, it is time to see, step by step, how to draw a dress for her. Begin by sketching lines for the shoulder strap and the part of the bodice of the dress under her armpit. Also sketch in where her dress is tied in the back and hanging from a knot.\r\n\r\n\"15\r\n\r\n \r\n\r\nNow form the skirt part of the dress. Make sure it is curved at the bottom to help with the appearance of a dress in motion.\r\n\r\n\"16\r\n\r\n \r\n\r\nGo back up to the top part of the dress. Draw some lace that follows the curvature of the woman\'s figure and that borders the shoulder strap.\r\n\r\n\"17\r\n\r\n \r\n\r\nComplete the upper half of the dress by drawing a few folds. Also make sure to draw the visible seams of the dress shown below with the blue arrows.\r\n\r\n\"18\r\n\r\n \r\n\r\nBefore finishing the lower half of the dress, use your kneaded eraser to erase those guidelines we used to draw the woman\'s legs. You can leave a small guideline in place to show the bend of the knee that will press against the dress.\r\n\r\n\"19\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nhow to draw a woman in a dress','How to Draw a Woman in a Dress Spinning Around','','inherit','open','open','','2130-revision-v1','','','2015-07-30 08:02:49','2015-07-30 15:02:49','',2130,'http://www.letsdrawpeople.com/2130-revision-v1/',0,'revision','',0); INSERT INTO `wp_posts` VALUES (2174,2,'2015-07-30 08:34:24','2015-07-30 15:34:24','If you have ever wondered how to draw a woman in a dress, there are two obvious tasks you need to accomplish. First, you need to draw the figure of the woman. Then of course, you need to know the parts of the dress in order to draw that. Easy enough, right? So, why not add an extra element of challenge and draw the woman in motion?\r\n\r\nThat is what we\'ll aim to do with this lesson. The video and the steps below will show you how to draw a lady in a dress, spinning around in a field of grass.\r\n\r\nFirst things first. Let\'s get a little more familiar with what we will be drawing.\r\n

What to Look for in the Woman and the Dress

\r\nI do not claim to be a fashion expert, and I am certainly not one to know all the characteristics and fine details of a woman\'s dress without having a resource to help me. For that reason, I found this photo of a woman wearing a dress that we can use as a reference. This will help in the next step when trying to draw the woman\'s figure in motion. It will help even more later on when we need to draw the twirling dress.\r\n\r\n\"woman\r\n\r\nBefore we begin drawing, let me point out just a few noteworthy things from the photo to keep in mind. Since the woman is twirling, you can notice her figure leaning back. Also, you can tell she is twisting to her right. Her torso is slightly more turned than her lower half. She is also using her left arm to bring her dress along for the spin. Since the woman is in motion, you notice her hair and the bottom part of the dress trailing along.\r\n\r\nThe dress has lace along the bodice and along the edges of the shoulder straps. There appears to be a knot in the back where pieces of the garment are tied together. The upper half of the dress is form-fitting, while the lower half is loose and free-flowing. There is a flower pattern on this dress that you can choose to draw if you want, but I left it out of this tutorial.\r\n

Ready to Draw

\r\nHopefully you are now ready to draw along with this tutorial! You can watch the video for a summary of the steps and read more detailed steps below, along with viewing the illustrations for each step. Besides my drawing paper, the only materials I used for this were a mechanical pencil with 2B lead and a kneaded eraser. Just remember to sketch your guidelines lighter than how they appear in these images.\r\n\r\n***VIDEO***\r\n

How to Draw the Figure of the Woman

\r\nLet\'s start by seeing how to draw the woman\'s figure. Begin by sketching the shapes for the head and the neck. Remember that we want her to lean back slightly, so draw the shapes at a slight tilt as opposed to an exact vertical position.\r\n\r\n\"01\r\n\r\n \r\n\r\nNext, sketch the shape of the body between the neck and the waist. Again, the woman is leaning back a little. Make sure to show the arch in the curvature of her back. Notice how the small of her back is in close alignment with the center of the neck?\r\n\r\n\"02\r\n\r\n \r\n\r\nComplete the torso by drawing the shape for the pelvic region.\r\n\r\n\"03\r\n\r\n \r\n\r\nSketch the shape of the upper thigh that tapers toward the knee. Draw a round circle for the knee joint.\r\n\r\n\"04\r\n\r\n \r\n\r\nComplete the woman\'s left leg by drawing a cylinder shape for the calf that tapers at the ankle. Then sketch a basic shape for the foot. Remember that this foot will not be flat on the ground.\r\n\r\n\"05\r\n\r\n \r\n\r\nRepeat a similar process for the woman\'s right leg. Keep in mind that the woman is spinning. Her right leg is the leg she is pivoting on, so her foot will be flat on the ground and pointing forward from her point of view.\r\n\r\n\"06\r\n\r\n \r\n\r\nNow it is time to sketch guidelines for the arm. Make a round shape for the shoulder. Then sketch the rest of the upper arm and the forearm. The lady\'s arm is extended straight for the most part, so there should not be a noticeable bend at the elbow. Sketch the basic shapes for the hand in such a way that it appears to be holding on to fabric.\r\n\r\n\"07\r\n\r\n \r\n\r\nSketch a rough outline for long, flowing hair. Since the hair is in motion from the spin, draw it trailing behind her rather than flat against her back.\r\n\r\n\"08\r\n\r\n \r\n\r\nNext, sketch some guidelines that will help to place the facial features. Draw the line for the eyes about halfway between the top of the head and the bottom of the chin. Draw the other lines as shown below. Make sure that your facial guidelines are placed properly.\r\n\r\n\"09\r\n\r\n \r\n\r\nUse the guidelines and the reference photo to draw the eyes, eyebrows, nose, smiling mouth, and any other facial details you wish. Remember that you do not have to stick to the reference photo or my drawing exactly. You are the artist, so it\'s up to you. If you wish, you can change the woman\'s appearance simply by making the facial features look different from what you see here. I would still make sure she is smiling, since she conveys a happy mood by spinning around.\r\n\r\n\"10\r\n\r\n \r\n\r\nSketch in the flowing sections of hair. Make a few strands flow away from the mass along the outer perimeter to make it look more natural.\r\n\r\n\"11\r\n\r\n \r\n\r\nFor the upper arm, use your kneaded eraser to get rid of the shoulder and elbow joint guidelines. Draw lines indicating the muscle connecting the upper and lower arm.\r\n\r\n\"12\r\n\r\n \r\n\r\nComplete the arm by erasing the guidelines within the forearm and drawing the thumb and fingers as seen below.\r\n\r\n\"13\r\n\r\n \r\n\r\nDraw a few details to define the lady\'s feet, including her ankles. Don\'t forget to make some loose lines to represent blades of grass.\r\n\r\n\"14\r\n\r\n \r\n

How to Draw the Dress

\r\nNow that we have drawn a woman, it is time to see, step by step, how to draw a dress for her. Begin by sketching lines for the shoulder strap and the part of the bodice of the dress under her armpit. Also sketch in where her dress is tied in the back and hanging from a knot.\r\n\r\n\"15\r\n\r\n \r\n\r\nNow form the skirt part of the dress. Make sure it is curved at the bottom to help with the appearance of a dress in motion.\r\n\r\n\"16\r\n\r\n \r\n\r\nGo back up to the top part of the dress. Draw some lace that follows the curvature of the woman\'s figure and that borders the shoulder strap.\r\n\r\n\"17\r\n\r\n \r\n\r\nComplete the bodice of the dress by drawing a few spiral folds. Also make sure to draw the visible seams of the dress shown below with the blue arrows.\r\n\r\n\"18\r\n\r\n \r\n\r\nBefore finishing the lower half of the dress, use your kneaded eraser to erase those guidelines we used to draw the woman\'s legs. You can leave a small guideline in place to show the bend of the knee that will press against the dress.\r\n\r\n\"19\r\n\r\n \r\n\r\nNow let\'s finish the dress off by drawing a few different folds that will make it look like an actual dress. Begin by drawing some pipe folds from the woman\'s waist that lead to where she is holding the fabric between her thumb and finger.\r\n\r\n\"20\r\n\r\n \r\n\r\nThis woman is spinning in a clockwise direction. As she spins to her right, the bottom of the dress from her left side is clashing against the part from her right side that hasn\'t moved yet. Draw a few folds to represent this clash, as seen below with the green arrow. Draw the hemline along the bottom of the dress shown with the blue arrow.\r\n\r\n\"21\r\n\r\n \r\n\r\n \r\n\r\nComplete the dress by completing the hemline and the folds in the fabric that flow in the direction of the spin. Complete the underside of the dress (as seen on the right side of this drawing) in the same manner.\r\n\r\n\"22\r\n\r\n \r\n

Conclusion

\r\nIf you were following along and drawing with me while reading this, you should have something similar to the drawing below.\r\n\r\n\"how\r\n\r\nThat concludes this tutorial on how to draw a woman in a dress! Not only that, but completing this tutorial means you were able to draw a moving woman in a dress, a bigger challenge than drawing a woman standing still. If you made it this far, congratulations! Of course if you wanted to take it a bit further with additional details, like dress pattern and shading, that is your choice. My goal here was to just show you the basics for getting started. As you can see, it\'s not all that difficult a process. If you can draw the figure of a woman and if you can draw the','How to Draw a Woman in a Dress Spinning Around','','inherit','open','open','','2130-revision-v1','','','2015-07-30 08:34:24','2015-07-30 15:34:24','',2130,'http://www.letsdrawpeople.com/2130-revision-v1/',0,'revision','',0),(2175,2,'2015-07-30 08:35:38','2015-07-30 15:35:38','If you have ever wondered how to draw a woman in a dress, there are two obvious tasks you need to accomplish. First, you need to draw the figure of the woman. Then of course, you need to know the parts of the dress in order to draw that. Easy enough, right? So, why not add an extra element of challenge and draw the woman in motion?\r\n\r\nThat is what we\'ll aim to do with this lesson. The video and the steps below will show you how to draw a lady in a dress, spinning around in a field of grass.\r\n\r\nFirst things first. Let\'s get a little more familiar with what we will be drawing.\r\n

What to Look for in the Woman and the Dress

\r\nI do not claim to be a fashion expert, and I am certainly not one to know all the characteristics and fine details of a woman\'s dress without having a resource to help me. For that reason, I found this photo of a woman wearing a dress that we can use as a reference. This will help in the next step when trying to draw the woman\'s figure in motion. It will help even more later on when we need to draw the twirling dress.\r\n\r\n\"woman\r\n\r\nBefore we begin drawing, let me point out just a few noteworthy things from the photo to keep in mind. Since the woman is twirling, you can notice her figure leaning back. Also, you can tell she is twisting to her right. Her torso is slightly more turned than her lower half. She is also using her left arm to bring her dress along for the spin. Since the woman is in motion, you notice her hair and the bottom part of the dress trailing along.\r\n\r\nThe dress has lace along the bodice and along the edges of the shoulder straps. There appears to be a knot in the back where pieces of the garment are tied together. The upper half of the dress is form-fitting, while the lower half is loose and free-flowing. There is a flower pattern on this dress that you can choose to draw if you want, but I left it out of this tutorial.\r\n

Ready to Draw

\r\nHopefully you are now ready to draw along with this tutorial! You can watch the video for a summary of the steps and read more detailed steps below, along with viewing the illustrations for each step. Besides my drawing paper, the only materials I used for this were a mechanical pencil with 2B lead and a kneaded eraser. Just remember to sketch your guidelines lighter than how they appear in these images.\r\n\r\n***VIDEO***\r\n

How to Draw the Figure of the Woman

\r\nLet\'s start by seeing how to draw the woman\'s figure. Begin by sketching the shapes for the head and the neck. Remember that we want her to lean back slightly, so draw the shapes at a slight tilt as opposed to an exact vertical position.\r\n\r\n\"01\r\n\r\n \r\n\r\nNext, sketch the shape of the body between the neck and the waist. Again, the woman is leaning back a little. Make sure to show the arch in the curvature of her back. Notice how the small of her back is in close alignment with the center of the neck?\r\n\r\n\"02\r\n\r\n \r\n\r\nComplete the torso by drawing the shape for the pelvic region.\r\n\r\n\"03\r\n\r\n \r\n\r\nSketch the shape of the upper thigh that tapers toward the knee. Draw a round circle for the knee joint.\r\n\r\n\"04\r\n\r\n \r\n\r\nComplete the woman\'s left leg by drawing a cylinder shape for the calf that tapers at the ankle. Then sketch a basic shape for the foot. Remember that this foot will not be flat on the ground.\r\n\r\n\"05\r\n\r\n \r\n\r\nRepeat a similar process for the woman\'s right leg. Keep in mind that the woman is spinning. Her right leg is the leg she is pivoting on, so her foot will be flat on the ground and pointing forward from her point of view.\r\n\r\n\"06\r\n\r\n \r\n\r\nNow it is time to sketch guidelines for the arm. Make a round shape for the shoulder. Then sketch the rest of the upper arm and the forearm. The lady\'s arm is extended straight for the most part, so there should not be a noticeable bend at the elbow. Sketch the basic shapes for the hand in such a way that it appears to be holding on to fabric.\r\n\r\n\"07\r\n\r\n \r\n\r\nSketch a rough outline for long, flowing hair. Since the hair is in motion from the spin, draw it trailing behind her rather than flat against her back.\r\n\r\n\"08\r\n\r\n \r\n\r\nNext, sketch some guidelines that will help to place the facial features. Draw the line for the eyes about halfway between the top of the head and the bottom of the chin. Draw the other lines as shown below. Make sure that your facial guidelines are placed properly.\r\n\r\n\"09\r\n\r\n \r\n\r\nUse the guidelines and the reference photo to draw the eyes, eyebrows, nose, smiling mouth, and any other facial details you wish. Remember that you do not have to stick to the reference photo or my drawing exactly. You are the artist, so it\'s up to you. If you wish, you can change the woman\'s appearance simply by making the facial features look different from what you see here. I would still make sure she is smiling, since she conveys a happy mood by spinning around.\r\n\r\n\"10\r\n\r\n \r\n\r\nSketch in the flowing sections of hair. Make a few strands flow away from the mass along the outer perimeter to make it look more natural.\r\n\r\n\"11\r\n\r\n \r\n\r\nFor the upper arm, use your kneaded eraser to get rid of the shoulder and elbow joint guidelines. Draw lines indicating the muscle connecting the upper and lower arm.\r\n\r\n\"12\r\n\r\n \r\n\r\nComplete the arm by erasing the guidelines within the forearm and drawing the thumb and fingers as seen below.\r\n\r\n\"13\r\n\r\n \r\n\r\nDraw a few details to define the lady\'s feet, including her ankles. Don\'t forget to make some loose lines to represent blades of grass.\r\n\r\n\"14\r\n\r\n \r\n

How to Draw the Dress

\r\nNow that we have drawn a woman, it is time to see, step by step, how to draw a dress for her. Begin by sketching lines for the shoulder strap and the part of the bodice of the dress under her armpit. Also sketch in where her dress is tied in the back and hanging from a knot.\r\n\r\n\"15\r\n\r\n \r\n\r\nNow form the skirt part of the dress. Make sure it is curved at the bottom to help with the appearance of a dress in motion.\r\n\r\n\"16\r\n\r\n \r\n\r\nGo back up to the top part of the dress. Draw some lace that follows the curvature of the woman\'s figure and that borders the shoulder strap.\r\n\r\n\"17\r\n\r\n \r\n\r\nComplete the bodice of the dress by drawing a few spiral folds. Also make sure to draw the visible seams of the dress shown below with the blue arrows.\r\n\r\n\"18\r\n\r\n \r\n\r\nBefore finishing the lower half of the dress, use your kneaded eraser to erase those guidelines we used to draw the woman\'s legs. You can leave a small guideline in place to show the bend of the knee that will press against the dress.\r\n\r\n\"19\r\n\r\n \r\n\r\nNow let\'s finish the dress off by drawing a few different folds that will make it look like an actual dress. Begin by drawing some pipe folds from the woman\'s waist that lead to where she is holding the fabric between her thumb and finger.\r\n\r\n\"20\r\n\r\n \r\n\r\nThis woman is spinning in a clockwise direction. As she spins to her right, the bottom of the dress from her left side is clashing against the part from her right side that hasn\'t moved yet. Draw a few folds to represent this clash, as seen below with the green arrow. Draw the hemline along the bottom of the dress shown with the blue arrow.\r\n\r\n\"21\r\n\r\n \r\n\r\n \r\n\r\nComplete the dress by completing the hemline and the folds in the fabric that flow in the direction of the spin. Complete the underside of the dress (as seen on the right side of this drawing) in the same manner.\r\n\r\n\"22\r\n\r\n \r\n

Conclusion

\r\nIf you were following along and drawing with me while reading this, you should have something similar to the drawing below.\r\n\r\n\"how\r\n\r\nThat concludes this tutorial on how to draw a woman in a dress! Not only that, but completing this tutorial means you were able to draw a moving woman in a dress, a bigger challenge than drawing a woman standing still. If you made it this far, congratulations! Of course if you wanted to take it a bit further with additional details, like dress pattern and shading, that is your choice. My goal here was to just show you the basics for getting started. As you can see, it\'s not all that difficult a process. If you can draw the figure of a woman and if you can draw the parts of a dress, you have all you need to draw a woman in a dress!','How to Draw a Woman in a Dress Spinning Around','','inherit','open','open','','2130-revision-v1','','','2015-07-30 08:35:38','2015-07-30 15:35:38','',2130,'http://www.letsdrawpeople.com/2130-revision-v1/',0,'revision','',0),(2176,2,'2015-07-30 08:40:27','2015-07-30 15:40:27','If you have ever wondered how to draw a woman in a dress, there are two obvious tasks you need to accomplish. First, you need to draw the figure of the woman. Then of course, you need to know the parts of the dress in order to draw that. Easy enough, right? So, why not add an extra element of challenge and draw the woman in motion?\r\n\r\nThat is what we\'ll aim to do with this lesson. The video and the steps below will show you how to draw a lady in a dress, spinning around in a field of grass.\r\n\r\nFirst things first. Let\'s get a little more familiar with what we will be drawing.\r\n

What to Look for in the Woman and the Dress

\r\nI do not claim to be a fashion expert, and I am certainly not one to know all the characteristics and fine details of a woman\'s dress without having a resource to help me. For that reason, I found this photo of a woman wearing a dress that we can use as a reference. This will help in the next step when trying to draw the woman\'s figure in motion. It will help even more later on when we need to draw the twirling dress.\r\n\r\n\"woman\r\n\r\nBefore we begin drawing, let me point out just a few noteworthy things from the photo to keep in mind. Since the woman is twirling, you can notice her figure leaning back. Also, you can tell she is twisting to her right. Her torso is slightly more turned than her lower half. She is also using her left arm to bring her dress along for the spin. Since the woman is in motion, you notice her hair and the bottom part of the dress trailing along.\r\n\r\nThe dress has lace along the bodice and along the edges of the shoulder straps. There appears to be a knot in the back where pieces of the garment are tied together. The upper half of the dress is form-fitting, while the lower half is loose and free-flowing. There is a flower pattern on this dress that you can choose to draw if you want, but I left it out of this tutorial.\r\n

Ready to Draw

\r\nHopefully you are now ready to draw along with this tutorial! You can watch the video for a summary of the steps and read more detailed steps below, along with viewing the illustrations for each step. Besides my drawing paper, the only materials I used for this were a mechanical pencil with 2B lead and a kneaded eraser. Just remember to sketch your guidelines lighter than how they appear in these images.\r\n\r\n***VIDEO***\r\n

How to Draw the Figure of the Woman

\r\nLet\'s start by seeing how to draw the woman\'s figure. Begin by sketching the shapes for the head and the neck. Remember that we want her to lean back slightly, so draw the shapes at a slight tilt as opposed to an exact vertical position.\r\n\r\n\"01\r\n\r\n \r\n\r\nNext, sketch the shape of the body between the neck and the waist. Again, the woman is leaning back a little. Make sure to show the arch in the curvature of her back. Notice how the small of her back is in close alignment with the center of the neck?\r\n\r\n\"02\r\n\r\n \r\n\r\nComplete the torso by drawing the shape for the pelvic region.\r\n\r\n\"03\r\n\r\n \r\n\r\nSketch the shape of the upper thigh that tapers toward the knee. Draw a round circle for the knee joint.\r\n\r\n\"04\r\n\r\n \r\n\r\nComplete the woman\'s left leg by drawing a cylinder shape for the calf that tapers at the ankle. Then sketch a basic shape for the foot. Remember that this foot will not be flat on the ground.\r\n\r\n\"05\r\n\r\n \r\n\r\nRepeat a similar process for the woman\'s right leg. Keep in mind that the woman is spinning. Her right leg is the leg she is pivoting on, so her foot will be flat on the ground and pointing forward from her point of view.\r\n\r\n\"06\r\n\r\n \r\n\r\nNow it is time to sketch guidelines for the arm. Make a round shape for the shoulder. Then sketch the rest of the upper arm and the forearm. The lady\'s arm is extended straight for the most part, so there should not be a noticeable bend at the elbow. Sketch the basic shapes for the hand in such a way that it appears to be holding on to fabric.\r\n\r\n\"07\r\n\r\n \r\n\r\nSketch a rough outline for long, flowing hair. Since the hair is in motion from the spin, draw it trailing behind her rather than flat against her back.\r\n\r\n\"08\r\n\r\n \r\n\r\nNext, sketch some guidelines that will help to place the facial features. Draw the line for the eyes about halfway between the top of the head and the bottom of the chin. Draw the other lines as shown below. Make sure that your facial guidelines are placed properly.\r\n\r\n\"09\r\n\r\n \r\n\r\nUse the guidelines and the reference photo to draw the eyes, eyebrows, nose, smiling mouth, and any other facial details you wish. Remember that you do not have to stick to the reference photo or my drawing exactly. You are the artist, so it\'s up to you. If you wish, you can change the woman\'s appearance simply by making the facial features look different from what you see here. I would still make sure she is smiling, since she conveys a happy mood by spinning around.\r\n\r\n\"10\r\n\r\n \r\n\r\nSketch in the flowing sections of hair. Make a few strands flow away from the mass along the outer perimeter to make it look more natural.\r\n\r\n\"11\r\n\r\n \r\n\r\nFor the upper arm, use your kneaded eraser to get rid of the shoulder and elbow joint guidelines. Draw lines indicating the muscle connecting the upper and lower arm.\r\n\r\n\"12\r\n\r\n \r\n\r\nComplete the arm by erasing the guidelines within the forearm and drawing the thumb and fingers as seen below.\r\n\r\n\"13\r\n\r\n \r\n\r\nDraw a few details to define the lady\'s feet, including her ankles. Don\'t forget to make some loose lines to represent blades of grass.\r\n\r\n\"14\r\n\r\n \r\n

How to Draw the Dress

\r\nNow that we have drawn a woman, it is time to see, step by step, how to draw a dress for her. Begin by sketching lines for the shoulder strap and the part of the bodice of the dress under her armpit. Also sketch in where her dress is tied in the back and hanging from a knot.\r\n\r\n\"15\r\n\r\n \r\n\r\nNow form the skirt part of the dress. Make sure it is curved at the bottom to help with the appearance of a dress in motion.\r\n\r\n\"16\r\n\r\n \r\n\r\nGo back up to the top part of the dress. Draw some lace that follows the curvature of the woman\'s figure and that borders the shoulder strap.\r\n\r\n\"17\r\n\r\n \r\n\r\nComplete the bodice of the dress by drawing a few spiral folds. Also make sure to draw the visible seams of the dress shown below with the blue arrows.\r\n\r\n\"18\r\n\r\n \r\n\r\nBefore finishing the lower half of the dress, use your kneaded eraser to erase those guidelines we used to draw the woman\'s legs. You can leave a small guideline in place to show the bend of the knee that will press against the dress.\r\n\r\n\"19\r\n\r\n \r\n\r\nNow let\'s finish the dress off by drawing a few different folds that will make it look like an actual dress. Begin by drawing some pipe folds from the woman\'s waist that lead to where she is holding the fabric between her thumb and finger.\r\n\r\n\"20\r\n\r\n \r\n\r\nThis woman is spinning in a clockwise direction. As she spins to her right, the bottom of the dress from her left side is clashing against the part from her right side that hasn\'t moved yet. Draw a few folds to represent this clash, as seen below with the green arrow. Draw the hemline along the bottom of the dress shown with the blue arrow.\r\n\r\n\"21\r\n\r\n \r\n\r\n \r\n\r\nComplete the dress by completing the hemline and the folds in the fabric that flow in the direction of the spin. Complete the underside of the dress (as seen on the right side of this drawing) in the same manner.\r\n\r\n\"22\r\n\r\n \r\n

Conclusion

\r\nIf you were following along and drawing with me while reading this, you should have something similar to the drawing below.\r\n\r\n\"how\r\n\r\nThat concludes this tutorial on how to draw a woman in a dress! Not only that, but completing this tutorial means you were able to draw a moving woman in a dress, a bigger challenge than drawing a woman standing still. If you made it this far, congratulations!\r\n\r\nOf course if you wanted to take it a bit further with additional details, like dress pattern and shading, that is your choice. My goal here was to just show you the basics for getting started. As you can see, it\'s not all that difficult a process. If you can draw the figure of a woman and if you can draw the parts of a dress, you have all you need to draw a woman in a dress!','How to Draw a Woman in a Dress Spinning Around','','inherit','open','open','','2130-revision-v1','','','2015-07-30 08:40:27','2015-07-30 15:40:27','',2130,'http://www.letsdrawpeople.com/2130-revision-v1/',0,'revision','',0),(2177,2,'2015-07-30 14:35:49','2015-07-30 21:35:49','If you have ever wondered how to draw a woman in a dress, there are two obvious tasks you need to accomplish. First, you need to draw the figure of the woman. Then of course, you need to know the parts of the dress in order to draw that. Easy enough, right? So, why not add an extra element of challenge and draw the woman in motion?\r\n\r\nThat is what we\'ll aim to do with this lesson. The video and the steps below will show you how to draw a lady in a dress, spinning around in a field of grass.\r\n\r\nFirst things first. Let\'s get a little more familiar with what we will be drawing.\r\n

What to Look for in the Woman and the Dress

\r\nI do not claim to be a fashion expert, and I am certainly not one to know all the characteristics and fine details of a woman\'s dress without having a resource to help me. For that reason, I found this photo of a woman wearing a dress that we can use as a reference. This will help in the next step when trying to draw the woman\'s figure in motion. It will help even more later on when we need to draw the twirling dress.\r\n\r\n[caption id=\"attachment_2133\" align=\"aligncenter\" width=\"472\"]\"woman © Anzhelika Bosak | Dreamstime.com[/caption]\r\n\r\nBefore we begin drawing, let me point out just a few noteworthy things from the photo to keep in mind. Since the woman is twirling, you can notice her figure leaning back. Also, you can tell she is twisting to her right. Her torso is slightly more turned than her lower half. She is also using her left arm to bring her dress along for the spin. Since the woman is in motion, you notice her hair and the bottom part of the dress trailing along.\r\n\r\nThe dress has lace along the bodice and along the edges of the shoulder straps. There appears to be a knot in the back where pieces of the garment are tied together. The upper half of the dress is form-fitting, while the lower half is loose and free-flowing. There is a flower pattern on this dress that you can choose to draw if you want, but I left it out of this tutorial.\r\n

Ready to Draw

\r\nHopefully you are now ready to draw along with this tutorial! You can watch the video for a summary of the steps and read more detailed steps below, along with viewing the illustrations for each step. Besides my drawing paper, the only materials I used for this were a mechanical pencil with 2B lead and a kneaded eraser. Just remember to sketch your guidelines lighter than how they appear in these images.\r\n\r\n
\r\n

How to Draw the Figure of the Woman

\r\nLet\'s start by seeing how to draw the woman\'s figure. Begin by sketching the shapes for the head and the neck. Remember that we want her to lean back slightly, so draw the shapes at a slight tilt as opposed to an exact vertical position.\r\n\r\n\"01\r\n\r\n \r\n\r\nNext, sketch the shape of the body between the neck and the waist. Again, the woman is leaning back a little. Make sure to show the arch in the curvature of her back. Notice how the small of her back is in close alignment with the center of the neck?\r\n\r\n\"02\r\n\r\n \r\n\r\nComplete the torso by drawing the shape for the pelvic region.\r\n\r\n\"03\r\n\r\n \r\n\r\nSketch the shape of the upper thigh that tapers toward the knee. Draw a round circle for the knee joint.\r\n\r\n\"04\r\n\r\n \r\n\r\nComplete the woman\'s left leg by drawing a cylinder shape for the calf that tapers at the ankle. Then sketch a basic shape for the foot. Remember that this foot will not be flat on the ground.\r\n\r\n\"05\r\n\r\n \r\n\r\nRepeat a similar process for the woman\'s right leg. Keep in mind that the woman is spinning. Her right leg is the leg she is pivoting on, so her foot will be flat on the ground and pointing forward from her point of view.\r\n\r\n\"06\r\n\r\n \r\n\r\nNow it is time to sketch guidelines for the arm. Make a round shape for the shoulder. Then sketch the rest of the upper arm and the forearm. The lady\'s arm is extended straight for the most part, so there should not be a noticeable bend at the elbow. Sketch the basic shapes for the hand in such a way that it appears to be holding on to fabric.\r\n\r\n\"07\r\n\r\n \r\n\r\nSketch a rough outline for long, flowing hair. Since the hair is in motion from the spin, draw it trailing behind her rather than flat against her back.\r\n\r\n\"08\r\n\r\n \r\n\r\nNext, sketch some guidelines that will help to place the facial features. Draw the line for the eyes about halfway between the top of the head and the bottom of the chin. Draw the other lines as shown below. Make sure that your facial guidelines are placed properly.\r\n\r\n\"09\r\n\r\n \r\n\r\nUse the guidelines and the reference photo to draw the eyes, eyebrows, nose, smiling mouth, and any other facial details you wish. Remember that you do not have to stick to the reference photo or my drawing exactly. You are the artist, so it\'s up to you. If you wish, you can change the woman\'s appearance simply by making the facial features look different from what you see here. I would still make sure she is smiling, since she conveys a happy mood by spinning around.\r\n\r\n\"10\r\n\r\n \r\n\r\nSketch in the flowing sections of hair. Make a few strands flow away from the mass along the outer perimeter to make it look more natural.\r\n\r\n\"11\r\n\r\n \r\n\r\nFor the upper arm, use your kneaded eraser to get rid of the shoulder and elbow joint guidelines. Draw lines indicating the muscle connecting the upper and lower arm.\r\n\r\n\"12\r\n\r\n \r\n\r\nComplete the arm by erasing the guidelines within the forearm and drawing the thumb and fingers as seen below.\r\n\r\n\"13\r\n\r\n \r\n\r\nDraw a few details to define the lady\'s feet, including her ankles. Don\'t forget to make some loose lines to represent blades of grass.\r\n\r\n\"14\r\n\r\n \r\n

How to Draw the Dress

\r\nNow that we have drawn a woman, it is time to see, step by step, how to draw a dress for her. Begin by sketching lines for the shoulder strap and the part of the bodice of the dress under her armpit. Also sketch in where her dress is tied in the back and hanging from a knot.\r\n\r\n\"15\r\n\r\n \r\n\r\nNow form the skirt part of the dress. Make sure it is curved at the bottom to help with the appearance of a dress in motion.\r\n\r\n\"16\r\n\r\n \r\n\r\nGo back up to the top part of the dress. Draw some lace that follows the curvature of the woman\'s figure and that borders the shoulder strap.\r\n\r\n\"17\r\n\r\n \r\n\r\nComplete the bodice of the dress by drawing a few spiral folds. Also make sure to draw the visible seams of the dress shown below with the blue arrows.\r\n\r\n\"18\r\n\r\n \r\n\r\nBefore finishing the lower half of the dress, use your kneaded eraser to erase those guidelines we used to draw the woman\'s legs. You can leave a small guideline in place to show the bend of the knee that will press against the dress.\r\n\r\n\"19\r\n\r\n \r\n\r\nNow let\'s finish the dress off by drawing a few different folds that will make it look like an actual dress. Begin by drawing some pipe folds from the woman\'s waist that lead to where she is holding the fabric between her thumb and finger.\r\n\r\n\"20\r\n\r\n \r\n\r\nThis woman is spinning in a clockwise direction. As she spins to her right, the bottom of the dress from her left side is clashing against the part from her right side that hasn\'t moved yet. Draw a few folds to represent this clash, as seen below with the green arrow. Draw the hemline along the bottom of the dress shown with the blue arrow.\r\n\r\n\"21\r\n\r\n \r\n\r\n \r\n\r\nComplete the dress by completing the hemline and the folds in the fabric that flow in the direction of the spin. Complete the underside of the dress (as seen on the right side of this drawing) in the same manner.\r\n\r\n\"22\r\n\r\n \r\n

Conclusion

\r\nIf you were following along and drawing with me while reading this, you should have something similar to the drawing below.\r\n\r\n\"how\r\n\r\nThat concludes this tutorial on how to draw a woman in a dress! Not only that, but completing this tutorial means you were able to draw a moving woman in a dress, a bigger challenge than drawing a woman standing still. If you made it this far, congratulations!\r\n\r\nOf course if you wanted to take it a bit further with additional details, like dress pattern and shading, that is your choice. My goal here was to just show you the basics for getting started. As you can see, it\'s not all that difficult a process. If you can draw the figure of a woman and if you can draw the parts of a dress, you have all you need to draw a woman in a dress!','How to Draw a Woman in a Dress Spinning Around','','inherit','open','open','','2130-revision-v1','','','2015-07-30 14:35:49','2015-07-30 21:35:49','',2130,'http://www.letsdrawpeople.com/2130-revision-v1/',0,'revision','',0),(2178,2,'2015-07-30 14:36:57','2015-07-30 21:36:57','If you have ever wondered how to draw a woman in a dress, there are two obvious tasks you need to accomplish. First, you need to draw the figure of the woman. Then of course, you need to know the parts of the dress in order to draw that. Easy enough, right? So, why not add an extra element of challenge and draw the woman in motion?\r\n\r\nThat is what we\'ll aim to do with this lesson. The video and the steps below will show you how to draw a lady in a dress, spinning around in a field of grass.\r\n\r\nFirst things first. Let\'s get a little more familiar with what we will be drawing.\r\n

What to Look for in the Woman and the Dress

\r\nI do not claim to be a fashion expert, and I am certainly not one to know all the characteristics and fine details of a woman\'s dress without having a resource to help me. For that reason, I found this photo of a woman wearing a dress that we can use as a reference. This will help in the next step when trying to draw the woman\'s figure in motion. It will help even more later on when we need to draw the twirling dress.\r\n\r\n[caption id=\"attachment_2133\" align=\"aligncenter\" width=\"472\"]\"woman
© Anzhelika Bosak | Dreamstime.com
[/caption]\r\n\r\nBefore we begin drawing, let me point out just a few noteworthy things from the photo to keep in mind. Since the woman is twirling, you can notice her figure leaning back. Also, you can tell she is twisting to her right. Her torso is slightly more turned than her lower half. She is also using her left arm to bring her dress along for the spin. Since the woman is in motion, you notice her hair and the bottom part of the dress trailing along.\r\n\r\nThe dress has lace along the bodice and along the edges of the shoulder straps. There appears to be a knot in the back where pieces of the garment are tied together. The upper half of the dress is form-fitting, while the lower half is loose and free-flowing. There is a flower pattern on this dress that you can choose to draw if you want, but I left it out of this tutorial.\r\n

Ready to Draw

\r\nHopefully you are now ready to draw along with this tutorial! You can watch the video for a summary of the steps and read more detailed steps below, along with viewing the illustrations for each step. Besides my drawing paper, the only materials I used for this were a mechanical pencil with 2B lead and a kneaded eraser. Just remember to sketch your guidelines lighter than how they appear in these images.\r\n\r\n
\r\n

How to Draw the Figure of the Woman

\r\nLet\'s start by seeing how to draw the woman\'s figure. Begin by sketching the shapes for the head and the neck. Remember that we want her to lean back slightly, so draw the shapes at a slight tilt as opposed to an exact vertical position.\r\n\r\n\"01\r\n\r\n \r\n\r\nNext, sketch the shape of the body between the neck and the waist. Again, the woman is leaning back a little. Make sure to show the arch in the curvature of her back. Notice how the small of her back is in close alignment with the center of the neck?\r\n\r\n\"02\r\n\r\n \r\n\r\nComplete the torso by drawing the shape for the pelvic region.\r\n\r\n\"03\r\n\r\n \r\n\r\nSketch the shape of the upper thigh that tapers toward the knee. Draw a round circle for the knee joint.\r\n\r\n\"04\r\n\r\n \r\n\r\nComplete the woman\'s left leg by drawing a cylinder shape for the calf that tapers at the ankle. Then sketch a basic shape for the foot. Remember that this foot will not be flat on the ground.\r\n\r\n\"05\r\n\r\n \r\n\r\nRepeat a similar process for the woman\'s right leg. Keep in mind that the woman is spinning. Her right leg is the leg she is pivoting on, so her foot will be flat on the ground and pointing forward from her point of view.\r\n\r\n\"06\r\n\r\n \r\n\r\nNow it is time to sketch guidelines for the arm. Make a round shape for the shoulder. Then sketch the rest of the upper arm and the forearm. The lady\'s arm is extended straight for the most part, so there should not be a noticeable bend at the elbow. Sketch the basic shapes for the hand in such a way that it appears to be holding on to fabric.\r\n\r\n\"07\r\n\r\n \r\n\r\nSketch a rough outline for long, flowing hair. Since the hair is in motion from the spin, draw it trailing behind her rather than flat against her back.\r\n\r\n\"08\r\n\r\n \r\n\r\nNext, sketch some guidelines that will help to place the facial features. Draw the line for the eyes about halfway between the top of the head and the bottom of the chin. Draw the other lines as shown below. Make sure that your facial guidelines are placed properly.\r\n\r\n\"09\r\n\r\n \r\n\r\nUse the guidelines and the reference photo to draw the eyes, eyebrows, nose, smiling mouth, and any other facial details you wish. Remember that you do not have to stick to the reference photo or my drawing exactly. You are the artist, so it\'s up to you. If you wish, you can change the woman\'s appearance simply by making the facial features look different from what you see here. I would still make sure she is smiling, since she conveys a happy mood by spinning around.\r\n\r\n\"10\r\n\r\n \r\n\r\nSketch in the flowing sections of hair. Make a few strands flow away from the mass along the outer perimeter to make it look more natural.\r\n\r\n\"11\r\n\r\n \r\n\r\nFor the upper arm, use your kneaded eraser to get rid of the shoulder and elbow joint guidelines. Draw lines indicating the muscle connecting the upper and lower arm.\r\n\r\n\"12\r\n\r\n \r\n\r\nComplete the arm by erasing the guidelines within the forearm and drawing the thumb and fingers as seen below.\r\n\r\n\"13\r\n\r\n \r\n\r\nDraw a few details to define the lady\'s feet, including her ankles. Don\'t forget to make some loose lines to represent blades of grass.\r\n\r\n\"14\r\n\r\n \r\n

How to Draw the Dress

\r\nNow that we have drawn a woman, it is time to see, step by step, how to draw a dress for her. Begin by sketching lines for the shoulder strap and the part of the bodice of the dress under her armpit. Also sketch in where her dress is tied in the back and hanging from a knot.\r\n\r\n\"15\r\n\r\n \r\n\r\nNow form the skirt part of the dress. Make sure it is curved at the bottom to help with the appearance of a dress in motion.\r\n\r\n\"16\r\n\r\n \r\n\r\nGo back up to the top part of the dress. Draw some lace that follows the curvature of the woman\'s figure and that borders the shoulder strap.\r\n\r\n\"17\r\n\r\n \r\n\r\nComplete the bodice of the dress by drawing a few spiral folds. Also make sure to draw the visible seams of the dress shown below with the blue arrows.\r\n\r\n\"18\r\n\r\n \r\n\r\nBefore finishing the lower half of the dress, use your kneaded eraser to erase those guidelines we used to draw the woman\'s legs. You can leave a small guideline in place to show the bend of the knee that will press against the dress.\r\n\r\n\"19\r\n\r\n \r\n\r\nNow let\'s finish the dress off by drawing a few different folds that will make it look like an actual dress. Begin by drawing some pipe folds from the woman\'s waist that lead to where she is holding the fabric between her thumb and finger.\r\n\r\n\"20\r\n\r\n \r\n\r\nThis woman is spinning in a clockwise direction. As she spins to her right, the bottom of the dress from her left side is clashing against the part from her right side that hasn\'t moved yet. Draw a few folds to represent this clash, as seen below with the green arrow. Draw the hemline along the bottom of the dress shown with the blue arrow.\r\n\r\n\"21\r\n\r\n \r\n\r\n \r\n\r\nComplete the dress by completing the hemline and the folds in the fabric that flow in the direction of the spin. Complete the underside of the dress (as seen on the right side of this drawing) in the same manner.\r\n\r\n\"22\r\n\r\n \r\n

Conclusion

\r\nIf you were following along and drawing with me while reading this, you should have something similar to the drawing below.\r\n\r\n\"how\r\n\r\nThat concludes this tutorial on how to draw a woman in a dress! Not only that, but completing this tutorial means you were able to draw a moving woman in a dress, a bigger challenge than drawing a woman standing still. If you made it this far, congratulations!\r\n\r\nOf course if you wanted to take it a bit further with additional details, like dress pattern and shading, that is your choice. My goal here was to just show you the basics for getting started. As you can see, it\'s not all that difficult a process. If you can draw the figure of a woman and if you can draw the parts of a dress, you have all you need to draw a woman in a dress!','How to Draw a Woman in a Dress Spinning Around','','inherit','open','open','','2130-revision-v1','','','2015-07-30 14:36:57','2015-07-30 21:36:57','',2130,'http://www.letsdrawpeople.com/2130-revision-v1/',0,'revision','',0),(2179,2,'2015-08-22 03:40:22','2015-08-22 10:40:22','Look at this old pencil portrait drawing I did many years ago...\r\n\r\n\"nirma\"What can you learn from it? Can just looking at a pencil drawing done by another artist teach you how to draw in pencil?\r\n\r\nWell, maybe not all by itself, but it can certainly help. You can easily use a pencil drawing done by someone else as a model for how to create your own work.\r\n\r\nBetter yet, the closer you examine the work, the more you may realize certain strengths over the work of the artist you are viewing!\r\n\r\nSo even though you do not see a step-by-step tutorial on this page for how this portrait was created, take a look at some of the characteristics it possesses to see if your pencil portrait drawings share similar traits.\r\n
    \r\n
  • Round eye highlights left pure white, adjacent to very dark pupils
    • \r\n
  • Reflected light along the bottom of the nose
    • \r\n
  • Visible strands of hair overlapping dark and highlighted masses of hair
    • \r\n
  • No visible outlines, just smooth and blended edges
    • \r\n
  • Blended shading and shadows
    • \r\n
\r\nOf course these are only a fraction of the traits this drawing possesses. Still, making a habit of looking for a few important traits in the drawings of others can make you more aware of what you should have in your own work as you learn how to draw in pencil.','See How to Draw in Pencil by Studying This Portrait','','publish','open','open','','see-how-to-draw-in-pencil-by-studying-this-portrait','','','2015-07-30 15:42:37','2015-07-30 22:42:37','',0,'http://www.letsdrawpeople.com/?p=2179',0,'post','',0),(2180,2,'2015-07-30 15:23:46','2015-07-30 22:23:46','Look at this old pencil portrait drawing I did many years ago...\r\n\r\n\"nirma\"What can you learn from it? Can just looking at a pencil drawing done by another artist teach you how to draw in pencil?\r\n\r\nWell, maybe not all by itself, but it can certainly help. You can easily use a pencil drawing done by someone else as a model for how to create your own work.\r\n\r\nBetter yet, the closer you examine the work, the more you may realize certain strengths over the work of the artist you are viewing.\r\n\r\nSo even though you do not see a step-by-step tutorial on this page for how this portrait was created, take a look at some of the characteristics it possesses to see if your pencil portrait drawings share similar traits.\r\n\r\n \r\n\r\n ','See How to Draw in Pencil by Studying This Portrait','','inherit','open','open','','2179-revision-v1','','','2015-07-30 15:23:46','2015-07-30 22:23:46','',2179,'http://www.letsdrawpeople.com/2179-revision-v1/',0,'revision','',0),(2181,2,'2015-07-30 15:35:48','2015-07-30 22:35:48','Look at this old pencil portrait drawing I did many years ago...\r\n\r\n\"nirma\"What can you learn from it? Can just looking at a pencil drawing done by another artist teach you how to draw in pencil?\r\n\r\nWell, maybe not all by itself, but it can certainly help. You can easily use a pencil drawing done by someone else as a model for how to create your own work.\r\n\r\nBetter yet, the closer you examine the work, the more you may realize certain strengths over the work of the artist you are viewing.\r\n\r\nSo even though you do not see a step-by-step tutorial on this page for how this portrait was created, take a look at some of the characteristics it possesses to see if your pencil portrait drawings share similar traits.\r\n
    \r\n
  • Round eye highlights left pure white, adjacent to very dark pupils
    • \r\n
  • Reflected light along the bottom of the nose
    • \r\n
  • Visible strands of hair overlapping dark and highlighted masses of hair
    • \r\n
  • No visible outlines, just smooth and blended edges
    • \r\n
  • Blended shading and shadows
    • \r\n
\r\nOf course these are only a fraction of the traits this drawing possesses. Still, making a habit of looking for a few important traits in the drawings of others can make you more aware of what you should have in your own work as you learn how to draw in pencil.','See How to Draw in Pencil by Studying This Portrait','','inherit','open','open','','2179-revision-v1','','','2015-07-30 15:35:48','2015-07-30 22:35:48','',2179,'http://www.letsdrawpeople.com/2179-revision-v1/',0,'revision','',0),(2182,2,'2015-07-30 15:40:19','2015-07-30 22:40:19','Look at this old pencil portrait drawing I did many years ago...\r\n\r\n\"nirma\"What can you learn from it? Can just looking at a pencil drawing done by another artist teach you how to draw in pencil?\r\n\r\nWell, maybe not all by itself, but it can certainly help. You can easily use a pencil drawing done by someone else as a model for how to create your own work.\r\n\r\nBetter yet, the closer you examine the work, the more you may realize certain strengths over the work of the artist you are viewing!\r\n\r\nSo even though you do not see a step-by-step tutorial on this page for how this portrait was created, take a look at some of the characteristics it possesses to see if your pencil portrait drawings share similar traits.\r\n
    \r\n
  • Round eye highlights left pure white, adjacent to very dark pupils
    • \r\n
  • Reflected light along the bottom of the nose
    • \r\n
  • Visible strands of hair overlapping dark and highlighted masses of hair
    • \r\n
  • No visible outlines, just smooth and blended edges
    • \r\n
  • Blended shading and shadows
    • \r\n
\r\nOf course these are only a fraction of the traits this drawing possesses. Still, making a habit of looking for a few important traits in the drawings of others can make you more aware of what you should have in your own work as you learn how to draw in pencil.','See How to Draw in Pencil by Studying This Portrait','','inherit','open','open','','2179-revision-v1','','','2015-07-30 15:40:19','2015-07-30 22:40:19','',2179,'http://www.letsdrawpeople.com/2179-revision-v1/',0,'revision','',0),(2183,2,'2015-07-30 15:45:30','2015-07-30 22:45:30','Look at this old pencil portrait drawing I did many years ago...\r\n\r\n\"nirma\"What can you learn from it? Can just looking at a pencil drawing done by another artist teach you how to draw in pencil?\r\n\r\nWell, maybe not all by itself, but it can certainly help. You can easily use a pencil drawing done by someone else as a model for how to create your own work.\r\n\r\nBetter yet, the closer you examine the work, the more you may realize certain strengths over the work of the artist you are viewing!\r\n\r\nSo even though you do not see a step-by-step tutorial on this page for how this portrait was created, take a look at some of the characteristics it possesses to see if your pencil portrait drawings share similar traits.\r\n
    \r\n
  • Round eye highlights left pure white, adjacent to very dark pupils
    • \r\n
  • Reflected light along the bottom of the nose
    • \r\n
  • Visible strands of hair overlapping dark and highlighted masses of hair
    • \r\n
  • No visible outlines, just smooth and blended edges
    • \r\n
  • Blended shading and shadows
    • \r\n
\r\nOf course these are only a fraction of the traits this drawing possesses. Still, making a habit of looking for a few important traits in the drawings of others can make you more aware of what you should have in your own work as you learn how to draw in pencil.','See How to Draw in Pencil by Studying This Portrait','','inherit','open','open','','2179-autosave-v1','','','2015-07-30 15:45:30','2015-07-30 22:45:30','',2179,'http://www.letsdrawpeople.com/2179-autosave-v1/',0,'revision','',0),(2184,2,'2015-08-29 03:55:34','2015-08-29 10:55:34','[caption id=\"attachment_799\" align=\"alignleft\" width=\"225\"]\""Sherman \"Sherman Hemsley\" by Jack Pearce[/caption]\r\n\r\nFor those who wish to learn how to sketch celebrities, I remind you of the old adage \"learn by doing\".\r\n\r\nIf you want to get better at sketching celebrities, the more you actually put in the practice, the better you will get. That is why ideally, you should get into the habit of practicing every day.\r\n\r\nI have two daily habits I would like to share with you that can help. But first...\r\n\r\nLet\'s remind ourselves why it is a great idea to practice sketching celebrities.\r\n

Why You Should Get in the Habit of Sketching Celebrities

\r\nIf it is your goal to draw realistic renderings of people, you want the people you draw or sketch to look like the actual person. You don\'t have to aim for perfection, but you would at least like the person to be recognizable to others who know him or her.\r\n\r\nIf you only sketch largely unknown faces, people who look at your work will not know who the person is unless you always have a reference photo nearby so they can compare.\r\n\r\nBy sketching celebrities, you can better get a sense of how you are progressing by how easily others can recognize who you drew!\r\n\r\nWhat\'s more, we are constantly inundated by images of celebrities. You will not have to look very far to find celebrity subjects to sketch.\r\n\r\nNow, here are two easy ways you can make a habit out of sketching celebrities on a regular basis...\r\n

Habit #1: Sketch Celebrities from Still Images

\r\nIt is very easy to find still images of celebrities. From the tabloid magazines that line the checkout aisles to the abundance of online celebrity galleries and photos, celebrity images are all around.\r\n\r\nSketching from a still image gives you the advantage of taking your time to really study and understand the unique facial characteristics that make a celebrity recognizable.\r\n\r\nYou can also find multiple images of the same celebrity from which to work. This gives you the advantage of examining traits from multiple angles. Additionally, it will allow you to improve as an artist by creating an original sketch of a recognizable celebrity that is not dependent on just one reference photograph.\r\n\r\nYou should strike a balance of working from both physical publications (like tabloids and magazines) and online media. Keep a stack of celebrity photo resources nearby where you like to sketch. Make a file folder on your computer and save celebrity images you come across that you\'d like to reference someday.\r\n\r\nTo implement this habit on a daily basis, do not put a lot of thought into who you will sketch. Just go to your magazines or computer and take about 60 seconds to choose a celebrity. Then start sketching! Don\'t spend too much time making it perfect. Remember this is just a sketch and you are trying to hone your skills by capturing a likeness.\r\n

Habit #2: Sketch Celebrities from TV and Online Videos

\r\nAs easy as it is to find celebrity still photographs, it is just as easy (if not easier) to just turn on your television!\r\n\r\nThe advantage of working from television, DVD/Blu-ray, online video, or any other video format is similar to working from multiple still images: you get better familiarity of the celebrities\' special physical traits from multiple perspectives, and you are loosening your dependence on working from one image.\r\n\r\nOf course, this approach does present more of a challenge since your celebrity is in motion. Yes, you could use the option of pausing your video and sketching from the screen shot. However, I would encourage you to watch a video, TV program, or movie all the way through and sketch as you watch. This will give you practice sketching from life, even though the \"life\" is on your TV or computer screen.\r\n\r\nIf you had a live model, surely he or she would be more accommodating and sit or stand still for you, but how many of us have the luxury of asking a celebrity to model for us?\r\n\r\nThink of this as being akin to going to the mall and sketching the wandering shoppers, but you get to sketch celebrities instead!\r\n\r\nTo implement this habit on a daily basis, again...do not put too much thought into it. Just turn on the TV or load one of your favorite Netflix shows and start sketching! Look for which facial traits make your chosen celebrity most recognizable to others and include those traits in your sketch.\r\n

Celebrities Will Appear If You Keep \"Doing\"

\r\nAs I said at the onset, the best way you can learn how to sketch celebrities is by constantly \"doing\" it. Keep the \"doing\" up by sticking to the habit of sketching celebrities every day. The idea is to make quick, rough celebrity sketches that still capture a close resemblance. Don\'t worry too much if you don\'t get an accurate likeness every time. If you implement at least one of these two habits on a daily basis, it will get easier for you and the celebrities will begin to appear in a recognizable form on your sketch paper. You will soon see an improvement in the way your sketches resemble the intended celebrity, so keep doing it!','Learn How to Sketch Celebrities by Implementing These Two Daily Habits','','publish','open','open','','learn-how-to-sketch-celebrities-by-implementing-these-two-daily-habits','','','2015-07-31 11:56:50','2015-07-31 18:56:50','',0,'http://www.letsdrawpeople.com/?p=2184',0,'post','',0),(2185,2,'2015-07-31 09:08:07','2015-07-31 16:08:07','','Learn How to Sketch Celebrities by Implementing These Two Daily Habits','','inherit','open','open','','2184-revision-v1','','','2015-07-31 09:08:07','2015-07-31 16:08:07','',2184,'http://www.letsdrawpeople.com/2184-revision-v1/',0,'revision','',0),(2186,2,'2015-07-31 09:24:52','2015-07-31 16:24:52','[caption id=\"attachment_799\" align=\"alignleft\" width=\"225\"]\""Sherman \"Sherman Hemsley\" by Jack Pearce[/caption]\r\n\r\nremind ourselves why to practice celebrities\r\n\r\nthe ideas is rough sketches that still capture a close resemblance. don\'t worry too much if you don\'t get an accurate likeness every time. if you implement at least one of these two habits on a daily basis, it will get easier for you and you should see an improvement in the way your sketches resemble the intended celebrity\r\n\r\nhow to capture the likenesses of well-known people. Remember that when you are trying to draw people well enough and detailed enough for them to be recognizable as the intended person, it is often helpful to practice by drawing famous faces\r\n\r\nsketch from still images: tabloid magazines, online galleries and photos. galleries multiple angles\r\n\r\nsketch from tv and online video: practice sketching from life and capturing multiple angles like w/ photos but more of challenge w/ subject in motion. of course if you had a live model he or she would be more accommodating and sit or stand still for you, but how many of us have the luxury of asking a celebrity to','Learn How to Sketch Celebrities by Implementing These Two Daily Habits','','inherit','open','open','','2184-revision-v1','','','2015-07-31 09:24:52','2015-07-31 16:24:52','',2184,'http://www.letsdrawpeople.com/2184-revision-v1/',0,'revision','',0),(2187,2,'2015-07-31 10:04:41','2015-07-31 17:04:41','[caption id=\"attachment_799\" align=\"alignleft\" width=\"225\"]\""Sherman \"Sherman Hemsley\" by Jack Pearce[/caption]\r\n\r\nremind ourselves why to practice celebrities\r\n\r\nthe ideas is rough sketches that still capture a close resemblance. don\'t worry too much if you don\'t get an accurate likeness every time. if you implement at least one of these two habits on a daily basis, it will get easier for you and you should see an improvement in the way your sketches resemble the intended celebrity\r\n\r\nhow to capture the likenesses of well-known people. Remember that when you are trying to draw people well enough and detailed enough for them to be recognizable as the intended person, it is often helpful to practice by drawing famous faces\r\n\r\nsketch from still images: tabloid magazines, online galleries and photos. galleries multiple angles\r\n\r\nI sometimes keep a stack of old magazines and tabloids nearby to sketch random faces inside. These can be sketches of everyday people, models, or celebrities. This is how I used to practice drawing famous faces back in the day, before they were all over the Internet. Magazines are still a great resource for drawing ideas. Often you can find some clever and creative photography work that can spark a drawing composition. Another advantage of a physical publication is having a quality, clear, high-resolution image from which to work.\r\n\r\nIf you don’t know what you want to draw, looking at a massive library of images will certainly get your creative juices flowing. Visit Google or your favorite search engine, type in\r\n\r\nsketch from tv and online video: practice sketching from life and capturing multiple angles like w/ photos but more of challenge w/ subject in motion. of course if you had a live model he or she would be more accommodating and sit or stand still for you, but how many of us have the luxury of asking a celebrity to','Learn How to Sketch Celebrities by Implementing These Two Daily Habits','','inherit','open','open','','2184-revision-v1','','','2015-07-31 10:04:41','2015-07-31 17:04:41','',2184,'http://www.letsdrawpeople.com/2184-revision-v1/',0,'revision','',0),(2188,2,'2015-07-31 10:32:42','2015-07-31 17:32:42','[caption id=\"attachment_799\" align=\"alignleft\" width=\"225\"]\""Sherman \"Sherman Hemsley\" by Jack Pearce[/caption]\r\n\r\nFor those who wish to learn how to sketch celebrities, I remind you of the old adage \"learn by doing\".\r\n\r\nIf you want to get better at sketching celebrities, the more you actually put in the practice, the better you will get. That is why ideally, you should get into the habit of practicing every day.\r\n\r\nI have two daily habits I would like to share with you that can help. But first...\r\n\r\nLet\'s remind ourselves why it is a great idea to practice sketching celebrities.\r\n

Why You Should Get in the Habit of Sketching Celebrities

\r\nIf it is your goal to draw realistic renderings of people, you want the people you draw or sketch to look like the actual person. You don\'t have to aim for perfection, but you would at least like the person to be recognizable to others who know him or her.\r\n\r\nIf you only sketch largely unknown faces, people who look at your work will not know who the person is unless you always have a reference photo nearby so they can compare.\r\n\r\nBy sketching celebrities, you can better get a sense of how you are progressing by how easily others can recognize who you drew!\r\n\r\nNow, here are two easy ways you can make a habit out of sketching celebrities on a regular basis....\r\n\r\nHabit #1:\r\n\r\nsketch from still images: tabloid magazines, online galleries and photos. galleries multiple angles\r\n\r\nI sometimes keep a stack of old magazines and tabloids nearby to sketch random faces inside. These can be sketches of everyday people, models, or celebrities. This is how I used to practice drawing famous faces back in the day, before they were all over the Internet. Magazines are still a great resource for drawing ideas. Often you can find some clever and creative photography work that can spark a drawing composition. Another advantage of a physical publication is having a quality, clear, high-resolution image from which to work.\r\n\r\nIf you don’t know what you want to draw, looking at a massive library of images will certainly get your creative juices flowing. Visit Google or your favorite search engine, type in\r\n\r\nsketch from tv and online video: practice sketching from life and capturing multiple angles like w/ photos but more of challenge w/ subject in motion. of course if you had a live model he or she would be more accommodating and sit or stand still for you, but how many of us have the luxury of asking a celebrity to\r\n\r\nclosing\r\n\r\nthe ideas is rough sketches that still capture a close resemblance. don\'t worry too much if you don\'t get an accurate likeness every time. if you implement at least one of these two habits on a daily basis, it will get easier for you and you should see an improvement in the way your sketches resemble the intended celebrity','Learn How to Sketch Celebrities by Implementing These Two Daily Habits','','inherit','open','open','','2184-revision-v1','','','2015-07-31 10:32:42','2015-07-31 17:32:42','',2184,'http://www.letsdrawpeople.com/2184-revision-v1/',0,'revision','',0),(2189,2,'2015-07-31 10:58:26','2015-07-31 17:58:26','[caption id=\"attachment_799\" align=\"alignleft\" width=\"225\"]\""Sherman \"Sherman Hemsley\" by Jack Pearce[/caption]\r\n\r\nFor those who wish to learn how to sketch celebrities, I remind you of the old adage \"learn by doing\".\r\n\r\nIf you want to get better at sketching celebrities, the more you actually put in the practice, the better you will get. That is why ideally, you should get into the habit of practicing every day.\r\n\r\nI have two daily habits I would like to share with you that can help. But first...\r\n\r\nLet\'s remind ourselves why it is a great idea to practice sketching celebrities.\r\n

Why You Should Get in the Habit of Sketching Celebrities

\r\nIf it is your goal to draw realistic renderings of people, you want the people you draw or sketch to look like the actual person. You don\'t have to aim for perfection, but you would at least like the person to be recognizable to others who know him or her.\r\n\r\nIf you only sketch largely unknown faces, people who look at your work will not know who the person is unless you always have a reference photo nearby so they can compare.\r\n\r\nBy sketching celebrities, you can better get a sense of how you are progressing by how easily others can recognize who you drew!\r\n\r\nWhat\'s more, we are constantly inundated by images of celebrities. You will not have to look very far to find celebrity subjects to sketch.\r\n\r\nNow, here are two easy ways you can make a habit out of sketching celebrities on a regular basis....\r\n

Habit #1: Sketch Celebrities from Still Images

\r\nIt is very easy to find still images of celebrities. From the tabloid magazines that line the checkout aisles to the abundance of online celebrity galleries and photos, celebrity images are all around.\r\n\r\nSketching from a still image gives you the advantage of taking your time to really study and understand the unique facial characteristics that make a celebrity recognizable.\r\n\r\nYou can also find multiple images of the same celebrity from which to work. This gives you the advantage of examining traits from multiple angles. Additionally, it will allow you to improve as an artist by creating an original sketch of a recognizable celebrity that is not dependent on just one reference photograph.\r\n\r\nYou should strike a balance of working from both physical publications (like tabloids and magazines) and online media. Keep a stack of celebrity photo resources nearby where you like to sketch. Make a file folder on your computer and save celebrity images you come across that you\'d like to reference someday.\r\n\r\nTo implement this habit on a daily basis, do not put a lot of thought into who you will sketch. Just go to your magazines or computer and take about 60 seconds to choose a celebrity. Then start sketching! Don\'t spend too much time making it perfect. Remember this is just a sketch and you are trying to hone your skills by capturing a likeness.\r\n\r\n \r\n\r\nsketch from tv and online video: practice sketching from life and capturing multiple angles like w/ photos but more of challenge w/ subject in motion. of course if you had a live model he or she would be more accommodating and sit or stand still for you, but how many of us have the luxury of asking a celebrity to\r\n\r\nclosing\r\n\r\nthe ideas is rough sketches that still capture a close resemblance. don\'t worry too much if you don\'t get an accurate likeness every time. if you implement at least one of these two habits on a daily basis, it will get easier for you and you should see an improvement in the way your sketches resemble the intended celebrity','Learn How to Sketch Celebrities by Implementing These Two Daily Habits','','inherit','open','open','','2184-revision-v1','','','2015-07-31 10:58:26','2015-07-31 17:58:26','',2184,'http://www.letsdrawpeople.com/2184-revision-v1/',0,'revision','',0),(2190,2,'2015-07-31 11:18:52','2015-07-31 18:18:52','[caption id=\"attachment_799\" align=\"alignleft\" width=\"225\"]\""Sherman \"Sherman Hemsley\" by Jack Pearce[/caption]\r\n\r\nFor those who wish to learn how to sketch celebrities, I remind you of the old adage \"learn by doing\".\r\n\r\nIf you want to get better at sketching celebrities, the more you actually put in the practice, the better you will get. That is why ideally, you should get into the habit of practicing every day.\r\n\r\nI have two daily habits I would like to share with you that can help. But first...\r\n\r\nLet\'s remind ourselves why it is a great idea to practice sketching celebrities.\r\n

Why You Should Get in the Habit of Sketching Celebrities

\r\nIf it is your goal to draw realistic renderings of people, you want the people you draw or sketch to look like the actual person. You don\'t have to aim for perfection, but you would at least like the person to be recognizable to others who know him or her.\r\n\r\nIf you only sketch largely unknown faces, people who look at your work will not know who the person is unless you always have a reference photo nearby so they can compare.\r\n\r\nBy sketching celebrities, you can better get a sense of how you are progressing by how easily others can recognize who you drew!\r\n\r\nWhat\'s more, we are constantly inundated by images of celebrities. You will not have to look very far to find celebrity subjects to sketch.\r\n\r\nNow, here are two easy ways you can make a habit out of sketching celebrities on a regular basis....\r\n

Habit #1: Sketch Celebrities from Still Images

\r\nIt is very easy to find still images of celebrities. From the tabloid magazines that line the checkout aisles to the abundance of online celebrity galleries and photos, celebrity images are all around.\r\n\r\nSketching from a still image gives you the advantage of taking your time to really study and understand the unique facial characteristics that make a celebrity recognizable.\r\n\r\nYou can also find multiple images of the same celebrity from which to work. This gives you the advantage of examining traits from multiple angles. Additionally, it will allow you to improve as an artist by creating an original sketch of a recognizable celebrity that is not dependent on just one reference photograph.\r\n\r\nYou should strike a balance of working from both physical publications (like tabloids and magazines) and online media. Keep a stack of celebrity photo resources nearby where you like to sketch. Make a file folder on your computer and save celebrity images you come across that you\'d like to reference someday.\r\n\r\nTo implement this habit on a daily basis, do not put a lot of thought into who you will sketch. Just go to your magazines or computer and take about 60 seconds to choose a celebrity. Then start sketching! Don\'t spend too much time making it perfect. Remember this is just a sketch and you are trying to hone your skills by capturing a likeness.\r\n

Habit #2: Sketch Celebrities from TV and Online Videos

\r\nAs easy as it is to find celebrity still photographs, it is just as easy (if not easier) to just turn on your television!\r\n\r\nThe advantage of working from television, DVD/blu-ray, online video, or any other video format is similar to working from multiple still images: you get better familiarity of the celebrities special physical traits from multiple perspectives, and you are loosening your dependence on working from one image.\r\n\r\nOf course, this approach does present more of a challenge since your celebrity is in motion. Yes, you could use the option of pausing your video and sketching from the screen shot. However, I would encourage you to watch a video, TV program, or movie all the way through and sketch as you watch. This will give you practice sketching from life, even though the \"life\" is on your TV or computer screen.\r\n\r\nIf you had a live model, surely he or she would be more accommodating and sit or stand still for you, but how many of us have the luxury of asking a celebrity to model for us?\r\n\r\n \r\n\r\n \r\n

Celebrities Will Appear If You Keep \"Doing\"

\r\nthe ideas is rough sketches that still capture a close resemblance. don\'t worry too much if you don\'t get an accurate likeness every time. if you implement at least one of these two habits on a daily basis, it will get easier for you and you should see an improvement in the way your sketches resemble the intended celebrity','Learn How to Sketch Celebrities by Implementing These Two Daily Habits','','inherit','open','open','','2184-revision-v1','','','2015-07-31 11:18:52','2015-07-31 18:18:52','',2184,'http://www.letsdrawpeople.com/2184-revision-v1/',0,'revision','',0),(2191,2,'2015-07-31 11:36:18','2015-07-31 18:36:18','[caption id=\"attachment_799\" align=\"alignleft\" width=\"225\"]\""Sherman \"Sherman Hemsley\" by Jack Pearce[/caption]\r\n\r\nFor those who wish to learn how to sketch celebrities, I remind you of the old adage \"learn by doing\".\r\n\r\nIf you want to get better at sketching celebrities, the more you actually put in the practice, the better you will get. That is why ideally, you should get into the habit of practicing every day.\r\n\r\nI have two daily habits I would like to share with you that can help. But first...\r\n\r\nLet\'s remind ourselves why it is a great idea to practice sketching celebrities.\r\n

Why You Should Get in the Habit of Sketching Celebrities

\r\nIf it is your goal to draw realistic renderings of people, you want the people you draw or sketch to look like the actual person. You don\'t have to aim for perfection, but you would at least like the person to be recognizable to others who know him or her.\r\n\r\nIf you only sketch largely unknown faces, people who look at your work will not know who the person is unless you always have a reference photo nearby so they can compare.\r\n\r\nBy sketching celebrities, you can better get a sense of how you are progressing by how easily others can recognize who you drew!\r\n\r\nWhat\'s more, we are constantly inundated by images of celebrities. You will not have to look very far to find celebrity subjects to sketch.\r\n\r\nNow, here are two easy ways you can make a habit out of sketching celebrities on a regular basis....\r\n

Habit #1: Sketch Celebrities from Still Images

\r\nIt is very easy to find still images of celebrities. From the tabloid magazines that line the checkout aisles to the abundance of online celebrity galleries and photos, celebrity images are all around.\r\n\r\nSketching from a still image gives you the advantage of taking your time to really study and understand the unique facial characteristics that make a celebrity recognizable.\r\n\r\nYou can also find multiple images of the same celebrity from which to work. This gives you the advantage of examining traits from multiple angles. Additionally, it will allow you to improve as an artist by creating an original sketch of a recognizable celebrity that is not dependent on just one reference photograph.\r\n\r\nYou should strike a balance of working from both physical publications (like tabloids and magazines) and online media. Keep a stack of celebrity photo resources nearby where you like to sketch. Make a file folder on your computer and save celebrity images you come across that you\'d like to reference someday.\r\n\r\nTo implement this habit on a daily basis, do not put a lot of thought into who you will sketch. Just go to your magazines or computer and take about 60 seconds to choose a celebrity. Then start sketching! Don\'t spend too much time making it perfect. Remember this is just a sketch and you are trying to hone your skills by capturing a likeness.\r\n

Habit #2: Sketch Celebrities from TV and Online Videos

\r\nAs easy as it is to find celebrity still photographs, it is just as easy (if not easier) to just turn on your television!\r\n\r\nThe advantage of working from television, DVD/Blu-ray, online video, or any other video format is similar to working from multiple still images: you get better familiarity of the celebrities special physical traits from multiple perspectives, and you are loosening your dependence on working from one image.\r\n\r\nOf course, this approach does present more of a challenge since your celebrity is in motion. Yes, you could use the option of pausing your video and sketching from the screen shot. However, I would encourage you to watch a video, TV program, or movie all the way through and sketch as you watch. This will give you practice sketching from life, even though the \"life\" is on your TV or computer screen.\r\n\r\nIf you had a live model, surely he or she would be more accommodating and sit or stand still for you, but how many of us have the luxury of asking a celebrity to model for us?\r\n\r\nThink of this as being akin to going to the mall and sketching the wandering shoppers, but you get to sketch celebrities instead!\r\n\r\nTo implement this habit on a daily basis, again....do not put too much thought into it. Just turn on the TV or load one of your favorite Netflix shows and start sketching! Look for which facial traits make your chosen celebrity most recognizable to others and include those traits in your sketch.\r\n

Celebrities Will Appear If You Keep \"Doing\"

\r\nAs I said at the onset, the best way you can learn how to sketch celebrities is by constantly \"doing\" it. Keep the \"doing\" up by sticking to the habit of sketching celebrities every day. The idea is to make quick, rough sketches that still capture a close resemblance. Don\'t worry too much if you don\'t get an accurate likeness every time. If you implement at least one of these two habits on a daily basis, it will get easier for you and the celebrities will begin to appear in a recognizable form on your sketch paper. You will soon see an improvement in the way your sketches resemble the intended celebrity, so keep doing it!','Learn How to Sketch Celebrities by Implementing These Two Daily Habits','','inherit','open','open','','2184-revision-v1','','','2015-07-31 11:36:18','2015-07-31 18:36:18','',2184,'http://www.letsdrawpeople.com/2184-revision-v1/',0,'revision','',0),(2192,2,'2015-07-31 11:55:29','2015-07-31 18:55:29','[caption id=\"attachment_799\" align=\"alignleft\" width=\"225\"]\""Sherman \"Sherman Hemsley\" by Jack Pearce[/caption]\r\n\r\nFor those who wish to learn how to sketch celebrities, I remind you of the old adage \"learn by doing\".\r\n\r\nIf you want to get better at sketching celebrities, the more you actually put in the practice, the better you will get. That is why ideally, you should get into the habit of practicing every day.\r\n\r\nI have two daily habits I would like to share with you that can help. But first...\r\n\r\nLet\'s remind ourselves why it is a great idea to practice sketching celebrities.\r\n

Why You Should Get in the Habit of Sketching Celebrities

\r\nIf it is your goal to draw realistic renderings of people, you want the people you draw or sketch to look like the actual person. You don\'t have to aim for perfection, but you would at least like the person to be recognizable to others who know him or her.\r\n\r\nIf you only sketch largely unknown faces, people who look at your work will not know who the person is unless you always have a reference photo nearby so they can compare.\r\n\r\nBy sketching celebrities, you can better get a sense of how you are progressing by how easily others can recognize who you drew!\r\n\r\nWhat\'s more, we are constantly inundated by images of celebrities. You will not have to look very far to find celebrity subjects to sketch.\r\n\r\nNow, here are two easy ways you can make a habit out of sketching celebrities on a regular basis...\r\n

Habit #1: Sketch Celebrities from Still Images

\r\nIt is very easy to find still images of celebrities. From the tabloid magazines that line the checkout aisles to the abundance of online celebrity galleries and photos, celebrity images are all around.\r\n\r\nSketching from a still image gives you the advantage of taking your time to really study and understand the unique facial characteristics that make a celebrity recognizable.\r\n\r\nYou can also find multiple images of the same celebrity from which to work. This gives you the advantage of examining traits from multiple angles. Additionally, it will allow you to improve as an artist by creating an original sketch of a recognizable celebrity that is not dependent on just one reference photograph.\r\n\r\nYou should strike a balance of working from both physical publications (like tabloids and magazines) and online media. Keep a stack of celebrity photo resources nearby where you like to sketch. Make a file folder on your computer and save celebrity images you come across that you\'d like to reference someday.\r\n\r\nTo implement this habit on a daily basis, do not put a lot of thought into who you will sketch. Just go to your magazines or computer and take about 60 seconds to choose a celebrity. Then start sketching! Don\'t spend too much time making it perfect. Remember this is just a sketch and you are trying to hone your skills by capturing a likeness.\r\n

Habit #2: Sketch Celebrities from TV and Online Videos

\r\nAs easy as it is to find celebrity still photographs, it is just as easy (if not easier) to just turn on your television!\r\n\r\nThe advantage of working from television, DVD/Blu-ray, online video, or any other video format is similar to working from multiple still images: you get better familiarity of the celebrities\' special physical traits from multiple perspectives, and you are loosening your dependence on working from one image.\r\n\r\nOf course, this approach does present more of a challenge since your celebrity is in motion. Yes, you could use the option of pausing your video and sketching from the screen shot. However, I would encourage you to watch a video, TV program, or movie all the way through and sketch as you watch. This will give you practice sketching from life, even though the \"life\" is on your TV or computer screen.\r\n\r\nIf you had a live model, surely he or she would be more accommodating and sit or stand still for you, but how many of us have the luxury of asking a celebrity to model for us?\r\n\r\nThink of this as being akin to going to the mall and sketching the wandering shoppers, but you get to sketch celebrities instead!\r\n\r\nTo implement this habit on a daily basis, again...do not put too much thought into it. Just turn on the TV or load one of your favorite Netflix shows and start sketching! Look for which facial traits make your chosen celebrity most recognizable to others and include those traits in your sketch.\r\n

Celebrities Will Appear If You Keep \"Doing\"

\r\nAs I said at the onset, the best way you can learn how to sketch celebrities is by constantly \"doing\" it. Keep the \"doing\" up by sticking to the habit of sketching celebrities every day. The idea is to make quick, rough celebrity sketches that still capture a close resemblance. Don\'t worry too much if you don\'t get an accurate likeness every time. If you implement at least one of these two habits on a daily basis, it will get easier for you and the celebrities will begin to appear in a recognizable form on your sketch paper. You will soon see an improvement in the way your sketches resemble the intended celebrity, so keep doing it!','Learn How to Sketch Celebrities by Implementing These Two Daily Habits','','inherit','open','open','','2184-revision-v1','','','2015-07-31 11:55:29','2015-07-31 18:55:29','',2184,'http://www.letsdrawpeople.com/2184-revision-v1/',0,'revision','',0),(2198,2,'2015-08-02 11:42:40','2015-08-02 18:42:40','','03 how to draw an old man hair','','inherit','open','open','','03-how-to-draw-an-old-man-hair','','','2015-08-02 11:42:40','2015-08-02 18:42:40','',2193,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/03-how-to-draw-an-old-man-hair.jpg',0,'attachment','image/jpeg',0),(2199,2,'2015-08-02 11:42:43','2015-08-02 18:42:43','','how to draw an old man on his birthday','
© Hartphotography | Dreamstime.com
','inherit','open','open','','how-to-draw-an-old-man-on-his-birthday-2','','','2015-11-26 23:12:41','2015-11-27 07:12:41','',2193,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/how-to-draw-an-old-man-on-his-birthday.jpg',0,'attachment','image/jpeg',0),(2200,2,'2015-08-02 11:42:45','2015-08-02 18:42:45','','02 how to draw an old man facial features','','inherit','open','open','','02-how-to-draw-an-old-man-facial-features','','','2015-08-02 11:42:45','2015-08-02 18:42:45','',2193,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/02-how-to-draw-an-old-man-facial-features.jpg',0,'attachment','image/jpeg',0),(2201,2,'2015-08-02 11:42:47','2015-08-02 18:42:47','','04 how to draw an old man forehead','','inherit','open','open','','04-how-to-draw-an-old-man-forehead','','','2015-08-02 11:42:47','2015-08-02 18:42:47','',2193,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/04-how-to-draw-an-old-man-forehead.jpg',0,'attachment','image/jpeg',0),(2202,2,'2015-08-02 11:42:49','2015-08-02 18:42:49','','01 how to draw an old man guidelines','','inherit','open','open','','01-how-to-draw-an-old-man-guidelines','','','2015-08-02 11:42:49','2015-08-02 18:42:49','',2193,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/01-how-to-draw-an-old-man-guidelines.jpg',0,'attachment','image/jpeg',0),(2203,2,'2015-08-02 11:48:24','2015-08-02 18:48:24','Here is how to draw an old man on his birthday.\r\n\r\nHere is our reference photograph.\r\n\r\n\"how\r\n\r\nDraw the basic guidelines for the face.\r\n\r\n\"01\r\n\r\nDraw the facial features.\r\n\r\n\"02\r\n\r\nErase the guidelines. Then draw the the man\'s hair. This includes the hair on the top of his head as well as his eyebrows and moustache.\r\n\r\n\"03\r\n\r\nDraw wrinkles on the forehead.\r\n\r\n\"04\r\n\r\nDraw wrinkles around the eyes.\r\n\r\n\"05\r\n\r\nDraw wrinkles around the nose and mouth.\r\n\r\n\"06\r\n\r\nThis is how the old man\'s face should look after drawing the wrinkles.\r\n\r\n\"07\r\n\r\nComplete the picture by drawing the details on the birthday hat and the man\'s shirt. I used the straight edge of my circle template to straighten the lines on each side of the birthday hat.\r\n\r\n\"how','How to Draw an Old Man on His Birthday','','inherit','open','open','','2193-revision-v1','','','2015-08-02 11:48:24','2015-08-02 18:48:24','',2193,'http://www.letsdrawpeople.com/2193-revision-v1/',0,'revision','',0),(2204,2,'2015-08-02 12:27:54','2015-08-02 19:27:54','Here is how to draw an old man on his birthday.\r\n\r\nHere is our reference photograph.\r\n\r\n[caption id=\"attachment_2199\" align=\"aligncenter\" width=\"600\"]\"how © Hartphotography | Dreamstime.com[/caption]\r\n\r\nDraw the basic guidelines for the face.\r\n\r\n\"01\r\n\r\nDraw the facial features.\r\n\r\n\"02\r\n\r\nErase the guidelines. Then draw the the man\'s hair. This includes the hair on the top of his head as well as his eyebrows and moustache.\r\n\r\n\"03\r\n\r\nDraw wrinkles on the forehead.\r\n\r\n\"04\r\n\r\nDraw wrinkles around the eyes.\r\n\r\n\"05\r\n\r\nDraw wrinkles around the nose and mouth.\r\n\r\n\"06\r\n\r\nThis is how the old man\'s face should look after drawing the wrinkles.\r\n\r\n\"07\r\n\r\nComplete the picture by drawing the details on the birthday hat and the man\'s shirt. I used the straight edge of my circle template to straighten the lines on each side of the birthday hat.\r\n\r\n\"how','How to Draw an Old Man on His Birthday','','inherit','open','open','','2193-revision-v1','','','2015-08-02 12:27:54','2015-08-02 19:27:54','',2193,'http://www.letsdrawpeople.com/2193-revision-v1/',0,'revision','',0),(2205,2,'2015-08-02 13:00:46','2015-08-02 20:00:46','The face of an older man displays a lifetime of character, experience, and personality. Just as there are differences between drawing children and adults, there are differences between drawing a younger adult and an older adult. If you think drawing an old man is difficult, not to worry! The differences between drawing a young man and an older gentleman are actually very few, in my opinion.\r\n\r\nIn this tutorial, I will show you how to draw an old man on his birthday. Here is the reference photograph we will use throughout the lesson.\r\n\r\n[caption id=\"attachment_2199\" align=\"aligncenter\" width=\"600\"]\"how © Hartphotography | Dreamstime.com[/caption]\r\n\r\n \r\n\r\nI will break this lesson down into two main parts. The first part consists of drawing the basic facial features, which for an old man is no different than for a younger man. The main thing that is different about drawing an old man is properly indicating the placement of wrinkles. The second part of the lesson will cover that.\r\n

Draw the Basics for the Face

\r\nBegin by drawing the basic guidelines for the face. If you know how to draw a face, you should know that the basics for guidelines that place facial features are the same for an adult of any age. Use the diagram below to get you started with properly placed guidelines for this man.\r\n\r\n\"01\r\n\r\nDraw the facial features.\r\n\r\n\"02\r\n\r\nErase the guidelines. Then draw the the man\'s hair. This includes the hair on the top of his head as well as his eyebrows and moustache.\r\n\r\n\"03\r\n\r\n \r\n

How to Draw Wrinkles

\r\nDraw wrinkles on the forehead.\r\n\r\n\"04\r\n\r\nDraw wrinkles around the eyes.\r\n\r\n\"05\r\n\r\nDraw wrinkles around the nose and mouth.\r\n\r\n\"06\r\n\r\nThis is how the old man\'s face should look after drawing the wrinkles.\r\n\r\n\"07\r\n\r\n \r\n\r\n \r\n

Finishing Details

\r\nComplete the picture by drawing the details on the birthday hat and the man\'s shirt. I used the straight edge of my circle template to straighten the lines on each side of the birthday hat.\r\n\r\n\"how','How to Draw an Old Man on His Birthday','','inherit','open','open','','2193-revision-v1','','','2015-08-02 13:00:46','2015-08-02 20:00:46','',2193,'http://www.letsdrawpeople.com/2193-revision-v1/',0,'revision','',0),(2206,2,'2015-08-02 13:03:21','2015-08-02 20:03:21','The face of an older man displays a lifetime of character, experience, and personality. Just as there are differences between drawing children and adults, there are differences between drawing a younger adult and an older adult. If you think drawing an old man is difficult, not to worry! The differences between drawing a young man and an older gentleman are actually very few, in my opinion.\r\n\r\nIn this tutorial, I will show you how to draw an old man on his birthday. Here is the reference photograph we will use throughout the lesson.\r\n\r\n[caption id=\"attachment_2199\" align=\"aligncenter\" width=\"600\"]\"how © Hartphotography | Dreamstime.com[/caption]\r\n\r\n \r\n\r\nI will break this lesson down into two main parts. The first part consists of drawing the basic facial features, which for an old man is no different than for a younger man. The main thing that is different about drawing an old man is properly indicating the placement of wrinkles. The second part of the lesson will cover that.\r\n

Draw the Basics for the Face

\r\nBegin by drawing the basic guidelines for the face. If you know how to draw a face, you should know that the basics for guidelines that place facial features are the same for an adult of any age. Use the diagram below to get you started with properly placed guidelines for this man.\r\n\r\n\"01\r\n\r\nDraw the facial features. See that the eyes, nose, mouth, and ears fit within the parameters of your guidelines.\r\n\r\n\"02\r\n\r\nErase the guidelines with a kneaded eraser for the tight spots. Then draw the the man\'s hair. This includes the hair on the top of his head as well as his eyebrows and moustache.\r\n\r\n\"03\r\n\r\n \r\n

How to Draw Wrinkles

\r\nDraw wrinkles on the forehead.\r\n\r\n\"04\r\n\r\nDraw wrinkles around the eyes.\r\n\r\n\"05\r\n\r\nDraw wrinkles around the nose and mouth.\r\n\r\n\"06\r\n\r\nThis is how the old man\'s face should look after drawing the wrinkles.\r\n\r\n\"07\r\n\r\n \r\n\r\n \r\n

Finishing Details

\r\nComplete the picture by drawing the details on the birthday hat and the man\'s shirt. I used the straight edge of my circle template to straighten the lines on each side of the birthday hat.\r\n\r\n\"how','How to Draw an Old Man on His Birthday','','inherit','open','open','','2193-revision-v1','','','2015-08-02 13:03:21','2015-08-02 20:03:21','',2193,'http://www.letsdrawpeople.com/2193-revision-v1/',0,'revision','',0),(2207,2,'2015-08-02 13:37:57','2015-08-02 20:37:57','The face of an older man displays a lifetime of character, experience, and personality. Just as there are differences between drawing children and adults, there are differences between drawing a younger adult and an older adult. If you think drawing an old man is difficult, not to worry! The differences between drawing a young man and an older gentleman are actually very few, in my opinion.\r\n\r\nIn this tutorial, I will show you how to draw an old man on his birthday. Here is the reference photograph we will use throughout the lesson.\r\n\r\n[caption id=\"attachment_2199\" align=\"aligncenter\" width=\"600\"]\"how © Hartphotography | Dreamstime.com[/caption]\r\n\r\n \r\n\r\nI will break this lesson down into two main parts. The first part consists of drawing the basic facial features, which for an old man is no different than for a younger man. The main thing that is different about drawing an old man is properly indicating the placement of wrinkles. The second part of the lesson will cover that.\r\n

Draw the Basics for the Face

\r\nBegin by drawing the basic guidelines for the face. You can use any kind of pencil you want, but I found my mechanical pencil especially helpful for the many fine lines that are called for in later steps of this tutorial.\r\n\r\nIf you know how to draw a face, you should know that the basics for guidelines that place facial features are the same for an adult of any age. Use the diagram below to get you started with properly placed guidelines for this man.\r\n\r\n\"01\r\n\r\n \r\n\r\nDraw the facial features. See that the eyes, nose, mouth, and ears fit within the parameters of your guidelines. Use a circle template to draw the perfectly round circles forming each iris.\r\n\r\n\"02\r\n\r\n \r\n\r\nErase the guidelines with a kneaded eraser for the tight spots. Then draw the the man\'s hair. This includes the hair on the top of his head as well as his eyebrows and moustache.\r\n\r\n\"03\r\n\r\n \r\n

How to Draw Wrinkles

\r\nNow let\'s see how to draw wrinkles that would realistically appear on an old man. Begin by drawing wrinkles on the forehead. These are often called \"worry lines\". But how many should you draw? I count about four rows on our subject. They should be somewhat disconnected and follow the curvature of the skull.\r\n\r\n\"04\r\n\r\n \r\n\r\nDraw wrinkles around the eyes. As you can see, lots of wrinkles form around the eyes as we get older. But where do you begin? Use the image below to guide you. Except for the frown lines shown by the green arrow, the wrinkles indicated by the other arrows should be duplicated on both sides of the face. These include wrinkles above the eyebrows (blue), crow\'s feet (red), \"bags\" under the eyes (yellow), and even a wrinkle on each eyelid (purple).\r\n\r\n\"05\r\n\r\n \r\n\r\nDraw wrinkles around the nose and mouth. These include lines that come down the cheeks from the eyes (blue), the nasolabial folds or \"smile lines\" (red), and wrinkles along the sides of the cheeks beside the mouth (green) and under the mouth for the chin (yellow).\r\n\r\n\"06\r\n\r\n \r\n\r\nThis is how the old man\'s face should look after drawing the wrinkles.\r\n\r\n\"07\r\n\r\n \r\n

Finishing Details

\r\nComplete the picture by drawing the details on the birthday hat and the man\'s shirt. Make the cone atop the man\'s head look like a birthday hat with a few balloons, ribbons, and stars. I used the straight edge of my circle template to straighten the lines on each side of the birthday hat. Make an open collar and a few carefully placed folds for the man\'s shirt. Remember to draw a few wrinkles that indicate the man\'s neck.\r\n\r\n\"how\r\n\r\n \r\n\r\nThese steps will leave you with a completed line drawing of an old man. If you want to take your drawing to the next level, you can feel free to add some shading. You can also leave it as is, your choice!\r\n\r\nThat concludes this tutorial on how to draw an old man. Aside from some well-placed lines to reflect age and experience, you can now see that drawing an old man is really no different from drawing any other man!','How to Draw an Old Man on His Birthday','','inherit','open','open','','2193-revision-v1','','','2015-08-02 13:37:57','2015-08-02 20:37:57','',2193,'http://www.letsdrawpeople.com/2193-revision-v1/',0,'revision','',0),(2208,2,'2015-08-02 13:50:42','2015-08-02 20:50:42','The face of an older man displays a lifetime of character, experience, and personality. Just as there are differences between drawing children and adults, there are differences between drawing a younger adult and an older adult. If you think drawing an old man is difficult, not to worry! The differences between drawing a young man and an older gentleman are actually very few, in my opinion.\r\n\r\nIn this tutorial, I will show you how to draw an old man on his birthday. Here is the reference photograph we will use throughout the lesson.\r\n\r\n[caption id=\"attachment_2199\" align=\"aligncenter\" width=\"600\"]\"how © Hartphotography | Dreamstime.com[/caption]\r\n\r\n \r\n\r\nI will break this lesson down into two main parts. The first part consists of drawing the basic facial features, which for an old man is no different than for a younger man. The main thing that is different about drawing an old man is properly indicating the placement of wrinkles. The second part of the lesson will cover that.\r\n

Draw the Basics for the Face

\r\nBegin by drawing the basic guidelines for the face. You can use any kind of pencil you want, but I found my mechanical pencil especially helpful for the many fine lines that are called for in later steps of this tutorial.\r\n\r\nIf you know how to draw a face, you should know that the basics for guidelines that place facial features are the same for an adult of any age. Use the diagram below to get you started with properly placed guidelines for this man.\r\n\r\n\"01\r\n\r\n \r\n\r\nDraw the facial features. See that the eyes, nose, mouth, and ears fit within the parameters of your guidelines. Use a circle template to draw the perfectly round circles forming each iris.\r\n\r\n\"02\r\n\r\n \r\n\r\nErase the guidelines with a kneaded eraser for the tight spots. Then draw the the man\'s hair. This includes the hair on the top of his head as well as his eyebrows and moustache.\r\n\r\n\"03\r\n\r\n \r\n

How to Draw Wrinkles

\r\nNow let\'s see how to draw wrinkles that would realistically appear on an old man. Begin by drawing wrinkles on the forehead. These are often called \"worry lines\". But how many should you draw? I count about four rows on our subject. They should be somewhat disconnected and follow the curvature of the skull.\r\n\r\n\"04\r\n\r\n \r\n\r\nDraw wrinkles around the eyes. As you can see, lots of wrinkles form around the eyes as we get older. But where do you begin? Use the image below to guide you. Except for the frown lines shown by the green arrow, the wrinkles indicated by the other arrows should be duplicated on both sides of the face. These include wrinkles above the eyebrows (blue), crow\'s feet (red), \"bags\" under the eyes (yellow), and even a wrinkle on each eyelid (purple).\r\n\r\n\"05\r\n\r\n \r\n\r\nDraw wrinkles around the nose and mouth. These include lines that come down the cheeks from the eyes (blue), the nasolabial folds or \"smile lines\" (red), and wrinkles along the sides of the cheeks beside the mouth (green) and under the mouth for the chin (yellow).\r\n\r\n\"06\r\n\r\n \r\n\r\nThis is how the old man\'s face should look after drawing the wrinkles.\r\n\r\n\"07\r\n\r\n \r\n

Finishing Details

\r\nFinish the man\'s face. Draw some subtle, barely-noticeable eyelids. He has a couple of moles on his forehead you can draw. Additionally, draw strands of hair to make the top of his head, his eyebrows, and his moustache fuller.\r\n\r\nComplete the picture by drawing the details on the birthday hat and the man\'s shirt. Make the cone atop the man\'s head look like a birthday hat with a few balloons, ribbons, and stars. I used the straight edge of my circle template to straighten the lines on each side of the birthday hat. Make an open collar and a few carefully placed folds for the man\'s shirt. Remember to draw a few wrinkles that indicate the man\'s neck.\r\n\r\n\"how\r\n\r\nThese steps will leave you with a completed line drawing of an old man. If you want to take your drawing to the next level, you can feel free to add some shading. You can also leave it as is, your choice!\r\n\r\nThat concludes this tutorial on how to draw an old man. Aside from some well-placed lines to reflect age and experience, you can now see that drawing an old man is really no different than drawing any other man!','How to Draw an Old Man on His Birthday','','inherit','open','open','','2193-revision-v1','','','2015-08-02 13:50:42','2015-08-02 20:50:42','',2193,'http://www.letsdrawpeople.com/2193-revision-v1/',0,'revision','',0),(2209,2,'2015-08-02 13:53:59','2015-08-02 20:53:59','The face of an older man displays a lifetime of character, experience, and personality. Just as there are differences between drawing children and adults, there are differences between drawing a younger adult and an older adult. If you think drawing an old man is difficult, not to worry! The differences between drawing a young man and an older gentleman are actually very few, in my opinion.\r\n\r\nIn this tutorial, I will show you how to draw an old man on his birthday. Here is the reference photograph we will use throughout the lesson.\r\n\r\n[caption id=\"attachment_2199\" align=\"aligncenter\" width=\"600\"]\"how © Hartphotography | Dreamstime.com[/caption]\r\n\r\n \r\n\r\nI will break this lesson down into two main parts. The first part consists of drawing the basic facial features, which for an old man is no different than for a younger man. The main thing that is different about drawing an old man is properly indicating the placement of wrinkles. The second part of the lesson will cover that.\r\n

Draw the Basics for the Face

\r\nBegin by drawing the basic guidelines for the face. You can use any kind of pencil you want, but I found my mechanical pencil especially helpful for the many fine lines that are called for in later steps of this tutorial.\r\n\r\nIf you know how to draw a face, you should know that the basics for guidelines that place facial features are the same for an adult of any age. Use the diagram below to get you started with properly placed guidelines for this man.\r\n\r\n\"01\r\n\r\n \r\n\r\nDraw the facial features. See that the eyes, nose, mouth, and ears fit within the parameters of your guidelines. Use a circle template to draw the perfectly round circles forming each iris.\r\n\r\n\"02\r\n\r\n \r\n\r\nErase the guidelines with a kneaded eraser for the tight spots. Then draw the the man\'s hair. This includes the hair on the top of his head as well as his eyebrows and moustache.\r\n\r\n\"03\r\n\r\n \r\n

How to Draw Wrinkles

\r\nNow let\'s see how to draw wrinkles that would realistically appear on an old man. Begin by drawing wrinkles on the forehead. These are often called \"worry lines\". But how many should you draw? I count about four rows on our subject. They should be somewhat disconnected and follow the curvature of the skull.\r\n\r\n\"04\r\n\r\n \r\n\r\nDraw wrinkles around the eyes. As you can see, lots of wrinkles form around the eyes as we get older. But where do you begin? Use the image below to guide you. Except for the frown lines shown by the green arrow, the wrinkles indicated by the other arrows should be duplicated on both sides of the face. These include wrinkles above the eyebrows (blue), crow\'s feet (red), \"bags\" under the eyes (yellow), and even a wrinkle on each eyelid (purple).\r\n\r\n\"05\r\n\r\n \r\n\r\nDraw wrinkles around the nose and mouth. These include lines that come down the cheeks from the eyes (blue), the nasolabial folds or \"smile lines\" (red), and wrinkles along the sides of the cheeks beside the mouth (green) and under the mouth for the chin (yellow).\r\n\r\n\"06\r\n\r\n \r\n\r\nThis is how the old man\'s face should look after drawing the wrinkles.\r\n\r\n\"07\r\n\r\n \r\n

Finishing Details

\r\nFinish the man\'s face. Draw some subtle, barely-noticeable eyelids. He has a couple of moles on his forehead you can draw. Additionally, draw strands of hair to make the top of his head, his eyebrows, and his moustache fuller.\r\n\r\nComplete the picture by drawing the details on the birthday hat and the man\'s shirt. Make the cone atop the man\'s head look like a birthday hat with a few balloons, ribbons, and stars. I used the straight edge of my circle template to straighten the lines on each side of the birthday hat. Draw a string from the hat that goes around the man\'s chin. Make an open collar and a few carefully placed folds for the man\'s shirt. Remember to draw a few wrinkles that indicate the man\'s neck.\r\n\r\n\"how\r\n\r\nThese steps will leave you with a completed line drawing of an old man. If you want to take your drawing to the next level, you can feel free to add some shading. You can also leave it as is, your choice!\r\n\r\nThat concludes this tutorial on how to draw an old man. Aside from some well-placed lines to reflect age and experience, you can now see that drawing an old man is really no different than drawing any other man!','How to Draw an Old Man on His Birthday','','inherit','open','open','','2193-revision-v1','','','2015-08-02 13:53:59','2015-08-02 20:53:59','',2193,'http://www.letsdrawpeople.com/2193-revision-v1/',0,'revision','',0),(2214,2,'2015-08-08 19:02:22','2015-08-09 02:02:22','It is important to remember that teeth are very unique from one person to the next. These unique characteristics of teeth play a large part in shaping a person\'s appearance.\r\n\r\nThis tutorial will show how to draw teeth for a person who is looking directly ahead and smiling. Again, just as individual teeth are unique, individual smiles are also unique. Some smiles, either naturally or purposefully, will show more teeth than others. Some smiles show the top and bottom teeth while other smiles barely reveal any bottom teeth at all.\r\n\r\nThe size generalizations can be applied to almost anyone\'s teeth.\r\n\r\nWhen not using this technique, I tend to draw the lips first before drawing any teeth. However, lips would have gotten in the way of showing you the first part of the childhood shortcut.','This Childhood Shortcut Will Show You How to Draw Teeth','','inherit','open','open','','2211-revision-v1','','','2015-08-08 19:02:22','2015-08-09 02:02:22','',2211,'http://www.letsdrawpeople.com/2211-revision-v1/',0,'revision','',0),(2215,2,'2015-08-09 09:45:27','2015-08-09 16:45:27','','names of the teeth','','inherit','open','open','','names-of-the-teeth','','','2015-08-09 09:45:27','2015-08-09 16:45:27','',2211,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/names-of-the-teeth.jpg',0,'attachment','image/jpeg',0),(2216,2,'2015-08-09 09:45:29','2015-08-09 16:45:29','','how to draw teeth','\"Teeth\" by Jack Pearce','inherit','open','open','','how-to-draw-teeth','','','2016-01-23 23:41:51','2016-01-24 07:41:51','',2211,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/how-to-draw-teeth.jpg',0,'attachment','image/jpeg',0),(2217,2,'2015-08-09 09:45:32','2015-08-09 16:45:32','','12 how to draw teeth lips','','inherit','open','open','','12-how-to-draw-teeth-lips','','','2015-08-09 09:45:32','2015-08-09 16:45:32','',2211,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/12-how-to-draw-teeth-lips.jpg',0,'attachment','image/jpeg',0),(2218,2,'2015-08-09 09:45:34','2015-08-09 16:45:34','','how to draw teeth ref','
© Igor Mojzes | Dreamstime.com
','inherit','open','open','','how-to-draw-teeth-ref','','','2015-08-09 10:16:00','2015-08-09 17:16:00','',2211,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/how-to-draw-teeth-ref.jpg',0,'attachment','image/jpeg',0),(2219,2,'2015-08-09 09:45:37','2015-08-09 16:45:37','','08 how to draw teeth bottom central incisors','','inherit','open','open','','08-how-to-draw-teeth-bottom-central-incisors','','','2015-08-09 09:45:37','2015-08-09 16:45:37','',2211,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/08-how-to-draw-teeth-bottom-central-incisors.jpg',0,'attachment','image/jpeg',0),(2220,2,'2015-08-09 09:45:39','2015-08-09 16:45:39','','10 how to draw teeth bottom canines','','inherit','open','open','','10-how-to-draw-teeth-bottom-canines','','','2015-08-09 09:45:39','2015-08-09 16:45:39','',2211,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/10-how-to-draw-teeth-bottom-canines.jpg',0,'attachment','image/jpeg',0),(2221,2,'2015-08-09 09:45:41','2015-08-09 16:45:41','','09 how to draw teeth bottom lateral incisors','','inherit','open','open','','09-how-to-draw-teeth-bottom-lateral-incisors','','','2015-08-09 09:45:41','2015-08-09 16:45:41','',2211,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/09-how-to-draw-teeth-bottom-lateral-incisors.jpg',0,'attachment','image/jpeg',0),(2222,2,'2015-08-09 09:45:44','2015-08-09 16:45:44','','04 how to draw teeth guidelines for left teeth','','inherit','open','open','','04-how-to-draw-teeth-guidelines-for-left-teeth','','','2015-08-09 09:45:44','2015-08-09 16:45:44','',2211,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/04-how-to-draw-teeth-guidelines-for-left-teeth.jpg',0,'attachment','image/jpeg',0),(2223,2,'2015-08-09 09:45:47','2015-08-09 16:45:47','','03 how to draw teeth guidelines for right teeth','','inherit','open','open','','03-how-to-draw-teeth-guidelines-for-right-teeth','','','2015-08-09 09:45:47','2015-08-09 16:45:47','',2211,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/03-how-to-draw-teeth-guidelines-for-right-teeth.jpg',0,'attachment','image/jpeg',0),(2224,2,'2015-08-09 09:45:50','2015-08-09 16:45:50','','02 how to draw teeth guidelines for sections','','inherit','open','open','','02-how-to-draw-teeth-guidelines-for-sections','','','2015-08-09 09:45:50','2015-08-09 16:45:50','',2211,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/02-how-to-draw-teeth-guidelines-for-sections.jpg',0,'attachment','image/jpeg',0),(2225,2,'2015-08-09 09:45:52','2015-08-09 16:45:52','','07 how to draw teeth top canines','','inherit','open','open','','07-how-to-draw-teeth-top-canines','','','2015-08-09 09:45:52','2015-08-09 16:45:52','',2211,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/07-how-to-draw-teeth-top-canines.jpg',0,'attachment','image/jpeg',0),(2226,2,'2015-08-09 09:45:55','2015-08-09 16:45:55','','05 how to draw teeth top central incisors','','inherit','open','open','','05-how-to-draw-teeth-top-central-incisors','','','2015-08-09 09:45:55','2015-08-09 16:45:55','',2211,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/05-how-to-draw-teeth-top-central-incisors.jpg',0,'attachment','image/jpeg',0),(2227,2,'2015-08-09 09:45:57','2015-08-09 16:45:57','','11 how to draw teeth erase guidelines','','inherit','open','open','','11-how-to-draw-teeth-erase-guidelines','','','2015-08-09 09:45:57','2015-08-09 16:45:57','',2211,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/11-how-to-draw-teeth-erase-guidelines.jpg',0,'attachment','image/jpeg',0),(2228,2,'2015-08-09 09:46:00','2015-08-09 16:46:00','','06 how to draw teeth top lateral incisors','','inherit','open','open','','06-how-to-draw-teeth-top-lateral-incisors','','','2015-08-09 09:46:00','2015-08-09 16:46:00','',2211,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/06-how-to-draw-teeth-top-lateral-incisors.jpg',0,'attachment','image/jpeg',0),(2229,2,'2015-08-09 09:46:03','2015-08-09 16:46:03','','01 how to draw teeth outline','','inherit','open','open','','01-how-to-draw-teeth-outline','','','2015-08-09 09:46:03','2015-08-09 16:46:03','',2211,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/01-how-to-draw-teeth-outline.jpg',0,'attachment','image/jpeg',0),(2230,2,'2015-08-09 10:09:06','2015-08-09 17:09:06','Of all the facial features that exist, teeth have to rank as one of the most challenging to draw. First of all, each tooth seems to have its own special shape. Not to mention there are so many of them!\r\n\r\nTeeth are very unique from one person to the next. The unique characteristics of teeth play a large part in shaping a person\'s appearance. If you are trying to capture a strong likeness of a person, the way you portray that person\'s teeth can make or break your portrait.\r\n\r\nHowever, teeth were not always so difficult to draw. If you have ever drawn teeth as a child, they may have looked something like this:\r\n\r\n\"04\r\n\r\nThis cartoonish version of teeth is how I remember drawing them many times as a child. Surely I am not the only one.\r\n\r\nAhh, the good ol\' days! If only we could still draw teeth this quickly and easily and have the same satisfaction we did back then.\r\n\r\nWell, I am not saying we can get away with this as an adult trying to draw realistic teeth. What I will tell you is there is a way to use this childhood drawing to our advantage, as a shortcut.\r\n\r\nThis tutorial will show how to draw teeth for a person who is looking directly ahead and smiling. The childish drawing of teeth seen above can actually be used as helpful guidelines to get you started.\r\n\r\n \r\n\r\n \r\n\r\nAgain, just as individual teeth are unique, individual smiles are also unique. Some smiles, either naturally or purposefully, will show more teeth than others. Some smiles show the top and bottom teeth while other smiles barely reveal any bottom teeth at all.\r\n\r\nThe size generalizations can be applied to almost anyone\'s teeth.\r\n\r\nWhen not using this technique, I tend to draw the lips first before drawing any teeth. However, lips would have gotten in the way of showing you the first part of the childhood shortcut.\r\n\r\n ','This Childhood Shortcut Will Show You How to Draw Teeth','','inherit','open','open','','2211-revision-v1','','','2015-08-09 10:09:06','2015-08-09 17:09:06','',2211,'http://www.letsdrawpeople.com/2211-revision-v1/',0,'revision','',0),(2231,2,'2015-08-09 10:21:33','2015-08-09 17:21:33','Of all the facial features that exist, teeth have to rank as one of the most challenging to draw. First of all, each tooth seems to have its own special shape. Not to mention there are so many of them!\r\n\r\nTeeth are very unique from one person to the next. The unique characteristics of teeth play a large part in shaping a person\'s appearance. If you are trying to capture a strong likeness of a person, the way you portray that person\'s teeth can make or break your portrait.\r\n\r\nHowever, teeth were not always so difficult to draw. If you have ever drawn teeth as a child, they may have looked something like this:\r\n\r\n\"04\r\n\r\nThis cartoonish version of teeth is how I remember drawing them many times as a child. Surely I am not the only one.\r\n\r\nAhh, the good ol\' days! If only we could still draw teeth this quickly and easily and have the same satisfaction we did back then.\r\n\r\nWell, I am not saying we can get away with this as an adult trying to draw realistic teeth. What I will tell you is there is a way to use this childhood drawing to our advantage, as a shortcut.\r\n\r\nThis tutorial will show how to draw teeth for a person who is looking directly ahead and smiling. The childish drawing of teeth seen above can actually be used as helpful guidelines to get you started.\r\n\r\nAgain, just as individual teeth are unique, individual smiles are also unique. Some smiles, either naturally or purposefully, will show more teeth than others. Some smiles show the top and bottom teeth while other smiles barely reveal any bottom teeth at all.\r\n\r\nThe following reference photograph will serve as good practice since it is a natural-looking smile that reveals bottom teeth as well as the top teeth.\r\n\r\n[caption id=\"attachment_2218\" align=\"aligncenter\" width=\"800\"]\"
© Igor Mojzes | Dreamstime.com
[/caption]\r\n

Identifying the Teeth to Be Drawn

\r\nWhen learning how to draw teeth, I found it very helpful to have an understanding of the different kinds of teeth in the mouth. The image below identifies the names of the teeth that are visible in the photograph.\r\n\r\n\"names\r\n\r\nIt is important to note the obvious: the bottom incisors are much smaller than the top.  The size generalizations can be applied to almost anyone\'s teeth.\r\n\r\nWhen not using this technique, I tend to draw the lips first before drawing any teeth. However, lips would have gotten in the way of showing you the first part of the childhood shortcut.\r\n\r\n ','This Childhood Shortcut Will Show You How to Draw Teeth','','inherit','open','open','','2211-revision-v1','','','2015-08-09 10:21:33','2015-08-09 17:21:33','',2211,'http://www.letsdrawpeople.com/2211-revision-v1/',0,'revision','',0),(2232,2,'2015-08-09 10:33:07','2015-08-09 17:33:07','Of all the facial features that exist, teeth have to rank as one of the most challenging to draw. First of all, each tooth seems to have its own special shape. Not to mention there are so many of them!\r\n\r\nTeeth are very unique from one person to the next. The unique characteristics of teeth play a large part in shaping a person\'s appearance. If you are trying to capture a strong likeness of a person, the way you portray that person\'s teeth can make or break your portrait.\r\n\r\nHowever, teeth were not always so difficult to draw. If you have ever drawn teeth as a child, they may have looked something like this:\r\n\r\n\"04\r\n\r\nThis cartoonish version of teeth is how I remember drawing them many times as a child. Surely I am not the only one.\r\n\r\nAhh, the good ol\' days! If only we could still draw teeth this quickly and easily and have the same satisfaction we did back then.\r\n\r\nWell, I am not saying we can get away with this as an adult trying to draw realistic teeth. What I will tell you is there is a way to use this childhood drawing to our advantage, as a shortcut.\r\n\r\nThis tutorial will show how to draw teeth for a person who is looking directly ahead and smiling. The childish drawing of teeth seen above can actually be used as helpful guidelines to get you started.\r\n\r\nAgain, just as individual teeth are unique, individual smiles are also unique. Some smiles, either naturally or purposefully, will show more teeth than others. Some smiles show the top and bottom teeth while other smiles barely reveal any bottom teeth at all.\r\n\r\nThe following reference photograph will serve as good practice since it is a natural-looking smile that reveals bottom teeth as well as the top teeth.\r\n\r\n[caption id=\"attachment_2218\" align=\"aligncenter\" width=\"800\"]\"
© Igor Mojzes | Dreamstime.com
[/caption]\r\n

Identifying the Teeth to Be Drawn

\r\nWhen learning how to draw teeth, I found it very helpful to have an understanding of the different kinds of teeth in the mouth. The image below identifies the names of the teeth that are visible.\r\n\r\n\"names\r\n\r\nIt is important to note the obvious: the bottom incisors are much smaller than the top. Therefore, this leaves a noticeable slant in the alignment of common teeth types from top to bottom. Although teeth have their own unique characteristics from person to person, the size generalizations seen here can be applied to almost anyone\'s teeth.\r\n\r\nWhen not using this technique, I tend to draw the lips first before drawing any teeth. However, lips would have gotten in the way of showing you the first part of the childhood shortcut.\r\n\r\n ','This Childhood Shortcut Will Show You How to Draw Teeth','','inherit','open','open','','2211-revision-v1','','','2015-08-09 10:33:07','2015-08-09 17:33:07','',2211,'http://www.letsdrawpeople.com/2211-revision-v1/',0,'revision','',0),(2233,2,'2015-08-09 11:12:23','2015-08-09 18:12:23','Of all the facial features that exist, teeth have to rank as one of the most challenging to draw. First of all, each tooth seems to have its own special shape. Not to mention there are so many of them!\r\n\r\nTeeth are very unique from one person to the next. The unique characteristics of teeth play a large part in shaping a person\'s appearance. If you are trying to capture a strong likeness of a person, the way you portray that person\'s teeth can make or break your portrait.\r\n\r\nHowever, teeth were not always so difficult to draw. If you have ever drawn teeth as a child, they may have looked something like this:\r\n\r\n\"04\r\n\r\nThis cartoonish version of teeth is how I remember drawing them many times as a child. Surely I am not the only one.\r\n\r\nAhh, the good ol\' days! If only we could still draw teeth this quickly and easily and have the same satisfaction we did back then.\r\n\r\nWell, I am not saying we can get away with this as an adult trying to draw realistic teeth. What I will tell you is there is a way to use this childhood drawing to our advantage, as a shortcut.\r\n\r\nThis tutorial will show how to draw teeth for a person who is looking directly ahead and smiling. The childish drawing of teeth seen above can actually be used as helpful guidelines to get you started.\r\n\r\nAgain, just as individual teeth are unique, individual smiles are also unique. Some smiles, either naturally or purposefully, will show more teeth than others. Some smiles show the top and bottom teeth while other smiles barely reveal any bottom teeth at all.\r\n\r\nThe following reference photograph will serve as good practice since it is a natural-looking smile that reveals bottom teeth as well as the top teeth.\r\n\r\n[caption id=\"attachment_2218\" align=\"aligncenter\" width=\"800\"]\"
© Igor Mojzes | Dreamstime.com
[/caption]\r\n

Identifying the Teeth to Be Drawn

\r\nWhen learning how to draw teeth, I found it very helpful to have an understanding of the different kinds of teeth in the mouth. The image below identifies the names of the teeth that are visible.\r\n\r\n\"names\r\n\r\nIt is important to note the obvious: the bottom incisors are much smaller than the top. Therefore, this leaves a noticeable slant in the alignment of common teeth types from top to bottom. Although teeth have their own unique characteristics from person to person, the size generalizations seen here can be applied to almost anyone\'s teeth.\r\n

How to Draw the Teeth

\r\nNow let\'s see the steps necessary to draw teeth. The steps below will take you from how to draw light guidelines to drawing the top teeth, bottom teeth, and the back teeth and surrounding mouth.\r\n

Drawing the Childhood Shortcut

\r\nAlthough I am sure you can draw the childhood version of teeth with your eyes closed, I want to point out a couple of things that you will need to know for later. That\'s why I will still walk you through the steps.\r\n\r\nBegin by drawing the outline of the mouth. This will serve as a rough outline for the opening part of the lips later on.\r\n\r\n\"01\r\n\r\n \r\n\r\n \r\n\r\nNext draw a vertical line in the center and a curved horizontal line across. The vertical line will divide the right and left halves of the mouth. The curved line will separate the top and bottom teeth.\r\n\r\n\"02\r\n\r\n \r\n\r\n \r\n\r\nDraw three vertical lines on one side of the center line. Make sure the spacing is wider next to the center line so it can hold the central incisor. The other lines can have narrower spacing between them.\r\n\r\n\"03\r\n\r\n \r\n\r\nRepeat this process on the other side. Here is the childhood version of teeth that we will use as a shortcut to drawing teeth that look a little more \"grown-up\".\r\n\r\n\"04\r\n\r\n \r\n

Drawing the Top Teeth

\r\nThese lines will be the guidelines that will help you to draw the top teeth. Begin by drawing the upper central incisors. You will mostly stay within the limits of the boxes. Curve the upper part of each tooth\'s gum line.\r\n\r\n\"05\r\n\r\nWhen not using this technique, I tend to draw the lips first before drawing any teeth. However, lips would have gotten in the way of showing you the first part of the childhood shortcut.\r\n\r\n ','This Childhood Shortcut Will Show You How to Draw Teeth','','inherit','open','open','','2211-revision-v1','','','2015-08-09 11:12:23','2015-08-09 18:12:23','',2211,'http://www.letsdrawpeople.com/2211-revision-v1/',0,'revision','',0),(2234,2,'2015-08-09 13:22:55','2015-08-09 20:22:55','Of all the facial features that exist, teeth have to rank as one of the most challenging to draw. First of all, each tooth seems to have its own special shape. Not to mention there are so many of them!\r\n\r\nTeeth are very unique from one person to the next. The unique characteristics of teeth play a large part in shaping a person\'s appearance. If you are trying to capture a strong likeness of a person, the way you portray that person\'s teeth can make or break your portrait.\r\n\r\nHowever, teeth were not always so difficult to draw. If you have ever drawn teeth as a child, they may have looked something like this:\r\n\r\n\"04\r\n\r\nThis cartoonish version of teeth is how I remember drawing them many times as a child. Surely I am not the only one.\r\n\r\nAhh, the good ol\' days! If only we could still draw teeth this quickly and easily and have the same satisfaction we did back then.\r\n\r\nWell, I am not saying we can get away with this as an adult trying to draw realistic teeth. What I will tell you is there is a way to use this childhood drawing to our advantage, as a shortcut.\r\n\r\nThis tutorial will show how to draw teeth for a person who is looking directly ahead and smiling. The childish drawing of teeth seen above can actually be used as helpful guidelines to get you started.\r\n\r\nAgain, just as individual teeth are unique, individual smiles are also unique. Some smiles, either naturally or purposefully, will show more teeth than others. Some smiles show the top and bottom teeth while other smiles barely reveal any bottom teeth at all.\r\n\r\nThe following reference photograph will serve as good practice since it is a natural-looking smile that reveals bottom teeth as well as the top teeth.\r\n\r\n[caption id=\"attachment_2218\" align=\"aligncenter\" width=\"800\"]\"
© Igor Mojzes | Dreamstime.com
[/caption]\r\n

Identifying the Teeth to Be Drawn

\r\nWhen learning how to draw teeth, I found it very helpful to have an understanding of the different kinds of teeth in the mouth. The image below identifies the names of the teeth that are visible.\r\n\r\n\"names\r\n\r\nIt is important to note the obvious: the bottom incisors are much smaller than the top. Therefore, this leaves a noticeable slant in the alignment of common teeth types from top to bottom. Although teeth have their own unique characteristics from person to person, the size generalizations seen here can be applied to almost anyone\'s teeth.\r\n

How to Draw the Teeth

\r\nNow let\'s see the steps necessary to draw teeth. The steps below will take you from how to draw light guidelines to drawing the top teeth, bottom teeth, and the back teeth and surrounding mouth.\r\n

Drawing the Childhood Shortcut

\r\nAlthough I am sure you can draw the childhood version of teeth with your eyes closed, I want to point out a couple of things that you will need to know for later. That\'s why I will still walk you through the steps.\r\n\r\nBegin by drawing the outline of the mouth. This will serve as a rough outline for the opening part of the lips later on.\r\n\r\n\"01\r\n\r\n \r\n\r\nNext draw a vertical line in the center and a curved horizontal line across. The vertical line will divide the right and left halves of the mouth. The curved line will separate the top and bottom teeth.\r\n\r\n\"02\r\n\r\n \r\n\r\nDraw three vertical lines on one side of the center line. Make sure the spacing is wider next to the center line so it can hold the central incisor. The other lines can have narrower spacing between them.\r\n\r\n\"03\r\n\r\n \r\n\r\nRepeat this process on the other side. Here is the childhood version of teeth that we will use as a shortcut to drawing teeth that look a little more \"grown-up\".\r\n\r\n\"04\r\n\r\n \r\n

Drawing the Top Teeth

\r\nThese lines will be the guidelines that will help you to draw the top teeth. Begin by drawing the upper central incisors. You will mostly stay within the limits of the boxes. Curve the upper part of each tooth\'s gum line.\r\n\r\n\"05\r\n\r\n \r\n\r\n \r\n\r\nNext draw the upper lateral incisors in a similar way. Also notice the rounded corners.\r\n\r\n\"06\r\n\r\n \r\n\r\nDraw the canines (or cuspids) for the top. Again, you are mostly staying within the boxes, but as you see below, you want to pay close attention to the reference photo of your subject. Most teeth are not the exact size, shape, or position as their counterparts. Draw each tooth as you see it as closely as you can to bring out that uniqueness and individuality.\r\n\r\n\"07\r\n\r\n \r\n

Drawing the Bottom Teeth

\r\nThe guidelines used for the top teeth will not really benefit us for the bottom teeth. If we drew the bottom teeth in the same manner as we did the top, we would have some very unnatural-looking human teeth!\r\n\r\nBegin with the central incisors on the bottom. Again, teeth are not perfect, so the central line is not lined up exactly on the top and bottom for this person. Remember that these incisors are much smaller than the ones on top. I\'d say that on average, these teeth are about one-half to two-thirds the width of their upper counterparts.\r\n\r\n\"08\r\n\r\n \r\n\r\n \r\n\r\nRepeat for the lateral incisors on the bottom. Remember that the curved outline on the bottom is the opening of the lower lip. This person\'s lower lip will be covering some of her lower teeth around the gum line. Below you can see that I am temporarily sketching in the gum line that will be hidden by the lip later.\r\n\r\n\"09\r\n\r\n \r\n\r\nWhen not using this technique, I tend to draw the lips first before drawing any teeth. However, lips would have gotten in the way of showing you the first part of the childhood shortcut.\r\n\r\n ','This Childhood Shortcut Will Show You How to Draw Teeth','','inherit','open','open','','2211-revision-v1','','','2015-08-09 13:22:55','2015-08-09 20:22:55','',2211,'http://www.letsdrawpeople.com/2211-revision-v1/',0,'revision','',0),(2235,2,'2015-08-09 13:51:03','2015-08-09 20:51:03','Of all the facial features that exist, teeth have to rank as one of the most challenging to draw. First of all, each tooth seems to have its own special shape. Not to mention there are so many of them!\r\n\r\nTeeth are very unique from one person to the next. The unique characteristics of teeth play a large part in shaping a person\'s appearance. If you are trying to capture a strong likeness of a person, the way you portray that person\'s teeth can make or break your portrait.\r\n\r\nHowever, teeth were not always so difficult to draw. If you have ever drawn teeth as a child, they may have looked something like this:\r\n\r\n\"04\r\n\r\nThis cartoonish version of teeth is how I remember drawing them many times as a child. Surely I am not the only one.\r\n\r\nAhh, the good ol\' days! If only we could still draw teeth this quickly and easily and have the same satisfaction we did back then.\r\n\r\nWell, I am not saying we can get away with this as an adult trying to draw realistic teeth. What I will tell you is there is a way to use this childhood drawing to our advantage, as a shortcut.\r\n\r\nThis tutorial will show how to draw teeth for a person who is looking directly ahead and smiling. The childish drawing of teeth seen above can actually be used as helpful guidelines to get you started.\r\n\r\nAgain, just as individual teeth are unique, individual smiles are also unique. Some smiles, either naturally or purposefully, will show more teeth than others. Some smiles show the top and bottom teeth while other smiles barely reveal any bottom teeth at all.\r\n\r\nThe following reference photograph will serve as good practice since it is a natural-looking smile that reveals bottom teeth as well as the top teeth.\r\n\r\n[caption id=\"attachment_2218\" align=\"aligncenter\" width=\"800\"]\"
© Igor Mojzes | Dreamstime.com
[/caption]\r\n

Identifying the Teeth to Be Drawn

\r\nWhen learning how to draw teeth, I found it very helpful to have an understanding of the different kinds of teeth in the mouth. The image below identifies the names of the teeth that are visible.\r\n\r\n\"names\r\n\r\nIt is important to note the obvious: the bottom incisors are much smaller than the top. Therefore, this leaves a noticeable slant in the alignment of common teeth types from top to bottom. Although teeth have their own unique characteristics from person to person, the size generalizations seen here can be applied to almost anyone\'s teeth.\r\n

How to Draw the Teeth

\r\nNow let\'s see the steps necessary to draw teeth. The steps below will take you from how to draw light guidelines to drawing the top teeth, bottom teeth, and the back teeth and surrounding mouth.\r\n

Drawing the Childhood Shortcut

\r\nAlthough I am sure you can draw the childhood version of teeth with your eyes closed, I want to point out a couple of things that you will need to know for later. That\'s why I will still walk you through the steps.\r\n\r\nBegin by drawing the outline of the mouth. This will serve as a rough outline for the opening part of the lips later on.\r\n\r\n\"01\r\n\r\n \r\n\r\nNext draw a vertical line in the center and a curved horizontal line across. The vertical line will divide the right and left halves of the mouth. The curved line will separate the top and bottom teeth.\r\n\r\n\"02\r\n\r\n \r\n\r\nDraw three vertical lines on one side of the center line. Make sure the spacing is wider next to the center line so it can hold the central incisor. The other lines can have narrower spacing between them. For a more accurate likeness, pay close attention to the top row of teeth in your reference photo and try to match the spacing as closely as possible.\r\n\r\n\"03\r\n\r\n \r\n\r\nRepeat this process on the other side. Here is the childhood version of teeth that we will use as a shortcut to drawing teeth that look a little more \"grown-up\".\r\n\r\n\"04\r\n\r\n \r\n

Drawing the Top Teeth

\r\nThese lines will be the guidelines that will help you to draw the top teeth. Begin by drawing the upper central incisors. You will mostly stay within the limits of the boxes. Curve the upper part of each tooth\'s gum line.\r\n\r\n\"05\r\n\r\n \r\n\r\n \r\n\r\nNext draw the upper lateral incisors in a similar way. Also notice the rounded corners.\r\n\r\n\"06\r\n\r\n \r\n\r\nDraw the canines (or cuspids) for the top. Again, you are mostly staying within the boxes, but as you see below, you want to pay close attention to the reference photo of your subject. Most teeth are not the exact size, shape, or position as their counterparts. Draw each tooth as you see it as closely as you can to bring out that uniqueness and individuality.\r\n\r\n\"07\r\n\r\n \r\n

Drawing the Bottom Teeth

\r\nThe guidelines used for the top teeth will not really benefit us for the bottom teeth. If we drew the bottom teeth in the same manner as we did the top, we would have some very unnatural-looking human teeth!\r\n\r\nBegin with the central incisors on the bottom. Again, teeth are not perfect, so the central line is not lined up exactly on the top and bottom for this person. Remember that these incisors are much smaller than the ones on top. I\'d say that on average, these teeth are about one-half to two-thirds the width of their upper counterparts.\r\n\r\n\"08\r\n\r\n \r\n\r\n \r\n\r\nRepeat for the lateral incisors on the bottom. Remember that the curved outline on the bottom is the opening of the lower lip. This woman\'s lower lip will be covering some of her lower teeth around the gum line. Below you can see that I am temporarily sketching in the gum line that will be hidden by the lip later.\r\n\r\n\"09\r\n\r\n \r\n\r\nNow draw the lower canines. Make sure you draw them at the proper angle in relation to the top canines.\r\n\r\n\"10\r\n\r\n \r\n\r\n \r\n\r\nErase your guidelines. You should have the twelve most visible teeth from a forward-facing smile, as seen below.\r\n\r\n\"11\r\n\r\n \r\n\r\nWhen not using this technique, I tend to draw the lips first before drawing any teeth. However, lips would have gotten in the way of showing you the first part of the childhood shortcut. Before drawing any more teeth, draw the lips and surrounding mouth area.\r\n\r\n\"12\r\n\r\n \r\n\r\nSince the remaining teeth are curving toward the back of the mouth and partially hidden by each other and the lips, they are much easier to draw now that the lips are done. In my experience with drawing different smiles in this position, most often you can see from two to four teeth past the canines. In our example, you can see the two premolars (or bicuspids) and one of the molars on each side on the top. There are fewer visible on the bottom.\r\n\r\n\"how\r\n\r\n \r\n

Finishing Up

\r\nThat concludes this tutorial on how to draw teeth using a popular childhood sketch as a shortcut! As always, you can go further. You can draw the various highlights on the teeth and gums. You can add more details and even shade your drawing. But remember, if are trying to capture the likeness of a person revealing a large smile in a photograph, it is absolutely crucial that you draw their teeth as closely as possible to how they appear in real life. Not doing so will hinder your efforts of an accurate portrayal, even if other parts of the face are drawn right. Keep this shortcut in mind when you want an easier way to draw teeth that works!\r\n\r\n ','This Childhood Shortcut Will Show You How to Draw Teeth','','inherit','open','open','','2211-revision-v1','','','2015-08-09 13:51:03','2015-08-09 20:51:03','',2211,'http://www.letsdrawpeople.com/2211-revision-v1/',0,'revision','',0),(2308,2,'2015-11-18 05:38:05','2015-11-18 13:38:05','Would you like to draw and write for LetsDrawPeople.com? Would you like to be paid for your contribution?\r\n\r\nWe accept bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on our website on an as-needed basis.\r\n\r\nWe are looking for portrait artists or anyone who is skilled at drawing and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus!\r\n\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. Sometimes a reference photograph will be provided for you, and sometimes you will be given the option of using your own. If you do not own the rights for a good reference photograph, please do not use it. Instead, you can select one from Dreamstime.com. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader.\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\ninfo article link example\r\n\r\nContributors will be paid for each article based on the number of words, the number of images, and the quality of the drawing.\r\n\r\npayment breakdown\r\n\r\n ','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-18 05:38:05','2015-11-18 13:38:05','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2309,2,'2015-11-18 05:40:08','2015-11-18 13:40:08','Would you like to draw and write for LetsDrawPeople.com? Would you like to be paid for your contribution?\r\n\r\nWe accept bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on our website on an as-needed basis.\r\n\r\nWe are looking for portrait artists or anyone who is skilled at drawing and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus!\r\n\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. Sometimes a reference photograph will be provided for you, and sometimes you will be given the option of using your own. If you do not own the rights for a good reference photograph, please do not use it. Instead, you can select one from Dreamstime.com.\r\n\r\nThese tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader.\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\ninfo article link example\r\n\r\nContributors will be paid for each article based on the number of words, the number of images, and the quality of the drawing.\r\n\r\npayment breakdown\r\n\r\n ','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-18 05:40:08','2015-11-18 13:40:08','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2310,2,'2015-11-19 06:09:52','2015-11-19 14:09:52','Would you like to draw and write for LetsDrawPeople.com? Would you like to be paid for your contribution?\r\n\r\nWe are looking for portrait artists or anyone who is skilled at drawing people and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People:\r\n
    \r\n
  • You are a professional portrait artist with your own website.
    • \r\n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \r\n
  • You have your own blog (doesn\'t have to be a drawing blog) and you are a skilled artist who loves to draw in your spare time.
    • \r\n
\r\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\r\n

Content Guidelines

\r\nWe accept bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on our website on an as-needed basis.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\r\n\r\nThe author retains copyright, but we may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\r\n

Payment Details

\r\nContributors will be paid for each article based on the number of words, the number of images, and the quality of the drawing.\r\n\r\npayment breakdown\r\n\r\n \r\n\r\n ','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-19 06:09:52','2015-11-19 14:09:52','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2311,2,'2015-11-19 06:14:48','2015-11-19 14:14:48','Would you like to draw and write for LetsDrawPeople.com? Would you like to be paid for your contribution?\r\n\r\nWe are looking for portrait artists or anyone who is skilled at drawing people and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People:\r\n
    \r\n
  • You are a professional portrait artist with your own website.
    • \r\n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \r\n
  • You have your own blog (doesn\'t have to be a drawing blog) and you are a skilled artist who loves to draw in your spare time.
    • \r\n
\r\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\r\n

Content Guidelines

\r\nWe accept bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on our website on an as-needed basis.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\r\n\r\nThe author retains copyright, but we may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\r\n

Payment Details

\r\nContributors will be paid for each article based on the number of words, the number of images, and the quality of the drawing.\r\n\r\npayment breakdown\r\n\r\nform\r\n\r\nIf you are accepted as a contributor, we will email you to let you know, along with a link to the editorial calendar so you can select which articles you wish to write!\r\n\r\n ','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-19 06:14:48','2015-11-19 14:14:48','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2238,2,'2015-08-15 18:58:56','2015-08-16 01:58:56','You really love to draw pencil portraits.\r\n\r\nYou love creating pencil portrait drawings so much that you practice all the time. As you practice, you get noticeably better and better.\r\n\r\nIn fact, you begin to get so much better that people are beginning to come to you to ask you to draw a portrait for them!\r\n\r\nMaybe you have experienced the scenario above. Or, maybe no one has come to you yet, but you are getting increasingly confident in your ability to render a successful likeness of a person…so confident that you are ready to offer your services to draw pencil portraits for people who are willing to pay you!\r\n\r\nIt is exciting to think that you can go into business for yourself and get paid for something you enjoy doing! However, if you have little to no experience drawing commissioned portraits for clients, you may be asking yourself “Where should I begin setting my pencil portrait drawing prices?”\r\n\r\nThis article aims to guide you in the right direction. It highlights some important factors that will help you develop an appropriate starting price that works for you.\r\n

Where in the Market Do You Want to Be?

\r\n \r\n

Experience and Name Recognition

\r\n \r\n

At What Quality Are Your Pencil Portrait Drawings?

\r\n \r\n

Demand Influences Portrait Prices

\r\n \r\n

The Best Place to Start

','Where Should I Begin Setting Pencil Portrait Drawing Prices?','','inherit','open','open','','2237-revision-v1','','','2015-08-15 18:58:56','2015-08-16 01:58:56','',2237,'http://www.letsdrawpeople.com/2237-revision-v1/',0,'revision','',0),(2240,2,'2015-08-16 10:34:37','2015-08-16 17:34:37','You really love to draw pencil portraits.\r\n\r\nYou love creating pencil portrait drawings so much that you practice all the time. As you practice, you get noticeably better and better.\r\n\r\nIn fact, you begin to get so much better that people are beginning to come to you to ask you to draw a portrait for them!\r\n\r\nMaybe you have experienced the scenario above. Or, maybe no one has come to you yet, but you are getting increasingly confident in your ability to render a successful likeness of a person…so confident that you are ready to offer your services to draw pencil portraits for people who are willing to pay you!\r\n\r\nIt is exciting to think that you can go into business for yourself and get paid for something you enjoy doing! However, if you have little to no experience drawing commissioned portraits for clients, you may be asking yourself “Where should I begin setting my pencil portrait drawing prices?”\r\n\r\nThis article aims to guide you in the right direction. It highlights some important factors that will help you develop an appropriate starting price that works for you.\r\n

Where in the Market Do You Want to Be?

\r\nThere are several popular methods artists use to price their work. One of those methods involves artists pricing their work based on how other artists who create similar pieces are pricing work.\r\n\r\nSo if you want to offer realistic pencil portraits to clients, you would simply research other artists who are selling realistic pencil portraits and take note of their prices.\r\n\r\nYou will find a broad range of starting prices among these artists. What you should do is sort the prices from low to high to get a sense of the market. You can also look at samples of their work. Take this into consideration along with the range of prices and decide where along the spectrum you thing your work should fall.\r\n\r\nYou could do this research on your own by looking up pencil portrait artists on a search engine. If you would rather save some time, I did already compile and sort a list of starting prices from ten pencil portrait artists who sell their services online. I have already made this list available to my newsletter subscribers for free. If you would like your own copy, you can sign up for my newsletter in the box below and I will send you the list!\r\n\r\n \r\n

Experience and Name Recognition

\r\nAnother factor that plays a part in how pencil portraits are priced is the experience and/or name recognition of the artist. Obviously if you are just still learning how to draw portraits, you will not have either of these. This will also be the case if you have been practicing for quite some time but are just now warming up to the possibility of selling your portraits on commission.\r\n\r\nArtists with more experience and name recognition tend to be able to charge higher prices and still secure paying customers. This is for a number of reasons. Artists who have many years of experience in their craft will certainly produce work at a level of quality that is deserving of higher commissions.\r\n\r\nExperience can also come in the form of years in business. Spending more years in the business brings more name recognition in the market. If artists have commissioned portraits for a long time, they understand the business side of the art enough to handle customer service, special requests, and their reputation in a way that builds the kind of trust for which customers are willing to pay more.\r\n

At What Quality Are Your Pencil Portrait Drawings?

\r\nYou should be confident that your pencil portraits are a \"good enough\" quality that other people will be willing to pay you for them.\r\n\r\nThe good news is there are different levels of quality. Some artists at fairs and festivals focus solely on selling sketches of people for $10 to $20 apiece. You could just as easily choose to sell sketches at these prices while working from photographs.\r\n\r\nGenerally speaking, as the quality of work increases, so will the prices. Realistic pencil portraits will cost more than sketches, and hyperrealistic portraits that look like actual photographs will cost a LOT more than your \"average\" realistic portraits.\r\n\r\nMore factors that affect price include size, number of subjects, and amount of detail in the portrait:\r\n
    \r\n
  • A few common sizes artists provide are 8\" x 10\", 11\" x 14\", 16\" x 20\", and even much larger canvases.
    • \r\n
  • A portrait of one single person will cost less than a family portrait of four people.
    • \r\n
  • A portrait can be anything from a head-and-shoulders view to a full-length, head-to-toe view.
    • \r\n
  • Will there be a blank background or a detailed setting?
    • \r\n
  • Is the person in your portrait wearing a plain white t shirt or a fancy blouse with an elaborate pattern that your client requested you to include?
    • \r\n
\r\n

Demand Influences Portrait Prices

\r\n \r\n

The Best Place to Start

\r\nthis list is more than enough to give you an idea of where to start','\"Where Should I Begin Setting Pencil Portrait Drawing Prices?\"','','inherit','open','open','','2237-revision-v1','','','2015-08-16 10:34:37','2015-08-16 17:34:37','',2237,'http://www.letsdrawpeople.com/2237-revision-v1/',0,'revision','',0),(2241,2,'2015-08-16 10:52:39','2015-08-16 17:52:39','You really love to draw pencil portraits.\r\n\r\nYou love creating pencil portrait drawings so much that you practice all the time. As you practice, you get noticeably better and better.\r\n\r\nIn fact, you begin to get so much better that people are beginning to come to you to ask you to draw a portrait for them!\r\n\r\nMaybe you have experienced the scenario above. Or, maybe no one has come to you yet, but you are getting increasingly confident in your ability to render a successful likeness of a person…so confident that you are ready to offer your services to draw pencil portraits for people who are willing to pay you!\r\n\r\nIt is exciting to think that you can go into business for yourself and get paid for something you enjoy doing! However, if you have little to no experience drawing commissioned portraits for clients, you may be asking yourself “Where should I begin setting my pencil portrait drawing prices?”\r\n\r\nThis article aims to guide you in the right direction. It highlights some important factors that will help you develop an appropriate starting price that works for you.\r\n

Where in the Market Do You Want to Be?

\r\nThere are several popular methods artists use to price their work. One of those methods involves artists pricing their work based on how other artists who create similar pieces are pricing work.\r\n\r\nSo if you want to offer realistic pencil portraits to clients, you would simply research other artists who are selling realistic pencil portraits and take note of their prices.\r\n\r\nYou will find a broad range of starting prices among these artists. What you should do is sort the prices from low to high to get a sense of the market. You can also look at samples of their work. Take this into consideration along with the range of prices and decide where along the spectrum you thing your work should fall.\r\n\r\nYou could do this research on your own by looking up pencil portrait artists on a search engine. If you would rather save some time, I did already compile and sort a list of starting prices from ten pencil portrait artists who sell their services online. I have already made this list available to my newsletter subscribers for free. If you would like your own copy, you can sign up for my newsletter in the box below and I will send you the list!\r\n\r\n \r\n

Experience and Name Recognition

\r\nAnother factor that plays a part in how pencil portraits are priced is the experience and/or name recognition of the artist. Obviously if you are just still learning how to draw portraits, you will not have either of these. This will also be the case if you have been practicing for quite some time but are just now warming up to the possibility of selling your portraits on commission.\r\n\r\nArtists with more experience and name recognition tend to be able to charge higher prices and still secure paying customers. This is for a number of reasons. Artists who have many years of experience in their craft will certainly produce work at a level of quality that is deserving of higher commissions.\r\n\r\nExperience can also come in the form of years in business. Spending more years in the business brings more name recognition in the market. If artists have commissioned portraits for a long time, they understand the business side of the art enough to handle customer service, special requests, and their reputation in a way that builds the kind of trust for which customers are willing to pay more.\r\n

At What Quality Are Your Pencil Portrait Drawings?

\r\nYou should be confident that your pencil portraits are a \"good enough\" quality that other people will be willing to pay you for them.\r\n\r\nThe good news is there are different levels of quality. Some artists at fairs and festivals focus solely on selling sketches of people for $10 to $20 apiece. You could just as easily choose to sell sketches at these prices while working from photographs.\r\n\r\nGenerally speaking, as the quality of work increases, so will the prices. Realistic pencil portraits will cost more than sketches, and hyperrealistic portraits that look like actual photographs will cost a LOT more than your \"average\" realistic portraits.\r\n\r\nMore factors that affect price include size, number of subjects, and amount of detail in the portrait:\r\n
    \r\n
  • A few common sizes artists provide are 8\" x 10\", 11\" x 14\", 16\" x 20\", and even much larger canvases.
    • \r\n
  • A portrait of one single person will cost less than a family portrait of four people.
    • \r\n
  • A portrait can be anything from a head-and-shoulders view to a full-length, head-to-toe view.
    • \r\n
  • Will there be a blank background or a detailed setting?
    • \r\n
  • Is the person in your portrait wearing a plain white t shirt or a fancy blouse with an elaborate pattern that your client requested you to include?
    • \r\n
\r\n

The Best Place to Start

\r\nIf you are just starting out, the best place to start is with very low prices. Start on the low end of your market research for realistic pencil portraits. If you are selling sketches, start even lower. At the same time, know that it is a balancing act and you don\'t want to undersell your work and your value.\r\n\r\nRemember that you can get my compiled list of starting prices and save time from all the research by signing up for my newsletter. This list is more than enough to give you an idea of where to start.\r\n\r\nOne final note: demand influences prices. As you gain experience and more customers than you can handle in a timely manner, it is okay to gradually raise your pencil portrait drawing prices. You should find over a number of years that as your value and name recognition increase, demand for your work continues to climb even with higher prices!','\"Where Should I Begin Setting Pencil Portrait Drawing Prices?\"','','inherit','open','open','','2237-revision-v1','','','2015-08-16 10:52:39','2015-08-16 17:52:39','',2237,'http://www.letsdrawpeople.com/2237-revision-v1/',0,'revision','',0),(2242,2,'2015-08-16 11:25:57','2015-08-16 18:25:57','','pencil portrait drawing','
© I-bag | Dreamstime.com
','inherit','open','open','','pencil-portrait-drawing','','','2015-11-26 23:14:18','2015-11-27 07:14:18','',2237,'http://www.letsdrawpeople.com/wp-content/uploads/2015/08/pencil-portrait-drawing.jpg',0,'attachment','image/jpeg',0),(2243,2,'2015-08-16 11:26:29','2015-08-16 18:26:29','\"pencilYou really love to draw pencil portraits.\r\n\r\nYou love creating pencil portrait drawings so much that you practice all the time. As you practice, you get noticeably better and better.\r\n\r\nIn fact, you begin to get so much better that people are beginning to come to you to ask you to draw a portrait for them!\r\n\r\nMaybe you have experienced the scenario above. Or, maybe no one has come to you yet, but you are getting increasingly confident in your ability to render a successful likeness of a person…so confident that you are ready to offer your services to draw pencil portraits for people who are willing to pay you!\r\n\r\nIt is exciting to think that you can go into business for yourself and get paid for something you enjoy doing! However, if you have little to no experience drawing commissioned portraits for clients, you may be asking yourself “Where should I begin setting my pencil portrait drawing prices?”\r\n\r\nThis article aims to guide you in the right direction. It highlights some important factors that will help you develop an appropriate starting price that works for you.\r\n

Where in the Market Do You Want to Be?

\r\nThere are several popular methods artists use to price their work. One of those methods involves artists pricing their work based on how other artists who create similar pieces are pricing work.\r\n\r\nSo if you want to offer realistic pencil portraits to clients, you would simply research other artists who are selling realistic pencil portraits and take note of their prices.\r\n\r\nYou will find a broad range of starting prices among these artists. What you should do is sort the prices from low to high to get a sense of the market. You can also look at samples of their work. Take this into consideration along with the range of prices and decide where along the spectrum you thing your work should fall.\r\n\r\nYou could do this research on your own by looking up pencil portrait artists on a search engine. If you would rather save some time, I did already compile and sort a list of starting prices from ten pencil portrait artists who sell their services online. I have already made this list available to my newsletter subscribers for free. If you would like your own copy, you can sign up for my newsletter in the box below and I will send you the list!\r\n\r\n \r\n

Experience and Name Recognition

\r\nAnother factor that plays a part in how pencil portraits are priced is the experience and/or name recognition of the artist. Obviously if you are just still learning how to draw portraits, you will not have either of these. This will also be the case if you have been practicing for quite some time but are just now warming up to the possibility of selling your portraits on commission.\r\n\r\nArtists with more experience and name recognition tend to be able to charge higher prices and still secure paying customers. This is for a number of reasons. Artists who have many years of experience in their craft will certainly produce work at a level of quality that is deserving of higher commissions.\r\n\r\nExperience can also come in the form of years in business. Spending more years in the business brings more name recognition in the market. If artists have commissioned portraits for a long time, they understand the business side of the art enough to handle customer service, special requests, and their reputation in a way that builds the kind of trust for which customers are willing to pay more.\r\n

At What Quality Are Your Pencil Portrait Drawings?

\r\nYou should be confident that your pencil portraits are a \"good enough\" quality that other people will be willing to pay you for them.\r\n\r\nThe good news is there are different levels of quality. Some artists at fairs and festivals focus solely on selling sketches of people for $10 to $20 apiece. You could just as easily choose to sell sketches at these prices while working from photographs.\r\n\r\nGenerally speaking, as the quality of work increases, so will the prices. Realistic pencil portraits will cost more than sketches, and hyperrealistic portraits that look like actual photographs will cost a LOT more than your \"average\" realistic portraits.\r\n\r\nMore factors that affect price include size, number of subjects, and amount of detail in the portrait:\r\n
    \r\n
  • A few common sizes artists provide are 8\" x 10\", 11\" x 14\", 16\" x 20\", and even much larger canvases.
    • \r\n
  • A portrait of one single person will cost less than a family portrait of four people.
    • \r\n
  • A portrait can be anything from a head-and-shoulders view to a full-length, head-to-toe view.
    • \r\n
  • Will there be a blank background or a detailed setting?
    • \r\n
  • Is the person in your portrait wearing a plain white t shirt or a fancy blouse with an elaborate pattern that your client requested you to include?
    • \r\n
\r\n

The Best Place to Start

\r\nIf you are just starting out, the best place to start is with very low prices. Start on the low end of your market research for realistic pencil portraits. If you are selling sketches, start even lower. At the same time, know that it is a balancing act and you don\'t want to undersell your work and your value.\r\n\r\nRemember that you can get my compiled list of starting prices and save time from all the research by signing up for my newsletter. This list is more than enough to give you an idea of where to start.\r\n\r\nOne final note: demand influences prices. As you gain experience and more customers than you can handle in a timely manner, it is okay to gradually raise your pencil portrait drawing prices. You should find over a number of years that as your value and name recognition increase, demand for your work continues to climb even with higher prices!','\"Where Should I Begin Setting Pencil Portrait Drawing Prices?\"','','inherit','open','open','','2237-revision-v1','','','2015-08-16 11:26:29','2015-08-16 18:26:29','',2237,'http://www.letsdrawpeople.com/2237-revision-v1/',0,'revision','',0),(2245,2,'2015-08-23 19:32:28','0000-00-00 00:00:00','

Several years ago, the quality of my pencil portraits reached a point where I was confident enough to make money from selling them. I then decided to sell my services. Customers would commission a portrait from me by giving me one or more photographs. I would take these references and produce a pencil portrait. I would then sell that portrait to the customer, who would in turn pay me.\r\n\r\nIt was my first time making significant revenue from my drawings, so it was an exciting time to say the least! At this point I do need to clarify... the \"significant revenue\" I\'m talking about was more than just a few dollars. I was often getting $100 to $200 per drawing. Still, this was not \"significant\" enough at the time for me to earn a full-time living, especially when you factor in advertising expenses.\r\n\r\nLike many \"starving\" artists, I love to draw portraits for fun but make my full-time living working a different day job. I am looking forward to commissioning pencil portraits again in the near future if I can balance work and maintaining this site along with it. However, I think it is important to explore other options for making money as an artist. This is especially true since I would someday like to make a full-time living from my art.\r\n\r\nFor that reason, I recently decided to look for a quality resource that explains different ways to make money as an artist and how to begin an art business in these various ways.  That is when I came across the \"Turn Your Hobby Into a Business Course\" by Nolan Clark. It seemed like just the type of resource I was looking for, so I did not hesitate to purchase it.\r\n

***PRODUCT IMAGE***

\r\nIn case you are like me and looking for ideas and opportunities for turning your art hobby into something that can bring in some substantial income, I decided to write this product review and share my thoughts on this course with you.\r\n\r\nProduct Description\r\n\r\nsize\r\n\r\nnumber of pages\r\n\r\nfeatures; format and content\r\n\r\nordering process\r\n\r\ndelivery/package details\r\n\r\nbenefits\r\n\r\nexpected results\r\n\r\nspecific results\r\n\r\npersonal thoughts about decision to order\r\n\r\nBuyer Description\r\n\r\nwho this is for\r\n\r\nwho this is not for\r\n\r\nProof\r\n\r\nmore detail that is not found on merchant\'s website\r\n\r\nunadvertised bonuses\r\n\r\nNegatives\r\n\r\nwith the product\r\n\r\npositive follow up\r\n\r\nwith the ordering process\r\n\r\npositive follow up\r\n\r\nCall-to-Action\r\n\r\nspecific click-through directions\r\n\r\nwhat to expect after clicking\r\n\r\nKeyword Phrase','\"Turn Your Hobby Into a Business\" Review','','draft','open','open','','','','','2015-08-23 19:32:28','2015-08-24 02:32:28','',0,'http://www.letsdrawpeople.com/?p=2245',0,'post','',0),(2246,2,'2015-08-23 18:50:43','2015-08-24 01:50:43','

 \r\n\r\nImage\r\n\r\nProduct Description\r\n\r\nsize\r\n\r\nnumber of pages\r\n\r\nfeatures; format and content\r\n\r\nordering process\r\n\r\ndelivery/package details\r\n\r\nbenefits\r\n\r\nexpected results\r\n\r\nspecific results\r\n\r\npersonal thoughts about decision to order\r\n\r\nBuyer Description\r\n\r\nwho this is for\r\n\r\nwho this is not for\r\n\r\nProof\r\n\r\nmore detail that is not found on merchant\'s website\r\n\r\nunadvertised bonuses\r\n\r\nNegatives\r\n\r\nwith the product\r\n\r\npositive follow up\r\n\r\nwith the ordering process\r\n\r\npositive follow up\r\n\r\nCall-to-Action\r\n\r\nspecific click-through directions\r\n\r\nwhat to expect after clicking\r\n\r\nKeyword Phrase

','\"Turn Your Hobby Into a Business\" Review','','inherit','open','open','','2245-revision-v1','','','2015-08-23 18:50:43','2015-08-24 01:50:43','',2245,'http://www.letsdrawpeople.com/2245-revision-v1/',0,'revision','',0),(2247,2,'2015-08-23 19:28:39','2015-08-24 02:28:39','

Several years ago, the quality of my pencil portraits reached a point where I was confident enough to make money from selling them. I then decided to sell my services. Customers would commission a portrait from me by giving me one or more photographs. I would take these references and produce a pencil portrait. I would then sell that portrait to the customer, who would in turn pay me.\r\n\r\nIt was my first time making significant revenue from my drawings, so it was an exciting time to say the least! At this point I do need to clarify... the \"significant revenue\" I\'m talking about was more than a couple of bucks. I was often getting $100 to $200 per drawing. Still, this was not \"significant\" enough at the time for me to earn a full-time living, especially when you factor in advertising expenses.\r\n\r\nLike many \"starving\" artists, I love to draw portraits for fun but make my full-time living working a different day job. I am looking forward to commissioning pencil portraits again in the near future if I can balance work and maintaining this site along with it. However, I think it is important to explore other options for making money as an artist. I would someday like to make a full-time living from my art.\r\n\r\nFor that reason, I recently decided to look for a quality resource that explains different ways to make money as an artist and how to begin an art business in these various ways.  That is when I came across the \"Turn Your Hobby Into a Business Course\" by Nolan Clark. It seemed like just the type of resource I was looking for, so I did not hesitate to purchase it.\r\n

***PRODUCT IMAGE***

\r\nIn case you are like me and looking for ideas and opportunities for turning your art hobby into something that can bring in some substantial income, I decided to write this review and share my thoughts on this course with you.\r\n\r\nProduct Description\r\n\r\nsize\r\n\r\nnumber of pages\r\n\r\nfeatures; format and content\r\n\r\nordering process\r\n\r\ndelivery/package details\r\n\r\nbenefits\r\n\r\nexpected results\r\n\r\nspecific results\r\n\r\npersonal thoughts about decision to order\r\n\r\nBuyer Description\r\n\r\nwho this is for\r\n\r\nwho this is not for\r\n\r\nProof\r\n\r\nmore detail that is not found on merchant\'s website\r\n\r\nunadvertised bonuses\r\n\r\nNegatives\r\n\r\nwith the product\r\n\r\npositive follow up\r\n\r\nwith the ordering process\r\n\r\npositive follow up\r\n\r\nCall-to-Action\r\n\r\nspecific click-through directions\r\n\r\nwhat to expect after clicking\r\n\r\nKeyword Phrase','\"Turn Your Hobby Into a Business\" Review','','inherit','open','open','','2245-revision-v1','','','2015-08-23 19:28:39','2015-08-24 02:28:39','',2245,'http://www.letsdrawpeople.com/2245-revision-v1/',0,'revision','',0),(2248,2,'2015-08-23 19:32:28','2015-08-24 02:32:28','

Several years ago, the quality of my pencil portraits reached a point where I was confident enough to make money from selling them. I then decided to sell my services. Customers would commission a portrait from me by giving me one or more photographs. I would take these references and produce a pencil portrait. I would then sell that portrait to the customer, who would in turn pay me.\r\n\r\nIt was my first time making significant revenue from my drawings, so it was an exciting time to say the least! At this point I do need to clarify... the \"significant revenue\" I\'m talking about was more than just a few dollars. I was often getting $100 to $200 per drawing. Still, this was not \"significant\" enough at the time for me to earn a full-time living, especially when you factor in advertising expenses.\r\n\r\nLike many \"starving\" artists, I love to draw portraits for fun but make my full-time living working a different day job. I am looking forward to commissioning pencil portraits again in the near future if I can balance work and maintaining this site along with it. However, I think it is important to explore other options for making money as an artist. This is especially true since I would someday like to make a full-time living from my art.\r\n\r\nFor that reason, I recently decided to look for a quality resource that explains different ways to make money as an artist and how to begin an art business in these various ways.  That is when I came across the \"Turn Your Hobby Into a Business Course\" by Nolan Clark. It seemed like just the type of resource I was looking for, so I did not hesitate to purchase it.\r\n

***PRODUCT IMAGE***

\r\nIn case you are like me and looking for ideas and opportunities for turning your art hobby into something that can bring in some substantial income, I decided to write this product review and share my thoughts on this course with you.\r\n\r\nProduct Description\r\n\r\nsize\r\n\r\nnumber of pages\r\n\r\nfeatures; format and content\r\n\r\nordering process\r\n\r\ndelivery/package details\r\n\r\nbenefits\r\n\r\nexpected results\r\n\r\nspecific results\r\n\r\npersonal thoughts about decision to order\r\n\r\nBuyer Description\r\n\r\nwho this is for\r\n\r\nwho this is not for\r\n\r\nProof\r\n\r\nmore detail that is not found on merchant\'s website\r\n\r\nunadvertised bonuses\r\n\r\nNegatives\r\n\r\nwith the product\r\n\r\npositive follow up\r\n\r\nwith the ordering process\r\n\r\npositive follow up\r\n\r\nCall-to-Action\r\n\r\nspecific click-through directions\r\n\r\nwhat to expect after clicking\r\n\r\nKeyword Phrase','\"Turn Your Hobby Into a Business\" Review','','inherit','open','open','','2245-revision-v1','','','2015-08-23 19:32:28','2015-08-24 02:32:28','',2245,'http://www.letsdrawpeople.com/2245-revision-v1/',0,'revision','',0),(2253,2,'2015-09-05 15:25:15','2015-09-05 22:25:15','\"pencilYou really love to draw pencil portraits.\r\n\r\nYou love creating pencil portrait drawings so much that you practice all the time. As you practice, you get noticeably better and better.\r\n\r\nIn fact, you begin to get so much better that people are beginning to come to you to ask you to draw a portrait for them!\r\n\r\nMaybe you have experienced the scenario above. Or, maybe no one has come to you yet, but you are getting increasingly confident in your ability to render a successful likeness of a person…so confident that you are ready to offer your services to draw pencil portraits for people who are willing to pay you!\r\n\r\nIt is exciting to think that you can go into business for yourself and get paid for something you enjoy doing! However, if you have little to no experience drawing commissioned portraits for clients, you may be asking yourself “Where should I begin setting my pencil portrait drawing prices?”\r\n\r\nThis article aims to guide you in the right direction. It highlights some important factors that will help you develop an appropriate starting price that works for you.\r\n

Where in the Market Do You Want to Be?

\r\nThere are several popular methods artists use to price their work. One of those methods involves artists pricing their work based on how other artists who create similar pieces are pricing work.\r\n\r\nSo if you want to offer realistic pencil portraits to clients, you would simply research other artists who are selling realistic pencil portraits and take note of their prices.\r\n\r\nYou will find a broad range of starting prices among these artists. What you should do is sort the prices from low to high to get a sense of the market. You can also look at samples of their work. Take this into consideration along with the range of prices and decide where along the spectrum you thing your work should fall.\r\n\r\nYou could do this research on your own by looking up pencil portrait artists on a search engine. If you would rather save some time, I did already compile and sort a list of starting prices from ten pencil portrait artists who sell their services online. I have already made this list available to my newsletter subscribers for free. If you would like your own copy, you can sign up for my newsletter in the box below and I will send you the list!\r\n\r\n
\r\n
\r\n
\r\n\r\n \r\n

Experience and Name Recognition

\r\nAnother factor that plays a part in how pencil portraits are priced is the experience and/or name recognition of the artist. Obviously if you are just still learning how to draw portraits, you will not have either of these. This will also be the case if you have been practicing for quite some time but are just now warming up to the possibility of selling your portraits on commission.\r\n\r\nArtists with more experience and name recognition tend to be able to charge higher prices and still secure paying customers. This is for a number of reasons. Artists who have many years of experience in their craft will certainly produce work at a level of quality that is deserving of higher commissions.\r\n\r\nExperience can also come in the form of years in business. Spending more years in the business brings more name recognition in the market. If artists have commissioned portraits for a long time, they understand the business side of the art enough to handle customer service, special requests, and their reputation in a way that builds the kind of trust for which customers are willing to pay more.\r\n

At What Quality Are Your Pencil Portrait Drawings?

\r\nYou should be confident that your pencil portraits are a \"good enough\" quality that other people will be willing to pay you for them.\r\n\r\nThe good news is there are different levels of quality. Some artists at fairs and festivals focus solely on selling sketches of people for $10 to $20 apiece. You could just as easily choose to sell sketches at these prices while working from photographs.\r\n\r\nGenerally speaking, as the quality of work increases, so will the prices. Realistic pencil portraits will cost more than sketches, and hyperrealistic portraits that look like actual photographs will cost a LOT more than your \"average\" realistic portraits.\r\n\r\nMore factors that affect price include size, number of subjects, and amount of detail in the portrait:\r\n
  • A few common sizes artists provide are 8\" x 10\", 11\" x 14\", 16\" x 20\", and even much larger canvases.
    • \r\n
  • A portrait of one single person will cost less than a family portrait of four people.
    • \r\n
  • A portrait can be anything from a head-and-shoulders view to a full-length, head-to-toe view.
    • \r\n
  • Will there be a blank background or a detailed setting?
    • \r\n
  • Is the person in your portrait wearing a plain white t shirt or a fancy blouse with an elaborate pattern that your client requested you to include?
    • \r\n

The Best Place to Start

\r\nIf you are just starting out, the best place to start is with very low prices. Start on the low end of your market research for realistic pencil portraits. If you are selling sketches, start even lower. At the same time, know that it is a balancing act and you don\'t want to undersell your work and your value.\r\n\r\nRemember that you can get my compiled list of starting prices and save time from all the research by signing up for my newsletter. This list is more than enough to give you an idea of where to start.\r\n\r\nOne final note: demand influences prices. As you gain experience and more customers than you can handle in a timely manner, it is okay to gradually raise your pencil portrait drawing prices. You should find over a number of years that as your value and name recognition increase, demand for your work continues to climb even with higher prices!','\"Where Should I Begin Setting Pencil Portrait Drawing Prices?\"','','inherit','open','open','','2237-revision-v1','','','2015-09-05 15:25:15','2015-09-05 22:25:15','',2237,'http://www.letsdrawpeople.com/2237-revision-v1/',0,'revision','',0),(3487,2,'2017-05-16 05:48:29','2017-05-16 12:48:29','\r\n\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n

\"\"

\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n[one_half]Materials[/one_half][one_half_last]Resources[/one_half_last]\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]Materials: Resources: [/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-16 05:48:29','2017-05-16 12:48:29','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(2254,2,'2015-09-05 15:29:15','2015-09-05 22:29:15','\"pencilYou really love to draw pencil portraits.\r\n\r\nYou love creating pencil portrait drawings so much that you practice all the time. As you practice, you get noticeably better and better.\r\n\r\nIn fact, you begin to get so much better that people are beginning to come to you to ask you to draw a portrait for them!\r\n\r\nMaybe you have experienced the scenario above. Or, maybe no one has come to you yet, but you are getting increasingly confident in your ability to render a successful likeness of a person…so confident that you are ready to offer your services to draw pencil portraits for people who are willing to pay you!\r\n\r\nIt is exciting to think that you can go into business for yourself and get paid for something you enjoy doing! However, if you have little to no experience drawing commissioned portraits for clients, you may be asking yourself “Where should I begin setting my pencil portrait drawing prices?”\r\n\r\nThis article aims to guide you in the right direction. It highlights some important factors that will help you develop an appropriate starting price that works for you.\r\n

Where in the Market Do You Want to Be?

\r\nThere are several popular methods artists use to price their work. One of those methods involves artists pricing their work based on how other artists who create similar pieces are pricing work.\r\n\r\nSo if you want to offer realistic pencil portraits to clients, you would simply research other artists who are selling realistic pencil portraits and take note of their prices.\r\n\r\nYou will find a broad range of starting prices among these artists. What you should do is sort the prices from low to high to get a sense of the market. You can also look at samples of their work. Take this into consideration along with the range of prices and decide where along the spectrum you thing your work should fall.\r\n\r\nYou could do this research on your own by looking up pencil portrait artists on a search engine. If you would rather save some time, I did already compile and sort a list of starting prices from ten pencil portrait artists who sell their services online. I have already made this list available to my newsletter subscribers for free. If you would like your own copy, you can sign up for my newsletter in the box below and I will send you the list!\r\n\r\n \r\n
\r\n\r\n\r\n \r\n

Experience and Name Recognition

\r\nAnother factor that plays a part in how pencil portraits are priced is the experience and/or name recognition of the artist. Obviously if you are just still learning how to draw portraits, you will not have either of these. This will also be the case if you have been practicing for quite some time but are just now warming up to the possibility of selling your portraits on commission.\r\n\r\nArtists with more experience and name recognition tend to be able to charge higher prices and still secure paying customers. This is for a number of reasons. Artists who have many years of experience in their craft will certainly produce work at a level of quality that is deserving of higher commissions.\r\n\r\nExperience can also come in the form of years in business. Spending more years in the business brings more name recognition in the market. If artists have commissioned portraits for a long time, they understand the business side of the art enough to handle customer service, special requests, and their reputation in a way that builds the kind of trust for which customers are willing to pay more.\r\n

At What Quality Are Your Pencil Portrait Drawings?

\r\nYou should be confident that your pencil portraits are a \"good enough\" quality that other people will be willing to pay you for them.\r\n\r\nThe good news is there are different levels of quality. Some artists at fairs and festivals focus solely on selling sketches of people for $10 to $20 apiece. You could just as easily choose to sell sketches at these prices while working from photographs.\r\n\r\nGenerally speaking, as the quality of work increases, so will the prices. Realistic pencil portraits will cost more than sketches, and hyperrealistic portraits that look like actual photographs will cost a LOT more than your \"average\" realistic portraits.\r\n\r\nMore factors that affect price include size, number of subjects, and amount of detail in the portrait:\r\n
  • A few common sizes artists provide are 8\" x 10\", 11\" x 14\", 16\" x 20\", and even much larger canvases.
    • \r\n
  • A portrait of one single person will cost less than a family portrait of four people.
    • \r\n
  • A portrait can be anything from a head-and-shoulders view to a full-length, head-to-toe view.
    • \r\n
  • Will there be a blank background or a detailed setting?
    • \r\n
  • Is the person in your portrait wearing a plain white t shirt or a fancy blouse with an elaborate pattern that your client requested you to include?
    • \r\n

The Best Place to Start

\r\nIf you are just starting out, the best place to start is with very low prices. Start on the low end of your market research for realistic pencil portraits. If you are selling sketches, start even lower. At the same time, know that it is a balancing act and you don\'t want to undersell your work and your value.\r\n\r\nRemember that you can get my compiled list of starting prices and save time from all the research by signing up for my newsletter. This list is more than enough to give you an idea of where to start.\r\n\r\nOne final note: demand influences prices. As you gain experience and more customers than you can handle in a timely manner, it is okay to gradually raise your pencil portrait drawing prices. You should find over a number of years that as your value and name recognition increase, demand for your work continues to climb even with higher prices!','\"Where Should I Begin Setting Pencil Portrait Drawing Prices?\"','','inherit','open','open','','2237-revision-v1','','','2015-09-05 15:29:15','2015-09-05 22:29:15','',2237,'http://www.letsdrawpeople.com/2237-revision-v1/',0,'revision','',0),(2255,2,'2015-09-05 15:44:04','2015-09-05 22:44:04','\"pencilYou really love to draw pencil portraits.\r\n\r\nYou love creating pencil portrait drawings so much that you practice all the time. As you practice, you get noticeably better and better.\r\n\r\nIn fact, you begin to get so much better that people are beginning to come to you to ask you to draw a portrait for them!\r\n\r\nMaybe you have experienced the scenario above. Or, maybe no one has come to you yet, but you are getting increasingly confident in your ability to render a successful likeness of a person…so confident that you are ready to offer your services to draw pencil portraits for people who are willing to pay you!\r\n\r\nIt is exciting to think that you can go into business for yourself and get paid for something you enjoy doing! However, if you have little to no experience drawing commissioned portraits for clients, you may be asking yourself “Where should I begin setting my pencil portrait drawing prices?”\r\n\r\nThis article aims to guide you in the right direction. It highlights some important factors that will help you develop an appropriate starting price that works for you.\r\n

Where in the Market Do You Want to Be?

\r\nThere are several popular methods artists use to price their work. One of those methods involves artists pricing their work based on how other artists who create similar pieces are pricing work.\r\n\r\nSo if you want to offer realistic pencil portraits to clients, you would simply research other artists who are selling realistic pencil portraits and take note of their prices.\r\n\r\nYou will find a broad range of starting prices among these artists. What you should do is sort the prices from low to high to get a sense of the market. You can also look at samples of their work. Take this into consideration along with the range of prices and decide where along the spectrum you thing your work should fall.\r\n\r\nYou could do this research on your own by looking up pencil portrait artists on a search engine. If you would rather save some time, I did already compile and sort a list of starting prices from ten pencil portrait artists who sell their services online. I have already made this list available to my newsletter subscribers for free. If you would like your own copy, you can sign up for my newsletter in the box below and I will send you the list!\r\n\r\n\r\n
\r\n\r\n\r\n \r\n

Experience and Name Recognition

\r\nAnother factor that plays a part in how pencil portraits are priced is the experience and/or name recognition of the artist. Obviously if you are just still learning how to draw portraits, you will not have either of these. This will also be the case if you have been practicing for quite some time but are just now warming up to the possibility of selling your portraits on commission.\r\n\r\nArtists with more experience and name recognition tend to be able to charge higher prices and still secure paying customers. This is for a number of reasons. Artists who have many years of experience in their craft will certainly produce work at a level of quality that is deserving of higher commissions.\r\n\r\nExperience can also come in the form of years in business. Spending more years in the business brings more name recognition in the market. If artists have commissioned portraits for a long time, they understand the business side of the art enough to handle customer service, special requests, and their reputation in a way that builds the kind of trust for which customers are willing to pay more.\r\n

At What Quality Are Your Pencil Portrait Drawings?

\r\nYou should be confident that your pencil portraits are a \"good enough\" quality that other people will be willing to pay you for them.\r\n\r\nThe good news is there are different levels of quality. Some artists at fairs and festivals focus solely on selling sketches of people for $10 to $20 apiece. You could just as easily choose to sell sketches at these prices while working from photographs.\r\n\r\nGenerally speaking, as the quality of work increases, so will the prices. Realistic pencil portraits will cost more than sketches, and hyperrealistic portraits that look like actual photographs will cost a LOT more than your \"average\" realistic portraits.\r\n\r\nMore factors that affect price include size, number of subjects, and amount of detail in the portrait:\r\n
  • A few common sizes artists provide are 8\" x 10\", 11\" x 14\", 16\" x 20\", and even much larger canvases.
    • \r\n
  • A portrait of one single person will cost less than a family portrait of four people.
    • \r\n
  • A portrait can be anything from a head-and-shoulders view to a full-length, head-to-toe view.
    • \r\n
  • Will there be a blank background or a detailed setting?
    • \r\n
  • Is the person in your portrait wearing a plain white t shirt or a fancy blouse with an elaborate pattern that your client requested you to include?
    • \r\n

The Best Place to Start

\r\nIf you are just starting out, the best place to start is with very low prices. Start on the low end of your market research for realistic pencil portraits. If you are selling sketches, start even lower. At the same time, know that it is a balancing act and you don\'t want to undersell your work and your value.\r\n\r\nRemember that you can get my compiled list of starting prices and save time from all the research by signing up for my newsletter. This list is more than enough to give you an idea of where to start.\r\n\r\nOne final note: demand influences prices. As you gain experience and more customers than you can handle in a timely manner, it is okay to gradually raise your pencil portrait drawing prices. You should find over a number of years that as your value and name recognition increase, demand for your work continues to climb even with higher prices!','\"Where Should I Begin Setting Pencil Portrait Drawing Prices?\"','','inherit','open','open','','2237-revision-v1','','','2015-09-05 15:44:04','2015-09-05 22:44:04','',2237,'http://www.letsdrawpeople.com/2237-revision-v1/',0,'revision','',0),(2256,2,'2015-09-05 15:51:20','2015-09-05 22:51:20','\"pencilYou really love to draw pencil portraits.\r\n\r\nYou love creating pencil portrait drawings so much that you practice all the time. As you practice, you get noticeably better and better.\r\n\r\nIn fact, you begin to get so much better that people are beginning to come to you to ask you to draw a portrait for them!\r\n\r\nMaybe you have experienced the scenario above. Or, maybe no one has come to you yet, but you are getting increasingly confident in your ability to render a successful likeness of a person…so confident that you are ready to offer your services to draw pencil portraits for people who are willing to pay you!\r\n\r\nIt is exciting to think that you can go into business for yourself and get paid for something you enjoy doing! However, if you have little to no experience drawing commissioned portraits for clients, you may be asking yourself “Where should I begin setting my pencil portrait drawing prices?”\r\n\r\nThis article aims to guide you in the right direction. It highlights some important factors that will help you develop an appropriate starting price that works for you.\r\n

Where in the Market Do You Want to Be?

\r\nThere are several popular methods artists use to price their work. One of those methods involves artists pricing their work based on how other artists who create similar pieces are pricing work.\r\n\r\nSo if you want to offer realistic pencil portraits to clients, you would simply research other artists who are selling realistic pencil portraits and take note of their prices.\r\n\r\nYou will find a broad range of starting prices among these artists. What you should do is sort the prices from low to high to get a sense of the market. You can also look at samples of their work. Take this into consideration along with the range of prices and decide where along the spectrum you thing your work should fall.\r\n\r\nYou could do this research on your own by looking up pencil portrait artists on a search engine. If you would rather save some time, I did already compile and sort a list of starting prices from ten pencil portrait artists who sell their services online. I have already made this list available to my newsletter subscribers for free. If you would like your own copy, you can sign up for my newsletter in the box below and I will send you the list!\r\n\r\n \r\n
\r\n\r\n\r\n \r\n

Experience and Name Recognition

\r\nAnother factor that plays a part in how pencil portraits are priced is the experience and/or name recognition of the artist. Obviously if you are just still learning how to draw portraits, you will not have either of these. This will also be the case if you have been practicing for quite some time but are just now warming up to the possibility of selling your portraits on commission.\r\n\r\nArtists with more experience and name recognition tend to be able to charge higher prices and still secure paying customers. This is for a number of reasons. Artists who have many years of experience in their craft will certainly produce work at a level of quality that is deserving of higher commissions.\r\n\r\nExperience can also come in the form of years in business. Spending more years in the business brings more name recognition in the market. If artists have commissioned portraits for a long time, they understand the business side of the art enough to handle customer service, special requests, and their reputation in a way that builds the kind of trust for which customers are willing to pay more.\r\n

At What Quality Are Your Pencil Portrait Drawings?

\r\nYou should be confident that your pencil portraits are a \"good enough\" quality that other people will be willing to pay you for them.\r\n\r\nThe good news is there are different levels of quality. Some artists at fairs and festivals focus solely on selling sketches of people for $10 to $20 apiece. You could just as easily choose to sell sketches at these prices while working from photographs.\r\n\r\nGenerally speaking, as the quality of work increases, so will the prices. Realistic pencil portraits will cost more than sketches, and hyperrealistic portraits that look like actual photographs will cost a LOT more than your \"average\" realistic portraits.\r\n\r\nMore factors that affect price include size, number of subjects, and amount of detail in the portrait:\r\n
  • A few common sizes artists provide are 8\" x 10\", 11\" x 14\", 16\" x 20\", and even much larger canvases.
    • \r\n
  • A portrait of one single person will cost less than a family portrait of four people.
    • \r\n
  • A portrait can be anything from a head-and-shoulders view to a full-length, head-to-toe view.
    • \r\n
  • Will there be a blank background or a detailed setting?
    • \r\n
  • Is the person in your portrait wearing a plain white t shirt or a fancy blouse with an elaborate pattern that your client requested you to include?
    • \r\n

The Best Place to Start

\r\nIf you are just starting out, the best place to start is with very low prices. Start on the low end of your market research for realistic pencil portraits. If you are selling sketches, start even lower. At the same time, know that it is a balancing act and you don\'t want to undersell your work and your value.\r\n\r\nRemember that you can get my compiled list of starting prices and save time from all the research by signing up for my newsletter. This list is more than enough to give you an idea of where to start.\r\n\r\nOne final note: demand influences prices. As you gain experience and more customers than you can handle in a timely manner, it is okay to gradually raise your pencil portrait drawing prices. You should find over a number of years that as your value and name recognition increase, demand for your work continues to climb even with higher prices!','\"Where Should I Begin Setting Pencil Portrait Drawing Prices?\"','','inherit','open','open','','2237-revision-v1','','','2015-09-05 15:51:20','2015-09-05 22:51:20','',2237,'http://www.letsdrawpeople.com/2237-revision-v1/',0,'revision','',0),(2258,2,'2015-09-12 10:37:42','2015-09-12 17:37:42','Have you ever wanted to know how to draw a soldier giving a salute? In this short tutorial, we will see how to draw an army man saluting.\r\n\r\nBelow is a reference photo that will come in handy. It definitely came in handy for me. Even though I myself am an army veteran, it has been roughly 15 years since I last wore a set of fatigues, also known at the time as BDU\'s (or Battle Dress Uniforms). I have since learned that there have been a lot of changes! As of 2004, they are called ACU\'s (or Army Combat Uniforms) and look very different from what I used to wear.\r\n\r\n[caption id=\"attachment_2267\" align=\"aligncenter\" width=\"800\"]\"how
© Elliot Burlingham | Dreamstime.com
[/caption]\r\n\r\n \r\n

Draw the Basic Outline

\r\nDraw the basic shapes for the head and torso. As you can tell from the photo, this is not a direct frontal view but rather a quarter-turn view. Account for this as you sketch the head shape by planning for the side of the face on one side and the back of the head on the other.\r\n\r\n\"01\r\n\r\n \r\n\r\nSketch the shape for the saluting arm. A salute is formed with the upper arm parallel to the ground and the fingers of the hand extended and meeting the eyebrow.\r\n\r\n\"02\r\n\r\n \r\n

Draw the Face and Saluting Hand

\r\nSketch the basic guidelines for the face. Again, since the face is turned, your guideline going down the center of the face should reflect the direction the soldier is facing.\r\n\r\n\"03\r\n\r\n \r\n\r\nSince the soldier\'s chin is slightly up, notice the upward curvature of the eye guideline as the head is tilted back. As you draw the eyes looking slightly up, don\'t forget the highlights, eyelashes, and eyebrows.\r\n\r\n\"04\r\n\r\n \r\n\r\nNext, draw the nose. Use the reference photo and guidelines to sketch the nose at the same angle as the turned head.\r\n\r\n\"05\r\n\r\n \r\n\r\nRepeat this process as you draw the mouth.\r\n\r\n\"06\r\n\r\n \r\n\r\nFinish the face by drawing the ears, jawline, and neck. The collar of the jacket will be drawn just below the neck later.\r\n\r\n\"07\r\n\r\n \r\n\r\nAt this point, you can erase the guidelines that helped you draw the face. Then begin adding details to make the hand. Draw the fingers extended straight but put slight bends in the knuckle areas to make them appear more natural. Make a few visible lifelines on the palm underside and a few wrinkles along the side of the hand for a touch of realism.\r\n\r\n\"08\r\n\r\n \r\n

Draw the Uniform

\r\nDraw the hat. Look at the reference photo to see how to properly shape the hat. Draw stitching along the seams to make it appear sewn together like real fabric.\r\n\r\n\"09\r\n\r\n \r\n\r\nNext, draw the collar along the bottom of the neck...\r\n\r\n\"10\r\n\r\n \r\n\r\n...and draw the jacket. Continue to use the reference photo to stay true to the design of the uniform. This includes noticing where parts of the jacket are fastened and how the pockets are angled. Don\'t forget to make a few well-placed folds that are always found in clothing.\r\n\r\n\"11\r\n\r\n \r\n\r\nRepeat this process as you draw the sleeve. Look specifically for folds, seams, and pockets and draw them as carefully as you can.\r\n\r\n\"12\r\n\r\n \r\n

How to Make a Camouflage Pattern

\r\nNow it is time to begin adding a camouflage pattern to the uniform. Here is a pattern I created on the hat. The current army combat uniform has a digital-looking pixel pattern and three basic colors: foliage green, urban gray, and desert sand. The goal for this drawing is not to replicate this complicated pattern perfectly. Instead, we can sketch some very basic shapes and use a combination of hatching and crosshatching to make a simplified camouflage pattern that resembles the real thing. Here\'s how...\r\n\r\n\"13\r\n\r\n \r\n\r\nLet\'s start by making camo for the sleeve. Make some basic abstract shapes for the foliage green. Try drawing many short, straight edges and corners as you form the shapes. This will help create a pixel appearance.\r\n\r\n\"14\r\n\r\n \r\n\r\nUse a crosshatch pattern to fill in these shapes. This crosshatch pattern can enhance the pixel appearance and represent the darkest of the colors: foliage green.\r\n\r\n\"15\r\n\r\n \r\n\r\nRepeat by drawing similar shapes to represent the urban gray, only use a hatch pattern rather than a crosshatch to fill the shapes. Don\'t worry about any shading pattern for the sand color.\r\n\r\n\"16\r\n\r\n \r\n\r\nNow move on to the rest of the uniform. Here we have more foliage green crosshatch patterns on the jacket torso.\r\n\r\n\"17\r\n\r\n \r\n\r\nAdd approximately an equal number of urban gray hatch patterns to complete the uniform and the drawing.\r\n\r\n\"how\r\n\r\n \r\n

Finishing Thoughts

\r\nSo that is how to complete a drawing of an army man who is saluting. The process for drawing the camouflage pattern is not meant to be perfect, but it is at least easier than trying to spend hours or days replicating the real thing, and it has a close enough resemblance.\r\n\r\nRemember the value in having a reference photograph when you draw a person in a uniform such as this. If you want to honor the appearance of your subject as closely as possible, a reference photo can mean the difference between an accurate, recognizable soldier and a poor imitation.','How to Draw an Army Man Saluting','','publish','open','open','','how-to-draw-an-army-man-saluting','','','2015-11-26 23:48:44','2015-11-27 07:48:44','',0,'http://www.letsdrawpeople.com/?p=2258',0,'post','',1),(2259,2,'2015-09-13 08:40:33','2015-09-13 15:40:33','','How to Draw an Army Man Saluting','','inherit','open','open','','2258-revision-v1','','','2015-09-13 08:40:33','2015-09-13 15:40:33','',2258,'http://www.letsdrawpeople.com/2258-revision-v1/',0,'revision','',0),(2260,2,'2015-09-13 08:55:13','2015-09-13 15:55:13','We will see how to draw an army man saluting.\r\n

Draw the Basic Outline

\r\nDraw the basic shapes for the head and torso.\r\n\r\nSketch the shape for the saluting arm.\r\n

Draw the Face and Saluting Hand

\r\nSketch the basic guidelines for the face.\r\n\r\nDraw the eyes.\r\n\r\nDraw the nose.\r\n\r\nDraw the mouth.\r\n\r\nDraw the ears, jawline, and neck.\r\n\r\nDraw the hand.\r\n

Draw the Uniform

\r\nDraw the hat.\r\n\r\nDraw the collar.\r\n\r\nDraw the jacket.\r\n\r\nDraw the sleeve.\r\n

How to Make a Camouflage Pattern

\r\nNow it is time to begin adding a camouflage pattern to the uniform. Here is a pattern I created on the hat.\r\n\r\nMake shapes for the foliage green.\r\n\r\nUse a crosshatch pattern to fill in the shapes.\r\n\r\nRepeat similar shapes to represent the urban gray, only use a hatch pattern rather than a crosshatch.\r\n\r\nHere we have more foliage green crosshatch patterns on the jacket torso.\r\n\r\nAdd approximately an equal number of urban gray hatch patterns to complete the uniform and the drawing.','How to Draw an Army Man Saluting','','inherit','open','open','','2258-revision-v1','','','2015-09-13 08:55:13','2015-09-13 15:55:13','',2258,'http://www.letsdrawpeople.com/2258-revision-v1/',0,'revision','',0),(2261,2,'2015-09-13 08:58:40','2015-09-13 15:58:40','','16 how to draw an army man sleeve camo urban gray hatch','','inherit','open','open','','16-how-to-draw-an-army-man-sleeve-camo-urban-gray-hatch','','','2015-09-13 08:58:40','2015-09-13 15:58:40','',2258,'http://www.letsdrawpeople.com/wp-content/uploads/2015/09/16-how-to-draw-an-army-man-sleeve-camo-urban-gray-hatch.jpg',0,'attachment','image/jpeg',0),(2262,2,'2015-09-13 08:58:43','2015-09-13 15:58:43','','15 how to draw an army man sleeve camo foliage green crosshatch','','inherit','open','open','','15-how-to-draw-an-army-man-sleeve-camo-foliage-green-crosshatch','','','2015-09-13 08:58:43','2015-09-13 15:58:43','',2258,'http://www.letsdrawpeople.com/wp-content/uploads/2015/09/15-how-to-draw-an-army-man-sleeve-camo-foliage-green-crosshatch.jpg',0,'attachment','image/jpeg',0),(2263,2,'2015-09-13 08:58:46','2015-09-13 15:58:46','','14 how to draw an army man sleeve camo foliage green outline','','inherit','open','open','','14-how-to-draw-an-army-man-sleeve-camo-foliage-green-outline','','','2015-09-13 08:58:46','2015-09-13 15:58:46','',2258,'http://www.letsdrawpeople.com/wp-content/uploads/2015/09/14-how-to-draw-an-army-man-sleeve-camo-foliage-green-outline.jpg',0,'attachment','image/jpeg',0),(2264,2,'2015-09-13 08:58:49','2015-09-13 15:58:49','','how to draw an army man','','inherit','open','open','','how-to-draw-an-army-man','','','2015-09-13 08:58:49','2015-09-13 15:58:49','',2258,'http://www.letsdrawpeople.com/wp-content/uploads/2015/09/how-to-draw-an-army-man.jpg',0,'attachment','image/jpeg',0),(2265,2,'2015-09-13 08:58:51','2015-09-13 15:58:51','','17 how to draw an army man jacket camo foliage green crosshatch','','inherit','open','open','','17-how-to-draw-an-army-man-jacket-camo-foliage-green-crosshatch','','','2015-09-13 08:58:51','2015-09-13 15:58:51','',2258,'http://www.letsdrawpeople.com/wp-content/uploads/2015/09/17-how-to-draw-an-army-man-jacket-camo-foliage-green-crosshatch.jpg',0,'attachment','image/jpeg',0),(2266,2,'2015-09-13 08:58:54','2015-09-13 15:58:54','','10 how to draw an army man collar','','inherit','open','open','','10-how-to-draw-an-army-man-collar','','','2015-09-13 08:58:54','2015-09-13 15:58:54','',2258,'http://www.letsdrawpeople.com/wp-content/uploads/2015/09/10-how-to-draw-an-army-man-collar.jpg',0,'attachment','image/jpeg',0),(2267,2,'2015-09-13 08:58:57','2015-09-13 15:58:57','','how to draw an army man saluting','
© Elliot Burlingham | Dreamstime.com
','inherit','open','open','','how-to-draw-an-army-man-saluting-2','','','2015-11-26 23:10:38','2015-11-27 07:10:38','',2258,'http://www.letsdrawpeople.com/wp-content/uploads/2015/09/how-to-draw-an-army-man-saluting.jpg',0,'attachment','image/jpeg',0),(2268,2,'2015-09-13 08:59:00','2015-09-13 15:59:00','','09 how to draw an army man hat','','inherit','open','open','','09-how-to-draw-an-army-man-hat','','','2015-09-13 08:59:00','2015-09-13 15:59:00','',2258,'http://www.letsdrawpeople.com/wp-content/uploads/2015/09/09-how-to-draw-an-army-man-hat.jpg',0,'attachment','image/jpeg',0),(2269,2,'2015-09-13 08:59:03','2015-09-13 15:59:03','','13 how to draw an army man hat camo','','inherit','open','open','','13-how-to-draw-an-army-man-hat-camo','','','2015-09-13 08:59:03','2015-09-13 15:59:03','',2258,'http://www.letsdrawpeople.com/wp-content/uploads/2015/09/13-how-to-draw-an-army-man-hat-camo.jpg',0,'attachment','image/jpeg',0),(2270,2,'2015-09-13 08:59:05','2015-09-13 15:59:05','','12 how to draw an army man sleeve','','inherit','open','open','','12-how-to-draw-an-army-man-sleeve','','','2015-09-13 08:59:05','2015-09-13 15:59:05','',2258,'http://www.letsdrawpeople.com/wp-content/uploads/2015/09/12-how-to-draw-an-army-man-sleeve.jpg',0,'attachment','image/jpeg',0),(2271,2,'2015-09-13 08:59:08','2015-09-13 15:59:08','','07 how to draw an army man ears jawline neck','','inherit','open','open','','07-how-to-draw-an-army-man-ears-jawline-neck','','','2015-11-26 22:51:20','2015-11-27 06:51:20','',2258,'http://www.letsdrawpeople.com/wp-content/uploads/2015/09/07-how-to-draw-an-army-man-ears-jawline-neck.jpg',0,'attachment','image/jpeg',0),(2272,2,'2015-09-13 08:59:11','2015-09-13 15:59:11','','08 how to draw an army man saluting hand','','inherit','open','open','','08-how-to-draw-an-army-man-saluting-hand','','','2015-09-13 08:59:11','2015-09-13 15:59:11','',2258,'http://www.letsdrawpeople.com/wp-content/uploads/2015/09/08-how-to-draw-an-army-man-saluting-hand.jpg',0,'attachment','image/jpeg',0),(2273,2,'2015-09-13 08:59:13','2015-09-13 15:59:13','','11 how to draw an army man jacket','','inherit','open','open','','11-how-to-draw-an-army-man-jacket','','','2015-09-13 08:59:13','2015-09-13 15:59:13','',2258,'http://www.letsdrawpeople.com/wp-content/uploads/2015/09/11-how-to-draw-an-army-man-jacket.jpg',0,'attachment','image/jpeg',0),(2274,2,'2015-09-13 08:59:16','2015-09-13 15:59:16','','06 how to draw an army man mouth','','inherit','open','open','','06-how-to-draw-an-army-man-mouth','','','2015-09-13 08:59:16','2015-09-13 15:59:16','',2258,'http://www.letsdrawpeople.com/wp-content/uploads/2015/09/06-how-to-draw-an-army-man-mouth.jpg',0,'attachment','image/jpeg',0),(2275,2,'2015-09-13 08:59:19','2015-09-13 15:59:19','','05 how to draw an army man nose','','inherit','open','open','','05-how-to-draw-an-army-man-nose','','','2015-09-13 08:59:19','2015-09-13 15:59:19','',2258,'http://www.letsdrawpeople.com/wp-content/uploads/2015/09/05-how-to-draw-an-army-man-nose.jpg',0,'attachment','image/jpeg',0),(2276,2,'2015-09-13 08:59:22','2015-09-13 15:59:22','','04 how to draw an army man eyes','','inherit','open','open','','04-how-to-draw-an-army-man-eyes','','','2015-09-13 08:59:22','2015-09-13 15:59:22','',2258,'http://www.letsdrawpeople.com/wp-content/uploads/2015/09/04-how-to-draw-an-army-man-eyes.jpg',0,'attachment','image/jpeg',0),(2277,2,'2015-09-13 08:59:24','2015-09-13 15:59:24','','03 how to draw an army man face guidelines','','inherit','open','open','','03-how-to-draw-an-army-man-face-guidelines','','','2015-09-13 08:59:24','2015-09-13 15:59:24','',2258,'http://www.letsdrawpeople.com/wp-content/uploads/2015/09/03-how-to-draw-an-army-man-face-guidelines.jpg',0,'attachment','image/jpeg',0),(2278,2,'2015-09-13 08:59:27','2015-09-13 15:59:27','','02 how to draw an army man arm saluting outline','','inherit','open','open','','02-how-to-draw-an-army-man-arm-saluting-outline','','','2015-09-13 08:59:27','2015-09-13 15:59:27','',2258,'http://www.letsdrawpeople.com/wp-content/uploads/2015/09/02-how-to-draw-an-army-man-arm-saluting-outline.jpg',0,'attachment','image/jpeg',0),(2279,2,'2015-09-13 08:59:29','2015-09-13 15:59:29','','01 how to draw an army man head and body outline','','inherit','open','open','','01-how-to-draw-an-army-man-head-and-body-outline','','','2015-09-13 08:59:29','2015-09-13 15:59:29','',2258,'http://www.letsdrawpeople.com/wp-content/uploads/2015/09/01-how-to-draw-an-army-man-head-and-body-outline.jpg',0,'attachment','image/jpeg',0),(2280,2,'2015-09-13 09:18:38','2015-09-13 16:18:38','We will see how to draw an army man saluting.\r\n\r\n\"how\r\n\r\n \r\n

Draw the Basic Outline

\r\nDraw the basic shapes for the head and torso.\r\n\r\n\"01\r\n\r\n \r\n\r\nSketch the shape for the saluting arm.\r\n\r\n\"02\r\n\r\n \r\n

Draw the Face and Saluting Hand

\r\nSketch the basic guidelines for the face.\r\n\r\n\"03\r\n\r\n \r\n\r\nDraw the eyes.\r\n\r\n\"04\r\n\r\n \r\n\r\nDraw the nose.\r\n\r\n\"05\r\n\r\n \r\n\r\nDraw the mouth.\r\n\r\n\"06\r\n\r\n \r\n\r\nDraw the ears, jawline, and neck.\r\n\r\n\"07\r\n\r\n \r\n\r\nDraw the hand.\r\n\r\n\"08\r\n\r\n \r\n

Draw the Uniform

\r\nDraw the hat.\r\n\r\n\"09\r\n\r\n \r\n\r\nDraw the collar.\r\n\r\n\"10\r\n\r\n \r\n\r\nDraw the jacket.\r\n\r\n\"11\r\n\r\n \r\n\r\nDraw the sleeve.\r\n\r\n\"12\r\n\r\n \r\n

How to Make a Camouflage Pattern

\r\nNow it is time to begin adding a camouflage pattern to the uniform. Here is a pattern I created on the hat.\r\n\r\n\"13\r\n\r\n \r\n\r\nMake shapes for the foliage green.\r\n\r\n\"14\r\n\r\n \r\n\r\nUse a crosshatch pattern to fill in the shapes.\r\n\r\n\"15\r\n\r\n \r\n\r\nRepeat similar shapes to represent the urban gray, only use a hatch pattern rather than a crosshatch.\r\n\r\n\"16\r\n\r\n \r\n\r\nHere we have more foliage green crosshatch patterns on the jacket torso.\r\n\r\n\"17\r\n\r\n \r\n\r\nAdd approximately an equal number of urban gray hatch patterns to complete the uniform and the drawing.\r\n\r\n\"how\r\n\r\n ','How to Draw an Army Man Saluting','','inherit','open','open','','2258-revision-v1','','','2015-09-13 09:18:38','2015-09-13 16:18:38','',2258,'http://www.letsdrawpeople.com/2258-revision-v1/',0,'revision','',0),(2281,2,'2015-09-13 09:23:59','2015-09-13 16:23:59','We will see how to draw an army man saluting.\r\n\r\n[caption id=\"attachment_2267\" align=\"aligncenter\" width=\"800\"]\"how
© Elliot Burlingham | Dreamstime.com
[/caption]\r\n\r\n \r\n

Draw the Basic Outline

\r\nDraw the basic shapes for the head and torso.\r\n\r\n\"01\r\n\r\n \r\n\r\nSketch the shape for the saluting arm.\r\n\r\n\"02\r\n\r\n \r\n

Draw the Face and Saluting Hand

\r\nSketch the basic guidelines for the face.\r\n\r\n\"03\r\n\r\n \r\n\r\nDraw the eyes.\r\n\r\n\"04\r\n\r\n \r\n\r\nDraw the nose.\r\n\r\n\"05\r\n\r\n \r\n\r\nDraw the mouth.\r\n\r\n\"06\r\n\r\n \r\n\r\nDraw the ears, jawline, and neck.\r\n\r\n\"07\r\n\r\n \r\n\r\nDraw the hand.\r\n\r\n\"08\r\n\r\n \r\n

Draw the Uniform

\r\nDraw the hat.\r\n\r\n\"09\r\n\r\n \r\n\r\nDraw the collar.\r\n\r\n\"10\r\n\r\n \r\n\r\nDraw the jacket.\r\n\r\n\"11\r\n\r\n \r\n\r\nDraw the sleeve.\r\n\r\n\"12\r\n\r\n \r\n

How to Make a Camouflage Pattern

\r\nNow it is time to begin adding a camouflage pattern to the uniform. Here is a pattern I created on the hat.\r\n\r\n\"13\r\n\r\n \r\n\r\nMake shapes for the foliage green.\r\n\r\n\"14\r\n\r\n \r\n\r\nUse a crosshatch pattern to fill in the shapes.\r\n\r\n\"15\r\n\r\n \r\n\r\nRepeat similar shapes to represent the urban gray, only use a hatch pattern rather than a crosshatch.\r\n\r\n\"16\r\n\r\n \r\n\r\nHere we have more foliage green crosshatch patterns on the jacket torso.\r\n\r\n\"17\r\n\r\n \r\n\r\nAdd approximately an equal number of urban gray hatch patterns to complete the uniform and the drawing.\r\n\r\n\"how\r\n\r\n ','How to Draw an Army Man Saluting','','inherit','open','open','','2258-revision-v1','','','2015-09-13 09:23:59','2015-09-13 16:23:59','',2258,'http://www.letsdrawpeople.com/2258-revision-v1/',0,'revision','',0),(2282,2,'2015-09-13 10:02:49','2015-09-13 17:02:49','Have you ever wanted to know how to draw a soldier giving a salute? In this short tutorial, we will see how to draw an army man saluting.\r\n\r\nBelow is a reference photo that will come in handy. It definitely came in handy for me. Even though I myself am an army veteran, it has been roughly 15 years since I last wore a set of fatigues, also known at the time as BDU\'s (or Battle Dress Uniforms). I have since learned that there have been a lot of changes! As of 2004, they are called ACU\'s (or Army Combat Uniforms) and look very different from what I used to wear.\r\n\r\n[caption id=\"attachment_2267\" align=\"aligncenter\" width=\"800\"]\"how
© Elliot Burlingham | Dreamstime.com
[/caption]\r\n\r\n \r\n

Draw the Basic Outline

\r\nDraw the basic shapes for the head and torso. As you can tell from the photo, this is not a direct frontal view but rather a quarter-turn view. Account for this as you sketch the head shape by planning for the side of the face on one side and the back of the head on the other.\r\n\r\n\"01\r\n\r\n \r\n\r\nSketch the shape for the saluting arm. A salute is formed with the upper arm parallel to the ground and the fingers of the hand extended and meeting the eyebrow.\r\n\r\n\"02\r\n\r\n \r\n

Draw the Face and Saluting Hand

\r\nSketch the basic guidelines for the face. Again, since the face is turned, your guideline going down the center of the face should reflect the direction the soldier is facing.\r\n\r\n\"03\r\n\r\n \r\n\r\nSince the soldier\'s chin is slightly up, notice the upward curvature of the eye guideline as the head is tilted back. As you draw the eyes looking slightly up, don\'t forget the highlights, eyelashes, and eyebrows.\r\n\r\n\"04\r\n\r\n \r\n\r\nNext, draw the nose. Use the reference photo and guidelines to sketch the nose at the same angle as the turned head.\r\n\r\n\"05\r\n\r\n \r\n\r\nRepeat this process as you draw the mouth.\r\n\r\n\"06\r\n\r\n \r\n\r\nFinish the face by drawing the ears, jawline, and neck. The collar of the jacket will be drawn just below the neck later.\r\n\r\n\"07\r\n\r\n \r\n\r\nAt this point, you can erase the guidelines that helped you draw the face. Then begin adding details to make the hand. Draw the fingers extended straight but put slight bends in the knuckle areas to make them appear more natural. Make a few visible lifelines on the palm underside and a few wrinkles along the side of the hand for a touch of realism.\r\n\r\n\"08\r\n\r\n \r\n

Draw the Uniform

\r\nDraw the hat. Look at the reference photo to see how to properly shape the hat. Draw stitching along the seams to make it appear sewn together like real fabric.\r\n\r\n\"09\r\n\r\n \r\n\r\nDraw the collar.\r\n\r\n\"10\r\n\r\n \r\n\r\nDraw the jacket.\r\n\r\n\"11\r\n\r\n \r\n\r\nDraw the sleeve.\r\n\r\n\"12\r\n\r\n \r\n

How to Make a Camouflage Pattern

\r\nNow it is time to begin adding a camouflage pattern to the uniform. Here is a pattern I created on the hat.\r\n\r\n\"13\r\n\r\n \r\n\r\nMake shapes for the foliage green.\r\n\r\n\"14\r\n\r\n \r\n\r\nUse a crosshatch pattern to fill in the shapes.\r\n\r\n\"15\r\n\r\n \r\n\r\nRepeat similar shapes to represent the urban gray, only use a hatch pattern rather than a crosshatch.\r\n\r\n\"16\r\n\r\n \r\n\r\nHere we have more foliage green crosshatch patterns on the jacket torso.\r\n\r\n\"17\r\n\r\n \r\n\r\nAdd approximately an equal number of urban gray hatch patterns to complete the uniform and the drawing.\r\n\r\n\"how\r\n\r\n ','How to Draw an Army Man Saluting','','inherit','open','open','','2258-revision-v1','','','2015-09-13 10:02:49','2015-09-13 17:02:49','',2258,'http://www.letsdrawpeople.com/2258-revision-v1/',0,'revision','',0),(2283,2,'2015-09-13 10:10:28','2015-09-13 17:10:28','Have you ever wanted to know how to draw a soldier giving a salute? In this short tutorial, we will see how to draw an army man saluting.\r\n\r\nBelow is a reference photo that will come in handy. It definitely came in handy for me. Even though I myself am an army veteran, it has been roughly 15 years since I last wore a set of fatigues, also known at the time as BDU\'s (or Battle Dress Uniforms). I have since learned that there have been a lot of changes! As of 2004, they are called ACU\'s (or Army Combat Uniforms) and look very different from what I used to wear.\r\n\r\n[caption id=\"attachment_2267\" align=\"aligncenter\" width=\"800\"]\"how
© Elliot Burlingham | Dreamstime.com
[/caption]\r\n\r\n \r\n

Draw the Basic Outline

\r\nDraw the basic shapes for the head and torso. As you can tell from the photo, this is not a direct frontal view but rather a quarter-turn view. Account for this as you sketch the head shape by planning for the side of the face on one side and the back of the head on the other.\r\n\r\n\"01\r\n\r\n \r\n\r\nSketch the shape for the saluting arm. A salute is formed with the upper arm parallel to the ground and the fingers of the hand extended and meeting the eyebrow.\r\n\r\n\"02\r\n\r\n \r\n

Draw the Face and Saluting Hand

\r\nSketch the basic guidelines for the face. Again, since the face is turned, your guideline going down the center of the face should reflect the direction the soldier is facing.\r\n\r\n\"03\r\n\r\n \r\n\r\nSince the soldier\'s chin is slightly up, notice the upward curvature of the eye guideline as the head is tilted back. As you draw the eyes looking slightly up, don\'t forget the highlights, eyelashes, and eyebrows.\r\n\r\n\"04\r\n\r\n \r\n\r\nNext, draw the nose. Use the reference photo and guidelines to sketch the nose at the same angle as the turned head.\r\n\r\n\"05\r\n\r\n \r\n\r\nRepeat this process as you draw the mouth.\r\n\r\n\"06\r\n\r\n \r\n\r\nFinish the face by drawing the ears, jawline, and neck. The collar of the jacket will be drawn just below the neck later.\r\n\r\n\"07\r\n\r\n \r\n\r\nAt this point, you can erase the guidelines that helped you draw the face. Then begin adding details to make the hand. Draw the fingers extended straight but put slight bends in the knuckle areas to make them appear more natural. Make a few visible lifelines on the palm underside and a few wrinkles along the side of the hand for a touch of realism.\r\n\r\n\"08\r\n\r\n \r\n

Draw the Uniform

\r\nDraw the hat. Look at the reference photo to see how to properly shape the hat. Draw stitching along the seams to make it appear sewn together like real fabric.\r\n\r\n\"09\r\n\r\n \r\n\r\nNext, draw the collar along the bottom of the neck...\r\n\r\n\"10\r\n\r\n \r\n\r\n...and draw the jacket. Continue to use the reference photo to stay true to the design of the uniform. This includes noticing where parts of the jacket are fastened and how the pockets are angled. Don\'t forget to make a few well-placed folds that are always found in clothing.\r\n\r\n\"11\r\n\r\n \r\n\r\nDraw the sleeve.\r\n\r\n\"12\r\n\r\n \r\n

How to Make a Camouflage Pattern

\r\nNow it is time to begin adding a camouflage pattern to the uniform. Here is a pattern I created on the hat.\r\n\r\n\"13\r\n\r\n \r\n\r\nMake shapes for the foliage green.\r\n\r\n\"14\r\n\r\n \r\n\r\nUse a crosshatch pattern to fill in the shapes.\r\n\r\n\"15\r\n\r\n \r\n\r\nRepeat similar shapes to represent the urban gray, only use a hatch pattern rather than a crosshatch.\r\n\r\n\"16\r\n\r\n \r\n\r\nHere we have more foliage green crosshatch patterns on the jacket torso.\r\n\r\n\"17\r\n\r\n \r\n\r\nAdd approximately an equal number of urban gray hatch patterns to complete the uniform and the drawing.\r\n\r\n\"how\r\n\r\n ','How to Draw an Army Man Saluting','','inherit','open','open','','2258-revision-v1','','','2015-09-13 10:10:28','2015-09-13 17:10:28','',2258,'http://www.letsdrawpeople.com/2258-revision-v1/',0,'revision','',0),(2284,2,'2015-09-13 10:37:39','2015-09-13 17:37:39','Have you ever wanted to know how to draw a soldier giving a salute? In this short tutorial, we will see how to draw an army man saluting.\r\n\r\nBelow is a reference photo that will come in handy. It definitely came in handy for me. Even though I myself am an army veteran, it has been roughly 15 years since I last wore a set of fatigues, also known at the time as BDU\'s (or Battle Dress Uniforms). I have since learned that there have been a lot of changes! As of 2004, they are called ACU\'s (or Army Combat Uniforms) and look very different from what I used to wear.\r\n\r\n[caption id=\"attachment_2267\" align=\"aligncenter\" width=\"800\"]\"how
© Elliot Burlingham | Dreamstime.com
[/caption]\r\n\r\n \r\n

Draw the Basic Outline

\r\nDraw the basic shapes for the head and torso. As you can tell from the photo, this is not a direct frontal view but rather a quarter-turn view. Account for this as you sketch the head shape by planning for the side of the face on one side and the back of the head on the other.\r\n\r\n\"01\r\n\r\n \r\n\r\nSketch the shape for the saluting arm. A salute is formed with the upper arm parallel to the ground and the fingers of the hand extended and meeting the eyebrow.\r\n\r\n\"02\r\n\r\n \r\n

Draw the Face and Saluting Hand

\r\nSketch the basic guidelines for the face. Again, since the face is turned, your guideline going down the center of the face should reflect the direction the soldier is facing.\r\n\r\n\"03\r\n\r\n \r\n\r\nSince the soldier\'s chin is slightly up, notice the upward curvature of the eye guideline as the head is tilted back. As you draw the eyes looking slightly up, don\'t forget the highlights, eyelashes, and eyebrows.\r\n\r\n\"04\r\n\r\n \r\n\r\nNext, draw the nose. Use the reference photo and guidelines to sketch the nose at the same angle as the turned head.\r\n\r\n\"05\r\n\r\n \r\n\r\nRepeat this process as you draw the mouth.\r\n\r\n\"06\r\n\r\n \r\n\r\nFinish the face by drawing the ears, jawline, and neck. The collar of the jacket will be drawn just below the neck later.\r\n\r\n\"07\r\n\r\n \r\n\r\nAt this point, you can erase the guidelines that helped you draw the face. Then begin adding details to make the hand. Draw the fingers extended straight but put slight bends in the knuckle areas to make them appear more natural. Make a few visible lifelines on the palm underside and a few wrinkles along the side of the hand for a touch of realism.\r\n\r\n\"08\r\n\r\n \r\n

Draw the Uniform

\r\nDraw the hat. Look at the reference photo to see how to properly shape the hat. Draw stitching along the seams to make it appear sewn together like real fabric.\r\n\r\n\"09\r\n\r\n \r\n\r\nNext, draw the collar along the bottom of the neck...\r\n\r\n\"10\r\n\r\n \r\n\r\n...and draw the jacket. Continue to use the reference photo to stay true to the design of the uniform. This includes noticing where parts of the jacket are fastened and how the pockets are angled. Don\'t forget to make a few well-placed folds that are always found in clothing.\r\n\r\n\"11\r\n\r\n \r\n\r\nRepeat this process as you draw the sleeve. Look specifically for folds, seams, and pockets and draw them as carefully as you can.\r\n\r\n\"12\r\n\r\n \r\n

How to Make a Camouflage Pattern

\r\nNow it is time to begin adding a camouflage pattern to the uniform. Here is a pattern I created on the hat. The current army combat uniform has a digital-looking pixel pattern and three basic colors: foliage green, urban gray, and desert sand. The goal for this drawing is not to replicate this complicated pattern perfectly. Instead, we can sketch some very basic shapes and use a combination of hatching and crosshatching to make a simplified camouflage pattern that resembles the real thing. Here\'s how...\r\n\r\n\"13\r\n\r\n \r\n\r\nLet\'s start by making camo for the sleeve. Make some basic abstract shapes for the foliage green. Try drawing many short, straight edges and corners as you form the shapes. This will help create a pixel appearance.\r\n\r\n\"14\r\n\r\n \r\n\r\nUse a crosshatch pattern to fill in these shapes. This crosshatch pattern can enhance the pixel appearance and represent the darkest of the colors: foliage green.\r\n\r\n\"15\r\n\r\n \r\n\r\nRepeat by drawing similar shapes to represent the urban gray, only use a hatch pattern rather than a crosshatch to fill the shapes. Don\'t worry about any shading pattern for the sand color.\r\n\r\n\"16\r\n\r\n \r\n\r\nNow move on to the rest of the uniform. Here we have more foliage green crosshatch patterns on the jacket torso.\r\n\r\n\"17\r\n\r\n \r\n\r\nAdd approximately an equal number of urban gray hatch patterns to complete the uniform and the drawing.\r\n\r\n\"how\r\n\r\n \r\n\r\nFinishing Thoughts\r\n\r\nSo that is how to complete a drawing of an army man who is saluting. The process for drawing the camouflage pattern is not meant to be perfect, but it is at least easier than trying to spend hours or days replicating the real thing, and it has a close enough resemblance.\r\n\r\nRemember the value in having a reference photograph when you draw a person in a uniform such as this. If you want to honor the appearance of your subject as closely as possible, a reference photo can mean the difference between an accurate, recognizable soldier and a poor imitation.','How to Draw an Army Man Saluting','','inherit','open','open','','2258-revision-v1','','','2015-09-13 10:37:39','2015-09-13 17:37:39','',2258,'http://www.letsdrawpeople.com/2258-revision-v1/',0,'revision','',0),(2285,2,'2015-09-13 10:40:36','2015-09-13 17:40:36','Have you ever wanted to know how to draw a soldier giving a salute? In this short tutorial, we will see how to draw an army man saluting.\r\n\r\nBelow is a reference photo that will come in handy. It definitely came in handy for me. Even though I myself am an army veteran, it has been roughly 15 years since I last wore a set of fatigues, also known at the time as BDU\'s (or Battle Dress Uniforms). I have since learned that there have been a lot of changes! As of 2004, they are called ACU\'s (or Army Combat Uniforms) and look very different from what I used to wear.\r\n\r\n[caption id=\"attachment_2267\" align=\"aligncenter\" width=\"800\"]\"how
© Elliot Burlingham | Dreamstime.com
[/caption]\r\n\r\n \r\n

Draw the Basic Outline

\r\nDraw the basic shapes for the head and torso. As you can tell from the photo, this is not a direct frontal view but rather a quarter-turn view. Account for this as you sketch the head shape by planning for the side of the face on one side and the back of the head on the other.\r\n\r\n\"01\r\n\r\n \r\n\r\nSketch the shape for the saluting arm. A salute is formed with the upper arm parallel to the ground and the fingers of the hand extended and meeting the eyebrow.\r\n\r\n\"02\r\n\r\n \r\n

Draw the Face and Saluting Hand

\r\nSketch the basic guidelines for the face. Again, since the face is turned, your guideline going down the center of the face should reflect the direction the soldier is facing.\r\n\r\n\"03\r\n\r\n \r\n\r\nSince the soldier\'s chin is slightly up, notice the upward curvature of the eye guideline as the head is tilted back. As you draw the eyes looking slightly up, don\'t forget the highlights, eyelashes, and eyebrows.\r\n\r\n\"04\r\n\r\n \r\n\r\nNext, draw the nose. Use the reference photo and guidelines to sketch the nose at the same angle as the turned head.\r\n\r\n\"05\r\n\r\n \r\n\r\nRepeat this process as you draw the mouth.\r\n\r\n\"06\r\n\r\n \r\n\r\nFinish the face by drawing the ears, jawline, and neck. The collar of the jacket will be drawn just below the neck later.\r\n\r\n\"07\r\n\r\n \r\n\r\nAt this point, you can erase the guidelines that helped you draw the face. Then begin adding details to make the hand. Draw the fingers extended straight but put slight bends in the knuckle areas to make them appear more natural. Make a few visible lifelines on the palm underside and a few wrinkles along the side of the hand for a touch of realism.\r\n\r\n\"08\r\n\r\n \r\n

Draw the Uniform

\r\nDraw the hat. Look at the reference photo to see how to properly shape the hat. Draw stitching along the seams to make it appear sewn together like real fabric.\r\n\r\n\"09\r\n\r\n \r\n\r\nNext, draw the collar along the bottom of the neck...\r\n\r\n\"10\r\n\r\n \r\n\r\n...and draw the jacket. Continue to use the reference photo to stay true to the design of the uniform. This includes noticing where parts of the jacket are fastened and how the pockets are angled. Don\'t forget to make a few well-placed folds that are always found in clothing.\r\n\r\n\"11\r\n\r\n \r\n\r\nRepeat this process as you draw the sleeve. Look specifically for folds, seams, and pockets and draw them as carefully as you can.\r\n\r\n\"12\r\n\r\n \r\n

How to Make a Camouflage Pattern

\r\nNow it is time to begin adding a camouflage pattern to the uniform. Here is a pattern I created on the hat. The current army combat uniform has a digital-looking pixel pattern and three basic colors: foliage green, urban gray, and desert sand. The goal for this drawing is not to replicate this complicated pattern perfectly. Instead, we can sketch some very basic shapes and use a combination of hatching and crosshatching to make a simplified camouflage pattern that resembles the real thing. Here\'s how...\r\n\r\n\"13\r\n\r\n \r\n\r\nLet\'s start by making camo for the sleeve. Make some basic abstract shapes for the foliage green. Try drawing many short, straight edges and corners as you form the shapes. This will help create a pixel appearance.\r\n\r\n\"14\r\n\r\n \r\n\r\nUse a crosshatch pattern to fill in these shapes. This crosshatch pattern can enhance the pixel appearance and represent the darkest of the colors: foliage green.\r\n\r\n\"15\r\n\r\n \r\n\r\nRepeat by drawing similar shapes to represent the urban gray, only use a hatch pattern rather than a crosshatch to fill the shapes. Don\'t worry about any shading pattern for the sand color.\r\n\r\n\"16\r\n\r\n \r\n\r\nNow move on to the rest of the uniform. Here we have more foliage green crosshatch patterns on the jacket torso.\r\n\r\n\"17\r\n\r\n \r\n\r\nAdd approximately an equal number of urban gray hatch patterns to complete the uniform and the drawing.\r\n\r\n\"how\r\n\r\n \r\n

Finishing Thoughts

\r\nSo that is how to complete a drawing of an army man who is saluting. The process for drawing the camouflage pattern is not meant to be perfect, but it is at least easier than trying to spend hours or days replicating the real thing, and it has a close enough resemblance.\r\n\r\nRemember the value in having a reference photograph when you draw a person in a uniform such as this. If you want to honor the appearance of your subject as closely as possible, a reference photo can mean the difference between an accurate, recognizable soldier and a poor imitation.','How to Draw an Army Man Saluting','','inherit','open','open','','2258-revision-v1','','','2015-09-13 10:40:36','2015-09-13 17:40:36','',2258,'http://www.letsdrawpeople.com/2258-revision-v1/',0,'revision','',0),(2286,2,'2015-09-13 21:55:33','2015-09-14 04:55:33','','hasali','\"Hasali\" by Darshani','inherit','open','open','','hasali','','','2015-09-13 21:56:27','2015-09-14 04:56:27','',489,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/hasali.jpg',0,'attachment','image/jpeg',0),(2287,2,'2015-09-13 21:57:29','2015-09-14 04:57:29','As you develop your people-drawing skills and draw people of all shapes, sizes, and ages, you are certain to notice some differences between drawing adults and drawing children. If you are trying to learn how to draw kids and are experiencing some challenges, maybe these portrait drawings of children can help you.\r\n\r\nWhile browsing through the gallery, take time to closely examine the details in the pictures. Take note of the pencil strokes and how the lines and tones help form the larger eyes, rounder faces, or any other trouble spots you may be encountering while trying to draw kids. Check back often for more wonderful drawings of children by our website contributors and visitors, and use them as your inspiration!\r\n\r\nIf you have your own child portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"640,642,645,646,647,648,650,651,652,643,641,1431,1432,1433,1651,1667,1887,2286\" orderby=\"rand\"]\r\n\r\n ','Portrait Drawings of Children','','inherit','open','open','','489-revision-v1','','','2015-09-13 21:57:29','2015-09-14 04:57:29','',489,'http://www.letsdrawpeople.com/489-revision-v1/',0,'revision','',0),(2289,2,'2015-09-26 14:18:58','2015-09-26 21:18:58','','20150802_123335','Portrait by Anonymous','inherit','open','open','','20150802_123335','','','2015-09-26 14:19:22','2015-09-26 21:19:22','',1609,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/20150802_123335.jpg',0,'attachment','image/jpeg',0),(2290,2,'2015-09-26 14:24:17','2015-09-26 21:24:17','

Welcome to the \"Drawings of Models\" gallery!

\r\n

Models make a living out of posing for the camera. So, it is only fitting that artists use them to pose for drawings!

\r\n

When a photographer takes a picture of a model, he or she attempts to capture a particular mood. The artist drawing from a photograph of a model also attempts to capture this same mood, while also capturing the likeness of the model.

\r\n

If you have your own drawing of a model that you want others to view in this gallery, see how to share it with us.

\r\n[gallery link=\"file\" ids=\"1610,2289\" orderby=\"rand\"]','Drawings of Models','','inherit','open','open','','1609-revision-v1','','','2015-09-26 14:24:17','2015-09-26 21:24:17','',1609,'http://www.letsdrawpeople.com/1609-revision-v1/',0,'revision','',0),(2345,2,'2015-11-27 02:10:37','2015-11-27 10:10:37','

Welcome! Thank you again for contributing to Let\'s Draw People!\r\n\r\nReview the editorial calendar, and then choose your articles below. You can choose any article that is \"OPEN\" in the WRITER column. Substitute any \"X\" you see in an article\'s title with the number of your choosing. Pick one or more articles that you want to write and for which you can provide images. Please make sure you are able to meet the deadline for the article(s) you choose.\r\n\r\nIf images are already provided for an article, feel free to use them as well as your own. Again, if you see a good reference photograph on the Internet but do not own the rights for it, DO NOT USE IT! Instead, you can find legal-to-use stock images, both free and affordable, on Dreamstime.com. If you prefer to use another stock website, you can find others here and here. To confirm the source of your image, copy and paste the exact URL web address in the Description portion of the image when you upload it in WordPress.\r\n

[table id=15 /]

\r\nThe keyword phrase is important. Imagine that someone wants to know \"how to draw women\". He types the keyword phrase \"how to draw women\" into a search engine like Google. Your article should appear in the search results because you include the phrase \"how to draw women\" several times throughout your article. Plus, the entire content of your article should center around the topic \"how to draw women\" and satisfactorily answer the question for the person who typed that phrase into Google.\r\n\r\nThe category is simply how the article will be organized and placed on this website. If you look at the main menu going across this site, you will see that all the articles on the website are organized by similar categories. Keep these broader categories in mind as you write your article or tutorial to make sure it will be a good fit for the category.\r\n
  • If you click on \"Techniques\" you will see articles about drawing techniques, tools, ideas, concepts, etc.
    • \r\n
  • \"Facial Features\" will have tutorials that teach how to draw eyes, a nose, a mouth, ears, hair, or the entire face.
    • \r\n
  • Clicking on \"Figure and Clothing\" will show you how to draw beyond the head and shoulders, focusing on full-length drawings of the body and clothes or parts of the body like hands and feet.
    • \r\n
  • If you click on \"Everyday People\" you will see a list of articles and tutorials that teach how to draw regular men and women you might see every day out in public.
    • \r\n
  • Clicking on \"Well-Known People\" will show you celebrities and other prominent people.
    • \r\n
  • Articles in the category \"Children\" will teach how to draw babies, toddlers, kids, and teens.
    • \r\n
\r\nPlease take sufficient time to very carefully check your writing for proper grammar, spelling, and punctuation!\r\n

Use the form below to select the article or articles you want to write. If you have a suggestion to write an article on a different topic, you can do so as well. For example, you may want to give a tutorial on a celebrity or facial feature not mentioned, or you may want to provide advice on drawing tools or techniques not listed above. Your suggestion will be taken under consideration and if accepted, it will likely be scheduled for publication during a subsequent month or possibly used in lieu of an article already listed.

\r\n

Remember, do not begin writing the article until you receive a confirmation email that you are assigned the article!

\r\n

[nform id=\'5\']

\r\n

','Editorial Calendar','','draft','closed','closed','drawwrite418123????','editorial-calendar','','','2016-06-18 09:50:46','2016-06-18 16:50:46','',0,'http://www.letsdrawpeople.com/?page_id=2345',0,'page','',0),(3033,2,'2016-07-23 02:03:11','2016-07-23 09:03:11','We all like to look at baby pictures, but that doesn\'t mean we all like to draw them!\r\n\r\nWe all know how much different it can be to draw children rather than adults. If the thought of drawing a child intimidates you, then you are likely even more hesitant to draw a subject that is a baby.\r\n\r\nIt is true that there are significant differences in facial and body proportions between adults and children. There are even more differences between adults and babies. However, those differences do not have to stop you from drawing a baby every now and then. In fact, you will soon see that drawing a baby can have more similarities to drawing an adult that differences.\r\n\r\nIn this tutorial, we will ease into the task of drawing a baby with a simple, less-intimidating subject. We will stay away from crying babies or playing babies with their arms and legs wobbling wildly in every direction. We will walk through how to make a drawing of a baby sleeping.\r\n\r\n[caption id=\"attachment_2617\" align=\"aligncenter\" width=\"600\"]\"
© Santos06 | Dreamstime.com
[/caption]\r\n\r\nAs you can see, there is little need to worry too much about body proportions in this example. Also, since our little guy\'s eyes are closed, it will make drawing him that much easier. As we go along, I will point out some key facial proportions to keep in mind when drawing babies, as well as how they compare to facial proportions of adults.\r\n

Drawing the Baby\'s Face

\r\nStart by making some simple guidelines. Use the reference photograph above to very lightly sketch the outline of the baby\'s head, arm, and hands, as seen below. Try to get the angle of the head to closely match. You should also place some guidelines for the facial features.\r\n\r\n\"01\r\n\r\nNow here\'s where having a reference photograph comes in handy...when we talk baby proportions! You have likely noticed that the head of a baby is much more round than that of an adult\'s. Still, as you can see from carefully studying our reference photo, our baby\'s head is not a perfect circle. It is still an oval shape. It is just a more circular oval than you would make for an adult.\r\n\r\nMaybe you have also heard that a baby\'s eyes are lower down on the head than an adult\'s eyes. While usually true, this is barely noticeable in our example. The eyeline is placed just like an adult\'s - halfway between the top of the head and the chin.\r\n\r\nOne key difference to pay attention to is the much shorter nose of a baby. For this reason, you can\'t put the nose line halfway between the eyes and the chin. It needs to be closer to the eyes.\r\n\r\nSpeaking of the eyes, let\'s draw them next. The eyes are usually the most prominent feature of a baby, since they are so large and round. Since they are so prominent, you might also find them to be the most challenging part of drawing a baby. Luckily, since our baby is sleeping, drawing his eyes will be a piece of cake.\r\n\r\nLightly sketch the curved eyelids and subtle wrinkles around them. Draw a light line bridging the eyes together in the middle. The eyebrows should be barely visible. The same goes for the eyelashes. Make them as short as you possibly can. This task is made easier with a mechanical pencil for drawing those fine, thin lines. You can also use the mechanical pencil for the entire drawing, as I did.\r\n\r\n\"02\r\n\r\n \r\n\r\nRemember that a baby\'s nose is very short compared to an adult\'s. For this reason, don\'t leave much room for the bridge of the nose. Just focus on the tip and nostrils. I began by drawing a circle for the ball of the nose. The wings of the nostrils branch out from this circle but do not extend past the inner corners of the eyes.\r\n\r\n \r\n\r\n \r\n\r\n\"03\r\n\r\n \r\n\r\nNext draw the mouth, partly open to reflect the baby breathing in his sleep. A baby\'s mouth is proportionately smaller than an adult\'s; therefore, the corners of the mouth may not necessarily line up with the center of each eye. They will actually be closer to the inner corners of the eyes. Lightly sketch vertical lines on the upper and lower lips. Since the baby is sleeping on his left cheek, you should see a bit of a crease where the upper lip meets that cheek.\r\n\r\n\"04\r\n\r\n \r\n\r\nNow it is time to better define the outline of the face. Remember earlier when we said babies have a round head? Think \"round and circular\" as you trace over the contour of the baby\'s cheeks. Place the ear between the guidelines for the eyes and the mouth (not the nose).\r\n\r\n\"05\r\n\r\n \r\n

Finishing Up the Final Details

\r\nOur baby subject does not have very much hair. Sketch a fuzzy outline along the top of the head where the hair is slightly fuller. Draw fine lines to show the thinner patches of hair that are closer to the face. Since this pretty much completes the baby\'s face, now would be a good time to also erase your guidelines.\r\n\r\n\"06\r\n\r\n \r\n\r\nMoving along, the next part of the drawing is the baby\'s sleeve. I suggest that you look at the reference photo and try to sketch the folds of the fabric as best as you can. If you need extra help drawing the clothing, you can read a previous post I wrote about how to draw clothes along with the various types of folds found in them.\r\n\r\n\"07\r\n\r\n \r\n\r\nThe final step is to draw the hands and indicate the soft bedding on which the baby is resting. I opted to not make the ribbed, parallel line pattern of the bedding from the reference photo. However, I did pay close attention to the reference photo to try and keep the size of the hands properly proportioned to the face. I kept having the urge to draw them smaller, since the arms are so small compared to the head.\r\n\r\n\"drawing\r\n\r\n \r\n

Baby Proportions to Remember

\r\nTo sum up a few comparisons that were covered in this lesson between baby and adult proportions:\r\n
    \r\n
  • Babies have very round, almost circular heads. However, they are still oval-shaped. The oval shape of adult heads are much more obvious.
    • \r\n
  • When compared proportionately to the rest of the body, the head of a baby is larger than an adult\'s head.
    • \r\n
  • The eyes of a baby are slightly lower on the head than an adult\'s, but they are still pretty much centered between the top of the head and the chin.
    • \r\n
  • The nose of a baby is shorter than an adult\'s.
    • \r\n
  • The mouth is smaller and the corners do not necessarily line up with the centers of the eyes.
    • \r\n
  • The bottom of the ears may line up more with the mouth than the nose.
    • \r\n
\r\nAs always, these are general guidelines that may not apply to every baby subject perfectly. Nevertheless, maybe being familiar with them will make you a little more confident the next time you draw a person who\'s favorite words are \"goo goo ga ga\".\r\n\r\nRemember, taking on those subjects that you normally want to run away from is a sure-fire way to grow as an artist. Hopefully this tutorial will motivate you to draw even more baby pictures!','How to Make a Drawing of a Baby Sleeping','','publish','open','open','','how-to-make-a-drawing-of-a-baby-sleeping','','','2016-06-26 15:43:32','2016-06-26 22:43:32','',0,'http://www.letsdrawpeople.com/?p=3033',0,'post','',0),(2301,2,'2015-11-15 20:06:42','2015-11-16 04:06:42','You can contact me by email at support@letsdrawpeople.com or at the address below.\r\n\r\n
Let\'s Draw People
3053 West Craig Road
Suite E # 202
North Las Vegas, NV 89032
 \r\n\r\nI would love to hear from you! For the quickest reply, please use the form below to contact anytime. I look forward to responding to your questions and comments.\r\n\r\nQuestions: Ask any questions you have about any part of the website or what we do.\r\n\r\nWebsite Feedback: Let me know what you love about the site and what could make it better.\r\n\r\nTutorial Suggestions: Which kind of people-drawing tutorials would you like to see more of on this site?\r\n\r\n[nform id=\'1\']','Contact Page','','inherit','closed','closed','','15-revision-v1','','','2015-11-15 20:06:42','2015-11-16 04:06:42','',15,'http://www.letsdrawpeople.com/15-revision-v1/',0,'revision','',0),(2302,2,'2015-11-21 22:07:07','2015-11-22 06:07:07','Would you like to draw and write for LetsDrawPeople.com? Better yet, would you like to get paid to draw and get paid to write?\r\n\r\nI am looking for portrait artists or anyone skilled at drawing people. You should have the ability to write step-by-step drawing tutorials and informative content online. You should have the desire to help others who truly want to become better artists and create awesome portrait drawings like yours!\r\n\r\nThis means you should be a skilled writer able to teach and relay your drawing techniques to readers of this website who wish to draw people as well as you do. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People:\r\n
    \r\n
  • You are a professional portrait artist with your own website.
    • \r\n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \r\n
  • You have your own blog (in any niche - hence writing experience), and you love to draw in your spare time.
    • \r\n
  • You do not have your own blog, but you have strong writing skills, and you regularly post your drawings for others to see on social media.
    • \r\n
\r\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\r\n

Content Guidelines

\r\nLet\'s Draw People accepts bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on this website on an as-needed basis. Our target audience consists primarily of beginning and intermediate pencil portrait artists.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\r\n\r\nThe author retains copyright, but I may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\r\n

Payment Details

\r\nIf your article is accepted and scheduled for publication, then you will get paid for it! Contributors will be paid for each article based on the number of words, the number of images, and the quality of the drawings.\r\n\r\nNumber of words - $0.05 per word, up to the maximum words for a given article\r\n\r\nThe number of words you write will be determined based on the \"word count\" within the WordPress post writing platform. The article\'s title is not counted. For each article, the number of words you use should stay within a certain range. For example, one article might be assigned a length of 500 to 800 words. You must write a minimum of 500 words. If your article goes a bit over 800 words that is fine, but you will be paid $0.05 per word up to 800 words (or $40).\r\n\r\nArticles accepted for publication may be edited for clarity, brevity, grammar, conventions, house style, etc. However, the word count of the first draft submitted for review will be used to determine payment. If you submit 800 words of solid, valuable content but I edit it down to 732 words, you will still be paid for 800 words (or $40). Exception: there are irrelevant additions of text that add no value to the content but are obvious attempts to inflate the word count.\r\n\r\nNumber of images - $5 for 1 to 5 images; $10 for 6 to 15 images; $15 for 16 or more images\r\n\r\nIf you decide to use 10 images (for $10) to complement your article or tutorial, that does not mean you have to create 10 separate pieces of artwork. If you have original drawings from your previous body of work that you are willing to share with your article, that would be wonderful! Images can also be photographs that you have taken, or in the case of a tutorial, they can be separate scans of a single drawing. The point is...the more examples you have, the better. You are also encouraged to use photo editing software like Adobe Photoshop to add arrows, text, to crop a close up of a section of the drawing, etc.\r\n\r\nImages you submit with your articles may be edited or re-edited if they are accepted. I may also decide to add or remove images from your article before publishing. However, the number of images you upload with your first draft submitted for review will be used to determine payment. If you submit 6 relevant images that effectively teach the main points of your topic but I only publish 5 images, you will still be paid for 6 images (or $10). Exception: there are irrelevant additions of images that add no value to the content but are obvious attempts to inflate the image count.\r\n\r\nQuality of drawings - $5 for line drawings; $10 for line drawings with shading; $30 for realistic blending\r\n
    \r\n
  • $5 if all images are line drawings with little to no shading
    • \r\n
  • $10 if at least one image is a line drawing with ample shading (e.g., simple shading style like hatching, crosshatching, a layer or two of blended graphite, etc.)
    • \r\n
  • $30 if at least one image mostly consists of realistic blending (e.g., multiple applications of graphite smoothed over with a tortillion and/or blending stump)
    • \r\n
\r\nThe images below display examples of each drawing quality type:\r\n

[table id=14 /]

\r\n\r\n

Payment Scenario

\r\nUsing the payment details above, consider the following scenario:\r\n\r\nYou create an 800-word drawing tutorial with 6 scanned images. Your images are step-by-step line drawings, but you explain how to add simple shading to the final two images.\r\n\r\nYour payment would be $40 for the words (800 words x $0.05) + $10 for 6 scanned images + $10 for shaded drawings = $60 total.\r\n

How to Get Started

\r\nIf you have the expertise and experience with drawing people and are willing to create a helpful, outstanding post for the Let\'s Draw People audience, fill out the form below.\r\n\r\nBe sure to include links to three articles or blog posts you have written and published online, if applicable. Articles based on the topic of how to draw people are preferred but not required. You can even link to your blog if it is in a niche having nothing to do with drawing. The purpose of this is to get a sense of your writing style.\r\n\r\nIf you have never published writing online, then it would be helpful if you submit a short writing sample (minimum 100 words) in a MS Word document or a PDF using the upload option in the form.\r\n\r\nI also want to review three samples of your artwork. These should be drawings or sketches of people. It is fine if these are found in the links you submit below. If your links contain no drawing samples, then you can use the upload option in the form.\r\n\r\nIf you are accepted as a contributor, you will receive an email to let you know, along with a link to the editorial calendar so you can select which articles you wish to write!\r\n

[nform id=\'2\']

','Draw and Write for Us','','draft','closed','closed','','draw-and-write-for-ldp','','','2016-03-04 16:40:31','2016-03-05 00:40:31','',0,'http://www.letsdrawpeople.com/?page_id=2302',0,'page','',0),(2303,2,'2015-11-15 21:42:20','2015-11-16 05:42:20','Would you like to draw and write for LetsDrawPeople.com?\r\n\r\nWe accept bylined \"how-to\" tutorials and informative articles to be published on our website on an as-needed basis.\r\n\r\nabout drawing and sketching people','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-15 21:42:20','2015-11-16 05:42:20','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2304,2,'2015-11-16 21:22:19','2015-11-17 05:22:19','Would you like to draw and write for LetsDrawPeople.com?\r\n\r\nWe accept bylined \"how-to\" tutorials and informative articles to be published on our website on an as-needed basis.\r\n\r\n \r\n\r\nabout drawing and sketching people','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-16 21:22:19','2015-11-17 05:22:19','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2305,2,'2015-11-17 06:23:34','2015-11-17 14:23:34','Would you like to draw and write for LetsDrawPeople.com? Would you like to be paid for your contribution?\r\n\r\nWe accept bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on our website on an as-needed basis.\r\n\r\nWe are looking for portrait artists or anyone who is skilled at drawing and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus!\r\n\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\ntutorial link example\r\n\r\ninfo article link example\r\n\r\nContributors will be paid for each article based on the number of words, the number of images, and the quality of the drawing.\r\n\r\npayment breakdown\r\n\r\n ','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-17 06:23:34','2015-11-17 14:23:34','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2307,2,'2015-11-18 05:33:13','2015-11-18 13:33:13','Would you like to draw and write for LetsDrawPeople.com? Would you like to be paid for your contribution?\r\n\r\nWe accept bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on our website on an as-needed basis.\r\n\r\nWe are looking for portrait artists or anyone who is skilled at drawing and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus!\r\n\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. Sometimes a reference photograph will be provided for you, and sometimes you will be given the option of using your own. If you do not own the rights for a good reference photograph, please do not use it. Instead, you can select one from Dreamstime.com. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader.\r\n\r\n \r\n\r\ninfo article link example\r\n\r\nContributors will be paid for each article based on the number of words, the number of images, and the quality of the drawing.\r\n\r\npayment breakdown\r\n\r\n ','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-18 05:33:13','2015-11-18 13:33:13','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2312,2,'2015-11-19 07:16:54','2015-11-19 15:16:54','Would you like to draw and write for LetsDrawPeople.com? Would you like to be paid for your contribution?\r\n\r\nWe are looking for portrait artists or anyone who is skilled at drawing people and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People:\r\n
    \r\n
  • You are a professional portrait artist with your own website.
    • \r\n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \r\n
  • You have your own blog (doesn\'t have to be a drawing blog) and you are a skilled artist who loves to draw in your spare time.
    • \r\n
\r\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\r\n

Content Guidelines

\r\nWe accept bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on our website on an as-needed basis.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\r\n\r\nThe author retains copyright, but we may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\r\n

Payment Details

\r\nContributors will be paid for each article based on the number of words, the number of images, and the quality of the drawing.\r\n\r\npayment breakdown\r\n\r\nit is not always necessary to create a new drawing for an article. if you have original artwork already completed and it effectively illustrates the point of your article, please feel free to use it.\r\n\r\nform\r\n\r\nIf you are accepted as a contributor, we will email you to let you know, along with a link to the editorial calendar so you can select which articles you wish to write!\r\n\r\n ','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-19 07:16:54','2015-11-19 15:16:54','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2313,2,'2015-11-20 04:57:49','2015-11-20 12:57:49','Would you like to draw and write for LetsDrawPeople.com? Would you like to be paid for your contribution?\r\n\r\nWe are looking for portrait artists or anyone who is skilled at drawing people and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People:\r\n
    \r\n
  • You are a professional portrait artist with your own website.
    • \r\n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \r\n
  • You have your own blog (doesn\'t have to be a drawing blog) and you are a skilled artist who loves to draw in your spare time.
    • \r\n
\r\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\r\n

Content Guidelines

\r\nWe accept bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on our website on an as-needed basis.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\r\n\r\nThe author retains copyright, but we may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\r\n

Payment Details

\r\nContributors will be paid for each article based on the number of words, the number of images, and the quality of the drawing.\r\n\r\nNumber of words - $0.05 per word up to 1,600 words (up to $80)\r\n\r\nNumber of images - $5 for 1 to 5 images; $10 for 6 to 15 images; $15  for 16 or more images\r\n\r\nQuality of drawings - $5 if all images are line drawings; $10 if images are shaded and/or line drawings; $15 if images have realistic blending, are shaded, and/or are line drawings\r\n\r\n \r\n\r\npayment breakdown\r\n\r\nit is not always necessary to create a new drawing for an article. if you have original artwork already completed and it effectively illustrates the point of your article, please feel free to use it.\r\n\r\nform\r\n\r\nIf you are accepted as a contributor, we will email you to let you know, along with a link to the editorial calendar so you can select which articles you wish to write!\r\n\r\n ','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-20 04:57:49','2015-11-20 12:57:49','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2314,2,'2015-11-20 04:58:24','2015-11-20 12:58:24','[[\"
Line Drawings<\\/b><\\/center>\",\"
Line Drawings with Shading<\\/b><\\/center>\",\"
Drawings with Realistic Blending<\\/b><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\",\"
\\\""Realistic<\\/a><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\",\"
\\\"Portrait<\\/a><\\/center>\"]]','drawing quality examples','','publish','closed','closed','','drawing-quality-examples','','','2015-11-21 15:22:24','2015-11-21 23:22:24','',0,'http://www.letsdrawpeople.com/?post_type=tablepress_table&p=2314',0,'tablepress_table','application/json',0),(2315,2,'2015-11-20 05:06:50','2015-11-20 13:06:50','[[\"\\\"how<\\/a>
Line Drawing<\\/center>\",\"\\\"how<\\/a>\",\"\\\""Realistic<\\/a>\"]]','drawing quality examples','','inherit','closed','closed','','2314-revision-v1','','','2015-11-20 05:06:50','2015-11-20 13:06:50','',2314,'http://www.letsdrawpeople.com/2314-revision-v1/',0,'revision','',0),(2316,2,'2015-11-20 05:07:41','2015-11-20 13:07:41','Would you like to draw and write for LetsDrawPeople.com? Would you like to be paid for your contribution?\r\n\r\nWe are looking for portrait artists or anyone who is skilled at drawing people and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People:\r\n
    \r\n
  • You are a professional portrait artist with your own website.
    • \r\n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \r\n
  • You have your own blog (doesn\'t have to be a drawing blog) and you are a skilled artist who loves to draw in your spare time.
    • \r\n
\r\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\r\n

Content Guidelines

\r\nWe accept bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on our website on an as-needed basis.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\r\n\r\nThe author retains copyright, but we may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\r\n

Payment Details

\r\nContributors will be paid for each article based on the number of words, the number of images, and the quality of the drawing.\r\n\r\nNumber of words - $0.05 per word up to 1,600 words (up to $80)\r\n\r\nNumber of images - $5 for 1 to 5 images; $10 for 6 to 15 images; $15  for 16 or more images\r\n\r\nQuality of drawings - $5 if all images are line drawings; $10 if images are shaded and/or line drawings; $15 if images have realistic blending, are shaded, and/or are line drawings\r\n

[table id=14 /]

\r\npayment breakdown\r\n\r\nit is not always necessary to create a new drawing for an article. if you have original artwork already completed and it effectively illustrates the point of your article, please feel free to use it.\r\n\r\nform\r\n\r\nIf you are accepted as a contributor, we will email you to let you know, along with a link to the editorial calendar so you can select which articles you wish to write!\r\n\r\n ','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-20 05:07:41','2015-11-20 13:07:41','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2317,2,'2015-11-20 05:12:36','2015-11-20 13:12:36','[[\"\\\"how<\\/a>
Line Drawing<\\/center>\",\"\\\"how<\\/a>\",\"\\\""Realistic<\\/a>\"]]','drawing quality examples','','inherit','closed','closed','','2314-revision-v1','','','2015-11-20 05:12:36','2015-11-20 13:12:36','',2314,'http://www.letsdrawpeople.com/2314-revision-v1/',0,'revision','',0),(2318,2,'2015-11-20 05:13:39','2015-11-20 13:13:39','[[\"
Line Drawing<\\/b><\\/center>
\\\"how<\\/a>\",\"\\\"how<\\/a>\",\"\\\""Realistic<\\/a>\"]]','drawing quality examples','','inherit','closed','closed','','2314-revision-v1','','','2015-11-20 05:13:39','2015-11-20 13:13:39','',2314,'http://www.letsdrawpeople.com/2314-revision-v1/',0,'revision','',0),(2319,2,'2015-11-20 05:14:26','2015-11-20 13:14:26','[[\"
Line Drawing<\\/b><\\/center>
\\\"how<\\/a><\\/center>\",\"\\\"how<\\/a>\",\"\\\""Realistic<\\/a>\"]]','drawing quality examples','','inherit','closed','closed','','2314-revision-v1','','','2015-11-20 05:14:26','2015-11-20 13:14:26','',2314,'http://www.letsdrawpeople.com/2314-revision-v1/',0,'revision','',0),(2320,2,'2015-11-20 05:16:36','2015-11-20 13:16:36','[[\"
Line Drawing<\\/b><\\/center>
\\\"how<\\/a><\\/center>\",\"
Shaded Drawing<\\/b><\\/center>
\\\"how<\\/a><\\/center>\",\"
Realistic Blending<\\/b><\\/center>
\\\""Realistic<\\/a><\\/center>\"]]','drawing quality examples','','inherit','closed','closed','','2314-revision-v1','','','2015-11-20 05:16:36','2015-11-20 13:16:36','',2314,'http://www.letsdrawpeople.com/2314-revision-v1/',0,'revision','',0),(2321,2,'2015-11-20 05:36:49','2015-11-20 13:36:49','[[\"
Line Drawing<\\/b><\\/center>\",\"
Shaded Drawing<\\/b><\\/center>\",\"
Realistic Blending<\\/b><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\",\"
\\\""Realistic<\\/a><\\/center>\"],[\"\\\"how<\\/a>\",\"\\\"how<\\/a>\",\"\\\"Portrait<\\/a>\"]]','drawing quality examples','','inherit','closed','closed','','2314-revision-v1','','','2015-11-20 05:36:49','2015-11-20 13:36:49','',2314,'http://www.letsdrawpeople.com/2314-revision-v1/',0,'revision','',0),(2322,2,'2015-11-20 05:38:46','2015-11-20 13:38:46','[[\"
Line Drawing<\\/b><\\/center>\",\"
Shaded Drawing<\\/b><\\/center>\",\"
Realistic Blending<\\/b><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\",\"
\\\""Realistic<\\/a><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\",\"
\\\"Portrait<\\/a><\\/center>\"]]','drawing quality examples','','inherit','closed','closed','','2314-revision-v1','','','2015-11-20 05:38:46','2015-11-20 13:38:46','',2314,'http://www.letsdrawpeople.com/2314-revision-v1/',0,'revision','',0),(2323,2,'2015-11-20 05:42:48','2015-11-20 13:42:48','[[\"
Line Drawing<\\/b><\\/center>\",\"
Shaded Drawing<\\/b><\\/center>\",\"
Realistic Blending<\\/b><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\",\"
\\\""Realistic<\\/a><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\",\"
\\\"Portrait<\\/a><\\/center>\"]]','drawing quality examples','','inherit','closed','closed','','2314-revision-v1','','','2015-11-20 05:42:48','2015-11-20 13:42:48','',2314,'http://www.letsdrawpeople.com/2314-revision-v1/',0,'revision','',0),(2324,2,'2015-11-20 05:44:03','2015-11-20 13:44:03','[[\"
Line Drawing<\\/b><\\/center>\",\"
Shaded Drawing<\\/b><\\/center>\",\"
Realistic Blending<\\/b><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\",\"
\\\""Realistic<\\/a><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\",\"
\\\"Portrait<\\/a><\\/center>\"]]','drawing quality examples','','inherit','closed','closed','','2314-revision-v1','','','2015-11-20 05:44:03','2015-11-20 13:44:03','',2314,'http://www.letsdrawpeople.com/2314-revision-v1/',0,'revision','',0),(2325,2,'2015-11-20 05:44:57','2015-11-20 13:44:57','[[\"
Line Drawing<\\/b><\\/center>\",\"
Shaded Drawing<\\/b><\\/center>\",\"
Realistic Blending<\\/b><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\",\"
\\\""Realistic<\\/a><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\",\"
\\\"Portrait<\\/a><\\/center>\"]]','drawing quality examples','','inherit','closed','closed','','2314-revision-v1','','','2015-11-20 05:44:57','2015-11-20 13:44:57','',2314,'http://www.letsdrawpeople.com/2314-revision-v1/',0,'revision','',0),(2326,2,'2015-11-20 05:46:09','2015-11-20 13:46:09','[[\"
Line Drawing<\\/b><\\/center>\",\"
Shaded Drawing<\\/b><\\/center>\",\"
Realistic Blending<\\/b><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\",\"
\\\""Realistic<\\/a><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\",\"
\\\"Portrait<\\/a><\\/center>\"]]','drawing quality examples','','inherit','closed','closed','','2314-revision-v1','','','2015-11-20 05:46:09','2015-11-20 13:46:09','',2314,'http://www.letsdrawpeople.com/2314-revision-v1/',0,'revision','',0),(2327,2,'2015-11-20 05:48:58','2015-11-20 13:48:58','[[\"
Line Drawings<\\/b><\\/center>\",\"
Line Drawings with Shading<\\/b><\\/center>\",\"
Drawings with Realistic Blending<\\/b><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\",\"
\\\""Realistic<\\/a><\\/center>\"],[\"
\\\"how<\\/a><\\/center>\",\"
\\\"how<\\/a><\\/center>\",\"
\\\"Portrait<\\/a><\\/center>\"]]','drawing quality examples','','inherit','closed','closed','','2314-revision-v1','','','2015-11-20 05:48:58','2015-11-20 13:48:58','',2314,'http://www.letsdrawpeople.com/2314-revision-v1/',0,'revision','',0),(2328,2,'2015-11-20 06:01:16','2015-11-20 14:01:16','Would you like to draw and write for LetsDrawPeople.com? Would you like to be paid for your contribution?\r\n\r\nWe are looking for portrait artists or anyone who is skilled at drawing people and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People:\r\n
    \r\n
  • You are a professional portrait artist with your own website.
    • \r\n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \r\n
  • You have your own blog (doesn\'t have to be a drawing blog) and you are a skilled artist who loves to draw in your spare time.
    • \r\n
\r\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\r\n

Content Guidelines

\r\nWe accept bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on our website on an as-needed basis.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\r\n\r\nThe author retains copyright, but we may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\r\n

Payment Details

\r\nContributors will be paid for each article based on the number of words, the number of images, and the quality of the drawings.\r\n\r\nNumber of words - $0.05 per word up to 1,600 words (up to $80)\r\n\r\nYou can write more\r\n\r\nNumber of images - $5 for 1 to 5 images; $10 for 6 to 15 images; $15  for 16 or more images\r\n\r\nQuality of drawings - $5 if all images are line drawings with little to no shading; $10 if at least one image is a line drawing with shading; $30 if at least one image has realistic blending, are shaded, and/or are line drawings\r\n

[table id=14 /]

\r\npayment breakdown\r\n\r\nit is not always necessary to create a new drawing for an article. if you have original artwork already completed and it effectively illustrates the point of your article, please feel free to use it.\r\n\r\nform\r\n\r\nIf you are accepted as a contributor, we will email you to let you know, along with a link to the editorial calendar so you can select which articles you wish to write!\r\n\r\n ','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-20 06:01:16','2015-11-20 14:01:16','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2329,2,'2015-11-20 06:27:22','2015-11-20 14:27:22','Would you like to draw and write for LetsDrawPeople.com? Would you like to be paid for your contribution?\r\n\r\nWe are looking for portrait artists or anyone who is skilled at drawing people and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People:\r\n
    \r\n
  • You are a professional portrait artist with your own website.
    • \r\n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \r\n
  • You have your own blog (doesn\'t have to be a drawing blog) and you are a skilled artist who loves to draw in your spare time.
    • \r\n
\r\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\r\n

Content Guidelines

\r\nWe accept bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on our website on an as-needed basis.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\r\n\r\nThe author retains copyright, but we may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\r\n

Payment Details

\r\nContributors will be paid for each article based on the number of words, the number of images, and the quality of the drawings.\r\n\r\nNumber of words - $0.05 per word, up to the maximum words for a given article\r\n\r\nThe number of words you write will be determined based on the \"word count\" within the WordPress post writing platform. The article\'s title is not counted. For each assigned article, you will need to stay within a certain length of words. For example, one article might be assigned a length of 500 to 800 words. You must write a minimum of 500 words. If your article goes a bit over 800 words, like 832 words, that is fine, but you will be paid $0.05 per word up to 800 words (or $40).\r\n\r\nArticles accepted for publication may be edited for clarity, brevity, grammar, house style, etc. However, the word count of the first draft submitted for review will be used to determine payment.\r\n\r\nNumber of images - $5 for 1 to 5 images; $10 for 6 to 15 images; $15  for 16 or more images\r\n\r\n*edit* do not have to be individual drawings. can be photographs if applicable or in the case of tutorial can be separate scans of a single drawing. the point is the more examples you have, the better. encouraged also to use photo editing software like adobe photoshop to add arrows, text, to crop a close up of a part of the drawing, etc. images uploaded may be edited.\r\n\r\nQuality of drawings - $5 if all images are line drawings with little to no shading; $10 if at least one image is a line drawing with shading; $30 if at least one image has realistic blending, are shaded, and/or are line drawings\r\n\r\nit is not always necessary to create a new drawing for an article. if you have original artwork already completed and it effectively illustrates the point of your article, please feel free to use it.\r\n

[table id=14 /]

\r\n \r\n\r\nsample article and drawings payment breakdown.\r\n\r\nform\r\n\r\nIf you are accepted as a contributor, we will email you to let you know, along with a link to the editorial calendar so you can select which articles you wish to write!\r\n\r\n ','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-20 06:27:22','2015-11-20 14:27:22','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2330,2,'2015-11-21 08:16:50','2015-11-21 16:16:50','Would you like to draw and write for LetsDrawPeople.com? Would you like to be paid for your contribution?\r\n\r\nI am looking for portrait artists or anyone who is skilled at drawing people and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People (LDP):\r\n
    \r\n
  • You are a professional portrait artist with your own website.
    • \r\n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \r\n
  • You have your own blog (doesn\'t have to be a drawing blog) and you are a skilled artist who loves to draw in your spare time.
    • \r\n
\r\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\r\n

Content Guidelines

\r\nLDP accepts bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on the website on an as-needed basis.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\r\n\r\nThe author retains copyright, but I may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\r\n

Payment Details

\r\nContributors will be paid for each article based on the number of words, the number of images, and the quality of the drawings.\r\n\r\nNumber of words - $0.05 per word, up to the maximum words for a given article\r\n\r\nThe number of words you write will be determined based on the \"word count\" within the WordPress post writing platform. The article\'s title is not counted. For each article, the number of words you use should stay within a certain range. For example, one article might be assigned a length of 500 to 800 words. You must write a minimum of 500 words. If your article goes a bit over 800 words that is fine, but you will be paid $0.05 per word up to 800 words (or $40).\r\n\r\nArticles accepted for publication may be edited for clarity, brevity, grammar, house style, etc. However, the word count of the first draft submitted for review will be used to determine payment. If you submit 800 words and I edit it down to 732 words, you will still be paid for 800 words.\r\n\r\nNumber of images - $5 for 1 to 5 images; $10 for 6 to 15 images; $15 for 16 or more images\r\n\r\nIf you decide to use 10 images (for $10) to complement your article or tutorial, that does not mean you have to create 10 separate pieces of artwork. If you have original drawings from your previous body of work that you are willing to share with your article, that would be wonderful! Images can also be photographs that you have taken, or in the case of a tutorial, they can be separate scans of a single drawing. The point is...the more examples you have, the better. You are also encouraged to use photo editing software like Adobe Photoshop to add arrows, text, to crop a close up of a section of the drawing, etc.\r\n\r\nImages you submit with your articles may be edited or re-edited if they are accepted. I may also decide to add or remove images to your article before publishing. However, the number of images you upload with your first draft submitted for review will be used to determine payment.\r\n\r\nQuality of drawings - $5 if all images are line drawings with little to no shading; $10 if at least one image is a line drawing with shading; $30 if at least one image has realistic blending, are shaded, and/or are line drawings\r\n\r\nit is not always necessary to create a new drawing for an article. if you have original artwork already completed and it effectively illustrates the point of your article, please feel free to use it.\r\n

[table id=14 /]

\r\n \r\n\r\nsample article and drawings payment breakdown.\r\n\r\nform\r\n\r\nIf you are accepted as a contributor, we will email you to let you know, along with a link to the editorial calendar so you can select which articles you wish to write!\r\n\r\n ','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-21 08:16:50','2015-11-21 16:16:50','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2333,2,'2015-11-21 09:18:56','2015-11-21 17:18:56','Would you like to draw and write for LetsDrawPeople.com? Would you like to be paid for your contribution?\r\n\r\nI am looking for portrait artists or anyone who is skilled at drawing people and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People (LDP):\r\n
    \r\n
  • You are a professional portrait artist with your own website.
    • \r\n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \r\n
  • You have your own blog (doesn\'t have to be a drawing blog) and you are a skilled artist who loves to draw in your spare time.
    • \r\n
\r\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\r\n

Content Guidelines

\r\nLDP accepts bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on the website on an as-needed basis.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\r\n\r\nThe author retains copyright, but I may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\r\n

Payment Details

\r\nIf your article is accepted and scheduled for publication, then you will get paid for it! Contributors will be paid for each article based on the number of words, the number of images, and the quality of the drawings.\r\n\r\nNumber of words - $0.05 per word, up to the maximum words for a given article\r\n\r\nThe number of words you write will be determined based on the \"word count\" within the WordPress post writing platform. The article\'s title is not counted. For each article, the number of words you use should stay within a certain range. For example, one article might be assigned a length of 500 to 800 words. You must write a minimum of 500 words. If your article goes a bit over 800 words that is fine, but you will be paid $0.05 per word up to 800 words (or $40).\r\n\r\nArticles accepted for publication may be edited for clarity, brevity, grammar, house style, etc. However, the word count of the first draft submitted for review will be used to determine payment. If you submit 800 words of solid, valuable content but I edit it down to 732 words, you will still be paid for 800 words (or $40). Exception: there are irrelevant additions of text that add no value to the content but are obvious attempts to inflate the word count.\r\n\r\nNumber of images - $5 for 1 to 5 images; $10 for 6 to 15 images; $15 for 16 or more images\r\n\r\nIf you decide to use 10 images (for $10) to complement your article or tutorial, that does not mean you have to create 10 separate pieces of artwork. If you have original drawings from your previous body of work that you are willing to share with your article, that would be wonderful! Images can also be photographs that you have taken, or in the case of a tutorial, they can be separate scans of a single drawing. The point is...the more examples you have, the better. You are also encouraged to use photo editing software like Adobe Photoshop to add arrows, text, to crop a close up of a section of the drawing, etc.\r\n\r\nImages you submit with your articles may be edited or re-edited if they are accepted. I may also decide to add or remove images to your article before publishing. However, the number of images you upload with your first draft submitted for review will be used to determine payment. If you submit 6 relevant images that effectively teach the main points of your topic but I only publish 5 images, you will still be paid for 6 images (or $10). Exception: there are irrelevant additions of images that add no value to the content but are obvious attempts to inflate the image count.\r\n\r\nQuality of drawings - $5 if all images are line drawings with little to no shading; $10 if at least one image is a line drawing with ample shading; $30 if at least one image has realistic blending\r\n\r\nThe images below display examples of each drawing quality type:\r\n

[table id=14 /]

\r\nsample article and drawings payment breakdown.\r\n\r\nform\r\n\r\nIf you are accepted as a contributor, we will email you to let you know, along with a link to the editorial calendar so you can select which articles you wish to write!\r\n\r\n ','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-21 09:18:56','2015-11-21 17:18:56','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2331,2,'2015-11-21 08:39:13','2015-11-21 16:39:13','Would you like to draw and write for LetsDrawPeople.com? Would you like to be paid for your contribution?\r\n\r\nI am looking for portrait artists or anyone who is skilled at drawing people and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People (LDP):\r\n
    \r\n
  • You are a professional portrait artist with your own website.
    • \r\n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \r\n
  • You have your own blog (doesn\'t have to be a drawing blog) and you are a skilled artist who loves to draw in your spare time.
    • \r\n
\r\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\r\n

Content Guidelines

\r\nLDP accepts bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on the website on an as-needed basis.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\r\n\r\nThe author retains copyright, but I may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\r\n

Payment Details

\r\nIf your article is accepted and scheduled for publication, then you will get paid for it! Contributors will be paid for each article based on the number of words, the number of images, and the quality of the drawings.\r\n\r\nNumber of words - $0.05 per word, up to the maximum words for a given article\r\n\r\nThe number of words you write will be determined based on the \"word count\" within the WordPress post writing platform. The article\'s title is not counted. For each article, the number of words you use should stay within a certain range. For example, one article might be assigned a length of 500 to 800 words. You must write a minimum of 500 words. If your article goes a bit over 800 words that is fine, but you will be paid $0.05 per word up to 800 words (or $40).\r\n\r\nArticles accepted for publication may be edited for clarity, brevity, grammar, house style, etc. However, the word count of the first draft submitted for review will be used to determine payment. If you submit 800 words of solid, valuable content but I edit it down to 732 words, you will still be paid for 800 words. Exception: there are irrelevant additions of text that add no value to the content but are obvious attempts to inflate the word count.\r\n\r\nNumber of images - $5 for 1 to 5 images; $10 for 6 to 15 images; $15 for 16 or more images\r\n\r\nIf you decide to use 10 images (for $10) to complement your article or tutorial, that does not mean you have to create 10 separate pieces of artwork. If you have original drawings from your previous body of work that you are willing to share with your article, that would be wonderful! Images can also be photographs that you have taken, or in the case of a tutorial, they can be separate scans of a single drawing. The point is...the more examples you have, the better. You are also encouraged to use photo editing software like Adobe Photoshop to add arrows, text, to crop a close up of a section of the drawing, etc.\r\n\r\nImages you submit with your articles may be edited or re-edited if they are accepted. I may also decide to add or remove images to your article before publishing. However, the number of images you upload with your first draft submitted for review will be used to determine payment. If you submit 6 relevant images that effectively teach the main points of your topic but I only publish 5 images, you will still be paid for 6 images. Exception: there are irrelevant additions of images that add no value to the content but are obvious attempts to inflate the image count.\r\n\r\nQuality of drawings - $5 if all images are line drawings with little to no shading; $10 if at least one image is a line drawing with shading; $30 if at least one image has realistic blending, are shaded, and/or are line drawings\r\n\r\nit is not always necessary to create a new drawing for an article. if you have original artwork already completed and it effectively illustrates the point of your article, please feel free to use it.\r\n

[table id=14 /]

\r\n \r\n\r\nsample article and drawings payment breakdown.\r\n\r\nform\r\n\r\nIf you are accepted as a contributor, we will email you to let you know, along with a link to the editorial calendar so you can select which articles you wish to write!\r\n\r\n ','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-21 08:39:13','2015-11-21 16:39:13','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2332,2,'2015-11-21 08:44:31','2015-11-21 16:44:31','Would you like to draw and write for LetsDrawPeople.com? Would you like to be paid for your contribution?\r\n\r\nI am looking for portrait artists or anyone who is skilled at drawing people and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People (LDP):\r\n
    \r\n
  • You are a professional portrait artist with your own website.
    • \r\n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \r\n
  • You have your own blog (doesn\'t have to be a drawing blog) and you are a skilled artist who loves to draw in your spare time.
    • \r\n
\r\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\r\n

Content Guidelines

\r\nLDP accepts bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on the website on an as-needed basis.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\r\n\r\nThe author retains copyright, but I may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\r\n

Payment Details

\r\nIf your article is accepted and scheduled for publication, then you will get paid for it! Contributors will be paid for each article based on the number of words, the number of images, and the quality of the drawings.\r\n\r\nNumber of words - $0.05 per word, up to the maximum words for a given article\r\n\r\nThe number of words you write will be determined based on the \"word count\" within the WordPress post writing platform. The article\'s title is not counted. For each article, the number of words you use should stay within a certain range. For example, one article might be assigned a length of 500 to 800 words. You must write a minimum of 500 words. If your article goes a bit over 800 words that is fine, but you will be paid $0.05 per word up to 800 words (or $40).\r\n\r\nArticles accepted for publication may be edited for clarity, brevity, grammar, house style, etc. However, the word count of the first draft submitted for review will be used to determine payment. If you submit 800 words of solid, valuable content but I edit it down to 732 words, you will still be paid for 800 words (or $40). Exception: there are irrelevant additions of text that add no value to the content but are obvious attempts to inflate the word count.\r\n\r\nNumber of images - $5 for 1 to 5 images; $10 for 6 to 15 images; $15 for 16 or more images\r\n\r\nIf you decide to use 10 images (for $10) to complement your article or tutorial, that does not mean you have to create 10 separate pieces of artwork. If you have original drawings from your previous body of work that you are willing to share with your article, that would be wonderful! Images can also be photographs that you have taken, or in the case of a tutorial, they can be separate scans of a single drawing. The point is...the more examples you have, the better. You are also encouraged to use photo editing software like Adobe Photoshop to add arrows, text, to crop a close up of a section of the drawing, etc.\r\n\r\nImages you submit with your articles may be edited or re-edited if they are accepted. I may also decide to add or remove images to your article before publishing. However, the number of images you upload with your first draft submitted for review will be used to determine payment. If you submit 6 relevant images that effectively teach the main points of your topic but I only publish 5 images, you will still be paid for 6 images (or $10). Exception: there are irrelevant additions of images that add no value to the content but are obvious attempts to inflate the image count.\r\n\r\nQuality of drawings - $5 if all images are line drawings with little to no shading; $10 if at least one image is a line drawing with shading; $30 if at least one image has realistic blending, are shaded, and/or are line drawings\r\n\r\nit is not always necessary to create a new drawing for an article. if you have original artwork already completed and it effectively illustrates the point of your article, please feel free to use it.\r\n

[table id=14 /]

\r\n \r\n\r\nsample article and drawings payment breakdown.\r\n\r\nform\r\n\r\nIf you are accepted as a contributor, we will email you to let you know, along with a link to the editorial calendar so you can select which articles you wish to write!\r\n\r\n ','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-21 08:44:31','2015-11-21 16:44:31','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2334,2,'2015-11-21 09:27:21','2015-11-21 17:27:21','Would you like to draw and write for LetsDrawPeople.com? Would you like to be paid for your contribution?\r\n\r\nI am looking for portrait artists or anyone who is skilled at drawing people and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People (LDP):\r\n
    \r\n
  • You are a professional portrait artist with your own website.
    • \r\n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \r\n
  • You have your own blog (doesn\'t have to be a drawing blog) and you are a skilled artist who loves to draw in your spare time.
    • \r\n
\r\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\r\n

Content Guidelines

\r\nLDP accepts bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on the website on an as-needed basis.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\r\n\r\nThe author retains copyright, but I may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\r\n

Payment Details

\r\nIf your article is accepted and scheduled for publication, then you will get paid for it! Contributors will be paid for each article based on the number of words, the number of images, and the quality of the drawings.\r\n\r\nNumber of words - $0.05 per word, up to the maximum words for a given article\r\n\r\nThe number of words you write will be determined based on the \"word count\" within the WordPress post writing platform. The article\'s title is not counted. For each article, the number of words you use should stay within a certain range. For example, one article might be assigned a length of 500 to 800 words. You must write a minimum of 500 words. If your article goes a bit over 800 words that is fine, but you will be paid $0.05 per word up to 800 words (or $40).\r\n\r\nArticles accepted for publication may be edited for clarity, brevity, grammar, house style, etc. However, the word count of the first draft submitted for review will be used to determine payment. If you submit 800 words of solid, valuable content but I edit it down to 732 words, you will still be paid for 800 words (or $40). Exception: there are irrelevant additions of text that add no value to the content but are obvious attempts to inflate the word count.\r\n\r\nNumber of images - $5 for 1 to 5 images; $10 for 6 to 15 images; $15 for 16 or more images\r\n\r\nIf you decide to use 10 images (for $10) to complement your article or tutorial, that does not mean you have to create 10 separate pieces of artwork. If you have original drawings from your previous body of work that you are willing to share with your article, that would be wonderful! Images can also be photographs that you have taken, or in the case of a tutorial, they can be separate scans of a single drawing. The point is...the more examples you have, the better. You are also encouraged to use photo editing software like Adobe Photoshop to add arrows, text, to crop a close up of a section of the drawing, etc.\r\n\r\nImages you submit with your articles may be edited or re-edited if they are accepted. I may also decide to add or remove images to your article before publishing. However, the number of images you upload with your first draft submitted for review will be used to determine payment. If you submit 6 relevant images that effectively teach the main points of your topic but I only publish 5 images, you will still be paid for 6 images (or $10). Exception: there are irrelevant additions of images that add no value to the content but are obvious attempts to inflate the image count.\r\n\r\nQuality of drawings - $5 if all images are line drawings with little to no shading; $10 if at least one image is a line drawing with simple shading; $30 if at least one image has realistic blending\r\n\r\nThe images below display examples of each drawing quality type:\r\n

[table id=14 /]

\r\n\r\n

Payment Scenario

\r\nUsing the payment details above, consider the following scenario:\r\n\r\nYou create an 800-word drawing tutorial with 6 scanned images. Your images are step-by-step line drawings, but you explain how to add simple shading to the final two images.\r\n\r\nform\r\n\r\nIf you are accepted as a contributor, we will email you to let you know, along with a link to the editorial calendar so you can select which articles you wish to write!\r\n\r\n ','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-21 09:27:21','2015-11-21 17:27:21','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2335,2,'2015-11-21 09:44:40','2015-11-21 17:44:40','Would you like to draw and write for LetsDrawPeople.com? Would you like to be paid for your contribution?\r\n\r\nI am looking for portrait artists or anyone who is skilled at drawing people and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People (LDP):\r\n
    \r\n
  • You are a professional portrait artist with your own website.
    • \r\n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \r\n
  • You have your own blog (doesn\'t have to be a drawing blog) and you are a skilled artist who loves to draw in your spare time.
    • \r\n
\r\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\r\n

Content Guidelines

\r\nLDP accepts bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on the website on an as-needed basis.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\r\n\r\nThe author retains copyright, but I may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\r\n

Payment Details

\r\nIf your article is accepted and scheduled for publication, then you will get paid for it! Contributors will be paid for each article based on the number of words, the number of images, and the quality of the drawings.\r\n\r\nNumber of words - $0.05 per word, up to the maximum words for a given article\r\n\r\nThe number of words you write will be determined based on the \"word count\" within the WordPress post writing platform. The article\'s title is not counted. For each article, the number of words you use should stay within a certain range. For example, one article might be assigned a length of 500 to 800 words. You must write a minimum of 500 words. If your article goes a bit over 800 words that is fine, but you will be paid $0.05 per word up to 800 words (or $40).\r\n\r\nArticles accepted for publication may be edited for clarity, brevity, grammar, house style, etc. However, the word count of the first draft submitted for review will be used to determine payment. If you submit 800 words of solid, valuable content but I edit it down to 732 words, you will still be paid for 800 words (or $40). Exception: there are irrelevant additions of text that add no value to the content but are obvious attempts to inflate the word count.\r\n\r\nNumber of images - $5 for 1 to 5 images; $10 for 6 to 15 images; $15 for 16 or more images\r\n\r\nIf you decide to use 10 images (for $10) to complement your article or tutorial, that does not mean you have to create 10 separate pieces of artwork. If you have original drawings from your previous body of work that you are willing to share with your article, that would be wonderful! Images can also be photographs that you have taken, or in the case of a tutorial, they can be separate scans of a single drawing. The point is...the more examples you have, the better. You are also encouraged to use photo editing software like Adobe Photoshop to add arrows, text, to crop a close up of a section of the drawing, etc.\r\n\r\nImages you submit with your articles may be edited or re-edited if they are accepted. I may also decide to add or remove images to your article before publishing. However, the number of images you upload with your first draft submitted for review will be used to determine payment. If you submit 6 relevant images that effectively teach the main points of your topic but I only publish 5 images, you will still be paid for 6 images (or $10). Exception: there are irrelevant additions of images that add no value to the content but are obvious attempts to inflate the image count.\r\n\r\nQuality of drawings - $5 for line drawings; $10 for line drawings with shading; $30 for realistic blending\r\n
    \r\n
  • $5 if all images are line drawings with little to no shading
    • \r\n
  • $10 if at least one image is a line drawing with ample shading (i.e., simple shading style like hatching, crosshatching, etc.)
    • \r\n
  • $30 if at least one image mostly consists of realistic blending (e.g., multiple applications of graphite smoothed over with a tortillion and/or blending stump)
    • \r\n
\r\nThe images below display examples of each drawing quality type:\r\n

[table id=14 /]

\r\n\r\n

Payment Scenario

\r\nUsing the payment details above, consider the following scenario:\r\n\r\nYou create an 800-word drawing tutorial with 6 scanned images. Your images are step-by-step line drawings, but you explain how to add simple shading to the final two images.\r\n\r\nYour payment would be $40 for the words (800 words x $0.05) + $10 for 6 scanned images + $10 for shaded drawings = $60 total.\r\n\r\nform\r\n\r\nIf you are accepted as a contributor, you will receive an email to let you know, along with a link to the editorial calendar so you can select which articles you wish to write!\r\n\r\n ','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-21 09:44:40','2015-11-21 17:44:40','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2336,2,'2015-11-21 15:58:04','2015-11-21 23:58:04','Would you like to draw and write for LetsDrawPeople.com? Would you like to be paid for your contribution?\r\n\r\nI am looking for portrait artists or anyone who is skilled at drawing people and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People:\r\n
    \r\n
  • You are a professional portrait artist with your own website.
    • \r\n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \r\n
  • You have your own blog (doesn\'t have to be a drawing blog) and you are a skilled artist who loves to draw in your spare time.
    • \r\n
\r\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\r\n

Content Guidelines

\r\nLet\'s Draw People accepts bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on this website on an as-needed basis.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\r\n\r\nThe author retains copyright, but I may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\r\n

Payment Details

\r\nIf your article is accepted and scheduled for publication, then you will get paid for it! Contributors will be paid for each article based on the number of words, the number of images, and the quality of the drawings.\r\n\r\nNumber of words - $0.05 per word, up to the maximum words for a given article\r\n\r\nThe number of words you write will be determined based on the \"word count\" within the WordPress post writing platform. The article\'s title is not counted. For each article, the number of words you use should stay within a certain range. For example, one article might be assigned a length of 500 to 800 words. You must write a minimum of 500 words. If your article goes a bit over 800 words that is fine, but you will be paid $0.05 per word up to 800 words (or $40).\r\n\r\nArticles accepted for publication may be edited for clarity, brevity, grammar, house style, etc. However, the word count of the first draft submitted for review will be used to determine payment. If you submit 800 words of solid, valuable content but I edit it down to 732 words, you will still be paid for 800 words (or $40). Exception: there are irrelevant additions of text that add no value to the content but are obvious attempts to inflate the word count.\r\n\r\nNumber of images - $5 for 1 to 5 images; $10 for 6 to 15 images; $15 for 16 or more images\r\n\r\nIf you decide to use 10 images (for $10) to complement your article or tutorial, that does not mean you have to create 10 separate pieces of artwork. If you have original drawings from your previous body of work that you are willing to share with your article, that would be wonderful! Images can also be photographs that you have taken, or in the case of a tutorial, they can be separate scans of a single drawing. The point is...the more examples you have, the better. You are also encouraged to use photo editing software like Adobe Photoshop to add arrows, text, to crop a close up of a section of the drawing, etc.\r\n\r\nImages you submit with your articles may be edited or re-edited if they are accepted. I may also decide to add or remove images to your article before publishing. However, the number of images you upload with your first draft submitted for review will be used to determine payment. If you submit 6 relevant images that effectively teach the main points of your topic but I only publish 5 images, you will still be paid for 6 images (or $10). Exception: there are irrelevant additions of images that add no value to the content but are obvious attempts to inflate the image count.\r\n\r\nQuality of drawings - $5 for line drawings; $10 for line drawings with shading; $30 for realistic blending\r\n
    \r\n
  • $5 if all images are line drawings with little to no shading
    • \r\n
  • $10 if at least one image is a line drawing with ample shading (i.e., simple shading style like hatching, crosshatching, etc.)
    • \r\n
  • $30 if at least one image mostly consists of realistic blending (e.g., multiple applications of graphite smoothed over with a tortillion and/or blending stump)
    • \r\n
\r\nThe images below display examples of each drawing quality type:\r\n

[table id=14 /]

\r\n\r\n

Payment Scenario

\r\nUsing the payment details above, consider the following scenario:\r\n\r\nYou create an 800-word drawing tutorial with 6 scanned images. Your images are step-by-step line drawings, but you explain how to add simple shading to the final two images.\r\n\r\nYour payment would be $40 for the words (800 words x $0.05) + $10 for 6 scanned images + $10 for shaded drawings = $60 total.\r\n

How to Get Started

\r\nIf you have the expertise and experience with drawing people and are willing to create a helpful, outstanding post for the Let\'s Draw People audience, fill out the form below.\r\n\r\nBe sure to include links to three articles you have written and published online. Articles based on the topic of how to draw people are preferred but not required. You can even link to your blog if it is in a niche having nothing to do with drawing. The purpose of this is to get a sense of your writing style.\r\n\r\nI also want to review three samples of your artwork. These should be drawings or sketches of people. It is fine if these are found in the links you submit below. If your links contain no drawing samples, then you can use the upload option in the form.\r\n\r\nIf you are accepted as a contributor, you will receive an email to let you know, along with a link to the editorial calendar so you can select which articles you wish to write!\r\n\r\n ','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-21 15:58:04','2015-11-21 23:58:04','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2337,2,'2015-11-21 16:02:54','2015-11-22 00:02:54','Would you like to draw and write for LetsDrawPeople.com? Would you like to be paid for your contribution?\r\n\r\nI am looking for portrait artists or anyone who is skilled at drawing people and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People:\r\n
    \r\n
  • You are a professional portrait artist with your own website.
    • \r\n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \r\n
  • You have your own blog (doesn\'t have to be a drawing blog) and you are a skilled artist who loves to draw in your spare time.
    • \r\n
\r\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\r\n

Content Guidelines

\r\nLet\'s Draw People accepts bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on this website on an as-needed basis.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\r\n\r\nThe author retains copyright, but I may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\r\n

Payment Details

\r\nIf your article is accepted and scheduled for publication, then you will get paid for it! Contributors will be paid for each article based on the number of words, the number of images, and the quality of the drawings.\r\n\r\nNumber of words - $0.05 per word, up to the maximum words for a given article\r\n\r\nThe number of words you write will be determined based on the \"word count\" within the WordPress post writing platform. The article\'s title is not counted. For each article, the number of words you use should stay within a certain range. For example, one article might be assigned a length of 500 to 800 words. You must write a minimum of 500 words. If your article goes a bit over 800 words that is fine, but you will be paid $0.05 per word up to 800 words (or $40).\r\n\r\nArticles accepted for publication may be edited for clarity, brevity, grammar, house style, etc. However, the word count of the first draft submitted for review will be used to determine payment. If you submit 800 words of solid, valuable content but I edit it down to 732 words, you will still be paid for 800 words (or $40). Exception: there are irrelevant additions of text that add no value to the content but are obvious attempts to inflate the word count.\r\n\r\nNumber of images - $5 for 1 to 5 images; $10 for 6 to 15 images; $15 for 16 or more images\r\n\r\nIf you decide to use 10 images (for $10) to complement your article or tutorial, that does not mean you have to create 10 separate pieces of artwork. If you have original drawings from your previous body of work that you are willing to share with your article, that would be wonderful! Images can also be photographs that you have taken, or in the case of a tutorial, they can be separate scans of a single drawing. The point is...the more examples you have, the better. You are also encouraged to use photo editing software like Adobe Photoshop to add arrows, text, to crop a close up of a section of the drawing, etc.\r\n\r\nImages you submit with your articles may be edited or re-edited if they are accepted. I may also decide to add or remove images to your article before publishing. However, the number of images you upload with your first draft submitted for review will be used to determine payment. If you submit 6 relevant images that effectively teach the main points of your topic but I only publish 5 images, you will still be paid for 6 images (or $10). Exception: there are irrelevant additions of images that add no value to the content but are obvious attempts to inflate the image count.\r\n\r\nQuality of drawings - $5 for line drawings; $10 for line drawings with shading; $30 for realistic blending\r\n
    \r\n
  • $5 if all images are line drawings with little to no shading
    • \r\n
  • $10 if at least one image is a line drawing with ample shading (i.e., simple shading style like hatching, crosshatching, etc.)
    • \r\n
  • $30 if at least one image mostly consists of realistic blending (e.g., multiple applications of graphite smoothed over with a tortillion and/or blending stump)
    • \r\n
\r\nThe images below display examples of each drawing quality type:\r\n

[table id=14 /]

\r\n\r\n

Payment Scenario

\r\nUsing the payment details above, consider the following scenario:\r\n\r\nYou create an 800-word drawing tutorial with 6 scanned images. Your images are step-by-step line drawings, but you explain how to add simple shading to the final two images.\r\n\r\nYour payment would be $40 for the words (800 words x $0.05) + $10 for 6 scanned images + $10 for shaded drawings = $60 total.\r\n

How to Get Started

\r\nIf you have the expertise and experience with drawing people and are willing to create a helpful, outstanding post for the Let\'s Draw People audience, fill out the form below.\r\n\r\nBe sure to include links to three articles you have written and published online. Articles based on the topic of how to draw people are preferred but not required. You can even link to your blog if it is in a niche having nothing to do with drawing. The purpose of this is to get a sense of your writing style.\r\n\r\nI also want to review three samples of your artwork. These should be drawings or sketches of people. It is fine if these are found in the links you submit below. If your links contain no drawing samples, then you can use the upload option in the form.\r\n\r\nIf you are accepted as a contributor, you will receive an email to let you know, along with a link to the editorial calendar so you can select which articles you wish to write!\r\n\r\n[form]','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-21 16:02:54','2015-11-22 00:02:54','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2338,2,'2015-11-21 20:08:29','2015-11-22 04:08:29','Would you like to draw and write for LetsDrawPeople.com? Would you like to be paid for your contribution?\r\n\r\nI am looking for portrait artists or anyone who is skilled at drawing people and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People:\r\n
    \r\n
  • You are a professional portrait artist with your own website.
    • \r\n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \r\n
  • You have your own blog (doesn\'t have to be a drawing blog) and you are a skilled artist who loves to draw in your spare time.
    • \r\n
\r\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\r\n

Content Guidelines

\r\nLet\'s Draw People accepts bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on this website on an as-needed basis.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\r\n\r\nThe author retains copyright, but I may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\r\n

Payment Details

\r\nIf your article is accepted and scheduled for publication, then you will get paid for it! Contributors will be paid for each article based on the number of words, the number of images, and the quality of the drawings.\r\n\r\nNumber of words - $0.05 per word, up to the maximum words for a given article\r\n\r\nThe number of words you write will be determined based on the \"word count\" within the WordPress post writing platform. The article\'s title is not counted. For each article, the number of words you use should stay within a certain range. For example, one article might be assigned a length of 500 to 800 words. You must write a minimum of 500 words. If your article goes a bit over 800 words that is fine, but you will be paid $0.05 per word up to 800 words (or $40).\r\n\r\nArticles accepted for publication may be edited for clarity, brevity, grammar, house style, etc. However, the word count of the first draft submitted for review will be used to determine payment. If you submit 800 words of solid, valuable content but I edit it down to 732 words, you will still be paid for 800 words (or $40). Exception: there are irrelevant additions of text that add no value to the content but are obvious attempts to inflate the word count.\r\n\r\nNumber of images - $5 for 1 to 5 images; $10 for 6 to 15 images; $15 for 16 or more images\r\n\r\nIf you decide to use 10 images (for $10) to complement your article or tutorial, that does not mean you have to create 10 separate pieces of artwork. If you have original drawings from your previous body of work that you are willing to share with your article, that would be wonderful! Images can also be photographs that you have taken, or in the case of a tutorial, they can be separate scans of a single drawing. The point is...the more examples you have, the better. You are also encouraged to use photo editing software like Adobe Photoshop to add arrows, text, to crop a close up of a section of the drawing, etc.\r\n\r\nImages you submit with your articles may be edited or re-edited if they are accepted. I may also decide to add or remove images to your article before publishing. However, the number of images you upload with your first draft submitted for review will be used to determine payment. If you submit 6 relevant images that effectively teach the main points of your topic but I only publish 5 images, you will still be paid for 6 images (or $10). Exception: there are irrelevant additions of images that add no value to the content but are obvious attempts to inflate the image count.\r\n\r\nQuality of drawings - $5 for line drawings; $10 for line drawings with shading; $30 for realistic blending\r\n
    \r\n
  • $5 if all images are line drawings with little to no shading
    • \r\n
  • $10 if at least one image is a line drawing with ample shading (i.e., simple shading style like hatching, crosshatching, etc.)
    • \r\n
  • $30 if at least one image mostly consists of realistic blending (e.g., multiple applications of graphite smoothed over with a tortillion and/or blending stump)
    • \r\n
\r\nThe images below display examples of each drawing quality type:\r\n

[table id=14 /]

\r\n\r\n

Payment Scenario

\r\nUsing the payment details above, consider the following scenario:\r\n\r\nYou create an 800-word drawing tutorial with 6 scanned images. Your images are step-by-step line drawings, but you explain how to add simple shading to the final two images.\r\n\r\nYour payment would be $40 for the words (800 words x $0.05) + $10 for 6 scanned images + $10 for shaded drawings = $60 total.\r\n

How to Get Started

\r\nIf you have the expertise and experience with drawing people and are willing to create a helpful, outstanding post for the Let\'s Draw People audience, fill out the form below.\r\n\r\nBe sure to include links to three articles you have written and published online. Articles based on the topic of how to draw people are preferred but not required. You can even link to your blog if it is in a niche having nothing to do with drawing. The purpose of this is to get a sense of your writing style.\r\n\r\nI also want to review three samples of your artwork. These should be drawings or sketches of people. It is fine if these are found in the links you submit below. If your links contain no drawing samples, then you can use the upload option in the form.\r\n\r\nIf you are accepted as a contributor, you will receive an email to let you know, along with a link to the editorial calendar so you can select which articles you wish to write!\r\n

[nform id=\'2\']

','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-21 20:08:29','2015-11-22 04:08:29','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2339,2,'2015-11-21 20:35:51','2015-11-22 04:35:51','Would you like to draw and write for LetsDrawPeople.com? Would you like to be paid for your contribution?\r\n\r\nI am looking for portrait artists or anyone who is skilled at drawing people and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People:\r\n
    \r\n
  • You are a professional portrait artist with your own website.
    • \r\n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \r\n
  • You have your own blog (doesn\'t have to be a drawing blog) and you are a skilled artist who loves to draw in your spare time.
    • \r\n
\r\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\r\n

Content Guidelines

\r\nLet\'s Draw People accepts bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on this website on an as-needed basis.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\r\n\r\nThe author retains copyright, but I may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\r\n

Payment Details

\r\nIf your article is accepted and scheduled for publication, then you will get paid for it! Contributors will be paid for each article based on the number of words, the number of images, and the quality of the drawings.\r\n\r\nNumber of words - $0.05 per word, up to the maximum words for a given article\r\n\r\nThe number of words you write will be determined based on the \"word count\" within the WordPress post writing platform. The article\'s title is not counted. For each article, the number of words you use should stay within a certain range. For example, one article might be assigned a length of 500 to 800 words. You must write a minimum of 500 words. If your article goes a bit over 800 words that is fine, but you will be paid $0.05 per word up to 800 words (or $40).\r\n\r\nArticles accepted for publication may be edited for clarity, brevity, grammar, house style, etc. However, the word count of the first draft submitted for review will be used to determine payment. If you submit 800 words of solid, valuable content but I edit it down to 732 words, you will still be paid for 800 words (or $40). Exception: there are irrelevant additions of text that add no value to the content but are obvious attempts to inflate the word count.\r\n\r\nNumber of images - $5 for 1 to 5 images; $10 for 6 to 15 images; $15 for 16 or more images\r\n\r\nIf you decide to use 10 images (for $10) to complement your article or tutorial, that does not mean you have to create 10 separate pieces of artwork. If you have original drawings from your previous body of work that you are willing to share with your article, that would be wonderful! Images can also be photographs that you have taken, or in the case of a tutorial, they can be separate scans of a single drawing. The point is...the more examples you have, the better. You are also encouraged to use photo editing software like Adobe Photoshop to add arrows, text, to crop a close up of a section of the drawing, etc.\r\n\r\nImages you submit with your articles may be edited or re-edited if they are accepted. I may also decide to add or remove images to your article before publishing. However, the number of images you upload with your first draft submitted for review will be used to determine payment. If you submit 6 relevant images that effectively teach the main points of your topic but I only publish 5 images, you will still be paid for 6 images (or $10). Exception: there are irrelevant additions of images that add no value to the content but are obvious attempts to inflate the image count.\r\n\r\nQuality of drawings - $5 for line drawings; $10 for line drawings with shading; $30 for realistic blending\r\n
    \r\n
  • $5 if all images are line drawings with little to no shading
    • \r\n
  • $10 if at least one image is a line drawing with ample shading (i.e., simple shading style like hatching, crosshatching, etc.)
    • \r\n
  • $30 if at least one image mostly consists of realistic blending (e.g., multiple applications of graphite smoothed over with a tortillion and/or blending stump)
    • \r\n
\r\nThe images below display examples of each drawing quality type:\r\n

[table id=14 /]

\r\n\r\n

Payment Scenario

\r\nUsing the payment details above, consider the following scenario:\r\n\r\nYou create an 800-word drawing tutorial with 6 scanned images. Your images are step-by-step line drawings, but you explain how to add simple shading to the final two images.\r\n\r\nYour payment would be $40 for the words (800 words x $0.05) + $10 for 6 scanned images + $10 for shaded drawings = $60 total.\r\n

How to Get Started

\r\nIf you have the expertise and experience with drawing people and are willing to create a helpful, outstanding post for the Let\'s Draw People audience, fill out the form below.\r\n\r\nBe sure to include links to three articles you have written and published online. Articles based on the topic of how to draw people are preferred but not required. You can even link to your blog if it is in a niche having nothing to do with drawing. The purpose of this is to get a sense of your writing style.\r\n\r\nI also want to review three samples of your artwork. These should be drawings or sketches of people. It is fine if these are found in the links you submit below. If your links contain no drawing samples, then you can use the upload option in the form.\r\n\r\nIf you are accepted as a contributor, you will receive an email to let you know, along with a link to the editorial calendar so you can select which articles you wish to write!\r\n

[nform id=\'2\']

','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-21 20:35:51','2015-11-22 04:35:51','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2340,2,'2015-11-21 20:46:45','2015-11-22 04:46:45','Would you like to draw and write for LetsDrawPeople.com? Would you like to be paid for your contribution?\r\n\r\nI am looking for portrait artists or anyone who is skilled at drawing people and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People:\r\n
    \r\n
  • You are a professional portrait artist with your own website.
    • \r\n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \r\n
  • You have your own blog (doesn\'t have to be a drawing blog) and you are a skilled artist who loves to draw in your spare time.
    • \r\n
\r\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\r\n

Content Guidelines

\r\nLet\'s Draw People accepts bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on this website on an as-needed basis.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\r\n\r\nThe author retains copyright, but I may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\r\n

Payment Details

\r\nIf your article is accepted and scheduled for publication, then you will get paid for it! Contributors will be paid for each article based on the number of words, the number of images, and the quality of the drawings.\r\n\r\nNumber of words - $0.05 per word, up to the maximum words for a given article\r\n\r\nThe number of words you write will be determined based on the \"word count\" within the WordPress post writing platform. The article\'s title is not counted. For each article, the number of words you use should stay within a certain range. For example, one article might be assigned a length of 500 to 800 words. You must write a minimum of 500 words. If your article goes a bit over 800 words that is fine, but you will be paid $0.05 per word up to 800 words (or $40).\r\n\r\nArticles accepted for publication may be edited for clarity, brevity, grammar, house style, etc. However, the word count of the first draft submitted for review will be used to determine payment. If you submit 800 words of solid, valuable content but I edit it down to 732 words, you will still be paid for 800 words (or $40). Exception: there are irrelevant additions of text that add no value to the content but are obvious attempts to inflate the word count.\r\n\r\nNumber of images - $5 for 1 to 5 images; $10 for 6 to 15 images; $15 for 16 or more images\r\n\r\nIf you decide to use 10 images (for $10) to complement your article or tutorial, that does not mean you have to create 10 separate pieces of artwork. If you have original drawings from your previous body of work that you are willing to share with your article, that would be wonderful! Images can also be photographs that you have taken, or in the case of a tutorial, they can be separate scans of a single drawing. The point is...the more examples you have, the better. You are also encouraged to use photo editing software like Adobe Photoshop to add arrows, text, to crop a close up of a section of the drawing, etc.\r\n\r\nImages you submit with your articles may be edited or re-edited if they are accepted. I may also decide to add or remove images from your article before publishing. However, the number of images you upload with your first draft submitted for review will be used to determine payment. If you submit 6 relevant images that effectively teach the main points of your topic but I only publish 5 images, you will still be paid for 6 images (or $10). Exception: there are irrelevant additions of images that add no value to the content but are obvious attempts to inflate the image count.\r\n\r\nQuality of drawings - $5 for line drawings; $10 for line drawings with shading; $30 for realistic blending\r\n
    \r\n
  • $5 if all images are line drawings with little to no shading
    • \r\n
  • $10 if at least one image is a line drawing with ample shading (i.e., simple shading style like hatching, crosshatching, etc.)
    • \r\n
  • $30 if at least one image mostly consists of realistic blending (e.g., multiple applications of graphite smoothed over with a tortillion and/or blending stump)
    • \r\n
\r\nThe images below display examples of each drawing quality type:\r\n

[table id=14 /]

\r\n\r\n

Payment Scenario

\r\nUsing the payment details above, consider the following scenario:\r\n\r\nYou create an 800-word drawing tutorial with 6 scanned images. Your images are step-by-step line drawings, but you explain how to add simple shading to the final two images.\r\n\r\nYour payment would be $40 for the words (800 words x $0.05) + $10 for 6 scanned images + $10 for shaded drawings = $60 total.\r\n

How to Get Started

\r\nIf you have the expertise and experience with drawing people and are willing to create a helpful, outstanding post for the Let\'s Draw People audience, fill out the form below.\r\n\r\nBe sure to include links to three articles you have written and published online. Articles based on the topic of how to draw people are preferred but not required. You can even link to your blog if it is in a niche having nothing to do with drawing. The purpose of this is to get a sense of your writing style.\r\n\r\nI also want to review three samples of your artwork. These should be drawings or sketches of people. It is fine if these are found in the links you submit below. If your links contain no drawing samples, then you can use the upload option in the form.\r\n\r\nIf you are accepted as a contributor, you will receive an email to let you know, along with a link to the editorial calendar so you can select which articles you wish to write!\r\n

[nform id=\'2\']

','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-21 20:46:45','2015-11-22 04:46:45','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2341,2,'2015-11-21 22:07:07','2015-11-22 06:07:07','Would you like to draw and write for LetsDrawPeople.com? Better yet, would you like to get paid to draw and get paid to write?\r\n\r\nI am looking for portrait artists or anyone who is skilled at drawing people and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People:\r\n
    \r\n
  • You are a professional portrait artist with your own website.
    • \r\n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \r\n
  • You have your own blog (doesn\'t have to be a drawing blog) and you are a skilled artist who loves to draw in your spare time.
    • \r\n
\r\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\r\n

Content Guidelines

\r\nLet\'s Draw People accepts bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on this website on an as-needed basis.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\r\n\r\nThe author retains copyright, but I may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\r\n

Payment Details

\r\nIf your article is accepted and scheduled for publication, then you will get paid for it! Contributors will be paid for each article based on the number of words, the number of images, and the quality of the drawings.\r\n\r\nNumber of words - $0.05 per word, up to the maximum words for a given article\r\n\r\nThe number of words you write will be determined based on the \"word count\" within the WordPress post writing platform. The article\'s title is not counted. For each article, the number of words you use should stay within a certain range. For example, one article might be assigned a length of 500 to 800 words. You must write a minimum of 500 words. If your article goes a bit over 800 words that is fine, but you will be paid $0.05 per word up to 800 words (or $40).\r\n\r\nArticles accepted for publication may be edited for clarity, brevity, grammar, house style, etc. However, the word count of the first draft submitted for review will be used to determine payment. If you submit 800 words of solid, valuable content but I edit it down to 732 words, you will still be paid for 800 words (or $40). Exception: there are irrelevant additions of text that add no value to the content but are obvious attempts to inflate the word count.\r\n\r\nNumber of images - $5 for 1 to 5 images; $10 for 6 to 15 images; $15 for 16 or more images\r\n\r\nIf you decide to use 10 images (for $10) to complement your article or tutorial, that does not mean you have to create 10 separate pieces of artwork. If you have original drawings from your previous body of work that you are willing to share with your article, that would be wonderful! Images can also be photographs that you have taken, or in the case of a tutorial, they can be separate scans of a single drawing. The point is...the more examples you have, the better. You are also encouraged to use photo editing software like Adobe Photoshop to add arrows, text, to crop a close up of a section of the drawing, etc.\r\n\r\nImages you submit with your articles may be edited or re-edited if they are accepted. I may also decide to add or remove images from your article before publishing. However, the number of images you upload with your first draft submitted for review will be used to determine payment. If you submit 6 relevant images that effectively teach the main points of your topic but I only publish 5 images, you will still be paid for 6 images (or $10). Exception: there are irrelevant additions of images that add no value to the content but are obvious attempts to inflate the image count.\r\n\r\nQuality of drawings - $5 for line drawings; $10 for line drawings with shading; $30 for realistic blending\r\n
    \r\n
  • $5 if all images are line drawings with little to no shading
    • \r\n
  • $10 if at least one image is a line drawing with ample shading (i.e., simple shading style like hatching, crosshatching, etc.)
    • \r\n
  • $30 if at least one image mostly consists of realistic blending (e.g., multiple applications of graphite smoothed over with a tortillion and/or blending stump)
    • \r\n
\r\nThe images below display examples of each drawing quality type:\r\n

[table id=14 /]

\r\n\r\n

Payment Scenario

\r\nUsing the payment details above, consider the following scenario:\r\n\r\nYou create an 800-word drawing tutorial with 6 scanned images. Your images are step-by-step line drawings, but you explain how to add simple shading to the final two images.\r\n\r\nYour payment would be $40 for the words (800 words x $0.05) + $10 for 6 scanned images + $10 for shaded drawings = $60 total.\r\n

How to Get Started

\r\nIf you have the expertise and experience with drawing people and are willing to create a helpful, outstanding post for the Let\'s Draw People audience, fill out the form below.\r\n\r\nBe sure to include links to three articles you have written and published online. Articles based on the topic of how to draw people are preferred but not required. You can even link to your blog if it is in a niche having nothing to do with drawing. The purpose of this is to get a sense of your writing style.\r\n\r\nI also want to review three samples of your artwork. These should be drawings or sketches of people. It is fine if these are found in the links you submit below. If your links contain no drawing samples, then you can use the upload option in the form.\r\n\r\nIf you are accepted as a contributor, you will receive an email to let you know, along with a link to the editorial calendar so you can select which articles you wish to write!\r\n

[nform id=\'2\']

','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-11-21 22:07:07','2015-11-22 06:07:07','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2344,2,'2015-11-22 08:53:53','2015-11-22 16:53:53','\"pencilYou really love to draw pencil portraits.\r\n\r\nYou love creating pencil portrait drawings so much that you practice all the time. As you practice, you get noticeably better and better.\r\n\r\nIn fact, you begin to get so much better that people are beginning to come to you to ask you to draw a portrait for them!\r\n\r\nMaybe you have experienced the scenario above. Or, maybe no one has come to you yet, but you are getting increasingly confident in your ability to render a successful likeness of a person…so confident that you are ready to offer your services to draw pencil portraits for people who are willing to pay you!\r\n\r\nIt is exciting to think that you can go into business for yourself and get paid for something you enjoy doing! However, if you have little to no experience drawing commissioned portraits for clients, you may be asking yourself “Where should I begin setting my pencil portrait drawing prices?”\r\n\r\nThis article aims to guide you in the right direction. It highlights some important factors that will help you develop an appropriate starting price that works for you.\r\n

Where in the Market Do You Want to Be?

\r\nThere are several popular methods artists use to price their work. One of those methods involves artists pricing their work based on how other artists who create similar pieces are pricing work.\r\n\r\nSo if you want to offer realistic pencil portraits to clients, you would simply research other artists who are selling realistic pencil portraits and take note of their prices.\r\n\r\nYou will find a broad range of starting prices among these artists. What you should do is sort the prices from low to high to get a sense of the market. You can also look at samples of their work. Take this into consideration along with the range of prices and decide where along the spectrum you thing your work should fall.\r\n\r\nYou could do this research on your own by looking up pencil portrait artists on a search engine. If you would rather save some time, I did already compile and sort a list of starting prices from ten pencil portrait artists who sell their services online. I have already made this list available to my newsletter subscribers for free. If you would like your own copy, you can sign up for my newsletter in the box below and I will send you the list!\r\n\r\n \r\n
\r\n\r\n\r\n \r\n

Experience and Name Recognition

\r\nAnother factor that plays a part in how pencil portraits are priced is the experience and/or name recognition of the artist. Obviously if you are just still learning how to draw portraits, you will not have either of these. This will also be the case if you have been practicing for quite some time but are just now warming up to the possibility of selling your portraits on commission.\r\n\r\nArtists with more experience and name recognition tend to be able to charge higher prices and still secure paying customers. This is for a number of reasons. Artists who have many years of experience in their craft will certainly produce work at a level of quality that is deserving of higher commissions.\r\n\r\nExperience can also come in the form of years in business. Spending more years in the business brings more name recognition in the market. If artists have commissioned portraits for a long time, they understand the business side of the art enough to handle customer service, special requests, and their reputation in a way that builds the kind of trust for which customers are willing to pay more.\r\n

At What Quality Are Your Pencil Portrait Drawings?

\r\nYou should be confident that your pencil portraits are a \"good enough\" quality that other people will be willing to pay you for them.\r\n\r\nThe good news is there are different levels of quality. Some artists at fairs and festivals focus solely on selling sketches of people for $10 to $20 apiece. You could just as easily choose to sell sketches at these prices while working from photographs.\r\n\r\nGenerally speaking, as the quality of work increases, so will the prices. Realistic pencil portraits will cost more than sketches, and hyperrealistic portraits that look like actual photographs will cost a LOT more than your \"average\" realistic portraits.\r\n\r\nMore factors that affect price include size, number of subjects, and amount of detail in the portrait:\r\n
  • A few common sizes artists provide are 8\" x 10\", 11\" x 14\", 16\" x 20\", and even much larger canvases.
    • \r\n
  • A portrait of one single person will cost less than a family portrait of four people.
    • \r\n
  • A portrait can be anything from a head-and-shoulders view to a full-length, head-to-toe view.
    • \r\n
  • Will there be a blank background or a detailed setting?
    • \r\n
  • Is the person in your portrait wearing a plain white t shirt or a fancy blouse with an elaborate pattern that your client requested you to include?
    • \r\n

The Best Place to Start

\r\nIf you are just starting out, the best place to start is with very low prices. Start on the low end of your market research for realistic pencil portraits. If you are selling sketches, start even lower. At the same time, know that it is a balancing act and you don\'t want to undersell your work and your value.\r\n\r\nRemember that you can get my compiled list of starting prices and save time from all the research by signing up for my newsletter. This list is more than enough to give you an idea of where to start.\r\n\r\nOne final note: demand influences prices. As you gain experience and more customers than you can handle in a timely manner, it is okay to gradually raise your pencil portrait drawing prices. You should find over a number of years that as your value and name recognition increase, demand for your work continues to climb even with higher prices!','\"Where Should I Begin Setting Pencil Portrait Drawing Prices?\"','','inherit','closed','closed','','2237-revision-v1','','','2015-11-22 08:53:53','2015-11-22 16:53:53','',2237,'http://www.letsdrawpeople.com/2237-revision-v1/',0,'revision','',0),(2343,2,'2015-11-22 08:49:13','2015-11-22 16:49:13','\"pencilYou really love to draw pencil portraits.\r\n\r\nYou love creating pencil portrait drawings so much that you practice all the time. As you practice, you get noticeably better and better.\r\n\r\nIn fact, you begin to get so much better that people are beginning to come to you to ask you to draw a portrait for them!\r\n\r\nMaybe you have experienced the scenario above. Or, maybe no one has come to you yet, but you are getting increasingly confident in your ability to render a successful likeness of a person…so confident that you are ready to offer your services to draw pencil portraits for people who are willing to pay you!\r\n\r\nIt is exciting to think that you can go into business for yourself and get paid for something you enjoy doing! However, if you have little to no experience drawing commissioned portraits for clients, you may be asking yourself “Where should I begin setting my pencil portrait drawing prices?”\r\n\r\nThis article aims to guide you in the right direction. It highlights some important factors that will help you develop an appropriate starting price that works for you.\r\n

Where in the Market Do You Want to Be?

\r\nThere are several popular methods artists use to price their work. One of those methods involves artists pricing their work based on how other artists who create similar pieces are pricing work.\r\n\r\nSo if you want to offer realistic pencil portraits to clients, you would simply research other artists who are selling realistic pencil portraits and take note of their prices.\r\n\r\nYou will find a broad range of starting prices among these artists. What you should do is sort the prices from low to high to get a sense of the market. You can also look at samples of their work. Take this into consideration along with the range of prices and decide where along the spectrum you thing your work should fall.\r\n\r\nYou could do this research on your own by looking up pencil portrait artists on a search engine. If you would rather save some time, I did already compile and sort a list of starting prices from ten pencil portrait artists who sell their services online. I have already made this list available to my newsletter subscribers for free. If you would like your own copy, you can sign up for my newsletter in the box below and I will send you the list!\r\n\r\n \r\n
\r\n\r\n\r\n \r\n

Experience and Name Recognition

\r\nAnother factor that plays a part in how pencil portraits are priced is the experience and/or name recognition of the artist. Obviously if you are just still learning how to draw portraits, you will not have either of these. This will also be the case if you have been practicing for quite some time but are just now warming up to the possibility of selling your portraits on commission.\r\n\r\nArtists with more experience and name recognition tend to be able to charge higher prices and still secure paying customers. This is for a number of reasons. Artists who have many years of experience in their craft will certainly produce work at a level of quality that is deserving of higher commissions.\r\n\r\nExperience can also come in the form of years in business. Spending more years in the business brings more name recognition in the market. If artists have commissioned portraits for a long time, they understand the business side of the art enough to handle customer service, special requests, and their reputation in a way that builds the kind of trust for which customers are willing to pay more.\r\n

At What Quality Are Your Pencil Portrait Drawings?

\r\nYou should be confident that your pencil portraits are a \"good enough\" quality that other people will be willing to pay you for them.\r\n\r\nThe good news is there are different levels of quality. Some artists at fairs and festivals focus solely on selling sketches of people for $10 to $20 apiece. You could just as easily choose to sell sketches at these prices while working from photographs.\r\n\r\nGenerally speaking, as the quality of work increases, so will the prices. Realistic pencil portraits will cost more than sketches, and hyperrealistic portraits that look like actual photographs will cost a LOT more than your \"average\" realistic portraits.\r\n\r\nMore factors that affect price include size, number of subjects, and amount of detail in the portrait:\r\n
  • A few common sizes artists provide are 8\" x 10\", 11\" x 14\", 16\" x 20\", and even much larger canvases.
    • \r\n
  • A portrait of one single person will cost less than a family portrait of four people.
    • \r\n
  • A portrait can be anything from a head-and-shoulders view to a full-length, head-to-toe view.
    • \r\n
  • Will there be a blank background or a detailed setting?
    • \r\n
  • Is the person in your portrait wearing a plain white t shirt or a fancy blouse with an elaborate pattern that your client requested you to include?
    • \r\n

The Best Place to Start

\r\nIf you are just starting out, the best place to start is with very low prices. Start on the low end of your market research for realistic pencil portraits. If you are selling sketches, start even lower. At the same time, know that it is a balancing act and you don\'t want to undersell your work and your value.\r\n\r\nRemember that you can get my compiled list of starting prices and save time from all the research by signing up for my newsletter. This list is more than enough to give you an idea of where to start.\r\n\r\nOne final note: demand influences prices. As you gain experience and more customers than you can handle in a timely manner, it is okay to gradually raise your pencil portrait drawing prices. You should find over a number of years that as your value and name recognition increase, demand for your work continues to climb even with higher prices!','\"Where Should I Begin Setting Pencil Portrait Drawing Prices?\"','','inherit','closed','closed','','2237-revision-v1','','','2015-11-22 08:49:13','2015-11-22 16:49:13','',2237,'http://www.letsdrawpeople.com/2237-revision-v1/',0,'revision','',0),(2346,2,'2015-11-24 00:33:13','2015-11-24 08:33:13','Welcome! Thank you again for contributing to Let\'s Draw People!\r\n\r\nReview the editorial calendar below. Choose one or more articles that you want to write and for which you can provide images. Please make sure you are able to meet the deadline for the article(s) you choose.\r\n\r\n ','Editorial Calendar','','inherit','closed','closed','','2345-revision-v1','','','2015-11-24 00:33:13','2015-11-24 08:33:13','',2345,'http://www.letsdrawpeople.com/2345-revision-v1/',0,'revision','',0),(2347,2,'2015-11-24 00:37:02','2015-11-24 08:37:02','[[\"
Writer<\\/center>\",\"
Title<\\/center>\",\"
Keyword<\\/center>\",\"
Category<\\/center>\",\"
Length<\\/center>\",\"
Images<\\/center>\",\"
Payment<\\/center>\",\"Deadline\"],[\"Reid\",\"Drawing Angels\",\"how to draw angels\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"March 27, 2016\"],[\"Reid\",\"Drawing the Feet\",\"how to draw a foot\",\"Figure\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"April 17, 2016\"],[\"Reid\",\"Drawing Mermaids\",\"how to draw mermaids\",\"Figure\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"April 24, 2016\"],[\"Reid\",\"Drawing Fairies\",\"how to draw fairies\",\"Figure\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"July 3, 2016\"],[\"Reid\",\"Using Models for Your Artwork\",\"life drawing models\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"July 10, 2016\"]]','Editorial Calendar','','publish','closed','closed','','editorial-calendar','','','2016-03-05 10:37:52','2016-03-05 18:37:52','',0,'http://www.letsdrawpeople.com/?post_type=tablepress_table&p=2347',0,'tablepress_table','application/json',0),(2348,2,'2015-11-24 00:49:36','2015-11-24 08:49:36','[[\"Writer\",\"Headline\",\"Keyword\",\"Category\",\"Length\",\"Images\",\"Payment\",\"Deadline\"],[\"Open\",\"See How to Draw Whitney Houston\",\"how to draw whitney houston\",\"Well-Known People\",\"\",\"\",\"\",\"\"],[\"Open\",\"Refuse to Ever Use a Drawing Light Box and You Will Regret It\",\"drawing light box\",\"Techniques\",\"\",\"\",\"\",\"\"],[\"Open\",\"X Figure Drawing Model Poses You Should Definitely Sketch\",\"figure drawing model poses\",\"Body\",\"\",\"\",\"\",\"\"],[\"Open\",\"How to Draw a Blouse When You Know Nothing about Blouses\",\"how to draw a blouse\",\"Clothing\",\"\",\"\",\"\",\"\"],[\"Open\",\"How to Draw Children: X Different Approaches\",\"how to draw children\",\"Children\",\"\",\"\",\"\",\"\"],[\"Open\",\"Use This Drawing of a Man to Improve Your Own Drawing\",\"drawing of a man\",\"Everyday People (Man)\",\"\",\"\",\"\",\"\"],[\"Open\",\"What Everybody Ought to Know about How to Draw Women\",\"how to draw women\",\"Everyday People (Woman)\",\"\",\"\",\"\",\"\"]]','Editorial Calendar','','inherit','closed','closed','','2347-revision-v1','','','2015-11-24 00:49:36','2015-11-24 08:49:36','',2347,'http://www.letsdrawpeople.com/2347-revision-v1/',0,'revision','',0),(2349,2,'2015-11-24 00:50:15','2015-11-24 08:50:15','Welcome! Thank you again for contributing to Let\'s Draw People!\r\n\r\nReview the editorial calendar below. Choose one or more articles that you want to write and for which you can provide images. Please make sure you are able to meet the deadline for the article(s) you choose.\r\n

[table id=15 /]

','Editorial Calendar','','inherit','closed','closed','','2345-revision-v1','','','2015-11-24 00:50:15','2015-11-24 08:50:15','',2345,'http://www.letsdrawpeople.com/2345-revision-v1/',0,'revision','',0),(2350,2,'2015-11-24 23:39:40','2015-11-25 07:39:40','[[\"Writer\",\"Headline\",\"Keyword\",\"Category\",\"Length\",\"Images\",\"Payment\",\"Deadline\"],[\"Open\",\"See How to Draw Whitney Houston\",\"how to draw whitney houston\",\"Well-Known People\",\"500 - 800 words\",\"\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Refuse to Ever Use a Drawing Light Box and You Will Regret It\",\"drawing light box\",\"Techniques\",\"500 - 800 words\",\"\",\"$25 - $85\",\"December 31, 2015\"],[\"Open\",\"X Figure Drawing Model Poses You Should Definitely Sketch\",\"figure drawing model poses\",\"Body\",\"500 - 800 words\",\"\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"How to Draw a Blouse When You Know Nothing about Blouses\",\"how to draw a blouse\",\"Clothing\",\"1,000 - 1,500 words\",\"\",\"$60 - $120\",\"December 31, 2015\"],[\"Open\",\"How to Draw Children: X Different Approaches\",\"how to draw children\",\"Children\",\"500 - 800 words\",\"\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Use This Drawing of a Man to Improve Your Own Drawing\",\"drawing of a man\",\"Everyday People (Man)\",\"500 - 800 words\",\"\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"What Everybody Ought to Know about How to Draw Women\",\"how to draw women\",\"Everyday People (Woman)\",\"1,000 - 1,500 words\",\"\",\"$60 - $120\",\"December 31, 2015\"]]','Editorial Calendar','','inherit','closed','closed','','2347-revision-v1','','','2015-11-24 23:39:40','2015-11-25 07:39:40','',2347,'http://www.letsdrawpeople.com/2347-revision-v1/',0,'revision','',0),(2351,2,'2015-11-24 23:45:48','2015-11-25 07:45:48','Welcome! Thank you again for contributing to Let\'s Draw People!\r\n\r\nReview the editorial calendar below. Choose one or more articles that you want to write and for which you can provide images. Please make sure you are able to meet the deadline for the article(s) you choose.\r\n

[table id=15 /]

\r\n

Use the form below to select the article or articles you want to write. If you have a suggestion to write an article on a different topic, you can do so as well.

\r\n

Remember, do not begin writing the article until you receive a confirmation email that you are assigned the article.

','Editorial Calendar','','inherit','closed','closed','','2345-revision-v1','','','2015-11-24 23:45:48','2015-11-25 07:45:48','',2345,'http://www.letsdrawpeople.com/2345-revision-v1/',0,'revision','',0),(2353,2,'2015-11-26 11:51:49','2015-11-26 19:51:49','Welcome! Thank you again for contributing to Let\'s Draw People!\r\n\r\nReview the editorial calendar below. Choose one or more articles that you want to write and for which you can provide images. Please make sure you are able to meet the deadline for the article(s) you choose.\r\n

[table id=15 /]

\r\n

Use the form below to select the article or articles you want to write. If you have a suggestion to write an article on a different topic, you can do so as well.

\r\n

Remember, do not begin writing the article until you receive a confirmation email that you are assigned the article.

\r\n

','Editorial Calendar','','inherit','closed','closed','','2345-revision-v1','','','2015-11-26 11:51:49','2015-11-26 19:51:49','',2345,'http://www.letsdrawpeople.com/2345-revision-v1/',0,'revision','',0),(2354,2,'2015-11-26 21:18:01','2015-11-27 05:18:01','','whitney houston reference','
© Carrienelson1 | Dreamstime.com
','inherit','open','closed','','whitney-houston-reference','','','2015-11-26 22:42:51','2015-11-27 06:42:51','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2015/11/whitney-houston-reference.jpg',0,'attachment','image/jpeg',0),(2355,2,'2015-11-26 21:18:54','2015-11-27 05:18:54','','little india blouse shop in bangkok thailand','
© Lee Snider | Dreamstime.com
','inherit','open','closed','','little-india-blouse-shop-in-bangkok-thailand','','','2016-01-20 03:33:40','2016-01-20 11:33:40','',2787,'http://www.letsdrawpeople.com/wp-content/uploads/2015/11/little-india-blouse-shop-in-bangkok-thailand.jpg',0,'attachment','image/jpeg',0),(2356,2,'2015-11-26 21:19:01','2015-11-27 05:19:01','','how to draw a blouse patterns','
© Kateryna Trubetska | Dreamstime.com
','inherit','open','closed','','how-to-draw-a-blouse-patterns','','','2016-01-20 03:59:37','2016-01-20 11:59:37','',2787,'http://www.letsdrawpeople.com/wp-content/uploads/2015/11/how-to-draw-a-blouse-patterns.jpg',0,'attachment','image/jpeg',0),(2360,2,'2015-11-26 23:46:50','2015-11-27 07:46:50','\"pencil\r\n\r\nYou really love to draw pencil portraits.\r\n\r\nYou love creating pencil portrait drawings so much that you practice all the time. As you practice, you get noticeably better and better.\r\n\r\nIn fact, you begin to get so much better that people are beginning to come to you to ask you to draw a portrait for them!\r\n\r\nMaybe you have experienced the scenario above. Or, maybe no one has come to you yet, but you are getting increasingly confident in your ability to render a successful likeness of a person…so confident that you are ready to offer your services to draw pencil portraits for people who are willing to pay you!\r\n\r\nIt is exciting to think that you can go into business for yourself and get paid for something you enjoy doing! However, if you have little to no experience drawing commissioned portraits for clients, you may be asking yourself “Where should I begin setting my pencil portrait drawing prices?”\r\n\r\nThis article aims to guide you in the right direction. It highlights some important factors that will help you develop an appropriate starting price that works for you.\r\n

Where in the Market Do You Want to Be?

\r\nThere are several popular methods artists use to price their work. One of those methods involves artists pricing their work based on how other artists who create similar pieces are pricing work.\r\n\r\nSo if you want to offer realistic pencil portraits to clients, you would simply research other artists who are selling realistic pencil portraits and take note of their prices.\r\n\r\nYou will find a broad range of starting prices among these artists. What you should do is sort the prices from low to high to get a sense of the market. You can also look at samples of their work. Take this into consideration along with the range of prices and decide where along the spectrum you thing your work should fall.\r\n\r\nYou could do this research on your own by looking up pencil portrait artists on a search engine. If you would rather save some time, I did already compile and sort a list of starting prices from ten pencil portrait artists who sell their services online. I have already made this list available to my newsletter subscribers for free. If you would like your own copy, you can sign up for my newsletter in the box below and I will send you the list!\r\n\r\n \r\n
\r\n\r\n\r\n \r\n

Experience and Name Recognition

\r\nAnother factor that plays a part in how pencil portraits are priced is the experience and/or name recognition of the artist. Obviously if you are just still learning how to draw portraits, you will not have either of these. This will also be the case if you have been practicing for quite some time but are just now warming up to the possibility of selling your portraits on commission.\r\n\r\nArtists with more experience and name recognition tend to be able to charge higher prices and still secure paying customers. This is for a number of reasons. Artists who have many years of experience in their craft will certainly produce work at a level of quality that is deserving of higher commissions.\r\n\r\nExperience can also come in the form of years in business. Spending more years in the business brings more name recognition in the market. If artists have commissioned portraits for a long time, they understand the business side of the art enough to handle customer service, special requests, and their reputation in a way that builds the kind of trust for which customers are willing to pay more.\r\n

At What Quality Are Your Pencil Portrait Drawings?

\r\nYou should be confident that your pencil portraits are a \"good enough\" quality that other people will be willing to pay you for them.\r\n\r\nThe good news is there are different levels of quality. Some artists at fairs and festivals focus solely on selling sketches of people for $10 to $20 apiece. You could just as easily choose to sell sketches at these prices while working from photographs.\r\n\r\nGenerally speaking, as the quality of work increases, so will the prices. Realistic pencil portraits will cost more than sketches, and hyperrealistic portraits that look like actual photographs will cost a LOT more than your \"average\" realistic portraits.\r\n\r\nMore factors that affect price include size, number of subjects, and amount of detail in the portrait:\r\n
  • A few common sizes artists provide are 8\" x 10\", 11\" x 14\", 16\" x 20\", and even much larger canvases.
    • \r\n
  • A portrait of one single person will cost less than a family portrait of four people.
    • \r\n
  • A portrait can be anything from a head-and-shoulders view to a full-length, head-to-toe view.
    • \r\n
  • Will there be a blank background or a detailed setting?
    • \r\n
  • Is the person in your portrait wearing a plain white t shirt or a fancy blouse with an elaborate pattern that your client requested you to include?
    • \r\n

The Best Place to Start

\r\nIf you are just starting out, the best place to start is with very low prices. Start on the low end of your market research for realistic pencil portraits. If you are selling sketches, start even lower. At the same time, know that it is a balancing act and you don\'t want to undersell your work and your value.\r\n\r\nRemember that you can get my compiled list of starting prices and save time from all the research by signing up for my newsletter. This list is more than enough to give you an idea of where to start.\r\n\r\nOne final note: demand influences prices. As you gain experience and more customers than you can handle in a timely manner, it is okay to gradually raise your pencil portrait drawing prices. You should find over a number of years that as your value and name recognition increase, demand for your work continues to climb even with higher prices!','\"Where Should I Begin Setting Pencil Portrait Drawing Prices?\"','','inherit','closed','closed','','2237-revision-v1','','','2015-11-26 23:46:50','2015-11-27 07:46:50','',2237,'http://www.letsdrawpeople.com/2237-revision-v1/',0,'revision','',0),(3486,2,'2017-05-16 05:35:39','2017-05-16 12:35:39','\r\n\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n

\"\"

\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n[one_half]Materials[/one_half][one_half_last]Resources[/one_half_last]\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]Materials: Resources: [/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-16 05:35:39','2017-05-16 12:35:39','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(2358,2,'2015-11-26 23:45:33','2015-11-27 07:45:33','

[caption id=\"attachment_2242\" align=\"alignleft\" width=\"300\"]\"pencil

© I-bag | Dreamstime.com
[/caption]\r\n\r\nYou really love to draw pencil portraits.\r\n\r\nYou love creating pencil portrait drawings so much that you practice all the time. As you practice, you get noticeably better and better.\r\n\r\nIn fact, you begin to get so much better that people are beginning to come to you to ask you to draw a portrait for them!\r\n\r\nMaybe you have experienced the scenario above. Or, maybe no one has come to you yet, but you are getting increasingly confident in your ability to render a successful likeness of a person…so confident that you are ready to offer your services to draw pencil portraits for people who are willing to pay you!\r\n\r\nIt is exciting to think that you can go into business for yourself and get paid for something you enjoy doing! However, if you have little to no experience drawing commissioned portraits for clients, you may be asking yourself “Where should I begin setting my pencil portrait drawing prices?”\r\n\r\nThis article aims to guide you in the right direction. It highlights some important factors that will help you develop an appropriate starting price that works for you.\r\n

Where in the Market Do You Want to Be?

\r\nThere are several popular methods artists use to price their work. One of those methods involves artists pricing their work based on how other artists who create similar pieces are pricing work.\r\n\r\nSo if you want to offer realistic pencil portraits to clients, you would simply research other artists who are selling realistic pencil portraits and take note of their prices.\r\n\r\nYou will find a broad range of starting prices among these artists. What you should do is sort the prices from low to high to get a sense of the market. You can also look at samples of their work. Take this into consideration along with the range of prices and decide where along the spectrum you thing your work should fall.\r\n\r\nYou could do this research on your own by looking up pencil portrait artists on a search engine. If you would rather save some time, I did already compile and sort a list of starting prices from ten pencil portrait artists who sell their services online. I have already made this list available to my newsletter subscribers for free. If you would like your own copy, you can sign up for my newsletter in the box below and I will send you the list!\r\n\r\n \r\n
\r\n\r\n\r\n \r\n

Experience and Name Recognition

\r\nAnother factor that plays a part in how pencil portraits are priced is the experience and/or name recognition of the artist. Obviously if you are just still learning how to draw portraits, you will not have either of these. This will also be the case if you have been practicing for quite some time but are just now warming up to the possibility of selling your portraits on commission.\r\n\r\nArtists with more experience and name recognition tend to be able to charge higher prices and still secure paying customers. This is for a number of reasons. Artists who have many years of experience in their craft will certainly produce work at a level of quality that is deserving of higher commissions.\r\n\r\nExperience can also come in the form of years in business. Spending more years in the business brings more name recognition in the market. If artists have commissioned portraits for a long time, they understand the business side of the art enough to handle customer service, special requests, and their reputation in a way that builds the kind of trust for which customers are willing to pay more.\r\n

At What Quality Are Your Pencil Portrait Drawings?

\r\nYou should be confident that your pencil portraits are a \"good enough\" quality that other people will be willing to pay you for them.\r\n\r\nThe good news is there are different levels of quality. Some artists at fairs and festivals focus solely on selling sketches of people for $10 to $20 apiece. You could just as easily choose to sell sketches at these prices while working from photographs.\r\n\r\nGenerally speaking, as the quality of work increases, so will the prices. Realistic pencil portraits will cost more than sketches, and hyperrealistic portraits that look like actual photographs will cost a LOT more than your \"average\" realistic portraits.\r\n\r\nMore factors that affect price include size, number of subjects, and amount of detail in the portrait:\r\n
  • A few common sizes artists provide are 8\" x 10\", 11\" x 14\", 16\" x 20\", and even much larger canvases.
    • \r\n
  • A portrait of one single person will cost less than a family portrait of four people.
    • \r\n
  • A portrait can be anything from a head-and-shoulders view to a full-length, head-to-toe view.
    • \r\n
  • Will there be a blank background or a detailed setting?
    • \r\n
  • Is the person in your portrait wearing a plain white t shirt or a fancy blouse with an elaborate pattern that your client requested you to include?
    • \r\n

The Best Place to Start

\r\nIf you are just starting out, the best place to start is with very low prices. Start on the low end of your market research for realistic pencil portraits. If you are selling sketches, start even lower. At the same time, know that it is a balancing act and you don\'t want to undersell your work and your value.\r\n\r\nRemember that you can get my compiled list of starting prices and save time from all the research by signing up for my newsletter. This list is more than enough to give you an idea of where to start.\r\n\r\nOne final note: demand influences prices. As you gain experience and more customers than you can handle in a timely manner, it is okay to gradually raise your pencil portrait drawing prices. You should find over a number of years that as your value and name recognition increase, demand for your work continues to climb even with higher prices!','\"Where Should I Begin Setting Pencil Portrait Drawing Prices?\"','','inherit','closed','closed','','2237-revision-v1','','','2015-11-26 23:45:33','2015-11-27 07:45:33','',2237,'http://www.letsdrawpeople.com/2237-revision-v1/',0,'revision','',0),(2357,2,'2015-11-26 23:19:25','2015-11-27 07:19:25','

[caption id=\"attachment_2242\" align=\"alignleft\" width=\"300\"]\"pencil

© I-bag | Dreamstime.com
[/caption]\r\n\r\nYou really love to draw pencil portraits.\r\n\r\nYou love creating pencil portrait drawings so much that you practice all the time. As you practice, you get noticeably better and better.\r\n\r\nIn fact, you begin to get so much better that people are beginning to come to you to ask you to draw a portrait for them!\r\n\r\nMaybe you have experienced the scenario above. Or, maybe no one has come to you yet, but you are getting increasingly confident in your ability to render a successful likeness of a person…so confident that you are ready to offer your services to draw pencil portraits for people who are willing to pay you!\r\n\r\nIt is exciting to think that you can go into business for yourself and get paid for something you enjoy doing! However, if you have little to no experience drawing commissioned portraits for clients, you may be asking yourself “Where should I begin setting my pencil portrait drawing prices?”\r\n\r\nThis article aims to guide you in the right direction. It highlights some important factors that will help you develop an appropriate starting price that works for you.\r\n

Where in the Market Do You Want to Be?

\r\nThere are several popular methods artists use to price their work. One of those methods involves artists pricing their work based on how other artists who create similar pieces are pricing work.\r\n\r\nSo if you want to offer realistic pencil portraits to clients, you would simply research other artists who are selling realistic pencil portraits and take note of their prices.\r\n\r\nYou will find a broad range of starting prices among these artists. What you should do is sort the prices from low to high to get a sense of the market. You can also look at samples of their work. Take this into consideration along with the range of prices and decide where along the spectrum you thing your work should fall.\r\n\r\nYou could do this research on your own by looking up pencil portrait artists on a search engine. If you would rather save some time, I did already compile and sort a list of starting prices from ten pencil portrait artists who sell their services online. I have already made this list available to my newsletter subscribers for free. If you would like your own copy, you can sign up for my newsletter in the box below and I will send you the list!\r\n\r\n \r\n
\r\n\r\n\r\n \r\n

Experience and Name Recognition

\r\nAnother factor that plays a part in how pencil portraits are priced is the experience and/or name recognition of the artist. Obviously if you are just still learning how to draw portraits, you will not have either of these. This will also be the case if you have been practicing for quite some time but are just now warming up to the possibility of selling your portraits on commission.\r\n\r\nArtists with more experience and name recognition tend to be able to charge higher prices and still secure paying customers. This is for a number of reasons. Artists who have many years of experience in their craft will certainly produce work at a level of quality that is deserving of higher commissions.\r\n\r\nExperience can also come in the form of years in business. Spending more years in the business brings more name recognition in the market. If artists have commissioned portraits for a long time, they understand the business side of the art enough to handle customer service, special requests, and their reputation in a way that builds the kind of trust for which customers are willing to pay more.\r\n

At What Quality Are Your Pencil Portrait Drawings?

\r\nYou should be confident that your pencil portraits are a \"good enough\" quality that other people will be willing to pay you for them.\r\n\r\nThe good news is there are different levels of quality. Some artists at fairs and festivals focus solely on selling sketches of people for $10 to $20 apiece. You could just as easily choose to sell sketches at these prices while working from photographs.\r\n\r\nGenerally speaking, as the quality of work increases, so will the prices. Realistic pencil portraits will cost more than sketches, and hyperrealistic portraits that look like actual photographs will cost a LOT more than your \"average\" realistic portraits.\r\n\r\nMore factors that affect price include size, number of subjects, and amount of detail in the portrait:\r\n
  • A few common sizes artists provide are 8\" x 10\", 11\" x 14\", 16\" x 20\", and even much larger canvases.
    • \r\n
  • A portrait of one single person will cost less than a family portrait of four people.
    • \r\n
  • A portrait can be anything from a head-and-shoulders view to a full-length, head-to-toe view.
    • \r\n
  • Will there be a blank background or a detailed setting?
    • \r\n
  • Is the person in your portrait wearing a plain white t shirt or a fancy blouse with an elaborate pattern that your client requested you to include?
    • \r\n

The Best Place to Start

\r\nIf you are just starting out, the best place to start is with very low prices. Start on the low end of your market research for realistic pencil portraits. If you are selling sketches, start even lower. At the same time, know that it is a balancing act and you don\'t want to undersell your work and your value.\r\n\r\nRemember that you can get my compiled list of starting prices and save time from all the research by signing up for my newsletter. This list is more than enough to give you an idea of where to start.\r\n\r\nOne final note: demand influences prices. As you gain experience and more customers than you can handle in a timely manner, it is okay to gradually raise your pencil portrait drawing prices. You should find over a number of years that as your value and name recognition increase, demand for your work continues to climb even with higher prices!','\"Where Should I Begin Setting Pencil Portrait Drawing Prices?\"','','inherit','closed','closed','','2237-revision-v1','','','2015-11-26 23:19:25','2015-11-27 07:19:25','',2237,'http://www.letsdrawpeople.com/2237-revision-v1/',0,'revision','',0),(3442,2,'2016-12-26 11:37:11','2016-12-26 19:37:11','','grid-drawing-reference-photo-with-grid','','inherit','open','closed','','grid-drawing-reference-photo-with-grid-2','','','2016-12-26 11:37:11','2016-12-26 19:37:11','',3437,'http://www.letsdrawpeople.com/wp-content/uploads/2016/12/grid-drawing-reference-photo-with-grid.jpg',0,'attachment','image/jpeg',0),(2359,2,'2015-11-26 23:46:13','2015-11-27 07:46:13','

[caption id=\"attachment_2242\" align=\"alignleft\" width=\"300\"]\"pencil Here is a street artist.[/caption]\r\n\r\nYou really love to draw pencil portraits.\r\n\r\nYou love creating pencil portrait drawings so much that you practice all the time. As you practice, you get noticeably better and better.\r\n\r\nIn fact, you begin to get so much better that people are beginning to come to you to ask you to draw a portrait for them!\r\n\r\nMaybe you have experienced the scenario above. Or, maybe no one has come to you yet, but you are getting increasingly confident in your ability to render a successful likeness of a person…so confident that you are ready to offer your services to draw pencil portraits for people who are willing to pay you!\r\n\r\nIt is exciting to think that you can go into business for yourself and get paid for something you enjoy doing! However, if you have little to no experience drawing commissioned portraits for clients, you may be asking yourself “Where should I begin setting my pencil portrait drawing prices?”\r\n\r\nThis article aims to guide you in the right direction. It highlights some important factors that will help you develop an appropriate starting price that works for you.\r\n

Where in the Market Do You Want to Be?

\r\nThere are several popular methods artists use to price their work. One of those methods involves artists pricing their work based on how other artists who create similar pieces are pricing work.\r\n\r\nSo if you want to offer realistic pencil portraits to clients, you would simply research other artists who are selling realistic pencil portraits and take note of their prices.\r\n\r\nYou will find a broad range of starting prices among these artists. What you should do is sort the prices from low to high to get a sense of the market. You can also look at samples of their work. Take this into consideration along with the range of prices and decide where along the spectrum you thing your work should fall.\r\n\r\nYou could do this research on your own by looking up pencil portrait artists on a search engine. If you would rather save some time, I did already compile and sort a list of starting prices from ten pencil portrait artists who sell their services online. I have already made this list available to my newsletter subscribers for free. If you would like your own copy, you can sign up for my newsletter in the box below and I will send you the list!\r\n\r\n \r\n
\r\n\r\n\r\n \r\n

Experience and Name Recognition

\r\nAnother factor that plays a part in how pencil portraits are priced is the experience and/or name recognition of the artist. Obviously if you are just still learning how to draw portraits, you will not have either of these. This will also be the case if you have been practicing for quite some time but are just now warming up to the possibility of selling your portraits on commission.\r\n\r\nArtists with more experience and name recognition tend to be able to charge higher prices and still secure paying customers. This is for a number of reasons. Artists who have many years of experience in their craft will certainly produce work at a level of quality that is deserving of higher commissions.\r\n\r\nExperience can also come in the form of years in business. Spending more years in the business brings more name recognition in the market. If artists have commissioned portraits for a long time, they understand the business side of the art enough to handle customer service, special requests, and their reputation in a way that builds the kind of trust for which customers are willing to pay more.\r\n

At What Quality Are Your Pencil Portrait Drawings?

\r\nYou should be confident that your pencil portraits are a \"good enough\" quality that other people will be willing to pay you for them.\r\n\r\nThe good news is there are different levels of quality. Some artists at fairs and festivals focus solely on selling sketches of people for $10 to $20 apiece. You could just as easily choose to sell sketches at these prices while working from photographs.\r\n\r\nGenerally speaking, as the quality of work increases, so will the prices. Realistic pencil portraits will cost more than sketches, and hyperrealistic portraits that look like actual photographs will cost a LOT more than your \"average\" realistic portraits.\r\n\r\nMore factors that affect price include size, number of subjects, and amount of detail in the portrait:\r\n
  • A few common sizes artists provide are 8\" x 10\", 11\" x 14\", 16\" x 20\", and even much larger canvases.
    • \r\n
  • A portrait of one single person will cost less than a family portrait of four people.
    • \r\n
  • A portrait can be anything from a head-and-shoulders view to a full-length, head-to-toe view.
    • \r\n
  • Will there be a blank background or a detailed setting?
    • \r\n
  • Is the person in your portrait wearing a plain white t shirt or a fancy blouse with an elaborate pattern that your client requested you to include?
    • \r\n

The Best Place to Start

\r\nIf you are just starting out, the best place to start is with very low prices. Start on the low end of your market research for realistic pencil portraits. If you are selling sketches, start even lower. At the same time, know that it is a balancing act and you don\'t want to undersell your work and your value.\r\n\r\nRemember that you can get my compiled list of starting prices and save time from all the research by signing up for my newsletter. This list is more than enough to give you an idea of where to start.\r\n\r\nOne final note: demand influences prices. As you gain experience and more customers than you can handle in a timely manner, it is okay to gradually raise your pencil portrait drawing prices. You should find over a number of years that as your value and name recognition increase, demand for your work continues to climb even with higher prices!','\"Where Should I Begin Setting Pencil Portrait Drawing Prices?\"','','inherit','closed','closed','','2237-revision-v1','','','2015-11-26 23:46:13','2015-11-27 07:46:13','',2237,'http://www.letsdrawpeople.com/2237-revision-v1/',0,'revision','',0),(2361,2,'2015-11-26 23:48:35','2015-11-27 07:48:35','Have you ever wanted to know how to draw a soldier giving a salute? In this short tutorial, we will see how to draw an army man saluting.\n\nBelow is a reference photo that will come in handy. It definitely came in handy for me. Even though I myself am an army veteran, it has been roughly 15 years since I last wore a set of fatigues, also known at the time as BDU\'s (or Battle Dress Uniforms). I have since learned that there have been a lot of changes! As of 2004, they are called ACU\'s (or Army Combat Uniforms) and look very different from what I used to wear.\n\n[caption id=\"attachment_2267\" align=\"aligncenter\" width=\"800\"]\"how
© Elliot Burlingham | Dreamstime.com
[/caption]\n\n \n

Draw the Basic Outline

\nDraw the basic shapes for the head and torso. As you can tell from the photo, this is not a direct frontal view but rather a quarter-turn view. Account for this as you sketch the head shape by planning for the side of the face on one side and the back of the head on the other.\n\n\"01\n\n \n\nSketch the shape for the saluting arm. A salute is formed with the upper arm parallel to the ground and the fingers of the hand extended and meeting the eyebrow.\n\n\"02\n\n \n

Draw the Face and Saluting Hand

\nSketch the basic guidelines for the face. Again, since the face is turned, your guideline going down the center of the face should reflect the direction the soldier is facing.\n\n\"03\n\n \n\nSince the soldier\'s chin is slightly up, notice the upward curvature of the eye guideline as the head is tilted back. As you draw the eyes looking slightly up, don\'t forget the highlights, eyelashes, and eyebrows.\n\n\"04\n\n \n\nNext, draw the nose. Use the reference photo and guidelines to sketch the nose at the same angle as the turned head.\n\n\"05\n\n \n\nRepeat this process as you draw the mouth.\n\n\"06\n\n \n\nFinish the face by drawing the ears, jawline, and neck. The collar of the jacket will be drawn just below the neck later.\n\n\"07\n\n \n\nAt this point, you can erase the guidelines that helped you draw the face. Then begin adding details to make the hand. Draw the fingers extended straight but put slight bends in the knuckle areas to make them appear more natural. Make a few visible lifelines on the palm underside and a few wrinkles along the side of the hand for a touch of realism.\n\n\"08\n\n \n

Draw the Uniform

\nDraw the hat. Look at the reference photo to see how to properly shape the hat. Draw stitching along the seams to make it appear sewn together like real fabric.\n\n\"09\n\n \n\nNext, draw the collar along the bottom of the neck...\n\n\"10\n\n \n\n...and draw the jacket. Continue to use the reference photo to stay true to the design of the uniform. This includes noticing where parts of the jacket are fastened and how the pockets are angled. Don\'t forget to make a few well-placed folds that are always found in clothing.\n\n\"11\n\n \n\nRepeat this process as you draw the sleeve. Look specifically for folds, seams, and pockets and draw them as carefully as you can.\n\n\"12\n\n \n

How to Make a Camouflage Pattern

\nNow it is time to begin adding a camouflage pattern to the uniform. Here is a pattern I created on the hat. The current army combat uniform has a digital-looking pixel pattern and three basic colors: foliage green, urban gray, and desert sand. The goal for this drawing is not to replicate this complicated pattern perfectly. Instead, we can sketch some very basic shapes and use a combination of hatching and crosshatching to make a simplified camouflage pattern that resembles the real thing. Here\'s how...\n\n\"13\n\n \n\nLet\'s start by making camo for the sleeve. Make some basic abstract shapes for the foliage green. Try drawing many short, straight edges and corners as you form the shapes. This will help create a pixel appearance.\n\n\"14\n\n \n\nUse a crosshatch pattern to fill in these shapes. This crosshatch pattern can enhance the pixel appearance and represent the darkest of the colors: foliage green.\n\n\"15\n\n \n\nRepeat by drawing similar shapes to represent the urban gray, only use a hatch pattern rather than a crosshatch to fill the shapes. Don\'t worry about any shading pattern for the sand color.\n\n\"16\n\n \n\nNow move on to the rest of the uniform. Here we have more foliage green crosshatch patterns on the jacket torso.\n\n\"17\n\n \n\nAdd approximately an equal number of urban gray hatch patterns to complete the uniform and the drawing.\n\n\"how\n\n \n

Finishing Thoughts

\nSo that is how to complete a drawing of an army man who is saluting. The process for drawing the camouflage pattern is not meant to be perfect, but it is at least easier than trying to spend hours or days replicating the real thing, and it has a close enough resemblance.\n\nRemember the value in having a reference photograph when you draw a person in a uniform such as this. If you want to honor the appearance of your subject as closely as possible, a reference photo can mean the difference between an accurate, recognizable soldier and a poor imitation.','How to Draw an Army Man Saluting','','inherit','closed','closed','','2258-autosave-v1','','','2015-11-26 23:48:35','2015-11-27 07:48:35','',2258,'http://www.letsdrawpeople.com/2258-autosave-v1/',0,'revision','',0),(2362,2,'2015-11-26 23:48:44','2015-11-27 07:48:44','Have you ever wanted to know how to draw a soldier giving a salute? In this short tutorial, we will see how to draw an army man saluting.\r\n\r\nBelow is a reference photo that will come in handy. It definitely came in handy for me. Even though I myself am an army veteran, it has been roughly 15 years since I last wore a set of fatigues, also known at the time as BDU\'s (or Battle Dress Uniforms). I have since learned that there have been a lot of changes! As of 2004, they are called ACU\'s (or Army Combat Uniforms) and look very different from what I used to wear.\r\n\r\n[caption id=\"attachment_2267\" align=\"aligncenter\" width=\"800\"]\"how
© Elliot Burlingham | Dreamstime.com
[/caption]\r\n\r\n \r\n

Draw the Basic Outline

\r\nDraw the basic shapes for the head and torso. As you can tell from the photo, this is not a direct frontal view but rather a quarter-turn view. Account for this as you sketch the head shape by planning for the side of the face on one side and the back of the head on the other.\r\n\r\n\"01\r\n\r\n \r\n\r\nSketch the shape for the saluting arm. A salute is formed with the upper arm parallel to the ground and the fingers of the hand extended and meeting the eyebrow.\r\n\r\n\"02\r\n\r\n \r\n

Draw the Face and Saluting Hand

\r\nSketch the basic guidelines for the face. Again, since the face is turned, your guideline going down the center of the face should reflect the direction the soldier is facing.\r\n\r\n\"03\r\n\r\n \r\n\r\nSince the soldier\'s chin is slightly up, notice the upward curvature of the eye guideline as the head is tilted back. As you draw the eyes looking slightly up, don\'t forget the highlights, eyelashes, and eyebrows.\r\n\r\n\"04\r\n\r\n \r\n\r\nNext, draw the nose. Use the reference photo and guidelines to sketch the nose at the same angle as the turned head.\r\n\r\n\"05\r\n\r\n \r\n\r\nRepeat this process as you draw the mouth.\r\n\r\n\"06\r\n\r\n \r\n\r\nFinish the face by drawing the ears, jawline, and neck. The collar of the jacket will be drawn just below the neck later.\r\n\r\n\"07\r\n\r\n \r\n\r\nAt this point, you can erase the guidelines that helped you draw the face. Then begin adding details to make the hand. Draw the fingers extended straight but put slight bends in the knuckle areas to make them appear more natural. Make a few visible lifelines on the palm underside and a few wrinkles along the side of the hand for a touch of realism.\r\n\r\n\"08\r\n\r\n \r\n

Draw the Uniform

\r\nDraw the hat. Look at the reference photo to see how to properly shape the hat. Draw stitching along the seams to make it appear sewn together like real fabric.\r\n\r\n\"09\r\n\r\n \r\n\r\nNext, draw the collar along the bottom of the neck...\r\n\r\n\"10\r\n\r\n \r\n\r\n...and draw the jacket. Continue to use the reference photo to stay true to the design of the uniform. This includes noticing where parts of the jacket are fastened and how the pockets are angled. Don\'t forget to make a few well-placed folds that are always found in clothing.\r\n\r\n\"11\r\n\r\n \r\n\r\nRepeat this process as you draw the sleeve. Look specifically for folds, seams, and pockets and draw them as carefully as you can.\r\n\r\n\"12\r\n\r\n \r\n

How to Make a Camouflage Pattern

\r\nNow it is time to begin adding a camouflage pattern to the uniform. Here is a pattern I created on the hat. The current army combat uniform has a digital-looking pixel pattern and three basic colors: foliage green, urban gray, and desert sand. The goal for this drawing is not to replicate this complicated pattern perfectly. Instead, we can sketch some very basic shapes and use a combination of hatching and crosshatching to make a simplified camouflage pattern that resembles the real thing. Here\'s how...\r\n\r\n\"13\r\n\r\n \r\n\r\nLet\'s start by making camo for the sleeve. Make some basic abstract shapes for the foliage green. Try drawing many short, straight edges and corners as you form the shapes. This will help create a pixel appearance.\r\n\r\n\"14\r\n\r\n \r\n\r\nUse a crosshatch pattern to fill in these shapes. This crosshatch pattern can enhance the pixel appearance and represent the darkest of the colors: foliage green.\r\n\r\n\"15\r\n\r\n \r\n\r\nRepeat by drawing similar shapes to represent the urban gray, only use a hatch pattern rather than a crosshatch to fill the shapes. Don\'t worry about any shading pattern for the sand color.\r\n\r\n\"16\r\n\r\n \r\n\r\nNow move on to the rest of the uniform. Here we have more foliage green crosshatch patterns on the jacket torso.\r\n\r\n\"17\r\n\r\n \r\n\r\nAdd approximately an equal number of urban gray hatch patterns to complete the uniform and the drawing.\r\n\r\n\"how\r\n\r\n \r\n

Finishing Thoughts

\r\nSo that is how to complete a drawing of an army man who is saluting. The process for drawing the camouflage pattern is not meant to be perfect, but it is at least easier than trying to spend hours or days replicating the real thing, and it has a close enough resemblance.\r\n\r\nRemember the value in having a reference photograph when you draw a person in a uniform such as this. If you want to honor the appearance of your subject as closely as possible, a reference photo can mean the difference between an accurate, recognizable soldier and a poor imitation.','How to Draw an Army Man Saluting','','inherit','closed','closed','','2258-revision-v1','','','2015-11-26 23:48:44','2015-11-27 07:48:44','',2258,'http://www.letsdrawpeople.com/2258-revision-v1/',0,'revision','',0),(2364,2,'2015-11-27 00:12:03','2015-11-27 08:12:03','[[\"Writer\",\"Headline\",\"Keyword\",\"Category\",\"Length\",\"Images\",\"Payment\",\"Deadline\"],[\"Open\",\"See How to Draw Whitney Houston\",\"how to draw whitney houston\",\"Well-Known People\",\"500 - 800 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Carrienelson1<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Refuse to Ever Use a Drawing Light Box and You Will Regret It\",\"drawing light box\",\"Techniques\",\"500 - 800 words\",\"\",\"$25 - $85\",\"December 31, 2015\"],[\"Open\",\"X Figure Drawing Model Poses You Should Definitely Sketch\",\"figure drawing model poses\",\"Body\",\"500 - 800 words\",\"\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"How to Draw a Blouse When You Know Nothing about Blouses\",\"how to draw a blouse\",\"Clothing\",\"1,000 - 1,500 words\",\"\",\"$60 - $120\",\"December 31, 2015\"],[\"Open\",\"How to Draw Children: X Different Approaches\",\"how to draw children\",\"Children\",\"500 - 800 words\",\"\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Use This Drawing of a Man to Improve Your Own Drawing\",\"drawing of a man\",\"Everyday People (Man)\",\"500 - 800 words\",\"\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"What Everybody Ought to Know about How to Draw Women\",\"how to draw women\",\"Everyday People (Woman)\",\"1,000 - 1,500 words\",\"\",\"$60 - $120\",\"December 31, 2015\"]]','Editorial Calendar','','inherit','closed','closed','','2347-revision-v1','','','2015-11-27 00:12:03','2015-11-27 08:12:03','',2347,'http://www.letsdrawpeople.com/2347-revision-v1/',0,'revision','',0),(2363,2,'2015-11-27 00:05:50','2015-11-27 08:05:50','[[\"Writer\",\"Headline\",\"Keyword\",\"Category\",\"Length\",\"Images\",\"Payment\",\"Deadline\"],[\"Open\",\"See How to Draw Whitney Houston\",\"how to draw whitney houston\",\"Well-Known People\",\"500 - 800 words\",\"[caption id=\\\"attachment_2354\\\" align=\\\"aligncenter\\\" width=\\\"533\\\"]\\\"\\u00a9<\\/a>
\\u00a9 Carrienelson1<\\/a> | Dreamstime.com<\\/a><\\/center>[\\/caption]\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Refuse to Ever Use a Drawing Light Box and You Will Regret It\",\"drawing light box\",\"Techniques\",\"500 - 800 words\",\"\",\"$25 - $85\",\"December 31, 2015\"],[\"Open\",\"X Figure Drawing Model Poses You Should Definitely Sketch\",\"figure drawing model poses\",\"Body\",\"500 - 800 words\",\"\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"How to Draw a Blouse When You Know Nothing about Blouses\",\"how to draw a blouse\",\"Clothing\",\"1,000 - 1,500 words\",\"\",\"$60 - $120\",\"December 31, 2015\"],[\"Open\",\"How to Draw Children: X Different Approaches\",\"how to draw children\",\"Children\",\"500 - 800 words\",\"\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Use This Drawing of a Man to Improve Your Own Drawing\",\"drawing of a man\",\"Everyday People (Man)\",\"500 - 800 words\",\"\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"What Everybody Ought to Know about How to Draw Women\",\"how to draw women\",\"Everyday People (Woman)\",\"1,000 - 1,500 words\",\"\",\"$60 - $120\",\"December 31, 2015\"]]','Editorial Calendar','','inherit','closed','closed','','2347-revision-v1','','','2015-11-27 00:05:50','2015-11-27 08:05:50','',2347,'http://www.letsdrawpeople.com/2347-revision-v1/',0,'revision','',0),(2365,2,'2015-11-27 00:24:26','2015-11-27 08:24:26','[[\"Writer\",\"Headline\",\"Keyword\",\"Category\",\"Length\",\"Images\",\"Payment\",\"Deadline\"],[\"Open\",\"See How to Draw Whitney Houston\",\"how to draw whitney houston\",\"Well-Known People\",\"500 - 800 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Carrienelson1<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Refuse to Ever Use a Drawing Light Box and You Will Regret It\",\"drawing light box\",\"Techniques\",\"500 - 800 words\",\"\",\"$25 - $85\",\"December 31, 2015\"],[\"Open\",\"X Figure Drawing Model Poses You Should Definitely Sketch\",\"figure drawing model poses\",\"Body\",\"500 - 800 words\",\"\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"How to Draw a Blouse When You Know Nothing about Blouses\",\"how to draw a blouse\",\"Clothing\",\"1,000 - 1,500 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Lee Snider<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>
\\\"\\u00a9<\\/a>
\\u00a9 Kateryna Trubetska<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$60 - $120\",\"December 31, 2015\"],[\"Open\",\"How to Draw Children: X Different Approaches\",\"how to draw children\",\"Children\",\"500 - 800 words\",\"\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Use This Drawing of a Man to Improve Your Own Drawing\",\"drawing of a man\",\"Everyday People (Man)\",\"500 - 800 words\",\"\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"What Everybody Ought to Know about How to Draw Women\",\"how to draw women\",\"Everyday People (Woman)\",\"1,000 - 1,500 words\",\"\",\"$60 - $120\",\"December 31, 2015\"]]','Editorial Calendar','','inherit','closed','closed','','2347-revision-v1','','','2015-11-27 00:24:26','2015-11-27 08:24:26','',2347,'http://www.letsdrawpeople.com/2347-revision-v1/',0,'revision','',0),(2366,2,'2015-11-27 00:31:03','2015-11-27 08:31:03','[[\"Writer\",\"Headline\",\"Keyword\",\"Category\",\"Length\",\"Images\",\"Payment\",\"Deadline\"],[\"Open\",\"See How to Draw Whitney Houston\",\"how to draw whitney houston\",\"Well-Known People\",\"500 - 800 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Carrienelson1<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Refuse to Ever Use a Drawing Light Box and You Will Regret It\",\"drawing light box\",\"Techniques\",\"500 - 800 words\",\"Images to which you own the rights, OR select from Dreamstime.com.<\\/a>\",\"$25 - $85\",\"December 31, 2015\"],[\"Open\",\"X Figure Drawing Model Poses You Should Definitely Sketch\",\"figure drawing model poses\",\"Body\",\"500 - 800 words\",\"Images to which you own the rights, OR select from Dreamstime.com.<\\/a>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"How to Draw a Blouse When You Know Nothing about Blouses\",\"how to draw a blouse\",\"Clothing\",\"1,000 - 1,500 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Lee Snider<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>
\\\"\\u00a9<\\/a>
\\u00a9 Kateryna Trubetska<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$60 - $120\",\"December 31, 2015\"],[\"Open\",\"How to Draw Children: X Different Approaches\",\"how to draw children\",\"Children\",\"500 - 800 words\",\"Images to which you own the rights, OR select from Dreamstime.com.<\\/a>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Use This Drawing of a Man to Improve Your Own Drawing\",\"drawing of a man\",\"Everyday People (Man)\",\"500 - 800 words\",\"Images to which you own the rights, OR select from Dreamstime.com.<\\/a>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"What Everybody Ought to Know about How to Draw Women\",\"how to draw women\",\"Everyday People (Woman)\",\"1,000 - 1,500 words\",\"Images to which you own the rights, OR select from Dreamstime.com.<\\/a>\",\"$60 - $120\",\"December 31, 2015\"]]','Editorial Calendar','','inherit','closed','closed','','2347-revision-v1','','','2015-11-27 00:31:03','2015-11-27 08:31:03','',2347,'http://www.letsdrawpeople.com/2347-revision-v1/',0,'revision','',0),(2368,2,'2015-11-27 00:50:13','2015-11-27 08:50:13','[[\"Writer\",\"Headline\",\"Keyword\",\"Category\",\"Length\",\"Images\",\"Payment\",\"Deadline\"],[\"Open\",\"See How to Draw Whitney Houston\",\"how to draw whitney houston\",\"Well-Known People\",\"500 - 800 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Carrienelson1<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Refuse to Ever Use a Drawing Light Box and You Will Regret It\",\"drawing light box\",\"Techniques\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$25 - $85\",\"December 31, 2015\"],[\"Open\",\"X Figure Drawing Model Poses You Should Definitely Sketch\",\"figure drawing model poses\",\"Body\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"How to Draw a Blouse When You Know Nothing about Blouses\",\"how to draw a blouse\",\"Clothing\",\"1,000 - 1,500 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Lee Snider<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>
\\\"\\u00a9<\\/a>
\\u00a9 Kateryna Trubetska<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$60 - $120\",\"December 31, 2015\"],[\"Open\",\"How to Draw Children: X Different Approaches\",\"how to draw children\",\"Children\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Use This Drawing of a Man to Improve Your Own Drawing\",\"drawing of a man\",\"Everyday People (Man)\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"What Everybody Ought to Know about How to Draw Women\",\"how to draw women\",\"Everyday People (Woman)\",\"1,000 - 1,500 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$60 - $120\",\"December 31, 2015\"]]','Editorial Calendar','','inherit','closed','closed','','2347-revision-v1','','','2015-11-27 00:50:13','2015-11-27 08:50:13','',2347,'http://www.letsdrawpeople.com/2347-revision-v1/',0,'revision','',0),(2367,2,'2015-11-27 00:45:04','2015-11-27 08:45:04','[[\"Writer\",\"Headline\",\"Keyword\",\"Category\",\"Length\",\"Images\",\"Payment\",\"Deadline\"],[\"Open\",\"See How to Draw Whitney Houston\",\"how to draw whitney houston\",\"Well-Known People\",\"500 - 800 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Carrienelson1<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Refuse to Ever Use a Drawing Light Box and You Will Regret It\",\"drawing light box\",\"Techniques\",\"500 - 800 words\",\"Only use images to which you own the rights, OR select from a stock photography website such as FreeImages.com<\\/a> or Dreamstime.com.<\\/a>\",\"$25 - $85\",\"December 31, 2015\"],[\"Open\",\"X Figure Drawing Model Poses You Should Definitely Sketch\",\"figure drawing model poses\",\"Body\",\"500 - 800 words\",\"Only use images to which you own the rights, OR select from a stock photography website such as FreeImages.com<\\/a> or Dreamstime.com.<\\/a>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"How to Draw a Blouse When You Know Nothing about Blouses\",\"how to draw a blouse\",\"Clothing\",\"1,000 - 1,500 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Lee Snider<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>
\\\"\\u00a9<\\/a>
\\u00a9 Kateryna Trubetska<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$60 - $120\",\"December 31, 2015\"],[\"Open\",\"How to Draw Children: X Different Approaches\",\"how to draw children\",\"Children\",\"500 - 800 words\",\"Only use images to which you own the rights, OR select from a stock photography website such as FreeImages.com<\\/a> or Dreamstime.com.<\\/a>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Use This Drawing of a Man to Improve Your Own Drawing\",\"drawing of a man\",\"Everyday People (Man)\",\"500 - 800 words\",\"Only use images to which you own the rights, OR select from a stock photography website such as FreeImages.com<\\/a> or Dreamstime.com.<\\/a>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"What Everybody Ought to Know about How to Draw Women\",\"how to draw women\",\"Everyday People (Woman)\",\"1,000 - 1,500 words\",\"Only use images to which you own the rights, OR select from a stock photography website such as FreeImages.com<\\/a> or Dreamstime.com.<\\/a>\",\"$60 - $120\",\"December 31, 2015\"]]','Editorial Calendar','','inherit','closed','closed','','2347-revision-v1','','','2015-11-27 00:45:04','2015-11-27 08:45:04','',2347,'http://www.letsdrawpeople.com/2347-revision-v1/',0,'revision','',0),(2369,2,'2015-11-27 00:54:49','2015-11-27 08:54:49','[[\"
Writer<\\/center>\",\"
Headline<\\/center>\",\"
Keyword<\\/center>\",\"
Category<\\/center>\",\"
Length<\\/center>\",\"
Images<\\/center>\",\"
Payment<\\/center>\",\"Deadline\"],[\"Open\",\"See How to Draw Whitney Houston\",\"how to draw whitney houston\",\"Well-Known People\",\"500 - 800 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Carrienelson1<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Refuse to Ever Use a Drawing Light Box and You Will Regret It\",\"drawing light box\",\"Techniques\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$25 - $85\",\"December 31, 2015\"],[\"Open\",\"X Figure Drawing Model Poses You Should Definitely Sketch\",\"figure drawing model poses\",\"Body\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"How to Draw a Blouse When You Know Nothing about Blouses\",\"how to draw a blouse\",\"Clothing\",\"1,000 - 1,500 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Lee Snider<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>
\\\"\\u00a9<\\/a>
\\u00a9 Kateryna Trubetska<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$60 - $120\",\"December 31, 2015\"],[\"Open\",\"How to Draw Children: X Different Approaches\",\"how to draw children\",\"Children\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Use This Drawing of a Man to Improve Your Own Drawing\",\"drawing of a man\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"What Everybody Ought to Know about How to Draw Women\",\"how to draw women\",\"Everyday People\",\"1,000 - 1,500 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$60 - $120\",\"December 31, 2015\"]]','Editorial Calendar','','inherit','closed','closed','','2347-revision-v1','','','2015-11-27 00:54:49','2015-11-27 08:54:49','',2347,'http://www.letsdrawpeople.com/2347-revision-v1/',0,'revision','',0),(2370,2,'2015-11-27 01:04:10','2015-11-27 09:04:10','Welcome! Thank you again for contributing to Let\'s Draw People!\r\n\r\nReview the editorial calendar below. You can choose any article that is \"Open\" in the WRITER column. Choose one or more articles that you want to write and for which you can provide images. If images are already provided for an article, feel free to use them as well as your own. Please make sure you are able to meet the deadline for the article(s) you choose.\r\n

[table id=15 /]

\r\n

Use the form below to select the article or articles you want to write. If you have a suggestion to write an article on a different topic, you can do so as well.

\r\n

Remember, do not begin writing the article until you receive a confirmation email that you are assigned the article!

\r\n

form

\r\n

','Editorial Calendar','','inherit','closed','closed','','2345-revision-v1','','','2015-11-27 01:04:10','2015-11-27 09:04:10','',2345,'http://www.letsdrawpeople.com/2345-revision-v1/',0,'revision','',0),(2371,2,'2015-11-27 01:42:18','2015-11-27 09:42:18','Welcome! Thank you again for contributing to Let\'s Draw People!\r\n\r\nReview the editorial calendar below. You can choose any article that is \"Open\" in the WRITER column. Choose one or more articles that you want to write and for which you can provide images. If images are already provided for an article, feel free to use them as well as your own. Please make sure you are able to meet the deadline for the article(s) you choose.\r\n

[table id=15 /]

\r\n

Use the form below to select the article or articles you want to write. If you have a suggestion to write an article on a different topic, you can do so as well.

\r\n

Remember, do not begin writing the article until you receive a confirmation email that you are assigned the article!

\r\n

[nform id=\'5\']

\r\n

','Editorial Calendar','','inherit','closed','closed','','2345-revision-v1','','','2015-11-27 01:42:18','2015-11-27 09:42:18','',2345,'http://www.letsdrawpeople.com/2345-revision-v1/',0,'revision','',0),(2372,2,'2015-11-27 01:57:05','2015-11-27 09:57:05','Welcome! Thank you again for contributing to Let\'s Draw People!\r\n\r\nReview the editorial calendar, and then choose your articles below. You can choose any article that is \"Open\" in the WRITER column. Choose one or more articles that you want to write and for which you can provide images. If images are already provided for an article, feel free to use them as well as your own. Please make sure you are able to meet the deadline for the article(s) you choose.\r\n

[table id=15 /]

\r\n

Use the form below to select the article or articles you want to write. If you have a suggestion to write an article on a different topic, you can do so as well.

\r\n

Remember, do not begin writing the article until you receive a confirmation email that you are assigned the article!

\r\n

[nform id=\'5\']

\r\n

','Editorial Calendar','','inherit','closed','closed','','2345-revision-v1','','','2015-11-27 01:57:05','2015-11-27 09:57:05','',2345,'http://www.letsdrawpeople.com/2345-revision-v1/',0,'revision','',0),(2390,2,'2016-02-01 22:07:10','2016-02-02 06:07:10','Would you like to draw and write for LetsDrawPeople.com? Better yet, would you like to get paid to draw and get paid to write?\n\nI am looking for portrait artists or anyone skilled at drawing people. You should have the ability to write step-by-step drawing tutorials and informative content online. You should have the desire to help others who truly want to become better artists and create awesome portrait drawings like yours!\n\nThis means you should be a skilled writer able to teach and relay your drawing techniques to readers of this website who wish to draw people as well as you do. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People:\n
    \n
  • You are a professional portrait artist with your own website.
    • \n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \n
  • You have your own blog (in any niche - hence writing experience), and you love to draw in your spare time.
    • \n
  • You do not have your own blog, but you have strong writing skills, and you regularly post your drawings for others to see on social media.
    • \n
\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\n

Content Guidelines

\nLet\'s Draw People accepts bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on this website on an as-needed basis. Our target audience consists primarily of beginning and intermediate pencil portrait artists.\n\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\n\nHow to Draw an Army Man Saluting\n\nThis Childhood Shortcut Will Show You How to Draw Teeth\n\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\n

10 Drawing Ideas for When You Don`t Know What to Draw

\n

Grid Drawing For Perfect Faces And Forms

\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\n\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\n\nThe author retains copyright, but I may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\n

Payment Details

\nIf your article is accepted and scheduled for publication, then you will get paid for it! Contributors will be paid for each article based on the number of words, the number of images, and the quality of the drawings.\n\nNumber of words - $0.05 per word, up to the maximum words for a given article\n\nThe number of words you write will be determined based on the \"word count\" within the WordPress post writing platform. The article\'s title is not counted. For each article, the number of words you use should stay within a certain range. For example, one article might be assigned a length of 500 to 800 words. You must write a minimum of 500 words. If your article goes a bit over 800 words that is fine, but you will be paid $0.05 per word up to 800 words (or $40).\n\nArticles accepted for publication may be edited for clarity, brevity, grammar, conventions, house style, etc. However, the word count of the first draft submitted for review will be used to determine payment. If you submit 800 words of solid, valuable content but I edit it down to 732 words, you will still be paid for 800 words (or $40). Exception: there are irrelevant additions of text that add no value to the content but are obvious attempts to inflate the word count.\n\nNumber of images - $5 for 1 to 5 images; $10 for 6 to 15 images; $15 for 16 or more images\n\nIf you decide to use 10 images (for $10) to complement your article or tutorial, that does not mean you have to create 10 separate pieces of artwork. If you have original drawings from your previous body of work that you are willing to share with your article, that would be wonderful! Images can also be photographs that you have taken, or in the case of a tutorial, they can be separate scans of a single drawing. The point is...the more examples you have, the better. You are also encouraged to use photo editing software like Adobe Photoshop to add arrows, text, to crop a close up of a section of the drawing, etc.\n\nImages you submit with your articles may be edited or re-edited if they are accepted. I may also decide to add or remove images from your article before publishing. However, the number of images you upload with your first draft submitted for review will be used to determine payment. If you submit 6 relevant images that effectively teach the main points of your topic but I only publish 5 images, you will still be paid for 6 images (or $10). Exception: there are irrelevant additions of images that add no value to the content but are obvious attempts to inflate the image count.\n\nQuality of drawings - $5 for line drawings; $10 for line drawings with shading; $30 for realistic blending\n
    \n
  • $5 if all images are line drawings with little to no shading
    • \n
  • $10 if at least one image is a line drawing with ample shading (e.g., simple shading style like hatching, crosshatching, a layer or two of blended graphite, etc.)
    • \n
  • $30 if at least one image mostly consists of realistic blending (e.g., multiple applications of graphite smoothed over with a tortillion and/or blending stump)
    • \n
\nThe images below display examples of each drawing quality type:\n

[table id=14 /]

\n\n

Payment Scenario

\nUsing the payment details above, consider the following scenario:\n\nYou create an 800-word drawing tutorial with 6 scanned images. Your images are step-by-step line drawings, but you explain how to add simple shading to the final two images.\n\nYour payment would be $40 for the words (800 words x $0.05) + $10 for 6 scanned images + $10 for shaded drawings = $60 total.\n

How to Get Started

\nIf you have the expertise and experience with drawing people and are willing to create a helpful, outstanding post for the Let\'s Draw People audience, fill out the form below.\n\nBe sure to include links to three articles or blog posts you have written and published online, if applicable. Articles based on the topic of how to draw people are preferred but not required. You can even link to your blog if it is in a niche having nothing to do with drawing. The purpose of this is to get a sense of your writing style.\n\nIf you have never published writing online, then it would be helpful if you submit a short writing sample (minimum 100 words) in a MS Word document or a PDF using the upload option in the form.\n\nI also want to review three samples of your artwork. These should be drawings or sketches of people. It is fine if these are found in the links you submit below. If your links contain no drawing samples, then you can use the upload option in the form.\n\nIf you are accepted as a contributor, you will receive an email to let you know, along with a link to the editorial calendar so you can select which articles you wish to write!\n

[nform id=\'2\']

','Draw and Write for Us','','inherit','closed','closed','','2302-autosave-v1','','','2016-02-01 22:07:10','2016-02-02 06:07:10','',2302,'http://www.letsdrawpeople.com/2302-autosave-v1/',0,'revision','',0),(2374,2,'2015-11-28 11:01:56','2015-11-28 19:01:56','

Mission Statement

\r\nWelcome! My name is Jack Pearce, and I am the founder of Let\'s Draw People! It is the mission of this website to awaken the inner artist in everyday people (including YOU)...by drawing people! I believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason I put this site together is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

The Goal

\r\nMy goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! My aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating portraits that will amaze themselves and those they know and love.\r\n

How It\'s All Done

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn but life got in the way, and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or you have some experience, Let\'s Draw People lets you take your skills as a beginning or intermediate portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. You will find informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop and your confidence builds, you may be willing to share your work on this site to have your artwork recognized and appreciated by others. Better yet, you may eventually be able to become a contributing artist and author!\r\n

How It All Got Started

\r\n\"selfI have had a love for drawing ever since I was 3 years old and never really grew out of it. Although I loved drawing everything under the sun, I always had a special fascination with drawing people. The more my skills developed, the more I wanted to focus on drawing people, especially realistic portraits in pencil (my favorite medium). Like many other artists, I also have a day job in another field. Still, my love for drawing has given me the opportunity to draw many commissioned portraits for people wanting custom portrait artwork, and I still draw and sketch people in my spare time for fun.\r\n\r\nWhenever I do draw people, it triggers that childhood passion and desire to draw all the time. I formed Let\'s Draw People as a way to bring together others who have similar experiences, who would love nothing more than to have the freedom to draw all day long as they so innocently did as kids. My hope is for this website to bring together aspiring portrait artists of all ability levels who want to share their knowledge and artwork, to help others enhance their skills, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

Now, YOU Get Started!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people. Also, I invite you to sign up for the Let\'s Draw People Newsletter to stay up-to-date on the latest articles, tutorials, and artwork...\r\n\r\n[magicactionbox id=\"2032\"]\r\n\r\n...and join our growing social community on Facebook, Pinterest, and YouTube!','About Page','','inherit','closed','closed','','45-revision-v1','','','2015-11-28 11:01:56','2015-11-28 19:01:56','',45,'http://www.letsdrawpeople.com/45-revision-v1/',0,'revision','',0),(2375,2,'2015-11-28 11:08:02','2015-11-28 19:08:02','','ldp about jp','','inherit','open','closed','','ldp-about-jp','','','2015-11-28 11:08:02','2015-11-28 19:08:02','',45,'http://www.letsdrawpeople.com/wp-content/uploads/2012/06/ldp-about-jp.jpg',0,'attachment','image/jpeg',0),(2376,2,'2015-11-28 11:08:32','2015-11-28 19:08:32','

Mission Statement

\r\n\"ldpWelcome! My name is Jack Pearce, and I am the founder of Let\'s Draw People! It is the mission of this website to awaken the inner artist in everyday people (including YOU)...by drawing people! I believe that no matter which path in life you followed, you can rediscover and reignite that childhood passion of drawing you had when you were scribbling smiley faces and sketching stick figures. The reason I put this site together is to help other \"aspiring\" portrait artists who wish to improve their skills when it comes to drawing people.\r\n

The Goal

\r\nMy goal is to build a community of people from all walks of life who commit to spending more time on what they have always enjoyed doing...drawing people! My aim is for people who don\'t draw everyday to realize their true hidden talents and potential, to begin creating portraits that will amaze themselves and those they know and love.\r\n

How It\'s All Done

\r\nMaybe you wish to learn how to draw something more advanced than a stick person. You wanted to learn but life got in the way, and now your kids can draw people better than you. Or, maybe you already have some artistic talent, but you always struggle when it comes to drawing people. You often say, \"Does her face look right to you?\" or \"I can\'t keep from drawing his hand crooked.\"\r\n\r\nWhether you are just starting to draw all over again or you have some experience, Let\'s Draw People lets you take your skills as a beginning or intermediate portrait artist to the next level. Here you will find tips and techniques to help you draw the human face and form in a variety of styles. You will find informative articles, step-by-step tutorials and pictures, and how-to videos by a selection of artists that can accommodate your needs and abilities. As your skills develop and your confidence builds, you may be willing to share your work on this site to have your artwork recognized and appreciated by others. Better yet, you may eventually be able to become a contributing artist and author!\r\n

How It All Got Started

\r\n\"selfI have had a love for drawing ever since I was 3 years old and never really grew out of it. Although I loved drawing everything under the sun, I always had a special fascination with drawing people. The more my skills developed, the more I wanted to focus on drawing people, especially realistic portraits in pencil (my favorite medium). Like many other artists, I also have a day job in another field. Still, my love for drawing has given me the opportunity to draw many commissioned portraits for people wanting custom portrait artwork, and I still draw and sketch people in my spare time for fun.\r\n\r\nWhenever I do draw people, it triggers that childhood passion and desire to draw all the time. I formed Let\'s Draw People as a way to bring together others who have similar experiences, who would love nothing more than to have the freedom to draw all day long as they so innocently did as kids. My hope is for this website to bring together aspiring portrait artists of all ability levels who want to share their knowledge and artwork, to help others enhance their skills, and to motivate each other to carve out more time for their passion for drawing, no matter how much life gets in the way.\r\n

Now, YOU Get Started!

\r\nCheck back often to find new articles and videos that will help you to better understand how to draw people. Also, I invite you to sign up for the Let\'s Draw People Newsletter to stay up-to-date on the latest articles, tutorials, and artwork...\r\n\r\n[magicactionbox id=\"2032\"]\r\n\r\n...and join our growing social community on Facebook, Pinterest, and YouTube!','About Page','','inherit','closed','closed','','45-revision-v1','','','2015-11-28 11:08:32','2015-11-28 19:08:32','',45,'http://www.letsdrawpeople.com/45-revision-v1/',0,'revision','',0),(2378,2,'2016-01-03 06:16:02','2016-01-03 14:16:02','

Welcome! Thank you again for contributing to Let\'s Draw People!\n\nReview the editorial calendar, and then choose your articles below. You can choose any article that is \"OPEN\" in the WRITER column. Substitute any \"X\" you see in an article\'s title with the number of your choosing. Pick one or more articles that you want to write and for which you can provide images. Please make sure you are able to meet the deadline for the article(s) you choose.\n\nIf images are already provided for an article, feel free to use them as well as your own. Again, if you see a good reference photograph on the Internet but do not own the rights for it, DO NOT USE IT! Instead, you can find legal-to-use stock images, both free and affordable, on Dreamstime.com. If you prefer to use another stock website, you can find others here and here. To confirm the source of your image, copy and paste the exact URL web address in the Description portion of the image when you upload it in WordPress.\n

[table id=15 /]

\nThe keyword phrase is important. Imagine that someone wants to know \"how to draw women\". He types the keyword phrase \"how to draw women\" into a search engine like Google. Your article should appear in the search results because you include the phrase \"how to draw women\" several times throughout your article. Plus, the entire content of your article should center around the topic \"how to draw women\" and satisfactorily answer the question for the person who typed that phrase into Google.\n\nThe category is simply how the article will be organized and placed on this website. If you look at the main menu going across this site, you will see that all the articles on the website are organized by similar categories. Keep these broader categories in mind as you write your article or tutorial to make sure it will be a good fit for the category.\n
  • If you click on \"Techniques\" you will see articles about drawing techniques, tools, ideas, concepts, etc.
    • \n
  • \"Facial Features\" will have tutorials that teach how to draw eyes, a nose, a mouth, ears, hair, or the entire face.
    • \n
  • Clicking on \"Figure and Clothing\" will show you how to draw beyond the head and shoulders, focusing on full-length drawings of the body and clothes or parts of the body like hands and feet.
    • \n
  • If you click on \"Everyday People\" you will see a list of articles and tutorials that teach how to draw regular men and women you might see every day out in public.
    • \n
  • Clicking on \"Well-Known People\" will show you celebrities and other prominent people.
    • \n
  • Articles in the category \"Children\" will teach how to draw babies, toddlers, kids, and teens.
    • \n
\nPlease take sufficient time to very carefully check your writing for proper grammar, spelling, and punctuation!\n

Use the form below to select the article or articles you want to write. If you have a suggestion to write an article on a different topic, you can do so as well. For example, you may want to give a tutorial on a celebrity or facial feature not mentioned, or you may want to provide advice on drawing tools or techniques not listed above. Your suggestion will be taken under consideration and if accepted, it will likely be scheduled for publication during a subsequent month or possibly used in lieu of an article already listed.

\n

Remember, do not begin writing the article until you receive a confirmation email that you are assigned the article!

\n

[nform id=\'5\']

\n

','Editorial Calendar','','inherit','closed','closed','','2345-autosave-v1','','','2016-01-03 06:16:02','2016-01-03 14:16:02','',2345,'http://www.letsdrawpeople.com/2345-autosave-v1/',0,'revision','',0),(2379,2,'2015-11-28 15:22:50','2015-11-28 23:22:50','Welcome! Thank you again for contributing to Let\'s Draw People!\r\n\r\nReview the editorial calendar, and then choose your articles below. You can choose any article that is \"Open\" in the WRITER column. Choose one or more articles that you want to write and for which you can provide images. If images are already provided for an article, feel free to use them as well as your own. Please make sure you are able to meet the deadline for the article(s) you choose.\r\n\r\nNote: Substitute any \"X\" you see in an article\'s title with the number of your choosing.\r\n

[table id=15 /]

\r\n

Use the form below to select the article or articles you want to write. If you have a suggestion to write an article on a different topic, you can do so as well. For example, you may want to give a tutorial on a celebrity or facial feature not mentioned, or you may want to provide advice on drawing tools or techniques not listed above. You suggestion will be taken under consideration and if accepted, will be used in lieu of or in addition to articles already listed.

\r\n

Remember, do not begin writing the article until you receive a confirmation email that you are assigned the article!

\r\n

[nform id=\'5\']

\r\n

','Editorial Calendar','','inherit','closed','closed','','2345-revision-v1','','','2015-11-28 15:22:50','2015-11-28 23:22:50','',2345,'http://www.letsdrawpeople.com/2345-revision-v1/',0,'revision','',0),(2380,2,'2015-11-28 15:26:01','2015-11-28 23:26:01','[[\"
Writer<\\/center>\",\"
Title<\\/center>\",\"
Keyword<\\/center>\",\"
Category<\\/center>\",\"
Length<\\/center>\",\"
Images<\\/center>\",\"
Payment<\\/center>\",\"Deadline\"],[\"Open\",\"See How to Draw Whitney Houston\",\"how to draw whitney houston\",\"Well-Known People\",\"500 - 800 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Carrienelson1<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Refuse to Ever Use a Drawing Light Box and You Will Regret It\",\"drawing light box\",\"Techniques\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$25 - $85\",\"December 31, 2015\"],[\"Open\",\"X Figure Drawing Model Poses You Should Definitely Sketch\",\"figure drawing model poses\",\"Body\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"How to Draw a Blouse When You Know Nothing about Blouses\",\"how to draw a blouse\",\"Clothing\",\"1,000 - 1,500 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Lee Snider<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>
\\\"\\u00a9<\\/a>
\\u00a9 Kateryna Trubetska<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$60 - $120\",\"December 31, 2015\"],[\"Open\",\"How to Draw Children: X Different Approaches\",\"how to draw children\",\"Children\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Use This Drawing of a Man to Improve Your Own Drawing\",\"drawing of a man\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"What Everybody Ought to Know about How to Draw Women\",\"how to draw women\",\"Everyday People\",\"1,000 - 1,500 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$60 - $120\",\"December 31, 2015\"]]','Editorial Calendar','','inherit','closed','closed','','2347-revision-v1','','','2015-11-28 15:26:01','2015-11-28 23:26:01','',2347,'http://www.letsdrawpeople.com/2347-revision-v1/',0,'revision','',0),(2381,2,'2015-11-28 16:28:05','2015-11-29 00:28:05','Welcome! Thank you again for contributing to Let\'s Draw People!\r\n\r\nReview the editorial calendar, and then choose your articles below. You can choose any article that is \"Open\" in the WRITER column. Choose one or more articles that you want to write and for which you can provide images. If images are already provided for an article, feel free to use them as well as your own. Please make sure you are able to meet the deadline for the article(s) you choose.\r\n\r\nNote: Substitute any \"X\" you see in an article\'s title with the number of your choosing.\r\n

[table id=15 /]

\r\n

Use the form below to select the article or articles you want to write. If you have a suggestion to write an article on a different topic, you can do so as well. For example, you may want to give a tutorial on a celebrity or facial feature not mentioned, or you may want to provide advice on drawing tools or techniques not listed above. You suggestion will be taken under consideration and if accepted, it will be used in lieu of an article already listed.

\r\n

Remember, do not begin writing the article until you receive a confirmation email that you are assigned the article!

\r\n

[nform id=\'5\']

\r\n

','Editorial Calendar','','inherit','closed','closed','','2345-revision-v1','','','2015-11-28 16:28:05','2015-11-29 00:28:05','',2345,'http://www.letsdrawpeople.com/2345-revision-v1/',0,'revision','',0),(2382,2,'2015-11-28 16:30:15','2015-11-29 00:30:15','Welcome! Thank you again for contributing to Let\'s Draw People!\r\n\r\nReview the editorial calendar, and then choose your articles below. You can choose any article that is \"Open\" in the WRITER column. Choose one or more articles that you want to write and for which you can provide images. If images are already provided for an article, feel free to use them as well as your own. Please make sure you are able to meet the deadline for the article(s) you choose.\r\n\r\nNote: Substitute any \"X\" you see in an article\'s title with the number of your choosing.\r\n

[table id=15 /]

\r\n

Use the form below to select the article or articles you want to write. If you have a suggestion to write an article on a different topic, you can do so as well. For example, you may want to give a tutorial on a celebrity or facial feature not mentioned, or you may want to provide advice on drawing tools or techniques not listed above. Your suggestion will be taken under consideration and if accepted, it will be used in lieu of an article already listed.

\r\n

Remember, do not begin writing the article until you receive a confirmation email that you are assigned the article!

\r\n

[nform id=\'5\']

\r\n

','Editorial Calendar','','inherit','closed','closed','','2345-revision-v1','','','2015-11-28 16:30:15','2015-11-29 00:30:15','',2345,'http://www.letsdrawpeople.com/2345-revision-v1/',0,'revision','',0),(2385,2,'2015-11-30 20:16:59','2015-12-01 04:16:59','Welcome! Thank you again for contributing to Let\'s Draw People!\r\n\r\nReview the editorial calendar, and then choose your articles below. You can choose any article that is \"Open\" in the WRITER column. Choose one or more articles that you want to write and for which you can provide images. If images are already provided for an article, feel free to use them as well as your own. Please make sure you are able to meet the deadline for the article(s) you choose.\r\n\r\nNote: Substitute any \"X\" you see in an article\'s title with the number of your choosing.\r\n

[table id=15 /]

\r\n

Use the form below to select the article or articles you want to write. If you have a suggestion to write an article on a different topic, you can do so as well. For example, you may want to give a tutorial on a celebrity or facial feature not mentioned, or you may want to provide advice on drawing tools or techniques not listed above. Your suggestion will be taken under consideration and if accepted, it may be used in lieu of an article already listed.

\r\n

Remember, do not begin writing the article until you receive a confirmation email that you are assigned the article!

\r\n

[nform id=\'5\']

\r\n

','Editorial Calendar','','inherit','closed','closed','','2345-revision-v1','','','2015-11-30 20:16:59','2015-12-01 04:16:59','',2345,'http://www.letsdrawpeople.com/2345-revision-v1/',0,'revision','',0),(2789,2,'2016-01-19 20:31:55','2016-01-20 04:31:55','Every now and then, you will have to make something in your drawing that you just don\'t know how to make. You just don\'t know enough about it to be comfortable or confident enough to draw, at least without a lot of help.\r\n\r\nFor me, that something is a blouse.\r\n\r\nAs a guy who wears men\'s clothing, I never really paid attention to blouses. I have always been very unfamiliar with them and naive about them. At least I was, until having to research for this article!\r\n\r\nAs I think back to my experiences with drawing women, I usually practiced drawing them with simple clothing like a t-shirt. Why wouldn\'t I? T-shirts are much more familiar to me. That said, I am sure I have drawn a few women in blouses, sometimes without even realizing what exactly I am doing.\r\n\r\nSo how do you draw a blouse when you don\'t know anything about blouses? The same way you draw any unfamiliar subject. You learn about it, see examples of different kinds, and get reference photographs to help you. That is exactly what we will do in this article.\r\n\r\nDefining Blouses','How to Draw a Blouse When You Know Nothing about Blouses','','inherit','closed','closed','','2787-revision-v1','','','2016-01-19 20:31:55','2016-01-20 04:31:55','',2787,'http://www.letsdrawpeople.com/2787-revision-v1/',0,'revision','',0),(2391,2,'2015-12-12 11:39:19','2015-12-12 19:39:19','Would you like to draw and write for LetsDrawPeople.com? Better yet, would you like to get paid to draw and get paid to write?\r\n\r\nI am looking for portrait artists or anyone who is skilled at drawing people and who has published drawing tutorials or informative content online in the past. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People:\r\n
    \r\n
  • You are a professional portrait artist with your own website.
    • \r\n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \r\n
  • You have your own blog (doesn\'t have to be a drawing blog) and you are a skilled artist who loves to draw in your spare time.
    • \r\n
\r\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\r\n

Content Guidelines

\r\nLet\'s Draw People accepts bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on this website on an as-needed basis. Our target audience consists primarily of beginning and intermediate pencil portrait artists.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\r\n\r\nThe author retains copyright, but I may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\r\n

Payment Details

\r\nIf your article is accepted and scheduled for publication, then you will get paid for it! Contributors will be paid for each article based on the number of words, the number of images, and the quality of the drawings.\r\n\r\nNumber of words - $0.05 per word, up to the maximum words for a given article\r\n\r\nThe number of words you write will be determined based on the \"word count\" within the WordPress post writing platform. The article\'s title is not counted. For each article, the number of words you use should stay within a certain range. For example, one article might be assigned a length of 500 to 800 words. You must write a minimum of 500 words. If your article goes a bit over 800 words that is fine, but you will be paid $0.05 per word up to 800 words (or $40).\r\n\r\nArticles accepted for publication may be edited for clarity, brevity, grammar, house style, etc. However, the word count of the first draft submitted for review will be used to determine payment. If you submit 800 words of solid, valuable content but I edit it down to 732 words, you will still be paid for 800 words (or $40). Exception: there are irrelevant additions of text that add no value to the content but are obvious attempts to inflate the word count.\r\n\r\nNumber of images - $5 for 1 to 5 images; $10 for 6 to 15 images; $15 for 16 or more images\r\n\r\nIf you decide to use 10 images (for $10) to complement your article or tutorial, that does not mean you have to create 10 separate pieces of artwork. If you have original drawings from your previous body of work that you are willing to share with your article, that would be wonderful! Images can also be photographs that you have taken, or in the case of a tutorial, they can be separate scans of a single drawing. The point is...the more examples you have, the better. You are also encouraged to use photo editing software like Adobe Photoshop to add arrows, text, to crop a close up of a section of the drawing, etc.\r\n\r\nImages you submit with your articles may be edited or re-edited if they are accepted. I may also decide to add or remove images from your article before publishing. However, the number of images you upload with your first draft submitted for review will be used to determine payment. If you submit 6 relevant images that effectively teach the main points of your topic but I only publish 5 images, you will still be paid for 6 images (or $10). Exception: there are irrelevant additions of images that add no value to the content but are obvious attempts to inflate the image count.\r\n\r\nQuality of drawings - $5 for line drawings; $10 for line drawings with shading; $30 for realistic blending\r\n
    \r\n
  • $5 if all images are line drawings with little to no shading
    • \r\n
  • $10 if at least one image is a line drawing with ample shading (i.e., simple shading style like hatching, crosshatching, etc.)
    • \r\n
  • $30 if at least one image mostly consists of realistic blending (e.g., multiple applications of graphite smoothed over with a tortillion and/or blending stump)
    • \r\n
\r\nThe images below display examples of each drawing quality type:\r\n

[table id=14 /]

\r\n\r\n

Payment Scenario

\r\nUsing the payment details above, consider the following scenario:\r\n\r\nYou create an 800-word drawing tutorial with 6 scanned images. Your images are step-by-step line drawings, but you explain how to add simple shading to the final two images.\r\n\r\nYour payment would be $40 for the words (800 words x $0.05) + $10 for 6 scanned images + $10 for shaded drawings = $60 total.\r\n

How to Get Started

\r\nIf you have the expertise and experience with drawing people and are willing to create a helpful, outstanding post for the Let\'s Draw People audience, fill out the form below.\r\n\r\nBe sure to include links to three articles you have written and published online. Articles based on the topic of how to draw people are preferred but not required. You can even link to your blog if it is in a niche having nothing to do with drawing. The purpose of this is to get a sense of your writing style.\r\n\r\nI also want to review three samples of your artwork. These should be drawings or sketches of people. It is fine if these are found in the links you submit below. If your links contain no drawing samples, then you can use the upload option in the form.\r\n\r\nIf you are accepted as a contributor, you will receive an email to let you know, along with a link to the editorial calendar so you can select which articles you wish to write!\r\n

[nform id=\'2\']

','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-12-12 11:39:19','2015-12-12 19:39:19','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2443,15,'2016-01-06 02:05:11','2016-01-06 10:05:11','Whitney Houston is still considered an icon even to this day. Despite her problems with drugs, who she married, or how she died, she is and will always be a great influence to future generations to come. As you can see, she is an influence to some of us artists. She makes a great subject to study and practice our drawing skills. You will see how to draw Whitney Houston in this tutorial. With that being said, let’s jump into drawing her and honing our skills!\r\n\r\n[caption id=\"attachment_2472\" align=\"aligncenter\" width=\"533\"]\"
© Carrienelson1 | Dreamstime.com
[/caption]\r\n

\r\n

Draw the Facial Features

\r\nWhen working from a photo, I think it’s best that you have 2 of them. One would be for making lines on the photo and the 2nd one would be the photo that you will be working with after the outlines of the figure have been drawn. Start out by first drawing lines (with a ruler or a straight object, of course) onto the 1st picture. Usually I would draw lines that would be under the eyes, the nose, top and bottom of the mouth, and the chin. I would then draw vertical lines on both sides to where the sides of the face will be.\r\n\r\n\"see\r\n\r\n \r\n\r\nI would then repeat this action on my sheet of paper where I would make my future drawing. It’s safe to say that you may want to measure out the space in between the lines so that you can get as close as you can on the eyes, nose, and mouth being near their exact proximity. In this stage, many artists will use different tools to achieve a perfect anatomy or proximity of the focused object such as grids, light boxes, projectors, or free hand.\r\n\r\n \r\n\r\n\"00\r\n\r\n \r\n\r\nIn this stage I’m placing the facial features in their designated areas. I’m making sure both the bottom of the eyes and nose are touching the line and the top and bottom of the mouth are touching the line. One of the rules to remember is that when you draw the eyes, remember that they are one eye-length apart and from the bottom of the nose to the bottom of the mouth, that is also one eye-length.\r\n\r\n\"01\r\n\r\n \r\n\r\n \r\n\r\nIn this stage, I’m focusing on the placement of her hair and chin and making a logical placement of her shoulders.\r\n\r\n\"02\r\n\r\n \r\n\r\n \r\n\r\nNow it’s time for the nitty gritty of things – time to start doing the real drawing. Here, as you can see, I started with the eyes first. I have always started with the eyes. I would recommend that you do that too. In my opinion, it feels more complete once you have both of them done.\r\n\r\n\"03\r\n\r\nWhen doing the eye, you need to first draw in a small highlight/glare to illustrate the reflection of light. This can be achieved by drawing a small circle or square. You then want to use a dark pencil (6B or darker) to fill in the pupil.\r\n\r\nAfter that is done, you want to take a tortillion and add the color of the iris. At this point, you may want to outline the eye and the iris to differentiate it from the rest.\r\n\r\nAnother action that is overlooked so often is greying the upper area of the eye. This can also be achieved with a tortillion. You must show that the eyelid casts a small shadow.\r\n\r\n\"03a\r\n\r\nThe last two things that you have to do is add an eyelid crease and some eyelashes. The eyelid crease can be added with any pencil and then with a tortillion. Smudge it some to show that the line is blended into its surroundings instead of it looking like a hard line and standing out. I believe that’s what differentiates many artists. How well do your lines and colors blend in with a concept?\r\n\r\nMoving along to the next body part, the first thing I do is redefine the parting of the lips. I do this like I did drawing the eyelid – I’ll draw exactly where the lips part and then smudge it with a tortillion.\r\n\r\n\"04\r\n\r\nOnce that’s complete, I work on the bottom lip by first drawing lines in an upward motion. I’ll try and fade the sweeping as I get close to the middle of the lip to illustrate a “lip glare/highlight.” Soon as I got it drawn, I’ll, you guessed it, use a tortillion again to smudge. With that same tortillion, I’ll smudge or add a darker tone to the upper lip. Depending on the angle and if the person is facing light, I may have to add a highlight to the upper lip.\r\n

Draw the Hair

\r\nAlright, time for my favorite part……HAIR! I absolutely love drawing hair. With that being said, let’s dive right into it! Okay so the first thing you want to do is “color” the hair completely with a light pencil. I used a 3H.\r\n\r\n\"05\r\n\r\n \r\n\r\n \r\n\r\nOnce that’s done, use tissue paper or a non-lotion Kleenex to smudge or blend.\r\n\r\n\"06\r\n\r\n \r\n\r\n \r\n\r\nYou want to take a dark pencil now and add in darker strands or highlights in SOME areas. Blend this with your tissue paper. You will want to leave some areas illustrated as highlights and light reflection.\r\n\r\n\"07\r\n\r\n \r\n\r\n \r\n\r\nOnce everything is blended, go back with either a dark pencil (6B or darker) or a mid-way pencil (H, F, HB) to add hair strands throughout the head of the figure. Do not blend or use a tortillion/tissue – you want to show some hair strands.\r\n\r\n\"08\r\n\r\n \r\n

Finish the Face and Clothing

\r\n \r\n\r\nNow to the body part I don’t care to work on. It’s necessary but I’m never motivated to do it.\r\n\r\nKeep in mind that 2 noses are not the same. Even if it’s the same person, different lighting of the subject will have the nose casting or using different shadows. Now you understand why I don’t care too much for it.\r\n\r\nAnywho, the first thing I work on are the nostrils with a tortillion. I then smooth the nose edges and try to make it appear as if they are soft shadows instead of hard lines. I also try to bring some of the dark tone out toward the cheek area to show more blending that way.\r\n\r\n\"09\r\n\r\n \r\n\r\n \r\n\r\nHere I’m working on some shading and tone on the face as well as certain details of the face like the cleft under the nose. I’ve also added the color to Whitney\'s shirt. It looks 2D and boring right now, but maybe I can spice it up.\r\n\r\n\"11\r\n\r\n \r\n\r\n \r\n\r\nOkay, here is the finish drawing. I smudged the black that was on her shirt and used a kneaded eraser to mimic the shimmer she had on her shirt. I also put some detail to her earrings and used a pencil eraser to add some small detail near the bottom of her shirt.\r\n\r\n\"how\r\n\r\nOverall I think the skin tone could have been a lot darker, but I’ve always been precautious about darkening people in my drawings – fear of making a mistake that would be hard to get out. Oh well, none of us are perfect but we still aim for it.','See How to Draw Whitney Houston','','publish','open','open','','see-how-to-draw-whitney-houston','','','2016-01-01 09:44:36','2016-01-01 17:44:36','',0,'http://www.letsdrawpeople.com/?p=2443',0,'post','',2),(2442,2,'2015-12-24 16:22:56','2015-12-25 00:22:56','[[\"
Writer<\\/center>\",\"
Title<\\/center>\",\"
Keyword<\\/center>\",\"
Category<\\/center>\",\"
Length<\\/center>\",\"
Images<\\/center>\",\"
Payment<\\/center>\",\"Deadline\"],[\"Reid\",\"See How to Draw Whitney Houston\",\"how to draw whitney houston\",\"Well-Known People\",\"500 - 800 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Carrienelson1<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$35 - $85\",\"December 31, 2015\"],[\"Reid\",\"How to Draw Hair\",\"how to draw hair\",\"Facial Features\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"December 31, 2015\"],[\"McCruden\",\"X Figure Drawing Model Poses You Should Definitely Sketch\",\"figure drawing model poses\",\"Figure\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"January 3, 2016\"],[\"Open\",\"How to Draw a Blouse When You Know Nothing about Blouses\",\"how to draw a blouse\",\"Clothing\",\"1,000 - 1,500 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Lee Snider<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>
\\\"\\u00a9<\\/a>
\\u00a9 Kateryna Trubetska<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$60 - $120\",\"January 10, 2016\"],[\"McCruden\",\"How to Draw Children: X Different Approaches\",\"how to draw children\",\"Children\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"January 10, 2016\"],[\"Reid\",\"Use This Drawing of a Man to Improve Your Own Drawing\",\"drawing of a man\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"January 17, 2016\"],[\"McCruden\",\"What Everybody Ought to Know about How to Draw Women\",\"how to draw women\",\"Everyday People\",\"1,000 - 1,500 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$60 - $120\",\"January 17, 2016\"]]','Editorial Calendar','','inherit','closed','closed','','2347-revision-v1','','','2015-12-24 16:22:56','2015-12-25 00:22:56','',2347,'http://www.letsdrawpeople.com/2347-revision-v1/',0,'revision','',0),(2394,2,'2015-12-17 22:21:24','2015-12-18 06:21:24','[[\"
Writer<\\/center>\",\"
Title<\\/center>\",\"
Keyword<\\/center>\",\"
Category<\\/center>\",\"
Length<\\/center>\",\"
Images<\\/center>\",\"
Payment<\\/center>\",\"Deadline\"],[\"Open\",\"See How to Draw Whitney Houston\",\"how to draw whitney houston\",\"Well-Known People\",\"500 - 800 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Carrienelson1<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Refuse to Ever Use a Drawing Light Box and You Will Regret It\",\"drawing light box\",\"Techniques\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$25 - $85\",\"December 31, 2015\"],[\"McCruden\",\"X Figure Drawing Model Poses You Should Definitely Sketch\",\"figure drawing model poses\",\"Body\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"How to Draw a Blouse When You Know Nothing about Blouses\",\"how to draw a blouse\",\"Clothing\",\"1,000 - 1,500 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Lee Snider<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>
\\\"\\u00a9<\\/a>
\\u00a9 Kateryna Trubetska<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$60 - $120\",\"December 31, 2015\"],[\"McCruden\",\"How to Draw Children: X Different Approaches\",\"how to draw children\",\"Children\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Use This Drawing of a Man to Improve Your Own Drawing\",\"drawing of a man\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"December 31, 2015\"],[\"McCruden\",\"What Everybody Ought to Know about How to Draw Women\",\"how to draw women\",\"Everyday People\",\"1,000 - 1,500 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$60 - $120\",\"December 31, 2015\"]]','Editorial Calendar','','inherit','closed','closed','','2347-revision-v1','','','2015-12-17 22:21:24','2015-12-18 06:21:24','',2347,'http://www.letsdrawpeople.com/2347-revision-v1/',0,'revision','',0),(2395,2,'2015-12-17 23:39:20','2015-12-18 07:39:20','Would you like to draw and write for LetsDrawPeople.com? Better yet, would you like to get paid to draw and get paid to write?\r\n\r\nI am looking for portrait artists or anyone skilled at drawing people. You should have the ability to write step-by-step drawing tutorials and informative content online. You should have the desire to help others who truly want to become better artists and create awesome portrait drawings like yours!\r\n\r\nThis means you should be a skilled writer able to teach and relay your drawing techniques to readers of this website who wish to draw people as well as you do. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People:\r\n
    \r\n
  • You are a professional portrait artist with your own website.
    • \r\n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \r\n
  • You have your own blog (in any niche - hence writing experience), and you love to draw in your spare time.
    • \r\n
  • You do not have your own blog, but you have strong writing skills, and you regularly post your drawings for others to see on social media.
    • \r\n
\r\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\r\n

Content Guidelines

\r\nLet\'s Draw People accepts bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on this website on an as-needed basis. Our target audience consists primarily of beginning and intermediate pencil portrait artists.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\r\n\r\nThe author retains copyright, but I may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\r\n

Payment Details

\r\nIf your article is accepted and scheduled for publication, then you will get paid for it! Contributors will be paid for each article based on the number of words, the number of images, and the quality of the drawings.\r\n\r\nNumber of words - $0.05 per word, up to the maximum words for a given article\r\n\r\nThe number of words you write will be determined based on the \"word count\" within the WordPress post writing platform. The article\'s title is not counted. For each article, the number of words you use should stay within a certain range. For example, one article might be assigned a length of 500 to 800 words. You must write a minimum of 500 words. If your article goes a bit over 800 words that is fine, but you will be paid $0.05 per word up to 800 words (or $40).\r\n\r\nArticles accepted for publication may be edited for clarity, brevity, grammar, conventions, house style, etc. However, the word count of the first draft submitted for review will be used to determine payment. If you submit 800 words of solid, valuable content but I edit it down to 732 words, you will still be paid for 800 words (or $40). Exception: there are irrelevant additions of text that add no value to the content but are obvious attempts to inflate the word count.\r\n\r\nNumber of images - $5 for 1 to 5 images; $10 for 6 to 15 images; $15 for 16 or more images\r\n\r\nIf you decide to use 10 images (for $10) to complement your article or tutorial, that does not mean you have to create 10 separate pieces of artwork. If you have original drawings from your previous body of work that you are willing to share with your article, that would be wonderful! Images can also be photographs that you have taken, or in the case of a tutorial, they can be separate scans of a single drawing. The point is...the more examples you have, the better. You are also encouraged to use photo editing software like Adobe Photoshop to add arrows, text, to crop a close up of a section of the drawing, etc.\r\n\r\nImages you submit with your articles may be edited or re-edited if they are accepted. I may also decide to add or remove images from your article before publishing. However, the number of images you upload with your first draft submitted for review will be used to determine payment. If you submit 6 relevant images that effectively teach the main points of your topic but I only publish 5 images, you will still be paid for 6 images (or $10). Exception: there are irrelevant additions of images that add no value to the content but are obvious attempts to inflate the image count.\r\n\r\nQuality of drawings - $5 for line drawings; $10 for line drawings with shading; $30 for realistic blending\r\n
    \r\n
  • $5 if all images are line drawings with little to no shading
    • \r\n
  • $10 if at least one image is a line drawing with ample shading (i.e., simple shading style like hatching, crosshatching, etc.)
    • \r\n
  • $30 if at least one image mostly consists of realistic blending (e.g., multiple applications of graphite smoothed over with a tortillion and/or blending stump)
    • \r\n
\r\nThe images below display examples of each drawing quality type:\r\n

[table id=14 /]

\r\n\r\n

Payment Scenario

\r\nUsing the payment details above, consider the following scenario:\r\n\r\nYou create an 800-word drawing tutorial with 6 scanned images. Your images are step-by-step line drawings, but you explain how to add simple shading to the final two images.\r\n\r\nYour payment would be $40 for the words (800 words x $0.05) + $10 for 6 scanned images + $10 for shaded drawings = $60 total.\r\n

How to Get Started

\r\nIf you have the expertise and experience with drawing people and are willing to create a helpful, outstanding post for the Let\'s Draw People audience, fill out the form below.\r\n\r\nBe sure to include links to three articles or blog posts you have written and published online, if applicable. Articles based on the topic of how to draw people are preferred but not required. You can even link to your blog if it is in a niche having nothing to do with drawing. The purpose of this is to get a sense of your writing style.\r\n\r\nIf you have never published writing online, then it would be helpful if you submit a short writing sample (minimum 100 words) in a MS Word document or a PDF using the upload option in the form.\r\n\r\nI also want to review three samples of your artwork. These should be drawings or sketches of people. It is fine if these are found in the links you submit below. If your links contain no drawing samples, then you can use the upload option in the form.\r\n\r\nIf you are accepted as a contributor, you will receive an email to let you know, along with a link to the editorial calendar so you can select which articles you wish to write!\r\n

[nform id=\'2\']

','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2015-12-17 23:39:20','2015-12-18 07:39:20','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(2396,2,'2015-12-18 05:41:16','2015-12-18 13:41:16','[[\"
Writer<\\/center>\",\"
Title<\\/center>\",\"
Keyword<\\/center>\",\"
Category<\\/center>\",\"
Length<\\/center>\",\"
Images<\\/center>\",\"
Payment<\\/center>\",\"Deadline\"],[\"Open\",\"See How to Draw Whitney Houston\",\"how to draw whitney houston\",\"Well-Known People\",\"500 - 800 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Carrienelson1<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Refuse to Ever Use a Drawing Light Box and You Will Regret It\",\"drawing light box\",\"Techniques\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$25 - $85\",\"December 31, 2015\"],[\"McCruden\",\"X Figure Drawing Model Poses You Should Definitely Sketch\",\"figure drawing model poses\",\"Figure\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"How to Draw a Blouse When You Know Nothing about Blouses\",\"how to draw a blouse\",\"Clothing\",\"1,000 - 1,500 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Lee Snider<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>
\\\"\\u00a9<\\/a>
\\u00a9 Kateryna Trubetska<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$60 - $120\",\"December 31, 2015\"],[\"McCruden\",\"How to Draw Children: X Different Approaches\",\"how to draw children\",\"Children\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Use This Drawing of a Man to Improve Your Own Drawing\",\"drawing of a man\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"December 31, 2015\"],[\"McCruden\",\"What Everybody Ought to Know about How to Draw Women\",\"how to draw women\",\"Everyday People\",\"1,000 - 1,500 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$60 - $120\",\"December 31, 2015\"]]','Editorial Calendar','','inherit','closed','closed','','2347-revision-v1','','','2015-12-18 05:41:16','2015-12-18 13:41:16','',2347,'http://www.letsdrawpeople.com/2347-revision-v1/',0,'revision','',0),(2397,2,'2015-12-18 06:33:05','2015-12-18 14:33:05','Welcome! Thank you again for contributing to Let\'s Draw People!\r\n\r\nReview the editorial calendar, and then choose your articles below. You can choose any article that is \"Open\" in the WRITER column. Choose one or more articles that you want to write and for which you can provide images. If images are already provided for an article, feel free to use them as well as your own. Please make sure you are able to meet the deadline for the article(s) you choose.\r\n\r\nNote: Substitute any \"X\" you see in an article\'s title with the number of your choosing.\r\n

[table id=15 /]

\r\nThe keyword phrase is important. Imagine that someone wants to know \"how to draw women\". He types the keyword phrase \"how to draw women\" into a search engine like Google. Your article should appear in the search results because you include the phrase \"how to draw women\" several times throughout your article. Plus, the entire content of your article should center around the topic \"how to draw women\" and satisfactorily answer the question for the person who typed that phrase into Google.\r\n\r\nThe category is simply how the article will be organized and placed on this website. If you look at the main menu going across this site, you will see that all the articles on the website are organized by similar categories. Keep these broader categories in mind as you write your article or tutorial to make sure it will be a good fit for the category.\r\n
    \r\n
  • If you click on \"Techniques\" you will see articles about drawing techniques, tools, ideas, concepts, etc.
    • \r\n
  • \"Facial Features\" will have tutorials that teach how to draw eyes, a nose, a mouth, ears, hair, or the entire face.
    • \r\n
  • Clicking on \"Figure and Clothing\" will show you how to draw beyond the head and shoulders, focusing on full-length drawings of the body and clothes or parts of the body like hands and feet.
    • \r\n
  • Articles in the category \"Children\" will teach how to draw babies, toddlers, kids, and teens.
    • \r\n
  • If you click on \"Everyday People\" you will see a list of articles and tutorials that teach how to draw regular men and women you might see every day out in public.
    • \r\n
  • Clicking on \"Well-Known People\" will show you celebrities and other prominent people.
    • \r\n
\r\nPlease take sufficient time to very carefully check your writing for proper grammar, spelling, and punctuation!\r\n

Use the form below to select the article or articles you want to write. If you have a suggestion to write an article on a different topic, you can do so as well. For example, you may want to give a tutorial on a celebrity or facial feature not mentioned, or you may want to provide advice on drawing tools or techniques not listed above. Your suggestion will be taken under consideration and if accepted, it may be used in lieu of an article already listed.

\r\n

Remember, do not begin writing the article until you receive a confirmation email that you are assigned the article!

\r\n

[nform id=\'5\']

\r\n

','Editorial Calendar','','inherit','closed','closed','','2345-revision-v1','','','2015-12-18 06:33:05','2015-12-18 14:33:05','',2345,'http://www.letsdrawpeople.com/2345-revision-v1/',0,'revision','',0),(2398,2,'2015-12-18 06:37:59','2015-12-18 14:37:59','Welcome! Thank you again for contributing to Let\'s Draw People!\r\n\r\nReview the editorial calendar, and then choose your articles below. You can choose any article that is \"Open\" in the WRITER column. Choose one or more articles that you want to write and for which you can provide images. If images are already provided for an article, feel free to use them as well as your own. Please make sure you are able to meet the deadline for the article(s) you choose.\r\n\r\nNote: Substitute any \"X\" you see in an article\'s title with the number of your choosing.\r\n

[table id=15 /]

\r\nThe keyword phrase is important. Imagine that someone wants to know \"how to draw women\". He types the keyword phrase \"how to draw women\" into a search engine like Google. Your article should appear in the search results because you include the phrase \"how to draw women\" several times throughout your article. Plus, the entire content of your article should center around the topic \"how to draw women\" and satisfactorily answer the question for the person who typed that phrase into Google.\r\n\r\nThe category is simply how the article will be organized and placed on this website. If you look at the main menu going across this site, you will see that all the articles on the website are organized by similar categories. Keep these broader categories in mind as you write your article or tutorial to make sure it will be a good fit for the category.\r\n
    \r\n
  • If you click on \"Techniques\" you will see articles about drawing techniques, tools, ideas, concepts, etc.
    • \r\n
  • \"Facial Features\" will have tutorials that teach how to draw eyes, a nose, a mouth, ears, hair, or the entire face.
    • \r\n
  • Clicking on \"Figure and Clothing\" will show you how to draw beyond the head and shoulders, focusing on full-length drawings of the body and clothes or parts of the body like hands and feet.
    • \r\n
  • Articles in the category \"Children\" will teach how to draw babies, toddlers, kids, and teens.
    • \r\n
  • If you click on \"Everyday People\" you will see a list of articles and tutorials that teach how to draw regular men and women you might see every day out in public.
    • \r\n
  • Clicking on \"Well-Known People\" will show you celebrities and other prominent people.
    • \r\n
\r\nPlease take sufficient time to very carefully check your writing for proper grammar, spelling, and punctuation!\r\n

Use the form below to select the article or articles you want to write. If you have a suggestion to write an article on a different topic, you can do so as well. For example, you may want to give a tutorial on a celebrity or facial feature not mentioned, or you may want to provide advice on drawing tools or techniques not listed above. Your suggestion will be taken under consideration and if accepted, it may be used in lieu of an article already listed.

\r\n

Remember, do not begin writing the article until you receive a confirmation email that you are assigned the article!

\r\n

[nform id=\'5\']

\r\n

','Editorial Calendar','','inherit','closed','closed','','2345-revision-v1','','','2015-12-18 06:37:59','2015-12-18 14:37:59','',2345,'http://www.letsdrawpeople.com/2345-revision-v1/',0,'revision','',0),(2399,8,'2015-12-18 07:10:12','2015-12-18 15:10:12','','coloring book 9','Expression and impressionism is a lost art. ','inherit','open','closed','','coloring-book-9','','','2015-12-18 09:04:32','2015-12-18 17:04:32','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/coloring-book-9.jpg',0,'attachment','image/jpeg',0),(2401,2,'2015-12-19 07:56:03','2015-12-19 15:56:03','Welcome! Thank you again for contributing to Let\'s Draw People!\r\n\r\nReview the editorial calendar, and then choose your articles below. You can choose any article that is \"Open\" in the WRITER column. Substitute any \"X\" you see in an article\'s title with the number of your choosing. Pick one or more articles that you want to write and for which you can provide images. Please make sure you are able to meet the deadline for the article(s) you choose.\r\n\r\nIf images are already provided for an article, feel free to use them as well as your own. Again, if you see a good reference photograph on the Internet but do not own the rights for it, DO NOT USE IT! Instead, you can find legal-to-use stock images, both free and affordable, on Dreamstime.com. If you prefer to use another stock website, you can find others here and here. Please adhere to the terms of the license agreement of the website you choose. For example, some sites require photo attribution to the photographer. You can put a photo credit in the caption of the image you upload.\r\n

[table id=15 /]

\r\nThe keyword phrase is important. Imagine that someone wants to know \"how to draw women\". He types the keyword phrase \"how to draw women\" into a search engine like Google. Your article should appear in the search results because you include the phrase \"how to draw women\" several times throughout your article. Plus, the entire content of your article should center around the topic \"how to draw women\" and satisfactorily answer the question for the person who typed that phrase into Google.\r\n\r\nThe category is simply how the article will be organized and placed on this website. If you look at the main menu going across this site, you will see that all the articles on the website are organized by similar categories. Keep these broader categories in mind as you write your article or tutorial to make sure it will be a good fit for the category.\r\n
    \r\n
  • If you click on \"Techniques\" you will see articles about drawing techniques, tools, ideas, concepts, etc.
    • \r\n
  • \"Facial Features\" will have tutorials that teach how to draw eyes, a nose, a mouth, ears, hair, or the entire face.
    • \r\n
  • Clicking on \"Figure and Clothing\" will show you how to draw beyond the head and shoulders, focusing on full-length drawings of the body and clothes or parts of the body like hands and feet.
    • \r\n
  • Articles in the category \"Children\" will teach how to draw babies, toddlers, kids, and teens.
    • \r\n
  • If you click on \"Everyday People\" you will see a list of articles and tutorials that teach how to draw regular men and women you might see every day out in public.
    • \r\n
  • Clicking on \"Well-Known People\" will show you celebrities and other prominent people.
    • \r\n
\r\nPlease take sufficient time to very carefully check your writing for proper grammar, spelling, and punctuation!\r\n

Use the form below to select the article or articles you want to write. If you have a suggestion to write an article on a different topic, you can do so as well. For example, you may want to give a tutorial on a celebrity or facial feature not mentioned, or you may want to provide advice on drawing tools or techniques not listed above. Your suggestion will be taken under consideration and if accepted, it may be used in lieu of an article already listed.

\r\n

Remember, do not begin writing the article until you receive a confirmation email that you are assigned the article!

\r\n

[nform id=\'5\']

\r\n

','Editorial Calendar','','inherit','closed','closed','','2345-revision-v1','','','2015-12-19 07:56:03','2015-12-19 15:56:03','',2345,'http://www.letsdrawpeople.com/2345-revision-v1/',0,'revision','',0),(2407,10,'2015-12-19 08:26:16','2015-12-19 16:26:16','http://www.dreamstime.com/woman-blowing-bubble-stock-photos-imagefree264503','Women blowing bubble','Women blowing small bubble gum','inherit','open','closed','','women-blowing-bubble','','','2015-12-19 08:34:59','2015-12-19 16:34:59','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/dreamstimefree_264503smaller.jpg',0,'attachment','image/jpeg',0),(2410,2,'2015-12-19 08:43:19','2015-12-19 16:43:19','

Welcome! Thank you again for contributing to Let\'s Draw People!\r\n\r\nReview the editorial calendar, and then choose your articles below. You can choose any article that is \"Open\" in the WRITER column. Substitute any \"X\" you see in an article\'s title with the number of your choosing. Pick one or more articles that you want to write and for which you can provide images. Please make sure you are able to meet the deadline for the article(s) you choose.\r\n\r\nIf images are already provided for an article, feel free to use them as well as your own. Again, if you see a good reference photograph on the Internet but do not own the rights for it, DO NOT USE IT! Instead, you can find legal-to-use stock images, both free and affordable, on Dreamstime.com. If you prefer to use another stock website, you can find others here and here. To confirm the source of your image, copy and paste the exact URL web address in the Description portion of the image when you upload it in WordPress.\r\n

[table id=15 /]

\r\nThe keyword phrase is important. Imagine that someone wants to know \"how to draw women\". He types the keyword phrase \"how to draw women\" into a search engine like Google. Your article should appear in the search results because you include the phrase \"how to draw women\" several times throughout your article. Plus, the entire content of your article should center around the topic \"how to draw women\" and satisfactorily answer the question for the person who typed that phrase into Google.\r\n\r\nThe category is simply how the article will be organized and placed on this website. If you look at the main menu going across this site, you will see that all the articles on the website are organized by similar categories. Keep these broader categories in mind as you write your article or tutorial to make sure it will be a good fit for the category.\r\n
  • If you click on \"Techniques\" you will see articles about drawing techniques, tools, ideas, concepts, etc.
    • \r\n
  • \"Facial Features\" will have tutorials that teach how to draw eyes, a nose, a mouth, ears, hair, or the entire face.
    • \r\n
  • Clicking on \"Figure and Clothing\" will show you how to draw beyond the head and shoulders, focusing on full-length drawings of the body and clothes or parts of the body like hands and feet.
    • \r\n
  • Articles in the category \"Children\" will teach how to draw babies, toddlers, kids, and teens.
    • \r\n
  • If you click on \"Everyday People\" you will see a list of articles and tutorials that teach how to draw regular men and women you might see every day out in public.
    • \r\n
  • Clicking on \"Well-Known People\" will show you celebrities and other prominent people.
    • \r\n
\r\nPlease take sufficient time to very carefully check your writing for proper grammar, spelling, and punctuation!\r\n

Use the form below to select the article or articles you want to write. If you have a suggestion to write an article on a different topic, you can do so as well. For example, you may want to give a tutorial on a celebrity or facial feature not mentioned, or you may want to provide advice on drawing tools or techniques not listed above. Your suggestion will be taken under consideration and if accepted, it may be used in lieu of an article already listed.

\r\n

Remember, do not begin writing the article until you receive a confirmation email that you are assigned the article!

\r\n

[nform id=\'5\']

\r\n

','Editorial Calendar','','inherit','closed','closed','','2345-revision-v1','','','2015-12-19 08:43:19','2015-12-19 16:43:19','',2345,'http://www.letsdrawpeople.com/2345-revision-v1/',0,'revision','',0),(2411,2,'2015-12-19 08:54:16','2015-12-19 16:54:16','

Welcome! Thank you again for contributing to Let\'s Draw People!\r\n\r\nReview the editorial calendar, and then choose your articles below. You can choose any article that is \"Open\" in the WRITER column. Substitute any \"X\" you see in an article\'s title with the number of your choosing. Pick one or more articles that you want to write and for which you can provide images. Please make sure you are able to meet the deadline for the article(s) you choose.\r\n\r\nIf images are already provided for an article, feel free to use them as well as your own. Again, if you see a good reference photograph on the Internet but do not own the rights for it, DO NOT USE IT! Instead, you can find legal-to-use stock images, both free and affordable, on Dreamstime.com. If you prefer to use another stock website, you can find others here and here. To confirm the source of your image, copy and paste the exact URL web address in the Description portion of the image when you upload it in WordPress.\r\n

[table id=15 /]

\r\nThe keyword phrase is important. Imagine that someone wants to know \"how to draw women\". He types the keyword phrase \"how to draw women\" into a search engine like Google. Your article should appear in the search results because you include the phrase \"how to draw women\" several times throughout your article. Plus, the entire content of your article should center around the topic \"how to draw women\" and satisfactorily answer the question for the person who typed that phrase into Google.\r\n\r\nThe category is simply how the article will be organized and placed on this website. If you look at the main menu going across this site, you will see that all the articles on the website are organized by similar categories. Keep these broader categories in mind as you write your article or tutorial to make sure it will be a good fit for the category.\r\n
  • If you click on \"Techniques\" you will see articles about drawing techniques, tools, ideas, concepts, etc.
    • \r\n
  • \"Facial Features\" will have tutorials that teach how to draw eyes, a nose, a mouth, ears, hair, or the entire face.
    • \r\n
  • Clicking on \"Figure and Clothing\" will show you how to draw beyond the head and shoulders, focusing on full-length drawings of the body and clothes or parts of the body like hands and feet.
    • \r\n
  • Articles in the category \"Children\" will teach how to draw babies, toddlers, kids, and teens.
    • \r\n
  • If you click on \"Everyday People\" you will see a list of articles and tutorials that teach how to draw regular men and women you might see every day out in public.
    • \r\n
  • Clicking on \"Well-Known People\" will show you celebrities and other prominent people.
    • \r\n
\r\nPlease take sufficient time to very carefully check your writing for proper grammar, spelling, and punctuation!\r\n

Use the form below to select the article or articles you want to write. If you have a suggestion to write an article on a different topic, you can do so as well. For example, you may want to give a tutorial on a celebrity or facial feature not mentioned, or you may want to provide advice on drawing tools or techniques not listed above. Your suggestion will be taken under consideration and if accepted, it may be used in lieu of an article already listed.

\r\n

Remember, do not begin writing the article until you receive a confirmation email that you are assigned the article!

\r\n

[nform id=\'5\']

\r\n

','Editorial Calendar','','inherit','closed','closed','','2345-revision-v1','','','2015-12-19 08:54:16','2015-12-19 16:54:16','',2345,'http://www.letsdrawpeople.com/2345-revision-v1/',0,'revision','',0),(2414,2,'2015-12-20 11:17:20','2015-12-20 19:17:20','[[\"
Writer<\\/center>\",\"
Title<\\/center>\",\"
Keyword<\\/center>\",\"
Category<\\/center>\",\"
Length<\\/center>\",\"
Images<\\/center>\",\"
Payment<\\/center>\",\"Deadline\"],[\"Open\",\"See How to Draw Whitney Houston\",\"how to draw whitney houston\",\"Well-Known People\",\"500 - 800 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Carrienelson1<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Refuse to Ever Use a Drawing Light Box and You Will Regret It\",\"drawing light box\",\"Techniques\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$25 - $85\",\"December 31, 2015\"],[\"McCruden\",\"X Figure Drawing Model Poses You Should Definitely Sketch\",\"figure drawing model poses\",\"Figure\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"January 3, 2016\"],[\"Open\",\"How to Draw a Blouse When You Know Nothing about Blouses\",\"how to draw a blouse\",\"Clothing\",\"1,000 - 1,500 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Lee Snider<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>
\\\"\\u00a9<\\/a>
\\u00a9 Kateryna Trubetska<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$60 - $120\",\"January 10, 2016\"],[\"McCruden\",\"How to Draw Children: X Different Approaches\",\"how to draw children\",\"Children\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"January 10, 2016\"],[\"Open\",\"Use This Drawing of a Man to Improve Your Own Drawing\",\"drawing of a man\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"January 17, 2016\"],[\"McCruden\",\"What Everybody Ought to Know about How to Draw Women\",\"how to draw women\",\"Everyday People\",\"1,000 - 1,500 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$60 - $120\",\"January 17, 2016\"]]','Editorial Calendar','','inherit','closed','closed','','2347-revision-v1','','','2015-12-20 11:17:20','2015-12-20 19:17:20','',2347,'http://www.letsdrawpeople.com/2347-revision-v1/',0,'revision','',0),(2415,8,'2016-01-16 19:22:17','2016-01-17 03:22:17','Almost any pose can be a good pose. Some poses are amazing, and some are impossible. What are some good poses to draw and why? Continue reading to discover 10 figure drawing model poses that you should always keep in mind when sketching.\r\n

1. Back/Standing

\r\nThe back is simple and usually easier to draw. When sketching, keep in mind that simple is better. When you create a sketch, it’s a good idea to start out with a gesture. Multiple tries at the same pose on the same page is a good way to practice that pose. You can never draw the same pose too many times. However, I would keep each one slightly different.\r\n\r\n\"12400779_10206205122901650_192671964110343209_n\"\r\n\r\n \r\n

2. Back or Side View Sitting

\r\nA profile is more challenging than almost any other pose. There are key things you should note when sketching. The anatomy proportions that you learn about figure drawing do not apply anymore. A good profile sketch is all about drawing the profile with what you can\'t see in mind as if it was whole. Some proportions stay the same, but there are proportion rules that you lose with a side view drawing.\r\n\r\n\"12243518_10206205424149181_1713948309151531779_n\"\r\n\r\n \r\n

3. Front View

\r\nThe majority of pictures you will see are front view or front view with a slight turn. Note when drawing a front view, try not to draw a straight on view. This type of drawing is a great scientific study, however it does not make for a good figure drawing model pose.\r\n\r\n\"12399228_10206211556862495_1973743261_n\"\r\n\r\n \r\n

4. Lying Down

\r\nThis is a classical pose. Historically, artist have used this pose to show elegance and grace. Consider the model\'s view point as the focus point in your sketch. The viewer\'s eyes will be drawn towards where the model is looking.\r\n\r\n\"1919201_10206205969842823_8908518813765184705_n\"          \"1916886_10206218792123372_969081067551699369_n\"\r\n\r\n \r\n

5. Ballet/Dance or Action Poses

\r\nThe movement and lines of ballet capture the essence of art. Expression of the body is art that begins as a gesture. Think of capturing your subject as if she were naturally moving as you sketch. This idea will capture a pose in motion paused in time to create beautiful fluid sketches.\r\n\r\n\"12376517_10206205969562816_3084201622103636897_n\"\r\n\r\n \r\n

6. Underwear/Bathing Suit/Implied Nude/Tight-Fitting Clothing

\r\nTo draw a person, you must first understand what the body looks like. If you are not ready for nude figure drawing, then I suggest learning from studying models that are wearing tight clothing.  Drawing a nude model that is covered up gives you a different way to study the body.\r\n\r\n\"12321158_10206206805983726_7963001771032375904_n\"          \"10363117_10206218791843365_1597892538445760629_n\"\r\n\r\n \r\n

7. Nude Drawing

\r\nThere are several differences when sketching the naked body. Understanding the interaction of clothes and the body is important. A study of both is recommended for any figure drawing model pose.\r\n

8. Reflections/Mirrors

\r\nThis is interesting and difficult and provides a way to be creative. Think about your vision as an artist as you sketch. Do you want to use a background and props in your sketch? I like to think about the finished work when considering the pose that I use when drawing.\r\n

9. Bending

\r\nUnderstanding the body in different positions helps you focus on proportion. Different positions will help you concentrate on the body and how it is built and the way the body works.\r\n

10. Perspective

\r\nYour job here is to purposely elongate the body so that it looks accurate for distance. If you have a person stretching out and the hand is away from you, it will look smaller than the person\'s face, for example.\r\n

Get Creative!

\r\nKeep in mind your understanding of the body while drawing, especially dynamic and strange poses. The more realistic it is, the more you can change and modify the body without making the drawing look too abstract.\r\n\r\nTo understand good figure drawing model poses, there are a few simple rules to follow:\r\n
    \r\n
  • Keep it simple, keep it relaxed, keep it interesting.
    • \r\n
  • Try to imagine someone actually posing for you. Would you ask someone to pose that way?
    • \r\n
  • What can I draw? How long will it take to draw? Is the model able to pose that way?
    • \r\n
  • Take advantage of photography. You can learn a lot if you draw from a photo.
    • \r\n
  • Challenge yourself! Find a pose you don’t think you can draw, and draw it anyway just for fun.
    • \r\n
  • Any pose that defines the capability of the body and its movement is a great pose.
    • \r\n
  • Most importantly, try to have fun!
    • \r\n
','10 Figure Drawing Model Poses You Should Definitely Sketch','','private','open','open','','10-figure-drawing-model-poses-you-should-definitely-sketch','','','2017-05-26 06:00:56','2017-05-26 13:00:56','',0,'http://www.letsdrawpeople.com/?p=2415',0,'post','',2),(2416,8,'2015-12-22 11:55:33','2015-12-22 19:55:33','','12400779_10206205122901650_192671964110343209_n','','inherit','open','closed','','12400779_10206205122901650_192671964110343209_n','','','2015-12-22 11:55:33','2015-12-22 19:55:33','',2415,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/12400779_10206205122901650_192671964110343209_n.jpg',0,'attachment','image/jpeg',0),(2417,8,'2015-12-22 11:55:39','2015-12-22 19:55:39','','12399228_10206211556862495_1973743261_n','','inherit','open','closed','','12399228_10206211556862495_1973743261_n','','','2015-12-22 11:55:39','2015-12-22 19:55:39','',2415,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/12399228_10206211556862495_1973743261_n.jpg',0,'attachment','image/jpeg',0),(2418,8,'2015-12-22 11:55:47','2015-12-22 19:55:47','','1919201_10206205969842823_8908518813765184705_n','','inherit','open','closed','','1919201_10206205969842823_8908518813765184705_n','','','2015-12-22 11:55:47','2015-12-22 19:55:47','',2415,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/1919201_10206205969842823_8908518813765184705_n.jpg',0,'attachment','image/jpeg',0),(2419,8,'2015-12-22 11:55:49','2015-12-22 19:55:49','','10363117_10206218791843365_1597892538445760629_n','Model Pose by Scott McCruden','inherit','open','closed','','10363117_10206218791843365_1597892538445760629_n','','','2016-01-23 23:55:12','2016-01-24 07:55:12','',2415,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/10363117_10206218791843365_1597892538445760629_n.jpg',0,'attachment','image/jpeg',0),(2420,8,'2015-12-22 11:55:50','2015-12-22 19:55:50','','12243518_10206205424149181_1713948309151531779_n','','inherit','open','closed','','12243518_10206205424149181_1713948309151531779_n','','','2015-12-22 11:55:50','2015-12-22 19:55:50','',2415,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/12243518_10206205424149181_1713948309151531779_n.jpg',0,'attachment','image/jpeg',0),(2421,8,'2015-12-22 11:55:52','2015-12-22 19:55:52','','12321158_10206206805983726_7963001771032375904_n','','inherit','open','closed','','12321158_10206206805983726_7963001771032375904_n','','','2015-12-22 11:55:52','2015-12-22 19:55:52','',2415,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/12321158_10206206805983726_7963001771032375904_n.jpg',0,'attachment','image/jpeg',0),(2422,8,'2015-12-22 11:55:53','2015-12-22 19:55:53','','12376517_10206205969562816_3084201622103636897_n','','inherit','open','closed','','12376517_10206205969562816_3084201622103636897_n','','','2015-12-22 11:55:53','2015-12-22 19:55:53','',2415,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/12376517_10206205969562816_3084201622103636897_n.jpg',0,'attachment','image/jpeg',0),(2423,8,'2015-12-22 11:55:55','2015-12-22 19:55:55','','1916886_10206218792123372_969081067551699369_n','','inherit','open','closed','','1916886_10206218792123372_969081067551699369_n','','','2015-12-22 11:55:55','2015-12-22 19:55:55','',2415,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/1916886_10206218792123372_969081067551699369_n.jpg',0,'attachment','image/jpeg',0),(2424,8,'2015-12-22 12:09:36','2015-12-22 20:09:36','1. Back/standing:\r\nThe back is simple and usually easier to draw, when sketching keep in mind simple is better. When you create a sketch it’s a good idea to start out with a gesture. Multiple tries at the same pose on the same page is a good way to practice that pose. You can never draw the same pose to many times. However, I would keep each one slightly different.\r\n\r\n\"12400779_10206205122901650_192671964110343209_n\"\r\n2. Back or side view sitting:\r\nA profile is more challenging than almost any other pose. There are key things you should note when sketching. The anatomy proportions that you learn about figure drawing does not apply anymore. A good profile sketch is all about drawing the profile with what you can\'t see in mind as if it was whole. Some proportions stay the same but there are proportion rules that you lose with a side view drawing.\r\n\r\n\"12243518_10206205424149181_1713948309151531779_n\"\r\n\r\n3. Front view:\r\nThe majority of picture you will see are front view or front view with a slight turn. Note when drawing a front view try not to draw a straight on view. This  type of drawing is a great scientific study  however dose make for a good  figure drawing model pose.  A Straight on view drawing makes for a great scientific study however, does not make a good figure drawing.\r\n\r\n\"12399228_10206211556862495_1973743261_n\"\r\n4. Laying down:\r\nThis is a classical pose, historically artist have used this pose to show elegance and grace. Consider the model\'s view point as the focus point in your sketch. The viewer eyes will be drawn towards what the model is looking towards\r\n\r\n\"1919201_10206205969842823_8908518813765184705_n\"  \"1916886_10206218792123372_969081067551699369_n\"\r\n\r\n \r\n\r\n5. Ballet/dance or action poses:\r\nThe movement and lines of Ballet capture the essence of art. Expression of the body as art that form as a gesture. Think of capturing your subject as they were naturally moving as you sketch. This idea will capture a pose in motion paused in time to create beautiful fluid sketches.\r\n\"12376517_10206205969562816_3084201622103636897_n\"\r\n\r\n6. Underwear/bathing suit/ implied nude /tight fitting clothing:\r\nTo draw a person you must first understand what the body looks like. If you are not ready for nude figure drawing then I suggest learning from studding models that are wearing tight clothing.  Drawing a nude model that is covered up gives you a different way to study the body.\r\n\r\n\"12321158_10206206805983726_7963001771032375904_n\"\"10363117_10206218791843365_1597892538445760629_n\"\r\n\r\n7. Nude drawing:\r\nThere are several differences when sketching the naked body, understanding the interaction of clothes and the body is important. A study of both is recommended for any figure drawing model pose.\r\n8. Reflections/ mirrors:\r\nThis is interesting and difficult and provides a way to be creative. Think about your vision as a artist as you sketch. Do you want to use background and props in your sketch? I like to think about the finished work when considering the pose that I use when drawing.\r\n9. Bending:\r\nUnderstanding the body in different positions helps you focus on proportion. Different positions will help you concentrate on the body and how it is built and the way the body works.\r\n10. Perspective:\r\nYour job here is to purposely elongate the body so that it looks accurate for distance. If you have a person stretching out and the hand is away from you, it will look smaller than their face for example\r\nGet creative!\r\nAlmost any pose can be a good pose. Some poses are amazing, some are impossible. Keep in mind your understanding of the body while drawing, especially dynamic and strange poses. The more realistic it is, the more you can change and modify the body without making the drawing look to abstract. To understand a good figure drawing model pose there is a couple simple rules to follow. Keep it simple, keep it relaxed, keep it interesting. Try to imagine someone actually posing for you. Would you ask someone to pose that way? What can I draw? How long will it take to draw? Is the model able to pose that way? Take advantage of photography, you can learn a lot if you draw from a photo. Challenge yourself! Find a pose you don’t think you can draw and draw it anyway just for fun.  Any pose that well defines the capability of the body and its movement is a great pose. Most importantly try to  have fun.','10 Figure Drawing Model poses you should definitely sketch.','','inherit','closed','closed','','2415-revision-v1','','','2015-12-22 12:09:36','2015-12-22 20:09:36','',2415,'http://www.letsdrawpeople.com/2415-revision-v1/',0,'revision','',0),(2425,8,'2015-12-22 12:15:48','2015-12-22 20:15:48','1. Back/standing:\nThe back is simple and usually easier to draw, when sketching keep in mind simple is better. When you create a sketch it’s a good idea to start out with a gesture. Multiple tries at the same pose on the same page is a good way to practice that pose. You can never draw the same pose to many times. However, I would keep each one slightly different.\n\n\"12400779_10206205122901650_192671964110343209_n\"\n2. Back or side view sitting:\nA profile is more challenging than almost any other pose. There are key things you should note when sketching. The anatomy proportions that you learn about figure drawing does not apply anymore. A good profile sketch is all about drawing the profile with what you can\'t see in mind as if it was whole. Some proportions stay the same but there are proportion rules that you lose with a side view drawing.\n\n\"12243518_10206205424149181_1713948309151531779_n\"\n\n3. Front view:\nThe majority of picture you will see are front view or front view with a slight turn. Note when drawing a front view try not to draw a straight on view. This  type of drawing is a great scientific study  however dose make for a good  figure drawing model pose.  A Straight on view drawing makes for a great scientific study however, does not make a good figure drawing.\n\n\"12399228_10206211556862495_1973743261_n\"\n4. Laying down:\nThis is a classical pose, historically artist have used this pose to show elegance and grace. Consider the model\'s view point as the focus point in your sketch. The viewer eyes will be drawn towards what the model is looking towards\n\n\"1919201_10206205969842823_8908518813765184705_n\"  \"1916886_10206218792123372_969081067551699369_n\"\n\n \n\n5. Ballet/dance or action poses:\nThe movement and lines of Ballet capture the essence of art. Expression of the body as art that form as a gesture. Think of capturing your subject as they were naturally moving as you sketch. This idea will capture a pose in motion paused in time to create beautiful fluid sketches.\n\"12376517_10206205969562816_3084201622103636897_n\"\n\n6. Underwear/bathing suit/ implied nude /tight fitting clothing:\nTo draw a person you must first understand what the body looks like. If you are not ready for nude figure drawing then I suggest learning from studying models that are wearing tight clothing.  Drawing a nude model that is covered up gives you a different way to study the body.\n\n\"12321158_10206206805983726_7963001771032375904_n\"\"10363117_10206218791843365_1597892538445760629_n\"\n\n7. Nude drawing:\nThere are several differences when sketching the naked body, understanding the interaction of clothes and the body is important. A study of both is recommended for any figure drawing model pose.\n8. Reflections/ mirrors:\nThis is interesting and difficult and provides a way to be creative. Think about your vision as a artist as you sketch. Do you want to use background and props in your sketch? I like to think about the finished work when considering the pose that I use when drawing.\n9. Bending:\nUnderstanding the body in different positions helps you focus on proportion. Different positions will help you concentrate on the body and how it is built and the way the body works.\n10. Perspective:\nYour job here is to purposely elongate the body so that it looks accurate for distance. If you have a person stretching out and the hand is away from you, it will look smaller than their face for example\nGet creative!\nAlmost any pose can be a good pose. Some poses are amazing, some are impossible. Keep in mind your understanding of the body while drawing, especially dynamic and strange poses. The more realistic it is, the more you can change and modify the body without making the drawing look to abstract. To understand a good figure drawing model pose there is a couple simple rules to follow. Keep it simple, keep it relaxed, keep it interesting. Try to imagine someone actually posing for you. Would you ask someone to pose that way? What can I draw? How long will it take to draw? Is the model able to pose that way? Take advantage of photography, you can learn a lot if you draw from a photo. Challenge yourself! Find a pose you don’t think you can draw and draw it anyway just for fun.  Any pose that well defines the capability of the body and its movement is a great pose. Most importantly try to  have fun.','10 Figure Drawing Model poses you should definitely sketch.','','inherit','closed','closed','','2415-autosave-v1','','','2015-12-22 12:15:48','2015-12-22 20:15:48','',2415,'http://www.letsdrawpeople.com/2415-autosave-v1/',0,'revision','',0),(2426,8,'2015-12-22 12:18:21','2015-12-22 20:18:21','1. Back/standing:\r\nThe back is simple and usually easier to draw, when sketching keep in mind simple is better. When you create a sketch it’s a good idea to start out with a gesture. Multiple tries at the same pose on the same page is a good way to practice that pose. You can never draw the same pose to many times. However, I would keep each one slightly different.\r\n\r\n\"12400779_10206205122901650_192671964110343209_n\"\r\n2. Back or side view sitting:\r\nA profile is more challenging than almost any other pose. There are key things you should note when sketching. The anatomy proportions that you learn about figure drawing does not apply anymore. A good profile sketch is all about drawing the profile with what you can\'t see in mind as if it was whole. Some proportions stay the same but there are proportion rules that you lose with a side view drawing.\r\n\r\n\"12243518_10206205424149181_1713948309151531779_n\"\r\n\r\n3. Front view:\r\nThe majority of picture you will see are front view or front view with a slight turn. Note when drawing a front view try not to draw a straight on view. This  type of drawing is a great scientific study  however dose make for a good  figure drawing model pose.  A Straight on view drawing makes for a great scientific study however, does not make a good figure drawing.\r\n\r\n\"12399228_10206211556862495_1973743261_n\"\r\n4. Laying down:\r\nThis is a classical pose, historically artist have used this pose to show elegance and grace. Consider the model\'s view point as the focus point in your sketch. The viewer eyes will be drawn towards what the model is looking towards\r\n\r\n\"1919201_10206205969842823_8908518813765184705_n\"  \"1916886_10206218792123372_969081067551699369_n\"\r\n\r\n \r\n\r\n5. Ballet/dance or action poses:\r\nThe movement and lines of Ballet capture the essence of art. Expression of the body as art that form as a gesture. Think of capturing your subject as they were naturally moving as you sketch. This idea will capture a pose in motion paused in time to create beautiful fluid sketches.\r\n\"12376517_10206205969562816_3084201622103636897_n\"\r\n\r\n6. Underwear/bathing suit/ implied nude /tight fitting clothing:\r\nTo draw a person you must first understand what the body looks like. If you are not ready for nude figure drawing then I suggest learning from studying models that are wearing tight clothing.  Drawing a nude model that is covered up gives you a different way to study the body.\r\n\r\n\"12321158_10206206805983726_7963001771032375904_n\"\"10363117_10206218791843365_1597892538445760629_n\"\r\n\r\n7. Nude drawing:\r\nThere are several differences when sketching the naked body, understanding the interaction of clothes and the body is important. A study of both is recommended for any figure drawing model pose.\r\n8. Reflections/ mirrors:\r\nThis is interesting and difficult and provides a way to be creative. Think about your vision as a artist as you sketch. Do you want to use background and props in your sketch? I like to think about the finished work when considering the pose that I use when drawing.\r\n9. Bending:\r\nUnderstanding the body in different positions helps you focus on proportion. Different positions will help you concentrate on the body and how it is built and the way the body works.\r\n10. Perspective:\r\nYour job here is to purposely elongate the body so that it looks accurate for distance. If you have a person stretching out and the hand is away from you, it will look smaller than their face for example\r\nGet creative!\r\nAlmost any pose can be a good pose. Some poses are amazing, some are impossible. Keep in mind your understanding of the body while drawing, especially dynamic and strange poses. The more realistic it is, the more you can change and modify the body without making the drawing look to abstract. To understand a good figure drawing model pose there is a couple simple rules to follow. Keep it simple, keep it relaxed, keep it interesting. Try to imagine someone actually posing for you. Would you ask someone to pose that way? What can I draw? How long will it take to draw? Is the model able to pose that way? Take advantage of photography, you can learn a lot if you draw from a photo. Challenge yourself! Find a pose you don’t think you can draw and draw it anyway just for fun.  Any pose that well defines the capability of the body and its movement is a great pose. Most importantly try to  have fun.','10 Figure Drawing Model poses you should definitely sketch.','','inherit','closed','closed','','2415-revision-v1','','','2015-12-22 12:18:21','2015-12-22 20:18:21','',2415,'http://www.letsdrawpeople.com/2415-revision-v1/',0,'revision','',0),(2854,2,'2016-01-23 11:44:32','2016-01-23 19:44:32','','how to draw children 05 infant','','inherit','open','closed','','how-to-draw-children-05-infant','','','2016-01-23 11:44:32','2016-01-23 19:44:32','',2525,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/how-to-draw-children-05-infant.jpg',0,'attachment','image/jpeg',0),(2600,2,'2016-01-01 12:21:24','2016-01-01 20:21:24','First consider the age and development of the child before you begin. Refer to one of the age groups that I list below for how to draw children. There are instructions for different age groups.\r\n

1. Infants

\r\nNotice the proportions of a infant. The majority of the body is the head and the rest of the body is almost the same size. There is little to no difference between boys and girls.\r\n\r\nDrawing infants or babies is quite simple. You can break it down in a couple of steps.\r\n\r\nHead: To create the head, just create one circle for the face and then another circle for the head.\r\n\r\nBody: The body should be about an equal size with the head. Figure out how many heads you need for the body.\r\n\r\nDetails: Draw softly for details like eyebrows, hair, and face features. Draw shapes for the cheeks, eyes, and the outline of the head.\r\n\r\n\"1\"          \"2\"\r\n\r\n \r\n\r\n\"3\"          \"4\"\r\n\r\n \r\n\r\n\"5\"           \"6\"\r\n

2. Toddlers

\r\nThere is only a slight difference between infants and toddlers. The largest difference is how big the child is. Depending on the age of the toddler, he or she will still have infant proportions. The overall body shape of a boy and a girl is still very similar.\r\n\r\nNote that toddlers should have a longer body than an infant. So you add a half or a full head, depending on age.\r\n

3. Early Childhood / Kindergarteners

\r\nThere are significant changes at this age. It is possible for children at this age to be approximately one-half the size of an adult. The general body shape is still similar to that of a toddler, but you will start to see a difference.\r\n\r\nBoys: It\'s the same idea as drawing a toddler, but taller and older.\r\n\r\nGirls: The body shape starts to change. You also begin to notice a difference between girls and boys. Be sure to draw as carefully as possible, or your child will look older than she is.\r\n

4. Elementary school years

\r\nGirls partially start developing early, notice also other important change in the body as children get older.\r\n\r\nBoys: 3rd grad -5h grade, boys will catch up with girl and start surpassing them in height and also have overall larger bodies.\r\n\r\nGirls: Change of body shape again and typically 2 or 3 year before boys, girls go though several body stages growing up, if you want more information on how girls body changes reference “ tanner scale for girls “ for scientific understanding of body changes.\r\n\r\n\"7\"         \"8\"\r\n\r\n \r\n\r\n\"9\"          \"10\"\r\n\r\n \r\n\r\n\"11\"           \"12\"\r\n\r\n5. Middle school/ preteen: Proportions is about the same as elementary school kids but girls are allot more mature and will start looking like a teenagers. There is a wide range so you may need to refer to a different body shape/age group depending on the child.\r\n\r\nBoys: at this age boys should be about the same size as girl or bigger, however for the most part the over all body shape is still the same.\r\n\r\nGirls : At this age girls will change quite dramatically as they start blossoming in to young ladies.\r\n\r\n6. Teenager/ young adult: allot of young girls look like full adults in body but still hold on to a child like face, where boy will change drastically from looking like little kids to looking like a man in body. However ,There are key difference for both boys and girls from looking like a teenager to looking like an adult. Both boys and girl still have a young looking appearance in the face, you can do this buy creating a slight exaggeration of the eyes, drawing a smother face, softer details like neck line. As you get older details like the neck are more defined.\r\n\r\n\"13\"\r\n\r\n\"14\"               \"15\"\r\n\r\n \r\n\r\n\"16\"                  \"17\"\r\n\r\n \r\n\r\n\"18\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n7. Free style drawing or sketching\r\nWhen you don’t know how old some one is look at a reference and draw what you see. Don’t get married to proportions because certain thing give people characteristic and drawing a person “ how they are supposed to look “ will give a good sketch of a child but maybe not the person you are drawing.\r\nUnderstanding each persons physical appearance is different will help you draw some ones “character” or personality instead of just a person. Children tend to have certain mannerisms for example drawing a child pose thing like sitting crisscross, or playing.\r\n\r\n8. Cartoon like:\r\nconsider drawing personality like being silly, funny, or at play, this will create a more cartoon like or child like image. Create slight exaggerations of the body to transform your child in too a cartoon which will capture a child like image.\r\n\r\nPhysical features\r\nHead : is largely disproportionate compared to the body for a good amount of your life.\r\nEyes : a slight exaggeration of how big the eyes are will both give the child a more childish look and also cartoon like appearance.\r\n\r\nBody: like an adults body but allot smaller, just think make every thing smaller, also knowing the key difference at certain ages will help capture the correct age group.\r\n\r\n9. Children with Family or environment: One of the best ways to draw a child is to draw them next to some one else, keep in mind the smaller the child the younger they will appear.\r\n\r\n10. Appearance: Consider clothing, face exprensitions, being uninventive or any child like mannerism you can think of, drawing a character of that person, or capering that person personality will help not only make your drawing like that person but will create a sense of realism.','How to Draw Children: 10 Different Approaches','','inherit','closed','closed','','2525-revision-v1','','','2016-01-01 12:21:24','2016-01-01 20:21:24','',2525,'http://www.letsdrawpeople.com/2525-revision-v1/',0,'revision','',0),(2428,2,'2015-12-23 08:57:28','2015-12-23 16:57:28','[[\"
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Category<\\/center>\",\"
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Images<\\/center>\",\"
Payment<\\/center>\",\"Deadline\"],[\"Reid\",\"See How to Draw Whitney Houston\",\"how to draw whitney houston\",\"Well-Known People\",\"500 - 800 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Carrienelson1<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$35 - $85\",\"December 31, 2015\"],[\"Open\",\"Refuse to Ever Use a Drawing Light Box and You Will Regret It\",\"drawing light box\",\"Techniques\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$25 - $85\",\"December 31, 2015\"],[\"McCruden\",\"X Figure Drawing Model Poses You Should Definitely Sketch\",\"figure drawing model poses\",\"Figure\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"January 3, 2016\"],[\"Open\",\"How to Draw a Blouse When You Know Nothing about Blouses\",\"how to draw a blouse\",\"Clothing\",\"1,000 - 1,500 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Lee Snider<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>
\\\"\\u00a9<\\/a>
\\u00a9 Kateryna Trubetska<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$60 - $120\",\"January 10, 2016\"],[\"McCruden\",\"How to Draw Children: X Different Approaches\",\"how to draw children\",\"Children\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"January 10, 2016\"],[\"Reid\",\"Use This Drawing of a Man to Improve Your Own Drawing\",\"drawing of a man\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"January 17, 2016\"],[\"McCruden\",\"What Everybody Ought to Know about How to Draw Women\",\"how to draw women\",\"Everyday People\",\"1,000 - 1,500 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$60 - $120\",\"January 17, 2016\"]]','Editorial Calendar','','inherit','closed','closed','','2347-revision-v1','','','2015-12-23 08:57:28','2015-12-23 16:57:28','',2347,'http://www.letsdrawpeople.com/2347-revision-v1/',0,'revision','',0),(2430,2,'2015-12-23 15:31:35','2015-12-23 23:31:35','Almost any pose can be a good pose. Some poses are amazing, and some are impossible. What are some good poses to draw and why? Continue reading to discover 10 figure drawing model poses that you should always keep in mind when sketching.\r\n

1. Back/Standing

\r\nThe back is simple and usually easier to draw. When sketching, keep in mind that simple is better. When you create a sketch, it’s a good idea to start out with a gesture. Multiple tries at the same pose on the same page is a good way to practice that pose. You can never draw the same pose too many times. However, I would keep each one slightly different.\r\n\r\n\"12400779_10206205122901650_192671964110343209_n\"\r\n\r\n2. Back or side view sitting:\r\nA profile is more challenging than almost any other pose. There are key things you should note when sketching. The anatomy proportions that you learn about figure drawing does not apply anymore. A good profile sketch is all about drawing the profile with what you can\'t see in mind as if it was whole. Some proportions stay the same but there are proportion rules that you lose with a side view drawing.\r\n\r\n\"12243518_10206205424149181_1713948309151531779_n\"\r\n\r\n3. Front view:\r\nThe majority of picture you will see are front view or front view with a slight turn. Note when drawing a front view try not to draw a straight on view. This  type of drawing is a great scientific study  however dose make for a good  figure drawing model pose.  A Straight on view drawing makes for a great scientific study however, does not make a good figure drawing.\r\n\r\n\"12399228_10206211556862495_1973743261_n\"\r\n4. Laying down:\r\nThis is a classical pose, historically artist have used this pose to show elegance and grace. Consider the model\'s view point as the focus point in your sketch. The viewer eyes will be drawn towards what the model is looking towards\r\n\r\n\"1919201_10206205969842823_8908518813765184705_n\"  \"1916886_10206218792123372_969081067551699369_n\"\r\n\r\n \r\n\r\n5. Ballet/dance or action poses:\r\nThe movement and lines of Ballet capture the essence of art. Expression of the body as art that form as a gesture. Think of capturing your subject as they were naturally moving as you sketch. This idea will capture a pose in motion paused in time to create beautiful fluid sketches.\r\n\"12376517_10206205969562816_3084201622103636897_n\"\r\n\r\n6. Underwear/bathing suit/ implied nude /tight fitting clothing:\r\nTo draw a person you must first understand what the body looks like. If you are not ready for nude figure drawing then I suggest learning from studying models that are wearing tight clothing.  Drawing a nude model that is covered up gives you a different way to study the body.\r\n\r\n\"12321158_10206206805983726_7963001771032375904_n\"\"10363117_10206218791843365_1597892538445760629_n\"\r\n\r\n7. Nude drawing:\r\nThere are several differences when sketching the naked body, understanding the interaction of clothes and the body is important. A study of both is recommended for any figure drawing model pose.\r\n8. Reflections/ mirrors:\r\nThis is interesting and difficult and provides a way to be creative. Think about your vision as a artist as you sketch. Do you want to use background and props in your sketch? I like to think about the finished work when considering the pose that I use when drawing.\r\n9. Bending:\r\nUnderstanding the body in different positions helps you focus on proportion. Different positions will help you concentrate on the body and how it is built and the way the body works.\r\n10. Perspective:\r\nYour job here is to purposely elongate the body so that it looks accurate for distance. If you have a person stretching out and the hand is away from you, it will look smaller than their face for example\r\nGet creative!\r\n\r\nKeep in mind your understanding of the body while drawing, especially dynamic and strange poses. The more realistic it is, the more you can change and modify the body without making the drawing look to abstract. To understand a good figure drawing model pose there is a couple simple rules to follow. Keep it simple, keep it relaxed, keep it interesting. Try to imagine someone actually posing for you. Would you ask someone to pose that way? What can I draw? How long will it take to draw? Is the model able to pose that way? Take advantage of photography, you can learn a lot if you draw from a photo. Challenge yourself! Find a pose you don’t think you can draw and draw it anyway just for fun.  Any pose that well defines the capability of the body and its movement is a great pose. Most importantly try to  have fun.','10 Figure Drawing Model Poses You Should Definitely Sketch','','inherit','closed','closed','','2415-revision-v1','','','2015-12-23 15:31:35','2015-12-23 23:31:35','',2415,'http://www.letsdrawpeople.com/2415-revision-v1/',0,'revision','',0),(2432,2,'2015-12-23 16:58:46','2015-12-24 00:58:46','Almost any pose can be a good pose. Some poses are amazing, and some are impossible. What are some good poses to draw and why? Continue reading to discover 10 figure drawing model poses that you should always keep in mind when sketching.\r\n

1. Back/Standing

\r\nThe back is simple and usually easier to draw. When sketching, keep in mind that simple is better. When you create a sketch, it’s a good idea to start out with a gesture. Multiple tries at the same pose on the same page is a good way to practice that pose. You can never draw the same pose too many times. However, I would keep each one slightly different.\r\n\r\n\"12400779_10206205122901650_192671964110343209_n\"\r\n\r\n \r\n

2. Back or Side View Sitting

\r\nA profile is more challenging than almost any other pose. There are key things you should note when sketching. The anatomy proportions that you learn about figure drawing do not apply anymore. A good profile sketch is all about drawing the profile with what you can\'t see in mind as if it was whole. Some proportions stay the same, but there are proportion rules that you lose with a side view drawing.\r\n\r\n\"12243518_10206205424149181_1713948309151531779_n\"\r\n\r\n \r\n

3. Front View

\r\nThe majority of pictures you will see are front view or front view with a slight turn. Note when drawing a front view, try not to draw a straight on view. This type of drawing is a great scientific study, however it does not make for a good figure drawing model pose.\r\n\r\n\"12399228_10206211556862495_1973743261_n\"\r\n

\r\n4. Lying Down

\r\nThis is a classical pose. Historically, artist have used this pose to show elegance and grace. Consider the model\'s view point as the focus point in your sketch. The viewer\'s eyes will be drawn towards where the model is looking.\r\n\r\n\"1919201_10206205969842823_8908518813765184705_n\"          \"1916886_10206218792123372_969081067551699369_n\"\r\n\r\n \r\n

5. Ballet/Dance or Action Poses

\r\nThe movement and lines of ballet capture the essence of art. Expression of the body is art that begins as a gesture. Think of capturing your subject as if she were naturally moving as you sketch. This idea will capture a pose in motion paused in time to create beautiful fluid sketches.\r\n\r\n\"12376517_10206205969562816_3084201622103636897_n\"\r\n\r\n \r\n

6. Underwear/Bathing Suit/Implied Nude/Tight-Fitting Clothing

\r\nTo draw a person, you must first understand what the body looks like. If you are not ready for nude figure drawing, then I suggest learning from studying models that are wearing tight clothing.  Drawing a nude model that is covered up gives you a different way to study the body.\r\n\r\n\"12321158_10206206805983726_7963001771032375904_n\"          \"10363117_10206218791843365_1597892538445760629_n\"\r\n\r\n \r\n

7. Nude Drawing

\r\nThere are several differences when sketching the naked body, understanding the interaction of clothes and the body is important. A study of both is recommended for any figure drawing model pose.\r\n8. Reflections/ mirrors:\r\nThis is interesting and difficult and provides a way to be creative. Think about your vision as a artist as you sketch. Do you want to use background and props in your sketch? I like to think about the finished work when considering the pose that I use when drawing.\r\n9. Bending:\r\nUnderstanding the body in different positions helps you focus on proportion. Different positions will help you concentrate on the body and how it is built and the way the body works.\r\n10. Perspective:\r\nYour job here is to purposely elongate the body so that it looks accurate for distance. If you have a person stretching out and the hand is away from you, it will look smaller than their face for example\r\nGet creative!\r\n\r\nKeep in mind your understanding of the body while drawing, especially dynamic and strange poses. The more realistic it is, the more you can change and modify the body without making the drawing look to abstract. To understand a good figure drawing model pose there is a couple simple rules to follow. Keep it simple, keep it relaxed, keep it interesting. Try to imagine someone actually posing for you. Would you ask someone to pose that way? What can I draw? How long will it take to draw? Is the model able to pose that way? Take advantage of photography, you can learn a lot if you draw from a photo. Challenge yourself! Find a pose you don’t think you can draw and draw it anyway just for fun.  Any pose that well defines the capability of the body and its movement is a great pose. Most importantly try to  have fun.','10 Figure Drawing Model Poses You Should Definitely Sketch','','inherit','closed','closed','','2415-revision-v1','','','2015-12-23 16:58:46','2015-12-24 00:58:46','',2415,'http://www.letsdrawpeople.com/2415-revision-v1/',0,'revision','',0),(2433,2,'2015-12-23 17:13:10','2015-12-24 01:13:10','Almost any pose can be a good pose. Some poses are amazing, and some are impossible. What are some good poses to draw and why? Continue reading to discover 10 figure drawing model poses that you should always keep in mind when sketching.\r\n

1. Back/Standing

\r\nThe back is simple and usually easier to draw. When sketching, keep in mind that simple is better. When you create a sketch, it’s a good idea to start out with a gesture. Multiple tries at the same pose on the same page is a good way to practice that pose. You can never draw the same pose too many times. However, I would keep each one slightly different.\r\n\r\n\"12400779_10206205122901650_192671964110343209_n\"\r\n\r\n \r\n

2. Back or Side View Sitting

\r\nA profile is more challenging than almost any other pose. There are key things you should note when sketching. The anatomy proportions that you learn about figure drawing do not apply anymore. A good profile sketch is all about drawing the profile with what you can\'t see in mind as if it was whole. Some proportions stay the same, but there are proportion rules that you lose with a side view drawing.\r\n\r\n\"12243518_10206205424149181_1713948309151531779_n\"\r\n\r\n \r\n

3. Front View

\r\nThe majority of pictures you will see are front view or front view with a slight turn. Note when drawing a front view, try not to draw a straight on view. This type of drawing is a great scientific study, however it does not make for a good figure drawing model pose.\r\n\r\n\"12399228_10206211556862495_1973743261_n\"\r\n\r\n \r\n

4. Lying Down

\r\nThis is a classical pose. Historically, artist have used this pose to show elegance and grace. Consider the model\'s view point as the focus point in your sketch. The viewer\'s eyes will be drawn towards where the model is looking.\r\n\r\n\"1919201_10206205969842823_8908518813765184705_n\"          \"1916886_10206218792123372_969081067551699369_n\"\r\n\r\n \r\n

5. Ballet/Dance or Action Poses

\r\nThe movement and lines of ballet capture the essence of art. Expression of the body is art that begins as a gesture. Think of capturing your subject as if she were naturally moving as you sketch. This idea will capture a pose in motion paused in time to create beautiful fluid sketches.\r\n\r\n\"12376517_10206205969562816_3084201622103636897_n\"\r\n\r\n \r\n

6. Underwear/Bathing Suit/Implied Nude/Tight-Fitting Clothing

\r\nTo draw a person, you must first understand what the body looks like. If you are not ready for nude figure drawing, then I suggest learning from studying models that are wearing tight clothing.  Drawing a nude model that is covered up gives you a different way to study the body.\r\n\r\n\"12321158_10206206805983726_7963001771032375904_n\"          \"10363117_10206218791843365_1597892538445760629_n\"\r\n\r\n \r\n

7. Nude Drawing

\r\nThere are several differences when sketching the naked body. Understanding the interaction of clothes and the body is important. A study of both is recommended for any figure drawing model pose.\r\n\r\n \r\n

8. Reflections/Mirrors

\r\nThis is interesting and difficult and provides a way to be creative. Think about your vision as an artist as you sketch. Do you want to use a background and props in your sketch? I like to think about the finished work when considering the pose that I use when drawing.\r\n\r\n9. Bending\r\n\r\nUnderstanding the body in different positions helps you focus on proportion. Different positions will help you concentrate on the body and how it is built and the way the body works.\r\n\r\n10. Perspective\r\n\r\nYour job here is to purposely elongate the body so that it looks accurate for distance. If you have a person stretching out and the hand is away from you, it will look smaller than their face for example\r\nGet creative!\r\n\r\nKeep in mind your understanding of the body while drawing, especially dynamic and strange poses. The more realistic it is, the more you can change and modify the body without making the drawing look to abstract. To understand a good figure drawing model pose there is a couple simple rules to follow. Keep it simple, keep it relaxed, keep it interesting. Try to imagine someone actually posing for you. Would you ask someone to pose that way? What can I draw? How long will it take to draw? Is the model able to pose that way? Take advantage of photography, you can learn a lot if you draw from a photo. Challenge yourself! Find a pose you don’t think you can draw and draw it anyway just for fun.  Any pose that well defines the capability of the body and its movement is a great pose. Most importantly try to  have fun.','10 Figure Drawing Model Poses You Should Definitely Sketch','','inherit','closed','closed','','2415-revision-v1','','','2015-12-23 17:13:10','2015-12-24 01:13:10','',2415,'http://www.letsdrawpeople.com/2415-revision-v1/',0,'revision','',0),(2434,2,'2015-12-23 17:15:31','2015-12-24 01:15:31','Of all the facial features that exist, teeth have to rank as one of the most challenging to draw. First of all, each tooth seems to have its own special shape. Not to mention there are so many of them!\n\nTeeth are very unique from one person to the next. The unique characteristics of teeth play a large part in shaping a person\'s appearance. If you are trying to capture a strong likeness of a person, the way you portray that person\'s teeth can make or break your portrait.\n\nHowever, teeth were not always so difficult to draw. If you have ever drawn teeth as a child, they may have looked something like this:\n\n\"04\n\nThis cartoonish version of teeth is how I remember drawing them many times as a child. Surely I am not the only one.\n\nAhh, the good ol\' days! If only we could still draw teeth this quickly and easily and have the same satisfaction we did back then.\n\nWell, I am not saying we can get away with this as an adult trying to draw realistic teeth. What I will tell you is there is a way to use this childhood drawing to our advantage, as a shortcut.\n\nThis tutorial will show how to draw teeth for a person who is looking directly ahead and smiling. The childish drawing of teeth seen above can actually be used as helpful guidelines to get you started.\n\nAgain, just as individual teeth are unique, individual smiles are also unique. Some smiles, either naturally or purposefully, will show more teeth than others. Some smiles show the top and bottom teeth while other smiles barely reveal any bottom teeth at all.\n\nThe following reference photograph will serve as good practice since it is a natural-looking smile that reveals bottom teeth as well as the top teeth.\n\n[caption id=\"attachment_2218\" align=\"aligncenter\" width=\"800\"]\"
© Igor Mojzes | Dreamstime.com
[/caption]\n

Identifying the Teeth to Be Drawn

\nWhen learning how to draw teeth, I found it very helpful to have an understanding of the different kinds of teeth in the mouth. The image below identifies the names of the teeth that are visible.\n\n\"names\n\nIt is important to note the obvious: the bottom incisors are much smaller than the top. Therefore, this leaves a noticeable slant in the alignment of common teeth types from top to bottom. Although teeth have their own unique characteristics from person to person, the size generalizations seen here can be applied to almost anyone\'s teeth.\n

How to Draw the Teeth

\nNow let\'s see the steps necessary to draw teeth. The steps below will take you from how to draw light guidelines to drawing the top teeth, bottom teeth, and the back teeth and surrounding mouth.\n

Drawing the Childhood Shortcut

\nAlthough I am sure you can draw the childhood version of teeth with your eyes closed, I want to point out a couple of things that you will need to know for later. That\'s why I will still walk you through the steps.\n\nBegin by drawing the outline of the mouth. This will serve as a rough outline for the opening part of the lips later on.\n\n\"01\n\n \n\nNext draw a vertical line in the center and a curved horizontal line across. The vertical line will divide the right and left halves of the mouth. The curved line will separate the top and bottom teeth.\n\n\"02\n\n \n\nDraw three vertical lines on one side of the center line. Make sure the spacing is wider next to the center line so it can hold the central incisor. The other lines can have narrower spacing between them. For a more accurate likeness, pay close attention to the top row of teeth in your reference photo and try to match the spacing as closely as possible.\n\n\"03\n\n \n\nRepeat this process on the other side. Here is the childhood version of teeth that we will use as a shortcut to drawing teeth that look a little more \"grown-up\".\n\n\"04\n\n \n

Drawing the Top Teeth

\nThese lines will be the guidelines that will help you to draw the top teeth. Begin by drawing the upper central incisors. You will mostly stay within the limits of the boxes. Curve the upper part of each tooth\'s gum line.\n\n\"05\n\n \n\nNext draw the upper lateral incisors in a similar way. Also notice the rounded corners.\n\n\"06\n\n \n\nDraw the canines (or cuspids) for the top. Again, you are mostly staying within the boxes, but as you see below, you want to pay close attention to the reference photo of your subject. Most teeth are not the exact size, shape, or position as their counterparts. Draw each tooth as you see it as closely as you can to bring out that uniqueness and individuality.\n\n\"07\n\n \n

Drawing the Bottom Teeth

\nThe guidelines used for the top teeth will not really benefit us for the bottom teeth. If we drew the bottom teeth in the same manner as we did the top, we would have some very unnatural-looking human teeth!\n\nBegin with the central incisors on the bottom. Again, teeth are not perfect, so the central line is not lined up exactly on the top and bottom for this person. Remember that these incisors are much smaller than the ones on top. I\'d say that on average, these teeth are about one-half to two-thirds the width of their upper counterparts.\n\n\"08\n\n \n\n \n\nRepeat for the lateral incisors on the bottom. Remember that the curved outline on the bottom is the opening of the lower lip. This woman\'s lower lip will be covering some of her lower teeth around the gum line. Below you can see that I am temporarily sketching in the gum line that will be hidden by the lip later.\n\n\"09\n\n \n\nNow draw the lower canines. Make sure you draw them at the proper angle in relation to the top canines.\n\n\"10\n\n \n\n \n\nErase your guidelines. You should have the twelve most visible teeth from a forward-facing smile, as seen below.\n\n\"11\n\n \n\nWhen not using this technique, I tend to draw the lips first before drawing any teeth. However, lips would have gotten in the way of showing you the first part of the childhood shortcut. Before drawing any more teeth, draw the lips and surrounding mouth area.\n\n\"12\n\n \n\nSince the remaining teeth are curving toward the back of the mouth and partially hidden by each other and the lips, they are much easier to draw now that the lips are done. In my experience with drawing different smiles in this position, most often you can see from two to four teeth past the canines. In our example, you can see the two premolars (or bicuspids) and one of the molars on each side on the top. There are fewer visible on the bottom.\n\n\"how\n\n \n

Finishing Up

\nThat concludes this tutorial on how to draw teeth using a popular childhood sketch as a shortcut! As always, you can go further. You can draw the various highlights on the teeth and gums. You can add more details and even shade your drawing. But remember, if are trying to capture the likeness of a person revealing a large smile in a photograph, it is absolutely crucial that you draw their teeth as closely as possible to how they appear in real life. Not doing so will hinder your efforts of an accurate portrayal, even if other parts of the face are drawn right. Keep this shortcut in mind when you want an easier way to draw teeth that works!\n\n ','This Childhood Shortcut Will Show You How to Draw Teeth','','inherit','closed','closed','','2211-autosave-v1','','','2015-12-23 17:15:31','2015-12-24 01:15:31','',2211,'http://www.letsdrawpeople.com/2211-autosave-v1/',0,'revision','',0),(2435,2,'2015-12-23 17:16:26','2015-12-24 01:16:26','Of all the facial features that exist, teeth have to rank as one of the most challenging to draw. First of all, each tooth seems to have its own special shape. Not to mention there are so many of them!\r\n\r\nTeeth are very unique from one person to the next. The unique characteristics of teeth play a large part in shaping a person\'s appearance. If you are trying to capture a strong likeness of a person, the way you portray that person\'s teeth can make or break your portrait.\r\n\r\nHowever, teeth were not always so difficult to draw. If you have ever drawn teeth as a child, they may have looked something like this:\r\n\r\n\"04\r\n\r\nThis cartoonish version of teeth is how I remember drawing them many times as a child. Surely I am not the only one.\r\n\r\nAhh, the good ol\' days! If only we could still draw teeth this quickly and easily and have the same satisfaction we did back then.\r\n\r\nWell, I am not saying we can get away with this as an adult trying to draw realistic teeth. What I will tell you is there is a way to use this childhood drawing to our advantage, as a shortcut.\r\n\r\nThis tutorial will show how to draw teeth for a person who is looking directly ahead and smiling. The childish drawing of teeth seen above can actually be used as helpful guidelines to get you started.\r\n\r\nAgain, just as individual teeth are unique, individual smiles are also unique. Some smiles, either naturally or purposefully, will show more teeth than others. Some smiles show the top and bottom teeth while other smiles barely reveal any bottom teeth at all.\r\n\r\nThe following reference photograph will serve as good practice since it is a natural-looking smile that reveals bottom teeth as well as the top teeth.\r\n\r\n[caption id=\"attachment_2218\" align=\"aligncenter\" width=\"800\"]\"
© Igor Mojzes | Dreamstime.com
[/caption]\r\n

Identifying the Teeth to Be Drawn

\r\nWhen learning how to draw teeth, I found it very helpful to have an understanding of the different kinds of teeth in the mouth. The image below identifies the names of the teeth that are visible.\r\n\r\n\"names\r\n\r\nIt is important to note the obvious: the bottom incisors are much smaller than the top. Therefore, this leaves a noticeable slant in the alignment of common teeth types from top to bottom. Although teeth have their own unique characteristics from person to person, the size generalizations seen here can be applied to almost anyone\'s teeth.\r\n

How to Draw the Teeth

\r\nNow let\'s see the steps necessary to draw teeth. The steps below will take you from how to draw light guidelines to drawing the top teeth, bottom teeth, and the back teeth and surrounding mouth.\r\n

Drawing the Childhood Shortcut

\r\nAlthough I am sure you can draw the childhood version of teeth with your eyes closed, I want to point out a couple of things that you will need to know for later. That\'s why I will still walk you through the steps.\r\n\r\nBegin by drawing the outline of the mouth. This will serve as a rough outline for the opening part of the lips later on.\r\n\r\n\"01\r\n\r\n \r\n\r\nNext draw a vertical line in the center and a curved horizontal line across. The vertical line will divide the right and left halves of the mouth. The curved line will separate the top and bottom teeth.\r\n\r\n\"02\r\n\r\n \r\n\r\nDraw three vertical lines on one side of the center line. Make sure the spacing is wider next to the center line so it can hold the central incisor. The other lines can have narrower spacing between them. For a more accurate likeness, pay close attention to the top row of teeth in your reference photo and try to match the spacing as closely as possible.\r\n\r\n\"03\r\n\r\n \r\n\r\nRepeat this process on the other side. Here is the childhood version of teeth that we will use as a shortcut to drawing teeth that look a little more \"grown-up\".\r\n\r\n\"04\r\n\r\n \r\n

Drawing the Top Teeth

\r\nThese lines will be the guidelines that will help you to draw the top teeth. Begin by drawing the upper central incisors. You will mostly stay within the limits of the boxes. Curve the upper part of each tooth\'s gum line.\r\n\r\n\"05\r\n\r\n \r\n\r\nNext draw the upper lateral incisors in a similar way. Also notice the rounded corners.\r\n\r\n\"06\r\n\r\n \r\n\r\nDraw the canines (or cuspids) for the top. Again, you are mostly staying within the boxes, but as you see below, you want to pay close attention to the reference photo of your subject. Most teeth are not the exact size, shape, or position as their counterparts. Draw each tooth as you see it as closely as you can to bring out that uniqueness and individuality.\r\n\r\n\"07\r\n\r\n \r\n

Drawing the Bottom Teeth

\r\nThe guidelines used for the top teeth will not really benefit us for the bottom teeth. If we drew the bottom teeth in the same manner as we did the top, we would have some very unnatural-looking human teeth!\r\n\r\nBegin with the central incisors on the bottom. Again, teeth are not perfect, so the central line is not lined up exactly on the top and bottom for this person. Remember that these incisors are much smaller than the ones on top. I\'d say that on average, these teeth are about one-half to two-thirds the width of their upper counterparts.\r\n\r\n\"08\r\n\r\n \r\n\r\nRepeat for the lateral incisors on the bottom. Remember that the curved outline on the bottom is the opening of the lower lip. This woman\'s lower lip will be covering some of her lower teeth around the gum line. Below you can see that I am temporarily sketching in the gum line that will be hidden by the lip later.\r\n\r\n\"09\r\n\r\n \r\n\r\nNow draw the lower canines. Make sure you draw them at the proper angle in relation to the top canines.\r\n\r\n\"10\r\n\r\n \r\n\r\nErase your guidelines. You should have the twelve most visible teeth from a forward-facing smile, as seen below.\r\n\r\n\"11\r\n\r\n \r\n\r\nWhen not using this technique, I tend to draw the lips first before drawing any teeth. However, lips would have gotten in the way of showing you the first part of the childhood shortcut. Before drawing any more teeth, draw the lips and surrounding mouth area.\r\n\r\n\"12\r\n\r\n \r\n\r\nSince the remaining teeth are curving toward the back of the mouth and partially hidden by each other and the lips, they are much easier to draw now that the lips are done. In my experience with drawing different smiles in this position, most often you can see from two to four teeth past the canines. In our example, you can see the two premolars (or bicuspids) and one of the molars on each side on the top. There are fewer visible on the bottom.\r\n\r\n\"how\r\n\r\n \r\n

Finishing Up

\r\nThat concludes this tutorial on how to draw teeth using a popular childhood sketch as a shortcut! As always, you can go further. You can draw the various highlights on the teeth and gums. You can add more details and even shade your drawing. But remember, if are trying to capture the likeness of a person revealing a large smile in a photograph, it is absolutely crucial that you draw their teeth as closely as possible to how they appear in real life. Not doing so will hinder your efforts of an accurate portrayal, even if other parts of the face are drawn right. Keep this shortcut in mind when you want an easier way to draw teeth that works!\r\n\r\n ','This Childhood Shortcut Will Show You How to Draw Teeth','','inherit','closed','closed','','2211-revision-v1','','','2015-12-23 17:16:26','2015-12-24 01:16:26','',2211,'http://www.letsdrawpeople.com/2211-revision-v1/',0,'revision','',0),(2436,2,'2015-12-23 18:17:48','2015-12-24 02:17:48','Almost any pose can be a good pose. Some poses are amazing, and some are impossible. What are some good poses to draw and why? Continue reading to discover 10 figure drawing model poses that you should always keep in mind when sketching.\r\n

1. Back/Standing

\r\nThe back is simple and usually easier to draw. When sketching, keep in mind that simple is better. When you create a sketch, it’s a good idea to start out with a gesture. Multiple tries at the same pose on the same page is a good way to practice that pose. You can never draw the same pose too many times. However, I would keep each one slightly different.\r\n\r\n\"12400779_10206205122901650_192671964110343209_n\"\r\n\r\n \r\n

2. Back or Side View Sitting

\r\nA profile is more challenging than almost any other pose. There are key things you should note when sketching. The anatomy proportions that you learn about figure drawing do not apply anymore. A good profile sketch is all about drawing the profile with what you can\'t see in mind as if it was whole. Some proportions stay the same, but there are proportion rules that you lose with a side view drawing.\r\n\r\n\"12243518_10206205424149181_1713948309151531779_n\"\r\n\r\n \r\n

3. Front View

\r\nThe majority of pictures you will see are front view or front view with a slight turn. Note when drawing a front view, try not to draw a straight on view. This type of drawing is a great scientific study, however it does not make for a good figure drawing model pose.\r\n\r\n\"12399228_10206211556862495_1973743261_n\"\r\n\r\n \r\n

4. Lying Down

\r\nThis is a classical pose. Historically, artist have used this pose to show elegance and grace. Consider the model\'s view point as the focus point in your sketch. The viewer\'s eyes will be drawn towards where the model is looking.\r\n\r\n\"1919201_10206205969842823_8908518813765184705_n\"          \"1916886_10206218792123372_969081067551699369_n\"\r\n\r\n \r\n

5. Ballet/Dance or Action Poses

\r\nThe movement and lines of ballet capture the essence of art. Expression of the body is art that begins as a gesture. Think of capturing your subject as if she were naturally moving as you sketch. This idea will capture a pose in motion paused in time to create beautiful fluid sketches.\r\n\r\n\"12376517_10206205969562816_3084201622103636897_n\"\r\n\r\n \r\n

6. Underwear/Bathing Suit/Implied Nude/Tight-Fitting Clothing

\r\nTo draw a person, you must first understand what the body looks like. If you are not ready for nude figure drawing, then I suggest learning from studying models that are wearing tight clothing.  Drawing a nude model that is covered up gives you a different way to study the body.\r\n\r\n\"12321158_10206206805983726_7963001771032375904_n\"          \"10363117_10206218791843365_1597892538445760629_n\"\r\n\r\n \r\n

7. Nude Drawing

\r\nThere are several differences when sketching the naked body. Understanding the interaction of clothes and the body is important. A study of both is recommended for any figure drawing model pose.\r\n

8. Reflections/Mirrors

\r\nThis is interesting and difficult and provides a way to be creative. Think about your vision as an artist as you sketch. Do you want to use a background and props in your sketch? I like to think about the finished work when considering the pose that I use when drawing.\r\n

9. Bending

\r\nUnderstanding the body in different positions helps you focus on proportion. Different positions will help you concentrate on the body and how it is built and the way the body works.\r\n

10. Perspective

\r\nYour job here is to purposely elongate the body so that it looks accurate for distance. If you have a person stretching out and the hand is away from you, it will look smaller than the person\'s face, for example.\r\n

Get Creative!

\r\nKeep in mind your understanding of the body while drawing, especially dynamic and strange poses. The more realistic it is, the more you can change and modify the body without making the drawing look too abstract.\r\n\r\nTo understand good figure drawing model poses, there are a few simple rules to follow:\r\n
    \r\n
  • Keep it simple, keep it relaxed, keep it interesting.
    • \r\n
  • Try to imagine someone actually posing for you. Would you ask someone to pose that way?
    • \r\n
  • What can I draw? How long will it take to draw? Is the model able to pose that way?
    • \r\n
  • Take advantage of photography. You can learn a lot if you draw from a photo.
    • \r\n
  • Challenge yourself! Find a pose you don’t think you can draw, and draw it anyway just for fun.
    • \r\n
  • Any pose that defines the capability of the body and its movement is a great pose.
    • \r\n
  • Most importantly, try to have fun!
    • \r\n
','10 Figure Drawing Model Poses You Should Definitely Sketch','','inherit','closed','closed','','2415-revision-v1','','','2015-12-23 18:17:48','2015-12-24 02:17:48','',2415,'http://www.letsdrawpeople.com/2415-revision-v1/',0,'revision','',0),(2439,2,'2015-12-23 18:34:53','2015-12-24 02:34:53','Almost any pose can be a good pose. Some poses are amazing, and some are impossible. What are some good poses to draw and why? Continue reading to discover 10 figure drawing model poses that you should always keep in mind when sketching.\r\n

1. Back/Standing

\r\nThe back is simple and usually easier to draw. When sketching, keep in mind that simple is better. When you create a sketch, it’s a good idea to start out with a gesture. Multiple tries at the same pose on the same page is a good way to practice that pose. You can never draw the same pose too many times. However, I would keep each one slightly different.\r\n\r\n\"12400779_10206205122901650_192671964110343209_n\"\r\n\r\n \r\n

2. Back or Side View Sitting

\r\nA profile is more challenging than almost any other pose. There are key things you should note when sketching. The anatomy proportions that you learn about figure drawing do not apply anymore. A good profile sketch is all about drawing the profile with what you can\'t see in mind as if it was whole. Some proportions stay the same, but there are proportion rules that you lose with a side view drawing.\r\n\r\n\"12243518_10206205424149181_1713948309151531779_n\"\r\n\r\n \r\n

3. Front View

\r\nThe majority of pictures you will see are front view or front view with a slight turn. Note when drawing a front view, try not to draw a straight on view. This type of drawing is a great scientific study, however it does not make for a good figure drawing model pose.\r\n\r\n\"12399228_10206211556862495_1973743261_n\"\r\n\r\n \r\n

4. Lying Down

\r\nThis is a classical pose. Historically, artist have used this pose to show elegance and grace. Consider the model\'s view point as the focus point in your sketch. The viewer\'s eyes will be drawn towards where the model is looking.\r\n\r\n\"1919201_10206205969842823_8908518813765184705_n\"          \"1916886_10206218792123372_969081067551699369_n\"\r\n\r\n \r\n

5. Ballet/Dance or Action Poses

\r\nThe movement and lines of ballet capture the essence of art. Expression of the body is art that begins as a gesture. Think of capturing your subject as if she were naturally moving as you sketch. This idea will capture a pose in motion paused in time to create beautiful fluid sketches.\r\n\r\n\"12376517_10206205969562816_3084201622103636897_n\"\r\n\r\n \r\n

6. Underwear/Bathing Suit/Implied Nude/Tight-Fitting Clothing

\r\nTo draw a person, you must first understand what the body looks like. If you are not ready for nude figure drawing, then I suggest learning from studying models that are wearing tight clothing.  Drawing a nude model that is covered up gives you a different way to study the body.\r\n\r\n\"12321158_10206206805983726_7963001771032375904_n\"          \"10363117_10206218791843365_1597892538445760629_n\"\r\n\r\n \r\n

7. Nude Drawing

\r\nThere are several differences when sketching the naked body. Understanding the interaction of clothes and the body is important. A study of both is recommended for any figure drawing model pose.\r\n

8. Reflections/Mirrors

\r\nThis is interesting and difficult and provides a way to be creative. Think about your vision as an artist as you sketch. Do you want to use a background and props in your sketch? I like to think about the finished work when considering the pose that I use when drawing.\r\n

9. Bending

\r\nUnderstanding the body in different positions helps you focus on proportion. Different positions will help you concentrate on the body and how it is built and the way the body works.\r\n

10. Perspective

\r\nYour job here is to purposely elongate the body so that it looks accurate for distance. If you have a person stretching out and the hand is away from you, it will look smaller than the person\'s face, for example.\r\n

Get Creative!

\r\nKeep in mind your understanding of the body while drawing, especially dynamic and strange poses. The more realistic it is, the more you can change and modify the body without making the drawing look too abstract.\r\n\r\nTo understand good figure drawing model poses, there are a few simple rules to follow:\r\n
    \r\n
  • Keep it simple, keep it relaxed, keep it interesting.
    • \r\n
  • Try to imagine someone actually posing for you. Would you ask someone to pose that way?
    • \r\n
  • What can I draw? How long will it take to draw? Is the model able to pose that way?
    • \r\n
  • Take advantage of photography. You can learn a lot if you draw from a photo.
    • \r\n
  • Challenge yourself! Find a pose you don’t think you can draw, and draw it anyway just for fun.
    • \r\n
  • Any pose that defines the capability of the body and its movement is a great pose.
    • \r\n
  • Most importantly, try to have fun!
    • \r\n
','10 Figure Drawing Model Poses You Should Definitely Sketch','','inherit','closed','closed','','2415-revision-v1','','','2015-12-23 18:34:53','2015-12-24 02:34:53','',2415,'http://www.letsdrawpeople.com/2415-revision-v1/',0,'revision','',0),(2833,2,'2016-01-23 08:56:23','2016-01-23 16:56:23','How to draw Mothers and babies:\r\nMaternity drawing\r\nConsider drawing a woman that is pregnant, there are many different body shape between a woman who is pregnant and one who is not.\r\nWhile there are many month and different changes a woman’s body goes through there are some important changes to notice.\r\n\r\n\"2\r\n\r\n \r\n\r\nWoman’s breast will increase in size when they are pregnant they also have a slight different shape, for example Her Brest will tend to be more round or full looking.\r\n\r\n\"3\"                                   \"4\"\r\n\r\nWoman’s hips also tend to get more wide as her body gets ready to deliver, along with experiencing weight gain throughout her whole body during pregnancy.\r\n\r\n \r\n\r\n \r\n\r\nMost important is the baby bump or where the woman carries the child, her belly will have a large increase of size and a dramatic shape change.\r\n\r\n\"5\"                                \"6\"\r\n\r\nTo draw the pregnant belly: I start with what looks like a normal belly and then create a large circle appreciating the shape that I see on the woman, you use he tier drop shape for this part of her body as her belly is more round at the bottom and straightens out toward her rib cage. I pregnant belly will be quite round near the side of the woman as well you can indicate this with a hint of shading or even a thin line that is round.\r\nKeep in mind there are over 9 month of pregnancy so there are many different ways to draw a pregnant woman also each woman carries a child differently and each child is different. These ideas will only give you a basic understanding on the body figure of a pregnant woman.\r\n\r\n \r\n\r\n \r\n\r\n\"7\"\r\n\r\nBreastfeeding\r\n\r\nOverlapping:\r\n\r\nSketch a basic outline sketch for both people consider actually drawing over top of other body parts as if they where see through\r\n\r\nComplete a full sketch of both people , then once you done this start erasing the unnecessary line.\r\n\r\nDrawing people sitting together behind one another or interacting in any ways can be difficulty as there bodies where they touch will hide distort and change how the body looks.\r\n\r\nIn this drawing pay attention to the hand as the baby hold her mothers breast the breast responds the pressure the figure are creating making indents.\r\n\r\nTo draw the baby face draw the whole face and then draw the shape of the breast hiding part of the mouth of the baby.\r\n\r\nSmall details like the folds in the skin or pressure points of contact will create a more realistic drawing.\r\nUnderstanding body type will help you with this in general woman have ore soft bodies so a woman’s body will respond to touch better then a male body.\r\n\r\nExpression, Consider the emotions in the drawing for woman, woman go though allot of emotional changes becoming a mother, I think nothing is more beautiful they a woman that loves her body while pregnant or holding a baby so blissful or happiness is a great expression for drawing mother and child.\r\n\r\n\"773_10206255896210951_5597311057490364261_n\" \"535049_10206255896370955_8269886950683640004_n\" \"10277001_10206255895890943_5238965720297618814_n\"\r\n\r\n\"734829_10206255895730939_302612655374693973_n\"\r\n\r\n\"final\"\r\n\r\n \r\n\r\nThere are many things to consider when drawing woman so keep a open mind and explore the possibilities.','How to Draw Mothers and Babies','','inherit','closed','closed','','2509-revision-v1','','','2016-01-23 08:56:23','2016-01-23 16:56:23','',2509,'http://www.letsdrawpeople.com/2509-revision-v1/',0,'revision','',0),(2594,2,'2016-01-01 11:15:49','2016-01-01 19:15:49','','04 how to draw blonde hair','','inherit','open','closed','','04-how-to-draw-blonde-hair','','','2016-01-01 11:15:49','2016-01-01 19:15:49','',2458,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/04-how-to-draw-blonde-hair.jpg',0,'attachment','image/jpeg',0),(2595,2,'2016-01-01 11:15:50','2016-01-01 19:15:50','','03 how to draw blonde hair','','inherit','open','closed','','03-how-to-draw-blonde-hair','','','2016-01-01 11:15:50','2016-01-01 19:15:50','',2458,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/03-how-to-draw-blonde-hair.jpg',0,'attachment','image/jpeg',0),(2457,15,'2015-12-25 06:56:48','2015-12-25 14:56:48','Whitney Houston is still considered an icon even to this day. Despite her problems with drugs, who she married, or how she died, she is and will always be a great influence to future generations to come. As you can see, she is an influence to some of us artists; she makes a great subject to study and practice our drawing skills. With that being said, let’s jump into drawing her and honing our skills!\r\n\r\nWhen working from a photo, I think it’s best that you have 2 of them. One would be for making lines on the photo and the 2nd one would be the photo that you will be working with after the outlines of the figure has been drawn. Start out by first drawing lines (with a ruler or a straight object, of course) onto the 1st picture. Usually I would draw lines that would be under the eyes, the nose, top and bottom of the mouth, and the chin. I would then draw vertical lines on both sides to where the sides of the face will be. I would then repeat this action on my sheet of paper where I would make my future drawing.\r\n\r\nIt’s safe to say that you may want to measure out the space in between the lines so that you can get as close as you can on the eyes, nose, and mouth being near their exact proximity. In this stage, many artists will use different tools to achieve a perfect anatomy or proximity of the focused object such as grids, lite boxes, projectors, or free hand.\r\n\r\nIn this stage I’m placing the facial features in their designated area. I’m making sure both the bottom of the eyes and nose are touching the line and the top and bottom of the mouth are touching the line. One of the rules I remembered is that when you draw the eyes, remember that they are one eye length apart and from the bottom of the nose to the bottom of the mouth, that is also one eye length.\r\n\r\nIn this stage, I’m focusing on the placement of her hair and chin and making a logical placement of her shoulders.\r\n\r\nNow it’s time for the nitty gritty of things – time to start doing the real drawing. Here, as you can see, I started with the eyes first. I have always started with the eyes. I would recommend that you do that too. In my opinion, it feels more complete once you have both of them done.\r\n\r\nWhen doing the eye, you need to first draw in a small highlight/glare to illustrate the reflection of light. This can be achieved by drawing a small circle or square. You then want to use a dark pencil (6B or darker) to fill in the pupil. After that is done, you want to take a tortillion and add the color of the iris. At this point, you may want to outline the eye and the iris to differentiate it from the rest.\r\n\r\nAnother action that is overlooked so often is greying the upper area of the eye; this can also be achieved with a tortillion. You must show that the eyelid casts a small shadow. The last two things that you have to do is add an eye lid crease and some eye lashes. The eye lid crease can be added with any pencil and then with a tortillion, smudge it some to show that the line was blending into the atmosphere instead of it looking like a hard line and standing out. I believe that’s what differentiate many artists. How well does your lines and colors blend in with concept?\r\n\r\nMoving along to the next body part, the first thing I do is redefine the parting of the lips. I do this like I did drawing the eye lid – I’ll draw exactly where the lips part abd then smudge it with a tortillion. Once that’s complete, I work on the bottom lip by first drawing lines in an upward motion. I’ll try and fade the sweeping as I get close to the middle of the lip to illustrate a “lip glare/highlight.” Soon as I got it drawn, I’ll, you guess it, use a tortillion again to smudge. With that same tortillion, I’ll smudge or add a darker tone to the upper lip. Depending of the angle and if the person is facing light, I may have to add a highlight to the upper lip.\r\n\r\nAlright, time for my favorite part……HAIR! I absolutely love drawing hair. With that being said, let’s dive right into it! Okay so the first thing you want to do is “color” the hair completely with a light pencil. I used a 3H.\r\n\r\nOnce that’s done use tissue paper or a non-lotion Kleenex to smudge or blend.\r\n\r\nYou want to take a dark pencil now and add in darker strands or highlights in SOME areas. Blend this with your tissue paper. You will want to leave some areas illustrated highlights and light reflection.\r\n\r\nOnce everything is blended, go back with either a dark pencil (6B or darker) or a mid-way pencil (H,F,HB) to add hair strands throughout the head of the figure. Do not blend or use a tortillion/tissue – you want to show some hair strands.\r\n\r\nNow to the body part I don’t care to work on. It’s necessary but I’m never motivated to do it. Keep in mind that 2 noses are not the same. Even if it’s the same person, different lighting of the subject will have the nose casting or using different shadows……now you understand why I don’t care too much for it. Anywho, the first thing I work on are the nostrils with a tortillion. I then smooth the nose edges and try to make it appear as if they are soft shadows instead of hard lines. I also try to bring some of the dark tone out toward the cheek area to show more blending that way.\r\n\r\nHere I’m working on some shading and tone on the face as well as certain details on the face like the cleft under the nose. I’ve also add the color to her shirt. It looks 2D and boring right now but maybe I can spice it up.\r\n\r\nOk here is the finish drawing. I smudged the black that was on her shirt and used a kneaded erasure to mimic the shimmer she had on her shirt. I also did some detail to her earrings. I also used a pencil erasure to add some small detail near the bottom of her shirt. Overall I think the skin tone could have been a lot darker but I’ve always been precautious about darken people in my drawings – fear of making a mistake that would be hard to get out. Oh well, none of us are perfect but we still aim for it.\"Scan0000\" \"Scan0001\" \"Scan0002\" \"Scan0003\" \"Scan0004\" \"Scan0005\" \"Scan0006\" \"Scan0007\" \"Scan0008\" \"Scan0009\" \"Scan0010\" \"Scan0011\" \"Scan0012\"','Drawing Whitney Houston','','inherit','closed','closed','','2443-revision-v1','','','2015-12-25 06:56:48','2015-12-25 14:56:48','',2443,'http://www.letsdrawpeople.com/2443-revision-v1/',0,'revision','',0),(2459,15,'2015-12-26 20:09:31','2015-12-27 04:09:31','','Scan0001','','inherit','open','closed','','scan0001-2','','','2015-12-26 20:09:31','2015-12-27 04:09:31','',2458,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/Scan0001-1.jpg',0,'attachment','image/jpeg',0),(2460,15,'2015-12-26 20:09:36','2015-12-27 04:09:36','','Scan0002','','inherit','open','closed','','scan0002-2','','','2015-12-26 20:09:36','2015-12-27 04:09:36','',2458,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/Scan0002-1.jpg',0,'attachment','image/jpeg',0),(2461,15,'2015-12-26 20:09:40','2015-12-27 04:09:40','','Scan0003','','inherit','open','closed','','scan0003-2','','','2015-12-26 20:09:40','2015-12-27 04:09:40','',2458,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/Scan0003-1.jpg',0,'attachment','image/jpeg',0),(2462,15,'2015-12-26 20:09:45','2015-12-27 04:09:45','','Scan0004','','inherit','open','closed','','scan0004-2','','','2015-12-26 20:09:45','2015-12-27 04:09:45','',2458,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/Scan0004-1.jpg',0,'attachment','image/jpeg',0),(2463,15,'2015-12-26 20:09:48','2015-12-27 04:09:48','','Scan0005','','inherit','open','closed','','scan0005-2','','','2015-12-26 20:09:48','2015-12-27 04:09:48','',2458,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/Scan0005-1.jpg',0,'attachment','image/jpeg',0),(2464,15,'2015-12-26 20:10:25','2015-12-27 04:10:25','','Scan0001','','inherit','open','closed','','scan0001-3','','','2015-12-26 20:10:25','2015-12-27 04:10:25','',2458,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/Scan0001-2.jpg',0,'attachment','image/jpeg',0),(2465,15,'2015-12-26 20:10:29','2015-12-27 04:10:29','','Scan0002','','inherit','open','closed','','scan0002-3','','','2015-12-26 20:10:29','2015-12-27 04:10:29','',2458,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/Scan0002-2.jpg',0,'attachment','image/jpeg',0),(2466,15,'2015-12-26 20:10:33','2015-12-27 04:10:33','','Scan0003','','inherit','open','closed','','scan0003-3','','','2015-12-26 20:10:33','2015-12-27 04:10:33','',2458,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/Scan0003-2.jpg',0,'attachment','image/jpeg',0),(2467,15,'2015-12-26 20:10:36','2015-12-27 04:10:36','','Scan0004','','inherit','open','closed','','scan0004-3','','','2015-12-26 20:10:36','2015-12-27 04:10:36','',2458,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/Scan0004-2.jpg',0,'attachment','image/jpeg',0),(2468,15,'2015-12-26 20:11:19','2015-12-27 04:11:19','The hair gods really love me. I mean, they really love me to let me write this article on hair. Let it be known that I’m no high, exquisite expert but when it’s time to do the subject’s hair in either pencil, color pencil, or oil paint, I don’t play around. To me, hair is the ultimate expression. I even bought a movie because the star/girl in the movie was changing her hair style in every scene. What does that tell you? Any who, let’s get to the nitty gritty of things……drawing the hair and making it look close to realism as possible.\r\n\r\n \r\n\r\nAs you can see in this first picture I drew out the basics. Keep in mind I won’t draw the whole face – just the hair since that is our focus. I mostly keep it simple, making sure the contour outline is close to what the original picture is.\r\n\r\n \r\n\r\nThe next step is “coloring” the hair some. I use a 3H pencil to add some light color to the hair. I then blend or smudge the pencil into the hair by using tissue to get the effect that I’m looking for. You can also use a tortillion but tissue is preferable.\r\n\r\n \r\n\r\n\"Scan0001\" \"Scan0002\" \"Scan0003\" \"Scan0004\" \"Scan0005\" \"Scan0001\" \"Scan0002\" \"Scan0003\" \"Scan0004\"I then start to add darker tone to the subject (she’s a brunette) by using a 5B pencil. As you can see, I do not cover the whole hair with it. I leave some areas un-touched; they will be the areas where light is reflected or a lighter tone of the hair will be.\r\n\r\n \r\n\r\nThe next thing I’m going to perform is do smudging/blending again but I will use a tortillion. The reason I do this is because a piece of tissue will spread the graphite of the pencil too much. I would like some of the graphite to spread but not so much that it doesn’t illustrate strands of hair. A tortillion will isolate the graphite limiting it as how far it will spread from its original location.\r\n\r\n \r\n\r\n \r\n\r\nIn the final stage, I will add more darker done and some hair strands to certain areas to make it realistic. I will also utilize the kneaded erasure here to lift certain tones to the hair and add highlights.\r\n\r\n \r\n\r\n \r\n\r\nLet’s do another exercise of drawing more hair! This time we will be doing blonde hair since it doesn’t require the same amount of graphite. This will actually be quick and fast since less work is required. As usual, you can see that I did a quick sketch of one of my pictures of a model. Please don’t get in an uproar over how the fingers look, if this was about hands and fingers, they would be on point but I was sketching quick and I wanted to jump on the hair so………..\r\n\r\n \r\n\r\n \r\n\r\nFirst thing I do, like in the first example, I “color” the hair but in this case, I used a lighter pencil (5H). I then used a 3B pencil to add some dark tone to the top of her hair followed by some smudging/blending.\r\n\r\n \r\n\r\n \r\n\r\nI then use that same 3B pencil to add JUST A FEW hair strands to the subject. You can also interpret this as me adding small dark tones to the blonde hair followed by smudging of the tortillion. It may be important to add some of the darker tones on the tips/end of the strand hairs to show some contrast. The hair at this stage is basically done; if the rest of the picture was to be completed, then the hair would fall right into place. Once you, yourself, can go through this stage with no problem mastering the technique of creating hair, the hair gods will find favor with you as well. J','Drawing Hair','','inherit','closed','closed','','2458-revision-v1','','','2015-12-26 20:11:19','2015-12-27 04:11:19','',2458,'http://www.letsdrawpeople.com/2458-revision-v1/',0,'revision','',0),(2469,15,'2015-12-26 20:18:43','2015-12-27 04:18:43','The hair gods really love me. I mean, they really love me to let me write this article on hair. Let it be known that I’m no high, exquisite expert but when it’s time to do the subject’s hair in either pencil, color pencil, or oil paint, I don’t play around. To me, hair is the ultimate expression. I even bought a movie because the star/girl in the movie was changing her hair style in every scene. What does that tell you? Any who, let’s get to the nitty gritty of things……drawing the hair and making it look close to realism as possible.\n\n\"Scan0001\"\n\nAs you can see in this first picture I drew out the basics. Keep in mind I won’t draw the whole face – just the hair since that is our focus. I mostly keep it simple, making sure the contour outline is close to what the original picture is.\n\n\"Scan0002\"\n\nThe next step is “coloring” the hair some. I use a 3H pencil to add some light color to the hair. I then blend or smudge the pencil into the hair by using tissue to get the effect that I’m looking for. You can also use a tortillion but tissue is preferable.\n\n \n\n\"Scan0003\"\n\nI then start to add darker tone to the subject (she’s a brunette) by using a 5B pencil. As you can see, I do not cover the whole hair with it. I leave some areas un-touched; they will be the areas where light is reflected or a lighter tone of the hair will be.\n\n\"Scan0004\"\n\nThe next thing I’m going to perform is do smudging/blending again but I will use a tortillion. The reason I do this is because a piece of tissue will spread the graphite of the pencil too much. I would like some of the graphite to spread but not so much that it doesn’t illustrate strands of hair. A tortillion will isolate the graphite limiting it as how far it will spread from its original location.\n\n \n\n\"Scan0005\"\n\nIn the final stage, I will add more darker done and some hair strands to certain areas to make it realistic. I will also utilize the kneaded erasure here to lift certain tones to the hair and add highlights.\n\n\"Scan0001\"\n\n \n\nLet’s do another exercise of drawing more hair! This time we will be doing blonde hair since it doesn’t require the same amount of graphite. This will actually be quick and fast since less work is required. As usual, you can see that I did a quick sketch of one of my pictures of a model. Please don’t get in an uproar over how the fingers look, if this was about hands and fingers, they would be on point but I was sketching quick and I wanted to jump on the hair so………..\n\n\"Scan0002\"\n\n \n\nFirst thing I do, like in the first example, I “color” the hair but in this case, I used a lighter pencil (5H). I then used a 3B pencil to add some dark tone to the top of her hair followed by some smudging/blending.\n\n \n\n\"Scan0003\"\"Scan0004\"\n\nI then use that same 3B pencil to add JUST A FEW hair strands to the subject. You can also interpret this as me adding small dark tones to the blonde hair followed by smudging of the tortillion. It may be important to add some of the darker tones on the tips/end of the strand hairs to show some contrast. The hair at this stage is basically done; if the rest of the picture was to be completed, then the hair would fall right into place. Once you, yourself, can go through this stage with no problem mastering the technique of creating hair, the hair gods will find favor with you as well. J','Drawing Hair','','inherit','closed','closed','','2458-autosave-v1','','','2015-12-26 20:18:43','2015-12-27 04:18:43','',2458,'http://www.letsdrawpeople.com/2458-autosave-v1/',0,'revision','',0),(2470,15,'2015-12-26 20:19:40','2015-12-27 04:19:40','The hair gods really love me. I mean, they really love me to let me write this article on hair. Let it be known that I’m no high, exquisite expert but when it’s time to do the subject’s hair in either pencil, color pencil, or oil paint, I don’t play around. To me, hair is the ultimate expression. I even bought a movie because the star/girl in the movie was changing her hair style in every scene. What does that tell you? Any who, let’s get to the nitty gritty of things……drawing the hair and making it look close to realism as possible.\r\n\r\n\"Scan0001\"\r\n\r\nAs you can see in this first picture I drew out the basics. Keep in mind I won’t draw the whole face – just the hair since that is our focus. I mostly keep it simple, making sure the contour outline is close to what the original picture is.\r\n\r\n\"Scan0002\"\r\n\r\nThe next step is “coloring” the hair some. I use a 3H pencil to add some light color to the hair. I then blend or smudge the pencil into the hair by using tissue to get the effect that I’m looking for. You can also use a tortillion but tissue is preferable.\r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\nI then start to add darker tone to the subject (she’s a brunette) by using a 5B pencil. As you can see, I do not cover the whole hair with it. I leave some areas un-touched; they will be the areas where light is reflected or a lighter tone of the hair will be.\r\n\r\n\"Scan0004\"\r\n\r\nThe next thing I’m going to perform is do smudging/blending again but I will use a tortillion. The reason I do this is because a piece of tissue will spread the graphite of the pencil too much. I would like some of the graphite to spread but not so much that it doesn’t illustrate strands of hair. A tortillion will isolate the graphite limiting it as how far it will spread from its original location.\r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nIn the final stage, I will add more darker done and some hair strands to certain areas to make it realistic. I will also utilize the kneaded erasure here to lift certain tones to the hair and add highlights.\r\n\r\n\"Scan0001\"\r\n\r\n \r\n\r\nLet’s do another exercise of drawing more hair! This time we will be doing blonde hair since it doesn’t require the same amount of graphite. This will actually be quick and fast since less work is required. As usual, you can see that I did a quick sketch of one of my pictures of a model. Please don’t get in an uproar over how the fingers look, if this was about hands and fingers, they would be on point but I was sketching quick and I wanted to jump on the hair so………..\r\n\r\n\"Scan0002\"\r\n\r\n \r\n\r\nFirst thing I do, like in the first example, I “color” the hair but in this case, I used a lighter pencil (5H). I then used a 3B pencil to add some dark tone to the top of her hair followed by some smudging/blending.\r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\nI then use that same 3B pencil to add JUST A FEW hair strands to the subject. You can also interpret this as me adding small dark tones to the blonde hair followed by smudging of the tortillion. It may be important to add some of the darker tones on the tips/end of the strand hairs to show some contrast.\r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\n \r\n\r\nThe hair at this stage is basically done; if the rest of the picture was to be completed, then the hair would fall right into place. Once you, yourself, can go through this stage with no problem mastering the technique of creating hair, the hair gods will find favor with you as well. J','Drawing Hair','','inherit','closed','closed','','2458-revision-v1','','','2015-12-26 20:19:40','2015-12-27 04:19:40','',2458,'http://www.letsdrawpeople.com/2458-revision-v1/',0,'revision','',0),(2471,15,'2015-12-26 20:51:43','2015-12-27 04:51:43',' \n\n \n\n\"whitney-houston-reference\"\n\nWhitney Houston is still considered an icon even to this day. Despite her problems with drugs, who she married, or how she died, she is and will always be a great influence to future generations to come. As you can see, she is an influence to some of us artists; she makes a great subject to study and practice our drawing skills. With that being said, let’s jump into drawing her and honing our skills!\n\n\"Scan0000\"\n\nWhen working from a photo, I think it’s best that you have 2 of them. One would be for making lines on the photo and the 2nd one would be the photo that you will be working with after the outlines of the figure has been drawn. Start out by first drawing lines (with a ruler or a straight object, of course) onto the 1st picture. Usually I would draw lines that would be under the eyes, the nose, top and bottom of the mouth, and the chin. I would then draw vertical lines on both sides to where the sides of the face will be. I would then repeat this action on my sheet of paper where I would make my future drawing.It’s safe to say that you may want to measure out the space in between the lines so that you can get as close as you can on the eyes, nose, and mouth being near their exact proximity. In this stage, many artists will use different tools to achieve a perfect anatomy or proximity of the focused object such as grids, lite boxes, projectors, or free hand.\n\n\"Scan0001\"\n\nIn this stage I’m placing the facial features in their designated area. I’m making sure both the bottom of the eyes and nose are touching the line and the top and bottom of the mouth are touching the line. One of the rules I remembered is that when you draw the eyes, remember that they are one eye length apart and from the bottom of the nose to the bottom of the mouth, that is also one eye length.\n\n \n\n\"Scan0002\"\n\nIn this stage, I’m focusing on the placement of her hair and chin and making a logical placement of her shoulders.\n\n \n\n\"Scan0003\"\n\nNow it’s time for the nitty gritty of things – time to start doing the real drawing. Here, as you can see, I started with the eyes first. I have always started with the eyes. I would recommend that you do that too. In my opinion, it feels more complete once you have both of them done.When doing the eye, you need to first draw in a small highlight/glare to illustrate the reflection of light. This can be achieved by drawing a small circle or square. You then want to use a dark pencil (6B or darker) to fill in the pupil. After that is done, you want to take a tortillion and add the color of the iris. At this point, you may want to outline the eye and the iris to differentiate it from the rest.Another action that is overlooked so often is greying the upper area of the eye; this can also be achieved with a tortillion. You must show that the eyelid casts a small shadow. The last two things that you have to do is add an eye lid crease and some eye lashes. The eye lid crease can be added with any pencil and then with a tortillion, smudge it some to show that the line was blending into the atmosphere instead of it looking like a hard line and standing out. I believe that’s what differentiate many artists. How well does your lines and colors blend in with concept?\n\n \n\n\"Scan0004\"\n\nMoving along to the next body part, the first thing I do is redefine the parting of the lips. I do this like I did drawing the eye lid – I’ll draw exactly where the lips part abd then smudge it with a tortillion. Once that’s complete, I work on the bottom lip by first drawing lines in an upward motion. I’ll try and fade the sweeping as I get close to the middle of the lip to illustrate a “lip glare/highlight.” Soon as I got it drawn, I’ll, you guess it, use a tortillion again to smudge. With that same tortillion, I’ll smudge or add a darker tone to the upper lip. Depending of the angle and if the person is facing light, I may have to add a highlight to the upper lip.\n\n \n\n\"Scan0005\"\n\nAlright, time for my favorite part……HAIR! I absolutely love drawing hair. With that being said, let’s dive right into it! Okay so the first thing you want to do is “color” the hair completely with a light pencil. I used a 3H.\n\n \n\n\"Scan0006\"\n\nOnce that’s done use tissue paper or a non-lotion Kleenex to smudge or blend.\n\n \n\n\"Scan0007\"\n\nYou want to take a dark pencil now and add in darker strands or highlights in SOME areas. Blend this with your tissue paper. You will want to leave some areas illustrated highlights and light reflection.\n\n \n\n\"Scan0008\"\n\nOnce everything is blended, go back with either a dark pencil (6B or darker) or a mid-way pencil (H,F,HB) to add hair strands throughout the head of the figure. Do not blend or use a tortillion/tissue – you want to show some hair strands.\n\n \n\n \n\n\"Scan0009\"\n\nNow to the body part I don’t care to work on. It’s necessary but I’m never motivated to do it. Keep in mind that 2 noses are not the same. Even if it’s the same person, different lighting of the subject will have the nose casting or using different shadows……now you understand why I don’t care too much for it. Anywho, the first thing I work on are the nostrils with a tortillion. I then smooth the nose edges and try to make it appear as if they are soft shadows instead of hard lines. I also try to bring some of the dark tone out toward the cheek area to show more blending that way.\n\n \n\n \n\n\"Scan0011\"\n\nHere I’m working on some shading and tone on the face as well as certain details on the face like the cleft under the nose. I’ve also add the color to her shirt. It looks 2D and boring right now, but maybe I can spice it up.\n\n \n\n \n\n\"Scan0012\"\n\nOk here is the finish drawing. I smudged the black that was on her shirt and used a kneaded erasure to mimic the shimmer she had on her shirt. I also did some detail to her earrings. I also used a pencil erasure to add some small detail near the bottom of her shirt. Overall I think the skin tone could have been a lot darker but I’ve always been precautious about darken people in my drawings – fear of making a mistake that would be hard to get out. Oh well, none of us are perfect but we still aim for it.','Drawing Whitney Houston','','inherit','closed','closed','','2443-autosave-v1','','','2015-12-26 20:51:43','2015-12-27 04:51:43','',2443,'http://www.letsdrawpeople.com/2443-autosave-v1/',0,'revision','',0),(2472,15,'2015-12-26 20:49:59','2015-12-27 04:49:59','','whitney-houston-reference',' © Carrienelson1 | Dreamstime.com','inherit','open','closed','','whitney-houston-reference-2','','','2016-01-01 05:36:13','2016-01-01 13:36:13','',2443,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/whitney-houston-reference.jpg',0,'attachment','image/jpeg',0),(2473,15,'2015-12-26 20:52:25','2015-12-27 04:52:25',' \r\n\r\n\"whitney-houston-reference\"\r\n\r\nWhitney Houston is still considered an icon even to this day. Despite her problems with drugs, who she married, or how she died, she is and will always be a great influence to future generations to come. As you can see, she is an influence to some of us artists; she makes a great subject to study and practice our drawing skills. With that being said, let’s jump into drawing her and honing our skills!\r\n\r\n\"Scan0000\"\r\n\r\nWhen working from a photo, I think it’s best that you have 2 of them. One would be for making lines on the photo and the 2nd one would be the photo that you will be working with after the outlines of the figure has been drawn. Start out by first drawing lines (with a ruler or a straight object, of course) onto the 1st picture. Usually I would draw lines that would be under the eyes, the nose, top and bottom of the mouth, and the chin. I would then draw vertical lines on both sides to where the sides of the face will be. I would then repeat this action on my sheet of paper where I would make my future drawing.It’s safe to say that you may want to measure out the space in between the lines so that you can get as close as you can on the eyes, nose, and mouth being near their exact proximity. In this stage, many artists will use different tools to achieve a perfect anatomy or proximity of the focused object such as grids, lite boxes, projectors, or free hand.\r\n\r\n\"Scan0001\"\r\n\r\nIn this stage I’m placing the facial features in their designated area. I’m making sure both the bottom of the eyes and nose are touching the line and the top and bottom of the mouth are touching the line. One of the rules I remembered is that when you draw the eyes, remember that they are one eye length apart and from the bottom of the nose to the bottom of the mouth, that is also one eye length.\r\n\r\n \r\n\r\n\"Scan0002\"\r\n\r\nIn this stage, I’m focusing on the placement of her hair and chin and making a logical placement of her shoulders.\r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\nNow it’s time for the nitty gritty of things – time to start doing the real drawing. Here, as you can see, I started with the eyes first. I have always started with the eyes. I would recommend that you do that too. In my opinion, it feels more complete once you have both of them done.When doing the eye, you need to first draw in a small highlight/glare to illustrate the reflection of light. This can be achieved by drawing a small circle or square. You then want to use a dark pencil (6B or darker) to fill in the pupil. After that is done, you want to take a tortillion and add the color of the iris. At this point, you may want to outline the eye and the iris to differentiate it from the rest.Another action that is overlooked so often is greying the upper area of the eye; this can also be achieved with a tortillion. You must show that the eyelid casts a small shadow. The last two things that you have to do is add an eye lid crease and some eye lashes. The eye lid crease can be added with any pencil and then with a tortillion, smudge it some to show that the line was blending into the atmosphere instead of it looking like a hard line and standing out. I believe that’s what differentiate many artists. How well does your lines and colors blend in with concept?\r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\nMoving along to the next body part, the first thing I do is redefine the parting of the lips. I do this like I did drawing the eye lid – I’ll draw exactly where the lips part abd then smudge it with a tortillion. Once that’s complete, I work on the bottom lip by first drawing lines in an upward motion. I’ll try and fade the sweeping as I get close to the middle of the lip to illustrate a “lip glare/highlight.” Soon as I got it drawn, I’ll, you guess it, use a tortillion again to smudge. With that same tortillion, I’ll smudge or add a darker tone to the upper lip. Depending of the angle and if the person is facing light, I may have to add a highlight to the upper lip.\r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nAlright, time for my favorite part……HAIR! I absolutely love drawing hair. With that being said, let’s dive right into it! Okay so the first thing you want to do is “color” the hair completely with a light pencil. I used a 3H.\r\n\r\n \r\n\r\n\"Scan0006\"\r\n\r\nOnce that’s done use tissue paper or a non-lotion Kleenex to smudge or blend.\r\n\r\n \r\n\r\n\"Scan0007\"\r\n\r\nYou want to take a dark pencil now and add in darker strands or highlights in SOME areas. Blend this with your tissue paper. You will want to leave some areas illustrated highlights and light reflection.\r\n\r\n \r\n\r\n\"Scan0008\"\r\n\r\nOnce everything is blended, go back with either a dark pencil (6B or darker) or a mid-way pencil (H,F,HB) to add hair strands throughout the head of the figure. Do not blend or use a tortillion/tissue – you want to show some hair strands.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0009\"\r\n\r\nNow to the body part I don’t care to work on. It’s necessary but I’m never motivated to do it. Keep in mind that 2 noses are not the same. Even if it’s the same person, different lighting of the subject will have the nose casting or using different shadows……now you understand why I don’t care too much for it. Anywho, the first thing I work on are the nostrils with a tortillion. I then smooth the nose edges and try to make it appear as if they are soft shadows instead of hard lines. I also try to bring some of the dark tone out toward the cheek area to show more blending that way.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0011\"\r\n\r\nHere I’m working on some shading and tone on the face as well as certain details on the face like the cleft under the nose. I’ve also add the color to her shirt. It looks 2D and boring right now, but maybe I can spice it up.\r\n\r\n \r\n\r\n\"Scan0012\"\r\n\r\nOk here is the finish drawing. I smudged the black that was on her shirt and used a kneaded erasure to mimic the shimmer she had on her shirt. I also did some detail to her earrings. I also used a pencil erasure to add some small detail near the bottom of her shirt. Overall I think the skin tone could have been a lot darker but I’ve always been precautious about darken people in my drawings – fear of making a mistake that would be hard to get out. Oh well, none of us are perfect but we still aim for it.','Drawing Whitney Houston','','inherit','closed','closed','','2443-revision-v1','','','2015-12-26 20:52:25','2015-12-27 04:52:25','',2443,'http://www.letsdrawpeople.com/2443-revision-v1/',0,'revision','',0),(2474,2,'2015-12-26 22:06:03','2015-12-27 06:06:03','[[\"
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© Carrienelson1 | Dreamstime.com
[/caption]\r\n

\r\n

Draw the Facial Features

\r\nWhen working from a photo, I think it’s best that you have 2 of them. One would be for making lines on the photo and the 2nd one would be the photo that you will be working with after the outlines of the figure have been drawn. Start out by first drawing lines (with a ruler or a straight object, of course) onto the 1st picture. Usually I would draw lines that would be under the eyes, the nose, top and bottom of the mouth, and the chin. I would then draw vertical lines on both sides to where the sides of the face will be.\r\n\r\n\"see\r\n\r\n \r\n\r\nI would then repeat this action on my sheet of paper where I would make my future drawing. It’s safe to say that you may want to measure out the space in between the lines so that you can get as close as you can on the eyes, nose, and mouth being near their exact proximity. In this stage, many artists will use different tools to achieve a perfect anatomy or proximity of the focused object such as grids, light boxes, projectors, or free hand.\r\n\r\n \r\n\r\n\"00\r\n\r\n \r\n\r\nIn this stage I’m placing the facial features in their designated areas. I’m making sure both the bottom of the eyes and nose are touching the line and the top and bottom of the mouth are touching the line. One of the rules to remember is that when you draw the eyes, remember that they are one eye-length apart and from the bottom of the nose to the bottom of the mouth, that is also one eye-length.\r\n\r\n\"01\r\n\r\n \r\n\r\n \r\n\r\nIn this stage, I’m focusing on the placement of her hair and chin and making a logical placement of her shoulders.\r\n\r\n\"02\r\n\r\n \r\n\r\n \r\n\r\nNow it’s time for the nitty gritty of things – time to start doing the real drawing. Here, as you can see, I started with the eyes first. I have always started with the eyes. I would recommend that you do that too. In my opinion, it feels more complete once you have both of them done.\r\n\r\n\"03\r\n\r\nWhen doing the eye, you need to first draw in a small highlight/glare to illustrate the reflection of light. This can be achieved by drawing a small circle or square. You then want to use a dark pencil (6B or darker) to fill in the pupil.\r\n\r\nAfter that is done, you want to take a tortillion and add the color of the iris. At this point, you may want to outline the eye and the iris to differentiate it from the rest.\r\n\r\nAnother action that is overlooked so often is greying the upper area of the eye. This can also be achieved with a tortillion. You must show that the eyelid casts a small shadow.\r\n\r\n\"03a\r\n\r\nThe last two things that you have to do is add an eyelid crease and some eyelashes. The eyelid crease can be added with any pencil and then with a tortillion. Smudge it some to show that the line is blended into its surroundings instead of it looking like a hard line and standing out. I believe that’s what differentiates many artists. How well do your lines and colors blend in with a concept?\r\n\r\nMoving along to the next body part, the first thing I do is redefine the parting of the lips. I do this like I did drawing the eyelid – I’ll draw exactly where the lips part and then smudge it with a tortillion.\r\n\r\n\"04\r\n\r\nOnce that’s complete, I work on the bottom lip by first drawing lines in an upward motion. I’ll try and fade the sweeping as I get close to the middle of the lip to illustrate a “lip glare/highlight.” Soon as I got it drawn, I’ll, you guessed it, use a tortillion again to smudge. With that same tortillion, I’ll smudge or add a darker tone to the upper lip. Depending on the angle and if the person is facing light, I may have to add a highlight to the upper lip.\r\n

Draw the Hair

\r\nAlright, time for my favorite part……HAIR! I absolutely love drawing hair. With that being said, let’s dive right into it! Okay so the first thing you want to do is “color” the hair completely with a light pencil. I used a 3H.\r\n\r\n\"05\r\n\r\n \r\n\r\n \r\n\r\nOnce that’s done, use tissue paper or a non-lotion Kleenex to smudge or blend.\r\n\r\n\"06\r\n\r\n \r\n\r\n \r\n\r\nYou want to take a dark pencil now and add in darker strands or highlights in SOME areas. Blend this with your tissue paper. You will want to leave some areas illustrated as highlights and light reflection.\r\n\r\n\"07\r\n\r\n \r\n\r\n \r\n\r\nOnce everything is blended, go back with either a dark pencil (6B or darker) or a mid-way pencil (H, F, HB) to add hair strands throughout the head of the figure. Do not blend or use a tortillion/tissue – you want to show some hair strands.\r\n\r\n\"08\r\n\r\n \r\n

Finish the Face and Clothing

\r\n \r\n\r\nNow to the body part I don’t care to work on. It’s necessary but I’m never motivated to do it.\r\n\r\nKeep in mind that 2 noses are not the same. Even if it’s the same person, different lighting of the subject will have the nose casting or using different shadows. Now you understand why I don’t care too much for it.\r\n\r\nAnywho, the first thing I work on are the nostrils with a tortillion. I then smooth the nose edges and try to make it appear as if they are soft shadows instead of hard lines. I also try to bring some of the dark tone out toward the cheek area to show more blending that way.\r\n\r\n\"09\r\n\r\n \r\n\r\n \r\n\r\nHere I’m working on some shading and tone on the face as well as certain details of the face like the cleft under the nose. I’ve also added the color to Whitney\'s shirt. It looks 2D and boring right now, but maybe I can spice it up.\r\n\r\n\"11\r\n\r\n \r\n\r\n \r\n\r\nOkay, here is the finish drawing. I smudged the black that was on her shirt and used a kneaded eraser to mimic the shimmer she had on her shirt. I also put some detail to her earrings and used a pencil eraser to add some small detail near the bottom of her shirt.\r\n\r\n\"how\r\n\r\nOverall I think the skin tone could have been a lot darker, but I’ve always been precautious about darkening people in my drawings – fear of making a mistake that would be hard to get out. Oh well, none of us are perfect but we still aim for it.','See How to Draw Whitney Houston','','inherit','closed','closed','','2443-autosave-v1','','','2016-01-02 11:27:30','2016-01-02 19:27:30','',2443,'http://www.letsdrawpeople.com/2443-autosave-v1/',0,'revision','',0),(2476,2,'2016-01-01 11:35:40','2016-01-01 19:35:40','The hair gods really love me. I mean, they really love me to let me write this article on hair. Let it be known that I’m no high, exquisite expert; but when it’s time to do the subject’s hair in either pencil, color pencil, or oil paint, I don’t play around.\r\n\r\nTo me, hair is the ultimate expression. I even bought a movie because the star/girl in the movie was changing her hair style in every scene. What does that tell you? Any who, let’s get to the nitty gritty of things……how to draw hair and make it look as close to realism as possible.\r\n

How to Draw Brunette Hair

\r\nAs you can see in this first picture, I drew out the basics. Keep in mind I won’t draw the whole face – just the hair since that is our focus. I mostly keep it simple, making sure the contour outline is close to what the original picture is.\r\n\r\n\"01\r\n\r\n \r\n\r\nThe next step is “coloring” the hair some. I use a 3H pencil to add some light color to the hair. I then blend or smudge the pencil into the hair by using tissue to get the effect that I’m looking for. You can also use a tortillion but tissue is preferable.\r\n\r\n\"02\r\n\r\n \r\n\r\n \r\n\r\nI then start to add darker tone to the subject (she’s a brunette) by using a 5B pencil. As you can see, I do not cover the whole hair with it. I leave some areas untouched. They will be the areas where light is reflected or a lighter tone of the hair will be.\r\n\r\n\"03\r\n\r\n \r\n\r\n \r\n\r\nThe next thing I’m going to perform is smudging/blending again, but I will use a tortillion. The reason I do this is because a piece of tissue will spread the graphite of the pencil too much. I would like some of the graphite to spread, but not so much that it doesn’t illustrate strands of hair. A tortillion will isolate the graphite, limiting it as to how far it will spread from its original location.\r\n\r\n\"04\r\n\r\n \r\n\r\n \r\n\r\nIn the final stage, I will add more darker tone and some hair strands to certain areas to make it realistic. I will also utilize the kneaded eraser here to lift certain tones from the hair and add highlights.\r\n\r\n\"05\r\n\r\n \r\n

How to Draw Blonde Hair

\r\n \r\n\r\nLet’s do another exercise of drawing more hair! This time we will see how to draw blonde hair since it doesn’t require the same amount of graphite. This will actually be quick and fast since less work is required.\r\n\r\nAs usual, you can see that I did a quick sketch of one of my pictures of a model. Please don’t get in an uproar over how the fingers look. If this was about hands and fingers, they would be on point, but I was sketching quickly and I wanted to jump on the hair, so………..\r\n\r\n\"01\r\n\r\n \r\n\r\n \r\n\r\nFirst thing I do, like in the first example, is “color” the hair. But in this case, I use a lighter pencil (5H). I then use a 3B pencil to add some dark tone to the top of her hair, followed by some smudging/blending.\r\n\r\n\"02\r\n\r\n \r\n\r\n \r\n\r\nI then use that same 3B pencil to add JUST A FEW hair strands to the subject. You can also interpret this as me adding small dark tones to the blonde hair followed by smudging of the tortillion. It may be important to add some of the darker tones on the tips/end of the strand hairs to show some contrast.\r\n\r\n\"03\r\n\r\n \r\n\r\n \r\n\r\nThe hair at this stage is basically done. If the rest of the picture was to be completed, then the hair would fall right into place.\r\n\r\n\"04\r\n\r\nOnce you, yourself, can go through this stage with no problem mastering the technique of creating hair, the hair gods will find favor with you as well.','How to Draw Hair - Brunette and Blonde','','inherit','closed','closed','','2458-autosave-v1','','','2016-01-01 11:35:40','2016-01-01 19:35:40','',2458,'http://www.letsdrawpeople.com/2458-autosave-v1/',0,'revision','',0),(2589,2,'2016-01-01 11:14:40','2016-01-01 19:14:40','','03 how to draw hair','','inherit','open','closed','','03-how-to-draw-hair','','','2016-01-01 11:14:40','2016-01-01 19:14:40','',2458,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/03-how-to-draw-hair.jpg',0,'attachment','image/jpeg',0),(2586,2,'2016-01-01 11:11:39','2016-01-01 19:11:39','','01 how to draw hair','','inherit','open','closed','','01-how-to-draw-hair','','','2016-01-01 11:11:39','2016-01-01 19:11:39','',2458,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/01-how-to-draw-hair.jpg',0,'attachment','image/jpeg',0),(2588,2,'2016-01-01 11:12:23','2016-01-01 19:12:23','','02 how to draw hair','','inherit','open','closed','','02-how-to-draw-hair','','','2016-01-01 11:12:23','2016-01-01 19:12:23','',2458,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/02-how-to-draw-hair.jpg',0,'attachment','image/jpeg',0),(2590,2,'2016-01-01 11:14:42','2016-01-01 19:14:42','','05 how to draw hair','Brunette Hair by Carlos Reid','inherit','open','closed','','05-how-to-draw-hair','','','2016-01-23 23:54:09','2016-01-24 07:54:09','',2458,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/05-how-to-draw-hair.jpg',0,'attachment','image/jpeg',0),(2591,2,'2016-01-01 11:14:43','2016-01-01 19:14:43','','04 how to draw hair','','inherit','open','closed','','04-how-to-draw-hair','','','2016-01-01 11:14:43','2016-01-01 19:14:43','',2458,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/04-how-to-draw-hair.jpg',0,'attachment','image/jpeg',0),(2592,2,'2016-01-01 11:15:27','2016-01-01 19:15:27','','01 how to draw blonde hair','','inherit','open','closed','','01-how-to-draw-blonde-hair','','','2016-01-01 11:15:27','2016-01-01 19:15:27','',2458,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/01-how-to-draw-blonde-hair.jpg',0,'attachment','image/jpeg',0),(2593,2,'2016-01-01 11:15:36','2016-01-01 19:15:36','','02 how to draw blonde hair','','inherit','open','closed','','02-how-to-draw-blonde-hair','','','2016-01-01 11:15:36','2016-01-01 19:15:36','',2458,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/02-how-to-draw-blonde-hair.jpg',0,'attachment','image/jpeg',0),(2477,2,'2015-12-26 23:35:51','2015-12-27 07:35:51','The hair gods really love me. I mean, they really love me to let me write this article on hair. Let it be known that I’m no high, exquisite expert but when it’s time to do the subject’s hair in either pencil, color pencil, or oil paint, I don’t play around. To me, hair is the ultimate expression. I even bought a movie because the star/girl in the movie was changing her hair style in every scene. What does that tell you? Any who, let’s get to the nitty gritty of things……drawing the hair and making it look as close to realism as possible.\r\n\r\n \r\n\r\n\"Scan0001\"\r\n\r\nAs you can see in this first picture I drew out the basics. Keep in mind I won’t draw the whole face – just the hair since that is our focus. I mostly keep it simple, making sure the contour outline is close to what the original picture is.\r\n\r\n \r\n\r\n\"Scan0002\"\r\n\r\nThe next step is “coloring” the hair some. I use a 3H pencil to add some light color to the hair. I then blend or smudge the pencil into the hair by using tissue to get the effect that I’m looking for. You can also use a tortillion but tissue is preferable.\r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\nI then start to add darker tone to the subject (she’s a brunette) by using a 5B pencil. As you can see, I do not cover the whole hair with it. I leave some areas un-touched; they will be the areas where light is reflected or a lighter tone of the hair will be.\r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\nThe next thing I’m going to perform is smudging/blending again but I will use a tortillion. The reason I do this is because a piece of tissue will spread the graphite of the pencil too much. I would like some of the graphite to spread but not so much that it doesn’t illustrate strands of hair. A tortillion will isolate the graphite, limiting it as to how far it will spread from its original location.\r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nIn the final stage, I will add more darker tone and some hair strands to certain areas to make it realistic. I will also utilize the kneaded eraser here to lift certain tones to the hair and add highlights.\r\n\r\n \r\n\r\n\"Scan0001\"\r\n\r\nLet’s do another exercise of drawing more hair! This time we will be doing blonde hair since it doesn’t require the same amount of graphite. This will actually be quick and fast since less work is required. As usual, you can see that I did a quick sketch of one of my pictures of a model. Please don’t get in an uproar over how the fingers look. If this was about hands and fingers, they would be on point, but I was sketching quick and I wanted to jump on the hair so………..\r\n\r\n \r\n\r\n\"Scan0002\"\r\n\r\nFirst thing I do, like in the first example, I “color” the hair but in this case, I used a lighter pencil (5H). I then used a 3B pencil to add some dark tone to the top of her hair, followed by some smudging/blending.\r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\nI then use that same 3B pencil to add JUST A FEW hair strands to the subject. You can also interpret this as me adding small dark tones to the blonde hair followed by smudging of the tortillion. It may be important to add some of the darker tones on the tips/end of the strand hairs to show some contrast.\r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\nThe hair at this stage is basically done; if the rest of the picture was to be completed, then the hair would fall right into place. Once you, yourself, can go through this stage with no problem mastering the technique of creating hair, the hair gods will find favor with you as well.','Drawing Hair','','inherit','closed','closed','','2458-revision-v1','','','2015-12-26 23:35:51','2015-12-27 07:35:51','',2458,'http://www.letsdrawpeople.com/2458-revision-v1/',0,'revision','',0),(2478,2,'2015-12-26 23:54:54','2015-12-27 07:54:54','\"whitney-houston-reference\"\r\n\r\nWhitney Houston is still considered an icon even to this day. Despite her problems with drugs, who she married, or how she died, she is and will always be a great influence to future generations to come. As you can see, she is an influence to some of us artists; she makes a great subject to study and practice our drawing skills. With that being said, let’s jump into drawing her and honing our skills!\r\n\r\n \r\n\r\n\"Scan0000\"\r\n\r\nWhen working from a photo, I think it’s best that you have 2 of them. One would be for making lines on the photo and the 2nd one would be the photo that you will be working with after the outlines of the figure have been drawn. Start out by first drawing lines (with a ruler or a straight object, of course) onto the 1st picture. Usually I would draw lines that would be under the eyes, the nose, top and bottom of the mouth, and the chin. I would then draw vertical lines on both sides to where the sides of the face will be. I would then repeat this action on my sheet of paper where I would make my future drawing.It’s safe to say that you may want to measure out the space in between the lines so that you can get as close as you can on the eyes, nose, and mouth being near their exact proximity. In this stage, many artists will use different tools to achieve a perfect anatomy or proximity of the focused object such as grids, light boxes, projectors, or free hand.\r\n\r\n \r\n\r\n\"Scan0001\"\r\n\r\nIn this stage I’m placing the facial features in their designated areas. I’m making sure both the bottom of the eyes and nose are touching the line and the top and bottom of the mouth are touching the line. One of the rules I remembered is that when you draw the eyes, remember that they are one eye length apart and from the bottom of the nose to the bottom of the mouth, that is also one eye length.\r\n\r\n \r\n\r\n\"Scan0002\"\r\n\r\nIn this stage, I’m focusing on the placement of her hair and chin and making a logical placement of her shoulders.\r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\nNow it’s time for the nitty gritty of things – time to start doing the real drawing. Here, as you can see, I started with the eyes first. I have always started with the eyes. I would recommend that you do that too. In my opinion, it feels more complete once you have both of them done. When doing the eye, you need to first draw in a small highlight/glare to illustrate the reflection of light. This can be achieved by drawing a small circle or square. You then want to use a dark pencil (6B or darker) to fill in the pupil. After that is done, you want to take a tortillion and add the color of the iris. At this point, you may want to outline the eye and the iris to differentiate it from the rest. Another action that is overlooked so often is greying the upper area of the eye; this can also be achieved with a tortillion. You must show that the eyelid casts a small shadow. The last two things that you have to do is add an eye lid crease and some eye lashes. The eye lid crease can be added with any pencil and then with a tortillion, smudge it some to show that the line was blending into the atmosphere instead of it looking like a hard line and standing out. I believe that’s what differentiates many artists. How well do your lines and colors blend in with a concept?\r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\nMoving along to the next body part, the first thing I do is redefine the parting of the lips. I do this like I did drawing the eye lid – I’ll draw exactly where the lips part and then smudge it with a tortillion. Once that’s complete, I work on the bottom lip by first drawing lines in an upward motion. I’ll try and fade the sweeping as I get close to the middle of the lip to illustrate a “lip glare/highlight.” Soon as I got it drawn, I’ll, you guessed it, use a tortillion again to smudge. With that same tortillion, I’ll smudge or add a darker tone to the upper lip. Depending on the angle and if the person is facing light, I may have to add a highlight to the upper lip.\r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nAlright, time for my favorite part……HAIR! I absolutely love drawing hair. With that being said, let’s dive right into it! Okay so the first thing you want to do is “color” the hair completely with a light pencil. I used a 3H.\r\n\r\n \r\n\r\n\"Scan0006\"\r\n\r\nOnce that’s done, use tissue paper or a non-lotion Kleenex to smudge or blend.\r\n\r\n \r\n\r\n\"Scan0007\"\r\n\r\nYou want to take a dark pencil now and add in darker strands or highlights in SOME areas. Blend this with your tissue paper. You will want to leave some areas illustrated as highlights and light reflection.\r\n\r\n \r\n\r\n\"Scan0008\"\r\n\r\nOnce everything is blended, go back with either a dark pencil (6B or darker) or a mid-way pencil (H, F, HB) to add hair strands throughout the head of the figure. Do not blend or use a tortillion/tissue – you want to show some hair strands.\r\n\r\n \r\n\r\n\"Scan0009\"\r\n\r\nNow to the body part I don’t care to work on. It’s necessary but I’m never motivated to do it. Keep in mind that 2 noses are not the same. Even if it’s the same person, different lighting of the subject will have the nose casting or using different shadows. Now you understand why I don’t care too much for it. Anywho, the first thing I work on are the nostrils with a tortillion. I then smooth the nose edges and try to make it appear as if they are soft shadows instead of hard lines. I also try to bring some of the dark tone out toward the cheek area to show more blending that way.\r\n\r\n \r\n\r\n\"Scan0011\"\r\n\r\nHere I’m working on some shading and tone on the face as well as certain details on the face like the cleft under the nose. I’ve also add the color to her shirt. It looks 2D and boring right now, but maybe I can spice it up.\r\n\r\n \r\n\r\n\"Scan0012\"\r\n\r\nOkay, here is the finish drawing. I smudged the black that was on her shirt and used a kneaded eraser to mimic the shimmer she had on her shirt. I also did some detail to her earrings. I also used a pencil eraser to add some small detail near the bottom of her shirt. Overall I think the skin tone could have been a lot darker, but I’ve always been precautious about darkening people in my drawings – fear of making a mistake that would be hard to get out. Oh well, none of us are perfect but we still aim for it.','Drawing Whitney Houston','','inherit','closed','closed','','2443-revision-v1','','','2015-12-26 23:54:54','2015-12-27 07:54:54','',2443,'http://www.letsdrawpeople.com/2443-revision-v1/',0,'revision','',0),(2480,2,'2015-12-28 14:00:57','2015-12-28 22:00:57','','DOUGLAS_LAIL_LO_RES','\"Douglas Lail ~ Self-Portrait\" by Douglas Lail','inherit','open','closed','','douglas_lail_lo_res','','','2015-12-28 14:01:31','2015-12-28 22:01:31','',1060,'http://www.letsdrawpeople.com/wp-content/uploads/2014/05/DOUGLAS_LAIL_LO_RES.jpg',0,'attachment','image/jpeg',0),(2481,2,'2015-12-28 14:01:45','2015-12-28 22:01:45','Welcome to our gallery of self-portrait drawings! Here you can view drawings by our contributors and visitors...of themselves!\r\n\r\nSelf-portraits are some of the most intriguing types of artwork around. Often times, we as humans see ourselves or think of ourselves differently from how others perceive us. A self-portrait is exactly what the name implies. It is simply a drawing of one\'s own self.\r\n\r\nA self-portrait drawing forces an artist to create an interpretation of oneself. The artist must take a critical look in the mirror and create an image of what the rest of the world sees. At the same time, the artist finds balance and includes those unique elements and features that define who he or she is as a person.\r\n\r\nCome back to this gallery often to see the faces behind those who create our articles and tutorials, as well as the faces that make up our growing audience!\r\n\r\nIf you have your own self-portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"1026,1456,1628,1646,1663,2480\"]','Self-Portrait Drawings of Aspiring Artists','','inherit','closed','closed','','1060-revision-v1','','','2015-12-28 14:01:45','2015-12-28 22:01:45','',1060,'http://www.letsdrawpeople.com/1060-revision-v1/',0,'revision','',0),(2483,2,'2015-12-29 17:29:25','2015-12-30 01:29:25','','885291_441511869265549_1025822657_o','\"Heath Ledger as the Joker\" by Trey Snyder','inherit','open','closed','','885291_441511869265549_1025822657_o','','','2015-12-29 17:30:26','2015-12-30 01:30:26','',659,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/885291_441511869265549_1025822657_o.jpg',0,'attachment','image/jpeg',0),(2484,2,'2015-12-29 17:31:18','2015-12-30 01:31:18','Use these drawings of celebrities and prominent people as examples of how to capture the likenesses of well-known people. Remember that when you are trying to draw people well enough and detailed enough for them to be recognizable as the intended person, it is often helpful to practice by drawing famous faces. I mean, what better test of your drawing skills than to show your work to people who immediately know who you were trying to draw, right?\r\n\r\nYou will see familiar drawings of different skill levels and different levels of detail in this gallery. Some drawings you may recognize, while others you may not. No matter how much or how little a drawing here captures a resemblance, take the opportunity to learn something from each piece. Some questions you may ask yourself as you view this gallery are:\r\n
    \r\n
  • Which obvious features did the artist include to help make the famous face easily recognizable?
    • \r\n
  • Which details or subtle facial characteristics did the artist include to obtain such an accurate likeness of the subject?
    • \r\n
  •  What could the artist have done differently to make a better representation of the celebrity?
    • \r\n
\r\nThank you in advance to all artists who contribute their drawings of well-known faces to this gallery! Remember, too, that it\'s okay if your drawing doesn\'t come out perfectly or to your satisfaction. I am still hard on myself with some of my work, and I always see something I could have done differently for better results (even with my own drawings in this gallery!). The important thing to remember is, you should always feel good about sharing your artwork, celebrate your strengths, and learn from your mistakes.\r\n\r\nIf you have your own celebrity portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"759,753,734,799,798,797,796,790,791,792,793,794,789,788,787,786,785,784,783,795,1171,1633,1721,2483\" orderby=\"rand\"]','Drawings of Well-Known Faces','','inherit','closed','closed','','659-revision-v1','','','2015-12-29 17:31:18','2015-12-30 01:31:18','',659,'http://www.letsdrawpeople.com/659-revision-v1/',0,'revision','',0),(2485,2,'2015-12-29 17:53:00','2015-12-30 01:53:00','','sasandhi','\"Sasandhi\" by Darshani','inherit','open','closed','','sasandhi','','','2015-12-29 17:54:06','2015-12-30 01:54:06','',489,'http://www.letsdrawpeople.com/wp-content/uploads/2013/06/sasandhi.jpg',0,'attachment','image/jpeg',0),(2486,2,'2015-12-29 17:54:29','2015-12-30 01:54:29','As you develop your people-drawing skills and draw people of all shapes, sizes, and ages, you are certain to notice some differences between drawing adults and drawing children. If you are trying to learn how to draw kids and are experiencing some challenges, maybe these portrait drawings of children can help you.\r\n\r\nWhile browsing through the gallery, take time to closely examine the details in the pictures. Take note of the pencil strokes and how the lines and tones help form the larger eyes, rounder faces, or any other trouble spots you may be encountering while trying to draw kids. Check back often for more wonderful drawings of children by our website contributors and visitors, and use them as your inspiration!\r\n\r\nIf you have your own child portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"640,642,645,646,647,648,650,651,652,643,641,1431,1432,1433,1651,1667,1887,2286,2485\" orderby=\"rand\"]\r\n\r\n ','Portrait Drawings of Children','','inherit','closed','closed','','489-revision-v1','','','2015-12-29 17:54:29','2015-12-30 01:54:29','',489,'http://www.letsdrawpeople.com/489-revision-v1/',0,'revision','',0),(2487,2,'2015-12-29 17:56:03','2015-12-30 01:56:03','','scanjohn0001','\"Psychic Art John of Galilee\" by Sheila Moore','inherit','open','closed','','scanjohn0001','','','2015-12-29 17:56:18','2015-12-30 01:56:18','',1200,'http://www.letsdrawpeople.com/wp-content/uploads/2014/06/scanjohn0001.jpg',0,'attachment','image/jpeg',0),(2488,2,'2015-12-29 17:56:25','2015-12-30 01:56:25','We all like to escape reality sometimes. This is the gallery to visit when you want to see people who appear or do things a little unusual. Welcome to our gallery of fantasy people!\r\n\r\nArtists who draw people for this gallery can really have some fun! You may find drawings of people that have a realistic look or features in one sense, but there is something very uniquely strange or abstract about them in another.\r\n\r\nOr, you may find drawings of people where normal facial or body proportions go out the window. Perhaps you will see eyes too high, ears too low, or a child\'s head on an adult\'s body!\r\n\r\nPossibly you will see drawings of people doing odd or impossible actions.\r\n\r\nBasically, expect to find people here that you will not meet in the real world.\r\n\r\nSo, what can you learn from looking at drawings of fantasy people?\r\n\r\nSee if you can analyze a drawing and distinguish fantasy from reality. Which parts of the subject are drawn in a realistic way? Which parts are drawn in a way which you should avoid if you are trying to achieve realism?\r\n\r\nAlso, look for ways that these drawings can inspire more originality and creativity in your own artwork!\r\n\r\nIf you have your own fantasy portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"1204,1424,1630,2487\" orderby=\"rand\"]\r\n\r\n ','People Living in a Fantasy World','','inherit','closed','closed','','1200-revision-v1','','','2015-12-29 17:56:25','2015-12-30 01:56:25','',1200,'http://www.letsdrawpeople.com/1200-revision-v1/',0,'revision','',0),(2489,2,'2015-12-29 17:57:17','2015-12-30 01:57:17','','image','\"Portrait\" by Jil','inherit','open','closed','','image','','','2015-12-29 17:57:27','2015-12-30 01:57:27','',659,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/image.jpeg',0,'attachment','image/jpeg',0),(2490,2,'2015-12-29 17:57:36','2015-12-30 01:57:36','Use these drawings of celebrities and prominent people as examples of how to capture the likenesses of well-known people. Remember that when you are trying to draw people well enough and detailed enough for them to be recognizable as the intended person, it is often helpful to practice by drawing famous faces. I mean, what better test of your drawing skills than to show your work to people who immediately know who you were trying to draw, right?\r\n\r\nYou will see familiar drawings of different skill levels and different levels of detail in this gallery. Some drawings you may recognize, while others you may not. No matter how much or how little a drawing here captures a resemblance, take the opportunity to learn something from each piece. Some questions you may ask yourself as you view this gallery are:\r\n
    \r\n
  • Which obvious features did the artist include to help make the famous face easily recognizable?
    • \r\n
  • Which details or subtle facial characteristics did the artist include to obtain such an accurate likeness of the subject?
    • \r\n
  •  What could the artist have done differently to make a better representation of the celebrity?
    • \r\n
\r\nThank you in advance to all artists who contribute their drawings of well-known faces to this gallery! Remember, too, that it\'s okay if your drawing doesn\'t come out perfectly or to your satisfaction. I am still hard on myself with some of my work, and I always see something I could have done differently for better results (even with my own drawings in this gallery!). The important thing to remember is, you should always feel good about sharing your artwork, celebrate your strengths, and learn from your mistakes.\r\n\r\nIf you have your own celebrity portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"759,753,734,799,798,797,796,790,791,792,793,794,789,788,787,786,785,784,783,795,1171,1633,1721,2483,2489\" orderby=\"rand\"]','Drawings of Well-Known Faces','','inherit','closed','closed','','659-revision-v1','','','2015-12-29 17:57:36','2015-12-30 01:57:36','',659,'http://www.letsdrawpeople.com/659-revision-v1/',0,'revision','',0),(2492,8,'2016-01-30 22:10:56','2016-01-31 06:10:56','

Create a Basic Outline of a Person

\r\nStart by creating a soft stick figure sketch or something similar. Consider the space that you are drawing in and the space the figure will take up. When you are drawing, try to approximate the way the woman is standing and where her body parts are.\r\n\r\nTo draw a woman, start with some basic shapes like circles and lines. Keep in mind that a woman has a round body, so use curved lines for shapes as you structure your sketch. Never draw one large circle for a part of the body like legs or the arms. Draw every part of the body as a separate part. Use several smaller circles to give a rough shape to your sketch. For example, legs would be drawn in 6 different shapes: hips, thigh, knee, lower leg, ankle, and foot.\r\n

Proportions to Keep in Mind

\r\nWoman  are about 7 circles tall. Create a circle to use and draw that shape one over top another so you have about 7 circles. This will be OK to start. You will be making adjustments as you sketch. The full size of the head  is slightly longer than a circle. Add about a half to get the full length. A woman is about two heads wide. Taking the full length of the head to the chin, turn the shape sideways  and create two shapes of that size next to one another at the same level. Her hips are about as wide as her rib cage, where her shoulder meets her torso. Draw the arm in several different circles: shoulders, upper arm, elbow, lower arm, and hand.  To draw the leg, break them up in different circles for the hips, upper leg, knee, lower leg, ankle, and feet.\r\n

Body shape of a Woman

\r\nWhile there are many different body shapes for woman, there is a general shape that can help you when drawing the woman’s body. Use a figure eight or hour glass type figure to give an estimated idea of the woman’s body. When drawing a model, notice the differences between her body and the standard female figure and make adjustments when needed. While using proportions and body shapes is a good way to learn how to draw a woman, try to keep your sketch similar to the model you are studying to create more classical drawings.\r\n\r\n\"1\" \"2\" \"3\" \"4\" \"5\" \"6\"\r\n

Tips for Drawing the Female Body

\r\nFemale breasts can be difficult to draw. Use an \"X\" over the torso, starting from the top of the shoulder and down to the rib cage. The \"V\" shape that is created by the \"X\" will help you draw where the sternum and collarbone are. The bottom of the \"X\" should be where the middle section starts. If you cut the \"X\" in half, this will give you a line of symmetry from where the breast line should start. This is slightly different for each woman and you should adjust accordingly. Notice that the female breast is not quite a circle. The chest or pectoral muscle is rectangular and the rest of the breast is made of body fat; so, the overall shape will be basically a combined rectangle, teardrop, and a semi circle.\r\n\r\nAfter building the basic structure, you break those in two smaller shapes and then draw lightly, as you will be modifying your lines so you have a better understanding of how to draw a woman. The arm for example is about 6 shapes: the shoulder, the upper arm, the elbow, the lower arm, the fist, and the hand. Note that from the shoulder to the elbow and the elbow to the hand should be about an equal distance. Finish sketching a full basic figure before working on any details, checking your proportions as you create your drawing.  Keep in mind that depending on the view of the model, you may need to use measuring or figuring out your own proportions instead of standard proportions. If the body is turned, simple basic proportions are hard to apply.\r\n\r\nNext work on details like the face. Pencil in the face and clean up any extra marks. Also as you are working on the details, notice the lines that the body makes when you are adjusting them. Use guidelines for the face and for anything you need for symmetry. Now edit the rest of the body. The next step would be to edit any leftover lines that are not needed. Clean up any eraser marks and add shading to finish your drawing.\r\n\r\n\"12\"\"13\"\"14\"\"15\"\r\n\r\nThe back of a woman is different from the front. You can break down the back in simple shapes; however, placement becomes more important because there is more smooth area on the back. Having a line in the right place will draw attention to the area.\r\n\r\nOne way to correct the difficulty of drawing the back side is to draw lightly and use shading instead of drawing. For shading technique, you draw a basic outline first. Instead of using lines to draw circles, find a #2 pencil. The shape of the pencil will help with shading, while a mechanical pencil can be harder to shade with. Shade large shapes that imitate the form of the body. Turning the pencil on its side instead of straight over on its head will help do this.\r\n\r\nI’ll note that sometimes I sharpen a pencil with a knife. That way, you have a longer point. Try to imagine using as much of the graphite as possible. If you are comfortable with charcoal, this will help create the effect even more. For charcoal, turn the square charcoal or charcoal pencil on its side or on an angle.\r\n\r\nOnce you have covered all dark area, use your eraser to draw. Instead of using the pencil, the eraser will act as the point of the pencil and help you create a clean line. This will also give it a soft effect. If you plan on going dark and detailed, make your marks as precise as possible because a human back can be more difficult to judge when it comes to placement of shapes and body parts.\r\n\r\nAfter drawing with the eraser, you will go back over dark areas with the charcoal for highlights and contrast and detail. Repeat this process multiple types until you get the effect you want.\r\n\r\nBe careful pressing hard with pencil or charcoal when using this technique. Try pressing as softly as possible because it will be difficult to erase marks that are pressed into the paper. For an even better look, find kneaded or other art erasers.\r\n\r\n\"7\" \"8\" \"9\" \"10\" \"11\"\r\n\r\nYou can draw a woman in many ways, these are just some ideas for you to try. I recommend to always keep creativity in mind when drawing. Find a way to make the drawing yours.\r\n\r\n ','What Everybody Ought to Know about How to Draw Women','','private','closed','closed','','what-everybody-ought-to-know-about-how-to-draw-women','','','2017-05-26 06:00:12','2017-05-26 13:00:12','',0,'http://www.letsdrawpeople.com/?p=2492',0,'post','',0),(2493,8,'2015-12-29 19:29:29','2015-12-30 03:29:29','','1','','inherit','open','closed','','1','','','2015-12-29 19:29:29','2015-12-30 03:29:29','',2492,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/1.jpg',0,'attachment','image/jpeg',0),(2494,8,'2015-12-29 19:29:30','2015-12-30 03:29:30','','2','','inherit','open','closed','','2','','','2015-12-29 19:29:30','2015-12-30 03:29:30','',2492,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/2.jpg',0,'attachment','image/jpeg',0),(2495,8,'2015-12-29 19:29:32','2015-12-30 03:29:32','','3','','inherit','open','closed','','3','','','2015-12-29 19:29:32','2015-12-30 03:29:32','',2492,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/3.jpg',0,'attachment','image/jpeg',0),(2496,8,'2015-12-29 19:29:34','2015-12-30 03:29:34','','4','','inherit','open','closed','','4','','','2015-12-29 19:29:34','2015-12-30 03:29:34','',2492,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/4.jpg',0,'attachment','image/jpeg',0),(2497,8,'2015-12-29 19:29:36','2015-12-30 03:29:36','','5','','inherit','open','closed','','5','','','2015-12-29 19:29:36','2015-12-30 03:29:36','',2492,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/5.jpg',0,'attachment','image/jpeg',0),(2498,8,'2015-12-29 19:29:37','2015-12-30 03:29:37','','6','','inherit','open','closed','','6','','','2015-12-29 19:29:37','2015-12-30 03:29:37','',2492,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/6.jpg',0,'attachment','image/jpeg',0),(2499,8,'2015-12-29 19:29:38','2015-12-30 03:29:38','','7','','inherit','open','closed','','7','','','2015-12-29 19:29:38','2015-12-30 03:29:38','',2492,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/7.jpg',0,'attachment','image/jpeg',0),(2500,8,'2015-12-29 19:29:40','2015-12-30 03:29:40','','8','','inherit','open','closed','','8','','','2015-12-29 19:29:40','2015-12-30 03:29:40','',2492,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/8.jpg',0,'attachment','image/jpeg',0),(2501,8,'2015-12-29 19:29:42','2015-12-30 03:29:42','','9','','inherit','open','closed','','9','','','2015-12-29 19:29:42','2015-12-30 03:29:42','',2492,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/9.jpg',0,'attachment','image/jpeg',0),(2502,8,'2015-12-29 19:29:43','2015-12-30 03:29:43','','10','','inherit','open','closed','','10','','','2015-12-29 19:29:43','2015-12-30 03:29:43','',2492,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/10.jpg',0,'attachment','image/jpeg',0),(2503,8,'2015-12-29 19:29:45','2015-12-30 03:29:45','','11','','inherit','open','closed','','11','','','2015-12-29 19:29:45','2015-12-30 03:29:45','',2492,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/11.jpg',0,'attachment','image/jpeg',0),(2504,8,'2015-12-29 19:29:47','2015-12-30 03:29:47','','12','','inherit','open','closed','','12','','','2015-12-29 19:29:47','2015-12-30 03:29:47','',2492,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/12.jpg',0,'attachment','image/jpeg',0),(2505,8,'2015-12-29 19:29:48','2015-12-30 03:29:48','','13','','inherit','open','closed','','13','','','2015-12-29 19:29:48','2015-12-30 03:29:48','',2492,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/13.jpg',0,'attachment','image/jpeg',0),(2506,8,'2015-12-29 19:29:50','2015-12-30 03:29:50','','14','','inherit','open','closed','','14','','','2015-12-29 19:29:50','2015-12-30 03:29:50','',2492,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/14.jpg',0,'attachment','image/jpeg',0),(2507,8,'2015-12-29 19:29:52','2015-12-30 03:29:52','','15','','inherit','open','closed','','15','','','2015-12-29 19:29:52','2015-12-30 03:29:52','',2492,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/15.jpg',0,'attachment','image/jpeg',0),(2508,8,'2015-12-29 19:48:00','2015-12-30 03:48:00','Create a basic outline of a person.\r\nStart by creating a soft stick figure sketch or similar. Consider the space that you are drawing in and the space the figure will take up. When you are drawing try to approximate the way the woman is standing and where her body parts are.\r\nTo draw a woman start with some basic shapes like circles and lines.\r\nKeep in mind that woman has a round body so use curve lines for shape as you structure your sketch. Never draw one large circle for a part of the body like legs or the arms. Draw every part of the body as a separate part use several smaller circles to give a rough shape to your sketch. For example legs would be draw 6 different shapes; hips, thy, knee, lower leg, angel and foot.\r\nProportions to keep in mind:\r\nWoman  are about 7 circles tall: Create a circle to use and draw that shape one over top another so you have about 7 circles this will be ok to start,  you will be making adjustment’s as you sketch. The full size of the head  is slightly longer then a circle add about a halve to get the full length.  A woman is about two heads wide , taking the full length of the head to the chin turn the shape sideways  and create two shapes of that size next to one another at the same level. Her hips are about as wide s her rib cage, where her shoulder meets her torso. Draw the arm in several different circles, shoulders, upper arm, elbow, lower arm and hand.  To draw the leg break them up in different circles for the hips, upper leg, knee, lower leg, ankle and feet.\r\nBody shape of a woman:\r\nWhile there are many different body shapes for woman. There is a general shape that can help you when drawing the woman’s body. Use a figure eight or hour glasses type figure to give a estimated idea of the woman’s body. When drawing a model notice the differences between her body and the standard female figure and make adjustment when needed. While using proportions and body shapes is a good way to learn how to draw a woman, try to keep your sketch similar to the model you are studying to create more classical drawings.\r\n\r\n\"1\" \"2\" \"3\" \"4\" \"5\" \"6\"\r\n\r\nTips for drawing the female body\r\nFemale breast can be difficult to draw.\r\nUse a \"X\" over the torso, starting from the top of the shoulder and down to the rib cage. The \"V\" shape that is created by the \"X\" will help you draw where the sternum and collar bone are.  The bottom of the \"X\" should be where the middle section starts. If you cut the “X“ in halve this will give you a line of symmetry fro where the breast line should start, this is slightly different for each woman and you should adjust accordingly. Notice that the female breast is not quite a circle. The chest or pectoral muscle is rectangular the rest of the breast is made of body fat so; The overall shape will be basically a combined rectangle, tear drop and a semi circle.\r\nAfter building the basic structure.\r\nyou break those in two smaller shapes. and Then draw lightly as you will be modifying your lines so you have better understanding in how to draw a woman. The arm for example is about 6 shapes, the shoulder the upper arm, the elbow, the lower arm the first and the hand. Note that From the shoulder to the elbow , and the elbow to the hand  should be about equal distant. Finish sketching a full basic figure before working on any details checking your proportions as you create your drawing.  Keep in mind depending on the view of the model you may need to use measuring or figuring out your own proportions instead of standard proportions. If the body is turned simple basic proportions are hard to apply.\r\nNext work on details like the face .\r\nPencil in the face and clean up any extra marks, also as you are working on the details notice that the lines that the body makes when you are adjusting them. Use guidelines for the face and for anything I need for symmetry now edit the rest of the body. The next step would be to edit any leftover lines that are not needed clean up any eraser marks and add shading to finish your drawing.\r\n\r\n\"12\"\"13\"\"14\"\"15\"\r\n\r\nThe back of a woman is different from the front. You can break down the back in simple shapes, however, placement becomes more important because there is more smooth area on the back. Having a line in the right place will draw attention to the area.\r\n\r\nOne way to correct the difficulty of drawing the back side is to draw lightly and use shading instead drawing. For shading technique, you draw a basic outline first. Instead of using line to draw circles, find a #2 pencil. The shape of the pencil will help with shading, while a mechanical pencil can be hard to shade with. Shade large shapes that imitate the form of the body, turning the pencil on its side instead of straight over on its head will help do this.\r\n\r\nI’ll note that sometimes I sharpen a pencil with a knife. That way, you have a longer point. Try to imagine using as much of the graphite as possible. If you are comfortable with charcoal, this will help create the effect even more. For charcoal, turn the square charcoal or charcoal pencil on its side, or on an angle.\r\n\r\nOnce you have covered all dark area, use your eraser to draw. Instead of using the pencil, the eraser will act as the point of the pencil and help you create a clean line. This will also give it a soft effect. If you plan on going dark and detailed, make your marks as precise as possible because a human back can be more difficult to judge when it comes to placement of shapes and body parts.\r\n\r\nAfter drawing with the eraser, you will go back over dark areas with the charcoal for highlights and contrast and detail. Repeat this process multiple types until you get the effect you want.\r\n\r\nBe careful pressing hard with pencil or charcoal using this technique. Try pressing softly as possible because it will be difficult to erase marks that are pressed into the paper. For an even better look, find kneaded or other art erasers.\r\n\r\n\"7\" \"8\" \"9\" \"10\" \"11\"\r\n\r\nYou can draw a woman in many ways, these are just some ideas for you to try. I recommend always keep a creativity in mind when drawing. Find a way to make the drawing yours.\r\n\r\n ','What Everybody Ought to Know about How to Draw Women','','inherit','closed','closed','','2492-revision-v1','','','2015-12-29 19:48:00','2015-12-30 03:48:00','',2492,'http://www.letsdrawpeople.com/2492-revision-v1/',0,'revision','',0); INSERT INTO `wp_posts` VALUES (2509,8,'2016-02-03 02:19:25','2016-02-03 10:19:25','

Maternity Drawing

\r\nConsider drawing a woman that is pregnant. There are many different body shapes between a woman who is pregnant and one who is not.\r\n\r\nWhile there are many months of different changes a woman’s body goes through, there are some important changes to notice.\r\n\r\n\"2\r\n\r\nWomen’s breasts will increase in size when they are pregnant. They also have a slightly different shape. For example, a woman\'s breasts will tend to be more round or full-looking.\r\n\r\n\"3\"                                   \"4\"\r\n\r\nA woman’s hips also tend to get more wide as her body gets ready to deliver, along with experiencing weight gain throughout her whole body during pregnancy.\r\n\r\nMost important is the baby bump or where the woman carries the child. Her belly will have a large increase of size and a dramatic shape change.\r\n\r\n\"5\"                                \"6\"\r\n\r\nTo draw the pregnant belly, I start with what looks like a normal belly and then create a large circle, appreciating the shape that I see on the woman. Use the tear drop shape for this part of her body as her belly is more round at the bottom and straightens out toward her rib cage. A pregnant belly will be quite round near the side of the woman as well. You can indicate this with a hint of shading or even a thin line that is round.\r\n\r\nKeep in mind there are 9 months of pregnancy, so there are many different ways to draw a pregnant woman. Also, each woman carries a child differently and each child is different. These ideas will only give you a basic understanding of the figure of a pregnant woman.\r\n\r\n\"7\"\r\n

Breastfeeding

\r\nSketch a basic outline sketch for both people. Consider actually drawing over the top of other body parts as if they were see-through.\r\n\r\nComplete a full sketch of both people. Then once you have done this, start erasing the unnecessary lines.\r\n\r\nDrawing people sitting together behind one another or interacting in many ways can be difficult, as their bodies where they touch will hide, distort, and change how the body looks.\r\n\r\nIn this drawing, pay attention to the hand as the baby holds her mother\'s breast. The breast responds to the pressure the figure is creating, making indents.\r\n\r\nTo draw the baby\'s face, draw the whole face and then draw the shape of the breast hiding part of the mouth of the baby.\r\n\r\nSmall details like the folds in the skin or pressure points of contact will create a more realistic drawing.\r\n\r\nUnderstanding body type will help you with this. In general, women have softer bodies, so a woman’s body will respond to touch better than a male body.\r\n

\r\n\"773_10206255896210951_5597311057490364261_n\" \"535049_10206255896370955_8269886950683640004_n\" \"10277001_10206255895890943_5238965720297618814_n\"\r\n\r\n\"734829_10206255895730939_302612655374693973_n\"\r\n\r\n\"final\"\r\n

Expression

\r\nConsider the emotions in the drawing of a woman. Women go through a lot of emotional changes when becoming a mother. I think nothing is more beautiful than a woman who loves her body while pregnant or holding a baby so blissfully. Happiness is a great expression for drawing mother and child.\r\n\r\nThere are many things to consider when drawing mothers and babies, so keep an open mind and explore the possibilities.','How to Draw Mothers and Babies','','private','closed','closed','','how-to-draw-mothers-and-babies','','','2017-05-26 06:00:31','2017-05-26 13:00:31','',0,'http://www.letsdrawpeople.com/?p=2509',0,'post','',0),(2510,8,'2015-12-30 01:59:11','2015-12-30 09:59:11','follow up on \"What Everybody Ought to Know about How to Draw Women\" for intermediate and advanced artist. ','1','Motherhood ','inherit','open','closed','','1-2','','','2015-12-30 02:02:04','2015-12-30 10:02:04','',2509,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/1-1.jpg',0,'attachment','image/jpeg',0),(2511,8,'2015-12-30 01:59:13','2015-12-30 09:59:13','','2 (2)','','inherit','open','closed','','2-2','','','2015-12-30 01:59:13','2015-12-30 09:59:13','',2509,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/2-2.jpg',0,'attachment','image/jpeg',0),(2512,8,'2015-12-30 01:59:14','2015-12-30 09:59:14','','3','','inherit','open','closed','','3-2','','','2015-12-30 01:59:14','2015-12-30 09:59:14','',2509,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/3-1.jpg',0,'attachment','image/jpeg',0),(2513,8,'2015-12-30 01:59:16','2015-12-30 09:59:16','','4','','inherit','open','closed','','4-2','','','2015-12-30 01:59:16','2015-12-30 09:59:16','',2509,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/4-1.jpg',0,'attachment','image/jpeg',0),(2514,8,'2015-12-30 01:59:17','2015-12-30 09:59:17','','5','','inherit','open','closed','','5-2','','','2015-12-30 01:59:17','2015-12-30 09:59:17','',2509,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/5-1.jpg',0,'attachment','image/jpeg',0),(2515,8,'2015-12-30 01:59:19','2015-12-30 09:59:19','','6','','inherit','open','closed','','6-2','','','2015-12-30 01:59:19','2015-12-30 09:59:19','',2509,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/6-1.jpg',0,'attachment','image/jpeg',0),(2516,8,'2015-12-30 01:59:20','2015-12-30 09:59:20','','7','','inherit','open','closed','','7-2','','','2015-12-30 01:59:20','2015-12-30 09:59:20','',2509,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/7-1.jpg',0,'attachment','image/jpeg',0),(2517,8,'2015-12-30 01:59:22','2015-12-30 09:59:22','','773_10206255896210951_5597311057490364261_n','','inherit','open','closed','','773_10206255896210951_5597311057490364261_n','','','2015-12-30 01:59:22','2015-12-30 09:59:22','',2509,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/773_10206255896210951_5597311057490364261_n.jpg',0,'attachment','image/jpeg',0),(2518,8,'2015-12-30 01:59:23','2015-12-30 09:59:23','','535049_10206255896370955_8269886950683640004_n','','inherit','open','closed','','535049_10206255896370955_8269886950683640004_n','','','2015-12-30 01:59:23','2015-12-30 09:59:23','',2509,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/535049_10206255896370955_8269886950683640004_n.jpg',0,'attachment','image/jpeg',0),(2519,8,'2015-12-30 01:59:25','2015-12-30 09:59:25','','734829_10206255895730939_302612655374693973_n','','inherit','open','closed','','734829_10206255895730939_302612655374693973_n','','','2015-12-30 01:59:25','2015-12-30 09:59:25','',2509,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/734829_10206255895730939_302612655374693973_n.jpg',0,'attachment','image/jpeg',0),(2520,8,'2015-12-30 01:59:27','2015-12-30 09:59:27','','10277001_10206255895890943_5238965720297618814_n','','inherit','open','closed','','10277001_10206255895890943_5238965720297618814_n','','','2015-12-30 01:59:27','2015-12-30 09:59:27','',2509,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/10277001_10206255895890943_5238965720297618814_n.jpg',0,'attachment','image/jpeg',0),(2521,8,'2015-12-30 01:59:28','2015-12-30 09:59:28','','final','','inherit','open','closed','','final','','','2015-12-30 01:59:28','2015-12-30 09:59:28','',2509,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/final.jpg',0,'attachment','image/jpeg',0),(2522,8,'2015-12-30 02:10:52','2015-12-30 10:10:52','How to draw Mothers and babies:\r\nMaternity drawing\r\nConsider drawing a woman that is pregnant, there are many different body shape between a woman who is pregnant and one who is not.\r\nWhile there are many month and different changes a woman’s body goes through there are some important changes to notice.\r\n\r\n\"2\r\n\r\n \r\n\r\nWoman’s breast will increase in size when they are pregnant they also have a slight different shape, for example Her Brest will tend to be more round or full looking.\r\n\r\n\"3\"                                   \"4\"\r\n\r\nWoman’s hips also tend to get more wide as her body gets ready to deliver, along with experiencing weight gain throughout her whole body during pregnancy.\r\n\r\n \r\n\r\n \r\n\r\nMost important is the baby bump or where the woman carries the child, her belly will have a large increase of size and a dramatic shape change.\r\n\r\n\"5\"                                \"6\"\r\n\r\nTo draw the pregnant belly: I start with what looks like a normal belly and then create a large circle appreciating the shape that I see on the woman, you use he tier drop shape for this part of her body as her belly is more round at the bottom and straightens out toward her rib cage. I pregnant belly will be quite round near the side of the woman as well you can indicate this with a hint of shading or even a thin line that is round.\r\nKeep in mind there are over 9 month of pregnancy so there are many different ways to draw a pregnant woman also each woman carries a child differently and each child is different. These ideas will only give you a basic understanding on the body figure of a pregnant woman.\r\n\r\n \r\n\r\n \r\n\r\n\"7\"\r\n\r\nBreastfeeding\r\n\r\nOverlapping:\r\n\r\nSketch a basic outline sketch for both people consider actually drawing over top of other body parts as if they where see through\r\n\r\nComplete a full sketch of both people , then once you done this start erasing the unnecessary line.\r\n\r\nDrawing people sitting together behind one another or interacting in any ways can be difficulty as there bodies where they touch will hide distort and change how the body looks.\r\n\r\nIn this drawing pay attention to the hand as the baby hold her mothers breast the breast responds the pressure the figure are creating making indents.\r\n\r\nTo draw the baby face draw the whole face and then draw the shape of the breast hiding part of the mouth of the baby.\r\n\r\nSmall details like the folds in the skin or pressure points of contact will create a more realistic drawing.\r\nUnderstanding body type will help you with this in general woman have ore soft bodies so a woman’s body will respond to touch better then a male body.\r\n\r\nExpression, Consider the emotions in the drawing for woman, woman go though allot of emotional changes becoming a mother, I think nothing is more beautiful they a woman that loves her body while pregnant or holding a baby so blissful or happiness is a great expression for drawing mother and child.\r\n\r\n\"773_10206255896210951_5597311057490364261_n\" \"535049_10206255896370955_8269886950683640004_n\" \"734829_10206255895730939_302612655374693973_n\"\r\n\r\n\"10277001_10206255895890943_5238965720297618814_n\"\r\n\r\n\"final\"\r\n\r\n \r\n\r\nThere are many things to consider when drawing woman so keep a open mind and explore the possibilities.','How to draw others and babies','','inherit','closed','closed','','2509-revision-v1','','','2015-12-30 02:10:52','2015-12-30 10:10:52','',2509,'http://www.letsdrawpeople.com/2509-revision-v1/',0,'revision','',0),(2523,8,'2015-12-30 02:19:06','2015-12-30 10:19:06','How to draw Mothers and babies:\nMaternity drawing\nConsider drawing a woman that is pregnant, there are many different body shape between a woman who is pregnant and one who is not.\nWhile there are many month and different changes a woman’s body goes through there are some important changes to notice.\n\n\"2\n\n \n\nWoman’s breast will increase in size when they are pregnant they also have a slight different shape, for example Her Brest will tend to be more round or full looking.\n\n\"3\"                                   \"4\"\n\nWoman’s hips also tend to get more wide as her body gets ready to deliver, along with experiencing weight gain throughout her whole body during pregnancy.\n\n \n\n \n\nMost important is the baby bump or where the woman carries the child, her belly will have a large increase of size and a dramatic shape change.\n\n\"5\"                                \"6\"\n\nTo draw the pregnant belly: I start with what looks like a normal belly and then create a large circle appreciating the shape that I see on the woman, you use he tier drop shape for this part of her body as her belly is more round at the bottom and straightens out toward her rib cage. I pregnant belly will be quite round near the side of the woman as well you can indicate this with a hint of shading or even a thin line that is round.\nKeep in mind there are over 9 month of pregnancy so there are many different ways to draw a pregnant woman also each woman carries a child differently and each child is different. These ideas will only give you a basic understanding on the body figure of a pregnant woman.\n\n \n\n \n\n\"7\"\n\nBreastfeeding\n\nOverlapping:\n\nSketch a basic outline sketch for both people consider actually drawing over top of other body parts as if they where see through\n\nComplete a full sketch of both people , then once you done this start erasing the unnecessary line.\n\nDrawing people sitting together behind one another or interacting in any ways can be difficulty as there bodies where they touch will hide distort and change how the body looks.\n\nIn this drawing pay attention to the hand as the baby hold her mothers breast the breast responds the pressure the figure are creating making indents.\n\nTo draw the baby face draw the whole face and then draw the shape of the breast hiding part of the mouth of the baby.\n\nSmall details like the folds in the skin or pressure points of contact will create a more realistic drawing.\nUnderstanding body type will help you with this in general woman have ore soft bodies so a woman’s body will respond to touch better then a male body.\n\nExpression, Consider the emotions in the drawing for woman, woman go though allot of emotional changes becoming a mother, I think nothing is more beautiful they a woman that loves her body while pregnant or holding a baby so blissful or happiness is a great expression for drawing mother and child.\n\n\"773_10206255896210951_5597311057490364261_n\" \"535049_10206255896370955_8269886950683640004_n\" \"10277001_10206255895890943_5238965720297618814_n\"\n\n\"734829_10206255895730939_302612655374693973_n\"\n\n\"final\"\n\n \n\nThere are many things to consider when drawing woman so keep a open mind and explore the possibilities.','How to draw others and babies','','inherit','closed','closed','','2509-autosave-v1','','','2015-12-30 02:19:06','2015-12-30 10:19:06','',2509,'http://www.letsdrawpeople.com/2509-autosave-v1/',0,'revision','',0),(2524,8,'2015-12-30 02:19:25','2015-12-30 10:19:25','How to draw Mothers and babies:\r\nMaternity drawing\r\nConsider drawing a woman that is pregnant, there are many different body shape between a woman who is pregnant and one who is not.\r\nWhile there are many month and different changes a woman’s body goes through there are some important changes to notice.\r\n\r\n\"2\r\n\r\n \r\n\r\nWoman’s breast will increase in size when they are pregnant they also have a slight different shape, for example Her Brest will tend to be more round or full looking.\r\n\r\n\"3\"                                   \"4\"\r\n\r\nWoman’s hips also tend to get more wide as her body gets ready to deliver, along with experiencing weight gain throughout her whole body during pregnancy.\r\n\r\n \r\n\r\n \r\n\r\nMost important is the baby bump or where the woman carries the child, her belly will have a large increase of size and a dramatic shape change.\r\n\r\n\"5\"                                \"6\"\r\n\r\nTo draw the pregnant belly: I start with what looks like a normal belly and then create a large circle appreciating the shape that I see on the woman, you use he tier drop shape for this part of her body as her belly is more round at the bottom and straightens out toward her rib cage. I pregnant belly will be quite round near the side of the woman as well you can indicate this with a hint of shading or even a thin line that is round.\r\nKeep in mind there are over 9 month of pregnancy so there are many different ways to draw a pregnant woman also each woman carries a child differently and each child is different. These ideas will only give you a basic understanding on the body figure of a pregnant woman.\r\n\r\n \r\n\r\n \r\n\r\n\"7\"\r\n\r\nBreastfeeding\r\n\r\nOverlapping:\r\n\r\nSketch a basic outline sketch for both people consider actually drawing over top of other body parts as if they where see through\r\n\r\nComplete a full sketch of both people , then once you done this start erasing the unnecessary line.\r\n\r\nDrawing people sitting together behind one another or interacting in any ways can be difficulty as there bodies where they touch will hide distort and change how the body looks.\r\n\r\nIn this drawing pay attention to the hand as the baby hold her mothers breast the breast responds the pressure the figure are creating making indents.\r\n\r\nTo draw the baby face draw the whole face and then draw the shape of the breast hiding part of the mouth of the baby.\r\n\r\nSmall details like the folds in the skin or pressure points of contact will create a more realistic drawing.\r\nUnderstanding body type will help you with this in general woman have ore soft bodies so a woman’s body will respond to touch better then a male body.\r\n\r\nExpression, Consider the emotions in the drawing for woman, woman go though allot of emotional changes becoming a mother, I think nothing is more beautiful they a woman that loves her body while pregnant or holding a baby so blissful or happiness is a great expression for drawing mother and child.\r\n\r\n\"773_10206255896210951_5597311057490364261_n\" \"535049_10206255896370955_8269886950683640004_n\" \"10277001_10206255895890943_5238965720297618814_n\"\r\n\r\n\"734829_10206255895730939_302612655374693973_n\"\r\n\r\n\"final\"\r\n\r\n \r\n\r\nThere are many things to consider when drawing woman so keep a open mind and explore the possibilities.','How to draw others and babies','','inherit','closed','closed','','2509-revision-v1','','','2015-12-30 02:19:25','2015-12-30 10:19:25','',2509,'http://www.letsdrawpeople.com/2509-revision-v1/',0,'revision','',0),(2525,8,'2016-01-23 02:05:48','2016-01-23 10:05:48','The purpose of this article is to list 10 different approaches to drawing children. The first six approaches will consider the age. The last four are more stylistic approaches.\r\n

Consider the Age of the Children

\r\nFirst consider the age and development of the child before you begin. Refer to one of the age groups that I list below for how to draw children. There are instructions for different age groups.\r\n

1. Infants

\r\nNotice the proportions of an infant. The majority of the body is the head and the rest of the body is almost the same size. There is little to no difference between boys and girls.\r\n\r\nDrawing infants or babies is quite simple. You can break it down in a couple of steps.\r\n\r\nHead: To create the head, just create one circle for the face and then another circle for the head.\r\n\r\nBody: The body should be about an equal size with the head. Figure out how many heads you need for the body.\r\n\r\nDetails: Draw softly for details like eyebrows, hair, and face features. Draw shapes for the cheeks, eyes, and the outline of the head.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n

2. Toddlers

\r\nThere is only a slight difference between infants and toddlers. The largest difference is how big the child is. Depending on the age of the toddler, he or she will still have infant proportions. The overall body shape of a boy and a girl is still very similar.\r\n\r\nNote that toddlers should have a longer body than an infant. So you add a half or a full head, depending on age.\r\n

3. Early Childhood / Kindergarteners

\r\nThere are significant changes at this age. It is possible for children at this age to be approximately one-half the size of an adult. The general body shape is still similar to that of a toddler, but you will start to see a difference.\r\n\r\nBoys: It\'s the same idea as drawing a toddler, but taller and older.\r\n\r\nGirls: The body shape starts to change. You also begin to notice a difference between girls and boys. Be sure to draw as carefully as possible, or your child will look older than she is.\r\n

4. Elementary School Years

\r\nGirls partially start developing early. Notice also other important changes as children get older.\r\n\r\nBoys: Between 3rd grade - 5th grade, boys will catch up with girls and start surpassing them in height. They will also have overall larger bodies.\r\n\r\nGirls: Girls will go through a change of body shape again, typically 2 or 3 years before boys.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n

5. Middle School / Preteen

\r\nProportions are about the same as elementary school kids, but girls are a lot more mature and will start looking like teenagers. There is a wide range so you may need to refer to a different body shape/age group, depending on the child.\r\n\r\nBoys: At this age, boys should be about the same size as girls or bigger. However, for the most part, the overall body shape is still the same.\r\n\r\nGirls: At this age girls will change quite dramatically as they start blossoming into young ladies.\r\n

6. Teenager/ Young Adult

\r\nThere are key differences for both boys and girls from looking like a teenager to looking like an adult. Both boys and girl still have a young looking appearance in the face. You can do this by creating a slight exaggeration of the eyes, drawing a smoother face, and using softer details, like along the neckline. As you work with a subject who is older, details like the neck are more defined.\r\n\r\n\"how\r\n

Consider the Style in Which You Want to Draw the Children

\r\n

7. Free Style Drawing or Sketching

\r\nWhen you don’t know how old someone is, look at a reference and draw what you see. Don’t get married to proportions, because certain things give people characteristics and drawing a person “how they are supposed to look\" will give a good sketch of a child but maybe not the person you are drawing.\r\n\r\nUnderstanding that each person\'s physical appearance is different will help you draw someone\'s “character” or personality instead of just a person. Children tend to have certain mannerisms (for example, drawing a child pose like sitting crisscross or playing).\r\n

8. Cartoonlike

\r\nConsider drawing personality traits like being silly, funny, or at play. This will create a more cartoonlike or childlike image. Create slight exaggerations of the body to transform your child into a cartoon which will capture a childlike image.\r\n\r\nHead: The head is largely disproportionate compared to the body for a good amount of your life.\r\n\r\nEyes: A slight exaggeration of how big the eyes are will both give the child a more childish look and also a cartoonlike appearance.\r\n\r\nBody: Draw the child\'s body like an adult\'s body but a lot smaller. Just think \"make everything smaller.\" Also, knowing the key differences at certain ages will help capture the correct age group.\r\n

9. Children with Family or Environment

\r\nOne of the best ways to draw a child is to draw the child next to someone else. Keep in mind: the smaller the child, the younger they will appear.\r\n

10. Appearance

\r\nConsider clothing, face expressions, being uninventive, or any childlike mannerism you can think of. Drawing a character of that person or capturing that person\'s personality will help not only make your drawing like that person, but will create a sense of realism.','How to Draw Children: 10 Different Approaches','','publish','open','open','','how-to-draw-children-10-different-approaches','','','2016-01-23 13:17:03','2016-01-23 21:17:03','',0,'http://www.letsdrawpeople.com/?p=2525',0,'post','',0),(2860,2,'2016-01-23 11:44:40','2016-01-23 19:44:40','','how to draw children 09 boy','','inherit','open','closed','','how-to-draw-children-09-boy','','','2016-01-23 11:44:40','2016-01-23 19:44:40','',2525,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/how-to-draw-children-09-boy.jpg',0,'attachment','image/jpeg',0),(2544,8,'2015-12-30 05:11:40','2015-12-30 13:11:40','First consider the age and development of the child before you begin. Refer to one of the age groups that I list below for how to draw children instructions for different age groups.\r\n\r\n1. Infants : notice the proportions of a infant. The majority of the body is the head and the rest of the body is almost the same size. There is little or no difference between boys and girls\r\nDrawing infants or babies is quite simple. You can break it down in a couple of steps.\r\n\r\nHead : to create the head just create one circle for the face and then another circle for the head.\r\n\r\nBody: should be about equal size with the head, figure out how any heads you need for the body.\r\n\r\nDetails: draw softly for details like eye brows hair face features, and draw shape for checks eyes and the out line of the head.\r\n\r\n\"1\"          \"2\"\r\n\r\n \r\n\r\n\"3\"          \"4\"\r\n\r\n \r\n\r\n\"5\"           \"6\"\r\n\r\n2. Toddlers: Only a slight difference between infants and toddlers, the largest difference is how big the child is. Depending on the age of the toddler they will still have infant proportions. The over all body shape of a boy and a girl is still very similar.\r\n\r\nNote that toddlers should have a longer body then a infant. So you add a halve or a full head depending on age.\r\n\r\n \r\n\r\n \r\n\r\n3. Early child hood/kindergarteners: There significant changes at this age, approximately one halve the size of an adult The general body shape is still similar to that of a toddler but you will notice large difference\r\n\r\nBoys. Same idea like drawing a toddler but taller and older.\r\n\r\nGirls. Body shape starts to change, notice difference between girls and boys be sure to draw as close as possible or your child will look older then she is.\r\n\r\n4. Elementary school years: Girls partially start developing early, notice also other important change in the body as children get older.\r\n\r\nBoys: 3rd grad -5h grade, boys will catch up with girl and start surpassing them in height and also have overall larger bodies.\r\n\r\nGirls: Change of body shape again and typically 2 or 3 year before boys, girls go though several body stages growing up, if you want more information on how girls body changes reference “ tanner scale for girls “ for scientific understanding of body changes.\r\n\r\n\"7\"         \"8\"\r\n\r\n \r\n\r\n\"9\"          \"10\"\r\n\r\n \r\n\r\n\"11\"           \"12\"\r\n\r\n5. Middle school/ preteen: Proportions is about the same as elementary school kids but girls are allot more mature and will start looking like a teenagers. There is a wide range so you may need to refer to a different body shape/age group depending on the child.\r\n\r\nBoys: at this age boys should be about the same size as girl or bigger, however for the most part the over all body shape is still the same.\r\n\r\nGirls : At this age girls will change quite dramatically as they start blossoming in to young ladies.\r\n\r\n6. Teenager/ young adult: allot of young girls look like full adults in body but still hold on to a child like face, where boy will change drastically from looking like little kids to looking like a man in body. However ,There are key difference for both boys and girls from looking like a teenager to looking like an adult. Both boys and girl still have a young looking appearance in the face, you can do this buy creating a slight exaggeration of the eyes, drawing a smother face, softer details like neck line. As you get older details like the neck are more defined.\r\n\r\n\"13\"\r\n\r\n\"14\"               \"15\"\r\n\r\n \r\n\r\n\"16\"                  \"17\"\r\n\r\n \r\n\r\n\"18\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n7. Free style drawing or sketching\r\nWhen you don’t know how old some one is look at a reference and draw what you see. Don’t get married to proportions because certain thing give people characteristic and drawing a person “ how they are supposed to look “ will give a good sketch of a child but maybe not the person you are drawing.\r\nUnderstanding each persons physical appearance is different will help you draw some ones “character” or personality instead of just a person. Children tend to have certain mannerisms for example drawing a child pose thing like sitting crisscross, or playing.\r\n\r\n8. Cartoon like:\r\nconsider drawing personality like being silly, funny, or at play, this will create a more cartoon like or child like image. Create slight exaggerations of the body to transform your child in too a cartoon which will capture a child like image.\r\n\r\nPhysical features\r\nHead : is largely disproportionate compared to the body for a good amount of your life.\r\nEyes : a slight exaggeration of how big the eyes are will both give the child a more childish look and also cartoon like appearance.\r\n\r\nBody: like an adults body but allot smaller, just think make every thing smaller, also knowing the key difference at certain ages will help capture the correct age group.\r\n\r\n9. Children with Family or environment: One of the best ways to draw a child is to draw them next to some one else, keep in mind the smaller the child the younger they will appear.\r\n\r\n10. Appearance: Consider clothing, face exprensitions, being uninventive or any child like mannerism you can think of, drawing a character of that person, or capering that person personality will help not only make your drawing like that person but will create a sense of realism.','How to Draw Children: 10 Different Approaches','','inherit','closed','closed','','2525-revision-v1','','','2015-12-30 05:11:40','2015-12-30 13:11:40','',2525,'http://www.letsdrawpeople.com/2525-revision-v1/',0,'revision','',0),(2555,15,'2015-12-30 19:41:05','2015-12-31 03:41:05','','Scan0006','','inherit','open','closed','','scan0006-2','','','2015-12-30 19:41:05','2015-12-31 03:41:05','',2549,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/Scan0006-1.jpg',0,'attachment','image/jpeg',0),(2556,15,'2015-12-30 19:41:07','2015-12-31 03:41:07','','Scan0007','','inherit','open','closed','','scan0007-2','','','2015-12-30 19:41:07','2015-12-31 03:41:07','',2549,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/Scan0007-1.jpg',0,'attachment','image/jpeg',0),(2557,15,'2015-12-30 19:41:10','2015-12-31 03:41:10','','Scan0008','','inherit','open','closed','','scan0008-2','','','2015-12-30 19:41:10','2015-12-31 03:41:10','',2549,'http://www.letsdrawpeople.com/wp-content/uploads/2015/12/Scan0008-1.jpg',0,'attachment','image/jpeg',0),(2561,2,'2015-12-30 20:13:28','2015-12-31 04:13:28','','/face-drawing-checklist-and-8-steps','','publish','closed','closed','','2561','','','2015-12-30 20:13:28','2015-12-31 04:13:28','',0,'',0,'leadpages_post','',0),(2562,15,'2015-12-30 20:13:16','2015-12-31 04:13:16','Well kiddies, it’s that time again. Time to do some more art! This time we’re going to look at drawing a man. The art world has put a lot of attention on female models and heroines in my opinion. I don’t think men get the same attention – could be that the majority of artists are men and they are more prone to draw women than men and who can blame them? I, myself, LOVE drawing/painting women but I still make time to do or add a man in a painting. It may take me more time to do a guy in a painting because of the lack of motivation, but I have to diversify. With that being said, let’s hop on it!\r\n\r\n \r\n\r\n\"Scan0001\"\r\n\r\nOk, so the first thing we’re doing here is doing the contour outline. Not much to say here except please keep in mind that if you’re going to draw men, we all have a much “square” jaw then women; women and their bodies tend to have “round” figures and men have square, chisel figures. It’s not too obvious but it’s something to keep in mind when drawing the different sexes. The shapes can be mostly seen in the bodies and face (again they’re very subtle; nothing big).\r\n\r\n \r\n\r\n\"Scan0002\"\r\n\r\n \r\n\r\nOK so the first facial body part I’m going to tackle is the eyes. I ALWAYS start with the eyes with any model, drawing or painting. There’s something magical when doing the eyes. When I’m usually done with the eyes, it sets the mood for the drawing/painting. They say that the eyes are the windows to the soul, I say, the eyes are the beginning of a drawing/painting. When working on the eyes, it’s best to add some darker line to the outside of the eyes just to establish the sketch. You then want to draw in the iris. You also want to draw in the pupil some but keep in mind we have to add a little feature to the eye before we start coloring it in. Draw in a circle or a square where the pupil and iris meet. This will be your eye highlight. Basically make sure that it’s a little bit in both the iris and pupil. You then color in the iris using a 6B or darker pencil and then use a tortillion to color in the iris.\r\n\r\nWhen this is done, please do not forget to use the tortillion to add some shade to the upper regions of the eyeball to illustrate some shading coming from the upper eyelid. You can then pencil in the eyelid crease and eyebrows at this point. Sometimes I do or I wait until I start directly on the face itself; same thing goes with the shading on the eyeball itself.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\nWorking on the mouth is fairly simple. Just like the eye, darken the outline just a little bit and then start working on the lips. When working on men’s lips, I have a different approach. When it’s a woman I’m working on, I tend to work directly on her lower lip to illustrate fullness and color. With men it’s different; I usually don’t work directly on their lip. Instead I work on the little bit of shadow that the lower lip portrays followed by some line for the lower lip.\r\n\r\nThe upper lip is colorized fully. Again I use a tortillion to color in some graphite. You can use a pencil as well and I’m thinking you may need to use 2B to 3H pencil; the upper lip is always portrayed darker than the lower lip. If the portrait happens to illustrate some teeth, make sure you use broken, faded lines to show the teeth and add just a little bit of shade to them. Near the corners of the mouth, the color needs to fade some into a darker contrast but not that much. Also, any showing of the inside of the mouth should be dark.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\nFun part! That’s right people, its hair time! The first part of doing the hair is color it in using a 3H pencil. You then take a tissue or non-lotion tissue and blend it into the paper keeping in mind to stay within the lines.\r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nThe next part is to add darker tone to the hair. Here you just use a darker pencil (6B or darker) to add dark tone features, There’s no need to color it, we will blend the dark tone into the hair soon enough, just focus on putting dark tone in areas where the hair illustrates it.\r\n\r\n \r\n\r\n\"Scan0006\"\r\n\r\nWhen the dark tone is properly place in the spots that are acceptable, blend it. Please note when blending hair, you need to blend as if you are almost drawing. You need to blend in the direction of the strokes to make the portrait look more realistic and believable. I would say using a tortillion is the best tool for this particular job. It’s more accurate and more controllable.\r\n\r\n \r\n\r\n\"Scan0007\"\"Scan0008\"\r\n\r\nI then work on the nose followed by the face. I first smudge the nose lines where the original sketch line was followed with some smudging directly on the nose area (left). I then add pencil strokes around the face area and then go back and smudge with a tissue (right).\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n\"Scan0009\"\r\n\r\nI continue this process for the whole body…..\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n\"Scan0010\"\r\n\r\nThe last thing I work on is the ax. I didn’t put in a lot of effort on this because this lesson focuses on how to draw the guy, not the axe. Now that the drawing is done, I hope everyone could get something out of this. Until the next lesson!','Use This Drawing of a Man to Improve Your Own Drawing','','inherit','closed','closed','','2549-revision-v1','','','2015-12-30 20:13:16','2015-12-31 04:13:16','',2549,'http://www.letsdrawpeople.com/2549-revision-v1/',0,'revision','',0),(2563,2,'2015-12-31 17:55:58','2016-01-01 01:55:58','[[\"[caption id=\\\"attachment_652\\\" align=\\\"aligncenter\\\" width=\\\"221\\\"]\\\"\\\"
PORTRAIT DRAWINGS OF CHILDREN<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_783\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
DRAWINGS OF WELL-KNOWN FACES<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1572\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
REALISTIC PORTRAITS<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1456\\\" align=\\\"aligncenter\\\" width=\\\"208\\\"]\\\"\\\"
SELF-PORTRAIT DRAWINGS OF ASPIRING ARTISTS<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1424\\\" align=\\\"aligncenter\\\" width=\\\"278\\\"]\\\"\\\"
PEOPLE LIVING IN A FANTASY WORLD<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1610\\\" align=\\\"aligncenter\\\" width=\\\"228\\\"]\\\"\\\"
DRAWINGS OF MODELS<\\/b><\\/center><\\/a>[\\/caption]\"],[\"[caption id=\\\"attachment_1623\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
FACIAL FEATURES<\\/b><\\/center><\\/a>[\\/caption]\",\"[caption id=\\\"attachment_1418\\\" align=\\\"aligncenter\\\" width=\\\"225\\\"]\\\"\\\"
FAMILY DRAWINGS<\\/b><\\/center><\\/a>[\\/caption]\"]]','Portrait Galleries','','inherit','closed','closed','','1084-revision-v1','','','2015-12-31 17:55:58','2016-01-01 01:55:58','',1084,'http://www.letsdrawpeople.com/1084-revision-v1/',0,'revision','',0),(2564,2,'2016-01-27 06:13:41','2016-01-27 14:13:41','Well kiddies, it’s that time again. Time to do some more art! This time we’re going to look at shading a drawing of a man.\n\nThe art world has put a lot of attention on female models and heroines in my opinion. I don’t think men get the same attention – could be that the majority of artists are men and they are more prone to draw women than men? Who can blame them?\n\nI, myself, LOVE drawing/painting women but I still make time to do or add a man in a painting. It may take me more time to do a guy in a painting because of the lack of motivation, but I have to diversify. With that being said, let’s hop on it!\n

Defining the Contour Outline of a Man

\nOK, so the first thing we’re doing here is beginning with a contour outline. Not much to say here except please keep in mind that if you’re going to draw men, we all have a much more “square” jaw than women. Women and their bodies tend to have “round” figures and men have square, chiseled figures. It’s not too obvious but it’s something to keep in mind when drawing the different sexes. The shapes can be mostly seen in the bodies and face (again they’re very subtle; nothing big).\n\n\"Scan0001-3\"\n

How to Shade the Eyes

\nOK, so the first facial body part I’m going to tackle is the eyes. I ALWAYS start with the eyes with any model, drawing, or painting. There’s something magical when doing the eyes. When I’m usually done with the eyes, it sets the mood for the drawing/painting. They say that the eyes are the windows to the soul. I say, the eyes are the beginning of a drawing/painting.\n\nWhen working on the eyes, it’s best to add some darker line to the outside of the eyes just to establish the sketch. You then want to draw in the iris. You also want to draw in the pupil some but keep in mind we have to add a little feature to the eye before we start shading it in. Draw in a circle or a square where the pupil and iris meet. This will be your eye highlight. Basically make sure that it’s a little bit in both the iris and pupil. You then color in the iris using a 6B or darker pencil and then use a tortillion to color in the iris.\n\n\"Scan0002\"\n\nWhen this is done, please do not forget to use the tortillion to add some shade to the upper regions of the eyeball to illustrate some shading coming from the upper eyelid. You can then pencil in the eyelid crease and eyebrows at this point. Sometimes I do or I wait until I start directly on the face itself. Same thing goes with the shading on the eyeball itself.\n

How to Shade the Mouth

\nWorking on the mouth is fairly simple. Just like the eye, darken the outline just a little bit and then start working on the lips.\n\nWhen working on men’s lips, I have a different approach. When it’s a woman I’m working on, I tend to work directly on her lower lip to illustrate fullness and color. With men, I usually don’t work directly on their lip. Instead I work on the little bit of shadow that the lower lip portrays followed by some line for the lower lip.\n\n\"Scan0003\"\n\nThe upper lip is shaded fully. Again I use a tortillion to color in some graphite. You can use a pencil as well and I’m thinking you may need to use a 2B to 3H pencil. The upper lip is always portrayed darker than the lower lip.\n\nIf the portrait happens to illustrate some teeth, make sure you use broken, faded lines to show the teeth and add just a little bit of shade to them. Near the corners of the mouth, the color needs to fade some into a darker contrast but not that much. Also, any showing of the inside of the mouth should be dark.\n

How to Shade the Hair

\nFun part! That’s right people, it\'s hair time! The first part of doing the hair is to shade it in using a 3H pencil. You then take a tortillion or non-lotion tissue and blend it into the paper, keeping in mind to stay within the lines.\n\n\"Scan0004\"\n\n \n\nThe next part is to add darker tone to the hair. Here you just use a darker pencil (6B or darker) to add dark tone features. There’s no need to color it. We will blend the dark tone into the hair soon enough. Just focus on putting dark tone in areas where the hair illustrates it.\n\n\"Scan0005\"\n\n \n\nWhen the dark tone is properly placed in the spots that are acceptable, blend it. Please note when blending hair, you need to blend as if you are almost drawing. You need to blend in the direction of the strokes to make the portrait look more realistic and believable. I would say using a tortillion is the best tool for this particular job. It’s more accurate and more controllable.\n\n\"Scan0006\"\n

Shading the Rest of the Drawing

\n \n\nI then work on the nose followed by the face. I first smudge the nose lines where the original sketch line was followed with some smudging directly on the nose area.\n\n\"Scan0007\"\n\n \n\nI then add pencil strokes around the face area and then go back and smudge with a tissue.\n\n\"Scan0008\"\n\n \n\nI continue this process for the whole body…..\n\n \n\n\"Scan0009-1\"\n\n \n\nThe last thing I work on is the ax. I didn’t put in a lot of effort on this because this lesson focuses on how to draw the guy, not the axe.\n\n\"Scan0010-1\"\n\nNow that the drawing is done, I hope everyone could get something out of this. Until the next lesson!','How to Shade a Drawing of a Man','','inherit','closed','closed','','2549-autosave-v1','','','2016-01-27 06:13:41','2016-01-27 14:13:41','',2549,'http://www.letsdrawpeople.com/2549-autosave-v1/',0,'revision','',0),(2566,2,'2016-01-01 05:49:21','2016-01-01 13:49:21',' \r\n\r\nWhitney Houston is still considered an icon even to this day. Despite her problems with drugs, who she married, or how she died, she is and will always be a great influence to future generations to come. As you can see, she is an influence to some of us artists; she makes a great subject to study and practice our drawing skills. With that being said, let’s jump into drawing her and honing our skills!\r\n\r\n[caption id=\"attachment_2472\" align=\"aligncenter\" width=\"533\"]\"
© Carrienelson1 | Dreamstime.com
[/caption]\r\n

\r\n

Draw the Facial Features

\r\n\"Scan0000\"\r\n\r\nWhen working from a photo, I think it’s best that you have 2 of them. One would be for making lines on the photo and the 2nd one would be the photo that you will be working with after the outlines of the figure have been drawn. Start out by first drawing lines (with a ruler or a straight object, of course) onto the 1st picture. Usually I would draw lines that would be under the eyes, the nose, top and bottom of the mouth, and the chin. I would then draw vertical lines on both sides to where the sides of the face will be. I would then repeat this action on my sheet of paper where I would make my future drawing.It’s safe to say that you may want to measure out the space in between the lines so that you can get as close as you can on the eyes, nose, and mouth being near their exact proximity. In this stage, many artists will use different tools to achieve a perfect anatomy or proximity of the focused object such as grids, light boxes, projectors, or free hand.\r\n\r\n \r\n\r\n\"Scan0001\"\r\n\r\nIn this stage I’m placing the facial features in their designated areas. I’m making sure both the bottom of the eyes and nose are touching the line and the top and bottom of the mouth are touching the line. One of the rules I remembered is that when you draw the eyes, remember that they are one eye length apart and from the bottom of the nose to the bottom of the mouth, that is also one eye length.\r\n\r\n \r\n\r\n\"Scan0002\"\r\n\r\nIn this stage, I’m focusing on the placement of her hair and chin and making a logical placement of her shoulders.\r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\nNow it’s time for the nitty gritty of things – time to start doing the real drawing. Here, as you can see, I started with the eyes first. I have always started with the eyes. I would recommend that you do that too. In my opinion, it feels more complete once you have both of them done. When doing the eye, you need to first draw in a small highlight/glare to illustrate the reflection of light. This can be achieved by drawing a small circle or square. You then want to use a dark pencil (6B or darker) to fill in the pupil. After that is done, you want to take a tortillion and add the color of the iris. At this point, you may want to outline the eye and the iris to differentiate it from the rest. Another action that is overlooked so often is greying the upper area of the eye; this can also be achieved with a tortillion. You must show that the eyelid casts a small shadow. The last two things that you have to do is add an eye lid crease and some eye lashes. The eye lid crease can be added with any pencil and then with a tortillion, smudge it some to show that the line was blending into the atmosphere instead of it looking like a hard line and standing out. I believe that’s what differentiates many artists. How well do your lines and colors blend in with a concept?\r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\nMoving along to the next body part, the first thing I do is redefine the parting of the lips. I do this like I did drawing the eye lid – I’ll draw exactly where the lips part and then smudge it with a tortillion. Once that’s complete, I work on the bottom lip by first drawing lines in an upward motion. I’ll try and fade the sweeping as I get close to the middle of the lip to illustrate a “lip glare/highlight.” Soon as I got it drawn, I’ll, you guessed it, use a tortillion again to smudge. With that same tortillion, I’ll smudge or add a darker tone to the upper lip. Depending on the angle and if the person is facing light, I may have to add a highlight to the upper lip.\r\n

Draw the Hair

\r\n\"Scan0005\"\r\n\r\nAlright, time for my favorite part……HAIR! I absolutely love drawing hair. With that being said, let’s dive right into it! Okay so the first thing you want to do is “color” the hair completely with a light pencil. I used a 3H.\r\n\r\n \r\n\r\n\"Scan0006\"\r\n\r\nOnce that’s done, use tissue paper or a non-lotion Kleenex to smudge or blend.\r\n\r\n \r\n\r\n\"Scan0007\"\r\n\r\nYou want to take a dark pencil now and add in darker strands or highlights in SOME areas. Blend this with your tissue paper. You will want to leave some areas illustrated as highlights and light reflection.\r\n\r\n \r\n\r\n\"Scan0008\"\r\n\r\nOnce everything is blended, go back with either a dark pencil (6B or darker) or a mid-way pencil (H, F, HB) to add hair strands throughout the head of the figure. Do not blend or use a tortillion/tissue – you want to show some hair strands.\r\n

Draw the Clothing

\r\n\"Scan0009\"\r\n\r\nNow to the body part I don’t care to work on. It’s necessary but I’m never motivated to do it. Keep in mind that 2 noses are not the same. Even if it’s the same person, different lighting of the subject will have the nose casting or using different shadows. Now you understand why I don’t care too much for it. Anywho, the first thing I work on are the nostrils with a tortillion. I then smooth the nose edges and try to make it appear as if they are soft shadows instead of hard lines. I also try to bring some of the dark tone out toward the cheek area to show more blending that way.\r\n\r\n \r\n\r\n\"Scan0011\"\r\n\r\nHere I’m working on some shading and tone on the face as well as certain details on the face like the cleft under the nose. I’ve also add the color to her shirt. It looks 2D and boring right now, but maybe I can spice it up.\r\n\r\n \r\n\r\n\"Scan0012\"\r\n\r\nOkay, here is the finish drawing. I smudged the black that was on her shirt and used a kneaded eraser to mimic the shimmer she had on her shirt. I also did some detail to her earrings. I also used a pencil eraser to add some small detail near the bottom of her shirt. Overall I think the skin tone could have been a lot darker, but I’ve always been precautious about darkening people in my drawings – fear of making a mistake that would be hard to get out. Oh well, none of us are perfect but we still aim for it.','See How to Draw Whitney Houston','','inherit','closed','closed','','2443-revision-v1','','','2016-01-01 05:49:21','2016-01-01 13:49:21','',2443,'http://www.letsdrawpeople.com/2443-revision-v1/',0,'revision','',0),(2567,2,'2016-01-01 06:05:09','2016-01-01 14:05:09',' \r\n\r\nWhitney Houston is still considered an icon even to this day. Despite her problems with drugs, who she married, or how she died, she is and will always be a great influence to future generations to come. As you can see, she is an influence to some of us artists; she makes a great subject to study and practice our drawing skills. With that being said, let’s jump into drawing her and honing our skills!\r\n\r\n[caption id=\"attachment_2472\" align=\"aligncenter\" width=\"533\"]\"
© Carrienelson1 | Dreamstime.com
[/caption]\r\n

\r\n

Draw the Facial Features

\r\n \r\n\r\nWhen working from a photo, I think it’s best that you have 2 of them. One would be for making lines on the photo and the 2nd one would be the photo that you will be working with after the outlines of the figure have been drawn. Start out by first drawing lines (with a ruler or a straight object, of course) onto the 1st picture. Usually I would draw lines that would be under the eyes, the nose, top and bottom of the mouth, and the chin. I would then draw vertical lines on both sides to where the sides of the face will be. I would then repeat this action on my sheet of paper where I would make my future drawing.It’s safe to say that you may want to measure out the space in between the lines so that you can get as close as you can on the eyes, nose, and mouth being near their exact proximity. In this stage, many artists will use different tools to achieve a perfect anatomy or proximity of the focused object such as grids, light boxes, projectors, or free hand.\r\n\r\n\"Scan0000\"\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0001\"\r\n\r\nIn this stage I’m placing the facial features in their designated areas. I’m making sure both the bottom of the eyes and nose are touching the line and the top and bottom of the mouth are touching the line. One of the rules I remembered is that when you draw the eyes, remember that they are one eye length apart and from the bottom of the nose to the bottom of the mouth, that is also one eye length.\r\n\r\n \r\n\r\n\"Scan0002\"\r\n\r\nIn this stage, I’m focusing on the placement of her hair and chin and making a logical placement of her shoulders.\r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\nNow it’s time for the nitty gritty of things – time to start doing the real drawing. Here, as you can see, I started with the eyes first. I have always started with the eyes. I would recommend that you do that too. In my opinion, it feels more complete once you have both of them done. When doing the eye, you need to first draw in a small highlight/glare to illustrate the reflection of light. This can be achieved by drawing a small circle or square. You then want to use a dark pencil (6B or darker) to fill in the pupil. After that is done, you want to take a tortillion and add the color of the iris. At this point, you may want to outline the eye and the iris to differentiate it from the rest. Another action that is overlooked so often is greying the upper area of the eye; this can also be achieved with a tortillion. You must show that the eyelid casts a small shadow. The last two things that you have to do is add an eye lid crease and some eye lashes. The eye lid crease can be added with any pencil and then with a tortillion, smudge it some to show that the line was blending into the atmosphere instead of it looking like a hard line and standing out. I believe that’s what differentiates many artists. How well do your lines and colors blend in with a concept?\r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\nMoving along to the next body part, the first thing I do is redefine the parting of the lips. I do this like I did drawing the eye lid – I’ll draw exactly where the lips part and then smudge it with a tortillion. Once that’s complete, I work on the bottom lip by first drawing lines in an upward motion. I’ll try and fade the sweeping as I get close to the middle of the lip to illustrate a “lip glare/highlight.” Soon as I got it drawn, I’ll, you guessed it, use a tortillion again to smudge. With that same tortillion, I’ll smudge or add a darker tone to the upper lip. Depending on the angle and if the person is facing light, I may have to add a highlight to the upper lip.\r\n

Draw the Hair

\r\n\"Scan0005\"\r\n\r\nAlright, time for my favorite part……HAIR! I absolutely love drawing hair. With that being said, let’s dive right into it! Okay so the first thing you want to do is “color” the hair completely with a light pencil. I used a 3H.\r\n\r\n \r\n\r\n\"Scan0006\"\r\n\r\nOnce that’s done, use tissue paper or a non-lotion Kleenex to smudge or blend.\r\n\r\n \r\n\r\n\"Scan0007\"\r\n\r\nYou want to take a dark pencil now and add in darker strands or highlights in SOME areas. Blend this with your tissue paper. You will want to leave some areas illustrated as highlights and light reflection.\r\n\r\n \r\n\r\n\"Scan0008\"\r\n\r\nOnce everything is blended, go back with either a dark pencil (6B or darker) or a mid-way pencil (H, F, HB) to add hair strands throughout the head of the figure. Do not blend or use a tortillion/tissue – you want to show some hair strands.\r\n

Draw the Clothing

\r\n\"Scan0009\"\r\n\r\nNow to the body part I don’t care to work on. It’s necessary but I’m never motivated to do it. Keep in mind that 2 noses are not the same. Even if it’s the same person, different lighting of the subject will have the nose casting or using different shadows. Now you understand why I don’t care too much for it. Anywho, the first thing I work on are the nostrils with a tortillion. I then smooth the nose edges and try to make it appear as if they are soft shadows instead of hard lines. I also try to bring some of the dark tone out toward the cheek area to show more blending that way.\r\n\r\n \r\n\r\n\"Scan0011\"\r\n\r\nHere I’m working on some shading and tone on the face as well as certain details on the face like the cleft under the nose. I’ve also add the color to her shirt. It looks 2D and boring right now, but maybe I can spice it up.\r\n\r\n \r\n\r\n\"Scan0012\"\r\n\r\nOkay, here is the finish drawing. I smudged the black that was on her shirt and used a kneaded eraser to mimic the shimmer she had on her shirt. I also did some detail to her earrings. I also used a pencil eraser to add some small detail near the bottom of her shirt. Overall I think the skin tone could have been a lot darker, but I’ve always been precautious about darkening people in my drawings – fear of making a mistake that would be hard to get out. Oh well, none of us are perfect but we still aim for it.','See How to Draw Whitney Houston','','inherit','closed','closed','','2443-revision-v1','','','2016-01-01 06:05:09','2016-01-01 14:05:09','',2443,'http://www.letsdrawpeople.com/2443-revision-v1/',0,'revision','',0),(2568,2,'2016-01-01 08:21:04','2016-01-01 16:21:04','','11 how to draw whitney houston clothing','','inherit','open','closed','','11-how-to-draw-whitney-houston-clothing','','','2016-01-01 08:21:04','2016-01-01 16:21:04','',2443,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/11-how-to-draw-whitney-houston-clothing.jpg',0,'attachment','image/jpeg',0),(2569,2,'2016-01-01 08:21:06','2016-01-01 16:21:06','','how to draw whitney houston','\"Whitney Houston\" by Carlos Reid','inherit','open','closed','','how-to-draw-whitney-houston','','','2016-01-06 22:05:24','2016-01-07 06:05:24','',2443,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/how-to-draw-whitney-houston.jpg',0,'attachment','image/jpeg',0),(2570,2,'2016-01-01 08:21:08','2016-01-01 16:21:08','','08 how to draw whitney houston hair step 4','','inherit','open','closed','','08-how-to-draw-whitney-houston-hair-step-4','','','2016-01-01 08:21:08','2016-01-01 16:21:08','',2443,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/08-how-to-draw-whitney-houston-hair-step-4.jpg',0,'attachment','image/jpeg',0),(2571,2,'2016-01-01 08:21:09','2016-01-01 16:21:09','','09 how to draw whitney houston face','','inherit','open','closed','','09-how-to-draw-whitney-houston-face','','','2016-01-01 08:21:09','2016-01-01 16:21:09','',2443,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/09-how-to-draw-whitney-houston-face.jpg',0,'attachment','image/jpeg',0),(2572,2,'2016-01-01 08:21:11','2016-01-01 16:21:11','','07 how to draw whitney houston hair step 3','','inherit','open','closed','','07-how-to-draw-whitney-houston-hair-step-3','','','2016-01-01 08:21:11','2016-01-01 16:21:11','',2443,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/07-how-to-draw-whitney-houston-hair-step-3.jpg',0,'attachment','image/jpeg',0),(2573,2,'2016-01-01 08:21:13','2016-01-01 16:21:13','','05 how to draw whitney houston hair step 1','','inherit','open','closed','','05-how-to-draw-whitney-houston-hair-step-1','','','2016-01-01 08:21:13','2016-01-01 16:21:13','',2443,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/05-how-to-draw-whitney-houston-hair-step-1.jpg',0,'attachment','image/jpeg',0),(2574,2,'2016-01-01 08:21:14','2016-01-01 16:21:14','','06 how to draw whitney houston hair step 2','','inherit','open','closed','','06-how-to-draw-whitney-houston-hair-step-2','','','2016-01-01 08:21:14','2016-01-01 16:21:14','',2443,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/06-how-to-draw-whitney-houston-hair-step-2.jpg',0,'attachment','image/jpeg',0),(2575,2,'2016-01-01 08:21:15','2016-01-01 16:21:15','','02 how to draw whitney houston outline','','inherit','open','closed','','02-how-to-draw-whitney-houston-outline','','','2016-01-01 08:21:15','2016-01-01 16:21:15','',2443,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/02-how-to-draw-whitney-houston-outline.jpg',0,'attachment','image/jpeg',0),(2576,2,'2016-01-01 08:21:17','2016-01-01 16:21:17','','00 how to draw whitney houston guidelines','','inherit','open','closed','','00-how-to-draw-whitney-houston-guidelines','','','2016-01-01 08:21:17','2016-01-01 16:21:17','',2443,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/00-how-to-draw-whitney-houston-guidelines.jpg',0,'attachment','image/jpeg',0),(2577,2,'2016-01-01 08:21:18','2016-01-01 16:21:18','','03 how to draw whitney houston eye','','inherit','open','closed','','03-how-to-draw-whitney-houston-eye','','','2016-01-01 08:21:18','2016-01-01 16:21:18','',2443,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/03-how-to-draw-whitney-houston-eye.jpg',0,'attachment','image/jpeg',0),(2578,2,'2016-01-01 08:21:20','2016-01-01 16:21:20','','01 how to draw whitney houston features','','inherit','open','closed','','01-how-to-draw-whitney-houston-features','','','2016-01-01 08:21:20','2016-01-01 16:21:20','',2443,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/01-how-to-draw-whitney-houston-features.jpg',0,'attachment','image/jpeg',0),(2579,2,'2016-01-01 08:21:21','2016-01-01 16:21:21','','04 how to draw whitney houston lips','','inherit','open','closed','','04-how-to-draw-whitney-houston-lips','','','2016-01-01 08:21:21','2016-01-01 16:21:21','',2443,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/04-how-to-draw-whitney-houston-lips.jpg',0,'attachment','image/jpeg',0),(2580,2,'2016-01-01 08:42:24','2016-01-01 16:42:24','','see how to draw whitney houston gridlines closeup','','inherit','open','closed','','see-how-to-draw-whitney-houston-gridlines-closeup','','','2016-01-01 08:42:24','2016-01-01 16:42:24','',2443,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/see-how-to-draw-whitney-houston-gridlines-closeup.jpg',0,'attachment','image/jpeg',0),(2581,2,'2016-01-01 09:13:33','2016-01-01 17:13:33','','03a how to draw whitney houston eye','','inherit','open','closed','','03a-how-to-draw-whitney-houston-eye','','','2016-01-01 09:13:33','2016-01-01 17:13:33','',2443,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/03a-how-to-draw-whitney-houston-eye.jpg',0,'attachment','image/jpeg',0),(2582,2,'2016-01-01 09:44:36','2016-01-01 17:44:36','Whitney Houston is still considered an icon even to this day. Despite her problems with drugs, who she married, or how she died, she is and will always be a great influence to future generations to come. As you can see, she is an influence to some of us artists. She makes a great subject to study and practice our drawing skills. You will see how to draw Whitney Houston in this tutorial. With that being said, let’s jump into drawing her and honing our skills!\r\n\r\n[caption id=\"attachment_2472\" align=\"aligncenter\" width=\"533\"]\"
© Carrienelson1 | Dreamstime.com
[/caption]\r\n

\r\n

Draw the Facial Features

\r\nWhen working from a photo, I think it’s best that you have 2 of them. One would be for making lines on the photo and the 2nd one would be the photo that you will be working with after the outlines of the figure have been drawn. Start out by first drawing lines (with a ruler or a straight object, of course) onto the 1st picture. Usually I would draw lines that would be under the eyes, the nose, top and bottom of the mouth, and the chin. I would then draw vertical lines on both sides to where the sides of the face will be.\r\n\r\n\"see\r\n\r\n \r\n\r\nI would then repeat this action on my sheet of paper where I would make my future drawing. It’s safe to say that you may want to measure out the space in between the lines so that you can get as close as you can on the eyes, nose, and mouth being near their exact proximity. In this stage, many artists will use different tools to achieve a perfect anatomy or proximity of the focused object such as grids, light boxes, projectors, or free hand.\r\n\r\n \r\n\r\n\"00\r\n\r\n \r\n\r\nIn this stage I’m placing the facial features in their designated areas. I’m making sure both the bottom of the eyes and nose are touching the line and the top and bottom of the mouth are touching the line. One of the rules to remember is that when you draw the eyes, remember that they are one eye-length apart and from the bottom of the nose to the bottom of the mouth, that is also one eye-length.\r\n\r\n\"01\r\n\r\n \r\n\r\n \r\n\r\nIn this stage, I’m focusing on the placement of her hair and chin and making a logical placement of her shoulders.\r\n\r\n\"02\r\n\r\n \r\n\r\n \r\n\r\nNow it’s time for the nitty gritty of things – time to start doing the real drawing. Here, as you can see, I started with the eyes first. I have always started with the eyes. I would recommend that you do that too. In my opinion, it feels more complete once you have both of them done.\r\n\r\n\"03\r\n\r\nWhen doing the eye, you need to first draw in a small highlight/glare to illustrate the reflection of light. This can be achieved by drawing a small circle or square. You then want to use a dark pencil (6B or darker) to fill in the pupil.\r\n\r\nAfter that is done, you want to take a tortillion and add the color of the iris. At this point, you may want to outline the eye and the iris to differentiate it from the rest.\r\n\r\nAnother action that is overlooked so often is greying the upper area of the eye. This can also be achieved with a tortillion. You must show that the eyelid casts a small shadow.\r\n\r\n\"03a\r\n\r\nThe last two things that you have to do is add an eyelid crease and some eyelashes. The eyelid crease can be added with any pencil and then with a tortillion. Smudge it some to show that the line is blended into its surroundings instead of it looking like a hard line and standing out. I believe that’s what differentiates many artists. How well do your lines and colors blend in with a concept?\r\n\r\nMoving along to the next body part, the first thing I do is redefine the parting of the lips. I do this like I did drawing the eyelid – I’ll draw exactly where the lips part and then smudge it with a tortillion.\r\n\r\n\"04\r\n\r\nOnce that’s complete, I work on the bottom lip by first drawing lines in an upward motion. I’ll try and fade the sweeping as I get close to the middle of the lip to illustrate a “lip glare/highlight.” Soon as I got it drawn, I’ll, you guessed it, use a tortillion again to smudge. With that same tortillion, I’ll smudge or add a darker tone to the upper lip. Depending on the angle and if the person is facing light, I may have to add a highlight to the upper lip.\r\n

Draw the Hair

\r\nAlright, time for my favorite part……HAIR! I absolutely love drawing hair. With that being said, let’s dive right into it! Okay so the first thing you want to do is “color” the hair completely with a light pencil. I used a 3H.\r\n\r\n\"05\r\n\r\n \r\n\r\n \r\n\r\nOnce that’s done, use tissue paper or a non-lotion Kleenex to smudge or blend.\r\n\r\n\"06\r\n\r\n \r\n\r\n \r\n\r\nYou want to take a dark pencil now and add in darker strands or highlights in SOME areas. Blend this with your tissue paper. You will want to leave some areas illustrated as highlights and light reflection.\r\n\r\n\"07\r\n\r\n \r\n\r\n \r\n\r\nOnce everything is blended, go back with either a dark pencil (6B or darker) or a mid-way pencil (H, F, HB) to add hair strands throughout the head of the figure. Do not blend or use a tortillion/tissue – you want to show some hair strands.\r\n\r\n\"08\r\n\r\n \r\n

Finish the Face and Clothing

\r\n \r\n\r\nNow to the body part I don’t care to work on. It’s necessary but I’m never motivated to do it.\r\n\r\nKeep in mind that 2 noses are not the same. Even if it’s the same person, different lighting of the subject will have the nose casting or using different shadows. Now you understand why I don’t care too much for it.\r\n\r\nAnywho, the first thing I work on are the nostrils with a tortillion. I then smooth the nose edges and try to make it appear as if they are soft shadows instead of hard lines. I also try to bring some of the dark tone out toward the cheek area to show more blending that way.\r\n\r\n\"09\r\n\r\n \r\n\r\n \r\n\r\nHere I’m working on some shading and tone on the face as well as certain details of the face like the cleft under the nose. I’ve also added the color to Whitney\'s shirt. It looks 2D and boring right now, but maybe I can spice it up.\r\n\r\n\"11\r\n\r\n \r\n\r\n \r\n\r\nOkay, here is the finish drawing. I smudged the black that was on her shirt and used a kneaded eraser to mimic the shimmer she had on her shirt. I also put some detail to her earrings and used a pencil eraser to add some small detail near the bottom of her shirt.\r\n\r\n\"how\r\n\r\nOverall I think the skin tone could have been a lot darker, but I’ve always been precautious about darkening people in my drawings – fear of making a mistake that would be hard to get out. Oh well, none of us are perfect but we still aim for it.','See How to Draw Whitney Houston','','inherit','closed','closed','','2443-revision-v1','','','2016-01-01 09:44:36','2016-01-01 17:44:36','',2443,'http://www.letsdrawpeople.com/2443-revision-v1/',0,'revision','',0),(2583,2,'2016-01-01 10:04:15','2016-01-01 18:04:15','The hair gods really love me. I mean, they really love me to let me write this article on hair. Let it be known that I’m no high, exquisite expert but when it’s time to do the subject’s hair in either pencil, color pencil, or oil paint, I don’t play around. To me, hair is the ultimate expression. I even bought a movie because the star/girl in the movie was changing her hair style in every scene. What does that tell you? Any who, let’s get to the nitty gritty of things……drawing the hair and making it look as close to realism as possible.\r\n\r\n \r\n\r\n\"Scan0001\"\r\n\r\nAs you can see in this first picture I drew out the basics. Keep in mind I won’t draw the whole face – just the hair since that is our focus. I mostly keep it simple, making sure the contour outline is close to what the original picture is.\r\n\r\n \r\n\r\n\"Scan0002\"\r\n\r\nThe next step is “coloring” the hair some. I use a 3H pencil to add some light color to the hair. I then blend or smudge the pencil into the hair by using tissue to get the effect that I’m looking for. You can also use a tortillion but tissue is preferable.\r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\nI then start to add darker tone to the subject (she’s a brunette) by using a 5B pencil. As you can see, I do not cover the whole hair with it. I leave some areas un-touched; they will be the areas where light is reflected or a lighter tone of the hair will be.\r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\nThe next thing I’m going to perform is smudging/blending again but I will use a tortillion. The reason I do this is because a piece of tissue will spread the graphite of the pencil too much. I would like some of the graphite to spread but not so much that it doesn’t illustrate strands of hair. A tortillion will isolate the graphite, limiting it as to how far it will spread from its original location.\r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nIn the final stage, I will add more darker tone and some hair strands to certain areas to make it realistic. I will also utilize the kneaded eraser here to lift certain tones to the hair and add highlights.\r\n\r\n \r\n\r\n\"Scan0001\"\r\n\r\nLet’s do another exercise of drawing more hair! This time we will be doing blonde hair since it doesn’t require the same amount of graphite. This will actually be quick and fast since less work is required. As usual, you can see that I did a quick sketch of one of my pictures of a model. Please don’t get in an uproar over how the fingers look. If this was about hands and fingers, they would be on point, but I was sketching quick and I wanted to jump on the hair so………..\r\n\r\n \r\n\r\n\"Scan0002\"\r\n\r\nFirst thing I do, like in the first example, I “color” the hair but in this case, I used a lighter pencil (5H). I then used a 3B pencil to add some dark tone to the top of her hair, followed by some smudging/blending.\r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\nI then use that same 3B pencil to add JUST A FEW hair strands to the subject. You can also interpret this as me adding small dark tones to the blonde hair followed by smudging of the tortillion. It may be important to add some of the darker tones on the tips/end of the strand hairs to show some contrast.\r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\nThe hair at this stage is basically done; if the rest of the picture was to be completed, then the hair would fall right into place. Once you, yourself, can go through this stage with no problem mastering the technique of creating hair, the hair gods will find favor with you as well.','How to Draw Hair','','inherit','closed','closed','','2458-revision-v1','','','2016-01-01 10:04:15','2016-01-01 18:04:15','',2458,'http://www.letsdrawpeople.com/2458-revision-v1/',0,'revision','',0),(2596,2,'2016-01-01 11:38:14','2016-01-01 19:38:14','The hair gods really love me. I mean, they really love me to let me write this article on hair. Let it be known that I’m no high, exquisite expert; but when it’s time to do the subject’s hair in either pencil, color pencil, or oil paint, I don’t play around.\r\n\r\nTo me, hair is the ultimate expression. I even bought a movie because the star/girl in the movie was changing her hair style in every scene. What does that tell you? Any who, let’s get to the nitty gritty of things……how to draw hair and make it look as close to realism as possible.\r\n

How to Draw Brunette Hair

\r\nAs you can see in this first picture, I drew out the basics. Keep in mind I won’t draw the whole face – just the hair since that is our focus. I mostly keep it simple, making sure the contour outline is close to what the original picture is.\r\n\r\n\"01\r\n\r\n \r\n\r\nThe next step is “coloring” the hair some. I use a 3H pencil to add some light color to the hair. I then blend or smudge the pencil into the hair by using tissue to get the effect that I’m looking for. You can also use a tortillion but tissue is preferable.\r\n\r\n\"02\r\n\r\n \r\n\r\n \r\n\r\nI then start to add darker tone to the subject (she’s a brunette) by using a 5B pencil. As you can see, I do not cover the whole hair with it. I leave some areas untouched. They will be the areas where light is reflected or a lighter tone of the hair will be.\r\n\r\n\"03\r\n\r\n \r\n\r\n \r\n\r\nThe next thing I’m going to perform is smudging/blending again, but I will use a tortillion. The reason I do this is because a piece of tissue will spread the graphite of the pencil too much. I would like some of the graphite to spread, but not so much that it doesn’t illustrate strands of hair. A tortillion will isolate the graphite, limiting it as to how far it will spread from its original location.\r\n\r\n\"04\r\n\r\n \r\n\r\n \r\n\r\nIn the final stage, I will add more darker tone and some hair strands to certain areas to make it realistic. I will also utilize the kneaded eraser here to lift certain tones from the hair and add highlights.\r\n\r\n\"05\r\n\r\n \r\n

How to Draw Blonde Hair

\r\n \r\n\r\nLet’s do another exercise of drawing more hair! This time we will see how to draw blonde hair since it doesn’t require the same amount of graphite. This will actually be quick and fast since less work is required.\r\n\r\nAs usual, you can see that I did a quick sketch of one of my pictures of a model. Please don’t get in an uproar over how the fingers look. If this was about hands and fingers, they would be on point, but I was sketching quickly and I wanted to jump on the hair, so………..\r\n\r\n\"01\r\n\r\n \r\n\r\n \r\n\r\nFirst thing I do, like in the first example, is “color” the hair. But in this case, I use a lighter pencil (5H). I then use a 3B pencil to add some dark tone to the top of her hair, followed by some smudging/blending.\r\n\r\n\"02\r\n\r\n \r\n\r\n \r\n\r\nI then use that same 3B pencil to add JUST A FEW hair strands to the subject. You can also interpret this as me adding small dark tones to the blonde hair followed by smudging of the tortillion. It may be important to add some of the darker tones on the tips/end of the strand hairs to show some contrast.\r\n\r\n\"03\r\n\r\n \r\n\r\n \r\n\r\nThe hair at this stage is basically done. If the rest of the picture was to be completed, then the hair would fall right into place.\r\n\r\n\"04\r\n\r\nOnce you, yourself, can go through this stage with no problem mastering the technique of creating hair, the hair gods will find favor with you as well.','How to Draw Hair - Brunette and Blonde','','inherit','closed','closed','','2458-revision-v1','','','2016-01-01 11:38:14','2016-01-01 19:38:14','',2458,'http://www.letsdrawpeople.com/2458-revision-v1/',0,'revision','',0),(2597,2,'2016-01-01 11:44:22','2016-01-01 19:44:22',' ','','','publish','closed','closed','','2597','','','2017-06-06 05:25:20','2017-06-06 12:25:20','',14,'http://www.letsdrawpeople.com/?p=2597',7,'nav_menu_item','',0),(2598,2,'2016-01-23 13:13:35','2016-01-23 21:13:35','The purpose of this article is to list 10 different approaches to drawing children. The first six approaches will consider the age. The last four are more stylistic approaches.\n

Consider the Age of the Children

\nFirst consider the age and development of the child before you begin. Refer to one of the age groups that I list below for how to draw children. There are instructions for different age groups.\n

1. Infants

\nNotice the proportions of an infant. The majority of the body is the head and the rest of the body is almost the same size. There is little to no difference between boys and girls.\n\nDrawing infants or babies is quite simple. You can break it down in a couple of steps.\n\nHead: To create the head, just create one circle for the face and then another circle for the head.\n\nBody: The body should be about an equal size with the head. Figure out how many heads you need for the body.\n\nDetails: Draw softly for details like eyebrows, hair, and face features. Draw shapes for the cheeks, eyes, and the outline of the head.\n\n\"how\n\n\"how\n\n\"how\n\n\"how\n\n\"how\n\n\"how\n

2. Toddlers

\nThere is only a slight difference between infants and toddlers. The largest difference is how big the child is. Depending on the age of the toddler, he or she will still have infant proportions. The overall body shape of a boy and a girl is still very similar.\n\nNote that toddlers should have a longer body than an infant. So you add a half or a full head, depending on age.\n

3. Early Childhood / Kindergarteners

\nThere are significant changes at this age. It is possible for children at this age to be approximately one-half the size of an adult. The general body shape is still similar to that of a toddler, but you will start to see a difference.\n\nBoys: It\'s the same idea as drawing a toddler, but taller and older.\n\nGirls: The body shape starts to change. You also begin to notice a difference between girls and boys. Be sure to draw as carefully as possible, or your child will look older than she is.\n

4. Elementary School Years

\nGirls partially start developing early. Notice also other important changes as children get older.\n\nBoys: Between 3rd grade - 5th grade, boys will catch up with girls and start surpassing them in height. They will also have overall larger bodies.\n\nGirls: Girls will go through a change of body shape again, typically 2 or 3 years before boys.\n\n\"how\n\n\"how\n\n\"how\n\n\"how\n\n\"how\n\n\"how\n

5. Middle School / Preteen

\nProportions are about the same as elementary school kids, but girls are a lot more mature and will start looking like teenagers. There is a wide range so you may need to refer to a different body shape/age group, depending on the child.\n\nBoys: At this age, boys should be about the same size as girls or bigger. However, for the most part, the overall body shape is still the same.\n\nGirls: At this age girls will change quite dramatically as they start blossoming into young ladies.\n

6. Teenager/ Young Adult

\nThere are key differences for both boys and girls from looking like a teenager to looking like an adult. Both boys and girl still have a young looking appearance in the face. You can do this by creating a slight exaggeration of the eyes, drawing a smoother face, and using softer details, like along the neckline. As you work with a subject who is older, details like the neck are more defined.\n\n\"how\n

Consider the Style in Which You Want to Draw the Children

\n

7. Free Style Drawing or Sketching

\nWhen you don’t know how old someone is, look at a reference and draw what you see. Don’t get married to proportions, because certain things give people characteristics and drawing a person “how they are supposed to look\" will give a good sketch of a child but maybe not the person you are drawing.\n\nUnderstanding that each person\'s physical appearance is different will help you draw someone\'s “character” or personality instead of just a person. Children tend to have certain mannerisms (for example, drawing a child pose like sitting crisscross or playing).\n

8. Cartoonlike

\nConsider drawing personality traits like being silly, funny, or at play. This will create a more cartoonlike or childlike image. Create slight exaggerations of the body to transform your child into a cartoon which will capture a childlike image.\n\nHead: The head is largely disproportionate compared to the body for a good amount of your life.\n\nEyes: A slight exaggeration of how big the eyes are will both give the child a more childish look and also a cartoonlike appearance.\n\nBody: Draw the child\'s body like an adult\'s body but a lot smaller. Just think \"make everything smaller.\" Also, knowing the key differences at certain ages will help capture the correct age group.\n

9. Children with Family or Environment

\nOne of the best ways to draw a child is to draw the child next to someone else. Keep in mind: the smaller the child, the younger they will appear.\n

10. Appearance

\nConsider clothing, face expressions, being uninventive, or any childlike mannerism you can think of. Drawing a character of that person or capturing that person\'s personality will help not only make your drawing like that person, but will create a sense of realism.','How to Draw Children: 10 Different Approaches','','inherit','closed','closed','','2525-autosave-v1','','','2016-01-23 13:13:35','2016-01-23 21:13:35','',2525,'http://www.letsdrawpeople.com/2525-autosave-v1/',0,'revision','',0),(2855,2,'2016-01-23 11:44:33','2016-01-23 19:44:33','','how to draw children 07 boy','','inherit','open','closed','','how-to-draw-children-07-boy','','','2016-01-23 11:44:33','2016-01-23 19:44:33','',2525,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/how-to-draw-children-07-boy.jpg',0,'attachment','image/jpeg',0),(2856,2,'2016-01-23 11:44:35','2016-01-23 19:44:35','','how to draw children 10 boy','','inherit','open','closed','','how-to-draw-children-10-boy','','','2016-01-23 11:44:35','2016-01-23 19:44:35','',2525,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/how-to-draw-children-10-boy.jpg',0,'attachment','image/jpeg',0),(2857,2,'2016-01-23 11:44:36','2016-01-23 19:44:36','','how to draw children 11 boy','','inherit','open','closed','','how-to-draw-children-11-boy','','','2016-01-23 11:44:36','2016-01-23 19:44:36','',2525,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/how-to-draw-children-11-boy.jpg',0,'attachment','image/jpeg',0),(2858,2,'2016-01-23 11:44:38','2016-01-23 19:44:38','','how to draw children 01 infant','','inherit','open','closed','','how-to-draw-children-01-infant','','','2016-01-23 11:44:38','2016-01-23 19:44:38','',2525,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/how-to-draw-children-01-infant.jpg',0,'attachment','image/jpeg',0),(2859,2,'2016-01-23 11:44:39','2016-01-23 19:44:39','','how to draw children 08 boy','','inherit','open','closed','','how-to-draw-children-08-boy','','','2016-01-23 11:44:39','2016-01-23 19:44:39','',2525,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/how-to-draw-children-08-boy.jpg',0,'attachment','image/jpeg',0),(2599,2,'2016-01-01 11:52:44','2016-01-01 19:52:44','First consider the age and development of the child before you begin. Refer to one of the age groups that I list below for how to draw children. There are instructions for different age groups.\r\n\r\n1. Infants: notice the proportions of a infant. The majority of the body is the head and the rest of the body is almost the same size. There is little or no difference between boys and girls\r\nDrawing infants or babies is quite simple. You can break it down in a couple of steps.\r\n\r\nHead : to create the head just create one circle for the face and then another circle for the head.\r\n\r\nBody: should be about equal size with the head, figure out how any heads you need for the body.\r\n\r\nDetails: draw softly for details like eye brows hair face features, and draw shape for checks eyes and the out line of the head.\r\n\r\n\"1\"          \"2\"\r\n\r\n \r\n\r\n\"3\"          \"4\"\r\n\r\n \r\n\r\n\"5\"           \"6\"\r\n\r\n2. Toddlers: Only a slight difference between infants and toddlers, the largest difference is how big the child is. Depending on the age of the toddler they will still have infant proportions. The over all body shape of a boy and a girl is still very similar.\r\n\r\nNote that toddlers should have a longer body then a infant. So you add a halve or a full head depending on age.\r\n\r\n \r\n\r\n \r\n\r\n3. Early child hood/kindergarteners: There significant changes at this age, approximately one halve the size of an adult The general body shape is still similar to that of a toddler but you will notice large difference\r\n\r\nBoys. Same idea like drawing a toddler but taller and older.\r\n\r\nGirls. Body shape starts to change, notice difference between girls and boys be sure to draw as close as possible or your child will look older then she is.\r\n\r\n4. Elementary school years: Girls partially start developing early, notice also other important change in the body as children get older.\r\n\r\nBoys: 3rd grad -5h grade, boys will catch up with girl and start surpassing them in height and also have overall larger bodies.\r\n\r\nGirls: Change of body shape again and typically 2 or 3 year before boys, girls go though several body stages growing up, if you want more information on how girls body changes reference “ tanner scale for girls “ for scientific understanding of body changes.\r\n\r\n\"7\"         \"8\"\r\n\r\n \r\n\r\n\"9\"          \"10\"\r\n\r\n \r\n\r\n\"11\"           \"12\"\r\n\r\n5. Middle school/ preteen: Proportions is about the same as elementary school kids but girls are allot more mature and will start looking like a teenagers. There is a wide range so you may need to refer to a different body shape/age group depending on the child.\r\n\r\nBoys: at this age boys should be about the same size as girl or bigger, however for the most part the over all body shape is still the same.\r\n\r\nGirls : At this age girls will change quite dramatically as they start blossoming in to young ladies.\r\n\r\n6. Teenager/ young adult: allot of young girls look like full adults in body but still hold on to a child like face, where boy will change drastically from looking like little kids to looking like a man in body. However ,There are key difference for both boys and girls from looking like a teenager to looking like an adult. Both boys and girl still have a young looking appearance in the face, you can do this buy creating a slight exaggeration of the eyes, drawing a smother face, softer details like neck line. As you get older details like the neck are more defined.\r\n\r\n\"13\"\r\n\r\n\"14\"               \"15\"\r\n\r\n \r\n\r\n\"16\"                  \"17\"\r\n\r\n \r\n\r\n\"18\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n7. Free style drawing or sketching\r\nWhen you don’t know how old some one is look at a reference and draw what you see. Don’t get married to proportions because certain thing give people characteristic and drawing a person “ how they are supposed to look “ will give a good sketch of a child but maybe not the person you are drawing.\r\nUnderstanding each persons physical appearance is different will help you draw some ones “character” or personality instead of just a person. Children tend to have certain mannerisms for example drawing a child pose thing like sitting crisscross, or playing.\r\n\r\n8. Cartoon like:\r\nconsider drawing personality like being silly, funny, or at play, this will create a more cartoon like or child like image. Create slight exaggerations of the body to transform your child in too a cartoon which will capture a child like image.\r\n\r\nPhysical features\r\nHead : is largely disproportionate compared to the body for a good amount of your life.\r\nEyes : a slight exaggeration of how big the eyes are will both give the child a more childish look and also cartoon like appearance.\r\n\r\nBody: like an adults body but allot smaller, just think make every thing smaller, also knowing the key difference at certain ages will help capture the correct age group.\r\n\r\n9. Children with Family or environment: One of the best ways to draw a child is to draw them next to some one else, keep in mind the smaller the child the younger they will appear.\r\n\r\n10. Appearance: Consider clothing, face exprensitions, being uninventive or any child like mannerism you can think of, drawing a character of that person, or capering that person personality will help not only make your drawing like that person but will create a sense of realism.','How to Draw Children: 10 Different Approaches','','inherit','closed','closed','','2525-revision-v1','','','2016-01-01 11:52:44','2016-01-01 19:52:44','',2525,'http://www.letsdrawpeople.com/2525-revision-v1/',0,'revision','',0),(2853,2,'2016-01-23 11:44:31','2016-01-23 19:44:31','','how to draw children 03 infant','','inherit','open','closed','','how-to-draw-children-03-infant','','','2016-01-23 11:44:31','2016-01-23 19:44:31','',2525,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/how-to-draw-children-03-infant.jpg',0,'attachment','image/jpeg',0),(2603,2,'2016-01-01 14:17:12','2016-01-01 22:17:12','THE PURPOSE OF THIS ARTICLE IS TO LIST 10 DIFF APPROACHES TO DRAWING CHILDREN. THE FIRST 6 APPROACHES WILL CONSIDER THE AGE. THE LAST 4 ARE MORE STYLISTIC APPROACHES.\r\n\r\nFirst consider the age and development of the child before you begin. Refer to one of the age groups that I list below for how to draw children. There are instructions for different age groups.\r\n

Consider the Age of the Children

\r\n

1. Infants

\r\nNotice the proportions of a infant. The majority of the body is the head and the rest of the body is almost the same size. There is little to no difference between boys and girls.\r\n\r\nDrawing infants or babies is quite simple. You can break it down in a couple of steps.\r\n\r\nHead: To create the head, just create one circle for the face and then another circle for the head.\r\n\r\nBody: The body should be about an equal size with the head. Figure out how many heads you need for the body.\r\n\r\nDetails: Draw softly for details like eyebrows, hair, and face features. Draw shapes for the cheeks, eyes, and the outline of the head.\r\n\r\n\"1\"          \"2\"\r\n\r\n \r\n\r\n\"3\"          \"4\"\r\n\r\n \r\n\r\n\"5\"           \"6\"\r\n

2. Toddlers

\r\nThere is only a slight difference between infants and toddlers. The largest difference is how big the child is. Depending on the age of the toddler, he or she will still have infant proportions. The overall body shape of a boy and a girl is still very similar.\r\n\r\nNote that toddlers should have a longer body than an infant. So you add a half or a full head, depending on age.\r\n

3. Early Childhood / Kindergarteners

\r\nThere are significant changes at this age. It is possible for children at this age to be approximately one-half the size of an adult. The general body shape is still similar to that of a toddler, but you will start to see a difference.\r\n\r\nBoys: It\'s the same idea as drawing a toddler, but taller and older.\r\n\r\nGirls: The body shape starts to change. You also begin to notice a difference between girls and boys. Be sure to draw as carefully as possible, or your child will look older than she is.\r\n

4. Elementary School Years

\r\nGirls partially start developing early. Notice also other important changes in the body as children get older.\r\n\r\nBoys: Between 3rd grade - 5th grade, boys will catch up with girls and start surpassing them in height. They will also have overall larger bodies.\r\n\r\nGirls: Go through a change of body shape again, typically 2 or 3 years before boys.\r\n\r\n\"7\"         \"8\"\r\n\r\n \r\n\r\n\"9\"          \"10\"\r\n\r\n \r\n\r\n\"11\"           \"12\"\r\n

5. Middle School / Preteen

\r\nProportions are about the same as elementary school kids, but girls are a lot more mature and will start looking like teenagers. There is a wide range so you may need to refer to a different body shape/age group, depending on the child.\r\n\r\nBoys: At this age, boys should be about the same size as girls or bigger. However, for the most part, the overall body shape is still the same.\r\n\r\nGirls: At this age girls will change quite dramatically as they start blossoming into young ladies.\r\n\r\n6. Teenager/ young adult: allot of young girls look like full adults in body but still hold on to a child like face, where boy will change drastically from looking like little kids to looking like a man in body. However ,There are key difference for both boys and girls from looking like a teenager to looking like an adult. Both boys and girl still have a young looking appearance in the face, you can do this buy creating a slight exaggeration of the eyes, drawing a smother face, softer details like neck line. As you get older details like the neck are more defined.\r\n\r\n\"13\"\r\n\r\n\"14\"               \"15\"\r\n\r\n \r\n\r\n\"16\"                  \"17\"\r\n\r\n \r\n\r\n\"18\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n

Consider the Style in Which You Want to Draw the Children

\r\n7. Free style drawing or sketching\r\nWhen you don’t know how old some one is look at a reference and draw what you see. Don’t get married to proportions because certain thing give people characteristic and drawing a person “ how they are supposed to look “ will give a good sketch of a child but maybe not the person you are drawing.\r\nUnderstanding each persons physical appearance is different will help you draw some ones “character” or personality instead of just a person. Children tend to have certain mannerisms for example drawing a child pose thing like sitting crisscross, or playing.\r\n\r\n8. Cartoon like:\r\nconsider drawing personality like being silly, funny, or at play, this will create a more cartoon like or child like image. Create slight exaggerations of the body to transform your child in too a cartoon which will capture a child like image.\r\n\r\nPhysical features\r\nHead : is largely disproportionate compared to the body for a good amount of your life.\r\nEyes : a slight exaggeration of how big the eyes are will both give the child a more childish look and also cartoon like appearance.\r\n\r\nBody: like an adults body but allot smaller, just think make every thing smaller, also knowing the key difference at certain ages will help capture the correct age group.\r\n\r\n9. Children with Family or environment: One of the best ways to draw a child is to draw them next to some one else, keep in mind the smaller the child the younger they will appear.\r\n\r\nPOSS PHOTOS\r\n\r\n10. Appearance: Consider clothing, face exprensitions, being uninventive or any child like mannerism you can think of, drawing a character of that person, or capering that person personality will help not only make your drawing like that person but will create a sense of realism.\r\n\r\nPOSS PHOTOS','How to Draw Children: 10 Different Approaches','','inherit','closed','closed','','2525-revision-v1','','','2016-01-01 14:17:12','2016-01-01 22:17:12','',2525,'http://www.letsdrawpeople.com/2525-revision-v1/',0,'revision','',0),(2601,2,'2016-01-01 12:34:02','2016-01-01 20:34:02','THE PURPOSE OF THIS ARTICLE IS TO LIST 10 DIFF APPROACHES TO DRAWING CHILDREN. THE FIRST 6 APPROACHES WILL CONSIDER THE AGE. THE LAST 4 ARE MORE STYLISTIC APPROACHES.\r\n\r\nFirst consider the age and development of the child before you begin. Refer to one of the age groups that I list below for how to draw children. There are instructions for different age groups.\r\n

Consider the Age of the Children

\r\n

1. Infants

\r\nNotice the proportions of a infant. The majority of the body is the head and the rest of the body is almost the same size. There is little to no difference between boys and girls.\r\n\r\nDrawing infants or babies is quite simple. You can break it down in a couple of steps.\r\n\r\nHead: To create the head, just create one circle for the face and then another circle for the head.\r\n\r\nBody: The body should be about an equal size with the head. Figure out how many heads you need for the body.\r\n\r\nDetails: Draw softly for details like eyebrows, hair, and face features. Draw shapes for the cheeks, eyes, and the outline of the head.\r\n\r\n\"1\"          \"2\"\r\n\r\n \r\n\r\n\"3\"          \"4\"\r\n\r\n \r\n\r\n\"5\"           \"6\"\r\n

2. Toddlers

\r\nThere is only a slight difference between infants and toddlers. The largest difference is how big the child is. Depending on the age of the toddler, he or she will still have infant proportions. The overall body shape of a boy and a girl is still very similar.\r\n\r\nNote that toddlers should have a longer body than an infant. So you add a half or a full head, depending on age.\r\n

3. Early Childhood / Kindergarteners

\r\nThere are significant changes at this age. It is possible for children at this age to be approximately one-half the size of an adult. The general body shape is still similar to that of a toddler, but you will start to see a difference.\r\n\r\nBoys: It\'s the same idea as drawing a toddler, but taller and older.\r\n\r\nGirls: The body shape starts to change. You also begin to notice a difference between girls and boys. Be sure to draw as carefully as possible, or your child will look older than she is.\r\n

4. Elementary school years

\r\nGirls partially start developing early, notice also other important change in the body as children get older.\r\n\r\nBoys: 3rd grad -5h grade, boys will catch up with girl and start surpassing them in height and also have overall larger bodies.\r\n\r\nGirls: Change of body shape again and typically 2 or 3 year before boys, girls go though several body stages growing up, if you want more information on how girls body changes reference “ tanner scale for girls “ for scientific understanding of body changes.\r\n\r\n\"7\"         \"8\"\r\n\r\n \r\n\r\n\"9\"          \"10\"\r\n\r\n \r\n\r\n\"11\"           \"12\"\r\n\r\n5. Middle school/ preteen: Proportions is about the same as elementary school kids but girls are allot more mature and will start looking like a teenagers. There is a wide range so you may need to refer to a different body shape/age group depending on the child.\r\n\r\nBoys: at this age boys should be about the same size as girl or bigger, however for the most part the over all body shape is still the same.\r\n\r\nGirls : At this age girls will change quite dramatically as they start blossoming in to young ladies.\r\n\r\n6. Teenager/ young adult: allot of young girls look like full adults in body but still hold on to a child like face, where boy will change drastically from looking like little kids to looking like a man in body. However ,There are key difference for both boys and girls from looking like a teenager to looking like an adult. Both boys and girl still have a young looking appearance in the face, you can do this buy creating a slight exaggeration of the eyes, drawing a smother face, softer details like neck line. As you get older details like the neck are more defined.\r\n\r\n\"13\"\r\n\r\n\"14\"               \"15\"\r\n\r\n \r\n\r\n\"16\"                  \"17\"\r\n\r\n \r\n\r\n\"18\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n

Consider the Style in Which You Want to Draw the Children

\r\n7. Free style drawing or sketching\r\nWhen you don’t know how old some one is look at a reference and draw what you see. Don’t get married to proportions because certain thing give people characteristic and drawing a person “ how they are supposed to look “ will give a good sketch of a child but maybe not the person you are drawing.\r\nUnderstanding each persons physical appearance is different will help you draw some ones “character” or personality instead of just a person. Children tend to have certain mannerisms for example drawing a child pose thing like sitting crisscross, or playing.\r\n\r\n8. Cartoon like:\r\nconsider drawing personality like being silly, funny, or at play, this will create a more cartoon like or child like image. Create slight exaggerations of the body to transform your child in too a cartoon which will capture a child like image.\r\n\r\nPhysical features\r\nHead : is largely disproportionate compared to the body for a good amount of your life.\r\nEyes : a slight exaggeration of how big the eyes are will both give the child a more childish look and also cartoon like appearance.\r\n\r\nBody: like an adults body but allot smaller, just think make every thing smaller, also knowing the key difference at certain ages will help capture the correct age group.\r\n\r\n9. Children with Family or environment: One of the best ways to draw a child is to draw them next to some one else, keep in mind the smaller the child the younger they will appear.\r\n\r\nPOSS PHOTOS\r\n\r\n10. Appearance: Consider clothing, face exprensitions, being uninventive or any child like mannerism you can think of, drawing a character of that person, or capering that person personality will help not only make your drawing like that person but will create a sense of realism.\r\n\r\nPOSS PHOTOS','How to Draw Children: 10 Different Approaches','','inherit','closed','closed','','2525-revision-v1','','','2016-01-01 12:34:02','2016-01-01 20:34:02','',2525,'http://www.letsdrawpeople.com/2525-revision-v1/',0,'revision','',0),(2602,2,'2016-01-01 13:58:03','2016-01-01 21:58:03','The hair gods really love me. I mean, they really love me to let me write this article on hair. Let it be known that I’m no high, exquisite expert; but when it’s time to do the subject’s hair in either pencil, color pencil, or oil paint, I don’t play around.\r\n\r\nTo me, hair is the ultimate expression. I even bought a movie because the star/girl in the movie was changing her hair style in every scene. What does that tell you? Any who, let’s get to the nitty gritty of things……how to draw hair and make it look as close to realism as possible.\r\n

How to Draw Brunette Hair

\r\nAs you can see in this first picture, I drew out the basics. Keep in mind I won’t draw the whole face – just the hair since that is our focus. I mostly keep it simple, making sure the contour outline is close to what the original picture is.\r\n\r\n\"01\r\n\r\n \r\n\r\nThe next step is “coloring” the hair some. I use a 3H pencil to add some light color to the hair. I then blend or smudge the pencil into the hair by using tissue to get the effect that I’m looking for. You can also use a tortillion but tissue is preferable.\r\n\r\n\"02\r\n\r\n \r\n\r\n \r\n\r\nI then start to add darker tone to the subject (she’s a brunette) by using a 5B pencil. As you can see, I do not cover the whole hair with it. I leave some areas untouched. They will be the areas where light is reflected or a lighter tone of the hair will be.\r\n\r\n\"03\r\n\r\n \r\n\r\n \r\n\r\nThe next thing I’m going to perform is smudging/blending again, but I will use a tortillion. The reason I do this is because a piece of tissue will spread the graphite of the pencil too much. I would like some of the graphite to spread, but not so much that it doesn’t illustrate strands of hair. A tortillion will isolate the graphite, limiting it as to how far it will spread from its original location.\r\n\r\n\"04\r\n\r\n \r\n\r\n \r\n\r\nIn the final stage, I will add more darker tone and some hair strands to certain areas to make it realistic. I will also utilize the kneaded eraser here to lift certain tones from the hair and add highlights.\r\n\r\n\"05\r\n\r\n \r\n

How to Draw Blonde Hair

\r\n \r\n\r\nLet’s do another exercise of drawing more hair! This time we will see how to draw blonde hair since it doesn’t require the same amount of graphite. This will actually be quick and fast since less work is required.\r\n\r\nAs usual, you can see that I did a quick sketch of one of my pictures of a model. Please don’t get in an uproar over how the fingers look. If this was about hands and fingers, they would be on point, but I was sketching quickly and I wanted to jump on the hair, so………..\r\n\r\n\"01\r\n\r\n \r\n\r\n \r\n\r\nFirst thing I do, like in the first example, is “color” the hair. But in this case, I use a lighter pencil (5H). I then use a 3B pencil to add some dark tone to the top of her hair, followed by some smudging/blending.\r\n\r\n\"02\r\n\r\n \r\n\r\n \r\n\r\nI then use that same 3B pencil to add JUST A FEW hair strands to the subject. You can also interpret this as me adding small dark tones to the blonde hair followed by smudging of the tortillion. It may be important to add some of the darker tones on the tips/end of the strand hairs to show some contrast.\r\n\r\n\"03\r\n\r\n \r\n\r\n \r\n\r\nThe hair at this stage is basically done. If the rest of the picture was to be completed, then the hair would fall right into place.\r\n\r\n\"04\r\n\r\nOnce you, yourself, can go through this stage with no problem mastering the technique of creating hair, the hair gods will find favor with you as well.','How to Draw Hair: Brunette and Blonde','','inherit','closed','closed','','2458-revision-v1','','','2016-01-01 13:58:03','2016-01-01 21:58:03','',2458,'http://www.letsdrawpeople.com/2458-revision-v1/',0,'revision','',0),(2604,2,'2016-01-01 15:05:48','2016-01-01 23:05:48','THE PURPOSE OF THIS ARTICLE IS TO LIST 10 DIFF APPROACHES TO DRAWING CHILDREN. THE FIRST 6 APPROACHES WILL CONSIDER THE AGE. THE LAST 4 ARE MORE STYLISTIC APPROACHES.\r\n\r\nFirst consider the age and development of the child before you begin. Refer to one of the age groups that I list below for how to draw children. There are instructions for different age groups.\r\n

Consider the Age of the Children

\r\n

1. Infants

\r\nNotice the proportions of a infant. The majority of the body is the head and the rest of the body is almost the same size. There is little to no difference between boys and girls.\r\n\r\nDrawing infants or babies is quite simple. You can break it down in a couple of steps.\r\n\r\nHead: To create the head, just create one circle for the face and then another circle for the head.\r\n\r\nBody: The body should be about an equal size with the head. Figure out how many heads you need for the body.\r\n\r\nDetails: Draw softly for details like eyebrows, hair, and face features. Draw shapes for the cheeks, eyes, and the outline of the head.\r\n\r\n\"1\"          \"2\"\r\n\r\n \r\n\r\n\"3\"          \"4\"\r\n\r\n \r\n\r\n\"5\"           \"6\"\r\n

2. Toddlers

\r\nThere is only a slight difference between infants and toddlers. The largest difference is how big the child is. Depending on the age of the toddler, he or she will still have infant proportions. The overall body shape of a boy and a girl is still very similar.\r\n\r\nNote that toddlers should have a longer body than an infant. So you add a half or a full head, depending on age.\r\n

3. Early Childhood / Kindergarteners

\r\nThere are significant changes at this age. It is possible for children at this age to be approximately one-half the size of an adult. The general body shape is still similar to that of a toddler, but you will start to see a difference.\r\n\r\nBoys: It\'s the same idea as drawing a toddler, but taller and older.\r\n\r\nGirls: The body shape starts to change. You also begin to notice a difference between girls and boys. Be sure to draw as carefully as possible, or your child will look older than she is.\r\n

4. Elementary School Years

\r\nGirls partially start developing early. Notice also other important changes in the body as children get older.\r\n\r\nBoys: Between 3rd grade - 5th grade, boys will catch up with girls and start surpassing them in height. They will also have overall larger bodies.\r\n\r\nGirls: Go through a change of body shape again, typically 2 or 3 years before boys.\r\n\r\n\"7\"         \"8\"\r\n\r\n \r\n\r\n\"9\"          \"10\"\r\n\r\n \r\n\r\n\"11\"           \"12\"\r\n

5. Middle School / Preteen

\r\nProportions are about the same as elementary school kids, but girls are a lot more mature and will start looking like teenagers. There is a wide range so you may need to refer to a different body shape/age group, depending on the child.\r\n\r\nBoys: At this age, boys should be about the same size as girls or bigger. However, for the most part, the overall body shape is still the same.\r\n\r\nGirls: At this age girls will change quite dramatically as they start blossoming into young ladies.\r\n

6. Teenager/ Young Adult

\r\nEDITING HERE---\r\n\r\nallot of young girls look like full adults in body but still hold on to a child like face, where boy will change drastically from looking like little kids to looking like a man in body. However ,There are key difference for both boys and girls from looking like a teenager to looking like an adult. Both boys and girl still have a young looking appearance in the face, you can do this buy creating a slight exaggeration of the eyes, drawing a smother face, softer details like neck line. As you get older details like the neck are more defined.\r\n\r\n\"13\"\r\n\r\n\"14\"               \"15\"\r\n\r\n \r\n\r\n\"16\"                  \"17\"\r\n\r\n \r\n\r\n\"18\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n

Consider the Style in Which You Want to Draw the Children

\r\n7. Free style drawing or sketching\r\nWhen you don’t know how old some one is look at a reference and draw what you see. Don’t get married to proportions because certain thing give people characteristic and drawing a person “ how they are supposed to look “ will give a good sketch of a child but maybe not the person you are drawing.\r\nUnderstanding each persons physical appearance is different will help you draw some ones “character” or personality instead of just a person. Children tend to have certain mannerisms for example drawing a child pose thing like sitting crisscross, or playing.\r\n\r\n8. Cartoon like:\r\nconsider drawing personality like being silly, funny, or at play, this will create a more cartoon like or child like image. Create slight exaggerations of the body to transform your child in too a cartoon which will capture a child like image.\r\n\r\nPhysical features\r\nHead : is largely disproportionate compared to the body for a good amount of your life.\r\nEyes : a slight exaggeration of how big the eyes are will both give the child a more childish look and also cartoon like appearance.\r\n\r\nBody: like an adults body but allot smaller, just think make every thing smaller, also knowing the key difference at certain ages will help capture the correct age group.\r\n\r\n9. Children with Family or environment: One of the best ways to draw a child is to draw them next to some one else, keep in mind the smaller the child the younger they will appear.\r\n\r\nPOSS PHOTOS\r\n\r\n10. Appearance: Consider clothing, face exprensitions, being uninventive or any child like mannerism you can think of, drawing a character of that person, or capering that person personality will help not only make your drawing like that person but will create a sense of realism.\r\n\r\nPOSS PHOTOS','How to Draw Children: 10 Different Approaches','','inherit','closed','closed','','2525-revision-v1','','','2016-01-01 15:05:48','2016-01-01 23:05:48','',2525,'http://www.letsdrawpeople.com/2525-revision-v1/',0,'revision','',0),(2607,2,'2016-01-02 08:28:42','2016-01-02 16:28:42','','/face-drawing-checklist-top','','publish','closed','closed','','2607','','','2016-01-02 08:28:42','2016-01-02 16:28:42','',0,'',0,'leadpages_post','',0),(2608,2,'2016-01-02 08:29:06','2016-01-02 16:29:06','','/face-drawing-checklist','','publish','closed','closed','','2608','','','2016-01-02 08:29:06','2016-01-02 16:29:06','',0,'',0,'leadpages_post','',0),(3443,2,'2016-12-28 12:00:57','2016-12-28 20:00:57','','private video test','','inherit','closed','closed','','3437-revision-v1','','','2016-12-28 12:00:57','2016-12-28 20:00:57','',3437,'http://www.letsdrawpeople.com/3437-revision-v1/',0,'revision','',0),(3464,2,'2017-05-02 19:03:37','2017-05-03 02:03:37','Hello Jeevitha and Jancy!\r\n\r\nAs I put together recurring tasks that I would like you to do for me that may require specific instructions and/or visual demonstrations, I will post them here. This is a private page on my main website. Please keep the link to this webpage handy, and refer to the content below as often as needed.\r\n\r\nThank you for all of your help!\r\n\r\n-Jack\r\n\r\n

How to Edit an Audio File

\r\n','Virtual Assistant Task Training Videos','','inherit','closed','closed','','3455-revision-v1','','','2017-05-02 19:03:37','2017-05-03 02:03:37','',3455,'http://www.letsdrawpeople.com/3455-revision-v1/',0,'revision','',0),(3462,2,'2017-05-02 06:13:58','2017-05-02 13:13:58','Hello Jeevitha and Jancy!\r\n\r\nAs I put together recurring tasks that I would like you to do for me that may require specific instructions and/or visual demonstrations, I will post them here. This is a private page on my main website. Please keep the link to this webpage handy, and refer to the content below as often as needed.\r\n\r\nThank you for all of your help!\r\n\r\n-Jack\r\n\r\n

How to Edit an Audio Transcription

\r\n\r\n\r\n

How to Edit an Audio File

\r\n','Virtual Assistant Task Training Videos','','inherit','closed','closed','','3455-revision-v1','','','2017-05-02 06:13:58','2017-05-02 13:13:58','',3455,'http://www.letsdrawpeople.com/3455-revision-v1/',0,'revision','',0),(3463,2,'2017-05-02 06:16:18','2017-05-02 13:16:18','Hello Jeevitha and Jancy!\r\n\r\nAs I put together recurring tasks that I would like you to do for me that may require specific instructions and/or visual demonstrations, I will post them here. This is a private page on my main website. Please keep the link to this webpage handy, and refer to the content below as often as needed.\r\n\r\nThank you for all of your help!\r\n\r\n-Jack\r\n

How to Edit an Audio Transcription

\r\n\r\n
\r\n

How to Edit an Audio File

\r\n','Virtual Assistant Task Training Videos','','inherit','closed','closed','','3455-revision-v1','','','2017-05-02 06:16:18','2017-05-02 13:16:18','',3455,'http://www.letsdrawpeople.com/3455-revision-v1/',0,'revision','',0),(3455,2,'2017-03-26 19:14:45','2017-03-27 02:14:45','Hello Karthik and Nandini!\r\n\r\nAs I put together recurring tasks that I would like you to do for me that may require specific instructions and/or visual demonstrations, I will post them here. This is a private page on my main website. Please keep the link to this webpage handy, and refer to the content below as often as needed.\r\n\r\nThank you for all of your help!\r\n\r\n-Jack\r\n\r\n[gallery size=\"medium\" ids=\"3552,3553\"]\r\n

 How to Save Image Files for the Web

\r\n','Virtual Assistant Task Training Videos','','private','closed','closed','','virtual-assistant-task-training-videos','','','2017-07-27 18:32:47','2017-07-28 01:32:47','',0,'http://www.letsdrawpeople.com/?page_id=3455',0,'page','',0),(3556,2,'2017-05-27 20:15:25','2017-05-28 03:15:25','Hello Karthik and Nandini!\r\n\r\nAs I put together recurring tasks that I would like you to do for me that may require specific instructions and/or visual demonstrations, I will post them here. This is a private page on my main website. Please keep the link to this webpage handy, and refer to the content below as often as needed.\r\n\r\nThank you for all of your help!\r\n\r\n-Jack\r\n\r\n[gallery size=\"medium\" ids=\"3552,3553\"]\r\n

','Virtual Assistant Task Training Videos','','inherit','closed','closed','','3455-revision-v1','','','2017-05-27 20:15:25','2017-05-28 03:15:25','',3455,'http://www.letsdrawpeople.com/3455-revision-v1/',0,'revision','',0),(3456,2,'2017-03-26 19:14:45','2017-03-27 02:14:45','Hello Jeevitha and Jancy!\r\n\r\nAs I put together recurring tasks that I would like you to do for me that may require specific instructions and/or visual demonstrations, I will post them here. This is a private page on my main website. Please keep the link to this webpage handy, and refer to the content below as often as needed.\r\n\r\nThank you for all of your help!\r\n\r\n-Jack\r\n\r\n','Virtual Assistant Task Training Videos','','inherit','closed','closed','','3455-revision-v1','','','2017-03-26 19:14:45','2017-03-27 02:14:45','',3455,'http://www.letsdrawpeople.com/3455-revision-v1/',0,'revision','',0),(3457,2,'2017-03-26 19:25:31','2017-03-27 02:25:31','Hello Jeevitha and Jancy!\r\n\r\nAs I put together recurring tasks that I would like you to do for me that may require specific instructions and/or visual demonstrations, I will post them here. This is a private page on my main website. Please keep the link to this webpage handy, and refer to the content below as often as needed.\r\n\r\nThank you for all of your help!\r\n\r\n-Jack\r\n\r\n \r\n

How to Edit an Audio Transcription

\r\n','Virtual Assistant Task Training Videos','','inherit','closed','closed','','3455-revision-v1','','','2017-03-26 19:25:31','2017-03-27 02:25:31','',3455,'http://www.letsdrawpeople.com/3455-revision-v1/',0,'revision','',0),(3466,2,'2017-05-04 05:27:22','2017-05-04 12:27:22','Hello Karthikeyan and Nandini!\r\n\r\nAs I put together recurring tasks that I would like you to do for me that may require specific instructions and/or visual demonstrations, I will post them here. This is a private page on my main website. Please keep the link to this webpage handy, and refer to the content below as often as needed.\r\n\r\nThank you for all of your help!\r\n\r\n-Jack\r\n

How to Edit an Audio File

\r\n','Virtual Assistant Task Training Videos','','inherit','closed','closed','','3455-revision-v1','','','2017-05-04 05:27:22','2017-05-04 12:27:22','',3455,'http://www.letsdrawpeople.com/3455-revision-v1/',0,'revision','',0),(2610,2,'2016-01-02 13:00:02','2016-01-02 21:00:02','Last Updated: January 2, 2016\r\n\r\nLet\'s Draw People (\"Let\'s Draw People\") operates LetsDrawPeople.com. It is Let\'s Draw People\'s policy to respect your privacy regarding any information we may collect while operating this website.\r\n

Website Visitors

\r\nLike most website operators, Let\'s Draw People collects non-personally-identifying information of the sort that web browsers and servers typically make available, such as the browser type, language preference, referring site, and the date and time of each visitor request. Let\'s Draw People\'s purpose in collecting non-personally identifying information is to better understand how Let\'s Draw People\'s visitors use its website. From time to time, Let\'s Draw People may release non-personally-identifying information in the aggregate, e.g., by publishing a report on trends in the usage of its website.\r\n\r\nLet\'s Draw People also collects potentially personally-identifying information like Internet Protocol (IP) addresses for logged in users and for users leaving comments on LetsDrawPeople.com. Let\'s Draw People only discloses logged in user and commenter IP addresses under the same circumstances that it uses and discloses personally-identifying information as described below, except that commenter IP addresses are visible and disclosed to the administrators of the blog/site where the comment was left.\r\n

Gathering of Personally-Identifying Information

\r\nCertain visitors to LetsDrawPeople.com choose to interact with Let\'s Draw People in ways that require Let\'s Draw People to gather personally-identifying information. The amount and type of information that Let\'s Draw People gathers depends on the nature of the interaction. For example, we ask visitors who sign up to receive informational products from LetsDrawPeople.com to provide an email address. Those who engage in transactions with Let\'s Draw People are asked to provide additional information, including as necessary the personal and financial information required to process those transactions. In each case, Let\'s Draw People collects such information only insofar as is necessary or appropriate to fulfill the purpose of the visitor\'s interaction with Let\'s Draw People. Let\'s Draw People does not disclose personally-identifying information other than as described below. And visitors can always refuse to supply personally-identifying information, with the caveat that it may prevent them from engaging in certain website-related activities.\r\n

Aggregated Statistics

\r\nLet\'s Draw People may collect statistics about the behavior of visitors to LetsDrawPeople.com. Let\'s Draw People may display this information publicly or provide it to others. However, Let\'s Draw People does not disclose personally-identifying information other than as described below.\r\n

Protection of Certain Personally-Identifying Information

\r\nLet\'s Draw People discloses potentially personally-identifying and personally-identifying information only to those of its employees, contractors, and affiliated organizations that (i) need to know that information in order to process it on Let\'s Draw People\'s behalf or to provide services available at LetsDrawPeople.com, and (ii) that have agreed not to disclose it to others. Some of those employees, contractors, and affiliated organizations may be located outside of your home country; by using LetsDrawPeople.com, you consent to the transfer of such information to them. Let\'s Draw People will not rent or sell potentially personally-identifying and personally-identifying information to anyone. Other than to its employees, contractors, and affiliated organizations, as described above, Let\'s Draw People discloses potentially personally-identifying and personally-identifying information only in response to a subpoena, court order, or other governmental request, or when Let\'s Draw People believes in good faith that disclosure is reasonably necessary to protect the property or rights of Let\'s Draw People, third parties, or the public at large. If you are a registered user of LetsDrawPeople.com and have supplied your email address, Let\'s Draw People may occasionally send you an email to tell you about new features, solicit your feedback, or just keep you up to date with what\'s going on with Let\'s Draw People and our products. If you send us a request (for example via email or via one of our feedback mechanisms), we reserve the right to publish it in order to help us clarify or respond to your request or to help us support other users. Let\'s Draw People takes all measures reasonably necessary to protect against the unauthorized access, use, alteration or destruction of potentially personally-identifying and personally-identifying information.\r\n

Childrens Online Privacy Protection Act Compliance

\r\nWe are in compliance with the requirements of COPPA (Childrens Online Privacy Protection Act). We do not collect any information from anyone under 13 years of age. Our website, products and services are all directed to people who are at least 13 years old or older.\r\n

Cookies

\r\nA cookie is a string of information that a website stores on a visitor\'s computer, and that the visitor\'s browser provides to the website each time the visitor returns. Let\'s Draw People uses cookies to help Let\'s Draw People identify and track visitors, their usage of LetsDrawPeople.com, and their website access preferences. Let\'s Draw People visitors who do not wish to have cookies placed on their computers should set their browsers to refuse cookies before using LetsDrawPeople.com, with the drawback that certain features of the site may not function properly without the aid of cookies.\r\n

Business Transfers

\r\nIf Let\'s Draw People, or substantially all of its assets, were acquired, or in the unlikely event that Let\'s Draw People goes out of business or enters bankruptcy, user information would be one of the assets that is transferred or acquired by a third party. You acknowledge that such transfers may occur, and that any acquirer of Let\'s Draw People may continue to use your personal information as set forth in this policy.\r\n

Ads

\r\nAds appearing on this website may be delivered to users by advertising partners, who may set cookies. These cookies allow the ad server to recognize your computer each time they send you an online advertisement to compile information about you or others who use your computer. This information allows ad networks to, among other things, deliver targeted advertisements that they believe will be of most interest to you. This Privacy Policy covers the use of cookies by Let\'s Draw People and does not cover the use of cookies by any advertisers.\r\n

Your Opt-Out Rights

\r\nYou may opt-out of receiving communications from us and/or our partners by not submitting your information. We also allow you to remove your information from our marketing lists. If you remove your information from our lists, it will no longer be used by us to send promotional correspondence to you. You can remove your information from our marketing lists by clicking on the “Unsubscribe” link at the bottom of every email we send you.\r\n

Changes

\r\nAlthough most changes are likely to be minor, Let\'s Draw People may change its Privacy Policy from time to time, and in Let\'s Draw People\'s sole discretion. Let\'s Draw People encourages visitors to frequently check this page for any changes to its Privacy Policy. Your continued use of this site after any change in this will constitute your acceptance of such change.','Privacy Policy','','inherit','closed','closed','','14-revision-v1','','','2016-01-02 13:00:02','2016-01-02 21:00:02','',14,'http://www.letsdrawpeople.com/14-revision-v1/',0,'revision','',0),(2611,2,'2016-01-02 13:02:32','2016-01-02 21:02:32','Last Updated: January 2, 2016\r\n\r\nLet\'s Draw People (\"Let\'s Draw People\") operates LetsDrawPeople.com. It is Let\'s Draw People\'s policy to respect your privacy regarding any information we may collect while operating this website.\r\n

Website Visitors

\r\nLike most website operators, Let\'s Draw People collects non-personally-identifying information of the sort that web browsers and servers typically make available, such as the browser type, language preference, referring site, and the date and time of each visitor request. Let\'s Draw People\'s purpose in collecting non-personally identifying information is to better understand how Let\'s Draw People\'s visitors use its website. From time to time, Let\'s Draw People may release non-personally-identifying information in the aggregate, e.g., by publishing a report on trends in the usage of its website.\r\n\r\nLet\'s Draw People also collects potentially personally-identifying information like Internet Protocol (IP) addresses for logged in users and for users leaving comments on LetsDrawPeople.com. Let\'s Draw People only discloses logged in user and commenter IP addresses under the same circumstances that it uses and discloses personally-identifying information as described below, except that commenter IP addresses are visible and disclosed to the administrators of the blog/site where the comment was left.\r\n

Gathering of Personally-Identifying Information

\r\nCertain visitors to LetsDrawPeople.com choose to interact with Let\'s Draw People in ways that require Let\'s Draw People to gather personally-identifying information. The amount and type of information that Let\'s Draw People gathers depends on the nature of the interaction. For example, we ask visitors who sign up to receive informational products from LetsDrawPeople.com to provide an email address. Those who engage in transactions with Let\'s Draw People are asked to provide additional information, including as necessary the personal and financial information required to process those transactions. In each case, Let\'s Draw People collects such information only insofar as is necessary or appropriate to fulfill the purpose of the visitor\'s interaction with Let\'s Draw People. Let\'s Draw People does not disclose personally-identifying information other than as described below. And visitors can always refuse to supply personally-identifying information, with the caveat that it may prevent them from engaging in certain website-related activities.\r\n

Aggregated Statistics

\r\nLet\'s Draw People may collect statistics about the behavior of visitors to LetsDrawPeople.com. Let\'s Draw People may display this information publicly or provide it to others. However, Let\'s Draw People does not disclose personally-identifying information other than as described below.\r\n

Protection of Certain Personally-Identifying Information

\r\nLet\'s Draw People discloses potentially personally-identifying and personally-identifying information only to those of its employees, contractors, and affiliated organizations that (i) need to know that information in order to process it on Let\'s Draw People\'s behalf or to provide services available at LetsDrawPeople.com, and (ii) that have agreed not to disclose it to others. Some of those employees, contractors, and affiliated organizations may be located outside of your home country; by using LetsDrawPeople.com, you consent to the transfer of such information to them. Let\'s Draw People will not rent or sell potentially personally-identifying and personally-identifying information to anyone. Other than to its employees, contractors, and affiliated organizations, as described above, Let\'s Draw People discloses potentially personally-identifying and personally-identifying information only in response to a subpoena, court order, or other governmental request, or when Let\'s Draw People believes in good faith that disclosure is reasonably necessary to protect the property or rights of Let\'s Draw People, third parties, or the public at large. If you are a registered user of LetsDrawPeople.com and have supplied your email address, Let\'s Draw People may occasionally send you an email to tell you about new features, solicit your feedback, or just keep you up to date with what\'s going on with Let\'s Draw People and our products. If you send us a request (for example via email or via one of our feedback mechanisms), we reserve the right to publish it in order to help us clarify or respond to your request or to help us support other users. Let\'s Draw People takes all measures reasonably necessary to protect against the unauthorized access, use, alteration or destruction of potentially personally-identifying and personally-identifying information.\r\n

Childrens Online Privacy Protection Act Compliance

\r\nWe are in compliance with the requirements of COPPA (Childrens Online Privacy Protection Act). We do not collect any information from anyone under 13 years of age. Our website, products and services are all directed to people who are at least 13 years old or older.\r\n

Cookies

\r\nA cookie is a string of information that a website stores on a visitor\'s computer, and that the visitor\'s browser provides to the website each time the visitor returns. Let\'s Draw People uses cookies to help Let\'s Draw People identify and track visitors, their usage of LetsDrawPeople.com, and their website access preferences. Let\'s Draw People visitors who do not wish to have cookies placed on their computers should set their browsers to refuse cookies before using LetsDrawPeople.com, with the drawback that certain features of the site may not function properly without the aid of cookies.\r\n

Business Transfers

\r\nIf Let\'s Draw People, or substantially all of its assets, were acquired, or in the unlikely event that Let\'s Draw People goes out of business or enters bankruptcy, user information would be one of the assets that is transferred or acquired by a third party. You acknowledge that such transfers may occur, and that any acquirer of Let\'s Draw People may continue to use your personal information as set forth in this policy.\r\n

Ads

\r\nAds appearing on this website may be delivered to users by advertising partners, who may set cookies. These cookies allow the ad server to recognize your computer each time they send you an online advertisement to compile information about you or others who use your computer. This information allows ad networks to, among other things, deliver targeted advertisements that they believe will be of most interest to you. This Privacy Policy covers the use of cookies by Let\'s Draw People and does not cover the use of cookies by any advertisers.\r\n

Your Opt-Out Rights

\r\nYou may opt-out of receiving communications from us and/or our partners by not submitting your information. We also allow you to remove your information from our marketing lists. If you remove your information from our lists, it will no longer be used by us to send promotional correspondence to you. You can remove your information from our marketing lists by clicking on the “Unsubscribe” link at the bottom of every email we send you.\r\n

Changes

\r\nAlthough most changes are likely to be minor, Let\'s Draw People may change its Privacy Policy from time to time, and in Let\'s Draw People\'s sole discretion. Let\'s Draw People encourages visitors to frequently check this page for any changes to its Privacy Policy. Your continued use of this site after any change in this will constitute your acceptance of such change.','Privacy Policy','','inherit','closed','closed','','14-revision-v1','','','2016-01-02 13:02:32','2016-01-02 21:02:32','',14,'http://www.letsdrawpeople.com/14-revision-v1/',0,'revision','',0),(2612,2,'2016-01-02 13:06:45','2016-01-02 21:06:45','From time to time, LetsDrawPeople.com will endorse, promote, or suggest (via posted articles, tutorials, communications, etc.) affiliate products and/or services for sale. LetsDrawPeople.com may also regularly display banners or other links to affiliate offers along the top or bottom of its posts or pages or along the website\'s sidebar. The recommendations are based on our belief that the products and/or services will provide valuable information and/or be useful and beneficial for visitors to our website. This belief is based on LetsDrawPeople.com’s review of that product or service, its relationship with the creator or supplier, and/or previous positive experiences.\r\n\r\nLetsDrawPeople.com is an affiliate of ClickBank, a company that distributes digital informational products found on this site and through communications to our email subscribers and social media platforms.\r\n\r\nLetsDrawPeople.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.\r\n\r\nLetsDrawPeople.com is an affiliate of Art.com, PictureFrames.com, and Michaels Stores, Inc.\r\n\r\nAt no additional cost to you, commissions that are credited to LetsDrawPeople.com can result from purchases you make from recommended affiliate links. We will only recommend products and services that we have researched and believe to be beneficial for our users. Users should still do their own research and make their own informed opinions before buying an affiliate product or service from a recommendation or link found on LetsDrawPeople.com.','Affiliate Disclaimer','','inherit','closed','closed','','517-revision-v1','','','2016-01-02 13:06:45','2016-01-02 21:06:45','',517,'http://www.letsdrawpeople.com/517-revision-v1/',0,'revision','',0),(3040,2,'2016-03-05 10:37:52','2016-03-05 18:37:52','[[\"
Writer<\\/center>\",\"
Title<\\/center>\",\"
Keyword<\\/center>\",\"
Category<\\/center>\",\"
Length<\\/center>\",\"
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\\u00a9 Kateryna Trubetska<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$60 - $120\",\"January 10, 2016\"],[\"McCruden\",\"How to Draw Children: 10 Different Approaches\",\"how to draw children\",\"Children\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"January 10, 2016\"],[\"Reid\",\"Use This Drawing of a Man to Improve Your Own Drawing\",\"drawing of a man\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"January 17, 2016\"],[\"McCruden\",\"What Everybody Ought to Know about How to Draw Women\",\"how to draw women\",\"Everyday People\",\"1,000 - 1,500 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$60 - $120\",\"January 17, 2016\"],[\"McCruden\",\"How to Draw Other Women and Babies\",\"how to draw women\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"January 24, 2016\"],[\"OPEN<\\/strong>\",\"How to Draw Tom Brady\",\"how to draw tom brady\",\"Well-Known\",\"500 - 800 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Carrienelson1<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$35 - $85\",\"January 24, 2016\"],[\"Reid\",\"Refuse to Ever Use a Drawing Light Box and You Will Regret It\",\"drawing light box\",\"Techniques\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$25 - $85\",\"January 31, 2016\"],[\"OPEN<\\/strong>\",\"Express Yourself by Drawing Eyebrows\",\"drawing eyebrows\",\"Facial Features\",\"1,000 - 1,500 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$60 - $120\",\"February 7, 2016\"],[\"OPEN<\\/strong>\",\"See How Drawing Tennis Shoes Can Keep You on Your Toes\",\"how to draw tennis shoes\",\"Clothing\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"February 7, 2016\"],[\"OPEN<\\/strong>\",\"How to Make a Drawing of a Baby Sleeping\",\"drawing of a baby\",\"Children\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"February 14, 2016\"],[\"OPEN<\\/strong>\",\"This Drawing of a Man Shows Beards Are Made for Thinking\",\"drawing of a man\",\"Everyday People\",\"1,000 - 1,500 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$60 - $120\",\"February 14, 2016\"],[\"Reid\",\"Tools for Getting Started in Drawing\",\"drawing tools\",\"Techniques\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$25 - $85\",\"March 6, 2016\"],[\"Reid\",\"How to Draw an Eye with Colored Pencils That You Can Be Proud Of\",\"how to draw an eye with colored pencils\",\"Facial Features\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"March 6, 2016\"],[\"Reid\",\"Drawing the Hands\",\"how to draw hands step by step\",\"Figure\",\"1,000 - 1,500 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$60 - $120\",\"March 13, 2016\"],[\"Reid\",\"Drawing the Nose in Color Pencil\",\"how to draw a nose with colored pencils\",\"Facial Features\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"March 20, 2016\"],[\"Reid\",\"Drawing the Mouth in Color Pencil\",\"how to draw a mouth with colored pencils\",\"Facial Features\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"March 20, 2016\"],[\"Reid\",\"Drawing Angels\",\"how to draw angels\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"March 27, 2016\"],[\"Reid\",\"Drawing Hair in Color Pencil\",\"how to draw hair with colored pencils\",\"Facial Features\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"April 17, 2016\"],[\"Reid\",\"Drawing the Feet\",\"how to draw a foot\",\"Figure\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"April 17, 2016\"],[\"Reid\",\"Drawing Mermaids\",\"how to draw mermaids\",\"Figure\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"April 24, 2016\"],[\"Reid\",\"Drawing the Ear in Color Pencil\",\"how to draw an ear with colored pencil\",\"Facial Features\",\"1,000 - 1,500 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$60 - $120\",\"May 15, 2016\"],[\"Reid\",\"Drawing Fairies\",\"how to draw fairies\",\"Figure\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"July 3, 2016\"],[\"Reid\",\"Using Models for Your Artwork\",\"life drawing models\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"July 10, 2016\"]]','Editorial Calendar','','inherit','closed','closed','','2347-revision-v1','','','2016-01-02 21:15:16','2016-01-03 05:15:16','',2347,'http://www.letsdrawpeople.com/2347-revision-v1/',0,'revision','',0),(2616,2,'2016-01-02 21:49:11','2016-01-03 05:49:11','

Welcome! Thank you again for contributing to Let\'s Draw People!\r\n\r\nReview the editorial calendar, and then choose your articles below. You can choose any article that is \"OPEN\" in the WRITER column. Substitute any \"X\" you see in an article\'s title with the number of your choosing. Pick one or more articles that you want to write and for which you can provide images. Please make sure you are able to meet the deadline for the article(s) you choose.\r\n\r\nIf images are already provided for an article, feel free to use them as well as your own. Again, if you see a good reference photograph on the Internet but do not own the rights for it, DO NOT USE IT! Instead, you can find legal-to-use stock images, both free and affordable, on Dreamstime.com. If you prefer to use another stock website, you can find others here and here. To confirm the source of your image, copy and paste the exact URL web address in the Description portion of the image when you upload it in WordPress.\r\n

[table id=15 /]

\r\nThe keyword phrase is important. Imagine that someone wants to know \"how to draw women\". He types the keyword phrase \"how to draw women\" into a search engine like Google. Your article should appear in the search results because you include the phrase \"how to draw women\" several times throughout your article. Plus, the entire content of your article should center around the topic \"how to draw women\" and satisfactorily answer the question for the person who typed that phrase into Google.\r\n\r\nThe category is simply how the article will be organized and placed on this website. If you look at the main menu going across this site, you will see that all the articles on the website are organized by similar categories. Keep these broader categories in mind as you write your article or tutorial to make sure it will be a good fit for the category.\r\n
  • If you click on \"Techniques\" you will see articles about drawing techniques, tools, ideas, concepts, etc.
    • \r\n
  • \"Facial Features\" will have tutorials that teach how to draw eyes, a nose, a mouth, ears, hair, or the entire face.
    • \r\n
  • Clicking on \"Figure and Clothing\" will show you how to draw beyond the head and shoulders, focusing on full-length drawings of the body and clothes or parts of the body like hands and feet.
    • \r\n
  • Articles in the category \"Children\" will teach how to draw babies, toddlers, kids, and teens.
    • \r\n
  • If you click on \"Everyday People\" you will see a list of articles and tutorials that teach how to draw regular men and women you might see every day out in public.
    • \r\n
  • Clicking on \"Well-Known People\" will show you celebrities and other prominent people.
    • \r\n
\r\nPlease take sufficient time to very carefully check your writing for proper grammar, spelling, and punctuation!\r\n

Use the form below to select the article or articles you want to write. If you have a suggestion to write an article on a different topic, you can do so as well. For example, you may want to give a tutorial on a celebrity or facial feature not mentioned, or you may want to provide advice on drawing tools or techniques not listed above. Your suggestion will be taken under consideration and if accepted, it may be used in lieu of an article already listed.

\r\n

Remember, do not begin writing the article until you receive a confirmation email that you are assigned the article!

\r\n

[nform id=\'5\']

\r\n

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© Santos06 | Dreamstime.com
','inherit','open','closed','','drawing-of-a-baby-reference','','','2016-02-23 21:16:53','2016-02-24 05:16:53','',3033,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/drawing-of-a-baby-reference.jpg',0,'attachment','image/jpeg',0),(2618,2,'2016-01-02 21:50:34','2016-01-03 05:50:34','','how to draw tennis shoes reference','
© Zorandim | Dreamstime.com
','inherit','open','closed','','how-to-draw-tennis-shoes-reference','','','2016-09-11 05:37:17','2016-09-11 12:37:17','',3010,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/how-to-draw-tennis-shoes-reference.jpg',0,'attachment','image/jpeg',0),(2619,2,'2016-01-02 21:50:58','2016-01-03 05:50:58','','how to draw tom brady reference','
© Jerry Coli | Dreamstime.com
','inherit','open','closed','','how-to-draw-tom-brady-reference','','','2016-01-02 21:52:44','2016-01-03 05:52:44','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/how-to-draw-tom-brady-reference.jpg',0,'attachment','image/jpeg',0),(2620,2,'2016-01-02 21:51:18','2016-01-03 05:51:18','','express yourself by drawing eyebrows','
© Rattikan Keawpun | Dreamstime.com
','inherit','open','closed','','express-yourself-by-drawing-eyebrows','','','2016-01-02 21:53:33','2016-01-03 05:53:33','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/express-yourself-by-drawing-eyebrows.jpg',0,'attachment','image/jpeg',0),(2621,2,'2016-01-02 21:51:39','2016-01-03 05:51:39','','drawing of a man with a beard reference','
© Vadymvdrobot | Dreamstime.com
','inherit','open','closed','','drawing-of-a-man-with-a-beard-reference','','','2016-06-20 07:33:20','2016-06-20 14:33:20','',2884,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/drawing-of-a-man-with-a-beard-reference.jpg',0,'attachment','image/jpeg',0),(2773,2,'2016-01-16 21:15:52','2016-01-17 05:15:52','[[\"
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Keyword<\\/center>\",\"
Category<\\/center>\",\"
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\\u00a9 Santos06<\\/a> | Dreamstime.com<\\/a><\\/b><\\/center><\\/center>\",\"$35 - $85\",\"February 14, 2016\"],[\"McCruden\",\"This Drawing of a Man Shows Beards Are Made for Thinking\",\"drawing of a man\",\"Everyday People\",\"1,000 - 1,500 words\",\"
\\\"<\\/a>
\\u00a9 Vadymvdrobot<\\/a> | Dreamstime.com<\\/a><\\/b><\\/center><\\/center>\",\"$60 - $120\",\"February 14, 2016\"],[\"McCruden\",\"How to Draw a Composition\",\"composition drawing\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"February 21, 2016\"],[\"Reid\",\"Tools for Getting Started in Drawing\",\"drawing tools\",\"Techniques\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$25 - $85\",\"March 6, 2016\"],[\"Reid\",\"How to Draw an Eye with Colored Pencils That You Can Be Proud Of\",\"how to draw an eye with colored pencils\",\"Facial Features\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"March 6, 2016\"],[\"Reid\",\"Drawing the Hands\",\"how to draw hands step by step\",\"Figure\",\"1,000 - 1,500 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$60 - $120\",\"March 13, 2016\"],[\"Reid\",\"Drawing the Nose in Color Pencil\",\"how to draw a nose with colored pencils\",\"Facial Features\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"March 20, 2016\"],[\"Reid\",\"Drawing the Mouth in Color Pencil\",\"how to draw a mouth with colored pencils\",\"Facial Features\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"March 20, 2016\"],[\"Reid\",\"Drawing Angels\",\"how to draw angels\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"March 27, 2016\"],[\"Reid\",\"Drawing Hair in Color Pencil\",\"how to draw hair with colored pencils\",\"Facial Features\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"April 17, 2016\"],[\"Reid\",\"Drawing the Feet\",\"how to draw a foot\",\"Figure\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"April 17, 2016\"],[\"Reid\",\"Drawing Mermaids\",\"how to draw mermaids\",\"Figure\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"April 24, 2016\"],[\"Reid\",\"Drawing the Ear in Color Pencil\",\"how to draw an ear with colored pencil\",\"Facial Features\",\"1,000 - 1,500 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$60 - $120\",\"May 15, 2016\"],[\"Reid\",\"Drawing Fairies\",\"how to draw fairies\",\"Figure\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"July 3, 2016\"],[\"Reid\",\"Using Models for Your Artwork\",\"life drawing models\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"July 10, 2016\"]]','Editorial Calendar','','inherit','closed','closed','','2347-revision-v1','','','2016-01-16 21:15:52','2016-01-17 05:15:52','',2347,'http://www.letsdrawpeople.com/2347-revision-v1/',0,'revision','',0),(2622,2,'2016-01-02 22:05:45','2016-01-03 06:05:45','[[\"
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\\\"\\u00a9<\\/a>
\\u00a9 Lee Snider<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>
\\\"\\u00a9<\\/a>
\\u00a9 Kateryna Trubetska<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$60 - $120\",\"January 10, 2016\"],[\"McCruden\",\"How to Draw Children: 10 Different Approaches\",\"how to draw children\",\"Children\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"January 10, 2016\"],[\"Reid\",\"Use This Drawing of a Man to Improve Your Own Drawing\",\"drawing of a man\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"January 17, 2016\"],[\"McCruden\",\"What Everybody Ought to Know about How to Draw Women\",\"how to draw women\",\"Everyday People\",\"1,000 - 1,500 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$60 - $120\",\"January 17, 2016\"],[\"McCruden\",\"How to Draw Other Women and Babies\",\"how to draw women\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"January 24, 2016\"],[\"OPEN<\\/strong>\",\"How to Draw Tom Brady\",\"how to draw tom brady\",\"Well-Known\",\"500 - 800 words\",\"
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Welcome! Thank you again for contributing to Let\'s Draw People!\r\n\r\nReview the editorial calendar, and then choose your articles below. You can choose any article that is \"OPEN\" in the WRITER column. Substitute any \"X\" you see in an article\'s title with the number of your choosing. Pick one or more articles that you want to write and for which you can provide images. Please make sure you are able to meet the deadline for the article(s) you choose.\r\n\r\nIf images are already provided for an article, feel free to use them as well as your own. Again, if you see a good reference photograph on the Internet but do not own the rights for it, DO NOT USE IT! Instead, you can find legal-to-use stock images, both free and affordable, on Dreamstime.com. If you prefer to use another stock website, you can find others here and here. To confirm the source of your image, copy and paste the exact URL web address in the Description portion of the image when you upload it in WordPress.\r\n

[table id=15 /]

\r\nThe keyword phrase is important. Imagine that someone wants to know \"how to draw women\". He types the keyword phrase \"how to draw women\" into a search engine like Google. Your article should appear in the search results because you include the phrase \"how to draw women\" several times throughout your article. Plus, the entire content of your article should center around the topic \"how to draw women\" and satisfactorily answer the question for the person who typed that phrase into Google.\r\n\r\nThe category is simply how the article will be organized and placed on this website. If you look at the main menu going across this site, you will see that all the articles on the website are organized by similar categories. Keep these broader categories in mind as you write your article or tutorial to make sure it will be a good fit for the category.\r\n
  • If you click on \"Techniques\" you will see articles about drawing techniques, tools, ideas, concepts, etc.
    • \r\n
  • \"Facial Features\" will have tutorials that teach how to draw eyes, a nose, a mouth, ears, hair, or the entire face.
    • \r\n
  • Clicking on \"Figure and Clothing\" will show you how to draw beyond the head and shoulders, focusing on full-length drawings of the body and clothes or parts of the body like hands and feet.
    • \r\n
  • If you click on \"Everyday People\" you will see a list of articles and tutorials that teach how to draw regular men and women you might see every day out in public.
    • \r\n
  • Clicking on \"Well-Known People\" will show you celebrities and other prominent people.
    • \r\n
  • Articles in the category \"Children\" will teach how to draw babies, toddlers, kids, and teens.
    • \r\n
\r\nPlease take sufficient time to very carefully check your writing for proper grammar, spelling, and punctuation!\r\n

Use the form below to select the article or articles you want to write. If you have a suggestion to write an article on a different topic, you can do so as well. For example, you may want to give a tutorial on a celebrity or facial feature not mentioned, or you may want to provide advice on drawing tools or techniques not listed above. Your suggestion will be taken under consideration and if accepted, it will likely be scheduled for publication during a subsequent month or possibly used in lieu of an article already listed.

\r\n

Remember, do not begin writing the article until you receive a confirmation email that you are assigned the article!

\r\n

[nform id=\'5\']

\r\n

','Editorial Calendar','','inherit','closed','closed','','2345-revision-v1','','','2016-01-03 06:16:04','2016-01-03 14:16:04','',2345,'http://www.letsdrawpeople.com/2345-revision-v1/',0,'revision','',0),(2625,15,'2016-07-20 02:05:46','2016-07-20 09:05:46','Well it looks like the art gods do not smile upon me in this article. I love to draw and paint but I cannot stand doing hands or feet. If I can get away with not drawing them, I will. Norman Rockwell, a famous, past artist had said it best, “People can forgive anything except the face and hands.”\r\n\r\nI remember one time I was doing a painting and I had to paint the girl’s hand and I decided to paint a rock piece in front of it so that I did not have to paint it. Yes they can be difficult.\r\n\r\n“But Carlos, why take on this article if you don’t do hands?” Well the answer is pretty simple: in order to be a good and decent artist, one must know how to master a series of things, and hands are no different.\r\n\r\nIn fact, I know a fellow artist who has always painted her subjects with their back or back of their head facing the audience because she did not like painting faces period. I look at drawing/painting hands as a challenge. Not everyone can do them correctly. To master the technique of drawing the hands is a feat in itself. It cannot be ignored or not addressed. Sooner or later you’ll need to draw them to continue expressing yourself in your art. If ignored, you’ll only eliminate personal growth for yourself and in your art. With that being said, let’s bite down and learn how to draw hands.\r\n

Build the Hand with Basic Shapes

\r\nThe first thing that you should do is draw two circles that will be the heel of the hand followed by four columns that go from small to large as they get closer to the base. Draw two lines that will be the thumb as well. You may need to draw one or two circles under the columns to illustrate where the hand will be strategically placed. Connect the columns with lines that will end up being that hand itself as well. Also make one or two broken, uneven lines on the columns to represent the areas where the fingers bend  – don’t forget about making one straight line at the base.\r\n\r\n\"01\r\n\r\n \r\n\r\nMoving right along, add some shading where necessary. In this case, shading is added to the right side illustrating that the light is coming from the left. Don’t forget to add skin folds in the hands and darken the tone on the finger folds some. Look at your hand and see how the folds are done. As you can see, they are uneven, broken, and not straight; use this as a drawing model for your picture. Also, round out the tips of the columns to portray them as the tips of the fingers.\r\n\r\n\"02\r\n\r\n \r\n\r\nWe then need to erase all unnecessary lines in the hands themselves and off the fingers. We then take a tortillion and first smudge the folds in the hand palm and the finger folds. We then want to attack the shading that was applied to the right side of the hand to illustrate realism. Also, apply shading with the tortillion where you see fit to make the hand look real. I usually stray from the photo and add lighter or darker tones to make the picture look believable. I just don’t believe that you will be 100% accurate with a drawing compared to the original.\r\n\r\n\"03\r\n\r\n \r\n

A Look at Two More Hand Positions

\r\nThere are literally a countless number of possible positions in which hands can form themselves, far more than can be covered in the scope of this article. Let’s look at two more drawing examples that can help you get started:\r\n

The Serving Hand

\r\nThis hand drawing is very simple. Simple because all the fingers are together holding in place an object that hasn’t been drawn in yet. Basically you want to start off drawing the hand blocky and add lines representing the finger folds.\r\n\r\n\"04\r\n\r\n \r\n\r\nAs you can see, the object that is being held by the hand has been drawn in, as well as details like the fingernails and shading, followed by the rounding of the tips of the fingers.\r\n\r\n\"05\r\n\r\n \r\n\r\nWe then use a tortillion to blend/smudge the shading in between the fingers, the wrist area, and also some on the fingernails.\r\n\r\n\"06\r\n\r\n \r\n\r\nThe last thing we do is add some detail to the object being held. Basically we just add a dark tone in some of the area but not the whole thing. We then use the tortillion again to smudge in the dark areas, leaving some areas untouched to illustrate white or lighter tone in the object. Also, I added just a bit of small tone to the tips of the fingers to show some accuracy from the picture.\r\n\r\n\"07\r\n\r\n \r\n

The Grabbing Hand

\r\nNow let’s move on to the big daddy of the hand drawings. Trust me when I say this drawing wasn’t a walk in the park, but I did get it done……barely.\r\n\r\nI started off by drawing it freehand. It’s off by a little but I wasn’t worried about 100% accuracy at this stage; besides, I have time to fix it in the other stages. I also added some details to the folds of the fingers and darkened the outline, contour lines of the hand.\r\n\r\n\"09\r\n\r\n \r\n\r\nIn this picture, you can see that I’ve added shading to the palm of the hand and some to the fingers.\r\n\r\n\"10\r\n\r\n \r\n\r\nThe last part of this picture is executing the tortillion again. I basically blended in the shaded part to make it all come together.\r\n\r\n\"11\r\n\r\n \r\n

Drawing Other Hands

\r\nAs you can see, learning how to draw hands can be a challenge, but it can be done with practice. I believe that I could not cover everything that I wanted to in just one lesson, as this post primarily focuses on opened hands in different positions. If you were to draw hands that were grasping and holding certain objects, the shading on the hands would be different. In fact, just their positioning would rearrange the lighting bouncing off of them.\r\n\r\nPlease keep in mind that when drawing the hands, start by making them into simple geometric shapes and then add detail and shading. This is actually the basic rule for everything when drawing but particularly when it comes to hands. The mobility and their flexibility make the hands a difficult subject to draw and paint but a satisfying subject when executed correctly.','Drawing the Hands','','publish','closed','open','','drawing-the-hands','','','2016-06-25 16:40:38','2016-06-25 23:40:38','',0,'http://www.letsdrawpeople.com/?p=2625',0,'post','',0),(3142,2,'2016-06-26 08:13:30','2016-06-26 15:13:30','','05 drawing of a baby sleeping face','','inherit','open','closed','','05-drawing-of-a-baby-sleeping-face','','','2016-06-26 08:13:30','2016-06-26 15:13:30','',3033,'http://www.letsdrawpeople.com/wp-content/uploads/2016/06/05-drawing-of-a-baby-sleeping-face.jpg',0,'attachment','image/jpeg',0),(3143,2,'2016-06-26 08:13:31','2016-06-26 15:13:31','','03 drawing of a baby sleeping nose','','inherit','open','closed','','03-drawing-of-a-baby-sleeping-nose','','','2016-06-26 08:13:31','2016-06-26 15:13:31','',3033,'http://www.letsdrawpeople.com/wp-content/uploads/2016/06/03-drawing-of-a-baby-sleeping-nose.jpg',0,'attachment','image/jpeg',0),(3144,2,'2016-06-26 08:13:33','2016-06-26 15:13:33','','02 drawing of a baby sleeping eyes','','inherit','open','closed','','02-drawing-of-a-baby-sleeping-eyes','','','2016-06-26 08:13:33','2016-06-26 15:13:33','',3033,'http://www.letsdrawpeople.com/wp-content/uploads/2016/06/02-drawing-of-a-baby-sleeping-eyes.jpg',0,'attachment','image/jpeg',0),(3145,2,'2016-06-26 08:13:34','2016-06-26 15:13:34','','01 drawing of a baby sleeping guidelines','','inherit','open','closed','','01-drawing-of-a-baby-sleeping-guidelines','','','2016-06-26 08:13:34','2016-06-26 15:13:34','',3033,'http://www.letsdrawpeople.com/wp-content/uploads/2016/06/01-drawing-of-a-baby-sleeping-guidelines.jpg',0,'attachment','image/jpeg',0),(3138,2,'2016-06-26 08:13:22','2016-06-26 15:13:22','','drawing of a baby sleeping','','inherit','open','closed','','drawing-of-a-baby-sleeping','','','2016-06-26 08:13:22','2016-06-26 15:13:22','',3033,'http://www.letsdrawpeople.com/wp-content/uploads/2016/06/drawing-of-a-baby-sleeping.jpg',0,'attachment','image/jpeg',0),(3139,2,'2016-06-26 08:13:25','2016-06-26 15:13:25','','04 drawing of a baby sleeping mouth','','inherit','open','closed','','04-drawing-of-a-baby-sleeping-mouth','','','2016-06-26 08:13:25','2016-06-26 15:13:25','',3033,'http://www.letsdrawpeople.com/wp-content/uploads/2016/06/04-drawing-of-a-baby-sleeping-mouth.jpg',0,'attachment','image/jpeg',0),(3140,2,'2016-06-26 08:13:27','2016-06-26 15:13:27','','06 drawing of a baby sleeping hair','','inherit','open','closed','','06-drawing-of-a-baby-sleeping-hair','','','2016-06-26 08:13:27','2016-06-26 15:13:27','',3033,'http://www.letsdrawpeople.com/wp-content/uploads/2016/06/06-drawing-of-a-baby-sleeping-hair.jpg',0,'attachment','image/jpeg',0),(3141,2,'2016-06-26 08:13:28','2016-06-26 15:13:28','','07 drawing of a baby sleeping sleeve','','inherit','open','closed','','07-drawing-of-a-baby-sleeping-sleeve','','','2016-06-26 08:13:28','2016-06-26 15:13:28','',3033,'http://www.letsdrawpeople.com/wp-content/uploads/2016/06/07-drawing-of-a-baby-sleeping-sleeve.jpg',0,'attachment','image/jpeg',0),(2638,15,'2016-01-03 13:40:13','2016-01-03 21:40:13','Well it looks like the art gods do not smile upon me in this article. I love to draw and paint but I cannot stand doing hands or feet. If I can get away with not drawing them, I will. Norman Rockwell, a famous, past artist had said it best, “People can forgive anything except the face and hands.” I remember one time I was doing a painting and I had to paint the girl’s hand and I decided to paint a rock piece in front of it so that I did not have to paint it. Yes they can be difficult. “But Carlos, why take on this article if you don’t do hands?” Well the answer is pretty simple, in order to be a good and decent artist, one must know how to master a series of things and hands are no different.\r\n\r\nIn fact, I know a fellow artist who has always painted their subjects with their back or back of their head facing the audience because she did not like painting faces period. I look at drawing/painting hands as a challenge. Not everyone can do them correctly. To master the technique of drawing hands is a feat in itself. It cannot be ignore or not address. Sooner or later you’ll need to draw them to continue expressing yourself in your art. If ignored, you’ll only eliminate personal growth for you and in your art. With that being said, let’s bite down and hop on the hands.\r\n\r\nThe first thing that you should do is draw two circles that will be the heel of the hand followed by four columns that go from small to large as they get closer to the base. Draw two lines that will be the thumb as well. You may need to draw one or two circles under the columns to illustrate where the hand will be strategically placed; connect the columns with lines that will end up being that hand itself as well. Also make one or two broken, uneven lines on the columns to represent the areas where the fingers bend at – don’t forget about making one straight line at the base.\r\n\r\nMoving right alone, add some shading where necessary. In this case, shading is added to the right side illustrating that the light is coming from the left. Don’t forget to add skin folds in the hands and darken the tone on the finger folds some. Look at your hand and see how the folds are done. As you can see, there are uneven, broken, and not straight; use this as a drawing model for your picture. Also, round out the tips of the columns to portray them as the tips of the fingers.\r\n\r\nWe then need to erase all un-necessary lines in the hands themselves and off the fingers. We then take a tortillion and first smudge the folds in the hand palm and the finger folds. We then want to attack the shading that was applied to the right side of the hand to illustrate realism. Also, apply shading with the tortillion where you see fit to make the hand look real. I usually stray from the photo and add lighter or darker tones to make the picture look believable. I just don’t believe that you will be 100% accurate with a drawing compared to the original.\r\n\r\nLet’s look at some more drawing examples:\r\n\r\n \r\n\r\nThis hand drawing is very simple. Simple because all the fingers are together holding in place an object that hasn’t been drawn in yet. Basically you want to start off drawing the hand blocky and add lines representing the finger folds.\r\n\r\nAs you can see, the object that is being held by the hand has been drawn in as well as details like the finger nails and shading followed by the rounding of the tips of the fingers.\r\n\r\nWe then use a tortillion to blend/smudge the shading in between the fingers, the wrist area, and also some on the finger nails\r\n\r\nThe last thing we do is add some detail to the object being held. Basically we just add a dark tone in some of the area but not the whole thing. We then use the tortillion again to smudge it in the dark areas leaving some areas un-touch illustrating white or lighter tone in the object. Also, I added just a bit of small tone to the tips of the fingers to show some accuracy from the picture.\r\n\r\nNow let’s move on to the big daddy of the hand drawings. Trust me when I say this drawing wasn’t a walk in the park but I did get it done……barely.\r\n\r\nI started off by drawing it free hand. It’s off by a little but I wasn’t worried about 100% accuracy at this stage; besides, I got time to fix it in the other stages.\r\n\r\nHere I added some details to the folds of the fingers and darken the outline, contour lines of the hand.\r\n\r\nIn this picture, you can see that I’ve added shading to the palm of the hand and some to the fingers.\r\n\r\nThe last part of this picture is executing the tortillion again. I basically blend in the shaded part to make it all come together.\r\n\r\nAs you can see, this is a challenge but it can be done with practice. I believe that I could not cover everything that I wanted to in just one lesson. I will see to it that I do a part two on hands that will focus more on the hands grasping and holding certain objects. When grasping and holding, the shading on the hands is different. In fact, just their positioning period will rearrange the lighting bouncing off them. Please keep in mind that when drawing them, start by start making them into simple geometric shapes and then add detail and shading. This is actually the basic rule for everything when drawing but be particular when it comes to hands. The mobility and their flexibility make the hands a difficult subject to draw and paint but a satisfying subject when executed correctly.\"Scan0001\" \"Scan0002\" \"Scan0003\" \"Scan0004\" \"Scan0005\" \"Scan0006\" \"Scan0008\" \"Scan0009\" \"Scan0010\" \"Scan0011\" \"Scan0012\" \"Scan0013\"','Drawing the Hands','','inherit','closed','closed','','2625-revision-v1','','','2016-01-03 13:40:13','2016-01-03 21:40:13','',2625,'http://www.letsdrawpeople.com/2625-revision-v1/',0,'revision','',0),(2639,15,'2016-01-03 14:05:46','2016-01-03 22:05:46','Well it looks like the art gods do not smile upon me in this article. I love to draw and paint but I cannot stand doing hands or feet. If I can get away with not drawing them, I will. Norman Rockwell, a famous, past artist had said it best, “People can forgive anything except the face and hands.” I remember one time I was doing a painting and I had to paint the girl’s hand and I decided to paint a rock piece in front of it so that I did not have to paint it. Yes they can be difficult. “But Carlos, why take on this article if you don’t do hands?” Well the answer is pretty simple, in order to be a good and decent artist, one must know how to master a series of things and hands are no different.\r\n\r\nIn fact, I know a fellow artist who has always painted their subjects with their back or back of their head facing the audience because she did not like painting faces period. I look at drawing/painting hands as a challenge. Not everyone can do them correctly. To master the technique of drawing hands is a feat in itself. It cannot be ignore or not address. Sooner or later you’ll need to draw them to continue expressing yourself in your art. If ignored, you’ll only eliminate personal growth for yourself and in your art. With that being said, let’s bite down and hop on the hands.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n\"Scan0010\"\r\n\r\nThe first thing that you should do is draw two circles that will be the heel of the hand followed by four columns that go from small to large as they get closer to the base. Draw two lines that will be the thumb as well. You may need to draw one or two circles under the columns to illustrate where the hand will be strategically placed; connect the columns with lines that will end up being that hand itself as well. Also make one or two broken, uneven lines on the columns to represent the areas where the fingers bend at – don’t forget about making one straight line at the base.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0011\"\r\n\r\nMoving right alone, add some shading where necessary. In this case, shading is added to the right side illustrating that the light is coming from the left. Don’t forget to add skin folds in the hands and darken the tone on the finger folds some. Look at your hand and see how the folds are done. As you can see, there are uneven, broken, and not straight; use this as a drawing model for your picture. Also, round out the tips of the columns to portray them as the tips of the fingers.\r\n\r\n\"Scan0012\"\r\n\r\nWe then need to erase all un-necessary lines in the hands themselves and off the fingers. We then take a tortillion and first smudge the folds in the hand palm and the finger folds. We then want to attack the shading that was applied to the right side of the hand to illustrate realism. Also, apply shading with the tortillion where you see fit to make the hand look real. I usually stray from the photo and add lighter or darker tones to make the picture look believable. I just don’t believe that you will be 100% accurate with a drawing compared to the original.\r\n\r\n \r\n\r\nLet’s look at some more drawing examples:\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nThis hand drawing is very simple. Simple because all the fingers are together holding in place an object that hasn’t been drawn in yet. Basically you want to start off drawing the hand blocky and add lines representing the finger folds.\r\n\r\n \r\n\r\n\"Scan0006\"\r\n\r\nAs you can see, the object that is being held by the hand has been drawn in as well as details like the finger nails and shading followed by the rounding of the tips of the fingers\r\n\r\n.\"Scan0008\"\r\n\r\nWe then use a tortillion to blend/smudge the shading in between the fingers, the wrist area, and also some on the finger nails.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0009\"\r\n\r\nThe last thing we do is add some detail to the object being held. Basically we just add a dark tone in some of the area but not the whole thing. We then use the tortillion again to smudge it in the dark areas leaving some areas un-touch illustrating white or lighter tone in the object. Also, I added just a bit of small tone to the tips of the fingers to show some accuracy from the picture.\r\n\r\nNow let’s move on to the big daddy of the hand drawings. Trust me when I say this drawing wasn’t a walk in the park but I did get it done……barely.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0001\"\r\n\r\n \r\n\r\nI started off by drawing it free hand. It’s off by a little but I wasn’t worried about 100% accuracy at this stage; besides, I got time to fix it in the other stages.\r\n\r\n \r\n\r\n\"Scan0002\"\r\n\r\n \r\n\r\nHere I added some details to the folds of the fingers and darken the outline, contour lines of the hand.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\nIn this picture, you can see that I’ve added shading to the palm of the hand and some to the fingers.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\n \r\n\r\nThe last part of this picture is executing the tortillion again. I basically blend in the shaded part to make it all come together.\r\n\r\nAs you can see, this is a challenge but it can be done with practice. I believe that I could not cover everything that I wanted to in just one lesson. I will see to it that I do a part two on hands that will focus more on the hands grasping and holding certain objects. When grasping and holding, the shading on the hands is different. In fact, just their positioning period will rearrange the lighting bouncing off them. Please keep in mind that when drawing them, start by start making them into simple geometric shapes and then add detail and shading. This is actually the basic rule for everything when drawing but be particular when it comes to hands. The mobility and their flexibility make the hands a difficult subject to draw and paint but a satisfying subject when executed correctly.','Drawing the Hands','','inherit','closed','closed','','2625-revision-v1','','','2016-01-03 14:05:46','2016-01-03 22:05:46','',2625,'http://www.letsdrawpeople.com/2625-revision-v1/',0,'revision','',0),(2728,2,'2016-01-11 06:57:20','2016-01-11 14:57:20','[[\"
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Payment<\\/center>\",\"Deadline\"],[\"Reid\",\"Use This Drawing of a Man to Improve Your Own Drawing\",\"drawing of a man\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"January 17, 2016\"],[\"McCruden\",\"What Everybody Ought to Know about How to Draw Women\",\"how to draw women\",\"Everyday People\",\"1,000 - 1,500 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$60 - $120\",\"January 17, 2016\"],[\"McCruden\",\"How to Draw Other Women and Babies\",\"how to draw women\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"January 24, 2016\"],[\"OPEN<\\/strong>\",\"How to Draw Tom Brady\",\"how to draw tom brady\",\"Well-Known\",\"500 - 800 words\",\"
\\\"<\\/a>
\\u00a9 Jerry Coli<\\/a> | Dreamstime.com<\\/a><\\/b><\\/center><\\/center>\",\"$35 - $85\",\"January 24, 2016\"],[\"Reid\",\"Refuse to Ever Use a Drawing Light Box and You Will Regret It\",\"drawing light box\",\"Techniques\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$25 - $85\",\"January 31, 2016\"],[\"Palmenteri\",\"Express Yourself by Drawing Eyebrows\",\"drawing eyebrows\",\"Facial Features\",\"1,000 - 1,500 words\",\"
\\\"<\\/a>
\\u00a9 Rattikan Keawpun<\\/a> | Dreamstime.com<\\/a><\\/b><\\/center><\\/center>\",\"$60 - $120\",\"February 7, 2016\"],[\"OPEN<\\/strong>\",\"See How Drawing Tennis Shoes Can Keep You on Your Toes\",\"how to draw tennis shoes\",\"Clothing\",\"500 - 800 words\",\"
\\\"<\\/a>
\\u00a9 Zorandim<\\/a> | Dreamstime.com<\\/a><\\/b><\\/center><\\/center>\",\"$35 - $85\",\"February 7, 2016\"],[\"Hughes\",\"How to Make a Drawing of a Baby Sleeping\",\"drawing of a baby\",\"Children\",\"500 - 800 words\",\"
\\\"<\\/a>
\\u00a9 Santos06<\\/a> | Dreamstime.com<\\/a><\\/b><\\/center><\\/center>\",\"$35 - $85\",\"February 14, 2016\"],[\"McCruden\",\"This Drawing of a Man Shows Beards Are Made for Thinking\",\"drawing of a man\",\"Everyday People\",\"1,000 - 1,500 words\",\"
\\\"<\\/a>
\\u00a9 Vadymvdrobot<\\/a> | Dreamstime.com<\\/a><\\/b><\\/center><\\/center>\",\"$60 - $120\",\"February 14, 2016\"],[\"McCruden\",\"How to Draw a Composition\",\"composition drawing\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"February 21, 2016\"],[\"Reid\",\"Tools for Getting Started in Drawing\",\"drawing tools\",\"Techniques\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$25 - $85\",\"March 6, 2016\"],[\"Reid\",\"How to Draw an Eye with Colored Pencils That You Can Be Proud Of\",\"how to draw an eye with colored pencils\",\"Facial Features\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"March 6, 2016\"],[\"Reid\",\"Drawing the Hands\",\"how to draw hands step by step\",\"Figure\",\"1,000 - 1,500 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$60 - $120\",\"March 13, 2016\"],[\"Reid\",\"Drawing the Nose in Color Pencil\",\"how to draw a nose with colored pencils\",\"Facial Features\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"March 20, 2016\"],[\"Reid\",\"Drawing the Mouth in Color Pencil\",\"how to draw a mouth with colored pencils\",\"Facial Features\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"March 20, 2016\"],[\"Reid\",\"Drawing Angels\",\"how to draw angels\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"March 27, 2016\"],[\"Reid\",\"Drawing Hair in Color Pencil\",\"how to draw hair with colored pencils\",\"Facial Features\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"April 17, 2016\"],[\"Reid\",\"Drawing the Feet\",\"how to draw a foot\",\"Figure\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"April 17, 2016\"],[\"Reid\",\"Drawing Mermaids\",\"how to draw mermaids\",\"Figure\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"April 24, 2016\"],[\"Reid\",\"Drawing the Ear in Color Pencil\",\"how to draw an ear with colored pencil\",\"Facial Features\",\"1,000 - 1,500 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$60 - $120\",\"May 15, 2016\"],[\"Reid\",\"Drawing Fairies\",\"how to draw fairies\",\"Figure\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"July 3, 2016\"],[\"Reid\",\"Using Models for Your Artwork\",\"life drawing models\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"July 10, 2016\"]]','Editorial Calendar','','inherit','closed','closed','','2347-revision-v1','','','2016-01-11 06:57:20','2016-01-11 14:57:20','',2347,'http://www.letsdrawpeople.com/2347-revision-v1/',0,'revision','',0),(2641,2,'2016-01-05 21:45:27','2016-01-06 05:45:27','[[\"
Writer<\\/center>\",\"
Title<\\/center>\",\"
Keyword<\\/center>\",\"
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Images<\\/center>\",\"
Payment<\\/center>\",\"Deadline\"],[\"Sayers\",\"How to Draw a Blouse When You Know Nothing about Blouses\",\"how to draw a blouse\",\"Clothing\",\"1,000 - 1,500 words\",\"
\\\"\\u00a9<\\/a>
\\u00a9 Lee Snider<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>
\\\"\\u00a9<\\/a>
\\u00a9 Kateryna Trubetska<\\/a> | Dreamstime.com<\\/a><\\/center><\\/center>\",\"$60 - $120\",\"January 10, 2016\"],[\"McCruden\",\"How to Draw Children: 10 Different Approaches\",\"how to draw children\",\"Children\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"January 10, 2016\"],[\"Reid\",\"Use This Drawing of a Man to Improve Your Own Drawing\",\"drawing of a man\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"January 17, 2016\"],[\"McCruden\",\"What Everybody Ought to Know about How to Draw Women\",\"how to draw women\",\"Everyday People\",\"1,000 - 1,500 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$60 - $120\",\"January 17, 2016\"],[\"McCruden\",\"How to Draw Other Women and Babies\",\"how to draw women\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"January 24, 2016\"],[\"OPEN<\\/strong>\",\"How to Draw Tom Brady\",\"how to draw tom brady\",\"Well-Known\",\"500 - 800 words\",\"
\\\"<\\/a>
\\u00a9 Jerry Coli<\\/a> | Dreamstime.com<\\/a><\\/b><\\/center><\\/center>\",\"$35 - $85\",\"January 24, 2016\"],[\"Reid\",\"Refuse to Ever Use a Drawing Light Box and You Will Regret It\",\"drawing light box\",\"Techniques\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$25 - $85\",\"January 31, 2016\"],[\"Palmenteri\",\"Express Yourself by Drawing Eyebrows\",\"drawing eyebrows\",\"Facial Features\",\"1,000 - 1,500 words\",\"
\\\"<\\/a>
\\u00a9 Rattikan Keawpun<\\/a> | Dreamstime.com<\\/a><\\/b><\\/center><\\/center>\",\"$60 - $120\",\"February 7, 2016\"],[\"OPEN<\\/strong>\",\"See How Drawing Tennis Shoes Can Keep You on Your Toes\",\"how to draw tennis shoes\",\"Clothing\",\"500 - 800 words\",\"
\\\"<\\/a>
\\u00a9 Zorandim<\\/a> | Dreamstime.com<\\/a><\\/b><\\/center><\\/center>\",\"$35 - $85\",\"February 7, 2016\"],[\"Hughes\",\"How to Make a Drawing of a Baby Sleeping\",\"drawing of a baby\",\"Children\",\"500 - 800 words\",\"
\\\"<\\/a>
\\u00a9 Santos06<\\/a> | Dreamstime.com<\\/a><\\/b><\\/center><\\/center>\",\"$35 - $85\",\"February 14, 2016\"],[\"McCruden\",\"This Drawing of a Man Shows Beards Are Made for Thinking\",\"drawing of a man\",\"Everyday People\",\"1,000 - 1,500 words\",\"
\\\"<\\/a>
\\u00a9 Vadymvdrobot<\\/a> | Dreamstime.com<\\/a><\\/b><\\/center><\\/center>\",\"$60 - $120\",\"February 14, 2016\"],[\"McCruden\",\"How to Draw a Composition\",\"composition drawing\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"February 21, 2016\"],[\"Reid\",\"Tools for Getting Started in Drawing\",\"drawing tools\",\"Techniques\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$25 - $85\",\"March 6, 2016\"],[\"Reid\",\"How to Draw an Eye with Colored Pencils That You Can Be Proud Of\",\"how to draw an eye with colored pencils\",\"Facial Features\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"March 6, 2016\"],[\"Reid\",\"Drawing the Hands\",\"how to draw hands step by step\",\"Figure\",\"1,000 - 1,500 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$60 - $120\",\"March 13, 2016\"],[\"Reid\",\"Drawing the Nose in Color Pencil\",\"how to draw a nose with colored pencils\",\"Facial Features\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"March 20, 2016\"],[\"Reid\",\"Drawing the Mouth in Color Pencil\",\"how to draw a mouth with colored pencils\",\"Facial Features\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"March 20, 2016\"],[\"Reid\",\"Drawing Angels\",\"how to draw angels\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"March 27, 2016\"],[\"Reid\",\"Drawing Hair in Color Pencil\",\"how to draw hair with colored pencils\",\"Facial Features\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"April 17, 2016\"],[\"Reid\",\"Drawing the Feet\",\"how to draw a foot\",\"Figure\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"April 17, 2016\"],[\"Reid\",\"Drawing Mermaids\",\"how to draw mermaids\",\"Figure\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"April 24, 2016\"],[\"Reid\",\"Drawing the Ear in Color Pencil\",\"how to draw an ear with colored pencil\",\"Facial Features\",\"1,000 - 1,500 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$60 - $120\",\"May 15, 2016\"],[\"Reid\",\"Drawing Fairies\",\"how to draw fairies\",\"Figure\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"July 3, 2016\"],[\"Reid\",\"Using Models for Your Artwork\",\"life drawing models\",\"Everyday People\",\"500 - 800 words\",\"Only use images to which you<\\/u> own the rights, OR select from a stock photography website such as Dreamstime.com.<\\/a>\",\"$35 - $85\",\"July 10, 2016\"]]','Editorial Calendar','','inherit','closed','closed','','2347-revision-v1','','','2016-01-05 21:45:27','2016-01-06 05:45:27','',2347,'http://www.letsdrawpeople.com/2347-revision-v1/',0,'revision','',0),(2642,2,'2016-01-06 22:06:29','2016-01-07 06:06:29','','25467_105748609463664_7000441_n','\"M.C\" by Quan Vo','inherit','open','closed','','25467_105748609463664_7000441_n','','','2016-01-06 22:07:12','2016-01-07 06:07:12','',659,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/25467_105748609463664_7000441_n.jpg',0,'attachment','image/jpeg',0),(2643,2,'2016-01-06 22:07:20','2016-01-07 06:07:20','Use these drawings of celebrities and prominent people as examples of how to capture the likenesses of well-known people. Remember that when you are trying to draw people well enough and detailed enough for them to be recognizable as the intended person, it is often helpful to practice by drawing famous faces. I mean, what better test of your drawing skills than to show your work to people who immediately know who you were trying to draw, right?\r\n\r\nYou will see familiar drawings of different skill levels and different levels of detail in this gallery. Some drawings you may recognize, while others you may not. No matter how much or how little a drawing here captures a resemblance, take the opportunity to learn something from each piece. Some questions you may ask yourself as you view this gallery are:\r\n
    \r\n
  • Which obvious features did the artist include to help make the famous face easily recognizable?
    • \r\n
  • Which details or subtle facial characteristics did the artist include to obtain such an accurate likeness of the subject?
    • \r\n
  •  What could the artist have done differently to make a better representation of the celebrity?
    • \r\n
\r\nThank you in advance to all artists who contribute their drawings of well-known faces to this gallery! Remember, too, that it\'s okay if your drawing doesn\'t come out perfectly or to your satisfaction. I am still hard on myself with some of my work, and I always see something I could have done differently for better results (even with my own drawings in this gallery!). The important thing to remember is, you should always feel good about sharing your artwork, celebrate your strengths, and learn from your mistakes.\r\n\r\nIf you have your own celebrity portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"759,753,734,799,798,797,796,790,791,792,793,794,789,788,787,786,785,784,783,795,1171,1633,1721,2483,2489,2569,2642\" orderby=\"rand\"]','Drawings of Well-Known Faces','','inherit','closed','closed','','659-revision-v1','','','2016-01-06 22:07:20','2016-01-07 06:07:20','',659,'http://www.letsdrawpeople.com/659-revision-v1/',0,'revision','',0),(2645,2,'2016-01-13 02:42:34','2016-01-13 10:42:34','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist or a non-artist with little drawing skill:\r\n\r\n\"how\r\n\r\nThis drawing includes many common mistakes made by people who struggle when it comes to drawing a face. Even if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

\"01

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

\"02

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes correctly later, they will spring from the eyes more naturally.

\r\n

\"02

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

\"03

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid or zigzag color, like this...

\r\n

\"04

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

\"04

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

\"02

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

\"05

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

\"06

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

\"07

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

\"07

\r\n

\"lm

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

\"08

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

\"08

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

\"09

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

\"09

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

\"10

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. Include any smile lines that originate from the nose too. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 \"10

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

\"11

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

\"11

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

\"12

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

\"12

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

\"13

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line, as seen in the above photograph on the right.

\r\n

\"13

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

\"14

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

\"14

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

\"15

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

\"15

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the before and after result:

\r\n

\"15

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','publish','open','open','','15-face-drawing-tips','','','2016-01-24 01:19:14','2016-01-24 09:19:14','',0,'http://www.letsdrawpeople.com/?p=2645',0,'post','',0),(2646,2,'2016-01-08 05:37:33','2016-01-08 13:37:33','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (though it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to bring more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance.\r\n\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little things to the drawing above can improve our face drawing a bit.','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-08 05:37:33','2016-01-08 13:37:33','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2647,2,'2016-01-08 05:51:15','2016-01-08 13:51:15','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to bring more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance.\r\n\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little things to the drawing above can improve our face drawing a bit.\r\n\r\n ','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-08 05:51:15','2016-01-08 13:51:15','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2648,2,'2016-01-08 06:41:42','2016-01-08 14:41:42','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to bring more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little things to the drawing above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

[photo of subject\'s right eye with arrow]

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye; same pic with eyelashes beside it]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

[photo with arrows]

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n ','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-08 06:41:42','2016-01-08 14:41:42','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2649,2,'2016-01-30 22:21:29','2016-01-31 06:21:29','

Create a Basic Outline of a Person

\nStart by creating a soft stick figure sketch or something similar. Consider the space that you are drawing in and the space the figure will take up. When you are drawing, try to approximate the way the woman is standing and where her body parts are.\n\nTo draw a woman, start with some basic shapes like circles and lines. Keep in mind that a woman has a round body, so use curved lines for shapes as you structure your sketch. Never draw one large circle for a part of the body like legs or the arms. Draw every part of the body as a separate part. Use several smaller circles to give a rough shape to your sketch. For example, legs would be drawn in 6 different shapes: hips, thigh, knee, lower leg, ankle, and foot.\n

Proportions to Keep in Mind

\nWoman  are about 7 circles tall. Create a circle to use and draw that shape one over top another so you have about 7 circles. This will be OK to start. You will be making adjustments as you sketch. The full size of the head  is slightly longer than a circle. Add about a half to get the full length. A woman is about two heads wide. Taking the full length of the head to the chin, turn the shape sideways  and create two shapes of that size next to one another at the same level. Her hips are about as wide as her rib cage, where her shoulder meets her torso. Draw the arm in several different circles: shoulders, upper arm, elbow, lower arm, and hand.  To draw the leg, break them up in different circles for the hips, upper leg, knee, lower leg, ankle, and feet.\n

Body shape of a Woman

\nWhile there are many different body shapes for woman, there is a general shape that can help you when drawing the woman’s body. Use a figure eight or hour glass type figure to give an estimated idea of the woman’s body. When drawing a model, notice the differences between her body and the standard female figure and make adjustments when needed. While using proportions and body shapes is a good way to learn how to draw a woman, try to keep your sketch similar to the model you are studying to create more classical drawings.\n\n\"1\" \"2\" \"3\" \"4\" \"5\" \"6\"\n

Tips for Drawing the Female Body

\nFemale breasts can be difficult to draw. Use an \"X\" over the torso, starting from the top of the shoulder and down to the rib cage. The \"V\" shape that is created by the \"X\" will help you draw where the sternum and collarbone are. The bottom of the \"X\" should be where the middle section starts. If you cut the \"X\" in half, this will give you a line of symmetry from where the breast line should start. This is slightly different for each woman and you should adjust accordingly. Notice that the female breast is not quite a circle. The chest or pectoral muscle is rectangular and the rest of the breast is made of body fat; so, the overall shape will be basically a combined rectangle, teardrop, and a semi circle.\n\nAfter building the basic structure, you break those in two smaller shapes and then draw lightly, as you will be modifying your lines so you have a better understanding of how to draw a woman. The arm for example is about 6 shapes: the shoulder, the upper arm, the elbow, the lower arm, the fist, and the hand. Note that from the shoulder to the elbow and the elbow to the hand should be about an equal distance. Finish sketching a full basic figure before working on any details, checking your proportions as you create your drawing.  Keep in mind that depending on the view of the model, you may need to use measuring or figuring out your own proportions instead of standard proportions. If the body is turned, simple basic proportions are hard to apply.\n\nNext work on details like the face. Pencil in the face and clean up any extra marks. Also as you are working on the details, notice the lines that the body makes when you are adjusting them. Use guidelines for the face and for anything you need for symmetry. Now edit the rest of the body. The next step would be to edit any leftover lines that are not needed. Clean up any eraser marks and add shading to finish your drawing.\n\n\"12\"\"13\"\"14\"\"15\"\n\nThe back of a woman is different from the front. You can break down the back in simple shapes; however, placement becomes more important because there is more smooth area on the back. Having a line in the right place will draw attention to the area.\n\nOne way to correct the difficulty of drawing the back side is to draw lightly and use shading instead of drawing. For shading technique, you draw a basic outline first. Instead of using lines to draw circles, find a #2 pencil. The shape of the pencil will help with shading, while a mechanical pencil can be harder to shade with. Shade large shapes that imitate the form of the body. Turning the pencil on its side instead of straight over on its head will help do this.\n\nI’ll note that sometimes I sharpen a pencil with a knife. That way, you have a longer point. Try to imagine using as much of the graphite as possible. If you are comfortable with charcoal, this will help create the effect even more. For charcoal, turn the square charcoal or charcoal pencil on its side or on an angle.\n\nOnce you have covered all dark area, use your eraser to draw. Instead of using the pencil, the eraser will act as the point of the pencil and help you create a clean line. This will also give it a soft effect. If you plan on going dark and detailed, make your marks as precise as possible because a human back can be more difficult to judge when it comes to placement of shapes and body parts.\n\nAfter drawing with the eraser, you will go back over dark areas with the charcoal for highlights and contrast and detail. Repeat this process multiple types until you get the effect you want.\n\nBe careful pressing hard with pencil or charcoal when using this technique. Try pressing as softly as possible because it will be difficult to erase marks that are pressed into the paper. For an even better look, find kneaded or other art erasers.\n\n\"7\" \"8\" \"9\" \"10\" \"11\"\n\nYou can draw a woman in many ways, these are just some ideas for you to try. I recommend to always keep creativity in mind when drawing. Find a way to make the drawing yours.\n\n ','What Everybody Ought to Know about How to Draw Women','','inherit','closed','closed','','2492-autosave-v1','','','2016-01-30 22:21:29','2016-01-31 06:21:29','',2492,'http://www.letsdrawpeople.com/2492-autosave-v1/',0,'revision','',0),(3179,2,'2016-07-15 12:05:15','2016-07-15 19:05:15','If you want to make a transition from drawing realistically with graphite pencils to drawing realistically with colored pencils, then it is natural to want to maintain the \"realistic\" aspect of your work.\n\nThat said, it can be a challenge to make drawings look real with colored pencils.\n\nYes, it is true that they add color to your work. However, colored pencils, as versatile as they can be, are still a far cry from being able to mimic an exact representation of the vast array of colors portrayed in real life or in a photograph.\n\nEven so, there is a lot you can do with colored pencils to get a look that is at least closer to a \"realistic\" look. For example, have you ever thought about \"painting\" with colored pencils?\n

Burnishing...the Art of Painting with Pencils

\nYou may be thinking, \"It\'s impossible to paint using colored pencils!\"\n\nThe reason I bring up painting is because out of all the art mediums, paint is the one most closely associated with the most realistic works of art.\n\nNow since the focus of this lesson is on the medium of colored pencils, wouldn\'t it be cool if we could achieve an effect similar to painting with our colored pencils?\n\nIt is quite possible to achieve such an effect using the technique of burnishing.\n\nBurnishing is a special process that allows you to create colored pencil drawings that resemble paintings. When you burnish, you are actually layering colored pencils in order to make a solid area of pigment. The burnishing process takes away the texture made by the drawing surface and leaves a result that looks similar to a painting.\n

How to Burnish

\nThere are several different ways you can burnish your colored pencil drawings. For now, I am going to share two of those ways. Don\'t worry...they are both effective and easy to implement!\n\nFor these examples, I used Prismacolor Premier Colored Pencils. However, you can use these techniques with other brands as well.\n\nThe first technique involves identifying the area you want to burnish and layering it with a white colored pencil. As you can see in the example below, the box on the left contains only the original color (Prismacolor True Blue - PC903) and is not burnished. The box on the right contains the True Blue after it has been burnished with White (PC938). You should use heavy pressure with your White pencil when burnishing.\n\n\"true\n\nThe second technique involves doing the same thing as the first; only instead of using white to burnish, you will use what is called a Colorless blender (PC1077). A colorless blender is a special kind of pencil that has a binder inside of it (just like all colored pencils) but lacks the pigment that the binder is meant to hold together. You can find them sold individually or as part of a colored pencil accessory set. Here is what a colorless blender looks like:\n\n\"colorless\n\nAs you can see in the example below, the box on the left contains only True Blue and is not burnished. The box on the right contains the True Blue after it has been burnished with the colorless blender. Again, you should use heavy pressure.\n\n\"true\n

Which Technique Is Best?

\nYou might notice that with both techniques, the True Blue experiences a change in value after being burnished.\n\n\"true\n\nYou might also notice that the white has a much greater effect on the change in value while the colorless blender\'s effect on value change is not as noticeable. You will have to decide what kind of effect you are going for, and that will help you decide on which technique to use.\n

Drawing, Coloring, and Painting

\nNot only is burnishing similar to painting, but it is also similar to the blending process of graphite pencils. Just like smoothing and blending out the graphite helps our black and white pencil art look more realistic, the burnishing process smooths and blends out the colors in our colored pencil art.\n\nNow you can see that with the help of burnishing, art drawn in colored pencils can appear even more like paintings. So the next time you \"draw\" in colored pencil, remember to try out one or both of these burnishing techniques and \"paint\" in colored pencil instead!','How to \"Paint\" with Colored Pencils','','inherit','closed','closed','','3176-autosave-v1','','','2016-07-15 12:05:15','2016-07-15 19:05:15','',3176,'http://www.letsdrawpeople.com/3176-autosave-v1/',0,'revision','',0),(2651,2,'2016-01-09 14:00:26','2016-01-09 22:00:26','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to bring more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

[photo of subject\'s right eye with arrow]

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye; same pic with eyelashes beside it]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

[photo with arrows]

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

[photo with arrow on highlight]

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

[photo of eyebrow]

\r\n

to Use pencil strokes the same length as the individual hairs of the eyebrows. Draw in the same direction as the hair growth.

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-09 14:00:26','2016-01-09 22:00:26','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2652,2,'2016-01-09 14:05:12','2016-01-09 22:05:12','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to bring more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

[photo of subject\'s right eye with arrow]

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye; same pic with eyelashes beside it]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

[photo with arrows]

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

[photo with arrow on highlight]

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

[photo of eyebrow]

\r\n

to Use pencil strokes the same length as the individual hairs of the eyebrows. Draw in the same direction as the hair growth.

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-09 14:05:12','2016-01-09 22:05:12','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2653,2,'2016-01-09 14:07:43','2016-01-09 22:07:43','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to bring more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

[photo of subject\'s right eye with arrow]

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye; same pic with eyelashes beside it]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

[photo with arrows]

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

[photo with arrow on highlight]

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

[photo of eyebrow]

\r\n

to Use pencil strokes the same length as the individual hairs of the eyebrows. Draw in the same direction as the hair growth.

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-09 14:07:43','2016-01-09 22:07:43','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2654,2,'2016-01-09 15:07:29','2016-01-09 23:07:29','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to bring more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

[photo of subject\'s right eye with arrow]

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

[photo with arrows]

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

[photo with arrow on highlight]

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

[photo of eyebrow]

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

[photo of eyelashes]

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

[photo of woman top nose beside man top nose]

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners.

\r\n

Note the shape of the wings of the nose around the nostrils. Draw folds of skin coming from them to make the attachment to the face look natural.

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-09 15:07:29','2016-01-09 23:07:29','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2655,2,'2016-01-09 15:49:38','2016-01-09 23:49:38','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to bring more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

[photo of subject\'s right eye with arrow]

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

[photo with arrows]

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

[photo with arrow on highlight]

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

[photo of eyebrow]

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

[photo of eyelashes]

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

[photo of woman top nose beside man top nose]

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

[photo of nose w/ drawn curved guideline along nostril]

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your drawing.

\r\n

[face drawing with nostril]

\r\n

*****AD BLOCK FOR LEAD MAGNET*****

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-09 15:49:38','2016-01-09 23:49:38','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2656,2,'2016-01-09 15:56:10','2016-01-09 23:56:10','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to bring more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

[photo of subject\'s right eye with arrow]

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

[photo with arrows]

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

[photo with arrow on highlight]

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

[photo of eyebrow]

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

[photo of eyelashes]

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

[photo of woman top nose beside man top nose]

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

[photo of nose w/ drawn curved guideline along nostril]

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your drawing.

\r\n

[face drawing with nostril]

\r\n

*****AD BLOCK FOR LEAD MAGNET*****

\r\n

\r\n

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-09 15:56:10','2016-01-09 23:56:10','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2657,2,'2016-01-09 16:16:10','2016-01-10 00:16:10','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to bring more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

[photo of subject\'s right eye with arrow]

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

[photo with arrows]

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

[photo with arrow on highlight]

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

[photo of eyebrow]

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

[photo of eyelashes]

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

[photo of woman top nose beside man top nose]

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

[photo of nose w/ drawn curved guideline along nostril]

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your drawing.

\r\n

[face drawing with nostril]

\r\n

*****AD BLOCK FOR LEAD MAGNET*****

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

[photo of lip with regular M and stretched legs]

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Sometimes there is a little “trim” around the upper and/or lower lip. It may or may not be that noticeable, depending on your subject.

\r\n

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-09 16:16:10','2016-01-10 00:16:10','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2658,2,'2016-01-09 16:51:15','2016-01-10 00:51:15','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to bring more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

[photo of subject\'s right eye with arrow]

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

[photo with arrows]

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

[photo with arrow on highlight]

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

[photo of eyebrow]

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

[photo of eyelashes]

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

[photo of woman top nose beside man top nose]

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

[photo of nose w/ drawn curved guideline along nostril]

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your drawing.

\r\n

[face drawing with nostril]

\r\n

*****AD BLOCK FOR LEAD MAGNET*****

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

[photo of lip with regular M and stretched legs]

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

[photo with arrow of trim]

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

[photo with arrows to corners]

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

There are mostly vertical little grooves that line the upper and lower lips. Some stand out more than others.

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-09 16:51:15','2016-01-10 00:51:15','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2659,2,'2016-01-09 20:09:04','2016-01-10 04:09:04','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to bring more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

[photo of subject\'s right eye with arrow]

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

[photo with arrows]

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

[photo with arrow on highlight]

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

[photo of eyebrow]

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

[photo of eyelashes]

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

[photo of woman top nose beside man top nose]

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

[photo of nose w/ drawn curved guideline along nostril]

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

*****AD BLOCK FOR LEAD MAGNET*****

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

[photo of lip with regular M and stretched legs]

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

[photo with arrow of trim]

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

[photo with arrows to corners]

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

[photo with arrows of lines on lips]

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

The helix is the outer rim of the ear. Draw a line around the ear that conveys the thickness and shape of the helix.

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-09 20:09:04','2016-01-10 04:09:04','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2660,2,'2016-01-10 05:48:38','2016-01-10 13:48:38','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to bring more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

[photo of subject\'s right eye with arrow]

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

[photo with arrows]

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

[photo with arrow on highlight]

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

[photo of eyebrow]

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

[photo of eyelashes]

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

[photo of woman top nose beside man top nose]

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

[photo of nose w/ drawn curved guideline along nostril]

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

*****AD BLOCK FOR LEAD MAGNET*****

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

[photo of lip with regular M and stretched legs]

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

[photo with arrow of trim]

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

[photo with arrows to corners]

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

[photo with arrows of lines on lips]

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

[photograph with arrow on helix]

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

[face drawing with helix]

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

[side view photograph with arrow on antihelix; frontal view photograph with arrow]

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line.

\r\n

[face drawing with antihelix]

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

[photograph with arrow of overlap hair]

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

[face drawing of overlap hair]

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

[photo with arrows to loose strands]

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

[face drawing with loose strands]

\r\n

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 05:48:38','2016-01-10 13:48:38','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2661,2,'2016-01-10 05:54:51','2016-01-10 13:54:51','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to bring more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

[photo of subject\'s right eye with arrow]

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

[photo with arrows]

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

[photo with arrow on highlight]

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

[photo of eyebrow]

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

[photo of eyelashes]

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

[photo of woman top nose beside man top nose]

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

[photo of nose w/ drawn curved guideline along nostril]

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

*****AD BLOCK FOR LEAD MAGNET*****

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

[photo of lip with regular M and stretched legs]

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

[photo with arrow of trim]

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

[photo with arrows to corners]

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

[photo with arrows of lines on lips]

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

[photograph with arrow on helix]

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

[face drawing with helix]

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

[side view photograph with arrow on antihelix; frontal view photograph with arrow]

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line.

\r\n

[face drawing with antihelix]

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

[photograph with arrow of overlap hair]

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

[face drawing of overlap hair]

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

[photo with arrows to loose strands]

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

[face drawing with loose strands]

\r\n

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 05:54:51','2016-01-10 13:54:51','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2662,2,'2016-01-10 05:55:47','2016-01-10 13:55:47','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to bring more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

[photo of subject\'s right eye with arrow]

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

[photo with arrows]

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

[photo with arrow on highlight]

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

[photo of eyebrow]

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

[photo of eyelashes]

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

[photo of woman top nose beside man top nose]

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

[photo of nose w/ drawn curved guideline along nostril]

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

*****AD BLOCK FOR LEAD MAGNET*****

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

[photo of lip with regular M and stretched legs]

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

[photo with arrow of trim]

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

[photo with arrows to corners]

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

[photo with arrows of lines on lips]

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

[photograph with arrow on helix]

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

[face drawing with helix]

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

[side view photograph with arrow on antihelix; frontal view photograph with arrow]

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line.

\r\n

[face drawing with antihelix]

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

[photograph with arrow of overlap hair]

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

[face drawing of overlap hair]

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

[photo with arrows to loose strands]

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

[face drawing with loose strands]

\r\n

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 05:55:47','2016-01-10 13:55:47','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2663,2,'2016-01-10 08:23:32','2016-01-10 16:23:32','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to bring more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

[photo of subject\'s right eye with arrow]

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

[photo with arrows]

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

[photo with arrow on highlight]

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

[photo of eyebrow]

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

[photo of eyelashes]

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

[photo of woman top nose beside man top nose]

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

[photo of nose w/ drawn curved guideline along nostril]

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

*****AD BLOCK FOR LEAD MAGNET*****

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

[photo of lip with regular M and stretched legs]

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

[photo with arrow of trim]

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

[photo with arrows to corners]

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

[photo with arrows of lines on lips]

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

[photograph with arrow on helix]

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

[face drawing with helix]

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

[side view photograph with arrow on antihelix; frontal view photograph with arrow]

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line.

\r\n

[face drawing with antihelix]

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

[photograph with arrow of overlap hair]

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

[face drawing of overlap hair]

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

[photo with arrows to loose strands]

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

[face drawing with loose strands]

\r\n\r\n

How to Make These Tips a Habit

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember these face-drawing details so they are no longer overlooked, I want you to have my \"Face-Drawing Checklist\".

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 08:23:32','2016-01-10 16:23:32','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2664,2,'2016-01-10 08:29:49','2016-01-10 16:29:49','','/face-drawing-checklist-lm-post','','publish','closed','closed','','2664','','','2016-01-10 08:29:49','2016-01-10 16:29:49','',0,'',0,'leadpages_post','',0),(2665,2,'2016-01-10 08:45:13','2016-01-10 16:45:13','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to bring more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

[photo of subject\'s right eye with arrow]

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

[photo with arrows]

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

[photo with arrow on highlight]

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

[photo of eyebrow]

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

[photo of eyelashes]

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

[photo of woman top nose beside man top nose]

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

[photo of nose w/ drawn curved guideline along nostril]

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

*****AD BLOCK FOR LEAD MAGNET*****

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

[photo of lip with regular M and stretched legs]

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

[photo with arrow of trim]

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

[photo with arrows to corners]

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

[photo with arrows of lines on lips]

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

[photograph with arrow on helix]

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

[face drawing with helix]

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

[side view photograph with arrow on antihelix; frontal view photograph with arrow]

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line.

\r\n

[face drawing with antihelix]

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

[photograph with arrow of overlap hair]

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

[face drawing of overlap hair]

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

[photo with arrows to loose strands]

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

[face drawing with loose strands]

\r\n\r\n

How to Make These Tips a Habit

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 08:45:13','2016-01-10 16:45:13','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2666,2,'2016-01-10 08:56:11','2016-01-10 16:56:11','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to bring more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

[photo of subject\'s right eye with arrow]

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

[photo with arrows]

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

[photo with arrow on highlight]

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

[photo of eyebrow]

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

[photo of eyelashes]

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

[photo of woman top nose beside man top nose]

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

[photo of nose w/ drawn curved guideline along nostril]

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

*****AD BLOCK FOR LEAD MAGNET*****

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

[photo of lip with regular M and stretched legs]

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

[photo with arrow of trim]

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

[photo with arrows to corners]

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

[photo with arrows of lines on lips]

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

[photograph with arrow on helix]

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

[face drawing with helix]

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

[side view photograph with arrow on antihelix; frontal view photograph with arrow]

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line.

\r\n

[face drawing with antihelix]

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

[photograph with arrow of overlap hair]

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

[face drawing of overlap hair]

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

[photo with arrows to loose strands]

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

[face drawing with loose strands]

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the result:

\r\n

[face drawing final]

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 08:56:11','2016-01-10 16:56:11','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2668,2,'2016-01-10 15:30:19','2016-01-10 23:30:19','','05 how to draw a face photo eyelashes','','inherit','open','closed','','05-how-to-draw-a-face-photo-eyelashes','','','2016-01-10 15:30:19','2016-01-10 23:30:19','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/05-how-to-draw-a-face-photo-eyelashes.jpg',0,'attachment','image/jpeg',0),(2667,2,'2016-01-10 15:11:15','2016-01-10 23:11:15','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

[photo of subject\'s right eye with arrow]

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

[photo with arrows]

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

[photo with arrow on highlight]

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

[photo of eyebrow]

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

[photo of eyelashes]

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

[photo of woman top nose beside man top nose]

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

[photo of nose w/ drawn curved guideline along nostril]

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

*****AD BLOCK FOR LEAD MAGNET*****

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

[photo of lip with regular M and stretched legs]

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

[photo with arrow of trim]

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

[photo with arrows to corners]

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

[photo with arrows of lines on lips]

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

[photograph with arrow on helix]

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

[face drawing with helix]

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

[side view photograph with arrow on antihelix; frontal view photograph with arrow]

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line.

\r\n

[face drawing with antihelix]

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

[photograph with arrow of overlap hair]

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

[face drawing of overlap hair]

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

[photo with arrows to loose strands]

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

[face drawing with loose strands]

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the result:

\r\n

[face drawing final]

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 15:11:15','2016-01-10 23:11:15','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2669,2,'2016-01-10 15:30:20','2016-01-10 23:30:20','','02 how to draw a face photo eyelid rim','','inherit','open','closed','','02-how-to-draw-a-face-photo-eyelid-rim','','','2016-01-10 15:30:20','2016-01-10 23:30:20','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/02-how-to-draw-a-face-photo-eyelid-rim.jpg',0,'attachment','image/jpeg',0),(2670,2,'2016-01-10 15:30:22','2016-01-10 23:30:22','','01 how to draw a face photo inner corner eye','','inherit','open','closed','','01-how-to-draw-a-face-photo-inner-corner-eye','','','2016-01-10 15:30:22','2016-01-10 23:30:22','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/01-how-to-draw-a-face-photo-inner-corner-eye.jpg',0,'attachment','image/jpeg',0),(2671,2,'2016-01-10 15:30:24','2016-01-10 23:30:24','','03 how to draw a face photo highlight','','inherit','open','closed','','03-how-to-draw-a-face-photo-highlight','','','2016-01-10 15:30:24','2016-01-10 23:30:24','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/03-how-to-draw-a-face-photo-highlight.jpg',0,'attachment','image/jpeg',0),(2672,2,'2016-01-10 15:30:25','2016-01-10 23:30:25','','04 how to draw a face photo eyebrow','','inherit','open','closed','','04-how-to-draw-a-face-photo-eyebrow','','','2016-01-10 15:30:25','2016-01-10 23:30:25','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/04-how-to-draw-a-face-photo-eyebrow.jpg',0,'attachment','image/jpeg',0),(2676,2,'2016-01-10 15:58:57','2016-01-10 23:58:57','','06 how to draw a face photo nose top bridge','','inherit','open','closed','','06-how-to-draw-a-face-photo-nose-top-bridge','','','2016-01-10 15:58:57','2016-01-10 23:58:57','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/06-how-to-draw-a-face-photo-nose-top-bridge.jpg',0,'attachment','image/jpeg',0),(2675,2,'2016-01-10 15:39:28','2016-01-10 23:39:28','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

[photo of woman top nose beside man top nose]

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

[photo of nose w/ drawn curved guideline along nostril]

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

*****AD BLOCK FOR LEAD MAGNET*****

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

[photo of lip with regular M and stretched legs]

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

[photo with arrow of trim]

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

[photo with arrows to corners]

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

[photo with arrows of lines on lips]

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

[photograph with arrow on helix]

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

[face drawing with helix]

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

[side view photograph with arrow on antihelix; frontal view photograph with arrow]

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line.

\r\n

[face drawing with antihelix]

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

[photograph with arrow of overlap hair]

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

[face drawing of overlap hair]

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

[photo with arrows to loose strands]

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

[face drawing with loose strands]

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the result:

\r\n

[face drawing final]

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 15:39:28','2016-01-10 23:39:28','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2673,2,'2016-01-10 15:33:50','2016-01-10 23:33:50','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

[photo of woman top nose beside man top nose]

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

[photo of nose w/ drawn curved guideline along nostril]

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

*****AD BLOCK FOR LEAD MAGNET*****

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

[photo of lip with regular M and stretched legs]

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

[photo with arrow of trim]

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

[photo with arrows to corners]

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

[photo with arrows of lines on lips]

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

[photograph with arrow on helix]

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

[face drawing with helix]

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

[side view photograph with arrow on antihelix; frontal view photograph with arrow]

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line.

\r\n

[face drawing with antihelix]

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

[photograph with arrow of overlap hair]

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

[face drawing of overlap hair]

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

[photo with arrows to loose strands]

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

[face drawing with loose strands]

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the result:

\r\n

[face drawing final]

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 15:33:50','2016-01-10 23:33:50','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2674,2,'2016-01-10 15:37:49','2016-01-10 23:37:49','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

[photo of woman top nose beside man top nose]

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

[photo of nose w/ drawn curved guideline along nostril]

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

*****AD BLOCK FOR LEAD MAGNET*****

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

[photo of lip with regular M and stretched legs]

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

[photo with arrow of trim]

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

[photo with arrows to corners]

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

[photo with arrows of lines on lips]

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

[photograph with arrow on helix]

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

[face drawing with helix]

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

[side view photograph with arrow on antihelix; frontal view photograph with arrow]

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line.

\r\n

[face drawing with antihelix]

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

[photograph with arrow of overlap hair]

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

[face drawing of overlap hair]

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

[photo with arrows to loose strands]

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

[face drawing with loose strands]

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the result:

\r\n

[face drawing final]

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 15:37:49','2016-01-10 23:37:49','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2677,2,'2016-01-10 16:07:56','2016-01-11 00:07:56','','07 how to draw a face photo nostrils','','inherit','open','closed','','07-how-to-draw-a-face-photo-nostrils','','','2016-01-10 16:07:56','2016-01-11 00:07:56','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/07-how-to-draw-a-face-photo-nostrils.jpg',0,'attachment','image/jpeg',0),(2679,2,'2016-01-10 16:29:59','2016-01-11 00:29:59','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

\"lm

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

[photo of lip with regular M and stretched legs]

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

[photo with arrow of trim]

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

[photo with arrows to corners]

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

[photo with arrows of lines on lips]

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

[photograph with arrow on helix]

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

[face drawing with helix]

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

[side view photograph with arrow on antihelix; frontal view photograph with arrow]

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line.

\r\n

[face drawing with antihelix]

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

[photograph with arrow of overlap hair]

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

[face drawing of overlap hair]

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

[photo with arrows to loose strands]

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

[face drawing with loose strands]

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the result:

\r\n

[face drawing final]

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 16:29:59','2016-01-11 00:29:59','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2682,2,'2016-01-10 16:49:59','2016-01-11 00:49:59','','08 how to draw a face photo top lip dip','','inherit','open','closed','','08-how-to-draw-a-face-photo-top-lip-dip','','','2016-01-10 16:49:59','2016-01-11 00:49:59','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/08-how-to-draw-a-face-photo-top-lip-dip.jpg',0,'attachment','image/jpeg',0),(2681,2,'2016-01-10 16:36:49','2016-01-11 00:36:49','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

\"lm

\r\n

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

[photo of lip with regular M and stretched legs]

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

[photo with arrow of trim]

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

[photo with arrows to corners]

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

[photo with arrows of lines on lips]

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

[photograph with arrow on helix]

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

[face drawing with helix]

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

[side view photograph with arrow on antihelix; frontal view photograph with arrow]

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line.

\r\n

[face drawing with antihelix]

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

[photograph with arrow of overlap hair]

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

[face drawing of overlap hair]

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

[photo with arrows to loose strands]

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

[face drawing with loose strands]

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the result:

\r\n

[face drawing final]

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 16:36:49','2016-01-11 00:36:49','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2683,2,'2016-01-10 16:54:21','2016-01-11 00:54:21','','09 how to draw a face photo lip rim','','inherit','open','closed','','09-how-to-draw-a-face-photo-lip-rim','','','2016-01-10 16:54:21','2016-01-11 00:54:21','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/09-how-to-draw-a-face-photo-lip-rim.jpg',0,'attachment','image/jpeg',0),(2685,2,'2016-01-10 17:58:25','2016-01-11 01:58:25','','10 how to draw a face photo corners of mouth','','inherit','open','closed','','10-how-to-draw-a-face-photo-corners-of-mouth','','','2016-01-10 17:58:25','2016-01-11 01:58:25','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/10-how-to-draw-a-face-photo-corners-of-mouth.jpg',0,'attachment','image/jpeg',0),(2684,2,'2016-01-10 16:57:32','2016-01-11 00:57:32','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

\"lm

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

\"08

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

\"09

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

[photo with arrows to corners]

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

[photo with arrows of lines on lips]

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

[photograph with arrow on helix]

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

[face drawing with helix]

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

[side view photograph with arrow on antihelix; frontal view photograph with arrow]

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line.

\r\n

[face drawing with antihelix]

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

[photograph with arrow of overlap hair]

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

[face drawing of overlap hair]

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

[photo with arrows to loose strands]

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

[face drawing with loose strands]

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the result:

\r\n

[face drawing final]

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 16:57:32','2016-01-11 00:57:32','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2686,2,'2016-01-10 18:00:59','2016-01-11 02:00:59','','11 how to draw a face photo lip grooves','','inherit','open','closed','','11-how-to-draw-a-face-photo-lip-grooves','','','2016-01-10 18:00:59','2016-01-11 02:00:59','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/11-how-to-draw-a-face-photo-lip-grooves.jpg',0,'attachment','image/jpeg',0),(2687,2,'2016-01-10 18:04:10','2016-01-11 02:04:10','','12 how to draw a face photo helix','','inherit','open','closed','','12-how-to-draw-a-face-photo-helix','','','2016-01-10 18:04:10','2016-01-11 02:04:10','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/12-how-to-draw-a-face-photo-helix.jpg',0,'attachment','image/jpeg',0),(2688,2,'2016-01-10 18:04:33','2016-01-11 02:04:33','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

\"lm

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

\"08

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

\"09

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

\"10

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

\"11

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

\"12

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

[face drawing with helix]

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

[side view photograph with arrow on antihelix; frontal view photograph with arrow]

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line.

\r\n

[face drawing with antihelix]

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

[photograph with arrow of overlap hair]

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

[face drawing of overlap hair]

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

[photo with arrows to loose strands]

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

[face drawing with loose strands]

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the result:

\r\n

[face drawing final]

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 18:04:33','2016-01-11 02:04:33','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2690,2,'2016-01-10 18:17:27','2016-01-11 02:17:27','','13 how to draw a face photo antihelix','','inherit','open','closed','','13-how-to-draw-a-face-photo-antihelix','','','2016-01-10 18:17:27','2016-01-11 02:17:27','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/13-how-to-draw-a-face-photo-antihelix.jpg',0,'attachment','image/jpeg',0),(2689,2,'2016-01-10 18:09:27','2016-01-11 02:09:27','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

\"lm

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

\"08

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

\"09

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

\"10

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

\"11

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

\"12

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

[face drawing with helix]

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

[side view photograph with arrow on antihelix; frontal view photograph with arrow]

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line.

\r\n

[face drawing with antihelix]

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

[photograph with arrow of overlap hair]

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

[face drawing of overlap hair]

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

[photo with arrows to loose strands]

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

[face drawing with loose strands]

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the result:

\r\n

[face drawing final]

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 18:09:27','2016-01-11 02:09:27','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2691,2,'2016-01-10 18:23:10','2016-01-11 02:23:10','','14 how to draw a face photo hair overlap','','inherit','open','closed','','14-how-to-draw-a-face-photo-hair-overlap','','','2016-01-10 18:23:10','2016-01-11 02:23:10','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/14-how-to-draw-a-face-photo-hair-overlap.jpg',0,'attachment','image/jpeg',0),(2692,2,'2016-01-10 18:29:19','2016-01-11 02:29:19','','15 how to draw a face photo loose strands','','inherit','open','closed','','15-how-to-draw-a-face-photo-loose-strands','','','2016-01-10 18:29:19','2016-01-11 02:29:19','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/15-how-to-draw-a-face-photo-loose-strands.jpg',0,'attachment','image/jpeg',0),(2696,2,'2016-01-10 18:35:55','2016-01-11 02:35:55','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

\"lm

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

\"08

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

\"09

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

\"10

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

\"11

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

\"12

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

[face drawing with helix]

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

\"13

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line, as seen in the above photograph on the right.

\r\n

[face drawing with antihelix]

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

\"14

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

[face drawing of overlap hair]

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

\"15

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

[face drawing with loose strands]

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the result:

\r\n

[face drawing final]

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 18:35:55','2016-01-11 02:35:55','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2695,2,'2016-01-10 18:32:41','2016-01-11 02:32:41','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

\"lm

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

\"08

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

\"09

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

\"10

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

\"11

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

\"12

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

[face drawing with helix]

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

\"13

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line, as seen in the above photograph on the right.

\r\n

[face drawing with antihelix]

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

\"14

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

[face drawing of overlap hair]

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

\"15

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

[face drawing with loose strands]

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the result:

\r\n

[face drawing final]

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 18:32:41','2016-01-11 02:32:41','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2694,2,'2016-01-10 18:32:32','2016-01-11 02:32:32','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist (a term used throughout this post to include non-artists) with little drawing skill:\r\n

[start pic of face]

\r\nEven if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

\"lm

\r\n

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

\"08

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

\"09

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

\"10

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

\"11

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

\"12

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

[face drawing with helix]

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

\"13

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line, as seen in the above photograph on the right.

\r\n

[face drawing with antihelix]

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

\"14

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

[face drawing of overlap hair]

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

\"15

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

[face drawing with loose strands]

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the result:

\r\n

[face drawing final]

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 18:32:32','2016-01-11 02:32:32','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2697,2,'2016-01-10 19:03:09','2016-01-11 03:03:09','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist or a non-artist with little drawing skill:\r\n

[start pic of face]

\r\nThis drawing includes many common mistakes made by people who struggle when it comes to drawing a face. Even if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

\"lm

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

\"08

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

\"09

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

\"10

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

\"11

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

\"12

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

[face drawing with helix]

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

\"13

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line, as seen in the above photograph on the right.

\r\n

[face drawing with antihelix]

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

\"14

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

[face drawing of overlap hair]

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

\"15

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

[face drawing with loose strands]

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the result:

\r\n

[face drawing final]

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 19:03:09','2016-01-11 03:03:09','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2698,2,'2016-01-10 20:21:50','2016-01-11 04:21:50','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist or a non-artist with little drawing skill:\r\n

[start pic of face]

\r\nThis drawing includes many common mistakes made by people who struggle when it comes to drawing a face. Even if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes correctly later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid or zigzag color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

\"lm

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

\"08

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

\"09

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

\"10

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. Include any smile lines that originate from the nose too. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

\"11

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

\"12

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

[face drawing with helix]

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

\"13

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line, as seen in the above photograph on the right.

\r\n

[face drawing with antihelix]

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

\"14

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

[face drawing of overlap hair]

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

\"15

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

[face drawing with loose strands]

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the result:

\r\n

[face drawing final]

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 20:21:50','2016-01-11 04:21:50','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2756,2,'2016-01-13 06:53:33','2016-01-13 14:53:33','','how to draw a face drawing by beginner','','inherit','open','closed','','how-to-draw-a-face-drawing-by-beginner','','','2016-01-13 06:53:33','2016-01-13 14:53:33','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/how-to-draw-a-face-drawing-by-beginner.jpg',0,'attachment','image/jpeg',0),(2702,2,'2016-01-10 21:13:42','2016-01-11 05:13:42','','01 how to draw a face drawing inner corner eye','','inherit','open','closed','','01-how-to-draw-a-face-drawing-inner-corner-eye','','','2016-01-10 21:13:42','2016-01-11 05:13:42','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/01-how-to-draw-a-face-drawing-inner-corner-eye.jpg',0,'attachment','image/jpeg',0),(2700,2,'2016-01-10 21:08:40','2016-01-11 05:08:40','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist or a non-artist with little drawing skill:\r\n

\"how

\r\nThis drawing includes many common mistakes made by people who struggle when it comes to drawing a face. Even if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes correctly later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid or zigzag color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

\"lm

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

\"08

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

\"09

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

\"10

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. Include any smile lines that originate from the nose too. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

\"11

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

\"12

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

[face drawing with helix]

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

\"13

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line, as seen in the above photograph on the right.

\r\n

[face drawing with antihelix]

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

\"14

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

[face drawing of overlap hair]

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

\"15

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

[face drawing with loose strands]

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the result:

\r\n

[face drawing final]

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 21:08:40','2016-01-11 05:08:40','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2701,2,'2016-01-10 21:09:59','2016-01-11 05:09:59','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist or a non-artist with little drawing skill:\r\n

\"how

\r\nThis drawing includes many common mistakes made by people who struggle when it comes to drawing a face. Even if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

[face drawing with corner]

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

[pic of almond shape eye with eyelashes beside it nonexample]

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes correctly later, they will spring from the eyes more naturally.

\r\n

[face drawing with rim]

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid or zigzag color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

\"lm

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

\"08

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

\"09

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

\"10

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. Include any smile lines that originate from the nose too. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

\"11

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

\"12

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

[face drawing with helix]

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

\"13

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line, as seen in the above photograph on the right.

\r\n

[face drawing with antihelix]

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

\"14

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

[face drawing of overlap hair]

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

\"15

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

[face drawing with loose strands]

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the result:

\r\n

[face drawing final]

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 21:09:59','2016-01-11 05:09:59','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2703,2,'2016-01-10 21:18:35','2016-01-11 05:18:35','','02 how to draw a face drawing inner rim nonexample','','inherit','open','closed','','02-how-to-draw-a-face-drawing-inner-rim-nonexample','','','2016-01-10 21:18:35','2016-01-11 05:18:35','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/02-how-to-draw-a-face-drawing-inner-rim-nonexample.jpg',0,'attachment','image/jpeg',0),(2704,2,'2016-01-10 21:21:54','2016-01-11 05:21:54','','02 how to draw a face drawing inner rim','','inherit','open','closed','','02-how-to-draw-a-face-drawing-inner-rim','','','2016-01-10 21:21:54','2016-01-11 05:21:54','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/02-how-to-draw-a-face-drawing-inner-rim.jpg',0,'attachment','image/jpeg',0),(2706,2,'2016-01-10 21:47:45','2016-01-11 05:47:45','','14 how to draw a face drawing hair overlap','','inherit','open','closed','','14-how-to-draw-a-face-drawing-hair-overlap','','','2016-01-10 21:47:45','2016-01-11 05:47:45','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/14-how-to-draw-a-face-drawing-hair-overlap.jpg',0,'attachment','image/jpeg',0),(2705,2,'2016-01-10 21:22:49','2016-01-11 05:22:49','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist or a non-artist with little drawing skill:\r\n

\"how

\r\nThis drawing includes many common mistakes made by people who struggle when it comes to drawing a face. Even if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

\"01

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

\"02

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes correctly later, they will spring from the eyes more naturally.

\r\n

\"02

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

[face drawing with highlight]

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid or zigzag color, like this...

\r\n

[eyebrow nonexample]

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

[face drawing with eyebrow]

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

[eyelash nonexample]

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

[face drawing with eyelashes]

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

[face drawing with top of nose]

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

[nostril nonexample]

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

[face drawing with nostril]

\r\n

\"lm

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

\"08

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

[face drawing of top lip]

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

\"09

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

[face drawing with trim]

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

\"10

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. Include any smile lines that originate from the nose too. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 [face drawing with corners]

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

\"11

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

[face drawing with lip grooves]

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

\"12

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

[face drawing with helix]

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

\"13

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line, as seen in the above photograph on the right.

\r\n

[face drawing with antihelix]

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

\"14

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

[face drawing of overlap hair]

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

\"15

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

[face drawing with loose strands]

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the result:

\r\n

[face drawing final]

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 21:22:49','2016-01-11 05:22:49','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2707,2,'2016-01-10 21:47:46','2016-01-11 05:47:46','','how to draw a face 15 face drawing tips','','inherit','open','closed','','how-to-draw-a-face-15-face-drawing-tips','','','2016-01-10 21:47:46','2016-01-11 05:47:46','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/how-to-draw-a-face-15-face-drawing-tips.jpg',0,'attachment','image/jpeg',0),(2708,2,'2016-01-10 21:47:48','2016-01-11 05:47:48','','06 how to draw a face drawing nose top bridge','','inherit','open','closed','','06-how-to-draw-a-face-drawing-nose-top-bridge','','','2016-01-10 21:47:48','2016-01-11 05:47:48','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/06-how-to-draw-a-face-drawing-nose-top-bridge.jpg',0,'attachment','image/jpeg',0),(2709,2,'2016-01-10 21:47:49','2016-01-11 05:47:49','','10 how to draw a face drawing corners of mouth','','inherit','open','closed','','10-how-to-draw-a-face-drawing-corners-of-mouth','','','2016-01-10 21:47:49','2016-01-11 05:47:49','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/10-how-to-draw-a-face-drawing-corners-of-mouth.jpg',0,'attachment','image/jpeg',0),(2710,2,'2016-01-10 21:47:50','2016-01-11 05:47:50','','05 how to draw a face drawing eyelashes','','inherit','open','closed','','05-how-to-draw-a-face-drawing-eyelashes','','','2016-01-10 21:47:50','2016-01-11 05:47:50','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/05-how-to-draw-a-face-drawing-eyelashes.jpg',0,'attachment','image/jpeg',0),(2711,2,'2016-01-10 21:47:52','2016-01-11 05:47:52','','12 how to draw a face drawing helix','','inherit','open','closed','','12-how-to-draw-a-face-drawing-helix','','','2016-01-10 21:47:52','2016-01-11 05:47:52','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/12-how-to-draw-a-face-drawing-helix.jpg',0,'attachment','image/jpeg',0),(2712,2,'2016-01-10 21:47:53','2016-01-11 05:47:53','','13 how to draw a face drawing antihelix','','inherit','open','closed','','13-how-to-draw-a-face-drawing-antihelix','','','2016-01-10 21:47:53','2016-01-11 05:47:53','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/13-how-to-draw-a-face-drawing-antihelix.jpg',0,'attachment','image/jpeg',0),(2713,2,'2016-01-10 21:47:55','2016-01-11 05:47:55','','03 how to draw a face drawing highlight','','inherit','open','closed','','03-how-to-draw-a-face-drawing-highlight','','','2016-01-10 21:47:55','2016-01-11 05:47:55','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/03-how-to-draw-a-face-drawing-highlight.jpg',0,'attachment','image/jpeg',0),(2714,2,'2016-01-10 21:47:56','2016-01-11 05:47:56','','11 how to draw a face drawing lip grooves','','inherit','open','closed','','11-how-to-draw-a-face-drawing-lip-grooves','','','2016-01-10 21:47:56','2016-01-11 05:47:56','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/11-how-to-draw-a-face-drawing-lip-grooves.jpg',0,'attachment','image/jpeg',0),(2715,2,'2016-01-10 21:47:57','2016-01-11 05:47:57','','09 how to draw a face drawing lip rim','','inherit','open','closed','','09-how-to-draw-a-face-drawing-lip-rim','','','2016-01-10 21:47:57','2016-01-11 05:47:57','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/09-how-to-draw-a-face-drawing-lip-rim.jpg',0,'attachment','image/jpeg',0),(2716,2,'2016-01-10 21:47:59','2016-01-11 05:47:59','','07 how to draw a face drawing nostrils','','inherit','open','closed','','07-how-to-draw-a-face-drawing-nostrils','','','2016-01-10 21:47:59','2016-01-11 05:47:59','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/07-how-to-draw-a-face-drawing-nostrils.jpg',0,'attachment','image/jpeg',0),(2717,2,'2016-01-10 21:48:00','2016-01-11 05:48:00','','04 how to draw a face drawing eyebrow','','inherit','open','closed','','04-how-to-draw-a-face-drawing-eyebrow','','','2016-01-10 21:48:00','2016-01-11 05:48:00','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/04-how-to-draw-a-face-drawing-eyebrow.jpg',0,'attachment','image/jpeg',0),(2718,2,'2016-01-10 21:48:01','2016-01-11 05:48:01','','08 how to draw a face drawing top lip dip','','inherit','open','closed','','08-how-to-draw-a-face-drawing-top-lip-dip','','','2016-01-10 21:48:01','2016-01-11 05:48:01','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/08-how-to-draw-a-face-drawing-top-lip-dip.jpg',0,'attachment','image/jpeg',0),(2719,2,'2016-01-10 21:59:39','2016-01-11 05:59:39','','04 how to draw a face drawing eyebrow nonexample','','inherit','open','closed','','04-how-to-draw-a-face-drawing-eyebrow-nonexample','','','2016-01-10 21:59:39','2016-01-11 05:59:39','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/04-how-to-draw-a-face-drawing-eyebrow-nonexample.jpg',0,'attachment','image/jpeg',0),(2720,2,'2016-01-10 22:05:00','2016-01-11 06:05:00','','07 how to draw a face drawing nostrils nonexample','','inherit','open','closed','','07-how-to-draw-a-face-drawing-nostrils-nonexample','','','2016-01-10 22:05:00','2016-01-11 06:05:00','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/07-how-to-draw-a-face-drawing-nostrils-nonexample.jpg',0,'attachment','image/jpeg',0),(2752,2,'2016-01-24 00:18:30','2016-01-24 08:18:30','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\n\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist or a non-artist with little drawing skill:\n\n\"how\n\nThis drawing includes many common mistakes made by people who struggle when it comes to drawing a face. Even if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\n\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\n\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\n\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\n

Details to Look for When Drawing a Face

\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\n

1. Inner Corners of the Eyes

\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\n

\"01

\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\n

\"01

\n\n

2. Rim of the Eyelid

\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\n

\"02

\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\n

\"02

\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes correctly later, they will spring from the eyes more naturally.

\n

\"02

\n\n

3. Highlights in the Eyes

\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\n

\"03

\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\n

\"03

\n\n

4. Eyebrow Hairs

\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid or zigzag color, like this...

\n

\"04

\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\n

\"04

\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\n

\"04

\n\n

5. Eyelash Length

\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\n

\"02

\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\n

\"05

\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\n

\"05

\n\n

6. Top of the Bridge of the Nose

\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\n

\"06

\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\n

\"06

\n\n

7. Wings of the Nose

\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\n

\"07

\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\n

\"07

\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\n

\"07

\n

\"lm

\n

\n\n

8. Dip on the Top Lip

\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\n

\"08

\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\n

\"08

\n\n

9. Line around the Lip

\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\n

\"09

\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\n

\"09

\n\n

10. Corners of the Mouth

\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\n

\"10

\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. Include any smile lines that originate from the nose too. This can really help develop the likeness and recognizability of the person you are drawing.

\n

 \"10

\n\n

11. Grooves in the Lips

\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\n

\"11

\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\n

\"11

\n\n

12. Helix

\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\n

\"12

\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\n

\"12

\n\n

13. Antihelix

\n

The antihelix is the curve of cartilage adjacent to the helix.

\n

\"13

\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line, as seen in the above photograph on the right.

\n

\"13

\n\n

14. Overlapping Hair

\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\n

\"14

\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\n

\"14

\n\n

15. Loose Strands on the Outer Edges

\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\n

\"15

\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\n

\"15

\n\n

How to Make These Tips a Habit

\n

So after beginning with a basic drawing and applying these 15 details, here is the before and after result:

\n

\"15

\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-autosave-v1','','','2016-01-24 00:18:30','2016-01-24 08:18:30','',2645,'http://www.letsdrawpeople.com/2645-autosave-v1/',0,'revision','',0),(2725,2,'2016-01-11 04:38:06','2016-01-11 12:38:06','','15 how to draw a face drawing loose strands','','inherit','open','closed','','15-how-to-draw-a-face-drawing-loose-strands','','','2016-01-11 04:38:06','2016-01-11 12:38:06','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/15-how-to-draw-a-face-drawing-loose-strands.jpg',0,'attachment','image/jpeg',0),(2722,2,'2016-01-10 22:14:54','2016-01-11 06:14:54','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist or a non-artist with little drawing skill:\r\n

\"how

\r\nThis drawing includes many common mistakes made by people who struggle when it comes to drawing a face. Even if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

\"01

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

\"02

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes correctly later, they will spring from the eyes more naturally.

\r\n

\"02

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

\"03

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid or zigzag color, like this...

\r\n

\"04

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

\"04

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

\"02

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

\"05

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

\"06

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

\"07

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

\"07

\r\n

\"lm

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

\"08

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

\"08

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

\"09

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

\"09

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

\"10

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. Include any smile lines that originate from the nose too. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 \"10

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

\"11

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

\"11

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

\"12

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

\"12

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

\"13

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line, as seen in the above photograph on the right.

\r\n

\"13

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

\"14

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

\"14

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

\"15

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

\"how

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the before and after result:

\r\n

\"15

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 22:14:54','2016-01-11 06:14:54','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2724,2,'2016-01-10 22:22:45','2016-01-11 06:22:45','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist or a non-artist with little drawing skill:\r\n

\"how

\r\nThis drawing includes many common mistakes made by people who struggle when it comes to drawing a face. Even if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

\"01

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

\"02

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes correctly later, they will spring from the eyes more naturally.

\r\n

\"02

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

\"03

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid or zigzag color, like this...

\r\n

\"04

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

\"04

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

\"02

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

\"05

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

\"06

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

\"07

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

\"07

\r\n

\"lm

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

\"08

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

\"08

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

\"09

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

\"09

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

\"10

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. Include any smile lines that originate from the nose too. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 \"10

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

\"11

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

\"11

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

\"12

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

\"12

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

\"13

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line, as seen in the above photograph on the right.

\r\n

\"13

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

\"14

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

\"14

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

\"15

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

\"how

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the before and after result:

\r\n

\"15

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 22:22:45','2016-01-11 06:22:45','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0); INSERT INTO `wp_posts` VALUES (2723,2,'2016-01-10 22:21:18','2016-01-11 06:21:18','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist or a non-artist with little drawing skill:\r\n

\"how

\r\nThis drawing includes many common mistakes made by people who struggle when it comes to drawing a face. Even if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

\"01

\r\n

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

\"02

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes correctly later, they will spring from the eyes more naturally.

\r\n

\"02

\r\n

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

\"03

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid or zigzag color, like this...

\r\n

\"04

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

\"04

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

\"02

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

\"05

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

\"06

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

\"07

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

\"07

\r\n

\"lm

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

\"08

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

\"08

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

\"09

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

\"09

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

\"10

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. Include any smile lines that originate from the nose too. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 \"10

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

\"11

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

\"11

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

\"12

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

\"12

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

\"13

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line, as seen in the above photograph on the right.

\r\n

\"13

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

\"14

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

\"14

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

\"15

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

\"how

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the before and after result:

\r\n

\"15

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-10 22:21:18','2016-01-11 06:21:18','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2760,2,'2016-01-13 18:51:34','2016-01-14 02:51:34','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist or a non-artist with little drawing skill:\r\n\r\n\"how\r\n\r\nThis drawing includes many common mistakes made by people who struggle when it comes to drawing a face. Even if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

\"01

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

\"02

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes correctly later, they will spring from the eyes more naturally.

\r\n

\"02

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

\"03

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid or zigzag color, like this...

\r\n

\"04

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

\"04

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

\"02

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

\"05

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

\"06

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

\"07

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

\"07

\r\n

\"lm

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

\"08

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

\"08

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

\"09

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

\"09

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

\"10

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. Include any smile lines that originate from the nose too. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 \"10

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

\"11

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

\"11

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

\"12

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

\"12

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

\"13

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line, as seen in the above photograph on the right.

\r\n

\"13

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

\"14

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

\"14

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

\"15

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

\"15

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the before and after result:

\r\n

\"15

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-13 18:51:34','2016-01-14 02:51:34','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2726,2,'2016-01-11 04:39:04','2016-01-11 12:39:04','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist or a non-artist with little drawing skill:\r\n

\"how

\r\nThis drawing includes many common mistakes made by people who struggle when it comes to drawing a face. Even if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

\"01

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

\"02

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes correctly later, they will spring from the eyes more naturally.

\r\n

\"02

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

\"03

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid or zigzag color, like this...

\r\n

\"04

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

\"04

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

\"02

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

\"05

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

\"06

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

\"07

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

\"07

\r\n

\"lm

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

\"08

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

\"08

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

\"09

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

\"09

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

\"10

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. Include any smile lines that originate from the nose too. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 \"10

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

\"11

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

\"11

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

\"12

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

\"12

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

\"13

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line, as seen in the above photograph on the right.

\r\n

\"13

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

\"14

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

\"14

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

\"15

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

\"15

\r\n

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the before and after result:

\r\n

\"15

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-11 04:39:04','2016-01-11 12:39:04','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2727,2,'2016-01-11 04:39:16','2016-01-11 12:39:16','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist or a non-artist with little drawing skill:\r\n

\"how

\r\nThis drawing includes many common mistakes made by people who struggle when it comes to drawing a face. Even if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

\"01

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2. Rim of the Eyelid

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All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

\"02

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Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

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Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes correctly later, they will spring from the eyes more naturally.

\r\n

\"02

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3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

\"03

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4. Eyebrow Hairs

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The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid or zigzag color, like this...

\r\n

\"04

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Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

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Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

\"04

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5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

\"02

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Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

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Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

\"05

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6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

\"06

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7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

\"07

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

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Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

\"07

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\"lm

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8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

\"08

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Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

\"08

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9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

\"09

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

\"09

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

\"10

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. Include any smile lines that originate from the nose too. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 \"10

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11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

\"11

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

\"11

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

\"12

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

\"12

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13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

\"13

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line, as seen in the above photograph on the right.

\r\n

\"13

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

\"14

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

\"14

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15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

\"15

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

\"15

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the before and after result:

\r\n

\"15

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-11 04:39:16','2016-01-11 12:39:16','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(3047,2,'2016-05-15 21:43:35','2016-05-16 04:43:35','Ok kiddos I’m back – it’s the artist you love to hate! First off I need to apologize because my scanner was in that mood where it wanted to do want it wants, so some scans will have black smudges on them...bummer. The other thing is I was not feeling this drawing, sort of. As the title stated, this is a drawing of Tom Brady...a man!\r\n\r\n[caption id=\"attachment_2998\" align=\"aligncenter\" width=\"480\"]\"how
© Jerry Coli | Dreamstime.com
[/caption]\r\n\r\nAs I have stated in previous articles, I’m not into drawing men. I lean a lot toward women because well, I’m a guy! There’s no stimulation for me in drawing men, but as an artist one needs to diversify. I cannot limit myself to just women only.\r\n\r\nEven though I’ll grumble under my breath about having a man as an art subject, I know it’s necessary to draw them if I want to flourish and grow into a better and more diversified artist. With that being said, let’s bite down and get through this one.\r\n

Use a Light Box for the Basics

\r\nAs I stated earlier, this is a guy so I wanted to finish this drawing as quickly as possible. With that being said, I used a light box. I used it not only for the subject in general but I wanted to capture his frizzled hair as closely as I could; not to mention, I wanted to capture the majority of his jersey wrinkles.\r\n\r\n\"Scan0001-3\"\r\n\r\n \r\n

Draw the Eyes

\r\nBelieve it or not, his eyes were a challenge for the simple fact that they didn’t show up well on the light box. I had to take a hypothetical guess as well as look at the original picture to get his eyes close to how they were in the original picture. I added some shading with a tortillion around the eye area and used a Blu Tack erasure to lift some of the markings in the lower, left corners of the eyes to illustrate some highlight.\r\n\r\n\"Scan0002\"\r\n\r\n \r\n

Draw the Mouth

\r\nI then started on the mouth. It needs to be said that drawing the lips of men and women are different. With women, you want to add pencil or color to both the upper and lower lip section. With men, color in the upper lip but DO NOT ADD COLOR TO THE LOWER LIP - PERIOD.\r\n\r\nWhat you want to do is add shading under the lower lip to show some form of the lower lip. Men’s lower lips are usually illustrated with the same skin tone that is in the surrounding mouth area. Usually there is a line to separate where the lip is and where the chin area is.\r\n\r\nDon’t believe me? Look at a cartoon with male characters in them and tell me what you see. The females have full lips that are red and the males always have a line to separate what is their lower lip and the chin area.\r\n\r\nIn the case of the lip here, I just used a tortillion. If I got enough graphite on my tortillion from a previous job, I’ll just smudge what’s on there to give it a faint or smudged look.\r\n\r\n\"Scan0003\"\r\n\r\n \r\n

Draw the Hair

\r\nTime to do some hair! In this case, I added more dark tone to the hair onto the previous dark markings from the light box sketch. I usually use a 2H pencil first, coloring in the graphite followed by tissue blending and then adding dark tone.\r\n\r\n\"Scan0004\"\r\n\r\n \r\n\r\nIn this case, I added the dark tone followed by some smudging with the tortillion. I then colored the hair with a 2H pencil and then added hair streaks and strands by using a pencil erasure.\r\n\r\n\"Scan0005\"\r\n\r\n \r\n

Finish the Face and Final Details

\r\nTo finish up the face, I just use a tortillion to smudge in some shade in the necessary areas. I had enough graphite on the tortillion.\r\n\r\n\"Scan0006\"\r\n\r\n \r\n\r\nI then added some shading to the uniform with an HB pencil in some areas, followed by shading and smudging with a tortillion.\r\n\r\n\"Scan0007-2\"\r\n\r\n \r\n\r\nI finish up the drawing with darkening of the pants and some shading of the arms (yes, I pulled out the tortillion again). I didn’t work on the hands. I provide a separate tutorial about that and I’ll probably do more on that subject in the future.\r\n\r\nAnywho, there you go ladies and gentlemen, the drawing of Tom Brady at his finest……well maybe not at his finest, but you get the drift.\r\n\r\n\"how\r\n\r\nLove him or hate him, he’s in a better position than us, but it’s cool...we’re artists! Even when we’re 80 years old, we’ll still be drawing and painting. Can he still say the same about himself when he reaches that age?','How to Draw Tom Brady','','inherit','closed','closed','','2836-revision-v1','','','2016-05-15 21:43:35','2016-05-16 04:43:35','',2836,'http://www.letsdrawpeople.com/2836-revision-v1/',0,'revision','',0),(3049,2,'2016-05-17 23:03:29','2016-05-18 06:03:29','Ok kiddos I’m back – it’s the artist you love to hate! First off I need to apologize because my scanner was in that mood where it wanted to do want it wants, so some scans will have black smudges on them...bummer. The other thing is I was not feeling this drawing, sort of. As the title stated, this is a tutorial for how to draw Tom Brady...a man!\r\n\r\n[caption id=\"attachment_2998\" align=\"aligncenter\" width=\"480\"]\"how
© Jerry Coli | Dreamstime.com
[/caption]\r\n\r\nAs I have stated in previous articles, I’m not into drawing men. I lean a lot toward women because well, I’m a guy! There’s no stimulation for me in drawing men, but as an artist one needs to diversify. I cannot limit myself to just women only.\r\n\r\nEven though I’ll grumble under my breath about having a man as an art subject, I know it’s necessary to draw them if I want to flourish and grow into a better and more diversified artist. With that being said, let’s bite down and get through this one.\r\n

Use a Light Box for the Basics

\r\nAs I stated earlier, this is a guy so I wanted to finish this drawing as quickly as possible. With that being said, I used a light box. I used it not only for the subject in general but I wanted to capture his frizzled hair as closely as I could; not to mention, I wanted to capture the majority of his jersey wrinkles.\r\n\r\n\"Scan0001-3\"\r\n\r\n \r\n

Draw the Eyes

\r\nBelieve it or not, his eyes were a challenge for the simple fact that they didn’t show up well on the light box. I had to take a hypothetical guess as well as look at the original picture to get his eyes close to how they were in the original picture. I added some shading with a tortillion around the eye area and used a Blu Tack erasure to lift some of the markings in the lower, left corners of the eyes to illustrate some highlight.\r\n\r\n\"Scan0002\"\r\n\r\n \r\n

Draw the Mouth

\r\nI then started on the mouth. It needs to be said that drawing the lips of men and women are different. With women, you want to add pencil or color to both the upper and lower lip section. With men, color in the upper lip but DO NOT ADD COLOR TO THE LOWER LIP - PERIOD.\r\n\r\nWhat you want to do is add shading under the lower lip to show some form of the lower lip. Men’s lower lips are usually illustrated with the same skin tone that is in the surrounding mouth area. Usually there is a line to separate where the lip is and where the chin area is.\r\n\r\nDon’t believe me? Look at a cartoon with male characters in them and tell me what you see. The females have full lips that are red and the males always have a line to separate what is their lower lip and the chin area.\r\n\r\nIn the case of the lip here, I just used a tortillion. If I got enough graphite on my tortillion from a previous job, I’ll just smudge what’s on there to give it a faint or smudged look.\r\n\r\n\"Scan0003\"\r\n\r\n \r\n

Draw the Hair

\r\nTime to do some hair! In this case, I added more dark tone to the hair onto the previous dark markings from the light box sketch. I usually use a 2H pencil first, coloring in the graphite followed by tissue blending and then adding dark tone.\r\n\r\n\"Scan0004\"\r\n\r\n \r\n\r\nIn this case, I added the dark tone followed by some smudging with the tortillion. I then colored the hair with a 2H pencil and then added hair streaks and strands by using a pencil erasure.\r\n\r\n\"Scan0005\"\r\n\r\n \r\n

Finish the Face and Final Details

\r\nTo finish up the face, I just use a tortillion to smudge in some shade in the necessary areas. I had enough graphite on the tortillion.\r\n\r\n\"Scan0006\"\r\n\r\n \r\n\r\nI then added some shading to the uniform with an HB pencil in some areas, followed by shading and smudging with a tortillion.\r\n\r\n\"Scan0007-2\"\r\n\r\n \r\n\r\nI finish up the drawing with darkening of the pants and some shading of the arms (yes, I pulled out the tortillion again). I didn’t work on the hands. I provide a separate tutorial about that and I’ll probably do more on that subject in the future.\r\n\r\nAnywho, there you go ladies and gentlemen, the drawing of Tom Brady at his finest……well maybe not at his finest, but you get the drift.\r\n\r\n\"how\r\n\r\nLove him or hate him, he’s in a better position than us, but it’s cool...we’re artists! Even when we’re 80 years old, we’ll still be drawing and painting. Can he still say the same about himself when he reaches that age?','How to Draw Tom Brady','','inherit','closed','closed','','2836-revision-v1','','','2016-05-17 23:03:29','2016-05-18 06:03:29','',2836,'http://www.letsdrawpeople.com/2836-revision-v1/',0,'revision','',0),(2732,15,'2016-07-09 02:18:21','2016-07-09 09:18:21','What I’m about to share with you is a risk for me. I’m risking mobs of angry artists coming and burning down my house and crucifying me upside down. I will be sharing a secret that many artists use that make us look like we can do the outline of a drawing without any type of help. It can be said that most of us don’t need help drawing, but if you constantly do figures like I do, you want to be anatomically correct. The secret I’m talking about is using a shortcut, such as a light box or any of the other items that will be discussed in this article.\r\n\r\nThe first question that forms in your head is: “Doesn’t using a light box constitute a form of cheating? You’re not a real artist if you use one.” Let me answer that question with a question. Can a garbage man do his job without a truck? Can a doctor operate on you without medical tools? Can a dentist take care of your teeth without the proper tools? I think you know the answer to these questions. Anyone that says you’re not a real artist with a light box is sadly misinformed. A light box is a NECESSARY TOOL if you want to be a serious artist of realistic work.\r\n\r\nA great pro for the light box is that it saves you time. If you are like me, you need a light box to help cut down your outline drawing time, and in essence, get more art pieces cranked out than you can accomplish by just drawing freehand. It also helps with accuracy with the figures and items that will be in your picture. The light box isn’t just the only item you can use. Rather than drawing by traditional freehand, you can also use a projector, graphite paper, or guidelines. Let’s look at some examples of drawing subjects using each of these techniques.\r\n

1. Light Box

\r\nOK so the first example here was done using a light box. The light box is used to trace the outside edges of the subject and other items that will be in the picture. Again, this technique is to help shave down time in drawing the contour outline.\r\n\r\n\"01\r\n\r\n \r\n\r\nHere I quickly did the eyes by smudging them with a tortillion and lips by darkening them a little with a 3B pencil and then smudging it with the tortillion as well. I then started working on the hair by using an HB pencil and leaving some spots untouched to later illustrate light reflecting off the hair.\r\n\r\n\"02\r\n\r\n \r\n\r\nI then smudge the pencil mark that’s in the hair followed by dark pencil marks that will portray hair strands. As always, do not smudge these marks. You want to show some hair detail and you cannot if these are smudged. I have also started adding some tortillion smudge to the face. It’s not much but I’m not worried about it for the time being. I have time to go back and add more later.\r\n\r\n\"03\r\n\r\n \r\n\r\nAs you can see, I’ve started on her outfit. Nothing special here; I used a 3B pencil and shaded/smudged the black with a tortillion. I then used the same tortillion to add some shade and coloring to her sports bra.\r\n\r\n\"04\r\n\r\n \r\n\r\nThe last thing I needed to do was add some detail to the skin and arms by using a tortillion again. I went back to the head again and just added some shading to the forehead to illustrate some realism.\r\n\r\n\"05\r\n\r\n \r\n

2. Projector

\r\nOK, unfortunately this drawing was a fail project.\r\n\r\n\"06\r\n\r\nI was supposed to illustrate the second item you can use to draw the outline of a figure but I ended up using a light box to quickly get it done. With this picture, the projector was supposed to be used.\r\n\r\nI learned a valuable lesson that I will pass on to you guys. When using the projector, you need to make sure that the paper you are drawing on is a BIG piece of paper – 18x24 preferable. If you do it on something small, you will have to bring the projector closer to the paper and that’s bad business. You will not have any room to move around, plus you run the risk of bumping into the projector and knocking the tracing off point.\r\n\r\nIt would be best that you use a bigger piece of paper and not like what I did when getting ready for this article. Glad though I found out so I could give you guys a no-no pointer.\r\n

3. Graphite Paper

\r\nNow this next technique is what I used when I first started drawing. I kept my method a secret from everyone in fear of being exposed but now, who cares right? I’ve learned that many people don’t care what technique you use, in contrast to the actual concept of the art piece and the medium used. I don’t think I remember how this technique was presented to me except that I was in Michael’s and I saw graphite tracing paper and I put two and two together. To me that was heaven sent; I needed something that would cut my outline, drawing time down and here it was! The only bad thing about using graphite tracing paper is that it’s messy. You’ll get some of the graphite onto your fingers and on the paper that you’re tracing on, causing unnecessary erasing.\r\n\r\nYou start by first having the sheet of paper that you will be drawing on, followed by the graphite paper, then the picture on top that you’ll be copying. Another thing you might want to do is tape the original picture to the paper that will be the copy and casually slip the graphite paper in between the sheets of paper and trace.\r\n\r\n\"07\r\n\r\n \r\n\r\nYou guys know my routine by now: eyes, lips, and eyebrows. With the eyes, don’t forget to add some highlight for the pupil and iris and add some shading to the upper part of the eye to show a little bit of shadow. Smudge the eye lid crease and the eyebrow, adding some hair to illustrate random detail.\r\n\r\n\"08\r\n\r\n \r\n\r\nHair is pretty simple here. Color it fully using a 3H or 2H pencil. Take some tissue and blend/smudge over the whole pencil marking.\r\n\r\n\"09\r\n\r\n \r\n\r\nOnce you’ve done that, go back with a darker pencil and add strands to the head to portray different tones. The pencil strokes will be the darker part of her hair.\r\n\r\n\"10\r\n\r\n \r\n\r\nThe last things we will do is first add tone to her shirt with some blending. After that, we will take a tortillion and add shading on the face and neck where necessary.\r\n\r\n\"11\r\n\r\n \r\n

4. Guidelines

\r\nThe last technique we will look at is one that I don’t care for – guidelines. In some cases, measuring is involved. You need the right distances between the eyes, noses, mouth, and hairline. You may need to get the proper measurements off the original picture and then add or take away inches and centimeters depending on the size of paper that you will be working on.\r\n\r\n\"12\r\n\r\n \r\n\r\nYou can also use a see-through grid that already has grids and lines placed on the plate. You then just put it on top of the picture and then mimic what you see onto your sheet of paper. You want to break up the grids into individual sections and focus only on what is in one grid at a time.\r\n\r\nThe same goes with the regular lines. They will be a bit more of a challenge because you won’t have a small section to draw in. The lines in this case serve as guidelines in drawing down the basics.\r\n\r\n\"13\r\n\r\n \r\n\r\nOnce you have the basics down, attack the eyes first. As always, don’t forget the highlight in the eye and the upper shading in the eye. If you have a second, go ahead and smudge the eyelid crease and the eyebrow some so as not to forget like I have in the past.\r\n\r\n\"14\r\n\r\n \r\n\r\n \r\n\r\nYou got my pattern down yet? Eyes, mouth, and hair. In this state, you knew the mouth and lips were coming. You have a choice here. You can draw some lines on the lower lips to implement shading or you can just begin smudging with a tortillion. In this case, I smudged it with a tortillion, both top and bottom. I also used a little bit of a dark pencil (7B) and tortillion to shade and smudge the inside of the mouth and the small space between the teeth and gums.\r\n\r\n\"15\r\n\r\n \r\n\r\nThe hair is easy in this situation. She’s a blonde so I will use a 5H pencil to color the hair and fill in certain areas where it’s darker. I will then smudge the entire area will tissue – it serves the same purpose as a tortillion would but it spreads the graphite wider. The last thing I will do is use a pencil eraser to add in highlights. I find this easier to use than a kneaded eraser – I don’t have to worry about re-shaping the eraser or it giving way to the pressure of erasing.\r\n\r\n\"16\r\n\r\n \r\n\r\nI start now on adding some shading to the face (using tortillion after the aftermath), some shading scribble to her shirt, and adding dark tone to her secondary tank top underneath.\r\n\r\n\"17\r\n\r\n \r\n\r\nThe last thing to work on is to smudge and blend areas in her face and arm, and in her shirt.\r\n\r\n\"18\r\n\r\n \r\n

Now that the secret is out...

\r\nAgain, we used these drawings of different faces as a quick study on how to use shortcut techniques to sketch an image onto a sheet of paper from its original picture. I’m pretty sure a mob of angry artists is not going to be too happy thinking I’ve given their secret away; but hey, it’s not a secret. These are necessary tools and tricks that don\'t get time in the spotlight. Hopefully this article will help shed light on some of the methods that we use, and hopefully those methods are not interpreted as “cheating.”','Four Drawing Shortcut Techniques You Will Not Regret Using','','publish','closed','open','','four-drawing-shortcut-techniques-you-will-not-regret-using','','','2016-06-24 13:32:54','2016-06-24 20:32:54','',0,'http://www.letsdrawpeople.com/?p=2732',0,'post','',0),(3146,2,'2016-06-26 08:17:57','2016-06-26 15:17:57','In this tutorial, we will walk through how to make a drawing of a baby sleeping.\r\n\r\n[caption id=\"attachment_2617\" align=\"aligncenter\" width=\"600\"]\"
© Santos06 | Dreamstime.com
[/caption]\r\n\r\nmake a drawing of a baby sleeping.\r\n\r\n\"01\r\n\r\n \r\n\r\n \r\n\r\n\"02\r\n\r\n \r\n\r\n \r\n\r\n\"03\r\n\r\n \r\n\r\n \r\n\r\n\"04\r\n\r\n \r\n\r\n \r\n\r\n\"05\r\n\r\n \r\n\r\n \r\n\r\n\"06\r\n\r\n \r\n\r\n \r\n\r\n\"07\r\n\r\n \r\n\r\n \r\n\r\n\"drawing','How to Make a Drawing of a Baby Sleeping','','inherit','closed','closed','','3033-revision-v1','','','2016-06-26 08:17:57','2016-06-26 15:17:57','',3033,'http://www.letsdrawpeople.com/3033-revision-v1/',0,'revision','',0),(2751,15,'2016-01-12 17:17:00','2016-01-13 01:17:00','What I’m about to share with you is a risk for me. I’m risking millions of angry artists coming and burning down my house and crucify me upside down. I will be sharing a secret that millions of artist use that make us look like we can do the outline drawing without no type of help. It can be said that millions of us don’t need help drawing, but if you constantly do figures like I do, you want to be anatomically correct. The secret I’m talking about is using a light box or any of the other items that will be discussed in this article.\r\n\r\nThe first question that forms in your head is: “Doesn’t using a light box a form of cheating. You’re not a real artist if you use one.” Let me answer that question with a question. Can a garbage man do his job without a truck? Can a doctor operate on you without medical tools? Can a dentist take care of your teeth without the proper tools? I think you know the answer to these questions. Anyone that says you’re not a real artist without a lightbox is sadly misinformed. A light box is A NECESSARY TOOL if you want to be an artist.\r\n\r\nA great pro for the light box is that it saves you time. If you are like me, you need a light box to help cut down your outline drawing time and in essence, get more art pieces cranked out. It also helps with accuracy with the figures and items that will be in your picture. The light box isn’t just the only item you can use. You can also use carbon/graphite paper, projector, lines or free hand. Let’s look at some examples of using all these except the free hand.\r\n\r\n \r\n\r\n\"Scan0001\"\"Scan0002\"\r\n\r\nOK so the first example here was done using a light box. The light box is used to trace the outside edges of the subject and other items that will be in the picture. Again, this technique is to help shave down time in drawing the contour outline. Here I quickly did the eyes by smudging them with a tortillion and lips by darkening them a little with a 3B pencil and then smudging it with the tortillion as well. I then start work on the hair by using a HB pencil and leaving some spots un-touched to later illustrate light reflecting off the hair.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\nI then smudge the pencil mark that’s in the hair followed by dark pencil marks that will portray hair strands. As always, do not smudge these marks, you want to show some hair detail and you cannot if these are smudged. I have also started adding some tortillion smudge to the face. It’s not much but I’m not worried about it at the time being. I have time to go back and add more later.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\nAs you can see, I’ve started on her outfit. Nothing special here; I used a 3B pencil and shaded/smudged the black with a tortillion. I then used the same tortillion to add some shade and coloring to her sports bra.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nThe last thing I needed to do is add some detail to the skin and arms by using a tortillion again. I went back to the head again and just added some shading to the forehead to illustrate some realism.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0006\"\r\n\r\nOk on this drawing, unfortunately, this was a fail project. I was supposed to illustrate the second item you can use to draw the outline of a figure but I ended up using a light box to quickly get it done. With this picture, the projector was supposed to be used. I learn a valuable lesson that I will pass onto you guys. When using the projector, you need to make sure that the picture that you are doing it on is to be on a BIG piece paper – 18x24 preferable. If you do it on something small, you will have to bring the projector closer to the paper and that’s bad business. You will not have any room to move around plus you run the risk in bumping into the projector and knocking the tracing off point. T’would be best that you use a bigger piece of paper and not like what I did when getting ready for this article. Glad though I found out so I could give you guys a no-no pointer.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0007\"\r\n\r\nNow this next technique is what I used when I first started drawing. I kept my method a secret from everyone in fear of being exposed but now, who cares right? I’ve learn that many people don’t care what technique you use, in contract to the actual concept of the art piece and the medium used. I don’t think I remember how this technique was presented to me except that I was in Michael’s and I saw graphite tracing paper and I put two and two together. To me that was heaven sent; I needed something that would cut my outline, drawing time down and here it was! The only bad thing about using graphite tracing paper is that it’s messy. You’ll get some of the carbon/graphite onto your fingers and on the paper that you’re tracing on causing un-necessary erasing.\r\n\r\nYou start by first, having the sheet of paper that you will be drawing on followed by the graphite paper then the picture on top that you’ll be copying. Another thing you might want to do extra, is tape the original picture to the paper that will be the copy and casually slip the graphite paper in between the sheets of paper and trace.\r\n\r\n \r\n\r\n\"Scan0008\"\"Scan0009\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nYou guys know my routine by now; eyes, lips, and eyebrows. With the eyes, don’t forget to add some highlight for the pupil and iris and add some shading to the upper part of the eye to show a little bit of shadow. Smudge the eye lid crease and the eyebrow adding some hair to illustrate random detail.Hair is pretty simple here. Color it fully using a 3H or 2H pencil.Take some tissue and blend/smudge over the whole pencil marking. Once you’ve done that, go back with a darker pencil and add strands to the head to portray different tones. The pencil strokes will be the darker part of her hair.\r\n\r\n \r\n\r\n\"Scan0010\"\"Scan0011\"\r\n\r\nThe last things we will do is first add tone to her shirt with some blending. After that, we will take a tortillion and add shading on the face and neck where necessary.\r\n\r\n \r\n\r\n\"Scan0012\"\"Scan0013\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nThe last technique we will look at is one that I don’t care for – lines. In some cases, measuring is involved. You need the right distances between the eyes, noses, mouth, and hair line. You may need to get the proper measurements off the original picture and then add or take away inches and centimeters depending on the size of paper that you will be working on.You can also use a see through grid that already has grids and lines placed on the plate; you then just put it on top of the picture and then mimic what you see onto your sheet of paper. You want to break up the grids into individual sections and focus only what is in one grid at a time. The same goes with the regular lines. They will bit more of a challenge because you won’t have a small section to draw in. The lines in this case serve as guide lines in drawing down the basics.\r\n\r\n \r\n\r\n\"Scan0014\"\r\n\r\nOnce you have the basics down, attack the eyes first. As always, don’t forget the highlight in the eye and the upper shading in the eye. If you got a second, go ahead and smudge the eyelid crease and the eyebrow some so as not to forget like I have in the past.\r\n\r\n \r\n\r\n\"Scan0015\"\r\n\r\nYou got my pattern down yet? Eyes, mouth, and hair. In this state, you knew the mouth and lips were coming. You got a choice here, you can draw some lines on the lower lips to implement shading or you can just begin smudging with a tortillion. In this case, I smudged it with a tortillion, both top and bottom. I also used a little bit of a dark pencil (7B) and tortillion to shade and smudge the inside of the mouth and the small space between the teeth and gums.\r\n\r\n \r\n\r\n\"Scan0016\"\r\n\r\nThe hair is easy in this situation. She’s a blonde so I will use a 5H pencil to color the hair and fill in certain areas where it’s darker. I will then smudge the entire area will tissue – it serves the same purpose as a tortillion would but it spreads the graphite wider. The last thing I will do is use a pencil eraser to add in highlights. I find this easier to use than a kneaded eraser – I don’t have to worry about re-shaping the eraser or it giving way to the pressure of erasing.\r\n\r\n \r\n\r\n\"Scan0017\"\r\n\r\nI start now on adding some shading to the face (using tortillion after the aftermath), some shading scribble to her shirt, and adding dark tone to her secondary tank top underneath.\r\n\r\n \r\n\r\n\"Scan0018\"\r\n\r\nThe last thing to work on is to smudge and blend areas in her face and arm, and in her shirt. Again these drawings were a quick study on the different faces on how to sketch an image to a sheet of paper from its original picture. I’m pretty sure a mob of angry artists are not going to be too happy thinking I’ve given their secret away but hey, it’s not a secret, it’s a necessary tool that doesn’t get time in the spot light. Hopefully this article will help shed the light on some of the methods that we use and it’s not interpreted as “cheating.”','Refuse to Ever Use a Drawing Light Box and You Will Regret It','','inherit','closed','closed','','2732-revision-v1','','','2016-01-12 17:17:00','2016-01-13 01:17:00','',2732,'http://www.letsdrawpeople.com/2732-revision-v1/',0,'revision','',0),(2753,2,'2016-01-13 06:01:08','2016-01-13 14:01:08','','15 face drawing tips before and after','','inherit','open','closed','','15-face-drawing-tips-before-and-after','','','2016-01-13 06:01:08','2016-01-13 14:01:08','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/15-face-drawing-tips-before-and-after.jpg',0,'attachment','image/jpeg',0),(2871,2,'2016-01-24 00:16:16','2016-01-24 08:16:16','','lm face drawing checklist text ad box','','inherit','open','closed','','lm-face-drawing-checklist-text-ad-box','','','2016-01-24 00:16:16','2016-01-24 08:16:16','',2645,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/lm-face-drawing-checklist-text-ad-box.gif',0,'attachment','image/gif',0),(2757,2,'2016-01-13 06:56:19','2016-01-13 14:56:19','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist or a non-artist with little drawing skill:\r\n\r\n\"how\r\n

\r\nThis drawing includes many common mistakes made by people who struggle when it comes to drawing a face. Even if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

\"01

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

\"02

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes correctly later, they will spring from the eyes more naturally.

\r\n

\"02

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

\"03

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid or zigzag color, like this...

\r\n

\"04

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

\"04

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

\"02

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

\"05

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

\"06

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

\"07

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

\"07

\r\n

\"lm

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

\"08

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

\"08

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

\"09

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

\"09

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

\"10

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. Include any smile lines that originate from the nose too. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 \"10

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

\"11

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

\"11

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

\"12

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

\"12

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

\"13

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line, as seen in the above photograph on the right.

\r\n

\"13

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

\"14

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

\"14

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

\"15

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

\"15

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the before and after result:

\r\n

\"15

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-13 06:56:19','2016-01-13 14:56:19','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2755,2,'2016-01-13 06:03:14','2016-01-13 14:03:14','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist or a non-artist with little drawing skill:\r\n

\"how

\r\nThis drawing includes many common mistakes made by people who struggle when it comes to drawing a face. Even if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

\"01

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

\"02

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes correctly later, they will spring from the eyes more naturally.

\r\n

\"02

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

\"03

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid or zigzag color, like this...

\r\n

\"04

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

\"04

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

\"02

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

\"05

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

\"06

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

\"07

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

\"07

\r\n

\"lm

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

\"08

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

\"08

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

\"09

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

\"09

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

\"10

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. Include any smile lines that originate from the nose too. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 \"10

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

\"11

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

\"11

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

\"12

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

\"12

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

\"13

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line, as seen in the above photograph on the right.

\r\n

\"13

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

\"14

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

\"14

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

\"15

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

\"15

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the before and after result:

\r\n

\"15

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-13 06:03:14','2016-01-13 14:03:14','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2754,2,'2016-01-13 06:02:47','2016-01-13 14:02:47','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist or a non-artist with little drawing skill:\r\n

\"how

\r\nThis drawing includes many common mistakes made by people who struggle when it comes to drawing a face. Even if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

\"01

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

\"02

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes correctly later, they will spring from the eyes more naturally.

\r\n

\"02

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

\"03

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid or zigzag color, like this...

\r\n

\"04

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

\"04

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

\"02

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

\"05

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

\"06

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

\"07

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

\"07

\r\n

\"lm

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

\"08

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

\"08

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

\"09

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

\"09

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

\"10

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. Include any smile lines that originate from the nose too. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 \"10

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

\"11

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

\"11

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

\"12

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

\"12

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

\"13

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line, as seen in the above photograph on the right.

\r\n

\"13

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

\"14

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

\"14

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

\"15

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

\"15

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the before and after result:

\r\n

\"15

\r\n

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-13 06:02:47','2016-01-13 14:02:47','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2758,2,'2015-07-07 23:24:34','2015-07-08 06:24:34','','lm face drawing checklist','','publish','closed','closed','','lm-face-drawing-checklist','','','2016-01-13 19:02:55','2016-01-14 03:02:55','',0,'http://www.letsdrawpeople.com/?post_type=action-box&p=2032',0,'action-box','',0),(2759,2,'2016-01-13 18:48:08','2016-01-14 02:48:08','','22 facial details graphic 2pgs','','inherit','open','closed','','22-facial-details-graphic-2pgs','','','2016-01-13 18:48:08','2016-01-14 02:48:08','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/22-facial-details-graphic-2pgs.jpg',0,'attachment','image/jpeg',0),(2762,2,'2016-01-14 21:37:36','2016-01-15 05:37:36','','face drawing checklist webform 420x122','','inherit','open','closed','','face-drawing-checklist-webform-420x122','','','2016-01-14 21:37:36','2016-01-15 05:37:36','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/face-drawing-checklist-webform-420x122.jpg',0,'attachment','image/jpeg',0),(2764,2,'2016-01-15 06:10:56','2016-01-15 14:10:56','','/face-drawing-checklist-fb','','publish','closed','closed','','2764','','','2016-01-15 06:10:56','2016-01-15 14:10:56','',0,'',0,'leadpages_post','',0),(2766,22,'2016-01-15 06:50:52','2016-01-15 14:50:52','','38d8e5_378c5168cc0c46c8ad8fda8640f842c0','','inherit','open','closed','','38d8e5_378c5168cc0c46c8ad8fda8640f842c0','','','2016-01-15 06:50:52','2016-01-15 14:50:52','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/38d8e5_378c5168cc0c46c8ad8fda8640f842c0.jpg',0,'attachment','image/jpeg',0),(2767,22,'2016-01-15 07:28:17','2016-01-15 15:28:17','','38d8e5_4f502dcb76ec472691ada196603f8c95','','inherit','open','closed','','38d8e5_4f502dcb76ec472691ada196603f8c95','','','2016-01-15 07:28:17','2016-01-15 15:28:17','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/38d8e5_4f502dcb76ec472691ada196603f8c95.jpg',0,'attachment','image/jpeg',0),(2770,2,'2016-01-15 21:32:06','2016-01-16 05:32:06','','/face-drawing-checklist-and-8-steps-fb','','publish','closed','closed','','2770','','','2016-01-15 21:32:07','2016-01-16 05:32:07','',0,'',0,'leadpages_post','',0),(2771,2,'2016-01-15 23:48:05','2016-01-16 07:48:05','','/face-drawing-checklist-ret','','publish','closed','closed','','2771','','','2016-01-15 23:48:05','2016-01-16 07:48:05','',0,'',0,'leadpages_post','',0),(2772,2,'2016-01-16 12:34:05','2016-01-16 20:34:05','','face drawing checklist webform 420x122','','inherit','open','closed','','face-drawing-checklist-webform-420x122-2','','','2016-01-16 12:34:05','2016-01-16 20:34:05','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/face-drawing-checklist-webform-420x122.gif',0,'attachment','image/gif',0),(2776,25,'2016-01-17 04:49:22','2016-01-17 12:49:22','','12507223_1131205503559045_5314638298262284970_n','','inherit','open','closed','','12507223_1131205503559045_5314638298262284970_n','','','2016-01-17 04:49:22','2016-01-17 12:49:22','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/12507223_1131205503559045_5314638298262284970_n.jpg',0,'attachment','image/jpeg',0),(2777,25,'2016-01-17 04:53:33','2016-01-17 12:53:33','','Scan_20140219 (33)','','inherit','open','closed','','scan_20140219-33','','','2016-01-17 04:53:33','2016-01-17 12:53:33','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan_20140219-33.jpg',0,'attachment','image/jpeg',0),(2778,25,'2016-01-17 04:53:52','2016-01-17 12:53:52','','Scan_20140219 (11)','','inherit','open','closed','','scan_20140219-11','','','2016-01-17 04:53:52','2016-01-17 12:53:52','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan_20140219-11.jpg',0,'attachment','image/jpeg',0),(2779,25,'2016-01-17 04:54:45','2016-01-17 12:54:45','','Scan_20140219 (7)','','inherit','open','closed','','scan_20140219-7','','','2016-01-17 04:54:45','2016-01-17 12:54:45','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan_20140219-7.jpg',0,'attachment','image/jpeg',0),(2780,25,'2016-01-17 04:55:19','2016-01-17 12:55:19','','Scan_20140219 (58)','','inherit','open','closed','','scan_20140219-58','','','2016-01-17 04:55:19','2016-01-17 12:55:19','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan_20140219-58.jpg',0,'attachment','image/jpeg',0),(2781,25,'2016-01-17 04:56:40','2016-01-17 12:56:40','','Scan_20140219 (3)','','inherit','open','closed','','scan_20140219-3','','','2016-01-17 04:56:40','2016-01-17 12:56:40','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan_20140219-3.jpg',0,'attachment','image/jpeg',0),(2875,2,'2016-01-27 05:19:02','2016-01-27 13:19:02','Well kiddies, it’s that time again. Time to do some more art! This time we’re going to look at drawing a man. The art world has put a lot of attention on female models and heroines in my opinion. I don’t think men get the same attention – could be that the majority of artists are men and they are more prone to draw women than men and who can blame them? I, myself, LOVE drawing/painting women but I still make time to do or add a man in a painting. It may take me more time to do a guy in a painting because of the lack of motivation, but I have to diversify. With that being said, let’s hop on it!\r\n\r\n \r\n\r\n\"Scan0001\"\r\n\r\nOK, so the first thing we’re doing here is doing the contour outline. Not much to say here except please keep in mind that if you’re going to draw men, we all have a much more “square” jaw than women. Women and their bodies tend to have “round” figures and men have square, chiseled figures. It’s not too obvious but it’s something to keep in mind when drawing the different sexes. The shapes can be mostly seen in the bodies and face (again they’re very subtle; nothing big).\r\n\r\n \r\n\r\n\"Scan0002\"\r\n\r\n \r\n\r\nOK, so the first facial body part I’m going to tackle is the eyes. I ALWAYS start with the eyes with any model, drawing, or painting. There’s something magical when doing the eyes. When I’m usually done with the eyes, it sets the mood for the drawing/painting. They say that the eyes are the windows to the soul. I say, the eyes are the beginning of a drawing/painting. When working on the eyes, it’s best to add some darker line to the outside of the eyes just to establish the sketch. You then want to draw in the iris. You also want to draw in the pupil some but keep in mind we have to add a little feature to the eye before we start coloring it in. Draw in a circle or a square where the pupil and iris meet. This will be your eye highlight. Basically make sure that it’s a little bit in both the iris and pupil. You then color in the iris using a 6B or darker pencil and then use a tortillion to color in the iris.\r\n\r\nWhen this is done, please do not forget to use the tortillion to add some shade to the upper regions of the eyeball to illustrate some shading coming from the upper eyelid. You can then pencil in the eyelid crease and eyebrows at this point. Sometimes I do or I wait until I start directly on the face itself; same thing goes with the shading on the eyeball itself.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\nWorking on the mouth is fairly simple. Just like the eye, darken the outline just a little bit and then start working on the lips. When working on men’s lips, I have a different approach. When it’s a woman I’m working on, I tend to work directly on her lower lip to illustrate fullness and color. With men, I usually don’t work directly on their lip. Instead I work on the little bit of shadow that the lower lip portrays followed by some line for the lower lip.\r\n\r\nThe upper lip is colorized fully. Again I use a tortillion to color in some graphite. You can use a pencil as well and I’m thinking you may need to use 2B to 3H pencil. The upper lip is always portrayed darker than the lower lip. If the portrait happens to illustrate some teeth, make sure you use broken, faded lines to show the teeth and add just a little bit of shade to them. Near the corners of the mouth, the color needs to fade some into a darker contrast but not that much. Also, any showing of the inside of the mouth should be dark.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\nFun part! That’s right people, it\'s hair time! The first part of doing the hair is color it in using a 3H pencil. You then take a tortillion or non-lotion tissue and blend it into the paper, keeping in mind to stay within the lines.\r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nThe next part is to add darker tone to the hair. Here you just use a darker pencil (6B or darker) to add dark tone features. There’s no need to color it. We will blend the dark tone into the hair soon enough. Just focus on putting dark tone in areas where the hair illustrates it.\r\n\r\n \r\n\r\n\"Scan0006\"\r\n\r\nWhen the dark tone is properly placed in the spots that are acceptable, blend it. Please note when blending hair, you need to blend as if you are almost drawing. You need to blend in the direction of the strokes to make the portrait look more realistic and believable. I would say using a tortillion is the best tool for this particular job. It’s more accurate and more controllable.\r\n\r\n \r\n\r\n\"Scan0007\"\"Scan0008\"\r\n\r\nI then work on the nose followed by the face. I first smudge the nose lines where the original sketch line was followed with some smudging directly on the nose area (left). I then add pencil strokes around the face area and then go back and smudge with a tissue (right).\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n\"Scan0009\"\r\n\r\nI continue this process for the whole body…..\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n\"Scan0010\"\r\n\r\nThe last thing I work on is the ax. I didn’t put in a lot of effort on this because this lesson focuses on how to draw the guy, not the axe. Now that the drawing is done, I hope everyone could get something out of this. Until the next lesson!','Use This Drawing of a Man to Improve Your Own Drawing','','inherit','closed','closed','','2549-revision-v1','','','2016-01-27 05:19:02','2016-01-27 13:19:02','',2549,'http://www.letsdrawpeople.com/2549-revision-v1/',0,'revision','',0),(2783,8,'2016-01-17 05:33:17','2016-01-17 13:33:17','','woman at rest','','inherit','open','closed','','woman-at-rest','','','2016-01-17 05:33:17','2016-01-17 13:33:17','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/woman-at-rest.jpg',0,'attachment','image/jpeg',0),(2876,2,'2016-01-27 05:28:30','2016-01-27 13:28:30','','Scan0009-1','','inherit','open','closed','','scan0009-1','','','2016-01-27 05:28:30','2016-01-27 13:28:30','',2549,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan0009-1-1.jpg',0,'attachment','image/jpeg',0),(3035,2,'2016-02-23 21:26:34','2016-02-24 05:26:34','In this tutorial, we will walk through how to make a drawing of a baby sleeping.\r\n\r\n[caption id=\"attachment_2617\" align=\"aligncenter\" width=\"600\"]\"
© Santos06 | Dreamstime.com
[/caption]\r\n\r\nmake a drawing of a baby sleeping.','How to Make a Drawing of a Baby Sleeping','','inherit','closed','closed','','3033-revision-v1','','','2016-02-23 21:26:34','2016-02-24 05:26:34','',3033,'http://www.letsdrawpeople.com/3033-revision-v1/',0,'revision','',0),(3034,2,'2016-02-23 21:19:01','2016-02-24 05:19:01','In this tutorial, we will walk through how to make a drawing of a baby sleeping.\r\n\r\n[caption id=\"attachment_2617\" align=\"aligncenter\" width=\"600\"]\"
© Santos06 | Dreamstime.com
[/caption]\r\n\r\nmake a drawing of a baby sleeping.\r\n\r\n \r\n\r\n \r\n\r\n ','How to Make a Drawing of a Baby Sleeping','','inherit','closed','closed','','3033-revision-v1','','','2016-02-23 21:19:01','2016-02-24 05:19:01','',3033,'http://www.letsdrawpeople.com/3033-revision-v1/',0,'revision','',0),(2787,2,'2016-01-20 06:33:53','2016-01-20 14:33:53','Every now and then, you will have to make something in your drawing that you just don\'t know how to make. You just don\'t know enough about it to be comfortable or confident enough to draw, at least without a lot of help.\r\n\r\nFor me, that something is a blouse.\r\n\r\nAs a guy who wears men\'s clothing, I never really paid attention to blouses. I have always been very unfamiliar with them and naive about them. At least I was, until having to research for this article!\r\n\r\nAs I think back to my experiences with drawing women, I usually practiced drawing them with simple clothing like a t-shirt. Why wouldn\'t I? T-shirts are much more familiar to me. That said, I am sure I have drawn a few women in blouses, sometimes without even realizing what exactly I am doing.\r\n\r\nSo how do you draw a blouse when you don\'t know anything about blouses? The same way you draw any unfamiliar subject. You learn about it, see examples of different kinds, and get reference photographs to help you. That is exactly what we will do in this article.\r\n

Defining Blouses

\r\nIn order to draw a blouse, it is helpful to first understand just exactly what a blouse is. Although similar to a shirt, a blouse is characterized as being a loose and often baggie upper garment. The word \"blouse\" can also be a verb meaning \"to hang loosely\" when referring to a sleeve, for example. A blouse is considered a garment for a woman or girl, although in many many years past blouses were also commonly worn by men who were peasants, workers, and even artists!\r\n\r\nThe varying styles of blouses are endless. I mean, seriously, look at all the different styles of blouses present in this one shop alone!\r\n\r\n[caption id=\"attachment_2355\" align=\"aligncenter\" width=\"600\"]\"©
© Lee Snider | Dreamstime.com
[/caption]\r\n\r\nTherefore, it can be difficult to generalize blouses as mostly looking the same and drawing them in a similar fashion every time. Since the styles can be so vastly differing, the parts of a blouse vary greatly from one blouse to another. The parts of a blouse all depend on the style of the blouse.\r\n\r\nIf we had to identify what all blouses have in common, the similarities would be very basic and limited. A blouse is similar to a shirt. All blouses have an opening for the neck. All blouses have an opening for the arms to go through. Blouses are loose-fitting.\r\n\r\nThat is pretty much where the similarities end. Blouses can be equipped with a collar or without a collar. They can have ruffles or no ruffles. Blouses can be plain or patterned. A blouse can have a bow or no bow. Most have sleeves that can be long or short, but there are some that are sleeveless. Blouses can be made out of countless types of materials. Some are one piece in the front and others must be fastened with buttons or even tied together.\r\n\r\nThis graphic can help you visualize a few basic styles of blouses. It might also help you get started drawing or sketching a blouse on a woman if you do not have a better frame of reference.\r\n\r\n\"\"\r\n

How to Draw a Blouse on a Woman

\r\nNow that we are more familiar with blouses, let\'s try drawing a blouse on a woman. We will still use a reference photograph in the following example to make things even easier.\r\n\r\nYou will also see that I tend to use a top-down approach to drawing blouses, just as I do with other shirts. This approach begins by drawing the neckline, working down toward the bottom part of the blouse, and finishing up with the sleeves.\r\n\r\nThe blouse I chose for this tutorial has loose-fitting long sleeves, a collar, and a big bow.\r\n\r\n\"how\r\n\r\n \r\n\r\nFirst you need a place to start, so most often it makes sense to begin drawing a blouse after you have already drawn the head and neck of the woman. Since the focus of this tutorial is on how to draw a blouse, I am going to just stick with a basic outline for everything above the neckline. Make sure there is enough space on your paper below the neck to draw as much of the blouse as you intend to draw.\r\n\r\n \r\n\r\n\"01\r\n\r\n \r\n\r\nThis particular blouse has a collar, so that is the next step. Pay attention to the angle and width of each side. The bow will partially cover the corners of the collar, so draw the corners lightly or just don\'t connect them.\r\n\r\n\"02\r\n\r\n \r\n\r\nNow it is time to begin working on the bow. Just like blouses are unique, the bows that accompany many of them are just as unique. Pay attention to the characteristics of the bow in your drawing.\r\n\r\nFor our example, we will draw the bow in three parts. Sketch the basic shape of this first part. Don\'t forget to overlap the corner of the collar. Add some fold lines that run the length of it and around where it curves.\r\n\r\n\"03\r\n\r\n \r\n\r\nNext, draw the long part of the bow. Note where certain parts overlap other parts. Sketch in details. Also, keep in mind that the length of this bow is nearly the length of the torso, so keep in mind proper head to torso proportions for a woman.\r\n\r\n\"04\r\n\r\n \r\n\r\nFinish the top of the bow on the other side. Try to replicate the lines that indicate folds and creases.\r\n\r\n\"05\r\n\r\n \r\n\r\nThe next step is to draw the blouse below the bow and where it is fastened together. There is one button visible. Again, plan for where the waistline should be and check to see that the distance from the neckline to here is not too long or too short.\r\n\r\n\"06\r\n\r\n \r\n\r\nBack at the top, begin sketching the part of the blouse running from the collar to each shoulder. Make sure to sketch seams where you see them.\r\n\"07\r\n\r\n \r\n\r\nFrom here you can connect to the waistline to complete the outline of the blouse, minus the sleeves. Look closely at the stance of the subject. She is leaning back slightly with the lower torso slightly protruded.\r\n\r\nAlso remember throughout the following steps that a blouse is loose-fitting, so allow the outline some freedom to be loose, wiggly, and a bit baggy.\r\n\r\n\"08\r\n\r\n \r\n\r\nFrom those seams at the top are some prominent folds. They look like they were made intentionally during the manufacturing of the blouse to contribute to the baggy appearance and intended style. Sketch these slightly y-shaped folds so this important characteristic is not absent from your blouse drawing.\r\n\r\n\"09\r\n\r\n \r\n\r\nLook at the reference photograph as you try to mimic the rest of the folds that run the length of the blouse...\r\n\r\n\"10\r\n\r\n \r\n\r\n...and repeat on the other side.\r\n\r\n\"11\r\n\r\n \r\n\r\nNow the only thing left is to draw the sleeves. Draw the loose folds that drop from the shoulder and extend to the bend of the arm.\r\n\r\n\"12\r\n\r\n \r\n\r\nThen continue drawing the bottom of sleeve. Notice the subtle spiral folds that wrap around the forearm. Also notice the loose bulkiness of the sleeve of the blouse from the top and around the wrist.\r\n\r\n\"13\r\n\r\n \r\n\r\nFinish by repeating with what you can see of the other arm and you are done!\r\n\r\n\"how\r\n\r\nYou can apply a similar progression of the same steps from this tutorial to drawing other blouses. Just pay attention to the unique characteristics of the blouse you are drawing and make adjustments as needed.\r\n

Drawing Blouses from Now On

\r\nSo remember that even if you know nothing about blouses, drawing a blouse on a woman does not have to be difficult. Like anything that is unfamiliar to you, all you need to do is build your familiarity by looking at different examples, identify the characteristics of the blouse you have to draw, and use reference photographs as you need them. You might not become an expert on blouses, but at least you will no longer \"know nothing\" about them, and they will be much easier and less intimidating to draw!\r\n\r\n ','How to Draw a Blouse When You Know Nothing about Blouses','','publish','open','open','','how-to-draw-a-blouse-when-you-know-nothing-about-blouses','','','2016-01-21 06:39:34','2016-01-21 14:39:34','',0,'http://www.letsdrawpeople.com/?p=2787',0,'post','',0),(2788,2,'2016-01-19 06:19:10','2016-01-19 14:19:10','Every now and then, you will have to make something in your drawing that you just don\'t know how to make. You just don\'t know enough about it to be comfortable or confident enough to draw, at least without a lot of help.\r\n\r\nFor me, that something is a blouse.\r\n\r\nAs a guy who wears men\'s clothing, I never really paid attention to blouses. I have always been very unfamiliar with them and naive about them. At least I was, until having to research for this article!\r\n\r\nAs I think back to my experiences with drawing women, I usually practiced drawing them with simple clothing like a t-shirt. Why wouldn\'t I? T-shirts are much more familiar to me. That said, I am sure I have drawn a few women in blouses, sometimes without even realizing what exactly I am doing.\r\n\r\nSo how do you draw a blouse when you don\'t know anything about blouses? The same way you draw any unfamiliar subject. You learn about it, see examples of different kinds, and get reference photographs to help you. That is exactly what we will do in this article.','How to Draw a Blouse When You Know Nothing about Blouses','','inherit','closed','closed','','2787-revision-v1','','','2016-01-19 06:19:10','2016-01-19 14:19:10','',2787,'http://www.letsdrawpeople.com/2787-revision-v1/',0,'revision','',0),(2790,2,'2016-01-20 03:57:09','2016-01-20 11:57:09','Every now and then, you will have to make something in your drawing that you just don\'t know how to make. You just don\'t know enough about it to be comfortable or confident enough to draw, at least without a lot of help.\r\n\r\nFor me, that something is a blouse.\r\n\r\nAs a guy who wears men\'s clothing, I never really paid attention to blouses. I have always been very unfamiliar with them and naive about them. At least I was, until having to research for this article!\r\n\r\nAs I think back to my experiences with drawing women, I usually practiced drawing them with simple clothing like a t-shirt. Why wouldn\'t I? T-shirts are much more familiar to me. That said, I am sure I have drawn a few women in blouses, sometimes without even realizing what exactly I am doing.\r\n\r\nSo how do you draw a blouse when you don\'t know anything about blouses? The same way you draw any unfamiliar subject. You learn about it, see examples of different kinds, and get reference photographs to help you. That is exactly what we will do in this article.\r\n

Defining Blouses

\r\nIn order to draw a blouse, it is helpful to first understand just exactly what a blouse is. Although similar to a shirt, a blouse is characterized as being a loose and often baggie upper garment. The word \"blouse\" can also be a verb meaning \"to hang loosely\" when referring to a sleeve, for example. A blouse is considered a garment for a woman or girl, although in many many years past blouses were also commonly worn by men who were peasants, workers, and even artists!\r\n\r\nThe varying styles of blouses are endless. I mean, seriously, look at all the different styles of blouses present in this one shop alone!\r\n\r\n[caption id=\"attachment_2355\" align=\"aligncenter\" width=\"600\"]\"©
© Lee Snider | Dreamstime.com
[/caption]\r\n\r\nTherefore, it can be difficult to generalize blouses as mostly looking the same and drawing them in a similar fashion every time. Since the styles can be so vastly differing, the parts of a blouse vary greatly from one blouse to another. The parts of a blouse all depend on the style of the blouse.\r\n\r\nIf we had to identify what all blouses have in common, the similarities would be very basic and limited. A blouse is similar to a shirt. All blouses have an opening for the neck. All blouses have an opening for the arms to go through. Blouses are loose-fitting.\r\n\r\nThat is pretty much where the similarities end. Blouses can be equipped with a collar or without a collar. They can have ruffles or no ruffles. Blouses can be plain or patterned. A blouse can have a bow or no bow. Most have sleeves that can be long or short, but there are some that are sleeveless. Blouses can be made out of countless types of materials. Some are one piece in the front and others must be fastened with buttons or even tied together.\r\n\r\nThis graphic can help you visualize a few basic styles of blouses. It might also help you get started drawing or sketching','How to Draw a Blouse When You Know Nothing about Blouses','','inherit','closed','closed','','2787-revision-v1','','','2016-01-20 03:57:09','2016-01-20 11:57:09','',2787,'http://www.letsdrawpeople.com/2787-revision-v1/',0,'revision','',0),(2791,2,'2016-01-20 04:17:31','2016-01-20 12:17:31','','how to draw a blouse ref 1','','inherit','open','closed','','how-to-draw-a-blouse-ref-1','','','2016-01-20 04:17:31','2016-01-20 12:17:31','',2787,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/how-to-draw-a-blouse-ref-1.jpg',0,'attachment','image/jpeg',0),(2792,2,'2016-01-20 04:17:33','2016-01-20 12:17:33','','how to draw a blouse ref 3','','inherit','open','closed','','how-to-draw-a-blouse-ref-3','','','2016-01-20 04:17:33','2016-01-20 12:17:33','',2787,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/how-to-draw-a-blouse-ref-3.jpg',0,'attachment','image/jpeg',0),(2793,2,'2016-01-20 04:17:34','2016-01-20 12:17:34','','how to draw a blouse ref 2','','inherit','open','closed','','how-to-draw-a-blouse-ref-2','','','2016-01-20 04:17:34','2016-01-20 12:17:34','',2787,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/how-to-draw-a-blouse-ref-2.jpg',0,'attachment','image/jpeg',0),(2794,2,'2016-01-20 04:30:03','2016-01-20 12:30:03','Every now and then, you will have to make something in your drawing that you just don\'t know how to make. You just don\'t know enough about it to be comfortable or confident enough to draw, at least without a lot of help.\r\n\r\nFor me, that something is a blouse.\r\n\r\nAs a guy who wears men\'s clothing, I never really paid attention to blouses. I have always been very unfamiliar with them and naive about them. At least I was, until having to research for this article!\r\n\r\nAs I think back to my experiences with drawing women, I usually practiced drawing them with simple clothing like a t-shirt. Why wouldn\'t I? T-shirts are much more familiar to me. That said, I am sure I have drawn a few women in blouses, sometimes without even realizing what exactly I am doing.\r\n\r\nSo how do you draw a blouse when you don\'t know anything about blouses? The same way you draw any unfamiliar subject. You learn about it, see examples of different kinds, and get reference photographs to help you. That is exactly what we will do in this article.\r\n

Defining Blouses

\r\nIn order to draw a blouse, it is helpful to first understand just exactly what a blouse is. Although similar to a shirt, a blouse is characterized as being a loose and often baggie upper garment. The word \"blouse\" can also be a verb meaning \"to hang loosely\" when referring to a sleeve, for example. A blouse is considered a garment for a woman or girl, although in many many years past blouses were also commonly worn by men who were peasants, workers, and even artists!\r\n\r\nThe varying styles of blouses are endless. I mean, seriously, look at all the different styles of blouses present in this one shop alone!\r\n\r\n[caption id=\"attachment_2355\" align=\"aligncenter\" width=\"600\"]\"©
© Lee Snider | Dreamstime.com
[/caption]\r\n\r\nTherefore, it can be difficult to generalize blouses as mostly looking the same and drawing them in a similar fashion every time. Since the styles can be so vastly differing, the parts of a blouse vary greatly from one blouse to another. The parts of a blouse all depend on the style of the blouse.\r\n\r\nIf we had to identify what all blouses have in common, the similarities would be very basic and limited. A blouse is similar to a shirt. All blouses have an opening for the neck. All blouses have an opening for the arms to go through. Blouses are loose-fitting.\r\n\r\nThat is pretty much where the similarities end. Blouses can be equipped with a collar or without a collar. They can have ruffles or no ruffles. Blouses can be plain or patterned. A blouse can have a bow or no bow. Most have sleeves that can be long or short, but there are some that are sleeveless. Blouses can be made out of countless types of materials. Some are one piece in the front and others must be fastened with buttons or even tied together.\r\n\r\nThis graphic can help you visualize a few basic styles of blouses. It might also help you get started drawing or sketching a blouse on a woman if you do not have a better frame of reference.\r\n\r\n\"\"\r\n

How to Draw a Blouse on a Woman

\r\nNow that we are more familiar with blouses, let\'s try drawing a blouse on a woman. We will still use some reference photographs in the following examples to make things even easier.\r\n\r\nThis first example is a blouse with loose-fitting long sleeves, a collar, and a big bow.\r\n\r\n\"how\r\n\r\nIn this next example,\r\n\r\n \r\n\r\nIn this final example,\r\n

Drawing Blouses from Now On

\r\nSo remember that even if you know nothing about blouses, drawing a blouse on a woman does not have to be difficult. Like anything that is unfamiliar to you, all you need to do is build your familiarity by looking at different examples, identify the characteristics of the blouse you have to draw, and use reference photographs as you need them. You might not become an expert on blouses, but at least you will no longer \"know nothing\" about them, and they will be much easier and less intimidating to draw!\r\n\r\n ','How to Draw a Blouse When You Know Nothing about Blouses','','inherit','closed','closed','','2787-revision-v1','','','2016-01-20 04:30:03','2016-01-20 12:30:03','',2787,'http://www.letsdrawpeople.com/2787-revision-v1/',0,'revision','',0),(2799,2,'2016-01-21 05:16:48','2016-01-21 13:16:48','','10 how to draw a blouse folds going down','','inherit','open','closed','','10-how-to-draw-a-blouse-folds-going-down','','','2016-01-21 05:16:48','2016-01-21 13:16:48','',2787,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/10-how-to-draw-a-blouse-folds-going-down.jpg',0,'attachment','image/jpeg',0),(2795,2,'2016-01-20 04:31:04','2016-01-20 12:31:04','Every now and then, you will have to make something in your drawing that you just don\'t know how to make. You just don\'t know enough about it to be comfortable or confident enough to draw, at least without a lot of help.\r\n\r\nFor me, that something is a blouse.\r\n\r\nAs a guy who wears men\'s clothing, I never really paid attention to blouses. I have always been very unfamiliar with them and naive about them. At least I was, until having to research for this article!\r\n\r\nAs I think back to my experiences with drawing women, I usually practiced drawing them with simple clothing like a t-shirt. Why wouldn\'t I? T-shirts are much more familiar to me. That said, I am sure I have drawn a few women in blouses, sometimes without even realizing what exactly I am doing.\r\n\r\nSo how do you draw a blouse when you don\'t know anything about blouses? The same way you draw any unfamiliar subject. You learn about it, see examples of different kinds, and get reference photographs to help you. That is exactly what we will do in this article.\r\n

Defining Blouses

\r\nIn order to draw a blouse, it is helpful to first understand just exactly what a blouse is. Although similar to a shirt, a blouse is characterized as being a loose and often baggie upper garment. The word \"blouse\" can also be a verb meaning \"to hang loosely\" when referring to a sleeve, for example. A blouse is considered a garment for a woman or girl, although in many many years past blouses were also commonly worn by men who were peasants, workers, and even artists!\r\n\r\nThe varying styles of blouses are endless. I mean, seriously, look at all the different styles of blouses present in this one shop alone!\r\n\r\n[caption id=\"attachment_2355\" align=\"aligncenter\" width=\"600\"]\"©
© Lee Snider | Dreamstime.com
[/caption]\r\n\r\nTherefore, it can be difficult to generalize blouses as mostly looking the same and drawing them in a similar fashion every time. Since the styles can be so vastly differing, the parts of a blouse vary greatly from one blouse to another. The parts of a blouse all depend on the style of the blouse.\r\n\r\nIf we had to identify what all blouses have in common, the similarities would be very basic and limited. A blouse is similar to a shirt. All blouses have an opening for the neck. All blouses have an opening for the arms to go through. Blouses are loose-fitting.\r\n\r\nThat is pretty much where the similarities end. Blouses can be equipped with a collar or without a collar. They can have ruffles or no ruffles. Blouses can be plain or patterned. A blouse can have a bow or no bow. Most have sleeves that can be long or short, but there are some that are sleeveless. Blouses can be made out of countless types of materials. Some are one piece in the front and others must be fastened with buttons or even tied together.\r\n\r\nThis graphic can help you visualize a few basic styles of blouses. It might also help you get started drawing or sketching a blouse on a woman if you do not have a better frame of reference.\r\n\r\n\"\"\r\n

How to Draw a Blouse on a Woman

\r\nNow that we are more familiar with blouses, let\'s try drawing a blouse on a woman. We will still use some reference photographs in the following examples to make things even easier.\r\n\r\nThis first example is a blouse with loose-fitting long sleeves, a collar, and a big bow.\r\n\r\n\"how\r\n\r\nIn this next example,\r\n\r\n\"how\r\n\r\nIn this final example,\r\n\r\n\"how\r\n

Drawing Blouses from Now On

\r\nSo remember that even if you know nothing about blouses, drawing a blouse on a woman does not have to be difficult. Like anything that is unfamiliar to you, all you need to do is build your familiarity by looking at different examples, identify the characteristics of the blouse you have to draw, and use reference photographs as you need them. You might not become an expert on blouses, but at least you will no longer \"know nothing\" about them, and they will be much easier and less intimidating to draw!\r\n\r\n ','How to Draw a Blouse When You Know Nothing about Blouses','','inherit','closed','closed','','2787-revision-v1','','','2016-01-20 04:31:04','2016-01-20 12:31:04','',2787,'http://www.letsdrawpeople.com/2787-revision-v1/',0,'revision','',0),(2798,2,'2016-01-20 19:46:12','2016-01-21 03:46:12','Every now and then, you will have to make something in your drawing that you just don\'t know how to make. You just don\'t know enough about it to be comfortable or confident enough to draw, at least without a lot of help.\r\n\r\nFor me, that something is a blouse.\r\n\r\nAs a guy who wears men\'s clothing, I never really paid attention to blouses. I have always been very unfamiliar with them and naive about them. At least I was, until having to research for this article!\r\n\r\nAs I think back to my experiences with drawing women, I usually practiced drawing them with simple clothing like a t-shirt. Why wouldn\'t I? T-shirts are much more familiar to me. That said, I am sure I have drawn a few women in blouses, sometimes without even realizing what exactly I am doing.\r\n\r\nSo how do you draw a blouse when you don\'t know anything about blouses? The same way you draw any unfamiliar subject. You learn about it, see examples of different kinds, and get reference photographs to help you. That is exactly what we will do in this article.\r\n

Defining Blouses

\r\nIn order to draw a blouse, it is helpful to first understand just exactly what a blouse is. Although similar to a shirt, a blouse is characterized as being a loose and often baggie upper garment. The word \"blouse\" can also be a verb meaning \"to hang loosely\" when referring to a sleeve, for example. A blouse is considered a garment for a woman or girl, although in many many years past blouses were also commonly worn by men who were peasants, workers, and even artists!\r\n\r\nThe varying styles of blouses are endless. I mean, seriously, look at all the different styles of blouses present in this one shop alone!\r\n\r\n[caption id=\"attachment_2355\" align=\"aligncenter\" width=\"600\"]\"©
© Lee Snider | Dreamstime.com
[/caption]\r\n\r\nTherefore, it can be difficult to generalize blouses as mostly looking the same and drawing them in a similar fashion every time. Since the styles can be so vastly differing, the parts of a blouse vary greatly from one blouse to another. The parts of a blouse all depend on the style of the blouse.\r\n\r\nIf we had to identify what all blouses have in common, the similarities would be very basic and limited. A blouse is similar to a shirt. All blouses have an opening for the neck. All blouses have an opening for the arms to go through. Blouses are loose-fitting.\r\n\r\nThat is pretty much where the similarities end. Blouses can be equipped with a collar or without a collar. They can have ruffles or no ruffles. Blouses can be plain or patterned. A blouse can have a bow or no bow. Most have sleeves that can be long or short, but there are some that are sleeveless. Blouses can be made out of countless types of materials. Some are one piece in the front and others must be fastened with buttons or even tied together.\r\n\r\nThis graphic can help you visualize a few basic styles of blouses. It might also help you get started drawing or sketching a blouse on a woman if you do not have a better frame of reference.\r\n\r\n\"\"\r\n

How to Draw a Blouse on a Woman

\r\nNow that we are more familiar with blouses, let\'s try drawing a blouse on a woman. We will still use a reference photograph in the following example to make things even easier.\r\n\r\nYou will also see that I tend to use a top-down approach to drawing blouses, just as I do with other shirts. This approach begins by drawing the neckline, working down toward the bottom part of the blouse, and finishing up with the sleeves.\r\n\r\nThe blouse I chose for this tutorial has loose-fitting long sleeves, a collar, and a big bow.\r\n\r\n\"how\r\n

\r\n \r\n

\r\n \r\n\r\n \r\n

Drawing Blouses from Now On

\r\nSo remember that even if you know nothing about blouses, drawing a blouse on a woman does not have to be difficult. Like anything that is unfamiliar to you, all you need to do is build your familiarity by looking at different examples, identify the characteristics of the blouse you have to draw, and use reference photographs as you need them. You might not become an expert on blouses, but at least you will no longer \"know nothing\" about them, and they will be much easier and less intimidating to draw!\r\n\r\n ','How to Draw a Blouse When You Know Nothing about Blouses','','inherit','closed','closed','','2787-revision-v1','','','2016-01-20 19:46:12','2016-01-21 03:46:12','',2787,'http://www.letsdrawpeople.com/2787-revision-v1/',0,'revision','',0),(2796,2,'2016-01-20 05:04:06','2016-01-20 13:04:06','Every now and then, you will have to make something in your drawing that you just don\'t know how to make. You just don\'t know enough about it to be comfortable or confident enough to draw, at least without a lot of help.\r\n\r\nFor me, that something is a blouse.\r\n\r\nAs a guy who wears men\'s clothing, I never really paid attention to blouses. I have always been very unfamiliar with them and naive about them. At least I was, until having to research for this article!\r\n\r\nAs I think back to my experiences with drawing women, I usually practiced drawing them with simple clothing like a t-shirt. Why wouldn\'t I? T-shirts are much more familiar to me. That said, I am sure I have drawn a few women in blouses, sometimes without even realizing what exactly I am doing.\r\n\r\nSo how do you draw a blouse when you don\'t know anything about blouses? The same way you draw any unfamiliar subject. You learn about it, see examples of different kinds, and get reference photographs to help you. That is exactly what we will do in this article.\r\n

Defining Blouses

\r\nIn order to draw a blouse, it is helpful to first understand just exactly what a blouse is. Although similar to a shirt, a blouse is characterized as being a loose and often baggie upper garment. The word \"blouse\" can also be a verb meaning \"to hang loosely\" when referring to a sleeve, for example. A blouse is considered a garment for a woman or girl, although in many many years past blouses were also commonly worn by men who were peasants, workers, and even artists!\r\n\r\nThe varying styles of blouses are endless. I mean, seriously, look at all the different styles of blouses present in this one shop alone!\r\n\r\n[caption id=\"attachment_2355\" align=\"aligncenter\" width=\"600\"]\"©
© Lee Snider | Dreamstime.com
[/caption]\r\n\r\nTherefore, it can be difficult to generalize blouses as mostly looking the same and drawing them in a similar fashion every time. Since the styles can be so vastly differing, the parts of a blouse vary greatly from one blouse to another. The parts of a blouse all depend on the style of the blouse.\r\n\r\nIf we had to identify what all blouses have in common, the similarities would be very basic and limited. A blouse is similar to a shirt. All blouses have an opening for the neck. All blouses have an opening for the arms to go through. Blouses are loose-fitting.\r\n\r\nThat is pretty much where the similarities end. Blouses can be equipped with a collar or without a collar. They can have ruffles or no ruffles. Blouses can be plain or patterned. A blouse can have a bow or no bow. Most have sleeves that can be long or short, but there are some that are sleeveless. Blouses can be made out of countless types of materials. Some are one piece in the front and others must be fastened with buttons or even tied together.\r\n\r\nThis graphic can help you visualize a few basic styles of blouses. It might also help you get started drawing or sketching a blouse on a woman if you do not have a better frame of reference.\r\n\r\n\"\"\r\n

How to Draw a Blouse on a Woman

\r\nNow that we are more familiar with blouses, let\'s try drawing a blouse on a woman. We will still use some reference photographs in the following examples to make things even easier.\r\n\r\nYou will also see that I tend to use a top-down approach to drawing blouses, just as I do with other shirts. This approach begins by drawing the neckline, working down toward the bottom part of the blouse, and finishing up with the sleeves.\r\n\r\nThis first example is a blouse with loose-fitting long sleeves, a collar, and a big bow.\r\n\r\n\"how\r\n\r\nIn this next example,\r\n\r\n\"how\r\n\r\nIn this final example,\r\n\r\n\"how\r\n

Drawing Blouses from Now On

\r\nSo remember that even if you know nothing about blouses, drawing a blouse on a woman does not have to be difficult. Like anything that is unfamiliar to you, all you need to do is build your familiarity by looking at different examples, identify the characteristics of the blouse you have to draw, and use reference photographs as you need them. You might not become an expert on blouses, but at least you will no longer \"know nothing\" about them, and they will be much easier and less intimidating to draw!\r\n\r\n ','How to Draw a Blouse When You Know Nothing about Blouses','','inherit','closed','closed','','2787-revision-v1','','','2016-01-20 05:04:06','2016-01-20 13:04:06','',2787,'http://www.letsdrawpeople.com/2787-revision-v1/',0,'revision','',0),(2797,2,'2016-01-20 05:09:21','2016-01-20 13:09:21','Every now and then, you will have to make something in your drawing that you just don\'t know how to make. You just don\'t know enough about it to be comfortable or confident enough to draw, at least without a lot of help.\r\n\r\nFor me, that something is a blouse.\r\n\r\nAs a guy who wears men\'s clothing, I never really paid attention to blouses. I have always been very unfamiliar with them and naive about them. At least I was, until having to research for this article!\r\n\r\nAs I think back to my experiences with drawing women, I usually practiced drawing them with simple clothing like a t-shirt. Why wouldn\'t I? T-shirts are much more familiar to me. That said, I am sure I have drawn a few women in blouses, sometimes without even realizing what exactly I am doing.\r\n\r\nSo how do you draw a blouse when you don\'t know anything about blouses? The same way you draw any unfamiliar subject. You learn about it, see examples of different kinds, and get reference photographs to help you. That is exactly what we will do in this article.\r\n

Defining Blouses

\r\nIn order to draw a blouse, it is helpful to first understand just exactly what a blouse is. Although similar to a shirt, a blouse is characterized as being a loose and often baggie upper garment. The word \"blouse\" can also be a verb meaning \"to hang loosely\" when referring to a sleeve, for example. A blouse is considered a garment for a woman or girl, although in many many years past blouses were also commonly worn by men who were peasants, workers, and even artists!\r\n\r\nThe varying styles of blouses are endless. I mean, seriously, look at all the different styles of blouses present in this one shop alone!\r\n\r\n[caption id=\"attachment_2355\" align=\"aligncenter\" width=\"600\"]\"©
© Lee Snider | Dreamstime.com
[/caption]\r\n\r\nTherefore, it can be difficult to generalize blouses as mostly looking the same and drawing them in a similar fashion every time. Since the styles can be so vastly differing, the parts of a blouse vary greatly from one blouse to another. The parts of a blouse all depend on the style of the blouse.\r\n\r\nIf we had to identify what all blouses have in common, the similarities would be very basic and limited. A blouse is similar to a shirt. All blouses have an opening for the neck. All blouses have an opening for the arms to go through. Blouses are loose-fitting.\r\n\r\nThat is pretty much where the similarities end. Blouses can be equipped with a collar or without a collar. They can have ruffles or no ruffles. Blouses can be plain or patterned. A blouse can have a bow or no bow. Most have sleeves that can be long or short, but there are some that are sleeveless. Blouses can be made out of countless types of materials. Some are one piece in the front and others must be fastened with buttons or even tied together.\r\n\r\nThis graphic can help you visualize a few basic styles of blouses. It might also help you get started drawing or sketching a blouse on a woman if you do not have a better frame of reference.\r\n\r\n\"\"\r\n

How to Draw a Blouse on a Woman

\r\nNow that we are more familiar with blouses, let\'s try drawing a blouse on a woman. We will still use some reference photographs in the following examples to make things even easier.\r\n\r\nYou will also see that I tend to use a top-down approach to drawing blouses, just as I do with other shirts. This approach begins by drawing the neckline, working down toward the bottom part of the blouse, and finishing up with the sleeves.\r\n

Blouse Drawing #1

\r\nThis first example is a blouse with loose-fitting long sleeves, a collar, and a big bow.\r\n\r\n\"how\r\n

Blouse Drawing #2

\r\nIn this next example,\r\n\r\n\"how\r\n

Blouse Drawing #3

\r\nIn this final example,\r\n\r\n\"how\r\n

Drawing Blouses from Now On

\r\nSo remember that even if you know nothing about blouses, drawing a blouse on a woman does not have to be difficult. Like anything that is unfamiliar to you, all you need to do is build your familiarity by looking at different examples, identify the characteristics of the blouse you have to draw, and use reference photographs as you need them. You might not become an expert on blouses, but at least you will no longer \"know nothing\" about them, and they will be much easier and less intimidating to draw!\r\n\r\n ','How to Draw a Blouse When You Know Nothing about Blouses','','inherit','closed','closed','','2787-revision-v1','','','2016-01-20 05:09:21','2016-01-20 13:09:21','',2787,'http://www.letsdrawpeople.com/2787-revision-v1/',0,'revision','',0),(2800,2,'2016-01-21 05:16:49','2016-01-21 13:16:49','','09 how to draw a blouse folds from top','','inherit','open','closed','','09-how-to-draw-a-blouse-folds-from-top','','','2016-01-21 05:16:49','2016-01-21 13:16:49','',2787,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/09-how-to-draw-a-blouse-folds-from-top.jpg',0,'attachment','image/jpeg',0),(2801,2,'2016-01-21 05:16:51','2016-01-21 13:16:51','','13 how to draw a blouse bottom sleeve','','inherit','open','closed','','13-how-to-draw-a-blouse-bottom-sleeve','','','2016-01-21 05:16:51','2016-01-21 13:16:51','',2787,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/13-how-to-draw-a-blouse-bottom-sleeve.jpg',0,'attachment','image/jpeg',0),(2802,2,'2016-01-21 05:16:52','2016-01-21 13:16:52','','12 how to draw a blouse top sleeve','','inherit','open','closed','','12-how-to-draw-a-blouse-top-sleeve','','','2016-01-21 05:16:52','2016-01-21 13:16:52','',2787,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/12-how-to-draw-a-blouse-top-sleeve.jpg',0,'attachment','image/jpeg',0),(2803,2,'2016-01-21 05:16:54','2016-01-21 13:16:54','','04 how to draw a blouse long part of bow','','inherit','open','closed','','04-how-to-draw-a-blouse-long-part-of-bow','','','2016-01-21 05:16:54','2016-01-21 13:16:54','',2787,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/04-how-to-draw-a-blouse-long-part-of-bow.jpg',0,'attachment','image/jpeg',0),(2804,2,'2016-01-21 05:16:55','2016-01-21 13:16:55','','how to draw a blouse','','inherit','open','closed','','how-to-draw-a-blouse','','','2016-01-21 05:16:55','2016-01-21 13:16:55','',2787,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/how-to-draw-a-blouse.jpg',0,'attachment','image/jpeg',0),(2805,2,'2016-01-21 05:16:57','2016-01-21 13:16:57','','05 how to draw a blouse finish bow','','inherit','open','closed','','05-how-to-draw-a-blouse-finish-bow','','','2016-01-21 05:16:57','2016-01-21 13:16:57','',2787,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/05-how-to-draw-a-blouse-finish-bow.jpg',0,'attachment','image/jpeg',0),(2806,2,'2016-01-21 05:16:58','2016-01-21 13:16:58','','11 how to draw a blouse folds on other side','','inherit','open','closed','','11-how-to-draw-a-blouse-folds-on-other-side','','','2016-01-21 05:16:58','2016-01-21 13:16:58','',2787,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/11-how-to-draw-a-blouse-folds-on-other-side.jpg',0,'attachment','image/jpeg',0),(2807,2,'2016-01-21 05:17:00','2016-01-21 13:17:00','','03 how to draw a blouse start of bow','','inherit','open','closed','','03-how-to-draw-a-blouse-start-of-bow','','','2016-01-21 05:17:00','2016-01-21 13:17:00','',2787,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/03-how-to-draw-a-blouse-start-of-bow.jpg',0,'attachment','image/jpeg',0),(2808,2,'2016-01-21 05:17:01','2016-01-21 13:17:01','','07 how to draw a blouse shoulders','','inherit','open','closed','','07-how-to-draw-a-blouse-shoulders','','','2016-01-21 05:17:01','2016-01-21 13:17:01','',2787,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/07-how-to-draw-a-blouse-shoulders.jpg',0,'attachment','image/jpeg',0),(2809,2,'2016-01-21 05:17:03','2016-01-21 13:17:03','','08 how to draw a blouse length','','inherit','open','closed','','08-how-to-draw-a-blouse-length','','','2016-01-21 05:17:03','2016-01-21 13:17:03','',2787,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/08-how-to-draw-a-blouse-length.jpg',0,'attachment','image/jpeg',0),(2810,2,'2016-01-21 05:17:04','2016-01-21 13:17:04','','02 how to draw a blouse collar','','inherit','open','closed','','02-how-to-draw-a-blouse-collar','','','2016-01-21 05:17:04','2016-01-21 13:17:04','',2787,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/02-how-to-draw-a-blouse-collar.jpg',0,'attachment','image/jpeg',0),(2811,2,'2016-01-21 05:17:06','2016-01-21 13:17:06','','06 how to draw a blouse buttons','','inherit','open','closed','','06-how-to-draw-a-blouse-buttons','','','2016-01-21 05:17:06','2016-01-21 13:17:06','',2787,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/06-how-to-draw-a-blouse-buttons.jpg',0,'attachment','image/jpeg',0),(2812,2,'2016-01-21 05:17:07','2016-01-21 13:17:07','','01 how to draw a blouse head and neck','','inherit','open','closed','','01-how-to-draw-a-blouse-head-and-neck','','','2016-01-21 05:17:07','2016-01-21 13:17:07','',2787,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/01-how-to-draw-a-blouse-head-and-neck.jpg',0,'attachment','image/jpeg',0),(2813,2,'2016-01-21 05:50:35','2016-01-21 13:50:35','Every now and then, you will have to make something in your drawing that you just don\'t know how to make. You just don\'t know enough about it to be comfortable or confident enough to draw, at least without a lot of help.\r\n\r\nFor me, that something is a blouse.\r\n\r\nAs a guy who wears men\'s clothing, I never really paid attention to blouses. I have always been very unfamiliar with them and naive about them. At least I was, until having to research for this article!\r\n\r\nAs I think back to my experiences with drawing women, I usually practiced drawing them with simple clothing like a t-shirt. Why wouldn\'t I? T-shirts are much more familiar to me. That said, I am sure I have drawn a few women in blouses, sometimes without even realizing what exactly I am doing.\r\n\r\nSo how do you draw a blouse when you don\'t know anything about blouses? The same way you draw any unfamiliar subject. You learn about it, see examples of different kinds, and get reference photographs to help you. That is exactly what we will do in this article.\r\n

Defining Blouses

\r\nIn order to draw a blouse, it is helpful to first understand just exactly what a blouse is. Although similar to a shirt, a blouse is characterized as being a loose and often baggie upper garment. The word \"blouse\" can also be a verb meaning \"to hang loosely\" when referring to a sleeve, for example. A blouse is considered a garment for a woman or girl, although in many many years past blouses were also commonly worn by men who were peasants, workers, and even artists!\r\n\r\nThe varying styles of blouses are endless. I mean, seriously, look at all the different styles of blouses present in this one shop alone!\r\n\r\n[caption id=\"attachment_2355\" align=\"aligncenter\" width=\"600\"]\"©
© Lee Snider | Dreamstime.com
[/caption]\r\n\r\nTherefore, it can be difficult to generalize blouses as mostly looking the same and drawing them in a similar fashion every time. Since the styles can be so vastly differing, the parts of a blouse vary greatly from one blouse to another. The parts of a blouse all depend on the style of the blouse.\r\n\r\nIf we had to identify what all blouses have in common, the similarities would be very basic and limited. A blouse is similar to a shirt. All blouses have an opening for the neck. All blouses have an opening for the arms to go through. Blouses are loose-fitting.\r\n\r\nThat is pretty much where the similarities end. Blouses can be equipped with a collar or without a collar. They can have ruffles or no ruffles. Blouses can be plain or patterned. A blouse can have a bow or no bow. Most have sleeves that can be long or short, but there are some that are sleeveless. Blouses can be made out of countless types of materials. Some are one piece in the front and others must be fastened with buttons or even tied together.\r\n\r\nThis graphic can help you visualize a few basic styles of blouses. It might also help you get started drawing or sketching a blouse on a woman if you do not have a better frame of reference.\r\n\r\n\"\"\r\n

How to Draw a Blouse on a Woman

\r\nNow that we are more familiar with blouses, let\'s try drawing a blouse on a woman. We will still use a reference photograph in the following example to make things even easier.\r\n\r\nYou will also see that I tend to use a top-down approach to drawing blouses, just as I do with other shirts. This approach begins by drawing the neckline, working down toward the bottom part of the blouse, and finishing up with the sleeves.\r\n\r\nThe blouse I chose for this tutorial has loose-fitting long sleeves, a collar, and a big bow.\r\n\r\n\"how\r\n\r\n \r\n\r\nFirst you need a place to start, so most often it makes sense to begin drawing a blouse after you have already drawn the head and neck of the woman. Since the focus of this tutorial is on how to draw a blouse, I am going to just stick with a basic outline for everything above the neckline. Make sure there is enough space on your paper below the neck to draw as much of the blouse as you intend to draw.\r\n\r\n \r\n\r\n\"01\r\n\r\n \r\n\r\nThis particular blouse has a collar, so that is the next step. Pay attention to the angle and width of each side. The bow will partially cover one corner of the collar, so draw that corner lightly or just don\'t connect it.\r\n\r\n\"02\r\n\r\n \r\n\r\nbow\r\n\r\n\"03\r\n\r\n \r\n\r\nlong bow\r\n\r\n\"04\r\n\r\n \r\n\r\nfinish bow\r\n\r\n\"05\r\n\r\n \r\n\r\nbuttons\r\n\r\n\"06\r\n\r\n \r\n\r\nshoulders\"07\r\n\r\n \r\n\r\nlength of blouse\r\n\r\n\"08\r\n\r\n \r\n\r\ntop of folds\r\n\r\n\"09\r\n\r\n \r\n\r\nrest of folds\r\n\r\n\"10\r\n\r\n \r\n\r\nother side\r\n\r\n\"11\r\n\r\n \r\n\r\ntop sleeve\r\n\r\n\"12\r\n\r\n \r\n\r\nbottom of sleeve\r\n\r\n\"13\r\n\r\n \r\n\r\nfinish the other arm and you are done. You can apply a similar progression of the same steps from this tutorial to drawing other blouses. Just pay attention to the unique characteristics of the blouse you are drawing and make adjustments as needed.\r\n\r\n\"how\r\n\r\n \r\n

Drawing Blouses from Now On

\r\nSo remember that even if you know nothing about blouses, drawing a blouse on a woman does not have to be difficult. Like anything that is unfamiliar to you, all you need to do is build your familiarity by looking at different examples, identify the characteristics of the blouse you have to draw, and use reference photographs as you need them. You might not become an expert on blouses, but at least you will no longer \"know nothing\" about them, and they will be much easier and less intimidating to draw!\r\n\r\n ','How to Draw a Blouse When You Know Nothing about Blouses','','inherit','closed','closed','','2787-revision-v1','','','2016-01-21 05:50:35','2016-01-21 13:50:35','',2787,'http://www.letsdrawpeople.com/2787-revision-v1/',0,'revision','',0),(2815,2,'2016-01-21 06:38:44','2016-01-21 14:38:44','Every now and then, you will have to make something in your drawing that you just don\'t know how to make. You just don\'t know enough about it to be comfortable or confident enough to draw, at least without a lot of help.\r\n\r\nFor me, that something is a blouse.\r\n\r\nAs a guy who wears men\'s clothing, I never really paid attention to blouses. I have always been very unfamiliar with them and naive about them. At least I was, until having to research for this article!\r\n\r\nAs I think back to my experiences with drawing women, I usually practiced drawing them with simple clothing like a t-shirt. Why wouldn\'t I? T-shirts are much more familiar to me. That said, I am sure I have drawn a few women in blouses, sometimes without even realizing what exactly I am doing.\r\n\r\nSo how do you draw a blouse when you don\'t know anything about blouses? The same way you draw any unfamiliar subject. You learn about it, see examples of different kinds, and get reference photographs to help you. That is exactly what we will do in this article.\r\n

Defining Blouses

\r\nIn order to draw a blouse, it is helpful to first understand just exactly what a blouse is. Although similar to a shirt, a blouse is characterized as being a loose and often baggie upper garment. The word \"blouse\" can also be a verb meaning \"to hang loosely\" when referring to a sleeve, for example. A blouse is considered a garment for a woman or girl, although in many many years past blouses were also commonly worn by men who were peasants, workers, and even artists!\r\n\r\nThe varying styles of blouses are endless. I mean, seriously, look at all the different styles of blouses present in this one shop alone!\r\n\r\n[caption id=\"attachment_2355\" align=\"aligncenter\" width=\"600\"]\"©
© Lee Snider | Dreamstime.com
[/caption]\r\n\r\nTherefore, it can be difficult to generalize blouses as mostly looking the same and drawing them in a similar fashion every time. Since the styles can be so vastly differing, the parts of a blouse vary greatly from one blouse to another. The parts of a blouse all depend on the style of the blouse.\r\n\r\nIf we had to identify what all blouses have in common, the similarities would be very basic and limited. A blouse is similar to a shirt. All blouses have an opening for the neck. All blouses have an opening for the arms to go through. Blouses are loose-fitting.\r\n\r\nThat is pretty much where the similarities end. Blouses can be equipped with a collar or without a collar. They can have ruffles or no ruffles. Blouses can be plain or patterned. A blouse can have a bow or no bow. Most have sleeves that can be long or short, but there are some that are sleeveless. Blouses can be made out of countless types of materials. Some are one piece in the front and others must be fastened with buttons or even tied together.\r\n\r\nThis graphic can help you visualize a few basic styles of blouses. It might also help you get started drawing or sketching a blouse on a woman if you do not have a better frame of reference.\r\n\r\n\"\"\r\n

How to Draw a Blouse on a Woman

\r\nNow that we are more familiar with blouses, let\'s try drawing a blouse on a woman. We will still use a reference photograph in the following example to make things even easier.\r\n\r\nYou will also see that I tend to use a top-down approach to drawing blouses, just as I do with other shirts. This approach begins by drawing the neckline, working down toward the bottom part of the blouse, and finishing up with the sleeves.\r\n\r\nThe blouse I chose for this tutorial has loose-fitting long sleeves, a collar, and a big bow.\r\n\r\n\"how\r\n\r\n \r\n\r\nFirst you need a place to start, so most often it makes sense to begin drawing a blouse after you have already drawn the head and neck of the woman. Since the focus of this tutorial is on how to draw a blouse, I am going to just stick with a basic outline for everything above the neckline. Make sure there is enough space on your paper below the neck to draw as much of the blouse as you intend to draw.\r\n\r\n \r\n\r\n\"01\r\n\r\n \r\n\r\nThis particular blouse has a collar, so that is the next step. Pay attention to the angle and width of each side. The bow will partially cover the corners of the collar, so draw the corners lightly or just don\'t connect them.\r\n\r\n\"02\r\n\r\n \r\n\r\nNow it is time to begin working on the bow. Just like blouses are unique, the bows that accompany many of them are just as unique. Pay attention to the characteristics of the bow in your drawing.\r\n\r\nFor our example, we will draw the bow in three parts. Sketch the basic shape of this first part. Don\'t forget to overlap the corner of the collar. Add some fold lines that run the length of it and around where it curves.\r\n\r\n\"03\r\n\r\n \r\n\r\nNext, draw the long part of the bow. Note where certain parts overlap other parts. Sketch in details. Also, keep in mind that the length of this bow is nearly the length of the torso, so keep in mind proper head to torso proportions for a woman.\r\n\r\n\"04\r\n\r\n \r\n\r\nFinish the top of the bow on the other side. Try to replicate the lines that indicate folds and creases.\r\n\r\n\"05\r\n\r\n \r\n\r\nThe next step is to draw the blouse below the bow and where it is fastened together. There is one button visible. Again, plan for where the waistline should be and check to see that the distance from the neckline to here is not too long or too short.\r\n\r\n\"06\r\n\r\n \r\n\r\nBack at the top, begin sketching the part of the blouse running from the collar to each shoulder. Make sure to sketch seams where you see them.\r\n\"07\r\n\r\n \r\n\r\nFrom here you can connect to the waistline to complete the outline of the blouse, minus the sleeves. Look closely at the stance of the subject. She is leaning back slightly with the lower torso slightly protruded.\r\n\r\nAlso remember throughout the following steps that a blouse is loose-fitting, so allow the outline some freedom to be loose, wiggly, and a bit baggy.\r\n\r\n\"08\r\n\r\n \r\n\r\nFrom those seams at the top are some prominent folds. They look like they were made intentionally during the manufacturing of the blouse to contribute to the baggy appearance and intended style. Sketch these slightly y-shaped folds so this important characteristic is not absent from your blouse drawing.\r\n\r\n\"09\r\n\r\n \r\n\r\nLook at the reference photograph as you try to mimic the rest of the folds that run the length of the blouse...\r\n\r\n\"10\r\n\r\n \r\n\r\n...and repeat on the other side.\r\n\r\n\"11\r\n\r\n \r\n\r\nNow the only thing left is to draw the sleeves. Draw the loose folds that drop from the shoulder and extend to the bend of the arm.\r\n\r\n\"12\r\n\r\n \r\n\r\nThen continue drawing the bottom of sleeve. Notice the subtle spiral folds that wrap around the forearm. Also notice the loose bulkiness of the sleeve of the blouse from the top and around the wrist.\r\n\r\n\"13\r\n\r\n \r\n\r\nFinish by repeating with what you can see of the other arm and you are done!\r\n\r\n\"how\r\n\r\nYou can apply a similar progression of the same steps from this tutorial to drawing other blouses. Just pay attention to the unique characteristics of the blouse you are drawing and make adjustments as needed.\r\n

Drawing Blouses from Now On

\r\nSo remember that even if you know nothing about blouses, drawing a blouse on a woman does not have to be difficult. Like anything that is unfamiliar to you, all you need to do is build your familiarity by looking at different examples, identify the characteristics of the blouse you have to draw, and use reference photographs as you need them. You might not become an expert on blouses, but at least you will no longer \"know nothing\" about them, and they will be much easier and less intimidating to draw!\r\n\r\n ','How to Draw a Blouse When You Know Nothing about Blouses','','inherit','closed','closed','','2787-revision-v1','','','2016-01-21 06:38:44','2016-01-21 14:38:44','',2787,'http://www.letsdrawpeople.com/2787-revision-v1/',0,'revision','',0),(2814,2,'2016-01-21 06:33:51','2016-01-21 14:33:51','Every now and then, you will have to make something in your drawing that you just don\'t know how to make. You just don\'t know enough about it to be comfortable or confident enough to draw, at least without a lot of help.\r\n\r\nFor me, that something is a blouse.\r\n\r\nAs a guy who wears men\'s clothing, I never really paid attention to blouses. I have always been very unfamiliar with them and naive about them. At least I was, until having to research for this article!\r\n\r\nAs I think back to my experiences with drawing women, I usually practiced drawing them with simple clothing like a t-shirt. Why wouldn\'t I? T-shirts are much more familiar to me. That said, I am sure I have drawn a few women in blouses, sometimes without even realizing what exactly I am doing.\r\n\r\nSo how do you draw a blouse when you don\'t know anything about blouses? The same way you draw any unfamiliar subject. You learn about it, see examples of different kinds, and get reference photographs to help you. That is exactly what we will do in this article.\r\n

Defining Blouses

\r\nIn order to draw a blouse, it is helpful to first understand just exactly what a blouse is. Although similar to a shirt, a blouse is characterized as being a loose and often baggie upper garment. The word \"blouse\" can also be a verb meaning \"to hang loosely\" when referring to a sleeve, for example. A blouse is considered a garment for a woman or girl, although in many many years past blouses were also commonly worn by men who were peasants, workers, and even artists!\r\n\r\nThe varying styles of blouses are endless. I mean, seriously, look at all the different styles of blouses present in this one shop alone!\r\n\r\n[caption id=\"attachment_2355\" align=\"aligncenter\" width=\"600\"]\"©
© Lee Snider | Dreamstime.com
[/caption]\r\n\r\nTherefore, it can be difficult to generalize blouses as mostly looking the same and drawing them in a similar fashion every time. Since the styles can be so vastly differing, the parts of a blouse vary greatly from one blouse to another. The parts of a blouse all depend on the style of the blouse.\r\n\r\nIf we had to identify what all blouses have in common, the similarities would be very basic and limited. A blouse is similar to a shirt. All blouses have an opening for the neck. All blouses have an opening for the arms to go through. Blouses are loose-fitting.\r\n\r\nThat is pretty much where the similarities end. Blouses can be equipped with a collar or without a collar. They can have ruffles or no ruffles. Blouses can be plain or patterned. A blouse can have a bow or no bow. Most have sleeves that can be long or short, but there are some that are sleeveless. Blouses can be made out of countless types of materials. Some are one piece in the front and others must be fastened with buttons or even tied together.\r\n\r\nThis graphic can help you visualize a few basic styles of blouses. It might also help you get started drawing or sketching a blouse on a woman if you do not have a better frame of reference.\r\n\r\n\"\"\r\n

How to Draw a Blouse on a Woman

\r\nNow that we are more familiar with blouses, let\'s try drawing a blouse on a woman. We will still use a reference photograph in the following example to make things even easier.\r\n\r\nYou will also see that I tend to use a top-down approach to drawing blouses, just as I do with other shirts. This approach begins by drawing the neckline, working down toward the bottom part of the blouse, and finishing up with the sleeves.\r\n\r\nThe blouse I chose for this tutorial has loose-fitting long sleeves, a collar, and a big bow.\r\n\r\n\"how\r\n\r\n \r\n\r\nFirst you need a place to start, so most often it makes sense to begin drawing a blouse after you have already drawn the head and neck of the woman. Since the focus of this tutorial is on how to draw a blouse, I am going to just stick with a basic outline for everything above the neckline. Make sure there is enough space on your paper below the neck to draw as much of the blouse as you intend to draw.\r\n\r\n \r\n\r\n\"01\r\n\r\n \r\n\r\nThis particular blouse has a collar, so that is the next step. Pay attention to the angle and width of each side. The bow will partially cover the corners of the collar, so draw the corners lightly or just don\'t connect them.\r\n\r\n\"02\r\n\r\n \r\n\r\nNow it is time to begin working on the bow. Just like blouses are unique, the bows that accompany many of them are just as unique. Pay attention to the characteristics of the bow in your drawing.\r\n\r\nFor our example, we will draw the bow in three parts. Sketch the basic shape of this first part. Don\'t forget to overlap the corner of the collar. Add some fold lines that run the length of it and around where it curves.\r\n\r\n\"03\r\n\r\n \r\n\r\nNext, draw the long part of the bow. Note where certain parts overlap other parts. Sketch in details. Also, keep in mind that the length of this bow is nearly the length of the torso, so keep in mind proper head to torso proportions for a woman.\r\n\r\n\"04\r\n\r\n \r\n\r\nFinish the top of the bow on the other side. Try to replicate the lines that indicate folds and creases.\r\n\r\n\"05\r\n\r\n \r\n\r\nThe next step is to draw the blouse below the bow and where it is fastened together. There is one button visible. Again, plan for where the waistline should be and check to see that the distance from the neckline to here is not too long or too short.\r\n\r\n\"06\r\n\r\n \r\n\r\nBack at the top, begin sketching the part of the blouse running from the collar to each shoulder. Make sure to sketch seams where you see them.\r\n\"07\r\n\r\n \r\n\r\nFrom here you can connect to the waistline to complete the outline of the blouse, minus the sleeves. Look closely at the stance of the subject. She is leaning back slightly with the lower torso slightly protruded.\r\n\r\nAlso remember throughout the following steps that a blouse is loose-fitting, so allow the outline some freedom to be loose, wiggly, and a bit baggy.\r\n\r\n\"08\r\n\r\n \r\n\r\nFrom those seams at the top are some prominent folds. They look like they were made intentionally during the manufacturing of the blouse to contribute to the baggy appearance and intended style. Sketch these slightly y-shaped folds so this important characteristic is not absent from your blouse drawing.\r\n\r\n\"09\r\n\r\n \r\n\r\nLook at the reference photograph as you try to mimic the rest of the folds that run the length of the blouse...\r\n\r\n\"10\r\n\r\n \r\n\r\n...and repeat on the other side.\r\n\r\n\"11\r\n\r\n \r\n\r\nNow the only thing left is to draw the sleeves. Draw the loose folds that drop from the shoulder and extend to the bend of the arm.\r\n\r\n\"12\r\n\r\n \r\n\r\nThen continue drawing the bottom of sleeve. Notice the subtle spiral folds that wrap around the forearm. Also notice the loose bulkiness of the sleeve of the blouse from the top and around the wrist.\r\n\r\n\"13\r\n\r\n \r\n\r\nFinish by repeating with what you can see of the other arm and you are done!\r\n\r\n\"how\r\n\r\nYou can apply a similar progression of the same steps from this tutorial to drawing other blouses. Just pay attention to the unique characteristics of the blouse you are drawing and make adjustments as needed.\r\n

Drawing Blouses from Now On

\r\nSo remember that even if you know nothing about blouses, drawing a blouse on a woman does not have to be difficult. Like anything that is unfamiliar to you, all you need to do is build your familiarity by looking at different examples, identify the characteristics of the blouse you have to draw, and use reference photographs as you need them. You might not become an expert on blouses, but at least you will no longer \"know nothing\" about them, and they will be much easier and less intimidating to draw!\r\n\r\n ','How to Draw a Blouse When You Know Nothing about Blouses','','inherit','closed','closed','','2787-revision-v1','','','2016-01-21 06:33:51','2016-01-21 14:33:51','',2787,'http://www.letsdrawpeople.com/2787-revision-v1/',0,'revision','',0),(2817,15,'2016-08-13 02:40:29','2016-08-13 09:40:29','If you are interested in being an artist or at least making drawing a major hobby in your life, then you will need to have extended knowledge over the drawing materials you will need.\r\n\r\nOh sure you’ll need the basic pencil, eraser, and something to draw on but there’s so much more to it. Notice how one artist can make things look so symmetrical and realistic and other artists will have art pieces that look amateurish. What’s the difference? A lot of people have told me they wish they knew how to draw. My response: the difference between you and me is my knowledge of the materials that are used in the art industry.\r\n\r\nJust like the chef in Ratatouille said \"Anyone can cook,\" I say to you, anyone can draw……with some practice and the right materials of course. I remember when I was in high school it was just the pencil and eraser and that was it. Now if you go into my studio I have an art desk, erasers, tortillions, pencils, and other knick knacks. So what are these knick knacks I’m talking about? Well these knick knacks are the things that will improve your artwork as well as help beginners start off in the right direction. This article is to discuss some old drawing materials you are familiar with, as well as get you familiar with some new tools and tricks.\r\n\r\nNote: This article contains affiliate links to some of the drawing materials mentioned. LetsDrawPeople.com will earn a tiny commission if you purchase through these links.\r\n

Pencils: Soft, Hard, Mechanical, and Paper

\r\nOK so this is the basic of the basics here. No form of artwork can be done without some type of pencil marking. As you see in the below basic drawing, I used a 2B pencil to sketch out the drawing.\r\n\r\n\"drawing\r\n\r\n \r\n\r\n\"artistDrawing pencils go from one range to the other – light to darker pencils. The respective names and ranges are: 9B to 9H. The pencils that are 9B to B are the “soft” or bold pencils. These are the dark pencils; they do not have much clay in them in contrast to their counterpart. The higher the number is, the darker the pencil mark is.\r\n\r\nWhen dark hair is called into the picture or pupils need to be filled, I usually use a 6B pencil or higher. When using 6B or darker pencils, please be careful when shading; the graphite can be easily spread and you may make an un-necessary mess while shading. Also, keep in mind that it will be just a tad bit harder to erase the darker pencil markings without leaving some residue.\r\n\r\n\"drawing\r\n\r\n \r\n\r\n\"drawing\r\n\r\n \r\n\r\nMoving along, we have the H pencils or the hard pencils. These pencils contain clay in them to decrease the pencils’ dark markings. I sometimes use them when I want some light shading to the subject or if I need to utilize the carbon copy paper, I use the lightest pencil which is the 9H.\r\n\r\nThere is also the HB pencil – not too hard or not too dark. Usually it can also be found in the next pencil up for discussion: the mechanical pencil. The mechanical pencil usually has HB or 2B lead available.\r\n\r\n\"drawing\r\n\r\n \r\n\r\nIt should be known that it’s often used for fine lines and detailing. Usually I use one when applying hair strands to the head as in the picture below.\r\n\r\n\"drawing\r\n\r\n \r\n\r\nThe last thing I want to cover in this section is the kind of paper to use. I strictly use two types of paper material: Crescent illustration board and Strathmore Bristol paper.  The Crescent illustration boards are strictly used for customers and the Bristol paper for personal art use. The Bristol gives off a little bit of a shine that will make your artwork stand out some and makes your blending of the graphite/pencil more smoother, therefore giving the art piece a smoother finish.\r\n

Blending Materials: Tortillion, Stumps, and Tissue

\r\n\"drawing\r\n\r\nThese materials ARE VERY NECESSARY if trying to get a realistic look. They will help with gradual blending and smoothing. Sometimes I draw with the tortillion when I want to add some shading to a small area, like adding some shade to the upper eyes or smearing of the lips or blending of the hair as in the pictures below.\r\n\r\n[caption id=\"attachment_3278\" align=\"aligncenter\" width=\"508\"]\"Tortillion Tortillion shading applied to the upper eyes to mimic shading from the eyelid[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_3279\" align=\"aligncenter\" width=\"270\"]\"Tortillion Tortillion smudging of the lips to illustrate shading[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_3281\" align=\"aligncenter\" width=\"600\"]\"Tissue Tissue blending/smudging of the hair[/caption]\r\n\r\n \r\n\r\nStumps and tortillions have somewhat the same design, but the stumps are bigger and have both ends pointed off while the tortillions are paper that is wrapped around very tightly. There’s no preference in which one to use; it’s up to the artist in which one s/he wants to use and how big or small of an area that needs to be shaded.\r\n\r\nUsing the tissue is a Godsend to me. I accidentally found out about this technique doing a Tomb Raider pencil piece. I’ve heard of the technique but never had a chance to apply it; I was too faithful to the blending stump/tortillion shading. I thought it wouldn’t hurt to try and once applied, I immediately fell in love with it.\r\n\r\nWhen using the tissue, please keep in mind that it’s used for large blending areas like the hair, arms, legs, cheek, and forehead. This technique will allow the graphite to blend and fade into the paper, giving that smooth fade into the white or whatever the color of your drawing paper is.\r\n\r\n[caption id=\"attachment_3280\" align=\"aligncenter\" width=\"600\"]\"3H 3H Graphite pencil shading applied before the tissue blend/smudge[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_3281\" align=\"aligncenter\" width=\"600\"]\"Tissue Tissue blending applied with a little bit of 3B pencil shading[/caption]\r\n

Erasers and Blu Tack

\r\nNo art piece can be done correctly the first time around without some form of erasing tool. When it comes to dealing with pencil, you should have an array of erasing materials at your disposal.\r\n\r\nYour basic erasers come in the form of regular white erasers, Pink Pearl erasers, and white stick erasers. The first two erasers mentioned are usually helpful in erasing large areas and lines. The stick erasers are long, white erasers within a blue, small tube whose length can be adjusted with an adjustable knob on the side. It can be used for big areas as well.\r\n\r\n[caption id=\"attachment_3275\" align=\"aligncenter\" width=\"600\"]\"A A pencil eraser, a white or pink eraser, and a kneaded eraser are just a few erasers that might come in handy while drawing.[/caption]\r\n\r\n \r\n\r\nThere are also pencil erasers; these come in the form of regular looking pencils but instead of lead there are erasers within the pencil. I personally use these to add highlight strands to hair or to erase small markings in a drawing. You can see the example of me applying the pencil erasing technique to the hair in the example below.\r\n\r\n \r\n\r\n\"drawing\r\n\r\n \r\n\r\nAnother eraser that is absolutely required in this field is the kneaded eraser. These erasers resemble modeling clay and you can shape them to adhere to the marking you want to get rid of. Also, these erasers can be used to “lift” markings of the pencil, leaving a lighter mark. I think these are excellent in creating clouds or some type of smoke leaving some faded residue.\r\n\r\nOn that subject, you can also use an item called Blu Tack. It’s a substitute for a kneaded eraser; it works the same way. I find myself using this more than the kneaded eraser. No particular reason, it’s just my personal preference.\r\n\r\n\"drawing\r\n\r\n \r\n\r\nIf you need to erase a small area that is surrounded by markings that you don’t want to accidently erase, no worries, use an eraser shield. These are like the dental floss of drawing – they’re inexpensive and precise. Usually they have several shapes in them cut out so that you can erase within the area. I don’t use it as often as I use to but I do have one waiting in the shadows just in case.\r\n

Horsehair Brush, Workable Spray Fixative, and Drawing Board

\r\nOK so instead of erasing a marking and using your hand to wipe off the residue, use a brush...namely a horsehair brush. If you brush away eraser residue with your hand, you run the risk smearing your work. Not to mention it saves you from accidentally spitting on your work when you blow the eraser residue away.\r\n\r\nWhen you want to build up the tone of your drawing, a workable fixative should be called to action. When you get a workable fixative, you can still work on the area even after it’s been sprayed. It holds the graphite in the area that you have sprayed, allowing you to darken the subject by building tone without you disturbing the initial area.\r\n\r\nYou can’t draw until you have a smooth surface to draw on such as a drawing board. You will need to angle the drawing board towards you to help prevent the distortion that comes when working flat. I have a drawing table that has the option of tilting if need be. I also have a mobile drawing board. I say mobile because a lot of my friends know if they want me to come over, I’m bringing some form of art to work on. I’ve went to a party and sat in the corner and worked on a drawing for a customer. You can tell I’m dedicated to my art.\r\n

Rulers, Circle, Ellipse, and Other Templates

\r\nEver wonder how some artists achieve perfect lines or circles? You may have thought “I can’t be an artist, I can’t even draw a straight line!” Well my friend, don’t fret. There’s a small secret to be learned here; the majority of artists, including myself, use rulers and templates. Templates are tools with pre-made circles and other shapes to help you achieve the shape that you want. You have different templates that specialize in having different shapes. Some are strictly circles or squares to name a few. You also have ellipse templates that specialize in curves and round objects. Also, you can’t forget about rulers. Not only do they provide a way to graph and measure your subject, but they serve as straight edge templates too.\r\n

Carbon Copy Paper, Projectors, Light Boxes, and Acetate Report Covers

\r\nOK so as I stated in a previous article, I run the risk of a mob of angry artists burning down my house. To me and them, this is what helps us make our art pieces look accurate and believable. Oh I can draw, don’t get it twisted; but when you have a lot of art that needs to be done for customers and you still need to make time for your personal art projects, you’ll do the things that will cut down your time. I have seen artists draw a basic sketch in like under 2 min. – wish I could move that fast; but since I like to be totally accurate and proficient, I’ll call in the talents of the three named above except the acetate report covers – never used them before but I may purchase some in the near future and try them out. Who knows, I’ll probably do an article on them.\r\n\r\nAnywho, about the other three, using them will shave you some time off in doing the art piece. If someone says that you’re cheating by incorporating the assistance from these three, they’re sadly misinformed. As I stated in the other article, can a doctor perform surgery without his tools? Is that cheating since he’s using tools to cut down surgery time? What about a dentist? Does using tools to help him find cavities or to fix tooth damage or decay qualify as a form of cheating? My thing is it doesn’t matter how you get the picture done, the question is does the public like your art concept? Now go marinate on that for a second.\r\n

Reference Photos

\r\nThe last thing I will talk about briefly is the reference photo. As you can see in the below picture, it’s a picture I took of a close friend of mine. She has modeled for some of my paintings (Angel Eyes, Expecting) before.\r\n\r\n[caption id=\"attachment_3286\" align=\"aligncenter\" width=\"600\"]\"The The real photo[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_3274\" align=\"aligncenter\" width=\"600\"]\"The The drawn photo piece[/caption]\r\n\r\n \r\n\r\nIt’s not necessary but helpful to have some type of reference photo. This will help with accuracy and placement. I know some people who can draw off the top of their head, but I like to be anatomically correct. With that being said, a photo reference with accuracy is necessary in my work. Every artist is different; some will use reference photos and some will use their memory. It really doesn’t matter as long as you and the customers will be satisfied with the end product, no matter what drawing materials or techniques you use.','Drawing Materials for Both the Beginner and the Advanced','','publish','closed','open','','drawing-materials-for-both-the-beginner-and-the-advanced','','','2016-08-13 11:45:24','2016-08-13 18:45:24','',0,'http://www.letsdrawpeople.com/?p=2817',0,'post','',0),(2818,15,'2016-01-22 07:33:12','2016-01-22 15:33:12','','IMG_0203','','inherit','open','closed','','img_0203','','','2016-01-22 07:33:12','2016-01-22 15:33:12','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/IMG_0203.jpg',0,'attachment','image/jpeg',0),(2819,15,'2016-01-22 07:33:17','2016-01-22 15:33:17','','IMG_0341','','inherit','open','closed','','img_0341','','','2016-01-22 07:33:17','2016-01-22 15:33:17','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/IMG_0341.jpg',0,'attachment','image/jpeg',0),(2820,15,'2016-01-22 07:33:20','2016-01-22 15:33:20','','Scan0001','','inherit','open','closed','','scan0001-6','','','2016-01-22 07:33:20','2016-01-22 15:33:20','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan0001-2.jpg',0,'attachment','image/jpeg',0),(2821,15,'2016-01-22 07:33:24','2016-01-22 15:33:24','','Scan0002','','inherit','open','closed','','scan0002-6','','','2016-01-22 07:33:24','2016-01-22 15:33:24','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan0002-2.jpg',0,'attachment','image/jpeg',0),(2822,15,'2016-01-22 07:33:26','2016-01-22 15:33:26','','Scan0003','','inherit','open','closed','','scan0003-6','','','2016-01-22 07:33:26','2016-01-22 15:33:26','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan0003-2.jpg',0,'attachment','image/jpeg',0),(2823,15,'2016-01-22 07:33:28','2016-01-22 15:33:28','','Scan0004','','inherit','open','closed','','scan0004-6','','','2016-01-22 07:33:28','2016-01-22 15:33:28','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan0004-2.jpg',0,'attachment','image/jpeg',0),(2824,15,'2016-01-22 07:33:30','2016-01-22 15:33:30','','Scan0005','','inherit','open','closed','','scan0005-5','','','2016-01-22 07:33:30','2016-01-22 15:33:30','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan0005-2.jpg',0,'attachment','image/jpeg',0),(2825,15,'2016-01-22 07:33:35','2016-01-22 15:33:35','','Scan0006','','inherit','open','closed','','scan0006-4','','','2016-01-22 07:33:35','2016-01-22 15:33:35','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan0006-2.jpg',0,'attachment','image/jpeg',0),(2826,15,'2016-01-22 07:33:41','2016-01-22 15:33:41','','Scan0007','','inherit','open','closed','','scan0007-3','','','2016-01-22 07:33:41','2016-01-22 15:33:41','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan0007-1.jpg',0,'attachment','image/jpeg',0),(2827,15,'2016-01-22 07:33:46','2016-01-22 15:33:46','','Scan0008','','inherit','open','closed','','scan0008-4','','','2016-01-22 07:33:46','2016-01-22 15:33:46','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan0008-2.jpg',0,'attachment','image/jpeg',0),(2828,15,'2016-01-22 07:33:51','2016-01-22 15:33:51','','Scan0009','','inherit','open','closed','','scan0009-4','','','2016-01-22 07:33:51','2016-01-22 15:33:51','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan0009-2.jpg',0,'attachment','image/jpeg',0),(2829,15,'2016-01-22 07:46:08','2016-01-22 15:46:08','','Scan0010','','inherit','open','closed','','scan0010-4','','','2016-01-22 07:46:08','2016-01-22 15:46:08','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan0010-2.jpg',0,'attachment','image/jpeg',0),(2830,15,'2016-01-22 09:05:31','2016-01-22 17:05:31','','Scan0011','','inherit','open','closed','','scan0011-3','','','2016-01-22 09:05:31','2016-01-22 17:05:31','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan0011-2.jpg',0,'attachment','image/jpeg',0),(2831,15,'2016-01-22 09:40:29','2016-01-22 17:40:29','I’m starting this article with absolutely nothing in mind. I mean I’m at a loss of words; I don’t know what to say and how to lead or guide you into this subject. I guess I should say that if you are interested in being an artist or at least making drawing/painting a major hobby in your life, then you will need to have extended knowledge over the tools you will need. Oh sure you’ll need the basic pencil, erasure, and something to draw on but there’s so much more to it. Notice how one artist can make things look so symmetrical and realistic and other artists will have art pieces that look amateurish. What’s the difference? A lot of people have told me they wish they knew how to draw. My response: the difference between you and me is my knowledge of the tools that are used in the art industry.\r\n\r\nJust like the chef said in Ratatouille ‘Anyone can cook,’ I say to you, anyone can draw……with some practice and the right tools of course. I remember when I was in high school it was just the pencil and erasure and that was it. Now if you go into my studio I have an art desk, erasures, tortillions, pencils, and other knick knacks. So what are these knick knacks I’m talking about? Well these knick knacks are the things that will improve your artwork as well as help beginners start off in the right direction. This article is to discuss some old drawing tools you are familiar with, as well as get you familiar with some new tools and tricks.\r\n\r\n \r\n\r\nPencils: Soft, Hard, Mechanical & Paper\r\n\r\n\"Scan0001\"\r\n\r\nOk so this is the basic of the basics here. No form of artwork can be done without some type of pencil marking. As you see in the above basic drawing, I used a 2B pencil to sketch out the drawing. Drawing pencils go from one range to the other – light to darker pencils. The respective names and ranges are: 9B to 9H. The pencils that are 9B to B are the “soft” or bold pencils. These are the dark pencils; they do not have much clay in them in contrast to their counterpart. The higher the number is, the darker the pencil mark is.\r\n\r\n \r\n\r\n\"Scan0002\"\"Scan0006\"\r\n\r\n \r\n\r\nWhen dark hair is called into the picture or pupils need to be filled, I usually use a 6B pencil or higher. When using 6B or darker pencils, please be careful when shading; the graphite can be easily spread and you may make an un-necessary mess while shading. Also, keep in mind that it will be just a tad bit harder to erase the darker pencil markings without leaving some residue.\r\n\r\n \r\n\r\n\"Scan0010\"\r\n\r\nMoving along, we have the H pencils or the hard pencils. These pencils contain clay in them to decrease the pencils’ dark markings. I sometimes use them when I want some light shading to the subject or if I need to utilize the carbon copy paper, I use the lightest pencil which is the 9H. There is also the HB pencil – not too hard or not too dark. Usually it can also be found in the next pencil up for discussion: the mechanical pencil. The mechanical pencil usually has HB or 2B lead available. It should be known that it’s mostly used for fine lines and detailing. Usually I use one when applying hair strands to the head as in the above picture. The last thing I want to cover in this paragraph is the kind of paper to use. I strictly use two types of paper material: Crescent illustration board and Strathmore Bristol paper.  The Crescent illustration boards are strictly used for customers and the Bristol paper for personal art use. The Bristol gives off a little bit of a shine that will make your artwork stand out some and makes your blending of the graphite/pencil more smoother therefore giving the art piece a smoother finish.\r\n\r\n \r\n\r\nBlending Tools: Tortillion, Stumps, & Tissue\r\n\r\n[caption id=\"attachment_2822\" align=\"alignnone\" width=\"300\"]\"Scan0003\" Tortillion shading applied to the upper eyes to mimic shading from the eyelid[/caption]\r\n\r\n[caption id=\"attachment_2823\" align=\"alignnone\" width=\"270\"]\"Scan0004\" Tortillion smudging of the lips to illustrate shading[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2825\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Tissue blending/smudging of the hair[/caption]\r\n\r\n \r\n\r\nThese tools ARE VERY NECESSARY if trying to get the realistic look. These tools will help with gradual blending and smoothing. Sometimes I draw with the tortillion when I want to add some shading to a small area like adding some shade to the upper eyes or smearing of the lips or blending of the hair as in the above pictures. Stumps and tortillions have somewhat the same design but the stumps are bigger and have both ends pointed off while the tortillions are paper that is wrapped around very tightly. There’s no preference in which one to use; it’s up to the artist in which one they want to use and how big or small of an area that needs to be shaded.\r\n\r\n \r\n\r\n \r\n\r\n[caption id=\"attachment_2824\" align=\"alignnone\" width=\"300\"]\"Scan0005\" 3h Graphite pencil shading applied before the tissue blend/smudge[/caption]\r\n\r\n[caption id=\"attachment_2825\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Tissue blending applied with a little bit of 3B pencil shading[/caption]\r\n\r\nUsing the tissue is God-sent to me. I accidently found out about this technique doing a Tomb Raider pencil piece. I’ve heard of the technique but never had a chance to apply it; I was too faithful to the blending stump/tortillion shading. I thought it wouldn’t hurt to try and once applied, I immediately fell in love with it. When using the tissue, please keep in mind that it’s used for large blending areas like the hair, arms, legs, cheek, and forehead. This technique will allow the graphite to blend and fade into the paper giving that smooth fade into the white or whatever the color of your drawing paper is.\r\n\r\n \r\n\r\nErasures and Blu Tack\r\n\r\nNo art piece can be done correctly the first time around without some form of erasing tool. When it comes to dealing with pencil, you should have an array of erasing tools at your disposal. Your basic erasures come in the form of regular white erasures, pink pearl erasures and white stick erasures. The first two erasures mentioned are usually helpful in erasing large areas and lines. The stick erasures are long, white erasures within a blue, small tube whose length can be adjusted by an adjustable nob on the side. It can be used for big areas as well. There are also pencil erasures; these come in the form of regular looking pencils but instead of lead there are erasures within the pencil. I personally used these to add highlight strands to hair or to erase small markings in a drawing. You can see the example of me applying the pencil erasing technique to the hair in the example below:\r\n\r\n \r\n\r\n\"Scan0011\"\r\n\r\n \r\n\r\nAnother erasure that is absolutely required in this field is the kneaded erasure. These erasures resemble modeling clay and you can shape them to adhere to the marking you want to get rid. Also, these erasures can be used to “lift” markings of the pencil leaving a lighter mark. I think these are excellent in creating clouds or some type of smoke leaving some faded residue. On that subject, you can also use an item called Blu Tack. It’s a substitute for kneaded erasure; it works the same way. I find myself using this more than the kneaded erasure. No particular reason, it’s just my personal preference. If you need to erase a small area that is surrounded by markings that you don’t want to accidently erase, no worries, use an erasure shield. These are like the dental floss of drawing – they’re inexpensive and precise. Usually they have several shapess in them cut out so that you can erase within the area. I don’t use it as often as I use to but I do have one waiting in the shadows just in case.\r\n\r\nHorsehair Brush, Workable Spray Fixative & Drawing Board\r\n\r\nOK so instead of erasing a marking and using your hand to wipe off the residue, use a brush, namely a horsehair brush. If you brush away erasure residue with your hand, you run the risk smearing your work. Not to mention it saves you from accidently spitting on your work when you blow the erasure residue away. When you want to build up the tone of your drawing, a workable fixative should be called to action. When you get a workable fixative, you can still work on the area even after it’s been sprayed. It holds the graphite in the area that you have sprayed, allowing you to darken the subject by building tone without you disturbing the initial area.\r\n\r\nYou can’t draw until you have a smooth surface to draw on. You will need to angle the drawing board towards you to help prevent the distortion that comes when working flat. I have a drawing table that has the option of tilting if need be. I also have a mobile drawing board. I say mobile because a lot of my friends know if they want me to come over, I’m bringing some form of art to work on. I’ve went to a party and sat in the corner and worked on a drawing for a customer. You can tell I’m dedicated to my art.\r\n\r\n \r\n\r\nRulers, Circle, Ellipse, and Other Templates\r\n\r\nEver wonder how some artists achieve perfect lines or circles? Have you ever thought “I can’t be an artist, I can’t even draw a straight line!” Well my friend don’t fret. There’s a small secret to be learn here; majority of artists, including myself, use rulers and templates. These are templates with pre-made circles and other shapes to help you achieve the shape that you want. You have different templates that specialize in having different shapes. Some are strictly circles or squares to name a few. You also have ellipse that specialize in curves and round objects. Also, you can’t forget about rulers. Not only do they provide a way to graph and measure your subject, they serve as straight edge templates\r\n\r\n \r\n\r\nCarbon Copy Paper, Projectors, Light Boxes, & Acetate Report Covers\r\n\r\nOk so as I stated in a previous article, I run the risk of a mob of angry artist burning down my house. To me and them, this is what helps us make our art pieces look accurate and believable. Oh I can draw, don’t get it twisted, but when you have a lot of art that needs to be done for customers and still make time for your personal art projects, you’ll do the things that will cut down your time. I have seen artists draw the basic sketch in like under 2 min. – wish I could move that fast but since I like to be totally accurate and proficient, I’ll call in the talents of the three named above except the acetate report covers – never used them before but I may purchase some in the near future and try them out. Who knows, I’ll probably do an article on them. Anywho, about the other three: I’ve already done an article of them so please refer to the “If You Refuse to Use a Light Box” article. But in brief, using the three entities will shave you some time off in doing the art piece. If someone says that you’re cheating by incorporating the assistance from these three, they’re sadly misinformed. As I stated in the other article, can a doctor perform surgery without his tools? Isn’t that cheating since he’s using tools to cut down surgery time? What about a dentist? Does using tools to help him find cavities or to fix tooth damage or decay a form of cheating? My thing is it doesn’t matter how you get the picture done, the question is does the public like your art concept? Now go marinate on that for a second.\r\n\r\n \r\n\r\nReference Photos\r\n\r\n[caption id=\"attachment_2819\" align=\"alignnone\" width=\"300\"]\"IMG_0341\" The Real Photo[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2818\" align=\"alignnone\" width=\"300\"]\"IMG_0203\" The Drawn Photo Piece[/caption]\r\n\r\n \r\n\r\nThe last thing will talk about briefly is reference photos. As you can see in the above picture, it’s a picture I took of a close friend of mine. She has model for some of my paintings (Angel Eyes, Expecting) before. It’s not necessary but helpful to have some type of reference photo. This will help with accuracy and placement. I know some people who can draw off the top of their head but I like to be anatomically correct. With that being said, a photo reference with accuracy is necessary in my work. Every artist is different; some will use reference photos and some will use their memory. It really doesn’t matter as long as you and the customers will be satisfied with the end product no matter what tools or techniques you use.','Art Tools for both the Beginner and the Advance','','inherit','closed','closed','','2817-revision-v1','','','2016-01-22 09:40:29','2016-01-22 17:40:29','',2817,'http://www.letsdrawpeople.com/2817-revision-v1/',0,'revision','',0),(2836,15,'2016-02-06 02:38:12','2016-02-06 10:38:12','Ok kiddos I’m back – it’s the artist you love to hate! First off I need to apologize because my scanner was in that mood where it wanted to do want it wants, so some scans will have black smudges on them...bummer. The other thing is I was not feeling this drawing, sort of. As the title stated, this is a tutorial for how to draw Tom Brady...a man!\r\n\r\n[caption id=\"attachment_2998\" align=\"aligncenter\" width=\"480\"]\"how
© Jerry Coli | Dreamstime.com
[/caption]\r\n\r\nAs I have stated in previous articles, I’m not into drawing men. I lean a lot toward women because well, I’m a guy! There’s no stimulation for me in drawing men, but as an artist one needs to diversify. I cannot limit myself to just women only.\r\n\r\nEven though I’ll grumble under my breath about having a man as an art subject, I know it’s necessary to draw them if I want to flourish and grow into a better and more diversified artist. With that being said, let’s bite down and get through this one.\r\n

Use a Light Box for the Basics

\r\nAs I stated earlier, this is a guy so I wanted to finish this drawing as quickly as possible. With that being said, I used a light box. I used it not only for the subject in general but I wanted to capture his frizzled hair as closely as I could; not to mention, I wanted to capture the majority of his jersey wrinkles.\r\n\r\n\"Scan0001-3\"\r\n\r\n \r\n

Draw the Eyes

\r\nBelieve it or not, his eyes were a challenge for the simple fact that they didn’t show up well on the light box. I had to take a hypothetical guess as well as look at the original picture to get his eyes close to how they were in the original picture. I added some shading with a tortillion around the eye area and used a Blu Tack erasure to lift some of the markings in the lower, left corners of the eyes to illustrate some highlight.\r\n\r\n\"Scan0002\"\r\n\r\n \r\n

Draw the Mouth

\r\nI then started on the mouth. It needs to be said that drawing the lips of men and women are different. With women, you want to add pencil or color to both the upper and lower lip section. With men, color in the upper lip but DO NOT ADD COLOR TO THE LOWER LIP - PERIOD.\r\n\r\nWhat you want to do is add shading under the lower lip to show some form of the lower lip. Men’s lower lips are usually illustrated with the same skin tone that is in the surrounding mouth area. Usually there is a line to separate where the lip is and where the chin area is.\r\n\r\nDon’t believe me? Look at a cartoon with male characters in them and tell me what you see. The females have full lips that are red and the males always have a line to separate what is their lower lip and the chin area.\r\n\r\nIn the case of the lip here, I just used a tortillion. If I got enough graphite on my tortillion from a previous job, I’ll just smudge what’s on there to give it a faint or smudged look.\r\n\r\n\"Scan0003\"\r\n\r\n \r\n

Draw the Hair

\r\nTime to do some hair! In this case, I added more dark tone to the hair onto the previous dark markings from the light box sketch. I usually use a 2H pencil first, coloring in the graphite followed by tissue blending and then adding dark tone.\r\n\r\n\"Scan0004\"\r\n\r\n \r\n\r\nIn this case, I added the dark tone followed by some smudging with the tortillion. I then colored the hair with a 2H pencil and then added hair streaks and strands by using a pencil erasure.\r\n\r\n\"Scan0005\"\r\n\r\n \r\n

Finish the Face and Final Details

\r\nTo finish up the face, I just use a tortillion to smudge in some shade in the necessary areas. I had enough graphite on the tortillion.\r\n\r\n\"Scan0006\"\r\n\r\n \r\n\r\nI then added some shading to the uniform with an HB pencil in some areas, followed by shading and smudging with a tortillion.\r\n\r\n\"Scan0007-2\"\r\n\r\n \r\n\r\nI finish up the drawing with darkening of the pants and some shading of the arms (yes, I pulled out the tortillion again). I didn’t work on the hands. I provide a separate tutorial about that and I’ll probably do more on that subject in the future.\r\n\r\nAnywho, there you go ladies and gentlemen, the drawing of Tom Brady at his finest……well maybe not at his finest, but you get the drift.\r\n\r\n\"how\r\n\r\nLove him or hate him, he’s in a better position than us, but it’s cool...we’re artists! Even when we’re 80 years old, we’ll still be drawing and painting. Can he still say the same about himself when he reaches that age?','How to Draw Tom Brady','','publish','open','open','','how-to-draw-tom-brady','','','2016-06-24 10:30:56','2016-06-24 17:30:56','',0,'http://www.letsdrawpeople.com/?p=2836',0,'post','',0),(3001,2,'2016-02-05 20:57:00','2016-02-06 04:57:00','','Scan0001-3','','inherit','open','closed','','scan0001-3-3','','','2016-02-05 20:57:00','2016-02-06 04:57:00','',2836,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0001-3-1.jpg',0,'attachment','image/jpeg',0),(2839,15,'2016-01-23 09:25:45','2016-01-23 17:25:45','','Scan0002','','inherit','open','closed','','scan0002-7','','','2016-01-23 09:25:45','2016-01-23 17:25:45','',2836,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan0002-3.jpg',0,'attachment','image/jpeg',0),(2840,15,'2016-01-23 09:27:23','2016-01-23 17:27:23','','Scan0003','','inherit','open','closed','','scan0003-7','','','2016-01-23 09:27:23','2016-01-23 17:27:23','',2836,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan0003-3.jpg',0,'attachment','image/jpeg',0),(2841,15,'2016-01-23 09:28:35','2016-01-23 17:28:35','','Scan0004','','inherit','open','closed','','scan0004-7','','','2016-01-23 09:28:35','2016-01-23 17:28:35','',2836,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan0004-3.jpg',0,'attachment','image/jpeg',0),(2842,15,'2016-01-23 09:30:20','2016-01-23 17:30:20','','Scan0005','','inherit','open','closed','','scan0005-6','','','2016-01-23 09:30:20','2016-01-23 17:30:20','',2836,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan0005-3.jpg',0,'attachment','image/jpeg',0),(2843,15,'2016-01-23 09:33:47','2016-01-23 17:33:47','','Scan0006','','inherit','open','closed','','scan0006-5','','','2016-01-23 09:33:47','2016-01-23 17:33:47','',2836,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan0006-3.jpg',0,'attachment','image/jpeg',0),(3000,2,'2016-02-05 20:56:58','2016-02-06 04:56:58','','Scan0007-2','','inherit','open','closed','','scan0007-2-2','','','2016-02-05 20:56:58','2016-02-06 04:56:58','',2836,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0007-2-1.jpg',0,'attachment','image/jpeg',0),(2999,2,'2016-02-05 20:56:57','2016-02-06 04:56:57','','how to draw tom brady','','inherit','open','closed','','how-to-draw-tom-brady-2','','','2016-02-05 20:56:57','2016-02-06 04:56:57','',2836,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/how-to-draw-tom-brady.jpg',0,'attachment','image/jpeg',0),(2846,15,'2016-01-23 09:38:12','2016-01-23 17:38:12','\"how-to-draw-tom-brady-reference\"\r\n\r\nOk kiddos I’m back – it’s the artist you love to hate! First off I need to apologize because my scanner was in that mood where it wanted to do want it wants so some scans will have black smudges on them…..bummer. The other thing is I was not feeling this drawing, sort of. As the title stated, this is a drawing of Tom Brady…….a man! As I have stated in previous articles, I’m not into drawing men, I lean a lot toward women because well, I’m a guy! There’s no stimulation for me in drawing men but as an artist one needs to be diversify, I cannot limit myself to just women only. Even though I’ll grumble under my breathe about having a man as an art subject, I know it’s necessary to draw them if I want to flourish and grow into a better and diversified artist. With that being said, let’s bite down and get through this one.\r\n\r\n \r\n\r\n\"Scan0001\"\r\n\r\n \r\n\r\n          As I stated earlier, this is a guy so I wanted to finish this drawing quickly as possible; with that being said, I used a light box. I used it not only for the subject in general but I wanted to caption his frizzled hair close as I could; not to mention I wanted to capture the majority of his Jersey wrinkles.\r\n\r\n \r\n\r\n\"Scan0002\"\r\n\r\n         Believe it or not, his eyes were a challenge for the simple fact that they didn’t show up well on the light box. I had to take a hypothetical guess as well as look at the original picture to get his eyes close to how they were in the original picture. I added some shading with a tortillion around the eye area and used a Blu Tack erasure to lift some of the markings in the lower, left corners of the eyes to illustrate some highlight.\r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\n          I then started on the mouth. It needs to be said that drawing the lips of men and women are different. With women, you want to add pencil/color to both the upper and lower lip section. With men, color in the upper lip but DO NOT ADD COLOR TO THE LOWER LIP PERIOD. What you want to do is add shading under the lower lip to show some form of the lower lip. Men’s lower lips usual illustrated the same skin tone that is in the surrounded mouth area. Usually there is a line to separate where the lip is and where the chin area is. Don’t believe me? Look at a cartoon with male characters in them and tell me what you see. The females have full lips that are red and the males always have a line to separate what is their lower lip and the chin area. In the case of the lip here, I just used a tortillion. If I got enough graphite on my tortillion from a previous job, I’ll just smudge what’s on there to give it a fainted/smudge look.  \r\n\r\n\"Scan0005\"\r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\n          Time to do some hair! In this case, I added more dark tone to the hair onto the previous dark markings from the light box sketch. I usually use a 2H pencil first, coloring in the graphite followed by tissue blending and then adding dark tone. In this case, I added the dark tone followed by some smudging with the tortillion. I then colored the hair with a 2H pencil and then added hair streaks/strands by using a pencil erasure.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0006\"\r\n\r\n                               To finish up the face, I just use a tortillion to smudge in some shade in the necessary areas; I had enough graphite on the tortillion.\r\n\r\n \r\n\r\n\"Scan0007\"\r\n\r\n \r\n\r\n                                       I then added some shading to the uniform with an HB pencil in some areas followed by shading and smudging with a tortillion.\r\n\r\n \r\n\r\n\"Scan0008\"\r\n\r\n \r\n\r\nI finish up the drawing with darkening of the paints and some shading of the arms (yes, I pulled out the tortillion again). I didn’t work on the hands; I provide a separate tutorial about that and I’ll probably do more on that subject in the future. Anywho, there you go ladies and gentlemen, the drawing of Tom Brady at his finest……well maybe not at his finest but you get the drift. Love him or hate him, he’s in a better position than us but it’s cool, we’re artist. Even when we’re 80 years old, we’ll still be drawing and painting. Can he still say the same about himself when he reaches that age?\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Drawing Tom Brady','','inherit','closed','closed','','2836-revision-v1','','','2016-01-23 09:38:12','2016-01-23 17:38:12','',2836,'http://www.letsdrawpeople.com/2836-revision-v1/',0,'revision','',0),(2852,2,'2016-01-23 11:44:29','2016-01-23 19:44:29','','how to draw children 02 infant','','inherit','open','closed','','how-to-draw-children-02-infant','','','2016-01-23 11:44:29','2016-01-23 19:44:29','',2525,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/how-to-draw-children-02-infant.jpg',0,'attachment','image/jpeg',0),(2847,2,'2016-01-23 10:12:56','2016-01-23 18:12:56','The purpose of this article is to list 10 different approaches to drawing children. The first six approaches will consider the age. The last 4 are more stylistic approaches.\r\n

Consider the Age of the Children

\r\nFirst consider the age and development of the child before you begin. Refer to one of the age groups that I list below for how to draw children. There are instructions for different age groups.\r\n

1. Infants

\r\nNotice the proportions of an infant. The majority of the body is the head and the rest of the body is almost the same size. There is little to no difference between boys and girls.\r\n\r\nDrawing infants or babies is quite simple. You can break it down in a couple of steps.\r\n\r\nHead: To create the head, just create one circle for the face and then another circle for the head.\r\n\r\nBody: The body should be about an equal size with the head. Figure out how many heads you need for the body.\r\n\r\nDetails: Draw softly for details like eyebrows, hair, and face features. Draw shapes for the cheeks, eyes, and the outline of the head.\r\n\r\n\"1\"\r\n\r\n\"2\"\r\n\r\n \r\n\r\n\"3\"          \"4\"\r\n\r\n \r\n\r\n\"5\"           \"6\"\r\n

2. Toddlers

\r\nThere is only a slight difference between infants and toddlers. The largest difference is how big the child is. Depending on the age of the toddler, he or she will still have infant proportions. The overall body shape of a boy and a girl is still very similar.\r\n\r\nNote that toddlers should have a longer body than an infant. So you add a half or a full head, depending on age.\r\n

3. Early Childhood / Kindergarteners

\r\nThere are significant changes at this age. It is possible for children at this age to be approximately one-half the size of an adult. The general body shape is still similar to that of a toddler, but you will start to see a difference.\r\n\r\nBoys: It\'s the same idea as drawing a toddler, but taller and older.\r\n\r\nGirls: The body shape starts to change. You also begin to notice a difference between girls and boys. Be sure to draw as carefully as possible, or your child will look older than she is.\r\n

4. Elementary School Years

\r\nGirls partially start developing early. Notice also other important changes in the body as children get older.\r\n\r\nBoys: Between 3rd grade - 5th grade, boys will catch up with girls and start surpassing them in height. They will also have overall larger bodies.\r\n\r\nGirls: Go through a change of body shape again, typically 2 or 3 years before boys.\r\n\r\n\"7\"         \"8\"\r\n\r\n \r\n\r\n\"9\"          \"10\"\r\n\r\n \r\n\r\n\"11\"           \"12\"\r\n

5. Middle School / Preteen

\r\nProportions are about the same as elementary school kids, but girls are a lot more mature and will start looking like teenagers. There is a wide range so you may need to refer to a different body shape/age group, depending on the child.\r\n\r\nBoys: At this age, boys should be about the same size as girls or bigger. However, for the most part, the overall body shape is still the same.\r\n\r\nGirls: At this age girls will change quite dramatically as they start blossoming into young ladies.\r\n

6. Teenager/ Young Adult

\r\nEDITING HERE---\r\n\r\nallot of young girls look like full adults in body but still hold on to a child like face, where boy will change drastically from looking like little kids to looking like a man in body. However ,There are key difference for both boys and girls from looking like a teenager to looking like an adult. Both boys and girl still have a young looking appearance in the face, you can do this buy creating a slight exaggeration of the eyes, drawing a smother face, softer details like neck line. As you get older details like the neck are more defined.\r\n\r\n\"13\"\r\n\r\n\"14\"               \"15\"\r\n\r\n \r\n\r\n\"16\"                  \"17\"\r\n\r\n \r\n\r\n\"18\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n

Consider the Style in Which You Want to Draw the Children

\r\n7. Free style drawing or sketching\r\nWhen you don’t know how old some one is look at a reference and draw what you see. Don’t get married to proportions because certain thing give people characteristic and drawing a person “ how they are supposed to look “ will give a good sketch of a child but maybe not the person you are drawing.\r\nUnderstanding each persons physical appearance is different will help you draw some ones “character” or personality instead of just a person. Children tend to have certain mannerisms for example drawing a child pose thing like sitting crisscross, or playing.\r\n\r\n8. Cartoon like:\r\nconsider drawing personality like being silly, funny, or at play, this will create a more cartoon like or child like image. Create slight exaggerations of the body to transform your child in too a cartoon which will capture a child like image.\r\n\r\nPhysical features\r\nHead : is largely disproportionate compared to the body for a good amount of your life.\r\nEyes : a slight exaggeration of how big the eyes are will both give the child a more childish look and also cartoon like appearance.\r\n\r\nBody: like an adults body but allot smaller, just think make every thing smaller, also knowing the key difference at certain ages will help capture the correct age group.\r\n\r\n9. Children with Family or environment: One of the best ways to draw a child is to draw them next to some one else, keep in mind the smaller the child the younger they will appear.\r\n\r\nPOSS PHOTOS\r\n\r\n10. Appearance: Consider clothing, face exprensitions, being uninventive or any child like mannerism you can think of, drawing a character of that person, or capering that person personality will help not only make your drawing like that person but will create a sense of realism.\r\n\r\nPOSS PHOTOS','How to Draw Children: 10 Different Approaches','','inherit','closed','closed','','2525-revision-v1','','','2016-01-23 10:12:56','2016-01-23 18:12:56','',2525,'http://www.letsdrawpeople.com/2525-revision-v1/',0,'revision','',0),(2849,2,'2016-01-23 11:44:24','2016-01-23 19:44:24','','how to draw children 04 infant','','inherit','open','closed','','how-to-draw-children-04-infant','','','2016-01-23 11:44:24','2016-01-23 19:44:24','',2525,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/how-to-draw-children-04-infant.jpg',0,'attachment','image/jpeg',0),(2850,2,'2016-01-23 11:44:26','2016-01-23 19:44:26','','how to draw children 06 infant','Infant by Scott McCruden','inherit','open','closed','','how-to-draw-children-06-infant','','','2016-01-24 00:04:16','2016-01-24 08:04:16','',2525,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/how-to-draw-children-06-infant.jpg',0,'attachment','image/jpeg',0),(2851,2,'2016-01-23 11:44:28','2016-01-23 19:44:28','','how to draw children 12 boy','','inherit','open','closed','','how-to-draw-children-12-boy','','','2016-01-23 11:44:28','2016-01-23 19:44:28','',2525,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/how-to-draw-children-12-boy.jpg',0,'attachment','image/jpeg',0),(2848,2,'2016-01-23 10:33:14','2016-01-23 18:33:14','The purpose of this article is to list 10 different approaches to drawing children. The first six approaches will consider the age. The last 4 are more stylistic approaches.\r\n

Consider the Age of the Children

\r\nFirst consider the age and development of the child before you begin. Refer to one of the age groups that I list below for how to draw children. There are instructions for different age groups.\r\n

1. Infants

\r\nNotice the proportions of an infant. The majority of the body is the head and the rest of the body is almost the same size. There is little to no difference between boys and girls.\r\n\r\nDrawing infants or babies is quite simple. You can break it down in a couple of steps.\r\n\r\nHead: To create the head, just create one circle for the face and then another circle for the head.\r\n\r\nBody: The body should be about an equal size with the head. Figure out how many heads you need for the body.\r\n\r\nDetails: Draw softly for details like eyebrows, hair, and face features. Draw shapes for the cheeks, eyes, and the outline of the head.\r\n\r\n\"1\"\r\n\r\n\"2\"\r\n\r\n \r\n\r\n\"3\"          \"4\"\r\n\r\n \r\n\r\n\"5\"           \"6\"\r\n

2. Toddlers

\r\nThere is only a slight difference between infants and toddlers. The largest difference is how big the child is. Depending on the age of the toddler, he or she will still have infant proportions. The overall body shape of a boy and a girl is still very similar.\r\n\r\nNote that toddlers should have a longer body than an infant. So you add a half or a full head, depending on age.\r\n

3. Early Childhood / Kindergarteners

\r\nThere are significant changes at this age. It is possible for children at this age to be approximately one-half the size of an adult. The general body shape is still similar to that of a toddler, but you will start to see a difference.\r\n\r\nBoys: It\'s the same idea as drawing a toddler, but taller and older.\r\n\r\nGirls: The body shape starts to change. You also begin to notice a difference between girls and boys. Be sure to draw as carefully as possible, or your child will look older than she is.\r\n

4. Elementary School Years

\r\nGirls partially start developing early. Notice also other important changes as children get older.\r\n\r\nBoys: Between 3rd grade - 5th grade, boys will catch up with girls and start surpassing them in height. They will also have overall larger bodies.\r\n\r\nGirls: Girls will go through a change of body shape again, typically 2 or 3 years before boys.\r\n\r\n\"7\"         \"8\"\r\n\r\n \r\n\r\n\"9\"          \"10\"\r\n\r\n \r\n\r\n\"11\"           \"12\"\r\n

5. Middle School / Preteen

\r\nProportions are about the same as elementary school kids, but girls are a lot more mature and will start looking like teenagers. There is a wide range so you may need to refer to a different body shape/age group, depending on the child.\r\n\r\nBoys: At this age, boys should be about the same size as girls or bigger. However, for the most part, the overall body shape is still the same.\r\n\r\nGirls: At this age girls will change quite dramatically as they start blossoming into young ladies.\r\n

6. Teenager/ Young Adult

\r\nEDITING HERE---\r\n\r\nallot of young girls look like full adults in body but still hold on to a child like face, where boy will change drastically from looking like little kids to looking like a man in body. However ,There are key difference for both boys and girls from looking like a teenager to looking like an adult. Both boys and girl still have a young looking appearance in the face, you can do this buy creating a slight exaggeration of the eyes, drawing a smother face, softer details like neck line. As you get older details like the neck are more defined.\r\n\r\n\"13\"\r\n\r\n\"14\"               \"15\"\r\n\r\n \r\n\r\n\"16\"                  \"17\"\r\n\r\n \r\n\r\n\"18\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n

Consider the Style in Which You Want to Draw the Children

\r\n7. Free style drawing or sketching\r\nWhen you don’t know how old some one is look at a reference and draw what you see. Don’t get married to proportions because certain thing give people characteristic and drawing a person “ how they are supposed to look “ will give a good sketch of a child but maybe not the person you are drawing.\r\nUnderstanding each persons physical appearance is different will help you draw some ones “character” or personality instead of just a person. Children tend to have certain mannerisms for example drawing a child pose thing like sitting crisscross, or playing.\r\n\r\n8. Cartoon like:\r\nconsider drawing personality like being silly, funny, or at play, this will create a more cartoon like or child like image. Create slight exaggerations of the body to transform your child in too a cartoon which will capture a child like image.\r\n\r\nPhysical features\r\nHead : is largely disproportionate compared to the body for a good amount of your life.\r\nEyes : a slight exaggeration of how big the eyes are will both give the child a more childish look and also cartoon like appearance.\r\n\r\nBody: like an adults body but allot smaller, just think make every thing smaller, also knowing the key difference at certain ages will help capture the correct age group.\r\n\r\n9. Children with Family or environment: One of the best ways to draw a child is to draw them next to some one else, keep in mind the smaller the child the younger they will appear.\r\n\r\nPOSS PHOTOS\r\n\r\n10. Appearance: Consider clothing, face exprensitions, being uninventive or any child like mannerism you can think of, drawing a character of that person, or capering that person personality will help not only make your drawing like that person but will create a sense of realism.\r\n\r\nPOSS PHOTOS','How to Draw Children: 10 Different Approaches','','inherit','closed','closed','','2525-revision-v1','','','2016-01-23 10:33:14','2016-01-23 18:33:14','',2525,'http://www.letsdrawpeople.com/2525-revision-v1/',0,'revision','',0),(2862,2,'2016-01-23 12:32:21','2016-01-23 20:32:21','','how to draw children teen','','inherit','open','closed','','how-to-draw-children-teen','','','2016-01-23 12:32:21','2016-01-23 20:32:21','',2525,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/how-to-draw-children-teen.jpg',0,'attachment','image/jpeg',0),(2863,2,'2016-01-23 12:54:19','2016-01-23 20:54:19','The purpose of this article is to list 10 different approaches to drawing children. The first six approaches will consider the age. The last four are more stylistic approaches.\r\n

Consider the Age of the Children

\r\nFirst consider the age and development of the child before you begin. Refer to one of the age groups that I list below for how to draw children. There are instructions for different age groups.\r\n

1. Infants

\r\nNotice the proportions of an infant. The majority of the body is the head and the rest of the body is almost the same size. There is little to no difference between boys and girls.\r\n\r\nDrawing infants or babies is quite simple. You can break it down in a couple of steps.\r\n\r\nHead: To create the head, just create one circle for the face and then another circle for the head.\r\n\r\nBody: The body should be about an equal size with the head. Figure out how many heads you need for the body.\r\n\r\nDetails: Draw softly for details like eyebrows, hair, and face features. Draw shapes for the cheeks, eyes, and the outline of the head.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n

2. Toddlers

\r\nThere is only a slight difference between infants and toddlers. The largest difference is how big the child is. Depending on the age of the toddler, he or she will still have infant proportions. The overall body shape of a boy and a girl is still very similar.\r\n\r\nNote that toddlers should have a longer body than an infant. So you add a half or a full head, depending on age.\r\n

3. Early Childhood / Kindergarteners

\r\nThere are significant changes at this age. It is possible for children at this age to be approximately one-half the size of an adult. The general body shape is still similar to that of a toddler, but you will start to see a difference.\r\n\r\nBoys: It\'s the same idea as drawing a toddler, but taller and older.\r\n\r\nGirls: The body shape starts to change. You also begin to notice a difference between girls and boys. Be sure to draw as carefully as possible, or your child will look older than she is.\r\n

4. Elementary School Years

\r\nGirls partially start developing early. Notice also other important changes as children get older.\r\n\r\nBoys: Between 3rd grade - 5th grade, boys will catch up with girls and start surpassing them in height. They will also have overall larger bodies.\r\n\r\nGirls: Girls will go through a change of body shape again, typically 2 or 3 years before boys.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n

5. Middle School / Preteen

\r\nProportions are about the same as elementary school kids, but girls are a lot more mature and will start looking like teenagers. There is a wide range so you may need to refer to a different body shape/age group, depending on the child.\r\n\r\nBoys: At this age, boys should be about the same size as girls or bigger. However, for the most part, the overall body shape is still the same.\r\n\r\nGirls: At this age girls will change quite dramatically as they start blossoming into young ladies.\r\n

6. Teenager/ Young Adult

\r\nThere are key differences for both boys and girls from looking like a teenager to looking like an adult. Both boys and girl still have a young looking appearance in the face. You can do this by creating a slight exaggeration of the eyes, drawing a smoother face, and using softer details, like along the neckline. As you work with a subject who is older, details like the neck are more defined.\r\n\r\n\"how\r\n

Consider the Style in Which You Want to Draw the Children

\r\n

7. Free Style Drawing or Sketching

\r\nWhen you don’t know how old someone is, look at a reference and draw what you see. Don’t get married to proportions, because certain things give people characteristics and drawing a person “how they are supposed to look\" will give a good sketch of a child but maybe not the person you are drawing.\r\n\r\nUnderstanding that each person\'s physical appearance is different will help you draw someone\'s “character” or personality instead of just a person. Children tend to have certain mannerisms (for example, drawing a child pose like sitting crisscross or playing).\r\n

8. Cartoonlike

\r\nConsider drawing personality traits like being silly, funny, or at play. This will create a more cartoonlike or childlike image. Create slight exaggerations of the body to transform your child into a cartoon which will capture a childlike image.\r\n\r\nHead: The head is largely disproportionate compared to the body for a good amount of your life.\r\n\r\nEyes: A slight exaggeration of how big the eyes are will both give the child a more childish look and also a cartoonlike appearance.\r\n\r\nBody: Draw the child\'s body like an adult\'s body but a lot smaller. Just think \"make everything smaller.\" Also, knowing the key differences at certain ages will help capture the correct age group.\r\n

9. Children with Family or Environment

\r\nOne of the best ways to draw a child is to draw the child next to someone else. Keep in mind: the smaller the child, the younger they will appear.\r\n\r\nPOSS PHOTOS\r\n

10. Appearance

\r\nConsider clothing, face expressions, being uninventive, or any childlike mannerism you can think of. Drawing a character of that person or capturing that person\'s personality will help not only make your drawing like that person, but will create a sense of realism.\r\n\r\nPOSS PHOTOS','How to Draw Children: 10 Different Approaches','','inherit','closed','closed','','2525-revision-v1','','','2016-01-23 12:54:19','2016-01-23 20:54:19','',2525,'http://www.letsdrawpeople.com/2525-revision-v1/',0,'revision','',0),(2861,2,'2016-01-23 11:50:35','2016-01-23 19:50:35','The purpose of this article is to list 10 different approaches to drawing children. The first six approaches will consider the age. The last four are more stylistic approaches.\r\n

Consider the Age of the Children

\r\nFirst consider the age and development of the child before you begin. Refer to one of the age groups that I list below for how to draw children. There are instructions for different age groups.\r\n

1. Infants

\r\nNotice the proportions of an infant. The majority of the body is the head and the rest of the body is almost the same size. There is little to no difference between boys and girls.\r\n\r\nDrawing infants or babies is quite simple. You can break it down in a couple of steps.\r\n\r\nHead: To create the head, just create one circle for the face and then another circle for the head.\r\n\r\nBody: The body should be about an equal size with the head. Figure out how many heads you need for the body.\r\n\r\nDetails: Draw softly for details like eyebrows, hair, and face features. Draw shapes for the cheeks, eyes, and the outline of the head.\r\n\r\n \r\n\r\n \r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n

2. Toddlers

\r\nThere is only a slight difference between infants and toddlers. The largest difference is how big the child is. Depending on the age of the toddler, he or she will still have infant proportions. The overall body shape of a boy and a girl is still very similar.\r\n\r\nNote that toddlers should have a longer body than an infant. So you add a half or a full head, depending on age.\r\n

3. Early Childhood / Kindergarteners

\r\nThere are significant changes at this age. It is possible for children at this age to be approximately one-half the size of an adult. The general body shape is still similar to that of a toddler, but you will start to see a difference.\r\n\r\nBoys: It\'s the same idea as drawing a toddler, but taller and older.\r\n\r\nGirls: The body shape starts to change. You also begin to notice a difference between girls and boys. Be sure to draw as carefully as possible, or your child will look older than she is.\r\n

4. Elementary School Years

\r\nGirls partially start developing early. Notice also other important changes as children get older.\r\n\r\nBoys: Between 3rd grade - 5th grade, boys will catch up with girls and start surpassing them in height. They will also have overall larger bodies.\r\n\r\nGirls: Girls will go through a change of body shape again, typically 2 or 3 years before boys.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n

5. Middle School / Preteen

\r\nProportions are about the same as elementary school kids, but girls are a lot more mature and will start looking like teenagers. There is a wide range so you may need to refer to a different body shape/age group, depending on the child.\r\n\r\nBoys: At this age, boys should be about the same size as girls or bigger. However, for the most part, the overall body shape is still the same.\r\n\r\nGirls: At this age girls will change quite dramatically as they start blossoming into young ladies.\r\n

6. Teenager/ Young Adult

\r\nEDITING HERE---\r\n\r\nallot of young girls look like full adults in body but still hold on to a child like face, where boy will change drastically from looking like little kids to looking like a man in body. However ,There are key difference for both boys and girls from looking like a teenager to looking like an adult. Both boys and girl still have a young looking appearance in the face, you can do this buy creating a slight exaggeration of the eyes, drawing a smother face, softer details like neck line. As you get older details like the neck are more defined.\r\n\r\n\"13\"\r\n\r\n\"14\"               \"15\"\r\n\r\n \r\n\r\n\"16\"                  \"17\"\r\n\r\n \r\n\r\n\"18\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n

Consider the Style in Which You Want to Draw the Children

\r\n7. Free style drawing or sketching\r\nWhen you don’t know how old some one is look at a reference and draw what you see. Don’t get married to proportions because certain thing give people characteristic and drawing a person “ how they are supposed to look “ will give a good sketch of a child but maybe not the person you are drawing.\r\nUnderstanding each persons physical appearance is different will help you draw some ones “character” or personality instead of just a person. Children tend to have certain mannerisms for example drawing a child pose thing like sitting crisscross, or playing.\r\n\r\n8. Cartoon like:\r\nconsider drawing personality like being silly, funny, or at play, this will create a more cartoon like or child like image. Create slight exaggerations of the body to transform your child in too a cartoon which will capture a child like image.\r\n\r\nPhysical features\r\nHead : is largely disproportionate compared to the body for a good amount of your life.\r\nEyes : a slight exaggeration of how big the eyes are will both give the child a more childish look and also cartoon like appearance.\r\n\r\nBody: like an adults body but allot smaller, just think make every thing smaller, also knowing the key difference at certain ages will help capture the correct age group.\r\n\r\n9. Children with Family or environment: One of the best ways to draw a child is to draw them next to some one else, keep in mind the smaller the child the younger they will appear.\r\n\r\nPOSS PHOTOS\r\n\r\n10. Appearance: Consider clothing, face exprensitions, being uninventive or any child like mannerism you can think of, drawing a character of that person, or capering that person personality will help not only make your drawing like that person but will create a sense of realism.\r\n\r\nPOSS PHOTOS','How to Draw Children: 10 Different Approaches','','inherit','closed','closed','','2525-revision-v1','','','2016-01-23 11:50:35','2016-01-23 19:50:35','',2525,'http://www.letsdrawpeople.com/2525-revision-v1/',0,'revision','',0),(2864,2,'2016-01-23 13:17:03','2016-01-23 21:17:03','The purpose of this article is to list 10 different approaches to drawing children. The first six approaches will consider the age. The last four are more stylistic approaches.\r\n

Consider the Age of the Children

\r\nFirst consider the age and development of the child before you begin. Refer to one of the age groups that I list below for how to draw children. There are instructions for different age groups.\r\n

1. Infants

\r\nNotice the proportions of an infant. The majority of the body is the head and the rest of the body is almost the same size. There is little to no difference between boys and girls.\r\n\r\nDrawing infants or babies is quite simple. You can break it down in a couple of steps.\r\n\r\nHead: To create the head, just create one circle for the face and then another circle for the head.\r\n\r\nBody: The body should be about an equal size with the head. Figure out how many heads you need for the body.\r\n\r\nDetails: Draw softly for details like eyebrows, hair, and face features. Draw shapes for the cheeks, eyes, and the outline of the head.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n

2. Toddlers

\r\nThere is only a slight difference between infants and toddlers. The largest difference is how big the child is. Depending on the age of the toddler, he or she will still have infant proportions. The overall body shape of a boy and a girl is still very similar.\r\n\r\nNote that toddlers should have a longer body than an infant. So you add a half or a full head, depending on age.\r\n

3. Early Childhood / Kindergarteners

\r\nThere are significant changes at this age. It is possible for children at this age to be approximately one-half the size of an adult. The general body shape is still similar to that of a toddler, but you will start to see a difference.\r\n\r\nBoys: It\'s the same idea as drawing a toddler, but taller and older.\r\n\r\nGirls: The body shape starts to change. You also begin to notice a difference between girls and boys. Be sure to draw as carefully as possible, or your child will look older than she is.\r\n

4. Elementary School Years

\r\nGirls partially start developing early. Notice also other important changes as children get older.\r\n\r\nBoys: Between 3rd grade - 5th grade, boys will catch up with girls and start surpassing them in height. They will also have overall larger bodies.\r\n\r\nGirls: Girls will go through a change of body shape again, typically 2 or 3 years before boys.\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n\r\n\"how\r\n

5. Middle School / Preteen

\r\nProportions are about the same as elementary school kids, but girls are a lot more mature and will start looking like teenagers. There is a wide range so you may need to refer to a different body shape/age group, depending on the child.\r\n\r\nBoys: At this age, boys should be about the same size as girls or bigger. However, for the most part, the overall body shape is still the same.\r\n\r\nGirls: At this age girls will change quite dramatically as they start blossoming into young ladies.\r\n

6. Teenager/ Young Adult

\r\nThere are key differences for both boys and girls from looking like a teenager to looking like an adult. Both boys and girl still have a young looking appearance in the face. You can do this by creating a slight exaggeration of the eyes, drawing a smoother face, and using softer details, like along the neckline. As you work with a subject who is older, details like the neck are more defined.\r\n\r\n\"how\r\n

Consider the Style in Which You Want to Draw the Children

\r\n

7. Free Style Drawing or Sketching

\r\nWhen you don’t know how old someone is, look at a reference and draw what you see. Don’t get married to proportions, because certain things give people characteristics and drawing a person “how they are supposed to look\" will give a good sketch of a child but maybe not the person you are drawing.\r\n\r\nUnderstanding that each person\'s physical appearance is different will help you draw someone\'s “character” or personality instead of just a person. Children tend to have certain mannerisms (for example, drawing a child pose like sitting crisscross or playing).\r\n

8. Cartoonlike

\r\nConsider drawing personality traits like being silly, funny, or at play. This will create a more cartoonlike or childlike image. Create slight exaggerations of the body to transform your child into a cartoon which will capture a childlike image.\r\n\r\nHead: The head is largely disproportionate compared to the body for a good amount of your life.\r\n\r\nEyes: A slight exaggeration of how big the eyes are will both give the child a more childish look and also a cartoonlike appearance.\r\n\r\nBody: Draw the child\'s body like an adult\'s body but a lot smaller. Just think \"make everything smaller.\" Also, knowing the key differences at certain ages will help capture the correct age group.\r\n

9. Children with Family or Environment

\r\nOne of the best ways to draw a child is to draw the child next to someone else. Keep in mind: the smaller the child, the younger they will appear.\r\n

10. Appearance

\r\nConsider clothing, face expressions, being uninventive, or any childlike mannerism you can think of. Drawing a character of that person or capturing that person\'s personality will help not only make your drawing like that person, but will create a sense of realism.','How to Draw Children: 10 Different Approaches','','inherit','closed','closed','','2525-revision-v1','','','2016-01-23 13:17:03','2016-01-23 21:17:03','',2525,'http://www.letsdrawpeople.com/2525-revision-v1/',0,'revision','',0),(2865,2,'2016-01-23 23:20:25','2016-01-24 07:20:25','

Welcome to the \"Drawings of Models\" gallery!

\r\n

Models make a living out of posing for the camera. So, it is only fitting that artists use them to pose for drawings!

\r\n

When a photographer takes a picture of a model, he or she attempts to capture a particular mood. The artist drawing from a photograph of a model also attempts to capture this same mood, while also capturing the likeness of the model.

\r\n

If you have your own drawing of a model that you want others to view in this gallery, see how to share it with us.

\r\n[gallery link=\"file\" ids=\"1610,2289,2419\" orderby=\"rand\"]','Drawings of Models','','inherit','closed','closed','','1609-revision-v1','','','2016-01-23 23:20:25','2016-01-24 07:20:25','',1609,'http://www.letsdrawpeople.com/1609-revision-v1/',0,'revision','',0),(2868,2,'2016-01-23 23:48:26','2016-01-24 07:48:26','','20150802_123335 featured image','','inherit','open','closed','','20150802_123335-featured-image','','','2016-01-23 23:48:26','2016-01-24 07:48:26','',1609,'http://www.letsdrawpeople.com/wp-content/uploads/2015/01/20150802_123335-featured-image.jpg',0,'attachment','image/jpeg',0),(2867,2,'2016-01-23 23:46:45','2016-01-24 07:46:45','Our faces are made up of different facial features. We have eyes with eyelashes and eyebrows that help convey a certain mood. We have noses of different shapes and sizes. We have mouths that may be smiling, frowning, yelling, or calm. And let\'s not forget the ears and the hair on our heads!\r\n\r\nThis is a gallery where you will not find completed portraits. Instead, you will take a look at drawings that focus only on one or more important features of the face.\r\n\r\nCheck out this gallery if you are struggling with how to draw certain facial features and you want to get inspiration from other artists.\r\n\r\nIf you have your own facial feature drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"1265,707,1623,1933,2216,1639,1616\" orderby=\"rand\"]','Facial Features','','inherit','closed','closed','','1298-revision-v1','','','2016-01-23 23:46:45','2016-01-24 07:46:45','',1298,'http://www.letsdrawpeople.com/1298-revision-v1/',0,'revision','',0),(2869,2,'2016-01-23 23:54:12','2016-01-24 07:54:12','Our faces are made up of different facial features. We have eyes with eyelashes and eyebrows that help convey a certain mood. We have noses of different shapes and sizes. We have mouths that may be smiling, frowning, yelling, or calm. And let\'s not forget the ears and the hair on our heads!\r\n\r\nThis is a gallery where you will not find completed portraits. Instead, you will take a look at drawings that focus only on one or more important features of the face.\r\n\r\nCheck out this gallery if you are struggling with how to draw certain facial features and you want to get inspiration from other artists.\r\n\r\nIf you have your own facial feature drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"1265,707,1623,1933,2216,1639,1616,2590\" orderby=\"rand\"]','Facial Features','','inherit','closed','closed','','1298-revision-v1','','','2016-01-23 23:54:12','2016-01-24 07:54:12','',1298,'http://www.letsdrawpeople.com/1298-revision-v1/',0,'revision','',0),(2870,2,'2016-01-24 00:05:24','2016-01-24 08:05:24','As you develop your people-drawing skills and draw people of all shapes, sizes, and ages, you are certain to notice some differences between drawing adults and drawing children. If you are trying to learn how to draw kids and are experiencing some challenges, maybe these portrait drawings of children can help you.\r\n\r\nWhile browsing through the gallery, take time to closely examine the details in the pictures. Take note of the pencil strokes and how the lines and tones help form the larger eyes, rounder faces, or any other trouble spots you may be encountering while trying to draw kids. Check back often for more wonderful drawings of children by our website contributors and visitors, and use them as your inspiration!\r\n\r\nIf you have your own child portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"640,642,645,646,647,648,650,651,652,643,641,1431,1432,1433,1651,1667,1887,2286,2485,2850\" orderby=\"rand\"]\r\n\r\n ','Portrait Drawings of Children','','inherit','closed','closed','','489-revision-v1','','','2016-01-24 00:05:24','2016-01-24 08:05:24','',489,'http://www.letsdrawpeople.com/489-revision-v1/',0,'revision','',0),(2873,2,'2016-01-24 01:19:14','2016-01-24 09:19:14','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist or a non-artist with little drawing skill:\r\n\r\n\"how\r\n\r\nThis drawing includes many common mistakes made by people who struggle when it comes to drawing a face. Even if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

\"01

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

\"02

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes correctly later, they will spring from the eyes more naturally.

\r\n

\"02

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

\"03

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid or zigzag color, like this...

\r\n

\"04

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

\"04

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

\"02

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

\"05

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

\"06

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

\"07

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

\"07

\r\n

\"lm

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

\"08

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

\"08

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

\"09

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

\"09

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

\"10

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. Include any smile lines that originate from the nose too. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 \"10

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

\"11

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

\"11

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

\"12

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

\"12

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

\"13

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line, as seen in the above photograph on the right.

\r\n

\"13

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

\"14

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

\"14

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

\"15

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

\"15

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the before and after result:

\r\n

\"15

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-24 01:19:14','2016-01-24 09:19:14','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2872,2,'2016-01-24 00:18:59','2016-01-24 08:18:59','If you are the kind of person who identifies yourself as someone who cannot draw a straight line, then the idea of drawing a face may be a little daunting to you. The fact is, everybody has some basic level of drawing skill. I suspect that you are even more capable of drawing a face than you may realize.\r\n\r\nLet\'s look at an example of a face that might be drawn by someone who is considered a beginning artist or a non-artist with little drawing skill:\r\n\r\n\"how\r\n\r\nThis drawing includes many common mistakes made by people who struggle when it comes to drawing a face. Even if this is what you consider as the extent of your drawing capabilities, this is a good thing! This can be used as a foundation for creating a more impressive face drawing. The reason that some drawings look more professional or more appealing than others is very simple - attention to detail!\r\n\r\nThe goal of this one lesson is not to take you from a beginning artist to someone who can create a breathtaking portrait drawing that looks like a photograph. That does not happen in one day (although it can happen much sooner than you think).\r\n\r\nWe are not dealing with any complicated shading or blending techniques here. The goal of this lesson is to show you how to draw a face by bringing more attention to detail to what you are already doing - your line drawings. A line drawing is a drawing made up of lines and little to no shading.\r\n\r\nThe more detail you add to a simple line drawing, the more it will gradually take on a realistic appearance. How do you know which details to add? It all begins by studying faces and different facial features with careful observations.\r\n

Details to Look for When Drawing a Face

\r\nTo help trigger your powers of observation and begin to add those subtle little details to your drawings, I have come up with a list of 15 details beginning artists commonly overlook when they draw a face. Let\'s see how adding these 15 simple little tweaks to the drawing example above can improve our face drawing a bit.\r\n

1. Inner Corners of the Eyes

\r\nLet\'s look carefully at this image of an eye. What do you notice at the inner corner of the eye?\r\n

\"01

\r\nThis pink nodule is often mistakenly called a tear duct. In actuality, the tear ducts are located just above and below it. The technical term for one of these is “lacrimal caruncle”. Regardless of what it should be called, you should always draw this little nodule at the inner corner of each eye.\r\n

\"01

\r\n\r\n

2. Rim of the Eyelid

\r\n

All too often, people draw the almond shape of the eye and leave it at that. Then if they remember to draw eyelashes, they draw the eyelashes from this border of the eye, leaving a very unnatural look.

\r\n

\"02

\r\n

Upon closer examination of an eye, you see a rim of skin around the top and bottom. This rim of skin serves as the top and bottom of the eyelids.

\r\n

\"02

\r\n

Be sure to draw this rim around the top and bottom of your eye. Then when you do draw the eyelashes correctly later, they will spring from the eyes more naturally.

\r\n

\"02

\r\n\r\n

3. Highlights in the Eyes

\r\nWhen you are drawing eyes, you should always be in the habit of drawing the iris and pupil of each eye. Beginning artists very often draw an iris but no pupil. The ones that do draw both tend to leave out a third element - the highlight.\r\n

\"03

\r\nA highlight usually overlaps both the iris and pupil, but it can be located anywhere on the eye depending on the light source. It is often circular but can take on other shapes as well. If I am drawing without a reference photograph, I have always found you cannot go wrong with a circular highlight along the iris-pupil border. If you are not used to doing it, this one little detail alone can make a significant difference to your line drawing.\r\n

\"03

\r\n\r\n

4. Eyebrow Hairs

\r\n

The eyebrow is not one solid clump of mass. Therefore, you should not draw eyebrows as a harsh border and shaded in with solid or zigzag color, like this...

\r\n

\"04

\r\n

Rather, the eyebrow is a collection of individual hairs that happen to be living close together, flowing together in generally the same direction.

\r\n

\"04

\r\n

Instead of drawing an eyebrow, draw the hairs that make up the eyebrow. Use pencil strokes the same length as the individual hairs of each eyebrow. Draw in the same direction as the hair growth. Give the border a natural appearance by making evident some loose strands that are independent of each other.

\r\n

\"04

\r\n\r\n

5. Eyelash Length

\r\n

Eyelashes are not perfectly straight, they are not equally spaced from each other, and they are not all the same length like in our example...

\r\n

\"02

\r\n

Eyelashes curve and taper from the rim of the eyelid (remember that rim we drew earlier?). Some are intertwined and other grow away from each other. More importantly, some are long and some are short.

\r\n

\"05

\r\n

Carefully study your subject to get the length of the eyelashes just right. If you are not drawing from a single reference photograph, look at several examples of eyelashes in photos of different people. I like to use the eyelids as a reference for how long I should draw the eyelashes. For example, do the top eyelashes extend beyond the top of the eyelid? In the example above, many of them do. Let\'s try to fix our drawing to create a similar appearance.

\r\n

\"05

\r\n\r\n

6. Top of the Bridge of the Nose

\r\n

The way the top of the nose protrudes from the face varies from person to person. Sometimes it is very subtle, other times not so much. You do not have to be drawing a profile picture to see this. You can even get a sense of this with a direct frontal view of someone. Just look at these two examples. Even the depth of the eye sockets gives a sense of protrusion.

\r\n

\"06

\r\n

When many novice artists draw faces, so much attention is given to the bottom of the nose, leaving the top of the nose neglected. Keep this top region of the nose in mind when you draw faces. Think about how the bridge of your subject’s nose connects to the bottom of the forehead. Indicate if there is an obvious crease or slope. Consider how the eye sockets curve into the bridge.

\r\n

\"06

\r\n\r\n

7. Wings of the Nose

\r\n

As mentioned previously, more attention is often given to the bottom area of the nose. That being said, it still remains a major point of frustration for a lot of beginners. Drawing the nostrils can be especially bothersome if you are drawing two dark circles and wondering why the nose does not look right...

\r\n

\"07

\r\n

The nostrils are not just two holes poked into a single lump of flesh. The nose has several components that work together to form the nostrils. The major players in the creation of the nostrils are the \"wings\" of cartilage that curve from the tip and form those openings that we so lovingly call nostrils.

\r\n

\"07

\r\n

Think about how these wings are to be shaped. Draw each wing so that it looks folded and leaves an opening. This opening will be a more natural-looking nostril for your line drawing.

\r\n

\"07

\r\n

\"lm

\r\n

\r\n\r\n

8. Dip on the Top Lip

\r\n

If you look along the top border of a top lip, you will likely notice a dip directly under the nose. It kind of makes the border of the top lip look like an elongated letter \"M\", grabbed at both legs and stretched out wide.

\r\n

\"08

\r\n

Between this \"M\" and the nose, you should also notice a slight depression in the skin. Be sure to reflect both of these traits in your drawing as best as you can.

\r\n

\"08

\r\n\r\n

9. Line around the Lip

\r\n

Depending on your subject, sometimes there is a little pale trim or ring that hugs the border of the upper lip. You might see it around the lower lip as well.

\r\n

\"09

\r\n

Again depending on the subject, it may or may not be that noticeable. I have noticed it enough times that I find myself looking for it in new reference photographs as I draw new faces. If you notice it and add it to your drawing, that will be one additional piece of detail that could potentially enhance your drawing.

\r\n

\"09

\r\n\r\n

10. Corners of the Mouth

\r\n

Whether it be a smile, smirk, or frown, those facial muscles at the corners of the mouth play an important part in expressing your subject\'s mood. The little lines that form these muscles can also be very unique from person to person.

\r\n

\"10

\r\n

Try to imitate the lines you see at the corners of the mouth as closely as possible. Draw dimples if you see them. Include any smile lines that originate from the nose too. This can really help develop the likeness and recognizability of the person you are drawing.

\r\n

 \"10

\r\n\r\n

11. Grooves in the Lips

\r\n

Look closely enough at a pair of lips, and you will see vertical little grooves that line both the top and bottom. Some stand out more than others, but they are usually apparent on some level on all lips.

\r\n

\"11

\r\n

Although these little grooves are not very obvious at a distance, it does not hurt to add a few. Of course if you are drawing a close-up image, a few more might be appropriate. Even then, you still should not feel the need to overdo it with these.

\r\n

\"11

\r\n\r\n

12. Helix

\r\n

Drawing ears can easily be a trouble spot for many people, but they don\'t have to be with a couple of well thought out lines. If you are drawing the frontal view of a face, you may barely be able to see the ear anyway. Nevertheless, you will still likely see the helix, which is the outer band of cartilage that establishes the shape of the ear.

\r\n

\"12

\r\n

Make sure the shape of the ear looks right by first making sure the ear is long enough. It should be roughly the length of the nose. Then draw the rim just inside the border of the ear and parallel to it. Notice how it tapers off toward the bottom.

\r\n

\"12

\r\n\r\n

13. Antihelix

\r\n

The antihelix is the curve of cartilage adjacent to the helix.

\r\n

\"13

\r\n

Whenever you draw the helix, half the work of the antihelix is done (sometimes). If you are drawing a profile shot with a more direct view of the ear, you would have to more carefully study and draw the curves and shapes characteristic of your subject’s ear. If it is a frontal view drawing like in our example, you might have to indicate it with a slight overlap of the helix line, as seen in the above photograph on the right.

\r\n

\"13

\r\n\r\n

14. Overlapping Hair

\r\n

Just like you should draw a collection of hairs that make the eyebrows, you should draw a collection of hairs to draw the hair on the head. Obviously these hairs are much longer than eyebrow hairs, so there might be a lot more overlap.

\r\n

\"14

\r\n

Look for sections of hair that overlap other sections. Draw strands that represent a natural, loose flow. Don\'t feel the need to draw each individual strand or the entire length of a strand. You can draw them at their source on the scalp, at their destination, and at a length or two along the way, especially where they might be overlapping other hairs.

\r\n

\"14

\r\n\r\n

15. Loose Strands on the Outer Edges

\r\n

Look for strands of hair that separate themselves from the overall mass. These strands are commonly visible along the outside edges.

\r\n

\"15

\r\n

You might notice an abundance of these loose strands or not many at all, depending on the hairstyle. Again, there is no need to draw every strand that you see. Drawing just a few of these runaway hairs can add that final touch of authenticity to a line drawing.

\r\n

\"15

\r\n\r\n

How to Make These Tips a Habit

\r\n

So after beginning with a basic drawing and applying these 15 details, here is the before and after result:

\r\n

\"15

\r\n

You should be able to check for and add these 15 things in your drawing no matter how much of a beginner you are. I hope you find these tips helpful in improving your drawing, even if it\'s a little.

\r\n

Understandably, it could be difficult getting used to remembering and drawing all of these little detail tips every time you draw a face. This is especially true if you have a habit of drawing a certain way and have been doing so for a long time.

\r\n

So how do you make a new habit? You have to be consistent at repeating the desired task over and over until it becomes routine.

\r\n

To help you remember how to draw a face with these face-drawing details so they are no longer overlooked, I want you to have a copy of my \"Face-Drawing Checklist\". Not only does it have all 15 tips I covered in this post, but there are 7 additional detail tips to look for that I did not cover here - 22 in all. You can download it in the box at the end of this post.

\r\n

My recommendation is to establish a disciplined routine of drawing at least one face per day. Keep the checklist close by as you draw each face. You should see progress in the quality of your face drawings over the course of a week. You will undoubtedly begin to notice even more little facial feature details that you did not notice before. Steadily over time, the more of these little details you add to your drawings, the better they will become!

','Don\'t Leave These 15 Commonly Overlooked Details Out of Your Face Drawing','','inherit','closed','closed','','2645-revision-v1','','','2016-01-24 00:18:59','2016-01-24 08:18:59','',2645,'http://www.letsdrawpeople.com/2645-revision-v1/',0,'revision','',0),(2877,2,'2016-01-27 05:28:45','2016-01-27 13:28:45','','Scan0010-1','','inherit','open','closed','','scan0010-1','','','2016-01-27 05:28:45','2016-01-27 13:28:45','',2549,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan0010-1-1.jpg',0,'attachment','image/jpeg',0),(2878,2,'2016-01-27 05:28:47','2016-01-27 13:28:47','','Scan0001-3','','inherit','open','closed','','scan0001-3-2','','','2016-01-27 05:28:47','2016-01-27 13:28:47','',2549,'http://www.letsdrawpeople.com/wp-content/uploads/2016/01/Scan0001-3-1.jpg',0,'attachment','image/jpeg',0),(2879,2,'2016-01-27 06:13:44','2016-01-27 14:13:44','Well kiddies, it’s that time again. Time to do some more art! This time we’re going to look at shading a drawing of a man.\r\n\r\nThe art world has put a lot of attention on female models and heroines in my opinion. I don’t think men get the same attention – could be that the majority of artists are men and they are more prone to draw women than men? Who can blame them?\r\n\r\nI, myself, LOVE drawing/painting women but I still make time to do or add a man in a painting. It may take me more time to do a guy in a painting because of the lack of motivation, but I have to diversify. With that being said, let’s hop on it!\r\n

Defining the Contour Outline of a Man

\r\nOK, so the first thing we’re doing here is beginning with a contour outline. Not much to say here except please keep in mind that if you’re going to draw men, we all have a much more “square” jaw than women. Women and their bodies tend to have “round” figures and men have square, chiseled figures. It’s not too obvious but it’s something to keep in mind when drawing the different sexes. The shapes can be mostly seen in the bodies and face (again they’re very subtle; nothing big).\r\n\r\n\"Scan0001-3\"\r\n

How to Shade the Eyes

\r\nOK, so the first facial body part I’m going to tackle is the eyes. I ALWAYS start with the eyes with any model, drawing, or painting. There’s something magical when doing the eyes. When I’m usually done with the eyes, it sets the mood for the drawing/painting. They say that the eyes are the windows to the soul. I say, the eyes are the beginning of a drawing/painting.\r\n\r\nWhen working on the eyes, it’s best to add some darker line to the outside of the eyes just to establish the sketch. You then want to draw in the iris. You also want to draw in the pupil some but keep in mind we have to add a little feature to the eye before we start shading it in. Draw in a circle or a square where the pupil and iris meet. This will be your eye highlight. Basically make sure that it’s a little bit in both the iris and pupil. You then color in the iris using a 6B or darker pencil and then use a tortillion to color in the iris.\r\n\r\n\"Scan0002\"\r\n\r\nWhen this is done, please do not forget to use the tortillion to add some shade to the upper regions of the eyeball to illustrate some shading coming from the upper eyelid. You can then pencil in the eyelid crease and eyebrows at this point. Sometimes I do or I wait until I start directly on the face itself. Same thing goes with the shading on the eyeball itself.\r\n

How to Shade the Mouth

\r\nWorking on the mouth is fairly simple. Just like the eye, darken the outline just a little bit and then start working on the lips.\r\n\r\nWhen working on men’s lips, I have a different approach. When it’s a woman I’m working on, I tend to work directly on her lower lip to illustrate fullness and color. With men, I usually don’t work directly on their lip. Instead I work on the little bit of shadow that the lower lip portrays followed by some line for the lower lip.\r\n\r\n\"Scan0003\"\r\n\r\nThe upper lip is shaded fully. Again I use a tortillion to color in some graphite. You can use a pencil as well and I’m thinking you may need to use a 2B to 3H pencil. The upper lip is always portrayed darker than the lower lip.\r\n\r\nIf the portrait happens to illustrate some teeth, make sure you use broken, faded lines to show the teeth and add just a little bit of shade to them. Near the corners of the mouth, the color needs to fade some into a darker contrast but not that much. Also, any showing of the inside of the mouth should be dark.\r\n

How to Shade the Hair

\r\nFun part! That’s right people, it\'s hair time! The first part of doing the hair is to shade it in using a 3H pencil. You then take a tortillion or non-lotion tissue and blend it into the paper, keeping in mind to stay within the lines.\r\n\r\n\"Scan0004\"\r\n\r\n \r\n\r\nThe next part is to add darker tone to the hair. Here you just use a darker pencil (6B or darker) to add dark tone features. There’s no need to color it. We will blend the dark tone into the hair soon enough. Just focus on putting dark tone in areas where the hair illustrates it.\r\n\r\n\"Scan0005\"\r\n\r\n \r\n\r\nWhen the dark tone is properly placed in the spots that are acceptable, blend it. Please note when blending hair, you need to blend as if you are almost drawing. You need to blend in the direction of the strokes to make the portrait look more realistic and believable. I would say using a tortillion is the best tool for this particular job. It’s more accurate and more controllable.\r\n\r\n\"Scan0006\"\r\n

Shading the Rest of the Drawing

\r\n \r\n\r\nI then work on the nose followed by the face. I first smudge the nose lines where the original sketch line was followed with some smudging directly on the nose area.\r\n\r\n\"Scan0007\"\r\n\r\n \r\n\r\nI then add pencil strokes around the face area and then go back and smudge with a tissue.\r\n\r\n\"Scan0008\"\r\n\r\n \r\n\r\nI continue this process for the whole body…..\r\n\r\n \r\n\r\n\"Scan0009-1\"\r\n\r\n \r\n\r\nThe last thing I work on is the ax. I didn’t put in a lot of effort on this because this lesson focuses on how to draw the guy, not the axe.\r\n\r\n\"Scan0010-1\"\r\n\r\nNow that the drawing is done, I hope everyone could get something out of this. Until the next lesson!','How to Shade a Drawing of a Man','','inherit','closed','closed','','2549-revision-v1','','','2016-01-27 06:13:44','2016-01-27 14:13:44','',2549,'http://www.letsdrawpeople.com/2549-revision-v1/',0,'revision','',0),(2880,2,'2016-01-27 06:24:27','2016-01-27 14:24:27','Well kiddies, it’s that time again. Time to do some more art! This time we’re going to look at shading a drawing of a man.\r\n\r\nThe art world has put a lot of attention on female models and heroines in my opinion. I don’t think men get the same attention – could be that the majority of artists are men and they are more prone to draw women than men? Who can blame them?\r\n\r\nI, myself, LOVE drawing/painting women but I still make time to do or add a man in a painting. It may take me more time to do a guy in a painting because of the lack of motivation, but I have to diversify. With that being said, let’s hop on it!\r\n

Defining the Contour Outline of a Man

\r\nOK, so the first thing we’re doing here is beginning with a contour outline. Not much to say here except please keep in mind that if you’re going to draw men, we all have a much more “square” jaw than women. Women and their bodies tend to have “round” figures and men have square, chiseled figures. It’s not too obvious but it’s something to keep in mind when drawing the different sexes. The shapes can be mostly seen in the bodies and face (again they’re very subtle; nothing big).\r\n\r\n\"Scan0001-3\"\r\n

How to Shade the Eyes

\r\nOK, so the first facial body part I’m going to tackle is the eyes. I ALWAYS start with the eyes with any model, drawing, or painting. There’s something magical when doing the eyes. When I’m usually done with the eyes, it sets the mood for the drawing/painting. They say that the eyes are the windows to the soul. I say, the eyes are the beginning of a drawing/painting.\r\n\r\nWhen working on the eyes, it’s best to add some darker line to the outside of the eyes just to establish the sketch. You then want to draw in the iris. You also want to draw in the pupil some but keep in mind we have to add a little feature to the eye before we start shading it in. Draw in a circle or a square where the pupil and iris meet. This will be your eye highlight. Basically make sure that it’s a little bit in both the iris and pupil. You then color in the iris using a 6B or darker pencil and then use a tortillion to color in the iris.\r\n\r\n\"Scan0002\"\r\n\r\nWhen this is done, please do not forget to use the tortillion to add some shade to the upper regions of the eyeball to illustrate some shading coming from the upper eyelid. You can then pencil in the eyelid crease and eyebrows at this point. Sometimes I do or I wait until I start directly on the face itself. Same thing goes with the shading on the eyeball itself.\r\n

How to Shade the Mouth

\r\nWorking on the mouth is fairly simple. Just like the eye, darken the outline just a little bit and then start working on the lips.\r\n\r\nWhen working on men’s lips, I have a different approach. When it’s a woman I’m working on, I tend to work directly on her lower lip to illustrate fullness and color. With men, I usually don’t work directly on their lip. Instead I work on the little bit of shadow that the lower lip portrays followed by some line for the lower lip.\r\n\r\n\"Scan0003\"\r\n\r\nThe upper lip is shaded fully. Again I use a tortillion to color in some graphite. You can use a pencil as well and I’m thinking you may need to use a 2B to 3H pencil. The upper lip is always portrayed darker than the lower lip.\r\n\r\nIf the portrait happens to illustrate some teeth, make sure you use broken, faded lines to show the teeth and add just a little bit of shade to them. Near the corners of the mouth, the color needs to fade some into a darker contrast but not that much. Also, any showing of the inside of the mouth should be dark.\r\n

How to Shade the Hair

\r\nFun part! That’s right people, it\'s hair time! The first part of doing the hair is to shade it in using a 3H pencil. You then take a tortillion or non-lotion tissue and blend it into the paper, keeping in mind to stay within the lines.\r\n\r\n\"Scan0004\"\r\n\r\n \r\n\r\nThe next part is to add darker tone to the hair. Here you just use a darker pencil (6B or darker) to add dark tone features. There’s no need to color it. We will blend the dark tone into the hair soon enough. Just focus on putting dark tone in areas where the hair illustrates it.\r\n\r\n\"Scan0005\"\r\n\r\n \r\n\r\nWhen the dark tone is properly placed in the spots that are acceptable, blend it. Please note when blending hair, you need to blend as if you are almost drawing. You need to blend in the direction of the strokes to make the portrait look more realistic and believable. I would say using a tortillion is the best tool for this particular job. It’s more accurate and more controllable.\r\n\r\n\"Scan0006\"\r\n

Shading the Rest of the Drawing

\r\nI then work on the nose followed by the face. I first smudge the nose lines where the original sketch line was followed with some smudging directly on the nose area.\r\n\r\n\"Scan0007\"\r\n\r\n \r\n\r\nI then add pencil strokes around the face area and then go back and smudge with a tissue.\r\n\r\n\"Scan0008\"\r\n\r\n \r\n\r\nI continue this process for the whole body…\r\n\r\n\"Scan0009-1\"\r\n\r\n \r\n\r\nThe last thing I work on is the ax. I didn’t put in a lot of effort on this because this lesson focuses on how to draw the guy, not the axe.\r\n\r\n\"Scan0010-1\"\r\n\r\nNow that the drawing is done, I hope everyone could get something out of this. Until the next lesson!','How to Shade a Drawing of a Man','','inherit','closed','closed','','2549-revision-v1','','','2016-01-27 06:24:27','2016-01-27 14:24:27','',2549,'http://www.letsdrawpeople.com/2549-revision-v1/',0,'revision','',0),(2996,2,'2016-06-24 10:30:44','2016-06-24 17:30:44','Ok kiddos I’m back – it’s the artist you love to hate! First off I need to apologize because my scanner was in that mood where it wanted to do want it wants, so some scans will have black smudges on them...bummer. The other thing is I was not feeling this drawing, sort of. As the title stated, this is a tutorial for how to draw Tom Brady...a man!\n\n[caption id=\"attachment_2998\" align=\"aligncenter\" width=\"480\"]\"how
© Jerry Coli | Dreamstime.com
[/caption]\n\nAs I have stated in previous articles, I’m not into drawing men. I lean a lot toward women because well, I’m a guy! There’s no stimulation for me in drawing men, but as an artist one needs to diversify. I cannot limit myself to just women only.\n\nEven though I’ll grumble under my breath about having a man as an art subject, I know it’s necessary to draw them if I want to flourish and grow into a better and more diversified artist. With that being said, let’s bite down and get through this one.\n

Use a Light Box for the Basics

\nAs I stated earlier, this is a guy so I wanted to finish this drawing as quickly as possible. With that being said, I used a light box. I used it not only for the subject in general but I wanted to capture his frizzled hair as closely as I could; not to mention, I wanted to capture the majority of his jersey wrinkles.\n\n\"Scan0001-3\"\n\n \n

Draw the Eyes

\nBelieve it or not, his eyes were a challenge for the simple fact that they didn’t show up well on the light box. I had to take a hypothetical guess as well as look at the original picture to get his eyes close to how they were in the original picture. I added some shading with a tortillion around the eye area and used a Blu Tack erasure to lift some of the markings in the lower, left corners of the eyes to illustrate some highlight.\n\n\"Scan0002\"\n\n \n

Draw the Mouth

\nI then started on the mouth. It needs to be said that drawing the lips of men and women are different. With women, you want to add pencil or color to both the upper and lower lip section. With men, color in the upper lip but DO NOT ADD COLOR TO THE LOWER LIP - PERIOD.\n\nWhat you want to do is add shading under the lower lip to show some form of the lower lip. Men’s lower lips are usually illustrated with the same skin tone that is in the surrounding mouth area. Usually there is a line to separate where the lip is and where the chin area is.\n\nDon’t believe me? Look at a cartoon with male characters in them and tell me what you see. The females have full lips that are red and the males always have a line to separate what is their lower lip and the chin area.\n\nIn the case of the lip here, I just used a tortillion. If I got enough graphite on my tortillion from a previous job, I’ll just smudge what’s on there to give it a faint or smudged look.\n\n\"Scan0003\"\n\n \n

Draw the Hair

\nTime to do some hair! In this case, I added more dark tone to the hair onto the previous dark markings from the light box sketch. I usually use a 2H pencil first, coloring in the graphite followed by tissue blending and then adding dark tone.\n\n\"Scan0004\"\n\n \n\nIn this case, I added the dark tone followed by some smudging with the tortillion. I then colored the hair with a 2H pencil and then added hair streaks and strands by using a pencil erasure.\n\n\"Scan0005\"\n\n \n

Finish the Face and Final Details

\nTo finish up the face, I just use a tortillion to smudge in some shade in the necessary areas. I had enough graphite on the tortillion.\n\n\"Scan0006\"\n\n \n\nI then added some shading to the uniform with an HB pencil in some areas, followed by shading and smudging with a tortillion.\n\n\"Scan0007-2\"\n\n \n\nI finish up the drawing with darkening of the pants and some shading of the arms (yes, I pulled out the tortillion again). I didn’t work on the hands. I provide a separate tutorial about that and I’ll probably do more on that subject in the future.\n\nAnywho, there you go ladies and gentlemen, the drawing of Tom Brady at his finest……well maybe not at his finest, but you get the drift.\n\n\"how\n\nLove him or hate him, he’s in a better position than us, but it’s cool...we’re artists! Even when we’re 80 years old, we’ll still be drawing and painting. Can he still say the same about himself when he reaches that age?','How to Draw Tom Brady','','inherit','closed','closed','','2836-autosave-v1','','','2016-06-24 10:30:44','2016-06-24 17:30:44','',2836,'http://www.letsdrawpeople.com/2836-autosave-v1/',0,'revision','',0),(2882,18,'2016-07-16 02:34:20','2016-07-16 09:34:20','You know those furry things that live just above your eyelids? Yes, the eyebrows! Each eyebrow is as unique as a fingerprint--- no two are exactly alike. This helps make us all unique and fantastic creatures of nature, but it can cause a real headache if you are just learning to draw faces. There are \"tricks\" that I like to use when drawing eyebrows, and that is what I am going to share with you in this tutorial.\r\n\r\nThe eyebrows are really fascinating if you think about them. They are made of hair, but don\'t grow like the hair on our heads. They sit in an odd place, on our brow bone, which is not on our eyes, nor on our forehead. They just sit there, protecting our eyes from falling debris, right? Not exactly. Have you ever been talking to someone and known exactly what they were thinking or how they felt about what you just said? It\'s the eyebrows!\r\n\r\nIn order to show expression with eyebrows, you first need to know how to draw eyebrows realistically.\r\n

Placement of the Eyebrow

\r\nTo place your eyebrow correctly, use the top of the nostril crease for a guide. The innermost edge of the eyebrow should generally line up vertically (line A). The arch of the brow will peak at approximately a 45 degree angle (line B). The outer edge of the brow creates a line from the nostril crease through the outer crease of the eyelid and water line (Line C).\r\n\r\n \r\n\r\n[caption id=\"attachment_2909\" align=\"aligncenter\" width=\"480\"]\"Use Use the nostril crease as a guide.[/caption]\r\n\r\n \r\n\r\n\"eyebrow2\"\r\n\r\n \r\n\r\nNext, you want to very lightly sketch out a basic shape for the eyebrow. If you tend to be heavy-handed, I suggest using a pencil graded 2H-HB.\r\n\r\n\"eyebrow3\"\r\n\r\n \r\n

Drawing Realistic Eyebrows

\r\nStart adding in individual hairs. Again I suggest using a lighter grade pencil. Draw the hairs in the direction that they grow, easing up on the pressure as you lift the pencil off of the page. Think \"press and lift\". Never \"color\" in a solid value. This will make the eyebrows look cartoonish. Remember, the goal is to make the drawing as realistic as possible. You may occasionally stray outside of the outlined shape. That is okay. The outlined shape is just a guide. That is why you drew it lightly.\r\n\r\n\"eyebrow3a\"\r\n\r\nYou can easily erase or draw over the guide as needed. Also, if the areas where your eyebrow hairs strayed from the guide bother you, you can always erase them as well. (Drawing lightly when beginning any drawing is always a good idea.) The eraser is just as valuable a drawing tool as the pencil! I prefer white acrylic erasers. Some artists prefer gum erasers, some prefer kneaded erasers and some artists grab whatever is handy! I also use an electric eraser-- they are great for highlights, especially when drawing any type of hair, like drawing the eyebrow.\r\n\r\nThink about how the light is going to hit the eyebrows and add some lowlights with a softer (darker value) pencil, or more pressure. This is another place you can use your eraser for drawing, whether you have gotten too dark or just think you need to add dimension. Shading in the eyebrow hairs and then using the eraser for highlights creates a realistic thickness to the hair.\r\n\r\n\"eyebrow4\"\r\n\r\n \r\n\r\nUse the same process for the other eyebrow in the opposite direction. Don\'t stress too much about making the eyebrows perfectly symmetrical. It seems counter-intuitive, but nothing on the human face is perfectly symmetrical.\r\n\r\n\"eyebrow5\"\r\n\r\nIf you do draw the eyebrows in perfect symmetry, something will appear \"off\" to anyone who views the drawing. It may be subconsciously, but the viewer will know something is not right. Near symmetry is a good idea, however. There are set standards of beauty in Western culture where certain women have been considered to be an example due to their nearly symmetrical features. If you wish to see an example, consider Marilyn Monroe or Halle Berry.\r\n\r\nWhen using a real person for a reference for your drawing, you will have an easier time illustrating a more realistic symmetry. When creating a drawing of a fictional person, beware of making them too perfectly symmetrical if realism is your goal.\r\n

Expressive Eyebrows

\r\nAll of the previous \"tricks\" can be used when drawing eyebrows with expression. The main difference will be how much distance you put between the eyebrow and the upper eyelid. A surprised or startled eye may have a lot of space between the upper eyelid and the brow, but of course never more than the skin can possibly be stretched. You would not draw the eyebrow next to the hairline, for example. Conversely, when the person is angry or concentrating very hard on something, their eyebrows will push closer (lower) to the eyelid and slightly angle inwardly toward the inner corner of the eye.\r\n\r\n\"eyebrow6\"\r\n\r\n \r\n

No Two Eyebrows Are the Same

\r\nAs I mentioned before, every eyebrow is unique! The eyebrows in this article are pretty basic. The most important part of drawing any facial feature is to use a reference. Some people have very thin, light eyebrows. Some people have bushy, unruly, dark eyebrows. Some people (such as the amazing artist Frida Kahlo) have the infamous \"uni-brow\". Every type of eyebrow will use the rule of drawing the hairs in the direction the are growing (or groomed). All hairs will use the pressure rule and will have a light source that creates darker shaded areas.\r\n\r\nAlso notice that the skin has a smoother texture than the eyebrow. I used a blending stump to make a smoother skin texture, and cast shadow to make the eyebrows look more three-dimensional. I laid down a small bit of graphite just below the eyebrow drawing and smoothed it out with the blending stump, or tortillon. I continued this shading technique around the rest of the eye for a consistent texture. Remember, when drawing the eyebrow, it is not smooth. The hair-like texture is very important and easily created by varying the pencil and eraser marks within the eyebrow.\r\n\r\nI hope you found this tutorial on drawing eyebrows useful! Attaining mastery with anything takes a lot of practice. Practice using the techniques I have outlined here and your eyebrow drawing is sure to improve. Happy drawing!\r\n\r\n\"christina\"','Drawing Eyebrows like a Boss!','','publish','closed','open','','drawing-eyebrows-like-a-boss','','','2016-06-25 10:29:34','2016-06-25 17:29:34','',0,'http://www.letsdrawpeople.com/?p=2882',0,'post','',0),(2883,18,'2016-01-29 13:35:15','2016-01-29 21:35:15','You know those furry things that live just above your eyelids? Yes, the eyebrows! Each eyebrow is as unique as a fingerprint--- no two are exactly alike. This helps make us all unique and fantastic creatures of nature, but it can cause a real headache if you are just learning to draw faces. There are \"tricks\" that I like to use when drawing eyebrows and that is what I am going to share with you in this tutorial.\r\n\r\nThe eyebrows are really fascinating if you think about. They are made of hair, but don\'t grow like the air on our heads. They sit in an odd place, on our brow bone, which is not on our eyes, nor on our forehead. They just sit there, protecting our eyes from falling debris, right? Not exactly. Have you ever been talking to someone and known exactly what they were thinking or how they felt about what you just said? It\'s the eyebrows!\r\n\r\nIn order to show expression with eyebrows, you first need to know how to draw eyebrows realistically.\r\n\r\n \r\n\r\nTo place your eyebrow correctly, use the top of the nostril crease for a guide. The innermost edge of the eye brow, should generally line up vertically (line A). The arch of the brow will peak at approximately a 45 degree angle (line B). The outer edge of the brow creates a line from the nostril crease through the outer crease of the eye lid and water line (Line C).\r\n\r\nNext, you want to very lightly sketch out a basic shape for the eyebrow. If you tend to be heavy handed, I suggest using a pencil graded 2H-HB.\r\n\r\nStart adding in individual hairs, again I suggest using a lighter grade pencil. Draw the hairs in the direction that they grow, easing up on the pressure as you lift the pencil off of the page. Never \"color\" in a solid value. This will make the eyebrows look cartoonish.\r\n\r\nThink about how the light is going to hit the eyebrows and add some lowlights with a softer (darker value) pencil, or more pressure.\r\n\r\nUse the same process for the other eyebrow in the opposite direction. Don\'t stress too much about making the eyebrow is s perfectly symmetrical. It seems counter-intuitive, but nothing on the human face is perfectly symmetrical.\r\n\r\nAll of the previous \"tricks\" can be used when drawing eyebrows with expression. The main difference will be how much distance you put between the eyebrow and the upper eyelid.\r\n\r\n ','Drawing Eyebrows like a Boss!','','inherit','closed','closed','','2882-revision-v1','','','2016-01-29 13:35:15','2016-01-29 21:35:15','',2882,'http://www.letsdrawpeople.com/2882-revision-v1/',0,'revision','',0),(2929,15,'2016-02-01 19:26:04','2016-02-02 03:26:04','','Scan0004','','inherit','open','closed','','scan0004-8','','','2016-02-01 19:26:04','2016-02-02 03:26:04','',2925,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0004.jpg',0,'attachment','image/jpeg',0),(2930,15,'2016-02-01 19:27:22','2016-02-02 03:27:22','','Scan0005','','inherit','open','closed','','scan0005-7','','','2016-02-01 19:27:22','2016-02-02 03:27:22','',2925,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0005.jpg',0,'attachment','image/jpeg',0),(2931,15,'2016-02-01 19:29:04','2016-02-02 03:29:04','','Scan0006','','inherit','open','closed','','scan0006-6','','','2016-02-01 19:29:04','2016-02-02 03:29:04','',2925,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0006.jpg',0,'attachment','image/jpeg',0),(2932,15,'2016-02-01 19:30:39','2016-02-02 03:30:39','','Scan0007','','inherit','open','closed','','scan0007-5','','','2016-02-01 19:30:39','2016-02-02 03:30:39','',2925,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0007.jpg',0,'attachment','image/jpeg',0),(2933,15,'2016-02-01 19:32:28','2016-02-02 03:32:28','','IMG_0211','','inherit','open','closed','','img_0211','','','2016-02-01 19:32:28','2016-02-02 03:32:28','',2925,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/IMG_0211.jpg',0,'attachment','image/jpeg',0),(2934,15,'2016-02-01 19:32:30','2016-02-02 03:32:30','','IMG_0212','','inherit','open','closed','','img_0212','','','2016-02-01 19:32:30','2016-02-02 03:32:30','',2925,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/IMG_0212.jpg',0,'attachment','image/jpeg',0),(3164,2,'2016-06-30 08:58:52','2016-06-30 15:58:52','OK kiddos, it’s time for another art lesson! Before I start, let me get some preliminaries out of the way. First off, I need to apologize for how the picture came out. This post is about drawing an eye in colored pencil, but you’re barely going to see any color. My scanner didn’t pick up the color that well. I hate that but I will do my best to explain and illustrate this lesson. I will still illustrate the pictures even though the color won’t show up well.\r\n\r\nAlso, I will be using an array of colored pencils from different brands. These will include Sargent’s colored pencil and Prismacolor, with the majority used by Sargent’s. I believe that’s why the color didn’t show up well – Sargent\'s doesn’t have wax in its pencils, so there will be no “shine’” to the finished product. The scanner usually picks up the shine but unfortunately not in this one. Another colored pencil set that would be worth investing in besides Prismacolor is Col-Erase colored pencils and Prismacolor Verithin. These colored pencils have the same effect that a regular lead pencil has. What I mean by that is you can use my technique that I perform with a tissue. These pencils can be blended smoothly into the color next to them. Invest in them; you won’t be sorry. With that being said, let’s hop on it!\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0001\"\r\n\r\nWhether it’s an eye or a full sketch that will be in colored pencil, the first thing you will need to do is draw your subject out with a pencil, preferably a lighter pencil like between a 3H and 6H. You will need to make the pencil marks lighter later on as you get further into the drawing, so have a kneaded eraser handy or some Blu Tack to pick up the marks. That will also leave some faint marks to help guide you as you progress in your art picture. Here I drew an eye that started as a football/almond-shaped object, and I added a circle in the middle to represent the iris. Keep in mind that I’m doing this from the top of my head – I’m not using a picture or model of an eye.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0002\"\r\n\r\nI then filled in the pupil using a Sargent’s black colored pencil and drew an ellipse in the pupil and iris area to illustrate a glare/highlight in the eye. I’ve also traced a darker circle around the edge of the iris.\r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\nOK, so here is where the problem starts. Note to self: do not use Sargent’s pencils for the main color. They will not show well in the scanner. As you can tell, I supposedly filled in the iris with Sargent’s brown colored pencil and some of Prismacolor’s peach beige. Let it be known that this is the same pencil I use for Caucasian skin tone.\r\n\r\n\"Scan0004\"\r\n\r\nAdding some detail, I added the eyelid crease with Sargent’s black and used the Sargent’s brown pencil to add more detail of some of the darker part of the iris flooding into the lighter part near the pupil.\r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nIn this stage, I added some shading toward the upper part of the eye using Prismacolor\'s 50% cool grey, and I used Sargent’s black to draw in the eyelashes.\r\n\r\n \r\n\r\n\"Scan0006\"\r\n\r\nIn the final stage, I added some Prismacolor blush pink and a little bit of pale vermillion to the tear duct area. I then colored around the eye area with Prismacolor peach beige; unfortunately, my scanner had different plans.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0007\"\r\n\r\nAn extra thing I like to add to my art piece, especially if I’m working with colored pencil, chalk, or crayon, is load the picture onto my computer and I will load it to my PaintShop Pro so that I can smooth out the pencil scribbles. To each his own; some people like it and some don’t, but it always makes an improvement on the picture, especially on my crayon art.\r\n\r\nOk so this was a quick colored pencil lesson. I don’t know if it was helpful since my scanner went rebel on me. Then again, using the Sargent colored pencils was a no-no. I know now to use all color pencils except them. If anything, this is how the picture looked using a camera (there’s more than one way to skin a cat):\r\n\r\n \r\n\r\n \r\n\r\n[caption id=\"attachment_2933\" align=\"alignleft\" width=\"300\"]\"IMG_0211\" Before computer smoothing[/caption]\r\n\r\n[caption id=\"attachment_2934\" align=\"alignright\" width=\"300\"]\"IMG_0212\" After computer smoothing[/caption]\r\n\r\n ','How to Draw an Eye with Colored Pencils','','inherit','closed','closed','','2925-revision-v1','','','2016-06-30 08:58:52','2016-06-30 15:58:52','',2925,'http://www.letsdrawpeople.com/2925-revision-v1/',0,'revision','',0),(2935,15,'2016-02-01 19:37:19','2016-02-02 03:37:19','Ok kiddos, it’s time for another art lesson! Before I start, let me get some preliminaries out of the way. First off, I need to apologize for how the picture came out. This title is about drawing an eye in color pencil but you’re barely going to see any color; my scanner didn’t pick up the color that good. I hate that but I will do my best to explain and illustrate this lesson. I still will illustrate the pictures even though the color won’t show up well; there will be other color pencil lessons and I will make the colors deeper.\r\n\r\n          Also, I will be using an array of color pencils from different brands. These will include Sargent’s color pencil and Prismacolor with the majority used by Sargent’s which I believe that’s why the color didn’t show up well – Sargent doesn’t have wax in its pencils so there will be no “shine’” to the finish product; the scanner usually pics up the shine but unfortunately not in this one. Another color pencil set that would be worth investing in besides Prismacolor, is Col-Erase color pencils and Prismacolor Verithin. These color pencils have the same effects like a regular lead pencil has. What I mean by that is you can use my technique that I perform with a tissue. These pencils can be blended smoothly into the color next to them. Invest in them, you won’t be sorry. With that being said, let’s hop on it!\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0001\"\r\n\r\n         The first thing you do, whether it’s an eye or a full sketch that will be in color pencil, is you will need to draw it out with a pencil, preferably a lighter pencil like between a 3H and 6H. You will need to make the pencil marks lighter later on as you get further into the drawing so have a kneaded erasure handy or some Blu Tack to pick up the marks that will also leave some faint marks to help guide you as you progress in your art picture. Here I drew an eye that started like a football/almond shape object and added a semi-circle in the middle to represent the iris. Keep in mind I’m doing this from the top of my head – I’m not using a picture or model of an eye; this is strictly free base.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0002\"\r\n\r\nI then fill in the pupil using a Sargent’s black color pencil and drew in an ellipse circle in the pupil and iris area to illustrate a glare/highlight in the eye. I’ve also trace a darker circle around the edge of the iris. \r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\nOK so here is where the problem starts. Note to self, do not use Sargent’s pencils for main color, they will not show well in the scanner. As you can tell, I supposedly fill in the iris with Sargent’s brown color pencil and some of Prismacolor’s peach beige. Let it be known that this is the same pencil I use for Caucasian skin tone.\r\n\r\n\"Scan0004\"\r\n\r\nAdding some detail, I added the eyelid crease with Sargent’s black and use the Sargent’s brown pencil to add more detail of some of the darker part of the iris flooding into the lighter part near the pupil.\r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\n                In this stage, I add some shading toward the upper part of the eye using Prismacolor’s 50% cool grey and I used Sargent’s black to draw in the eyelashes.\r\n\r\n \r\n\r\n\"Scan0006\"\r\n\r\nIn the final stage, I added some Prismacolor blush pink and a little bit of pale vermillion to the tear duct area. I then color around the eye area with Prismacolor peach beige; unfortunately my scanner had different plans.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0007\"\r\n\r\n          An extra thing I like to add to my art piece, especially if I’m working with color pencil, chalk, or crayon is I will load the picture onto my computer and I will load it to my PaintShop Pro so that I can smooth out the pencil scribbles. To each his own; some people like it and some don’t but it always makes an improvement on the picture, especially on my crayon art.\r\n\r\nOk so this was a quick color pencil lesson. I don’t know if it was helpful since my scanner went rebel on me. Then again, using the Sargent color pencils were a no-no. I know now to use all color pencils except them. If anything, this is how the picture looked using a camera (there’s more than one way to skin a cat):\r\n\r\n \r\n\r\n \r\n\r\n[caption id=\"attachment_2933\" align=\"alignleft\" width=\"300\"]\"IMG_0211\" Before computer smoothing[/caption]\r\n\r\n[caption id=\"attachment_2934\" align=\"alignright\" width=\"300\"]\"IMG_0212\" After computer smoothing[/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n                                                                                                                \r\n\r\n                                                                                                                    See you guys in the next lesson!\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','How to Draw an Eye with Colored Pencils','','inherit','closed','closed','','2925-revision-v1','','','2016-02-01 19:37:19','2016-02-02 03:37:19','',2925,'http://www.letsdrawpeople.com/2925-revision-v1/',0,'revision','',0),(2937,2,'2016-02-01 22:07:55','2016-02-02 06:07:55','Would you like to draw and write for LetsDrawPeople.com? Better yet, would you like to get paid to draw and get paid to write?\r\n\r\nI am looking for portrait artists or anyone skilled at drawing people. You should have the ability to write step-by-step drawing tutorials and informative content online. You should have the desire to help others who truly want to become better artists and create awesome portrait drawings like yours!\r\n\r\nThis means you should be a skilled writer able to teach and relay your drawing techniques to readers of this website who wish to draw people as well as you do. Experience with WordPress is a plus! If you fall into at least one of the following categories, then you would be an ideal contributor for Let\'s Draw People:\r\n
    \r\n
  • You are a professional portrait artist with your own website.
    • \r\n
  • You have published blog posts about drawing or step-by-step drawing tutorials online, either on your own blog or as a contributor for another website.
    • \r\n
  • You have your own blog (in any niche - hence writing experience), and you love to draw in your spare time.
    • \r\n
  • You do not have your own blog, but you have strong writing skills, and you regularly post your drawings for others to see on social media.
    • \r\n
\r\nYou can contribute as many articles as you want based on availability, whether it be once in a while or multiple times per month. Of course the more frequently you can contribute, the better! You will be paid for each article that is accepted and scheduled for future publication.\r\n

Content Guidelines

\r\nLet\'s Draw People accepts bylined \"how-to\" tutorials and informative articles about drawing and sketching people to be published on this website on an as-needed basis. Our target audience consists primarily of beginning and intermediate pencil portrait artists.\r\n\r\nHow-To Tutorial - With this type of article, you will tell the reader how to draw a specific person or subject in a step-by-step manner. Draw a picture, stopping to scan the steps along the way, and write an article to explain in detail how you complete each step. You can choose to work from a reference photograph if you wish. These tutorials are great examples:\r\n\r\nHow to Draw an Army Man Saluting\r\n\r\nThis Childhood Shortcut Will Show You How to Draw Teeth\r\n\r\nInformative Article - With this type of article, you will share your expertise about a topic with the reader. Informative articles could be either specific lists or general or insightful information about a drawing concept, subject, or technique. Check out these great informative articles:\r\n

10 Drawing Ideas for When You Don`t Know What to Draw

\r\n

Grid Drawing For Perfect Faces And Forms

\r\nAll articles should be high-quality, 100% original content that is unpublished elsewhere. There should be a minimum of 500 words. You should also provide plenty of images to illustrate the points of your post. Your images should be clear photographs you have personally taken or scanned images of your artwork. In other words, do not gather other images from the Internet and use them without permission for your article or your reference photograph. In the case of step-by-step drawing tutorials, you can scan images during each step of a drawing as you walk the reader through the process from beginning to end. All images should be big enough for readers to see clearly (at least 600 x 800 pixels) but no larger than 100 KB in size.\r\n\r\nSometimes a reference photograph will be provided for you, and sometimes you will have the option of using your own. If you do not own the rights for a good reference photograph or other image, please do not use it! Instead, you can select one from Dreamstime.com.\r\n\r\nThe author retains copyright, but I may reprint your piece, with full attribution, in Let\'s Draw People products, including marketing materials.\r\n

Payment Details

\r\nIf your article is accepted and scheduled for publication, then you will get paid for it! Contributors will be paid for each article based on the number of words, the number of images, and the quality of the drawings.\r\n\r\nNumber of words - $0.05 per word, up to the maximum words for a given article\r\n\r\nThe number of words you write will be determined based on the \"word count\" within the WordPress post writing platform. The article\'s title is not counted. For each article, the number of words you use should stay within a certain range. For example, one article might be assigned a length of 500 to 800 words. You must write a minimum of 500 words. If your article goes a bit over 800 words that is fine, but you will be paid $0.05 per word up to 800 words (or $40).\r\n\r\nArticles accepted for publication may be edited for clarity, brevity, grammar, conventions, house style, etc. However, the word count of the first draft submitted for review will be used to determine payment. If you submit 800 words of solid, valuable content but I edit it down to 732 words, you will still be paid for 800 words (or $40). Exception: there are irrelevant additions of text that add no value to the content but are obvious attempts to inflate the word count.\r\n\r\nNumber of images - $5 for 1 to 5 images; $10 for 6 to 15 images; $15 for 16 or more images\r\n\r\nIf you decide to use 10 images (for $10) to complement your article or tutorial, that does not mean you have to create 10 separate pieces of artwork. If you have original drawings from your previous body of work that you are willing to share with your article, that would be wonderful! Images can also be photographs that you have taken, or in the case of a tutorial, they can be separate scans of a single drawing. The point is...the more examples you have, the better. You are also encouraged to use photo editing software like Adobe Photoshop to add arrows, text, to crop a close up of a section of the drawing, etc.\r\n\r\nImages you submit with your articles may be edited or re-edited if they are accepted. I may also decide to add or remove images from your article before publishing. However, the number of images you upload with your first draft submitted for review will be used to determine payment. If you submit 6 relevant images that effectively teach the main points of your topic but I only publish 5 images, you will still be paid for 6 images (or $10). Exception: there are irrelevant additions of images that add no value to the content but are obvious attempts to inflate the image count.\r\n\r\nQuality of drawings - $5 for line drawings; $10 for line drawings with shading; $30 for realistic blending\r\n
    \r\n
  • $5 if all images are line drawings with little to no shading
    • \r\n
  • $10 if at least one image is a line drawing with ample shading (e.g., simple shading style like hatching, crosshatching, a layer or two of blended graphite, etc.)
    • \r\n
  • $30 if at least one image mostly consists of realistic blending (e.g., multiple applications of graphite smoothed over with a tortillion and/or blending stump)
    • \r\n
\r\nThe images below display examples of each drawing quality type:\r\n

[table id=14 /]

\r\n\r\n

Payment Scenario

\r\nUsing the payment details above, consider the following scenario:\r\n\r\nYou create an 800-word drawing tutorial with 6 scanned images. Your images are step-by-step line drawings, but you explain how to add simple shading to the final two images.\r\n\r\nYour payment would be $40 for the words (800 words x $0.05) + $10 for 6 scanned images + $10 for shaded drawings = $60 total.\r\n

How to Get Started

\r\nIf you have the expertise and experience with drawing people and are willing to create a helpful, outstanding post for the Let\'s Draw People audience, fill out the form below.\r\n\r\nBe sure to include links to three articles or blog posts you have written and published online, if applicable. Articles based on the topic of how to draw people are preferred but not required. You can even link to your blog if it is in a niche having nothing to do with drawing. The purpose of this is to get a sense of your writing style.\r\n\r\nIf you have never published writing online, then it would be helpful if you submit a short writing sample (minimum 100 words) in a MS Word document or a PDF using the upload option in the form.\r\n\r\nI also want to review three samples of your artwork. These should be drawings or sketches of people. It is fine if these are found in the links you submit below. If your links contain no drawing samples, then you can use the upload option in the form.\r\n\r\nIf you are accepted as a contributor, you will receive an email to let you know, along with a link to the editorial calendar so you can select which articles you wish to write!\r\n

[nform id=\'2\']

','Draw and Write for Us','','inherit','closed','closed','','2302-revision-v1','','','2016-02-01 22:07:55','2016-02-02 06:07:55','',2302,'http://www.letsdrawpeople.com/2302-revision-v1/',0,'revision','',0),(3265,2,'2016-08-09 04:53:52','2016-08-09 11:53:52','I’m starting this article with absolutely nothing in mind. I mean I’m at a loss for words; I don’t know what to say and how to lead or guide you into this subject. I guess I should say that if you are interested in being an artist or at least making drawing/painting a major hobby in your life, then you will need to have extended knowledge over the tools you will need.\r\n\r\nOh sure you’ll need the basic pencil, eraser, and something to draw on but there’s so much more to it. Notice how one artist can make things look so symmetrical and realistic and other artists will have art pieces that look amateurish. What’s the difference? A lot of people have told me they wish they knew how to draw. My response: the difference between you and me is my knowledge of the tools that are used in the art industry.\r\n\r\nJust like the chef in Ratatouille said \"Anyone can cook,\" I say to you, anyone can draw……with some practice and the right tools of course. I remember when I was in high school it was just the pencil and eraser and that was it. Now if you go into my studio I have an art desk, erasers, tortillions, pencils, and other knick knacks. So what are these knick knacks I’m talking about? Well these knick knacks are the things that will improve your artwork as well as help beginners start off in the right direction. This article is to discuss some old drawing tools you are familiar with, as well as get you familiar with some new tools and tricks.\r\n

Pencils: Soft, Hard, Mechanical, and Paper

\r\nOK so this is the basic of the basics here. No form of artwork can be done without some type of pencil marking. As you see in the below basic drawing, I used a 2B pencil to sketch out the drawing.\r\n\r\n\"Scan0001\"\r\n\r\nDrawing pencils go from one range to the other – light to darker pencils. The respective names and ranges are: 9B to 9H. The pencils that are 9B to B are the “soft” or bold pencils. These are the dark pencils; they do not have much clay in them in contrast to their counterpart. The higher the number is, the darker the pencil mark is.\r\n\r\nWhen dark hair is called into the picture or pupils need to be filled, I usually use a 6B pencil or higher. When using 6B or darker pencils, please be careful when shading; the graphite can be easily spread and you may make an un-necessary mess while shading. Also, keep in mind that it will be just a tad bit harder to erase the darker pencil markings without leaving some residue.\r\n\r\n\"Scan0002\"\"Scan0006\"\r\n\r\n \r\n\r\nMoving along, we have the H pencils or the hard pencils. These pencils contain clay in them to decrease the pencils’ dark markings. I sometimes use them when I want some light shading to the subject or if I need to utilize the carbon copy paper, I use the lightest pencil which is the 9H.\r\n\r\nThere is also the HB pencil – not too hard or not too dark. Usually it can also be found in the next pencil up for discussion: the mechanical pencil. The mechanical pencil usually has HB or 2B lead available. It should be known that it’s often used for fine lines and detailing. Usually I use one when applying hair strands to the head as in the picture below.\r\n\r\n\"Scan0010\"\r\n\r\n \r\n\r\nThe last thing I want to cover in this section is the kind of paper to use. I strictly use two types of paper material: Crescent illustration board and Strathmore Bristol paper.  The Crescent illustration boards are strictly used for customers and the Bristol paper for personal art use. The Bristol gives off a little bit of a shine that will make your artwork stand out some and makes your blending of the graphite/pencil more smoother, therefore giving the art piece a smoother finish.\r\n

Blending Tools: Tortillion, Stumps, and Tissue

\r\nThese tools ARE VERY NECESSARY if trying to get a realistic look. These tools will help with gradual blending and smoothing. Sometimes I draw with the tortillion when I want to add some shading to a small area, like adding some shade to the upper eyes or smearing of the lips or blending of the hair as in the pictures below.\r\n\r\n[caption id=\"attachment_2822\" align=\"alignnone\" width=\"300\"]\"Scan0003\" Tortillion shading applied to the upper eyes to mimic shading from the eyelid[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2823\" align=\"alignnone\" width=\"270\"]\"Scan0004\" Tortillion smudging of the lips to illustrate shading[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2825\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Tissue blending/smudging of the hair[/caption]\r\n\r\n \r\n\r\nStumps and tortillions have somewhat the same design, but the stumps are bigger and have both ends pointed off while the tortillions are paper that is wrapped around very tightly. There’s no preference in which one to use; it’s up to the artist in which one s/he wants to use and how big or small of an area that needs to be shaded.\r\n\r\nUsing the tissue is a Godsend to me. I accidentally found out about this technique doing a Tomb Raider pencil piece. I’ve heard of the technique but never had a chance to apply it; I was too faithful to the blending stump/tortillion shading. I thought it wouldn’t hurt to try and once applied, I immediately fell in love with it.\r\n\r\nWhen using the tissue, please keep in mind that it’s used for large blending areas like the hair, arms, legs, cheek, and forehead. This technique will allow the graphite to blend and fade into the paper, giving that smooth fade into the white or whatever the color of your drawing paper is.\r\n\r\n[caption id=\"attachment_2824\" align=\"alignnone\" width=\"300\"]\"Scan0005\" 3h Graphite pencil shading applied before the tissue blend/smudge[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2825\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Tissue blending applied with a little bit of 3B pencil shading[/caption]\r\n\r\n \r\n

Erasers and Blu Tack

\r\nNo art piece can be done correctly the first time around without some form of erasing tool. When it comes to dealing with pencil, you should have an array of erasing tools at your disposal.\r\n\r\nYour basic erasers come in the form of regular white erasers, Pink Pearl erasers, and white stick erasers. The first two erasers mentioned are usually helpful in erasing large areas and lines. The stick erasers are long, white erasers within a blue, small tube whose length can be adjusted with an adjustable knob on the side. It can be used for big areas as well.\r\n\r\nThere are also pencil erasers; these come in the form of regular looking pencils but instead of lead there are erasers within the pencil. I personally use these to add highlight strands to hair or to erase small markings in a drawing. You can see the example of me applying the pencil erasing technique to the hair in the example below.\r\n\r\n\"Scan0011\"\r\n\r\n \r\n\r\nAnother eraser that is absolutely required in this field is the kneaded eraser. These erasers resemble modeling clay and you can shape them to adhere to the marking you want to get rid of. Also, these erasers can be used to “lift” markings of the pencil, leaving a lighter mark. I think these are excellent in creating clouds or some type of smoke leaving some faded residue.\r\n\r\nOn that subject, you can also use an item called Blu Tack. It’s a substitute for a kneaded eraser; it works the same way. I find myself using this more than the kneaded eraser. No particular reason, it’s just my personal preference.\r\n\r\nIf you need to erase a small area that is surrounded by markings that you don’t want to accidently erase, no worries, use an eraser shield. These are like the dental floss of drawing – they’re inexpensive and precise. Usually they have several shapes in them cut out so that you can erase within the area. I don’t use it as often as I use to but I do have one waiting in the shadows just in case.\r\n

Horsehair Brush, Workable Spray Fixative, and Drawing Board

\r\nOK so instead of erasing a marking and using your hand to wipe off the residue, use a brush...namely a horsehair brush. If you brush away eraser residue with your hand, you run the risk smearing your work. Not to mention it saves you from accidentally spitting on your work when you blow the eraser residue away.\r\n\r\nWhen you want to build up the tone of your drawing, a workable fixative should be called to action. When you get a workable fixative, you can still work on the area even after it’s been sprayed. It holds the graphite in the area that you have sprayed, allowing you to darken the subject by building tone without you disturbing the initial area.\r\n\r\nYou can’t draw until you have a smooth surface to draw on such as a drawing board. You will need to angle the drawing board towards you to help prevent the distortion that comes when working flat. I have a drawing table that has the option of tilting if need be. I also have a mobile drawing board. I say mobile because a lot of my friends know if they want me to come over, I’m bringing some form of art to work on. I’ve went to a party and sat in the corner and worked on a drawing for a customer. You can tell I’m dedicated to my art.\r\n

Rulers, Circle, Ellipse, and Other Templates

\r\nEver wonder how some artists achieve perfect lines or circles? You may have thought “I can’t be an artist, I can’t even draw a straight line!” Well my friend, don’t fret. There’s a small secret to be learned here; the majority of artists, including myself, use rulers and templates. Templates are tools with pre-made circles and other shapes to help you achieve the shape that you want. You have different templates that specialize in having different shapes. Some are strictly circles or squares to name a few. You also have ellipse templates that specialize in curves and round objects. Also, you can’t forget about rulers. Not only do they provide a way to graph and measure your subject, but they serve as straight edge templates too.\r\n

Carbon Copy Paper, Projectors, Light Boxes, and Acetate Report Covers

\r\nOK so as I stated in a previous article, I run the risk of a mob of angry artists burning down my house. To me and them, this is what helps us make our art pieces look accurate and believable. Oh I can draw, don’t get it twisted; but when you have a lot of art that needs to be done for customers and you still need to make time for your personal art projects, you’ll do the things that will cut down your time. I have seen artists draw a basic sketch in like under 2 min. – wish I could move that fast; but since I like to be totally accurate and proficient, I’ll call in the talents of the three named above except the acetate report covers – never used them before but I may purchase some in the near future and try them out. Who knows, I’ll probably do an article on them.\r\n\r\nAnywho, about the other three, using them will shave you some time off in doing the art piece. If someone says that you’re cheating by incorporating the assistance from these three, they’re sadly misinformed. As I stated in the other article, can a doctor perform surgery without his tools? Is that cheating since he’s using tools to cut down surgery time? What about a dentist? Does using tools to help him find cavities or to fix tooth damage or decay qualify as a form of cheating? My thing is it doesn’t matter how you get the picture done, the question is does the public like your art concept? Now go marinate on that for a second.\r\n\r\n \r\n\r\nReference Photos\r\n\r\n[caption id=\"attachment_2819\" align=\"alignnone\" width=\"300\"]\"IMG_0341\" The Real Photo[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2818\" align=\"alignnone\" width=\"300\"]\"IMG_0203\" The Drawn Photo Piece[/caption]\r\n\r\n \r\n\r\nThe last thing will talk about briefly is reference photos. As you can see in the above picture, it’s a picture I took of a close friend of mine. She has model for some of my paintings (Angel Eyes, Expecting) before. It’s not necessary but helpful to have some type of reference photo. This will help with accuracy and placement. I know some people who can draw off the top of their head but I like to be anatomically correct. With that being said, a photo reference with accuracy is necessary in my work. Every artist is different; some will use reference photos and some will use their memory. It really doesn’t matter as long as you and the customers will be satisfied with the end product no matter what tools or techniques you use.','Art Tools for Both the Beginner and the Advanced','','inherit','closed','closed','','2817-revision-v1','','','2016-08-09 04:53:52','2016-08-09 11:53:52','',2817,'http://www.letsdrawpeople.com/2817-revision-v1/',0,'revision','',0),(3160,2,'2016-06-29 10:00:14','2016-06-29 17:00:14','OK kiddos, it’s time for another art lesson! Before I start, let me get some preliminaries out of the way. First off, I need to apologize for how the picture came out. This post is about drawing an eye in colored pencil, but you’re barely going to see any color. My scanner didn’t pick up the color that well. I hate that but I will do my best to explain and illustrate this lesson. I will still illustrate the pictures even though the color won’t show up well. there will be other color pencil lessons and I will make the colors deeper.\r\n\r\nAlso, I will be using an array of colored pencils from different brands. These will include Sargent’s colored pencil and Prismacolor, with the majority used by Sargent’s. I believe that’s why the color didn’t show up well – Sargent\'s doesn’t have wax in its pencils, so there will be no “shine’” to the finished product. The scanner usually picks up the shine but unfortunately not in this one. Another colored pencil set that would be worth investing in besides Prismacolor is Col-Erase colored pencils and Prismacolor Verithin. These colored pencils have the same effect that a regular lead pencil has. What I mean by that is you can use my technique that I perform with a tissue. These pencils can be blended smoothly into the color next to them. Invest in them; you won’t be sorry. With that being said, let’s hop on it!***\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0001\"\r\n\r\nThe first thing you do, whether it’s an eye or a full sketch that will be in color pencil, is you will need to draw it out with a pencil, preferably a lighter pencil like between a 3H and 6H. You will need to make the pencil marks lighter later on as you get further into the drawing so have a kneaded erasure handy or some Blu Tack to pick up the marks that will also leave some faint marks to help guide you as you progress in your art picture. Here I drew an eye that started like a football/almond shape object and added a semi-circle in the middle to represent the iris. Keep in mind I’m doing this from the top of my head – I’m not using a picture or model of an eye; this is strictly free base.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0002\"\r\n\r\nI then fill in the pupil using a Sargent’s black color pencil and drew in an ellipse circle in the pupil and iris area to illustrate a glare/highlight in the eye. I’ve also trace a darker circle around the edge of the iris.\r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\nOK so here is where the problem starts. Note to self, do not use Sargent’s pencils for main color, they will not show well in the scanner. As you can tell, I supposedly fill in the iris with Sargent’s brown color pencil and some of Prismacolor’s peach beige. Let it be known that this is the same pencil I use for Caucasian skin tone.\r\n\r\n\"Scan0004\"\r\n\r\nAdding some detail, I added the eyelid crease with Sargent’s black and use the Sargent’s brown pencil to add more detail of some of the darker part of the iris flooding into the lighter part near the pupil.\r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nIn this stage, I add some shading toward the upper part of the eye using Prismacolor’s 50% cool grey and I used Sargent’s black to draw in the eyelashes.\r\n\r\n \r\n\r\n\"Scan0006\"\r\n\r\nIn the final stage, I added some Prismacolor blush pink and a little bit of pale vermillion to the tear duct area. I then color around the eye area with Prismacolor peach beige; unfortunately my scanner had different plans.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0007\"\r\n\r\nAn extra thing I like to add to my art piece, especially if I’m working with color pencil, chalk, or crayon is I will load the picture onto my computer and I will load it to my PaintShop Pro so that I can smooth out the pencil scribbles. To each his own; some people like it and some don’t but it always makes an improvement on the picture, especially on my crayon art.\r\n\r\nOk so this was a quick color pencil lesson. I don’t know if it was helpful since my scanner went rebel on me. Then again, using the Sargent color pencils were a no-no. I know now to use all color pencils except them. If anything, this is how the picture looked using a camera (there’s more than one way to skin a cat):\r\n\r\n \r\n\r\n \r\n\r\n[caption id=\"attachment_2933\" align=\"alignleft\" width=\"300\"]\"IMG_0211\" Before computer smoothing[/caption]\r\n\r\n[caption id=\"attachment_2934\" align=\"alignright\" width=\"300\"]\"IMG_0212\" After computer smoothing[/caption]\r\n\r\nSee you guys in the next lesson!','How to Draw an Eye with Colored Pencils','','inherit','closed','closed','','2925-revision-v1','','','2016-06-29 10:00:14','2016-06-29 17:00:14','',2925,'http://www.letsdrawpeople.com/2925-revision-v1/',0,'revision','',0),(2938,8,'2016-02-02 00:18:30','2016-02-02 08:18:30','Before you start drawing it helps to plan your ideas. Composition is the idea of setting up your drawing. How many ideas, people, and objects do you want to use in your drawing?\r\n\r\nIn the drawing above, I thought to create a small still frame of a scene. In the drawing of the two people, I wanted to show how you can create mood emotion and action.\r\n\r\n\"2\"\r\n\r\n \r\n\r\n\"3\"\r\n\r\nFirst, consider how the two girls are sitting together and body language that they may be using. The girl lying down is relaxed with her head back. This is a classic pose for someone sleeping, hurt, or perhaps dead. The other girl looking down on her further explains sadness, perhaps remorse, or maybe just tired. The girls are similar in age and size, so this would suggest that they may be sisters or close friends.\r\n\r\nThere is a lot one could tell from this picture or may feel. Creating a compositing is a great way to stir the imagination.\r\n\r\n\"6\"\r\n\r\nStructure: Looking for a frame, imagine yourself a photographer. It’s the same idea without a view box. Instead, create your own view box, using a mix of what you see and what you want to draw. Create space between objects by finding a fix point and compare size from object to other objects.\r\n\r\nSetup: Once you have an idea of your frame, you may want to organize your drawing, change position lighting, and how things are sitting in the space you have. Creating set up with models can take time. Multiple tries of finding what looks better along with more than one sitting with the same pose in order to draw what you have. Alternately, you can do the same thing- take a photo and draw what you see from the photo, or a photo that was already taken.\r\n\r\n\"7\"\r\n\r\n\"9\"\r\n\r\nBackground: When setting up a drawing, consider more then what you are drawing. Background gives depth and realism along with creating a set that is frozen in time.\r\n\r\nForeground: Sometimes you have space before what you are drawing, knowing what to do with this space. Or if you are using the space, it helps create perspective.\r\n\r\nSpace: Structure and space are similar; however, space is what is not in the frame. Structure is what is in the frame.\r\n\r\nPoint of view: Once you have everything set up, perhaps you want to change where you are looking from in order to get a different view of the same setting.\r\n\r\nPerspective: Along with point of view, background and foreground repetitive can help create space and reality in a drawing. For example, the human body looking more round instead of flat will help create reality. One can do this by creating directional shading.\r\n\r\nLighting: Try to think about what light you are using. This is more important if you choose to use contrast, or perhaps you want a more mid-town lighting effect.\r\n\r\nLocation: Where is your setting going to be? Outside, inside, in a city or in the woods?\r\n\r\nFrame: What type of frame are you going to use? Portrait, landscape or something else?\r\n\r\nIdea: What is happening in your setting? What story do you want to tell with one picture?','How to draw a composition','','inherit','closed','closed','','2894-revision-v1','','','2016-02-02 00:18:30','2016-02-02 08:18:30','',2894,'http://www.letsdrawpeople.com/2894-revision-v1/',0,'revision','',0),(2939,15,'2016-09-24 02:57:51','2016-09-24 09:57:51','Alright guys, you know the deal. For some reason I’m back again. Well if you think about it, there’s no way I could just do a tutorial on colored pencil for the eyes and just leave it at that. Couldn’t leave you guys feening for more, so I had to come back to do another facial feature with the colored pencil despite my scanner having other plans. Yes people, it still wants to rebel against my colored pencil tutorials, but I think I found a way to get around it.\r\n\r\nWith that said, today we will be focusing on the nose. This will be a quick tutorial; there’s not much to say about it except that it’s that big bump in the middle of your face that could make you look nice or ugly. I’m not going to get into all that; this is all about how to draw that thing in the middle of your face.\r\n\r\nSo break out your colored pencils (except the Sargent brand colored pencils) and let’s get started.\r\n

Drawing a Nose in Colored Pencil from the Front

\r\nAs you can see, I do a very basic drawing of one large curve that is aimed downward accompanied by smaller curves that are above the bigger curve. This is the same technique I use to show any student who wants to learn how to draw the face.\r\n\r\n\"Scan0001\"\r\n\r\nThe nose can be the most challenging because the angle of the face/head will affect the shadow and tone on the nose and therefore change the look and arrangement of it.\r\n\r\nHere I actually take a tortillion and add some darkness to the nostrils. I do not need to add black; the graphite on the tortillion is believable enough. Usually when dealing with black on a colored pencil piece, I have a choice of using the graphite in the pencil or a black colored pencil. It really doesn’t matter. It just depends on how I feel that day.\r\n\r\n\"Scan0002\"\r\n\r\nI also add curves that will serve as edges of the nose and take away some of the bulb end of the nose with a Blu Tack eraser. I also smudge the edges to illustrate some shadow. I want it to be as realistic as I can get it, so I get rid of the hard lines and soften them.\r\n\r\nOK here is when I experienced the scanner wanting to do its own thing and my work was set back some, but as I did in the tutorial of the eye, I just used my camera to get the picture. I’m really not sure which one I used for this picture, but the important thing is it got done one way or the other.\r\n\r\nHere I started using Prismacolor Dark Brown – the intention was to make it an African-American nose, but it’s going to end up being some alien purple creature nose.\r\n\r\n\"how-to-draw-a-nose-with-colored-pencils-img_0210\"\r\n\r\n \r\n\r\nAs the picture illustrates, you want to add some markings in the middle of the nose but only to one side to show light reflection or lighter skin tone to the other side.\r\n\r\nAlso, round out the bulb of the nose by rounding out the color near the edge of the nose but leaving some room for light reflection.\r\n\r\nAdd the same skin tone to the wings of the nostrils and leave some light separations between the nostril wings and the bulb of the nose. Deepen the color on the nose some and you’re practically finished.\r\n\r\n\"Scan0003\"\r\nThis is optional. As I said in the eye tutorial, I do this part when I want to smooth out an art piece that was done in colored pencil, crayon, or chalk. Again here you want to load the image onto your computer and use the painting program that you have loaded on it. In this case, I have PaintShop Pro and I use the smoothing brush. It’s not perfect but it makes it look better and smoother.\r\n\r\n\"Scan0004\"\r\n

Drawing a Nose in Colored Pencil from the Side

\r\nWant to try another? Let’s go for it!\r\n\r\nThis one is a must but a simple one. We’re going to draw the nose from a different angle – sideways, simple and easy. Look and follow what the illustration shows.\r\n\r\nUse a tortillion to add some darkness to the nostril and use it again to shade in a curve that will show the winged part of the nostril.\r\n\r\n\"Scan0005\"\r\n\r\n \r\n\r\nHere I started adding some dark brown to the underside of the nose and some peach beige to the rest of the nose even though you can’t see it that well...yes people, my scanner was in its rebel stage again.\r\n\r\n\"Scan0006\"\r\n\r\n \r\n\r\nHere I just deepened and blended the color some so that it was more believable.\r\n\r\n \r\n\r\n\"how-to-draw-a-nose-with-colored-pencils-scan0007-1\"\r\n\r\n \r\n\r\nLast stage, I smoothed it out on the computer and it’s somewhat complete. It would look more believable if a face was added to it but one thing at a time. One must crawl before one can walk.\r\n\r\n \r\n\r\n\"how-to-draw-a-nose-with-colored-pencils-scan0008\"','Drawing the Nose in Colored Pencil','','publish','closed','open','','drawing-the-nose-in-colored-pencil','','','2016-09-18 20:22:43','2016-09-19 03:22:43','',0,'http://www.letsdrawpeople.com/?p=2939',0,'post','',0),(2940,15,'2016-02-02 04:43:38','2016-02-02 12:43:38','','Scan0001','','inherit','open','closed','','scan0001-8','','','2016-02-02 04:43:38','2016-02-02 12:43:38','',2939,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0001-1.jpg',0,'attachment','image/jpeg',0),(2941,15,'2016-02-02 04:44:53','2016-02-02 12:44:53','','Scan0002','','inherit','open','closed','','scan0002-9','','','2016-02-02 04:44:53','2016-02-02 12:44:53','',2939,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0002-1.jpg',0,'attachment','image/jpeg',0),(2943,15,'2016-02-02 04:48:21','2016-02-02 12:48:21','','Scan0003','','inherit','open','closed','','scan0003-9','','','2016-02-02 04:48:21','2016-02-02 12:48:21','',2939,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0003-1.jpg',0,'attachment','image/jpeg',0),(2944,15,'2016-02-02 04:50:28','2016-02-02 12:50:28','','Scan0004','','inherit','open','closed','','scan0004-9','','','2016-02-02 04:50:28','2016-02-02 12:50:28','',2939,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0004-1.jpg',0,'attachment','image/jpeg',0),(2945,15,'2016-02-02 04:53:23','2016-02-02 12:53:23','','Scan0005','','inherit','open','closed','','scan0005-8','','','2016-02-02 04:53:23','2016-02-02 12:53:23','',2939,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0005-1.jpg',0,'attachment','image/jpeg',0),(2946,15,'2016-02-02 04:54:44','2016-02-02 12:54:44','','Scan0006','','inherit','open','closed','','scan0006-7','','','2016-02-02 04:54:44','2016-02-02 12:54:44','',2939,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0006-1.jpg',0,'attachment','image/jpeg',0),(2949,15,'2016-02-02 04:57:51','2016-02-02 12:57:51','          Alright guys, you know the deal, for some reason I’m back again. Well if you think about it, there’s no way I could just do a tutorial on colored pencil for the eyes and just leave it at that. Couldn’t leave you guys feening for more, so I had to come back to do more facial features with the color pencil despite my scanner having other plans – yes people, it still wants to rebel against my color pencil tutorials but I think I found a way to get around it so break out your color pencils (except the Sargent brand color pencils) and let’s get started.\r\n\r\n\"Scan0001\"\r\n\r\n          Today we will be focusing on the nose. This will be a quick tutorial; there’s not much to say about it except that it’s that big bump in the middle of your face that could make you look nice or ugly. I’m not going to get into all that; this all about how to draw that ugly thing in the middle of your face. As you can see, I do a very basic drawing of one large curve that is aimed downward accompanied by smaller curves that are above the bigger curve. This is the same technique I use to show any student who wants to learn how to draw the face. The nose can be the most challenging because the angle of the face/head will affect the shadow and tone on the nose and therefore change the look and arrangement of it.\r\n\r\n \r\n\r\n\"Scan0002\"\r\n\r\n \r\n\r\n          Here I actually take a tortillion and add some darkness to the nostrils. I do not need to add black; the graphite on the tortillion is believable enough. Usually when dealing with black on a color pencil piece, I have a choice of using the graphite in the pencil or a black color pencil. It really doesn’t matter, it just depends how I feel that day. I also add curves that will serve as edges of the nose and take away some of the bulb end of the nose with a Blu Tack eraser. I also smudge the edges to illustrate some shadow. I want it to be as realistic as I can get it so I get rid of the hard lines and soften them.\r\n\r\n\"IMG_0210\"\r\n\r\nOK here is when I experienced the scanner wanting to do its own thing and my work was set back some but as I did in the tutorial of the eye, I just used my camera to get the picture. I’m really not sure which one I used for this picture but the important thing is it got done one way or the other. Here I started using Prismacolor dark brown – the intention was to make it an African-American nose, but it’s going to end up being some alien purple creature nose.\r\n\r\n\"Scan0003\"\r\n\r\n          As the picture illustrates, you want to add some markings in the middle of the nose but only to one side to show light reflection or lighter skin tone to the other side. Also, round out the bulb of the nose by rounding out the color near the edge of the nose but leaving some room for light reflection. Add the same skin tone to the wings of the nostrils and leave some light separations between the nostril wings and the bulb of the nose. Deepen the color on the nose some and you’re practically finished.\r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\n          This is optional. As I said in the eye tutorial, I do this part when I want to smooth out an art piece that was done in color pencil, crayon, or chalk. Again here you want to load the image onto your computer and use the painting program that you have loaded on it. In this case, I have PaintShop Pro and I use the smoothing brush. It’s not perfect but it makes it look better and smoother.\r\n\r\n                                                                                                                Want to try another? Let’s go for it!\r\n\r\n\"Scan0005\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n          This is one is a must but a simple one. We’re going to draw the nose from a different angle – sideways, simple and easy. Look and follow what the illustration shows. Use a tortillion to add some darkness to the nostril and use it again to shade in a curve that will show the winged part of the nostril.\r\n\r\n\"Scan0006\"\r\n\r\n \r\n\r\nHere I started adding some dark brown to the underside of the nose and some peach beige to the rest of the nose even though you can’t see it that well – yes people, my scanner was in its rebel stage again.\r\n\r\n\"Scan0007\"\r\n\r\n                                                                                 Here I just deepen and blend the color some so that it was more believable.\r\n\r\n\"Scan0008\"\r\n\r\n \r\n\r\nLast stage, I smoothed it out on the computer and it’s somewhat complete. It would look more believable if a face was added to it but one thing at a time. One must crawl before one can walk.\r\n\r\n ','Drawing the Nose in Color Pencil','','inherit','closed','closed','','2939-revision-v1','','','2016-02-02 04:57:51','2016-02-02 12:57:51','',2939,'http://www.letsdrawpeople.com/2939-revision-v1/',0,'revision','',0),(2951,15,'2016-02-02 17:30:13','2016-02-03 01:30:13','','Scan0001','','inherit','open','closed','','scan0001-9','','','2016-02-02 17:30:13','2016-02-03 01:30:13','',2950,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0001-2.jpg',0,'attachment','image/jpeg',0),(2952,15,'2016-02-02 17:31:14','2016-02-03 01:31:14','','Scan0002','','inherit','open','closed','','scan0002-10','','','2016-02-02 17:31:14','2016-02-03 01:31:14','',2950,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0002-2.jpg',0,'attachment','image/jpeg',0),(2953,15,'2016-02-02 17:33:15','2016-02-03 01:33:15','','Scan0003','','inherit','open','closed','','scan0003-10','','','2016-02-02 17:33:15','2016-02-03 01:33:15','',2950,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0003-2.jpg',0,'attachment','image/jpeg',0),(2954,15,'2016-02-02 17:34:27','2016-02-03 01:34:27','','Scan0013','','inherit','open','closed','','scan0013-3','','','2016-02-02 17:34:27','2016-02-03 01:34:27','',2950,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0013.jpg',0,'attachment','image/jpeg',0),(2955,15,'2016-02-02 17:34:41','2016-02-03 01:34:41','','Scan0003','','inherit','open','closed','','scan0003-11','','','2016-02-02 17:34:41','2016-02-03 01:34:41','',2950,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0003-3.jpg',0,'attachment','image/jpeg',0),(2956,15,'2016-02-02 17:38:17','2016-02-03 01:38:17','','Scan0004','','inherit','open','closed','','scan0004-10','','','2016-02-02 17:38:17','2016-02-03 01:38:17','',2950,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0004-2.jpg',0,'attachment','image/jpeg',0),(2957,15,'2016-02-02 17:39:13','2016-02-03 01:39:13','','Scan0005','','inherit','open','closed','','scan0005-9','','','2016-02-02 17:39:13','2016-02-03 01:39:13','',2950,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0005-2.jpg',0,'attachment','image/jpeg',0),(2958,15,'2016-02-02 17:40:32','2016-02-03 01:40:32','','Scan0006','','inherit','open','closed','','scan0006-8','','','2016-02-02 17:40:32','2016-02-03 01:40:32','',2950,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0006-2.jpg',0,'attachment','image/jpeg',0),(2959,15,'2016-02-02 17:40:34','2016-02-03 01:40:34','','Scan0014','','inherit','open','closed','','scan0014-2','','','2016-02-02 17:40:34','2016-02-03 01:40:34','',2950,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0014.jpg',0,'attachment','image/jpeg',0),(2960,15,'2016-02-02 17:43:01','2016-02-03 01:43:01','','Scan0007','','inherit','open','closed','','scan0007-7','','','2016-02-02 17:43:01','2016-02-03 01:43:01','',2950,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0007-2.jpg',0,'attachment','image/jpeg',0),(2961,15,'2016-02-02 17:44:04','2016-02-03 01:44:04','','Scan0008','','inherit','open','closed','','scan0008-7','','','2016-02-02 17:44:04','2016-02-03 01:44:04','',2950,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0008-1.jpg',0,'attachment','image/jpeg',0),(2962,15,'2016-02-02 17:45:03','2016-02-03 01:45:03','','Scan0015','','inherit','open','closed','','scan0015-2','','','2016-02-02 17:45:03','2016-02-03 01:45:03','',2950,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0015.jpg',0,'attachment','image/jpeg',0),(2963,15,'2016-02-02 17:46:21','2016-02-03 01:46:21','          Ok guys, round three of the facial feature tutorial for color pencils; another quick but effective one. Let’s hop on it. The mouth is a fairly simply organ to draw. There are differences in both a man’s and woman’s lips and we will look at both differences and approach both contrasts in diverse ways. As a child the mouth was simple to draw; just draw a simple horizontal line across the bottom of the face and call it a day. As you progress into an artist, you understood that a lip formation was necessary not to mention teeth and gums. We’ll look at three examples and hopefully you’ll understand the method. With that being said I welcome any veteran artist to supply any suggestions to me that would help me – there is a certain way how I do the mouth and if someone has a different approach, I’m willing to listen.\r\n\r\n\"Scan0001\"\r\n\r\nThe first picture shows the basics. This, in my opinion, is how you start drawing out the mouth of a female. Female lips are full and the top and bottom lips need to be illustrated fully. Keep in mind this will be in color pencil so make sure you make the lines lite or use a Blu Tack erasure to lighten the marks later. \r\n\r\n\"Scan0002\"\r\n\r\nIn this picture, you got two things going on here: first off you want to darken where the opening and closing of lips are. Here I use a tortillion to smudge the line to show some soft shading. I also use it at both of the corners of the mouth. I then start to add Col-Erase Scarlet Red to the top lip. I think it should be mention as I did in previous articles that using Col-Erase color pencils or Prismacolor pencils will show up way better on a scan picture then Sargent color pencil. I’m so done with that product. No wonder you can get them real cheap – you get what you pay for.\r\n\r\n[caption id=\"attachment_2955\" align=\"alignnone\" width=\"300\"]\"Scan0003\" Before computer smoothing[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2954\" align=\"alignnone\" width=\"300\"]\"Scan0013\" After computer smoothing[/caption]\r\n\r\nOK so in this picture, the lips are basically done. I added more markings to the lips and left some areas white to show glare and highlight. It’s safe to say that in this stage, you would burnish the picture. Just in case you forgot, burnishing is when you take a white pencil or any real light pencil (Prismacolor Cream or Cloud Blue are also good burnishing tools) and color over it to mimic a blending. Also don’t forget, you can you a colorless blender as well.\r\n\r\n\"Scan0004\"\r\n\r\n \r\n\r\nHere’s another example; this time we’ll do a mouth illustrating a smile. We start off simple at first. It really looks like much is not going on here; even no teeth are drawn in but it gets more complex as we move along. \r\n\r\n\"Scan0005\"\r\n\r\nHere we focus on forming the gums and teeth with Col-Erase Black pencil and Pink pencil. When forming the teeth, do not draw straight, continuous lines. You want to break up the lines some on each one to illustrate some shading and angle. Draw a little bit of it, stop and move done some if room permitting (also use the Col-Erase black pencil). You want to add some markings at the bottom of the teeth so it helps show form of the teeth. When forming the gums make sure you are forming arches near the top with the pink pencil.\r\n\r\n[caption id=\"attachment_2958\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Before computer smoothing[/caption]\r\n\r\n[caption id=\"attachment_2959\" align=\"alignnone\" width=\"300\"]\"Scan0014\" After computer smoothing[/caption]\r\n\r\n \r\n\r\n            In this last picture of this example, I added Col-Erase Scarlet Red to the majority of the lip taking care to lead some spots un-touch to illustrate glare. Also, I did the upper lip different this time; I did the markings horizontal while still keeping the traditional vertical lines on the bottom. Usually the top lip has a darker tone and lesser glare then the lower lip. Usually I keep that rule in mind when doing the lips and that’s why I tend to stray to this technique of coloring the lips.\r\n\r\n\"Scan0007\"\r\n\r\nThe last example we’ll look at is a man’s lip. Men’s lips are less fuller and smaller. We approach these lips by drawing the shaded parting of the lips and smaller top lip, but we only add some shading near the bottom of the lip to create the illusion that there is a bottom lip but its formation isn’t necessary.\r\n\r\n\"Scan0008\"\r\n\r\n          We then take a CLEAN tortillion and shade the bottom shade of the lip (in case I didn’t mention, Col-Erase pencils can blend and shade like regular B&W graphite pencils). While you still have the tortillion, smudge/shade the line that separates the top and bottom lip. You then want to add color to the upper lip. Start off first with Prismacolor Blush Pink at the corners and then extend out just a little. You then want to switch pencils and color the rest of the top lip with Prismacolor Beige Peach; you then want to go back and lightly color in some blush pink over the whole top lip. After that’s done, add more shading to form the bottom lip; use Prismacolor Dark Brown.\r\n\r\n\"Scan0015\"\r\n\r\n \r\n\r\nThe last thing you can do is the “Carlos” method if you want. Burnish it and then load it up on your computer and digitally smooth it out if that’s the look you’re going for. Other than that, you’re done. See you guys in the next tutorial!\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Drawing the Mouth in Color Pencil','','inherit','closed','closed','','2950-revision-v1','','','2016-02-02 17:46:21','2016-02-03 01:46:21','',2950,'http://www.letsdrawpeople.com/2950-revision-v1/',0,'revision','',0),(2964,15,'2016-02-03 20:44:40','2016-02-04 04:44:40','          It looks like the art gods have found favor on me again. Yep, you guys know the deal and the favorite subject that I’m covering today…..HAIR! I’m pretty sure you guys know how pretty stoke I am about drawing hair so I’ll spare you the details of my excitement and get right into the lesson. Here is the subject we’ll be studying today:\r\n\r\n\"IMG_1279\"\r\n\r\nI’ve used Jennifer in past articles so she’ll be our guinea pig in this article today. Look over her hair closely and try your best to follow me. Hopefully you have some Col-Erase color pencils – you’ll need them in this and future color pencil articles. If not, stop and order them or go out and buy them, I’ll be here waiting.\r\n\r\n\"Scan0001\"\r\n\r\n                         First off, as usual, sketch the model lightly. You’ll be lifting the dark marks with a Blu Tack erasure later when applying the different color pencils.\r\n\r\n\"Scan0002\"\r\n\r\n \r\n\r\n          Once you have the basic sketch, you want to add tone to the subject. Here you can see that I added Col-Erase Black to the darker areas of the hair as well as at the top of the head. I then smudged or blended the black using a tortillion. I have always read that many artists say to start off with the darker areas first. Sometimes I do, sometimes I don’t. It just mostly depends on the subject I’m working on at that moment. \r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\n          Moving right along, I started using my camera instead of my scanner since it didn’t pick up light color that much. In this picture, even though I used my camera, the brown wasn’t picked up as well but at least you can see it and know what I’m doing. Here I lightly apply Col-Erase Brown in selective areas of the hair. \r\n\r\n\"scan0004\"\r\n\r\n \r\n\r\nNext I apply Col-Erase canary yellow to spots that are not colored.\r\n\r\n\"Scan0005\"\r\n\r\n          I then take a tortillion and smudge the entire hair area. As I have stated in previous articles, Col-Erase pencils are blendable. Prismacolor are too but to an extent and they do not extend their blend smoothly to the corresponding area as easily as Col-Erase does. With Prismacolor, it’s best to blend by using a Prismacolor white color pencil or a colorless blender. After I applied the smudging, I then used Prismacolor dark brown to go over the majority of the hair to give it a somewhat glossy look. I then take a Prismacolor white pencil and colored over it to illustrate a blend which I don’t think you can see in this photo. I think it was done in the next and final step. \r\n\r\n\"Scan0006\"\r\n\r\n \r\n\r\n          The last and final step is always optional. It just depends on how much of a finished look you are going for. Basically, the previous step before this one is considered the final step but if you are going for the computer look here you go. Just load the semi-finished piece onto your computer and then use your paint shop program to “smooth” the drawing. It may look a little blurry, especially since the surroundings are pretty plain with no color or back ground; it would look better if the previous was done. If you want, go to my website and you will see some computer enhancements that were done. One of them, “Enticement” was actually done in crayon and I smoothed it out and now you can’t tell. Again, how you finish a piece is your prerogative, but mine will always be finish it with computer finishing. Hopefully you can take that information and apply it to some of your work. See you guys in the next round! \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Drawing Hair in Color Pencil','','pending','closed','open','','','','','2016-06-18 09:48:52','2016-06-18 16:48:52','',0,'http://www.letsdrawpeople.com/?p=2964',0,'post','',0),(2965,15,'2016-02-03 20:32:47','2016-02-04 04:32:47','','IMG_1279','','inherit','open','closed','','img_1279','','','2016-02-03 20:32:47','2016-02-04 04:32:47','',2964,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/IMG_1279.jpg',0,'attachment','image/jpeg',0),(2966,15,'2016-02-03 20:35:59','2016-02-04 04:35:59','','Scan0001','','inherit','open','closed','','scan0001-10','','','2016-02-03 20:35:59','2016-02-04 04:35:59','',2964,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0001-3.jpg',0,'attachment','image/jpeg',0),(2967,15,'2016-02-03 20:37:06','2016-02-04 04:37:06','','Scan0002','','inherit','open','closed','','scan0002-11','','','2016-02-03 20:37:06','2016-02-04 04:37:06','',2964,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0002-3.jpg',0,'attachment','image/jpeg',0),(2968,15,'2016-02-03 20:38:29','2016-02-04 04:38:29','','Scan0003','','inherit','open','closed','','scan0003-12','','','2016-02-03 20:38:29','2016-02-04 04:38:29','',2964,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0003-4.jpg',0,'attachment','image/jpeg',0),(2969,15,'2016-02-03 20:40:03','2016-02-04 04:40:03','','scan0004','','inherit','open','closed','','scan0004-11','','','2016-02-03 20:40:03','2016-02-04 04:40:03','',2964,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/scan0004.jpg',0,'attachment','image/jpeg',0),(2970,15,'2016-02-03 20:41:21','2016-02-04 04:41:21','','Scan0005','','inherit','open','closed','','scan0005-10','','','2016-02-03 20:41:21','2016-02-04 04:41:21','',2964,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0005-3.jpg',0,'attachment','image/jpeg',0),(2971,15,'2016-02-03 20:42:44','2016-02-04 04:42:44','','Scan0006','','inherit','open','closed','','scan0006-9','','','2016-02-03 20:42:44','2016-02-04 04:42:44','',2964,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0006-3.jpg',0,'attachment','image/jpeg',0),(2972,15,'2016-02-03 20:44:40','2016-02-04 04:44:40','          It looks like the art gods have found favor on me again. Yep, you guys know the deal and the favorite subject that I’m covering today…..HAIR! I’m pretty sure you guys know how pretty stoke I am about drawing hair so I’ll spare you the details of my excitement and get right into the lesson. Here is the subject we’ll be studying today:\r\n\r\n\"IMG_1279\"\r\n\r\nI’ve used Jennifer in past articles so she’ll be our guinea pig in this article today. Look over her hair closely and try your best to follow me. Hopefully you have some Col-Erase color pencils – you’ll need them in this and future color pencil articles. If not, stop and order them or go out and buy them, I’ll be here waiting.\r\n\r\n\"Scan0001\"\r\n\r\n                         First off, as usual, sketch the model lightly. You’ll be lifting the dark marks with a Blu Tack erasure later when applying the different color pencils.\r\n\r\n\"Scan0002\"\r\n\r\n \r\n\r\n          Once you have the basic sketch, you want to add tone to the subject. Here you can see that I added Col-Erase Black to the darker areas of the hair as well as at the top of the head. I then smudged or blended the black using a tortillion. I have always read that many artists say to start off with the darker areas first. Sometimes I do, sometimes I don’t. It just mostly depends on the subject I’m working on at that moment. \r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\n          Moving right along, I started using my camera instead of my scanner since it didn’t pick up light color that much. In this picture, even though I used my camera, the brown wasn’t picked up as well but at least you can see it and know what I’m doing. Here I lightly apply Col-Erase Brown in selective areas of the hair. \r\n\r\n\"scan0004\"\r\n\r\n \r\n\r\nNext I apply Col-Erase canary yellow to spots that are not colored.\r\n\r\n\"Scan0005\"\r\n\r\n          I then take a tortillion and smudge the entire hair area. As I have stated in previous articles, Col-Erase pencils are blendable. Prismacolor are too but to an extent and they do not extend their blend smoothly to the corresponding area as easily as Col-Erase does. With Prismacolor, it’s best to blend by using a Prismacolor white color pencil or a colorless blender. After I applied the smudging, I then used Prismacolor dark brown to go over the majority of the hair to give it a somewhat glossy look. I then take a Prismacolor white pencil and colored over it to illustrate a blend which I don’t think you can see in this photo. I think it was done in the next and final step. \r\n\r\n\"Scan0006\"\r\n\r\n \r\n\r\n          The last and final step is always optional. It just depends on how much of a finished look you are going for. Basically, the previous step before this one is considered the final step but if you are going for the computer look here you go. Just load the semi-finished piece onto your computer and then use your paint shop program to “smooth” the drawing. It may look a little blurry, especially since the surroundings are pretty plain with no color or back ground; it would look better if the previous was done. If you want, go to my website and you will see some computer enhancements that were done. One of them, “Enticement” was actually done in crayon and I smoothed it out and now you can’t tell. Again, how you finish a piece is your prerogative, but mine will always be finish it with computer finishing. Hopefully you can take that information and apply it to some of your work. See you guys in the next round! \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Drawing Hair in Color Pencil','','inherit','closed','closed','','2964-revision-v1','','','2016-02-03 20:44:40','2016-02-04 04:44:40','',2964,'http://www.letsdrawpeople.com/2964-revision-v1/',0,'revision','',0),(2973,2,'2016-02-04 06:18:27','2016-02-04 14:18:27','

Maternity Drawing

\nConsider drawing a woman that is pregnant. There are many different body shapes between a woman who is pregnant and one who is not.\n\nWhile there are many months of different changes a woman’s body goes through, there are some important changes to notice.\n\n\"2\n\nWomen’s breasts will increase in size when they are pregnant. They also have a slightly different shape. For example, a woman\'s breasts will tend to be more round or full-looking.\n\n\"3\"                                   \"4\"\n\nA woman’s hips also tend to get more wide as her body gets ready to deliver, along with experiencing weight gain throughout her whole body during pregnancy.\n\nMost important is the baby bump or where the woman carries the child. Her belly will have a large increase of size and a dramatic shape change.\n\n\"5\"                                \"6\"\n\nTo draw the pregnant belly, I start with what looks like a normal belly and then create a large circle, appreciating the shape that I see on the woman. Use the tear drop shape for this part of her body as her belly is more round at the bottom and straightens out toward her rib cage. A pregnant belly will be quite round near the side of the woman as well. You can indicate this with a hint of shading or even a thin line that is round.\n\nKeep in mind there are 9 months of pregnancy, so there are many different ways to draw a pregnant woman. Also, each woman carries a child differently and each child is different. These ideas will only give you a basic understanding of the figure of a pregnant woman.\n\n\"7\"\n

Breastfeeding

\nSketch a basic outline sketch for both people. Consider actually drawing over the top of other body parts as if they were see-through.\n\nComplete a full sketch of both people. Then once you have done this, start erasing the unnecessary lines.\n\nDrawing people sitting together behind one another or interacting in many ways can be difficult, as their bodies where they touch will hide, distort, and change how the body looks.\n\nIn this drawing, pay attention to the hand as the baby holds her mother\'s breast. The breast responds to the pressure the figure is creating, making indents.\n\nTo draw the baby\'s face, draw the whole face and then draw the shape of the breast hiding part of the mouth of the baby.\n\nSmall details like the folds in the skin or pressure points of contact will create a more realistic drawing.\n\nUnderstanding body type will help you with this. In general, women have softer bodies, so a woman’s body will respond to touch better than a male body.\n

\n\"773_10206255896210951_5597311057490364261_n\" \"535049_10206255896370955_8269886950683640004_n\" \"10277001_10206255895890943_5238965720297618814_n\"\n\n\"734829_10206255895730939_302612655374693973_n\"\n\n\"final\"\n

Expression

\nConsider the emotions in the drawing of a woman. Women go through a lot of emotional changes when becoming a mother. I think nothing is more beautiful than a woman who loves her body while pregnant or holding a baby so blissfully. Happiness is a great expression for drawing mother and child.\n\nThere are many things to consider when drawing mothers and babies, so keep an open mind and explore the possibilities.','How to Draw Mothers and Babies','','inherit','closed','closed','','2509-autosave-v1','','','2016-02-04 06:18:27','2016-02-04 14:18:27','',2509,'http://www.letsdrawpeople.com/2509-autosave-v1/',0,'revision','',0),(2974,2,'2016-02-03 21:55:37','2016-02-04 05:55:37','

Maternity Drawing

\r\nConsider drawing a woman that is pregnant. There are many different body shapes between a woman who is pregnant and one who is not.\r\n\r\nWhile there are many months of different changes a woman’s body goes through, there are some important changes to notice.\r\n\r\n\"2\r\n\r\nWomen’s breasts will increase in size when they are pregnant. They also have a slightly different shape. For example, a woman\'s breasts will tend to be more round or full looking.\r\n\r\n\"3\"                                   \"4\"\r\n\r\nA woman’s hips also tend to get more wide as her body gets ready to deliver, along with experiencing weight gain throughout her whole body during pregnancy.\r\n\r\nMost important is the baby bump or where the woman carries the child. Her belly will have a large increase of size and a dramatic shape change.\r\n\r\n\"5\"                                \"6\"\r\n\r\nTo draw the pregnant belly: I start with what looks like a normal belly and then create a large circle, appreciating the shape that I see on the woman. Use the tear drop shape for this part of her body as her belly is more round at the bottom and straightens out toward her rib cage. A pregnant belly will be quite round near the side of the woman as well. You can indicate this with a hint of shading or even a thin line that is round.\r\n\r\nKeep in mind there are 9 months of pregnancy, so there are many different ways to draw a pregnant woman. Also, each woman carries a child differently and each child is different. These ideas will only give you a basic understanding of the figure of a pregnant woman.\r\n\r\n \r\n\r\n \r\n\r\n\"7\"\r\n\r\nBreastfeeding\r\n\r\nOverlapping:\r\n\r\nSketch a basic outline sketch for both people consider actually drawing over top of other body parts as if they where see through\r\n\r\nComplete a full sketch of both people , then once you done this start erasing the unnecessary line.\r\n\r\nDrawing people sitting together behind one another or interacting in any ways can be difficulty as there bodies where they touch will hide distort and change how the body looks.\r\n\r\nIn this drawing pay attention to the hand as the baby hold her mothers breast the breast responds the pressure the figure are creating making indents.\r\n\r\nTo draw the baby face draw the whole face and then draw the shape of the breast hiding part of the mouth of the baby.\r\n\r\nSmall details like the folds in the skin or pressure points of contact will create a more realistic drawing.\r\nUnderstanding body type will help you with this in general woman have ore soft bodies so a woman’s body will respond to touch better then a male body.\r\n\r\nExpression, Consider the emotions in the drawing for woman, woman go though allot of emotional changes becoming a mother, I think nothing is more beautiful they a woman that loves her body while pregnant or holding a baby so blissful or happiness is a great expression for drawing mother and child.\r\n\r\n\"773_10206255896210951_5597311057490364261_n\" \"535049_10206255896370955_8269886950683640004_n\" \"10277001_10206255895890943_5238965720297618814_n\"\r\n\r\n\"734829_10206255895730939_302612655374693973_n\"\r\n\r\n\"final\"\r\n\r\n \r\n\r\nThere are many things to consider when drawing woman so keep a open mind and explore the possibilities.','How to Draw Mothers and Babies','','inherit','closed','closed','','2509-revision-v1','','','2016-02-03 21:55:37','2016-02-04 05:55:37','',2509,'http://www.letsdrawpeople.com/2509-revision-v1/',0,'revision','',0),(2975,15,'2016-02-04 04:01:23','2016-02-04 12:01:23','          OK guys, it’s that time again and you’ll need to roll up your sleeve for this one. Today we’ll be looking at the ear – something I’ve always looked at with disguised. It has always been a challenge to me just for the simple fact that there are bumps, crevices, and hills within that organ even before you get into the inner ear canal. I think this lesson requires a step-by-step drawing tutorial on how to draw the ear from scratch. I know there are tutorials on this website already on drawing the ear from scratch but one can never have enough – especially when it comes to drawing the ear – then again it might just be me. As an added bonus, I’ll supply a quick tutorial on how to draw the lazy man’s ear as well. To me, it’s a very quick sketch and shade fill in that will save you some heartache. Enough of the procrastination, let’s tackle this subject with full force. \r\n\r\n                                                                       The pictures below illustrate the basics on how the ear is formed and drawn:\r\n\r\n \r\n\r\n\"Scan0006\" \"Scan0007\" \"Scan0008\" \"Scan0009\" \"Scan0010\"\r\n\r\n                                                                        We will be following this small tutorial to help us draw out our own ear. \r\n\r\nThe first part is very simple. All you need to draw is an upside down egg and don’t close it up. Leave it half way open on one end and you have the outside formed…….well sort of.\r\n\r\n\"Scan0001\"\r\n\r\n \r\n\r\nThe next step requires that you add a hook on the inside. Well it’s not a hook fully, but you want to keep in mind that you want to follow the outer rim until you get close to the bottom and stop from there. \r\n\r\n\"Scan0002\"\r\n\r\n           You want to then add the inside of the ear. It’s kind of hard to explain what type of object you can keep in mind when drawing this but your best bet is to look closely at this or the basic drawing of the ear that was shown earlier on this tutorial or even look at the other tutorials on this website to get a feel of how to draw the ear inners. I would say it looks like a “y” on its side – maybe that could fuel your imagination some. \r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\n \r\n\r\n          After you have figured out the inners of the ear, add a small half circle at the top of the ear. This will be the small indention that is on every ear……yes people, I have looked in the mirror and it’s there and I cannot ignore a small detail like that. I didn’t believe it at first but it’s there – no matter how small or insignificant it is, it’s there. Its main purpose in any drawing or painting is to illustrate a spot where shading can be used and drawn out and making the ear look more realistic.\r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\n \r\n\r\n \r\n\r\nNext step is easy, take a Col-Erase black pencil or any other non-Sargent color pencil and add some shading to the inner ear. You want to smooth the black lead with a tortillion and then add some Col-Erase pink to the edges of the ear as well as near the bottom. This isn’t required; depending on how the subject is angled and where the light source is coming from, color and shading will vary. It also depends on what the subject is doing. If the subject is running or doing any physical activity that requires their blood to rush to certain areas of the body, they will appear to be more reddish/flushed, or pink. Yes, being an artist requires some knowledge of the anatomy and how it works.\r\n\r\n\"IMG_0200\" \"Scan0005\"\r\n\r\nI then take Prismacolor beige peach and color the majority of the ear except on the ear rim some just to show some light reflection/glare.\r\n\r\n \r\n\r\n \r\n\r\nI then add some Col-Erase brown to diverse areas of the ear to illustrate diverse tone going on. I especially concentrate putting it near or on the ear rim to show shading. I then load it on my computer and finish it by smoothing it out using PaintShop Pro. In case I never told you, the purpose of computer smoothing is to eliminate color pencil scribble. This helps make distracting marks disappear. The price for doing this is it might look blurry some but if you (1) go over it 3 times or more, it should eliminate the majority of it and (2) if you have a background and other entities in the picture, they will take the focus off of it.\r\n\r\n \r\n\r\n\"IMG_0205\" \"IMG_0214\" \"IMG_0215\"\r\n\r\n \r\n\r\n \r\n\r\n                                                                                          Ready to do the ear of the lazy man way? Well here it is.\r\n\r\n \r\n\r\n \r\n\r\nFirst step: you guess it, the half opened, upside down egg.\r\n\r\n\"Scan0011\"\r\n\r\n          This step is where the laziness comes in. As you can see, there is really no ear bumps or crevices to deal with here. The only thing you need to know is have a general idea of the ear’s anatomy so that you can apply the shading correctly or at least get the majority correct. Use Col-Erase black pencil to apply the shade or any pencil or color pencil. Anything will do except Sargent’s color pencil; they’re an abomination to God. \r\n\r\n\"Scan0012\"\r\n\r\n          Ok so we got two colors going on here. I first applied Col-Erase pink. I only applied it sparingly in certain areas. Nowhere in particular, I just wanted to spread the color in certain areas to illustrate various tones. With that being said, I then added, you guess it, Prismacolor beige peach to the whole ear. The picture looks a little rough and amateurish but no worries, we got one more step!\r\n\r\n \r\n\r\n\"IMG_0219\"\r\n\r\n \r\n\r\nThe last and final step is of course, computer smoothing. Look at the computer smoothing picture in contrast to the last rough, looking color pencil picture. Do you see why I prefer to smooth it out on computer? You could do it manually but it not only requires blending with either a white pencil or a colorless blender, it requires that you color the designated color harder into the subject which I’m not still too crazy about. Maybe one day I get the courage to do so but at the moment, I’m content with the computer smoothing. Hopefully you guys can find some contentment with this technique for now. See you guys in the next lesson!\r\n\r\n\"IMG_0220\"\r\n\r\n \r\n\r\n ','Drawing the Ear in Color Pencil','','pending','closed','open','','','','','2016-06-18 09:48:40','2016-06-18 16:48:40','',0,'http://www.letsdrawpeople.com/?p=2975',0,'post','',0),(2976,15,'2016-02-04 03:40:33','2016-02-04 11:40:33','','Scan0006','','inherit','open','closed','','scan0006-10','','','2016-02-04 03:40:33','2016-02-04 11:40:33','',2975,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0006-4.jpg',0,'attachment','image/jpeg',0),(2977,15,'2016-02-04 03:40:36','2016-02-04 11:40:36','','Scan0007','','inherit','open','closed','','scan0007-8','','','2016-02-04 03:40:36','2016-02-04 11:40:36','',2975,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0007-3.jpg',0,'attachment','image/jpeg',0),(2978,15,'2016-02-04 03:40:38','2016-02-04 11:40:38','','Scan0008','','inherit','open','closed','','scan0008-8','','','2016-02-04 03:40:38','2016-02-04 11:40:38','',2975,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0008-2.jpg',0,'attachment','image/jpeg',0),(2979,15,'2016-02-04 03:40:40','2016-02-04 11:40:40','','Scan0009','','inherit','open','closed','','scan0009-2','','','2016-02-04 03:40:40','2016-02-04 11:40:40','',2975,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0009.jpg',0,'attachment','image/jpeg',0),(2980,15,'2016-02-04 03:40:41','2016-02-04 11:40:41','','Scan0010','','inherit','open','closed','','scan0010-2','','','2016-02-04 03:40:41','2016-02-04 11:40:41','',2975,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0010.jpg',0,'attachment','image/jpeg',0),(2981,15,'2016-02-04 03:42:50','2016-02-04 11:42:50','','Scan0001','','inherit','open','closed','','scan0001-11','','','2016-02-04 03:42:50','2016-02-04 11:42:50','',2975,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0001-4.jpg',0,'attachment','image/jpeg',0),(2982,15,'2016-02-04 03:43:38','2016-02-04 11:43:38','','Scan0002','','inherit','open','closed','','scan0002-12','','','2016-02-04 03:43:38','2016-02-04 11:43:38','',2975,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0002-4.jpg',0,'attachment','image/jpeg',0),(2983,15,'2016-02-04 03:44:45','2016-02-04 11:44:45','','Scan0003','','inherit','open','closed','','scan0003-13','','','2016-02-04 03:44:45','2016-02-04 11:44:45','',2975,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0003-5.jpg',0,'attachment','image/jpeg',0),(2984,15,'2016-02-04 03:45:55','2016-02-04 11:45:55','','Scan0004','','inherit','open','closed','','scan0004-12','','','2016-02-04 03:45:55','2016-02-04 11:45:55','',2975,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0004-3.jpg',0,'attachment','image/jpeg',0),(2985,15,'2016-02-04 03:47:51','2016-02-04 11:47:51','','IMG_0200','','inherit','open','closed','','img_0200','','','2016-02-04 03:47:51','2016-02-04 11:47:51','',2975,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/IMG_0200.jpg',0,'attachment','image/jpeg',0),(2986,15,'2016-02-04 03:47:53','2016-02-04 11:47:53','','Scan0005','','inherit','open','closed','','scan0005-11','','','2016-02-04 03:47:53','2016-02-04 11:47:53','',2975,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0005-4.jpg',0,'attachment','image/jpeg',0),(2987,15,'2016-02-04 03:49:39','2016-02-04 11:49:39','','IMG_0205','','inherit','open','closed','','img_0205','','','2016-02-04 03:49:39','2016-02-04 11:49:39','',2975,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/IMG_0205.jpg',0,'attachment','image/jpeg',0),(2988,15,'2016-02-04 03:49:48','2016-02-04 11:49:48','','IMG_0214','','inherit','open','closed','','img_0214','','','2016-02-04 03:49:48','2016-02-04 11:49:48','',2975,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/IMG_0214.jpg',0,'attachment','image/jpeg',0),(2989,15,'2016-02-04 03:49:55','2016-02-04 11:49:55','','IMG_0215','','inherit','open','closed','','img_0215','','','2016-02-04 03:49:55','2016-02-04 11:49:55','',2975,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/IMG_0215.jpg',0,'attachment','image/jpeg',0),(2990,15,'2016-02-04 03:55:44','2016-02-04 11:55:44','','Scan0011','','inherit','open','closed','','scan0011-4','','','2016-02-04 03:55:44','2016-02-04 11:55:44','',2975,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0011.jpg',0,'attachment','image/jpeg',0),(2991,15,'2016-02-04 03:56:42','2016-02-04 11:56:42','','Scan0012','','inherit','open','closed','','scan0012-3','','','2016-02-04 03:56:42','2016-02-04 11:56:42','',2975,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/Scan0012.jpg',0,'attachment','image/jpeg',0),(2992,15,'2016-02-04 03:58:33','2016-02-04 11:58:33','','IMG_0219','','inherit','open','closed','','img_0219','','','2016-02-04 03:58:33','2016-02-04 11:58:33','',2975,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/IMG_0219.jpg',0,'attachment','image/jpeg',0),(2993,15,'2016-02-04 03:59:41','2016-02-04 11:59:41','','IMG_0220','','inherit','open','closed','','img_0220','','','2016-02-04 03:59:41','2016-02-04 11:59:41','',2975,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/IMG_0220.jpg',0,'attachment','image/jpeg',0),(2994,15,'2016-02-04 04:01:23','2016-02-04 12:01:23','          OK guys, it’s that time again and you’ll need to roll up your sleeve for this one. Today we’ll be looking at the ear – something I’ve always looked at with disguised. It has always been a challenge to me just for the simple fact that there are bumps, crevices, and hills within that organ even before you get into the inner ear canal. I think this lesson requires a step-by-step drawing tutorial on how to draw the ear from scratch. I know there are tutorials on this website already on drawing the ear from scratch but one can never have enough – especially when it comes to drawing the ear – then again it might just be me. As an added bonus, I’ll supply a quick tutorial on how to draw the lazy man’s ear as well. To me, it’s a very quick sketch and shade fill in that will save you some heartache. Enough of the procrastination, let’s tackle this subject with full force. \r\n\r\n                                                                       The pictures below illustrate the basics on how the ear is formed and drawn:\r\n\r\n \r\n\r\n\"Scan0006\" \"Scan0007\" \"Scan0008\" \"Scan0009\" \"Scan0010\"\r\n\r\n                                                                        We will be following this small tutorial to help us draw out our own ear. \r\n\r\nThe first part is very simple. All you need to draw is an upside down egg and don’t close it up. Leave it half way open on one end and you have the outside formed…….well sort of.\r\n\r\n\"Scan0001\"\r\n\r\n \r\n\r\nThe next step requires that you add a hook on the inside. Well it’s not a hook fully, but you want to keep in mind that you want to follow the outer rim until you get close to the bottom and stop from there. \r\n\r\n\"Scan0002\"\r\n\r\n           You want to then add the inside of the ear. It’s kind of hard to explain what type of object you can keep in mind when drawing this but your best bet is to look closely at this or the basic drawing of the ear that was shown earlier on this tutorial or even look at the other tutorials on this website to get a feel of how to draw the ear inners. I would say it looks like a “y” on its side – maybe that could fuel your imagination some. \r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\n \r\n\r\n          After you have figured out the inners of the ear, add a small half circle at the top of the ear. This will be the small indention that is on every ear……yes people, I have looked in the mirror and it’s there and I cannot ignore a small detail like that. I didn’t believe it at first but it’s there – no matter how small or insignificant it is, it’s there. Its main purpose in any drawing or painting is to illustrate a spot where shading can be used and drawn out and making the ear look more realistic.\r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\n \r\n\r\n \r\n\r\nNext step is easy, take a Col-Erase black pencil or any other non-Sargent color pencil and add some shading to the inner ear. You want to smooth the black lead with a tortillion and then add some Col-Erase pink to the edges of the ear as well as near the bottom. This isn’t required; depending on how the subject is angled and where the light source is coming from, color and shading will vary. It also depends on what the subject is doing. If the subject is running or doing any physical activity that requires their blood to rush to certain areas of the body, they will appear to be more reddish/flushed, or pink. Yes, being an artist requires some knowledge of the anatomy and how it works.\r\n\r\n\"IMG_0200\" \"Scan0005\"\r\n\r\nI then take Prismacolor beige peach and color the majority of the ear except on the ear rim some just to show some light reflection/glare.\r\n\r\n \r\n\r\n \r\n\r\nI then add some Col-Erase brown to diverse areas of the ear to illustrate diverse tone going on. I especially concentrate putting it near or on the ear rim to show shading. I then load it on my computer and finish it by smoothing it out using PaintShop Pro. In case I never told you, the purpose of computer smoothing is to eliminate color pencil scribble. This helps make distracting marks disappear. The price for doing this is it might look blurry some but if you (1) go over it 3 times or more, it should eliminate the majority of it and (2) if you have a background and other entities in the picture, they will take the focus off of it.\r\n\r\n \r\n\r\n\"IMG_0205\" \"IMG_0214\" \"IMG_0215\"\r\n\r\n \r\n\r\n \r\n\r\n                                                                                          Ready to do the ear of the lazy man way? Well here it is.\r\n\r\n \r\n\r\n \r\n\r\nFirst step: you guess it, the half opened, upside down egg.\r\n\r\n\"Scan0011\"\r\n\r\n          This step is where the laziness comes in. As you can see, there is really no ear bumps or crevices to deal with here. The only thing you need to know is have a general idea of the ear’s anatomy so that you can apply the shading correctly or at least get the majority correct. Use Col-Erase black pencil to apply the shade or any pencil or color pencil. Anything will do except Sargent’s color pencil; they’re an abomination to God. \r\n\r\n\"Scan0012\"\r\n\r\n          Ok so we got two colors going on here. I first applied Col-Erase pink. I only applied it sparingly in certain areas. Nowhere in particular, I just wanted to spread the color in certain areas to illustrate various tones. With that being said, I then added, you guess it, Prismacolor beige peach to the whole ear. The picture looks a little rough and amateurish but no worries, we got one more step!\r\n\r\n \r\n\r\n\"IMG_0219\"\r\n\r\n \r\n\r\nThe last and final step is of course, computer smoothing. Look at the computer smoothing picture in contrast to the last rough, looking color pencil picture. Do you see why I prefer to smooth it out on computer? You could do it manually but it not only requires blending with either a white pencil or a colorless blender, it requires that you color the designated color harder into the subject which I’m not still too crazy about. Maybe one day I get the courage to do so but at the moment, I’m content with the computer smoothing. Hopefully you guys can find some contentment with this technique for now. See you guys in the next lesson!\r\n\r\n\"IMG_0220\"\r\n\r\n \r\n\r\n ','Drawing the Ear in Color Pencil','','inherit','closed','closed','','2975-revision-v1','','','2016-02-04 04:01:23','2016-02-04 12:01:23','',2975,'http://www.letsdrawpeople.com/2975-revision-v1/',0,'revision','',0),(2995,2,'2016-02-04 06:21:02','2016-02-04 14:21:02','

Maternity Drawing

\r\nConsider drawing a woman that is pregnant. There are many different body shapes between a woman who is pregnant and one who is not.\r\n\r\nWhile there are many months of different changes a woman’s body goes through, there are some important changes to notice.\r\n\r\n\"2\r\n\r\nWomen’s breasts will increase in size when they are pregnant. They also have a slightly different shape. For example, a woman\'s breasts will tend to be more round or full-looking.\r\n\r\n\"3\"                                   \"4\"\r\n\r\nA woman’s hips also tend to get more wide as her body gets ready to deliver, along with experiencing weight gain throughout her whole body during pregnancy.\r\n\r\nMost important is the baby bump or where the woman carries the child. Her belly will have a large increase of size and a dramatic shape change.\r\n\r\n\"5\"                                \"6\"\r\n\r\nTo draw the pregnant belly, I start with what looks like a normal belly and then create a large circle, appreciating the shape that I see on the woman. Use the tear drop shape for this part of her body as her belly is more round at the bottom and straightens out toward her rib cage. A pregnant belly will be quite round near the side of the woman as well. You can indicate this with a hint of shading or even a thin line that is round.\r\n\r\nKeep in mind there are 9 months of pregnancy, so there are many different ways to draw a pregnant woman. Also, each woman carries a child differently and each child is different. These ideas will only give you a basic understanding of the figure of a pregnant woman.\r\n\r\n\"7\"\r\n

Breastfeeding

\r\nSketch a basic outline sketch for both people. Consider actually drawing over the top of other body parts as if they were see-through.\r\n\r\nComplete a full sketch of both people. Then once you have done this, start erasing the unnecessary lines.\r\n\r\nDrawing people sitting together behind one another or interacting in many ways can be difficult, as their bodies where they touch will hide, distort, and change how the body looks.\r\n\r\nIn this drawing, pay attention to the hand as the baby holds her mother\'s breast. The breast responds to the pressure the figure is creating, making indents.\r\n\r\nTo draw the baby\'s face, draw the whole face and then draw the shape of the breast hiding part of the mouth of the baby.\r\n\r\nSmall details like the folds in the skin or pressure points of contact will create a more realistic drawing.\r\n\r\nUnderstanding body type will help you with this. In general, women have softer bodies, so a woman’s body will respond to touch better than a male body.\r\n

\r\n\"773_10206255896210951_5597311057490364261_n\" \"535049_10206255896370955_8269886950683640004_n\" \"10277001_10206255895890943_5238965720297618814_n\"\r\n\r\n\"734829_10206255895730939_302612655374693973_n\"\r\n\r\n\"final\"\r\n

Expression

\r\nConsider the emotions in the drawing of a woman. Women go through a lot of emotional changes when becoming a mother. I think nothing is more beautiful than a woman who loves her body while pregnant or holding a baby so blissfully. Happiness is a great expression for drawing mother and child.\r\n\r\nThere are many things to consider when drawing mothers and babies, so keep an open mind and explore the possibilities.','How to Draw Mothers and Babies','','inherit','closed','closed','','2509-revision-v1','','','2016-02-04 06:21:02','2016-02-04 14:21:02','',2509,'http://www.letsdrawpeople.com/2509-revision-v1/',0,'revision','',0),(2998,2,'2016-02-05 20:56:35','2016-02-06 04:56:35','','how to draw tom brady reference','','inherit','open','closed','','how-to-draw-tom-brady-reference-2','','','2016-02-05 20:56:35','2016-02-06 04:56:35','',2836,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/how-to-draw-tom-brady-reference.jpg',0,'attachment','image/jpeg',0),(2997,2,'2016-02-05 20:14:24','2016-02-06 04:14:24','\"how-to-draw-tom-brady-reference\"\r\n\r\nOk kiddos I’m back – it’s the artist you love to hate! First off I need to apologize because my scanner was in that mood where it wanted to do want it wants so some scans will have black smudges on them…..bummer. The other thing is I was not feeling this drawing, sort of. As the title stated, this is a drawing of Tom Brady…….a man! As I have stated in previous articles, I’m not into drawing men, I lean a lot toward women because well, I’m a guy! There’s no stimulation for me in drawing men but as an artist one needs to be diversify, I cannot limit myself to just women only. Even though I’ll grumble under my breathe about having a man as an art subject, I know it’s necessary to draw them if I want to flourish and grow into a better and diversified artist. With that being said, let’s bite down and get through this one.\r\n\r\n \r\n\r\n\"Scan0001\"\r\n\r\n \r\n\r\n          As I stated earlier, this is a guy so I wanted to finish this drawing quickly as possible; with that being said, I used a light box. I used it not only for the subject in general but I wanted to caption his frizzled hair close as I could; not to mention I wanted to capture the majority of his Jersey wrinkles.\r\n\r\n \r\n\r\n\"Scan0002\"\r\n\r\n         Believe it or not, his eyes were a challenge for the simple fact that they didn’t show up well on the light box. I had to take a hypothetical guess as well as look at the original picture to get his eyes close to how they were in the original picture. I added some shading with a tortillion around the eye area and used a Blu Tack erasure to lift some of the markings in the lower, left corners of the eyes to illustrate some highlight.\r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\n          I then started on the mouth. It needs to be said that drawing the lips of men and women are different. With women, you want to add pencil/color to both the upper and lower lip section. With men, color in the upper lip but DO NOT ADD COLOR TO THE LOWER LIP PERIOD. What you want to do is add shading under the lower lip to show some form of the lower lip. Men’s lower lips usual illustrated the same skin tone that is in the surrounded mouth area. Usually there is a line to separate where the lip is and where the chin area is. Don’t believe me? Look at a cartoon with male characters in them and tell me what you see. The females have full lips that are red and the males always have a line to separate what is their lower lip and the chin area. In the case of the lip here, I just used a tortillion. If I got enough graphite on my tortillion from a previous job, I’ll just smudge what’s on there to give it a fainted/smudge look.  \r\n\r\n\"Scan0005\"\r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\n          Time to do some hair! In this case, I added more dark tone to the hair onto the previous dark markings from the light box sketch. I usually use a 2H pencil first, coloring in the graphite followed by tissue blending and then adding dark tone. In this case, I added the dark tone followed by some smudging with the tortillion. I then colored the hair with a 2H pencil and then added hair streaks/strands by using a pencil erasure.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0006\"\r\n\r\n                               To finish up the face, I just use a tortillion to smudge in some shade in the necessary areas; I had enough graphite on the tortillion.\r\n\r\n \r\n\r\n\"Scan0007\"\r\n\r\n \r\n\r\n                                       I then added some shading to the uniform with an HB pencil in some areas followed by shading and smudging with a tortillion.\r\n\r\n \r\n\r\n\"Scan0008\"\r\n\r\n \r\n\r\nI finish up the drawing with darkening of the paints and some shading of the arms (yes, I pulled out the tortillion again). I didn’t work on the hands; I provide a separate tutorial about that and I’ll probably do more on that subject in the future. Anywho, there you go ladies and gentlemen, the drawing of Tom Brady at his finest……well maybe not at his finest but you get the drift. Love him or hate him, he’s in a better position than us but it’s cool, we’re artist. Even when we’re 80 years old, we’ll still be drawing and painting. Can he still say the same about himself when he reaches that age?\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','How to Draw Tom Brady','','inherit','closed','closed','','2836-revision-v1','','','2016-02-05 20:14:24','2016-02-06 04:14:24','',2836,'http://www.letsdrawpeople.com/2836-revision-v1/',0,'revision','',0),(3002,2,'2016-02-05 21:28:36','2016-02-06 05:28:36',' \r\n\r\n \r\n\r\nOk kiddos I’m back – it’s the artist you love to hate! First off I need to apologize because my scanner was in that mood where it wanted to do want it wants, so some scans will have black smudges on them...bummer. The other thing is I was not feeling this drawing, sort of. As the title stated, this is a drawing of Tom Brady...a man!\r\n\r\n\"howAs I have stated in previous articles, I’m not into drawing men. I lean a lot toward women because well, I’m a guy! There’s no stimulation for me in drawing men, but as an artist one needs to diversify. I cannot limit myself to just women only.\r\n\r\nEven though I’ll grumble under my breath about having a man as an art subject, I know it’s necessary to draw them if I want to flourish and grow into a better and more diversified artist. With that being said, let’s bite down and get through this one.\r\n\r\nAs I stated earlier, this is a guy so I wanted to finish this drawing as quickly as possible. With that being said, I used a light box. I used it not only for the subject in general but I wanted to capture his frizzled hair as closely as I could; not to mention, I wanted to capture the majority of his jersey wrinkles.\r\n\r\n\"Scan0001-3\"\r\n\r\n \r\n\r\nBelieve it or not, his eyes were a challenge for the simple fact that they didn’t show up well on the light box. I had to take a hypothetical guess as well as look at the original picture to get his eyes close to how they were in the original picture. I added some shading with a tortillion around the eye area and used a Blu Tack erasure to lift some of the markings in the lower, left corners of the eyes to illustrate some highlight.\r\n\r\n\"Scan0002\"\r\n\r\n \r\n\r\nI then started on the mouth. It needs to be said that drawing the lips of men and women are different. With women, you want to add pencil or color to both the upper and lower lip section. With men, color in the upper lip but DO NOT ADD COLOR TO THE LOWER LIP PERIOD.\r\n\r\nWhat you want to do is add shading under the lower lip to show some form of the lower lip. Men’s lower lips are usually illustrated with the same skin tone that is in the surrounding mouth area. Usually there is a line to separate where the lip is and where the chin area is.\r\n\r\nDon’t believe me? Look at a cartoon with male characters in them and tell me what you see. The females have full lips that are red and the males always have a line to separate what is their lower lip and the chin area.\r\n\r\nIn the case of the lip here, I just used a tortillion. If I got enough graphite on my tortillion from a previous job, I’ll just smudge what’s on there to give it a fainted or smudged look.\r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\n \r\n\r\nTime to do some hair! In this case, I added more dark tone to the hair onto the previous dark markings from the light box sketch. I usually use a 2H pencil first, coloring in the graphite followed by tissue blending and then adding dark tone.\r\n\r\n\"Scan0004\"\r\n\r\n \r\n\r\nIn this case, I added the dark tone followed by some smudging with the tortillion. I then colored the hair with a 2H pencil and then added hair streaks and strands by using a pencil erasure.\r\n\r\n\"Scan0005\"\r\n\r\n \r\n\r\nTo finish up the face, I just use a tortillion to smudge in some shade in the necessary areas. I had enough graphite on the tortillion.\r\n\r\n\"Scan0006\"\r\n\r\n \r\n\r\n \r\n\r\nI then added some shading to the uniform with an HB pencil in some areas, followed by shading and smudging with a tortillion.\r\n\r\n\"Scan0007-2\"\r\n\r\n \r\n\r\n \r\n\r\nI finish up the drawing with darkening of the pants and some shading of the arms (yes, I pulled out the tortillion again). I didn’t work on the hands. I provide a separate tutorial about that and I’ll probably do more on that subject in the future.\r\n\r\nAnywho, there you go ladies and gentlemen, the drawing of Tom Brady at his finest……well maybe not at his finest, but you get the drift.\r\n\r\n\"how\r\n\r\nLove him or hate him, he’s in a better position than us, but it’s cool...we’re artists! Even when we’re 80 years old, we’ll still be drawing and painting. Can he still say the same about himself when he reaches that age?','How to Draw Tom Brady','','inherit','closed','closed','','2836-revision-v1','','','2016-02-05 21:28:36','2016-02-06 05:28:36','',2836,'http://www.letsdrawpeople.com/2836-revision-v1/',0,'revision','',0),(3003,2,'2016-02-05 21:29:05','2016-02-06 05:29:05','Ok kiddos I’m back – it’s the artist you love to hate! First off I need to apologize because my scanner was in that mood where it wanted to do want it wants, so some scans will have black smudges on them...bummer. The other thing is I was not feeling this drawing, sort of. As the title stated, this is a drawing of Tom Brady...a man!\r\n\r\n\"howAs I have stated in previous articles, I’m not into drawing men. I lean a lot toward women because well, I’m a guy! There’s no stimulation for me in drawing men, but as an artist one needs to diversify. I cannot limit myself to just women only.\r\n\r\nEven though I’ll grumble under my breath about having a man as an art subject, I know it’s necessary to draw them if I want to flourish and grow into a better and more diversified artist. With that being said, let’s bite down and get through this one.\r\n\r\nAs I stated earlier, this is a guy so I wanted to finish this drawing as quickly as possible. With that being said, I used a light box. I used it not only for the subject in general but I wanted to capture his frizzled hair as closely as I could; not to mention, I wanted to capture the majority of his jersey wrinkles.\r\n\r\n\"Scan0001-3\"\r\n\r\n \r\n\r\nBelieve it or not, his eyes were a challenge for the simple fact that they didn’t show up well on the light box. I had to take a hypothetical guess as well as look at the original picture to get his eyes close to how they were in the original picture. I added some shading with a tortillion around the eye area and used a Blu Tack erasure to lift some of the markings in the lower, left corners of the eyes to illustrate some highlight.\r\n\r\n\"Scan0002\"\r\n\r\n \r\n\r\nI then started on the mouth. It needs to be said that drawing the lips of men and women are different. With women, you want to add pencil or color to both the upper and lower lip section. With men, color in the upper lip but DO NOT ADD COLOR TO THE LOWER LIP PERIOD.\r\n\r\nWhat you want to do is add shading under the lower lip to show some form of the lower lip. Men’s lower lips are usually illustrated with the same skin tone that is in the surrounding mouth area. Usually there is a line to separate where the lip is and where the chin area is.\r\n\r\nDon’t believe me? Look at a cartoon with male characters in them and tell me what you see. The females have full lips that are red and the males always have a line to separate what is their lower lip and the chin area.\r\n\r\nIn the case of the lip here, I just used a tortillion. If I got enough graphite on my tortillion from a previous job, I’ll just smudge what’s on there to give it a fainted or smudged look.\r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\n \r\n\r\nTime to do some hair! In this case, I added more dark tone to the hair onto the previous dark markings from the light box sketch. I usually use a 2H pencil first, coloring in the graphite followed by tissue blending and then adding dark tone.\r\n\r\n\"Scan0004\"\r\n\r\n \r\n\r\nIn this case, I added the dark tone followed by some smudging with the tortillion. I then colored the hair with a 2H pencil and then added hair streaks and strands by using a pencil erasure.\r\n\r\n\"Scan0005\"\r\n\r\n \r\n\r\nTo finish up the face, I just use a tortillion to smudge in some shade in the necessary areas. I had enough graphite on the tortillion.\r\n\r\n\"Scan0006\"\r\n\r\n \r\n\r\n \r\n\r\nI then added some shading to the uniform with an HB pencil in some areas, followed by shading and smudging with a tortillion.\r\n\r\n\"Scan0007-2\"\r\n\r\n \r\n\r\n \r\n\r\nI finish up the drawing with darkening of the pants and some shading of the arms (yes, I pulled out the tortillion again). I didn’t work on the hands. I provide a separate tutorial about that and I’ll probably do more on that subject in the future.\r\n\r\nAnywho, there you go ladies and gentlemen, the drawing of Tom Brady at his finest……well maybe not at his finest, but you get the drift.\r\n\r\n\"how\r\n\r\nLove him or hate him, he’s in a better position than us, but it’s cool...we’re artists! Even when we’re 80 years old, we’ll still be drawing and painting. Can he still say the same about himself when he reaches that age?','How to Draw Tom Brady','','inherit','closed','closed','','2836-revision-v1','','','2016-02-05 21:29:05','2016-02-06 05:29:05','',2836,'http://www.letsdrawpeople.com/2836-revision-v1/',0,'revision','',0),(3004,2,'2016-02-05 21:35:42','2016-02-06 05:35:42','Ok kiddos I’m back – it’s the artist you love to hate! First off I need to apologize because my scanner was in that mood where it wanted to do want it wants, so some scans will have black smudges on them...bummer. The other thing is I was not feeling this drawing, sort of. As the title stated, this is a drawing of Tom Brady...a man!\r\n\r\n\"howAs I have stated in previous articles, I’m not into drawing men. I lean a lot toward women because well, I’m a guy! There’s no stimulation for me in drawing men, but as an artist one needs to diversify. I cannot limit myself to just women only.\r\n\r\nEven though I’ll grumble under my breath about having a man as an art subject, I know it’s necessary to draw them if I want to flourish and grow into a better and more diversified artist. With that being said, let’s bite down and get through this one.\r\n\r\nAs I stated earlier, this is a guy so I wanted to finish this drawing as quickly as possible. With that being said, I used a light box. I used it not only for the subject in general but I wanted to capture his frizzled hair as closely as I could; not to mention, I wanted to capture the majority of his jersey wrinkles.\r\n\r\n\"Scan0001-3\"\r\n\r\n \r\n\r\nBelieve it or not, his eyes were a challenge for the simple fact that they didn’t show up well on the light box. I had to take a hypothetical guess as well as look at the original picture to get his eyes close to how they were in the original picture. I added some shading with a tortillion around the eye area and used a Blu Tack erasure to lift some of the markings in the lower, left corners of the eyes to illustrate some highlight.\r\n\r\n\"Scan0002\"\r\n\r\n \r\n\r\nI then started on the mouth. It needs to be said that drawing the lips of men and women are different. With women, you want to add pencil or color to both the upper and lower lip section. With men, color in the upper lip but DO NOT ADD COLOR TO THE LOWER LIP - PERIOD.\r\n\r\nWhat you want to do is add shading under the lower lip to show some form of the lower lip. Men’s lower lips are usually illustrated with the same skin tone that is in the surrounding mouth area. Usually there is a line to separate where the lip is and where the chin area is.\r\n\r\nDon’t believe me? Look at a cartoon with male characters in them and tell me what you see. The females have full lips that are red and the males always have a line to separate what is their lower lip and the chin area.\r\n\r\nIn the case of the lip here, I just used a tortillion. If I got enough graphite on my tortillion from a previous job, I’ll just smudge what’s on there to give it a fainted or smudged look.\r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\n \r\n\r\nTime to do some hair! In this case, I added more dark tone to the hair onto the previous dark markings from the light box sketch. I usually use a 2H pencil first, coloring in the graphite followed by tissue blending and then adding dark tone.\r\n\r\n\"Scan0004\"\r\n\r\n \r\n\r\nIn this case, I added the dark tone followed by some smudging with the tortillion. I then colored the hair with a 2H pencil and then added hair streaks and strands by using a pencil erasure.\r\n\r\n\"Scan0005\"\r\n\r\n \r\n\r\nTo finish up the face, I just use a tortillion to smudge in some shade in the necessary areas. I had enough graphite on the tortillion.\r\n\r\n\"Scan0006\"\r\n\r\n \r\n\r\n \r\n\r\nI then added some shading to the uniform with an HB pencil in some areas, followed by shading and smudging with a tortillion.\r\n\r\n\"Scan0007-2\"\r\n\r\n \r\n\r\n \r\n\r\nI finish up the drawing with darkening of the pants and some shading of the arms (yes, I pulled out the tortillion again). I didn’t work on the hands. I provide a separate tutorial about that and I’ll probably do more on that subject in the future.\r\n\r\nAnywho, there you go ladies and gentlemen, the drawing of Tom Brady at his finest……well maybe not at his finest, but you get the drift.\r\n\r\n\"how\r\n\r\nLove him or hate him, he’s in a better position than us, but it’s cool...we’re artists! Even when we’re 80 years old, we’ll still be drawing and painting. Can he still say the same about himself when he reaches that age?','How to Draw Tom Brady','','inherit','closed','closed','','2836-revision-v1','','','2016-02-05 21:35:42','2016-02-06 05:35:42','',2836,'http://www.letsdrawpeople.com/2836-revision-v1/',0,'revision','',0),(3005,2,'2016-02-06 05:49:59','2016-02-06 13:49:59','Ok kiddos I’m back – it’s the artist you love to hate! First off I need to apologize because my scanner was in that mood where it wanted to do want it wants, so some scans will have black smudges on them...bummer. The other thing is I was not feeling this drawing, sort of. As the title stated, this is a drawing of Tom Brady...a man!\r\n\r\n[caption id=\"attachment_2998\" align=\"aligncenter\" width=\"480\"]\"how
© Jerry Coli | Dreamstime.com
[/caption]\r\n\r\nAs I have stated in previous articles, I’m not into drawing men. I lean a lot toward women because well, I’m a guy! There’s no stimulation for me in drawing men, but as an artist one needs to diversify. I cannot limit myself to just women only.\r\n\r\nEven though I’ll grumble under my breath about having a man as an art subject, I know it’s necessary to draw them if I want to flourish and grow into a better and more diversified artist. With that being said, let’s bite down and get through this one.\r\n\r\nAs I stated earlier, this is a guy so I wanted to finish this drawing as quickly as possible. With that being said, I used a light box. I used it not only for the subject in general but I wanted to capture his frizzled hair as closely as I could; not to mention, I wanted to capture the majority of his jersey wrinkles.\r\n\r\n\"Scan0001-3\"\r\n\r\n \r\n\r\nBelieve it or not, his eyes were a challenge for the simple fact that they didn’t show up well on the light box. I had to take a hypothetical guess as well as look at the original picture to get his eyes close to how they were in the original picture. I added some shading with a tortillion around the eye area and used a Blu Tack erasure to lift some of the markings in the lower, left corners of the eyes to illustrate some highlight.\r\n\r\n\"Scan0002\"\r\n\r\n \r\n\r\nI then started on the mouth. It needs to be said that drawing the lips of men and women are different. With women, you want to add pencil or color to both the upper and lower lip section. With men, color in the upper lip but DO NOT ADD COLOR TO THE LOWER LIP - PERIOD.\r\n\r\nWhat you want to do is add shading under the lower lip to show some form of the lower lip. Men’s lower lips are usually illustrated with the same skin tone that is in the surrounding mouth area. Usually there is a line to separate where the lip is and where the chin area is.\r\n\r\nDon’t believe me? Look at a cartoon with male characters in them and tell me what you see. The females have full lips that are red and the males always have a line to separate what is their lower lip and the chin area.\r\n\r\nIn the case of the lip here, I just used a tortillion. If I got enough graphite on my tortillion from a previous job, I’ll just smudge what’s on there to give it a fainted or smudged look.\r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\n \r\n\r\nTime to do some hair! In this case, I added more dark tone to the hair onto the previous dark markings from the light box sketch. I usually use a 2H pencil first, coloring in the graphite followed by tissue blending and then adding dark tone.\r\n\r\n\"Scan0004\"\r\n\r\n \r\n\r\nIn this case, I added the dark tone followed by some smudging with the tortillion. I then colored the hair with a 2H pencil and then added hair streaks and strands by using a pencil erasure.\r\n\r\n\"Scan0005\"\r\n\r\n \r\n\r\nTo finish up the face, I just use a tortillion to smudge in some shade in the necessary areas. I had enough graphite on the tortillion.\r\n\r\n\"Scan0006\"\r\n\r\n \r\n\r\n \r\n\r\nI then added some shading to the uniform with an HB pencil in some areas, followed by shading and smudging with a tortillion.\r\n\r\n\"Scan0007-2\"\r\n\r\n \r\n\r\n \r\n\r\nI finish up the drawing with darkening of the pants and some shading of the arms (yes, I pulled out the tortillion again). I didn’t work on the hands. I provide a separate tutorial about that and I’ll probably do more on that subject in the future.\r\n\r\nAnywho, there you go ladies and gentlemen, the drawing of Tom Brady at his finest……well maybe not at his finest, but you get the drift.\r\n\r\n\"how\r\n\r\nLove him or hate him, he’s in a better position than us, but it’s cool...we’re artists! Even when we’re 80 years old, we’ll still be drawing and painting. Can he still say the same about himself when he reaches that age?','How to Draw Tom Brady','','inherit','closed','closed','','2836-revision-v1','','','2016-02-06 05:49:59','2016-02-06 13:49:59','',2836,'http://www.letsdrawpeople.com/2836-revision-v1/',0,'revision','',0),(3011,22,'2016-02-07 20:30:24','2016-02-08 04:30:24','','IMG_20160207_160032639','','inherit','open','closed','','img_20160207_160032639','','','2016-02-07 20:30:24','2016-02-08 04:30:24','',3010,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/IMG_20160207_160032639.jpg',0,'attachment','image/jpeg',0),(3012,22,'2016-02-07 20:44:16','2016-02-08 04:44:16','Learning to draw shoes is a great way to practice observing fine details and enhance your drawing skills. I started with a grid drawing to ensure I created accurate proportions for my shoes. My drawing paper size is 8.5 x 11 inches, so I printed out my picture to be half that size, 4.25 x 5.5. Whatever size your drawing paper is, divide each side by two, and print your reference picture in that size.\r\n\r\nI created a 1 inch grid on my reference picture, and a 2 inch grid on my drawing paper, leaving me with the same number of boxes on both pieces of paper.\r\n\r\nTo use a grid to draw, we\'re basically going to focus on drawing what we see in each square and draw one square at a time.\r\n\r\n\"IMG_20160207_160032639\"\r\n\r\n ','See How Drawing Tennis Shoes Can Keep You on Your Toes','','inherit','closed','closed','','3010-revision-v1','','','2016-02-07 20:44:16','2016-02-08 04:44:16','',3010,'http://www.letsdrawpeople.com/3010-revision-v1/',0,'revision','',0),(3014,22,'2016-02-07 20:56:53','2016-02-08 04:56:53','','IMG_20160207_160655676','','inherit','open','closed','','img_20160207_160655676','','','2016-02-07 20:56:53','2016-02-08 04:56:53','',3010,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/IMG_20160207_160655676.jpg',0,'attachment','image/jpeg',0),(3015,22,'2016-02-07 20:59:11','2016-02-08 04:59:11','Learning to draw shoes is a great way to practice observing fine details and enhance your drawing skills. I started with a grid drawing to ensure I created accurate proportions for my shoes. My drawing paper size is 8.5 x 11 inches, so I printed out my picture to be half that size, 4.25 x 5.5. Whatever size your drawing paper is, divide each side by two, and print your reference picture in that size.\r\n\r\nI created a 1 inch grid on my reference picture, and a 2 inch grid on my drawing paper, leaving me with the same number of boxes on both pieces of paper.\r\n\r\nTo use a grid to draw, we\'re basically going to focus on drawing what we see in each square and draw one square at a time.\r\n\r\n\"IMG_20160207_160032639\"\r\n\r\nTo start, I counted 3 squares down and 2 squares over on both of my grids- this is the square I will start drawing. \"IMG_20160207_160655676\"\r\n\r\nWhen using a grid to draw, it is important to focus just on that square and observe where each line/object fits in that particular square. I first started drawing the outline of the shoe, and then added the details of the shoelaces.\r\n\r\n ','See How Drawing Tennis Shoes Can Keep You on Your Toes','','inherit','closed','closed','','3010-revision-v1','','','2016-02-07 20:59:11','2016-02-08 04:59:11','',3010,'http://www.letsdrawpeople.com/3010-revision-v1/',0,'revision','',0),(3016,22,'2016-02-07 21:04:19','2016-02-08 05:04:19','','IMG_20160207_160932176','','inherit','open','closed','','img_20160207_160932176','','','2016-02-07 21:04:19','2016-02-08 05:04:19','',3010,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/IMG_20160207_160932176.jpg',0,'attachment','image/jpeg',0),(3017,22,'2016-02-07 21:12:49','2016-02-08 05:12:49','','IMG_20160207_183744042','','inherit','open','closed','','img_20160207_183744042','','','2016-02-07 21:12:49','2016-02-08 05:12:49','',3010,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/IMG_20160207_183744042.jpg',0,'attachment','image/jpeg',0),(3018,22,'2016-02-07 21:17:56','2016-02-08 05:17:56','','IMG_20160207_185009250_TOP','','inherit','open','closed','','img_20160207_185009250_top','','','2016-02-07 21:17:56','2016-02-08 05:17:56','',3010,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/IMG_20160207_185009250_TOP.jpg',0,'attachment','image/jpeg',0),(3019,22,'2016-02-07 21:20:45','2016-02-08 05:20:45','Learning to draw shoes is a great way to practice observing fine details and enhance your drawing skills. I started with a grid drawing to ensure I created accurate proportions for my shoes. My drawing paper size is 8.5 x 11 inches, so I printed out my picture to be half that size, 4.25 x 5.5. Whatever size your drawing paper is, divide each side by two, and print your reference picture in that size.\r\n\r\nI created a 1 inch grid on my reference picture, and a 2 inch grid on my drawing paper, leaving me with the same number of boxes on both pieces of paper.\r\n\r\nTo use a grid to draw, we\'re basically going to focus on drawing what we see in each square and draw one square at a time.\r\n\r\n\"IMG_20160207_160032639\"\r\n\r\nTo start, I counted 3 squares down and 2 squares over on both of my grids- this is the square I will start drawing. \"IMG_20160207_160655676\"\r\n\r\nWhen using a grid to draw, it is important to focus just on that square and observe where each line/object fits in that particular square. I first started drawing the outline of the shoe, and then added the details of the shoelaces.\r\n\r\nOnce you draw everything you see in one square, you are ready to move on to the next. I chose to move down to the square directly below the one we just drew. If you find it difficult to draw what you see in a particular square, you can always divide the square into 4 smaller squares so you are focusing on smaller areas at a time. To do this, divide the square on your reference picture in half horizontally and vertically. Do the same on your drawing paper so you are left with 4 smaller squares. Now you can focus on drawing what you see in each smaller square.\r\n\r\n\"IMG_20160207_160932176\"\r\n\r\nContinue moving to each square, drawing the outline of the shoes and adding the details you see as you go. If some details seem too overwhelming to draw at first, it\'s okay to make your own artistic decisions and leave some details out of your drawing to make it your own.\r\n\r\n\"IMG_20160207_183744042\"\r\n\r\nWhen you have your basic line drawing completed, it should look something like this:\r\n\r\n\"IMG_20160207_185009250_TOP\"\r\n\r\nDouble check to make sure you have everything drawn, and next you are ready to erase your grid lines. Since I\'m just focusing on the shoes for this tutorial, I\'m only going to erase the grid lines from the shoe area.\r\n\r\n ','See How Drawing Tennis Shoes Can Keep You on Your Toes','','inherit','closed','closed','','3010-revision-v1','','','2016-02-07 21:20:45','2016-02-08 05:20:45','',3010,'http://www.letsdrawpeople.com/3010-revision-v1/',0,'revision','',0),(3020,22,'2016-02-07 21:22:04','2016-02-08 05:22:04','','IMG_20160207_185451456','','inherit','open','closed','','img_20160207_185451456','','','2016-02-07 21:22:04','2016-02-08 05:22:04','',3010,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/IMG_20160207_185451456.jpg',0,'attachment','image/jpeg',0),(3021,22,'2016-02-07 21:29:01','2016-02-08 05:29:01','','IMG_20160207_191345207','','inherit','open','closed','','img_20160207_191345207','','','2016-02-07 21:29:01','2016-02-08 05:29:01','',3010,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/IMG_20160207_191345207.jpg',0,'attachment','image/jpeg',0),(3022,22,'2016-02-07 21:34:16','2016-02-08 05:34:16','','IMG_20160207_193254433','','inherit','open','closed','','img_20160207_193254433','','','2016-02-07 21:34:16','2016-02-08 05:34:16','',3010,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/IMG_20160207_193254433.jpg',0,'attachment','image/jpeg',0),(3023,22,'2016-02-07 21:38:40','2016-02-08 05:38:40','','IMG_20160207_203013255','','inherit','open','closed','','img_20160207_203013255','','','2016-02-07 21:38:40','2016-02-08 05:38:40','',3010,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/IMG_20160207_203013255.jpg',0,'attachment','image/jpeg',0),(3024,22,'2016-02-07 21:41:29','2016-02-08 05:41:29','','IMG_20160207_203727906','','inherit','open','closed','','img_20160207_203727906','','','2016-02-07 21:41:29','2016-02-08 05:41:29','',3010,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/IMG_20160207_203727906.jpg',0,'attachment','image/jpeg',0),(3025,22,'2016-02-07 21:44:52','2016-02-08 05:44:52','','IMG_20160207_205541936','','inherit','open','closed','','img_20160207_205541936','','','2016-02-07 21:44:52','2016-02-08 05:44:52','',3010,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/IMG_20160207_205541936.jpg',0,'attachment','image/jpeg',0),(3026,22,'2016-02-07 21:58:54','2016-02-08 05:58:54','Learning to draw shoes is a great way to practice observing fine details and enhance your drawing skills. To start, you can free hand draw the tennis shoes on your drawing paper, but I chose to create a grid drawing to ensure I captured the accurate proportions of my shoes. My drawing paper size is 8.5 x 11 inches, so I printed out my reference picture to be half that size, 4.25 x 5.5 inches. Whatever size your drawing paper is, divide each side by two, and print your reference picture in that size.\r\n\r\nI created a 1 inch grid on my reference picture, and a 2 inch grid on my drawing paper, leaving me with the same number of boxes on both pieces of paper.\r\n\r\nTo use a grid to draw, we\'re basically going to focus on drawing what we see in each square and draw one square at a time.\r\n\r\n\"IMG_20160207_160032639\"\r\n\r\nTo start, I counted 3 squares down and 2 squares over on both of my grids- this is the square I will start drawing. \"IMG_20160207_160655676\"\r\n\r\nWhen using a grid to draw, it is important to focus just on that square and observe where each line or object fits in that particular square. I first started drawing the outline of the shoe, and then added the details and the shoelaces.\r\n\r\nOnce you draw everything you see in one square, you are ready to move on to the next. I chose to move down to the square directly below the one we just drew. If you find it difficult to draw what you see in a particular square, you can always divide the square into 4 smaller squares so you are focusing on smaller areas at a time. To do this, divide the square on your reference picture in half horizontally and vertically. Do the same on your drawing paper so you are left with 4 smaller squares. Now you can focus on drawing what you see in each smaller square.\r\n\r\n\"IMG_20160207_160932176\"\r\n\r\nContinue moving to each square, drawing the outline of the shoes and adding the details you see as you go. If some details seem too overwhelming to draw at first, it\'s okay to make your own artistic decisions and leave some details out of your drawing to make it your own. However, it can be a good challenge to draw all of the fine details you see.\r\n\r\n\"IMG_20160207_183744042\"\r\n\r\nWhen you have your basic line drawing completed, it should look something like this:\r\n\r\n\"IMG_20160207_185009250_TOP\"\r\n\r\nDouble check to make sure you have everything drawn in each square, and next you are ready to erase your grid lines. Since I\'m just focusing on the shoes for this tutorial, I\'m only going to erase the grid lines only from the shoe area.\r\n\r\n\"IMG_20160207_185451456\"\r\n\r\nNow you have a basic drawing of tennis shoes! In order to really bring your drawing to life, it\'s important to add value. To do this, I\'m using an HB or a #2 pencil and a blending stump. When we add value, we\'re referring to the differences between lights and darks, or highlights and shadows, and you always want at least 3 distinctly different values for a realistic drawing. When you first start, find your midtones, or the values that are in between your darkest shadow and your lightest highlight. Hold your pencil at an angle and use the side of your pencil to shade in the midtone area using medium pressure.\r\n\r\nNext, find areas that have darker shadows and shade while applying more pressure with your pencil to create a darker value. For areas that are highlighted, you can leave them the white of your paper or erase them later.\r\n\r\n\"IMG_20160207_191345207\"\r\n\r\nWhen you have an area shaded in with pencil, you can use a blending stump to create an even tone and heighten the realistic qualities of your drawing. Make sure to use the side of your blending stump, not the tip, otherwise you will flatten the fine point.\r\n\r\n\"IMG_20160207_193254433\"\r\n\r\nContinue this process throughout the entire drawing, starting with midtones, and layering shadows on top with more pressure.\r\n\r\n\"IMG_20160207_203013255\"\r\n\r\nAs you can see from this progression of adding value, working in layers is very helpful, and your first layer of graphite pencil will not be your last. The closer you can identify and create the subtle value changes, the more realistic your drawing will become. Another helpful tip is to print out your reference picture in black and white so you can easily see the different values to create.\r\n\r\n\"IMG_20160207_203727906\"\r\n\r\nHere is our final product! I created this drawing using only one drawing pencil (HB or #2), but you can explore using a variety of drawing pencils to get even more contrast to create even more realistic qualities. The more you practice drawing, the more comfortable you will get with adding fine details and a variety of values. Enjoy, and keep drawing!\r\n\r\n\"IMG_20160207_205541936\"\r\n\r\n ','See How Drawing Tennis Shoes Can Keep You on Your Toes','','inherit','closed','closed','','3010-revision-v1','','','2016-02-07 21:58:54','2016-02-08 05:58:54','',3010,'http://www.letsdrawpeople.com/3010-revision-v1/',0,'revision','',0),(3029,2,'2016-02-09 21:52:07','2016-02-10 05:52:07','Welcome to our gallery of family drawings! Here you can view drawings of family members by our contributors and visitors.\r\n\r\nAs someone who is becoming more skilled at drawing people, you will find family and friends taking an increased interest in your talent. As a professional portrait artist, people who love your artwork will undoubtedly want to become your clients. When family, friends, or other people ask you (or pay you) to draw for them, who do they most often want you to draw?\r\n\r\nThey usually want you to draw a portrait from their personal collection of family photos. They may even ask you to take people from two or more photographs and combine them into one drawing. Your artistic creativity may sometimes be at play too, as when people ask you to include elements not in the original photographs.\r\n\r\nYou will see examples of all of these scenarios within this gallery. Notice the different arrangements of the subjects, features, and how the various elements of the family drawings create pleasing compositions. Happy viewing!\r\n\r\nIf you have your own family portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"649,644,761,762,763,666,1418,1422,1435,1654,1665,3028\" orderby=\"rand\"]','Family Drawings','','inherit','closed','closed','','662-revision-v1','','','2016-02-09 21:52:07','2016-02-10 05:52:07','',662,'http://www.letsdrawpeople.com/662-revision-v1/',0,'revision','',0),(3050,2,'2016-05-18 20:14:13','2016-05-19 03:14:13','Ok kiddos I’m back – it’s the artist you love to hate! First off I need to apologize because my scanner was in that mood where it wanted to do want it wants, so some scans will have black smudges on them...bummer. The other thing is I was not feeling this drawing, sort of. As the title stated, this is a tutorial for how to draw Tom Brady...a man!\r\n\r\n[caption id=\"attachment_2998\" align=\"aligncenter\" width=\"480\"]\"how
© Jerry Coli | Dreamstime.com
[/caption]\r\n\r\nAs I have stated in previous articles, I’m not into drawing men. I lean a lot toward women because well, I’m a guy! There’s no stimulation for me in drawing men, but as an artist one needs to diversify. I cannot limit myself to just women only.\r\n\r\nEven though I’ll grumble under my breath about having a man as an art subject, I know it’s necessary to draw them if I want to flourish and grow into a better and more diversified artist. With that being said, let’s bite down and get through this one.\r\n

Use a Light Box for the Basics

\r\nAs I stated earlier, this is a guy so I wanted to finish this drawing as quickly as possible. With that being said, I used a light box. I used it not only for the subject in general but I wanted to capture his frizzled hair as closely as I could; not to mention, I wanted to capture the majority of his jersey wrinkles.\r\n\r\n\"Scan0001-3\"\r\n\r\n \r\n

Draw the Eyes

\r\nBelieve it or not, his eyes were a challenge for the simple fact that they didn’t show up well on the light box. I had to take a hypothetical guess as well as look at the original picture to get his eyes close to how they were in the original picture. I added some shading with a tortillion around the eye area and used a Blu Tack erasure to lift some of the markings in the lower, left corners of the eyes to illustrate some highlight.\r\n\r\n\"Scan0002\"\r\n\r\n \r\n

Draw the Mouth

\r\nI then started on the mouth. It needs to be said that drawing the lips of men and women are different. With women, you want to add pencil or color to both the upper and lower lip section. With men, color in the upper lip but DO NOT ADD COLOR TO THE LOWER LIP - PERIOD.\r\n\r\nWhat you want to do is add shading under the lower lip to show some form of the lower lip. Men’s lower lips are usually illustrated with the same skin tone that is in the surrounding mouth area. Usually there is a line to separate where the lip is and where the chin area is.\r\n\r\nDon’t believe me? Look at a cartoon with male characters in them and tell me what you see. The females have full lips that are red and the males always have a line to separate what is their lower lip and the chin area.\r\n\r\nIn the case of the lip here, I just used a tortillion. If I got enough graphite on my tortillion from a previous job, I’ll just smudge what’s on there to give it a faint or smudged look.\r\n\r\n\"Scan0003\"\r\n\r\n \r\n

Draw the Hair

\r\nTime to do some hair! In this case, I added more dark tone to the hair onto the previous dark markings from the light box sketch. I usually use a 2H pencil first, coloring in the graphite followed by tissue blending and then adding dark tone.\r\n\r\n\"Scan0004\"\r\n\r\n \r\n\r\nIn this case, I added the dark tone followed by some smudging with the tortillion. I then colored the hair with a 2H pencil and then added hair streaks and strands by using a pencil erasure.\r\n\r\n\"Scan0005\"\r\n\r\n \r\n

Finish the Face and Final Details

\r\nTo finish up the face, I just use a tortillion to smudge in some shade in the necessary areas. I had enough graphite on the tortillion.\r\n\r\n\"Scan0006\"\r\n\r\n \r\n\r\nI then added some shading to the uniform with an HB pencil in some areas, followed by shading and smudging with a tortillion.\r\n\r\n\"Scan0007-2\"\r\n\r\n \r\n\r\nI finish up the drawing with darkening of the pants and some shading of the arms (yes, I pulled out the tortillion again). I didn’t work on the hands. I provide a separate tutorial about that and I’ll probably do more on that subject in the future.\r\n\r\nAnywho, there you go ladies and gentlemen, the drawing of Tom Brady at his finest……well maybe not at his finest, but you get the drift.\r\n\r\n\"how\r\n\r\nLove him or hate him, he’s in a better position than us, but it’s cool...we’re artists! Even when we’re 80 years old, we’ll still be drawing and painting. Can he still say the same about himself when he reaches that age?','How to Draw Tom Brady','','inherit','closed','closed','','2836-revision-v1','','','2016-05-18 20:14:13','2016-05-19 03:14:13','',2836,'http://www.letsdrawpeople.com/2836-revision-v1/',0,'revision','',0),(3087,2,'2016-06-24 11:45:23','2016-06-24 18:45:23','','01 techniques light box','','inherit','open','closed','','01-techniques-light-box','','','2016-06-24 11:45:23','2016-06-24 18:45:23','',2732,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/01-techniques-light-box.jpg',0,'attachment','image/jpeg',0),(3088,2,'2016-06-24 11:45:25','2016-06-24 18:45:25','','02 techniques light box','','inherit','open','closed','','02-techniques-light-box','','','2016-06-24 11:45:25','2016-06-24 18:45:25','',2732,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/02-techniques-light-box.jpg',0,'attachment','image/jpeg',0),(3052,2,'2016-05-19 04:33:12','2016-05-19 11:33:12','What I’m about to share with you is a risk for me. I’m risking mobs of angry artists coming and burning down my house and crucifying me upside down. I will be sharing a secret that many artists use that make us look like we can do the outline of a drawing without any type of help. It can be said that most of us don’t need help drawing, but if you constantly do figures like I do, you want to be anatomically correct. The secret I’m talking about is using a light box or any of the other items that will be discussed in this article.\r\n\r\nThe first question that forms in your head is: “Doesn’t using a light box constitute a form of cheating? You’re not a real artist if you use one.” Let me answer that question with a question. Can a garbage man do his job without a truck? Can a doctor operate on you without medical tools? Can a dentist take care of your teeth without the proper tools? I think you know the answer to these questions. Anyone that says you’re not a real artist with a light box is sadly misinformed. A light box is a NECESSARY TOOL if you want to be an artist.\r\n\r\nA great pro for the light box is that it saves you time. If you are like me, you need a light box to help cut down your outline drawing time and in essence, get more art pieces cranked out. It also helps with accuracy with the figures and items that will be in your picture. The light box isn’t just the only item you can use. You can also use carbon/graphite paper, projector, lines or free hand. Let’s look at some examples of using all these except the free hand.\r\n\r\n \r\n\r\n\"Scan0001\"\"Scan0002\"\r\n\r\nOK so the first example here was done using a light box. The light box is used to trace the outside edges of the subject and other items that will be in the picture. Again, this technique is to help shave down time in drawing the contour outline. Here I quickly did the eyes by smudging them with a tortillion and lips by darkening them a little with a 3B pencil and then smudging it with the tortillion as well. I then start work on the hair by using a HB pencil and leaving some spots un-touched to later illustrate light reflecting off the hair.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\nI then smudge the pencil mark that’s in the hair followed by dark pencil marks that will portray hair strands. As always, do not smudge these marks, you want to show some hair detail and you cannot if these are smudged. I have also started adding some tortillion smudge to the face. It’s not much but I’m not worried about it at the time being. I have time to go back and add more later.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\nAs you can see, I’ve started on her outfit. Nothing special here; I used a 3B pencil and shaded/smudged the black with a tortillion. I then used the same tortillion to add some shade and coloring to her sports bra.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nThe last thing I needed to do is add some detail to the skin and arms by using a tortillion again. I went back to the head again and just added some shading to the forehead to illustrate some realism.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0006\"\r\n\r\nOk on this drawing, unfortunately, this was a fail project. I was supposed to illustrate the second item you can use to draw the outline of a figure but I ended up using a light box to quickly get it done. With this picture, the projector was supposed to be used. I learn a valuable lesson that I will pass onto you guys. When using the projector, you need to make sure that the picture that you are doing it on is to be on a BIG piece paper – 18x24 preferable. If you do it on something small, you will have to bring the projector closer to the paper and that’s bad business. You will not have any room to move around plus you run the risk in bumping into the projector and knocking the tracing off point. T’would be best that you use a bigger piece of paper and not like what I did when getting ready for this article. Glad though I found out so I could give you guys a no-no pointer.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0007\"\r\n\r\nNow this next technique is what I used when I first started drawing. I kept my method a secret from everyone in fear of being exposed but now, who cares right? I’ve learn that many people don’t care what technique you use, in contract to the actual concept of the art piece and the medium used. I don’t think I remember how this technique was presented to me except that I was in Michael’s and I saw graphite tracing paper and I put two and two together. To me that was heaven sent; I needed something that would cut my outline, drawing time down and here it was! The only bad thing about using graphite tracing paper is that it’s messy. You’ll get some of the carbon/graphite onto your fingers and on the paper that you’re tracing on causing un-necessary erasing.\r\n\r\nYou start by first, having the sheet of paper that you will be drawing on followed by the graphite paper then the picture on top that you’ll be copying. Another thing you might want to do extra, is tape the original picture to the paper that will be the copy and casually slip the graphite paper in between the sheets of paper and trace.\r\n\r\n \r\n\r\n\"Scan0008\"\"Scan0009\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nYou guys know my routine by now; eyes, lips, and eyebrows. With the eyes, don’t forget to add some highlight for the pupil and iris and add some shading to the upper part of the eye to show a little bit of shadow. Smudge the eye lid crease and the eyebrow adding some hair to illustrate random detail.Hair is pretty simple here. Color it fully using a 3H or 2H pencil.Take some tissue and blend/smudge over the whole pencil marking. Once you’ve done that, go back with a darker pencil and add strands to the head to portray different tones. The pencil strokes will be the darker part of her hair.\r\n\r\n \r\n\r\n\"Scan0010\"\"Scan0011\"\r\n\r\nThe last things we will do is first add tone to her shirt with some blending. After that, we will take a tortillion and add shading on the face and neck where necessary.\r\n\r\n \r\n\r\n\"Scan0012\"\"Scan0013\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nThe last technique we will look at is one that I don’t care for – lines. In some cases, measuring is involved. You need the right distances between the eyes, noses, mouth, and hair line. You may need to get the proper measurements off the original picture and then add or take away inches and centimeters depending on the size of paper that you will be working on.You can also use a see through grid that already has grids and lines placed on the plate; you then just put it on top of the picture and then mimic what you see onto your sheet of paper. You want to break up the grids into individual sections and focus only what is in one grid at a time. The same goes with the regular lines. They will bit more of a challenge because you won’t have a small section to draw in. The lines in this case serve as guide lines in drawing down the basics.\r\n\r\n \r\n\r\n\"Scan0014\"\r\n\r\nOnce you have the basics down, attack the eyes first. As always, don’t forget the highlight in the eye and the upper shading in the eye. If you got a second, go ahead and smudge the eyelid crease and the eyebrow some so as not to forget like I have in the past.\r\n\r\n \r\n\r\n\"Scan0015\"\r\n\r\nYou got my pattern down yet? Eyes, mouth, and hair. In this state, you knew the mouth and lips were coming. You got a choice here, you can draw some lines on the lower lips to implement shading or you can just begin smudging with a tortillion. In this case, I smudged it with a tortillion, both top and bottom. I also used a little bit of a dark pencil (7B) and tortillion to shade and smudge the inside of the mouth and the small space between the teeth and gums.\r\n\r\n \r\n\r\n\"Scan0016\"\r\n\r\nThe hair is easy in this situation. She’s a blonde so I will use a 5H pencil to color the hair and fill in certain areas where it’s darker. I will then smudge the entire area will tissue – it serves the same purpose as a tortillion would but it spreads the graphite wider. The last thing I will do is use a pencil eraser to add in highlights. I find this easier to use than a kneaded eraser – I don’t have to worry about re-shaping the eraser or it giving way to the pressure of erasing.\r\n\r\n \r\n\r\n\"Scan0017\"\r\n\r\nI start now on adding some shading to the face (using tortillion after the aftermath), some shading scribble to her shirt, and adding dark tone to her secondary tank top underneath.\r\n\r\n \r\n\r\n\"Scan0018\"\r\n\r\nThe last thing to work on is to smudge and blend areas in her face and arm, and in her shirt. Again these drawings were a quick study on the different faces on how to sketch an image to a sheet of paper from its original picture. I’m pretty sure a mob of angry artists are not going to be too happy thinking I’ve given their secret away but hey, it’s not a secret, it’s a necessary tool that doesn’t get time in the spot light. Hopefully this article will help shed the light on some of the methods that we use and it’s not interpreted as “cheating.”','Refuse to Ever Use a Drawing Light Box and You Will Regret It','','inherit','closed','closed','','2732-revision-v1','','','2016-05-19 04:33:12','2016-05-19 11:33:12','',2732,'http://www.letsdrawpeople.com/2732-revision-v1/',0,'revision','',0),(3059,2,'2016-06-19 18:14:55','2016-06-20 01:14:55','Drawing the face can be difficult, so I like to break down the face into several parts and think of each part as separate in order to create the whole.\r\n\r\n\"1\"\r\n\r\nStart by roughly sketching the face. If you cut the head horizontally in half, then the eyes are above that line. When drawing the eyes, space them apart from one another about one eye apart and about a half-eye shape from the side of the face. It helps to draw lightly so you can later fix marks or guidelines that you use. When drawing a face, it helps to remember some proportions and also techniques like measuring.\r\n\r\n\"2\"\r\n\r\nWhen drawing the ears, consider that the top of the ears are about level with the eye and the bottom of the ears are about level with the mouth. Remember to include a lot of detail when drawing the ears to give a more realistic look.\r\n\r\nRoughly halfway between the chin and the eye line is about where the nose should be.\r\n\r\n\"3\"\r\n\r\nIf you create an upside down triangle from the eyes down to the nose line, it will create about the right size for the nose. The mouth is about one-third the distance from the nose to the chin.\r\n\r\nWhen drawing the neck, use a line dropping from the ears and remember to curve the neck slightly.\r\n\r\nFinish drawing in light details like the mouth and start working on light shading on areas that you will latter rework in a darker shade.\r\n\r\n\"4\"\r\n\r\nNow that you have a basic drawing of a man, it\'s time to start working the details. Start by shading large areas a light tone that are to give the drawing more of a 3d effect.\r\n\r\nWhen drawing a person, consider expression, pose, personality, and characteristics.\r\n\r\nWhen drawing the eye, pay attention to small details. Small details will help give your drawing a more realistic look.\r\nFor example, when drawing the iris, know that eyes are reflective and that there is always a bright spot of the eye where the eyes are reflecting light. Also know that the pupil is not a perfect circle and the eye is not a perfect circle either. Instead draw an elliptical circle.\r\n\r\nThe nose can be difficult to draw but you can look at the nose as 3 or more different parts because it\'s easier to draw that way.\r\n\r\nFirst draw the bridge of the nose near the eyes, then the body of the nose, and finally the bottom of the nose near the nostrils, which can be broken up further into three parts.\r\n\r\nWhen drawing the mouth, create a basic shape of the mouth then add small details like the roundness of the lips. Try not to draw the mouth as a single curved line if you want to draw realistically. Instead, use several small curves to create the shape.\r\n\r\nDrawing the Hand\r\n\r\n*****The hand is about the size of the face, although in this picture you can’t see his whole hand so it may be better to use measuring in order to figure out how large\r\n\r\n \r\n\r\n\"5\"\r\n\r\nhis hand is compared to his face. Use a shape in the photos and a fixed measuring object like an eraser or pencil and keep on using the same measuring object.\r\n\r\nDrawing the Beard\r\n\r\nfirst draw the face fully as if he had no beard, use the structure of his face to figure out where his chin would be these lines will latter disappear as you add details of the hair. Man tend to have square like faces although draw the shape with curved lines and not straight lines the body is mostly circular.\r\n\r\nWhen drawing the hair draw lightly creating a idea of the shape of his beard. To draw hair use a sketchy technique in different direction, keep in mind where his hair is and where it is going.\r\n\r\nNow start to create the darker areas of his beard just like any round shape beards are darker near the edge of the face and lighter on the surface of the face.\r\n\r\nFace hair grows different for each guys some times you have small bold sports creating a difference of shape pay attention to how the hair is growing and where.\r\n\r\nOnce you draw the hair and shade the hair in, use an eraser and lightly erase, creating light spots in areas where it is needed. You may need to switch between drawing, [delete and] shading, and erasing several times before you get the look you are looking [I would change looking to aiming just so you aren’t using a variation of the same word so close to each other in the same sentence] for.\r\n\r\nRemember to draw lightly so that the face does not become too grey looking. If you are doing this on paper, it becomes hard to erase after several times of using a technique like this.\r\n\r\nWhy does this drawing of a man look like he is thinking?\r\n\r\n\"6\"\r\n\r\nConsider when drawing a pose, why are you using the pose and why do you like the pose?\r\nLike this man in the picture, placing his hand on his chin. When you consider body language, a simple pose or action can tell the viewer an idea. What concept are you trying to convey?\r\n\r\nIn this picture, the man’s expression and gesture gives the impression that he is thinking because one of the common mannerisms that people tend to have when thinking is having their hand near or on their chin.\r\nyou look at “The Thinker” sculpted by Rodan, why is he posed in such a way with his hand on his chin? Because the way he is holding his face conveys the idea of thought.\r\n\r\nWhy is this pose so compelling and why does the beard accent the idea?\r\nThe beard helps create the effect even more because it’s easy for a guy when they are bored or perhaps thinning to scratch their face. If one has a beard then it give you more of a reaching to place your hand there.\r\n\r\nA lot of great thinkers in the past all had long beards, is this connected or just happenstance?\r\n\r\nThe idea is in art. We have concept and you can even have theory, but above all, you have emotions and feeling. So if you feel there is a certain meaning behind something, that is all you need. Thought can give more to an art piece than technique and/or skill level. If you consider abstract art , thought becomes more important than the skill.','This Drawing of a Man Shows Beards Are Made for Thinking','','inherit','closed','closed','','2884-revision-v1','','','2016-06-19 18:14:55','2016-06-20 01:14:55','',2884,'http://www.letsdrawpeople.com/2884-revision-v1/',0,'revision','',0),(3409,2,'2016-09-18 17:20:13','2016-09-19 00:20:13','Alright guys, you know the deal. For some reason I’m back again. Well if you think about it, there’s no way I could just do a tutorial on colored pencil for the eyes and just leave it at that. Couldn’t leave you guys feening for more, so I had to come back to do more facial features with the color pencil despite my scanner having other plans – yes people, it still wants to rebel against my color pencil tutorials but I think I found a way to get around it so break out your color pencils (except the Sargent brand color pencils) and let’s get started.\r\n\r\n\"Scan0001\"\r\n\r\nToday we will be focusing on the nose. This will be a quick tutorial; there’s not much to say about it except that it’s that big bump in the middle of your face that could make you look nice or ugly. I’m not going to get into all that; this all about how to draw that ugly thing in the middle of your face. As you can see, I do a very basic drawing of one large curve that is aimed downward accompanied by smaller curves that are above the bigger curve. This is the same technique I use to show any student who wants to learn how to draw the face. The nose can be the most challenging because the angle of the face/head will affect the shadow and tone on the nose and therefore change the look and arrangement of it.\r\n\r\n \r\n\r\n\"Scan0002\"\r\n\r\n \r\n\r\nHere I actually take a tortillion and add some darkness to the nostrils. I do not need to add black; the graphite on the tortillion is believable enough. Usually when dealing with black on a color pencil piece, I have a choice of using the graphite in the pencil or a black color pencil. It really doesn’t matter, it just depends how I feel that day. I also add curves that will serve as edges of the nose and take away some of the bulb end of the nose with a Blu Tack eraser. I also smudge the edges to illustrate some shadow. I want it to be as realistic as I can get it so I get rid of the hard lines and soften them.\r\n\r\n\"IMG_0210\"\r\n\r\nOK here is when I experienced the scanner wanting to do its own thing and my work was set back some but as I did in the tutorial of the eye, I just used my camera to get the picture. I’m really not sure which one I used for this picture but the important thing is it got done one way or the other. Here I started using Prismacolor dark brown – the intention was to make it an African-American nose, but it’s going to end up being some alien purple creature nose.\r\n\r\n\"Scan0003\"\r\n\r\nAs the picture illustrates, you want to add some markings in the middle of the nose but only to one side to show light reflection or lighter skin tone to the other side. Also, round out the bulb of the nose by rounding out the color near the edge of the nose but leaving some room for light reflection. Add the same skin tone to the wings of the nostrils and leave some light separations between the nostril wings and the bulb of the nose. Deepen the color on the nose some and you’re practically finished.\r\n\r\n \r\n\r\n\"Scan0004\"This is optional. As I said in the eye tutorial, I do this part when I want to smooth out an art piece that was done in color pencil, crayon, or chalk. Again here you want to load the image onto your computer and use the painting program that you have loaded on it. In this case, I have PaintShop Pro and I use the smoothing brush. It’s not perfect but it makes it look better and smoother.\r\n\r\nWant to try another? Let’s go for it!\r\n\r\n\"Scan0005\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nThis is one is a must but a simple one. We’re going to draw the nose from a different angle – sideways, simple and easy. Look and follow what the illustration shows. Use a tortillion to add some darkness to the nostril and use it again to shade in a curve that will show the winged part of the nostril.\r\n\r\n\"Scan0006\"\r\n\r\nHere I started adding some dark brown to the underside of the nose and some peach beige to the rest of the nose even though you can’t see it that well – yes people, my scanner was in its rebel stage again.\r\n\r\n\"Scan0007\"Here I just deepen and blend the color some so that it was more believable.\r\n\r\n\"Scan0008\"\r\n\r\nLast stage, I smoothed it out on the computer and it’s somewhat complete. It would look more believable if a face was added to it but one thing at a time. One must crawl before one can walk.','Drawing the Nose in Colored Pencil','','inherit','closed','closed','','2939-revision-v1','','','2016-09-18 17:20:13','2016-09-19 00:20:13','',2939,'http://www.letsdrawpeople.com/2939-revision-v1/',0,'revision','',0),(3055,2,'2016-06-20 08:10:19','2016-06-20 15:10:19','The first part of this article takes you through the process of drawing a man with a beard. As you can see, this subject also happens to have his hand on his chin, as if he is having a thought.\n\n[caption id=\"attachment_2621\" align=\"aligncenter\" width=\"800\"]\"
© Vadymvdrobot | Dreamstime.com
[/caption]\n\nThe second part of this article explores the significance of this placement, describing how a hand on a chin and a beard adds thought and meaning to a piece such as this.\n

Drawing the Subject

\nDrawing the face can be difficult, so I like to break down the face into several parts and think of each part as separate in order to create the whole.\n\n\"01\n\n \n

Drawing the Face

\nStart by roughly sketching the face. If you cut the head horizontally in half, then the eyes are above that line. When drawing the eyes, space them apart from one another about one eye apart and about a half-eye shape from the side of the face. It helps to draw lightly so you can later fix marks or guidelines that you use. When drawing a face, it helps to remember some proportions and also techniques like measuring.\n\n\"02\n\n \n\nWhen drawing the ears, consider that the top of the ears are about level with the eye and the bottom of the ears are about level with the mouth. Remember to include a lot of detail when drawing the ears to give a more realistic look.\n\nRoughly halfway between the chin and the eye line is about where the nose should be.\n\n\"03\n\n \n\nIf you create an upside down triangle from the eyes down to the nose line, it will create about the right size for the nose. The mouth is about one-third the distance from the nose to the chin.\n\nWhen drawing the neck, use a line dropping from the ears and remember to curve the neck slightly.\n\nFinish drawing in light details like the mouth and start working on light shading on areas that you will later rework in a darker shade.\n\n\"04\n\n \n\nNow that you have a basic drawing of the man, it\'s time to start working the details. Start by shading large areas a light tone that are to give the drawing more of a 3d effect.\n\nWhen drawing a person, consider expression, pose, personality, and characteristics.\n\nWhen drawing the eye, pay attention to small details. Small details will help give your drawing a more realistic look.\nFor example, when drawing the iris, know that eyes are reflective and that there is always a bright spot of the eye where the eyes are reflecting light.\n\nThe nose can be difficult to draw but you can look at the nose as 3 or more different parts because it\'s easier to draw that way.\n\nFirst draw the bridge of the nose near the eyes, then the body of the nose, and finally the bottom of the nose near the nostrils, which can be broken up further into three parts.\n\nWhen drawing the mouth, create a basic shape of the mouth then add small details like the roundness of the lips. Try not to draw the mouth as a single curved line if you want to draw realistically. Instead, use several small curves to create the shape.\n

Drawing the Hand

\nThe hand is about the size of the face, although in this picture you can’t see his whole hand, so it may be better to use measuring in order to figure out how large his hand is compared to his face. Use a shape in the photos and a fixed measuring object like an eraser or pencil and keep on using the same measuring object.\n\n\"05\n\n \n

Drawing the Beard

\nFirst, draw the face fully as if he had no beard. Use the structure of his face to figure out where his chin would be. These lines will later disappear as you add details for the hair. Men tend to have square-like faces. Still, you should draw the shape with curved lines and not straight lines since the body is mostly curved.\n\nWhen drawing the hair for the beard, draw lightly to begin with to create an idea of the shape of his beard. To draw the actual hair, use a sketchy technique in different directions. Keep in mind where his hair is and where it is going.\n\nNow start to create the darker areas of his beard. Just like any round shape, beards are darker near the edge of the face and lighter on the surface of the face.\n\nFacial hair grows differently for different guys. Pay attention to how the hair is growing and where.\n\nOnce you draw the hair and shade the hair in, use an eraser and lightly erase to create light spots in areas where they are needed. You may need to switch between drawing and shading, erasing several times before you get the look you are aiming for.\n\nRemember to draw lightly so that the face does not become too gray-looking. If you are doing this on paper, it becomes hard to erase after several times of using a technique like this.\n

Why does this drawing of a man look like he is thinking?

\n \n\n\"drawing\n\nConsider when drawing a pose, why are you using the pose and why do you like the pose?\n\nFor instance, take this man in the picture placing his hand on his chin. When you consider body language, a simple pose or action can tell the viewer an idea.\n\nWhat concept are you trying to convey?\n\nIn this picture, the man’s expression and gesture gives the impression that he is thinking because one of the common mannerisms that people tend to have when thinking is having their hand near or on their chin. You look at “The Thinker” sculpted by Rodin...\n\n\"The_Thinker,_Auguste_Rodin\"\n\nWhy is he posed in such a way with his hand on his chin? Because the way he is holding his face conveys the idea of thought.\n\nWhy is this pose so compelling and why does the beard accent the idea?\n\nThe beard helps create the effect even more because it’s easy for a guy when he is bored or perhaps thinking to scratch his face. If one has a beard, then it give you more of a reason to place your hand there.\n\nA lot of great thinkers in the past all had long beards. Is this connected or just happenstance?\n\nThe idea is in art. We have concept and you can even have theory, but above all, you have emotions and feeling. So if you feel there is a certain meaning behind something, that is all you need. Thought can give more to an art piece than technique and/or skill level. If you consider abstract art, thought becomes more important than the skill.','This Drawing of a Man Shows Beards Are Made for Thinking','','inherit','closed','closed','','2884-autosave-v1','','','2016-06-20 08:10:19','2016-06-20 15:10:19','',2884,'http://www.letsdrawpeople.com/2884-autosave-v1/',0,'revision','',0),(3056,2,'2016-06-18 11:00:15','2016-06-18 18:00:15','Drawing the face can be difficult, so I like to break down the face into several parts and think of each part as separate in order to create the whole.\r\n\r\n\"1\"\r\n\r\nStart by roughly sketching the face. If you cut the head horizontally in half, then the eyes are above that line. When drawing the eyes, space them apart from one another about one eye apart and about a half-eye shape from the side of the face. It helps to draw lightly so you can later fix marks or guidelines that you use. When drawing a face, it helps to remember some proportions and also techniques like measuring.\r\n\r\n\"2\"\r\n\r\nWhen drawing the ears, consider that the top of the ears are about level with the eye and the bottom of the ears are about level with the mouth. Remember to include a lot of detail when drawing the ears to give a more realistic look.\r\n\r\nDraw a line lightly thought both eyes evenly halve way between the chin and the eye line is about where the nose should be\r\n\r\n\"3\"\r\n\r\nIf you create a up side down triangle from the eyes down halve way between the eyes and the nose line will create about the right size for the nose. Halve way between the nose and the chin is the mouth.\r\n\r\nWhen drawing the neck its use a straight line dropping from the ears and remember to curve the neck slightly.\r\n\r\nFinish drawing in light details like the mouth and start working on light shading on areas that you will latter re work in a darker shade\r\n\r\n \r\n\r\n.                                                                              \"4\"\r\n\r\nNow that you have a basic drawing of a man its time to start working the details. Start by shading large areas a light tone that are to give the drawing more of a 3d effect.\r\n\r\nWhen drawing a person consider expression pose personality and characteristics.\r\n\r\nDrawing the eye pay attention to small details, small details will help give your drawing more realistic look.\r\nFor example when drawing the iris, know that eyes are reflective and that there is always a bright spot of the eye where the eyes are reflecting light. Also know that the pupil is not a perfect circle and the eye is not a perfect circle either instead draw a ellipsoid circle.\r\n\r\nThe nose can be difficult to draw but you can look at the nose as 3 or more different parts it because easier to draw.\r\nFirst the bridge of the nose near the eyes, then the body of the nose and finally the bottom of the nose near the nostrils which can be broken up further in to three parts.\r\n\r\nWhen drawing the mouth create a basic shape of the mouth then add small details like the roundness of the lips try not to draw the mouth as a single curved line if you want to draw realistically, instead use several small curves to create the shape.\r\n\r\nDrawing the hand the hand is about the size of the face, although in this picture you can’t see his whole hand so it may be better to use measuring in order to figure out how large\r\n\r\n \r\n\r\n\"5\"\r\n\r\nhis hand is compared to his face. Use a shape in the photos and a fixed measuring object like an eraser or pencil and keep on using the same measuring object.\r\n\r\nDrawing the beard, first draw the face fully as if he had no beard, use the structure of his face to figure out where his chin would be these lines will latter disappear as you add details of the hair. Man tend to have square like faces although draw the shape with curved lines and not straight lines the body is mostly circular.\r\n\r\nWhen drawing the hair draw lightly creating a idea of the shape of his beard. To draw hair use a sketchy technique in different direction, keep in mind where his hair is and where it is going.\r\n\r\nNow start to create the darker areas of his beard just like any round shape beards are darker near the edge of the face and lighter on the surface of the face.\r\n\r\nFace hair grows different for each guys some times you have small bold sports creating a difference of shape pay attention to how the hair is growing and where.\r\n\r\nOnce you draw the hair and shade the hair in, use an eraser and lightly erase, creating light spots in areas where it is needed. You may need to switch between drawing, [delete and] shading, and erasing several times before you get the look you are looking [I would change looking to aiming just so you aren’t using a variation of the same word so close to each other in the same sentence] for.\r\n\r\nRemember to draw lightly so that the face does not become too grey looking. If you are doing this on paper, it becomes hard to erase after several times of using a technique like this.\r\n\r\nWhy does this drawing of a man look like he is thinking?\r\n\r\n\"6\"\r\n\r\nConsider when drawing a pose, why are you using the pose and why do you like the pose?\r\nLike this man in the picture, placing his hand on his chin. When you consider body language, a simple pose or action can tell the viewer an idea. What concept are you trying to convey?\r\n\r\nIn this picture, the man’s expression and gesture gives the impression that he is thinking because one of the common mannerisms that people tend to have when thinking is having their hand near or on their chin.\r\nyou look at “The Thinker” sculpted by Rodan, why is he posed in such a way with his hand on his chin? Because the way he is holding his face conveys the idea of thought.\r\n\r\nWhy is this pose so compelling and why does the beard accent the idea?\r\nThe beard helps create the effect even more because it’s easy for a guy when they are bored or perhaps thinning to scratch their face. If one has a beard then it give you more of a reaching to place your hand there.\r\n\r\nA lot of great thinkers in the past all had long beards, is this connected or just happenstance?\r\n\r\nThe idea is in art. We have concept and you can even have theory, but above all, you have emotions and feeling. So if you feel there is a certain meaning behind something, that is all you need. Thought can give more to an art piece than technique and/or skill level. If you consider abstract art , thought becomes more important than the skill.','This Drawing of a Man Shows Beards Are Made for Thinking','','inherit','closed','closed','','2884-revision-v1','','','2016-06-18 11:00:15','2016-06-18 18:00:15','',2884,'http://www.letsdrawpeople.com/2884-revision-v1/',0,'revision','',0),(3058,2,'2016-06-19 17:30:03','2016-06-20 00:30:03','Drawing the face can be difficult, so I like to break down the face into several parts and think of each part as separate in order to create the whole.\r\n\r\n\"1\"\r\n\r\nStart by roughly sketching the face. If you cut the head horizontally in half, then the eyes are above that line. When drawing the eyes, space them apart from one another about one eye apart and about a half-eye shape from the side of the face. It helps to draw lightly so you can later fix marks or guidelines that you use. When drawing a face, it helps to remember some proportions and also techniques like measuring.\r\n\r\n\"2\"\r\n\r\nWhen drawing the ears, consider that the top of the ears are about level with the eye and the bottom of the ears are about level with the mouth. Remember to include a lot of detail when drawing the ears to give a more realistic look.\r\n\r\nRoughly halfway between the chin and the eye line is about where the nose should be.\r\n\r\n\"3\"\r\n\r\nIf you create an upside down triangle from the eyes down halve way between the eyes and the nose line will create about the right size for the nose. Halve way between the nose and the chin is the mouth.\r\n\r\nWhen drawing the neck its use a straight line dropping from the ears and remember to curve the neck slightly.\r\n\r\nFinish drawing in light details like the mouth and start working on light shading on areas that you will latter re work in a darker shade\r\n\r\n \r\n\r\n.                                                                              \"4\"\r\n\r\nNow that you have a basic drawing of a man, it\'s time to start working the details. Start by shading large areas a light tone that are to give the drawing more of a 3d effect.\r\n\r\nWhen drawing a person, consider expression, pose, personality, and characteristics.\r\n\r\nWhen drawing the eye, pay attention to small details. Small details will help give your drawing a more realistic look.\r\nFor example, when drawing the iris, know that eyes are reflective and that there is always a bright spot of the eye where the eyes are reflecting light. Also know that the pupil is not a perfect circle and the eye is not a perfect circle either. Instead draw an elliptical circle.\r\n\r\nThe nose can be difficult to draw but you can look at the nose as 3 or more different parts it because easier to draw.\r\nFirst the bridge of the nose near the eyes, then the body of the nose and finally the bottom of the nose near the nostrils which can be broken up further in to three parts.\r\n\r\nWhen drawing the mouth create a basic shape of the mouth then add small details like the roundness of the lips try not to draw the mouth as a single curved line if you want to draw realistically, instead use several small curves to create the shape.\r\n\r\nDrawing the hand the hand is about the size of the face, although in this picture you can’t see his whole hand so it may be better to use measuring in order to figure out how large\r\n\r\n \r\n\r\n\"5\"\r\n\r\nhis hand is compared to his face. Use a shape in the photos and a fixed measuring object like an eraser or pencil and keep on using the same measuring object.\r\n\r\nDrawing the beard, first draw the face fully as if he had no beard, use the structure of his face to figure out where his chin would be these lines will latter disappear as you add details of the hair. Man tend to have square like faces although draw the shape with curved lines and not straight lines the body is mostly circular.\r\n\r\nWhen drawing the hair draw lightly creating a idea of the shape of his beard. To draw hair use a sketchy technique in different direction, keep in mind where his hair is and where it is going.\r\n\r\nNow start to create the darker areas of his beard just like any round shape beards are darker near the edge of the face and lighter on the surface of the face.\r\n\r\nFace hair grows different for each guys some times you have small bold sports creating a difference of shape pay attention to how the hair is growing and where.\r\n\r\nOnce you draw the hair and shade the hair in, use an eraser and lightly erase, creating light spots in areas where it is needed. You may need to switch between drawing, [delete and] shading, and erasing several times before you get the look you are looking [I would change looking to aiming just so you aren’t using a variation of the same word so close to each other in the same sentence] for.\r\n\r\nRemember to draw lightly so that the face does not become too grey looking. If you are doing this on paper, it becomes hard to erase after several times of using a technique like this.\r\n\r\nWhy does this drawing of a man look like he is thinking?\r\n\r\n\"6\"\r\n\r\nConsider when drawing a pose, why are you using the pose and why do you like the pose?\r\nLike this man in the picture, placing his hand on his chin. When you consider body language, a simple pose or action can tell the viewer an idea. What concept are you trying to convey?\r\n\r\nIn this picture, the man’s expression and gesture gives the impression that he is thinking because one of the common mannerisms that people tend to have when thinking is having their hand near or on their chin.\r\nyou look at “The Thinker” sculpted by Rodan, why is he posed in such a way with his hand on his chin? Because the way he is holding his face conveys the idea of thought.\r\n\r\nWhy is this pose so compelling and why does the beard accent the idea?\r\nThe beard helps create the effect even more because it’s easy for a guy when they are bored or perhaps thinning to scratch their face. If one has a beard then it give you more of a reaching to place your hand there.\r\n\r\nA lot of great thinkers in the past all had long beards, is this connected or just happenstance?\r\n\r\nThe idea is in art. We have concept and you can even have theory, but above all, you have emotions and feeling. So if you feel there is a certain meaning behind something, that is all you need. Thought can give more to an art piece than technique and/or skill level. If you consider abstract art , thought becomes more important than the skill.','This Drawing of a Man Shows Beards Are Made for Thinking','','inherit','closed','closed','','2884-revision-v1','','','2016-06-19 17:30:03','2016-06-20 00:30:03','',2884,'http://www.letsdrawpeople.com/2884-revision-v1/',0,'revision','',0),(3057,2,'2016-06-18 22:35:41','2016-06-19 05:35:41','Drawing the face can be difficult, so I like to break down the face into several parts and think of each part as separate in order to create the whole.\r\n\r\n\"1\"\r\n\r\nStart by roughly sketching the face. If you cut the head horizontally in half, then the eyes are above that line. When drawing the eyes, space them apart from one another about one eye apart and about a half-eye shape from the side of the face. It helps to draw lightly so you can later fix marks or guidelines that you use. When drawing a face, it helps to remember some proportions and also techniques like measuring.\r\n\r\n\"2\"\r\n\r\nWhen drawing the ears, consider that the top of the ears are about level with the eye and the bottom of the ears are about level with the mouth. Remember to include a lot of detail when drawing the ears to give a more realistic look.\r\n\r\nDraw a line lightly through both eyes evenly halfway between the chin and the eye line is about where the nose should be\r\n\r\n\"3\"\r\n\r\nIf you create a up side down triangle from the eyes down halve way between the eyes and the nose line will create about the right size for the nose. Halve way between the nose and the chin is the mouth.\r\n\r\nWhen drawing the neck its use a straight line dropping from the ears and remember to curve the neck slightly.\r\n\r\nFinish drawing in light details like the mouth and start working on light shading on areas that you will latter re work in a darker shade\r\n\r\n \r\n\r\n.                                                                              \"4\"\r\n\r\nNow that you have a basic drawing of a man, it\'s time to start working the details. Start by shading large areas a light tone that are to give the drawing more of a 3d effect.\r\n\r\nWhen drawing a person, consider expression, pose, personality, and characteristics.\r\n\r\nWhen drawing the eye, pay attention to small details. Small details will help give your drawing a more realistic look.\r\nFor example, when drawing the iris, know that eyes are reflective and that there is always a bright spot of the eye where the eyes are reflecting light. Also know that the pupil is not a perfect circle and the eye is not a perfect circle either. Instead draw an elliptical circle.\r\n\r\nThe nose can be difficult to draw but you can look at the nose as 3 or more different parts it because easier to draw.\r\nFirst the bridge of the nose near the eyes, then the body of the nose and finally the bottom of the nose near the nostrils which can be broken up further in to three parts.\r\n\r\nWhen drawing the mouth create a basic shape of the mouth then add small details like the roundness of the lips try not to draw the mouth as a single curved line if you want to draw realistically, instead use several small curves to create the shape.\r\n\r\nDrawing the hand the hand is about the size of the face, although in this picture you can’t see his whole hand so it may be better to use measuring in order to figure out how large\r\n\r\n \r\n\r\n\"5\"\r\n\r\nhis hand is compared to his face. Use a shape in the photos and a fixed measuring object like an eraser or pencil and keep on using the same measuring object.\r\n\r\nDrawing the beard, first draw the face fully as if he had no beard, use the structure of his face to figure out where his chin would be these lines will latter disappear as you add details of the hair. Man tend to have square like faces although draw the shape with curved lines and not straight lines the body is mostly circular.\r\n\r\nWhen drawing the hair draw lightly creating a idea of the shape of his beard. To draw hair use a sketchy technique in different direction, keep in mind where his hair is and where it is going.\r\n\r\nNow start to create the darker areas of his beard just like any round shape beards are darker near the edge of the face and lighter on the surface of the face.\r\n\r\nFace hair grows different for each guys some times you have small bold sports creating a difference of shape pay attention to how the hair is growing and where.\r\n\r\nOnce you draw the hair and shade the hair in, use an eraser and lightly erase, creating light spots in areas where it is needed. You may need to switch between drawing, [delete and] shading, and erasing several times before you get the look you are looking [I would change looking to aiming just so you aren’t using a variation of the same word so close to each other in the same sentence] for.\r\n\r\nRemember to draw lightly so that the face does not become too grey looking. If you are doing this on paper, it becomes hard to erase after several times of using a technique like this.\r\n\r\nWhy does this drawing of a man look like he is thinking?\r\n\r\n\"6\"\r\n\r\nConsider when drawing a pose, why are you using the pose and why do you like the pose?\r\nLike this man in the picture, placing his hand on his chin. When you consider body language, a simple pose or action can tell the viewer an idea. What concept are you trying to convey?\r\n\r\nIn this picture, the man’s expression and gesture gives the impression that he is thinking because one of the common mannerisms that people tend to have when thinking is having their hand near or on their chin.\r\nyou look at “The Thinker” sculpted by Rodan, why is he posed in such a way with his hand on his chin? Because the way he is holding his face conveys the idea of thought.\r\n\r\nWhy is this pose so compelling and why does the beard accent the idea?\r\nThe beard helps create the effect even more because it’s easy for a guy when they are bored or perhaps thinning to scratch their face. If one has a beard then it give you more of a reaching to place your hand there.\r\n\r\nA lot of great thinkers in the past all had long beards, is this connected or just happenstance?\r\n\r\nThe idea is in art. We have concept and you can even have theory, but above all, you have emotions and feeling. So if you feel there is a certain meaning behind something, that is all you need. Thought can give more to an art piece than technique and/or skill level. If you consider abstract art , thought becomes more important than the skill.','This Drawing of a Man Shows Beards Are Made for Thinking','','inherit','closed','closed','','2884-revision-v1','','','2016-06-18 22:35:41','2016-06-19 05:35:41','',2884,'http://www.letsdrawpeople.com/2884-revision-v1/',0,'revision','',0),(3062,2,'2016-06-20 07:19:41','2016-06-20 14:19:41','The first part of this article takes you through the process of drawing a man with a beard. As you can see, this subject also happens to have his hand on his chin, as if he is having a thought.\r\n\r\n \r\n\r\nThe second part of this article explores the significance of this placement, describing how a hand on a chin and a beard adds thought and meaning to a piece such as this.\r\n

Drawing the Subject

\r\nDrawing the face can be difficult, so I like to break down the face into several parts and think of each part as separate in order to create the whole.\r\n\r\n\"1\"\r\n

Drawing the Face

\r\nStart by roughly sketching the face. If you cut the head horizontally in half, then the eyes are above that line. When drawing the eyes, space them apart from one another about one eye apart and about a half-eye shape from the side of the face. It helps to draw lightly so you can later fix marks or guidelines that you use. When drawing a face, it helps to remember some proportions and also techniques like measuring.\r\n\r\n\"2\"\r\n\r\nWhen drawing the ears, consider that the top of the ears are about level with the eye and the bottom of the ears are about level with the mouth. Remember to include a lot of detail when drawing the ears to give a more realistic look.\r\n\r\nRoughly halfway between the chin and the eye line is about where the nose should be.\r\n\r\n\"3\"\r\n\r\nIf you create an upside down triangle from the eyes down to the nose line, it will create about the right size for the nose. The mouth is about one-third the distance from the nose to the chin.\r\n\r\nWhen drawing the neck, use a line dropping from the ears and remember to curve the neck slightly.\r\n\r\nFinish drawing in light details like the mouth and start working on light shading on areas that you will later rework in a darker shade.\r\n\r\n\"4\"\r\n\r\nNow that you have a basic drawing of the man, it\'s time to start working the details. Start by shading large areas a light tone that are to give the drawing more of a 3d effect.\r\n\r\nWhen drawing a person, consider expression, pose, personality, and characteristics.\r\n\r\nWhen drawing the eye, pay attention to small details. Small details will help give your drawing a more realistic look.\r\nFor example, when drawing the iris, know that eyes are reflective and that there is always a bright spot of the eye where the eyes are reflecting light.\r\n\r\nThe nose can be difficult to draw but you can look at the nose as 3 or more different parts because it\'s easier to draw that way.\r\n\r\nFirst draw the bridge of the nose near the eyes, then the body of the nose, and finally the bottom of the nose near the nostrils, which can be broken up further into three parts.\r\n\r\nWhen drawing the mouth, create a basic shape of the mouth then add small details like the roundness of the lips. Try not to draw the mouth as a single curved line if you want to draw realistically. Instead, use several small curves to create the shape.\r\n

Drawing the Hand

\r\nThe hand is about the size of the face, although in this picture you can’t see his whole hand, so it may be better to use measuring in order to figure out how large his hand is compared to his face. Use a shape in the photos and a fixed measuring object like an eraser or pencil and keep on using the same measuring object.\r\n\r\n\"5\"\r\n

Drawing the Beard

\r\nFirst, draw the face fully as if he had no beard. Use the structure of his face to figure out where his chin would be. These lines will later disappear as you add details for the hair. Men tend to have square-like faces. Still, you should draw the shape with curved lines and not straight lines since the body is mostly curved.\r\n\r\nWhen drawing the hair for the beard, draw lightly to begin with to create an idea of the shape of his beard. To draw the actual hair, use a sketchy technique in different directions. Keep in mind where his hair is and where it is going.\r\n\r\nNow start to create the darker areas of his beard. Just like any round shape, beards are darker near the edge of the face and lighter on the surface of the face.\r\n\r\nFacial hair grows differently for different guys. Pay attention to how the hair is growing and where.\r\n\r\nOnce you draw the hair and shade the hair in, use an eraser and lightly erase to create light spots in areas where they are needed. You may need to switch between drawing and shading, erasing several times before you get the look you are aiming for.\r\n\r\nRemember to draw lightly so that the face does not become too gray-looking. If you are doing this on paper, it becomes hard to erase after several times of using a technique like this.\r\n

Why does this drawing of a man look like he is thinking?

\r\n\"6\"\r\n\r\nConsider when drawing a pose, why are you using the pose and why do you like the pose?\r\n\r\nFor instance, take this man in the picture placing his hand on his chin. When you consider body language, a simple pose or action can tell the viewer an idea.\r\n\r\nWhat concept are you trying to convey?\r\n\r\nIn this picture, the man’s expression and gesture gives the impression that he is thinking because one of the common mannerisms that people tend to have when thinking is having their hand near or on their chin. You look at “The Thinker” sculpted by Rodan...why is he posed in such a way with his hand on his chin? Because the way he is holding his face conveys the idea of thought.\r\n\r\nWhy is this pose so compelling and why does the beard accent the idea?\r\n\r\nThe beard helps create the effect even more because it’s easy for a guy when he is bored or perhaps thinking to scratch his face. If one has a beard, then it give you more of a reason to place your hand there.\r\n\r\nA lot of great thinkers in the past all had long beards. Is this connected or just happenstance?\r\n\r\nThe idea is in art. We have concept and you can even have theory, but above all, you have emotions and feeling. So if you feel there is a certain meaning behind something, that is all you need. Thought can give more to an art piece than technique and/or skill level. If you consider abstract art, thought becomes more important than the skill.','This Drawing of a Man Shows Beards Are Made for Thinking','','inherit','closed','closed','','2884-revision-v1','','','2016-06-20 07:19:41','2016-06-20 14:19:41','',2884,'http://www.letsdrawpeople.com/2884-revision-v1/',0,'revision','',0),(3061,2,'2016-06-20 06:58:06','2016-06-20 13:58:06','The first part of this article takes you through the process of drawing a man with a beard. As you can see, this subject also happens to have his hand on his chin, as if he is having a thought.\r\n\r\n \r\n\r\nThe second part of this article explores the significance of this placement, describing how a hand on a chin and a beard adds thought and meaning to a piece such as this.\r\n

Drawing the Subject

\r\nDrawing the face can be difficult, so I like to break down the face into several parts and think of each part as separate in order to create the whole.\r\n\r\n\"1\"\r\n\r\nStart by roughly sketching the face. If you cut the head horizontally in half, then the eyes are above that line. When drawing the eyes, space them apart from one another about one eye apart and about a half-eye shape from the side of the face. It helps to draw lightly so you can later fix marks or guidelines that you use. When drawing a face, it helps to remember some proportions and also techniques like measuring.\r\n\r\n\"2\"\r\n\r\nWhen drawing the ears, consider that the top of the ears are about level with the eye and the bottom of the ears are about level with the mouth. Remember to include a lot of detail when drawing the ears to give a more realistic look.\r\n\r\nRoughly halfway between the chin and the eye line is about where the nose should be.\r\n\r\n\"3\"\r\n\r\nIf you create an upside down triangle from the eyes down to the nose line, it will create about the right size for the nose. The mouth is about one-third the distance from the nose to the chin.\r\n\r\nWhen drawing the neck, use a line dropping from the ears and remember to curve the neck slightly.\r\n\r\nFinish drawing in light details like the mouth and start working on light shading on areas that you will latter rework in a darker shade.\r\n\r\n\"4\"\r\n\r\nNow that you have a basic drawing of a man, it\'s time to start working the details. Start by shading large areas a light tone that are to give the drawing more of a 3d effect.\r\n\r\nWhen drawing a person, consider expression, pose, personality, and characteristics.\r\n\r\nWhen drawing the eye, pay attention to small details. Small details will help give your drawing a more realistic look.\r\nFor example, when drawing the iris, know that eyes are reflective and that there is always a bright spot of the eye where the eyes are reflecting light. Also know that the pupil is not a perfect circle and the eye is not a perfect circle either. Instead draw an elliptical circle.\r\n\r\nThe nose can be difficult to draw but you can look at the nose as 3 or more different parts because it\'s easier to draw that way.\r\n\r\nFirst draw the bridge of the nose near the eyes, then the body of the nose, and finally the bottom of the nose near the nostrils, which can be broken up further into three parts.\r\n\r\nWhen drawing the mouth, create a basic shape of the mouth then add small details like the roundness of the lips. Try not to draw the mouth as a single curved line if you want to draw realistically. Instead, use several small curves to create the shape.\r\n

Drawing the Hand

\r\nThe hand is about the size of the face, although in this picture you can’t see his whole hand, so it may be better to use measuring in order to figure out how large his hand is compared to his face. Use a shape in the photos and a fixed measuring object like an eraser or pencil and keep on using the same measuring object.\r\n\r\n\"5\"\r\n

Drawing the Beard

\r\nFirst, draw the face fully as if he had no beard. Use the structure of his face to figure out where his chin would be. These lines will later disappear as you add details for the hair. Men tend to have square-like faces. Still, you should draw the shape with curved lines and not straight lines since the body is mostly curved.\r\n\r\nWhen drawing the hair for the beard, draw lightly to begin with to create an idea of the shape of his beard. To draw the actual hair, use a sketchy technique in different directions. Keep in mind where his hair is and where it is going.\r\n\r\nNow start to create the darker areas of his beard. Just like any round shape, beards are darker near the edge of the face and lighter on the surface of the face.\r\n\r\nFacial hair grows differently for different guys. Pay attention to how the hair is growing and where.\r\n\r\nOnce you draw the hair and shade the hair in, use an eraser and lightly erase to create light spots in areas where they are needed. You may need to switch between drawing and shading, erasing several times before you get the look you are aiming for.\r\n\r\nRemember to draw lightly so that the face does not become too gray-looking. If you are doing this on paper, it becomes hard to erase after several times of using a technique like this.\r\n

Why does this drawing of a man look like he is thinking?

\r\n\"6\"\r\n\r\nConsider when drawing a pose, why are you using the pose and why do you like the pose?\r\n\r\nFor instance, take this man in the picture, placing his hand on his chin. When you consider body language, a simple pose or action can tell the viewer an idea.\r\n\r\nWhat concept are you trying to convey?\r\n\r\nIn this picture, the man’s expression and gesture gives the impression that he is thinking because one of the common mannerisms that people tend to have when thinking is having their hand near or on their chin. You look at “The Thinker” sculpted by Rodan...why is he posed in such a way with his hand on his chin? Because the way he is holding his face conveys the idea of thought.\r\n\r\nWhy is this pose so compelling and why does the beard accent the idea?\r\n\r\nThe beard helps create the effect even more because it’s easy for a guy when he is bored or perhaps thinning to scratch his face. If one has a beard, then it give you more of a reason to place your hand there.\r\n\r\nA lot of great thinkers in the past all had long beards. Is this connected or just happenstance?\r\n\r\nThe idea is in art. We have concept and you can even have theory, but above all, you have emotions and feeling. So if you feel there is a certain meaning behind something, that is all you need. Thought can give more to an art piece than technique and/or skill level. If you consider abstract art, thought becomes more important than the skill.','This Drawing of a Man Shows Beards Are Made for Thinking','','inherit','closed','closed','','2884-revision-v1','','','2016-06-20 06:58:06','2016-06-20 13:58:06','',2884,'http://www.letsdrawpeople.com/2884-revision-v1/',0,'revision','',0),(3067,2,'2016-06-20 07:56:45','2016-06-20 14:56:45','','03 drawing of a man with a beard','','inherit','open','closed','','03-drawing-of-a-man-with-a-beard','','','2016-06-20 07:56:45','2016-06-20 14:56:45','',2884,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/03-drawing-of-a-man-with-a-beard.jpg',0,'attachment','image/jpeg',0),(3068,2,'2016-06-20 07:56:47','2016-06-20 14:56:47','','01 drawing of a man with a beard','','inherit','open','closed','','01-drawing-of-a-man-with-a-beard','','','2016-06-20 07:56:47','2016-06-20 14:56:47','',2884,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/01-drawing-of-a-man-with-a-beard.jpg',0,'attachment','image/jpeg',0),(3069,2,'2016-06-20 08:06:12','2016-06-20 15:06:12','','The_Thinker,_Auguste_Rodin','','inherit','open','closed','','the_thinker_auguste_rodin','','','2016-06-20 08:06:12','2016-06-20 15:06:12','',2884,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/The_Thinker_Auguste_Rodin.jpg',0,'attachment','image/jpeg',0),(3070,2,'2016-06-20 08:11:45','2016-06-20 15:11:45','The first part of this article takes you through the process of drawing a man with a beard. As you can see, this subject also happens to have his hand on his chin, as if he is having a thought.\r\n\r\n[caption id=\"attachment_2621\" align=\"aligncenter\" width=\"800\"]\"
© Vadymvdrobot | Dreamstime.com
[/caption]\r\n\r\nThe second part of this article explores the significance of this placement, describing how a hand on a chin and a beard adds thought and meaning to a piece such as this.\r\n

Drawing the Subject

\r\nDrawing the face can be difficult, so I like to break down the face into several parts and think of each part as separate in order to create the whole.\r\n\r\n\"01\r\n\r\n \r\n

Drawing the Face

\r\nStart by roughly sketching the face. If you cut the head horizontally in half, then the eyes are above that line. When drawing the eyes, space them apart from one another about one eye apart and about a half-eye shape from the side of the face. It helps to draw lightly so you can later fix marks or guidelines that you use. When drawing a face, it helps to remember some proportions and also techniques like measuring.\r\n\r\n\"02\r\n\r\n \r\n\r\nWhen drawing the ears, consider that the top of the ears are about level with the eye and the bottom of the ears are about level with the mouth. Remember to include a lot of detail when drawing the ears to give a more realistic look.\r\n\r\nRoughly halfway between the chin and the eye line is about where the nose should be.\r\n\r\n\"03\r\n\r\n \r\n\r\nIf you create an upside down triangle from the eyes down to the nose line, it will create about the right size for the nose. The mouth is about one-third the distance from the nose to the chin.\r\n\r\nWhen drawing the neck, use a line dropping from the ears and remember to curve the neck slightly.\r\n\r\nFinish drawing in light details like the mouth and start working on light shading on areas that you will later rework in a darker shade.\r\n\r\n\"04\r\n\r\n \r\n\r\nNow that you have a basic drawing of the man, it\'s time to start working the details. Start by shading large areas a light tone that are to give the drawing more of a 3d effect.\r\n\r\nWhen drawing a person, consider expression, pose, personality, and characteristics.\r\n\r\nWhen drawing the eye, pay attention to small details. Small details will help give your drawing a more realistic look.\r\nFor example, when drawing the iris, know that eyes are reflective and that there is always a bright spot of the eye where the eyes are reflecting light.\r\n\r\nThe nose can be difficult to draw but you can look at the nose as 3 or more different parts because it\'s easier to draw that way.\r\n\r\nFirst draw the bridge of the nose near the eyes, then the body of the nose, and finally the bottom of the nose near the nostrils, which can be broken up further into three parts.\r\n\r\nWhen drawing the mouth, create a basic shape of the mouth then add small details like the roundness of the lips. Try not to draw the mouth as a single curved line if you want to draw realistically. Instead, use several small curves to create the shape.\r\n

Drawing the Hand

\r\nThe hand is about the size of the face, although in this picture you can’t see his whole hand, so it may be better to use measuring in order to figure out how large his hand is compared to his face. Use a shape in the photos and a fixed measuring object like an eraser or pencil and keep on using the same measuring object.\r\n\r\n\"05\r\n\r\n \r\n

Drawing the Beard

\r\nFirst, draw the face fully as if he had no beard. Use the structure of his face to figure out where his chin would be. These lines will later disappear as you add details for the hair. Men tend to have square-like faces. Still, you should draw the shape with curved lines and not straight lines since the body is mostly curved.\r\n\r\nWhen drawing the hair for the beard, draw lightly to begin with to create an idea of the shape of his beard. To draw the actual hair, use a sketchy technique in different directions. Keep in mind where his hair is and where it is going.\r\n\r\nNow start to create the darker areas of his beard. Just like any round shape, beards are darker near the edge of the face and lighter on the surface of the face.\r\n\r\nFacial hair grows differently for different guys. Pay attention to how the hair is growing and where.\r\n\r\nOnce you draw the hair and shade the hair in, use an eraser and lightly erase to create light spots in areas where they are needed. You may need to switch between drawing and shading, erasing several times before you get the look you are aiming for.\r\n\r\nRemember to draw lightly so that the face does not become too gray-looking. If you are doing this on paper, it becomes hard to erase after several times of using a technique like this.\r\n

Why does this drawing of a man look like he is thinking?

\r\n \r\n\r\n\"drawing\r\n\r\nConsider when drawing a pose, why are you using the pose and why do you like the pose?\r\n\r\nFor instance, take this man in the picture placing his hand on his chin. When you consider body language, a simple pose or action can tell the viewer an idea.\r\n\r\nWhat concept are you trying to convey?\r\n\r\nIn this picture, the man’s expression and gesture gives the impression that he is thinking because one of the common mannerisms that people tend to have when thinking is having their hand near or on their chin. You look at “The Thinker” sculpted by Rodin...\r\n\r\n\"The_Thinker,_Auguste_Rodin\"\r\n\r\nWhy is he posed in such a way with his hand on his chin? Because the way he is holding his face conveys the idea of thought.\r\n\r\nWhy is this pose so compelling and why does the beard accent the idea?\r\n\r\nThe beard helps create the effect even more because it’s easy for a guy when he is bored or perhaps thinking to scratch his face. If one has a beard, then it give you more of a reason to place your hand there.\r\n\r\nA lot of great thinkers in the past all had long beards. Is this connected or just happenstance?\r\n\r\nThe idea is in art. We have concept and you can even have theory, but above all, you have emotions and feeling. So if you feel there is a certain meaning behind something, that is all you need. Thought can give more to an art piece than technique and/or skill level. If you consider abstract art, thought becomes more important than the skill.','This Drawing of a Man Shows Beards Are Made for Thinking','','inherit','closed','closed','','2884-revision-v1','','','2016-06-20 08:11:45','2016-06-20 15:11:45','',2884,'http://www.letsdrawpeople.com/2884-revision-v1/',0,'revision','',0),(3071,2,'2016-06-20 08:36:13','2016-06-20 15:36:13','What I’m about to share with you is a risk for me. I’m risking mobs of angry artists coming and burning down my house and crucifying me upside down. I will be sharing a secret that many artists use that make us look like we can do the outline of a drawing without any type of help. It can be said that most of us don’t need help drawing, but if you constantly do figures like I do, you want to be anatomically correct. The secret I’m talking about is using a light box or any of the other items that will be discussed in this article.\r\n\r\nThe first question that forms in your head is: “Doesn’t using a light box constitute a form of cheating? You’re not a real artist if you use one.” Let me answer that question with a question. Can a garbage man do his job without a truck? Can a doctor operate on you without medical tools? Can a dentist take care of your teeth without the proper tools? I think you know the answer to these questions. Anyone that says you’re not a real artist with a light box is sadly misinformed. A light box is a NECESSARY TOOL if you want to be an artist.\r\n\r\nA great pro for the light box is that it saves you time. If you are like me, you need a light box to help cut down your outline drawing time and in essence, get more art pieces cranked out. It also helps with accuracy with the figures and items that will be in your picture. The light box isn’t just the only item you can use. You can also use carbon/graphite paper, a projector, lines, or free-hand. Let’s look at some examples of using all these except the free-hand.\r\n\r\n \r\n\r\n\"Scan0001\"\"Scan0002\"\r\n\r\nOK so the first example here was done using a light box. The light box is used to trace the outside edges of the subject and other items that will be in the picture. Again, this technique is to help shave down time in drawing the contour outline. Here I quickly did the eyes by smudging them with a tortillion and lips by darkening them a little with a 3B pencil and then smudging it with the tortillion as well. I then start work on the hair by using a HB pencil and leaving some spots untouched to later illustrate light reflecting off the hair.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\nI then smudge the pencil mark that’s in the hair followed by dark pencil marks that will portray hair strands. As always, do not smudge these marks. You want to show some hair detail and you cannot if these are smudged. I have also started adding some tortillion smudge to the face. It’s not much but I’m not worried about it for the time being. I have time to go back and add more later.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\nAs you can see, I’ve started on her outfit. Nothing special here; I used a 3B pencil and shaded/smudged the black with a tortillion. I then used the same tortillion to add some shade and coloring to her sports bra.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nThe last thing I needed to do was add some detail to the skin and arms by using a tortillion again. I went back to the head again and just added some shading to the forehead to illustrate some realism.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0006\"\r\n\r\nOK, unfortunately this drawing was a fail project. I was supposed to illustrate the second item you can use to draw the outline of a figure but I ended up using a light box to quickly get it done. With this picture, the projector was supposed to be used. I learn a valuable lesson that I will pass on to you guys. When using the projector, you need to make sure that the picture that you are doing it on is to be on a BIG piece of paper – 18x24 preferable. If you do it on something small, you will have to bring the projector closer to the paper and that’s bad business. You will not have any room to move around plus you run the risk in bumping into the projector and knocking the tracing off point. It would be best that you use a bigger piece of paper and not like what I did when getting ready for this article. Glad though I found out so I could give you guys a no-no pointer.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0007\"\r\n\r\nNow this next technique is what I used when I first started drawing. I kept my method a secret from everyone in fear of being exposed but now, who cares right? I’ve learned that many people don’t care what technique you use, in contrast to the actual concept of the art piece and the medium used. I don’t think I remember how this technique was presented to me except that I was in Michael’s and I saw graphite tracing paper ***** and I put two and two together. To me that was heaven sent; I needed something that would cut my outline, drawing time down and here it was! The only bad thing about using graphite tracing paper is that it’s messy. You’ll get some of the carbon/graphite onto your fingers and on the paper that you’re tracing on causing un-necessary erasing.\r\n\r\nYou start by first, having the sheet of paper that you will be drawing on followed by the graphite paper then the picture on top that you’ll be copying. Another thing you might want to do extra, is tape the original picture to the paper that will be the copy and casually slip the graphite paper in between the sheets of paper and trace.\r\n\r\n \r\n\r\n\"Scan0008\"\"Scan0009\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nYou guys know my routine by now; eyes, lips, and eyebrows. With the eyes, don’t forget to add some highlight for the pupil and iris and add some shading to the upper part of the eye to show a little bit of shadow. Smudge the eye lid crease and the eyebrow adding some hair to illustrate random detail.Hair is pretty simple here. Color it fully using a 3H or 2H pencil.Take some tissue and blend/smudge over the whole pencil marking. Once you’ve done that, go back with a darker pencil and add strands to the head to portray different tones. The pencil strokes will be the darker part of her hair.\r\n\r\n \r\n\r\n\"Scan0010\"\"Scan0011\"\r\n\r\nThe last things we will do is first add tone to her shirt with some blending. After that, we will take a tortillion and add shading on the face and neck where necessary.\r\n\r\n \r\n\r\n\"Scan0012\"\"Scan0013\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nThe last technique we will look at is one that I don’t care for – lines. In some cases, measuring is involved. You need the right distances between the eyes, noses, mouth, and hair line. You may need to get the proper measurements off the original picture and then add or take away inches and centimeters depending on the size of paper that you will be working on.You can also use a see through grid that already has grids and lines placed on the plate; you then just put it on top of the picture and then mimic what you see onto your sheet of paper. You want to break up the grids into individual sections and focus only what is in one grid at a time. The same goes with the regular lines. They will bit more of a challenge because you won’t have a small section to draw in. The lines in this case serve as guide lines in drawing down the basics.\r\n\r\n \r\n\r\n\"Scan0014\"\r\n\r\nOnce you have the basics down, attack the eyes first. As always, don’t forget the highlight in the eye and the upper shading in the eye. If you got a second, go ahead and smudge the eyelid crease and the eyebrow some so as not to forget like I have in the past.\r\n\r\n \r\n\r\n\"Scan0015\"\r\n\r\nYou got my pattern down yet? Eyes, mouth, and hair. In this state, you knew the mouth and lips were coming. You got a choice here, you can draw some lines on the lower lips to implement shading or you can just begin smudging with a tortillion. In this case, I smudged it with a tortillion, both top and bottom. I also used a little bit of a dark pencil (7B) and tortillion to shade and smudge the inside of the mouth and the small space between the teeth and gums.\r\n\r\n \r\n\r\n\"Scan0016\"\r\n\r\nThe hair is easy in this situation. She’s a blonde so I will use a 5H pencil to color the hair and fill in certain areas where it’s darker. I will then smudge the entire area will tissue – it serves the same purpose as a tortillion would but it spreads the graphite wider. The last thing I will do is use a pencil eraser to add in highlights. I find this easier to use than a kneaded eraser – I don’t have to worry about re-shaping the eraser or it giving way to the pressure of erasing.\r\n\r\n \r\n\r\n\"Scan0017\"\r\n\r\nI start now on adding some shading to the face (using tortillion after the aftermath), some shading scribble to her shirt, and adding dark tone to her secondary tank top underneath.\r\n\r\n \r\n\r\n\"Scan0018\"\r\n\r\nThe last thing to work on is to smudge and blend areas in her face and arm, and in her shirt. Again these drawings were a quick study on the different faces on how to sketch an image to a sheet of paper from its original picture. I’m pretty sure a mob of angry artists are not going to be too happy thinking I’ve given their secret away but hey, it’s not a secret, it’s a necessary tool that doesn’t get time in the spot light. Hopefully this article will help shed the light on some of the methods that we use and it’s not interpreted as “cheating.”','Refuse to Ever Use a Drawing Light Box and You Will Regret It','','inherit','closed','closed','','2732-revision-v1','','','2016-06-20 08:36:13','2016-06-20 15:36:13','',2732,'http://www.letsdrawpeople.com/2732-revision-v1/',0,'revision','',0),(3072,2,'2016-06-20 11:57:05','2016-06-20 18:57:05','What I’m about to share with you is a risk for me. I’m risking mobs of angry artists coming and burning down my house and crucifying me upside down. I will be sharing a secret that many artists use that make us look like we can do the outline of a drawing without any type of help. It can be said that most of us don’t need help drawing, but if you constantly do figures like I do, you want to be anatomically correct. The secret I’m talking about is using a light box or any of the other items that will be discussed in this article.\r\n\r\nThe first question that forms in your head is: “Doesn’t using a light box constitute a form of cheating? You’re not a real artist if you use one.” Let me answer that question with a question. Can a garbage man do his job without a truck? Can a doctor operate on you without medical tools? Can a dentist take care of your teeth without the proper tools? I think you know the answer to these questions. Anyone that says you’re not a real artist with a light box is sadly misinformed. A light box is a NECESSARY TOOL if you want to be an artist.\r\n\r\nA great pro for the light box is that it saves you time. If you are like me, you need a light box to help cut down your outline drawing time and in essence, get more art pieces cranked out. It also helps with accuracy with the figures and items that will be in your picture. The light box isn’t just the only item you can use. You can also use carbon/graphite paper, a projector, lines, or free-hand. Let’s look at some examples of using all these except the free-hand.\r\n\r\n \r\n\r\n\"Scan0001\"\"Scan0002\"\r\n\r\nOK so the first example here was done using a light box. The light box is used to trace the outside edges of the subject and other items that will be in the picture. Again, this technique is to help shave down time in drawing the contour outline. Here I quickly did the eyes by smudging them with a tortillion and lips by darkening them a little with a 3B pencil and then smudging it with the tortillion as well. I then start work on the hair by using a HB pencil and leaving some spots untouched to later illustrate light reflecting off the hair.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\nI then smudge the pencil mark that’s in the hair followed by dark pencil marks that will portray hair strands. As always, do not smudge these marks. You want to show some hair detail and you cannot if these are smudged. I have also started adding some tortillion smudge to the face. It’s not much but I’m not worried about it for the time being. I have time to go back and add more later.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\nAs you can see, I’ve started on her outfit. Nothing special here; I used a 3B pencil and shaded/smudged the black with a tortillion. I then used the same tortillion to add some shade and coloring to her sports bra.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nThe last thing I needed to do was add some detail to the skin and arms by using a tortillion again. I went back to the head again and just added some shading to the forehead to illustrate some realism.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0006\"\r\n\r\nOK, unfortunately this drawing was a fail project. I was supposed to illustrate the second item you can use to draw the outline of a figure but I ended up using a light box to quickly get it done. With this picture, the projector was supposed to be used. I learn a valuable lesson that I will pass on to you guys. When using the projector, you need to make sure that the picture that you are doing it on is to be on a BIG piece of paper – 18x24 preferable. If you do it on something small, you will have to bring the projector closer to the paper and that’s bad business. You will not have any room to move around plus you run the risk in bumping into the projector and knocking the tracing off point. It would be best that you use a bigger piece of paper and not like what I did when getting ready for this article. Glad though I found out so I could give you guys a no-no pointer.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0007\"\r\n\r\nNow this next technique is what I used when I first started drawing. I kept my method a secret from everyone in fear of being exposed but now, who cares right? I’ve learned that many people don’t care what technique you use, in contrast to the actual concept of the art piece and the medium used. I don’t think I remember how this technique was presented to me except that I was in Michael’s and I saw graphite tracing paper and I put two and two together. To me that was heaven sent; I needed something that would cut my outline, drawing time down and here it was! The only bad thing about using graphite tracing paper is that it’s messy. You’ll get some of the carbon/graphite onto your fingers and on the paper that you’re tracing on, causing unnecessary erasing.\r\n\r\nYou start by first having the sheet of paper that you will be drawing on followed by the graphite paper then the picture on top that you’ll be copying. Another thing you might want to do is tape the original picture to the paper that will be the copy and casually slip the graphite paper in between the sheets of paper and trace.\r\n\r\n \r\n\r\n\"Scan0008\"\"Scan0009\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nYou guys know my routine by now: eyes, lips, and eyebrows. With the eyes, don’t forget to add some highlight for the pupil and iris and add some shading to the upper part of the eye to show a little bit of shadow. Smudge the eye lid crease and the eyebrow adding some hair to illustrate random detail. Hair is pretty simple here. Color it fully using a 3H or 2H pencil.Take some tissue and blend/smudge over the whole pencil marking. Once you’ve done that, go back with a darker pencil and add strands to the head to portray different tones. The pencil strokes will be the darker part of her hair.\r\n\r\n \r\n\r\n\"Scan0010\"\"Scan0011\"\r\n\r\nThe last things we will do is first add tone to her shirt with some blending. After that, we will take a tortillion and add shading on the face and neck where necessary.\r\n\r\n \r\n\r\n\"Scan0012\"\"Scan0013\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nThe last technique we will look at is one that I don’t care for – lines. In some cases, measuring is involved. You need the right distances between the eyes, noses, mouth, and hairline. You may need to get the proper measurements off the original picture and then add or take away inches and centimeters depending on the size of paper that you will be working on.You can also use a see-through grid that already has grids and lines placed on the plate. You then just put it on top of the picture and then mimic what you see onto your sheet of paper. You want to break up the grids into individual sections and focus only on what is in one grid at a time. The same goes with the regular lines. They will be a bit more of a challenge because you won’t have a small section to draw in. The lines in this case serve as guide lines in drawing down the basics.\r\n\r\n \r\n\r\n\"Scan0014\"\r\n\r\nOnce you have the basics down, attack the eyes first. As always, don’t forget the highlight in the eye and the upper shading in the eye. If you have a second, go ahead and smudge the eyelid crease and the eyebrow some so as not to forget like I have in the past.\r\n\r\n \r\n\r\n\"Scan0015\"\r\n\r\nYou got my pattern down yet? Eyes, mouth, and hair. In this state, you knew the mouth and lips were coming. You have a choice here. You can draw some lines on the lower lips to implement shading or you can just begin smudging with a tortillion. In this case, I smudged it with a tortillion, both top and bottom. I also used a little bit of a dark pencil (7B) and tortillion to shade and smudge the inside of the mouth and the small space between the teeth and gums.\r\n\r\n \r\n\r\n\"Scan0016\"\r\n\r\nThe hair is easy in this situation. She’s a blonde so I will use a 5H pencil to color the hair and fill in certain areas where it’s darker. I will then smudge the entire area will tissue – it serves the same purpose as a tortillion would but it spreads the graphite wider. The last thing I will do is use a pencil eraser to add in highlights. I find this easier to use than a kneaded eraser – I don’t have to worry about re-shaping the eraser or it giving way to the pressure of erasing.\r\n\r\n \r\n\r\n\"Scan0017\"\r\n\r\n*****I start now on adding some shading to the face (using tortillion after the aftermath), some shading scribble to her shirt, and adding dark tone to her secondary tank top underneath.\r\n\r\n \r\n\r\n\"Scan0018\"\r\n\r\nThe last thing to work on is to smudge and blend areas in her face and arm, and in her shirt. Again these drawings were a quick study on the different faces on how to sketch an image to a sheet of paper from its original picture. I’m pretty sure a mob of angry artists are not going to be too happy thinking I’ve given their secret away but hey, it’s not a secret, it’s a necessary tool that doesn’t get time in the spot light. Hopefully this article will help shed the light on some of the methods that we use and it’s not interpreted as “cheating.”','Refuse to Ever Use a Drawing Light Box and You Will Regret It','','inherit','closed','closed','','2732-revision-v1','','','2016-06-20 11:57:05','2016-06-20 18:57:05','',2732,'http://www.letsdrawpeople.com/2732-revision-v1/',0,'revision','',0),(3073,2,'2016-06-20 13:05:21','2016-06-20 20:05:21','What I’m about to share with you is a risk for me. I’m risking mobs of angry artists coming and burning down my house and crucifying me upside down. I will be sharing a secret that many artists use that make us look like we can do the outline of a drawing without any type of help. It can be said that most of us don’t need help drawing, but if you constantly do figures like I do, you want to be anatomically correct. The secret I’m talking about is using a shortcut, such as a light box or any of the other items that will be discussed in this article.\r\n\r\nThe first question that forms in your head is: “Doesn’t using a light box constitute a form of cheating? You’re not a real artist if you use one.” Let me answer that question with a question. Can a garbage man do his job without a truck? Can a doctor operate on you without medical tools? Can a dentist take care of your teeth without the proper tools? I think you know the answer to these questions. Anyone that says you’re not a real artist with a light box is sadly misinformed. A light box is a NECESSARY TOOL if you want to be an artist.\r\n\r\nA great pro for the light box is that it saves you time. If you are like me, you need a light box to help cut down your outline drawing time and in essence, get more art pieces cranked out than you can accomplish by just drawing freehand. It also helps with accuracy with the figures and items that will be in your picture. The light box isn’t just the only item you can use. Rather than drawing by traditional freehand, you can also use carbon/graphite paper, a projector, or guidelines. Let’s look at some examples of drawing subjects using all of these techniques.\r\n\r\n \r\n\r\n\"Scan0001\"\"Scan0002\"\r\n\r\nOK so the first example here was done using a light box. The light box is used to trace the outside edges of the subject and other items that will be in the picture. Again, this technique is to help shave down time in drawing the contour outline. Here I quickly did the eyes by smudging them with a tortillion and lips by darkening them a little with a 3B pencil and then smudging it with the tortillion as well. I then start work on the hair by using a HB pencil and leaving some spots untouched to later illustrate light reflecting off the hair.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\nI then smudge the pencil mark that’s in the hair followed by dark pencil marks that will portray hair strands. As always, do not smudge these marks. You want to show some hair detail and you cannot if these are smudged. I have also started adding some tortillion smudge to the face. It’s not much but I’m not worried about it for the time being. I have time to go back and add more later.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\nAs you can see, I’ve started on her outfit. Nothing special here; I used a 3B pencil and shaded/smudged the black with a tortillion. I then used the same tortillion to add some shade and coloring to her sports bra.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nThe last thing I needed to do was add some detail to the skin and arms by using a tortillion again. I went back to the head again and just added some shading to the forehead to illustrate some realism.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0006\"\r\n\r\nOK, unfortunately this drawing was a fail project. I was supposed to illustrate the second item you can use to draw the outline of a figure but I ended up using a light box to quickly get it done. With this picture, the projector was supposed to be used. I learn a valuable lesson that I will pass on to you guys. When using the projector, you need to make sure that the picture that you are doing it on is to be on a BIG piece of paper – 18x24 preferable. If you do it on something small, you will have to bring the projector closer to the paper and that’s bad business. You will not have any room to move around plus you run the risk in bumping into the projector and knocking the tracing off point. It would be best that you use a bigger piece of paper and not like what I did when getting ready for this article. Glad though I found out so I could give you guys a no-no pointer.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0007\"\r\n\r\nNow this next technique is what I used when I first started drawing. I kept my method a secret from everyone in fear of being exposed but now, who cares right? I’ve learned that many people don’t care what technique you use, in contrast to the actual concept of the art piece and the medium used. I don’t think I remember how this technique was presented to me except that I was in Michael’s and I saw graphite tracing paper and I put two and two together. To me that was heaven sent; I needed something that would cut my outline, drawing time down and here it was! The only bad thing about using graphite tracing paper is that it’s messy. You’ll get some of the carbon/graphite onto your fingers and on the paper that you’re tracing on, causing unnecessary erasing.\r\n\r\nYou start by first having the sheet of paper that you will be drawing on followed by the graphite paper then the picture on top that you’ll be copying. Another thing you might want to do is tape the original picture to the paper that will be the copy and casually slip the graphite paper in between the sheets of paper and trace.\r\n\r\n \r\n\r\n\"Scan0008\"\"Scan0009\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nYou guys know my routine by now: eyes, lips, and eyebrows. With the eyes, don’t forget to add some highlight for the pupil and iris and add some shading to the upper part of the eye to show a little bit of shadow. Smudge the eye lid crease and the eyebrow adding some hair to illustrate random detail. Hair is pretty simple here. Color it fully using a 3H or 2H pencil.Take some tissue and blend/smudge over the whole pencil marking. Once you’ve done that, go back with a darker pencil and add strands to the head to portray different tones. The pencil strokes will be the darker part of her hair.\r\n\r\n \r\n\r\n\"Scan0010\"\"Scan0011\"\r\n\r\nThe last things we will do is first add tone to her shirt with some blending. After that, we will take a tortillion and add shading on the face and neck where necessary.\r\n\r\n \r\n\r\n\"Scan0012\"\"Scan0013\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nThe last technique we will look at is one that I don’t care for – lines. In some cases, measuring is involved. You need the right distances between the eyes, noses, mouth, and hairline. You may need to get the proper measurements off the original picture and then add or take away inches and centimeters depending on the size of paper that you will be working on.You can also use a see-through grid that already has grids and lines placed on the plate. You then just put it on top of the picture and then mimic what you see onto your sheet of paper. You want to break up the grids into individual sections and focus only on what is in one grid at a time. The same goes with the regular lines. They will be a bit more of a challenge because you won’t have a small section to draw in. The lines in this case serve as guide lines in drawing down the basics.\r\n\r\n \r\n\r\n\"Scan0014\"\r\n\r\nOnce you have the basics down, attack the eyes first. As always, don’t forget the highlight in the eye and the upper shading in the eye. If you have a second, go ahead and smudge the eyelid crease and the eyebrow some so as not to forget like I have in the past.\r\n\r\n \r\n\r\n\"Scan0015\"\r\n\r\nYou got my pattern down yet? Eyes, mouth, and hair. In this state, you knew the mouth and lips were coming. You have a choice here. You can draw some lines on the lower lips to implement shading or you can just begin smudging with a tortillion. In this case, I smudged it with a tortillion, both top and bottom. I also used a little bit of a dark pencil (7B) and tortillion to shade and smudge the inside of the mouth and the small space between the teeth and gums.\r\n\r\n \r\n\r\n\"Scan0016\"\r\n\r\nThe hair is easy in this situation. She’s a blonde so I will use a 5H pencil to color the hair and fill in certain areas where it’s darker. I will then smudge the entire area will tissue – it serves the same purpose as a tortillion would but it spreads the graphite wider. The last thing I will do is use a pencil eraser to add in highlights. I find this easier to use than a kneaded eraser – I don’t have to worry about re-shaping the eraser or it giving way to the pressure of erasing.\r\n\r\n \r\n\r\n\"Scan0017\"\r\n\r\n*****I start now on adding some shading to the face (using tortillion after the aftermath), some shading scribble to her shirt, and adding dark tone to her secondary tank top underneath.\r\n\r\n \r\n\r\n\"Scan0018\"\r\n\r\nThe last thing to work on is to smudge and blend areas in her face and arm, and in her shirt.\r\n\r\nAgain, we used these drawings of different faces as a quick study on how to use shortcut techniques to sketch an image onto a sheet of paper from its original picture. I’m pretty sure a mob of angry artists is not going to be too happy thinking I’ve given their secret away; but hey, it’s not a secret. These are necessary tools and tricks that don\'t get time in the spotlight. Hopefully this article will help shed light on some of the methods that we use, and hopefully those methods are not interpreted as “cheating.”','Four Drawing Shortcut Techniques You Will Not Regret Using','','inherit','closed','closed','','2732-revision-v1','','','2016-06-20 13:05:21','2016-06-20 20:05:21','',2732,'http://www.letsdrawpeople.com/2732-revision-v1/',0,'revision','',0),(3074,2,'2016-06-20 13:12:21','2016-06-20 20:12:21','What I’m about to share with you is a risk for me. I’m risking mobs of angry artists coming and burning down my house and crucifying me upside down. I will be sharing a secret that many artists use that make us look like we can do the outline of a drawing without any type of help. It can be said that most of us don’t need help drawing, but if you constantly do figures like I do, you want to be anatomically correct. The secret I’m talking about is using a shortcut, such as a light box or any of the other items that will be discussed in this article.\r\n\r\nThe first question that forms in your head is: “Doesn’t using a light box constitute a form of cheating? You’re not a real artist if you use one.” Let me answer that question with a question. Can a garbage man do his job without a truck? Can a doctor operate on you without medical tools? Can a dentist take care of your teeth without the proper tools? I think you know the answer to these questions. Anyone that says you’re not a real artist with a light box is sadly misinformed. A light box is a NECESSARY TOOL if you want to be a serious artist of realistic work.\r\n\r\nA great pro for the light box is that it saves you time. If you are like me, you need a light box to help cut down your outline drawing time and in essence, get more art pieces cranked out than you can accomplish by just drawing freehand. It also helps with accuracy with the figures and items that will be in your picture. The light box isn’t just the only item you can use. Rather than drawing by traditional freehand, you can also use carbon/graphite paper, a projector, or guidelines. Let’s look at some examples of drawing subjects using each of these techniques.\r\n\r\n \r\n\r\n\"Scan0001\"\"Scan0002\"\r\n\r\nOK so the first example here was done using a light box. The light box is used to trace the outside edges of the subject and other items that will be in the picture. Again, this technique is to help shave down time in drawing the contour outline. Here I quickly did the eyes by smudging them with a tortillion and lips by darkening them a little with a 3B pencil and then smudging it with the tortillion as well. I then start work on the hair by using a HB pencil and leaving some spots untouched to later illustrate light reflecting off the hair.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\nI then smudge the pencil mark that’s in the hair followed by dark pencil marks that will portray hair strands. As always, do not smudge these marks. You want to show some hair detail and you cannot if these are smudged. I have also started adding some tortillion smudge to the face. It’s not much but I’m not worried about it for the time being. I have time to go back and add more later.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\nAs you can see, I’ve started on her outfit. Nothing special here; I used a 3B pencil and shaded/smudged the black with a tortillion. I then used the same tortillion to add some shade and coloring to her sports bra.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nThe last thing I needed to do was add some detail to the skin and arms by using a tortillion again. I went back to the head again and just added some shading to the forehead to illustrate some realism.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0006\"\r\n\r\nOK, unfortunately this drawing was a fail project. I was supposed to illustrate the second item you can use to draw the outline of a figure but I ended up using a light box to quickly get it done. With this picture, the projector was supposed to be used. I learn a valuable lesson that I will pass on to you guys. When using the projector, you need to make sure that the picture that you are doing it on is to be on a BIG piece of paper – 18x24 preferable. If you do it on something small, you will have to bring the projector closer to the paper and that’s bad business. You will not have any room to move around plus you run the risk in bumping into the projector and knocking the tracing off point. It would be best that you use a bigger piece of paper and not like what I did when getting ready for this article. Glad though I found out so I could give you guys a no-no pointer.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0007\"\r\n\r\nNow this next technique is what I used when I first started drawing. I kept my method a secret from everyone in fear of being exposed but now, who cares right? I’ve learned that many people don’t care what technique you use, in contrast to the actual concept of the art piece and the medium used. I don’t think I remember how this technique was presented to me except that I was in Michael’s and I saw graphite tracing paper and I put two and two together. To me that was heaven sent; I needed something that would cut my outline, drawing time down and here it was! The only bad thing about using graphite tracing paper is that it’s messy. You’ll get some of the carbon/graphite onto your fingers and on the paper that you’re tracing on, causing unnecessary erasing.\r\n\r\nYou start by first having the sheet of paper that you will be drawing on followed by the graphite paper then the picture on top that you’ll be copying. Another thing you might want to do is tape the original picture to the paper that will be the copy and casually slip the graphite paper in between the sheets of paper and trace.\r\n\r\n \r\n\r\n\"Scan0008\"\"Scan0009\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nYou guys know my routine by now: eyes, lips, and eyebrows. With the eyes, don’t forget to add some highlight for the pupil and iris and add some shading to the upper part of the eye to show a little bit of shadow. Smudge the eye lid crease and the eyebrow adding some hair to illustrate random detail. Hair is pretty simple here. Color it fully using a 3H or 2H pencil.Take some tissue and blend/smudge over the whole pencil marking. Once you’ve done that, go back with a darker pencil and add strands to the head to portray different tones. The pencil strokes will be the darker part of her hair.\r\n\r\n \r\n\r\n\"Scan0010\"\"Scan0011\"\r\n\r\nThe last things we will do is first add tone to her shirt with some blending. After that, we will take a tortillion and add shading on the face and neck where necessary.\r\n\r\n \r\n\r\n\"Scan0012\"\"Scan0013\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nThe last technique we will look at is one that I don’t care for – lines. In some cases, measuring is involved. You need the right distances between the eyes, noses, mouth, and hairline. You may need to get the proper measurements off the original picture and then add or take away inches and centimeters depending on the size of paper that you will be working on.You can also use a see-through grid that already has grids and lines placed on the plate. You then just put it on top of the picture and then mimic what you see onto your sheet of paper. You want to break up the grids into individual sections and focus only on what is in one grid at a time. The same goes with the regular lines. They will be a bit more of a challenge because you won’t have a small section to draw in. The lines in this case serve as guide lines in drawing down the basics.\r\n\r\n \r\n\r\n\"Scan0014\"\r\n\r\nOnce you have the basics down, attack the eyes first. As always, don’t forget the highlight in the eye and the upper shading in the eye. If you have a second, go ahead and smudge the eyelid crease and the eyebrow some so as not to forget like I have in the past.\r\n\r\n \r\n\r\n\"Scan0015\"\r\n\r\nYou got my pattern down yet? Eyes, mouth, and hair. In this state, you knew the mouth and lips were coming. You have a choice here. You can draw some lines on the lower lips to implement shading or you can just begin smudging with a tortillion. In this case, I smudged it with a tortillion, both top and bottom. I also used a little bit of a dark pencil (7B) and tortillion to shade and smudge the inside of the mouth and the small space between the teeth and gums.\r\n\r\n \r\n\r\n\"Scan0016\"\r\n\r\nThe hair is easy in this situation. She’s a blonde so I will use a 5H pencil to color the hair and fill in certain areas where it’s darker. I will then smudge the entire area will tissue – it serves the same purpose as a tortillion would but it spreads the graphite wider. The last thing I will do is use a pencil eraser to add in highlights. I find this easier to use than a kneaded eraser – I don’t have to worry about re-shaping the eraser or it giving way to the pressure of erasing.\r\n\r\n \r\n\r\n\"Scan0017\"\r\n\r\n*****I start now on adding some shading to the face (using tortillion after the aftermath), some shading scribble to her shirt, and adding dark tone to her secondary tank top underneath.\r\n\r\n \r\n\r\n\"Scan0018\"\r\n\r\nThe last thing to work on is to smudge and blend areas in her face and arm, and in her shirt.\r\n\r\nAgain, we used these drawings of different faces as a quick study on how to use shortcut techniques to sketch an image onto a sheet of paper from its original picture. I’m pretty sure a mob of angry artists is not going to be too happy thinking I’ve given their secret away; but hey, it’s not a secret. These are necessary tools and tricks that don\'t get time in the spotlight. Hopefully this article will help shed light on some of the methods that we use, and hopefully those methods are not interpreted as “cheating.”','Four Drawing Shortcut Techniques You Will Not Regret Using','','inherit','closed','closed','','2732-revision-v1','','','2016-06-20 13:12:21','2016-06-20 20:12:21','',2732,'http://www.letsdrawpeople.com/2732-revision-v1/',0,'revision','',0),(3075,2,'2016-06-20 13:18:52','2016-06-20 20:18:52','What I’m about to share with you is a risk for me. I’m risking mobs of angry artists coming and burning down my house and crucifying me upside down. I will be sharing a secret that many artists use that make us look like we can do the outline of a drawing without any type of help. It can be said that most of us don’t need help drawing, but if you constantly do figures like I do, you want to be anatomically correct. The secret I’m talking about is using a shortcut, such as a light box or any of the other items that will be discussed in this article.\r\n\r\nThe first question that forms in your head is: “Doesn’t using a light box constitute a form of cheating? You’re not a real artist if you use one.” Let me answer that question with a question. Can a garbage man do his job without a truck? Can a doctor operate on you without medical tools? Can a dentist take care of your teeth without the proper tools? I think you know the answer to these questions. Anyone that says you’re not a real artist with a light box is sadly misinformed. A light box is a NECESSARY TOOL if you want to be a serious artist of realistic work.\r\n\r\nA great pro for the light box is that it saves you time. If you are like me, you need a light box to help cut down your outline drawing time and in essence, get more art pieces cranked out than you can accomplish by just drawing freehand. It also helps with accuracy with the figures and items that will be in your picture. The light box isn’t just the only item you can use. Rather than drawing by traditional freehand, you can also use carbon/graphite paper, a projector, or guidelines. Let’s look at some examples of drawing subjects using each of these techniques.\r\n

1. Light Box

\r\n \r\n\r\n\"Scan0001\"\"Scan0002\"\r\n\r\nOK so the first example here was done using a light box. The light box is used to trace the outside edges of the subject and other items that will be in the picture. Again, this technique is to help shave down time in drawing the contour outline. Here I quickly did the eyes by smudging them with a tortillion and lips by darkening them a little with a 3B pencil and then smudging it with the tortillion as well. I then start work on the hair by using a HB pencil and leaving some spots untouched to later illustrate light reflecting off the hair.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\nI then smudge the pencil mark that’s in the hair followed by dark pencil marks that will portray hair strands. As always, do not smudge these marks. You want to show some hair detail and you cannot if these are smudged. I have also started adding some tortillion smudge to the face. It’s not much but I’m not worried about it for the time being. I have time to go back and add more later.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\nAs you can see, I’ve started on her outfit. Nothing special here; I used a 3B pencil and shaded/smudged the black with a tortillion. I then used the same tortillion to add some shade and coloring to her sports bra.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nThe last thing I needed to do was add some detail to the skin and arms by using a tortillion again. I went back to the head again and just added some shading to the forehead to illustrate some realism.\r\n

2. Projector

\r\n \r\n\r\n\"Scan0006\"\r\n\r\nOK, unfortunately this drawing was a fail project. I was supposed to illustrate the second item you can use to draw the outline of a figure but I ended up using a light box to quickly get it done. With this picture, the projector was supposed to be used. I learn a valuable lesson that I will pass on to you guys. When using the projector, you need to make sure that the picture that you are doing it on is to be on a BIG piece of paper – 18x24 preferable. If you do it on something small, you will have to bring the projector closer to the paper and that’s bad business. You will not have any room to move around plus you run the risk in bumping into the projector and knocking the tracing off point. It would be best that you use a bigger piece of paper and not like what I did when getting ready for this article. Glad though I found out so I could give you guys a no-no pointer.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0007\"\r\n\r\nNow this next technique is what I used when I first started drawing. I kept my method a secret from everyone in fear of being exposed but now, who cares right? I’ve learned that many people don’t care what technique you use, in contrast to the actual concept of the art piece and the medium used. I don’t think I remember how this technique was presented to me except that I was in Michael’s and I saw graphite tracing paper and I put two and two together. To me that was heaven sent; I needed something that would cut my outline, drawing time down and here it was! The only bad thing about using graphite tracing paper is that it’s messy. You’ll get some of the carbon/graphite onto your fingers and on the paper that you’re tracing on, causing unnecessary erasing.\r\n\r\nYou start by first having the sheet of paper that you will be drawing on followed by the graphite paper then the picture on top that you’ll be copying. Another thing you might want to do is tape the original picture to the paper that will be the copy and casually slip the graphite paper in between the sheets of paper and trace.\r\n\r\n \r\n\r\n\"Scan0008\"\"Scan0009\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nYou guys know my routine by now: eyes, lips, and eyebrows. With the eyes, don’t forget to add some highlight for the pupil and iris and add some shading to the upper part of the eye to show a little bit of shadow. Smudge the eye lid crease and the eyebrow adding some hair to illustrate random detail. Hair is pretty simple here. Color it fully using a 3H or 2H pencil.Take some tissue and blend/smudge over the whole pencil marking. Once you’ve done that, go back with a darker pencil and add strands to the head to portray different tones. The pencil strokes will be the darker part of her hair.\r\n\r\n \r\n\r\n\"Scan0010\"\"Scan0011\"\r\n\r\nThe last things we will do is first add tone to her shirt with some blending. After that, we will take a tortillion and add shading on the face and neck where necessary.\r\n\r\n \r\n\r\n\"Scan0012\"\"Scan0013\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nThe last technique we will look at is one that I don’t care for – lines. In some cases, measuring is involved. You need the right distances between the eyes, noses, mouth, and hairline. You may need to get the proper measurements off the original picture and then add or take away inches and centimeters depending on the size of paper that you will be working on.You can also use a see-through grid that already has grids and lines placed on the plate. You then just put it on top of the picture and then mimic what you see onto your sheet of paper. You want to break up the grids into individual sections and focus only on what is in one grid at a time. The same goes with the regular lines. They will be a bit more of a challenge because you won’t have a small section to draw in. The lines in this case serve as guide lines in drawing down the basics.\r\n\r\n \r\n\r\n\"Scan0014\"\r\n\r\nOnce you have the basics down, attack the eyes first. As always, don’t forget the highlight in the eye and the upper shading in the eye. If you have a second, go ahead and smudge the eyelid crease and the eyebrow some so as not to forget like I have in the past.\r\n\r\n \r\n\r\n\"Scan0015\"\r\n\r\nYou got my pattern down yet? Eyes, mouth, and hair. In this state, you knew the mouth and lips were coming. You have a choice here. You can draw some lines on the lower lips to implement shading or you can just begin smudging with a tortillion. In this case, I smudged it with a tortillion, both top and bottom. I also used a little bit of a dark pencil (7B) and tortillion to shade and smudge the inside of the mouth and the small space between the teeth and gums.\r\n\r\n \r\n\r\n\"Scan0016\"\r\n\r\nThe hair is easy in this situation. She’s a blonde so I will use a 5H pencil to color the hair and fill in certain areas where it’s darker. I will then smudge the entire area will tissue – it serves the same purpose as a tortillion would but it spreads the graphite wider. The last thing I will do is use a pencil eraser to add in highlights. I find this easier to use than a kneaded eraser – I don’t have to worry about re-shaping the eraser or it giving way to the pressure of erasing.\r\n\r\n \r\n\r\n\"Scan0017\"\r\n\r\n*****I start now on adding some shading to the face (using tortillion after the aftermath), some shading scribble to her shirt, and adding dark tone to her secondary tank top underneath.\r\n\r\n \r\n\r\n\"Scan0018\"\r\n\r\nThe last thing to work on is to smudge and blend areas in her face and arm, and in her shirt.\r\n\r\nAgain, we used these drawings of different faces as a quick study on how to use shortcut techniques to sketch an image onto a sheet of paper from its original picture. I’m pretty sure a mob of angry artists is not going to be too happy thinking I’ve given their secret away; but hey, it’s not a secret. These are necessary tools and tricks that don\'t get time in the spotlight. Hopefully this article will help shed light on some of the methods that we use, and hopefully those methods are not interpreted as “cheating.”','Four Drawing Shortcut Techniques You Will Not Regret Using','','inherit','closed','closed','','2732-revision-v1','','','2016-06-20 13:18:52','2016-06-20 20:18:52','',2732,'http://www.letsdrawpeople.com/2732-revision-v1/',0,'revision','',0),(3076,2,'2016-06-20 13:45:36','2016-06-20 20:45:36','What I’m about to share with you is a risk for me. I’m risking mobs of angry artists coming and burning down my house and crucifying me upside down. I will be sharing a secret that many artists use that make us look like we can do the outline of a drawing without any type of help. It can be said that most of us don’t need help drawing, but if you constantly do figures like I do, you want to be anatomically correct. The secret I’m talking about is using a shortcut, such as a light box or any of the other items that will be discussed in this article.\r\n\r\nThe first question that forms in your head is: “Doesn’t using a light box constitute a form of cheating? You’re not a real artist if you use one.” Let me answer that question with a question. Can a garbage man do his job without a truck? Can a doctor operate on you without medical tools? Can a dentist take care of your teeth without the proper tools? I think you know the answer to these questions. Anyone that says you’re not a real artist with a light box is sadly misinformed. A light box is a NECESSARY TOOL if you want to be a serious artist of realistic work.\r\n\r\nA great pro for the light box is that it saves you time. If you are like me, you need a light box to help cut down your outline drawing time and in essence, get more art pieces cranked out than you can accomplish by just drawing freehand. It also helps with accuracy with the figures and items that will be in your picture. The light box isn’t just the only item you can use. Rather than drawing by traditional freehand, you can also use graphite paper, a projector, or guidelines. Let’s look at some examples of drawing subjects using each of these techniques.\r\n

1. Light Box

\r\n \r\n\r\n\"Scan0001\"\"Scan0002\"\r\n\r\nOK so the first example here was done using a light box. The light box is used to trace the outside edges of the subject and other items that will be in the picture. Again, this technique is to help shave down time in drawing the contour outline. Here I quickly did the eyes by smudging them with a tortillion and lips by darkening them a little with a 3B pencil and then smudging it with the tortillion as well. I then start work on the hair by using a HB pencil and leaving some spots untouched to later illustrate light reflecting off the hair.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\nI then smudge the pencil mark that’s in the hair followed by dark pencil marks that will portray hair strands. As always, do not smudge these marks. You want to show some hair detail and you cannot if these are smudged. I have also started adding some tortillion smudge to the face. It’s not much but I’m not worried about it for the time being. I have time to go back and add more later.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\nAs you can see, I’ve started on her outfit. Nothing special here; I used a 3B pencil and shaded/smudged the black with a tortillion. I then used the same tortillion to add some shade and coloring to her sports bra.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nThe last thing I needed to do was add some detail to the skin and arms by using a tortillion again. I went back to the head again and just added some shading to the forehead to illustrate some realism.\r\n

2. Projector

\r\n \r\n\r\n\"Scan0006\"\r\n\r\nOK, unfortunately this drawing was a fail project. I was supposed to illustrate the second item you can use to draw the outline of a figure but I ended up using a light box to quickly get it done. With this picture, the projector was supposed to be used. I learn a valuable lesson that I will pass on to you guys. When using the projector, you need to make sure that the picture that you are doing it on is to be on a BIG piece of paper – 18x24 preferable. If you do it on something small, you will have to bring the projector closer to the paper and that’s bad business. You will not have any room to move around plus you run the risk in bumping into the projector and knocking the tracing off point. It would be best that you use a bigger piece of paper and not like what I did when getting ready for this article. Glad though I found out so I could give you guys a no-no pointer.\r\n

3. Graphite Paper

\r\n\"Scan0007\"\r\n\r\nNow this next technique is what I used when I first started drawing. I kept my method a secret from everyone in fear of being exposed but now, who cares right? I’ve learned that many people don’t care what technique you use, in contrast to the actual concept of the art piece and the medium used. I don’t think I remember how this technique was presented to me except that I was in Michael’s and I saw graphite tracing paper and I put two and two together. To me that was heaven sent; I needed something that would cut my outline, drawing time down and here it was! The only bad thing about using graphite tracing paper is that it’s messy. You’ll get some of the graphite onto your fingers and on the paper that you’re tracing on, causing unnecessary erasing.\r\n\r\nYou start by first having the sheet of paper that you will be drawing on followed by the graphite paper then the picture on top that you’ll be copying. Another thing you might want to do is tape the original picture to the paper that will be the copy and casually slip the graphite paper in between the sheets of paper and trace.\r\n\r\n \r\n\r\n\"Scan0008\"\"Scan0009\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nYou guys know my routine by now: eyes, lips, and eyebrows. With the eyes, don’t forget to add some highlight for the pupil and iris and add some shading to the upper part of the eye to show a little bit of shadow. Smudge the eye lid crease and the eyebrow adding some hair to illustrate random detail. Hair is pretty simple here. Color it fully using a 3H or 2H pencil.Take some tissue and blend/smudge over the whole pencil marking. Once you’ve done that, go back with a darker pencil and add strands to the head to portray different tones. The pencil strokes will be the darker part of her hair.\r\n\r\n \r\n\r\n\"Scan0010\"\"Scan0011\"\r\n\r\nThe last things we will do is first add tone to her shirt with some blending. After that, we will take a tortillion and add shading on the face and neck where necessary.\r\n

4. Guidelines

\r\n\"Scan0012\"\"Scan0013\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nThe last technique we will look at is one that I don’t care for – guidelines. In some cases, measuring is involved. You need the right distances between the eyes, noses, mouth, and hairline. You may need to get the proper measurements off the original picture and then add or take away inches and centimeters depending on the size of paper that you will be working on.You can also use a see-through grid that already has grids and lines placed on the plate. You then just put it on top of the picture and then mimic what you see onto your sheet of paper. You want to break up the grids into individual sections and focus only on what is in one grid at a time. The same goes with the regular lines. They will be a bit more of a challenge because you won’t have a small section to draw in. The lines in this case serve as guide lines in drawing down the basics.\r\n\r\n \r\n\r\n\"Scan0014\"\r\n\r\nOnce you have the basics down, attack the eyes first. As always, don’t forget the highlight in the eye and the upper shading in the eye. If you have a second, go ahead and smudge the eyelid crease and the eyebrow some so as not to forget like I have in the past.\r\n\r\n \r\n\r\n\"Scan0015\"\r\n\r\nYou got my pattern down yet? Eyes, mouth, and hair. In this state, you knew the mouth and lips were coming. You have a choice here. You can draw some lines on the lower lips to implement shading or you can just begin smudging with a tortillion. In this case, I smudged it with a tortillion, both top and bottom. I also used a little bit of a dark pencil (7B) and tortillion to shade and smudge the inside of the mouth and the small space between the teeth and gums.\r\n\r\n \r\n\r\n\"Scan0016\"\r\n\r\nThe hair is easy in this situation. She’s a blonde so I will use a 5H pencil to color the hair and fill in certain areas where it’s darker. I will then smudge the entire area will tissue – it serves the same purpose as a tortillion would but it spreads the graphite wider. The last thing I will do is use a pencil eraser to add in highlights. I find this easier to use than a kneaded eraser – I don’t have to worry about re-shaping the eraser or it giving way to the pressure of erasing.\r\n\r\n \r\n\r\n\"Scan0017\"\r\n\r\nI start now on adding some shading to the face (using tortillion after the aftermath), some shading scribble to her shirt, and adding dark tone to her secondary tank top underneath.\r\n\r\n \r\n\r\n\"Scan0018\"\r\n\r\nThe last thing to work on is to smudge and blend areas in her face and arm, and in her shirt.\r\n

Now that the secret is out...

\r\nAgain, we used these drawings of different faces as a quick study on how to use shortcut techniques to sketch an image onto a sheet of paper from its original picture. I’m pretty sure a mob of angry artists is not going to be too happy thinking I’ve given their secret away; but hey, it’s not a secret. These are necessary tools and tricks that don\'t get time in the spotlight. Hopefully this article will help shed light on some of the methods that we use, and hopefully those methods are not interpreted as “cheating.”','Four Drawing Shortcut Techniques You Will Not Regret Using','','inherit','closed','closed','','2732-revision-v1','','','2016-06-20 13:45:36','2016-06-20 20:45:36','',2732,'http://www.letsdrawpeople.com/2732-revision-v1/',0,'revision','',0),(3078,2,'2016-06-22 12:00:11','2016-06-22 19:00:11','What I’m about to share with you is a risk for me. I’m risking mobs of angry artists coming and burning down my house and crucifying me upside down. I will be sharing a secret that many artists use that make us look like we can do the outline of a drawing without any type of help. It can be said that most of us don’t need help drawing, but if you constantly do figures like I do, you want to be anatomically correct. The secret I’m talking about is using a shortcut, such as a light box or any of the other items that will be discussed in this article.\r\n\r\nThe first question that forms in your head is: “Doesn’t using a light box constitute a form of cheating? You’re not a real artist if you use one.” Let me answer that question with a question. Can a garbage man do his job without a truck? Can a doctor operate on you without medical tools? Can a dentist take care of your teeth without the proper tools? I think you know the answer to these questions. Anyone that says you’re not a real artist with a light box is sadly misinformed. A light box is a NECESSARY TOOL if you want to be a serious artist of realistic work.\r\n\r\nA great pro for the light box is that it saves you time. If you are like me, you need a light box to help cut down your outline drawing time, and in essence, get more art pieces cranked out than you can accomplish by just drawing freehand. It also helps with accuracy with the figures and items that will be in your picture. The light box isn’t just the only item you can use. Rather than drawing by traditional freehand, you can also use a projector, graphite paper, or guidelines. Let’s look at some examples of drawing subjects using each of these techniques.\r\n

1. Light Box

\r\n \r\n\r\n\"Scan0001\"\"Scan0002\"\r\n\r\nOK so the first example here was done using a light box. The light box is used to trace the outside edges of the subject and other items that will be in the picture. Again, this technique is to help shave down time in drawing the contour outline. Here I quickly did the eyes by smudging them with a tortillion and lips by darkening them a little with a 3B pencil and then smudging it with the tortillion as well. I then started working on the hair by using an HB pencil and leaving some spots untouched to later illustrate light reflecting off the hair.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\nI then smudge the pencil mark that’s in the hair followed by dark pencil marks that will portray hair strands. As always, do not smudge these marks. You want to show some hair detail and you cannot if these are smudged. I have also started adding some tortillion smudge to the face. It’s not much but I’m not worried about it for the time being. I have time to go back and add more later.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\nAs you can see, I’ve started on her outfit. Nothing special here; I used a 3B pencil and shaded/smudged the black with a tortillion. I then used the same tortillion to add some shade and coloring to her sports bra.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nThe last thing I needed to do was add some detail to the skin and arms by using a tortillion again. I went back to the head again and just added some shading to the forehead to illustrate some realism.\r\n

2. Projector

\r\n \r\n\r\n\"Scan0006\"\r\n\r\nOK, unfortunately this drawing was a fail project. I was supposed to illustrate the second item you can use to draw the outline of a figure but I ended up using a light box to quickly get it done. With this picture, the projector was supposed to be used.\r\n\r\nI learned a valuable lesson that I will pass on to you guys. When using the projector, you need to make sure that the paper you are drawing on is a BIG piece of paper – 18x24 preferable. If you do it on something small, you will have to bring the projector closer to the paper and that’s bad business. You will not have any room to move around, plus you run the risk of bumping into the projector and knocking the tracing off point.\r\n\r\nIt would be best that you use a bigger piece of paper and not like what I did when getting ready for this article. Glad though I found out so I could give you guys a no-no pointer.\r\n

3. Graphite Paper

\r\n\"Scan0007\"\r\n\r\nNow this next technique is what I used when I first started drawing. I kept my method a secret from everyone in fear of being exposed but now, who cares right? I’ve learned that many people don’t care what technique you use, in contrast to the actual concept of the art piece and the medium used. I don’t think I remember how this technique was presented to me except that I was in Michael’s and I saw graphite tracing paper and I put two and two together. To me that was heaven sent; I needed something that would cut my outline, drawing time down and here it was! The only bad thing about using graphite tracing paper is that it’s messy. You’ll get some of the graphite onto your fingers and on the paper that you’re tracing on, causing unnecessary erasing.\r\n\r\nYou start by first having the sheet of paper that you will be drawing on followed by the graphite paper then the picture on top that you’ll be copying. Another thing you might want to do is tape the original picture to the paper that will be the copy and casually slip the graphite paper in between the sheets of paper and trace.\r\n\r\n \r\n\r\n\"Scan0008\"\"Scan0009\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nYou guys know my routine by now: eyes, lips, and eyebrows. With the eyes, don’t forget to add some highlight for the pupil and iris and add some shading to the upper part of the eye to show a little bit of shadow. Smudge the eye lid crease and the eyebrow adding some hair to illustrate random detail. Hair is pretty simple here. Color it fully using a 3H or 2H pencil.Take some tissue and blend/smudge over the whole pencil marking. Once you’ve done that, go back with a darker pencil and add strands to the head to portray different tones. The pencil strokes will be the darker part of her hair.\r\n\r\n \r\n\r\n\"Scan0010\"\"Scan0011\"\r\n\r\nThe last things we will do is first add tone to her shirt with some blending. After that, we will take a tortillion and add shading on the face and neck where necessary.\r\n

4. Guidelines

\r\n\"Scan0012\"\"Scan0013\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nThe last technique we will look at is one that I don’t care for – guidelines. In some cases, measuring is involved. You need the right distances between the eyes, noses, mouth, and hairline. You may need to get the proper measurements off the original picture and then add or take away inches and centimeters depending on the size of paper that you will be working on.You can also use a see-through grid that already has grids and lines placed on the plate. You then just put it on top of the picture and then mimic what you see onto your sheet of paper. You want to break up the grids into individual sections and focus only on what is in one grid at a time. The same goes with the regular lines. They will be a bit more of a challenge because you won’t have a small section to draw in. The lines in this case serve as guide lines in drawing down the basics.\r\n\r\n \r\n\r\n\"Scan0014\"\r\n\r\nOnce you have the basics down, attack the eyes first. As always, don’t forget the highlight in the eye and the upper shading in the eye. If you have a second, go ahead and smudge the eyelid crease and the eyebrow some so as not to forget like I have in the past.\r\n\r\n \r\n\r\n\"Scan0015\"\r\n\r\nYou got my pattern down yet? Eyes, mouth, and hair. In this state, you knew the mouth and lips were coming. You have a choice here. You can draw some lines on the lower lips to implement shading or you can just begin smudging with a tortillion. In this case, I smudged it with a tortillion, both top and bottom. I also used a little bit of a dark pencil (7B) and tortillion to shade and smudge the inside of the mouth and the small space between the teeth and gums.\r\n\r\n \r\n\r\n\"Scan0016\"\r\n\r\nThe hair is easy in this situation. She’s a blonde so I will use a 5H pencil to color the hair and fill in certain areas where it’s darker. I will then smudge the entire area will tissue – it serves the same purpose as a tortillion would but it spreads the graphite wider. The last thing I will do is use a pencil eraser to add in highlights. I find this easier to use than a kneaded eraser – I don’t have to worry about re-shaping the eraser or it giving way to the pressure of erasing.\r\n\r\n \r\n\r\n\"Scan0017\"\r\n\r\nI start now on adding some shading to the face (using tortillion after the aftermath), some shading scribble to her shirt, and adding dark tone to her secondary tank top underneath.\r\n\r\n \r\n\r\n\"Scan0018\"\r\n\r\nThe last thing to work on is to smudge and blend areas in her face and arm, and in her shirt.\r\n

Now that the secret is out...

\r\nAgain, we used these drawings of different faces as a quick study on how to use shortcut techniques to sketch an image onto a sheet of paper from its original picture. I’m pretty sure a mob of angry artists is not going to be too happy thinking I’ve given their secret away; but hey, it’s not a secret. These are necessary tools and tricks that don\'t get time in the spotlight. Hopefully this article will help shed light on some of the methods that we use, and hopefully those methods are not interpreted as “cheating.”','Four Drawing Shortcut Techniques You Will Not Regret Using','','inherit','closed','closed','','2732-revision-v1','','','2016-06-22 12:00:11','2016-06-22 19:00:11','',2732,'http://www.letsdrawpeople.com/2732-revision-v1/',0,'revision','',0),(3082,2,'2016-06-22 17:23:37','2016-06-23 00:23:37','What I’m about to share with you is a risk for me. I’m risking mobs of angry artists coming and burning down my house and crucifying me upside down. I will be sharing a secret that many artists use that make us look like we can do the outline of a drawing without any type of help. It can be said that most of us don’t need help drawing, but if you constantly do figures like I do, you want to be anatomically correct. The secret I’m talking about is using a shortcut, such as a light box or any of the other items that will be discussed in this article.\r\n\r\nThe first question that forms in your head is: “Doesn’t using a light box constitute a form of cheating? You’re not a real artist if you use one.” Let me answer that question with a question. Can a garbage man do his job without a truck? Can a doctor operate on you without medical tools? Can a dentist take care of your teeth without the proper tools? I think you know the answer to these questions. Anyone that says you’re not a real artist with a light box is sadly misinformed. A light box is a NECESSARY TOOL if you want to be a serious artist of realistic work.\r\n\r\nA great pro for the light box is that it saves you time. If you are like me, you need a light box to help cut down your outline drawing time, and in essence, get more art pieces cranked out than you can accomplish by just drawing freehand. It also helps with accuracy with the figures and items that will be in your picture. The light box isn’t just the only item you can use. Rather than drawing by traditional freehand, you can also use a projector, graphite paper, or guidelines. Let’s look at some examples of drawing subjects using each of these techniques.\r\n

1. Light Box

\r\n \r\n\r\n\"Scan0001\"\"Scan0002\"\r\n\r\nOK so the first example here was done using a light box. The light box is used to trace the outside edges of the subject and other items that will be in the picture. Again, this technique is to help shave down time in drawing the contour outline. Here I quickly did the eyes by smudging them with a tortillion and lips by darkening them a little with a 3B pencil and then smudging it with the tortillion as well. I then started working on the hair by using an HB pencil and leaving some spots untouched to later illustrate light reflecting off the hair.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\nI then smudge the pencil mark that’s in the hair followed by dark pencil marks that will portray hair strands. As always, do not smudge these marks. You want to show some hair detail and you cannot if these are smudged. I have also started adding some tortillion smudge to the face. It’s not much but I’m not worried about it for the time being. I have time to go back and add more later.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\nAs you can see, I’ve started on her outfit. Nothing special here; I used a 3B pencil and shaded/smudged the black with a tortillion. I then used the same tortillion to add some shade and coloring to her sports bra.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nThe last thing I needed to do was add some detail to the skin and arms by using a tortillion again. I went back to the head again and just added some shading to the forehead to illustrate some realism.\r\n

2. Projector

\r\n \r\n\r\n\"Scan0006\"\r\n\r\nOK, unfortunately this drawing was a fail project. I was supposed to illustrate the second item you can use to draw the outline of a figure but I ended up using a light box to quickly get it done. With this picture, the projector was supposed to be used.\r\n\r\nI learned a valuable lesson that I will pass on to you guys. When using the projector, you need to make sure that the paper you are drawing on is a BIG piece of paper – 18x24 preferable. If you do it on something small, you will have to bring the projector closer to the paper and that’s bad business. You will not have any room to move around, plus you run the risk of bumping into the projector and knocking the tracing off point.\r\n\r\nIt would be best that you use a bigger piece of paper and not like what I did when getting ready for this article. Glad though I found out so I could give you guys a no-no pointer.\r\n

3. Graphite Paper

\r\n\"Scan0007\"\r\n\r\nNow this next technique is what I used when I first started drawing. I kept my method a secret from everyone in fear of being exposed but now, who cares right? I’ve learned that many people don’t care what technique you use, in contrast to the actual concept of the art piece and the medium used. I don’t think I remember how this technique was presented to me except that I was in Michael’s and I saw graphite tracing paper and I put two and two together. To me that was heaven sent; I needed something that would cut my outline, drawing time down and here it was! The only bad thing about using graphite tracing paper is that it’s messy. You’ll get some of the graphite onto your fingers and on the paper that you’re tracing on, causing unnecessary erasing.\r\n\r\nYou start by first having the sheet of paper that you will be drawing on, followed by the graphite paper, then the picture on top that you’ll be copying. Another thing you might want to do is tape the original picture to the paper that will be the copy and casually slip the graphite paper in between the sheets of paper and trace.\r\n\r\n \r\n\r\n\"Scan0008\"\"Scan0009\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nYou guys know my routine by now: eyes, lips, and eyebrows. With the eyes, don’t forget to add some highlight for the pupil and iris and add some shading to the upper part of the eye to show a little bit of shadow. Smudge the eye lid crease and the eyebrow, adding some hair to illustrate random detail. Hair is pretty simple here. Color it fully using a 3H or 2H pencil.Take some tissue and blend/smudge over the whole pencil marking. Once you’ve done that, go back with a darker pencil and add strands to the head to portray different tones. The pencil strokes will be the darker part of her hair.\r\n\r\n \r\n\r\n\"Scan0010\"\"Scan0011\"\r\n\r\nThe last things we will do is first add tone to her shirt with some blending. After that, we will take a tortillion and add shading on the face and neck where necessary.\r\n

4. Guidelines

\r\n\"Scan0012\"\"Scan0013\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nThe last technique we will look at is one that I don’t care for – guidelines. In some cases, measuring is involved. You need the right distances between the eyes, noses, mouth, and hairline. You may need to get the proper measurements off the original picture and then add or take away inches and centimeters depending on the size of paper that you will be working on.You can also use a see-through grid that already has grids and lines placed on the plate. You then just put it on top of the picture and then mimic what you see onto your sheet of paper. You want to break up the grids into individual sections and focus only on what is in one grid at a time. The same goes with the regular lines. They will be a bit more of a challenge because you won’t have a small section to draw in. The lines in this case serve as guidelines in drawing down the basics.\r\n\r\n \r\n\r\n\"Scan0014\"\r\n\r\nOnce you have the basics down, attack the eyes first. As always, don’t forget the highlight in the eye and the upper shading in the eye. If you have a second, go ahead and smudge the eyelid crease and the eyebrow some so as not to forget like I have in the past.\r\n\r\n \r\n\r\n\"Scan0015\"\r\n\r\nYou got my pattern down yet? Eyes, mouth, and hair. In this state, you knew the mouth and lips were coming. You have a choice here. You can draw some lines on the lower lips to implement shading or you can just begin smudging with a tortillion. In this case, I smudged it with a tortillion, both top and bottom. I also used a little bit of a dark pencil (7B) and tortillion to shade and smudge the inside of the mouth and the small space between the teeth and gums.\r\n\r\n \r\n\r\n\"Scan0016\"\r\n\r\nThe hair is easy in this situation. She’s a blonde so I will use a 5H pencil to color the hair and fill in certain areas where it’s darker. I will then smudge the entire area will tissue – it serves the same purpose as a tortillion would but it spreads the graphite wider. The last thing I will do is use a pencil eraser to add in highlights. I find this easier to use than a kneaded eraser – I don’t have to worry about re-shaping the eraser or it giving way to the pressure of erasing.\r\n\r\n \r\n\r\n\"Scan0017\"\r\n\r\nI start now on adding some shading to the face (using tortillion after the aftermath), some shading scribble to her shirt, and adding dark tone to her secondary tank top underneath.\r\n\r\n \r\n\r\n\"Scan0018\"\r\n\r\nThe last thing to work on is to smudge and blend areas in her face and arm, and in her shirt.\r\n

Now that the secret is out...

\r\nAgain, we used these drawings of different faces as a quick study on how to use shortcut techniques to sketch an image onto a sheet of paper from its original picture. I’m pretty sure a mob of angry artists is not going to be too happy thinking I’ve given their secret away; but hey, it’s not a secret. These are necessary tools and tricks that don\'t get time in the spotlight. Hopefully this article will help shed light on some of the methods that we use, and hopefully those methods are not interpreted as “cheating.”','Four Drawing Shortcut Techniques You Will Not Regret Using','','inherit','closed','closed','','2732-revision-v1','','','2016-06-22 17:23:37','2016-06-23 00:23:37','',2732,'http://www.letsdrawpeople.com/2732-revision-v1/',0,'revision','',0),(3079,2,'2016-06-22 14:57:54','2016-06-22 21:57:54','What I’m about to share with you is a risk for me. I’m risking mobs of angry artists coming and burning down my house and crucifying me upside down. I will be sharing a secret that many artists use that make us look like we can do the outline of a drawing without any type of help. It can be said that most of us don’t need help drawing, but if you constantly do figures like I do, you want to be anatomically correct. The secret I’m talking about is using a shortcut, such as a light box or any of the other items that will be discussed in this article.\r\n\r\nThe first question that forms in your head is: “Doesn’t using a light box constitute a form of cheating? You’re not a real artist if you use one.” Let me answer that question with a question. Can a garbage man do his job without a truck? Can a doctor operate on you without medical tools? Can a dentist take care of your teeth without the proper tools? I think you know the answer to these questions. Anyone that says you’re not a real artist with a light box is sadly misinformed. A light box is a NECESSARY TOOL if you want to be a serious artist of realistic work.\r\n\r\nA great pro for the light box is that it saves you time. If you are like me, you need a light box to help cut down your outline drawing time, and in essence, get more art pieces cranked out than you can accomplish by just drawing freehand. It also helps with accuracy with the figures and items that will be in your picture. The light box isn’t just the only item you can use. Rather than drawing by traditional freehand, you can also use a projector, graphite paper, or guidelines. Let’s look at some examples of drawing subjects using each of these techniques.\r\n

1. Light Box

\r\n \r\n\r\n\"Scan0001\"\"Scan0002\"\r\n\r\nOK so the first example here was done using a light box. The light box is used to trace the outside edges of the subject and other items that will be in the picture. Again, this technique is to help shave down time in drawing the contour outline. Here I quickly did the eyes by smudging them with a tortillion and lips by darkening them a little with a 3B pencil and then smudging it with the tortillion as well. I then started working on the hair by using an HB pencil and leaving some spots untouched to later illustrate light reflecting off the hair.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\nI then smudge the pencil mark that’s in the hair followed by dark pencil marks that will portray hair strands. As always, do not smudge these marks. You want to show some hair detail and you cannot if these are smudged. I have also started adding some tortillion smudge to the face. It’s not much but I’m not worried about it for the time being. I have time to go back and add more later.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\nAs you can see, I’ve started on her outfit. Nothing special here; I used a 3B pencil and shaded/smudged the black with a tortillion. I then used the same tortillion to add some shade and coloring to her sports bra.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nThe last thing I needed to do was add some detail to the skin and arms by using a tortillion again. I went back to the head again and just added some shading to the forehead to illustrate some realism.\r\n

2. Projector

\r\n \r\n\r\n\"Scan0006\"\r\n\r\nOK, unfortunately this drawing was a fail project. I was supposed to illustrate the second item you can use to draw the outline of a figure but I ended up using a light box to quickly get it done. With this picture, the projector was supposed to be used.\r\n\r\nI learned a valuable lesson that I will pass on to you guys. When using the projector, you need to make sure that the paper you are drawing on is a BIG piece of paper – 18x24 preferable. If you do it on something small, you will have to bring the projector closer to the paper and that’s bad business. You will not have any room to move around, plus you run the risk of bumping into the projector and knocking the tracing off point.\r\n\r\nIt would be best that you use a bigger piece of paper and not like what I did when getting ready for this article. Glad though I found out so I could give you guys a no-no pointer.\r\n

3. Graphite Paper

\r\n\"Scan0007\"\r\n\r\nNow this next technique is what I used when I first started drawing. I kept my method a secret from everyone in fear of being exposed but now, who cares right? I’ve learned that many people don’t care what technique you use, in contrast to the actual concept of the art piece and the medium used. I don’t think I remember how this technique was presented to me except that I was in Michael’s and I saw graphite tracing paper and I put two and two together. To me that was heaven sent; I needed something that would cut my outline, drawing time down and here it was! The only bad thing about using graphite tracing paper is that it’s messy. You’ll get some of the graphite onto your fingers and on the paper that you’re tracing on, causing unnecessary erasing.\r\n\r\nYou start by first having the sheet of paper that you will be drawing on, followed by the graphite paper, then the picture on top that you’ll be copying. Another thing you might want to do is tape the original picture to the paper that will be the copy and casually slip the graphite paper in between the sheets of paper and trace.\r\n\r\n \r\n\r\n\"Scan0008\"\"Scan0009\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nYou guys know my routine by now: eyes, lips, and eyebrows. With the eyes, don’t forget to add some highlight for the pupil and iris and add some shading to the upper part of the eye to show a little bit of shadow. Smudge the eye lid crease and the eyebrow, adding some hair to illustrate random detail. Hair is pretty simple here. Color it fully using a 3H or 2H pencil.Take some tissue and blend/smudge over the whole pencil marking. Once you’ve done that, go back with a darker pencil and add strands to the head to portray different tones. The pencil strokes will be the darker part of her hair.\r\n\r\n \r\n\r\n\"Scan0010\"\"Scan0011\"\r\n\r\nThe last things we will do is first add tone to her shirt with some blending. After that, we will take a tortillion and add shading on the face and neck where necessary.\r\n

4. Guidelines

\r\n\"Scan0012\"\"Scan0013\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nThe last technique we will look at is one that I don’t care for – guidelines. In some cases, measuring is involved. You need the right distances between the eyes, noses, mouth, and hairline. You may need to get the proper measurements off the original picture and then add or take away inches and centimeters depending on the size of paper that you will be working on.You can also use a see-through grid that already has grids and lines placed on the plate. You then just put it on top of the picture and then mimic what you see onto your sheet of paper. You want to break up the grids into individual sections and focus only on what is in one grid at a time. The same goes with the regular lines. They will be a bit more of a challenge because you won’t have a small section to draw in. The lines in this case serve as guide lines in drawing down the basics.\r\n\r\n \r\n\r\n\"Scan0014\"\r\n\r\nOnce you have the basics down, attack the eyes first. As always, don’t forget the highlight in the eye and the upper shading in the eye. If you have a second, go ahead and smudge the eyelid crease and the eyebrow some so as not to forget like I have in the past.\r\n\r\n \r\n\r\n\"Scan0015\"\r\n\r\nYou got my pattern down yet? Eyes, mouth, and hair. In this state, you knew the mouth and lips were coming. You have a choice here. You can draw some lines on the lower lips to implement shading or you can just begin smudging with a tortillion. In this case, I smudged it with a tortillion, both top and bottom. I also used a little bit of a dark pencil (7B) and tortillion to shade and smudge the inside of the mouth and the small space between the teeth and gums.\r\n\r\n \r\n\r\n\"Scan0016\"\r\n\r\nThe hair is easy in this situation. She’s a blonde so I will use a 5H pencil to color the hair and fill in certain areas where it’s darker. I will then smudge the entire area will tissue – it serves the same purpose as a tortillion would but it spreads the graphite wider. The last thing I will do is use a pencil eraser to add in highlights. I find this easier to use than a kneaded eraser – I don’t have to worry about re-shaping the eraser or it giving way to the pressure of erasing.\r\n\r\n \r\n\r\n\"Scan0017\"\r\n\r\nI start now on adding some shading to the face (using tortillion after the aftermath), some shading scribble to her shirt, and adding dark tone to her secondary tank top underneath.\r\n\r\n \r\n\r\n\"Scan0018\"\r\n\r\nThe last thing to work on is to smudge and blend areas in her face and arm, and in her shirt.\r\n

Now that the secret is out...

\r\nAgain, we used these drawings of different faces as a quick study on how to use shortcut techniques to sketch an image onto a sheet of paper from its original picture. I’m pretty sure a mob of angry artists is not going to be too happy thinking I’ve given their secret away; but hey, it’s not a secret. These are necessary tools and tricks that don\'t get time in the spotlight. Hopefully this article will help shed light on some of the methods that we use, and hopefully those methods are not interpreted as “cheating.”','Four Drawing Shortcut Techniques You Will Not Regret Using','','inherit','closed','closed','','2732-revision-v1','','','2016-06-22 14:57:54','2016-06-22 21:57:54','',2732,'http://www.letsdrawpeople.com/2732-revision-v1/',0,'revision','',0),(3085,2,'2016-06-24 10:30:56','2016-06-24 17:30:56','Ok kiddos I’m back – it’s the artist you love to hate! First off I need to apologize because my scanner was in that mood where it wanted to do want it wants, so some scans will have black smudges on them...bummer. The other thing is I was not feeling this drawing, sort of. As the title stated, this is a tutorial for how to draw Tom Brady...a man!\r\n\r\n[caption id=\"attachment_2998\" align=\"aligncenter\" width=\"480\"]\"how
© Jerry Coli | Dreamstime.com
[/caption]\r\n\r\nAs I have stated in previous articles, I’m not into drawing men. I lean a lot toward women because well, I’m a guy! There’s no stimulation for me in drawing men, but as an artist one needs to diversify. I cannot limit myself to just women only.\r\n\r\nEven though I’ll grumble under my breath about having a man as an art subject, I know it’s necessary to draw them if I want to flourish and grow into a better and more diversified artist. With that being said, let’s bite down and get through this one.\r\n

Use a Light Box for the Basics

\r\nAs I stated earlier, this is a guy so I wanted to finish this drawing as quickly as possible. With that being said, I used a light box. I used it not only for the subject in general but I wanted to capture his frizzled hair as closely as I could; not to mention, I wanted to capture the majority of his jersey wrinkles.\r\n\r\n\"Scan0001-3\"\r\n\r\n \r\n

Draw the Eyes

\r\nBelieve it or not, his eyes were a challenge for the simple fact that they didn’t show up well on the light box. I had to take a hypothetical guess as well as look at the original picture to get his eyes close to how they were in the original picture. I added some shading with a tortillion around the eye area and used a Blu Tack erasure to lift some of the markings in the lower, left corners of the eyes to illustrate some highlight.\r\n\r\n\"Scan0002\"\r\n\r\n \r\n

Draw the Mouth

\r\nI then started on the mouth. It needs to be said that drawing the lips of men and women are different. With women, you want to add pencil or color to both the upper and lower lip section. With men, color in the upper lip but DO NOT ADD COLOR TO THE LOWER LIP - PERIOD.\r\n\r\nWhat you want to do is add shading under the lower lip to show some form of the lower lip. Men’s lower lips are usually illustrated with the same skin tone that is in the surrounding mouth area. Usually there is a line to separate where the lip is and where the chin area is.\r\n\r\nDon’t believe me? Look at a cartoon with male characters in them and tell me what you see. The females have full lips that are red and the males always have a line to separate what is their lower lip and the chin area.\r\n\r\nIn the case of the lip here, I just used a tortillion. If I got enough graphite on my tortillion from a previous job, I’ll just smudge what’s on there to give it a faint or smudged look.\r\n\r\n\"Scan0003\"\r\n\r\n \r\n

Draw the Hair

\r\nTime to do some hair! In this case, I added more dark tone to the hair onto the previous dark markings from the light box sketch. I usually use a 2H pencil first, coloring in the graphite followed by tissue blending and then adding dark tone.\r\n\r\n\"Scan0004\"\r\n\r\n \r\n\r\nIn this case, I added the dark tone followed by some smudging with the tortillion. I then colored the hair with a 2H pencil and then added hair streaks and strands by using a pencil erasure.\r\n\r\n\"Scan0005\"\r\n\r\n \r\n

Finish the Face and Final Details

\r\nTo finish up the face, I just use a tortillion to smudge in some shade in the necessary areas. I had enough graphite on the tortillion.\r\n\r\n\"Scan0006\"\r\n\r\n \r\n\r\nI then added some shading to the uniform with an HB pencil in some areas, followed by shading and smudging with a tortillion.\r\n\r\n\"Scan0007-2\"\r\n\r\n \r\n\r\nI finish up the drawing with darkening of the pants and some shading of the arms (yes, I pulled out the tortillion again). I didn’t work on the hands. I provide a separate tutorial about that and I’ll probably do more on that subject in the future.\r\n\r\nAnywho, there you go ladies and gentlemen, the drawing of Tom Brady at his finest……well maybe not at his finest, but you get the drift.\r\n\r\n\"how\r\n\r\nLove him or hate him, he’s in a better position than us, but it’s cool...we’re artists! Even when we’re 80 years old, we’ll still be drawing and painting. Can he still say the same about himself when he reaches that age?','How to Draw Tom Brady','','inherit','closed','closed','','2836-revision-v1','','','2016-06-24 10:30:56','2016-06-24 17:30:56','',2836,'http://www.letsdrawpeople.com/2836-revision-v1/',0,'revision','',0),(3089,2,'2016-06-24 11:45:27','2016-06-24 18:45:27','','03 techniques light box','','inherit','open','closed','','03-techniques-light-box','','','2016-06-24 11:45:27','2016-06-24 18:45:27','',2732,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/03-techniques-light-box.jpg',0,'attachment','image/jpeg',0),(3083,2,'2016-06-23 17:30:19','2016-06-24 00:30:19','What I’m about to share with you is a risk for me. I’m risking mobs of angry artists coming and burning down my house and crucifying me upside down. I will be sharing a secret that many artists use that make us look like we can do the outline of a drawing without any type of help. It can be said that most of us don’t need help drawing, but if you constantly do figures like I do, you want to be anatomically correct. The secret I’m talking about is using a shortcut, such as a light box or any of the other items that will be discussed in this article.\r\n\r\nThe first question that forms in your head is: “Doesn’t using a light box constitute a form of cheating? You’re not a real artist if you use one.” Let me answer that question with a question. Can a garbage man do his job without a truck? Can a doctor operate on you without medical tools? Can a dentist take care of your teeth without the proper tools? I think you know the answer to these questions. Anyone that says you’re not a real artist with a light box is sadly misinformed. A light box is a NECESSARY TOOL if you want to be a serious artist of realistic work.\r\n\r\nA great pro for the light box is that it saves you time. If you are like me, you need a light box to help cut down your outline drawing time, and in essence, get more art pieces cranked out than you can accomplish by just drawing freehand. It also helps with accuracy with the figures and items that will be in your picture. The light box isn’t just the only item you can use. Rather than drawing by traditional freehand, you can also use a projector, graphite paper, or guidelines. Let’s look at some examples of drawing subjects using each of these techniques.\r\n

1. Light Box

\r\n \r\n\r\n\"Scan0001\"\"Scan0002\"\r\n\r\nOK so the first example here was done using a light box. The light box is used to trace the outside edges of the subject and other items that will be in the picture. Again, this technique is to help shave down time in drawing the contour outline. Here I quickly did the eyes by smudging them with a tortillion and lips by darkening them a little with a 3B pencil and then smudging it with the tortillion as well. I then started working on the hair by using an HB pencil and leaving some spots untouched to later illustrate light reflecting off the hair.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\nI then smudge the pencil mark that’s in the hair followed by dark pencil marks that will portray hair strands. As always, do not smudge these marks. You want to show some hair detail and you cannot if these are smudged. I have also started adding some tortillion smudge to the face. It’s not much but I’m not worried about it for the time being. I have time to go back and add more later.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\nAs you can see, I’ve started on her outfit. Nothing special here; I used a 3B pencil and shaded/smudged the black with a tortillion. I then used the same tortillion to add some shade and coloring to her sports bra.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nThe last thing I needed to do was add some detail to the skin and arms by using a tortillion again. I went back to the head again and just added some shading to the forehead to illustrate some realism.\r\n

2. Projector

\r\n \r\n\r\n\"Scan0006\"\r\n\r\nOK, unfortunately this drawing was a fail project. I was supposed to illustrate the second item you can use to draw the outline of a figure but I ended up using a light box to quickly get it done. With this picture, the projector was supposed to be used.\r\n\r\nI learned a valuable lesson that I will pass on to you guys. When using the projector, you need to make sure that the paper you are drawing on is a BIG piece of paper – 18x24 preferable. If you do it on something small, you will have to bring the projector closer to the paper and that’s bad business. You will not have any room to move around, plus you run the risk of bumping into the projector and knocking the tracing off point.\r\n\r\nIt would be best that you use a bigger piece of paper and not like what I did when getting ready for this article. Glad though I found out so I could give you guys a no-no pointer.\r\n

3. Graphite Paper

\r\n\"Scan0007\"\r\n\r\nNow this next technique is what I used when I first started drawing. I kept my method a secret from everyone in fear of being exposed but now, who cares right? I’ve learned that many people don’t care what technique you use, in contrast to the actual concept of the art piece and the medium used. I don’t think I remember how this technique was presented to me except that I was in Michael’s and I saw graphite tracing paper and I put two and two together. To me that was heaven sent; I needed something that would cut my outline, drawing time down and here it was! The only bad thing about using graphite tracing paper is that it’s messy. You’ll get some of the graphite onto your fingers and on the paper that you’re tracing on, causing unnecessary erasing.\r\n\r\nYou start by first having the sheet of paper that you will be drawing on, followed by the graphite paper, then the picture on top that you’ll be copying. Another thing you might want to do is tape the original picture to the paper that will be the copy and casually slip the graphite paper in between the sheets of paper and trace.\r\n\r\n \r\n\r\n\"Scan0008\"\"Scan0009\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nYou guys know my routine by now: eyes, lips, and eyebrows. With the eyes, don’t forget to add some highlight for the pupil and iris and add some shading to the upper part of the eye to show a little bit of shadow. Smudge the eye lid crease and the eyebrow, adding some hair to illustrate random detail. Hair is pretty simple here. Color it fully using a 3H or 2H pencil.Take some tissue and blend/smudge over the whole pencil marking. Once you’ve done that, go back with a darker pencil and add strands to the head to portray different tones. The pencil strokes will be the darker part of her hair.\r\n\r\n \r\n\r\n\"Scan0010\"\"Scan0011\"\r\n\r\nThe last things we will do is first add tone to her shirt with some blending. After that, we will take a tortillion and add shading on the face and neck where necessary.\r\n

4. Guidelines

\r\n\"Scan0012\"\"Scan0013\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nThe last technique we will look at is one that I don’t care for – guidelines. In some cases, measuring is involved. You need the right distances between the eyes, noses, mouth, and hairline. You may need to get the proper measurements off the original picture and then add or take away inches and centimeters depending on the size of paper that you will be working on.You can also use a see-through grid that already has grids and lines placed on the plate. You then just put it on top of the picture and then mimic what you see onto your sheet of paper. You want to break up the grids into individual sections and focus only on what is in one grid at a time. The same goes with the regular lines. They will be a bit more of a challenge because you won’t have a small section to draw in. The lines in this case serve as guidelines in drawing down the basics.\r\n\r\n \r\n\r\n\"Scan0014\"\r\n\r\nOnce you have the basics down, attack the eyes first. As always, don’t forget the highlight in the eye and the upper shading in the eye. If you have a second, go ahead and smudge the eyelid crease and the eyebrow some so as not to forget like I have in the past.\r\n\r\n \r\n\r\n\"Scan0015\"\r\n\r\nYou got my pattern down yet? Eyes, mouth, and hair. In this state, you knew the mouth and lips were coming. You have a choice here. You can draw some lines on the lower lips to implement shading or you can just begin smudging with a tortillion. In this case, I smudged it with a tortillion, both top and bottom. I also used a little bit of a dark pencil (7B) and tortillion to shade and smudge the inside of the mouth and the small space between the teeth and gums.\r\n\r\n \r\n\r\n\"Scan0016\"\r\n\r\nThe hair is easy in this situation. She’s a blonde so I will use a 5H pencil to color the hair and fill in certain areas where it’s darker. I will then smudge the entire area will tissue – it serves the same purpose as a tortillion would but it spreads the graphite wider. The last thing I will do is use a pencil eraser to add in highlights. I find this easier to use than a kneaded eraser – I don’t have to worry about re-shaping the eraser or it giving way to the pressure of erasing.\r\n\r\n \r\n\r\n\"Scan0017\"\r\n\r\nI start now on adding some shading to the face (using tortillion after the aftermath), some shading scribble to her shirt, and adding dark tone to her secondary tank top underneath.\r\n\r\n \r\n\r\n\"Scan0018\"\r\n\r\nThe last thing to work on is to smudge and blend areas in her face and arm, and in her shirt.\r\n

Now that the secret is out...

\r\nAgain, we used these drawings of different faces as a quick study on how to use shortcut techniques to sketch an image onto a sheet of paper from its original picture. I’m pretty sure a mob of angry artists is not going to be too happy thinking I’ve given their secret away; but hey, it’s not a secret. These are necessary tools and tricks that don\'t get time in the spotlight. Hopefully this article will help shed light on some of the methods that we use, and hopefully those methods are not interpreted as “cheating.”','Four Drawing Shortcut Techniques You Will Not Regret Using','','inherit','closed','closed','','2732-revision-v1','','','2016-06-23 17:30:19','2016-06-24 00:30:19','',2732,'http://www.letsdrawpeople.com/2732-revision-v1/',0,'revision','',0),(3086,2,'2016-06-24 13:30:38','2016-06-24 20:30:38','What I’m about to share with you is a risk for me. I’m risking mobs of angry artists coming and burning down my house and crucifying me upside down. I will be sharing a secret that many artists use that make us look like we can do the outline of a drawing without any type of help. It can be said that most of us don’t need help drawing, but if you constantly do figures like I do, you want to be anatomically correct. The secret I’m talking about is using a shortcut, such as a light box or any of the other items that will be discussed in this article.\r\n\r\nThe first question that forms in your head is: “Doesn’t using a light box constitute a form of cheating? You’re not a real artist if you use one.” Let me answer that question with a question. Can a garbage man do his job without a truck? Can a doctor operate on you without medical tools? Can a dentist take care of your teeth without the proper tools? I think you know the answer to these questions. Anyone that says you’re not a real artist with a light box is sadly misinformed. A light box is a NECESSARY TOOL if you want to be a serious artist of realistic work.\r\n\r\nA great pro for the light box is that it saves you time. If you are like me, you need a light box to help cut down your outline drawing time, and in essence, get more art pieces cranked out than you can accomplish by just drawing freehand. It also helps with accuracy with the figures and items that will be in your picture. The light box isn’t just the only item you can use. Rather than drawing by traditional freehand, you can also use a projector, graphite paper, or guidelines. Let’s look at some examples of drawing subjects using each of these techniques.\r\n

1. Light Box

\r\nOK so the first example here was done using a light box. The light box is used to trace the outside edges of the subject and other items that will be in the picture. Again, this technique is to help shave down time in drawing the contour outline.\r\n\r\n\"01\r\n\r\n \r\n\r\nHere I quickly did the eyes by smudging them with a tortillion and lips by darkening them a little with a 3B pencil and then smudging it with the tortillion as well. I then started working on the hair by using an HB pencil and leaving some spots untouched to later illustrate light reflecting off the hair.\r\n\r\n\"02\r\n\r\n \r\n\r\nI then smudge the pencil mark that’s in the hair followed by dark pencil marks that will portray hair strands. As always, do not smudge these marks. You want to show some hair detail and you cannot if these are smudged. I have also started adding some tortillion smudge to the face. It’s not much but I’m not worried about it for the time being. I have time to go back and add more later.\r\n\r\n\"03\r\n\r\n \r\n\r\nAs you can see, I’ve started on her outfit. Nothing special here; I used a 3B pencil and shaded/smudged the black with a tortillion. I then used the same tortillion to add some shade and coloring to her sports bra.\r\n\r\n\"04\r\n\r\n \r\n\r\nThe last thing I needed to do was add some detail to the skin and arms by using a tortillion again. I went back to the head again and just added some shading to the forehead to illustrate some realism.\r\n\r\n\"05\r\n\r\n \r\n

2. Projector

\r\nOK, unfortunately this drawing was a fail project.\r\n\r\n\"06\r\n\r\nI was supposed to illustrate the second item you can use to draw the outline of a figure but I ended up using a light box to quickly get it done. With this picture, the projector was supposed to be used.\r\n\r\nI learned a valuable lesson that I will pass on to you guys. When using the projector, you need to make sure that the paper you are drawing on is a BIG piece of paper – 18x24 preferable. If you do it on something small, you will have to bring the projector closer to the paper and that’s bad business. You will not have any room to move around, plus you run the risk of bumping into the projector and knocking the tracing off point.\r\n\r\nIt would be best that you use a bigger piece of paper and not like what I did when getting ready for this article. Glad though I found out so I could give you guys a no-no pointer.\r\n

3. Graphite Paper

\r\nNow this next technique is what I used when I first started drawing. I kept my method a secret from everyone in fear of being exposed but now, who cares right? I’ve learned that many people don’t care what technique you use, in contrast to the actual concept of the art piece and the medium used. I don’t think I remember how this technique was presented to me except that I was in Michael’s and I saw graphite tracing paper and I put two and two together. To me that was heaven sent; I needed something that would cut my outline, drawing time down and here it was! The only bad thing about using graphite tracing paper is that it’s messy. You’ll get some of the graphite onto your fingers and on the paper that you’re tracing on, causing unnecessary erasing.\r\n\r\nYou start by first having the sheet of paper that you will be drawing on, followed by the graphite paper, then the picture on top that you’ll be copying. Another thing you might want to do is tape the original picture to the paper that will be the copy and casually slip the graphite paper in between the sheets of paper and trace.\r\n\r\n\"07\r\n\r\n \r\n\r\nYou guys know my routine by now: eyes, lips, and eyebrows. With the eyes, don’t forget to add some highlight for the pupil and iris and add some shading to the upper part of the eye to show a little bit of shadow. Smudge the eye lid crease and the eyebrow, adding some hair to illustrate random detail.\r\n\r\n\"08\r\n\r\n \r\n\r\nHair is pretty simple here. Color it fully using a 3H or 2H pencil. Take some tissue and blend/smudge over the whole pencil marking.\r\n\r\n\"09\r\n\r\n \r\n\r\nOnce you’ve done that, go back with a darker pencil and add strands to the head to portray different tones. The pencil strokes will be the darker part of her hair.\r\n\r\n\"10\r\n\r\n \r\n\r\nThe last things we will do is first add tone to her shirt with some blending. After that, we will take a tortillion and add shading on the face and neck where necessary.\r\n\r\n\"11\r\n\r\n \r\n

4. Guidelines

\r\nThe last technique we will look at is one that I don’t care for – guidelines. In some cases, measuring is involved. You need the right distances between the eyes, noses, mouth, and hairline. You may need to get the proper measurements off the original picture and then add or take away inches and centimeters depending on the size of paper that you will be working on.\r\n\r\n\"12\r\n\r\n \r\n\r\nYou can also use a see-through grid that already has grids and lines placed on the plate. You then just put it on top of the picture and then mimic what you see onto your sheet of paper. You want to break up the grids into individual sections and focus only on what is in one grid at a time.\r\n\r\nThe same goes with the regular lines. They will be a bit more of a challenge because you won’t have a small section to draw in. The lines in this case serve as guidelines in drawing down the basics.\r\n\r\n\"13\r\n\r\n \r\n\r\nOnce you have the basics down, attack the eyes first. As always, don’t forget the highlight in the eye and the upper shading in the eye. If you have a second, go ahead and smudge the eyelid crease and the eyebrow some so as not to forget like I have in the past.\r\n\r\n\"14\r\n\r\n \r\n\r\n \r\n\r\nYou got my pattern down yet? Eyes, mouth, and hair. In this state, you knew the mouth and lips were coming. You have a choice here. You can draw some lines on the lower lips to implement shading or you can just begin smudging with a tortillion. In this case, I smudged it with a tortillion, both top and bottom. I also used a little bit of a dark pencil (7B) and tortillion to shade and smudge the inside of the mouth and the small space between the teeth and gums.\r\n\r\n\"15\r\n\r\n \r\n\r\n \r\n\r\nThe hair is easy in this situation. She’s a blonde so I will use a 5H pencil to color the hair and fill in certain areas where it’s darker. I will then smudge the entire area will tissue – it serves the same purpose as a tortillion would but it spreads the graphite wider. The last thing I will do is use a pencil eraser to add in highlights. I find this easier to use than a kneaded eraser – I don’t have to worry about re-shaping the eraser or it giving way to the pressure of erasing.\r\n\r\n\"16\r\n\r\n \r\n\r\nI start now on adding some shading to the face (using tortillion after the aftermath), some shading scribble to her shirt, and adding dark tone to her secondary tank top underneath.\r\n\r\n\"17\r\n\r\n \r\n\r\nThe last thing to work on is to smudge and blend areas in her face and arm, and in her shirt.\r\n\r\n\"18\r\n\r\n \r\n

Now that the secret is out...

\r\nAgain, we used these drawings of different faces as a quick study on how to use shortcut techniques to sketch an image onto a sheet of paper from its original picture. I’m pretty sure a mob of angry artists is not going to be too happy thinking I’ve given their secret away; but hey, it’s not a secret. These are necessary tools and tricks that don\'t get time in the spotlight. Hopefully this article will help shed light on some of the methods that we use, and hopefully those methods are not interpreted as “cheating.”','Four Drawing Shortcut Techniques You Will Not Regret Using','','inherit','closed','closed','','2732-autosave-v1','','','2016-06-24 13:30:38','2016-06-24 20:30:38','',2732,'http://www.letsdrawpeople.com/2732-autosave-v1/',0,'revision','',0),(3084,2,'2016-06-24 10:28:54','2016-06-24 17:28:54','Ok kiddos I’m back – it’s the artist you love to hate! First off I need to apologize because my scanner was in that mood where it wanted to do want it wants, so some scans will have black smudges on them...bummer. The other thing is I was not feeling this drawing, sort of. As the title stated, this is a tutorial for how to draw Tom Brady...a man!\r\n\r\n[caption id=\"attachment_2998\" align=\"aligncenter\" width=\"480\"]\"how
© Jerry Coli | Dreamstime.com
[/caption]\r\n\r\nAs I have stated in previous articles, I’m not into drawing men. I lean a lot toward women because well, I’m a guy! There’s no stimulation for me in drawing men, but as an artist one needs to diversify. I cannot limit myself to just women only.\r\n\r\nEven though I’ll grumble under my breath about having a man as an art subject, I know it’s necessary to draw them if I want to flourish and grow into a better and more diversified artist. With that being said, let’s bite down and get through this one.\r\n

Use a Light Box for the Basics

\r\nAs I stated earlier, this is a guy so I wanted to finish this drawing as quickly as possible. With that being said, I used a light box. I used it not only for the subject in general but I wanted to capture his frizzled hair as closely as I could; not to mention, I wanted to capture the majority of his jersey wrinkles.\r\n\r\n\"Scan0001-3\"\r\n\r\n \r\n

Draw the Eyes

\r\nBelieve it or not, his eyes were a challenge for the simple fact that they didn’t show up well on the light box. I had to take a hypothetical guess as well as look at the original picture to get his eyes close to how they were in the original picture. I added some shading with a tortillion around the eye area and used a Blu Tack erasure to lift some of the markings in the lower, left corners of the eyes to illustrate some highlight.\r\n\r\n\"Scan0002\"\r\n\r\n \r\n

Draw the Mouth

\r\nI then started on the mouth. It needs to be said that drawing the lips of men and women are different. With women, you want to add pencil or color to both the upper and lower lip section. With men, color in the upper lip but DO NOT ADD COLOR TO THE LOWER LIP - PERIOD.\r\n\r\nWhat you want to do is add shading under the lower lip to show some form of the lower lip. Men’s lower lips are usually illustrated with the same skin tone that is in the surrounding mouth area. Usually there is a line to separate where the lip is and where the chin area is.\r\n\r\nDon’t believe me? Look at a cartoon with male characters in them and tell me what you see. The females have full lips that are red and the males always have a line to separate what is their lower lip and the chin area.\r\n\r\nIn the case of the lip here, I just used a tortillion. If I got enough graphite on my tortillion from a previous job, I’ll just smudge what’s on there to give it a faint or smudged look.\r\n\r\n\"Scan0003\"\r\n\r\n \r\n

Draw the Hair

\r\nTime to do some hair! In this case, I added more dark tone to the hair onto the previous dark markings from the light box sketch. I usually use a 2H pencil first, coloring in the graphite followed by tissue blending and then adding dark tone.\r\n\r\n\"Scan0004\"\r\n\r\n \r\n\r\nIn this case, I added the dark tone followed by some smudging with the tortillion. I then colored the hair with a 2H pencil and then added hair streaks and strands by using a pencil erasure.\r\n\r\n\"Scan0005\"\r\n\r\n \r\n

Finish the Face and Final Details

\r\nTo finish up the face, I just use a tortillion to smudge in some shade in the necessary areas. I had enough graphite on the tortillion.\r\n\r\n\"Scan0006\"\r\n\r\n \r\n\r\nI then added some shading to the uniform with an HB pencil in some areas, followed by shading and smudging with a tortillion.\r\n\r\n\"Scan0007-2\"\r\n\r\n \r\n\r\nI finish up the drawing with darkening of the pants and some shading of the arms (yes, I pulled out the tortillion again). I didn’t work on the hands. I provide a separate tutorial about that and I’ll probably do more on that subject in the future.\r\n\r\nAnywho, there you go ladies and gentlemen, the drawing of Tom Brady at his finest……well maybe not at his finest, but you get the drift.\r\n\r\n\"how\r\n\r\nLove him or hate him, he’s in a better position than us, but it’s cool...we’re artists! Even when we’re 80 years old, we’ll still be drawing and painting. Can he still say the same about himself when he reaches that age?','How to Draw Tom Brady','','inherit','closed','closed','','2836-revision-v1','','','2016-06-24 10:28:54','2016-06-24 17:28:54','',2836,'http://www.letsdrawpeople.com/2836-revision-v1/',0,'revision','',0),(3090,2,'2016-06-24 11:45:30','2016-06-24 18:45:30','','04 techniques light box','','inherit','open','closed','','04-techniques-light-box','','','2016-06-24 11:45:30','2016-06-24 18:45:30','',2732,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/04-techniques-light-box.jpg',0,'attachment','image/jpeg',0),(3091,2,'2016-06-24 11:45:32','2016-06-24 18:45:32','','05 techniques light box','','inherit','open','closed','','05-techniques-light-box','','','2016-06-24 11:45:32','2016-06-24 18:45:32','',2732,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/05-techniques-light-box.jpg',0,'attachment','image/jpeg',0),(3092,2,'2016-06-24 11:45:34','2016-06-24 18:45:34','','06 techniques projector','','inherit','open','closed','','06-techniques-projector','','','2016-06-24 11:45:34','2016-06-24 18:45:34','',2732,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/06-techniques-projector.jpg',0,'attachment','image/jpeg',0),(3093,2,'2016-06-24 11:45:36','2016-06-24 18:45:36','','07 techniques graphite paper','','inherit','open','closed','','07-techniques-graphite-paper','','','2016-06-24 11:45:36','2016-06-24 18:45:36','',2732,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/07-techniques-graphite-paper.jpg',0,'attachment','image/jpeg',0),(3094,2,'2016-06-24 11:45:38','2016-06-24 18:45:38','','08 techniques graphite paper','','inherit','open','closed','','08-techniques-graphite-paper','','','2016-06-24 11:45:38','2016-06-24 18:45:38','',2732,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/08-techniques-graphite-paper.jpg',0,'attachment','image/jpeg',0),(3095,2,'2016-06-24 11:45:40','2016-06-24 18:45:40','','09 techniques graphite paper','','inherit','open','closed','','09-techniques-graphite-paper','','','2016-06-24 11:45:40','2016-06-24 18:45:40','',2732,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/09-techniques-graphite-paper.jpg',0,'attachment','image/jpeg',0),(3096,2,'2016-06-24 11:45:42','2016-06-24 18:45:42','','10 techniques graphite paper','','inherit','open','closed','','10-techniques-graphite-paper','','','2016-06-24 11:45:42','2016-06-24 18:45:42','',2732,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/10-techniques-graphite-paper.jpg',0,'attachment','image/jpeg',0),(3097,2,'2016-06-24 11:45:45','2016-06-24 18:45:45','','11 techniques graphite paper','','inherit','open','closed','','11-techniques-graphite-paper','','','2016-06-24 11:45:45','2016-06-24 18:45:45','',2732,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/11-techniques-graphite-paper.jpg',0,'attachment','image/jpeg',0),(3098,2,'2016-06-24 11:45:47','2016-06-24 18:45:47','','12 techniques gridlines','','inherit','open','closed','','12-techniques-gridlines','','','2016-06-24 11:45:47','2016-06-24 18:45:47','',2732,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/12-techniques-gridlines.jpg',0,'attachment','image/jpeg',0),(3099,2,'2016-06-24 11:45:49','2016-06-24 18:45:49','','13 techniques gridlines','','inherit','open','closed','','13-techniques-gridlines','','','2016-06-24 11:45:49','2016-06-24 18:45:49','',2732,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/13-techniques-gridlines.jpg',0,'attachment','image/jpeg',0),(3100,2,'2016-06-24 11:45:52','2016-06-24 18:45:52','','14 techniques gridlines','','inherit','open','closed','','14-techniques-gridlines','','','2016-06-24 11:45:52','2016-06-24 18:45:52','',2732,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/14-techniques-gridlines.jpg',0,'attachment','image/jpeg',0),(3101,2,'2016-06-24 11:45:53','2016-06-24 18:45:53','','15 techniques gridlines','','inherit','open','closed','','15-techniques-gridlines','','','2016-06-24 11:45:53','2016-06-24 18:45:53','',2732,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/15-techniques-gridlines.jpg',0,'attachment','image/jpeg',0); INSERT INTO `wp_posts` VALUES (3102,2,'2016-06-24 11:45:55','2016-06-24 18:45:55','','16 techniques gridlines','','inherit','open','closed','','16-techniques-gridlines','','','2016-06-24 11:45:55','2016-06-24 18:45:55','',2732,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/16-techniques-gridlines.jpg',0,'attachment','image/jpeg',0),(3103,2,'2016-06-24 11:45:57','2016-06-24 18:45:57','','17 techniques gridlines','','inherit','open','closed','','17-techniques-gridlines','','','2016-06-24 11:45:57','2016-06-24 18:45:57','',2732,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/17-techniques-gridlines.jpg',0,'attachment','image/jpeg',0),(3104,2,'2016-06-24 11:45:59','2016-06-24 18:45:59','','18 techniques gridlines','','inherit','open','closed','','18-techniques-gridlines','','','2016-06-24 11:45:59','2016-06-24 18:45:59','',2732,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/18-techniques-gridlines.jpg',0,'attachment','image/jpeg',0),(3105,2,'2016-06-24 12:00:10','2016-06-24 19:00:10','What I’m about to share with you is a risk for me. I’m risking mobs of angry artists coming and burning down my house and crucifying me upside down. I will be sharing a secret that many artists use that make us look like we can do the outline of a drawing without any type of help. It can be said that most of us don’t need help drawing, but if you constantly do figures like I do, you want to be anatomically correct. The secret I’m talking about is using a shortcut, such as a light box or any of the other items that will be discussed in this article.\r\n\r\nThe first question that forms in your head is: “Doesn’t using a light box constitute a form of cheating? You’re not a real artist if you use one.” Let me answer that question with a question. Can a garbage man do his job without a truck? Can a doctor operate on you without medical tools? Can a dentist take care of your teeth without the proper tools? I think you know the answer to these questions. Anyone that says you’re not a real artist with a light box is sadly misinformed. A light box is a NECESSARY TOOL if you want to be a serious artist of realistic work.\r\n\r\nA great pro for the light box is that it saves you time. If you are like me, you need a light box to help cut down your outline drawing time, and in essence, get more art pieces cranked out than you can accomplish by just drawing freehand. It also helps with accuracy with the figures and items that will be in your picture. The light box isn’t just the only item you can use. Rather than drawing by traditional freehand, you can also use a projector, graphite paper, or guidelines. Let’s look at some examples of drawing subjects using each of these techniques.\r\n

1. Light Box

\r\nOK so the first example here was done using a light box. The light box is used to trace the outside edges of the subject and other items that will be in the picture. Again, this technique is to help shave down time in drawing the contour outline.\r\n\r\n\"01\r\n\r\n \r\n\r\nHere I quickly did the eyes by smudging them with a tortillion and lips by darkening them a little with a 3B pencil and then smudging it with the tortillion as well. I then started working on the hair by using an HB pencil and leaving some spots untouched to later illustrate light reflecting off the hair.\r\n\r\n\"02\r\n\r\n \r\n\r\nI then smudge the pencil mark that’s in the hair followed by dark pencil marks that will portray hair strands. As always, do not smudge these marks. You want to show some hair detail and you cannot if these are smudged. I have also started adding some tortillion smudge to the face. It’s not much but I’m not worried about it for the time being. I have time to go back and add more later.\r\n\r\n\"03\r\n\r\n \r\n\r\nAs you can see, I’ve started on her outfit. Nothing special here; I used a 3B pencil and shaded/smudged the black with a tortillion. I then used the same tortillion to add some shade and coloring to her sports bra.\r\n\r\n\"04\r\n\r\n \r\n\r\nThe last thing I needed to do was add some detail to the skin and arms by using a tortillion again. I went back to the head again and just added some shading to the forehead to illustrate some realism.\r\n\r\n\"05\r\n\r\n \r\n

2. Projector

\r\nOK, unfortunately this drawing was a fail project.\r\n\r\n\"06\r\n\r\nI was supposed to illustrate the second item you can use to draw the outline of a figure but I ended up using a light box to quickly get it done. With this picture, the projector was supposed to be used.\r\n\r\nI learned a valuable lesson that I will pass on to you guys. When using the projector, you need to make sure that the paper you are drawing on is a BIG piece of paper – 18x24 preferable. If you do it on something small, you will have to bring the projector closer to the paper and that’s bad business. You will not have any room to move around, plus you run the risk of bumping into the projector and knocking the tracing off point.\r\n\r\nIt would be best that you use a bigger piece of paper and not like what I did when getting ready for this article. Glad though I found out so I could give you guys a no-no pointer.\r\n

3. Graphite Paper

\r\n\"Scan0007\"\r\n\r\nNow this next technique is what I used when I first started drawing. I kept my method a secret from everyone in fear of being exposed but now, who cares right? I’ve learned that many people don’t care what technique you use, in contrast to the actual concept of the art piece and the medium used. I don’t think I remember how this technique was presented to me except that I was in Michael’s and I saw graphite tracing paper and I put two and two together. To me that was heaven sent; I needed something that would cut my outline, drawing time down and here it was! The only bad thing about using graphite tracing paper is that it’s messy. You’ll get some of the graphite onto your fingers and on the paper that you’re tracing on, causing unnecessary erasing.\r\n\r\nYou start by first having the sheet of paper that you will be drawing on, followed by the graphite paper, then the picture on top that you’ll be copying. Another thing you might want to do is tape the original picture to the paper that will be the copy and casually slip the graphite paper in between the sheets of paper and trace.\r\n\r\n \r\n\r\n\"Scan0008\"\"Scan0009\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nYou guys know my routine by now: eyes, lips, and eyebrows. With the eyes, don’t forget to add some highlight for the pupil and iris and add some shading to the upper part of the eye to show a little bit of shadow. Smudge the eye lid crease and the eyebrow, adding some hair to illustrate random detail. Hair is pretty simple here. Color it fully using a 3H or 2H pencil.Take some tissue and blend/smudge over the whole pencil marking. Once you’ve done that, go back with a darker pencil and add strands to the head to portray different tones. The pencil strokes will be the darker part of her hair.\r\n\r\n \r\n\r\n\"Scan0010\"\"Scan0011\"\r\n\r\nThe last things we will do is first add tone to her shirt with some blending. After that, we will take a tortillion and add shading on the face and neck where necessary.\r\n

4. Guidelines

\r\n\"Scan0012\"\"Scan0013\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nThe last technique we will look at is one that I don’t care for – guidelines. In some cases, measuring is involved. You need the right distances between the eyes, noses, mouth, and hairline. You may need to get the proper measurements off the original picture and then add or take away inches and centimeters depending on the size of paper that you will be working on.You can also use a see-through grid that already has grids and lines placed on the plate. You then just put it on top of the picture and then mimic what you see onto your sheet of paper. You want to break up the grids into individual sections and focus only on what is in one grid at a time. The same goes with the regular lines. They will be a bit more of a challenge because you won’t have a small section to draw in. The lines in this case serve as guidelines in drawing down the basics.\r\n\r\n \r\n\r\n\"Scan0014\"\r\n\r\nOnce you have the basics down, attack the eyes first. As always, don’t forget the highlight in the eye and the upper shading in the eye. If you have a second, go ahead and smudge the eyelid crease and the eyebrow some so as not to forget like I have in the past.\r\n\r\n \r\n\r\n\"Scan0015\"\r\n\r\nYou got my pattern down yet? Eyes, mouth, and hair. In this state, you knew the mouth and lips were coming. You have a choice here. You can draw some lines on the lower lips to implement shading or you can just begin smudging with a tortillion. In this case, I smudged it with a tortillion, both top and bottom. I also used a little bit of a dark pencil (7B) and tortillion to shade and smudge the inside of the mouth and the small space between the teeth and gums.\r\n\r\n \r\n\r\n\"Scan0016\"\r\n\r\nThe hair is easy in this situation. She’s a blonde so I will use a 5H pencil to color the hair and fill in certain areas where it’s darker. I will then smudge the entire area will tissue – it serves the same purpose as a tortillion would but it spreads the graphite wider. The last thing I will do is use a pencil eraser to add in highlights. I find this easier to use than a kneaded eraser – I don’t have to worry about re-shaping the eraser or it giving way to the pressure of erasing.\r\n\r\n \r\n\r\n\"Scan0017\"\r\n\r\nI start now on adding some shading to the face (using tortillion after the aftermath), some shading scribble to her shirt, and adding dark tone to her secondary tank top underneath.\r\n\r\n \r\n\r\n\"Scan0018\"\r\n\r\nThe last thing to work on is to smudge and blend areas in her face and arm, and in her shirt.\r\n

Now that the secret is out...

\r\nAgain, we used these drawings of different faces as a quick study on how to use shortcut techniques to sketch an image onto a sheet of paper from its original picture. I’m pretty sure a mob of angry artists is not going to be too happy thinking I’ve given their secret away; but hey, it’s not a secret. These are necessary tools and tricks that don\'t get time in the spotlight. Hopefully this article will help shed light on some of the methods that we use, and hopefully those methods are not interpreted as “cheating.”','Four Drawing Shortcut Techniques You Will Not Regret Using','','inherit','closed','closed','','2732-revision-v1','','','2016-06-24 12:00:10','2016-06-24 19:00:10','',2732,'http://www.letsdrawpeople.com/2732-revision-v1/',0,'revision','',0),(3109,2,'2016-06-24 13:30:25','2016-06-24 20:30:25','What I’m about to share with you is a risk for me. I’m risking mobs of angry artists coming and burning down my house and crucifying me upside down. I will be sharing a secret that many artists use that make us look like we can do the outline of a drawing without any type of help. It can be said that most of us don’t need help drawing, but if you constantly do figures like I do, you want to be anatomically correct. The secret I’m talking about is using a shortcut, such as a light box or any of the other items that will be discussed in this article.\r\n\r\nThe first question that forms in your head is: “Doesn’t using a light box constitute a form of cheating? You’re not a real artist if you use one.” Let me answer that question with a question. Can a garbage man do his job without a truck? Can a doctor operate on you without medical tools? Can a dentist take care of your teeth without the proper tools? I think you know the answer to these questions. Anyone that says you’re not a real artist with a light box is sadly misinformed. A light box is a NECESSARY TOOL if you want to be a serious artist of realistic work.\r\n\r\nA great pro for the light box is that it saves you time. If you are like me, you need a light box to help cut down your outline drawing time, and in essence, get more art pieces cranked out than you can accomplish by just drawing freehand. It also helps with accuracy with the figures and items that will be in your picture. The light box isn’t just the only item you can use. Rather than drawing by traditional freehand, you can also use a projector, graphite paper, or guidelines. Let’s look at some examples of drawing subjects using each of these techniques.\r\n

1. Light Box

\r\nOK so the first example here was done using a light box. The light box is used to trace the outside edges of the subject and other items that will be in the picture. Again, this technique is to help shave down time in drawing the contour outline.\r\n\r\n\"01\r\n\r\n \r\n\r\nHere I quickly did the eyes by smudging them with a tortillion and lips by darkening them a little with a 3B pencil and then smudging it with the tortillion as well. I then started working on the hair by using an HB pencil and leaving some spots untouched to later illustrate light reflecting off the hair.\r\n\r\n\"02\r\n\r\n \r\n\r\nI then smudge the pencil mark that’s in the hair followed by dark pencil marks that will portray hair strands. As always, do not smudge these marks. You want to show some hair detail and you cannot if these are smudged. I have also started adding some tortillion smudge to the face. It’s not much but I’m not worried about it for the time being. I have time to go back and add more later.\r\n\r\n\"03\r\n\r\n \r\n\r\nAs you can see, I’ve started on her outfit. Nothing special here; I used a 3B pencil and shaded/smudged the black with a tortillion. I then used the same tortillion to add some shade and coloring to her sports bra.\r\n\r\n\"04\r\n\r\n \r\n\r\nThe last thing I needed to do was add some detail to the skin and arms by using a tortillion again. I went back to the head again and just added some shading to the forehead to illustrate some realism.\r\n\r\n\"05\r\n\r\n \r\n

2. Projector

\r\nOK, unfortunately this drawing was a fail project.\r\n\r\n\"06\r\n\r\nI was supposed to illustrate the second item you can use to draw the outline of a figure but I ended up using a light box to quickly get it done. With this picture, the projector was supposed to be used.\r\n\r\nI learned a valuable lesson that I will pass on to you guys. When using the projector, you need to make sure that the paper you are drawing on is a BIG piece of paper – 18x24 preferable. If you do it on something small, you will have to bring the projector closer to the paper and that’s bad business. You will not have any room to move around, plus you run the risk of bumping into the projector and knocking the tracing off point.\r\n\r\nIt would be best that you use a bigger piece of paper and not like what I did when getting ready for this article. Glad though I found out so I could give you guys a no-no pointer.\r\n

3. Graphite Paper

\r\nNow this next technique is what I used when I first started drawing. I kept my method a secret from everyone in fear of being exposed but now, who cares right? I’ve learned that many people don’t care what technique you use, in contrast to the actual concept of the art piece and the medium used. I don’t think I remember how this technique was presented to me except that I was in Michael’s and I saw graphite tracing paper and I put two and two together. To me that was heaven sent; I needed something that would cut my outline, drawing time down and here it was! The only bad thing about using graphite tracing paper is that it’s messy. You’ll get some of the graphite onto your fingers and on the paper that you’re tracing on, causing unnecessary erasing.\r\n\r\nYou start by first having the sheet of paper that you will be drawing on, followed by the graphite paper, then the picture on top that you’ll be copying. Another thing you might want to do is tape the original picture to the paper that will be the copy and casually slip the graphite paper in between the sheets of paper and trace.\r\n\r\n\"07\r\n\r\n \r\n\r\nYou guys know my routine by now: eyes, lips, and eyebrows. With the eyes, don’t forget to add some highlight for the pupil and iris and add some shading to the upper part of the eye to show a little bit of shadow. Smudge the eye lid crease and the eyebrow, adding some hair to illustrate random detail.\r\n\r\n\"08\r\n\r\n \r\n\r\nHair is pretty simple here. Color it fully using a 3H or 2H pencil. Take some tissue and blend/smudge over the whole pencil marking.\r\n\r\n\"09\r\n\r\n \r\n\r\nOnce you’ve done that, go back with a darker pencil and add strands to the head to portray different tones. The pencil strokes will be the darker part of her hair.\r\n\r\n\"10\r\n\r\n \r\n\r\nThe last things we will do is first add tone to her shirt with some blending. After that, we will take a tortillion and add shading on the face and neck where necessary.\r\n\r\n\"11\r\n\r\n \r\n

4. Guidelines

\r\nThe last technique we will look at is one that I don’t care for – guidelines. In some cases, measuring is involved. You need the right distances between the eyes, noses, mouth, and hairline. You may need to get the proper measurements off the original picture and then add or take away inches and centimeters depending on the size of paper that you will be working on.\r\n\r\n\"12\r\n\r\n \r\n\r\nYou can also use a see-through grid that already has grids and lines placed on the plate. You then just put it on top of the picture and then mimic what you see onto your sheet of paper. You want to break up the grids into individual sections and focus only on what is in one grid at a time.\r\n\r\nThe same goes with the regular lines. They will be a bit more of a challenge because you won’t have a small section to draw in. The lines in this case serve as guidelines in drawing down the basics.\r\n\r\n\"13\r\n\r\n \r\n\r\nOnce you have the basics down, attack the eyes first. As always, don’t forget the highlight in the eye and the upper shading in the eye. If you have a second, go ahead and smudge the eyelid crease and the eyebrow some so as not to forget like I have in the past.\r\n\r\n\"14\r\n\r\n \r\n\r\n \r\n\r\nYou got my pattern down yet? Eyes, mouth, and hair. In this state, you knew the mouth and lips were coming. You have a choice here. You can draw some lines on the lower lips to implement shading or you can just begin smudging with a tortillion. In this case, I smudged it with a tortillion, both top and bottom. I also used a little bit of a dark pencil (7B) and tortillion to shade and smudge the inside of the mouth and the small space between the teeth and gums.\r\n\r\n\"15\r\n\r\n \r\n\r\n \r\n\r\nThe hair is easy in this situation. She’s a blonde so I will use a 5H pencil to color the hair and fill in certain areas where it’s darker. I will then smudge the entire area will tissue – it serves the same purpose as a tortillion would but it spreads the graphite wider. The last thing I will do is use a pencil eraser to add in highlights. I find this easier to use than a kneaded eraser – I don’t have to worry about re-shaping the eraser or it giving way to the pressure of erasing.\r\n\r\n\"16\r\n\r\n \r\n\r\nI start now on adding some shading to the face (using tortillion after the aftermath), some shading scribble to her shirt, and adding dark tone to her secondary tank top underneath.\r\n\r\n\"17\r\n\r\n \r\n\r\nThe last thing to work on is to smudge and blend areas in her face and arm, and in her shirt.\r\n\r\n\"18\r\n\r\n \r\n

Now that the secret is out...

\r\nAgain, we used these drawings of different faces as a quick study on how to use shortcut techniques to sketch an image onto a sheet of paper from its original picture. I’m pretty sure a mob of angry artists is not going to be too happy thinking I’ve given their secret away; but hey, it’s not a secret. These are necessary tools and tricks that don\'t get time in the spotlight. Hopefully this article will help shed light on some of the methods that we use, and hopefully those methods are not interpreted as “cheating.”','Four Drawing Shortcut Techniques You Will Not Regret Using','','inherit','closed','closed','','2732-revision-v1','','','2016-06-24 13:30:25','2016-06-24 20:30:25','',2732,'http://www.letsdrawpeople.com/2732-revision-v1/',0,'revision','',0),(3106,2,'2016-06-24 13:21:07','2016-06-24 20:21:07','What I’m about to share with you is a risk for me. I’m risking mobs of angry artists coming and burning down my house and crucifying me upside down. I will be sharing a secret that many artists use that make us look like we can do the outline of a drawing without any type of help. It can be said that most of us don’t need help drawing, but if you constantly do figures like I do, you want to be anatomically correct. The secret I’m talking about is using a shortcut, such as a light box or any of the other items that will be discussed in this article.\r\n\r\nThe first question that forms in your head is: “Doesn’t using a light box constitute a form of cheating? You’re not a real artist if you use one.” Let me answer that question with a question. Can a garbage man do his job without a truck? Can a doctor operate on you without medical tools? Can a dentist take care of your teeth without the proper tools? I think you know the answer to these questions. Anyone that says you’re not a real artist with a light box is sadly misinformed. A light box is a NECESSARY TOOL if you want to be a serious artist of realistic work.\r\n\r\nA great pro for the light box is that it saves you time. If you are like me, you need a light box to help cut down your outline drawing time, and in essence, get more art pieces cranked out than you can accomplish by just drawing freehand. It also helps with accuracy with the figures and items that will be in your picture. The light box isn’t just the only item you can use. Rather than drawing by traditional freehand, you can also use a projector, graphite paper, or guidelines. Let’s look at some examples of drawing subjects using each of these techniques.\r\n

1. Light Box

\r\nOK so the first example here was done using a light box. The light box is used to trace the outside edges of the subject and other items that will be in the picture. Again, this technique is to help shave down time in drawing the contour outline.\r\n\r\n\"01\r\n\r\n \r\n\r\nHere I quickly did the eyes by smudging them with a tortillion and lips by darkening them a little with a 3B pencil and then smudging it with the tortillion as well. I then started working on the hair by using an HB pencil and leaving some spots untouched to later illustrate light reflecting off the hair.\r\n\r\n\"02\r\n\r\n \r\n\r\nI then smudge the pencil mark that’s in the hair followed by dark pencil marks that will portray hair strands. As always, do not smudge these marks. You want to show some hair detail and you cannot if these are smudged. I have also started adding some tortillion smudge to the face. It’s not much but I’m not worried about it for the time being. I have time to go back and add more later.\r\n\r\n\"03\r\n\r\n \r\n\r\nAs you can see, I’ve started on her outfit. Nothing special here; I used a 3B pencil and shaded/smudged the black with a tortillion. I then used the same tortillion to add some shade and coloring to her sports bra.\r\n\r\n\"04\r\n\r\n \r\n\r\nThe last thing I needed to do was add some detail to the skin and arms by using a tortillion again. I went back to the head again and just added some shading to the forehead to illustrate some realism.\r\n\r\n\"05\r\n\r\n \r\n

2. Projector

\r\nOK, unfortunately this drawing was a fail project.\r\n\r\n\"06\r\n\r\nI was supposed to illustrate the second item you can use to draw the outline of a figure but I ended up using a light box to quickly get it done. With this picture, the projector was supposed to be used.\r\n\r\nI learned a valuable lesson that I will pass on to you guys. When using the projector, you need to make sure that the paper you are drawing on is a BIG piece of paper – 18x24 preferable. If you do it on something small, you will have to bring the projector closer to the paper and that’s bad business. You will not have any room to move around, plus you run the risk of bumping into the projector and knocking the tracing off point.\r\n\r\nIt would be best that you use a bigger piece of paper and not like what I did when getting ready for this article. Glad though I found out so I could give you guys a no-no pointer.\r\n

3. Graphite Paper

\r\n \r\n\r\nNow this next technique is what I used when I first started drawing. I kept my method a secret from everyone in fear of being exposed but now, who cares right? I’ve learned that many people don’t care what technique you use, in contrast to the actual concept of the art piece and the medium used. I don’t think I remember how this technique was presented to me except that I was in Michael’s and I saw graphite tracing paper and I put two and two together. To me that was heaven sent; I needed something that would cut my outline, drawing time down and here it was! The only bad thing about using graphite tracing paper is that it’s messy. You’ll get some of the graphite onto your fingers and on the paper that you’re tracing on, causing unnecessary erasing.\r\n\r\nYou start by first having the sheet of paper that you will be drawing on, followed by the graphite paper, then the picture on top that you’ll be copying. Another thing you might want to do is tape the original picture to the paper that will be the copy and casually slip the graphite paper in between the sheets of paper and trace.\r\n\r\n\"07\r\n\r\n \r\n\r\n \r\n\r\nYou guys know my routine by now: eyes, lips, and eyebrows. With the eyes, don’t forget to add some highlight for the pupil and iris and add some shading to the upper part of the eye to show a little bit of shadow. Smudge the eye lid crease and the eyebrow, adding some hair to illustrate random detail.\r\n\r\n\"08\r\n\r\n \r\n\r\nHair is pretty simple here. Color it fully using a 3H or 2H pencil. Take some tissue and blend/smudge over the whole pencil marking.\r\n\r\n\"09\r\n\r\n \r\n\r\nOnce you’ve done that, go back with a darker pencil and add strands to the head to portray different tones. The pencil strokes will be the darker part of her hair.\r\n\r\n\"10\r\n\r\n \r\n\r\n \r\n\r\nThe last things we will do is first add tone to her shirt with some blending. After that, we will take a tortillion and add shading on the face and neck where necessary.\r\n\r\n\"11\r\n\r\n \r\n

4. Guidelines

\r\n \r\n\r\nThe last technique we will look at is one that I don’t care for – guidelines. In some cases, measuring is involved. You need the right distances between the eyes, noses, mouth, and hairline. You may need to get the proper measurements off the original picture and then add or take away inches and centimeters depending on the size of paper that you will be working on.\r\n\r\n\"12\r\n\r\n \r\n\r\nYou can also use a see-through grid that already has grids and lines placed on the plate. You then just put it on top of the picture and then mimic what you see onto your sheet of paper. You want to break up the grids into individual sections and focus only on what is in one grid at a time.\r\n\r\nThe same goes with the regular lines. They will be a bit more of a challenge because you won’t have a small section to draw in. The lines in this case serve as guidelines in drawing down the basics.\r\n\r\n\"13\r\n\r\n \r\n\r\nOnce you have the basics down, attack the eyes first. As always, don’t forget the highlight in the eye and the upper shading in the eye. If you have a second, go ahead and smudge the eyelid crease and the eyebrow some so as not to forget like I have in the past.\r\n\r\n\"14\r\n\r\n \r\n\r\n \r\n\r\nYou got my pattern down yet? Eyes, mouth, and hair. In this state, you knew the mouth and lips were coming. You have a choice here. You can draw some lines on the lower lips to implement shading or you can just begin smudging with a tortillion. In this case, I smudged it with a tortillion, both top and bottom. I also used a little bit of a dark pencil (7B) and tortillion to shade and smudge the inside of the mouth and the small space between the teeth and gums.\r\n\r\n\"15\r\n\r\n \r\n\r\n \r\n\r\nThe hair is easy in this situation. She’s a blonde so I will use a 5H pencil to color the hair and fill in certain areas where it’s darker. I will then smudge the entire area will tissue – it serves the same purpose as a tortillion would but it spreads the graphite wider. The last thing I will do is use a pencil eraser to add in highlights. I find this easier to use than a kneaded eraser – I don’t have to worry about re-shaping the eraser or it giving way to the pressure of erasing.\r\n\r\n\"16\r\n\r\n \r\n\r\n \r\n\r\nI start now on adding some shading to the face (using tortillion after the aftermath), some shading scribble to her shirt, and adding dark tone to her secondary tank top underneath.\r\n\r\n\"17\r\n\r\n \r\n\r\n \r\n\r\nThe last thing to work on is to smudge and blend areas in her face and arm, and in her shirt.\r\n\r\n\"18\r\n\r\n \r\n

Now that the secret is out...

\r\nAgain, we used these drawings of different faces as a quick study on how to use shortcut techniques to sketch an image onto a sheet of paper from its original picture. I’m pretty sure a mob of angry artists is not going to be too happy thinking I’ve given their secret away; but hey, it’s not a secret. These are necessary tools and tricks that don\'t get time in the spotlight. Hopefully this article will help shed light on some of the methods that we use, and hopefully those methods are not interpreted as “cheating.”','Four Drawing Shortcut Techniques You Will Not Regret Using','','inherit','closed','closed','','2732-revision-v1','','','2016-06-24 13:21:07','2016-06-24 20:21:07','',2732,'http://www.letsdrawpeople.com/2732-revision-v1/',0,'revision','',0),(3108,2,'2016-06-24 13:27:55','2016-06-24 20:27:55','What I’m about to share with you is a risk for me. I’m risking mobs of angry artists coming and burning down my house and crucifying me upside down. I will be sharing a secret that many artists use that make us look like we can do the outline of a drawing without any type of help. It can be said that most of us don’t need help drawing, but if you constantly do figures like I do, you want to be anatomically correct. The secret I’m talking about is using a shortcut, such as a light box or any of the other items that will be discussed in this article.\r\n\r\nThe first question that forms in your head is: “Doesn’t using a light box constitute a form of cheating? You’re not a real artist if you use one.” Let me answer that question with a question. Can a garbage man do his job without a truck? Can a doctor operate on you without medical tools? Can a dentist take care of your teeth without the proper tools? I think you know the answer to these questions. Anyone that says you’re not a real artist with a light box is sadly misinformed. A light box is a NECESSARY TOOL if you want to be a serious artist of realistic work.\r\n\r\nA great pro for the light box is that it saves you time. If you are like me, you need a light box to help cut down your outline drawing time, and in essence, get more art pieces cranked out than you can accomplish by just drawing freehand. It also helps with accuracy with the figures and items that will be in your picture. The light box isn’t just the only item you can use. Rather than drawing by traditional freehand, you can also use a projector, graphite paper, or guidelines. Let’s look at some examples of drawing subjects using each of these techniques.\r\n

1. Light Box

\r\nOK so the first example here was done using a light box. The light box is used to trace the outside edges of the subject and other items that will be in the picture. Again, this technique is to help shave down time in drawing the contour outline.\r\n\r\n\"01\r\n\r\n \r\n\r\nHere I quickly did the eyes by smudging them with a tortillion and lips by darkening them a little with a 3B pencil and then smudging it with the tortillion as well. I then started working on the hair by using an HB pencil and leaving some spots untouched to later illustrate light reflecting off the hair.\r\n\r\n\"02\r\n\r\n \r\n\r\nI then smudge the pencil mark that’s in the hair followed by dark pencil marks that will portray hair strands. As always, do not smudge these marks. You want to show some hair detail and you cannot if these are smudged. I have also started adding some tortillion smudge to the face. It’s not much but I’m not worried about it for the time being. I have time to go back and add more later.\r\n\r\n\"03\r\n\r\n \r\n\r\nAs you can see, I’ve started on her outfit. Nothing special here; I used a 3B pencil and shaded/smudged the black with a tortillion. I then used the same tortillion to add some shade and coloring to her sports bra.\r\n\r\n\"04\r\n\r\n \r\n\r\nThe last thing I needed to do was add some detail to the skin and arms by using a tortillion again. I went back to the head again and just added some shading to the forehead to illustrate some realism.\r\n\r\n\"05\r\n\r\n \r\n

2. Projector

\r\nOK, unfortunately this drawing was a fail project.\r\n\r\n\"06\r\n\r\nI was supposed to illustrate the second item you can use to draw the outline of a figure but I ended up using a light box to quickly get it done. With this picture, the projector was supposed to be used.\r\n\r\nI learned a valuable lesson that I will pass on to you guys. When using the projector, you need to make sure that the paper you are drawing on is a BIG piece of paper – 18x24 preferable. If you do it on something small, you will have to bring the projector closer to the paper and that’s bad business. You will not have any room to move around, plus you run the risk of bumping into the projector and knocking the tracing off point.\r\n\r\nIt would be best that you use a bigger piece of paper and not like what I did when getting ready for this article. Glad though I found out so I could give you guys a no-no pointer.\r\n

3. Graphite Paper

\r\nNow this next technique is what I used when I first started drawing. I kept my method a secret from everyone in fear of being exposed but now, who cares right? I’ve learned that many people don’t care what technique you use, in contrast to the actual concept of the art piece and the medium used. I don’t think I remember how this technique was presented to me except that I was in Michael’s and I saw graphite tracing paper and I put two and two together. To me that was heaven sent; I needed something that would cut my outline, drawing time down and here it was! The only bad thing about using graphite tracing paper is that it’s messy. You’ll get some of the graphite onto your fingers and on the paper that you’re tracing on, causing unnecessary erasing.\r\n\r\nYou start by first having the sheet of paper that you will be drawing on, followed by the graphite paper, then the picture on top that you’ll be copying. Another thing you might want to do is tape the original picture to the paper that will be the copy and casually slip the graphite paper in between the sheets of paper and trace.\r\n\r\n\"07\r\n\r\n \r\n\r\nYou guys know my routine by now: eyes, lips, and eyebrows. With the eyes, don’t forget to add some highlight for the pupil and iris and add some shading to the upper part of the eye to show a little bit of shadow. Smudge the eye lid crease and the eyebrow, adding some hair to illustrate random detail.\r\n\r\n\"08\r\n\r\n \r\n\r\nHair is pretty simple here. Color it fully using a 3H or 2H pencil. Take some tissue and blend/smudge over the whole pencil marking.\r\n\r\n\"09\r\n\r\n \r\n\r\nOnce you’ve done that, go back with a darker pencil and add strands to the head to portray different tones. The pencil strokes will be the darker part of her hair.\r\n\r\n\"10\r\n\r\n \r\n\r\n \r\n\r\nThe last things we will do is first add tone to her shirt with some blending. After that, we will take a tortillion and add shading on the face and neck where necessary.\r\n\r\n\"11\r\n\r\n \r\n

4. Guidelines

\r\nThe last technique we will look at is one that I don’t care for – guidelines. In some cases, measuring is involved. You need the right distances between the eyes, noses, mouth, and hairline. You may need to get the proper measurements off the original picture and then add or take away inches and centimeters depending on the size of paper that you will be working on.\r\n\r\n\"12\r\n\r\n \r\n\r\nYou can also use a see-through grid that already has grids and lines placed on the plate. You then just put it on top of the picture and then mimic what you see onto your sheet of paper. You want to break up the grids into individual sections and focus only on what is in one grid at a time.\r\n\r\nThe same goes with the regular lines. They will be a bit more of a challenge because you won’t have a small section to draw in. The lines in this case serve as guidelines in drawing down the basics.\r\n\r\n\"13\r\n\r\n \r\n\r\nOnce you have the basics down, attack the eyes first. As always, don’t forget the highlight in the eye and the upper shading in the eye. If you have a second, go ahead and smudge the eyelid crease and the eyebrow some so as not to forget like I have in the past.\r\n\r\n\"14\r\n\r\n \r\n\r\n \r\n\r\nYou got my pattern down yet? Eyes, mouth, and hair. In this state, you knew the mouth and lips were coming. You have a choice here. You can draw some lines on the lower lips to implement shading or you can just begin smudging with a tortillion. In this case, I smudged it with a tortillion, both top and bottom. I also used a little bit of a dark pencil (7B) and tortillion to shade and smudge the inside of the mouth and the small space between the teeth and gums.\r\n\r\n\"15\r\n\r\n \r\n\r\n \r\n\r\nThe hair is easy in this situation. She’s a blonde so I will use a 5H pencil to color the hair and fill in certain areas where it’s darker. I will then smudge the entire area will tissue – it serves the same purpose as a tortillion would but it spreads the graphite wider. The last thing I will do is use a pencil eraser to add in highlights. I find this easier to use than a kneaded eraser – I don’t have to worry about re-shaping the eraser or it giving way to the pressure of erasing.\r\n\r\n\"16\r\n\r\n \r\n\r\n \r\n\r\nI start now on adding some shading to the face (using tortillion after the aftermath), some shading scribble to her shirt, and adding dark tone to her secondary tank top underneath.\r\n\r\n\"17\r\n\r\n \r\n\r\nThe last thing to work on is to smudge and blend areas in her face and arm, and in her shirt.\r\n\r\n\"18\r\n\r\n \r\n

Now that the secret is out...

\r\nAgain, we used these drawings of different faces as a quick study on how to use shortcut techniques to sketch an image onto a sheet of paper from its original picture. I’m pretty sure a mob of angry artists is not going to be too happy thinking I’ve given their secret away; but hey, it’s not a secret. These are necessary tools and tricks that don\'t get time in the spotlight. Hopefully this article will help shed light on some of the methods that we use, and hopefully those methods are not interpreted as “cheating.”','Four Drawing Shortcut Techniques You Will Not Regret Using','','inherit','closed','closed','','2732-revision-v1','','','2016-06-24 13:27:55','2016-06-24 20:27:55','',2732,'http://www.letsdrawpeople.com/2732-revision-v1/',0,'revision','',0),(3107,2,'2016-06-24 13:24:53','2016-06-24 20:24:53','What I’m about to share with you is a risk for me. I’m risking mobs of angry artists coming and burning down my house and crucifying me upside down. I will be sharing a secret that many artists use that make us look like we can do the outline of a drawing without any type of help. It can be said that most of us don’t need help drawing, but if you constantly do figures like I do, you want to be anatomically correct. The secret I’m talking about is using a shortcut, such as a light box or any of the other items that will be discussed in this article.\r\n\r\nThe first question that forms in your head is: “Doesn’t using a light box constitute a form of cheating? You’re not a real artist if you use one.” Let me answer that question with a question. Can a garbage man do his job without a truck? Can a doctor operate on you without medical tools? Can a dentist take care of your teeth without the proper tools? I think you know the answer to these questions. Anyone that says you’re not a real artist with a light box is sadly misinformed. A light box is a NECESSARY TOOL if you want to be a serious artist of realistic work.\r\n\r\nA great pro for the light box is that it saves you time. If you are like me, you need a light box to help cut down your outline drawing time, and in essence, get more art pieces cranked out than you can accomplish by just drawing freehand. It also helps with accuracy with the figures and items that will be in your picture. The light box isn’t just the only item you can use. Rather than drawing by traditional freehand, you can also use a projector, graphite paper, or guidelines. Let’s look at some examples of drawing subjects using each of these techniques.\r\n

1. Light Box

\r\nOK so the first example here was done using a light box. The light box is used to trace the outside edges of the subject and other items that will be in the picture. Again, this technique is to help shave down time in drawing the contour outline.\r\n\r\n\"01\r\n\r\n \r\n\r\nHere I quickly did the eyes by smudging them with a tortillion and lips by darkening them a little with a 3B pencil and then smudging it with the tortillion as well. I then started working on the hair by using an HB pencil and leaving some spots untouched to later illustrate light reflecting off the hair.\r\n\r\n\"02\r\n\r\n \r\n\r\nI then smudge the pencil mark that’s in the hair followed by dark pencil marks that will portray hair strands. As always, do not smudge these marks. You want to show some hair detail and you cannot if these are smudged. I have also started adding some tortillion smudge to the face. It’s not much but I’m not worried about it for the time being. I have time to go back and add more later.\r\n\r\n\"03\r\n\r\n \r\n\r\nAs you can see, I’ve started on her outfit. Nothing special here; I used a 3B pencil and shaded/smudged the black with a tortillion. I then used the same tortillion to add some shade and coloring to her sports bra.\r\n\r\n\"04\r\n\r\n \r\n\r\nThe last thing I needed to do was add some detail to the skin and arms by using a tortillion again. I went back to the head again and just added some shading to the forehead to illustrate some realism.\r\n\r\n\"05\r\n\r\n \r\n

2. Projector

\r\nOK, unfortunately this drawing was a fail project.\r\n\r\n\"06\r\n\r\nI was supposed to illustrate the second item you can use to draw the outline of a figure but I ended up using a light box to quickly get it done. With this picture, the projector was supposed to be used.\r\n\r\nI learned a valuable lesson that I will pass on to you guys. When using the projector, you need to make sure that the paper you are drawing on is a BIG piece of paper – 18x24 preferable. If you do it on something small, you will have to bring the projector closer to the paper and that’s bad business. You will not have any room to move around, plus you run the risk of bumping into the projector and knocking the tracing off point.\r\n\r\nIt would be best that you use a bigger piece of paper and not like what I did when getting ready for this article. Glad though I found out so I could give you guys a no-no pointer.\r\n

3. Graphite Paper

\r\nNow this next technique is what I used when I first started drawing. I kept my method a secret from everyone in fear of being exposed but now, who cares right? I’ve learned that many people don’t care what technique you use, in contrast to the actual concept of the art piece and the medium used. I don’t think I remember how this technique was presented to me except that I was in Michael’s and I saw graphite tracing paper and I put two and two together. To me that was heaven sent; I needed something that would cut my outline, drawing time down and here it was! The only bad thing about using graphite tracing paper is that it’s messy. You’ll get some of the graphite onto your fingers and on the paper that you’re tracing on, causing unnecessary erasing.\r\n\r\nYou start by first having the sheet of paper that you will be drawing on, followed by the graphite paper, then the picture on top that you’ll be copying. Another thing you might want to do is tape the original picture to the paper that will be the copy and casually slip the graphite paper in between the sheets of paper and trace.\r\n\r\n\"07\r\n\r\n \r\n\r\n \r\n\r\nYou guys know my routine by now: eyes, lips, and eyebrows. With the eyes, don’t forget to add some highlight for the pupil and iris and add some shading to the upper part of the eye to show a little bit of shadow. Smudge the eye lid crease and the eyebrow, adding some hair to illustrate random detail.\r\n\r\n\"08\r\n\r\n \r\n\r\nHair is pretty simple here. Color it fully using a 3H or 2H pencil. Take some tissue and blend/smudge over the whole pencil marking.\r\n\r\n\"09\r\n\r\n \r\n\r\nOnce you’ve done that, go back with a darker pencil and add strands to the head to portray different tones. The pencil strokes will be the darker part of her hair.\r\n\r\n\"10\r\n\r\n \r\n\r\n \r\n\r\nThe last things we will do is first add tone to her shirt with some blending. After that, we will take a tortillion and add shading on the face and neck where necessary.\r\n\r\n\"11\r\n\r\n \r\n

4. Guidelines

\r\n \r\n\r\nThe last technique we will look at is one that I don’t care for – guidelines. In some cases, measuring is involved. You need the right distances between the eyes, noses, mouth, and hairline. You may need to get the proper measurements off the original picture and then add or take away inches and centimeters depending on the size of paper that you will be working on.\r\n\r\n\"12\r\n\r\n \r\n\r\nYou can also use a see-through grid that already has grids and lines placed on the plate. You then just put it on top of the picture and then mimic what you see onto your sheet of paper. You want to break up the grids into individual sections and focus only on what is in one grid at a time.\r\n\r\nThe same goes with the regular lines. They will be a bit more of a challenge because you won’t have a small section to draw in. The lines in this case serve as guidelines in drawing down the basics.\r\n\r\n\"13\r\n\r\n \r\n\r\nOnce you have the basics down, attack the eyes first. As always, don’t forget the highlight in the eye and the upper shading in the eye. If you have a second, go ahead and smudge the eyelid crease and the eyebrow some so as not to forget like I have in the past.\r\n\r\n\"14\r\n\r\n \r\n\r\n \r\n\r\nYou got my pattern down yet? Eyes, mouth, and hair. In this state, you knew the mouth and lips were coming. You have a choice here. You can draw some lines on the lower lips to implement shading or you can just begin smudging with a tortillion. In this case, I smudged it with a tortillion, both top and bottom. I also used a little bit of a dark pencil (7B) and tortillion to shade and smudge the inside of the mouth and the small space between the teeth and gums.\r\n\r\n\"15\r\n\r\n \r\n\r\n \r\n\r\nThe hair is easy in this situation. She’s a blonde so I will use a 5H pencil to color the hair and fill in certain areas where it’s darker. I will then smudge the entire area will tissue – it serves the same purpose as a tortillion would but it spreads the graphite wider. The last thing I will do is use a pencil eraser to add in highlights. I find this easier to use than a kneaded eraser – I don’t have to worry about re-shaping the eraser or it giving way to the pressure of erasing.\r\n\r\n\"16\r\n\r\n \r\n\r\n \r\n\r\nI start now on adding some shading to the face (using tortillion after the aftermath), some shading scribble to her shirt, and adding dark tone to her secondary tank top underneath.\r\n\r\n\"17\r\n\r\n \r\n\r\n \r\n\r\nThe last thing to work on is to smudge and blend areas in her face and arm, and in her shirt.\r\n\r\n\"18\r\n\r\n \r\n

Now that the secret is out...

\r\nAgain, we used these drawings of different faces as a quick study on how to use shortcut techniques to sketch an image onto a sheet of paper from its original picture. I’m pretty sure a mob of angry artists is not going to be too happy thinking I’ve given their secret away; but hey, it’s not a secret. These are necessary tools and tricks that don\'t get time in the spotlight. Hopefully this article will help shed light on some of the methods that we use, and hopefully those methods are not interpreted as “cheating.”','Four Drawing Shortcut Techniques You Will Not Regret Using','','inherit','closed','closed','','2732-revision-v1','','','2016-06-24 13:24:53','2016-06-24 20:24:53','',2732,'http://www.letsdrawpeople.com/2732-revision-v1/',0,'revision','',0),(3110,2,'2016-06-24 13:32:54','2016-06-24 20:32:54','What I’m about to share with you is a risk for me. I’m risking mobs of angry artists coming and burning down my house and crucifying me upside down. I will be sharing a secret that many artists use that make us look like we can do the outline of a drawing without any type of help. It can be said that most of us don’t need help drawing, but if you constantly do figures like I do, you want to be anatomically correct. The secret I’m talking about is using a shortcut, such as a light box or any of the other items that will be discussed in this article.\r\n\r\nThe first question that forms in your head is: “Doesn’t using a light box constitute a form of cheating? You’re not a real artist if you use one.” Let me answer that question with a question. Can a garbage man do his job without a truck? Can a doctor operate on you without medical tools? Can a dentist take care of your teeth without the proper tools? I think you know the answer to these questions. Anyone that says you’re not a real artist with a light box is sadly misinformed. A light box is a NECESSARY TOOL if you want to be a serious artist of realistic work.\r\n\r\nA great pro for the light box is that it saves you time. If you are like me, you need a light box to help cut down your outline drawing time, and in essence, get more art pieces cranked out than you can accomplish by just drawing freehand. It also helps with accuracy with the figures and items that will be in your picture. The light box isn’t just the only item you can use. Rather than drawing by traditional freehand, you can also use a projector, graphite paper, or guidelines. Let’s look at some examples of drawing subjects using each of these techniques.\r\n

1. Light Box

\r\nOK so the first example here was done using a light box. The light box is used to trace the outside edges of the subject and other items that will be in the picture. Again, this technique is to help shave down time in drawing the contour outline.\r\n\r\n\"01\r\n\r\n \r\n\r\nHere I quickly did the eyes by smudging them with a tortillion and lips by darkening them a little with a 3B pencil and then smudging it with the tortillion as well. I then started working on the hair by using an HB pencil and leaving some spots untouched to later illustrate light reflecting off the hair.\r\n\r\n\"02\r\n\r\n \r\n\r\nI then smudge the pencil mark that’s in the hair followed by dark pencil marks that will portray hair strands. As always, do not smudge these marks. You want to show some hair detail and you cannot if these are smudged. I have also started adding some tortillion smudge to the face. It’s not much but I’m not worried about it for the time being. I have time to go back and add more later.\r\n\r\n\"03\r\n\r\n \r\n\r\nAs you can see, I’ve started on her outfit. Nothing special here; I used a 3B pencil and shaded/smudged the black with a tortillion. I then used the same tortillion to add some shade and coloring to her sports bra.\r\n\r\n\"04\r\n\r\n \r\n\r\nThe last thing I needed to do was add some detail to the skin and arms by using a tortillion again. I went back to the head again and just added some shading to the forehead to illustrate some realism.\r\n\r\n\"05\r\n\r\n \r\n

2. Projector

\r\nOK, unfortunately this drawing was a fail project.\r\n\r\n\"06\r\n\r\nI was supposed to illustrate the second item you can use to draw the outline of a figure but I ended up using a light box to quickly get it done. With this picture, the projector was supposed to be used.\r\n\r\nI learned a valuable lesson that I will pass on to you guys. When using the projector, you need to make sure that the paper you are drawing on is a BIG piece of paper – 18x24 preferable. If you do it on something small, you will have to bring the projector closer to the paper and that’s bad business. You will not have any room to move around, plus you run the risk of bumping into the projector and knocking the tracing off point.\r\n\r\nIt would be best that you use a bigger piece of paper and not like what I did when getting ready for this article. Glad though I found out so I could give you guys a no-no pointer.\r\n

3. Graphite Paper

\r\nNow this next technique is what I used when I first started drawing. I kept my method a secret from everyone in fear of being exposed but now, who cares right? I’ve learned that many people don’t care what technique you use, in contrast to the actual concept of the art piece and the medium used. I don’t think I remember how this technique was presented to me except that I was in Michael’s and I saw graphite tracing paper and I put two and two together. To me that was heaven sent; I needed something that would cut my outline, drawing time down and here it was! The only bad thing about using graphite tracing paper is that it’s messy. You’ll get some of the graphite onto your fingers and on the paper that you’re tracing on, causing unnecessary erasing.\r\n\r\nYou start by first having the sheet of paper that you will be drawing on, followed by the graphite paper, then the picture on top that you’ll be copying. Another thing you might want to do is tape the original picture to the paper that will be the copy and casually slip the graphite paper in between the sheets of paper and trace.\r\n\r\n\"07\r\n\r\n \r\n\r\nYou guys know my routine by now: eyes, lips, and eyebrows. With the eyes, don’t forget to add some highlight for the pupil and iris and add some shading to the upper part of the eye to show a little bit of shadow. Smudge the eye lid crease and the eyebrow, adding some hair to illustrate random detail.\r\n\r\n\"08\r\n\r\n \r\n\r\nHair is pretty simple here. Color it fully using a 3H or 2H pencil. Take some tissue and blend/smudge over the whole pencil marking.\r\n\r\n\"09\r\n\r\n \r\n\r\nOnce you’ve done that, go back with a darker pencil and add strands to the head to portray different tones. The pencil strokes will be the darker part of her hair.\r\n\r\n\"10\r\n\r\n \r\n\r\nThe last things we will do is first add tone to her shirt with some blending. After that, we will take a tortillion and add shading on the face and neck where necessary.\r\n\r\n\"11\r\n\r\n \r\n

4. Guidelines

\r\nThe last technique we will look at is one that I don’t care for – guidelines. In some cases, measuring is involved. You need the right distances between the eyes, noses, mouth, and hairline. You may need to get the proper measurements off the original picture and then add or take away inches and centimeters depending on the size of paper that you will be working on.\r\n\r\n\"12\r\n\r\n \r\n\r\nYou can also use a see-through grid that already has grids and lines placed on the plate. You then just put it on top of the picture and then mimic what you see onto your sheet of paper. You want to break up the grids into individual sections and focus only on what is in one grid at a time.\r\n\r\nThe same goes with the regular lines. They will be a bit more of a challenge because you won’t have a small section to draw in. The lines in this case serve as guidelines in drawing down the basics.\r\n\r\n\"13\r\n\r\n \r\n\r\nOnce you have the basics down, attack the eyes first. As always, don’t forget the highlight in the eye and the upper shading in the eye. If you have a second, go ahead and smudge the eyelid crease and the eyebrow some so as not to forget like I have in the past.\r\n\r\n\"14\r\n\r\n \r\n\r\n \r\n\r\nYou got my pattern down yet? Eyes, mouth, and hair. In this state, you knew the mouth and lips were coming. You have a choice here. You can draw some lines on the lower lips to implement shading or you can just begin smudging with a tortillion. In this case, I smudged it with a tortillion, both top and bottom. I also used a little bit of a dark pencil (7B) and tortillion to shade and smudge the inside of the mouth and the small space between the teeth and gums.\r\n\r\n\"15\r\n\r\n \r\n\r\nThe hair is easy in this situation. She’s a blonde so I will use a 5H pencil to color the hair and fill in certain areas where it’s darker. I will then smudge the entire area will tissue – it serves the same purpose as a tortillion would but it spreads the graphite wider. The last thing I will do is use a pencil eraser to add in highlights. I find this easier to use than a kneaded eraser – I don’t have to worry about re-shaping the eraser or it giving way to the pressure of erasing.\r\n\r\n\"16\r\n\r\n \r\n\r\nI start now on adding some shading to the face (using tortillion after the aftermath), some shading scribble to her shirt, and adding dark tone to her secondary tank top underneath.\r\n\r\n\"17\r\n\r\n \r\n\r\nThe last thing to work on is to smudge and blend areas in her face and arm, and in her shirt.\r\n\r\n\"18\r\n\r\n \r\n

Now that the secret is out...

\r\nAgain, we used these drawings of different faces as a quick study on how to use shortcut techniques to sketch an image onto a sheet of paper from its original picture. I’m pretty sure a mob of angry artists is not going to be too happy thinking I’ve given their secret away; but hey, it’s not a secret. These are necessary tools and tricks that don\'t get time in the spotlight. Hopefully this article will help shed light on some of the methods that we use, and hopefully those methods are not interpreted as “cheating.”','Four Drawing Shortcut Techniques You Will Not Regret Using','','inherit','closed','closed','','2732-revision-v1','','','2016-06-24 13:32:54','2016-06-24 20:32:54','',2732,'http://www.letsdrawpeople.com/2732-revision-v1/',0,'revision','',0),(3114,2,'2016-06-24 22:43:42','2016-06-25 05:43:42','You know those furry things that live just above your eyelids? Yes, the eyebrows! Each eyebrow is as unique as a fingerprint--- no two are exactly alike. This helps make us all unique and fantastic creatures of nature, but it can cause a real headache if you are just learning to draw faces. There are \"tricks\" that I like to use when drawing eyebrows and that is what I am going to share with you in this tutorial.\r\n\r\nThe eyebrows are really fascinating if you think about them. They are made of hair, but don\'t grow like the hair on our heads. They sit in an odd place, on our brow bone, which is not on our eyes, nor on our forehead. They just sit there, protecting our eyes from falling debris, right? Not exactly. Have you ever been talking to someone and known exactly what they were thinking or how they felt about what you just said? It\'s the eyebrows!\r\n\r\nIn order to show expression with eyebrows, you first need to know how to draw eyebrows realistically.\r\n\r\n \r\n\r\nTo place your eyebrow correctly, use the top of the nostril crease for a guide. The innermost edge of the eyebrow should generally line up vertically (line A). The arch of the brow will peak at approximately a 45 degree angle (line B). The outer edge of the brow creates a line from the nostril crease through the outer crease of the eyelid and water line (Line C).\r\n\r\n[caption id=\"attachment_2909\" align=\"alignnone\" width=\"225\"]\"Use Use the nostril crease as a guide.[/caption]\r\n\r\n\"eyebrow2\"\r\n\r\nNext, you want to very lightly sketch out a basic shape for the eyebrow. If you tend to be heavy-handed, I suggest using a pencil graded 2H-HB.\r\n\r\n\"eyebrow3\"\r\n\r\nStart adding in individual hairs, again I suggest using a lighter grade pencil. Draw the hairs in the direction that they grow, easing up on the pressure as you lift the pencil off of the page. Think \"press and lift\". Never \"color\" in a solid value. This will make the eyebrows look cartoonish. Remember, the goal is to make the drawing as realistic as possible. You may occasionally stray outside of the outlined shape. That is okay. The outlined shape is just a guide. That is why you drew it lightly. You can easily erase or draw over the guide as needed. Also, if the areas where your eyebrow hairs strayed from the guide bother you, you can always erase them as well. (Drawing lightly when beginning any drawing is always a good idea.) The eraser is just as valuable a drawing tool as the pencil! I prefer white acrylic erasers. Some artists prefer gum erasers, some prefer kneaded erasers and some artists grab whatever is handy! I also use an electric eraser-- they are great for highlights, especially when drawing any type of hair, like drawing the eyebrow.\r\n\r\n\"eyebrow3a\"\r\n\r\nThink about how the light is going to hit the eyebrows and add some lowlights with a softer (darker value) pencil, or more pressure. This is another place you can use your eraser for drawing, whether you have gotten too dark or just think you need to add dimension. Shading in the eyebrow hairs and then using the eraser for highlights creates a realistic thickness to the hair.\r\n\r\n\"eyebrow4\"\r\n\r\nUse the same process for the other eyebrow in the opposite direction. Don\'t stress too much about making the eyebrows perfectly symmetrical. It seems counter-intuitive, but nothing on the human face is perfectly symmetrical. If you do draw the eyebrows in perfect symmetry, something will appear \"off\" to anyone who views the drawing. It may be subconsciously, but the viewer will know something is not right. Near symmetry is a good idea, however. There are set standards of beauty in Western culture where certain women have been considered to be an example due to their nearly symmetrical features. If you wish to see an example, consider Marilyn Monroe or Halle Berry. When using a real person for a reference for your drawing, you will have an easier time illustrating a more realistic symmetry. When creating a drawing of a fictional person, beware of making them too perfectly symmetrical if realism is your goal.\r\n\r\n\"eyebrow5\"\r\n\r\nAll of the previous \"tricks\" can be used when drawing eyebrows with expression. The main difference will be how much distance you put between the eyebrow and the upper eyelid. A surprised or startled eye may have a lot of space between the upper eyelid and the brow, but of course never more than the skin can possibly be stretched. You would not draw the eyebrow next to the hairline, for example. Conversely, when the person is angry or concentrating very hard on something, their eyebrows will push closer (lower) to the eyelid and slightly angle inwardly toward the inner corner of the eye.\r\n\r\n\"eyebrow6\"\r\n\r\nAs I mentioned before, every eyebrow is unique! The eyebrows in this article are pretty basic. The most important part of drawing any facial feature is to use a reference. Some people have very thin, light eyebrows. Some people have bushy, unruly, dark eyebrows. Some people (such as the amazing artist Frida Kahlo) have the infamous \"uni-brow\". Every type of eyebrow will use the rule of drawing the hairs in the direction the are growing (or groomed). All hairs will use the pressure rule and will have a light source that creates darker shaded areas.\r\n\r\nAlso notice that the skin has a smoother texture than the eyebrow. I used a blending stump to make a smoother skin texture, and cast shadow to make the eyebrows look more three-dimensional. I laid down a small bit of graphite just below the eyebrow drawing and smoothed it out with the blending stump, or tortillon. I continued this shading technique around the rest of the eye for a consistent texture. Remember, when drawing the eyebrow, it is not smooth. The hair-like texture is very important and easily created by varying the pencil and eraser marks within the eyebrow.\r\n\r\n\"IMG_2129\"\"IMG_2126\"\r\n\r\nI hope you found this tutorial useful! Attaining mastery with anything takes a lot of practice. Practice using the techniques I have outlined here and your eyebrow drawing is sure to improve. Happy drawing!\r\n\r\n \r\n\r\n\"christina\"\r\n\r\n ','Drawing Eyebrows like a Boss!','','inherit','closed','closed','','2882-revision-v1','','','2016-06-24 22:43:42','2016-06-25 05:43:42','',2882,'http://www.letsdrawpeople.com/2882-revision-v1/',0,'revision','',0),(3112,2,'2016-06-24 13:51:50','2016-06-24 20:51:50','You know those furry things that live just above your eyelids? Yes, the eyebrows! Each eyebrow is as unique as a fingerprint--- no two are exactly alike. This helps make us all unique and fantastic creatures of nature, but it can cause a real headache if you are just learning to draw faces. There are \"tricks\" that I like to use when drawing eyebrows and that is what I am going to share with you in this tutorial.\r\n\r\nThe eyebrows are really fascinating if you think about them. They are made of hair, but don\'t grow like the hair on our heads. They sit in an odd place, on our brow bone, which is not on our eyes, nor on our forehead. They just sit there, protecting our eyes from falling debris, right? Not exactly. Have you ever been talking to someone and known exactly what they were thinking or how they felt about what you just said? It\'s the eyebrows!\r\n\r\nIn order to show expression with eyebrows, you first need to know how to draw eyebrows realistically.\r\n\r\n \r\n\r\nTo place your eyebrow correctly, use the top of the nostril crease for a guide. The innermost edge of the eyebrow should generally line up vertically (line A). The arch of the brow will peak at approximately a 45 degree angle (line B). The outer edge of the brow creates a line from the nostril crease through the outer crease of the eyelid and water line (Line C).\r\n\r\n[caption id=\"attachment_2909\" align=\"alignnone\" width=\"225\"]\"Use Use the nostril crease as a guide.[/caption]\r\n\r\n\"eyebrow2\"\r\n\r\nNext, you want to very lightly sketch out a basic shape for the eyebrow. If you tend to be heavy-handed, I suggest using a pencil graded 2H-HB.\r\n\r\n\"eyebrow3\"\r\n\r\nStart adding in individual hairs, again I suggest using a lighter grade pencil. Draw the hairs in the direction that they grow, easing up on the pressure as you lift the pencil off of the page. Think \"press and lift\".  Never \"color\" in a solid value. This will make the eyebrows look cartoonish. Remember, the goal is to make the drawing as realistic as possible. You may occasionally stray outside of the outlined shape. That is okay. The outlined shape is just a guide. That is why you drew it lightly. You can easily erase or draw over the guide as needed. Also, if the areas where your eyebrow hairs strayed from the guide bother you, you can always erase them as well. (Drawing lightly when beginning any drawing is always a good idea.) The eraser is just as valuable a drawing tool as the pencil! I prefer white acrylic erasers. Some artists prefer gum erasers, some prefer kneaded erasers and some artists grab whatever is handy! I also use an electric eraser-- they are great for highlights, especially when drawing any type of hair, like drawing the eyebrow.*****\r\n\r\n\"eyebrow3a\"\r\n\r\nThink about how the light is going to hit the eyebrows and add some lowlights with a softer (darker value) pencil, or more pressure. This is another place you can use your eraser for drawing, whether you have gotten too dark, or just think you need to add dimension. Shading in the eyebrow hairs and then using the eraser for highlights creates a realistic thickness to the hair.\r\n\r\n\"eyebrow4\"\r\n\r\nUse the same process for the other eyebrow in the opposite direction. Don\'t stress too much about making the eyebrows perfectly symmetrical. It seems counter-intuitive, but nothing on the human face is perfectly symmetrical. If you do draw the eyebrows in perfect symmetry, something will appear \"off\" to anyone who views the drawing. It may be subconsciously, but the viewer will know something is not right. Near symmetry is a good idea, however. There are set standards of beauty in Western culture where certain women have been considered to be an example due to their measurable near symmetry. If you wish to see an example, consider Marilyn Monroe or Halle Berry. When using a real person for a reference for your drawing, you will have an easier time illustrating a more realistic symmetry. When creating a drawing of a fictional person, beware of making them too perfectly symmetrical, if realism is your goal.\r\n\r\n\"eyebrow5\"\r\n\r\nAll of the previous \"tricks\" can be used when drawing eyebrows with expression. The main difference will be how much distance you put between the eyebrow and the upper eyelid. A surprised or startled eye may have a lot of space between the upper eye lid and the brow, but of course, never more than the skin can be possibly stretched. You would not draw the eyebrow next to the hairline, for example. Conversely, when the person is angry or concentrating very hard on something, their eyebrows will push closer (lower) to the eyelid and slightly angle inwardly toward the inner corner of the eye.\r\n\r\n\"eyebrow6\"\r\n\r\nAs I mentioned before, every eyebrow is unique! The eyebrows in this article are pretty basic. The most important part of drawing any facial feature is to use a reference. Some people have very thin, light eyebrows. Some people have bushy, unruly, dark eyebrows. Some people (such as the amazing artist Frida Kahlo) have the infamous \"uni-brow\". Every type of eyebrow will use the rule of drawing the hairs in the direction the are growing (or groomed). All hairs will use the pressure rule and will have a light source that creates darker shaded areas.\r\n\r\nAlso notice that the skin has a smoother texture than the eyebrow. I used a blending stump to make a smoother skin texture, and cast shadow to make the eyebrows look more three-dimensional. I laid down a small bit of graphite just below the eyebrow drawing and smoothed it out with the blending stump, or tortillon. I continued this shading technique around the rest of the eye for a consistent texture. Remember, when drawing the eyebrow, it is not smooth. The hair-like texture is very important and easily created by varying the pencil and eraser marks within the eyebrow.\r\n\r\n\"IMG_2129\"\"IMG_2126\"\r\n\r\nI hope you found this tutorial useful! Attaining mastery with anything takes a lot of practice. Practice using the techniques I have outlined here and your eyebrow drawing is sure to improve. Happy drawing!\r\n\r\n \r\n\r\n\"christina\"\r\n\r\n ','Drawing Eyebrows like a Boss!','','inherit','closed','closed','','2882-revision-v1','','','2016-06-24 13:51:50','2016-06-24 20:51:50','',2882,'http://www.letsdrawpeople.com/2882-revision-v1/',0,'revision','',0),(3113,2,'2016-06-24 16:44:09','2016-06-24 23:44:09','You know those furry things that live just above your eyelids? Yes, the eyebrows! Each eyebrow is as unique as a fingerprint--- no two are exactly alike. This helps make us all unique and fantastic creatures of nature, but it can cause a real headache if you are just learning to draw faces. There are \"tricks\" that I like to use when drawing eyebrows and that is what I am going to share with you in this tutorial.\r\n\r\nThe eyebrows are really fascinating if you think about them. They are made of hair, but don\'t grow like the hair on our heads. They sit in an odd place, on our brow bone, which is not on our eyes, nor on our forehead. They just sit there, protecting our eyes from falling debris, right? Not exactly. Have you ever been talking to someone and known exactly what they were thinking or how they felt about what you just said? It\'s the eyebrows!\r\n\r\nIn order to show expression with eyebrows, you first need to know how to draw eyebrows realistically.\r\n\r\n \r\n\r\nTo place your eyebrow correctly, use the top of the nostril crease for a guide. The innermost edge of the eyebrow should generally line up vertically (line A). The arch of the brow will peak at approximately a 45 degree angle (line B). The outer edge of the brow creates a line from the nostril crease through the outer crease of the eyelid and water line (Line C).\r\n\r\n[caption id=\"attachment_2909\" align=\"alignnone\" width=\"225\"]\"Use Use the nostril crease as a guide.[/caption]\r\n\r\n\"eyebrow2\"\r\n\r\nNext, you want to very lightly sketch out a basic shape for the eyebrow. If you tend to be heavy-handed, I suggest using a pencil graded 2H-HB.\r\n\r\n\"eyebrow3\"\r\n\r\nStart adding in individual hairs, again I suggest using a lighter grade pencil. Draw the hairs in the direction that they grow, easing up on the pressure as you lift the pencil off of the page. Think \"press and lift\". Never \"color\" in a solid value. This will make the eyebrows look cartoonish. Remember, the goal is to make the drawing as realistic as possible. You may occasionally stray outside of the outlined shape. That is okay. The outlined shape is just a guide. That is why you drew it lightly. You can easily erase or draw over the guide as needed. Also, if the areas where your eyebrow hairs strayed from the guide bother you, you can always erase them as well. (Drawing lightly when beginning any drawing is always a good idea.) The eraser is just as valuable a drawing tool as the pencil! I prefer white acrylic erasers. Some artists prefer gum erasers, some prefer kneaded erasers and some artists grab whatever is handy! I also use an electric eraser-- they are great for highlights, especially when drawing any type of hair, like drawing the eyebrow.\r\n\r\n\"eyebrow3a\"\r\n\r\nThink about how the light is going to hit the eyebrows and add some lowlights with a softer (darker value) pencil, or more pressure. This is another place you can use your eraser for drawing, whether you have gotten too dark or just think you need to add dimension. Shading in the eyebrow hairs and then using the eraser for highlights creates a realistic thickness to the hair.\r\n\r\n\"eyebrow4\"\r\n\r\nUse the same process for the other eyebrow in the opposite direction. Don\'t stress too much about making the eyebrows perfectly symmetrical. It seems counter-intuitive, but nothing on the human face is perfectly symmetrical. If you do draw the eyebrows in perfect symmetry, something will appear \"off\" to anyone who views the drawing. It may be subconsciously, but the viewer will know something is not right. Near symmetry is a good idea, however. There are set standards of beauty in Western culture where certain women have been considered to be an example due to their***** measurable near symmetry. If you wish to see an example, consider Marilyn Monroe or Halle Berry. When using a real person for a reference for your drawing, you will have an easier time illustrating a more realistic symmetry. When creating a drawing of a fictional person, beware of making them too perfectly symmetrical if realism is your goal.*****\r\n\r\n\"eyebrow5\"\r\n\r\nAll of the previous \"tricks\" can be used when drawing eyebrows with expression. The main difference will be how much distance you put between the eyebrow and the upper eyelid. A surprised or startled eye may have a lot of space between the upper eye lid and the brow, but of course, never more than the skin can be possibly stretched. You would not draw the eyebrow next to the hairline, for example. Conversely, when the person is angry or concentrating very hard on something, their eyebrows will push closer (lower) to the eyelid and slightly angle inwardly toward the inner corner of the eye.\r\n\r\n\"eyebrow6\"\r\n\r\nAs I mentioned before, every eyebrow is unique! The eyebrows in this article are pretty basic. The most important part of drawing any facial feature is to use a reference. Some people have very thin, light eyebrows. Some people have bushy, unruly, dark eyebrows. Some people (such as the amazing artist Frida Kahlo) have the infamous \"uni-brow\". Every type of eyebrow will use the rule of drawing the hairs in the direction the are growing (or groomed). All hairs will use the pressure rule and will have a light source that creates darker shaded areas.\r\n\r\nAlso notice that the skin has a smoother texture than the eyebrow. I used a blending stump to make a smoother skin texture, and cast shadow to make the eyebrows look more three-dimensional. I laid down a small bit of graphite just below the eyebrow drawing and smoothed it out with the blending stump, or tortillon. I continued this shading technique around the rest of the eye for a consistent texture. Remember, when drawing the eyebrow, it is not smooth. The hair-like texture is very important and easily created by varying the pencil and eraser marks within the eyebrow.\r\n\r\n\"IMG_2129\"\"IMG_2126\"\r\n\r\nI hope you found this tutorial useful! Attaining mastery with anything takes a lot of practice. Practice using the techniques I have outlined here and your eyebrow drawing is sure to improve. Happy drawing!\r\n\r\n \r\n\r\n\"christina\"\r\n\r\n ','Drawing Eyebrows like a Boss!','','inherit','closed','closed','','2882-revision-v1','','','2016-06-24 16:44:09','2016-06-24 23:44:09','',2882,'http://www.letsdrawpeople.com/2882-revision-v1/',0,'revision','',0),(3115,2,'2016-06-25 10:05:33','2016-06-25 17:05:33','You know those furry things that live just above your eyelids? Yes, the eyebrows! Each eyebrow is as unique as a fingerprint--- no two are exactly alike. This helps make us all unique and fantastic creatures of nature, but it can cause a real headache if you are just learning to draw faces. There are \"tricks\" that I like to use when drawing eyebrows, and that is what I am going to share with you in this tutorial.\r\n\r\nThe eyebrows are really fascinating if you think about them. They are made of hair, but don\'t grow like the hair on our heads. They sit in an odd place, on our brow bone, which is not on our eyes, nor on our forehead. They just sit there, protecting our eyes from falling debris, right? Not exactly. Have you ever been talking to someone and known exactly what they were thinking or how they felt about what you just said? It\'s the eyebrows!\r\n\r\nIn order to show expression with eyebrows, you first need to know how to draw eyebrows realistically.\r\n

Placement of the Eyebrow

\r\nTo place your eyebrow correctly, use the top of the nostril crease for a guide. The innermost edge of the eyebrow should generally line up vertically (line A). The arch of the brow will peak at approximately a 45 degree angle (line B). The outer edge of the brow creates a line from the nostril crease through the outer crease of the eyelid and water line (Line C).\r\n\r\n[caption id=\"attachment_2909\" align=\"alignnone\" width=\"225\"]\"Use Use the nostril crease as a guide.[/caption]\r\n\r\n\"eyebrow2\"\r\n\r\n \r\n\r\nNext, you want to very lightly sketch out a basic shape for the eyebrow. If you tend to be heavy-handed, I suggest using a pencil graded 2H-HB.\r\n\r\n\"eyebrow3\"\r\n\r\n \r\n

Drawing Realistic Eyebrows

\r\nStart adding in individual hairs. Again I suggest using a lighter grade pencil. Draw the hairs in the direction that they grow, easing up on the pressure as you lift the pencil off of the page. Think \"press and lift\". Never \"color\" in a solid value. This will make the eyebrows look cartoonish. Remember, the goal is to make the drawing as realistic as possible. You may occasionally stray outside of the outlined shape. That is okay. The outlined shape is just a guide. That is why you drew it lightly.\r\n\r\n\"eyebrow3a\"\r\n\r\nYou can easily erase or draw over the guide as needed. Also, if the areas where your eyebrow hairs strayed from the guide bother you, you can always erase them as well. (Drawing lightly when beginning any drawing is always a good idea.) The eraser is just as valuable a drawing tool as the pencil! I prefer white acrylic erasers. Some artists prefer gum erasers, some prefer kneaded erasers and some artists grab whatever is handy! I also use an electric eraser-- they are great for highlights, especially when drawing any type of hair, like drawing the eyebrow.\r\n\r\nThink about how the light is going to hit the eyebrows and add some lowlights with a softer (darker value) pencil, or more pressure. This is another place you can use your eraser for drawing, whether you have gotten too dark or just think you need to add dimension. Shading in the eyebrow hairs and then using the eraser for highlights creates a realistic thickness to the hair.\r\n\r\n\"eyebrow4\"\r\n\r\n \r\n\r\nUse the same process for the other eyebrow in the opposite direction. Don\'t stress too much about making the eyebrows perfectly symmetrical. It seems counter-intuitive, but nothing on the human face is perfectly symmetrical.\r\n\r\n\"eyebrow5\"\r\n\r\nIf you do draw the eyebrows in perfect symmetry, something will appear \"off\" to anyone who views the drawing. It may be subconsciously, but the viewer will know something is not right. Near symmetry is a good idea, however. There are set standards of beauty in Western culture where certain women have been considered to be an example due to their nearly symmetrical features. If you wish to see an example, consider Marilyn Monroe or Halle Berry.\r\n\r\nWhen using a real person for a reference for your drawing, you will have an easier time illustrating a more realistic symmetry. When creating a drawing of a fictional person, beware of making them too perfectly symmetrical if realism is your goal.\r\n

Expressive Eyebrows

\r\nAll of the previous \"tricks\" can be used when drawing eyebrows with expression. The main difference will be how much distance you put between the eyebrow and the upper eyelid. A surprised or startled eye may have a lot of space between the upper eyelid and the brow, but of course never more than the skin can possibly be stretched. You would not draw the eyebrow next to the hairline, for example. Conversely, when the person is angry or concentrating very hard on something, their eyebrows will push closer (lower) to the eyelid and slightly angle inwardly toward the inner corner of the eye.\r\n\r\n\"eyebrow6\"\r\n\r\n \r\n

No Two Eyebrows Are the Same

\r\nAs I mentioned before, every eyebrow is unique! The eyebrows in this article are pretty basic. The most important part of drawing any facial feature is to use a reference. Some people have very thin, light eyebrows. Some people have bushy, unruly, dark eyebrows. Some people (such as the amazing artist Frida Kahlo) have the infamous \"uni-brow\". Every type of eyebrow will use the rule of drawing the hairs in the direction the are growing (or groomed). All hairs will use the pressure rule and will have a light source that creates darker shaded areas.\r\n\r\nAlso notice that the skin has a smoother texture than the eyebrow. I used a blending stump to make a smoother skin texture, and cast shadow to make the eyebrows look more three-dimensional. I laid down a small bit of graphite just below the eyebrow drawing and smoothed it out with the blending stump, or tortillon. I continued this shading technique around the rest of the eye for a consistent texture. Remember, when drawing the eyebrow, it is not smooth. The hair-like texture is very important and easily created by varying the pencil and eraser marks within the eyebrow.\r\n\r\n\"IMG_2129\"\"IMG_2126\"\r\n\r\n \r\n\r\nI hope you found this tutorial on drawing eyebrows useful! Attaining mastery with anything takes a lot of practice. Practice using the techniques I have outlined here and your eyebrow drawing is sure to improve. Happy drawing!\r\n\r\n\"christina\"','Drawing Eyebrows like a Boss!','','inherit','closed','closed','','2882-revision-v1','','','2016-06-25 10:05:33','2016-06-25 17:05:33','',2882,'http://www.letsdrawpeople.com/2882-revision-v1/',0,'revision','',0),(3117,2,'2016-06-25 10:28:55','2016-06-25 17:28:55','You know those furry things that live just above your eyelids? Yes, the eyebrows! Each eyebrow is as unique as a fingerprint--- no two are exactly alike. This helps make us all unique and fantastic creatures of nature, but it can cause a real headache if you are just learning to draw faces. There are \"tricks\" that I like to use when drawing eyebrows, and that is what I am going to share with you in this tutorial.\r\n\r\nThe eyebrows are really fascinating if you think about them. They are made of hair, but don\'t grow like the hair on our heads. They sit in an odd place, on our brow bone, which is not on our eyes, nor on our forehead. They just sit there, protecting our eyes from falling debris, right? Not exactly. Have you ever been talking to someone and known exactly what they were thinking or how they felt about what you just said? It\'s the eyebrows!\r\n\r\nIn order to show expression with eyebrows, you first need to know how to draw eyebrows realistically.\r\n

Placement of the Eyebrow

\r\nTo place your eyebrow correctly, use the top of the nostril crease for a guide. The innermost edge of the eyebrow should generally line up vertically (line A). The arch of the brow will peak at approximately a 45 degree angle (line B). The outer edge of the brow creates a line from the nostril crease through the outer crease of the eyelid and water line (Line C).\r\n\r\n \r\n\r\n[caption id=\"attachment_2909\" align=\"aligncenter\" width=\"480\"]\"Use Use the nostril crease as a guide.[/caption]\r\n\r\n \r\n\r\n\"eyebrow2\"\r\n\r\n \r\n\r\nNext, you want to very lightly sketch out a basic shape for the eyebrow. If you tend to be heavy-handed, I suggest using a pencil graded 2H-HB.\r\n\r\n\"eyebrow3\"\r\n\r\n \r\n

Drawing Realistic Eyebrows

\r\nStart adding in individual hairs. Again I suggest using a lighter grade pencil. Draw the hairs in the direction that they grow, easing up on the pressure as you lift the pencil off of the page. Think \"press and lift\". Never \"color\" in a solid value. This will make the eyebrows look cartoonish. Remember, the goal is to make the drawing as realistic as possible. You may occasionally stray outside of the outlined shape. That is okay. The outlined shape is just a guide. That is why you drew it lightly.\r\n\r\n\"eyebrow3a\"\r\n\r\nYou can easily erase or draw over the guide as needed. Also, if the areas where your eyebrow hairs strayed from the guide bother you, you can always erase them as well. (Drawing lightly when beginning any drawing is always a good idea.) The eraser is just as valuable a drawing tool as the pencil! I prefer white acrylic erasers. Some artists prefer gum erasers, some prefer kneaded erasers and some artists grab whatever is handy! I also use an electric eraser-- they are great for highlights, especially when drawing any type of hair, like drawing the eyebrow.\r\n\r\nThink about how the light is going to hit the eyebrows and add some lowlights with a softer (darker value) pencil, or more pressure. This is another place you can use your eraser for drawing, whether you have gotten too dark or just think you need to add dimension. Shading in the eyebrow hairs and then using the eraser for highlights creates a realistic thickness to the hair.\r\n\r\n\"eyebrow4\"\r\n\r\n \r\n\r\nUse the same process for the other eyebrow in the opposite direction. Don\'t stress too much about making the eyebrows perfectly symmetrical. It seems counter-intuitive, but nothing on the human face is perfectly symmetrical.\r\n\r\n\"eyebrow5\"\r\n\r\nIf you do draw the eyebrows in perfect symmetry, something will appear \"off\" to anyone who views the drawing. It may be subconsciously, but the viewer will know something is not right. Near symmetry is a good idea, however. There are set standards of beauty in Western culture where certain women have been considered to be an example due to their nearly symmetrical features. If you wish to see an example, consider Marilyn Monroe or Halle Berry.\r\n\r\nWhen using a real person for a reference for your drawing, you will have an easier time illustrating a more realistic symmetry. When creating a drawing of a fictional person, beware of making them too perfectly symmetrical if realism is your goal.\r\n

Expressive Eyebrows

\r\nAll of the previous \"tricks\" can be used when drawing eyebrows with expression. The main difference will be how much distance you put between the eyebrow and the upper eyelid. A surprised or startled eye may have a lot of space between the upper eyelid and the brow, but of course never more than the skin can possibly be stretched. You would not draw the eyebrow next to the hairline, for example. Conversely, when the person is angry or concentrating very hard on something, their eyebrows will push closer (lower) to the eyelid and slightly angle inwardly toward the inner corner of the eye.\r\n\r\n\"eyebrow6\"\r\n\r\n \r\n

No Two Eyebrows Are the Same

\r\nAs I mentioned before, every eyebrow is unique! The eyebrows in this article are pretty basic. The most important part of drawing any facial feature is to use a reference. Some people have very thin, light eyebrows. Some people have bushy, unruly, dark eyebrows. Some people (such as the amazing artist Frida Kahlo) have the infamous \"uni-brow\". Every type of eyebrow will use the rule of drawing the hairs in the direction the are growing (or groomed). All hairs will use the pressure rule and will have a light source that creates darker shaded areas.\r\n\r\nAlso notice that the skin has a smoother texture than the eyebrow. I used a blending stump to make a smoother skin texture, and cast shadow to make the eyebrows look more three-dimensional. I laid down a small bit of graphite just below the eyebrow drawing and smoothed it out with the blending stump, or tortillon. I continued this shading technique around the rest of the eye for a consistent texture. Remember, when drawing the eyebrow, it is not smooth. The hair-like texture is very important and easily created by varying the pencil and eraser marks within the eyebrow.\r\n\r\nI hope you found this tutorial on drawing eyebrows useful! Attaining mastery with anything takes a lot of practice. Practice using the techniques I have outlined here and your eyebrow drawing is sure to improve. Happy drawing!\r\n\r\n\"christina\"','Drawing Eyebrows like a Boss!','','inherit','closed','closed','','2882-revision-v1','','','2016-06-25 10:28:55','2016-06-25 17:28:55','',2882,'http://www.letsdrawpeople.com/2882-revision-v1/',0,'revision','',0),(3116,2,'2016-06-25 10:18:08','2016-06-25 17:18:08','You know those furry things that live just above your eyelids? Yes, the eyebrows! Each eyebrow is as unique as a fingerprint--- no two are exactly alike. This helps make us all unique and fantastic creatures of nature, but it can cause a real headache if you are just learning to draw faces. There are \"tricks\" that I like to use when drawing eyebrows, and that is what I am going to share with you in this tutorial.\r\n\r\nThe eyebrows are really fascinating if you think about them. They are made of hair, but don\'t grow like the hair on our heads. They sit in an odd place, on our brow bone, which is not on our eyes, nor on our forehead. They just sit there, protecting our eyes from falling debris, right? Not exactly. Have you ever been talking to someone and known exactly what they were thinking or how they felt about what you just said? It\'s the eyebrows!\r\n\r\nIn order to show expression with eyebrows, you first need to know how to draw eyebrows realistically.\r\n

Placement of the Eyebrow

\r\nTo place your eyebrow correctly, use the top of the nostril crease for a guide. The innermost edge of the eyebrow should generally line up vertically (line A). The arch of the brow will peak at approximately a 45 degree angle (line B). The outer edge of the brow creates a line from the nostril crease through the outer crease of the eyelid and water line (Line C).\r\n\r\n[caption id=\"attachment_2909\" align=\"aligncenter\" width=\"480\"]\"Use Use the nostril crease as a guide.[/caption]\r\n\r\n\"eyebrow2\"\r\n\r\n \r\n\r\nNext, you want to very lightly sketch out a basic shape for the eyebrow. If you tend to be heavy-handed, I suggest using a pencil graded 2H-HB.\r\n\r\n\"eyebrow3\"\r\n\r\n \r\n

Drawing Realistic Eyebrows

\r\nStart adding in individual hairs. Again I suggest using a lighter grade pencil. Draw the hairs in the direction that they grow, easing up on the pressure as you lift the pencil off of the page. Think \"press and lift\". Never \"color\" in a solid value. This will make the eyebrows look cartoonish. Remember, the goal is to make the drawing as realistic as possible. You may occasionally stray outside of the outlined shape. That is okay. The outlined shape is just a guide. That is why you drew it lightly.\r\n\r\n\"eyebrow3a\"\r\n\r\nYou can easily erase or draw over the guide as needed. Also, if the areas where your eyebrow hairs strayed from the guide bother you, you can always erase them as well. (Drawing lightly when beginning any drawing is always a good idea.) The eraser is just as valuable a drawing tool as the pencil! I prefer white acrylic erasers. Some artists prefer gum erasers, some prefer kneaded erasers and some artists grab whatever is handy! I also use an electric eraser-- they are great for highlights, especially when drawing any type of hair, like drawing the eyebrow.\r\n\r\nThink about how the light is going to hit the eyebrows and add some lowlights with a softer (darker value) pencil, or more pressure. This is another place you can use your eraser for drawing, whether you have gotten too dark or just think you need to add dimension. Shading in the eyebrow hairs and then using the eraser for highlights creates a realistic thickness to the hair.\r\n\r\n\"eyebrow4\"\r\n\r\n \r\n\r\nUse the same process for the other eyebrow in the opposite direction. Don\'t stress too much about making the eyebrows perfectly symmetrical. It seems counter-intuitive, but nothing on the human face is perfectly symmetrical.\r\n\r\n\"eyebrow5\"\r\n\r\nIf you do draw the eyebrows in perfect symmetry, something will appear \"off\" to anyone who views the drawing. It may be subconsciously, but the viewer will know something is not right. Near symmetry is a good idea, however. There are set standards of beauty in Western culture where certain women have been considered to be an example due to their nearly symmetrical features. If you wish to see an example, consider Marilyn Monroe or Halle Berry.\r\n\r\nWhen using a real person for a reference for your drawing, you will have an easier time illustrating a more realistic symmetry. When creating a drawing of a fictional person, beware of making them too perfectly symmetrical if realism is your goal.\r\n

Expressive Eyebrows

\r\nAll of the previous \"tricks\" can be used when drawing eyebrows with expression. The main difference will be how much distance you put between the eyebrow and the upper eyelid. A surprised or startled eye may have a lot of space between the upper eyelid and the brow, but of course never more than the skin can possibly be stretched. You would not draw the eyebrow next to the hairline, for example. Conversely, when the person is angry or concentrating very hard on something, their eyebrows will push closer (lower) to the eyelid and slightly angle inwardly toward the inner corner of the eye.\r\n\r\n\"eyebrow6\"\r\n\r\n \r\n

No Two Eyebrows Are the Same

\r\nAs I mentioned before, every eyebrow is unique! The eyebrows in this article are pretty basic. The most important part of drawing any facial feature is to use a reference. Some people have very thin, light eyebrows. Some people have bushy, unruly, dark eyebrows. Some people (such as the amazing artist Frida Kahlo) have the infamous \"uni-brow\". Every type of eyebrow will use the rule of drawing the hairs in the direction the are growing (or groomed). All hairs will use the pressure rule and will have a light source that creates darker shaded areas.\r\n\r\nAlso notice that the skin has a smoother texture than the eyebrow. I used a blending stump to make a smoother skin texture, and cast shadow to make the eyebrows look more three-dimensional. I laid down a small bit of graphite just below the eyebrow drawing and smoothed it out with the blending stump, or tortillon. I continued this shading technique around the rest of the eye for a consistent texture. Remember, when drawing the eyebrow, it is not smooth. The hair-like texture is very important and easily created by varying the pencil and eraser marks within the eyebrow.\r\n\r\n \r\n\r\nI hope you found this tutorial on drawing eyebrows useful! Attaining mastery with anything takes a lot of practice. Practice using the techniques I have outlined here and your eyebrow drawing is sure to improve. Happy drawing!\r\n\r\n\"christina\"','Drawing Eyebrows like a Boss!','','inherit','closed','closed','','2882-revision-v1','','','2016-06-25 10:18:08','2016-06-25 17:18:08','',2882,'http://www.letsdrawpeople.com/2882-revision-v1/',0,'revision','',0),(3124,2,'2016-06-25 16:18:14','2016-06-25 23:18:14','','09 how to draw hands grabbing','','inherit','open','closed','','09-how-to-draw-hands-grabbing','','','2016-06-25 16:18:14','2016-06-25 23:18:14','',2625,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/09-how-to-draw-hands-grabbing.jpg',0,'attachment','image/jpeg',0),(3125,2,'2016-06-25 16:18:16','2016-06-25 23:18:16','','07 how to draw hands serving','','inherit','open','closed','','07-how-to-draw-hands-serving','','','2016-06-25 16:18:16','2016-06-25 23:18:16','',2625,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/07-how-to-draw-hands-serving.jpg',0,'attachment','image/jpeg',0),(3126,2,'2016-06-25 16:18:18','2016-06-25 23:18:18','','03 how to draw hands shapes','','inherit','open','closed','','03-how-to-draw-hands-shapes','','','2016-06-25 16:18:18','2016-06-25 23:18:18','',2625,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/03-how-to-draw-hands-shapes.jpg',0,'attachment','image/jpeg',0),(3127,2,'2016-06-25 16:18:20','2016-06-25 23:18:20','','02 how to draw hands shapes','','inherit','open','closed','','02-how-to-draw-hands-shapes','','','2016-06-25 16:18:20','2016-06-25 23:18:20','',2625,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/02-how-to-draw-hands-shapes.jpg',0,'attachment','image/jpeg',0),(3129,2,'2016-06-25 16:18:25','2016-06-25 23:18:25','','05 how to draw hands serving','','inherit','open','closed','','05-how-to-draw-hands-serving','','','2016-06-25 16:18:25','2016-06-25 23:18:25','',2625,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/05-how-to-draw-hands-serving.jpg',0,'attachment','image/jpeg',0),(3130,2,'2016-06-25 16:18:27','2016-06-25 23:18:27','','06 how to draw hands serving','','inherit','open','closed','','06-how-to-draw-hands-serving','','','2016-06-25 16:18:27','2016-06-25 23:18:27','',2625,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/06-how-to-draw-hands-serving.jpg',0,'attachment','image/jpeg',0),(3131,2,'2016-06-25 16:18:29','2016-06-25 23:18:29','','04 how to draw hands serving','','inherit','open','closed','','04-how-to-draw-hands-serving','','','2016-06-25 16:18:29','2016-06-25 23:18:29','',2625,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/04-how-to-draw-hands-serving.jpg',0,'attachment','image/jpeg',0),(3133,2,'2016-06-25 16:40:38','2016-06-25 23:40:38','Well it looks like the art gods do not smile upon me in this article. I love to draw and paint but I cannot stand doing hands or feet. If I can get away with not drawing them, I will. Norman Rockwell, a famous, past artist had said it best, “People can forgive anything except the face and hands.”\r\n\r\nI remember one time I was doing a painting and I had to paint the girl’s hand and I decided to paint a rock piece in front of it so that I did not have to paint it. Yes they can be difficult.\r\n\r\n“But Carlos, why take on this article if you don’t do hands?” Well the answer is pretty simple: in order to be a good and decent artist, one must know how to master a series of things, and hands are no different.\r\n\r\nIn fact, I know a fellow artist who has always painted her subjects with their back or back of their head facing the audience because she did not like painting faces period. I look at drawing/painting hands as a challenge. Not everyone can do them correctly. To master the technique of drawing the hands is a feat in itself. It cannot be ignored or not addressed. Sooner or later you’ll need to draw them to continue expressing yourself in your art. If ignored, you’ll only eliminate personal growth for yourself and in your art. With that being said, let’s bite down and learn how to draw hands.\r\n

Build the Hand with Basic Shapes

\r\nThe first thing that you should do is draw two circles that will be the heel of the hand followed by four columns that go from small to large as they get closer to the base. Draw two lines that will be the thumb as well. You may need to draw one or two circles under the columns to illustrate where the hand will be strategically placed. Connect the columns with lines that will end up being that hand itself as well. Also make one or two broken, uneven lines on the columns to represent the areas where the fingers bend  – don’t forget about making one straight line at the base.\r\n\r\n\"01\r\n\r\n \r\n\r\nMoving right along, add some shading where necessary. In this case, shading is added to the right side illustrating that the light is coming from the left. Don’t forget to add skin folds in the hands and darken the tone on the finger folds some. Look at your hand and see how the folds are done. As you can see, they are uneven, broken, and not straight; use this as a drawing model for your picture. Also, round out the tips of the columns to portray them as the tips of the fingers.\r\n\r\n\"02\r\n\r\n \r\n\r\nWe then need to erase all unnecessary lines in the hands themselves and off the fingers. We then take a tortillion and first smudge the folds in the hand palm and the finger folds. We then want to attack the shading that was applied to the right side of the hand to illustrate realism. Also, apply shading with the tortillion where you see fit to make the hand look real. I usually stray from the photo and add lighter or darker tones to make the picture look believable. I just don’t believe that you will be 100% accurate with a drawing compared to the original.\r\n\r\n\"03\r\n\r\n \r\n

A Look at Two More Hand Positions

\r\nThere are literally a countless number of possible positions in which hands can form themselves, far more than can be covered in the scope of this article. Let’s look at two more drawing examples that can help you get started:\r\n

The Serving Hand

\r\nThis hand drawing is very simple. Simple because all the fingers are together holding in place an object that hasn’t been drawn in yet. Basically you want to start off drawing the hand blocky and add lines representing the finger folds.\r\n\r\n\"04\r\n\r\n \r\n\r\nAs you can see, the object that is being held by the hand has been drawn in, as well as details like the fingernails and shading, followed by the rounding of the tips of the fingers.\r\n\r\n\"05\r\n\r\n \r\n\r\nWe then use a tortillion to blend/smudge the shading in between the fingers, the wrist area, and also some on the fingernails.\r\n\r\n\"06\r\n\r\n \r\n\r\nThe last thing we do is add some detail to the object being held. Basically we just add a dark tone in some of the area but not the whole thing. We then use the tortillion again to smudge in the dark areas, leaving some areas untouched to illustrate white or lighter tone in the object. Also, I added just a bit of small tone to the tips of the fingers to show some accuracy from the picture.\r\n\r\n\"07\r\n\r\n \r\n

The Grabbing Hand

\r\nNow let’s move on to the big daddy of the hand drawings. Trust me when I say this drawing wasn’t a walk in the park, but I did get it done……barely.\r\n\r\nI started off by drawing it freehand. It’s off by a little but I wasn’t worried about 100% accuracy at this stage; besides, I have time to fix it in the other stages. I also added some details to the folds of the fingers and darkened the outline, contour lines of the hand.\r\n\r\n\"09\r\n\r\n \r\n\r\nIn this picture, you can see that I’ve added shading to the palm of the hand and some to the fingers.\r\n\r\n\"10\r\n\r\n \r\n\r\nThe last part of this picture is executing the tortillion again. I basically blended in the shaded part to make it all come together.\r\n\r\n\"11\r\n\r\n \r\n

Drawing Other Hands

\r\nAs you can see, learning how to draw hands can be a challenge, but it can be done with practice. I believe that I could not cover everything that I wanted to in just one lesson, as this post primarily focuses on opened hands in different positions. If you were to draw hands that were grasping and holding certain objects, the shading on the hands would be different. In fact, just their positioning would rearrange the lighting bouncing off of them.\r\n\r\nPlease keep in mind that when drawing the hands, start by making them into simple geometric shapes and then add detail and shading. This is actually the basic rule for everything when drawing but particularly when it comes to hands. The mobility and their flexibility make the hands a difficult subject to draw and paint but a satisfying subject when executed correctly.','Drawing the Hands','','inherit','closed','closed','','2625-revision-v1','','','2016-06-25 16:40:38','2016-06-25 23:40:38','',2625,'http://www.letsdrawpeople.com/2625-revision-v1/',0,'revision','',0),(3132,2,'2016-06-25 16:27:53','2016-06-25 23:27:53','Well it looks like the art gods do not smile upon me in this article. I love to draw and paint but I cannot stand doing hands or feet. If I can get away with not drawing them, I will. Norman Rockwell, a famous, past artist had said it best, “People can forgive anything except the face and hands.”\r\n\r\nI remember one time I was doing a painting and I had to paint the girl’s hand and I decided to paint a rock piece in front of it so that I did not have to paint it. Yes they can be difficult.\r\n\r\n“But Carlos, why take on this article if you don’t do hands?” Well the answer is pretty simple: in order to be a good and decent artist, one must know how to master a series of things, and hands are no different.\r\n\r\nIn fact, I know a fellow artist who has always painted her subjects with their back or back of their head facing the audience because she did not like painting faces period. I look at drawing/painting hands as a challenge. Not everyone can do them correctly. To master the technique of drawing the hands is a feat in itself. It cannot be ignored or not addressed. Sooner or later you’ll need to draw them to continue expressing yourself in your art. If ignored, you’ll only eliminate personal growth for yourself and in your art. With that being said, let’s bite down and learn how to draw hands.\r\n

Build the Hand with Basic Shapes

\r\nThe first thing that you should do is draw two circles that will be the heel of the hand followed by four columns that go from small to large as they get closer to the base. Draw two lines that will be the thumb as well. You may need to draw one or two circles under the columns to illustrate where the hand will be strategically placed. Connect the columns with lines that will end up being that hand itself as well. Also make one or two broken, uneven lines on the columns to represent the areas where the fingers bend  – don’t forget about making one straight line at the base.\r\n\r\n\"01\r\n\r\n \r\n\r\n \r\n\r\nMoving right along, add some shading where necessary. In this case, shading is added to the right side illustrating that the light is coming from the left. Don’t forget to add skin folds in the hands and darken the tone on the finger folds some. Look at your hand and see how the folds are done. As you can see, they are uneven, broken, and not straight; use this as a drawing model for your picture. Also, round out the tips of the columns to portray them as the tips of the fingers.\r\n\r\n\"02\r\n\r\n \r\n\r\n \r\n\r\nWe then need to erase all unnecessary lines in the hands themselves and off the fingers. We then take a tortillion and first smudge the folds in the hand palm and the finger folds. We then want to attack the shading that was applied to the right side of the hand to illustrate realism. Also, apply shading with the tortillion where you see fit to make the hand look real. I usually stray from the photo and add lighter or darker tones to make the picture look believable. I just don’t believe that you will be 100% accurate with a drawing compared to the original.\r\n\r\n\"03\r\n\r\n \r\n

A Look at Two More Hand Positions

\r\nThere are literally a countless number of possible positions in which hands can form themselves, far more than can be covered in the scope of this article. Let’s look at two more drawing examples that can help you get started:\r\n

The Serving Hand

\r\nThis hand drawing is very simple. Simple because all the fingers are together holding in place an object that hasn’t been drawn in yet. Basically you want to start off drawing the hand blocky and add lines representing the finger folds.\r\n\r\n\"04\r\n\r\n \r\n\r\n \r\n\r\nAs you can see, the object that is being held by the hand has been drawn in, as well as details like the fingernails and shading, followed by the rounding of the tips of the fingers.\r\n\r\n\"05\r\n\r\n \r\n\r\nWe then use a tortillion to blend/smudge the shading in between the fingers, the wrist area, and also some on the fingernails.\r\n\r\n\"06\r\n\r\n \r\n\r\n \r\n\r\nThe last thing we do is add some detail to the object being held. Basically we just add a dark tone in some of the area but not the whole thing. We then use the tortillion again to smudge in the dark areas, leaving some areas untouched to illustrate white or lighter tone in the object. Also, I added just a bit of small tone to the tips of the fingers to show some accuracy from the picture.\r\n\r\n\"07\r\n\r\n \r\n

The Grabbing Hand

\r\nNow let’s move on to the big daddy of the hand drawings. Trust me when I say this drawing wasn’t a walk in the park, but I did get it done……barely.\r\n\r\nI started off by drawing it freehand. It’s off by a little but I wasn’t worried about 100% accuracy at this stage; besides, I have time to fix it in the other stages. I also added some details to the folds of the fingers and darkened the outline, contour lines of the hand.\r\n\r\n\"09\r\n\r\n \r\n\r\n \r\n\r\nIn this picture, you can see that I’ve added shading to the palm of the hand and some to the fingers.\r\n\r\n\"10\r\n\r\n \r\n\r\n \r\n\r\nThe last part of this picture is executing the tortillion again. I basically blended in the shaded part to make it all come together.\r\n\r\n\"11\r\n\r\n \r\n

Drawing Other Hands

\r\nAs you can see, learning how to draw hands can be a challenge, but it can be done with practice. I believe that I could not cover everything that I wanted to in just one lesson, as this post primarily focuses on opened hands in different positions. If you were to draw hands that were grasping and holding certain objects, the shading on the hands would be different. In fact, just their positioning would rearrange the lighting bouncing off of them.\r\n\r\nPlease keep in mind that when drawing the hands, start by making them into simple geometric shapes and then add detail and shading. This is actually the basic rule for everything when drawing but particularly when it comes to hands. The mobility and their flexibility make the hands a difficult subject to draw and paint but a satisfying subject when executed correctly.','Drawing the Hands','','inherit','closed','closed','','2625-revision-v1','','','2016-06-25 16:27:53','2016-06-25 23:27:53','',2625,'http://www.letsdrawpeople.com/2625-revision-v1/',0,'revision','',0),(3119,2,'2016-06-25 16:41:12','2016-06-25 23:41:12','Well it looks like the art gods do not smile upon me in this article. I love to draw and paint but I cannot stand doing hands or feet. If I can get away with not drawing them, I will. Norman Rockwell, a famous, past artist had said it best, “People can forgive anything except the face and hands.”\r\n\r\nI remember one time I was doing a painting and I had to paint the girl’s hand and I decided to paint a rock piece in front of it so that I did not have to paint it. Yes they can be difficult.\r\n\r\n“But Carlos, why take on this article if you don’t do hands?” Well the answer is pretty simple: in order to be a good and decent artist, one must know how to master a series of things, and hands are no different.\r\n\r\nIn fact, I know a fellow artist who has always painted her subjects with their back or back of their head facing the audience because she did not like painting faces period. I look at drawing/painting hands as a challenge. Not everyone can do them correctly. To master the technique of drawing the hands is a feat in itself. It cannot be ignored or not addressed. Sooner or later you’ll need to draw them to continue expressing yourself in your art. If ignored, you’ll only eliminate personal growth for yourself and in your art. With that being said, let’s bite down and learn how to draw hands.\r\n

Build the Hand with Basic Shapes

\r\nThe first thing that you should do is draw two circles that will be the heel of the hand followed by four columns that go from small to large as they get closer to the base. Draw two lines that will be the thumb as well. You may need to draw one or two circles under the columns to illustrate where the hand will be strategically placed. Connect the columns with lines that will end up being that hand itself as well. Also make one or two broken, uneven lines on the columns to represent the areas where the fingers bend  – don’t forget about making one straight line at the base.\r\n\r\n\"01\r\n\r\n \r\n\r\nMoving right along, add some shading where necessary. In this case, shading is added to the right side illustrating that the light is coming from the left. Don’t forget to add skin folds in the hands and darken the tone on the finger folds some. Look at your hand and see how the folds are done. As you can see, they are uneven, broken, and not straight; use this as a drawing model for your picture. Also, round out the tips of the columns to portray them as the tips of the fingers.\r\n\r\n\"02\r\n\r\n \r\n\r\nWe then need to erase all unnecessary lines in the hands themselves and off the fingers. We then take a tortillion and first smudge the folds in the hand palm and the finger folds. We then want to attack the shading that was applied to the right side of the hand to illustrate realism. Also, apply shading with the tortillion where you see fit to make the hand look real. I usually stray from the photo and add lighter or darker tones to make the picture look believable. I just don’t believe that you will be 100% accurate with a drawing compared to the original.\r\n\r\n\"03\r\n\r\n \r\n

A Look at Two More Hand Positions

\r\nThere are literally a countless number of possible positions in which hands can form themselves, far more than can be covered in the scope of this article. Let’s look at two more drawing examples that can help you get started:\r\n

The Serving Hand

\r\nThis hand drawing is very simple. Simple because all the fingers are together holding in place an object that hasn’t been drawn in yet. Basically you want to start off drawing the hand blocky and add lines representing the finger folds.\r\n\r\n\"04\r\n\r\n \r\n\r\nAs you can see, the object that is being held by the hand has been drawn in, as well as details like the fingernails and shading, followed by the rounding of the tips of the fingers.\r\n\r\n\"05\r\n\r\n \r\n\r\nWe then use a tortillion to blend/smudge the shading in between the fingers, the wrist area, and also some on the fingernails.\r\n\r\n\"06\r\n\r\n \r\n\r\nThe last thing we do is add some detail to the object being held. Basically we just add a dark tone in some of the area but not the whole thing. We then use the tortillion again to smudge in the dark areas, leaving some areas untouched to illustrate white or lighter tone in the object. Also, I added just a bit of small tone to the tips of the fingers to show some accuracy from the picture.\r\n\r\n\"07\r\n\r\n \r\n

The Grabbing Hand

\r\nNow let’s move on to the big daddy of the hand drawings. Trust me when I say this drawing wasn’t a walk in the park, but I did get it done……barely.\r\n\r\nI started off by drawing it freehand. It’s off by a little but I wasn’t worried about 100% accuracy at this stage; besides, I have time to fix it in the other stages. I also added some details to the folds of the fingers and darkened the outline, contour lines of the hand.\r\n\r\n\"09\r\n\r\n \r\n\r\nIn this picture, you can see that I’ve added shading to the palm of the hand and some to the fingers.\r\n\r\n\"10\r\n\r\n \r\n\r\nThe last part of this picture is executing the tortillion again. I basically blended in the shaded part to make it all come together.\r\n\r\n\"11\r\n\r\n \r\n

Drawing Other Hands

\r\nAs you can see, learning how to draw hands can be a challenge, but it can be done with practice. I believe that I could not cover everything that I wanted to in just one lesson, as this post primarily focuses on opened hands in different positions. If you were to draw hands that were grasping and holding certain objects, the shading on the hands would be different. In fact, just their positioning would rearrange the lighting bouncing off of them.\r\n\r\nPlease keep in mind that when drawing the hands, start by making them into simple geometric shapes and then add detail and shading. This is actually the basic rule for everything when drawing but particularly when it comes to hands. The mobility and their flexibility make the hands a difficult subject to draw and paint but a satisfying subject when executed correctly.','Drawing the Hands','','inherit','closed','closed','','2625-autosave-v1','','','2016-06-25 16:41:12','2016-06-25 23:41:12','',2625,'http://www.letsdrawpeople.com/2625-autosave-v1/',0,'revision','',0),(3123,2,'2016-06-25 16:18:12','2016-06-25 23:18:12','','01 how to draw hands shapes','','inherit','open','closed','','01-how-to-draw-hands-shapes','','','2016-06-25 16:18:12','2016-06-25 23:18:12','',2625,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/01-how-to-draw-hands-shapes.jpg',0,'attachment','image/jpeg',0),(3122,2,'2016-06-25 16:18:10','2016-06-25 23:18:10','','11 how to draw hands grabbing','','inherit','open','closed','','11-how-to-draw-hands-grabbing','','','2016-06-25 16:18:10','2016-06-25 23:18:10','',2625,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/11-how-to-draw-hands-grabbing.jpg',0,'attachment','image/jpeg',0),(3121,2,'2016-06-25 16:18:07','2016-06-25 23:18:07','','10 how to draw hands grabbing','','inherit','open','closed','','10-how-to-draw-hands-grabbing','','','2016-06-25 16:18:07','2016-06-25 23:18:07','',2625,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/10-how-to-draw-hands-grabbing.jpg',0,'attachment','image/jpeg',0),(3120,2,'2016-06-25 11:43:20','2016-06-25 18:43:20','Well it looks like the art gods do not smile upon me in this article. I love to draw and paint but I cannot stand doing hands or feet. If I can get away with not drawing them, I will. Norman Rockwell, a famous, past artist had said it best, “People can forgive anything except the face and hands.”\r\n\r\nI remember one time I was doing a painting and I had to paint the girl’s hand and I decided to paint a rock piece in front of it so that I did not have to paint it. Yes they can be difficult.\r\n\r\n“But Carlos, why take on this article if you don’t do hands?” Well the answer is pretty simple: in order to be a good and decent artist, one must know how to master a series of things, and hands are no different.\r\n\r\nIn fact, I know a fellow artist who has always painted her subjects with their back or back of their head facing the audience because she did not like painting faces period. I look at drawing/painting hands as a challenge. Not everyone can do them correctly. To master the technique of drawing the hands is a feat in itself. It cannot be ignored or not addressed. Sooner or later you’ll need to draw them to continue expressing yourself in your art. If ignored, you’ll only eliminate personal growth for yourself and in your art. With that being said, let’s bite down and learn how to draw hands.\r\n

Build the Hand with Basic Shapes

\r\n \r\n\r\n\"Scan0010\"\r\n\r\nThe first thing that you should do is draw two circles that will be the heel of the hand followed by four columns that go from small to large as they get closer to the base. Draw two lines that will be the thumb as well. You may need to draw one or two circles under the columns to illustrate where the hand will be strategically placed. Connect the columns with lines that will end up being that hand itself as well. Also make one or two broken, uneven lines on the columns to represent the areas where the fingers bend  – don’t forget about making one straight line at the base.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0011\"\r\n\r\nMoving right along, add some shading where necessary. In this case, shading is added to the right side illustrating that the light is coming from the left. Don’t forget to add skin folds in the hands and darken the tone on the finger folds some. Look at your hand and see how the folds are done. As you can see, they are uneven, broken, and not straight; use this as a drawing model for your picture. Also, round out the tips of the columns to portray them as the tips of the fingers.\r\n\r\n\"Scan0012\"\r\n\r\nWe then need to erase all unnecessary lines in the hands themselves and off the fingers. We then take a tortillion and first smudge the folds in the hand palm and the finger folds. We then want to attack the shading that was applied to the right side of the hand to illustrate realism. Also, apply shading with the tortillion where you see fit to make the hand look real. I usually stray from the photo and add lighter or darker tones to make the picture look believable. I just don’t believe that you will be 100% accurate with a drawing compared to the original.\r\n

A Look at Two More Hand Positions

\r\nThere are literally a countless number of possible positions in which hands can form themselves, far more than can be covered in the scope of this article. Let’s look at two more drawing examples that can help you get started:\r\n

The Serving Hand

\r\n \r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nThis hand drawing is very simple. Simple because all the fingers are together holding in place an object that hasn’t been drawn in yet. Basically you want to start off drawing the hand blocky and add lines representing the finger folds.\r\n\r\n \r\n\r\n\"Scan0006\"\r\n\r\nAs you can see, the object that is being held by the hand has been drawn in, as well as details like the fingernails and shading, followed by the rounding of the tips of the fingers.\"Scan0008\"\r\n\r\nWe then use a tortillion to blend/smudge the shading in between the fingers, the wrist area, and also some on the fingernails.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0009\"\r\n\r\nThe last thing we do is add some detail to the object being held. Basically we just add a dark tone in some of the area but not the whole thing. We then use the tortillion again to smudge in the dark areas, leaving some areas untouched to illustrate white or lighter tone in the object. Also, I added just a bit of small tone to the tips of the fingers to show some accuracy from the picture.\r\n

The Grabbing Hand

\r\nNow let’s move on to the big daddy of the hand drawings. Trust me when I say this drawing wasn’t a walk in the park, but I did get it done……barely.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0001\"\r\n\r\n \r\n\r\nI started off by drawing it freehand. It’s off by a little but I wasn’t worried about 100% accuracy at this stage; besides, I have time to fix it in the other stages.\r\n\r\n \r\n\r\n\"Scan0002\"\r\n\r\n \r\n\r\nHere I added some details to the folds of the fingers and darkened the outline, contour lines of the hand.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\nIn this picture, you can see that I’ve added shading to the palm of the hand and some to the fingers.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0004\"\r\n\r\n \r\n\r\nThe last part of this picture is executing the tortillion again. I basically blended in the shaded part to make it all come together.\r\n

Drawing Other Hands

\r\nAs you can see, learning how to draw hands can be a challenge, but it can be done with practice. I believe that I could not cover everything that I wanted to in just one lesson, as this post primarily focuses on opened hands in different positions. If you were to draw hands that were grasping and holding certain objects, the shading on the hands would be different. In fact, just their positioning would rearrange the lighting bouncing off of them.\r\n\r\nPlease keep in mind that when drawing the hands, start by making them into simple geometric shapes and then add detail and shading. This is actually the basic rule for everything when drawing but particularly when it comes to hands. The mobility and their flexibility make the hands a difficult subject to draw and paint but a satisfying subject when executed correctly.','Drawing the Hands','','inherit','closed','closed','','2625-revision-v1','','','2016-06-25 11:43:20','2016-06-25 18:43:20','',2625,'http://www.letsdrawpeople.com/2625-revision-v1/',0,'revision','',0),(3134,2,'2016-06-26 04:46:42','2016-06-26 11:46:42','Before you start drawing, it helps to plan your ideas. Composition is the idea of setting up your drawing. How many ideas, people, and objects do you want to use in your drawing?\r\n\r\nIn the drawing below, I thought to create a small still-frame of a scene. In the drawing of the two people, I wanted to show how you can create mood, emotion, and action.\r\n\r\n\"composition\"\r\n\r\n \r\n\r\nFirst, consider how the two girls are sitting together and the body language that they may be using. The girl lying down is relaxed with her head back. This is a classic pose for someone sleeping, hurt, or perhaps dead. The other girl looking down on her further explains sadness, perhaps remorse, or maybe just tiredness. The girls are similar in age and size, so this would suggest that they may be sisters or close friends.\r\n\r\nThere is a lot one could tell from this picture or may feel. Creating a compositing is a great way to stir the imagination.\r\n\r\nStructure: Looking for a frame, imagine yourself as a photographer. It’s the same idea without a view box. Instead, create your own view box, using a mix of what you see and what you want to draw. Create space between objects by finding a fixed point and compare the size of one object to other objects.\r\n\r\nSetup: Once you have an idea of your frame, you may want to organize your drawing, change position lighting, and how things are sitting in the space you have. Creating a setup with models can take time. Try multiple times to find what looks better along with more than one sitting with the same pose in order to draw what you have. Alternately, you can do the same thing- take a photo and draw what you see from the photo, or use a photo that was already taken.\r\n\r\nBackground: When setting up a drawing, consider more than what you are drawing. Background gives depth and realism along with creating a set that is frozen in time.\r\n\r\nForeground: Sometimes you have space before what you are drawing. It helps to know what to do with this space. If you are using the space, it helps create perspective.\r\n\r\nSpace: Structure and space are similar; however, space is what is not in the frame. Structure is what is in the frame.\r\n\r\nPoint of view: Once you have everything set up, perhaps you want to change where you are looking from in order to get a different view of the same setting.\r\n\r\nPerspective: Along with point of view, background and foreground can help create space and reality in a drawing. For example, the human body looking more round instead of flat will help create reality. One can do this by creating directional shading.\r\n\r\nLighting: Try to think about what light you are using. This is more important if you choose to use contrast, or perhaps you want a more mid-town lighting effect.\r\n\r\nLocation: Where is your setting going to be? Outside, inside, in a city or in the woods?\r\n\r\nFrame: What type of frame are you going to use? Portrait, landscape or something else?\r\n\r\nIdea: What is happening in your setting? What story do you want to tell with one picture?','What to Consider When Making a Composition','','inherit','closed','closed','','2894-autosave-v1','','','2016-06-26 04:46:42','2016-06-26 11:46:42','',2894,'http://www.letsdrawpeople.com/2894-autosave-v1/',0,'revision','',0),(3137,2,'2016-06-26 04:47:09','2016-06-26 11:47:09','Before you start drawing, it helps to plan your ideas. Composition is the idea of setting up your drawing. How many ideas, people, and objects do you want to use in your drawing?\r\n\r\nIn the drawing below, I thought to create a small still-frame of a scene. In the drawing of the two people, I wanted to show how you can create mood, emotion, and action.\r\n\r\n\"composition\"\r\n\r\n \r\n\r\nFirst, consider how the two girls are sitting together and the body language that they may be using. The girl lying down is relaxed with her head back. This is a classic pose for someone sleeping, hurt, or perhaps dead. The other girl looking down on her further explains sadness, perhaps remorse, or maybe just tiredness. The girls are similar in age and size, so this would suggest that they may be sisters or close friends.\r\n\r\nThere is a lot one could tell from this picture or may feel. Creating a compositing is a great way to stir the imagination.\r\n\r\nStructure: Looking for a frame, imagine yourself as a photographer. It’s the same idea without a view box. Instead, create your own view box, using a mix of what you see and what you want to draw. Create space between objects by finding a fixed point and compare the size of one object to other objects.\r\n\r\nSetup: Once you have an idea of your frame, you may want to organize your drawing, change position lighting, and how things are sitting in the space you have. Creating a setup with models can take time. Try multiple times to find what looks better along with more than one sitting with the same pose in order to draw what you have. Alternately, you can do the same thing- take a photo and draw what you see from the photo, or use a photo that was already taken.\r\n\r\nBackground: When setting up a drawing, consider more than what you are drawing. Background gives depth and realism along with creating a set that is frozen in time.\r\n\r\nForeground: Sometimes you have space before what you are drawing. It helps to know what to do with this space. If you are using the space, it helps create perspective.\r\n\r\nSpace: Structure and space are similar; however, space is what is not in the frame. Structure is what is in the frame.\r\n\r\nPoint of view: Once you have everything set up, perhaps you want to change where you are looking from in order to get a different view of the same setting.\r\n\r\nPerspective: Along with point of view, background and foreground can help create space and reality in a drawing. For example, the human body looking more round instead of flat will help create reality. One can do this by creating directional shading.\r\n\r\nLighting: Try to think about what light you are using. This is more important if you choose to use contrast, or perhaps you want a more mid-town lighting effect.\r\n\r\nLocation: Where is your setting going to be? Outside, inside, in a city or in the woods?\r\n\r\nFrame: What type of frame are you going to use? Portrait, landscape or something else?\r\n\r\nIdea: What is happening in your setting? What story do you want to tell with one picture?','What to Consider When Making a Composition','','inherit','closed','closed','','2894-revision-v1','','','2016-06-26 04:47:09','2016-06-26 11:47:09','',2894,'http://www.letsdrawpeople.com/2894-revision-v1/',0,'revision','',0),(3135,2,'2016-06-25 20:43:28','2016-06-26 03:43:28','Before you start drawing, it helps to plan your ideas. Composition is the idea of setting up your drawing. How many ideas, people, and objects do you want to use in your drawing?\r\n\r\nIn the drawing below, I thought to create a small still-frame of a scene. In the drawing of the two people, I wanted to show how you can create mood, emotion, and action.\r\n\r\n\"2\"\r\n\r\n \r\n\r\n\"3\"\r\n\r\nFirst, consider how the two girls are sitting together and the body language that they may be using. The girl lying down is relaxed with her head back. This is a classic pose for someone sleeping, hurt, or perhaps dead. The other girl looking down on her further explains sadness, perhaps remorse, or maybe just tiredness. The girls are similar in age and size, so this would suggest that they may be sisters or close friends.\r\n\r\nThere is a lot one could tell from this picture or may feel. Creating a compositing is a great way to stir the imagination.*****\r\n\r\n\"6\"\r\n\r\nStructure: Looking for a frame, imagine yourself a photographer. It’s the same idea without a view box. Instead, create your own view box, using a mix of what you see and what you want to draw. Create space between objects by finding a fix point and compare size from object to other objects.\r\n\r\nSetup: Once you have an idea of your frame, you may want to organize your drawing, change position lighting, and how things are sitting in the space you have. Creating set up with models can take time. Multiple tries of finding what looks better along with more than one sitting with the same pose in order to draw what you have. Alternately, you can do the same thing- take a photo and draw what you see from the photo, or a photo that was already taken.\r\n\r\n\"7\"\r\n\r\n\"9\"\r\n\r\nBackground: When setting up a drawing, consider more then what you are drawing. Background gives depth and realism along with creating a set that is frozen in time.\r\n\r\nForeground: Sometimes you have space before what you are drawing, knowing what to do with this space. Or if you are using the space, it helps create perspective.\r\n\r\nSpace: Structure and space are similar; however, space is what is not in the frame. Structure is what is in the frame.\r\n\r\nPoint of view: Once you have everything set up, perhaps you want to change where you are looking from in order to get a different view of the same setting.\r\n\r\nPerspective: Along with point of view, background and foreground repetitive can help create space and reality in a drawing. For example, the human body looking more round instead of flat will help create reality. One can do this by creating directional shading.\r\n\r\nLighting: Try to think about what light you are using. This is more important if you choose to use contrast, or perhaps you want a more mid-town lighting effect.\r\n\r\nLocation: Where is your setting going to be? Outside, inside, in a city or in the woods?\r\n\r\nFrame: What type of frame are you going to use? Portrait, landscape or something else?\r\n\r\nIdea: What is happening in your setting? What story do you want to tell with one picture?','How to Draw a Composition','','inherit','closed','closed','','2894-revision-v1','','','2016-06-25 20:43:28','2016-06-26 03:43:28','',2894,'http://www.letsdrawpeople.com/2894-revision-v1/',0,'revision','',0),(3147,2,'2016-06-26 12:03:09','2016-06-26 19:03:09','We all like to look at baby pictures, but that doesn\'t mean we all like to draw them!\r\n\r\nWe all know how much different it can be to draw children rather than adults. If the thought of drawing a child intimidates you, then you are likely even more hesitant to draw a subject that is a baby.\r\n\r\nIt is true that there are significant differences in facial and body proportions between adults and children. There are even more differences between adults and babies. However, those differences do not have to stop you from drawing a baby every now and then. In fact, you will soon see that drawing a baby can have more similarities to drawing an adult that differences.\r\n\r\nIn this tutorial, we will ease into the task of drawing a baby with a simple, less-intimidating subject. We will stay away from crying babies or playing babies with their arms and legs wobbling wildly in every direction. We will walk through how to make a drawing of a baby sleeping.\r\n\r\n[caption id=\"attachment_2617\" align=\"aligncenter\" width=\"600\"]\"
© Santos06 | Dreamstime.com
[/caption]\r\n\r\nAs you can see, there is little need to worry too much about body proportions in this example. Also, since our little guy\'s eyes are closed, it will make drawing him that much easier. As we go along, I will point out some key facial proportions to keep in mind when drawing babies, as well as how they compare to facial proportions of adults.\r\n

Drawing the Baby\'s Face

\r\nStart by making some simple guidelines. Use the reference photograph above to very lightly sketch the outline of the baby\'s head, arm, and hands, as seen below. Try to get the angle of the head to closely match. You should also place some guidelines for the facial features.\r\n\r\n\"01\r\n\r\nNow here\'s where having a reference photograph comes in handy...when we talk baby proportions! You have likely noticed that the head of a baby is much more round than that of an adult\'s. Still, as you can see from carefully studying our reference photo, our baby\'s head is not a perfect circle. It is still an oval shape. It is just a more circular oval than you would make for an adult.\r\n\r\nMaybe you have also heard that a baby\'s eyes are lower down on the head than an adult\'s eyes. While usually true, this is barely noticeable in our example. The eyeline is placed just like an adult\'s - halfway between the top of the head and the chin.\r\n\r\nOne key difference to pay attention to is the much shorter nose of a baby. For this reason, you can\'t put the nose line halfway between the eyes and the chin. It needs to be closer to the eyes.\r\n\r\nSpeaking of the eyes, let\'s draw them next. The eyes are usually the most prominent feature of a baby, since they are so large and round. Since they are so prominent, you might also find them to be the most challenging part of drawing a baby. Luckily, since our baby is sleeping, drawing his eyes will be a piece of cake.\r\n\r\nLightly sketch the curved eyelids and subtle wrinkles around them. Draw a light line bridging the eyes together in the middle. The eyebrows should be barely visible. The same goes for the eyelashes. Make them as short as you possibly can. This task is made easier with a mechanical pencil for drawing those fine, thin lines. You can also use the mechanical pencil for the entire drawing, as I did.\r\n\r\n\"02\r\n\r\n \r\n\r\nRemember that a baby\'s nose is very short compared to an adult\'s. For this reason, don\'t leave much room for the bridge of the nose. Just focus on the tip and nostrils. I began by drawing a circle for the ball of the nose. The wings of the nostrils branch out from this circle but do not extend past the inner corners of the eyes.\r\n\r\n \r\n\r\n \r\n\r\n\"03\r\n\r\n \r\n\r\nhere next\r\n\r\n\"04\r\n\r\n \r\n\r\n \r\n\r\n\"05\r\n\r\n \r\n\r\n \r\n\r\n\"06\r\n\r\n \r\n\r\n \r\n\r\n\"07\r\n\r\n \r\n\r\n \r\n\r\n\"drawing\r\n\r\n \r\n\r\nTaking on those subjects that you normally want to run away from is a sure-fire way to grow as an artist. Hopefully this tutorial will motivate you to draw even more baby pictures!','How to Make a Drawing of a Baby Sleeping','','inherit','closed','closed','','3033-revision-v1','','','2016-06-26 12:03:09','2016-06-26 19:03:09','',3033,'http://www.letsdrawpeople.com/3033-revision-v1/',0,'revision','',0),(3148,2,'2016-06-26 15:40:55','2016-06-26 22:40:55','We all like to look at baby pictures, but that doesn\'t mean we all like to draw them!\r\n\r\nWe all know how much different it can be to draw children rather than adults. If the thought of drawing a child intimidates you, then you are likely even more hesitant to draw a subject that is a baby.\r\n\r\nIt is true that there are significant differences in facial and body proportions between adults and children. There are even more differences between adults and babies. However, those differences do not have to stop you from drawing a baby every now and then. In fact, you will soon see that drawing a baby can have more similarities to drawing an adult that differences.\r\n\r\nIn this tutorial, we will ease into the task of drawing a baby with a simple, less-intimidating subject. We will stay away from crying babies or playing babies with their arms and legs wobbling wildly in every direction. We will walk through how to make a drawing of a baby sleeping.\r\n\r\n[caption id=\"attachment_2617\" align=\"aligncenter\" width=\"600\"]\"
© Santos06 | Dreamstime.com
[/caption]\r\n\r\nAs you can see, there is little need to worry too much about body proportions in this example. Also, since our little guy\'s eyes are closed, it will make drawing him that much easier. As we go along, I will point out some key facial proportions to keep in mind when drawing babies, as well as how they compare to facial proportions of adults.\r\n

Drawing the Baby\'s Face

\r\nStart by making some simple guidelines. Use the reference photograph above to very lightly sketch the outline of the baby\'s head, arm, and hands, as seen below. Try to get the angle of the head to closely match. You should also place some guidelines for the facial features.\r\n\r\n\"01\r\n\r\nNow here\'s where having a reference photograph comes in handy...when we talk baby proportions! You have likely noticed that the head of a baby is much more round than that of an adult\'s. Still, as you can see from carefully studying our reference photo, our baby\'s head is not a perfect circle. It is still an oval shape. It is just a more circular oval than you would make for an adult.\r\n\r\nMaybe you have also heard that a baby\'s eyes are lower down on the head than an adult\'s eyes. While usually true, this is barely noticeable in our example. The eyeline is placed just like an adult\'s - halfway between the top of the head and the chin.\r\n\r\nOne key difference to pay attention to is the much shorter nose of a baby. For this reason, you can\'t put the nose line halfway between the eyes and the chin. It needs to be closer to the eyes.\r\n\r\nSpeaking of the eyes, let\'s draw them next. The eyes are usually the most prominent feature of a baby, since they are so large and round. Since they are so prominent, you might also find them to be the most challenging part of drawing a baby. Luckily, since our baby is sleeping, drawing his eyes will be a piece of cake.\r\n\r\nLightly sketch the curved eyelids and subtle wrinkles around them. Draw a light line bridging the eyes together in the middle. The eyebrows should be barely visible. The same goes for the eyelashes. Make them as short as you possibly can. This task is made easier with a mechanical pencil for drawing those fine, thin lines. You can also use the mechanical pencil for the entire drawing, as I did.\r\n\r\n\"02\r\n\r\n \r\n\r\nRemember that a baby\'s nose is very short compared to an adult\'s. For this reason, don\'t leave much room for the bridge of the nose. Just focus on the tip and nostrils. I began by drawing a circle for the ball of the nose. The wings of the nostrils branch out from this circle but do not extend past the inner corners of the eyes.\r\n\r\n \r\n\r\n \r\n\r\n\"03\r\n\r\n \r\n\r\nNext draw the mouth, partly open to reflect the baby breathing in his sleep. A baby\'s mouth is proportionately smaller than an adult\'s; therefore, the corners of the mouth may not necessarily line up with the center of each eye. They will actually be closer to the inner corners of the eyes. Lightly sketch vertical lines on the upper and lower lips. Since the baby is sleeping on his left cheek, you should see a bit of a crease where the upper lip meets that cheek.\r\n\r\n\"04\r\n\r\n \r\n\r\nNow it is time to better define the outline of the face. Remember earlier when we said babies have a round head? Think \"round and circular\" as you trace over the contour of the baby\'s cheeks. Place the ear between the guidelines for the eyes and the mouth (not the nose).\r\n\r\n\"05\r\n\r\n \r\n

Finishing Up the Final Details

\r\nOur baby subject does not have very much hair. Sketch a fuzzy outline along the top of the head where the hair is slightly fuller. Draw fine lines to show the thinner patches of hair that are closer to the face. Since this pretty much completes the baby\'s face, now would be a good time to also erase your guidelines.\r\n\r\n\"06\r\n\r\n \r\n\r\nMoving along, the next part of the drawing is the baby\'s sleeve. I suggest that you look at the reference photo and try to sketch the folds of the fabric as best as you can. If you need extra help drawing the clothing, you can read a previous post I wrote about how to draw clothes along with the various types of folds found in them.\r\n\r\n\"07\r\n\r\n \r\n\r\nThe final step is to draw the hands and indicate the soft bedding on which the baby is resting. I opted to not make the ribbed, parallel line pattern of the bedding from the reference photo. However, I did pay close attention to the reference photo to try and keep the size of the hands properly proportioned to the face. I kept having the urge to draw them smaller, since the arms are so small compared to the head.\r\n\r\n\"drawing\r\n\r\n \r\n

Baby Proportions to Remember

\r\nTo sum up a few comparisons that were covered in this lesson between baby and adult proportions:\r\n
    \r\n
  • Babies have very round, almost circular heads. However, they are still oval-shaped. The oval shape of adult heads are much more obvious.
    • \r\n
  • When compared proportionately to the rest of the body, the head of a baby is larger than an adult\'s head.
    • \r\n
  • The eyes of a baby are slightly lower on the head than an adult\'s, but they are still pretty much centered between the top of the head and the chin.
    • \r\n
  • The nose of a baby is shorter than an adult\'s.
    • \r\n
  • The mouth is smaller and the corners do not necessarily line up with the centers of the eyes.
    • \r\n
  • The bottom of the ears may line up more with the mouth than the nose.
    • \r\n
\r\nAs always, these are general guidelines that may not apply to every baby subject perfectly. Nevertheless, maybe being familiar with them will make you a little more confident the next time you draw a person who\'s favorite words are \"goo goo ga ga\"!\r\n\r\nRemember, taking on those subjects that you normally want to run away from is a sure-fire way to grow as an artist. Hopefully this tutorial will motivate you to draw even more baby pictures!','How to Make a Drawing of a Baby Sleeping','','inherit','closed','closed','','3033-revision-v1','','','2016-06-26 15:40:55','2016-06-26 22:40:55','',3033,'http://www.letsdrawpeople.com/3033-revision-v1/',0,'revision','',0),(3149,2,'2016-06-26 15:43:32','2016-06-26 22:43:32','We all like to look at baby pictures, but that doesn\'t mean we all like to draw them!\r\n\r\nWe all know how much different it can be to draw children rather than adults. If the thought of drawing a child intimidates you, then you are likely even more hesitant to draw a subject that is a baby.\r\n\r\nIt is true that there are significant differences in facial and body proportions between adults and children. There are even more differences between adults and babies. However, those differences do not have to stop you from drawing a baby every now and then. In fact, you will soon see that drawing a baby can have more similarities to drawing an adult that differences.\r\n\r\nIn this tutorial, we will ease into the task of drawing a baby with a simple, less-intimidating subject. We will stay away from crying babies or playing babies with their arms and legs wobbling wildly in every direction. We will walk through how to make a drawing of a baby sleeping.\r\n\r\n[caption id=\"attachment_2617\" align=\"aligncenter\" width=\"600\"]\"
© Santos06 | Dreamstime.com
[/caption]\r\n\r\nAs you can see, there is little need to worry too much about body proportions in this example. Also, since our little guy\'s eyes are closed, it will make drawing him that much easier. As we go along, I will point out some key facial proportions to keep in mind when drawing babies, as well as how they compare to facial proportions of adults.\r\n

Drawing the Baby\'s Face

\r\nStart by making some simple guidelines. Use the reference photograph above to very lightly sketch the outline of the baby\'s head, arm, and hands, as seen below. Try to get the angle of the head to closely match. You should also place some guidelines for the facial features.\r\n\r\n\"01\r\n\r\nNow here\'s where having a reference photograph comes in handy...when we talk baby proportions! You have likely noticed that the head of a baby is much more round than that of an adult\'s. Still, as you can see from carefully studying our reference photo, our baby\'s head is not a perfect circle. It is still an oval shape. It is just a more circular oval than you would make for an adult.\r\n\r\nMaybe you have also heard that a baby\'s eyes are lower down on the head than an adult\'s eyes. While usually true, this is barely noticeable in our example. The eyeline is placed just like an adult\'s - halfway between the top of the head and the chin.\r\n\r\nOne key difference to pay attention to is the much shorter nose of a baby. For this reason, you can\'t put the nose line halfway between the eyes and the chin. It needs to be closer to the eyes.\r\n\r\nSpeaking of the eyes, let\'s draw them next. The eyes are usually the most prominent feature of a baby, since they are so large and round. Since they are so prominent, you might also find them to be the most challenging part of drawing a baby. Luckily, since our baby is sleeping, drawing his eyes will be a piece of cake.\r\n\r\nLightly sketch the curved eyelids and subtle wrinkles around them. Draw a light line bridging the eyes together in the middle. The eyebrows should be barely visible. The same goes for the eyelashes. Make them as short as you possibly can. This task is made easier with a mechanical pencil for drawing those fine, thin lines. You can also use the mechanical pencil for the entire drawing, as I did.\r\n\r\n\"02\r\n\r\n \r\n\r\nRemember that a baby\'s nose is very short compared to an adult\'s. For this reason, don\'t leave much room for the bridge of the nose. Just focus on the tip and nostrils. I began by drawing a circle for the ball of the nose. The wings of the nostrils branch out from this circle but do not extend past the inner corners of the eyes.\r\n\r\n \r\n\r\n \r\n\r\n\"03\r\n\r\n \r\n\r\nNext draw the mouth, partly open to reflect the baby breathing in his sleep. A baby\'s mouth is proportionately smaller than an adult\'s; therefore, the corners of the mouth may not necessarily line up with the center of each eye. They will actually be closer to the inner corners of the eyes. Lightly sketch vertical lines on the upper and lower lips. Since the baby is sleeping on his left cheek, you should see a bit of a crease where the upper lip meets that cheek.\r\n\r\n\"04\r\n\r\n \r\n\r\nNow it is time to better define the outline of the face. Remember earlier when we said babies have a round head? Think \"round and circular\" as you trace over the contour of the baby\'s cheeks. Place the ear between the guidelines for the eyes and the mouth (not the nose).\r\n\r\n\"05\r\n\r\n \r\n

Finishing Up the Final Details

\r\nOur baby subject does not have very much hair. Sketch a fuzzy outline along the top of the head where the hair is slightly fuller. Draw fine lines to show the thinner patches of hair that are closer to the face. Since this pretty much completes the baby\'s face, now would be a good time to also erase your guidelines.\r\n\r\n\"06\r\n\r\n \r\n\r\nMoving along, the next part of the drawing is the baby\'s sleeve. I suggest that you look at the reference photo and try to sketch the folds of the fabric as best as you can. If you need extra help drawing the clothing, you can read a previous post I wrote about how to draw clothes along with the various types of folds found in them.\r\n\r\n\"07\r\n\r\n \r\n\r\nThe final step is to draw the hands and indicate the soft bedding on which the baby is resting. I opted to not make the ribbed, parallel line pattern of the bedding from the reference photo. However, I did pay close attention to the reference photo to try and keep the size of the hands properly proportioned to the face. I kept having the urge to draw them smaller, since the arms are so small compared to the head.\r\n\r\n\"drawing\r\n\r\n \r\n

Baby Proportions to Remember

\r\nTo sum up a few comparisons that were covered in this lesson between baby and adult proportions:\r\n
    \r\n
  • Babies have very round, almost circular heads. However, they are still oval-shaped. The oval shape of adult heads are much more obvious.
    • \r\n
  • When compared proportionately to the rest of the body, the head of a baby is larger than an adult\'s head.
    • \r\n
  • The eyes of a baby are slightly lower on the head than an adult\'s, but they are still pretty much centered between the top of the head and the chin.
    • \r\n
  • The nose of a baby is shorter than an adult\'s.
    • \r\n
  • The mouth is smaller and the corners do not necessarily line up with the centers of the eyes.
    • \r\n
  • The bottom of the ears may line up more with the mouth than the nose.
    • \r\n
\r\nAs always, these are general guidelines that may not apply to every baby subject perfectly. Nevertheless, maybe being familiar with them will make you a little more confident the next time you draw a person who\'s favorite words are \"goo goo ga ga\".\r\n\r\nRemember, taking on those subjects that you normally want to run away from is a sure-fire way to grow as an artist. Hopefully this tutorial will motivate you to draw even more baby pictures!','How to Make a Drawing of a Baby Sleeping','','inherit','closed','closed','','3033-revision-v1','','','2016-06-26 15:43:32','2016-06-26 22:43:32','',3033,'http://www.letsdrawpeople.com/3033-revision-v1/',0,'revision','',0),(3150,2,'2016-07-30 02:47:56','2016-07-30 09:47:56','
Well-known for his starring role in the hit Broadway musical Hamilton, Lin-Manuel Miranda has gotten a lot of buzz this year. Since it appears that Miranda has now left the Hamilton stage to pursue other opportunities, I thought it fitting to bid farewell with a speed drawing.\r\n\r\nI was originally planning to just do a quick sketch, but shortly into it I decided to add a bit more detail and shading with a tortillion. This entire drawing was done with a regular graphite 2B pencil. I didn\'t spend as much time on this as I would have for a more realistic portrait drawing, but it still gives you a shortened version of the process.\r\n\r\n[caption id=\"attachment_3151\" align=\"aligncenter\" width=\"547\"]\"© © Lagron49 | Dreamstime.com - Lin-Manuel Miranda Wins At 70th Annual Tonys Photo[/caption]\r\n\r\n\"lin-manuel\r\n\r\n \r\n\r\n ','Speed Drawing of Lin-Manuel Miranda','','publish','open','open','','speed-drawing-of-lin-manuel-miranda','','','2016-06-29 11:16:20','2016-06-29 18:16:20','',0,'http://www.letsdrawpeople.com/?p=3150',0,'post','',0),(3151,2,'2016-06-28 05:56:32','2016-06-28 12:56:32','','lin-manuel miranda reference','© Lagron49 | Dreamstime.com - Lin-Manuel Miranda Wins At 70th Annual Tonys Photo','inherit','open','closed','','lin-manuel-miranda-reference','','','2016-07-07 15:04:47','2016-07-07 22:04:47','',3150,'http://www.letsdrawpeople.com/wp-content/uploads/2016/06/lin-manuel-miranda-reference.jpg',0,'attachment','image/jpeg',0),(3152,2,'2016-06-28 08:47:56','2016-06-28 15:47:56','VIDEO\r\n\r\nWell-known for his starring role in the hit Broadway musical Hamilton, Lin-Manuel Miranda has gotten a lot of buzz this year. Since it appears that Miranda has now left the Hamilton stage to pursue other opportunities, I thought it fitting to bid farewell with a speed drawing.\r\n\r\nI was originally planning to just do a quick sketch, but shortly into it I decided to\r\n\r\n[caption id=\"attachment_3151\" align=\"aligncenter\" width=\"547\"]\"© © Lagron49 | Dreamstime.com - Lin-Manuel Miranda Wins At 70th Annual Tonys Photo[/caption]','Speed Drawing of Lin-Manuel Miranda','','inherit','closed','closed','','3150-revision-v1','','','2016-06-28 08:47:56','2016-06-28 15:47:56','',3150,'http://www.letsdrawpeople.com/3150-revision-v1/',0,'revision','',0),(3226,2,'2016-07-30 09:19:27','2016-07-30 16:19:27','No doubt you have heard the word \"value\" thrown around among artists regarding artwork. However, do you know exactly what the word \"value\" means?\n\nValue is a very important element of art. Value is simply a word used to describe how light or how dark a color is. Our eyes and our minds perceive the world around us based on lights and darks and how they relate to one another.\n

How to Measure Value

\nOne way to measure value is by using a value scale. A value scale is usually a display of boxes with one color in the middle and variations of that color on either side. Progressively lighter versions of the color are on one side, and progressively darker versions of the color are on the other side. Below is a value scale for the color red...\n\n\"red\n\n...and here is a value scale for blue...\n\n\"blue\n\n...and another value scale for green.\n\n\"green\n\nWe call the lighter values tints and the darker values shades.\n\n\"tints\n

How a Value Scale Applies to a Drawing

\nSince drawing takes place on a two-dimensional surface of neutral color, it\'s up to the artist to create an illusion of three dimensions. That means the viewer of the artwork needs to perceive form and depth. Knowledge of the value scale and careful placement of tints and shades helps the artist to achieve this.\n\nIn general, you should use tints for highlights and shades for shadows.\n\nOne way  to simplify the vast array of values that could be present in a drawing is to use a five-value scale. The five values on this scale are used for specific areas of an object to help develop that three-dimensional form for the object.\n\nFor simplicity\'s sake, let\'s look at a colored pencil drawing of a sphere to see how a five-value scale applies to it.\n\n\"five\n\nThe highlight on an object is the lightest value of the scale. It is of such a light value that it appears nearly or completely white. This is the spot where direct light is striking the object.\n\nThe next value on the scale which is slightly darker than the highlight is the reflected highlight. This tint consists of light bouncing back from surrounding surfaces. The reflected highlight is usually found along the edge of an object. It gives roundness to an object as it curves back toward darker, more shadowy areas.\n\nThe midtone is the true color of the object. Therefore, it has the middle value within the scale. This area of the object has neither light shining on it nor shadow cast upon it.\n\nThe first shade on the scale is called a core shadow. This simply indicates an area of shadow where the object is receding from the light source.\n\nThe final value of the scale is the cast shadow. This is where you will find the darkest values of the drawing, nearly black, since it represents that shadow that your object is casting onto a surface.\n\nOne thing you may notice about the object itself: there are no hard edges where one value stops and another value begins. Rather, there is a gradual transition from one value to the next. Remember this important detail when you are applying a value scale to your drawings!\n\nI happen to be an affiliate for a very comprehensive course on colored pencils. It will teach you in greater detail about applying value to your colored pencil drawings, and much more. You can click here to learn more about it.','How to Identify and Apply Value in Your Artwork','','inherit','closed','closed','','3208-autosave-v1','','','2016-07-30 09:19:27','2016-07-30 16:19:27','',3208,'http://www.letsdrawpeople.com/3208-autosave-v1/',0,'revision','',0),(3154,2,'2016-06-28 08:54:53','2016-06-28 15:54:53','','lin-manuel miranda','','inherit','open','closed','','lin-manuel-miranda','','','2016-06-28 08:54:53','2016-06-28 15:54:53','',3150,'http://www.letsdrawpeople.com/wp-content/uploads/2016/06/lin-manuel-miranda.jpg',0,'attachment','image/jpeg',0),(3155,2,'2016-06-28 08:59:01','2016-06-28 15:59:01','

VIDEO

\r\nWell-known for his starring role in the hit Broadway musical Hamilton, Lin-Manuel Miranda has gotten a lot of buzz this year. Since it appears that Miranda has now left the Hamilton stage to pursue other opportunities, I thought it fitting to bid farewell with a speed drawing.\r\n\r\nI was originally planning to just do a quick sketch, but shortly into it I decided to add a bit more detail and shading with a tortillion. This entire drawing was done with a regular graphite 2B pencil. I didn\'t spend as much time on this as I would have for a more realistic portrait drawing, but it still gives you a shortened version of the process.\r\n\r\n[caption id=\"attachment_3151\" align=\"aligncenter\" width=\"547\"]\"© © Lagron49 | Dreamstime.com - Lin-Manuel Miranda Wins At 70th Annual Tonys Photo[/caption]\r\n\r\n\"lin-manuel\r\n\r\n \r\n\r\n ','Speed Drawing of Lin-Manuel Miranda','','inherit','closed','closed','','3150-revision-v1','','','2016-06-28 08:59:01','2016-06-28 15:59:01','',3150,'http://www.letsdrawpeople.com/3150-revision-v1/',0,'revision','',0),(3156,2,'2016-06-28 13:15:48','2016-06-28 20:15:48','','1201151220 (3)','\"Sarah\" by Hoyle Wallace','inherit','open','closed','','1201151220-3','','','2016-07-07 15:04:47','2016-07-07 22:04:47','',662,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/1201151220-3.jpg',0,'attachment','image/jpeg',0),(3157,2,'2016-06-28 13:16:43','2016-06-28 20:16:43','','1020151422','Portrait by Hoyle Wallace','inherit','open','closed','','1020151422','','','2016-06-28 13:16:59','2016-06-28 20:16:59','',662,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/1020151422.jpg',0,'attachment','image/jpeg',0),(3158,2,'2016-06-28 13:19:25','2016-06-28 20:19:25','Welcome to our gallery of family drawings! Here you can view drawings of family members by our contributors and visitors.\r\n\r\nAs someone who is becoming more skilled at drawing people, you will find family and friends taking an increased interest in your talent. As a professional portrait artist, people who love your artwork will undoubtedly want to become your clients. When family, friends, or other people ask you (or pay you) to draw for them, who do they most often want you to draw?\r\n\r\nThey usually want you to draw a portrait from their personal collection of family photos. They may even ask you to take people from two or more photographs and combine them into one drawing. Your artistic creativity may sometimes be at play too, as when people ask you to include elements not in the original photographs.\r\n\r\nYou will see examples of all of these scenarios within this gallery. Notice the different arrangements of the subjects, features, and how the various elements of the family drawings create pleasing compositions. Happy viewing!\r\n\r\nIf you have your own family portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"649,644,761,762,763,666,1418,1422,1435,1654,1665,3028,3156,3157\" orderby=\"rand\"]','Family Drawings','','inherit','closed','closed','','662-revision-v1','','','2016-06-28 13:19:25','2016-06-28 20:19:25','',662,'http://www.letsdrawpeople.com/662-revision-v1/',0,'revision','',0),(3159,2,'2016-06-30 10:40:50','2016-06-30 17:40:50','OK kiddos, it’s time for another art lesson! Before I start, let me get some preliminaries out of the way. First off, I need to apologize for how the picture came out. This post is about drawing an eye in colored pencil, but you’re barely going to see any color. My scanner didn’t pick up the color that well. I hate that but I will do my best to explain and illustrate this lesson. I will still illustrate the pictures even though the color won’t show up well.\n

Colored Pencil Brands

\nI will be using an array of colored pencils from different brands. These will include Sargent’s colored pencil and Prismacolor, with the majority used by Sargent’s.\n\nI believe that’s why the color didn’t show up well – Sargent\'s doesn’t have wax in its pencils, so there will be no “shine’” to the finished product. The scanner usually picks up the shine but unfortunately not in this one.\n\nAnother colored pencil set that would be worth investing in besides Prismacolor is Col-Erase colored pencils and Prismacolor Verithin. These colored pencils have the same effect that a regular lead pencil has. What I mean by that is you can use my technique that I perform with a tissue. These pencils can be blended smoothly into the color next to them. Invest in them; you won’t be sorry.\n\nWith that being said, let’s hop on it!\n

The Initial Outline

\nWhether it’s an eye or a full sketch that will be in colored pencil, the first thing you will need to do is draw your subject out with a pencil, preferably a lighter pencil like between a 3H and 6H. You will need to make the pencil marks lighter later on as you get further into the drawing, so have a kneaded eraser handy or some Blu Tack to pick up the marks. That will also leave some faint marks to help guide you as you progress in your art picture.\n\nHere I drew an eye that started as a football/almond-shaped object, and I added a circle in the middle to represent the iris. Keep in mind that I’m doing this from the top of my head – I’m not using a picture or model of an eye.\n\n\"Scan0001\"\n\n \n\nI then filled in the pupil using a Sargent’s black colored pencil and drew an ellipse in the pupil and iris area to illustrate a glare/highlight in the eye. I’ve also traced a darker circle around the edge of the iris.\n\n\"Scan0002\"\n\n \n

Work on the Iris

\nOK, so here is where the problem starts. Note to self: do not use Sargent’s pencils for the main color. They will not show well in the scanner. As you can tell, I supposedly filled in the iris with Sargent’s brown colored pencil and some of Prismacolor’s peach beige. Let it be known that this is the same pencil I use for Caucasian skin tone.\n\n\"Scan0003\"\n\n \n\nAdding some detail, I added the eyelid crease with Sargent’s black and used the Sargent’s brown pencil to add more detail of some of the darker part of the iris flooding into the lighter part near the pupil.\n\n\"Scan0004\"\n\n \n

The Surrounding Eye

\nIn this stage, I added some shading toward the upper part of the eye using Prismacolor\'s 50% cool grey, and I used Sargent’s black to draw in the eyelashes.\n\n\"Scan0005\"\n\n \n\nIn the final stage, I added some Prismacolor blush pink and a little bit of pale vermillion to the tear duct area. I then colored around the eye area with Prismacolor peach beige; unfortunately, my scanner had different plans.\n\n\"Scan0006\"\n\n \n

Smoothing Out the Work

\nAn extra thing I like to add to my art piece, especially if I’m working with colored pencil, chalk, or crayon, is load the picture onto my computer and I will load it to my PaintShop Pro so that I can smooth out the pencil scribbles. To each his own; some people like it and some don’t, but it always makes an improvement on the picture, especially on my crayon art.\n\n\"Scan0007\"\n\n \n

Personal Takeaway

\nOK, so this was a quick colored pencil lesson. I don’t know if it was helpful since my scanner went rebel on me. Then again, using the Sargent colored pencils was a no-no. I know now to use all colored pencils except them.\n\nIf anything, this is how the picture looked using a camera (there’s more than one way to skin a cat):\n\n[caption id=\"attachment_2933\" align=\"aligncenter\" width=\"391\"]\"IMG_0211\" Before computer smoothing[/caption]\n\n \n\n[caption id=\"attachment_2934\" align=\"aligncenter\" width=\"391\"]\"IMG_0212\" After computer smoothing[/caption]\n\n \n\nThis is just one approach to drawing an eye with colored pencils. If you want to see more colored pencil techniques and the result of layering multiple colors using only Prismacolor, you can download the step-by-step lesson in the box below.','How to Draw an Eye with Colored Pencils','','inherit','closed','closed','','2925-autosave-v1','','','2016-06-30 10:40:50','2016-06-30 17:40:50','',2925,'http://www.letsdrawpeople.com/2925-autosave-v1/',0,'revision','',0),(3161,2,'2016-06-29 11:16:20','2016-06-29 18:16:20','
Well-known for his starring role in the hit Broadway musical Hamilton, Lin-Manuel Miranda has gotten a lot of buzz this year. Since it appears that Miranda has now left the Hamilton stage to pursue other opportunities, I thought it fitting to bid farewell with a speed drawing.\r\n\r\nI was originally planning to just do a quick sketch, but shortly into it I decided to add a bit more detail and shading with a tortillion. This entire drawing was done with a regular graphite 2B pencil. I didn\'t spend as much time on this as I would have for a more realistic portrait drawing, but it still gives you a shortened version of the process.\r\n\r\n[caption id=\"attachment_3151\" align=\"aligncenter\" width=\"547\"]\"© © Lagron49 | Dreamstime.com - Lin-Manuel Miranda Wins At 70th Annual Tonys Photo[/caption]\r\n\r\n\"lin-manuel\r\n\r\n \r\n\r\n ','Speed Drawing of Lin-Manuel Miranda','','inherit','closed','closed','','3150-revision-v1','','','2016-06-29 11:16:20','2016-06-29 18:16:20','',3150,'http://www.letsdrawpeople.com/3150-revision-v1/',0,'revision','',0),(3163,2,'2016-06-30 04:47:23','2016-06-30 11:47:23','OK kiddos, it’s time for another art lesson! Before I start, let me get some preliminaries out of the way. First off, I need to apologize for how the picture came out. This post is about drawing an eye in colored pencil, but you’re barely going to see any color. My scanner didn’t pick up the color that well. I hate that but I will do my best to explain and illustrate this lesson. I will still illustrate the pictures even though the color won’t show up well. ***there will be other color pencil lessons and I will make the colors deeper.***\r\n\r\nAlso, I will be using an array of colored pencils from different brands. These will include Sargent’s colored pencil and Prismacolor, with the majority used by Sargent’s. I believe that’s why the color didn’t show up well – Sargent\'s doesn’t have wax in its pencils, so there will be no “shine’” to the finished product. The scanner usually picks up the shine but unfortunately not in this one. Another colored pencil set that would be worth investing in besides Prismacolor is Col-Erase colored pencils and Prismacolor Verithin. These colored pencils have the same effect that a regular lead pencil has. What I mean by that is you can use my technique that I perform with a tissue. These pencils can be blended smoothly into the color next to them. Invest in them; you won’t be sorry. With that being said, let’s hop on it!*****\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0001\"\r\n\r\nThe first thing you do, whether it’s an eye or a full sketch that will be in color pencil, is you will need to draw it out with a pencil, preferably a lighter pencil like between a 3H and 6H. You will need to make the pencil marks lighter later on as you get further into the drawing so have a kneaded erasure handy or some Blu Tack to pick up the marks that will also leave some faint marks to help guide you as you progress in your art picture. Here I drew an eye that started like a football/almond shape object and added a semi-circle in the middle to represent the iris. Keep in mind I’m doing this from the top of my head – I’m not using a picture or model of an eye; this is strictly free base.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0002\"\r\n\r\nI then fill in the pupil using a Sargent’s black color pencil and drew in an ellipse circle in the pupil and iris area to illustrate a glare/highlight in the eye. I’ve also trace a darker circle around the edge of the iris.\r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\nOK so here is where the problem starts. Note to self, do not use Sargent’s pencils for main color, they will not show well in the scanner. As you can tell, I supposedly fill in the iris with Sargent’s brown color pencil and some of Prismacolor’s peach beige. Let it be known that this is the same pencil I use for Caucasian skin tone.\r\n\r\n\"Scan0004\"\r\n\r\nAdding some detail, I added the eyelid crease with Sargent’s black and use the Sargent’s brown pencil to add more detail of some of the darker part of the iris flooding into the lighter part near the pupil.\r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nIn this stage, I add some shading toward the upper part of the eye using Prismacolor’s 50% cool grey and I used Sargent’s black to draw in the eyelashes.\r\n\r\n \r\n\r\n\"Scan0006\"\r\n\r\nIn the final stage, I added some Prismacolor blush pink and a little bit of pale vermillion to the tear duct area. I then color around the eye area with Prismacolor peach beige; unfortunately my scanner had different plans.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0007\"\r\n\r\nAn extra thing I like to add to my art piece, especially if I’m working with color pencil, chalk, or crayon is I will load the picture onto my computer and I will load it to my PaintShop Pro so that I can smooth out the pencil scribbles. To each his own; some people like it and some don’t but it always makes an improvement on the picture, especially on my crayon art.\r\n\r\nOk so this was a quick color pencil lesson. I don’t know if it was helpful since my scanner went rebel on me. Then again, using the Sargent color pencils were a no-no. I know now to use all color pencils except them. If anything, this is how the picture looked using a camera (there’s more than one way to skin a cat):\r\n\r\n \r\n\r\n \r\n\r\n[caption id=\"attachment_2933\" align=\"alignleft\" width=\"300\"]\"IMG_0211\" Before computer smoothing[/caption]\r\n\r\n[caption id=\"attachment_2934\" align=\"alignright\" width=\"300\"]\"IMG_0212\" After computer smoothing[/caption]\r\n\r\nSee you guys in the next lesson!','How to Draw an Eye with Colored Pencils','','inherit','closed','closed','','2925-revision-v1','','','2016-06-30 04:47:23','2016-06-30 11:47:23','',2925,'http://www.letsdrawpeople.com/2925-revision-v1/',0,'revision','',0),(3165,2,'2016-06-30 09:47:08','2016-06-30 16:47:08','OK kiddos, it’s time for another art lesson! Before I start, let me get some preliminaries out of the way. First off, I need to apologize for how the picture came out. This post is about drawing an eye in colored pencil, but you’re barely going to see any color. My scanner didn’t pick up the color that well. I hate that but I will do my best to explain and illustrate this lesson. I will still illustrate the pictures even though the color won’t show up well.\r\n\r\nAlso, I will be using an array of colored pencils from different brands. These will include Sargent’s colored pencil and Prismacolor, with the majority used by Sargent’s. I believe that’s why the color didn’t show up well – Sargent\'s doesn’t have wax in its pencils, so there will be no “shine’” to the finished product. The scanner usually picks up the shine but unfortunately not in this one. Another colored pencil set that would be worth investing in besides Prismacolor is Col-Erase colored pencils and Prismacolor Verithin. These colored pencils have the same effect that a regular lead pencil has. What I mean by that is you can use my technique that I perform with a tissue. These pencils can be blended smoothly into the color next to them. Invest in them; you won’t be sorry. With that being said, let’s hop on it!\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0001\"\r\n\r\nWhether it’s an eye or a full sketch that will be in colored pencil, the first thing you will need to do is draw your subject out with a pencil, preferably a lighter pencil like between a 3H and 6H. You will need to make the pencil marks lighter later on as you get further into the drawing, so have a kneaded eraser handy or some Blu Tack to pick up the marks. That will also leave some faint marks to help guide you as you progress in your art picture. Here I drew an eye that started as a football/almond-shaped object, and I added a circle in the middle to represent the iris. Keep in mind that I’m doing this from the top of my head – I’m not using a picture or model of an eye.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0002\"\r\n\r\nI then filled in the pupil using a Sargent’s black colored pencil and drew an ellipse in the pupil and iris area to illustrate a glare/highlight in the eye. I’ve also traced a darker circle around the edge of the iris.\r\n\r\n \r\n\r\n\"Scan0003\"\r\n\r\nOK, so here is where the problem starts. Note to self: do not use Sargent’s pencils for the main color. They will not show well in the scanner. As you can tell, I supposedly filled in the iris with Sargent’s brown colored pencil and some of Prismacolor’s peach beige. Let it be known that this is the same pencil I use for Caucasian skin tone.\r\n\r\n\"Scan0004\"\r\n\r\nAdding some detail, I added the eyelid crease with Sargent’s black and used the Sargent’s brown pencil to add more detail of some of the darker part of the iris flooding into the lighter part near the pupil.\r\n\r\n \r\n\r\n\"Scan0005\"\r\n\r\nIn this stage, I added some shading toward the upper part of the eye using Prismacolor\'s 50% cool grey, and I used Sargent’s black to draw in the eyelashes.\r\n\r\n \r\n\r\n\"Scan0006\"\r\n\r\nIn the final stage, I added some Prismacolor blush pink and a little bit of pale vermillion to the tear duct area. I then colored around the eye area with Prismacolor peach beige; unfortunately, my scanner had different plans.\r\n\r\n \r\n\r\n \r\n\r\n\"Scan0007\"\r\n\r\nAn extra thing I like to add to my art piece, especially if I’m working with colored pencil, chalk, or crayon, is load the picture onto my computer and I will load it to my PaintShop Pro so that I can smooth out the pencil scribbles. To each his own; some people like it and some don’t, but it always makes an improvement on the picture, especially on my crayon art.\r\n\r\nOk so this was a quick colored pencil lesson. I don’t know if it was helpful since my scanner went rebel on me. Then again, using the Sargent colored pencils was a no-no. I know now to use all color pencils except them. If anything, this is how the picture looked using a camera (there’s more than one way to skin a cat):\r\n\r\n \r\n\r\n \r\n\r\n[caption id=\"attachment_2933\" align=\"alignleft\" width=\"300\"]\"IMG_0211\" Before computer smoothing[/caption]\r\n\r\n[caption id=\"attachment_2934\" align=\"alignright\" width=\"300\"]\"IMG_0212\" After computer smoothing[/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nThis is just one approach to drawing an eye with colored pencils. If you want to see a different approach and the result of layering multiple colors and using only Prismacolor, you can download a step-by-step lesson in the box below.\r\n\r\n ','How to Draw an Eye with Colored Pencils','','inherit','closed','closed','','2925-revision-v1','','','2016-06-30 09:47:08','2016-06-30 16:47:08','',2925,'http://www.letsdrawpeople.com/2925-revision-v1/',0,'revision','',0),(3175,2,'2016-07-13 05:32:44','2016-07-13 12:32:44','OK kiddos, it’s time for another art lesson! Before I start, let me get some preliminaries out of the way. First off, I need to apologize for how the picture came out. This post is about drawing an eye in colored pencil, but you’re barely going to see any color. My scanner didn’t pick up the color that well. I hate that but I will do my best to explain and illustrate this lesson. I will still illustrate the pictures even though the color won’t show up well.\r\n

Colored Pencil Brands

\r\nI will be using an array of colored pencils from different brands. These will include Sargent’s colored pencil and Prismacolor, with the majority used by Sargent’s.\r\n\r\nI believe that’s why the color didn’t show up well – Sargent\'s doesn’t have wax in its pencils, so there will be no “shine’” to the finished product. The scanner usually picks up the shine but unfortunately not in this one.\r\n\r\nAnother colored pencil set that would be worth investing in besides Prismacolor is Col-Erase colored pencils and Prismacolor Verithin. These colored pencils have the same effect that a regular lead pencil has. What I mean by that is you can use my technique that I perform with a tissue. These pencils can be blended smoothly into the color next to them. Invest in them; you won’t be sorry.\r\n\r\nWith that being said, let’s hop on it!\r\n

The Initial Outline

\r\nWhether it’s an eye or a full sketch that will be in colored pencil, the first thing you will need to do is draw your subject out with a pencil, preferably a lighter pencil like between a 3H and 6H. You will need to make the pencil marks lighter later on as you get further into the drawing, so have a kneaded eraser handy or some Blu Tack to pick up the marks. That will also leave some faint marks to help guide you as you progress in your art picture.\r\n\r\nHere I drew an eye that started as a football/almond-shaped object, and I added a circle in the middle to represent the iris. Keep in mind that I’m doing this from the top of my head – I’m not using a picture or model of an eye.\r\n\r\n\"Scan0001\"\r\n\r\n \r\n\r\nI then filled in the pupil using a Sargent’s black colored pencil and drew an ellipse in the pupil and iris area to illustrate a glare/highlight in the eye. I’ve also traced a darker circle around the edge of the iris.\r\n\r\n\"Scan0002\"\r\n\r\n \r\n

Work on the Iris

\r\nOK, so here is where the problem starts. Note to self: do not use Sargent’s pencils for the main color. They will not show well in the scanner. As you can tell, I supposedly filled in the iris with Sargent’s brown colored pencil and some of Prismacolor’s peach beige. Let it be known that this is the same pencil I use for Caucasian skin tone.\r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\nAdding some detail, I added the eyelid crease with Sargent’s black and used the Sargent’s brown pencil to add more detail of some of the darker part of the iris flooding into the lighter part near the pupil.\r\n\r\n\"Scan0004\"\r\n\r\n \r\n

The Surrounding Eye

\r\nIn this stage, I added some shading toward the upper part of the eye using Prismacolor\'s 50% cool grey, and I used Sargent’s black to draw in the eyelashes.\r\n\r\n\"Scan0005\"\r\n\r\n \r\n\r\nIn the final stage, I added some Prismacolor blush pink and a little bit of pale vermillion to the tear duct area. I then colored around the eye area with Prismacolor peach beige; unfortunately, my scanner had different plans.\r\n\r\n\"Scan0006\"\r\n\r\n \r\n

Smoothing Out the Work

\r\nAn extra thing I like to add to my art piece, especially if I’m working with colored pencil, chalk, or crayon, is load the picture onto my computer and I will load it to my PaintShop Pro so that I can smooth out the pencil scribbles. To each his own; some people like it and some don’t, but it always makes an improvement on the picture, especially on my crayon art.\r\n\r\n\"Scan0007\"\r\n\r\n \r\n

Personal Takeaway

\r\nOK, so this was a quick colored pencil lesson. I don’t know if it was helpful since my scanner went rebel on me. Then again, using the Sargent colored pencils was a no-no. I know now to use all colored pencils except them.\r\n\r\nIf anything, this is how the picture looked using a camera (there’s more than one way to skin a cat):\r\n\r\n[caption id=\"attachment_2933\" align=\"aligncenter\" width=\"391\"]\"IMG_0211\" Before computer smoothing[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2934\" align=\"aligncenter\" width=\"391\"]\"IMG_0212\" After computer smoothing[/caption]\r\n\r\n \r\n\r\nThis is just one approach to drawing an eye with colored pencils. If you want to see more colored pencil techniques and the result of layering multiple colors using only Prismacolor, you can download the step-by-step lesson in the box below.','Draw an Eye with Colored Pencils','','inherit','closed','closed','','2925-revision-v1','','','2016-07-13 05:32:44','2016-07-13 12:32:44','',2925,'http://www.letsdrawpeople.com/2925-revision-v1/',0,'revision','',0),(3166,2,'2016-06-30 10:41:19','2016-06-30 17:41:19','OK kiddos, it’s time for another art lesson! Before I start, let me get some preliminaries out of the way. First off, I need to apologize for how the picture came out. This post is about drawing an eye in colored pencil, but you’re barely going to see any color. My scanner didn’t pick up the color that well. I hate that but I will do my best to explain and illustrate this lesson. I will still illustrate the pictures even though the color won’t show up well.\r\n

Colored Pencil Brands

\r\nI will be using an array of colored pencils from different brands. These will include Sargent’s colored pencil and Prismacolor, with the majority used by Sargent’s.\r\n\r\nI believe that’s why the color didn’t show up well – Sargent\'s doesn’t have wax in its pencils, so there will be no “shine’” to the finished product. The scanner usually picks up the shine but unfortunately not in this one.\r\n\r\nAnother colored pencil set that would be worth investing in besides Prismacolor is Col-Erase colored pencils and Prismacolor Verithin. These colored pencils have the same effect that a regular lead pencil has. What I mean by that is you can use my technique that I perform with a tissue. These pencils can be blended smoothly into the color next to them. Invest in them; you won’t be sorry.\r\n\r\nWith that being said, let’s hop on it!\r\n

The Initial Outline

\r\nWhether it’s an eye or a full sketch that will be in colored pencil, the first thing you will need to do is draw your subject out with a pencil, preferably a lighter pencil like between a 3H and 6H. You will need to make the pencil marks lighter later on as you get further into the drawing, so have a kneaded eraser handy or some Blu Tack to pick up the marks. That will also leave some faint marks to help guide you as you progress in your art picture.\r\n\r\nHere I drew an eye that started as a football/almond-shaped object, and I added a circle in the middle to represent the iris. Keep in mind that I’m doing this from the top of my head – I’m not using a picture or model of an eye.\r\n\r\n\"Scan0001\"\r\n\r\n \r\n\r\nI then filled in the pupil using a Sargent’s black colored pencil and drew an ellipse in the pupil and iris area to illustrate a glare/highlight in the eye. I’ve also traced a darker circle around the edge of the iris.\r\n\r\n\"Scan0002\"\r\n\r\n \r\n

Work on the Iris

\r\nOK, so here is where the problem starts. Note to self: do not use Sargent’s pencils for the main color. They will not show well in the scanner. As you can tell, I supposedly filled in the iris with Sargent’s brown colored pencil and some of Prismacolor’s peach beige. Let it be known that this is the same pencil I use for Caucasian skin tone.\r\n\r\n\"Scan0003\"\r\n\r\n \r\n\r\nAdding some detail, I added the eyelid crease with Sargent’s black and used the Sargent’s brown pencil to add more detail of some of the darker part of the iris flooding into the lighter part near the pupil.\r\n\r\n\"Scan0004\"\r\n\r\n \r\n

The Surrounding Eye

\r\nIn this stage, I added some shading toward the upper part of the eye using Prismacolor\'s 50% cool grey, and I used Sargent’s black to draw in the eyelashes.\r\n\r\n\"Scan0005\"\r\n\r\n \r\n\r\nIn the final stage, I added some Prismacolor blush pink and a little bit of pale vermillion to the tear duct area. I then colored around the eye area with Prismacolor peach beige; unfortunately, my scanner had different plans.\r\n\r\n\"Scan0006\"\r\n\r\n \r\n

Smoothing Out the Work

\r\nAn extra thing I like to add to my art piece, especially if I’m working with colored pencil, chalk, or crayon, is load the picture onto my computer and I will load it to my PaintShop Pro so that I can smooth out the pencil scribbles. To each his own; some people like it and some don’t, but it always makes an improvement on the picture, especially on my crayon art.\r\n\r\n\"Scan0007\"\r\n\r\n \r\n

Personal Takeaway

\r\nOK, so this was a quick colored pencil lesson. I don’t know if it was helpful since my scanner went rebel on me. Then again, using the Sargent colored pencils was a no-no. I know now to use all colored pencils except them.\r\n\r\nIf anything, this is how the picture looked using a camera (there’s more than one way to skin a cat):\r\n\r\n[caption id=\"attachment_2933\" align=\"aligncenter\" width=\"391\"]\"IMG_0211\" Before computer smoothing[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2934\" align=\"aligncenter\" width=\"391\"]\"IMG_0212\" After computer smoothing[/caption]\r\n\r\n \r\n\r\nThis is just one approach to drawing an eye with colored pencils. If you want to see more colored pencil techniques and the result of layering multiple colors using only Prismacolor, you can download the step-by-step lesson in the box below.','How to Draw an Eye with Colored Pencils','','inherit','closed','closed','','2925-revision-v1','','','2016-06-30 10:41:19','2016-06-30 17:41:19','',2925,'http://www.letsdrawpeople.com/2925-revision-v1/',0,'revision','',0),(3184,2,'2016-07-15 12:03:27','2016-07-15 19:03:27','','colorless blender','','inherit','open','closed','','colorless-blender','','','2016-07-15 12:03:27','2016-07-15 19:03:27','',3176,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/colorless-blender.jpg',0,'attachment','image/jpeg',0),(3168,2,'2016-07-07 13:11:18','2016-07-07 20:11:18','','/how-to-draw-an-eye-with-colored-pencils-thank-you','','publish','closed','closed','','3168','','','2016-07-07 13:11:18','2016-07-07 20:11:18','',0,'',0,'leadpages_post','',0),(3169,2,'2016-07-07 13:11:55','2016-07-07 20:11:55','','/how-to-draw-an-eye-with-colored-pencils','','publish','closed','closed','','3169','','','2016-07-07 13:11:55','2016-07-07 20:11:55','',0,'',0,'leadpages_post','',0),(3170,2,'2015-07-07 23:24:34','2015-07-08 06:24:34','','lm eye with colored pencils','','publish','closed','closed','','lm-face-drawing-checklist-2','','','2016-07-07 15:12:59','2016-07-07 22:12:59','',0,'http://www.letsdrawpeople.com/?post_type=action-box&p=2032',0,'action-box','',0),(3171,2,'2016-07-07 14:27:29','2016-07-07 21:27:29','','lm eye with colored pencils','','inherit','closed','closed','','3170-autosave-v1','','','2016-07-07 14:27:29','2016-07-07 21:27:29','',3170,'http://www.letsdrawpeople.com/3170-autosave-v1/',0,'revision','',0),(3172,2,'2016-07-07 15:04:02','2016-07-07 22:04:02','','how to draw an eye with colored pencils','','inherit','open','closed','','how-to-draw-an-eye-with-colored-pencils-2','','','2016-07-07 15:04:02','2016-07-07 22:04:02','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/how-to-draw-an-eye-with-colored-pencils.jpg',0,'attachment','image/jpeg',0),(3174,2,'2016-07-10 08:03:17','2016-07-10 15:03:17','','eye with colored pencils webform 420x122','','inherit','open','closed','','eye-with-colored-pencils-webform-420x122','','','2016-07-10 08:03:17','2016-07-10 15:03:17','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/eye-with-colored-pencils-webform-420x122.png',0,'attachment','image/png',0),(3176,2,'2016-07-13 10:06:06','2016-07-13 17:06:06','If you want to make a transition from drawing realistically with graphite pencils to drawing realistically with colored pencils, then it is natural to want to maintain the \"realistic\" aspect of your work.\r\n\r\nThat said, it can be a challenge to make drawings look real with colored pencils.\r\n\r\nYes, it is true that they add color to your work. However, colored pencils, as versatile as they can be, are still a far cry from being able to mimic an exact representation of the vast array of colors portrayed in real life or in a photograph.\r\n\r\nEven so, there is a lot you can do with colored pencils to get a look that is at least closer to a \"realistic\" look. For example, have you ever thought about \"painting\" with colored pencils?\r\n

Burnishing...the Art of Painting with Pencils

\r\nYou may be thinking, \"It\'s impossible to paint using colored pencils!\"\r\n\r\nThe reason I bring up painting is because out of all the art mediums, paint is the one most closely associated with the most realistic works of art.\r\n\r\nNow since the focus of this lesson is on the medium of colored pencils, wouldn\'t it be cool if we could achieve an effect similar to painting with our colored pencils?\r\n\r\nIt is quite possible to achieve such an effect using the technique of burnishing.\r\n\r\nBurnishing is a special process that allows you to create colored pencil drawings that resemble paintings. When you burnish, you are actually layering colored pencils in order to make a solid area of pigment. The burnishing process takes away the texture made by the drawing surface and leaves a result that looks similar to a painting.\r\n

How to Burnish

\r\nThere are several different ways you can burnish your colored pencil drawings. For now, I am going to share two of those ways. Don\'t worry...they are both effective and easy to implement!\r\n\r\nFor these examples, I used Prismacolor Premier Colored Pencils. However, you can use these techniques with other brands as well.\r\n\r\nThe first technique involves identifying the area you want to burnish and layering it with a white colored pencil. As you can see in the example below, the box on the left contains only the original color (Prismacolor True Blue - PC903) and is not burnished. The box on the right contains the True Blue after it has been burnished with White (PC938). You should use heavy pressure with your White pencil when burnishing.\r\n\r\n\"true\r\n\r\nThe second technique involves doing the same thing as the first; only instead of using white to burnish, you will use what is called a Colorless blender (PC1077). A colorless blender is a special kind of pencil that has a binder inside of it (just like all colored pencils) but lacks the pigment that the binder is meant to hold together. You can find them sold individually or as part of a colored pencil accessory set. Here is what a colorless blender looks like:\r\n\r\n\"colorless\r\n\r\nAs you can see in the example below, the box on the left contains only True Blue and is not burnished. The box on the right contains the True Blue after it has been burnished with the colorless blender. Again, you should use heavy pressure.\r\n\r\n\"true\r\n

Which Technique Is Best?

\r\nYou might notice that with both techniques, the True Blue experiences a change in value after being burnished.\r\n\r\n\"true\r\n\r\nYou might also notice that the white has a much greater effect on the change in value while the colorless blender\'s effect on value change is not as noticeable. You will have to decide what kind of effect you are going for, and that will help you decide on which technique to use.\r\n

Drawing, Coloring, and Painting

\r\nNot only is burnishing similar to painting, but it is also similar to the blending process of graphite pencils. Just like smoothing and blending out the graphite helps our black and white pencil art look more realistic, the burnishing process smooths and blends out the colors in our colored pencil art.\r\n\r\nNow you can see that with the help of burnishing, art drawn in colored pencils can appear even more like paintings. So the next time you \"draw\" in colored pencil, remember to try out one or both of these burnishing techniques and \"paint\" in colored pencil instead!','How to \"Paint\" with Colored Pencils','','publish','open','open','','how-to-paint-with-colored-pencils','','','2016-07-23 05:16:21','2016-07-23 12:16:21','',0,'http://www.letsdrawpeople.com/?p=3176',0,'post','',0),(3177,2,'2016-07-13 10:03:34','2016-07-13 17:03:34','If you want to make a transition from drawing realistically with graphite pencils to drawing realistically with colored pencils, then it is natural to want to maintain the \"realistic\" aspect of your work.\r\n\r\nThat said, it can be a challenge to make drawings look real with colored pencils.\r\n\r\nYes, it is true that they add color to your work. However, colored pencils, as versatile as they can be, are still a far cry from being able to mimic an exact representation of the vast array of colors portrayed in real life or in a photograph.\r\n\r\nEven so, there is a lot you can do with colored pencils to get a look that is at least closer to a \"realistic\" look. For example, have you ever thought about painting with colored pencils?\r\n

Burnishing...the Art of Painting with Pencils

\r\nYou may be thinking, \"It\'s impossible to paint using colored pencils!\"\r\n\r\nThe reason I bring up painting is because out of all the art mediums, paint is the one most closely associated with the most realistic works of art.\r\n\r\nNow since the focus of this lesson is on the medium of colored pencils, wouldn\'t it be cool if we could achieve an effect similar to painting with our colored pencils?\r\n\r\nIt is quite possible to achieve such an effect using the technique of burnishing.\r\n\r\n \r\n\r\n ','How to \"Paint\" with Colored Pencils','','inherit','closed','closed','','3176-revision-v1','','','2016-07-13 10:03:34','2016-07-13 17:03:34','',3176,'http://www.letsdrawpeople.com/3176-revision-v1/',0,'revision','',0),(3178,2,'2016-07-13 10:06:21','2016-07-13 17:06:21','If you want to make a transition from drawing realistically with graphite pencils to drawing realistically with colored pencils, then it is natural to want to maintain the \"realistic\" aspect of your work.\r\n\r\nThat said, it can be a challenge to make drawings look real with colored pencils.\r\n\r\nYes, it is true that they add color to your work. However, colored pencils, as versatile as they can be, are still a far cry from being able to mimic an exact representation of the vast array of colors portrayed in real life or in a photograph.\r\n\r\nEven so, there is a lot you can do with colored pencils to get a look that is at least closer to a \"realistic\" look. For example, have you ever thought about painting with colored pencils?\r\n

Burnishing...the Art of Painting with Pencils

\r\nYou may be thinking, \"It\'s impossible to paint using colored pencils!\"\r\n\r\nThe reason I bring up painting is because out of all the art mediums, paint is the one most closely associated with the most realistic works of art.\r\n\r\nNow since the focus of this lesson is on the medium of colored pencils, wouldn\'t it be cool if we could achieve an effect similar to painting with our colored pencils?\r\n\r\nIt is quite possible to achieve such an effect using the technique of burnishing.','How to \"Paint\" with Colored Pencils','','inherit','closed','closed','','3176-revision-v1','','','2016-07-13 10:06:21','2016-07-13 17:06:21','',3176,'http://www.letsdrawpeople.com/3176-revision-v1/',0,'revision','',0),(3180,2,'2016-07-13 10:37:41','2016-07-13 17:37:41','If you want to make a transition from drawing realistically with graphite pencils to drawing realistically with colored pencils, then it is natural to want to maintain the \"realistic\" aspect of your work.\r\n\r\nThat said, it can be a challenge to make drawings look real with colored pencils.\r\n\r\nYes, it is true that they add color to your work. However, colored pencils, as versatile as they can be, are still a far cry from being able to mimic an exact representation of the vast array of colors portrayed in real life or in a photograph.\r\n\r\nEven so, there is a lot you can do with colored pencils to get a look that is at least closer to a \"realistic\" look. For example, have you ever thought about \"painting\" with colored pencils?\r\n

Burnishing...the Art of Painting with Pencils

\r\nYou may be thinking, \"It\'s impossible to paint using colored pencils!\"\r\n\r\nThe reason I bring up painting is because out of all the art mediums, paint is the one most closely associated with the most realistic works of art.\r\n\r\nNow since the focus of this lesson is on the medium of colored pencils, wouldn\'t it be cool if we could achieve an effect similar to painting with our colored pencils?\r\n\r\nIt is quite possible to achieve such an effect using the technique of burnishing.\r\n\r\nBurnishing is a special process that allows you to create colored pencil drawings that resemble paintings. When you burnish, you are actually layering colored pencils in order to make a solid area of pigment. The burnishing process takes away the texture made by the drawing surface and leaves a result that looks similar to a painting.\r\n

How to Burnish

\r\nThere are several different ways you can burnish your colored pencil drawings. For now, I am going to share two of those ways. Don\'t worry...they are both effective and easy to implement!\r\n\r\nThe first technique involves identifying the area you want to burnish and layering it with a white colored pencil.\r\n\r\n \r\n\r\npic example\r\n\r\nsecond technique colorless blender; where to find\r\n\r\npic example\r\n\r\ncompare white and colorless','How to \"Paint\" with Colored Pencils','','inherit','closed','closed','','3176-revision-v1','','','2016-07-13 10:37:41','2016-07-13 17:37:41','',3176,'http://www.letsdrawpeople.com/3176-revision-v1/',0,'revision','',0),(3181,2,'2016-07-14 11:58:25','2016-07-14 18:58:25','If you want to make a transition from drawing realistically with graphite pencils to drawing realistically with colored pencils, then it is natural to want to maintain the \"realistic\" aspect of your work.\r\n\r\nThat said, it can be a challenge to make drawings look real with colored pencils.\r\n\r\nYes, it is true that they add color to your work. However, colored pencils, as versatile as they can be, are still a far cry from being able to mimic an exact representation of the vast array of colors portrayed in real life or in a photograph.\r\n\r\nEven so, there is a lot you can do with colored pencils to get a look that is at least closer to a \"realistic\" look. For example, have you ever thought about \"painting\" with colored pencils?\r\n

Burnishing...the Art of Painting with Pencils

\r\nYou may be thinking, \"It\'s impossible to paint using colored pencils!\"\r\n\r\nThe reason I bring up painting is because out of all the art mediums, paint is the one most closely associated with the most realistic works of art.\r\n\r\nNow since the focus of this lesson is on the medium of colored pencils, wouldn\'t it be cool if we could achieve an effect similar to painting with our colored pencils?\r\n\r\nIt is quite possible to achieve such an effect using the technique of burnishing.\r\n\r\nBurnishing is a special process that allows you to create colored pencil drawings that resemble paintings. When you burnish, you are actually layering colored pencils in order to make a solid area of pigment. The burnishing process takes away the texture made by the drawing surface and leaves a result that looks similar to a painting.\r\n

How to Burnish

\r\nThere are several different ways you can burnish your colored pencil drawings. For now, I am going to share two of those ways. Don\'t worry...they are both effective and easy to implement!\r\n\r\nFor these examples, I used Prismacolor Premier Colored Pencils. However, you can use these techniques with other brands as well.\r\n\r\nThe first technique involves identifying the area you want to burnish and layering it with a white colored pencil. As you can see in the example below, the box on the left contains only the original color (Prismacolor True Blue - PC903) and is not burnished. The box on the right contains the True Blue after it has been burnished with White (PC938). You should use heavy pressure with your White pencil when burnishing.\r\n\r\npic example\r\n\r\nThe second technique involves doing the same thing as the first; only instead of using white to burnish, you will use what is called a Colorless blender (PC1077). A colorless blender is a special kind of pencil that has a binder inside of it (just like all colored pencils) but lacks the pigment that the binder is meant to hold together. You can find them sold individually or as part of a colored pencil accessory set. Here is what a colorless blender looks like:\r\n\r\npic\r\n\r\nAs you can see in the example below, the box on the left contains only True Blue and is not burnished. The box on the right contains the True Blue after it has been burnished with the colorless blender. Again, you should use heavy pressure.\r\n\r\npic example\r\n\r\n \r\n\r\nYou might notice that with both techniques, the True Blue experiences a change in value after being burnished.\r\n\r\ncomparison pic\r\n\r\nYou might also notice that the white has a much greater effect on the change in value while the colorless blender\'s effect on value change is not as noticeable. You will have to decide what kind of effect you are going for, and that will help you decide on which technique to use.\r\n\r\nNot only is burnishing similar to painting, but it is also similar to the blending process of graphite pencils. Just like smoothing and blending out the graphite helps our black and white pencil art look more realistic, the burnishing process smooths and blends out the colors in our colored pencil art.\r\n\r\nNow you see that with the added effect of pigment, this blending of colors helps art drawn in colored pencils to appear even more like painting.','How to \"Paint\" with Colored Pencils','','inherit','closed','closed','','3176-revision-v1','','','2016-07-14 11:58:25','2016-07-14 18:58:25','',3176,'http://www.letsdrawpeople.com/3176-revision-v1/',0,'revision','',0),(3182,2,'2016-07-14 12:13:21','2016-07-14 19:13:21','If you want to make a transition from drawing realistically with graphite pencils to drawing realistically with colored pencils, then it is natural to want to maintain the \"realistic\" aspect of your work.\r\n\r\nThat said, it can be a challenge to make drawings look real with colored pencils.\r\n\r\nYes, it is true that they add color to your work. However, colored pencils, as versatile as they can be, are still a far cry from being able to mimic an exact representation of the vast array of colors portrayed in real life or in a photograph.\r\n\r\nEven so, there is a lot you can do with colored pencils to get a look that is at least closer to a \"realistic\" look. For example, have you ever thought about \"painting\" with colored pencils?\r\n

Burnishing...the Art of Painting with Pencils

\r\nYou may be thinking, \"It\'s impossible to paint using colored pencils!\"\r\n\r\nThe reason I bring up painting is because out of all the art mediums, paint is the one most closely associated with the most realistic works of art.\r\n\r\nNow since the focus of this lesson is on the medium of colored pencils, wouldn\'t it be cool if we could achieve an effect similar to painting with our colored pencils?\r\n\r\nIt is quite possible to achieve such an effect using the technique of burnishing.\r\n\r\nBurnishing is a special process that allows you to create colored pencil drawings that resemble paintings. When you burnish, you are actually layering colored pencils in order to make a solid area of pigment. The burnishing process takes away the texture made by the drawing surface and leaves a result that looks similar to a painting.\r\n

How to Burnish

\r\nThere are several different ways you can burnish your colored pencil drawings. For now, I am going to share two of those ways. Don\'t worry...they are both effective and easy to implement!\r\n\r\nFor these examples, I used Prismacolor Premier Colored Pencils. However, you can use these techniques with other brands as well.\r\n\r\nThe first technique involves identifying the area you want to burnish and layering it with a white colored pencil. As you can see in the example below, the box on the left contains only the original color (Prismacolor True Blue - PC903) and is not burnished. The box on the right contains the True Blue after it has been burnished with White (PC938). You should use heavy pressure with your White pencil when burnishing.\r\n\r\npic example\r\n\r\nThe second technique involves doing the same thing as the first; only instead of using white to burnish, you will use what is called a Colorless blender (PC1077). A colorless blender is a special kind of pencil that has a binder inside of it (just like all colored pencils) but lacks the pigment that the binder is meant to hold together. You can find them sold individually or as part of a colored pencil accessory set. Here is what a colorless blender looks like:\r\n\r\npic\r\n\r\nAs you can see in the example below, the box on the left contains only True Blue and is not burnished. The box on the right contains the True Blue after it has been burnished with the colorless blender. Again, you should use heavy pressure.\r\n\r\npic example\r\n\r\n \r\n\r\nYou might notice that with both techniques, the True Blue experiences a change in value after being burnished.\r\n\r\ncomparison pic\r\n\r\nYou might also notice that the white has a much greater effect on the change in value while the colorless blender\'s effect on value change is not as noticeable. You will have to decide what kind of effect you are going for, and that will help you decide on which technique to use.\r\n\r\nNot only is burnishing similar to painting, but it is also similar to the blending process of graphite pencils. Just like smoothing and blending out the graphite helps our black and white pencil art look more realistic, the burnishing process smooths and blends out the colors in our colored pencil art.\r\n\r\nNow you can see that with the help of burnishing, art drawn in colored pencils can appear even more like paintings. So the next time you \"draw\" in colored pencil, remember to try out one or both of these burnishing techniques and \"paint\" in colored pencil instead!','How to \"Paint\" with Colored Pencils','','inherit','closed','closed','','3176-revision-v1','','','2016-07-14 12:13:21','2016-07-14 19:13:21','',3176,'http://www.letsdrawpeople.com/3176-revision-v1/',0,'revision','',0),(3183,2,'2016-07-14 12:36:23','2016-07-14 19:36:23','If you want to make a transition from drawing realistically with graphite pencils to drawing realistically with colored pencils, then it is natural to want to maintain the \"realistic\" aspect of your work.\r\n\r\nThat said, it can be a challenge to make drawings look real with colored pencils.\r\n\r\nYes, it is true that they add color to your work. However, colored pencils, as versatile as they can be, are still a far cry from being able to mimic an exact representation of the vast array of colors portrayed in real life or in a photograph.\r\n\r\nEven so, there is a lot you can do with colored pencils to get a look that is at least closer to a \"realistic\" look. For example, have you ever thought about \"painting\" with colored pencils?\r\n

Burnishing...the Art of Painting with Pencils

\r\nYou may be thinking, \"It\'s impossible to paint using colored pencils!\"\r\n\r\nThe reason I bring up painting is because out of all the art mediums, paint is the one most closely associated with the most realistic works of art.\r\n\r\nNow since the focus of this lesson is on the medium of colored pencils, wouldn\'t it be cool if we could achieve an effect similar to painting with our colored pencils?\r\n\r\nIt is quite possible to achieve such an effect using the technique of burnishing.\r\n\r\nBurnishing is a special process that allows you to create colored pencil drawings that resemble paintings. When you burnish, you are actually layering colored pencils in order to make a solid area of pigment. The burnishing process takes away the texture made by the drawing surface and leaves a result that looks similar to a painting.\r\n

How to Burnish

\r\nThere are several different ways you can burnish your colored pencil drawings. For now, I am going to share two of those ways. Don\'t worry...they are both effective and easy to implement!\r\n\r\nFor these examples, I used Prismacolor Premier Colored Pencils. However, you can use these techniques with other brands as well.\r\n\r\nThe first technique involves identifying the area you want to burnish and layering it with a white colored pencil. As you can see in the example below, the box on the left contains only the original color (Prismacolor True Blue - PC903) and is not burnished. The box on the right contains the True Blue after it has been burnished with White (PC938). You should use heavy pressure with your White pencil when burnishing.\r\n\r\npic example\r\n\r\nThe second technique involves doing the same thing as the first; only instead of using white to burnish, you will use what is called a Colorless blender (PC1077). A colorless blender is a special kind of pencil that has a binder inside of it (just like all colored pencils) but lacks the pigment that the binder is meant to hold together. You can find them sold individually or as part of a colored pencil accessory set. Here is what a colorless blender looks like:\r\n\r\npic\r\n\r\nAs you can see in the example below, the box on the left contains only True Blue and is not burnished. The box on the right contains the True Blue after it has been burnished with the colorless blender. Again, you should use heavy pressure.\r\n\r\npic example\r\n

Which Technique Is Best?

\r\nYou might notice that with both techniques, the True Blue experiences a change in value after being burnished.\r\n\r\ncomparison pic\r\n\r\nYou might also notice that the white has a much greater effect on the change in value while the colorless blender\'s effect on value change is not as noticeable. You will have to decide what kind of effect you are going for, and that will help you decide on which technique to use.\r\n

Drawing, Coloring, and Painting

\r\nNot only is burnishing similar to painting, but it is also similar to the blending process of graphite pencils. Just like smoothing and blending out the graphite helps our black and white pencil art look more realistic, the burnishing process smooths and blends out the colors in our colored pencil art.\r\n\r\nNow you can see that with the help of burnishing, art drawn in colored pencils can appear even more like paintings. So the next time you \"draw\" in colored pencil, remember to try out one or both of these burnishing techniques and \"paint\" in colored pencil instead!','How to \"Paint\" with Colored Pencils','','inherit','closed','closed','','3176-revision-v1','','','2016-07-14 12:36:23','2016-07-14 19:36:23','',3176,'http://www.letsdrawpeople.com/3176-revision-v1/',0,'revision','',0),(3185,2,'2016-07-15 12:03:29','2016-07-15 19:03:29','','true blue colorless blender','','inherit','open','closed','','true-blue-colorless-blender','','','2016-07-15 12:03:29','2016-07-15 19:03:29','',3176,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/true-blue-colorless-blender.jpg',0,'attachment','image/jpeg',0),(3186,2,'2016-07-15 12:03:32','2016-07-15 19:03:32','','true blue white and colorless blender','','inherit','open','closed','','true-blue-white-and-colorless-blender','','','2016-07-15 12:03:32','2016-07-15 19:03:32','',3176,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/true-blue-white-and-colorless-blender.jpg',0,'attachment','image/jpeg',0),(3187,2,'2016-07-15 12:03:34','2016-07-15 19:03:34','','true blue white','','inherit','open','closed','','true-blue-white','','','2016-07-15 12:03:34','2016-07-15 19:03:34','',3176,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/true-blue-white.jpg',0,'attachment','image/jpeg',0),(3188,2,'2016-07-15 12:06:35','2016-07-15 19:06:35','If you want to make a transition from drawing realistically with graphite pencils to drawing realistically with colored pencils, then it is natural to want to maintain the \"realistic\" aspect of your work.\r\n\r\nThat said, it can be a challenge to make drawings look real with colored pencils.\r\n\r\nYes, it is true that they add color to your work. However, colored pencils, as versatile as they can be, are still a far cry from being able to mimic an exact representation of the vast array of colors portrayed in real life or in a photograph.\r\n\r\nEven so, there is a lot you can do with colored pencils to get a look that is at least closer to a \"realistic\" look. For example, have you ever thought about \"painting\" with colored pencils?\r\n

Burnishing...the Art of Painting with Pencils

\r\nYou may be thinking, \"It\'s impossible to paint using colored pencils!\"\r\n\r\nThe reason I bring up painting is because out of all the art mediums, paint is the one most closely associated with the most realistic works of art.\r\n\r\nNow since the focus of this lesson is on the medium of colored pencils, wouldn\'t it be cool if we could achieve an effect similar to painting with our colored pencils?\r\n\r\nIt is quite possible to achieve such an effect using the technique of burnishing.\r\n\r\nBurnishing is a special process that allows you to create colored pencil drawings that resemble paintings. When you burnish, you are actually layering colored pencils in order to make a solid area of pigment. The burnishing process takes away the texture made by the drawing surface and leaves a result that looks similar to a painting.\r\n

How to Burnish

\r\nThere are several different ways you can burnish your colored pencil drawings. For now, I am going to share two of those ways. Don\'t worry...they are both effective and easy to implement!\r\n\r\nFor these examples, I used Prismacolor Premier Colored Pencils. However, you can use these techniques with other brands as well.\r\n\r\nThe first technique involves identifying the area you want to burnish and layering it with a white colored pencil. As you can see in the example below, the box on the left contains only the original color (Prismacolor True Blue - PC903) and is not burnished. The box on the right contains the True Blue after it has been burnished with White (PC938). You should use heavy pressure with your White pencil when burnishing.\r\n\r\n\"true\r\n\r\nThe second technique involves doing the same thing as the first; only instead of using white to burnish, you will use what is called a Colorless blender (PC1077). A colorless blender is a special kind of pencil that has a binder inside of it (just like all colored pencils) but lacks the pigment that the binder is meant to hold together. You can find them sold individually or as part of a colored pencil accessory set. Here is what a colorless blender looks like:\r\n\r\n\"colorless\r\n\r\nAs you can see in the example below, the box on the left contains only True Blue and is not burnished. The box on the right contains the True Blue after it has been burnished with the colorless blender. Again, you should use heavy pressure.\r\n\r\n\"true\r\n

Which Technique Is Best?

\r\nYou might notice that with both techniques, the True Blue experiences a change in value after being burnished.\r\n\r\n\"true\r\n\r\nYou might also notice that the white has a much greater effect on the change in value while the colorless blender\'s effect on value change is not as noticeable. You will have to decide what kind of effect you are going for, and that will help you decide on which technique to use.\r\n

Drawing, Coloring, and Painting

\r\nNot only is burnishing similar to painting, but it is also similar to the blending process of graphite pencils. Just like smoothing and blending out the graphite helps our black and white pencil art look more realistic, the burnishing process smooths and blends out the colors in our colored pencil art.\r\n\r\nNow you can see that with the help of burnishing, art drawn in colored pencils can appear even more like paintings. So the next time you \"draw\" in colored pencil, remember to try out one or both of these burnishing techniques and \"paint\" in colored pencil instead!','How to \"Paint\" with Colored Pencils','','inherit','closed','closed','','3176-revision-v1','','','2016-07-15 12:06:35','2016-07-15 19:06:35','',3176,'http://www.letsdrawpeople.com/3176-revision-v1/',0,'revision','',0),(3190,2,'2016-07-16 06:23:21','2016-07-16 13:23:21','VIDEO\r\n\r\npressure plays an important role in how a colored pencil will behave on a surface. therefore it\'s important to consider the amount of pressure you apply when you\'re making marks on a surface. logically, an infinite range can be applied when you are using a colored pencil. but for this video series we\'ll simplify it into three categories: light pressure, medium pressure, and heavy pressure.\r\n\r\n*****\r\n\r\nEBOOK\r\n\r\nThe pressure placed on the pencil will greatly affect the marks that are made and the behavior of the medium on the surface.\r\n\r\nLight Pressure Medium Pressure Heavy Pressure\r\n\r\nVarying the pressure placed on the pencil will affect the value and intensity of the color that is applied. By varying the intensity, the artist has complete control over the marks and the color.\r\n\r\nHatching with varied pressure\r\n\r\nCross hatching with varied pressure\r\n\r\n*****\r\n\r\nNOTES\r\n\r\nconsider amount of pressure you apply\r\n\r\nthree categories\r\n\r\nvarying pressure to affect value and intensity with hatching and crosshatching','pressure','','inherit','closed','closed','','3189-revision-v1','','','2016-07-16 06:23:21','2016-07-16 13:23:21','',3189,'http://www.letsdrawpeople.com/3189-revision-v1/',0,'revision','',0),(3191,2,'2016-07-16 08:10:59','2016-07-16 15:10:59',' \r\n\r\nWhen you draw or \"color\" with colored pencils, are you paying attention to how much pressure you put on the pencil?\r\n\r\nIf not, then you should.\r\n\r\nMany people may not think the amount of pressure you place on your colored pencil makes a difference. This certainly did not occur to me before I learned otherwise.\r\n\r\nHowever, the pressure you place on your pencil does have a noticeable effect on the marks made on your paper. Believe it or not, the medium will also \"behave\" a certain way on the surface depending on the pressure you use.\r\n\r\nLet\'s take a closer look at the different types of pressure you should use and when you should use them.\r\n

Pressure Categories for Using Colored Pencils

\r\nOf course if you think about it, the range of pressure you can apply to a colored pencil is endless. You can do anything from barely touch the surface to press so hard that the \"lead\" breaks.\r\n\r\nSince it is unlikely that you will do either of these two extremes purposefully, let\'s make this real simple. Here are the three very broad categories of pressure you should be aware of when using your colored pencils:\r\n\r\nLight pressure means you are .... - see through\r\n\r\npic - single line, hatching, crosshatching with diff colors\r\n\r\nMedium pressure - mix together\r\n\r\npic - single line, hatching, crosshatching with diff colors\r\n\r\nHeavy pressure -mix together, end goal\r\n\r\npic - single line, hatching, crosshatching with diff colors\r\n

Varying the Pressure

\r\n \r\n\r\nVarying the pressure placed on the pencil will affect the value and intensity of the color that is applied. By varying the intensity, the artist has complete control over the marks and the color.\r\n\r\nHatching with varied pressure - heavy to light\r\n\r\nCross hatching with varied pressure - heavy to light\r\n

Closing...

\r\nbegin with light pressure and layer over colors with light pressure, medium, and work you way up to heavy pressure\r\n\r\nRemember from now on to always consciously be aware of the pressure you are using and plan for the right amount of pressure for the task at hand whenever you make colored pencil marks on your paper.\r\n\r\n ','pressure','','inherit','closed','closed','','3189-revision-v1','','','2016-07-16 08:10:59','2016-07-16 15:10:59','',3189,'http://www.letsdrawpeople.com/3189-revision-v1/',0,'revision','',0),(3192,2,'2016-07-16 08:11:19','2016-07-16 15:11:19','When you draw or \"color\" with colored pencils, are you paying attention to how much pressure you put on the pencil?\r\n\r\nIf not, then you should.\r\n\r\nMany people may not think the amount of pressure you place on your colored pencil makes a difference. This certainly did not occur to me before I learned otherwise.\r\n\r\nHowever, the pressure you place on your pencil does have a noticeable effect on the marks made on your paper. Believe it or not, the medium will also \"behave\" a certain way on the surface depending on the pressure you use.\r\n\r\nLet\'s take a closer look at the different types of pressure you should use and when you should use them.\r\n

Pressure Categories for Using Colored Pencils

\r\nOf course if you think about it, the range of pressure you can apply to a colored pencil is endless. You can do anything from barely touch the surface to press so hard that the \"lead\" breaks.\r\n\r\nSince it is unlikely that you will do either of these two extremes purposefully, let\'s make this real simple. Here are the three very broad categories of pressure you should be aware of when using your colored pencils:\r\n\r\nLight pressure means you are .... - see through\r\n\r\npic - single line, hatching, crosshatching with diff colors\r\n\r\nMedium pressure - mix together\r\n\r\npic - single line, hatching, crosshatching with diff colors\r\n\r\nHeavy pressure -mix together, end goal\r\n\r\npic - single line, hatching, crosshatching with diff colors\r\n

Varying the Pressure

\r\n \r\n\r\nVarying the pressure placed on the pencil will affect the value and intensity of the color that is applied. By varying the intensity, the artist has complete control over the marks and the color.\r\n\r\nHatching with varied pressure - heavy to light\r\n\r\nCross hatching with varied pressure - heavy to light\r\n

Closing...

\r\nbegin with light pressure and layer over colors with light pressure, medium, and work you way up to heavy pressure\r\n\r\nRemember from now on to always consciously be aware of the pressure you are using and plan for the right amount of pressure for the task at hand whenever you make colored pencil marks on your paper.\r\n\r\n ','pressure','','inherit','closed','closed','','3189-revision-v1','','','2016-07-16 08:11:19','2016-07-16 15:11:19','',3189,'http://www.letsdrawpeople.com/3189-revision-v1/',0,'revision','',0),(3193,2,'2016-07-16 08:11:41','2016-07-16 15:11:41','When you draw or \"color\" with colored pencils, are you paying attention to how much pressure you put on the pencil?\r\n\r\nIf not, then you should.\r\n\r\nMany people may not think the amount of pressure you place on your colored pencil makes a difference. This certainly did not occur to me before I learned otherwise.\r\n\r\nHowever, the pressure you place on your pencil does have a noticeable effect on the marks made on your paper. Believe it or not, the medium will also \"behave\" a certain way on the surface depending on the pressure you use.\r\n\r\nLet\'s take a closer look at the different types of pressure you should use and when you should use them.\r\n

Pressure Categories for Using Colored Pencils

\r\nOf course if you think about it, the range of pressure you can apply to a colored pencil is endless. You can do anything from barely touch the surface to press so hard that the \"lead\" breaks.\r\n\r\nSince it is unlikely that you will do either of these two extremes purposefully, let\'s make this real simple. Here are the three very broad categories of pressure you should be aware of when using your colored pencils:\r\n\r\nLight pressure means you are .... - see through\r\n\r\npic - single line, hatching, crosshatching with diff colors\r\n\r\nMedium pressure - mix together\r\n\r\npic - single line, hatching, crosshatching with diff colors\r\n\r\nHeavy pressure -mix together, end goal\r\n\r\npic - single line, hatching, crosshatching with diff colors\r\n

Varying the Pressure

\r\nVarying the pressure placed on the pencil will affect the value and intensity of the color that is applied. By varying the intensity, the artist has complete control over the marks and the color.\r\n\r\nHatching with varied pressure - heavy to light\r\n\r\nCross hatching with varied pressure - heavy to light\r\n

Closing...

\r\nbegin with light pressure and layer over colors with light pressure, medium, and work you way up to heavy pressure\r\n\r\nRemember from now on to always consciously be aware of the pressure you are using and plan for the right amount of pressure for the task at hand whenever you make colored pencil marks on your paper.','pressure','','inherit','closed','closed','','3189-revision-v1','','','2016-07-16 08:11:41','2016-07-16 15:11:41','',3189,'http://www.letsdrawpeople.com/3189-revision-v1/',0,'revision','',0),(3195,2,'2016-07-21 22:06:27','2016-07-22 05:06:27','When you draw or \"color\" with colored pencils, are you paying attention to how much pressure you put on the pencil?\r\n\r\nIf not, then you should.\r\n\r\nMany people may not think the amount of pressure you place on your colored pencil makes a difference. This certainly did not occur to me before I learned otherwise.\r\n\r\nHowever, the pressure you place on your pencil does have a noticeable effect on the marks made on your paper. Believe it or not, the medium will also \"behave\" a certain way on the surface depending on the pressure you use.*****\r\n\r\nLet\'s take a closer look at the different types of pressure you should use and when you should use them.\r\n

Pressure Categories for Using Colored Pencils

\r\nOf course if you think about it, the range of pressure you can apply to a colored pencil is endless. You can do anything from barely touch the surface to press so hard that the \"lead\" breaks.\r\n\r\nSince it is unlikely that you will do either of these two extremes purposefully, let\'s make this real simple. Here are the three very broad categories of pressure you should be aware of when using your colored pencils:\r\n\r\nLight pressure means you are .... - see through\r\n\r\npic - single line, hatching, crosshatching with diff colors\r\n\r\nMedium pressure - mix together\r\n\r\npic - single line, hatching, crosshatching with diff colors\r\n\r\nHeavy pressure -mix together, end goal\r\n\r\npic - single line, hatching, crosshatching with diff colors\r\n

Varying the Pressure

\r\nVarying the pressure placed on the pencil will affect the value and intensity of the color that is applied. By varying the intensity, the artist has complete control over the marks and the color.\r\n\r\nHatching with varied pressure - heavy to light\r\n\r\nCross hatching with varied pressure - heavy to light\r\n

Closing...

\r\nbegin with light pressure and layer over colors with light pressure, medium, and work you way up to heavy pressure\r\n\r\nRemember from now on to always consciously be aware of the pressure you are using and plan for the right amount of pressure for the task at hand whenever you make colored pencil marks on your paper.','pressure','','inherit','closed','closed','','3189-revision-v1','','','2016-07-21 22:06:27','2016-07-22 05:06:27','',3189,'http://www.letsdrawpeople.com/3189-revision-v1/',0,'revision','',0),(3196,2,'2016-07-22 08:02:50','2016-07-22 15:02:50','When you draw or \"color\" with colored pencils, are you paying attention to how much pressure you put on the pencil?\r\n\r\nIf not, then you should.\r\n\r\nMany people may not think the amount of pressure you place on your colored pencil makes a difference. This certainly did not occur to me before I learned otherwise.\r\n\r\nHowever, the pressure you place on your pencil does have a noticeable effect on the marks made on your paper. Believe it or not, the medium will also \"behave\" a certain way on the surface depending on the pressure you use.\r\n\r\nLet\'s take a closer look at the different types of pressure you should use and when you should use them.\r\n

Pressure Categories for Using Colored Pencils

\r\nOf course if you think about it, the range of pressure you can apply to a colored pencil is endless. You can do anything from barely touch the surface to press so hard that the \"lead\" breaks.\r\n\r\nSince it is unlikely that you will do either of these two extremes purposefully, let\'s make this real simple. Here are the three very broad categories of pressure you should be aware of when using your colored pencils:\r\n\r\nLight pressure means you are lightly and gently touching the paper as you move the pencil across it. It is helpful to use light pressure on the beginning layers of a piece of work. As you layer colors over the light application, this light layer will show through and result in a nice color mix.\r\n\r\n***pic - single lines, hatching, crosshatching with diff colors\r\n\r\nMedium pressure means you are pressing down on the the paper harder, but not too hard. The color on the paper will have a slightly darker value. As you layer different colors over one another with medium pressure, it will cause the pigment from the pencils to mix together.\r\n\r\n***pic - single lines, hatching, crosshatching with diff colors\r\n\r\nHeavy pressure means you are pressing down very firmly with your pencil. The result on your paper will be a heavier, more intense value of the color. This too will cause the pigment from the pencils to mix together even more. You should consider using heavy pressure on the final layers of your drawing.\r\n\r\n***pic - single lines, hatching, crosshatching with diff colors\r\n

Varying the Pressure

\r\nNot only should you use a mix of light, medium, and heavy pressure layers as you are progressing through a drawing, but you can also vary the pressure of the pencil before you lift it from the paper. In the example below, this single pencil stroke begins with heavy pressure and tapers off with light pressure.\r\n\r\n***pic - heavy to light\r\n\r\nBy varying the pressure placed on the pencil, you will get a range of color values and intensity with each stroke.\r\n\r\nHatching with varied pressure - heavy to light\r\n\r\nCross hatching with varied pressure - heavy to light\r\n

Closing...

\r\nbegin with light pressure and layer over colors progressively with light pressure, medium, and work you way up to heavy pressure. mixed colors equals more natural looking drawings\r\n\r\nRemember from now on to always consciously be aware of the pressure you are using and plan for the right amount of pressure for the task at hand whenever you make colored pencil marks on your paper.','pressure','','inherit','closed','closed','','3189-revision-v1','','','2016-07-22 08:02:50','2016-07-22 15:02:50','',3189,'http://www.letsdrawpeople.com/3189-revision-v1/',0,'revision','',0),(3213,2,'2016-07-26 06:25:44','2016-07-26 13:25:44','No doubt you have heard the word \"value\" thrown around among artists regarding artwork. However, do you know exactly what the word \"value\" means?\r\n\r\nValue is a very important element of art. Value is simply a word used to describe how light or how dark a color is. Our eyes and our minds perceive the world around us based on lights and darks and how they relate to one another.\r\n

How to Measure Value

\r\nOne way to measure value is by using a value scale. A value scale is usually a display of boxes with one color in the middle and variations of that color on either side. Progressively lighter versions of the color are on one side, and progressively darker versions of the color are on the other side. Below is a value scale for the color red...\r\n\r\n***pic red value scale***\r\n\r\n...and here is a value scale for blue...\r\n\r\n***pic blue value scale***\r\n\r\n...and another value scale for green.\r\n\r\n***pic green value scale***\r\n\r\nWe call the lighter values tints and the darker values shades.\r\n\r\n***pic tints and shades***\r\n

How a Value Scale Applies to a Drawing

\r\nSince drawing takes place on a two-dimensional surface of neutral color, it\'s up to the artist to create an illusion of three dimensions. That means the viewer of the artwork needs to perceive form and depth. Knowledge of the value scale and careful placement of tints and shades helps the artist to achieve this.\r\n\r\nIn general, you should use tints for highlights and shades for shadows.\r\n\r\nOne way  to simplify the vast array of values that could be present in a drawing is to use a five-value scale. The five values on this scale are used for specific areas of an object to help develop that three-dimensional form for the object.\r\n\r\nFor simplicity\'s sake, let\'s look at a drawing of a sphere to see how a five-value scale applies to it.\r\n\r\n***pic sphere with labels***\r\n\r\n \r\n\r\nHighlight - area on an object where light is hitting directly. This area is typically indicated using the lightest values of a color.\r\n\r\nMidtone - area of middle value\r\n\r\nCore Shadow - area of shadow on the object. This area is typically indicated by the shades of the color.\r\n\r\nReflected Highlight - area on the object where light has reflected off of surrounding objects onto the surface.\r\n\r\nCast Shadow - area of shadow cast on surrounding objects.','value','','inherit','closed','closed','','3208-revision-v1','','','2016-07-26 06:25:44','2016-07-26 13:25:44','',3208,'http://www.letsdrawpeople.com/3208-revision-v1/',0,'revision','',0),(3214,2,'2016-07-26 07:18:48','2016-07-26 14:18:48','No doubt you have heard the word \"value\" thrown around among artists regarding artwork. However, do you know exactly what the word \"value\" means?\r\n\r\nValue is a very important element of art. Value is simply a word used to describe how light or how dark a color is. Our eyes and our minds perceive the world around us based on lights and darks and how they relate to one another.\r\n

How to Measure Value

\r\nOne way to measure value is by using a value scale. A value scale is usually a display of boxes with one color in the middle and variations of that color on either side. Progressively lighter versions of the color are on one side, and progressively darker versions of the color are on the other side. Below is a value scale for the color red...\r\n\r\n***pic red value scale***\r\n\r\n...and here is a value scale for blue...\r\n\r\n***pic blue value scale***\r\n\r\n...and another value scale for green.\r\n\r\n***pic green value scale***\r\n\r\nWe call the lighter values tints and the darker values shades.\r\n\r\n***pic tints and shades***\r\n

How a Value Scale Applies to a Drawing

\r\nSince drawing takes place on a two-dimensional surface of neutral color, it\'s up to the artist to create an illusion of three dimensions. That means the viewer of the artwork needs to perceive form and depth. Knowledge of the value scale and careful placement of tints and shades helps the artist to achieve this.\r\n\r\nIn general, you should use tints for highlights and shades for shadows.\r\n\r\nOne way  to simplify the vast array of values that could be present in a drawing is to use a five-value scale. The five values on this scale are used for specific areas of an object to help develop that three-dimensional form for the object.\r\n\r\nFor simplicity\'s sake, let\'s look at a colored pencil drawing of a sphere to see how a five-value scale applies to it.\r\n\r\n***pic sphere with labels***\r\n\r\nThe highlight on an object is the lightest value of the scale. It is of such a light value that it appears nearly or completely white. This is the spot where direct light is striking the object.\r\n\r\nThe next value on the scale which is slightly darker than the highlight is the reflected highlight. This tint consists of light bouncing back from surrounding surfaces. The reflected highlight is usually found along the edge of an object. It gives roundness to an object as it curves back toward darker, more shadowy areas.\r\n\r\nThe midtone is the true color of the object. Therefore, it has the middle value within the scale. This area of the object has neither light shining on it nor shadow cast upon it.\r\n\r\nThe first shade on the scale is called a core shadow. This simply indicates an area of shadow where the object is receding from the light source.\r\n\r\nThe final value of the scale is the cast shadow. This is where you will find the darkest values of the drawing, nearly black, since it represents that shadow that your object is casting onto a surface.\r\n\r\nOne thing you may notice about the object itself: there are no hard edges where one value stops and another value begins. Rather, there is a gradual transition from one value to the next. Remember this important detail when you are applying a value scale to your drawings!\r\n\r\n ','How to Identify and Apply Values in Your Artwork','','inherit','closed','closed','','3208-revision-v1','','','2016-07-26 07:18:48','2016-07-26 14:18:48','',3208,'http://www.letsdrawpeople.com/3208-revision-v1/',0,'revision','',0),(3216,2,'2016-07-27 08:16:21','2016-07-27 15:16:21','','blue value scale','','inherit','open','closed','','blue-value-scale','','','2016-07-27 08:16:21','2016-07-27 15:16:21','',3208,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/blue-value-scale.jpg',0,'attachment','image/jpeg',0),(3215,2,'2016-07-27 04:46:48','2016-07-27 11:46:48','No doubt you have heard the word \"value\" thrown around among artists regarding artwork. However, do you know exactly what the word \"value\" means?\r\n\r\nValue is a very important element of art. Value is simply a word used to describe how light or how dark a color is. Our eyes and our minds perceive the world around us based on lights and darks and how they relate to one another.\r\n

How to Measure Value

\r\nOne way to measure value is by using a value scale. A value scale is usually a display of boxes with one color in the middle and variations of that color on either side. Progressively lighter versions of the color are on one side, and progressively darker versions of the color are on the other side. Below is a value scale for the color red...\r\n\r\n***pic red value scale***\r\n\r\n...and here is a value scale for blue...\r\n\r\n***pic blue value scale***\r\n\r\n...and another value scale for green.\r\n\r\n***pic green value scale***\r\n\r\nWe call the lighter values tints and the darker values shades.\r\n\r\n***pic tints and shades***\r\n

How a Value Scale Applies to a Drawing

\r\nSince drawing takes place on a two-dimensional surface of neutral color, it\'s up to the artist to create an illusion of three dimensions. That means the viewer of the artwork needs to perceive form and depth. Knowledge of the value scale and careful placement of tints and shades helps the artist to achieve this.\r\n\r\nIn general, you should use tints for highlights and shades for shadows.\r\n\r\nOne way  to simplify the vast array of values that could be present in a drawing is to use a five-value scale. The five values on this scale are used for specific areas of an object to help develop that three-dimensional form for the object.\r\n\r\nFor simplicity\'s sake, let\'s look at a colored pencil drawing of a sphere to see how a five-value scale applies to it.\r\n\r\n***pic sphere with labels***\r\n\r\nThe highlight on an object is the lightest value of the scale. It is of such a light value that it appears nearly or completely white. This is the spot where direct light is striking the object.\r\n\r\nThe next value on the scale which is slightly darker than the highlight is the reflected highlight. This tint consists of light bouncing back from surrounding surfaces. The reflected highlight is usually found along the edge of an object. It gives roundness to an object as it curves back toward darker, more shadowy areas.\r\n\r\nThe midtone is the true color of the object. Therefore, it has the middle value within the scale. This area of the object has neither light shining on it nor shadow cast upon it.\r\n\r\nThe first shade on the scale is called a core shadow. This simply indicates an area of shadow where the object is receding from the light source.\r\n\r\nThe final value of the scale is the cast shadow. This is where you will find the darkest values of the drawing, nearly black, since it represents that shadow that your object is casting onto a surface.\r\n\r\nOne thing you may notice about the object itself: there are no hard edges where one value stops and another value begins. Rather, there is a gradual transition from one value to the next. Remember this important detail when you are applying a value scale to your drawings!\r\n\r\n ','How to Identify and Apply Value in Your Artwork','','inherit','closed','closed','','3208-revision-v1','','','2016-07-27 04:46:48','2016-07-27 11:46:48','',3208,'http://www.letsdrawpeople.com/3208-revision-v1/',0,'revision','',0),(3198,2,'2016-07-23 05:20:44','2016-07-23 12:20:44','When you draw or \"color\" with colored pencils, are you paying attention to how much pressure you put on the pencil?\r\n\r\nIf not, then you should.\r\n\r\nMany people may not think the amount of pressure you place on your colored pencil makes a difference. This certainly did not occur to me before I learned otherwise.\r\n\r\nHowever, the pressure you place on your pencil does have a noticeable effect on the marks made on your paper. Believe it or not, the medium will also \"behave\" a certain way on the surface depending on the pressure you use.\r\n\r\nLet\'s take a closer look at the different types of pressure you should use and when you should use them.\r\n

Pressure Categories for Using Colored Pencils

\r\nOf course if you think about it, the range of pressure you can apply to a colored pencil is endless. You can do anything from barely touch the surface to press so hard that the \"lead\" breaks.\r\n\r\nSince it is unlikely that you will do either of these two extremes purposefully, let\'s make this real simple. Here are the three very broad categories of pressure you should be aware of when using your colored pencils:\r\n\r\nLight pressure means you are lightly and gently touching the paper as you move the pencil across it. It is helpful to use light pressure on the beginning layers of a piece of work. As you layer colors over the light application, this light layer will show through and result in a nice color mix.\r\n\r\n***pic - single lines, hatching, crosshatching with diff colors\r\n\r\nMedium pressure means you are pressing down on the the paper harder, but not too hard. The color on the paper will have a slightly darker value. As you layer different colors over one another with medium pressure, it will cause the pigment from the pencils to mix together.\r\n\r\n***pic - single lines, hatching, crosshatching with diff colors\r\n\r\nHeavy pressure means you are pressing down very firmly with your pencil. The result on your paper will be a heavier, more intense value of the color. This too will cause the pigment from the pencils to mix together even more. You should consider using heavy pressure on the final layers of your drawing.\r\n\r\n***pic - single lines, hatching, crosshatching with diff colors\r\n

Varying the Pressure

\r\nNot only should you use a mix of light, medium, and heavy pressure layers as you are progressing through a drawing, but you can also vary the pressure of the pencil before you lift it from the paper. In the example below, this single pencil stroke begins with heavy pressure and tapers off with light pressure.\r\n\r\n***pic - heavy to light\r\n\r\nBy varying the pressure placed on the pencil, you will get a range of color values and intensity with each stroke.\r\n\r\nHatching with varied pressure - heavy to light\r\n\r\nCross hatching with varied pressure - heavy to light\r\n

Closing...

\r\nbegin with light pressure and layer over colors progressively with light pressure, medium, and work you way up to heavy pressure. mixed colors equals more natural looking drawings\r\n\r\nRemember from now on to always consciously be aware of the pressure you are using and plan for the right amount of pressure for the task at hand whenever you make colored pencil marks on your paper.','Put Some Pressure on Your Colored Pencils','','inherit','closed','closed','','3189-revision-v1','','','2016-07-23 05:20:44','2016-07-23 12:20:44','',3189,'http://www.letsdrawpeople.com/3189-revision-v1/',0,'revision','',0),(3200,2,'2016-07-23 07:49:30','2016-07-23 14:49:30','','01 light pressure','','inherit','open','closed','','01-light-pressure','','','2016-07-23 07:49:30','2016-07-23 14:49:30','',3189,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/01-light-pressure.jpg',0,'attachment','image/jpeg',0),(3199,2,'2016-07-23 05:39:52','2016-07-23 12:39:52','When you draw or \"color\" with colored pencils, are you paying attention to how much pressure you put on the pencil?\r\n\r\nIf not, then you should.\r\n\r\nMany people may not think the amount of pressure you place on your colored pencil makes a difference. This certainly did not occur to me before I learned otherwise.\r\n\r\nHowever, the pressure you place on your pencil does have a noticeable effect on the marks made on your paper. Believe it or not, the medium will also \"behave\" a certain way on the surface depending on the pressure you use.\r\n\r\nLet\'s take a closer look at the different types of pressure you should use and when you should use them.\r\n

Pressure Categories for Using Colored Pencils

\r\nOf course if you think about it, the range of pressure you can apply to a colored pencil is endless. You can do anything from barely touch the surface to press so hard that the \"lead\" breaks.\r\n\r\nSince it is unlikely that you will do either of these two extremes purposefully, let\'s make this real simple. Here are the three very broad categories of pressure you should be aware of when using your colored pencils:\r\n\r\nLight pressure means you are lightly and gently touching the paper as you move the pencil across it. It is helpful to use light pressure on the beginning layers of a piece of work. As you layer colors over the light application, this light layer will show through and result in a nice color mix.\r\n\r\n***pic - single lines, hatching, crosshatching with diff colors\r\n\r\nMedium pressure means you are pressing down on the the paper harder, but not too hard. The color on the paper will have a slightly darker value. As you layer different colors over one another with medium pressure, it will cause the pigment from the pencils to mix together.\r\n\r\n***pic - single lines, hatching, crosshatching with diff colors\r\n\r\nHeavy pressure means you are pressing down very firmly with your pencil. The result on your paper will be a heavier, more intense value of the color. This too will cause the pigment from the pencils to mix together even more. You should consider using heavy pressure on the final layers of your drawing.\r\n\r\n***pic - single lines, hatching, crosshatching with diff colors\r\n

Varying the Pressure

\r\nNot only should you use a mix of light, medium, and heavy pressure layers as you are progressing through a drawing, but you can also vary the pressure of the pencil before you lift it from the paper. In the example below, this single pencil stroke begins with heavy pressure and tapers off with light pressure.\r\n\r\n***pic - heavy to light\r\n\r\nBy varying the pressure placed on the pencil, you will get a range of color values and intensity with each stroke.\r\n\r\nIn this example, you can see an instance of hatching where the pressure is varied from heavy at the bottom to light at the top...\r\n\r\n***pic - Hatching with varied pressure - heavy to light\r\n\r\n...and here, you can see crosshatching where the pressure is again varied from heavy to light with each pencil stroke.\r\n\r\n***pic - Cross hatching with varied pressure - heavy to light\r\n

Pressure Rule of Thumb

\r\nA nice, rich mix of colors will make your drawings appear more natural. In general, remember to begin your initial layers with light pressure. Then layer over colors progressively with medium pressure, and work you way up to heavy pressure. You should have heavy applications of color in the final stages.\r\n\r\nSo from now on, always consciously be aware of the pressure you are using. Plan for the right amount of pressure for the task at hand whenever you make colored pencil marks on your paper.','Put Some Pressure on Your Colored Pencils','','inherit','closed','closed','','3189-revision-v1','','','2016-07-23 05:39:52','2016-07-23 12:39:52','',3189,'http://www.letsdrawpeople.com/3189-revision-v1/',0,'revision','',0),(3201,2,'2016-07-23 07:49:32','2016-07-23 14:49:32','','02 medium pressure','','inherit','open','closed','','02-medium-pressure','','','2016-07-23 07:49:32','2016-07-23 14:49:32','',3189,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/02-medium-pressure.jpg',0,'attachment','image/jpeg',0),(3202,2,'2016-07-23 07:49:34','2016-07-23 14:49:34','','03 heavy pressure','','inherit','open','closed','','03-heavy-pressure','','','2016-07-23 07:49:34','2016-07-23 14:49:34','',3189,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/03-heavy-pressure.jpg',0,'attachment','image/jpeg',0),(3203,2,'2016-07-23 07:49:35','2016-07-23 14:49:35','','04 light to heavy stroke','','inherit','open','closed','','04-light-to-heavy-stroke','','','2016-07-23 07:49:35','2016-07-23 14:49:35','',3189,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/04-light-to-heavy-stroke.jpg',0,'attachment','image/jpeg',0),(3204,2,'2016-07-23 07:49:37','2016-07-23 14:49:37','','05 heavy to light hatching','','inherit','open','closed','','05-heavy-to-light-hatching','','','2016-07-23 07:49:37','2016-07-23 14:49:37','',3189,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/05-heavy-to-light-hatching.jpg',0,'attachment','image/jpeg',0),(3205,2,'2016-07-23 07:49:39','2016-07-23 14:49:39','','06 heavy to light crosshatching','','inherit','open','closed','','06-heavy-to-light-crosshatching','','','2016-07-23 07:49:39','2016-07-23 14:49:39','',3189,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/06-heavy-to-light-crosshatching.jpg',0,'attachment','image/jpeg',0),(3206,2,'2016-07-23 07:53:33','2016-07-23 14:53:33','When you draw or \"color\" with colored pencils, are you paying attention to how much pressure you put on the pencil?\r\n\r\nIf not, then you should.\r\n\r\nMany people may not think the amount of pressure you place on your colored pencil makes a difference. This certainly did not occur to me before I learned otherwise.\r\n\r\nHowever, the pressure you place on your pencil does have a noticeable effect on the marks made on your paper. Believe it or not, the medium will also \"behave\" a certain way on the surface depending on the pressure you use.\r\n\r\nLet\'s take a closer look at the different types of pressure you should use and when you should use them.\r\n

Pressure Categories for Using Colored Pencils

\r\nOf course if you think about it, the range of pressure you can apply to a colored pencil is endless. You can do anything from barely touch the surface to press so hard that the \"lead\" breaks.\r\n\r\nSince it is unlikely that you will do either of these two extremes purposefully, let\'s make this real simple. Here are the three very broad categories of pressure you should be aware of when using your colored pencils:\r\n\r\nLight pressure means you are lightly and gently touching the paper as you move the pencil across it. It is helpful to use light pressure on the beginning layers of a piece of work. As you layer colors over the light application, this light layer will show through and result in a nice color mix.\r\n\r\n\"01\r\n\r\nMedium pressure means you are pressing down on the the paper harder, but not too hard. The color on the paper will have a slightly darker value. As you layer different colors over one another with medium pressure, it will cause the pigment from the pencils to mix together.\r\n\r\n\"02\r\n\r\nHeavy pressure means you are pressing down very firmly with your pencil. The result on your paper will be a heavier, more intense value of the color. This too will cause the pigment from the pencils to mix together even more. You should consider using heavy pressure on the final layers of your drawing.\r\n\r\n\"03\r\n

Varying the Pressure

\r\nNot only should you use a mix of light, medium, and heavy pressure layers as you are progressing through a drawing, but you can also vary the pressure of the pencil before you lift it from the paper. In the example below, this single pencil stroke begins with heavy pressure and tapers off with light pressure.\r\n\r\n \r\n\r\n\"04\r\n\r\nBy varying the pressure placed on the pencil, you will get a range of color values and intensity with each stroke.\r\n\r\nIn this example, you can see an instance of hatching where the pressure is varied from heavy at the bottom to light at the top...\r\n\r\n\"05\r\n\r\n...and here, you can see crosshatching where the pressure is again varied from heavy to light with each pencil stroke.\r\n\r\n\"06\r\n

Pressure Rule of Thumb

\r\nA nice, rich mix of colors will make your drawings appear more natural. In general, remember to begin your initial layers with light pressure. Then layer over colors progressively with medium pressure, and work you way up to heavy pressure. You should have heavy applications of color in the final stages.\r\n\r\nSo from now on, always consciously be aware of the pressure you are using. Plan for the right amount of pressure for the task at hand whenever you make colored pencil marks on your paper.','Put Some Pressure on Your Colored Pencils','','inherit','closed','closed','','3189-revision-v1','','','2016-07-23 07:53:33','2016-07-23 14:53:33','',3189,'http://www.letsdrawpeople.com/3189-revision-v1/',0,'revision','',0),(3208,2,'2016-07-27 08:18:14','2016-07-27 15:18:14','No doubt you have heard the word \"value\" thrown around among artists regarding artwork. However, do you know exactly what the word \"value\" means?\r\n\r\nValue is a very important element of art. Value is simply a word used to describe how light or how dark a color is. Our eyes and our minds perceive the world around us based on lights and darks and how they relate to one another.\r\n

How to Measure Value

\r\nOne way to measure value is by using a value scale. A value scale is usually a display of boxes with one color in the middle and variations of that color on either side. Progressively lighter versions of the color are on one side, and progressively darker versions of the color are on the other side. Below is a value scale for the color red...\r\n\r\n\"red\r\n\r\n...and here is a value scale for blue...\r\n\r\n\"blue\r\n\r\n...and another value scale for green.\r\n\r\n\"green\r\n\r\nWe call the lighter values tints and the darker values shades.\r\n\r\n\"tints\r\n

How a Value Scale Applies to a Drawing

\r\nSince drawing takes place on a two-dimensional surface of neutral color, it\'s up to the artist to create an illusion of three dimensions. That means the viewer of the artwork needs to perceive form and depth. Knowledge of the value scale and careful placement of tints and shades helps the artist to achieve this.\r\n\r\nIn general, you should use tints for highlights and shades for shadows.\r\n\r\nOne way  to simplify the vast array of values that could be present in a drawing is to use a five-value scale. The five values on this scale are used for specific areas of an object to help develop that three-dimensional form for the object.\r\n\r\nFor simplicity\'s sake, let\'s look at a colored pencil drawing of a sphere to see how a five-value scale applies to it.\r\n\r\n\"five\r\n\r\nThe highlight on an object is the lightest value of the scale. It is of such a light value that it appears nearly or completely white. This is the spot where direct light is striking the object.\r\n\r\nThe next value on the scale which is slightly darker than the highlight is the reflected highlight. This tint consists of light bouncing back from surrounding surfaces. The reflected highlight is usually found along the edge of an object. It gives roundness to an object as it curves back toward darker, more shadowy areas.\r\n\r\nThe midtone is the true color of the object. Therefore, it has the middle value within the scale. This area of the object has neither light shining on it nor shadow cast upon it.\r\n\r\nThe first shade on the scale is called a core shadow. This simply indicates an area of shadow where the object is receding from the light source.\r\n\r\nThe final value of the scale is the cast shadow. This is where you will find the darkest values of the drawing, nearly black, since it represents that shadow that your object is casting onto a surface.\r\n\r\nOne thing you may notice about the object itself: there are no hard edges where one value stops and another value begins. Rather, there is a gradual transition from one value to the next. Remember this important detail when you are applying a value scale to your drawings!\r\n\r\nI happen to be an affiliate for a very comprehensive course on colored pencils. It will teach you in greater detail about applying value to your colored pencil drawings, and much more. You can click here to learn more about it.','How to Identify and Apply Value in Your Artwork','','publish','open','open','','how-to-identify-and-apply-value-in-your-artwork','','','2016-07-30 09:21:05','2016-07-30 16:21:05','',0,'http://www.letsdrawpeople.com/?p=3208',0,'post','',0),(3209,2,'2016-07-23 20:38:47','2016-07-24 03:38:47','we’ll take a look at the importance of value\r\n\r\nWhat is Value?\r\n\r\nValue is one of the seven elements of art. It can be defined as the darkness or lightness of a color. The relationship between darks and lights on and around objects affects how our minds perceive these objects.\r\n\r\nValue can be measured through the use of a value scale. Light values are referred to as “tints”, while dark values are referred to as “shades”.\r\n\r\nHow value manifests in a drawing… The placement of dark values (shades) and light values (tints) creates the illusion of light and form in a drawing. Tints are typically used for highlights and shades are typically used for shadows.\r\n\r\nThe Arrangement of Values\r\n\r\nThe arrangement of values on and around objects is what informs the viewer of the light within the scene and the form of the objects within. These areas can be defined by specific names.\r\n\r\nHighlight - area on an object where light is hitting directly. This area is typically indicated using the lightest values of a color.\r\n\r\nMidtone - area of middle value\r\n\r\nCore Shadow - area of shadow on the object. This area is typically indicated by the shades of the color.\r\n\r\nReflected Highlight - area on the object where light has reflected off of surrounding objects onto the surface.\r\n\r\nCast Shadow - area of shadow cast on surrounding objects.','value','','inherit','closed','closed','','3208-revision-v1','','','2016-07-23 20:38:47','2016-07-24 03:38:47','',3208,'http://www.letsdrawpeople.com/3208-revision-v1/',0,'revision','',0),(3210,2,'2016-07-23 20:44:22','2016-07-24 03:44:22','No doubt you have heard the word \"value\" thrown around among artists regarding artwork. However, do you know exactly what the word \"value\" means?\r\n\r\nValue is a very important element of art.\r\n\r\n**********\r\n\r\nwe’ll take a look at the importance of value\r\n\r\nWhat is Value?\r\n\r\nValue is one of the seven elements of art. It can be defined as the darkness or lightness of a color. The relationship between darks and lights on and around objects affects how our minds perceive these objects.\r\n\r\nValue can be measured through the use of a value scale. Light values are referred to as “tints”, while dark values are referred to as “shades”.\r\n\r\nHow value manifests in a drawing… The placement of dark values (shades) and light values (tints) creates the illusion of light and form in a drawing. Tints are typically used for highlights and shades are typically used for shadows.\r\n\r\nThe Arrangement of Values\r\n\r\nThe arrangement of values on and around objects is what informs the viewer of the light within the scene and the form of the objects within. These areas can be defined by specific names.\r\n\r\nHighlight - area on an object where light is hitting directly. This area is typically indicated using the lightest values of a color.\r\n\r\nMidtone - area of middle value\r\n\r\nCore Shadow - area of shadow on the object. This area is typically indicated by the shades of the color.\r\n\r\nReflected Highlight - area on the object where light has reflected off of surrounding objects onto the surface.\r\n\r\nCast Shadow - area of shadow cast on surrounding objects.','value','','inherit','closed','closed','','3208-revision-v1','','','2016-07-23 20:44:22','2016-07-24 03:44:22','',3208,'http://www.letsdrawpeople.com/3208-revision-v1/',0,'revision','',0),(3211,2,'2016-07-24 06:01:42','2016-07-24 13:01:42','No doubt you have heard the word \"value\" thrown around among artists regarding artwork. However, do you know exactly what the word \"value\" means?\r\n\r\nValue is a very important element of art. Value is simply a word used to describe how light or how dark a color is. Our eyes and our minds perceive the world around us based on lights and darks and how they relate to one another.\r\n

How to Measure Value

\r\nOne way to measure value is by using a value scale. A value scale is usually a display of boxes with one color in the middle and variations of that color on either side. Progressively lighter versions of the color are on one side, and progressively darker versions of the color are on the other side. Below is a value scale for the color red...\r\n\r\n***pic red value scale***\r\n\r\n...and here is a value scale for blue...\r\n\r\n***pic blue value scale***\r\n\r\n...and another value scale for green.\r\n\r\n***pic green value scale***\r\n\r\nWe call the lighter values tints and the darker values shades.\r\n\r\n***pic tints and shades***\r\n

How a Value Scale Applies to a Drawing

\r\nSince drawing takes place on a two-dimensional surface of neutral color, it\'s up to the artist to create an illusion of three dimensions. That means the viewer of the artwork needs to perceive form and depth. Knowledge of the value scale and careful placement of tints and shades helps the artist to achieve this.\r\n\r\nIn general, you should use tints for highlights and shades for shadows.\r\n\r\n**********\r\n\r\nHow value manifests in a drawing… The placement of dark values (shades) and light values (tints) creates the illusion of light and form in a drawing. Tints are typically used for highlights and shades are typically used for shadows.\r\n\r\nThe Arrangement of Values\r\n\r\nThe arrangement of values on and around objects is what informs the viewer of the light within the scene and the form of the objects within. These areas can be defined by specific names.\r\n\r\nHighlight - area on an object where light is hitting directly. This area is typically indicated using the lightest values of a color.\r\n\r\nMidtone - area of middle value\r\n\r\nCore Shadow - area of shadow on the object. This area is typically indicated by the shades of the color.\r\n\r\nReflected Highlight - area on the object where light has reflected off of surrounding objects onto the surface.\r\n\r\nCast Shadow - area of shadow cast on surrounding objects.','value','','inherit','closed','closed','','3208-revision-v1','','','2016-07-24 06:01:42','2016-07-24 13:01:42','',3208,'http://www.letsdrawpeople.com/3208-revision-v1/',0,'revision','',0),(3217,2,'2016-07-27 08:16:23','2016-07-27 15:16:23','','five value scale color sphere','','inherit','open','closed','','five-value-scale-color-sphere','','','2016-07-27 08:16:23','2016-07-27 15:16:23','',3208,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/five-value-scale-color-sphere.jpg',0,'attachment','image/jpeg',0),(3218,2,'2016-07-27 08:16:24','2016-07-27 15:16:24','','green value scale','','inherit','open','closed','','green-value-scale','','','2016-07-27 08:16:24','2016-07-27 15:16:24','',3208,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/green-value-scale.jpg',0,'attachment','image/jpeg',0),(3219,2,'2016-07-27 08:16:26','2016-07-27 15:16:26','','red value scale','','inherit','open','closed','','red-value-scale','','','2016-07-27 08:16:26','2016-07-27 15:16:26','',3208,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/red-value-scale.jpg',0,'attachment','image/jpeg',0),(3220,2,'2016-07-27 08:16:28','2016-07-27 15:16:28','','tints and shades','','inherit','open','closed','','tints-and-shades','','','2016-07-27 08:16:28','2016-07-27 15:16:28','',3208,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/tints-and-shades.jpg',0,'attachment','image/jpeg',0),(3221,2,'2016-07-27 08:18:14','2016-07-27 15:18:14','No doubt you have heard the word \"value\" thrown around among artists regarding artwork. However, do you know exactly what the word \"value\" means?\r\n\r\nValue is a very important element of art. Value is simply a word used to describe how light or how dark a color is. Our eyes and our minds perceive the world around us based on lights and darks and how they relate to one another.\r\n

How to Measure Value

\r\nOne way to measure value is by using a value scale. A value scale is usually a display of boxes with one color in the middle and variations of that color on either side. Progressively lighter versions of the color are on one side, and progressively darker versions of the color are on the other side. Below is a value scale for the color red...\r\n\r\n\"red\r\n\r\n...and here is a value scale for blue...\r\n\r\n\"blue\r\n\r\n...and another value scale for green.\r\n\r\n\"green\r\n\r\nWe call the lighter values tints and the darker values shades.\r\n\r\n\"tints\r\n

How a Value Scale Applies to a Drawing

\r\nSince drawing takes place on a two-dimensional surface of neutral color, it\'s up to the artist to create an illusion of three dimensions. That means the viewer of the artwork needs to perceive form and depth. Knowledge of the value scale and careful placement of tints and shades helps the artist to achieve this.\r\n\r\nIn general, you should use tints for highlights and shades for shadows.\r\n\r\nOne way  to simplify the vast array of values that could be present in a drawing is to use a five-value scale. The five values on this scale are used for specific areas of an object to help develop that three-dimensional form for the object.\r\n\r\nFor simplicity\'s sake, let\'s look at a colored pencil drawing of a sphere to see how a five-value scale applies to it.\r\n\r\n\"five\r\n\r\nThe highlight on an object is the lightest value of the scale. It is of such a light value that it appears nearly or completely white. This is the spot where direct light is striking the object.\r\n\r\nThe next value on the scale which is slightly darker than the highlight is the reflected highlight. This tint consists of light bouncing back from surrounding surfaces. The reflected highlight is usually found along the edge of an object. It gives roundness to an object as it curves back toward darker, more shadowy areas.\r\n\r\nThe midtone is the true color of the object. Therefore, it has the middle value within the scale. This area of the object has neither light shining on it nor shadow cast upon it.\r\n\r\nThe first shade on the scale is called a core shadow. This simply indicates an area of shadow where the object is receding from the light source.\r\n\r\nThe final value of the scale is the cast shadow. This is where you will find the darkest values of the drawing, nearly black, since it represents that shadow that your object is casting onto a surface.\r\n\r\nOne thing you may notice about the object itself: there are no hard edges where one value stops and another value begins. Rather, there is a gradual transition from one value to the next. Remember this important detail when you are applying a value scale to your drawings!\r\n\r\n ','How to Identify and Apply Value in Your Artwork','','inherit','closed','closed','','3208-revision-v1','','','2016-07-27 08:18:14','2016-07-27 15:18:14','',3208,'http://www.letsdrawpeople.com/3208-revision-v1/',0,'revision','',0),(3222,2,'2016-07-27 10:44:30','2016-07-27 17:44:30','','DSC01428','\"Stephen Tyler\" by Shaz','inherit','open','closed','','dsc01428','','','2016-07-28 10:35:23','2016-07-28 17:35:23','',659,'http://www.letsdrawpeople.com/wp-content/uploads/2013/07/DSC01428.jpg',0,'attachment','image/jpeg',0),(3223,2,'2016-07-27 10:44:53','2016-07-27 17:44:53','Use these drawings of celebrities and prominent people as examples of how to capture the likenesses of well-known people. Remember that when you are trying to draw people well enough and detailed enough for them to be recognizable as the intended person, it is often helpful to practice by drawing famous faces. I mean, what better test of your drawing skills than to show your work to people who immediately know who you were trying to draw, right?\r\n\r\nYou will see familiar drawings of different skill levels and different levels of detail in this gallery. Some drawings you may recognize, while others you may not. No matter how much or how little a drawing here captures a resemblance, take the opportunity to learn something from each piece. Some questions you may ask yourself as you view this gallery are:\r\n
    \r\n
  • Which obvious features did the artist include to help make the famous face easily recognizable?
    • \r\n
  • Which details or subtle facial characteristics did the artist include to obtain such an accurate likeness of the subject?
    • \r\n
  •  What could the artist have done differently to make a better representation of the celebrity?
    • \r\n
\r\nThank you in advance to all artists who contribute their drawings of well-known faces to this gallery! Remember, too, that it\'s okay if your drawing doesn\'t come out perfectly or to your satisfaction. I am still hard on myself with some of my work, and I always see something I could have done differently for better results (even with my own drawings in this gallery!). The important thing to remember is, you should always feel good about sharing your artwork, celebrate your strengths, and learn from your mistakes.\r\n\r\nIf you have your own celebrity portrait drawing that you want others to view in this gallery, see how to share it with us.\r\n\r\n[gallery link=\"file\" ids=\"759,753,734,799,798,797,796,790,791,792,793,794,789,788,787,786,785,784,783,795,1171,1633,1721,2483,2489,2569,2642,3222\" orderby=\"rand\"]','Drawings of Well-Known Faces','','inherit','closed','closed','','659-revision-v1','','','2016-07-27 10:44:53','2016-07-27 17:44:53','',659,'http://www.letsdrawpeople.com/659-revision-v1/',0,'revision','',0),(3224,2,'2016-08-06 16:31:29','2016-08-06 23:31:29','In this tutorial, we will draw two women stretching. What will make this drawing a little easier for us is the fact that almost all the angles of the features of the two young women are parallel to each other.\r\n\r\nAs you will see, we are going to take this tutorial down a path that slightly differs from some of my previous ones. After the initial guidelines are established, the drawing will be completed in stages. Additionally, we are going beyond the line drawing stages with this one by shading our subjects. Therefore, make sure you have a tortillion to blend tones and a kneaded eraser to lift out highlights.\r\n\r\nWith that said, here is the reference photograph. Take a look and let\'s get started!\r\n\r\n[caption id=\"attachment_3252\" align=\"aligncenter\" width=\"550\"]\"how
© Tmcphotos | Dreamstime.com
[/caption]\r\n\r\n \r\n

Draw the Figure Outlines

\r\nBegin by drawing two tilted ovals for the heads. Make sure the angles of the ovals are roughly parallel to one another. Use the reference photograph to account for how much space you should put between the ovals. Also, make the oval on your right ever so slightly smaller than the first one, since this woman is standing slightly farther back.\r\n\r\n\"01\r\n\r\n \r\n\r\nContinue to sketch the outline of each figure. To maintain a consistent curvature of the two figures, it\'s helpful to first draw a few extra guidelines. Draw a line from each head that will run the length of each torso, as indicated by the blue arrows. To get the tilt of the shoulders parallel, draw the guidelines perpendicular to the heads, as indicated by the green arrows. Finish up by sketching the outlines for the torso and legs.\r\n\r\n\"02\r\n\r\n \r\n\r\nComplete the foundation of each figure by sketching the outline for the arms. Once again, try to keep the angles of each arm mostly consistent between the two women. Before moving on, make sure you remembered to keep the features for the woman on your right slightly smaller.\r\n\r\n\"03\r\n\r\n \r\n

Work on the Faces

\r\nDraw the basic facial guidelines for each face. Begin with a vertical axis for each head. Check to see that these lines are parallel before doing the others. There is a slight curvature of the vertical axis of the woman on your left since her head is slightly tilted.\r\n\r\n\"04\r\n\r\n \r\n\r\nUse the guidelines to sketch the facial features of each woman. Use the reference photograph to try to match the unique characteristics of each feature. Carefully look at the hair of each woman and try to capture the directional flow and length.\r\n\r\n\"05\r\n\r\n \r\n\r\nAt this point, you can use a kneaded eraser to remove the facial guidelines. Use your pencil to establish a few basic tones in the shaded areas. The reference photograph shows the light coming from our right, so the darker shaded areas will mostly be on the right side of the women (our left). Leave brighter areas white (like the blue arrow). Also take care to leave areas of reflected light (green arrow) along the border of selected shaded areas.\r\n\r\n\"06\r\n\r\n \r\n\r\nUse a tortillion to carefully blend the shaded areas. Start with dark and work to light. Pay attention to the photograph to see which light areas need a little tone. Blend smooth transitions between dark and light.\r\n\r\n\"07\r\n\r\n \r\n\r\nAdd additional tones to the hair. Since the woman on your left has darker hair, be much more generous when applying graphite. Try to follow the directional flow of sections of hair when applying tones. Leave some areas lighter for highlights.\r\n\r\n\"08\r\n\r\n \r\n\r\nBlend the hair with your tortillion. Once again, keep consistent with the flow of the hair as your move the tortillion to blend areas. Pick out highlights of sections of hair when needed, and apply pencil strokes from dark areas into the highlights to represent visible strands of hair.\r\n\r\n\"09\r\n\r\n \r\n

Complete the Torso and Legs

\r\nNow it\'s time to move on to the body. Use the reference photo to replicate the clothing of each woman. Replicate characteristics such as the hems, seams, and folds.\r\n\r\n\"10\r\n\r\n \r\n\r\nAdd tones to the body of each woman. Use a range of values from dark to light, remembering the light source and where the shades need to be. Don\'t forget the reflected light along the shaded sides.\r\n\r\n\"11\r\n\r\n \r\n\r\nIn the same manner that you blended the facial tones with a tortillion, repeat by blending the tones of the body. Smooth out the tones for gradual transitions from dark to light. Be careful not to rub too much graphite in the areas that are supposed to stay lighter. Use the kneaded eraser to pick out highlights.\r\n\r\n\"12\r\n\r\n \r\n

Finish the Arms

\r\nDraw in details for the arms and hands. Include subtle lines to indicate armpits, elbows, and fingers. Draw light lines along the biceps and forearms that will aid in the placement of shading.\r\n\r\n\"13\r\n\r\n \r\n\r\nUse the lines from the last step and the reference photograph to help you place tones along the right side of each arm (their right). Notice that even though these tones are to represent shading, they shouldn\'t be too dark. Reserve the darkest shading for under the left armpit of each woman.\r\n\r\n\"14\r\n\r\n \r\n\r\nSmooth out tones one last time with a tortillion. Soften the edges if they seem too harsh. Maintain a light area along the middle of each arm and a reflected light along the edges so that the arms keep a cylindrical appearance.\r\n\r\n\"15\r\n\r\n \r\n

Finishing Touches

\r\nTake a final look at your drawing. Look for any tweaks you want to make: darker shadows, picking out lighter areas, better defining areas for contrast, etc.\r\n\r\nThat essentially completes this tutorial! When I originally set out to do this, I planned on adding only a little shading to change things up a bit. As I got going, I decided to add more. However, the level of detail you desire is up to you. If you wish, don\'t stop where I did. You can continue to layer in more tones as often as you want. The more you do, the more realistic your drawing can become!','How to Draw Women Stretching','','publish','open','open','','how-to-draw-women-stretching','','','2016-08-06 16:48:52','2016-08-06 23:48:52','',0,'http://www.letsdrawpeople.com/?p=3224',0,'post','',0),(3225,2,'2016-07-28 22:18:54','2016-07-29 05:18:54','In this tutorial, we will draw two women stretching.','How to Draw Women Stretching','','inherit','closed','closed','','3224-revision-v1','','','2016-07-28 22:18:54','2016-07-29 05:18:54','',3224,'http://www.letsdrawpeople.com/3224-revision-v1/',0,'revision','',0),(3227,2,'2016-07-30 09:21:05','2016-07-30 16:21:05','No doubt you have heard the word \"value\" thrown around among artists regarding artwork. However, do you know exactly what the word \"value\" means?\r\n\r\nValue is a very important element of art. Value is simply a word used to describe how light or how dark a color is. Our eyes and our minds perceive the world around us based on lights and darks and how they relate to one another.\r\n

How to Measure Value

\r\nOne way to measure value is by using a value scale. A value scale is usually a display of boxes with one color in the middle and variations of that color on either side. Progressively lighter versions of the color are on one side, and progressively darker versions of the color are on the other side. Below is a value scale for the color red...\r\n\r\n\"red\r\n\r\n...and here is a value scale for blue...\r\n\r\n\"blue\r\n\r\n...and another value scale for green.\r\n\r\n\"green\r\n\r\nWe call the lighter values tints and the darker values shades.\r\n\r\n\"tints\r\n

How a Value Scale Applies to a Drawing

\r\nSince drawing takes place on a two-dimensional surface of neutral color, it\'s up to the artist to create an illusion of three dimensions. That means the viewer of the artwork needs to perceive form and depth. Knowledge of the value scale and careful placement of tints and shades helps the artist to achieve this.\r\n\r\nIn general, you should use tints for highlights and shades for shadows.\r\n\r\nOne way  to simplify the vast array of values that could be present in a drawing is to use a five-value scale. The five values on this scale are used for specific areas of an object to help develop that three-dimensional form for the object.\r\n\r\nFor simplicity\'s sake, let\'s look at a colored pencil drawing of a sphere to see how a five-value scale applies to it.\r\n\r\n\"five\r\n\r\nThe highlight on an object is the lightest value of the scale. It is of such a light value that it appears nearly or completely white. This is the spot where direct light is striking the object.\r\n\r\nThe next value on the scale which is slightly darker than the highlight is the reflected highlight. This tint consists of light bouncing back from surrounding surfaces. The reflected highlight is usually found along the edge of an object. It gives roundness to an object as it curves back toward darker, more shadowy areas.\r\n\r\nThe midtone is the true color of the object. Therefore, it has the middle value within the scale. This area of the object has neither light shining on it nor shadow cast upon it.\r\n\r\nThe first shade on the scale is called a core shadow. This simply indicates an area of shadow where the object is receding from the light source.\r\n\r\nThe final value of the scale is the cast shadow. This is where you will find the darkest values of the drawing, nearly black, since it represents that shadow that your object is casting onto a surface.\r\n\r\nOne thing you may notice about the object itself: there are no hard edges where one value stops and another value begins. Rather, there is a gradual transition from one value to the next. Remember this important detail when you are applying a value scale to your drawings!\r\n\r\nI happen to be an affiliate for a very comprehensive course on colored pencils. It will teach you in greater detail about applying value to your colored pencil drawings, and much more. You can click here to learn more about it.','How to Identify and Apply Value in Your Artwork','','inherit','closed','closed','','3208-revision-v1','','','2016-07-30 09:21:05','2016-07-30 16:21:05','',3208,'http://www.letsdrawpeople.com/3208-revision-v1/',0,'revision','',0),(3229,2,'2016-07-31 18:24:02','2016-08-01 01:24:02','','drawing made easy','','inherit','open','closed','','drawing-made-easy','','','2016-07-31 18:24:02','2016-08-01 01:24:02','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/drawing-made-easy.jpg',0,'attachment','image/jpeg',0),(3230,2,'2016-07-31 18:24:04','2016-08-01 01:24:04','','fun with caricatures','','inherit','open','closed','','fun-with-caricatures','','','2016-07-31 18:24:04','2016-08-01 01:24:04','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/fun-with-caricatures.jpg',0,'attachment','image/jpeg',0),(3231,2,'2016-07-31 18:24:06','2016-08-01 01:24:06','','how to sketch ebook','','inherit','open','closed','','how-to-sketch-ebook','','','2016-07-31 18:24:06','2016-08-01 01:24:06','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/how-to-sketch-ebook.jpg',0,'attachment','image/jpeg',0),(3232,2,'2016-07-31 18:24:07','2016-08-01 01:24:07','','the colored pencil course','','inherit','open','closed','','the-colored-pencil-course','','','2016-07-31 18:24:07','2016-08-01 01:24:07','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/the-colored-pencil-course.jpg',0,'attachment','image/jpeg',0),(3233,2,'2016-07-31 18:24:09','2016-08-01 01:24:09','','the secrets to drawing','','inherit','open','closed','','the-secrets-to-drawing','','','2016-07-31 18:24:09','2016-08-01 01:24:09','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/the-secrets-to-drawing.jpg',0,'attachment','image/jpeg',0),(3234,2,'2016-07-31 18:24:11','2016-08-01 01:24:11','','turn your hobby into a business','','inherit','open','closed','','turn-your-hobby-into-a-business','','','2016-07-31 18:24:11','2016-08-01 01:24:11','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2016/07/turn-your-hobby-into-a-business.jpg',0,'attachment','image/jpeg',0),(3236,2,'2016-08-05 07:22:43','2016-08-05 14:22:43','In this tutorial, we will draw two women stretching.\r\n\r\n***graphics on pics???***\r\n\r\n ','How to Draw Women Stretching','','inherit','closed','closed','','3224-revision-v1','','','2016-08-05 07:22:43','2016-08-05 14:22:43','',3224,'http://www.letsdrawpeople.com/3224-revision-v1/',0,'revision','',0),(3237,2,'2016-08-06 05:55:36','2016-08-06 12:55:36','','01 how to draw women stretching head guidelines','','inherit','open','closed','','01-how-to-draw-women-stretching-head-guidelines','','','2016-08-06 05:55:36','2016-08-06 12:55:36','',3224,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/01-how-to-draw-women-stretching-head-guidelines.jpg',0,'attachment','image/jpeg',0),(3238,2,'2016-08-06 05:55:38','2016-08-06 12:55:38','','02 how to draw women stretching body guidelines','','inherit','open','closed','','02-how-to-draw-women-stretching-body-guidelines','','','2016-08-06 05:55:38','2016-08-06 12:55:38','',3224,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/02-how-to-draw-women-stretching-body-guidelines.jpg',0,'attachment','image/jpeg',0),(3239,2,'2016-08-06 05:55:40','2016-08-06 12:55:40','','03 how to draw women stretching arms guidelines','','inherit','open','closed','','03-how-to-draw-women-stretching-arms-guidelines','','','2016-08-06 05:55:40','2016-08-06 12:55:40','',3224,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/03-how-to-draw-women-stretching-arms-guidelines.jpg',0,'attachment','image/jpeg',0),(3240,2,'2016-08-06 05:55:42','2016-08-06 12:55:42','','04 how to draw women stretching face guidelines','','inherit','open','closed','','04-how-to-draw-women-stretching-face-guidelines','','','2016-08-06 05:55:42','2016-08-06 12:55:42','',3224,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/04-how-to-draw-women-stretching-face-guidelines.jpg',0,'attachment','image/jpeg',0),(3241,2,'2016-08-06 05:55:43','2016-08-06 12:55:43','','05 how to draw women stretching facial features','','inherit','open','closed','','05-how-to-draw-women-stretching-facial-features','','','2016-08-06 05:55:43','2016-08-06 12:55:43','',3224,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/05-how-to-draw-women-stretching-facial-features.jpg',0,'attachment','image/jpeg',0),(3242,2,'2016-08-06 05:55:45','2016-08-06 12:55:45','','06 how to draw women stretching facial features tones','','inherit','open','closed','','06-how-to-draw-women-stretching-facial-features-tones','','','2016-08-06 05:55:45','2016-08-06 12:55:45','',3224,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/06-how-to-draw-women-stretching-facial-features-tones.jpg',0,'attachment','image/jpeg',0),(3243,2,'2016-08-06 05:55:46','2016-08-06 12:55:46','','07 how to draw women stretching facial features blend','','inherit','open','closed','','07-how-to-draw-women-stretching-facial-features-blend','','','2016-08-06 05:55:46','2016-08-06 12:55:46','',3224,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/07-how-to-draw-women-stretching-facial-features-blend.jpg',0,'attachment','image/jpeg',0),(3244,2,'2016-08-06 05:55:48','2016-08-06 12:55:48','','08 how to draw women stretching hair tones','','inherit','open','closed','','08-how-to-draw-women-stretching-hair-tones','','','2016-08-06 05:55:48','2016-08-06 12:55:48','',3224,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/08-how-to-draw-women-stretching-hair-tones.jpg',0,'attachment','image/jpeg',0),(3245,2,'2016-08-06 05:55:49','2016-08-06 12:55:49','','09 how to draw women stretching hair blend','','inherit','open','closed','','09-how-to-draw-women-stretching-hair-blend','','','2016-08-06 05:55:49','2016-08-06 12:55:49','',3224,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/09-how-to-draw-women-stretching-hair-blend.jpg',0,'attachment','image/jpeg',0),(3246,2,'2016-08-06 05:55:51','2016-08-06 12:55:51','','10 how to draw women stretching body details','','inherit','open','closed','','10-how-to-draw-women-stretching-body-details','','','2016-08-06 05:55:51','2016-08-06 12:55:51','',3224,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/10-how-to-draw-women-stretching-body-details.jpg',0,'attachment','image/jpeg',0),(3247,2,'2016-08-06 05:55:54','2016-08-06 12:55:54','','11 how to draw women stretching body details tones','','inherit','open','closed','','11-how-to-draw-women-stretching-body-details-tones','','','2016-08-06 05:55:54','2016-08-06 12:55:54','',3224,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/11-how-to-draw-women-stretching-body-details-tones.jpg',0,'attachment','image/jpeg',0),(3248,2,'2016-08-06 05:55:56','2016-08-06 12:55:56','','12 how to draw women stretching body details blend','','inherit','open','closed','','12-how-to-draw-women-stretching-body-details-blend','','','2016-08-06 05:55:56','2016-08-06 12:55:56','',3224,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/12-how-to-draw-women-stretching-body-details-blend.jpg',0,'attachment','image/jpeg',0),(3249,2,'2016-08-06 05:55:58','2016-08-06 12:55:58','','13 how to draw women stretching arms details','','inherit','open','closed','','13-how-to-draw-women-stretching-arms-details','','','2016-08-06 05:55:58','2016-08-06 12:55:58','',3224,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/13-how-to-draw-women-stretching-arms-details.jpg',0,'attachment','image/jpeg',0),(3250,2,'2016-08-06 05:56:00','2016-08-06 12:56:00','','14 how to draw women stretching arms tones','','inherit','open','closed','','14-how-to-draw-women-stretching-arms-tones','','','2016-08-06 05:56:00','2016-08-06 12:56:00','',3224,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/14-how-to-draw-women-stretching-arms-tones.jpg',0,'attachment','image/jpeg',0),(3251,2,'2016-08-06 05:56:02','2016-08-06 12:56:02','','15 how to draw women stretching arms blend','','inherit','open','closed','','15-how-to-draw-women-stretching-arms-blend','','','2016-08-06 05:56:02','2016-08-06 12:56:02','',3224,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/15-how-to-draw-women-stretching-arms-blend.jpg',0,'attachment','image/jpeg',0),(3252,2,'2016-08-06 05:56:04','2016-08-06 12:56:04','','how to draw women stretching ref','','inherit','open','closed','','how-to-draw-women-stretching-ref','','','2016-08-06 05:56:04','2016-08-06 12:56:04','',3224,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/how-to-draw-women-stretching-ref.jpg',0,'attachment','image/jpeg',0),(3253,2,'2016-08-06 06:02:40','2016-08-06 13:02:40','In this tutorial, we will draw two women stretching.\r\n\r\n\"how\r\n\r\n\"01 \"02\r\n\r\n\"03 \"04 \"05 \"06 \"07 \"08 \"09 \"10 \"11 \"12 \"13 \"14 \"15\r\n\r\n ','How to Draw Women Stretching','','inherit','closed','closed','','3224-revision-v1','','','2016-08-06 06:02:40','2016-08-06 13:02:40','',3224,'http://www.letsdrawpeople.com/3224-revision-v1/',0,'revision','',0),(3254,2,'2016-08-06 07:52:15','2016-08-06 14:52:15','In this tutorial, we will draw two women stretching. TYPE INTRO LAST What will make this drawing a little easier for us is the fact that almost all the angles of the features of the two young women are parallel to each other.\r\n\r\ngoing to do this tutorial a little different than past ones. after initial guidelines, complete in stages. also apply shading by blending tones with a tortillion and kneaded eraser\r\n\r\n\"how\r\n\r\n \r\n

Draw the Figure Outlines

\r\nBegin by drawing two tilted ovals for the heads. Make sure the angles of the ovals are roughly parallel to one another. Use the reference photograph to account for how much space you should put between the ovals. Also, make the oval on your right ever so slightly smaller than the first one, since this woman is standing slightly farther back.\r\n\r\n\"01\r\n\r\n \r\n\r\nContinue to sketch the outline of each figure. To maintain a consistent curvature of the two figures, it\'s helpful to first draw a few extra guidelines. Draw a line from each head that will run the length of each torso, as indicated by the blue arrows. To get the tilt of the shoulders parallel, draw the guidelines perpendicular to the heads, as indicated by the green arrows. Finish up by sketching the outlines for the torso and legs.\r\n\r\n\"02\r\n\r\n \r\n\r\nComplete the foundation of each figure by sketching the outline for the arms. Once again, try to keep the angles of each arm mostly consistent between the two women. Before moving on, make sure you remembered to keep the features for the woman on your right slightly smaller.\r\n\r\n\"03\r\n\r\n \r\n

Work on the Faces

\r\nDraw the basic facial guidelines for each face. Begin with a vertical axis for each head. Check to see that these lines are parallel before doing the others. There is a slight curvature of the vertical axis of the woman on your left since her head is slightly tilted.\r\n\r\n\"04\r\n\r\n \r\n\r\nUse the guidelines to sketch the facial features of each woman. Use the reference photograph to try to match the unique characteristics of each feature. Carefully look at the hair of each woman and try to capture the directional flow and length.\r\n\r\n\"05\r\n\r\n \r\n\r\nAt this point, you can use a kneaded eraser to remove the facial guidelines. Use your pencil to establish a few basic tones in the shaded areas. The reference photograph shows the light coming from our right, so the darker shaded areas will mostly be on the right side of the women (our left). Leave brighter areas white (like the blue arrow). Also take care to leave areas of reflected light (green arrow) along the border of selected shaded areas.\r\n\r\n\"06\r\n\r\n \r\n\r\nUse a tortillion to carefully blend the shaded areas. Start with dark and work to light. Pay attention to the photograph to see which light areas need a little tone. Blend smooth transitions between dark and light.\r\n\r\n\"07\r\n\r\n \r\n\r\nAdd additional tones to the hair. Since the woman on your left has darker hair, be much more generous when applying graphite. Try to follow the directional flow of sections of hair when applying tones. Leave some areas lighter for highlights.\r\n\r\n\"08\r\n\r\n \r\n\r\nBlend the hair with your tortillion. Once again, keep consistent with the flow of the hair as your move the tortillion to blend areas. Pick out highlights of sections of hair when needed, and apply pencil strokes from dark areas into the highlights to represent visible strands of hair.\r\n\r\n\"09\r\n\r\n \r\n

Complete the Torso and Legs

\r\nNow it\'s time to move on to the body. Use the reference photo to replicate the clothing of each woman. Replicate characteristics such as the hems, seams, and folds.\r\n\r\n\"10\r\n\r\n \r\n\r\nAdd tones to the body of each woman. Use a range of values from dark to light, remembering the light source and where the shades need to be. Don\'t forget the reflected light along the shaded sides.\r\n\r\n\"11 \"12\r\n\r\n \r\n

Finish the Arms

\r\nttt\r\n\r\n\"13 \"14 \"15\r\n\r\n \r\n

Final Thoughts

\r\nrecap steps and important points. how to make more detailed\r\n\r\n ','How to Draw Women Stretching','','inherit','closed','closed','','3224-revision-v1','','','2016-08-06 07:52:15','2016-08-06 14:52:15','',3224,'http://www.letsdrawpeople.com/3224-revision-v1/',0,'revision','',0),(3255,2,'2016-08-06 16:00:27','2016-08-06 23:00:27','In this tutorial, we will draw two women stretching. TYPE INTRO LAST What will make this drawing a little easier for us is the fact that almost all the angles of the features of the two young women are parallel to each other.\r\n\r\ngoing to do this tutorial a little different than past ones. after initial guidelines, complete in stages. also apply shading by blending tones with a tortillion and kneaded eraser\r\n\r\n\"how\r\n\r\n \r\n

Draw the Figure Outlines

\r\nBegin by drawing two tilted ovals for the heads. Make sure the angles of the ovals are roughly parallel to one another. Use the reference photograph to account for how much space you should put between the ovals. Also, make the oval on your right ever so slightly smaller than the first one, since this woman is standing slightly farther back.\r\n\r\n\"01\r\n\r\n \r\n\r\nContinue to sketch the outline of each figure. To maintain a consistent curvature of the two figures, it\'s helpful to first draw a few extra guidelines. Draw a line from each head that will run the length of each torso, as indicated by the blue arrows. To get the tilt of the shoulders parallel, draw the guidelines perpendicular to the heads, as indicated by the green arrows. Finish up by sketching the outlines for the torso and legs.\r\n\r\n\"02\r\n\r\n \r\n\r\nComplete the foundation of each figure by sketching the outline for the arms. Once again, try to keep the angles of each arm mostly consistent between the two women. Before moving on, make sure you remembered to keep the features for the woman on your right slightly smaller.\r\n\r\n\"03\r\n\r\n \r\n

Work on the Faces

\r\nDraw the basic facial guidelines for each face. Begin with a vertical axis for each head. Check to see that these lines are parallel before doing the others. There is a slight curvature of the vertical axis of the woman on your left since her head is slightly tilted.\r\n\r\n\"04\r\n\r\n \r\n\r\nUse the guidelines to sketch the facial features of each woman. Use the reference photograph to try to match the unique characteristics of each feature. Carefully look at the hair of each woman and try to capture the directional flow and length.\r\n\r\n\"05\r\n\r\n \r\n\r\nAt this point, you can use a kneaded eraser to remove the facial guidelines. Use your pencil to establish a few basic tones in the shaded areas. The reference photograph shows the light coming from our right, so the darker shaded areas will mostly be on the right side of the women (our left). Leave brighter areas white (like the blue arrow). Also take care to leave areas of reflected light (green arrow) along the border of selected shaded areas.\r\n\r\n\"06\r\n\r\n \r\n\r\nUse a tortillion to carefully blend the shaded areas. Start with dark and work to light. Pay attention to the photograph to see which light areas need a little tone. Blend smooth transitions between dark and light.\r\n\r\n\"07\r\n\r\n \r\n\r\nAdd additional tones to the hair. Since the woman on your left has darker hair, be much more generous when applying graphite. Try to follow the directional flow of sections of hair when applying tones. Leave some areas lighter for highlights.\r\n\r\n\"08\r\n\r\n \r\n\r\nBlend the hair with your tortillion. Once again, keep consistent with the flow of the hair as your move the tortillion to blend areas. Pick out highlights of sections of hair when needed, and apply pencil strokes from dark areas into the highlights to represent visible strands of hair.\r\n\r\n\"09\r\n\r\n \r\n

Complete the Torso and Legs

\r\nNow it\'s time to move on to the body. Use the reference photo to replicate the clothing of each woman. Replicate characteristics such as the hems, seams, and folds.\r\n\r\n\"10\r\n\r\n \r\n\r\nAdd tones to the body of each woman. Use a range of values from dark to light, remembering the light source and where the shades need to be. Don\'t forget the reflected light along the shaded sides.\r\n\r\n\"11\r\n\r\n \r\n\r\nIn the same manner that you blended the facial tones with a tortillion, repeat by blending the tones of the body. Smooth out the tones for gradual transitions from dark to light. Be careful not to rub too much graphite in the areas that are supposed to stay lighter. Use the kneaded eraser to pick out highlights.\r\n\r\n\"12\r\n\r\n \r\n

Finish the Arms

\r\nDraw in details for the arms and hands. Include subtle lines to indicate armpits, elbows, and fingers. Draw light lines along the biceps and forearms that will aid in the placement of shading.\r\n\r\n\"13\r\n\r\n \r\n\r\nUse the lines from the last step and the reference photograph to help you place tones along the right side of each arm (their right). Notice that even though these tones are to represent shading, they shouldn\'t be too dark. Reserve the darkest shading for under the left armpit of each woman.\r\n\r\n\"14\r\n\r\n \r\n\r\nSmooth out tones one last time with a tortillion. Soften the edges if they seem too harsh. Maintain a light area along the middle of each arm and a reflected light along the edges so that the arms keep a cylindrical appearance.\r\n\r\n\"15\r\n\r\n \r\n

Finishing Touches

\r\nfinishing touches. recap steps and important points. how to make more detailed\r\n\r\n ','How to Draw Women Stretching','','inherit','closed','closed','','3224-revision-v1','','','2016-08-06 16:00:27','2016-08-06 23:00:27','',3224,'http://www.letsdrawpeople.com/3224-revision-v1/',0,'revision','',0),(3256,2,'2016-08-06 16:30:34','2016-08-06 23:30:34','In this tutorial, we will draw two women stretching. What will make this drawing a little easier for us is the fact that almost all the angles of the features of the two young women are parallel to each other.\r\n\r\nAs you will see, we are going to take this tutorial down a path that slightly differs from some of my previous ones. After the initial guidelines are established, the drawing will be completed in stages. Additionally, we are going beyond the line drawing stages with this one by shading our subjects. Therefore, make sure you have a tortillion to blend tones and a kneaded eraser to lift out highlights.\r\n\r\nWith that said, here is the reference photograph. Take a look and let\'s get started!\r\n\r\n[caption id=\"attachment_3252\" align=\"aligncenter\" width=\"550\"]\"how
© Tmcphotos | Dreamstime.com
[/caption]\r\n\r\n \r\n

Draw the Figure Outlines

\r\nBegin by drawing two tilted ovals for the heads. Make sure the angles of the ovals are roughly parallel to one another. Use the reference photograph to account for how much space you should put between the ovals. Also, make the oval on your right ever so slightly smaller than the first one, since this woman is standing slightly farther back.\r\n\r\n\"01\r\n\r\n \r\n\r\nContinue to sketch the outline of each figure. To maintain a consistent curvature of the two figures, it\'s helpful to first draw a few extra guidelines. Draw a line from each head that will run the length of each torso, as indicated by the blue arrows. To get the tilt of the shoulders parallel, draw the guidelines perpendicular to the heads, as indicated by the green arrows. Finish up by sketching the outlines for the torso and legs.\r\n\r\n\"02\r\n\r\n \r\n\r\nComplete the foundation of each figure by sketching the outline for the arms. Once again, try to keep the angles of each arm mostly consistent between the two women. Before moving on, make sure you remembered to keep the features for the woman on your right slightly smaller.\r\n\r\n\"03\r\n\r\n \r\n

Work on the Faces

\r\nDraw the basic facial guidelines for each face. Begin with a vertical axis for each head. Check to see that these lines are parallel before doing the others. There is a slight curvature of the vertical axis of the woman on your left since her head is slightly tilted.\r\n\r\n\"04\r\n\r\n \r\n\r\nUse the guidelines to sketch the facial features of each woman. Use the reference photograph to try to match the unique characteristics of each feature. Carefully look at the hair of each woman and try to capture the directional flow and length.\r\n\r\n\"05\r\n\r\n \r\n\r\nAt this point, you can use a kneaded eraser to remove the facial guidelines. Use your pencil to establish a few basic tones in the shaded areas. The reference photograph shows the light coming from our right, so the darker shaded areas will mostly be on the right side of the women (our left). Leave brighter areas white (like the blue arrow). Also take care to leave areas of reflected light (green arrow) along the border of selected shaded areas.\r\n\r\n\"06\r\n\r\n \r\n\r\nUse a tortillion to carefully blend the shaded areas. Start with dark and work to light. Pay attention to the photograph to see which light areas need a little tone. Blend smooth transitions between dark and light.\r\n\r\n\"07\r\n\r\n \r\n\r\nAdd additional tones to the hair. Since the woman on your left has darker hair, be much more generous when applying graphite. Try to follow the directional flow of sections of hair when applying tones. Leave some areas lighter for highlights.\r\n\r\n\"08\r\n\r\n \r\n\r\nBlend the hair with your tortillion. Once again, keep consistent with the flow of the hair as your move the tortillion to blend areas. Pick out highlights of sections of hair when needed, and apply pencil strokes from dark areas into the highlights to represent visible strands of hair.\r\n\r\n\"09\r\n\r\n \r\n

Complete the Torso and Legs

\r\nNow it\'s time to move on to the body. Use the reference photo to replicate the clothing of each woman. Replicate characteristics such as the hems, seams, and folds.\r\n\r\n\"10\r\n\r\n \r\n\r\nAdd tones to the body of each woman. Use a range of values from dark to light, remembering the light source and where the shades need to be. Don\'t forget the reflected light along the shaded sides.\r\n\r\n\"11\r\n\r\n \r\n\r\nIn the same manner that you blended the facial tones with a tortillion, repeat by blending the tones of the body. Smooth out the tones for gradual transitions from dark to light. Be careful not to rub too much graphite in the areas that are supposed to stay lighter. Use the kneaded eraser to pick out highlights.\r\n\r\n\"12\r\n\r\n \r\n

Finish the Arms

\r\nDraw in details for the arms and hands. Include subtle lines to indicate armpits, elbows, and fingers. Draw light lines along the biceps and forearms that will aid in the placement of shading.\r\n\r\n\"13\r\n\r\n \r\n\r\nUse the lines from the last step and the reference photograph to help you place tones along the right side of each arm (their right). Notice that even though these tones are to represent shading, they shouldn\'t be too dark. Reserve the darkest shading for under the left armpit of each woman.\r\n\r\n\"14\r\n\r\n \r\n\r\nSmooth out tones one last time with a tortillion. Soften the edges if they seem too harsh. Maintain a light area along the middle of each arm and a reflected light along the edges so that the arms keep a cylindrical appearance.\r\n\r\n\"15\r\n\r\n \r\n

Finishing Touches

\r\nTake a final look at your drawing. Look for any tweaks you want to make: darker shadows, picking out lighter areas, better defining areas for contrast, etc.\r\n\r\nThat essentially completes this tutorial! When I originally set out to do this, I planned on adding only a little shading to change things up a bit. As I got going, I decided to add more. However, the level of detail you desire is up to you. If you wish, don\'t stop where I did. You can continue to layer in more tones as often as you want. The more you do, the more realistic your drawing can become!','How to Draw Women Stretching','','inherit','closed','closed','','3224-revision-v1','','','2016-08-06 16:30:34','2016-08-06 23:30:34','',3224,'http://www.letsdrawpeople.com/3224-revision-v1/',0,'revision','',0),(3257,2,'2016-08-06 16:38:20','2016-08-06 23:38:20','In this tutorial, we will draw two women stretching. What will make this drawing a little easier for us is the fact that almost all the angles of the features of the two young women are parallel to each other.\r\n\r\nAs you will see, we are going to take this tutorial down a path that slightly differs from some of my previous ones. After the initial guidelines are established, the drawing will be completed in stages. Additionally, we are going beyond the line drawing stages with this one by shading our subjects. Therefore, make sure you have a tortillion to blend tones and a kneaded eraser to lift out highlights.\r\n\r\nWith that said, here is the reference photograph. Take a look and let\'s get started!\r\n\r\n[caption id=\"attachment_3252\" align=\"aligncenter\" width=\"550\"]\"how
© Tmcphotos | Dreamstime.com
[/caption]\r\n\r\n \r\n

Draw the Figure Outlines

\r\nBegin by drawing two tilted ovals for the heads. Make sure the angles of the ovals are roughly parallel to one another. Use the reference photograph to account for how much space you should put between the ovals. Also, make the oval on your right ever so slightly smaller than the first one, since this woman is standing slightly farther back.\r\n\r\n\"01\r\n\r\n \r\n\r\nContinue to sketch the outline of each figure. To maintain a consistent curvature of the two figures, it\'s helpful to first draw a few extra guidelines. Draw a line from each head that will run the length of each torso, as indicated by the blue arrows. To get the tilt of the shoulders parallel, draw the guidelines perpendicular to the heads, as indicated by the green arrows. Finish up by sketching the outlines for the torso and legs.\r\n\r\n\"02\r\n\r\n \r\n\r\nComplete the foundation of each figure by sketching the outline for the arms. Once again, try to keep the angles of each arm mostly consistent between the two women. Before moving on, make sure you remembered to keep the features for the woman on your right slightly smaller.\r\n\r\n\"03\r\n\r\n \r\n

Work on the Faces

\r\nDraw the basic facial guidelines for each face. Begin with a vertical axis for each head. Check to see that these lines are parallel before doing the others. There is a slight curvature of the vertical axis of the woman on your left since her head is slightly tilted.\r\n\r\n\"04\r\n\r\n \r\n\r\nUse the guidelines to sketch the facial features of each woman. Use the reference photograph to try to match the unique characteristics of each feature. Carefully look at the hair of each woman and try to capture the directional flow and length.\r\n\r\n\"05\r\n\r\n \r\n\r\nAt this point, you can use a kneaded eraser to remove the facial guidelines. Use your pencil to establish a few basic tones in the shaded areas. The reference photograph shows the light coming from our right, so the darker shaded areas will mostly be on the right side of the women (our left). Leave brighter areas white (like the blue arrow). Also take care to leave areas of reflected light (green arrow) along the border of selected shaded areas.\r\n\r\n\"06\r\n\r\n \r\n\r\nUse a tortillion to carefully blend the shaded areas. Start with dark and work to light. Pay attention to the photograph to see which light areas need a little tone. Blend smooth transitions between dark and light.\r\n\r\n\"07\r\n\r\n \r\n\r\nAdd additional tones to the hair. Since the woman on your left has darker hair, be much more generous when applying graphite. Try to follow the directional flow of sections of hair when applying tones. Leave some areas lighter for highlights.\r\n\r\n\"08\r\n\r\n \r\n\r\nBlend the hair with your tortillion. Once again, keep consistent with the flow of the hair as your move the tortillion to blend areas. Pick out highlights of sections of hair when needed, and apply pencil strokes from dark areas into the highlights to represent visible strands of hair.\r\n\r\n\"09\r\n\r\n \r\n

Complete the Torso and Legs

\r\nNow it\'s time to move on to the body. Use the reference photo to replicate the clothing of each woman. Replicate characteristics such as the hems, seams, and folds.\r\n\r\n\"10\r\n\r\n \r\n\r\nAdd tones to the body of each woman. Use a range of values from dark to light, remembering the light source and where the shades need to be. Don\'t forget the reflected light along the shaded sides.\r\n\r\n\"11\r\n\r\n \r\n\r\nIn the same manner that you blended the facial tones with a tortillion, repeat by blending the tones of the body. Smooth out the tones for gradual transitions from dark to light. Be careful not to rub too much graphite in the areas that are supposed to stay lighter. Use the kneaded eraser to pick out highlights.\r\n\r\n\"12\r\n\r\n \r\n

Finish the Arms

\r\nDraw in details for the arms and hands. Include subtle lines to indicate armpits, elbows, and fingers. Draw light lines along the biceps and forearms that will aid in the placement of shading.\r\n\r\n\"13\r\n\r\n \r\n\r\nUse the lines from the last step and the reference photograph to help you place tones along the right side of each arm (their right). Notice that even though these tones are to represent shading, they shouldn\'t be too dark. Reserve the darkest shading for under the left armpit of each woman.\r\n\r\n\"14\r\n\r\n \r\n\r\nSmooth out tones one last time with a tortillion. Soften the edges if they seem too harsh. Maintain a light area along the middle of each arm and a reflected light along the edges so that the arms keep a cylindrical appearance.\r\n\r\n\"15\r\n\r\n \r\n

Finishing Touches

\r\nTake a final look at your drawing. Look for any tweaks you want to make: darker shadows, picking out lighter areas, better defining areas for contrast, etc.\r\n\r\nThat essentially completes this tutorial! When I originally set out to do this, I planned on adding only a little shading to change things up a bit. As I got going, I decided to add more. However, the level of detail you desire is up to you. If you wish, don\'t stop where I did. You can continue to layer in more tones as often as you want. The more you do, the more realistic your drawing can become!','How to Draw Women Stretching','','inherit','closed','closed','','3224-revision-v1','','','2016-08-06 16:38:20','2016-08-06 23:38:20','',3224,'http://www.letsdrawpeople.com/3224-revision-v1/',0,'revision','',0),(3258,2,'2016-08-11 10:32:16','2016-08-11 17:32:16','In this tutorial, we will draw two women stretching. What will make this drawing a little easier for us is the fact that almost all the angles of the features of the two young women are parallel to each other.\r\n\r\nAs you will see, we are going to take this tutorial down a path that slightly differs from some of my previous ones. After the initial guidelines are established, the drawing will be completed in stages. Additionally, we are going beyond the line drawing stages with this one by shading our subjects. Therefore, make sure you have a tortillion to blend tones and a kneaded eraser to lift out highlights.\r\n\r\nWith that said, here is the reference photograph. Take a look and let\'s get started!\r\n\r\n[caption id=\"attachment_3252\" align=\"aligncenter\" width=\"550\"]\"how
© Tmcphotos | Dreamstime.com
[/caption]\r\n\r\n \r\n

Draw the Figure Outlines

\r\nBegin by drawing two tilted ovals for the heads. Make sure the angles of the ovals are roughly parallel to one another. Use the reference photograph to account for how much space you should put between the ovals. Also, make the oval on your right ever so slightly smaller than the first one, since this woman is standing slightly farther back.\r\n\r\n\"01\r\n\r\n \r\n\r\nContinue to sketch the outline of each figure. To maintain a consistent curvature of the two figures, it\'s helpful to first draw a few extra guidelines. Draw a line from each head that will run the length of each torso, as indicated by the blue arrows. To get the tilt of the shoulders parallel, draw the guidelines perpendicular to the heads, as indicated by the green arrows. Finish up by sketching the outlines for the torso and legs.\r\n\r\n\"02\r\n\r\n \r\n\r\nComplete the foundation of each figure by sketching the outline for the arms. Once again, try to keep the angles of each arm mostly consistent between the two women. Before moving on, make sure you remembered to keep the features for the woman on your right slightly smaller.\r\n\r\n\"03\r\n\r\n \r\n

Work on the Faces

\r\nDraw the basic facial guidelines for each face. Begin with a vertical axis for each head. Check to see that these lines are parallel before doing the others. There is a slight curvature of the vertical axis of the woman on your left since her head is slightly tilted.\r\n\r\n\"04\r\n\r\n \r\n\r\nUse the guidelines to sketch the facial features of each woman. Use the reference photograph to try to match the unique characteristics of each feature. Carefully look at the hair of each woman and try to capture the directional flow and length.\r\n\r\n\"05\r\n\r\n \r\n\r\nAt this point, you can use a kneaded eraser to remove the facial guidelines. Use your pencil to establish a few basic tones in the shaded areas. The reference photograph shows the light coming from our right, so the darker shaded areas will mostly be on the right side of the women (our left). Leave brighter areas white (like the blue arrow). Also take care to leave areas of reflected light (green arrow) along the border of selected shaded areas.\r\n\r\n\"06\r\n\r\n \r\n\r\nUse a tortillion to carefully blend the shaded areas. Start with dark and work to light. Pay attention to the photograph to see which light areas need a little tone. Blend smooth transitions between dark and light.\r\n\r\n\"07\r\n\r\n \r\n\r\nAdd additional tones to the hair. Since the woman on your left has darker hair, be much more generous when applying graphite. Try to follow the directional flow of sections of hair when applying tones. Leave some areas lighter for highlights.\r\n\r\n\"08\r\n\r\n \r\n\r\nBlend the hair with your tortillion. Once again, keep consistent with the flow of the hair as your move the tortillion to blend areas. Pick out highlights of sections of hair when needed, and apply pencil strokes from dark areas into the highlights to represent visible strands of hair.\r\n\r\n\"09\r\n\r\n \r\n

Complete the Torso and Legs

\r\nNow it\'s time to move on to the body. Use the reference photo to replicate the clothing of each woman. Replicate characteristics such as the hems, seams, and folds.\r\n\r\n\"10\r\n\r\n \r\n\r\nAdd tones to the body of each woman. Use a range of values from dark to light, remembering the light source and where the shades need to be. Don\'t forget the reflected light along the shaded sides.\r\n\r\n\"11\r\n\r\n \r\n\r\nIn the same manner that you blended the facial tones with a tortillion, repeat by blending the tones of the body. Smooth out the tones for gradual transitions from dark to light. Be careful not to rub too much graphite in the areas that are supposed to stay lighter. Use the kneaded eraser to pick out highlights.\r\n\r\n\"12\r\n\r\n \r\n

Finish the Arms

\r\nDraw in details for the arms and hands. Include subtle lines to indicate armpits, elbows, and fingers. Draw light lines along the biceps and forearms that will aid in the placement of shading.\r\n\r\n\"13\r\n\r\n \r\n\r\nUse the lines from the last step and the reference photograph to help you place tones along the right side of each arm (their right). Notice that even though these tones are to represent shading, they shouldn\'t be too dark. Reserve the darkest shading for under the left armpit of each woman.\r\n\r\n\"14\r\n\r\n \r\n\r\nSmooth out tones one last time with a tortillion. Soften the edges if they seem too harsh. Maintain a light area along the middle of each arm and a reflected light along the edges so that the arms keep a cylindrical appearance.\r\n\r\n\"15\r\n\r\n \r\n

Finishing Touches

\r\nTake a final look at your drawing. Look for any tweaks you want to make: darker shadows, picking out lighter areas, better defining areas for contrast, etc.\r\n\r\nThat essentially completes this tutorial! When I originally set out to do this, I planned on adding only a little shading to change things up a bit. As I got going, I decided to add more. However, the level of detail you desire is up to you. If you wish, don\'t stop where I did. You can continue to layer in more tones as often as you want. The more you do, the more realistic your drawing can become!','How to Draw Women Stretching','','inherit','closed','closed','','3224-autosave-v1','','','2016-08-11 10:32:16','2016-08-11 17:32:16','',3224,'http://www.letsdrawpeople.com/3224-autosave-v1/',0,'revision','',0),(3259,2,'2016-08-06 16:44:49','2016-08-06 23:44:49','In this tutorial, we will draw two women stretching. What will make this drawing a little easier for us is the fact that almost all the angles of the features of the two young women are parallel to each other.\r\n\r\nAs you will see, we are going to take this tutorial down a path that slightly differs from some of my previous ones. After the initial guidelines are established, the drawing will be completed in stages. Additionally, we are going beyond the line drawing stages with this one by shading our subjects. Therefore, make sure you have a tortillion to blend tones and a kneaded eraser to lift out highlights.\r\n\r\nWith that said, here is the reference photograph. Take a look and let\'s get started!\r\n\r\n[caption id=\"attachment_3252\" align=\"aligncenter\" width=\"550\"]\"how
© Tmcphotos | Dreamstime.com
[/caption]\r\n\r\n \r\n

Draw the Figure Outlines

\r\nBegin by drawing two tilted ovals for the heads. Make sure the angles of the ovals are roughly parallel to one another. Use the reference photograph to account for how much space you should put between the ovals. Also, make the oval on your right ever so slightly smaller than the first one, since this woman is standing slightly farther back.\r\n\r\n\"01\r\n\r\n \r\n\r\nContinue to sketch the outline of each figure. To maintain a consistent curvature of the two figures, it\'s helpful to first draw a few extra guidelines. Draw a line from each head that will run the length of each torso, as indicated by the blue arrows. To get the tilt of the shoulders parallel, draw the guidelines perpendicular to the heads, as indicated by the green arrows. Finish up by sketching the outlines for the torso and legs.\r\n\r\n\"02\r\n\r\n \r\n\r\nComplete the foundation of each figure by sketching the outline for the arms. Once again, try to keep the angles of each arm mostly consistent between the two women. Before moving on, make sure you remembered to keep the features for the woman on your right slightly smaller.\r\n\r\n\"03\r\n\r\n \r\n

Work on the Faces

\r\nDraw the basic facial guidelines for each face. Begin with a vertical axis for each head. Check to see that these lines are parallel before doing the others. There is a slight curvature of the vertical axis of the woman on your left since her head is slightly tilted.\r\n\r\n\"04\r\n\r\n \r\n\r\nUse the guidelines to sketch the facial features of each woman. Use the reference photograph to try to match the unique characteristics of each feature. Carefully look at the hair of each woman and try to capture the directional flow and length.\r\n\r\n\"05\r\n\r\n \r\n\r\nAt this point, you can use a kneaded eraser to remove the facial guidelines. Use your pencil to establish a few basic tones in the shaded areas. The reference photograph shows the light coming from our right, so the darker shaded areas will mostly be on the right side of the women (our left). Leave brighter areas white (like the blue arrow). Also take care to leave areas of reflected light (green arrow) along the border of selected shaded areas.\r\n\r\n\"06\r\n\r\n \r\n\r\nUse a tortillion to carefully blend the shaded areas. Start with dark and work to light. Pay attention to the photograph to see which light areas need a little tone. Blend smooth transitions between dark and light.\r\n\r\n\"07\r\n\r\n \r\n\r\nAdd additional tones to the hair. Since the woman on your left has darker hair, be much more generous when applying graphite. Try to follow the directional flow of sections of hair when applying tones. Leave some areas lighter for highlights.\r\n\r\n\"08\r\n\r\n \r\n\r\nBlend the hair with your tortillion. Once again, keep consistent with the flow of the hair as your move the tortillion to blend areas. Pick out highlights of sections of hair when needed, and apply pencil strokes from dark areas into the highlights to represent visible strands of hair.\r\n\r\n\"09\r\n\r\n \r\n

Complete the Torso and Legs

\r\nNow it\'s time to move on to the body. Use the reference photo to replicate the clothing of each woman. Replicate characteristics such as the hems, seams, and folds.\r\n\r\n\"10\r\n\r\n \r\n\r\nAdd tones to the body of each woman. Use a range of values from dark to light, remembering the light source and where the shades need to be. Don\'t forget the reflected light along the shaded sides.\r\n\r\n\"11\r\n\r\n \r\n\r\nIn the same manner that you blended the facial tones with a tortillion, repeat by blending the tones of the body. Smooth out the tones for gradual transitions from dark to light. Be careful not to rub too much graphite in the areas that are supposed to stay lighter. Use the kneaded eraser to pick out highlights.\r\n\r\n\"12\r\n\r\n \r\n

Finish the Arms

\r\nDraw in details for the arms and hands. Include subtle lines to indicate armpits, elbows, and fingers. Draw light lines along the biceps and forearms that will aid in the placement of shading.\r\n\r\n\"13\r\n\r\n \r\n\r\nUse the lines from the last step and the reference photograph to help you place tones along the right side of each arm (their right). Notice that even though these tones are to represent shading, they shouldn\'t be too dark. Reserve the darkest shading for under the left armpit of each woman.\r\n\r\n\"14\r\n\r\n \r\n\r\nSmooth out tones one last time with a tortillion. Soften the edges if they seem too harsh. Maintain a light area along the middle of each arm and a reflected light along the edges so that the arms keep a cylindrical appearance.\r\n\r\n\"15\r\n\r\n \r\n

Finishing Touches

\r\nTake a final look at your drawing. Look for any tweaks you want to make: darker shadows, picking out lighter areas, better defining areas for contrast, etc.\r\n\r\nThat essentially completes this tutorial! When I originally set out to do this, I planned on adding only a little shading to change things up a bit. As I got going, I decided to add more. However, the level of detail you desire is up to you. If you wish, don\'t stop where I did. You can continue to layer in more tones as often as you want. The more you do, the more realistic your drawing can become!','How to Draw Women Stretching','','inherit','closed','closed','','3224-revision-v1','','','2016-08-06 16:44:49','2016-08-06 23:44:49','',3224,'http://www.letsdrawpeople.com/3224-revision-v1/',0,'revision','',0),(3260,2,'2016-08-06 16:48:52','2016-08-06 23:48:52','In this tutorial, we will draw two women stretching. What will make this drawing a little easier for us is the fact that almost all the angles of the features of the two young women are parallel to each other.\r\n\r\nAs you will see, we are going to take this tutorial down a path that slightly differs from some of my previous ones. After the initial guidelines are established, the drawing will be completed in stages. Additionally, we are going beyond the line drawing stages with this one by shading our subjects. Therefore, make sure you have a tortillion to blend tones and a kneaded eraser to lift out highlights.\r\n\r\nWith that said, here is the reference photograph. Take a look and let\'s get started!\r\n\r\n[caption id=\"attachment_3252\" align=\"aligncenter\" width=\"550\"]\"how
© Tmcphotos | Dreamstime.com
[/caption]\r\n\r\n \r\n

Draw the Figure Outlines

\r\nBegin by drawing two tilted ovals for the heads. Make sure the angles of the ovals are roughly parallel to one another. Use the reference photograph to account for how much space you should put between the ovals. Also, make the oval on your right ever so slightly smaller than the first one, since this woman is standing slightly farther back.\r\n\r\n\"01\r\n\r\n \r\n\r\nContinue to sketch the outline of each figure. To maintain a consistent curvature of the two figures, it\'s helpful to first draw a few extra guidelines. Draw a line from each head that will run the length of each torso, as indicated by the blue arrows. To get the tilt of the shoulders parallel, draw the guidelines perpendicular to the heads, as indicated by the green arrows. Finish up by sketching the outlines for the torso and legs.\r\n\r\n\"02\r\n\r\n \r\n\r\nComplete the foundation of each figure by sketching the outline for the arms. Once again, try to keep the angles of each arm mostly consistent between the two women. Before moving on, make sure you remembered to keep the features for the woman on your right slightly smaller.\r\n\r\n\"03\r\n\r\n \r\n

Work on the Faces

\r\nDraw the basic facial guidelines for each face. Begin with a vertical axis for each head. Check to see that these lines are parallel before doing the others. There is a slight curvature of the vertical axis of the woman on your left since her head is slightly tilted.\r\n\r\n\"04\r\n\r\n \r\n\r\nUse the guidelines to sketch the facial features of each woman. Use the reference photograph to try to match the unique characteristics of each feature. Carefully look at the hair of each woman and try to capture the directional flow and length.\r\n\r\n\"05\r\n\r\n \r\n\r\nAt this point, you can use a kneaded eraser to remove the facial guidelines. Use your pencil to establish a few basic tones in the shaded areas. The reference photograph shows the light coming from our right, so the darker shaded areas will mostly be on the right side of the women (our left). Leave brighter areas white (like the blue arrow). Also take care to leave areas of reflected light (green arrow) along the border of selected shaded areas.\r\n\r\n\"06\r\n\r\n \r\n\r\nUse a tortillion to carefully blend the shaded areas. Start with dark and work to light. Pay attention to the photograph to see which light areas need a little tone. Blend smooth transitions between dark and light.\r\n\r\n\"07\r\n\r\n \r\n\r\nAdd additional tones to the hair. Since the woman on your left has darker hair, be much more generous when applying graphite. Try to follow the directional flow of sections of hair when applying tones. Leave some areas lighter for highlights.\r\n\r\n\"08\r\n\r\n \r\n\r\nBlend the hair with your tortillion. Once again, keep consistent with the flow of the hair as your move the tortillion to blend areas. Pick out highlights of sections of hair when needed, and apply pencil strokes from dark areas into the highlights to represent visible strands of hair.\r\n\r\n\"09\r\n\r\n \r\n

Complete the Torso and Legs

\r\nNow it\'s time to move on to the body. Use the reference photo to replicate the clothing of each woman. Replicate characteristics such as the hems, seams, and folds.\r\n\r\n\"10\r\n\r\n \r\n\r\nAdd tones to the body of each woman. Use a range of values from dark to light, remembering the light source and where the shades need to be. Don\'t forget the reflected light along the shaded sides.\r\n\r\n\"11\r\n\r\n \r\n\r\nIn the same manner that you blended the facial tones with a tortillion, repeat by blending the tones of the body. Smooth out the tones for gradual transitions from dark to light. Be careful not to rub too much graphite in the areas that are supposed to stay lighter. Use the kneaded eraser to pick out highlights.\r\n\r\n\"12\r\n\r\n \r\n

Finish the Arms

\r\nDraw in details for the arms and hands. Include subtle lines to indicate armpits, elbows, and fingers. Draw light lines along the biceps and forearms that will aid in the placement of shading.\r\n\r\n\"13\r\n\r\n \r\n\r\nUse the lines from the last step and the reference photograph to help you place tones along the right side of each arm (their right). Notice that even though these tones are to represent shading, they shouldn\'t be too dark. Reserve the darkest shading for under the left armpit of each woman.\r\n\r\n\"14\r\n\r\n \r\n\r\nSmooth out tones one last time with a tortillion. Soften the edges if they seem too harsh. Maintain a light area along the middle of each arm and a reflected light along the edges so that the arms keep a cylindrical appearance.\r\n\r\n\"15\r\n\r\n \r\n

Finishing Touches

\r\nTake a final look at your drawing. Look for any tweaks you want to make: darker shadows, picking out lighter areas, better defining areas for contrast, etc.\r\n\r\nThat essentially completes this tutorial! When I originally set out to do this, I planned on adding only a little shading to change things up a bit. As I got going, I decided to add more. However, the level of detail you desire is up to you. If you wish, don\'t stop where I did. You can continue to layer in more tones as often as you want. The more you do, the more realistic your drawing can become!','How to Draw Women Stretching','','inherit','closed','closed','','3224-revision-v1','','','2016-08-06 16:48:52','2016-08-06 23:48:52','',3224,'http://www.letsdrawpeople.com/3224-revision-v1/',0,'revision','',0),(3261,2,'2016-08-13 11:40:58','2016-08-13 18:40:58','If you are interested in being an artist or at least making drawing a major hobby in your life, then you will need to have extended knowledge over the drawing materials you will need.\r\n\r\nOh sure you’ll need the basic pencil, eraser, and something to draw on but there’s so much more to it. Notice how one artist can make things look so symmetrical and realistic and other artists will have art pieces that look amateurish. What’s the difference? A lot of people have told me they wish they knew how to draw. My response: the difference between you and me is my knowledge of the materials that are used in the art industry.\r\n\r\nJust like the chef in Ratatouille said \"Anyone can cook,\" I say to you, anyone can draw……with some practice and the right materials of course. I remember when I was in high school it was just the pencil and eraser and that was it. Now if you go into my studio I have an art desk, erasers, tortillions, pencils, and other knick knacks. So what are these knick knacks I’m talking about? Well these knick knacks are the things that will improve your artwork as well as help beginners start off in the right direction. This article is to discuss some old drawing materials you are familiar with, as well as get you familiar with some new tools and tricks.\r\n\r\nNote: This article contains affiliate links to some of the drawing materials mentioned. LetsDrawPeople.com will earn a tiny commission if you purchase through these links.\r\n

Pencils: Soft, Hard, Mechanical, and Paper

\r\nOK so this is the basic of the basics here. No form of artwork can be done without some type of pencil marking. As you see in the below basic drawing, I used a 2B pencil to sketch out the drawing.\r\n\r\n\"drawing\r\n\r\n \r\n\r\n\"artistDrawing pencils go from one range to the other – light to darker pencils. The respective names and ranges are: 9B to 9H. The pencils that are 9B to B are the “soft” or bold pencils. These are the dark pencils; they do not have much clay in them in contrast to their counterpart. The higher the number is, the darker the pencil mark is.\r\n\r\nWhen dark hair is called into the picture or pupils need to be filled, I usually use a 6B pencil or higher. When using 6B or darker pencils, please be careful when shading; the graphite can be easily spread and you may make an un-necessary mess while shading. Also, keep in mind that it will be just a tad bit harder to erase the darker pencil markings without leaving some residue.\r\n\r\n\"drawing\r\n\r\n \r\n\r\n\"drawing\r\n\r\n \r\n\r\nMoving along, we have the H pencils or the hard pencils. These pencils contain clay in them to decrease the pencils’ dark markings. I sometimes use them when I want some light shading to the subject or if I need to utilize the carbon copy paper, I use the lightest pencil which is the 9H.\r\n\r\nThere is also the HB pencil – not too hard or not too dark. Usually it can also be found in the next pencil up for discussion: the mechanical pencil. The mechanical pencil usually has HB or 2B lead available.\r\n\r\n\"drawing\r\n\r\n \r\n\r\nIt should be known that it’s often used for fine lines and detailing. Usually I use one when applying hair strands to the head as in the picture below.\r\n\r\n\"drawing\r\n\r\n \r\n\r\nThe last thing I want to cover in this section is the kind of paper to use. I strictly use two types of paper material: Crescent illustration board and Strathmore Bristol paper.  The Crescent illustration boards are strictly used for customers and the Bristol paper for personal art use. The Bristol gives off a little bit of a shine that will make your artwork stand out some and makes your blending of the graphite/pencil more smoother, therefore giving the art piece a smoother finish.\r\n

Blending Materials: Tortillion, Stumps, and Tissue

\r\n\"drawing\r\n\r\nThese materials ARE VERY NECESSARY if trying to get a realistic look. They will help with gradual blending and smoothing. Sometimes I draw with the tortillion when I want to add some shading to a small area, like adding some shade to the upper eyes or smearing of the lips or blending of the hair as in the pictures below.\r\n\r\n[caption id=\"attachment_3278\" align=\"aligncenter\" width=\"508\"]\"Tortillion Tortillion shading applied to the upper eyes to mimic shading from the eyelid[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_3279\" align=\"aligncenter\" width=\"270\"]\"Tortillion Tortillion smudging of the lips to illustrate shading[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_3281\" align=\"aligncenter\" width=\"600\"]\"Tissue Tissue blending/smudging of the hair[/caption]\r\n\r\n \r\n\r\nStumps and tortillions have somewhat the same design, but the stumps are bigger and have both ends pointed off while the tortillions are paper that is wrapped around very tightly. There’s no preference in which one to use; it’s up to the artist in which one s/he wants to use and how big or small of an area that needs to be shaded.\r\n\r\nUsing the tissue is a Godsend to me. I accidentally found out about this technique doing a Tomb Raider pencil piece. I’ve heard of the technique but never had a chance to apply it; I was too faithful to the blending stump/tortillion shading. I thought it wouldn’t hurt to try and once applied, I immediately fell in love with it.\r\n\r\nWhen using the tissue, please keep in mind that it’s used for large blending areas like the hair, arms, legs, cheek, and forehead. This technique will allow the graphite to blend and fade into the paper, giving that smooth fade into the white or whatever the color of your drawing paper is.\r\n\r\n[caption id=\"attachment_3280\" align=\"aligncenter\" width=\"600\"]\"3H 3H Graphite pencil shading applied before the tissue blend/smudge[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_3281\" align=\"aligncenter\" width=\"600\"]\"Tissue Tissue blending applied with a little bit of 3B pencil shading[/caption]\r\n

Erasers and Blu Tack

\r\nNo art piece can be done correctly the first time around without some form of erasing tool. When it comes to dealing with pencil, you should have an array of erasing materials at your disposal.\r\n\r\nYour basic erasers come in the form of regular white erasers, Pink Pearl erasers, and white stick erasers. The first two erasers mentioned are usually helpful in erasing large areas and lines. The stick erasers are long, white erasers within a blue, small tube whose length can be adjusted with an adjustable knob on the side. It can be used for big areas as well.\r\n\r\n[caption id=\"attachment_3275\" align=\"aligncenter\" width=\"600\"]\"A A pencil eraser, a white or pink eraser, and a kneaded eraser are just a few erasers that might come in handy while drawing.[/caption]\r\n\r\n \r\n\r\nThere are also pencil erasers; these come in the form of regular looking pencils but instead of lead there are erasers within the pencil. I personally use these to add highlight strands to hair or to erase small markings in a drawing. You can see the example of me applying the pencil erasing technique to the hair in the example below.\r\n\r\n \r\n\r\n\"drawing\r\n\r\n \r\n\r\nAnother eraser that is absolutely required in this field is the kneaded eraser. These erasers resemble modeling clay and you can shape them to adhere to the marking you want to get rid of. Also, these erasers can be used to “lift” markings of the pencil, leaving a lighter mark. I think these are excellent in creating clouds or some type of smoke leaving some faded residue.\r\n\r\nOn that subject, you can also use an item called Blu Tack. It’s a substitute for a kneaded eraser; it works the same way. I find myself using this more than the kneaded eraser. No particular reason, it’s just my personal preference.\r\n\r\n\"drawing\r\n\r\n \r\n\r\nIf you need to erase a small area that is surrounded by markings that you don’t want to accidently erase, no worries, use an eraser shield. These are like the dental floss of drawing – they’re inexpensive and precise. Usually they have several shapes in them cut out so that you can erase within the area. I don’t use it as often as I use to but I do have one waiting in the shadows just in case.\r\n

Horsehair Brush, Workable Spray Fixative, and Drawing Board

\r\nOK so instead of erasing a marking and using your hand to wipe off the residue, use a brush...namely a horsehair brush. If you brush away eraser residue with your hand, you run the risk smearing your work. Not to mention it saves you from accidentally spitting on your work when you blow the eraser residue away.\r\n\r\nWhen you want to build up the tone of your drawing, a workable fixative should be called to action. When you get a workable fixative, you can still work on the area even after it’s been sprayed. It holds the graphite in the area that you have sprayed, allowing you to darken the subject by building tone without you disturbing the initial area.\r\n\r\nYou can’t draw until you have a smooth surface to draw on such as a drawing board. You will need to angle the drawing board towards you to help prevent the distortion that comes when working flat. I have a drawing table that has the option of tilting if need be. I also have a mobile drawing board. I say mobile because a lot of my friends know if they want me to come over, I’m bringing some form of art to work on. I’ve went to a party and sat in the corner and worked on a drawing for a customer. You can tell I’m dedicated to my art.\r\n

Rulers, Circle, Ellipse, and Other Templates

\r\nEver wonder how some artists achieve perfect lines or circles? You may have thought “I can’t be an artist, I can’t even draw a straight line!” Well my friend, don’t fret. There’s a small secret to be learned here; the majority of artists, including myself, use rulers and templates. Templates are tools with pre-made circles and other shapes to help you achieve the shape that you want. You have different templates that specialize in having different shapes. Some are strictly circles or squares to name a few. You also have ellipse templates that specialize in curves and round objects. Also, you can’t forget about rulers. Not only do they provide a way to graph and measure your subject, but they serve as straight edge templates too.\r\n

Carbon Copy Paper, Projectors, Light Boxes, and Acetate Report Covers

\r\nOK so as I stated in a previous article, I run the risk of a mob of angry artists burning down my house. To me and them, this is what helps us make our art pieces look accurate and believable. Oh I can draw, don’t get it twisted; but when you have a lot of art that needs to be done for customers and you still need to make time for your personal art projects, you’ll do the things that will cut down your time. I have seen artists draw a basic sketch in like under 2 min. – wish I could move that fast; but since I like to be totally accurate and proficient, I’ll call in the talents of the three named above except the acetate report covers – never used them before but I may purchase some in the near future and try them out. Who knows, I’ll probably do an article on them.\r\n\r\nAnywho, about the other three, using them will shave you some time off in doing the art piece. If someone says that you’re cheating by incorporating the assistance from these three, they’re sadly misinformed. As I stated in the other article, can a doctor perform surgery without his tools? Is that cheating since he’s using tools to cut down surgery time? What about a dentist? Does using tools to help him find cavities or to fix tooth damage or decay qualify as a form of cheating? My thing is it doesn’t matter how you get the picture done, the question is does the public like your art concept? Now go marinate on that for a second.\r\n

Reference Photos

\r\nThe last thing I will talk about briefly is the reference photo. As you can see in the below picture, it’s a picture I took of a close friend of mine. She has modeled for some of my paintings (Angel Eyes, Expecting) before.\r\n\r\n[caption id=\"attachment_3286\" align=\"aligncenter\" width=\"600\"]\"The The real photo[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_3274\" align=\"aligncenter\" width=\"600\"]\"The The drawn photo piece[/caption]\r\n\r\n \r\n\r\nIt’s not necessary but helpful to have some type of reference photo. This will help with accuracy and placement. I know some people who can draw off the top of their head, but I like to be anatomically correct. With that being said, a photo reference with accuracy is necessary in my work. Every artist is different; some will use reference photos and some will use their memory. It really doesn’t matter as long as you and the customers will be satisfied with the end product, no matter what drawing materials or techniques you use.','Drawing Materials for Both the Beginner and the Advanced','','inherit','closed','closed','','2817-autosave-v1','','','2016-08-13 11:40:58','2016-08-13 18:40:58','',2817,'http://www.letsdrawpeople.com/2817-autosave-v1/',0,'revision','',0),(3263,2,'2016-08-07 06:01:06','2016-08-07 13:01:06','I’m starting this article with absolutely nothing in mind. I mean I’m at a loss for words; I don’t know what to say and how to lead or guide you into this subject. I guess I should say that if you are interested in being an artist or at least making drawing/painting a major hobby in your life, then you will need to have extended knowledge over the tools you will need. Oh sure you’ll need the basic pencil, eraser, and something to draw on but there’s so much more to it. Notice how one artist can make things look so symmetrical and realistic and other artists will have art pieces that look amateurish. What’s the difference? A lot of people have told me they wish they knew how to draw. My response: the difference between you and me is my knowledge of the tools that are used in the art industry.\r\n\r\nJust like the chef in Ratatouille said \"Anyone can cook,\" I say to you, anyone can draw……with some practice and the right tools of course. I remember when I was in high school it was just the pencil and eraser and that was it. Now if you go into my studio I have an art desk, erasers, tortillions, pencils, and other knick knacks. So what are these knick knacks I’m talking about? Well these knick knacks are the things that will improve your artwork as well as help beginners start off in the right direction. This article is to discuss some old drawing tools you are familiar with, as well as get you familiar with some new tools and tricks.\r\n\r\nPencils: Soft, Hard, Mechanical & Paper\r\n\r\nOK so this is the basic of the basics here. No form of artwork can be done without some type of pencil marking. As you see in the below basic drawing, I used a 2B pencil to sketch out the drawing.\r\n\r\n\"Scan0001\"\r\n\r\nDrawing pencils go from one range to the other – light to darker pencils. The respective names and ranges are: 9B to 9H. The pencils that are 9B to B are the “soft” or bold pencils. These are the dark pencils; they do not have much clay in them in contrast to their counterpart. The higher the number is, the darker the pencil mark is.*****\r\n\r\n \r\n\r\n\"Scan0002\"\"Scan0006\"\r\n\r\n \r\n\r\nWhen dark hair is called into the picture or pupils need to be filled, I usually use a 6B pencil or higher. When using 6B or darker pencils, please be careful when shading; the graphite can be easily spread and you may make an un-necessary mess while shading. Also, keep in mind that it will be just a tad bit harder to erase the darker pencil markings without leaving some residue.\r\n\r\n \r\n\r\n\"Scan0010\"\r\n\r\nMoving along, we have the H pencils or the hard pencils. These pencils contain clay in them to decrease the pencils’ dark markings. I sometimes use them when I want some light shading to the subject or if I need to utilize the carbon copy paper, I use the lightest pencil which is the 9H. There is also the HB pencil – not too hard or not too dark. Usually it can also be found in the next pencil up for discussion: the mechanical pencil. The mechanical pencil usually has HB or 2B lead available. It should be known that it’s mostly used for fine lines and detailing. Usually I use one when applying hair strands to the head as in the above picture. The last thing I want to cover in this paragraph is the kind of paper to use. I strictly use two types of paper material: Crescent illustration board and Strathmore Bristol paper.  The Crescent illustration boards are strictly used for customers and the Bristol paper for personal art use. The Bristol gives off a little bit of a shine that will make your artwork stand out some and makes your blending of the graphite/pencil more smoother therefore giving the art piece a smoother finish.\r\n\r\n \r\n\r\nBlending Tools: Tortillion, Stumps, & Tissue\r\n\r\n[caption id=\"attachment_2822\" align=\"alignnone\" width=\"300\"]\"Scan0003\" Tortillion shading applied to the upper eyes to mimic shading from the eyelid[/caption]\r\n\r\n[caption id=\"attachment_2823\" align=\"alignnone\" width=\"270\"]\"Scan0004\" Tortillion smudging of the lips to illustrate shading[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2825\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Tissue blending/smudging of the hair[/caption]\r\n\r\n \r\n\r\nThese tools ARE VERY NECESSARY if trying to get the realistic look. These tools will help with gradual blending and smoothing. Sometimes I draw with the tortillion when I want to add some shading to a small area like adding some shade to the upper eyes or smearing of the lips or blending of the hair as in the above pictures. Stumps and tortillions have somewhat the same design but the stumps are bigger and have both ends pointed off while the tortillions are paper that is wrapped around very tightly. There’s no preference in which one to use; it’s up to the artist in which one they want to use and how big or small of an area that needs to be shaded.\r\n\r\n \r\n\r\n \r\n\r\n[caption id=\"attachment_2824\" align=\"alignnone\" width=\"300\"]\"Scan0005\" 3h Graphite pencil shading applied before the tissue blend/smudge[/caption]\r\n\r\n[caption id=\"attachment_2825\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Tissue blending applied with a little bit of 3B pencil shading[/caption]\r\n\r\nUsing the tissue is God-sent to me. I accidently found out about this technique doing a Tomb Raider pencil piece. I’ve heard of the technique but never had a chance to apply it; I was too faithful to the blending stump/tortillion shading. I thought it wouldn’t hurt to try and once applied, I immediately fell in love with it. When using the tissue, please keep in mind that it’s used for large blending areas like the hair, arms, legs, cheek, and forehead. This technique will allow the graphite to blend and fade into the paper giving that smooth fade into the white or whatever the color of your drawing paper is.\r\n\r\n \r\n\r\nErasers and Blu Tack\r\n\r\nNo art piece can be done correctly the first time around without some form of erasing tool. When it comes to dealing with pencil, you should have an array of erasing tools at your disposal. Your basic erasers come in the form of regular white erasers, pink pearl erasers and white stick erasers. The first two erasers mentioned are usually helpful in erasing large areas and lines. The stick erasers are long, white erasers within a blue, small tube whose length can be adjusted by an adjustable nob on the side. It can be used for big areas as well. There are also pencil erasers; these come in the form of regular looking pencils but instead of lead there are erasers within the pencil. I personally used these to add highlight strands to hair or to erase small markings in a drawing. You can see the example of me applying the pencil erasing technique to the hair in the example below:\r\n\r\n \r\n\r\n\"Scan0011\"\r\n\r\n \r\n\r\nAnother eraser that is absolutely required in this field is the kneaded eraser. These erasers resemble modeling clay and you can shape them to adhere to the marking you want to get rid. Also, these erasers can be used to “lift” markings of the pencil leaving a lighter mark. I think these are excellent in creating clouds or some type of smoke leaving some faded residue. On that subject, you can also use an item called Blu Tack. It’s a substitute for kneaded eraser; it works the same way. I find myself using this more than the kneaded eraser. No particular reason, it’s just my personal preference. If you need to erase a small area that is surrounded by markings that you don’t want to accidently erase, no worries, use an eraser shield. These are like the dental floss of drawing – they’re inexpensive and precise. Usually they have several shapess in them cut out so that you can erase within the area. I don’t use it as often as I use to but I do have one waiting in the shadows just in case.\r\n\r\nHorsehair Brush, Workable Spray Fixative & Drawing Board\r\n\r\nOK so instead of erasing a marking and using your hand to wipe off the residue, use a brush, namely a horsehair brush. If you brush away eraser residue with your hand, you run the risk smearing your work. Not to mention it saves you from accidently spitting on your work when you blow the eraser residue away. When you want to build up the tone of your drawing, a workable fixative should be called to action. When you get a workable fixative, you can still work on the area even after it’s been sprayed. It holds the graphite in the area that you have sprayed, allowing you to darken the subject by building tone without you disturbing the initial area.\r\n\r\nYou can’t draw until you have a smooth surface to draw on. You will need to angle the drawing board towards you to help prevent the distortion that comes when working flat. I have a drawing table that has the option of tilting if need be. I also have a mobile drawing board. I say mobile because a lot of my friends know if they want me to come over, I’m bringing some form of art to work on. I’ve went to a party and sat in the corner and worked on a drawing for a customer. You can tell I’m dedicated to my art.\r\n\r\n \r\n\r\nRulers, Circle, Ellipse, and Other Templates\r\n\r\nEver wonder how some artists achieve perfect lines or circles? Have you ever thought “I can’t be an artist, I can’t even draw a straight line!” Well my friend don’t fret. There’s a small secret to be learn here; majority of artists, including myself, use rulers and templates. These are templates with pre-made circles and other shapes to help you achieve the shape that you want. You have different templates that specialize in having different shapes. Some are strictly circles or squares to name a few. You also have ellipse that specialize in curves and round objects. Also, you can’t forget about rulers. Not only do they provide a way to graph and measure your subject, they serve as straight edge templates\r\n\r\n \r\n\r\nCarbon Copy Paper, Projectors, Light Boxes, & Acetate Report Covers\r\n\r\nOk so as I stated in a previous article, I run the risk of a mob of angry artist burning down my house. To me and them, this is what helps us make our art pieces look accurate and believable. Oh I can draw, don’t get it twisted, but when you have a lot of art that needs to be done for customers and still make time for your personal art projects, you’ll do the things that will cut down your time. I have seen artists draw the basic sketch in like under 2 min. – wish I could move that fast but since I like to be totally accurate and proficient, I’ll call in the talents of the three named above except the acetate report covers – never used them before but I may purchase some in the near future and try them out. Who knows, I’ll probably do an article on them. Anywho, about the other three: I’ve already done an article of them so please refer to the “If You Refuse to Use a Light Box” article. But in brief, using the three entities will shave you some time off in doing the art piece. If someone says that you’re cheating by incorporating the assistance from these three, they’re sadly misinformed. As I stated in the other article, can a doctor perform surgery without his tools? Isn’t that cheating since he’s using tools to cut down surgery time? What about a dentist? Does using tools to help him find cavities or to fix tooth damage or decay a form of cheating? My thing is it doesn’t matter how you get the picture done, the question is does the public like your art concept? Now go marinate on that for a second.\r\n\r\n \r\n\r\nReference Photos\r\n\r\n[caption id=\"attachment_2819\" align=\"alignnone\" width=\"300\"]\"IMG_0341\" The Real Photo[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2818\" align=\"alignnone\" width=\"300\"]\"IMG_0203\" The Drawn Photo Piece[/caption]\r\n\r\n \r\n\r\nThe last thing will talk about briefly is reference photos. As you can see in the above picture, it’s a picture I took of a close friend of mine. She has model for some of my paintings (Angel Eyes, Expecting) before. It’s not necessary but helpful to have some type of reference photo. This will help with accuracy and placement. I know some people who can draw off the top of their head but I like to be anatomically correct. With that being said, a photo reference with accuracy is necessary in my work. Every artist is different; some will use reference photos and some will use their memory. It really doesn’t matter as long as you and the customers will be satisfied with the end product no matter what tools or techniques you use.','Art Tools for Both the Beginner and the Advanced','','inherit','closed','closed','','2817-revision-v1','','','2016-08-07 06:01:06','2016-08-07 13:01:06','',2817,'http://www.letsdrawpeople.com/2817-revision-v1/',0,'revision','',0),(3262,2,'2016-08-06 18:08:19','2016-08-07 01:08:19','I’m starting this article with absolutely nothing in mind. I mean I’m at a loss for words; I don’t know what to say and how to lead or guide you into this subject. I guess I should say that if you are interested in being an artist or at least making drawing/painting a major hobby in your life, then you will need to have extended knowledge over the tools you will need. Oh sure you’ll need the basic pencil, eraser, and something to draw on but there’s so much more to it. Notice how one artist can make things look so symmetrical and realistic and other artists will have art pieces that look amateurish. What’s the difference? A lot of people have told me they wish they knew how to draw. My response: the difference between you and me is my knowledge of the tools that are used in the art industry.\r\n\r\nJust like the chef in Ratatouille said \"Anyone can cook,\" I say to you, anyone can draw……with some practice and the right tools of course. I remember when I was in high school it was just the pencil and eraser and that was it. Now if you go into my studio I have an art desk, erasers, tortillions, pencils, and other knick knacks. So what are these knick knacks I’m talking about? Well these knick knacks are the things that will improve your artwork as well as help beginners start off in the right direction. This article is to discuss some old drawing tools you are familiar with, as well as get you familiar with some new tools and tricks.\r\n\r\n \r\n\r\nPencils: Soft, Hard, Mechanical & Paper\r\n\r\n\"Scan0001\"\r\n\r\nOk so this is the basic of the basics here. No form of artwork can be done without some type of pencil marking. As you see in the above basic drawing, I used a 2B pencil to sketch out the drawing. Drawing pencils go from one range to the other – light to darker pencils. The respective names and ranges are: 9B to 9H. The pencils that are 9B to B are the “soft” or bold pencils. These are the dark pencils; they do not have much clay in them in contrast to their counterpart. The higher the number is, the darker the pencil mark is.\r\n\r\n \r\n\r\n\"Scan0002\"\"Scan0006\"\r\n\r\n \r\n\r\nWhen dark hair is called into the picture or pupils need to be filled, I usually use a 6B pencil or higher. When using 6B or darker pencils, please be careful when shading; the graphite can be easily spread and you may make an un-necessary mess while shading. Also, keep in mind that it will be just a tad bit harder to erase the darker pencil markings without leaving some residue.\r\n\r\n \r\n\r\n\"Scan0010\"\r\n\r\nMoving along, we have the H pencils or the hard pencils. These pencils contain clay in them to decrease the pencils’ dark markings. I sometimes use them when I want some light shading to the subject or if I need to utilize the carbon copy paper, I use the lightest pencil which is the 9H. There is also the HB pencil – not too hard or not too dark. Usually it can also be found in the next pencil up for discussion: the mechanical pencil. The mechanical pencil usually has HB or 2B lead available. It should be known that it’s mostly used for fine lines and detailing. Usually I use one when applying hair strands to the head as in the above picture. The last thing I want to cover in this paragraph is the kind of paper to use. I strictly use two types of paper material: Crescent illustration board and Strathmore Bristol paper.  The Crescent illustration boards are strictly used for customers and the Bristol paper for personal art use. The Bristol gives off a little bit of a shine that will make your artwork stand out some and makes your blending of the graphite/pencil more smoother therefore giving the art piece a smoother finish.\r\n\r\n \r\n\r\nBlending Tools: Tortillion, Stumps, & Tissue\r\n\r\n[caption id=\"attachment_2822\" align=\"alignnone\" width=\"300\"]\"Scan0003\" Tortillion shading applied to the upper eyes to mimic shading from the eyelid[/caption]\r\n\r\n[caption id=\"attachment_2823\" align=\"alignnone\" width=\"270\"]\"Scan0004\" Tortillion smudging of the lips to illustrate shading[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2825\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Tissue blending/smudging of the hair[/caption]\r\n\r\n \r\n\r\nThese tools ARE VERY NECESSARY if trying to get the realistic look. These tools will help with gradual blending and smoothing. Sometimes I draw with the tortillion when I want to add some shading to a small area like adding some shade to the upper eyes or smearing of the lips or blending of the hair as in the above pictures. Stumps and tortillions have somewhat the same design but the stumps are bigger and have both ends pointed off while the tortillions are paper that is wrapped around very tightly. There’s no preference in which one to use; it’s up to the artist in which one they want to use and how big or small of an area that needs to be shaded.\r\n\r\n \r\n\r\n \r\n\r\n[caption id=\"attachment_2824\" align=\"alignnone\" width=\"300\"]\"Scan0005\" 3h Graphite pencil shading applied before the tissue blend/smudge[/caption]\r\n\r\n[caption id=\"attachment_2825\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Tissue blending applied with a little bit of 3B pencil shading[/caption]\r\n\r\nUsing the tissue is God-sent to me. I accidently found out about this technique doing a Tomb Raider pencil piece. I’ve heard of the technique but never had a chance to apply it; I was too faithful to the blending stump/tortillion shading. I thought it wouldn’t hurt to try and once applied, I immediately fell in love with it. When using the tissue, please keep in mind that it’s used for large blending areas like the hair, arms, legs, cheek, and forehead. This technique will allow the graphite to blend and fade into the paper giving that smooth fade into the white or whatever the color of your drawing paper is.\r\n\r\n \r\n\r\nErasers and Blu Tack\r\n\r\nNo art piece can be done correctly the first time around without some form of erasing tool. When it comes to dealing with pencil, you should have an array of erasing tools at your disposal. Your basic erasers come in the form of regular white erasers, pink pearl erasers and white stick erasers. The first two erasers mentioned are usually helpful in erasing large areas and lines. The stick erasers are long, white erasers within a blue, small tube whose length can be adjusted by an adjustable nob on the side. It can be used for big areas as well. There are also pencil erasers; these come in the form of regular looking pencils but instead of lead there are erasers within the pencil. I personally used these to add highlight strands to hair or to erase small markings in a drawing. You can see the example of me applying the pencil erasing technique to the hair in the example below:\r\n\r\n \r\n\r\n\"Scan0011\"\r\n\r\n \r\n\r\nAnother eraser that is absolutely required in this field is the kneaded eraser. These erasers resemble modeling clay and you can shape them to adhere to the marking you want to get rid. Also, these erasers can be used to “lift” markings of the pencil leaving a lighter mark. I think these are excellent in creating clouds or some type of smoke leaving some faded residue. On that subject, you can also use an item called Blu Tack. It’s a substitute for kneaded eraser; it works the same way. I find myself using this more than the kneaded eraser. No particular reason, it’s just my personal preference. If you need to erase a small area that is surrounded by markings that you don’t want to accidently erase, no worries, use an eraser shield. These are like the dental floss of drawing – they’re inexpensive and precise. Usually they have several shapess in them cut out so that you can erase within the area. I don’t use it as often as I use to but I do have one waiting in the shadows just in case.\r\n\r\nHorsehair Brush, Workable Spray Fixative & Drawing Board\r\n\r\nOK so instead of erasing a marking and using your hand to wipe off the residue, use a brush, namely a horsehair brush. If you brush away eraser residue with your hand, you run the risk smearing your work. Not to mention it saves you from accidently spitting on your work when you blow the eraser residue away. When you want to build up the tone of your drawing, a workable fixative should be called to action. When you get a workable fixative, you can still work on the area even after it’s been sprayed. It holds the graphite in the area that you have sprayed, allowing you to darken the subject by building tone without you disturbing the initial area.\r\n\r\nYou can’t draw until you have a smooth surface to draw on. You will need to angle the drawing board towards you to help prevent the distortion that comes when working flat. I have a drawing table that has the option of tilting if need be. I also have a mobile drawing board. I say mobile because a lot of my friends know if they want me to come over, I’m bringing some form of art to work on. I’ve went to a party and sat in the corner and worked on a drawing for a customer. You can tell I’m dedicated to my art.\r\n\r\n \r\n\r\nRulers, Circle, Ellipse, and Other Templates\r\n\r\nEver wonder how some artists achieve perfect lines or circles? Have you ever thought “I can’t be an artist, I can’t even draw a straight line!” Well my friend don’t fret. There’s a small secret to be learn here; majority of artists, including myself, use rulers and templates. These are templates with pre-made circles and other shapes to help you achieve the shape that you want. You have different templates that specialize in having different shapes. Some are strictly circles or squares to name a few. You also have ellipse that specialize in curves and round objects. Also, you can’t forget about rulers. Not only do they provide a way to graph and measure your subject, they serve as straight edge templates\r\n\r\n \r\n\r\nCarbon Copy Paper, Projectors, Light Boxes, & Acetate Report Covers\r\n\r\nOk so as I stated in a previous article, I run the risk of a mob of angry artist burning down my house. To me and them, this is what helps us make our art pieces look accurate and believable. Oh I can draw, don’t get it twisted, but when you have a lot of art that needs to be done for customers and still make time for your personal art projects, you’ll do the things that will cut down your time. I have seen artists draw the basic sketch in like under 2 min. – wish I could move that fast but since I like to be totally accurate and proficient, I’ll call in the talents of the three named above except the acetate report covers – never used them before but I may purchase some in the near future and try them out. Who knows, I’ll probably do an article on them. Anywho, about the other three: I’ve already done an article of them so please refer to the “If You Refuse to Use a Light Box” article. But in brief, using the three entities will shave you some time off in doing the art piece. If someone says that you’re cheating by incorporating the assistance from these three, they’re sadly misinformed. As I stated in the other article, can a doctor perform surgery without his tools? Isn’t that cheating since he’s using tools to cut down surgery time? What about a dentist? Does using tools to help him find cavities or to fix tooth damage or decay a form of cheating? My thing is it doesn’t matter how you get the picture done, the question is does the public like your art concept? Now go marinate on that for a second.\r\n\r\n \r\n\r\nReference Photos\r\n\r\n[caption id=\"attachment_2819\" align=\"alignnone\" width=\"300\"]\"IMG_0341\" The Real Photo[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2818\" align=\"alignnone\" width=\"300\"]\"IMG_0203\" The Drawn Photo Piece[/caption]\r\n\r\n \r\n\r\nThe last thing will talk about briefly is reference photos. As you can see in the above picture, it’s a picture I took of a close friend of mine. She has model for some of my paintings (Angel Eyes, Expecting) before. It’s not necessary but helpful to have some type of reference photo. This will help with accuracy and placement. I know some people who can draw off the top of their head but I like to be anatomically correct. With that being said, a photo reference with accuracy is necessary in my work. Every artist is different; some will use reference photos and some will use their memory. It really doesn’t matter as long as you and the customers will be satisfied with the end product no matter what tools or techniques you use.','Art Tools for Both the Beginner and the Advanced','','inherit','closed','closed','','2817-revision-v1','','','2016-08-06 18:08:19','2016-08-07 01:08:19','',2817,'http://www.letsdrawpeople.com/2817-revision-v1/',0,'revision','',0),(3264,2,'2016-08-08 17:02:45','2016-08-09 00:02:45','I’m starting this article with absolutely nothing in mind. I mean I’m at a loss for words; I don’t know what to say and how to lead or guide you into this subject. I guess I should say that if you are interested in being an artist or at least making drawing/painting a major hobby in your life, then you will need to have extended knowledge over the tools you will need.\r\n\r\nOh sure you’ll need the basic pencil, eraser, and something to draw on but there’s so much more to it. Notice how one artist can make things look so symmetrical and realistic and other artists will have art pieces that look amateurish. What’s the difference? A lot of people have told me they wish they knew how to draw. My response: the difference between you and me is my knowledge of the tools that are used in the art industry.\r\n\r\nJust like the chef in Ratatouille said \"Anyone can cook,\" I say to you, anyone can draw……with some practice and the right tools of course. I remember when I was in high school it was just the pencil and eraser and that was it. Now if you go into my studio I have an art desk, erasers, tortillions, pencils, and other knick knacks. So what are these knick knacks I’m talking about? Well these knick knacks are the things that will improve your artwork as well as help beginners start off in the right direction. This article is to discuss some old drawing tools you are familiar with, as well as get you familiar with some new tools and tricks.\r\n

Pencils: Soft, Hard, Mechanical, and Paper

\r\nOK so this is the basic of the basics here. No form of artwork can be done without some type of pencil marking. As you see in the below basic drawing, I used a 2B pencil to sketch out the drawing.\r\n\r\n\"Scan0001\"\r\n\r\nDrawing pencils go from one range to the other – light to darker pencils. The respective names and ranges are: 9B to 9H. The pencils that are 9B to B are the “soft” or bold pencils. These are the dark pencils; they do not have much clay in them in contrast to their counterpart. The higher the number is, the darker the pencil mark is.\r\n\r\nWhen dark hair is called into the picture or pupils need to be filled, I usually use a 6B pencil or higher. When using 6B or darker pencils, please be careful when shading; the graphite can be easily spread and you may make an un-necessary mess while shading. Also, keep in mind that it will be just a tad bit harder to erase the darker pencil markings without leaving some residue.\r\n\r\n\"Scan0002\"\"Scan0006\"\r\n\r\n \r\n\r\nMoving along, we have the H pencils or the hard pencils. These pencils contain clay in them to decrease the pencils’ dark markings. I sometimes use them when I want some light shading to the subject or if I need to utilize the carbon copy paper, I use the lightest pencil which is the 9H.\r\n\r\nThere is also the HB pencil – not too hard or not too dark. Usually it can also be found in the next pencil up for discussion: the mechanical pencil. The mechanical pencil usually has HB or 2B lead available. It should be known that it’s often used for fine lines and detailing. Usually I use one when applying hair strands to the head as in the picture below.\r\n\r\n\"Scan0010\"\r\n\r\n \r\n\r\nThe last thing I want to cover in this section is the kind of paper to use. I strictly use two types of paper material: Crescent illustration board and Strathmore Bristol paper.  The Crescent illustration boards are strictly used for customers and the Bristol paper for personal art use. The Bristol gives off a little bit of a shine that will make your artwork stand out some and makes your blending of the graphite/pencil more smoother, therefore giving the art piece a smoother finish.\r\n

Blending Tools: Tortillion, Stumps, and Tissue

\r\nThese tools ARE VERY NECESSARY if trying to get a realistic look. These tools will help with gradual blending and smoothing. Sometimes I draw with the tortillion when I want to add some shading to a small area, like adding some shade to the upper eyes or smearing of the lips or blending of the hair as in the pictures below.\r\n\r\n[caption id=\"attachment_2822\" align=\"alignnone\" width=\"300\"]\"Scan0003\" Tortillion shading applied to the upper eyes to mimic shading from the eyelid[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2823\" align=\"alignnone\" width=\"270\"]\"Scan0004\" Tortillion smudging of the lips to illustrate shading[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2825\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Tissue blending/smudging of the hair[/caption]\r\n\r\n \r\n\r\nStumps and tortillions have somewhat the same design, but the stumps are bigger and have both ends pointed off while the tortillions are paper that is wrapped around very tightly. There’s no preference in which one to use; it’s up to the artist in which one s/he wants to use and how big or small of an area that needs to be shaded.\r\n\r\nUsing the tissue is a Godsend to me. I accidentally found out about this technique doing a Tomb Raider pencil piece. I’ve heard of the technique but never had a chance to apply it; I was too faithful to the blending stump/tortillion shading. I thought it wouldn’t hurt to try and once applied, I immediately fell in love with it.\r\n\r\nWhen using the tissue, please keep in mind that it’s used for large blending areas like the hair, arms, legs, cheek, and forehead. This technique will allow the graphite to blend and fade into the paper, giving that smooth fade into the white or whatever the color of your drawing paper is.\r\n\r\n[caption id=\"attachment_2824\" align=\"alignnone\" width=\"300\"]\"Scan0005\" 3h Graphite pencil shading applied before the tissue blend/smudge[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2825\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Tissue blending applied with a little bit of 3B pencil shading[/caption]\r\n\r\n \r\n

Erasers and Blu Tack

\r\nNo art piece can be done correctly the first time around without some form of erasing tool. When it comes to dealing with pencil, you should have an array of erasing tools at your disposal.\r\n\r\nYour basic erasers come in the form of regular white erasers, Pink Pearl erasers, and white stick erasers. The first two erasers mentioned are usually helpful in erasing large areas and lines. The stick erasers are long, white erasers within a blue, small tube whose length can be adjusted with an adjustable knob on the side. It can be used for big areas as well.\r\n\r\nThere are also pencil erasers; these come in the form of regular looking pencils but instead of lead there are erasers within the pencil. I personally use these to add highlight strands to hair or to erase small markings in a drawing. You can see the example of me applying the pencil erasing technique to the hair in the example below.*****\r\n\r\n\"Scan0011\"\r\n\r\n \r\n\r\nAnother eraser that is absolutely required in this field is the kneaded eraser. These erasers resemble modeling clay and you can shape them to adhere to the marking you want to get rid. Also, these erasers can be used to “lift” markings of the pencil leaving a lighter mark. I think these are excellent in creating clouds or some type of smoke leaving some faded residue. On that subject, you can also use an item called Blu Tack. It’s a substitute for kneaded eraser; it works the same way. I find myself using this more than the kneaded eraser. No particular reason, it’s just my personal preference. If you need to erase a small area that is surrounded by markings that you don’t want to accidently erase, no worries, use an eraser shield. These are like the dental floss of drawing – they’re inexpensive and precise. Usually they have several shapess in them cut out so that you can erase within the area. I don’t use it as often as I use to but I do have one waiting in the shadows just in case.\r\n\r\nHorsehair Brush, Workable Spray Fixative & Drawing Board\r\n\r\nOK so instead of erasing a marking and using your hand to wipe off the residue, use a brush, namely a horsehair brush. If you brush away eraser residue with your hand, you run the risk smearing your work. Not to mention it saves you from accidently spitting on your work when you blow the eraser residue away. When you want to build up the tone of your drawing, a workable fixative should be called to action. When you get a workable fixative, you can still work on the area even after it’s been sprayed. It holds the graphite in the area that you have sprayed, allowing you to darken the subject by building tone without you disturbing the initial area.\r\n\r\nYou can’t draw until you have a smooth surface to draw on. You will need to angle the drawing board towards you to help prevent the distortion that comes when working flat. I have a drawing table that has the option of tilting if need be. I also have a mobile drawing board. I say mobile because a lot of my friends know if they want me to come over, I’m bringing some form of art to work on. I’ve went to a party and sat in the corner and worked on a drawing for a customer. You can tell I’m dedicated to my art.\r\n\r\n \r\n\r\nRulers, Circle, Ellipse, and Other Templates\r\n\r\nEver wonder how some artists achieve perfect lines or circles? Have you ever thought “I can’t be an artist, I can’t even draw a straight line!” Well my friend don’t fret. There’s a small secret to be learn here; majority of artists, including myself, use rulers and templates. These are templates with pre-made circles and other shapes to help you achieve the shape that you want. You have different templates that specialize in having different shapes. Some are strictly circles or squares to name a few. You also have ellipse that specialize in curves and round objects. Also, you can’t forget about rulers. Not only do they provide a way to graph and measure your subject, they serve as straight edge templates\r\n\r\n \r\n\r\nCarbon Copy Paper, Projectors, Light Boxes, & Acetate Report Covers\r\n\r\nOk so as I stated in a previous article, I run the risk of a mob of angry artist burning down my house. To me and them, this is what helps us make our art pieces look accurate and believable. Oh I can draw, don’t get it twisted, but when you have a lot of art that needs to be done for customers and still make time for your personal art projects, you’ll do the things that will cut down your time. I have seen artists draw the basic sketch in like under 2 min. – wish I could move that fast but since I like to be totally accurate and proficient, I’ll call in the talents of the three named above except the acetate report covers – never used them before but I may purchase some in the near future and try them out. Who knows, I’ll probably do an article on them. Anywho, about the other three: I’ve already done an article of them so please refer to the “If You Refuse to Use a Light Box” article. But in brief, using the three entities will shave you some time off in doing the art piece. If someone says that you’re cheating by incorporating the assistance from these three, they’re sadly misinformed. As I stated in the other article, can a doctor perform surgery without his tools? Isn’t that cheating since he’s using tools to cut down surgery time? What about a dentist? Does using tools to help him find cavities or to fix tooth damage or decay a form of cheating? My thing is it doesn’t matter how you get the picture done, the question is does the public like your art concept? Now go marinate on that for a second.\r\n\r\n \r\n\r\nReference Photos\r\n\r\n[caption id=\"attachment_2819\" align=\"alignnone\" width=\"300\"]\"IMG_0341\" The Real Photo[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2818\" align=\"alignnone\" width=\"300\"]\"IMG_0203\" The Drawn Photo Piece[/caption]\r\n\r\n \r\n\r\nThe last thing will talk about briefly is reference photos. As you can see in the above picture, it’s a picture I took of a close friend of mine. She has model for some of my paintings (Angel Eyes, Expecting) before. It’s not necessary but helpful to have some type of reference photo. This will help with accuracy and placement. I know some people who can draw off the top of their head but I like to be anatomically correct. With that being said, a photo reference with accuracy is necessary in my work. Every artist is different; some will use reference photos and some will use their memory. It really doesn’t matter as long as you and the customers will be satisfied with the end product no matter what tools or techniques you use.','Art Tools for Both the Beginner and the Advanced (dreamstime pics???)','','inherit','closed','closed','','2817-revision-v1','','','2016-08-08 17:02:45','2016-08-09 00:02:45','',2817,'http://www.letsdrawpeople.com/2817-revision-v1/',0,'revision','',0),(3266,2,'2016-08-09 05:03:13','2016-08-09 12:03:13','I’m starting this article with absolutely nothing in mind. I mean I’m at a loss for words; I don’t know what to say and how to lead or guide you into this subject. I guess I should say that if you are interested in being an artist or at least making drawing/painting a major hobby in your life, then you will need to have extended knowledge over the tools you will need.\r\n\r\nOh sure you’ll need the basic pencil, eraser, and something to draw on but there’s so much more to it. Notice how one artist can make things look so symmetrical and realistic and other artists will have art pieces that look amateurish. What’s the difference? A lot of people have told me they wish they knew how to draw. My response: the difference between you and me is my knowledge of the tools that are used in the art industry.\r\n\r\nJust like the chef in Ratatouille said \"Anyone can cook,\" I say to you, anyone can draw……with some practice and the right tools of course. I remember when I was in high school it was just the pencil and eraser and that was it. Now if you go into my studio I have an art desk, erasers, tortillions, pencils, and other knick knacks. So what are these knick knacks I’m talking about? Well these knick knacks are the things that will improve your artwork as well as help beginners start off in the right direction. This article is to discuss some old drawing tools you are familiar with, as well as get you familiar with some new tools and tricks.\r\n

Pencils: Soft, Hard, Mechanical, and Paper

\r\nOK so this is the basic of the basics here. No form of artwork can be done without some type of pencil marking. As you see in the below basic drawing, I used a 2B pencil to sketch out the drawing.\r\n\r\n\"Scan0001\"\r\n\r\nDrawing pencils go from one range to the other – light to darker pencils. The respective names and ranges are: 9B to 9H. The pencils that are 9B to B are the “soft” or bold pencils. These are the dark pencils; they do not have much clay in them in contrast to their counterpart. The higher the number is, the darker the pencil mark is.\r\n\r\nWhen dark hair is called into the picture or pupils need to be filled, I usually use a 6B pencil or higher. When using 6B or darker pencils, please be careful when shading; the graphite can be easily spread and you may make an un-necessary mess while shading. Also, keep in mind that it will be just a tad bit harder to erase the darker pencil markings without leaving some residue.\r\n\r\n\"Scan0002\"\"Scan0006\"\r\n\r\n \r\n\r\nMoving along, we have the H pencils or the hard pencils. These pencils contain clay in them to decrease the pencils’ dark markings. I sometimes use them when I want some light shading to the subject or if I need to utilize the carbon copy paper, I use the lightest pencil which is the 9H.\r\n\r\nThere is also the HB pencil – not too hard or not too dark. Usually it can also be found in the next pencil up for discussion: the mechanical pencil. The mechanical pencil usually has HB or 2B lead available. It should be known that it’s often used for fine lines and detailing. Usually I use one when applying hair strands to the head as in the picture below.\r\n\r\n\"Scan0010\"\r\n\r\n \r\n\r\nThe last thing I want to cover in this section is the kind of paper to use. I strictly use two types of paper material: Crescent illustration board and Strathmore Bristol paper.  The Crescent illustration boards are strictly used for customers and the Bristol paper for personal art use. The Bristol gives off a little bit of a shine that will make your artwork stand out some and makes your blending of the graphite/pencil more smoother, therefore giving the art piece a smoother finish.\r\n

Blending Tools: Tortillion, Stumps, and Tissue

\r\nThese tools ARE VERY NECESSARY if trying to get a realistic look. These tools will help with gradual blending and smoothing. Sometimes I draw with the tortillion when I want to add some shading to a small area, like adding some shade to the upper eyes or smearing of the lips or blending of the hair as in the pictures below.\r\n\r\n[caption id=\"attachment_2822\" align=\"alignnone\" width=\"300\"]\"Scan0003\" Tortillion shading applied to the upper eyes to mimic shading from the eyelid[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2823\" align=\"alignnone\" width=\"270\"]\"Scan0004\" Tortillion smudging of the lips to illustrate shading[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2825\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Tissue blending/smudging of the hair[/caption]\r\n\r\n \r\n\r\nStumps and tortillions have somewhat the same design, but the stumps are bigger and have both ends pointed off while the tortillions are paper that is wrapped around very tightly. There’s no preference in which one to use; it’s up to the artist in which one s/he wants to use and how big or small of an area that needs to be shaded.\r\n\r\nUsing the tissue is a Godsend to me. I accidentally found out about this technique doing a Tomb Raider pencil piece. I’ve heard of the technique but never had a chance to apply it; I was too faithful to the blending stump/tortillion shading. I thought it wouldn’t hurt to try and once applied, I immediately fell in love with it.\r\n\r\nWhen using the tissue, please keep in mind that it’s used for large blending areas like the hair, arms, legs, cheek, and forehead. This technique will allow the graphite to blend and fade into the paper, giving that smooth fade into the white or whatever the color of your drawing paper is.\r\n\r\n[caption id=\"attachment_2824\" align=\"alignnone\" width=\"300\"]\"Scan0005\" 3h Graphite pencil shading applied before the tissue blend/smudge[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2825\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Tissue blending applied with a little bit of 3B pencil shading[/caption]\r\n\r\n \r\n

Erasers and Blu Tack

\r\nNo art piece can be done correctly the first time around without some form of erasing tool. When it comes to dealing with pencil, you should have an array of erasing tools at your disposal.\r\n\r\nYour basic erasers come in the form of regular white erasers, Pink Pearl erasers, and white stick erasers. The first two erasers mentioned are usually helpful in erasing large areas and lines. The stick erasers are long, white erasers within a blue, small tube whose length can be adjusted with an adjustable knob on the side. It can be used for big areas as well.\r\n\r\nThere are also pencil erasers; these come in the form of regular looking pencils but instead of lead there are erasers within the pencil. I personally use these to add highlight strands to hair or to erase small markings in a drawing. You can see the example of me applying the pencil erasing technique to the hair in the example below.\r\n\r\n\"Scan0011\"\r\n\r\n \r\n\r\nAnother eraser that is absolutely required in this field is the kneaded eraser. These erasers resemble modeling clay and you can shape them to adhere to the marking you want to get rid of. Also, these erasers can be used to “lift” markings of the pencil, leaving a lighter mark. I think these are excellent in creating clouds or some type of smoke leaving some faded residue.\r\n\r\nOn that subject, you can also use an item called Blu Tack. It’s a substitute for a kneaded eraser; it works the same way. I find myself using this more than the kneaded eraser. No particular reason, it’s just my personal preference.\r\n\r\nIf you need to erase a small area that is surrounded by markings that you don’t want to accidently erase, no worries, use an eraser shield. These are like the dental floss of drawing – they’re inexpensive and precise. Usually they have several shapes in them cut out so that you can erase within the area. I don’t use it as often as I use to but I do have one waiting in the shadows just in case.\r\n

Horsehair Brush, Workable Spray Fixative, and Drawing Board

\r\nOK so instead of erasing a marking and using your hand to wipe off the residue, use a brush...namely a horsehair brush. If you brush away eraser residue with your hand, you run the risk smearing your work. Not to mention it saves you from accidentally spitting on your work when you blow the eraser residue away.\r\n\r\nWhen you want to build up the tone of your drawing, a workable fixative should be called to action. When you get a workable fixative, you can still work on the area even after it’s been sprayed. It holds the graphite in the area that you have sprayed, allowing you to darken the subject by building tone without you disturbing the initial area.\r\n\r\nYou can’t draw until you have a smooth surface to draw on such as a drawing board. You will need to angle the drawing board towards you to help prevent the distortion that comes when working flat. I have a drawing table that has the option of tilting if need be. I also have a mobile drawing board. I say mobile because a lot of my friends know if they want me to come over, I’m bringing some form of art to work on. I’ve went to a party and sat in the corner and worked on a drawing for a customer. You can tell I’m dedicated to my art.\r\n

Rulers, Circle, Ellipse, and Other Templates

\r\nEver wonder how some artists achieve perfect lines or circles? You may have thought “I can’t be an artist, I can’t even draw a straight line!” Well my friend, don’t fret. There’s a small secret to be learned here; the majority of artists, including myself, use rulers and templates. Templates are tools with pre-made circles and other shapes to help you achieve the shape that you want. You have different templates that specialize in having different shapes. Some are strictly circles or squares to name a few. You also have ellipse templates that specialize in curves and round objects. Also, you can’t forget about rulers. Not only do they provide a way to graph and measure your subject, but they serve as straight edge templates too.\r\n

Carbon Copy Paper, Projectors, Light Boxes, and Acetate Report Covers

\r\nOK so as I stated in a previous article, I run the risk of a mob of angry artists burning down my house. To me and them, this is what helps us make our art pieces look accurate and believable. Oh I can draw, don’t get it twisted; but when you have a lot of art that needs to be done for customers and you still need to make time for your personal art projects, you’ll do the things that will cut down your time. I have seen artists draw a basic sketch in like under 2 min. – wish I could move that fast; but since I like to be totally accurate and proficient, I’ll call in the talents of the three named above except the acetate report covers – never used them before but I may purchase some in the near future and try them out. Who knows, I’ll probably do an article on them.\r\n\r\nAnywho, about the other three, using them will shave you some time off in doing the art piece. If someone says that you’re cheating by incorporating the assistance from these three, they’re sadly misinformed. As I stated in the other article, can a doctor perform surgery without his tools? Is that cheating since he’s using tools to cut down surgery time? What about a dentist? Does using tools to help him find cavities or to fix tooth damage or decay qualify as a form of cheating? My thing is it doesn’t matter how you get the picture done, the question is does the public like your art concept? Now go marinate on that for a second.\r\n

Reference Photos

\r\nThe last thing I will talk about briefly is the reference photo. As you can see in the below picture, it’s a picture I took of a close friend of mine. She has modeled for some of my paintings (Angel Eyes, Expecting) before.\r\n\r\n[caption id=\"attachment_2819\" align=\"alignnone\" width=\"300\"]\"IMG_0341\" The Real Photo[/caption]\r\n\r\n\"IMG_0203\"\r\n\r\nThe Drawn Photo Piece\r\n\r\nIt’s not necessary but helpful to have some type of reference photo. This will help with accuracy and placement. I know some people who can draw off the top of their head, but I like to be anatomically correct. With that being said, a photo reference with accuracy is necessary in my work. Every artist is different; some will use reference photos and some will use their memory. It really doesn’t matter as long as you and the customers will be satisfied with the end product, no matter what tools or techniques you use.','Art Tools for Both the Beginner and the Advanced','','inherit','closed','closed','','2817-revision-v1','','','2016-08-09 05:03:13','2016-08-09 12:03:13','',2817,'http://www.letsdrawpeople.com/2817-revision-v1/',0,'revision','',0),(3267,2,'2016-08-09 07:00:31','2016-08-09 14:00:31','I’m starting this article with absolutely nothing in mind. I mean I’m at a loss for words; I don’t know what to say and how to lead or guide you into this subject. I guess I should say that if you are interested in being an artist or at least making drawing/painting a major hobby in your life, then you will need to have extended knowledge over the tools you will need.\r\n\r\nOh sure you’ll need the basic pencil, eraser, and something to draw on but there’s so much more to it. Notice how one artist can make things look so symmetrical and realistic and other artists will have art pieces that look amateurish. What’s the difference? A lot of people have told me they wish they knew how to draw. My response: the difference between you and me is my knowledge of the tools that are used in the art industry.\r\n\r\nJust like the chef in Ratatouille said \"Anyone can cook,\" I say to you, anyone can draw……with some practice and the right tools of course. I remember when I was in high school it was just the pencil and eraser and that was it. Now if you go into my studio I have an art desk, erasers, tortillions, pencils, and other knick knacks. So what are these knick knacks I’m talking about? Well these knick knacks are the things that will improve your artwork as well as help beginners start off in the right direction. This article is to discuss some old drawing tools you are familiar with, as well as get you familiar with some new tools and tricks.\r\n\r\nNote: This article contains affiliate links to some of the tools mentioned. This website will earn a tiny commission if you purchase through these links.\r\n

Pencils: Soft, Hard, Mechanical, and Paper

\r\nOK so this is the basic of the basics here. No form of artwork can be done without some type of pencil marking. As you see in the below basic drawing, I used a 2B pencil to sketch out the drawing.\r\n\r\n\"Scan0001\"\r\n\r\nDrawing pencils go from one range to the other – light to darker pencils. The respective names and ranges are: 9B to 9H. The pencils that are 9B to B are the “soft” or bold pencils. These are the dark pencils; they do not have much clay in them in contrast to their counterpart. The higher the number is, the darker the pencil mark is.\r\n\r\nWhen dark hair is called into the picture or pupils need to be filled, I usually use a 6B pencil or higher. When using 6B or darker pencils, please be careful when shading; the graphite can be easily spread and you may make an un-necessary mess while shading. Also, keep in mind that it will be just a tad bit harder to erase the darker pencil markings without leaving some residue.\r\n\r\n\"Scan0002\"\"Scan0006\"\r\n\r\n \r\n\r\nMoving along, we have the H pencils or the hard pencils. These pencils contain clay in them to decrease the pencils’ dark markings. I sometimes use them when I want some light shading to the subject or if I need to utilize the carbon copy paper, I use the lightest pencil which is the 9H.\r\n\r\nThere is also the HB pencil – not too hard or not too dark. Usually it can also be found in the next pencil up for discussion: the mechanical pencil. The mechanical pencil usually has HB or 2B lead available. It should be known that it’s often used for fine lines and detailing. Usually I use one when applying hair strands to the head as in the picture below.\r\n\r\n\"Scan0010\"\r\n\r\n \r\n\r\nThe last thing I want to cover in this section is the kind of paper to use. I strictly use two types of paper material: Crescent illustration board and Strathmore Bristol paper.  The Crescent illustration boards are strictly used for customers and the Bristol paper for personal art use. The Bristol gives off a little bit of a shine that will make your artwork stand out some and makes your blending of the graphite/pencil more smoother, therefore giving the art piece a smoother finish.\r\n

Blending Tools: Tortillion, Stumps, and Tissue

\r\nThese tools ARE VERY NECESSARY if trying to get a realistic look. These tools will help with gradual blending and smoothing. Sometimes I draw with the tortillion when I want to add some shading to a small area, like adding some shade to the upper eyes or smearing of the lips or blending of the hair as in the pictures below.\r\n\r\n[caption id=\"attachment_2822\" align=\"alignnone\" width=\"300\"]\"Scan0003\" Tortillion shading applied to the upper eyes to mimic shading from the eyelid[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2823\" align=\"alignnone\" width=\"270\"]\"Scan0004\" Tortillion smudging of the lips to illustrate shading[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2825\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Tissue blending/smudging of the hair[/caption]\r\n\r\n \r\n\r\nStumps and tortillions have somewhat the same design, but the stumps are bigger and have both ends pointed off while the tortillions are paper that is wrapped around very tightly. There’s no preference in which one to use; it’s up to the artist in which one s/he wants to use and how big or small of an area that needs to be shaded.\r\n\r\nUsing the tissue is a Godsend to me. I accidentally found out about this technique doing a Tomb Raider pencil piece. I’ve heard of the technique but never had a chance to apply it; I was too faithful to the blending stump/tortillion shading. I thought it wouldn’t hurt to try and once applied, I immediately fell in love with it.\r\n\r\nWhen using the tissue, please keep in mind that it’s used for large blending areas like the hair, arms, legs, cheek, and forehead. This technique will allow the graphite to blend and fade into the paper, giving that smooth fade into the white or whatever the color of your drawing paper is.\r\n\r\n[caption id=\"attachment_2824\" align=\"alignnone\" width=\"300\"]\"Scan0005\" 3h Graphite pencil shading applied before the tissue blend/smudge[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2825\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Tissue blending applied with a little bit of 3B pencil shading[/caption]\r\n\r\n \r\n

Erasers and Blu Tack

\r\nNo art piece can be done correctly the first time around without some form of erasing tool. When it comes to dealing with pencil, you should have an array of erasing tools at your disposal.\r\n\r\nYour basic erasers come in the form of regular white erasers, Pink Pearl erasers, and white stick erasers. The first two erasers mentioned are usually helpful in erasing large areas and lines. The stick erasers are long, white erasers within a blue, small tube whose length can be adjusted with an adjustable knob on the side. It can be used for big areas as well.\r\n\r\nThere are also pencil erasers; these come in the form of regular looking pencils but instead of lead there are erasers within the pencil. I personally use these to add highlight strands to hair or to erase small markings in a drawing. You can see the example of me applying the pencil erasing technique to the hair in the example below.\r\n\r\n\"Scan0011\"\r\n\r\n \r\n\r\nAnother eraser that is absolutely required in this field is the kneaded eraser. These erasers resemble modeling clay and you can shape them to adhere to the marking you want to get rid of. Also, these erasers can be used to “lift” markings of the pencil, leaving a lighter mark. I think these are excellent in creating clouds or some type of smoke leaving some faded residue.\r\n\r\nOn that subject, you can also use an item called Blu Tack. It’s a substitute for a kneaded eraser; it works the same way. I find myself using this more than the kneaded eraser. No particular reason, it’s just my personal preference.\r\n\r\nIf you need to erase a small area that is surrounded by markings that you don’t want to accidently erase, no worries, use an eraser shield. These are like the dental floss of drawing – they’re inexpensive and precise. Usually they have several shapes in them cut out so that you can erase within the area. I don’t use it as often as I use to but I do have one waiting in the shadows just in case.\r\n

Horsehair Brush, Workable Spray Fixative, and Drawing Board

\r\nOK so instead of erasing a marking and using your hand to wipe off the residue, use a brush...namely a horsehair brush. If you brush away eraser residue with your hand, you run the risk smearing your work. Not to mention it saves you from accidentally spitting on your work when you blow the eraser residue away.\r\n\r\nWhen you want to build up the tone of your drawing, a workable fixative should be called to action. When you get a workable fixative, you can still work on the area even after it’s been sprayed. It holds the graphite in the area that you have sprayed, allowing you to darken the subject by building tone without you disturbing the initial area.\r\n\r\nYou can’t draw until you have a smooth surface to draw on such as a drawing board. You will need to angle the drawing board towards you to help prevent the distortion that comes when working flat. I have a drawing table that has the option of tilting if need be. I also have a mobile drawing board. I say mobile because a lot of my friends know if they want me to come over, I’m bringing some form of art to work on. I’ve went to a party and sat in the corner and worked on a drawing for a customer. You can tell I’m dedicated to my art.\r\n

Rulers, Circle, Ellipse, and Other Templates

\r\nEver wonder how some artists achieve perfect lines or circles? You may have thought “I can’t be an artist, I can’t even draw a straight line!” Well my friend, don’t fret. There’s a small secret to be learned here; the majority of artists, including myself, use rulers and templates. Templates are tools with pre-made circles and other shapes to help you achieve the shape that you want. You have different templates that specialize in having different shapes. Some are strictly circles or squares to name a few. You also have ellipse templates that specialize in curves and round objects. Also, you can’t forget about rulers. Not only do they provide a way to graph and measure your subject, but they serve as straight edge templates too.\r\n

Carbon Copy Paper, Projectors, Light Boxes, and Acetate Report Covers

\r\nOK so as I stated in a previous article, I run the risk of a mob of angry artists burning down my house. To me and them, this is what helps us make our art pieces look accurate and believable. Oh I can draw, don’t get it twisted; but when you have a lot of art that needs to be done for customers and you still need to make time for your personal art projects, you’ll do the things that will cut down your time. I have seen artists draw a basic sketch in like under 2 min. – wish I could move that fast; but since I like to be totally accurate and proficient, I’ll call in the talents of the three named above except the acetate report covers – never used them before but I may purchase some in the near future and try them out. Who knows, I’ll probably do an article on them.\r\n\r\nAnywho, about the other three, using them will shave you some time off in doing the art piece. If someone says that you’re cheating by incorporating the assistance from these three, they’re sadly misinformed. As I stated in the other article, can a doctor perform surgery without his tools? Is that cheating since he’s using tools to cut down surgery time? What about a dentist? Does using tools to help him find cavities or to fix tooth damage or decay qualify as a form of cheating? My thing is it doesn’t matter how you get the picture done, the question is does the public like your art concept? Now go marinate on that for a second.\r\n

Reference Photos

\r\nThe last thing I will talk about briefly is the reference photo. As you can see in the below picture, it’s a picture I took of a close friend of mine. She has modeled for some of my paintings (Angel Eyes, Expecting) before.\r\n\r\n[caption id=\"attachment_2819\" align=\"alignnone\" width=\"300\"]\"IMG_0341\" The Real Photo[/caption]\r\n\r\n\"IMG_0203\"\r\n\r\nThe Drawn Photo Piece\r\n\r\nIt’s not necessary but helpful to have some type of reference photo. This will help with accuracy and placement. I know some people who can draw off the top of their head, but I like to be anatomically correct. With that being said, a photo reference with accuracy is necessary in my work. Every artist is different; some will use reference photos and some will use their memory. It really doesn’t matter as long as you and the customers will be satisfied with the end product, no matter what tools or techniques you use.','Art Tools for Both the Beginner and the Advanced','','inherit','closed','closed','','2817-revision-v1','','','2016-08-09 07:00:31','2016-08-09 14:00:31','',2817,'http://www.letsdrawpeople.com/2817-revision-v1/',0,'revision','',0),(3269,2,'2016-08-11 19:46:15','2016-08-12 02:46:15','I’m starting this article with absolutely nothing in mind. I mean I’m at a loss for words; I don’t know what to say and how to lead or guide you into this subject. I guess I should say that if you are interested in being an artist or at least making drawing/painting a major hobby in your life, then you will need to have extended knowledge over the tools you will need.\r\n\r\nOh sure you’ll need the basic pencil, eraser, and something to draw on but there’s so much more to it. Notice how one artist can make things look so symmetrical and realistic and other artists will have art pieces that look amateurish. What’s the difference? A lot of people have told me they wish they knew how to draw. My response: the difference between you and me is my knowledge of the tools that are used in the art industry.\r\n\r\nJust like the chef in Ratatouille said \"Anyone can cook,\" I say to you, anyone can draw……with some practice and the right tools of course. I remember when I was in high school it was just the pencil and eraser and that was it. Now if you go into my studio I have an art desk, erasers, tortillions, pencils, and other knick knacks. So what are these knick knacks I’m talking about? Well these knick knacks are the things that will improve your artwork as well as help beginners start off in the right direction. This article is to discuss some old drawing tools you are familiar with, as well as get you familiar with some new tools and tricks.\r\n\r\nNote: This article contains affiliate links to some of the tools mentioned. LetsDrawPeople.com will earn a tiny commission if you purchase through these links.\r\n

Pencils: Soft, Hard, Mechanical, and Paper

\r\nOK so this is the basic of the basics here. No form of artwork can be done without some type of pencil marking. As you see in the below basic drawing, I used a 2B pencil to sketch out the drawing.\r\n\r\n\"Scan0001\"\r\n\r\nDrawing pencils go from one range to the other – light to darker pencils. The respective names and ranges are: 9B to 9H. The pencils that are 9B to B are the “soft” or bold pencils. These are the dark pencils; they do not have much clay in them in contrast to their counterpart. The higher the number is, the darker the pencil mark is.\r\n\r\nWhen dark hair is called into the picture or pupils need to be filled, I usually use a 6B pencil or higher. When using 6B or darker pencils, please be careful when shading; the graphite can be easily spread and you may make an un-necessary mess while shading. Also, keep in mind that it will be just a tad bit harder to erase the darker pencil markings without leaving some residue.\r\n\r\n\"Scan0002\"\"Scan0006\"\r\n\r\n \r\n\r\nMoving along, we have the H pencils or the hard pencils. These pencils contain clay in them to decrease the pencils’ dark markings. I sometimes use them when I want some light shading to the subject or if I need to utilize the carbon copy paper, I use the lightest pencil which is the 9H.\r\n\r\nThere is also the HB pencil – not too hard or not too dark. Usually it can also be found in the next pencil up for discussion: the mechanical pencil. The mechanical pencil usually has HB or 2B lead available. It should be known that it’s often used for fine lines and detailing. Usually I use one when applying hair strands to the head as in the picture below.\r\n\r\n\"Scan0010\"\r\n\r\n \r\n\r\nThe last thing I want to cover in this section is the kind of paper to use. I strictly use two types of paper material: Crescent illustration board and Strathmore Bristol paper.  The Crescent illustration boards are strictly used for customers and the Bristol paper for personal art use. The Bristol gives off a little bit of a shine that will make your artwork stand out some and makes your blending of the graphite/pencil more smoother, therefore giving the art piece a smoother finish.\r\n

Blending Tools: Tortillion, Stumps, and Tissue

\r\nThese tools ARE VERY NECESSARY if trying to get a realistic look. These tools will help with gradual blending and smoothing. Sometimes I draw with the tortillion when I want to add some shading to a small area, like adding some shade to the upper eyes or smearing of the lips or blending of the hair as in the pictures below.\r\n\r\n[caption id=\"attachment_2822\" align=\"alignnone\" width=\"300\"]\"Scan0003\" Tortillion shading applied to the upper eyes to mimic shading from the eyelid[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2823\" align=\"alignnone\" width=\"270\"]\"Scan0004\" Tortillion smudging of the lips to illustrate shading[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2825\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Tissue blending/smudging of the hair[/caption]\r\n\r\n \r\n\r\nStumps and tortillions have somewhat the same design, but the stumps are bigger and have both ends pointed off while the tortillions are paper that is wrapped around very tightly. There’s no preference in which one to use; it’s up to the artist in which one s/he wants to use and how big or small of an area that needs to be shaded.\r\n\r\nUsing the tissue is a Godsend to me. I accidentally found out about this technique doing a Tomb Raider pencil piece. I’ve heard of the technique but never had a chance to apply it; I was too faithful to the blending stump/tortillion shading. I thought it wouldn’t hurt to try and once applied, I immediately fell in love with it.\r\n\r\nWhen using the tissue, please keep in mind that it’s used for large blending areas like the hair, arms, legs, cheek, and forehead. This technique will allow the graphite to blend and fade into the paper, giving that smooth fade into the white or whatever the color of your drawing paper is.\r\n\r\n[caption id=\"attachment_2824\" align=\"alignnone\" width=\"300\"]\"Scan0005\" 3h Graphite pencil shading applied before the tissue blend/smudge[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2825\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Tissue blending applied with a little bit of 3B pencil shading[/caption]\r\n\r\n \r\n

Erasers and Blu Tack

\r\nNo art piece can be done correctly the first time around without some form of erasing tool. When it comes to dealing with pencil, you should have an array of erasing tools at your disposal.\r\n\r\nYour basic erasers come in the form of regular white erasers, Pink Pearl erasers, and white stick erasers. The first two erasers mentioned are usually helpful in erasing large areas and lines. The stick erasers are long, white erasers within a blue, small tube whose length can be adjusted with an adjustable knob on the side. It can be used for big areas as well.\r\n\r\nThere are also pencil erasers; these come in the form of regular looking pencils but instead of lead there are erasers within the pencil. I personally use these to add highlight strands to hair or to erase small markings in a drawing. You can see the example of me applying the pencil erasing technique to the hair in the example below.\r\n\r\n\"Scan0011\"\r\n\r\n \r\n\r\nAnother eraser that is absolutely required in this field is the kneaded eraser. These erasers resemble modeling clay and you can shape them to adhere to the marking you want to get rid of. Also, these erasers can be used to “lift” markings of the pencil, leaving a lighter mark. I think these are excellent in creating clouds or some type of smoke leaving some faded residue.\r\n\r\nOn that subject, you can also use an item called Blu Tack. It’s a substitute for a kneaded eraser; it works the same way. I find myself using this more than the kneaded eraser. No particular reason, it’s just my personal preference.\r\n\r\nIf you need to erase a small area that is surrounded by markings that you don’t want to accidently erase, no worries, use an eraser shield. These are like the dental floss of drawing – they’re inexpensive and precise. Usually they have several shapes in them cut out so that you can erase within the area. I don’t use it as often as I use to but I do have one waiting in the shadows just in case.\r\n

Horsehair Brush, Workable Spray Fixative, and Drawing Board

\r\nOK so instead of erasing a marking and using your hand to wipe off the residue, use a brush...namely a horsehair brush. If you brush away eraser residue with your hand, you run the risk smearing your work. Not to mention it saves you from accidentally spitting on your work when you blow the eraser residue away.\r\n\r\nWhen you want to build up the tone of your drawing, a workable fixative should be called to action. When you get a workable fixative, you can still work on the area even after it’s been sprayed. It holds the graphite in the area that you have sprayed, allowing you to darken the subject by building tone without you disturbing the initial area.\r\n\r\nYou can’t draw until you have a smooth surface to draw on such as a drawing board. You will need to angle the drawing board towards you to help prevent the distortion that comes when working flat. I have a drawing table that has the option of tilting if need be. I also have a mobile drawing board. I say mobile because a lot of my friends know if they want me to come over, I’m bringing some form of art to work on. I’ve went to a party and sat in the corner and worked on a drawing for a customer. You can tell I’m dedicated to my art.\r\n

Rulers, Circle, Ellipse, and Other Templates

\r\nEver wonder how some artists achieve perfect lines or circles? You may have thought “I can’t be an artist, I can’t even draw a straight line!” Well my friend, don’t fret. There’s a small secret to be learned here; the majority of artists, including myself, use rulers and templates. Templates are tools with pre-made circles and other shapes to help you achieve the shape that you want. You have different templates that specialize in having different shapes. Some are strictly circles or squares to name a few. You also have ellipse templates that specialize in curves and round objects. Also, you can’t forget about rulers. Not only do they provide a way to graph and measure your subject, but they serve as straight edge templates too.\r\n

Carbon Copy Paper, Projectors, Light Boxes, and Acetate Report Covers

\r\nOK so as I stated in a previous article, I run the risk of a mob of angry artists burning down my house. To me and them, this is what helps us make our art pieces look accurate and believable. Oh I can draw, don’t get it twisted; but when you have a lot of art that needs to be done for customers and you still need to make time for your personal art projects, you’ll do the things that will cut down your time. I have seen artists draw a basic sketch in like under 2 min. – wish I could move that fast; but since I like to be totally accurate and proficient, I’ll call in the talents of the three named above except the acetate report covers – never used them before but I may purchase some in the near future and try them out. Who knows, I’ll probably do an article on them.\r\n\r\nAnywho, about the other three, using them will shave you some time off in doing the art piece. If someone says that you’re cheating by incorporating the assistance from these three, they’re sadly misinformed. As I stated in the other article, can a doctor perform surgery without his tools? Is that cheating since he’s using tools to cut down surgery time? What about a dentist? Does using tools to help him find cavities or to fix tooth damage or decay qualify as a form of cheating? My thing is it doesn’t matter how you get the picture done, the question is does the public like your art concept? Now go marinate on that for a second.\r\n

Reference Photos

\r\nThe last thing I will talk about briefly is the reference photo. As you can see in the below picture, it’s a picture I took of a close friend of mine. She has modeled for some of my paintings (Angel Eyes, Expecting) before.\r\n\r\n[caption id=\"attachment_2819\" align=\"alignnone\" width=\"300\"]\"IMG_0341\" The Real Photo[/caption]\r\n\r\n\"IMG_0203\"\r\n\r\nThe Drawn Photo Piece\r\n\r\nIt’s not necessary but helpful to have some type of reference photo. This will help with accuracy and placement. I know some people who can draw off the top of their head, but I like to be anatomically correct. With that being said, a photo reference with accuracy is necessary in my work. Every artist is different; some will use reference photos and some will use their memory. It really doesn’t matter as long as you and the customers will be satisfied with the end product, no matter what tools or techniques you use.','Art Tools for Both the Beginner and the Advanced','','inherit','closed','closed','','2817-revision-v1','','','2016-08-11 19:46:15','2016-08-12 02:46:15','',2817,'http://www.letsdrawpeople.com/2817-revision-v1/',0,'revision','',0),(3271,2,'2016-08-12 05:00:23','2016-08-12 12:00:23','I’m starting this article with absolutely nothing in mind. I mean I’m at a loss for words; I don’t know what to say and how to lead or guide you into this subject. I guess I should say that if you are interested in being an artist or at least making drawing a major hobby in your life, then you will need to have extended knowledge over the tools you will need.\r\n\r\nOh sure you’ll need the basic pencil, eraser, and something to draw on but there’s so much more to it. Notice how one artist can make things look so symmetrical and realistic and other artists will have art pieces that look amateurish. What’s the difference? A lot of people have told me they wish they knew how to draw. My response: the difference between you and me is my knowledge of the tools that are used in the art industry.\r\n\r\nJust like the chef in Ratatouille said \"Anyone can cook,\" I say to you, anyone can draw……with some practice and the right tools of course. I remember when I was in high school it was just the pencil and eraser and that was it. Now if you go into my studio I have an art desk, erasers, tortillions, pencils, and other knick knacks. So what are these knick knacks I’m talking about? Well these knick knacks are the things that will improve your artwork as well as help beginners start off in the right direction. This article is to discuss some old drawing tools you are familiar with, as well as get you familiar with some new tools and tricks.\r\n\r\nNote: This article contains affiliate links to some of the tools mentioned. LetsDrawPeople.com will earn a tiny commission if you purchase through these links.\r\n

Pencils: Soft, Hard, Mechanical, and Paper

\r\nOK so this is the basic of the basics here. No form of artwork can be done without some type of pencil marking. As you see in the below basic drawing, I used a 2B pencil to sketch out the drawing.\r\n\r\n\"Scan0001\"\r\n\r\n\"artistDrawing pencils go from one range to the other – light to darker pencils. The respective names and ranges are: 9B to 9H. The pencils that are 9B to B are the “soft” or bold pencils. These are the dark pencils; they do not have much clay in them in contrast to their counterpart. The higher the number is, the darker the pencil mark is.\r\n\r\nWhen dark hair is called into the picture or pupils need to be filled, I usually use a 6B pencil or higher. When using 6B or darker pencils, please be careful when shading; the graphite can be easily spread and you may make an un-necessary mess while shading. Also, keep in mind that it will be just a tad bit harder to erase the darker pencil markings without leaving some residue.\r\n\r\n\"Scan0002\"\"Scan0006\"\r\n\r\n \r\n\r\nMoving along, we have the H pencils or the hard pencils. These pencils contain clay in them to decrease the pencils’ dark markings. I sometimes use them when I want some light shading to the subject or if I need to utilize the carbon copy paper, I use the lightest pencil which is the 9H.\r\n\r\nThere is also the HB pencil – not too hard or not too dark. Usually it can also be found in the next pencil up for discussion: the mechanical pencil. The mechanical pencil usually has HB or 2B lead available.\r\n\r\n*pic*\r\n\r\nIt should be known that it’s often used for fine lines and detailing. Usually I use one when applying hair strands to the head as in the picture below.\r\n\r\n\"Scan0010\"\r\n\r\n \r\n\r\nThe last thing I want to cover in this section is the kind of paper to use. I strictly use two types of paper material: Crescent illustration board and Strathmore Bristol paper.  The Crescent illustration boards are strictly used for customers and the Bristol paper for personal art use. The Bristol gives off a little bit of a shine that will make your artwork stand out some and makes your blending of the graphite/pencil more smoother, therefore giving the art piece a smoother finish.\r\n

Blending Tools: Tortillion, Stumps, and Tissue

\r\n*picThese tools ARE VERY NECESSARY if trying to get a realistic look. These tools will help with gradual blending and smoothing. Sometimes I draw with the tortillion when I want to add some shading to a small area, like adding some shade to the upper eyes or smearing of the lips or blending of the hair as in the pictures below.\r\n\r\n[caption id=\"attachment_2822\" align=\"alignnone\" width=\"300\"]\"Scan0003\" Tortillion shading applied to the upper eyes to mimic shading from the eyelid[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2823\" align=\"alignnone\" width=\"270\"]\"Scan0004\" Tortillion smudging of the lips to illustrate shading[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2825\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Tissue blending/smudging of the hair[/caption]\r\n\r\n \r\n\r\nStumps and tortillions have somewhat the same design, but the stumps are bigger and have both ends pointed off while the tortillions are paper that is wrapped around very tightly. There’s no preference in which one to use; it’s up to the artist in which one s/he wants to use and how big or small of an area that needs to be shaded.\r\n\r\nUsing the tissue is a Godsend to me. I accidentally found out about this technique doing a Tomb Raider pencil piece. I’ve heard of the technique but never had a chance to apply it; I was too faithful to the blending stump/tortillion shading. I thought it wouldn’t hurt to try and once applied, I immediately fell in love with it.\r\n\r\nWhen using the tissue, please keep in mind that it’s used for large blending areas like the hair, arms, legs, cheek, and forehead. This technique will allow the graphite to blend and fade into the paper, giving that smooth fade into the white or whatever the color of your drawing paper is.\r\n\r\n[caption id=\"attachment_2824\" align=\"alignnone\" width=\"300\"]\"Scan0005\" 3h Graphite pencil shading applied before the tissue blend/smudge[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2825\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Tissue blending applied with a little bit of 3B pencil shading[/caption]\r\n\r\n \r\n

Erasers and Blu Tack

\r\nNo art piece can be done correctly the first time around without some form of erasing tool. When it comes to dealing with pencil, you should have an array of erasing tools at your disposal.\r\n\r\nYour basic erasers come in the form of regular white erasers, Pink Pearl erasers, and white stick erasers. The first two erasers mentioned are usually helpful in erasing large areas and lines. The stick erasers are long, white erasers within a blue, small tube whose length can be adjusted with an adjustable knob on the side. It can be used for big areas as well.\r\n\r\n*pic\r\n\r\nThere are also pencil erasers; these come in the form of regular looking pencils but instead of lead there are erasers within the pencil. I personally use these to add highlight strands to hair or to erase small markings in a drawing. You can see the example of me applying the pencil erasing technique to the hair in the example below.\r\n\r\n\"Scan0011\"\r\n\r\n \r\n\r\nAnother eraser that is absolutely required in this field is the kneaded eraser. These erasers resemble modeling clay and you can shape them to adhere to the marking you want to get rid of. Also, these erasers can be used to “lift” markings of the pencil, leaving a lighter mark. I think these are excellent in creating clouds or some type of smoke leaving some faded residue.\r\n\r\nOn that subject, you can also use an item called Blu Tack. It’s a substitute for a kneaded eraser; it works the same way. I find myself using this more than the kneaded eraser. No particular reason, it’s just my personal preference.\r\n\r\n*pic\r\n\r\nIf you need to erase a small area that is surrounded by markings that you don’t want to accidently erase, no worries, use an eraser shield. These are like the dental floss of drawing – they’re inexpensive and precise. Usually they have several shapes in them cut out so that you can erase within the area. I don’t use it as often as I use to but I do have one waiting in the shadows just in case.\r\n

Horsehair Brush, Workable Spray Fixative, and Drawing Board

\r\nOK so instead of erasing a marking and using your hand to wipe off the residue, use a brush...namely a horsehair brush. If you brush away eraser residue with your hand, you run the risk smearing your work. Not to mention it saves you from accidentally spitting on your work when you blow the eraser residue away.\r\n\r\nWhen you want to build up the tone of your drawing, a workable fixative should be called to action. When you get a workable fixative, you can still work on the area even after it’s been sprayed. It holds the graphite in the area that you have sprayed, allowing you to darken the subject by building tone without you disturbing the initial area.\r\n\r\nYou can’t draw until you have a smooth surface to draw on such as a drawing board. You will need to angle the drawing board towards you to help prevent the distortion that comes when working flat. I have a drawing table that has the option of tilting if need be. I also have a mobile drawing board. I say mobile because a lot of my friends know if they want me to come over, I’m bringing some form of art to work on. I’ve went to a party and sat in the corner and worked on a drawing for a customer. You can tell I’m dedicated to my art.\r\n

Rulers, Circle, Ellipse, and Other Templates

\r\nEver wonder how some artists achieve perfect lines or circles? You may have thought “I can’t be an artist, I can’t even draw a straight line!” Well my friend, don’t fret. There’s a small secret to be learned here; the majority of artists, including myself, use rulers and templates. Templates are tools with pre-made circles and other shapes to help you achieve the shape that you want. You have different templates that specialize in having different shapes. Some are strictly circles or squares to name a few. You also have ellipse templates that specialize in curves and round objects. Also, you can’t forget about rulers. Not only do they provide a way to graph and measure your subject, but they serve as straight edge templates too.\r\n

Carbon Copy Paper, Projectors, Light Boxes, and Acetate Report Covers

\r\nOK so as I stated in a previous article, I run the risk of a mob of angry artists burning down my house. To me and them, this is what helps us make our art pieces look accurate and believable. Oh I can draw, don’t get it twisted; but when you have a lot of art that needs to be done for customers and you still need to make time for your personal art projects, you’ll do the things that will cut down your time. I have seen artists draw a basic sketch in like under 2 min. – wish I could move that fast; but since I like to be totally accurate and proficient, I’ll call in the talents of the three named above except the acetate report covers – never used them before but I may purchase some in the near future and try them out. Who knows, I’ll probably do an article on them.\r\n\r\nAnywho, about the other three, using them will shave you some time off in doing the art piece. If someone says that you’re cheating by incorporating the assistance from these three, they’re sadly misinformed. As I stated in the other article, can a doctor perform surgery without his tools? Is that cheating since he’s using tools to cut down surgery time? What about a dentist? Does using tools to help him find cavities or to fix tooth damage or decay qualify as a form of cheating? My thing is it doesn’t matter how you get the picture done, the question is does the public like your art concept? Now go marinate on that for a second.\r\n

Reference Photos

\r\nThe last thing I will talk about briefly is the reference photo. As you can see in the below picture, it’s a picture I took of a close friend of mine. She has modeled for some of my paintings (Angel Eyes, Expecting) before.\r\n\r\n[caption id=\"attachment_2819\" align=\"alignnone\" width=\"300\"]\"IMG_0341\" The Real Photo[/caption]\r\n\r\n\"IMG_0203\"\r\n\r\nThe Drawn Photo Piece\r\n\r\nIt’s not necessary but helpful to have some type of reference photo. This will help with accuracy and placement. I know some people who can draw off the top of their head, but I like to be anatomically correct. With that being said, a photo reference with accuracy is necessary in my work. Every artist is different; some will use reference photos and some will use their memory. It really doesn’t matter as long as you and the customers will be satisfied with the end product, no matter what tools or techniques you use.','Art Tools for Both the Beginner and the Advanced','','inherit','closed','closed','','2817-revision-v1','','','2016-08-12 05:00:23','2016-08-12 12:00:23','',2817,'http://www.letsdrawpeople.com/2817-revision-v1/',0,'revision','',0),(3270,2,'2016-08-11 20:19:00','2016-08-12 03:19:00','I’m starting this article with absolutely nothing in mind. I mean I’m at a loss for words; I don’t know what to say and how to lead or guide you into this subject. I guess I should say that if you are interested in being an artist or at least making drawing/painting a major hobby in your life, then you will need to have extended knowledge over the tools you will need.\r\n\r\nOh sure you’ll need the basic pencil, eraser, and something to draw on but there’s so much more to it. Notice how one artist can make things look so symmetrical and realistic and other artists will have art pieces that look amateurish. What’s the difference? A lot of people have told me they wish they knew how to draw. My response: the difference between you and me is my knowledge of the tools that are used in the art industry.\r\n\r\nJust like the chef in Ratatouille said \"Anyone can cook,\" I say to you, anyone can draw……with some practice and the right tools of course. I remember when I was in high school it was just the pencil and eraser and that was it. Now if you go into my studio I have an art desk, erasers, tortillions, pencils, and other knick knacks. So what are these knick knacks I’m talking about? Well these knick knacks are the things that will improve your artwork as well as help beginners start off in the right direction. This article is to discuss some old drawing tools you are familiar with, as well as get you familiar with some new tools and tricks.\r\n\r\nNote: This article contains affiliate links to some of the tools mentioned. LetsDrawPeople.com will earn a tiny commission if you purchase through these links.\r\n

Pencils: Soft, Hard, Mechanical, and Paper

\r\nOK so this is the basic of the basics here. No form of artwork can be done without some type of pencil marking. As you see in the below basic drawing, I used a 2B pencil to sketch out the drawing.\r\n\r\n\"Scan0001\"\r\n\r\n\"artistDrawing pencils go from one range to the other – light to darker pencils. The respective names and ranges are: 9B to 9H. The pencils that are 9B to B are the “soft” or bold pencils. These are the dark pencils; they do not have much clay in them in contrast to their counterpart. The higher the number is, the darker the pencil mark is.\r\n\r\nWhen dark hair is called into the picture or pupils need to be filled, I usually use a 6B pencil or higher. When using 6B or darker pencils, please be careful when shading; the graphite can be easily spread and you may make an un-necessary mess while shading. Also, keep in mind that it will be just a tad bit harder to erase the darker pencil markings without leaving some residue.\r\n\r\n\"Scan0002\"\"Scan0006\"\r\n\r\n \r\n\r\nMoving along, we have the H pencils or the hard pencils. These pencils contain clay in them to decrease the pencils’ dark markings. I sometimes use them when I want some light shading to the subject or if I need to utilize the carbon copy paper, I use the lightest pencil which is the 9H.\r\n\r\nThere is also the HB pencil – not too hard or not too dark. Usually it can also be found in the next pencil up for discussion: the mechanical pencil. The mechanical pencil usually has HB or 2B lead available.\r\n\r\n*pic*\r\n\r\nIt should be known that it’s often used for fine lines and detailing. Usually I use one when applying hair strands to the head as in the picture below.\r\n\r\n\"Scan0010\"\r\n\r\n \r\n\r\nThe last thing I want to cover in this section is the kind of paper to use. I strictly use two types of paper material: Crescent illustration board and Strathmore Bristol paper.  The Crescent illustration boards are strictly used for customers and the Bristol paper for personal art use. The Bristol gives off a little bit of a shine that will make your artwork stand out some and makes your blending of the graphite/pencil more smoother, therefore giving the art piece a smoother finish.\r\n

Blending Tools: Tortillion, Stumps, and Tissue

\r\n*picThese tools ARE VERY NECESSARY if trying to get a realistic look. These tools will help with gradual blending and smoothing. Sometimes I draw with the tortillion when I want to add some shading to a small area, like adding some shade to the upper eyes or smearing of the lips or blending of the hair as in the pictures below.\r\n\r\n[caption id=\"attachment_2822\" align=\"alignnone\" width=\"300\"]\"Scan0003\" Tortillion shading applied to the upper eyes to mimic shading from the eyelid[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2823\" align=\"alignnone\" width=\"270\"]\"Scan0004\" Tortillion smudging of the lips to illustrate shading[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2825\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Tissue blending/smudging of the hair[/caption]\r\n\r\n \r\n\r\nStumps and tortillions have somewhat the same design, but the stumps are bigger and have both ends pointed off while the tortillions are paper that is wrapped around very tightly. There’s no preference in which one to use; it’s up to the artist in which one s/he wants to use and how big or small of an area that needs to be shaded.\r\n\r\nUsing the tissue is a Godsend to me. I accidentally found out about this technique doing a Tomb Raider pencil piece. I’ve heard of the technique but never had a chance to apply it; I was too faithful to the blending stump/tortillion shading. I thought it wouldn’t hurt to try and once applied, I immediately fell in love with it.\r\n\r\nWhen using the tissue, please keep in mind that it’s used for large blending areas like the hair, arms, legs, cheek, and forehead. This technique will allow the graphite to blend and fade into the paper, giving that smooth fade into the white or whatever the color of your drawing paper is.\r\n\r\n[caption id=\"attachment_2824\" align=\"alignnone\" width=\"300\"]\"Scan0005\" 3h Graphite pencil shading applied before the tissue blend/smudge[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2825\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Tissue blending applied with a little bit of 3B pencil shading[/caption]\r\n\r\n \r\n

Erasers and Blu Tack

\r\nNo art piece can be done correctly the first time around without some form of erasing tool. When it comes to dealing with pencil, you should have an array of erasing tools at your disposal.\r\n\r\nYour basic erasers come in the form of regular white erasers, Pink Pearl erasers, and white stick erasers. The first two erasers mentioned are usually helpful in erasing large areas and lines. The stick erasers are long, white erasers within a blue, small tube whose length can be adjusted with an adjustable knob on the side. It can be used for big areas as well.\r\n\r\n*pic\r\n\r\nThere are also pencil erasers; these come in the form of regular looking pencils but instead of lead there are erasers within the pencil. I personally use these to add highlight strands to hair or to erase small markings in a drawing. You can see the example of me applying the pencil erasing technique to the hair in the example below.\r\n\r\n\"Scan0011\"\r\n\r\n \r\n\r\nAnother eraser that is absolutely required in this field is the kneaded eraser. These erasers resemble modeling clay and you can shape them to adhere to the marking you want to get rid of. Also, these erasers can be used to “lift” markings of the pencil, leaving a lighter mark. I think these are excellent in creating clouds or some type of smoke leaving some faded residue.\r\n\r\nOn that subject, you can also use an item called Blu Tack. It’s a substitute for a kneaded eraser; it works the same way. I find myself using this more than the kneaded eraser. No particular reason, it’s just my personal preference.\r\n\r\n*pic\r\n\r\nIf you need to erase a small area that is surrounded by markings that you don’t want to accidently erase, no worries, use an eraser shield. These are like the dental floss of drawing – they’re inexpensive and precise. Usually they have several shapes in them cut out so that you can erase within the area. I don’t use it as often as I use to but I do have one waiting in the shadows just in case.\r\n

Horsehair Brush, Workable Spray Fixative, and Drawing Board

\r\nOK so instead of erasing a marking and using your hand to wipe off the residue, use a brush...namely a horsehair brush. If you brush away eraser residue with your hand, you run the risk smearing your work. Not to mention it saves you from accidentally spitting on your work when you blow the eraser residue away.\r\n\r\nWhen you want to build up the tone of your drawing, a workable fixative should be called to action. When you get a workable fixative, you can still work on the area even after it’s been sprayed. It holds the graphite in the area that you have sprayed, allowing you to darken the subject by building tone without you disturbing the initial area.\r\n\r\nYou can’t draw until you have a smooth surface to draw on such as a drawing board. You will need to angle the drawing board towards you to help prevent the distortion that comes when working flat. I have a drawing table that has the option of tilting if need be. I also have a mobile drawing board. I say mobile because a lot of my friends know if they want me to come over, I’m bringing some form of art to work on. I’ve went to a party and sat in the corner and worked on a drawing for a customer. You can tell I’m dedicated to my art.\r\n

Rulers, Circle, Ellipse, and Other Templates

\r\nEver wonder how some artists achieve perfect lines or circles? You may have thought “I can’t be an artist, I can’t even draw a straight line!” Well my friend, don’t fret. There’s a small secret to be learned here; the majority of artists, including myself, use rulers and templates. Templates are tools with pre-made circles and other shapes to help you achieve the shape that you want. You have different templates that specialize in having different shapes. Some are strictly circles or squares to name a few. You also have ellipse templates that specialize in curves and round objects. Also, you can’t forget about rulers. Not only do they provide a way to graph and measure your subject, but they serve as straight edge templates too.\r\n

Carbon Copy Paper, Projectors, Light Boxes, and Acetate Report Covers

\r\nOK so as I stated in a previous article, I run the risk of a mob of angry artists burning down my house. To me and them, this is what helps us make our art pieces look accurate and believable. Oh I can draw, don’t get it twisted; but when you have a lot of art that needs to be done for customers and you still need to make time for your personal art projects, you’ll do the things that will cut down your time. I have seen artists draw a basic sketch in like under 2 min. – wish I could move that fast; but since I like to be totally accurate and proficient, I’ll call in the talents of the three named above except the acetate report covers – never used them before but I may purchase some in the near future and try them out. Who knows, I’ll probably do an article on them.\r\n\r\nAnywho, about the other three, using them will shave you some time off in doing the art piece. If someone says that you’re cheating by incorporating the assistance from these three, they’re sadly misinformed. As I stated in the other article, can a doctor perform surgery without his tools? Is that cheating since he’s using tools to cut down surgery time? What about a dentist? Does using tools to help him find cavities or to fix tooth damage or decay qualify as a form of cheating? My thing is it doesn’t matter how you get the picture done, the question is does the public like your art concept? Now go marinate on that for a second.\r\n

Reference Photos

\r\nThe last thing I will talk about briefly is the reference photo. As you can see in the below picture, it’s a picture I took of a close friend of mine. She has modeled for some of my paintings (Angel Eyes, Expecting) before.\r\n\r\n[caption id=\"attachment_2819\" align=\"alignnone\" width=\"300\"]\"IMG_0341\" The Real Photo[/caption]\r\n\r\n\"IMG_0203\"\r\n\r\nThe Drawn Photo Piece\r\n\r\nIt’s not necessary but helpful to have some type of reference photo. This will help with accuracy and placement. I know some people who can draw off the top of their head, but I like to be anatomically correct. With that being said, a photo reference with accuracy is necessary in my work. Every artist is different; some will use reference photos and some will use their memory. It really doesn’t matter as long as you and the customers will be satisfied with the end product, no matter what tools or techniques you use.','Art Tools for Both the Beginner and the Advanced','','inherit','closed','closed','','2817-revision-v1','','','2016-08-11 20:19:00','2016-08-12 03:19:00','',2817,'http://www.letsdrawpeople.com/2817-revision-v1/',0,'revision','',0),(3272,2,'2016-08-12 05:06:20','2016-08-12 12:06:20','I’m starting this article with absolutely nothing in mind. I mean I’m at a loss for words; I don’t know what to say and how to lead or guide you into this subject. I guess I should say that if you are interested in being an artist or at least making drawing a major hobby in your life, then you will need to have extended knowledge over the tools you will need.\r\n\r\nOh sure you’ll need the basic pencil, eraser, and something to draw on but there’s so much more to it. Notice how one artist can make things look so symmetrical and realistic and other artists will have art pieces that look amateurish. What’s the difference? A lot of people have told me they wish they knew how to draw. My response: the difference between you and me is my knowledge of the tools that are used in the art industry.\r\n\r\nJust like the chef in Ratatouille said \"Anyone can cook,\" I say to you, anyone can draw……with some practice and the right tools of course. I remember when I was in high school it was just the pencil and eraser and that was it. Now if you go into my studio I have an art desk, erasers, tortillions, pencils, and other knick knacks. So what are these knick knacks I’m talking about? Well these knick knacks are the things that will improve your artwork as well as help beginners start off in the right direction. This article is to discuss some old drawing tools you are familiar with, as well as get you familiar with some new tools and tricks.\r\n\r\nNote: This article contains affiliate links to some of the tools mentioned. LetsDrawPeople.com will earn a tiny commission if you purchase through these links.\r\n

Pencils: Soft, Hard, Mechanical, and Paper

\r\nOK so this is the basic of the basics here. No form of artwork can be done without some type of pencil marking. As you see in the below basic drawing, I used a 2B pencil to sketch out the drawing.\r\n\r\n\"Scan0001\"\r\n\r\n\"artistDrawing pencils go from one range to the other – light to darker pencils. The respective names and ranges are: 9B to 9H. The pencils that are 9B to B are the “soft” or bold pencils. These are the dark pencils; they do not have much clay in them in contrast to their counterpart. The higher the number is, the darker the pencil mark is.\r\n\r\nWhen dark hair is called into the picture or pupils need to be filled, I usually use a 6B pencil or higher. When using 6B or darker pencils, please be careful when shading; the graphite can be easily spread and you may make an un-necessary mess while shading. Also, keep in mind that it will be just a tad bit harder to erase the darker pencil markings without leaving some residue.\r\n\r\n\"Scan0002\"\"Scan0006\"\r\n\r\n \r\n\r\nMoving along, we have the H pencils or the hard pencils. These pencils contain clay in them to decrease the pencils’ dark markings. I sometimes use them when I want some light shading to the subject or if I need to utilize the carbon copy paper, I use the lightest pencil which is the 9H.\r\n\r\nThere is also the HB pencil – not too hard or not too dark. Usually it can also be found in the next pencil up for discussion: the mechanical pencil. The mechanical pencil usually has HB or 2B lead available.\r\n\r\n*pic*\r\n\r\nIt should be known that it’s often used for fine lines and detailing. Usually I use one when applying hair strands to the head as in the picture below.\r\n\r\n\"Scan0010\"\r\n\r\n \r\n\r\nThe last thing I want to cover in this section is the kind of paper to use. I strictly use two types of paper material: Crescent illustration board and Strathmore Bristol paper.  The Crescent illustration boards are strictly used for customers and the Bristol paper for personal art use. The Bristol gives off a little bit of a shine that will make your artwork stand out some and makes your blending of the graphite/pencil more smoother, therefore giving the art piece a smoother finish.\r\n

Blending Tools: Tortillion, Stumps, and Tissue

\r\n*picThese tools ARE VERY NECESSARY if trying to get a realistic look. These tools will help with gradual blending and smoothing. Sometimes I draw with the tortillion when I want to add some shading to a small area, like adding some shade to the upper eyes or smearing of the lips or blending of the hair as in the pictures below.\r\n\r\n[caption id=\"attachment_2822\" align=\"alignnone\" width=\"300\"]\"Scan0003\" Tortillion shading applied to the upper eyes to mimic shading from the eyelid[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2823\" align=\"alignnone\" width=\"270\"]\"Scan0004\" Tortillion smudging of the lips to illustrate shading[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2825\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Tissue blending/smudging of the hair[/caption]\r\n\r\n \r\n\r\nStumps and tortillions have somewhat the same design, but the stumps are bigger and have both ends pointed off while the tortillions are paper that is wrapped around very tightly. There’s no preference in which one to use; it’s up to the artist in which one s/he wants to use and how big or small of an area that needs to be shaded.\r\n\r\nUsing the tissue is a Godsend to me. I accidentally found out about this technique doing a Tomb Raider pencil piece. I’ve heard of the technique but never had a chance to apply it; I was too faithful to the blending stump/tortillion shading. I thought it wouldn’t hurt to try and once applied, I immediately fell in love with it.\r\n\r\nWhen using the tissue, please keep in mind that it’s used for large blending areas like the hair, arms, legs, cheek, and forehead. This technique will allow the graphite to blend and fade into the paper, giving that smooth fade into the white or whatever the color of your drawing paper is.\r\n\r\n[caption id=\"attachment_2824\" align=\"alignnone\" width=\"300\"]\"Scan0005\" 3h Graphite pencil shading applied before the tissue blend/smudge[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_2825\" align=\"alignnone\" width=\"300\"]\"Scan0006\" Tissue blending applied with a little bit of 3B pencil shading[/caption]\r\n\r\n \r\n

Erasers and Blu Tack

\r\nNo art piece can be done correctly the first time around without some form of erasing tool. When it comes to dealing with pencil, you should have an array of erasing tools at your disposal.\r\n\r\nYour basic erasers come in the form of regular white erasers, Pink Pearl erasers, and white stick erasers. The first two erasers mentioned are usually helpful in erasing large areas and lines. The stick erasers are long, white erasers within a blue, small tube whose length can be adjusted with an adjustable knob on the side. It can be used for big areas as well.\r\n\r\n*pic\r\n\r\nThere are also pencil erasers; these come in the form of regular looking pencils but instead of lead there are erasers within the pencil. I personally use these to add highlight strands to hair or to erase small markings in a drawing. You can see the example of me applying the pencil erasing technique to the hair in the example below.\r\n\r\n\"Scan0011\"\r\n\r\n \r\n\r\nAnother eraser that is absolutely required in this field is the kneaded eraser. These erasers resemble modeling clay and you can shape them to adhere to the marking you want to get rid of. Also, these erasers can be used to “lift” markings of the pencil, leaving a lighter mark. I think these are excellent in creating clouds or some type of smoke leaving some faded residue.\r\n\r\nOn that subject, you can also use an item called Blu Tack. It’s a substitute for a kneaded eraser; it works the same way. I find myself using this more than the kneaded eraser. No particular reason, it’s just my personal preference.\r\n\r\n*pic\r\n\r\nIf you need to erase a small area that is surrounded by markings that you don’t want to accidently erase, no worries, use an eraser shield. These are like the dental floss of drawing – they’re inexpensive and precise. Usually they have several shapes in them cut out so that you can erase within the area. I don’t use it as often as I use to but I do have one waiting in the shadows just in case.\r\n

Horsehair Brush, Workable Spray Fixative, and Drawing Board

\r\nOK so instead of erasing a marking and using your hand to wipe off the residue, use a brush...namely a horsehair brush. If you brush away eraser residue with your hand, you run the risk smearing your work. Not to mention it saves you from accidentally spitting on your work when you blow the eraser residue away.\r\n\r\nWhen you want to build up the tone of your drawing, a workable fixative should be called to action. When you get a workable fixative, you can still work on the area even after it’s been sprayed. It holds the graphite in the area that you have sprayed, allowing you to darken the subject by building tone without you disturbing the initial area.\r\n\r\nYou can’t draw until you have a smooth surface to draw on such as a drawing board. You will need to angle the drawing board towards you to help prevent the distortion that comes when working flat. I have a drawing table that has the option of tilting if need be. I also have a mobile drawing board. I say mobile because a lot of my friends know if they want me to come over, I’m bringing some form of art to work on. I’ve went to a party and sat in the corner and worked on a drawing for a customer. You can tell I’m dedicated to my art.\r\n

Rulers, Circle, Ellipse, and Other Templates

\r\nEver wonder how some artists achieve perfect lines or circles? You may have thought “I can’t be an artist, I can’t even draw a straight line!” Well my friend, don’t fret. There’s a small secret to be learned here; the majority of artists, including myself, use rulers and templates. Templates are tools with pre-made circles and other shapes to help you achieve the shape that you want. You have different templates that specialize in having different shapes. Some are strictly circles or squares to name a few. You also have ellipse templates that specialize in curves and round objects. Also, you can’t forget about rulers. Not only do they provide a way to graph and measure your subject, but they serve as straight edge templates too.\r\n

Carbon Copy Paper, Projectors, Light Boxes, and Acetate Report Covers

\r\nOK so as I stated in a previous article, I run the risk of a mob of angry artists burning down my house. To me and them, this is what helps us make our art pieces look accurate and believable. Oh I can draw, don’t get it twisted; but when you have a lot of art that needs to be done for customers and you still need to make time for your personal art projects, you’ll do the things that will cut down your time. I have seen artists draw a basic sketch in like under 2 min. – wish I could move that fast; but since I like to be totally accurate and proficient, I’ll call in the talents of the three named above except the acetate report covers – never used them before but I may purchase some in the near future and try them out. Who knows, I’ll probably do an article on them.\r\n\r\nAnywho, about the other three, using them will shave you some time off in doing the art piece. If someone says that you’re cheating by incorporating the assistance from these three, they’re sadly misinformed. As I stated in the other article, can a doctor perform surgery without his tools? Is that cheating since he’s using tools to cut down surgery time? What about a dentist? Does using tools to help him find cavities or to fix tooth damage or decay qualify as a form of cheating? My thing is it doesn’t matter how you get the picture done, the question is does the public like your art concept? Now go marinate on that for a second.\r\n

Reference Photos

\r\nThe last thing I will talk about briefly is the reference photo. As you can see in the below picture, it’s a picture I took of a close friend of mine. She has modeled for some of my paintings (Angel Eyes, Expecting) before.\r\n\r\n[caption id=\"attachment_2819\" align=\"alignnone\" width=\"300\"]\"IMG_0341\" The Real Photo[/caption]\r\n\r\n\"IMG_0203\"\r\n\r\nThe Drawn Photo Piece\r\n\r\nIt’s not necessary but helpful to have some type of reference photo. This will help with accuracy and placement. I know some people who can draw off the top of their head, but I like to be anatomically correct. With that being said, a photo reference with accuracy is necessary in my work. Every artist is different; some will use reference photos and some will use their memory. It really doesn’t matter as long as you and the customers will be satisfied with the end product, no matter what tools or techniques you use.','Drawing Materials for Both the Beginner and the Advanced','','inherit','closed','closed','','2817-revision-v1','','','2016-08-12 05:06:20','2016-08-12 12:06:20','',2817,'http://www.letsdrawpeople.com/2817-revision-v1/',0,'revision','',0),(3273,2,'2016-08-13 10:35:16','2016-08-13 17:35:16','','drawing materials blu tack','','inherit','open','closed','','drawing-materials-blu-tack','','','2016-08-13 10:35:16','2016-08-13 17:35:16','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/drawing-materials-blu-tack.jpg',0,'attachment','image/jpeg',0),(3274,2,'2016-08-13 10:35:18','2016-08-13 17:35:18','','drawing materials drawn photo','The drawn photo piece','inherit','open','closed','','drawing-materials-drawn-photo','','','2016-08-13 11:00:26','2016-08-13 18:00:26','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/drawing-materials-drawn-photo.jpg',0,'attachment','image/jpeg',0),(3275,2,'2016-08-13 10:35:19','2016-08-13 17:35:19','','drawing materials erasers','A pencil eraser, a white or pink eraser, and a kneaded eraser are just a few erasers that might come in handy while drawing.','inherit','open','closed','','drawing-materials-erasers','','','2016-08-13 10:56:11','2016-08-13 17:56:11','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/drawing-materials-erasers.jpg',0,'attachment','image/jpeg',0),(3276,2,'2016-08-13 10:35:21','2016-08-13 17:35:21','','drawing materials example 01','','inherit','open','closed','','drawing-materials-example-01','','','2016-08-13 10:35:21','2016-08-13 17:35:21','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/drawing-materials-example-01.jpg',0,'attachment','image/jpeg',0),(3277,2,'2016-08-13 10:35:23','2016-08-13 17:35:23','','drawing materials example 02','','inherit','open','closed','','drawing-materials-example-02','','','2016-08-13 10:35:23','2016-08-13 17:35:23','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/drawing-materials-example-02.jpg',0,'attachment','image/jpeg',0),(3278,2,'2016-08-13 10:35:24','2016-08-13 17:35:24','','drawing materials example 03','Tortillion shading applied to the upper eyes to mimic shading from the eyelid','inherit','open','closed','','drawing-materials-example-03','','','2016-08-13 10:46:04','2016-08-13 17:46:04','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/drawing-materials-example-03.jpg',0,'attachment','image/jpeg',0),(3279,2,'2016-08-13 10:35:26','2016-08-13 17:35:26','','drawing materials example 04','Tortillion smudging of the lips to illustrate shading','inherit','open','closed','','drawing-materials-example-04','','','2016-08-13 10:46:50','2016-08-13 17:46:50','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/drawing-materials-example-04.jpg',0,'attachment','image/jpeg',0),(3280,2,'2016-08-13 10:35:27','2016-08-13 17:35:27','','drawing materials example 05','3H Graphite pencil shading applied before the tissue blend/smudge','inherit','open','closed','','drawing-materials-example-05','','','2016-08-13 10:49:22','2016-08-13 17:49:22','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/drawing-materials-example-05.jpg',0,'attachment','image/jpeg',0),(3281,2,'2016-08-13 10:35:29','2016-08-13 17:35:29','','drawing materials example 06','Tissue blending applied with a little bit of 3B pencil shading','inherit','open','closed','','drawing-materials-example-06','','','2016-08-13 10:50:11','2016-08-13 17:50:11','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/drawing-materials-example-06.jpg',0,'attachment','image/jpeg',0),(3282,2,'2016-08-13 10:35:31','2016-08-13 17:35:31','','drawing materials example 10','','inherit','open','closed','','drawing-materials-example-10','','','2016-08-13 10:35:31','2016-08-13 17:35:31','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/drawing-materials-example-10.jpg',0,'attachment','image/jpeg',0),(3283,2,'2016-08-13 10:35:33','2016-08-13 17:35:33','','drawing materials example 11','','inherit','open','closed','','drawing-materials-example-11','','','2016-08-13 10:35:33','2016-08-13 17:35:33','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/drawing-materials-example-11.jpg',0,'attachment','image/jpeg',0),(3284,2,'2016-08-13 10:35:34','2016-08-13 17:35:34','','drawing materials mechanical pencil and lead refills','','inherit','open','closed','','drawing-materials-mechanical-pencil-and-lead-refills','','','2016-08-13 10:35:34','2016-08-13 17:35:34','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/drawing-materials-mechanical-pencil-and-lead-refills.jpg',0,'attachment','image/jpeg',0),(3285,2,'2016-08-13 10:35:36','2016-08-13 17:35:36','','drawing materials tortillions and blending stump','','inherit','open','closed','','drawing-materials-tortillions-and-blending-stump','','','2016-08-13 10:35:36','2016-08-13 17:35:36','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/drawing-materials-tortillions-and-blending-stump.jpg',0,'attachment','image/jpeg',0),(3286,2,'2016-08-13 10:37:31','2016-08-13 17:37:31','','drawing materials reference photo','The Real Photo','inherit','open','closed','','drawing-materials-reference-photo','','','2016-08-13 10:59:45','2016-08-13 17:59:45','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/drawing-materials-reference-photo.jpg',0,'attachment','image/jpeg',0),(3287,2,'2016-08-13 11:27:00','2016-08-13 18:27:00','','drawing materials featured image','','inherit','open','closed','','drawing-materials-featured-image','','','2016-08-13 11:27:00','2016-08-13 18:27:00','',2817,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/drawing-materials-featured-image.jpg',0,'attachment','image/jpeg',0),(3288,2,'2016-08-13 11:31:29','2016-08-13 18:31:29','If you are interested in being an artist or at least making drawing a major hobby in your life, then you will need to have extended knowledge over the drawing materials you will need.\r\n\r\nOh sure you’ll need the basic pencil, eraser, and something to draw on but there’s so much more to it. Notice how one artist can make things look so symmetrical and realistic and other artists will have art pieces that look amateurish. What’s the difference? A lot of people have told me they wish they knew how to draw. My response: the difference between you and me is my knowledge of the materials that are used in the art industry.\r\n\r\nJust like the chef in Ratatouille said \"Anyone can cook,\" I say to you, anyone can draw……with some practice and the right materials of course. I remember when I was in high school it was just the pencil and eraser and that was it. Now if you go into my studio I have an art desk, erasers, tortillions, pencils, and other knick knacks. So what are these knick knacks I’m talking about? Well these knick knacks are the things that will improve your artwork as well as help beginners start off in the right direction. This article is to discuss some old drawing materials you are familiar with, as well as get you familiar with some new tools and tricks.\r\n\r\nNote: This article contains affiliate links to some of the drawing materials mentioned. LetsDrawPeople.com will earn a tiny commission if you purchase through these links.\r\n

Pencils: Soft, Hard, Mechanical, and Paper

\r\nOK so this is the basic of the basics here. No form of artwork can be done without some type of pencil marking. As you see in the below basic drawing, I used a 2B pencil to sketch out the drawing.\r\n\r\n\"drawing\r\n\r\n \r\n\r\n\"artistDrawing pencils go from one range to the other – light to darker pencils. The respective names and ranges are: 9B to 9H. The pencils that are 9B to B are the “soft” or bold pencils. These are the dark pencils; they do not have much clay in them in contrast to their counterpart. The higher the number is, the darker the pencil mark is.\r\n\r\nWhen dark hair is called into the picture or pupils need to be filled, I usually use a 6B pencil or higher. When using 6B or darker pencils, please be careful when shading; the graphite can be easily spread and you may make an un-necessary mess while shading. Also, keep in mind that it will be just a tad bit harder to erase the darker pencil markings without leaving some residue.\r\n\r\n \r\n\r\n\"drawing\"drawing\r\n\r\nMoving along, we have the H pencils or the hard pencils. These pencils contain clay in them to decrease the pencils’ dark markings. I sometimes use them when I want some light shading to the subject or if I need to utilize the carbon copy paper, I use the lightest pencil which is the 9H.\r\n\r\nThere is also the HB pencil – not too hard or not too dark. Usually it can also be found in the next pencil up for discussion: the mechanical pencil. The mechanical pencil usually has HB or 2B lead available.\r\n\r\n\"drawing\r\n\r\nIt should be known that it’s often used for fine lines and detailing. Usually I use one when applying hair strands to the head as in the picture below.\r\n\r\n\"drawing\r\n\r\n \r\n\r\nThe last thing I want to cover in this section is the kind of paper to use. I strictly use two types of paper material: Crescent illustration board and Strathmore Bristol paper.  The Crescent illustration boards are strictly used for customers and the Bristol paper for personal art use. The Bristol gives off a little bit of a shine that will make your artwork stand out some and makes your blending of the graphite/pencil more smoother, therefore giving the art piece a smoother finish.\r\n

Blending Materials: Tortillion, Stumps, and Tissue

\r\n\"drawing\r\n\r\nThese materials ARE VERY NECESSARY if trying to get a realistic look. They will help with gradual blending and smoothing. Sometimes I draw with the tortillion when I want to add some shading to a small area, like adding some shade to the upper eyes or smearing of the lips or blending of the hair as in the pictures below.\r\n\r\n[caption id=\"attachment_3278\" align=\"aligncenter\" width=\"508\"]\"Tortillion Tortillion shading applied to the upper eyes to mimic shading from the eyelid[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_3279\" align=\"aligncenter\" width=\"270\"]\"Tortillion Tortillion smudging of the lips to illustrate shading[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_3281\" align=\"aligncenter\" width=\"600\"]\"Tissue Tissue blending/smudging of the hair[/caption]\r\n\r\nStumps and tortillions have somewhat the same design, but the stumps are bigger and have both ends pointed off while the tortillions are paper that is wrapped around very tightly. There’s no preference in which one to use; it’s up to the artist in which one s/he wants to use and how big or small of an area that needs to be shaded.\r\n\r\nUsing the tissue is a Godsend to me. I accidentally found out about this technique doing a Tomb Raider pencil piece. I’ve heard of the technique but never had a chance to apply it; I was too faithful to the blending stump/tortillion shading. I thought it wouldn’t hurt to try and once applied, I immediately fell in love with it.\r\n\r\nWhen using the tissue, please keep in mind that it’s used for large blending areas like the hair, arms, legs, cheek, and forehead. This technique will allow the graphite to blend and fade into the paper, giving that smooth fade into the white or whatever the color of your drawing paper is.\r\n\r\n[caption id=\"attachment_3280\" align=\"aligncenter\" width=\"600\"]\"3H 3H Graphite pencil shading applied before the tissue blend/smudge[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_3281\" align=\"aligncenter\" width=\"600\"]\"Tissue Tissue blending applied with a little bit of 3B pencil shading[/caption]\r\n

Erasers and Blu Tack

\r\nNo art piece can be done correctly the first time around without some form of erasing tool. When it comes to dealing with pencil, you should have an array of erasing materials at your disposal.\r\n\r\nYour basic erasers come in the form of regular white erasers, Pink Pearl erasers, and white stick erasers. The first two erasers mentioned are usually helpful in erasing large areas and lines. The stick erasers are long, white erasers within a blue, small tube whose length can be adjusted with an adjustable knob on the side. It can be used for big areas as well.\r\n\r\n[caption id=\"attachment_3275\" align=\"aligncenter\" width=\"600\"]\"A A pencil eraser, a white or pink eraser, and a kneaded eraser are just a few erasers that might come in handy while drawing.[/caption]\r\n\r\nThere are also pencil erasers; these come in the form of regular looking pencils but instead of lead there are erasers within the pencil. I personally use these to add highlight strands to hair or to erase small markings in a drawing. You can see the example of me applying the pencil erasing technique to the hair in the example below.\r\n\r\n \r\n\r\n\"drawing\r\n\r\nAnother eraser that is absolutely required in this field is the kneaded eraser. These erasers resemble modeling clay and you can shape them to adhere to the marking you want to get rid of. Also, these erasers can be used to “lift” markings of the pencil, leaving a lighter mark. I think these are excellent in creating clouds or some type of smoke leaving some faded residue.\r\n\r\nOn that subject, you can also use an item called Blu Tack. It’s a substitute for a kneaded eraser; it works the same way. I find myself using this more than the kneaded eraser. No particular reason, it’s just my personal preference.\r\n\r\n\"drawing\r\n\r\nIf you need to erase a small area that is surrounded by markings that you don’t want to accidently erase, no worries, use an eraser shield. These are like the dental floss of drawing – they’re inexpensive and precise. Usually they have several shapes in them cut out so that you can erase within the area. I don’t use it as often as I use to but I do have one waiting in the shadows just in case.\r\n

Horsehair Brush, Workable Spray Fixative, and Drawing Board

\r\nOK so instead of erasing a marking and using your hand to wipe off the residue, use a brush...namely a horsehair brush. If you brush away eraser residue with your hand, you run the risk smearing your work. Not to mention it saves you from accidentally spitting on your work when you blow the eraser residue away.\r\n\r\nWhen you want to build up the tone of your drawing, a workable fixative should be called to action. When you get a workable fixative, you can still work on the area even after it’s been sprayed. It holds the graphite in the area that you have sprayed, allowing you to darken the subject by building tone without you disturbing the initial area.\r\n\r\nYou can’t draw until you have a smooth surface to draw on such as a drawing board. You will need to angle the drawing board towards you to help prevent the distortion that comes when working flat. I have a drawing table that has the option of tilting if need be. I also have a mobile drawing board. I say mobile because a lot of my friends know if they want me to come over, I’m bringing some form of art to work on. I’ve went to a party and sat in the corner and worked on a drawing for a customer. You can tell I’m dedicated to my art.\r\n

Rulers, Circle, Ellipse, and Other Templates

\r\nEver wonder how some artists achieve perfect lines or circles? You may have thought “I can’t be an artist, I can’t even draw a straight line!” Well my friend, don’t fret. There’s a small secret to be learned here; the majority of artists, including myself, use rulers and templates. Templates are tools with pre-made circles and other shapes to help you achieve the shape that you want. You have different templates that specialize in having different shapes. Some are strictly circles or squares to name a few. You also have ellipse templates that specialize in curves and round objects. Also, you can’t forget about rulers. Not only do they provide a way to graph and measure your subject, but they serve as straight edge templates too.\r\n

Carbon Copy Paper, Projectors, Light Boxes, and Acetate Report Covers

\r\nOK so as I stated in a previous article, I run the risk of a mob of angry artists burning down my house. To me and them, this is what helps us make our art pieces look accurate and believable. Oh I can draw, don’t get it twisted; but when you have a lot of art that needs to be done for customers and you still need to make time for your personal art projects, you’ll do the things that will cut down your time. I have seen artists draw a basic sketch in like under 2 min. – wish I could move that fast; but since I like to be totally accurate and proficient, I’ll call in the talents of the three named above except the acetate report covers – never used them before but I may purchase some in the near future and try them out. Who knows, I’ll probably do an article on them.\r\n\r\nAnywho, about the other three, using them will shave you some time off in doing the art piece. If someone says that you’re cheating by incorporating the assistance from these three, they’re sadly misinformed. As I stated in the other article, can a doctor perform surgery without his tools? Is that cheating since he’s using tools to cut down surgery time? What about a dentist? Does using tools to help him find cavities or to fix tooth damage or decay qualify as a form of cheating? My thing is it doesn’t matter how you get the picture done, the question is does the public like your art concept? Now go marinate on that for a second.\r\n

Reference Photos

\r\nThe last thing I will talk about briefly is the reference photo. As you can see in the below picture, it’s a picture I took of a close friend of mine. She has modeled for some of my paintings (Angel Eyes, Expecting) before.\r\n\r\n[caption id=\"attachment_3286\" align=\"aligncenter\" width=\"600\"]\"The The real photo[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_3274\" align=\"aligncenter\" width=\"600\"]\"The The drawn photo piece[/caption]\r\n\r\nIt’s not necessary but helpful to have some type of reference photo. This will help with accuracy and placement. I know some people who can draw off the top of their head, but I like to be anatomically correct. With that being said, a photo reference with accuracy is necessary in my work. Every artist is different; some will use reference photos and some will use their memory. It really doesn’t matter as long as you and the customers will be satisfied with the end product, no matter what drawing materials or techniques you use.','Drawing Materials for Both the Beginner and the Advanced','','inherit','closed','closed','','2817-revision-v1','','','2016-08-13 11:31:29','2016-08-13 18:31:29','',2817,'http://www.letsdrawpeople.com/2817-revision-v1/',0,'revision','',0),(3289,2,'2016-08-13 11:37:10','2016-08-13 18:37:10','If you are interested in being an artist or at least making drawing a major hobby in your life, then you will need to have extended knowledge over the drawing materials you will need.\r\n\r\nOh sure you’ll need the basic pencil, eraser, and something to draw on but there’s so much more to it. Notice how one artist can make things look so symmetrical and realistic and other artists will have art pieces that look amateurish. What’s the difference? A lot of people have told me they wish they knew how to draw. My response: the difference between you and me is my knowledge of the materials that are used in the art industry.\r\n\r\nJust like the chef in Ratatouille said \"Anyone can cook,\" I say to you, anyone can draw……with some practice and the right materials of course. I remember when I was in high school it was just the pencil and eraser and that was it. Now if you go into my studio I have an art desk, erasers, tortillions, pencils, and other knick knacks. So what are these knick knacks I’m talking about? Well these knick knacks are the things that will improve your artwork as well as help beginners start off in the right direction. This article is to discuss some old drawing materials you are familiar with, as well as get you familiar with some new tools and tricks.\r\n\r\nNote: This article contains affiliate links to some of the drawing materials mentioned. LetsDrawPeople.com will earn a tiny commission if you purchase through these links.\r\n

Pencils: Soft, Hard, Mechanical, and Paper

\r\nOK so this is the basic of the basics here. No form of artwork can be done without some type of pencil marking. As you see in the below basic drawing, I used a 2B pencil to sketch out the drawing.\r\n\r\n\"drawing\r\n\r\n\"artistDrawing pencils go from one range to the other – light to darker pencils. The respective names and ranges are: 9B to 9H. The pencils that are 9B to B are the “soft” or bold pencils. These are the dark pencils; they do not have much clay in them in contrast to their counterpart. The higher the number is, the darker the pencil mark is.\r\n\r\nWhen dark hair is called into the picture or pupils need to be filled, I usually use a 6B pencil or higher. When using 6B or darker pencils, please be careful when shading; the graphite can be easily spread and you may make an un-necessary mess while shading. Also, keep in mind that it will be just a tad bit harder to erase the darker pencil markings without leaving some residue.\r\n\r\n\"drawing\r\n\r\n\"drawing\r\n\r\nMoving along, we have the H pencils or the hard pencils. These pencils contain clay in them to decrease the pencils’ dark markings. I sometimes use them when I want some light shading to the subject or if I need to utilize the carbon copy paper, I use the lightest pencil which is the 9H.\r\n\r\nThere is also the HB pencil – not too hard or not too dark. Usually it can also be found in the next pencil up for discussion: the mechanical pencil. The mechanical pencil usually has HB or 2B lead available.\r\n\r\n\"drawing\r\n\r\nIt should be known that it’s often used for fine lines and detailing. Usually I use one when applying hair strands to the head as in the picture below.\r\n\r\n\"drawing\r\n\r\nThe last thing I want to cover in this section is the kind of paper to use. I strictly use two types of paper material: Crescent illustration board and Strathmore Bristol paper.  The Crescent illustration boards are strictly used for customers and the Bristol paper for personal art use. The Bristol gives off a little bit of a shine that will make your artwork stand out some and makes your blending of the graphite/pencil more smoother, therefore giving the art piece a smoother finish.\r\n

Blending Materials: Tortillion, Stumps, and Tissue

\r\n\"drawing\r\n\r\nThese materials ARE VERY NECESSARY if trying to get a realistic look. They will help with gradual blending and smoothing. Sometimes I draw with the tortillion when I want to add some shading to a small area, like adding some shade to the upper eyes or smearing of the lips or blending of the hair as in the pictures below.\r\n\r\n[caption id=\"attachment_3278\" align=\"aligncenter\" width=\"508\"]\"Tortillion Tortillion shading applied to the upper eyes to mimic shading from the eyelid[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_3279\" align=\"aligncenter\" width=\"270\"]\"Tortillion Tortillion smudging of the lips to illustrate shading[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_3281\" align=\"aligncenter\" width=\"600\"]\"Tissue Tissue blending/smudging of the hair[/caption]\r\n\r\n \r\n\r\nStumps and tortillions have somewhat the same design, but the stumps are bigger and have both ends pointed off while the tortillions are paper that is wrapped around very tightly. There’s no preference in which one to use; it’s up to the artist in which one s/he wants to use and how big or small of an area that needs to be shaded.\r\n\r\nUsing the tissue is a Godsend to me. I accidentally found out about this technique doing a Tomb Raider pencil piece. I’ve heard of the technique but never had a chance to apply it; I was too faithful to the blending stump/tortillion shading. I thought it wouldn’t hurt to try and once applied, I immediately fell in love with it.\r\n\r\nWhen using the tissue, please keep in mind that it’s used for large blending areas like the hair, arms, legs, cheek, and forehead. This technique will allow the graphite to blend and fade into the paper, giving that smooth fade into the white or whatever the color of your drawing paper is.\r\n\r\n[caption id=\"attachment_3280\" align=\"aligncenter\" width=\"600\"]\"3H 3H Graphite pencil shading applied before the tissue blend/smudge[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_3281\" align=\"aligncenter\" width=\"600\"]\"Tissue Tissue blending applied with a little bit of 3B pencil shading[/caption]\r\n

Erasers and Blu Tack

\r\nNo art piece can be done correctly the first time around without some form of erasing tool. When it comes to dealing with pencil, you should have an array of erasing materials at your disposal.\r\n\r\nYour basic erasers come in the form of regular white erasers, Pink Pearl erasers, and white stick erasers. The first two erasers mentioned are usually helpful in erasing large areas and lines. The stick erasers are long, white erasers within a blue, small tube whose length can be adjusted with an adjustable knob on the side. It can be used for big areas as well.\r\n\r\n[caption id=\"attachment_3275\" align=\"aligncenter\" width=\"600\"]\"A A pencil eraser, a white or pink eraser, and a kneaded eraser are just a few erasers that might come in handy while drawing.[/caption]\r\n\r\n \r\n\r\nThere are also pencil erasers; these come in the form of regular looking pencils but instead of lead there are erasers within the pencil. I personally use these to add highlight strands to hair or to erase small markings in a drawing. You can see the example of me applying the pencil erasing technique to the hair in the example below.\r\n\r\n \r\n\r\n\"drawing\r\n\r\nAnother eraser that is absolutely required in this field is the kneaded eraser. These erasers resemble modeling clay and you can shape them to adhere to the marking you want to get rid of. Also, these erasers can be used to “lift” markings of the pencil, leaving a lighter mark. I think these are excellent in creating clouds or some type of smoke leaving some faded residue.\r\n\r\nOn that subject, you can also use an item called Blu Tack. It’s a substitute for a kneaded eraser; it works the same way. I find myself using this more than the kneaded eraser. No particular reason, it’s just my personal preference.\r\n\r\n\"drawing\r\n\r\nIf you need to erase a small area that is surrounded by markings that you don’t want to accidently erase, no worries, use an eraser shield. These are like the dental floss of drawing – they’re inexpensive and precise. Usually they have several shapes in them cut out so that you can erase within the area. I don’t use it as often as I use to but I do have one waiting in the shadows just in case.\r\n

Horsehair Brush, Workable Spray Fixative, and Drawing Board

\r\nOK so instead of erasing a marking and using your hand to wipe off the residue, use a brush...namely a horsehair brush. If you brush away eraser residue with your hand, you run the risk smearing your work. Not to mention it saves you from accidentally spitting on your work when you blow the eraser residue away.\r\n\r\nWhen you want to build up the tone of your drawing, a workable fixative should be called to action. When you get a workable fixative, you can still work on the area even after it’s been sprayed. It holds the graphite in the area that you have sprayed, allowing you to darken the subject by building tone without you disturbing the initial area.\r\n\r\nYou can’t draw until you have a smooth surface to draw on such as a drawing board. You will need to angle the drawing board towards you to help prevent the distortion that comes when working flat. I have a drawing table that has the option of tilting if need be. I also have a mobile drawing board. I say mobile because a lot of my friends know if they want me to come over, I’m bringing some form of art to work on. I’ve went to a party and sat in the corner and worked on a drawing for a customer. You can tell I’m dedicated to my art.\r\n

Rulers, Circle, Ellipse, and Other Templates

\r\nEver wonder how some artists achieve perfect lines or circles? You may have thought “I can’t be an artist, I can’t even draw a straight line!” Well my friend, don’t fret. There’s a small secret to be learned here; the majority of artists, including myself, use rulers and templates. Templates are tools with pre-made circles and other shapes to help you achieve the shape that you want. You have different templates that specialize in having different shapes. Some are strictly circles or squares to name a few. You also have ellipse templates that specialize in curves and round objects. Also, you can’t forget about rulers. Not only do they provide a way to graph and measure your subject, but they serve as straight edge templates too.\r\n

Carbon Copy Paper, Projectors, Light Boxes, and Acetate Report Covers

\r\nOK so as I stated in a previous article, I run the risk of a mob of angry artists burning down my house. To me and them, this is what helps us make our art pieces look accurate and believable. Oh I can draw, don’t get it twisted; but when you have a lot of art that needs to be done for customers and you still need to make time for your personal art projects, you’ll do the things that will cut down your time. I have seen artists draw a basic sketch in like under 2 min. – wish I could move that fast; but since I like to be totally accurate and proficient, I’ll call in the talents of the three named above except the acetate report covers – never used them before but I may purchase some in the near future and try them out. Who knows, I’ll probably do an article on them.\r\n\r\nAnywho, about the other three, using them will shave you some time off in doing the art piece. If someone says that you’re cheating by incorporating the assistance from these three, they’re sadly misinformed. As I stated in the other article, can a doctor perform surgery without his tools? Is that cheating since he’s using tools to cut down surgery time? What about a dentist? Does using tools to help him find cavities or to fix tooth damage or decay qualify as a form of cheating? My thing is it doesn’t matter how you get the picture done, the question is does the public like your art concept? Now go marinate on that for a second.\r\n

Reference Photos

\r\nThe last thing I will talk about briefly is the reference photo. As you can see in the below picture, it’s a picture I took of a close friend of mine. She has modeled for some of my paintings (Angel Eyes, Expecting) before.\r\n\r\n[caption id=\"attachment_3286\" align=\"aligncenter\" width=\"600\"]\"The The real photo[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_3274\" align=\"aligncenter\" width=\"600\"]\"The The drawn photo piece[/caption]\r\n\r\n \r\n\r\nIt’s not necessary but helpful to have some type of reference photo. This will help with accuracy and placement. I know some people who can draw off the top of their head, but I like to be anatomically correct. With that being said, a photo reference with accuracy is necessary in my work. Every artist is different; some will use reference photos and some will use their memory. It really doesn’t matter as long as you and the customers will be satisfied with the end product, no matter what drawing materials or techniques you use.','Drawing Materials for Both the Beginner and the Advanced','','inherit','closed','closed','','2817-revision-v1','','','2016-08-13 11:37:10','2016-08-13 18:37:10','',2817,'http://www.letsdrawpeople.com/2817-revision-v1/',0,'revision','',0),(3290,2,'2016-08-13 11:40:50','2016-08-13 18:40:50','If you are interested in being an artist or at least making drawing a major hobby in your life, then you will need to have extended knowledge over the drawing materials you will need.\r\n\r\nOh sure you’ll need the basic pencil, eraser, and something to draw on but there’s so much more to it. Notice how one artist can make things look so symmetrical and realistic and other artists will have art pieces that look amateurish. What’s the difference? A lot of people have told me they wish they knew how to draw. My response: the difference between you and me is my knowledge of the materials that are used in the art industry.\r\n\r\nJust like the chef in Ratatouille said \"Anyone can cook,\" I say to you, anyone can draw……with some practice and the right materials of course. I remember when I was in high school it was just the pencil and eraser and that was it. Now if you go into my studio I have an art desk, erasers, tortillions, pencils, and other knick knacks. So what are these knick knacks I’m talking about? Well these knick knacks are the things that will improve your artwork as well as help beginners start off in the right direction. This article is to discuss some old drawing materials you are familiar with, as well as get you familiar with some new tools and tricks.\r\n\r\nNote: This article contains affiliate links to some of the drawing materials mentioned. LetsDrawPeople.com will earn a tiny commission if you purchase through these links.\r\n

Pencils: Soft, Hard, Mechanical, and Paper

\r\nOK so this is the basic of the basics here. No form of artwork can be done without some type of pencil marking. As you see in the below basic drawing, I used a 2B pencil to sketch out the drawing.\r\n\r\n\"drawing\r\n\r\n \r\n\r\n\"artistDrawing pencils go from one range to the other – light to darker pencils. The respective names and ranges are: 9B to 9H. The pencils that are 9B to B are the “soft” or bold pencils. These are the dark pencils; they do not have much clay in them in contrast to their counterpart. The higher the number is, the darker the pencil mark is.\r\n\r\nWhen dark hair is called into the picture or pupils need to be filled, I usually use a 6B pencil or higher. When using 6B or darker pencils, please be careful when shading; the graphite can be easily spread and you may make an un-necessary mess while shading. Also, keep in mind that it will be just a tad bit harder to erase the darker pencil markings without leaving some residue.\r\n\r\n\"drawing\r\n\r\n \r\n\r\n\"drawing\r\n\r\n \r\n\r\nMoving along, we have the H pencils or the hard pencils. These pencils contain clay in them to decrease the pencils’ dark markings. I sometimes use them when I want some light shading to the subject or if I need to utilize the carbon copy paper, I use the lightest pencil which is the 9H.\r\n\r\nThere is also the HB pencil – not too hard or not too dark. Usually it can also be found in the next pencil up for discussion: the mechanical pencil. The mechanical pencil usually has HB or 2B lead available.\r\n\r\n\"drawing\r\n\r\n \r\n\r\nIt should be known that it’s often used for fine lines and detailing. Usually I use one when applying hair strands to the head as in the picture below.\r\n\r\n\"drawing\r\n\r\n \r\n\r\nThe last thing I want to cover in this section is the kind of paper to use. I strictly use two types of paper material: Crescent illustration board and Strathmore Bristol paper.  The Crescent illustration boards are strictly used for customers and the Bristol paper for personal art use. The Bristol gives off a little bit of a shine that will make your artwork stand out some and makes your blending of the graphite/pencil more smoother, therefore giving the art piece a smoother finish.\r\n

Blending Materials: Tortillion, Stumps, and Tissue

\r\n\"drawing\r\n\r\nThese materials ARE VERY NECESSARY if trying to get a realistic look. They will help with gradual blending and smoothing. Sometimes I draw with the tortillion when I want to add some shading to a small area, like adding some shade to the upper eyes or smearing of the lips or blending of the hair as in the pictures below.\r\n\r\n[caption id=\"attachment_3278\" align=\"aligncenter\" width=\"508\"]\"Tortillion Tortillion shading applied to the upper eyes to mimic shading from the eyelid[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_3279\" align=\"aligncenter\" width=\"270\"]\"Tortillion Tortillion smudging of the lips to illustrate shading[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_3281\" align=\"aligncenter\" width=\"600\"]\"Tissue Tissue blending/smudging of the hair[/caption]\r\n\r\n \r\n\r\nStumps and tortillions have somewhat the same design, but the stumps are bigger and have both ends pointed off while the tortillions are paper that is wrapped around very tightly. There’s no preference in which one to use; it’s up to the artist in which one s/he wants to use and how big or small of an area that needs to be shaded.\r\n\r\nUsing the tissue is a Godsend to me. I accidentally found out about this technique doing a Tomb Raider pencil piece. I’ve heard of the technique but never had a chance to apply it; I was too faithful to the blending stump/tortillion shading. I thought it wouldn’t hurt to try and once applied, I immediately fell in love with it.\r\n\r\nWhen using the tissue, please keep in mind that it’s used for large blending areas like the hair, arms, legs, cheek, and forehead. This technique will allow the graphite to blend and fade into the paper, giving that smooth fade into the white or whatever the color of your drawing paper is.\r\n\r\n[caption id=\"attachment_3280\" align=\"aligncenter\" width=\"600\"]\"3H 3H Graphite pencil shading applied before the tissue blend/smudge[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_3281\" align=\"aligncenter\" width=\"600\"]\"Tissue Tissue blending applied with a little bit of 3B pencil shading[/caption]\r\n

Erasers and Blu Tack

\r\nNo art piece can be done correctly the first time around without some form of erasing tool. When it comes to dealing with pencil, you should have an array of erasing materials at your disposal.\r\n\r\nYour basic erasers come in the form of regular white erasers, Pink Pearl erasers, and white stick erasers. The first two erasers mentioned are usually helpful in erasing large areas and lines. The stick erasers are long, white erasers within a blue, small tube whose length can be adjusted with an adjustable knob on the side. It can be used for big areas as well.\r\n\r\n[caption id=\"attachment_3275\" align=\"aligncenter\" width=\"600\"]\"A A pencil eraser, a white or pink eraser, and a kneaded eraser are just a few erasers that might come in handy while drawing.[/caption]\r\n\r\n \r\n\r\nThere are also pencil erasers; these come in the form of regular looking pencils but instead of lead there are erasers within the pencil. I personally use these to add highlight strands to hair or to erase small markings in a drawing. You can see the example of me applying the pencil erasing technique to the hair in the example below.\r\n\r\n \r\n\r\n\"drawing\r\n\r\n \r\n\r\nAnother eraser that is absolutely required in this field is the kneaded eraser. These erasers resemble modeling clay and you can shape them to adhere to the marking you want to get rid of. Also, these erasers can be used to “lift” markings of the pencil, leaving a lighter mark. I think these are excellent in creating clouds or some type of smoke leaving some faded residue.\r\n\r\nOn that subject, you can also use an item called Blu Tack. It’s a substitute for a kneaded eraser; it works the same way. I find myself using this more than the kneaded eraser. No particular reason, it’s just my personal preference.\r\n\r\n\"drawing\r\n\r\n \r\n\r\nIf you need to erase a small area that is surrounded by markings that you don’t want to accidently erase, no worries, use an eraser shield. These are like the dental floss of drawing – they’re inexpensive and precise. Usually they have several shapes in them cut out so that you can erase within the area. I don’t use it as often as I use to but I do have one waiting in the shadows just in case.\r\n

Horsehair Brush, Workable Spray Fixative, and Drawing Board

\r\nOK so instead of erasing a marking and using your hand to wipe off the residue, use a brush...namely a horsehair brush. If you brush away eraser residue with your hand, you run the risk smearing your work. Not to mention it saves you from accidentally spitting on your work when you blow the eraser residue away.\r\n\r\nWhen you want to build up the tone of your drawing, a workable fixative should be called to action. When you get a workable fixative, you can still work on the area even after it’s been sprayed. It holds the graphite in the area that you have sprayed, allowing you to darken the subject by building tone without you disturbing the initial area.\r\n\r\nYou can’t draw until you have a smooth surface to draw on such as a drawing board. You will need to angle the drawing board towards you to help prevent the distortion that comes when working flat. I have a drawing table that has the option of tilting if need be. I also have a mobile drawing board. I say mobile because a lot of my friends know if they want me to come over, I’m bringing some form of art to work on. I’ve went to a party and sat in the corner and worked on a drawing for a customer. You can tell I’m dedicated to my art.\r\n

Rulers, Circle, Ellipse, and Other Templates

\r\nEver wonder how some artists achieve perfect lines or circles? You may have thought “I can’t be an artist, I can’t even draw a straight line!” Well my friend, don’t fret. There’s a small secret to be learned here; the majority of artists, including myself, use rulers and templates. Templates are tools with pre-made circles and other shapes to help you achieve the shape that you want. You have different templates that specialize in having different shapes. Some are strictly circles or squares to name a few. You also have ellipse templates that specialize in curves and round objects. Also, you can’t forget about rulers. Not only do they provide a way to graph and measure your subject, but they serve as straight edge templates too.\r\n

Carbon Copy Paper, Projectors, Light Boxes, and Acetate Report Covers

\r\nOK so as I stated in a previous article, I run the risk of a mob of angry artists burning down my house. To me and them, this is what helps us make our art pieces look accurate and believable. Oh I can draw, don’t get it twisted; but when you have a lot of art that needs to be done for customers and you still need to make time for your personal art projects, you’ll do the things that will cut down your time. I have seen artists draw a basic sketch in like under 2 min. – wish I could move that fast; but since I like to be totally accurate and proficient, I’ll call in the talents of the three named above except the acetate report covers – never used them before but I may purchase some in the near future and try them out. Who knows, I’ll probably do an article on them.\r\n\r\nAnywho, about the other three, using them will shave you some time off in doing the art piece. If someone says that you’re cheating by incorporating the assistance from these three, they’re sadly misinformed. As I stated in the other article, can a doctor perform surgery without his tools? Is that cheating since he’s using tools to cut down surgery time? What about a dentist? Does using tools to help him find cavities or to fix tooth damage or decay qualify as a form of cheating? My thing is it doesn’t matter how you get the picture done, the question is does the public like your art concept? Now go marinate on that for a second.\r\n

Reference Photos

\r\nThe last thing I will talk about briefly is the reference photo. As you can see in the below picture, it’s a picture I took of a close friend of mine. She has modeled for some of my paintings (Angel Eyes, Expecting) before.\r\n\r\n[caption id=\"attachment_3286\" align=\"aligncenter\" width=\"600\"]\"The The real photo[/caption]\r\n\r\n \r\n\r\n[caption id=\"attachment_3274\" align=\"aligncenter\" width=\"600\"]\"The The drawn photo piece[/caption]\r\n\r\n \r\n\r\nIt’s not necessary but helpful to have some type of reference photo. This will help with accuracy and placement. I know some people who can draw off the top of their head, but I like to be anatomically correct. With that being said, a photo reference with accuracy is necessary in my work. Every artist is different; some will use reference photos and some will use their memory. It really doesn’t matter as long as you and the customers will be satisfied with the end product, no matter what drawing materials or techniques you use.','Drawing Materials for Both the Beginner and the Advanced','','inherit','closed','closed','','2817-revision-v1','','','2016-08-13 11:40:50','2016-08-13 18:40:50','',2817,'http://www.letsdrawpeople.com/2817-revision-v1/',0,'revision','',0),(3291,2,'2016-08-13 16:09:47','2016-08-13 23:09:47','If you have ever struggled with drawing a picture of two people hugging, it\'s very understandable. Sometimes it can be hard enough just to get the right positioning for one figure, let alone two. In addition, you have to make sure the two figures you are drawing complement each other in a positive way for the overall picture.\r\n\r\nAnother thing about hugs is they don\'t all look alike. Depending on what kind of a hug you are trying to draw, you may have to tweak your approach.\r\n\r\nIn this post, I want to show you four different ways to draw two people hugging. No matter which pose you use, the best advice I can give you is to sketch out the general shapes of the two figures to get their positioning right with each other.\r\n\r\nIn the examples below, you will see these basic sketched figures rather than completed drawings, because once you get the shape of the figures sketched right, you can always go back and add details to develop the faces, arms, hands, and clothing. I drew these with a soft 4B pencil so they would appear darker for you, but since these figure sketches will serve as guidelines for your final drawing, it\'s best you draw them with a harder graphite pencil for a lighter effect.\r\n\r\nEach method has three basic components for each figure: an oval shape for the head, a rectangular shape with rounded corners for the torso, and the rough outline of the arms and hands.\r\n

Method 1: Hugging from Behind the Back

\r\n\"howIf you are drawing a picture of one person hugging another from behind the back, you are obviously going to have some overlap to deal with, so some of your basic shapes will be missing or hidden. In this example, you can start by drawing the head, body, and arms of the person in front. The torso of the person behind is hidden, so you don\'t need to draw it. It is still important to get the right placement of the head and arms of the person in the back.\r\n\r\nYou can see more overlap with the arms from behind coming to hug the person in the front. Once you get the right placement of the major shapes, just erase any guidelines that will be behind another body part (for example, the guidelines behind the forearms).\r\n

Method 2: Hugging Side by Side

\r\n\"howWhen people hug side by side, as in this example, they are usually sitting side by side and facing the same direction. As opposed to directly facing each other, their bodies are slightly twisted toward one another. There are times when they can do this standing as well.\r\n\r\nFor this sketch, I drew two ovals for the heads that are leaning in to one another and looking forward at the viewer. Each rectangular torso shape is slanted at a slight angle. Then you can draw the arms, one over the other in the front. You won\'t be able to see the arms behind each back.\r\n

\r\n

\r\n

\r\n

Method 3: Frontal Hugging Over the Shoulder

\r\n\"howHere is a classic position for hugging. This is the first position I usually think of when I think about people hugging each other. Even so, it\'s not the ideal or popular position for portrait drawing, since one person is facing away and the face we can see probably has her eyes closed. Still, it has its place with other types of drawings, so we will take a quick look.\r\n\r\nOnce again, there is major overlap with this hugging position. You will have to use your judgment as to the extent of guidelines you want to use. I find it helpful sometimes, as in this example, to still sketch what is hidden by the arm and torso in the front. This way you can get an idea if the proportions of one person look right in isolation. Don\'t forget to draw heads that are side by side with a slight overlap and facing away from each other. Then draw an over-under positioning of the arms.\r\n

Method 4: Frontal Hugging Face-to-Face

\r\n\"howYou might use the positioning of the figures in this sketch to draw a loving, romantic couple. With this type of hug, the bodies are facing each other as in the last example, but the faces themselves are also facing each other. You can also draw the faces so they are both looking at the viewer, which would make this an excellent choice for a portrait drawing.\r\n\r\nIt is up to you whether you want to begin first by sketching the head or torso for each figure. I usually begin by sketching the heads to make sure the sizes and positions of each are the way I want them. If I begin with the bodies and accidentally draw them too far apart, then drawing the heads touching each other might look awkward.\r\n\r\nYou will have to adjust the width and angle of your rectangular torso shapes so they appear to be close to and facing each other. This will make it easier to sketch the arms so they have the natural appearance of wrapping around or resting upon the other person\'s body.\r\n

Countless Other Hugs

\r\nThese four ways to draw people hugging certainly are not the only hugging positions you will encounter. Hopefully though, these examples will show you that it\'s not as hard as it may seem to draw people hugging. It really is only a matter of sketching the basic shapes to get the right size and positioning before moving forward.\r\n\r\nIf you want to get better at drawing people hugging, begin by experimenting with these four methods. Try different attempts and angles until you get something that looks right to you. Then try making tweaks to the positions in your sketches. Look at lots of reference photographs to see the countless other hugging positions you may find yourself sketching someday. Practice sketching as many different positions as you can. Soon you will find it much easier (and more fun) to draw two hugging figures!','Four Easy Methods for Drawing People Hugging','','inherit','closed','closed','','1564-autosave-v1','','','2016-08-13 16:09:47','2016-08-13 23:09:47','',1564,'http://www.letsdrawpeople.com/1564-autosave-v1/',0,'revision','',0),(3292,2,'2016-08-13 16:07:37','2016-08-13 23:07:37','If you have ever struggled with drawing a picture of two people hugging, it\'s very understandable. Sometimes it can be hard enough just to get the right positioning for one figure, let alone two. In addition, you have to make sure the two figures you are drawing complement each other in a positive way for the overall picture.\r\n\r\nAnother thing about hugs is they don\'t all look alike. Depending on what kind of a hug you are trying to draw, you may have to tweak your approach.\r\n\r\nIn this post, I want to show you four different ways to draw two people hugging. No matter which pose you use, the best advice I can give you is to sketch out the general shapes of the two figures to get their positioning right with each other.\r\n\r\nIn the examples below, you will see these basic sketched figures rather than completed drawings, because once you get the shape of the figures sketched right, you can always go back and add details to develop the faces, arms, hands, and clothing. I drew these with a soft 4B pencil so they would appear darker for you, but since these figure sketches will serve as guidelines for your final drawing, it\'s best you draw them with a harder graphite pencil for a lighter effect.\r\n\r\nEach method has three basic components for each figure: an oval shape for the head, a rectangular shape with rounded corners for the torso, and the rough outline of the arms and hands.\r\n

Method 1: Hugging from Behind the Back

\r\n\"howIf you are drawing a picture of one person hugging another from behind the back, you are obviously going to have some overlap to deal with, so some of your basic shapes will be missing or hidden. In this example, you can start by drawing the head, body, and arms of the person in front. The torso of the person behind is hidden, so you don\'t need to draw it. It is still important to get the right placement of the head and arms of the person in the back.\r\n\r\nYou can see more overlap with the arms from behind coming to hug the person in the front. Once you get the right placement of the major shapes, just erase any guidelines that will be behind another body part (for example, the guidelines behind the forearms).\r\n

Method 2: Hugging Side by Side

\r\n\"howWhen people hug side by side, as in this example, they are usually sitting side by side and facing the same direction. As opposed to directly facing each other, their bodies are slightly twisted toward one another. There are times when they can do this standing as well.\r\n\r\nFor this sketch, I drew two ovals for the heads that are leaning in to one another and looking forward at the viewer. Each rectangular torso shape is slanted at a slight angle. Then you can draw the arms, one over the other in the front. You won\'t be able to see the arms behind each back.\r\n

\r\n

Method 3: Frontal Hugging Over the Shoulder

\r\n\"howHere is a classic position for hugging. This is the first position I usually think of when I think about people hugging each other. Even so, it\'s not the ideal or popular position for portrait drawing, since one person is facing away and the face we can see probably has her eyes closed. Still, it has its place with other types of drawings, so we will take a quick look.\r\n\r\nOnce again, there is major overlap with this hugging position. You will have to use your judgment as to the extent of guidelines you want to use. I find it helpful sometimes, as in this example, to still sketch what is hidden by the arm and torso in the front. This way you can get an idea if the proportions of one person look right in isolation. Don\'t forget to draw heads that are side by side with a slight overlap and facing away from each other. Then draw an over-under positioning of the arms.\r\n

Method 4: Frontal Hugging Face-to-Face

\r\n\"howYou might use the positioning of the figures in this sketch to draw a loving, romantic couple. With this type of hug, the bodies are facing each other as in the last example, but the faces themselves are also facing each other. You can also draw the faces so they are both looking at the viewer, which would make this an excellent choice for a portrait drawing.\r\n\r\nIt is up to you whether you want to begin first by sketching the head or torso for each figure. I usually begin by sketching the heads to make sure the sizes and positions of each are the way I want them. If I begin with the bodies and accidentally draw them too far apart, then drawing the heads touching each other might look awkward.\r\n\r\nYou will have to adjust the width and angle of your rectangular torso shapes so they appear to be close to and facing each other. This will make it easier to sketch the arms so they have the natural appearance of wrapping around or resting upon the other person\'s body.\r\n

Countless Other Hugs

\r\nThese four ways to draw people hugging certainly are not the only hugging positions you will encounter. Hopefully though, these examples will show you that it\'s not as hard as it may seem to draw people hugging. It really is only a matter of sketching the basic shapes to get the right size and positioning before moving forward.\r\n\r\nIf you want to get better at drawing people hugging, begin by experimenting with these four methods. Try different attempts and angles until you get something that looks right to you. Then try making tweaks to the positions in your sketches. Look at lots of reference photographs to see the countless other hugging positions you may find yourself sketching someday. Practice sketching as many different positions as you can. Soon you will find it much easier (and more fun) to draw two hugging figures!','Four Easy Methods for Drawing People Hugging','','inherit','closed','closed','','1564-revision-v1','','','2016-08-13 16:07:37','2016-08-13 23:07:37','',1564,'http://www.letsdrawpeople.com/1564-revision-v1/',0,'revision','',0),(3293,2,'2016-08-13 16:08:13','2016-08-13 23:08:13','If you have ever struggled with drawing a picture of two people hugging, it\'s very understandable. Sometimes it can be hard enough just to get the right positioning for one figure, let alone two. In addition, you have to make sure the two figures you are drawing complement each other in a positive way for the overall picture.\r\n\r\nAnother thing about hugs is they don\'t all look alike. Depending on what kind of a hug you are trying to draw, you may have to tweak your approach.\r\n\r\nIn this post, I want to show you four different ways to draw two people hugging. No matter which pose you use, the best advice I can give you is to sketch out the general shapes of the two figures to get their positioning right with each other.\r\n\r\nIn the examples below, you will see these basic sketched figures rather than completed drawings, because once you get the shape of the figures sketched right, you can always go back and add details to develop the faces, arms, hands, and clothing. I drew these with a soft 4B pencil so they would appear darker for you, but since these figure sketches will serve as guidelines for your final drawing, it\'s best you draw them with a harder graphite pencil for a lighter effect.\r\n\r\nEach method has three basic components for each figure: an oval shape for the head, a rectangular shape with rounded corners for the torso, and the rough outline of the arms and hands.\r\n

Method 1: Hugging from Behind the Back

\r\n\"howIf you are drawing a picture of one person hugging another from behind the back, you are obviously going to have some overlap to deal with, so some of your basic shapes will be missing or hidden. In this example, you can start by drawing the head, body, and arms of the person in front. The torso of the person behind is hidden, so you don\'t need to draw it. It is still important to get the right placement of the head and arms of the person in the back.\r\n\r\nYou can see more overlap with the arms from behind coming to hug the person in the front. Once you get the right placement of the major shapes, just erase any guidelines that will be behind another body part (for example, the guidelines behind the forearms).\r\n

Method 2: Hugging Side by Side

\r\n\"howWhen people hug side by side, as in this example, they are usually sitting side by side and facing the same direction. As opposed to directly facing each other, their bodies are slightly twisted toward one another. There are times when they can do this standing as well.\r\n\r\nFor this sketch, I drew two ovals for the heads that are leaning in to one another and looking forward at the viewer. Each rectangular torso shape is slanted at a slight angle. Then you can draw the arms, one over the other in the front. You won\'t be able to see the arms behind each back.\r\n

\r\n

\r\n

Method 3: Frontal Hugging Over the Shoulder

\r\n\"howHere is a classic position for hugging. This is the first position I usually think of when I think about people hugging each other. Even so, it\'s not the ideal or popular position for portrait drawing, since one person is facing away and the face we can see probably has her eyes closed. Still, it has its place with other types of drawings, so we will take a quick look.\r\n\r\nOnce again, there is major overlap with this hugging position. You will have to use your judgment as to the extent of guidelines you want to use. I find it helpful sometimes, as in this example, to still sketch what is hidden by the arm and torso in the front. This way you can get an idea if the proportions of one person look right in isolation. Don\'t forget to draw heads that are side by side with a slight overlap and facing away from each other. Then draw an over-under positioning of the arms.\r\n

Method 4: Frontal Hugging Face-to-Face

\r\n\"howYou might use the positioning of the figures in this sketch to draw a loving, romantic couple. With this type of hug, the bodies are facing each other as in the last example, but the faces themselves are also facing each other. You can also draw the faces so they are both looking at the viewer, which would make this an excellent choice for a portrait drawing.\r\n\r\nIt is up to you whether you want to begin first by sketching the head or torso for each figure. I usually begin by sketching the heads to make sure the sizes and positions of each are the way I want them. If I begin with the bodies and accidentally draw them too far apart, then drawing the heads touching each other might look awkward.\r\n\r\nYou will have to adjust the width and angle of your rectangular torso shapes so they appear to be close to and facing each other. This will make it easier to sketch the arms so they have the natural appearance of wrapping around or resting upon the other person\'s body.\r\n

Countless Other Hugs

\r\nThese four ways to draw people hugging certainly are not the only hugging positions you will encounter. Hopefully though, these examples will show you that it\'s not as hard as it may seem to draw people hugging. It really is only a matter of sketching the basic shapes to get the right size and positioning before moving forward.\r\n\r\nIf you want to get better at drawing people hugging, begin by experimenting with these four methods. Try different attempts and angles until you get something that looks right to you. Then try making tweaks to the positions in your sketches. Look at lots of reference photographs to see the countless other hugging positions you may find yourself sketching someday. Practice sketching as many different positions as you can. Soon you will find it much easier (and more fun) to draw two hugging figures!','Four Easy Methods for Drawing People Hugging','','inherit','closed','closed','','1564-revision-v1','','','2016-08-13 16:08:13','2016-08-13 23:08:13','',1564,'http://www.letsdrawpeople.com/1564-revision-v1/',0,'revision','',0),(3294,2,'2016-09-10 14:05:22','2016-09-10 21:05:22','What can 16 dissimilar sketches of lips tell you about how to draw lips?\r\n\r\nWell, if you look at each one of the sketches in this article closely enough, it turns out that these lips have a lot to say.\r\n\r\nOne of the best ways to learn how to sketch lips is to carefully study a selection of lips that have already been sketched for you. If you carefully examine enough examples of the end result, you will start to notice some interesting similarities and differences that give you insight into the process leading up to the end result.\r\n\r\nThis article is not the usual step-by-step tutorial on how to sketch a pair of lips or even how to draw lips realistically. The goal of this post is to carefully analyze various sketches of lips. First, we will seek to describe the characteristics of the lips that are present in each sketch. Then, we will move on to compare and contrast those characteristics.\r\n\r\nThe sketches of lips you will find here are of many different styles. The first section looks at the first step of drawing lips (or anything else for that matter) - the initial line drawing. Then you will see how those lips change once they have some shading. Moving on from there, we will look at lip sketches that are rough and simple as well as detailed and thorough. You will notice pencil, pen and ink, and even colored and digital media. We will look at the lips of subtle smiles as well as larger, more open smiles showing teeth. You will also study the lips of a biting mouth as well as the lips of an open mouth.\r\n\r\nBy carefully studying these 16 sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own. This insight will go a long way in showing you how to draw a mouth.\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

Lip Shading Characteristics

\r\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\r\n\r\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip. The shading for this sketch could be characterized as more hatching than crosshatching.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nVertical lip lines are preserved in this example without being too harsh or prominent. There are also a range of values present. Most of the lips\' surface area has a midtone value, while the highlights remain white and the corners have darker shadow areas.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis example has a similar base value of shading for the lips and the skin surrounding the lips. Since these lips are viewed slightly from above (since the face is tilted downward), there are some darker tones along the lower part of each lip and under the bottom lip. Darker tones also exist to better portray the medial cleft between the nose and upper lip (also known as the philtrum).\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis final example does not have a line drawing preview like the others in this section, but I thought it still deserved some attention for some interesting lip shading characteristics. The graphite tones are also more blended together here.\r\n\r\n\"sketches\r\n\r\nThe above sketch shows the lips slightly darker than the surrounding skin and the top lip slightly darker than the bottom. A good reason for this is that the bottom lip has more highlighted area. I also find it noteworthy that the highlight is broken up at various spots by the vertical lip lines, some soft lines and some sharper lines, for a more natural look.\r\n\r\nAs you see from the last few lip sketches, lips can be shaded a number of ways. Tones can be applied with hatching, crosshatching, or blended together. You should always preserve highlights by making darker tones around them, and you should keep the vertical lines of the lips implied on some level.\r\n

What Can Enhance a Subtle Smiling Lips Sketch

\r\nHow can you pull off a sketch of smiling lips when the lips are not smiling a big smile? What if the smile is only a subtle smirk? The examples in the previous sections focused on only the lips. However, what creates the perception of a smile in a sketch or drawing is as much in the skin surrounding the lips than in the lips themselves. Now let\'s look at three sketches of smiling lips and the characteristic details found around the lips that help us to better notice the smile.\r\n\r\nThis first sketch is a very rough line drawing sketch. It is of a subtly smiling mouth that is turned in a profile view. It has hatching lines to indicate shading on and around the lips. The lines on the skin directly above and below the lips help to give form to the protrusion of the lips. Look in the corner of the mouth, and you can see the dark line that serves as a fold in the skin when the cheek is just beginning to help form a smile.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis next example is much more detailed than the previous line sketch. Still, there are some commonalities. The crosshatch shading above the top lip helps to form the three-dimensional appearance of this part of the mouth, including the philtrum. The shading below the bottom lip helps to distinguish the space between the bottom lip and the chin. The difference in angles between the lines on the corners of the mouth, along with the dimple on the man\'s left cheek, tell us that the man is smirking more on the left side of his face than the right side.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere is another piece of work that is on the more detailed side of lip sketches. Even though this drawing does not have the vertical lines on the corners of the mouth that are noticeable in the previous two examples, you can still tell there is a slight smile with the subject. How so? Look at how the crosshatch shading implies sunken-in cheeks. Darker areas on either side of the mouth that do not touch the mouth help to achieve this appearance.\r\n\r\n[caption id=\"attachment_3309\" align=\"aligncenter\" width=\"600\"]\"sketches
© Safa Sami | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\nWith these three examples, we learned that a smiling lips sketch can have more than just the details on the lips themselves to better portray that the lips are actually smiling. Just as important are the details on the areas of the face immediately surrounding the lips. Different subjects\' faces have different characteristics. Some people smile with dimples, some have sunken in cheeks when they smile, and everyone has variations in cheek lines that form in the corners of their mouths when they smile. Keeping these traits in mind when you sketch smiling lips will help to better enhance your sketches, too.\r\n

How Lips Can Look on a Smiling Mouth Sketch Showing Teeth

\r\nNext, we will take a look at two very different sketches of lips. Unlike the sketches in the last section, these lips are part of less subtle, more obvious smiles that also show the teeth.\r\n\r\nThis sketch is another rough line drawing sketch. It is a picture of a noticeable smile, viewed from the front. Since this is a much more noticeable smile than the smiles from the last section, you can see a sizeable portion of the subject\'s teeth. There are some characteristics surrounding the lips that we noticed before as well, such as the cheek lines at the corners of the lips and shading to show protrusion of the lips.\r\n\r\n\"sketches\r\n\r\nLooking at the lips themselves, this line sketch has what resembles vertical hatch lines to indicate shading. There are fewer lines in the front, especially on the bottom lip where you can expect some highlighting. There are more lines near the corners, where the lips curve around the face and retreat toward the back.\r\n\r\nThis next mouth sketch is certainly not your traditional sketch by any means. You can tell it was created with the assistance of some sort of digital means. Possibly due to the type of software used and its capabilities, there is a slightly unnatural shape to the overall mouth, especially the way the top lip curves downward in the middle and how the corners curve upward. Nevertheless, there is some interesting shading going on that enhances the appearance of the lips and the overall mouth.\r\n\r\n\"sketches\r\n\r\nLook first at the lower lip and the range of values present. The values are much darker along the edges. Then there are some midtone values between the edges and the highlight in the middle.\r\n\r\nSecondly, the creator of this sketch remembered something very important for a smiling mouth sketch that shows teeth. The lips cast a small shadow upon the teeth. You can see this shadow along the upper portions of the top teeth, the lower portions of the bottom teeth, and more shadow values present in the teeth that are farther back. This crucial detail was missing from the first, simpler example. The artist also remembered the dark shadow tones that the teeth should cast upon the tongue.\r\n

A Close Examination of a Biting Lip Sketch

\r\nThis is a sketch of an open mouth where the teeth are biting down on the lower, right side of the lips. It is a pen and ink sketch with lots of crosshatching used for the shading.\r\n\r\n\"sketches\r\n\r\nWhat kind of pertinent characteristics should we gather from this example if we wanted to make a biting lip sketch of our own? First of all, the part of the lower lip that is bitten by the teeth is hidden behind those teeth. More importantly, there should be focus on where the teeth meet the lip. The teeth are pulling the skin of the lower lip, thus causing \"folds\" in the skin. In the drawing above, there are three teeth making contact with the lip. If you examine very closely, you will notice one of these fold lines coming from the center of each of the three teeth. You should also notice fold lines coming from between the teeth.\r\n\r\nOther lip characteristics of this sketch are less about the biting part and more about what should be found in many other lip sketches. The lips consist of lighter tones where the light strikes them and darker tones surrounding the lighter areas and the corners of the mouth where the lips recede. You can also see reflected light along the bottom edge of the top lip.\r\n\r\nThe main thing to remember when making a biting lip sketch is to focus on the location of the bite and include the details on the lower lip that will make the appearance of the bite believable.\r\n

How Lips Can Complement Other Parts of an Open Mouth Sketch

\r\nAlthough this appears to be a rough sketch of an open mouth that might be considered an unfinished piece of work, it consists of more than one medium, and the entire piece (not shown in this excerpt) is done in what appears to be a similar, deliberate style by the artist.\r\n\r\n\"sketches\r\n\r\nAssuming this is a finished piece, the style suggests that the artist was not going for a realistic look. For example, the lips in the sketch have a heavy outline (perhaps in ink) that are not characteristic of natural-looking lips.\r\n\r\nEven so, you can tell that the artist strived to include some three-dimensional elements on the lips themselves. There are two carefully placed highlights on the top lip and two more on the bottom. These highlights, along with the darker tones receding from the front of the lips to the corners of the mouth, help to convey the appearance of form and roundness in the lips.\r\n\r\nSo how does this three-dimensional feel of the lips complement the rest of the mouth sketch? It gives the sense that the lips are protruding forward, as they should if a mouth is opened wide. The lack of detail in the tongue and other more distant parts of the inside of the mouth help the lips to \"stick out\" even more (that is, become more noticeable).\r\n

What Can We Learn from These Sketches of Lips?

\r\nThere is no question that there are many different ways to sketch lips. That is pretty obvious from what you have read and seen in this article. Just to recap some of the lip sketches we have studied, let\'s look at them one more time. Below is a collection of the 16 lip sketches, grouped all together.\r\n\r\n\"sketches\r\n\r\nSo what can be learned by comparing and contrasting these lips? How can we then apply or exclude details in our future sketches of lips?\r\n\r\nFirst, we will take a look at a few commonalities. Consider these similarities as tips you should keep in mind when you sketch lips of your own:\r\n
    \r\n
  • Always look for areas of highlight in the lips you sketch. In each of the sketches above, the highlighted areas of lips are a significant part of what gives the lips form and makes them appear more realistic. There seems to always be a highlighted area on the bottom lip. Almost always, and usually less significantly, there is a highlighted area on the top lip.
    • \r\n
  • Think carefully about where darker tones should be placed. The darker tones should complement the highlights. These darker tones and the highlights are separated by a gradual transition of shading. In each sketch, the darker tones can be found along the corners of the mouth and the center of the mouth where the two lips meet.
    • \r\n
  • Draw the outline for the lips in the same manner that they appear in real life. Each example we looked at has a general shape for the top and bottom lip that you are likely to find when looking at the lips of everyday people. All the lips have a natural, rounded curve along the bottom. With the small exception of the digital example, every lip sketch has the little dip along the top ridge directly below the nose.
    • \r\n
\r\nNow, for a few noticeable differences between some of the sketches. You should also consider these differences as tips, but instead of including or excluding them in every drawing, you should consider whether or not you want to include them for each drawing on a case-by-case basis.\r\n
    \r\n
  • Not every sketch of lips has or needs reflected light. In the first two sections of this article, every lip sketch has reflected light along the bottom edge of the lower lip. Some of the later examples are missing this reflected light. This can be based either on a matter of preference or simply a lack of its noticeable presence on the reference subject.
    • \r\n
  • Vertical lines or no vertical lines? In some of the sketches, the vertical lines that are present in real-life lips are obvious in the sketches. In a few of the other sketches, the vertical lines cannot really be seen or are subtle and more implied. Again, either can be acceptable depending on your reference, since these lines are sometimes more noticeable and other times less noticeable on the reference subject.
    • \r\n
  • Some sketches have details between and around the lips that enhance the sketch. Some of the sketches we viewed intentionally focused solely on the lips themselves. There were no surrounding skin tones or detail beyond the outer border of the lips. In these sketches, the lips were also closed. The other sketches showed the surrounding skin as an extension of the lips and mouth in general. This allowed the artists to add details that enhanced their drawings. For example, smile lines in the corners of the mouth add to the character and likeness of the subject. The same goes for those sketches that displayed opened mouths. Visible teeth and a visible portion of the tongue could complement a sketch that might seem more bland if it were just lips alone.
    • \r\n
\r\nBottom line, if you want to get better at drawing or sketching lips, take the time to closely study, compare, and contrast a variety of sketches of lips drawn by other artists. If you want to learn how to draw a mouth, looking at a multitude of examples and deciding what works in different styles and situations will do wonders for your artwork as you complete more and more sketches and drawings of your own.','How These 16 Very Different Sketches of Lips Can Help You Draw Them','','publish','open','open','','how-these-16-very-different-sketches-of-lips-can-help-you-draw-them','','','2016-09-11 16:37:37','2016-09-11 23:37:37','',0,'http://www.letsdrawpeople.com/?p=3294',0,'post','',0),(3295,2,'2016-08-13 17:22:02','2016-08-14 00:22:02','The first thing I want to talk about is a sketch of lips, a simple sketch. With this sketch, we will note some common characteristics of lips that can be seen throughout many of the sketches within this post.\r\n\r\nFirst of course is the line along','Lip Study: Sketches of Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-08-13 17:22:02','2016-08-14 00:22:02','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3296,2,'2016-08-17 19:27:48','2016-08-18 02:27:48','','sketches of lips biting lip sketch 01','','inherit','open','closed','','sketches-of-lips-biting-lip-sketch-01','','','2016-08-17 19:27:48','2016-08-18 02:27:48','',3294,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/sketches-of-lips-biting-lip-sketch-01.jpg',0,'attachment','image/jpeg',0),(3297,2,'2016-08-17 19:27:50','2016-08-18 02:27:50','','sketches of lips lip shading 01','','inherit','open','closed','','sketches-of-lips-lip-shading-01','','','2016-08-17 19:27:50','2016-08-18 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01','','inherit','open','closed','','sketches-of-lips-simple-lips-drawing-01','','','2016-08-17 19:28:03','2016-08-18 02:28:03','',3294,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/sketches-of-lips-simple-lips-drawing-01.jpg',0,'attachment','image/jpeg',0),(3304,2,'2016-08-17 19:28:05','2016-08-18 02:28:05','','sketches of lips simple lips drawing 02','','inherit','open','closed','','sketches-of-lips-simple-lips-drawing-02','','','2016-08-17 19:28:05','2016-08-18 02:28:05','',3294,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/sketches-of-lips-simple-lips-drawing-02.jpg',0,'attachment','image/jpeg',0),(3305,2,'2016-08-17 19:28:06','2016-08-18 02:28:06','','sketches of lips simple lips drawing 03','','inherit','open','closed','','sketches-of-lips-simple-lips-drawing-03','','','2016-08-17 19:28:06','2016-08-18 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02','','inherit','open','closed','','sketches-of-lips-smiling-lips-sketch-02','','','2016-08-17 19:28:11','2016-08-18 02:28:11','',3294,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/sketches-of-lips-smiling-lips-sketch-02.jpg',0,'attachment','image/jpeg',0),(3309,2,'2016-08-17 19:28:12','2016-08-18 02:28:12','','sketches of lips smiling lips sketch 03','','inherit','open','closed','','sketches-of-lips-smiling-lips-sketch-03','','','2016-08-17 19:28:12','2016-08-18 02:28:12','',3294,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/sketches-of-lips-smiling-lips-sketch-03.jpg',0,'attachment','image/jpeg',0),(3310,2,'2016-08-17 19:28:14','2016-08-18 02:28:14','','sketches of lips smiling mouth sketch 01','','inherit','open','closed','','sketches-of-lips-smiling-mouth-sketch-01','','','2016-08-17 19:28:14','2016-08-18 02:28:14','',3294,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/sketches-of-lips-smiling-mouth-sketch-01.jpg',0,'attachment','image/jpeg',0),(3311,2,'2016-08-17 19:28:16','2016-08-18 02:28:16','','sketches of lips smiling mouth sketch 02','','inherit','open','closed','','sketches-of-lips-smiling-mouth-sketch-02','','','2016-08-17 19:28:16','2016-08-18 02:28:16','',3294,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/sketches-of-lips-smiling-mouth-sketch-02.jpg',0,'attachment','image/jpeg',0),(3312,2,'2016-08-17 19:28:18','2016-08-18 02:28:18','','sketches of lips','','inherit','open','closed','','sketches-of-lips','','','2016-08-17 19:28:18','2016-08-18 02:28:18','',3294,'http://www.letsdrawpeople.com/wp-content/uploads/2016/08/sketches-of-lips.jpg',0,'attachment','image/jpeg',0),(3313,2,'2016-08-17 19:45:15','2016-08-18 02:45:15','The first thing I want to talk about is a sketch of lips, a simple sketch. With this sketch, we will note some common characteristics of lips that can be seen throughout many of the sketches within this post.\r\n\r\nFirst of course is the line along\r\n\r\n*****\r\n\r\nsketches of lips - hook intro\r\n\r\n \r\n\r\nsimple lips drawing\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nlip shading\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nsmiling lips sketch\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nsmiling mouth sketch\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nbiting lip sketch\r\n\r\n\"sketches\r\n\r\nopen mouth sketch\r\n\r\n\"sketches\r\n\r\nsketch of lips\r\n\r\n\"sketches\r\n\r\nconclusion\r\n\r\n \r\n\r\n ','Lip Study: Sketches of Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-08-17 19:45:15','2016-08-18 02:45:15','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3314,2,'2016-08-17 20:24:38','2016-08-18 03:24:38','The first thing I want to talk about is a sketch of lips, a simple sketch. With this sketch, we will note some common characteristics of lips that can be seen throughout many of the sketches within this post.\r\n\r\nFirst of course is the line along\r\n\r\n*****\r\n\r\nsketches of lips - hook intro\r\n\r\nnot a step-by-step tutorial on how to draw lips. will analyze various sketches of lips by describing their characteristics and comparing and contrasting those characteristics.\r\n

simple lips drawing

\r\nintro -\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nlip shading - sketches of lips\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nsmiling lips sketch\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nsmiling mouth sketch\r\n\r\ntwo very different sketches of lips\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nbiting lip sketch\r\n\r\n\"sketches\r\n\r\nopen mouth sketch\r\n\r\n\"sketches\r\n\r\nsketch of lips - sketches of lips\r\n\r\n\"sketches\r\n\r\nconclusion\r\n\r\nsketches of lips\r\n\r\n ','Lip Study: Sketches of Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-08-17 20:24:38','2016-08-18 03:24:38','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3315,2,'2016-08-17 20:36:51','2016-08-18 03:36:51','The first thing I want to talk about is a sketch of lips, a simple sketch. With this sketch, we will note some common characteristics of lips that can be seen throughout many of the sketches within this post.\r\n\r\nFirst of course is the line along\r\n\r\n*****\r\n\r\nsketches of lips - hook intro\r\n\r\nnot a step-by-step tutorial on how to draw lips. will analyze various sketches of lips by describing their characteristics and comparing and contrasting those characteristics.\r\n

simple lips drawing

\r\nintro - simple lips drawing\r\n\r\nIn this first very simple drawing, you can see a rough outline of the outer border of the lips of a person turner slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nlip shading - sketches of lips\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nsmiling lips sketch\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nsmiling mouth sketch\r\n\r\ntwo very different sketches of lips\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nbiting lip sketch\r\n\r\n\"sketches\r\n\r\nopen mouth sketch\r\n\r\n\"sketches\r\n\r\nsketch of lips - sketches of lips\r\n\r\n\"sketches\r\n\r\nconclusion\r\n\r\nsketches of lips\r\n\r\n ','Lip Study: Sketches of Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-08-17 20:36:51','2016-08-18 03:36:51','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3316,2,'2016-08-18 04:48:38','2016-08-18 11:48:38','The first thing I want to talk about is a sketch of lips, a simple sketch. With this sketch, we will note some common characteristics of lips that can be seen throughout many of the sketches within this post.\r\n\r\nFirst of course is the line along\r\n\r\n*****\r\n\r\nsketches of lips - hook intro\r\n\r\nnot a step-by-step tutorial on how to draw a mouth. will analyze various sketches of lips by describing their characteristics and comparing and contrasting those characteristics. by carefully studying this sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own\r\n

simple lips drawing

\r\nintro - simple lips drawing; the following pictures are line drawings before any tones are added for shading.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the outer border of the lips of a person turner slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nclosing\r\n\r\nlip shading - sketches of lips; \r\n\r\nintro - tones not blended with a tortillion; each lip shading will have the corresponding lip line drawing from the previous section for comparison purposes\r\n\r\n \r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nclosing\r\n\r\nsmiling lips sketch\r\n\r\nintro\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nclosing\r\n\r\nsmiling mouth sketch\r\n\r\nintro - two very different sketches of lips\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nclosing\r\n\r\nbiting lip sketch\r\n\r\nintro\r\n\r\n\"sketches\r\n\r\nclosing\r\n\r\nopen mouth sketch\r\n\r\nintro\r\n\r\n\"sketches\r\n\r\nclosing\r\n\r\nsketch of lips - sketches of lips\r\n\r\nintro\r\n\r\n\"sketches\r\n\r\nclosing\r\n\r\nconclusion - sketches of lips\r\n\r\n ','Lip Study: Sketches of Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-08-18 04:48:38','2016-08-18 11:48:38','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3317,2,'2016-08-18 05:00:44','2016-08-18 12:00:44',' \r\n\r\nsketches of lips - hook intro\r\n\r\nnot a step-by-step tutorial on how to draw a mouth. will analyze various sketches of lips by first describing their characteristics and then comparing and contrasting those characteristics. by carefully studying this sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nintro - simple lips drawing; the following pictures are line drawings before any tones are added for shading.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the outer border of the lips of a person turner slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - simple lips drawing\r\n\r\nlip shading - sketches of lips; \r\n\r\nintro - tones not blended with a tortillion; each lip shading will have the corresponding lip line drawing from the previous section for comparison purposes\r\n\r\n \r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - lip shading\r\n\r\nsmiling lips sketch\r\n\r\nintro\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - smiling lips sketch\r\n\r\nsmiling mouth sketch\r\n\r\nintro - two very different sketches of lips\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - smiling mouth sketch\r\n\r\nbiting lip sketch\r\n\r\nintro\r\n\r\n\"sketches\r\n\r\npic #2\r\n\r\nclosing - compare and contrast - biting lip sketch\r\n\r\nopen mouth sketch\r\n\r\nintro\r\n\r\n\"sketches\r\n\r\npic #2\r\n\r\nclosing - compare and contrast - open mouth sketch\r\n\r\nsketch of lips - sketches of lips\r\n\r\nintro (+edit pic below by adding two new sketches)\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - sketch of lips\r\n\r\nconclusion - sketches of lips','Lip Study: Sketches of Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-08-18 05:00:44','2016-08-18 12:00:44','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3319,2,'2016-08-23 05:55:52','2016-08-23 12:55:52',' \r\n\r\nsketches of lips - hook intro\r\n\r\nnot a step-by-step tutorial on how to draw a mouth. will analyze various sketches of lips by first describing their characteristics and then comparing and contrasting those characteristics. by carefully studying this sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

lip shading - sketches of lips;

\r\nintro - tones not blended with a tortillion; each lip shading will have the corresponding lip line drawing from the previous section for comparison purposes\r\n\r\n \r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - lip shading\r\n\r\nsmiling lips sketch\r\n\r\nintro\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - smiling lips sketch\r\n\r\nsmiling mouth sketch\r\n\r\nintro - two very different sketches of lips\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - smiling mouth sketch\r\n\r\nbiting lip sketch\r\n\r\nintro\r\n\r\n\"sketches\r\n\r\npic #2\r\n\r\nclosing - compare and contrast - biting lip sketch\r\n\r\nopen mouth sketch\r\n\r\nintro\r\n\r\n\"sketches\r\n\r\npic #2\r\n\r\nclosing - compare and contrast - open mouth sketch\r\n\r\nsketch of lips - sketches of lips\r\n\r\nintro (+edit pic below by adding two new sketches)\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - sketch of lips\r\n\r\nconclusion - sketches of lips','Lip Study: Sketches of Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-08-23 05:55:52','2016-08-23 12:55:52','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3320,2,'2016-08-23 05:59:51','2016-08-23 12:59:51',' \r\n\r\nsketches of lips - hook intro\r\n\r\nnot a step-by-step tutorial on how to draw a mouth. will analyze various sketches of lips by first describing their characteristics and then comparing and contrasting those characteristics. by carefully studying this sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

lip shading - sketches of lips;

\r\nintro - tones not blended with a tortillion; each lip shading will have the corresponding lip line drawing from the previous section for comparison purposes\r\n\r\n \r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - lip shading\r\n\r\nsmiling lips sketch\r\n\r\nintro\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - smiling lips sketch\r\n\r\nsmiling mouth sketch\r\n\r\nintro - two very different sketches of lips\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - smiling mouth sketch\r\n\r\nbiting lip sketch\r\n\r\nintro\r\n\r\n\"sketches\r\n\r\npic #2\r\n\r\nclosing - compare and contrast - biting lip sketch\r\n\r\nopen mouth sketch\r\n\r\nintro\r\n\r\n\"sketches\r\n\r\npic #2\r\n\r\nclosing - compare and contrast - open mouth sketch\r\n\r\nsketch of lips - sketches of lips\r\n\r\nintro (+edit pic below by adding two new sketches)\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - sketch of lips\r\n\r\nconclusion - sketches of lips','Lip Study: Sketches of Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-08-23 05:59:51','2016-08-23 12:59:51','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3321,2,'2016-08-24 05:09:38','2016-08-24 12:09:38',' \r\n\r\nsketches of lips - hook intro\r\n\r\nnot a step-by-step tutorial on how to draw a mouth. will analyze various sketches of lips by first describing their characteristics and then comparing and contrasting those characteristics. by carefully studying this sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

Lip Shading Characteristics

\r\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\r\n\r\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip.\r\n\r\n\"sketches\r\n\r\n \r\n\r\ntxt\r\n\r\n\"sketches\r\n\r\n \r\n\r\ntxt\r\n\r\n\"sketches\r\n\r\n \r\n\r\ntxt\r\n\r\n\"sketches\r\n\r\n \r\n\r\nclosing - compare and contrast - lip shading\r\n\r\nsmiling lips sketch\r\n\r\nintro\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - smiling lips sketch\r\n\r\nsmiling mouth sketch\r\n\r\nintro - two very different sketches of lips\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - smiling mouth sketch\r\n\r\nbiting lip sketch\r\n\r\nintro\r\n\r\n\"sketches\r\n\r\npic #2\r\n\r\nclosing - compare and contrast - biting lip sketch\r\n\r\nopen mouth sketch\r\n\r\nintro\r\n\r\n\"sketches\r\n\r\npic #2\r\n\r\nclosing - compare and contrast - open mouth sketch\r\n\r\nsketch of lips - sketches of lips\r\n\r\nintro (+edit pic below by adding two new sketches)\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - sketch of lips\r\n\r\nconclusion - sketches of lips','Lip Study: Sketches of Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-08-24 05:09:38','2016-08-24 12:09:38','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3322,2,'2016-08-24 21:11:13','2016-08-25 04:11:13',' \r\n\r\nsketches of lips - hook intro\r\n\r\nnot a step-by-step tutorial on how to draw a mouth. will analyze various sketches of lips by first describing their characteristics and then comparing and contrasting those characteristics. by carefully studying this sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

Lip Shading Characteristics

\r\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\r\n\r\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip. The shading for this sketch could be characterized as more hatching than crosshatching.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nVertical lip lines are preserved in this example without being too harsh or prominent. There are also a range of values present. Most of the lips\' surface area has a midtone value, while the highlights remain white and the corners have darker shadow areas.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis example has a similar base value of shading for the lips and the skin surrounding the lips. Since these lips are viewed slightly from above (since the face is tilted downward), there are some darker tones along the lower part of each lip and under the bottom lip. Darker tones also exist to better portray the medial cleft between the nose and upper lip (known as the philtrum).\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis final example does not have a line drawing preview like the others in this section, but I thought it still deserved some attention for some interesting lip shading characteristics. The graphite tones are also more blended together here.\r\n\r\n\"sketches\r\n\r\nThe above sketch shows the lips slightly darker than the surrounding skin and the top lip slightly darker than the bottom. A good reason for this is that the bottom lip has more highlighted area. I also find it noteworthy that the highlight is broken up at various spots by the vertical lip lines, some soft lines and some sharper lines, for a more natural look.\r\n\r\nAs you see from the last few lip sketches, lips can be shaded a number of ways. Tones can be applied with hatching, crosshatching, or blended together. You should always preserve highlights by making darker tones around them, and you should keep the vertical lines of the lips implied on some level.\r\n

smiling lips sketch

\r\nintro\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - smiling lips sketch\r\n\r\nsmiling mouth sketch\r\n\r\nintro - two very different sketches of lips\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - smiling mouth sketch\r\n\r\nbiting lip sketch\r\n\r\nintro\r\n\r\n\"sketches\r\n\r\npic #2\r\n\r\nclosing - compare and contrast - biting lip sketch\r\n\r\nopen mouth sketch\r\n\r\nintro\r\n\r\n\"sketches\r\n\r\npic #2\r\n\r\nclosing - compare and contrast - open mouth sketch\r\n\r\nsketch of lips - sketches of lips\r\n\r\nintro (+edit pic below by adding two new sketches)\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - sketch of lips\r\n\r\nconclusion - sketches of lips','Lip Study: Sketches of Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-08-24 21:11:13','2016-08-25 04:11:13','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3323,2,'2016-08-29 20:14:24','2016-08-30 03:14:24',' \r\n\r\nsketches of lips - hook intro\r\n\r\nnot a step-by-step tutorial on how to draw a mouth. will analyze various sketches of lips by first describing their characteristics and then comparing and contrasting those characteristics. by carefully studying this sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

Lip Shading Characteristics

\r\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\r\n\r\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip. The shading for this sketch could be characterized as more hatching than crosshatching.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nVertical lip lines are preserved in this example without being too harsh or prominent. There are also a range of values present. Most of the lips\' surface area has a midtone value, while the highlights remain white and the corners have darker shadow areas.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis example has a similar base value of shading for the lips and the skin surrounding the lips. Since these lips are viewed slightly from above (since the face is tilted downward), there are some darker tones along the lower part of each lip and under the bottom lip. Darker tones also exist to better portray the medial cleft between the nose and upper lip (known as the philtrum).\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis final example does not have a line drawing preview like the others in this section, but I thought it still deserved some attention for some interesting lip shading characteristics. The graphite tones are also more blended together here.\r\n\r\n\"sketches\r\n\r\nThe above sketch shows the lips slightly darker than the surrounding skin and the top lip slightly darker than the bottom. A good reason for this is that the bottom lip has more highlighted area. I also find it noteworthy that the highlight is broken up at various spots by the vertical lip lines, some soft lines and some sharper lines, for a more natural look.\r\n\r\nAs you see from the last few lip sketches, lips can be shaded a number of ways. Tones can be applied with hatching, crosshatching, or blended together. You should always preserve highlights by making darker tones around them, and you should keep the vertical lines of the lips implied on some level.\r\n

smiling lips sketch

\r\nintro - previous examples focused on the lips themselves. much of what creates perception of smile in a drawing is as much in the skin surrounding the lips than the lips themselves\r\n\r\nThis first sketch is a very rough line drawing sketch. It is of a subtly smiling mouth that is turned in a profile view.\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - smiling lips sketch\r\n\r\nsmiling mouth sketch\r\n\r\nintro - two very different sketches of lips\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - smiling mouth sketch\r\n\r\nbiting lip sketch\r\n\r\nintro\r\n\r\n\"sketches\r\n\r\npic #2\r\n\r\nclosing - compare and contrast - biting lip sketch\r\n\r\nopen mouth sketch\r\n\r\nintro\r\n\r\n\"sketches\r\n\r\npic #2\r\n\r\nclosing - compare and contrast - open mouth sketch\r\n\r\nsketch of lips - sketches of lips\r\n\r\nintro (+edit pic below by adding two new sketches)\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - sketch of lips\r\n\r\nconclusion - sketches of lips','Lip Study: Sketches of Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-08-29 20:14:24','2016-08-30 03:14:24','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3325,2,'2016-08-30 06:06:39','2016-08-30 13:06:39','sketches of lips - hook intro\r\n\r\nnot a step-by-step tutorial on how to draw a mouth. will analyze various sketches of lips by first describing their characteristics and then comparing and contrasting those characteristics. by carefully studying this sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

Lip Shading Characteristics

\r\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\r\n\r\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip. The shading for this sketch could be characterized as more hatching than crosshatching.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nVertical lip lines are preserved in this example without being too harsh or prominent. There are also a range of values present. Most of the lips\' surface area has a midtone value, while the highlights remain white and the corners have darker shadow areas.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis example has a similar base value of shading for the lips and the skin surrounding the lips. Since these lips are viewed slightly from above (since the face is tilted downward), there are some darker tones along the lower part of each lip and under the bottom lip. Darker tones also exist to better portray the medial cleft between the nose and upper lip (also known as the philtrum).\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis final example does not have a line drawing preview like the others in this section, but I thought it still deserved some attention for some interesting lip shading characteristics. The graphite tones are also more blended together here.\r\n\r\n\"sketches\r\n\r\nThe above sketch shows the lips slightly darker than the surrounding skin and the top lip slightly darker than the bottom. A good reason for this is that the bottom lip has more highlighted area. I also find it noteworthy that the highlight is broken up at various spots by the vertical lip lines, some soft lines and some sharper lines, for a more natural look.\r\n\r\nAs you see from the last few lip sketches, lips can be shaded a number of ways. Tones can be applied with hatching, crosshatching, or blended together. You should always preserve highlights by making darker tones around them, and you should keep the vertical lines of the lips implied on some level.\r\n

What Can Enhance a Smiling Lips Sketch

\r\nHow can you pull off a sketch of smiling lips when the lips are not smiling a big smile? What if the smile is only a subtle smirk? The examples in the previous sections focused on only the lips. However, what creates the perception of a smile in a sketch or drawing is as much in the skin surrounding the lips than in the lips themselves. Now let\'s look at three sketches of smiling lips and the characteristic details found around the lips that help us to better notice the smile.\r\n\r\nThis first sketch is a very rough line drawing sketch. It is of a subtly smiling mouth that is turned in a profile view. It has hatching lines to indicate shading on and around the lips. The lines on the skin directly above and below the lips help to give form to the protrusion of the lips. Look in the corner of the mouth, and you can see the dark line that serves as a fold in the skin when the cheek is just beginning to help form a smile.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis next example is much more detailed than the previous line sketch. Still, there are some commonalities. The crosshatch shading above the top lip helps to form the three-dimensional appearance of this part of the mouth, including the philtrum. The shading below the bottom lip helps to distinguish the space between the bottom lip and the chin. The difference in angles between the lines on the corners of the mouth, along with the dimple on the man\'s left cheek, tell us that the man is smirking more on the left side of his face than the right side.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere is another piece of work that is on the more detailed side of lip sketches. Even though this drawing does not have the vertical lines on the corners of the mouth that are noticeable in the previous two examples, you can still tell there is a slight smile with the subject. How so? Look at how the crosshatch shading implies sunken-in cheeks. Darker areas on either side of the mouth that do not touch the mouth help to achieve this appearance.\r\n\r\n[caption id=\"attachment_3309\" align=\"aligncenter\" width=\"600\"]\"sketches
© Safa Sami | Dreamstime.com
[/caption]\r\n\r\nWith these three examples, we learned that a smiling lips sketch can have more than just the details on the lips themselves to better portray that the lips are actually smiling. Just as important are the details on the areas of the face immediately surrounding the lips. Different subjects\' faces have different characteristics. Some people smile with dimples, some have sunken in cheeks when they smile, and everyone has variations in cheek lines that form in the corners of their mouths when they smile. Keeping these traits in mind when you sketch smiling lips will help to better enhance your sketches, too.\r\n

smiling mouth sketch

\r\nintro - two very different sketches of lips\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - smiling mouth sketch\r\n

biting lip sketch

\r\nintro\r\n\r\n\"sketches\r\n\r\npic #2\r\n\r\nclosing - compare and contrast - biting lip sketch\r\n

open mouth sketch

\r\nintro\r\n\r\n\"sketches\r\n\r\npic #2\r\n\r\nclosing - compare and contrast - open mouth sketch\r\n

sketch of lips - sketches of lips

\r\nintro (+edit pic below by adding two new sketches)\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - sketch of lips\r\n\r\nconclusion - sketches of lips','Lip Study: Sketches of Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-08-30 06:06:39','2016-08-30 13:06:39','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3324,2,'2016-08-30 06:05:08','2016-08-30 13:05:08','sketches of lips - hook intro\r\n\r\nnot a step-by-step tutorial on how to draw a mouth. will analyze various sketches of lips by first describing their characteristics and then comparing and contrasting those characteristics. by carefully studying this sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

Lip Shading Characteristics

\r\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\r\n\r\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip. The shading for this sketch could be characterized as more hatching than crosshatching.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nVertical lip lines are preserved in this example without being too harsh or prominent. There are also a range of values present. Most of the lips\' surface area has a midtone value, while the highlights remain white and the corners have darker shadow areas.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis example has a similar base value of shading for the lips and the skin surrounding the lips. Since these lips are viewed slightly from above (since the face is tilted downward), there are some darker tones along the lower part of each lip and under the bottom lip. Darker tones also exist to better portray the medial cleft between the nose and upper lip (also known as the philtrum).\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis final example does not have a line drawing preview like the others in this section, but I thought it still deserved some attention for some interesting lip shading characteristics. The graphite tones are also more blended together here.\r\n\r\n\"sketches\r\n\r\nThe above sketch shows the lips slightly darker than the surrounding skin and the top lip slightly darker than the bottom. A good reason for this is that the bottom lip has more highlighted area. I also find it noteworthy that the highlight is broken up at various spots by the vertical lip lines, some soft lines and some sharper lines, for a more natural look.\r\n\r\nAs you see from the last few lip sketches, lips can be shaded a number of ways. Tones can be applied with hatching, crosshatching, or blended together. You should always preserve highlights by making darker tones around them, and you should keep the vertical lines of the lips implied on some level.\r\n

What Can Enhance a Smiling Lips Sketch

\r\nHow can you pull off a sketch of smiling lips when the lips are not smiling a big smile? What if the smile is only a subtle smirk? The examples in the previous sections focused on only the lips. However, what creates the perception of a smile in a sketch or drawing is as much in the skin surrounding the lips than in the lips themselves. Now let\'s look at three sketches of smiling lips and the characteristic details found around the lips that help us to better notice the smile.\r\n\r\nThis first sketch is a very rough line drawing sketch. It is of a subtly smiling mouth that is turned in a profile view. It has hatching lines to indicate shading on and around the lips. The lines on the skin directly above and below the lips help to give form to the protrusion of the lips. Look in the corner of the mouth, and you can see the dark line that serves as a fold in the skin when the cheek is just beginning to help form a smile.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis next example is much more detailed than the previous line sketch. Still, there are some commonalities. The crosshatch shading above the top lip helps to form the three-dimensional appearance of this part of the mouth, including the philtrum. The shading below the bottom lip helps to distinguish the space between the bottom lip and the chin. The difference in angles between the lines on the corners of the mouth, along with the dimple on the man\'s left cheek, tell us that the man is smirking more on the left side of his face than the right side.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere is another piece of work that is on the more detailed side of lip sketches. Even though this drawing does not have the vertical lines on the corners of the mouth that are noticeable in the previous two examples, you can still tell there is a slight smile with the subject. How so? Look at how the crosshatch shading implies sunken-in cheeks. Darker areas on either side of the mouth that do not touch the mouth help to achieve this appearance.\r\n\r\n[caption id=\"attachment_3309\" align=\"aligncenter\" width=\"600\"]\"sketches
© Safa Sami | Dreamstime.com
[/caption]\r\n\r\nclosing - compare and contrast - smiling lips sketch; different subjects and faces have different charactersitics: dimples, vertical cheek lines in corners of mouth, sunken in cheeks\r\n\r\nWith these three examples, we learned that a smiling lips sketch can have more than just the details on the lips themselves to better portray that the lips are actually smiling. Just as important are the details on the areas of the face immediately surrounding the lips. Different subjects\' faces have different characteristics. Some people smile with dimples, some have sunken in cheeks when they smile, and everyone has variations in cheek lines that form in the corners of their mouths when they smile. Keeping these traits in mind when you sketch smiling lips will help to better enhance your sketches, too.\r\n

smiling mouth sketch

\r\nintro - two very different sketches of lips\r\n\r\n\"sketches\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - smiling mouth sketch\r\n

biting lip sketch

\r\nintro\r\n\r\n\"sketches\r\n\r\npic #2\r\n\r\nclosing - compare and contrast - biting lip sketch\r\n

open mouth sketch

\r\nintro\r\n\r\n\"sketches\r\n\r\npic #2\r\n\r\nclosing - compare and contrast - open mouth sketch\r\n

sketch of lips - sketches of lips

\r\nintro (+edit pic below by adding two new sketches)\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - sketch of lips\r\n\r\nconclusion - sketches of lips','Lip Study: Sketches of Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-08-30 06:05:08','2016-08-30 13:05:08','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3327,2,'2016-08-31 05:47:30','2016-08-31 12:47:30','sketches of lips - hook intro\r\n\r\nnot a step-by-step tutorial on how to draw a mouth. will analyze various sketches of lips by first describing their characteristics and then comparing and contrasting those characteristics. by carefully studying this sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

Lip Shading Characteristics

\r\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\r\n\r\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip. The shading for this sketch could be characterized as more hatching than crosshatching.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nVertical lip lines are preserved in this example without being too harsh or prominent. There are also a range of values present. Most of the lips\' surface area has a midtone value, while the highlights remain white and the corners have darker shadow areas.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis example has a similar base value of shading for the lips and the skin surrounding the lips. Since these lips are viewed slightly from above (since the face is tilted downward), there are some darker tones along the lower part of each lip and under the bottom lip. Darker tones also exist to better portray the medial cleft between the nose and upper lip (also known as the philtrum).\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis final example does not have a line drawing preview like the others in this section, but I thought it still deserved some attention for some interesting lip shading characteristics. The graphite tones are also more blended together here.\r\n\r\n\"sketches\r\n\r\nThe above sketch shows the lips slightly darker than the surrounding skin and the top lip slightly darker than the bottom. A good reason for this is that the bottom lip has more highlighted area. I also find it noteworthy that the highlight is broken up at various spots by the vertical lip lines, some soft lines and some sharper lines, for a more natural look.\r\n\r\nAs you see from the last few lip sketches, lips can be shaded a number of ways. Tones can be applied with hatching, crosshatching, or blended together. You should always preserve highlights by making darker tones around them, and you should keep the vertical lines of the lips implied on some level.\r\n

What Can Enhance a Subtle Smiling Lips Sketch

\r\nHow can you pull off a sketch of smiling lips when the lips are not smiling a big smile? What if the smile is only a subtle smirk? The examples in the previous sections focused on only the lips. However, what creates the perception of a smile in a sketch or drawing is as much in the skin surrounding the lips than in the lips themselves. Now let\'s look at three sketches of smiling lips and the characteristic details found around the lips that help us to better notice the smile.\r\n\r\nThis first sketch is a very rough line drawing sketch. It is of a subtly smiling mouth that is turned in a profile view. It has hatching lines to indicate shading on and around the lips. The lines on the skin directly above and below the lips help to give form to the protrusion of the lips. Look in the corner of the mouth, and you can see the dark line that serves as a fold in the skin when the cheek is just beginning to help form a smile.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis next example is much more detailed than the previous line sketch. Still, there are some commonalities. The crosshatch shading above the top lip helps to form the three-dimensional appearance of this part of the mouth, including the philtrum. The shading below the bottom lip helps to distinguish the space between the bottom lip and the chin. The difference in angles between the lines on the corners of the mouth, along with the dimple on the man\'s left cheek, tell us that the man is smirking more on the left side of his face than the right side.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere is another piece of work that is on the more detailed side of lip sketches. Even though this drawing does not have the vertical lines on the corners of the mouth that are noticeable in the previous two examples, you can still tell there is a slight smile with the subject. How so? Look at how the crosshatch shading implies sunken-in cheeks. Darker areas on either side of the mouth that do not touch the mouth help to achieve this appearance.\r\n\r\n[caption id=\"attachment_3309\" align=\"aligncenter\" width=\"600\"]\"sketches
© Safa Sami | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\nWith these three examples, we learned that a smiling lips sketch can have more than just the details on the lips themselves to better portray that the lips are actually smiling. Just as important are the details on the areas of the face immediately surrounding the lips. Different subjects\' faces have different characteristics. Some people smile with dimples, some have sunken in cheeks when they smile, and everyone has variations in cheek lines that form in the corners of their mouths when they smile. Keeping these traits in mind when you sketch smiling lips will help to better enhance your sketches, too.\r\n

How Lips Can Look on a Smiling Mouth Sketch Showing Teeth

\r\nNext, we will take a look at two very different sketches of lips. Unlike the sketches in the last section, these lips are part of less subtle, more obvious smiles that also show the teeth.\r\n\r\nThis sketch is another rough line drawing sketch. It is a picture of a noticeable smile, viewed from the front. Since this is a much more noticeable smile than the smiles from the last section, you can see a sizeable portion of the subject\'s teeth. There are some characteristics surrounding the lips that we noticed before as well, such as the cheek lines at the corners of the lips and shading to show protrusion of the lips.\r\n\r\n\"sketches\r\n\r\nLooking at the lips themselves, this line sketch has what resembles vertical hatch lines to indicate shading. There are fewer lines in the front, especially on the bottom lip where you can expect some highlighting. There are more lines near the corners, where the lips curve around the face and retreat toward the back.\r\n\r\nThis next mouth sketch is certainly not your traditional sketch by any means. You can tell it was created with the assistance of some sort of digital means. Possibly due to the type of software used and its capabilities, there is a slightly unnatural shape to the overall mouth, especially the way the top lip curves downward in the middle and how the corners curve upward. Nevertheless, there is some interesting shading going on that enhances the appearance of the lips and the overall mouth.\r\n\r\n\"sketches\r\n\r\nLook first at the lower lip and the range of values present. The values are much darker along the edges. Then there are some midtone values between the edges and the highlight in the middle.\r\n\r\nSecondly, the creator of this sketch remembered something very important for a smiling mouth sketch that shows teeth. The lips cast a small shadow upon the teeth. You can see this shadow along the upper portions of the top teeth, the lower portions of the bottom teeth, and more shadow values present in the teeth that are farther back. This crucial detail was missing from the first, simpler example. The artist also remembered the dark shadow tones that the teeth should cast upon the tongue.\r\n

A Close Examination of a Biting Lip Sketch

\r\nintro\r\n\r\n \r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - biting lip sketch\r\n

open mouth sketch

\r\nintro\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - open mouth sketch\r\n

sketch of lips - sketches of lips

\r\nintro (+edit pic below by adding two new sketches)\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - sketch of lips\r\n\r\nconclusion - sketches of lips','Lip Study: Sketches of Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-08-31 05:47:30','2016-08-31 12:47:30','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3328,2,'2016-08-31 05:50:09','2016-08-31 12:50:09','sketches of lips - hook intro\r\n\r\nnot a step-by-step tutorial on how to draw a mouth. will analyze various sketches of lips by first describing their characteristics and then comparing and contrasting those characteristics. by carefully studying this sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

Lip Shading Characteristics

\r\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\r\n\r\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip. The shading for this sketch could be characterized as more hatching than crosshatching.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nVertical lip lines are preserved in this example without being too harsh or prominent. There are also a range of values present. Most of the lips\' surface area has a midtone value, while the highlights remain white and the corners have darker shadow areas.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis example has a similar base value of shading for the lips and the skin surrounding the lips. Since these lips are viewed slightly from above (since the face is tilted downward), there are some darker tones along the lower part of each lip and under the bottom lip. Darker tones also exist to better portray the medial cleft between the nose and upper lip (also known as the philtrum).\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis final example does not have a line drawing preview like the others in this section, but I thought it still deserved some attention for some interesting lip shading characteristics. The graphite tones are also more blended together here.\r\n\r\n\"sketches\r\n\r\nThe above sketch shows the lips slightly darker than the surrounding skin and the top lip slightly darker than the bottom. A good reason for this is that the bottom lip has more highlighted area. I also find it noteworthy that the highlight is broken up at various spots by the vertical lip lines, some soft lines and some sharper lines, for a more natural look.\r\n\r\nAs you see from the last few lip sketches, lips can be shaded a number of ways. Tones can be applied with hatching, crosshatching, or blended together. You should always preserve highlights by making darker tones around them, and you should keep the vertical lines of the lips implied on some level.\r\n

What Can Enhance a Subtle Smiling Lips Sketch

\r\nHow can you pull off a sketch of smiling lips when the lips are not smiling a big smile? What if the smile is only a subtle smirk? The examples in the previous sections focused on only the lips. However, what creates the perception of a smile in a sketch or drawing is as much in the skin surrounding the lips than in the lips themselves. Now let\'s look at three sketches of smiling lips and the characteristic details found around the lips that help us to better notice the smile.\r\n\r\nThis first sketch is a very rough line drawing sketch. It is of a subtly smiling mouth that is turned in a profile view. It has hatching lines to indicate shading on and around the lips. The lines on the skin directly above and below the lips help to give form to the protrusion of the lips. Look in the corner of the mouth, and you can see the dark line that serves as a fold in the skin when the cheek is just beginning to help form a smile.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis next example is much more detailed than the previous line sketch. Still, there are some commonalities. The crosshatch shading above the top lip helps to form the three-dimensional appearance of this part of the mouth, including the philtrum. The shading below the bottom lip helps to distinguish the space between the bottom lip and the chin. The difference in angles between the lines on the corners of the mouth, along with the dimple on the man\'s left cheek, tell us that the man is smirking more on the left side of his face than the right side.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere is another piece of work that is on the more detailed side of lip sketches. Even though this drawing does not have the vertical lines on the corners of the mouth that are noticeable in the previous two examples, you can still tell there is a slight smile with the subject. How so? Look at how the crosshatch shading implies sunken-in cheeks. Darker areas on either side of the mouth that do not touch the mouth help to achieve this appearance.\r\n\r\n[caption id=\"attachment_3309\" align=\"aligncenter\" width=\"600\"]\"sketches
© Safa Sami | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\nWith these three examples, we learned that a smiling lips sketch can have more than just the details on the lips themselves to better portray that the lips are actually smiling. Just as important are the details on the areas of the face immediately surrounding the lips. Different subjects\' faces have different characteristics. Some people smile with dimples, some have sunken in cheeks when they smile, and everyone has variations in cheek lines that form in the corners of their mouths when they smile. Keeping these traits in mind when you sketch smiling lips will help to better enhance your sketches, too.\r\n

How Lips Can Look on a Smiling Mouth Sketch Showing Teeth

\r\nNext, we will take a look at two very different sketches of lips. Unlike the sketches in the last section, these lips are part of less subtle, more obvious smiles that also show the teeth.\r\n\r\nThis sketch is another rough line drawing sketch. It is a picture of a noticeable smile, viewed from the front. Since this is a much more noticeable smile than the smiles from the last section, you can see a sizeable portion of the subject\'s teeth. There are some characteristics surrounding the lips that we noticed before as well, such as the cheek lines at the corners of the lips and shading to show protrusion of the lips.\r\n\r\n\"sketches\r\n\r\nLooking at the lips themselves, this line sketch has what resembles vertical hatch lines to indicate shading. There are fewer lines in the front, especially on the bottom lip where you can expect some highlighting. There are more lines near the corners, where the lips curve around the face and retreat toward the back.\r\n\r\nThis next mouth sketch is certainly not your traditional sketch by any means. You can tell it was created with the assistance of some sort of digital means. Possibly due to the type of software used and its capabilities, there is a slightly unnatural shape to the overall mouth, especially the way the top lip curves downward in the middle and how the corners curve upward. Nevertheless, there is some interesting shading going on that enhances the appearance of the lips and the overall mouth.\r\n\r\n\"sketches\r\n\r\nLook first at the lower lip and the range of values present. The values are much darker along the edges. Then there are some midtone values between the edges and the highlight in the middle.\r\n\r\nSecondly, the creator of this sketch remembered something very important for a smiling mouth sketch that shows teeth. The lips cast a small shadow upon the teeth. You can see this shadow along the upper portions of the top teeth, the lower portions of the bottom teeth, and more shadow values present in the teeth that are farther back. This crucial detail was missing from the first, simpler example. The artist also remembered the dark shadow tones that the teeth should cast upon the tongue.\r\n

A Close Examination of a Biting Lip Sketch

\r\nintro 225 wds per section 75 wds per paragraph\r\n\r\n \r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - biting lip sketch\r\n

open mouth sketch

\r\nintro\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - open mouth sketch\r\n

sketch of lips - sketches of lips

\r\nintro (+edit pic below by adding two new sketches)\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - sketch of lips\r\n\r\nconclusion - sketches of lips','Lip Study: Sketches of Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-08-31 05:50:09','2016-08-31 12:50:09','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3329,2,'2016-09-02 05:50:36','2016-09-02 12:50:36','sketches of lips - hook intro\r\n\r\nnot a step-by-step tutorial on how to draw a mouth. will analyze various sketches of lips by first describing their characteristics and then comparing and contrasting those characteristics. by carefully studying this sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

Lip Shading Characteristics

\r\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\r\n\r\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip. The shading for this sketch could be characterized as more hatching than crosshatching.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nVertical lip lines are preserved in this example without being too harsh or prominent. There are also a range of values present. Most of the lips\' surface area has a midtone value, while the highlights remain white and the corners have darker shadow areas.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis example has a similar base value of shading for the lips and the skin surrounding the lips. Since these lips are viewed slightly from above (since the face is tilted downward), there are some darker tones along the lower part of each lip and under the bottom lip. Darker tones also exist to better portray the medial cleft between the nose and upper lip (also known as the philtrum).\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis final example does not have a line drawing preview like the others in this section, but I thought it still deserved some attention for some interesting lip shading characteristics. The graphite tones are also more blended together here.\r\n\r\n\"sketches\r\n\r\nThe above sketch shows the lips slightly darker than the surrounding skin and the top lip slightly darker than the bottom. A good reason for this is that the bottom lip has more highlighted area. I also find it noteworthy that the highlight is broken up at various spots by the vertical lip lines, some soft lines and some sharper lines, for a more natural look.\r\n\r\nAs you see from the last few lip sketches, lips can be shaded a number of ways. Tones can be applied with hatching, crosshatching, or blended together. You should always preserve highlights by making darker tones around them, and you should keep the vertical lines of the lips implied on some level.\r\n

What Can Enhance a Subtle Smiling Lips Sketch

\r\nHow can you pull off a sketch of smiling lips when the lips are not smiling a big smile? What if the smile is only a subtle smirk? The examples in the previous sections focused on only the lips. However, what creates the perception of a smile in a sketch or drawing is as much in the skin surrounding the lips than in the lips themselves. Now let\'s look at three sketches of smiling lips and the characteristic details found around the lips that help us to better notice the smile.\r\n\r\nThis first sketch is a very rough line drawing sketch. It is of a subtly smiling mouth that is turned in a profile view. It has hatching lines to indicate shading on and around the lips. The lines on the skin directly above and below the lips help to give form to the protrusion of the lips. Look in the corner of the mouth, and you can see the dark line that serves as a fold in the skin when the cheek is just beginning to help form a smile.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis next example is much more detailed than the previous line sketch. Still, there are some commonalities. The crosshatch shading above the top lip helps to form the three-dimensional appearance of this part of the mouth, including the philtrum. The shading below the bottom lip helps to distinguish the space between the bottom lip and the chin. The difference in angles between the lines on the corners of the mouth, along with the dimple on the man\'s left cheek, tell us that the man is smirking more on the left side of his face than the right side.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere is another piece of work that is on the more detailed side of lip sketches. Even though this drawing does not have the vertical lines on the corners of the mouth that are noticeable in the previous two examples, you can still tell there is a slight smile with the subject. How so? Look at how the crosshatch shading implies sunken-in cheeks. Darker areas on either side of the mouth that do not touch the mouth help to achieve this appearance.\r\n\r\n[caption id=\"attachment_3309\" align=\"aligncenter\" width=\"600\"]\"sketches
© Safa Sami | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\nWith these three examples, we learned that a smiling lips sketch can have more than just the details on the lips themselves to better portray that the lips are actually smiling. Just as important are the details on the areas of the face immediately surrounding the lips. Different subjects\' faces have different characteristics. Some people smile with dimples, some have sunken in cheeks when they smile, and everyone has variations in cheek lines that form in the corners of their mouths when they smile. Keeping these traits in mind when you sketch smiling lips will help to better enhance your sketches, too.\r\n

How Lips Can Look on a Smiling Mouth Sketch Showing Teeth

\r\nNext, we will take a look at two very different sketches of lips. Unlike the sketches in the last section, these lips are part of less subtle, more obvious smiles that also show the teeth.\r\n\r\nThis sketch is another rough line drawing sketch. It is a picture of a noticeable smile, viewed from the front. Since this is a much more noticeable smile than the smiles from the last section, you can see a sizeable portion of the subject\'s teeth. There are some characteristics surrounding the lips that we noticed before as well, such as the cheek lines at the corners of the lips and shading to show protrusion of the lips.\r\n\r\n\"sketches\r\n\r\nLooking at the lips themselves, this line sketch has what resembles vertical hatch lines to indicate shading. There are fewer lines in the front, especially on the bottom lip where you can expect some highlighting. There are more lines near the corners, where the lips curve around the face and retreat toward the back.\r\n\r\nThis next mouth sketch is certainly not your traditional sketch by any means. You can tell it was created with the assistance of some sort of digital means. Possibly due to the type of software used and its capabilities, there is a slightly unnatural shape to the overall mouth, especially the way the top lip curves downward in the middle and how the corners curve upward. Nevertheless, there is some interesting shading going on that enhances the appearance of the lips and the overall mouth.\r\n\r\n\"sketches\r\n\r\nLook first at the lower lip and the range of values present. The values are much darker along the edges. Then there are some midtone values between the edges and the highlight in the middle.\r\n\r\nSecondly, the creator of this sketch remembered something very important for a smiling mouth sketch that shows teeth. The lips cast a small shadow upon the teeth. You can see this shadow along the upper portions of the top teeth, the lower portions of the bottom teeth, and more shadow values present in the teeth that are farther back. This crucial detail was missing from the first, simpler example. The artist also remembered the dark shadow tones that the teeth should cast upon the tongue.\r\n

A Close Examination of a Biting Lip Sketch

\r\nThis is a sketch of an open mouth where the teeth are biting down on the lower, right side of the lips. It is a pen and ink sketch with lots of crosshatching used for the shading.\r\n\r\n\"sketches\r\n\r\nWhat kind of pertinent characteristics should we gather from this example if we wanted to make a biting lip sketch of our own? First of all, the part of the lower lip that is bitten by the teeth is hidden behind those teeth. More importantly, there should be focus on where the teeth meet the lip. The teeth are pulling the skin of the lower lip, thus causing \"folds\" in the skin. In the drawing above, there are three teeth making contact with the lip. If you examine very closely, you will notice one of these fold lines coming from the center of each of the three teeth. You should also notice fold lines coming from between the teeth.\r\n\r\nOther lip characteristics of this sketch are less about the biting part and more about what should be found in many other lip sketches. The lips consist of lighter tones where the light strikes them and darker tones surrounding the lighter areas and the corners of the mouth where the lips recede. You can also see reflected light along the bottom edge of the top lip.\r\n\r\nThe main thing to remember when making a biting lip sketch is to focus on the location of the bite and include the details on the lower lip that will make the appearance of the bite believable.\r\n

open mouth sketch

\r\nintro\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - open mouth sketch\r\n

sketch of lips - sketches of lips

\r\nintro (+edit pic below by adding two new sketches)\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - sketch of lips\r\n\r\nconclusion - sketches of lips','Lip Study: Sketches of Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-09-02 05:50:36','2016-09-02 12:50:36','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3330,2,'2016-09-06 20:28:21','2016-09-07 03:28:21','sketches of lips - hook intro\r\n\r\nnot a step-by-step tutorial on how to draw a mouth. will analyze various sketches of lips by first describing their characteristics and then comparing and contrasting those characteristics. by carefully studying this sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

Lip Shading Characteristics

\r\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\r\n\r\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip. The shading for this sketch could be characterized as more hatching than crosshatching.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nVertical lip lines are preserved in this example without being too harsh or prominent. There are also a range of values present. Most of the lips\' surface area has a midtone value, while the highlights remain white and the corners have darker shadow areas.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis example has a similar base value of shading for the lips and the skin surrounding the lips. Since these lips are viewed slightly from above (since the face is tilted downward), there are some darker tones along the lower part of each lip and under the bottom lip. Darker tones also exist to better portray the medial cleft between the nose and upper lip (also known as the philtrum).\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis final example does not have a line drawing preview like the others in this section, but I thought it still deserved some attention for some interesting lip shading characteristics. The graphite tones are also more blended together here.\r\n\r\n\"sketches\r\n\r\nThe above sketch shows the lips slightly darker than the surrounding skin and the top lip slightly darker than the bottom. A good reason for this is that the bottom lip has more highlighted area. I also find it noteworthy that the highlight is broken up at various spots by the vertical lip lines, some soft lines and some sharper lines, for a more natural look.\r\n\r\nAs you see from the last few lip sketches, lips can be shaded a number of ways. Tones can be applied with hatching, crosshatching, or blended together. You should always preserve highlights by making darker tones around them, and you should keep the vertical lines of the lips implied on some level.\r\n

What Can Enhance a Subtle Smiling Lips Sketch

\r\nHow can you pull off a sketch of smiling lips when the lips are not smiling a big smile? What if the smile is only a subtle smirk? The examples in the previous sections focused on only the lips. However, what creates the perception of a smile in a sketch or drawing is as much in the skin surrounding the lips than in the lips themselves. Now let\'s look at three sketches of smiling lips and the characteristic details found around the lips that help us to better notice the smile.\r\n\r\nThis first sketch is a very rough line drawing sketch. It is of a subtly smiling mouth that is turned in a profile view. It has hatching lines to indicate shading on and around the lips. The lines on the skin directly above and below the lips help to give form to the protrusion of the lips. Look in the corner of the mouth, and you can see the dark line that serves as a fold in the skin when the cheek is just beginning to help form a smile.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis next example is much more detailed than the previous line sketch. Still, there are some commonalities. The crosshatch shading above the top lip helps to form the three-dimensional appearance of this part of the mouth, including the philtrum. The shading below the bottom lip helps to distinguish the space between the bottom lip and the chin. The difference in angles between the lines on the corners of the mouth, along with the dimple on the man\'s left cheek, tell us that the man is smirking more on the left side of his face than the right side.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere is another piece of work that is on the more detailed side of lip sketches. Even though this drawing does not have the vertical lines on the corners of the mouth that are noticeable in the previous two examples, you can still tell there is a slight smile with the subject. How so? Look at how the crosshatch shading implies sunken-in cheeks. Darker areas on either side of the mouth that do not touch the mouth help to achieve this appearance.\r\n\r\n[caption id=\"attachment_3309\" align=\"aligncenter\" width=\"600\"]\"sketches
© Safa Sami | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\nWith these three examples, we learned that a smiling lips sketch can have more than just the details on the lips themselves to better portray that the lips are actually smiling. Just as important are the details on the areas of the face immediately surrounding the lips. Different subjects\' faces have different characteristics. Some people smile with dimples, some have sunken in cheeks when they smile, and everyone has variations in cheek lines that form in the corners of their mouths when they smile. Keeping these traits in mind when you sketch smiling lips will help to better enhance your sketches, too.\r\n

How Lips Can Look on a Smiling Mouth Sketch Showing Teeth

\r\nNext, we will take a look at two very different sketches of lips. Unlike the sketches in the last section, these lips are part of less subtle, more obvious smiles that also show the teeth.\r\n\r\nThis sketch is another rough line drawing sketch. It is a picture of a noticeable smile, viewed from the front. Since this is a much more noticeable smile than the smiles from the last section, you can see a sizeable portion of the subject\'s teeth. There are some characteristics surrounding the lips that we noticed before as well, such as the cheek lines at the corners of the lips and shading to show protrusion of the lips.\r\n\r\n\"sketches\r\n\r\nLooking at the lips themselves, this line sketch has what resembles vertical hatch lines to indicate shading. There are fewer lines in the front, especially on the bottom lip where you can expect some highlighting. There are more lines near the corners, where the lips curve around the face and retreat toward the back.\r\n\r\nThis next mouth sketch is certainly not your traditional sketch by any means. You can tell it was created with the assistance of some sort of digital means. Possibly due to the type of software used and its capabilities, there is a slightly unnatural shape to the overall mouth, especially the way the top lip curves downward in the middle and how the corners curve upward. Nevertheless, there is some interesting shading going on that enhances the appearance of the lips and the overall mouth.\r\n\r\n\"sketches\r\n\r\nLook first at the lower lip and the range of values present. The values are much darker along the edges. Then there are some midtone values between the edges and the highlight in the middle.\r\n\r\nSecondly, the creator of this sketch remembered something very important for a smiling mouth sketch that shows teeth. The lips cast a small shadow upon the teeth. You can see this shadow along the upper portions of the top teeth, the lower portions of the bottom teeth, and more shadow values present in the teeth that are farther back. This crucial detail was missing from the first, simpler example. The artist also remembered the dark shadow tones that the teeth should cast upon the tongue.\r\n

A Close Examination of a Biting Lip Sketch

\r\nThis is a sketch of an open mouth where the teeth are biting down on the lower, right side of the lips. It is a pen and ink sketch with lots of crosshatching used for the shading.\r\n\r\n\"sketches\r\n\r\nWhat kind of pertinent characteristics should we gather from this example if we wanted to make a biting lip sketch of our own? First of all, the part of the lower lip that is bitten by the teeth is hidden behind those teeth. More importantly, there should be focus on where the teeth meet the lip. The teeth are pulling the skin of the lower lip, thus causing \"folds\" in the skin. In the drawing above, there are three teeth making contact with the lip. If you examine very closely, you will notice one of these fold lines coming from the center of each of the three teeth. You should also notice fold lines coming from between the teeth.\r\n\r\nOther lip characteristics of this sketch are less about the biting part and more about what should be found in many other lip sketches. The lips consist of lighter tones where the light strikes them and darker tones surrounding the lighter areas and the corners of the mouth where the lips recede. You can also see reflected light along the bottom edge of the top lip.\r\n\r\nThe main thing to remember when making a biting lip sketch is to focus on the location of the bite and include the details on the lower lip that will make the appearance of the bite believable.\r\n

How Lips Can Complement Other Parts of an Open Mouth Sketch

\r\nAlthough this appears to be a rough sketch of an open mouth that might be considered an unfinished piece of work, it consists of more than one medium, and the entire piece (not shown in this excerpt) is done in what appears to be a similar, deliberate style by the artist.\r\n\r\n\"sketches\r\n\r\nAssuming this is a finished piece, the style suggests that the artist was not going for a realistic look. For example, the lips in the sketch have a heavy outline (perhaps in ink) that are not characteristic of natural-looking lips.\r\n\r\nEven so, you can tell that the artist strived to include some three-dimensional elements on the lips themselves. There are two carefully placed highlights on the top lip and two more on the bottom. These highlights, along with the darker tones receding from the front of the lips to the corners of the mouth, help to convey the appearance of form and roundness in the lips.\r\n\r\nSo how does this three-dimensional feel of the lips complement the rest of the mouth sketch? It gives the sense that the lips are protruding forward, as they should if a mouth is opened wide. The lack of detail in the tongue and other more distant parts of the inside of the mouth help the lips to \"stick out\" even more (that is, become more noticeable).\r\n

sketch of lips - sketches of lips

\r\nintro\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - sketch of lips\r\n\r\nconclusion - sketches of lips','Lip Study: Sketches of Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-09-06 20:28:21','2016-09-07 03:28:21','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3332,2,'2016-09-07 05:49:49','2016-09-07 12:49:49','sketches of lips - hook intro\r\n\r\nnot a step-by-step tutorial on how to draw a mouth. will analyze various sketches of lips by first describing their characteristics and then comparing and contrasting those characteristics. by carefully studying this sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

Lip Shading Characteristics

\r\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\r\n\r\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip. The shading for this sketch could be characterized as more hatching than crosshatching.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nVertical lip lines are preserved in this example without being too harsh or prominent. There are also a range of values present. Most of the lips\' surface area has a midtone value, while the highlights remain white and the corners have darker shadow areas.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis example has a similar base value of shading for the lips and the skin surrounding the lips. Since these lips are viewed slightly from above (since the face is tilted downward), there are some darker tones along the lower part of each lip and under the bottom lip. Darker tones also exist to better portray the medial cleft between the nose and upper lip (also known as the philtrum).\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis final example does not have a line drawing preview like the others in this section, but I thought it still deserved some attention for some interesting lip shading characteristics. The graphite tones are also more blended together here.\r\n\r\n\"sketches\r\n\r\nThe above sketch shows the lips slightly darker than the surrounding skin and the top lip slightly darker than the bottom. A good reason for this is that the bottom lip has more highlighted area. I also find it noteworthy that the highlight is broken up at various spots by the vertical lip lines, some soft lines and some sharper lines, for a more natural look.\r\n\r\nAs you see from the last few lip sketches, lips can be shaded a number of ways. Tones can be applied with hatching, crosshatching, or blended together. You should always preserve highlights by making darker tones around them, and you should keep the vertical lines of the lips implied on some level.\r\n

What Can Enhance a Subtle Smiling Lips Sketch

\r\nHow can you pull off a sketch of smiling lips when the lips are not smiling a big smile? What if the smile is only a subtle smirk? The examples in the previous sections focused on only the lips. However, what creates the perception of a smile in a sketch or drawing is as much in the skin surrounding the lips than in the lips themselves. Now let\'s look at three sketches of smiling lips and the characteristic details found around the lips that help us to better notice the smile.\r\n\r\nThis first sketch is a very rough line drawing sketch. It is of a subtly smiling mouth that is turned in a profile view. It has hatching lines to indicate shading on and around the lips. The lines on the skin directly above and below the lips help to give form to the protrusion of the lips. Look in the corner of the mouth, and you can see the dark line that serves as a fold in the skin when the cheek is just beginning to help form a smile.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis next example is much more detailed than the previous line sketch. Still, there are some commonalities. The crosshatch shading above the top lip helps to form the three-dimensional appearance of this part of the mouth, including the philtrum. The shading below the bottom lip helps to distinguish the space between the bottom lip and the chin. The difference in angles between the lines on the corners of the mouth, along with the dimple on the man\'s left cheek, tell us that the man is smirking more on the left side of his face than the right side.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere is another piece of work that is on the more detailed side of lip sketches. Even though this drawing does not have the vertical lines on the corners of the mouth that are noticeable in the previous two examples, you can still tell there is a slight smile with the subject. How so? Look at how the crosshatch shading implies sunken-in cheeks. Darker areas on either side of the mouth that do not touch the mouth help to achieve this appearance.\r\n\r\n[caption id=\"attachment_3309\" align=\"aligncenter\" width=\"600\"]\"sketches
© Safa Sami | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\nWith these three examples, we learned that a smiling lips sketch can have more than just the details on the lips themselves to better portray that the lips are actually smiling. Just as important are the details on the areas of the face immediately surrounding the lips. Different subjects\' faces have different characteristics. Some people smile with dimples, some have sunken in cheeks when they smile, and everyone has variations in cheek lines that form in the corners of their mouths when they smile. Keeping these traits in mind when you sketch smiling lips will help to better enhance your sketches, too.\r\n

How Lips Can Look on a Smiling Mouth Sketch Showing Teeth

\r\nNext, we will take a look at two very different sketches of lips. Unlike the sketches in the last section, these lips are part of less subtle, more obvious smiles that also show the teeth.\r\n\r\nThis sketch is another rough line drawing sketch. It is a picture of a noticeable smile, viewed from the front. Since this is a much more noticeable smile than the smiles from the last section, you can see a sizeable portion of the subject\'s teeth. There are some characteristics surrounding the lips that we noticed before as well, such as the cheek lines at the corners of the lips and shading to show protrusion of the lips.\r\n\r\n\"sketches\r\n\r\nLooking at the lips themselves, this line sketch has what resembles vertical hatch lines to indicate shading. There are fewer lines in the front, especially on the bottom lip where you can expect some highlighting. There are more lines near the corners, where the lips curve around the face and retreat toward the back.\r\n\r\nThis next mouth sketch is certainly not your traditional sketch by any means. You can tell it was created with the assistance of some sort of digital means. Possibly due to the type of software used and its capabilities, there is a slightly unnatural shape to the overall mouth, especially the way the top lip curves downward in the middle and how the corners curve upward. Nevertheless, there is some interesting shading going on that enhances the appearance of the lips and the overall mouth.\r\n\r\n\"sketches\r\n\r\nLook first at the lower lip and the range of values present. The values are much darker along the edges. Then there are some midtone values between the edges and the highlight in the middle.\r\n\r\nSecondly, the creator of this sketch remembered something very important for a smiling mouth sketch that shows teeth. The lips cast a small shadow upon the teeth. You can see this shadow along the upper portions of the top teeth, the lower portions of the bottom teeth, and more shadow values present in the teeth that are farther back. This crucial detail was missing from the first, simpler example. The artist also remembered the dark shadow tones that the teeth should cast upon the tongue.\r\n

A Close Examination of a Biting Lip Sketch

\r\nThis is a sketch of an open mouth where the teeth are biting down on the lower, right side of the lips. It is a pen and ink sketch with lots of crosshatching used for the shading.\r\n\r\n\"sketches\r\n\r\nWhat kind of pertinent characteristics should we gather from this example if we wanted to make a biting lip sketch of our own? First of all, the part of the lower lip that is bitten by the teeth is hidden behind those teeth. More importantly, there should be focus on where the teeth meet the lip. The teeth are pulling the skin of the lower lip, thus causing \"folds\" in the skin. In the drawing above, there are three teeth making contact with the lip. If you examine very closely, you will notice one of these fold lines coming from the center of each of the three teeth. You should also notice fold lines coming from between the teeth.\r\n\r\nOther lip characteristics of this sketch are less about the biting part and more about what should be found in many other lip sketches. The lips consist of lighter tones where the light strikes them and darker tones surrounding the lighter areas and the corners of the mouth where the lips recede. You can also see reflected light along the bottom edge of the top lip.\r\n\r\nThe main thing to remember when making a biting lip sketch is to focus on the location of the bite and include the details on the lower lip that will make the appearance of the bite believable.\r\n

How Lips Can Complement Other Parts of an Open Mouth Sketch

\r\nAlthough this appears to be a rough sketch of an open mouth that might be considered an unfinished piece of work, it consists of more than one medium, and the entire piece (not shown in this excerpt) is done in what appears to be a similar, deliberate style by the artist.\r\n\r\n\"sketches\r\n\r\nAssuming this is a finished piece, the style suggests that the artist was not going for a realistic look. For example, the lips in the sketch have a heavy outline (perhaps in ink) that are not characteristic of natural-looking lips.\r\n\r\nEven so, you can tell that the artist strived to include some three-dimensional elements on the lips themselves. There are two carefully placed highlights on the top lip and two more on the bottom. These highlights, along with the darker tones receding from the front of the lips to the corners of the mouth, help to convey the appearance of form and roundness in the lips.\r\n\r\nSo how does this three-dimensional feel of the lips complement the rest of the mouth sketch? It gives the sense that the lips are protruding forward, as they should if a mouth is opened wide. The lack of detail in the tongue and other more distant parts of the inside of the mouth help the lips to \"stick out\" even more (that is, become more noticeable).\r\n

What Can We Learn from These Sketches of Lips?

\r\nintro; variety; realistic traits even among the differences; for example, vertical lines and no lines\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - sketch of lips\r\n\r\nconclusion - sketches of lips','Lip Study: Sketches of Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-09-07 05:49:49','2016-09-07 12:49:49','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3333,2,'2016-09-07 20:33:14','2016-09-08 03:33:14','sketches of lips - hook intro\r\n\r\nnot a step-by-step tutorial on how to draw a mouth. will analyze various sketches of lips by first describing their characteristics and then comparing and contrasting those characteristics. by carefully studying this sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

Lip Shading Characteristics

\r\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\r\n\r\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip. The shading for this sketch could be characterized as more hatching than crosshatching.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nVertical lip lines are preserved in this example without being too harsh or prominent. There are also a range of values present. Most of the lips\' surface area has a midtone value, while the highlights remain white and the corners have darker shadow areas.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis example has a similar base value of shading for the lips and the skin surrounding the lips. Since these lips are viewed slightly from above (since the face is tilted downward), there are some darker tones along the lower part of each lip and under the bottom lip. Darker tones also exist to better portray the medial cleft between the nose and upper lip (also known as the philtrum).\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis final example does not have a line drawing preview like the others in this section, but I thought it still deserved some attention for some interesting lip shading characteristics. The graphite tones are also more blended together here.\r\n\r\n\"sketches\r\n\r\nThe above sketch shows the lips slightly darker than the surrounding skin and the top lip slightly darker than the bottom. A good reason for this is that the bottom lip has more highlighted area. I also find it noteworthy that the highlight is broken up at various spots by the vertical lip lines, some soft lines and some sharper lines, for a more natural look.\r\n\r\nAs you see from the last few lip sketches, lips can be shaded a number of ways. Tones can be applied with hatching, crosshatching, or blended together. You should always preserve highlights by making darker tones around them, and you should keep the vertical lines of the lips implied on some level.\r\n

What Can Enhance a Subtle Smiling Lips Sketch

\r\nHow can you pull off a sketch of smiling lips when the lips are not smiling a big smile? What if the smile is only a subtle smirk? The examples in the previous sections focused on only the lips. However, what creates the perception of a smile in a sketch or drawing is as much in the skin surrounding the lips than in the lips themselves. Now let\'s look at three sketches of smiling lips and the characteristic details found around the lips that help us to better notice the smile.\r\n\r\nThis first sketch is a very rough line drawing sketch. It is of a subtly smiling mouth that is turned in a profile view. It has hatching lines to indicate shading on and around the lips. The lines on the skin directly above and below the lips help to give form to the protrusion of the lips. Look in the corner of the mouth, and you can see the dark line that serves as a fold in the skin when the cheek is just beginning to help form a smile.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis next example is much more detailed than the previous line sketch. Still, there are some commonalities. The crosshatch shading above the top lip helps to form the three-dimensional appearance of this part of the mouth, including the philtrum. The shading below the bottom lip helps to distinguish the space between the bottom lip and the chin. The difference in angles between the lines on the corners of the mouth, along with the dimple on the man\'s left cheek, tell us that the man is smirking more on the left side of his face than the right side.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere is another piece of work that is on the more detailed side of lip sketches. Even though this drawing does not have the vertical lines on the corners of the mouth that are noticeable in the previous two examples, you can still tell there is a slight smile with the subject. How so? Look at how the crosshatch shading implies sunken-in cheeks. Darker areas on either side of the mouth that do not touch the mouth help to achieve this appearance.\r\n\r\n[caption id=\"attachment_3309\" align=\"aligncenter\" width=\"600\"]\"sketches
© Safa Sami | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\nWith these three examples, we learned that a smiling lips sketch can have more than just the details on the lips themselves to better portray that the lips are actually smiling. Just as important are the details on the areas of the face immediately surrounding the lips. Different subjects\' faces have different characteristics. Some people smile with dimples, some have sunken in cheeks when they smile, and everyone has variations in cheek lines that form in the corners of their mouths when they smile. Keeping these traits in mind when you sketch smiling lips will help to better enhance your sketches, too.\r\n

How Lips Can Look on a Smiling Mouth Sketch Showing Teeth

\r\nNext, we will take a look at two very different sketches of lips. Unlike the sketches in the last section, these lips are part of less subtle, more obvious smiles that also show the teeth.\r\n\r\nThis sketch is another rough line drawing sketch. It is a picture of a noticeable smile, viewed from the front. Since this is a much more noticeable smile than the smiles from the last section, you can see a sizeable portion of the subject\'s teeth. There are some characteristics surrounding the lips that we noticed before as well, such as the cheek lines at the corners of the lips and shading to show protrusion of the lips.\r\n\r\n\"sketches\r\n\r\nLooking at the lips themselves, this line sketch has what resembles vertical hatch lines to indicate shading. There are fewer lines in the front, especially on the bottom lip where you can expect some highlighting. There are more lines near the corners, where the lips curve around the face and retreat toward the back.\r\n\r\nThis next mouth sketch is certainly not your traditional sketch by any means. You can tell it was created with the assistance of some sort of digital means. Possibly due to the type of software used and its capabilities, there is a slightly unnatural shape to the overall mouth, especially the way the top lip curves downward in the middle and how the corners curve upward. Nevertheless, there is some interesting shading going on that enhances the appearance of the lips and the overall mouth.\r\n\r\n\"sketches\r\n\r\nLook first at the lower lip and the range of values present. The values are much darker along the edges. Then there are some midtone values between the edges and the highlight in the middle.\r\n\r\nSecondly, the creator of this sketch remembered something very important for a smiling mouth sketch that shows teeth. The lips cast a small shadow upon the teeth. You can see this shadow along the upper portions of the top teeth, the lower portions of the bottom teeth, and more shadow values present in the teeth that are farther back. This crucial detail was missing from the first, simpler example. The artist also remembered the dark shadow tones that the teeth should cast upon the tongue.\r\n

A Close Examination of a Biting Lip Sketch

\r\nThis is a sketch of an open mouth where the teeth are biting down on the lower, right side of the lips. It is a pen and ink sketch with lots of crosshatching used for the shading.\r\n\r\n\"sketches\r\n\r\nWhat kind of pertinent characteristics should we gather from this example if we wanted to make a biting lip sketch of our own? First of all, the part of the lower lip that is bitten by the teeth is hidden behind those teeth. More importantly, there should be focus on where the teeth meet the lip. The teeth are pulling the skin of the lower lip, thus causing \"folds\" in the skin. In the drawing above, there are three teeth making contact with the lip. If you examine very closely, you will notice one of these fold lines coming from the center of each of the three teeth. You should also notice fold lines coming from between the teeth.\r\n\r\nOther lip characteristics of this sketch are less about the biting part and more about what should be found in many other lip sketches. The lips consist of lighter tones where the light strikes them and darker tones surrounding the lighter areas and the corners of the mouth where the lips recede. You can also see reflected light along the bottom edge of the top lip.\r\n\r\nThe main thing to remember when making a biting lip sketch is to focus on the location of the bite and include the details on the lower lip that will make the appearance of the bite believable.\r\n

How Lips Can Complement Other Parts of an Open Mouth Sketch

\r\nAlthough this appears to be a rough sketch of an open mouth that might be considered an unfinished piece of work, it consists of more than one medium, and the entire piece (not shown in this excerpt) is done in what appears to be a similar, deliberate style by the artist.\r\n\r\n\"sketches\r\n\r\nAssuming this is a finished piece, the style suggests that the artist was not going for a realistic look. For example, the lips in the sketch have a heavy outline (perhaps in ink) that are not characteristic of natural-looking lips.\r\n\r\nEven so, you can tell that the artist strived to include some three-dimensional elements on the lips themselves. There are two carefully placed highlights on the top lip and two more on the bottom. These highlights, along with the darker tones receding from the front of the lips to the corners of the mouth, help to convey the appearance of form and roundness in the lips.\r\n\r\nSo how does this three-dimensional feel of the lips complement the rest of the mouth sketch? It gives the sense that the lips are protruding forward, as they should if a mouth is opened wide. The lack of detail in the tongue and other more distant parts of the inside of the mouth help the lips to \"stick out\" even more (that is, become more noticeable).\r\n

What Can We Learn from These Sketches of Lips?

\r\nintro; variety; realistic traits even among the differences; for example, vertical lines and no lines\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - sketch of lips\r\n\r\nconclusion - sketches of lips','How These Very Different Sketches of Lips Can Help You Draw Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-09-07 20:33:14','2016-09-08 03:33:14','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3334,2,'2016-09-07 20:41:01','2016-09-08 03:41:01','sketches of lips - hook intro (lips are sealed)\r\n\r\nnot a step-by-step tutorial on how to draw a mouth. will analyze various sketches of lips by first describing their characteristics and then comparing and contrasting those characteristics. by carefully studying this sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

Lip Shading Characteristics

\r\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\r\n\r\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip. The shading for this sketch could be characterized as more hatching than crosshatching.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nVertical lip lines are preserved in this example without being too harsh or prominent. There are also a range of values present. Most of the lips\' surface area has a midtone value, while the highlights remain white and the corners have darker shadow areas.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis example has a similar base value of shading for the lips and the skin surrounding the lips. Since these lips are viewed slightly from above (since the face is tilted downward), there are some darker tones along the lower part of each lip and under the bottom lip. Darker tones also exist to better portray the medial cleft between the nose and upper lip (also known as the philtrum).\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis final example does not have a line drawing preview like the others in this section, but I thought it still deserved some attention for some interesting lip shading characteristics. The graphite tones are also more blended together here.\r\n\r\n\"sketches\r\n\r\nThe above sketch shows the lips slightly darker than the surrounding skin and the top lip slightly darker than the bottom. A good reason for this is that the bottom lip has more highlighted area. I also find it noteworthy that the highlight is broken up at various spots by the vertical lip lines, some soft lines and some sharper lines, for a more natural look.\r\n\r\nAs you see from the last few lip sketches, lips can be shaded a number of ways. Tones can be applied with hatching, crosshatching, or blended together. You should always preserve highlights by making darker tones around them, and you should keep the vertical lines of the lips implied on some level.\r\n

What Can Enhance a Subtle Smiling Lips Sketch

\r\nHow can you pull off a sketch of smiling lips when the lips are not smiling a big smile? What if the smile is only a subtle smirk? The examples in the previous sections focused on only the lips. However, what creates the perception of a smile in a sketch or drawing is as much in the skin surrounding the lips than in the lips themselves. Now let\'s look at three sketches of smiling lips and the characteristic details found around the lips that help us to better notice the smile.\r\n\r\nThis first sketch is a very rough line drawing sketch. It is of a subtly smiling mouth that is turned in a profile view. It has hatching lines to indicate shading on and around the lips. The lines on the skin directly above and below the lips help to give form to the protrusion of the lips. Look in the corner of the mouth, and you can see the dark line that serves as a fold in the skin when the cheek is just beginning to help form a smile.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis next example is much more detailed than the previous line sketch. Still, there are some commonalities. The crosshatch shading above the top lip helps to form the three-dimensional appearance of this part of the mouth, including the philtrum. The shading below the bottom lip helps to distinguish the space between the bottom lip and the chin. The difference in angles between the lines on the corners of the mouth, along with the dimple on the man\'s left cheek, tell us that the man is smirking more on the left side of his face than the right side.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere is another piece of work that is on the more detailed side of lip sketches. Even though this drawing does not have the vertical lines on the corners of the mouth that are noticeable in the previous two examples, you can still tell there is a slight smile with the subject. How so? Look at how the crosshatch shading implies sunken-in cheeks. Darker areas on either side of the mouth that do not touch the mouth help to achieve this appearance.\r\n\r\n[caption id=\"attachment_3309\" align=\"aligncenter\" width=\"600\"]\"sketches
© Safa Sami | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\nWith these three examples, we learned that a smiling lips sketch can have more than just the details on the lips themselves to better portray that the lips are actually smiling. Just as important are the details on the areas of the face immediately surrounding the lips. Different subjects\' faces have different characteristics. Some people smile with dimples, some have sunken in cheeks when they smile, and everyone has variations in cheek lines that form in the corners of their mouths when they smile. Keeping these traits in mind when you sketch smiling lips will help to better enhance your sketches, too.\r\n

How Lips Can Look on a Smiling Mouth Sketch Showing Teeth

\r\nNext, we will take a look at two very different sketches of lips. Unlike the sketches in the last section, these lips are part of less subtle, more obvious smiles that also show the teeth.\r\n\r\nThis sketch is another rough line drawing sketch. It is a picture of a noticeable smile, viewed from the front. Since this is a much more noticeable smile than the smiles from the last section, you can see a sizeable portion of the subject\'s teeth. There are some characteristics surrounding the lips that we noticed before as well, such as the cheek lines at the corners of the lips and shading to show protrusion of the lips.\r\n\r\n\"sketches\r\n\r\nLooking at the lips themselves, this line sketch has what resembles vertical hatch lines to indicate shading. There are fewer lines in the front, especially on the bottom lip where you can expect some highlighting. There are more lines near the corners, where the lips curve around the face and retreat toward the back.\r\n\r\nThis next mouth sketch is certainly not your traditional sketch by any means. You can tell it was created with the assistance of some sort of digital means. Possibly due to the type of software used and its capabilities, there is a slightly unnatural shape to the overall mouth, especially the way the top lip curves downward in the middle and how the corners curve upward. Nevertheless, there is some interesting shading going on that enhances the appearance of the lips and the overall mouth.\r\n\r\n\"sketches\r\n\r\nLook first at the lower lip and the range of values present. The values are much darker along the edges. Then there are some midtone values between the edges and the highlight in the middle.\r\n\r\nSecondly, the creator of this sketch remembered something very important for a smiling mouth sketch that shows teeth. The lips cast a small shadow upon the teeth. You can see this shadow along the upper portions of the top teeth, the lower portions of the bottom teeth, and more shadow values present in the teeth that are farther back. This crucial detail was missing from the first, simpler example. The artist also remembered the dark shadow tones that the teeth should cast upon the tongue.\r\n

A Close Examination of a Biting Lip Sketch

\r\nThis is a sketch of an open mouth where the teeth are biting down on the lower, right side of the lips. It is a pen and ink sketch with lots of crosshatching used for the shading.\r\n\r\n\"sketches\r\n\r\nWhat kind of pertinent characteristics should we gather from this example if we wanted to make a biting lip sketch of our own? First of all, the part of the lower lip that is bitten by the teeth is hidden behind those teeth. More importantly, there should be focus on where the teeth meet the lip. The teeth are pulling the skin of the lower lip, thus causing \"folds\" in the skin. In the drawing above, there are three teeth making contact with the lip. If you examine very closely, you will notice one of these fold lines coming from the center of each of the three teeth. You should also notice fold lines coming from between the teeth.\r\n\r\nOther lip characteristics of this sketch are less about the biting part and more about what should be found in many other lip sketches. The lips consist of lighter tones where the light strikes them and darker tones surrounding the lighter areas and the corners of the mouth where the lips recede. You can also see reflected light along the bottom edge of the top lip.\r\n\r\nThe main thing to remember when making a biting lip sketch is to focus on the location of the bite and include the details on the lower lip that will make the appearance of the bite believable.\r\n

How Lips Can Complement Other Parts of an Open Mouth Sketch

\r\nAlthough this appears to be a rough sketch of an open mouth that might be considered an unfinished piece of work, it consists of more than one medium, and the entire piece (not shown in this excerpt) is done in what appears to be a similar, deliberate style by the artist.\r\n\r\n\"sketches\r\n\r\nAssuming this is a finished piece, the style suggests that the artist was not going for a realistic look. For example, the lips in the sketch have a heavy outline (perhaps in ink) that are not characteristic of natural-looking lips.\r\n\r\nEven so, you can tell that the artist strived to include some three-dimensional elements on the lips themselves. There are two carefully placed highlights on the top lip and two more on the bottom. These highlights, along with the darker tones receding from the front of the lips to the corners of the mouth, help to convey the appearance of form and roundness in the lips.\r\n\r\nSo how does this three-dimensional feel of the lips complement the rest of the mouth sketch? It gives the sense that the lips are protruding forward, as they should if a mouth is opened wide. The lack of detail in the tongue and other more distant parts of the inside of the mouth help the lips to \"stick out\" even more (that is, become more noticeable).\r\n

What Can We Learn from These Sketches of Lips?

\r\nintro; variety; realistic traits even among the differences; for example, vertical lines and no lines\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast - sketch of lips\r\n\r\nconclusion - sketches of lips','How These Very Different Sketches of Lips Can Help You Draw Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-09-07 20:41:01','2016-09-08 03:41:01','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0); INSERT INTO `wp_posts` VALUES (3335,2,'2016-09-08 05:46:41','2016-09-08 12:46:41','What can 16 dissimilar sketches of lips tell you about how to draw lips?\r\n\r\nWell, if you look at each one of the sketches in this article closely enough, it turns out that these lips have a lot to say.\r\n\r\nOne of the best ways to learn how to sketch lips is to carefully study a selection of lips that have already been sketched for you. If you carefully examine enough examples of the end result, you will start to notice some interesting similarities and differences that give you insight into the process leading up to the end result.\r\n\r\n \r\n\r\nThis article is not the usual step-by-step tutorial on how to sketch a pair of lips or even how to draw lips realistically. The goal of this post is to carefully analyze various sketches of lips. First, we will seek to describe the characteristics of the lips that are present in each sketch. Then, we will move on to compare and contrast those characteristics.\r\n\r\nThe sketches of lips you will find here are of many different styles. The first section looks at the first step of drawing lips (or anything else for that matter) - the initial line drawing. Then you will see how those lips change once they have some shading. Moving on from there, we will look at lip sketches that are rough and simple as well as detailed and thorough. You will notice pencil, pen and ink, and even colored and digital media. We will look at the lips of subtle smiles as well as larger, more open smiles showing teeth. You will also study the lips of a biting mouth as well as the lips of an open mouth.\r\n\r\nBy carefully studying these sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own.\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

Lip Shading Characteristics

\r\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\r\n\r\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip. The shading for this sketch could be characterized as more hatching than crosshatching.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nVertical lip lines are preserved in this example without being too harsh or prominent. There are also a range of values present. Most of the lips\' surface area has a midtone value, while the highlights remain white and the corners have darker shadow areas.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis example has a similar base value of shading for the lips and the skin surrounding the lips. Since these lips are viewed slightly from above (since the face is tilted downward), there are some darker tones along the lower part of each lip and under the bottom lip. Darker tones also exist to better portray the medial cleft between the nose and upper lip (also known as the philtrum).\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis final example does not have a line drawing preview like the others in this section, but I thought it still deserved some attention for some interesting lip shading characteristics. The graphite tones are also more blended together here.\r\n\r\n\"sketches\r\n\r\nThe above sketch shows the lips slightly darker than the surrounding skin and the top lip slightly darker than the bottom. A good reason for this is that the bottom lip has more highlighted area. I also find it noteworthy that the highlight is broken up at various spots by the vertical lip lines, some soft lines and some sharper lines, for a more natural look.\r\n\r\nAs you see from the last few lip sketches, lips can be shaded a number of ways. Tones can be applied with hatching, crosshatching, or blended together. You should always preserve highlights by making darker tones around them, and you should keep the vertical lines of the lips implied on some level.\r\n

What Can Enhance a Subtle Smiling Lips Sketch

\r\nHow can you pull off a sketch of smiling lips when the lips are not smiling a big smile? What if the smile is only a subtle smirk? The examples in the previous sections focused on only the lips. However, what creates the perception of a smile in a sketch or drawing is as much in the skin surrounding the lips than in the lips themselves. Now let\'s look at three sketches of smiling lips and the characteristic details found around the lips that help us to better notice the smile.\r\n\r\nThis first sketch is a very rough line drawing sketch. It is of a subtly smiling mouth that is turned in a profile view. It has hatching lines to indicate shading on and around the lips. The lines on the skin directly above and below the lips help to give form to the protrusion of the lips. Look in the corner of the mouth, and you can see the dark line that serves as a fold in the skin when the cheek is just beginning to help form a smile.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis next example is much more detailed than the previous line sketch. Still, there are some commonalities. The crosshatch shading above the top lip helps to form the three-dimensional appearance of this part of the mouth, including the philtrum. The shading below the bottom lip helps to distinguish the space between the bottom lip and the chin. The difference in angles between the lines on the corners of the mouth, along with the dimple on the man\'s left cheek, tell us that the man is smirking more on the left side of his face than the right side.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere is another piece of work that is on the more detailed side of lip sketches. Even though this drawing does not have the vertical lines on the corners of the mouth that are noticeable in the previous two examples, you can still tell there is a slight smile with the subject. How so? Look at how the crosshatch shading implies sunken-in cheeks. Darker areas on either side of the mouth that do not touch the mouth help to achieve this appearance.\r\n\r\n[caption id=\"attachment_3309\" align=\"aligncenter\" width=\"600\"]\"sketches
© Safa Sami | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\nWith these three examples, we learned that a smiling lips sketch can have more than just the details on the lips themselves to better portray that the lips are actually smiling. Just as important are the details on the areas of the face immediately surrounding the lips. Different subjects\' faces have different characteristics. Some people smile with dimples, some have sunken in cheeks when they smile, and everyone has variations in cheek lines that form in the corners of their mouths when they smile. Keeping these traits in mind when you sketch smiling lips will help to better enhance your sketches, too.\r\n

How Lips Can Look on a Smiling Mouth Sketch Showing Teeth

\r\nNext, we will take a look at two very different sketches of lips. Unlike the sketches in the last section, these lips are part of less subtle, more obvious smiles that also show the teeth.\r\n\r\nThis sketch is another rough line drawing sketch. It is a picture of a noticeable smile, viewed from the front. Since this is a much more noticeable smile than the smiles from the last section, you can see a sizeable portion of the subject\'s teeth. There are some characteristics surrounding the lips that we noticed before as well, such as the cheek lines at the corners of the lips and shading to show protrusion of the lips.\r\n\r\n\"sketches\r\n\r\nLooking at the lips themselves, this line sketch has what resembles vertical hatch lines to indicate shading. There are fewer lines in the front, especially on the bottom lip where you can expect some highlighting. There are more lines near the corners, where the lips curve around the face and retreat toward the back.\r\n\r\nThis next mouth sketch is certainly not your traditional sketch by any means. You can tell it was created with the assistance of some sort of digital means. Possibly due to the type of software used and its capabilities, there is a slightly unnatural shape to the overall mouth, especially the way the top lip curves downward in the middle and how the corners curve upward. Nevertheless, there is some interesting shading going on that enhances the appearance of the lips and the overall mouth.\r\n\r\n\"sketches\r\n\r\nLook first at the lower lip and the range of values present. The values are much darker along the edges. Then there are some midtone values between the edges and the highlight in the middle.\r\n\r\nSecondly, the creator of this sketch remembered something very important for a smiling mouth sketch that shows teeth. The lips cast a small shadow upon the teeth. You can see this shadow along the upper portions of the top teeth, the lower portions of the bottom teeth, and more shadow values present in the teeth that are farther back. This crucial detail was missing from the first, simpler example. The artist also remembered the dark shadow tones that the teeth should cast upon the tongue.\r\n

A Close Examination of a Biting Lip Sketch

\r\nThis is a sketch of an open mouth where the teeth are biting down on the lower, right side of the lips. It is a pen and ink sketch with lots of crosshatching used for the shading.\r\n\r\n\"sketches\r\n\r\nWhat kind of pertinent characteristics should we gather from this example if we wanted to make a biting lip sketch of our own? First of all, the part of the lower lip that is bitten by the teeth is hidden behind those teeth. More importantly, there should be focus on where the teeth meet the lip. The teeth are pulling the skin of the lower lip, thus causing \"folds\" in the skin. In the drawing above, there are three teeth making contact with the lip. If you examine very closely, you will notice one of these fold lines coming from the center of each of the three teeth. You should also notice fold lines coming from between the teeth.\r\n\r\nOther lip characteristics of this sketch are less about the biting part and more about what should be found in many other lip sketches. The lips consist of lighter tones where the light strikes them and darker tones surrounding the lighter areas and the corners of the mouth where the lips recede. You can also see reflected light along the bottom edge of the top lip.\r\n\r\nThe main thing to remember when making a biting lip sketch is to focus on the location of the bite and include the details on the lower lip that will make the appearance of the bite believable.\r\n

How Lips Can Complement Other Parts of an Open Mouth Sketch

\r\nAlthough this appears to be a rough sketch of an open mouth that might be considered an unfinished piece of work, it consists of more than one medium, and the entire piece (not shown in this excerpt) is done in what appears to be a similar, deliberate style by the artist.\r\n\r\n\"sketches\r\n\r\nAssuming this is a finished piece, the style suggests that the artist was not going for a realistic look. For example, the lips in the sketch have a heavy outline (perhaps in ink) that are not characteristic of natural-looking lips.\r\n\r\nEven so, you can tell that the artist strived to include some three-dimensional elements on the lips themselves. There are two carefully placed highlights on the top lip and two more on the bottom. These highlights, along with the darker tones receding from the front of the lips to the corners of the mouth, help to convey the appearance of form and roundness in the lips.\r\n\r\nSo how does this three-dimensional feel of the lips complement the rest of the mouth sketch? It gives the sense that the lips are protruding forward, as they should if a mouth is opened wide. The lack of detail in the tongue and other more distant parts of the inside of the mouth help the lips to \"stick out\" even more (that is, become more noticeable).\r\n

What Can We Learn from These Sketches of Lips?

\r\nintro; variety; realistic traits even among the differences; for example, vertical lines and no lines\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast all - sketch of lips\r\n\r\nconclusion - sketches of lips','How These Very Different Sketches of Lips Can Help You Draw Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-09-08 05:46:41','2016-09-08 12:46:41','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3336,2,'2016-09-08 05:48:15','2016-09-08 12:48:15','What can 16 dissimilar sketches of lips tell you about how to draw lips?\r\n\r\nWell, if you look at each one of the sketches in this article closely enough, it turns out that these lips have a lot to say.\r\n\r\nOne of the best ways to learn how to sketch lips is to carefully study a selection of lips that have already been sketched for you. If you carefully examine enough examples of the end result, you will start to notice some interesting similarities and differences that give you insight into the process leading up to the end result.\r\n\r\nThis article is not the usual step-by-step tutorial on how to sketch a pair of lips or even how to draw lips realistically. The goal of this post is to carefully analyze various sketches of lips. First, we will seek to describe the characteristics of the lips that are present in each sketch. Then, we will move on to compare and contrast those characteristics.\r\n\r\nThe sketches of lips you will find here are of many different styles. The first section looks at the first step of drawing lips (or anything else for that matter) - the initial line drawing. Then you will see how those lips change once they have some shading. Moving on from there, we will look at lip sketches that are rough and simple as well as detailed and thorough. You will notice pencil, pen and ink, and even colored and digital media. We will look at the lips of subtle smiles as well as larger, more open smiles showing teeth. You will also study the lips of a biting mouth as well as the lips of an open mouth.\r\n\r\nBy carefully studying these sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own.\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

Lip Shading Characteristics

\r\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\r\n\r\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip. The shading for this sketch could be characterized as more hatching than crosshatching.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nVertical lip lines are preserved in this example without being too harsh or prominent. There are also a range of values present. Most of the lips\' surface area has a midtone value, while the highlights remain white and the corners have darker shadow areas.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis example has a similar base value of shading for the lips and the skin surrounding the lips. Since these lips are viewed slightly from above (since the face is tilted downward), there are some darker tones along the lower part of each lip and under the bottom lip. Darker tones also exist to better portray the medial cleft between the nose and upper lip (also known as the philtrum).\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis final example does not have a line drawing preview like the others in this section, but I thought it still deserved some attention for some interesting lip shading characteristics. The graphite tones are also more blended together here.\r\n\r\n\"sketches\r\n\r\nThe above sketch shows the lips slightly darker than the surrounding skin and the top lip slightly darker than the bottom. A good reason for this is that the bottom lip has more highlighted area. I also find it noteworthy that the highlight is broken up at various spots by the vertical lip lines, some soft lines and some sharper lines, for a more natural look.\r\n\r\nAs you see from the last few lip sketches, lips can be shaded a number of ways. Tones can be applied with hatching, crosshatching, or blended together. You should always preserve highlights by making darker tones around them, and you should keep the vertical lines of the lips implied on some level.\r\n

What Can Enhance a Subtle Smiling Lips Sketch

\r\nHow can you pull off a sketch of smiling lips when the lips are not smiling a big smile? What if the smile is only a subtle smirk? The examples in the previous sections focused on only the lips. However, what creates the perception of a smile in a sketch or drawing is as much in the skin surrounding the lips than in the lips themselves. Now let\'s look at three sketches of smiling lips and the characteristic details found around the lips that help us to better notice the smile.\r\n\r\nThis first sketch is a very rough line drawing sketch. It is of a subtly smiling mouth that is turned in a profile view. It has hatching lines to indicate shading on and around the lips. The lines on the skin directly above and below the lips help to give form to the protrusion of the lips. Look in the corner of the mouth, and you can see the dark line that serves as a fold in the skin when the cheek is just beginning to help form a smile.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis next example is much more detailed than the previous line sketch. Still, there are some commonalities. The crosshatch shading above the top lip helps to form the three-dimensional appearance of this part of the mouth, including the philtrum. The shading below the bottom lip helps to distinguish the space between the bottom lip and the chin. The difference in angles between the lines on the corners of the mouth, along with the dimple on the man\'s left cheek, tell us that the man is smirking more on the left side of his face than the right side.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere is another piece of work that is on the more detailed side of lip sketches. Even though this drawing does not have the vertical lines on the corners of the mouth that are noticeable in the previous two examples, you can still tell there is a slight smile with the subject. How so? Look at how the crosshatch shading implies sunken-in cheeks. Darker areas on either side of the mouth that do not touch the mouth help to achieve this appearance.\r\n\r\n[caption id=\"attachment_3309\" align=\"aligncenter\" width=\"600\"]\"sketches
© Safa Sami | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\nWith these three examples, we learned that a smiling lips sketch can have more than just the details on the lips themselves to better portray that the lips are actually smiling. Just as important are the details on the areas of the face immediately surrounding the lips. Different subjects\' faces have different characteristics. Some people smile with dimples, some have sunken in cheeks when they smile, and everyone has variations in cheek lines that form in the corners of their mouths when they smile. Keeping these traits in mind when you sketch smiling lips will help to better enhance your sketches, too.\r\n

How Lips Can Look on a Smiling Mouth Sketch Showing Teeth

\r\nNext, we will take a look at two very different sketches of lips. Unlike the sketches in the last section, these lips are part of less subtle, more obvious smiles that also show the teeth.\r\n\r\nThis sketch is another rough line drawing sketch. It is a picture of a noticeable smile, viewed from the front. Since this is a much more noticeable smile than the smiles from the last section, you can see a sizeable portion of the subject\'s teeth. There are some characteristics surrounding the lips that we noticed before as well, such as the cheek lines at the corners of the lips and shading to show protrusion of the lips.\r\n\r\n\"sketches\r\n\r\nLooking at the lips themselves, this line sketch has what resembles vertical hatch lines to indicate shading. There are fewer lines in the front, especially on the bottom lip where you can expect some highlighting. There are more lines near the corners, where the lips curve around the face and retreat toward the back.\r\n\r\nThis next mouth sketch is certainly not your traditional sketch by any means. You can tell it was created with the assistance of some sort of digital means. Possibly due to the type of software used and its capabilities, there is a slightly unnatural shape to the overall mouth, especially the way the top lip curves downward in the middle and how the corners curve upward. Nevertheless, there is some interesting shading going on that enhances the appearance of the lips and the overall mouth.\r\n\r\n\"sketches\r\n\r\nLook first at the lower lip and the range of values present. The values are much darker along the edges. Then there are some midtone values between the edges and the highlight in the middle.\r\n\r\nSecondly, the creator of this sketch remembered something very important for a smiling mouth sketch that shows teeth. The lips cast a small shadow upon the teeth. You can see this shadow along the upper portions of the top teeth, the lower portions of the bottom teeth, and more shadow values present in the teeth that are farther back. This crucial detail was missing from the first, simpler example. The artist also remembered the dark shadow tones that the teeth should cast upon the tongue.\r\n

A Close Examination of a Biting Lip Sketch

\r\nThis is a sketch of an open mouth where the teeth are biting down on the lower, right side of the lips. It is a pen and ink sketch with lots of crosshatching used for the shading.\r\n\r\n\"sketches\r\n\r\nWhat kind of pertinent characteristics should we gather from this example if we wanted to make a biting lip sketch of our own? First of all, the part of the lower lip that is bitten by the teeth is hidden behind those teeth. More importantly, there should be focus on where the teeth meet the lip. The teeth are pulling the skin of the lower lip, thus causing \"folds\" in the skin. In the drawing above, there are three teeth making contact with the lip. If you examine very closely, you will notice one of these fold lines coming from the center of each of the three teeth. You should also notice fold lines coming from between the teeth.\r\n\r\nOther lip characteristics of this sketch are less about the biting part and more about what should be found in many other lip sketches. The lips consist of lighter tones where the light strikes them and darker tones surrounding the lighter areas and the corners of the mouth where the lips recede. You can also see reflected light along the bottom edge of the top lip.\r\n\r\nThe main thing to remember when making a biting lip sketch is to focus on the location of the bite and include the details on the lower lip that will make the appearance of the bite believable.\r\n

How Lips Can Complement Other Parts of an Open Mouth Sketch

\r\nAlthough this appears to be a rough sketch of an open mouth that might be considered an unfinished piece of work, it consists of more than one medium, and the entire piece (not shown in this excerpt) is done in what appears to be a similar, deliberate style by the artist.\r\n\r\n\"sketches\r\n\r\nAssuming this is a finished piece, the style suggests that the artist was not going for a realistic look. For example, the lips in the sketch have a heavy outline (perhaps in ink) that are not characteristic of natural-looking lips.\r\n\r\nEven so, you can tell that the artist strived to include some three-dimensional elements on the lips themselves. There are two carefully placed highlights on the top lip and two more on the bottom. These highlights, along with the darker tones receding from the front of the lips to the corners of the mouth, help to convey the appearance of form and roundness in the lips.\r\n\r\nSo how does this three-dimensional feel of the lips complement the rest of the mouth sketch? It gives the sense that the lips are protruding forward, as they should if a mouth is opened wide. The lack of detail in the tongue and other more distant parts of the inside of the mouth help the lips to \"stick out\" even more (that is, become more noticeable).\r\n

What Can We Learn from These Sketches of Lips?

\r\nintro; variety; realistic traits even among the differences; for example, vertical lines and no lines\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast all - sketch of lips\r\n\r\nconclusion - sketches of lips','How These Very Different Sketches of Lips Can Help You Draw Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-09-08 05:48:15','2016-09-08 12:48:15','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3337,2,'2016-09-08 19:43:44','2016-09-09 02:43:44','What can 16 dissimilar sketches of lips tell you about how to draw lips?\r\n\r\nWell, if you look at each one of the sketches in this article closely enough, it turns out that these lips have a lot to say.\r\n\r\nOne of the best ways to learn how to sketch lips is to carefully study a selection of lips that have already been sketched for you. If you carefully examine enough examples of the end result, you will start to notice some interesting similarities and differences that give you insight into the process leading up to the end result.\r\n\r\nThis article is not the usual step-by-step tutorial on how to sketch a pair of lips or even how to draw lips realistically. The goal of this post is to carefully analyze various sketches of lips. First, we will seek to describe the characteristics of the lips that are present in each sketch. Then, we will move on to compare and contrast those characteristics.\r\n\r\nThe sketches of lips you will find here are of many different styles. The first section looks at the first step of drawing lips (or anything else for that matter) - the initial line drawing. Then you will see how those lips change once they have some shading. Moving on from there, we will look at lip sketches that are rough and simple as well as detailed and thorough. You will notice pencil, pen and ink, and even colored and digital media. We will look at the lips of subtle smiles as well as larger, more open smiles showing teeth. You will also study the lips of a biting mouth as well as the lips of an open mouth.\r\n\r\nBy carefully studying these sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own.\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

Lip Shading Characteristics

\r\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\r\n\r\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip. The shading for this sketch could be characterized as more hatching than crosshatching.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nVertical lip lines are preserved in this example without being too harsh or prominent. There are also a range of values present. Most of the lips\' surface area has a midtone value, while the highlights remain white and the corners have darker shadow areas.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis example has a similar base value of shading for the lips and the skin surrounding the lips. Since these lips are viewed slightly from above (since the face is tilted downward), there are some darker tones along the lower part of each lip and under the bottom lip. Darker tones also exist to better portray the medial cleft between the nose and upper lip (also known as the philtrum).\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis final example does not have a line drawing preview like the others in this section, but I thought it still deserved some attention for some interesting lip shading characteristics. The graphite tones are also more blended together here.\r\n\r\n\"sketches\r\n\r\nThe above sketch shows the lips slightly darker than the surrounding skin and the top lip slightly darker than the bottom. A good reason for this is that the bottom lip has more highlighted area. I also find it noteworthy that the highlight is broken up at various spots by the vertical lip lines, some soft lines and some sharper lines, for a more natural look.\r\n\r\nAs you see from the last few lip sketches, lips can be shaded a number of ways. Tones can be applied with hatching, crosshatching, or blended together. You should always preserve highlights by making darker tones around them, and you should keep the vertical lines of the lips implied on some level.\r\n

What Can Enhance a Subtle Smiling Lips Sketch

\r\nHow can you pull off a sketch of smiling lips when the lips are not smiling a big smile? What if the smile is only a subtle smirk? The examples in the previous sections focused on only the lips. However, what creates the perception of a smile in a sketch or drawing is as much in the skin surrounding the lips than in the lips themselves. Now let\'s look at three sketches of smiling lips and the characteristic details found around the lips that help us to better notice the smile.\r\n\r\nThis first sketch is a very rough line drawing sketch. It is of a subtly smiling mouth that is turned in a profile view. It has hatching lines to indicate shading on and around the lips. The lines on the skin directly above and below the lips help to give form to the protrusion of the lips. Look in the corner of the mouth, and you can see the dark line that serves as a fold in the skin when the cheek is just beginning to help form a smile.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis next example is much more detailed than the previous line sketch. Still, there are some commonalities. The crosshatch shading above the top lip helps to form the three-dimensional appearance of this part of the mouth, including the philtrum. The shading below the bottom lip helps to distinguish the space between the bottom lip and the chin. The difference in angles between the lines on the corners of the mouth, along with the dimple on the man\'s left cheek, tell us that the man is smirking more on the left side of his face than the right side.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere is another piece of work that is on the more detailed side of lip sketches. Even though this drawing does not have the vertical lines on the corners of the mouth that are noticeable in the previous two examples, you can still tell there is a slight smile with the subject. How so? Look at how the crosshatch shading implies sunken-in cheeks. Darker areas on either side of the mouth that do not touch the mouth help to achieve this appearance.\r\n\r\n[caption id=\"attachment_3309\" align=\"aligncenter\" width=\"600\"]\"sketches
© Safa Sami | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\nWith these three examples, we learned that a smiling lips sketch can have more than just the details on the lips themselves to better portray that the lips are actually smiling. Just as important are the details on the areas of the face immediately surrounding the lips. Different subjects\' faces have different characteristics. Some people smile with dimples, some have sunken in cheeks when they smile, and everyone has variations in cheek lines that form in the corners of their mouths when they smile. Keeping these traits in mind when you sketch smiling lips will help to better enhance your sketches, too.\r\n

How Lips Can Look on a Smiling Mouth Sketch Showing Teeth

\r\nNext, we will take a look at two very different sketches of lips. Unlike the sketches in the last section, these lips are part of less subtle, more obvious smiles that also show the teeth.\r\n\r\nThis sketch is another rough line drawing sketch. It is a picture of a noticeable smile, viewed from the front. Since this is a much more noticeable smile than the smiles from the last section, you can see a sizeable portion of the subject\'s teeth. There are some characteristics surrounding the lips that we noticed before as well, such as the cheek lines at the corners of the lips and shading to show protrusion of the lips.\r\n\r\n\"sketches\r\n\r\nLooking at the lips themselves, this line sketch has what resembles vertical hatch lines to indicate shading. There are fewer lines in the front, especially on the bottom lip where you can expect some highlighting. There are more lines near the corners, where the lips curve around the face and retreat toward the back.\r\n\r\nThis next mouth sketch is certainly not your traditional sketch by any means. You can tell it was created with the assistance of some sort of digital means. Possibly due to the type of software used and its capabilities, there is a slightly unnatural shape to the overall mouth, especially the way the top lip curves downward in the middle and how the corners curve upward. Nevertheless, there is some interesting shading going on that enhances the appearance of the lips and the overall mouth.\r\n\r\n\"sketches\r\n\r\nLook first at the lower lip and the range of values present. The values are much darker along the edges. Then there are some midtone values between the edges and the highlight in the middle.\r\n\r\nSecondly, the creator of this sketch remembered something very important for a smiling mouth sketch that shows teeth. The lips cast a small shadow upon the teeth. You can see this shadow along the upper portions of the top teeth, the lower portions of the bottom teeth, and more shadow values present in the teeth that are farther back. This crucial detail was missing from the first, simpler example. The artist also remembered the dark shadow tones that the teeth should cast upon the tongue.\r\n

A Close Examination of a Biting Lip Sketch

\r\nThis is a sketch of an open mouth where the teeth are biting down on the lower, right side of the lips. It is a pen and ink sketch with lots of crosshatching used for the shading.\r\n\r\n\"sketches\r\n\r\nWhat kind of pertinent characteristics should we gather from this example if we wanted to make a biting lip sketch of our own? First of all, the part of the lower lip that is bitten by the teeth is hidden behind those teeth. More importantly, there should be focus on where the teeth meet the lip. The teeth are pulling the skin of the lower lip, thus causing \"folds\" in the skin. In the drawing above, there are three teeth making contact with the lip. If you examine very closely, you will notice one of these fold lines coming from the center of each of the three teeth. You should also notice fold lines coming from between the teeth.\r\n\r\nOther lip characteristics of this sketch are less about the biting part and more about what should be found in many other lip sketches. The lips consist of lighter tones where the light strikes them and darker tones surrounding the lighter areas and the corners of the mouth where the lips recede. You can also see reflected light along the bottom edge of the top lip.\r\n\r\nThe main thing to remember when making a biting lip sketch is to focus on the location of the bite and include the details on the lower lip that will make the appearance of the bite believable.\r\n

How Lips Can Complement Other Parts of an Open Mouth Sketch

\r\nAlthough this appears to be a rough sketch of an open mouth that might be considered an unfinished piece of work, it consists of more than one medium, and the entire piece (not shown in this excerpt) is done in what appears to be a similar, deliberate style by the artist.\r\n\r\n\"sketches\r\n\r\nAssuming this is a finished piece, the style suggests that the artist was not going for a realistic look. For example, the lips in the sketch have a heavy outline (perhaps in ink) that are not characteristic of natural-looking lips.\r\n\r\nEven so, you can tell that the artist strived to include some three-dimensional elements on the lips themselves. There are two carefully placed highlights on the top lip and two more on the bottom. These highlights, along with the darker tones receding from the front of the lips to the corners of the mouth, help to convey the appearance of form and roundness in the lips.\r\n\r\nSo how does this three-dimensional feel of the lips complement the rest of the mouth sketch? It gives the sense that the lips are protruding forward, as they should if a mouth is opened wide. The lack of detail in the tongue and other more distant parts of the inside of the mouth help the lips to \"stick out\" even more (that is, become more noticeable).\r\n

What Can We Learn from These Sketches of Lips?

\r\nThere is no question that there are many different ways to sketch lips. That is pretty obvious from what you have read and seen in this article. Just to recap some of the lip sketches we have studied, let\'s look at them one more time. Below is a collection of the lip sketches, grouped all together.\r\n\r\nintro; variety; realistic traits even among the differences; for example, vertical lines and no lines\r\n\r\n\"sketches\r\n\r\nclosing - compare and contrast all - sketch of lips\r\n\r\nconclusion - sketches of lips','How These Very Different Sketches of Lips Can Help You Draw Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-09-08 19:43:44','2016-09-09 02:43:44','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3338,2,'2016-09-08 20:12:29','2016-09-09 03:12:29','What can 16 dissimilar sketches of lips tell you about how to draw lips?\r\n\r\nWell, if you look at each one of the sketches in this article closely enough, it turns out that these lips have a lot to say.\r\n\r\nOne of the best ways to learn how to sketch lips is to carefully study a selection of lips that have already been sketched for you. If you carefully examine enough examples of the end result, you will start to notice some interesting similarities and differences that give you insight into the process leading up to the end result.\r\n\r\nThis article is not the usual step-by-step tutorial on how to sketch a pair of lips or even how to draw lips realistically. The goal of this post is to carefully analyze various sketches of lips. First, we will seek to describe the characteristics of the lips that are present in each sketch. Then, we will move on to compare and contrast those characteristics.\r\n\r\nThe sketches of lips you will find here are of many different styles. The first section looks at the first step of drawing lips (or anything else for that matter) - the initial line drawing. Then you will see how those lips change once they have some shading. Moving on from there, we will look at lip sketches that are rough and simple as well as detailed and thorough. You will notice pencil, pen and ink, and even colored and digital media. We will look at the lips of subtle smiles as well as larger, more open smiles showing teeth. You will also study the lips of a biting mouth as well as the lips of an open mouth.\r\n\r\nBy carefully studying these sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own.\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

Lip Shading Characteristics

\r\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\r\n\r\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip. The shading for this sketch could be characterized as more hatching than crosshatching.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nVertical lip lines are preserved in this example without being too harsh or prominent. There are also a range of values present. Most of the lips\' surface area has a midtone value, while the highlights remain white and the corners have darker shadow areas.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis example has a similar base value of shading for the lips and the skin surrounding the lips. Since these lips are viewed slightly from above (since the face is tilted downward), there are some darker tones along the lower part of each lip and under the bottom lip. Darker tones also exist to better portray the medial cleft between the nose and upper lip (also known as the philtrum).\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis final example does not have a line drawing preview like the others in this section, but I thought it still deserved some attention for some interesting lip shading characteristics. The graphite tones are also more blended together here.\r\n\r\n\"sketches\r\n\r\nThe above sketch shows the lips slightly darker than the surrounding skin and the top lip slightly darker than the bottom. A good reason for this is that the bottom lip has more highlighted area. I also find it noteworthy that the highlight is broken up at various spots by the vertical lip lines, some soft lines and some sharper lines, for a more natural look.\r\n\r\nAs you see from the last few lip sketches, lips can be shaded a number of ways. Tones can be applied with hatching, crosshatching, or blended together. You should always preserve highlights by making darker tones around them, and you should keep the vertical lines of the lips implied on some level.\r\n

What Can Enhance a Subtle Smiling Lips Sketch

\r\nHow can you pull off a sketch of smiling lips when the lips are not smiling a big smile? What if the smile is only a subtle smirk? The examples in the previous sections focused on only the lips. However, what creates the perception of a smile in a sketch or drawing is as much in the skin surrounding the lips than in the lips themselves. Now let\'s look at three sketches of smiling lips and the characteristic details found around the lips that help us to better notice the smile.\r\n\r\nThis first sketch is a very rough line drawing sketch. It is of a subtly smiling mouth that is turned in a profile view. It has hatching lines to indicate shading on and around the lips. The lines on the skin directly above and below the lips help to give form to the protrusion of the lips. Look in the corner of the mouth, and you can see the dark line that serves as a fold in the skin when the cheek is just beginning to help form a smile.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis next example is much more detailed than the previous line sketch. Still, there are some commonalities. The crosshatch shading above the top lip helps to form the three-dimensional appearance of this part of the mouth, including the philtrum. The shading below the bottom lip helps to distinguish the space between the bottom lip and the chin. The difference in angles between the lines on the corners of the mouth, along with the dimple on the man\'s left cheek, tell us that the man is smirking more on the left side of his face than the right side.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere is another piece of work that is on the more detailed side of lip sketches. Even though this drawing does not have the vertical lines on the corners of the mouth that are noticeable in the previous two examples, you can still tell there is a slight smile with the subject. How so? Look at how the crosshatch shading implies sunken-in cheeks. Darker areas on either side of the mouth that do not touch the mouth help to achieve this appearance.\r\n\r\n[caption id=\"attachment_3309\" align=\"aligncenter\" width=\"600\"]\"sketches
© Safa Sami | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\nWith these three examples, we learned that a smiling lips sketch can have more than just the details on the lips themselves to better portray that the lips are actually smiling. Just as important are the details on the areas of the face immediately surrounding the lips. Different subjects\' faces have different characteristics. Some people smile with dimples, some have sunken in cheeks when they smile, and everyone has variations in cheek lines that form in the corners of their mouths when they smile. Keeping these traits in mind when you sketch smiling lips will help to better enhance your sketches, too.\r\n

How Lips Can Look on a Smiling Mouth Sketch Showing Teeth

\r\nNext, we will take a look at two very different sketches of lips. Unlike the sketches in the last section, these lips are part of less subtle, more obvious smiles that also show the teeth.\r\n\r\nThis sketch is another rough line drawing sketch. It is a picture of a noticeable smile, viewed from the front. Since this is a much more noticeable smile than the smiles from the last section, you can see a sizeable portion of the subject\'s teeth. There are some characteristics surrounding the lips that we noticed before as well, such as the cheek lines at the corners of the lips and shading to show protrusion of the lips.\r\n\r\n\"sketches\r\n\r\nLooking at the lips themselves, this line sketch has what resembles vertical hatch lines to indicate shading. There are fewer lines in the front, especially on the bottom lip where you can expect some highlighting. There are more lines near the corners, where the lips curve around the face and retreat toward the back.\r\n\r\nThis next mouth sketch is certainly not your traditional sketch by any means. You can tell it was created with the assistance of some sort of digital means. Possibly due to the type of software used and its capabilities, there is a slightly unnatural shape to the overall mouth, especially the way the top lip curves downward in the middle and how the corners curve upward. Nevertheless, there is some interesting shading going on that enhances the appearance of the lips and the overall mouth.\r\n\r\n\"sketches\r\n\r\nLook first at the lower lip and the range of values present. The values are much darker along the edges. Then there are some midtone values between the edges and the highlight in the middle.\r\n\r\nSecondly, the creator of this sketch remembered something very important for a smiling mouth sketch that shows teeth. The lips cast a small shadow upon the teeth. You can see this shadow along the upper portions of the top teeth, the lower portions of the bottom teeth, and more shadow values present in the teeth that are farther back. This crucial detail was missing from the first, simpler example. The artist also remembered the dark shadow tones that the teeth should cast upon the tongue.\r\n

A Close Examination of a Biting Lip Sketch

\r\nThis is a sketch of an open mouth where the teeth are biting down on the lower, right side of the lips. It is a pen and ink sketch with lots of crosshatching used for the shading.\r\n\r\n\"sketches\r\n\r\nWhat kind of pertinent characteristics should we gather from this example if we wanted to make a biting lip sketch of our own? First of all, the part of the lower lip that is bitten by the teeth is hidden behind those teeth. More importantly, there should be focus on where the teeth meet the lip. The teeth are pulling the skin of the lower lip, thus causing \"folds\" in the skin. In the drawing above, there are three teeth making contact with the lip. If you examine very closely, you will notice one of these fold lines coming from the center of each of the three teeth. You should also notice fold lines coming from between the teeth.\r\n\r\nOther lip characteristics of this sketch are less about the biting part and more about what should be found in many other lip sketches. The lips consist of lighter tones where the light strikes them and darker tones surrounding the lighter areas and the corners of the mouth where the lips recede. You can also see reflected light along the bottom edge of the top lip.\r\n\r\nThe main thing to remember when making a biting lip sketch is to focus on the location of the bite and include the details on the lower lip that will make the appearance of the bite believable.\r\n

How Lips Can Complement Other Parts of an Open Mouth Sketch

\r\nAlthough this appears to be a rough sketch of an open mouth that might be considered an unfinished piece of work, it consists of more than one medium, and the entire piece (not shown in this excerpt) is done in what appears to be a similar, deliberate style by the artist.\r\n\r\n\"sketches\r\n\r\nAssuming this is a finished piece, the style suggests that the artist was not going for a realistic look. For example, the lips in the sketch have a heavy outline (perhaps in ink) that are not characteristic of natural-looking lips.\r\n\r\nEven so, you can tell that the artist strived to include some three-dimensional elements on the lips themselves. There are two carefully placed highlights on the top lip and two more on the bottom. These highlights, along with the darker tones receding from the front of the lips to the corners of the mouth, help to convey the appearance of form and roundness in the lips.\r\n\r\nSo how does this three-dimensional feel of the lips complement the rest of the mouth sketch? It gives the sense that the lips are protruding forward, as they should if a mouth is opened wide. The lack of detail in the tongue and other more distant parts of the inside of the mouth help the lips to \"stick out\" even more (that is, become more noticeable).\r\n

What Can We Learn from These Sketches of Lips?

\r\nThere is no question that there are many different ways to sketch lips. That is pretty obvious from what you have read and seen in this article. Just to recap some of the lip sketches we have studied, let\'s look at them one more time. Below is a collection of the lip sketches, grouped all together.\r\n\r\n\"sketches\r\n\r\nSo what can be learned by comparing and contrasting these lips? How can we then apply or exclude details in our future sketches of lips?\r\n\r\nFirst, we will take a look at a few commonalities. Consider these similarities as tips you should keep in mind when you sketch lips of your own:\r\n
    \r\n
  • Always look for areas of highlight in the lips you sketch. The highlighted areas of lips are a significant part of what gives the lips form and makes them appear more realistic. There seems to always be a highlighted area on the bottom lip. Almost always, and usually less significantly, there is a highlighted area on the top lip.
    • \r\n
  • Think carefully about where darker tones should be placed. The darker tones should complement the highlights. These darker tones and the highlights are separated by a gradual transition of shading. The darker tones can be found along the corners of the mouth and the center of the mouth where the two lips meet.
    • \r\n
  • Draw the outline for the lips in the same manner that they appear in real life. The highlighted areas of lips are a significant part of what gives
    • \r\n
\r\nintro; variety; realistic traits even among the differences; for example, vertical lines and no lines\r\n\r\nclosing - compare and contrast all - sketch of lips\r\n\r\nconclusion - sketches of lips','How These Very Different Sketches of Lips Can Help You Draw Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-09-08 20:12:29','2016-09-09 03:12:29','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3339,2,'2016-09-08 20:38:20','2016-09-09 03:38:20','What can 16 dissimilar sketches of lips tell you about how to draw lips?\r\n\r\nWell, if you look at each one of the sketches in this article closely enough, it turns out that these lips have a lot to say.\r\n\r\nOne of the best ways to learn how to sketch lips is to carefully study a selection of lips that have already been sketched for you. If you carefully examine enough examples of the end result, you will start to notice some interesting similarities and differences that give you insight into the process leading up to the end result.\r\n\r\nThis article is not the usual step-by-step tutorial on how to sketch a pair of lips or even how to draw lips realistically. The goal of this post is to carefully analyze various sketches of lips. First, we will seek to describe the characteristics of the lips that are present in each sketch. Then, we will move on to compare and contrast those characteristics.\r\n\r\nThe sketches of lips you will find here are of many different styles. The first section looks at the first step of drawing lips (or anything else for that matter) - the initial line drawing. Then you will see how those lips change once they have some shading. Moving on from there, we will look at lip sketches that are rough and simple as well as detailed and thorough. You will notice pencil, pen and ink, and even colored and digital media. We will look at the lips of subtle smiles as well as larger, more open smiles showing teeth. You will also study the lips of a biting mouth as well as the lips of an open mouth.\r\n\r\nBy carefully studying these sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own.\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

Lip Shading Characteristics

\r\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\r\n\r\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip. The shading for this sketch could be characterized as more hatching than crosshatching.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nVertical lip lines are preserved in this example without being too harsh or prominent. There are also a range of values present. Most of the lips\' surface area has a midtone value, while the highlights remain white and the corners have darker shadow areas.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis example has a similar base value of shading for the lips and the skin surrounding the lips. Since these lips are viewed slightly from above (since the face is tilted downward), there are some darker tones along the lower part of each lip and under the bottom lip. Darker tones also exist to better portray the medial cleft between the nose and upper lip (also known as the philtrum).\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis final example does not have a line drawing preview like the others in this section, but I thought it still deserved some attention for some interesting lip shading characteristics. The graphite tones are also more blended together here.\r\n\r\n\"sketches\r\n\r\nThe above sketch shows the lips slightly darker than the surrounding skin and the top lip slightly darker than the bottom. A good reason for this is that the bottom lip has more highlighted area. I also find it noteworthy that the highlight is broken up at various spots by the vertical lip lines, some soft lines and some sharper lines, for a more natural look.\r\n\r\nAs you see from the last few lip sketches, lips can be shaded a number of ways. Tones can be applied with hatching, crosshatching, or blended together. You should always preserve highlights by making darker tones around them, and you should keep the vertical lines of the lips implied on some level.\r\n

What Can Enhance a Subtle Smiling Lips Sketch

\r\nHow can you pull off a sketch of smiling lips when the lips are not smiling a big smile? What if the smile is only a subtle smirk? The examples in the previous sections focused on only the lips. However, what creates the perception of a smile in a sketch or drawing is as much in the skin surrounding the lips than in the lips themselves. Now let\'s look at three sketches of smiling lips and the characteristic details found around the lips that help us to better notice the smile.\r\n\r\nThis first sketch is a very rough line drawing sketch. It is of a subtly smiling mouth that is turned in a profile view. It has hatching lines to indicate shading on and around the lips. The lines on the skin directly above and below the lips help to give form to the protrusion of the lips. Look in the corner of the mouth, and you can see the dark line that serves as a fold in the skin when the cheek is just beginning to help form a smile.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis next example is much more detailed than the previous line sketch. Still, there are some commonalities. The crosshatch shading above the top lip helps to form the three-dimensional appearance of this part of the mouth, including the philtrum. The shading below the bottom lip helps to distinguish the space between the bottom lip and the chin. The difference in angles between the lines on the corners of the mouth, along with the dimple on the man\'s left cheek, tell us that the man is smirking more on the left side of his face than the right side.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere is another piece of work that is on the more detailed side of lip sketches. Even though this drawing does not have the vertical lines on the corners of the mouth that are noticeable in the previous two examples, you can still tell there is a slight smile with the subject. How so? Look at how the crosshatch shading implies sunken-in cheeks. Darker areas on either side of the mouth that do not touch the mouth help to achieve this appearance.\r\n\r\n[caption id=\"attachment_3309\" align=\"aligncenter\" width=\"600\"]\"sketches
© Safa Sami | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\nWith these three examples, we learned that a smiling lips sketch can have more than just the details on the lips themselves to better portray that the lips are actually smiling. Just as important are the details on the areas of the face immediately surrounding the lips. Different subjects\' faces have different characteristics. Some people smile with dimples, some have sunken in cheeks when they smile, and everyone has variations in cheek lines that form in the corners of their mouths when they smile. Keeping these traits in mind when you sketch smiling lips will help to better enhance your sketches, too.\r\n

How Lips Can Look on a Smiling Mouth Sketch Showing Teeth

\r\nNext, we will take a look at two very different sketches of lips. Unlike the sketches in the last section, these lips are part of less subtle, more obvious smiles that also show the teeth.\r\n\r\nThis sketch is another rough line drawing sketch. It is a picture of a noticeable smile, viewed from the front. Since this is a much more noticeable smile than the smiles from the last section, you can see a sizeable portion of the subject\'s teeth. There are some characteristics surrounding the lips that we noticed before as well, such as the cheek lines at the corners of the lips and shading to show protrusion of the lips.\r\n\r\n\"sketches\r\n\r\nLooking at the lips themselves, this line sketch has what resembles vertical hatch lines to indicate shading. There are fewer lines in the front, especially on the bottom lip where you can expect some highlighting. There are more lines near the corners, where the lips curve around the face and retreat toward the back.\r\n\r\nThis next mouth sketch is certainly not your traditional sketch by any means. You can tell it was created with the assistance of some sort of digital means. Possibly due to the type of software used and its capabilities, there is a slightly unnatural shape to the overall mouth, especially the way the top lip curves downward in the middle and how the corners curve upward. Nevertheless, there is some interesting shading going on that enhances the appearance of the lips and the overall mouth.\r\n\r\n\"sketches\r\n\r\nLook first at the lower lip and the range of values present. The values are much darker along the edges. Then there are some midtone values between the edges and the highlight in the middle.\r\n\r\nSecondly, the creator of this sketch remembered something very important for a smiling mouth sketch that shows teeth. The lips cast a small shadow upon the teeth. You can see this shadow along the upper portions of the top teeth, the lower portions of the bottom teeth, and more shadow values present in the teeth that are farther back. This crucial detail was missing from the first, simpler example. The artist also remembered the dark shadow tones that the teeth should cast upon the tongue.\r\n

A Close Examination of a Biting Lip Sketch

\r\nThis is a sketch of an open mouth where the teeth are biting down on the lower, right side of the lips. It is a pen and ink sketch with lots of crosshatching used for the shading.\r\n\r\n\"sketches\r\n\r\nWhat kind of pertinent characteristics should we gather from this example if we wanted to make a biting lip sketch of our own? First of all, the part of the lower lip that is bitten by the teeth is hidden behind those teeth. More importantly, there should be focus on where the teeth meet the lip. The teeth are pulling the skin of the lower lip, thus causing \"folds\" in the skin. In the drawing above, there are three teeth making contact with the lip. If you examine very closely, you will notice one of these fold lines coming from the center of each of the three teeth. You should also notice fold lines coming from between the teeth.\r\n\r\nOther lip characteristics of this sketch are less about the biting part and more about what should be found in many other lip sketches. The lips consist of lighter tones where the light strikes them and darker tones surrounding the lighter areas and the corners of the mouth where the lips recede. You can also see reflected light along the bottom edge of the top lip.\r\n\r\nThe main thing to remember when making a biting lip sketch is to focus on the location of the bite and include the details on the lower lip that will make the appearance of the bite believable.\r\n

How Lips Can Complement Other Parts of an Open Mouth Sketch

\r\nAlthough this appears to be a rough sketch of an open mouth that might be considered an unfinished piece of work, it consists of more than one medium, and the entire piece (not shown in this excerpt) is done in what appears to be a similar, deliberate style by the artist.\r\n\r\n\"sketches\r\n\r\nAssuming this is a finished piece, the style suggests that the artist was not going for a realistic look. For example, the lips in the sketch have a heavy outline (perhaps in ink) that are not characteristic of natural-looking lips.\r\n\r\nEven so, you can tell that the artist strived to include some three-dimensional elements on the lips themselves. There are two carefully placed highlights on the top lip and two more on the bottom. These highlights, along with the darker tones receding from the front of the lips to the corners of the mouth, help to convey the appearance of form and roundness in the lips.\r\n\r\nSo how does this three-dimensional feel of the lips complement the rest of the mouth sketch? It gives the sense that the lips are protruding forward, as they should if a mouth is opened wide. The lack of detail in the tongue and other more distant parts of the inside of the mouth help the lips to \"stick out\" even more (that is, become more noticeable).\r\n

What Can We Learn from These Sketches of Lips?

\r\nThere is no question that there are many different ways to sketch lips. That is pretty obvious from what you have read and seen in this article. Just to recap some of the lip sketches we have studied, let\'s look at them one more time. Below is a collection of the lip sketches, grouped all together.\r\n\r\n\"sketches\r\n\r\nSo what can be learned by comparing and contrasting these lips? How can we then apply or exclude details in our future sketches of lips?\r\n\r\nFirst, we will take a look at a few commonalities. Consider these similarities as tips you should keep in mind when you sketch lips of your own:\r\n
    \r\n
  • Always look for areas of highlight in the lips you sketch. In each of the sketches above, the highlighted areas of lips are a significant part of what gives the lips form and makes them appear more realistic. There seems to always be a highlighted area on the bottom lip. Almost always, and usually less significantly, there is a highlighted area on the top lip.
    • \r\n
  • Think carefully about where darker tones should be placed. The darker tones should complement the highlights. These darker tones and the highlights are separated by a gradual transition of shading. In each sketch, the darker tones can be found along the corners of the mouth and the center of the mouth where the two lips meet.
    • \r\n
  • Draw the outline for the lips in the same manner that they appear in real life. Each example we looked at has a general shape for the top and bottom lip that you are likely to find when looking at the lips of everyday people. All the lips have a natural, rounded curve along the bottom. With the small exception of the digital example, every lip sketch has the little dip along the top ridge directly below the nose.
    • \r\n
\r\nNow, for a few noticeable differences between some of the sketches. You should also consider these differences as tips, but instead of including them in every drawing, you should consider whether or not you want to include them for each drawing on a case-by-case basis.\r\n
    \r\n
  • Not every sketch of lips has or needs a reflected highlight. In the first two sections of this article, every lip sketch has a reflected highlight along the bottom edge of the lower lip. Some of the later examples are missing this reflected highlight. This can be based either on a matter of preference or simply a lack of its noticeable presence on the reference subject.
    • \r\n
  • vertical lines and no lines
    • \r\n
  • between and around the lips (smile lines, teeth)
    • \r\n
\r\nconclusion - sketches of lips','How These Very Different Sketches of Lips Can Help You Draw Lips','','inherit','closed','closed','','3294-revision-v1','','','2016-09-08 20:38:20','2016-09-09 03:38:20','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3340,2,'2016-09-09 04:59:38','2016-09-09 11:59:38','What can 16 dissimilar sketches of lips tell you about how to draw lips?\r\n\r\nWell, if you look at each one of the sketches in this article closely enough, it turns out that these lips have a lot to say.\r\n\r\nOne of the best ways to learn how to sketch lips is to carefully study a selection of lips that have already been sketched for you. If you carefully examine enough examples of the end result, you will start to notice some interesting similarities and differences that give you insight into the process leading up to the end result.\r\n\r\nThis article is not the usual step-by-step tutorial on how to sketch a pair of lips or even how to draw lips realistically. The goal of this post is to carefully analyze various sketches of lips. First, we will seek to describe the characteristics of the lips that are present in each sketch. Then, we will move on to compare and contrast those characteristics.\r\n\r\nThe sketches of lips you will find here are of many different styles. The first section looks at the first step of drawing lips (or anything else for that matter) - the initial line drawing. Then you will see how those lips change once they have some shading. Moving on from there, we will look at lip sketches that are rough and simple as well as detailed and thorough. You will notice pencil, pen and ink, and even colored and digital media. We will look at the lips of subtle smiles as well as larger, more open smiles showing teeth. You will also study the lips of a biting mouth as well as the lips of an open mouth.\r\n\r\nBy carefully studying these 16 sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own.\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

Lip Shading Characteristics

\r\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\r\n\r\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip. The shading for this sketch could be characterized as more hatching than crosshatching.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nVertical lip lines are preserved in this example without being too harsh or prominent. There are also a range of values present. Most of the lips\' surface area has a midtone value, while the highlights remain white and the corners have darker shadow areas.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis example has a similar base value of shading for the lips and the skin surrounding the lips. Since these lips are viewed slightly from above (since the face is tilted downward), there are some darker tones along the lower part of each lip and under the bottom lip. Darker tones also exist to better portray the medial cleft between the nose and upper lip (also known as the philtrum).\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis final example does not have a line drawing preview like the others in this section, but I thought it still deserved some attention for some interesting lip shading characteristics. The graphite tones are also more blended together here.\r\n\r\n\"sketches\r\n\r\nThe above sketch shows the lips slightly darker than the surrounding skin and the top lip slightly darker than the bottom. A good reason for this is that the bottom lip has more highlighted area. I also find it noteworthy that the highlight is broken up at various spots by the vertical lip lines, some soft lines and some sharper lines, for a more natural look.\r\n\r\nAs you see from the last few lip sketches, lips can be shaded a number of ways. Tones can be applied with hatching, crosshatching, or blended together. You should always preserve highlights by making darker tones around them, and you should keep the vertical lines of the lips implied on some level.\r\n

What Can Enhance a Subtle Smiling Lips Sketch

\r\nHow can you pull off a sketch of smiling lips when the lips are not smiling a big smile? What if the smile is only a subtle smirk? The examples in the previous sections focused on only the lips. However, what creates the perception of a smile in a sketch or drawing is as much in the skin surrounding the lips than in the lips themselves. Now let\'s look at three sketches of smiling lips and the characteristic details found around the lips that help us to better notice the smile.\r\n\r\nThis first sketch is a very rough line drawing sketch. It is of a subtly smiling mouth that is turned in a profile view. It has hatching lines to indicate shading on and around the lips. The lines on the skin directly above and below the lips help to give form to the protrusion of the lips. Look in the corner of the mouth, and you can see the dark line that serves as a fold in the skin when the cheek is just beginning to help form a smile.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis next example is much more detailed than the previous line sketch. Still, there are some commonalities. The crosshatch shading above the top lip helps to form the three-dimensional appearance of this part of the mouth, including the philtrum. The shading below the bottom lip helps to distinguish the space between the bottom lip and the chin. The difference in angles between the lines on the corners of the mouth, along with the dimple on the man\'s left cheek, tell us that the man is smirking more on the left side of his face than the right side.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere is another piece of work that is on the more detailed side of lip sketches. Even though this drawing does not have the vertical lines on the corners of the mouth that are noticeable in the previous two examples, you can still tell there is a slight smile with the subject. How so? Look at how the crosshatch shading implies sunken-in cheeks. Darker areas on either side of the mouth that do not touch the mouth help to achieve this appearance.\r\n\r\n[caption id=\"attachment_3309\" align=\"aligncenter\" width=\"600\"]\"sketches
© Safa Sami | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\nWith these three examples, we learned that a smiling lips sketch can have more than just the details on the lips themselves to better portray that the lips are actually smiling. Just as important are the details on the areas of the face immediately surrounding the lips. Different subjects\' faces have different characteristics. Some people smile with dimples, some have sunken in cheeks when they smile, and everyone has variations in cheek lines that form in the corners of their mouths when they smile. Keeping these traits in mind when you sketch smiling lips will help to better enhance your sketches, too.\r\n

How Lips Can Look on a Smiling Mouth Sketch Showing Teeth

\r\nNext, we will take a look at two very different sketches of lips. Unlike the sketches in the last section, these lips are part of less subtle, more obvious smiles that also show the teeth.\r\n\r\nThis sketch is another rough line drawing sketch. It is a picture of a noticeable smile, viewed from the front. Since this is a much more noticeable smile than the smiles from the last section, you can see a sizeable portion of the subject\'s teeth. There are some characteristics surrounding the lips that we noticed before as well, such as the cheek lines at the corners of the lips and shading to show protrusion of the lips.\r\n\r\n\"sketches\r\n\r\nLooking at the lips themselves, this line sketch has what resembles vertical hatch lines to indicate shading. There are fewer lines in the front, especially on the bottom lip where you can expect some highlighting. There are more lines near the corners, where the lips curve around the face and retreat toward the back.\r\n\r\nThis next mouth sketch is certainly not your traditional sketch by any means. You can tell it was created with the assistance of some sort of digital means. Possibly due to the type of software used and its capabilities, there is a slightly unnatural shape to the overall mouth, especially the way the top lip curves downward in the middle and how the corners curve upward. Nevertheless, there is some interesting shading going on that enhances the appearance of the lips and the overall mouth.\r\n\r\n\"sketches\r\n\r\nLook first at the lower lip and the range of values present. The values are much darker along the edges. Then there are some midtone values between the edges and the highlight in the middle.\r\n\r\nSecondly, the creator of this sketch remembered something very important for a smiling mouth sketch that shows teeth. The lips cast a small shadow upon the teeth. You can see this shadow along the upper portions of the top teeth, the lower portions of the bottom teeth, and more shadow values present in the teeth that are farther back. This crucial detail was missing from the first, simpler example. The artist also remembered the dark shadow tones that the teeth should cast upon the tongue.\r\n

A Close Examination of a Biting Lip Sketch

\r\nThis is a sketch of an open mouth where the teeth are biting down on the lower, right side of the lips. It is a pen and ink sketch with lots of crosshatching used for the shading.\r\n\r\n\"sketches\r\n\r\nWhat kind of pertinent characteristics should we gather from this example if we wanted to make a biting lip sketch of our own? First of all, the part of the lower lip that is bitten by the teeth is hidden behind those teeth. More importantly, there should be focus on where the teeth meet the lip. The teeth are pulling the skin of the lower lip, thus causing \"folds\" in the skin. In the drawing above, there are three teeth making contact with the lip. If you examine very closely, you will notice one of these fold lines coming from the center of each of the three teeth. You should also notice fold lines coming from between the teeth.\r\n\r\nOther lip characteristics of this sketch are less about the biting part and more about what should be found in many other lip sketches. The lips consist of lighter tones where the light strikes them and darker tones surrounding the lighter areas and the corners of the mouth where the lips recede. You can also see reflected light along the bottom edge of the top lip.\r\n\r\nThe main thing to remember when making a biting lip sketch is to focus on the location of the bite and include the details on the lower lip that will make the appearance of the bite believable.\r\n

How Lips Can Complement Other Parts of an Open Mouth Sketch

\r\nAlthough this appears to be a rough sketch of an open mouth that might be considered an unfinished piece of work, it consists of more than one medium, and the entire piece (not shown in this excerpt) is done in what appears to be a similar, deliberate style by the artist.\r\n\r\n\"sketches\r\n\r\nAssuming this is a finished piece, the style suggests that the artist was not going for a realistic look. For example, the lips in the sketch have a heavy outline (perhaps in ink) that are not characteristic of natural-looking lips.\r\n\r\nEven so, you can tell that the artist strived to include some three-dimensional elements on the lips themselves. There are two carefully placed highlights on the top lip and two more on the bottom. These highlights, along with the darker tones receding from the front of the lips to the corners of the mouth, help to convey the appearance of form and roundness in the lips.\r\n\r\nSo how does this three-dimensional feel of the lips complement the rest of the mouth sketch? It gives the sense that the lips are protruding forward, as they should if a mouth is opened wide. The lack of detail in the tongue and other more distant parts of the inside of the mouth help the lips to \"stick out\" even more (that is, become more noticeable).\r\n

What Can We Learn from These Sketches of Lips?

\r\nThere is no question that there are many different ways to sketch lips. That is pretty obvious from what you have read and seen in this article. Just to recap some of the lip sketches we have studied, let\'s look at them one more time. Below is a collection of the 16 lip sketches, grouped all together.\r\n\r\n\"sketches\r\n\r\nSo what can be learned by comparing and contrasting these lips? How can we then apply or exclude details in our future sketches of lips?\r\n\r\nFirst, we will take a look at a few commonalities. Consider these similarities as tips you should keep in mind when you sketch lips of your own:\r\n
    \r\n
  • Always look for areas of highlight in the lips you sketch. In each of the sketches above, the highlighted areas of lips are a significant part of what gives the lips form and makes them appear more realistic. There seems to always be a highlighted area on the bottom lip. Almost always, and usually less significantly, there is a highlighted area on the top lip.
    • \r\n
  • Think carefully about where darker tones should be placed. The darker tones should complement the highlights. These darker tones and the highlights are separated by a gradual transition of shading. In each sketch, the darker tones can be found along the corners of the mouth and the center of the mouth where the two lips meet.
    • \r\n
  • Draw the outline for the lips in the same manner that they appear in real life. Each example we looked at has a general shape for the top and bottom lip that you are likely to find when looking at the lips of everyday people. All the lips have a natural, rounded curve along the bottom. With the small exception of the digital example, every lip sketch has the little dip along the top ridge directly below the nose.
    • \r\n
\r\nNow, for a few noticeable differences between some of the sketches. You should also consider these differences as tips, but instead of including or excluding them in every drawing, you should consider whether or not you want to include them for each drawing on a case-by-case basis.\r\n
    \r\n
  • Not every sketch of lips has or needs reflected light. In the first two sections of this article, every lip sketch has reflected light along the bottom edge of the lower lip. Some of the later examples are missing this reflected light. This can be based either on a matter of preference or simply a lack of its noticeable presence on the reference subject.
    • \r\n
  • Vertical lines or no vertical lines? In some of the sketches, the vertical lines that are present in real-life lips are obvious in the sketches. In a few of the other sketches, the vertical lines cannot really be seen or are subtle and more implied. Again, either can be acceptable depending on your reference, since these lines are sometimes more noticeable and other times less noticeable on the reference subject.
    • \r\n
  • between and around the lips (smile lines, teeth)
    • \r\n
\r\nconclusion - sketches of lips','How These 16 Very Different Sketches of Lips Can Help You Draw Them','','inherit','closed','closed','','3294-revision-v1','','','2016-09-09 04:59:38','2016-09-09 11:59:38','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3341,2,'2016-09-10 13:34:22','2016-09-10 20:34:22','What can 16 dissimilar sketches of lips tell you about how to draw lips?\r\n\r\nWell, if you look at each one of the sketches in this article closely enough, it turns out that these lips have a lot to say.\r\n\r\nOne of the best ways to learn how to sketch lips is to carefully study a selection of lips that have already been sketched for you. If you carefully examine enough examples of the end result, you will start to notice some interesting similarities and differences that give you insight into the process leading up to the end result.\r\n\r\nThis article is not the usual step-by-step tutorial on how to sketch a pair of lips or even how to draw lips realistically. The goal of this post is to carefully analyze various sketches of lips. First, we will seek to describe the characteristics of the lips that are present in each sketch. Then, we will move on to compare and contrast those characteristics.\r\n\r\nThe sketches of lips you will find here are of many different styles. The first section looks at the first step of drawing lips (or anything else for that matter) - the initial line drawing. Then you will see how those lips change once they have some shading. Moving on from there, we will look at lip sketches that are rough and simple as well as detailed and thorough. You will notice pencil, pen and ink, and even colored and digital media. We will look at the lips of subtle smiles as well as larger, more open smiles showing teeth. You will also study the lips of a biting mouth as well as the lips of an open mouth.\r\n\r\nBy carefully studying these 16 sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own.\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

Lip Shading Characteristics

\r\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\r\n\r\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip. The shading for this sketch could be characterized as more hatching than crosshatching.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nVertical lip lines are preserved in this example without being too harsh or prominent. There are also a range of values present. Most of the lips\' surface area has a midtone value, while the highlights remain white and the corners have darker shadow areas.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis example has a similar base value of shading for the lips and the skin surrounding the lips. Since these lips are viewed slightly from above (since the face is tilted downward), there are some darker tones along the lower part of each lip and under the bottom lip. Darker tones also exist to better portray the medial cleft between the nose and upper lip (also known as the philtrum).\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis final example does not have a line drawing preview like the others in this section, but I thought it still deserved some attention for some interesting lip shading characteristics. The graphite tones are also more blended together here.\r\n\r\n\"sketches\r\n\r\nThe above sketch shows the lips slightly darker than the surrounding skin and the top lip slightly darker than the bottom. A good reason for this is that the bottom lip has more highlighted area. I also find it noteworthy that the highlight is broken up at various spots by the vertical lip lines, some soft lines and some sharper lines, for a more natural look.\r\n\r\nAs you see from the last few lip sketches, lips can be shaded a number of ways. Tones can be applied with hatching, crosshatching, or blended together. You should always preserve highlights by making darker tones around them, and you should keep the vertical lines of the lips implied on some level.\r\n

What Can Enhance a Subtle Smiling Lips Sketch

\r\nHow can you pull off a sketch of smiling lips when the lips are not smiling a big smile? What if the smile is only a subtle smirk? The examples in the previous sections focused on only the lips. However, what creates the perception of a smile in a sketch or drawing is as much in the skin surrounding the lips than in the lips themselves. Now let\'s look at three sketches of smiling lips and the characteristic details found around the lips that help us to better notice the smile.\r\n\r\nThis first sketch is a very rough line drawing sketch. It is of a subtly smiling mouth that is turned in a profile view. It has hatching lines to indicate shading on and around the lips. The lines on the skin directly above and below the lips help to give form to the protrusion of the lips. Look in the corner of the mouth, and you can see the dark line that serves as a fold in the skin when the cheek is just beginning to help form a smile.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis next example is much more detailed than the previous line sketch. Still, there are some commonalities. The crosshatch shading above the top lip helps to form the three-dimensional appearance of this part of the mouth, including the philtrum. The shading below the bottom lip helps to distinguish the space between the bottom lip and the chin. The difference in angles between the lines on the corners of the mouth, along with the dimple on the man\'s left cheek, tell us that the man is smirking more on the left side of his face than the right side.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere is another piece of work that is on the more detailed side of lip sketches. Even though this drawing does not have the vertical lines on the corners of the mouth that are noticeable in the previous two examples, you can still tell there is a slight smile with the subject. How so? Look at how the crosshatch shading implies sunken-in cheeks. Darker areas on either side of the mouth that do not touch the mouth help to achieve this appearance.\r\n\r\n[caption id=\"attachment_3309\" align=\"aligncenter\" width=\"600\"]\"sketches
© Safa Sami | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\nWith these three examples, we learned that a smiling lips sketch can have more than just the details on the lips themselves to better portray that the lips are actually smiling. Just as important are the details on the areas of the face immediately surrounding the lips. Different subjects\' faces have different characteristics. Some people smile with dimples, some have sunken in cheeks when they smile, and everyone has variations in cheek lines that form in the corners of their mouths when they smile. Keeping these traits in mind when you sketch smiling lips will help to better enhance your sketches, too.\r\n

How Lips Can Look on a Smiling Mouth Sketch Showing Teeth

\r\nNext, we will take a look at two very different sketches of lips. Unlike the sketches in the last section, these lips are part of less subtle, more obvious smiles that also show the teeth.\r\n\r\nThis sketch is another rough line drawing sketch. It is a picture of a noticeable smile, viewed from the front. Since this is a much more noticeable smile than the smiles from the last section, you can see a sizeable portion of the subject\'s teeth. There are some characteristics surrounding the lips that we noticed before as well, such as the cheek lines at the corners of the lips and shading to show protrusion of the lips.\r\n\r\n\"sketches\r\n\r\nLooking at the lips themselves, this line sketch has what resembles vertical hatch lines to indicate shading. There are fewer lines in the front, especially on the bottom lip where you can expect some highlighting. There are more lines near the corners, where the lips curve around the face and retreat toward the back.\r\n\r\nThis next mouth sketch is certainly not your traditional sketch by any means. You can tell it was created with the assistance of some sort of digital means. Possibly due to the type of software used and its capabilities, there is a slightly unnatural shape to the overall mouth, especially the way the top lip curves downward in the middle and how the corners curve upward. Nevertheless, there is some interesting shading going on that enhances the appearance of the lips and the overall mouth.\r\n\r\n\"sketches\r\n\r\nLook first at the lower lip and the range of values present. The values are much darker along the edges. Then there are some midtone values between the edges and the highlight in the middle.\r\n\r\nSecondly, the creator of this sketch remembered something very important for a smiling mouth sketch that shows teeth. The lips cast a small shadow upon the teeth. You can see this shadow along the upper portions of the top teeth, the lower portions of the bottom teeth, and more shadow values present in the teeth that are farther back. This crucial detail was missing from the first, simpler example. The artist also remembered the dark shadow tones that the teeth should cast upon the tongue.\r\n

A Close Examination of a Biting Lip Sketch

\r\nThis is a sketch of an open mouth where the teeth are biting down on the lower, right side of the lips. It is a pen and ink sketch with lots of crosshatching used for the shading.\r\n\r\n\"sketches\r\n\r\nWhat kind of pertinent characteristics should we gather from this example if we wanted to make a biting lip sketch of our own? First of all, the part of the lower lip that is bitten by the teeth is hidden behind those teeth. More importantly, there should be focus on where the teeth meet the lip. The teeth are pulling the skin of the lower lip, thus causing \"folds\" in the skin. In the drawing above, there are three teeth making contact with the lip. If you examine very closely, you will notice one of these fold lines coming from the center of each of the three teeth. You should also notice fold lines coming from between the teeth.\r\n\r\nOther lip characteristics of this sketch are less about the biting part and more about what should be found in many other lip sketches. The lips consist of lighter tones where the light strikes them and darker tones surrounding the lighter areas and the corners of the mouth where the lips recede. You can also see reflected light along the bottom edge of the top lip.\r\n\r\nThe main thing to remember when making a biting lip sketch is to focus on the location of the bite and include the details on the lower lip that will make the appearance of the bite believable.\r\n

How Lips Can Complement Other Parts of an Open Mouth Sketch

\r\nAlthough this appears to be a rough sketch of an open mouth that might be considered an unfinished piece of work, it consists of more than one medium, and the entire piece (not shown in this excerpt) is done in what appears to be a similar, deliberate style by the artist.\r\n\r\n\"sketches\r\n\r\nAssuming this is a finished piece, the style suggests that the artist was not going for a realistic look. For example, the lips in the sketch have a heavy outline (perhaps in ink) that are not characteristic of natural-looking lips.\r\n\r\nEven so, you can tell that the artist strived to include some three-dimensional elements on the lips themselves. There are two carefully placed highlights on the top lip and two more on the bottom. These highlights, along with the darker tones receding from the front of the lips to the corners of the mouth, help to convey the appearance of form and roundness in the lips.\r\n\r\nSo how does this three-dimensional feel of the lips complement the rest of the mouth sketch? It gives the sense that the lips are protruding forward, as they should if a mouth is opened wide. The lack of detail in the tongue and other more distant parts of the inside of the mouth help the lips to \"stick out\" even more (that is, become more noticeable).\r\n

What Can We Learn from These Sketches of Lips?

\r\nThere is no question that there are many different ways to sketch lips. That is pretty obvious from what you have read and seen in this article. Just to recap some of the lip sketches we have studied, let\'s look at them one more time. Below is a collection of the 16 lip sketches, grouped all together.\r\n\r\n\"sketches\r\n\r\nSo what can be learned by comparing and contrasting these lips? How can we then apply or exclude details in our future sketches of lips?\r\n\r\nFirst, we will take a look at a few commonalities. Consider these similarities as tips you should keep in mind when you sketch lips of your own:\r\n
    \r\n
  • Always look for areas of highlight in the lips you sketch. In each of the sketches above, the highlighted areas of lips are a significant part of what gives the lips form and makes them appear more realistic. There seems to always be a highlighted area on the bottom lip. Almost always, and usually less significantly, there is a highlighted area on the top lip.
    • \r\n
  • Think carefully about where darker tones should be placed. The darker tones should complement the highlights. These darker tones and the highlights are separated by a gradual transition of shading. In each sketch, the darker tones can be found along the corners of the mouth and the center of the mouth where the two lips meet.
    • \r\n
  • Draw the outline for the lips in the same manner that they appear in real life. Each example we looked at has a general shape for the top and bottom lip that you are likely to find when looking at the lips of everyday people. All the lips have a natural, rounded curve along the bottom. With the small exception of the digital example, every lip sketch has the little dip along the top ridge directly below the nose.
    • \r\n
\r\nNow, for a few noticeable differences between some of the sketches. You should also consider these differences as tips, but instead of including or excluding them in every drawing, you should consider whether or not you want to include them for each drawing on a case-by-case basis.\r\n
    \r\n
  • Not every sketch of lips has or needs reflected light. In the first two sections of this article, every lip sketch has reflected light along the bottom edge of the lower lip. Some of the later examples are missing this reflected light. This can be based either on a matter of preference or simply a lack of its noticeable presence on the reference subject.
    • \r\n
  • Vertical lines or no vertical lines? In some of the sketches, the vertical lines that are present in real-life lips are obvious in the sketches. In a few of the other sketches, the vertical lines cannot really be seen or are subtle and more implied. Again, either can be acceptable depending on your reference, since these lines are sometimes more noticeable and other times less noticeable on the reference subject.
    • \r\n
  • Some sketches have details between and around the lips that enhance the sketch. Some of the sketches we viewed intentionally focused solely on the lips themselves. There were no surrounding skin tones or detail beyond the outer border of the lips. In these sketches, the lips were also closed. The other sketches showed the surrounding skin as an extension of the lips and mouth in general. This allowed the artists to add details that enhanced their drawings. For example, smile lines in the corners of the mouth add to the character and likeness of the subject. The same goes for those sketches that displayed opened mouths. Visible teeth and a visible portion of the tongue could complement a sketch that might seem more bland if it were just lips alone.
    • \r\n
\r\nconclusion - sketches of lips','How These 16 Very Different Sketches of Lips Can Help You Draw Them','','inherit','closed','closed','','3294-revision-v1','','','2016-09-10 13:34:22','2016-09-10 20:34:22','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3342,2,'2016-09-10 13:55:00','2016-09-10 20:55:00','What can 16 dissimilar sketches of lips tell you about how to draw lips?\r\n\r\nWell, if you look at each one of the sketches in this article closely enough, it turns out that these lips have a lot to say.\r\n\r\nOne of the best ways to learn how to sketch lips is to carefully study a selection of lips that have already been sketched for you. If you carefully examine enough examples of the end result, you will start to notice some interesting similarities and differences that give you insight into the process leading up to the end result.\r\n\r\nThis article is not the usual step-by-step tutorial on how to sketch a pair of lips or even how to draw lips realistically. The goal of this post is to carefully analyze various sketches of lips. First, we will seek to describe the characteristics of the lips that are present in each sketch. Then, we will move on to compare and contrast those characteristics.\r\n\r\nThe sketches of lips you will find here are of many different styles. The first section looks at the first step of drawing lips (or anything else for that matter) - the initial line drawing. Then you will see how those lips change once they have some shading. Moving on from there, we will look at lip sketches that are rough and simple as well as detailed and thorough. You will notice pencil, pen and ink, and even colored and digital media. We will look at the lips of subtle smiles as well as larger, more open smiles showing teeth. You will also study the lips of a biting mouth as well as the lips of an open mouth.\r\n\r\nBy carefully studying these 16 sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own.\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

Lip Shading Characteristics

\r\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\r\n\r\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip. The shading for this sketch could be characterized as more hatching than crosshatching.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nVertical lip lines are preserved in this example without being too harsh or prominent. There are also a range of values present. Most of the lips\' surface area has a midtone value, while the highlights remain white and the corners have darker shadow areas.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis example has a similar base value of shading for the lips and the skin surrounding the lips. Since these lips are viewed slightly from above (since the face is tilted downward), there are some darker tones along the lower part of each lip and under the bottom lip. Darker tones also exist to better portray the medial cleft between the nose and upper lip (also known as the philtrum).\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis final example does not have a line drawing preview like the others in this section, but I thought it still deserved some attention for some interesting lip shading characteristics. The graphite tones are also more blended together here.\r\n\r\n\"sketches\r\n\r\nThe above sketch shows the lips slightly darker than the surrounding skin and the top lip slightly darker than the bottom. A good reason for this is that the bottom lip has more highlighted area. I also find it noteworthy that the highlight is broken up at various spots by the vertical lip lines, some soft lines and some sharper lines, for a more natural look.\r\n\r\nAs you see from the last few lip sketches, lips can be shaded a number of ways. Tones can be applied with hatching, crosshatching, or blended together. You should always preserve highlights by making darker tones around them, and you should keep the vertical lines of the lips implied on some level.\r\n

What Can Enhance a Subtle Smiling Lips Sketch

\r\nHow can you pull off a sketch of smiling lips when the lips are not smiling a big smile? What if the smile is only a subtle smirk? The examples in the previous sections focused on only the lips. However, what creates the perception of a smile in a sketch or drawing is as much in the skin surrounding the lips than in the lips themselves. Now let\'s look at three sketches of smiling lips and the characteristic details found around the lips that help us to better notice the smile.\r\n\r\nThis first sketch is a very rough line drawing sketch. It is of a subtly smiling mouth that is turned in a profile view. It has hatching lines to indicate shading on and around the lips. The lines on the skin directly above and below the lips help to give form to the protrusion of the lips. Look in the corner of the mouth, and you can see the dark line that serves as a fold in the skin when the cheek is just beginning to help form a smile.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis next example is much more detailed than the previous line sketch. Still, there are some commonalities. The crosshatch shading above the top lip helps to form the three-dimensional appearance of this part of the mouth, including the philtrum. The shading below the bottom lip helps to distinguish the space between the bottom lip and the chin. The difference in angles between the lines on the corners of the mouth, along with the dimple on the man\'s left cheek, tell us that the man is smirking more on the left side of his face than the right side.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere is another piece of work that is on the more detailed side of lip sketches. Even though this drawing does not have the vertical lines on the corners of the mouth that are noticeable in the previous two examples, you can still tell there is a slight smile with the subject. How so? Look at how the crosshatch shading implies sunken-in cheeks. Darker areas on either side of the mouth that do not touch the mouth help to achieve this appearance.\r\n\r\n[caption id=\"attachment_3309\" align=\"aligncenter\" width=\"600\"]\"sketches
© Safa Sami | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\nWith these three examples, we learned that a smiling lips sketch can have more than just the details on the lips themselves to better portray that the lips are actually smiling. Just as important are the details on the areas of the face immediately surrounding the lips. Different subjects\' faces have different characteristics. Some people smile with dimples, some have sunken in cheeks when they smile, and everyone has variations in cheek lines that form in the corners of their mouths when they smile. Keeping these traits in mind when you sketch smiling lips will help to better enhance your sketches, too.\r\n

How Lips Can Look on a Smiling Mouth Sketch Showing Teeth

\r\nNext, we will take a look at two very different sketches of lips. Unlike the sketches in the last section, these lips are part of less subtle, more obvious smiles that also show the teeth.\r\n\r\nThis sketch is another rough line drawing sketch. It is a picture of a noticeable smile, viewed from the front. Since this is a much more noticeable smile than the smiles from the last section, you can see a sizeable portion of the subject\'s teeth. There are some characteristics surrounding the lips that we noticed before as well, such as the cheek lines at the corners of the lips and shading to show protrusion of the lips.\r\n\r\n\"sketches\r\n\r\nLooking at the lips themselves, this line sketch has what resembles vertical hatch lines to indicate shading. There are fewer lines in the front, especially on the bottom lip where you can expect some highlighting. There are more lines near the corners, where the lips curve around the face and retreat toward the back.\r\n\r\nThis next mouth sketch is certainly not your traditional sketch by any means. You can tell it was created with the assistance of some sort of digital means. Possibly due to the type of software used and its capabilities, there is a slightly unnatural shape to the overall mouth, especially the way the top lip curves downward in the middle and how the corners curve upward. Nevertheless, there is some interesting shading going on that enhances the appearance of the lips and the overall mouth.\r\n\r\n\"sketches\r\n\r\nLook first at the lower lip and the range of values present. The values are much darker along the edges. Then there are some midtone values between the edges and the highlight in the middle.\r\n\r\nSecondly, the creator of this sketch remembered something very important for a smiling mouth sketch that shows teeth. The lips cast a small shadow upon the teeth. You can see this shadow along the upper portions of the top teeth, the lower portions of the bottom teeth, and more shadow values present in the teeth that are farther back. This crucial detail was missing from the first, simpler example. The artist also remembered the dark shadow tones that the teeth should cast upon the tongue.\r\n

A Close Examination of a Biting Lip Sketch

\r\nThis is a sketch of an open mouth where the teeth are biting down on the lower, right side of the lips. It is a pen and ink sketch with lots of crosshatching used for the shading.\r\n\r\n\"sketches\r\n\r\nWhat kind of pertinent characteristics should we gather from this example if we wanted to make a biting lip sketch of our own? First of all, the part of the lower lip that is bitten by the teeth is hidden behind those teeth. More importantly, there should be focus on where the teeth meet the lip. The teeth are pulling the skin of the lower lip, thus causing \"folds\" in the skin. In the drawing above, there are three teeth making contact with the lip. If you examine very closely, you will notice one of these fold lines coming from the center of each of the three teeth. You should also notice fold lines coming from between the teeth.\r\n\r\nOther lip characteristics of this sketch are less about the biting part and more about what should be found in many other lip sketches. The lips consist of lighter tones where the light strikes them and darker tones surrounding the lighter areas and the corners of the mouth where the lips recede. You can also see reflected light along the bottom edge of the top lip.\r\n\r\nThe main thing to remember when making a biting lip sketch is to focus on the location of the bite and include the details on the lower lip that will make the appearance of the bite believable.\r\n

How Lips Can Complement Other Parts of an Open Mouth Sketch

\r\nAlthough this appears to be a rough sketch of an open mouth that might be considered an unfinished piece of work, it consists of more than one medium, and the entire piece (not shown in this excerpt) is done in what appears to be a similar, deliberate style by the artist.\r\n\r\n\"sketches\r\n\r\nAssuming this is a finished piece, the style suggests that the artist was not going for a realistic look. For example, the lips in the sketch have a heavy outline (perhaps in ink) that are not characteristic of natural-looking lips.\r\n\r\nEven so, you can tell that the artist strived to include some three-dimensional elements on the lips themselves. There are two carefully placed highlights on the top lip and two more on the bottom. These highlights, along with the darker tones receding from the front of the lips to the corners of the mouth, help to convey the appearance of form and roundness in the lips.\r\n\r\nSo how does this three-dimensional feel of the lips complement the rest of the mouth sketch? It gives the sense that the lips are protruding forward, as they should if a mouth is opened wide. The lack of detail in the tongue and other more distant parts of the inside of the mouth help the lips to \"stick out\" even more (that is, become more noticeable).\r\n

What Can We Learn from These Sketches of Lips?

\r\nThere is no question that there are many different ways to sketch lips. That is pretty obvious from what you have read and seen in this article. Just to recap some of the lip sketches we have studied, let\'s look at them one more time. Below is a collection of the 16 lip sketches, grouped all together.\r\n\r\n\"sketches\r\n\r\nSo what can be learned by comparing and contrasting these lips? How can we then apply or exclude details in our future sketches of lips?\r\n\r\nFirst, we will take a look at a few commonalities. Consider these similarities as tips you should keep in mind when you sketch lips of your own:\r\n
    \r\n
  • Always look for areas of highlight in the lips you sketch. In each of the sketches above, the highlighted areas of lips are a significant part of what gives the lips form and makes them appear more realistic. There seems to always be a highlighted area on the bottom lip. Almost always, and usually less significantly, there is a highlighted area on the top lip.
    • \r\n
  • Think carefully about where darker tones should be placed. The darker tones should complement the highlights. These darker tones and the highlights are separated by a gradual transition of shading. In each sketch, the darker tones can be found along the corners of the mouth and the center of the mouth where the two lips meet.
    • \r\n
  • Draw the outline for the lips in the same manner that they appear in real life. Each example we looked at has a general shape for the top and bottom lip that you are likely to find when looking at the lips of everyday people. All the lips have a natural, rounded curve along the bottom. With the small exception of the digital example, every lip sketch has the little dip along the top ridge directly below the nose.
    • \r\n
\r\nNow, for a few noticeable differences between some of the sketches. You should also consider these differences as tips, but instead of including or excluding them in every drawing, you should consider whether or not you want to include them for each drawing on a case-by-case basis.\r\n
    \r\n
  • Not every sketch of lips has or needs reflected light. In the first two sections of this article, every lip sketch has reflected light along the bottom edge of the lower lip. Some of the later examples are missing this reflected light. This can be based either on a matter of preference or simply a lack of its noticeable presence on the reference subject.
    • \r\n
  • Vertical lines or no vertical lines? In some of the sketches, the vertical lines that are present in real-life lips are obvious in the sketches. In a few of the other sketches, the vertical lines cannot really be seen or are subtle and more implied. Again, either can be acceptable depending on your reference, since these lines are sometimes more noticeable and other times less noticeable on the reference subject.
    • \r\n
  • Some sketches have details between and around the lips that enhance the sketch. Some of the sketches we viewed intentionally focused solely on the lips themselves. There were no surrounding skin tones or detail beyond the outer border of the lips. In these sketches, the lips were also closed. The other sketches showed the surrounding skin as an extension of the lips and mouth in general. This allowed the artists to add details that enhanced their drawings. For example, smile lines in the corners of the mouth add to the character and likeness of the subject. The same goes for those sketches that displayed opened mouths. Visible teeth and a visible portion of the tongue could complement a sketch that might seem more bland if it were just lips alone.
    • \r\n
\r\nBottom line, if you want to get better at drawing or sketching lips, take the time to closely study, compare, and contrast a variety of sketches of lips drawn by other artists. Looking at a multitude of examples and deciding what works in different styles and situations will do wonders for your artwork as you complete more and more lip sketches of your own.','How These 16 Very Different Sketches of Lips Can Help You Draw Them','','inherit','closed','closed','','3294-revision-v1','','','2016-09-10 13:55:00','2016-09-10 20:55:00','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3343,2,'2016-09-11 16:37:09','2016-09-11 23:37:09','What can 16 dissimilar sketches of lips tell you about how to draw lips?\n\nWell, if you look at each one of the sketches in this article closely enough, it turns out that these lips have a lot to say.\n\nOne of the best ways to learn how to sketch lips is to carefully study a selection of lips that have already been sketched for you. If you carefully examine enough examples of the end result, you will start to notice some interesting similarities and differences that give you insight into the process leading up to the end result.\n\nThis article is not the usual step-by-step tutorial on how to sketch a pair of lips or even how to draw lips realistically. The goal of this post is to carefully analyze various sketches of lips. First, we will seek to describe the characteristics of the lips that are present in each sketch. Then, we will move on to compare and contrast those characteristics.\n\nThe sketches of lips you will find here are of many different styles. The first section looks at the first step of drawing lips (or anything else for that matter) - the initial line drawing. Then you will see how those lips change once they have some shading. Moving on from there, we will look at lip sketches that are rough and simple as well as detailed and thorough. You will notice pencil, pen and ink, and even colored and digital media. We will look at the lips of subtle smiles as well as larger, more open smiles showing teeth. You will also study the lips of a biting mouth as well as the lips of an open mouth.\n\nBy carefully studying these 16 sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own. This insight will go a long way in showing yo\n

How a Simple Lips Drawing Might Look Before It Has Shading

\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\n\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\n\n\"sketches\n\n \n\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\n\n\"sketches\n\n \n\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\n\n\"sketches\n\n \n\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\n\n\"sketches\n\n \n\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\n\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\n

Lip Shading Characteristics

\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\n\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\n\n\"sketches\n\n \n\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip. The shading for this sketch could be characterized as more hatching than crosshatching.\n\n\"sketches\n\n \n\nVertical lip lines are preserved in this example without being too harsh or prominent. There are also a range of values present. Most of the lips\' surface area has a midtone value, while the highlights remain white and the corners have darker shadow areas.\n\n\"sketches\n\n \n\nThis example has a similar base value of shading for the lips and the skin surrounding the lips. Since these lips are viewed slightly from above (since the face is tilted downward), there are some darker tones along the lower part of each lip and under the bottom lip. Darker tones also exist to better portray the medial cleft between the nose and upper lip (also known as the philtrum).\n\n\"sketches\n\n \n\nThis final example does not have a line drawing preview like the others in this section, but I thought it still deserved some attention for some interesting lip shading characteristics. The graphite tones are also more blended together here.\n\n\"sketches\n\nThe above sketch shows the lips slightly darker than the surrounding skin and the top lip slightly darker than the bottom. A good reason for this is that the bottom lip has more highlighted area. I also find it noteworthy that the highlight is broken up at various spots by the vertical lip lines, some soft lines and some sharper lines, for a more natural look.\n\nAs you see from the last few lip sketches, lips can be shaded a number of ways. Tones can be applied with hatching, crosshatching, or blended together. You should always preserve highlights by making darker tones around them, and you should keep the vertical lines of the lips implied on some level.\n

What Can Enhance a Subtle Smiling Lips Sketch

\nHow can you pull off a sketch of smiling lips when the lips are not smiling a big smile? What if the smile is only a subtle smirk? The examples in the previous sections focused on only the lips. However, what creates the perception of a smile in a sketch or drawing is as much in the skin surrounding the lips than in the lips themselves. Now let\'s look at three sketches of smiling lips and the characteristic details found around the lips that help us to better notice the smile.\n\nThis first sketch is a very rough line drawing sketch. It is of a subtly smiling mouth that is turned in a profile view. It has hatching lines to indicate shading on and around the lips. The lines on the skin directly above and below the lips help to give form to the protrusion of the lips. Look in the corner of the mouth, and you can see the dark line that serves as a fold in the skin when the cheek is just beginning to help form a smile.\n\n\"sketches\n\n \n\nThis next example is much more detailed than the previous line sketch. Still, there are some commonalities. The crosshatch shading above the top lip helps to form the three-dimensional appearance of this part of the mouth, including the philtrum. The shading below the bottom lip helps to distinguish the space between the bottom lip and the chin. The difference in angles between the lines on the corners of the mouth, along with the dimple on the man\'s left cheek, tell us that the man is smirking more on the left side of his face than the right side.\n\n\"sketches\n\n \n\nHere is another piece of work that is on the more detailed side of lip sketches. Even though this drawing does not have the vertical lines on the corners of the mouth that are noticeable in the previous two examples, you can still tell there is a slight smile with the subject. How so? Look at how the crosshatch shading implies sunken-in cheeks. Darker areas on either side of the mouth that do not touch the mouth help to achieve this appearance.\n\n[caption id=\"attachment_3309\" align=\"aligncenter\" width=\"600\"]\"sketches
© Safa Sami | Dreamstime.com
[/caption]\n\n \n\nWith these three examples, we learned that a smiling lips sketch can have more than just the details on the lips themselves to better portray that the lips are actually smiling. Just as important are the details on the areas of the face immediately surrounding the lips. Different subjects\' faces have different characteristics. Some people smile with dimples, some have sunken in cheeks when they smile, and everyone has variations in cheek lines that form in the corners of their mouths when they smile. Keeping these traits in mind when you sketch smiling lips will help to better enhance your sketches, too.\n

How Lips Can Look on a Smiling Mouth Sketch Showing Teeth

\nNext, we will take a look at two very different sketches of lips. Unlike the sketches in the last section, these lips are part of less subtle, more obvious smiles that also show the teeth.\n\nThis sketch is another rough line drawing sketch. It is a picture of a noticeable smile, viewed from the front. Since this is a much more noticeable smile than the smiles from the last section, you can see a sizeable portion of the subject\'s teeth. There are some characteristics surrounding the lips that we noticed before as well, such as the cheek lines at the corners of the lips and shading to show protrusion of the lips.\n\n\"sketches\n\nLooking at the lips themselves, this line sketch has what resembles vertical hatch lines to indicate shading. There are fewer lines in the front, especially on the bottom lip where you can expect some highlighting. There are more lines near the corners, where the lips curve around the face and retreat toward the back.\n\nThis next mouth sketch is certainly not your traditional sketch by any means. You can tell it was created with the assistance of some sort of digital means. Possibly due to the type of software used and its capabilities, there is a slightly unnatural shape to the overall mouth, especially the way the top lip curves downward in the middle and how the corners curve upward. Nevertheless, there is some interesting shading going on that enhances the appearance of the lips and the overall mouth.\n\n\"sketches\n\nLook first at the lower lip and the range of values present. The values are much darker along the edges. Then there are some midtone values between the edges and the highlight in the middle.\n\nSecondly, the creator of this sketch remembered something very important for a smiling mouth sketch that shows teeth. The lips cast a small shadow upon the teeth. You can see this shadow along the upper portions of the top teeth, the lower portions of the bottom teeth, and more shadow values present in the teeth that are farther back. This crucial detail was missing from the first, simpler example. The artist also remembered the dark shadow tones that the teeth should cast upon the tongue.\n

A Close Examination of a Biting Lip Sketch

\nThis is a sketch of an open mouth where the teeth are biting down on the lower, right side of the lips. It is a pen and ink sketch with lots of crosshatching used for the shading.\n\n\"sketches\n\nWhat kind of pertinent characteristics should we gather from this example if we wanted to make a biting lip sketch of our own? First of all, the part of the lower lip that is bitten by the teeth is hidden behind those teeth. More importantly, there should be focus on where the teeth meet the lip. The teeth are pulling the skin of the lower lip, thus causing \"folds\" in the skin. In the drawing above, there are three teeth making contact with the lip. If you examine very closely, you will notice one of these fold lines coming from the center of each of the three teeth. You should also notice fold lines coming from between the teeth.\n\nOther lip characteristics of this sketch are less about the biting part and more about what should be found in many other lip sketches. The lips consist of lighter tones where the light strikes them and darker tones surrounding the lighter areas and the corners of the mouth where the lips recede. You can also see reflected light along the bottom edge of the top lip.\n\nThe main thing to remember when making a biting lip sketch is to focus on the location of the bite and include the details on the lower lip that will make the appearance of the bite believable.\n

How Lips Can Complement Other Parts of an Open Mouth Sketch

\nAlthough this appears to be a rough sketch of an open mouth that might be considered an unfinished piece of work, it consists of more than one medium, and the entire piece (not shown in this excerpt) is done in what appears to be a similar, deliberate style by the artist.\n\n\"sketches\n\nAssuming this is a finished piece, the style suggests that the artist was not going for a realistic look. For example, the lips in the sketch have a heavy outline (perhaps in ink) that are not characteristic of natural-looking lips.\n\nEven so, you can tell that the artist strived to include some three-dimensional elements on the lips themselves. There are two carefully placed highlights on the top lip and two more on the bottom. These highlights, along with the darker tones receding from the front of the lips to the corners of the mouth, help to convey the appearance of form and roundness in the lips.\n\nSo how does this three-dimensional feel of the lips complement the rest of the mouth sketch? It gives the sense that the lips are protruding forward, as they should if a mouth is opened wide. The lack of detail in the tongue and other more distant parts of the inside of the mouth help the lips to \"stick out\" even more (that is, become more noticeable).\n

What Can We Learn from These Sketches of Lips?

\nThere is no question that there are many different ways to sketch lips. That is pretty obvious from what you have read and seen in this article. Just to recap some of the lip sketches we have studied, let\'s look at them one more time. Below is a collection of the 16 lip sketches, grouped all together.\n\n\"sketches\n\nSo what can be learned by comparing and contrasting these lips? How can we then apply or exclude details in our future sketches of lips?\n\nFirst, we will take a look at a few commonalities. Consider these similarities as tips you should keep in mind when you sketch lips of your own:\n
    \n
  • Always look for areas of highlight in the lips you sketch. In each of the sketches above, the highlighted areas of lips are a significant part of what gives the lips form and makes them appear more realistic. There seems to always be a highlighted area on the bottom lip. Almost always, and usually less significantly, there is a highlighted area on the top lip.
    • \n
  • Think carefully about where darker tones should be placed. The darker tones should complement the highlights. These darker tones and the highlights are separated by a gradual transition of shading. In each sketch, the darker tones can be found along the corners of the mouth and the center of the mouth where the two lips meet.
    • \n
  • Draw the outline for the lips in the same manner that they appear in real life. Each example we looked at has a general shape for the top and bottom lip that you are likely to find when looking at the lips of everyday people. All the lips have a natural, rounded curve along the bottom. With the small exception of the digital example, every lip sketch has the little dip along the top ridge directly below the nose.
    • \n
\nNow, for a few noticeable differences between some of the sketches. You should also consider these differences as tips, but instead of including or excluding them in every drawing, you should consider whether or not you want to include them for each drawing on a case-by-case basis.\n
    \n
  • Not every sketch of lips has or needs reflected light. In the first two sections of this article, every lip sketch has reflected light along the bottom edge of the lower lip. Some of the later examples are missing this reflected light. This can be based either on a matter of preference or simply a lack of its noticeable presence on the reference subject.
    • \n
  • Vertical lines or no vertical lines? In some of the sketches, the vertical lines that are present in real-life lips are obvious in the sketches. In a few of the other sketches, the vertical lines cannot really be seen or are subtle and more implied. Again, either can be acceptable depending on your reference, since these lines are sometimes more noticeable and other times less noticeable on the reference subject.
    • \n
  • Some sketches have details between and around the lips that enhance the sketch. Some of the sketches we viewed intentionally focused solely on the lips themselves. There were no surrounding skin tones or detail beyond the outer border of the lips. In these sketches, the lips were also closed. The other sketches showed the surrounding skin as an extension of the lips and mouth in general. This allowed the artists to add details that enhanced their drawings. For example, smile lines in the corners of the mouth add to the character and likeness of the subject. The same goes for those sketches that displayed opened mouths. Visible teeth and a visible portion of the tongue could complement a sketch that might seem more bland if it were just lips alone.
    • \n
\nBottom line, if you want to get better at drawing or sketching lips, take the time to closely study, compare, and contrast a variety of sketches of lips drawn by other artists. If you want to learn how to draw a mouth, looking at a multitude of examples and deciding what works in different styles and situations will do wonders for your artwork as you complete more and more sketches and drawings of your own.','How These 16 Very Different Sketches of Lips Can Help You Draw Them','','inherit','closed','closed','','3294-autosave-v1','','','2016-09-11 16:37:09','2016-09-11 23:37:09','',3294,'http://www.letsdrawpeople.com/3294-autosave-v1/',0,'revision','',0),(3344,2,'2016-09-10 14:26:46','2016-09-10 21:26:46','What can 16 dissimilar sketches of lips tell you about how to draw lips?\r\n\r\nWell, if you look at each one of the sketches in this article closely enough, it turns out that these lips have a lot to say.\r\n\r\nOne of the best ways to learn how to sketch lips is to carefully study a selection of lips that have already been sketched for you. If you carefully examine enough examples of the end result, you will start to notice some interesting similarities and differences that give you insight into the process leading up to the end result.\r\n\r\nThis article is not the usual step-by-step tutorial on how to sketch a pair of lips or even how to draw lips realistically. The goal of this post is to carefully analyze various sketches of lips. First, we will seek to describe the characteristics of the lips that are present in each sketch. Then, we will move on to compare and contrast those characteristics.\r\n\r\nThe sketches of lips you will find here are of many different styles. The first section looks at the first step of drawing lips (or anything else for that matter) - the initial line drawing. Then you will see how those lips change once they have some shading. Moving on from there, we will look at lip sketches that are rough and simple as well as detailed and thorough. You will notice pencil, pen and ink, and even colored and digital media. We will look at the lips of subtle smiles as well as larger, more open smiles showing teeth. You will also study the lips of a biting mouth as well as the lips of an open mouth.\r\n\r\nBy carefully studying these 16 sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own.\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

Lip Shading Characteristics

\r\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\r\n\r\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip. The shading for this sketch could be characterized as more hatching than crosshatching.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nVertical lip lines are preserved in this example without being too harsh or prominent. There are also a range of values present. Most of the lips\' surface area has a midtone value, while the highlights remain white and the corners have darker shadow areas.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis example has a similar base value of shading for the lips and the skin surrounding the lips. Since these lips are viewed slightly from above (since the face is tilted downward), there are some darker tones along the lower part of each lip and under the bottom lip. Darker tones also exist to better portray the medial cleft between the nose and upper lip (also known as the philtrum).\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis final example does not have a line drawing preview like the others in this section, but I thought it still deserved some attention for some interesting lip shading characteristics. The graphite tones are also more blended together here.\r\n\r\n\"sketches\r\n\r\nThe above sketch shows the lips slightly darker than the surrounding skin and the top lip slightly darker than the bottom. A good reason for this is that the bottom lip has more highlighted area. I also find it noteworthy that the highlight is broken up at various spots by the vertical lip lines, some soft lines and some sharper lines, for a more natural look.\r\n\r\nAs you see from the last few lip sketches, lips can be shaded a number of ways. Tones can be applied with hatching, crosshatching, or blended together. You should always preserve highlights by making darker tones around them, and you should keep the vertical lines of the lips implied on some level.\r\n

What Can Enhance a Subtle Smiling Lips Sketch

\r\nHow can you pull off a sketch of smiling lips when the lips are not smiling a big smile? What if the smile is only a subtle smirk? The examples in the previous sections focused on only the lips. However, what creates the perception of a smile in a sketch or drawing is as much in the skin surrounding the lips than in the lips themselves. Now let\'s look at three sketches of smiling lips and the characteristic details found around the lips that help us to better notice the smile.\r\n\r\nThis first sketch is a very rough line drawing sketch. It is of a subtly smiling mouth that is turned in a profile view. It has hatching lines to indicate shading on and around the lips. The lines on the skin directly above and below the lips help to give form to the protrusion of the lips. Look in the corner of the mouth, and you can see the dark line that serves as a fold in the skin when the cheek is just beginning to help form a smile.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis next example is much more detailed than the previous line sketch. Still, there are some commonalities. The crosshatch shading above the top lip helps to form the three-dimensional appearance of this part of the mouth, including the philtrum. The shading below the bottom lip helps to distinguish the space between the bottom lip and the chin. The difference in angles between the lines on the corners of the mouth, along with the dimple on the man\'s left cheek, tell us that the man is smirking more on the left side of his face than the right side.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere is another piece of work that is on the more detailed side of lip sketches. Even though this drawing does not have the vertical lines on the corners of the mouth that are noticeable in the previous two examples, you can still tell there is a slight smile with the subject. How so? Look at how the crosshatch shading implies sunken-in cheeks. Darker areas on either side of the mouth that do not touch the mouth help to achieve this appearance.\r\n\r\n[caption id=\"attachment_3309\" align=\"aligncenter\" width=\"600\"]\"sketches
© Safa Sami | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\nWith these three examples, we learned that a smiling lips sketch can have more than just the details on the lips themselves to better portray that the lips are actually smiling. Just as important are the details on the areas of the face immediately surrounding the lips. Different subjects\' faces have different characteristics. Some people smile with dimples, some have sunken in cheeks when they smile, and everyone has variations in cheek lines that form in the corners of their mouths when they smile. Keeping these traits in mind when you sketch smiling lips will help to better enhance your sketches, too.\r\n

How Lips Can Look on a Smiling Mouth Sketch Showing Teeth

\r\nNext, we will take a look at two very different sketches of lips. Unlike the sketches in the last section, these lips are part of less subtle, more obvious smiles that also show the teeth.\r\n\r\nThis sketch is another rough line drawing sketch. It is a picture of a noticeable smile, viewed from the front. Since this is a much more noticeable smile than the smiles from the last section, you can see a sizeable portion of the subject\'s teeth. There are some characteristics surrounding the lips that we noticed before as well, such as the cheek lines at the corners of the lips and shading to show protrusion of the lips.\r\n\r\n\"sketches\r\n\r\nLooking at the lips themselves, this line sketch has what resembles vertical hatch lines to indicate shading. There are fewer lines in the front, especially on the bottom lip where you can expect some highlighting. There are more lines near the corners, where the lips curve around the face and retreat toward the back.\r\n\r\nThis next mouth sketch is certainly not your traditional sketch by any means. You can tell it was created with the assistance of some sort of digital means. Possibly due to the type of software used and its capabilities, there is a slightly unnatural shape to the overall mouth, especially the way the top lip curves downward in the middle and how the corners curve upward. Nevertheless, there is some interesting shading going on that enhances the appearance of the lips and the overall mouth.\r\n\r\n\"sketches\r\n\r\nLook first at the lower lip and the range of values present. The values are much darker along the edges. Then there are some midtone values between the edges and the highlight in the middle.\r\n\r\nSecondly, the creator of this sketch remembered something very important for a smiling mouth sketch that shows teeth. The lips cast a small shadow upon the teeth. You can see this shadow along the upper portions of the top teeth, the lower portions of the bottom teeth, and more shadow values present in the teeth that are farther back. This crucial detail was missing from the first, simpler example. The artist also remembered the dark shadow tones that the teeth should cast upon the tongue.\r\n

A Close Examination of a Biting Lip Sketch

\r\nThis is a sketch of an open mouth where the teeth are biting down on the lower, right side of the lips. It is a pen and ink sketch with lots of crosshatching used for the shading.\r\n\r\n\"sketches\r\n\r\nWhat kind of pertinent characteristics should we gather from this example if we wanted to make a biting lip sketch of our own? First of all, the part of the lower lip that is bitten by the teeth is hidden behind those teeth. More importantly, there should be focus on where the teeth meet the lip. The teeth are pulling the skin of the lower lip, thus causing \"folds\" in the skin. In the drawing above, there are three teeth making contact with the lip. If you examine very closely, you will notice one of these fold lines coming from the center of each of the three teeth. You should also notice fold lines coming from between the teeth.\r\n\r\nOther lip characteristics of this sketch are less about the biting part and more about what should be found in many other lip sketches. The lips consist of lighter tones where the light strikes them and darker tones surrounding the lighter areas and the corners of the mouth where the lips recede. You can also see reflected light along the bottom edge of the top lip.\r\n\r\nThe main thing to remember when making a biting lip sketch is to focus on the location of the bite and include the details on the lower lip that will make the appearance of the bite believable.\r\n

How Lips Can Complement Other Parts of an Open Mouth Sketch

\r\nAlthough this appears to be a rough sketch of an open mouth that might be considered an unfinished piece of work, it consists of more than one medium, and the entire piece (not shown in this excerpt) is done in what appears to be a similar, deliberate style by the artist.\r\n\r\n\"sketches\r\n\r\nAssuming this is a finished piece, the style suggests that the artist was not going for a realistic look. For example, the lips in the sketch have a heavy outline (perhaps in ink) that are not characteristic of natural-looking lips.\r\n\r\nEven so, you can tell that the artist strived to include some three-dimensional elements on the lips themselves. There are two carefully placed highlights on the top lip and two more on the bottom. These highlights, along with the darker tones receding from the front of the lips to the corners of the mouth, help to convey the appearance of form and roundness in the lips.\r\n\r\nSo how does this three-dimensional feel of the lips complement the rest of the mouth sketch? It gives the sense that the lips are protruding forward, as they should if a mouth is opened wide. The lack of detail in the tongue and other more distant parts of the inside of the mouth help the lips to \"stick out\" even more (that is, become more noticeable).\r\n

What Can We Learn from These Sketches of Lips?

\r\nThere is no question that there are many different ways to sketch lips. That is pretty obvious from what you have read and seen in this article. Just to recap some of the lip sketches we have studied, let\'s look at them one more time. Below is a collection of the 16 lip sketches, grouped all together.\r\n\r\n\"sketches\r\n\r\nSo what can be learned by comparing and contrasting these lips? How can we then apply or exclude details in our future sketches of lips?\r\n\r\nFirst, we will take a look at a few commonalities. Consider these similarities as tips you should keep in mind when you sketch lips of your own:\r\n
    \r\n
  • Always look for areas of highlight in the lips you sketch. In each of the sketches above, the highlighted areas of lips are a significant part of what gives the lips form and makes them appear more realistic. There seems to always be a highlighted area on the bottom lip. Almost always, and usually less significantly, there is a highlighted area on the top lip.
    • \r\n
  • Think carefully about where darker tones should be placed. The darker tones should complement the highlights. These darker tones and the highlights are separated by a gradual transition of shading. In each sketch, the darker tones can be found along the corners of the mouth and the center of the mouth where the two lips meet.
    • \r\n
  • Draw the outline for the lips in the same manner that they appear in real life. Each example we looked at has a general shape for the top and bottom lip that you are likely to find when looking at the lips of everyday people. All the lips have a natural, rounded curve along the bottom. With the small exception of the digital example, every lip sketch has the little dip along the top ridge directly below the nose.
    • \r\n
\r\nNow, for a few noticeable differences between some of the sketches. You should also consider these differences as tips, but instead of including or excluding them in every drawing, you should consider whether or not you want to include them for each drawing on a case-by-case basis.\r\n
    \r\n
  • Not every sketch of lips has or needs reflected light. In the first two sections of this article, every lip sketch has reflected light along the bottom edge of the lower lip. Some of the later examples are missing this reflected light. This can be based either on a matter of preference or simply a lack of its noticeable presence on the reference subject.
    • \r\n
  • Vertical lines or no vertical lines? In some of the sketches, the vertical lines that are present in real-life lips are obvious in the sketches. In a few of the other sketches, the vertical lines cannot really be seen or are subtle and more implied. Again, either can be acceptable depending on your reference, since these lines are sometimes more noticeable and other times less noticeable on the reference subject.
    • \r\n
  • Some sketches have details between and around the lips that enhance the sketch. Some of the sketches we viewed intentionally focused solely on the lips themselves. There were no surrounding skin tones or detail beyond the outer border of the lips. In these sketches, the lips were also closed. The other sketches showed the surrounding skin as an extension of the lips and mouth in general. This allowed the artists to add details that enhanced their drawings. For example, smile lines in the corners of the mouth add to the character and likeness of the subject. The same goes for those sketches that displayed opened mouths. Visible teeth and a visible portion of the tongue could complement a sketch that might seem more bland if it were just lips alone.
    • \r\n
\r\nBottom line, if you want to get better at drawing or sketching lips, take the time to closely study, compare, and contrast a variety of sketches of lips drawn by other artists. Looking at a multitude of examples and deciding what works in different styles and situations will do wonders for your artwork as you complete more and more lip sketches of your own.','How These 16 Very Different Sketches of Lips Can Help You Draw Them','','inherit','closed','closed','','3294-revision-v1','','','2016-09-10 14:26:46','2016-09-10 21:26:46','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3345,2,'2016-09-11 16:31:24','2016-09-11 23:31:24','Learning how to draw tennis shoes is a great way to practice observing fine details and enhance your drawing skills. To start, you can freehand draw the tennis shoes on your drawing paper, but I chose to create a grid drawing to ensure I captured the accurate proportions of my shoes. Here is the reference picture I used.\n\n[caption id=\"attachment_2618\" align=\"aligncenter\" width=\"533\"]\"
© Zorandim | Dreamstime.com
[/caption]\n\nMy drawing paper size is 8.5 x 11 inches, so I printed out my reference picture to be half that size, 4.25 x 5.5 inches. Whatever size your drawing paper is, divide each side by two, and print your reference picture in that size.\n\nAnother helpful tip is to print out your reference picture in black and white so you can easily see the different values to create later on.\n\nI created a 1-inch grid on my reference picture, and a 2-inch grid on my drawing paper, leaving me with the same number of boxes on both pieces of paper.\n\nTo use a grid to draw, we\'re basically going to focus on drawing what we see in each square and draw one square at a time.\n\n\"01\n\n \n\nTo start, I counted 3 squares down and 2 squares over on both of my grids. This is the square I will start drawing.\n\n\"02\n\nWhen using a grid to draw, it is important to focus just on that square and observe where each line or object fits in that particular square. I first started drawing the outline of the shoe, and then added the details and the shoelaces.\n\nOnce you draw everything you see in one square, you are ready to move on to the next. I chose to move down to the square directly below the one we just drew. If you find it difficult to draw what you see in a particular square, you can always divide the square into 4 smaller squares so you are focusing on smaller areas at a time.\n\nTo do this, divide the square on your reference picture in half horizontally and vertically. Do the same on your drawing paper so you are left with 4 smaller squares. Now you can focus on drawing what you see in each smaller square.\n\n\"03\n\n \n\nContinue moving to each square, drawing the outline of the shoes and adding the details you see as you go. If some details seem too overwhelming to draw at first, it\'s okay to make your own artistic decisions and leave some details out of your drawing to make it your own. However, it can be a good challenge to draw all of the fine details you see.\n\n\"04\n\n \n\nWhen you have your basic line drawing completed, it should look something like this:\n\n\"05\n\n \n\nDouble check to make sure you have everything drawn in each square, and next you are ready to erase your grid lines. Since I\'m just focusing on the shoes for this tutorial, I\'m only going to erase the grid lines only from the shoe area.\n\n\"06\n\nNow you have a basic drawing of tennis shoes! In order to really bring your drawing to life, it\'s important to add value. To do this, I\'m using an HB (also known as a #2) pencil and a blending stump.\n\nWhen we add value, we\'re referring to the differences between lights and darks, or highlights and shadows, and you always want at least 3 distinctly different values for a realistic drawing.\n\nWhen you first start, find your midtones, or the values that are in between your darkest shadow and your lightest highlight. Hold your pencil at an angle and use the side of your pencil to shade in the midtone area using medium pressure.\n\nNext, find areas that have darker shadows and shade while applying more pressure with your pencil to create a darker value. For areas that are highlighted, you can leave them the white of your paper or erase them later.\n\n\"07\n\n \n\nWhen you have an area shaded in with pencil, you can use a blending stump to create an even tone and heighten the realistic qualities of your drawing. Make sure to use the side of your blending stump, not the tip; otherwise, you will flatten the fine point.\n\n\"08\n\n \n\nContinue this process throughout the entire drawing, starting with midtones, and layering shadows on top with more pressure. As you can see from this progression of adding value, working in layers is very helpful, and your first layer of graphite pencil will not be your last. The closer you can identify and create the subtle value changes, the more realistic your drawing will become.\n\n\"09\n\n \n\nHere is our final product! I created this drawing using only one drawing pencil (HB or #2), but you can explore using a variety of drawing pencils to get even more contrast to create even more realistic qualities.\n\n\"how\n\nWhen it comes to learning how to draw shoes, just remember...the more you practice drawing, the more comfortable you will get with adding fine details and a variety of values. Enjoy, and keep drawing!','How to Draw Tennis Shoes Using a Grid','','inherit','closed','closed','','3010-autosave-v1','','','2016-09-11 16:31:24','2016-09-11 23:31:24','',3010,'http://www.letsdrawpeople.com/3010-autosave-v1/',0,'revision','',0),(3346,2,'2016-09-11 05:25:24','2016-09-11 12:25:24','Learning to draw shoes is a great way to practice observing fine details and enhance your drawing skills. To start, you can freehand draw the tennis shoes on your drawing paper, but I chose to create a grid drawing to ensure I captured the accurate proportions of my shoes. My drawing paper size is 8.5 x 11 inches, so I printed out my reference picture to be half that size, 4.25 x 5.5 inches. Whatever size your drawing paper is, divide each side by two, and print your reference picture in that size.\r\n\r\nI created a 1-inch grid on my reference picture, and a 2-inch grid on my drawing paper, leaving me with the same number of boxes on both pieces of paper.\r\n\r\nTo use a grid to draw, we\'re basically going to focus on drawing what we see in each square and draw one square at a time.\r\n\r\n\"IMG_20160207_160032639\"\r\n\r\nTo start, I counted 3 squares down and 2 squares over on both of my grids. This is the square I will start drawing.\r\n\r\n\"IMG_20160207_160655676\"\r\n\r\nWhen using a grid to draw, it is important to focus just on that square and observe where each line or object fits in that particular square. I first started drawing the outline of the shoe, and then added the details and the shoelaces.\r\n\r\nOnce you draw everything you see in one square, you are ready to move on to the next. I chose to move down to the square directly below the one we just drew. If you find it difficult to draw what you see in a particular square, you can always divide the square into 4 smaller squares so you are focusing on smaller areas at a time. To do this, divide the square on your reference picture in half horizontally and vertically. Do the same on your drawing paper so you are left with 4 smaller squares. Now you can focus on drawing what you see in each smaller square.\r\n\r\n\"IMG_20160207_160932176\"\r\n\r\nContinue moving to each square, drawing the outline of the shoes and adding the details you see as you go. If some details seem too overwhelming to draw at first, it\'s okay to make your own artistic decisions and leave some details out of your drawing to make it your own. However, it can be a good challenge to draw all of the fine details you see.\r\n\r\n\"IMG_20160207_183744042\"\r\n\r\nWhen you have your basic line drawing completed, it should look something like this:\r\n\r\n\"IMG_20160207_185009250_TOP\"\r\n\r\nDouble check to make sure you have everything drawn in each square, and next you are ready to erase your grid lines. Since I\'m just focusing on the shoes for this tutorial, I\'m only going to erase the grid lines only from the shoe area.\r\n\r\n\"IMG_20160207_185451456\"\r\n\r\nNow you have a basic drawing of tennis shoes! In order to really bring your drawing to life, it\'s important to add value. To do this, I\'m using an HB (also known as a #2) pencil and a blending stump. When we add value, we\'re referring to the differences between lights and darks, or highlights and shadows, and you always want at least 3 distinctly different values for a realistic drawing. When you first start, find your midtones, or the values that are in between your darkest shadow and your lightest highlight. Hold your pencil at an angle and use the side of your pencil to shade in the midtone area using medium pressure.\r\n\r\nNext, find areas that have darker shadows and shade while applying more pressure with your pencil to create a darker value. For areas that are highlighted, you can leave them the white of your paper or erase them later.\r\n\r\n\"IMG_20160207_191345207\"\r\n\r\nWhen you have an area shaded in with pencil, you can use a blending stump to create an even tone and heighten the realistic qualities of your drawing. Make sure to use the side of your blending stump, not the tip; otherwise, you will flatten the fine point.\r\n\r\n\"IMG_20160207_193254433\"\r\n\r\nContinue this process throughout the entire drawing, starting with midtones, and layering shadows on top with more pressure.\r\n\r\n\"IMG_20160207_203013255\"\r\n\r\nAs you can see from this progression of adding value, working in layers is very helpful, and your first layer of graphite pencil will not be your last. The closer you can identify and create the subtle value changes, the more realistic your drawing will become. Another helpful tip is to print out your reference picture in black and white so you can easily see the different values to create.\r\n\r\n\"IMG_20160207_203727906\"\r\n\r\nHere is our final product! I created this drawing using only one drawing pencil (HB or #2), but you can explore using a variety of drawing pencils to get even more contrast to create even more realistic qualities.\r\n\r\n\"IMG_20160207_205541936\"\r\n\r\nThe more you practice drawing, the more comfortable you will get with adding fine details and a variety of values. Enjoy, and keep drawing!\r\n\r\n ','How to Draw Tennis Shoes Using a Grid','','inherit','closed','closed','','3010-revision-v1','','','2016-09-11 05:25:24','2016-09-11 12:25:24','',3010,'http://www.letsdrawpeople.com/3010-revision-v1/',0,'revision','',0),(3348,2,'2016-09-11 08:06:20','2016-09-11 15:06:20','','01 how to draw tennis shoes','','inherit','open','closed','','01-how-to-draw-tennis-shoes','','','2016-09-11 08:06:20','2016-09-11 15:06:20','',3010,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/01-how-to-draw-tennis-shoes.jpg',0,'attachment','image/jpeg',0),(3347,2,'2016-09-11 05:59:37','2016-09-11 12:59:37','Learning to draw shoes is a great way to practice observing fine details and enhance your drawing skills. To start, you can freehand draw the tennis shoes on your drawing paper, but I chose to create a grid drawing to ensure I captured the accurate proportions of my shoes. Here is the reference picture I used.\r\n\r\n[caption id=\"attachment_2618\" align=\"aligncenter\" width=\"533\"]\"
© Zorandim | Dreamstime.com
[/caption]\r\n\r\nMy drawing paper size is 8.5 x 11 inches, so I printed out my reference picture to be half that size, 4.25 x 5.5 inches. Whatever size your drawing paper is, divide each side by two, and print your reference picture in that size.\r\n\r\nAnother helpful tip is to print out your reference picture in black and white so you can easily see the different values to create later on.\r\n\r\nI created a 1-inch grid on my reference picture, and a 2-inch grid on my drawing paper, leaving me with the same number of boxes on both pieces of paper.\r\n\r\nTo use a grid to draw, we\'re basically going to focus on drawing what we see in each square and draw one square at a time.\r\n\r\n\"IMG_20160207_160032639\"\r\n\r\nTo start, I counted 3 squares down and 2 squares over on both of my grids. This is the square I will start drawing.\r\n\r\n\"IMG_20160207_160655676\"\r\n\r\nWhen using a grid to draw, it is important to focus just on that square and observe where each line or object fits in that particular square. I first started drawing the outline of the shoe, and then added the details and the shoelaces.\r\n\r\nOnce you draw everything you see in one square, you are ready to move on to the next. I chose to move down to the square directly below the one we just drew. If you find it difficult to draw what you see in a particular square, you can always divide the square into 4 smaller squares so you are focusing on smaller areas at a time. To do this, divide the square on your reference picture in half horizontally and vertically. Do the same on your drawing paper so you are left with 4 smaller squares. Now you can focus on drawing what you see in each smaller square.\r\n\r\n\"IMG_20160207_160932176\"\r\n\r\nContinue moving to each square, drawing the outline of the shoes and adding the details you see as you go. If some details seem too overwhelming to draw at first, it\'s okay to make your own artistic decisions and leave some details out of your drawing to make it your own. However, it can be a good challenge to draw all of the fine details you see.\r\n\r\n\"IMG_20160207_183744042\"\r\n\r\nWhen you have your basic line drawing completed, it should look something like this:\r\n\r\n\"IMG_20160207_185009250_TOP\"\r\n\r\nDouble check to make sure you have everything drawn in each square, and next you are ready to erase your grid lines. Since I\'m just focusing on the shoes for this tutorial, I\'m only going to erase the grid lines only from the shoe area.\r\n\r\n\"IMG_20160207_185451456\"\r\n\r\nNow you have a basic drawing of tennis shoes! In order to really bring your drawing to life, it\'s important to add value. To do this, I\'m using an HB (also known as a #2) pencil and a blending stump. When we add value, we\'re referring to the differences between lights and darks, or highlights and shadows, and you always want at least 3 distinctly different values for a realistic drawing. When you first start, find your midtones, or the values that are in between your darkest shadow and your lightest highlight. Hold your pencil at an angle and use the side of your pencil to shade in the midtone area using medium pressure.\r\n\r\nNext, find areas that have darker shadows and shade while applying more pressure with your pencil to create a darker value. For areas that are highlighted, you can leave them the white of your paper or erase them later.\r\n\r\n\"IMG_20160207_191345207\"\r\n\r\nWhen you have an area shaded in with pencil, you can use a blending stump to create an even tone and heighten the realistic qualities of your drawing. Make sure to use the side of your blending stump, not the tip; otherwise, you will flatten the fine point.\r\n\r\n\"IMG_20160207_193254433\"\r\n\r\nContinue this process throughout the entire drawing, starting with midtones, and layering shadows on top with more pressure.\r\n\r\n\"IMG_20160207_203013255\"\r\n\r\nAs you can see from this progression of adding value, working in layers is very helpful, and your first layer of graphite pencil will not be your last. The closer you can identify and create the subtle value changes, the more realistic your drawing will become.\r\n\r\n\"IMG_20160207_203727906\"\r\n\r\nHere is our final product! I created this drawing using only one drawing pencil (HB or #2), but you can explore using a variety of drawing pencils to get even more contrast to create even more realistic qualities.\r\n\r\n\"IMG_20160207_205541936\"\r\n\r\nThe more you practice drawing, the more comfortable you will get with adding fine details and a variety of values. Enjoy, and keep drawing!\r\n\r\n ','How to Draw Tennis Shoes Using a Grid','','inherit','closed','closed','','3010-revision-v1','','','2016-09-11 05:59:37','2016-09-11 12:59:37','',3010,'http://www.letsdrawpeople.com/3010-revision-v1/',0,'revision','',0),(3349,2,'2016-09-11 08:06:22','2016-09-11 15:06:22','','02 how to draw tennis shoes','','inherit','open','closed','','02-how-to-draw-tennis-shoes','','','2016-09-11 08:06:22','2016-09-11 15:06:22','',3010,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/02-how-to-draw-tennis-shoes.jpg',0,'attachment','image/jpeg',0),(3350,2,'2016-09-11 08:06:24','2016-09-11 15:06:24','','03 how to draw tennis shoes','','inherit','open','closed','','03-how-to-draw-tennis-shoes','','','2016-09-11 08:06:24','2016-09-11 15:06:24','',3010,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/03-how-to-draw-tennis-shoes.jpg',0,'attachment','image/jpeg',0),(3351,2,'2016-09-11 08:06:26','2016-09-11 15:06:26','','04 how to draw tennis shoes','','inherit','open','closed','','04-how-to-draw-tennis-shoes','','','2016-09-11 08:06:26','2016-09-11 15:06:26','',3010,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/04-how-to-draw-tennis-shoes.jpg',0,'attachment','image/jpeg',0),(3352,2,'2016-09-11 08:06:29','2016-09-11 15:06:29','','05 how to draw tennis shoes','','inherit','open','closed','','05-how-to-draw-tennis-shoes','','','2016-09-11 08:06:29','2016-09-11 15:06:29','',3010,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/05-how-to-draw-tennis-shoes.jpg',0,'attachment','image/jpeg',0),(3353,2,'2016-09-11 08:06:30','2016-09-11 15:06:30','','06 how to draw tennis shoes','','inherit','open','closed','','06-how-to-draw-tennis-shoes','','','2016-09-11 08:06:30','2016-09-11 15:06:30','',3010,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/06-how-to-draw-tennis-shoes.jpg',0,'attachment','image/jpeg',0),(3354,2,'2016-09-11 08:06:32','2016-09-11 15:06:32','','07 how to draw tennis shoes','','inherit','open','closed','','07-how-to-draw-tennis-shoes','','','2016-09-11 08:06:32','2016-09-11 15:06:32','',3010,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/07-how-to-draw-tennis-shoes.jpg',0,'attachment','image/jpeg',0),(3355,2,'2016-09-11 08:06:35','2016-09-11 15:06:35','','08 how to draw tennis shoes','','inherit','open','closed','','08-how-to-draw-tennis-shoes','','','2016-09-11 08:06:35','2016-09-11 15:06:35','',3010,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/08-how-to-draw-tennis-shoes.jpg',0,'attachment','image/jpeg',0),(3356,2,'2016-09-11 08:06:37','2016-09-11 15:06:37','','09 how to draw tennis shoes','','inherit','open','closed','','09-how-to-draw-tennis-shoes','','','2016-09-11 08:06:37','2016-09-11 15:06:37','',3010,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/09-how-to-draw-tennis-shoes.jpg',0,'attachment','image/jpeg',0),(3357,2,'2016-09-11 08:06:40','2016-09-11 15:06:40','','how to draw tennis shoes','','inherit','open','closed','','how-to-draw-tennis-shoes','','','2016-09-11 08:06:40','2016-09-11 15:06:40','',3010,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/how-to-draw-tennis-shoes.jpg',0,'attachment','image/jpeg',0),(3359,2,'2016-09-11 10:18:14','2016-09-11 17:18:14','Learning to how to draw tennis shoes is a great way to practice observing fine details and enhance your drawing skills. To start, you can freehand draw the tennis shoes on your drawing paper, but I chose to create a grid drawing to ensure I captured the accurate proportions of my shoes. Here is the reference picture I used.\r\n\r\n[caption id=\"attachment_2618\" align=\"aligncenter\" width=\"533\"]\"
© Zorandim | Dreamstime.com
[/caption]\r\n\r\nMy drawing paper size is 8.5 x 11 inches, so I printed out my reference picture to be half that size, 4.25 x 5.5 inches. Whatever size your drawing paper is, divide each side by two, and print your reference picture in that size.\r\n\r\nAnother helpful tip is to print out your reference picture in black and white so you can easily see the different values to create later on.\r\n\r\nI created a 1-inch grid on my reference picture, and a 2-inch grid on my drawing paper, leaving me with the same number of boxes on both pieces of paper.\r\n\r\nTo use a grid to draw, we\'re basically going to focus on drawing what we see in each square and draw one square at a time.\r\n\r\n\"01\r\n\r\nTo start, I counted 3 squares down and 2 squares over on both of my grids. This is the square I will start drawing.\r\n\r\n\"02\r\n\r\nWhen using a grid to draw, it is important to focus just on that square and observe where each line or object fits in that particular square. I first started drawing the outline of the shoe, and then added the details and the shoelaces.\r\n\r\nOnce you draw everything you see in one square, you are ready to move on to the next. I chose to move down to the square directly below the one we just drew. If you find it difficult to draw what you see in a particular square, you can always divide the square into 4 smaller squares so you are focusing on smaller areas at a time.\r\n\r\nTo do this, divide the square on your reference picture in half horizontally and vertically. Do the same on your drawing paper so you are left with 4 smaller squares. Now you can focus on drawing what you see in each smaller square.\r\n\r\n\"03\r\n\r\nContinue moving to each square, drawing the outline of the shoes and adding the details you see as you go. If some details seem too overwhelming to draw at first, it\'s okay to make your own artistic decisions and leave some details out of your drawing to make it your own. However, it can be a good challenge to draw all of the fine details you see.\r\n\r\n\"04\r\n\r\nWhen you have your basic line drawing completed, it should look something like this:\r\n\r\n\"05\r\n\r\nDouble check to make sure you have everything drawn in each square, and next you are ready to erase your grid lines. Since I\'m just focusing on the shoes for this tutorial, I\'m only going to erase the grid lines only from the shoe area.\r\n\r\n\"06\r\n\r\nNow you have a basic drawing of tennis shoes! In order to really bring your drawing to life, it\'s important to add value. To do this, I\'m using an HB (also known as a #2) pencil and a blending stump.\r\n\r\nWhen we add value, we\'re referring to the differences between lights and darks, or highlights and shadows, and you always want at least 3 distinctly different values for a realistic drawing.\r\n\r\nWhen you first start, find your midtones, or the values that are in between your darkest shadow and your lightest highlight. Hold your pencil at an angle and use the side of your pencil to shade in the midtone area using medium pressure.\r\n\r\nNext, find areas that have darker shadows and shade while applying more pressure with your pencil to create a darker value. For areas that are highlighted, you can leave them the white of your paper or erase them later.\r\n\r\n\"07\r\n\r\nWhen you have an area shaded in with pencil, you can use a blending stump to create an even tone and heighten the realistic qualities of your drawing. Make sure to use the side of your blending stump, not the tip; otherwise, you will flatten the fine point.\r\n\r\n\"08\r\n\r\nContinue this process throughout the entire drawing, starting with midtones, and layering shadows on top with more pressure. As you can see from this progression of adding value, working in layers is very helpful, and your first layer of graphite pencil will not be your last. The closer you can identify and create the subtle value changes, the more realistic your drawing will become.\r\n\r\n\"09\r\n\r\nHere is our final product! I created this drawing using only one drawing pencil (HB or #2), but you can explore using a variety of drawing pencils to get even more contrast to create even more realistic qualities.\r\n\r\n\"how\r\n\r\nThe more you practice drawing, the more comfortable you will get with adding fine details and a variety of values. Enjoy, and keep drawing!','How to Draw Tennis Shoes Using a Grid','','inherit','closed','closed','','3010-revision-v1','','','2016-09-11 10:18:14','2016-09-11 17:18:14','',3010,'http://www.letsdrawpeople.com/3010-revision-v1/',0,'revision','',0),(3358,2,'2016-09-11 08:25:44','2016-09-11 15:25:44','Learning to how to draw tennis shoes is a great way to practice observing fine details and enhance your drawing skills. To start, you can freehand draw the tennis shoes on your drawing paper, but I chose to create a grid drawing to ensure I captured the accurate proportions of my shoes. Here is the reference picture I used.\r\n\r\n[caption id=\"attachment_2618\" align=\"aligncenter\" width=\"533\"]\"
© Zorandim | Dreamstime.com
[/caption]\r\n\r\nMy drawing paper size is 8.5 x 11 inches, so I printed out my reference picture to be half that size, 4.25 x 5.5 inches. Whatever size your drawing paper is, divide each side by two, and print your reference picture in that size.\r\n\r\nAnother helpful tip is to print out your reference picture in black and white so you can easily see the different values to create later on.\r\n\r\nI created a 1-inch grid on my reference picture, and a 2-inch grid on my drawing paper, leaving me with the same number of boxes on both pieces of paper.\r\n\r\nTo use a grid to draw, we\'re basically going to focus on drawing what we see in each square and draw one square at a time.\r\n\r\n\"01\r\n\r\n \r\n\r\nTo start, I counted 3 squares down and 2 squares over on both of my grids. This is the square I will start drawing.\r\n\r\n\"02\r\n\r\nWhen using a grid to draw, it is important to focus just on that square and observe where each line or object fits in that particular square. I first started drawing the outline of the shoe, and then added the details and the shoelaces.\r\n\r\nOnce you draw everything you see in one square, you are ready to move on to the next. I chose to move down to the square directly below the one we just drew. If you find it difficult to draw what you see in a particular square, you can always divide the square into 4 smaller squares so you are focusing on smaller areas at a time.\r\n\r\nTo do this, divide the square on your reference picture in half horizontally and vertically. Do the same on your drawing paper so you are left with 4 smaller squares. Now you can focus on drawing what you see in each smaller square.\r\n\r\n\"03\r\n\r\nContinue moving to each square, drawing the outline of the shoes and adding the details you see as you go. If some details seem too overwhelming to draw at first, it\'s okay to make your own artistic decisions and leave some details out of your drawing to make it your own. However, it can be a good challenge to draw all of the fine details you see.\r\n\r\n \r\n\r\n\"04\r\n\r\nWhen you have your basic line drawing completed, it should look something like this:\r\n\r\n \r\n\r\n\"05\r\n\r\nDouble check to make sure you have everything drawn in each square, and next you are ready to erase your grid lines. Since I\'m just focusing on the shoes for this tutorial, I\'m only going to erase the grid lines only from the shoe area.\r\n\r\n \r\n\r\n\"06\r\n\r\nNow you have a basic drawing of tennis shoes! In order to really bring your drawing to life, it\'s important to add value. To do this, I\'m using an HB (also known as a #2) pencil and a blending stump.\r\n\r\nWhen we add value, we\'re referring to the differences between lights and darks, or highlights and shadows, and you always want at least 3 distinctly different values for a realistic drawing.\r\n\r\nWhen you first start, find your midtones, or the values that are in between your darkest shadow and your lightest highlight. Hold your pencil at an angle and use the side of your pencil to shade in the midtone area using medium pressure.\r\n\r\nNext, find areas that have darker shadows and shade while applying more pressure with your pencil to create a darker value. For areas that are highlighted, you can leave them the white of your paper or erase them later.\r\n\r\n\"07\r\n\r\nWhen you have an area shaded in with pencil, you can use a blending stump to create an even tone and heighten the realistic qualities of your drawing. Make sure to use the side of your blending stump, not the tip; otherwise, you will flatten the fine point.\r\n\r\n \r\n\r\n\"08\r\n\r\nContinue this process throughout the entire drawing, starting with midtones, and layering shadows on top with more pressure. As you can see from this progression of adding value, working in layers is very helpful, and your first layer of graphite pencil will not be your last. The closer you can identify and create the subtle value changes, the more realistic your drawing will become.\r\n\r\n \r\n\r\n\"09\r\n\r\nHere is our final product! I created this drawing using only one drawing pencil (HB or #2), but you can explore using a variety of drawing pencils to get even more contrast to create even more realistic qualities.\r\n\r\n \r\n\r\n\"how\r\n\r\nThe more you practice drawing, the more comfortable you will get with adding fine details and a variety of values. Enjoy, and keep drawing!','How to Draw Tennis Shoes Using a Grid','','inherit','closed','closed','','3010-revision-v1','','','2016-09-11 08:25:44','2016-09-11 15:25:44','',3010,'http://www.letsdrawpeople.com/3010-revision-v1/',0,'revision','',0),(3360,2,'2016-09-11 10:40:16','2016-09-11 17:40:16','Learning to how to draw tennis shoes is a great way to practice observing fine details and enhance your drawing skills. To start, you can freehand draw the tennis shoes on your drawing paper, but I chose to create a grid drawing to ensure I captured the accurate proportions of my shoes. Here is the reference picture I used.\r\n\r\n[caption id=\"attachment_2618\" align=\"aligncenter\" width=\"533\"]\"
© Zorandim | Dreamstime.com
[/caption]\r\n\r\nMy drawing paper size is 8.5 x 11 inches, so I printed out my reference picture to be half that size, 4.25 x 5.5 inches. Whatever size your drawing paper is, divide each side by two, and print your reference picture in that size.\r\n\r\nAnother helpful tip is to print out your reference picture in black and white so you can easily see the different values to create later on.\r\n\r\nI created a 1-inch grid on my reference picture, and a 2-inch grid on my drawing paper, leaving me with the same number of boxes on both pieces of paper.\r\n\r\nTo use a grid to draw, we\'re basically going to focus on drawing what we see in each square and draw one square at a time.\r\n\r\n\"01\r\n\r\n \r\n\r\nTo start, I counted 3 squares down and 2 squares over on both of my grids. This is the square I will start drawing.\r\n\r\n\"02\r\n\r\nWhen using a grid to draw, it is important to focus just on that square and observe where each line or object fits in that particular square. I first started drawing the outline of the shoe, and then added the details and the shoelaces.\r\n\r\nOnce you draw everything you see in one square, you are ready to move on to the next. I chose to move down to the square directly below the one we just drew. If you find it difficult to draw what you see in a particular square, you can always divide the square into 4 smaller squares so you are focusing on smaller areas at a time.\r\n\r\nTo do this, divide the square on your reference picture in half horizontally and vertically. Do the same on your drawing paper so you are left with 4 smaller squares. Now you can focus on drawing what you see in each smaller square.\r\n\r\n\"03\r\n\r\n \r\n\r\nContinue moving to each square, drawing the outline of the shoes and adding the details you see as you go. If some details seem too overwhelming to draw at first, it\'s okay to make your own artistic decisions and leave some details out of your drawing to make it your own. However, it can be a good challenge to draw all of the fine details you see.\r\n\r\n\"04\r\n\r\n \r\n\r\nWhen you have your basic line drawing completed, it should look something like this:\r\n\r\n\"05\r\n\r\n \r\n\r\nDouble check to make sure you have everything drawn in each square, and next you are ready to erase your grid lines. Since I\'m just focusing on the shoes for this tutorial, I\'m only going to erase the grid lines only from the shoe area.\r\n\r\n\"06\r\n\r\nNow you have a basic drawing of tennis shoes! In order to really bring your drawing to life, it\'s important to add value. To do this, I\'m using an HB (also known as a #2) pencil and a blending stump.\r\n\r\nWhen we add value, we\'re referring to the differences between lights and darks, or highlights and shadows, and you always want at least 3 distinctly different values for a realistic drawing.\r\n\r\nWhen you first start, find your midtones, or the values that are in between your darkest shadow and your lightest highlight. Hold your pencil at an angle and use the side of your pencil to shade in the midtone area using medium pressure.\r\n\r\nNext, find areas that have darker shadows and shade while applying more pressure with your pencil to create a darker value. For areas that are highlighted, you can leave them the white of your paper or erase them later.\r\n\r\n\"07\r\n\r\n \r\n\r\nWhen you have an area shaded in with pencil, you can use a blending stump to create an even tone and heighten the realistic qualities of your drawing. Make sure to use the side of your blending stump, not the tip; otherwise, you will flatten the fine point.\r\n\r\n\"08\r\n\r\n \r\n\r\nContinue this process throughout the entire drawing, starting with midtones, and layering shadows on top with more pressure. As you can see from this progression of adding value, working in layers is very helpful, and your first layer of graphite pencil will not be your last. The closer you can identify and create the subtle value changes, the more realistic your drawing will become.\r\n\r\n\"09\r\n\r\n \r\n\r\nHere is our final product! I created this drawing using only one drawing pencil (HB or #2), but you can explore using a variety of drawing pencils to get even more contrast to create even more realistic qualities.\r\n\r\n\"how\r\n\r\nThe more you practice drawing, the more comfortable you will get with adding fine details and a variety of values. Enjoy, and keep drawing!','How to Draw Tennis Shoes Using a Grid','','inherit','closed','closed','','3010-revision-v1','','','2016-09-11 10:40:16','2016-09-11 17:40:16','',3010,'http://www.letsdrawpeople.com/3010-revision-v1/',0,'revision','',0),(3634,2,'2017-07-30 12:52:29','2017-07-30 19:52:29','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                  Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \r\n
  • Apply a grid to the reference photograph.  4:47
    • \r\n
  • Prepare a grid for our drawing paper.  14:26
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.  21:00
    • \r\n
  • Make a line drawing of the eyes.  30:13
    • \r\n
  • Make a line drawing of the nose.  1:11:50
    • \r\n
  • Make a line drawing of the mouth.  1:24:45
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-07-30 12:52:29','2017-07-30 19:52:29','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3437,2,'2016-12-13 05:05:46','2016-12-13 13:05:46','','private video test','','publish','open','open','test','private-video-test','','','2016-12-28 12:00:57','2016-12-28 20:00:57','',0,'http://www.letsdrawpeople.com/?p=3437',0,'post','',0),(3362,2,'2016-09-11 15:28:38','2016-09-11 22:28:38',' ','','','publish','closed','closed','','3362','','','2017-06-06 05:25:20','2017-06-06 12:25:20','',9,'http://www.letsdrawpeople.com/?p=3362',10,'nav_menu_item','',0),(3363,2,'2016-09-11 15:33:16','2016-09-11 22:33:16','Learning how to draw tennis shoes is a great way to practice observing fine details and enhance your drawing skills. To start, you can freehand draw the tennis shoes on your drawing paper, but I chose to create a grid drawing to ensure I captured the accurate proportions of my shoes. Here is the reference picture I used.\r\n\r\n[caption id=\"attachment_2618\" align=\"aligncenter\" width=\"533\"]\"
© Zorandim | Dreamstime.com
[/caption]\r\n\r\nMy drawing paper size is 8.5 x 11 inches, so I printed out my reference picture to be half that size, 4.25 x 5.5 inches. Whatever size your drawing paper is, divide each side by two, and print your reference picture in that size.\r\n\r\nAnother helpful tip is to print out your reference picture in black and white so you can easily see the different values to create later on.\r\n\r\nI created a 1-inch grid on my reference picture, and a 2-inch grid on my drawing paper, leaving me with the same number of boxes on both pieces of paper.\r\n\r\nTo use a grid to draw, we\'re basically going to focus on drawing what we see in each square and draw one square at a time.\r\n\r\n\"01\r\n\r\n \r\n\r\nTo start, I counted 3 squares down and 2 squares over on both of my grids. This is the square I will start drawing.\r\n\r\n\"02\r\n\r\nWhen using a grid to draw, it is important to focus just on that square and observe where each line or object fits in that particular square. I first started drawing the outline of the shoe, and then added the details and the shoelaces.\r\n\r\nOnce you draw everything you see in one square, you are ready to move on to the next. I chose to move down to the square directly below the one we just drew. If you find it difficult to draw what you see in a particular square, you can always divide the square into 4 smaller squares so you are focusing on smaller areas at a time.\r\n\r\nTo do this, divide the square on your reference picture in half horizontally and vertically. Do the same on your drawing paper so you are left with 4 smaller squares. Now you can focus on drawing what you see in each smaller square.\r\n\r\n\"03\r\n\r\n \r\n\r\nContinue moving to each square, drawing the outline of the shoes and adding the details you see as you go. If some details seem too overwhelming to draw at first, it\'s okay to make your own artistic decisions and leave some details out of your drawing to make it your own. However, it can be a good challenge to draw all of the fine details you see.\r\n\r\n\"04\r\n\r\n \r\n\r\nWhen you have your basic line drawing completed, it should look something like this:\r\n\r\n\"05\r\n\r\n \r\n\r\nDouble check to make sure you have everything drawn in each square, and next you are ready to erase your grid lines. Since I\'m just focusing on the shoes for this tutorial, I\'m only going to erase the grid lines only from the shoe area.\r\n\r\n\"06\r\n\r\nNow you have a basic drawing of tennis shoes! In order to really bring your drawing to life, it\'s important to add value. To do this, I\'m using an HB (also known as a #2) pencil and a blending stump.\r\n\r\nWhen we add value, we\'re referring to the differences between lights and darks, or highlights and shadows, and you always want at least 3 distinctly different values for a realistic drawing.\r\n\r\nWhen you first start, find your midtones, or the values that are in between your darkest shadow and your lightest highlight. Hold your pencil at an angle and use the side of your pencil to shade in the midtone area using medium pressure.\r\n\r\nNext, find areas that have darker shadows and shade while applying more pressure with your pencil to create a darker value. For areas that are highlighted, you can leave them the white of your paper or erase them later.\r\n\r\n\"07\r\n\r\n \r\n\r\nWhen you have an area shaded in with pencil, you can use a blending stump to create an even tone and heighten the realistic qualities of your drawing. Make sure to use the side of your blending stump, not the tip; otherwise, you will flatten the fine point.\r\n\r\n\"08\r\n\r\n \r\n\r\nContinue this process throughout the entire drawing, starting with midtones, and layering shadows on top with more pressure. As you can see from this progression of adding value, working in layers is very helpful, and your first layer of graphite pencil will not be your last. The closer you can identify and create the subtle value changes, the more realistic your drawing will become.\r\n\r\n\"09\r\n\r\n \r\n\r\nHere is our final product! I created this drawing using only one drawing pencil (HB or #2), but you can explore using a variety of drawing pencils to get even more contrast to create even more realistic qualities.\r\n\r\n\"how\r\n\r\nThe more you practice drawing, the more comfortable you will get with adding fine details and a variety of values. Enjoy, and keep drawing!','How to Draw Tennis Shoes Using a Grid','','inherit','closed','closed','','3010-revision-v1','','','2016-09-11 15:33:16','2016-09-11 22:33:16','',3010,'http://www.letsdrawpeople.com/3010-revision-v1/',0,'revision','',0),(3364,2,'2016-09-11 16:32:05','2016-09-11 23:32:05','Learning how to draw tennis shoes is a great way to practice observing fine details and enhance your drawing skills. To start, you can freehand draw the tennis shoes on your drawing paper, but I chose to create a grid drawing to ensure I captured the accurate proportions of my shoes. Here is the reference picture I used.\r\n\r\n[caption id=\"attachment_2618\" align=\"aligncenter\" width=\"533\"]\"
© Zorandim | Dreamstime.com
[/caption]\r\n\r\nMy drawing paper size is 8.5 x 11 inches, so I printed out my reference picture to be half that size, 4.25 x 5.5 inches. Whatever size your drawing paper is, divide each side by two, and print your reference picture in that size.\r\n\r\nAnother helpful tip is to print out your reference picture in black and white so you can easily see the different values to create later on.\r\n\r\nI created a 1-inch grid on my reference picture, and a 2-inch grid on my drawing paper, leaving me with the same number of boxes on both pieces of paper.\r\n\r\nTo use a grid to draw, we\'re basically going to focus on drawing what we see in each square and draw one square at a time.\r\n\r\n\"01\r\n\r\n \r\n\r\nTo start, I counted 3 squares down and 2 squares over on both of my grids. This is the square I will start drawing.\r\n\r\n\"02\r\n\r\nWhen using a grid to draw, it is important to focus just on that square and observe where each line or object fits in that particular square. I first started drawing the outline of the shoe, and then added the details and the shoelaces.\r\n\r\nOnce you draw everything you see in one square, you are ready to move on to the next. I chose to move down to the square directly below the one we just drew. If you find it difficult to draw what you see in a particular square, you can always divide the square into 4 smaller squares so you are focusing on smaller areas at a time.\r\n\r\nTo do this, divide the square on your reference picture in half horizontally and vertically. Do the same on your drawing paper so you are left with 4 smaller squares. Now you can focus on drawing what you see in each smaller square.\r\n\r\n\"03\r\n\r\n \r\n\r\nContinue moving to each square, drawing the outline of the shoes and adding the details you see as you go. If some details seem too overwhelming to draw at first, it\'s okay to make your own artistic decisions and leave some details out of your drawing to make it your own. However, it can be a good challenge to draw all of the fine details you see.\r\n\r\n\"04\r\n\r\n \r\n\r\nWhen you have your basic line drawing completed, it should look something like this:\r\n\r\n\"05\r\n\r\n \r\n\r\nDouble check to make sure you have everything drawn in each square, and next you are ready to erase your grid lines. Since I\'m just focusing on the shoes for this tutorial, I\'m only going to erase the grid lines only from the shoe area.\r\n\r\n\"06\r\n\r\nNow you have a basic drawing of tennis shoes! In order to really bring your drawing to life, it\'s important to add value. To do this, I\'m using an HB (also known as a #2) pencil and a blending stump.\r\n\r\nWhen we add value, we\'re referring to the differences between lights and darks, or highlights and shadows, and you always want at least 3 distinctly different values for a realistic drawing.\r\n\r\nWhen you first start, find your midtones, or the values that are in between your darkest shadow and your lightest highlight. Hold your pencil at an angle and use the side of your pencil to shade in the midtone area using medium pressure.\r\n\r\nNext, find areas that have darker shadows and shade while applying more pressure with your pencil to create a darker value. For areas that are highlighted, you can leave them the white of your paper or erase them later.\r\n\r\n\"07\r\n\r\n \r\n\r\nWhen you have an area shaded in with pencil, you can use a blending stump to create an even tone and heighten the realistic qualities of your drawing. Make sure to use the side of your blending stump, not the tip; otherwise, you will flatten the fine point.\r\n\r\n\"08\r\n\r\n \r\n\r\nContinue this process throughout the entire drawing, starting with midtones, and layering shadows on top with more pressure. As you can see from this progression of adding value, working in layers is very helpful, and your first layer of graphite pencil will not be your last. The closer you can identify and create the subtle value changes, the more realistic your drawing will become.\r\n\r\n\"09\r\n\r\n \r\n\r\nHere is our final product! I created this drawing using only one drawing pencil (HB or #2), but you can explore using a variety of drawing pencils to get even more contrast to create even more realistic qualities.\r\n\r\n\"how\r\n\r\nWhen it comes to learning how to draw shoes, just remember...the more you practice drawing, the more comfortable you will get with adding fine details and a variety of values. Enjoy, and keep drawing!','How to Draw Tennis Shoes Using a Grid','','inherit','closed','closed','','3010-revision-v1','','','2016-09-11 16:32:05','2016-09-11 23:32:05','',3010,'http://www.letsdrawpeople.com/3010-revision-v1/',0,'revision','',0),(3365,2,'2016-09-11 16:37:37','2016-09-11 23:37:37','What can 16 dissimilar sketches of lips tell you about how to draw lips?\r\n\r\nWell, if you look at each one of the sketches in this article closely enough, it turns out that these lips have a lot to say.\r\n\r\nOne of the best ways to learn how to sketch lips is to carefully study a selection of lips that have already been sketched for you. If you carefully examine enough examples of the end result, you will start to notice some interesting similarities and differences that give you insight into the process leading up to the end result.\r\n\r\nThis article is not the usual step-by-step tutorial on how to sketch a pair of lips or even how to draw lips realistically. The goal of this post is to carefully analyze various sketches of lips. First, we will seek to describe the characteristics of the lips that are present in each sketch. Then, we will move on to compare and contrast those characteristics.\r\n\r\nThe sketches of lips you will find here are of many different styles. The first section looks at the first step of drawing lips (or anything else for that matter) - the initial line drawing. Then you will see how those lips change once they have some shading. Moving on from there, we will look at lip sketches that are rough and simple as well as detailed and thorough. You will notice pencil, pen and ink, and even colored and digital media. We will look at the lips of subtle smiles as well as larger, more open smiles showing teeth. You will also study the lips of a biting mouth as well as the lips of an open mouth.\r\n\r\nBy carefully studying these 16 sketches, you should get some insight as to what you want or don\'t want to do when you sketch lips of your own. This insight will go a long way in showing you how to draw a mouth.\r\n

How a Simple Lips Drawing Might Look Before It Has Shading

\r\nTo start things off, we will look at four examples of drawings of simple lips. Each simple lips drawing that follows is actually a line drawing before any tones are added for shading. Look for what each lip line drawing has in common with the others and what is different about each one.\r\n\r\nIn this first very simple drawing, you can see a rough outline of the lips of a person turned slightly to the right. There is a little indication of the white border that traces the upper lip. There is also an indication of shadow under the lower lip. This lip sketch has the vertical lines that are characteristic of lips in real life but often missing in many drawn lips. Additionally, you can see some oval-shaped areas that help place highlights on the lips.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis pair of lips belongs to a mouth that is facing forward and slightly open. As in the previous example, it shows the vertical lines, but in this case the lines are more subtle and only on the bottom lip where they are more prominent. There are two highlight spots on the lower lip. The line along the upper lip helps to signify a darker shadowy area where the lip curves inward.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere we have another pair of lips belonging to a forward-facing mouth, but in this case the lips are closed. There are a few indications of the lips\' vertical lines on the top and bottom lip. Notice again in this lip line drawing that highlights and shadow areas are carefully placed to prepare for shading later on.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThe sketch below is of a pair of lips belonging to a face that is looking slightly downward. For this reason, the top lip looks a bit more pronounced than the bottom lip. This lip sketch includes details placed in the corners of the mouth, which add to any expression (however little) the mouth may be giving.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nLet\'s now consider the four drawings we just saw in this section and see how they are alike. Since all four drawings are line drawings, they are at the beginning stages of a final piece of work. Each line drawing has careful placement of lip highlights on the bottom lip and shadow under the bottom lip.\r\n\r\nAs for differences, some have highlights on the top lip while others have shadow along the top lip. While each lip drawing has the vertical lines characteristic of all lips in real life, you will have to judge for yourself if it\'s best to go with more detail or take the \"less is more\" approach and just subtly indicate them, as in the second example.\r\n

Lip Shading Characteristics

\r\nNow let\'s take our simple sketches of lips from the last section and examine what they might look like with a little shading. For the most part, these rough sketches have graphite tones applied for shading that are not blended with a tortillion. Each lip shading example below will have the corresponding lip line drawing for comparison purposes.\r\n\r\nThe first example has some evidence of crosshatching, especially along a small part of the top lip and under the bottom lip. Notice how the tones are applied carefully around the highlighted areas to preserve them. There are darker tones where the lips meet, at the corners, and just under the bottom lip\'s reflected light.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nRemember how in the second example there was a guideline drawn for a shadow along the top lip? You can see below how that area is now filled in with darker tones. The lower lip is also darker along the bottom, below the highlights. Again, notice the reflected light along the edge of the lower lip. The shading for this sketch could be characterized as more hatching than crosshatching.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nVertical lip lines are preserved in this example without being too harsh or prominent. There are also a range of values present. Most of the lips\' surface area has a midtone value, while the highlights remain white and the corners have darker shadow areas.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis example has a similar base value of shading for the lips and the skin surrounding the lips. Since these lips are viewed slightly from above (since the face is tilted downward), there are some darker tones along the lower part of each lip and under the bottom lip. Darker tones also exist to better portray the medial cleft between the nose and upper lip (also known as the philtrum).\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis final example does not have a line drawing preview like the others in this section, but I thought it still deserved some attention for some interesting lip shading characteristics. The graphite tones are also more blended together here.\r\n\r\n\"sketches\r\n\r\nThe above sketch shows the lips slightly darker than the surrounding skin and the top lip slightly darker than the bottom. A good reason for this is that the bottom lip has more highlighted area. I also find it noteworthy that the highlight is broken up at various spots by the vertical lip lines, some soft lines and some sharper lines, for a more natural look.\r\n\r\nAs you see from the last few lip sketches, lips can be shaded a number of ways. Tones can be applied with hatching, crosshatching, or blended together. You should always preserve highlights by making darker tones around them, and you should keep the vertical lines of the lips implied on some level.\r\n

What Can Enhance a Subtle Smiling Lips Sketch

\r\nHow can you pull off a sketch of smiling lips when the lips are not smiling a big smile? What if the smile is only a subtle smirk? The examples in the previous sections focused on only the lips. However, what creates the perception of a smile in a sketch or drawing is as much in the skin surrounding the lips than in the lips themselves. Now let\'s look at three sketches of smiling lips and the characteristic details found around the lips that help us to better notice the smile.\r\n\r\nThis first sketch is a very rough line drawing sketch. It is of a subtly smiling mouth that is turned in a profile view. It has hatching lines to indicate shading on and around the lips. The lines on the skin directly above and below the lips help to give form to the protrusion of the lips. Look in the corner of the mouth, and you can see the dark line that serves as a fold in the skin when the cheek is just beginning to help form a smile.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nThis next example is much more detailed than the previous line sketch. Still, there are some commonalities. The crosshatch shading above the top lip helps to form the three-dimensional appearance of this part of the mouth, including the philtrum. The shading below the bottom lip helps to distinguish the space between the bottom lip and the chin. The difference in angles between the lines on the corners of the mouth, along with the dimple on the man\'s left cheek, tell us that the man is smirking more on the left side of his face than the right side.\r\n\r\n\"sketches\r\n\r\n \r\n\r\nHere is another piece of work that is on the more detailed side of lip sketches. Even though this drawing does not have the vertical lines on the corners of the mouth that are noticeable in the previous two examples, you can still tell there is a slight smile with the subject. How so? Look at how the crosshatch shading implies sunken-in cheeks. Darker areas on either side of the mouth that do not touch the mouth help to achieve this appearance.\r\n\r\n[caption id=\"attachment_3309\" align=\"aligncenter\" width=\"600\"]\"sketches
© Safa Sami | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\nWith these three examples, we learned that a smiling lips sketch can have more than just the details on the lips themselves to better portray that the lips are actually smiling. Just as important are the details on the areas of the face immediately surrounding the lips. Different subjects\' faces have different characteristics. Some people smile with dimples, some have sunken in cheeks when they smile, and everyone has variations in cheek lines that form in the corners of their mouths when they smile. Keeping these traits in mind when you sketch smiling lips will help to better enhance your sketches, too.\r\n

How Lips Can Look on a Smiling Mouth Sketch Showing Teeth

\r\nNext, we will take a look at two very different sketches of lips. Unlike the sketches in the last section, these lips are part of less subtle, more obvious smiles that also show the teeth.\r\n\r\nThis sketch is another rough line drawing sketch. It is a picture of a noticeable smile, viewed from the front. Since this is a much more noticeable smile than the smiles from the last section, you can see a sizeable portion of the subject\'s teeth. There are some characteristics surrounding the lips that we noticed before as well, such as the cheek lines at the corners of the lips and shading to show protrusion of the lips.\r\n\r\n\"sketches\r\n\r\nLooking at the lips themselves, this line sketch has what resembles vertical hatch lines to indicate shading. There are fewer lines in the front, especially on the bottom lip where you can expect some highlighting. There are more lines near the corners, where the lips curve around the face and retreat toward the back.\r\n\r\nThis next mouth sketch is certainly not your traditional sketch by any means. You can tell it was created with the assistance of some sort of digital means. Possibly due to the type of software used and its capabilities, there is a slightly unnatural shape to the overall mouth, especially the way the top lip curves downward in the middle and how the corners curve upward. Nevertheless, there is some interesting shading going on that enhances the appearance of the lips and the overall mouth.\r\n\r\n\"sketches\r\n\r\nLook first at the lower lip and the range of values present. The values are much darker along the edges. Then there are some midtone values between the edges and the highlight in the middle.\r\n\r\nSecondly, the creator of this sketch remembered something very important for a smiling mouth sketch that shows teeth. The lips cast a small shadow upon the teeth. You can see this shadow along the upper portions of the top teeth, the lower portions of the bottom teeth, and more shadow values present in the teeth that are farther back. This crucial detail was missing from the first, simpler example. The artist also remembered the dark shadow tones that the teeth should cast upon the tongue.\r\n

A Close Examination of a Biting Lip Sketch

\r\nThis is a sketch of an open mouth where the teeth are biting down on the lower, right side of the lips. It is a pen and ink sketch with lots of crosshatching used for the shading.\r\n\r\n\"sketches\r\n\r\nWhat kind of pertinent characteristics should we gather from this example if we wanted to make a biting lip sketch of our own? First of all, the part of the lower lip that is bitten by the teeth is hidden behind those teeth. More importantly, there should be focus on where the teeth meet the lip. The teeth are pulling the skin of the lower lip, thus causing \"folds\" in the skin. In the drawing above, there are three teeth making contact with the lip. If you examine very closely, you will notice one of these fold lines coming from the center of each of the three teeth. You should also notice fold lines coming from between the teeth.\r\n\r\nOther lip characteristics of this sketch are less about the biting part and more about what should be found in many other lip sketches. The lips consist of lighter tones where the light strikes them and darker tones surrounding the lighter areas and the corners of the mouth where the lips recede. You can also see reflected light along the bottom edge of the top lip.\r\n\r\nThe main thing to remember when making a biting lip sketch is to focus on the location of the bite and include the details on the lower lip that will make the appearance of the bite believable.\r\n

How Lips Can Complement Other Parts of an Open Mouth Sketch

\r\nAlthough this appears to be a rough sketch of an open mouth that might be considered an unfinished piece of work, it consists of more than one medium, and the entire piece (not shown in this excerpt) is done in what appears to be a similar, deliberate style by the artist.\r\n\r\n\"sketches\r\n\r\nAssuming this is a finished piece, the style suggests that the artist was not going for a realistic look. For example, the lips in the sketch have a heavy outline (perhaps in ink) that are not characteristic of natural-looking lips.\r\n\r\nEven so, you can tell that the artist strived to include some three-dimensional elements on the lips themselves. There are two carefully placed highlights on the top lip and two more on the bottom. These highlights, along with the darker tones receding from the front of the lips to the corners of the mouth, help to convey the appearance of form and roundness in the lips.\r\n\r\nSo how does this three-dimensional feel of the lips complement the rest of the mouth sketch? It gives the sense that the lips are protruding forward, as they should if a mouth is opened wide. The lack of detail in the tongue and other more distant parts of the inside of the mouth help the lips to \"stick out\" even more (that is, become more noticeable).\r\n

What Can We Learn from These Sketches of Lips?

\r\nThere is no question that there are many different ways to sketch lips. That is pretty obvious from what you have read and seen in this article. Just to recap some of the lip sketches we have studied, let\'s look at them one more time. Below is a collection of the 16 lip sketches, grouped all together.\r\n\r\n\"sketches\r\n\r\nSo what can be learned by comparing and contrasting these lips? How can we then apply or exclude details in our future sketches of lips?\r\n\r\nFirst, we will take a look at a few commonalities. Consider these similarities as tips you should keep in mind when you sketch lips of your own:\r\n
    \r\n
  • Always look for areas of highlight in the lips you sketch. In each of the sketches above, the highlighted areas of lips are a significant part of what gives the lips form and makes them appear more realistic. There seems to always be a highlighted area on the bottom lip. Almost always, and usually less significantly, there is a highlighted area on the top lip.
    • \r\n
  • Think carefully about where darker tones should be placed. The darker tones should complement the highlights. These darker tones and the highlights are separated by a gradual transition of shading. In each sketch, the darker tones can be found along the corners of the mouth and the center of the mouth where the two lips meet.
    • \r\n
  • Draw the outline for the lips in the same manner that they appear in real life. Each example we looked at has a general shape for the top and bottom lip that you are likely to find when looking at the lips of everyday people. All the lips have a natural, rounded curve along the bottom. With the small exception of the digital example, every lip sketch has the little dip along the top ridge directly below the nose.
    • \r\n
\r\nNow, for a few noticeable differences between some of the sketches. You should also consider these differences as tips, but instead of including or excluding them in every drawing, you should consider whether or not you want to include them for each drawing on a case-by-case basis.\r\n
    \r\n
  • Not every sketch of lips has or needs reflected light. In the first two sections of this article, every lip sketch has reflected light along the bottom edge of the lower lip. Some of the later examples are missing this reflected light. This can be based either on a matter of preference or simply a lack of its noticeable presence on the reference subject.
    • \r\n
  • Vertical lines or no vertical lines? In some of the sketches, the vertical lines that are present in real-life lips are obvious in the sketches. In a few of the other sketches, the vertical lines cannot really be seen or are subtle and more implied. Again, either can be acceptable depending on your reference, since these lines are sometimes more noticeable and other times less noticeable on the reference subject.
    • \r\n
  • Some sketches have details between and around the lips that enhance the sketch. Some of the sketches we viewed intentionally focused solely on the lips themselves. There were no surrounding skin tones or detail beyond the outer border of the lips. In these sketches, the lips were also closed. The other sketches showed the surrounding skin as an extension of the lips and mouth in general. This allowed the artists to add details that enhanced their drawings. For example, smile lines in the corners of the mouth add to the character and likeness of the subject. The same goes for those sketches that displayed opened mouths. Visible teeth and a visible portion of the tongue could complement a sketch that might seem more bland if it were just lips alone.
    • \r\n
\r\nBottom line, if you want to get better at drawing or sketching lips, take the time to closely study, compare, and contrast a variety of sketches of lips drawn by other artists. If you want to learn how to draw a mouth, looking at a multitude of examples and deciding what works in different styles and situations will do wonders for your artwork as you complete more and more sketches and drawings of your own.','How These 16 Very Different Sketches of Lips Can Help You Draw Them','','inherit','closed','closed','','3294-revision-v1','','','2016-09-11 16:37:37','2016-09-11 23:37:37','',3294,'http://www.letsdrawpeople.com/3294-revision-v1/',0,'revision','',0),(3366,2,'2016-09-21 02:11:29','2016-09-21 09:11:29','[caption id=\"attachment_3379\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser-intro\" A kneaded eraser has many uses, especially for realistic art like portrait drawing.[/caption]\r\n\r\nIf you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\n[caption id=\"attachment_3380\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser\" This is what a new kneaded eraser looks like before it is \"kneaded\" into different shapes.[/caption]\r\n\r\nMerriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nIn actuality, a kneaded eraser is known for removing not only graphite pencil and charcoal marks but also chalk and pastel markings.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin wedge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n\r\n[caption id=\"attachment_3381\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes\" Mold a kneaded eraser into a rounded corner, thin wedge, or a pointy tip for a variety of effects.[/caption]\r\n\r\n \r\n

I find that my kneaded eraser naturally begins to develop into a shape similar to this over time.

\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area with a Rounded Corner

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a rounded corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n\r\n[caption id=\"attachment_3382\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone\" A kneaded eraser is invaluable for creating transitioning values from midtones to highlights on the skin.[/caption]\r\n

Making Reflected Light with a Kneaded Eraser\'s Thin Wedge

\r\n

Reflected light is light that is reflected off of a nearby surface. It is usually evident along an edge where an object is curving away from the foreground. Reflected light plays a significant role in creating the illusion of three-dimensional realism.

\r\n

To make reflected light with your kneaded eraser, first shape your eraser into a thin wedge like this.

\r\n\r\n\r\n[caption id=\"attachment_3383\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge\" Form your kneaded eraser into a thin wedge to make a tiny sliver of reflected light along the edge of an object.[/caption]\r\n\r\n \r\n

Then carefully and lightly tap or rub with short upstrokes your kneaded eraser along the edge of the object. In this example, I used a kneaded eraser to create reflected light along the edges of an ear. This helps to bring out a natural contrast of values and to realistically separate the forms.

\r\n\r\n\r\n[caption id=\"attachment_3390\" align=\"aligncenter\" width=\"306\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-for-an-ear\" A kneaded eraser can create reflected light along an edge for a three-dimensional effect.[/caption]\r\n

Using a Pointy Kneaded Eraser for an Eye Highlight

\r\n

To pick out a tiny area of highlight, such as the highlight of an eye, twist your kneaded eraser into a point.

\r\n\r\n\r\n[caption id=\"attachment_3384\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip\" A pointed tip on a kneaded eraser can lift graphite out of tight spots.[/caption]\r\n\r\n \r\n

Then tap the area to make it white. Often times, you will intentionally leave this area white to begin with and shade around it. When you blend the graphite around it, some of the graphite will go into the area you leave white. The kneaded eraser helps to remove this blended graphite and also make for a natural transition.

\r\n

Most eye highlights traditionally look round inside of the iris. You can see how a pointy kneaded eraser could have pulled out this highlight.

\r\n\r\n\r\n[caption id=\"attachment_3391\" align=\"aligncenter\" width=\"400\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip-round-eye-highlight\" The tip of the kneaded eraser removes graphite that gets into the highlight.[/caption]\r\n\r\n \r\n

At other times, a reference photograph may dictate a different shape for an eye highlight. In the example below, you\'ll notice a square highlight in the eye. Within this square highlight, there are shadows cast by the eyelashes. There is also a round point of bright white that is barely noticeable within the square...a sort of \"highlight within a highlight\" if you will. This bright point was pulled out with the tip of a kneaded eraser.

\r\n\r\n\r\n[caption id=\"attachment_3393\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-other-eye-highlights\" Notice how the kneaded eraser is just as good at sharpening up edges as it is with pulling out highlights.[/caption]\r\n\r\n \r\n

The arrows in this picture show a few other areas around the eye that the edge of a kneaded eraser helped to create. Most notable are the sharp edge of the iris against the white of the eye, the lower eyelid rim, and the wrinkles in the skin surrounding the eye.

\r\n\r\n

How to Use a Kneaded Eraser for Drawing Hair

\r\n

Realistic hair is drawn in layers. It is a process that involves laying down tones, blending the tones together, pulling out highlights, and repeating. The kneaded eraser does the job of pulling out the highlights. I mostly use a kneaded eraser shaped into a thin wedge to accomplish this.

\r\n\r\n\r\n[caption id=\"attachment_3394\" align=\"aligncenter\" width=\"800\"]\"A A kneaded eraser is a must-have for adding life to layers when drawing hair.[/caption]\r\n\r\n \r\n

In the above example, I used a kneaded eraser to make the part in the hair, the highlights in the various sections of hair, and to accent a few stray hairs.

\r\n\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n\r\n[caption id=\"attachment_3403\" align=\"aligncenter\" width=\"800\"]\"Step Step 1 - Take a dirty, spotty kneaded eraser. Step 2 - Pull and stretch the kneaded eraser out. Step 3 - Fold the kneaded eraser upon itself. Step 4 - Smooth it out and you are done! If you want, repeat the process to make the kneaded eraser even cleaner.[/caption]\r\n\r\n \r\n

Repeat this process as often as you want. You will notice the kneaded eraser getting smoother and lighter in color as you continue to pull and fold it over.

\r\n\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n

\"sanford-design-kneaded-eraser-faber-castell-kneaded-eraser\"

\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n

\"prismacolor-kneaded-eraser\"

\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other common kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and do not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser...\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs. Speaking from my own personal experience, I get at least twice the use out of my kneaded eraser than I do out of all of my other erasers combined!\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','publish','open','open','','what-is-a-kneaded-eraser-heres-everything-you-ever-wanted-to-know','','','2016-09-21 06:55:43','2016-09-21 13:55:43','',0,'http://www.letsdrawpeople.com/?p=3366',0,'post','',0),(3367,2,'2016-09-12 21:20:06','2016-09-13 04:20:06','what is a kneaded eraser\r\n\r\nkneaded eraser definition\r\nwhat does a kneaded eraser do\r\nwhat is a kneaded eraser used for\r\n\r\nhow to use a kneaded eraser\r\n\r\nhow to clean a kneaded eraser\r\ndo kneaded erasers dry out\r\nkneaded eraser care\r\n\r\nprismacolor kneaded eraser\r\nfaber castell kneaded eraser\r\nsanford design kneaded eraser\r\nbest kneaded eraser\r\n\r\nwhat are kneaded erasers made of\r\nkneaded eraser ingredients\r\nhow to make a kneaded eraser\r\nhow to make a kneaded eraser at home\r\n\r\nbest eraser for drawing','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-12 21:20:06','2016-09-13 04:20:06','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3368,2,'2016-09-13 05:00:18','2016-09-13 12:00:18','what is a kneaded eraser\r\n\r\nkneaded eraser definition\r\nwhat does a kneaded eraser do\r\nwhat is a kneaded eraser used for\r\n\r\nhow to use a kneaded eraser\r\n\r\nhow to clean a kneaded eraser\r\ndo kneaded erasers dry out\r\nkneaded eraser care\r\n\r\nprismacolor kneaded eraser\r\nfaber castell kneaded eraser\r\nsanford design kneaded eraser\r\nbest kneaded eraser\r\n\r\nwhat are kneaded erasers made of\r\nkneaded eraser ingredients\r\nhow to make a kneaded eraser\r\nhow to make a kneaded eraser at home\r\n\r\nbest eraser for drawing\r\n\r\n*****\r\n\r\nMerriam-Webster defines the kneaded eraser as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”. There are many other types of erasers that can do the same thing. However, the kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects. Some artists also use a kneaded eraser as one might use clay to make a model of an object to sketch.\r\n\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of those artistic effects, here are a few examples that can be applied to portrait drawing. Most of the time, you would use a kneaded eraser to pull out highlights. For instance, you might apply some graphite to a skin tone and smooth it out with a tortillion. Then, you use the kneaded eraser to carefully pick at the area where you want a highlight. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet. The kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser. Well, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again. This is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-13 05:00:18','2016-09-13 12:00:18','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3369,2,'2016-09-14 20:31:23','2016-09-15 03:31:23','what is a kneaded eraser\r\n\r\nkneaded eraser definition\r\nwhat does a kneaded eraser do\r\nwhat is a kneaded eraser used for\r\n\r\nhow to use a kneaded eraser\r\n\r\nhow to clean a kneaded eraser\r\ndo kneaded erasers dry out\r\nkneaded eraser care\r\n\r\nprismacolor kneaded eraser\r\nfaber castell kneaded eraser\r\nsanford design kneaded eraser\r\nbest kneaded eraser\r\n\r\nwhat are kneaded erasers made of\r\nkneaded eraser ingredients\r\nhow to make a kneaded eraser\r\nhow to make a kneaded eraser at home\r\n\r\nbest eraser for drawing\r\n\r\n*****\r\n\r\nWhat Is a Kneaded Eraser?\r\n\r\nMerriam-Webster defines the kneaded eraser as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”. There are many other types of erasers that can do the same thing. However, the kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects. Some artists also use a kneaded eraser as one might use clay to make a model of an object to sketch.\r\n\r\nHow to Use a Kneaded Eraser\r\n\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of those artistic effects, here are a few examples that can be applied to portrait drawing. Most of the time, you would use a kneaded eraser to pull out highlights. For instance, you might apply some graphite to a skin tone and smooth it out with a tortillion. Then, you use the kneaded eraser to carefully pick at the area where you want a highlight. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet. The kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nHow to Clean and Care for a Kneaded Eraser\r\n\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser. Well, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again. This is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n\r\nBrands of Kneaded Erasers\r\n\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands. Which brand is the best kneaded eraser? Some like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper. In my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite. Ultimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n\r\nBreaking It Down and Putting It Back Together\r\n\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-14 20:31:23','2016-09-15 03:31:23','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3370,2,'2016-09-14 20:53:16','2016-09-15 03:53:16','what is a kneaded eraser\r\n\r\nkneaded eraser definition\r\nwhat does a kneaded eraser do\r\nwhat is a kneaded eraser used for\r\n\r\nhow to use a kneaded eraser\r\n\r\nhow to clean a kneaded eraser\r\ndo kneaded erasers dry out\r\nkneaded eraser care\r\n\r\nprismacolor kneaded eraser\r\nfaber castell kneaded eraser\r\nsanford design kneaded eraser\r\nbest kneaded eraser\r\n\r\nwhat are kneaded erasers made of\r\nkneaded eraser ingredients\r\nhow to make a kneaded eraser\r\nhow to make a kneaded eraser at home\r\n\r\nbest eraser for drawing\r\n\r\n*****\r\n\r\nWhat Is a Kneaded Eraser?\r\n\r\nMerriam-Webster defines the kneaded eraser as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”. There are many other types of erasers that can do the same thing. However, the kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects. Some artists also use a kneaded eraser as one might use clay to make a model of an object to sketch.\r\n\r\nHow to Use a Kneaded Eraser\r\n\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of those artistic effects, here are a few examples that can be applied to portrait drawing. Most of the time, you would use a kneaded eraser to pull out highlights. For instance, you might apply some graphite to a skin tone and smooth it out with a tortillion. Then, you use the kneaded eraser to carefully pick at the area where you want a highlight. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet. The kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nHow to Clean and Care for a Kneaded Eraser\r\n\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser. Well, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again. This is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n\r\nBrands of Kneaded Erasers\r\n\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands. Which brand is the best kneaded eraser? Some like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper. In my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite. Ultimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n\r\nBreaking It Down and Putting It Back Together\r\n\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and did not want to buy one, and if you have lots of time on your hands, you can make your own. Here is how to make a kneaded eraser. First of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky side is facing up. Rub the eraser of the sticky part of the sticky note. Rub vigorously enough that eraser shavings are coming off of the eraser yet gently enough that you do not tear the sticky note. Gather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n\r\nThe Best Eraser for Drawing\r\n\r\nThere are many erasers available to a pencil artist with a variety of purposes. However, if you wanted to know the best eraser for drawing pencil art, it is hands-down the kneaded eraser. It does wonders for creating realistic effects.','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-14 20:53:16','2016-09-15 03:53:16','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3372,2,'2016-09-15 05:46:07','2016-09-15 12:46:07',' \r\n\r\nIf you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\nMerriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nThere are many other types of erasers that can do the same thing. However, the kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects. Some artists also use a kneaded eraser as one might use clay to make a model of an object to sketch.\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of those artistic effects, here are a few examples that can be applied to portrait drawing.\r\n\r\nMost of the time, you would use a kneaded eraser to pull out highlights. For instance, you might apply some graphite to a skin tone and smooth it out with a tortillion.\r\n\r\nThen, you use the kneaded eraser to carefully pick at the area where you want a highlight. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and did not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser:\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs.\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-15 05:46:07','2016-09-15 12:46:07','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3373,2,'2016-09-15 05:46:24','2016-09-15 12:46:24','If you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\nMerriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nThere are many other types of erasers that can do the same thing. However, the kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects. Some artists also use a kneaded eraser as one might use clay to make a model of an object to sketch.\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of those artistic effects, here are a few examples that can be applied to portrait drawing.\r\n\r\nMost of the time, you would use a kneaded eraser to pull out highlights. For instance, you might apply some graphite to a skin tone and smooth it out with a tortillion.\r\n\r\nThen, you use the kneaded eraser to carefully pick at the area where you want a highlight. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and did not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser:\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs.\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-15 05:46:24','2016-09-15 12:46:24','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3374,2,'2016-09-17 13:20:09','2016-09-17 20:20:09','If you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\nMerriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nThere are many other types of erasers that can do the same thing. However, the kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects. Some artists also use a kneaded eraser as one might use clay to make a model of an object to sketch.\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of those artistic effects, here are a few examples that can be applied to portrait drawing.\r\n\r\nMost of the time, you would use a kneaded eraser to pull out highlights, reflected light, or to just make an area lighter in value. For instance, you might apply some graphite to a skin tone and smooth it out with a tortillion. Then, you use the kneaded eraser to carefully pick at the area where you want a highlight. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nA kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nYou should mold the kneaded eraser into different shapes to achieve the effect you desire.\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and did not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser:\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs.\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-17 13:20:09','2016-09-17 20:20:09','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3375,2,'2016-09-17 16:33:54','2016-09-17 23:33:54','If you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\nMerriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Read on for a few examples that can be applied to portrait drawing.\r\n\r\nFor instance, you might apply some graphite to a skin tone and smooth it out with a tortillion. Then, you use the kneaded eraser to carefully pick at the area where you want a highlight. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n\r\n \r\n\r\n \r\n\r\n \r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and did not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser:\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs.\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-17 16:33:54','2016-09-17 23:33:54','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3376,2,'2016-09-17 18:10:00','2016-09-18 01:10:00','If you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\nMerriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin edge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n\r\n***pic preshaped and labeled***\r\n\r\nI find that my kneaded eraser naturally begins to develop into a shape similar to this over time.\r\n\r\n \r\n\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and did not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser:\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs.\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-17 18:10:00','2016-09-18 01:10:00','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3377,2,'2016-09-17 21:31:03','2016-09-18 04:31:03','*pic elderly man in hat*If you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\n*pic new eraser*Merriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin wedge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n

***pic preshaped and labeled***

\r\nI find that my kneaded eraser naturally begins to develop into a shape similar to this over time.\r\n\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area with a Rounded Corner

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a rounded corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n

*pic alli*

\r\n\r\n

Making Reflected Light with a Kneaded Eraser\'s Thin Wedge

\r\n

Reflected light is light that is reflected off of a nearby surface. It is usually evident along an edge where an object is curving away from the foreground. Reflected light plays a significant role in creating the illusion of three-dimensional realism.

\r\n

To make reflected light with your kneaded eraser, first shape your eraser into a thin wedge like this.

\r\n

*pic wedge*

\r\n

Then carefully and lightly tap or rub with short upstrokes your kneaded eraser along the edge of the object. In this example, I used a kneaded eraser to create reflected light along the edge of the ear. This helps to bring out a natural contrast of values and to realistically separate the forms.

\r\n

*pic ear*

\r\n\r\n

Using a Pointy Kneaded Eraser for an Eye Highlight

\r\n

To pick out a tiny area of highlight, such as the highlight of an eye, twist your kneaded eraser into a point.

\r\n

*pic tip*

\r\n

Then tap the area to make it white. Often times, you will intentionally leave this area white to begin with and shade around it. When you blend the graphite around it, some of the graphite will go into the area you leave white. The kneaded eraser helps to remove this blended graphite and also make for a natural transition.

\r\n

Most eye highlights traditionally look round inside of the iris. You can see how a pointy kneaded eraser could have pulled out this highlight.

\r\n

***pic dreamstime*

\r\n

At other times, a reference photograph may dictate a different shape for an eye highlight. In the example below, you\'ll notice a square highlight in the eye. Within this square highlight, there are shadows cast by the eyelashes. There is also a round point of bright white that is barely noticeable within the square...a sort of \"highlight within a highlight\" if you will. This bright point was pulled out with the tip of a kneaded eraser.

\r\n

***eye pic*

\r\n

The arrows in this picture show a few other areas around the eye that the edge of a kneaded eraser helped to create. Most notable are the sharp edge of the iris against the white of the eye, the lower eyelid rim, and the wrinkles in the skin surrounding the eye.

\r\n\r\n

How to Use a Kneaded Eraser for Drawing Hair

\r\n

text

\r\n\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and did not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser:\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs.\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-17 21:31:03','2016-09-18 04:31:03','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3380,2,'2016-09-17 22:43:14','2016-09-18 05:43:14','','what-is-a-kneaded-eraser','','inherit','open','closed','','what-is-a-kneaded-eraser','','','2016-09-17 22:43:14','2016-09-18 05:43:14','',3366,'http://www.letsdrawpeople.com/wp-content/uploads/2016/09/what-is-a-kneaded-eraser.jpg',0,'attachment','image/jpeg',0),(3378,2,'2016-09-17 22:04:33','2016-09-18 05:04:33','*pic elderly man in hat*If you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\n*pic new eraser*Merriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin wedge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n

***pic preshaped and labeled***

\r\nI find that my kneaded eraser naturally begins to develop into a shape similar to this over time.\r\n\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area with a Rounded Corner

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a rounded corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n

*pic alli*

\r\n\r\n

Making Reflected Light with a Kneaded Eraser\'s Thin Wedge

\r\n

Reflected light is light that is reflected off of a nearby surface. It is usually evident along an edge where an object is curving away from the foreground. Reflected light plays a significant role in creating the illusion of three-dimensional realism.

\r\n

To make reflected light with your kneaded eraser, first shape your eraser into a thin wedge like this.

\r\n

*pic wedge*

\r\n

Then carefully and lightly tap or rub with short upstrokes your kneaded eraser along the edge of the object. In this example, I used a kneaded eraser to create reflected light along the edge of the ear. This helps to bring out a natural contrast of values and to realistically separate the forms.

\r\n

*pic ear*

\r\n\r\n

Using a Pointy Kneaded Eraser for an Eye Highlight

\r\n

To pick out a tiny area of highlight, such as the highlight of an eye, twist your kneaded eraser into a point.

\r\n

*pic tip*

\r\n

Then tap the area to make it white. Often times, you will intentionally leave this area white to begin with and shade around it. When you blend the graphite around it, some of the graphite will go into the area you leave white. The kneaded eraser helps to remove this blended graphite and also make for a natural transition.

\r\n

Most eye highlights traditionally look round inside of the iris. You can see how a pointy kneaded eraser could have pulled out this highlight.

\r\n

***pic dreamstime*

\r\n

At other times, a reference photograph may dictate a different shape for an eye highlight. In the example below, you\'ll notice a square highlight in the eye. Within this square highlight, there are shadows cast by the eyelashes. There is also a round point of bright white that is barely noticeable within the square...a sort of \"highlight within a highlight\" if you will. This bright point was pulled out with the tip of a kneaded eraser.

\r\n

***eye pic*

\r\n

The arrows in this picture show a few other areas around the eye that the edge of a kneaded eraser helped to create. Most notable are the sharp edge of the iris against the white of the eye, the lower eyelid rim, and the wrinkles in the skin surrounding the eye.

\r\n\r\n

How to Use a Kneaded Eraser for Drawing Hair

\r\n

Realistic hair is drawn in layers. It is a process that involves laying down tones, blending the tones together, pulling out highlights, and repeating. The kneaded eraser does the job of pulling out the highlights. I mostly use a kneaded eraser shaped into a thin wedge to accomplish this.

\r\n

*pic hair*

\r\n

In the above example, I used a kneaded eraser to make the part in the hair, the highlights in the various sections of hair, and to accent a few stray hairs.

\r\n\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n

*pic two side by side stretched out and folded over*

\r\n\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n

*pic sanford and faber castell*

\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n

*pic prismacolor*

\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and do not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser...\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs. Speaking from my own personal experience, I get at least twice the use out of my kneaded eraser than I do out of all of my other erasers combined!\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-17 22:04:33','2016-09-18 05:04:33','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3379,2,'2016-09-17 22:42:10','2016-09-18 05:42:10','','what-is-a-kneaded-eraser-intro','','inherit','open','closed','','what-is-a-kneaded-eraser-intro','','','2016-09-17 22:42:10','2016-09-18 05:42:10','',3366,'http://www.letsdrawpeople.com/wp-content/uploads/2016/09/what-is-a-kneaded-eraser-intro.jpg',0,'attachment','image/jpeg',0),(3381,2,'2016-09-17 22:44:29','2016-09-18 05:44:29','','what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes','','inherit','open','closed','','what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes','','','2016-09-17 22:44:29','2016-09-18 05:44:29','',3366,'http://www.letsdrawpeople.com/wp-content/uploads/2016/09/what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes.jpg',0,'attachment','image/jpeg',0),(3382,2,'2016-09-17 22:45:21','2016-09-18 05:45:21','','what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone','','inherit','open','closed','','what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone','','','2016-09-17 22:45:21','2016-09-18 05:45:21','',3366,'http://www.letsdrawpeople.com/wp-content/uploads/2016/09/what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone.jpg',0,'attachment','image/jpeg',0),(3383,2,'2016-09-17 22:46:13','2016-09-18 05:46:13','','what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge','','inherit','open','closed','','what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge','','','2016-09-17 22:46:13','2016-09-18 05:46:13','',3366,'http://www.letsdrawpeople.com/wp-content/uploads/2016/09/what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge.jpg',0,'attachment','image/jpeg',0),(3384,2,'2016-09-17 22:46:51','2016-09-18 05:46:51','','what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip','','inherit','open','closed','','what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip','','','2016-09-17 22:46:51','2016-09-18 05:46:51','',3366,'http://www.letsdrawpeople.com/wp-content/uploads/2016/09/what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip.jpg',0,'attachment','image/jpeg',0),(3385,2,'2016-09-17 22:48:08','2016-09-18 05:48:08','\"what-is-a-kneaded-eraser-intro\"If you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\n\"what-is-a-kneaded-eraser\"Merriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin wedge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n

\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes\"

\r\nI find that my kneaded eraser naturally begins to develop into a shape similar to this over time.\r\n\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area with a Rounded Corner

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a rounded corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n

\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone\"

\r\n\r\n

Making Reflected Light with a Kneaded Eraser\'s Thin Wedge

\r\n

Reflected light is light that is reflected off of a nearby surface. It is usually evident along an edge where an object is curving away from the foreground. Reflected light plays a significant role in creating the illusion of three-dimensional realism.

\r\n

To make reflected light with your kneaded eraser, first shape your eraser into a thin wedge like this.

\r\n

\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge\"

\r\n

Then carefully and lightly tap or rub with short upstrokes your kneaded eraser along the edge of the object. In this example, I used a kneaded eraser to create reflected light along the edge of the ear. This helps to bring out a natural contrast of values and to realistically separate the forms.

\r\n

*pic ear*

\r\n\r\n

Using a Pointy Kneaded Eraser for an Eye Highlight

\r\n

To pick out a tiny area of highlight, such as the highlight of an eye, twist your kneaded eraser into a point.

\r\n

\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip\"

\r\n

Then tap the area to make it white. Often times, you will intentionally leave this area white to begin with and shade around it. When you blend the graphite around it, some of the graphite will go into the area you leave white. The kneaded eraser helps to remove this blended graphite and also make for a natural transition.

\r\n

Most eye highlights traditionally look round inside of the iris. You can see how a pointy kneaded eraser could have pulled out this highlight.

\r\n

***pic dreamstime*

\r\n

At other times, a reference photograph may dictate a different shape for an eye highlight. In the example below, you\'ll notice a square highlight in the eye. Within this square highlight, there are shadows cast by the eyelashes. There is also a round point of bright white that is barely noticeable within the square...a sort of \"highlight within a highlight\" if you will. This bright point was pulled out with the tip of a kneaded eraser.

\r\n

***eye pic*

\r\n

The arrows in this picture show a few other areas around the eye that the edge of a kneaded eraser helped to create. Most notable are the sharp edge of the iris against the white of the eye, the lower eyelid rim, and the wrinkles in the skin surrounding the eye.

\r\n\r\n

How to Use a Kneaded Eraser for Drawing Hair

\r\n

Realistic hair is drawn in layers. It is a process that involves laying down tones, blending the tones together, pulling out highlights, and repeating. The kneaded eraser does the job of pulling out the highlights. I mostly use a kneaded eraser shaped into a thin wedge to accomplish this.

\r\n

*pic hair*

\r\n

In the above example, I used a kneaded eraser to make the part in the hair, the highlights in the various sections of hair, and to accent a few stray hairs.

\r\n\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n

*pic two side by side stretched out and folded over*

\r\n\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n

*pic sanford and faber castell*

\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n

*pic prismacolor*

\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and do not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser...\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs. Speaking from my own personal experience, I get at least twice the use out of my kneaded eraser than I do out of all of my other erasers combined!\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-17 22:48:08','2016-09-18 05:48:08','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3387,2,'2016-09-17 23:29:13','2016-09-18 06:29:13','','letsdrawpeople-jp-logo-small','','inherit','open','closed','','letsdrawpeople-jp-logo-small','','','2016-09-17 23:29:13','2016-09-18 06:29:13','',0,'http://www.letsdrawpeople.com/wp-content/uploads/2016/09/letsdrawpeople-jp-logo-small.png',0,'attachment','image/png',0),(3388,2,'2016-09-18 10:42:58','2016-09-18 17:42:58','[caption id=\"attachment_3379\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser-intro\" A kneaded eraser has many uses, especially for realistic art like portrait drawing.[/caption]\r\n\r\nIf you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\n\"what-is-a-kneaded-eraser\"Merriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin wedge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n

\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes\"

\r\nI find that my kneaded eraser naturally begins to develop into a shape similar to this over time.\r\n\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area with a Rounded Corner

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a rounded corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n

\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone\"

\r\n\r\n

Making Reflected Light with a Kneaded Eraser\'s Thin Wedge

\r\n

Reflected light is light that is reflected off of a nearby surface. It is usually evident along an edge where an object is curving away from the foreground. Reflected light plays a significant role in creating the illusion of three-dimensional realism.

\r\n

To make reflected light with your kneaded eraser, first shape your eraser into a thin wedge like this.

\r\n

\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge\"

\r\n

Then carefully and lightly tap or rub with short upstrokes your kneaded eraser along the edge of the object. In this example, I used a kneaded eraser to create reflected light along the edge of the ear. This helps to bring out a natural contrast of values and to realistically separate the forms.

\r\n

*pic ear*

\r\n\r\n

Using a Pointy Kneaded Eraser for an Eye Highlight

\r\n

To pick out a tiny area of highlight, such as the highlight of an eye, twist your kneaded eraser into a point.

\r\n

\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip\"

\r\n

Then tap the area to make it white. Often times, you will intentionally leave this area white to begin with and shade around it. When you blend the graphite around it, some of the graphite will go into the area you leave white. The kneaded eraser helps to remove this blended graphite and also make for a natural transition.

\r\n

Most eye highlights traditionally look round inside of the iris. You can see how a pointy kneaded eraser could have pulled out this highlight.

\r\n

***pic dreamstime*

\r\n

At other times, a reference photograph may dictate a different shape for an eye highlight. In the example below, you\'ll notice a square highlight in the eye. Within this square highlight, there are shadows cast by the eyelashes. There is also a round point of bright white that is barely noticeable within the square...a sort of \"highlight within a highlight\" if you will. This bright point was pulled out with the tip of a kneaded eraser.

\r\n

***eye pic*

\r\n

The arrows in this picture show a few other areas around the eye that the edge of a kneaded eraser helped to create. Most notable are the sharp edge of the iris against the white of the eye, the lower eyelid rim, and the wrinkles in the skin surrounding the eye.

\r\n\r\n

How to Use a Kneaded Eraser for Drawing Hair

\r\n

Realistic hair is drawn in layers. It is a process that involves laying down tones, blending the tones together, pulling out highlights, and repeating. The kneaded eraser does the job of pulling out the highlights. I mostly use a kneaded eraser shaped into a thin wedge to accomplish this.

\r\n

*pic hair*

\r\n

In the above example, I used a kneaded eraser to make the part in the hair, the highlights in the various sections of hair, and to accent a few stray hairs.

\r\n\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n

*pic two side by side stretched out and folded over*

\r\n\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n

*pic sanford and faber castell*

\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n

*pic prismacolor*

\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and do not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser...\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs. Speaking from my own personal experience, I get at least twice the use out of my kneaded eraser than I do out of all of my other erasers combined!\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-18 10:42:58','2016-09-18 17:42:58','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3389,2,'2016-09-18 10:43:41','2016-09-18 17:43:41','[caption id=\"attachment_3379\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser-intro\" A kneaded eraser has many uses, especially for realistic art like portrait drawing.[/caption]\r\n\r\nIf you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\n \r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\n\"what-is-a-kneaded-eraser\"Merriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin wedge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n

\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes\"

\r\nI find that my kneaded eraser naturally begins to develop into a shape similar to this over time.\r\n\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area with a Rounded Corner

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a rounded corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n

\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone\"

\r\n\r\n

Making Reflected Light with a Kneaded Eraser\'s Thin Wedge

\r\n

Reflected light is light that is reflected off of a nearby surface. It is usually evident along an edge where an object is curving away from the foreground. Reflected light plays a significant role in creating the illusion of three-dimensional realism.

\r\n

To make reflected light with your kneaded eraser, first shape your eraser into a thin wedge like this.

\r\n

\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge\"

\r\n

Then carefully and lightly tap or rub with short upstrokes your kneaded eraser along the edge of the object. In this example, I used a kneaded eraser to create reflected light along the edge of the ear. This helps to bring out a natural contrast of values and to realistically separate the forms.

\r\n

*pic ear*

\r\n\r\n

Using a Pointy Kneaded Eraser for an Eye Highlight

\r\n

To pick out a tiny area of highlight, such as the highlight of an eye, twist your kneaded eraser into a point.

\r\n

\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip\"

\r\n

Then tap the area to make it white. Often times, you will intentionally leave this area white to begin with and shade around it. When you blend the graphite around it, some of the graphite will go into the area you leave white. The kneaded eraser helps to remove this blended graphite and also make for a natural transition.

\r\n

Most eye highlights traditionally look round inside of the iris. You can see how a pointy kneaded eraser could have pulled out this highlight.

\r\n

***pic dreamstime*

\r\n

At other times, a reference photograph may dictate a different shape for an eye highlight. In the example below, you\'ll notice a square highlight in the eye. Within this square highlight, there are shadows cast by the eyelashes. There is also a round point of bright white that is barely noticeable within the square...a sort of \"highlight within a highlight\" if you will. This bright point was pulled out with the tip of a kneaded eraser.

\r\n

***eye pic*

\r\n

The arrows in this picture show a few other areas around the eye that the edge of a kneaded eraser helped to create. Most notable are the sharp edge of the iris against the white of the eye, the lower eyelid rim, and the wrinkles in the skin surrounding the eye.

\r\n\r\n

How to Use a Kneaded Eraser for Drawing Hair

\r\n

Realistic hair is drawn in layers. It is a process that involves laying down tones, blending the tones together, pulling out highlights, and repeating. The kneaded eraser does the job of pulling out the highlights. I mostly use a kneaded eraser shaped into a thin wedge to accomplish this.

\r\n

*pic hair*

\r\n

In the above example, I used a kneaded eraser to make the part in the hair, the highlights in the various sections of hair, and to accent a few stray hairs.

\r\n\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n

*pic two side by side stretched out and folded over*

\r\n\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n

*pic sanford and faber castell*

\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n

*pic prismacolor*

\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and do not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser...\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs. Speaking from my own personal experience, I get at least twice the use out of my kneaded eraser than I do out of all of my other erasers combined!\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-18 10:43:41','2016-09-18 17:43:41','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3390,2,'2016-09-18 11:01:38','2016-09-18 18:01:38','','what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-for-an-ear','','inherit','open','closed','','what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-for-an-ear','','','2016-09-18 11:01:38','2016-09-18 18:01:38','',3366,'http://www.letsdrawpeople.com/wp-content/uploads/2016/09/what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-for-an-ear.jpg',0,'attachment','image/jpeg',0),(3391,2,'2016-09-18 11:15:40','2016-09-18 18:15:40','','what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip-round-eye-highlight','','inherit','open','closed','','what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip-round-eye-highlight','','','2016-09-18 11:15:40','2016-09-18 18:15:40','',3366,'http://www.letsdrawpeople.com/wp-content/uploads/2016/09/what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip-round-eye-highlight.jpg',0,'attachment','image/jpeg',0),(3392,2,'2016-09-18 11:17:48','2016-09-18 18:17:48','[caption id=\"attachment_3379\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser-intro\" A kneaded eraser has many uses, especially for realistic art like portrait drawing.[/caption]\r\n\r\nIf you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\n \r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\n[caption id=\"attachment_3380\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser\" This is what a new kneaded eraser looks like before it is \"kneaded\" into different shapes.[/caption]\r\n\r\nMerriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin wedge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n\r\n[caption id=\"attachment_3381\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes\" Mold a kneaded eraser into a rounded corner, thin wedge, or a pointy tip for a variety of effects.[/caption]\r\n\r\nI find that my kneaded eraser naturally begins to develop into a shape similar to this over time.\r\n\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area with a Rounded Corner

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a rounded corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n\r\n[caption id=\"attachment_3382\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone\" A kneaded eraser is invaluable for creating transitioning values from midtones to highlights on the skin.[/caption]\r\n

Making Reflected Light with a Kneaded Eraser\'s Thin Wedge

\r\n

Reflected light is light that is reflected off of a nearby surface. It is usually evident along an edge where an object is curving away from the foreground. Reflected light plays a significant role in creating the illusion of three-dimensional realism.

\r\n

To make reflected light with your kneaded eraser, first shape your eraser into a thin wedge like this.

\r\n\r\n\r\n[caption id=\"attachment_3383\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge\" Form your kneaded eraser into a thin wedge to make a tiny sliver of reflected light along the edge of an object.[/caption]\r\n

Then carefully and lightly tap or rub with short upstrokes your kneaded eraser along the edge of the object. In this example, I used a kneaded eraser to create reflected light along the edges of an ear. This helps to bring out a natural contrast of values and to realistically separate the forms.

\r\n\r\n\r\n[caption id=\"attachment_3390\" align=\"aligncenter\" width=\"306\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-for-an-ear\" A kneaded eraser can create reflected light along an edge for a three-dimensional effect.[/caption]\r\n

Using a Pointy Kneaded Eraser for an Eye Highlight

\r\n

To pick out a tiny area of highlight, such as the highlight of an eye, twist your kneaded eraser into a point.

\r\n\r\n\r\n[caption id=\"attachment_3384\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip\" A pointed tip on a kneaded eraser can lift graphite out of tight spots.[/caption]\r\n

Then tap the area to make it white. Often times, you will intentionally leave this area white to begin with and shade around it. When you blend the graphite around it, some of the graphite will go into the area you leave white. The kneaded eraser helps to remove this blended graphite and also make for a natural transition.

\r\n

Most eye highlights traditionally look round inside of the iris. You can see how a pointy kneaded eraser could have pulled out this highlight.

\r\n\r\n\r\n[caption id=\"attachment_3391\" align=\"aligncenter\" width=\"400\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip-round-eye-highlight\" The tip of the kneaded eraser removes graphite that gets into the highlight.[/caption]\r\n

At other times, a reference photograph may dictate a different shape for an eye highlight. In the example below, you\'ll notice a square highlight in the eye. Within this square highlight, there are shadows cast by the eyelashes. There is also a round point of bright white that is barely noticeable within the square...a sort of \"highlight within a highlight\" if you will. This bright point was pulled out with the tip of a kneaded eraser.

\r\n

***eye pic*

\r\n

The arrows in this picture show a few other areas around the eye that the edge of a kneaded eraser helped to create. Most notable are the sharp edge of the iris against the white of the eye, the lower eyelid rim, and the wrinkles in the skin surrounding the eye.

\r\n\r\n

How to Use a Kneaded Eraser for Drawing Hair

\r\n

Realistic hair is drawn in layers. It is a process that involves laying down tones, blending the tones together, pulling out highlights, and repeating. The kneaded eraser does the job of pulling out the highlights. I mostly use a kneaded eraser shaped into a thin wedge to accomplish this.

\r\n

*pic hair*

\r\n

In the above example, I used a kneaded eraser to make the part in the hair, the highlights in the various sections of hair, and to accent a few stray hairs.

\r\n\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n

*pic two side by side stretched out and folded over*

\r\n\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n

*pic sanford and faber castell*

\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n

*pic prismacolor*

\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and do not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser...\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs. Speaking from my own personal experience, I get at least twice the use out of my kneaded eraser than I do out of all of my other erasers combined!\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-18 11:17:48','2016-09-18 18:17:48','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3393,2,'2016-09-18 11:32:27','2016-09-18 18:32:27','','what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-other-eye-highlights','','inherit','open','closed','','what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-other-eye-highlights','','','2016-09-18 11:32:27','2016-09-18 18:32:27','',3366,'http://www.letsdrawpeople.com/wp-content/uploads/2016/09/what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-other-eye-highlights.jpg',0,'attachment','image/jpeg',0),(3394,2,'2016-09-18 11:40:01','2016-09-18 18:40:01','','what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-hair','A kneaded eraser is a must-have for adding life to layers when drawing hair.','inherit','open','closed','','what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-hair','','','2016-09-18 11:41:27','2016-09-18 18:41:27','',3366,'http://www.letsdrawpeople.com/wp-content/uploads/2016/09/what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-hair.jpg',0,'attachment','image/jpeg',0),(3395,2,'2016-09-18 11:42:20','2016-09-18 18:42:20','[caption id=\"attachment_3379\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser-intro\" A kneaded eraser has many uses, especially for realistic art like portrait drawing.[/caption]\r\n\r\nIf you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\n \r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\n[caption id=\"attachment_3380\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser\" This is what a new kneaded eraser looks like before it is \"kneaded\" into different shapes.[/caption]\r\n\r\nMerriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin wedge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n\r\n[caption id=\"attachment_3381\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes\" Mold a kneaded eraser into a rounded corner, thin wedge, or a pointy tip for a variety of effects.[/caption]\r\n\r\nI find that my kneaded eraser naturally begins to develop into a shape similar to this over time.\r\n\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area with a Rounded Corner

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a rounded corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n\r\n[caption id=\"attachment_3382\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone\" A kneaded eraser is invaluable for creating transitioning values from midtones to highlights on the skin.[/caption]\r\n

Making Reflected Light with a Kneaded Eraser\'s Thin Wedge

\r\n

Reflected light is light that is reflected off of a nearby surface. It is usually evident along an edge where an object is curving away from the foreground. Reflected light plays a significant role in creating the illusion of three-dimensional realism.

\r\n

To make reflected light with your kneaded eraser, first shape your eraser into a thin wedge like this.

\r\n\r\n\r\n[caption id=\"attachment_3383\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge\" Form your kneaded eraser into a thin wedge to make a tiny sliver of reflected light along the edge of an object.[/caption]\r\n

Then carefully and lightly tap or rub with short upstrokes your kneaded eraser along the edge of the object. In this example, I used a kneaded eraser to create reflected light along the edges of an ear. This helps to bring out a natural contrast of values and to realistically separate the forms.

\r\n\r\n\r\n[caption id=\"attachment_3390\" align=\"aligncenter\" width=\"306\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-for-an-ear\" A kneaded eraser can create reflected light along an edge for a three-dimensional effect.[/caption]\r\n

Using a Pointy Kneaded Eraser for an Eye Highlight

\r\n

To pick out a tiny area of highlight, such as the highlight of an eye, twist your kneaded eraser into a point.

\r\n\r\n\r\n[caption id=\"attachment_3384\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip\" A pointed tip on a kneaded eraser can lift graphite out of tight spots.[/caption]\r\n

Then tap the area to make it white. Often times, you will intentionally leave this area white to begin with and shade around it. When you blend the graphite around it, some of the graphite will go into the area you leave white. The kneaded eraser helps to remove this blended graphite and also make for a natural transition.

\r\n

Most eye highlights traditionally look round inside of the iris. You can see how a pointy kneaded eraser could have pulled out this highlight.

\r\n\r\n\r\n[caption id=\"attachment_3391\" align=\"aligncenter\" width=\"400\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip-round-eye-highlight\" The tip of the kneaded eraser removes graphite that gets into the highlight.[/caption]\r\n

At other times, a reference photograph may dictate a different shape for an eye highlight. In the example below, you\'ll notice a square highlight in the eye. Within this square highlight, there are shadows cast by the eyelashes. There is also a round point of bright white that is barely noticeable within the square...a sort of \"highlight within a highlight\" if you will. This bright point was pulled out with the tip of a kneaded eraser.

\r\n\r\n\r\n[caption id=\"attachment_3393\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-other-eye-highlights\" Notice how the kneaded eraser is just as good at sharpening up edges as it is with pulling out highlights.[/caption]\r\n

The arrows in this picture show a few other areas around the eye that the edge of a kneaded eraser helped to create. Most notable are the sharp edge of the iris against the white of the eye, the lower eyelid rim, and the wrinkles in the skin surrounding the eye.

\r\n\r\n

How to Use a Kneaded Eraser for Drawing Hair

\r\n

Realistic hair is drawn in layers. It is a process that involves laying down tones, blending the tones together, pulling out highlights, and repeating. The kneaded eraser does the job of pulling out the highlights. I mostly use a kneaded eraser shaped into a thin wedge to accomplish this.

\r\n\r\n\r\n[caption id=\"attachment_3394\" align=\"aligncenter\" width=\"800\"]\"A A kneaded eraser is a must-have for adding life to layers when drawing hair.[/caption]\r\n

In the above example, I used a kneaded eraser to make the part in the hair, the highlights in the various sections of hair, and to accent a few stray hairs.

\r\n\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n

*pic two side by side stretched out and folded over*

\r\n\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n

*pic sanford and faber castell*

\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n

*pic prismacolor*

\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and do not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser...\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs. Speaking from my own personal experience, I get at least twice the use out of my kneaded eraser than I do out of all of my other erasers combined!\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-18 11:42:20','2016-09-18 18:42:20','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3396,2,'2016-09-18 12:24:53','2016-09-18 19:24:53','','sanford-design-kneaded-eraser-faber-castell-kneaded-eraser','','inherit','open','closed','','sanford-design-kneaded-eraser-faber-castell-kneaded-eraser','','','2016-09-18 12:24:53','2016-09-18 19:24:53','',3366,'http://www.letsdrawpeople.com/wp-content/uploads/2016/09/sanford-design-kneaded-eraser-faber-castell-kneaded-eraser.jpg',0,'attachment','image/jpeg',0),(3397,2,'2016-09-18 12:25:22','2016-09-18 19:25:22','','prismacolor-kneaded-eraser','','inherit','open','closed','','prismacolor-kneaded-eraser','','','2016-09-18 12:25:22','2016-09-18 19:25:22','',3366,'http://www.letsdrawpeople.com/wp-content/uploads/2016/09/prismacolor-kneaded-eraser.jpg',0,'attachment','image/jpeg',0),(3403,2,'2016-09-18 15:23:07','2016-09-18 22:23:07','','what-is-a-kneaded-eraser-how-to-clean-a-kneaded-eraser','Step 1 - Take a dirty, spotty kneaded eraser. Step 2 - Pull and stretch the kneaded eraser out. Step 3 - Fold the kneaded eraser upon itself. Step 4 - You are done! If you want, repeat the process to make the kneaded eraser even cleaner.','inherit','open','closed','','what-is-a-kneaded-eraser-how-to-clean-a-kneaded-eraser','','','2016-09-18 15:23:22','2016-09-18 22:23:22','',3366,'http://www.letsdrawpeople.com/wp-content/uploads/2016/09/what-is-a-kneaded-eraser-how-to-clean-a-kneaded-eraser.jpg',0,'attachment','image/jpeg',0),(3399,2,'2016-09-18 12:39:13','2016-09-18 19:39:13','[caption id=\"attachment_3379\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser-intro\" A kneaded eraser has many uses, especially for realistic art like portrait drawing.[/caption]\r\n\r\nIf you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\n \r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\n[caption id=\"attachment_3380\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser\" This is what a new kneaded eraser looks like before it is \"kneaded\" into different shapes.[/caption]\r\n\r\nMerriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nIn actuality, a kneaded eraser is known for removing not only graphite pencil and charcoal marks but also chalk and pastel markings.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin wedge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n\r\n[caption id=\"attachment_3381\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes\" Mold a kneaded eraser into a rounded corner, thin wedge, or a pointy tip for a variety of effects.[/caption]\r\n\r\nI find that my kneaded eraser naturally begins to develop into a shape similar to this over time.\r\n\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area with a Rounded Corner

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a rounded corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n\r\n[caption id=\"attachment_3382\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone\" A kneaded eraser is invaluable for creating transitioning values from midtones to highlights on the skin.[/caption]\r\n

Making Reflected Light with a Kneaded Eraser\'s Thin Wedge

\r\n

Reflected light is light that is reflected off of a nearby surface. It is usually evident along an edge where an object is curving away from the foreground. Reflected light plays a significant role in creating the illusion of three-dimensional realism.

\r\n

To make reflected light with your kneaded eraser, first shape your eraser into a thin wedge like this.

\r\n\r\n\r\n[caption id=\"attachment_3383\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge\" Form your kneaded eraser into a thin wedge to make a tiny sliver of reflected light along the edge of an object.[/caption]\r\n

Then carefully and lightly tap or rub with short upstrokes your kneaded eraser along the edge of the object. In this example, I used a kneaded eraser to create reflected light along the edges of an ear. This helps to bring out a natural contrast of values and to realistically separate the forms.

\r\n\r\n\r\n[caption id=\"attachment_3390\" align=\"aligncenter\" width=\"306\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-for-an-ear\" A kneaded eraser can create reflected light along an edge for a three-dimensional effect.[/caption]\r\n

Using a Pointy Kneaded Eraser for an Eye Highlight

\r\n

To pick out a tiny area of highlight, such as the highlight of an eye, twist your kneaded eraser into a point.

\r\n\r\n\r\n[caption id=\"attachment_3384\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip\" A pointed tip on a kneaded eraser can lift graphite out of tight spots.[/caption]\r\n

Then tap the area to make it white. Often times, you will intentionally leave this area white to begin with and shade around it. When you blend the graphite around it, some of the graphite will go into the area you leave white. The kneaded eraser helps to remove this blended graphite and also make for a natural transition.

\r\n

Most eye highlights traditionally look round inside of the iris. You can see how a pointy kneaded eraser could have pulled out this highlight.

\r\n\r\n\r\n[caption id=\"attachment_3391\" align=\"aligncenter\" width=\"400\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip-round-eye-highlight\" The tip of the kneaded eraser removes graphite that gets into the highlight.[/caption]\r\n

At other times, a reference photograph may dictate a different shape for an eye highlight. In the example below, you\'ll notice a square highlight in the eye. Within this square highlight, there are shadows cast by the eyelashes. There is also a round point of bright white that is barely noticeable within the square...a sort of \"highlight within a highlight\" if you will. This bright point was pulled out with the tip of a kneaded eraser.

\r\n\r\n\r\n[caption id=\"attachment_3393\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-other-eye-highlights\" Notice how the kneaded eraser is just as good at sharpening up edges as it is with pulling out highlights.[/caption]\r\n

The arrows in this picture show a few other areas around the eye that the edge of a kneaded eraser helped to create. Most notable are the sharp edge of the iris against the white of the eye, the lower eyelid rim, and the wrinkles in the skin surrounding the eye.

\r\n\r\n

How to Use a Kneaded Eraser for Drawing Hair

\r\n

Realistic hair is drawn in layers. It is a process that involves laying down tones, blending the tones together, pulling out highlights, and repeating. The kneaded eraser does the job of pulling out the highlights. I mostly use a kneaded eraser shaped into a thin wedge to accomplish this.

\r\n\r\n\r\n[caption id=\"attachment_3394\" align=\"aligncenter\" width=\"800\"]\"A A kneaded eraser is a must-have for adding life to layers when drawing hair.[/caption]\r\n

In the above example, I used a kneaded eraser to make the part in the hair, the highlights in the various sections of hair, and to accent a few stray hairs.

\r\n\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n\r\n[caption id=\"attachment_3398\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-clean-a-kneaded-eraser\" Pic 1 - A dirty, spotty kneaded eraser. Pic 2 - The eraser stretched out. Pic 3 - The eraser folded upon itself. Pic 4 - A cleaner kneaded eraser after repeating the process.[/caption]\r\n

Repeat this process as often as you want. You will notice the kneaded eraser getting smoother and lighter in color as you continue to pull and fold it over.

\r\n\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n

\"sanford-design-kneaded-eraser-faber-castell-kneaded-eraser\"

\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n

\"prismacolor-kneaded-eraser\"

\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and do not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser...\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs. Speaking from my own personal experience, I get at least twice the use out of my kneaded eraser than I do out of all of my other erasers combined!\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-18 12:39:13','2016-09-18 19:39:13','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3400,2,'2016-09-18 12:40:16','2016-09-18 19:40:16','[caption id=\"attachment_3379\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser-intro\" A kneaded eraser has many uses, especially for realistic art like portrait drawing.[/caption]\r\n\r\nIf you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\n \r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\n[caption id=\"attachment_3380\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser\" This is what a new kneaded eraser looks like before it is \"kneaded\" into different shapes.[/caption]\r\n\r\nMerriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nIn actuality, a kneaded eraser is known for removing not only graphite pencil and charcoal marks but also chalk and pastel markings.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin wedge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n\r\n[caption id=\"attachment_3381\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes\" Mold a kneaded eraser into a rounded corner, thin wedge, or a pointy tip for a variety of effects.[/caption]\r\n\r\nI find that my kneaded eraser naturally begins to develop into a shape similar to this over time.\r\n\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area with a Rounded Corner

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a rounded corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n\r\n[caption id=\"attachment_3382\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone\" A kneaded eraser is invaluable for creating transitioning values from midtones to highlights on the skin.[/caption]\r\n

Making Reflected Light with a Kneaded Eraser\'s Thin Wedge

\r\n

Reflected light is light that is reflected off of a nearby surface. It is usually evident along an edge where an object is curving away from the foreground. Reflected light plays a significant role in creating the illusion of three-dimensional realism.

\r\n

To make reflected light with your kneaded eraser, first shape your eraser into a thin wedge like this.

\r\n\r\n\r\n[caption id=\"attachment_3383\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge\" Form your kneaded eraser into a thin wedge to make a tiny sliver of reflected light along the edge of an object.[/caption]\r\n

Then carefully and lightly tap or rub with short upstrokes your kneaded eraser along the edge of the object. In this example, I used a kneaded eraser to create reflected light along the edges of an ear. This helps to bring out a natural contrast of values and to realistically separate the forms.

\r\n\r\n\r\n[caption id=\"attachment_3390\" align=\"aligncenter\" width=\"306\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-for-an-ear\" A kneaded eraser can create reflected light along an edge for a three-dimensional effect.[/caption]\r\n

Using a Pointy Kneaded Eraser for an Eye Highlight

\r\n

To pick out a tiny area of highlight, such as the highlight of an eye, twist your kneaded eraser into a point.

\r\n\r\n\r\n[caption id=\"attachment_3384\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip\" A pointed tip on a kneaded eraser can lift graphite out of tight spots.[/caption]\r\n

Then tap the area to make it white. Often times, you will intentionally leave this area white to begin with and shade around it. When you blend the graphite around it, some of the graphite will go into the area you leave white. The kneaded eraser helps to remove this blended graphite and also make for a natural transition.

\r\n

Most eye highlights traditionally look round inside of the iris. You can see how a pointy kneaded eraser could have pulled out this highlight.

\r\n\r\n\r\n[caption id=\"attachment_3391\" align=\"aligncenter\" width=\"400\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip-round-eye-highlight\" The tip of the kneaded eraser removes graphite that gets into the highlight.[/caption]\r\n

At other times, a reference photograph may dictate a different shape for an eye highlight. In the example below, you\'ll notice a square highlight in the eye. Within this square highlight, there are shadows cast by the eyelashes. There is also a round point of bright white that is barely noticeable within the square...a sort of \"highlight within a highlight\" if you will. This bright point was pulled out with the tip of a kneaded eraser.

\r\n\r\n\r\n[caption id=\"attachment_3393\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-other-eye-highlights\" Notice how the kneaded eraser is just as good at sharpening up edges as it is with pulling out highlights.[/caption]\r\n

The arrows in this picture show a few other areas around the eye that the edge of a kneaded eraser helped to create. Most notable are the sharp edge of the iris against the white of the eye, the lower eyelid rim, and the wrinkles in the skin surrounding the eye.

\r\n\r\n

How to Use a Kneaded Eraser for Drawing Hair

\r\n

Realistic hair is drawn in layers. It is a process that involves laying down tones, blending the tones together, pulling out highlights, and repeating. The kneaded eraser does the job of pulling out the highlights. I mostly use a kneaded eraser shaped into a thin wedge to accomplish this.

\r\n\r\n\r\n[caption id=\"attachment_3394\" align=\"aligncenter\" width=\"800\"]\"A A kneaded eraser is a must-have for adding life to layers when drawing hair.[/caption]\r\n

In the above example, I used a kneaded eraser to make the part in the hair, the highlights in the various sections of hair, and to accent a few stray hairs.

\r\n\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n\r\n[caption id=\"attachment_3398\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-clean-a-kneaded-eraser\" Pic 1 - A dirty, spotty kneaded eraser. Pic 2 - The eraser stretched out. Pic 3 - The eraser folded upon itself. Pic 4 - A cleaner kneaded eraser after repeating the process.[/caption]\r\n

Repeat this process as often as you want. You will notice the kneaded eraser getting smoother and lighter in color as you continue to pull and fold it over.

\r\n\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n

\"sanford-design-kneaded-eraser-faber-castell-kneaded-eraser\"

\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n

\"prismacolor-kneaded-eraser\"

\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and do not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser...\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs. Speaking from my own personal experience, I get at least twice the use out of my kneaded eraser than I do out of all of my other erasers combined!\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-18 12:40:16','2016-09-18 19:40:16','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3401,2,'2016-09-18 15:11:25','2016-09-18 22:11:25','[caption id=\"attachment_3379\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser-intro\" A kneaded eraser has many uses, especially for realistic art like portrait drawing.[/caption]\r\n\r\nIf you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\n \r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\n[caption id=\"attachment_3380\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser\" This is what a new kneaded eraser looks like before it is \"kneaded\" into different shapes.[/caption]\r\n\r\nMerriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nIn actuality, a kneaded eraser is known for removing not only graphite pencil and charcoal marks but also chalk and pastel markings.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin wedge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n\r\n[caption id=\"attachment_3381\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes\" Mold a kneaded eraser into a rounded corner, thin wedge, or a pointy tip for a variety of effects.[/caption]\r\n\r\nI find that my kneaded eraser naturally begins to develop into a shape similar to this over time.\r\n\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area with a Rounded Corner

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a rounded corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n\r\n[caption id=\"attachment_3382\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone\" A kneaded eraser is invaluable for creating transitioning values from midtones to highlights on the skin.[/caption]\r\n

Making Reflected Light with a Kneaded Eraser\'s Thin Wedge

\r\n

Reflected light is light that is reflected off of a nearby surface. It is usually evident along an edge where an object is curving away from the foreground. Reflected light plays a significant role in creating the illusion of three-dimensional realism.

\r\n

To make reflected light with your kneaded eraser, first shape your eraser into a thin wedge like this.

\r\n\r\n\r\n[caption id=\"attachment_3383\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge\" Form your kneaded eraser into a thin wedge to make a tiny sliver of reflected light along the edge of an object.[/caption]\r\n

Then carefully and lightly tap or rub with short upstrokes your kneaded eraser along the edge of the object. In this example, I used a kneaded eraser to create reflected light along the edges of an ear. This helps to bring out a natural contrast of values and to realistically separate the forms.

\r\n\r\n\r\n[caption id=\"attachment_3390\" align=\"aligncenter\" width=\"306\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-for-an-ear\" A kneaded eraser can create reflected light along an edge for a three-dimensional effect.[/caption]\r\n

Using a Pointy Kneaded Eraser for an Eye Highlight

\r\n

To pick out a tiny area of highlight, such as the highlight of an eye, twist your kneaded eraser into a point.

\r\n\r\n\r\n[caption id=\"attachment_3384\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip\" A pointed tip on a kneaded eraser can lift graphite out of tight spots.[/caption]\r\n

Then tap the area to make it white. Often times, you will intentionally leave this area white to begin with and shade around it. When you blend the graphite around it, some of the graphite will go into the area you leave white. The kneaded eraser helps to remove this blended graphite and also make for a natural transition.

\r\n

Most eye highlights traditionally look round inside of the iris. You can see how a pointy kneaded eraser could have pulled out this highlight.

\r\n\r\n\r\n[caption id=\"attachment_3391\" align=\"aligncenter\" width=\"400\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip-round-eye-highlight\" The tip of the kneaded eraser removes graphite that gets into the highlight.[/caption]\r\n

At other times, a reference photograph may dictate a different shape for an eye highlight. In the example below, you\'ll notice a square highlight in the eye. Within this square highlight, there are shadows cast by the eyelashes. There is also a round point of bright white that is barely noticeable within the square...a sort of \"highlight within a highlight\" if you will. This bright point was pulled out with the tip of a kneaded eraser.

\r\n\r\n\r\n[caption id=\"attachment_3393\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-other-eye-highlights\" Notice how the kneaded eraser is just as good at sharpening up edges as it is with pulling out highlights.[/caption]\r\n

The arrows in this picture show a few other areas around the eye that the edge of a kneaded eraser helped to create. Most notable are the sharp edge of the iris against the white of the eye, the lower eyelid rim, and the wrinkles in the skin surrounding the eye.

\r\n\r\n

How to Use a Kneaded Eraser for Drawing Hair

\r\n

Realistic hair is drawn in layers. It is a process that involves laying down tones, blending the tones together, pulling out highlights, and repeating. The kneaded eraser does the job of pulling out the highlights. I mostly use a kneaded eraser shaped into a thin wedge to accomplish this.

\r\n\r\n\r\n[caption id=\"attachment_3394\" align=\"aligncenter\" width=\"800\"]\"A A kneaded eraser is a must-have for adding life to layers when drawing hair.[/caption]\r\n

In the above example, I used a kneaded eraser to make the part in the hair, the highlights in the various sections of hair, and to accent a few stray hairs.

\r\n\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n\r\n[caption id=\"attachment_3398\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-clean-a-kneaded-eraser\" Pic 1 - A dirty, spotty kneaded eraser. Pic 2 - The eraser stretched out. Pic 3 - The eraser folded upon itself. Pic 4 - A cleaner kneaded eraser after repeating the process.[/caption]\r\n

Repeat this process as often as you want. You will notice the kneaded eraser getting smoother and lighter in color as you continue to pull and fold it over.

\r\n\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n

\"sanford-design-kneaded-eraser-faber-castell-kneaded-eraser\"

\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n

\"prismacolor-kneaded-eraser\"

\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other common kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and do not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser...\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs. Speaking from my own personal experience, I get at least twice the use out of my kneaded eraser than I do out of all of my other erasers combined!\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-18 15:11:25','2016-09-18 22:11:25','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3404,2,'2016-09-18 15:33:27','2016-09-18 22:33:27','[caption id=\"attachment_3379\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser-intro\" A kneaded eraser has many uses, especially for realistic art like portrait drawing.[/caption]\r\n\r\nIf you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\n \r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\n[caption id=\"attachment_3380\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser\" This is what a new kneaded eraser looks like before it is \"kneaded\" into different shapes.[/caption]\r\n\r\nMerriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nIn actuality, a kneaded eraser is known for removing not only graphite pencil and charcoal marks but also chalk and pastel markings.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin wedge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n\r\n[caption id=\"attachment_3381\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes\" Mold a kneaded eraser into a rounded corner, thin wedge, or a pointy tip for a variety of effects.[/caption]\r\n\r\nI find that my kneaded eraser naturally begins to develop into a shape similar to this over time.\r\n\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area with a Rounded Corner

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a rounded corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n\r\n[caption id=\"attachment_3382\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone\" A kneaded eraser is invaluable for creating transitioning values from midtones to highlights on the skin.[/caption]\r\n

Making Reflected Light with a Kneaded Eraser\'s Thin Wedge

\r\n

Reflected light is light that is reflected off of a nearby surface. It is usually evident along an edge where an object is curving away from the foreground. Reflected light plays a significant role in creating the illusion of three-dimensional realism.

\r\n

To make reflected light with your kneaded eraser, first shape your eraser into a thin wedge like this.

\r\n\r\n\r\n[caption id=\"attachment_3383\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge\" Form your kneaded eraser into a thin wedge to make a tiny sliver of reflected light along the edge of an object.[/caption]\r\n

Then carefully and lightly tap or rub with short upstrokes your kneaded eraser along the edge of the object. In this example, I used a kneaded eraser to create reflected light along the edges of an ear. This helps to bring out a natural contrast of values and to realistically separate the forms.

\r\n\r\n\r\n[caption id=\"attachment_3390\" align=\"aligncenter\" width=\"306\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-for-an-ear\" A kneaded eraser can create reflected light along an edge for a three-dimensional effect.[/caption]\r\n

Using a Pointy Kneaded Eraser for an Eye Highlight

\r\n

To pick out a tiny area of highlight, such as the highlight of an eye, twist your kneaded eraser into a point.

\r\n\r\n\r\n[caption id=\"attachment_3384\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip\" A pointed tip on a kneaded eraser can lift graphite out of tight spots.[/caption]\r\n

Then tap the area to make it white. Often times, you will intentionally leave this area white to begin with and shade around it. When you blend the graphite around it, some of the graphite will go into the area you leave white. The kneaded eraser helps to remove this blended graphite and also make for a natural transition.

\r\n

Most eye highlights traditionally look round inside of the iris. You can see how a pointy kneaded eraser could have pulled out this highlight.

\r\n\r\n\r\n[caption id=\"attachment_3391\" align=\"aligncenter\" width=\"400\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip-round-eye-highlight\" The tip of the kneaded eraser removes graphite that gets into the highlight.[/caption]\r\n

At other times, a reference photograph may dictate a different shape for an eye highlight. In the example below, you\'ll notice a square highlight in the eye. Within this square highlight, there are shadows cast by the eyelashes. There is also a round point of bright white that is barely noticeable within the square...a sort of \"highlight within a highlight\" if you will. This bright point was pulled out with the tip of a kneaded eraser.

\r\n\r\n\r\n[caption id=\"attachment_3393\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-other-eye-highlights\" Notice how the kneaded eraser is just as good at sharpening up edges as it is with pulling out highlights.[/caption]\r\n

The arrows in this picture show a few other areas around the eye that the edge of a kneaded eraser helped to create. Most notable are the sharp edge of the iris against the white of the eye, the lower eyelid rim, and the wrinkles in the skin surrounding the eye.

\r\n\r\n

How to Use a Kneaded Eraser for Drawing Hair

\r\n

Realistic hair is drawn in layers. It is a process that involves laying down tones, blending the tones together, pulling out highlights, and repeating. The kneaded eraser does the job of pulling out the highlights. I mostly use a kneaded eraser shaped into a thin wedge to accomplish this.

\r\n\r\n\r\n[caption id=\"attachment_3394\" align=\"aligncenter\" width=\"800\"]\"A A kneaded eraser is a must-have for adding life to layers when drawing hair.[/caption]\r\n

In the above example, I used a kneaded eraser to make the part in the hair, the highlights in the various sections of hair, and to accent a few stray hairs.

\r\n\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n\r\n[caption id=\"attachment_3403\" align=\"aligncenter\" width=\"800\"]\"Step Step 1 - Take a dirty, spotty kneaded eraser. Step 2 - Pull and stretch the kneaded eraser out. Step 3 - Fold the kneaded eraser upon itself. Step 4 - You are done! If you want, repeat the process to make the kneaded eraser even cleaner.[/caption]\r\n

Repeat this process as often as you want. You will notice the kneaded eraser getting smoother and lighter in color as you continue to pull and fold it over.

\r\n\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n

\"sanford-design-kneaded-eraser-faber-castell-kneaded-eraser\"

\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n

\"prismacolor-kneaded-eraser\"

\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other common kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and do not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser...\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs. Speaking from my own personal experience, I get at least twice the use out of my kneaded eraser than I do out of all of my other erasers combined!\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-18 15:33:27','2016-09-18 22:33:27','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3405,2,'2016-09-19 05:02:18','2016-09-19 12:02:18','[caption id=\"attachment_3379\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser-intro\" A kneaded eraser has many uses, especially for realistic art like portrait drawing.[/caption]\r\n\r\nIf you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\n[caption id=\"attachment_3380\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser\" This is what a new kneaded eraser looks like before it is \"kneaded\" into different shapes.[/caption]\r\n\r\nMerriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nIn actuality, a kneaded eraser is known for removing not only graphite pencil and charcoal marks but also chalk and pastel markings.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin wedge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n\r\n[caption id=\"attachment_3381\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes\" Mold a kneaded eraser into a rounded corner, thin wedge, or a pointy tip for a variety of effects.[/caption]\r\n\r\n \r\n

I find that my kneaded eraser naturally begins to develop into a shape similar to this over time.

\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area with a Rounded Corner

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a rounded corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n\r\n[caption id=\"attachment_3382\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone\" A kneaded eraser is invaluable for creating transitioning values from midtones to highlights on the skin.[/caption]\r\n

Making Reflected Light with a Kneaded Eraser\'s Thin Wedge

\r\n

Reflected light is light that is reflected off of a nearby surface. It is usually evident along an edge where an object is curving away from the foreground. Reflected light plays a significant role in creating the illusion of three-dimensional realism.

\r\n

To make reflected light with your kneaded eraser, first shape your eraser into a thin wedge like this.

\r\n\r\n\r\n[caption id=\"attachment_3383\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge\" Form your kneaded eraser into a thin wedge to make a tiny sliver of reflected light along the edge of an object.[/caption]\r\n\r\n \r\n

Then carefully and lightly tap or rub with short upstrokes your kneaded eraser along the edge of the object. In this example, I used a kneaded eraser to create reflected light along the edges of an ear. This helps to bring out a natural contrast of values and to realistically separate the forms.

\r\n\r\n\r\n[caption id=\"attachment_3390\" align=\"aligncenter\" width=\"306\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-for-an-ear\" A kneaded eraser can create reflected light along an edge for a three-dimensional effect.[/caption]\r\n

Using a Pointy Kneaded Eraser for an Eye Highlight

\r\n

To pick out a tiny area of highlight, such as the highlight of an eye, twist your kneaded eraser into a point.

\r\n\r\n\r\n[caption id=\"attachment_3384\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip\" A pointed tip on a kneaded eraser can lift graphite out of tight spots.[/caption]\r\n\r\n \r\n

Then tap the area to make it white. Often times, you will intentionally leave this area white to begin with and shade around it. When you blend the graphite around it, some of the graphite will go into the area you leave white. The kneaded eraser helps to remove this blended graphite and also make for a natural transition.

\r\n

Most eye highlights traditionally look round inside of the iris. You can see how a pointy kneaded eraser could have pulled out this highlight.

\r\n\r\n\r\n[caption id=\"attachment_3391\" align=\"aligncenter\" width=\"400\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip-round-eye-highlight\" The tip of the kneaded eraser removes graphite that gets into the highlight.[/caption]\r\n\r\n \r\n

At other times, a reference photograph may dictate a different shape for an eye highlight. In the example below, you\'ll notice a square highlight in the eye. Within this square highlight, there are shadows cast by the eyelashes. There is also a round point of bright white that is barely noticeable within the square...a sort of \"highlight within a highlight\" if you will. This bright point was pulled out with the tip of a kneaded eraser.

\r\n\r\n\r\n[caption id=\"attachment_3393\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-other-eye-highlights\" Notice how the kneaded eraser is just as good at sharpening up edges as it is with pulling out highlights.[/caption]\r\n\r\n \r\n

The arrows in this picture show a few other areas around the eye that the edge of a kneaded eraser helped to create. Most notable are the sharp edge of the iris against the white of the eye, the lower eyelid rim, and the wrinkles in the skin surrounding the eye.

\r\n\r\n

How to Use a Kneaded Eraser for Drawing Hair

\r\n

Realistic hair is drawn in layers. It is a process that involves laying down tones, blending the tones together, pulling out highlights, and repeating. The kneaded eraser does the job of pulling out the highlights. I mostly use a kneaded eraser shaped into a thin wedge to accomplish this.

\r\n\r\n\r\n[caption id=\"attachment_3394\" align=\"aligncenter\" width=\"800\"]\"A A kneaded eraser is a must-have for adding life to layers when drawing hair.[/caption]\r\n\r\n \r\n

In the above example, I used a kneaded eraser to make the part in the hair, the highlights in the various sections of hair, and to accent a few stray hairs.

\r\n\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n\r\n[caption id=\"attachment_3403\" align=\"aligncenter\" width=\"800\"]\"Step Step 1 - Take a dirty, spotty kneaded eraser. Step 2 - Pull and stretch the kneaded eraser out. Step 3 - Fold the kneaded eraser upon itself. Step 4 - You are done! If you want, repeat the process to make the kneaded eraser even cleaner.[/caption]\r\n\r\n \r\n

Repeat this process as often as you want. You will notice the kneaded eraser getting smoother and lighter in color as you continue to pull and fold it over.

\r\n\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n

\"sanford-design-kneaded-eraser-faber-castell-kneaded-eraser\"

\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n

\"prismacolor-kneaded-eraser\"

\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other common kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and do not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser...\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs. Speaking from my own personal experience, I get at least twice the use out of my kneaded eraser than I do out of all of my other erasers combined!\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-autosave-v1','','','2016-09-19 05:02:18','2016-09-19 12:02:18','',3366,'http://www.letsdrawpeople.com/3366-autosave-v1/',0,'revision','',0),(3407,2,'2016-09-18 16:07:46','2016-09-18 23:07:46','[caption id=\"attachment_3379\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser-intro\" A kneaded eraser has many uses, especially for realistic art like portrait drawing.[/caption]\r\n\r\nIf you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\n[caption id=\"attachment_3380\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser\" This is what a new kneaded eraser looks like before it is \"kneaded\" into different shapes.[/caption]\r\n\r\nMerriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nIn actuality, a kneaded eraser is known for removing not only graphite pencil and charcoal marks but also chalk and pastel markings.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin wedge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n\r\n[caption id=\"attachment_3381\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes\" Mold a kneaded eraser into a rounded corner, thin wedge, or a pointy tip for a variety of effects.[/caption]\r\n\r\n \r\n\r\nI find that my kneaded eraser naturally begins to develop into a shape similar to this over time.\r\n\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area with a Rounded Corner

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a rounded corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n\r\n[caption id=\"attachment_3382\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone\" A kneaded eraser is invaluable for creating transitioning values from midtones to highlights on the skin.[/caption]\r\n

Making Reflected Light with a Kneaded Eraser\'s Thin Wedge

\r\n

Reflected light is light that is reflected off of a nearby surface. It is usually evident along an edge where an object is curving away from the foreground. Reflected light plays a significant role in creating the illusion of three-dimensional realism.

\r\n

To make reflected light with your kneaded eraser, first shape your eraser into a thin wedge like this.

\r\n\r\n\r\n[caption id=\"attachment_3383\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge\" Form your kneaded eraser into a thin wedge to make a tiny sliver of reflected light along the edge of an object.[/caption]\r\n

Then carefully and lightly tap or rub with short upstrokes your kneaded eraser along the edge of the object. In this example, I used a kneaded eraser to create reflected light along the edges of an ear. This helps to bring out a natural contrast of values and to realistically separate the forms.

\r\n\r\n\r\n[caption id=\"attachment_3390\" align=\"aligncenter\" width=\"306\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-for-an-ear\" A kneaded eraser can create reflected light along an edge for a three-dimensional effect.[/caption]\r\n

Using a Pointy Kneaded Eraser for an Eye Highlight

\r\n

To pick out a tiny area of highlight, such as the highlight of an eye, twist your kneaded eraser into a point.

\r\n\r\n\r\n[caption id=\"attachment_3384\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip\" A pointed tip on a kneaded eraser can lift graphite out of tight spots.[/caption]\r\n

Then tap the area to make it white. Often times, you will intentionally leave this area white to begin with and shade around it. When you blend the graphite around it, some of the graphite will go into the area you leave white. The kneaded eraser helps to remove this blended graphite and also make for a natural transition.

\r\n

Most eye highlights traditionally look round inside of the iris. You can see how a pointy kneaded eraser could have pulled out this highlight.

\r\n\r\n\r\n[caption id=\"attachment_3391\" align=\"aligncenter\" width=\"400\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip-round-eye-highlight\" The tip of the kneaded eraser removes graphite that gets into the highlight.[/caption]\r\n

At other times, a reference photograph may dictate a different shape for an eye highlight. In the example below, you\'ll notice a square highlight in the eye. Within this square highlight, there are shadows cast by the eyelashes. There is also a round point of bright white that is barely noticeable within the square...a sort of \"highlight within a highlight\" if you will. This bright point was pulled out with the tip of a kneaded eraser.

\r\n\r\n\r\n[caption id=\"attachment_3393\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-other-eye-highlights\" Notice how the kneaded eraser is just as good at sharpening up edges as it is with pulling out highlights.[/caption]\r\n

The arrows in this picture show a few other areas around the eye that the edge of a kneaded eraser helped to create. Most notable are the sharp edge of the iris against the white of the eye, the lower eyelid rim, and the wrinkles in the skin surrounding the eye.

\r\n\r\n

How to Use a Kneaded Eraser for Drawing Hair

\r\n

Realistic hair is drawn in layers. It is a process that involves laying down tones, blending the tones together, pulling out highlights, and repeating. The kneaded eraser does the job of pulling out the highlights. I mostly use a kneaded eraser shaped into a thin wedge to accomplish this.

\r\n\r\n\r\n[caption id=\"attachment_3394\" align=\"aligncenter\" width=\"800\"]\"A A kneaded eraser is a must-have for adding life to layers when drawing hair.[/caption]\r\n

In the above example, I used a kneaded eraser to make the part in the hair, the highlights in the various sections of hair, and to accent a few stray hairs.

\r\n\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n\r\n[caption id=\"attachment_3403\" align=\"aligncenter\" width=\"800\"]\"Step Step 1 - Take a dirty, spotty kneaded eraser. Step 2 - Pull and stretch the kneaded eraser out. Step 3 - Fold the kneaded eraser upon itself. Step 4 - You are done! If you want, repeat the process to make the kneaded eraser even cleaner.[/caption]\r\n

Repeat this process as often as you want. You will notice the kneaded eraser getting smoother and lighter in color as you continue to pull and fold it over.

\r\n\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n

\"sanford-design-kneaded-eraser-faber-castell-kneaded-eraser\"

\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n

\"prismacolor-kneaded-eraser\"

\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other common kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and do not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser...\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs. Speaking from my own personal experience, I get at least twice the use out of my kneaded eraser than I do out of all of my other erasers combined!\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-18 16:07:46','2016-09-18 23:07:46','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3406,2,'2016-09-18 15:59:54','2016-09-18 22:59:54','[caption id=\"attachment_3379\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser-intro\" A kneaded eraser has many uses, especially for realistic art like portrait drawing.[/caption]\r\n\r\nIf you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\n[caption id=\"attachment_3380\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser\" This is what a new kneaded eraser looks like before it is \"kneaded\" into different shapes.[/caption]\r\n\r\nMerriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nIn actuality, a kneaded eraser is known for removing not only graphite pencil and charcoal marks but also chalk and pastel markings.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin wedge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n\r\n[caption id=\"attachment_3381\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes\" Mold a kneaded eraser into a rounded corner, thin wedge, or a pointy tip for a variety of effects.[/caption]\r\n\r\n \r\n\r\nI find that my kneaded eraser naturally begins to develop into a shape similar to this over time.\r\n\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area with a Rounded Corner

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a rounded corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n\r\n[caption id=\"attachment_3382\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone\" A kneaded eraser is invaluable for creating transitioning values from midtones to highlights on the skin.[/caption]\r\n

Making Reflected Light with a Kneaded Eraser\'s Thin Wedge

\r\n

Reflected light is light that is reflected off of a nearby surface. It is usually evident along an edge where an object is curving away from the foreground. Reflected light plays a significant role in creating the illusion of three-dimensional realism.

\r\n

To make reflected light with your kneaded eraser, first shape your eraser into a thin wedge like this.

\r\n\r\n\r\n[caption id=\"attachment_3383\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge\" Form your kneaded eraser into a thin wedge to make a tiny sliver of reflected light along the edge of an object.[/caption]\r\n

\r\n

Then carefully and lightly tap or rub with short upstrokes your kneaded eraser along the edge of the object. In this example, I used a kneaded eraser to create reflected light along the edges of an ear. This helps to bring out a natural contrast of values and to realistically separate the forms.

\r\n\r\n\r\n[caption id=\"attachment_3390\" align=\"aligncenter\" width=\"306\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-for-an-ear\" A kneaded eraser can create reflected light along an edge for a three-dimensional effect.[/caption]\r\n

Using a Pointy Kneaded Eraser for an Eye Highlight

\r\n

To pick out a tiny area of highlight, such as the highlight of an eye, twist your kneaded eraser into a point.

\r\n\r\n\r\n[caption id=\"attachment_3384\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip\" A pointed tip on a kneaded eraser can lift graphite out of tight spots.[/caption]\r\n

\r\n

Then tap the area to make it white. Often times, you will intentionally leave this area white to begin with and shade around it. When you blend the graphite around it, some of the graphite will go into the area you leave white. The kneaded eraser helps to remove this blended graphite and also make for a natural transition.

\r\n

Most eye highlights traditionally look round inside of the iris. You can see how a pointy kneaded eraser could have pulled out this highlight.

\r\n\r\n\r\n[caption id=\"attachment_3391\" align=\"aligncenter\" width=\"400\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip-round-eye-highlight\" The tip of the kneaded eraser removes graphite that gets into the highlight.[/caption]\r\n

\r\n

At other times, a reference photograph may dictate a different shape for an eye highlight. In the example below, you\'ll notice a square highlight in the eye. Within this square highlight, there are shadows cast by the eyelashes. There is also a round point of bright white that is barely noticeable within the square...a sort of \"highlight within a highlight\" if you will. This bright point was pulled out with the tip of a kneaded eraser.

\r\n\r\n\r\n[caption id=\"attachment_3393\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-other-eye-highlights\" Notice how the kneaded eraser is just as good at sharpening up edges as it is with pulling out highlights.[/caption]\r\n

\r\n

The arrows in this picture show a few other areas around the eye that the edge of a kneaded eraser helped to create. Most notable are the sharp edge of the iris against the white of the eye, the lower eyelid rim, and the wrinkles in the skin surrounding the eye.

\r\n\r\n

How to Use a Kneaded Eraser for Drawing Hair

\r\n

Realistic hair is drawn in layers. It is a process that involves laying down tones, blending the tones together, pulling out highlights, and repeating. The kneaded eraser does the job of pulling out the highlights. I mostly use a kneaded eraser shaped into a thin wedge to accomplish this.

\r\n\r\n\r\n[caption id=\"attachment_3394\" align=\"aligncenter\" width=\"800\"]\"A A kneaded eraser is a must-have for adding life to layers when drawing hair.[/caption]\r\n

\r\n

In the above example, I used a kneaded eraser to make the part in the hair, the highlights in the various sections of hair, and to accent a few stray hairs.

\r\n\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n\r\n[caption id=\"attachment_3403\" align=\"aligncenter\" width=\"800\"]\"Step Step 1 - Take a dirty, spotty kneaded eraser. Step 2 - Pull and stretch the kneaded eraser out. Step 3 - Fold the kneaded eraser upon itself. Step 4 - You are done! If you want, repeat the process to make the kneaded eraser even cleaner.[/caption]\r\n

\r\n

Repeat this process as often as you want. You will notice the kneaded eraser getting smoother and lighter in color as you continue to pull and fold it over.

\r\n\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n

\"sanford-design-kneaded-eraser-faber-castell-kneaded-eraser\"

\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n

\"prismacolor-kneaded-eraser\"

\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other common kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and do not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser...\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs. Speaking from my own personal experience, I get at least twice the use out of my kneaded eraser than I do out of all of my other erasers combined!\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-18 15:59:54','2016-09-18 22:59:54','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3412,2,'2016-09-18 20:07:04','2016-09-19 03:07:04','','how-to-draw-a-nose-with-colored-pencils-img_0210','','inherit','open','closed','','how-to-draw-a-nose-with-colored-pencils-img_0210','','','2016-09-18 20:07:04','2016-09-19 03:07:04','',2939,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/how-to-draw-a-nose-with-colored-pencils-IMG_0210.jpg',0,'attachment','image/jpeg',0),(3410,2,'2016-09-18 17:41:27','2016-09-19 00:41:27','Alright guys, you know the deal. For some reason I’m back again. Well if you think about it, there’s no way I could just do a tutorial on colored pencil for the eyes and just leave it at that. Couldn’t leave you guys feening for more, so I had to come back to do more facial features with the colored pencil despite my scanner having other plans. Yes people, it still wants to rebel against my colored pencil tutorials, but I think I found a way to get around it. So break out your colored pencils (except the Sargent brand colored pencils) and let’s get started.\r\n\r\nToday we will be focusing on the nose. This will be a quick tutorial; there’s not much to say about it except that it’s that big bump in the middle of your face that could make you look nice or ugly. I’m not going to get into all that; this is all about how to draw that ugly thing in the middle of your face. As you can see, I do a very basic drawing of one large curve that is aimed downward accompanied by smaller curves that are above the bigger curve. This is the same technique I use to show any student who wants to learn how to draw the face. The nose can be the most challenging because the angle of the face/head will affect the shadow and tone on the nose and therefore change the look and arrangement of it.\r\n\r\n\"Scan0001\"\r\n\r\n \r\n\r\nHere I actually take a tortillion and add some darkness to the nostrils. I do not need to add black; the graphite on the tortillion is believable enough. Usually when dealing with black on a colored pencil piece, I have a choice of using the graphite in the pencil or a black colored pencil. It really doesn’t matter. It just depends on how I feel that day. I also add curves that will serve as edges of the nose and take away some of the bulb end of the nose with a Blu Tack eraser. I also smudge the edges to illustrate some shadow. I want it to be as realistic as I can get it, so I get rid of the hard lines and soften them.\r\n\r\n\"Scan0002\"\r\n\r\n \r\n\r\n \r\n\r\nOK here is when I experienced the scanner wanting to do its own thing and my work was set back some, but as I did in the tutorial of the eye, I just used my camera to get the picture. I’m really not sure which one I used for this picture, but the important thing is it got done one way or the other. Here I started using Prismacolor Dark Brown – the intention was to make it an African-American nose, but it’s going to end up being some alien purple creature nose.\r\n\r\n\"IMG_0210\"\r\n\r\nAs the picture illustrates, you want to add some markings in the middle of the nose but only to one side to show light reflection or lighter skin tone to the other side. Also, round out the bulb of the nose by rounding out the color near the edge of the nose but leaving some room for light reflection. Add the same skin tone to the wings of the nostrils and leave some light separations between the nostril wings and the bulb of the nose. Deepen the color on the nose some and you’re practically finished.\r\n\r\n\"Scan0003\"\r\n\r\n\"Scan0004\"This is optional. As I said in the eye tutorial, I do this part when I want to smooth out an art piece that was done in colored pencil, crayon, or chalk. Again here you want to load the image onto your computer and use the painting program that you have loaded on it. In this case, I have PaintShop Pro and I use the smoothing brush. It’s not perfect but it makes it look better and smoother.\r\n\r\nWant to try another? Let’s go for it!\r\n\r\n\"Scan0005\"\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nThis is one is a must but a simple one. We’re going to draw the nose from a different angle – sideways, simple and easy. Look and follow what the illustration shows. Use a tortillion to add some darkness to the nostril and use it again to shade in a curve that will show the winged part of the nostril.\r\n\r\n\"Scan0006\"\r\n\r\nHere I started adding some dark brown to the underside of the nose and some peach beige to the rest of the nose even though you can’t see it that well – yes people, my scanner was in its rebel stage again.\r\n\r\n\"Scan0007\"Here I just deepen and blend the color some so that it was more believable.\r\n\r\n\"Scan0008\"\r\n\r\nLast stage, I smoothed it out on the computer and it’s somewhat complete. It would look more believable if a face was added to it but one thing at a time. One must crawl before one can walk.','Drawing the Nose in Colored Pencil','','inherit','closed','closed','','2939-revision-v1','','','2016-09-18 17:41:27','2016-09-19 00:41:27','',2939,'http://www.letsdrawpeople.com/2939-revision-v1/',0,'revision','',0),(3415,2,'2016-09-18 20:22:43','2016-09-19 03:22:43','Alright guys, you know the deal. For some reason I’m back again. Well if you think about it, there’s no way I could just do a tutorial on colored pencil for the eyes and just leave it at that. Couldn’t leave you guys feening for more, so I had to come back to do another facial feature with the colored pencil despite my scanner having other plans. Yes people, it still wants to rebel against my colored pencil tutorials, but I think I found a way to get around it.\r\n\r\nWith that said, today we will be focusing on the nose. This will be a quick tutorial; there’s not much to say about it except that it’s that big bump in the middle of your face that could make you look nice or ugly. I’m not going to get into all that; this is all about how to draw that thing in the middle of your face.\r\n\r\nSo break out your colored pencils (except the Sargent brand colored pencils) and let’s get started.\r\n

Drawing a Nose in Colored Pencil from the Front

\r\nAs you can see, I do a very basic drawing of one large curve that is aimed downward accompanied by smaller curves that are above the bigger curve. This is the same technique I use to show any student who wants to learn how to draw the face.\r\n\r\n\"Scan0001\"\r\n\r\nThe nose can be the most challenging because the angle of the face/head will affect the shadow and tone on the nose and therefore change the look and arrangement of it.\r\n\r\nHere I actually take a tortillion and add some darkness to the nostrils. I do not need to add black; the graphite on the tortillion is believable enough. Usually when dealing with black on a colored pencil piece, I have a choice of using the graphite in the pencil or a black colored pencil. It really doesn’t matter. It just depends on how I feel that day.\r\n\r\n\"Scan0002\"\r\n\r\nI also add curves that will serve as edges of the nose and take away some of the bulb end of the nose with a Blu Tack eraser. I also smudge the edges to illustrate some shadow. I want it to be as realistic as I can get it, so I get rid of the hard lines and soften them.\r\n\r\nOK here is when I experienced the scanner wanting to do its own thing and my work was set back some, but as I did in the tutorial of the eye, I just used my camera to get the picture. I’m really not sure which one I used for this picture, but the important thing is it got done one way or the other.\r\n\r\nHere I started using Prismacolor Dark Brown – the intention was to make it an African-American nose, but it’s going to end up being some alien purple creature nose.\r\n\r\n\"how-to-draw-a-nose-with-colored-pencils-img_0210\"\r\n\r\n \r\n\r\nAs the picture illustrates, you want to add some markings in the middle of the nose but only to one side to show light reflection or lighter skin tone to the other side.\r\n\r\nAlso, round out the bulb of the nose by rounding out the color near the edge of the nose but leaving some room for light reflection.\r\n\r\nAdd the same skin tone to the wings of the nostrils and leave some light separations between the nostril wings and the bulb of the nose. Deepen the color on the nose some and you’re practically finished.\r\n\r\n\"Scan0003\"\r\nThis is optional. As I said in the eye tutorial, I do this part when I want to smooth out an art piece that was done in colored pencil, crayon, or chalk. Again here you want to load the image onto your computer and use the painting program that you have loaded on it. In this case, I have PaintShop Pro and I use the smoothing brush. It’s not perfect but it makes it look better and smoother.\r\n\r\n\"Scan0004\"\r\n

Drawing a Nose in Colored Pencil from the Side

\r\nWant to try another? Let’s go for it!\r\n\r\nThis one is a must but a simple one. We’re going to draw the nose from a different angle – sideways, simple and easy. Look and follow what the illustration shows.\r\n\r\nUse a tortillion to add some darkness to the nostril and use it again to shade in a curve that will show the winged part of the nostril.\r\n\r\n\"Scan0005\"\r\n\r\n \r\n\r\nHere I started adding some dark brown to the underside of the nose and some peach beige to the rest of the nose even though you can’t see it that well...yes people, my scanner was in its rebel stage again.\r\n\r\n\"Scan0006\"\r\n\r\n \r\n\r\nHere I just deepened and blended the color some so that it was more believable.\r\n\r\n \r\n\r\n\"how-to-draw-a-nose-with-colored-pencils-scan0007-1\"\r\n\r\n \r\n\r\nLast stage, I smoothed it out on the computer and it’s somewhat complete. It would look more believable if a face was added to it but one thing at a time. One must crawl before one can walk.\r\n\r\n \r\n\r\n\"how-to-draw-a-nose-with-colored-pencils-scan0008\"','Drawing the Nose in Colored Pencil','','inherit','closed','closed','','2939-revision-v1','','','2016-09-18 20:22:43','2016-09-19 03:22:43','',2939,'http://www.letsdrawpeople.com/2939-revision-v1/',0,'revision','',0),(3411,2,'2016-09-18 19:48:47','2016-09-19 02:48:47','Alright guys, you know the deal. For some reason I’m back again. Well if you think about it, there’s no way I could just do a tutorial on colored pencil for the eyes and just leave it at that. Couldn’t leave you guys feening for more, so I had to come back to do another facial feature with the colored pencil despite my scanner having other plans. Yes people, it still wants to rebel against my colored pencil tutorials, but I think I found a way to get around it.\r\n\r\nWith that said, today we will be focusing on the nose. This will be a quick tutorial; there’s not much to say about it except that it’s that big bump in the middle of your face that could make you look nice or ugly. I’m not going to get into all that; this is all about how to draw that thing in the middle of your face.\r\n\r\nSo break out your colored pencils (except the Sargent brand colored pencils) and let’s get started.\r\n

Drawing a Nose in Colored Pencil from the Front

\r\nAs you can see, I do a very basic drawing of one large curve that is aimed downward accompanied by smaller curves that are above the bigger curve. This is the same technique I use to show any student who wants to learn how to draw the face.\r\n\r\n\"Scan0001\"\r\n\r\nThe nose can be the most challenging because the angle of the face/head will affect the shadow and tone on the nose and therefore change the look and arrangement of it.\r\n\r\nHere I actually take a tortillion and add some darkness to the nostrils. I do not need to add black; the graphite on the tortillion is believable enough. Usually when dealing with black on a colored pencil piece, I have a choice of using the graphite in the pencil or a black colored pencil. It really doesn’t matter. It just depends on how I feel that day.\r\n\r\n\"Scan0002\"\r\n\r\nI also add curves that will serve as edges of the nose and take away some of the bulb end of the nose with a Blu Tack eraser. I also smudge the edges to illustrate some shadow. I want it to be as realistic as I can get it, so I get rid of the hard lines and soften them.\r\n\r\nOK here is when I experienced the scanner wanting to do its own thing and my work was set back some, but as I did in the tutorial of the eye, I just used my camera to get the picture. I’m really not sure which one I used for this picture, but the important thing is it got done one way or the other.\r\n\r\nHere I started using Prismacolor Dark Brown – the intention was to make it an African-American nose, but it’s going to end up being some alien purple creature nose.\r\n\r\n\"IMG_0210\"\r\n\r\nAs the picture illustrates, you want to add some markings in the middle of the nose but only to one side to show light reflection or lighter skin tone to the other side.\r\n\r\nAlso, round out the bulb of the nose by rounding out the color near the edge of the nose but leaving some room for light reflection.\r\n\r\nAdd the same skin tone to the wings of the nostrils and leave some light separations between the nostril wings and the bulb of the nose. Deepen the color on the nose some and you’re practically finished.\r\n\r\n\"Scan0003\"\r\nThis is optional. As I said in the eye tutorial, I do this part when I want to smooth out an art piece that was done in colored pencil, crayon, or chalk. Again here you want to load the image onto your computer and use the painting program that you have loaded on it. In this case, I have PaintShop Pro and I use the smoothing brush. It’s not perfect but it makes it look better and smoother.\r\n\r\n\"Scan0004\"\r\n

Drawing a Nose in Colored Pencil from the Side

\r\nWant to try another? Let’s go for it!\r\n\r\nThis one is a must but a simple one. We’re going to draw the nose from a different angle – sideways, simple and easy. Look and follow what the illustration shows.\r\n\r\nUse a tortillion to add some darkness to the nostril and use it again to shade in a curve that will show the winged part of the nostril.\r\n\r\n\"Scan0005\"\r\n\r\n \r\n\r\nHere I started adding some dark brown to the underside of the nose and some peach beige to the rest of the nose even though you can’t see it that well...yes people, my scanner was in its rebel stage again.\r\n\r\n\"Scan0006\"\r\n\r\n \r\n\r\nHere I just deepened and blended the color some so that it was more believable.\r\n\r\n\"Scan0007\"\r\n\r\n \r\n\r\nLast stage, I smoothed it out on the computer and it’s somewhat complete. It would look more believable if a face was added to it but one thing at a time. One must crawl before one can walk.\r\n\r\n\"Scan0008\"','Drawing the Nose in Colored Pencil','','inherit','closed','closed','','2939-revision-v1','','','2016-09-18 19:48:47','2016-09-19 02:48:47','',2939,'http://www.letsdrawpeople.com/2939-revision-v1/',0,'revision','',0),(3413,2,'2016-09-18 20:10:07','2016-09-19 03:10:07','','how-to-draw-a-nose-with-colored-pencils-scan0007-1','','inherit','open','closed','','how-to-draw-a-nose-with-colored-pencils-scan0007-1','','','2016-09-18 20:10:07','2016-09-19 03:10:07','',2939,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/how-to-draw-a-nose-with-colored-pencils-Scan0007-1.jpg',0,'attachment','image/jpeg',0),(3414,2,'2016-09-18 20:11:03','2016-09-19 03:11:03','','how-to-draw-a-nose-with-colored-pencils-scan0008','','inherit','open','closed','','how-to-draw-a-nose-with-colored-pencils-scan0008','','','2016-09-18 20:11:03','2016-09-19 03:11:03','',2939,'http://www.letsdrawpeople.com/wp-content/uploads/2016/02/how-to-draw-a-nose-with-colored-pencils-Scan0008.jpg',0,'attachment','image/jpeg',0),(3473,1,'2000-01-01 00:00:00','2000-01-01 08:00:00','

This page is auto-generated by the WishList Member Plugin. This status of this page must be set to Published. Do not delete this page or put it to Trash.

','WishList Member','','publish','closed','closed','','wishlist-member','','','2000-01-01 00:00:00','2000-01-01 08:00:00','',0,'http://www.letsdrawpeople.com/wishlist-member/',0,'page','',0),(3475,2,'2017-05-16 04:42:17','2017-05-16 11:42:17','The content you\'re trying to view is for members only. Please register in order to access this content.','Oops! This Content is Members Only','','publish','closed','closed','','oops-this-content-is-members-only','','','2017-05-16 04:42:17','2017-05-16 11:42:17','',0,'http://www.letsdrawpeople.com/oops-this-content-is-members-only/',0,'page','',0),(3476,2,'2017-05-16 04:42:17','2017-05-16 11:42:17','\nWe\'re sorry, but your membership has been cancelled. You\'ll need to re-register in order to re-gain access to the site. \n\nPlease contact us if you feel you\'ve received this message in error.','Membership Cancelled','','publish','closed','closed','','membership-cancelled','','','2017-05-16 04:42:17','2017-05-16 11:42:17','',0,'http://www.letsdrawpeople.com/membership-cancelled/',0,'page','',0),(3477,2,'2017-05-16 04:42:17','2017-05-16 11:42:17','You do not have the correct privileges to access this content. Please upgrade your membership level in order to access this content.','Oops! Wrong Membership Level','','publish','closed','closed','','oops-wrong-membership-level','','','2017-05-16 04:42:17','2017-05-16 11:42:17','',0,'http://www.letsdrawpeople.com/oops-wrong-membership-level/',0,'page','',0),(3478,2,'2017-05-16 04:42:17','2017-05-16 11:42:17','Hey [wlm_firstname]!\r\n\r\nWelcome back! Below, you\'ll find links to all the important areas of your membership site. Please feel free peruse the site and definitely let us know if you have any questions.\r\n\r\n[Site admin, place links here]','Dashboard','','publish','closed','closed','','dashboard','','','2017-05-21 17:05:29','2017-05-22 00:05:29','',0,'http://www.letsdrawpeople.com/dashboard/',0,'page','',0),(3479,2,'2017-05-16 04:42:17','2017-05-16 11:42:17','Hey [wlm_firstname]!\n\nThanks for joining our [wlm_memberlevel] membership!\n\nBelow, you\'ll find links to all the important areas of your membership site. Please feel free peruse the site and definitely let us know if you have any questions.\n\n[Site admin, place links here]','Thanks for Joining!','','publish','closed','closed','','thanks-for-joining','','','2017-05-16 04:42:17','2017-05-16 11:42:17','',0,'http://www.letsdrawpeople.com/thanks-for-joining/',0,'page','',0),(3480,2,'2017-06-09 05:26:17','2017-06-09 12:26:17','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                   Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \r\n
  • Apply a grid to the reference photograph.  04:47
    • \r\n
  • Prepare a grid for our drawing paper.  14:26
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.  21:00
    • \r\n
  • Make a line drawing of the eyes.  30:13
    • \r\n
  • Make a line drawing of the nose.  1:11:50
    • \r\n
  • Make a line drawing of the mouth.  1:24:45
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','publish','open','closed','','ann-part-1','','','2017-08-01 04:20:47','2017-08-01 11:20:47','',0,'http://www.letsdrawpeople.com/?p=3480',0,'post','',0),(3481,2,'2017-05-16 05:18:13','2017-05-16 12:18:13','\r\n\r\nThroughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.\r\n
    \r\n
  • In this first video session of the series, we will:
    • \r\n
  • Discuss selection and preparation of the reference photograph.
    • \r\n
  • Apply a grid to the reference photograph.
    • \r\n
  • Prepare a grid for our drawing paper.
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.
    • \r\n
  • Make a line drawing of the eyes.
    • \r\n
  • Make a line drawing of the nose.
    • \r\n
  • Make a line drawing of the mouth.
    • \r\n
\r\n[one_half]Materials[/one_half][one_half_last]Resources[/one_half_last]\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]Materials: Resources: [/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-05-16 05:18:13','2017-05-16 12:18:13','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3482,2,'2017-05-16 05:20:29','2017-05-16 12:20:29','','Ann-01','\"Ann\" - Part 1','inherit','open','closed','','ann-01','','','2017-06-15 19:07:32','2017-06-16 02:07:32','',3480,'http://www.letsdrawpeople.com/wp-content/uploads/2017/05/Ann-01.jpg',0,'attachment','image/jpeg',0),(3485,2,'2017-05-16 05:34:15','2017-05-16 12:34:15','','Ann-post-ref','','inherit','open','closed','','ann-post-ref','','','2017-05-16 05:34:15','2017-05-16 12:34:15','',3480,'http://www.letsdrawpeople.com/wp-content/uploads/2017/05/Ann-post-ref.jpg',0,'attachment','image/jpeg',0),(3484,2,'2017-08-01 04:20:33','2017-08-01 11:20:33','
\n

Download Video

\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\n\n\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\n\n \n\n[one_half]\n

\"Ann\" Video Series

\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\n

Part 1                   Part 5

\n

Part 2                    Part 6

\n

Part 3                    Part 7

\n

Part 4                    Part 8

\n \n\n[/one_half][one_half_last]\n\nIn this first video session of the series, we will:\n
    \n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \n
  • Apply a grid to the reference photograph.  04:47
    • \n
  • Prepare a grid for our drawing paper.  14:26
    • \n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.  21:00
    • \n
  • Make a line drawing of the eyes.  30:13
    • \n
  • Make a line drawing of the nose.  1:11:50
    • \n
  • Make a line drawing of the mouth.  1:24:45
    • \n
\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\n\n[/one_half_last]\n

Materials and Resources

\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\n\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\n\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\n\n[one_half]Materials:\n\n[/one_half]\n\n[one_half_last]Resources:\n\n[/one_half_last]\n\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-autosave-v1','','','2017-08-01 04:20:33','2017-08-01 11:20:33','',3480,'http://www.letsdrawpeople.com/3480-autosave-v1/',0,'revision','',0),(3418,2,'2016-09-19 04:37:21','2016-09-19 11:37:21','[caption id=\"attachment_3379\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser-intro\" A kneaded eraser has many uses, especially for realistic art like portrait drawing.[/caption]\r\n\r\nIf you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\n[caption id=\"attachment_3380\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser\" This is what a new kneaded eraser looks like before it is \"kneaded\" into different shapes.[/caption]\r\n\r\nMerriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nIn actuality, a kneaded eraser is known for removing not only graphite pencil and charcoal marks but also chalk and pastel markings.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin wedge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n\r\n[caption id=\"attachment_3381\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes\" Mold a kneaded eraser into a rounded corner, thin wedge, or a pointy tip for a variety of effects.[/caption]\r\n\r\nI find that my kneaded eraser naturally begins to develop into a shape similar to this over time.\r\n\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area with a Rounded Corner

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a rounded corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n\r\n[caption id=\"attachment_3382\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone\" A kneaded eraser is invaluable for creating transitioning values from midtones to highlights on the skin.[/caption]\r\n

Making Reflected Light with a Kneaded Eraser\'s Thin Wedge

\r\n

Reflected light is light that is reflected off of a nearby surface. It is usually evident along an edge where an object is curving away from the foreground. Reflected light plays a significant role in creating the illusion of three-dimensional realism.

\r\n

To make reflected light with your kneaded eraser, first shape your eraser into a thin wedge like this.

\r\n\r\n\r\n[caption id=\"attachment_3383\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge\" Form your kneaded eraser into a thin wedge to make a tiny sliver of reflected light along the edge of an object.[/caption]\r\n

Then carefully and lightly tap or rub with short upstrokes your kneaded eraser along the edge of the object. In this example, I used a kneaded eraser to create reflected light along the edges of an ear. This helps to bring out a natural contrast of values and to realistically separate the forms.

\r\n\r\n\r\n[caption id=\"attachment_3390\" align=\"aligncenter\" width=\"306\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-for-an-ear\" A kneaded eraser can create reflected light along an edge for a three-dimensional effect.[/caption]\r\n

Using a Pointy Kneaded Eraser for an Eye Highlight

\r\n

To pick out a tiny area of highlight, such as the highlight of an eye, twist your kneaded eraser into a point.

\r\n\r\n\r\n[caption id=\"attachment_3384\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip\" A pointed tip on a kneaded eraser can lift graphite out of tight spots.[/caption]\r\n

Then tap the area to make it white. Often times, you will intentionally leave this area white to begin with and shade around it. When you blend the graphite around it, some of the graphite will go into the area you leave white. The kneaded eraser helps to remove this blended graphite and also make for a natural transition.

\r\n

Most eye highlights traditionally look round inside of the iris. You can see how a pointy kneaded eraser could have pulled out this highlight.

\r\n\r\n\r\n[caption id=\"attachment_3391\" align=\"aligncenter\" width=\"400\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip-round-eye-highlight\" The tip of the kneaded eraser removes graphite that gets into the highlight.[/caption]\r\n

At other times, a reference photograph may dictate a different shape for an eye highlight. In the example below, you\'ll notice a square highlight in the eye. Within this square highlight, there are shadows cast by the eyelashes. There is also a round point of bright white that is barely noticeable within the square...a sort of \"highlight within a highlight\" if you will. This bright point was pulled out with the tip of a kneaded eraser.

\r\n\r\n\r\n[caption id=\"attachment_3393\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-other-eye-highlights\" Notice how the kneaded eraser is just as good at sharpening up edges as it is with pulling out highlights.[/caption]\r\n

The arrows in this picture show a few other areas around the eye that the edge of a kneaded eraser helped to create. Most notable are the sharp edge of the iris against the white of the eye, the lower eyelid rim, and the wrinkles in the skin surrounding the eye.

\r\n\r\n

How to Use a Kneaded Eraser for Drawing Hair

\r\n

Realistic hair is drawn in layers. It is a process that involves laying down tones, blending the tones together, pulling out highlights, and repeating. The kneaded eraser does the job of pulling out the highlights. I mostly use a kneaded eraser shaped into a thin wedge to accomplish this.

\r\n\r\n\r\n[caption id=\"attachment_3394\" align=\"aligncenter\" width=\"800\"]\"A A kneaded eraser is a must-have for adding life to layers when drawing hair.[/caption]\r\n

In the above example, I used a kneaded eraser to make the part in the hair, the highlights in the various sections of hair, and to accent a few stray hairs.

\r\n\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n\r\n[caption id=\"attachment_3403\" align=\"aligncenter\" width=\"800\"]\"Step Step 1 - Take a dirty, spotty kneaded eraser. Step 2 - Pull and stretch the kneaded eraser out. Step 3 - Fold the kneaded eraser upon itself. Step 4 - You are done! If you want, repeat the process to make the kneaded eraser even cleaner.[/caption]\r\n

Repeat this process as often as you want. You will notice the kneaded eraser getting smoother and lighter in color as you continue to pull and fold it over.

\r\n\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n

\"sanford-design-kneaded-eraser-faber-castell-kneaded-eraser\"

\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n

\"prismacolor-kneaded-eraser\"

\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other common kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and do not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser...\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs. Speaking from my own personal experience, I get at least twice the use out of my kneaded eraser than I do out of all of my other erasers combined!\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-19 04:37:21','2016-09-19 11:37:21','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3417,2,'2016-09-19 04:32:20','2016-09-19 11:32:20','[caption id=\"attachment_3379\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser-intro\" A kneaded eraser has many uses, especially for realistic art like portrait drawing.[/caption]\r\n\r\nIf you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\n[caption id=\"attachment_3380\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser\" This is what a new kneaded eraser looks like before it is \"kneaded\" into different shapes.[/caption]\r\n\r\nMerriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nIn actuality, a kneaded eraser is known for removing not only graphite pencil and charcoal marks but also chalk and pastel markings.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin wedge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n\r\n[caption id=\"attachment_3381\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes\" Mold a kneaded eraser into a rounded corner, thin wedge, or a pointy tip for a variety of effects.[/caption]\r\n\r\n \r\n\r\nI find that my kneaded eraser naturally begins to develop into a shape similar to this over time.\r\n\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area with a Rounded Corner

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a rounded corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n\r\n[caption id=\"attachment_3382\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone\" A kneaded eraser is invaluable for creating transitioning values from midtones to highlights on the skin.[/caption]\r\n

Making Reflected Light with a Kneaded Eraser\'s Thin Wedge

\r\n

Reflected light is light that is reflected off of a nearby surface. It is usually evident along an edge where an object is curving away from the foreground. Reflected light plays a significant role in creating the illusion of three-dimensional realism.

\r\n

To make reflected light with your kneaded eraser, first shape your eraser into a thin wedge like this.

\r\n\r\n\r\n[caption id=\"attachment_3383\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge\" Form your kneaded eraser into a thin wedge to make a tiny sliver of reflected light along the edge of an object.[/caption]\r\n

\r\n

\r\n

Then carefully and lightly tap or rub with short upstrokes your kneaded eraser along the edge of the object. In this example, I used a kneaded eraser to create reflected light along the edges of an ear. This helps to bring out a natural contrast of values and to realistically separate the forms.

\r\n\r\n\r\n[caption id=\"attachment_3390\" align=\"aligncenter\" width=\"306\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-for-an-ear\" A kneaded eraser can create reflected light along an edge for a three-dimensional effect.[/caption]\r\n

Using a Pointy Kneaded Eraser for an Eye Highlight

\r\n

To pick out a tiny area of highlight, such as the highlight of an eye, twist your kneaded eraser into a point.

\r\n\r\n\r\n[caption id=\"attachment_3384\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip\" A pointed tip on a kneaded eraser can lift graphite out of tight spots.[/caption]\r\n

Then tap the area to make it white. Often times, you will intentionally leave this area white to begin with and shade around it. When you blend the graphite around it, some of the graphite will go into the area you leave white. The kneaded eraser helps to remove this blended graphite and also make for a natural transition.

\r\n

Most eye highlights traditionally look round inside of the iris. You can see how a pointy kneaded eraser could have pulled out this highlight.

\r\n\r\n\r\n[caption id=\"attachment_3391\" align=\"aligncenter\" width=\"400\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip-round-eye-highlight\" The tip of the kneaded eraser removes graphite that gets into the highlight.[/caption]\r\n

At other times, a reference photograph may dictate a different shape for an eye highlight. In the example below, you\'ll notice a square highlight in the eye. Within this square highlight, there are shadows cast by the eyelashes. There is also a round point of bright white that is barely noticeable within the square...a sort of \"highlight within a highlight\" if you will. This bright point was pulled out with the tip of a kneaded eraser.

\r\n\r\n\r\n[caption id=\"attachment_3393\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-other-eye-highlights\" Notice how the kneaded eraser is just as good at sharpening up edges as it is with pulling out highlights.[/caption]\r\n

The arrows in this picture show a few other areas around the eye that the edge of a kneaded eraser helped to create. Most notable are the sharp edge of the iris against the white of the eye, the lower eyelid rim, and the wrinkles in the skin surrounding the eye.

\r\n\r\n

How to Use a Kneaded Eraser for Drawing Hair

\r\n

Realistic hair is drawn in layers. It is a process that involves laying down tones, blending the tones together, pulling out highlights, and repeating. The kneaded eraser does the job of pulling out the highlights. I mostly use a kneaded eraser shaped into a thin wedge to accomplish this.

\r\n\r\n\r\n[caption id=\"attachment_3394\" align=\"aligncenter\" width=\"800\"]\"A A kneaded eraser is a must-have for adding life to layers when drawing hair.[/caption]\r\n

In the above example, I used a kneaded eraser to make the part in the hair, the highlights in the various sections of hair, and to accent a few stray hairs.

\r\n\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n\r\n[caption id=\"attachment_3403\" align=\"aligncenter\" width=\"800\"]\"Step Step 1 - Take a dirty, spotty kneaded eraser. Step 2 - Pull and stretch the kneaded eraser out. Step 3 - Fold the kneaded eraser upon itself. Step 4 - You are done! If you want, repeat the process to make the kneaded eraser even cleaner.[/caption]\r\n

Repeat this process as often as you want. You will notice the kneaded eraser getting smoother and lighter in color as you continue to pull and fold it over.

\r\n\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n

\"sanford-design-kneaded-eraser-faber-castell-kneaded-eraser\"

\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n

\"prismacolor-kneaded-eraser\"

\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other common kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and do not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser...\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs. Speaking from my own personal experience, I get at least twice the use out of my kneaded eraser than I do out of all of my other erasers combined!\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-19 04:32:20','2016-09-19 11:32:20','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3416,2,'2016-09-19 04:28:51','2016-09-19 11:28:51','[caption id=\"attachment_3379\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser-intro\" A kneaded eraser has many uses, especially for realistic art like portrait drawing.[/caption]\r\n\r\nIf you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\n[caption id=\"attachment_3380\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser\" This is what a new kneaded eraser looks like before it is \"kneaded\" into different shapes.[/caption]\r\n\r\nMerriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nIn actuality, a kneaded eraser is known for removing not only graphite pencil and charcoal marks but also chalk and pastel markings.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin wedge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n\r\n[caption id=\"attachment_3381\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes\" Mold a kneaded eraser into a rounded corner, thin wedge, or a pointy tip for a variety of effects.[/caption]\r\n\r\n \r\n\r\nI find that my kneaded eraser naturally begins to develop into a shape similar to this over time.\r\n\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area with a Rounded Corner

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a rounded corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n\r\n[caption id=\"attachment_3382\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone\" A kneaded eraser is invaluable for creating transitioning values from midtones to highlights on the skin.[/caption]\r\n

Making Reflected Light with a Kneaded Eraser\'s Thin Wedge

\r\n

Reflected light is light that is reflected off of a nearby surface. It is usually evident along an edge where an object is curving away from the foreground. Reflected light plays a significant role in creating the illusion of three-dimensional realism.

\r\n

To make reflected light with your kneaded eraser, first shape your eraser into a thin wedge like this.

\r\n\r\n\r\n[caption id=\"attachment_3383\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge\" Form your kneaded eraser into a thin wedge to make a tiny sliver of reflected light along the edge of an object.[/caption]\r\n

\r\n

Then carefully and lightly tap or rub with short upstrokes your kneaded eraser along the edge of the object. In this example, I used a kneaded eraser to create reflected light along the edges of an ear. This helps to bring out a natural contrast of values and to realistically separate the forms.

\r\n\r\n\r\n[caption id=\"attachment_3390\" align=\"aligncenter\" width=\"306\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-for-an-ear\" A kneaded eraser can create reflected light along an edge for a three-dimensional effect.[/caption]\r\n

Using a Pointy Kneaded Eraser for an Eye Highlight

\r\n

To pick out a tiny area of highlight, such as the highlight of an eye, twist your kneaded eraser into a point.

\r\n\r\n\r\n[caption id=\"attachment_3384\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip\" A pointed tip on a kneaded eraser can lift graphite out of tight spots.[/caption]\r\n

\r\n

Then tap the area to make it white. Often times, you will intentionally leave this area white to begin with and shade around it. When you blend the graphite around it, some of the graphite will go into the area you leave white. The kneaded eraser helps to remove this blended graphite and also make for a natural transition.

\r\n

Most eye highlights traditionally look round inside of the iris. You can see how a pointy kneaded eraser could have pulled out this highlight.

\r\n\r\n\r\n[caption id=\"attachment_3391\" align=\"aligncenter\" width=\"400\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip-round-eye-highlight\" The tip of the kneaded eraser removes graphite that gets into the highlight.[/caption]\r\n

\r\n

At other times, a reference photograph may dictate a different shape for an eye highlight. In the example below, you\'ll notice a square highlight in the eye. Within this square highlight, there are shadows cast by the eyelashes. There is also a round point of bright white that is barely noticeable within the square...a sort of \"highlight within a highlight\" if you will. This bright point was pulled out with the tip of a kneaded eraser.

\r\n\r\n\r\n[caption id=\"attachment_3393\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-other-eye-highlights\" Notice how the kneaded eraser is just as good at sharpening up edges as it is with pulling out highlights.[/caption]\r\n

\r\n

The arrows in this picture show a few other areas around the eye that the edge of a kneaded eraser helped to create. Most notable are the sharp edge of the iris against the white of the eye, the lower eyelid rim, and the wrinkles in the skin surrounding the eye.

\r\n\r\n

How to Use a Kneaded Eraser for Drawing Hair

\r\n

Realistic hair is drawn in layers. It is a process that involves laying down tones, blending the tones together, pulling out highlights, and repeating. The kneaded eraser does the job of pulling out the highlights. I mostly use a kneaded eraser shaped into a thin wedge to accomplish this.

\r\n\r\n\r\n[caption id=\"attachment_3394\" align=\"aligncenter\" width=\"800\"]\"A A kneaded eraser is a must-have for adding life to layers when drawing hair.[/caption]\r\n

\r\n

In the above example, I used a kneaded eraser to make the part in the hair, the highlights in the various sections of hair, and to accent a few stray hairs.

\r\n\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n\r\n[caption id=\"attachment_3403\" align=\"aligncenter\" width=\"800\"]\"Step Step 1 - Take a dirty, spotty kneaded eraser. Step 2 - Pull and stretch the kneaded eraser out. Step 3 - Fold the kneaded eraser upon itself. Step 4 - You are done! If you want, repeat the process to make the kneaded eraser even cleaner.[/caption]\r\n

\r\n

Repeat this process as often as you want. You will notice the kneaded eraser getting smoother and lighter in color as you continue to pull and fold it over.

\r\n\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n

\"sanford-design-kneaded-eraser-faber-castell-kneaded-eraser\"

\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n

\"prismacolor-kneaded-eraser\"

\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other common kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and do not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser...\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs. Speaking from my own personal experience, I get at least twice the use out of my kneaded eraser than I do out of all of my other erasers combined!\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-19 04:28:51','2016-09-19 11:28:51','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3420,2,'2016-09-19 04:45:03','2016-09-19 11:45:03','[caption id=\"attachment_3379\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser-intro\" A kneaded eraser has many uses, especially for realistic art like portrait drawing.[/caption]\r\n\r\nIf you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\n[caption id=\"attachment_3380\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser\" This is what a new kneaded eraser looks like before it is \"kneaded\" into different shapes.[/caption]\r\n\r\nMerriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nIn actuality, a kneaded eraser is known for removing not only graphite pencil and charcoal marks but also chalk and pastel markings.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin wedge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n\r\n[caption id=\"attachment_3381\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes\" Mold a kneaded eraser into a rounded corner, thin wedge, or a pointy tip for a variety of effects.[/caption]\r\n\r\nI find that my kneaded eraser naturally begins to develop into a shape similar to this over time.\r\n\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area with a Rounded Corner

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a rounded corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n\r\n[caption id=\"attachment_3382\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone\" A kneaded eraser is invaluable for creating transitioning values from midtones to highlights on the skin.[/caption]\r\n

Making Reflected Light with a Kneaded Eraser\'s Thin Wedge

\r\n

Reflected light is light that is reflected off of a nearby surface. It is usually evident along an edge where an object is curving away from the foreground. Reflected light plays a significant role in creating the illusion of three-dimensional realism.

\r\n

To make reflected light with your kneaded eraser, first shape your eraser into a thin wedge like this.

\r\n\r\n\r\n[caption id=\"attachment_3383\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge\" Form your kneaded eraser into a thin wedge to make a tiny sliver of reflected light along the edge of an object.[/caption]\r\n\r\n \r\n

Then carefully and lightly tap or rub with short upstrokes your kneaded eraser along the edge of the object. In this example, I used a kneaded eraser to create reflected light along the edges of an ear. This helps to bring out a natural contrast of values and to realistically separate the forms.

\r\n\r\n\r\n[caption id=\"attachment_3390\" align=\"aligncenter\" width=\"306\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-for-an-ear\" A kneaded eraser can create reflected light along an edge for a three-dimensional effect.[/caption]\r\n

Using a Pointy Kneaded Eraser for an Eye Highlight

\r\n

To pick out a tiny area of highlight, such as the highlight of an eye, twist your kneaded eraser into a point.

\r\n\r\n\r\n[caption id=\"attachment_3384\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip\" A pointed tip on a kneaded eraser can lift graphite out of tight spots.[/caption]\r\n

Then tap the area to make it white. Often times, you will intentionally leave this area white to begin with and shade around it. When you blend the graphite around it, some of the graphite will go into the area you leave white. The kneaded eraser helps to remove this blended graphite and also make for a natural transition.

\r\n

Most eye highlights traditionally look round inside of the iris. You can see how a pointy kneaded eraser could have pulled out this highlight.

\r\n\r\n\r\n[caption id=\"attachment_3391\" align=\"aligncenter\" width=\"400\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip-round-eye-highlight\" The tip of the kneaded eraser removes graphite that gets into the highlight.[/caption]\r\n

At other times, a reference photograph may dictate a different shape for an eye highlight. In the example below, you\'ll notice a square highlight in the eye. Within this square highlight, there are shadows cast by the eyelashes. There is also a round point of bright white that is barely noticeable within the square...a sort of \"highlight within a highlight\" if you will. This bright point was pulled out with the tip of a kneaded eraser.

\r\n\r\n\r\n[caption id=\"attachment_3393\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-other-eye-highlights\" Notice how the kneaded eraser is just as good at sharpening up edges as it is with pulling out highlights.[/caption]\r\n

The arrows in this picture show a few other areas around the eye that the edge of a kneaded eraser helped to create. Most notable are the sharp edge of the iris against the white of the eye, the lower eyelid rim, and the wrinkles in the skin surrounding the eye.

\r\n\r\n

How to Use a Kneaded Eraser for Drawing Hair

\r\n

Realistic hair is drawn in layers. It is a process that involves laying down tones, blending the tones together, pulling out highlights, and repeating. The kneaded eraser does the job of pulling out the highlights. I mostly use a kneaded eraser shaped into a thin wedge to accomplish this.

\r\n\r\n\r\n[caption id=\"attachment_3394\" align=\"aligncenter\" width=\"800\"]\"A A kneaded eraser is a must-have for adding life to layers when drawing hair.[/caption]\r\n

In the above example, I used a kneaded eraser to make the part in the hair, the highlights in the various sections of hair, and to accent a few stray hairs.

\r\n\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n\r\n[caption id=\"attachment_3403\" align=\"aligncenter\" width=\"800\"]\"Step Step 1 - Take a dirty, spotty kneaded eraser. Step 2 - Pull and stretch the kneaded eraser out. Step 3 - Fold the kneaded eraser upon itself. Step 4 - You are done! If you want, repeat the process to make the kneaded eraser even cleaner.[/caption]\r\n

Repeat this process as often as you want. You will notice the kneaded eraser getting smoother and lighter in color as you continue to pull and fold it over.

\r\n\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n

\"sanford-design-kneaded-eraser-faber-castell-kneaded-eraser\"

\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n

\"prismacolor-kneaded-eraser\"

\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other common kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and do not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser...\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs. Speaking from my own personal experience, I get at least twice the use out of my kneaded eraser than I do out of all of my other erasers combined!\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-19 04:45:03','2016-09-19 11:45:03','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3419,2,'2016-09-19 04:41:04','2016-09-19 11:41:04','[caption id=\"attachment_3379\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser-intro\" A kneaded eraser has many uses, especially for realistic art like portrait drawing.[/caption]\r\n\r\nIf you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\n[caption id=\"attachment_3380\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser\" This is what a new kneaded eraser looks like before it is \"kneaded\" into different shapes.[/caption]\r\n\r\nMerriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nIn actuality, a kneaded eraser is known for removing not only graphite pencil and charcoal marks but also chalk and pastel markings.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin wedge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n\r\n[caption id=\"attachment_3381\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes\" Mold a kneaded eraser into a rounded corner, thin wedge, or a pointy tip for a variety of effects.[/caption]\r\n\r\nI find that my kneaded eraser naturally begins to develop into a shape similar to this over time.\r\n\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area with a Rounded Corner

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a rounded corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n\r\n[caption id=\"attachment_3382\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone\" A kneaded eraser is invaluable for creating transitioning values from midtones to highlights on the skin.[/caption]\r\n

Making Reflected Light with a Kneaded Eraser\'s Thin Wedge

\r\n

Reflected light is light that is reflected off of a nearby surface. It is usually evident along an edge where an object is curving away from the foreground. Reflected light plays a significant role in creating the illusion of three-dimensional realism.

\r\n

To make reflected light with your kneaded eraser, first shape your eraser into a thin wedge like this.

\r\n\r\n\r\n[caption id=\"attachment_3383\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge\" Form your kneaded eraser into a thin wedge to make a tiny sliver of reflected light along the edge of an object.                                                                                                                                                                                                         [/caption]\r\n

Then carefully and lightly tap or rub with short upstrokes your kneaded eraser along the edge of the object. In this example, I used a kneaded eraser to create reflected light along the edges of an ear. This helps to bring out a natural contrast of values and to realistically separate the forms.

\r\n\r\n\r\n[caption id=\"attachment_3390\" align=\"aligncenter\" width=\"306\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-for-an-ear\" A kneaded eraser can create reflected light along an edge for a three-dimensional effect.[/caption]\r\n

Using a Pointy Kneaded Eraser for an Eye Highlight

\r\n

To pick out a tiny area of highlight, such as the highlight of an eye, twist your kneaded eraser into a point.

\r\n\r\n\r\n[caption id=\"attachment_3384\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip\" A pointed tip on a kneaded eraser can lift graphite out of tight spots.[/caption]\r\n

Then tap the area to make it white. Often times, you will intentionally leave this area white to begin with and shade around it. When you blend the graphite around it, some of the graphite will go into the area you leave white. The kneaded eraser helps to remove this blended graphite and also make for a natural transition.

\r\n

Most eye highlights traditionally look round inside of the iris. You can see how a pointy kneaded eraser could have pulled out this highlight.

\r\n\r\n\r\n[caption id=\"attachment_3391\" align=\"aligncenter\" width=\"400\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip-round-eye-highlight\" The tip of the kneaded eraser removes graphite that gets into the highlight.[/caption]\r\n

At other times, a reference photograph may dictate a different shape for an eye highlight. In the example below, you\'ll notice a square highlight in the eye. Within this square highlight, there are shadows cast by the eyelashes. There is also a round point of bright white that is barely noticeable within the square...a sort of \"highlight within a highlight\" if you will. This bright point was pulled out with the tip of a kneaded eraser.

\r\n\r\n\r\n[caption id=\"attachment_3393\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-other-eye-highlights\" Notice how the kneaded eraser is just as good at sharpening up edges as it is with pulling out highlights.[/caption]\r\n

The arrows in this picture show a few other areas around the eye that the edge of a kneaded eraser helped to create. Most notable are the sharp edge of the iris against the white of the eye, the lower eyelid rim, and the wrinkles in the skin surrounding the eye.

\r\n\r\n

How to Use a Kneaded Eraser for Drawing Hair

\r\n

Realistic hair is drawn in layers. It is a process that involves laying down tones, blending the tones together, pulling out highlights, and repeating. The kneaded eraser does the job of pulling out the highlights. I mostly use a kneaded eraser shaped into a thin wedge to accomplish this.

\r\n\r\n\r\n[caption id=\"attachment_3394\" align=\"aligncenter\" width=\"800\"]\"A A kneaded eraser is a must-have for adding life to layers when drawing hair.[/caption]\r\n

In the above example, I used a kneaded eraser to make the part in the hair, the highlights in the various sections of hair, and to accent a few stray hairs.

\r\n\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n\r\n[caption id=\"attachment_3403\" align=\"aligncenter\" width=\"800\"]\"Step Step 1 - Take a dirty, spotty kneaded eraser. Step 2 - Pull and stretch the kneaded eraser out. Step 3 - Fold the kneaded eraser upon itself. Step 4 - You are done! If you want, repeat the process to make the kneaded eraser even cleaner.[/caption]\r\n

Repeat this process as often as you want. You will notice the kneaded eraser getting smoother and lighter in color as you continue to pull and fold it over.

\r\n\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n

\"sanford-design-kneaded-eraser-faber-castell-kneaded-eraser\"

\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n

\"prismacolor-kneaded-eraser\"

\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other common kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and do not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser...\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs. Speaking from my own personal experience, I get at least twice the use out of my kneaded eraser than I do out of all of my other erasers combined!\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-19 04:41:04','2016-09-19 11:41:04','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3421,2,'2016-09-19 04:57:45','2016-09-19 11:57:45','[caption id=\"attachment_3379\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser-intro\" A kneaded eraser has many uses, especially for realistic art like portrait drawing.[/caption]\r\n\r\nIf you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\n[caption id=\"attachment_3380\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser\" This is what a new kneaded eraser looks like before it is \"kneaded\" into different shapes.[/caption]\r\n\r\nMerriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nIn actuality, a kneaded eraser is known for removing not only graphite pencil and charcoal marks but also chalk and pastel markings.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin wedge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n\r\n[caption id=\"attachment_3381\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes\" Mold a kneaded eraser into a rounded corner, thin wedge, or a pointy tip for a variety of effects.[/caption]\r\n\r\nI find that my kneaded eraser naturally begins to develop into a shape similar to this over time.\r\n\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area with a Rounded Corner

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a rounded corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n\r\n[caption id=\"attachment_3382\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone\" A kneaded eraser is invaluable for creating transitioning values from midtones to highlights on the skin.[/caption]\r\n

Making Reflected Light with a Kneaded Eraser\'s Thin Wedge

\r\n

Reflected light is light that is reflected off of a nearby surface. It is usually evident along an edge where an object is curving away from the foreground. Reflected light plays a significant role in creating the illusion of three-dimensional realism.

\r\n

To make reflected light with your kneaded eraser, first shape your eraser into a thin wedge like this.

\r\n\r\n\r\n[caption id=\"attachment_3383\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge\" Form your kneaded eraser into a thin wedge to make a tiny sliver of reflected light along the edge of an object.[/caption]\r\n\r\n \r\n

Then carefully and lightly tap or rub with short upstrokes your kneaded eraser along the edge of the object. In this example, I used a kneaded eraser to create reflected light along the edges of an ear. This helps to bring out a natural contrast of values and to realistically separate the forms.

\r\n\r\n\r\n[caption id=\"attachment_3390\" align=\"aligncenter\" width=\"306\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-for-an-ear\" A kneaded eraser can create reflected light along an edge for a three-dimensional effect.[/caption]\r\n

Using a Pointy Kneaded Eraser for an Eye Highlight

\r\n

To pick out a tiny area of highlight, such as the highlight of an eye, twist your kneaded eraser into a point.

\r\n\r\n\r\n[caption id=\"attachment_3384\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip\" A pointed tip on a kneaded eraser can lift graphite out of tight spots.[/caption]\r\n\r\n \r\n

Then tap the area to make it white. Often times, you will intentionally leave this area white to begin with and shade around it. When you blend the graphite around it, some of the graphite will go into the area you leave white. The kneaded eraser helps to remove this blended graphite and also make for a natural transition.

\r\n

Most eye highlights traditionally look round inside of the iris. You can see how a pointy kneaded eraser could have pulled out this highlight.

\r\n\r\n\r\n[caption id=\"attachment_3391\" align=\"aligncenter\" width=\"400\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip-round-eye-highlight\" The tip of the kneaded eraser removes graphite that gets into the highlight.[/caption]\r\n\r\n \r\n

At other times, a reference photograph may dictate a different shape for an eye highlight. In the example below, you\'ll notice a square highlight in the eye. Within this square highlight, there are shadows cast by the eyelashes. There is also a round point of bright white that is barely noticeable within the square...a sort of \"highlight within a highlight\" if you will. This bright point was pulled out with the tip of a kneaded eraser.

\r\n\r\n\r\n[caption id=\"attachment_3393\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-other-eye-highlights\" Notice how the kneaded eraser is just as good at sharpening up edges as it is with pulling out highlights.[/caption]\r\n\r\n \r\n

The arrows in this picture show a few other areas around the eye that the edge of a kneaded eraser helped to create. Most notable are the sharp edge of the iris against the white of the eye, the lower eyelid rim, and the wrinkles in the skin surrounding the eye.

\r\n\r\n

How to Use a Kneaded Eraser for Drawing Hair

\r\n

Realistic hair is drawn in layers. It is a process that involves laying down tones, blending the tones together, pulling out highlights, and repeating. The kneaded eraser does the job of pulling out the highlights. I mostly use a kneaded eraser shaped into a thin wedge to accomplish this.

\r\n\r\n\r\n[caption id=\"attachment_3394\" align=\"aligncenter\" width=\"800\"]\"A A kneaded eraser is a must-have for adding life to layers when drawing hair.[/caption]\r\n\r\n \r\n

In the above example, I used a kneaded eraser to make the part in the hair, the highlights in the various sections of hair, and to accent a few stray hairs.

\r\n\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n\r\n[caption id=\"attachment_3403\" align=\"aligncenter\" width=\"800\"]\"Step Step 1 - Take a dirty, spotty kneaded eraser. Step 2 - Pull and stretch the kneaded eraser out. Step 3 - Fold the kneaded eraser upon itself. Step 4 - You are done! If you want, repeat the process to make the kneaded eraser even cleaner.[/caption]\r\n\r\n \r\n

Repeat this process as often as you want. You will notice the kneaded eraser getting smoother and lighter in color as you continue to pull and fold it over.

\r\n\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n

\"sanford-design-kneaded-eraser-faber-castell-kneaded-eraser\"

\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n

\"prismacolor-kneaded-eraser\"

\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other common kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and do not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser...\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs. Speaking from my own personal experience, I get at least twice the use out of my kneaded eraser than I do out of all of my other erasers combined!\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-19 04:57:45','2016-09-19 11:57:45','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3422,2,'2016-09-19 05:01:52','2016-09-19 12:01:52','[caption id=\"attachment_3379\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser-intro\" A kneaded eraser has many uses, especially for realistic art like portrait drawing.[/caption]\r\n\r\nIf you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\n[caption id=\"attachment_3380\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser\" This is what a new kneaded eraser looks like before it is \"kneaded\" into different shapes.[/caption]\r\n\r\nMerriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nIn actuality, a kneaded eraser is known for removing not only graphite pencil and charcoal marks but also chalk and pastel markings.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin wedge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n\r\n[caption id=\"attachment_3381\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes\" Mold a kneaded eraser into a rounded corner, thin wedge, or a pointy tip for a variety of effects.[/caption]\r\n\r\n \r\n

I find that my kneaded eraser naturally begins to develop into a shape similar to this over time.

\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area with a Rounded Corner

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a rounded corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n\r\n[caption id=\"attachment_3382\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone\" A kneaded eraser is invaluable for creating transitioning values from midtones to highlights on the skin.[/caption]\r\n

Making Reflected Light with a Kneaded Eraser\'s Thin Wedge

\r\n

Reflected light is light that is reflected off of a nearby surface. It is usually evident along an edge where an object is curving away from the foreground. Reflected light plays a significant role in creating the illusion of three-dimensional realism.

\r\n

To make reflected light with your kneaded eraser, first shape your eraser into a thin wedge like this.

\r\n\r\n\r\n[caption id=\"attachment_3383\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge\" Form your kneaded eraser into a thin wedge to make a tiny sliver of reflected light along the edge of an object.[/caption]\r\n\r\n \r\n

Then carefully and lightly tap or rub with short upstrokes your kneaded eraser along the edge of the object. In this example, I used a kneaded eraser to create reflected light along the edges of an ear. This helps to bring out a natural contrast of values and to realistically separate the forms.

\r\n\r\n\r\n[caption id=\"attachment_3390\" align=\"aligncenter\" width=\"306\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-for-an-ear\" A kneaded eraser can create reflected light along an edge for a three-dimensional effect.[/caption]\r\n

Using a Pointy Kneaded Eraser for an Eye Highlight

\r\n

To pick out a tiny area of highlight, such as the highlight of an eye, twist your kneaded eraser into a point.

\r\n\r\n\r\n[caption id=\"attachment_3384\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip\" A pointed tip on a kneaded eraser can lift graphite out of tight spots.[/caption]\r\n\r\n \r\n

Then tap the area to make it white. Often times, you will intentionally leave this area white to begin with and shade around it. When you blend the graphite around it, some of the graphite will go into the area you leave white. The kneaded eraser helps to remove this blended graphite and also make for a natural transition.

\r\n

Most eye highlights traditionally look round inside of the iris. You can see how a pointy kneaded eraser could have pulled out this highlight.

\r\n\r\n\r\n[caption id=\"attachment_3391\" align=\"aligncenter\" width=\"400\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip-round-eye-highlight\" The tip of the kneaded eraser removes graphite that gets into the highlight.[/caption]\r\n\r\n \r\n

At other times, a reference photograph may dictate a different shape for an eye highlight. In the example below, you\'ll notice a square highlight in the eye. Within this square highlight, there are shadows cast by the eyelashes. There is also a round point of bright white that is barely noticeable within the square...a sort of \"highlight within a highlight\" if you will. This bright point was pulled out with the tip of a kneaded eraser.

\r\n\r\n\r\n[caption id=\"attachment_3393\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-other-eye-highlights\" Notice how the kneaded eraser is just as good at sharpening up edges as it is with pulling out highlights.[/caption]\r\n\r\n \r\n

The arrows in this picture show a few other areas around the eye that the edge of a kneaded eraser helped to create. Most notable are the sharp edge of the iris against the white of the eye, the lower eyelid rim, and the wrinkles in the skin surrounding the eye.

\r\n\r\n

How to Use a Kneaded Eraser for Drawing Hair

\r\n

Realistic hair is drawn in layers. It is a process that involves laying down tones, blending the tones together, pulling out highlights, and repeating. The kneaded eraser does the job of pulling out the highlights. I mostly use a kneaded eraser shaped into a thin wedge to accomplish this.

\r\n\r\n\r\n[caption id=\"attachment_3394\" align=\"aligncenter\" width=\"800\"]\"A A kneaded eraser is a must-have for adding life to layers when drawing hair.[/caption]\r\n\r\n \r\n

In the above example, I used a kneaded eraser to make the part in the hair, the highlights in the various sections of hair, and to accent a few stray hairs.

\r\n\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n\r\n[caption id=\"attachment_3403\" align=\"aligncenter\" width=\"800\"]\"Step Step 1 - Take a dirty, spotty kneaded eraser. Step 2 - Pull and stretch the kneaded eraser out. Step 3 - Fold the kneaded eraser upon itself. Step 4 - You are done! If you want, repeat the process to make the kneaded eraser even cleaner.[/caption]\r\n\r\n \r\n

Repeat this process as often as you want. You will notice the kneaded eraser getting smoother and lighter in color as you continue to pull and fold it over.

\r\n\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n

\"sanford-design-kneaded-eraser-faber-castell-kneaded-eraser\"

\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n

\"prismacolor-kneaded-eraser\"

\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other common kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and do not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser...\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs. Speaking from my own personal experience, I get at least twice the use out of my kneaded eraser than I do out of all of my other erasers combined!\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-19 05:01:52','2016-09-19 12:01:52','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3424,2,'2016-09-21 06:47:41','0000-00-00 00:00:00','how to draw muscles - when i was a kid, wwf, imagine, used to draw out imaginary wrestlers; inspiration from superhero dolls\r\n\r\nmale muscle anatomy\r\n\r\nhow to draw a chest\r\n\r\nhow to draw abs\r\n\r\nmuscle arm drawing\r\n\r\nhow to draw muscular legs\r\n\r\nhow to draw muscles','How to Draw Muscles on a Muscular Male Body','','draft','open','open','','','','','2016-09-21 06:47:41','2016-09-21 13:47:41','',0,'http://www.letsdrawpeople.com/?p=3424',0,'post','',0),(3425,2,'2016-09-20 20:27:01','2016-09-21 03:27:01','how to draw muscles\r\n\r\nmale muscle anatomy\r\n\r\nhow to draw a chest\r\n\r\nhow to draw abs\r\n\r\nback muscles drawing\r\n\r\nmuscle arm drawing\r\n\r\nhow to draw muscular legs\r\n\r\nhow to draw muscles','How to Draw Muscles on a Male Body','','inherit','closed','closed','','3424-revision-v1','','','2016-09-20 20:27:01','2016-09-21 03:27:01','',3424,'http://www.letsdrawpeople.com/3424-revision-v1/',0,'revision','',0),(3426,2,'2016-09-20 20:34:06','2016-09-21 03:34:06','how to draw muscles\r\n\r\nmale muscle anatomy\r\n\r\nhow to draw a chest\r\n\r\nhow to draw abs\r\n\r\nmuscle arm drawing\r\n\r\nhow to draw muscular legs\r\n\r\nhow to draw muscles','How to Draw Muscles on a Muscular Male Body','','inherit','closed','closed','','3424-revision-v1','','','2016-09-20 20:34:06','2016-09-21 03:34:06','',3424,'http://www.letsdrawpeople.com/3424-revision-v1/',0,'revision','',0),(3427,2,'2016-09-21 06:47:41','2016-09-21 13:47:41','how to draw muscles - when i was a kid, wwf, imagine, used to draw out imaginary wrestlers; inspiration from superhero dolls\r\n\r\nmale muscle anatomy\r\n\r\nhow to draw a chest\r\n\r\nhow to draw abs\r\n\r\nmuscle arm drawing\r\n\r\nhow to draw muscular legs\r\n\r\nhow to draw muscles','How to Draw Muscles on a Muscular Male Body','','inherit','closed','closed','','3424-revision-v1','','','2016-09-21 06:47:41','2016-09-21 13:47:41','',3424,'http://www.letsdrawpeople.com/3424-revision-v1/',0,'revision','',0),(3428,2,'2016-09-21 06:55:43','2016-09-21 13:55:43','[caption id=\"attachment_3379\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser-intro\" A kneaded eraser has many uses, especially for realistic art like portrait drawing.[/caption]\r\n\r\nIf you have ever known anyone who draws pencil portraits or other types of pencil art, maybe you have heard them mention using a kneaded eraser. If you are a regular reader of tutorials here on this site, then you have undoubtedly seen the kneaded eraser mentioned on more than one occasion.\r\n\r\nBut just exactly what is a kneaded eraser?\r\n\r\nThis article will explain everything you may have ever wondered about a kneaded eraser, from what it is to how to use it and clean it. We\'ll even talk about different brands of kneaded erasers and how to make a kneaded eraser at home.\r\n

What Is a Kneaded Eraser?

\r\n[caption id=\"attachment_3380\" align=\"alignleft\" width=\"400\"]\"what-is-a-kneaded-eraser\" This is what a new kneaded eraser looks like before it is \"kneaded\" into different shapes.[/caption]\r\n\r\nMerriam-Webster states the kneaded eraser definition as “a soft pliable eraser of unvulcanized rubber used especially to remove graphite or charcoal marks from drawing paper”.\r\n\r\nIn actuality, a kneaded eraser is known for removing not only graphite pencil and charcoal marks but also chalk and pastel markings.\r\n\r\nSo what\'s so special about that? There are many other types of erasers that can \"remove...marks from drawing paper\". Well, the kneaded eraser has some specific purposes and abilities that are very useful, valuable, and frankly difficult for most other erasers to measure up to.\r\n\r\nA kneaded eraser is especially good at removing some of the graphite (for example) and purposefully leaving traces of the graphite on the paper for artistic effects, such as with reflected light or a midtone area that needs to be a slightly lighter value.\r\n\r\nKneaded erasers are fantastic for pulling brighter highlights out of tight areas. A kneaded eraser is often used to ensure that the whitest whites are reserved for areas such as the highlights of the eyes and portions of the whites of the eyes and teeth.\r\n\r\nThe kneaded eraser is used in a similar fashion to pull highlights out of hair. Additionally, some artists use the kneaded eraser to carefully rub out loose strands of hair that overlap the general mass of hair on the head.\r\n\r\nSome artists even use a kneaded eraser as one might use clay to make a model of an object to sketch!\r\n

How to Use a Kneaded Eraser

\r\nIf you\'d like to know how to use a kneaded eraser to achieve some of the artistic effects mentioned above, it often comes down to molding the eraser into a particular shape. Some tasks call for a rounded corner similar to a typical eraser. Some tasks call for a thin wedge. Other tasks require that the kneaded eraser be twisted into a point.\r\n\r\nYou can mold the eraser into these different shapes back and forth as you go along. Alternatively, you can mold it into a shape like the one below before you begin your project.\r\n\r\n[caption id=\"attachment_3381\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-useful-shapes\" Mold a kneaded eraser into a rounded corner, thin wedge, or a pointy tip for a variety of effects.[/caption]\r\n\r\n \r\n

I find that my kneaded eraser naturally begins to develop into a shape similar to this over time.

\r\nRead on for a few examples that can be applied to portrait drawing.\r\n

Lightening Up a Midtone Area with a Rounded Corner

\r\nLet\'s say you have applied some graphite to a skin tone and smoothed it out with a tortillion. Now, you realize that you want to make that area appear a little bit lighter in value.\r\n\r\nSimply use a rounded corner or edge of your kneaded eraser to carefully pick at the area that you want to lighten. Don\'t rub vigorously as you might do with a traditional eraser. Rather, almost think of it as you would \"blot\" a stain out of a carpet.\r\n\r\n[caption id=\"attachment_3382\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-midtone\" A kneaded eraser is invaluable for creating transitioning values from midtones to highlights on the skin.[/caption]\r\n

Making Reflected Light with a Kneaded Eraser\'s Thin Wedge

\r\n

Reflected light is light that is reflected off of a nearby surface. It is usually evident along an edge where an object is curving away from the foreground. Reflected light plays a significant role in creating the illusion of three-dimensional realism.

\r\n

To make reflected light with your kneaded eraser, first shape your eraser into a thin wedge like this.

\r\n\r\n\r\n[caption id=\"attachment_3383\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge\" Form your kneaded eraser into a thin wedge to make a tiny sliver of reflected light along the edge of an object.[/caption]\r\n\r\n \r\n

Then carefully and lightly tap or rub with short upstrokes your kneaded eraser along the edge of the object. In this example, I used a kneaded eraser to create reflected light along the edges of an ear. This helps to bring out a natural contrast of values and to realistically separate the forms.

\r\n\r\n\r\n[caption id=\"attachment_3390\" align=\"aligncenter\" width=\"306\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-thin-wedge-for-an-ear\" A kneaded eraser can create reflected light along an edge for a three-dimensional effect.[/caption]\r\n

Using a Pointy Kneaded Eraser for an Eye Highlight

\r\n

To pick out a tiny area of highlight, such as the highlight of an eye, twist your kneaded eraser into a point.

\r\n\r\n\r\n[caption id=\"attachment_3384\" align=\"aligncenter\" width=\"600\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip\" A pointed tip on a kneaded eraser can lift graphite out of tight spots.[/caption]\r\n\r\n \r\n

Then tap the area to make it white. Often times, you will intentionally leave this area white to begin with and shade around it. When you blend the graphite around it, some of the graphite will go into the area you leave white. The kneaded eraser helps to remove this blended graphite and also make for a natural transition.

\r\n

Most eye highlights traditionally look round inside of the iris. You can see how a pointy kneaded eraser could have pulled out this highlight.

\r\n\r\n\r\n[caption id=\"attachment_3391\" align=\"aligncenter\" width=\"400\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-pointy-tip-round-eye-highlight\" The tip of the kneaded eraser removes graphite that gets into the highlight.[/caption]\r\n\r\n \r\n

At other times, a reference photograph may dictate a different shape for an eye highlight. In the example below, you\'ll notice a square highlight in the eye. Within this square highlight, there are shadows cast by the eyelashes. There is also a round point of bright white that is barely noticeable within the square...a sort of \"highlight within a highlight\" if you will. This bright point was pulled out with the tip of a kneaded eraser.

\r\n\r\n\r\n[caption id=\"attachment_3393\" align=\"aligncenter\" width=\"800\"]\"what-is-a-kneaded-eraser-how-to-use-a-kneaded-eraser-other-eye-highlights\" Notice how the kneaded eraser is just as good at sharpening up edges as it is with pulling out highlights.[/caption]\r\n\r\n \r\n

The arrows in this picture show a few other areas around the eye that the edge of a kneaded eraser helped to create. Most notable are the sharp edge of the iris against the white of the eye, the lower eyelid rim, and the wrinkles in the skin surrounding the eye.

\r\n\r\n

How to Use a Kneaded Eraser for Drawing Hair

\r\n

Realistic hair is drawn in layers. It is a process that involves laying down tones, blending the tones together, pulling out highlights, and repeating. The kneaded eraser does the job of pulling out the highlights. I mostly use a kneaded eraser shaped into a thin wedge to accomplish this.

\r\n\r\n\r\n[caption id=\"attachment_3394\" align=\"aligncenter\" width=\"800\"]\"A A kneaded eraser is a must-have for adding life to layers when drawing hair.[/caption]\r\n\r\n \r\n

In the above example, I used a kneaded eraser to make the part in the hair, the highlights in the various sections of hair, and to accent a few stray hairs.

\r\n\r\n

How to Clean a Kneaded Eraser

\r\nAs you use your kneaded eraser, you will find that it accumulates all of the graphite or charcoal you apply to it. That might leave you wondering how to clean a kneaded eraser.\r\n\r\nWell, there\'s no set way to truly get it clean. However, you can give a kneaded eraser the appearance of being clean by making new, clean spots on it and using it again and again.\r\n\r\nThis is achieved by doing exactly what the name implies...kneading the eraser. To do this, simply pull on the eraser so it stretches and fold it over upon itself to find a clean spot.\r\n\r\n[caption id=\"attachment_3403\" align=\"aligncenter\" width=\"800\"]\"Step Step 1 - Take a dirty, spotty kneaded eraser. Step 2 - Pull and stretch the kneaded eraser out. Step 3 - Fold the kneaded eraser upon itself. Step 4 - Smooth it out and you are done! If you want, repeat the process to make the kneaded eraser even cleaner.[/caption]\r\n\r\n \r\n

Repeat this process as often as you want. You will notice the kneaded eraser getting smoother and lighter in color as you continue to pull and fold it over.

\r\n\r\n

Brands of Kneaded Erasers

\r\nThere are different brands of kneaded erasers from which you can choose. Some artists have preferences for certain brands because they notice advantages and disadvantages between the brands.\r\n\r\nWhich brand is the best kneaded eraser?\r\n\r\nSome like the Sanford Design kneaded eraser because they think it can best hold its shape if molded into an edge or a point. I have heard of other artists stating a preference for the Faber-Castell kneaded eraser, claiming that it does a better job of pulling the medium off of the drawing paper.\r\n

\"sanford-design-kneaded-eraser-faber-castell-kneaded-eraser\"

\r\nIn my personal opinion, I don\'t notice a significant enough difference between brands to justify one being better than the other. I am currently using a Prismacolor kneaded eraser. I am very satisfied with its ability to hold its shape as well as its ability to pull graphite.\r\n

\"prismacolor-kneaded-eraser\"

\r\nUltimately, the best kneaded eraser comes down to your personal preference; that is, if there is even a best kneaded eraser at all.\r\n

Making Kneaded Erasers

\r\nIf you have ever wondered what kneaded erasers are made of, they can be broken down into a few key components. One ingredient include factice, which is a soft rubbery substance that is derived from vegetable oil. Other common kneaded eraser ingredients include natural rubbers, synthetic rubbers, and coloring agents.\r\n\r\nA kneaded eraser is a very inexpensive art tool. However, if you are very frugal and do not want to buy one, and if you have lots of time on your hands, you can make your own.\r\n\r\nHere is how to make a kneaded eraser...\r\n\r\nFirst of all, you will need a regular eraser and a pad of sticky notes. Take one sticky note and flip it over so the sticky glue side is facing up.\r\n\r\nRub the eraser on the sticky part of the sticky note. Rub firmly enough that eraser shavings are coming off of the eraser and the glue is coming off of the sticky note, yet rub gently enough so that you do not tear the sticky note.\r\n\r\nGather the eraser shavings together. Repeat this process with all of the sticky notes. Clump the pile of eraser shavings together, and now you have a homemade kneaded eraser!\r\n

The Best Eraser for Drawing

\r\nThere are many erasers available to a pencil artist with a variety of purposes. Now that you know the answer to the question \"What is a kneaded eraser?\", you may be wondering how it measures up to the multitude of other art erasers.\r\n\r\nSpeaking in a very general sense, it\'s my opinion that the best eraser for drawing pencil art is hands-down the kneaded eraser. It does wonders for creating realistic effects. It is very adaptable and user-friendly, allowing you to remove just the right amount of graphite for your needs. Speaking from my own personal experience, I get at least twice the use out of my kneaded eraser than I do out of all of my other erasers combined!\r\n\r\nIf you have never used a kneaded eraser before, I suggest picking one up and experimenting to see what it can do. Once you get accustomed to using a kneaded eraser, it will be difficult to imaging going without one!','What Is a Kneaded Eraser? Here\'s Everything You Ever Wanted to Know','','inherit','closed','closed','','3366-revision-v1','','','2016-09-21 06:55:43','2016-09-21 13:55:43','',3366,'http://www.letsdrawpeople.com/3366-revision-v1/',0,'revision','',0),(3438,2,'2016-12-13 05:05:46','2016-12-13 13:05:46','

<script type=\"text/javascript\">\r\nvar playerhost = ((\"https:\" == document.location.protocol) ? \"https://testldp.s3.amazonaws.com/ezs3js/secure/\" : \"http://testldp.s3.amazonaws.com/ezs3js/player/\");\r\ndocument.write(unescape(\"%3Cscript src=\'\" + playerhost + \"flv/B275BB18-AB37-CFCA-604707919C80F490.js?t=\"+(Math.random() * 99999999)+\"\' type=\'text/javascript\'%3E%3C/script%3E\"));\r\n</script>

','','','inherit','closed','closed','','3437-revision-v1','','','2016-12-13 05:05:46','2016-12-13 13:05:46','',3437,'http://www.letsdrawpeople.com/3437-revision-v1/',0,'revision','',0),(3439,2,'2016-12-28 12:00:24','2016-12-28 20:00:24','','private video test','','inherit','closed','closed','','3437-autosave-v1','','','2016-12-28 12:00:24','2016-12-28 20:00:24','',3437,'http://www.letsdrawpeople.com/3437-autosave-v1/',0,'revision','',0),(3440,2,'2016-12-13 20:39:16','2016-12-14 04:39:16','','private video test','','inherit','closed','closed','','3437-revision-v1','','','2016-12-13 20:39:16','2016-12-14 04:39:16','',3437,'http://www.letsdrawpeople.com/3437-revision-v1/',0,'revision','',0),(3584,2,'2017-06-15 15:53:21','2017-06-15 22:53:21','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n

Part 5

\r\n

Part 6

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this second video session of the series, we will:\r\n
    \r\n
  • Discuss copyright and proper use of the reference photograph.  00:45
    • \r\n
  • Use a reference photo with grid lines already in place, switching between the photo and the video.  01:50
    • \r\n
  • Make the outline of the face.  09:10
    • \r\n
  • Make the outline of the hair.  21:00
    • \r\n
  • Draw the shoulders and the neckline.  48:40
    • \r\n
  • Finish the line drawing of the hair.  1:07:00
    • \r\n
  • Finish the line drawing of the clothing.  1:26:30
    • \r\n
  • Complete the entire line drawing with value changes on the skin.  1:35:30
    • \r\n
  • Begin adding tones to the eyes.  1:45:50
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 2','','inherit','closed','closed','','3559-revision-v1','','','2017-06-15 15:53:21','2017-06-15 22:53:21','',3559,'http://www.letsdrawpeople.com/3559-revision-v1/',0,'revision','',0),(3585,2,'2017-06-15 17:05:09','2017-06-16 00:05:09','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n

Part 5

\r\n

Part 6

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \r\n
  • Apply a grid to the reference photograph.  4:47
    • \r\n
  • Prepare a grid for our drawing paper.  14:26
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.  21:00
    • \r\n
  • Make a line drawing of the eyes.  30:13
    • \r\n
  • Make a line drawing of the nose.  1:11:50
    • \r\n
  • Make a line drawing of the mouth.  1:24:45
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-06-15 17:05:09','2017-06-16 00:05:09','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3586,2,'2017-06-15 17:09:30','2017-06-16 00:09:30','','Ann-03','\"Ann\" - Part 3','inherit','open','closed','','ann-03','','','2017-08-05 11:35:23','2017-08-05 18:35:23','',3578,'http://www.letsdrawpeople.com/wp-content/uploads/2017/06/Ann-03.jpg',0,'attachment','image/jpeg',0),(3587,2,'2017-07-30 12:42:35','2017-07-30 19:42:35','
\n

Download Video

\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\n\n\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\n\n \n\n[one_half]\n

\"Ann\" Video Series

\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\n

Part 1                   Part 5

\n

Part 2                    Part 6

\n

Part 3                    Part 7

\n

Part 4                    Part 8

\n \n\n[/one_half][one_half_last]\n\nIn this third video session of the series, we will:\n
    \n
  • Continue adding tones to the eyes.  01:03
    • \n
  • Add tones to the nose.  25:38
    • \n
  • Add tones to the mouth.  36:10
    • \n
  • Add tones to other areas of the face.  1:07:00
    • \n
  • Add tones to the neck.  1:27:05
    • \n
  • Add tones to the hair.  1:36:00
    • \n
\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\n\n[/one_half_last]\n

Materials and Resources

\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\n\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\n\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\n\n[one_half]Materials:\n\n[/one_half]\n\n[one_half_last]Resources:\n\n[/one_half_last]\n\n[/box]','\"Ann\" - Part 3','','inherit','closed','closed','','3578-autosave-v1','','','2017-07-30 12:42:35','2017-07-30 19:42:35','',3578,'http://www.letsdrawpeople.com/3578-autosave-v1/',0,'revision','',0),(3589,2,'2017-06-15 17:57:37','2017-06-16 00:57:37','','Ann-04','\"Ann\" - Part 4','inherit','open','closed','','ann-04','','','2017-08-01 06:53:42','2017-08-01 13:53:42','',3579,'http://www.letsdrawpeople.com/wp-content/uploads/2017/06/Ann-04.jpg',0,'attachment','image/jpeg',0),(3590,2,'2017-07-30 12:44:39','2017-07-30 19:44:39','
\n

Download Video

\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\n\n\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\n\n \n\n[one_half]\n

\"Ann\" Video Series

\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\n

Part 1                   Part 5

\n

Part 2                    Part 6

\n

Part 3                    Part 7

\n

Part 4                    Part 8

\n \n\n[/one_half][one_half_last]\n\nIn this fourth video session of the series, we will:\n
    \n
  • Add tones to the clothing.  01:00
    • \n
  • Blend the tones of Ann\'s face on her right side.  33:45
    • \n
  • Blend the tones of Ann\'s face on her left side and her nose.  49:10
    • \n
  • Blend the tones in the mouth area.  1:01:00
    • \n
  • Blend the tones of the neck.  1:14:15
    • \n
  • Blend the tones of the clothing.  1:23:30
    • \n
  • Blend the tones of the hair.  1:38:10
    • \n
\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\n\n[/one_half_last]\n

Materials and Resources

\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\n\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\n\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\n\n[one_half]Materials:\n\n[/one_half]\n\n[one_half_last]Resources:\n\n[/one_half_last]\n\n[/box]','\"Ann\" - Part 4','','inherit','closed','closed','','3579-autosave-v1','','','2017-07-30 12:44:39','2017-07-30 19:44:39','',3579,'http://www.letsdrawpeople.com/3579-autosave-v1/',0,'revision','',0),(3591,2,'2017-06-15 18:36:45','2017-06-16 01:36:45','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n

Part 5

\r\n

Part 6

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this fourth video session of the series, we will:\r\n
    \r\n
  • Add tones to the clothing.  01:00
    • \r\n
  • Blend the tones of Ann\'s face on her right side.  33:45
    • \r\n
  • Blend the tones of Ann\'s face on her left side and her nose.  49:10
    • \r\n
  • Blend the tones in the mouth area.  1:01:00
    • \r\n
  • Blend the tones of the neck.  1:14:15
    • \r\n
  • Blend the tones of the clothing.  1:23:30
    • \r\n
  • Blend the tones of the hair.  1:38:10
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 4','','inherit','closed','closed','','3579-revision-v1','','','2017-06-15 18:36:45','2017-06-16 01:36:45','',3579,'http://www.letsdrawpeople.com/3579-revision-v1/',0,'revision','',0),(3592,2,'2017-06-15 19:05:14','2017-06-16 02:05:14','Welcome! Here you will find a collection of video series containing full-length, step-by-step tutorials for drawing people. Each series shows you every pencil stroke of a drawing from start to finish with thorough explanations.\r\n\r\nTo get the maximum benefit from this collection, choose a series to watch and draw along with me as I take you step-by-step through the entire drawing. Take your time and work at your own pace. Pause as needed, and pick up where you left off. There is so much to be learned by applying so much time and practice to a single drawing! After you finish one series, choose another series and do it all again!\r\n\r\nAlternatively, if you have certain trouble spots with portrait drawing in general, scan the images below and select one with features similar to what you are trying to achieve. Each image below is the final result of that stage of the drawing. Each video is accompanied with a description of what you can find covered in that video, so you should have no trouble finding the help you need.\r\n\r\nCome back here often. Videos will be added once a week, and the variety of subject matter will continue to expand!\r\n\r\n[divider style=\"solid\" top=\"20\" bottom=\"20\"]\r\n

Helping Hands

\r\nThis video series walks you through the steps of a realistic pencil drawing of two hands holding each other. We use the grid method with a light box and graphite pencils.\r\n\r\nTOTAL RUNNING TIME: TBD\r\n\r\n[gallery columns=\"4\" size=\"full\" ids=\"3710,3711,3712,3713\"]\r\n\r\n[divider style=\"solid\" top=\"20\" bottom=\"20\"]\r\n\r\n\"\"\r\n

\"Ann\"

\r\nThis video series shows you how to achieve a realistic graphite pencil portrait of a woman we call \"Ann\". We make use of the grid method with a light box and a mechanical pencil.\r\n\r\nTOTAL RUNNING TIME: 16 hours, 20 minutes\r\n\r\n[gallery size=\"full\" columns=\"4\" ids=\"3482,3560,3586,3589,3678,3680,3682,3684\"]','Full-Length Video Tutorials','','publish','closed','closed','','full-length-video-tutorials','','','2017-08-05 22:29:26','2017-08-06 05:29:26','',0,'http://www.letsdrawpeople.com/?p=3592',0,'post','',0),(3593,2,'2017-06-15 19:04:19','2017-06-16 02:04:19','

\"Ann\"

\r\n[gallery size=\"full\" link=\"none\" ids=\"3482,3560,3586,3589\"]','Full-Length Video Tutorials','','inherit','closed','closed','','3592-revision-v1','','','2017-06-15 19:04:19','2017-06-16 02:04:19','',3592,'http://www.letsdrawpeople.com/3592-revision-v1/',0,'revision','',0),(3594,2,'2017-06-15 19:08:37','2017-06-16 02:08:37','

\"Ann\"

\r\n[gallery size=\"full\" ids=\"3482,3560,3586,3589\"]','Full-Length Video Tutorials','','inherit','closed','closed','','3592-revision-v1','','','2017-06-15 19:08:37','2017-06-16 02:08:37','',3592,'http://www.letsdrawpeople.com/3592-revision-v1/',0,'revision','',0),(3595,2,'2017-08-05 22:28:16','2017-08-06 05:28:16','Welcome! Here you will find a collection of video series containing full-length, step-by-step tutorials for drawing people. Each series shows you every pencil stroke of a drawing from start to finish with thorough explanations.\n\nTo get the maximum benefit from this collection, choose a series to watch and draw along with me as I take you step-by-step through the entire drawing. Take your time and work at your own pace. Pause as needed, and pick up where you left off. There is so much to be learned by applying so much time and practice to a single drawing! After you finish one series, choose another series and do it all again!\n\nAlternatively, if you have certain trouble spots with portrait drawing in general, scan the images below and select one with features similar to what you are trying to achieve. Each image below is the final result of that stage of the drawing. Each video is accompanied with a description of what you can find covered in that video, so you should have no trouble finding the help you need.\n\nCome back here often. Videos will be added once a week, and the variety of subject matter will continue to expand!\n\n[divider style=\"solid\" top=\"20\" bottom=\"20\"]\n

Helping Hands

\n[caption id=\"attachment_3713\" align=\"aligncenter\" width=\"300\"]\"\" Helping Hands - Part 4[/caption]\n\nThis video series walks you through the steps of a realistic pencil drawing of two hands holding each other. We use the grid method with a light box and graphite pencils.\n\nTOTAL RUNNING TIME: TBD\n\n[gallery columns=\"4\" size=\"full\" ids=\"3710,3711,3712,3713\"]\n\n[divider style=\"solid\" top=\"20\" bottom=\"20\"]\n\n\"\"\n

\"Ann\"

\nThis video series shows you how to achieve a realistic graphite pencil portrait of a woman we call \"Ann\". We make use of the grid method with a light box and a mechanical pencil.\n\nTOTAL RUNNING TIME: 16 hours, 20 minutes\n\n[gallery size=\"full\" columns=\"4\" ids=\"3482,3560,3586,3589,3678,3680,3682,3684\"]','Full-Length Video Tutorials','','inherit','closed','closed','','3592-autosave-v1','','','2017-08-05 22:28:16','2017-08-06 05:28:16','',3592,'http://www.letsdrawpeople.com/3592-autosave-v1/',0,'revision','',0),(3603,2,'2017-07-13 08:44:45','2017-07-13 15:44:45','','copy test','','inherit','closed','closed','','3599-revision-v1','','','2017-07-13 08:44:45','2017-07-13 15:44:45','',3599,'http://www.letsdrawpeople.com/3599-revision-v1/',0,'revision','',0),(3647,2,'2017-07-30 16:09:23','2017-07-30 23:09:23','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                   Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \r\n
  • Apply a grid to the reference photograph.  4:47
    • \r\n
  • Prepare a grid for our drawing paper.  14:26
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.  21:00
    • \r\n
  • Make a line drawing of the eyes.  30:13
    • \r\n
  • Make a line drawing of the nose.  1:11:50
    • \r\n
  • Make a line drawing of the mouth.  1:24:45
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-07-30 16:09:23','2017-07-30 23:09:23','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3601,2,'2017-07-13 08:41:32','2017-07-13 15:41:32','Lesson 8: Blending Tones\r\n\r\nThe Role of Blending in Realistic Drawing\r\n\r\nBlending, sometimes called smudging, means smoothing out the graphite tones in order to soften the edges of a transition between tone values and add significant realism to a drawing. Look at the two drawings of the bowling ball below; one is before blending and one is after. What differences do you notice? How does it affect the feeling and dimensionality of the final drawing?\r\n\r\n \r\n\r\nvPic: still life bowling ball tone drawing*\r\n\r\nvPic: still life bowling ball completed blend drawing*\r\n\r\n \r\n\r\nUsing Tortillions and Blending Stumps\r\n\r\nTortillions and blending stumps are the two main tools for shading. Tortillions are thin, rolled strips of paper shaped like a cone near the tip and are shorter and smaller around than stumps. The paper used to make tortillions is not as soft as the paper blending stumps are made from. Blending stumps often contain felt in the paper they are made from. You’ll primarily use tortillions to blend most of the fine details of your drawing. There are different methods for sharpening and cleaning them, but many people use an emery board or fine grit sandpaper.\r\n\r\nVpic: tortillions*\r\n\r\nThe other major tool used in blending is called a stump. Blending stumps are used less often, but for larger areas of a drawing than tortillions. A stump has the same shape as a tortillion, but is longer and much thicker, hence the name, stump. It is made from a softer paper and it can’t reach into the same small areas of a drawing as a tortillion. Stumps are usually pointed on both ends. As with tortillions, you can sharpen a stump with sandpaper, but you will want them to remain much blunter than a tortillion.\r\n\r\nUnsurprisingly, these claims are probably overblown, scientists say.\r\n\r\n\"Using a spinner-like gadget is more likely to serve as a distraction than a benefit for individuals with ADHD,\" said Mark Rapport, a clinical psychologist at the University of Central Florida who has studied the benefits of movement on attention in people with ADHD.\r\n\r\n(The so-called fidget cube — which is a plastic cube equipped with various buttons and dials for fidgeting hands — may be more classroom friendly, according to a scientist who studies intersection of human computer interaction and games, who pointed out on the website The Conversation that the cube doesn\'t require visual attention. \"They can serve the same purpose as the spinners, but are more classroom-ready and less distracting,\" Katherine Isbister, professor of Computational Media at the University of California, Santa Cruz, wrote on The Conversation.)\r\n\r\nRegardless of their usefulness in keeping kids\' distracted brains focused, fidget spinners have sparked a conversation about attention spans in kids and how to help the little ones focus, experts told Live Science. For instance, though there isn\'t a lot of data supporting the idea that kids have less focus today than in the past, some research does suggest attention spans have decreased as multitasking has increased with the digital age, one expert said. There are various methods for bringing kids\' focus back to the lesson at hand, psychologists say, including fidgeting devices, activity breaks and the simple removal of extra distractions. (The devices may also teach kids something about physics, or at least ball bearings.)\r\n\r\nVpic: blending stumps*\r\n\r\nBlending Direction\r\n\r\nVpics: one image for each point below*\r\n\r\nArtists traditionally blend in dark areas first, working toward the lighter areas of a drawing. This allows the artist to gather unwanted graphite from the dark areas that can be used to work the lighter areas. You can even use it to add value and details. You can choose to blend lighter areas first if you are afraid of darkening a particular area with excess graphite on the tortillion.\r\n\r\nOver time, you’ll become more comfortable with your blending tools. Some artists clean their tools as needed while other keep a collection of them organized by the amount of graphite on them. You’ll eventually develop methods and habits best suited to your style.\r\n\r\nFollowing Contours\r\n\r\nVpics: one image for each point below*\r\n\r\nIt’s important to follow the shape and contours of the object you are blending with a tortillion. Go along with the outline you’ve drawn. Going against the grain will detract from the realism of your finished work. Smooth over the outline of the object so it looks less harsh.\r\n\r\nThink back to the basic shapes you created in Lesson 7. The prism and the pyramid both have straight lines, while the cylinder and bowling ball are curved. When you are blending, go in the same direction as the edge you are closest to or the surface of the object you’re shading on.\r\n\r\nThink of shading a series of rolling hills verses a row of skyscrapers. You wouldn’t shade or blend in vertical strokes for the hills. And buildings should be blended in the direction they are built, usually in straight vertical or horizontal strokes.\r\n\r\nA good way to get started is to experiment with your blending tools. Make some patches of graphite of various values and then use your tortillions and stumps to blend out from the patches. Use the tortillion first to see how fine of a line you can pull from one of the patches. Try putting two patches close together and blending them. Don’t use the very tip of the tortillion or it will collapse back into itself. If that happens, use a pin to push it back out from the other end. Use the side of tip, instead. When you finish blending some of the patches, play around with the graphite on the tortillion, seeing how you can use it to add graphite to the paper. This is how you add some very light color to areas that need to be just a touch darker than white. Next try drawing a line, curved or straight, and adding shading that meet up with the line, but doesn’t cross it. Use your tortillion to soften the line against the shading, pulling some of the line and shading together. You can use this technique to give objects a softer edge.\r\n\r\nNext, try the blending stump. Use your pencil to shade a larger area of the paper – about 4” square – then use the stump to play around with blending it both inside and out of its boundaries. Shade another patch close to the first one, either lighter or darker, and try blending those together. Then use it to add graphite back to a white portion of the paper. Next, do the same experiment as you did with the tortillion. Draw another line and put some shading with it, then use the blending stump to soften the transition between the two. Sometimes you will use both the tortillion and the stump in very close proximity to one another in a drawing, depending on the size of the area you are blending.\r\n\r\nNow that you’ve had a chance to try out your blending tools, take a couple of minutes to clean them. Use an emery board or fine grit sand paper and gently file with the grain. Remove as much of the graphite as you can and use the sander to gently restore the original shape.\r\n\r\nAs you progress, you may find there are other tools you like to use for blending, cleaning and shaping, but these are excellent ones for starting out. Now you’re ready to move on to the next assignment!\r\n\r\nAssignment #8: Blend Tones to Form an Egg Shape','copy test','','inherit','closed','closed','','3599-revision-v1','','','2017-07-13 08:41:32','2017-07-13 15:41:32','',3599,'http://www.letsdrawpeople.com/3599-revision-v1/',0,'revision','',0),(3602,2,'2017-07-16 19:36:12','2017-07-17 02:36:12','How to Draw a Realistic Nose\n\n \n\nLesson 1: Structure of the Nose (1,000 Words)\n\n \n\nWith Let’s Draw People! it is important for us to keep things as realistic as possible, especially when tackling human portraits. While you might be someone who is just starting out with this drawing thing, don’t let the concept of learning the anatomy of the nose scare you away. No one said you needed to know as much as a medical professional, but learning the basic structure of a nose will make the process of drawing a realistic one that much easier. Trust me.\n\n \n\nParts of the Nose \n\n \n\nIf you’re taking this course, I’m willing to bet you’re more of an “artist type” than a scientist. That said I am also willing to bet that you’ve never given much thought to the many parts of the nose. I mean, why would you? However, I’m here to tell you that despite what you might think, the nose is actually quite interesting and while we may have the same anatomy, not one nose looks exactly alike. In many ways, it’s our nose that contributes to our human uniqueness.\n\n \n\nRegardless of how old someone is, what their ethnicity might be or how proportioned their face is, every nose is made up of cartilage. In fact, most of the nose is cartilage that interlocks and then connects to the bone of the skull.\n\n \n\nI will break down the basic parts of the nose in the next few sections of this lesson, but for the sake of understanding nose anatomy, the most important parts you will need to familiarize yourself with include the bridge of the nose, the tip of the nose (or the ball) as well as the septum, wings and nostrils. To make things easier to understand I’ve broken down these parts in the corresponding images.\n\n \n\nBetween the Eyes \n\n \n\nIn section three we will discuss the bridge of the nose in length, but it’s this part of the nose that connects to the forehead between the eyes. When drawing a nose, it is essential to define the edges of the eye sockets in order to make your drawing more realistic.\n\n \n\nBridge of the Nose – Nasal Bone & Upper Lateral Cartilage\n\n \n\nWhile it might seem complex, the bridge of the nose can be broken down using basic shapes such as a rectangle, triangle and a circle. The bridge consists of the nasal bone and the upper lateral cartilage. The upper lateral cartilage is essentially a pair of triangular cartilages, one on each side of the bridge. Sure, a medical professional will call the bridge of the nose a dorsum, but we will just consider it to be a beautiful vertical rectangle; a rectangle that will be the core of our nose. At the top of the bridge, the nasal bone connects to the forehead at the glabella—or, between the eyes.\n\n \n\nTip of the Nose – Spherical in Shape, Lower Lateral Cartilage \n\n \n\nThe tip of the nose is also called the ball of the nose because it is spherical in shape. The lower lateral cartilage is a little pointy and nicely tucked between two pieces of cartilage called the greater alar cartilage that makes up the tip of the nose. The interesting thing about the greater alar cartilage is that sometimes the separation between these two pieces is very distinct while other times; it will be much too soft to see. As for the tip of the nose, this can be easily visualized as a complete circle.\n\n \n\nSeptum, Wings and Nostrils \n\n \n\nNext to the ball of the nose there are two “wings.” Since we are all artists here, it is probably easy to see why these two pieces made up of fatty tissue are called wings in the first place. They kind of look like wings, don’t they?  The wings of the nose are also called alars. The septum is what separates the two nostrils or nasal passages, kind of like a dividing wall. If you were to look at the nose from the bottom you would see that the wings connect to the face further back then the septum. Simple enough, right?\n\n \n\nThe important thing to note here is that when you begin drawing your nose, the septum and the wings must hook into the inside of the nose. This is what separates a realistic drawing from a cartoon-like one. And this is also a common mistake. When you begin drawing, focusing on the volume of the nose rather than the outline of the nose or holes of the nostrils will give your piece a 3-dimensional appearance—exactly what you’re looking for!\n\n \n\nClosing Words (not sure what you would want to head this as) \n\n \n\nThe anatomy of the nose is pretty awesome, isn’t it? Once you dive into sketching you will find that knowing the simple anatomy of a nose will make a world of difference when it comes to drawing a realistic one. It’s all a learning process and just as I mentioned earlier, I consider myself a student. Practice makes perfect and knowledge is everything. There’s no such thing as learning or practicing too much. Just as Stephen King vows to write daily, an artist should pick up a pencil and sketch regularly. This is what refines your craft.\n\n \n\nNow that you have the knowledge, let’s dive into our first assignment. Don’t worry, I’m not going to expect you to draw a perfect nose out of the gate but what I will want you to do is sketch and label the parts of the nose. Having this diagram of the nose on hand will help you memorize the specifics.\n\n \n\n \n\nLesson 2: Placement of the Nose (1,000 words) \n\n \n\nWhen you begin to draw your first nose, its placement plays a crucial role in capturing the likeness of the individual you’re drawing. As I said before, the nose is essentially what contributes to our human uniqueness so its placement needs to be spot on. Improper placement of a nose will make a drawing of a person look very difference from the reference photograph.\n\n \n\nStraight-On-View \n\n \n\nPersonally, I think learning to draw a realistic nose using the straight on view is the easiest way to keep proper proportions but obviously, our reference subject or photograph isn’t always offering this view for our convenience.\n\n \n\nWhen drawing with a straight on view the base of the nose is typically halfway between the eyebrows and the bottom of the chin as shown below. From this perspective the wings of the nose generally align with the inner corner of the eyes. Keep in mind, however, that this is a very broad and general guideline. For instance, some noses are wider and might align with the inner white part of the eye or further out. It’s always important to really look at your subject and reference photograph closely.\n\n \n\nGenerally, from the top of the eyebrows to the base of the nose, the top part of the tip of the nose and wings are about one-third of the way up for an adult.\n\n \n\nProfile View \n\n \n\nDon’t let this discourage you, but many people find drawing a profile of the nose (side view) to be difficult. I’ve talked with many artists over the years and about 80% of them agreed that drawing a profile of the nose was the hardest for them to master. This is likely because we lose the ability to keep proper proportions. Nevertheless, if you create basic shapes as a guide you will find that the process to be a lot less difficult.\n\n \n\nTo draw the profile of a nose you will want to start with two round circles, spaced a good bit apart. What I started out doing was drawing three circles, but erased the middle one—just using the space as a guide. If you were to draw a triangle and add these circles to the two bottom corners, you could use this as guidance when drawing the bridge of the nose.\n\n \n\nAfter you have this completed, it’s time to draw a curved slope up and around the left circle to form the tip and bridge, curving it below to form the top edge of the subject’s lip. This should be placed somewhere between the two circles.\n\n \n\nNow, for the fun part—adding the nostrils! The nostril should be placed between the two circles. You might have to erase a few times, but try not to make the nostrils too long.\n\n \n\nWhen you’re almost finished the construction of your nose, be sure that the top and bottom of the nose are aligned with the top and bottom of the ear. The back of the wing of the nose should be aligned with the front of the eye. Realistic drawing is truly all about keeping accurate proportions. After all, accurate proportions are what differentiate a caricature from a portrait.\n\n \n\nThree-Quarter-View \n\n \n\nYou’re probably thinking, “A three-quarter-view? C’mon now. You’ve got to be joking!” While it sounds difficult, a three-quarter-view is a definite placement to master. A three-quarter-view is that positioning that offers an ever-so-slight turn of the head, like the example below.\n\n \n\nThere are a few different drawing techniques that need to be mastered with this viewpoint because models or photographed subjects can hold a three-quarter-view level to the eye, above looking down and below looking up. Meaning, depending on the angle and how much of a bridge the subject has, you will need to adjust your placement of the nose in order to keep up with the realism we are after.\n\n \n\nWhile there are some similarities when drawing a profile of the nose and a three-quarter-view, you will want to draw a 3D shape with a trapezoid base for this one. Since you will be looking at a reference photograph, keep in mind that the slop of your 3D shape will essentially determine the height of the nose and the distance it comes out from the face.\n\n \n\nKeep in mind that regardless of what angle the view is, the part of the nose that is farther away will appear smaller. For example, if your subject is sporting a three-quarter-view looking up, you will want to sketch another circle within your trapezoid to keep things proportionate.\n\n \n\nLooking Down or Looking Up \n\n \n\nIf you are sketching a subject that is looking up or looking down you will immediately notice that the appearance of the nose is impacted quite a bit. I recommend looking at a reference photograph of someone looking up and of someone looking down to see just how much the proportions of someone’s nose change.\n\n \n\nFor example, if your subject is looking up, the lower part of the face will appear longer and the upper part of the face will seem shorter. In the same respect, the more you see someone looking up, the more visible the base of the nose and nostrils will become, taking away from the bridge of the nose.  In fact, the bridge of the nose might not even be visible!\n\n \n\nIf a subject is looking down, the upper part of the face will appear longer and the lower part of the face will seem shorter. Again, the more the subject is looking down, the more of the nose’s bridge you will see and less of the underside—kind of the apposite of what I mentioned above. If your subject is looking down you will still see the wings of the nose and tip, but the ball of the nose might be pointed down more and the nostrils may not be visible.\n\n \n\nNot too difficult, right? While all of this information might seem like a lot, the more you practice, the easier it will become—yes, even drawing a realistic (and good!) nose using different viewpoints.\n\nFor your next assignment I want you to choose a reference photo you’d like to use for an independent drawing of a nose. You can choose any photo you’d like, but I’d recommend selecting a photo where the subject is positioned in a viewpoint that you’d like to master. While it’s completely okay to experiment with drawing all viewpoints, I think it’s easiest to stick with one until you feel confident with the technique before moving onto another.\n\n \n\nModule 2. \n\nLesson 3: Drawing Between the Eyes (500 Words)\n\nA Look at the Skull\n\nWe all know that looks can be deceiving. When it comes to authentic human anatomy, the nose begins at the forehead not at the eyes like you might think. The nose is secured at the base of the forehead. The bridge of the nose is what starts at eye-level.  This is easily viewed when sketching a human face, using a grid for the eyes, nose and mouth. This also acts as a guide when you’re transitioning from the forehead and eyes to the nose. It’s a process that should be followed to keep up with realism.\n\nHow to Transition from the Forehead and Eyes to the Nose\n\nSo, how do you transition from the forehead and eyes to the nose? Remember the 3D trapezoid I mentioned earlier? This shape is very useful and is used in this case as well.\n\nFrom a straight on view, visualize the trapezoid for the top area. Take the image below, for example. The top of the trapezoid is the long side that connects the eyebrows. The sides of the trapezoid represent the eye sockets that are curving down toward the nose. The bottom of the trapezoid is the short side that represents the connection to the top of the nose.\n\nIf you’re drawing from a profile view, the trapezoid will begin at the base of the forehead and slant inward, such as below. At the base of the trapezoid there will be a point—this point is the top of the bridge of the nose where it begins to protrude outward.\n\nThere are a wide range of values that create all of the interconnected structures of the forehead, eye sockets and the very top of the bridge of the nose. Regardless of what view you are drawing from it is important for you to look at any traits that are characteristic of your subject—what makes them unique. Wrinkles, for instance, might be something that your subject has at the top of the bridge of the nose and between the eyebrows.\n\nAn interesting fact to note here is that the bridge of our nose is essentially shaped by our DNA. Sure, a person’s ethnic background is one of the main determining factors of our facial features including the shape of our nose but what really defines the shape of our bridge lies in our ancestry and its geographical origin. In short, our nose is our best distinction. This is why it is incredibly important to really look at your subject. Even the slightest change in the bridge can alter someone’s appearance.\n\nFor our next assignment, I’d like you to shade the top part of the nose. I recommend first shading around the outer part of the bridge and the inner part of the circle to create a defined “U” shape. The shading should be a bit thicker at the top of the bridge, but it’s totally okay for you to come up with your own technique.\n\n \n\nLesson 5: Drawing the Bridge of the Nose (1,000 Words) \n\nDuring this lesson we are going to learn how to draw the bridge of the nose. Regardless of what viewpoint you’re drawing from, the bridge of the nose is what helps the nose to extend beyond the flatter surface of the face. As I mentioned in the previous lesson, the bridge of the nose is what defines us—what makes us stand out from each other. That said, the nose is more complex then we might think. This also means that we need to understand the parts of the nose if we are going to draw it convincingly. And that is exactly what we are after.\n\nLook for Planes in the Bridge\n\nNo matter the subject, every bridge consists of planes—one for the front and a plane on each side of the nose. Keep in mind that some bridges stick out more than others and when this happens there will be more obvious planes. Consider the fact that because the nose protrudes more than any other human feature, it’s essentially what gives the face complexity and character. Sure, there are a million different shapes and sizes of noses, but all noses have the same basic triangular form; narrow at the top, wider and fuller at the bottom.\n\n \n\nWhen we set out to draw a realistic nose I recommend simplifying the structure of the bridge so that we can grasp its relationship with the rest of the head, as well as how light and perspective will affect its form. The lighting of your subject in the reference photo and the viewpoint is a major fact to consider (and observe) before diving in.\n\nSpeaking of which, let’s get back to drawing the bridge of the nose. As you can see from the image below, when you begin drawing the bridge of the nose it is easiest to start with a single ball for the base of the nose and then add the bridge by drawing two curved lines on each side. Try to keep your lines a bit curved and smooth too promote realism, avoiding prominent, straight and rigid lines along the side of the nose.\n\nTips for Drawing the Bridge \n\nIf you are drawing a bridge from a straight on view it is important to use a range of values to create the illusion of a three dimensional nose that is protruding from the surface of the face. While this might sound difficult, adding simple shapes to the bridge of the nose will get the job done quite nicely.\n\nThe easiest way to create a three dimensional nose is to draw the nose using a wedge-shaped series of planes like the one below. Yes, this is a very box-like bridge but once we define the subtle shapes of bone and cartilage within these shapes the drawing will come together seamlessly.\n\nYou will first want to start by drawing the more rounded parts of the bridge. Again, smooth, soft lines will promote realism so try to avoid rigidity or heavy lines. Later you will add the ball of the nose and nostrils, which will taper into the bridge.\n\n \n\nAs a reminder: If the head is turned—depending on the angle and how much of a bridge the subject has—you might be able to clearly see the bridge in front of the farther side of the face with the nose sticking out.\n\nSomething else I need to mention here is the difference between a male and female nose. Yes, all noses are made up of the same components but the appearance of a male and female nose is actually quite different. If you’re drawing a female nose, take a quick browse online and find a good photograph of a male for reference. The typical distinction between a male and female nose is that men often have more prominent features. Their nostrils and nasal bones are much more protruding than that of a female’s. That said, if you are drawing a female nose, you want to take care and draw the bridge with a lighter hand.\n\nRegardless of your subject, I would take some time and get familiar with the curves and shapes of the nose. By doing so you will find that drawing the bridge will become much easier. I would even recommend taking some time to draw your own nose from different angles. There have been many occasions that I’ve taken out a desk mirror and sat there for hours in order to perfect my drawing. Better believe I had a good laugh here and there, but my sketches improved each time.\n\nYour next assignment will be to shade and blend the bridge of the nose. Once shaded, these simple shapes will create the illusion of the nose protruding from the surface of the face—one side will have a darker value and the other side will have a lighter value, depending on the direction of the light source. I recommend keeping some solid white space on your paper for the highlights.\n\n \n\nBy shading the bridge of the nose you will be one step closer to drawing a realistic nose, especially once you use blending tools to soften the lines a bit. Blending tools come in all shapes and sizes, allowing you to soften all parts of your drawing, no matter how small or meticulous it might be.\n\n ','copy test','','inherit','closed','closed','','3599-autosave-v1','','','2017-07-16 19:36:12','2017-07-17 02:36:12','',3599,'http://www.letsdrawpeople.com/3599-autosave-v1/',0,'revision','',0),(3605,2,'2017-07-16 19:44:15','2017-07-17 02:44:15','','copy test','','inherit','closed','closed','','3599-revision-v1','','','2017-07-16 19:44:15','2017-07-17 02:44:15','',3599,'http://www.letsdrawpeople.com/3599-revision-v1/',0,'revision','',0),(3607,2,'2017-07-24 09:55:19','2017-07-24 16:55:19','','silence test','','publish','open','open','','silence-test','','','2017-08-03 23:14:50','2017-08-04 06:14:50','',0,'http://www.letsdrawpeople.com/?p=3607',0,'post','',0),(3610,2,'2017-07-24 09:57:19','2017-07-24 16:57:19','','silence test','','inherit','closed','closed','','3607-revision-v1','','','2017-07-24 09:57:19','2017-07-24 16:57:19','',3607,'http://www.letsdrawpeople.com/3607-revision-v1/',0,'revision','',0),(3608,2,'2017-07-24 09:55:19','2017-07-24 16:55:19','<iframe src=\"https://player.vimeo.com/video/226772610\" width=\"640\" height=\"360\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>','silence test','','inherit','closed','closed','','3607-revision-v1','','','2017-07-24 09:55:19','2017-07-24 16:55:19','',3607,'http://www.letsdrawpeople.com/3607-revision-v1/',0,'revision','',0),(3612,2,'2017-08-03 23:13:47','2017-08-04 06:13:47','','silence test','','inherit','closed','closed','','3607-autosave-v1','','','2017-08-03 23:13:47','2017-08-04 06:13:47','',3607,'http://www.letsdrawpeople.com/3607-autosave-v1/',0,'revision','',0),(3616,2,'2017-07-29 07:35:00','2017-07-29 14:35:00','','silence test','','inherit','closed','closed','','3607-revision-v1','','','2017-07-29 07:35:00','2017-07-29 14:35:00','',3607,'http://www.letsdrawpeople.com/3607-revision-v1/',0,'revision','',0),(3613,2,'2017-07-27 11:03:24','2017-07-27 18:03:24','','silence test','','inherit','closed','closed','','3607-revision-v1','','','2017-07-27 11:03:24','2017-07-27 18:03:24','',3607,'http://www.letsdrawpeople.com/3607-revision-v1/',0,'revision','',0),(3611,2,'2017-07-24 10:16:48','2017-07-24 17:16:48','\r\n\r\n','silence test','','inherit','closed','closed','','3607-revision-v1','','','2017-07-24 10:16:48','2017-07-24 17:16:48','',3607,'http://www.letsdrawpeople.com/3607-revision-v1/',0,'revision','',0),(3614,2,'2017-07-27 18:32:47','2017-07-28 01:32:47','Hello Karthik and Nandini!\r\n\r\nAs I put together recurring tasks that I would like you to do for me that may require specific instructions and/or visual demonstrations, I will post them here. This is a private page on my main website. Please keep the link to this webpage handy, and refer to the content below as often as needed.\r\n\r\nThank you for all of your help!\r\n\r\n-Jack\r\n\r\n[gallery size=\"medium\" ids=\"3552,3553\"]\r\n

 How to Save Image Files for the Web

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Download Video

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Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

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© Nadino | Dreamstime.com
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\"Ann\" Video Series

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Part 1                   Part 5

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Part 2                    Part 6

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Part 3                    Part 7

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Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
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  • Discuss selection and preparation of the reference photograph.  00:15
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  • Apply a grid to the reference photograph.  4:47
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  • Prepare a grid for our drawing paper.  14:26
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  • Discuss the materials we plan to use throughout the entire \"Ann\" series.  21:00
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  • Make a line drawing of the eyes.  30:13
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  • Make a line drawing of the nose.  1:11:50
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  • Make a line drawing of the mouth.  1:24:45
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\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-07-30 12:13:00','2017-07-30 19:13:00','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3604,2,'2017-07-16 19:36:42','2017-07-17 02:36:42','How to Draw a Realistic Nose\r\n\r\n \r\n\r\nLesson 1: Structure of the Nose (1,000 Words)\r\n\r\n \r\n\r\nWith Let’s Draw People! it is important for us to keep things as realistic as possible, especially when tackling human portraits. While you might be someone who is just starting out with this drawing thing, don’t let the concept of learning the anatomy of the nose scare you away. No one said you needed to know as much as a medical professional, but learning the basic structure of a nose will make the process of drawing a realistic one that much easier. Trust me.\r\n\r\n \r\n\r\nParts of the Nose \r\n\r\n \r\n\r\nIf you’re taking this course, I’m willing to bet you’re more of an “artist type” than a scientist. That said I am also willing to bet that you’ve never given much thought to the many parts of the nose. I mean, why would you? However, I’m here to tell you that despite what you might think, the nose is actually quite interesting and while we may have the same anatomy, not one nose looks exactly alike. In many ways, it’s our nose that contributes to our human uniqueness.\r\n\r\n \r\n\r\nRegardless of how old someone is, what their ethnicity might be or how proportioned their face is, every nose is made up of cartilage. In fact, most of the nose is cartilage that interlocks and then connects to the bone of the skull.\r\n\r\n \r\n\r\nI will break down the basic parts of the nose in the next few sections of this lesson, but for the sake of understanding nose anatomy, the most important parts you will need to familiarize yourself with include the bridge of the nose, the tip of the nose (or the ball) as well as the septum, wings and nostrils. To make things easier to understand I’ve broken down these parts in the corresponding images.\r\n\r\n \r\n\r\nBetween the Eyes \r\n\r\n \r\n\r\nIn section three we will discuss the bridge of the nose in length, but it’s this part of the nose that connects to the forehead between the eyes. When drawing a nose, it is essential to define the edges of the eye sockets in order to make your drawing more realistic.\r\n\r\n \r\n\r\nBridge of the Nose – Nasal Bone & Upper Lateral Cartilage\r\n\r\n \r\n\r\nWhile it might seem complex, the bridge of the nose can be broken down using basic shapes such as a rectangle, triangle and a circle. The bridge consists of the nasal bone and the upper lateral cartilage. The upper lateral cartilage is essentially a pair of triangular cartilages, one on each side of the bridge. Sure, a medical professional will call the bridge of the nose a dorsum, but we will just consider it to be a beautiful vertical rectangle; a rectangle that will be the core of our nose. At the top of the bridge, the nasal bone connects to the forehead at the glabella—or, between the eyes.\r\n\r\n \r\n\r\nTip of the Nose – Spherical in Shape, Lower Lateral Cartilage \r\n\r\n \r\n\r\nThe tip of the nose is also called the ball of the nose because it is spherical in shape. The lower lateral cartilage is a little pointy and nicely tucked between two pieces of cartilage called the greater alar cartilage that makes up the tip of the nose. The interesting thing about the greater alar cartilage is that sometimes the separation between these two pieces is very distinct while other times; it will be much too soft to see. As for the tip of the nose, this can be easily visualized as a complete circle.\r\n\r\n \r\n\r\nSeptum, Wings and Nostrils \r\n\r\n \r\n\r\nNext to the ball of the nose there are two “wings.” Since we are all artists here, it is probably easy to see why these two pieces made up of fatty tissue are called wings in the first place. They kind of look like wings, don’t they?  The wings of the nose are also called alars. The septum is what separates the two nostrils or nasal passages, kind of like a dividing wall. If you were to look at the nose from the bottom you would see that the wings connect to the face further back then the septum. Simple enough, right?\r\n\r\n \r\n\r\nThe important thing to note here is that when you begin drawing your nose, the septum and the wings must hook into the inside of the nose. This is what separates a realistic drawing from a cartoon-like one. And this is also a common mistake. When you begin drawing, focusing on the volume of the nose rather than the outline of the nose or holes of the nostrils will give your piece a 3-dimensional appearance—exactly what you’re looking for!\r\n\r\n \r\n\r\nClosing Words (not sure what you would want to head this as) \r\n\r\n \r\n\r\nThe anatomy of the nose is pretty awesome, isn’t it? Once you dive into sketching you will find that knowing the simple anatomy of a nose will make a world of difference when it comes to drawing a realistic one. It’s all a learning process and just as I mentioned earlier, I consider myself a student. Practice makes perfect and knowledge is everything. There’s no such thing as learning or practicing too much. Just as Stephen King vows to write daily, an artist should pick up a pencil and sketch regularly. This is what refines your craft.\r\n\r\n \r\n\r\nNow that you have the knowledge, let’s dive into our first assignment. Don’t worry, I’m not going to expect you to draw a perfect nose out of the gate but what I will want you to do is sketch and label the parts of the nose. Having this diagram of the nose on hand will help you memorize the specifics.\r\n\r\n \r\n\r\n \r\n\r\nLesson 2: Placement of the Nose (1,000 words) \r\n\r\n \r\n\r\nWhen you begin to draw your first nose, its placement plays a crucial role in capturing the likeness of the individual you’re drawing. As I said before, the nose is essentially what contributes to our human uniqueness so its placement needs to be spot on. Improper placement of a nose will make a drawing of a person look very difference from the reference photograph.\r\n\r\n \r\n\r\nStraight-On-View \r\n\r\n \r\n\r\nPersonally, I think learning to draw a realistic nose using the straight on view is the easiest way to keep proper proportions but obviously, our reference subject or photograph isn’t always offering this view for our convenience.\r\n\r\n \r\n\r\nWhen drawing with a straight on view the base of the nose is typically halfway between the eyebrows and the bottom of the chin as shown below. From this perspective the wings of the nose generally align with the inner corner of the eyes. Keep in mind, however, that this is a very broad and general guideline. For instance, some noses are wider and might align with the inner white part of the eye or further out. It’s always important to really look at your subject and reference photograph closely.\r\n\r\n \r\n\r\nGenerally, from the top of the eyebrows to the base of the nose, the top part of the tip of the nose and wings are about one-third of the way up for an adult.\r\n\r\n \r\n\r\nProfile View \r\n\r\n \r\n\r\nDon’t let this discourage you, but many people find drawing a profile of the nose (side view) to be difficult. I’ve talked with many artists over the years and about 80% of them agreed that drawing a profile of the nose was the hardest for them to master. This is likely because we lose the ability to keep proper proportions. Nevertheless, if you create basic shapes as a guide you will find that the process to be a lot less difficult.\r\n\r\n \r\n\r\nTo draw the profile of a nose you will want to start with two round circles, spaced a good bit apart. What I started out doing was drawing three circles, but erased the middle one—just using the space as a guide. If you were to draw a triangle and add these circles to the two bottom corners, you could use this as guidance when drawing the bridge of the nose.\r\n\r\n \r\n\r\nAfter you have this completed, it’s time to draw a curved slope up and around the left circle to form the tip and bridge, curving it below to form the top edge of the subject’s lip. This should be placed somewhere between the two circles.\r\n\r\n \r\n\r\nNow, for the fun part—adding the nostrils! The nostril should be placed between the two circles. You might have to erase a few times, but try not to make the nostrils too long.\r\n\r\n \r\n\r\nWhen you’re almost finished the construction of your nose, be sure that the top and bottom of the nose are aligned with the top and bottom of the ear. The back of the wing of the nose should be aligned with the front of the eye. Realistic drawing is truly all about keeping accurate proportions. After all, accurate proportions are what differentiate a caricature from a portrait.\r\n\r\n \r\n\r\nThree-Quarter-View \r\n\r\n \r\n\r\nYou’re probably thinking, “A three-quarter-view? C’mon now. You’ve got to be joking!” While it sounds difficult, a three-quarter-view is a definite placement to master. A three-quarter-view is that positioning that offers an ever-so-slight turn of the head, like the example below.\r\n\r\n \r\n\r\nThere are a few different drawing techniques that need to be mastered with this viewpoint because models or photographed subjects can hold a three-quarter-view level to the eye, above looking down and below looking up. Meaning, depending on the angle and how much of a bridge the subject has, you will need to adjust your placement of the nose in order to keep up with the realism we are after.\r\n\r\n \r\n\r\nWhile there are some similarities when drawing a profile of the nose and a three-quarter-view, you will want to draw a 3D shape with a trapezoid base for this one. Since you will be looking at a reference photograph, keep in mind that the slop of your 3D shape will essentially determine the height of the nose and the distance it comes out from the face.\r\n\r\n \r\n\r\nKeep in mind that regardless of what angle the view is, the part of the nose that is farther away will appear smaller. For example, if your subject is sporting a three-quarter-view looking up, you will want to sketch another circle within your trapezoid to keep things proportionate.\r\n\r\n \r\n\r\nLooking Down or Looking Up \r\n\r\n \r\n\r\nIf you are sketching a subject that is looking up or looking down you will immediately notice that the appearance of the nose is impacted quite a bit. I recommend looking at a reference photograph of someone looking up and of someone looking down to see just how much the proportions of someone’s nose change.\r\n\r\n \r\n\r\nFor example, if your subject is looking up, the lower part of the face will appear longer and the upper part of the face will seem shorter. In the same respect, the more you see someone looking up, the more visible the base of the nose and nostrils will become, taking away from the bridge of the nose.  In fact, the bridge of the nose might not even be visible!\r\n\r\n \r\n\r\nIf a subject is looking down, the upper part of the face will appear longer and the lower part of the face will seem shorter. Again, the more the subject is looking down, the more of the nose’s bridge you will see and less of the underside—kind of the apposite of what I mentioned above. If your subject is looking down you will still see the wings of the nose and tip, but the ball of the nose might be pointed down more and the nostrils may not be visible.\r\n\r\n \r\n\r\nNot too difficult, right? While all of this information might seem like a lot, the more you practice, the easier it will become—yes, even drawing a realistic (and good!) nose using different viewpoints.\r\n\r\nFor your next assignment I want you to choose a reference photo you’d like to use for an independent drawing of a nose. You can choose any photo you’d like, but I’d recommend selecting a photo where the subject is positioned in a viewpoint that you’d like to master. While it’s completely okay to experiment with drawing all viewpoints, I think it’s easiest to stick with one until you feel confident with the technique before moving onto another.\r\n\r\n \r\n\r\nModule 2. \r\n\r\nLesson 3: Drawing Between the Eyes (500 Words)\r\n\r\nA Look at the Skull\r\n\r\nWe all know that looks can be deceiving. When it comes to authentic human anatomy, the nose begins at the forehead not at the eyes like you might think. The nose is secured at the base of the forehead. The bridge of the nose is what starts at eye-level.  This is easily viewed when sketching a human face, using a grid for the eyes, nose and mouth. This also acts as a guide when you’re transitioning from the forehead and eyes to the nose. It’s a process that should be followed to keep up with realism.\r\n\r\nHow to Transition from the Forehead and Eyes to the Nose\r\n\r\nSo, how do you transition from the forehead and eyes to the nose? Remember the 3D trapezoid I mentioned earlier? This shape is very useful and is used in this case as well.\r\n\r\nFrom a straight on view, visualize the trapezoid for the top area. Take the image below, for example. The top of the trapezoid is the long side that connects the eyebrows. The sides of the trapezoid represent the eye sockets that are curving down toward the nose. The bottom of the trapezoid is the short side that represents the connection to the top of the nose.\r\n\r\nIf you’re drawing from a profile view, the trapezoid will begin at the base of the forehead and slant inward, such as below. At the base of the trapezoid there will be a point—this point is the top of the bridge of the nose where it begins to protrude outward.\r\n\r\nThere are a wide range of values that create all of the interconnected structures of the forehead, eye sockets and the very top of the bridge of the nose. Regardless of what view you are drawing from it is important for you to look at any traits that are characteristic of your subject—what makes them unique. Wrinkles, for instance, might be something that your subject has at the top of the bridge of the nose and between the eyebrows.\r\n\r\nAn interesting fact to note here is that the bridge of our nose is essentially shaped by our DNA. Sure, a person’s ethnic background is one of the main determining factors of our facial features including the shape of our nose but what really defines the shape of our bridge lies in our ancestry and its geographical origin. In short, our nose is our best distinction. This is why it is incredibly important to really look at your subject. Even the slightest change in the bridge can alter someone’s appearance.\r\n\r\nFor our next assignment, I’d like you to shade the top part of the nose. I recommend first shading around the outer part of the bridge and the inner part of the circle to create a defined “U” shape. The shading should be a bit thicker at the top of the bridge, but it’s totally okay for you to come up with your own technique.\r\n\r\n \r\n\r\nLesson 5: Drawing the Bridge of the Nose (1,000 Words) \r\n\r\nDuring this lesson we are going to learn how to draw the bridge of the nose. Regardless of what viewpoint you’re drawing from, the bridge of the nose is what helps the nose to extend beyond the flatter surface of the face. As I mentioned in the previous lesson, the bridge of the nose is what defines us—what makes us stand out from each other. That said, the nose is more complex then we might think. This also means that we need to understand the parts of the nose if we are going to draw it convincingly. And that is exactly what we are after.\r\n\r\nLook for Planes in the Bridge\r\n\r\nNo matter the subject, every bridge consists of planes—one for the front and a plane on each side of the nose. Keep in mind that some bridges stick out more than others and when this happens there will be more obvious planes. Consider the fact that because the nose protrudes more than any other human feature, it’s essentially what gives the face complexity and character. Sure, there are a million different shapes and sizes of noses, but all noses have the same basic triangular form; narrow at the top, wider and fuller at the bottom.\r\n\r\n \r\n\r\nWhen we set out to draw a realistic nose I recommend simplifying the structure of the bridge so that we can grasp its relationship with the rest of the head, as well as how light and perspective will affect its form. The lighting of your subject in the reference photo and the viewpoint is a major fact to consider (and observe) before diving in.\r\n\r\nSpeaking of which, let’s get back to drawing the bridge of the nose. As you can see from the image below, when you begin drawing the bridge of the nose it is easiest to start with a single ball for the base of the nose and then add the bridge by drawing two curved lines on each side. Try to keep your lines a bit curved and smooth too promote realism, avoiding prominent, straight and rigid lines along the side of the nose.\r\n\r\nTips for Drawing the Bridge \r\n\r\nIf you are drawing a bridge from a straight on view it is important to use a range of values to create the illusion of a three dimensional nose that is protruding from the surface of the face. While this might sound difficult, adding simple shapes to the bridge of the nose will get the job done quite nicely.\r\n\r\nThe easiest way to create a three dimensional nose is to draw the nose using a wedge-shaped series of planes like the one below. Yes, this is a very box-like bridge but once we define the subtle shapes of bone and cartilage within these shapes the drawing will come together seamlessly.\r\n\r\nYou will first want to start by drawing the more rounded parts of the bridge. Again, smooth, soft lines will promote realism so try to avoid rigidity or heavy lines. Later you will add the ball of the nose and nostrils, which will taper into the bridge.\r\n\r\n \r\n\r\nAs a reminder: If the head is turned—depending on the angle and how much of a bridge the subject has—you might be able to clearly see the bridge in front of the farther side of the face with the nose sticking out.\r\n\r\nSomething else I need to mention here is the difference between a male and female nose. Yes, all noses are made up of the same components but the appearance of a male and female nose is actually quite different. If you’re drawing a female nose, take a quick browse online and find a good photograph of a male for reference. The typical distinction between a male and female nose is that men often have more prominent features. Their nostrils and nasal bones are much more protruding than that of a female’s. That said, if you are drawing a female nose, you want to take care and draw the bridge with a lighter hand.\r\n\r\nRegardless of your subject, I would take some time and get familiar with the curves and shapes of the nose. By doing so you will find that drawing the bridge will become much easier. I would even recommend taking some time to draw your own nose from different angles. There have been many occasions that I’ve taken out a desk mirror and sat there for hours in order to perfect my drawing. Better believe I had a good laugh here and there, but my sketches improved each time.\r\n\r\nYour next assignment will be to shade and blend the bridge of the nose. Once shaded, these simple shapes will create the illusion of the nose protruding from the surface of the face—one side will have a darker value and the other side will have a lighter value, depending on the direction of the light source. I recommend keeping some solid white space on your paper for the highlights.\r\n\r\n \r\n\r\nBy shading the bridge of the nose you will be one step closer to drawing a realistic nose, especially once you use blending tools to soften the lines a bit. Blending tools come in all shapes and sizes, allowing you to soften all parts of your drawing, no matter how small or meticulous it might be.\r\n\r\n ','copy test','','inherit','closed','closed','','3599-revision-v1','','','2017-07-16 19:36:42','2017-07-17 02:36:42','',3599,'http://www.letsdrawpeople.com/3599-revision-v1/',0,'revision','',0),(3671,2,'2017-08-01 05:37:22','2017-08-01 12:37:22','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                   Part 5

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Part 2                   Part 6

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Part 3                    Part 7

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Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this second video session of the series, we will:\r\n
    \r\n
  • Discuss copyright and proper use of the reference photograph.  00:45
    • \r\n
  • Use a reference photo with grid lines already in place, switching between the photo and the video.  01:50
    • \r\n
  • Make the outline of the face.  09:10
    • \r\n
  • Make the outline of the hair.  21:00
    • \r\n
  • Draw the shoulders and the neckline.  48:40
    • \r\n
  • Finish the line drawing of the hair.  1:07:00
    • \r\n
  • Finish the line drawing of the clothing.  1:26:30
    • \r\n
  • Complete the entire line drawing with value changes on the skin.  1:35:30
    • \r\n
  • Begin adding tones to the eyes.  1:45:50
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 2','','inherit','closed','closed','','3559-revision-v1','','','2017-08-01 05:37:22','2017-08-01 12:37:22','',3559,'http://www.letsdrawpeople.com/3559-revision-v1/',0,'revision','',0),(3631,2,'2017-07-30 12:40:55','2017-07-30 19:40:55','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                   Part 5

\r\n

Part 2                   Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this second video session of the series, we will:\r\n
    \r\n
  • Discuss copyright and proper use of the reference photograph.  00:45
    • \r\n
  • Use a reference photo with grid lines already in place, switching between the photo and the video.  01:50
    • \r\n
  • Make the outline of the face.  09:10
    • \r\n
  • Make the outline of the hair.  21:00
    • \r\n
  • Draw the shoulders and the neckline.  48:40
    • \r\n
  • Finish the line drawing of the hair.  1:07:00
    • \r\n
  • Finish the line drawing of the clothing.  1:26:30
    • \r\n
  • Complete the entire line drawing with value changes on the skin.  1:35:30
    • \r\n
  • Begin adding tones to the eyes.  1:45:50
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 2','','inherit','closed','closed','','3559-revision-v1','','','2017-07-30 12:40:55','2017-07-30 19:40:55','',3559,'http://www.letsdrawpeople.com/3559-revision-v1/',0,'revision','',0),(3672,2,'2017-08-01 05:38:18','2017-08-01 12:38:18','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                   Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                   Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this third video session of the series, we will:\r\n
    \r\n
  • Continue adding tones to the eyes.  01:03
    • \r\n
  • Add tones to the nose.  25:38
    • \r\n
  • Add tones to the mouth.  36:10
    • \r\n
  • Add tones to other areas of the face.  1:07:00
    • \r\n
  • Add tones to the neck.  1:27:05
    • \r\n
  • Add tones to the hair.  1:36:00
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 3','','inherit','closed','closed','','3578-revision-v1','','','2017-08-01 05:38:18','2017-08-01 12:38:18','',3578,'http://www.letsdrawpeople.com/3578-revision-v1/',0,'revision','',0),(3632,2,'2017-07-30 12:42:51','2017-07-30 19:42:51','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                   Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                   Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this third video session of the series, we will:\r\n
    \r\n
  • Continue adding tones to the eyes.  01:03
    • \r\n
  • Add tones to the nose.  25:38
    • \r\n
  • Add tones to the mouth.  36:10
    • \r\n
  • Add tones to other areas of the face.  1:07:00
    • \r\n
  • Add tones to the neck.  1:27:05
    • \r\n
  • Add tones to the hair.  1:36:00
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 3','','inherit','closed','closed','','3578-revision-v1','','','2017-07-30 12:42:51','2017-07-30 19:42:51','',3578,'http://www.letsdrawpeople.com/3578-revision-v1/',0,'revision','',0),(3673,2,'2017-08-01 05:39:28','2017-08-01 12:39:28','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                   Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this fourth video session of the series, we will:\r\n
    \r\n
  • Add tones to the clothing.  01:00
    • \r\n
  • Blend the tones of Ann\'s face on her right side.  33:45
    • \r\n
  • Blend the tones of Ann\'s face on her left side and her nose.  49:10
    • \r\n
  • Blend the tones in the mouth area.  1:01:00
    • \r\n
  • Blend the tones of the neck.  1:14:15
    • \r\n
  • Blend the tones of the clothing.  1:23:30
    • \r\n
  • Blend the tones of the hair.  1:38:10
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 4','','inherit','closed','closed','','3579-revision-v1','','','2017-08-01 05:39:28','2017-08-01 12:39:28','',3579,'http://www.letsdrawpeople.com/3579-revision-v1/',0,'revision','',0),(3633,2,'2017-07-30 12:44:47','2017-07-30 19:44:47','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                   Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this fourth video session of the series, we will:\r\n
    \r\n
  • Add tones to the clothing.  01:00
    • \r\n
  • Blend the tones of Ann\'s face on her right side.  33:45
    • \r\n
  • Blend the tones of Ann\'s face on her left side and her nose.  49:10
    • \r\n
  • Blend the tones in the mouth area.  1:01:00
    • \r\n
  • Blend the tones of the neck.  1:14:15
    • \r\n
  • Blend the tones of the clothing.  1:23:30
    • \r\n
  • Blend the tones of the hair.  1:38:10
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 4','','inherit','closed','closed','','3579-revision-v1','','','2017-07-30 12:44:47','2017-07-30 19:44:47','',3579,'http://www.letsdrawpeople.com/3579-revision-v1/',0,'revision','',0),(3635,2,'2017-07-30 15:03:25','2017-07-30 22:03:25','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \r\n
  • Apply a grid to the reference photograph.  4:47
    • \r\n
  • Prepare a grid for our drawing paper.  14:26
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.  21:00
    • \r\n
  • Make a line drawing of the eyes.  30:13
    • \r\n
  • Make a line drawing of the nose.  1:11:50
    • \r\n
  • Make a line drawing of the mouth.  1:24:45
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-07-30 15:03:25','2017-07-30 22:03:25','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3636,2,'2017-07-30 15:12:19','2017-07-30 22:12:19','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                   Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this fourth video session of the series, we will:\r\n
    \r\n
  • Add tones to the clothing.  01:00
    • \r\n
  • Blend the tones of Ann\'s face on her right side.  33:45
    • \r\n
  • Blend the tones of Ann\'s face on her left side and her nose.  49:10
    • \r\n
  • Blend the tones in the mouth area.  1:01:00
    • \r\n
  • Blend the tones of the neck.  1:14:15
    • \r\n
  • Blend the tones of the clothing.  1:23:30
    • \r\n
  • Blend the tones of the hair.  1:38:10
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 4','','trash','open','closed','','__trashed','','','2017-07-30 15:13:35','2017-07-30 22:13:35','',0,'http://www.letsdrawpeople.com/?p=3636',0,'post','',0),(3637,2,'2017-07-30 15:13:35','2017-07-30 22:13:35','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                   Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this fourth video session of the series, we will:\r\n
    \r\n
  • Add tones to the clothing.  01:00
    • \r\n
  • Blend the tones of Ann\'s face on her right side.  33:45
    • \r\n
  • Blend the tones of Ann\'s face on her left side and her nose.  49:10
    • \r\n
  • Blend the tones in the mouth area.  1:01:00
    • \r\n
  • Blend the tones of the neck.  1:14:15
    • \r\n
  • Blend the tones of the clothing.  1:23:30
    • \r\n
  • Blend the tones of the hair.  1:38:10
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store!\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 4','','inherit','closed','closed','','3636-revision-v1','','','2017-07-30 15:13:35','2017-07-30 22:13:35','',3636,'http://www.letsdrawpeople.com/3636-revision-v1/',0,'revision','',0),(3638,2,'2017-07-07 15:17:44','2017-07-07 22:17:44','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this fifth video session of the series, we will:\r\n
    \r\n
  • Layer details onto the eyes.  02:10
    • \r\n
  • Layer details onto the forehead.  38:52
    • \r\n
  • Draw and shade the eyebrows.  51:48
    • \r\n
  • Layer details onto the nose and the skin beside and below the nose.  1:10:49
    • \r\n
  • Layer details onto the mouth.  1:40:30
    • \r\n
  • Layer details onto the rest of the face.  2:06:40
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 5','','publish','open','closed','','ann-part-5','','','2017-08-01 06:40:20','2017-08-01 13:40:20','',0,'http://www.letsdrawpeople.com/?p=3638',0,'post','',0),(3651,2,'2017-07-31 20:00:13','2017-08-01 03:00:13','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this fifth video session of the series, we will:\r\n
    \r\n
  • Layer details onto the eyes.  02:10
    • \r\n
  • Layer details onto the forehead.  38:52
    • \r\n
  • Draw and shade the eyebrows.  51:48
    • \r\n
  • Layer details onto the nose and the skin beside and below the nose.  01:10:49
    • \r\n
  • Layer details onto the mouth.  01:40:30
    • \r\n
  • Layer details onto the rest of the face.  02:06:40
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 5','','inherit','closed','closed','','3638-revision-v1','','','2017-07-31 20:00:13','2017-08-01 03:00:13','',3638,'http://www.letsdrawpeople.com/3638-revision-v1/',0,'revision','',0),(3640,2,'2017-07-30 15:19:57','2017-07-30 22:19:57','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this fifth video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \r\n
  • Apply a grid to the reference photograph.  4:47
    • \r\n
  • Prepare a grid for our drawing paper.  14:26
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.  21:00
    • \r\n
  • Make a line drawing of the eyes.  30:13
    • \r\n
  • Make a line drawing of the nose.  1:11:50
    • \r\n
  • Make a line drawing of the mouth.  1:24:45
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 5','','inherit','closed','closed','','3638-revision-v1','','','2017-07-30 15:19:57','2017-07-30 22:19:57','',3638,'http://www.letsdrawpeople.com/3638-revision-v1/',0,'revision','',0),(3639,2,'2017-07-30 15:17:44','2017-07-30 22:17:44','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this fifth video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \r\n
  • Apply a grid to the reference photograph.  4:47
    • \r\n
  • Prepare a grid for our drawing paper.  14:26
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.  21:00
    • \r\n
  • Make a line drawing of the eyes.  30:13
    • \r\n
  • Make a line drawing of the nose.  1:11:50
    • \r\n
  • Make a line drawing of the mouth.  1:24:45
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 5','','inherit','closed','closed','','3638-revision-v1','','','2017-07-30 15:17:44','2017-07-30 22:17:44','',3638,'http://www.letsdrawpeople.com/3638-revision-v1/',0,'revision','',0),(3641,2,'2017-07-14 15:22:42','2017-07-14 22:22:42','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this sixth video session of the series, we will:\r\n
    \r\n
  • Layer details onto the neck and chin.  02:11
    • \r\n
  • Layer details onto small sections of hair.  34:40
    • \r\n
  • Layer details onto hair using a grid and the Box-by-Box method.  51:31
    • \r\n
  • Layer details onto hair using a grid and the Draw by Features method.  59:35
    • \r\n
  • Add an additional layer of tones to the hair on Ann\'s right side.  1:35:50
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 6','','publish','open','closed','','ann-part-6','','','2017-08-01 07:42:24','2017-08-01 14:42:24','',0,'http://www.letsdrawpeople.com/?p=3641',0,'post','',0),(3653,2,'2017-07-31 20:13:26','2017-08-01 03:13:26','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this sixth video session of the series, we will:\r\n
    \r\n
  • Layer details onto the neck and chin.  02:11
    • \r\n
  • Layer details onto small sections of hair.  34:40
    • \r\n
  • Layer details onto hair using a grid and the Box-by-Box method.  51:31
    • \r\n
  • Layer details onto hair using a grid and the Draw by Features method.  59:35
    • \r\n
  • Add an additional layer of tones to the hair on Ann\'s right side.  01:35:50
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 6','','inherit','closed','closed','','3641-revision-v1','','','2017-07-31 20:13:26','2017-08-01 03:13:26','',3641,'http://www.letsdrawpeople.com/3641-revision-v1/',0,'revision','',0); INSERT INTO `wp_posts` VALUES (3642,2,'2017-07-30 15:22:42','2017-07-30 22:22:42','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                   Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this sixth video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \r\n
  • Apply a grid to the reference photograph.  4:47
    • \r\n
  • Prepare a grid for our drawing paper.  14:26
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.  21:00
    • \r\n
  • Make a line drawing of the eyes.  30:13
    • \r\n
  • Make a line drawing of the nose.  1:11:50
    • \r\n
  • Make a line drawing of the mouth.  1:24:45
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 6','','inherit','closed','closed','','3641-revision-v1','','','2017-07-30 15:22:42','2017-07-30 22:22:42','',3641,'http://www.letsdrawpeople.com/3641-revision-v1/',0,'revision','',0),(3643,2,'2017-07-21 16:04:23','2017-07-21 23:04:23','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this seventh video session of the series, we will:\r\n
    \r\n
  • Blend tones and pull out highlights for hair on Ann\'s right side.  02:20
    • \r\n
  • Continue shading the rest of the hair.  36:54
    • \r\n
  • Blend tones for the rest of the hair.  1:40:27
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 7','','publish','open','closed','','ann-part-7','','','2017-08-01 07:44:04','2017-08-01 14:44:04','',0,'http://www.letsdrawpeople.com/?p=3643',0,'post','',0),(3644,2,'2017-07-30 16:04:23','2017-07-30 23:04:23','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                   Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this seventh video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \r\n
  • Apply a grid to the reference photograph.  4:47
    • \r\n
  • Prepare a grid for our drawing paper.  14:26
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.  21:00
    • \r\n
  • Make a line drawing of the eyes.  30:13
    • \r\n
  • Make a line drawing of the nose.  1:11:50
    • \r\n
  • Make a line drawing of the mouth.  1:24:45
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 7','','inherit','closed','closed','','3643-revision-v1','','','2017-07-30 16:04:23','2017-07-30 23:04:23','',3643,'http://www.letsdrawpeople.com/3643-revision-v1/',0,'revision','',0),(3645,2,'2017-07-28 16:08:14','2017-07-28 23:08:14','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                   Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this eighth video session of the series, we will:\r\n
    \r\n
  • Layer details for the rest of the hair.  01:40
    • \r\n
  • Darken the hue of the clothing.  20:11
    • \r\n
  • Blend and layer the details of the clothing.  39:53
    • \r\n
  • Complete some finishing touches of the hairline.  1:36:23
    • \r\n
  • Draw the eyelashes.  1:47:10
    • \r\n
  • Touch up the outlying hairs.  1:54:55
    • \r\n
  • Erase smudging around the portrait.  1:59:04
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 8','','publish','open','closed','','ann-part-8','','','2017-08-01 07:45:24','2017-08-01 14:45:24','',0,'http://www.letsdrawpeople.com/?p=3645',0,'post','',0),(3663,2,'2017-07-31 20:58:53','2017-08-01 03:58:53','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                   Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this eighth video session of the series, we will:\r\n
    \r\n
  • Layer details for the rest of the hair.  01:40
    • \r\n
  • Darken the hue of the clothing.  20:11
    • \r\n
  • Blend and layer the details of the clothing.  39:53
    • \r\n
  • Complete some finishing touches of the hairline.  1:36:23
    • \r\n
  • Draw the eyelashes.  1:47:10
    • \r\n
  • Touch up the outlying hairs.  1:54:55
    • \r\n
  • Erase smudging around the portrait.  1:59:04
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 8','','inherit','closed','closed','','3645-revision-v1','','','2017-07-31 20:58:53','2017-08-01 03:58:53','',3645,'http://www.letsdrawpeople.com/3645-revision-v1/',0,'revision','',0),(3646,2,'2017-07-30 16:08:14','2017-07-30 23:08:14','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                   Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this eighth video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \r\n
  • Apply a grid to the reference photograph.  4:47
    • \r\n
  • Prepare a grid for our drawing paper.  14:26
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.  21:00
    • \r\n
  • Make a line drawing of the eyes.  30:13
    • \r\n
  • Make a line drawing of the nose.  1:11:50
    • \r\n
  • Make a line drawing of the mouth.  1:24:45
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 8','','inherit','closed','closed','','3645-revision-v1','','','2017-07-30 16:08:14','2017-07-30 23:08:14','',3645,'http://www.letsdrawpeople.com/3645-revision-v1/',0,'revision','',0),(3661,2,'2017-07-31 20:35:00','2017-08-01 03:35:00','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this seventh video session of the series, we will:\r\n
    \r\n
  • Blend tones and pull out highlights for hair on Ann\'s right side.  02:20
    • \r\n
  • Continue shading the rest of the hair.  36:54
    • \r\n
  • Blend tones for the rest of the hair.  1:40:27
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 7','','inherit','closed','closed','','3643-revision-v1','','','2017-07-31 20:35:00','2017-08-01 03:35:00','',3643,'http://www.letsdrawpeople.com/3643-revision-v1/',0,'revision','',0),(3648,2,'2017-07-30 16:11:40','2017-07-30 23:11:40','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this seventh video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \r\n
  • Apply a grid to the reference photograph.  4:47
    • \r\n
  • Prepare a grid for our drawing paper.  14:26
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.  21:00
    • \r\n
  • Make a line drawing of the eyes.  30:13
    • \r\n
  • Make a line drawing of the nose.  1:11:50
    • \r\n
  • Make a line drawing of the mouth.  1:24:45
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 7','','inherit','closed','closed','','3643-revision-v1','','','2017-07-30 16:11:40','2017-07-30 23:11:40','',3643,'http://www.letsdrawpeople.com/3643-revision-v1/',0,'revision','',0),(3649,2,'2017-07-30 16:13:35','2017-07-30 23:13:35','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this sixth video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \r\n
  • Apply a grid to the reference photograph.  4:47
    • \r\n
  • Prepare a grid for our drawing paper.  14:26
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.  21:00
    • \r\n
  • Make a line drawing of the eyes.  30:13
    • \r\n
  • Make a line drawing of the nose.  1:11:50
    • \r\n
  • Make a line drawing of the mouth.  1:24:45
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 6','','inherit','closed','closed','','3641-revision-v1','','','2017-07-30 16:13:35','2017-07-30 23:13:35','',3641,'http://www.letsdrawpeople.com/3641-revision-v1/',0,'revision','',0),(3650,2,'2017-08-01 06:39:17','2017-08-01 13:39:17','
\n

Download Video

\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\n\n\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\n\n \n\n[one_half]\n

\"Ann\" Video Series

\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\n

Part 1                    Part 5

\n

Part 2                    Part 6

\n

Part 3                    Part 7

\n

Part 4                    Part 8

\n \n\n[/one_half][one_half_last]\n\nIn this fifth video session of the series, we will:\n
    \n
  • Layer details onto the eyes.  02:10
    • \n
  • Layer details onto the forehead.  38:52
    • \n
  • Draw and shade the eyebrows.  51:48
    • \n
  • Layer details onto the nose and the skin beside and below the nose.  1:10:49
    • \n
  • Layer details onto the mouth.  1:40:30
    • \n
  • Layer details onto the rest of the face.  2:06:40
    • \n
\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\n\n[/one_half_last]\n

Materials and Resources

\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\n\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\n\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\n\n[one_half]Materials:\n\n[/one_half]\n\n[one_half_last]Resources:\n\n[/one_half_last]\n\n[/box]','\"Ann\" - Part 5','','inherit','closed','closed','','3638-autosave-v1','','','2017-08-01 06:39:17','2017-08-01 13:39:17','',3638,'http://www.letsdrawpeople.com/3638-autosave-v1/',0,'revision','',0),(3679,2,'2017-08-01 06:40:20','2017-08-01 13:40:20','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this fifth video session of the series, we will:\r\n
    \r\n
  • Layer details onto the eyes.  02:10
    • \r\n
  • Layer details onto the forehead.  38:52
    • \r\n
  • Draw and shade the eyebrows.  51:48
    • \r\n
  • Layer details onto the nose and the skin beside and below the nose.  1:10:49
    • \r\n
  • Layer details onto the mouth.  1:40:30
    • \r\n
  • Layer details onto the rest of the face.  2:06:40
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 5','','inherit','closed','closed','','3638-revision-v1','','','2017-08-01 06:40:20','2017-08-01 13:40:20','',3638,'http://www.letsdrawpeople.com/3638-revision-v1/',0,'revision','',0),(3652,2,'2017-08-01 05:43:30','2017-08-01 12:43:30','
\n

Download Video

\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\n\n\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\n\n \n\n[one_half]\n

\"Ann\" Video Series

\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\n

Part 1                    Part 5

\n

Part 2                    Part 6

\n

Part 3                    Part 7

\n

Part 4                    Part 8

\n \n\n[/one_half][one_half_last]\n\nIn this sixth video session of the series, we will:\n
    \n
  • Layer details onto the neck and chin.  02:11
    • \n
  • Layer details onto small sections of hair.  34:40
    • \n
  • Layer details onto hair using a grid and the Box-by-Box method.  51:31
    • \n
  • Layer details onto hair using a grid and the Draw by Features method.  59:35
    • \n
  • Add an additional layer of tones to the hair on Ann\'s right side.  1:35:50
    • \n
\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\n\n[/one_half_last]\n

Materials and Resources

\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\n\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\n\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\n\n[one_half]Materials:\n\n[/one_half]\n\n[one_half_last]Resources:\n\n[/one_half_last]\n\n[/box]','\"Ann\" - Part 6','','inherit','closed','closed','','3641-autosave-v1','','','2017-08-01 05:43:30','2017-08-01 12:43:30','',3641,'http://www.letsdrawpeople.com/3641-autosave-v1/',0,'revision','',0),(3654,2,'2017-07-31 20:15:55','2017-08-01 03:15:55','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                   Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \r\n
  • Apply a grid to the reference photograph.  04:47
    • \r\n
  • Prepare a grid for our drawing paper.  14:26
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.  21:00
    • \r\n
  • Make a line drawing of the eyes.  30:13
    • \r\n
  • Make a line drawing of the nose.  01:11:50
    • \r\n
  • Make a line drawing of the mouth.  01:24:45
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-07-31 20:15:55','2017-08-01 03:15:55','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3656,2,'2017-07-31 20:20:47','2017-08-01 03:20:47','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                   Part 5

\r\n

Part 2                   Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this second video session of the series, we will:\r\n
    \r\n
  • Discuss copyright and proper use of the reference photograph.  00:45
    • \r\n
  • Use a reference photo with grid lines already in place, switching between the photo and the video.  01:50
    • \r\n
  • Make the outline of the face.  09:10
    • \r\n
  • Make the outline of the hair.  21:00
    • \r\n
  • Draw the shoulders and the neckline.  48:40
    • \r\n
  • Finish the line drawing of the hair.  1:07:00
    • \r\n
  • Finish the line drawing of the clothing.  1:26:30
    • \r\n
  • Complete the entire line drawing with value changes on the skin.  1:35:30
    • \r\n
  • Begin adding tones to the eyes.  1:45:50
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 2','','inherit','closed','closed','','3559-revision-v1','','','2017-07-31 20:20:47','2017-08-01 03:20:47','',3559,'http://www.letsdrawpeople.com/3559-revision-v1/',0,'revision','',0),(3655,2,'2017-07-31 20:17:28','2017-08-01 03:17:28','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                   Part 5

\r\n

Part 2                   Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this second video session of the series, we will:\r\n
    \r\n
  • Discuss copyright and proper use of the reference photograph.  00:45
    • \r\n
  • Use a reference photo with grid lines already in place, switching between the photo and the video.  01:50
    • \r\n
  • Make the outline of the face.  09:10
    • \r\n
  • Make the outline of the hair.  21:00
    • \r\n
  • Draw the shoulders and the neckline.  48:40
    • \r\n
  • Finish the line drawing of the hair.  01:07:00
    • \r\n
  • Finish the line drawing of the clothing.  01:26:30
    • \r\n
  • Complete the entire line drawing with value changes on the skin.  01:35:30
    • \r\n
  • Begin adding tones to the eyes.  01:45:50
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 2','','inherit','closed','closed','','3559-revision-v1','','','2017-07-31 20:17:28','2017-08-01 03:17:28','',3559,'http://www.letsdrawpeople.com/3559-revision-v1/',0,'revision','',0),(3657,2,'2017-07-31 20:22:21','2017-08-01 03:22:21','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                   Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \r\n
  • Apply a grid to the reference photograph.  04:47
    • \r\n
  • Prepare a grid for our drawing paper.  14:26
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.  21:00
    • \r\n
  • Make a line drawing of the eyes.  30:13
    • \r\n
  • Make a line drawing of the nose.  1:11:50
    • \r\n
  • Make a line drawing of the mouth.  1:24:45
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-07-31 20:22:21','2017-08-01 03:22:21','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3658,2,'2017-07-31 20:26:01','2017-08-01 03:26:01','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this fifth video session of the series, we will:\r\n
    \r\n
  • Layer details onto the eyes.  02:10
    • \r\n
  • Layer details onto the forehead.  38:52
    • \r\n
  • Draw and shade the eyebrows.  51:48
    • \r\n
  • Layer details onto the nose and the skin beside and below the nose.  1:10:49
    • \r\n
  • Layer details onto the mouth.  1:40:30
    • \r\n
  • Layer details onto the rest of the face.  2:06:40
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 5','','inherit','closed','closed','','3638-revision-v1','','','2017-07-31 20:26:01','2017-08-01 03:26:01','',3638,'http://www.letsdrawpeople.com/3638-revision-v1/',0,'revision','',0),(3659,2,'2017-07-31 20:28:00','2017-08-01 03:28:00','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this sixth video session of the series, we will:\r\n
    \r\n
  • Layer details onto the neck and chin.  02:11
    • \r\n
  • Layer details onto small sections of hair.  34:40
    • \r\n
  • Layer details onto hair using a grid and the Box-by-Box method.  51:31
    • \r\n
  • Layer details onto hair using a grid and the Draw by Features method.  59:35
    • \r\n
  • Add an additional layer of tones to the hair on Ann\'s right side.  1:35:50
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 6','','inherit','closed','closed','','3641-revision-v1','','','2017-07-31 20:28:00','2017-08-01 03:28:00','',3641,'http://www.letsdrawpeople.com/3641-revision-v1/',0,'revision','',0),(3660,2,'2017-08-01 06:44:51','2017-08-01 13:44:51','
\n

Download Video

\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\n\n\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\n\n \n\n[one_half]\n

\"Ann\" Video Series

\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\n

Part 1                    Part 5

\n

Part 2                    Part 6

\n

Part 3                    Part 7

\n

Part 4                    Part 8

\n \n\n[/one_half][one_half_last]\n\nIn this seventh video session of the series, we will:\n
    \n
  • Blend tones and pull out highlights for hair on Ann\'s right side.  02:20
    • \n
  • Continue shading the rest of the hair.  36:54
    • \n
  • Blend tones for the rest of the hair.  1:40:27
    • \n
\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\n\n[/one_half_last]\n

Materials and Resources

\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\n\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\n\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\n\n[one_half]Materials:\n\n[/one_half]\n\n[one_half_last]Resources:\n\n[/one_half_last]\n\n[/box]','\"Ann\" - Part 7','','inherit','closed','closed','','3643-autosave-v1','','','2017-08-01 06:44:51','2017-08-01 13:44:51','',3643,'http://www.letsdrawpeople.com/3643-autosave-v1/',0,'revision','',0),(3683,2,'2017-08-01 06:44:58','2017-08-01 13:44:58','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this seventh video session of the series, we will:\r\n
    \r\n
  • Blend tones and pull out highlights for hair on Ann\'s right side.  02:20
    • \r\n
  • Continue shading the rest of the hair.  36:54
    • \r\n
  • Blend tones for the rest of the hair.  1:40:27
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 7','','inherit','closed','closed','','3643-revision-v1','','','2017-08-01 06:44:58','2017-08-01 13:44:58','',3643,'http://www.letsdrawpeople.com/3643-revision-v1/',0,'revision','',0),(3662,2,'2017-08-01 05:47:55','2017-08-01 12:47:55','
\n

Download Video

\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\n\n\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\n\n \n\n[one_half]\n

\"Ann\" Video Series

\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\n

Part 1                    Part 5

\n

Part 2                    Part 6

\n

Part 3                    Part 7

\n

Part 4                   Part 8

\n \n\n[/one_half][one_half_last]\n\nIn this eighth video session of the series, we will:\n
    \n
  • Layer details for the rest of the hair.  01:40
    • \n
  • Darken the hue of the clothing.  20:11
    • \n
  • Blend and layer the details of the clothing.  39:53
    • \n
  • Complete some finishing touches of the hairline.  1:36:23
    • \n
  • Draw the eyelashes.  1:47:10
    • \n
  • Touch up the outlying hairs.  1:54:55
    • \n
  • Erase smudging around the portrait.  1:59:04
    • \n
\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\n\n[/one_half_last]\n

Materials and Resources

\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\n\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\n\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\n\n[one_half]Materials:\n\n[/one_half]\n\n[one_half_last]Resources:\n\n[/one_half_last]\n\n[/box]','\"Ann\" - Part 8','','inherit','closed','closed','','3645-autosave-v1','','','2017-08-01 05:47:55','2017-08-01 12:47:55','',3645,'http://www.letsdrawpeople.com/3645-autosave-v1/',0,'revision','',0),(3664,2,'2017-08-01 04:15:53','0000-00-00 00:00:00','','Auto Draft','','auto-draft','open','open','','','','','2017-08-01 04:15:53','0000-00-00 00:00:00','',0,'http://www.letsdrawpeople.com/?p=3664',0,'post','',0),(3665,2,'2017-08-01 04:19:05','2017-08-01 11:19:05','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                   Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \r\n
  • Apply a grid to the reference photograph.  04:47
    • \r\n
  • Prepare a grid for our drawing paper.  14:26
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.  21:00
    • \r\n
  • Make a line drawing of the eyes.  30:13
    • \r\n
  • Make a line drawing of the nose.  1:11:50
    • \r\n
  • Make a line drawing of the mouth.  1:24:45
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-08-01 04:19:05','2017-08-01 11:19:05','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3666,2,'2017-08-01 04:20:47','2017-08-01 11:20:47','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                   Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \r\n
  • Apply a grid to the reference photograph.  04:47
    • \r\n
  • Prepare a grid for our drawing paper.  14:26
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.  21:00
    • \r\n
  • Make a line drawing of the eyes.  30:13
    • \r\n
  • Make a line drawing of the nose.  1:11:50
    • \r\n
  • Make a line drawing of the mouth.  1:24:45
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 1','','inherit','closed','closed','','3480-revision-v1','','','2017-08-01 04:20:47','2017-08-01 11:20:47','',3480,'http://www.letsdrawpeople.com/3480-revision-v1/',0,'revision','',0),(3674,2,'2017-08-01 05:42:01','2017-08-01 12:42:01','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this fifth video session of the series, we will:\r\n
    \r\n
  • Layer details onto the eyes.  02:10
    • \r\n
  • Layer details onto the forehead.  38:52
    • \r\n
  • Draw and shade the eyebrows.  51:48
    • \r\n
  • Layer details onto the nose and the skin beside and below the nose.  1:10:49
    • \r\n
  • Layer details onto the mouth.  1:40:30
    • \r\n
  • Layer details onto the rest of the face.  2:06:40
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 5','','inherit','closed','closed','','3638-revision-v1','','','2017-08-01 05:42:01','2017-08-01 12:42:01','',3638,'http://www.letsdrawpeople.com/3638-revision-v1/',0,'revision','',0),(3667,2,'2017-08-01 04:26:39','2017-08-01 11:26:39','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this fifth video session of the series, we will:\r\n
    \r\n
  • Layer details onto the eyes.  02:10
    • \r\n
  • Layer details onto the forehead.  38:52
    • \r\n
  • Draw and shade the eyebrows.  51:48
    • \r\n
  • Layer details onto the nose and the skin beside and below the nose.  1:10:49
    • \r\n
  • Layer details onto the mouth.  1:40:30
    • \r\n
  • Layer details onto the rest of the face.  2:06:40
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 5','','inherit','closed','closed','','3638-revision-v1','','','2017-08-01 04:26:39','2017-08-01 11:26:39','',3638,'http://www.letsdrawpeople.com/3638-revision-v1/',0,'revision','',0),(3675,2,'2017-08-01 05:44:17','2017-08-01 12:44:17','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this sixth video session of the series, we will:\r\n
    \r\n
  • Layer details onto the neck and chin.  02:11
    • \r\n
  • Layer details onto small sections of hair.  34:40
    • \r\n
  • Layer details onto hair using a grid and the Box-by-Box method.  51:31
    • \r\n
  • Layer details onto hair using a grid and the Draw by Features method.  59:35
    • \r\n
  • Add an additional layer of tones to the hair on Ann\'s right side.  1:35:50
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 6','','inherit','closed','closed','','3641-revision-v1','','','2017-08-01 05:44:17','2017-08-01 12:44:17','',3641,'http://www.letsdrawpeople.com/3641-revision-v1/',0,'revision','',0),(3668,2,'2017-08-01 04:37:15','2017-08-01 11:37:15','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this sixth video session of the series, we will:\r\n
    \r\n
  • Layer details onto the neck and chin.  02:11
    • \r\n
  • Layer details onto small sections of hair.  34:40
    • \r\n
  • Layer details onto hair using a grid and the Box-by-Box method.  51:31
    • \r\n
  • Layer details onto hair using a grid and the Draw by Features method.  59:35
    • \r\n
  • Add an additional layer of tones to the hair on Ann\'s right side.  1:35:50
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 6','','inherit','closed','closed','','3641-revision-v1','','','2017-08-01 04:37:15','2017-08-01 11:37:15','',3641,'http://www.letsdrawpeople.com/3641-revision-v1/',0,'revision','',0),(3676,2,'2017-08-01 05:46:31','2017-08-01 12:46:31','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this seventh video session of the series, we will:\r\n
    \r\n
  • Blend tones and pull out highlights for hair on Ann\'s right side.  02:20
    • \r\n
  • Continue shading the rest of the hair.  36:54
    • \r\n
  • Blend tones for the rest of the hair.  1:40:27
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 7','','inherit','closed','closed','','3643-revision-v1','','','2017-08-01 05:46:31','2017-08-01 12:46:31','',3643,'http://www.letsdrawpeople.com/3643-revision-v1/',0,'revision','',0),(3669,2,'2017-08-01 04:39:30','2017-08-01 11:39:30','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this seventh video session of the series, we will:\r\n
    \r\n
  • Blend tones and pull out highlights for hair on Ann\'s right side.  02:20
    • \r\n
  • Continue shading the rest of the hair.  36:54
    • \r\n
  • Blend tones for the rest of the hair.  1:40:27
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 7','','inherit','closed','closed','','3643-revision-v1','','','2017-08-01 04:39:30','2017-08-01 11:39:30','',3643,'http://www.letsdrawpeople.com/3643-revision-v1/',0,'revision','',0),(3677,2,'2017-08-01 05:48:34','2017-08-01 12:48:34','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                   Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this eighth video session of the series, we will:\r\n
    \r\n
  • Layer details for the rest of the hair.  01:40
    • \r\n
  • Darken the hue of the clothing.  20:11
    • \r\n
  • Blend and layer the details of the clothing.  39:53
    • \r\n
  • Complete some finishing touches of the hairline.  1:36:23
    • \r\n
  • Draw the eyelashes.  1:47:10
    • \r\n
  • Touch up the outlying hairs.  1:54:55
    • \r\n
  • Erase smudging around the portrait.  1:59:04
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 8','','inherit','closed','closed','','3645-revision-v1','','','2017-08-01 05:48:34','2017-08-01 12:48:34','',3645,'http://www.letsdrawpeople.com/3645-revision-v1/',0,'revision','',0),(3670,2,'2017-08-01 05:07:59','2017-08-01 12:07:59','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                   Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this eighth video session of the series, we will:\r\n
    \r\n
  • Layer details for the rest of the hair.  01:40
    • \r\n
  • Darken the hue of the clothing.  20:11
    • \r\n
  • Blend and layer the details of the clothing.  39:53
    • \r\n
  • Complete some finishing touches of the hairline.  1:36:23
    • \r\n
  • Draw the eyelashes.  1:47:10
    • \r\n
  • Touch up the outlying hairs.  1:54:55
    • \r\n
  • Erase smudging around the portrait.  1:59:04
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 8','','inherit','closed','closed','','3645-revision-v1','','','2017-08-01 05:07:59','2017-08-01 12:07:59','',3645,'http://www.letsdrawpeople.com/3645-revision-v1/',0,'revision','',0),(3678,2,'2017-08-01 06:33:17','2017-08-01 13:33:17','','Ann-05','\"Ann\" - Part 5','inherit','open','closed','','ann-05','','','2017-08-01 06:53:44','2017-08-01 13:53:44','',3638,'http://www.letsdrawpeople.com/wp-content/uploads/2017/07/Ann-05.jpg',0,'attachment','image/jpeg',0),(3680,2,'2017-08-01 06:42:00','2017-08-01 13:42:00','','Ann-06','\"Ann\" - Part 6','inherit','open','closed','','ann-06','','','2017-08-01 06:53:40','2017-08-01 13:53:40','',3641,'http://www.letsdrawpeople.com/wp-content/uploads/2017/07/Ann-06.jpg',0,'attachment','image/jpeg',0),(3681,2,'2017-08-01 06:43:02','2017-08-01 13:43:02','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this sixth video session of the series, we will:\r\n
    \r\n
  • Layer details onto the neck and chin.  02:11
    • \r\n
  • Layer details onto small sections of hair.  34:40
    • \r\n
  • Layer details onto hair using a grid and the Box-by-Box method.  51:31
    • \r\n
  • Layer details onto hair using a grid and the Draw by Features method.  59:35
    • \r\n
  • Add an additional layer of tones to the hair on Ann\'s right side.  1:35:50
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 6','','inherit','closed','closed','','3641-revision-v1','','','2017-08-01 06:43:02','2017-08-01 13:43:02','',3641,'http://www.letsdrawpeople.com/3641-revision-v1/',0,'revision','',0),(3682,2,'2017-08-01 06:43:59','2017-08-01 13:43:59','','Ann-07','\"Ann\" - Part 7','inherit','open','closed','','ann-07','','','2017-08-01 06:53:45','2017-08-01 13:53:45','',3643,'http://www.letsdrawpeople.com/wp-content/uploads/2017/07/Ann-07.jpg',0,'attachment','image/jpeg',0),(3684,2,'2017-08-01 06:45:46','2017-08-01 13:45:46','','Ann-08','\"Ann\" - Part 8','inherit','open','closed','','ann-08','','','2017-08-01 06:53:46','2017-08-01 13:53:46','',3645,'http://www.letsdrawpeople.com/wp-content/uploads/2017/07/Ann-08.jpg',0,'attachment','image/jpeg',0),(3685,2,'2017-08-01 06:46:34','2017-08-01 13:46:34','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                   Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this eighth video session of the series, we will:\r\n
    \r\n
  • Layer details for the rest of the hair.  01:40
    • \r\n
  • Darken the hue of the clothing.  20:11
    • \r\n
  • Blend and layer the details of the clothing.  39:53
    • \r\n
  • Complete some finishing touches of the hairline.  1:36:23
    • \r\n
  • Draw the eyelashes.  1:47:10
    • \r\n
  • Touch up the outlying hairs.  1:54:55
    • \r\n
  • Erase smudging around the portrait.  1:59:04
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 8','','inherit','closed','closed','','3645-revision-v1','','','2017-08-01 06:46:34','2017-08-01 13:46:34','',3645,'http://www.letsdrawpeople.com/3645-revision-v1/',0,'revision','',0),(3686,2,'2017-08-01 06:53:56','2017-08-01 13:53:56','

\"Ann\"

\r\n[gallery size=\"full\" columns=\"4\" ids=\"3482,3560,3586,3589,3678,3680,3682,3684\"]','Full-Length Video Tutorials','','inherit','closed','closed','','3592-revision-v1','','','2017-08-01 06:53:56','2017-08-01 13:53:56','',3592,'http://www.letsdrawpeople.com/3592-revision-v1/',0,'revision','',0),(3687,2,'2017-08-01 07:30:17','2017-08-01 14:30:17','Welcome! Here you will find a collection of video series containing full-length, step-by-step video tutorials. Each series shows you every pencil stroke of a drawing from start to finish with thorough explanations.\r\n\r\nTo get the maximum benefit from this collection, choose a series to watch and draw along with me as I take you step-by-step through the entire drawing. Take your time and work at your own pace. Pause as needed, and pick up where you left off. There is so much to be learned by applying so much time and practice to a single drawing!\r\n\r\nAfter you finish one series, choose another series and do it all again!\r\n\r\nAlternatively, if you have certain trouble spots with portrait drawing in general, scan the images below and select one with features similar to what you are trying to achieve. Each image below is the final result of that stage of the drawing. Each video is accompanied with a description of what you can find covered in that video, so you should have no trouble finding the help you need.\r\n\r\nCome back here often. Videos will be added once a week, and the variety of subject matter will continue to expand.\r\n\r\nHappy drawing!\r\n

\"Ann\"

\r\n[gallery size=\"full\" columns=\"4\" ids=\"3482,3560,3586,3589,3678,3680,3682,3684\"]','Full-Length Video Tutorials','','inherit','closed','closed','','3592-revision-v1','','','2017-08-01 07:30:17','2017-08-01 14:30:17','',3592,'http://www.letsdrawpeople.com/3592-revision-v1/',0,'revision','',0),(3688,2,'2017-08-01 07:38:25','2017-08-01 14:38:25','Welcome! Here you will find a collection of video series containing full-length, step-by-step tutorials for drawing people. Each series shows you every pencil stroke of a drawing from start to finish with thorough explanations.\r\n\r\nTo get the maximum benefit from this collection, choose a series to watch and draw along with me as I take you step-by-step through the entire drawing. Take your time and work at your own pace. Pause as needed, and pick up where you left off. There is so much to be learned by applying so much time and practice to a single drawing!\r\n\r\nAfter you finish one series, choose another series and do it all again!\r\n\r\nAlternatively, if you have certain trouble spots with portrait drawing in general, scan the images below and select one with features similar to what you are trying to achieve. Each image below is the final result of that stage of the drawing. Each video is accompanied with a description of what you can find covered in that video, so you should have no trouble finding the help you need.\r\n\r\nCome back here often. Videos will be added once a week, and the variety of subject matter will continue to expand.\r\n\r\nHappy drawing!\r\n

\"Ann\"

\r\nThis video series shows you how to achieve a realistic graphite pencil portrait using the grid method with a light box and a mechanical pencil.\r\n\r\n[gallery size=\"full\" columns=\"4\" ids=\"3482,3560,3586,3589,3678,3680,3682,3684\"]','Full-Length Video Tutorials','','inherit','closed','closed','','3592-revision-v1','','','2017-08-01 07:38:25','2017-08-01 14:38:25','',3592,'http://www.letsdrawpeople.com/3592-revision-v1/',0,'revision','',0),(3689,2,'2017-08-01 07:42:24','2017-08-01 14:42:24','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this sixth video session of the series, we will:\r\n
    \r\n
  • Layer details onto the neck and chin.  02:11
    • \r\n
  • Layer details onto small sections of hair.  34:40
    • \r\n
  • Layer details onto hair using a grid and the Box-by-Box method.  51:31
    • \r\n
  • Layer details onto hair using a grid and the Draw by Features method.  59:35
    • \r\n
  • Add an additional layer of tones to the hair on Ann\'s right side.  1:35:50
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 6','','inherit','closed','closed','','3641-revision-v1','','','2017-08-01 07:42:24','2017-08-01 14:42:24','',3641,'http://www.letsdrawpeople.com/3641-revision-v1/',0,'revision','',0),(3690,2,'2017-08-01 07:44:04','2017-08-01 14:44:04','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this seventh video session of the series, we will:\r\n
    \r\n
  • Blend tones and pull out highlights for hair on Ann\'s right side.  02:20
    • \r\n
  • Continue shading the rest of the hair.  36:54
    • \r\n
  • Blend tones for the rest of the hair.  1:40:27
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 7','','inherit','closed','closed','','3643-revision-v1','','','2017-08-01 07:44:04','2017-08-01 14:44:04','',3643,'http://www.letsdrawpeople.com/3643-revision-v1/',0,'revision','',0),(3691,2,'2017-08-01 07:45:24','2017-08-01 14:45:24','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic pencil portrait of \"Ann\" from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3485\" align=\"aligncenter\" width=\"425\"]\"\"
© Nadino | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                    Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                   Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this eighth video session of the series, we will:\r\n
    \r\n
  • Layer details for the rest of the hair.  01:40
    • \r\n
  • Darken the hue of the clothing.  20:11
    • \r\n
  • Blend and layer the details of the clothing.  39:53
    • \r\n
  • Complete some finishing touches of the hairline.  1:36:23
    • \r\n
  • Draw the eyelashes.  1:47:10
    • \r\n
  • Touch up the outlying hairs.  1:54:55
    • \r\n
  • Erase smudging around the portrait.  1:59:04
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','\"Ann\" - Part 8','','inherit','closed','closed','','3645-revision-v1','','','2017-08-01 07:45:24','2017-08-01 14:45:24','',3645,'http://www.letsdrawpeople.com/3645-revision-v1/',0,'revision','',0),(3692,2,'2017-08-01 07:49:01','2017-08-01 14:49:01','Welcome! Here you will find a collection of video series containing full-length, step-by-step tutorials for drawing people. Each series shows you every pencil stroke of a drawing from start to finish with thorough explanations.\r\n\r\nTo get the maximum benefit from this collection, choose a series to watch and draw along with me as I take you step-by-step through the entire drawing. Take your time and work at your own pace. Pause as needed, and pick up where you left off. There is so much to be learned by applying so much time and practice to a single drawing! After you finish one series, choose another series and do it all again!\r\n\r\nAlternatively, if you have certain trouble spots with portrait drawing in general, scan the images below and select one with features similar to what you are trying to achieve. Each image below is the final result of that stage of the drawing. Each video is accompanied with a description of what you can find covered in that video, so you should have no trouble finding the help you need.\r\n\r\nCome back here often. Videos will be added once a week, and the variety of subject matter will continue to expand!\r\n

\"Ann\"

\r\nThis video series shows you how to achieve a realistic graphite pencil portrait using the grid method with a light box and a mechanical pencil.\r\n\r\n[gallery size=\"full\" columns=\"4\" ids=\"3482,3560,3586,3589,3678,3680,3682,3684\"]','Full-Length Video Tutorials','','inherit','closed','closed','','3592-revision-v1','','','2017-08-01 07:49:01','2017-08-01 14:49:01','',3592,'http://www.letsdrawpeople.com/3592-revision-v1/',0,'revision','',0),(3694,2,'2017-08-02 05:10:20','2017-08-02 12:10:20','','Let\'s Draw People Club','','inherit','closed','closed','','3518-revision-v1','','','2017-08-02 05:10:20','2017-08-02 12:10:20','',3518,'http://www.letsdrawpeople.com/3518-revision-v1/',0,'revision','',0),(3695,2,'2017-08-07 12:36:19','2017-08-07 19:36:19','Let\'s Draw People Club\n\nIf you\'ve been exploring how to draw people in a realistic way, on your own and feel ready to tackle those big challenges that have been keeping you stuck, joining Let\'s Draw People Club will give you 100 smart, conscious, aligned friends who will support, encourage, and hold you accountable for an entire year. The catch is that you\'ll have to do the same for them.\n\nOverview\n\nConscious Growth Club (CGC) is a one-year online group coaching program and social support system for conscious, growth-oriented people. It includes online video courses on a variety of personal growth topics, live video coaching calls with Q&A, and a private discussion group where members can connect online.\n\nThe purpose of CGC is to help you make faster progress on your path of personal growth. The core focus is to work together to transform members\' lives for the better – and to do this across a wide spectrum of areas, including work, relationships, income generation, health, productivity, skill building, and more.\n\nSince we\'ll have a whole year together, there isn\'t one singular transformation this program will target. Rather we\'ll focus on creating the conditions that stimulate and support many types of transformation – with structured content, direct coaching, and strong community interaction.\n\nImagine having a growth-oriented community helping you achieve your goals and implement your ideas, checking in to see how you\'re doing, offering help, and giving you compassionate and encouraging feedback at each step along the way.\n\nCore Transformations\n\nHere are the most requested core transformations that we\'ll work on together throughout the year:\n
    \n
  • Replacing distraction with focus
    • \n
  • Turning confusion into clarity
    • \n
  • Adopting the habitsof your best self
    • \n
  • Shifting from scarcity to abundance
    • \n
  • Enjoying fulfilling work
    • \n
  • Building a strong character
    • \n
  • Finding a tribe of smart, conscious friends
    • \n
  • Moving from stressed/numb to centered
    • \n
  • Replacing doubt with trust
    • \n
  • Building and honing valuable skills
    • \n
  • Waking up your spirit
    • \n
\nWho Is Let\'s Draw People Club for?\n\nYou\'re a good match for Let\'s Draw People Club if the following is true for you:\n
    \n
  • You want to grow and improve holistically, not just in a single area of your life but in multiple areas, although it\'s totally fine if there\'s one big area you want to work on more than the others.
    • \n
  • You want to enjoy good health and energy and take good care of your body.
    • \n
  • You want to cultivate a sharper, stronger, smarter mind.
    • \n
  • You\'re willing to help support, nurture, and share feedback with the other members as they work on their goals, challenges, explorations, etc.
    • \n
  • You see the value in having strong social support from a group of like-minded friends that you can bond with.
    • \n
  • You want to enjoy positive and supportive relationships with people who genuinely care about you (not just in CGC but in the rest of your life too).
    • \n
  • You\'re willing to give and receive honest feedback, while you maintain the freedom and autonomy to decide how to use the feedback you receive.
    • \n
  • You\'re willing to share some of your successes and your mistakes during the year, so others can learn from you, celebrate with you, and help you learn and improve.
    • \n
  • You seek or have already found a sense of purpose in your life.
    • \n
  • You want to create positive ripples in the world.
    • \n
  • You want to be happy and enjoy your life.
    • \n
  • You\'d appreciate a whole-brain program that values logic and intuition, planning and spontaneity, and left- and right-brain thinking.
    • \n
  • You feel ready – perhaps even eager – to invite new perspectives, skills, experiences, and results.
    • \n
  • You want to become stronger in your character and more capable as a human being.
    • \n
  • You want your social life to be filled with conscious, growth-oriented, abundance-minded friends – friends who will keep you from settling.
    • \n
  • You want to see this group succeed, and you believe that it has the potential to do a lot of good for its members and for those whose lives they touch.
    • \n
  • You want to interact with me more closely, including getting my personal feedback and advice from time to time.
    • \n
\nIf you can see yourself in most, if not all, of the items above, CGC is a match for you.\n\nI\'d say that most current CGC members fit at least one of these categories:\n
    \n
  • People who have issues with procrastination, drifting, or lack of focus and want more action and accountabilityto get out of complacency and stretch themselves – They want the program to have a good backbone of structure and an emphasis on disciplined action.
    • \n
  • People who want more growth-oriented friendsand a stronger social circle – They crave a more empowering social life with people they like and respect, often seeing that as the key ingredient that will uplift and inspire them.
    • \n
  • People who want to make a difference in the world and create positive ripples– These people are especially purpose-driven and want to be inspired by other purpose-driven people, so we can all change the world for the better.
    • \n
  • People who are already very growth-oriented and ambitious and want to achieve bigger goals– They want to feel stimulated by equally ambitious people and are eager to assimilate new ideas, overcome challenges, and make faster progress.
    • \n
  • People who want direct advicefrom me personally – Some have been reading my blog for years and feel a strong personal connection to me because of that relationship, so for them it\'s important to be able to talk to me directly on the coaching calls and/or interact with me in the discussion group.
    • \n
\nIf you\'ve been reading my blog for a while, you\'re not a normal person. I mean that as a compliment. What you may not realize is that there are a lot of other people out there who think the way you do. The people who read my blog tend to have a lot in common with each other, much more than you\'d expect. If you\'ve never connected with a group of people who are a lot like you, you\'re in for a real treat in CGC.\n\nProgram Elements\n\nVideo Courses\n\nWe\'ll have training modules in a membership area on a variety of personal growth topics, developed and released throughout the year. Each module will include video, audio, and text transcripts with the same material, so you can digest the lessons in whichever format you prefer. You can stream the video and audio directly to your favorite device, or you can download and save the content for later.\n\nWhat\'s special about CGC is that the course materials are specifically designed for the benefit of our members. So this gets pretty close to having courses that are designed just for you.\n\nHere are some course ideas that Early Access members have suggested thus far:\n
    \n
  • Passive income
    • \n
  • Creating value online
    • \n
  • Self-discipline
    • \n
  • Personal growth accelerators (Truth, Love, Power)
    • \n
  • Intelligent goal setting and prioritization
    • \n
  • Achieving multiple goals across different areas of life
    • \n
  • Achieving stretch goals
    • \n
  • Taking action consistently (especially in the face of adversity)
    • \n
  • Building and applying courage
    • \n
  • Overcoming limiting beliefs and negative mental scripts
    • \n
  • Being more playful with life and personal growth
    • \n
  • Health detox / mental health
    • \n
  • Going vegan
    • \n
  • Raw foods
    • \n
  • Overcoming perfectionism
    • \n
  • Creating and living your story
    • \n
  • Subjective reality
    • \n
  • Passionately applying your talents
    • \n
  • Lifestyle design
    • \n
  • Changing your attitude / perspective (gratitude, abundance, etc)
    • \n
  • Habit change
    • \n
  • Life balance (especially learning vs. applying knowledge and skills)
    • \n
  • Uncovering your blind spots
    • \n
  • Manifesting and abundance
    • \n
  • Attracting compatible relationship partners
    • \n
  • Creating and enjoying deep relationships
    • \n
  • Productivity, energy, and focus
    • \n
  • Aligning income streams with your purpose, character, and lifestyle desires
    • \n
  • Building mental toughness / strength
    • \n
\nassignments\n\nFull-Length Video Tutorials\n\nWe\'ll have live 90-minute group coaching calls where you can ask questions, get feedback on ideas, and get help solving problems. These calls will be held multiple times per month (about 40-45 calls during the year).\n\nThese calls will be in streaming video format, just like a webinar. You can access the calls on whichever device you like. You\'ll be able to see me via my webcam, and I can also do screen sharing as needed for demonstrations.\n\nOn these calls you can talk about solving problems, figuring out decisions, or dealing with challenges in your life.You can also ask for extra emotional support when you need it. Any area of life you want help with is fair game.\n\nWe can also bring in guest experts for extra coaching, interviews, and live Q&A. I have many friends who are authors, trainers, speakers, coaches, and entrepreneurs, and I\'m sure many of them would be happy to contribute. Some of them also owe me favors. ?\n\nRecordings\n\nAll coaching calls will be recorded and available for streaming or download in video and audio formats. So it\'s okay if you miss some or all of the live calls because you\'ll be able to access the recordings whenever you want.\n\n \n\nMembers-only Discussion Forums\n\nYou\'ll have access to our private discussion forums where you can communicate freely with the other CGC members as much as you desire.\n\nThe forums are where CGC members connect, collaborate, share ideas, give feedback, help hold each other accountable, and encourage the heck out of each other. You\'ll find it to be an immensely positive and supportive environment with lots of people you can turn to for help navigating your personal growth challenges.\n\nhelp hold each other accountable with course assignments, drawings from course Draw-with-Me lessons, drawings from Full-Length Video Tutorial video series\n\nOur forums run Discourse, which is very modern forum software that\'s fast to learn, uncluttered, and easy to use. Our forums are ad-free as well.\n\nThe CGC forums are already active with dozens of Early Access members who\'ve posted thousands of messages so far, so there\'s a vibrant community for you to connect with right away.\n\nNewsletter\n\nCGC includes a weekly email newsletter to share updates, highlights, and reminders. You\'ll also be notified when new course modules are added.\n\nnotification of new full-length videos, new drawing courses, winners for the Gallery Giveaways\n\nDeep Dives and Challenges\n\nThroughout the year we\'ll do some deep dives together such as 30-day challenges to build new habits, gain skills, or complete creative projects.\n\nEach deep dive is an invitation for members who want to work on a certain type of challenge together, supporting each other as we go along. You can do them with the group, you can do them on your own later by using the recordings, or you can decline them if they don\'t fit your schedule or interests.\n\nGallery Giveaways\n\nIncentives to help motivate and create engagement.\n\nAction and Accountability\n\nIn the CGC forums we have a Progress & Accountability category where members share progress logs for their goals and invite more accountability for taking action on their goals and projects. I maintain a progress log there as well, sharing updates on CGC\'s continued development.\n\nYou can also use this category to find accountability partners for your goals, so you don\'t have to go it alone.\n\nSelf Pacing\n\nFor all aspects of CGC, you go at your own pacing. Nothing is mandatory.\n\nYou can work through the training modules in whichever order you like, at any pace you desire. You can attend the coaching calls live, or you can listen to the recordings later. You can use the discussion group as much or as little as you like. All of the challenges are optional. You can do them with us, on your own later, or not at all.\n\nCGC is your personal growth playground. It will fit your schedule because it\'s designed to be flexible. You can access it whenever you want, as much as you want. You can work according to your own cycles and rhythms. If you like going at a steady pace throughout the year, great. If you prefer bursting into activity like a maniac for a few weeks and then going at a slower pace while you recharge, also great. You can take breaks whenever you want. This is a key advantage of a one-year program. There is no forced pacing.\n\nYou\'re free to choose which specific transformations you want to focus on at any given time. Do you want to work towards leaving your job and starting an online business? Would you like to add new income streams? Do you want to improve your health? Would you like to enrich your social life? Are you facing a potential separation or divorce that needs to be resolved? We\'ll help you set priorities for what you want to improve during our year together.\n\nIf you want to be pushed, held accountable, and nudged out of your complacency, we\'ll help you get your ass in gear. If you need to be nurtured, accepted, and understood, we\'ll shower you with unconditional love. If you need to heal, we\'ll help you heal.\n\nA major goal of CGC is to help you get good at holistic transformation, so you can continue creating the life you desire, regardless of the future challenges you may face.\n\nPricing\n\nYour investment for a full year of membership in Conscious Growth Club is $1997.\n\nYou can pay for your membership up front with a single payment, or you can choose a payment plan. The payment plan is 8 payments of $297, spaced a month apart. So that\'s 1 payment of $297 when you sign up and then 7 more monthly payments of $297 after that. Whether you opt for the one-pay or the payment plan, it\'s still a one-year membership.\n\nIt\'s important for us to create a strong feeling of investment from the members, so everyone in the group has some real skin in the game. As with any type of coaching or club, active participation means results.\n\nYour CGC membership will last for a whole year, so you\'ll have many opportunities and lots of time to extract good value for your investment.\n\nI can tell you from experience that when you join this group, you\'re going to grow in many ways that you would not have predicted in advance. Some of your expected improvements will surely happen too, but be prepared for surprises. When we expose ourselves to such intense transformational energy, it changes us in ways we wouldn\'t even have thought to ask for. I get changed by this energy too.\n\nMoney-Back Guarantee\n\nIf you join CGC and decide for whatever reason that the group isn\'t a match for you, just request a refund within the first 30 days of your membership, and we\'ll refund your money.\n\nEarly Access – Now Open\n\nI expect to do the official launch of CGC in Summer 2017. However, enthusiasm about CGC has been so high that many people have inquired about the possibility of joining sooner, even while the program is still in development, so I\'ve added an Early Access option that has already proven very popular, with dozens of people joining in just the first week and more still signing up each day.\n\nHere\'s how CGC Early Access works:\n
    \n
  • No extra cost- If you want Early Access to CGC, you still pay the same price when you join, but your one-year membership doesn\'t start counting down until we do the official launch in the summer. So the whole Early Access period is bonus time added to the front of your membership for no extra cost. Hence the sooner you join, the more free bonus time you get.
    • \n
  • Access to the forums- Our discussion forums are already up and running with dozens of active Early Access members, so you\'ll get access to the forums when you sign up.
    • \n
  • Earliest possible access to CGC courses- As we develop the CGC courses, you\'ll be able to access each piece as soon as it\'s available.
    • \n
  • Extra coaching calls- As an Early Access member, you\'ll be able to participate in extra coaching calls that we host during the Early Access period.
    • \n
  • Extended money-back guarantee- For Early Access members, I\'m extending the money-back guarantee from the time of sign-up until the end of the official launch window, plus another 30 days. That way you\'re still getting the same 30-day guarantee as anyone else who enrolls during the official launch, and your guarantee spans the entire Early Access period too.
    • \n
\nJoin Conscious Growth Club – Early Access\n\nIf you wish to join Conscious Growth Club during the Early Access period and get started right away, you can sign up right here:\n\nPay in Full\n\n$1997\n
    \n
  • One payment of $1997 – Pay in full today, and save $379 compared to the payment plan
    • \n
  • Membership:One full year of CGC membership
    • \n
  • Early Access Bonus:Early Access period added to the beginning for free
    • \n
  • Courses:Members-only video training courses on a variety of personal growth topics (with audio and text formats available too)
    • \n
  • Coaching:90-minute video coaching calls 3-4 times per month (with recordings posted after the calls)
    • \n
  • Forums:Private discussion group to connect with Steve and other CGC members for support, accountability, and friendship
    • \n
  • Deep Dives:Opportunities to participate in frequent deep dives such as 30-day trials to build new habits, gain skills, and complete creative projects
    • \n
  • Newsletter:Weekly members-only newsletter to share updates, highlights, and reminders
    • \n
  • Guarantee:100% money-back guarantee during the entire early access period + 30 more days
    • \n
\nJoin now – Pay in Full\n\n \n\nPayment Plan\n\n8 payments of $297\n
    \n
  • One payment of $297 today, and then 7 more monthly payments of $297
    • \n
  • Membership:One full year of CGC membership
    • \n
  • Early Access Bonus:Early Access period added to the beginning for free
    • \n
  • Courses:Members-only video training courses on a variety of personal growth topics (with audio and text formats available too)
    • \n
  • Coaching:90-minute video coaching calls 3-4 times per month (with recordings posted after the calls)
    • \n
  • Forums:Private discussion group to connect with Steve and other CGC members for support, accountability, and friendship
    • \n
  • Deep Dives:Opportunities to participate in frequent deep dives such as 30-day trials to build new habits, gain skills, and complete creative projects
    • \n
  • Newsletter:Weekly members-only newsletter to share updates, highlights, and reminders
    • \n
  • Guarantee:100% money-back guarantee during the entire early access period + 30 more days
    • \n
\nJoin now – Payment Plan\n\n \n

Need Help?

\nIf you have any questions about Conscious Growth Club or if you need help joining, please send a message through the contact form.','Let\'s Draw People Club','','inherit','closed','closed','','3518-autosave-v1','','','2017-08-07 12:36:19','2017-08-07 19:36:19','',3518,'http://www.letsdrawpeople.com/3518-autosave-v1/',0,'revision','',0),(3696,2,'2017-08-02 05:15:28','2017-08-02 12:15:28','Let\'s Draw People Club\r\n\r\nIf you\'ve been exploring personal growth on your own and feel ready to tackle those big challenges that have been keeping you stuck, joining CGC will give you 100 smart, conscious, aligned friends who will support, encourage, and hold you accountable for an entire year. The catch is that you\'ll have to do the same for them.\r\n\r\nOverview\r\n\r\nConscious Growth Club (CGC) is a one-year online group coaching program and social support system for conscious, growth-oriented people. It includes online video courses on a variety of personal growth topics, live video coaching calls with Q&A, and a private discussion group where members can connect online.\r\n\r\nThe purpose of CGC is to help you make faster progress on your path of personal growth. The core focus is to work together to transform members\' lives for the better – and to do this across a wide spectrum of areas, including work, relationships, income generation, health, productivity, skill building, and more.\r\n\r\nSince we\'ll have a whole year together, there isn\'t one singular transformation this program will target. Rather we\'ll focus on creating the conditions that stimulate and support many types of transformation – with structured content, direct coaching, and strong community interaction.\r\n\r\nImagine having a growth-oriented community helping you achieve your goals and implement your ideas, checking in to see how you\'re doing, offering help, and giving you compassionate and encouraging feedback at each step along the way.\r\n\r\nCore Transformations\r\n\r\nHere are the most requested core transformations that we\'ll work on together throughout the year:\r\n
    \r\n
  • Replacing distraction with focus
    • \r\n
  • Turning confusion into clarity
    • \r\n
  • Adopting the habitsof your best self
    • \r\n
  • Shifting from scarcity to abundance
    • \r\n
  • Enjoying fulfilling work
    • \r\n
  • Building a strong character
    • \r\n
  • Finding a tribe of smart, conscious friends
    • \r\n
  • Moving from stressed/numb to centered
    • \r\n
  • Replacing doubt with trust
    • \r\n
  • Building and honing valuable skills
    • \r\n
  • Waking up your spirit
    • \r\n
\r\nWho Is CGC for?\r\n\r\nYou\'re a good match for CGC if the following is true for you:\r\n
    \r\n
  • You want to grow and improve holistically, not just in a single area of your life but in multiple areas, although it\'s totally fine if there\'s one big area you want to work on more than the others.
    • \r\n
  • You want to enjoy good health and energy and take good care of your body.
    • \r\n
  • You want to cultivate a sharper, stronger, smarter mind.
    • \r\n
  • You\'re willing to help support, nurture, and share feedback with the other members as they work on their goals, challenges, explorations, etc.
    • \r\n
  • You see the value in having strong social support from a group of like-minded friends that you can bond with.
    • \r\n
  • You want to enjoy positive and supportive relationships with people who genuinely care about you (not just in CGC but in the rest of your life too).
    • \r\n
  • You\'re willing to give and receive honest feedback, while you maintain the freedom and autonomy to decide how to use the feedback you receive.
    • \r\n
  • You\'re willing to share some of your successes and your mistakes during the year, so others can learn from you, celebrate with you, and help you learn and improve.
    • \r\n
  • You seek or have already found a sense of purpose in your life.
    • \r\n
  • You want to create positive ripples in the world.
    • \r\n
  • You want to be happy and enjoy your life.
    • \r\n
  • You\'d appreciate a whole-brain program that values logic and intuition, planning and spontaneity, and left- and right-brain thinking.
    • \r\n
  • You feel ready – perhaps even eager – to invite new perspectives, skills, experiences, and results.
    • \r\n
  • You want to become stronger in your character and more capable as a human being.
    • \r\n
  • You want your social life to be filled with conscious, growth-oriented, abundance-minded friends – friends who will keep you from settling.
    • \r\n
  • You want to see this group succeed, and you believe that it has the potential to do a lot of good for its members and for those whose lives they touch.
    • \r\n
  • You want to interact with me more closely, including getting my personal feedback and advice from time to time.
    • \r\n
\r\nIf you can see yourself in most, if not all, of the items above, CGC is a match for you.\r\n\r\nI\'d say that most current CGC members fit at least one of these categories:\r\n
    \r\n
  • People who have issues with procrastination, drifting, or lack of focus and want more action and accountabilityto get out of complacency and stretch themselves – They want the program to have a good backbone of structure and an emphasis on disciplined action.
    • \r\n
  • People who want more growth-oriented friendsand a stronger social circle – They crave a more empowering social life with people they like and respect, often seeing that as the key ingredient that will uplift and inspire them.
    • \r\n
  • People who want to make a difference in the world and create positive ripples– These people are especially purpose-driven and want to be inspired by other purpose-driven people, so we can all change the world for the better.
    • \r\n
  • People who are already very growth-oriented and ambitious and want to achieve bigger goals– They want to feel stimulated by equally ambitious people and are eager to assimilate new ideas, overcome challenges, and make faster progress.
    • \r\n
  • People who want direct advicefrom me personally – Some have been reading my blog for years and feel a strong personal connection to me because of that relationship, so for them it\'s important to be able to talk to me directly on the coaching calls and/or interact with me in the discussion group.
    • \r\n
\r\nIf you\'ve been reading my blog for a while, you\'re not a normal person. I mean that as a compliment. What you may not realize is that there are a lot of other people out there who think the way you do. The people who read my blog tend to have a lot in common with each other, much more than you\'d expect. If you\'ve never connected with a group of people who are a lot like you, you\'re in for a real treat in CGC.\r\n\r\nProgram Elements\r\n\r\nVideo Courses\r\n\r\nWe\'ll have training modules in a membership area on a variety of personal growth topics, developed and released throughout the year. Each module will include video, audio, and text transcripts with the same material, so you can digest the lessons in whichever format you prefer. You can stream the video and audio directly to your favorite device, or you can download and save the content for later.\r\n\r\nWhat\'s special about CGC is that the course materials are specifically designed for the benefit of our members. So this gets pretty close to having courses that are designed just for you.\r\n\r\nHere are some course ideas that Early Access members have suggested thus far:\r\n
    \r\n
  • Passive income
    • \r\n
  • Creating value online
    • \r\n
  • Self-discipline
    • \r\n
  • Personal growth accelerators (Truth, Love, Power)
    • \r\n
  • Intelligent goal setting and prioritization
    • \r\n
  • Achieving multiple goals across different areas of life
    • \r\n
  • Achieving stretch goals
    • \r\n
  • Taking action consistently (especially in the face of adversity)
    • \r\n
  • Building and applying courage
    • \r\n
  • Overcoming limiting beliefs and negative mental scripts
    • \r\n
  • Being more playful with life and personal growth
    • \r\n
  • Health detox / mental health
    • \r\n
  • Going vegan
    • \r\n
  • Raw foods
    • \r\n
  • Overcoming perfectionism
    • \r\n
  • Creating and living your story
    • \r\n
  • Subjective reality
    • \r\n
  • Passionately applying your talents
    • \r\n
  • Lifestyle design
    • \r\n
  • Changing your attitude / perspective (gratitude, abundance, etc)
    • \r\n
  • Habit change
    • \r\n
  • Life balance (especially learning vs. applying knowledge and skills)
    • \r\n
  • Uncovering your blind spots
    • \r\n
  • Manifesting and abundance
    • \r\n
  • Attracting compatible relationship partners
    • \r\n
  • Creating and enjoying deep relationships
    • \r\n
  • Productivity, energy, and focus
    • \r\n
  • Aligning income streams with your purpose, character, and lifestyle desires
    • \r\n
  • Building mental toughness / strength
    • \r\n
\r\nLive Coaching Calls\r\n\r\nWe\'ll have live 90-minute group coaching calls where you can ask questions, get feedback on ideas, and get help solving problems. These calls will be held multiple times per month (about 40-45 calls during the year).\r\n\r\nThese calls will be in streaming video format, just like a webinar. You can access the calls on whichever device you like. You\'ll be able to see me via my webcam, and I can also do screen sharing as needed for demonstrations.\r\n\r\nOn these calls you can talk about solving problems, figuring out decisions, or dealing with challenges in your life.You can also ask for extra emotional support when you need it. Any area of life you want help with is fair game.\r\n\r\nWe can also bring in guest experts for extra coaching, interviews, and live Q&A. I have many friends who are authors, trainers, speakers, coaches, and entrepreneurs, and I\'m sure many of them would be happy to contribute. Some of them also owe me favors. ?\r\n\r\nRecordings\r\n\r\nAll coaching calls will be recorded and available for streaming or download in video and audio formats. So it\'s okay if you miss some or all of the live calls because you\'ll be able to access the recordings whenever you want.\r\n\r\nMembers-only Discussion Forums\r\n\r\nYou\'ll have access to our private discussion forums where you can communicate freely with the other CGC members as much as you desire.\r\n\r\nThe forums are where CGC members connect, collaborate, share ideas, give feedback, help hold each other accountable, and encourage the heck out of each other. You\'ll find it to be an immensely positive and supportive environment with lots of people you can turn to for help navigating your personal growth challenges.\r\n\r\nOur forums run Discourse, which is very modern forum software that\'s fast to learn, uncluttered, and easy to use. Our forums are ad-free as well.\r\n\r\nThe CGC forums are already active with dozens of Early Access members who\'ve posted thousands of messages so far, so there\'s a vibrant community for you to connect with right away.\r\n\r\nNewsletter\r\n\r\nCGC includes a weekly email newsletter to share updates, highlights, and reminders. You\'ll also be notified when new course modules are added.\r\n\r\nDeep Dives and Challenges\r\n\r\nThroughout the year we\'ll do some deep dives together such as 30-day challenges to build new habits, gain skills, or complete creative projects.\r\n\r\nEach deep dive is an invitation for members who want to work on a certain type of challenge together, supporting each other as we go along. You can do them with the group, you can do them on your own later by using the recordings, or you can decline them if they don\'t fit your schedule or interests.\r\n\r\nAction and Accountability\r\n\r\nIn the CGC forums we have a Progress & Accountability category where members share progress logs for their goals and invite more accountability for taking action on their goals and projects. I maintain a progress log there as well, sharing updates on CGC\'s continued development.\r\n\r\nYou can also use this category to find accountability partners for your goals, so you don\'t have to go it alone.\r\n\r\nSelf Pacing\r\n\r\nFor all aspects of CGC, you go at your own pacing. Nothing is mandatory.\r\n\r\nYou can work through the training modules in whichever order you like, at any pace you desire. You can attend the coaching calls live, or you can listen to the recordings later. You can use the discussion group as much or as little as you like. All of the challenges are optional. You can do them with us, on your own later, or not at all.\r\n\r\nCGC is your personal growth playground. It will fit your schedule because it\'s designed to be flexible. You can access it whenever you want, as much as you want. You can work according to your own cycles and rhythms. If you like going at a steady pace throughout the year, great. If you prefer bursting into activity like a maniac for a few weeks and then going at a slower pace while you recharge, also great. You can take breaks whenever you want. This is a key advantage of a one-year program. There is no forced pacing.\r\n\r\nYou\'re free to choose which specific transformations you want to focus on at any given time. Do you want to work towards leaving your job and starting an online business? Would you like to add new income streams? Do you want to improve your health? Would you like to enrich your social life? Are you facing a potential separation or divorce that needs to be resolved? We\'ll help you set priorities for what you want to improve during our year together.\r\n\r\nIf you want to be pushed, held accountable, and nudged out of your complacency, we\'ll help you get your ass in gear. If you need to be nurtured, accepted, and understood, we\'ll shower you with unconditional love. If you need to heal, we\'ll help you heal.\r\n\r\nA major goal of CGC is to help you get good at holistic transformation, so you can continue creating the life you desire, regardless of the future challenges you may face.\r\n\r\nPricing\r\n\r\nYour investment for a full year of membership in Conscious Growth Club is $1997.\r\n\r\nYou can pay for your membership up front with a single payment, or you can choose a payment plan. The payment plan is 8 payments of $297, spaced a month apart. So that\'s 1 payment of $297 when you sign up and then 7 more monthly payments of $297 after that. Whether you opt for the one-pay or the payment plan, it\'s still a one-year membership.\r\n\r\nIt\'s important for us to create a strong feeling of investment from the members, so everyone in the group has some real skin in the game. As with any type of coaching or club, active participation means results.\r\n\r\nYour CGC membership will last for a whole year, so you\'ll have many opportunities and lots of time to extract good value for your investment.\r\n\r\nI can tell you from experience that when you join this group, you\'re going to grow in many ways that you would not have predicted in advance. Some of your expected improvements will surely happen too, but be prepared for surprises. When we expose ourselves to such intense transformational energy, it changes us in ways we wouldn\'t even have thought to ask for. I get changed by this energy too.\r\n\r\nMoney-Back Guarantee\r\n\r\nIf you join CGC and decide for whatever reason that the group isn\'t a match for you, just request a refund within the first 30 days of your membership, and we\'ll refund your money.\r\n\r\nEarly Access – Now Open\r\n\r\nI expect to do the official launch of CGC in Summer 2017. However, enthusiasm about CGC has been so high that many people have inquired about the possibility of joining sooner, even while the program is still in development, so I\'ve added an Early Access option that has already proven very popular, with dozens of people joining in just the first week and more still signing up each day.\r\n\r\nHere\'s how CGC Early Access works:\r\n
    \r\n
  • No extra cost- If you want Early Access to CGC, you still pay the same price when you join, but your one-year membership doesn\'t start counting down until we do the official launch in the summer. So the whole Early Access period is bonus time added to the front of your membership for no extra cost. Hence the sooner you join, the more free bonus time you get.
    • \r\n
  • Access to the forums- Our discussion forums are already up and running with dozens of active Early Access members, so you\'ll get access to the forums when you sign up.
    • \r\n
  • Earliest possible access to CGC courses- As we develop the CGC courses, you\'ll be able to access each piece as soon as it\'s available.
    • \r\n
  • Extra coaching calls- As an Early Access member, you\'ll be able to participate in extra coaching calls that we host during the Early Access period.
    • \r\n
  • Extended money-back guarantee- For Early Access members, I\'m extending the money-back guarantee from the time of sign-up until the end of the official launch window, plus another 30 days. That way you\'re still getting the same 30-day guarantee as anyone else who enrolls during the official launch, and your guarantee spans the entire Early Access period too.
    • \r\n
\r\nJoin Conscious Growth Club – Early Access\r\n\r\nIf you wish to join Conscious Growth Club during the Early Access period and get started right away, you can sign up right here:\r\n\r\nPay in Full\r\n\r\n$1997\r\n
    \r\n
  • One payment of $1997 – Pay in full today, and save $379 compared to the payment plan
    • \r\n
  • Membership:One full year of CGC membership
    • \r\n
  • Early Access Bonus:Early Access period added to the beginning for free
    • \r\n
  • Courses:Members-only video training courses on a variety of personal growth topics (with audio and text formats available too)
    • \r\n
  • Coaching:90-minute video coaching calls 3-4 times per month (with recordings posted after the calls)
    • \r\n
  • Forums:Private discussion group to connect with Steve and other CGC members for support, accountability, and friendship
    • \r\n
  • Deep Dives:Opportunities to participate in frequent deep dives such as 30-day trials to build new habits, gain skills, and complete creative projects
    • \r\n
  • Newsletter:Weekly members-only newsletter to share updates, highlights, and reminders
    • \r\n
  • Guarantee:100% money-back guarantee during the entire early access period + 30 more days
    • \r\n
\r\nJoin now – Pay in Full\r\n\r\n \r\n\r\nPayment Plan\r\n\r\n8 payments of $297\r\n
    \r\n
  • One payment of $297 today, and then 7 more monthly payments of $297
    • \r\n
  • Membership:One full year of CGC membership
    • \r\n
  • Early Access Bonus:Early Access period added to the beginning for free
    • \r\n
  • Courses:Members-only video training courses on a variety of personal growth topics (with audio and text formats available too)
    • \r\n
  • Coaching:90-minute video coaching calls 3-4 times per month (with recordings posted after the calls)
    • \r\n
  • Forums:Private discussion group to connect with Steve and other CGC members for support, accountability, and friendship
    • \r\n
  • Deep Dives:Opportunities to participate in frequent deep dives such as 30-day trials to build new habits, gain skills, and complete creative projects
    • \r\n
  • Newsletter:Weekly members-only newsletter to share updates, highlights, and reminders
    • \r\n
  • Guarantee:100% money-back guarantee during the entire early access period + 30 more days
    • \r\n
\r\nJoin now – Payment Plan\r\n\r\n \r\n

Need Help?

\r\nIf you have any questions about Conscious Growth Club or if you need help joining, please send a message through the contact form.','Let\'s Draw People Club','','inherit','closed','closed','','3518-revision-v1','','','2017-08-02 05:15:28','2017-08-02 12:15:28','',3518,'http://www.letsdrawpeople.com/3518-revision-v1/',0,'revision','',0),(3703,2,'2017-08-02 21:26:17','2017-08-03 04:26:17','\"silence test 3\".','silence test 3','','inherit','open','closed','','silence-test-3','','','2017-08-02 21:26:24','2017-08-03 04:26:24','',3607,'http://www.letsdrawpeople.com/wp-content/uploads/2017/07/silence-test-3.mp3',0,'attachment','audio/mpeg',0),(3701,2,'2017-08-02 18:12:08','2017-08-03 01:12:08','\"silence test 2a\".','silence test 2a','','inherit','open','closed','','silence-test-2a','','','2017-08-02 18:12:14','2017-08-03 01:12:14','',3607,'http://www.letsdrawpeople.com/wp-content/uploads/2017/07/silence-test-2a.mp3',0,'attachment','audio/mpeg',0),(3704,2,'2017-08-02 21:26:39','2017-08-03 04:26:39','[audio mp3=\"http://www.letsdrawpeople.com/wp-content/uploads/2017/07/silence-test-3.mp3\"][/audio]','silence test','','inherit','closed','closed','','3607-revision-v1','','','2017-08-02 21:26:39','2017-08-03 04:26:39','',3607,'http://www.letsdrawpeople.com/3607-revision-v1/',0,'revision','',0),(3702,2,'2017-08-02 18:12:20','2017-08-03 01:12:20','[audio mp3=\"http://www.letsdrawpeople.com/wp-content/uploads/2017/07/silence-test-2.mp3\"][/audio]\r\n\r\n \r\n\r\n[audio mp3=\"http://www.letsdrawpeople.com/wp-content/uploads/2017/07/silence-test-2a.mp3\"][/audio]','silence test','','inherit','closed','closed','','3607-revision-v1','','','2017-08-02 18:12:20','2017-08-03 01:12:20','',3607,'http://www.letsdrawpeople.com/3607-revision-v1/',0,'revision','',0),(3705,2,'2017-08-02 21:42:43','2017-08-03 04:42:43','\"silence test 4\".','silence test 4','','inherit','open','closed','','silence-test-4','','','2017-08-02 21:42:48','2017-08-03 04:42:48','',3607,'http://www.letsdrawpeople.com/wp-content/uploads/2017/07/silence-test-4.mp3',0,'attachment','audio/mpeg',0),(3706,2,'2017-08-02 21:42:59','2017-08-03 04:42:59','[audio mp3=\"http://www.letsdrawpeople.com/wp-content/uploads/2017/07/silence-test-4.mp3\"][/audio]','silence test','','inherit','closed','closed','','3607-revision-v1','','','2017-08-02 21:42:59','2017-08-03 04:42:59','',3607,'http://www.letsdrawpeople.com/3607-revision-v1/',0,'revision','',0),(3707,2,'2017-08-02 21:47:35','2017-08-03 04:47:35','\"silence test 5\".','silence test 5','','inherit','open','closed','','silence-test-5','','','2017-08-02 21:47:41','2017-08-03 04:47:41','',3607,'http://www.letsdrawpeople.com/wp-content/uploads/2017/07/silence-test-5.mp3',0,'attachment','audio/mpeg',0),(3709,2,'2017-08-03 23:14:50','2017-08-04 06:14:50','','silence test','','inherit','closed','closed','','3607-revision-v1','','','2017-08-03 23:14:50','2017-08-04 06:14:50','',3607,'http://www.letsdrawpeople.com/3607-revision-v1/',0,'revision','',0),(3708,2,'2017-08-02 21:47:56','2017-08-03 04:47:56','[audio mp3=\"http://www.letsdrawpeople.com/wp-content/uploads/2017/07/silence-test-4.mp3\"][/audio]\r\n\r\n \r\n\r\n[audio mp3=\"http://www.letsdrawpeople.com/wp-content/uploads/2017/07/silence-test-5.mp3\"][/audio]','silence test','','inherit','closed','closed','','3607-revision-v1','','','2017-08-02 21:47:56','2017-08-03 04:47:56','',3607,'http://www.letsdrawpeople.com/3607-revision-v1/',0,'revision','',0),(3710,2,'2017-08-05 11:26:51','2017-08-05 18:26:51','','helping-hands-01','Helping Hands - Part 1','inherit','open','closed','','helping-hands-01','','','2017-08-05 11:35:56','2017-08-05 18:35:56','',3592,'http://www.letsdrawpeople.com/wp-content/uploads/2017/06/helping-hands-01.jpg',0,'attachment','image/jpeg',0),(3711,2,'2017-08-05 11:27:05','2017-08-05 18:27:05','','helping-hands-02','Helping Hands - Part 2','inherit','open','closed','','helping-hands-02','','','2017-08-05 11:36:13','2017-08-05 18:36:13','',3592,'http://www.letsdrawpeople.com/wp-content/uploads/2017/06/helping-hands-02.jpg',0,'attachment','image/jpeg',0),(3712,2,'2017-08-05 11:27:19','2017-08-05 18:27:19','','helping-hands-03','Helping Hands - Part 3','inherit','open','closed','','helping-hands-03','','','2017-08-05 11:36:21','2017-08-05 18:36:21','',3592,'http://www.letsdrawpeople.com/wp-content/uploads/2017/06/helping-hands-03.jpg',0,'attachment','image/jpeg',0),(3713,2,'2017-08-05 11:27:45','2017-08-05 18:27:45','','helping-hands-04','Helping Hands - Part 4','inherit','open','closed','','helping-hands-04','','','2017-08-05 11:36:27','2017-08-05 18:36:27','',3592,'http://www.letsdrawpeople.com/wp-content/uploads/2017/06/helping-hands-04.jpg',0,'attachment','image/jpeg',0),(3714,2,'2017-08-05 11:30:09','2017-08-05 18:30:09','Welcome! Here you will find a collection of video series containing full-length, step-by-step tutorials for drawing people. Each series shows you every pencil stroke of a drawing from start to finish with thorough explanations.\r\n\r\nTo get the maximum benefit from this collection, choose a series to watch and draw along with me as I take you step-by-step through the entire drawing. Take your time and work at your own pace. Pause as needed, and pick up where you left off. There is so much to be learned by applying so much time and practice to a single drawing! After you finish one series, choose another series and do it all again!\r\n\r\nAlternatively, if you have certain trouble spots with portrait drawing in general, scan the images below and select one with features similar to what you are trying to achieve. Each image below is the final result of that stage of the drawing. Each video is accompanied with a description of what you can find covered in that video, so you should have no trouble finding the help you need.\r\n\r\nCome back here often. Videos will be added once a week, and the variety of subject matter will continue to expand!\r\n

Helping Hands

\r\nThis video series walks you through the steps of a realistic pencil drawing of two hands holding each other. We use the grid method with a light box and graphite pencils.\r\n\r\nTOTAL RUNNING TIME: TBD\r\n\r\n[gallery columns=\"4\" size=\"full\" ids=\"3710,3711,3712,3713\"]\r\n

\"Ann\"

\r\nThis video series shows you how to achieve a realistic graphite pencil portrait of a woman we call \"Ann\". We make use of the grid method with a light box and a mechanical pencil.\r\n\r\nTOTAL RUNNING TIME: 16 hours, 20 minutes\r\n\r\n[gallery size=\"full\" columns=\"4\" ids=\"3482,3560,3586,3589,3678,3680,3682,3684\"]','Full-Length Video Tutorials','','inherit','closed','closed','','3592-revision-v1','','','2017-08-05 11:30:09','2017-08-05 18:30:09','',3592,'http://www.letsdrawpeople.com/3592-revision-v1/',0,'revision','',0),(3715,2,'2017-08-11 02:18:34','2017-08-11 09:18:34','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic graphite drawing of helping hands from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3718\" align=\"aligncenter\" width=\"600\"]\"\"
© Jakub Krechowicz | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

Helping Hands Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n

Part 5

\r\n

Part 6

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \r\n
  • Apply a grid to the reference photograph.  04:47
    • \r\n
  • Prepare a grid for our drawing paper.  14:26
    • \r\n
  • Discuss copyright and proper use of the reference photograph.
    • \r\n
  • Briefly discuss switching between the reference photo and the video during the series.
    • \r\n
  • Discuss the materials we plan to use throughout the entire Helping Hands series.  21:00
    • \r\n
  • Draw the outline of the fingers of the right hand.
    • \r\n
  • Draw the outline of the fingers of the left hand.
    • \r\n
  • Complete the outline of the hands and arm.
    • \r\n
  • Draw the fingernails.
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','Helping Hands - Part 1','','future','open','closed','','helping-hands-part-1','','','2017-08-05 21:58:08','2017-08-06 04:58:08','',0,'http://www.letsdrawpeople.com/?p=3715',0,'post','',0),(3719,2,'2017-08-05 12:31:36','2017-08-05 19:31:36','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic graphite drawing of helping hands from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3718\" align=\"aligncenter\" width=\"600\"]\"\"
© Jakub Krechowicz | Dreamstime.com
[/caption]\r\n\r\n[one_half]\r\n

Helping Hands Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n

Part 5

\r\n

Part 6

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \r\n
  • Apply a grid to the reference photograph.  04:47
    • \r\n
  • Prepare a grid for our drawing paper.  14:26
    • \r\n
  • Discuss copyright and proper use of the reference photograph.\r\nBriefly discuss switching between the reference photo and the video during the series.
    • \r\n
  • \r\n
  • Discuss the materials we plan to use throughout the entire Helping Hands series.  21:00
    • \r\n
  • Make a line drawing of the eyes.  30:13
    • \r\n
  • Make a line drawing of the nose.  1:11:50
    • \r\n
  • Make a line drawing of the mouth.  1:24:45
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','Helping Hands - Part 1','','inherit','closed','closed','','3715-revision-v1','','','2017-08-05 12:31:36','2017-08-05 19:31:36','',3715,'http://www.letsdrawpeople.com/3715-revision-v1/',0,'revision','',0),(3718,2,'2017-08-05 11:59:09','2017-08-05 18:59:09','','helping-hands-post-ref','','inherit','open','closed','','helping-hands-post-ref','','','2017-08-05 11:59:09','2017-08-05 18:59:09','',3715,'http://www.letsdrawpeople.com/wp-content/uploads/2017/08/helping-hands-post-ref.jpg',0,'attachment','image/jpeg',0),(3717,2,'2017-08-05 11:57:33','2017-08-05 18:57:33','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic graphite drawing of helping hands from start to finish.

\r\n\"\"\r\n\r\n[one_half]\r\n

\"Ann\" Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1                   Part 5

\r\n

Part 2                    Part 6

\r\n

Part 3                    Part 7

\r\n

Part 4                    Part 8

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \r\n
  • Apply a grid to the reference photograph.  04:47
    • \r\n
  • Prepare a grid for our drawing paper.  14:26
    • \r\n
  • Discuss the materials we plan to use throughout the entire \"Ann\" series.  21:00
    • \r\n
  • Make a line drawing of the eyes.  30:13
    • \r\n
  • Make a line drawing of the nose.  1:11:50
    • \r\n
  • Make a line drawing of the mouth.  1:24:45
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','Helping Hands - Part 1','','inherit','closed','closed','','3715-revision-v1','','','2017-08-05 11:57:33','2017-08-05 18:57:33','',3715,'http://www.letsdrawpeople.com/3715-revision-v1/',0,'revision','',0),(3722,2,'2017-08-05 20:42:50','2017-08-06 03:42:50','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic graphite drawing of helping hands from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3718\" align=\"aligncenter\" width=\"600\"]\"\"
© Jakub Krechowicz | Dreamstime.com
[/caption]\r\n\r\n[one_half]\r\n

Helping Hands Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n

Part 5

\r\n

Part 6

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \r\n
  • Apply a grid to the reference photograph.  04:47
    • \r\n
  • Prepare a grid for our drawing paper.  14:26
    • \r\n
  • Discuss copyright and proper use of the reference photograph.
    • \r\n
  • Briefly discuss switching between the reference photo and the video during the series.
    • \r\n
  • Discuss the materials we plan to use throughout the entire Helping Hands series.  21:00
    • \r\n
  • Draw the outline of the fingers of the right hand.
    • \r\n
  • Draw the outline of the fingers of the left hand.
    • \r\n
  • Complete the outline of the hands and arm.
    • \r\n
  • Draw the fingernails.
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','Helping Hands - Part 1','','inherit','closed','closed','','3715-revision-v1','','','2017-08-05 20:42:50','2017-08-06 03:42:50','',3715,'http://www.letsdrawpeople.com/3715-revision-v1/',0,'revision','',0),(3720,2,'2017-08-05 14:18:34','2017-08-05 21:18:34','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic graphite drawing of helping hands from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3718\" align=\"aligncenter\" width=\"600\"]\"\"
© Jakub Krechowicz | Dreamstime.com
[/caption]\r\n\r\n[one_half]\r\n

Helping Hands Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n

Part 5

\r\n

Part 6

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \r\n
  • Apply a grid to the reference photograph.  04:47
    • \r\n
  • Prepare a grid for our drawing paper.  14:26
    • \r\n
  • Discuss copyright and proper use of the reference photograph.
    • \r\n
  • Briefly discuss switching between the reference photo and the video during the series.
    • \r\n
  • Discuss the materials we plan to use throughout the entire Helping Hands series.  21:00
    • \r\n
  • Draw the outline of the fingers of the right hand.
    • \r\n
  • Draw the outline of the fingers of the left hand.
    • \r\n
  • \r\n
  • Make a line drawing of the eyes.  30:13
    • \r\n
  • Make a line drawing of the nose.  1:11:50
    • \r\n
  • Make a line drawing of the mouth.  1:24:45
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','Helping Hands - Part 1','','inherit','closed','closed','','3715-revision-v1','','','2017-08-05 14:18:34','2017-08-05 21:18:34','',3715,'http://www.letsdrawpeople.com/3715-revision-v1/',0,'revision','',0),(3721,2,'2017-08-05 20:39:42','2017-08-06 03:39:42','
\n

Download Video

\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic graphite drawing of helping hands from start to finish.

\n\n\n[caption id=\"attachment_3718\" align=\"aligncenter\" width=\"600\"]\"\"
© Jakub Krechowicz | Dreamstime.com
[/caption]\n\n[one_half]\n

Helping Hands Video Series

\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\n

Part 1

\n

Part 2

\n

Part 3

\n

Part 4

\n

Part 5

\n

Part 6

\n \n\n[/one_half][one_half_last]\n\nIn this first video session of the series, we will:\n
    \n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \n
  • Apply a grid to the reference photograph.  04:47
    • \n
  • Prepare a grid for our drawing paper.  14:26
    • \n
  • Discuss copyright and proper use of the reference photograph.
    • \n
  • Briefly discuss switching between the reference photo and the video during the series.
    • \n
  • Discuss the materials we plan to use throughout the entire Helping Hands series.  21:00
    • \n
  • Draw the outline of the fingers of the right hand.
    • \n
  • Draw the outline of the fingers of the left hand.
    • \n
  • Complete the outline of the hands and arm.
    • \n
  • Draw the fingernails.
    • \n
\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\n\n[/one_half_last]\n

Materials and Resources

\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\n\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\n\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\n\n[one_half]Materials:\n\n[/one_half]\n\n[one_half_last]Resources:\n\n[/one_half_last]\n\n[/box]','Helping Hands - Part 1','','inherit','closed','closed','','3715-autosave-v1','','','2017-08-05 20:39:42','2017-08-06 03:39:42','',3715,'http://www.letsdrawpeople.com/3715-autosave-v1/',0,'revision','',0),(3723,2,'2017-08-05 20:44:53','2017-08-06 03:44:53','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic graphite drawing of helping hands from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3718\" align=\"aligncenter\" width=\"600\"]\"\"
© Jakub Krechowicz | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

Helping Hands Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n

Part 5

\r\n

Part 6

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this first video session of the series, we will:\r\n
    \r\n
  • Discuss selection and preparation of the reference photograph.  00:15
    • \r\n
  • Apply a grid to the reference photograph.  04:47
    • \r\n
  • Prepare a grid for our drawing paper.  14:26
    • \r\n
  • Discuss copyright and proper use of the reference photograph.
    • \r\n
  • Briefly discuss switching between the reference photo and the video during the series.
    • \r\n
  • Discuss the materials we plan to use throughout the entire Helping Hands series.  21:00
    • \r\n
  • Draw the outline of the fingers of the right hand.
    • \r\n
  • Draw the outline of the fingers of the left hand.
    • \r\n
  • Complete the outline of the hands and arm.
    • \r\n
  • Draw the fingernails.
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','Helping Hands - Part 1','','inherit','closed','closed','','3715-revision-v1','','','2017-08-05 20:44:53','2017-08-06 03:44:53','',3715,'http://www.letsdrawpeople.com/3715-revision-v1/',0,'revision','',0),(3724,2,'2017-08-18 02:30:16','2017-08-18 09:30:16','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic graphite drawing of helping hands from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3718\" align=\"aligncenter\" width=\"600\"]\"\"
© Jakub Krechowicz | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

Helping Hands Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n

Part 5

\r\n

Part 6

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this second video session of the series, we will:\r\n
    \r\n
  • Draw lines and value changes on the wrist and palm of the left hand.
    • \r\n
  • Draw line details on the fingers of the left hand.
    • \r\n
  • Add line details and value changes to the fingers and thumb of the right hand.
    • \r\n
  • Complete the line drawing with value changes on the arm.
    • \r\n
  • Discuss possible use of the grid beyond the line drawing stage.
    • \r\n
  • Add tones to the palm and wrist of the left hand.
    • \r\n
  • Add tones to the pinky and ring finger of the right hand.
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','Helping Hands - Part 2','','future','open','closed','','helping-hands-part-2','','','2017-08-05 21:57:58','2017-08-06 04:57:58','',0,'http://www.letsdrawpeople.com/?p=3724',0,'post','',0),(3725,2,'2017-08-05 21:30:16','2017-08-06 04:30:16','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic graphite drawing of helping hands from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3718\" align=\"aligncenter\" width=\"600\"]\"\"
© Jakub Krechowicz | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

Helping Hands Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n

Part 5

\r\n

Part 6

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this second video session of the series, we will:\r\n
    \r\n
  • Draw lines and value changes on the wrist and palm of the left hand.
    • \r\n
  • Draw line details on the fingers of the left hand.
    • \r\n
  • Add line details and value changes to the fingers and thumb of the right hand.
    • \r\n
  • Complete the line drawing with value changes on the arm.
    • \r\n
  • Discuss possible use of the grid beyond the line drawing stage.
    • \r\n
  • Add tones to the palm and wrist of the left hand.
    • \r\n
  • Add tones to the pinky and ring finger of the right hand.
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','Helping Hands - Part 2','','inherit','closed','closed','','3724-revision-v1','','','2017-08-05 21:30:16','2017-08-06 04:30:16','',3724,'http://www.letsdrawpeople.com/3724-revision-v1/',0,'revision','',0),(3726,2,'2017-08-25 02:37:56','2017-08-25 09:37:56','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic graphite drawing of helping hands from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3718\" align=\"aligncenter\" width=\"600\"]\"\"
© Jakub Krechowicz | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

Helping Hands Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n

Part 5

\r\n

Part 6

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this third video session of the series, we will:\r\n
    \r\n
  • Continue adding tones to the fingers of the right hand.
    • \r\n
  • Add tones to the fingers of the left hand.
    • \r\n
  • Add tones to the thumb of the right hand.
    • \r\n
  • Add tones to the right arm.
    • \r\n
  • Add tones to the background.
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','Helping Hands - Part 3','','future','open','closed','','helping-hands-part-3','','','2017-08-05 21:57:44','2017-08-06 04:57:44','',0,'http://www.letsdrawpeople.com/?p=3726',0,'post','',0),(3727,2,'2017-08-05 21:37:56','2017-08-06 04:37:56','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic graphite drawing of helping hands from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3718\" align=\"aligncenter\" width=\"600\"]\"\"
© Jakub Krechowicz | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

Helping Hands Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n

Part 5

\r\n

Part 6

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this third video session of the series, we will:\r\n
    \r\n
  • Continue adding tones to the fingers of the right hand.
    • \r\n
  • Add tones to the fingers of the left hand.
    • \r\n
  • Add tones to the thumb of the right hand.
    • \r\n
  • Add tones to the right arm.
    • \r\n
  • Add tones to the background.
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','Helping Hands - Part 3','','inherit','closed','closed','','3726-revision-v1','','','2017-08-05 21:37:56','2017-08-06 04:37:56','',3726,'http://www.letsdrawpeople.com/3726-revision-v1/',0,'revision','',0),(3728,2,'2017-09-01 02:41:31','2017-09-01 09:41:31','
\r\n

Download Video

\r\n

Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic graphite drawing of helping hands from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3718\" align=\"aligncenter\" width=\"600\"]\"\"
© Jakub Krechowicz | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

Helping Hands Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

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Part 1

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Part 2

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Part 3

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Part 4

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Part 5

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Part 6

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this fourth video session of the series, we will:\r\n
    \r\n
  • Blend the tones of the wrist, palm, and thumb of the left hand.
    • \r\n
  • Blend the tones of the fingers of the left hand.
    • \r\n
  • Blend the tones of the right hand.
    • \r\n
  • Blend the tones of the right arm.
    • \r\n
  • Blend the tones of the background.
    • \r\n
  • Layer details onto the wrist, palm, and thumb of the left hand.
    • \r\n
  • Add value to the background behind the left hand.
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','Helping Hands - Part 4','','future','open','closed','','helping-hands-part-4','','','2017-08-05 21:57:17','2017-08-06 04:57:17','',0,'http://www.letsdrawpeople.com/?p=3728',0,'post','',0),(3729,2,'2017-08-05 21:57:17','2017-08-06 04:57:17','
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Download Video

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Throughout this video series, watch and draw along with me as I take you step-by-step through a realistic graphite drawing of helping hands from start to finish.

\r\n\r\n\r\n[caption id=\"attachment_3718\" align=\"aligncenter\" width=\"600\"]\"\"
© Jakub Krechowicz | Dreamstime.com
[/caption]\r\n\r\n \r\n\r\n[one_half]\r\n

Helping Hands Video Series

\r\n

[divider style=\"solid\" top=\"20\" bottom=\"20\"]

\r\n

Part 1

\r\n

Part 2

\r\n

Part 3

\r\n

Part 4

\r\n

Part 5

\r\n

Part 6

\r\n \r\n\r\n[/one_half][one_half_last]\r\n\r\nIn this fourth video session of the series, we will:\r\n
    \r\n
  • Blend the tones of the wrist, palm, and thumb of the left hand.
    • \r\n
  • Blend the tones of the fingers of the left hand.
    • \r\n
  • Blend the tones of the right hand.
    • \r\n
  • Blend the tones of the right arm.
    • \r\n
  • Blend the tones of the background.
    • \r\n
  • Layer details onto the wrist, palm, and thumb of the left hand.
    • \r\n
  • Add value to the background behind the left hand.
    • \r\n
\r\nTip: Click on one of the times above, and then click the Play button to jump to that part of the video.\r\n\r\n[/one_half_last]\r\n

Materials and Resources

\r\nThe following materials and resources are introduced or used during this video session. If you do not have everything listed here, do not let that stop you from drawing! You can always get started with what you do have and improvise for what you don\'t have.\r\n\r\nWhen you are ready to get new materials and resources, feel free to make use of the links below. Some of the links below are affiliate links (meaning I will get a tiny commission if you purchase). Another option is to just pick them up at your local art supply store or other applicable retail store.\r\n\r\n[box type=\"info\" align=\"aligncenter\" class=\"\" width=\"\"]\r\n\r\n[one_half]Materials:\r\n\r\n[/one_half]\r\n\r\n[one_half_last]Resources:\r\n\r\n[/one_half_last]\r\n\r\n[/box]','Helping Hands - Part 4','','inherit','closed','closed','','3728-revision-v1','','','2017-08-05 21:57:17','2017-08-06 04:57:17','',3728,'http://www.letsdrawpeople.com/3728-revision-v1/',0,'revision','',0),(3730,2,'2017-08-05 22:15:51','2017-08-06 05:15:51','','Ann-series','','inherit','open','closed','','ann-series','','','2017-08-05 22:15:51','2017-08-06 05:15:51','',3592,'http://www.letsdrawpeople.com/wp-content/uploads/2017/06/Ann-series.jpg',0,'attachment','image/jpeg',0),(3731,2,'2017-08-05 22:20:25','2017-08-06 05:20:25','Welcome! Here you will find a collection of video series containing full-length, step-by-step tutorials for drawing people. Each series shows you every pencil stroke of a drawing from start to finish with thorough explanations.\r\n\r\nTo get the maximum benefit from this collection, choose a series to watch and draw along with me as I take you step-by-step through the entire drawing. Take your time and work at your own pace. Pause as needed, and pick up where you left off. There is so much to be learned by applying so much time and practice to a single drawing! After you finish one series, choose another series and do it all again!\r\n\r\nAlternatively, if you have certain trouble spots with portrait drawing in general, scan the images below and select one with features similar to what you are trying to achieve. Each image below is the final result of that stage of the drawing. Each video is accompanied with a description of what you can find covered in that video, so you should have no trouble finding the help you need.\r\n\r\nCome back here often. Videos will be added once a week, and the variety of subject matter will continue to expand!\r\n

Helping Hands

\r\nThis video series walks you through the steps of a realistic pencil drawing of two hands holding each other. We use the grid method with a light box and graphite pencils.\r\n\r\nTOTAL RUNNING TIME: TBD\r\n\r\n[gallery columns=\"4\" size=\"full\" ids=\"3710,3711,3712,3713\"]\r\n\r\n\"\"\r\n

\"Ann\"

\r\nThis video series shows you how to achieve a realistic graphite pencil portrait of a woman we call \"Ann\". We make use of the grid method with a light box and a mechanical pencil.\r\n\r\nTOTAL RUNNING TIME: 16 hours, 20 minutes\r\n\r\n[gallery size=\"full\" columns=\"4\" ids=\"3482,3560,3586,3589,3678,3680,3682,3684\"]','Full-Length Video Tutorials','','inherit','closed','closed','','3592-revision-v1','','','2017-08-05 22:20:25','2017-08-06 05:20:25','',3592,'http://www.letsdrawpeople.com/3592-revision-v1/',0,'revision','',0),(3732,2,'2017-08-05 22:25:21','2017-08-06 05:25:21','Welcome! Here you will find a collection of video series containing full-length, step-by-step tutorials for drawing people. Each series shows you every pencil stroke of a drawing from start to finish with thorough explanations.\r\n\r\nTo get the maximum benefit from this collection, choose a series to watch and draw along with me as I take you step-by-step through the entire drawing. Take your time and work at your own pace. Pause as needed, and pick up where you left off. There is so much to be learned by applying so much time and practice to a single drawing! After you finish one series, choose another series and do it all again!\r\n\r\nAlternatively, if you have certain trouble spots with portrait drawing in general, scan the images below and select one with features similar to what you are trying to achieve. Each image below is the final result of that stage of the drawing. Each video is accompanied with a description of what you can find covered in that video, so you should have no trouble finding the help you need.\r\n\r\nCome back here often. Videos will be added once a week, and the variety of subject matter will continue to expand!\r\n\r\n[divider style=\"solid\" top=\"20\" bottom=\"20\"]\r\n

Helping Hands

\r\nThis video series walks you through the steps of a realistic pencil drawing of two hands holding each other. We use the grid method with a light box and graphite pencils.\r\n\r\nTOTAL RUNNING TIME: TBD\r\n\r\n[gallery columns=\"4\" size=\"full\" ids=\"3710,3711,3712,3713\"]\r\n\r\n[divider style=\"solid\" top=\"20\" bottom=\"20\"]\r\n\r\n\"\"\r\n

\"Ann\"

\r\nThis video series shows you how to achieve a realistic graphite pencil portrait of a woman we call \"Ann\". We make use of the grid method with a light box and a mechanical pencil.\r\n\r\nTOTAL RUNNING TIME: 16 hours, 20 minutes\r\n\r\n[gallery size=\"full\" columns=\"4\" ids=\"3482,3560,3586,3589,3678,3680,3682,3684\"]','Full-Length Video Tutorials','','inherit','closed','closed','','3592-revision-v1','','','2017-08-05 22:25:21','2017-08-06 05:25:21','',3592,'http://www.letsdrawpeople.com/3592-revision-v1/',0,'revision','',0),(3733,2,'2017-08-06 19:50:43','2017-08-07 02:50:43','Let\'s Draw People Club\r\n\r\nIf you\'ve been exploring how to draw people in a realistic way, on your own and feel ready to tackle those big challenges that have been keeping you stuck, joining Let\'s Draw People Club will give you 100 smart, conscious, aligned friends who will support, encourage, and hold you accountable for an entire year. The catch is that you\'ll have to do the same for them.\r\n\r\nOverview\r\n\r\nConscious Growth Club (CGC) is a one-year online group coaching program and social support system for conscious, growth-oriented people. It includes online video courses on a variety of personal growth topics, live video coaching calls with Q&A, and a private discussion group where members can connect online.\r\n\r\nThe purpose of CGC is to help you make faster progress on your path of personal growth. The core focus is to work together to transform members\' lives for the better – and to do this across a wide spectrum of areas, including work, relationships, income generation, health, productivity, skill building, and more.\r\n\r\nSince we\'ll have a whole year together, there isn\'t one singular transformation this program will target. Rather we\'ll focus on creating the conditions that stimulate and support many types of transformation – with structured content, direct coaching, and strong community interaction.\r\n\r\nImagine having a growth-oriented community helping you achieve your goals and implement your ideas, checking in to see how you\'re doing, offering help, and giving you compassionate and encouraging feedback at each step along the way.\r\n\r\nCore Transformations\r\n\r\nHere are the most requested core transformations that we\'ll work on together throughout the year:\r\n
    \r\n
  • Replacing distraction with focus
    • \r\n
  • Turning confusion into clarity
    • \r\n
  • Adopting the habitsof your best self
    • \r\n
  • Shifting from scarcity to abundance
    • \r\n
  • Enjoying fulfilling work
    • \r\n
  • Building a strong character
    • \r\n
  • Finding a tribe of smart, conscious friends
    • \r\n
  • Moving from stressed/numb to centered
    • \r\n
  • Replacing doubt with trust
    • \r\n
  • Building and honing valuable skills
    • \r\n
  • Waking up your spirit
    • \r\n
\r\nWho Is Let\'s Draw People Club for?\r\n\r\nYou\'re a good match for Let\'s Draw People Club if the following is true for you:\r\n
    \r\n
  • You want to grow and improve holistically, not just in a single area of your life but in multiple areas, although it\'s totally fine if there\'s one big area you want to work on more than the others.
    • \r\n
  • You want to enjoy good health and energy and take good care of your body.
    • \r\n
  • You want to cultivate a sharper, stronger, smarter mind.
    • \r\n
  • You\'re willing to help support, nurture, and share feedback with the other members as they work on their goals, challenges, explorations, etc.
    • \r\n
  • You see the value in having strong social support from a group of like-minded friends that you can bond with.
    • \r\n
  • You want to enjoy positive and supportive relationships with people who genuinely care about you (not just in CGC but in the rest of your life too).
    • \r\n
  • You\'re willing to give and receive honest feedback, while you maintain the freedom and autonomy to decide how to use the feedback you receive.
    • \r\n
  • You\'re willing to share some of your successes and your mistakes during the year, so others can learn from you, celebrate with you, and help you learn and improve.
    • \r\n
  • You seek or have already found a sense of purpose in your life.
    • \r\n
  • You want to create positive ripples in the world.
    • \r\n
  • You want to be happy and enjoy your life.
    • \r\n
  • You\'d appreciate a whole-brain program that values logic and intuition, planning and spontaneity, and left- and right-brain thinking.
    • \r\n
  • You feel ready – perhaps even eager – to invite new perspectives, skills, experiences, and results.
    • \r\n
  • You want to become stronger in your character and more capable as a human being.
    • \r\n
  • You want your social life to be filled with conscious, growth-oriented, abundance-minded friends – friends who will keep you from settling.
    • \r\n
  • You want to see this group succeed, and you believe that it has the potential to do a lot of good for its members and for those whose lives they touch.
    • \r\n
  • You want to interact with me more closely, including getting my personal feedback and advice from time to time.
    • \r\n
\r\nIf you can see yourself in most, if not all, of the items above, CGC is a match for you.\r\n\r\nI\'d say that most current CGC members fit at least one of these categories:\r\n
    \r\n
  • People who have issues with procrastination, drifting, or lack of focus and want more action and accountabilityto get out of complacency and stretch themselves – They want the program to have a good backbone of structure and an emphasis on disciplined action.
    • \r\n
  • People who want more growth-oriented friendsand a stronger social circle – They crave a more empowering social life with people they like and respect, often seeing that as the key ingredient that will uplift and inspire them.
    • \r\n
  • People who want to make a difference in the world and create positive ripples– These people are especially purpose-driven and want to be inspired by other purpose-driven people, so we can all change the world for the better.
    • \r\n
  • People who are already very growth-oriented and ambitious and want to achieve bigger goals– They want to feel stimulated by equally ambitious people and are eager to assimilate new ideas, overcome challenges, and make faster progress.
    • \r\n
  • People who want direct advicefrom me personally – Some have been reading my blog for years and feel a strong personal connection to me because of that relationship, so for them it\'s important to be able to talk to me directly on the coaching calls and/or interact with me in the discussion group.
    • \r\n
\r\nIf you\'ve been reading my blog for a while, you\'re not a normal person. I mean that as a compliment. What you may not realize is that there are a lot of other people out there who think the way you do. The people who read my blog tend to have a lot in common with each other, much more than you\'d expect. If you\'ve never connected with a group of people who are a lot like you, you\'re in for a real treat in CGC.\r\n\r\nProgram Elements\r\n\r\nVideo Courses\r\n\r\nWe\'ll have training modules in a membership area on a variety of personal growth topics, developed and released throughout the year. Each module will include video, audio, and text transcripts with the same material, so you can digest the lessons in whichever format you prefer. You can stream the video and audio directly to your favorite device, or you can download and save the content for later.\r\n\r\nWhat\'s special about CGC is that the course materials are specifically designed for the benefit of our members. So this gets pretty close to having courses that are designed just for you.\r\n\r\nHere are some course ideas that Early Access members have suggested thus far:\r\n
    \r\n
  • Passive income
    • \r\n
  • Creating value online
    • \r\n
  • Self-discipline
    • \r\n
  • Personal growth accelerators (Truth, Love, Power)
    • \r\n
  • Intelligent goal setting and prioritization
    • \r\n
  • Achieving multiple goals across different areas of life
    • \r\n
  • Achieving stretch goals
    • \r\n
  • Taking action consistently (especially in the face of adversity)
    • \r\n
  • Building and applying courage
    • \r\n
  • Overcoming limiting beliefs and negative mental scripts
    • \r\n
  • Being more playful with life and personal growth
    • \r\n
  • Health detox / mental health
    • \r\n
  • Going vegan
    • \r\n
  • Raw foods
    • \r\n
  • Overcoming perfectionism
    • \r\n
  • Creating and living your story
    • \r\n
  • Subjective reality
    • \r\n
  • Passionately applying your talents
    • \r\n
  • Lifestyle design
    • \r\n
  • Changing your attitude / perspective (gratitude, abundance, etc)
    • \r\n
  • Habit change
    • \r\n
  • Life balance (especially learning vs. applying knowledge and skills)
    • \r\n
  • Uncovering your blind spots
    • \r\n
  • Manifesting and abundance
    • \r\n
  • Attracting compatible relationship partners
    • \r\n
  • Creating and enjoying deep relationships
    • \r\n
  • Productivity, energy, and focus
    • \r\n
  • Aligning income streams with your purpose, character, and lifestyle desires
    • \r\n
  • Building mental toughness / strength
    • \r\n
\r\nLive Coaching Calls\r\n\r\nWe\'ll have live 90-minute group coaching calls where you can ask questions, get feedback on ideas, and get help solving problems. These calls will be held multiple times per month (about 40-45 calls during the year).\r\n\r\nThese calls will be in streaming video format, just like a webinar. You can access the calls on whichever device you like. You\'ll be able to see me via my webcam, and I can also do screen sharing as needed for demonstrations.\r\n\r\nOn these calls you can talk about solving problems, figuring out decisions, or dealing with challenges in your life.You can also ask for extra emotional support when you need it. Any area of life you want help with is fair game.\r\n\r\nWe can also bring in guest experts for extra coaching, interviews, and live Q&A. I have many friends who are authors, trainers, speakers, coaches, and entrepreneurs, and I\'m sure many of them would be happy to contribute. Some of them also owe me favors. ?\r\n\r\nRecordings\r\n\r\nAll coaching calls will be recorded and available for streaming or download in video and audio formats. So it\'s okay if you miss some or all of the live calls because you\'ll be able to access the recordings whenever you want.\r\n\r\nMembers-only Discussion Forums\r\n\r\nYou\'ll have access to our private discussion forums where you can communicate freely with the other CGC members as much as you desire.\r\n\r\nThe forums are where CGC members connect, collaborate, share ideas, give feedback, help hold each other accountable, and encourage the heck out of each other. You\'ll find it to be an immensely positive and supportive environment with lots of people you can turn to for help navigating your personal growth challenges.\r\n\r\nOur forums run Discourse, which is very modern forum software that\'s fast to learn, uncluttered, and easy to use. Our forums are ad-free as well.\r\n\r\nThe CGC forums are already active with dozens of Early Access members who\'ve posted thousands of messages so far, so there\'s a vibrant community for you to connect with right away.\r\n\r\nNewsletter\r\n\r\nCGC includes a weekly email newsletter to share updates, highlights, and reminders. You\'ll also be notified when new course modules are added.\r\n\r\nDeep Dives and Challenges\r\n\r\nThroughout the year we\'ll do some deep dives together such as 30-day challenges to build new habits, gain skills, or complete creative projects.\r\n\r\nEach deep dive is an invitation for members who want to work on a certain type of challenge together, supporting each other as we go along. You can do them with the group, you can do them on your own later by using the recordings, or you can decline them if they don\'t fit your schedule or interests.\r\n\r\nAction and Accountability\r\n\r\nIn the CGC forums we have a Progress & Accountability category where members share progress logs for their goals and invite more accountability for taking action on their goals and projects. I maintain a progress log there as well, sharing updates on CGC\'s continued development.\r\n\r\nYou can also use this category to find accountability partners for your goals, so you don\'t have to go it alone.\r\n\r\nSelf Pacing\r\n\r\nFor all aspects of CGC, you go at your own pacing. Nothing is mandatory.\r\n\r\nYou can work through the training modules in whichever order you like, at any pace you desire. You can attend the coaching calls live, or you can listen to the recordings later. You can use the discussion group as much or as little as you like. All of the challenges are optional. You can do them with us, on your own later, or not at all.\r\n\r\nCGC is your personal growth playground. It will fit your schedule because it\'s designed to be flexible. You can access it whenever you want, as much as you want. You can work according to your own cycles and rhythms. If you like going at a steady pace throughout the year, great. If you prefer bursting into activity like a maniac for a few weeks and then going at a slower pace while you recharge, also great. You can take breaks whenever you want. This is a key advantage of a one-year program. There is no forced pacing.\r\n\r\nYou\'re free to choose which specific transformations you want to focus on at any given time. Do you want to work towards leaving your job and starting an online business? Would you like to add new income streams? Do you want to improve your health? Would you like to enrich your social life? Are you facing a potential separation or divorce that needs to be resolved? We\'ll help you set priorities for what you want to improve during our year together.\r\n\r\nIf you want to be pushed, held accountable, and nudged out of your complacency, we\'ll help you get your ass in gear. If you need to be nurtured, accepted, and understood, we\'ll shower you with unconditional love. If you need to heal, we\'ll help you heal.\r\n\r\nA major goal of CGC is to help you get good at holistic transformation, so you can continue creating the life you desire, regardless of the future challenges you may face.\r\n\r\nPricing\r\n\r\nYour investment for a full year of membership in Conscious Growth Club is $1997.\r\n\r\nYou can pay for your membership up front with a single payment, or you can choose a payment plan. The payment plan is 8 payments of $297, spaced a month apart. So that\'s 1 payment of $297 when you sign up and then 7 more monthly payments of $297 after that. Whether you opt for the one-pay or the payment plan, it\'s still a one-year membership.\r\n\r\nIt\'s important for us to create a strong feeling of investment from the members, so everyone in the group has some real skin in the game. As with any type of coaching or club, active participation means results.\r\n\r\nYour CGC membership will last for a whole year, so you\'ll have many opportunities and lots of time to extract good value for your investment.\r\n\r\nI can tell you from experience that when you join this group, you\'re going to grow in many ways that you would not have predicted in advance. Some of your expected improvements will surely happen too, but be prepared for surprises. When we expose ourselves to such intense transformational energy, it changes us in ways we wouldn\'t even have thought to ask for. I get changed by this energy too.\r\n\r\nMoney-Back Guarantee\r\n\r\nIf you join CGC and decide for whatever reason that the group isn\'t a match for you, just request a refund within the first 30 days of your membership, and we\'ll refund your money.\r\n\r\nEarly Access – Now Open\r\n\r\nI expect to do the official launch of CGC in Summer 2017. However, enthusiasm about CGC has been so high that many people have inquired about the possibility of joining sooner, even while the program is still in development, so I\'ve added an Early Access option that has already proven very popular, with dozens of people joining in just the first week and more still signing up each day.\r\n\r\nHere\'s how CGC Early Access works:\r\n
    \r\n
  • No extra cost- If you want Early Access to CGC, you still pay the same price when you join, but your one-year membership doesn\'t start counting down until we do the official launch in the summer. So the whole Early Access period is bonus time added to the front of your membership for no extra cost. Hence the sooner you join, the more free bonus time you get.
    • \r\n
  • Access to the forums- Our discussion forums are already up and running with dozens of active Early Access members, so you\'ll get access to the forums when you sign up.
    • \r\n
  • Earliest possible access to CGC courses- As we develop the CGC courses, you\'ll be able to access each piece as soon as it\'s available.
    • \r\n
  • Extra coaching calls- As an Early Access member, you\'ll be able to participate in extra coaching calls that we host during the Early Access period.
    • \r\n
  • Extended money-back guarantee- For Early Access members, I\'m extending the money-back guarantee from the time of sign-up until the end of the official launch window, plus another 30 days. That way you\'re still getting the same 30-day guarantee as anyone else who enrolls during the official launch, and your guarantee spans the entire Early Access period too.
    • \r\n
\r\nJoin Conscious Growth Club – Early Access\r\n\r\nIf you wish to join Conscious Growth Club during the Early Access period and get started right away, you can sign up right here:\r\n\r\nPay in Full\r\n\r\n$1997\r\n
    \r\n
  • One payment of $1997 – Pay in full today, and save $379 compared to the payment plan
    • \r\n
  • Membership:One full year of CGC membership
    • \r\n
  • Early Access Bonus:Early Access period added to the beginning for free
    • \r\n
  • Courses:Members-only video training courses on a variety of personal growth topics (with audio and text formats available too)
    • \r\n
  • Coaching:90-minute video coaching calls 3-4 times per month (with recordings posted after the calls)
    • \r\n
  • Forums:Private discussion group to connect with Steve and other CGC members for support, accountability, and friendship
    • \r\n
  • Deep Dives:Opportunities to participate in frequent deep dives such as 30-day trials to build new habits, gain skills, and complete creative projects
    • \r\n
  • Newsletter:Weekly members-only newsletter to share updates, highlights, and reminders
    • \r\n
  • Guarantee:100% money-back guarantee during the entire early access period + 30 more days
    • \r\n
\r\nJoin now – Pay in Full\r\n\r\n \r\n\r\nPayment Plan\r\n\r\n8 payments of $297\r\n
    \r\n
  • One payment of $297 today, and then 7 more monthly payments of $297
    • \r\n
  • Membership:One full year of CGC membership
    • \r\n
  • Early Access Bonus:Early Access period added to the beginning for free
    • \r\n
  • Courses:Members-only video training courses on a variety of personal growth topics (with audio and text formats available too)
    • \r\n
  • Coaching:90-minute video coaching calls 3-4 times per month (with recordings posted after the calls)
    • \r\n
  • Forums:Private discussion group to connect with Steve and other CGC members for support, accountability, and friendship
    • \r\n
  • Deep Dives:Opportunities to participate in frequent deep dives such as 30-day trials to build new habits, gain skills, and complete creative projects
    • \r\n
  • Newsletter:Weekly members-only newsletter to share updates, highlights, and reminders
    • \r\n
  • Guarantee:100% money-back guarantee during the entire early access period + 30 more days
    • \r\n
\r\nJoin now – Payment Plan\r\n\r\n \r\n

Need Help?

\r\nIf you have any questions about Conscious Growth Club or if you need help joining, please send a message through the contact form.','Let\'s Draw People Club','','inherit','closed','closed','','3518-revision-v1','','','2017-08-06 19:50:43','2017-08-07 02:50:43','',3518,'http://www.letsdrawpeople.com/3518-revision-v1/',0,'revision','',0),(3734,2,'2017-08-07 11:17:56','2017-08-07 18:17:56','Let\'s Draw People Club\r\n\r\nIf you\'ve been exploring how to draw people in a realistic way, on your own and feel ready to tackle those big challenges that have been keeping you stuck, joining Let\'s Draw People Club will give you 100 smart, conscious, aligned friends who will support, encourage, and hold you accountable for an entire year. The catch is that you\'ll have to do the same for them.\r\n\r\nOverview\r\n\r\nConscious Growth Club (CGC) is a one-year online group coaching program and social support system for conscious, growth-oriented people. It includes online video courses on a variety of personal growth topics, live video coaching calls with Q&A, and a private discussion group where members can connect online.\r\n\r\nThe purpose of CGC is to help you make faster progress on your path of personal growth. The core focus is to work together to transform members\' lives for the better – and to do this across a wide spectrum of areas, including work, relationships, income generation, health, productivity, skill building, and more.\r\n\r\nSince we\'ll have a whole year together, there isn\'t one singular transformation this program will target. Rather we\'ll focus on creating the conditions that stimulate and support many types of transformation – with structured content, direct coaching, and strong community interaction.\r\n\r\nImagine having a growth-oriented community helping you achieve your goals and implement your ideas, checking in to see how you\'re doing, offering help, and giving you compassionate and encouraging feedback at each step along the way.\r\n\r\nCore Transformations\r\n\r\nHere are the most requested core transformations that we\'ll work on together throughout the year:\r\n
    \r\n
  • Replacing distraction with focus
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  • Turning confusion into clarity
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  • Adopting the habitsof your best self
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  • Shifting from scarcity to abundance
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  • Enjoying fulfilling work
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  • Building a strong character
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  • Finding a tribe of smart, conscious friends
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  • Moving from stressed/numb to centered
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  • Replacing doubt with trust
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  • Building and honing valuable skills
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  • Waking up your spirit
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\r\nWho Is Let\'s Draw People Club for?\r\n\r\nYou\'re a good match for Let\'s Draw People Club if the following is true for you:\r\n
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  • You want to grow and improve holistically, not just in a single area of your life but in multiple areas, although it\'s totally fine if there\'s one big area you want to work on more than the others.
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  • You want to enjoy good health and energy and take good care of your body.
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  • You want to cultivate a sharper, stronger, smarter mind.
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  • You\'re willing to help support, nurture, and share feedback with the other members as they work on their goals, challenges, explorations, etc.
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  • You see the value in having strong social support from a group of like-minded friends that you can bond with.
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  • You want to enjoy positive and supportive relationships with people who genuinely care about you (not just in CGC but in the rest of your life too).
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  • You\'re willing to give and receive honest feedback, while you maintain the freedom and autonomy to decide how to use the feedback you receive.
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  • You\'re willing to share some of your successes and your mistakes during the year, so others can learn from you, celebrate with you, and help you learn and improve.
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  • You seek or have already found a sense of purpose in your life.
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  • You want to create positive ripples in the world.
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  • You want to be happy and enjoy your life.
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  • You\'d appreciate a whole-brain program that values logic and intuition, planning and spontaneity, and left- and right-brain thinking.
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  • You feel ready – perhaps even eager – to invite new perspectives, skills, experiences, and results.
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  • You want to become stronger in your character and more capable as a human being.
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  • You want your social life to be filled with conscious, growth-oriented, abundance-minded friends – friends who will keep you from settling.
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  • You want to see this group succeed, and you believe that it has the potential to do a lot of good for its members and for those whose lives they touch.
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  • You want to interact with me more closely, including getting my personal feedback and advice from time to time.
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\r\nIf you can see yourself in most, if not all, of the items above, CGC is a match for you.\r\n\r\nI\'d say that most current CGC members fit at least one of these categories:\r\n
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  • People who have issues with procrastination, drifting, or lack of focus and want more action and accountabilityto get out of complacency and stretch themselves – They want the program to have a good backbone of structure and an emphasis on disciplined action.
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  • People who want more growth-oriented friendsand a stronger social circle – They crave a more empowering social life with people they like and respect, often seeing that as the key ingredient that will uplift and inspire them.
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  • People who want to make a difference in the world and create positive ripples– These people are especially purpose-driven and want to be inspired by other purpose-driven people, so we can all change the world for the better.
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  • People who are already very growth-oriented and ambitious and want to achieve bigger goals– They want to feel stimulated by equally ambitious people and are eager to assimilate new ideas, overcome challenges, and make faster progress.
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  • People who want direct advicefrom me personally – Some have been reading my blog for years and feel a strong personal connection to me because of that relationship, so for them it\'s important to be able to talk to me directly on the coaching calls and/or interact with me in the discussion group.
    • \r\n
\r\nIf you\'ve been reading my blog for a while, you\'re not a normal person. I mean that as a compliment. What you may not realize is that there are a lot of other people out there who think the way you do. The people who read my blog tend to have a lot in common with each other, much more than you\'d expect. If you\'ve never connected with a group of people who are a lot like you, you\'re in for a real treat in CGC.\r\n\r\nProgram Elements\r\n\r\nVideo Courses\r\n\r\nWe\'ll have training modules in a membership area on a variety of personal growth topics, developed and released throughout the year. Each module will include video, audio, and text transcripts with the same material, so you can digest the lessons in whichever format you prefer. You can stream the video and audio directly to your favorite device, or you can download and save the content for later.\r\n\r\nWhat\'s special about CGC is that the course materials are specifically designed for the benefit of our members. So this gets pretty close to having courses that are designed just for you.\r\n\r\nHere are some course ideas that Early Access members have suggested thus far:\r\n
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  • Passive income
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  • Creating value online
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  • Self-discipline
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  • Personal growth accelerators (Truth, Love, Power)
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  • Intelligent goal setting and prioritization
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  • Achieving multiple goals across different areas of life
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  • Achieving stretch goals
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  • Taking action consistently (especially in the face of adversity)
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  • Building and applying courage
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  • Overcoming limiting beliefs and negative mental scripts
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  • Being more playful with life and personal growth
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  • Health detox / mental health
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  • Going vegan
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  • Raw foods
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  • Overcoming perfectionism
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  • Creating and living your story
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  • Subjective reality
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  • Passionately applying your talents
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  • Lifestyle design
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  • Changing your attitude / perspective (gratitude, abundance, etc)
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  • Habit change
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  • Life balance (especially learning vs. applying knowledge and skills)
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  • Uncovering your blind spots
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  • Manifesting and abundance
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  • Attracting compatible relationship partners
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  • Creating and enjoying deep relationships
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  • Productivity, energy, and focus
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  • Aligning income streams with your purpose, character, and lifestyle desires
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  • Building mental toughness / strength
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\r\nassignments\r\n\r\nFull-Length Video Tutorials\r\n\r\nWe\'ll have live 90-minute group coaching calls where you can ask questions, get feedback on ideas, and get help solving problems. These calls will be held multiple times per month (about 40-45 calls during the year).\r\n\r\nThese calls will be in streaming video format, just like a webinar. You can access the calls on whichever device you like. You\'ll be able to see me via my webcam, and I can also do screen sharing as needed for demonstrations.\r\n\r\nOn these calls you can talk about solving problems, figuring out decisions, or dealing with challenges in your life.You can also ask for extra emotional support when you need it. Any area of life you want help with is fair game.\r\n\r\nWe can also bring in guest experts for extra coaching, interviews, and live Q&A. I have many friends who are authors, trainers, speakers, coaches, and entrepreneurs, and I\'m sure many of them would be happy to contribute. Some of them also owe me favors. ?\r\n\r\nRecordings\r\n\r\nAll coaching calls will be recorded and available for streaming or download in video and audio formats. So it\'s okay if you miss some or all of the live calls because you\'ll be able to access the recordings whenever you want.\r\n\r\nEach recorded video will be available for streaming or download. access the recordings whenever you want\r\n\r\nAs a member of the Let\'s Draw People Club, you will have access to a growing collection of full-length video tutorials. Videos are organized by series, and each series focuses on one reference photograph as it\'s subject. Once per week, I will release a new recording of\r\n\r\nstep-by-step every pencil stroke thorough explanations of what i\'m doing and why i\'m doing it\r\n\r\naverage duration of each video is approximately 2 hours\r\n\r\ndesigned for you to draw right along with me or to use as a resource when you need specific help drawing a particular feature or using a certain technique\r\n\r\ndraw along with me at your own pace. pause, back up, or skip ahead when you need to. if you watch and draw a completed 6-week series, you get to decide if you want to complete the drawing in 6 weeks, 12 weeks, or 1 week.\r\n\r\nfull access to downloadable, high-resolution reference photographs, grids I use for each series, and even reference photos with grids already in place. for each drawing series that uses the grid method, I also teach you my step-by-step method for setting up the grid for that drawing, so you will gain the knowledge to apply the same techniques to any future reference photograph and drawing you may choose to do on your own\r\n\r\neach video is accompanied with a sequenced list of what is discussed or demonstrated, along with what time the topic starts in the video. furthermore, you can click on the time and go straight to that part of the video to find precisely the help you need\r\n\r\nonce one series is complete, the next video begins a new series with a new reference photograph\r\n\r\ncurrently in the Full-Length Video Tutorials area of the membership, there are 3 complete series and 16 high-definition videos totaling over 32 hours of instruction and demonstration!\r\n\r\nMembers-only Discussion Forums\r\n\r\nYou\'ll have access to our private discussion forums where you can communicate freely with the other CGC members as much as you desire.\r\n\r\nThe forums are where CGC members connect, collaborate, share ideas, give feedback, help hold each other accountable, and encourage the heck out of each other. You\'ll find it to be an immensely positive and supportive environment with lots of people you can turn to for help navigating your personal growth challenges.\r\n\r\nhelp hold each other accountable with course assignments, drawings from course Draw-with-Me lessons, drawings from Full-Length Video Tutorial video series\r\n\r\nOur forums run Discourse, which is very modern forum software that\'s fast to learn, uncluttered, and easy to use. Our forums are ad-free as well.\r\n\r\nThe CGC forums are already active with dozens of Early Access members who\'ve posted thousands of messages so far, so there\'s a vibrant community for you to connect with right away.\r\n\r\nNewsletter\r\n\r\nCGC includes a weekly email newsletter to share updates, highlights, and reminders. You\'ll also be notified when new course modules are added.\r\n\r\nnotification of new full-length videos, new drawing courses, winners for the Gallery Giveaways\r\n\r\nDeep Dives and Challenges\r\n\r\nThroughout the year we\'ll do some deep dives together such as 30-day challenges to build new habits, gain skills, or complete creative projects.\r\n\r\nEach deep dive is an invitation for members who want to work on a certain type of challenge together, supporting each other as we go along. You can do them with the group, you can do them on your own later by using the recordings, or you can decline them if they don\'t fit your schedule or interests.\r\n\r\nGallery Giveaways\r\n\r\nIncentives to help motivate and create engagement.\r\n\r\nAction and Accountability\r\n\r\nIn the CGC forums we have a Progress & Accountability category where members share progress logs for their goals and invite more accountability for taking action on their goals and projects. I maintain a progress log there as well, sharing updates on CGC\'s continued development.\r\n\r\nYou can also use this category to find accountability partners for your goals, so you don\'t have to go it alone.\r\n\r\nSelf Pacing\r\n\r\nFor all aspects of CGC, you go at your own pacing. Nothing is mandatory.\r\n\r\nYou can work through the training modules in whichever order you like, at any pace you desire. You can attend the coaching calls live, or you can listen to the recordings later. You can use the discussion group as much or as little as you like. All of the challenges are optional. You can do them with us, on your own later, or not at all.\r\n\r\nCGC is your personal growth playground. It will fit your schedule because it\'s designed to be flexible. You can access it whenever you want, as much as you want. You can work according to your own cycles and rhythms. If you like going at a steady pace throughout the year, great. If you prefer bursting into activity like a maniac for a few weeks and then going at a slower pace while you recharge, also great. You can take breaks whenever you want. This is a key advantage of a one-year program. There is no forced pacing.\r\n\r\nYou\'re free to choose which specific transformations you want to focus on at any given time. Do you want to work towards leaving your job and starting an online business? Would you like to add new income streams? Do you want to improve your health? Would you like to enrich your social life? Are you facing a potential separation or divorce that needs to be resolved? We\'ll help you set priorities for what you want to improve during our year together.\r\n\r\nIf you want to be pushed, held accountable, and nudged out of your complacency, we\'ll help you get your ass in gear. If you need to be nurtured, accepted, and understood, we\'ll shower you with unconditional love. If you need to heal, we\'ll help you heal.\r\n\r\nA major goal of CGC is to help you get good at holistic transformation, so you can continue creating the life you desire, regardless of the future challenges you may face.\r\n\r\nPricing\r\n\r\nYour investment for a full year of membership in Conscious Growth Club is $1997.\r\n\r\nYou can pay for your membership up front with a single payment, or you can choose a payment plan. The payment plan is 8 payments of $297, spaced a month apart. So that\'s 1 payment of $297 when you sign up and then 7 more monthly payments of $297 after that. Whether you opt for the one-pay or the payment plan, it\'s still a one-year membership.\r\n\r\nIt\'s important for us to create a strong feeling of investment from the members, so everyone in the group has some real skin in the game. As with any type of coaching or club, active participation means results.\r\n\r\nYour CGC membership will last for a whole year, so you\'ll have many opportunities and lots of time to extract good value for your investment.\r\n\r\nI can tell you from experience that when you join this group, you\'re going to grow in many ways that you would not have predicted in advance. Some of your expected improvements will surely happen too, but be prepared for surprises. When we expose ourselves to such intense transformational energy, it changes us in ways we wouldn\'t even have thought to ask for. I get changed by this energy too.\r\n\r\nMoney-Back Guarantee\r\n\r\nIf you join CGC and decide for whatever reason that the group isn\'t a match for you, just request a refund within the first 30 days of your membership, and we\'ll refund your money.\r\n\r\nEarly Access – Now Open\r\n\r\nI expect to do the official launch of CGC in Summer 2017. However, enthusiasm about CGC has been so high that many people have inquired about the possibility of joining sooner, even while the program is still in development, so I\'ve added an Early Access option that has already proven very popular, with dozens of people joining in just the first week and more still signing up each day.\r\n\r\nHere\'s how CGC Early Access works:\r\n
    \r\n
  • No extra cost- If you want Early Access to CGC, you still pay the same price when you join, but your one-year membership doesn\'t start counting down until we do the official launch in the summer. So the whole Early Access period is bonus time added to the front of your membership for no extra cost. Hence the sooner you join, the more free bonus time you get.
    • \r\n
  • Access to the forums- Our discussion forums are already up and running with dozens of active Early Access members, so you\'ll get access to the forums when you sign up.
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  • Earliest possible access to CGC courses- As we develop the CGC courses, you\'ll be able to access each piece as soon as it\'s available.
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  • Extra coaching calls- As an Early Access member, you\'ll be able to participate in extra coaching calls that we host during the Early Access period.
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  • Extended money-back guarantee- For Early Access members, I\'m extending the money-back guarantee from the time of sign-up until the end of the official launch window, plus another 30 days. That way you\'re still getting the same 30-day guarantee as anyone else who enrolls during the official launch, and your guarantee spans the entire Early Access period too.
    • \r\n
\r\nJoin Conscious Growth Club – Early Access\r\n\r\nIf you wish to join Conscious Growth Club during the Early Access period and get started right away, you can sign up right here:\r\n\r\nPay in Full\r\n\r\n$1997\r\n
    \r\n
  • One payment of $1997 – Pay in full today, and save $379 compared to the payment plan
    • \r\n
  • Membership:One full year of CGC membership
    • \r\n
  • Early Access Bonus:Early Access period added to the beginning for free
    • \r\n
  • Courses:Members-only video training courses on a variety of personal growth topics (with audio and text formats available too)
    • \r\n
  • Coaching:90-minute video coaching calls 3-4 times per month (with recordings posted after the calls)
    • \r\n
  • Forums:Private discussion group to connect with Steve and other CGC members for support, accountability, and friendship
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  • Deep Dives:Opportunities to participate in frequent deep dives such as 30-day trials to build new habits, gain skills, and complete creative projects
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  • Newsletter:Weekly members-only newsletter to share updates, highlights, and reminders
    • \r\n
  • Guarantee:100% money-back guarantee during the entire early access period + 30 more days
    • \r\n
\r\nJoin now – Pay in Full\r\n\r\n \r\n\r\nPayment Plan\r\n\r\n8 payments of $297\r\n
    \r\n
  • One payment of $297 today, and then 7 more monthly payments of $297
    • \r\n
  • Membership:One full year of CGC membership
    • \r\n
  • Early Access Bonus:Early Access period added to the beginning for free
    • \r\n
  • Courses:Members-only video training courses on a variety of personal growth topics (with audio and text formats available too)
    • \r\n
  • Coaching:90-minute video coaching calls 3-4 times per month (with recordings posted after the calls)
    • \r\n
  • Forums:Private discussion group to connect with Steve and other CGC members for support, accountability, and friendship
    • \r\n
  • Deep Dives:Opportunities to participate in frequent deep dives such as 30-day trials to build new habits, gain skills, and complete creative projects
    • \r\n
  • Newsletter:Weekly members-only newsletter to share updates, highlights, and reminders
    • \r\n
  • Guarantee:100% money-back guarantee during the entire early access period + 30 more days
    • \r\n
\r\nJoin now – Payment Plan\r\n\r\n \r\n

Need Help?

\r\nIf you have any questions about Conscious Growth Club or if you need help joining, please send a message through the contact form.','Let\'s Draw People Club','','inherit','closed','closed','','3518-revision-v1','','','2017-08-07 11:17:56','2017-08-07 18:17:56','',3518,'http://www.letsdrawpeople.com/3518-revision-v1/',0,'revision','',0); /*!40000 ALTER TABLE `wp_posts` ENABLE KEYS */; UNLOCK TABLES; -- -- Table structure for table `wp_pt_elements` -- DROP TABLE IF EXISTS `wp_pt_elements`; /*!40101 SET @saved_cs_client = @@character_set_client */; /*!40101 SET character_set_client = utf8 */; CREATE TABLE `wp_pt_elements` ( `id` int(8) NOT NULL AUTO_INCREMENT, `element_id` varchar(50) NOT NULL, `title` varchar(100) NOT NULL, `clone` int(2) NOT NULL, PRIMARY KEY (`id`) ) ENGINE=MyISAM AUTO_INCREMENT=19 DEFAULT CHARSET=utf8; /*!40101 SET character_set_client = @saved_cs_client */; -- -- Dumping data for table `wp_pt_elements` -- LOCK TABLES `wp_pt_elements` WRITE; /*!40000 ALTER TABLE 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To complete your registration, please select one of the two options:

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